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  <title>Mark Larson</title>
  <subtitle>Mark Larson's blog — writing, culture, design, and more since 2006.</subtitle>
  <link href="https://mlarson.org/feed.xml" rel="self"/>
  <link href="https://mlarson.org/"/>
  <updated>2026-04-12T18:43:45.000Z</updated>
  <id>https://mlarson.org/</id>
  <author>
    <name>Mark Larson</name>
  </author>
  
  <entry>
    <title>2026, Week 15</title>
    <link href="https://mlarson.org/2026/04/12/2026-week-15/"/>
    <updated>2026-04-12T18:43:45.000Z</updated>
    <id>https://mlarson.org/2026/04/12/2026-week-15/</id>
    <content type="html">&lt;p&gt;I&#39;ve gotten back into coding more recently. Well, vibe-coding. Maybe that&#39;s the right speed for me. I coooooooouuuuuuld learn more, and incrementally I do, sniffing around the edges. But lately a more mercenary approach from zero to one. Did some work to update a browser extension and other tools for work stuff, updating my &lt;a href=&#34;https://mlarson.org/2025/12/28/2025-week-51/&#34;&gt;white noise app from late last year&lt;/a&gt;, and moving this blog to 11ty for no particular reason. It&#39;s fun!&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Last week I went to the A&#39;s–Yankees game. It felt weird being at that stadium, enemy territory for a kid who went through a period of staunch Braves loyalty. But a lovely night out. I think that&#39;s my fifth or sixth MLB stadium – two in Atlanta, Baltimore, Denver, and San Francisco, and a handful in the minor leagues.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I also went to the dentist. I miss my old one, even if she did try to sell me whitening treatments all the time. At least I could count on some gospel music.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Not much can top a sunny Sunday morning stroll in the city with a little coffee in your system.&lt;/p&gt;
&lt;figure&gt;
  &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/04/bedstuy-flowering-tree.jpg&#34; alt=&#34;a flowering tree bursts into blossoms next to a gated driveway between brick buildings&#34;&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;On the Calculation of Volume, Book II. Finished up. The container theory of time is right there out in the open huh. What about all the Roman stuff though?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://press.princeton.edu/books/hardcover/9780691249490/the-first-king-of-england&#34;&gt;The First King of England: Æthelstan and the Birth of a Kingdom&lt;/a&gt;
So far, so good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;More consistent than previous, and by Friday morning, I could feel it all adding up. Fun long run into new-to-me parts of Queens.&lt;/p&gt;
&lt;figure&gt;
  &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/04/tree-blossoms.jpg&#34; alt=&#34;flowering blossoms on a tree silhouetted against a blue sky&#34;&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.itsnicethat.com/articles/valery-poshtarov-father-and-son-photography-project-230326&#34;&gt;Portraits of father and sons holding hands&lt;/a&gt;. (&lt;a href=&#34;https://austinkleon.substack.com/p/free-posters-zines-and-a-mixtape&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.derekthompson.org/p/how-zombie-flow-took-over-culture&#34;&gt;How &#39;Zombie Flow&#39; Took Over Culture&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=yv_y2HuoAuw&#34;&gt;Touring the mannequin storage room at FIT&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://tropes.fyi/tropes-md&#34;&gt;catalog of AI writing tropes&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I didn&#39;t know &lt;a href=&#34;https://en.wikipedia.org/wiki/Caf%C3%A9_du_Monde&#34;&gt;Café du Monde has been open since 1862&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://anhvn.com/posts/2026/bay-area/&#34;&gt;Bay Area travelogue&lt;/a&gt;.&lt;/p&gt;
&lt;figure&gt;
  &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/04/hunters-point-daffodils.jpg&#34; alt=&#34;daffodils line a grassy bank as the Manhattan skyline peeks from behind&#34;&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Julianna Barwick, Mary Lattimore, &lt;a href=&#34;https://open.spotify.com/album/1Y2iL8AjADwMh1EMMnKaQm&#34;&gt;Tragic Magic&lt;/a&gt;. Including a cover from the &lt;em&gt;Blade Runner&lt;/em&gt; soundtrack.&lt;/p&gt;
&lt;p&gt;Jeremiah Chiu, Marta Sofia Honer, &lt;a href=&#34;https://open.spotify.com/album/7uJLi3TtRhHKD7LtlRoEem&#34;&gt;Recordings from the Åland Islands&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Blake Clawson, Renova New Music Ensemble, Aric Vyhmeister, Peyton Magalhaes, &lt;a href=&#34;https://open.spotify.com/album/78VrBFDuGPMyTa96UslNK9&#34;&gt;Myrkvun&lt;/a&gt;. There&#39;s a melody in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3PaQWTFPLf00PMSZDEdrvs&#34;&gt;Haust&lt;/a&gt;&amp;quot; that I can&#39;t quite place. It sounds so similar to something, just can&#39;t put my finger on it. Maybe a tune from Holst, Grainger, Delius, Vaughan Williams?&lt;/p&gt;
&lt;p&gt;Dianna Lopez, &lt;a href=&#34;https://open.spotify.com/album/4NuG2YFq2u1jcawenqnPTi&#34;&gt;Earth Expressions&lt;/a&gt;. Nature + kora, guitar, etc.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/2zs2VEQyfjqG2UBAnaoYaQ&#34;&gt;Mozart: Piano Concertos No. 20 in D minor K.466 &amp;amp; No. 27 in B-flat Major, K.595&lt;/a&gt; perf. Mitsuko Uchida with The Cleveland Orchestra.&lt;/p&gt;
&lt;figure&gt;
  &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/04/manhattan-skyline-from-hunters-point.jpg&#34; alt=&#34;Manhattan skyline beyond the East River as seen from Hunter&#39;s Point in Queens&#34;&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/If_I_Had_Legs_I%27d_Kick_You&#34;&gt;If I Had Legs I&#39;d Kick You&lt;/a&gt;. I like how reality bends and blends. Good to see Rose Byrne&#39;s comedic talent used for something much darker, but often still funny.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Boiling_Point_(2021_film)&#34;&gt;Boiling Point&lt;/a&gt;. Stressful little ensemble piece with a lot of empathy. Really growing to appreciate Stephen Graham.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The X-Files, s6e5 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dreamland_(The_X-Files)&#34;&gt;Dreamland II&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Hannibal, s3e6. The &lt;a href=&#34;https://www.youtube.com/watch?v=_yVanyHZaMQ&#34;&gt;reunion scene&lt;/a&gt;! &amp;quot;If I saw you everyday, forever, Will, I would remember this time.&amp;quot; The romance you don&#39;t want to see (but kinda do?).&lt;/p&gt;
&lt;p&gt;Big Little Lies, s1e1–2. Let&#39;s see where this leads...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 14</title>
    <link href="https://mlarson.org/2026/04/05/2026-week-14/"/>
    <updated>2026-04-05T18:27:41.000Z</updated>
    <id>https://mlarson.org/2026/04/05/2026-week-14/</id>
    <content type="html">&lt;p&gt;I went to the eye doctor and faced mortality. I don&#39;t right now, but someday in the next year or two or three, I will need bifocals.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://justinduerr.medium.com/the-hunt-for-sidney-simes-wild-beast-wood-b14ae0f93c4c&#34;&gt;Wild Beast Wood&lt;/a&gt;, painting by Sidney Sime. &lt;a href=&#34;https://www.metmuseum.org/art/collection/search/488103&#34;&gt;Basketball (Convention Hall, Philadelphia)&lt;/a&gt;, 1935 watercolor by Michael Leone. &lt;a href=&#34;https://www.metmuseum.org/art/collection/search/483171&#34;&gt;Monuments at G.&lt;/a&gt;, gypsum and watercolor on canvas by Paul Klee. &lt;a href=&#34;https://www.moomin.com/en/blog/moomin-easter-paintings/&#34;&gt;Moomin and the Mymble paint an Easter egg&lt;/a&gt; by Tove Jansson. &lt;a href=&#34;https://artbyamberwilliams.com/work&#34;&gt;Collages made from ecurity envelope patterns&lt;/a&gt; by Amber Williams (&lt;a href=&#34;https://www.inconspicuous.info/p/a-close-look-at-security-envelopes&#34;&gt;via&lt;/a&gt;, &lt;a href=&#34;https://blog.chriswm.com/2026/04/05/w-leafing-out.html&#34;&gt;via&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace. Done! Finished in a hot sprint before March came to a close. I think the latter parts of the book dragged. Much more focus on the warfront, troop movements, and theory-of-history essays. I was itching for closure on the characters we started the story with. I&#39;d read it again, in abridged form.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/On_the_Calculation_of_Volume&#34;&gt;On the Calculation of Volume&lt;/a&gt;, Book II.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Dialing back just a tad on the mileage. First proper warm-ish run in the city this year on Saturday morning, t-shirt and shorts. It&#39;s going to take some adjustment.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://titlescream.cameronaskin.com&#34;&gt;Title Scream,&lt;/a&gt; graphics from 80s–90s videogames.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://faroutmagazine.co.uk/akira-kurosawa-hand-painted-storyboards/&#34;&gt;Akira Kurosawa&#39;s painted storyboards&lt;/a&gt;. And here are more &lt;a href=&#34;https://www.listal.com/list/akira-kurosawa-painting-screen&#34;&gt;side-by-side Kurosawa paintings and stills&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://educatedguessbyjaramontez.substack.com/p/chain-of-inspiration-a-look-at-the&#34;&gt;The visual language and fashion in Sailor Moon&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://whoami.wiki/blog/personal-encyclopedias&#34;&gt;family genealogy project&lt;/a&gt; turns into &lt;a href=&#34;https://whoami.wiki/&#34;&gt;a personal encyclopedia&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Those &lt;a href=&#34;https://vineyardgazette.com/news/2026/03/10/call-pinkletink-welcome-chorus-after-tough-winter&#34;&gt;frogs that hang out in trees and chirp are called pinkletinks&lt;/a&gt; in some regions, &lt;a href=&#34;https://en.wikipedia.org/wiki/Spring_peeper&#34;&gt;spring peepers&lt;/a&gt; in others. &amp;quot;Their Latin name, pseudacris crucifer, can reveal a lot, […]. Pseudo means false in Latin, and cris denotes cricket or locust.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://kyla.substack.com/p/the-ozempicization-of-the-economy&#34;&gt;The Ozempicization of the Economy&lt;/a&gt; and &lt;a href=&#34;https://writing.tobyshorin.com/body-futurism/&#34;&gt;Body Futurism&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theargumentmag.com/p/stop-trying-to-make-me-buy-a-house&#34;&gt;Stop trying to make me buy a house&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.joanwestenberg.com/the-ai-writing-witchhunt-is-pointless/&#34;&gt;We are all made smaller&lt;/a&gt; by the pursuit of unproven and unprovable purity.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://benyeoh.substack.com/p/tyler-cowen-and-henry-oliver-had&#34;&gt;Strong works of art exceed any single paraphrase of their meaning&lt;/a&gt;. They remain open enough to support serious disagreement.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Black_Bart_(outlaw)&#34;&gt;Black Bart&lt;/a&gt; was a stagecoach robber with a grudge against Wells Fargo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Highlight from my listening week was an almost-trio of albums from Mathieu David Gagnon:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6Giw0b7O35bkmQhElSXOlg&#34;&gt;Volume I&lt;/a&gt;. I love the toothy strings in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/27FOiBu8zlJQSCduB1kvPe&#34;&gt;Fleuve I&lt;/a&gt;&amp;quot; and the way the anxiety ratchets up and up and up in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4YdncbekrXXxgw5NpCWGka&#34;&gt;1991&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3s5KiJfM1Ijd3vJA3v1q6k&#34;&gt;Volume II&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1eliqvWVRwQPQI8oAylyDt&#34;&gt;Voiles&lt;/a&gt;&amp;quot; is a nice little romance and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7HikxcUJxT01esHdEXZWes&#34;&gt;Navigation IV&lt;/a&gt;&amp;quot; maybe even more so.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/prerelease/07JylSXYOnYFlw8IiVfuz1&#34;&gt;Volume III&lt;/a&gt; (soon!)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Nilam, &lt;a href=&#34;https://open.spotify.com/album/1HGz1ufV2UHk0OYsVxbcl3&#34;&gt;Ganavya&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4af2XD3lKOsJWxbYX92bNE&#34;&gt;Land&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Atabasca, &lt;a href=&#34;https://open.spotify.com/album/1oYySd0dqIgl5od4m3rzhQ&#34;&gt;Atabasca&lt;/a&gt;. It has some Hermanos Gutiérrez flavor, but a bit more variety in sonic palette.&lt;/p&gt;
&lt;p&gt;Tomaga, &lt;a href=&#34;https://open.spotify.com/album/5uU3uLAmcSsZUpTjNLu59H&#34;&gt;Intimate Immensity&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Fazer, &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/1fURVlXnF7ppIPwzxwCkwK&#34;&gt;Khanda&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Crime_101_(2026_film)&#34;&gt;Crime 101&lt;/a&gt;. Ah, such fun! Mashes up a bunch of things I love but a bit more than a simple reheat, pun intended. I love seeing Hemsworth so bottled up and socially awkward. I will watch again some day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s6e4 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dreamland_(The_X-Files)&#34;&gt;Dreamland&lt;/a&gt;&amp;quot;. Not sure these early-season two-parters work for me. I do like the switcheroo, though!&lt;/p&gt;
&lt;p&gt;Hannibal, s3e5.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 13</title>
    <link href="https://mlarson.org/2026/03/29/2026-week-13/"/>
    <updated>2026-03-29T19:12:27.000Z</updated>
    <id>https://mlarson.org/2026/03/29/2026-week-13/</id>
    <content type="html">&lt;p&gt;Some highs, some lows, forward we go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
This weekend: various &lt;a href=&#34;https://www.brantfoundation.org/exhibitions/keith-haring/&#34;&gt;Keith Haring artworks at the Brant Foundation&lt;/a&gt;. &lt;a href=&#34;https://www.rijksmuseum.nl/en/collection/object/Oever-van-de-IJssel-bij-Hattem--ddd02c682a5532856a1ee76de03b5984?tab=data&#34;&gt;Bank of the IJssel near Hattem&lt;/a&gt;, painting by Jan Voerman.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace. 87% through. So close.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/predawn-mount-prospect-park.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11303&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
I should &lt;a href=&#34;https://x.com/Prof_Kalkyl/status/2037946247844069676&#34;&gt;build a Superchair&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/sha_zng/status/2035494422826401812&#34;&gt;On expanding awareness around emotions&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/for-the-love-of-god-learn-to-paragraph&#34;&gt;For the love of God, learn to paragraph&lt;/a&gt; and &lt;a href=&#34;https://jasmi.news/p/ai-writing&#34;&gt;Why LLMs are good editors but bad writers&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/smoker-on-franklin-ave.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11305&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Suzy Sheer, &lt;a href=&#34;https://open.spotify.com/album/3g99XoVHz3t3EKfzPH5899&#34;&gt;Euphoriphilia&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/4gcRKXDe7AfqNTvz5py455&#34;&gt;The One&lt;/a&gt;. Echoes of Crystal Castles (compliment).&lt;/p&gt;
&lt;p&gt;GoGo Penguin, &lt;a href=&#34;https://open.spotify.com/album/3K20Qp773ImY8pBQ1vUt93&#34;&gt;Between Two Waves&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Oren Ambarchi, Johan Berthling, Andreas Werliin:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0vvMzwwsZaxPG2Iy7C7tGU&#34;&gt;Ghosted&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0WgJaSJQogrFmTWdRxP0bH&#34;&gt;Ghosted II&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2RkXRUTEpDyrDlZ4RuHre9&#34;&gt;Ghosted III&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Chris Abrahams, Oren Ambarchi, Robbie Avenaim, &lt;a href=&#34;https://open.spotify.com/album/1DPeoct1jNAtuIkKpopgc6&#34;&gt;Placelessness&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Naked_Spur&#34;&gt;The Naked Spur&lt;/a&gt;. Really liked this western, sort of a moving chamber piece. James Stewart as greedy bounty hunter, Robert Ryan&#39;s sly intellectual villain needling him along, like we later see in &lt;a href=&#34;https://mlarson.org/2011/08/01/310-to-yuma-1957-this-is-another-western-with/&#34;&gt;3:10 to Yuma&lt;/a&gt;. Protagonist sort of crumbles rather than triumphs into a better state. We hope.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Peaky_Blinders:_The_Immortal_Man&#34;&gt;Peaky Blinders: The Immortal Man&lt;/a&gt;. It doesn&#39;t work for me, but it&#39;s fine. I have no attachment to the TV show, so I&#39;m not the audience anyway. At least I know what a &lt;a href=&#34;https://www.etymonline.com/word/toff&#34;&gt;toff&lt;/a&gt; is now.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/discarded-chemical-bottles.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11307&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s6e3 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Triangle_(The_X-Files)&#34;&gt;Triangle&lt;/a&gt;&amp;quot;. The will-they-or-won&#39;t-they has been answered… sort of.&lt;/p&gt;
&lt;p&gt;Hannibal, s3e3–4. Everyone using each other to sharpen their motivations.&lt;/p&gt;
&lt;p&gt;DuckTales (1987), s1e1. &amp;quot;Uhhhh yes and no, Uncle Donald&amp;quot;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 12</title>
    <link href="https://mlarson.org/2026/03/22/2026-week-12/"/>
    <updated>2026-03-22T15:23:01.000Z</updated>
    <id>https://mlarson.org/2026/03/22/2026-week-12/</id>
    <content type="html">&lt;p&gt;One of the highlights of the last week is &amp;quot;hobby night&amp;quot;, where we took a couple hours just to scratch a creative itch. I pulled out my new loom and weaved a couple inches of progress. Then pulled out my old guitar, basically the first time in several years.&lt;/p&gt;
&lt;p&gt;One thing that struck me was just more awareness of my body, in a different way than the everyday stuff I can do on auto-pilot – laptop work, cooking, running, chores. When weaving, so often something would feel difficult and I&#39;d realize it&#39;s because my shoulders had gotten all scrunched up, or posture was wacky, or fingers too tense. (It also felt difficult because I&#39;m new and bad at it.) Ditto when playing guitar. I know enough to get too far ahead of myself, so I had to stop, rewind, force myself back to basics: focus on simple finger placement, just enough tension, making clean transitions, staying relaxed, etc..&lt;/p&gt;
&lt;p&gt;The creative outlet felt really good. Keep your hobbies available to you!&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/ridgewood-bodega-flowers.jpg?w=1024&#34; alt=&#34;morning light chases a shadow across a closed storefront with flower bouquets visible behind the glass entrance&#34; class=&#34;wp-image-11289&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace. Down to the last 30%.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Trying to find my morning flow again. Still not adjusted to the time change, and it&#39;s been hard to get through everything efficiently. For the weekend long run, more exploration in Bushwick/Ridgewood.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
A glimpse of my future, I hope: &amp;quot;Years may wrinkle skin, but &lt;a href=&#34;https://aeon.co/videos/movement-is-a-life-philosophy-for-an-87-year-old-runner&#34;&gt;to give up enthusiasm wrinkles the soul&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.commonreader.co.uk/p/middlemarch-is-a-novel-about-sympathising&#34;&gt;Middlemarch is a novel about sympathising with everyone&lt;/a&gt; and &lt;a href=&#34;https://www.plough.com/en/topics/life/beauty/the-moral-beauty-of-middlemarch&#34;&gt;The Moral Beauty of Middlemarch&lt;/a&gt;. (Thanks &lt;a href=&#34;https://www.jdilla.xyz/&#34;&gt;James&lt;/a&gt;!)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.bloomberg.com/news/articles/2026-03-20/to-understand-ai-s-future-read-dickens-bronte-industrial-revolution-novels&#34;&gt;The Best Guide to the AI Revolution May Be Victorian Fiction&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.pewresearch.org/religion/2026/03/19/what-do-americans-consider-immoral/&#34;&gt;What do Americans consider immoral&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;It seems that &lt;a href=&#34;https://www.theargumentmag.com/p/how-youth-sports-supercharged-the&#34;&gt;youth sports promote zero-sum thinking in parents&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://craigmod.com/roden/112/#the-machines-dont-yet-look-inward&#34;&gt;Humans tend to over-index on this presumed precision of language&lt;/a&gt;, as if it were like a laser pointer aimed at a Rembrandt. It’s more like lobbing water balloons at cave shadows.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thenewatlantis.com/publications/american-diner-gothic&#34;&gt;American Diner Gothic&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Ivo Jannsen, Mallet Collective Amsterdam, &lt;a href=&#34;https://open.spotify.com/album/1hTIpGZnUQVwYWmcbIgXRg&#34;&gt;Canto Ostinato: Live at the Concertgebouw&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Oren Ambarchi, &lt;a href=&#34;https://open.spotify.com/album/1khpMdVH3EXz5RWt4WRAbg&#34;&gt;Shebang&lt;/a&gt;. The momentum in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/53t36WpigyJBFRFy3jrygw&#34;&gt;III&lt;/a&gt;&amp;quot; makes me want to get stuff done.&lt;/p&gt;
&lt;p&gt;Biosphere, &lt;a href=&#34;https://open.spotify.com/album/1cNQwur61lzMiVdZyYoTA0&#34;&gt;The Way of Time&lt;/a&gt;. I like the bass pulsing in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2yLjP5qwqSQe5CKLgZ891F&#34;&gt;Like the End of the World&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Little John, Sly &amp;amp; Robbie, &lt;a href=&#34;https://open.spotify.com/album/1YmNRdmUsDaa2Hq03H4M8C&#34;&gt;Give Thanks and Praise&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Three works by Anton Bruckner, from Orchestre de la Suisse Romande cond. Marek Janowski. Bruckner remains an unsolved puzzle...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4yclf0vrNytAoMDOTW1hWJ&#34;&gt;Symphony No. 1 in C minor, WAB 101&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2SloCR7e7k53QJabDeVkpX&#34;&gt;Symphony No. 2 in C minor, WAB 102&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6HnPL09RFmlCycU0IrMBed&#34;&gt;Mass No. 3 in F minor, WAB 28&lt;/a&gt;. The fifth movement &lt;a href=&#34;https://open.spotify.com/track/0ZQYJsrZJbOSOzNLuhlh9a&#34;&gt;Benedictus&lt;/a&gt; may be the only thing that stuck with me.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Three from Scott Tennant and his classical guitar...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4CLdpXYFkpgYv4N24pCPEi&#34;&gt;The Segovia Sessions&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3tr0ADOpxs3QIJgn2s4P0r&#34;&gt;Mysterious Barricades&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/66RJooRlSUvaigADU9gnyO&#34;&gt;Wild Mountain Thyme – Celtic Music for Guitar&lt;/a&gt;. When the &lt;a href=&#34;https://open.spotify.com/track/5qTZcw5FnpCbUQfzYcg1jM&#34;&gt;title track&lt;/a&gt; came on I thought, &amp;quot;Hey I know that &lt;a href=&#34;https://www.youtube.com/watch?v=teJtu1zdAcY&#34;&gt;from somewhere&lt;/a&gt;…&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Best_in_Show_(film)&#34;&gt;Best in Show&lt;/a&gt;. DNF. Couldn&#39;t hang with it. The quirky characters semd to trend in the same direction, maybe the tone flattening them. Too unmotivated to reel me in this time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sorry%2C_Wrong_Number&#34;&gt;Sorry, Wrong Number&lt;/a&gt;. Loved this one! Suspense and intrigue, and an immobile protagonist like &lt;a href=&#34;https://en.wikipedia.org/wiki/Rear_Window&#34;&gt;Rear Window&lt;/a&gt; a few years later. NYC movies hit different when you&#39;ve lived here a while.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/After_Hours_(film)&#34;&gt;After Hours&lt;/a&gt;. Fun little film. Scorsese! A weird-as-dreams or sharper-than-life Oz-/Odyssey-like attempt to get back home over the course of a long night, thwarted again and again.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Pelican_Brief_(film)&#34;&gt;The Pelican Brief&lt;/a&gt;. Solid thriller. Roberts and Denzel just leap off the screen in ways that few others do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s6e2 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Drive_(The_X-Files)&#34;&gt;Drive&lt;/a&gt;&amp;quot;. Really fun episode, great pace.&lt;/p&gt;
&lt;p&gt;Hannibal, s3e1–2&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Weeks 10–11</title>
    <link href="https://mlarson.org/2026/03/15/2026-weeks-10-11/"/>
    <updated>2026-03-15T17:45:42.000Z</updated>
    <id>https://mlarson.org/2026/03/15/2026-weeks-10-11/</id>
    <content type="html">&lt;p&gt;Last week I went back home. Visited old friends, bopped around Atlanta, got my Waffle House fix, sat for an impromptu photoshoot, walked by a lake, walked in the woods, worked for a few days from my parents&#39; house, ate too much, slept too late, went on gentle hikes, and explored some parts of the state I&#39;d never been to before.&lt;/p&gt;
&lt;p&gt;Hadn&#39;t had a proper museum visit this year, so we fixed that thrice over at the &lt;a href=&#34;https://en.wikipedia.org/wiki/Robert_C._Williams_Museum_of_Papermaking&#34;&gt;Museum of Papermaking&lt;/a&gt; at Georgia Tech, Emory&#39;s &lt;a href=&#34;https://en.wikipedia.org/wiki/Michael_C._Carlos_Museum&#34;&gt;Carlos Museum&lt;/a&gt;, and the Etowah Archaeological Museum at &lt;a href=&#34;https://en.wikipedia.org/wiki/Etowah_Indian_Mounds&#34;&gt;Etowah Indian Mounds&lt;/a&gt;. Also paid a visit to the &lt;a href=&#34;https://en.wikipedia.org/wiki/New_Echota&#34;&gt;New Echota&lt;/a&gt; historic site. The mounds were the coolest of the set – just about every place on Earth has the echoes of a previous civilization…&lt;/p&gt;
&lt;p&gt;Coming back home with a full heart, and very pleasantly tired.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/sunrise-powerlines-fence.jpg?w=1024&#34; alt=&#34;sunrise silhouettes a distant forest and lights the edges of clouds above a country road lined by a fence&#34; class=&#34;wp-image-11277&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://collections.carlos.emory.edu/objects/17419/seated-male-figure?ctx=c34869afd7f16d3023b26bf28e6d91befcdc5dab&amp;amp;idx=0&#34;&gt;Seated male figure in basalt&lt;/a&gt; from the Cartago-La Cabaña cultures.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Very glad I took my running shoes with me on my trip. Didn&#39;t run as much as I initially thought I would, but there&#39;s no outlet like it, and came back home in better shape than I usually do after week-long trips.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/papermaking-stereoscope.jpg?w=1024&#34; alt=&#34;a view through one lens of a stereoscope to a photograph of men working in a papermaking shop&#34; class=&#34;wp-image-11278&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.derekthompson.org/p/three-reasons-to-be-a-parent&#34;&gt;There is nothing about being a parent that isn’t a cliché&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.jonbirdsong.com/the-brutal-economics-of-reviving-downtown-atlantas-historic-south-broad-street/&#34;&gt;Reviving Atlanta&#39;s south downtown neighborhood&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://unsung.aresluna.org/when-you-make-a-release-thats-okay&#34;&gt;You can’t have craft without being at peace with pride and embarrassment existing&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.slowboring.com/p/could-the-second-mexican-empire-have&#34;&gt;Have Oscar voters’ tastes improved since I was a teenager&lt;/a&gt;, or have I become a boring, middle-aged establishmentarian who likes boring, competent movies?&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?app=desktop&amp;amp;v=vpSkBV5vydg&#34;&gt;UTF-8, Explained Simply&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.tommydixon.ca/p/how-to-end-your-extremely-online&#34;&gt;How to end your extremely-online era&lt;/a&gt;. &amp;quot;Most of a good life is simply refusing to do what is bad.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/YearsProgress/status/2032879179939852678&#34;&gt;2026 is 20% complete&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Catrin FInch, Seckou Kaita, &lt;a href=&#34;https://open.spotify.com/album/1QcuN44g5JCEJQ9SBeWPlj&#34;&gt;SOAR&lt;/a&gt;. The kora is such a good instrument. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4aQva4Rw5WICRmykjDijNr&#34;&gt;Listen to the Grass Grow&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Ishmael Ensemble, &lt;a href=&#34;https://open.spotify.com/album/1858vxiOejGcE1K3gKXtAV&#34;&gt;A State of Flow&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A few from Erik Hall…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Simeon ten Holt&#39;s &lt;a href=&#34;https://open.spotify.com/album/6nRzGIFEUCxf19vdEdZEZ5&#34;&gt;Canto Ostinato&lt;/a&gt;. Really sings in&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2wued0ZEG8LPuG1ytU4r6u&#34;&gt;Sections 31–40&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;Steve Reich&#39;s &lt;a href=&#34;https://open.spotify.com/album/1htaihWHjMXZTupJanFnfC&#34;&gt;Music for 18 Musicians&lt;/a&gt;. One of the best from one of the best.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2Jh9eQ939mpMk49dTWexTv&#34;&gt;Solo Three&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/etowah-mounds-entrance.jpg?w=1024&#34; alt=&#34;view of the Etowah Indian Mounds seen beyond several tall trees&#34; class=&#34;wp-image-11280&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/etoway-river-overlook.jpg?w=1024&#34; alt=&#34;view of the Etowah River from atop one of the Etowah Indian Mounds; the river is lined by tall trees and a green lawn&#34; class=&#34;wp-image-11279&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Peter_Rabbit_(film)&#34;&gt;Peter Rabbit&lt;/a&gt;. Pleasantly charming, good for a couple laughs.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s6e1 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Beginning_(The_X-Files)&#34;&gt;The Beginning&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Dark, s2e4-8. Second season complete.&lt;/p&gt;
&lt;p&gt;Pokémon: Indigo League, s1e2. The plot didn&#39;t do much for me but at least &lt;a href=&#34;https://www.youtube.com/watch?v=JuYeHPFR3f0&#34;&gt;the theme song rips&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 9</title>
    <link href="https://mlarson.org/2026/03/01/2026-week-9/"/>
    <updated>2026-03-01T18:42:51.000Z</updated>
    <id>https://mlarson.org/2026/03/01/2026-week-9/</id>
    <content type="html">&lt;p&gt;Last week was Sunday afternoon reggae into Sunday evening blizzard. It&#39;s nice to feel cozy inside while outside is chaos. But you have to take care to get back out again.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Last year &lt;a href=&#34;https://mlarson.org/2025/05/18/2025-weeks-19-20/&#34;&gt;I went to a weaving workshop&lt;/a&gt;. This year I got a loom. Just a small one to scratch the itch. Now the question is figuring out where this thing fits in my life. I feel like it&#39;ll be a great evening time-passer.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;My latest lifehack – from lazy accident – is doing (some of) my chores on weekdays. It&#39;s a great way to wind down productively – engaged, but not stressed – and helps the weekends feel more spacious.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/brower-park-pizza-box-snowy-bleachers.jpg?w=881&#34; alt=&#34;a pizze box rests on bleachers above snow-covered ground&#34; class=&#34;wp-image-11268&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://collections.artsmia.org/art/4566/far-echo-george-morrison&#34;&gt;Far Echo, Red Rock Variation: Lake Superior Landscape&lt;/a&gt;, acrylic on canvas on board by George Morrison. There&#39;s some really, really cool stuff in the &lt;a href=&#34;https://www.themodernquiltguild.com/quiltcon-home/winners/quiltcon-2026-winners&#34;&gt;QuiltCon 2026 Winners Gallery&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I&#39;ve now run every street in Red Hook. ✔️&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/before-and-after-why-makeovers-were&#34;&gt;Redefining makeovers&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Phoniness wasn’t a sign I was fundamentally, intrinsically unworthy of my aspirations. Phoniness was, in fact, &lt;a href=&#34;https://www.personalcanon.com/p/how-to-change-your-life-part-2-on&#34;&gt;an essential part of any aspirational project&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://austinkleon.substack.com/p/how-i-get-into-something-new&#34;&gt;How to get into something new&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://infovores.substack.com/p/how-to-make-use-of-the-books-you&#34;&gt;How to make use of books you don&#39;t read&lt;/a&gt;. &amp;quot;You do not always know where to find what you are looking for.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.personalcanon.com/p/research-as-leisure-activity&#34;&gt;Research as leisure activity&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.msn.com/en-us/news/world/a-british-explorer-s-quest-to-reach-all-the-middles-of-nowhere/ar-AA1WRMQ9&#34;&gt;A British explorer’s quest to reach all the middles of nowhere&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.bklynlibrary.org/blog/2026/02/24/nine-lives-franklin&#34;&gt;The nine lives of the Franklin Avenue Shuttle&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/magazine/1953/10/17/saturday-storm&#34;&gt;Saturday Storm&lt;/a&gt;, poem by Phyllis McGinley.&lt;/p&gt;
&lt;p&gt;I love the format for &lt;a href=&#34;https://jennifermillsnews.tumblr.com/&#34;&gt;Jennifer Mills&#39; weekly updates&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2026/02/26/magazine/acl-tear-women-girl-sports.html&#34;&gt;Why Are So Many Teen Girls Still Tearing Their A.C.L.s&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&amp;quot;At this point, &lt;a href=&#34;https://www.thecut.com/article/lululemon-leggings-sets-comparison-alo-vuori.html&#34;&gt;how many more leggings can we buy&lt;/a&gt;?&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/03/blizzard-snow-window.jpg?w=825&#34; alt=&#34;view outside toward a snow-covered street from inside a house through a window where wind-blown snow has stuck to the pane&#34; class=&#34;wp-image-11269&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Listened to a few from Sly &amp;amp; Robbie, after learning of Sly Dunbar&#39;s death. It all sort of blurs together for me, but it&#39;s a good vibe.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1U8KEjmkdMBZR7MAL1S94g&#34;&gt;Hordcore Dub&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3aexpJuBaGJyvdLLlmjpSo&#34;&gt;The Unmetered Taxi&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/11URuH1VFGIvtAzneZ4gxG&#34;&gt;Crucial Reggae&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4ieouBkV0tr2WKnuFny1f2&#34;&gt;Raiders of the Lost Dub&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4owqd5j5koKCthHM4XZydS&#34;&gt;The Sting&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Biosphere, &lt;a href=&#34;https://open.spotify.com/album/2HTr1MqQNLWz5LDPNY1YFH&#34;&gt;Shenzhou&lt;/a&gt;. Good one! Moody and floaty and slow. Listen: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0s5EmEIfm5BGHSfVL76TfM&#34;&gt;Ancient Campfire&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4tvFYcymXNBbi3qpYGtjOu&#34;&gt;Houses on the Hill&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Terry Riley, &lt;a href=&#34;https://open.spotify.com/album/6mJBD78Ohy7Ch8VVcniS10&#34;&gt;A Rainbow in Curved Air&lt;/a&gt;. A certified classic, and a great companion to…&lt;/p&gt;
&lt;p&gt;Laurie Spiegel, &lt;a href=&#34;https://open.spotify.com/album/1oiMfhS7X0MJSjowR49VPK&#34;&gt;The Expanding Universe&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The Tallis Scholars, &lt;a href=&#34;https://open.spotify.com/album/04sgr0KEThvRiE4HrwvSOo&#34;&gt;Renaissance Radio&lt;/a&gt;. Solid compilation. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4NDimHeeq6pJb7wyuqYwAp&#34;&gt;If Ye Love Me&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Elori Saxi, Henry Solomon, &lt;a href=&#34;https://open.spotify.com/album/3HKaS5uR80yGC1SW34d4ll&#34;&gt;Seeing Is Forgetting&lt;/a&gt;. Electronics + sax/woodwinds. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/06nEgP2Xm4Z68GCmR2GXtv&#34;&gt;Reno Silver&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Apparat, &lt;a href=&#34;https://open.spotify.com/album/2NgcipPgtbHvKUaDz1LgxJ&#34;&gt;The Devil&#39;s Walk&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4VxaUj96W2jw9UOtKHu51p&#34;&gt;Goodbye&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Jamie xx, &lt;a href=&#34;https://open.spotify.com/album/2XgZQ0IFRwZcqsk6RWReKS&#34;&gt;In Waves&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Absolutely, &lt;a href=&#34;https://open.spotify.com/album/4MYuzqnlockAAmjoVA0orI&#34;&gt;Cerebrum&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Ghostwatch&#34;&gt;Ghostwatch&lt;/a&gt;. Maybe a progenitor of the found footage horror genre. Interesting more for historical reasons. Maybe would have landed more if I&#39;d watched it at nighttime!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Juror_No._2&#34;&gt;Juror No. 2&lt;/a&gt;. This one had been lingering on my watchlist forever. Glad I made time for it. Need to keep going with legal thrillers.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Dark, s2e1–3.&lt;/p&gt;
&lt;p&gt;CSI: Miami, s4e23.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 8</title>
    <link href="https://mlarson.org/2026/02/22/2026-week-8/"/>
    <updated>2026-02-22T19:21:33.000Z</updated>
    <id>https://mlarson.org/2026/02/22/2026-week-8/</id>
    <content type="html">&lt;p&gt;It&#39;s amazing how much difference a solid chunk of time can make. A couple days I had frustratingly chopped up calendar – doctor appointment, mid-day transit, meetings on and off every 30 minutes. And on another day: early morning, empty office, nothing on the calendar &#39;til after lunch. Blank slate for complete thoughts.&lt;/p&gt;
&lt;p&gt;Each draining in their own way. Last week I found myself returning home completely flatlined. Enough energy to get out a few sentences but after that: …………. What a weird feeling.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;It&#39;s now the &lt;a href=&#34;https://www.today.com/life/astrology/fire-horse-lunar-new-year-chinese-zodiac-meaning-rcna259324&#34;&gt;Year of the Fire Horse&lt;/a&gt;. Fun to read up on my own year&#39;s animal and element. It&#39;s not for me, but like horoscopes or fortune-telling or other divination, it still scratches that itch where it&#39;s inherently compelling to recognize yourself in a description.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;We&#39;re set for another blizzard in a few hours, and I find myself wishing for a good ol&#39; fashioned snow day.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;A great Saturday morning: coffee, pastry, and a date at the library.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/eastern-pkwy-action-figure-on-table.jpg?w=852&#34; alt=&#34;colorful action figures array on a white table&#34; class=&#34;wp-image-11258&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.brooklynmuseum.org/objects/68650&#34;&gt;Fish and Mushrooms&lt;/a&gt;, woodcut on paper by Luigi Rist. &lt;a href=&#34;https://www.artic.edu/artworks/47403/oiwa-oiwa-san-from-the-series-one-hundred-ghost-tales-hyaku-monogatari&#34;&gt;Oiwa (Oiwa-san), from the series &amp;quot;One Hundred Ghost Tales (Hyaku monogatari)&amp;quot;&lt;/a&gt;, color woodblock print by Katsushika Hokusai – &amp;quot;The title refers to a game in which people would gather at night to tell scary stories, putting out a candle after each tale until the room was completely dark.&amp;quot; &lt;a href=&#34;https://www.artic.edu/artworks/185767/large-mowing-machine-with-horses&#34;&gt;Large Mowing Machine with Horses&lt;/a&gt;, oil on canvas by Jacques Villon. &lt;a href=&#34;https://www.caagallery.org.uk/art/5536909&#34;&gt;Avatar Reef Teapot&lt;/a&gt;, semi porcelain by Delfina Emmanuel. &lt;a href=&#34;https://www.artic.edu/artworks/184432/monkeys-on-a-fruit-tree&#34;&gt;Monkeys on a Fruit Tree&lt;/a&gt;, ink and colors on silk hanging scroll by Mori Sosen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace. You spend 1000 pages with fictional characters and then Napoleon bursts into the room.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Settling in nicely, somehow my biggest weekly mileage since September. Reminding myself that the short little runs as a daily dose still have huge positive spillover into the rest of my days. Note-to-self, &lt;a href=&#34;https://x.com/dostoevesque/status/2023285530998554978&#34;&gt;treat exercise like brushing your teeth&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://austinkleon.com/2026/02/20/my-next-book-dont-call-it-art/&#34;&gt;Don&#39;t Call It Art!&lt;/a&gt;. Pre-ordered! Get on board.&lt;/p&gt;
&lt;p&gt;&amp;quot;The other notion of playfulness that I find really useful is from Maria Lugones, the great feminist philosopher, in this beautiful paper called &#39;Playfulness, World-Traveling, and the Loving Gaze.&#39; She says that &lt;a href=&#34;https://www.dialectic.fm/c-thi-nguyen&#34;&gt;playfulness is the ability to move lightly between worlds&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;It&#39;s not so much that we need to teach them these things, as much as we need to &lt;a href=&#34;https://buttondown.com/monteiro/archive/how-to-raise-children/&#34;&gt;encourage them to keep believing these things&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ifstudies.org/report-brief/resilient-children-struggling-parents-mapping-american-parenting&#34;&gt;Resilient Children, Struggling Parents: Mapping American Parenting&lt;/a&gt;. &amp;quot;Using a composite score that measures the extent to which children have independent, playful, socially-diverse, and technology-lite childhoods, we find that kids in the Great Plains, Mountain states, and New England have the highest scores, while a cluster of states around Southern Appalachia are where children have the least independent, least socially-diverse, most technologically-dependent childhoods.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;But &lt;a href=&#34;https://www.thefp.com/p/tough-love-do-i-like-being-single&#34;&gt;needing and being needed&lt;/a&gt;—the bottomless empathy and vulnerability they require—are exquisite not because the feeling of love is so special but because the person you love is, to you.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Science fiction is often called upon to cast a line into the future to &lt;a href=&#34;https://www.nytimes.com/2026/02/18/magazine/paul-verhoeven-movie-trump-kristi-noem.html?unlocked_article_code=1.NFA.OLTw.j22mMeU-50mD&amp;amp;smid=url-share&#34;&gt;plumb the possible consequences of our modern ironies&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;When I’m on set or thinking about a story, making sure that the audience is engaged and that I’m also excited, I have to fight through the sensation of, &#39;Oh my god, another fucking over-the-shoulder shot.&#39; I have to push through that and go, &#39;&lt;a href=&#34;https://letterboxd.com/journal/steven-soderbergh-interview-nitehawk-film-season/&#34;&gt;You’re building a sentence&lt;/a&gt;. Getting upset when you have to shoot an over-the-shoulder shot is like getting upset at using the word ‘and’ or ‘the’ in a sentence. It has to be done. It’s part of the grammar.&#39;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://dialed.gg/&#34;&gt;A color memory game&lt;/a&gt;. I got 44.07/50 on first and only attempt, happy with that. (&lt;a href=&#34;https://kottke.org/26/02/0048401-the-color-game-humans-can&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://pudding.cool/2026/02/womens-sizing/&#34;&gt;Women&#39;s clothing sizes are a mess&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://lucindabounsall.substack.com/p/the-taxonomy-of-merch&#34;&gt;The Taxonomy of Merch&lt;/a&gt;. &amp;quot;Why does wearing merch in real time, in the place it belongs to, feel so icky?&amp;quot; (&lt;a href=&#34;https://jaramontez.substack.com/p/07-study-notes&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://lareviewofbooks.org/article/cut-gems-natural-history-museum-geology-photography-schechter/&#34;&gt;Cut Gems&lt;/a&gt;. The art of retouching photographs of museum gem collections.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://squeaki.sh/p/i-turned-my-website-into-my-feed-reader/&#34;&gt;I turned my website into my feed reader&lt;/a&gt;. Very cool idea. 🤔&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://nicholasdecker.substack.com/p/the-buses-really-should-be-free&#34;&gt;The argument for free buses&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The &#39;America is behind Europe on trains&#39; narrative compares visibly mediocre service for passengers but ignores invisibly great service for cargo. &lt;a href=&#34;https://americanaffairsjournal.org/2026/02/why-are-american-passenger-trains-slow/&#34;&gt;Instead of asking why America lags Europe on passenger rail&lt;/a&gt;, we should be asking ourselves whether America can have better passenger rail and whether it should want to.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/st-johns-park-mural.jpg?w=1024&#34; alt=&#34;Mural depicting a people-, flower-, bike-, and car-filled road, flanked by brick red mountains and verdant rolling hills on one side, and Hokusai-inspired ocean waves on the other. A funky yellow factory is situated in the foreground, and a vibrant collection of city skyscrapers looms in the distance. &amp;quot;Nature is Love on Earth&amp;quot; by artist Duda Penteado and community&#34; class=&#34;wp-image-11259&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A few more from Weval this week (I really enjoyed &lt;a href=&#34;https://mlarson.org/2026/01/25/2026-week-4/&#34;&gt;their self-titled a few weeks ago&lt;/a&gt;) a few weeks ago…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5zB9HVERRys2UNiyNszxIP&#34;&gt;The Weight&lt;/a&gt;. Favorite tracks are &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7KD3tcik1xG3zDLpcy1dvP&#34;&gt;The Weight&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7LA4E5n1SvGb2Srzh6bCZ8&#34;&gt;Someday&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7wfRiLLgR2anjPEaesqAtr&#34;&gt;Remember&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2LI4wNEFa5kgOJCEtDrBpE&#34;&gt;Everything Went Well&lt;/a&gt;&amp;quot; is a little Washed Out-y, in a good way.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3Hqy5F2Bny4NmVvc40XN69&#34;&gt;Chorophobia&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0NjYgGvJM7zoUh1UjUdm3i&#34;&gt;Better&lt;/a&gt;&amp;quot;, especially the bassline.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Monteverdi, &lt;a href=&#34;https://open.spotify.com/album/3FWPsRhYqg4UbvoH5QO8qX&#34;&gt;Madrigali e lamenti; Madrigali Guerrieri et Amorosi&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Eric Whitacre, &lt;a href=&#34;https://open.spotify.com/album/2hnquPCPDsr3Srk64rdeVS&#34;&gt;Light &amp;amp; Gold&lt;/a&gt;. Some really nice choral music. I remember playing &lt;a href=&#34;https://ericwhitacre.com/music-catalog/noisy-wheels-of-joy&#34;&gt;one of his pieces&lt;/a&gt; back in college (which I did not like very much).&lt;/p&gt;
&lt;p&gt;Various Artists, &lt;a href=&#34;https://open.spotify.com/album/43MWVtG1KdkHNLSDyfbXB6&#34;&gt;WaJazz: Japanese Jazz Spectacle Vol. I&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/0EqexO9s8iQV3AwLIE5yLH&#34;&gt;Vol. II&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7Amst4h40RU5l65M9NetRN&#34;&gt;Summer Wind&lt;/a&gt;&amp;quot; is cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Rainmaker_(1997_film)&#34;&gt;The Rainmaker&lt;/a&gt;. Apparently I&#39;ve seen this before but I didn&#39;t remember a thing. Not bad, but not sure it will stick.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sisu_(film)&#34;&gt;Sisu&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2025/02/23/2025-week-8/&#34;&gt;the first&lt;/a&gt;). Holds up! Great warm-up to double-feature with the new sequel…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sisu:_Road_to_Revenge&#34;&gt;Sisu: Road to Revenge&lt;/a&gt;. Buster Keaton x Fury Road. So fun. For me, the best chases involve some degree of watching and waiting and sneaking around. This delivers.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Dark, s1e7–10. The story has been scifi for a while, but this is the first time we the mechanics rendered on-screen. Loses a bit of mystery and magic that way, and maybe some of the weight?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 7</title>
    <link href="https://mlarson.org/2026/02/15/2026-week-7/"/>
    <updated>2026-02-15T20:12:21.000Z</updated>
    <id>https://mlarson.org/2026/02/15/2026-week-7/</id>
    <content type="html">&lt;p&gt;I love surfing the web. On a long holiday weekend, a perfect way to slosh around and almost-but-not-quite totally waste a few hours. Over the last couple weeks, I&#39;ve seen more and more posts referencing nostalgia for the Old Web™. If you&#39;re over 30 years old, you have a better sense of it. Before the big social platforms, when all the sites were personal or academic, or even the corporate ones that were moderately inept (like the rest of us) and/or experimental. Such a great feeling then, when you caught a good wave. Slipping into the flow and hopping from site to site, finding all the warp portals between the good spaces where you see the best of our collective weirdness. Captured that again for a little while today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace. Almost halfway! Some of these people are super messy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Trying to find a rhythm again.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/valentines-pink-red-balloons.jpg?w=783&#34; alt=&#34;close-up of red and pink Valentine&#39;s Day balloons&#34; class=&#34;wp-image-11248&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/06-study-notes&#34;&gt;Why holidays are on Mondays&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;&amp;quot;Here’s an idea: &lt;a href=&#34;https://amystewart.substack.com/p/the-self-appointed-writing-residency&#34;&gt;Appoint yourself the weekly columnist&lt;/a&gt; of whatever your subject is.&amp;quot; And &lt;a href=&#34;https://amystewart.substack.com/p/the-self-appointed-artist-residency&#34;&gt;the self-appointed artist residency&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The meta-skill is this: learning to spot &lt;a href=&#34;https://newsletter.jantegze.com/p/your-job-isnt-disappearing-its-shrinking&#34;&gt;what becomes possible when a constraint disappears&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://lithub.com/the-origins-of-one-of-the-most-beloved-video-games-of-all-time/&#34;&gt;The Origins of One of the Most Beloved Video Games of All Time&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://patience.toys/&#34;&gt;A game(?) that rewards patience&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ayearindrawings.substack.com/&#34;&gt;A Year in Drawings&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://searchingforbirds.visualcinnamon.com/&#34;&gt;Searching for Birds&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://homeeconomics.substack.com/p/where-do-parents-find-the-time&#34;&gt;Where do parents find the time?&lt;/a&gt;. Basically, less sleep and less screen time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://thebiggerapple.manhattan.institute/p/friday-newsletter-how-rich-do-you&#34;&gt;Parents and affordability in New York City&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://everydaymari.substack.com/p/the-world-is-forever-ending&#34;&gt;The World Is Forever Ending&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/moonrise-over-snowy-prospect-park.jpg?w=783&#34; alt=&#34;moonrise over a snowy field against a vast blue sky&#34; class=&#34;wp-image-11249&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Choir of New College, Oxford dir. Robert Quinney, &lt;a href=&#34;https://open.spotify.com/album/5BTuxGbCZtfjvOf1fdtmSe&#34;&gt;Like as the Hart: Music for The Templar&#39;s Garden&lt;/a&gt;. What a great, great album, all choral interpretations of &lt;a href=&#34;https://www.biblegateway.com/passage/?search=Psalm%2042&amp;amp;version=NIV&#34;&gt;Psalm 42&lt;/a&gt;. Came across it when looking for recordings of Palestrina&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6xzg8scb8U1jkvDFWUscPU&#34;&gt;Sicut cervus&lt;/a&gt;&amp;quot;, itself beautifully done. The real show-stopper for me is Buxtehude&#39;s. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/779kRYp1XAXKsF9ciFI7Eq&#34;&gt;Quemadmodum desiederat cervus&lt;/a&gt;&amp;quot;, BuxWV92. I keep coming back over and over.&lt;/p&gt;
&lt;p&gt;Ninajirachi, &lt;a href=&#34;https://open.spotify.com/album/77CZUF57sYqgtznUe3OikQ&#34;&gt;I Love My Computer&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A couple from Yosi Horikawa, good electronic stuff often with nature sounds, city sounds, field recordings. On &lt;a href=&#34;https://open.spotify.com/album/3V8YAQt6ADKvL803nvq27L&#34;&gt;Spaces&lt;/a&gt;, I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2dbLGb0AcfFNX2hkANvTbA&#34;&gt;Crossing&lt;/a&gt;&amp;quot;. And on &lt;a href=&#34;https://open.spotify.com/album/1OhGArMfk1n77t90IWcTc0&#34;&gt;Impulse&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3K7qGOY5R2a6OMqE5s2abn&#34;&gt;Soil&lt;/a&gt;&amp;quot; is the winner.&lt;/p&gt;
&lt;p&gt;El Jazaah, &lt;a href=&#34;https://open.spotify.com/album/1mlSHzKQR3mLpWVgH1LzDz&#34;&gt;El Jazaah&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Sabri Brothers, &lt;a href=&#34;https://open.spotify.com/album/4AF8TK2S5DmAeIzBuIhS8S&#34;&gt;Ya Habib&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_X-Files_(film)&#34;&gt;The X-Files&lt;/a&gt;. The &amp;quot;will they or won&#39;t they&amp;quot; is so agonizing and fun.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Runaway_Jury&#34;&gt;Runaway Jury&lt;/a&gt;. Legal thriller is an under-rated genre. Seems like we&#39;re just not making them as much?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e19 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Folie_%C3%A0_Deux_(The_X-Files)&#34;&gt;Folie a Deux&lt;/a&gt;&amp;quot; and s5e20 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_End_(The_X-Files)&#34;&gt;The End&lt;/a&gt;&amp;quot;. Weird season, on to number six.&lt;/p&gt;
&lt;p&gt;Dark, s1e6.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 6</title>
    <link href="https://mlarson.org/2026/02/08/2026-week-6/"/>
    <updated>2026-02-08T15:20:46.000Z</updated>
    <id>https://mlarson.org/2026/02/08/2026-week-6/</id>
    <content type="html">&lt;p&gt;Hmmm. No deep thoughts? Too many long days leading to too many short nights.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/moonrise-snowy-mount-prospect-park.jpg?w=1024&#34; alt=&#34;moonrise over a snowy open field dotted with trees&#34; class=&#34;wp-image-11238&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jackshainman.com/exhibitions/km-exquisitecorpse-2022&#34;&gt;Exquisite corpse paintings&lt;/a&gt; by Kerry James Marshall. (&lt;a href=&#34;https://austinkleon.substack.com/p/how-to-make-an-exquisite-corpse&#34;&gt;via&lt;/a&gt;). &lt;a href=&#34;https://www.thisiscolossal.com/2026/01/paper-flowers-buddhist-art-caves-china/&#34;&gt;Paper flowers from the Tang dynasty era&lt;/a&gt;. &lt;a href=&#34;https://www.slam.org/collection/objects/19220/&#34;&gt;Mende artist helmet mask (ndoli jowei)&lt;/a&gt;. &lt;a href=&#34;https://collections.artsmia.org/art/112621/abdullahi-mohammed-with-mainasara-pieter-hugo&#34;&gt;Abdullahi Mohammaed with Mainasara&lt;/a&gt;, photo by Pieter Hugo. &lt;a href=&#34;https://www.artic.edu/artworks/185190/face-holding-a-leaf&#34;&gt;Face Holding a Leaf&lt;/a&gt;, oil on canvas by Léopold Survage. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/212300&#34;&gt;Untitled Donut Drawing&lt;/a&gt;, colored pencil with graphite by Judy Chicago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace. The wolf hunt is a major highlight so far, tragedy and thrill both in the mix. I love these little interludes / transition moments.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Minimal!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://blog.avas.space/freetime-new/&#34;&gt;Your free time is for you&lt;/a&gt; and &lt;a href=&#34;https://www.joanwestenberg.com/how-to-stop-being-boring/&#34;&gt;How to stop being boring&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://herbertlui.net/learn-about-yourself-by-making-something-youll-throw-out-right-away/&#34;&gt;Learn about yourself by making something you’ll throw out right away&lt;/a&gt;. &amp;quot;It won’t be anything you can’t handle, because you’ve been handling it this whole time.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The &lt;a href=&#34;https://www.youtube.com/watch?v=mb3uK-_QkOo&amp;amp;t=832s&#34;&gt;most important change made by an artistic endeavor&lt;/a&gt; is the change it makes in you.&amp;quot; (&lt;a href=&#34;https://simonwillison.net/2026/Feb/3/brandon-sanderson/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;All of these sports make the process of improvement a central point in all of them. And I think &lt;a href=&#34;https://nathanshobbies.com/posts/coolsports/&#34;&gt;that is what makes them cool&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Athletes possess large quantities of high-value, portable items,” said Nikos Passas, a professor of criminology at Northeastern University, making them appetizing targets for burglars. And because their work schedules are publicly available ahead of time, &lt;a href=&#34;https://www.nytimes.com/2026/01/31/realestate/nfl-pro-athletes-burglaries.html?unlocked_article_code=1.IlA.oZPz.lkg5yy3mcbGK&amp;amp;smid=url-share&#34;&gt;everyone knows when they won’t be home&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.cato.org/white-paper/immigrants-recent-effects-government-budgets-1994-2023#&#34;&gt;Immigrants have a tremendous net-positive effect&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;One of the arguments for religion is just &lt;a href=&#34;https://www.progreshion.blog/p/tyler-cowen-talent-effective-altruism&#34;&gt;there’s a place you can stuff your dogmatism&lt;/a&gt; into beliefs about the Trinity, and then the rest of you is free to be open minded, because you’ve taken care of your dogmatism. You’ve sent it somewhere where it doesn’t really matter that much for a lot of decisions.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.ablg.io/blog/no-management-needed&#34;&gt;Motivation is a hired trait&lt;/a&gt;. The only place where managers motivate people is in management books.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/elephant-statue-brower-park.jpg?w=1024&#34; alt=&#34;bronze statue of an elephant reclining, placed in a snow-covered playground&#34; class=&#34;wp-image-11240&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
M. Sage, &lt;a href=&#34;https://open.spotify.com/album/0MkdmGmjEV7PzZXvzHhVYj&#34;&gt;Tender / Waiting&lt;/a&gt;. Reminds me a bit of the &lt;a href=&#34;https://open.spotify.com/album/70Fks2FuhlEREXml6DqDFl&#34;&gt;Tindersticks soundtrack for Stars at Noon&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Antonio Caldara, &lt;a href=&#34;https://open.spotify.com/album/2J30JwRmOYkcbT5UuvABW5&#34;&gt;Complete Cello Sonatas&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Eberhard Weber, &lt;a href=&#34;https://open.spotify.com/album/6q8vN3Qdyxk6o1fGpY64qz&#34;&gt;The Colours of Chloë&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Sam Gendel, Nate Mercereau, &lt;a href=&#34;https://open.spotify.com/album/6ycjfJwh8ZIZAarrYQcFSa&#34;&gt;digi-squires&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Nusrat Fateh Ali Khan, &lt;a href=&#34;https://open.spotify.com/album/4EYNbASJrQHxYYG8NJ1mxM&#34;&gt;Best Urdu Qawwalies&lt;/a&gt;. Bangers.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/13PwiRjVmWQByAW7VWwAU6&#34;&gt;Sunleif Rasumussen: Songs of Solitude&lt;/a&gt; perf. Michala Petri, Theatre of Voices, Concerto Copenhagen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Eiger_Sanction_(film)&#34;&gt;The Eiger Sanction&lt;/a&gt;. A rare DNF. I really like most &lt;a href=&#34;https://mlarson.org/tag/clinteastwood/&#34;&gt;Clint Eastwood movies I&#39;ve seen&lt;/a&gt;, but this one seemed slow and sophomoric.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Jaws_(film)&#34;&gt;Jaws&lt;/a&gt;. Masterpiece. &amp;quot;You lose one, you rig one.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/OBEX&#34;&gt;OBEX&lt;/a&gt;. Reminds me of &lt;a href=&#34;https://mlarson.org/2019/03/17/mandy/&#34;&gt;Mandy&lt;/a&gt; a little bit in overall vibe – dreamy hallucinatory reality-blurring. But a lighter, kinder form. But also of &lt;a href=&#34;https://en.wikipedia.org/wiki/Hundreds_of_Beavers&#34;&gt;Hundreds of Beavers&lt;/a&gt;, in black-and-white creativity and constraint.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e18 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Pine_Bluff_Variant&#34;&gt;The Pine Bluff Variant&lt;/a&gt;&amp;quot;. Mulder undercover!&lt;/p&gt;
&lt;p&gt;Dark, s1e3–5. It&#39;s growing on me a bit, took a few to get on the wavelength. (And also because I wasn&#39;t really paying attention.)&lt;/p&gt;
&lt;p&gt;Line of Duty, s6e6–7. This show is over and I&#39;m sad. Favorite all-time? It&#39;s up there.&lt;/p&gt;
&lt;p&gt;His &amp;amp; Hers, s1e1. Dahlonega mentioned!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 5</title>
    <link href="https://mlarson.org/2026/02/01/2026-week-5/"/>
    <updated>2026-02-01T16:26:53.000Z</updated>
    <id>https://mlarson.org/2026/02/01/2026-week-5/</id>
    <content type="html">&lt;p&gt;We have a whiteboard on our fridge. Most weeks, we update the whiteboard with what&#39;s happening that week, along with doodles, quotes, competitive nonsense, bragging rights, etc.. My wife is great about photographing it before we erase and start the new one, and had built a nice historical archive. So I made a photobook of the whiteboards from the last few years.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/whiteboard-book-halloween.jpg?w=1024&#34; alt=&#34;a photobook displays a whiteboard with a jack-o-lantern drawn on a weekly calendar&#34; class=&#34;wp-image-11226&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/whiteboard-book-japan.jpg?w=1024&#34; alt=&#34;a photobook displays a drawing of the Japanese flag waving in the wind with two stick figures standing atop the flagpole&#34; class=&#34;wp-image-11225&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;I&#39;m growing to love digital-to-print projects like this. A while back I &lt;a href=&#34;https://mlarson.org/2024/05/08/converting-my-day-one-app-journal-into-printed-hardbacks/&#34;&gt;made my old Day One iphone journals into a printed book&lt;/a&gt;. I&#39;ve got some ideas for more…&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Had another Friday morning coffee &amp;amp; coworking with some friends. What a treat.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Felt like a rough work-week even though nothing notably bad happened. I gotta work on ending each day crisply before I crash! It&#39;s often better to step away and circle back rather than power through.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A Qing dynasty-era &lt;a href=&#34;https://www.christies.com.cn/en/lot/lot-5157017&#34;&gt;cape embroidered to look like peacock feathers&lt;/a&gt;. &lt;a href=&#34;https://www.artic.edu/artworks/134050/broken-and-restored-multiplication&#34;&gt;Broken and Restored Multiplication&lt;/a&gt;, oil and silver paper on canvas by Suzanne Duchamp. &lt;a href=&#34;https://theplaidportico.com/2015/04/19/quiltcon-2015-applique-category-quilts/img_5884/&#34;&gt;Outside the Box&lt;/a&gt;, quilt by Jenny Voss. &lt;a href=&#34;https://collections.artsmia.org/art/126302/double-still-life-katy-cowan&#34;&gt;Double Still Life&lt;/a&gt;, sculptures by Katy Cowan.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Nursing a minor injury, so I&#39;m using that and the &lt;a href=&#34;https://jaramontez.substack.com/p/05-study-notes&#34;&gt;lingering piles of snow&lt;/a&gt; as an excuse to recupe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://cannoneyed.com/isometric-nyc/&#34;&gt;Isometric NYC&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://antirender.com/&#34;&gt;Upload an architectural render&lt;/a&gt;. Get back what it&#39;ll actually look like on a random Tuesday in November.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://jasperc2024.github.io/Domapus/&#34;&gt;Map of home values by ZIP code&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://photoni.st/index.php/2025/08/22/pretty-images-are-dead-long-live-documentary-photography/&#34;&gt;Pretty Images Are Dead. Long Live Documentary Photography&lt;/a&gt;. &amp;quot;Documentary photography survives because it possesses something AI fundamentally cannot: intent born from witness.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://intertapes.net&#34;&gt;Found cassette tapes&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://thepursuitofliberalism.substack.com/p/judge-by-the-policy-not-by-the-tribe&#34;&gt;Politics is a repeated interaction&lt;/a&gt;. If you want politicians to keep doing the useful things, you have to show that useful things earn support.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Five_paragraph_order&#34;&gt;Five paragraph order&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;An &lt;a href=&#34;https://heckmeck.de/pointers/&#34;&gt;archive of mouse pointers&lt;/a&gt;. I dislike the latest macOS version rounded off the tip of my mouse pointer. I like it sharp.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://substack.techreflect.org/p/origin-on-macos-cloud-poof-animation&#34;&gt;The story of the macOS poof animation&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/karpathy/status/2015883857489522876&#34;&gt;Stamina is a core bottleneck to work&lt;/a&gt; and with LLMs in hand it has been dramatically increased.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Here’s what using Claude Code initially felt like: &lt;a href=&#34;https://jasmi.news/p/claude-code&#34;&gt;cooking with ingredients from a stranger’s fridge&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://tonsky.me/blog/syntax-highlighting/&#34;&gt;Everyone is getting syntax highlighting wrong&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://blog.fsck.com/2026/01/30/Latent-Space-Engineering/&#34;&gt;Latent space engineering&lt;/a&gt; and &lt;a href=&#34;https://www.oneusefulthing.org/p/management-as-ai-superpower&#34;&gt;management as an AI superpower&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/02/prospect-park-snowy-forest.jpg?w=1024&#34; alt=&#34;snow-covered field receding into bare forest&#34; class=&#34;wp-image-11228&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Amina Claudine Myers, &lt;a href=&#34;https://open.spotify.com/album/6Awye231bTLCyF3iygLUEj&#34;&gt;Song for Mother E&lt;/a&gt;. Gospel organ/piano. Love the extended organ opening in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0aPOor93Qlfjjd7peHfbGE&#34;&gt;Have Mercy Upon Us&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/1G5RlaJm6RdyyfU9VikfKp&#34;&gt;Rachmaninov: Piano Concerto No. 2, Op. 18; Franck: Symphonic Variations for Piano and Orchestra&lt;/a&gt; perf. Alexis Weissenberg, Berliner Philharmoniker cond. Herbert von Karajan. The Rachmaninov is probably a candidate for top-3 or top-5 most-listened-to classical works, always pays dividends. The Franck was in one ear and out the other.&lt;/p&gt;
&lt;p&gt;Remscéla, &lt;a href=&#34;https://open.spotify.com/album/1cRGZJ3uHgg7Hav6SY10jX&#34;&gt;Milkweed&lt;/a&gt;. Fuzzy, distorted lofi folk songs based on the &lt;a href=&#34;https://en.wikipedia.org/wiki/T%C3%A1in_B%C3%B3_C%C3%BAailnge&#34;&gt;Táin saga&lt;/a&gt;. See &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7EX6x6SUSu0sv6Soc2Z4dR&#34;&gt;How Conchobor was Begotten&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Ø, Mika Vainio, &lt;a href=&#34;https://open.spotify.com/album/3BvM2p0lz27IcTeb4x8pxX&#34;&gt;Sysivalo&lt;/a&gt;. Largely rhythm-less, dark, vaguely-ombinous ambient. I like it! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/61VHvpCafuQHUYyN8Znk4s&#34;&gt;Etude 4&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Purelink, &lt;a href=&#34;https://open.spotify.com/album/4QJJWfZ6RR9HDb7jfXkbAM&#34;&gt;Faith&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/This_Is_Not_a_Film&#34;&gt;This Is Not a Film&lt;/a&gt;. I respect Panahi&#39;s work, and the drive/obsession/risk to put this together but as a viewer, you&#39;re mostly watching a guy talk on the phone in his kitchen and it&#39;s not the most interesting thing to watch.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Things_Will_Be_Different&#34;&gt;Things Will Be Different&lt;/a&gt;. Good scifi time travel thriller. Great little world they&#39;ve invented here. Wonderful sound, too. More movies about siblings!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Meg&#34;&gt;The Meg&lt;/a&gt;. A re-watch. Humor falls flat, and repetitive in the way of many monster movies, but overall decent.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e17 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/All_Souls_(The_X-Files)&#34;&gt;All Souls&lt;/a&gt;&amp;quot;. I like these religious episodes, and how the writers blend and remix historical materials.&lt;/p&gt;
&lt;p&gt;Line of Duty, s6e5. Only two more episodes left of this show, and it&#39;s making me sad.&lt;/p&gt;
&lt;p&gt;Law &amp;amp; Order, s1e2.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Favorite Books in 2025</title>
    <link href="https://mlarson.org/2026/01/27/my-favorite-books-in-2025/"/>
    <updated>2026-01-27T19:41:50.000Z</updated>
    <id>https://mlarson.org/2026/01/27/my-favorite-books-in-2025/</id>
    <content type="html">&lt;p&gt;I read (kinda sorta, mostly, sometimes DNF&#39;ed) 31 books in 2025. A drop in total count but I leaned into longer ones a bit more. I think this was a good change overall. Not my best reading year, but the highs were high, and very British!&lt;/p&gt;
&lt;p&gt;My top two, call it a tie:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Middlemarch&#34;&gt;Middlemarch&lt;/a&gt; (Eliot). Fictional story of a town in rural England, early 1800s, and its various inhabitants – sons, daughters, doctor, lawyer, mayor, etc. – pursuing their life. Rich and lively, couldn&#39;t put it down.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Eagle-Hart-Tragedy-Richard-Henry/dp/198213920X&#34;&gt;The Eagle and the Hart: The Tragedy of Richard II and Henry IV&lt;/a&gt; (Castor). Two kings, two cousins. One who wanted all the trappings and ceremony and none of the responsibility of governing. Another who wanted the burden (and power), and took it, and learned the costs. It&#39;s a cliché but some books really do make the figures &amp;quot;come alive&amp;quot;.&lt;/p&gt;
&lt;p&gt;Other great ones from the year:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Rainbows_End_(Vinge_novel)&#34;&gt;Rainbows End&lt;/a&gt; (Vinge). Scifi thriller with augmented reality and wearable tech and dementia cures.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Extinction-Novel-Douglas-Preston-ebook/dp/B0C1X881FK&#34;&gt;Extinction&lt;/a&gt; (Preston). Jurassic Park, but detectives and Neanderthals.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Calculation-Book-I-Solvej-Balle/dp/0811237257&#34;&gt;On the Calculation of Volume, Book 1&lt;/a&gt; (Balle). Novel of philosophical Groundhog Day time repetition.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sense_and_Sensibility&#34;&gt;Sense and Sensibility&lt;/a&gt; (Austen). Two daughters find their way to love!&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/English-Their-History-Robert-Tombs/dp/1101874767&#34;&gt;The English and Their History&lt;/a&gt; (Tombs). Exactly what it says on the tin, but just the right balance of momentum and detail.&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 4</title>
    <link href="https://mlarson.org/2026/01/25/2026-week-4/"/>
    <updated>2026-01-25T19:11:55.000Z</updated>
    <id>https://mlarson.org/2026/01/25/2026-week-4/</id>
    <content type="html">&lt;p&gt;Interesting moment to the visit the doctor this week. A routine visit, fill out forms, take some blood, quiet typing and clicking, off you go. But ambient stress from a frustrated patient, at wit&#39;s end, nearby at the reception desk seeped in for a few moments. It&#39;s such a vulnerable space.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;On Friday, we had friends over for coffee and breakfast and early morning chit-chat. And since we all have cushy tech-worker jobs, transitioned into a communal work-from-home session for an hour or so before parting ways. I&#39;m patting myself on the back for the novelty. We (bozos with no children or other practical obstacles) should do this more often. It&#39;s good to prioritize something wholesome and rewarding early in your day. (Having guests was also a helpful nudge to tidy up after moving a bunch of furniture around.)&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Yesterday evening we spent some time doing some artwork, making collage masks from paper cutouts. It felt so refreshing to do something instinctual, following reflexes, running with the first idea that seemed good enough. Such a change from my usual day-to-day work, which usually requires thoughtful precision every single time. Safe spaces+++.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/pizza-shop-name-tags.jpg?w=782&#34; alt=&#34;name tags stuck to a pizza shop wall, with writing that praising the food and staff&#34; class=&#34;wp-image-11209&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace, cont.. Mildly regretting my choice to go with the completely-unabridged version. Humbling to be at page 640-something and only ~33% done. I enjoy the companionship of this book, though.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
A down week in mileage, but lucky to have two snowy trail runs in the mix. Tied my coldest run ever, out at 12° as today&#39;s winter storm laid down its first couple inches. This week&#39;s weights session was a good reminder that I should lift more often.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.designboom.com/design/playful-childrens-drawings-colorful-handmade-chairs-cambodia-taekhan-yun-01-02-2026/&#34;&gt;Playful children’s drawings become colorful handmade chairs&lt;/a&gt;. (&lt;a href=&#34;https://jaramontez.substack.com/p/04-study-notes&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theguardian.com/artanddesign/2026/jan/12/piet-mondrian-crossdressing-lesbian-artist-marlow-moss-cornish-cove&#34;&gt;Moss and Mondrian&lt;/a&gt;, a nice snippet on mutual influence and how history gets simplified.&lt;/p&gt;
&lt;p&gt;&amp;quot;If by any chance you are wondering how to make yourself smarter, &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2026/01/morally-judging-famous-and-semi-famous-people.html&#34;&gt;learn how to appreciate almost everybody, and keep on cultivating that skill&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.theguardian.com/lifeandstyle/2026/jan/03/secret-being-happy-2026-simpler-than-you-think&#34;&gt;A much more reliable way to stay offline&lt;/a&gt; is just to be doing things so engaging that it wouldn’t occur to you to drift online in the first place.&amp;quot; (&lt;a href=&#34;https://kottke.org/26/01/0048182-this-should-be-the-year&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.raptitude.com/2026/01/cover-your-twenty-five-miles-then-rest-up-and-sleep/&#34;&gt;Cover your 25 miles, then rest up&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://austinkleon.substack.com/p/the-best-way-to-read-the-internet&#34;&gt;The best way to read the internet&lt;/a&gt;. Amen. You&#39;ll have to take my RSS feeds from my cold, dead hands.&lt;/p&gt;
&lt;p&gt;&amp;quot;You&#39;re building &lt;a href=&#34;https://www.joanwestenberg.com/a-metabolic-workspace/&#34;&gt;an anxiety management system&lt;/a&gt; that happens to look like productivity.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://starkeycomics.com/2024/12/31/the-etymology-of-english-colours/&#34;&gt;The Etymology of English Colours&lt;/a&gt; and &lt;a href=&#34;https://starkeycomics.com/2025/04/11/how-guacamole-is-related-to-avocado-and-mole/&#34;&gt;How &#39;guacamole&#39; is related to &#39;avocado&#39; and &#39;mole&#39;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.secretorum.life/p/japanese-death-poems-part-3&#34;&gt;Japanese death poems&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Now that my storehouse&lt;br&gt;
has burned down, nothing&lt;br&gt;
conceals the moon.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://banay.me/dont-waste-your-backpressure/&#34;&gt;Don&#39;t waste your back pressure&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://maggieappleton.com/gastown/&#34;&gt;Design and planning becomes the bottleneck when agents write all the code&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/prospect-park-lake-frozen-ducks.jpg?w=1024&#34; alt=&#34;ducks sit in a mostly-frozen pond surrounded by white snow-covered shores under an overcast sky&#34; class=&#34;wp-image-11210&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
The South Hill Experiment, &lt;a href=&#34;https://open.spotify.com/album/5qf3r31KB5dW7XroCdkjIQ&#34;&gt;MOONSHOTS&lt;/a&gt;. There&#39;s some fuzzy psychedelic folk rock but also some groovy stuff. Had a lot of fun with this one. See &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4IV0ScNQfaakKan0sHvefn&#34;&gt;Gabo&#39;s Last Resort&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Weval, &lt;a href=&#34;https://open.spotify.com/album/51zkn8CSA5Tx2wKaGpl9ci&#34;&gt;Weval&lt;/a&gt;. A theory: electronic duos are consistently better than solo acts. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5vJdTlWFP8R9NKVq1AW2hl&#34;&gt;Square People&lt;/a&gt;&amp;quot; and&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4XbqWnxrOwbPSMn5t4vJXL&#34;&gt;Days&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/3FWPsRhYqg4UbvoH5QO8qX&#34;&gt;Claudio Monteverdi – Madrigali e lamenti&lt;/a&gt;, Montserrat Figueras and La Capella Reial de Catalunya dir. Jordi Savall. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6M1pzGOOqnRye8SKe3pn9V&#34;&gt;Lamento della ninfa&lt;/a&gt;&amp;quot; is a standout. Also realizing that I&#39;ve gotten much more into &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Early_music&#34;&gt;early music&lt;/a&gt;&amp;quot; in the last year or so. Mostly at random/opportunistically, but I think there&#39;s room for a more serious, intentional dive.&lt;/p&gt;
&lt;p&gt;(Usually a good sign when I keep albums around for another week, like these first three.)&lt;/p&gt;
&lt;p&gt;Seun Kuti, Egypt 80, &lt;a href=&#34;https://open.spotify.com/album/2xsxl1780BXMEfxw5ZsTja&#34;&gt;Heavier Yet (Lays the Crownless Head)&lt;/a&gt;. Afrobeat will never die.&lt;/p&gt;
&lt;p&gt;Lee &amp;quot;Scratch&amp;quot; Perry, Bob Riddim, &lt;a href=&#34;https://open.spotify.com/album/4aZDB44Y1xAPSTqaBLewIk&#34;&gt;Destiny&lt;/a&gt;. Dub/ska/reggae. Such a beautiful voice! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1YmqUgggPDCk1UPR1sQywZ&#34;&gt;Ring Pon My Finger&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/79cazcRfr0tZbHDv0IzmA3&#34;&gt;Infinity (Dub)&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Brittney Carter, &lt;a href=&#34;https://open.spotify.com/album/6vl9c4v9BLdykWqVx0Bo5d&#34;&gt;As I Am&lt;/a&gt;. Rap. Don&#39;t lvoe it, don&#39;t hate it. The interludes kill me, but I like the drum work in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4XDvArbmgtakrwPxfbNMKD&#34;&gt;Running&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Charles LLoyd, Zakir Hussain, Eric Harland, &lt;a href=&#34;https://open.spotify.com/album/6uQyDGfwwLpPF7qyU9VZkE&#34;&gt;Sangam&lt;/a&gt;. Indian/jazz fusion jam session meanderings. I couldn&#39;t get into it.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/prospect-park-snowy-forest-sunrise.jpg?w=1024&#34; alt=&#34;sunrise seen through a snowy forest&#34; class=&#34;wp-image-11212&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Da_Vinci_Code_(film)&#34;&gt;The Da Vinci Code&lt;/a&gt;. Second view (&lt;a href=&#34;https://mlarson.org/2016/03/30/the-da-vinci-code-i-remember-reading-a-few-pages/&#34;&gt;the first&lt;/a&gt;). After a long day I needed some smooth-brain entertainment and it delivered. Two+ hours of non-stop conspiracy theory. I wonder if there&#39;s any good writing about this movie/franchise paving the way for 21c social distrust.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Mastermind_(2025_film)&#34;&gt;The Mastermind&lt;/a&gt;. A dope robs a museum, reaps the consequences. Filed under &lt;a href=&#34;https://mlarson.org/tag/kellyreichardt/&#34;&gt;Kelly Reichardt&lt;/a&gt;, one of the most consistently excellent directors today.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Finding_%CA%BBOhana&#34;&gt;Finding &#39;Ohana&lt;/a&gt;. Light family-forward adventure in the spirit of &lt;em&gt;The Goonies&lt;/em&gt;. Owes a debt, mostly pays it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e16 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Mind%27s_Eye_(The_X-Files)&#34;&gt;Mind&#39;s Eye&lt;/a&gt;&amp;quot;. This season is getting confusing now. I&#39;m not sure where anyone stands, and I&#39;m not sure that&#39;s intentional.&lt;/p&gt;
&lt;p&gt;Law &amp;amp; Order: UK, s1e1. Everything instantly recognizable and slightly &amp;quot;off&amp;quot;. It delivers.&lt;/p&gt;
&lt;p&gt;Dark, s1e1–2.&lt;/p&gt;
&lt;p&gt;Line of Duty, s6e3–4. Is this my all-time favorite show?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Favorite Movies in 2025</title>
    <link href="https://mlarson.org/2026/01/20/my-favorite-movies-in-2025/"/>
    <updated>2026-01-20T12:22:00.000Z</updated>
    <id>https://mlarson.org/2026/01/20/my-favorite-movies-in-2025/</id>
    <content type="html">&lt;p&gt;I watched 127 movies in 2025, on par with last year. Of the first-time viewings, these are the ones I&#39;d be most happy to watch again. Just like &lt;a href=&#34;https://mlarson.org/2025/02/16/my-favorite-movies-in-2024/&#34;&gt;my write-up of movie favorites from 2024&lt;/a&gt;, I&#39;ll excerpt previous posts for the best of the best. Listed chronologically, in both the tippy-top-tier and the contenders. What I see in common for the top four is a compassionate, affirming spirit – whether that in new friendships, on the job, in love, in family and community.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2025/02/09/2025-week-6/&#34;&gt;Tampopo&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A stranger rides into town and helps a woman with her struggling noodle shop. The feeling may fade a bit with time, but right now I’m in love with this movie. Such a big heart. And expansive enough that the main plot is interspersed with vignettes with unrelated characters, snapshots of a world beyond, full of concerns and worries and dreams just like our own.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2025/07/20/2025-week-29/&#34;&gt;Master and Commander: The Far Side of the World&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Now this is a movie! Dudes being dudes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2025/11/09/2025-week-44/&#34;&gt;Compensation&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Told in silent-film style, a story of two deaf Black women, in two different eras, finding love. Love the borrowing from pan-the-photograph documentary style, and vivid captions that let you imagine and dream along with the stories.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2025/12/28/2025-week-51/&#34;&gt;Little Women (1994)&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Heart: warmed!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Honorable mentions, really can&#39;t go wrong:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/01/19/2025-week-3/&#34;&gt;Rebel Ridge&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/02/16/2025-week-7/&#34;&gt;Nosferatu (2024)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/02/16/2025-week-7/&#34;&gt;Love &amp;amp; Basketball&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/02/23/2025-week-8/&#34;&gt;Da 5 Bloods&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/02/23/2025-week-8/&#34;&gt;Sisu&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/03/23/2025-week-12/&#34;&gt;Speak No Evil (2022)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/03/30/2025-week-13/&#34;&gt;Elevation&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/04/20/2025-week-16/&#34;&gt;The Clock (1945)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/04/27/2025-week-17/&#34;&gt;Sinners&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/05/18/2025-weeks-19-20/&#34;&gt;Practical Magic&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/05/18/2025-weeks-19-20/&#34;&gt;The Order&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/08/03/2025-weeks-30-31/&#34;&gt;Timecrimes&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/08/10/2025-week-32/&#34;&gt;The Princess Diaries&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/09/28/2025-week-39/&#34;&gt;28 Years Later&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/08/10/2025-week-32/&#34;&gt;Tron&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/10/26/2025-weeks-41-42-japan/&#34;&gt;Woman of the Hour&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/11/02/2025-week-43/&#34;&gt;Black Bag&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/11/23/2025-week-46/&#34;&gt;Train Dreams&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/12/14/2025-week-49/&#34;&gt;Silent Night (2023)&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 3</title>
    <link href="https://mlarson.org/2026/01/18/2026-week-3/"/>
    <updated>2026-01-18T16:55:37.000Z</updated>
    <id>https://mlarson.org/2026/01/18/2026-week-3/</id>
    <content type="html">&lt;p&gt;Started my long weekend with a bit of journaling, now I sit by the big window watching the snow fall. Life is good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.instagram.com/p/DJ4S59NxL5l/&#34;&gt;La Cadie Diaspora&lt;/a&gt;, mixed media textiles, stencil, collage, embroidery, stiching by Merill Comeau. &lt;a href=&#34;https://barbaradanzi.com/#/embers/&#34;&gt;Embers&lt;/a&gt;, quilt by Barbara Danzi. &lt;a href=&#34;https://www.kathybutterly.com/works-/2020-now/2025/view/9734843/1/10319160&#34;&gt;Thar&lt;/a&gt;, sculpture in porcelain, earthenware, glaze by Kathy Butterly. &lt;a href=&#34;https://www.nga.gov/artworks/46569-boating-party&#34;&gt;The Boating Party&lt;/a&gt;, oil on Canvas by Mary Cassatt. &lt;a href=&#34;https://www.nga.gov/artworks/227849-paysans-sortant-et-allant-au-marche-villagers-going-market&#34;&gt;Paysans Sortant et Allant au Marché (Villagers Going to the Market)&lt;/a&gt;, oil on board by Philomé Obin. &lt;a href=&#34;https://www.nga.gov/artworks/143236-trains-and-bridges&#34;&gt;Trains and Bridges&lt;/a&gt;, lithograph in black on wove paper by Jolán Gross-Bettelheim.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/red-hook-concrete-pipe-stack.jpg?w=782&#34; alt=&#34;&#34; class=&#34;wp-image-11194&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace, continued.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Running trails in the earliest morning light, just before dawn, is such a perfect gift before starting the workday. Red Hook again this weekend, will take one more run to complete the map. Maybe next weekend, though I don&#39;t love the idea of hitting the same area three weekends in a row. We&#39;ll see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
This weekend I learned the phrase &amp;quot;&lt;a href=&#34;https://idioms.thefreedictionary.com/haud+your+wheesht&#34;&gt;haud yer weesht&lt;/a&gt; &amp;quot;, via &lt;a href=&#34;https://en.wikipedia.org/wiki/Line_of_Duty&#34;&gt;Line of Duty&lt;/a&gt;. (Who else but Hastings?)&lt;/p&gt;
&lt;p&gt;&amp;quot;The most virtuous thing is usually to &lt;a href=&#34;https://www.theargumentmag.com/p/against-white-knuckle-parenting&#34;&gt;make an up-front investment in making things easier&lt;/a&gt;, so that going forward, you are not making high day-to-day expenditures of your patience, energy or happiness.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=lc_ORxlR6qY&#34;&gt;How the Brooklyn Bridge has changed over time&lt;/a&gt;. I had no idea the bridge had trolley cars at one point.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vitalcitynyc.org/articles/nyc-grocery-cost-explained&#34;&gt;The real reason New Yorkers&#39; groceries cost so much&lt;/a&gt;. Zoning strikes again! Expensive elevators strike again!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://bluebookmke.substack.com/p/where-americans-choose-to-move-and&#34;&gt;Where Americans Choose to Move and Where They Leave&lt;/a&gt;. Interesting to see some family trajectories mapped out here. &amp;quot;From 2020 to 2024, 1.47 million more people moved from California to elsewhere in the United States than from a different state into California. That outflow is equal to 3.7% of the state’s 2020 population.&amp;quot; Time to buy low?&lt;/p&gt;
&lt;p&gt;A finding that &amp;quot;Living next door to someone as a child &lt;a href=&#34;https://drive.google.com/file/d/17Pq41ZzfwEdm-YrmWCMkvU0E4T-SXzPp/view?pli=1&#34;&gt;increases the probability of having the same occupation&lt;/a&gt; as them 30 years later by about 10 percent.&amp;quot; (&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2026/01/childhood-neighbors-matter.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://worksinprogress.co/issue/the-united-states-needs-fewer-bus-stops/&#34;&gt;The United States needs fewer bus stops&lt;/a&gt; …and better (faster) service as a result.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://dx.tips/oops-database&#34;&gt;Oops, You Wrote a Database&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Yosi Horikawa, &lt;a href=&#34;https://open.spotify.com/album/1IpHSURAZpaIlAkLX8vqGt&#34;&gt;Vapor&lt;/a&gt;. Had this album on repeat throughout the week. I love all the nature sounds mixed into bouncy, juicy, lush electronic stuff. Two faves: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2tug5iOXAw9koY2YDmb2LC&#34;&gt;Maki&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/67QP3vl4sw0nbXATOCc2p4&#34;&gt;Summer in 1987&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Tako Tiki, &lt;a href=&#34;https://open.spotify.com/album/6xUuRaC7vKl0DNrUs7wJ4S&#34;&gt;Hirsutes Farfelus&lt;/a&gt;. Oddball winds + percussion.&lt;/p&gt;
&lt;p&gt;The Platters, &lt;a href=&#34;https://open.spotify.com/album/0UvGTptcqQEJ2u5yACvlUH&#34;&gt;The Flying Platters Around the World&lt;/a&gt;. I really like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3MpGQae6zAFd7Z1FdLV9fV&#34;&gt;Twilight Time&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Titanic, &lt;a href=&#34;https://open.spotify.com/album/0fkpb1L4tISjGSYzjRkWOv&#34;&gt;Vidrio&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/6fpQpGbetAet2iBfQ9t9gj&#34;&gt;HAGEN&lt;/a&gt;. How to summarize these – Latin experimental chamber pop?&lt;/p&gt;
&lt;p&gt;Philip Glass, &lt;a href=&#34;https://open.spotify.com/album/1Sg5Ffv0Pe93inQSJmjzXg&#34;&gt;Etude No. 1 → No. 8&lt;/a&gt; perf. Vanessa Wagner. What you&#39;d expect!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/4QEDYZLnPYstsfulHboYcd&#34;&gt;Donnacha Dennehy: Land of Winter&lt;/a&gt; perf. Alarm Will Sound cond. Alan Pierson. Months of the year in chamber form. I liked this recording. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6f3mUC2gZqNTaTlQTBm4gw&#34;&gt;November&lt;/a&gt;&amp;quot; is the best, of course!&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/red-hook-keep-out-private-sign.jpg?w=782&#34; alt=&#34;&#34; class=&#34;wp-image-11195&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Girls_Town_(1996_film)&#34;&gt;Girls Town&lt;/a&gt;. Close friends, soon to leave high school, navigate shared tragedies. It&#39;s very sweet and sad and funny. Two thumbs up.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Wolf_Man_(2025_film)&#34;&gt;Wolf Man (2025)&lt;/a&gt;. Got exactly what I signed up for. Fun movie. Love that we see the early hints of transformation in the heigtened senses – smell, hearing. The sound design is especially good, as we take on the perspective of the protagonist. Early tragedy in the simple distancing from inability to communicate what he&#39;s going through. Appreciate the novelty of the precarious greenhouse sheeting – take full advantage of your setting!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fate_of_the_Furious&#34;&gt;The Fate of the Furious&lt;/a&gt;. I&#39;ve seen a lot of individual scenes before, but for the life of me I cannot tell you how or when. The spectacle is dialed in. The writing is bad. I don&#39;t think I&#39;d intentionally rewatch again. Vin Diesel wears the mythologizing well, but the Statham scenes easy eclipse everyone else in the cast.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e15 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Travelers_(The_X-Files)&#34;&gt;Travelers&lt;/a&gt;&amp;quot;. Body horror!&lt;/p&gt;
&lt;p&gt;The Abandons, s1e1.&lt;/p&gt;
&lt;p&gt;Hannibal, s2e12–13. Such a perfect and devastating season wrap-up. &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=2S-GdHAEF-0&#34;&gt;In the pantry&lt;/a&gt;!&amp;quot;.&lt;/p&gt;
&lt;p&gt;Line of Duty, s6e1–2. I care about &lt;a href=&#34;https://www.youtube.com/watch?v=Ff-1P-Tqx3I&amp;amp;t=109s&#34;&gt;one thing and one thing only&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2026, Week 2</title>
    <link href="https://mlarson.org/2026/01/11/2026-week-2/"/>
    <updated>2026-01-11T19:08:47.000Z</updated>
    <id>https://mlarson.org/2026/01/11/2026-week-2/</id>
    <content type="html">&lt;p&gt;Last week was my first full week back to work, post-holidays. I was surprisingly at peace on Sunday night, ready and accepting that it was time to get back to reality. Sometimes vacations can feel too short; sometimes, too long. Felt like this one was dialed-in.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Lately I feel like I have more space in my weekends somehow. Something has shifted. It&#39;s like there&#39;s just 2–4 hours that weren&#39;t there before. I&#39;m not sure how it appeared.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Took my first ride on the NYC Ferry this weekend, up the East River from Brooklyn to Queens and over to Manhattan. So pleasant!&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Late last year I spent way too much time window-shopping for a new keyboard. It was an intense relief to finally buy one. Shopping can be a thrill and a vast emptiness.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/christmas-tree-shadow-box.jpg?w=782&#34; alt=&#34;&#34; class=&#34;wp-image-11186&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://collections.artsmia.org/art/131299/pink-honey-modupeola-fadugba&#34;&gt;Pink Honey&lt;/a&gt;, acrylic, pencil and ink on burned paper by Modupeola Fadugba. &lt;a href=&#34;https://www.artic.edu/artworks/28096/the-waterfall&#34;&gt;The Waterfall&lt;/a&gt;, oil on canvas by Henri Rousseau. &lt;a href=&#34;https://smartcollection.uchicago.edu/objects/30108/fireflies&#34;&gt;Fireflies&lt;/a&gt;, woodblock print by Tsukioka Kōgyo. &lt;a href=&#34;https://artsandculture.google.com/asset/garland-of-fruit-surrounding-a-depiction-of-cybele-receiving-gifts-from-personifications-of-the-four-seasons/xQGnY7gvRs4CKg&#34;&gt;Garland of Fruit surrounding a Depiction of Cybele Receiving Gifts from Personifications of the Four Seasons&lt;/a&gt;, oil on panel by Hendrick van Balen the Elder and Jan Brueghel the Elder. &lt;a href=&#34;https://www.mutualart.com/Artwork/Cleaning-Jesus/0B869FADD6B04950&#34;&gt;Cleaning Jesus&lt;/a&gt;, gelatin silver print by Walter Martin&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace, cont.. Hit a bit of a rut this week. Whether chicken or egg, it coincided with losing my earlier consistency.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Just a few more miles and I can add the Red Hook neighborhood to my ran-every-street list. Got back to a longer run this weekend, aided by warmer weather. Above 35–40º, it gets much, much easier to manage a run over a longer period of time. Fewer garments to manage, lower downside risk if you mismanage ventilation or layering, etc.. And drinks stay warm.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/prospect-park-sunrise-frost-lawn.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11184&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/the-life-of-a-fangirl&#34;&gt;The life of a fangirl&lt;/a&gt;. &amp;quot;Fandoms create environments where participation happens almost always naturally and almost always horizontally.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.joanwestenberg.com/the-case-for-blogging-in-the-ruins/&#34;&gt;The Case for Blogging in the Ruins&lt;/a&gt;. &amp;quot;The blog, at its best (a best I aspire one day to reach) is Montaigne&#39;s direct descendant. It&#39;s a form that allows for intellectual exploration without demanding premature certainty. You can write a post working through an idea, acknowledge in the post itself that you&#39;re not sure where you&#39;ll end up, and invite readers to think alongside you.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://audio.mcsweeneys.net/transcripts/against_access.html&#34;&gt;Against access&lt;/a&gt;. &amp;quot;Our environment has endless potential for life. For centuries, however, much of our vitality was forbidden. We were forced to stick with the effects of the hearing and sighted world. Now, though, we are all in varying stages of flight.&amp;quot; How accessibility (in a common understanding of an &amp;quot;us&amp;quot; making the world easier for a &amp;quot;them&amp;quot;) falls short, with particular focus on ASL interpreters. Very interesting!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=ney1gZ1iN_k&#34;&gt;DeafBlind people are creating a new language&lt;/a&gt;. An PBS intro to ProTactile, which I learned about from the article above. It looks beautiful and fun!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theargumentmag.com/p/the-loneliness-crisis-isnt-just-male&#34;&gt;The loneliness crisis isn&#39;t just male&lt;/a&gt;. &amp;quot;What our polling reveals, though, is that it’s a youth loneliness crisis, rather than a male loneliness crisis. Age, not gender, shows far greater correlation with antisocial attitudes and beliefs. Younger voters — both male and female — are increasingly paralyzed by anxiety and fear, and they are finding it harder and harder to socialize. In fact, when you look at the data, the &#39;antisocial crisis,&#39; as I like to call it, is actually most pronounced among young women, who experience the highest rates of social isolation.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;One of the most underappreciated things about the recent past was&lt;a href=&#34;https://walkingtheworld.substack.com/p/modern-life-is-good-actually&#34;&gt;how common boredom was&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://endsdontjustifythemeans.com/p/the-philosophy-of-solvej-balle&#34;&gt;The philosophy of Solvej Balle&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://tonsky.me/blog/tahoe-icons/&#34;&gt;It&#39;s hard to justify Tahoe icons&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.anildash.com/2026/01/09/how-markdown-took-over-the-world/&#34;&gt;How Markdown took over the world&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://maurycyz.com/misc/raw_photo/&#34;&gt;What an unprocessed photo looks like&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thedial.world/articles/news/american-tourists-rome&#34;&gt;Are You Enjoying Our Linguine?: How American tourists took over everything&lt;/a&gt;. &amp;quot;They feel challenged. They feel alive. They are Americans. They are frontier people. They love a cultural mystery.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mattlakeman.org/2026/01/05/notes-on-afghanistan/&#34;&gt;Notes on Afghanistan&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.slowboring.com/p/zohran-mamdanis-strong-start&#34;&gt;Mamdani moderating&lt;/a&gt; – high hopes!&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/red-hook-panorama-statue-liberty-lower-manhattan.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11185&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Netherwalker, &lt;a href=&#34;https://open.spotify.com/album/09pbAAKGQEdbM51Ji0B1ZS&#34;&gt;Odyssey of Respair&lt;/a&gt;. Guttural screamy metal with some classical grandiosity.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/62K0lW0YPx5jvNRpwyhoRr&#34;&gt;Beethoven: Sonatas 18, 27, 28, 31 (The Lost Tapes / Live)&lt;/a&gt; perf. Sviatoslav Richter.&lt;/p&gt;
&lt;p&gt;Funkadelic, &lt;a href=&#34;https://open.spotify.com/album/3ywVzrwMQ3Kq43N9zBdBQm&#34;&gt;Maggot Brain&lt;/a&gt;. I really like &lt;a href=&#34;https://open.spotify.com/track/5WJU527RQNyMLuKecjsL8V&#34;&gt;the title track&lt;/a&gt;. Interesting to hear this transition in music history – borrowing from blues, gospel, psychedelic rock, blending it all up and leaving nothing out.&lt;/p&gt;
&lt;p&gt;Charlie Hunter, Ella Feingold, &lt;a href=&#34;https://open.spotify.com/album/6I6h93uYsLs9Q52j4PaH2W&#34;&gt;Different Strokes for Different Folks&lt;/a&gt;. Bluesy, funky guitar + bass + percussion. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2mvsykiGRnbNC8WjE1y1N4&#34;&gt;Nasty, Ain&#39;t it!?&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Bill Evans Trio, &lt;a href=&#34;https://open.spotify.com/album/5GAlJcapheEZDKdlCUGOFq&#34;&gt;Haunted Heart: The Legendary Riverside Studio Recordings&lt;/a&gt;. Just really good start to finish. A favorite moment this week was a pre-dawn run in Prospect Park with this album playing. Magical.&lt;/p&gt;
&lt;p&gt;Charles Lloyd, &lt;a href=&#34;https://open.spotify.com/album/1qMMVXxfxe0rPsHunQzFe0&#34;&gt;Figure in Blue&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;SML, &lt;a href=&#34;https://open.spotify.com/album/00xaBkvgiCZ7mMlcHIRgQy&#34;&gt;How You Been&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/45365&#34;&gt;45365&lt;/a&gt;. Documentary of people in a place (Sidney, Ohio). If you like this sort of &amp;quot;snapshots of everyday life around town&amp;quot; documentary – I really do – check out &lt;a href=&#34;https://en.wikipedia.org/wiki/Hale_County_This_Morning,_This_Evening&#34;&gt;Hale County This Morning, This Evening&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/City_of_Gold_(2015_film)&#34;&gt;City of Gold (2015)&lt;/a&gt;. Follows along with food critic Jonathan Gold as he explores LA food, and with other talking heads about his impact on food writing, etc.. At its best when its attention is on the city.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt37895421/&#34;&gt;Fragments for Venus (short)&lt;/a&gt;. Straightforward description and juxtaposition – sometimes the basic ingredients are the most potent.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Tron:_Ares&#34;&gt;Tron: Ares&lt;/a&gt;. Gorgeous to look at, and I think a larger screen would shift my opinion a bit, but all the dazzle in the world cannot save a leaden script, delivered flatly. Interesting to see Minecraft-life voxel cube material when techno-things disintegrate – very similar presentation in &lt;a href=&#34;https://mlarson.org/2025/12/28/2025-week-51/&#34;&gt;Superman (2025)&lt;/a&gt; with the reality rift thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e14 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Red_and_the_Black_(The_X-Files)&#34;&gt;The Red and the Black&lt;/a&gt;&amp;quot;. I dunno, is this going anywhere?&lt;/p&gt;
&lt;p&gt;Hannibal, s2e9–11. This is going somewhere!&lt;/p&gt;
&lt;p&gt;Lost LA, s1e1–3. PBS!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 52 / 2026, Week 1</title>
    <link href="https://mlarson.org/2026/01/04/2025-week-52-2026-week-1/"/>
    <updated>2026-01-04T18:18:50.000Z</updated>
    <id>https://mlarson.org/2026/01/04/2025-week-52-2026-week-1/</id>
    <content type="html">&lt;p&gt;And so the last chunk of holiday break comes to a close. A few highlights: Sunday morning walk to a cafe to read, and then to a diner. A brief return to the office for a couple of days, and blasting country music all afternoon on Tuesday. Making red beans &amp;amp; rice on New Year&#39;s Eve. Re-arranging the furniture and refreshing the apartment for another year. Playing &lt;em&gt;Breath of the Wild&lt;/em&gt; for too long. Visiting a new coffee shop. Date night dancing to music videos. The usual early wake-ups feeling even earlier in a quieter city.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://collections.artsmia.org/art/4762/openings-george-morrison&#34;&gt;Openings, Red Rock Variation: Lake Superior Landscape&lt;/a&gt;, acrylic on canvas on board by George Morrison. &lt;a href=&#34;https://www.moma.org/collection/works/109084&#34;&gt;Man and Newspapers in Grass, Central Park&lt;/a&gt;, gelatin silver print by Tod Papageorge. &lt;a href=&#34;https://www.slam.org/collection/objects/19556/&#34;&gt;Vokeo Island Lewa mask&lt;/a&gt; in wood and varnish.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
War and Peace. I feel a bit of wind going out of my sails during the battle scenes. They are beautifully written and fresh, but right now I&#39;d like to get back to salon drama.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I really like running in the snow. Such fun. There&#39;s often the nervousness the night before when the temps hit a new low, the shock of the cold on the first steps out the door, the sluggish pulse and shortness of breath, but then on warming up: bliss.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2026/01/snow-on-stone-pavers.jpg?w=1024&#34; alt=&#34;a light dusting of snow reveals tufts of grass and moss at the boundaries between flat stone pavers&#34; class=&#34;wp-image-11177&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
2026: &amp;quot;We’ve &lt;a href=&#34;https://jaramontez.substack.com/p/02-study-notes&#34;&gt;officially landed in the “made up years” era&lt;/a&gt;, where the years don’t feel real, rather, opening lines for a YA doomsday sci-fi book.&amp;quot; &lt;a href=&#34;https://x.com/PanasonicDX4500/status/2006591220726809020&#34;&gt;Let&#39;s try that again&lt;/a&gt;. &lt;a href=&#34;https://x.com/calebwatney/status/2006594338856513630&#34;&gt;This year is our year&lt;/a&gt;. &lt;a href=&#34;https://x.com/conorsen/status/2006594764641366162&#34;&gt;Only 12 months until the late 2020&#39;s&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;When there&#39;s no meaningful resistance, &lt;a href=&#34;https://jaramontez.substack.com/p/a-star-is-born&#34;&gt;is there any real transformation&lt;/a&gt;?&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.joanwestenberg.com/thin-desires-are-eating-your-life/&#34;&gt;A thick desire&lt;/a&gt; is one that changes you in the process of pursuing it. A thin desire is one that doesn&#39;t.&amp;quot; (&lt;a href=&#34;https://kottke.org/25/12/0048079-thin-desires-are-eating-y&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;Luckily because of the way I began, &lt;a href=&#34;https://apnews.com/article/steven-soderbergh-presence-ae40202b72deda7c29d645578a346b48&#34;&gt;I’m the cockroach of this industry&lt;/a&gt;. I can survive any version of it.&amp;quot;&lt;/p&gt;
&lt;p&gt;It&#39;s cool how many different cultures have some form of &lt;a href=&#34;https://en.wikipedia.org/wiki/Psychopomp&#34;&gt;psychopomp&lt;/a&gt; in their stories of the afterlife.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://helencastor.substack.com/p/a-christmas-outfit-for-a-king&#34;&gt;A question no writer wants to raise in a reader’s mind&lt;/a&gt; is ‘why are you telling me this?’&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;It is &lt;a href=&#34;https://www.facebook.com/thomaspbogle/posts/pfbid02c5qfPV8mDWcSAhgvTw64edf9TjdUJftnup9oVJ9RKSKpXW2XBNQm7w6yyPjb5186l&#34;&gt;more important to see the stories in ourselves&lt;/a&gt; than to see ourselves in the stories.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/gabydvj/status/2006414754084975023&#34;&gt;Everyone&#39;s house looks like a dentists office now&lt;/a&gt;&amp;quot; and &lt;a href=&#34;https://dilettantearmy.com/articles/merchandizing-the-void&#34;&gt;Merchandising the Void&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://writing.nikunjk.com/p/the-case-against-doomerism&#34;&gt;Doomerism assumes you can opt out and hold your position&lt;/a&gt;. That refusal is neutral. That the world will wait while you decide. It won’t.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.indiewire.com/gallery/directors-pick-best-movies-2025/mcdtrdr-zx034/&#34;&gt;53 Directors Pick Their Favorite Films of 2025&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.paperjewels.org/&#34;&gt;Paper Jewels: Postcards from the Raj&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=bC-8y2R6IxI&#34;&gt;On the creativity of videogame pixel art made for CRT displays&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;You can take &lt;a href=&#34;https://zhengdongwang.com/2025/12/30/2025-letter.html&#34;&gt;a barbell strategy to travel&lt;/a&gt;. Either go for a year, or two, or ten, however long you need to go to open a bank account. Or, stay no longer than a few days in the same place, and come back often. The world is changing, and […] there will be combinations of place and time lost to us forever.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Why aren’t there more intermediate options between eating in a sit-down restaurant, and cooking your own meals? […] There is a magical place with plentiful such options, &lt;a href=&#34;https://www.thefitzwilliam.com/p/notes-on-taiwan&#34;&gt;and it’s called Taiwan.&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/7CMF2SLY6uIy5dnkUgKZGq&#34;&gt;Le grand embrasement: Music for a Mad King&lt;/a&gt; perf. Into the Winds. Bouncy, festive olde musicke. I really liked it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/0Eqah8WmNlEJLhdcT2fNoZ&#34;&gt;Chopin: The Complete Nocturnes&lt;/a&gt; perf. Tom Hicks. They&#39;re all lovely but I have trouble staying inside the music. Attention drifts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/1OwYNlhkfBss1QGSCnSh6E&#34;&gt;Shostakovich: The Piano Concertos; Solo Works&lt;/a&gt; perf. Yuja Wang, Boston Symphony Orchestra cond. Andris Nelsons. The &lt;a href=&#34;https://open.spotify.com/track/2pF1HKPnUCnBVwdBRyfGWU&#34;&gt;Andante from the second concerto&lt;/a&gt; is brilliant. The rest, familiar and didn&#39;t capture me.&lt;/p&gt;
&lt;p&gt;Freddie Roulette, &lt;a href=&#34;https://open.spotify.com/album/6OGmgcio1zNgptUjblbk6c&#34;&gt;Spirit of Steel&lt;/a&gt;. Slide guitar, mostly bluesy, sometimes Hawaiian-tinged. I liked &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5CKJguQCXhvIIY6UlaJiUF&#34;&gt;Song for My Father&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;LTJ Bukem presents &lt;a href=&#34;https://open.spotify.com/album/1xK2wmIA6nazBG1orPKB4y&#34;&gt;Earth, Vol. 1&lt;/a&gt;, good compilation of various drum &amp;amp; bass. This music used to grate but I think I&#39;m better at hearing past the drum chatter now. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2bNcI3o4gUbHQYoNkUJkrG&#34;&gt;Faith&lt;/a&gt;&amp;quot; makes me think of &lt;a href=&#34;https://en.wikipedia.org/wiki/Pilotwings_64&#34;&gt;Pilotwings 64&lt;/a&gt; (complimentary).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Hercules_(1997_film)&#34;&gt;Hercules (1997)&lt;/a&gt;. I don&#39;t love it, but I think we can all relate to Hades&#39; mood swings. Read up on &lt;a href=&#34;https://jaramontez.substack.com/p/a-star-is-born&#34;&gt;the first 15 minutes&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Tenet_(film)&#34;&gt;Tenet&lt;/a&gt;. Third time I&#39;ve seen it? Steadily growing on me. Each time I watch I find something new.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Presence_(2024_film)&#34;&gt;Presence&lt;/a&gt;. First movie of 2026. A ghost moves through an empty house as we see through its eyes, and a family moves in, and they learn about each other. Director Steven Soderbergh: &amp;quot;The beauty of projects at this scale is &lt;a href=&#34;https://apnews.com/article/steven-soderbergh-presence-ae40202b72deda7c29d645578a346b48&#34;&gt;I can just do them without having to talk to anybody&lt;/a&gt;.&amp;quot; Another quality Soderbergh I saw recently is &lt;a href=&#34;https://mlarson.org/2025/11/02/2025-week-43/&#34;&gt;Black Bag&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Grand_Theft_Hamlet&#34;&gt;Grand Theft Hamlet&lt;/a&gt;. Actors out of work during the pandemic decide to stage a play in the videogame world of Grand Theft Auto. It&#39;s funny, crazy ambitious, and has a few touching moments. Quality documentary!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King&#34;&gt;The Lord of the Rings: The Return of the King, Extended Edition&lt;/a&gt;. &amp;quot;Forth, and fear no darkness!&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e13 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Patient_X_(The_X-Files)&#34;&gt;Patient X&lt;/a&gt;&amp;quot;. Back on the season arc. Fox Mulder has lost his mojo!&lt;/p&gt;
&lt;p&gt;Hannibal, s2e4–8. Will Graham has regained his mojo!&lt;/p&gt;
&lt;p&gt;Land of Sin, s1e1. Every country has its rednecks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 51</title>
    <link href="https://mlarson.org/2025/12/28/2025-week-51/"/>
    <updated>2025-12-28T20:03:46.000Z</updated>
    <id>https://mlarson.org/2025/12/28/2025-week-51/</id>
    <content type="html">&lt;p&gt;Two-day work week last week, and another one coming this week. Highlights of the time off so far: reading breaks, catching up with family, coffee every morning, playing Switch again, morning runs, movies and TV, walks in the neighborhood, &amp;quot;study hall&amp;quot; to learn more coding stuff, making end-of-year charitable donations, and making gumbo for Christmas dinner.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I vibe-coded a white noise app this weekend. Functionally it&#39;s a copy of the most-used features from &lt;a href=&#34;https://mynoise.net/NoiseMachines/whiteNoiseGenerator.php&#34;&gt;my previous go-to noise website&lt;/a&gt;. But now I can do the same in a dedicated app outside the browser, more finely tailored for how I use it.&lt;/p&gt;
&lt;p&gt;The coding itself was very pleasant and absorbing, just me and Codex in the terminal ripping for a couple hours, testing ideas, whittling things down, circling back for a bit of polish. Reached ~1000 lines of good-enough-for-me code, called it a day, started thinking about other problems to solve. Nothing like home cooking.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I like this idea of &amp;quot;Ins and Outs&amp;quot; to set the tone for the new year. Now pondering what my 2026 should hold, after the examples from &lt;a href=&#34;https://blog.chriswm.com/2025/12/28/w-an-odd-sight.html&#34;&gt;Chris Martin&lt;/a&gt; and &lt;a href=&#34;https://carlbarenbrug.com/in-out-26&#34;&gt;Carl Barenbrug&lt;/a&gt;. I think I&#39;ll keep these weekly posts on the &amp;quot;In&amp;quot; list.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/prospect-park-snow-on-logs.jpg?w=1024&#34; alt=&#34;stacks of logs in a forest, with snow piled on top and around them&#34; class=&#34;wp-image-11162&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Really cool &lt;a href=&#34;https://tomlloyd.studiomuseum.org/index&#34;&gt;online exhibition of Tom Lloyd&#39;s work&lt;/a&gt; at the Studio Museum in Harlem.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/War_and_Peace&#34;&gt;War and Peace&lt;/a&gt;. So it begins. I&#39;m 150 or so pages into it and while nothing monumental has happened so far, it&#39;s been a ton of fun. I think I misconceived the book based on 1) the title and 2) Russian setting and 3) the author, and assumed it would be something more heavy and dour and serious. But it&#39;s has a lightness and liveliness that&#39;s been really fun to read so far.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Challenging but fun weather this last week: running in sleet one morning, and in a few inches of snow yesterday, with random skids and slides and postholes demanding extra effort and attention. So fun. A great time to insist on regularity, to the extent that I can.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&amp;quot;Capitalism (and now AI) increases the number of trade-offs we face, and therefore increases the importance of meta-preferences—&lt;a href=&#34;https://benyeoh.substack.com/p/the-weirdness-of-wanting&#34;&gt;the stories we choose to live inside&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;A book is, we know, &lt;a href=&#34;https://www.blackbirdspyplane.com/p/this-life-gives-you-nothing&#34;&gt;an unrivaled technology for living more life&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/news/daily-comment/help-know-history&#34;&gt;Does it help to know history?&lt;/a&gt; &amp;quot;The real sin that the absence of a historical sense encourages is presentism, in the sense of exaggerating our present problems out of all proportion to those that have previously existed.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;All art galleries are a bit weird eh. Each time you visit, there are a hundred paintings scattered in rooms and you walk through like uh-huh, uh-huh, ok, that’s nice, uh-huh, ok. Then at random &lt;a href=&#34;https://interconnected.org/home/2025/12/11/live&#34;&gt;one of them skewers you through your soul&lt;/a&gt; and you’re transfixed by the image for life.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;So many want &lt;a href=&#34;https://x.com/photoDre/status/2004594606848311554&#34;&gt;the fruit without the root&lt;/a&gt;. The glow without the gutting. The revelation without the reverence.&amp;quot;&lt;/p&gt;
&lt;p&gt;It was only a matter of time: &lt;a href=&#34;https://www.highagency.com/&#34;&gt;HighAgency.com&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://neal.fun/stimulation-clicker/&#34;&gt;Stimulation Clicker&lt;/a&gt; is, sadly, very amusing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.hermanmiller.com/stories/why-magazine/the-story-behind-isamu-noguchis-playscapes-in-atlanta/&#34;&gt;The Story Behind Isamu Noguchi’s Playscapes in Atlanta&lt;/a&gt; and &lt;a href=&#34;https://bethmathews.substack.com/p/why-so-many-control-rooms-were-seafoam&#34;&gt;Why So Many Control Rooms Were Seafoam Green&lt;/a&gt;. (Thanks, &lt;a href=&#34;https://www.jaramontez.com/&#34;&gt;Jara&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/mattthomas/status/2004273097885864098&#34;&gt;Orson Welles on Christmas&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://time.com/7323901/one-battle-after-another-eddington-mastermind-white-male-protagonists/&#34;&gt;How the White Savior Became This Year’s Cinematic Punchline&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/auto-shop-snow-on-tires.jpg?w=1024&#34; alt=&#34;stacks of tires next to a brick wall, with snow piled on top and around them&#34; class=&#34;wp-image-11163&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/5ers8gfhyhAoH2gZs3RG7x&#34;&gt;J.S. Bach: The Art of Fugue&lt;/a&gt;, perf. Cuarteto Casals. I&#39;ve never clicked with this work, but yet I persist. String quartet version is novel, at least.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/1uKnB6lenFCpzRK04cIa80&#34;&gt;Bach: Sonatas and Partitas, Vol. 1&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/72xyjvbK2DhqyjGBkiTUCL&#34;&gt;Vol. 2&lt;/a&gt;, perf. Chris Thile. Mandolin transcriptions are very nice.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/5ZhnlRGDoCfKsnqbNPA5RE&#34;&gt;Bach: Weihnachtsoratorium / Christmas Oratorio (BWV 248)&lt;/a&gt;, Thomanerchor Leipzig, Gewandhausorchester cond. George Christoph Biller.&lt;/p&gt;
&lt;p&gt;Bach: there&#39;s no one better!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Superman_(2025_film)&#34;&gt;Superman (2025)&lt;/a&gt;. It&#39;s fine. The dog is annoying.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lord_of_the_Rings:_The_Two_Towers&#34;&gt;The Lord of the Rings: The Two Towers, Extended Edition&lt;/a&gt;. Better than I remembered. I think the extra footage helped stitch things together better, a bit more heft where we previously skimmed along.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Little_Women_(1994_film)&#34;&gt;Little Women (1994)&lt;/a&gt;. Heart: warmed! Loved this movie.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e12 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Bad_Blood_(The_X-Files)&#34;&gt;Bad Blood&lt;/a&gt;&amp;quot;. Vampire shenanigans! Great to see them locked into a silly register, and in a Rashomon-like multiple-perspectives narrative.&lt;/p&gt;
&lt;p&gt;Line of Duty, s5e5–6. What a great series. Each is only a handful of episodes each, but hard to think of many that hold the quality bar this high through multiple seasons.&lt;/p&gt;
&lt;p&gt;Hannibal, s2e1–2.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 50</title>
    <link href="https://mlarson.org/2025/12/21/2025-week-50/"/>
    <updated>2025-12-21T17:53:01.000Z</updated>
    <id>https://mlarson.org/2025/12/21/2025-week-50/</id>
    <content type="html">&lt;p&gt;At some point I decided to stop being depressed. That might not be scientifically or clinically valid, and it took longer to see it through, but that&#39;s about roughly how I experienced it, or at least remember it. I remember immiserating in bed one Saturday morning, spiraling darkly, stagnant. And then a mental sigh, and: &amp;quot;I&#39;m tired of this.&amp;quot; I got up. I got dressed. I went for a walk. I felt better when I got back, though not the whole day. The next day I got up and made myself go walk again. I felt better.&lt;/p&gt;
&lt;p&gt;It probably wasn&#39;t just the walking. Therapy and experience and maturity chipped in, but the walking gave them fresh soil to grow in. Every day, every day, every day: outside.&lt;/p&gt;
&lt;p&gt;And then one day earlier this week I realized, &amp;quot;…I... didn&#39;t go outside yesterday!&amp;quot;. No special reason, just distractedly busy with other things. It had been least 1742 days, along with several years of habit before I started logging it. Annoying to forget, but also: I didn&#39;t need it. It&#39;s not the life-raft it used to be. Today I&#39;m a different person with different needs, and it&#39;s time to give those attention in different ways, new streaks yet to start.&lt;/p&gt;
&lt;p&gt;(A nice bookend for how I started the year: &lt;a href=&#34;https://mlarson.org/2025/01/12/2025-week-2/&#34;&gt;remembering when I need to ignore myself&lt;/a&gt;.)&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I hate when there&#39;s standing water around the house. I always squeegee the shower before I leave. And I hate when pools linger under the dish rack, or on countertops. We have a robo-coffee machine at work and I always dump the drip tray first thing every morning. Then I had a realization where it might come from. This might be a just-so story but I think it makes sense: mosquitos. Life-long nemesis, largely disappeared from daily life, but still shaping my behavior.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/wingate-track-mural.jpg?w=1024&#34; alt=&#34;mural above the stands next to a running traack&#34; class=&#34;wp-image-11155&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/24661/landscape&#34;&gt;Landscape&lt;/a&gt;, oil on canvas by Rufino Tamayo. &lt;a href=&#34;https://carsonellis.substack.com/p/the-shortest-day&#34;&gt;The Shortest Day&lt;/a&gt;, book illustrations by Carson Ellis. &lt;a href=&#34;https://en.wikipedia.org/wiki/Cutting_the_Stone&#34;&gt;Cutting the Stone (The Extraction of the Stone of Madness)&lt;/a&gt;, oil on board by Hieronymus Bosch.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/English-Their-History-Robert-Tombs/dp/1101874767&#34;&gt;The English and Their History&lt;/a&gt;. Still a great read. When we get to newer periods, I&#39;ll probably drop and switch to other books. I&#39;m really curious about the ~300–1300CE time period.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Running early before sunrise is a pretty decent replacement for running late at night, which I don&#39;t do much anymore. Similar quiet, calm, place-to-your-self feeling. Looks like I&#39;ll end the year with around ~950 miles, much less than last year and annoying short of a nice round number.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/12/growth-matters.html&#34;&gt;Growth matters&lt;/a&gt; and &lt;a href=&#34;https://www.vox.com/policy/471950/gross-domestic-product-economics-metrics-growth&#34;&gt;The only number that really matters&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;When I finish a book, I immediately read the first 10 pages of a new one so I am&lt;br&gt;
&lt;a href=&#34;https://buttondown.com/Booktime/archive/book-time-26-how-i-read&#34;&gt;never between books&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.commonreader.co.uk/p/why-we-love-jane-austen-more-than&#34;&gt;Why we love Jane Austen more than ever after 250 years&lt;/a&gt;. &amp;quot;It was Austen who gave us the perfect art of a socially realistic novel about people having to overcome their inner problems—rather than having to overcome problems imposed upon them by the world.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://nabeelqu.substack.com/p/on-reading-prousts-in-search-of-lost&#34;&gt;On Reading Proust&#39;s In Search of Lost Time&lt;/a&gt;. Maybe a 2026 project?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://yalereview.org/article/bilge-ebiri-terrence-malick&#34;&gt;Terence Malick&#39;s disciples&lt;/a&gt;. Always read Bilge Ebiri!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theargumentmag.com/p/how-getting-richer-made-teenagers&#34;&gt;Teenagers need to be free&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/cold-cases-in-the-ai-era&#34;&gt;Cold cases in the AI era&lt;/a&gt;. &amp;quot;The cold case genre delivers a kind of satisfaction more appropriate to the AI era than the cozy mystery genre, first because of the forensic software tech, the genealogy databases, document analysis systems, etc., and second, because audiences want stories about human judgment, about deciding what matters and what does not.&amp;quot;&lt;/p&gt;
&lt;p&gt;Bad policy leads to &lt;a href=&#34;https://www.city-journal.org/article/vacant-new-york-city-apartments-rent-control-housing&#34;&gt;ghost apartments&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
The Acid, &lt;a href=&#34;https://open.spotify.com/album/1cMYjuN71NCON0vlQyTgJM&#34;&gt;Liminal&lt;/a&gt;. There&#39;s a bit of kinship here with Thom Yorke&#39;s &lt;a href=&#34;https://open.spotify.com/album/4X8Y79gWo6xm7Osdapg58E&#34;&gt;The Eraser&lt;/a&gt; in this particular flavor of vocals + electronics mix. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1pWo4khJ3LRaiY6puo4tmU&#34;&gt;Tumbling Lights&lt;/a&gt;&amp;quot;, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/05jCSrzGOyYhhGn7k7l2uR&#34;&gt;Ghost&lt;/a&gt;&amp;quot;, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6x54fuN4qJcyCof1702qwg&#34;&gt;Red&lt;/a&gt;&amp;quot; – all great.&lt;/p&gt;
&lt;p&gt;Folk Physics, &lt;a href=&#34;https://open.spotify.com/album/2ZLn8yCldNuR4RFmsoj6kb&#34;&gt;Parallels&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Bach, &lt;a href=&#34;https://open.spotify.com/album/1XxTxMdpin1jHB9fqJfi6K&#34;&gt;Six Sonatas for Organ, BWV 525–530&lt;/a&gt; perf. Aart Bergwerff. I really like this organ, very warm.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/1is2wTgdqfrvAU0g2zU37Y&#34;&gt;Bach: The Toccatas&lt;/a&gt; perf. Jonathan Ferrucci.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Commuter_(film)&#34;&gt;The Commuter&lt;/a&gt;. Good clean fun. Very happy with how they shot the close-quarters fighting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Shop_Around_the_Corner&#34;&gt;The Shop Around the Corner&lt;/a&gt;. Takes a while to get momentum but it&#39;s a good one. Saw this at &lt;a href=&#34;https://metrograph.com/nyc/&#34;&gt;Metrograph&lt;/a&gt; and remembered that I really really need to go there more often.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e1x &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Kill_Switch_(The_X-Files)&#34;&gt;Kill Switch&lt;/a&gt;&amp;quot;. Rogue AI!&lt;/p&gt;
&lt;p&gt;Line of Duty, s5e3–4. This show will wind you up and break your heart.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 49</title>
    <link href="https://mlarson.org/2025/12/14/2025-week-49/"/>
    <updated>2025-12-14T22:09:46.000Z</updated>
    <id>https://mlarson.org/2025/12/14/2025-week-49/</id>
    <content type="html">&lt;p&gt;For a team event at work, we went to an axe-throwing place. I was terrible to start, and didn&#39;t mind being terrible. Something was off, not my night, oh well. I was happy to throw up bricks, and see if I got better results every few minutes when it was my turn again. Low stakes, low investment. And then I switched to a different hatchet, and suddenly I was consistently thunking metal into board. And success made it fun, and I tried harder. It&#39;s okay to blame your tools sometimes?&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I also went to our office holiday party this week, and also my wife&#39;s. One comfortably chaotic, because I knew everyone. One intimidatingly elegant, because I didn&#39;t. It feels good to dress up every now and then. Wear sweats on the flight if you must, but we should think twice about casualness creeping into every occasion.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I&#39;ve been on the search for new washcloths. I really hate the default: thick, soft, fluffy, take weeks to dry. I feel like I&#39;m the only person that likes thin, skritchy-skratchy ones. So anyway I got some &lt;a href=&#34;https://www.etsy.com/listing/975103059/hemp-scrubber-3-pk-eco-friendly-kitchen&#34;&gt;hemp scrubbers&lt;/a&gt; and they&#39;re great.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Visited the &lt;a href=&#34;http://studiomuseum.org&#34;&gt;Studio Museum in Harlem&lt;/a&gt; today and remembered again how lucky I am to be in a city with so much good creative stuff just a train ride away.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/mount-prospect-park-snow-streetlights.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11144&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.studiomuseum.org/artworks/street-scene-with-runners&#34;&gt;Street Scene with Runners, 1930&lt;/a&gt;, gelatin silver print by James Van Der Zee. &lt;a href=&#34;https://www.instagram.com/p/CA0lEo4J5Dp/&#34;&gt;Wall of Hats&lt;/a&gt;, chromogenic color print by Nola Nelson. &lt;a href=&#34;https://www.studiomuseum.org/artworks/la-sirene-and-her-playmate&#34;&gt;La Sirène and Her Playmate&lt;/a&gt;, metal cut from oil drum by Georges Liautaud. &lt;a href=&#34;https://www.studiomuseum.org/artworks/conjur-woman-and-the-virgin-mecklenburg-county&#34;&gt;Conjur Woman and the Virgin – Mecklenburg County&lt;/a&gt;, collage on masonite by Romare Bearden. The &lt;a href=&#34;https://smarthistory.org/benozzo-gozzoli-magi-chapel-medici-palace-frescoes/&#34;&gt;Medici palace frescoes&lt;/a&gt; by Benozzo Gozzoli.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/English-Their-History-Robert-Tombs/dp/1101874767&#34;&gt;The English and Their History&lt;/a&gt;, by Robert Tombs. Really happy with this so far. I&#39;m a bit concerned it&#39;s glossing over the old, old times a little too quickly. Might circle back to other books to add a few more layers there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Mileage dwindling with the mercury. Had my first run in the snow this morning, a rare treat.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5804462&#34;&gt;Colors of Growth&lt;/a&gt;, a paper on using the colors in European artwork to get insight into economic activity in the past.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ds9redefined.wordpress.com/&#34;&gt;DS9 Redefined&lt;/a&gt;, &amp;quot;A Loving Restoration and HD Upscale of Star Trek: Deep Space Nine&amp;quot;. Yes!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vaultofculture.com/nst&#34;&gt;Narrative String Theory&lt;/a&gt;. (&lt;a href=&#34;https://kottke.org/25/12/0047893-narrative-string-theory-i&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/culture/2025-in-review/the-best-films-of-2025&#34;&gt;The New Yorker on the best films of 2025&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/mount-prospect-park-dawn-over-fence.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11147&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/0WDbZ3Er8jzm5aq5pEqGCr&#34;&gt;Byrd: Three Masses; Taverner: Western Wind Mass&lt;/a&gt; perf. King&#39;s College Choir, Cambridge Willcocks.&lt;/p&gt;
&lt;p&gt;Oklou, &lt;a href=&#34;https://open.spotify.com/album/58PwJKq5KH2MjVt2Ih4nEt&#34;&gt;choke enough&lt;/a&gt;. Pleasant bleeps and bloops and vocals. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6g2m5644ZTXBzxSt0z5Qwa&#34;&gt;harvest sky&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Wallners, &lt;a href=&#34;https://open.spotify.com/album/01RclGd6BL2dNLO0mDdkZ0&#34;&gt;End of Circles&lt;/a&gt;. The &lt;a href=&#34;https://open.spotify.com/track/0A10Tuf0jBZYGRzcTtgD44&#34;&gt;title track&lt;/a&gt; is really good.&lt;/p&gt;
&lt;p&gt;Saya Gray, &lt;a href=&#34;https://open.spotify.com/album/4w5yIvQJ8vlxDnMyN8A8qE&#34;&gt;Saya&lt;/a&gt;. Interesting experimental mix of pop, country, folk? &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3ItS4hRej7QlRZ15UB3qQM&#34;&gt;H.B.W&lt;/a&gt;&amp;quot; is cool.&lt;/p&gt;
&lt;p&gt;The Hilliard Ensemble, &lt;a href=&#34;https://open.spotify.com/album/5kZW1eLPUuntVmdiph4BwB&#34;&gt;Perotin&lt;/a&gt;. For all your 13th c. French choral polyphony needs.&lt;/p&gt;
&lt;p&gt;-M-, Fatoumata Diawara, Toumani Diabaté, Lamomali, &lt;a href=&#34;https://open.spotify.com/album/14GM29qcyn39XNBznQAnve&#34;&gt;Lamomali Je t&#39;aime&lt;/a&gt;. Malian EDM? I like the dark house vibes that &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2H4gTacIHUUtNg4y8i44FP&#34;&gt;Ama kora&lt;/a&gt;&amp;quot; starts with.&lt;/p&gt;
&lt;p&gt;Masayoshi Fujita, &lt;a href=&#34;https://open.spotify.com/album/4IROuwFzFJc0YfLgLjZl9L&#34;&gt;Smoking Tigers (OST)&lt;/a&gt;. Gentle, lots of Marimba!&lt;/p&gt;
&lt;p&gt;Into the Winds, &lt;a href=&#34;https://open.spotify.com/album/4A4IiJT0VtDnoKFQlSzVLC&#34;&gt;Le Parfaict Danser: Dance Music 1300–1500&lt;/a&gt;. Fun collection, and especially love the cover art – a &lt;a href=&#34;https://en.wikipedia.org/wiki/Magi_Chapel&#34;&gt;detail from the south wall of the Magi Chapel&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/marcy-broadway-welder.jpg?w=808&#34; alt=&#34;&#34; class=&#34;wp-image-11143&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Undine_(2020_film)&#34;&gt;Undine (2020).&lt;/a&gt;. What a strange little film. Delivers a fantastic scenario in a very straightforward way.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lord_of_the_Rings:_The_Fellowship_of_the_Ring&#34;&gt;The Lord of the Rings: The Fellowship of the Ring, Extended Edition&lt;/a&gt;. Still very rewatchable. I think this is my 4th or 5th time seeing it, and I&#39;d be happy to plug in for another half-hour if I stumble on it again. Humans &amp;gt; hobbits &amp;gt; dwarves &amp;gt; elves, for the record.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Silent_Night_(2023_film)&#34;&gt;Silent Night (2023)&lt;/a&gt;. John Woo action movie. Brutal, and could use a dose of humor here and there, but visually very fun. Love how they make sure you don&#39;t miss a thing, even without dialogue.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Wake_Up_Dead_Man&#34;&gt;Wake Up, Dead Man&lt;/a&gt;. It&#39;s good! Appreciate the earnest religiosity. Took a bit of time to wind up, and lots of moments I think were supposed to be funny (?) didn&#39;t land, but still good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e10 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Chinga_(The_X-Files)&#34;&gt;Chinga&lt;/a&gt;&amp;quot;. Yep, the one with the killer doll.&lt;/p&gt;
&lt;p&gt;Line of Duty, s5e2&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 48</title>
    <link href="https://mlarson.org/2025/12/07/2025-week-48/"/>
    <updated>2025-12-07T16:35:40.000Z</updated>
    <id>https://mlarson.org/2025/12/07/2025-week-48/</id>
    <content type="html">&lt;p&gt;Last week I wrote thank-you notes to writers whose books I really enjoyed over the last year or so. It&#39;s &lt;a href=&#34;https://x.com/mlarson/status/1301942987702722560&#34;&gt;an exercise I started a few years ago&lt;/a&gt;. I usually end up sending out a dozen or so. I&#39;ll get a handful of messages back, which is cool but very much not the point. Remember: &amp;quot;This will be easier, psychologically, if you don&#39;t want to be a writer, don&#39;t ask questions, don&#39;t need advice, and don&#39;t particularly care if you get a response. &lt;a href=&#34;https://x.com/mlarson/status/1301942988776431616&#34;&gt;Spread gratitude, be free&lt;/a&gt;!&amp;quot;&lt;/p&gt;
&lt;p&gt;Maybe next year I&#39;ll extend the same to memorable artists, musicians, moviemakers, etc.?&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;This weekend we went to see &lt;a href=&#34;https://www.bam.org/laf&#34;&gt;Les Arts Florissants perform at BAM&lt;/a&gt;. The favorite of the night for me was the &lt;a href=&#34;https://en.wikipedia.org/wiki/Messe_de_minuit_pour_No%C3%ABl&#34;&gt;Messe de minuit pour Noël&lt;/a&gt;. I grew up Catholic, so it&#39;s easy to recognize all the familiar parts of the mass. I found myself remembering back to old memories of fidgeting in the pews, ready for it all to be over. There was less fidgeting this time (only a little bit – those seats are cramped at Howard Gilman Opera House).&lt;/p&gt;
&lt;p&gt;One of the things I love most about early or Renaissance or classical music is imagining what it was like to hear it when it was new. Maybe in a stuffy ballroom, or in a cold, dark church. Orchestras today are often cover bands, so a performance can be a sort of time travel. I think about how even when you&#39;re having a great day, a torch song can make you feel love&#39;s torment, or an anthem can make you feel boundless, even if nothing around you has changed. Or like this weekend, I can listen and feel humility, reverence, hope. There&#39;s something comforting in connection to a tradition that&#39;s lasted for hundreds and hundreds of years, even if I&#39;m not part of it in quite the same way these days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/153702/still-life&#34;&gt;Still Life&lt;/a&gt;, oil on canvas by Fernand Léger. &lt;a href=&#34;https://www.artic.edu/artworks/57215/storm-in-umbria&#34;&gt;Storm in Umbria&lt;/a&gt; oil on canvas by Elihu Vedder. &lt;a href=&#34;https://www.artic.edu/artworks/181182/crib-quilt&#34;&gt;Crib quilt&lt;/a&gt;, c. 1950s New York. &lt;a href=&#34;https://www.artic.edu/artworks/55264/coupe-footed-bowl&#34;&gt;Coupe (footed bowl)&lt;/a&gt;, earthenware and glaze by Gertrud and Otto Natzler.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Rebecca. This is such a fun book. I&#39;m nestling into the warm embrace of melodrama.&lt;/p&gt;
&lt;p&gt;One Long River of Song.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/howard-gilman-opera-house.jpg?w=817&#34; alt=&#34;&#34; class=&#34;wp-image-11131&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Splitting my weekend long runs into two days more often lately. Call it cowardice or cleverness, it is very exhausting to do the usual mileage in the cold snap we&#39;ve had.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
An &lt;a href=&#34;https://tyler.io/2025/01/10/advice/&#34;&gt;eleven-year-old writer&#39;s to-do list&lt;/a&gt;. Not bad.&lt;/p&gt;
&lt;p&gt;Perhaps the best &lt;a href=&#34;https://jaramontez.substack.com/p/my-personal-gift-guide&#34;&gt;personal gift guide&lt;/a&gt; is the one you write for yourself over an extended period.&lt;/p&gt;
&lt;p&gt;Move fast because &amp;quot;your work degrades, becomes less relevant with time. And if you work slowly, &lt;a href=&#34;https://lemire.me/blog/2025/12/05/why-speed-matters/&#34;&gt;you will be more likely to stick with your slightly obsolete work&lt;/a&gt;.&amp;quot; (&lt;a href=&#34;https://simonwillison.net/2025/Dec/6/daniel-lemire/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/MattZeitlin/status/1996962069720031440&#34;&gt;American AI influencing the language of British legislators&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.brightwalldarkroom.com/2025/11/11/high-noon-1952/&#34;&gt;High Noon (1952): Wait Along, Wait Along…&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The Western demands its myth—the one where courage restores the world and a man’s violence is the nation’s virtue—and High Noon offers it only grudgingly. There is no sweeping horizon here; we see only a sliver of prairie. The real action takes place on Hadleyville’s bright, empty streets and on faces flattened by sunlight. The West is emptied of romance, replaced with a collective anxiety that threatens to boil over.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://thequietus.com/tq-charts/albums-of-the-year/best-albums-of-2025/&#34;&gt;The Quietus albums of the year&lt;/a&gt;. Time to start stocking up for 2026 listening.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Wallners, &lt;a href=&#34;https://open.spotify.com/album/1T4yqQcf6jzCEt8IX1dF1v&#34;&gt;Prolog I&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1wrCtkuMkFlfWm0V87ibHB&#34;&gt;in my mind&lt;/a&gt;&amp;quot; spent a lot of time on repeat.&lt;/p&gt;
&lt;p&gt;Rafael Karlen, &lt;a href=&#34;https://open.spotify.com/album/6dV4JY6iy9YcT7MDcWR0OX&#34;&gt;Sinking Cities&lt;/a&gt;, with Camerata, Queensland Chamber Orchestra. Modern choral stuff. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/51fegOf1qbKLrIC5KlKLp3&#34;&gt;Everything Changes&lt;/a&gt;&amp;quot; is pretty good, but the rest didn&#39;t have as much staying power for me.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/1c70yzdOtmUlEna6jp9kwf&#34;&gt;Palestrina: Missa Papae Marcelli | Motets&lt;/a&gt; perf. Sistine Chapel Choir cond. Massimo Palombella. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/27HoHsQWBg6lxnlFip2fwi&#34;&gt;O Bone Iesu&lt;/a&gt;&amp;quot; is a little 90-second retreat from all that ails you.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/52qkS1jufLQUhIlYKqi2D9&#34;&gt;Monteverdi: Vespers 1610&lt;/a&gt; perf. Dunedin Consort dir. John Butt. Love the &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7450dv6MCLPXS3YlB1HSnG?si=166441a56f00498c&#34;&gt;Duo Seraphim&lt;/a&gt;&amp;quot;, sublime.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/12/sidewalk-christmas-trees.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11132&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
n/a, oops!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e9 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Schizogeny&#34;&gt;Schizogeny&lt;/a&gt;&amp;quot;. Yeah, the one with the killer trees.&lt;/p&gt;
&lt;p&gt;All Her Fault, s1e6–8. It gets sillier as you go along.&lt;/p&gt;
&lt;p&gt;Line of Duty, s5e1. Here we go again: time to chase down some 👏 bent 👏 coppers.&lt;/p&gt;
&lt;p&gt;Sharp Objects, s1e1.&lt;/p&gt;
&lt;p&gt;Sex and the City, s1e1–2.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 47</title>
    <link href="https://mlarson.org/2025/11/30/2025-week-47/"/>
    <updated>2025-11-30T17:26:56.000Z</updated>
    <id>https://mlarson.org/2025/11/30/2025-week-47/</id>
    <content type="html">&lt;p&gt;Thanksgiving is the best holiday of the year and it&#39;s really that simple.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://berlinstaiga.com/blog/mosaic-man-conquers-cosmos-potsdam/&#34;&gt;Man Conquers the Cosmos&lt;/a&gt;, mosaic by Fritz Eisel. &lt;a href=&#34;https://www.europeana.eu/en/item/2021672/resource_document_mauritshuis_889&#34;&gt;Portrait of Elisabeth Bellinghausen&lt;/a&gt;, painting by Bartholomäus Bruyn the Elder. &lt;a href=&#34;https://collections.artsmia.org/art/5749/pleas-and-thank-yous-gwendolyn-knight&#34;&gt;Pleas and Thank Yous: 100 True Stories&lt;/a&gt;, lacquer on aluminum by Gwendolyn Knight. &lt;a href=&#34;https://www.slam.org/collection/objects/38717/&#34;&gt;Standing male cupbearer&lt;/a&gt;, Sumerian sculpture in calcite with lapis lazuli and shell inlay , ca. 4500–1900 BCE.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Rebecca_(novel)&#34;&gt;Rebecca&lt;/a&gt;. For whatever reasons, I thought this was set in the 1800s. Quite a surprise when the main characters spend their time driving around town. Fun so far, so melodramatic!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/One-Long-River-Song-Wonder/dp/0316492892&#34;&gt;One Long River of Song: Notes on Wonder&lt;/a&gt;. Short essays and whispers from memory lane.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Nigel-Poor-San-Quentin-Project/dp/1597114928&#34;&gt;The San Quentin Project&lt;/a&gt;. Photographs of daily life in the prison, along with work from a photography class with the inmates – their annotations and reflections were super cool.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/snyder-ave-street-chairs.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11108&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&amp;quot;That’s &lt;a href=&#34;https://every.to/working-overtime/frankenstein-is-not-your-ai-metaphor-at-least-not-like-that&#34;&gt;a Victor Frankenstein move&lt;/a&gt;: Get disappointed that your creation doesn’t immediately match the image in your head, declare it a failure, and abdicate.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Art in museums is valuable. And &lt;a href=&#34;https://jaramontez.substack.com/p/why-museums-always-win-the-heist&#34;&gt;it’s valuable because museums made it that way&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.cantgetmuchhigher.com/p/101-things-i-learned-listening-to&#34;&gt;101 Things I Learned Listening to Every Number One Hit: Part 1&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Every generation imagines a version of Shakespeare that reflects its own aspirations and anxieties, which means &lt;a href=&#34;https://www.nytimes.com/2025/11/28/opinion/hamnet-shakespeare-adaptation-fiction.html&#34;&gt;every generation gets him wrong in revealing ways&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.commonreader.co.uk/p/rebecca-lowe-the-container-theory&#34;&gt;Henry Oliver and Rebecca Lowe discuss theories of time and &lt;em&gt;On the Calculation of Volume&lt;/em&gt;&lt;/a&gt;, and &lt;a href=&#34;https://www.newyorker.com/magazine/2025/11/17/on-the-calculation-of-volume-solvej-balle-book-review&#34;&gt;Solvej Balle&#39;s Novels Rewire the Time Loop&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.elizabethspiers.com/requiem-for-early-blogging/&#34;&gt;Requiem for Early Blogging&lt;/a&gt;. &amp;quot;If someone wanted to troll you, they’d have to do it on their own site and hope you took the bait because otherwise no one would see it.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://autre.love/interviewsmain/2025/11/18/the-choreography-of-posting-online-read-an-interview-of-maya-man&#34;&gt;My philosophy of authenticity is that it doesn’t exist in the way people wish it did&lt;/a&gt;. I don’t believe it’s possible to perform in a way that’s authentic. People will say, I just post for myself, which is a lie. They say that because they feel it’s morally better to be that way, and I really disagree with that. It’s okay to feel like you’re performing and even want to perform a bit. That’s not evil. It’s a condition of living.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The bottom line is that &lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/a-we-free-december&#34;&gt;&#39;we&#39; is squishy&lt;/a&gt;. I is the brave pronoun.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theguardian.com/science/2025/nov/19/how-to-leave-a-cult-experts-intervention&#34;&gt;The work of getting people to leave cults&lt;/a&gt;. &amp;quot;For that reason, Kelly and Ryan are not looking to convince people of any particular version of reality or truth. They do not seem to be interested in truth at all, really. When you use your experience to test whether or not something is true (the holiness of a guru, the righteousness of a cause) then, Ryan told me: “The person who gives you that experience will own you.” Their work is to usher people into a state of skepticism about the conclusion they have drawn from their experiences; beginning to open them up to the idea that individual experience is not the same as truth or reality.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://memorypalaces.co.uk&#34;&gt;Memory Palaces: Exploring the history of London’s cinemas online and on foot&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://essays.fnnch.com/make-a-living&#34;&gt;How to Make a Living as an Artist&lt;/a&gt;. &amp;quot;Growing tired of painting something people love is a good problem to have. Do not worry about it until it happens. May you be so lucky.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/crown-heights-sunrise.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11107&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A few from drummer Senri Kawaguchi…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/25PVjSK8U9kvIQzYouJk8E&#34;&gt;Buena Vista&lt;/a&gt;. The main motif in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0p7BpgSaT5gqRB9IeS6SGY&#34;&gt;The Phoenix&lt;/a&gt;&amp;quot; is an incredible earworm.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1zZBmo76gGqWxKCSnMrnkS&#34;&gt;Cider ~Hard &amp;amp; Sweet~&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0J5A7RUjvsd0AwyyDsLAZD&#34;&gt;Dynamogenic&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0JgBGWxopoBMZ64prX8eBW&#34;&gt;Storm Warning&lt;/a&gt;&amp;quot; is a lot of fun.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/1DDd6NX0S0CYLNbei0341R&#34;&gt;Charpentier: Messe de Minuit&lt;/a&gt;, Ensemble Marguerite Louise dir. Gaétan Jarry. Just exploring another rendition after &lt;a href=&#34;https://mlarson.org/2025/11/23/2025-week-46/&#34;&gt;sampling one last week&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Víkingur Ólafsson, &lt;a href=&#34;https://open.spotify.com/album/4zSeBpHmi7WGKDYYkqZWjf&#34;&gt;Opus 109 (Beethoven | Bach | Schubert)&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Ladytron, &lt;a href=&#34;https://open.spotify.com/album/3cNwKpbiI2uMmZjV4j7QeC&#34;&gt;Kingdom Undersea&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/You%27ve_Got_Mail&#34;&gt;You&#39;ve Got Mail&lt;/a&gt;. Overall, good watch! Tom Hanks character is a jerk, though? I wonder how it compares with the original. &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=2cjvwTzhG8g&#34;&gt;I wanted it to be you&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Afire&#34;&gt;Roter Himmel (Afire)&lt;/a&gt;. A stressed-out writer tries to finish his work, but everything gets in the way. I really like Christian Petzold&#39;s work overall: &lt;a href=&#34;https://mlarson.org/2024/01/28/2024-week-4/&#34;&gt;Phoenix&lt;/a&gt;, &lt;a href=&#34;https://en.wikipedia.org/wiki/Barbara_(2012_film)&#34;&gt;Barbara&lt;/a&gt;, and &lt;a href=&#34;https://en.wikipedia.org/wiki/Transit_(2018_film)&#34;&gt;Transit&lt;/a&gt; are the others I&#39;ve seen.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sleepless_in_Seattle&#34;&gt;Sleepless in Seattle&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2013/08/29/sleepless-in-seattle-93-meg-ryan-you-guys-its/&#34;&gt;the first&lt;/a&gt;). Love the melancholy in this movie – one characters knowing exactly what they&#39;re missing, the other just coming to realize it. Better characters, more funny than You&#39;ve Got Mail.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/A_House_of_Dynamite&#34;&gt;A House of Dynamite&lt;/a&gt;. Choppy Bourne-style editing was a little annoying. A bit on-the-nose in the writing here and there. Suitably stressful. Left me a little cold?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e8 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Kitsunegari&#34;&gt;Kitsunegari&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;All Her Fault, s1e3–5.&lt;/p&gt;
&lt;p&gt;Winning Time, s2e1.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 46</title>
    <link href="https://mlarson.org/2025/11/23/2025-week-46/"/>
    <updated>2025-11-23T17:46:28.000Z</updated>
    <id>https://mlarson.org/2025/11/23/2025-week-46/</id>
    <content type="html">&lt;p&gt;Thinking about disappointments lately, and the opportunity to double down on what I want regardless. Renewing efforts, aiming for maximal success helps minimize regrets.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Fun exercise: get a big sheet of paper and tape it on the wall. Turn it into a calendar. Add sticky notes for all the travel you plan and want to do in the coming year. Dream it into existence!&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;A few moments at my favorite burger place a Saturday afternoon:&lt;/p&gt;
&lt;figure class=&#34;wp-block-audio&#34;&gt;&lt;audio controls=&#34;&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/crown-fried-chicken.mp3&#34;&gt;&lt;/audio&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.metmuseum.org/art/collection/search/69054&#34;&gt;Tibetan skeleton dance costume&lt;/a&gt; in silk and flannel. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/194188&#34;&gt;[Untitled] (Picnic - Fancy Hat)&lt;/a&gt;, drawing by William Steig. &lt;a href=&#34;https://www.sothebys.com/en/buy/auction/2023/japanese-woodblock-prints/utagawa-kuniyoshi-1797-1861-phoenix-and-lobster&#34;&gt;Phoenix and Lobster&lt;/a&gt;, woodblock print by Utagawa Kuniyoshi. &lt;a href=&#34;https://www.metmuseum.org/art/collection/search/314169&#34;&gt;Ceramic shark&lt;/a&gt; from the Tolita-Tumaco cultures of coastal Ecuador/Colombia. &lt;a href=&#34;https://www.jeanneamato.com/print/silhouettes/&#34;&gt;Silhouettes&lt;/a&gt;, woodcut print by Jeanne Amato.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Richard_II_(play)&#34;&gt;Richard II&lt;/a&gt; (Shakespeare). I &lt;a href=&#34;https://x.com/mlarson/status/1345212176949075969&#34;&gt;read a bunch of Shakespeare back in 2021&lt;/a&gt;, and this one ranked pretty highly back then. Enjoyed even more after reading &lt;em&gt;The Eagle and the Hart&lt;/em&gt; earlier this year. I like the differing gifts and deficits of the main actors, the contrast of moral clarity vs. political success. Richard&#39;s a wastrel in his position as king, but has a depth as tragic figure where you can&#39;t help but feel for him. Everyone else is similarly compromised in some way.&lt;/p&gt;
&lt;p&gt;Not sure what&#39;s next. 🤔&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
More adventures in Bushwick. A lil&#39; persistent cough keeping the mileage down.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/williamsburg-philip-roth-fortune-cookie-mural.jpg?w=1024&#34; alt=&#34;painted mural with a large fortune cookie with a Philip Roth poem printed on its paper slip; the background is a painted cityscap with exaggerated cartoon people enjoying city life&#34; class=&#34;wp-image-11096&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://range0fmotion.substack.com/p/romanticizing-running-outside-in&#34;&gt;Romanticizing running outside in the winter&lt;/a&gt;. &amp;quot;Overcoming your own disapproval of a season will remind you of the impermanence of life around you. Everything is malleable.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;We’re losing the &lt;a href=&#34;https://jaramontez.substack.com/p/rip-casual-browsing&#34;&gt;ability to be influenced by things we don’t fully understand yet&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;It seems like, by default, you are stuck with whatever level of resourcefulness you brought to a problem &lt;a href=&#34;https://usefulfictions.substack.com/p/maybe-youre-not-actually-trying&#34;&gt;the first time you encountered it and failed to fix it&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://flowingdata.com/2025/11/04/spend-days-men-women-2024/&#34;&gt;How men and women spend their days&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ofboysandmen.substack.com/p/gender-gaps-run-both-ways-the-data&#34;&gt;Gender gaps run both ways: the data&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://unpublishablepapers.substack.com/p/where-do-the-children-play&#34;&gt;Where do the children play&lt;/a&gt;? (&lt;a href=&#34;https://www.jdilla.xyz/post/315&#34;&gt;via&lt;/a&gt;) Pretty wild:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;some statistics on the American childhood, drawn from children aged 8-12:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;45% have not walked in a different aisle than their parents at a store;&lt;/li&gt;
&lt;li&gt;56% have not talked with a neighbor without their parents;&lt;/li&gt;
&lt;li&gt;61% have not made plans with friends without adults helping them;&lt;/li&gt;
&lt;li&gt;62% have not walked/biked somewhere (a store, park, school) without an adult;&lt;/li&gt;
&lt;li&gt;63% have not built a structure outside (for example, a fort or treehouse);&lt;/li&gt;
&lt;li&gt;71% have not used a sharp knife;&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;Even if those are inaccurately inflated by let&#39;s say 2-3x, this seems impoverished!&lt;/p&gt;
&lt;p&gt;I like this idea of &amp;quot;&lt;a href=&#34;https://actsofvolition.com/2025/11/resumability/&#34;&gt;resumability&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://theneighborhoods.substack.com/p/prospect-heights-brooklyn&#34;&gt;A walk around Prospect Heights&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/emollick/status/1991943113481609724&#34;&gt;AI-generated Magic cards&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/6NEjh18HFx6ul9kC0SiItc&#34;&gt;Eleanor Daley: Requiem and Other Choral Works&lt;/a&gt; The Choir of Royal Holloway dir. Rupert Gough. Great album. Favorites here are &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7jV8Sy9SFzt49Q0u9N4X0I&#34;&gt;grandmother moon&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3ZqPE2UVVRY3fasF8MHsDX&#34;&gt;Open thou mine eyes&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Sabrina Carpenter, &lt;a href=&#34;https://open.spotify.com/album/1aqg30bNvLSWgShZgX4oop&#34;&gt;Man&#39;s Best Friend&lt;/a&gt;. Glad someone is keeping disco alive: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/42VUCXerQ5qTr4Qp6PhKo4&#34;&gt;Tears&lt;/a&gt;&amp;quot; is so fun. The rest of the album, I could take or leave. It all sounds very… saturated?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/1QLNz3BxQnofJRz12XaOW8&#34;&gt;Marc-Antoine Charpentier: Messe de minuit pour Noel&lt;/a&gt;. perf. The Virgin Consort cond. Kyler Brown. Preparing my ears for an upcoming concert.&lt;/p&gt;
&lt;p&gt;Oneohtrix Point Never, &lt;a href=&#34;https://open.spotify.com/album/4nOjUCw5rOroJp1JHcLZau&#34;&gt;Tranquilizer&lt;/a&gt;. All the perfect bleeps and bloops you could hope for! I&#39;ll keep this one in the rotation for a bit longer.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/4wpso6aAEmtgF97e5inDcB&#34;&gt;Karina Canellakis conducts Tchaikovsky&lt;/a&gt; perf. London Philharmonic.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/7aQOJHE0EKiPUr1To7CQbo&#34;&gt;Bach: The 7 Toccatas&lt;/a&gt; perf. Francesco Tristano.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/7kZ5Z6eATF6eVl5m51zjI2&#34;&gt;Brahms: Symphony No. 1 in C minor, Op. 68&lt;/a&gt; cond. Kirill Petrenko cond. Berliner Philharmoniker.&lt;/p&gt;
&lt;p&gt;Faye Webster, &lt;a href=&#34;https://open.spotify.com/album/7jXmmQ1gNTXHyTF7uvH4Tn&#34;&gt;Atlanta Millionaires Club&lt;/a&gt;. I like the bass and Rhodes and slide guitar in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3cxZT78mZDyLsLPJKcTu3U&#34;&gt;Right Side of My Neck&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Train_Dreams_(film)&#34;&gt;Train Dreams&lt;/a&gt;. Loved it. I &lt;a href=&#34;https://mlarson.org/2015/06/16/i-read-denis-johnsons-train-dreams-and-enjoyed/&#34;&gt;liked the book&lt;/a&gt;, too. Joel Edgerton is a natural at the contained, hesitant, introspective roles. as in &lt;a href=&#34;https://mlarson.org/2024/11/17/2024-week-46/&#34;&gt;Master Gardener&lt;/a&gt;. (Hereby issuing a challenge to filmmakers, though: show a nostalgic happy memory scene without filming it at golden hour! It&#39;s lazy. People have good memories in all kinds of weather and times of day…)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Insider_(film)&#34;&gt;The Insider&lt;/a&gt;. Third viewing, I think. (&lt;a href=&#34;https://mlarson.org/2015/05/11/the-insider-its-awesome-like-all-the-rest-of/&#34;&gt;The first&lt;/a&gt;.) This time around, better recognized how the title applies to Bergman as well as Wigand, how he ends up as a sort of whistleblower, too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e7 &amp;quot;Emily&amp;quot;.&lt;/p&gt;
&lt;p&gt;Hannibal, s1e11–13.&lt;/p&gt;
&lt;p&gt;All Her Fault, s1e1–2.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 45</title>
    <link href="https://mlarson.org/2025/11/16/2025-week-45/"/>
    <updated>2025-11-16T18:15:47.000Z</updated>
    <id>https://mlarson.org/2025/11/16/2025-week-45/</id>
    <content type="html">&lt;p&gt;I put in a lot more hours at the office and wonder, where does motivation come from? Why does work feel like so much fun sometimes, and how do you know whether or not it&#39;s fulfillment or a substitute?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
This weekend I saw a nice &lt;a href=&#34;https://jackshainman.com/exhibitions/faith_ringgold&#34;&gt;collection of Faith Ringgold works at Jack Shainman Gallery&lt;/a&gt;. Especially liked &lt;a href=&#34;https://www.artsy.net/artwork/faith-ringgold-coming-to-jones-road-number-2-sunday-evening-on-jones-road&#34;&gt;Coming to Jones Road #2: Sunday Evening on Jones Road&lt;/a&gt;, acrylic on canvas with pieced fabric border. Reading and exploring afterward led me to &lt;a href=&#34;https://myweb.uiowa.edu/fsboos/galleries/afamgallery/source/ringgoldsubway1987.html&#34;&gt;Subway Graffiti # 3&lt;/a&gt;, acrylic on canvas pieced fabric.&lt;/p&gt;
&lt;p&gt;Another good one this week: &lt;a href=&#34;https://artbridgesfoundation.org/artworks/motown-in-motion&#34;&gt;Motown in Motion&lt;/a&gt;, quilt by Stephen Towns in natural and synthetic fabric, polyester and cotton thread, crystal glass beads, metal and resin buttons.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Crossroads of Twilight. Finishing soon, I think more Shakespeare is up next.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Filled in some map in Bushwick this weekend. Maybe the first time I&#39;ve had &lt;em&gt;nice&lt;/em&gt; experience running in that neighborhood. A beautiful autumn morning elevates everything.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/betsy-head-athletic-field.jpg?w=1024&#34; alt=&#34;photograph of a couple walking a stroller across the bright green lawn of an athletic field; an overcast grey sky looms overhead, pierced by tall stadium lights&#34; class=&#34;wp-image-11088&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
Fun Wikipedia wormhole: &lt;a href=&#34;https://en.wikipedia.org/wiki/Amate&#34;&gt;amate paper&lt;/a&gt;, &lt;a href=&#34;https://en.wikipedia.org/wiki/Western_Mexico_shaft_tomb_tradition&#34;&gt;shaft tomb culture&lt;/a&gt;, and &lt;a href=&#34;https://en.wikipedia.org/wiki/Olmec_colossal_heads&#34;&gt;Olmec colossal heads&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;I&#39;m a huge fan of death. … I think &lt;a href=&#34;https://www.npr.org/2025/10/23/nx-s1-5577963/guillermo-del-toro-frankenstein&#34;&gt;it&#39;s the metronome of our existence&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.derekthompson.org/p/the-monks-in-the-casino&#34;&gt;Monks in the casino&lt;/a&gt;. &amp;quot;Risk-aversion in the social sphere has combined with their risk-chasing in the market, and it’s created a genuinely berserk modern life script.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theargumentmag.com/p/when-environmentalists-choose-panic&#34;&gt;When environmentalists choose panic over progress&lt;/a&gt;. &amp;quot;Well-intentioned but misinformed resistance to innovation and technology slows progress toward the very objectives environmentalism aims to achieve.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/11/one-third-of-us-families-earn-over-150000.html&#34;&gt;It’s astonishing that the richest country in world history could convince itself that it was plundered by immigrants and trade&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/11/my-first-trip-to-tokyo.html&#34;&gt;You can in fact do time travel&lt;/a&gt;. You do it by going to some key places right now.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;i miss blockbuster because it forced you to &lt;a href=&#34;https://x.com/drewcoffman/status/1989158184532292003&#34;&gt;pick one thing and live with the consequences&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://johnstone.substack.com/p/friction-was-the-feature&#34;&gt;Friction was the feature&lt;/a&gt;. &amp;quot;When the legibility of effort disappears, institutions often fall back to cruder filters&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;rollingstone.com/music/music-features/taliban-afghanistan-music-refugees-asylum-1235450742&#34;&gt;The Taliban Drove This Afghan Trumpeter Into Exile. He Still Dreams of Home&lt;/a&gt;. (Congrats, &lt;a href=&#34;https://maildropbymishti.substack.com/p/the-taliban-drove-this-trumpeter&#34;&gt;Mishti&lt;/a&gt;!)&lt;/p&gt;
&lt;p&gt;&amp;quot;Does calling a timeout actually do anything? Does it help?&amp;quot; &lt;a href=&#34;https://evollve.substack.com/p/dont-just-do-something-stand-there&#34;&gt;Analyzing timeout strategy in college volleyball&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/jsmooth995/status/1989513136244682839&#34;&gt;Semicolons are humanity&#39;s last stand&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://pod.link/1849341902&#34;&gt;Atlanta Is…&lt;/a&gt; a new podcast on my playlist.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A few albums from Alexandre Kantorow…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2vVKUGa9CZuRkTpqV0YBVt&#34;&gt;Saint-Saens: Works for Piano &amp;amp; Orchestra&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7aRD6IWGi2b3R6235YSEmp&#34;&gt;Brahms: Piano Works&lt;/a&gt;. Still don&#39;t love it, but a new appreciation for the Ballades, Op. 10.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2PPl1NlhPnphcPELnb18qg&#34;&gt;…Plays Brahms &amp;amp; Schubert&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;A playlist of &lt;a href=&#34;https://open.spotify.com/playlist/5SLyaRrbdU5mCcl0lOGRcP&#34;&gt;Chicago House Music&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Jurassic_World_Rebirth&#34;&gt;Jurassic World Rebirth&lt;/a&gt;. Leans toward the horror genre much more, right from the jump. Maybe too much anthropomorphizing with the obnoxious little baby one, and the napping T-Rex. Casual with child endangerment, but too cowardly to let a minor character die off. A mixed bag, but generally sustains the fun of the franchise.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Frankenstein_(2025_film)&#34;&gt;Frankenstein (2025)&lt;/a&gt;. Sins lead to suffering. Don&#39;t let that happen! I like the Mia Goth&#39;s naturalist wardrobe – feathers, lustrous velvets in green, gold, olive, flashes of purple like beetles. The ending scene at sunrise makes a fun contrast with &lt;a href=&#34;https://mlarson.org/2025/02/16/2025-week-7/&#34;&gt;Nosferatu (2024)&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e6 &amp;quot;Christmas Carol&amp;quot;.&lt;/p&gt;
&lt;p&gt;Hannibal, s1e9.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 44</title>
    <link href="https://mlarson.org/2025/11/09/2025-week-44/"/>
    <updated>2025-11-09T16:59:35.000Z</updated>
    <id>https://mlarson.org/2025/11/09/2025-week-44/</id>
    <content type="html">&lt;p&gt;Back to work in full this week, and back to the office. So nice to get warm welcomes and questions about my travels. Absence makes the heart grow fonder? The ability to work from home so often is priceless. Full-time WFH, though… not for me!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.famsf.org/artworks/perils-of-the-sea-traveller&#34;&gt;Perils of the Sea Traveller&lt;/a&gt;, color stonecut on paper by Pitseolak Ashoona and Mary Pitseolak. &lt;a href=&#34;https://www.groundswell.nyc/projects/ita-s-not-a-dream-if-you-will-it-118&#34;&gt;It&#39;s Not A Dream If You Will It&lt;/a&gt;, mural in the Brownsville neighborhood down the road from me. &lt;a href=&#34;https://www.nga.gov/artworks/74823-untitled-yellow-and-white&#34;&gt;Untitled (Yellow and White)&lt;/a&gt;, oil on canvas by Ad Reinhardt.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Crossroads_of_Twilight&#34;&gt;Crossroads of Twilight&lt;/a&gt;, cont. This book is living up to its reputation (but I will finish it).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Took the last several months away from run club, and returned this week. Felt good to be back. After so much vacation time, my weekend long run was a bit of a struggle. Build, decay, rebuild.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/tree-with-golden-leaves.jpg?w=615&#34; alt=&#34;&#34; class=&#34;wp-image-11078&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://macwright.com/2025/11/02/fewer-people-should-run-marathons&#34;&gt;Fewer people should run marathons&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Running a marathon is thus, by definition, uncool. It’s one of the most try-hard things that anyone can do. That’s why people like doing it. It feels really good to try. And &lt;a href=&#34;https://thesweatlookbook.substack.com/p/running-isnt-cool&#34;&gt;it feels even better to try alongside thousands of other people trying, too&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://jaramontez.substack.com/p/on-the-grid&#34;&gt;On the grid&lt;/a&gt;. They&#39;re everywhere!&lt;/p&gt;
&lt;p&gt;I like the &amp;quot;&lt;a href=&#34;https://lizargall.github.io/blog/infodump/&#34;&gt;Does practice make perfect?&lt;/a&gt;&amp;quot; illustration in this essay.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.experimental-history.com/p/the-decline-of-deviance&#34;&gt;Creativity is just deviance put to good use&lt;/a&gt;.&amp;quot; (&lt;a href=&#34;https://austinkleon.substack.com/p/a-day-too-long&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=f_Rqf-vxBM8&#34;&gt;Don&#39;t Follow Your Dreams, Follow Your Tools&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=-L6OGruW9i4&#34;&gt;How Marlon Brando Changed Acting&lt;/a&gt;. For as much as I love and watch movies, the nuances of acting are a big knowledge gap. This was cool. (&lt;a href=&#34;https://kottke.org/25/11/how-marlon-brando-changed-acting&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://passo.uno/the-columbo-technique-for-technical-writers/&#34;&gt;The Columbo Technique for Technical Writers&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/@christinaemayr/how-to-let-them-2bb612b98898&#34;&gt;How to &amp;quot;Let Them&amp;quot;&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/under-a-sidewalk-shed.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11080&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Klaus Schulze, &lt;a href=&#34;https://open.spotify.com/album/6rBOn1qiHOC2Na7deswxnq&#34;&gt;Are You Sequenced?&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/2PhtCAfjtvOydtGy2KNQzx&#34;&gt;Another Green Mile&lt;/a&gt;. From the second album, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3Oww3QL5b5qclipszJa4qN?si=200291f4acc64f6f&#34;&gt;Follow Me Down, Follow Me Down&lt;/a&gt;&amp;quot; is a great slow-burn pieces, and also liked &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5YspCPsQPV4mLoxMEtlLVr&#34;&gt;The Wisdom of the Leaves&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Reba McEntire, &lt;a href=&#34;https://open.spotify.com/album/52S2Kk2P6hLkOBzncNWDjL&#34;&gt;What Am I Gonna Do About You&lt;/a&gt;. I heard &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/72GqUdiFsjeGtVndQNEau6&#34;&gt;Why Not Tonight&lt;/a&gt;&amp;quot; when I was watching &lt;em&gt;Tremors&lt;/em&gt; last week. The &lt;a href=&#34;https://open.spotify.com/track/4q1wTTM9VOc2iv3t0Kbd99&#34;&gt;title track&lt;/a&gt; is great, too.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/35kV25VX5cbd1vBFJDPlN9&#34;&gt;Brunnenthal 1715: Music for Organ and Cornetto&lt;/a&gt;. Much more moody and pensive than I&#39;d expected. The &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/10nHe6yFG5NPdOUOPl939H&#34;&gt;Chaconne in C major&lt;/a&gt;&amp;quot; was my favorite.&lt;/p&gt;
&lt;p&gt;Arvo Pärt, &lt;a href=&#34;https://open.spotify.com/album/0ntlFAfXSQip4H5HapdJnH&#34;&gt;…Lente&lt;/a&gt;. Mostly familiar material, glad I revisited.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Compensation_(film)&#34;&gt;Compensation&lt;/a&gt;. Loved this movie. Told in silent-film style, a story of two deaf Black women, in two different eras, finding love. Love the borrowing from pan-the-photograph documentary style, and vivid captions that let you imagine and dream along with the stories. It will make my end-of-year favorites, top tier.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e5 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Post-Modern_Prometheus&#34;&gt;The Post-Modern Prometheus&lt;/a&gt;&amp;quot;. Black-and-white throwback episode in the spirit of &lt;a href=&#34;https://en.wikipedia.org/wiki/James_Whale&#34;&gt;James Whale&lt;/a&gt;. Fun!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://barrypopik.com/blog/the_best_fertilizer_is_the_gardeners_shadow&#34;&gt;The best fertilizer is the gardener’s shadow&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 43</title>
    <link href="https://mlarson.org/2025/11/02/2025-week-43/"/>
    <updated>2025-11-02T18:15:22.000Z</updated>
    <id>https://mlarson.org/2025/11/02/2025-week-43/</id>
    <content type="html">&lt;p&gt;Sick for most of the last week. Travel catching up to me, or something I caught on the last leg of travel. Coughing and coughing and coughing. The cabin fever is excruciating. But with 20/20 hindsight, I&#39;m glad my norms have shifted. Better to be sick at home and working than going into the office and blithely infecting people.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Noticing a new acquisitiveness since I got back from Japan. I think I&#39;m see my old stuff in a new light, feeling a big urge to replace it, overturn the old ways. Not yet sure what&#39;s trying to be expressed. Listening.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/47411/the-laughing-demoness-warai-hannya-from-the-series-one-hundred-ghost-tales-hyaku-monogatari&#34;&gt;The Laughing Demoness (Warai Hannya), from the series “One Hundred Ghost Tales (Hyaku monogatari)”&lt;/a&gt;, color woodblock by Katsushika Hokusai. (Thanks, &lt;a href=&#34;https://www.jaramontez.com/&#34;&gt;Jara&lt;/a&gt;). &lt;a href=&#34;https://www.rijksmuseum.nl/en/collection/object/Still-Life-with-Books-Sheet-Music-Violin-Celestial-Globe-and-an-Owl--f6e90aa0ceddf229ccecd26f6afbd904&#34;&gt;Still Life with Books, Sheet Music, Violin, Celestial Globe and an Owl&lt;/a&gt;, oil on wood by Jacob van Campen. &lt;a href=&#34;https://www.artic.edu/artworks/158752/the-white-place-in-sun&#34;&gt;The White Place in Sun&lt;/a&gt;, oil on canvas by Georgia O&#39;Keeffe. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/100967&#34;&gt;Sun Beams Slant on the Riverbank and Cold Rain Falls from a Floating Cloud&lt;/a&gt;, woodcut print by Stanton Macdonald-Wright. &lt;a href=&#34;https://www.artic.edu/artworks/185186/animal&#34;&gt;Animal&lt;/a&gt;, oil on canvas by Victor Brauner. &lt;a href=&#34;https://digital.library.ucla.edu/catalog/ark:/21198/zz0002r2rc&#34;&gt;Boy on horseback watching the Space Shuttle Enterprise being towed across Antelope Valley&lt;/a&gt;, photograph by Art Rogers.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/basketball-goal-trees-brower-park.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11062&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Crossroads of Twilight, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
n/a, sick! :( Lots of walking this week.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/please-take-one&#34;&gt;Please take one&lt;/a&gt;, wonderful essay on museum brochures.&lt;/p&gt;
&lt;p&gt;&amp;quot;Part of “good practice” (deep focus, lots of iteration) is &lt;a href=&#34;https://craigmod.com/ridgeline/217/&#34;&gt;having properly-sized feedback loops&lt;/a&gt;. Too short a loop, and it subverts the development of voice (too many other voices jutting in, telling you how to be). Too long a loop, and you might lose momentum (some feedback, properly timed, is critical).&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;If Americans sometimes seem crass or like they take life at an easy stride,&lt;br&gt;
&lt;a href=&#34;https://www.commonreader.co.uk/p/the-american-art-of-being-busy&#34;&gt;it is largely because they are not idle&lt;/a&gt;. To the British temperament, there is something vulgar and unsettled about this lack of idleness. And yet the Americans are quite relaxed. Being busy puts them at ease.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vogue.com/article/can-you-be-serious-and-seriously-glamorous-zadie-smith&#34;&gt;Can you be serious and seriously glamorous&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&amp;quot;It&#39;s the &lt;a href=&#34;https://austinkleon.substack.com/p/even-the-moons-frightened&#34;&gt;job of teenagers to annoy, frighten, and bewilder you&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;One of the most basic presuppositions of communication is that the &lt;a href=&#34;https://luhmann.surge.sh/communicating-with-slip-boxes&#34;&gt;partners can mutually surprise each other&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.scopeofwork.net/on-factory-tours/&#34;&gt;On factory tours&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.gleech.org/music2024&#34;&gt;900 albums of 2024&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Lots of Klaus Schulze. I was using it mostly as wallpaper, but even with lower level of attention, it&#39;s good stuff.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0omYUPqP5YTdFToUgnw14y&#34;&gt;La Vie Electronique, Vol. 1&lt;/a&gt;. Four hours!&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0s0aKsBFuhuq3sjShXViA8&#34;&gt;Moondawn&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2dmHljk3D9JBpdygyqT5p1&#34;&gt;Transfer Station Blue&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0Iu8K3btW506raJWEJQO33&#34;&gt;Dreams&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1lMWcPqmhBciPGQn6WXBw5&#34;&gt;Beyond Recall&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3Q4gXbz21aFiH8GbOpd31D&#34;&gt;In Blue&lt;/a&gt;. See &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/097Tt2N9Add2d57QHK0OKd&#34;&gt;Wild and blue - Into the Blue&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Daft Punk, &lt;a href=&#34;https://open.spotify.com/album/3AMXFnwHWXCvNr5NCCpLZI&#34;&gt;Tron: Legacy OST&lt;/a&gt;. Big fan of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6NbukMzsdx888nymIiWKlV&#34;&gt;Armory&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/11/morning-trash-pickup.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11063&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Black_Bag&#34;&gt;Black Bag&lt;/a&gt;. Took a little while to get on its wavelength, but ended up really liking this spy-couple story. Tight focus. Interesting visual choice to have that shimmery soft lighting glow. Appreciate the nod to &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Let%27s_Get_Lost_(song)&#34;&gt;Let&#39;s Get Lost&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Trap_(2024_film)&#34;&gt;Trap&lt;/a&gt;. Not sure how I missed it &lt;a href=&#34;https://mlarson.org/2025/05/25/2025-week-21/&#34;&gt;the first time I watched it&lt;/a&gt;, but the small profiler role is played by Hayley Mills from &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Parent_Trap_(1961_film)&#34;&gt;The Parent Trap&lt;/a&gt;. Interesting that a movie like this can still succeed overall even when prominent characters are badly written/weakly acted. Good bones, good mechanics. Loved the angry conversation over pie.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Tremors_(1990_film)&#34;&gt;Tremors&lt;/a&gt;. The time I watched this was on TBS or something as a kid. Never could track it down again, though I was generally aware of it. Enjoyed the setting in a dusty little western town, if it even amounts to that much. Don&#39;t see that often.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e4, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Detour_(The_X-Files)&#34;&gt;Detour&lt;/a&gt;&amp;quot;. So glad to get back to a monster-of-the-week episode.&lt;/p&gt;
&lt;p&gt;Hannibal, s1e4–6. Episode 5, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Coquilles&#34;&gt;Coquilles&lt;/a&gt;&amp;quot;, is so good, the way it ties together themes of shelter/abandonment, fear/mourning, loss/escapism. Beautiful script, connects the killer-of-the-week to the main characters&#39; developments, moves the season arc forward, great stuff.&lt;/p&gt;
&lt;p&gt;Bob&#39;s Burgers, s16e4.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Weeks 41–42, Japan</title>
    <link href="https://mlarson.org/2025/10/26/2025-weeks-41-42-japan/"/>
    <updated>2025-10-26T16:00:56.000Z</updated>
    <id>https://mlarson.org/2025/10/26/2025-weeks-41-42-japan/</id>
    <content type="html">&lt;p&gt;I spent the last two weeks traveling in Japan. The trip started from NYC to Tokyo, then quickly relocated to Osaka for a few days, and to Okayama for a few (day trips to Imbe, Kurashiki, Hiroshima, Naoshima), and then the last few back in Tokyo. Very different from my only other trip there, where I spent most of my time in Tokyo with brief visits to Hakone and Kamakura. I&#39;m going to dump some of my notes I wrote down along the way.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Fun to feel complete disorientation on first arrival, trusting years of public transit instinct to navigate the first trains. Anything outbound looks good, if not, yolo, we can turn around and try again.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I forgot how lush Japan is. Damp and green, buildings overtaken by where it&#39;s not hemmed in. Mountainsides ready to move downhill if not paved over. Fluid. And decaying. Narita airport is far from the city center, so you pass through a bunch of podunk towns on the way to the megalopolis.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/minoo-falls.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11049&#34;&gt;&lt;/figure&gt;
&lt;p&gt;It&#39;s also very rugged. When I think &amp;quot;rugged&amp;quot; I usually think &amp;quot;rocks&amp;quot;, but here it is hills everywhere, steep forested hills just outside every town. Life squeezed in where it can be. In several places I&#39;d seen baseball fields in the middle of houses, like right next door – nets put up around and above so sport can take place while protecting what&#39;s nearby. Just like all the retainment walls on the hillsides or concrete embankments on the rivers. Protect with walls so what&#39;s inside can be preserved, or exist in the first place.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Shinkansen, like Waymo, was utterly mindblowing for the first few minutes and then I quickly took it for granted. But it&#39;s amazing that you can just walk up, buy a ticket, walk directly on the train, and 10 minutes later be traveling at 200mph or whatever.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;It&#39;s good to have small bits of travel mixed in with the overall trip. An hour or two of calm on a train or bus. Just enough to pull out a book and be in the moment in a different way.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/minoo-garden-shed.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11051&#34;&gt;&lt;/figure&gt;
&lt;hr&gt;
&lt;p&gt;Learned a lot about &lt;a href=&#34;https://en.wikipedia.org/wiki/Celadon&#34;&gt;celadon pottery&lt;/a&gt;, and was especially curious about all the peonies and chyrsanthemums I saw carved in them. Also learned a lot about &lt;a href=&#34;https://en.wikipedia.org/wiki/Bizen_ware&#34;&gt;Bizen ware pottery&lt;/a&gt;. So great to have LLMs to ask about what I&#39;m seeing and deep-dive on random questions throughout the trip.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Washlets/bidets are such a great invention. We should spread these in the States. Even coffee shops have them!&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Interesting to travel and not have all the social cues. Here at home I can glance at someone and have a pretty good sense (confidence, at least, if not accuracy) of where they fit in – nerd, finance pro, Bushwick hipster, &amp;quot;cool&amp;quot; or &amp;quot;uncool&amp;quot;, etc.. Not so much there. I can tell when the overlap is obvious – skater chic travels – but plenty of everyday looks I couldn&#39;t place.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I love eSIMs. Data is so cheap, no-brainer for future trips.. I remember my first trip to Japan, I bought a cheap burner flip phone so I could have service and text with a few friends I was meeting up with, and call for basic things that weren&#39;t easily internet-able (&amp;quot;open today?&amp;quot;). This was 2007 if I remember right. Using &lt;a href=&#34;https://artspacetokyo.com/&#34;&gt;Art Space Tokyo&lt;/a&gt; and paper guide I guess, and a map, and a willingness to just be kinda lost or not find things. Different times.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Averaging ~20,000 steps per day makes for a pretty good lifestyle.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;The towns of Minoo and Imbe made me think about my birth place in rural Georgia. I respond to the familiar, smaller size of each, and the closeness to nature right out the back door. But they also add density, and neighbors, and trains. Best of both worlds? They were like a more ideal form of where I grew up. (Also makes me think of &lt;em&gt;The Goonies&lt;/em&gt; or &lt;em&gt;Stand by Me&lt;/em&gt;, for example – small town + plenty of friends nearby + plenty of nature for adventure.)&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/kibiji-bike-trail-bitchu-kokubun-ji-temple.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-11056&#34;&gt;&lt;/figure&gt;
&lt;hr&gt;
&lt;p&gt;I have a new appreciation for ukiyo-e prints. I especially like the prominence of ghosts, people sitting in waterfalls, toads, goblins. It&#39;s all much more lively and weird than I&#39;d thought.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;The ideal city size is one that&#39;s large enough where it&#39;s worth having a bike to run errands across town, but small enough where you don&#39;t feel a need to brace yourself and armor up to do it.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;As an experiment on this trip, I kept a regret log. Just jotting down poor decisions and 20/20 hindsight to help shape the trip. Among those:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Not adventuring the first night we arrived, instead letting myself crash and nap too long.&lt;/li&gt;
&lt;li&gt;Not learning much of the language, and having more basic phrases locked in. I felt both rude and helpless during a few basic interactions. I&#39;m smart enough to remember these things, and had plenty of opportunity to prepare.&lt;/li&gt;
&lt;li&gt;Over-relying on the big train stations. It&#39;s tempting to navigate to big central stations instead of smaller, less convenient ones. But they tend to be harder to get out of, to navigate through/around, harder to get oriented when you emerge, and a bigger pain to access on foot.&lt;/li&gt;
&lt;li&gt;Not eating enough early enough. I always eat breakfast at home, but let that good habit slip. I like an early start, but coffee and pastry will only last so long, and the extra time for a reasonable meal makes a big difference in how the day plays out.&lt;/li&gt;
&lt;li&gt;Going to the known tourist trap/shopping area &lt;em&gt;just in case&lt;/em&gt; it wasn&#39;t as bad as I feared. (It was. (It usually is.))&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artsy.net/artwork/tsukioka-yoshitoshi-the-good-womans-spirit-praying-in-the-waterfall&#34;&gt;Hatsuhana Praying at Gongen Waterfall&lt;/a&gt;, woodblock print by Tsukioka Yoshitoshi. &lt;a href=&#34;https://www.artsy.net/artwork/utagawa-kuniyoshi-mongaku-shonin-under-the-waterfall&#34;&gt;Mongaku Shonin Under the Waterfall&lt;/a&gt;, woodblock print by Utagawa Kuniyoshi.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/naoshima-narcissus-garden.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11055&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Crossroads of Twilight.&lt;/p&gt;
&lt;p&gt;Breakneck.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://www.robinsloan.com/lab/secondhand-embarrassment/&#34;&gt;There are going to be a lot of reluctant script executions and heavy button presses in this new era&lt;/a&gt;&#39;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.gyford.com/phil/writing/2025/10/15/1995-internet/&#34;&gt;My first months in cyberspace&lt;/a&gt;. (via &lt;a href=&#34;https://kottke.org/25/10/0047730-phil-gyford-writing-about&#34;&gt;Jason Kottke&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;I find that my life is simplified if, &lt;a href=&#34;https://georgesaunders.substack.com/p/a-tough-question-indeed&#34;&gt;when I’m tempted to have an opinion, I ask myself why I need one&lt;/a&gt;, and what I aim to do with it.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/osaka-evening-skyline.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11053&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
All of these were watched as the creators intended: on am airplane seatback screen with tinny headphones.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Little_Shop_of_Horrors_(1986_film)&#34;&gt;Little Shop of Horrors&lt;/a&gt;. I had no idea what I was getting into – didn&#39;t know it was a musical. Quite a fun one. &lt;a href=&#34;https://en.wikipedia.org/wiki/Levi_Stubbs&#34;&gt;Levi Stubbs&lt;/a&gt; singing as Audrey II seems like a clear bluesy/sleazy ancestor of Oogie Boogie and that crab in Moana. (I wonder if there are earlier examples in this lineage?) Fun to see Steve Martin&#39;s precise theatrical choreographed movement (see also &lt;a href=&#34;https://www.youtube.com/watch?v=-mg3Mzg8XSo&#34;&gt;the &lt;em&gt;Dirty Rotten Scoundrels&lt;/em&gt; training scene&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Tron:_Legacy&#34;&gt;Tron: Legacy&lt;/a&gt;. It&#39;s clunky. Interesting set designs, but not as thrilling, visually, as the original. Plot-wise, familiar father-and-son stuff, again not as fresh. Lots of &amp;quot;catch-up&amp;quot; explanations that slow things down. I like some of the religious undertones. Not sure why computer villains would spend time declaiming to vast ranks of soldiers.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Woman_of_the_Hour&#34;&gt;Woman of the Hour&lt;/a&gt;. A blunt instrument at times, but effectively chilling.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/ginza-intersection.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11052&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e3 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Unusual_Suspects_(The_X-Files)&#34;&gt;Unusual Suspects&lt;/a&gt;&amp;quot;. The Lone Gunmen origin story! Richard Belzer playing a square!&lt;/p&gt;
&lt;p&gt;Hannibal, s1e2–3. The Abigail Hobbs character is a tough role to play.&lt;/p&gt;
&lt;p&gt;Slow Horses, s1e1–3. Slooooow. Vulgar protagonists really annoy me.&lt;/p&gt;
&lt;p&gt;The Last of Us, s1e1.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 41</title>
    <link href="https://mlarson.org/2025/10/12/2025-week-41/"/>
    <updated>2025-10-12T17:00:01.000Z</updated>
    <id>https://mlarson.org/2025/10/12/2025-week-41/</id>
    <content type="html">&lt;p&gt;A week of winding down, shifting focus, senioritis gradually reaching a crescendo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/254887/wake&#34;&gt;Wake&lt;/a&gt;, oil on canvas by Lee Mullican. &lt;a href=&#34;https://www.artic.edu/artworks/148050/ancient-flutes&#34;&gt;Ancient Flutes&lt;/a&gt;, turned bowl in cocobolo wood by William Hunter. &lt;a href=&#34;https://www.metmuseum.org/art/collection/search/468695&#34;&gt;Nature Sets Her Hound Youth after the Stag (from The Hunt of the Frail Stag)&lt;/a&gt;, Netherlandish tapestry in wool and silk. &lt;a href=&#34;https://collections.artsmia.org/art/1720/expo-mouth-10-tom-wesselmann&#34;&gt;Expo Mouth #10&lt;/a&gt;, oil on canvas by Tom Wesselmann.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Mistborn&#34;&gt;Mistborn&lt;/a&gt;. DNF.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Breakneck-Chinas-Quest-Engineer-Future/dp/1324106034/&#34;&gt;Breakneck: China&#39;s Quest to Engineer the Future&lt;/a&gt;. This has been my morning subway read (daydreaming about east coast HSR).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Crossroads_of_Twilight&#34;&gt;Crossroads of Twilight&lt;/a&gt;. Chipping away at the WOT series until I find my next novel. Seems like consensus ranks this as the worst of the franchise.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Kept my mileage in check, short and steady except for a very fun weekend loop. Looking forward to a couple weeks off.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/community-garden-sunset.jpg?w=1024&#34; alt=&#34;reflected sunset glows on a corner of a building that peeks through dense foliage above a community garden&#34; class=&#34;wp-image-11041&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.instagram.com/reel/DO3r4PLktFv/?l=1&#34;&gt;Will it internet&lt;/a&gt;? Spencer Chang time-travels with a watch.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.subwaybuilder.com/&#34;&gt;Subway Builder&lt;/a&gt; is a hyperrealistic transit simulation game. Build a new subway system from the ground up while dealing with real-world constraints and costs.&amp;quot; Made by &lt;a href=&#34;https://x.com/Colin_d_m&#34;&gt;@Colin_d_m&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.construction-physics.com/p/why-are-so-many-pedestrians-killed&#34;&gt;Why Are So Many Pedestrians Killed by Cars in the US&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theargumentmag.com/p/what-happens-to-college-towns-after&#34;&gt;What happens to college towns after peak 18-year-old&lt;/a&gt;? &amp;quot;By 2030, 20.7% of Americans will be 65 or older, while just 20.2% will be under 18.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Even when telling the history of a country, Shakespeare’s worlds are small; Melville’s, despite being substantially hemmed to a boat, is somehow large. Maybe Shakespeare in some way captured all there was to be captured at the time; if so, in Melville we can &lt;a href=&#34;https://x.com/patrickc/status/1977074940907282924&#34;&gt;see how much larger humanity has become&lt;/a&gt;: industry, trade networks, energy, science, anthropology, firms with multinational labour, knowable continents beyond great seas.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://danfrank.ca/daniel-isms-50-ideas-for-life-i-repeatedly-share/&#34;&gt;Daniel-isms: 50 Ideas for Life I Repeatedly Share, Part 1&lt;/a&gt; and &lt;a href=&#34;https://notnottalmud.substack.com/p/daniel-isms-50-ideas-for-life&#34;&gt;Part 2&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;One thing that I always have, especially if you go to a big concert hall, is that &lt;a href=&#34;https://flyovertakes.substack.com/p/a-conversation-with-dean-ball-about&#34;&gt;I very frequently want to turn up the volume&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/russellcrowe/status/294269377363181568&#34;&gt;Russell Crowe on maps&lt;/a&gt;. Stars! They&#39;re just like us! (Thanks, &lt;a href=&#34;https://www.jaramontez.com/&#34;&gt;Jara&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Myrkur, &lt;a href=&#34;https://open.spotify.com/album/4suNaIAqTmYMRHobGkoNQK&#34;&gt;Spine&lt;/a&gt;. Scandinavian folk + metal.&lt;/p&gt;
&lt;p&gt;Klaus Schulze, &lt;a href=&#34;https://open.spotify.com/album/2T6vbpfG0zp0v8tWCG80Io&#34;&gt;Deus Arrakis&lt;/a&gt;. Been killing it for decades. I should spend more time with his work.&lt;/p&gt;
&lt;p&gt;Fusilier, &lt;a href=&#34;https://open.spotify.com/album/0cIwrCAGDrxtMK2nmalkYy&#34;&gt;Ambush&lt;/a&gt;. I didn&#39;t end up loving the rest of the album as much, but I audibly said &amp;quot;wow&amp;quot; on my walk to work when I first heard one of the transitions in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/49ktHu4M9aXInk9GZlJajF&#34;&gt;LLC&lt;/a&gt;&amp;quot;. I love how adventurous the album feels.&lt;/p&gt;
&lt;p&gt;DjRUM, &lt;a href=&#34;https://open.spotify.com/album/1bMzS9D1chZ57onK5mU8ea&#34;&gt;Under Tangled Silence&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Various, &lt;a href=&#34;https://open.spotify.com/album/7wIvILO6pAlr0jl46GLXLf&#34;&gt;Tron OST&lt;/a&gt; and Nine Inch Nails, &lt;a href=&#34;https://open.spotify.com/album/47pjW3XDPW99NShtkeewxl&#34;&gt;Tron: Ares OST&lt;/a&gt;. Fun compare/contrast – the electronic+orchestra hybrid in the first, with some pop mixed in, and then the more stark band/studio sound in the most recent.&lt;/p&gt;
&lt;p&gt;The Consolers, &lt;a href=&#34;https://open.spotify.com/album/3b4TTqubiMIrqs2csknCza&#34;&gt;Jesus Brought Joy&lt;/a&gt;. Gospel duets. You can&#39;t not smile.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/manhattan-windows.jpg?w=656&#34; alt=&#34;a wall of manhattan buildings fills the frame with a grid of windows, one building made of pale grey and beige bricks the other red&#34; class=&#34;wp-image-11042&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Silence_of_the_Lambs_(film)&#34;&gt;The Silence of the Lambs&lt;/a&gt;. Still great! Would love to see it in theaters someday. When the lights go off and the night vision clicks on…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Manhunter_(film)&#34;&gt;Manhunter&lt;/a&gt;. Still great! On this watch, struck my how quiet and thoughtful so much of the runtime is. Newly appreciated the climax, with our hero fully inhabiting the villain&#39;s mindset and behavior, creeping through the moonlit forest to approach the house.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Tron&#34;&gt;Tron&lt;/a&gt;. The cutting-edge visuals of the time are so different in style, and relatively crude compared to what we can do today, that they circle back around to become foreign and strange and wondrous again. Love that the in-computer world also had a bit of silent film look. Beautifully lived-in live-action interiors, too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s5e1–2 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Redux_(The_X-Files)&#34;&gt;Redux I &amp;amp; II&lt;/a&gt;&amp;quot;. We&#39;re back! Tough watch in the first , so much talk talk talk talk talk talk. Things picked up in the second one. Mulder is getting so affectionate! I&#39;m ready for Scully to get out of bed, and for both of them to get back to weird middle-America spooky investigations. This main government conspiracy arc is never going to go anywhere! Remember who your friends are.&lt;/p&gt;
&lt;p&gt;Hannibal, s1e1. Revisiting this for a third perspective on the Hannibalverse. I think Mikkelsen is my favorite Lecter of them all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
Irving Berlin: &amp;quot;Life is 10 per cent what you make it, and 90 per cent how you take it.&amp;quot; (Thanks, &lt;a href=&#34;https://www.jdilla.xyz/post/308&#34;&gt;James&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 40</title>
    <link href="https://mlarson.org/2025/10/05/2025-week-40/"/>
    <updated>2025-10-05T21:02:33.000Z</updated>
    <id>https://mlarson.org/2025/10/05/2025-week-40/</id>
    <content type="html">&lt;p&gt;This weekend we celebrated our anniversary. A highlight was a trip to the Metropolitan Opera, on my local bucket list. I love that we still have grand occasions and spaces like this: tuxes, chandeliers, gold, red velvet, broad curving staircases. Rituals and visuals that dial up your expectations, call your attention to share something outside yourself.&lt;/p&gt;
&lt;p&gt;As for the opera itself, we saw Mozart&#39;s &lt;a href=&#34;https://en.wikipedia.org/wiki/Don_Giovanni&#34;&gt;Don Giovanni&lt;/a&gt;, which I&#39;ve only heard a few excerpts of – the overture and the Commendatore&#39;s re-entrance Great music and great singing (an untrained ear on this part), but I struggled in the second act a bit, where it felt like the momentum lagged. I was most disappointed by the bland staging, tough. Just like the spare set in the production of &lt;a href=&#34;https://www.theguardian.com/commentisfree/2024/dec/29/sigourney-weaver-prospero-celebrity-shakespeare-indulgence&#34;&gt;The Tempest&lt;/a&gt; I saw last year. It was all solid blue-greys colors and empty planes, uniform costuming. The transformation at the end was nice, but saving it for the very last few moments made for a leaden visual experience for most of the run – &amp;quot;&lt;a href=&#34;https://www.youtube.com/shorts/ULdhEgPGPZg&#34;&gt;It&#39;s a famine of beauty, honey&lt;/a&gt;!&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=og1Fg_iE0vc&#34;&gt;Crudele? Ah! no mio bene&lt;/a&gt;&amp;quot; was my favorite aria. There&#39;s a &lt;a href=&#34;https://www.opera-arias.com/mozart/don-giovanni/crudele-ah-no-mio-bene/&#34;&gt;romance to the lyrics&lt;/a&gt;, and an earthy practicality: the loving, patient, compromise sometimes needed when committing to a shared vision.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Worked late a lot this week. It eventually caught up with me – I wonder if it contributed to my late-week sniffles? – but i don&#39;t regret it. I had a thought that maybe I&#39;ve been leaving too much buffer, not enough pressure. I default that way, a natural caution and conscientiousness. But it leaves opportunities on the table.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Sense_and_Sensibility&#34;&gt;Sense and Sensibility&lt;/a&gt;. Finished this yesterday and loved it. I&#39;d rank it below Pride &amp;amp; Prejudice, along with most other books.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
A steady but lighter week, tapering a bit before a race next Sunday. This morning was a map-filling run to finish off the last few streets in the Carroll Gardens neighborhood.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/barrel-of-pumpkins.jpg?w=874&#34; alt=&#34;&#34; class=&#34;wp-image-11033&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.nytimes.com/2025/10/03/opinion/ezra-klein-podcast-brian-eno.html&#34;&gt;Brian Eno in conversation with Ezra Klein&lt;/a&gt;. A fun idea: &amp;quot;Children learn through play and adults play through art&amp;quot; (of course not the only way). And this was nicely put: &amp;quot;When we look at any piece of art, we are not looking just at that piece of art; we are looking at this piece of art in terms of our personal history. It’s like you are hearing the latest sentence in a conversation you’ve been having for your whole life.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://howiwrite.substack.com/p/alain-de-botton-how-to-mine-your&#34;&gt;Alain de Botton in conversation with David Perell&lt;/a&gt;. On following the news too closely: &amp;quot;Our inner lives have been industrialized.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://newsletter.pathlesspath.com/p/permission-to-travel-305&#34;&gt;A lot of anxiety can disappear if you stop trying to solve things once and for all&lt;/a&gt; and just accept that some questions are meant to be asked.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.atvbt.com/21-facts-about-throwing-good-parties/&#34;&gt;Parties are a public service&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://martinfowler.com/bliki/FrequencyReducesDifficulty.html&#34;&gt;If it hurts, do it more often&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.theargumentmag.com/p/why-women-should-be-tech-optimists&#34;&gt;Technologists and techno-optimists need to realize that the way we talk about innovation in articles, in ads, and in manifestos is often suboptimal&lt;/a&gt; for the goal of trying to convince skeptics of the value of progress.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://frankchimero.com/blog/2025/selling-lemons/&#34;&gt;Selling Lemons: The hidden costs of the meta game&lt;/a&gt;. &amp;quot;If a buyer can’t distinguish between good and bad, everything gets priced somewhere in the middle. If you’re selling junk, this is fantastic news&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Absent legacy-media prestige or any earlier outdated marker of status, a way to distinguish yourself, to exhibit prestige, is to &lt;a href=&#34;https://defector.com/the-hawk-tuah-memecoin-rug-pull-is-the-apotheosis-of-bag-culture&#34;&gt;be an ambassador for a more prestigious brand&lt;/a&gt;.&amp;quot; and &lt;a href=&#34;https://www.afterbabel.com/p/we-are-the-slop&#34;&gt;We are the slop&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/10/clark-street-station-caution-tape.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-11034&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Curtis Harding, &lt;a href=&#34;https://open.spotify.com/album/6kslXkHCr5rcOpf07Ss37k&#34;&gt;Departures &amp;amp; Arrivals: Adventures of Captain Curt&lt;/a&gt;. Self-described &amp;quot;&lt;a href=&#34;https://www.gpb.org/news/2019/05/03/atlanta-based-musician-curtis-harding-dishes-out-slop-n-soul-anthems&#34;&gt;slop &#39;n&#39; soul&lt;/a&gt;&amp;quot; that grows on me day by day. I like the lead guitar in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7sG1IeLZX6xGexE974NyDc&#34;&gt;The Winter Soldier&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Star Feminine Band, &lt;a href=&#34;https://open.spotify.com/album/6qBJ1LunywWXqnKBtlEJEY&#34;&gt;Jusqu&#39;au bout du monde&lt;/a&gt;. Upbeat, Beninese garage rock. &lt;a href=&#34;https://mlarson.org/2024/08/27/2024-week-34/&#34;&gt;Big fan&lt;/a&gt;, check out &lt;a href=&#34;https://open.spotify.com/track/3bNYntoLKpljR8gOzD6uQ0&#34;&gt;the title track&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Marshall Allen, &lt;a href=&#34;https://open.spotify.com/album/0S20QpNxm1ZGnBBajR2r2K&#34;&gt;The Omniverse Oriki&lt;/a&gt;. Heavily chant-inflected noise, jazz, exploration? Didn&#39;t click.&lt;/p&gt;
&lt;p&gt;Daryl Johns, &lt;a href=&#34;https://open.spotify.com/album/1KcMm91Cfdgf60yhnhTbFj&#34;&gt;Daryl Johns&lt;/a&gt;. Throwback-y pop/muzak/mall jazz/sitcom intro music, calling back to Sting or Toto or Rick Springfield or the like. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/15EOCEksKtUd844TrW9Tjv&#34;&gt;I&#39;m So Serious&lt;/a&gt;&amp;quot; is a good example.&lt;/p&gt;
&lt;p&gt;Clipse, &lt;a href=&#34;https://open.spotify.com/album/17ScNnJ0lSWajodZaRpHdQ&#34;&gt;Let God Sort Em Out&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3J4lO2oyDMLEYGdHgRcJHW&#34;&gt;E.B.I.T.D.A.&lt;/a&gt;&amp;quot; is so, so fun.&lt;/p&gt;
&lt;p&gt;Witchcraft, &lt;a href=&#34;https://open.spotify.com/album/3PyRHTDO75nYiLSxRNTUXA&#34;&gt;Idag&lt;/a&gt;. Open bluesy metal that made me think of Led Zeppelin, Pink Floyd, King Crimson, etc..&lt;/p&gt;
&lt;p&gt;Christopher Stark, &lt;a href=&#34;https://open.spotify.com/album/0MFxF07NsCcOW9gvs6Yiu8&#34;&gt;Fire Ecologies&lt;/a&gt;. Orchestral spookiness. I like the ticking-clock edginess of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0h7rNViXTsYrbhAPqIvc44&#34;&gt;Scene 4: Infernal Dance&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;A co-worker mentioned Midland, &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/6sGZ51P1PpHUlApJzb4dWa&#34;&gt;Final Credits&lt;/a&gt;&amp;quot; as a favorite. (Dance music is often great for work, too. Discuss.)&lt;/p&gt;
&lt;p&gt;Two albums from Takashi Kokubo, like vaguely dark and sentimental lullabies with nature sounds: &lt;a href=&#34;https://open.spotify.com/album/66txOvR5Y1gmn7Ye3T0gxE&#34;&gt;Forest&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/06orq0k7Xw5suO7n6pdw0U&#34;&gt;Gaiaphilia&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Crimson_Peak&#34;&gt;Crimson Peak&lt;/a&gt;. The third time I&#39;ve seen it (&lt;a href=&#34;https://mlarson.org/2015/12/15/crimson-peak-marketed-as-one-thing-gives-you/&#34;&gt;first&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2016/06/12/crimson-peak-this-was-the-opener-at-ebertfest/&#34;&gt;second&lt;/a&gt;). Love it. Horror needs more romance – passions heighten danger!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Line of Duty, s4e5–6. I love this show.&lt;/p&gt;
&lt;p&gt;Alien: Earth, s1e3. Circled back for one last try. The cyborg guy is intriguing, but for the most part it&#39;s just not working for me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 39</title>
    <link href="https://mlarson.org/2025/09/28/2025-week-39/"/>
    <updated>2025-09-28T16:40:19.000Z</updated>
    <id>https://mlarson.org/2025/09/28/2025-week-39/</id>
    <content type="html">&lt;p&gt;Last week I went bouldering for the first time in 6 years or so. So great! I need to work that back into my life. For me it&#39;s one of those pleasures like playing guitar or videos, where I never got very good, don&#39;t particularly care, and find a lot of satisfaction in re-learning the basics every now and then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Sense_and_Sensibility&#34;&gt;Sense and Sensibility&lt;/a&gt;. Things I&#39;m appreciating: mixing dialogue with summary of dialogue and the way the narration undercuts and pokes fun at its subjects. Also appreciating how primogeniture and &lt;a href=&#34;https://en.wikipedia.org/wiki/Fee_tail&#34;&gt;entailment&lt;/a&gt; make even the most comfortably wealthy women so vulnerable. An incredibly enjoyable book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
This weekend I ran a long loop touring some of my least-favorite neighborhoods, and had a great time. It&#39;s not only where you are, but what you make of it.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/williamsburg-factory.jpg?w=1024&#34; alt=&#34;view down a hardpark dirt road between stacks of lumber and industrial equipment, with tall beige factory buildings and silos loom against a blue sky&#34; class=&#34;wp-image-11014&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
Zadie Smith on &lt;a href=&#34;https://www.newyorker.com/magazine/2025/09/29/the-art-of-the-impersonal-essay&#34;&gt;The Art of the Impersonal Essay&lt;/a&gt;. &amp;quot;It’s in that optimistic spot that I set out my stall, yes, and my ideas and arguments such as they are, sure, but without demanding to see anyone’s identifying papers in the opening paragraph.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Just remembering that &lt;a href=&#34;https://www.raptitude.com/2025/09/everything-is-connected-to-the-heart/&#34;&gt;everything is connected to the heart&lt;/a&gt; can spare you a lot of suffering.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://anniemueller.com/posts/encourage-purposeful-friction&#34;&gt;Encourage purposeful friction&lt;/a&gt;. &amp;quot;In general, if you can reduce the friction required to start doing or continue doing a thing, you’re more likely to do that thing, and keep doing it longer. Great! Helpful. Unless the thing is something you don’t want to keep doing.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://woodencity.substack.com/p/perfect-lives&#34;&gt;We specialise in whatever whoever has recently died specialised in&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://www.thefenlandblackoakproject.co.uk/&#34;&gt;13-meter long table made from a 5000-year old oak log&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theargumentmag.com/p/illiteracy-is-a-policy-choice&#34;&gt;Illiteracy is a policy choice&lt;/a&gt;. &amp;quot;If you live where I do, in Oakland, California, and you cannot afford private education, you should be seriously considering moving to Mississippi for the substantially better public schools.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;I decided to &lt;a href=&#34;https://jasmi.news/p/dictionary&#34;&gt;deconstruct the linguistic memes that dominated the Twitter-waves&lt;/a&gt; this year.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://kyla.substack.com/p/whos-getting-rich-off-your-attention&#34;&gt;Who&#39;s Getting Rich Off Your Attention?&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/brsgr4049/status/1971604788464021699&#34;&gt;Rich people want middle class culture but delivered in a bespoke, upmarket form&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://unchartedterritories.tomaspueyo.com/p/mountains&#34;&gt;Why Warm Countries Are Poorer&lt;/a&gt;? &amp;quot;A big percentage of equatorial population actually lives in mountains: The closer to the equator, the higher up the capitals!&amp;quot;&lt;/p&gt;
&lt;p&gt;Good phrase: &amp;quot;&lt;a href=&#34;https://www.robinsloan.com/lab/puzzlespace/&#34;&gt;mapping the space between one-off demo and load-bearing infrastructure&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/the-academy-now&#34;&gt;Aphorisms never accomplish anything&lt;/a&gt;. Their whole talent is traveling beyond their occasion, gathering force as they go, to end up on a refrigerator magnet.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;If you want to be able to finish large, complex projects, you have to &lt;em&gt;practice finishing things&lt;/em&gt;. which &lt;a href=&#34;https://bsky.app/profile/p-h-lee.bsky.social/post/3luskzmsfmc2l&#34;&gt;usually means doing smaller projects&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://goodinternetmagazine.com/my-website-is-ugly-because-i-made-it/&#34;&gt;My website is ugly because I made it&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Cappela Romana cond. Alexander Lingas, &lt;a href=&#34;https://open.spotify.com/album/5MyV68Wx8FIKj5LlI3iLUk&#34;&gt;A Byzantine Emperor at King Henry’s Court: Christmas 1400, London&lt;/a&gt;. Very very cool album, love the concept: &amp;quot;Go back in time to 1400, when Byzantine Emperor Manuel II Palaiologos, seeking foreign aid for besieged Constantinople, spent Christmas in the court of English King Henry IV. […] &lt;a href=&#34;https://cappellarecords.com/recording/byzantine-emperor/&#34;&gt;medieval Byzantine and Sarum chant and royal ceremonial performed by two very different historic choirs&lt;/a&gt;, one singing in Greek and the other in Latin, as they celebrated the feast of Christmas at London’s Eltham Palace.&amp;quot; Favorite might be &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0M0OJKUImjHG6yVhDp5eRN&#34;&gt;Kalophonic Polychrónion&lt;/a&gt;&amp;quot;, a baritone and a drone, can&#39;t beat it.&lt;/p&gt;
&lt;p&gt;James Blackshaw, &lt;a href=&#34;https://open.spotify.com/album/31wv3USz9hXp5UtWx5FDNB&#34;&gt;Unraveling In Your Hands&lt;/a&gt;. Twelve-string acoustic meanderings. Second favorite album of the week. I&#39;ll keep this one around for a bit.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/4TLMnQ8v9jlvtz8PmoyLmX&#34;&gt;Aryeh Nussbaum Cohen Sings Gluck Handel Vivaldi&lt;/a&gt;. The sweet melancholy of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/34esJDmVpGjzQkTUShlto9&#34;&gt;Che farò senza Euridice?&lt;/a&gt;&amp;quot; is quite lovely.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/5ImVm0UvccdIeBSzoFJyuj&#34;&gt;Arias for Guadagni: The First Modern Castrato&lt;/a&gt;. Here&#39;s another version of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4cAaU11cYj6RIJ6Km1k8e5&#34;&gt;Che farò senza Euridice?&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;More Mozart: &lt;a href=&#34;https://open.spotify.com/album/6vCkfO4bf7SzeXOMDxMKAY&#34;&gt;Concertone KV190, Horn Concerto No. 3 KV447, Piano Concertos No. 2 KV39 &amp;amp; No. 4 KV41&lt;/a&gt;. He has a very high floor but didn&#39;t fall in love with any of these recordings.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Weapons_(2025_film)&#34;&gt;Weapons (2025)&lt;/a&gt;. Fun to watch but nothing lingering afterward. The vignette structure is a welcome change of pace.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/28_Years_Later&#34;&gt;28 Years Later&lt;/a&gt;. This is a good blend of high and low. References to Bible stuff, Bergman, Hamlet. I like the use of montage to unsettle and give some historical resonance. Appreciate that the father and mother are very imperfect. What&#39;s with movie dystopias leaving all the women in floral dresses?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Line of Duty, s4e2–4. I love Hastings. An imperfect but forcefully moral leader, endlessly disappointed that others set such a low bar for themselves.&lt;/p&gt;
&lt;p&gt;SpongeBob Squarepants, s1e1. I&#39;m ready! I&#39;m ready! I&#39;m ready!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 38</title>
    <link href="https://mlarson.org/2025/09/21/2025-week-38/"/>
    <updated>2025-09-21T19:44:42.000Z</updated>
    <id>https://mlarson.org/2025/09/21/2025-week-38/</id>
    <content type="html">&lt;p&gt;Last week I was out of town for 3 days, out in San Francisco for a work conference we were hosting. I&#39;ve been there maybe a half-dozen times now, and I think it&#39;s gotten better each time. Or I&#39;m just different, finding it a bit easier to get on its wavelength.&lt;/p&gt;
&lt;p&gt;On the day of the conference itself, I didn&#39;t have formal responsibilities. So just tried to be a welcoming and friendly presence, using the opportunity to strike up conversations with customers, prospects, vendors. Not my natural inclination in a crowd – I was &lt;em&gt;completely&lt;/em&gt; fried by the time I went to bed, after the after-after-party – but at the very least, a nice change of pace from the usual.&lt;/p&gt;
&lt;p&gt;Two trips to the Pacific coast in the last month, but the view from the plane had me itching for a mountain edition.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/rocky-mountains-wind-river-range.jpg?w=1024&#34; alt=&#34;white snow covers dark mountains seen from high above; view of the Wind River Range of the Rocket Mountains as seen from airplane height&#34; class=&#34;wp-image-11003&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Mellow_Pad&#34;&gt;The Mellow Paid&lt;/a&gt;, oil on canvas by Stuart Davis. &lt;a href=&#34;https://www.metmuseum.org/art/collection/search/267803&#34;&gt;The Flatiron&lt;/a&gt;, platinum print photograph by Edward Steichen. &lt;a href=&#34;https://www.artic.edu/artworks/118597/departure-of-summer&#34;&gt;Departure of Summer&lt;/a&gt;, oil on canvas by Man Ray. &lt;a href=&#34;https://www.artsy.net/artwork/shirley-goldfarb-la-8&#34;&gt;LA 8&lt;/a&gt;, oil on canvas by Shirley Goldfarb.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Sense and Sensibility. Inconsistency is hurting my moment. Need to get back on track.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Heading out of town threw off my rhythm, and cut into my mileage but I rallied for a great long run yesterday. Cooler weather seemed to boost everyone&#39;s mood – lots of greetings and smiling faces. Even the seedier neighborhoods couldn&#39;t deny it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://ckarchive.com/b/75u7h8h699kkzb6rgg7rlawl85666tnhordn0&#34;&gt;Oliver Burkeman on threading the beads of life&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://cassidoo.co/post/questions-when-i-need-to-finish-something/&#34;&gt;Questions to ask when you think need to finish something&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://substack.com/@aparnacd/p-174000600&#34;&gt;All leaders are GPT-5s&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://qualitypolicing.com/same-city-different-prosecutors-different-outcomes/&#34;&gt;Policing and prosecution, inside vs. outside of NYC&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/levelsio/status/1969156567376248916&#34;&gt;The closest you can get to walking around New York City, 1670?&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/yellow-signs-red-buckets-sfo.jpg?w=1001&#34; alt=&#34;three large square red buckets and two yellow caution signs place on a bland airport grey carpet&#34; class=&#34;wp-image-11004&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/49XRb2up5hgOFeKnFLLtLu&#34;&gt;Invocazione Mariane&lt;/a&gt; perf. Andreas Scholl, Alessandro Tampieri with Accademia Bizantina. I really like the countertenor sound. See &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2aGT9Uux44R3sOE3EJkCRU&#34;&gt;Chi mi priega&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5y7Y4AcHDYiVLEEwn8K9fz&#34;&gt;Quis non posset contristari&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Old Harp Singers of Eastern Tennessee, &lt;a href=&#34;https://open.spotify.com/album/5VyUvmfYadGj4gf3Wktowh&#34;&gt;Old Harp Singing&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Phantoms, &lt;a href=&#34;https://open.spotify.com/album/0S3K3wCAeOAzHueZHDlM1f&#34;&gt;This Can&#39;t Be Everything&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Get_Out&#34;&gt;Get Out&lt;/a&gt;. Masterpiece, gets better every time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Challengers_(film)&#34;&gt;Challengers&lt;/a&gt;. So fun! Sexy, messy, shot in interesting ways, makes dramatic mountains out of molehills. Interesting to watch a movie where I&#39;ve heard the soundtrack before seeing it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Abbott Elementary, s4e22. I think I&#39;ve seen more season finales than regular season episodes? Always surprised how gently they close things out.&lt;/p&gt;
&lt;p&gt;Line of Duty, s4e1. They know how to start with a bang.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/sketch-of-prospect-park-lawn.jpg?w=1024&#34; alt=&#34;sketch in ink of Prospect Park in Brooklyn, wherein people and dogs recreate on a lawn surrounded by trees, with a couple tall residential buildings behind&#34; class=&#34;wp-image-11005&#34;&gt;&lt;/figure&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 37</title>
    <link href="https://mlarson.org/2025/09/14/2025-week-37/"/>
    <updated>2025-09-14T19:09:02.000Z</updated>
    <id>https://mlarson.org/2025/09/14/2025-week-37/</id>
    <content type="html">&lt;p&gt;Last weekend felt like I barely had any time. Felt good to get back to routine, and by comparison, feels like I&#39;ve been luxuriating in vast expanses of time to work with, happily filled. A good feeling.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.instagram.com/edwardcushenberry/&#34;&gt;Polaroid-style paintings by Edward Cushenberry&lt;/a&gt;. &lt;a href=&#34;https://www.artic.edu/artworks/99764/untitled-harlequin&#34;&gt;Untitled (Harlequin),&lt;/a&gt; paper and box construction by Joseph Cornell. &lt;a href=&#34;https://collections.artsmia.org/art/127307/wise-elders-portraiture-class-at-centro-tyrone-guzman-with-en-familia-hay-fuerza-aliza-nisenbaum&#34;&gt;Wise Elders Portraiture Class at Centro Tyrone Guzman with En Familia hay Fuerza&lt;/a&gt;, oil on linen by Aliza Nisenbaum.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Eagle-Hart-Tragedy-Richard-Henry/dp/198213920X/&#34;&gt;The Eagle and the Hart: The Tragedy of Richard II and Henry IV.&lt;/a&gt; Finished. Maybe my favorite of the year, &lt;a href=&#34;https://mlarson.org/2025/03/16/2025-week-11/&#34;&gt;after Middlemarch&lt;/a&gt;. I was sad when it ended.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sense_and_Sensibility&#34;&gt;Sense and Sensibility&lt;/a&gt;. Just started! (Turning into an accidental Brit Lit year...)&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/sea-monster-tile-mosaic.jpg?w=1024&#34; alt=&#34;tile mosaic in white and blue depicting two sea monsters on either side of a ship&#34; class=&#34;wp-image-10991&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Yesterday&#39;s long run was tough. I bet the layoff/irregularity of the travel week threw things off, and odd timing last week. Filled in a few more pockets of the Brooklyn map, which feels good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://poets.org/poem/instead-depression&#34;&gt;Instead of Depression&lt;/a&gt;&amp;quot;, poem by Andrea Gibson.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://notesfromasmallpress.substack.com/p/how-to-read-more&#34;&gt;&amp;quot;I do not think reading is morally good, creates empathy, or a duty.&lt;/a&gt; Take all that off the table. We’re just talking about fun here.&amp;quot; (&lt;a href=&#34;https://austinkleon.substack.com/p/new-dumpsters-old-fires&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://arnoldkling.substack.com/p/reading-with-ai&#34;&gt;Reading with AI&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The chat context is, among many other things, a handy illusion that conceals a great weakness of current LLMs: &lt;a href=&#34;https://www.robinsloan.com/lab/chat-speed/&#34;&gt;their slowness.&amp;quot;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://gothamist.com/news/from-burner-phones-to-decks-of-cards-nyc-teens-are-adjusting-to-the-smartphone-ban?sfmc_id=108233130&amp;amp;nypr_member=Unknown&#34;&gt;From burner phones to decks of cards: NYC teens are adjusting to the smartphone ban&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The way that we &lt;a href=&#34;https://www.theargumentmag.com/p/youre-being-rude-put-away-your-phone&#34;&gt;manage temptation as a society&lt;/a&gt; is through manners, expectations, and peer pressure.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://news.gallup.com/poll/695003/perceived-importance-college-hits-new-low.aspx&#34;&gt;The percentage of Americans saying college is &amp;quot;very important&amp;quot;&lt;/a&gt; has fallen to 35%.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://fieldnoise.com/field-noise-2025-remaster/&#34;&gt;Field Noise&lt;/a&gt; is back!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.noahpinion.blog/p/what-is-an-american&#34;&gt;What is an American?&lt;/a&gt; and &lt;a href=&#34;https://www.slowboring.com/p/national-conservatism-is-un-american&#34;&gt;&amp;quot;National&amp;quot; conservatism is un-American&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A 160-pound hiker carries about 44 liters of body water. Losing 1% of body mass as water (i.e., 0.73 liters, about 25 ounces) is &lt;a href=&#34;https://backpackinglight.com/dispatches/should-i-pack-water-or-tank-up/&#34;&gt;the first threshold where performance starts to slip&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Phantoms, &lt;a href=&#34;https://open.spotify.com/album/0UhmXh4kJDbIhL9EeEcxCA&#34;&gt;Phantoms&lt;/a&gt;, and the &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0VCAhRyaKqT3SloA0NDJyR&#34;&gt;Perpetual Motion&lt;/a&gt;&amp;quot; single are both fun high-energy dance albums.&lt;/p&gt;
&lt;p&gt;Nourished by Time, &lt;a href=&#34;https://open.spotify.com/album/5Y3SsoA0yibZh5946vXgKS&#34;&gt;The Passionate Ones&lt;/a&gt;. A genre-crossing, a very &amp;quot;headphones&amp;quot; album. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5SKTxaPCCAECXisZt7MzOr&#34;&gt;It&#39;s Time&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Duffy x Uhlmann, &lt;a href=&#34;https://open.spotify.com/album/0RuPjejOVsVj5xZT9PpY35&#34;&gt;Doubles.&lt;/a&gt;. Intimate guitar duo, no stand-outs, but all of it worth a listen.&lt;/p&gt;
&lt;p&gt;Ezra Collective, &lt;a href=&#34;https://open.spotify.com/album/2BwKd9lWotQIhROHSWQ78h&#34;&gt;Dance, No One&#39;s Watching&lt;/a&gt;. Dancehall funk, I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0y7RU6bJlIpFVLxUoHk9o0&#34;&gt;The Traveller&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Baby Rose, BADBADNOTGOOD, &lt;a href=&#34;https://open.spotify.com/album/4OMrX6ldbZ3gvb0oXytTHb&#34;&gt;Slow Burn&lt;/a&gt;. I like the backing music/arrangements a lot but the singing style, and the shound of awll the chewred-up shlurrred wuordsh, is really grating for me. :(&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/4T0h9zoGD7hURy5y8jEIA4&#34;&gt;La Harp Reine: Concertos for Harp at the Court of Marie-Antoinette&lt;/a&gt; perf. Les Arts Florissant, Xavier De Maistre cond. William Christie. I like how the limited volume of the harp forces the orchestra to stand back a bit, even more than usual for concertos.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/grand-army-plaza-arch-1.jpg?w=856&#34; alt=&#34;marble arch at sunset&#34; class=&#34;wp-image-10994&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Knives_Out&#34;&gt;Knives Out&lt;/a&gt;. Re-watch, still fun, and funnier than I remembered.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/District_13&#34;&gt;District 13&lt;/a&gt;. Another re-watch, still fun. There is a certain delight in seeing physical/athletic greatness on screen, often worth the drop in dramatic/acting talent.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Saved!&#34;&gt;Saved!&lt;/a&gt;. Light teen comedy skewering a certain strain of Christian moralizing. We don&#39;t often see people sincerely wrestling with their religion on screen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Alien:_Earth&#34;&gt;Alien: Earth&lt;/a&gt;, s1e1–2. Some interesting additions to the mythology but something is just slightly off. Not sure if I&#39;ll continue (but I might!).&lt;/p&gt;
&lt;p&gt;CSI: Miami, s6e18. One of the worst-written/looking episodes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.itsnicethat.com/articles/edward-cushenberry-illustration-art-discover-080925&#34;&gt;&amp;quot;The people close to you can make their exit out of your life,&lt;/a&gt; either by choice or by death. Act accordingly.&amp;quot; and &amp;quot;Call your mom. Call your brother. Call the homeboy you used to party with in college. &lt;a href=&#34;https://x.com/LegionHoops/status/1966902073808875990&#34;&gt;Forever is a long time.&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Weeks 35 &amp;amp; 36</title>
    <link href="https://mlarson.org/2025/09/07/2025-weeks-35-36/"/>
    <updated>2025-09-07T19:09:01.000Z</updated>
    <id>https://mlarson.org/2025/09/07/2025-weeks-35-36/</id>
    <content type="html">&lt;p&gt;Last week I went to Los Angeles. My first time back since I moved here to Brooklyn. Took some trips down memory lane – my old apartment, favorite coffee shop, neighborhoods and restaurants with good memories – and also remembered what a lonely and strange time it was. I&#39;d arrived there just a few weeks before the first inklings of a new virus, and a couple months later, lockdown. Happy to be there, and remembered what drew me west, but lots of old emotions shook loose, rose to the surface.&lt;/p&gt;
&lt;p&gt;I remember when I first left I had a feeling that I might need to go back at some point and try again. I&#39;m not sure that itch is there the same way. I&#39;d be happy to live there again, but it&#39;s less… mysterious now? A known quantity for the right time of life, whenever that may be.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I rode in a Waymo for the first time while I was out there. It was such an odd mix of mind-blowing experience – wow! it&#39;s really happening! – and just completely mundane. After a few minutes, it felt totally normal and safe and pleasant. Hard to imagine going backwards from here. (I think I also feel safer as a pedestrian, seeing how well it picked up on runners!)&lt;/p&gt;
&lt;p&gt;I also had my first experience on a diverted flight when thunderstorms shut down JFK, and my first time visiting (a hotel on the fringes of) Detroit. Lucky that I don&#39;t have more travel scars of this kind.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/palm-trees-blue-sky.jpg?w=786&#34; alt=&#34;view upwards from the base of several palm trees again a bright blue sky&#34; class=&#34;wp-image-10981&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/palm-trees-blurry-at-dawn.jpg?w=786&#34; alt=&#34;blurry, out-of-focus palm trees at dawn&#34; class=&#34;wp-image-10982&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://collections.lacma.org/node/224584&#34;&gt;California Copied from 1965 Painting in 1987&lt;/a&gt;, acrylic on canvas by David Hockney. &lt;a href=&#34;https://collections.lacma.org/node/253693&#34;&gt;Seated Male Figure&lt;/a&gt;, burnished ceramic with slip from Colima, Mexico ca. 200 BCE–500 CE.&lt;/p&gt;
&lt;p&gt;Relative to the Getty and the Broad, I think LACMA – the &lt;a href=&#34;https://www.lacma.org/art/exhibition/we-live-painting-nature-color-mesoamerican-art&#34;&gt;We Live in Painting: The Nature of Color in Mesoamerican Art&lt;/a&gt; exhibit was super-cool – and the Hammer Museum – really liked &lt;a href=&#34;https://hammer.ucla.edu/exhibitions/2025/rising-sun-falling-rain-japanese-woodblock-prints-grunwald-center-graphic-arts&#34;&gt;Rising Sun, Falling Rain: Japanese Woodblock Prints from the Grunwald Center for the Graphic Arts&lt;/a&gt; – deserve much more attention.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Eagle-Hart-Tragedy-Richard-Henry/dp/198213920X&#34;&gt;The Eagle and the Hart: The Tragedy of Richard II and Henry IV&lt;/a&gt;. Now firmly into Henry IV&#39;s reign. I might keep reading history in this region or era for a while? I&#39;ve enjoyed pairing with some LLM Q&amp;amp;A as I go along.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Last week all of my running was in my old Santa Monica neighborhood. Mostly around 5am, to squeeze it in before work on east-coast hours. Nothing beats a run on a quiet moonlit street.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/palm-tree-at-night.jpg?w=656&#34; alt=&#34;palm tree lit from underneath, silhouetted against a dark night sky with a few faint stars&#34; class=&#34;wp-image-10983&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://austinkleon.substack.com/p/why-our-house-is-a-library&#34;&gt;Why our house is a library&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The beautiful thing about travel is that &lt;a href=&#34;https://freakpalace.substack.com/p/youre-overthinking-packing&#34;&gt;it teaches people how to enjoy themselves in spite of a near-constant stream of small disappointments&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://newsletter.humanprogress.org/p/half-baked-crisis-we-arent-going&#34;&gt;Air conditioning use in European countries&lt;/a&gt; remains around 19 percent overall, with much lower rates in specific countries—only about 5 percent of homes in the UK have cooling systems, and just 3 percent in Germany.&amp;quot; And &lt;a href=&#34;https://x.com/AndrewHammel1/status/1957018808272515560&#34;&gt;speculations on the class dynamics of air conditioning in Europe&lt;/a&gt;. I&#39;m enjoying this beat.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/elidourado/status/1964543047209009179&#34;&gt;Maybe trains are not abundant&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Gabriela Ortiz, &lt;a href=&#34;https://open.spotify.com/album/5YIhulpkn5DieGtn2GGkOl&#34;&gt;Yanga&lt;/a&gt; perf. Los Angeles Philharmonic cond. Gustavo Dudamel. I like the hand drums and general expansion of the percussion section, but I just could not get into this.&lt;/p&gt;
&lt;p&gt;Marconi Union, &lt;a href=&#34;https://open.spotify.com/album/5lpuG7QX2csZN8lJHNsSo4&#34;&gt;The Fear of Never Landing&lt;/a&gt;. Final track – &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1CQtrcUoXHIqjy9Dd5GNZm&#34;&gt;Cloud Surfing&lt;/a&gt;&amp;quot; is one I had on repeat for a while.&lt;/p&gt;
&lt;p&gt;Until Death Overtakes Me, &lt;a href=&#34;https://open.spotify.com/album/1pYjgS9Cyah1BnVdczB9YG&#34;&gt;Diagenesis&lt;/a&gt;. Gloomy droning funeral metal. I like it!&lt;/p&gt;
&lt;p&gt;Mozart!&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2mYdGX5fJcRMMUeyH0ZEtq&#34;&gt;Flute Concertos&lt;/a&gt; perf. Anna Besson, Clara Izambert, Reinoud Van Mechelen, A Nocte Temporis. The &lt;a href=&#34;https://open.spotify.com/track/4Kvfvk8YC4UiE0b4T4bIWm&#34;&gt;Andantino from the concerto for flute and harp&lt;/a&gt; is undeniable.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2odEeHVgULF6m30Uil6KJh&#34;&gt;Violin Concertos Nos. 3 &amp;amp; 4&lt;/a&gt; perf. Francesca Dego, Sir Roger Norrington con. Royal Scottish National Orchestra.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2JoPYHA3e8AmPx2BeUboOD&#34;&gt;Piano Concertos&lt;/a&gt; perf. Jeremy Denk with the Saint Paul Chamber Orchestra. I used to read &lt;a href=&#34;https://blog.jeremydenk.com/&#34;&gt;Jeremy Denk&#39;s blog&lt;/a&gt; quite a bit, so a novel surprise to see this one pop up in search. Timpani adds so much to &lt;a href=&#34;https://open.spotify.com/track/309AImE3ZZh72EwoYd7goo&#34;&gt;the opening of the D minor piano concerto&lt;/a&gt; – a punch you simply can&#39;t get with just the strings and winds.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/6GEcshkue0GosLw1EwvPFL&#34;&gt;Nei giardini d&#39;amore: Baroque arias for 2 alti&lt;/a&gt; perf. Carlo Vistoli, Hugh Cutting, William Christie, Les Arts Florissants. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/796z5HAV3iYsKmqFQInUfF&#34;&gt;Sempre piango e dir non so&lt;/a&gt;&amp;quot; was the stand-out for me.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/09/in-n-out-burgers.jpg?w=786&#34; alt=&#34;photograph of two hamburgers and two baskets of french fries on a bright red tray&#34; class=&#34;wp-image-10987&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.m.wikipedia.org/wiki/Ingrid_Goes_West&#34;&gt;Ingrid Goes West&lt;/a&gt;. The influencer cliches feel a bit dated and worn already, but luckily it&#39;s more focused on the obsessive fandom turned sour. Good physical comedy, too.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.m.wikipedia.org/wiki/Zodiac_(film)&#34;&gt;Zodiac&lt;/a&gt;. I think this is the 4th time I&#39;ve seen it? It&#39;s so easy to watch this movie.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.m.wikipedia.org/wiki/Drumline_(film)&#34;&gt;Drumline&lt;/a&gt;. Love seeing Atlanta on film. The main character is very annoying but loved Orlando Jones as the band director.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Binging a new TV obsession one week, and then completely abstaining the next week.&lt;/p&gt;
&lt;p&gt;Line of Duty, s2e6 and Line of Duty, s3e1–6. Interrogation scenes are consistently great in this show. Not sure I&#39;ve seen many other TV shows use them as effectively.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=ZnAnGsrv4dU&amp;amp;t=3m5s&#34;&gt;One band, one sound&lt;/a&gt;!&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 34</title>
    <link href="https://mlarson.org/2025/08/24/2025-week-34/"/>
    <updated>2025-08-24T18:22:27.000Z</updated>
    <id>https://mlarson.org/2025/08/24/2025-week-34/</id>
    <content type="html">&lt;p&gt;Last weekend we made gumbo. Today, pralines. Rounding out the repertoire from my New Orleans side of the family. I&#39;ve been making the oyster dressing for family holidays for a good while now, and I&#39;ve got a decent handle on red beans &amp;amp; rice. These treats used to be reserved for special occasions, or the summer vacations down to Louisiana. Now as an adult, good reminder that I can… just cook them? Whenever I want?&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Had breakfast with a friend this morning and reflected on how nice it is to learn about all the small little tidbits – grad school progress, the new hobby, work challenges, reflections from a recent trip – the collection of small facts (for me) that make their life &lt;em&gt;their&lt;/em&gt; life. It&#39;s nice to have a rooting interest in other people&#39;s lives.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Sometimes reading my Kindle in the dark in bed feels like a very primal experience. Like being near a campfire, calm and quiet, safety and interest nearby, darkness surrounding.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/lower-manhattan-skyline.jpg?w=1024&#34; alt=&#34;next to a river, tall skyscrapers buildings pierce a big blue sky; view of lower Manhattan skyline from Brooklyn Promenade&#34; class=&#34;wp-image-10968&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://collections.si.edu/search/detail/edanmdm:nmafa_2005-6-189&#34;&gt;Wooden face mask&lt;/a&gt; from the Bembe region of the Democratic Republic of the Congo. &lt;a href=&#34;https://collections.artsmia.org/art/89603/49-cy-thao&#34;&gt;#49&lt;/a&gt;, oil on canvas by Cy Thao. &lt;a href=&#34;https://www.artic.edu/artworks/182382/tah-bo-ho-ya&#34;&gt;Portrait of Tah-Bo-Ho-Ya&lt;/a&gt;, oil on panel by Elbridge Ayer Burbank. &lt;a href=&#34;https://theplaidportico.com/2012/11/01/more-quilts-from-quilt-market-2012-houston/&#34;&gt;Stokrozen&lt;/a&gt; quilt by by Ans Schipper-Vermeiren.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Eagle-Hart-Tragedy-Richard-Henry/dp/198213920X&#34;&gt;The Eagle and the Hart: The Tragedy of Richard II and Henry IV&lt;/a&gt;. Steadily chipping away, and really enjoying it. So much of progress and coalition-building(/-ruining) can depend on quirks of personality, temperament, reputation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Much lighter week. Wish I&#39;d spent a bit more time stretching or cross-training or the like, but glad I took a lil&#39; break.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://frankchimero.com/blog/2025/time-is-on-my-side/&#34;&gt;Frank Chimero took a sabbatical&lt;/a&gt;. &amp;quot;There’s a pressure to have noticeable outcomes to life choices like this. I made space, and after 3 months, all I have is a more internalized sense of that space.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/exgenesis/status/1958459040826110044&#34;&gt;&amp;quot;Asking for help in a way that ppl actually want to help&lt;/a&gt; is the number one skill it&#39;s literally the most important skill&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://kottke.org/25/08/the-four-players-that-span-the-entire-history-of-the-nba&#34;&gt;The Four Players That Span the Entire History of the NBA&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.slowboring.com/p/moderation-is-not-overrated&#34;&gt;Moderation is not overrated&lt;/a&gt;. &amp;quot;One of my rules of internet discourse is that whenever I see people talking about how something is not a “silver bullet” or a “panacea,” I know I’ll need to take the rest with a grain of salt.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.noahpinion.blog/p/europes-crusade-against-air-conditioning&#34;&gt;The death rate from heat in Europe&lt;/a&gt; is almost twice the death rate from guns in America&amp;quot;. Not good!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/6tI6OUuxSRZw8GAHlmhJnY&#34;&gt;Joe Hsaishi Conducts&lt;/a&gt;. Maybe the first time &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Desert_Music&#34;&gt;The Desert Music&lt;/a&gt; has really clicked for me.&lt;/p&gt;
&lt;p&gt;While I&#39;ve been reading &lt;em&gt;The Eagle and the Hart&lt;/em&gt;, decided to put on some late 1300s/early 1400s music to keep the mood going. Can&#39;t say I deeply connected with any particular works in these collections, but they&#39;re all great, and a good reminder of how much talent you con find in any niche you care to look into:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Gothic Voices, &lt;a href=&#34;https://open.spotify.com/album/0jZlK9XM9wbBI6bFIl0Tfd&#34;&gt;Echoes of an Old Hall&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Pro Cantione Antiqua, &lt;a href=&#34;https://open.spotify.com/album/6O7EAaghYxzMgItogmZlEu&#34;&gt;Ars Brittanica: Old Hall Manuscript, Madrigals, &amp;amp; Lute Songs&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mozart, &lt;a href=&#34;https://open.spotify.com/album/3tGtB0ZiPdEozHZYUnyg7C&#34;&gt;Piano Concertos Nos. 9 in E-Flat Major, KV271 &amp;quot;Jenamy&amp;quot; &amp;amp; 12 in A Major, KV414/3585P, Violin Concerto No. 2 in D Major, KV211&lt;/a&gt;. The &lt;a href=&#34;https://open.spotify.com/track/6nG4HeqJKy6q2l2c4cvq8B&#34;&gt;second movement of KV414&lt;/a&gt; stole the show for me.&lt;/p&gt;
&lt;p&gt;Disasterpeace, &lt;a href=&#34;https://open.spotify.com/album/6vwKCWCxz2z661lvKfVkFQ&#34;&gt;It Follows OST&lt;/a&gt;, after watching the movie last week.&lt;/p&gt;
&lt;p&gt;Radiohead, &lt;a href=&#34;https://open.spotify.com/album/5BLrEOEDKoDDg5T8PzdIHN&#34;&gt;Hail to the Thief, (Live Recordings 2003–2009)&lt;/a&gt;. I&#39;ll take the studio recordings over these, but reliable as always.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Goodbye,_Dragon_Inn&#34;&gt;Goodbye, Dragon Inn&lt;/a&gt;. Quiet, observant mood-piece, rainy night at a movie theatre during its final screening.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Invitation_(2015_film)&#34;&gt;The Invitation (2015)&lt;/a&gt;. Third viewing. I really like this movie. (&lt;a href=&#34;https://mlarson.org/2017/10/01/the-invitation/&#34;&gt;The first time I saw it&lt;/a&gt;), I liked for plot/suspense reasons. The second time, I appreciated but felt like I was missing something. This time, I connected much more on an emotional/character level. Repeat viewings can pay off!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/KPop_Demon_Hunters&#34;&gt;KPop Demon Hunters&lt;/a&gt;. It&#39;s fun! I like how the animation style borrows from manga and such in more expressive moments. Also interesting that the fight scenes are largely &amp;quot;something to do&amp;quot;, and presented as artificially high stakes – we know the heroes are going to survive, so let&#39;s just make it look cool and keep the story going. I know nothing about the musical scene, so I&#39;ll spend some time with the soundtrack, and I think I&#39;ll line up a deep-dive into K-pop in general later on.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Line of Duty, s2e3–5. I love how quickly this show moves along. There&#39;s not a lot of meditative artistry or glamour. Just the facts, and messy people, and turning the screws a little tighter. Great interrogation scenes recently.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://backpackinglight.com/podcast-131-ultralight-first-aid-kit-strategies/&#34;&gt;Skills expand the effectiveness of your kit but they don&#39;t substitute for its essential components&lt;/a&gt;. The best system is one where gear and training are aligned, with neither one of them overcompensating for the other.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 33</title>
    <link href="https://mlarson.org/2025/08/17/2025-week-33/"/>
    <updated>2025-08-17T15:00:03.000Z</updated>
    <id>https://mlarson.org/2025/08/17/2025-week-33/</id>
    <content type="html">&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/sunny-stool-plants-rogers-avenue.jpg?w=1024&#34; alt=&#34;a stool and footrest on a sunny sloping sidewalk with potted plants&#34; class=&#34;wp-image-10964&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.haring.com/!/art-work/16&#34;&gt;Moses and the Burning Bush&lt;/a&gt;, acrylic on canvas by Keith Haring. &lt;a href=&#34;https://www.bernhardlang.de/stahlwerk&#34;&gt;Stahlwork&lt;/a&gt;, aerial photography of steel production by Bernhard Lang.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Wolf Hall. DNF. Good read, but I lost my momentum somehow. Maybe just need more plot, less character?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/On_the_Calculation_of_Volume&#34;&gt;On the Calculation of Volume&lt;/a&gt;, Book 1. Boring in the details it covered but somehow mildly addictive. (Maybe a little bit like &lt;a href=&#34;https://en.wikipedia.org/wiki/My_Struggle_(Knausg%C3%A5rd_novels)&#34;&gt;My Struggle&lt;/a&gt;?) I think I&#39;ll probably skip the sequel and the other five books, but you never know.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Eagle-Hart-Tragedy-Richard-Henry-ebook/dp/B0CV22P3TG&#34;&gt;The Eagle and the Hart: The Tragedy of Richard II and Henry IV&lt;/a&gt;. So many details, but I&#39;m into it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
For my work run club, we got custom singlets. 😎&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://austinkleon.substack.com/p/your-hobby-looks-exhausting&#34;&gt;If your hobby looks exhausting to someone else, that means it’s really yours&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;I need to get back to England for the &lt;a href=&#34;https://www.ashmolean.org/exhibition/this-is-what-you-get-stanley-donwood-radiohead-thom-yorke&#34;&gt;Stanley Donwood/Thom Yorke exhibition at the Ashmolean&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.maximum-progress.com/p/is-air-travel-getting-worse&#34;&gt;Is air travel getting worse&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.ldial.org/&#34;&gt;ldial: Listen to the best independent and community radio stations in the US&lt;/a&gt;. Felt really good to flip on Atlanta&#39;s WREK 91.1 on a Sunday morning.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.jdilla.xyz/post/297&#34;&gt;The Social History of the Code Machine&lt;/a&gt;. &amp;quot;Timeless values like remaining disciplined under pressure are expressed in actions like marching in a straight line and we become attached to those actions rather than the values. When technology changes those actions, it feels viscerally wrong to us.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.maximumnewyork.com/p/nycs-median-rent-is-16k-and-how-that&#34;&gt;NYC&#39;s Median Rent is ~$1.6k, and How That is Even Possible&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.brightwalldarkroom.com/2025/07/29/where-to-look-silence-of-the-lambs/&#34;&gt;Where to Look: The Silence of the Lambs (1991)&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.smithsonianmag.com/smart-news/a-2000-year-old-sun-hat-worn-by-a-roman-soldier-in-egypt-goes-on-view-after-a-century-in-storage-180987192/&#34;&gt;A 2000-year-old Roman sun hat&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/humor/shouts-murmurs/skateboarding-into-middle-age&#34;&gt;Skateboarding Into Middle Age&lt;/a&gt;. And &lt;a href=&#34;https://www.huffpost.com/entry/skateboarding-40s-community-mental-health_n_67c5c4a5e4b0e0b1c7d59759&#34;&gt;&amp;quot;Skateboarding is the only recreational activity that my kids have pursued&lt;/a&gt; in the city that has not required a membership, formal belonging to an organization, or that is dictated by a specific schedule&amp;quot;. I started skating a bit at the office, a few minutes each morning when I go in. I&#39;m terrible and it&#39;s great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Marconi Union, &lt;a href=&#34;https://open.spotify.com/album/5lpuG7QX2csZN8lJHNsSo4&#34;&gt;The Fear of Never Landing&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3QglCW4VbQyxPoBGM42sHK&#34;&gt;Eight Miles High Alone&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7cl0rOWvIG6VQyhTfyWAcY&#34;&gt;Crystalline&lt;/a&gt;&amp;quot; are my faves.&lt;/p&gt;
&lt;p&gt;Jenevieve, &lt;a href=&#34;https://open.spotify.com/album/18OM4kStC0UfGiJZcqePgX&#34;&gt;Crysalis&lt;/a&gt;. Haven&#39;t stopped listening since I started it. We need more albums with songs that just crisply end, instead of fade out! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0JTaxloJYWa8xu8VZ9DqbF&#34;&gt;Crysalis&lt;/a&gt;&amp;quot;, love the big bass and splashy cymbals. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4DlEozVHlQY9cM1A5kRXVT&#34;&gt;Haiku&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/02jzA2f77Jj8QKHLLsrFBk&#34;&gt;Naive&lt;/a&gt;&amp;quot; are lovely ballads. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6Av4na55D5OeljhnIyfErJ&#34;&gt;Missing Persons&lt;/a&gt;&amp;quot; sounds like something I&#39;d hear from Kacey Musgraves (complimentary). I love the echoes of R&amp;amp;B predecessors – &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6scAxpEPBWSJAEs8DGhW9x&#34;&gt;Head Over Heels&lt;/a&gt;&amp;quot; is kind of a waste lyrically, but the Quiet Storm production is great. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/50MyWaqcAD0AQCq6Q2r4ad&#34;&gt;Hvn High&lt;/a&gt;&amp;quot; revives the Michael Jackson era. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3l66SHy4QK76gc7zlikDDE&#34;&gt;Nocturne&lt;/a&gt;&amp;quot; has the &#39;80s keyboard woodwinds and backbeat. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1w1kjA2pD3agF17wLHhthB&#34;&gt;Faded Lve&lt;/a&gt;&amp;quot; with the 70s disco/funk rhythm guitar and walking bass. I love the soda-shop harmonies in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5MjeTdsrDa5MlqgiSlFKBN&#34;&gt;Damage Control&lt;/a&gt;&amp;quot;. All that in 42 minutes. What a fun album.&lt;/p&gt;
&lt;p&gt;Four Tet, &lt;a href=&#34;https://open.spotify.com/album/6XoxeeeyZgzqUMzUBUSDG9&#34;&gt;There Is Love In You&lt;/a&gt;. I like the faster-paced, glitchier stuff like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3pOnjFb8q7itcxMfyvOIuP&#34;&gt;Sing&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Blackbraid, &lt;a href=&#34;https://open.spotify.com/album/4BXzJiioIewC6siTIbYWoR&#34;&gt;Blackbraid III&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/It_Follows&#34;&gt;It Follows&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2018/10/13/it-follows/&#34;&gt;the first&lt;/a&gt;). Holds up! I didn&#39;t remember how Detroit-y this movie is. Abandonment of the city echoed by the abandonment of the youth. I want to spend more time with the soundtrack soon.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/A_Working_Man&#34;&gt;A Working Man&lt;/a&gt;. Jason Statham is just trying to be a regular guy! Give you one guess what happens next.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Ballard, s1e9–10. I hope they find better writers for the next season, but I like the little family they&#39;ve formed in the basement.&lt;/p&gt;
&lt;p&gt;Line of Duty, s4-5. Has some of the most maddening protagonists you&#39;ll ever find. I&#39;ll return for a second season.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 32</title>
    <link href="https://mlarson.org/2025/08/10/2025-week-32/"/>
    <updated>2025-08-10T18:14:31.000Z</updated>
    <id>https://mlarson.org/2025/08/10/2025-week-32/</id>
    <content type="html">&lt;p&gt;This morning I spent a couple hours listening to Bach, loudly, while I puttered around the house. As good as earbuds or headphones get, there&#39;s nothing that can replace big speakers moving the air, recreating the space and reverb and texture from when it was recorded. (Of course, the extension of the argument is to go to a more live shows…)&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I&#39;m enjoying cooking as a creative outlet lately. I think I always have – thinking back to attempting scrambled eggs with a childhood best friend after every sleepover (surely one more spice will make them good?) – I just never point my time or energy in that direction on a regular basis. This weekend: an apple tart, and savory quiche. I think my &amp;quot;I don&#39;t care about cooking&amp;quot; identity might be helping. I&#39;m not invested that much in the end result, as long as the vision is clear and ideas are flowing and the process feels fun. Probably better this way.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/bumblebee-flower-madison-square.jpg?w=1024&#34; alt=&#34;a bumblebee scours pollen from a bright pink flower; unopened soft buds on thin stems are blurrily visible in the background&#34; class=&#34;wp-image-10950&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.kansallisgalleria.fi/fi/object/388496&#34;&gt;Spring, study for the Jusélius Mausoleum frescoes&lt;/a&gt;, tempera on canvas by Akseli Gallen-Kallela. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/167184&#34;&gt;Evocation d&#39;une forme humaine, lunaraire, spectrale&lt;/a&gt;, sculpture in polished bronze by Hans Jean Arp.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Wolf_Hall&#34;&gt;Wolf Hall&lt;/a&gt;. Predicting a DNF, but slight chance I&#39;ll dip in again.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/On_the_Calculation_of_Volume&#34;&gt;On the Calculation of Volume&lt;/a&gt;, Book 1. A woman relives the same day over and over. Will probably finish this today. (Will I do it again when I wake up?)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
More morning runs over the last week, even managed to squeeze one in before I went to the office. If I&#39;m going to wake up naturally at 5am for no reason at all, might as well take advantage of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Around the Web&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.commonreader.co.uk/p/why-is-rear-window-so-tense&#34;&gt;Why is Rear Window so tense?&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://yearofbach.substack.com/p/37-takeaways-from-200-hours-with&#34;&gt;37 takeaways from 200 hours with Bach&lt;/a&gt;. &amp;quot;How much of Bach do you know? You’ve tasted only a morsel of the world’s biggest cake.&amp;quot;&lt;/p&gt;
&lt;p&gt;A narrative on &lt;a href=&#34;https://tropicsofmeta.com/2025/08/01/jury-in-a-box-justice-and-democracy-in-georgias-dekalb-county/&#34;&gt;fulfilling jury duty in DeKalb County, Georgia&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.rawsignal.ca/newsletter-archive/the-enshittification-of-work/&#34;&gt;Managers don’t often think about their power collectively, but you have it and you can use it.&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://maggieappleton.com/ai-enlightenment/&#34;&gt;A Treatise on AI Chatbots Undermining the Enlightenment&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://kyla.substack.com/p/how-ai-healthcare-and-labubu-became&#34;&gt;How AI, Healthcare, and Labubu Became the American Economy&lt;/a&gt;. &amp;quot;We need to live in the future to build the future!&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://observer.co.uk/culture/architecture/article/100-years-of-art-deco-a-movement-comes-of-age&#34;&gt;100 years of Art Deco: a movement comes of age&lt;/a&gt;. (Thanks, &lt;a href=&#34;https://www.jdilla.xyz/post/295&#34;&gt;James&lt;/a&gt;)&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/manhattan-brooklyn-bridges-panorama.jpg?w=1024&#34; alt=&#34;view from Manhattan over the dark blue water of the East River looking at the dark blue steel Manhattan Bridge on the left and the granite beige Brooklyn Bridge on the right, with downtown Brooklyn skyscraper in between&#34; class=&#34;wp-image-10952&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Balimaya Project, &lt;a href=&#34;https://open.spotify.com/album/6cUiIkYaCPUhdcjs6PbQet&#34;&gt;When the Dust Settles&lt;/a&gt;. Tight jazz / west African blend. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1Q6KZIRVZ0GbK91hFWT7pL&#34;&gt;For Aziz&lt;/a&gt;&amp;quot; is good; the riff in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7bihlKzSgxVfxlp1iKpgsJ&#34;&gt;Anka Tulon&lt;/a&gt;&amp;quot; got stuck in my head for a couple days.&lt;/p&gt;
&lt;p&gt;Boards of Canada, &lt;a href=&#34;https://open.spotify.com/album/0wBiN0fKhy0ywx732SpgUs&#34;&gt;The Campfire Headphase&lt;/a&gt;. I was vaguely aware of this act two decades ago, but never gave it any time. So now my 2025 ears can&#39;t help hear &amp;quot;chill vibes to study to&amp;quot;.&lt;/p&gt;
&lt;p&gt;Two albums of classical guitarist Jason Vieaux playing Bach: &lt;a href=&#34;https://open.spotify.com/album/02xTr19jXwL9VFn0BcGkQs&#34;&gt;Lute Works, Vol. 1&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/0MB2Hp2lwp00NGnLZFjFTw&#34;&gt;Violin Works, Vol. 2&lt;/a&gt;. Can&#39;t go wrong.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Smile_(2022_film)&#34;&gt;Smile&lt;/a&gt;. Had to watch because I heard the second was even better. It&#39;s good, and the lead is so good, but couldn&#39;t help thinking the roots-in-trauma horror is getting a little worn out.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Princess_Diaries_(film)&#34;&gt;The Princess Diaries&lt;/a&gt;. What an absolute treasure. So glad I saw this.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Smile_2&#34;&gt;Smile 2&lt;/a&gt;. Thematically richer than the first, maybe less haunting, with another intense, capitivating lead performance. Undermined a little bit here and there with repetitious moments, but it&#39;s good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Ballard, s1e7–8.&lt;/p&gt;
&lt;p&gt;CSI: Miami, s7e3.&lt;/p&gt;
&lt;p&gt;Line of Duty, s1e1–2. Off to the races.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Weeks 30 &amp;amp; 31</title>
    <link href="https://mlarson.org/2025/08/03/2025-weeks-30-31/"/>
    <updated>2025-08-03T15:40:25.000Z</updated>
    <id>https://mlarson.org/2025/08/03/2025-weeks-30-31/</id>
    <content type="html">&lt;p&gt;Last weekend I went back home to Atlanta. After a 6am flight, the first order of business: breakfast order at Waffle House. Felt good – and strange – to be back in my old stomping grounds downtown.&lt;/p&gt;
&lt;p&gt;Second mission: a visit to the High Museum for their exhibition &lt;a href=&#34;https://high.org/exhibition/faith-ringgold-seeing-children/&#34;&gt;Faith Ringgold: Seeing Children&lt;/a&gt;, which was just about perfect. Especially liked the low-mounted art on the walls, and the storytelling area where they had a ceiling-mounted video of &lt;a href=&#34;https://www.youtube.com/watch?v=h9RKJleFdBU&#34;&gt;Faith Ringgold reading Tar Beach&lt;/a&gt; on a loop. (The opening sentence is one of the greatest in all literature.) The collection for &lt;a href=&#34;https://high.org/exhibition/kim-chong-hak/&#34;&gt;Kim Chong Hak, Painter of Seoraksan&lt;/a&gt; was a really nice surprise. Beautifully lush, dense plant-tangled landscapes.&lt;/p&gt;
&lt;p&gt;Aside from that, lots of time with family, seeing &lt;a href=&#34;https://en.wikipedia.org/wiki/Amicalola_Falls&#34;&gt;our local 700-foot waterfall&lt;/a&gt;, picking blueberries in the back yard, pondering &amp;quot;&lt;a href=&#34;https://boothmuseum.org/&#34;&gt;Western Art&lt;/a&gt;&amp;quot;, playing on the floor with paper collage and Legos, eating too much, and sipping evening coffees.&lt;/p&gt;
&lt;p&gt;Going back home made me fall in love a little more. Seeing people care about someone you love is inspiring. Like when friends show up to your amateur concert or sports events. It&#39;s validating. You want to live up to their encouragement.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/amicalola-falls-cascades.jpg?w=786&#34; alt=&#34;photo of Amicalola Falls in Georgia, where many thin streams of water fall over multiple cascades over dark rocks where lush green bushes cling&#34; class=&#34;wp-image-10943&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/beige-curtains-over-backyard.jpg?w=786&#34; alt=&#34;evening light comes in through pale beige curtains in a quiet room&#34; class=&#34;wp-image-10942&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.alamy.com/the-conversion-of-st-paul-a-bas-relief-executed-in-stone-and-glass-by-lumen-martin-winter-in-1958-image549393890.html&#34;&gt;The Conversion of St. Paul&lt;/a&gt;, a bas relief in stone and glass by Lumen Martin Winter. Ran by this one on the face of St. Paul the Apostle Catholic Church, had to pause to admire for a moment. A Maori &lt;a href=&#34;https://www.slam.org/collection/objects/2956/&#34;&gt;feather cloak (kahu huruhuru)&lt;/a&gt; in a checkerboard pattern.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Spinning_Silver&#34;&gt;Spinning Silver&lt;/a&gt; by Naomi Novik, interesting twist on Rumpelstiltskin folklore.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Wolf_Hall&#34;&gt;Wolf Hall&lt;/a&gt; by Hilary Mantel. Only ~20% into it, but so far so good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Lovely long long run to and through Central Park yesterday, along with Riverside Park and the Hudson River Greenway. (It&#39;s so nice to be able to pop into a deli for a mid-run snack.) The biggest breakthrough was bringing some running shoes to Atlanta and making sure I got a few miles in. It&#39;s more the commitment than the value of the workout itself.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/brooklyln-bridge-view-from-manhattan-bridge.jpg?w=1024&#34; alt=&#34;view of the Brooklyn Bridge through a gap in a chain link fence&#34; class=&#34;wp-image-10946&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.reddit.com/r/bicycling/comments/1m97mi8/between_2020_and_2022_i_biked_every_road_within/&#34;&gt;Geo Gerard biked every road in Atlanta&lt;/a&gt; and shares an accompanying photo collection: &lt;a href=&#34;https://geogerard.com/all-the-roads-taken&#34;&gt;All the Roads Taken&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2025/07/26/books/man-died-book-list-thousands.html&#34;&gt;Dan Pelzer read a lot of books&lt;/a&gt; and &lt;a href=&#34;what-dan-read.com&#34;&gt;kept a hand-written list for decades&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/interesting_aIl/status/1949281606444646524&#34;&gt;A man who puts jet engines on things&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.bloomberg.com/news/articles/2025-07-25/what-300-years-of-firewood-prices-say-about-the-economy-odd-lots&#34;&gt;What 300 Years of Firewood Prices Say About the Economy&lt;/a&gt;. Odd Lots is such a good podcast.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.global-developments.org/p/indonesia-climbs-the-chain&#34;&gt;Indonesia climbs the value chain&lt;/a&gt; and &lt;a href=&#34;https://www.noahpinion.blog/p/the-only-thing-worse-than-sweatshops&#34;&gt;The only thing worse than sweatshops is no sweatshops&lt;/a&gt;. A lesson here in not being too picky about how the poor grow wealthier. There is so much at stake!&lt;/p&gt;
&lt;p&gt;&amp;quot;One big benefit of traveling is the diversity of places you can see. But another big benefit — not to be neglected — is the diversity of eras you can sample. I am so, so glad I saw what those places were like in the late 1980s, China most of all and also the hill tribes. No history books can compensate for that. So that is a very good reason to travel NOW. And to &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/07/my-1988-southeast-asia-trip.html&#34;&gt;travel to places that are going to change a lot.&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Learning is not the product of teaching. &lt;a href=&#34;https://www.recurse.com/blog/191-developing-our-position-on-ai&#34;&gt;Learning is the product of the activity of learners&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://pudding.cool/2025/07/street-view/&#34;&gt;What if you could search every visible word on New York City’s streets?&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://news.artnet.com/art-world/mitchell-funk-robert-funk-fine-art-2671297&#34;&gt;One Photographer’s 50 Year Quest to Capture the Chrysler Building&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/08/dog-fetching-stick-in-hudson-river.jpg?w=1024&#34; alt=&#34;a dog swims in a river to fetch a stick&#34; class=&#34;wp-image-10945&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Hamid Al Shaeri, &lt;a href=&#34;https://open.spotify.com/album/0PXfnvr4FDsvG0xOWhOzuS&#34;&gt;The SLAM! Years: 1983–1988 (Habibi Funk 018)&lt;/a&gt;. Like this one quite a bit! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4JPL6wrfR5830g9vam65e5&#34;&gt;Tew&#39;idni Dom&lt;/a&gt;&amp;quot; (I love the key modulations) and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5HCTbcF18u5DcYNwEWWf3n&#34;&gt;Ayonha&lt;/a&gt;&amp;quot; made it on my &amp;quot;2025 Bangers&amp;quot; playlist.&lt;/p&gt;
&lt;p&gt;Doctor 3, Danilo Rea, &lt;a href=&#34;https://open.spotify.com/album/7LYq40sbRw0VTa4hENU0zc&#34;&gt;Blue&lt;/a&gt;. Clean modern piano jazz.&lt;/p&gt;
&lt;p&gt;corto.alto, &lt;a href=&#34;https://open.spotify.com/album/62MpaARdfMHnZEXL1Lsqt3&#34;&gt;Bad With Names&lt;/a&gt;. Horn-forward beats-lounge.&lt;/p&gt;
&lt;p&gt;Mulatu Astatke, &lt;a href=&#34;https://open.spotify.com/album/7jEivoGNSPuXZhpO2SQrLR&#34;&gt;Mulatu Steps Ahead&lt;/a&gt;. The usual jazz/latin/funk blend, see &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5hMQwhil4L3uSsVw7j5zG6&#34;&gt;Mulatu&#39;s Mood&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Yamaneko, &lt;a href=&#34;https://open.spotify.com/album/3adSsQiGS2GhyB6mZuNPFv&#34;&gt;Pixel Wave Embrace&lt;/a&gt;. Video game-y bleeps and bloops, just a little grimey.&lt;/p&gt;
&lt;p&gt;Sophye Soliveau, &lt;a href=&#34;https://open.spotify.com/album/3o05G0qAuiOeYFmC5xHwcc&#34;&gt;Initiation&lt;/a&gt;. Soul + harp, hard to go wrong. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6DPsM1517owfAw93lmTcaD&#34;&gt;Initiation II - Wonder Why&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5Pe8v8JvddLIySX5FAC8pQ&#34;&gt;Simple Pleasures&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Predator_(film)&#34;&gt;Predator (1987)&lt;/a&gt;. Still enjoyable. Arnold was so much slimmer back then. (&lt;a href=&#34;https://mlarson.org/2017/09/15/predator/&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Woody_Woodpecker_(2017_film)&#34;&gt;Woody Woodpecker&lt;/a&gt;. I have my nephew to blame for this one. It&#39;s not good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Wild_Robot&#34;&gt;The Wild Robot&lt;/a&gt;. A rewatch, another nephew selection. It&#39;s fine! (&lt;a href=&#34;https://mlarson.org/2025/03/09/2025-week-10/&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Timecrimes&#34;&gt;Los cronocrímenes (Timecrimes)&lt;/a&gt;. Pleasantly surprised with this little time-travel thriller.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Illusionist_(2006_film)&#34;&gt;The Illusionist&lt;/a&gt;. Good old-fashioned magical romance. Would pair well with &lt;a href=&#34;https://mlarson.org/2012/06/29/the-prestige-themes-obsession-sacrifice-craft/&#34;&gt;The Prestige&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Peaky Blinders, s1e1–2&lt;/p&gt;
&lt;p&gt;Ballard, s4–6&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 29</title>
    <link href="https://mlarson.org/2025/07/20/2025-week-29/"/>
    <updated>2025-07-20T17:34:00.000Z</updated>
    <id>https://mlarson.org/2025/07/20/2025-week-29/</id>
    <content type="html">&lt;p&gt;I already had a lot of experience when I joined my team at work. Through some internal moves and a wave of new hires, I&#39;ve accidentally become one of the longest-tenured. I am The Veteran. Welcoming the recent crop of ~new-grad hires and helping them find their footing has made me realize how much I take for granted. So much just comes easily. Makes me think back to my days working in a public library when I was shortly out of college. I had a couple teammates nearing or past retirement age. Nothing phased them. Objectively, I understood why – they&#39;d seen it all for decades. But of course I couldn&#39;t muster the same ease in the same way, though I tried. And I was glad to have the model. So, on my mind lately: what do I want my version of leadership to look like? What&#39;s the stamp I want to make? And who am I looking up to now?&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/shoes-on-subway-stairs.jpg?w=656&#34; alt=&#34;clean white high-top shoes lie on their side on the grey gritty steps up from a subway platform&#34; class=&#34;wp-image-10930&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/68407/landscape-bordeaux-ii&#34;&gt;Landscape (Bordeaux II)&lt;/a&gt;, oil on canvas by Amédée Ozenfant. &lt;a href=&#34;https://www.kansallisgalleria.fi/en/object/549976&#34;&gt;Hautajaiset (Funeral)&lt;/a&gt;, sculpture by Axel Robert Petersson. &lt;a href=&#34;https://www.artic.edu/artworks/5375/portrait-of-joaneta-obrador&#34;&gt;Portrait of Joaneta Obrador&lt;/a&gt;, oil on canvas by Joan Miró.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Winter%27s_Heart&#34;&gt;Winter&#39;s Heart&lt;/a&gt;. Done. 9 down, 5 to go?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Old-Art-School-Memoir-Starting-ebook/dp/B0771HQPNX&#34;&gt;Old in Art School: A Memoir of Starting Over&lt;/a&gt; by Nell Painter. DNF. Memoir just isn&#39;t for me.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Brave_New_World&#34;&gt;Brave New World&lt;/a&gt;, Huxley, DNF, dreadful.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Spinning_Silver&#34;&gt;Spinning Silver&lt;/a&gt; by Naomi Novik. Just started.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://maryhkchoi.substack.com/p/in-praise-of-more-hangout-modalities&#34;&gt;In Praise of More Hangout Modalities&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://club.drawtogether.studio/p/summer-travel-less-phone-more-sketchbook&#34;&gt;Summer Travel: Less Phone, More Sketchbook&lt;/a&gt;. (&lt;a href=&#34;https://austinkleon.substack.com/p/getting-up-from-your-desk&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://walkingtheworld.substack.com/p/destitution-fair-a-week-of-riding&#34;&gt;That&#39;s why I encourage everyone to walk and take buses whenever you can&lt;/a&gt;, because you end up dealing with people who remind you what humanity actually is. Not the polished cartoonish version we&#39;re supposed to aspire to, but the far more common messy, complicated, and resilient version.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;We owe our electric age to &lt;a href=&#34;https://www.derekthompson.org/p/the-sunday-morning-post-science-is&#34;&gt;scientists who were crazy, ignorant, or both&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;Idea for a &lt;a href=&#34;https://x.com/danielgolliher/status/1946938100552217030&#34;&gt;&amp;quot;cover index&amp;quot; to measure great songs&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2025/07/11/arts/music/mark-snow-dead.html&#34;&gt;RIP, Mark Snow&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/bicycle-lake-fishing-sunset.jpg?w=656&#34; alt=&#34;a man fishes on the shore of a lake; his bike rests on its kickstand nearby; the fading summer sinks behind the trees&#34; class=&#34;wp-image-10931&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Mozart Piano Sonatas perf. Angela Hewitt. Cool to hear how much change there can be over a decade and a bit. You can hear really Beethoven bubbling up by the time you reach K.457.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6VIMaHeesSdpd6qBFsieEJ&#34;&gt;Piano Sonatas K.279–284 &amp;amp; K.309&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3zCI5U4lNQLhJQDttou9nw&#34;&gt;Piano Sonatas K.310–311 &amp;amp; 330–333&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0ngIp7Y1aJLO7PzyEV005D&#34;&gt;Piano Sonatas K.457, 533, 545, 570, &amp;amp; 576&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;A bit of nostalgic return to Washed Out…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1jMTPWTHJhsZev04IbmyCC&#34;&gt;Life of Leisure&lt;/a&gt; EP. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4V0x90QcMh4ZxwHzEWOdtK&#34;&gt;Feel It All Around&lt;/a&gt;&amp;quot; feels like stepping into a shower. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/61a3jJKnYaUCAQDr07W8LH&#34;&gt;Hold Out&lt;/a&gt;&amp;quot; has the perfect drive for a workout.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1TwAADd8Z8C1GeeCSaXTNr&#34;&gt;Within and Without&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1hKqcxl60fybRKzuN5FpvA&#34;&gt;Soft&lt;/a&gt;&amp;quot; has a nice mix of melancholy and hopefulness. I have such a vivid memory hearing &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4ouCkeF3C7gAY4Xwg1xsN1&#34;&gt;You and I&lt;/a&gt;&amp;quot; for the first time at one of their shows, bass player vamping in front of a box fan tilted up and blowing his hair.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Addison Rae, &lt;a href=&#34;https://open.spotify.com/album/2ffVa2UhHUDwMHnr685zJ4&#34;&gt;Addison&lt;/a&gt;. It&#39;s not for me, but it goes down smooth and leaves no aftertaste.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Fast_%26_Furious&#34;&gt;Fast &amp;amp; Furious&lt;/a&gt;. This didn&#39;t hold up at all for me. It was sad that I felt so remote from it all. Action pieces didn&#39;t land, relationships felt thrown together. Felt like I was mixing essential context from a TV show or something. (Has it really been 12 years since &lt;a href=&#34;https://mlarson.org/2013/05/31/fast-furious-decent-most-franchises-dont-stay/&#34;&gt;the last time I saw it&lt;/a&gt;?)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Master_and_Commander:_The_Far_Side_of_the_World&#34;&gt;Master and Commander: The Far Side of the World&lt;/a&gt;. Now this is a movie! Dudes being dudes. Naval warfare is one of the craziest things we&#39;ve ever done.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e24 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Gethsemane_(The_X-Files)&#34;&gt;Gethsemane&lt;/a&gt;&amp;quot;. A bit of an underwhelming season finale, but maybe there&#39;s some courage in not relying on traditional cliffhangers. We&#39;ve been watching every Sunday night for the last 18 months or so. Taking a break for a little while!&lt;/p&gt;
&lt;p&gt;Ballard, s1e1–2. So far, scratches the itch. I need a beach house.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 28</title>
    <link href="https://mlarson.org/2025/07/13/2025-week-28/"/>
    <updated>2025-07-13T16:56:36.000Z</updated>
    <id>https://mlarson.org/2025/07/13/2025-week-28/</id>
    <content type="html">&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/knock-knock-do-not-ring-doorbell.jpg?w=1024&#34; alt=&#34;paper sign on a church door with the words &#39;KNOCK-KNOCK DO NOT RING DOORBELL&#39; printing in red text highlighted in yellow&#34; class=&#34;wp-image-10915&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A Mayan &lt;a href=&#34;https://stories.uh.edu/2025-caracol-chase/index.html&#34;&gt;blackware ceramic vessel modeled in the form of an owl&lt;/a&gt;. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/105288&#34;&gt;[Untitled] (Sax Player)&lt;/a&gt;, print from engraving on plexiglass by Scott Smith. &lt;a href=&#34;https://en.wikipedia.org/wiki/Landscape_with_Charon_Crossing_the_Styx&#34;&gt;Landscape with Charon Crossing the Styx&lt;/a&gt;, oil on wood by Joachim Patinir.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Winter&#39;s Heart. Homestretch.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Feels good to steadily pick up my volume and consistency since late winter. Yesterday I went on my longest run of the year so far, and today, no ill effects. Still one of my favorite ways to explore the city. &lt;a href=&#34;https://en.wikipedia.org/wiki/Mill_Basin,_Brooklyn&#34;&gt;(Mill Basin&lt;/a&gt; is a strange little self-contained world. Felt like I was in Florida.)&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/mill-basin-docks-1.jpg?w=1024&#34; alt=&#34;view of boats tied to wooden docks, with fluffy clouds and bright sun in the background&#34; class=&#34;wp-image-10919&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
From a profile of an archaeologist couple: &amp;quot;One of the reasons we’re able to make as many contributions as we have is that &lt;a href=&#34;https://stories.uh.edu/2025-caracol-chase/index.html&#34;&gt;we stayed put at one site for a long period of time and we just kept asking questions&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Given Canada’s vast size and low population density, I was surprised to discover that the country feels more urban than the US, &lt;a href=&#34;https://scottsumner.substack.com/p/land-of-lakes&#34;&gt;with far more skyscrapers per capita&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://agglomerations.substack.com/p/young-families-have-stopped-leaving&#34;&gt;Young families have stopped leaving big cities, for now&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://walkingtheworld.substack.com/p/thoughts-from-buses-across-america&#34;&gt;Thoughts from buses across America&lt;/a&gt;. &amp;quot;In any town such as Harrisburg, you can have two very different experiences, one optimistic, the other pessimistic, and that is the defining feature of the US.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://projects.thecity.nyc/delivery-workers-bikes-decorations/&#34;&gt;‘No One Else Has a Bike Like Mine’: How Deliveristas Trick Out Their Rides&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;AI feedback (“you raise a profound point”) creates a new market niche for the offhand, the critical or slightly dismissive, the &lt;a href=&#34;https://x.com/ghostofchristo1/status/1944042922665726188&#34;&gt;kinds of response only a slightly jaded human being can currently provide&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;I &lt;a href=&#34;https://cybercelibate.substack.com/p/i-printed-my-instagram-feed-for-a&#34;&gt;painstakingly printed out my social media feeds FOR AN ENTIRE MONTH&lt;/a&gt; so I could read them like a newspaper, as god intended.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://gothamist.com/arts-entertainment/nyc-art-schools-see-record-high-application-numbers-as-gen-zers-clamber-to-enroll&#34;&gt;NYC art schools see record-high application numbers as Gen Zers clamber to enroll&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;I’ve been sober for six years now; and &lt;a href=&#34;https://www.joanwestenberg.com/p/i-deleted-my-second-brain&#34;&gt;that kind of milestone does something to your perception of time&lt;/a&gt;. It creates a before and an after, and it invites you - gently at first, then insistently - to take stock.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/kylascan/status/1944205461768876437&#34;&gt;Growth, not gain&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://spiralgetty.wiki/&#34;&gt;A visual research tool that maps out a Wikipedia rabbit hole&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/marine-park-woman-on-phone-1.jpg?w=1024&#34; alt=&#34;a woman seated in a picnic chair on a lawn talks on her cellphone, with tall flowers and trees growing behind&#34; class=&#34;wp-image-10920&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Cerrone, Christine and the Queens, &lt;a href=&#34;https://open.spotify.com/album/23a1PGqGITDhfPf8aWC91a&#34;&gt;Catching feelings&lt;/a&gt;. Fun! Good pop/EDM/disco feel.&lt;/p&gt;
&lt;p&gt;Laura Cannell, A Compendium of Beasts, mixing olde medieval and folk traditions:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/77V6dT2hDTG2kyDcgrcvag&#34;&gt;Volume 1&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6FUzZUQSFhJX74krFZj60W&#34;&gt;Volume 2&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1rt2z97SQxnScB2r8ZHu0o&#34;&gt;Volume 3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Domenico Scarlatti, &lt;a href=&#34;https://open.spotify.com/album/2usulkZHy6FPSyZtT3mWrG&#34;&gt;Sonatas, Vol. 1&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/0OrOpGEI2eWSEaSFWlu18D&#34;&gt;Vol. 2&lt;/a&gt; perf. Angela Hewitt. I&#39;m partial to the &lt;a href=&#34;https://open.spotify.com/track/6WXDIr4MTWmC5FN8t0Xhdv&#34;&gt;B minor, Kk.27&lt;/a&gt; and the &lt;a href=&#34;https://open.spotify.com/track/4rLc72KyL7Utc2WVVPcLV8&#34;&gt;G minor, Kk.426&lt;/a&gt; seems to anticipate Chopin or the like.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/motorcycle-covered-by-comforter.jpg?w=1024&#34; alt=&#34;a motorcycle covered with a floral-patterned bed comforter&#34; class=&#34;wp-image-10914&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Red_Eye_(2005_American_film)&#34;&gt;Red Eye (2005)&lt;/a&gt;. Tight thriller. I like the focus on only two actors for most of the runtime. Helps that both are charming.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Battle_Royale_(film)&#34;&gt;Battle Royale&lt;/a&gt;. Second viewing. I love the melodrama – heightened with teenage hormones – and how we learn about so many relationships in the school. Beautiful soundtrack mixing in classical orchestral work.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fast_and_the_Furious:_Tokyo_Drift&#34;&gt;The Fast and the Furious: Tokyo Drift&lt;/a&gt;. Still so fun. I think the characters &lt;em&gt;actually work on their cars&lt;/em&gt; more than any other film in the franchise. That&#39;s cool. I think this is the third or fourth time I&#39;ve seen it? (&lt;a href=&#34;https://mlarson.org/2013/05/26/the-fast-and-the-furious-tokyo-drift-now-were/&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e23 &lt;a href=&#34;https://en.wikipedia.org/wiki/Demons_(The_X-Files)&#34;&gt;&amp;quot;Demons&amp;quot;.&lt;/a&gt;. Feels like I&#39;ve seen this one a few times before (i.e. Mulder perseverating on sister trauma → unhinged behavior → getting arrested).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 27</title>
    <link href="https://mlarson.org/2025/07/06/2025-week-27/"/>
    <updated>2025-07-06T16:44:24.000Z</updated>
    <id>https://mlarson.org/2025/07/06/2025-week-27/</id>
    <content type="html">&lt;p&gt;I fear that I haven&#39;t paid much attention to my day-to-day life lately.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.slam.org/collection/objects/37221/&#34;&gt;Approaching Storm&lt;/a&gt;, print by Grant Wood. A 19th-century &lt;a href=&#34;https://www.artic.edu/artworks/73418/pitcher&#34;&gt;Earthenware pitcher&lt;/a&gt;, made in Bangor, Maine.. A &lt;a href=&#34;https://www.si.edu/object/male-figure:nmafa_85-1-2&#34;&gt;male figure&lt;/a&gt; in the &lt;a href=&#34;https://en.wikipedia.org/wiki/Nomoli_figurine&#34;&gt;Nomoli&lt;/a&gt; style.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Winter&#39;s Heart. It feels good when you learn how to read a particular book.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/school-window-smart.jpg?w=656&#34; alt=&#34;a ground-level window in a brick school building painted with flowers, a rainbow, and the words &amp;quot;I am smart&amp;quot;&#34; class=&#34;wp-image-10894&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;It wasn’t because I was smarter or more dedicated, but simply because &lt;a href=&#34;https://www.huffpost.com/entry/utah-school-lunch-debt-relief-free-student-meals_n_681258fbe4b03207b5ba49fa&#34;&gt;I’d been looking directly at a specific problem&lt;/a&gt; they only encountered as part of a much larger institutional landscape.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;By their late thirties, nearly two-thirds of &lt;a href=&#34;https://daviesrichard.substack.com/p/rebuilding-britain-ten-tips&#34;&gt;people born in Wyoming have moved to other states&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Here I pause for one moment, to exhort the reader &lt;a href=&#34;https://shakespeare-online.com/plays/macbeth/knockingatgate.html&#34;&gt;never to pay any attention to his understanding, when it stands in opposition to any other faculty of his mind&lt;/a&gt;. The mere understanding, however useful and indispensable, is the meanest faculty in the human mind, and the most to be distrusted.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://raggedfrontier.wordpress.com/2025/04/12/roadhouse-the-perfect-80s-western/&#34;&gt;Road House: The Perfect &#39;80s Western&lt;/a&gt;. &amp;quot;Dalton is Fonzie-cool, Eastwood-mysterious, and physically pristine.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://submittedforyourperusal.com/2025/07/01/why-are-movies-about-research-so-addictive/&#34;&gt;Why are movies about research so addictive&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=mn2Dcy-NDTw&#34;&gt;The Sustained Two-Shot&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=78Ru62uFM0s&#34;&gt;Ryan Coogler talks about film stock and aspect ratios&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=KjCjtg_rVxU&#34;&gt;Beatrice Chebet breaks the 14-minute 5k barrier&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/school-window-kind.jpg?w=1024&#34; alt=&#34;a ground-level window in a brick school building painted with a sunflower, a rainbow, and the words &amp;quot;I am kind&amp;quot;&#34; class=&#34;wp-image-10895&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Taylor McFerrin, &lt;a href=&#34;https://open.spotify.com/album/7s5HYHvCsWsbLFsr3smBiQ&#34;&gt;Early Riser&lt;/a&gt;. Jazz/soul/electronic. I like all all the layering in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2Ww4Qo7J5PeGWL08nqNRHO&#34;&gt;Postpartum&lt;/a&gt;&amp;quot;, and I think that&#39;s also what I respond to in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7HfsXxbW3WPlpmNqJpDKLm&#34;&gt;Already There&lt;/a&gt;&amp;quot; – something to latch onto no matter where you put your ear.&lt;/p&gt;
&lt;p&gt;Daoud&#39;s &lt;a href=&#34;https://open.spotify.com/album/0M5GdlA2JQgZEuVeiHSnEm&#34;&gt;soda&lt;/a&gt; single. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0xGzdfjpIyByPzi6brcHgs&#34;&gt;plato&#39;s twins&lt;/a&gt;&amp;quot; has been on repeat, with a restlessness that reminds me of &lt;a href=&#34;https://open.spotify.com/album/0mf2hphtGvSxnOit7Uy2aB&#34;&gt;Harmony of Difference&lt;/a&gt;-era Kamasi Washington. The full &lt;a href=&#34;https://open.spotify.com/album/3jPF3K9Uar57XfdHZiToKa&#34;&gt;GOOD BOY&lt;/a&gt; album was merely good.&lt;/p&gt;
&lt;p&gt;Muslimgauze, &lt;a href=&#34;https://open.spotify.com/album/29bOGp13fkBUxu20SuiZ66&#34;&gt;Single #One&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/You_Hurt_My_Feelings_(2023_film)&#34;&gt;You Hurt My Feelings&lt;/a&gt;. Such good heart in this one. Love how it portrays how we all seek and need validation outside ourselves (even though we might know better?), and the payoff that can come from trusting, again and again.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Hunger_Games_(film)&#34;&gt;The Hunger Games&lt;/a&gt;. The shakiest camera you&#39;ve ever seen. (&lt;a href=&#34;https://mlarson.org/2012/04/02/the-hunger-games-well-its-got-plenty-of-flaws/&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Wallace_%26_Gromit:_Vengeance_Most_Fowl&#34;&gt;Wallace &amp;amp; Gromit: Vengeance Most Fowl&lt;/a&gt;. Charming as usual. I always wish these were paced just a hair faster.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Transporter_2&#34;&gt;Transporter 2&lt;/a&gt;. Cross an Audi commercial with &lt;em&gt;CSI: Miami&lt;/em&gt; b-roll, mix in some Jackie Chan-tics, you got yourself a stew.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Skyfall&#34;&gt;Skyfall&lt;/a&gt;. So dreary. I give up! I don&#39;t like James Bond! (&lt;a href=&#34;https://mlarson.org/2014/02/23/skyfall-uhhh-i-fell-asleep-theres-some-good/&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/07/school-window-do-good-things.jpg?w=1024&#34; alt=&#34;a ground-level window in a brick school building painted with violet flowers, a rainbow, and the words &amp;quot;I can do good things&amp;quot;&#34; class=&#34;wp-image-10896&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e22 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Elegy_(The_X-Files)&#34;&gt;Elegy&lt;/a&gt;&amp;quot;. The events/mystery side of this is a mess, but appreciated some nuance in the Scully/Mulder relationship.&lt;/p&gt;
&lt;p&gt;Couples Therapy, s4e13–18.&lt;/p&gt;
&lt;p&gt;Department Q, s1e9. I don&#39;t like watching someone get tortured for a full season, but hard not to like a grumpy, swaggering detective.&lt;/p&gt;
&lt;p&gt;CSI: Miami, s8e19. Young Alan Ritchson!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 26</title>
    <link href="https://mlarson.org/2025/06/29/2025-week-26/"/>
    <updated>2025-06-29T13:53:16.000Z</updated>
    <id>https://mlarson.org/2025/06/29/2025-week-26/</id>
    <content type="html">&lt;p&gt;I&#39;m just hunkering down and avoiding the heat as much as I can.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/yellow-sunflower.jpg?w=1024&#34; alt=&#34;a sunflower with large yellow petals emerges high above the green leaves of other plants&#34; class=&#34;wp-image-10885&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.rijksmuseum.nl/en/collection/object/Vogel-op-een-tak-voor-een-skyline--211f65f295c40c6b2ba908e4d64fe76d&#34;&gt;Bird on a branch in front of a skyline&lt;/a&gt;, illustration by Leo Gestel. &lt;a href=&#34;https://www.clevelandart.org/art/1987.50&#34;&gt;Illustration (Typhoon)&lt;/a&gt;, woodcut by Edward Alexander Wadsworth. Mithila/Madhubani school illustration of &lt;a href=&#34;https://www.clevelandart.org/art/2005.77&#34;&gt;Three Figures: woman with two children playing ball&lt;/a&gt;. &lt;a href=&#34;https://www.clevelandart.org/art/2020.109&#34;&gt;Drying the Linen, or Moonrise at the Priory&lt;/a&gt;, oil on canvas by Maurice Denis.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Winter%27s_Heart&#34;&gt;Winter&#39;s Heart.&lt;/a&gt; I guess we&#39;re doing this!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.raptitude.com/2025/06/how-to-surf-the-web-in-2025-and-why-you-should/&#34;&gt;How to Surf the Web in 2025, and Why You Should&lt;/a&gt;. &amp;quot;To surf, you must begin on a normal website with outbound links, and avoid all the algorithm-driven thoroughfares (Reddit, YouTube, X, any &#39;apps&#39;) that direct most of today’s internet traffic. You also have to be on a real computer, not a phone. If you end up on social media, you’re no longer surfing.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://basicappleguy.com/basicappleblog/macos-icon-history&#34;&gt;macOS Icon History&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2025/06/21/books/review/book-cover-trends.html?unlocked_article_code=1.Rk8.nivK.NQjQJCoYo0ZH&#34;&gt;The trend in book covers with bright type over a painting&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/cremieuxrecueil/status/1935844135044342203&#34;&gt;Which book genres are men or women more likely to leave reviews for&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ny.eater.com/dining-out-in-ny/399730/nyc-bakeries-that-sell-one-pastry-lisbonata-im-donut-sunday-morning-minuto-bauli&#34;&gt;NYC bakeries that sell one thing&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.bbc.com/future/article/20250625-can-ai-speak-the-language-japan-tried-to-kill&#34;&gt;Can AI speak the language Japan tried to kill&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2025/06/25/magazine/ai-commercials-ads-loneliness.html&#34;&gt;Why Does Every Commercial for A.I. Think You’re a Moron?&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/magazine/2025/06/30/heir-ball-how-the-cost-of-youth-sports-is-changing-the-nba&#34;&gt;Heir Ball: How the Cost of Youth Sports Is Changing the N.B.A.&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/ships-at-sea-form-bush-terminal.jpg?w=1024&#34; alt=&#34;long distant cargo ships skim the edge between a grey sky and  a grey sea&#34; class=&#34;wp-image-10886&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
The Knife, &lt;a href=&#34;https://open.spotify.com/album/6m72kJyJVcfRg9WFiXVT6Q&#34;&gt;Tomorrow, In a Year&lt;/a&gt;. Reminded me of mid-19th-century opera.&lt;/p&gt;
&lt;p&gt;Bronski Beat, &lt;a href=&#34;https://open.spotify.com/album/6OMYQUITdN6wBaWfEtgooI&#34;&gt;The Age of Consent&lt;/a&gt;. I like the slinky, bluesy city feel in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1v3suXchzST4yPBS0tBjb9&#34;&gt;Love and Money&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Billy Idol, &lt;a href=&#34;https://open.spotify.com/album/2FZNWUmgRoP8uJZBaHJdfj&#34;&gt;Rebel Yell&lt;/a&gt;. So good! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4TIJ7zSBNejpoIPaWpWRKc&#34;&gt;Rebel Yell&lt;/a&gt;&amp;quot; is eternal. Ditto for &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0pUVeEgZuNyFzIMKp67RbS&#34;&gt;Eyes Without a Face&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Mark Pritchard, Thom Yorke, &lt;a href=&#34;https://open.spotify.com/album/6KIRln7GBcc3eO22UDy8T2&#34;&gt;Tall Tales&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/36MzQtHbBHdefK2que90MO&#34;&gt;Back in the Game&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4WnsGUynB9D65tenA7U5gI&#34;&gt;The Spirit&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Avengers:_Endgame&#34;&gt;Avengers: Endgame&lt;/a&gt;. Too many speeches, and the number of storylines to touch on kills the momentum, and its too timid to land the sentimental Americana register it dabbles in here and there… but still a good conclusion to this arc. (Maybe I just prefer the gloom of Infinity War?)&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/smiling-face-graffiti.jpg?w=835&#34; alt=&#34;a cartoonish image of a black youth with a big gleaming spile is spray-painted on ridge metal siding&#34; class=&#34;wp-image-10887&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e21 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Zero_Sum_(The_X-Files)&#34;&gt;Zero Sum&lt;/a&gt;&amp;quot;. &amp;quot;A man digs a hole, he risks falling into it.&amp;quot; See &lt;a href=&#34;https://biblehub.com/proverbs/26-27.htm&#34;&gt;Proverbs 26:27&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Couples Therapy, s4e7–12.&lt;/p&gt;
&lt;p&gt;Our Great National Parks, s1e2.&lt;/p&gt;
&lt;p&gt;Dept. Q, s1e7.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 25</title>
    <link href="https://mlarson.org/2025/06/22/2025-week-25/"/>
    <updated>2025-06-22T18:00:59.000Z</updated>
    <id>https://mlarson.org/2025/06/22/2025-week-25/</id>
    <content type="html">&lt;p&gt;I got a photo from family recently. My grandpa was a lifelong craftsman, mechanic, carpenter. On the day he died, three tools had been left out on the table saw in the barn. A combo square to plan and check; a notched wooden guide to steer boards safely over the blade; a screwdriver for the hundred little tasks that screwdrivers are useful for. Measure, plan, push forward, adjust.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/grandpas-tools.jpg?w=1024&#34; alt=&#34;three tools on a workshop table: a metal combo square, a notched wooden handle guide, and a screwdriver&#34; class=&#34;wp-image-10871&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Exhibition coming soon to the High Museum: &lt;a href=&#34;https://high.org/exhibition/faith-ringgold-seeing-children/&#34;&gt;Faith Ringgold: Seeing Children&lt;/a&gt;. See you in ATL!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/118734/man-of-the-night&#34;&gt;Man of the Night&lt;/a&gt;, statue in bronze by Germaine Richier. &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Tilled_Field&#34;&gt;The Tilled Field&lt;/a&gt;, oil on canvas by Joan Miró.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Story_of_King_Arthur_and_His_Knights&#34;&gt;The Story of King Arthur and His Knights&lt;/a&gt;. Maybe it&#39;s because I&#39;m too familiar with them, but surprised by how… dry? factual? the stories were. Like reading very straightforward reporting. Not bad, though. Just not as dramatic as you&#39;d think in this telling.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/It_(novel)&#34;&gt;It&lt;/a&gt;. DNF. I&#39;ve never read Stephen King before! I think I should look to his other, shorter works.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Between_Two_Fires_(novel)&#34;&gt;Between Two Fires&lt;/a&gt;. Historical Christian horror? Interesting! Getting a better sense of the time period (Black Death-era France), how desperate and destructive and confusing it must have been.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I&#39;m acclimating to summer weather. This weekend I continued my irregular series of running to the end of various subway lines, with a journey east through Forest Park to the &lt;a href=&#34;https://en.wikipedia.org/wiki/Jamaica%E2%80%93179th_Street_station&#34;&gt;Jamaica–179th Street&lt;/a&gt; end of the F line. There&#39;s something interesting on the other side of every intersection.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/bench-in-forest-park.jpg?w=786&#34; alt=&#34;a brown wooden bench is brightly lit by a ray of light passing through a a dark forested background&#34; class=&#34;wp-image-10873&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://dazychains.ca/captcha&#34;&gt;Captchas in textiles&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Your time and energy are the key bottlenecks in your life, and thus &lt;a href=&#34;https://ckarchive.com/b/qdu8h7h468d2quzwnnmw7u870qkkkb4h4kglp&#34;&gt;choices are always being made&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thediff.co/archive/what-happened-to-working-your-way-up-from-the-mailroom/&#34;&gt;What Happened to Working Your Way Up from the Mailroom&lt;/a&gt;? &amp;quot;The measure of how efficiently talent is allocated in a society is how young you are when your dreams are crushed.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;We learned this about platforms a long time ago: following the old newspaper schematic, &lt;a href=&#34;https://www.robinsloan.com/lab/platform-reality/&#34;&gt;they aren’t the printing presses, but rather the assignment editors&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&#39;What about x, y, z? They’re really pushing the boundaries of fiction as a medium.&#39; I don’t want to be mean, &lt;a href=&#34;https://oyyy.substack.com/p/the-cultural-decline-of-literary&#34;&gt;but I doubt it&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/is-embracing-ai-intellectual-or-anti&#34;&gt;Is embracing AI intellectual or anti-intellectual?&lt;/a&gt; and &lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/you-say-silo-as-if-it-were-a-bad&#34;&gt;the value of academic silos&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Invite knowledge through randomness with &lt;a href=&#34;https://www.monkeon.co.uk/wikiradio&#34;&gt;WikiRadio&lt;/a&gt; and &lt;a href=&#34;https://wikitok.vercel.app&#34;&gt;WikiTok&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The basic fact is that &lt;a href=&#34;https://www.slowboring.com/p/why-im-obsessed-with-winning-the&#34;&gt;you cannot defend democracy if you cannot meaningfully contest a wider range of Senate seats&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/foggy-grocery-window-orchid.jpg?w=1024&#34; alt=&#34;a storefront&#39;s large windows are fogged, but an orchid can be seen inside, seeking the morning sunlight&#34; class=&#34;wp-image-10874&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Two more from The Knife this week:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/58VeC1LO2OjyHXsjtI306m&#34;&gt;Deep Cuts&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2eC1Aebgdon6vOGAC4QO5T&#34;&gt;You Make Me Like Charity&lt;/a&gt;&amp;quot; and videogame melancholy of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6JVOCNbIzjMT6yiK89gE2T&#34;&gt;Behind the Bushes&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1UdCT7t0rfNPu5Bn957U8r&#34;&gt;Silent Shout&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2i9eB71UxhOzy9tDjHoQ0f&#34;&gt;Silent Shout&lt;/a&gt;&amp;quot; feels like it has a lot of early synthwave Kavinsky-type sounds percolating in there. Not a complaint. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/46bc0GYrNHXO84T0t016qM&#34;&gt;Like a Pen&lt;/a&gt;&amp;quot; is great, too.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Avengers:_Infinity_War&#34;&gt;Avengers: Infinity War&lt;/a&gt;. Captain America&#39;s phone has an Atlanta area code! The deaths of Vision and Spider-Man hit hard. Respect for movies willing to end on a sour note. Well done.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Gosford_Park&#34;&gt;Gosford Park&lt;/a&gt;. I&#39;ll just echo &lt;a href=&#34;https://mlarson.org/2024/11/24/2024-week-47/&#34;&gt;everything I wrote about my first viewing&lt;/a&gt;. Still one of &lt;a href=&#34;https://mlarson.org/2025/02/16/my-favorite-movies-in-2024/&#34;&gt;my favorites seen in 2024&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Couples Therapy, s4e1–6. What an addictive show! And so rare for me to feel emotional about any reality TV. So much hurt that goes so deep.&lt;/p&gt;
&lt;p&gt;The X-Files, s4e20 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Small_Potatoes_(The_X-Files)&#34;&gt;Small Potatoes&lt;/a&gt;&amp;quot;. Another good silly one.&lt;/p&gt;
&lt;p&gt;Dept. Q, s1e4–5.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Weeks 23 &amp;amp; 24</title>
    <link href="https://mlarson.org/2025/06/14/2025-weeks-23-24/"/>
    <updated>2025-06-14T17:11:32.000Z</updated>
    <id>https://mlarson.org/2025/06/14/2025-weeks-23-24/</id>
    <content type="html">&lt;p&gt;I remember getting really grumpy that first Sunday in June. Lots of waiting, and random empty timeslots to fill. Nothing clicking. This last Sunday, stark contrast: up at 530am, out the door before 6am, and a morning of trailrunning ahead of me. Always the balance of planning enough that I don&#39;t feel lost, but not so much that I feel hemmed in. Self-management is hard!&lt;/p&gt;
&lt;hr&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/bam-operat-house-red-curtains.jpg?w=786&#34; alt=&#34;a view from the balcony of an ornate opera house, looking down toward the audience taking their seats in front of the main stage, closed off by tall red curtains&#34; class=&#34;wp-image-10858&#34;&gt;&lt;/figure&gt;
&lt;p&gt;Last Friday evening we went to see the &lt;a href=&#34;https://www.bam.org/ailey&#34;&gt;Alvin Ailey American Dance Theater at BAM&lt;/a&gt;. &lt;em&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=5eoULA4TXm8&#34;&gt;Treading&lt;/a&gt;&lt;/em&gt; was an excellent duet (Steve Reich soundtrack!), but I looooooved &lt;em&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=UCsv5QlFo2Q&amp;amp;t=34m44s&#34;&gt;Grace&lt;/a&gt;&lt;/em&gt;. It opens with a delicate solo that had this edgy restlessness lying underneath, then turns into a huge ensemble piece switching between gospel, house, afrobeat soundtracks. High energy, super cool, great costuming, too.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I got a new laptop and it&#39;s great and perfect and… underwhelming. I no longer feel the quiet fury and resignation and impatience I&#39;d feel watching the old one slowly grind through clicks and keystrokes. But in the end, just another screen and keyboard?&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Some friends visited the city earlier this week, their kids in tow, and enjoyed the brief window into the kookiness and chaos that is the young mind. The one who barely looked at me when introducing myself soon latched on, eating up every morsel of attention. The distinct personalities with just a handful of years. The way brothers alternately admire and despise each other in 5-minute cycles. What a ride.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://hyperallergic.com/880046/sam-dienst-weaves-the-everyday-into-rich-tapestries/&#34;&gt;Tapestries&lt;/a&gt; by Sam Dienst. &lt;a href=&#34;https://en.wikipedia.org/wiki/Sengai&#34;&gt;Meditating Frog&lt;/a&gt; by Sengai Gibon. &lt;a href=&#34;https://www.slam.org/collection/objects/8957/&#34;&gt;Aztec figure carrying corn&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Extinction-Novel-Douglas-Preston-ebook/dp/B0C1X881FK&#34;&gt;Extinction&lt;/a&gt;. Finished, glad I read it, good change of pace. &lt;a href=&#34;https://www.amazon.com/Bullet-Swallower-Elizabeth-Gonzalez-James-ebook/dp/B0C1D17T6F&#34;&gt;The Bullet Swallower&lt;/a&gt; by Elizabeth Gonzalez James, a magical realist western, didn&#39;t click with it, DNF&#39;ed. &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Story_of_King_Arthur_and_His_Knights&#34;&gt;The Story of King Arthur and his Knights&lt;/a&gt; by Howard Pyle, just started.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Most recent highlight was doing some trailrunning up along the Hudson River valley. We took the Metro North train up to Manitou, stepped off onto a quiet country road, ran up into the hills and ridges, eventually descending back to Garrison (where we saw the train coming around the corner and finished with a desperate, exhausted last-minute sprint) to catch the train back home.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/metro-north-manitou.jpg?w=1024&#34; alt=&#34;a narrow paved road cuts through tall grass to a railroad track, where a silver train slowly departs&#34; class=&#34;wp-image-10861&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/canada-hill-ridge.jpg?w=1024&#34; alt=&#34;a broad mountain ridge covered in low grasses, small bushes and scattered narrow trees&#34; class=&#34;wp-image-10860&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;I&#39;m feeling… excited for summer long runs!?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.cantgetmuchhigher.com/p/which-stars-are-being-forgotten-the&#34;&gt;Musical stars we&#39;re forgetting&lt;/a&gt; and &lt;a href=&#34;https://scottsumner.substack.com/p/good-vibrations&#34;&gt;when pop music went supernova&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.themarginalian.org/2012/07/06/italo-calvinos-14-definitions-of-a-classic/&#34;&gt;Italo Calvino’s 14 Criteria for What Makes a Classic&lt;/a&gt;. (&lt;a href=&#34;https://austinkleon.substack.com/p/the-classics-are-weird&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://shagbark.substack.com/p/how-to-live-on-432-a-month-in-america&#34;&gt;How to Live on $432 a Month in America&lt;/a&gt;. &amp;quot;For the right young person — there are many opportunities to stop pointing the finger at the boomer and to become the boomer, if they so choose.&amp;quot; (&lt;a href=&#34;https://www.jdilla.xyz/post/286&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://zacharykai.net/notes/waiting&#34;&gt;Things To Do While Waiting&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://theendsdontjustifythemeans.substack.com/p/why-the-age-of-ai-is-the-age-of-philosophy&#34;&gt;It’s a great time to be a human philosopher&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;[LLMs] devour schlep, and &lt;a href=&#34;https://fly.io/blog/youre-all-nuts/&#34;&gt;clear a path to the important stuff&lt;/a&gt;, where your judgement and values really matter.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://nice.rocks/&#34;&gt;Nice rocks&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Federal law enforcement funds would be &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/06/our-felons-before-foreigners.html&#34;&gt;better spent solving all murders instead of deporting people&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A couple albums from Of the Trees…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7ikmya3wGPGHxKVoCCG3r8&#34;&gt;Harvest&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6KAma26Kpo2Ro79hLzGIuU&#34;&gt;The Tale of the Elegos&lt;/a&gt;. I like this one more, felt more cohesive, more natural flow.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;André 3000, &lt;a href=&#34;https://open.spotify.com/album/3u952Zxzx60qhCoohKSf5k&#34;&gt;7 piano sketches&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Zeena Hawkins, &lt;a href=&#34;https://open.spotify.com/album/65oTe1oBQzDAmlQGo8Cf5S&#34;&gt;Three Harps, Tuning Forks &amp;amp; Electronics&lt;/a&gt;. I feel like this album title is directly marketed to me, specifically. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2b06Ox247o9zTeJYKZixFv&#34;&gt;Tuning Forks&lt;/a&gt;&amp;quot; is great.&lt;/p&gt;
&lt;p&gt;Ghost, &lt;a href=&#34;https://open.spotify.com/album/2PFJKjBqXpYrRcdClhfcnX&#34;&gt;Skeletá&lt;/a&gt;. Theatrical metal, so fun.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/0m6drSxGp5CSwgIn4J8upn&#34;&gt;Brahms: Symphony No. 4&lt;/a&gt; perf. Wiener Philharmoniker cond. Carlos Kleiber.&lt;/p&gt;
&lt;p&gt;Two from Justice, both fun in the moment, but not a ton of staying power for me…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4GGazqHvuKwxBjWLFaJkDL&#34;&gt;Justice&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4wSmqFg31t6LsQWtzYAJob&#34;&gt;Genesis&lt;/a&gt;&amp;quot; is a good start, like a movie overture. Then turns into a good stank-face romp.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6ooBxhsOVedpX4zPTCyL86&#34;&gt;Hypderdrama&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Some quiet piano albums from Elijah Fox…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/328XZpeKN6eXvU9jUMo2p9&#34;&gt;Ambient Works for the Highways of Los Angeles&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2oBlgXY7ZiXkqGzHHEReLO&#34;&gt;City in the Sky&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Steve Reich, &lt;a href=&#34;https://open.spotify.com/album/1w9O7mS9WEp5xlZUpYbDt9&#34;&gt;Music for 18 Musicians&lt;/a&gt;. Heard this again at the Alvin Ailey show and remembered why I love it.&lt;/p&gt;
&lt;p&gt;The Knife, &lt;a href=&#34;https://open.spotify.com/album/62OBIIZmKxHJw7RLwjipqJ&#34;&gt;The Knife&lt;/a&gt;. I like the messy jagged guitar reverb in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2fASubANpOjx3drdVTPJ2m&#34;&gt;I Take Time&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/prospect-park-lake-lilypads.jpg?w=1024&#34; alt=&#34;the surface of a pond is scattered with lilypads. the edge of the pond is surround with trees bearing gentle evening light&#34; class=&#34;wp-image-10863&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
For a good while there I was burned out on superhero movies and Marvel specifically. I&#39;ve been playing catch-up, and enjoying it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Incredible_Hulk_(film)&#34;&gt;The Incredible Hulk (2008)&lt;/a&gt;. I&#39;ve never spent much time with Hulk comics or otherwise. I think I prefer how Ruffalo carries the role, but I love how this one looks, and gave me a new appreciation for the character.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Avengers:_Age_of_Ultron&#34;&gt;Avengers: Age of Ultron&lt;/a&gt;. Probably the best villain in the whole arc?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Spider-Man:_Homecoming&#34;&gt;Spider-Man: Homecoming&lt;/a&gt;. Spider-Man/Peter Parker is at his best when he&#39;s a teen, rather than a bumbling adult. (Or maybe you need to be Christopher Reeve to pull it off the type?)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Thor:_Ragnarok&#34;&gt;Thor: Ragnarok&lt;/a&gt;. It&#39;s fun. I wish more of the movies were this colorful and silly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e18 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Max_(The_X-Files)&#34;&gt;Max&lt;/a&gt;&amp;quot;. &amp;quot;Men with spartan lives, simple in their creature comforts, if only to allow for the complexity of their passions.&amp;quot;&lt;/p&gt;
&lt;p&gt;The X-Files, s4e19 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Synchrony_(The_X-Files)&#34;&gt;Synchrony&lt;/a&gt;&amp;quot;. Surprised it took so long to do time travel. Or am I forgetting other episodes?&lt;/p&gt;
&lt;p&gt;Reacher, s3e8. Each season has gotten worse. Disappointing trend!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 22</title>
    <link href="https://mlarson.org/2025/06/01/2025-week-22/"/>
    <updated>2025-06-01T17:22:03.000Z</updated>
    <id>https://mlarson.org/2025/06/01/2025-week-22/</id>
    <content type="html">&lt;p&gt;I don&#39;t miss Twitter and for the first time in a long time, I gave serious thought to deleting my account. Doesn&#39;t feel the same when I hop on. The magic is gone. Some change in audience and content over the last decade+, sure, but maybe it&#39;s just I have changed? I keep bringing this up (like &lt;a href=&#34;https://mlarson.org/2025/05/04/2025-week-18/&#34;&gt;in week 18&lt;/a&gt;) because I didn&#39;t full expect it to happen. I thought I was just going to take it off my phone, refocus a bit. In the past, while never a heavy poster, I was a diehard at-least-daily reader and generally unabashed fan. It felt like the nerve center for all my interests. Now, it&#39;s a place I find interesting for a few minutes every week or so. Things change.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Highlights from last week include the Liberty vs. Valkyries game (&lt;a href=&#34;https://www.espn.com/wnba/game/_/gameId/401736139/valkyries-liberty&#34;&gt;wiped the floor with them&lt;/a&gt;), and the &lt;a href=&#34;https://powerhousearts.org/event/powerhouse-arts-community-day-2/&#34;&gt;Powerhouse Arts Community Day&lt;/a&gt;, where I learned about &lt;a href=&#34;https://www.bkmag.com/2021/03/17/the-ballad-of-mucky-the-unlucky-gowanus-dolphin/&#34;&gt;Mucky the Dolphin&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.katetarlingtextiles.com/images/&#34;&gt;Almondsbury to Temple Quay&lt;/a&gt;, map in stitched canvas with hand painted silk applique by Kate Tarling. &lt;a href=&#34;https://www.artic.edu/artworks/80062/edtaonisl-ecclesiastic&#34;&gt;Edtaonisl (Ecclesiastic)&lt;/a&gt;, painting by Francis Picabia. &lt;a href=&#34;https://collections.lacma.org/node/191264&#34;&gt;Bōtarō&#39;s Nurse Otsuji Prays to the God of Konpira for His Success&lt;/a&gt;, color woodblock print by Tsukioka Yoshitoshi. A 2nd-century Roman &lt;a href=&#34;https://www.metmuseum.org/art/collection/search/465206&#34;&gt;brooch in the form of a dog attacking a boar&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/powerhouse-art.jpg?w=786&#34; alt=&#34;wall-mounted sculpture made of layers of mirrors in a radiant spiky shapes&#34; class=&#34;wp-image-10847&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Rainbows_End_(Vinge_novel)&#34;&gt;Rainbows End&lt;/a&gt;. Finally done! Appreciate the amnesia revival, wearables, competing augmented realities, asshole protagonist&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Extinction-Novel-Douglas-Preston/dp/0765317702/&#34;&gt;Extinction&lt;/a&gt;, by Douglas Preston. Fun murder mystery with debts to Jurassic Park. There&#39;s a lot of value in &amp;quot;whatever keeps the pages turning&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
After a great stretch last week, this week I barely ran at all. On the bright side, got to fill in some big gaps in my map. I really love learning all these Brooklyn neighborhoods first-hand.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/the-case-for-more-public-youth-art&#34;&gt;The case for more public youth art&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Adjusting for demographics and income, &lt;a href=&#34;https://x.com/StatisticUrban/status/1928837108405239945&#34;&gt;the South is an educational powerhouse&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;In the U.S., &lt;a href=&#34;https://x.com/sam_d_1995/status/1928806160796155943&#34;&gt;more people work for the MTA&lt;/a&gt; than in coal mining.&lt;/p&gt;
&lt;p&gt;Very strange and cool &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/05/why-llms-make-certain-mistakes.html&#34;&gt;to see an LLM talk about how it thinks&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.robinsloan.com/lab/brittle-intelligence/&#34;&gt;What happens when the intelligence goes out&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;Scott Sumner suggests &lt;a href=&#34;https://scottsumner.substack.com/p/overlooked-films&#34;&gt;some overlooked films&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.brightwalldarkroom.com/2025/05/27/the-entitiy-technologies-of-late-tom-cruise-dom/&#34;&gt;The Entity: On the Technologies of Late Cruisedom&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Clint Eastwood: &amp;quot;There are directors who lose their touch at a certain age, &lt;a href=&#34;https://thefilmstage.com/clint-eastwood-intends-to-direct-a-new-feature-theres-no-reason-why-a-man-cant-get-better-with-age/&#34;&gt;but I’m not one of them&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/06/liberty-vs-valkyries.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10848&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A few more form Jon Hopkins. Enjoyable, but none of them latched onto my soul the way my first exposure did &lt;a href=&#34;https://mlarson.org/2025/04/13/2025-week-15/&#34;&gt;back in week 15&lt;/a&gt;.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/011DfCTPYJDAcHt8Tahjei&#34;&gt;RITUAL (nothing is lost)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3d0zuIczxSCxeDaDfTCNEV&#34;&gt;Opalescent&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/77oFsOpnRksjnaaHR99vuY&#34;&gt;Late Night Tales&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0Dg1KwgmtUzeMQonDCUFhQ&#34;&gt;Immunity&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Blackbraid,&amp;quot;&lt;a href=&#34;https://open.spotify.com/album/7wFojWxwuioqkn23TsWa0J&#34;&gt;War Drums at Dawn on the Day of My Death&lt;/a&gt;&amp;quot;. Metal!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/6GDIRqOSYECHsftlIpuiUA&#34;&gt;Elliot Cole: Percussion Music&lt;/a&gt;. Inventive, exploers the full spectrum of possibilities. Enjoyed this more than I expected.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Now_You_See_Me_(film)&#34;&gt;Now You See Me&lt;/a&gt;. Did not enjoy! Wish we spent more time with the magicians instead of the cops. Maybe it all works better on a big screen?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Return_(2024_film)&#34;&gt;The Return&lt;/a&gt;. I like how this film takes the events of &lt;em&gt;The Odyssey&lt;/em&gt; for granted. We see everyone exhausted with this era of their lives, reckoning with what must come next. Ralph Fiennes is shredded! I hope I look as good in my 60s as he and Binoche do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Tempus_Fugit_(The_X-Files)&#34;&gt;The X-Files, s4e17 &amp;quot;Tempus Fugit&amp;quot;.&lt;/a&gt; A hangar and a cliffhanger!&lt;/p&gt;
&lt;p&gt;Reacher, s3e6-7. Ready for it to end.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://stephango.com/nibble&#34;&gt;Nibble, and your appetite will grow&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 21</title>
    <link href="https://mlarson.org/2025/05/25/2025-week-21/"/>
    <updated>2025-05-25T17:30:53.000Z</updated>
    <id>https://mlarson.org/2025/05/25/2025-week-21/</id>
    <content type="html">&lt;p&gt;Feels like work kinda took over this week. Demanding mostly in just raw hours, but not really difficulty. Crawled to the finish (a walk to our favorite pizza place) and had a wild Friday napping on the couch. A good life, all in all.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/trees-lake-sunset.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10842&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.brooklynmuseum.org/objects/116613&#34;&gt;Harlem Street Scene&lt;/a&gt;, screenprint by Jacob Lawrence. &lt;a href=&#34;https://www.artic.edu/artworks/117700/on-the-bank&#34;&gt;On the Bank&lt;/a&gt;, oil on canvas by Frederick Carl Frieseke. &lt;a href=&#34;https://www.guggenheim.org/artwork/4048&#34;&gt;White Moving Forms on Black Background (TNT)&lt;/a&gt;, sculpture in painted metal and wood by Jean Tinguely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Rainbows_End_(Vinge_novel)&#34;&gt;Rainbows End&lt;/a&gt;. A bit more than halfway through, hoping I can pick up steam and move on to others. &lt;a href=&#34;https:x//en.wikipedia.org/wiki/Winter%27s_Heart&#34;&gt;Winter&#39;s Heart&lt;/a&gt;. &lt;a href=&#34;https://craigmod.com/books/other_thing/&#34;&gt;Other Thing&lt;/a&gt; by Craig Mod.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Good mix this week: weekday evening trail runs, morning runs before work, and exploring some new streetsin Dumbo and Gowanus on my long run.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;Let’s &lt;a href=&#34;https://www.thecut.com/article/nyc-west-village-neighborhood-new-generation-women-girls.html&#34;&gt;let them be young and have fun&lt;/a&gt;, even if we cringe at it.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://kyla.substack.com/p/the-most-valuable-commodity-in-the&#34;&gt;The Most Valuable Commodity in the World is Friction&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://courtney.substack.com/p/a-family-that-makes-art-together&#34;&gt;A family that makes art together…&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;Kids won’t flatter your ego. &lt;a href=&#34;https://sarahendren.substack.com/p/now-it-springs-up&#34;&gt;If it’s not fun, you’ll know&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/gowanus-old-car.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10843&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A few more with Sō Percussion and…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Bryce Dessner, &lt;a href=&#34;https://open.spotify.com/album/3whwNoxqt0SRrhgWnt59j4&#34;&gt;Music for Wood and Strings&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Steven Mackey, &lt;a href=&#34;https://open.spotify.com/album/2QhlhxzIlIqt2ashC192JS&#34;&gt;It Is Time&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;BLAAP, Of the Trees, Freddy Todd, &lt;a href=&#34;https://open.spotify.com/album/4VTIINz5emSWsiiu2YtJvU&#34;&gt;Volcanology&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4E9OISmBAHNQhE5lxp6wnb&#34;&gt;LIFE CONTROL&lt;/a&gt;&amp;quot;, puts a little snarl on my face.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/In_the_Cut_(film)&#34;&gt;In the Cut&lt;/a&gt;. A sick romance and murder mystery all wrapped up. I didn&#39;t love it but I feel like it&#39;s so fresh and disorientingly different I eventually will.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/X_(2022_film)&#34;&gt;X&lt;/a&gt;. Horror on the farm. Interesting commentary on ageism.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Trap_(2024_film)&#34;&gt;Trap&lt;/a&gt;. Good to see Hartnett explore so many moods and facets. Falls flat in the last 10-20 minutes or so, but plenty of fun beforehand.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Mission:_Impossible_%E2%80%93_The_Final_Reckoning&#34;&gt;Mission: Impossible – The Final Reckoning&lt;/a&gt;. A little flabby and dour. It&#39;s lost the spark of silliness that makes the franchise great. But the biggest setpieces were as good as you&#39;ll find.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Reacher, s3e5. Teresa!&lt;/p&gt;
&lt;p&gt;Bosch, s1e6.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/manhattan-bridge-cobble-street.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10840&#34;&gt;&lt;/figure&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Weeks 19 &amp;amp; 20</title>
    <link href="https://mlarson.org/2025/05/18/2025-weeks-19-20/"/>
    <updated>2025-05-18T17:29:04.000Z</updated>
    <id>https://mlarson.org/2025/05/18/2025-weeks-19-20/</id>
    <content type="html">&lt;p&gt;One of those periods where life runs away with me and other things fall away. A busier period than usual. In the middle of the worst of it, I felt oversaturated and exhausted. After the fact, not too bad? There&#39;s a lesson in there.&lt;/p&gt;
&lt;p&gt;All started on Sunday night a couple weeks ago, random dinner out at a new place… before leaving the next morning for a three-day work retreat the next morning. (One big adjustment: my wife travels for work much more often than I do, so it felt weird to be the one leaving her behind.)&lt;/p&gt;
&lt;p&gt;Our company went up to &lt;a href=&#34;https://massmoca.org/&#34;&gt;MASS MoCA&lt;/a&gt;, and took over the museum. What a treat to have a place like that to ourselves. One morning, after a 5am wake-up, I got to have &lt;a href=&#34;https://massmoca.org/event/james-turrell/&#34;&gt;a James Turrell piece&lt;/a&gt; all to myself for a while. The &lt;a href=&#34;https://massmoca.org/sol-lewitt/&#34;&gt;huge Sol Lewitt collection&lt;/a&gt; was probably my fave, though.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/mass-moca-james-turrell.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10819&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/north-adams-parking-lot.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10818&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;hr&gt;
&lt;p&gt;Came back to reality and been playing catch-up since then. But I lucked into a concert on Friday with &lt;a href=&#34;https://www.bam.org/sopercussion&#34;&gt;Caroline Shaw and Sō Percussion at BAM&lt;/a&gt;. Really awesome performance. Loved how they played with lamps, and used the instrument blankets to build out the set as the show went on.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Last Saturday and Sunday, I took a two-day workshop about weaving at the &lt;a href=&#34;https://textileartscenter.com/&#34;&gt;Textile Arts Center&lt;/a&gt;. I know how to use a loom now! Started from yarns, measured out the warps, strung it all up, and then played with different patterns.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/tac-measuring-warp.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10825&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/tac-threading-loom.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10823&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/tac-steel-shelving-pots.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10824&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/tac-textile-arts-center-windows.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10826&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/tac-weft-shuttle.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10822&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/tac-weaving-patterns.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10827&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;Mission accomplished for me: I have a much, much deeper appreciation for the history of the tradition, and the incredible labor and thoughtfulness that goes into this craft. And I&#39;m really happy with how my little sampler turned out:&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/tac-weaving-sampler-finished.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10828&#34;&gt;&lt;/figure&gt;
&lt;p&gt;Maybe it will &lt;a href=&#34;https://www.jdilla.xyz/post/283&#34;&gt;move from casual exploration to a classic hobby&lt;/a&gt;?&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I continue to be Twitter-less or Twitter-lite these days, keeping it desktop-only. Yesterday I put it back on my phone, stayed up too late scrolling for nothing in particular… and then woke up and immediately started scrolling for nothing in particular lol. It&#39;s amazing to watch the casino addiction re-form so quickly – deleted again!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Rainbows_End_(Vinge_novel)&#34;&gt;Rainbows End&lt;/a&gt;. Library loan expired. Guess I gotta buy it now.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Winter%27s_Heart&#34;&gt;Winter&#39;s Heart&lt;/a&gt;, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/designing-for-constraints-in-education&#34;&gt;Designing for constraints in education&lt;/a&gt;. &amp;quot;We have to design for the standard days not the ideal ones.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thefp.com/p/mississippi-cant-possibly-have-good&#34;&gt;Mississippi Schools Are Better Than Yours&lt;/a&gt;. &amp;quot;Painting the Deep South as an embarrassing cultural backwater is one of the last socially acceptable forms of prejudice among elites.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://austinkleon.substack.com/p/3-thoughts-while-pushing-a-wheelbarrow&#34;&gt;3 thoughts while pushing a wheelbarrow&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;If the United States had matched the rate of improvement in road safety since the 1970s seen in, for example, the Netherlands, Sweden, or Spain, &lt;a href=&#34;https://asteriskmag.com/issues/10/traffic-fatalities-are-a-choice&#34;&gt;it would have prevented 2 out of every 3 road deaths&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://thesephist.com/posts/radio-city/&#34;&gt;Appreciating the architecture and optimism of Radio City&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Inspired by the concert, dived back into Shaw/Sō again, all strongly recommended…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4QzCSAQJja5kjsGkq7zIlm&#34;&gt;Let the Soil Play Its Simple Part&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4LHSzEQPF6Iw20BGppFk31&#34;&gt;Partita for 8 Voices&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Ringdown, &lt;a href=&#34;https://open.spotify.com/album/2WDGUMVZPZtS45JlqaPhpF&#34;&gt;Lady on the Bike&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/3YD07zl8NxAD8wpfOb6H5o&#34;&gt;Ghost&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6GKW3PxZcEX3R7XFXVV68o&#34;&gt;Fleishman Is in Trouble OST&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0q2gmyn0ciuIOBZswgvFUO&#34;&gt;Glenn Kotche: Drumkit Quartets&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Also played:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Žibuoklė Martinaitytė, &lt;a href=&#34;https://open.spotify.com/album/5jcek2nsPtztmyqj7o6x6k&#34;&gt;Ex Tenebris Lux&lt;/a&gt;. String orchestra texture and swells.&lt;/li&gt;
&lt;li&gt;Francisco Mora Catlett, &lt;a href=&#34;https://open.spotify.com/album/4xRFuWWVlmQCyqK4VnPrPv&#34;&gt;Outerzone&lt;/a&gt;. Free-spirited jazz and noise.&lt;/li&gt;
&lt;li&gt;Howie Lee, &lt;a href=&#34;https://open.spotify.com/album/03HoMitulYDV4CiWO6aJJJ&#34;&gt;Event, Fact, and Those which are emphasized&lt;/a&gt;. Glitchy electronic patches and samples and explorations.&lt;/li&gt;
&lt;li&gt;Harald Grosskopf, &lt;a href=&#34;https://open.spotify.com/album/5CrGQOQ2h1mchfGt4T8Qwd&#34;&gt;Synthesist&lt;/a&gt;. German electro!&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1Ow8exCwrgZjMEyKo53sKV&#34;&gt;Songs from the Kitchen Disco: Sophie Ellis-Bextor&#39;s Greatest Hits&lt;/a&gt;. Listened to this after hearing &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6PfQLYhSMr3ryxbloW53G9&#34;&gt;Groovejet (If This Ain&#39;t Love)&lt;/a&gt;&amp;quot; on the dancefloor.&lt;/li&gt;
&lt;li&gt;Leyla McCalla, &lt;a href=&#34;https://open.spotify.com/album/4J4u8xcpz1WTAJRcgenpBa&#34;&gt;A day for the hunter, a day for the prey&lt;/a&gt;. Haitian-inflected folk.&lt;/li&gt;
&lt;li&gt;Bela Fleck, Zakir Hussain, Edgar Meyer, &lt;a href=&#34;https://open.spotify.com/album/7jmkZtSMKfMocej6NLipyq&#34;&gt;The Melody of Rhythm&lt;/a&gt;. It&#39;s an interesting mash-up from insanely talented people, but I don&#39;t think it&#39;s a successful one?&lt;/li&gt;
&lt;/ul&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/dry-dock-boats.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10830&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/State_of_Play_(film)&#34;&gt;State of Play&lt;/a&gt;. Fun re-watch. Journalism can be really compelling – underdogs, persistence, troublemaking.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Practical_Magic&#34;&gt;Practical Magic&lt;/a&gt;. Totally charming! Really enjoyed it, and appreciated how many odd little turns it took, and tension drawn out from people who aren&#39;t sure why they&#39;re behaving the way they are. And briefly, one of the best road trip scenes you&#39;ll ever see.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Order_(2024_film)&#34;&gt;The Order&lt;/a&gt;. Really like this one, too. A crime drama that&#39;s not quite gritty or grim, just... worn down? (And maybe I need a mustache again...)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Mission:_Impossible_%E2%80%93_Dead_Reckoning_Part_One&#34;&gt;Mission: Impossible – Dead Reckoning Part One&lt;/a&gt;. Desert sandstorm shootout is really cool, the chase scene with the little yellow car is still perfect, and so is the fight in the narrow alley. Warming up for the grand finale.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e16 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Unrequited_(The_X-Files)&#34;&gt;Unrequited&lt;/a&gt;&amp;quot;. Vietnam vets again!&lt;/p&gt;
&lt;p&gt;Reacher, s3e4. Reacher is too sociopathic. I&#39;ll still finish the season, I think.&lt;/p&gt;
&lt;p&gt;CSI: Miami, s7e18.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 18</title>
    <link href="https://mlarson.org/2025/05/04/2025-week-18/"/>
    <updated>2025-05-04T17:57:03.000Z</updated>
    <id>https://mlarson.org/2025/05/04/2025-week-18/</id>
    <content type="html">&lt;p&gt;I don&#39;t remember when I took Twitter off of my phone. A month ago, a month and change? It&#39;s become more like a weekly treat on a Saturday or Sunday morning on the laptop. I feel like I&#39;m missing out on a ton, but mostly don&#39;t think about it. I feel less distracted, less twitchy, reading more, having fewer &amp;quot;where did the evening go?&amp;quot; moments. It&#39;s a good change.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.slam.org/collection/objects/10181/&#34;&gt;Vessel in the Form of a Circular Pyramid&lt;/a&gt; from Colima, Mexico, c. 300 BCE–300 CE. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/156014&#34;&gt;Blue House (from Food Clothing Shelter portfolio)&lt;/a&gt;, 1996, photogravure on paper by Laurie Simmons. &lt;a href=&#34;https://www.artic.edu/artworks/203277/pueblo-vase&#34;&gt;Pueblo vase in sterling silver&lt;/a&gt;, 1893 by George Paulding Farnham. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/215061&#34;&gt;Brooklyn Summer Friday Night&lt;/a&gt;, 1954, oil on canvas by Diana Korzenik.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Rainbows End, cont.. Favorite part so far is this idea of reviving people afflicted with Alzheimer&#39;s, what they might experience as they return to full understanding of the world.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
A fun week of running – a Sunday long run visit to Marine Park and the salt marsh, another touring through Red Hook this morning. Running with new friends, a sunset run on Tuesday and an impromptu club run before work on Friday. It&#39;s felt pleasantly erratic.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/salt-marsh.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10808&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.vulture.com/article/in-praise-of-revenge-of-the-sith-star-wars-saddest-movie.html&#34;&gt;An appreciation of Revenge of the Sith&lt;/a&gt;. Do we make &amp;quot;downer epics&amp;quot; anymore?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.rogerebert.com/features/robert-daniels-odie-henderson-talk-sinners&#34;&gt;Robert Daniels and Odie Henderson talk about &lt;em&gt;Sinners&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://austinkleon.substack.com/p/your-next-best-friend&#34;&gt;Your next best friend&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/business/2025/04/25/whos-most-likely-change-or-hyphenate-their-name-after-marriage/&#34;&gt;Who’s most likely to change (or hyphenate) their name after marriage&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&amp;quot;The TikTokers documenting themselves wading into the sea, reading by the beach, drinking espresso, and riding Vespas for the sake of #eurocore are &lt;a href=&#34;https://onethingnewsletter.substack.com/p/european-summer-redux&#34;&gt;live-action role-playing Europeanness&lt;/a&gt;, in Europe. Which is, of course, what tourists have been doing for centuries.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;People like to psych themselves up by talking about how there’s no point in winning elections if we’re not going to stand up for our core values, but the converse is equally if not more true — &lt;a href=&#34;https://www.slowboring.com/p/whats-the-plan-to-win-the-senate&#34;&gt;there’s no point in articulating a policy agenda that stands no chance of being enacted&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.fastcompany.com/91324550/kerning-on-pope-francis-tomb-is-a-travesty&#34;&gt;Lamenting the kerning on Pope Francis&#39; tomb&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/05/warehouse-tree.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10810&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Various, &lt;a href=&#34;https://open.spotify.com/album/0zjAqh1Fr7XQWy1SlzGhMn&#34;&gt;Sinners OST&lt;/a&gt;. Ginz Zilbalodis and Rihards Zalupe, &lt;a href=&#34;https://open.spotify.com/album/7q9YwO9ldgxUXi1H9M9cuY&#34;&gt;Flow OST&lt;/a&gt;. Harald Grosskopf, Ümit Han, &lt;a href=&#34;https://open.spotify.com/album/6KRti3zNxFJDfAZl9B3ZEx&#34;&gt;Magnetfeld&lt;/a&gt;. Darkside, &lt;a href=&#34;https://open.spotify.com/album/3wKQNK7DBQI23DLLEr0XSe&#34;&gt;Nothing&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
Gone Girl. Fourth viewing (&lt;a href=&#34;https://mlarson.org/tag/gonegirl/&#34;&gt;my notes on the previous three&lt;/a&gt;). It has such a mesmerizing pace. The media angle really struck me this time, the need to play to the cameras.&lt;/p&gt;
&lt;p&gt;Ex Machina. Third viewing (&lt;a href=&#34;https://mlarson.org/tag/exmachina/&#34;&gt;the first two&lt;/a&gt;). Felt a little impatient this time, but I think I appreciate each of the individual performances more. Nuanced work.&lt;/p&gt;
&lt;p&gt;Along with &lt;a href=&#34;https://mlarson.org/2025/04/27/2025-week-17/&#34;&gt;&lt;em&gt;The Social Network&lt;/em&gt; last week&lt;/a&gt;, these made for a fun accidental trilogy on tech/media/misogyny.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e15 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Kaddish_(The_X-Files)&#34;&gt;Kaddish&lt;/a&gt;&amp;quot;. Golem!&lt;/p&gt;
&lt;p&gt;Reacher, s3e1–2. When I say this I mean it literally: I don&#39;t know what&#39;s going on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 17</title>
    <link href="https://mlarson.org/2025/04/27/2025-week-17/"/>
    <updated>2025-04-27T17:21:35.000Z</updated>
    <id>https://mlarson.org/2025/04/27/2025-week-17/</id>
    <content type="html">&lt;p&gt;Felt like a bit of auto-pilot this week, activities on most evenings and packed days in between.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Bright-Young-Women-Jessica-Knoll/dp/1501153226&#34;&gt;Bright Young Women&lt;/a&gt; by Jessical Knoll. A little disappointed in the end, as it veered away from what I was most interested in, but it kept me turning pages, and that&#39;s victory enough.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Rainbows-End-Novel-Foot-Future/dp/0312856849&#34;&gt;Rainbows End: A Novel With One Foot In The Future&lt;/a&gt; by Vernor Vinge. Just begun – lively!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
A return to a higher-mileage week after winter dormancy. Also ran with a group from the office, which was novel. (Running in Manhattan at 6pm is really annoying!)&lt;/p&gt;
&lt;p&gt;Explored a new park this morning, a rare bit of quiet.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/orange-roadwork.jpg?w=786&#34; alt=&#34;men wearing orange shirts and constructions vests work on a road repair project surrounded by orange cones and orange barriers and a sign posted on an orange frame&#34; class=&#34;wp-image-10799&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;what does it seem like everyone else is mysteriously bad at? That’s probably &lt;a href=&#34;https://www.benkuhn.net/impact/&#34;&gt;a sign that you have good taste there&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;I feel for the owners, but I like &lt;a href=&#34;https://www.nytimes.com/2025/04/23/us/woodpecker-breaking-car-mirrors.html&#34;&gt;the vandalizing woodpecker&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/atlanticesque/status/1914094546104856831/photo/1&#34;&gt;Overhead view of Manhattan looking south, 1931&lt;/a&gt;. (&lt;a href=&#34;https://www.jdilla.xyz/post/279&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://flyovertakes.substack.com/p/dispatches-from-my-year-of-classical&#34;&gt;Dispatches from my year of classical music&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.lesswrong.com/posts/xYn3CKir4bTMzY5eb/why-have-sentence-lengths-decreased&#34;&gt;Why Have Sentence Lengths Decreased&lt;/a&gt;?&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/mirror-in-construction-walkway.jpg?w=786&#34; alt=&#34;a convex mirror is mounted in the corner between two green walls, and reflects a winding path between them&#34; class=&#34;wp-image-10801&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Paolo Fresu, &lt;a href=&#34;https://open.spotify.com/album/00LaJ4esg55XI1IEWGbOoH&#34;&gt;kind of MILES&lt;/a&gt;. Cool jazz covers.&lt;/p&gt;
&lt;p&gt;Mark Pritchard, Thom Yorke, &lt;a href=&#34;https://open.spotify.com/album/7ub8U3jx4kVYV623RqF5bO&#34;&gt;Gangsters&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/32LknsBFtOiD2LF8dB0FJo&#34;&gt;Back in the Game&lt;/a&gt;&amp;quot; is just about perfect.&lt;/p&gt;
&lt;p&gt;Kuniko, Steve Reich, &lt;a href=&#34;https://open.spotify.com/album/7JPG5qC1iDsDk5W6fPjr9s&#34;&gt;kuniko plays reich&lt;/a&gt;. The steel pans in &lt;a href=&#34;https://open.spotify.com/track/54wY4jvUlthAy6ggydQAVQ&#34;&gt;the first movement of &amp;quot;Electric Counterpoint&amp;quot;&lt;/a&gt; was unexpected and completely perfect.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/4bD8UUx1VGPsWbSAtfEWgX?si=VVd_yPo1QlGEIJXkUk4oaQ&#34;&gt;Mandrill&lt;/a&gt;. I overheard &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/66wVaiPKHWIx2g4oMQ7ic1?si=582435cba0004e37&#34;&gt;Chutney&lt;/a&gt;&amp;quot; playing at my go-to burrito place, and had to know what it was. Blues rock, hippie flute jams, west african drumming, they got the whole stew. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0Gq8OHe4JPClbjWUTEmVLZ?si=f3227b926f104fdc&#34;&gt;Peace and Love (Amani Na Mapenzi) - Movement V (Beginning)&lt;/a&gt;&amp;quot; was another fave.&lt;/p&gt;
&lt;p&gt;Blanc du Blanc, Scientist, &lt;a href=&#34;https://open.spotify.com/album/1Q23M9rjLu8wyDPiahgilZ&#34;&gt;Scientist Meets Blanc du Blanc: Before the Beginning&lt;/a&gt;. Trippy reverby headspace dub. See: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2UScgKcyBWDUiciyliejk0&#34;&gt;Taming Power of the Small: Dance of the Celestial Beings&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/jesus-loves-you-summon-the-demon.jpg?w=786&#34; alt=&#34;a pale boulder with two prominent graffiti writings: &amp;quot;Jesus loves you!&amp;quot; and &amp;quot;summon the demon&amp;quot;&#34; class=&#34;wp-image-10802&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Social_Network&#34;&gt;The Social Network&lt;/a&gt;. Still great. Filed under: &lt;a href=&#34;https://mlarson.org/tag/davidfincher/&#34;&gt;David Fincher&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sinners_(2025_film)&#34;&gt;Sinners&lt;/a&gt;. Overstuffed to its benefit and detriment. A lot to say but I don&#39;t now what it means to say. At its best when leaning into music-video excess and reality-bending. Too many endings!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Flow_(2024_film)&#34;&gt;Flow&lt;/a&gt;. Pleasant and kinda boring. Like watching someone play an open-world video game, but more aimless and cloying. Beautiful, though.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dark_City_(1998_film)&#34;&gt;Dark City&lt;/a&gt;. Second watch, just as good as &lt;a href=&#34;https://mlarson.org/2012/05/28/dark-city-thoroughly-enjoyable-great-sets-and/&#34;&gt;the first&lt;/a&gt;. A weird little masterpiece.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;A Poem&lt;/strong&gt;&lt;br&gt;
&amp;quot;Walk On&amp;quot; by Donna Carnes&lt;/p&gt;
&lt;p&gt;You walk on&lt;br&gt;
Still beside me&lt;br&gt;
Eyes shadowed in dusk;&lt;br&gt;
You’re the&lt;br&gt;
Lingering question&lt;br&gt;
At each day’s end.&lt;br&gt;
I have to laugh&lt;br&gt;
At how&lt;br&gt;
Open-ended you remain&lt;br&gt;
Still with me&lt;br&gt;
After all these years&lt;br&gt;
Of being lost.&lt;br&gt;
I carry you like&lt;br&gt;
My own personal&lt;br&gt;
Time Machine,&lt;br&gt;
As I put on my lipstick, smile,&lt;br&gt;
And head out to&lt;br&gt;
The party.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 16</title>
    <link href="https://mlarson.org/2025/04/20/2025-week-16/"/>
    <updated>2025-04-20T16:35:21.000Z</updated>
    <id>https://mlarson.org/2025/04/20/2025-week-16/</id>
    <content type="html">&lt;p&gt;Did my taxes last week, a capstone on an other wise perfect Sunday: awake early, reading and writing in bed for a bit, morning walk, personal admin, afternoon run, pizza, movie, nap, dinner, reading until bedtime.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I got audited by ChatGPT this week, now that it has ability to remember and consider previous chats. I played with a few questions I&#39;ve seen floating around:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Describe me based on all our chats – play it straight.&lt;/li&gt;
&lt;li&gt;(necessary follow-up when LLM was trying to butter me up:) I don&#39;t see much criticism there. Feels like you&#39;re soft-pedaling a bit…?&lt;/li&gt;
&lt;li&gt;Based on everything I’ve ever asked you, what do you think my biggest blind spots are?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I got the kind of accurate criticism that makes you squirm but where you also quickly &#39;fess up to it – embarrassed laughter, easy recognition of my best and worst.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/white-plastic-hands.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10786&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Yesterday after visiting a new diner, we went to see &lt;a href=&#34;https://whitney.org/exhibitions/amy-sherald&#34;&gt;Amy Sherald: American Sublime at the Whitney&lt;/a&gt;. I&#39;d previously seen her work collected &lt;a href=&#34;https://museum.spelman.edu/exhibitions/amy-sherald-presence-meditations-on-the-spelman-college-collection/&#34;&gt;at Spelman Museum in Atlanta&lt;/a&gt; and a couple years later at &lt;a href=&#34;https://www.hauserwirth.com/hauser-wirth-exhibitions/23821-amy-sherald-the-great-american-fact/&#34;&gt;Hauser &amp;amp; Wirth in LA&lt;/a&gt;. I don&#39;t know many other artists where I&#39;ve been able to revisit the work in person over a few years, and see them refine and iterate and grow during my actual lifetime.&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-4 is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/sherald-purple-dress-yellow-background.jpeg?w=750&#34; alt=&#34;painting by Amy Sherald of a young girl in a patterned purple dress shielding her eyes; the space behind her is bright yellow&#34; class=&#34;wp-image-10782&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/sherald-peach-sweater-photographer.jpeg?w=750&#34; alt=&#34;painting by Amy Sherald of a woman with a peach sweater and teal skirt points a camera and her gaze the viewer; the background behind her is a solid soft natural green&#34; class=&#34;wp-image-10783&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/sherald-denim-boy-slide.jpeg?w=750&#34; alt=&#34;painting by Amy Sherald of a young boy in a denim jacket at the top of a slide with a bright blue sky behind him&#34; class=&#34;wp-image-10785&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/sherald-sailors-kissing.jpeg?w=750&#34; alt=&#34;painting by Amy Sherald of two men in sailor clothing embracing in a kiss; one man cradles the other leaning back to receive the kiss&#34; class=&#34;wp-image-10784&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;hr&gt;
&lt;p&gt;&lt;a href=&#34;https://whitney.org/collection/works/61347&#34;&gt;A Universe of One, 2018&lt;/a&gt;, collage, watercolor, and charcoal on canvas by María Berrío.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I signed up for a two-day weaving workshop at the &lt;a href=&#34;https://textileartscenter.com/&#34;&gt;Textile Arts Center&lt;/a&gt; next month. It&#39;s been a consistent interest for a few years, just as an appreciator of the craft. Can&#39;t wait to get hands-on and learn more. I&#39;ve also been taking more photos lately. I have no method or philosophy that I know of. I just like trying to capture things that might look interesting? And that&#39;s enough for me right now – feels good to be a carefree dabbler.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Bright Young Women. Re-visited, found my way in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Really enjoying my early evening runs before dinnertime. And this morning I had best run-walk ever, wife by my side, cold breeze, warm sun, flowering trees in bloom. Perfect start to the day.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/blurry-flowering-tree.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10788&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
I&#39;ve been off Twitter for a couple weeks now, and generally drew back from online inputs this week. I&#39;m liking this change. I&#39;ll be back later I&#39;m sure.&lt;/p&gt;
&lt;p&gt;&amp;quot;i think &lt;a href=&#34;https://x.com/SchrodingrsBrat/status/1913261666344591410&#34;&gt;creative people ramp up when they lean into their pretentiousness&lt;/a&gt;. creativity is supposed to let you be someone you&#39;re not (but aspire to). admit that beauty moves you, that footnotes excite you, that you think art matters. &#39;I do have taste and i&#39;m not ashamed of it.&#39;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Vega Trails, &lt;a href=&#34;https://open.spotify.com/album/7HLOgO7dhpJ3gQYQnbczKJ&#34;&gt;Sierra Tracks&lt;/a&gt;. Folk/chamber music – double-bass and saxophone and drums and orchestra – that would be perfect for a soundtrack. Probably my favorite of the week. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/434K63nCgwOq27Z6UBnEah&#34;&gt;Murmurations&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Or maybe it was John Carroll Kirby, &lt;a href=&#34;https://open.spotify.com/album/2y6wLCRuqOHjcLLt7THlTQ&#34;&gt;Septet&lt;/a&gt;? Tightly-written jazz with a bit of funk exocita. Dig the bookends, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0ACw843QBnM71SUVk5rOG2&#34;&gt;Rainmaker&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1DZBV2Wp7znIM7lUpn6xPm&#34;&gt;Nucleo&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Abercrombie, Hammer, DeJohnette, &lt;a href=&#34;https://open.spotify.com/album/0nI82CyOhfSVAlElZlAUXW&#34;&gt;Timeless&lt;/a&gt;. A bit more jam-jazz than I typically respond to. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7nMTejSdrPKAE1Z3kn65W4&#34;&gt;Red and Orange&lt;/a&gt;&amp;quot;, though.&lt;/p&gt;
&lt;p&gt;Terje Rypdal, &lt;a href=&#34;https://open.spotify.com/album/6zlfN9issqLVKaYHpkf1Gy&#34;&gt;Chaser&lt;/a&gt;. Is this easy listening? Or a predecessor? &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/74LHEgbeq5ftp0t4VLfELZ&#34;&gt;Once Upon a Time&lt;/a&gt;&amp;quot; typifies the spacy, jazzy, noodly vibe.&lt;/p&gt;
&lt;p&gt;Eberhard Weber, &lt;a href=&#34;https://open.spotify.com/album/0pFOiGn1HGhZiSNnxvKNsV&#34;&gt;Endless Days&lt;/a&gt;. Jazz bass, didn&#39;t stick with me.&lt;/p&gt;
&lt;p&gt;Elliott Carter, &lt;a href=&#34;https://open.spotify.com/album/4in9cDxVF03u0a9xV0nX8P&#34;&gt;Orchestral Songs &amp;amp; Choral Works&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Laura Cannell, &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/4zg88jHhn1H1UQFbet1qgJ&#34;&gt;Wake the Slumbering Lyre&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/brooklyn-skyline-from-park-slope.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10789&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Clock_(1945_film)&#34;&gt;The Clock (1945)&lt;/a&gt;. Charming. Strangers meet in NYC, have some adventures, fall in love. I love the willingness to let linger on their faces. The elation when they found each other at the train station! It will probably make my end-of-year lists.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dawn_of_the_Dead_(2004_film)&#34;&gt;Dawn of the Dead (2004)&lt;/a&gt;. Pretty good! You got your reliable people, you got your flakes, you got your bad decisions, you got your relentless zombies. I don&#39;t need the body horror stuff, but the dread and close calls are dialed-in.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Small_Things_Like_These_(film)&#34;&gt;Small Things Like These&lt;/a&gt;. Gentle, heavy, dark, hopeful. Powerfully acted without being loudly acted.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e14 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Memento_Mori_(The_X-Files)&#34;&gt;Memento Mori&lt;/a&gt;&amp;quot;. Very worried about whatever deal was made with the Cigarette-Smoking Man.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 15</title>
    <link href="https://mlarson.org/2025/04/13/2025-week-15/"/>
    <updated>2025-04-13T14:31:05.000Z</updated>
    <id>https://mlarson.org/2025/04/13/2025-week-15/</id>
    <content type="html">&lt;p&gt;This was an exhausting week at work, and that sort of vacuumed up all the energy I might have put elsewhere. Took on some work in a new area, straight to the deep end, trying to absorb context on the fly. Add in our usual backlog and a critical incident or three, and poof, the workdays fly right by… and continued into the night a few times. It&#39;s nice to know that, when needed, I can just crank out a 12-hour day and come back for another one. People are resilient!&lt;/p&gt;
&lt;p&gt;This week I also had a last-minute hang with a friend in town, one I hadn&#39;t seen in a couple years. A huge and immediate boost. Highlight of the week.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/129884/starry-night-and-the-astronauts&#34;&gt;Starry Night and the Astronauts (1972)&lt;/a&gt;, acrylic on canvas by Alma Thomas.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://germanhistorydocs.org/en/forging-an-empire-bismarckian-germany-1866-1890/christian-ludwig-bokelmann-people-s-bank-shortly-before-the-crash-volksbank-kurz-vor-dem-krach-1877&#34;&gt;The People’s Bank Shortly Before the Crash (1877)&lt;/a&gt;, oil on canvas by Christian Ludwig Bokelmann.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.sfomuseum.org/exhibitions/kay-sekimachi-weaving/gallery#5&#34;&gt;Reflection #2 (1959)&lt;/a&gt;, tapestry by Kay Sekimachi in plain-woven linen, cotton, and rayon.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Life and Fate. Feels like I&#39;m losing my grip on this book. Found myself skimming over, rushing through, attention drifting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Bright-Young-Women-Jessica-Knoll-ebook/dp/B0BTZ8WXTC&#34;&gt;Bright Young Women&lt;/a&gt; (Knoll). A little bit of trashy killer thriller to liven things up. I think this will end up as DNF.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
One of the things that fell by the wayside this week. I did return to run club yesterday for a rainy 38° run over the Brooklyn and Williamsburg bridges. A familiar route, but made sure to liven things up for myself with a couple detours. Needed that dose of selfishness.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;The idea that &lt;a href=&#34;https://www.slowboring.com/p/cory-booker-showed-how-its-done&#34;&gt;nastiness and negative affect are going to win the day&lt;/a&gt; strikes me as a lazy tactic that people reach for because they lack creativity and skill.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/patrickc/status/1908960227921424599&#34;&gt;Patrick Collison on what Europe and the U.S. each excel at&lt;/a&gt;. I&#39;ve only spent a couple months in Europe (at most), but it has the ring of truth.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/raisinchoirgirl/status/1908897852182413797&#34;&gt;Read to live, live to read&lt;/a&gt;. (&lt;a href=&#34;https://x.com/mattthomas&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.tokyoweekender.com/entertainment/middle-aged-man-trading-cards-go-viral-in-japan/&#34;&gt;Middle-aged man trading cards&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.poetry.com/poem/13194/and-the-days-are-not-full-enough&#34;&gt;And the days are not full enough&lt;/a&gt;&amp;quot;, poem by Ezra Pound.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Freddie Jackson, &lt;a href=&#34;https://open.spotify.com/album/4S3z4G29Gm2xxkADtVX5IV&#34;&gt;Rock Me Tonight&lt;/a&gt;. Another r&amp;amp;banger that I heard my local grocery store: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7pzkpCkXfU99i4Bm5KG0oM&#34;&gt;Rock Me Tonight for Old Times Sake&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Jon Hopkins, &lt;a href=&#34;https://open.spotify.com/album/1nvzBC1M3dlCMIxfUCBhlO&#34;&gt;Singularity&lt;/a&gt;. This one rips. See &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5S3F5GL8LASIjPg2PMiU1Q&#34;&gt;Emerald Rush&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3oWBMOzkjjkCmV6abncBUd&#34;&gt;Everything Connected&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Jon Hopkins, &lt;a href=&#34;https://open.spotify.com/album/2zY5p176SfmupXceLKT6bH&#34;&gt;Music for Psychedelic Therapy&lt;/a&gt;. On the lighter, wispier side of electronic vs. the pulsing EDM flavor of the previous.&lt;/p&gt;
&lt;p&gt;Harms Way, &lt;a href=&#34;https://open.spotify.com/album/1RIr3dLd64m8fh23p2gm9L&#34;&gt;Posthuman&lt;/a&gt;. Metal. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4HJCf1FYYLh6po3l4nWv4f&#34;&gt;The Gift&lt;/a&gt;&amp;quot; is easily the least like the others, but I like it&#39;s nightmare-ish basement-of-horrors energy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
West Side Story. The first and only time I saw was when I was a kid, must have been elementary or middle school. I also played the &lt;a href=&#34;https://en.wikipedia.org/wiki/Symphonic_Dances_from_West_Side_Story&#34;&gt;Symphonic Dances from West Side Story&lt;/a&gt; orchestra suite in college. So it was fun to revisit a story I barely remember set to music I know really, really well. The brownface and accents are rough, but it&#39;s still a pretty lovely movie.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Sacrament_(2013_film)&#34;&gt;The Sacrament&lt;/a&gt;. Inspired by &lt;a href=&#34;https://en.wikipedia.org/wiki/Jonestown&#34;&gt;events at Jonestown&lt;/a&gt;. &lt;a href=&#34;https://en.wikipedia.org/wiki/Gene_Jones_(actor)&#34;&gt;Gene Jones&lt;/a&gt; gives a tremendous performance. The rest of the movie, I could take or leave. The wikipedia is haunting enough on its own.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e13 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Never_Again_(The_X-Files)&#34;&gt;Never Again&lt;/a&gt;&amp;quot;. Scully wrestles with her inner demons by getting a tattoo.&lt;/p&gt;
&lt;p&gt;Bosch, s1e3-4.&lt;/p&gt;
&lt;p&gt;Severance, s2e10. Finale! I don&#39;t need another season, but I&#39;d 100% tune in if we get one.&lt;/p&gt;
&lt;p&gt;Abbott Elementary, s4e18. One of the funnier episodes I remember.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 14</title>
    <link href="https://mlarson.org/2025/04/06/2025-week-14/"/>
    <updated>2025-04-06T16:47:16.000Z</updated>
    <id>https://mlarson.org/2025/04/06/2025-week-14/</id>
    <content type="html">&lt;p&gt;Yesterday we took a day trip to Washington D.C., which is a kind of trip I don&#39;t do often enough. I got the idea when I spotted a new exhibition at the Renwick Gallery, &lt;a href=&#34;https://americanart.si.edu/exhibitions/black-women-quilters&#34;&gt;We Gather at the Edge: Contemporary Quilts by Black Women Artists&lt;/a&gt;. And so a couple months ago we scheduled a trip to see it, and I was so looking forward to it…&lt;/p&gt;
&lt;p&gt;…and I left the building disappointed. I think I&#39;ve long had resistance to political or activist or tribute art. There was plenty here. And I had trouble seeing past it. I remember having the ungenerous though for a few of them, &amp;quot;Why is this a quilt?&amp;quot;. And leaning into my cynicism further, feeling like it was roughly equivalent to, e.g. bronze sculptures of military heroes. I like portraiture, but memorial work, message work, documentary work… not quite as much. So I left there feeling a little deflated. Nothing like the thrills I&#39;d gotten from &lt;a href=&#34;https://mlarson.org/2024/11/17/2024-week-46/&#34;&gt;previous&lt;/a&gt; &lt;a href=&#34;https://mlarson.org/2025/01/05/2025-week-1/&#34;&gt;quilt stuff&lt;/a&gt; recently.&lt;/p&gt;
&lt;p&gt;It&#39;s not fair, but that&#39;s the way it happens sometimes. I walk in with hopes and curiosity and it just doesn&#39;t land. But then we walked across the Mall (passing through huge protest crowds that renewed my faith in America a little bit), and saw some cool stuff at the National Gallery.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/flowers-on-19th-street.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10771&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Some favorites from yesterday:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://americanart.si.edu/artwork/miss-rubys-crown-120755&#34;&gt;Miss Ruby&#39;s Crown&lt;/a&gt;, 2009, an awesome quilt by Gwendolyn Aqui-Brooks.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://americanart.si.edu/artwork/traditional-contemporary-119313&#34;&gt;From Traditional to Contemporary&lt;/a&gt;, 2021, sweetgrass woven basket by Corey Alston.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://americanart.si.edu/artwork/marriage-form-119583&#34;&gt;Marriage in Form&lt;/a&gt;, 1996, a pair of bowls made from Pacific yew by Bob Stocksdale, and hornet&#39;s nest paper by Kay Sekimachi.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.nga.gov/collection/art-object-page.46096.html&#34;&gt;The Return from the Hunt&lt;/a&gt;, Flemish tapestry c. 1525-1550, workshop unknown.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.nga.gov/collection/art-object-page.61372.html&#34;&gt;New House in the Suburbs&lt;/a&gt;, gouache on canvas by Paul Klee.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Life and Fate, cont.. Enjoying the vignettes but also hoping to find some larger arc to hold on to.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Enjoyed another evening trail run in the middle of the week, and a Friday evening run to fully transition away from the workaday work. I&#39;ve not run with my run club much lately, for accidental reasons. It&#39;s funny how quickly the ties can dissolve if you don&#39;t regular invest in them. I bet when I go back again this week I&#39;ll think, &amp;quot;why did I ever fade out?&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/04/prospect-park-carousel-building.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10772&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;From 1984 to 1988, &lt;a href=&#34;https://hedgehogreview.com/issues/the-varieties-of-travel-experience/articles/the-department-of-everything&#34;&gt;I worked in the Telephone Reference Division of the Brooklyn Public Library&lt;/a&gt;.&amp;quot; (&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/04/friday-assorted-links-515.html&#34;&gt;via&lt;/a&gt;) When I worked at a public library, reference work was one of the more stressful and satisfying parts of the job, a rollercoaster that could go from &amp;quot;How am I supposed to know?&amp;quot; to &amp;quot;I can&#39;t believe I pulled this off.&amp;quot; in a few minutes.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.experimental-history.com/p/good-conversations-have-lots-of-doorknobs&#34;&gt;Good conversations have lots of doorknobs&lt;/a&gt;. (&lt;a href=&#34;https://www.jdilla.xyz/post/275&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;My scheduling principle is to &lt;a href=&#34;https://www.quantamagazine.org/computer-scientist-donald-knuth-cant-stop-telling-stories-20200416/&#34;&gt;do the thing I hate most on my to-do list&lt;/a&gt;. By week’s end, I’m very happy.&amp;quot; (&lt;a href=&#34;https://www.timemachinego.com/linkmachinego/2025/03/30/some-thoughts-on-to-do-lists/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;Business is a lot like the law, in that it doesn’t necessarily work the way you feel it should. &lt;a href=&#34;https://www.vulture.com/article/david-ayer-still-wants-you-to-see-his-cut-of-suicide-squad.html&#34;&gt;It works the way it does whether you like it or not&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;RIP, Val Kilmer. I liked &lt;a href=&#34;https://www.rogerebert.com/tributes/val-kilmer-tribute&#34;&gt;Scout Tafoy&#39;s tribute&lt;/a&gt;, and Adam Nayman&#39;s on &amp;quot;&lt;a href=&#34;https://www.bfi.org.uk/features/val-kilmer-obituary&#34;&gt;a mercurial A-lister who toggled between total immersion and resistance&lt;/a&gt;&amp;quot;. In the &amp;quot;if only&amp;quot; category: &amp;quot;&lt;a href=&#34;https://www.latimes.com/entertainment-arts/movies/story/2022-06-14/val-kilmer-explains-top-gun-maverick-iceman&#34;&gt;My dream is to play Frankenstein with Werner Herzog directing&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/04/why-do-domestic-prices-rise-with-tarriffs.html&#34;&gt;Why domestic prices rise with tariffs&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Deniece Williams, &lt;a href=&#34;https://open.spotify.com/album/2CFs5MKpkCGLbW2XoEedeJ&#34;&gt;This Is Niecy&lt;/a&gt;. &#39;70s soul, big fan of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7p3taLAWtQpFwMfDFAVYUy&#34;&gt;Cause You Love Me Baby&lt;/a&gt;&amp;quot;. Like &lt;a href=&#34;https://jaramontez.substack.com/&#34;&gt;Jara&lt;/a&gt; said, a great roller-skating song.&lt;/p&gt;
&lt;p&gt;Some regional compilations, various artists…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0nT7ax2671bP2hFaNvFFVq&#34;&gt;Qat, Coffee, &amp;amp; Qambus: Raw 45s from Yemen&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4FTIJOnhuA5tAstykiy1JS&#34;&gt;Melodii Tuvi: Throat Songs and Folk Tunes of Tuva&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7KGMF5eyEOrO1EVGYbvdVk&#34;&gt;Don&#39;t Think I&#39;ve Forgotten: Cambodia&#39;s Lost Rock and Roll&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Two from Terje Rypdal…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/28d4SikA58Z6ryY02pUltz&#34;&gt;Blue&lt;/a&gt;. I love the bass and heaviness in original version of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/38KZlmW0tvY9cLBq1S0KvP&#34;&gt;Last Nite&lt;/a&gt;&amp;quot;, whic doesn&#39;t come through as clearly when it soundtracks &lt;a href=&#34;https://www.youtube.com/watch?v=6dHrspngJnU&#34;&gt;the balcony scene in Heat&lt;/a&gt;. And &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0cxs0sulqXAIzalOQd9st1&#34;&gt;I Disremember Quite Well&lt;/a&gt;&amp;quot; made me think of &lt;em&gt;The Place Beyond the Pines&lt;/em&gt; soundtrack, e.g. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1CqJfqDs8IZaUD27MvfAAU&#34;&gt;Schenectady&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1dH4GdWInb3GIrjXwPd11s&#34;&gt;Lux Aeterna&lt;/a&gt;, with orchestra and organ. Echoes of Arvo Pärt?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Nils Petter Molvaer with The Norwegian Radio Orchestra, &lt;a href=&#34;https://open.spotify.com/album/0efo7PN2nxyMvMhGblh2c5&#34;&gt;Certainty of Tides&lt;/a&gt;. Jazz trumpet and moody strings. I liked it.&lt;/p&gt;
&lt;p&gt;12 Ensemble, &lt;a href=&#34;https://open.spotify.com/album/0vi3ESZ7k5ovnL1OL2utBc&#34;&gt;Metamorphosis&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e12 &amp;quot;Leonard Betts&amp;quot;. A headless man eats cancer. Classic.&lt;/p&gt;
&lt;p&gt;The Pitt, s1e2.&lt;/p&gt;
&lt;p&gt;Severance, s1e9. Clearing the stage for the finale.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 13</title>
    <link href="https://mlarson.org/2025/03/30/2025-week-13/"/>
    <updated>2025-03-30T16:36:55.000Z</updated>
    <id>https://mlarson.org/2025/03/30/2025-week-13/</id>
    <content type="html">&lt;p&gt;This sentence aside, I find myself in a less reflective mood lately. A few highlights this week:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Working from home on Tuesday just because, and going for an early evening trail run&lt;/li&gt;
&lt;li&gt;Knowing exactly what I need to do and getting into The Zone™ to crank it out&lt;/li&gt;
&lt;li&gt;Recognizing when my brain was toast after a few long days, letting go of my usual instinct to resist, and just going to bed at 915pm&lt;/li&gt;
&lt;li&gt;Appreciating the different joys that are available when I&#39;m solo vs. when I&#39;m not&lt;/li&gt;
&lt;li&gt;Touring a new arts center at their open house and imagining myself there for future shows&lt;/li&gt;
&lt;li&gt;Understanding new coffee beans well enough to get what I want out of them&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.brooklynmuseum.org/objects/197424&#34;&gt;Mother and Daughter at Penn Station, NYC&lt;/a&gt;, photo by Ruth Orkin. &lt;a href=&#34;https://www.mrxstitch.com/billie-zangewa/&#34;&gt;Ma Vie En Rose&lt;/a&gt;, hand-stitched silk collage by Billie Zangewa. &lt;a href=&#34;https://www.clevelandart.org/art/1993.203&#34;&gt;Female figurine from Guerrero, Mexico&lt;/a&gt;, ~1500–500 BC, made of earthenware with pigment decoration in the Xochipala style.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/red-rescue-ladder.jpg?w=1024&#34; alt=&#34;a red rescue ladder rests propped against a wooden fence alongside a pond; a bridge and boathouse are on the far side of the pond&#34; class=&#34;wp-image-10762&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Modern-Myths-Adventures-Machinery-Imagination-ebook/dp/B08T7R3Z19&#34;&gt;The Modern Myths&lt;/a&gt;. DNF. I didn&#39;t expect this, but I think I wanted more essay-like editorializing/theorizing, and fewer academic analyses of other examples? Not bad, though.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/My_Brilliant_Friend&#34;&gt;My Brilliant Friend&lt;/a&gt;. DNF. Kind of amazing in its compulsive readability, very colorful, but I never felt like it was adding up to anything. I wonder if I&#39;d feel differently with older protagonists.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Life_and_Fate&#34;&gt;Life and Fate&lt;/a&gt;. Enveloping so far. Might be my next Big Book™ for the year.&lt;/p&gt;
&lt;p&gt;Finally got around to renewing my library card, so now I have Libby access again if this one falls by the wayside.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/silhouetted-lakeside-couple.jpg?w=1024&#34; alt=&#34;a woman and man scene from behind as they stand by the shore of a lake; the are silhouetted by the sun setting behind the far shore&#34; class=&#34;wp-image-10763&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;Around a dozen members is &lt;a href=&#34;https://jmulholland.com/small-group/&#34;&gt;the sweet spot of social motivation&lt;/a&gt;: small enough to know everyone, yet large enough that the group won’t collapse if one or two members’ enthusiasm wanes; small enough that you are not daunted by competing with the whole world, yet large enough that you still need to be on your toes to keep up.&amp;quot; (&lt;a href=&#34;https://barnsworthburning.net/extracts/recNJwSPGPkGRZNFV&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://training.kalzumeus.com/newsletters/archive/do-not-end-the-week-with-nothing&#34;&gt;Don&#39;t end the week with nothing&lt;/a&gt;. Prefer to work on things you can show. Prefer to work where people can see you. Prefer to work on things you can own.&amp;quot; (&lt;a href=&#34;https://www.jdilla.xyz/post/274&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;If you are &lt;a href=&#34;https://www.maximumnewyork.com/p/dont-say-gentrification&#34;&gt;blaming people for gentrification&lt;/a&gt; (in most of its meanings), you are forming a circular firing squad.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Today, the Old Leatherman is one of those stories that &lt;a href=&#34;https://www.nytimes.com/2025/03/09/magazine/old-leatherman-walk-new-york-connecticut.html&#34;&gt;you either really deeply know or have never heard of at all&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://theneighborhoods.substack.com/p/crown-heights-brooklyn&#34;&gt;The Neighborhoods visits my neighborhood, Crown Heights&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I had an idea this morning, and I was sure that/hoping that someone had done it before: &lt;a href=&#34;https://bk2mtk.substack.com/&#34;&gt;Walking the Length of Long Island&lt;/a&gt;. Hmmm. HMMMMMM. 🤔&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vulture.com/article/michael-mann-on-heat-2-and-the-redemption-of-thief.html&#34;&gt;Bilge Ebiri and Michael Mann talk &lt;em&gt;Thief&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;In our hyper-digital age, it&#39;s increasingly &lt;a href=&#34;https://kyla.substack.com/p/studio-ghibli-ai-classified-leaks&#34;&gt;the context and framing of information (not the content itself)&lt;/a&gt; that drives debates.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Dynamism does not just mean saying hello. &lt;a href=&#34;https://www.hyperdimensional.co/p/where-we-are-headed&#34;&gt;Dynamism also means saying goodbye&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/gowanus-canal-hamilton-avenue-bridge.jpg?w=1024&#34; alt=&#34;a straight-edged canal courses between industrial docks and warehouses under a cloudful sky&#34; class=&#34;wp-image-10764&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Favorite of the week: Gino Vannelli, &lt;a href=&#34;https://open.spotify.com/album/4ohvIC6DYCyY1uyPcvXAFc&#34;&gt;Brother to Brother&lt;/a&gt;. I first heard &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5ljGmNLjvQZm2hw8cDJXNJ&#34;&gt;I Just Wanna Stop&lt;/a&gt;&amp;quot; in the grocery store last week, and I just wanted to stop and tell you what I feel about it! So good!&lt;/p&gt;
&lt;p&gt;Fairport Convention, &lt;a href=&#34;https://open.spotify.com/album/505zw4fKgpk8HXqyw3BMFq&#34;&gt;Liege and Lief&lt;/a&gt;. Hippie rock.&lt;/p&gt;
&lt;p&gt;Masahiro Takahashi, &lt;a href=&#34;https://open.spotify.com/album/3DxHQ1mr556sKBOrQZa3ZB&#34;&gt;Humid Sun&lt;/a&gt;. Delicate electronic, like RPG village music.&lt;/p&gt;
&lt;p&gt;Max Oazo, Moonessa, &lt;a href=&#34;https://open.spotify.com/album/4bzfPAkDQwjOPtb3FXyNlX&#34;&gt;Once Upon a Time (Melodic House &amp;amp; Techno)&lt;/a&gt;. Maybe I should listen to more remix albums? Played this a lot in work crunch-time this week. It&#39;s a good thing I&#39;ve never tried any drugs – there&#39;s a plausible alternate timeline where I got lost in the club scene.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Rumble_Fish&#34;&gt;Rumble Fish&lt;/a&gt;. A story of a younger brother and an older brother and forming yourself on your own. With the benefit of hindsight, a totally loaded cast. Matt Dillon! Nicolas Cage! Laurence Fishburne! Diane Lane! Dennis Hopper! Mickey Rourke! Sofia Coppola! Tom Waits!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Elevation_(film)&#34;&gt;Elevation&lt;/a&gt;. An economical monster thriller. I had fun with it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/His_Girl_Friday&#34;&gt;His Girl Friday&lt;/a&gt;. Madcap screwball antics. I wish they still wrote dialogue like this.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Birth_(2004_film)&#34;&gt;Birth&lt;/a&gt;. I love the way this movie looks, and Nicole Kidman puts on a show. Disturbing and depressing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Den_of_Thieves_(film)&#34;&gt;Den of Thieves&lt;/a&gt;. Compared to my &lt;a href=&#34;https://mlarson.org/2025/01/19/2025-week-3/&#34;&gt;week 3 viewing&lt;/a&gt;, not quite as fun. I like seeing the MARTA trains scoot by during the shootout.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/yellow-electrical-box.jpg?w=929&#34; alt=&#34;a yellow cage holds electrical equipment on a bridge&#34; class=&#34;wp-image-10765&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Bosch, s1e2.&lt;/p&gt;
&lt;p&gt;The Pitt, s1e1. Under-recognized part of being an E.R. doc is you must repeatedly walk away from people who are in crisis.&lt;/p&gt;
&lt;p&gt;The Residence, s1e4. Just parachuting in for a quick taste. Good example of the power of storytelling by charismatic people.&lt;/p&gt;
&lt;p&gt;Severance, s2e7-8. I&#39;m glad that Gemma is no longer an icon, but something more grounded. Cool to see factory town roots of Lumon.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;Breaking the problem down and then actually changing behavior to get different results works surprisingly well provided you’re willing to do it. Often &lt;a href=&#34;https://www.jdilla.xyz/post/274&#34;&gt;success doesn’t come to us the way we want to receive it&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 12</title>
    <link href="https://mlarson.org/2025/03/23/2025-week-12/"/>
    <updated>2025-03-23T20:54:25.000Z</updated>
    <id>https://mlarson.org/2025/03/23/2025-week-12/</id>
    <content type="html">&lt;p&gt;A reminder to myself: It&#39;s nice to call my family. They&#39;ve known me longer than anyone else, and there&#39;s no replacement. Lucky.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://useum.org/artwork/Golden-Pheasants-in-Snow-Ito-Jakuchu-1700&#34;&gt;Golden Pheasants in Snow&lt;/a&gt;, painting by Itō Jakuchū. Love how detailed and crowded this is, like an expensive wallpaper. &lt;a href=&#34;https://www.rijksmuseum.nl/en/collection/object/A-Musical-Company-in-an-Interior--e086fe17e9ea58a4d809caaa1eeb60b2&#34;&gt;A Musical Company in an Interior&lt;/a&gt;, oil painting by Pieter Symonsz Potter.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
After spending most of the year with Middlemarch, it&#39;s been a challenge to settle into another one. &lt;a href=&#34;https://www.amazon.com/Modern-Myths-Adventures-Machinery-Imagination/dp/022671926X&#34;&gt;The Modern Myths: Adventures in the Machinery of the Popular Imagination&lt;/a&gt; has been pretty good so far. &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Faerie_Queene&#34;&gt;The Faerie Queene&lt;/a&gt; was a DNF.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/atlantic-avenue-buildings.jpg?w=808&#34; alt=&#34;&#34; class=&#34;wp-image-10756&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;As an adult with any degree of complexity to your life: if you want your life full of more of the things you want, &lt;a href=&#34;https://x.com/lauren_wilford/status/1902394108838047893&#34;&gt;you should be willing to do those things imperfectly but frequently&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://jaramontez.substack.com/p/leaning-into-my-discomfort-era&#34;&gt;Leaning into my discomfort era&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;An &lt;a href=&#34;https://thehtml.review/04/ascii-bedroom-archive/&#34;&gt;archive of ASCII bedrooms&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.noahpinion.blog/p/book-review-abundance&#34;&gt;Progressivism should not be a ritual to be followed&lt;/a&gt;; it should be a tool to getting real stuff that makes life better.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;All innovation (particularly social innovation) should be &lt;a href=&#34;https://www.jdilla.xyz/post/271&#34;&gt;presented as a return to tradition&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;One of the most common &lt;a href=&#34;https://www.benkuhn.net/pjm/&#34;&gt;megaproject failure modes is to not freak out soon enough&lt;/a&gt;, and having a concrete plan is the best antidote.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Outside of Manhattan, &lt;a href=&#34;https://buildingtheskyline.org/tod-nyc/&#34;&gt;63% of all properties within one kilometer (1KM) of a subway have two stories or less&lt;/a&gt;, while 92% are three stories or less.&amp;quot; Kinda crazy. So many easy wins just lying around.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://buckhouse.medium.com/new-ui-ux-in-ai-8b1f2fb84988&#34;&gt;New UI &amp;amp; UX in AI&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/red-hook-warehouses.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10757&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Conclave_(film)&#34;&gt;Conclave&lt;/a&gt;. Modest gossipy drama that evaporated as soon as I turned the TV off. It sets the stage, puts the pieces in motion, and we see who is left standing. I see what they did there, with the ending, and with the way women step into and out of the action througout, but… it felt a little cheap, after so much petty personal conflict and politicking, it suddenly wanted us to care about ideas?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Drive-Away_Dolls&#34;&gt;Drive-Away Dolls&lt;/a&gt;. Horny and juvenile, but I appreciate how they play with the transitions, soundtrack, and moments of heightened acting. The bit parts were the best parts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Speak_No_Evil_(2022_film)&#34;&gt;Speak No Evil (2022)&lt;/a&gt;. A vacation from hell (see: &lt;a href=&#34;https://mlarson.org/2024/08/20/2024-week-33/&#34;&gt;The Rental&lt;/a&gt;). Like many good horror movies, we build unsettling dread and discomfort from the small ways that people fail to trust their instincts around other people who constantly push the boundaries. &amp;quot;Because you let me.&amp;quot; An incredibly uncomfortable climax, sickening. Not sure I could watch that again – I immediately swore it off – but the lead-up was great.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Red_Riding&#34;&gt;Red Riding: 1974&lt;/a&gt;. A journalist gets hooked on a case, pays the price. It&#39;s good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Speak_No_Evil_(2024_film)&#34;&gt;Speak No Evil (2024)&lt;/a&gt;. After I cooled down from watching the original, curiosity about the remake won me over. More straightforwardly dramatic, less tense. More of a character piece, with much more focus on our main villain.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Heretic_(film)&#34;&gt;Heretic&lt;/a&gt;. I really appreciate late-career Hugh Grant. Seems like he&#39;s having fun. Mounting stress, a rich conflict, and heroines that surprise you.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/loading-dock-pallets.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10758&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Thomas Tallis, &lt;a href=&#34;https://open.spotify.com/album/7KQRkAmKYxWRTzqzBOiYKJ&#34;&gt;Lamentations of Jeremiah&lt;/a&gt; perf. The Tallis Scholars.&lt;/p&gt;
&lt;p&gt;A couple more from Luther Vandross this week…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3uWgCaZ1ixRuMvBZniwxJj&#34;&gt;Give Me The Reason&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5ufz4Pc89GU8FBAp1lPatq&#34;&gt;There&#39;s Nothing Better Than Love&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/79RyzfidCUY1XvdzwW0AYy&#34;&gt;Songs&lt;/a&gt;. Much more church-y, right from the start.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Jon Hopkins, &lt;a href=&#34;https://open.spotify.com/album/40hWUhttLF6j8feHjbF0g7?si=nA6vMqq-QDC_Vm1A9JWY5A&#34;&gt;Ritual&lt;/a&gt;. The &lt;a href=&#34;https://open.spotify.com/track/7GnKvXEuN9XSdRhZR3MAI8&#34;&gt;opening few seconds of the album&lt;/a&gt; are so good, like a breath and a meditation chime. Draws you right in. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2RDVpdZsvYRVxlAZtnvKke&#34;&gt;part v - evocation&lt;/a&gt;&amp;quot; made me think of the &lt;em&gt;Gone Girl&lt;/em&gt; soundtrack (complimentary!).&lt;/p&gt;
&lt;p&gt;Bill Evans, &lt;a href=&#34;https://open.spotify.com/album/1zzo0Z44x6Xkjhz4RMlGBG&#34;&gt;From Left to Right&lt;/a&gt;. Jazz with piano and Rhodes piano and orchestra and it&#39;s all good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e11 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/El_Mundo_Gira&#34;&gt;El Mundo Gira&lt;/a&gt;&amp;quot;. Back from a little break, and the show is back on track. I loved this episode. In style, like a telenovela, heightened soap opera desperation, but with a chupacabra.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Black_Doves&#34;&gt;Black Doves&lt;/a&gt;, s1e1. Something&#39;s missing…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 11</title>
    <link href="https://mlarson.org/2025/03/16/2025-week-11/"/>
    <updated>2025-03-16T17:19:20.000Z</updated>
    <id>https://mlarson.org/2025/03/16/2025-week-11/</id>
    <content type="html">&lt;p&gt;A week of ups and downs – a &lt;a href=&#34;https://mlarson.org/2025/03/09/2025-week-10/&#34;&gt;trail race&lt;/a&gt;, an injured finger, a random Sunday evening adventure, a 24-hour stomach flu, a miserable workday, an invigorating professional conference, a beautiful evening run, a long call with a friend. Let it come, let it be, let it go.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;The highlight was finishing &lt;em&gt;Middlemarch&lt;/em&gt; yesterday, in one long final push. It&#39;s one of those books where I&#39;ll miss living with the characters for so long, each of their personalities and arcs so vivid. Some overall themes in the book: the importance of who you marry, how community inertia can defeat or deflect idealism but also help you find purpose and place, how financial struggles can multiply your frustrations, the value of a happy compromises and ordinary virtues.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/lakeside-sunset.jpg?w=1024&#34; alt=&#34;The peach-orange glow of sunset fades over a calm lake. Narrow trees and thin reeds are silhouetted on the shore.&#34; class=&#34;wp-image-10745&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.europeana.eu/en/item/2021672/resource_document_mauritshuis_159&#34;&gt;Lady at a Mirror by Candlelight&lt;/a&gt; oil on canvas by Godfried Schalcken.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Faerie_Queene&#34;&gt;The Faerie Queene&lt;/a&gt;. Just dipped my toe in. We&#39;ll see if it lasts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Middlemarch&#34;&gt;Middlemarch&lt;/a&gt;. Finally done, loved it. One last round of quotes:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;He distrusted her affection; and what loneliness is more lonely than distrust?&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The lights were all changed for him both without and within.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;What we call our despair is often only the painful eagerness of unfed hope.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;He had begun to perceive that Mr. Brooke’s mind, if it had the burthen of remembering any train of thought, would let it drop, run away in search of it, and not easily come back again.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;He looked almost angry. It had seemed to him as if they were like two creatures slowly turning to marble in each other’s presence, while their hearts were conscious and their eyes were yearning.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Caleb was very fond of music, and when he could afford it went to hear an oratorio that came within his reach, returning from it with a profound reverence for this mighty structure of tones, which made him sit meditatively, looking on the floor and throwing much unutterable language into his outstretched hands.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;It was one of those gray mornings after light rains, which become delicious about twelve o’clock, when the clouds part a little, and the scent of the earth is sweet along the lanes and by the hedgerows.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;He was now a prey to that worst irritation which arises not simply from annoyances, but from the second consciousness underlying those annoyances, of wasted energy and a degrading preoccupation&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;For the majority, who are not lofty, there is no escape from sordidness but by being free from money-craving, with all its base hopes and temptations, its watching for death, its hinted requests, its horse-dealer’s desire to make bad work pass for good, its seeking for function which ought to be another’s, its compulsion often to long for Luck in the shape of a wide calamity.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Rosamond played the quiet music which was as helpful to his meditation as the plash of an oar on the evening lake.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;that beneficent harness of routine which enables silly men to live respectably and unhappy men to live calmly&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Damme if I think he meant to turn king’s evidence; but he’s that sort of bragging fellow, the bragging runs over hedge and ditch with him&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;There is no sorrow I have thought more about than that—to love what is great, and try to reach it, and yet to fail.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Shallow natures dream of an easy sway over the emotions of others&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;We are on a perilous margin when we begin to look passively at our future selves.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://wattenberger.com/thoughts/our-interfaces-have-lost-their-senses&#34;&gt;Our interfaces have lost their senses&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ckarchive.com/b/wvu2hghkkz6xgb9r552rqtn0grxxxh8&#34;&gt;Oliver Burkeman on toxic preconditions&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Beyond interactivity, &lt;a href=&#34;https://www.are.na/editorial/the-end-is-not-the-end&#34;&gt;what a video game promises&lt;/a&gt; is not just rendered image and sound, not just narrative, not even just the joy of play, but inhabitation of an imaginal realm that is both deeply interior and collectively shared.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/lakeside-log.jpg?w=856&#34; alt=&#34;A thick white branch rims the shore of a calm lake. A thicker tree leans over the water. Trees line the shore in the distance.&#34; class=&#34;wp-image-10750&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Terry Callier, &lt;a href=&#34;https://open.spotify.com/album/61YKu9dRRskWOAT3ijKTr2&#34;&gt;What Color Is Love&lt;/a&gt;. Folk/soul/blues with a warm baritone. Check out &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/14wptXR2xsGAbmbsNwQkQD&#34;&gt;Dancing Girl&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Nonkeen, &lt;a href=&#34;https://open.spotify.com/album/0t6tusoh1iWAYXmI4ER144&#34;&gt;All good?&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7gcEP1HTUtSNLhTOvgUPsj&#34;&gt;be a&lt;/a&gt;&amp;quot; pushes a lot of good buttons I love: mildly sinister bass, chattery snare, clicky cymbals, insistent tempo lots of layers.&lt;/p&gt;
&lt;p&gt;Keith Jarrett, &lt;a href=&#34;https://open.spotify.com/album/0I8vpSE1bSmysN2PhmHoQg&#34;&gt;The Köln Concert&lt;/a&gt;. An hour of solo jazz explorations on piano.&lt;/p&gt;
&lt;p&gt;Greg Foat, Gigi Masin, &lt;a href=&#34;https://open.spotify.com/album/42VA6bD2NLwgBKkFWjN4dw&#34;&gt;Dolphin&lt;/a&gt;. Lounge-y jazz shuffle, keyboards forward. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/11SQGoqojFi5yx9JodtgE0&#34;&gt;London Nights&lt;/a&gt;&amp;quot; and the walking bass in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7nY0EUXcdQBxslzzH5coH6&#34;&gt;Viento Calido&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Hatebreeed, &lt;a href=&#34;https://open.spotify.com/album/2UPZ06izR1OtTX80U30AfG&#34;&gt;Perseverance&lt;/a&gt;. By-your-bootstraps &lt;a href=&#34;https://x.com/zak_vargas/status/1618744518421118976&#34;&gt;motivational therapy metal&lt;/a&gt;, hell yes!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Touch_of_Evil&#34;&gt;Touch of Evil&lt;/a&gt;. Dynamic and quickly-moving, everything tainted.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Scandal, s1e1. Speaking of quickly-moving, this is breakneck TV. &amp;quot;My gut tells me everything I need to know.&amp;quot;&lt;/p&gt;
&lt;p&gt;Bosch, s1e1. Felt good to dip back into the series, like putting on comfortable shoes.&lt;/p&gt;
&lt;p&gt;Severance, s2e6. Burt is sketchy, huh. I liked the speculative fiction angles here: jealousy of yourself, jealousy of your partner&#39;s innie, innie/outie adultery, innies with souls distinct from their outies, etc..&lt;/p&gt;
&lt;p&gt;Dark Winds, s1e5-6. Just along for the ride.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 10</title>
    <link href="https://mlarson.org/2025/03/09/2025-week-10/"/>
    <updated>2025-03-09T17:44:49.000Z</updated>
    <id>https://mlarson.org/2025/03/09/2025-week-10/</id>
    <content type="html">&lt;p&gt;The last week was a blur! I felt most days I came back home feeling wound up but fuzzy-brained, and every morning I felt like I needed an early start to not feel overwhelmed.&lt;/p&gt;
&lt;p&gt;I&#39;m glad I ended the week with a race, the 11-mile event at the &lt;a href=&#34;https://www.sassquadtrailrunning.com/squatchapple&#34;&gt;Squatchapple Trail Party&lt;/a&gt; at South Mountain Reservation out in New Jersey. Friday night, I didn&#39;t want to go – long week, bad training, low energy, wishing I had more time, etc. etc. etc.. Saturday morning, I kinda wanted to go, but not really, but I wanted to follow through on my commitment. Three miles into the race, I was so, so happy to be there. I wonder why I get in this kind of cycle.&lt;/p&gt;
&lt;p&gt;I wiped out twice (both times on ~flat ground, and never on the reckless downhills!) and hyperextended my finger crash-landing during the second one. Worth the price&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/lake-with-reeds.jpg?w=1024&#34; alt=&#34;View of a lake obscured by tall reeds. Trees ring closely around the shoreline, and a large blue sky has a few white clouds.&#34; class=&#34;wp-image-10739&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.slam.org/collection/objects/45815/&#34;&gt;Vessel in the Form of a Head&lt;/a&gt;, ceramic from the Missippian cultures of modern-day Arkansas, ca. 1450-1550. &lt;a href=&#34;https://www.brooklynmuseum.org/objects/146516&#34;&gt;Apples, Grapes, Lemon on a Table (for BAM)&lt;/a&gt;, print by David Hockney. &lt;a href=&#34;https://www.artic.edu/artworks/90441/abstract-cityscape&#34;&gt;Abstract Cityscape&lt;/a&gt;, oil on canvas by Léopold Survage. &lt;a href=&#34;https://www.artic.edu/artworks/145810/salt-or-pepper-shaker-one-of-a-pair-american-modern-dinnerware&#34;&gt;Salt or Pepper Shaker&lt;/a&gt;, earthenware and glaze designed by Russel Wright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/a-day-at-the-museum&#34;&gt;A Day At the Museum&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;We found that &lt;a href=&#34;https://www.sciencedirect.com/science/article/pii/S0001879119301125&#34;&gt;time spent on leisure over and above an individual&#39;s average was positively related to work-related self-efficacy&lt;/a&gt;, but only when the individual&#39;s leisure activities were high in seriousness and low in work-leisure similarity, or when they were low in seriousness and high in similarity.&amp;quot; (&lt;a href=&#34;https://www.jdilla.xyz/post/269&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://simons.berkeley.edu/news/stone-soup-ai&#34;&gt;Stone Soup AI&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;These tools have removed a lot of the friction from coding and because of that, &lt;a href=&#34;https://newsletter.pathlesspath.com/p/llms-are-dissolving-and-creating&#34;&gt;I am less likely to give up&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;RIP, Gene Hackman. &amp;quot;To watch him, in any one of his almost insanely varied roles, often meant &lt;a href=&#34;https://time.com/7262470/gene-hackman-legacy-remembrance/&#34;&gt;sitting there with your jaw hanging in disbelief&lt;/a&gt;. What was he doing? How was he doing it? Why am I buying it?&amp;quot; and &amp;quot;That’s the actor’s magic: capturing the attention of the camera and the viewer on the other side of the screen and &lt;a href=&#34;https://www.thebulwark.com/p/gene-hackman-1930-2025-rip&#34;&gt;transforming from Just A Guy into The Man&lt;/a&gt;.&amp;quot; and &amp;quot;Hackman stood out by appearing ordinary while setting up bespoke fireworks displays […] a vivid illustration of what we might call the Gene Hackman Principle of Transformative Acting: &lt;a href=&#34;https://www.vulture.com/article/gene-hackman-1930-2025-obituary-absolute-power-french-connection-conversation.html&#34;&gt;The best special makeup is talent&lt;/a&gt;.&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thefp.com/p/timothee-chalament-and-the-rise-of&#34;&gt;Learn your lines, show up on time, and give it your all&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Take a close look at what you assume the solution to your life must look like. Are there any of those &lt;a href=&#34;https://www.henrikkarlsson.xyz/p/constraints&#34;&gt;assumptions that you could turn into variables&lt;/a&gt; instead?&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Sierra Leone&#39;s Refugee All-Stars, &lt;a href=&#34;https://open.spotify.com/album/2rKgN9rBJkbN3SlG0bqUiw&#34;&gt;Radio Salone&lt;/a&gt;. I love the reverb in the opener, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6np2xkufdJuzIHx6TvrFB5&#34;&gt;Chant It Down&lt;/a&gt;&amp;quot;, but didn&#39;t love most of the album. One exception, with more drums and chorus and reverb: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3SPPLQL06tdMvVad9cZN6p&#34;&gt;Toman Teti M&#39;Ba Akala&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Holy Tongue, &lt;a href=&#34;https://open.spotify.com/album/2TSCzYEdvsRQ8DROswNZVA&#34;&gt;The Tumbling Psychic Joy of Now&lt;/a&gt;. Ear-filling pulsing pagan electronic stuff.&lt;/p&gt;
&lt;p&gt;Zapp! Love &amp;amp; Basketball&#39;s impact continues. Fun to listen through a decade of their work. All of these are solid, funky, fun:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1y7wSbPgFFeLxbpf5v5CIY&#34;&gt;Zapp&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3PZpMF3RebeBEkQ6OicLpz&#34;&gt;Be Alright&lt;/a&gt;&amp;quot; is a good slow burn.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7ew8Rwv8ICZUhLPteXPcbk&#34;&gt;Zapp II&lt;/a&gt; – &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6AYt5MCuz9qWLNyV8pCKJC&#34;&gt;Do You Really Want An Answer&lt;/a&gt;?&amp;quot; fits well with the Luther album I listened through later.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7pa8Wm8KuCUrUBjKMy0mKU&#34;&gt;Zapp III&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3C9IDn2KBTZKRQ3Ldmm2Vr&#34;&gt;The New Zapp IV U&lt;/a&gt; – finally arrived at the only song I knew beforehand, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/362zcsyXMLbL7PNLhOovvm&#34;&gt;Computer Love&lt;/a&gt;&amp;quot;. So good.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Luther, &lt;a href=&#34;https://open.spotify.com/album/1B4oPgG5ljWTRxsKcTHAYn&#34;&gt;Never Too Much&lt;/a&gt;. I&#39;ll need to spend more time with his discography. Lots of stuff I like from e.g. Barry White and Lionel Ritchie shows up here. Can&#39;t beat &lt;a href=&#34;https://open.spotify.com/track/3nFJbZCHP4d9vduKjJLdBL&#34;&gt;the title track&lt;/a&gt;, and the backing vocals in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5RooV1JApOOviPiQcho9xx&#34;&gt;Don&#39;t You Know That?&lt;/a&gt;&amp;quot; add to the intrigue.&lt;/p&gt;
&lt;p&gt;Gidion Kremer, &lt;a href=&#34;https://open.spotify.com/album/2zynlyAShOfO3uhdR6uRpb&#34;&gt;Songs of Fate&lt;/a&gt;. Violin meanderings, didn&#39;t love it.&lt;/p&gt;
&lt;p&gt;Hanni Liang, &lt;a href=&#34;https://open.spotify.com/album/2xT7eHgHm1wQwabwEqK36E&#34;&gt;Voices for Solo Piano&lt;/a&gt;. I like the Sally Beamish&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4ozjpQ5pL0HOsdwwrwlYxt&#34;&gt;Night Dances&lt;/a&gt;&amp;quot; – I hear it as curious and exploratory.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/crown-heights-street-corner.jpg?w=1024&#34; alt=&#34;Two women stand on a street corner outside of a deli. One holds a small dog.&#34; class=&#34;wp-image-10741&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Wild_Robot&#34;&gt;The Wild Robot&lt;/a&gt;. Visually, beautiful. I like the hand-painted look. The tory was stale and preachy, though, and music felt like replacement-level inspirational schlock. Still funny here and there. A far better movie about a robot learning to love and find common cause: &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Iron_Giant&#34;&gt;The Iron Giant&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Gladiator_II&#34;&gt;Gladiator II&lt;/a&gt;. I literally sat up straighter when Denzel came on screen. The movie is better when he&#39;s on screen, and fine when he&#39;s not. I appreciate how they escalated the Colosseum battles.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e10 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Paper_Hearts&#34;&gt;Paper Hearts&lt;/a&gt;&amp;quot;. Mulder has the longest leash any employee has ever had. Tom Noonan plays our villain so well – a calm approach, &amp;quot;I&#39;m already in jail so, meh, let&#39;s just see if I can get anything out of this…&amp;quot;.&lt;/p&gt;
&lt;p&gt;Severance, s2e5. I kinda wish I got a perfect-bound volume for performance reviews?&lt;/p&gt;
&lt;p&gt;The White Lotus, s3e2. This show is so strange. Sometimes it feels like watching a travel brochure, but with some very light plotting. Just a good long soak in a warm bath.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;Life isn’t as long as you think it is. You have a choice: &lt;a href=&#34;https://tumblr.austinkleon.com/post/777291824502046720&#34;&gt;You can go and try to live a playful life, or you can go and live a life which excludes playfulness&lt;/a&gt;. And it doesn’t get you anywhere. Playfulness gets you somewhere.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 9</title>
    <link href="https://mlarson.org/2025/03/02/2025-week-9/"/>
    <updated>2025-03-02T17:12:25.000Z</updated>
    <id>https://mlarson.org/2025/03/02/2025-week-9/</id>
    <content type="html">&lt;p&gt;Recently I moved up to the ChatGPT Pro subscription, and was surprised I felt mixed feelings about it, a sort of self-consciousness. I found myself thinking through a talk track to justify it, from a humanities perspective. I don&#39;t think I have well-informed thoughts on the methods – theft, presumptive use, plagiarism, rights of the creators, etc.. I&#39;m sure that&#39;s written elsewhere and better.&lt;/p&gt;
&lt;p&gt;But I did think about the history of humanity, and culture as this technology to promote ourselves forward - what we honor, stories we share, mistakes we&#39;ve made, progress we&#39;ve gained against the terrors we create or stumble upon, the collective wisdom of the ages. And now have a place where it&#39;s consolidated. That&#39;s cool, even if it&#39;s a fuzzy composite.&lt;/p&gt;
&lt;p&gt;I also think about the &lt;a href=&#34;https://www.youtube.com/watch?v=vAXs5qqIxqs&amp;amp;t=28m0s&#34;&gt;idea of scenius&lt;/a&gt;. where in a time and a place, people come together and form something special. I&#39;m not sure you can do that with just yourself and an LLM, in the same sense, but there may be something analogous – a willing and skilled collaborator at hand, one that by definition some experiences much vaster than your own. That&#39;s cool!&lt;/p&gt;
&lt;p&gt;I grew up a library kid, in large part because my mom is a library adult. The type of library adult that gets a temporary visitor card at the local branch while on vacation. And now the library is right here, and you can have it be a teacher, too. &amp;quot;The &lt;a href=&#34;https://austinkleon.com/steal/&#34;&gt;great thing about dead or remote masters is that they can&#39;t refuse you as an apprentice&lt;/a&gt;. You can learn whatever you want from them.&amp;quot; While it&#39;s not individual, and we&#39;re I&#39;m not sure we have any new and distinctive works from AIs to inspire us... if you just want to learn a variety of things, you really can just dial one up and join the guild.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;This week I had a teammate at work break down in tears. What a deviation from the norm! I&#39;ve only seen this a couple times. Interesting experience to have to show up in a familiar way, in a totally different context.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I made a calendar of my 2024 running routes and finally got around to a test print. Need to do 2023 and get&#39;em properly framed.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/03/route-calendar-2024.png?w=819&#34; alt=&#34;&#34; class=&#34;wp-image-10734&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.guggenheim.org/artwork/2602&#34;&gt;Silhouette&lt;/a&gt;, illustration in India ink, charcoal, and gouache on wood pulp board by Man Ray. &lt;a href=&#34;https://www.mta.info/agency/arts-design/collection/river-light-presence-spring-sound-waters-way&#34;&gt;River Light&lt;/a&gt;, glass mosaic by Kiki Smith. &lt;a href=&#34;https://digitalcollections.nypl.org/items/7c191fd0-c5aa-012f-046a-58d385a7bc34#/?uuid=5fd484ac-dfd7-31b5-e040-e00a18060c12&#34;&gt;Greatest New York&lt;/a&gt;, panoramic print by Henry Wellge. &lt;a href=&#34;https://collections.mcny.org/CS.aspx?VP3=DamView&amp;amp;VBID=&amp;amp;PN=4&amp;amp;DocRID=2F3XC587PLZD&amp;amp;FR_=1&amp;amp;W=1194&amp;amp;H=1117&#34;&gt;Freedom and Order: Children Playing, East 116th Street&lt;/a&gt;, photo by David M. Bernstein.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch. Need to pick up the pace. I&#39;m still loving it, 2/3 complete, but also getting restless!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
A vision of &lt;a href=&#34;https://x.com/jordanmcgillis/status/1895571259150524853&#34;&gt;peak male performance&lt;/a&gt;, from an &lt;a href=&#34;https://www.economist.com/1843/2025/02/28/tyler-cowen-the-man-who-wants-to-know-everything&#34;&gt;Economist profile of Tyler Cowen&lt;/a&gt;. &amp;quot;There is no concrete return on most of the data-accumulating he does. He has been researching, unpaid, for decades, at a rate that would put most people in hospital.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;For better or worse, when you &lt;a href=&#34;https://www.slowboring.com/p/how-were-thinking-about-covering&#34;&gt;start thinking about tractable problems&lt;/a&gt;, you’ll almost always find that you’re doing less than you could be doing and you might start to feel guilty.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The place’s dual nature — its existence on the border between utopia and dystopia — has always been a part of the aesthetics.&amp;quot; &lt;a href=&#34;https://www.curbed.com/article/severance-fans-tour-bell-labs-lumon-hq-set.html&#34;&gt;On the Severance building&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://time-gradient.vercel.app/&#34;&gt;A gradient of time zones&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;This website collects &lt;a href=&#34;https://binocularshot.com/&#34;&gt;movie clips with inaccurate binocular shots&lt;/a&gt; (i.e., two overlapping circles instead of one, as you would see in real life).&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A few from west Africa to start the week. Starting with Youssou N&#39;Dour, upbeat Senegalese:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4K2xwEC31lTt6sFfC4tYoM&#34;&gt;The Guide (Wommat)&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5qHuy6uY7NPCGu4YSmGfsV&#34;&gt;Generations&lt;/a&gt;&amp;quot; has these great bippity rippedy bass lines.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1zqKXsZQLONrHxoI5rUW37&#34;&gt;Joko: The Link&lt;/a&gt;, love the layere drumming in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7CPKTMacz4ahQkvGRcAXsk&#34;&gt;Beykat&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Amadou &amp;amp; Mariam&#39;s &lt;a href=&#34;https://open.spotify.com/album/6iGoXwENON2onjXpv9bO38&#34;&gt;Dimanche a Bamako&lt;/a&gt; didn&#39;t really click, but I did like the desert blues in the last track, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3o1svdvziwusojBqd1J25P&#34;&gt;Gnidjougouya&lt;/a&gt;&amp;quot;, the way the melody rises and falls and loops back, the dueling electrics, the harmonies crowding and clearing.&lt;/p&gt;
&lt;p&gt;Speaking of desert blues, Tinirawen did click pretty well:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/41KpeN0qV6BBsuJgd8tZrE&#34;&gt;Elwan&lt;/a&gt;, especially with the grungy guitar and unison vocals in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3qd6kWpXeX5SMvVuiS9qBY&#34;&gt;Sastanàqqàm&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7jb5uGv2a578i7xRM063ZZ&#34;&gt;Idrache (Traces of the Past)&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Gustav Mahler, &lt;a href=&#34;https://open.spotify.com/album/5RCNnF5jxSV2twzi7bQ1gi&#34;&gt;Symphony No. 7&lt;/a&gt; rec. Bavarian Radio Symphony Orchestra cond. Simon Rattle. There&#39;s a lot happening in this piece. I remember really liking it when I first deep-dived Mahler years ago, but it didn&#39;t hit the same!&lt;/p&gt;
&lt;p&gt;Bonjour Tristesse, &lt;a href=&#34;https://open.spotify.com/album/7znJzqRk6WByVLa90FpFsq&#34;&gt;The World Without Us&lt;/a&gt;, metal.&lt;/p&gt;
&lt;p&gt;Scotch Rolex, Shackleton, Omutaba, &lt;a href=&#34;https://open.spotify.com/album/3NQ4OzzkT3LmlFFdyY8GOe&#34;&gt;Three Hands of Doom&lt;/a&gt;, sampled electronics. See &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3IKQymm8KNFfcjE3zjZYa6&#34;&gt;Insect Vibration&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Final_Destination_(film)&#34;&gt;Final Destination&lt;/a&gt;. It has a proper opening credits sequence, an efficient opener with good suspense and ensuing anguish, and then veers into Rube Goldberg death machines lol.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I underestimated how much regular running improves my mood. Hard to recognize the value without the contrast of going without it for a while, but: it&#39;s great to have something consistent in your week that will put the juice back in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e9 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Terma_(The_X-Files)&#34;&gt;Terma&lt;/a&gt;&amp;quot;. Back to the larger arc, with an action-movie feel. Mulder&#39;s re-entrance with a tan and a smirk is A+ television.&lt;/p&gt;
&lt;p&gt;The White Lotus, s3e1. This is my first exposure to the franchise. I get why people would watch it.&lt;/p&gt;
&lt;p&gt;Severance, s2e4. Irving was right!&lt;/p&gt;
&lt;p&gt;Paradise, s1e1. Good excuse to rewatch &lt;a href=&#34;https://www.youtube.com/watch?v=uH5ltiHSJqE&amp;amp;t=283s&#34;&gt;The Shot™&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 8</title>
    <link href="https://mlarson.org/2025/02/23/2025-week-8/"/>
    <updated>2025-02-23T16:09:06.000Z</updated>
    <id>https://mlarson.org/2025/02/23/2025-week-8/</id>
    <content type="html">&lt;p&gt;It&#39;s nice to spend time &lt;em&gt;differently&lt;/em&gt;, to give a familiar situation a new flavor. I worked Monday, a holiday for many, and so I was working largely solo. And then took the Friday off, so I could feel the reverse – goofing off when most were plugging away. I also had the chance to catch up on admin stuff in the morning, at ease, when usually that gets filed away for the evening time.&lt;/p&gt;
&lt;p&gt;This weekend we had a &amp;quot;spa night&amp;quot;. Where ordinarily the evening might be pizza and movie, we put on face masks, moisturizers, serums; listened to a &lt;a href=&#34;https://open.spotify.com/playlist/37i9dQZF1DX4Q2SnB3glnP&#34;&gt;spa treatment playlist&lt;/a&gt;; ate fresh ceviche, granola bowls, probiotic juices, etc.. It&#39;s not something I want every day, but the change gave me a new appreciation, like stepping into a parallel universe and arriving back to the norm refreshed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.guggenheim.org/artwork/4061&#34;&gt;Constructive City with Universal Man (Ciudad constructiva con hombre universal)&lt;/a&gt;, oil painting on board by Joaquín Torres-García.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/53001/composition&#34;&gt;Composition&lt;/a&gt;, by Maria Helena Vieira da Silva. &amp;quot;The many colorful patterns […] derive from &lt;em&gt;azulejo&lt;/em&gt;, decorative ceramic tilework common in Portugal and Spain, which the artist collected and admired.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Middlemarch&#34;&gt;Middlemarch&lt;/a&gt;. Steadily chipping away and just past the halfway point. Let&#39;s do some more quotes:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;We are all of us imaginative in some form or other, for images are the brood of desire.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;I can&#39;t wear my solemnity too often, else it will go to rags.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Mr. Casaubon, indeed, had not thoroughly represented to those mixed reasons to himself; irritated feeling with him, as with all of us, seeking rather for justification than for self-knowledge.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Time changes the proportion of things, and in later days it is preferable to have fewer sonnets and more conversation.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Will was not without his intentions to be always generous, but our tongues are little triggers which have usually been pulled before general intentions can be brought to bear.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;She was no longer struggling against the perception of facts, but adjusting herself to their clearest perception.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;They were looking at each other like two fond children who were talking confidentially of birds.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Will not a tiny speck very close to our vision blot out the glory of the world, and leave only a margin by which we see the blot? I know no speck so troublesome as self.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Her anger said, as anger is apt to say, that God was with her – that all heaven, though it were crowded with spirits watching them, must be on her side.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;What is the use of being exquisite if you are not seen by the best judges?&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
The &lt;a href=&#34;https://www.indiewire.com/news/general-news/tom-cruise-mission-impossible-8-underwater-stunt-1235096419/&#34;&gt;wisdom of Tom Cruise&lt;/a&gt;: &amp;quot;You know, no one asks Gene Kelly, why do you dance? If I do a musical I want to sing, I want to dance. And I want to see how I can do it. You got to figure it out, it’s not just doing it. It’s how is it part of the story? How do we invest the audience in that? It’s always better to go for it, it’s always better to try than to tend to not do it. It’s always better to ask the question, and don’t be afraid.&amp;quot;&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://amanvir.com/obscure-islands&#34;&gt;map of obscure islands&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://syllabusproject.org/syllabus-for-taking-an-internet-walk/&#34;&gt;Taking an Internet Walk&lt;/a&gt;, good ideas if you need to (re)learrn how to browse!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mattholden.substack.com/p/fuzzy-computing&#34;&gt;From Chat → Tools → Tasks → Crons&lt;/a&gt;? (&lt;a href=&#34;https://www.jdilla.xyz/post/266&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;I&#39;m glad I &lt;a href=&#34;https://collegetowns.substack.com/p/the-school-car-pickup-line-is-a-national&#34;&gt;never spent time in school pickup lines&lt;/a&gt; as a kid. A bunch of times, we&#39;d talk our bus driver into letting us off early so we could take a shortcut through the woods, rather than sitting on the bus another half-hour to wind its way to our door. It&#39;s smart to stay on good terms with your bus driver!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.mooreds.com/wordpress/archives/3518&#34;&gt;Ask for no, don&#39;t ask for yes&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Blogs are a backwater (the web itself is a backwater) but keeping one is a statement of how being online can work. &lt;a href=&#34;https://interconnected.org/home/2025/02/19/reflections&#34;&gt;Blogging as a kind of Amish performance of a better life&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;CA attitude to US like Calif attitude towards Texas: &lt;a href=&#34;https://x.com/afinetheorem/status/1891699458775147002&#34;&gt;many stereotypes, little knowledge, and getting crushed on growth&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
My first run back after illness was deflating. So much lost, so much to regain. :&#39;(&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Marshall Allen released &lt;a href=&#34;https://open.spotify.com/album/0BOZmnGO69A24yXIJ6lOpd&#34;&gt;New Dawn&lt;/a&gt; at age 100. When you listen, you can understand why this guy would get along with Sun Ra. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5IYde0rMQ7lZsKWLpHtwYi&#34;&gt;African Sunset&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0lQcnAlFn0iw7RwdaVcUuZ&#34;&gt;Boma&lt;/a&gt;&amp;quot; are my faves.&lt;/p&gt;
&lt;p&gt;Paolo Fresu, Richard Galliano, Jan Lundgren. &lt;a href=&#34;https://open.spotify.com/album/7iZadmuPfAJ4YJWcgXTtTK&#34;&gt;Mare Nostrum&lt;/a&gt;. Jazz with piano, trumpet, accordion. You might recognize &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3eCiI3l8hfsfA0srThwRK6&#34;&gt;Que reste-t-il de nos amours?&lt;/a&gt;&amp;quot;, later adapted as &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Que_reste-t-il_de_nos_amours_%3F&#34;&gt;I Wish You Love&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;John Luther Adams, big orchestra stuff in &lt;a href=&#34;https://open.spotify.com/album/1cXdD0IijegCyMib4Oc0kJ&#34;&gt;An Atlas of Deep Time&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/4bL7PjQMRJIzi47ORKjBH5&#34;&gt;Waves &amp;amp; Particles&lt;/a&gt;. I prefer the first one.&lt;/p&gt;
&lt;p&gt;Individual songs on repeat: Roger&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3C6xVHlZ8Z7cAzt63xdxH3&#34;&gt;I Want to Be Your Man&lt;/a&gt;&amp;quot; and James Holden&#39;s &lt;a href=&#34;https://open.spotify.com/track/2MsTDmicnBTNqV6Pvv3s15&#34;&gt;remix of The Smile&#39;s &amp;quot;Don&#39;t Get Me Started&amp;quot;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Da_5_Bloods&#34;&gt;Da 5 Bloods&lt;/a&gt;. &amp;quot;War never ends for those involved.&amp;quot; We&#39;re so lucky to have Spike Lee. Complicating complex issues, no one comes out innocent. Familiar methods at work: lots of history lessons and documentary imagery mixed in, direct address to the camera when reading letters.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sisu_(film)&#34;&gt;Sisu&lt;/a&gt;. Nazis try to steal gold from a lonesome Finnish miner out in the countryside, and… he is not pleased. Carnage! Pretty ideal 90-minute taciturn action-western.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_First_Omen&#34;&gt;The First Omen&lt;/a&gt;. Now I understand why kids named &amp;quot;Damien&amp;quot; are always evil. The suspense is better than the climax, but that&#39;s most of the movie, so, thumb-up.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Last_Samurai&#34;&gt;The Last Samurai&lt;/a&gt;. Scratches the &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Last_of_the_Mohicans_(1992_film)&#34;&gt;The Last of the Mohicans&lt;/a&gt; or &lt;a href=&#34;https://mlarson.org/2017/10/18/dances-with-wolves/&#34;&gt;Dances With Wolves&lt;/a&gt; itch in a different way – more focus on the budding friendship, less on the personal stakes.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Katsumoto: You believe a man can change his destiny?&lt;br&gt;
Algren: I think a man does what he can, until his destiny is revealed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Severance, s2e3. Reintegration!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 7</title>
    <link href="https://mlarson.org/2025/02/16/2025-week-7/"/>
    <updated>2025-02-16T16:01:55.000Z</updated>
    <id>https://mlarson.org/2025/02/16/2025-week-7/</id>
    <content type="html">&lt;p&gt;I got sick this week, catching some local plague that had me down, but not out. This is what happens when I laugh in the face of the gods. I&#39;d just had a conversation last week about my run of good health.&lt;/p&gt;
&lt;p&gt;In hindsight, pushed it just a little bit too far on run &lt;a href=&#34;https://mlarson.org/2025/02/09/2025-week-6/&#34;&gt;last Sunday&lt;/a&gt; – heading out to run in the snow because it&#39;s fun, regardless of that slight hint of a sniffle and tickle in the back of my throat.&lt;/p&gt;
&lt;p&gt;It turned into an opportunity of its own. To skip the commute and work from home so I don&#39;t infect people. To take a little extra time with the morning coffee ritual. To cut out evening commitments and recognize how much time I have, to recognize the choices available when I get back in the swing of things.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/graffiti-skeleton-1.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10719&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/185758/vase&#34;&gt;Terra cotta vase&lt;/a&gt; by Fritz Albert. I love the twisted pedestal base, like long leaves.&lt;/p&gt;
&lt;p&gt;A Pende &lt;a href=&#34;https://collections.si.edu/search/detail/edanmdm:nmafa_2011-4-1&#34;&gt;carving of a man riding a buffalo&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
I wrote about &lt;a href=&#34;https://mlarson.org/2025/02/16/my-favorite-movies-in-2024/&#34;&gt;my favorite movies seen in 2024&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A woman has been &lt;a href=&#34;https://www.washingtonpost.com/lifestyle/2025/02/09/journal-diary-centenarian-north-dakota-100/&#34;&gt;journaling for 90 years&lt;/a&gt;. (&lt;a href=&#34;https://tumblr.austinkleon.com/post/775220156451504128/north-dakota-woman-100-has-written-in-her-diary&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://weeks.ginatrapani.org/&#34;&gt;This is a map of my life, where each week I’ve been alive is a little box&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://citibikestories.com/2025/01/01&#34;&gt;Citibike Stories&lt;/a&gt;. Bike rental travel patterns in NYC neighborhoods, lovely mapping.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://joukovsky.substack.com/p/all-the-single-men-sense-and-sensibility&#34;&gt;Jane Austen Math&lt;/a&gt;, &amp;quot;ranking all of Austen’s single men across four weighted dimensions — fortune, morals, manners, and [sex appeal] — to develop secondary insights, calculate their individual total status, and analyze their relative marital desirability.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=fp4but75EjY&#34;&gt;What people get wrong about today&#39;s NBA&lt;/a&gt;. A great counterpoint video on the idea that &amp;quot;they all just shoot threes&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://kk.org/thetechnium/50-years-of-travel-tips/&#34;&gt;Kevin Kelly offers 50 years of travel tips&lt;/a&gt;. I like his model of &amp;quot;R&amp;amp;R&amp;quot; vs. &amp;quot;E&amp;amp;E&amp;quot;. A few philosophies that caught my eye:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;Organize your travel around passions instead of destinations.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The most significant criteria to use when selecting travel companions is: do they complain or not, even when complaints are justified? No complaining! Complaints are for the debriefing afterwards when travel is over.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Although it tries, money cannot buy what time delivers.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Laser out, meander back.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;https://meaningness.com/sad-light-led-lux&#34;&gt;You Need More Lux&lt;/a&gt;. &amp;quot;Lux are the measure of how much light you get. Summer sunlight is about 100,000 lux. An overcast winter day is 1,000 to 2,500 lux. This is a huge difference!&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mostlymaths.net/2024/11/test-driven-writing.html/&#34;&gt;Test Driven Writing (or Test Driven Documentation)&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Aim to be &lt;a href=&#34;https://qntm.org/devphilo&#34;&gt;90% done in 50% of the available time&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/graffiti-skeleton-2.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10721&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/graffiti-skeleton-3.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10722&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/To_Live_and_Die_in_L.A._(film)&#34;&gt;To Live and Die In L.A.&lt;/a&gt;. Good to finally cross this one off the list. Corruption is contagious!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Blue_Gardenia&#34;&gt;The Blue Gardenia&lt;/a&gt;. Raymond Burr! I grew up watching &lt;a href=&#34;https://en.wikipedia.org/wiki/Perry_Mason_(1957_TV_series)&#34;&gt;Perry Mason&lt;/a&gt; re-runs on daytime TV. So it was fun to see him in movies, and so young, in this and &lt;a href=&#34;https://mlarson.org/2025/02/09/2025-week-6/&#34;&gt;Crime of Passion last week&lt;/a&gt;. Also features a &lt;a href=&#34;https://open.spotify.com/track/7FwcrjmYFpjBnVVyFOr5F3&#34;&gt;Nat King Cole spot&lt;/a&gt;! We need more stars popping in for musical interludes.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Nosferatu_(2024_film)&#34;&gt;Nosferatu (2024)&lt;/a&gt;. Seductive, horrifying, beautiful, crushingly sad. Eggers is such a talent. Has me thinking about revisiting &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Northman&#34;&gt;The Northman&lt;/a&gt; again.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Love_%26_Basketball&#34;&gt;Love &amp;amp; Basketball&lt;/a&gt;. A sweet story with characters are charming and frustrating. I really like the parallel sequences of games/practice, with each on their same-but-different journey.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/I_Saw_the_Devil&#34;&gt;I Saw the Devil&lt;/a&gt;. Korean revenge flick. We spend a lot of time with the villain, and he is tremendously haunting. Seeking vengeance will poison you.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Arcadian_(film)&#34;&gt;Arcadian&lt;/a&gt;. Post-apocalyptic monsters out on the farm. Nicolas Cage delivers, and the monsters are right up there with the inventiveness in &lt;a href=&#34;https://mlarson.org/2024/09/22/2024-week-38/&#34;&gt;Attack the Block&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2018/06/03/annihilation-2/&#34;&gt;Annihilation&lt;/a&gt;. There&#39;s a few moments of counting here, feels like they could have extended that somehow. It&#39;s fun!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Giridhar Udupa, &lt;a href=&#34;https://open.spotify.com/album/2QhWu0tmSk4V7HAYZWaGGF&#34;&gt;My Name Is Giridhar Udupa&lt;/a&gt;. The opener &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4ws9jAX5v3bds6OS1DUUGe&#34;&gt;Aadhi – The Beginning&lt;/a&gt;&amp;quot; is exemplary – woozy pulsing electronics with ceramic drum cross-rhythms. Really fun album.&lt;/p&gt;
&lt;p&gt;Jeremy Ledbetter Trio, &lt;a href=&#34;https://open.spotify.com/album/1Cycpf47hfPP2qfUHJ39aP&#34;&gt;Gravity&lt;/a&gt;. Tight, crisp jazz pieces. I really like the patterns in in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1LkCZO1xBABNR0uefmzRoe&#34;&gt;Two Cousins&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;n.o. Arts Ensemble, &lt;a href=&#34;https://open.spotify.com/album/1DesF72In55LxQjowrMmpa&#34;&gt;Deaths and Entrances&lt;/a&gt;. Melancholy operatic chamber work, some hints of olde Renaissance music.&lt;/p&gt;
&lt;p&gt;Ambrose Akinmusire, &lt;a href=&#34;https://open.spotify.com/album/69qmpFumQAb3y3UXgGCIbz&#34;&gt;honey from a winter stone&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7MfsE8Eq3q96oQ8GycdgAu&#34;&gt;MYanx&lt;/a&gt;&amp;quot; has some hard funk, spoken-word, very freewheeling.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e8 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Tunguska_(The_X-Files)&#34;&gt;Tunguska&lt;/a&gt;&amp;quot;. Frickin&#39; Krycek, I swear…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Favorite Movies in 2024</title>
    <link href="https://mlarson.org/2025/02/16/my-favorite-movies-in-2024/"/>
    <updated>2025-02-16T15:10:34.000Z</updated>
    <id>https://mlarson.org/2025/02/16/my-favorite-movies-in-2024/</id>
    <content type="html">&lt;p&gt;I watched 125 movies in 2024. That total was down from 178 in 2023, and I&#39;m glad for that. The year before felt like too many, too indiscriminate. I took 2024 at a healthier pace, and I feel like my choices were pretty dialed-in. The top ~20% of those 125 are easily recommendable, so I&#39;ll share those.&lt;/p&gt;
&lt;p&gt;For the very top tier, I&#39;ll excerpt my previous write-ups. These are the first-time viewings that really moved me, or stuck with me long after, listed in the order I saw them:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2024/02/18/2024-week-7/&#34;&gt;Are You There God? It&#39;s Me, Margaret&lt;/a&gt;. Coming of age that pays attention to the parents, too.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You see that Margaret is different – or at least that this won’t (only) be a typical coming-of-age/tween romance story – early on when we first see her bedroom. We see maps and star charts, and in her voiceover prayers, a search for place and meaning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2024/06/09/2024-week-23/&#34;&gt;Godzilla Minus One&lt;/a&gt;. Melodrama at its finest.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I appreciate this as a period piece, and not just in costume – also works in an orchestral soundtrack, and heightened acting and staging that wouldn’t be out of place in the late 1940s. Fascinated by this idea of Godzilla being a creature known to locals, but barely a rumor elsewhere. Unresolved shame will keep you from love!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2024/08/04/2024-week-31/&#34;&gt;Das Lehrerzimmer (The Teacher&#39;s Lounge)&lt;/a&gt;. Perfect rendition of how our actions can ripple out unexpectedly.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A school community frays when a thief runs loose, frustrations rise, and accusations start flying. This will make my best-of list at the end of the year. But you don’t have to take my word for it: “It’s probably the best thriller of this type since “Uncut Gems,” another movie where just watching realistic characters making bad decisions was so nerve-wracking that it made you want to crawl under your seat.“&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2024/11/10/2024-week-45/&#34;&gt;Crooklyn&lt;/a&gt;. What&#39;s that line about happy families being alike, and unhappy ones in theor own way?&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Love the hilarious chaos of a 5-kid household, and the variety of “characters” on the block, and the lively soundtrack, and the shock of travel to foreign lands (Virginia).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2024/11/24/2024-week-47/&#34;&gt;Gosford Park&lt;/a&gt;. Not sure I&#39;ve seen any movies that juggle a web of relationships as well and as lovingly as this one. Flows effortlessly from scene to scene.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Gossipy upstairs/downstairs intrigue and murder mystery, constantly mocking Americans, Hollywood, buffoon cops, catty elites. Kristin Scott Thomas is a natural at snobbery. Love how it takes huge cast and makes it feel natural. You assemble the collage as you go along.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2024/12/08/2024-week-49/&#34;&gt;Hundreds of Beavers&lt;/a&gt;. No other movie pushed its ideas as far, and then further, and then a little bit more, and why not, how about a little bit more.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Made me feel alive again! Talk about a palate cleanser. A masterclass in escalation. Zany blend of animation and practical effects, Looney Tunes silliness and an improv troupe’s “why not?” go-for-broke attitude.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2024/12/08/2024-week-49/&#34;&gt;Red Rooms&lt;/a&gt;. Can&#39;t recall any recent movies that burrowed under my skin like this one. It is true horror in the moral sense. A cautionary tale for the web!&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This draws you into the most queasy, vile territory. We never directly see much violence, but we see the harm it does to people who feed on it. Our protagonist is uncomfortably lacking in affect – except a horrifying climax where she participates in an auction.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;hr&gt;
&lt;p&gt;Here are the other worthy contenders from my watching year. If you told me you were going to watch one of these, I&#39;d be excited for you and curious to hear what you think. Links are to my previous posts, again in order I saw them.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/01/28/2024-week-4/&#34;&gt;The Creator&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/01/28/2024-week-4/&#34;&gt;Phoenix&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/03/31/2024-week-13/&#34;&gt;Zone of Interest&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/04/21/2024-week-16/&#34;&gt;Picnic at Hanging Rock&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/06/02/2024-week-22/&#34;&gt;Aniara&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/06/16/2024-week-24/&#34;&gt;Passing&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/07/01/2024-week-26/&#34;&gt;Invasion of the Body Snatchers (1978)&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/07/14/2024-week-28/&#34;&gt;Jagged Edge&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/08/20/2024-week-33/&#34;&gt;The Rental&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/09/01/2024-week-35/&#34;&gt;Furiosa: A Mad Max Saga&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/09/08/2024-week-36/&#34;&gt;Kingdom of the Planet of the Apes&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/09/08/2024-week-36/&#34;&gt;Beast&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/10/13/2024-week-41/&#34;&gt;I Saw the TV Glow&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/11/03/2024-week-44/&#34;&gt;Presumed Innocent&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2024/11/17/2024-week-46/&#34;&gt;Master Gardener&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/01/01/2024-week-52-the-remnants/&#34;&gt;Deathtrap&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2025/01/01/2024-week-52-the-remnants/&#34;&gt;Freaky Friday (2003)&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 6</title>
    <link href="https://mlarson.org/2025/02/09/2025-week-6/"/>
    <updated>2025-02-09T19:11:10.000Z</updated>
    <id>https://mlarson.org/2025/02/09/2025-week-6/</id>
    <content type="html">&lt;p&gt;For the last week, I&#39;ve been obsessed with &lt;a href=&#34;https://www.amazon.com/Aranet4-Home-Temperature-Ink-Configuration/dp/B07YY7BH2W&#34;&gt;my new CO₂ monitor&lt;/a&gt;. It&#39;s been so fun to keep tabs on it throughout the day. I notice how it spikes when I get trapped in a meeting room, or after cooking; and how it gradually trends upward over the course of the day indoors; and how quickly it drops when I throw a window open.&lt;/p&gt;
&lt;p&gt;I didn&#39;t have much reason to get it other than curiosity. I&#39;ve seen snippets about how high levels of CO₂ affect cognition, drowsiness, etc., but wasn&#39;t sure I was actively suffering in that way. But I suppose it&#39;s like that business idea that you can manage what you can measure, but translating more to a personal skill. I remember learning how to use a ruler as a kid, and a thermometer, and counting heartbeats, and then running around and using them on stuff and seeing different numbers. Eventually you can guess how tall that building is, what the temperature is right now, what 25°F will feel like, or that your heart rate is oddly high for what you&#39;re doing.&lt;/p&gt;
&lt;p&gt;Maybe I&#39;ll be able to do the same for CO₂ and humidity at some point? Anyway, another way to learn more about the world! I&#39;ll probably do more purchases like this this year.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/little-island-pedestals.jpg?w=1024&#34; alt=&#34;grey mushroom-shaped architectural supports are lit from beneath&#34; class=&#34;wp-image-10703&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://artsandculture.google.com/asset/the-bride%E2%80%99s-wake/bAG45Pn-BSR86Q&#34;&gt;Velório da noiva (Bride&#39;s Wake)&lt;/a&gt; and &lt;a href=&#34;https://artsandculture.google.com/asset/colheita-de-flores-maria-auxiliadora-silva/_QHkKnKw_tY6iQ&#34;&gt;Colheita de flores (Flower Picking)&lt;/a&gt;, paintings Maria Auxiliadora Silva.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://artsandculture.google.com/story/winter-scene-in-brooklyn-crystal-bridges-museum-of-american-art/SQXB2KMazJHIIw?hl=en&#34;&gt;Winter Scene in Brooklyn&lt;/a&gt;, oil on canvas by Francis Guy. (Dumbo used to look like this?!)&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://www.slam.org/collection/objects/35523/&#34;&gt;textile fragment from the Paracas culture of Peru&lt;/a&gt;. &amp;quot;Composite beings celebrate the importance of the agricultural cycle. Both figures carry strings of lima beans in one hand while chili peppers emanate from a staff in the other and tubers float above their heads.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I&#39;ve now run every street in Park Slope. And that makes 5 additional neighborhoods where I&#39;ve run every street, since finishing up my local Crown Heights stomping grounds. Sunday morning runs in fresh powder, highly recommended.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/prospect-park-snow-sledders.jpg?w=1024&#34; alt=&#34;trees surround an open snow-covered field where people ski and sled on the slopes&#34; class=&#34;wp-image-10705&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch! So fun. More quotes:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;&#39;The theatre of all my actions is fallen,&#39; said an antique personage when his chief friend was dead; and they are fortunate who get a theatre where the audience demands their best.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self – never to be fully possessed by the glory we behold, never to have our unconsciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;There are answers which, in turning away wrath, only send it to the other end of the room, and to have a discussion cooly waived when you feel that justice is all on your own side is even more exasperating in marriage than in philosophy.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;As the sore palate findeth grit, so an uneasy consciousness heareth innuendoes.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;In all failures, the beginning is certainly the half of the whole.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;She felt that her tears had risen, and it was no use to try to do anything else than let them stay like water on a blue flower or let them fall over her cheeks.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The right word is always a power, and communicates its definiteness to our action.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The troublesome ones in a family are usually either the wits or the idiots.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://craigmod.com/essays/membership_rules/&#34;&gt;Craig Mod reflects on 6 years of the membership program&lt;/a&gt;. There is wisdom here: &amp;quot;The &lt;a href=&#34;https://craigmod.com/essays/membership_rules/&#34;&gt;program exists for the goals&lt;/a&gt;, not the members&amp;quot;.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://x.com/nba90s/status/1624947415840342016&#34;&gt;1997 Nike/Penny Hardaway Super Bowl commercial&lt;/a&gt; had an insane number of stars!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=vATVsdYLRT0&#34;&gt;Norm Macdonald tells a long story about a pig&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Those who write for children have &lt;a href=&#34;https://www.lrb.co.uk/the-paper/v47/n02/katherine-rundell/why-children-s-books&#34;&gt;the chance to point them towards beauty that they do not yet know exists&lt;/a&gt;: towards versions of joy that they have not yet imagined possible.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/heyshalin/status/1886518866043658450&#34;&gt;Horizon of uncertainty&lt;/a&gt;&amp;quot; is a really neat phrase.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://ghuntley.com/dothings/&#34;&gt;Employees are at an established company&lt;/a&gt; because they made a decision in life for stability. Embrace that, continue to provide stability (currency for employees) in these uncertain times as it will be key to steadying the ship and retaining talent. […] If your company employee age is trending younger (ie. folks have only just started pushing out babies) then you&#39;ll need create space for them to be able to grow on the job.&amp;quot; The management politics of implementing AI will be interesting to watch.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/theepicmap/status/1886715794064576789&#34;&gt;How far you can get from London by train in 12 hours&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Crime_of_Passion_(1957_film)&#34;&gt;Crime of Passion&lt;/a&gt;. A driven newspaper journalist rejects the roles that society wants for her, plots a way to power. What should we make of Rivera&#39;s &amp;quot;&lt;a href=&#34;https://www.diegorivera.org/flowercarrier.jsp&#34;&gt;Cargador de Flores (Flower Carrier)&lt;/a&gt;&amp;quot; framed in the main couple&#39;s bedroom?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Tampopo&#34;&gt;Tampopo&lt;/a&gt;. A stranger rides into town and helps a woman with her struggling noodle shop. The feeling may fade a bit with time, but right now I&#39;m in love with this movie. Such a big heart. And expansive enough that the main plot is interspersed with vignettes with unrelated characters, snapshots of a world beyond, full of concerns and worries and dreams just like our own.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Deathly_Hallows_%E2%80%93_Part_2&#34;&gt;Harry Potter and the Deathly Hallows – Part 2&lt;/a&gt;. Franchise complete. I don&#39;t remember the different movies/plots in this franchise all that well, but I&#39;ll put this one pretty high on the list. I like the wartime/battle scenes, and Ron really redeems himself from the previous, making himself useful again. Appreciate how many people get to contribute throughout the series (e.g. destroying horcruxes). It&#39;s not just the Harry show.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/tree-trunk-snow.jpg?w=1024&#34; alt=&#34;a tree trunk juts out from an expanse of white snow&#34; class=&#34;wp-image-10706&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
AYRTBH, &lt;a href=&#34;https://open.spotify.com/album/16IqmmbCaREBFhdufWpjPt&#34;&gt;Bust Fossil&lt;/a&gt;. Electronic textures, I suppose? Not sure what to make of it all, but I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5vO8Jit4KQ0ULwtRoIMrwe&#34;&gt;bicycle&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/733Rr4IPVoonmqVEYlzSIU&#34;&gt;beverage&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Mdpri &amp;amp; Git Busy Trio, &lt;a href=&#34;https://open.spotify.com/album/52KfNocQXUgqKeqU3kUvN8&#34;&gt;BA*&lt;/a&gt;. Jazz/funk/hiphop. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4iTWlIt3xXkewHTqT5YCYi&#34;&gt;又鸟鸡鸡鸡鸡&lt;/a&gt;&amp;quot; is sampling/homaging something but I can&#39;t put my finger on it…&lt;/p&gt;
&lt;p&gt;Sestetto Dino Piana &amp;amp; Oscar Valdambrini, &lt;a href=&#34;https://open.spotify.com/album/5HjQjM3FqZJPcFmlA4wfht&#34;&gt;10 Situazioni&lt;/a&gt;. Some of it sounds like &#39;70s TV show themes (complimentary!). &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1v5kXVrotMBRrgIu38sXwu&#34;&gt;Placido&lt;/a&gt;&amp;quot; is v. nice.&lt;/p&gt;
&lt;p&gt;Kibrom Birhane, &lt;a href=&#34;https://open.spotify.com/album/2hHLlooAtRM1kFatDtADfS&#34;&gt;Here and There&lt;/a&gt;. Ethiopian jazz with a lil&#39; bit of butt-shakin&#39;. Check out &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3GWgdyqkm0KxELmPpgI8WL&#34;&gt;Maleda&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Marshall Allen, the &lt;a href=&#34;https://open.spotify.com/album/5XeDrjQEetovzPRcIhafS9&#34;&gt;New Dawn&lt;/a&gt; single for his upcoming album. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7ynU1785whc9yZFqUKD66P&#34;&gt;African Sunset&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Triosence, &lt;a href=&#34;https://open.spotify.com/album/23eKeozrh6qUzPnUpBwGjg&#34;&gt;Giulia&lt;/a&gt;, crisp piano jazz trio.&lt;/p&gt;
&lt;p&gt;Voision Xi, &lt;a href=&#34;https://open.spotify.com/album/3rgGKCbNHaEhPsDGOCnG9q&#34;&gt;Queen and Elf&lt;/a&gt;. Soft ballads, lounge singer stuff.&lt;/p&gt;
&lt;p&gt;Various Artists, &lt;a href=&#34;https://open.spotify.com/album/0k7MrUvTNruNNvao6Ld6eL&#34;&gt;Guruguru Brain Wash 2&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e7 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Musings_of_a_Cigarette_Smoking_Man&#34;&gt;Musings of a Cigarette-Smoking Man&lt;/a&gt;&amp;quot;. I had a strong negative reaction after I first watched it, but then I did some reading around, and now I rank it pretty high? Regardless of the literal truth of the story we see, appreciate the reflection on CSM&#39;s loneliness, and an opportunity to ponder the character beyond the plot purpose to foil investigations.&lt;/p&gt;
&lt;p&gt;Severance, s2e2. Interesting to see more adventurous camerawork here. Milchick is the creepiest person in town and I don&#39;t understand why people keep inviting him inside their homes!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 5</title>
    <link href="https://mlarson.org/2025/02/02/2025-week-5/"/>
    <updated>2025-02-02T17:26:06.000Z</updated>
    <id>https://mlarson.org/2025/02/02/2025-week-5/</id>
    <content type="html">&lt;p&gt;This week at work I had to reckon with not being as productive as I could have been. A bit embarrassing to take a look back at previous weeks, and see with 20-20 hindsight, so much under-used capacity. But as with many things in life, big dividends can come from renewing your focus, cleaning up bad habits, and taking on a little more than you think you can handle. Like I talk about with running a lot, I like checking in every now and then and see where my limits really are. An emotionally exhausting week but it also opened up a lot more. The ceiling is higher than it was a week ago.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/manhattan-skyline-from-kosciuszko-bridge.jpg?w=1024&#34; alt=&#34;skyline of Manhattan, as seen from the Kosciuszko Bridge, silhouetted against a cloud-covered sky&#34; class=&#34;wp-image-10696&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A &lt;a href=&#34;https://www.slam.org/collection/objects/10614/&#34;&gt;Taino ceremonial seat (duho) or platter&lt;/a&gt;. &amp;quot;The large eyes, gaping mouth, and curled toes of this figure suggest a heightened state associated with the consumption of cohoba. This vegetal hallucinogen was used by Taino spiritual healers and leaders to communicate with supernatural forces. The figure lies on his back with fists clenched behind his head, and wears a woven skull cap and bands around his arms and legs. He is identified as a zemi, a deity or ancestral spirit that permeated the Greater Antilles.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/27980/woman-on-rose-divan&#34;&gt;Woman on Rose Divan&lt;/a&gt;, oil on canvas by Henri Matisse.&lt;/p&gt;
&lt;p&gt;An &lt;a href=&#34;https://collections.si.edu/search/detail/edanmdm:nmafa_89-8-41&#34;&gt;Ethiopian fly whisk&lt;/a&gt; made of bone, dyed horsehair, and plant fiber.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;If you’re &lt;a href=&#34;https://ckarchive.com/b/wvu2hghk5m82zf9r552rqtn34kzxxc8&#34;&gt;roughly 70% happy&lt;/a&gt; with a piece of writing you’ve produced, you should publish it.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://blackfilmarchive.substack.com/p/28-films-for-the-28-days-of-black-8b6&#34;&gt;28 Films for the 28 Days of Black History Month&lt;/a&gt;. I watched a couple of the shorts, the &lt;a href=&#34;https://www.youtube.com/watch?v=KcmyyqGIolQ&#34;&gt;Sesame Street &amp;quot;Cracks&amp;quot; short&lt;/a&gt; is really interesting and I liked the child detective story in &lt;a href=&#34;https://www.youtube.com/watch?v=dhpVF9MoeiY&#34;&gt;The Case of the Elevator Duck&lt;/a&gt;, too. &lt;a href=&#34;https://www.youtube.com/watch?v=xgAJGfZnO2Q&amp;amp;t=5s&#34;&gt;The Magnificent Major&lt;/a&gt; features a young Tisha Campbell&lt;/p&gt;
&lt;p&gt;In &lt;a href=&#34;https://www.maximumnewyork.com/p/how-to-change-the-nyc-charter-1&#34;&gt;How to Change the NYC Charter to Solve the Housing Emergency, Part 1&lt;/a&gt; and &lt;a href=&#34;https://www.maximumnewyork.com/p/toward-a-blogosphere-that-can-draft&#34;&gt;Toward a Blogosphere That Can Draft Law&lt;/a&gt;, really appreciating Daniel Golliher&#39;s… I&#39;m not sure how to describe it – entrepreneurial civics? There is a lot of progress lying around waiting to be picked up.&lt;/p&gt;
&lt;p&gt;&amp;quot;Americans need to know that &lt;a href=&#34;https://www.noahpinion.blog/p/too-many-americans-still-fear-the&#34;&gt;when the future comes, we’ll all get to go together&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Informed rejection is a perfectly acceptable choice. But &lt;a href=&#34;https://jaramontez.substack.com/p/playing-with-the-possibilities-of&#34;&gt;avoidance, especially with tech, is a default whose feasibility continues to shrink&lt;/a&gt; with every innovation.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The winners will be &lt;a href=&#34;https://importai.substack.com/p/import-ai-397-deepseek-means-ai-proliferation&#34;&gt;those people who have exercised a whole bunch of curiosity&lt;/a&gt;.&amp;quot; and &amp;quot;The future &lt;a href=&#34;https://pradyuprasad.com/writings/how-to-have-a-career-even-when-o3-drops/&#34;&gt;belongs to people whose work cannot be easily reduced to a dataset&lt;/a&gt;, and who can use AI to become even better at what they do.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.dwarkeshpatel.com/p/ai-firm&#34;&gt;What fully automated firms will look like&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The &lt;a href=&#34;https://www.robinsloan.com/newsletters/winter-reading/&#34;&gt;time to snoop around for “waste”&lt;/a&gt; is when everything else is going so great you’re getting sort of bored.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/02/two-men-and-garbage-truck.jpg?w=1024&#34; alt=&#34;a narrow band of warm yellow morning sunlight filters down a Manhattan street and falls on two men standing near a yellow garbage truck&#34; class=&#34;wp-image-10697&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Daniel Trifonov, &lt;a href=&#34;https://open.spotify.com/album/3FZi8RccOUV0Y7oIH1a6Wm&#34;&gt;My American Story&lt;/a&gt;, with Philadelphia Orchestra. This album &lt;a href=&#34;https://x.com/mlarson/status/1884223231487582319&#34;&gt;helped me have an A+ lovely morning commute&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Adam Rudolph, &lt;a href=&#34;https://open.spotify.com/album/5FQs4U32mB279hsc3glqpj&#34;&gt;Archaisms I&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/1moDodBLgV0ghAQ1e78MJF&#34;&gt;Archaisms II&lt;/a&gt;. I remember a moment listening to this at work last week when I was growing more and more frantic and unfocused and it&#39;s because &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1Dp1kesxiKFaUpLDgayzy0&#34;&gt;Archaisms A2&lt;/a&gt;&amp;quot; was taking over my brain.&lt;/p&gt;
&lt;p&gt;Caroline Shaw continues to be one of the most interesting composers. A few singles, choral works, presumably for an upcoming album:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1oLjzXFQRujEVSNv5UJPqQ&#34;&gt;Inhale&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5oqLlMoxkio7QgBi1UrTvN&#34;&gt;In Waves&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3tAlvrOLiMCBmyvTBaFBua&#34;&gt;In the Beginning&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Various, &lt;a href=&#34;https://open.spotify.com/album/03DZw8PDQpdk5qHlmCSsjo&#34;&gt;Seippelabel, Vol. 11&lt;/a&gt;. Lots of ambient space wash. I&#39;ll keep this around for a while.&lt;/p&gt;
&lt;p&gt;The Orb, &lt;a href=&#34;https://open.spotify.com/album/3IQGG1m7Pa6DAopVyxGmlL&#34;&gt;Adventures Beyond the Ultraworld&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Vijay Ayer, &lt;a href=&#34;https://open.spotify.com/album/6KjStP02djmIgt35hkzUcz&#34;&gt;Compassion&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Carry-On&#34;&gt;Carry-On&lt;/a&gt;. Great fun. Good to see a &amp;quot;regular guy&amp;quot; action movie. From &lt;a href=&#34;https://en.wikipedia.org/wiki/Jaume_Collet-Serra&#34;&gt;the director&lt;/a&gt; who brought you other great regular-guy thrillers like &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Shallows_(film)&#34;&gt;The Shallows&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2024/07/29/2024-week-30/&#34;&gt;Non-Stop&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/tag/jaumecolletserra/&#34;&gt;Run All Night&lt;/a&gt;. Reliable!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Deathly_Hallows_%E2%80%93_Part_1&#34;&gt;Harry Potter and the Deathly Hallows – Part 1&lt;/a&gt;. Everything is grey! At least we get more color on the core friendships. Ron is exasperating, though. I like the &amp;quot;travel around the world to collect stuff&amp;quot; aspect (a core RPG element), and especially like the zombie/apocalypse movie vibe on the return to Godric&#39;s Hollow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e6 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sanguinarium&#34;&gt;Sanguinarium&lt;/a&gt;&amp;quot;. Witchcraft and cosmetic surgery! This was fun, if gruesome.&lt;/p&gt;
&lt;p&gt;Severance, s2e1. At long last, started the new season. Putting out this theory before I continue the season: Ms. Casey is in a coma or something – basically accidentally severed – and she can only wake up and function as a partial &amp;quot;innie&amp;quot; version, and MDR is helping with some sort of sketchy scifi brain repair work.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 4</title>
    <link href="https://mlarson.org/2025/01/26/2025-week-4/"/>
    <updated>2025-01-26T20:04:26.000Z</updated>
    <id>https://mlarson.org/2025/01/26/2025-week-4/</id>
    <content type="html">&lt;p&gt;Yesterday I went to an afternoon choral concert put on by the &lt;a href=&#34;http://www.parkslopesingers.org/&#34;&gt;Park Slope Singers&lt;/a&gt;, a local amateur community group. The main work was C.H.H. Parry&#39;s &lt;a href=&#34;https://en.wikipedia.org/wiki/Songs_of_Farewell&#34;&gt;Songs of Farewell&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;There was something pleasantly low-key and make-do about the whole thing. It was a refreshing change from the military polish you&#39;d find at your major orchestra and operas and ballets, every moment from arrival to tickets to entrance to first notes drilled to perfection.&lt;/p&gt;
&lt;p&gt;It was informal and welcoming, the audience talked back to the conductor, a man got up to use the bathroom during the singing, and there were miscues and wrong notes here and there. And it was lovely. A group of people volunteering their own time to do something they love and share their gifts. A beautiful thing, to gather with others and do your best.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;One of the settings was &lt;a href=&#34;https://en.wikipedia.org/wiki/John_Gibson_Lockhart&#34;&gt;John Gibson Lockhart&lt;/a&gt;&#39;s poem, &amp;quot;There is an Old Belief&amp;quot;:&lt;/p&gt;
&lt;p&gt;There is an old belief,&lt;br&gt;
That on some solemn shore,&lt;br&gt;
Beyond the sphere of grief&lt;br&gt;
Dear friends shall meet once more.&lt;br&gt;
Beyond the sphere of Time and Sin&lt;br&gt;
And Fate&#39;s control,&lt;br&gt;
Serene in changeless prime&lt;br&gt;
Of body and of soul.&lt;/p&gt;
&lt;p&gt;That creed I fain would keep&lt;br&gt;
That hope I&#39;ll ne&#39;er forgo,&lt;br&gt;
Eternal be the sleep,&lt;br&gt;
If not to waken so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A &lt;a href=&#34;https://www.slam.org/collection/objects/1172/&#34;&gt;turquoise standing male figurine&lt;/a&gt; from the Wari culture of Peru.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.all-about-photo.com/photo-events/photo-exhibition/2887/ming-smith-august-moon&#34;&gt;Greyhound Bus&lt;/a&gt;, photo by Ming Smith, part of the &lt;a href=&#34;https://www.columbusmuseum.org/ming-smith-august-moon/&#34;&gt;&amp;quot;August Moon&amp;quot; series on exhibition at the Columbus Museum of Art&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/brooklyn-bridge-park-snow.jpg?w=1024&#34; alt=&#34;the skyline of lower Manhattan as seen from a snow-covered pier in Brooklyn Bridge Park&#34; class=&#34;wp-image-10685&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch, cont. What a fun book. Happy to keep going. Another round of quotes in the meantime…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;Money&#39;s a good egg; and if you&#39;ve got money to leave behind you, lay it in a warm nest.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Their eyes met with that peculiar meeting which is never arrived at by effort, but seems like a sudden divine clearance of haze.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;I think any hardship is better than pretending to do what one is paid for, and never really doing it.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Time, like money, is measured by our needs.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;One must be poor to know the luxury of giving!&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;I don&#39;t translate my own convenience into other people&#39;s duties.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;A sense of contributing to form the world&#39;s opinion makes conversation particularly cheerful.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;I call that the fanaticism of sympathy. […] If you carried it out you ought to be miserable in your own goodness, and turn evil that you might hae no advantage over others. The best piety is to enjoy – when you can. You are doing the most then to save the earth&#39;s character as an agreeable planet. And enjoyment radiates. […] Would you turn all the youth of the world into a tragic chorus, wailing and moralizing over misery? I suspect that you have some false belief in the virtues of misery, and want to make your life a martyrdom.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://miloandthecalf.substack.com/p/why-is-everyone-suddenly-reading&#34;&gt;Middlemarch is trending&lt;/a&gt;…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://jaramontez.substack.com/p/the-past-isnt-irrelevant&#34;&gt;The past isn&#39;t irrelevant, it&#39;s just poorly transmitted&lt;/a&gt;. I love this framework: &amp;quot;We first have to look at legacy and innovation as constants and tools.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.smithsonianmag.com/history/archaeologists-using-sunken-dugout-canoes-learn-indigenous-history-america-180985638/&#34;&gt;Archaeologists Are Finding Dugout Canoes in the American Midwest as Old as the Great Pyramids of Egypt&lt;/a&gt;. (&lt;a href=&#34;https://x.com/mattthomas/status/1882198023322906993&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.maximumnewyork.com/p/2025-nyc-electoral-college&#34;&gt;2025: New York City&#39;s Electoral College Election&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://tyleralterman.notion.site/Tyler-s-guide-to-falling-in-love-with-NYC-dc371f0f0f284f0bab2ca74b671c80e4&#34;&gt;A guide to falling in love with New York City&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.residualthoughts.com/2023/10/31/a-map-of-the-brooklyn-of-lots-of-cities/&#34;&gt;What is the &amp;quot;Brooklyn&amp;quot; of each city&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&amp;quot;It took visiting roma/la condesa to truly realize that &lt;a href=&#34;https://x.com/jakeryan____/status/1881753785862852718&#34;&gt;“williamsburg” has been one of america’s most powerful cultural exports&lt;/a&gt; of the 21st century&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://newsletter.rootsofprogress.org/p/sci-fi-without-dystopia&#34;&gt;How sci-fi can have drama without dystopia or doomerism&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://onethingnewsletter.substack.com/p/virtualized-tennis&#34;&gt;Digital avatars when streaming the Australian Open&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://agglomerations.substack.com/p/no-we-are-not-producing-too-many&#34;&gt;No, we are not producing too many STEM graduates&lt;/a&gt; and &lt;a href=&#34;https://dustinewers.com/ignore-the-grifters/&#34;&gt;Ignore the Grifters - AI Isn&#39;t Going to Kill the Software Industry&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Movie critic Tyler Smith of &lt;a href=&#34;https://battleshippretension.com/&#34;&gt;Battleship Pretension&lt;/a&gt; fame released &lt;a href=&#34;https://www.amazon.com/Cinematic-Suffering-Reviews-Terrible-Movies/dp/B0DTHZKJWT&#34;&gt;Cinematic Suffering: Reviews of Terrible Movies&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/mattress-no-bed-bugs.jpg?w=786&#34; alt=&#34;A small mattress, half-wrapped in black plastic, propped again a fence. There is a paper sign taped to the mattress that says &#39;No bed bugs!&#39;&#34; class=&#34;wp-image-10686&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Oppenheimer_(film)&#34;&gt;Oppenheimer&lt;/a&gt;. I like how it takes care to situate you in the time – &lt;em&gt;The Wasteland&lt;/em&gt;, Stravinsky, Cubism, etc.. Emily Blunt&#39;s voice/delivery is so good, and don&#39;t think I&#39;ve ever seen Josh Hartnett so fully in the moment. Maybe the best moment is when the man at the center of it all is suddenly no longer powerful. What do you do next?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Half-Blood_Prince_(film)&#34;&gt;Harry Potter and the Half-Blood Prince&lt;/a&gt;. The greyest film to date. Wish we had more Snape story. Good to see relationships building among the students, and to see Harry less angry, and seeing his caring side. Also interesting that Harry doesn&#39;t battle in the end, but only witnesses. I don&#39;t think the mourning scene stuck the landing. One cool thing about Hogwarts I&#39;m just now noticing: the kids have phones, no TV, no Switch, etc.. Just newspapers and books and fireplaces and each other&#39;s company.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e5 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Field_Where_I_Died&#34;&gt;The Field Where I Died&lt;/a&gt;&amp;quot;. Multiple personalities and past lives and doomer cults. Mulder/Scully relationship is more volatile than usual here, with Scully calling Mulder out on his constant selfishness. I like the rich contrasty images in this episode.&lt;/p&gt;
&lt;p&gt;Severance, s1e6–9. Rewatch complete, really glad to have done it. Can&#39;t believe it&#39;s been so long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Missy Mazzoli, &lt;a href=&#34;https://open.spotify.com/album/2KUhXIGILGNUQ68zCs3Ht1&#34;&gt;Vespers for a New Dark Age&lt;/a&gt;. Inventive chamber choir work, very nice.&lt;/p&gt;
&lt;p&gt;Yaminahua, &lt;a href=&#34;https://open.spotify.com/album/6igkx9FFaey1n5Eoi8TcPi&#34;&gt;Derelict&lt;/a&gt;. Opens ominous, hyperkinetic factory EDM.&lt;/p&gt;
&lt;p&gt;Brie Larson (yes), &lt;a href=&#34;https://open.spotify.com/album/7qdAwO98CaFjsJ4pGWMg4S&#34;&gt;Finally Out of P.E.&lt;/a&gt;. I had no idea!&lt;/p&gt;
&lt;p&gt;Back to Ajate again, this time a pair…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1iDroKjCkOMrap4NQWNW4s&#34;&gt;Alo&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6edxytfrcl2njScIj2Vlkx&#34;&gt;De De&lt;/a&gt;&amp;quot; is the winner.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4t2rr2TbZrGIGnV6Fx4yzu&#34;&gt;Abrada&lt;/a&gt;. I like the wa-wa funk in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7mDIt2hmuuDvV7jGtg2pnV&#34;&gt;Okamin&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Trent Reznor &amp;amp; Atticus Ross, &lt;a href=&#34;https://open.spotify.com/album/2NHhf3qtcoVPDEb03G8RFv&#34;&gt;Challengers OST&lt;/a&gt;. If you&#39;ve heard their other work, you know it&#39;s good and you know what you&#39;re in for.&lt;/p&gt;
&lt;p&gt;Berlioz, &lt;a href=&#34;https://open.spotify.com/album/1NjMj1u1EQxn8oESg40bPA&#34;&gt;open this wall&lt;/a&gt;. Jazz/lounge-inflected house music, see the muted trumpet + found vocal snippets on &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/1NjMj1u1EQxn8oESg40bPA&#34;&gt;nytmp&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Back-to-back long runs this weekend, practicing running while tired. A few runs in the teensºF, and luckily not windy enough to make it terrible. Race coming in a month and a half!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 3</title>
    <link href="https://mlarson.org/2025/01/19/2025-week-3/"/>
    <updated>2025-01-19T18:12:38.000Z</updated>
    <id>https://mlarson.org/2025/01/19/2025-week-3/</id>
    <content type="html">&lt;p&gt;I&#39;ve mentioned &lt;a href=&#34;https://en.wikipedia.org/wiki/Goblin_mode&#34;&gt;goblin mode&lt;/a&gt; a couple times (&lt;a href=&#34;https://mlarson.org/2024/01/28/2024-week-4/&#34;&gt;2024 week 4&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2024/09/08/2024-week-36/&#34;&gt;week 36&lt;/a&gt;), and this week I had another go-round, a shortened version. For me it usually involves an intentionally horrible diet, and playing videogames too long, and not going to bed on time, and so on. Minor sins, available for a limited time only.&lt;/p&gt;
&lt;p&gt;I think about it like a bizarro mirror image of New Year&#39;s resolutions. Every so often, it&#39;s good to think about getting your act together. But it can warp your perspective, turning your life into a never-ending battle of shoring things up. Designing your goblin mode gives you a program for letting go for a time… and a chance to prove you can snap back to your standards. Permission to &amp;quot;fail&amp;quot; is a valuable thing.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/gowanus-open-pizza-box.jpg?w=1024&#34; alt=&#34;An open pizza box – with three cheese slices – lies on a sidewalk, with its lid propped against a brick wall.&#34; class=&#34;wp-image-10674&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.nytimes.com/2025/01/16/movies/david-lynch-dead.html&#34;&gt;RIP, David Lynch&lt;/a&gt;. &lt;a href=&#34;https://www.instagram.com/kyle_maclachlan/p/DE5pC5RyH29/&#34;&gt;Kyle MacLachlan remembers his friend&lt;/a&gt;. I didn&#39;t love the couple of Lynch films I&#39;ve seen, but appreciated the spirit of gentle, earnest, insistent optimism and goofiness, maybe most apparent in the daily weather reports he did for a while. And I was glad to see the bits of folk wisdom that surfaced in my feeds in wake of his death:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;I wish &lt;a href=&#34;https://people.com/david-lynch-smoking-at-age-8-now-he-needs-oxygen-copd-exclusive-8743594&#34;&gt;what every addict wishes for: that what we love is good for us&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Anger and depression and sorrow are beautiful things in a story, but they’re like poison to the filmmaker or artist. They’re like a vise grip on creativity. If you’re in that grip, you can hardly get out of bed, much less experience the flow of creativity and ideas. You must have clarity to create. &lt;a href=&#34;https://x.com/ezraklein/status/1879985191801835854&#34;&gt;You have to be able to catch ideas&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;It’s like &lt;a href=&#34;https://arthurmag.com/2009/02/22/twice-a-day-for-the-last-32-years-david-lynch-on-meditation/&#34;&gt;dipping a white cloth into gold dye&lt;/a&gt;; you dip it and that’s meditation, then you hang it on the line in sunshine and that’s activity. The sun bleaches it until it’s white again, so you dip it and hang it again, and each time you do that a little more of the gold stays in the cloth. Then one day that gold is locked in.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I wish &lt;a href=&#34;http://www.thecityofabsurdity.com/index.html&#34;&gt;The David Lynch Quote Collection&lt;/a&gt; cited the sources, but they have the ring of truth. &lt;a href=&#34;https://x.com/nycsanitation/status/1879971896495927498&#34;&gt;Lynch directed a haunting PSA about littering in NYC&lt;/a&gt;, too.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I loved this conversation between &lt;a href=&#34;https://overcast.fm/+7eRWrfOmo/25:37&#34;&gt;Zena Hitz and Henry Oliver on The Common Reader&lt;/a&gt;, especially the linked part, analogizing the great literary works to great songs: &amp;quot;Me reading Lady Macbeth&#39;s speech when I was 14 – what use did that get me? Nothing obvious. Except that sometimes the words are still in my head, and they echo in my head the way a great piece of music does.&amp;quot; I&#39;d never thought of it this way, remembering snippets of plot or quotes or emotions, the way we might feel things again when we remember a chorus or a swelling of violins or what-have-you.&lt;/p&gt;
&lt;p&gt;And they discuss living with these works, and how it&#39;s good to read the great books early, so you can re-read and grow with them, and draw different meanings. (Made me think of how so many Motown songs were so fun as a kid, and as an adult, I can better recognize the anguish and frustration behind many of them.) The episode also has &lt;a href=&#34;https://overcast.fm/+7eRWrfOmo/48:43&#34;&gt;good critique of common methods literary criticism&lt;/a&gt; – &amp;quot;explaining things away, rather than raising problems.&amp;quot;, and a recollection of George Steiner&#39;s encouragement to &lt;a href=&#34;https://www.google.com/books/edition/Real_Presences/NsN7alUl2HcC?hl=en&amp;amp;gbpv=1&amp;amp;dq=%22ballast+of+the+self%22&amp;amp;pg=PT13&amp;amp;printsec=frontcover&#34;&gt;memorize poetry because it gives you ballast against the tides of life&lt;/a&gt;.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;&lt;a href=&#34;https://boredzo.org/blog/archives/2025-01-14/let-the-user-help-solve-their-own-problem&#34;&gt;Let the user help solve their own problem&lt;/a&gt;. &amp;quot;The algorithmic-only model admits only one remedy: Improve the algorithm. But because no algorithm will ever be perfect, you’ll be playing this game of whac-a-mole forever.&amp;quot; This feels most true in e.g. Twitter feed and Spotify Weekly playlist. They will both nose-dive, quickly, if I don&#39;t give it them hard shake every now and then. (&lt;a href=&#34;https://mjtsai.com/blog/2025/01/16/let-the-user-help-solve-their-own-problem/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://meteuphoric.com/2017/12/31/16417/&#34;&gt;Why everything might have taken so long&lt;/a&gt;. (&lt;a href=&#34;https://www.jdilla.xyz/post/259&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Oliver Burkeman on &lt;a href=&#34;https://ckarchive.com/b/75u7h8h6k6r3lh6rgg7rlaw3kor66sn&#34;&gt;the right dose of self-discipline&lt;/a&gt;. &amp;quot;Somehow, I’d turned the thrilling prospect of a better life into a sequence of lifeless tasks I had to execute – and I just couldn’t bring myself to do it.&amp;quot;&lt;/p&gt;
&lt;p&gt;Nabeel Qureshi collected some &lt;a href=&#34;https://nabeelqu.substack.com/p/principles&#34;&gt;principles for living&lt;/a&gt;.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;Once you are ok with people telling you ‘no’, you can ask for whatever you want. (Make reality say no to you.)&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Doing things is energizing, wasting time is depressing. You don’t need that much ‘rest’.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Think in writing.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The most valuable feedback usually hurts a lot.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/austinkleon/status/1880004881152700549&#34;&gt;Decline the cease-and-desist of winter&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.curbed.com/article/smart-home-ring-cameras-palisades-los-angeles-malibu-fires.html&#34;&gt;Watching Your House Burn on a Ring Camera&lt;/a&gt;. I&#39;d never thought of this possibility.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/bed-stuy-purple-trash-cans.jpg?w=1024&#34; alt=&#34;A line of four purple trash cans sit in a row in front of an apartment building, chained together and to a metal fence.&#34; class=&#34;wp-image-10675&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/144467/farm-near-duivendrecht&#34;&gt;Farm near Duivendrecht&lt;/a&gt; oil on canvas Piet Mondrian. I don&#39;t think I&#39;d ever seen a Mondrian that wasn&#39;t abstract color blocks, so this was really neat peek into the past, trying to imagine the steps in between.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/5WpLO4jvVGe7I237Jmjvcj&#34;&gt;Tchaikovsky &amp;amp; Ellington: The Nutcracker Suites&lt;/a&gt; perf. Harmonie Ensemble/New York. Classical and jazz performances, both perfect in their own way.&lt;/p&gt;
&lt;p&gt;Dobrinka Tabakova, &lt;a href=&#34;https://open.spotify.com/album/5u1ISABzIbSLkNiuJthT9B&#34;&gt;Kynance Cove, On the South Downs, and Works for Choir&lt;/a&gt;. Lovely collection of choral work, peaceful and smooth. The &lt;a href=&#34;https://open.spotify.com/track/7jB6kGSr7Rq9fShKh7hZQz&#34;&gt;&amp;quot;Magnificat&amp;quot; from Truro Canticles&lt;/a&gt; might be my fave.&lt;/p&gt;
&lt;p&gt;Laura Cannell, &lt;a href=&#34;https://open.spotify.com/album/0OAyKcuUklYJEwqwKGNHdG&#34;&gt;The Rituals of Hildegard Reimagined&lt;/a&gt;. Reminds me of &lt;a href=&#34;https://en.wikipedia.org/wiki/New_Blue_Sun&#34;&gt;Flute 3000&lt;/a&gt;, in the best way.&lt;/p&gt;
&lt;p&gt;Mount Eerie, &lt;a href=&#34;https://open.spotify.com/album/7MrfHt0BhMpSDUocMjW0r9&#34;&gt;Night Place&lt;/a&gt;. Languid rock. I haven&#39;t listened to anything like this in a while. Took a while to get my ears situated again!&lt;/p&gt;
&lt;p&gt;Mk.Gee, &lt;a href=&#34;https://open.spotify.com/album/6DlLdXBGCsSDPOV8R2pCl7&#34;&gt;Two Star &amp;amp; The Dream Police&lt;/a&gt;. Maybe like Prince x Frank Ocean (complimentary, of course)? See: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/67Oq8booO7HDSL4LlmHE4s&#34;&gt;DNM&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/141hcjVM8lNPxi4wjNLgdX&#34;&gt;I Want&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Den_of_Thieves_(film)&#34;&gt;Den of Thieves&lt;/a&gt;. I never should have waited so long to see this. I was expecting something more schlocky (like, Expendables-level antics?) but this was tighter than expected. The main characters were all a little… off? I like when a movie can surprise you not for plot reasons but character reasons. That&#39;s good stuff. You can see the fingerprints from &lt;a href=&#34;https://mlarson.org/tag/heat/&#34;&gt;Heat&lt;/a&gt; throughout the movie – dumpsters subbing in for airport substations might be my favorite. Appreciated seeing &lt;a href=&#34;https://en.wikipedia.org/wiki/Eric_Braeden&#34;&gt;Eric Braeden&lt;/a&gt; in a small role here – his Victor Newman in &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Young_and_the_Restless&#34;&gt;The Young and the Restless&lt;/a&gt; back in the &#39;80s/&#39;90s filled me with envy and fury.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Rebel_Ridge&#34;&gt;Rebel Ridge&lt;/a&gt;. Opens with &lt;a href=&#34;https://www.youtube.com/watch?v=WxnN05vOuSM&#34;&gt;an Iron Maiden song&lt;/a&gt;, nice. Echoes of &lt;em&gt;Rambo&lt;/em&gt;, with the opening confrontation passing over a bridge, and the contrast of military decency vs. police cravenness. I appreciate the inciting incident is a straightforward abuse of power, &lt;a href=&#34;https://en.wikipedia.org/wiki/Civil_forfeiture_in_the_United_States&#34;&gt;civil asset forfeiture&lt;/a&gt;, that isn&#39;t strictly personal. At least not at the start. Really liked our main character&#39;s calm, mostly polite, deliberate delivery – you can tell it takes effort, and that makes you more curious than a direct threat might. Excited to see what Aaron Pierre gets up to next.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Order_of_the_Phoenix_(film)&#34;&gt;Harry Potter and the Order of the Phoenix&lt;/a&gt;. It&#39;s good that the core three has loosely expanded to six, because Harry is exhausting to be friends with. Ron and Hermione could use a breather. I love the Death Eater masks!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s1e4 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Unruhe&#34;&gt;Unruhe&lt;/a&gt;&amp;quot;. Spooky predictive death photos + an exploration of mental illness.&lt;/p&gt;
&lt;p&gt;Severance, s1e3–5. I like see Cobel/Selvig put on the back foot a little bit by the Board, and clawing her way back. She&#39;s can&#39;t-look-away awful!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 2</title>
    <link href="https://mlarson.org/2025/01/12/2025-week-2/"/>
    <updated>2025-01-12T18:17:11.000Z</updated>
    <id>https://mlarson.org/2025/01/12/2025-week-2/</id>
    <content type="html">&lt;p&gt;Last week was my first full week of work this year, and Monday was tough. I woke up physically well-rested and ready, but my mind was… not in the mood. From eyes-open, my mind was delivering a comically-enthusiastically-worst version of my inner monologue – sour, pessimistic, cynical, dreary.&lt;/p&gt;
&lt;p&gt;I flip back and read my old journals every now and then. And in the periods when I was in deep depression, I can recognize myself, like an old friend. But can&#39;t relate to those feelings in the same way. It&#39;s very past-tense. My mindset is so different now from those years living in an emotional fogbank. At some point I decided – more or less – that I was done with it, and as I found my way out, I grew an important skill: knowing when to ignore myself!&lt;/p&gt;
&lt;p&gt;So that was Monday: my inner voice had a lot to say about how miserable he was. But these days it&#39;s easier to say, &amp;quot;cool story, bro, but we have things to do&amp;quot;. That sour version? I can wait him out while I move on with my day. A bit of keep-busy here, some mindless scrolling there, an attentive version of &amp;quot;going through the motions&amp;quot;, and counting on a night of sleep to wash it all clean. Worked like a charm, Tuesday was lovely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.artic.edu/artworks/109529/reminiscence-of-a-cathedral&#34;&gt;Reminiscence of a Cathedral&lt;/a&gt;, oil on canvas by František Kupka. (Interesting to compare with the Norman Lewis cathedral from &lt;a href=&#34;https://mlarson.org/2025/01/01/2024-week-52-the-remnants/&#34;&gt;2024 week 52&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/122700/torso-of-a-young-man&#34;&gt;Torso of a Young Man&lt;/a&gt;, sculpture in colored plaster by Raymond Duchamp-Villon.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://collections.si.edu/search/detail/edanmdm:nmafa_2005-6-2&#34;&gt;Benin/Edo crest mask&lt;/a&gt; in copper alloy and iron.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.brooklynmuseum.org/opencollection/objects/28769&#34;&gt;Harrowing&lt;/a&gt; woodcut block print by Wharton Esherick.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/234972/small-town-by-day-badische-kleinstadt-bei-tage&#34;&gt;Small Town by Day (Badische Kleinstadt bei Tage)&lt;/a&gt;, oil painting on board by Georg Scholz.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I finished running every street in another neighborhood. At least, where I drew my boundaries for one – the &lt;a href=&#34;https://en.wikipedia.org/wiki/Prospect_Lefferts_Gardens&#34;&gt;Lefferts&lt;/a&gt;/&lt;a href=&#34;https://en.wikipedia.org/wiki/East_Flatbush,_Brooklyn&#34;&gt;Flatbush&lt;/a&gt; area between Empire, Parkside, Linden, and Utica.&lt;/p&gt;
&lt;p&gt;That last run was a very &amp;quot;thinky&amp;quot; one, similar to my Monday experience. Temps were in the mid-20s, strong winds, and I was just tired. I had to fine-tune what I paid attention to in my body, balancing exertion to make progress and stay warm vs. overheating that leads to sweating and chills.&lt;/p&gt;
&lt;p&gt;And same for my mind, starting out with a steady stream of &amp;quot;I don&#39;t want to go. Is this worth it? I&#39;m tired. This is boring. I could turn back – it will be here next weekend. Etc.&amp;quot; That was the first two-thirds of the run. And then it flipped. Suddenly I was 2 or 3 miles from wrapping up a months-long goal, new wind in my sails, and the jog home felt easier than when I first stepped out. The mind is a funny thing.&lt;/p&gt;
&lt;p&gt;I also took accidental pocket photos.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/linden-at-schenechtady-1.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10655&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Middlemarch. I&#39;m loving how detailed the characters are. We understand their mannerisms, their differences in speech, what they say, their own thoughts on what they&#39;re saying and reacting to. Eliot uses the omniscient perspective well. I&#39;m charmed, hope it keeps up. Perhaps I&#39;ll share some quotes every now and then...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The mere idea that a woman had a kindness towards him spun little threads of tenderness from out his heart toward hers.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;We mortals, men and women, devour many a disappointment between breakfast and dinner-time; keep back the tears and look a little pale about the lips, and in answer to inquiries say, &amp;quot;Oh, nothing!&amp;quot; Pride helps us; and pride is not a bad thing when it only urges us to hide our own hurts-not to hurt others.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Brooke is a very good fellow, but pulpy; he will run into any mould, but he won&#39;t keep shape.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;He was gradually discovering the delight there is in frank kindness and companionship between a man and a woman who have no passion to hide or confess.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;His efforts at exact courtesy and formal tenderness had no defect for her. She filled up all blanks with unmanifested perfections.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jaramontez.substack.com/p/messing-around-and-not-finding-out&#34;&gt;What could we gain if adults reclaimed the freedom to play&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&amp;quot;Now I think the best response to losing is to take it as easily as possible. Maybe not enjoyment, but &lt;a href=&#34;https://www.jdilla.xyz/post/257&#34;&gt;bemusement if you can manage it&lt;/a&gt;.&amp;quot; Reminded me of &lt;a href=&#34;https://x.com/jameelahjnba/status/1875578733530358189&#34;&gt;Hawks player Larry Nance Jr. on staying balanced after wins and losses&lt;/a&gt;: &amp;quot;An old saying one of my vets taught me was, &#39;What do we do with shit? Flush it and move on.&#39; […] Always, the most important game is the next one.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://publicdomainreview.org/collection/photographs-of-snowmen/&#34;&gt;Photographs of Snowmen (1854–1950)&lt;/a&gt;. What a lovely collection.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://greentapeblog.substack.com/p/untouched-policy-areas&#34;&gt;Untouched Policy Areas: Pre-packaged ideas for the budding wonk&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The &lt;a href=&#34;https://psycnet.apa.org/fulltext/2025-63998-001.html&#34;&gt;boomerask starts with someone asking a question&lt;/a&gt;, but—like a boomerang—the question returns quickly to its source.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.npr.org/2024/12/17/nx-s1-5223668/apprenticeships-are-a-trending-alternative-to-college-but-theres-a-hitch&#34;&gt;Demand for apprenticeships&lt;/a&gt; is outpacing their availability.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Requiring students to take general courses to demonstrate competencies that AI can replicate serves no educational purpose. The &lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/ai-aced-your-states-gen-ed-now-what&#34;&gt;university’s role in the AI era is teaching students how to participate individually in knowledge creation&lt;/a&gt;, not just knowledge consumption.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://macwright.com/2025/01/11/predictions.html&#34;&gt;Websites will be increasingly aware that they’re being consumed by AI&lt;/a&gt;, and they will have a vested interest in messing with the way AI ‘perceives’ them.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://passo.uno/tech-writing-predictions-2025/&#34;&gt;Technical writing predictions for 2025&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;This is your update about &lt;a href=&#34;https://schoolgirlmilkycrisis.com/2025/01/06/surviving-in-cashless-china-2025/&#34;&gt;getting by as a visitor to a China that has tried to remove all cash from daily life&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;I like &lt;a href=&#34;https://faces.notion.com/&#34;&gt;Notion&#39;s face-maker&lt;/a&gt;. A self-portrait, as of January 2025:&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/mark-notion-face.png?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10657&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
I spent most of my time with a couple more from Blood Incantation (picking up from &lt;a href=&#34;https://mlarson.org/2024/12/15/2024-week-50/&#34;&gt;2024 week 50&lt;/a&gt;)…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6MGQlAscBNKcBRX3VqkrvZ&#34;&gt;Timewave Zero&lt;/a&gt;. Loving this album – relaxing, dreamy, drony, ominous ambient/electronic drifts.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/34U0n1oAE5mwgdaIBrcIck&#34;&gt;Hidden History of the Human Race&lt;/a&gt;. Start contrast: very not-relaxing, nightmarish metal riffs and guttural screams. The range!&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;SML, &lt;a href=&#34;https://open.spotify.com/album/3DpHrOJuKw6QSfcvLNanRO&#34;&gt;Small Medium Large&lt;/a&gt;. Exploratory… jazz? Electronic? Whatever you can do with bass, synthesizer, saxophone, percussion, and guitar, you&#39;ll find it here. It&#39;s cool!&lt;/p&gt;
&lt;p&gt;The Durutti Column, &lt;a href=&#34;https://open.spotify.com/album/05V4gFM4ZIkotmDJxAGLl9&#34;&gt;Fidelity&lt;/a&gt;. I have a hard time situating this album in 1996. Maybe with so much of the band&#39;s history in the &#39;80s, it&#39;s impossible not to have some of that sound carry on with them. I like the submerged feeling of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2NFNxyrLNiyGFDAP5QWx3I&#34;&gt;Grace&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Ajate, &lt;a href=&#34;https://open.spotify.com/album/6DOl93R7nPSSx5ZXR9i22T&#34;&gt;Dala Tuni&lt;/a&gt;. High-energy afrobeat. I love the buzzing marimbas in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4JZWpG7XkOW97obvl22Suk&#34;&gt;Waya Yawa&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Foe_(film)&#34;&gt;Foe&lt;/a&gt;. Kind of clunky. It has an interesting concept strangled by weird choices. At first I thought the method was roundabout Malickian dreaminess, but later concluded it&#39;s just… bad construction. The leads are supposed to be sad and torn, but they come off as inconsistent, wooden, and a little insane. Aaron Pierre is a compelling presence, thought, so I&#39;ll move &lt;em&gt;Rebel Ridge&lt;/em&gt; higher on my watchlist.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Goblet_of_Fire_(film)&#34;&gt;Harry Potter and the Goblet of Fire&lt;/a&gt;. Hormones are raging at Hogwarts! Continues the darkness from #3, and we even get our first death. Interesting to see an increase in embedded handheld/steadicam shots.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e3 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Teliko&#34;&gt;Teliko&lt;/a&gt;&amp;quot;. At the very least, it led to a fun use of ChatGPT: making it tell me a few &lt;a href=&#34;https://en.wikipedia.org/wiki/Bambara_people&#34;&gt;Bambara&lt;/a&gt; folktales.&lt;/p&gt;
&lt;p&gt;Severance, s1e1-2. Really happy with the rewatch so far, connecting the tidbits that I didn&#39;t know what to do with the first time around.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2025, Week 1</title>
    <link href="https://mlarson.org/2025/01/05/2025-week-1/"/>
    <updated>2025-01-05T16:43:23.000Z</updated>
    <id>https://mlarson.org/2025/01/05/2025-week-1/</id>
    <content type="html">&lt;p&gt;For the first time in a long time, I didn&#39;t make it to midnight on New Year&#39;s Eve. Jetlag took me down early, and I was too drowsy to set the 11:50pm alarm I&#39;d told myself I would just a little while earlier. But I woke up and took a walk in the park and saw a new sunrise on familiar streets, a celebration in its own way. I appreciate how many good things came my way in 2024 – wedding, graduating school, new job, family visits – and plenty of other small victories here and there. What do I want from 2025?&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;And &lt;a href=&#34;https://books.google.com/books?id=kU8sAwAAQBAJ&amp;amp;pg=PA253&amp;amp;dq=rilke%20%22full%20of%20things%20that%20have%20never%22&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ei=XuqzVI6EK5LksASAzoKgBQ&amp;amp;ved=0CB0Q6AEwAA&amp;amp;utm_source=substack&amp;amp;utm_medium=email#v=onepage&amp;amp;q&amp;amp;f=false&#34;&gt;now let us believe in a long year that is given to us, new, untouched, full of things that have never been&lt;/a&gt;, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.&amp;quot; (&lt;a href=&#34;https://wilkinson.substack.com/p/welcome&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
I fulfilled my &lt;a href=&#34;https://mlarson.org/2024/12/22/2024-week-51/&#34;&gt;2024 week 51&lt;/a&gt; hope of seeing the &lt;a href=&#34;https://nicellebeauchene.com/exhibitions/gees-bend-my-way-today/&#34;&gt;exhibition of Gee&#39;s Bend quilts at the Nicelle Beauchene Gallery&lt;/a&gt;. Worth clicking through their gallery there, but to call out a couple favorites:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Marlene Bennett Jones&#39;s &amp;quot;&lt;a href=&#34;https://nicellebeauchene.com/wp-content/uploads/2024/09/mbjones025.jpg&#34;&gt;Gee&#39;s Bend Pockets (2024)&lt;/a&gt;&amp;quot;, made me think of barns and corduroy farmland.&lt;/li&gt;
&lt;li&gt;I like how the checkerboard quilt from Rita Mae Pettway, &amp;quot;&lt;a href=&#34;https://nicellebeauchene.com/wp-content/uploads/2024/09/rmpettway001-1.jpg&#34;&gt;My Way (2017)&lt;/a&gt;&amp;quot; used a few different shades in the lighter-colored squares, and the overstitching guides your eyes across.&lt;/li&gt;
&lt;li&gt;The photo of &amp;quot;&lt;a href=&#34;https://nicellebeauchene.com/wp-content/uploads/2024/09/hsisters001.jpg&#34;&gt;Star Bright (2023)&lt;/a&gt;&amp;quot; by Mary Hall, Doris Mooney, and Elaine Spencer doesn&#39;t quite do it justice – the ruching gives it a three-dimensionality that only translates in person.&lt;/li&gt;
&lt;/ul&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/looking-at-star-bright-quilt.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10649&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Returned to running after 10 days away while vacationing. Felt good to get back out there. Now I&#39;ve got a three-month window to prep for &lt;a href=&#34;https://www.sassquadtrailrunning.com/squatchapple&#34;&gt;a 20-mile trail race in early March&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Path_of_Daggers&#34;&gt;The Path of Daggers&lt;/a&gt;, finally done. I&#39;ll wait a while before tackling the next in the series. Glad to have momentum again.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Middlemarch&#34;&gt;Middlemarch&lt;/a&gt;. Only a few pages in. I&#39;ve heard raves and I&#39;ve heard rants. What will I think?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
I&#39;m loving &lt;a href=&#34;https://metrograph.com/magazine-issue-1/&#34;&gt;Issue 1 of The Metrograph&lt;/a&gt;. Great collection. From the &amp;quot;Movies Come To This Place for Magic&amp;quot; interview, a couple of fun excerpts:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;Michael Weber: We believe that as magicians, we don&#39;t keep our secrets from our audiences, we keep secrets &lt;em&gt;for&lt;/em&gt; our audiences. […]&lt;br&gt;
Derek DelGaudio: […] There&#39;s this dictum, &#39;Magicians guard an empty safe.&#39; It&#39;s about the disappointment laymen experience when they discover a secret is something simple or banal, like a mirror.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And when telling a story, magic and drama are somewhat at odds:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;There is a fundamental difference between drama and magic. Drama aims to keep the audience wondering, &#39;What happens next?&#39;. But an audience&#39;s reaction to magic is the opposite, it&#39;s reflective. They see something magical and ask, &#39;Wait, what just happened?&#39;&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/01/india-has-too-few-tourists.html&#34;&gt;India has too few tourists&lt;/a&gt; and &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2025/01/how-to-visit-india-for-normies.html&#34;&gt;how to visit India for normies&lt;/a&gt;. I should move it higher on my list?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://sashachapin.substack.com/p/how-to-like-everything-more&#34;&gt;Enjoyment is a skill&lt;/a&gt;. You should buy into this idea, and I like a lot of the suggestions here. &amp;quot;Sometimes, when I encounter creative work by someone from a location I’m not familiar with, I’ll go on Google Street View and take a poke around a neighborhood they’re from, or might be from. I feel like it gives me hints about the lived texture that they’re drawing from or commenting on.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.readtrung.com/p/learning-to-slow-down-time&#34;&gt;Learning to Slow Down Time&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://maggieappleton.com/growing-a-human/&#34;&gt;Growing a Human: The First 30 Weeks&lt;/a&gt;. I appreciate these reflections on something I&#39;ll never experience first-hand.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://zohaib.me/using-llms-and-cursor-for-finishing-projects-productivity/&#34;&gt;Using LLMs and Cursor to become a finisher&lt;/a&gt;. There will be earth-shattering discoveries and breakthroughs to come, but AI will also unlock a lot of progress by unlocking small, incremental progress that wouldn&#39;t have happened otherwise.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/3hewGriGKlgvZGvnZgR85A&#34;&gt;The Messthetics and James Brandon Lewis&lt;/a&gt;. Funky jazzy big-band. Mostly didn&#39;t click with me but I liked the downtempo &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/72wrydKXTIolcr3lVbtqwG&#34;&gt;Railroad Tracks Home&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Mary Halvorson, &lt;a href=&#34;https://open.spotify.com/album/7pyMVbIw7GW24pEge8ufbC&#34;&gt;Cloudward&lt;/a&gt;. Angular jazz ensemble. I like the layers in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3kzhURl4ZZjNjiWhE4GaeQ&#34;&gt;Tailhead&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Alien:_Romulus&#34;&gt;Alien: Romulus&lt;/a&gt;. I have mixed-to-positive feelings, but it is decidedly an &lt;em&gt;Alien&lt;/em&gt; movie, and delivers everything you&#39;d expect. I love that our main android is not especially smart. He&#39;s slow, loyal, vulnerable, needs babysitting. &amp;quot;Let me borrow your robot&amp;quot; is a great starting point. Too bad some of the digital effects looked pretty cheap, the sweeping space vistas for one, but most especially and tragically the rival android – really poor choice. I struggled with the young cast, too. They seem too fresh and healthy for indentured laborers in a mining colony? Nice touch with the dipping birds and the canary in the mine. Lots of fan service, cliches, and echoes, but it ties into the mythology well, and it&#39;s all fun!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e2 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Home_(The_X-Files)&#34;&gt;Home&lt;/a&gt;&amp;quot;. Maybe the grossest, most uncomfortable episodeinbreds, gross, so dark&lt;/p&gt;
&lt;p&gt;CSI: Miami, s6e9. Calleigh&#39;s life is threatened! I&#39;m astounded by the number and length of time-killing filler scenes – their main use of the crime lab.&lt;/p&gt;
&lt;p&gt;Cross, s1e7–8. What a stressful ending! Great wrap-up, and I hope we get another season. The fake-out with the sedatives and faulty execution was brutal. I love the occasional swerves into Shaft mode, in music and tone.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;never underestimate &lt;a href=&#34;https://x.com/drewcoffman/status/1875654820121735271&#34;&gt;the power of going somewhere beautiful and just sitting there&lt;/a&gt;&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 52 + The Remnants</title>
    <link href="https://mlarson.org/2025/01/01/2024-week-52-the-remnants/"/>
    <updated>2025-01-01T16:47:34.000Z</updated>
    <id>https://mlarson.org/2025/01/01/2024-week-52-the-remnants/</id>
    <content type="html">&lt;p&gt;Last week I went to London, which I can confirm is one of the world&#39;s greatest cities. I had one previous whirlwind as a teenager, but remembered it mostly in snapshots, or occasionally unlocking a memory when I retraced the same steps. Visiting during the holiday week was a great choice. Everything was quiet and uncrowded for the first week, and we had an easy time making our own fun when some attractions were closed for a few days.&lt;/p&gt;
&lt;p&gt;On this trip I realized how nice it is to do a vacation on &amp;quot;easy mode&amp;quot;. Sure, it took a couple days to adjust to some basic differences: which side to walk on, how to get from here to there, some vocabulary swaps. But there are huge advantages in using the same language, ubiquitous and speedy public transit (and here I thought I was lucky in NYC), never needing cash, a density of attractions, and pleasant strolling in any direction you care to walk. Big contrast from other international trips, where everything had a bit more friction. It all adds up. Not better or worse, just different.&lt;/p&gt;
&lt;p&gt;We saw a lot of the usual highlights, but I really liked the &lt;a href=&#34;https://www.canalmuseum.org.uk/&#34;&gt;London Canal Museum&lt;/a&gt;. A small one, a bit out of the way, but the narrowboat tour helped crystallize the history and geography I wouldn&#39;t have been able to otherwise. Seeing the &lt;a href=&#34;https://www.canalmuseum.org.uk/history/menu-decades.htm&#34;&gt;maps of England&#39;s canals criss-crossing the country over the centuries&lt;/a&gt; helped understand how coal, ice, and limes – for example – would arrive from Leeds, Norway, and beyond, and how London helped center it all. And seeing how I could take a boat to the places I&#39;d walked just a couple days before. It all felt very alive and connected.&lt;/p&gt;
&lt;p&gt;Another highlight: sitting in bed, propped up with pillows against the headboard, book in my lap, coffee on the side table, nowhere to be and nothing to do but exactly what I wanted.&lt;/p&gt;
&lt;p&gt;Another highlight: finding the &lt;a href=&#34;https://watchhouse.com/en-us&#34;&gt;WatchHouse family of coffee shops&lt;/a&gt;. We ended up visiting five of their locations (Belsize Park, Hanover, Somerset House, Spitalfields, Tower Bridge), each with their own local flavor. I&#39;ll have to check out &lt;a href=&#34;https://watchhouse.com/blogs/locations/watchhouse-5th-ave&#34;&gt;their only NYC location&lt;/a&gt; soon.&lt;/p&gt;
&lt;p&gt;In the time leading up to this trip, if the topic ever came up, I&#39;d ask people for their advice, requesting two items: a &amp;quot;must do&amp;quot; and a &amp;quot;don&#39;t bother&amp;quot;. You can learn a lot this way. There&#39;s a lot of information e.g. in whether or not the answers come easily, and how I respond when I hear them!&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/artists-sketching-tapestry.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10628&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
My favorite work of art from the trip was &lt;a href=&#34;https://collections.vam.ac.uk/item/O72702/the-three-fates-tapestry-unknown/&#34;&gt;The Three Fates / The Triumph of Death&lt;/a&gt;, a tapestry from 16th c. Netherlands at the Victoria &amp;amp; Albert Museum. It&#39;s huge – 8ft x 10ft – and so richly detailed. I learned the word for one style I like more generally – &lt;a href=&#34;https://en.wikipedia.org/wiki/Millefleur&#34;&gt;millefleur&lt;/a&gt;. (I think there&#39;s a parallel here with some music I like – the piles of notes in the Bach-era baroque organ, for example, or polyrhythmic layers in classical Indian percussion, or in 20th-century Steve Reich compositions, etc.).&lt;/p&gt;
&lt;p&gt;Also got a kick out of &lt;a href=&#34;https://en.wikipedia.org/wiki/Lauren_Halsey&#34;&gt;Lauren Halsey&lt;/a&gt;&#39;s installation at the &lt;a href=&#34;https://www.serpentinegalleries.org/whats-on/lauren-halsey-emajendat/&#34;&gt;Serpentine Gallery, emajendat&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;And a few good ones from the Tate Modern:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://www.tate.org.uk/art/artworks/mukherjee-lady-with-fruit-t14329&#34;&gt;Lady with Fruit&lt;/a&gt;, paper collage by Benode Behari Mukherjee. &amp;quot;Mukherjee turned to paper collage as a medium for artistic expression in 1957 when he lost his sight. […] His sight loss restricted him to working with simple shapes in flat colours, with which he was able to compose complex images from memory.&amp;quot; Cool!&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.tate.org.uk/art/artworks/bradford-los-moscos-t13701&#34;&gt;Los Moscos&lt;/a&gt;, mixed media on canvas by Mark Bradford.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.tate.org.uk/research/in-focus/cathedral&#34;&gt;Cathedral (1950)&lt;/a&gt;, oil painting on canvas by Norman Lewis.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.tate.org.uk/art/artworks/baj-fire-fire-t01777&#34;&gt;Fire! Fire!&lt;/a&gt;, oil paint and meccano on woven fabric by Enrico Baj.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Not applicable during this travel week. I thought about packing extra stuff for running, but we already had a healthy interesting schedule. Away from the areas crowded with foreigners like me, London seems like a really fun city to run and get lost in. Next time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
The Path of Daggers, continued. As usual for Robert Jordan, things pick up quite a bit in the second half. Looking forward to finishing in the next couple days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://x.com/elmachuca/status/1873810882574377382&#34;&gt;Jimmy Carter, cyclist&lt;/a&gt;. Got my photo taken with him after a Sunday school session down in Plains, Georgia. Glad he represented my home state so well in office and after.&lt;/p&gt;
&lt;p&gt;An &lt;a href=&#34;https://srajagopalan.substack.com/p/zakir&#34;&gt;appreciation of Zakir Hussain&lt;/a&gt;, RIP. I&#39;m lucky I got to see him perform when I was in college. His charisma was off the charts, contagious joy.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/judysquirrels/status/1871548674645574083&#34;&gt;read the book, get a treat (movie)&lt;/a&gt; is an undefeated teaching strategy. and you can also just keep doing it as an adult!&amp;quot;&lt;/p&gt;
&lt;p&gt;Marya Gates released her annual &lt;a href=&#34;https://oldfilmsflicker.substack.com/p/you-dont-remind-me-of-anyone&#34;&gt;Directed by Women Viewing Guide for the year&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;What is &lt;a href=&#34;https://efosong.net/blog/divisive-film/&#34;&gt;the most divisive film&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.noahpinion.blog/p/yes-americans-are-much-richer-than&#34;&gt;Yes, Americans are much richer than Japanese people&lt;/a&gt;. It&#39;s easy to look at other countries and get jealous, so I appreciate the nuances added here, aspects that don&#39;t make the headlines and that I don&#39;t readily consider – more overtime, more elderly still working instead of retiring, longer commutes, etc..&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.dwarkeshpatel.com/p/notes-on-china&#34;&gt;Dwarkesh Patel&#39;s sketched some notes on China&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Rule #1: &lt;a href=&#34;https://howtomarketagame.com/2021/11/01/dont-build-your-castle-in-other-peoples-kingdoms/&#34;&gt;Build your castle on land you own&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The best, healthiest response […] is to &lt;a href=&#34;https://www.thebulwark.com/p/red-rooms-and-the-webs-intrusive&#34;&gt;reject all this insanity entirely&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;There are two key emotions that drive my research habits: &lt;a href=&#34;https://ldeming.posthaven.com/the-rage-of-research&#34;&gt;wonder, and pure unadulterated rage&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://gregshill.substack.com/p/updating-my-priors-on-self-driving&#34;&gt;Automated vehicles would be a huge positive technology shock to suburbanization&lt;/a&gt; the way trains and elevators were to urbanization.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://davistreybig.substack.com/p/the-ai-native-product-manager&#34;&gt;The AI-Native Product Manager&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2025/01/do-not-dump-rubbish.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10629&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Standards, &lt;a href=&#34;https://open.spotify.com/album/3HNWyNAZRyBkgzNu0ObFJn&#34;&gt;Fruit Galaxy&lt;/a&gt;. A half-hour of clean prog rock instrumentals.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/6ERIx2c5kFBBFj6CEI7BWd&#34;&gt;Sid Meier&#39;s Civilization VI OST&lt;/a&gt;. I appreciate the sunny optimism I hear on this album. Fun to hear &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1Al28t63ThdEhAEfQdFVU5&#34;&gt;Spain (The Medieval Era)&lt;/a&gt;&amp;quot; covering Tarrega&#39;s &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=RLZ_I7J4uEQ&#34;&gt;Recuerdos de la Alhambra&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Deathtrap_(film)&#34;&gt;Deathtrap&lt;/a&gt;. Fun! Full of twists, violates your expectations. I love seeing evil Christopher Reeve.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Twisters_(film)&#34;&gt;Twisters&lt;/a&gt;. It&#39;s fine, gets the job done. Leans a bit too hard on American and trauama, or maybe the problem is that it rushes through it? The spectacle in the movie theatre is cool. No kiss!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Freaky_Friday_(2003_film)&#34;&gt;Freaky Friday (2003)&lt;/a&gt;. I had no idea this was a remake, several times over. I get it, though. Fun, lively, tugs at the heartstrings at just the right moment.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Prisoner_of_Azkaban&#34;&gt;Harry Potter and the Prisoner of Azkaban&lt;/a&gt;. I really loved this one. It&#39;s dark and dreary, heavy vignetting, Dementors looming. Harry carries more anger with him. I like that we don&#39;t have as many record-scratch moments to watch things be magical, we just see it as the story moves along. I wish Ron had more to do, but I liked seeing Hermione&#39;s early reflexive draw to him, and her using magic to… attend more classes. 🙃 I need to get one of those marauder&#39;s maps.&lt;/p&gt;
&lt;p&gt;And that makes 125 movies seen this year. I&#39;ll share my favorites soon.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s4e1 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Herrenvolk_(The_X-Files)&#34;&gt;Herrenvolk&lt;/a&gt;&amp;quot;. We&#39;re going to keep going back to the disappeared sister.&lt;/p&gt;
&lt;p&gt;Columbo, s5e1 &amp;quot;Forgotten Lady&amp;quot;. Janet Leigh as a tragic, murdering dreamer clinging to youth and celebrity that will never return. I found this surprisingly touching?&lt;/p&gt;
&lt;p&gt;Cross, s1e6. I knew the pregnant cop would have a role to play. &amp;quot;Only the road knows.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 51</title>
    <link href="https://mlarson.org/2024/12/22/2024-week-51/"/>
    <updated>2024-12-22T17:09:05.000Z</updated>
    <id>https://mlarson.org/2024/12/22/2024-week-51/</id>
    <content type="html">&lt;p&gt;This week I went to a white elephant party. Aside from a renewed appreciation of Brooklyn brownstones, we took away our prize – a handful of scratch-off lottery tickets. I had no idea they were so awful. Just a really terrible experience, the manual labor, the numbing futility of it all. I felt very… repulsed by it. (That said, I think I&#39;d get a kick out of picking numbers and then watching the TV inevitably not say them.)&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I was thinking the other day about detective shows, and how it&#39;s so common for the protagonists to work cases at a couple different levels across a season. Maybe the primary case is a new string of crimes that&#39;s hot in the community, and that drives the day-to-day. And in parallel, they&#39;ll work something older, more deeper, more personal. Minus the murders, I wonder if that&#39;s a useful frame, the detective mode of living: give your best to something present that needs your more urgent, frequent attention... and also to continue chipping away at something deeper that&#39;s gnawing at you. Do we all need a cold case?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
I wish heard sooner about the &lt;a href=&#34;https://nicellebeauchene.com/exhibitions/gees-bend-my-way-today/&#34;&gt;Gee’s Bend: My Way Today&lt;/a&gt; exhibition at the Nicelle Beauchene Gallery. Hope I can pay a visit early in 2025 before it wraps up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Returned to the Tuesday/Thursday run club cycle after some irregular weeks. On some nights, it&#39;s really annoying to have made the commitment to lead the group, and have to follow through on it. But it&#39;s in the repeatedly showing up that makes it valuable. &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=assQgMpam8s&#34;&gt;We dedicate ourselves daily anew&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;On Saturday morning, my first snowy run of the season.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/12/park-slope-snow.jpg?w=1024&#34; alt=&#34;a man pushes a stroller up a narrow snow-covered sidewalk, as two children and a woman walk in front. the sun is low in the sky and tiny snow flurries scatter the early morning light&#34; class=&#34;wp-image-10623&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Native Nations, cont.&lt;br&gt;
The Path of Daggers, cont.&lt;/p&gt;
&lt;p&gt;I&#39;m trying to decide what my loose reading goals should be for next year. My goal this year was to start 50 books – mission accomplished, 58 started, and many proud DNFs to get there. Back in 2021 &lt;a href=&#34;https://x.com/mlarson/status/1345212176949075969&#34;&gt;I caught up on a bunch of Shakespeare plays&lt;/a&gt;. Next year, I think maybe get I&#39;ll back to tackling some Big Books™? Middlemarch, War &amp;amp; Peace, that sort of thing. We&#39;ll see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://letterboxd.com/journal/favorite-first-time-watches-letterboxd-crew-2024/&#34;&gt;Favorite first-time watches this year&lt;/a&gt; from Letterboxd critics and contributors.&lt;/p&gt;
&lt;p&gt;Ted Gioa submits his &lt;a href=&#34;https://www.honest-broker.com/p/the-100-best-recordings-of-2024-part&#34;&gt;100 best recordings of 2024, part one&lt;/a&gt; and &lt;a href=&#34;https://www.honest-broker.com/p/the-100-best-recordings-of-2024-part-c25&#34;&gt;part two&lt;/a&gt;. And Amanda Petrusich&#39;s &lt;a href=&#34;https://www.newyorker.com/culture/2024-in-review/the-best-albums-of-2024&#34;&gt;list of best albums&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;I start with the question, &lt;a href=&#34;https://annehelen.substack.com/p/the-trouble-with-passion&#34;&gt;What do you want your relationship to paid work to be&lt;/a&gt;?&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;the trick is you can just &lt;a href=&#34;https://x.com/lauren_wilford/status/1868049538977587659&#34;&gt;keep “getting undergrad degrees” in your regular life by going through phases of stuff you’re into&lt;/a&gt;. It’s the ideal lifestyle&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vogue.com/article/joy-of-working-mother&#34;&gt;The Underrated Joy of Being a Working Mother&lt;/a&gt;. &amp;quot;To focus only on her struggles is to miss an equally vital truth: the joy that comes from holding two worlds in tandem, and finding pleasure and meaning in both.&amp;quot;&lt;/p&gt;
&lt;p&gt;An interview &lt;a href=&#34;https://asteriskmag.com/issues/08/the-depths-of-wikipedians&#34;&gt;with Annie Rauwerda from Depths of Wikipedia&lt;/a&gt;. &amp;quot;I think that one shared quality of every single person I&#39;ve met who has stuck around Wikipedia for a long time is that they have very little hesitation to work hard, and they put a low value on their own time.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://uncertaintymindset.substack.com/p/38-agathonicity&#34;&gt;Agathonicity&lt;/a&gt; is usually described as the property of objects getting better with use.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;An Anti-Tag Cloud shows you the most common English words that never appear in a text, visualizing the &amp;quot;negative space&amp;quot; of a literary work.&amp;quot; (&lt;a href=&#34;https://x.com/mattthomas/status/1869557540201402437&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.dwell.com/article/why-is-spains-social-housing-so-well-designed-8421170b&#34;&gt;Why is Spain&#39;s social housing so well-designed&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://philveasley.com/2024/12/21/atlanta-cant-afford-to-punt-on-beltline-rail-part-one-density/&#34;&gt;Atlanta Can’t Afford to Punt on Beltline Rail – Part One: Density&lt;/a&gt; and &lt;a href=&#34;https://philveasley.com/2024/12/22/atlanta-cant-afford-to-punt-on-beltline-rail-part-two-connectivity/&#34;&gt;Part Two: Connectivity&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/12/prospect-park-snow-2.jpg?w=1024&#34; alt=&#34;people and children on sleds enjoy a local park, with snow covering the lawn and the trees under clear blue skies&#34; class=&#34;wp-image-10625&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
A few from Caroline Shaw…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5oqLlMoxkio7QgBi1UrTvN&#34;&gt;In Waves&lt;/a&gt; perf. Ars Nova Copenhagen. I really like the &amp;quot;spray&amp;quot;- or &amp;quot;steam&amp;quot;-like sounds the chorus makes here and there.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5uIPJkIZ84NS5JRCSjF54N&#34;&gt;Rectangles and Circumstance&lt;/a&gt; perf. Sō Percussion. Big fan of this album. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2MmAsQUq95kfDnSb44v4do&#34;&gt;The Parting Glass&lt;/a&gt;&amp;quot; is so lovely – vibraphone + voice is a winning combo. I love the way the percussion droops out of tune, turning the harmonies a little sour and bittersweet.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4x3lcIUqcJysRoZViDvOtT&#34;&gt;Leonardo da Vinci OST&lt;/a&gt;. It is simply not very interesting!&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;VOCES8, &lt;a href=&#34;https://open.spotify.com/album/2Exgfl1QJmgXPRCdqkwM1f&#34;&gt;Nightfall&lt;/a&gt;. Pleasant choral arrangements to pluck at the heartstrings. Sigur Rós &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2f9SS1yJpq3452wIbVQeT1&#34;&gt;Fljótavik&lt;/a&gt;&amp;quot;, Max Richter&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4bvkafKw9uQ1FMfRDojA37&#34;&gt;On the Nature of Daylight&lt;/a&gt;&amp;quot;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1J1MMs8iTuFHtttMlor6cB&#34;&gt;Zelda&#39;s Lullaby&lt;/a&gt;&amp;quot; was a fun surprise!&lt;/p&gt;
&lt;p&gt;Bruce Liu, &lt;a href=&#34;https://open.spotify.com/album/5j5eLlvzM8KBh6vljwgbpz&#34;&gt;Waves: Music by Ravel, Rameau, Alkan&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Handel, &lt;a href=&#34;https://open.spotify.com/album/2IFgI4ijeTkuhSqi9dofNU&#34;&gt;8 Great Suits for Harpsichord&lt;/a&gt; perf. Asako Ogawa. The &lt;a href=&#34;https://open.spotify.com/track/5111XDUxXhatPMqBavw3vm&#34;&gt;Allemande from HWV 426&lt;/a&gt; is really nice.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/0ry4PoMgbP3OPSqlooFhVi&#34;&gt;Schubert: Chamber Works&lt;/a&gt; perf. Tetzlaff, Tetzlaff, and Vogt. I like the &lt;a href=&#34;https://open.spotify.com/track/4eb1h7eeKv71E6toNEfvEf&#34;&gt;Adagio from D.821&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.imdb.com/title/tt17072038/&#34;&gt;Happer&#39;s Comet&lt;/a&gt;. Vignettes from the middle of the night in the suburbs. Almost no speaking, just observation, very meditative… and weird, because people are! Roller skates, corn fields, glowing lights, chirping frogs and bugs.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Chamber_of_Secrets_(film)&#34;&gt;Harry Potter and the Chamber of Secrets&lt;/a&gt;. The kids grew about 5 years in the year between movies. I&#39;m glad they dialed down the &amp;quot;look how magical&amp;quot; moments, and amped up the stress levels – I audibly gasped when Hermione got petrified. And while &lt;a href=&#34;https://mlarson.org/2024/12/15/2024-week-50/&#34;&gt;last week I complained about quidditch&lt;/a&gt;, I recognize now that those scenes are useful for a bathroom/snack breaks. Only two movies in, but so far I&#39;m glad to be rewatching this series.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Batman_Returns&#34;&gt;Batman Returns&lt;/a&gt;. This time around, I really appreciated all the kooky sets. And I like the chaotic circus henchmen, and the Penguin&#39;s theatrical flair, always playing to the cameras. I should watch more Michell Pfeiffer? For as long as she&#39;s been going, I haven&#39;t seen that many of her films. (&lt;a href=&#34;https://mlarson.org/2015/02/08/batman-returns-it-had-been-a-long-time-since-id/&#34;&gt;my previous viewing&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Cross, s1e5. I like that we spent most of the episode in one building, a good way to escalate this turning point in the movie. The almost-escape scene was really solid – I don&#39;t think I&#39;ve seen anything quite like it. Cross&#39; pride will be his ruin – don&#39;t play with your food!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 50</title>
    <link href="https://mlarson.org/2024/12/15/2024-week-50/"/>
    <updated>2024-12-15T18:28:21.000Z</updated>
    <id>https://mlarson.org/2024/12/15/2024-week-50/</id>
    <content type="html">&lt;p&gt;This week my team at work had an off-site gathering. Highlight was learning improv for a couple hours. Mark of 10 years ago would not have been so ready to fully commit. It&#39;s really cool to see and feel how much more comfortable I am in my own skin, a feeling of safety, new perspective on what counts as risky.&lt;/p&gt;
&lt;p&gt;I also did my first escape room, which was amusing.&lt;/p&gt;
&lt;p&gt;Lowlight was sitting down for dinner in a fancy restaurant for a couple hours. I appreciate the generosity, but… they&#39;re not for me. I find restaurants more and more tedious. Impatience? Casualization of taste?&lt;/p&gt;
&lt;p&gt;We also had an office holiday party this week, which I skipped entirely. It made me think back to earlier in career, another period where I was fully bought-in to a role and team, and how much more time I invested in the social side of things. Spending time with out-of-towners, joining team events, etc.. I remember how I felt a little mild annoyance with the never-joiners… and now I am one. Perhaps I can take it as a sign of better boundaries and more compelling opportunities outside of work, the perks of growing older and wiser?&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/12/subway-tile-mosaic-flower.jpg?w=786&#34; alt=&#34;a mosaic made of small shiny tiles, depicting two flowers with red petals, dark green leaves, and yellow centers&#34; class=&#34;wp-image-10605&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Incredible glaze on this &lt;a href=&#34;https://www.britishmuseum.org/collection/object/A_Franks-213-A&#34;&gt;Qing dynasty porcelain vase&lt;/a&gt;. (&lt;a href=&#34;https://x.com/bryancsk/status/1866003912240837086&#34;&gt;via&lt;/a&gt;) I like how The British Museum can let you search by &lt;a href=&#34;https://www.britishmuseum.org/collection/term/x14440&#34;&gt;culture/period&lt;/a&gt; or &lt;a href=&#34;https://www.britishmuseum.org/collection/term/x9845&#34;&gt;object type&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artsy.net/artwork/daewon-yang-doubt-forest4&#34;&gt;Doubt-Forest4, 2009&lt;/a&gt; acrylic painting by Dae-Won Yang. (&lt;a href=&#34;https://x.com/artistsofcolour/status/1866419089662435348&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Yesterday morning I ran the &lt;a href=&#34;https://www.nyrr.org/Races/NYRRFrosty5K&#34;&gt;NYRR Frosty 5K&lt;/a&gt; and set a new adult-era PR of 24:07, a full minute faster than I ran the Harlem 5K back in August. I could have broken under 24 minutes, but [if I had any excuses, they&#39;d go here], but more importantly – it was super fun! I think I enjoyed the Harlem race more for the surprise of running on streets I don&#39;t know very well. But I can&#39;t deny the boost I got from racing on a loop I&#39;ve done hundreds of times. Big advantage on the climb up Battle Pass Hill – no need to get psyched out, I done it twice a week for years, it&#39;ll be over in a minute, keep pushing, harder!&lt;/p&gt;
&lt;p&gt;Another great reason to get out of bed early on a 24º morning: sunrise on a lake.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/12/prospect-park-lake-frozen.jpg?w=813&#34; alt=&#34;warm sunlight bathes trees on the far side of a frozen lake&#34; class=&#34;wp-image-10606&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://x.com/albrgr/status/1865773401916465602&#34;&gt;Reflections on donating a kidney&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://cassidoo.co/post/ship-it-anyway/&#34;&gt;Not everyone learns best from the top teacher&lt;/a&gt; out there, not everyone enjoys the writing of the most prolific blogger you know, and not everyone uses the most popular app for their problem. You don’t know who might benefit from what you offer.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.rogerebert.com/features/the-top-tens-of-2024&#34;&gt;Each of the critics at RogerEbert.com shared their top 10 movies of the year&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;One of my colleagues had said that &lt;a href=&#34;https://www.npr.org/sections/health-shots/2019/03/28/707561940/a-psychotherapist-goes-to-therapy-and-gets-a-taste-of-her-own-medicine&#34;&gt;the Internet is the most effective short-term, nonprescription painkiller&lt;/a&gt; out there.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.raptitude.com/2009/06/this-will-never-happen-again/&#34;&gt;Tedium and boredom are both patterns of thought&lt;/a&gt;, not circumstance.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.henrikkarlsson.xyz/p/art-gallery&#34;&gt;6 lessons I learned working at an art gallery&lt;/a&gt;. &amp;quot;It is not that I’m some grumpy person who thinks that some people are great and others aren’t, in some predetermined way—I think you can to a large extent decide which kind you want to be. But if someone else isn’t measuring up, I have no idea how to convince them to do so. So I look for people who have already decided.&amp;quot;&lt;/p&gt;
&lt;p&gt;A few nuggets from &lt;a href=&#34;https://www.jdilla.xyz/post/250&#34;&gt;Things learned in 2024 from James Dillard&lt;/a&gt;…&lt;br&gt;
- &amp;quot;78 percent of Christmas hits were &lt;a href=&#34;https://www.cantgetmuchhigher.com/p/well-have-halloween-on-christmas&#34;&gt;penned before 1990&lt;/a&gt;&amp;quot;&lt;br&gt;
- &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Lake_Superior&#34;&gt;Lake Superior&lt;/a&gt; is about the size of the state of Alabama&amp;quot;&lt;/p&gt;
&lt;p&gt;…and from &lt;a href=&#34;https://medium.com/@tomwhitwell/52-things-i-learned-in-2024-75efffe44f15&#34;&gt;52 things Tom Whitwell learned&lt;/a&gt;:&lt;br&gt;
- &amp;quot;London Underground has a distinct form of mosquito, &lt;a href=&#34;https://www.nature.com/articles/6884120&#34;&gt;Culex pipiens f. Molestus&lt;/a&gt;, genetically different from above-ground mosquitos&amp;quot;&lt;br&gt;
- &amp;quot;In the 2020s, over 16% of movies &lt;a href=&#34;https://www.statsignificant.com/p/are-movie-titles-getting-longer-a&#34;&gt;have colons in the title&lt;/a&gt;.&amp;quot;).&lt;/p&gt;
&lt;p&gt;&amp;quot;The core intuition is simply that &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2024/12/how-to-read-a-book-using-o1.html&#34;&gt;you should be asking more questions&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;IMO &lt;a href=&#34;https://x.com/patrickc/status/1866894812932346023&#34;&gt;one of the biggest benefits of travel is just acquiring a scaffold to hang future knowledge on&lt;/a&gt;. Places that had similar embeddings in my mind before I saw them (Chongqing vs Chengdu, Abu Dhabi vs Dubai, Wroclaw vs Warsaw, etc.) become extremely distinct, and future facts become much stickier.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Meditations-Mortals-Embrace-Limitations-Counts-ebook/dp/B0CSBPW9F1&#34;&gt;Meditations for Mortals&lt;/a&gt;. Finished, recommended! &amp;quot;Going through the world with the default belief that it’s full of people or things that need holding at bay is a self-fulfilling prophecy.&amp;quot;&lt;/p&gt;
&lt;p&gt;Native Nations, cont.&lt;/p&gt;
&lt;p&gt;Build a Large Language Model from Scratch, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Blood Incantation, &lt;a href=&#34;https://open.spotify.com/album/7hriIeLMviZKpNfcXgpsd8&#34;&gt;Absolute Elsewhere&lt;/a&gt;. I like how this album balances metal with Pink Floyd-style stadium/galaxy rock.&lt;/p&gt;
&lt;p&gt;Beethoven, &lt;a href=&#34;https://open.spotify.com/album/19Apzp6L4YAIYmbFbkcUts&#34;&gt;Complete Piano Trios&lt;/a&gt; perf. Weiss Kaplan Stumpf Trio.&lt;/p&gt;
&lt;p&gt;E-40, &lt;a href=&#34;https://open.spotify.com/album/3VqKqWHOHYfZqttJ0WwQHl&#34;&gt;My Ghetto Report Card&lt;/a&gt;. Exploring some of the Bay Area sound.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/3NYPxqRid9lHAOHZT5k47c&#34;&gt;Reformation: Keyboard Works by William Bird, Orlando Gibbons, John Bull, &amp;amp; Jan Pieterszoon Sweelinck&lt;/a&gt; per. Mishka Rushdie Momen. &amp;quot;Delicate&amp;quot; is the word that comes to mind. Really lovely.&lt;/p&gt;
&lt;p&gt;Galina Grigorjeva, &lt;a href=&#34;https://open.spotify.com/album/0sntBEnp3VQGq9w9L3QNqv&#34;&gt;Nature morte&lt;/a&gt; perf. Estonian Philharmonic Chamber Choir.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Philosopher%27s_Stone_(film)&#34;&gt;Harry Potter and the Sorcerer&#39;s Stone&lt;/a&gt;. Dated effects, but I&#39;d forgotten this thing is a couple decades old now. We spend a LOT of time showing how magical everything is. Quidditch is not interesting, never has been! The chess match also kills momentum, goes on a bit too long. I forgot that Voldemort was barely present. I appreciate the skill of the talent scouts, they did a great job finding these kids. And I appreciate the characterization through costume – e.g. Hermione with necktie sharply knotted and cinched, Harry&#39;s knotted loosely under an unbuttoned collar, Ron&#39;s untied and draped over his shirt.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Farewell,_My_Lovely_(1975_film)&#34;&gt;Farewell, My Lovely&lt;/a&gt;. The line delivery felt really stilted here. Like they were reading or reciting what they&#39;d memorized, rather than speaking. It didn&#39;t fully make the transition from the page. Fun to see young Charlotte Rampling – don&#39;t think I&#39;d ever seen her without wrinkles, grey hair, etc..&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/P2_(film)&#34;&gt;P2&lt;/a&gt;. I like when horror movies play on common everyday fears, e.g. being trapped in a parking deck with a creep.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Zack_Snyder%27s_Justice_League&#34;&gt;Zack Snyder&#39;s Justice League&lt;/a&gt;. It is a vision all its own, which is great. Surprised by how much I enjoyed it. I was expecting a movie where I&#39;d end up half-watching while scrolling Twitter, but… I was lured int. Like a bunch of 25-minute stories strung together. We need more episodic movies! (&lt;a href=&#34;https://mlarson.org/2024/09/01/2024-week-35/&#34;&gt;I liked that about Furiosa&lt;/a&gt;, too.) And the 4:3 aspect is cool! Widescreen ≠ inherently epic. For as many epic events we see, it&#39;s a shame that our heroes merely look… deeply concerned? when someone dies. Also a funny contrast where Gal Gadot has such limited range, but Wonder Woman is very fun to watch in action scenes. I really like those Parademons henchmen, cute waspy cannon fodder (like the flying monkeys in Wizard of Oz!). Having &lt;a href=&#34;https://en.wikipedia.org/wiki/Joe_Morton&#34;&gt;Joe Morton&lt;/a&gt; as the father of Cyborg is a really great touch, seeing as how &lt;a href=&#34;https://en.wikipedia.org/wiki/Miles_Dyson&#34;&gt;he also led to Skynet&lt;/a&gt;. I wish Superman would use the ice breath more.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Monkey_Man_(film)&#34;&gt;Monkey Man&lt;/a&gt;. The action is bloody and frenetic. I won&#39;t pretend to understand the connection to current Indian politics, beyond the broad strokes. &lt;a href=&#34;https://en.wikipedia.org/wiki/Hijra_(South_Asia)&#34;&gt;Hijras&lt;/a&gt; play a fun role in the film, and the goat &lt;a href=&#34;https://en.wikipedia.org/wiki/Zakir_Hussain_(musician)&#34;&gt;Zakir Hussain&lt;/a&gt; is a minor but prominent character, too, so that&#39;s another good reason to watch.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e24 &amp;quot;Talitha Cumi&amp;quot;. I lost the plot here! Aliens, an ailing mother, The Smoking Man, Mr. X, The Bounty Hunter. All systems going… somewhere.&lt;/p&gt;
&lt;p&gt;Cross, s1e4. My prayers &lt;a href=&#34;https://mlarson.org/2024/12/08/2024-week-49/&#34;&gt;from last week&lt;/a&gt; were answered: we got more scenes of Cross thinking through things. There&#39;s even a &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=PRBSKaTDrqQ&#34;&gt;he&#39;s wired in&lt;/a&gt;&amp;quot;-type moment!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://x.com/dylanoa4/status/1867194667508355349&#34;&gt;i recommend exploring niche interests in public&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;it’s important to know &lt;a href=&#34;https://x.com/confusionm8trix/status/1867264337036918797&#34;&gt;at least one guy who you find really annoying but who is also very similar to you&lt;/a&gt;. it keeps you humble and aware&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 49</title>
    <link href="https://mlarson.org/2024/12/08/2024-week-49/"/>
    <updated>2024-12-08T19:09:14.000Z</updated>
    <id>https://mlarson.org/2024/12/08/2024-week-49/</id>
    <content type="html">&lt;p&gt;I&#39;m typically in the office ~5 days every week. The rare, random days when I decide to work from home are a real treat. That may be the key for me – regularity, with potential for a surprise here and there?&lt;/p&gt;
&lt;p&gt;I was supposed to run in a race in Central Park on Saturday: an irregular event in a place I&#39;m very familiar with. The thought of it became less and less appealing as the day grew closer. Going out of my way to do two laps I&#39;ve already seen plenty of times?&lt;/p&gt;
&lt;p&gt;So I skipped it. And did my usual Saturday morning long run (regularity), filling out my map in Brooklyn, exploring some new-to-me streets (potential surprises) on a sunny 28º morning. I&#39;ll never know what sticking to the plan would have been like, but can&#39;t say I regret my choice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://collections.vam.ac.uk/item/O1770153/woodland-elves-vii-fairyland-lustre-bowl-makeig-jones-daisy/&#34;&gt;Woodland Elves VII&lt;/a&gt;&amp;quot;, bone china with transfer-printing, hand-painting, and lustre glaze by Daisy Makeig-Jones.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.guggenheim.org/artwork/1470&#34;&gt;On Brooklyn Bridge&lt;/a&gt;, oil on canvas by Albert Gleizes.&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://www.slam.org/collection/objects/8886/&#34;&gt;Zapotec ceramic vessel in the form of a seated male figure&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://www.slam.org/collection/objects/7724/&#34;&gt;tatanua funerary mask&lt;/a&gt; from the New Ireland area of Papua New Guinea.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/37939/la-pythie-philippise&#34;&gt;La Pythie Philippise&lt;/a&gt;, bas-relief terracotta by Emile-Antoine Bourdelle.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Build-Large-Language-Model-Scratch-ebook/dp/B0DGQXVK62&#34;&gt;Build a Large Language Model (From Scratch)&lt;/a&gt; by Sebastian Raschka. Part of a weekly book club at work, we&#39;ll see how far I make it.&lt;/p&gt;
&lt;p&gt;Meditations for Mortals, cont.&lt;br&gt;
Native Nations, cont.&lt;br&gt;
The Path of Daggers, cont. (again!)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.openculture.com/2018/07/10-rules-for-students-and-teachers.html&#34;&gt;10 Rules for Students and Teachers&lt;/a&gt;. &amp;quot;Consider everything an experiment.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/bilgeebiri/status/1863937708193648873&#34;&gt;Bilge Ebiri&#39;s top 20 films for 2024&lt;/a&gt;, for now?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=vNC1W2m4Uug&#34;&gt;MGMT playing &amp;quot;Kids&amp;quot; in 2003&lt;/a&gt;. Clearly came a long way since the self-conscious beginners in the video, a lesson for us all.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nber.org/papers/w33185&#34;&gt;Big-city people walk faster&lt;/a&gt; than they used to. (&lt;a href=&#34;https://x.com/calebwatney/status/1864710128970104919&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://worksinprogress.co/issue/progress-unmoored/&#34;&gt;Cruise ships continue to grow&lt;/a&gt;: a natural experiment in what can be achieved outside the constraints that have stifled progress on dry land.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://notes.andymatuschak.org/zUVSwsgstnaSQ5XfxzEjSnF&#34;&gt;Conversation with others&lt;/a&gt; often emphasizes the most well-understood elements of an idea.&amp;quot;&lt;/p&gt;
&lt;p&gt;I&#39;d never thought about &lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/higher-ed-musings-18&#34;&gt;citation in the age of AI&lt;/a&gt;, until now. Chicago beats MLA?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://everyuuid.com/&#34;&gt;Every UUID&lt;/a&gt; and a &lt;a href=&#34;https://eieio.games/blog/writing-down-every-uuid/&#34;&gt;write-up on building it&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Highlight of the week: Kevin Puts, &lt;a href=&#34;https://open.spotify.com/album/5PQGkdFsN5tKWuN0jEnOcC&#34;&gt;Marimba Concerto, The City, &amp;amp; Oboe Concerto No. 2 &amp;quot;Moonlight&amp;quot;&lt;/a&gt; perf. Katherine Needleman, Ji Su Jung, Baltimore Symphony Orchestra cond. Marin Alsop. Marimba was my favorite instrument to play, back when I was deeper into music in high school and college. The concerto is a beautiful piece, had me falling in love again.&lt;/p&gt;
&lt;p&gt;I continued the &lt;a href=&#34;https://mlarson.org/2024/12/01/2024-week-48/&#34;&gt;old-school French from last week&lt;/a&gt; with a couple more from Guillaume Dufay…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4BwaHqS3pJ2rMxlB12PA23&#34;&gt;Le Prince d&#39;amours&lt;/a&gt; perf. Ensemble Gile Binchois.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/08X1wmecERqlwq1wntbFK5&#34;&gt;Choral Music&lt;/a&gt; perf. Cantica Symphonia.&lt;/li&gt;
&lt;li&gt;…and Johannes Ockeghem, &lt;a href=&#34;https://open.spotify.com/album/3W8fwFTzwmKuf3ebuMRu0S&#34;&gt;Missa &amp;quot;De Plus en Plus&amp;quot;; Chansons&lt;/a&gt;, perf. Orlando Consort. I remember studying the mass in college. Funny feeling, that little tickle of recognition after 20 years.&lt;/li&gt;
&lt;li&gt;…and Guillaume de Machaut, &lt;a href=&#34;https://open.spotify.com/album/6SzwZf9xhQz4yUguMZcoLs&#34;&gt;Sacred and Secular Music&lt;/a&gt; perf. Ensemble Gilles Binchois. Monk chanting kinda stuff.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The Human League, &lt;a href=&#34;https://open.spotify.com/album/3ls7tE9D2SIvjTmRuEtsQY&#34;&gt;Dare!&lt;/a&gt;. It&#39;s sad how many bands I know for one (1) great song (&amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3L7RtEcu1Hw3OXrpnthngx&#34;&gt;Don&#39;t You Want Me&lt;/a&gt;&amp;quot;), and only many decades later do I learn they have a lot of great songs (like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2fGpjXZR9z1DtlQnsgYQ1o&#34;&gt;Do Or Die&lt;/a&gt;&amp;quot;)! A good reminder as the year wraps up and best-of lists arrive: there are treasures to find everywhere you care to look.&lt;/p&gt;
&lt;p&gt;Lucio Battisti, &lt;a href=&#34;https://open.spotify.com/album/7DIw5oirhByDrDcsyyv8G3&#34;&gt;Una giornata uggiosa&lt;/a&gt;. Italian pop recommended to me at work. Reminds me a bit of Gipsy Kings crossed with… something else I can&#39;t quite put my finger on. The guitar in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0CpBkpROP57jLvuiFQd4GP&#34;&gt;Gelosa cara&lt;/a&gt;&amp;quot; made me think of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5K3aLetDYAPtX1q0PTR1a5&#34;&gt;Used Ta Be My Girl&lt;/a&gt;&amp;quot;. The soft rock in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2g3wyAWIAvmjfZ8K6Jb4Zn&#34;&gt;Con il nastro rosa&lt;/a&gt;&amp;quot; made me think of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7qw4F9ebIh2z1dSBpJMfdt&#34;&gt;Seabird&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Anne Paceo, &lt;a href=&#34;https://open.spotify.com/album/7FOsfHcovB9NrvNqDKZFTS&#34;&gt;S.H.A.M.A.N.E.S&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2EJF3EdnuLtLNVNafgP08h&#34;&gt;Reste un oiseau&lt;/a&gt;&amp;quot; is the pick here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Monolith_(2022_film)&#34;&gt;Monolith&lt;/a&gt;. A disgraced journalist-turned-podcaster goes kooky when chasing down a story. A solo performance, like &lt;a href=&#34;https://mlarson.org/2024/04/21/2024-week-16/&#34;&gt;&lt;em&gt;The Listener&lt;/em&gt; and others I recommended in week 16&lt;/a&gt;. I&#39;d recommend &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Vast_of_Night&#34;&gt;The Vast of Night&lt;/a&gt; for other powerful over-the-phone storytelling. Echoes of &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Annihilation_(film)&#34;&gt;Annihilation&lt;/a&gt; at the climax.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Red_Rooms&#34;&gt;Red Rooms&lt;/a&gt;. Along the same lines of tech-enabled perversion when chasing down a story… phew! This draws you into the most queasy, vile territory. We never directly see much violence, but we see the harm it does to people who feed on it. Our protagonist is uncomfortably lacking in affect – except a horrifying climax where she participates in an auction.&lt;/p&gt;
&lt;p&gt;Lots of medieval allusions at play. She uses the screenname &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lady_of_Shalott&#34;&gt;LadyOfShallott&lt;/a&gt;&amp;quot;, and has &lt;a href=&#34;https://www.artchive.com/artwork/the-lady-of-shalott-john-atkinson-grimshaw-1878-united-kingdom/&#34;&gt;a painting of the character&lt;/a&gt; on the wall of her mostly-empty apartment (which is high in a tower, where she observes the darkest parts of life remotely from the web, mostly nocturnally, and comes out because she finds a male figure so compelling...). The killer&#39;s last name is &amp;quot;Chevalier&amp;quot;. She drinks wine from a silver chalice, and wears a &lt;a href=&#34;https://en.wikipedia.org/wiki/Crosses_in_heraldry&#34;&gt;cross bottony&lt;/a&gt;. And there&#39;s an olde-style period instrument soundtrack, but with modern (dis)harmonies.&lt;/p&gt;
&lt;p&gt;Really solid movie I probably can&#39;t bear to watch again. An even better movie about a woman obsessed with criminal court proceedings: &lt;a href=&#34;https://en.wikipedia.org/wiki/Saint_Omer_(film)&#34;&gt;Saint Omer&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Hundreds_of_Beavers&#34;&gt;Hundreds of Beavers&lt;/a&gt;. Made me feel alive again! Talk about a palate cleanser. A masterclass in escalation. Zany blend of animation and practical effects, Looney Tunes silliness and an improv troupe&#39;s &amp;quot;why not?&amp;quot; go-for-broke attitude. One of my favorites of this year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e23 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Wetwired&#34;&gt;Wetwired&lt;/a&gt;&amp;quot;. TV transmission brainwashing! A reappearance of Mr. X and the Smoking Man. Surprising impact from the scene of Scully paranoiacally tearing apart her hotel room in search of a bug – really well done.&lt;/p&gt;
&lt;p&gt;Cross, s1e2–3. The main villain seems a little too perfect, too slick. His chaotic sidekick is more uncomfortable to watch. Props to grandma for cutting the wires. I like the scenes where we see Cross flexing is psychology expertise, drawing connections, following hunches from longtime experience – more of that, please.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://x.com/glukianoff/status/1863329139912065155&#34;&gt;Never listen&lt;/a&gt; to people who want you to enjoy fewer things.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 48</title>
    <link href="https://mlarson.org/2024/12/01/2024-week-48/"/>
    <updated>2024-12-01T19:22:51.000Z</updated>
    <id>https://mlarson.org/2024/12/01/2024-week-48/</id>
    <content type="html">&lt;p&gt;I went back home for Thanksgiving. And cried when I left, like I usually do. At the airport, my wife asked me what I&#39;m usually feeling in those moments. I could barely get the words out. I&#39;m lucky to have both of my parents still around. As the years pass I recognize more and more that I&#39;ll only get so many of these visits.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I spent an hour mowing the lawn at my parents&#39; house. It used to be a weekly chore, done reluctantly. Returning to it a couple decades later, in colder weather, it was… kinda fun? Clear purpose, fully absorbing, plenty of time for wandering thoughts. I&#39;m glad I don&#39;t have a lawn, but it feels good to appreciate what I once dreaded.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Travel tip: keep a default packing list saved in a note somewhere. Each time you travel, make a copy of it and adjust it for the trip you&#39;re taking.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;One thing Southwest Airlines gets right is how they take drink orders. They come around with a notepad and write them down, then return with drinks on a tray. I think other airlines could take a cue from this. No need to clog up the aisles with big carts (and the constant noise and chatter). Southwest&#39;s version is a more peaceful experience.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
An &lt;a href=&#34;https://www.slam.org/collection/objects/7675/&#34;&gt;Elema standing male figure&lt;/a&gt; made of bark cloth, paint, and fiber.&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;https://www.artic.edu/artworks/146926/untitled-pair-of-vases&#34;&gt;pair of vases by Keith Haring&lt;/a&gt;, ink marker on fiberglass.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artsy.net/artwork/adolphus-washington-love-on-front-street&#34;&gt;Love on Front Street&lt;/a&gt;, mixed media paint and colleage by Adolphus Washington.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/43995/my-backyard&#34;&gt;My Backyard&lt;/a&gt; by Torvalt Arnt Hoyer, oil on canvas.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.metmuseum.org/art/collection/search/747926&#34;&gt;Two men in costume and wearing masks from Huixquilucan at the fiesta of the Huehuenches&lt;/a&gt;, color lithograph by Carlos Mérida.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.guggenheim.org/artwork/2135&#34;&gt;Runner at the Goal&lt;/a&gt; by Paul Klee, watercolor and graphite on paper.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/12/flying-into-atlanta.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10594&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Today was my first run of the season in 20-something degree weather. Good prep for this weekend&#39;s race. As always after five days off, I felt both fresh and out of shape.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Meditations-Mortals-Embrace-Limitations-Counts-ebook/dp/B0CSBPW9F1&#34;&gt;Meditations for Mortals: Four Weeks to Embrace Your Limitations and Make Time for What Counts&lt;/a&gt;. This one is off to a good start. I loved Oliver Burkeman&#39;s previous &lt;a href=&#34;https://www.amazon.com/dp/B0080K3G4O&#34;&gt;The Antidote: Happiness for People Who Can&#39;t Stand Positive Thinking&lt;/a&gt;, and enjoyed &lt;a href=&#34;https://www.amazon.com/dp/B08FGV64B1&#34;&gt;Four Thousand Weeks: Time Management for Mortals&lt;/a&gt;, too.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Native-Nations-Millennium-North-America-ebook/dp/B0CBJPK8W4&#34;&gt;Native Nations: A Millennium in North America&lt;/a&gt;. I thought I DNF&#39;ed, but I got into it again! This book has me brainstorming about a road trip to see Native American sites.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Nightwing-2016-Vol-Leaping-Light-ebook/dp/B09LDDCTSV&#34;&gt;Nightwing: Leaping into the Light&lt;/a&gt;. Dipped into this on impulse. Comics are fun on iPad/iPhone!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Batman-Urban-Legends-2021-Vol-ebook/dp/B09KMGRP2V&#34;&gt;Batman: Urban Legends, Vol. 1&lt;/a&gt;. Before reading this, I took a second to catch up on Batfamily lore and wow, I have missed a ton over the last 30 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.smithsonianmag.com/smart-news/see-newly-discovered-nazca-drawings-depict-llamas-human-sacrifices-more-180985133/&#34;&gt;See Newly Discovered Nazca Drawings That Depict Llamas, Human Sacrifices and More&lt;/a&gt;. &amp;quot;A new A.I.-assisted survey published in the Proceedings of the National Academy of Sciences has found 303 additional geoglyphs in just six months.&amp;quot; The illustrations are super cool – that hummingbird! (&lt;a href=&#34;https://www.pnas.org/doi/10.1073/pnas.2407652121&#34;&gt;original paper here&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.sbnation.com/nba/24306823/nba-fines-charity-donation-nbpa-foundation&#34;&gt;How NBA fines turn bad moments into good deeds&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://thezvi.substack.com/p/repeal-the-jones-act-of-1920&#34;&gt;Repeal the Jones Act of 1920&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Lauren Groff: &amp;quot;Having a really rigid artificial structure allows me freedom within that structure. Having an alarm go off and saying, “That’s the end of my creative day,” that allows you to relax into it. &lt;a href=&#34;https://thecreativeindependent.com/people/author-lauren-groff-on-allowing-for-time-and-space-to-create/&#34;&gt;Having a door that closes implies that the door could be open if I chose to do that&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Nubya Garcia, &lt;a href=&#34;https://open.spotify.com/album/1ZoZu4AeEVIKybGiGgOYdd&#34;&gt;Odyssey&lt;/a&gt;. I appreciate the range and variety on this album, with some intimate jazz, some harder funkier stuff, and some louder big band. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3gvSk09m7tUz3hUa8BCrqF&#34;&gt;Clarity&lt;/a&gt;&amp;quot; is a favorite – bluesy strings and jazz combo, like a mid-&#39;40s movie soundtrack.&lt;/p&gt;
&lt;p&gt;Tonus Peregrinus, &lt;a href=&#34;https://open.spotify.com/album/0Bb5GQ7nB7ig8EzjbXr4Kv&#34;&gt;Leonin/Perotin: Sacred Music from Notre-Dame Cathedral&lt;/a&gt;. Old church monk chanting stuff. It&#39;s nice!&lt;/p&gt;
&lt;p&gt;Guillaume Dufay, &lt;a href=&#34;https://open.spotify.com/album/2EPXwHxS1Ho15U7hwZUJhg&#34;&gt;Dufay: Chansons&lt;/a&gt; perf. Ensemble Unicorn. The music you see in movies when there are people in a castle dancing.&lt;/p&gt;
&lt;p&gt;Chappell Roan, &lt;a href=&#34;https://open.spotify.com/album/1WAjjRMfZjEXtB0lQrAw6Q&#34;&gt;Good Luck, Babe!&lt;/a&gt;. This is the first of her songs I&#39;ve heard (that I&#39;m sure of, anyway). Good pop!&lt;/p&gt;
&lt;p&gt;Duke Pearson, &lt;a href=&#34;https://open.spotify.com/album/2Px6XKffVuuPx6zaTEDwlx&#34;&gt;Merry Ole Soul&lt;/a&gt;. (&lt;a href=&#34;https://x.com/mattthomas/status/1863246837357871482&#34;&gt;via Matt Thomas&lt;/a&gt;, had to go and look it up!)&lt;/p&gt;
&lt;p&gt;Mary Wells, &lt;a href=&#34;https://open.spotify.com/album/0rgnbePrBYNFSaXnCZOcod&#34;&gt;The Definitive Collection&lt;/a&gt;. I like the hoarse blues in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/16ildy0iyj5FkxSacraf8L&#34;&gt;Two Wrongs Don&#39;t Make a Right&lt;/a&gt;&amp;quot; and the softer daydreamy &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7eaBjXFDVVBSB6ZMJGBQqB&#34;&gt;What Love Has Joined Together&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Three episodes of The X-Files as we sprint to the end of season three:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;s3e20 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Jose_Chung%27s_From_Outer_Space&#34;&gt;Jose Chung&#39;s from Outer Space&lt;/a&gt;&amp;quot;. A story-within-a-story approach, about how crazy people can sound when telling their tales. My least favorite episode? Odd parody, humor didn&#39;t land for me. I wonder what people were thinking when they saw it and didn&#39;t have Wikipedia to turn to to process it all?&lt;/li&gt;
&lt;li&gt;s3e21 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Avatar_(The_X-Files)&#34;&gt;Avatar&lt;/a&gt;&amp;quot;. Skinner has a succubus! We see him wounded and vulnerable. We also see how despeate Mulder is for a buddy that will believe with him. I thought this episode looked great – rich shadowy &#39;90s legal thriller vibes.&lt;/li&gt;
&lt;li&gt;s3e22, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Quagmire_(The_X-Files)&#34;&gt;Quagmire&lt;/a&gt;&amp;quot;. A lake monster in Georgia. Scully says Mulder is like Ahab, and the desire to believe is a way of preserving hope.&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 47</title>
    <link href="https://mlarson.org/2024/11/24/2024-week-47/"/>
    <updated>2024-11-24T17:46:29.000Z</updated>
    <id>https://mlarson.org/2024/11/24/2024-week-47/</id>
    <content type="html">&lt;p&gt;Over forty years on Earth and I&#39;m still learning how to manage ebb and flow of a week. One day I went to bed grumpy and sad and tired. The next day I woke up feeling fine, normal, as if nothing had happened. Another day I woke up energized and silly and ready to take on the world, like I&#39;d somehow caffeinated myself in my sleep. Where do these moods come from? The mystery of body chemistry.&lt;/p&gt;
&lt;p&gt;Regardless of what follows, a sunny Sunday morning walk + yoga + waffles + nature documentary is a great way to start your week.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/church-and-van.jpg?w=848&#34; alt=&#34;&#34; class=&#34;wp-image-10584&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A ceramic &lt;a href=&#34;https://www.slam.org/collection/objects/16556/&#34;&gt;Tlapacoya kneeling figurine&lt;/a&gt;. A &lt;a href=&#34;https://www.artic.edu/artworks/210442/pocket-chess-set&#34;&gt;pocket chess set&lt;/a&gt; from Marcel Duchamp. A &lt;a href=&#34;https://www.slam.org/collection/objects/50691/&#34;&gt;Mumuye monkey mask&lt;/a&gt; made of wood, raffia, and fiber.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
My winter running project: running every street in &lt;a href=&#34;https://en.wikipedia.org/wiki/Prospect_Lefferts_Gardens&#34;&gt;PLG&lt;/a&gt;/East Flatbush, and then every street in Park Slope. I&#39;m &lt;a href=&#34;https://www.nyrr.org/races/nyrrtedcorbitt15k&#34;&gt;running a 15k in Central Park&lt;/a&gt; in a couple weeks.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://www.noahpinion.blog/p/america-doesnt-really-have-a-working&#34;&gt;Americans just really like thinking of themselves as “working class”&lt;/a&gt;, no matter how much money they earn or what degrees they have hanging on their wall.&amp;quot; This attitude seems like a blend of &amp;quot;aw shucks&amp;quot; humble popularism and a sort of stolen valor. Seems like bad karma.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.jdilla.xyz/post/248&#34;&gt;How to have a superstar career outside a superstar city&lt;/a&gt;. Love this: &amp;quot;Great work is never the default path so don’t waste your time worrying about what you’re missing out on.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/emollick/status/1860489305136775276&#34;&gt;Being driven mad online is avoidable&lt;/a&gt;.&amp;quot; And some &lt;a href=&#34;https://x.com/emollick/status/1820305105150787939&#34;&gt;reminders about how to stay sane&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://onepercentrule.substack.com/p/how-people-spent-their-time-in-the&#34;&gt;We must build routines&lt;/a&gt; that are not just filled, but fulfilled.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.seangoedecke.com/blockchain-for-beginners/&#34;&gt;Blockchain for beginners&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;An ode and exhortation to the 70% of New Yorkers in the broad middle of city politics. &lt;a href=&#34;https://www.maximumnewyork.com/p/the-sensible-seventy&#34;&gt;This moment is yours if you will claim it&lt;/a&gt;.&amp;quot; See also: &lt;a href=&#34;https://www.maximumnewyork.com/p/you-dont-have-to-feel-bad-about-politics&#34;&gt;You Don&#39;t Have to Feel Bad About Politics&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Native-Nations-Millennium-North-America-ebook/dp/B0CBJPK8W4&#34;&gt;Native Nations&lt;/a&gt;, continued, and &lt;a href=&#34;https://www.amazon.com/Termination-Shock-Novel-Neal-Stephenson-ebook/dp/B08WLWC6GZ&#34;&gt;Termination Shock&lt;/a&gt; – soon to DNF? This one is taking forever to get anywhere...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://watch.metrograph.com/videos/a-laundry-day&#34;&gt;A Laundry Day&lt;/a&gt;. A short film from Johanna Makabi. Like a poem that lands the punch in the final words.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Batman_(film)&#34;&gt;The Batman (2022)&lt;/a&gt;. Didn&#39;t enjoy it as much as the first time, but it holds up pretty well. I still like the moodiness, and the steady drip drip of the detective story, but it felt a bit more flabby on this watch, and a little preachy? Cool to see how precise and sharp Zoë Kravitz&#39; acting can be.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Gosford_Park&#34;&gt;Gosford Park&lt;/a&gt;. Absolutely loved it. Gossipy upstairs/downstairs intrigue and murder mystery, constantly mocking Americans, Hollywood, buffoon cops, catty elites. Kristin Scott Thomas is a natural at snobbery. Love how it takes huge cast and makes it feel natural. You assemble the collage as you go along.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
More Max Richter…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2so1waMMbnpnxmycHyvw24&#34;&gt;In a Landscape&lt;/a&gt;. Lots of flowy, melancholy cello. It&#39;s nice.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5GwkoBYQ4trQO34CZ6RQkg&#34;&gt;The Leftovers: Season 1 OST&lt;/a&gt;. I need to get back to watching the show.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Devonté Hynes, &lt;a href=&#34;https://open.spotify.com/album/6GpdznOxPF43m2khAU2Nsf&#34;&gt;Master Gardener OST&lt;/a&gt;. Love the closing song, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2f69ievtWBoqTPSXxIeFOM&#34;&gt;Space and Time&lt;/a&gt;&amp;quot;, which led me to…&lt;/p&gt;
&lt;p&gt;Mereba:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6EFLaTlCRvOLwMeN1iksAW&#34;&gt;Room for Loving&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;the &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/30JIhqDMtrOsbWDrDwdfyo&#34;&gt;Counterfeit&lt;/a&gt;&amp;quot; single&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/40L9yPrh6yD1ECI3ofNfPc&#34;&gt;The Jungle Is The Only Way Out&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/40ZUYrNTx4WAWN39VkrCOW&#34;&gt;Stay Tru&lt;/a&gt;&amp;quot; made me think of Chloe x Halle&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/35Dh5MnCUPLN3XyAVtQff3&#34;&gt;Do It&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Also in rotation:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Mary J. Blige, &lt;a href=&#34;https://open.spotify.com/album/6F5xlV2Y4NTIAB8rd1gbAy&#34;&gt;Gratitude&lt;/a&gt;. &amp;quot;Need You More&amp;quot;, Jadakiss&#39; voice is so good. &amp;quot;I Got Plans&amp;quot; has a nice throw-back feel.&lt;/li&gt;
&lt;li&gt;Pure Desmond, &lt;a href=&#34;https://open.spotify.com/album/5fIKfz1PGK7M0ZaKHiRJaK&#34;&gt;Audrey&lt;/a&gt;. Clean west coast jazz.&lt;/li&gt;
&lt;li&gt;Adam Ben Ezra, &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/4jNoZ9QkQF5gTeLyS9FfBd&#34;&gt;Can&#39;t Stop Running&lt;/a&gt;&amp;quot;. Really nice upright bass + percussion number.&lt;/li&gt;
&lt;li&gt;Cubiclor, &lt;a href=&#34;https://open.spotify.com/album/3sXK7ip7DA3SZSKeYFbf6Q&#34;&gt;Hardly a Day, Hardly a Night&lt;/a&gt;. Trancy dancy EDM stuff – &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7fESRJ5aMdYZBNzwyjgstS&#34;&gt;Melodies&lt;/a&gt;&amp;quot; is great.&lt;/li&gt;
&lt;li&gt;An excellent playlist: &lt;a href=&#34;https://open.spotify.com/playlist/7cuSREPte5qPqMRvE9PUOZ&#34;&gt;Dance in the Ruins: Nov 2024 mix&lt;/a&gt;. I&#39;ll be giving a few of these albums a proper listen later on.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e19 &amp;quot;&lt;a href=&#34;https://en.m.wikipedia.org/wiki/Hell_Money&#34;&gt;Hell Money&lt;/a&gt;&amp;quot;. Most depressing episode yet? Rare episode where there&#39;s little in the way of supernatural events. It stays focused on beliefs, and the more generic human evil of preying on the vulnerable. I&#39;d never heard of &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Hell_money&#34;&gt;hell money&lt;/a&gt; before.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Cross_(American_TV_series)&#34;&gt;Cross&lt;/a&gt;, s1e1. I&#39;ve only seen Morgan Freeman play Alex Cross. I like Aldis Hodge&#39;s version so far. Curious how they&#39;ll use D.C. to tell the story.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Night_on_Earth_(TV_series)&#34;&gt;Night on Earth&lt;/a&gt;, s1e1. TIL there are &lt;a href=&#34;https://en.wikipedia.org/wiki/Grasshopper_mouse&#34;&gt;mice that hunt scorpions&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;Some metaphor: &lt;a href=&#34;https://x.com/danielgolliher/status/1858579368265519225&#34;&gt;projects require soil to grow in, sunlight to grow toward&lt;/a&gt;. Your soil is not your sunlight. You need both, but they are not the same.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 46</title>
    <link href="https://mlarson.org/2024/11/17/2024-week-46/"/>
    <updated>2024-11-17T17:13:26.000Z</updated>
    <id>https://mlarson.org/2024/11/17/2024-week-46/</id>
    <content type="html">&lt;p&gt;Yesterday I went to the Brooklyn Musem. They&#39;ve had a bit of a glow-up recently, and their &lt;a href=&#34;https://www.brooklynmuseum.org/exhibitions/brooklyn-artists-exhibitions-2024&#34;&gt;exhibition of Brookyn artists&lt;/a&gt; is a lovely way to celebrate it and &lt;a href=&#34;https://tbae.brooklynmuseum.org/&#34;&gt;they have the full collection online&lt;/a&gt;. The &lt;a href=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/d7688-img_1608.jpg&#34;&gt;in memoriam, 2022&lt;/a&gt; quilt &lt;a href=&#34;https://www.claytonokaly.net/&#34;&gt;by Clayton Okaly&lt;/a&gt; was a favorite for me.&lt;/p&gt;
&lt;p&gt;While we were there, we took few minutes to sit down and sketch. I picked one at semi-random, a seated guy leaning with his elbows on a table or bar. Then little observations started adding up, things my eye wouldn&#39;t have seen if I wasn&#39;t using my hands. What else am I missing because I&#39;m not taking enough time to see?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A Yup&#39;ik &lt;a href=&#34;https://www.slam.org/collection/objects/57277/&#34;&gt;nepcetaq mask&lt;/a&gt;. The notes were very helpful: &amp;quot;In the central carving an angalkuq (shaman) stares intently through two bentwood rings, which represent layers of the universe. As mediators between worlds shamans have the ability to travel beyond the everyday realm. Feathers and wooden carvings of hands, feet, fish, and a bird radiate beyond the second, outermost ring. With hands and legs matching the tone of his face the angalkuq seems to reach across the boundaries of the world. He touches that which we cannot see, the inner life of all things.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Termination Shock, continued.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://mlarson.org/2024/09/16/2024-week-37/&#34;&gt;Picking up where I left off&lt;/a&gt; with the project in September, I&#39;ve now run every street in Bed-Stuy. I didn&#39;t expect the wave of satisfaction that hit as I was knocking out the last few blocks. Big smiles.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://ben-mini.github.io/2024/img-0416&#34;&gt;IMG_0416&lt;/a&gt;, a treasure trove of iPhone → YouTube uploads.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.tree.fm/&#34;&gt;Listen to random forest audio with Tree.fm&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;A corollary to &#39;you can just do things&#39;: &lt;a href=&#34;https://x.com/jamesdillard/status/1857098117260218584&#34;&gt;you can just ignore things&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://dontasktoask.com&#34;&gt;Don&#39;t ask to ask, just ask&lt;/a&gt;. &amp;quot;You&#39;re asking people to take responsibility. You&#39;re questioning people&#39;s confidence in their abilities. You&#39;re also unnecessarily walling other people out.&amp;quot; (Thanks, &lt;a href=&#34;https://www.jaramontez.com/&#34;&gt;Jara&lt;/a&gt;!)&lt;/p&gt;
&lt;p&gt;&amp;quot;When you take an occupation that people think they know and point it in another direction, then you create a gap, or chasm. Then the viewer has to help fill that chasm. Well, that’s what art does. You have two poles; &lt;a href=&#34;https://cinema-scope.com/cinema-scope-magazine/master-at-work-paul-schrader-on-master-gardener/&#34;&gt;you get them to a certain point and the spark’s gonna fly&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;Hollis Robbins on the &amp;quot;last mile&amp;quot; problem: &amp;quot;We&#39;re creating a world where AI algorithms serve the majority while &lt;a href=&#34;https://hollisrobbinsanecdotal.substack.com/p/ai-and-the-last-mile&#34;&gt;human insight becomes the ultimate premium service&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Like many pictures in my camera roll, it’s unremarkable. And yet, unlike other pictures taken that night, it conjures up for me &lt;a href=&#34;https://onethingnewsletter.substack.com/p/our-camera-rolls-our-selves&#34;&gt;a potent memory that’s not exactly depicted within the photo, but with a few taps I can always evoke it&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Tourism has become value arbitrage: &lt;a href=&#34;https://onethingnewsletter.substack.com/p/overtourism-destinations&#34;&gt;Invest in an undiscovered place early&lt;/a&gt; so you don’t have to go there when it’s overrun.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mattlakeman.org/2024/11/08/notes-on-guyana/&#34;&gt;Notes on Guyana&lt;/a&gt;. I don&#39;t read the whole text of Lakeman&#39;s posts, but the on-the-ground photos are always interesting.&lt;/p&gt;
&lt;p&gt;&amp;quot;In 31 years of age I think &lt;a href=&#34;https://x.com/jackcalifano/status/1857637478523363378&#34;&gt;I’ve finally discovered the cure to depression and it’s just leaving the house at every single possible opportunity&lt;/a&gt; no matter how badly you don’t want to.&amp;quot; Today is my 1349th consecutive day going outside no matter what, and can vouch that it makes a huge difference.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Civil_War_(film)&#34;&gt;Civil War&lt;/a&gt;. An unlikely family road trip movie, but a team of (bloodthirsty?) journalists. &amp;quot;We don&#39;t ask. We record so other people ask.&amp;quot; They&#39;re not heroes, they&#39;re emotionally deadened thrill-seekers, and the generational trend isn&#39;t good. Distracting to see what&#39;s obviously (to me) Atlanta filmed as NYC. (Seeing the blighted &lt;a href=&#34;https://en.wikipedia.org/wiki/Herndon_Stadium&#34;&gt;Herndon Stadium&lt;/a&gt; was both cool and depressing.) Just seemed a bit sloppy? Between &lt;a href=&#34;https://mlarson.org/2024/06/16/2024-week-24/&#34;&gt;Men&lt;/a&gt;, &lt;em&gt;Annihilation&lt;/em&gt;, and &lt;em&gt;Ex Machina&lt;/em&gt;, &lt;a href=&#34;https://mlarson.org/tag/alexgarland/&#34;&gt;Alex Garland&lt;/a&gt; has a pretty high batting average.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Master_Gardener_(film)&#34;&gt;Master Gardener&lt;/a&gt;. Really loved it, didn&#39;t expect the warmth and sentimentality, and I wasn&#39;t ready for such a hopeful ending. &amp;quot;I never knew what direction it was going to go.&amp;quot; &lt;a href=&#34;https://mlarson.org/2019/01/20/first-reformed/&#34;&gt;I wrote that about Paul Schrader&#39;s First Reformed&lt;/a&gt; – the first of his man-in-a-room trilogy – and the same applies here. Makes me want to rewatch &lt;a href=&#34;https://mlarson.org/2014/08/17/american-gigolo-fantastic-movie-one-current-is/&#34;&gt;American Gigolo&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Grand_Budapest_Hotel&#34;&gt;The Grand Budapest Hotel&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2014/04/06/the-grand-budapest-hotel-i-dig-it-its-got-the/&#34;&gt;the first&lt;/a&gt;). I might still call it my favorite, but would be interested in a _The Darjeeling Limited_rewatch. Not a movie I love, though, and ditto for Anderson as director. I&#39;m glad he&#39;s able to do his thing, though, and hope every director gets to be as weird and specific as they can muster.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Nicolas Deep, &lt;a href=&#34;https://open.spotify.com/album/2RCZIAZxSADWivqdZ1DhwA&#34;&gt;Gata&lt;/a&gt;. Good pulsing work music. I like the group chanting in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/654ARL2uskAZeR9LcxQY5N&#34;&gt;Savan&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Max Richter, &lt;a href=&#34;https://open.spotify.com/album/59iPxpMcIyBldU0R169koT&#34;&gt;On the Nature of Daylight&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7J3pY56iCoeTJYsG4hbT8u&#34;&gt;A Catalogue of Afternoons&lt;/a&gt;&amp;quot; is a good one to keep on loop while you putter through quiet tasks.&lt;/p&gt;
&lt;p&gt;Mongo Santamaria, &lt;a href=&#34;https://open.spotify.com/album/3HdmpBLgGNhLBmIMNsG7uj&#34;&gt;Afro Roots&lt;/a&gt;. So much good stuff in the percussion. I&#39;d love to hear a version without vocals.&lt;/p&gt;
&lt;p&gt;Sun Ra Arkestra, &lt;a href=&#34;https://open.spotify.com/album/3M2BHGIwe9FfyZpQcA436E&#34;&gt;Baby Won&#39;t You Please Be Mine&lt;/a&gt;. I like the shaggy bluesy NOLA feel in the title track.&lt;/p&gt;
&lt;p&gt;Naoki Sato &lt;a href=&#34;https://open.spotify.com/album/4FYa7VdVnVSY02emiVbumj&#34;&gt;六人の嘘つきな大学生 OST&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5pZv9U6V6BIz1MXsG0s8Et&#34;&gt;Chaos&lt;/a&gt;&amp;quot; is a favorite – I love that whirring rise and fall in the opening minutes, like a robot breathing. Also a fan of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7uEmpJ21UKvmxxyoGZVbjz&#34;&gt;Betrayer&lt;/a&gt;&amp;quot;, love a steady pulse that builds and builds. From the composer who brought you the &lt;a href=&#34;https://open.spotify.com/album/493OkghuQsDbJMa0krFlSz&#34;&gt;soundtrack for Godzilla Minus One&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Big Gigantic, &lt;a href=&#34;https://open.spotify.com/album/4kI8vmtGZHrNrc6WWHW5iw&#34;&gt;Brighter Future 2&lt;/a&gt;. Strip mall dance pop. I could barely finish.&lt;/p&gt;
&lt;p&gt;Yusuf Lateef, &lt;a href=&#34;https://open.spotify.com/album/74Nj0ARuGbLOYc3hZt951w&#34;&gt;Suite 16&lt;/a&gt;. Didn&#39;t care for this one, either!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e18 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Teso_Dos_Bichos&#34;&gt;Teso Dos Bichos&lt;/a&gt;&amp;quot;. Another edition of revenge after death x indigenous cultures… but this time through a mob of cats lol.&lt;/p&gt;
&lt;p&gt;The Penguin, s1e1. First sample was pretty good. I like when main characters are getting squeezed from all directions. Sofia Falcone is a compelling foil. I&#39;ve seen NY/NJ mob boss tough-guy characters ten million times, so I&#39;m curious what novelty they&#39;ll bring to it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 45</title>
    <link href="https://mlarson.org/2024/11/10/2024-week-45/"/>
    <updated>2024-11-10T17:38:54.000Z</updated>
    <id>https://mlarson.org/2024/11/10/2024-week-45/</id>
    <content type="html">&lt;p&gt;We elected a new President on my birthday. I&#39;ve gotten better gifts before, but… #WeMove!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I went out for some trailrunning in Harriman State Park on Saturday morning. I wasn&#39;t really familiar with the area. What lovely surprise, though, when we ended up just a half-mile away from the &lt;a href=&#34;https://www.njhiking.com/best-hikes-lemon-squeezer-appalachian-trail/&#34;&gt;Lemon Squeezer&lt;/a&gt; – a part of the Appalachian Trail that squeezes through some looming boulders. I passed through my first time a lifetime ago in 2007. We took a quick side trip to visit again.&lt;/p&gt;
&lt;p&gt;I passed walked into the channel and – feeling the cold rock, hearing the scrape of backpack – the most vivid, visceral memories washed over me. Unexpectedly moving to retrace those steps. Mark v.2007 would not have predicted the details of Mark v.2024, but I think he&#39;d be stoked.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/ridge-running.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10569&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Outlander-Diana-Gabaldon/dp/0385319959&#34;&gt;Outlander&lt;/a&gt;. DNF. I remember this circulating a ton when I was working at the library. Not for me!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Termination-Shock-Novel-Neal-Stephenson/dp/0063028069&#34;&gt;Termination Shock&lt;/a&gt;. Just started, appreciate the early momentum.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jmduke.com/posts/post/projects-are-things-with-steps/&#34;&gt;Projects are things with steps&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.cracked.com/article_18544_how-the-karate-kid-ruined-modern-world.html&#34;&gt;Accomplishing worthwhile things&lt;/a&gt; isn&#39;t just a little harder than people think; it&#39;s 10 or 20 times harder.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://buildingtheskyline.org/housing-twenties/&#34;&gt;The Housing Twenties: New York’s Biggest Building Boom and Its Lessons for Today&lt;/a&gt;. &amp;quot;The period from the Great Depression to America’s entry into World War II (1930 to 1941) […] surpassed housing construction in the best 12 years of the 21st century (2012 to 2023).&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://cassidoo.co/post/driverless-cars-are-comfy/&#34;&gt;I fell asleep in a driverless car&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;I didn’t take animation seriously because it came easily to me. It took me a long time to realize, &lt;a href=&#34;https://slate.com/culture/2024/10/me-movie-don-hertzfeldt-arcade-fire-taylor-swift.html&#34;&gt;maybe it comes easily to me and it’s fun because I’m good at it&lt;/a&gt;. Maybe that’s what a talent is called, but you feel like you have to beat yourself up and do things the hard way or it doesn’t count.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.rogerebert.com/features/the-private-is-public-on-the-10th-anniversary-of-nightcrawler&#34;&gt;A reflection on the 10th anniversary of Nightcrawler&lt;/a&gt;. &amp;quot;As our relationship with cameras and information delivery systems has evolved, the public often finds themselves a spiritual descendant of Lou or Nina, even with good intentions.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.vulture.com/article/quincy-jones-in-conversation.html&#34;&gt;God walks out of the room&lt;/a&gt; when you’re thinking about money.&amp;quot;&lt;/p&gt;
&lt;p&gt;An excerpt from &amp;quot;&lt;a href=&#34;https://writersalmanac.publicradio.org/index.php%3Fdate=2012%252F11%252F26.html&#34;&gt;Any Morning&lt;/a&gt;&amp;quot; by William Stafford…&lt;/p&gt;
&lt;p&gt;Little corners like this, pieces of Heaven
left lying around, can be picked up and saved.
People won&#39;t even see that you have them,
they are so light and easy to hide.&lt;/p&gt;
&lt;div class=&#34;wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular&#34;&gt;&lt;div class=&#34;&#34;&gt;&lt;div class=&#34;tiled-gallery__gallery&#34;&gt;&lt;div class=&#34;tiled-gallery__row&#34;&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:50.00000%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;2000&#34; data-id=&#34;10571&#34; data-link=&#34;https://mlarson.org/?attachment_id=10571&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/fern-valley.jpg?w=1024&#34; data-width=&#34;2000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/fern-valley.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 1 of 2 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:50.00000%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;2000&#34; data-id=&#34;10570&#34; data-link=&#34;https://mlarson.org/?attachment_id=10570&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/rock-face.jpg?w=1024&#34; data-width=&#34;2000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/rock-face.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 2 of 2 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lion_King&#34;&gt;The Lion King (1994)&lt;/a&gt;. Watched as a sing-along. I tell you what: this hits way different as an adult with aging parents!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Crooklyn&#34;&gt;Crooklyn&lt;/a&gt;. Watched on the big screen at BAM. Love the hilarious chaos of a 5-kid household, and the variety of &amp;quot;characters&amp;quot; on the block, and the lively soundtrack, and the shock of travel to foreign lands (Virginia). One of my favorites of the year so far.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Time for Three, &lt;a href=&#34;https://open.spotify.com/album/0e1IEOlxZvKp8GTIGaG4PI&#34;&gt;Letters for the Future&lt;/a&gt;. New music for string trio and orchestra. The strumming and pizzicatto bits in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7sLeSsUnLZ3QhFz8cyGWxD&#34;&gt;The Shallows&lt;/a&gt;&amp;quot; were nice – warm Americana.&lt;/p&gt;
&lt;p&gt;Another round of comparing recordings, ft. Camille Saint-Saëns…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1oPhXu7xxOHkR6GahZs2To&#34;&gt;Organ Symphony; Bacchanale; Danse Macabre; Carnaval des Animaux&lt;/a&gt;. Just now realizing that the &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0Ey7pzfnHQG3frp7dSOnLO&#34;&gt;Aquarium&lt;/a&gt;&amp;quot; is featured heavily in in &lt;em&gt;Days of Heaven&lt;/em&gt;!&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/188sF3GUVq6GqqtpBEMt4v&#34;&gt;Symphony No. 3 / Piano Concerto No. 2&lt;/a&gt;. Don&#39;t think I&#39;d heard the &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4jpMbRTTjZsoMW2I7D41G7&#34;&gt;Introduction and Rondo Capriccioso in A minor, Op. 28&lt;/a&gt;&amp;quot; before, nice surprise.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Samuel Siskind, Fourth Wall Ensemble, Christopher Allen, Johnathan McCullough, &lt;a href=&#34;https://open.spotify.com/album/2Df5Hs2WiiebDdEhxtJj3Q&#34;&gt;Awake&lt;/a&gt;. Lovely chamber/choral opener.&lt;/p&gt;
&lt;p&gt;Svaneborg Kardyb, &lt;a href=&#34;https://open.spotify.com/album/4yITNJlltc0Tiu679pnWu7&#34;&gt;Superkilen&lt;/a&gt;. I like this combination of keyboards and percussion, with some electronica mixed in to expand it. I had the &lt;a href=&#34;https://open.spotify.com/track/177NYovKrzQKIBlThXj0WM&#34;&gt;title track&lt;/a&gt; on repeat for a while.&lt;/p&gt;
&lt;p&gt;Wolfgang Lackerschmid, Chet Baker, &lt;a href=&#34;https://open.spotify.com/album/1wXiZcjOj0oUX4rJqUiOQl&#34;&gt;Ballads for Two&lt;/a&gt;. Trumpet + vibraphone, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/452gFYlDnj6zVU7eodabCH&#34;&gt;Softly As a Morning Sunrise&lt;/a&gt;&amp;quot; is the highlight here.&lt;/p&gt;
&lt;p&gt;Cobrah, &lt;a href=&#34;https://open.spotify.com/album/1m8iEexAVzHTgu9yvqy1Tf&#34;&gt;Succubus&lt;/a&gt;. BDSM pop. Not sure I&#39;d give it &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6rCF7J07DTXu6xHwpNk2mQ&#34;&gt;10/10&lt;/a&gt;&amp;quot;, but it was a welcome injection of novelty. Buckle up!&lt;/p&gt;
&lt;p&gt;Molly Lewis, &lt;a href=&#34;https://open.spotify.com/album/2EaFjK4isYVM689kcpyIAY&#34;&gt;On the Lips&lt;/a&gt;. Lots of whistling and mood-setting – I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/56xlGPNxws5a7RiRf1D9i3&#34;&gt;Lounge Lizard&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e17 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Pusher_(The_X-Files)&#34;&gt;Pusher&lt;/a&gt;&amp;quot;. Trance brainwasher! Skinner as plot point (ht Jara). Holding hands several times, Scully&#39;s concerned expressions. Russian roulette!&lt;/p&gt;
&lt;p&gt;CSI: Miami, s7e12 &amp;quot;Head Case&amp;quot;. I like all the lab work they did in this one. &lt;a href=&#34;https://www.youtube.com/watch?v=CxYvkPzOBUU&#34;&gt;Eric and Calleigh need to sort it out this mess&lt;/a&gt; lol.&lt;/p&gt;
&lt;p&gt;The Terror, s1e9-10. Welp, everyone died! Glad the ending of the show wasn&#39;t as Hickey-centric as I feared. Respectful appreciation of an ensemble cast. Really enjoyed the scene of finding the Northwest Passage.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;In a cemetery once, an old one in New England, I found a strangely soothing epitaph. The name of the deceased and her dates had been scoured away by wind and rain, but there was a carving of a tree with roots and branches (a classic nineteenth-century motif) and among them the words, &amp;quot;&lt;a href=&#34;https://www.amazon.com/Walking-Toward-Morning-Victoria-Safford/dp/098172440X&#34;&gt;She attended well and faithfully to a few worthy things&lt;/a&gt;.&amp;quot; At first this seemed to me a little meager, a little stingy on the part of her survivors, but I wrote it down and have thought about it since, and now I can&#39;t imagine a more proud or satisfying legacy.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 44</title>
    <link href="https://mlarson.org/2024/11/03/2024-week-44/"/>
    <updated>2024-11-03T18:02:16.000Z</updated>
    <id>https://mlarson.org/2024/11/03/2024-week-44/</id>
    <content type="html">&lt;p&gt;This morning I used my extra fall-back hour to do some trailrunning, and it&#39;s just a perfect way to start the week. (Some people will try to tell you that the week starts on Monday, but it does not.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://jackshainman.com/exhibitions/km-exquisitecorpse-2022&#34;&gt;Exquisite Corpse paintings by Kerry James Marshall&lt;/a&gt;. (&lt;a href=&#34;https://tumblr.austinkleon.com/post/765619640243224576&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.slam.org/collection/objects/34107/&#34;&gt;Coptic Tapestry with a Shepherd Milking a Goat&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A gorgeous &lt;a href=&#34;https://collections.mfa.org/objects/588200/snuffbox?ctx=fbebb8ab-c288-4ca1-b054-2e309b98c186&amp;amp;idx=7&#34;&gt;snuffbox from ~1740s Paris&lt;/a&gt;, crafted from gold and mother of pearl.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
On Tuesday night the run club when down to a spooky Halloween house.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/11/halloween-house.jpg?w=1024&#34; alt=&#34;nighttime scene of a large Victorian home covered with Halloween decorations –&amp;nbsp;skeletons, statues, animatronic monsters&amp;nbsp;– and glowing with dramatic purple and orange lighting&#34; class=&#34;wp-image-10560&#34;&gt;&lt;/figure&gt;
&lt;p&gt;I used to take Sundays all or mostly off. One change I&#39;m enjoying lately is following my Saturday long run with a short-to-medium run. Squeezing a little bit more out of tired legs, keeping it chill and exploratory.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Saltwater-Frontier-American-Directions-Narrative/dp/0300207662&#34;&gt;The Saltwater Frontier&lt;/a&gt;. The book has moved on from the more conceptual, sweeping summary material to more nitty-gritty dates-and-facts-and-stats. I&#39;ve enjoyed it, but looking forward to wrapping up soon.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Florida-Lauren-Groff/dp/1594634513&#34;&gt;Florida&lt;/a&gt; by Lauren Groff. Just started, reserving judgement.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
Prep for next year&#39;s Halloween viewing: &lt;a href=&#34;https://www.avclub.com/24-hours-of-horror-with-robert-eggers&#34;&gt;24 Hours of Horror with Robert Eggers&lt;/a&gt;, director of &lt;em&gt;The Witch&lt;/em&gt; and the upcoming &lt;em&gt;Nosferatu&lt;/em&gt; remake. Also &lt;a href=&#34;https://letterboxd.com/jacoboller/list/24-hours-of-horror-with-robert-eggers/&#34;&gt;on Letterboxd&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;A collection of movie visual techniques, like &lt;a href=&#34;https://eyecannndy.com/technique/dolly-zoom&#34;&gt;dolly zooms&lt;/a&gt;, &lt;a href=&#34;https://eyecannndy.com/technique/match-cut&#34;&gt;match cuts&lt;/a&gt;, and &lt;a href=&#34;https://eyecannndy.com/technique/transition#wipe&#34;&gt;wipe transitions&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://melonland.net/zine/issue-2/?z=/zine/issue-2/articles/azure/&#34;&gt;How to Make Pixel Art From an Existing Image&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Friends, &lt;a href=&#34;https://micro.webology.dev/2024/11/02/please-publish-and.html&#34;&gt;I encourage you to publish more&lt;/a&gt;, indirectly meaning you should write more and then share it.&amp;quot; I like the notion that &amp;quot;not every gift needs a bow&amp;quot;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The exact reason I recommend people learn foreign languages: &lt;a href=&#34;https://x.com/scholars_stage/status/1851299864795357646&#34;&gt;smart people need the experience of being wrong&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The bottom line is this: &lt;a href=&#34;https://ofboysandmen.substack.com/p/no-mens-views-on-policy-havent-really&#34;&gt;men do not differ significantly&lt;/a&gt; from women in the importance they attach to various policy issues; and their positions do not appear to have shifted much over the last two years.&amp;quot; I find this somewhat reassuring. Vibes are powerful.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.arguingwithalgorithms.com/posts/cursor-review.html&#34;&gt;How I write code using Cursor: A review&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/I_Know_What_You_Did_Last_Summer&#34;&gt;I Know What You Did Last Summer&lt;/a&gt;. Been a while since I&#39;ve seen it, gets the job done. My 100th movie of the year.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Longlegs&#34;&gt;Longlegs&lt;/a&gt;. Gross and unsettling at times, but maybe would have found it scarier in the theater? I enjoyed seeing Maika Monroe settling in as a distinctive oddball character, and Nicolas Cage is an all-timer.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Naked_City&#34;&gt;The Naked City&lt;/a&gt;. Interesting for its snapshot of 1940s NYC neighborhoods, and a decent little procedural mystery.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Presumed_Innocent_(film)&#34;&gt;Presumed Innocent&lt;/a&gt;. I need to watch more 80s/90s legal thrillers. Great courtroom scenes, always love when they approach the bench and hash things out. Harrison Ford has a lot of range in stillness.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
After hearing one of his songs at the vinyl bar, I dove into Doug Carn&#39;s soulful jazz explorations from the 1970s…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6nVCAPsE1qA3PtygGkEfD6&#34;&gt;Infant Eyes&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0RXSdACguIVM95fP7qJWR1&#34;&gt;Spirit of the New Land&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3ogrIu6fBfBQnoWVtVihCy&#34;&gt;Revelation&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5LW2zEW6PweKPe6WCktWLO&#34;&gt;Doug Carn JID005&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;…and from there into more jazz…&lt;/p&gt;
&lt;p&gt;Sun Ra, &lt;a href=&#34;https://open.spotify.com/album/7ctLai83RmATRYpOO34NL8&#34;&gt;Kingdom of Discipline&lt;/a&gt;. The organ in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5mVpL195MUoEQjHOUSBWYK&#34;&gt;Sophisticated Lady&lt;/a&gt;&amp;quot; is so good. I also liked his recent &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/0bnaGTlAIxSbCcSuS3JDWg&#34;&gt;Lights on a Satellite&lt;/a&gt;&amp;quot; single.&lt;/p&gt;
&lt;p&gt;Ryo Fukui, &lt;a href=&#34;https://open.spotify.com/album/5Uny0mkKiVGDat7H6SNDyS&#34;&gt;Scenery&lt;/a&gt;. Check out &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/51SEkcIzdhHMwJkPkMmRzd&#34;&gt;I Want to Talk About You&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Two from Alfa Mist, &lt;a href=&#34;https://open.spotify.com/album/3joOXpEsCgg8oS1Tba7neT&#34;&gt;Antiphon&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/0sW6bNCjzPlrJM100nIST6&#34;&gt;Variables&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Walter Smith III, &lt;a href=&#34;https://open.spotify.com/album/3B3IjUn7IOaJgc3A9NTnLr&#34;&gt;three of us are from Houston and Reuben is not&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Christian Scott aTunde Adjuah, &lt;a href=&#34;https://open.spotify.com/album/1yEatbNaAycy7doYijdili&#34;&gt;Yesterday You Said Tomorrow&lt;/a&gt;. Covers &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/71tQB5sKtc7bImFPxQTjz0&#34;&gt;The Eraser&lt;/a&gt;&amp;quot;, so that&#39;s cool!&lt;/p&gt;
&lt;p&gt;…and eventually, the genre started to feel a little stale. Or like I&#39;d kept taking spoonfuls without chewing. To change things up I re-visited Camille Saint-Saëns&#39; &lt;a href=&#34;https://open.spotify.com/album/0nCN1vyGp1j2JKjKiQh9rD&#34;&gt;Symphony No. 3&lt;/a&gt;. It hit like a truck, great stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e16 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Apocrypha_(The_X-Files)&#34;&gt;Apocrypha&lt;/a&gt;&amp;quot;. The black oil backstory. I like when Mulder and Scully go off on separate adventures and then team up again after swapping clues. One of the better-shot episodes, good mood.&lt;/p&gt;
&lt;p&gt;Batman: The Animated Series, s1e31 &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0519581/&#34;&gt;Dreams in Darkness&lt;/a&gt;&amp;quot;. Scarecrow episode, a rare one with Batman narrating previous events, like a film noir detective.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 43</title>
    <link href="https://mlarson.org/2024/10/27/2024-week-43/"/>
    <updated>2024-10-27T16:00:56.000Z</updated>
    <id>https://mlarson.org/2024/10/27/2024-week-43/</id>
    <content type="html">&lt;p&gt;Last weekend was &lt;a href=&#34;https://ohny.org/weekend-2/&#34;&gt;Open House New York Weekend&lt;/a&gt;, where you can snoop around a bunch of places that you usually can&#39;t. I went to &lt;a href=&#34;https://en.wikipedia.org/wiki/Brooklyn_Army_Terminal&#34;&gt;Brooklyn Army Terminal&lt;/a&gt; to see some oddball art and open studios.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/10/lab-equipment.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10556&#34;&gt;&lt;/figure&gt;
&lt;p&gt;I think I had a breakthrough on that morning adventure. Namely, getting better at managing hangry-ness. Half the battle is predicting it: when I&#39;m on a long morning adventure, I&#39;m going to get tired, hungry, cranky, frustrated. So I left the house prepared, and arrived home happy rather than desperate.&lt;/p&gt;
&lt;p&gt;With my new wisdom, I implore you: carry snacks. The great enemy of your progress is unresolved tension within!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I got an idea for a spiral running route one night as I was going to bed, so used that for my Saturday long run. The result GPS track, map redacted:&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/10/spiral-gps-route.jpg?w=1000&#34; alt=&#34;&#34; class=&#34;wp-image-10555&#34;&gt;&lt;/figure&gt;
&lt;p&gt;Wasn&#39;t sure how it would feel to run it, but it was a really neat way to revisit familiar territory.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Subtle_Knife&#34;&gt;The Subtle Knife&lt;/a&gt;. DNF. Just couldn&#39;t stay attached.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Saltwater-Frontier-American-Directions-Narrative/dp/0300207662&#34;&gt;The Saltwater Frontier: Indians and the Contest for the American Coast&lt;/a&gt;. Really enjoying this one, with focus on the native, English, and Dutch on the coast up here from Hudson Valley to Cape Cod. We think of colonization as a land-based thing, and underestimate the maritime powers already in place.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://archive.org/details/RPBirdWilliamGibsonInterview0617edit&#34;&gt;William Gibson on a radio interview&lt;/a&gt; with R.P. Bird in 1987. Listening to oddball radio shows late at night – one of those things I remember that my kids probably won&#39;t. (&lt;a href=&#34;https://jomc.substack.com/p/new-cheat-codes&#34;&gt;via Joanne McNeil&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;Here is a (very) &lt;a href=&#34;https://blog.jacobtrefethen.com/nonprofits/&#34;&gt;nonexhaustive list of nonprofits that have helped achieve prosocial outcomes&lt;/a&gt;, that do not currently have enough funding to achieve their greater ambitions.&amp;quot; Lots of good stuff out there.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.mercatus.org/research/policy-briefs/housing-affordability-suggestions&#34;&gt;Boosting Housing Affordability: Practical Suggestions for Congress and the White House&lt;/a&gt;. Interesting to see what opportunities are available, some direct, some bankshots.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.maximumnewyork.com/p/citymeetings-interview&#34;&gt;A lot of people don&#39;t know how government works generally, even if they&#39;re inside it&lt;/a&gt;. They certainly know their piece of it, and they know how to navigate the relationships. They’ll always tell you politics is relationship driven, and it certainly is. And they’re also deeply creative. It requires ingenuity to figure out how to get an agenda through the system.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://caseyhandmer.wordpress.com/2024/10/26/we-can-terraform-the-american-west/&#34;&gt;We can Terraform the American West&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Witches_(1990_film)&#34;&gt;The Witches (1990)&lt;/a&gt;. Fun! Anjelica Huston is such a good diva. Love the handicraft make-up and costuming. Unhinged at times, and maybe feels unsure of its target age. Enjoyed it, though, and enough so that I&#39;d be willing to check out the remake.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Scream_VI&#34;&gt;Scream VI&lt;/a&gt;. I agree with my complaints from &lt;a href=&#34;https://mlarson.org/2024/05/26/2024-week-21/&#34;&gt;my first watch in May&lt;/a&gt;, but also my conclusion: I love this franchise. I like the darkness in our heroine, and focus on the sister relationship as they find their own way through trauma.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
The Smile, &lt;a href=&#34;https://open.spotify.com/album/1wOiuWSlK5pQdpQP8VgH6F&#34;&gt;Cutouts&lt;/a&gt;. Must feel good to reset under a new name, remove the expectations of the old one. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3xUUrRNDXlAjgjVuM9tXDP&#34;&gt;The Slip&lt;/a&gt;&amp;quot; is so good, dark and slippery. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5gG5N9s0axYYfqovvKvo4M&#34;&gt;Eyes &amp;amp; Mouth&lt;/a&gt;&amp;quot; is about as funky as I&#39;ve heard them, and I love how the toms are tuned so loose. The whole album just races by.&lt;/p&gt;
&lt;p&gt;Ngô Hồng Quang, &lt;a href=&#34;https://open.spotify.com/album/3C7WkkrbcsB80RvXUfJkBO&#34;&gt;Nhìn Lại&lt;/a&gt;. I like the mix of old and new. The final ballad &lt;a href=&#34;https://open.spotify.com/track/55iU7MThyZOoSOBXKQ1uls&#34;&gt;Chông Chênh Sông Hồng&lt;/a&gt; is lovely, as is the a cappella &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1TIl6ppKi0TLGbIGvu9i5c&#34;&gt;Có Những Ngày&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Gonchareva, &lt;a href=&#34;https://open.spotify.com/album/7iLZdMjo4yW0O1dyQfhFbP&#34;&gt;Ocean, Symphony for Electric Violin and Other Instruments in 10+ Parts&lt;/a&gt;. The variety of intrumentation is the best part. Not your grandfather&#39;s symphony.&lt;/p&gt;
&lt;p&gt;Bill Evans Trio, &lt;a href=&#34;https://open.spotify.com/album/20ONXWjxrJhlX3rfNeAbS0&#34;&gt;Sunday at the Village Vanguard&lt;/a&gt;. I love how close this recording is, right on your ears. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5K80zIui21LKKDxQJLKPhd&#34;&gt;My Man&#39;s Gone Now&lt;/a&gt;&amp;quot; might be my favorite here.&lt;/p&gt;
&lt;p&gt;Bill Charlap Trio, &lt;a href=&#34;https://open.spotify.com/album/3zZ8QR6QrEUKiVDX86wOzt&#34;&gt;Street of Dreams&lt;/a&gt;. More piano-led jazz combo. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7yanq8mZzoDYMn7bWGtKIu&#34;&gt;Out of Nowhere&lt;/a&gt;&amp;quot; has such good bones, hard to go wrong.&lt;/p&gt;
&lt;p&gt;Jupiter &amp;amp; Okwess, &lt;a href=&#34;https://open.spotify.com/album/3zZ8QR6QrEUKiVDX86wOzt&#34;&gt;Na Kozonga&lt;/a&gt;. Congolese afropop/funk. Big fan of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5G2PMzfAVDsbYvuDTweMAh&#34;&gt;Izabela&lt;/a&gt;&amp;quot; and &lt;a href=&#34;https://open.spotify.com/track/2tw4SxcAZWAhZcUeNhBMUx&#34;&gt;Bakanda Ulu&lt;/a&gt;&amp;quot;, at least before the heavy belting starts.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e15 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Piper_Maru&#34;&gt;Piper Maru&lt;/a&gt;&amp;quot;. Feels good to be back on mainline conspiracy stuff. Frickin&#39; Krychek.&lt;/p&gt;
&lt;p&gt;CSI, s10e14. Starring Rascal Flatts? Didn&#39;t see it coming.&lt;/p&gt;
&lt;p&gt;The Terror, s1e8. Ugh. It&#39;s the Hickey show now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 42</title>
    <link href="https://mlarson.org/2024/10/20/2024-week-42/"/>
    <updated>2024-10-20T15:43:59.000Z</updated>
    <id>https://mlarson.org/2024/10/20/2024-week-42/</id>
    <content type="html">&lt;p&gt;I removed Twitter from my phone last Sunday, and it&#39;s been interesting to compare before and after. I&#39;m lucky that, compared to some, I don&#39;t seem to be as triggered by the sewage you can see there sometimes (often). But still, just as addicted as many. It keeps me hooked.&lt;/p&gt;
&lt;p&gt;But I cut it off for a bit, and all that would-be scrolling time became much more peaceful. Go figure! Kindle on the train, RSS in those weird restless pockets that open up throughout the day, Kindle before bed. A bit of time on the laptop in the evening, but I usually don&#39;t have much appetite for that after a day of work. Compulsion replace with intention. Nights are quieter, and feel longer, and days a bit more deliberate and focused. It feels good I&#39;m pretty sure I&#39;ll be back eventually, but enjoying this right now.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I remember I had a tough start on Monday. A bit of Sunday scaries, and bad sleep from wordy thinking + struggle to find the right temperature. Still wrestling with changes in my routine, but things are settling into place. I try to remind myself I don&#39;t need to form an opinion or change it all immediately. I let the new days settle into place, and see what I want to change when it&#39;s taken form.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/10/do-you-use-your-knowhow.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10551&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://www.metmuseum.org/art/collection/search/911380?pkgids=951&#34;&gt;Wind, Miami Beach&lt;/a&gt;&amp;quot;, photo by Anastasia Samoylova.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.artic.edu/artworks/118601/woman-leaning-on-her-hands&#34;&gt;Woman Leaning on Her Hands&lt;/a&gt;&amp;quot;, bronze by Henri Matisse.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.artic.edu/artworks/247980/pierrot-with-clarinet&#34;&gt;Pierrot with Clarinet&lt;/a&gt;&amp;quot;, sculpture in plaster by Jacque Lipchitz.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I think I&#39;m finding my groove again. Back to my usual weekly mileage after a couple down weeks. Sunday afternoon jogs are proving useful to replace the weekday mornings I pulled back on. Saturday long run include a stint of the Brooklyn Waterfront Greenway I&#39;d not done before, connecting Sunset Park and Bay Ridge/Fort Hamilton. I think I&#39;ve run almost all of Brooklyn&#39;s perimeter/borders, except for a few odd miles here and there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Garden-Beasts-Terror-American-Hitlers-ebook/dp/B004HFRJM6&#34;&gt;In the Garden of Beasts: Love, Terror, and an American Family in Hitler&#39;s Berlin&lt;/a&gt; by Erik Larson. Ultimately really depressing! Glad I read it. The world of ambassadors and diplomats is interesting, though. I wonder what the best general history books on the Foreign Service are?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Spies-Epic-Intelligence-Between-East-ebook/dp/B0BHTMFTLS&#34;&gt;Spies: The Epic Intelligence War Between East and West&lt;/a&gt; by Calder Walton. The 10% of so that I read seems good, but I think my eyes were bigger than my stomach here. DNF.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Subtle-Knife-Dark-Materials-Book/dp/0679879250&#34;&gt;The Subtle Knife&lt;/a&gt;, by Philip Pullman. I was going to read the The Golden Compass only to realize I read it two years ago. Need to Wikipedia that one and get this started again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://gothamist.com/arts-entertainment/im-visiting-all-350-of-nycs-neighborhoods-heres-some-of-what-ive-learned-so-far&#34;&gt;I’m visiting all 350 of NYC’s neighborhoods. Here’s some of what I’ve learned so far&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://commonwealthbeacon.org/opinion/why-kids-should-read-obituaries/&#34;&gt;The obituaries section is exclusive real estate&lt;/a&gt;. They don’t let boring people in.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Politicians from the left and the right sometimes like to say that 60 percent of Americans are living paycheck to paycheck. It’s the type of statistic that can fit a variety of economic narratives. […] &lt;a href=&#34;https://www.slowboring.com/p/this-economic-myth-needs-to-go-away&#34;&gt;It’s also, more importantly, not true&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://alexwlchan.net/2024/static-websites/&#34;&gt;Using static websites for tiny archives&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Coraline_(film)&#34;&gt;Coraline&lt;/a&gt;. Pretty good! The stop-motion animation is really impressive, easy for my attention to be focus more on that than the plot. The story is unhurried and pleasingly creepy.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Witch_(2015_film)&#34;&gt;The Witch&lt;/a&gt;. I just love this movie. Third or fourth time I&#39;ve seen it, and keep finding new riches. &lt;a href=&#34;https://mlarson.org/tag/roberteggers/&#34;&gt;Robert Eggers&lt;/a&gt; is one to follow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Pharoah Sanders, &lt;a href=&#34;https://open.spotify.com/album/5vfqopkTP9HMqjRuoXt5rM&#34;&gt;Great Moments with Pharoah Sanders&lt;/a&gt; was my favorite album this week. Perfect music for walking through the city in the morning. Check out his &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3Egq88q3nXBSdEARzKinfC&#34;&gt;Naima&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3rw9gbHj3AlsnZaCVB8d3Q&#34;&gt;Soul Eyes&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Jaco Pastorius, &lt;a href=&#34;https://open.spotify.com/album/6SsT4Zyev0zS7eocL0B72m&#34;&gt;Jaco Pastorius&lt;/a&gt;. Insane electric bass playing here.&lt;/p&gt;
&lt;p&gt;Yin Yan, &lt;a href=&#34;https://open.spotify.com/album/4pGx4kwa3nb51qACYJJkgB&#34;&gt;Mount Matsu&lt;/a&gt;. Some interesting electronic/south Asian surf rock?&lt;/p&gt;
&lt;p&gt;Giuliano Sorgini, &lt;a href=&#34;https://open.spotify.com/album/5VWALGguSmp9l3FN2BWcNP&#34;&gt;Lavoro e tempo libero&lt;/a&gt;. Disco! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/38CErSvUw4ilblKw0jhZD3&#34;&gt;Turbine in moto&lt;/a&gt;&amp;quot; is a good closer.&lt;/p&gt;
&lt;p&gt;Brian Green, &lt;a href=&#34;https://open.spotify.com/album/6IIeUGxCqrugMgzKxjivaF&#34;&gt;Impressions for Headphones&lt;/a&gt;. No single track was especially affecting, but useful and enveloping when taken as a whole.&lt;/p&gt;
&lt;p&gt;Keith Jarrett, &lt;a href=&#34;https://open.spotify.com/album/2IJMiFlEXfzFqGgotYpB5p&#34;&gt;Facing You&lt;/a&gt;. Jazz piano as soloist. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2oW5uTvX3xjl9Kgx1puDXN&#34;&gt;Starbright&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Gustav Mahler, &lt;a href=&#34;https://open.spotify.com/album/2SVkyvRyCXIZ8WsGe8j0xc&#34;&gt;Symphony No. 2 &amp;quot;Resurrection&amp;quot;&lt;/a&gt; rec. New York Philharmonic, Leonard Bernstein. I went through a big Mahler phase a while back, maybe a decade ago now? Still love the scale and drama of it all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e14 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Grotesque_(The_X-Files)&#34;&gt;Grotesque&lt;/a&gt;&amp;quot;. Here we have a more tormented Mulder than we usually see. A detective in too deep for his own good, like you see in Seven or Hannibal or something. But we also understand new motivations, chips on his shoulder from a career being bullied and ostracized. I like the range we get to see from Scully here – loyalty, patient, frustrated, angry, worried, commanding. Interesting that the enemy here has honor enough to help himself get caught.&lt;/p&gt;
&lt;p&gt;The Terror, s1e7. The crew has abandoned ship for overland journey, and Mr. Hickey is outta control. Hope he doesn&#39;t take over the plot, but… I don&#39;t think I&#39;ll get my wish.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 41</title>
    <link href="https://mlarson.org/2024/10/13/2024-week-41/"/>
    <updated>2024-10-13T17:24:07.000Z</updated>
    <id>https://mlarson.org/2024/10/13/2024-week-41/</id>
    <content type="html">&lt;p&gt;Took a few hours last Sunday evening for a couple hours of reading – phone off, devices stashed away… and a break for cookies. An ideal evening. And a different version of that this morning: a bus ride across town, a trio of lattes, and a sunny stroll back home. New rituals to make the time go slower.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Shards_of_Honor&#34;&gt;Shards of Honor&lt;/a&gt;. Setting this one aside for the moment. Lots of things happening but not building up enough.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/In_the_Garden_of_Beasts&#34;&gt;In the Garden of Beasts: Love, Terror, and an American Family in Hitler&#39;s Berlin&lt;/a&gt; by Erik Larson (no relation). So far, so good. I remember reading &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Devil_in_the_White_City&#34;&gt;The Devil in the White City&lt;/a&gt; when it came out, and being annoyed with his constant teasers and hints to close out each chapter. Still has that tic here, but it&#39;s not bothering me as much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://wisdomofcrowds.live/p/no-culture-is-not-stuck&#34;&gt;When the whole [TikTok] feed is taken together, it’s almost digital vaudeville&lt;/a&gt;: a song, a short sketch, a physical feat, slapstick, animal acts and satire, one after another, in a personalized variety show on your phone.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.curbed.com/article/delaware-aqueduct-tunnel-repair-nyc-drinking-water.html&#34;&gt;The Delaware Aqueduct, 85 miles end to end, is the longest tunnel in the world&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Scream_(1996_film)&#34;&gt;Scream (1996)&lt;/a&gt;. Third or fourth time I&#39;ve seen it? This time around I especially appreciated how scenes were blocked out, and the emphasis on how we feed on TV sensationalism.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/I_Saw_the_TV_Glow&#34;&gt;I Saw the TV Glow&lt;/a&gt;. Moves in its own time, at its own pace.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Elysian Spring, &lt;a href=&#34;https://open.spotify.com/album/1Jtk27m2S4MbkwOGx3Pf96&#34;&gt;Glass Flowers&lt;/a&gt;. I like the gentle bossa nova opener &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4WBv31Au2sx5GXaSV8Q7y4&#34;&gt;Blue Sands&lt;/a&gt;&amp;quot; into hard swing of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0UuqaaRklvXiekLFUecUXY&#34;&gt;Richards Whistle&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;Ibibio Sound Machine, &lt;a href=&#34;https://open.spotify.com/album/0aWYyil9mPrJREgLc0kC9r&#34;&gt;Doko Mien&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4fHXlpVxw3Npg0WAltOTpj&#34;&gt;Wanna Come Down&lt;/a&gt;&amp;quot; puts the hard funk in your face, and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2EVaBNm64S50OJVjJPBzlf&#34;&gt;I Will Run&lt;/a&gt;&amp;quot; is a more electro-dreamy morsel with a bit of gospel flavor.&lt;/p&gt;
&lt;p&gt;Moses Yoofee Trio, &lt;a href=&#34;https://open.spotify.com/album/6xLTeSHt4h9gj0VDNXnoL4&#34;&gt;OCEAN&lt;/a&gt;. I love a crispy, up-front sound in the drumkit. The &lt;a href=&#34;https://open.spotify.com/track/12LIPFXb9zo5OhMj5TpDlT&#34;&gt;title track&lt;/a&gt; is great with the bass noodling over a piano pedal tone at the opener, and I love the way &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5eFdDROHUUkyXN3OzpEiSS&#34;&gt;RICHMOND&lt;/a&gt;&amp;quot; builds and pivots halfway through.&lt;/p&gt;
&lt;p&gt;Brandon Coleman, &lt;a href=&#34;https://open.spotify.com/album/5CoW7EEjCrnqM6ChKHmtE0&#34;&gt;Resistance&lt;/a&gt;. Heavily vocodered pop/roller disco in the vein of Daft Punk, etc.. See &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4RVozS9DifMECCh1ZKEzTd&#34;&gt;Live for Today&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The Terror, s1e6. The worst carnival ever, and sunrise has never been so deflating.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 40</title>
    <link href="https://mlarson.org/2024/10/07/2024-week-40/"/>
    <updated>2024-10-07T19:38:40.000Z</updated>
    <id>https://mlarson.org/2024/10/07/2024-week-40/</id>
    <content type="html">&lt;p&gt;I got married on Friday morning and it was perfect.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/10/wedding-day.jpg?w=786&#34; alt=&#34;a beautiful bride and handsome groom on their wedding day&#34; class=&#34;wp-image-10543&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.guggenheim.org/artwork/32215&#34;&gt;Concrete Mixer (Revolving Doors)&lt;/a&gt; by Man Ray. Brown should be used more often with bold color wheel shades.&lt;/p&gt;
&lt;p&gt;I really like &lt;a href=&#34;https://x.com/jollesmary/status/1842495090746413421&#34;&gt;this anniversary quilt inspired by fallen leaves&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Had to squeeze in runs where I could – running an errand, on the way to see family, random afternoon shake-outs. Feels weird to have the mileage cut to half of what it was two weeks ago, but it will take some time to find where to fit it all in the new work schedule.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Peripheral&#34;&gt;The Peripheral&lt;/a&gt;. DNF, plotting too erratic, lost my patience.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Shards_of_Honor&#34;&gt;Shards of Honor&lt;/a&gt; by Lois McMaster Bujold. Just started, and I don&#39;t love the writing, or the plot, but something is keeping the pages turning so I&#39;ll just go with it for now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;When &lt;a href=&#34;https://www.raptitude.com/2024/10/growth-means-choosing-a-different-kind-of-pain/&#34;&gt;protecting yourself from a certain unpleasant possibility&lt;/a&gt; becomes non-negotiable, you’re liable to suffer in other ways, often to a much greater degree.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://austinkleon.com/2019/09/25/youll-be-miserable-if-you-dont-do-what-youre-supposed-to-do/&#34;&gt;You’ll be miserable&lt;/a&gt; if you don’t do what you’re supposed to do.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://paulgraham.com/when.html&#34;&gt;When you can&#39;t decide which path to take, it&#39;s almost always due to ignorance&lt;/a&gt;. In fact you&#39;re usually suffering from three kinds of ignorance simultaneously: you don&#39;t know what makes you happy, what the various kinds of work are really like, or how well you could do them.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://ckarchive.com/b/zlughnh4mlwwqu7qrr9qehw09qg00c6&#34;&gt;The capacity to get up and walk away from the work&lt;/a&gt; is the same capacity that permits you to make meaningful progress in the work, when the time for that arrives.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://economistwritingeveryday.com/2024/09/23/bad-service-is-a-sign-of-a-better-world/&#34;&gt;Bad service is a sign of a better world&lt;/a&gt;. &amp;quot;Temporary parasocial relationships are right up there with big houses and fast cars for me: overrated traps that siphon away household resources from the things that actually matter. The ribeye served with a smile over clean linen is fine, but it’s got nothing on tacos uncermoniously dropped on a plastic table you can afford to share with someone you love.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vitalcitynyc.org/issues/issue-9&#34;&gt;Vital City, Issue 9&lt;/a&gt; is all about the NYC subway.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Salt_(2010_film)&#34;&gt;Salt (2010)&lt;/a&gt;. A rewatch. One of the more implausible action films I&#39;ve seen lately, and that&#39;s saying something. All in good fun. Angelina Jolie elevates the material.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/War_for_the_Planet_of_the_Apes&#34;&gt;War for the Planet of the Apes&lt;/a&gt;. Another rewatch, and I had a much different reaction than &lt;a href=&#34;https://mlarson.org/2018/01/05/war-for-the-planet-of-the-apes/&#34;&gt;my first viewing&lt;/a&gt;. I think I&#39;d pinpoint the same gripes, but they didn&#39;t tip the balance this time. Really enjoyed it. There seems to be benefit in watching the others more recently, having a better sense of Caesar&#39;s arc.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Fright_Night&#34;&gt;Fright Night (1985)&lt;/a&gt;. Last rewatch of the week, still fun. One of the best depictions of sexy-magnetic vampires. Great mid-80s fashion, too. I can&#39;t tell if the Evil Ed character was just an unpolished actor or just dialed up to 11? Or both?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film)&#34;&gt;Interview With the Vampire&lt;/a&gt;. Fun to compare this with the TV show, and wonder which is more true to the book. This one has more glamour, and better sets, but lacks the intrigue and tormented relationship that gives the TV show a bit of oomph and heightens the tragedy. I hope Tom Cruise will do some more goofy costume-and-makeup roles in the future…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/2OzjPG4IscVZW6z5bvZTpK&#34;&gt;Kilimanjaro Darkjazz Ensemble&lt;/a&gt;. Glitchy jazz with ominous moody lounge stuff. I prefer &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/67wRldzKoFzET7Ya9G7upZ&#34;&gt;Amygdhala&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Masahiro Takahashi, &lt;a href=&#34;https://open.spotify.com/album/3DxHQ1mr556sKBOrQZa3ZB&#34;&gt;Humid Sun&lt;/a&gt;. More in the dreamy/sleepy/optimistic strain of ambient.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/3c4M5RgkzecG5wYbIBy6yy&#34;&gt;Bach: Flute Sonatas&lt;/a&gt;. Check out the &lt;a href=&#34;https://open.spotify.com/track/5HR4koQ5F45hHl2iJCp1hw&#34;&gt;slow movement in BWV 1030&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s3e11 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Revelations_(The_X-Files)&#34;&gt;Revelations&lt;/a&gt;&amp;quot;. Stigmatic child turns the tables on Scully and Mulders usual skeptic vs. believer dynamic.&lt;/p&gt;
&lt;p&gt;X-Files, s3e12 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/War_of_the_Coprophages&#34;&gt;War of the Coprophages&lt;/a&gt;&amp;quot;. Roaches! The silliness here was a breath of fresh air. I like the repeated hang-ups and exasperation.&lt;/p&gt;
&lt;p&gt;X-Files, s3e13 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Syzygy_(The_X-Files)&#34;&gt;Syzygy&lt;/a&gt;&amp;quot;. Young Ryan Reynolds cameo. Uneven in tone. I wonder how I&#39;d evaluate it if I hadn&#39;t seen movies with similar best-friends-at-odds horror plots.&lt;/p&gt;
&lt;p&gt;The Terror, s1e5.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 39</title>
    <link href="https://mlarson.org/2024/09/29/2024-week-39/"/>
    <updated>2024-09-29T19:49:21.000Z</updated>
    <id>https://mlarson.org/2024/09/29/2024-week-39/</id>
    <content type="html">&lt;p&gt;This week I started my new job. I had such a nice routine from the last year or so, especially my mornings. Now each of those perfectly-crafted hours are oddly-shaped chunks that don&#39;t fit where they used to. The novelty of a commute will wear off eventually but I like the chance to read more on the train, and to take mid-day breaks walking around new Manhattan blocks.&lt;/p&gt;
&lt;p&gt;Family comes into town for our wedding soon, so the schedule is going to feel topsy-turvy for a little longer yet. (✿◠‿◠)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A highlight of the week was seeing the &lt;a href=&#34;https://whitney.org/exhibitions/edges-of-ailey&#34;&gt;Edges of Ailey exhibition at The Whitney&lt;/a&gt;, especially &lt;a href=&#34;https://www.theparisreview.org/blog/2017/04/19/bayou-fever/&#34;&gt;Romare Bearden&#39;s &#39;Bayou Fever&#39; collages&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I didn&#39;t run all my usual days, so I was extra-fresh for the 15 miles out to &lt;a href=&#34;https://en.wikipedia.org/wiki/Shirley_Chisholm_State_Park&#34;&gt;Shirley Chisholm State Park&lt;/a&gt;. A pleasant drizzly rain with a bunch of cute little soggy snails.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/09/snail-bike-path.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10539&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
The Peripheral, cont. Progress took a dip, but feels like things are picking up again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;My attempts over the years to put on a show or a film as background noise always left me feeling demonically possessed by an enraged, guilty Catholic: only passively paying attention to what was happening on screen felt like a mortal sin. Somehow, &lt;a href=&#34;https://onethingnewsletter.substack.com/p/livestreaming-classic-cinema&#34;&gt;Criterion24/7 unlocked something in me&lt;/a&gt; that finally, mercilessly, let me switch my brain off and get fed whatever was being served.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;On the wall, there were monochrome photos of Petersen’s employees and their friends: well-dressed, tattooed, and helmetless, they rolled through groves of oak and eucalyptus, and pedalled along sun-dappled ridges. &lt;a href=&#34;https://www.newyorker.com/magazine/2024/09/23/the-art-of-taking-it-slow&#34;&gt;The photographs looked like an ad for California&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.slowboring.com/p/congress-needs-to-invest-in-itself&#34;&gt;Congress needs to invest in itself&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Inside_Out_2&#34;&gt;Inside Out 2&lt;/a&gt;. I enjoyed it about as much as &lt;a href=&#34;https://mlarson.org/2024/07/14/2024-week-28/&#34;&gt;when I watched the first one&lt;/a&gt;, but didn&#39;t feel as adventurous. It&#39;s a fun story with now-familiar mechanics. It did have more moments of cackling-with-recognition, and enjoyed a couple scenes with mixed animation styles. Nice trend lately – will we/do we already see this in live-action movies?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Brooks &amp;amp; Dunn, &lt;a href=&#34;https://open.spotify.com/album/4cqxNQQB21g1jEWtnu3jN3&#34;&gt;Brand New Man&lt;/a&gt;. A trip down memory lane. Man, I was exhausted with the song when I was 9 years old, but… &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6iKWr2XH1DyT7TQzDZlvzd&#34;&gt;Boot Scootin&#39; Boogie&lt;/a&gt;&amp;quot; kinda rips? &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6l9kkrYaEX7knh2pkRGpib&#34;&gt;My Next Broken Heart&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2M38X60UJnupGPbFTkVPNQ&#34;&gt;Neon Moon&lt;/a&gt;&amp;quot; has a great lean-back feel like &amp;quot;Islands in the Stream&amp;quot; mixed with Jimmy Buffett.&lt;/p&gt;
&lt;p&gt;Nala Sinephro, &lt;a href=&#34;https://open.spotify.com/album/51CQQ3tQLRZlZJZ5jcpoGE&#34;&gt;Endlessness&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/51HFfu3GhuXa4VUnlpJJy8&#34;&gt;Space 1.8&lt;/a&gt; have cool blend of ambient, funk, chamber jazz, etc.. Thoughtful and spacious, best as a full-album ride.&lt;/p&gt;
&lt;p&gt;Minoru Muraoka, &lt;a href=&#34;https://open.spotify.com/album/3q4PfaZLuRApEjGT7Mm2N1&#34;&gt;Bamboo&lt;/a&gt;. Gave it a listen because Japanese flute + jazz combo feels like sure-fire success. A bit disappointed it was mostly covers. Might be some more good stuff out there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s3e10 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/731_(The_X-Files)&#34;&gt;731&lt;/a&gt;&amp;quot;. The Smoking Man is up to his old tricks! &amp;gt;:(&lt;/p&gt;
&lt;p&gt;The Terror, s1e2–4. Really happy with this show. Claustrophobia in the great outdoors.&lt;/p&gt;
&lt;p&gt;Kaos, s1e3. A rebound episode for me. The whole Minos scene is really nicely done.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 38</title>
    <link href="https://mlarson.org/2024/09/22/2024-week-38/"/>
    <updated>2024-09-22T21:13:05.000Z</updated>
    <id>https://mlarson.org/2024/09/22/2024-week-38/</id>
    <content type="html">&lt;p&gt;Last week I got a new job. And with that, I felt a creeping anxiety about how to fill my time before it started. I&#39;d spent the last year and change either doing schoolwork or job searching and then suddenly: not necessary anymore. The old routine no longer applies. A happy shock, but it&#39;s unsettling when one phase of my life grinds to a halt and another one starts.&lt;/p&gt;
&lt;p&gt;I ran a race this weekend, and kinda sorta mostly didn&#39;t really want to when I woke up. It felt like a chore to get through so I could get back home and do other things. I arrived at the race later than I wanted, and didn&#39;t get to warm up, so the first few miles were a bit of a drag. Blah. A few miles in, I somehow found one of the good ways to pull myself out of a rut: asking, &amp;quot;Am I &lt;em&gt;really&lt;/em&gt; giving this my best?&amp;quot; The answer is usually &amp;quot;no&amp;quot;, and I can adjust accordingly. I suppose this is just a variation on &amp;quot;make the best of it&amp;quot;. I eventually convinced myself to turn on the jets, tapped into something deeper. That, and the cheer section with &lt;a href=&#34;https://www.youtube.com/watch?v=-xMvP6PsD9A&#34;&gt;Diana Ross playing&lt;/a&gt; around mile 5, helped turn things around.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/New-York-2140-Stanley-Robinson/dp/031626234X&#34;&gt;New York 2140&lt;/a&gt;. A little aimless toward the end, but love how it unfolds and explores all the communities involved. It will go down as one of my favorites this year.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Who-Are-How-Got-Here/dp/110187032X&#34;&gt;Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past&lt;/a&gt;. DNF. I think I like the stories in anthropology more than the science of it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Peripheral&#34;&gt;The Peripheral&lt;/a&gt;. I like how &lt;a href=&#34;https://mlarson.org/tag/williamgibson/&#34;&gt;William Gibson&lt;/a&gt; just tosses you in a pool of detail and makes you sort it out. I will go for paragraphs with no idea what&#39;s going on, you realize what a key word means, and it all clicks into place very nicely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I ran the &lt;a href=&#34;https://www.nyrr.org/races/newbalancebronx10mile&#34;&gt;NYRR New Balance Bronx 10 Mile&lt;/a&gt; this morning and finished in 5746th place overall. 😤🏆🐐&lt;/p&gt;
&lt;p&gt;I also did some morning trailrunning, and on one evening run I saw a nice full moon over the Wendy&#39;s.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/09/full-moon-at-wendys.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10534&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
I spent the better part of a day last week clearing out a backlog of open tabs and unread RSS. It wasn&#39;t totally worth it, but I had fun!&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://aworkinglibrary.com/writing/coming-home&#34;&gt;Writing on my own site has very different affordances&lt;/a&gt;: I’m not typing into a little box, but writing in a text file. I’m not surrounded by other people’s thinking, but located within my own body of work. As I played with setting this up, I could immediately feel how that would change the kinds of things I would say, and it felt good. Really good. Like putting on a favorite t-shirt, or coming home to my solid, quiet house after a long time away.&amp;quot; I&#39;d never heard of the &lt;a href=&#34;https://indieweb.org/POSSE&#34;&gt;POSSE model of online writing&lt;/a&gt; before – &amp;quot;publish on your own site, syndicate elsewhere&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vulture.com/article/why-was-the-miami-vice-pilot-so-good.html&#34;&gt;Why Was the Miami Vice Pilot So Good?&lt;/a&gt;. &amp;quot;[Jan] Hammer says that when he watched the first cut of the pilot, he was unprepared &#39;for how beautiful it was. I thought, Wow — this is actually like something that I would watch.&#39;&amp;quot; I love this line from Michael Mann: &amp;quot;We haven’t invented the Hula-Hoop or anything. We’re only contemporary. And if we’re different from the rest of TV, it’s because the rest of TV isn’t even contemporary.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://animationobsessive.substack.com/p/breaking-away-from-disney-animation&#34;&gt;Breaking Away from Disney Animation&lt;/a&gt;. Pushback/spinoffs from the early 20th c. Disney house style.&lt;/p&gt;
&lt;p&gt;&amp;quot;When new creative mediums appear, it’s never immediately obvious &lt;a href=&#34;https://thesephist.com/posts/virtuosity/&#34;&gt;what virtuoso-level performance with that medium looks like&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;It is my hypothesis that, back in the 2000s, everybody’s activation energy was a bit lower. More of us were bloggers, back then. Linking felt more natural, somehow. Now, in the 2020s, the algorithms do most of that work. You must &lt;a href=&#34;https://www.robinsloan.com/newsletters/golden-door/#energy&#34;&gt;lower your activation energy&lt;/a&gt; again.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.scattered-thoughts.net/writing/speed-matters/&#34;&gt;Being 10x faster also changes the kinds of projects that are worth doing&lt;/a&gt;. […] Having 10x as much feedback is a huge advantage in learning any complex skill.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://caseyhandmer.wordpress.com/2024/09/04/entrepreneurship-changed-the-way-i-think/&#34;&gt;Will is a kind of skill&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://lucagattonicelli.substack.com/p/opining-about-urbanism-misses-the&#34;&gt;We do not really know what people want in terms of housing or transportation&lt;/a&gt; because their options are incredibly limited.&amp;quot;&lt;/p&gt;
&lt;p&gt;Great video: &lt;a href=&#34;https://www.youtube.com/watch?v=EQGQU0T6NBc&#34;&gt;Cruel Musical Chairs (or Why Is Rent So High?)&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://buildingtheskyline.org/reclamation-1/&#34;&gt;To Boldly House Where no Housing has Gone Before (Part I): New York’s Land Reclamation History&lt;/a&gt;. &amp;quot;Lower Manhattan south of City Hall is about 50% bigger than it was before the Dutch arrived.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://arpitrage.substack.com/p/measuring-housing-regulations-at&#34;&gt;Measuring Housing Regulations at Scale&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.the74million.org/article/which-school-districts-do-the-best-job-of-teaching-kids-to-read/&#34;&gt;Which School Districts Do the Best Job of Teaching Kids to Read?&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.iflscience.com/antarcticas-ozone-hole-is-healing-and-set-to-recover-fully-by-2066-75983&#34;&gt;The ozone layer is healing&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Attack_the_Block&#34;&gt;Attack the Block&lt;/a&gt;. Over a decade old already – John Boyega is but a wee child here. It&#39;s aged very well.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.m.wikipedia.org/wiki/Tomb_Raider_(film)&#34;&gt;Tomb Raider&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2018/10/17/tomb-raider/&#34;&gt;the first&lt;/a&gt;), and it&#39;s still a blast. I like the young Croft&#39;s swagger, a reckless confidence that gets… corrected… but never squashed. Action movies are better when the characters act like they&#39;re in danger!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2016/08/31/blow-out-last-movie-i-saw-at-ebertfest-and-man/&#34;&gt;Blow Out&lt;/a&gt;. My third watch (&lt;a href=&#34;https://mlarson.org/2016/08/31/blow-out-last-movie-i-saw-at-ebertfest-and-man/&#34;&gt;the first&lt;/a&gt;). The ending makes me feel icky every time, gutting. I love the old accents – no one sounds like that anymore!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/0H3mBFA2jegrYEGTI2Op0j&#34;&gt;The Quintet: Jazz at Massey Hall&lt;/a&gt;. (&lt;a href=&#34;https://austinkleon.substack.com/p/collective-creativity&#34;&gt;via&lt;/a&gt;) As you might guess, a Parker-Gillespie-Powell-Roach-Mingus line-up plays some good music! I love just about every version of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/56Jbks3flnrqbGqBzFCxIS&#34;&gt;All the Things You Are&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Since I saw Nate Smith when I was in Albany last week, decided to check out the discography:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/21jRwR5n5SCwqwATmtJ7QF&#34;&gt;Pocket Change&lt;/a&gt;, a re-listen of the first and only album of his I&#39;d heard. All solo drumming. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4eJuG6Gpf7i2Hf2mTk373h&#34;&gt;DumDum&lt;/a&gt;&amp;quot; is good entry point.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5ngHFQ0hYDlYirIE5l0if9&#34;&gt;Kinfolk: Postcards from Everywhere&lt;/a&gt;, jazz ensemble.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6zAtsNWsJZb7yutJ6u6Cjb&#34;&gt;Kinfolk 2: See the Birds&lt;/a&gt;. Disliked most of the vocals on this album. :(&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2Xoau2gF7t52mwkM79seNZ&#34;&gt;Pocket Change 2: Mad Currency&lt;/a&gt;. Another solo show.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Sabrina Carpenter, &lt;a href=&#34;https://open.spotify.com/album/3iPSVi54hsacKKl1xIR2eH&#34;&gt;Short n&#39; Sweet&lt;/a&gt;. Ton of fun! I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2tHwzyyOLoWSFqYNjeVMzj&#34;&gt;Please Please Please&lt;/a&gt;&amp;quot; – I&#39;m hearing Kacey Musgraves in there. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0XkZmBCCcdMY0EPY8ij6Gb&#34;&gt;Slim Pickins&lt;/a&gt;&amp;quot;, too. Both are great.&lt;/p&gt;
&lt;p&gt;Mark Guiliana, &lt;a href=&#34;https://open.spotify.com/album/10LpNn6t8QZbbOIWqGTiEN&#34;&gt;The Sound of Listening&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/5mp3z536tACvArA3uez6cw&#34;&gt;MARK&lt;/a&gt;, which I enjoyed more for being more energetic and weirder and harder to classify.&lt;/p&gt;
&lt;p&gt;Tindersticks, &lt;a href=&#34;https://open.spotify.com/album/69QCiIiLoFQdecwRzsgu5s&#34;&gt;Soft Tissue&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Brad Mehldau &amp;amp; Mark Guiliana, &lt;a href=&#34;https://open.spotify.com/album/7veyvtvK49ca1UMEEmZ00q&#34;&gt;Mehliana: Taming the Dragon&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;White Rabbits, &lt;a href=&#34;https://open.spotify.com/album/5vYNeh8veFnxyk1MO7CeTU&#34;&gt;Milk Famous&lt;/a&gt;. Interesting as a historical artifact – &amp;quot;here&#39;s something popular I missed in the 2010s&amp;quot; – but I dunno, rock just isn&#39;t very interesting to me these days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s3e9 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Nisei_(The_X-Files)&#34;&gt;Nisei&lt;/a&gt;&amp;quot;. Alien autopsy! I&#39;d never heard of &lt;a href=&#34;https://en.wikipedia.org/wiki/Unit_731&#34;&gt;Unit 731&lt;/a&gt;, awful stuff.&lt;/p&gt;
&lt;p&gt;IWTV, s1e5-7. This season was very &lt;em&gt;Hannibal&lt;/em&gt;. Fun to see the change in costume, etc. over the years. I&#39;d tune in for another season, but wouldn&#39;t put it on my calendar.&lt;/p&gt;
&lt;p&gt;Kaos, s1e2. I thought I was done with the show after this one, but I feel like it&#39;s burrowed in, just curiosity to see where they take it.&lt;/p&gt;
&lt;p&gt;CSI: Miami, s3e3. I like when procedurals have two murders going on in one episode.&lt;/p&gt;
&lt;p&gt;The Terror, s1e1. Really liked the first taste. Can you imagine being life on a ship stuck in the ice in arctic winter? Lordy. (Thanks to &lt;a href=&#34;https://x.com/jamesfflynn/status/1829620008705802621&#34;&gt;@jamesfflynn&lt;/a&gt; for the rec!)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;Wisdom is always wont to arrive late, and to be a little approximate on first possession.&amp;quot; – attr. &lt;a href=&#34;https://en.wikipedia.org/wiki/Francis_Spufford&#34;&gt;Francis Spufford&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 37</title>
    <link href="https://mlarson.org/2024/09/16/2024-week-37/"/>
    <updated>2024-09-16T14:44:13.000Z</updated>
    <id>https://mlarson.org/2024/09/16/2024-week-37/</id>
    <content type="html">&lt;p&gt;This weekend I went to Albany, adding another state capital to my meager collection (let&#39;s see, top of my head: AL, AZ, AR, CO, GA, HI, IN, LA, MD, MT, TN). I think we&#39;ve locked in a good travel pattern: leave home early, arrive late morning, grab a snack, hit the museums, crash for a nap, then have an evening activity out before going to bed. Next morning: wake up, eat well, and get some nature before heading home.&lt;/p&gt;
&lt;p&gt;I was pleasantly surprised with the &lt;a href=&#34;https://www.nysm.nysed.gov/&#34;&gt;NY State Museum&lt;/a&gt;, the size and scope of it. There&#39;s so much expertise and attention that goes into these places! Even the &amp;quot;unimpressive&amp;quot; ones can have a lot to offer if you&#39;re open to it. Similar feeling about Washington Park, a green treasure at the top of the hill, and the Lark Street Neighborhood was a cute entry point to it.&lt;/p&gt;
&lt;p&gt;The best exhibition at Albany Institute of History &amp;amp; Art, by far, was &lt;a href=&#34;https://www.albanyinstitute.org/exhibition/enchanting-threads-the-art-of-salley-mavor&#34;&gt;Enchanting Threads: The Art of Salley Mavor&lt;/a&gt; – intricately detailed fiber arts scenes, colorful and playful. The trip accidentally coincided with the &lt;a href=&#34;https://www.albanyevents.org/events/albany-jazz-festival/&#34;&gt;Riverfront Jazz Festival&lt;/a&gt;, so the evening entertainment was &lt;a href=&#34;https://open.spotify.com/artist/3C1TdpEowpf6AMf7PycuWy&#34;&gt;Nate Smith&lt;/a&gt; (pretty sure I first heard his sick drumming on &lt;a href=&#34;https://open.spotify.com/album/21jRwR5n5SCwqwATmtJ7QF&#34;&gt;Pocket Change&lt;/a&gt;). Listened by the water with a limeade, followed by a plate of Jamaican sides, and then fireworks. Couldn&#39;t have planned it better. &lt;a href=&#34;https://www.albanytwilightmarket.com/events&#34;&gt;Twilight Market&lt;/a&gt; was nearby – not for me, but glad to see a smaller town has room for all types.&lt;/p&gt;
&lt;p&gt;Favorite meal was breakfast at &lt;a href=&#34;https://www.irongatecafe.com/&#34;&gt;Iron Gate Cafe&lt;/a&gt;, followed by lunch at &lt;a href=&#34;https://www.elmariachisrestaurant.com/&#34;&gt;El Mariachi&lt;/a&gt;. &lt;a href=&#34;https://www.stacksespresso.com/&#34;&gt;Stacks Espresso Bar&lt;/a&gt; did its job.&lt;/p&gt;
&lt;p&gt;The biggest lesson here: you don&#39;t need a Brand Name™ travel destination to have a really fulfilling trip.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
I had to look her up after seeing her art, and I&#39;m so happy that &lt;a href=&#34;https://weefolkstudio.com&#34;&gt;Salley Mavor has a great blog&lt;/a&gt; with lots of behind-the-scenes details.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.brooklynmuseum.org/opencollection/objects/108868&#34;&gt;Blue Leaf Form&lt;/a&gt;, a lithograph from William Turnbull.&lt;/p&gt;
&lt;p&gt;This Chokwe &lt;a href=&#34;https://www.slam.org/collection/objects/35779/&#34;&gt;Chief&#39;s Chair&lt;/a&gt; is so cool – I&#39;ve never seen sculpture like that on rungs between chair legs!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Cut back the mileage in prep for Bronx 10-mile. I think with one more run, or maybe two, I&#39;ll have run every street in Bed-Stuy. 🔜&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
New York 2140, cont. Savoring this one, and hoping I can find more like it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
I like the &lt;a href=&#34;https://www.construction-physics.com/p/how-california-turned-against-growth&#34;&gt;whirlwind tour of California history in &amp;quot;How California Turned Against Growth&amp;quot;&lt;/a&gt;. I would read… ~49 more capsule summaries like this.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://beautifulnetwork.substack.com/p/what-are-subway-signals-and-why-should&#34;&gt;What are subway signals and why should you care?&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.curbed.com/article/robert-caro-power-broker-lyndon-johnson-book-interview.html&#34;&gt;Robert Caro buys a writing shed&lt;/a&gt;: &amp;quot;This particular shed was a floor sample, bought because he wanted it delivered right away. The business’s owner demurred. “So I said the following thing, which is always the magic words with people who work: ‘I can’t lose the days.’”&amp;quot; The word count calendar is cool, too.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://paulflannery.substack.com/p/celebrate-your-victories&#34;&gt;Celebrate Your Victories&lt;/a&gt;. &amp;quot;And then … be prepared to let it all go.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Dawn_of_the_Planet_of_the_Apes&#34;&gt;Dawn of the Planet of the Apes&lt;/a&gt;. All about efforts to get power or keep it. Caesar and Koba&#39;s relationship is so heartbreaking, both deeply motivated by their experience, both unwilling in their own way to see past it. Koba&#39;s play-acting scenes, the whole making a fool/circus monkey act, is so brilliant.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Firm_(1993_film)&#34;&gt;The Firm&lt;/a&gt;. On rewatch, keeps getting better! (&lt;a href=&#34;https://mlarson.org/2014/07/05/the-firm-better-than-i-remember-i-like-that-the/&#34;&gt;previously&lt;/a&gt;) An underrated Tom Cruise micro-skill: intense phone conversations.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Top recs this week...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/playlist/0ubDSlLzzMTSZykwBj1mSr&#34;&gt;A lovers rocks playlist from Questlove&lt;/a&gt;. Lots of new stuff for me, and I especially liked &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7MOjFM02bewnUpMlXc8vOJ&#34;&gt;El Cielo&lt;/a&gt;&amp;quot; from Radio Citizen &amp;amp; Bajka, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/27wamcJDkphhR4FFkM6qXH&#34;&gt;Lost Weekend Dub&lt;/a&gt;&amp;quot; from Slowly, and especially Ernest Ranglin&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3JqXRGyaa6SnTsnuD0m687&#34;&gt;In the Rain&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;Sona Jobarteh, &lt;a href=&#34;https://open.spotify.com/album/1lFli5KvWDQ44irop8P9se&#34;&gt;Badinyaa Kumoo&lt;/a&gt;. Upbeat kora + Gambian griot from a cousin of the great Toumani Diabaté. Hard to pick just one! Maybe &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/410tKJ6RjBovGQmjvKKusU&#34;&gt;Fondinkeeya&lt;/a&gt;&amp;quot;, with all its intertwining threads.&lt;/li&gt;
&lt;li&gt;Salif Keita, &lt;a href=&#34;https://open.spotify.com/album/1ban68aN7UrIS3MTKKp7SV&#34;&gt;&amp;quot;Folon&amp;quot;…..The Past&lt;/a&gt;. I like the lean-back funk feel on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/069z2PptV6FTSUWxm2y7uX&#34;&gt;Mandjou&lt;/a&gt;&amp;quot;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6RcXIJHHlSd0X0r7NWUO7Y&#34;&gt;Nyanyama&lt;/a&gt;&amp;quot; the opening aching vocals of reminds me of Thione Secks&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4UBRB50sTpFXWYcsaoDSPV&#34;&gt;Mass Ndiaye&lt;/a&gt;&amp;quot; (complimentary!!).&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And as for rest of my listening…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;LL Cool J, &lt;a href=&#34;https://open.spotify.com/album/1Q7mpQ7mDOK2snlbb0g5Q2&#34;&gt;The Force&lt;/a&gt;. It was &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0qzxr3UMVxqGWNU9JN69eu&#34;&gt;Black Code Suite&lt;/a&gt;&amp;quot; that put Sona Jobarteh ↑ on my radar. I like the throwback feel, machine gun chatter in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4fkoKb0OhBal3slZW3OfQF&#34;&gt;Basquiat Energy&lt;/a&gt;&amp;quot;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5DUiL6wqqzztYxpSVhI3XU&#34;&gt;Beethoven: Complete Piano Sonatas, Vol. 1&lt;/a&gt;. Number 8 just hits different, huh?&lt;/li&gt;
&lt;li&gt;Jeff Majors, &lt;a href=&#34;https://open.spotify.com/album/4dwOdO5wJp0dgSDjjDeaqw&#34;&gt;For Us All (Yoka Boka)&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Raleigh Ritche, &lt;a href=&#34;https://open.spotify.com/album/50EXi4hlRIPF7fLQcWCXyp&#34;&gt;You&#39;re a Man Now, Boy&lt;/a&gt;. Straightforward modern pop/R&amp;amp;B by the star of the &lt;em&gt;Interview with the Vampire&lt;/em&gt; TV show.&lt;/li&gt;
&lt;li&gt;Bonnie Prince Billy, &lt;a href=&#34;https://open.spotify.com/album/1VhDTBhXKovaaLXZ5i6m0P&#34;&gt;Hear the Children Sing the Evidence&lt;/a&gt;. The wandering folk you&#39;d expect from him!&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s3e8 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Oubliette_(The_X-Files)&#34;&gt;Oubliette&lt;/a&gt;&amp;quot;. A dungeon kidnapping thriller!&lt;/p&gt;
&lt;p&gt;The Leftovers, s2e2 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/A_Matter_of_Geography&#34;&gt;A Matter of Geography&lt;/a&gt;&amp;quot;. Focusing on the NY folks&#39; move to Texas. Kevin is losing it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Kaos_(TV_series)&#34;&gt;Kaos&lt;/a&gt;, s1e1. I wish it were a little snappier and goofier, but I generally like where it&#39;s going.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 36</title>
    <link href="https://mlarson.org/2024/09/08/2024-week-36/"/>
    <updated>2024-09-08T17:28:47.000Z</updated>
    <id>https://mlarson.org/2024/09/08/2024-week-36/</id>
    <content type="html">&lt;p&gt;Last week I finished a project: &lt;a href=&#34;https://www.moviepeers.com/&#34;&gt;MoviePeers.com&lt;/a&gt;, a novelty website &lt;a href=&#34;https://x.com/ModeledBehavior/status/1632466023243710465&#34;&gt;inspired by a tweet&lt;/a&gt; from last year. I&#39;d been meaning to circle back to it for a while! Felt good to wrap it up and ship it.&lt;/p&gt;
&lt;p&gt;The long weekend felt like it split the week into two parts – one in goblin mode, watching movies, reading; the other cranking through interviews, administrative stuff. Also got a wedding license and picked up my ring. Big week!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
A &lt;a href=&#34;http://www.righto.com/2024/08/pentium-navajo-fairchild-shiprock.html&#34;&gt;Navajo weaving of an Intel Pentium chip&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The flat face of this &lt;a href=&#34;https://www.slam.org/collection/objects/54333/&#34;&gt;mask (kplekple)&lt;/a&gt; really tickles me for some reason.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/204436/extraordinary-values&#34;&gt;Extraordinary Values&lt;/a&gt;, painting by Ray Yoshida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
It&#39;s that time of year where an evening run comes with a lovely sunset.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/09/prospect-park-lake-sunset.jpg?w=1024&#34; alt=&#34;sunset over a lake; the yellow-orange clouds are reflected on the calm surface of the water; the lake is rimmed by dark trees in silhouette&#34; class=&#34;wp-image-10522&#34;&gt;&lt;/figure&gt;
&lt;p&gt;I ran about ~16.5 miles yesterday, my longest in a good while. Felt great during the run. Feeling some &amp;quot;overdid it&amp;quot; kinks in the system today, but really happy with my progress, the fact that it didn&#39;t feel like a big deal. Running with company probably helped with that. The next couple weeks will be a short taper to &lt;a href=&#34;https://www.nyrr.org/races/newbalancebronx10mile&#34;&gt;my next race&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
New York 2140, cont. This book has been so fun. Halfway through.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;The older you get, the more you’re able to look at it and go, well, &lt;a href=&#34;https://www.gq.com/story/brad-pitt-george-clooney-gq-cover-story&#34;&gt;it’s not my brilliance that made this thing a hit and it’s not my stupidity that made this one flop&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://oneminutepark.tv/&#34;&gt;One Minute Park&lt;/a&gt; allows you to visit parks from around the world for one minute each.&amp;quot; (via &lt;a href=&#34;https://www.naiveweekly.com/&#34;&gt;Naive Weekly&lt;/a&gt;, one of my favorite newsletters)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://dirt.fyi/article/2024/06/luxury-produce&#34;&gt;On luxury produce&lt;/a&gt;: &amp;quot;A certain kind of tomato has become a status symbol.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://worksinprogress.co/issue/how-pour-over-coffee-got-good/&#34;&gt;How pour-over coffee got good&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.discoursemagazine.com/p/in-praise-of-reference-books&#34;&gt;Nobody has ever scolded themselves for failure to complete a reference book&lt;/a&gt;. They are intended to be used as the reader demands—nothing more. You owe no obeisance to the author; there is no pretense of a conversation.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.noahpinion.blog/p/progressives-need-to-learn-to-take&#34;&gt;Progressives need to learn to take the W&lt;/a&gt;. &amp;quot;There’s another, more subtle cost of perpetual outrage as a theory of change. I think it leads to premature exhaustion and unnecessary disillusionment, by preventing progressives from realizing when they’ve had major successes.&amp;quot;&lt;/p&gt;
&lt;p&gt;The latest issue of &lt;a href=&#34;https://www.brightwalldarkroom.com/magazine/issues/issue134/&#34;&gt;Bright Wall/Dark Room is focused on Spike Lee&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://eieio.substack.com/p/the-secret-inside-one-million-checkboxes&#34;&gt;The Secret Inside One Million Checkboxes&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/chenoehart/status/1832536213586374851&#34;&gt;Furnishing your house with server racks&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Kingdom_of_the_Planet_of_the_Apes&#34;&gt;Kingdom of the Planet of the Apes&lt;/a&gt;. It&#39;s crazy how good this movie looks. An under-appreciated franchise this century. I love how they show the ape societies developing – architecture, costume, tools. Interesting that they do the same no-kiss greeting as in &lt;em&gt;Fury Road&lt;/em&gt;/&lt;em&gt;Furiosa&lt;/em&gt;: foreheads touching, hand on the back of the other&#39;s. LOL at apes talking about now-immiserated scavenger humans like stray animals. I like the very gradual character reveals!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Incredible_but_True&#34;&gt;Incroyable mais vrai (Incredible But True)&lt;/a&gt;. A couple buys a house that happens to have a portal where you can time travel 12 hours ahead while also getting 3 days younger. Great soundtrack! Old-school classical and videogame-like electronic versions. I like the use of montage to fast forward.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Beast_(2017_film)&#34;&gt;Beast&lt;/a&gt;. Jessie Buckley is awesome and after seeing this and &lt;a href=&#34;https://en.wikipedia.org/wiki/Men_(2022_film)&#34;&gt;Men&lt;/a&gt; and &lt;a href=&#34;https://en.wikipedia.org/wiki/Women_Talking_(film)&#34;&gt;Women Talking&lt;/a&gt;, I&#39;ll keep tuning in.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Beetlejuice&#34;&gt;Beetlejuice&lt;/a&gt;. Speaking over very gradual character reveals. They very literally do not make them like this anymore. What a manic, crazy blend – I love the actors, across the cast, putting all their chips in. The suicide jokes (?!) didn&#39;t age well!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Started off the week in an R&amp;amp;B mood…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Prince, &lt;a href=&#34;https://open.spotify.com/album/0IofYnPCppEIKAJmc517JS&#34;&gt;For You&lt;/a&gt;. Never gone that deep in the Prince archives before. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0GDM5mJEisxmmyYGuC6Cla&#34;&gt;Soft and Wet&lt;/a&gt;&amp;quot; is the only one I knew of, still bouncy and perfect. The demented backbeat in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2dYdzNkej30c9CDe66vnET&#34;&gt;In Love&lt;/a&gt;&amp;quot; feels like a decade ahead of time.&lt;/li&gt;
&lt;li&gt;Maze, Frankie Beverly, &lt;a href=&#34;https://open.spotify.com/album/2IO8mNFG4FS3sdVWUG3qGC&#34;&gt;Silky Soul&lt;/a&gt;. Late &#39;80s disco/funk/soul/R&amp;amp;B – even if you don&#39;t know the songs, the music sounds so familiar and comforting (and owes a tremendous debt to Marvin Gaye). &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4iwIaWbWs32zm9pkIpdfGy&#34;&gt;Love&#39;s On the Run&lt;/a&gt;&amp;quot; has the bump.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3uSWaQxJAdm5MWKQkQJNoK&#34;&gt;The Best of Sade&lt;/a&gt;. When the &amp;quot;Best Of&amp;quot; album comes out before two other killer albums. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6KIS5YIZAyeiFNx1aE1OhY&#34;&gt;Hang On to Your Love&lt;/a&gt;&amp;quot; deserves some more attention. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/65krtHkaYLPr0mEbjL61UP&#34;&gt;Kiss of Life&lt;/a&gt;&amp;quot; has lovely production, something I&#39;d listen to when I take my imaginary sailboat out at sunset. The grinding, vaguely menacing electric guitar takes &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5qqB8kD9OoMmJJniCCtPhP&#34;&gt;No Ordinary Love&lt;/a&gt;&amp;quot; to a level few can reach.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I like listening to other people&#39;s playlists. But more often, I just pillage and plunder for ideas. I usually end up skimming the titles and snagging a couple albums that catch my eye. This week, albums stolen from &lt;a href=&#34;https://open.spotify.com/playlist/2AxlexUzdpw9wN7d5Ve2Fi&#34;&gt;a playlist for driving around Oahu&lt;/a&gt;:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6PnbwR4pgQQZDrLUdw6Kc7&#34;&gt;Pacific&lt;/a&gt;, from Haruomi Honoso, Shigeru Suzuki, and Tatsuro Yamashita. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6Ys5Xmyl13GuzVWDOqZlcL&#34;&gt;ノスタルジア・オブ・アイランド (Nostalgia of the Island)&lt;/a&gt;&amp;quot; is an easy fave, lazy and happy.&lt;/li&gt;
&lt;li&gt;Raymond Scott, &lt;a href=&#34;https://open.spotify.com/album/7ctcZZGbNxjwHb46pMRZ7D&#34;&gt;Manhattan Research, Inc.&lt;/a&gt;. I really like the noises, but there was too much talking (for me, at the time).&lt;/li&gt;
&lt;li&gt;Daniel Lanois, &lt;a href=&#34;https://open.spotify.com/album/5uQShUQXWf3ukBMaPOY1Xp&#34;&gt;Shine&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Gaussian Curve, &lt;a href=&#34;https://open.spotify.com/album/4FC9qI04vobItNEKVeRh8Q&#34;&gt;Clouds&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;A.R.T. Wilson, &lt;a href=&#34;https://open.spotify.com/album/5I4w85SAzHx1ZApr0ddtzH&#34;&gt;Overworld&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/52AqSr7KURFRBTvaxtgd7b&#34;&gt;Cameroon: Baka Pygmy Music&lt;/a&gt;. Highlights are the children singing in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6AjXqgnP4Ndl3HysvieGw0&#34;&gt;Hut Song&lt;/a&gt;&amp;quot; and aquatic percussion in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/08AxpxQqxUjhlU9dwFNWfv&#34;&gt;The Water Drum&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Back to Beethoven again this week, &lt;a href=&#34;https://x.com/mlarson/status/1831348951259160605&#34;&gt;comparing/contrasting recordings to make my soul bigger&lt;/a&gt;:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0PbhDyPUyxEv8xDzOECJN6&#34;&gt;Beethoven: Piano Concerto No. 4, Op.58 &amp;amp; Piano Concerto No. 2, Op. 19&lt;/a&gt; perf. Rudolf Serkin, Eugene Ormandy, Philadelphia Orchestra.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0e8IL0VNLeTE9Z4kboXtyk&#34;&gt;Beethoven: Piano Concerto Nos. 4 &amp;amp; 5&lt;/a&gt; perf. Daniel Barenboim, Berliner Philharmoniker.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4uMNmUAkv8WDa50r5iuAst&#34;&gt;Beethoven: Piano Concertos No. 3 Op. 37 &amp;amp; No. 4 Op. 58&lt;/a&gt; per. Krystian Zimerman, Leonard Bernstein, Wiener Philharmoniker. I like how the piano sounds here, it seems to have the most &amp;quot;sparkle&amp;quot; to it.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3TId6n2z9GSufAwpXKbw9W&#34;&gt;Beethoven: Piano Concertos Nos. 3 &amp;amp; 4&lt;/a&gt;, perf. Mitsuko Uchida, Kurt Sanderling, Royal Concertgebouw Orchestra. This sound is so smooth and round and full, and feels like a wider overall dynamic range in the recording/performance. Probably my favorite of this bunch.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s3e7 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Walk_(The_X-Files)&#34;&gt;The Walk&lt;/a&gt;&amp;quot;. Another military revenge plot, this one in a veterans hospital. Fun to see the &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=rkHodazeLpQ&#34;&gt;No sir, it&#39;s unusual&lt;/a&gt;.&amp;quot; guy from &lt;em&gt;No Country for Old Men&lt;/em&gt; in a starring role here.&lt;/p&gt;
&lt;p&gt;The Leftovers, s2e1 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Axis_Mundi_(The_Leftovers)&#34;&gt;Axis Mundi&lt;/a&gt;&amp;quot;. This show. Dang. This is why we say some works have a &amp;quot;rich text&amp;quot;. I took a bunch of notes, but feel like I just need to let them simmer. I had no idea Regina King was in this show!&lt;/p&gt;
&lt;p&gt;Interview With the Vampire, s3-4. So, this Claudia character… I appreciate what she&#39;s doing for the story, but a very tiresome presence on screen.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 35</title>
    <link href="https://mlarson.org/2024/09/01/2024-week-35/"/>
    <updated>2024-09-01T18:33:38.000Z</updated>
    <id>https://mlarson.org/2024/09/01/2024-week-35/</id>
    <content type="html">&lt;p&gt;Last weekend I tried on my wedding ring, and what a lovely feeling. It came out a bit too large, but the re-size should be perfect when I pick it up again. How many things do I own that I expect will be with me until I die?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Ran to a new area yesterday, &lt;a href=&#34;https://www.nycgovparks.org/parks/forest-park/&#34;&gt;Forest Park&lt;/a&gt;. I need to get back there to see some more of the trails. But maybe take a shortcut on the subway instead of getting there six miles in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
New York 2140, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://ytch.xyz/&#34;&gt;YouTube TV&lt;/a&gt;, flipping through channels like we used to. Mixed feelings! It feels nostalgically satisfying, there&#39;s always some curiosity and surprise in what&#39;s next but… I&#39;m glad we&#39;ve moved on.&lt;/p&gt;
&lt;p&gt;&amp;quot;Most of our &lt;a href=&#34;https://joinreboot.org/p/folk-programmers&#34;&gt;everyday knowledge of how to use computers&lt;/a&gt; can be considered folklore.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;There is a genre of &lt;a href=&#34;https://x.com/DKThomp/status/1828785195023016089&#34;&gt;21st century male &#39;I have perfected the game of life&#39; routine&lt;/a&gt; that essentially assumes the absence of other people&amp;quot;. Sad!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://2008.osm.lol/#15/40.6626/-73.9706&#34;&gt;OpenStreetMap, then and now&lt;/a&gt;. It&#39;s incredible to see the progress and detail added since 2008. Incredible public resource, up there with Wikipedia.&lt;/p&gt;
&lt;p&gt;James Flynn analyzes the &lt;a href=&#34;https://x.com/jamesfflynn/status/1829217796250841153&#34;&gt;everyday genius in a short clip of The Big Lebowski&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Furiosa:_A_Mad_Max_Saga&#34;&gt;Furiosa: A Mad Max Saga&lt;/a&gt;. The Furiosas hold their own. Chris Hemsworth is a delight. I like that his Dementus is not particularly smart. I also like that Furiosa is mostly silent, like Max. The inventive vehicles and weapons and tactics are an ongoing treat. I really like the episodic format. It feels more refreshing in this fiction context than when I see it in a biopic or something.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt17048276/&#34;&gt;The African Desperate&lt;/a&gt;. Fun work in the editing/cuts/sound, and in the presentation of phone/text convo. And the art school talk is so perfectly eye-rolling. Interesting how the dialogue is so filled with throwaway memes, references, abbrevs, catchphrases. Ultimately I struggled with the characters, who seem aimless, insufferable, self-destructive. Like being sober when everyone else is drunk or drugged – a bit of a drag!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Late_Night_with_the_Devil&#34;&gt;Late Night With the Devil&lt;/a&gt;. Horror movie on the set of a live television show. We get breaks from the action when they go to commercial. Refreshing change in setting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Leo Takami, &lt;a href=&#34;https://open.spotify.com/album/4T2QKv3wt8n7tu4lvQx3Qi&#34;&gt;Tree of Life&lt;/a&gt;. More straightforwardly meditative and drifting than last week&#39;s.&lt;/p&gt;
&lt;p&gt;Abel Selaocoe, &lt;a href=&#34;https://open.spotify.com/album/6IYAr9pzGQJ2c9I5ZWuYEb&#34;&gt;Where Is Home / Hae Ke Kae&lt;/a&gt;. South African cello and vocal wanderings.&lt;/p&gt;
&lt;p&gt;Afro-pop from Amero-Zimbabwean Chiwoniso…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0i06yX04ra1pINSFrPWk8c&#34;&gt;Ancient Voices&lt;/a&gt;. The &lt;a href=&#34;https://open.spotify.com/track/1dCNi6CsJHoFdLfbDWxwDb&#34;&gt;title track&lt;/a&gt; has a steady bittersweet momentum, and I like the chorus joining in to tell the story.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2cwSTL1e95ybIWhPR75o73&#34;&gt;Rebel Woman&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/733vnKmUVLWZzsOI0MDSHz&#34;&gt;Tichazomuona&lt;/a&gt;, with Dumisani Maraire. The mbira has a perfect sound.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Barry White, &lt;a href=&#34;https://open.spotify.com/album/4K9Jm5bzIbKIRoDccpI4QH&#34;&gt;Is This Whatcha Want?&lt;/a&gt;. Unassailable: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0GuUFX7ffy4qLExjpLmGpg&#34;&gt;Don&#39;t Make Me Wait Too Long&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Floating Points, &lt;a href=&#34;https://open.spotify.com/album/6nhojCNg9ggxmaEXrVxLCH&#34;&gt;Ocotillo&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7tZhDRULzktHUj6PEhdA3n&#34;&gt;Del Oro&lt;/a&gt;&amp;quot; stayed on loop for a while.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(TV_series)&#34;&gt;Interview with the Vampire&lt;/a&gt;, s1e1–2. Trashy horror-romance. Can&#39;t believe it took this long, but watching this made me realize that &lt;a href=&#34;https://en.wikipedia.org/wiki/Hannibal_(TV_series)&#34;&gt;Hannibal&lt;/a&gt; is a vampire.&lt;/p&gt;
&lt;p&gt;How to With John Wilson, s1e3. The shine is wearing off a bit, but still a valuable reminder how interesting other people are, and how being open opens up a lot.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Life_and_Letters_of_Charles_Darwin&#34;&gt;God forgive me for being so idle&lt;/a&gt;; I am quite sillily interested in this work.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 34</title>
    <link href="https://mlarson.org/2024/08/27/2024-week-34/"/>
    <updated>2024-08-27T18:52:19.000Z</updated>
    <id>https://mlarson.org/2024/08/27/2024-week-34/</id>
    <content type="html">&lt;p&gt;I&#39;ve been working on a coding project (more to come) and &lt;a href=&#34;https://x.com/mlarson/status/1826352793336381864&#34;&gt;collaborating with AI is so fun&lt;/a&gt;. I like the near-limitless patience – explain X for the tenth time, remind me why we&#39;re doing Y, let&#39;s start over from scratch... again. Stuff that would exhaust a human teammate is taken without flinching. I hope we can learn from this.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/08/prospect-park.jpg?w=1024&#34; alt=&#34;photo of a forest; tall skinny trees filter warm early morning sunlight through their brigh green leaves; in the foreground, a fallen tree and leave-strewn paths&#34; class=&#34;wp-image-10507&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/New-York-2140-Stanley-Robinson-ebook/dp/B01KT7YTO6&#34;&gt;New York 2140&lt;/a&gt;. Loving this book so far – intrigue in a New York City partially submerged by global sea level rise. Exactly what I needed. Really appreciate this line:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;Stick your finger on your little tourist map and wherever it lands, amazing things will have happened. The ghosts will rise up through the manhole covers like steam on a cold morning, telling you their stories with the same boring maniacal ancient-mariner intensity that any New Yorker manifests if they start talking about history. Don’t get them started! Because a New Yorker interested in the history of New York is by definition a lunatic, going against the tide, swimming or rowing upstream against the press of his fellow citizens, all of whom don’t give a shit about this past stuff.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The Path of Daggers, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I&#39;m now over 1,000 miles for the year so far. Getting close to filling out my map of Bed-Stuy, too. Just a few more runs and I&#39;ll have every street done.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.curbed.com/2022/08/frederick-law-olmsted-eastern-parkway-brooklyn-safe-streets.html&#34;&gt;Eastern Parkway was never meant to be a highway&lt;/a&gt;. If only…&lt;/p&gt;
&lt;p&gt;&amp;quot;I was &#39;&lt;a href=&#34;https://www.dwarkeshpatel.com/p/progress-update&#34;&gt;2 months away from quitting the podcast&lt;/a&gt;&#39; for 2 years.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;It’s &lt;a href=&#34;https://thesephist.com/posts/explore/&#34;&gt;worth listening to your intuition&lt;/a&gt; because this is what’ll set your perspective apart from everyone else who’s also looking around for problems to solve.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;In midlife &lt;a href=&#34;https://austinkleon.substack.com/p/typewriter-interview-with-elisa-gabbert&#34;&gt;almost everything looks like a midlife crisis book&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Totally_Killer&#34;&gt;Totally Killer&lt;/a&gt;. Dialogue reminded me of Hitman a bit, not in a good way, sometimes sort of listless, slow, obvious. And it ran the &amp;quot;boy, times have changed&amp;quot; and raunchy humor into the ground. But! It&#39;s a pretty fun satire and I like the time travel angle.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sherlock_Holmes_(2009_film)&#34;&gt;Sherlock Holmes (2009)&lt;/a&gt;. I love the fashion from this time period. Leaning into Sherlock&#39;s restlessness and Watson&#39;s gambling is a plus.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Continuing the Asian kick from last week, I really enjoyed the stuff I&#39;ve found in the Nonesuch Explorer Series.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5m23BQGw6ZCnw5SD7waul2&#34;&gt;Explorer Series: Indonesia - Java: Court Gamelan, Vol. I&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/01T0JY6b1nCdwicRK9t1U3&#34;&gt;Explorer Series: Indonesia - Java: Court Gamelan, Vol. II&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0xwSm4s7eetGFb4SD7sjCW&#34;&gt;Explorer Series: Europe - Bulgaria: Village and Folk Music of Bulgaria&lt;/a&gt;. Really liked all the 1-3 minute track lengths on this album. The tight small-group harmonies in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6zz4H1WlfNQaP1d5dMHv1j&#34;&gt;Jofcharche mlado&lt;/a&gt;&amp;quot; followed by the more expansive chorus + woodwind + strumming&amp;quot; in &lt;a href=&#34;https://open.spotify.com/track/6f6ytkHNzqKIqD3Of4OZKg&#34;&gt;Trugnal mi Yane Sandanski, Iele&lt;/a&gt;&amp;quot; capture the range well.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;After seeing a random twitter thread about it, I switched over to Japanese jazz…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Leo Takami, &lt;a href=&#34;https://open.spotify.com/album/5WnBcGrDXJUDg6G9gCZ2G4&#34;&gt;Next Door&lt;/a&gt;. Maybe my favorite of the bunch. Reminds me of Pat Metheny – nylon electric guitar + piano + percussion is a proven blend, like in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5QfWrCZWmcHIJvzkzjU1K3&#34;&gt;As If Listening&lt;/a&gt;&amp;quot;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7KlORTgKuSDAyAy1riyOya&#34;&gt;Family Tree&lt;/a&gt;&amp;quot; opens and closes with this melancholy line where I feel like he&#39;s quoting something – Eno&#39;s Airports, or Satie&#39;s Gymnopedies, or a snippet of Copland – but maybe that&#39;s just what happens when something is so spare, clear, beautiful, dialed in. Or maybe it&#39;s a quote!&lt;/li&gt;
&lt;li&gt;Masabumi Kikuchi, &lt;a href=&#34;https://open.spotify.com/album/51pYm9Zt77n5fV9hqaEdiY&#34;&gt;Poo-Sun&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Hiromasa Suzuki, &lt;a href=&#34;https://open.spotify.com/album/21swwIf6X1I6xj6T5vSKax&#34;&gt;High-Flying&lt;/a&gt; opens with the title track quoting Marvin Gaye. A bit more funk/fusion/blues-y than the previous.&lt;/li&gt;
&lt;li&gt;Masabumi Kikuch &amp;amp; Masahiko Togashi, &lt;a href=&#34;https://open.spotify.com/album/6D6FGMMjiO364gLYVO7g88&#34;&gt;Poetry&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;And a playlist: &amp;quot;&lt;a href=&#34;https://open.spotify.com/playlist/75pJyUGEQyQ5Rn1uh4bdCj&#34;&gt;japanese jazz when driving on a warm rainy night&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I really enjoyed this compare/contrast exercise, and I should do it more often:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0iAEMTnaiqC1hPdAOqoxiY&#34;&gt;Beethoven: Symphony No. 3 &amp;quot;Eroica&amp;quot; &amp;amp; Coriolan Overture&lt;/a&gt;, performed by Budapest Festival Orchestra, 2024. Is #3 the best Beethoven symphony?&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7AqDDU4F0qwIHtNvUNelOO&#34;&gt;Beethoven: Symphony No. 3, Op. 55 &amp;quot;Eroica&amp;quot; - Strauss: Horn Concerto No. 1, Op. 11 (Live)&lt;/a&gt;, from the Pittsburgh Symphony Orchestra, 2018. A notable increase in tempo in this Eroica. Buoyant!&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/5rtkwgjf0Bgv47355z4mLo&#34;&gt;Star Feminine Band&lt;/a&gt;, self-titled and &lt;a href=&#34;https://open.spotify.com/album/7iA1ctkJkjlcI6fqgSm8jg&#34;&gt;Paris&lt;/a&gt;. High-energy Beninese teenage garage band!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;s3e4 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Clyde_Bruckman%27s_Final_Repose&#34;&gt;Clyde Bruckman&#39;s Final Repose&lt;/a&gt;&amp;quot;. Quote of the season so far: &amp;quot;I believe in your abilities, but not your attitude.&amp;quot;&lt;/li&gt;
&lt;li&gt;s3e5 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_List_(The_X-Files)&#34;&gt;The List&lt;/a&gt;&amp;quot;. This show loves to consider revenge after death. Has a great moody look to it – deep shadows, Florida sweat. Stories set in the prison system, with so many abuses of power, are really tough to watch.&lt;/li&gt;
&lt;li&gt;s3e6 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/2Shy&#34;&gt;2Shy&lt;/a&gt;&amp;quot;. I like how they literalize the psychopath&#39;s hunger to kill. Also: old school internet dating! Vulnerability, loneliness, hopefulness, the willingness to ignore red flags. Also interesting to see the villain&#39;s reluctance to engage when it&#39;s not on his terms.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The Leftovers, s1e10 &amp;quot;The Prodigal Son Returns&amp;quot;. Season finale stuck the landing. &lt;a href=&#34;https://x.com/mlarson/status/1825886175791383003&#34;&gt;I am hooked&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;How To With John Wilson, s1e1. So unexpectedly funny! I love the juxtaposition of image and word. This really made me appreciate NYC anew. Can&#39;t wait to make my way through the rest.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;All &lt;a href=&#34;https://x.com/inkhat/status/1828089328909570401&#34;&gt;hobbies require zero talent&lt;/a&gt; if you’re comfortable with being bad at them.&amp;quot; Get a hobby!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 33</title>
    <link href="https://mlarson.org/2024/08/20/2024-week-33/"/>
    <updated>2024-08-20T13:10:14.000Z</updated>
    <id>https://mlarson.org/2024/08/20/2024-week-33/</id>
    <content type="html">&lt;p&gt;Ups and downs last week. Found myself in a bout of mid-week doldrums. That&#39;s been a Wednesday/Thursday pattern a few times, and… I think it may be caffeine-related. Time to cut back.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/08/brick-church.jpg?w=1000&#34; alt=&#34;&#34; class=&#34;wp-image-10499&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
The race I was in left me defaulting to higher speeds, so it took a bit of time and conscious effot dial it back to the norm. After the race week taper, ramped up the volume quite a bit. It&#39;s funny how noticeable it is when I&#39;m underfed. A big healthy meal and a good night of sleep can make a big difference.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Vaster-Wilds-Novel-Lauren-Groff/dp/0593418409&#34;&gt;The Vaster Wilds&lt;/a&gt;. Don&#39;t read it to cheer yourself up.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Don-Quixote-Miguel-Cervantes/dp/0060934344&#34;&gt;Don Quixote, trans. Grossman&lt;/a&gt;. Pretty sure I&#39;ve DNF&#39;ed this in every decade I&#39;ve been alive. 🤷‍♂️&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Nuts-Bolts-Seven-Inventions-Changed/dp/1324021527&#34;&gt;Nuts &amp;amp; Bolts: Seven Small Inventions That Changed the World in a Big Way&lt;/a&gt;. Nails are more interesting than you&#39;d think!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;Thriving and growing cultures are &lt;a href=&#34;https://x.com/conorsen/status/1825562306161565772&#34;&gt;liberal about handing out &#39;cultural green cards.&#39;&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/08/train-tracks.jpg?w=1000&#34; alt=&#34;&#34; class=&#34;wp-image-10501&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Rental&#34;&gt;The Rental&lt;/a&gt;. Effective! Good use of fog. Interesting choice to keep the villain unknown. I dig it. Airbnbs are creepy!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Collateral_(film)&#34;&gt;Collateral&lt;/a&gt;. Never gets old.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Days_of_Heaven&#34;&gt;Days of Heaven&lt;/a&gt;. I was really disappointed with the sound at BAM Harvey Theater – too hot, too echo-y – but it&#39;s still a splendid movie. I&#39;m happy I got to see it on a big screen again. I really like Malick&#39;s willingness to remove boring, functional dialogue. He&#39;ll give you a couple clips of dialogue, or what they see, just enough to get the basic idea of what people want, and then he lets you look at how they&#39;re processing it all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Listened to a bunch of great music from Asia this week…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/7C2GzaqBlg3oPdIpo6eI8e&#34;&gt;Explorer Series: Indonesia - Bali: Golden Rain&lt;/a&gt;. Love the contrast in frenetic melodies vs. the very ponderous ding-dong of the deeper gongs in the first couple tracks. The explosive piston vocals in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5a2d0yNTN5I77eiMFnn7he&#34;&gt;Ketjak: the Ramayana Monkey Chant&lt;/a&gt;&amp;quot; are fantastic.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/5rFm3uYrw2k2BjdXl0uGM9&#34;&gt;Mandolin Duo: U. Srinivas – Vol. 1&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Gundecha Brothers, &lt;a href=&#34;https://open.spotify.com/album/7ISqWDvIsh7heJcnXvI87w&#34;&gt;Bhaktamar Stotra&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Sabri Brothers, &lt;a href=&#34;https://open.spotify.com/album/2LskL9VEZ4BHu2RvO9Q00v&#34;&gt;Qawwali: Sufi Music of Pakistan&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Nusrate Fateh Ali Khan, &lt;a href=&#34;https://open.spotify.com/album/67yayTLgnGJPxjPZYa13n4&#34;&gt;Best Urdu Qawwalies&lt;/a&gt;. Seven hours&#39; worth! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3fB6e1xLVqXtgTMSFKJiC7&#34;&gt;Allah Hoo Allah Hoo&lt;/a&gt;&amp;quot; is a banger.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/4PMd8fJERkmZ07ccnAtr6c&#34;&gt;Rare Voodoo Songs from Northern Haiti&lt;/a&gt;. Really beautiful singing with minimal percussion accompaniment, as in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0SLM3aURFt5YJQiZtChqcy&#34;&gt;Pikan Kwenna&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;James, &lt;a href=&#34;https://open.spotify.com/album/2ZJSwA3PVFgtGxanmY4MBZ&#34;&gt;Seven&lt;/a&gt;. If you like early U2, you might like this.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e3 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/D.P.O._(The_X-Files)&#34;&gt;D.P.O.&lt;/a&gt;&amp;quot;. I like this lightning kid, and most of the creepiness comes from the very real-life stalking rather than the superpowers or generic villainy. Jack Black guest appearance!&lt;/p&gt;
&lt;p&gt;The Leftovers, s1e9. Based on this and Hannibal: if you see an odd deer, it&#39;s a bad sign. Deer, metronome, smoking. Everybody disappeared. :(&lt;/p&gt;
&lt;p&gt;Columbo, s4e3 &amp;quot;By Dawn&#39;s Early Light&amp;quot;.&lt;/p&gt;
&lt;p&gt;Lost, s4e2. The island is getting crowded!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 32</title>
    <link href="https://mlarson.org/2024/08/11/2024-week-32/"/>
    <updated>2024-08-11T22:23:17.000Z</updated>
    <id>https://mlarson.org/2024/08/11/2024-week-32/</id>
    <content type="html">&lt;p&gt;This week I watched a bunch of the Olympics. Peacock made all the difference – finally a focus on events without all the backstory filler! I&#39;ll tune again for Los Angeles 2028 if (I&#39;m not there in person…)&lt;/p&gt;
&lt;p&gt;The clear highlight for me was watching a distant relative win a silver medal. I won&#39;t mention their name out of respect for privacy/not wanting to be a celebrity stalker. I just recently learned we&#39;re related! But man, what a thrill. I&#39;ve never watched the Olympics with rooting interest like that, and ended up jumping up and down in my living room.&lt;/p&gt;
&lt;p&gt;I found myself thinking back to the first Olympics I paid attention to, 1992 in Barcelona. Imagine 9 years old and seeing the Dream Team guys playing together, &lt;a href=&#34;https://www.youtube.com/watch?v=yKJkfE1M9wA&#34;&gt;Dan &amp;amp; Dave commercials during the lead-up&lt;/a&gt;, the torch getting &lt;a href=&#34;https://www.youtube.com/watch?v=gmRf41SVHS4&#34;&gt;lit with a bow &amp;amp; arrow&lt;/a&gt;, and later &lt;a href=&#34;https://www.youtube.com/watch?v=t2G8KVzTwfw&#34;&gt;Derek Redmond limps through the finish of a 400m semifinal with his dad&lt;/a&gt;. So much athletic drama to soak in, and knowledge that it was going to be down the road in Atlanta in just few years&#39; time.&lt;/p&gt;
&lt;p&gt;Anyway, great week, a renewed spirit. The vibes have shifted!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://text-mode.org/?p=26408&#34;&gt;Rugs by Agda Österberg&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.loc.gov/resource/ppmsca.43385/&#34;&gt;Enjoy summer more, read books&lt;/a&gt;, poster by Bill Sokol.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Yesterday I ran the &lt;a href=&#34;https://www.nyrr.org/races/percysuttonharlem5k&#34;&gt;Percy Sutton Harlem 5k&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The last race I&#39;d run was back in 2019, before I left Atlanta. I did that one in 24:03, at 7:45/mile. Yesterday on a tougher course in warmer weather: 25:20 at 8:10. I had 25:00 as my reasonable goal going in, so I&#39;m really happy with how things turned out. Haven&#39;t lost much speed in the last 5 years, but I can handle much longer distances much more easily than I could then. It was a really fun course, too. A squished loop, with plenty of sharp turns and some wicked hills to crush your spirts before you sail back down.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://www.runnersworld.com/training/a20796695/10-reasons-the-5k-is-freaking-awesome/&#34;&gt;5k is kind of a perfect distance&lt;/a&gt;. And when you recover a few minutes after finishing? Plenty of energy left to &lt;a href=&#34;https://x.com/mlarson/status/1822297256302629298&#34;&gt;cheer for others&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Here-Dark-Novel-Alexis-Soloski/dp/1250883040&#34;&gt;Here in the Dark&lt;/a&gt;. First-person narration is tricky, especially when the narrator has sharp edges. (&lt;strong&gt;__&lt;/strong&gt; that one noir with narration I really liked?)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Vaster-Wilds-Novel-Lauren-Groff/dp/0593418395&#34;&gt;The Vaster Wilds&lt;/a&gt;. Archaic, prayerful language. Reminds me of &lt;em&gt;The Road&lt;/em&gt;, but not as morose and dreary. It&#39;s got more urgency at the point we enter the story.&lt;/p&gt;
&lt;p&gt;The Path of Daggers, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;One of the great pleasures of trends is &lt;a href=&#34;https://www.marieclaire.com/food-cocktails/a11476/i-am-not-a-foodie/&#34;&gt;the option of sitting them out&lt;/a&gt;.&amp;quot; (&lt;a href=&#34;https://austinkleon.substack.com/p/donkey-work&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://lancewyman.com/brand-project/mexico-68-olympic-games/&#34;&gt;Designs for the 1968 Mexico City Olympics from Lance Wyman&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/theerkj/status/1820814837829521558&#34;&gt;Big week for the glasses community&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;These examples are real ways I&#39;ve used LLMs to help me. They&#39;re not designed to showcase some impressive capabiltiy; they come from my need to get actual work done. &lt;a href=&#34;https://nicholas.carlini.com/writing/2024/how-i-use-ai.html&#34;&gt;This means the examples aren&#39;t glamorous, but a large fraction of the work I do every day isn&#39;t&lt;/a&gt;, and the LLMs that are available to me today let me automate away almost all of that work.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.raptitude.com/2024/08/do-quests-not-goals/&#34;&gt;Do Quests, Not Goals&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.newyorker.com/news/daily-comment/nancy-pelosis-art-of-power&#34;&gt;You’ve got to be proud of your wounds&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://gijs.garden/#powertools&#34;&gt;Plant Care and Power Tools&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.pewresearch.org/data-labs/2024/05/17/when-online-content-disappears/&#34;&gt;When online content disappears&lt;/a&gt;. &amp;quot;38% of webpages that existed in 2013 are no longer accessible a decade later&amp;quot;&lt;/p&gt;
&lt;p&gt;A much-needed change: a new generation of elite female runners &lt;a href=&#34;https://www.npr.org/sections/shots-health-news/2024/08/08/nx-s1-5065821/olympics-track-field-female-runners-fueling-performance&#34;&gt;embraces strength over thinness&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/news/annals-of-inquiry/how-a-rare-disorder-makes-people-see-monsters&#34;&gt;How a Rare Disorder Makes People See Monsters&lt;/a&gt;. This is wild.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theatlantic.com/ideas/archive/2024/08/the-urban-family-exodus-is-a-warning-for-progressives/679350/?gift=o6MjJQpusU9ebnFuymVdsDvb0YYPeUmH7l1gJn_f7ZM&#34;&gt;The Urban Family Exodus Is a Warning for Progressives&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Hit_Man_(2023_film)&#34;&gt;Hit Man&lt;/a&gt;. Overall fun, but it had too many flabby, listless passages. Not loose or goofy enough for a hangout flick. Not tight enough for a thrill. It just felt low-energy for me. Surprisingly quiet, too. I&#39;m willing to chalk some of it up to mismatched expectations, but I was a bit let down. &amp;quot;&lt;em&gt;Hit Man&lt;/em&gt; serves as a fitting microcosm of the dilemma of this charismatic new face: &lt;a href=&#34;https://www.brightwalldarkroom.com/2024/07/02/hit-man-2024/&#34;&gt;all the right components there but in the wrong proportions, too many ideas and not enough wisdom to discern which are worth pursuing&lt;/a&gt;, the right time but the wrong place.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Superman_(1978_film)&#34;&gt;Superman: The Movie (1978)&lt;/a&gt;. Better in keeping with the spirit of the week, rewatched this in celebration of Truth, justice, and the American Way.™ I got all choked up hearing &lt;a href=&#34;https://www.youtube.com/watch?v=5We2V6rQAb8&#34;&gt;Lois&#39; dazzled, hopeful, love-doped reflections during their flight scene&lt;/a&gt;. &amp;quot;If you need a friend… I&#39;m the one to fly to.&amp;quot; 😭&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Mase, &lt;a href=&#34;https://open.spotify.com/album/3Mb97a181fWxWHlGQGHTPO&#34;&gt;Welcome Back&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5qjESLw4uzDNvG2V5QIoaS&#34;&gt;Breathe, Stretch, Shake&lt;/a&gt;&amp;quot; is so good. And the electronic (vocoder??) backbeat on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7mHIvHYooXzpmFbwox9oYZ&#34;&gt;Into What You Say&lt;/a&gt;&amp;quot; is undermined by a terrible chorus. (Thanks, &lt;a href=&#34;https://www.jaramontez.com/&#34;&gt;Jara&lt;/a&gt;!)&lt;/p&gt;
&lt;p&gt;Christine &amp;amp; The Queens, &lt;a href=&#34;https://open.spotify.com/album/2Yg3Rha1y4PDlIWh5vy6rJ&#34;&gt;PARANO¨IA, ANGELS, TRUE LOVE&lt;/a&gt;. More &amp;quot;epic&amp;quot; than previous albums but I&#39;m not sure it benefits. Will need a few more listens.&lt;/p&gt;
&lt;p&gt;Muslimgauze, &lt;a href=&#34;https://open.spotify.com/album/4u7XtwuEeULmi2JVsSXkfR&#34;&gt;Mullah Said&lt;/a&gt;. Haunting and tranceful. Goblet drums! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7prLvyxM9efEiuTXvQSM6G&#34;&gt;Every Grain of Palestinian Sand&lt;/a&gt;&amp;quot; just buckles in and keeps pressing forward. Really liked this album.&lt;/p&gt;
&lt;p&gt;Ezéchiel Pailhès, &lt;a href=&#34;https://open.spotify.com/album/4uPp2QzxaWluPgQ1E3ccvE&#34;&gt;Ventas Rumba&lt;/a&gt;. Latin keyboard work, would make a good companion with Frankie Reyes from last week. I like &lt;a href=&#34;https://open.spotify.com/track/0FYoheBU83kdgpVBzvbob1&#34;&gt;the title track&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;GoGo Penguin, &lt;a href=&#34;https://open.spotify.com/album/5KSTlyPqTBqkiWNCsiT2OY&#34;&gt;Man Made Object&lt;/a&gt;. I looped their 2018 tune &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6V77yOT0klYsDdbRkUV9TW&#34;&gt;Raven&lt;/a&gt;&amp;quot; a bunch in the past, and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7IofMp2MOL1MXvtlB747eo&#34;&gt;Branches Break&lt;/a&gt;&amp;quot; on this album has similar flavor, a prominent acoustic bass, a chattering drumset, and a pressing forward momentum.&lt;/p&gt;
&lt;p&gt;B. Fleischman, &lt;a href=&#34;https://open.spotify.com/album/5z3wxa3ClBp3N4dsjUcpAS&#34;&gt;The Humbucking Coil&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Job for a Cowboy, &lt;a href=&#34;https://open.spotify.com/album/6SVG90Q4Vwc58kl43UvGGa&#34;&gt;Doom&lt;/a&gt;. It&#39;ll wake you up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s3e2. &amp;quot;Paper Clip&amp;quot;. I love seeing the Smoking Man nervous and trying to cover his tracks. Skinner taking action!&lt;/p&gt;
&lt;p&gt;The Leftovers, s1e8. Kevin is having memory lapses. His daughter is chaotic and trying to join the cult. Nora has a gun. Cult lady got kidnapped, and then…&lt;/p&gt;
&lt;p&gt;House of the Dragon, s2e7-8. Welp. Farewell to all that.&lt;/p&gt;
&lt;p&gt;New York Undercover, s1e1. Off to a good start. With musical guest Teddy Pendergrass!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 31</title>
    <link href="https://mlarson.org/2024/08/04/2024-week-31/"/>
    <updated>2024-08-04T17:41:36.000Z</updated>
    <id>https://mlarson.org/2024/08/04/2024-week-31/</id>
    <content type="html">&lt;p&gt;One way to have a fun life is to literally run your errands. (A bike is also a lovely way to do these things, but for shorter distances, bikes add a bit of overheard I don&#39;t have patience for.) I did that a few times in the last week: walking a mile to the library and doing a lazy loop back for an extra two; and making a mid-day two-mile loop to deliver something to a friend. In previous lives in Atlanta and LA, I&#39;d take longer-than-necessary runs to the grocery store, then take MARTA or walk back after loading up.&lt;/p&gt;
&lt;p&gt;Always pays to mix in more of what you love into your day-to-day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
I finished! New bachelor&#39;s degree in computer science on the way. I recorded, let&#39;s see, 1286 hours in total getting the thing done. I don&#39;t know think it will feel really real until I get the diploma in the mail. But I learned a lot, I&#39;m glad I did it, and it feels good to be done. I&#39;m ready to get back to work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
My highest volume of miles in the last year, at least – a bit over 38. Not feeling too bad, all things considered. But looking forward to a bit of a taper the next few days, and really excited for the &lt;a href=&#34;https://www.nyrr.org/races/percysuttonharlem5k&#34;&gt;Percy Sutton Harlem 5k&lt;/a&gt; at the end of the week. I hears it&#39;s a hilly, &amp;quot;rude&amp;quot; course.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
I realized today that it&#39;s been a year since I had a homework-free weekend. I wonder how my reading habits will change now that I have more brainpower for non-school reading…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/A_Crown_of_Swords&#34;&gt;A Crown of Swords&lt;/a&gt;. The Wheel of Time, book 7. Finally finished. Robert Jordan&#39;s books have these crushingly tedious sequences but so often in the last 20% the momentum builds and it all adds up to something really fun. That&#39;s how he tricks you into the next one.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Path_of_Daggers&#34;&gt;The Path of Daggers&lt;/a&gt;. The Wheel of Time, book 8. See above. Shortest book in the series, though!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
The &lt;a href=&#34;https://x.com/ColumboScreens&#34;&gt;Columbo Screenshots twitter account&lt;/a&gt; is a daily source of delight.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vulture.com/article/disney-animated-movies-what-happened-to-them.html&#34;&gt;Bring Back the Animation&lt;/a&gt;. &amp;quot;There’s an airiness, a spontaneity to hand-drawn animation, which lends a playfulness to even the creepiest, most surreal imagery. Consider the “Friends on the Other Side” sequence in &lt;em&gt;The Princess and the Frog&lt;/em&gt;, and its rapid-fire dance of floating heads, exploding skulls, and sinister swirls of fire and fog. If these elements had any weight or volume, they’d either be too terrifying or, more likely, too kitschy. Delivered as a two-dimensional, hand-drawn experience, it’s all fast and fun — like a thought briefly brought to life, then snatched back into the ether.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://simonwillison.net/2022/Nov/26/productivity/&#34;&gt;Coping strategies for the serial project hoarder&lt;/a&gt;. &amp;quot;No project of mine is finished until I’ve told people about it in some way.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Running, and other forms of aerobic activity, offer an inherent rewards structure that never seems to lie. &lt;a href=&#34;https://paulflannery.substack.com/p/what-is-peak-fitness&#34;&gt;You do the work, you reap the benefits. If you don’t, you won’t.&lt;/a&gt; In that way, endurance training is one of the most honest expressions of self that we have.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/culture/cultural-comment/the-summer-of-girly-pop-music&#34;&gt;The Summer of Girly Pop&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;We need some &lt;a href=&#34;https://x.com/asymmetricinfo/status/1819027192455512502&#34;&gt;quick education for the terminally online&lt;/a&gt; in just how unusual they are.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/interactive/2024/07/29/upshot/traffic-enforcement-dwindled.html?unlocked_article_code=1.-00.aSw0.sx8cB_2cMmlB&amp;amp;smid=url-share&#34;&gt;Traffic Enforcement Dwindled in the Pandemic&lt;/a&gt;. This is bad!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://decaturish.com/2024/07/urban-explorer-captures-images-of-north-dekalb-mall-before-demolition/&#34;&gt;Urban explorer captures images of North DeKalb Mall before demolition&lt;/a&gt;. When I still lived in Atlanta, I&#39;d often go to the AMC attached to this mall. I hope it gets a new lease on life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Teachers%27_Lounge&#34;&gt;Das Lehrerzimmer (The Teachers&#39; Lounge)&lt;/a&gt;. So good! A school community frays when a thief runs loose, frustrations rise, and accusations start flying. This will make my best-of list at the end of the year. But you don&#39;t have to take my word for it: &amp;quot;It&#39;s probably &lt;a href=&#34;https://www.rogerebert.com/reviews/the-teachers-lounge-2023&#34;&gt;the best thriller of this type since &amp;quot;Uncut Gems,&amp;quot;&lt;/a&gt; another movie where just watching realistic characters making bad decisions was so nerve-wracking that it made you want to crawl under your seat. &amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Hermanos Gutiérrez, &lt;a href=&#34;https://open.spotify.com/album/0FI8JaUH7kqtvM6EkmCm7t&#34;&gt;Sonido Cósmico&lt;/a&gt;. These guys are so good. One way music can be good is to reward all levels of attention, and these guys make stuff that satisfies the full range of attention. The wah-wah and organ in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6UK4epTqVwWpeFfslXecth&#34;&gt;Barrio Hustle&lt;/a&gt;&amp;quot; is a special treat.&lt;/p&gt;
&lt;p&gt;Sally Oldfield, &lt;a href=&#34;https://open.spotify.com/album/5h9ijlA15CfzNHWr713PXG&#34;&gt;Mirrors: The Bronze Anthology&lt;/a&gt;. Really enjoyed this album. Reminds me of those other &#39;70s folk/pop greats – Carole King, Carly Simon, Francoise Hardy, etc.. Marimba is criminally underused – nice to hear it in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/17mzK1Y2YBfQ2GZXCzebLf&#34;&gt;Sun In My Eyes&lt;/a&gt;&amp;quot;. And the sparkling glockenspiel on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/17m5LgM2qyo8ZPsZ9pY8OQ&#34;&gt;Blue Water&lt;/a&gt;&amp;quot; – excellent. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5s8NZx29C9ozmHmS8TrisB&#34;&gt;Strange Day in Berlin&lt;/a&gt;&amp;quot; opens with undulating woodwinds that made me think of Smetana&#39;s &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/M%C3%A1_vlast&#34;&gt;Vltava/The Moldau&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Jordi Savall&#39;s reconstruction of &lt;a href=&#34;https://open.spotify.com/album/6zSclXPcJGwJx8XLcfQBrr&#34;&gt;Bach&#39;s Markus Passion, BWV 247&lt;/a&gt;, one of &lt;a href=&#34;https://en.wikipedia.org/wiki/St_Mark_Passion%2C_BWV_247&#34;&gt;many reconstructed versions&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Frankie Reyes, &lt;a href=&#34;https://open.spotify.com/album/58S21WDqJLAMiFno7r3d8e&#34;&gt;Originalitos&lt;/a&gt;. I remember being obsessed with &lt;a href=&#34;https://open.spotify.com/album/7yPJu92ht3NA8pKKI6D8TE&#34;&gt;Boleros Valses y Mas&lt;/a&gt; a few years back. This is another delightful go-round with Latin synthesizer keyboard pieces. Like something you&#39;d hear on a merry-go-round, or in a silent film soundtrack?&lt;/p&gt;
&lt;p&gt;Amiina, &lt;a href=&#34;https://open.spotify.com/album/6ANdjgSZBP9VjlWSFxBCHE&#34;&gt;Kurr&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4zs7nuIco3jXGuVdJ2fF6C&#34;&gt;Sogg&lt;/a&gt;&amp;quot; has a pleasant, drifting melancholy.&lt;/p&gt;
&lt;p&gt;Ice Spice, &lt;a href=&#34;https://open.spotify.com/album/56fzdpwMftta3Dd2MZyGhH&#34;&gt;Y2K!&lt;/a&gt;. We need more albums with short track lengths! It&#39;s okay to stop when you&#39;ve said all you need to say. I like contrast of the suggestive, labored delivery in &lt;a href=&#34;https://open.spotify.com/track/2rJZIb1hE25Fp58ayrG7eg&#34;&gt;Bitch I&#39;m Packin&#39;&lt;/a&gt; and the aggressive, confrontational &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2OanF8uRWtK74rlBlz9VMI&#34;&gt;Gimmie a Light&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Tarwater, &lt;a href=&#34;https://open.spotify.com/album/2OWjDq7m9rUErIP53UIF9b&#34;&gt;Dwellers on the Threshold&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The Leftovers, s1e7. The son/bodyguard is growing more skeptical of the cult guy. Cult guy never blinks and gives incredible hugs (???).&lt;/p&gt;
&lt;p&gt;House of the Dragon, s2e6. Ongoing highlight is the spy/advisor characters to help stir things up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 30</title>
    <link href="https://mlarson.org/2024/07/29/2024-week-30/"/>
    <updated>2024-07-29T13:34:58.000Z</updated>
    <id>https://mlarson.org/2024/07/29/2024-week-30/</id>
    <content type="html">&lt;p&gt;I passed this junk barge and towboat when I was out with my run club this weekend. Another runner joked it was a metaphor for his life. But, it&#39;s kind of a good one? Not glamorous but quietly powerful, useful, persistent, full of material to transform into something better. I&#39;ll take it.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/newtown-creek-barge-1.jpg?w=1024&#34; alt=&#34;a barge carrying a load of rusty scrap metal travels down a creek lined with warehouses toward a city skyline in the distance&#34; class=&#34;wp-image-10477&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
The highlight of my running week was visiting the first Summer Streets of the season, up in Queens. The event area was a bit desolate, but fun to take my first trip running over the Pulaski Bridge, visiting the &lt;a href=&#34;https://www.instagram.com/thehydrationguy/&#34;&gt;The Hydration Guy&lt;/a&gt;, and coming back through &lt;a href=&#34;https://en.wikipedia.org/wiki/Domino_Park&#34;&gt;Domino Park&lt;/a&gt;.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/ravenswood-generating-station.jpg?w=786&#34; alt=&#34;two tall smokestacks, striped with red and white, loom above a power generating station&#34; class=&#34;wp-image-10479&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://x.com/nbacobwebs/status/1817008468089340255&#34;&gt;NBA legend Bill Russell made art for the Olypmics&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://x.com/TomSnarsky/status/1815223888609219009&#34;&gt;The Ten Muses of Poetry&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.cartercenter.org/health/guinea_worm/case-totals.html&#34;&gt;Guinea worm is disappearing&lt;/a&gt; and that&#39;s one reason Jimmy Carter will always be a top-tier President.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://kamala-holding-vinyls.glitch.me&#34;&gt;Kamala Holding Vinyls&lt;/a&gt;. My contributions:&lt;/p&gt;
&lt;div class=&#34;wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular&#34;&gt;&lt;div class=&#34;&#34;&gt;&lt;div class=&#34;tiled-gallery__gallery&#34;&gt;&lt;div class=&#34;tiled-gallery__row&#34;&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:49.66958%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;787&#34; data-id=&#34;10481&#34; data-link=&#34;https://mlarson.org/?attachment_id=10481&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/kamala-album-in-rainbows.jpg?w=1024&#34; data-width=&#34;1069&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/kamala-album-in-rainbows.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 1 of 2 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:50.33042%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;773&#34; data-id=&#34;10482&#34; data-link=&#34;https://mlarson.org/?attachment_id=10482&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/kamala-album-somewhere-in-time.jpg?w=1024&#34; data-width=&#34;1064&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/kamala-album-somewhere-in-time.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 2 of 2 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;p&gt;I really like this metaphor: &amp;quot;&lt;a href=&#34;https://nyc.streetsblog.org/2024/07/26/analysis-can-hochul-be-sued-into-overturning-her-unlawful-congestion-pricing-pause&#34;&gt;The way a lawsuit works is that there&#39;s music and then there&#39;s lyrics&lt;/a&gt;. The lyrics are the technical legal theory. But if you don&#39;t have a good tune, often it&#39;s hard to get the judge to sing along, so the music is the emotion behind the lawsuit.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;When you deliver work you’re really proud of, &lt;a href=&#34;https://dev.jimgrey.net/2024/07/03/lessons-learned-in-35-years-of-making-software/&#34;&gt;you’ve almost certainly done too much and taken too long&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Late last year, we invited students to participate in an experiment: We gave them $100 and a disposable camera each and asked, &lt;a href=&#34;https://www.costoflivingatl.org/post/my-point-of-view-campbellton-road&#34;&gt;What is it like to live where you live&lt;/a&gt;?&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.stevestewartwilliams.com/p/intelligence-and-prejudice&#34;&gt;Intelligent people are just as prejudiced as less intelligent people&lt;/a&gt; - but toward different groups.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The class gap leads to an awareness gap, &lt;a href=&#34;https://ofboysandmen.substack.com/p/the-cratering-economic-prospects?publication_id=789530&amp;amp;post_id=147000367&#34;&gt;which leads to an empathy gap&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Upgrade_(film)&#34;&gt;Upgrade&lt;/a&gt;. AI plots seem so much more real these days! Just a few years into this era, and I&#39;m sitting up in my seat a bit more with these stories. I really appreciated Logan Marshall-Green&#39;s acting in the early fight scenes: surprise and fear at his new abilities, still merciful for his enemies.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dead_Reckoning_(1947_film)&#34;&gt;Dead Reckoning (1947)&lt;/a&gt;. &amp;quot;What to do in a hot wind smelling of night-blooming jasmine except wait and sweat, and prime the body to sweat some more?&amp;quot; We need more writing like this! And more wise guys narrating their way down a trail of clues.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Non-Stop_(film)&#34;&gt;Non-Stop&lt;/a&gt;. I need to check out the other &lt;a href=&#34;https://mlarson.org/tag/jaumecolletserra/&#34;&gt;Collet-Serra&lt;/a&gt;/Liam Neeson collabs. I&#39;ve only seen &lt;a href=&#34;https://mlarson.org/2017/11/26/run-all-night/&#34;&gt;Run All Night&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Really liked Oval&#39;s &lt;a href=&#34;https://open.spotify.com/album/33xUwaoTPJ9aNbCJZEpRol&#34;&gt;94Diskont.&lt;/a&gt;, especially &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/521GyKzHyp5cCcQCkyZheX&#34;&gt;Cross Selling&lt;/a&gt;&amp;quot; and the insistent &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1xtOJ2rRcRCOpZOhU46y2X&#34;&gt;Commerce Server&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;Talk Talk, &lt;a href=&#34;https://open.spotify.com/album/4YXo7p7aubyVIbNLoVlBp9&#34;&gt;Spirit of Eden&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3zxgN1ON3BkHSK8OIoTxr2&#34;&gt;Wealth&lt;/a&gt;&amp;quot; makes me think of Pink Floyd – is there a &amp;quot;Money&amp;quot; tie here?&lt;/p&gt;
&lt;p&gt;Tonstartssbandht, &lt;a href=&#34;https://open.spotify.com/album/605bdzgFy9TSUCMkgjesoi&#34;&gt;Petunia&lt;/a&gt;. Lots of reverby guitar. I love &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1WM2ObDoxB3QqksZRxpy7w&#34;&gt;What Has Happened&lt;/a&gt;&amp;quot; – the stereo effects wobbling, brushes on the drumset, soft vocals, pulsing, hypnotic. A bit of electronic x folk vibe.&lt;/p&gt;
&lt;p&gt;BACH. Still undefeated. One thing I really appreciate about classical is the ability to compare interpretations side-by-side.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Tianqi Du, &lt;a href=&#34;https://open.spotify.com/album/0aTTLRh7TVFrXYtnF9FmIs&#34;&gt;Bach: Keyboard Concertos&lt;/a&gt;. Lighter, smoother, more reserved. Has a polite, sophisticated feel for me.&lt;/li&gt;
&lt;li&gt;Gile Bae, &lt;a href=&#34;https://open.spotify.com/album/1NBKB4lWw8LcMag9Ac2qnJ&#34;&gt;J.S. Bach: Keyboard Concertos&lt;/a&gt;. This recording seemed more dark, driving, intense piano against a brighter sound in the orchestra. More Romantic-style variation in volume, more spacious echo-y. Not sure I liked it more, but appreciate the contrast.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Brian Eno, &lt;a href=&#34;https://open.spotify.com/album/3aPERwmFrLzH0mE8G95UHU&#34;&gt;Eno (OST)&lt;/a&gt;. Effectively a greatest hits album, so yeah, pretty great. Forgot how perfect &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1aMJTyCRfxfp8luej4rjAC&#34;&gt;Spinning Away&lt;/a&gt;&amp;quot; is, and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4Sya8Ckge7xShd3zHd4lyh&#34;&gt;Regiment&lt;/a&gt;&amp;quot;, phew, always gets me hyped. The &lt;a href=&#34;https://austinkleon.substack.com/p/drawing-eno&#34;&gt;movie seems really cool&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
A Crown of Swords, cont.&lt;br&gt;
The Cyberiad: Stories, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
I submitted my capstone project, and it got rejected for a couple little deficiencies. Ironed those out on Sunday morning, maybe get across the finish line before the end of the month.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s3e1 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Blessing_Way_(The_X-Files)&#34;&gt;The Blessing Way&lt;/a&gt;&amp;quot;. Didn&#39;t love this season premiere, but appreciate how consistently this series works in spiritual/afterlife/astral plane sort of stuff. And I still love Skinner.&lt;/p&gt;
&lt;p&gt;Lost, s4e1. We&#39;re never going back!&lt;/p&gt;
&lt;p&gt;The Leftovers, s1e6. I love all the speculative stuff here. Like how groups hold conferences about the Departure(?), there are markets in mannequin corpses so people can have tangible funerals for the missing, the spike in charismatic opportunists, etc..&lt;/p&gt;
&lt;p&gt;House of the Dragon(s), s2e5. Lots of dragon talk.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://sashachapin.substack.com/p/50-things-i-know&#34;&gt;Almost nobody hears too many sincere compliments&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 29</title>
    <link href="https://mlarson.org/2024/07/22/2024-week-29/"/>
    <updated>2024-07-23T00:15:31.000Z</updated>
    <id>https://mlarson.org/2024/07/22/2024-week-29/</id>
    <content type="html">&lt;p&gt;I traveled this past weekend, down to Maryland for a family reunion on my fiancée&#39;s side. I&#39;d never been to one before. I was mostly surrounded by strangers, but found a warm welcome and I can see the appeal in events like this. Renewing present bonds, honoring the previous generation, encouraging and modeling for the next. Family can be a beautiful thing.&lt;/p&gt;
&lt;p&gt;We took the trip down there on Amtrak. Couldn&#39;t ask for a smoother trip. If only the rest of the States had trains as easy as we do up in this corner of the country. Just night and day compared with the usual airport/airplane experience.&lt;/p&gt;
&lt;p&gt;We only spent a couple hours in Baltimore, but the Baltimore Art Museum was a worthwhile side trip.&lt;/p&gt;
&lt;div class=&#34;wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular&#34;&gt;&lt;div class=&#34;&#34;&gt;&lt;div class=&#34;tiled-gallery__gallery&#34;&gt;&lt;div class=&#34;tiled-gallery__row&#34;&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:49.98375%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;2000&#34; data-id=&#34;10462&#34; data-link=&#34;https://mlarson.org/?attachment_id=10462&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/bma-crooked-nose-mask-1.jpg?w=786&#34; data-width=&#34;1535&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/bma-crooked-nose-mask-1.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 1 of 2 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:50.01625%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;2000&#34; data-id=&#34;10463&#34; data-link=&#34;https://mlarson.org/?attachment_id=10463&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/bma-dotted-grid-vase.jpg?w=786&#34; data-width=&#34;1536&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/bma-dotted-grid-vase.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 2 of 2 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;p&gt;The event was hosted at a local &lt;a href=&#34;https://en.wikipedia.org/wiki/Quakers&#34;&gt;Quaker/Friends&lt;/a&gt; meeting space. I liked the Biblical cartoons in the hallway.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/bible-cartoons.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10465&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Capstone project is maybe 1/4 done. (Actually more like 1/2, but I&#39;m hedging for a confidence boost.) (It&#39;s actually more like 2/3-done, just being careful!) Maybe have that wrapped and submitted this week? We&#39;ll see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
The week was just too darn hot, so I leaned on morning runs and kept&#39;em short. Still managed to run a few miles of new-to-me streets. Also trying to make another local park turn red on my personal Strava heatmap.&lt;/p&gt;
&lt;p&gt;Our trip out of town gave me a rare treat: trailrunning in a new city. I went out to Broad Creek Park and jogged in swampy suffocating forest and had an absolute blast.&lt;/p&gt;
&lt;div class=&#34;wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular&#34;&gt;&lt;div class=&#34;&#34;&gt;&lt;div class=&#34;tiled-gallery__gallery&#34;&gt;&lt;div class=&#34;tiled-gallery__row&#34;&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:64.03713%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;2000&#34; data-id=&#34;10466&#34; data-link=&#34;https://mlarson.org/?attachment_id=10466&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/tire-near-football-field.jpg?w=786&#34; data-width=&#34;1535&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/tire-near-football-field.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 1 of 4 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:35.96287%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1535&#34; data-id=&#34;10467&#34; data-link=&#34;https://mlarson.org/?attachment_id=10467&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/broad-creek-marsh.jpg?w=1024&#34; data-width=&#34;2000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/broad-creek-marsh.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 2 of 4 in full-screen&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1535&#34; data-id=&#34;10468&#34; data-link=&#34;https://mlarson.org/?attachment_id=10468&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/bleachers.jpg?w=1024&#34; data-width=&#34;2000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/bleachers.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 3 of 4 in full-screen&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1535&#34; data-id=&#34;10469&#34; data-link=&#34;https://mlarson.org/?attachment_id=10469&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/turtle-on-trail.jpg?w=1024&#34; data-width=&#34;2000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/turtle-on-trail.jpg&#34; role=&#34;button&#34; aria-label=&#34;Open image 4 of 4 in full-screen&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Everything-You-Ever-Wanted/dp/024136356X&#34;&gt;Everything You Ever Wanted&lt;/a&gt;. Reading about listless depressed people is not very compelling. (Although it does remind me a bit of &lt;em&gt;The Leftovers&lt;/em&gt;, with a group that has lost meaning and chosen to exit…)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Cyberiad-Stories-Stanislaw-Lem-ebook/dp/B00CKDFE9W&#34;&gt;The Cyberiad: Stories&lt;/a&gt;. Been a while, but &lt;a href=&#34;https://mlarson.org/tag/stanislawlem/&#34;&gt;Stanisław Lem&lt;/a&gt; is usually pretty rewarding. That&#39;s the case so far here.&lt;/p&gt;
&lt;p&gt;A Crown of Swords, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
I don&#39;t have time to dive into the new &lt;a href=&#34;https://www.michaelmannarchives.com&#34;&gt;Michael Mann Archives&lt;/a&gt; right now. But it&#39;s super cool that he&#39;s taking ownership of this and sharing the work behind the work.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thecut.com/article/i-went-looking-for-a-man-in-finance.html&#34;&gt;I Went Looking for a Man in Finance&lt;/a&gt;. Fun bit of local anthropology.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://thebaffler.com/latest/the-eyes-of-lacy-fujii&#34;&gt;The Eyes of Lacy&lt;/a&gt;. &amp;quot;Owlishness, then, is the opposite of pretty, petty, and shallow; it is a term we reserve for those who are more lens than body, who make us acutely, uncomfortably aware of our own moral and physical imperfections.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vulture.com/article/nicolas-cage-is-uncomfortable-in-longlegs.html&#34;&gt;Nicolas Cage Will Always Go Big&lt;/a&gt;. &amp;quot;It’s not crazy to think he’s trained (or retrained) some part of the movie-watching public to be more open-minded in general when evaluating quality acting, encouraging them to prize factors other than delicacy.&amp;quot;&lt;/p&gt;
&lt;p&gt;A collection of &lt;a href=&#34;https://videogamesskies.tumblr.com/&#34;&gt;video game skies&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Top_Gun:_Maverick&#34;&gt;Top Gun: Maverick&lt;/a&gt;. Second viewing, still love it. Those opening scenes with the test flight are just achingly beautiful. I just want to soak them in. Reminds me of the plane/boat travel scenes in Miami Vice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Lots of electronic this week, and while all were enjoyable, few tracks in particular got etched in my mind.&lt;/p&gt;
&lt;p&gt;Ekolali, &lt;a href=&#34;https://open.spotify.com/album/1mIj2wWqNeQOsgxcXmrDgU&#34;&gt;Playfond 2&lt;/a&gt;. The drums and muted droning flutes in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5Wnl3vWnbIMgXTOzxBN6Q8&#34;&gt;Doggerland&lt;/a&gt;&amp;quot; are great. &lt;a href=&#34;https://en.wikipedia.org/wiki/Doggerland&#34;&gt;Doggerland&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;My favorite of the week is a new one out from Laraaji, &lt;a href=&#34;https://open.spotify.com/album/3BDW3yuuAPOPCwRMXjwKc6&#34;&gt;Glimpses of Infinity&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Huerco S., &lt;a href=&#34;https://open.spotify.com/album/3ics0eZp5xripIYb8uHrMz&#34;&gt;Colonial Patterns&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/57o6rhS5v8qPeRPzrNRWF9&#34;&gt;For Those Of You Who Have Never (And Also Those Who Have)&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/1NLglnqr3MZju3F0upWXzU&#34;&gt;Plonk&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Space Afrika, &lt;a href=&#34;https://open.spotify.com/album/5tFxbDqEZBx8ldgfQOL3nJ&#34;&gt;Somewhere Decent to Live&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;s2e23 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Soft_Light_(The_X-Files)&#34;&gt;Soft Light&lt;/a&gt;&amp;quot;. Tony Shalhoub (!) is scared of his shadow. I reallly like the concept in this one. It&#39;s rare that the weekly &amp;quot;monster&amp;quot; is ashamed, fearful, caring.&lt;/li&gt;
&lt;li&gt;s2e24 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Our_Town_(The_X-Files)&#34;&gt;Our Town&lt;/a&gt;&amp;quot;. Another warning about food supply chain vulnerability, but with a factory chicken town cannibal cult.&lt;/li&gt;
&lt;li&gt;s2e25 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Anasazi_(The_X-Files)&#34;&gt;Anasazi&lt;/a&gt;&amp;quot;. Poisoning an apartment building&#39;s water supply is wild. I wonder how much that has happened before. Out to the desert for aliens, and the sloppiest cover-up job you&#39;ve ever seen.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The Leftovers, s1e5. One of the cult people gets a free day and returns with renewed faith. This show is agonizing in a great way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 28</title>
    <link href="https://mlarson.org/2024/07/14/2024-week-28/"/>
    <updated>2024-07-14T20:52:51.000Z</updated>
    <id>https://mlarson.org/2024/07/14/2024-week-28/</id>
    <content type="html">&lt;p&gt;Today I decided on my wedding band. At a couple points in the brief sizing tests, my finger felt trapped and panicky. It will be fun to get used to it. I can&#39;t wait to fidget-spin it when I&#39;m lost in thought.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/hancock-st-marcy-ave.jpg?w=1024&#34; alt=&#34;a view down a tree-lined street in the early morning; on either side of the street, the red brick buildings glow in the morning light; a bright blue sky overhead&#34; class=&#34;wp-image-10456&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Last week was a big turning point: passed my two final classes, and moved on to the capstone project for my degree. And with that, a big shift in attitude and confidence. The finish line is in sight.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/A_Crown_of_Swords&#34;&gt;A Crown of Swords&lt;/a&gt;. Returned to where I left off in the &lt;em&gt;Wheel of Time&lt;/em&gt; series, as an antidote to a general book lull and a couple sleepless nights. And what do you know, I pushed through some boring stuff and found my groove again. (I&#39;ll also give some credit to &lt;em&gt;House of the Dragon&lt;/em&gt; for making me want to get wrapped up in a fantasy universe again, if not that particular one.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.eater.com/24172073/paris-2024-olympics-athlete-food-summer-games&#34;&gt;How Olympic athletes get fed&lt;/a&gt;. &amp;quot;There are also grab-and-go spaces with things like burgers and shawarma sandwiches. We don’t talk about nutritional values there, because this is what the athletes want after competing.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2024/07/08/opinion/elevator-construction-regulation-labor-immigration.html&#34;&gt;The American Elevator Explains Why Housing Costs Have Skyrocketed&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thediff.co/archive/bullshit-jobs-is-a-terrible-curiosity-killing-concept/&#34;&gt;“Bullshit Jobs” is a Terrible, Curiosity-Killing Concept&lt;/a&gt;. &amp;quot;Consider reading it an act of meta-anthropology, exploring why a professional anthropologist could be so relentlessly, aggressively incurious about the lives and experiences of others.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.econlib.org/the-economics-of-activism/&#34;&gt;Activism as production vs. consumption&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.worksinprogress.news/p/heat-waves?publication_id=90387&amp;amp;post_id=146536997&#34;&gt;Why a hotter world might be a more dangerous, violent, and less productive one&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Jagged_Edge_(film)&#34;&gt;Jagged Edge&lt;/a&gt;. Sexy legal thriller! I don&#39;t think I&#39;ve seen Jeff Bridges and Glenn Close so young before. Really appreciate how this one toys with your convictions.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Inside_Out_(2015_film)&#34;&gt;Inside Out (2015)&lt;/a&gt;. Better than expected! Not sure I dig the Bing Bong character. I also wonder what this story would be like with Sadness&#39; journey at its center.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s2e22 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/F._Emasculata&#34;&gt;F. Emasculata&lt;/a&gt;&amp;quot;. This episode inspired gruesome artwork in my household.&lt;/p&gt;
&lt;p&gt;The Expanse, s2e13. Season finale! Everyone has the Protomolecule now! The episode suffered in a way that many long-running series do: I didn&#39;t trust that anyone was really in danger.&lt;/p&gt;
&lt;p&gt;The Leftovers, s1e4. Such an odd show. It&#39;s great. Appreciate how often they tell a full story arc within each episode, not just a path from A to B.&lt;/p&gt;
&lt;p&gt;Bob&#39;s Burgers, s5e12. Silliness, like usual!&lt;/p&gt;
&lt;p&gt;House of the Dragon, s2e4. Dragons, etc..&lt;/p&gt;
&lt;p&gt;Game of Thrones, s3e9. The &amp;quot;red wedding&amp;quot;, etc.. I only made it a few episodes into GOT, but glad to get some closure on what this was all about.&lt;/p&gt;
&lt;p&gt;So much TV this week! I need to get back into the movie groove…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Holly Herndon, &lt;a href=&#34;https://open.spotify.com/album/0pyZXMW56SpT2iO2rMYmPH&#34;&gt;Platform&lt;/a&gt;. Oddball cyborg vocals and synthesizer stuff. In wake of &lt;a href=&#34;https://open.spotify.com/album/29sozE8XDMOHT8KK9iq4Fo&#34;&gt;PROTO&lt;/a&gt; a &lt;a href=&#34;https://mlarson.org/2024/06/16/2024-week-24/&#34;&gt;couple weeks ago&lt;/a&gt;, maybe my favorite album of the week.&lt;/p&gt;
&lt;p&gt;Ghost, &lt;a href=&#34;https://open.spotify.com/album/7xusHmkJUWt1XqPrM3pC9U&#34;&gt;Opus Eponymous&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/08U01AsCXhbP7QdC7GABYw&#34;&gt;If You Have Ghost&lt;/a&gt;. I like the main riff in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2uhOsvOIziDXeJ9zFdFs2j&#34;&gt;I&#39;m A Marionette&lt;/a&gt;&amp;quot;. I just really love this band! Distinct nasal singing and general theatricality.&lt;/p&gt;
&lt;p&gt;Spent some time with The Joy&#39;s South African &lt;em&gt;a cappella&lt;/em&gt; and otherwise.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0ha8jJOGHObtpCGGLRXAmI&#34;&gt;Amabutho&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4UwtaOuYdrPnciPXrNJ901&#34;&gt;Jele Iguana&lt;/a&gt;&amp;quot; is my favorite.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1bgbyxRaOGJaHu4Qze6rle&#34;&gt;Hammarsdale&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3jVdY0oNzOo0QkWT2aMdDc&#34;&gt;The Joy&lt;/a&gt;. The clicks and &amp;quot;tss&amp;quot; and harmonies in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5bofupjpn4LaZBJV39Zohk&#34;&gt;Amaqatha Amancane&lt;/a&gt;&amp;quot; are really nice.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Kamasi Washington, &lt;a href=&#34;https://open.spotify.com/album/0Jy18n9qpKS4RyDYmaPpdL&#34;&gt;Fearless Movement&lt;/a&gt;. A lot more hiphop/rapping than previous albums, and more vocals in general. Not my preference, but the ensemble is as locked as ever. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3q86PCSg8aPzibw2FUZ8sl&#34;&gt;Road to Self (KO)&lt;/a&gt;&amp;quot; is the slow-build multi-genre noodling I signed up for.&lt;/p&gt;
&lt;p&gt;The Blackbyrds, &lt;a href=&#34;https://open.spotify.com/album/6LhMkSPNs1AVrAjdrJue98&#34;&gt;Action&lt;/a&gt;. I love &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7Jow20KM9Dq2sTtlId0eFz&#34;&gt;Soft and Easy&lt;/a&gt;&amp;quot;. Is there word for that kind of ostinato on the electric guitar that shows up in this Barry White genre?&lt;/p&gt;
&lt;p&gt;Akusmi, &lt;a href=&#34;https://open.spotify.com/album/33yYg5rJepJZ2IMXJoRs5d&#34;&gt;Fleeting Future&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/41DP38zlDShdJX7VZengLr&#34;&gt;Lines&lt;/a&gt;. Chamber minimalism in the spirit of Reich, Glass, et al..&lt;/p&gt;
&lt;p&gt;On recommendation from my brother, listened to Sylvain Rifflet, &lt;a href=&#34;https://open.spotify.com/album/2m0LHb9pWp1S1ic1x7DnSX&#34;&gt;Cake Walk From a Space Ship&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/1h7yD7xPqXTEtcJ1srp0oZ&#34;&gt;Dooble&lt;/a&gt;. Jazz a bit on the experimental side.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 27</title>
    <link href="https://mlarson.org/2024/07/07/2024-week-27/"/>
    <updated>2024-07-07T22:00:56.000Z</updated>
    <id>https://mlarson.org/2024/07/07/2024-week-27/</id>
    <content type="html">&lt;p&gt;What am I making harder than it needs to be? In a response to a tweet about counterproductive difficulty in beginner running programs, I found something to ponder:&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://x.com/drew_morrison_/status/1807798291138294052&#34;&gt;People like it to be harder than it has to be&lt;/a&gt;. You know why? Because if it was easier than they thought, it would make them realize they could have been further along years ago. It’s like a confirmation bias to protect the ego that it has to be hard. I’m not saying it’s easy but sometimes it isnt as hard as you think.&amp;quot;&lt;/p&gt;
&lt;p&gt;I&#39;ve gotten more injury-averse as I&#39;ve gotten older. I want to avoid injury, because I &lt;em&gt;really really&lt;/em&gt; want to avoid not being able to run. The change in mindset has pushed me to take a longer view. I can always come back tomorrow... but only if I don&#39;t wreck my progress today. (And also, sometimes: I can always come back tomorrow... but it&#39;ll be better if I do something today.) The reward for this consistent, steady, non-punishing approach has been a couple of the best running years of my life.&lt;/p&gt;
&lt;p&gt;Seeing that tweet also made me think back to playing music in college. I was working through a marimba piece during a lesson with my percussion teacher. I played through a section, then he stopped me and asked a simple question: what does &amp;quot;Allegro&amp;quot; mean? I gave the simple answer: &amp;quot;fast&amp;quot;. And he countered with a bit reframe: what about &amp;quot;fleet&amp;quot;, &amp;quot;brisk&amp;quot;, &amp;quot;energetic&amp;quot;, &amp;quot;zippy&amp;quot;, &amp;quot;storming&amp;quot;? Play again, same tempo, but it feels different, it sounds different. I recognized &amp;quot;fast&amp;quot; mode felt like a sprinter, tense, coiled, explosive, muscular. But I could also play fast like a… robin? Or a stream?&lt;/p&gt;
&lt;p&gt;We went through a similar exercise when playing snare one day. I&#39;d sometimes wind up like a caveman with especially difficult pieces, not playing relaxed. So: tap 20 times with the same force, but start with a heavy grip and gradually loosen it. The drum makes a sound, but the drumstick itself does, too. A tense fist is tiring, and the wood can&#39;t resonate as much, and the overall sound can have a dramatically different color to it. You have to set things in motion, trust the work to release its own vibrations out into the world.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/manhattan-bridge.jpg?w=656&#34; alt=&#34;photo of the Manhattan Bridge, constructed of blue-grey steel latticework, framed on either side by tall red-brick warehouse buildings
&#34; class=&#34;wp-image-10445&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Revisions, revisions, revisions. Few things as annoying as finishing something, moving on… and then later recognizing the work isn&#39;t finished yet. My program is ~94% complete at this point. Funny feeling on the precipice. But lots of hard work to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Took a break this week, dialed it back about 20%. It&#39;s startling how much easier a 4-run week feels compared to a 5-run week. One small goal accomplished: I&#39;ve now run every street in the Clinton Hill neighborhood.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Moonbound-Novel-Robin-Sloan/dp/0374610606&#34;&gt;Moonbound&lt;/a&gt;. Robin Sloan is just a fountain of ideas and optimism, and both of those traits carry through in this scifi-fantasy mishmash. It has fun and enjoys playing with your expectations.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Neighborhoods-Brooklyn-New-York-City/dp/0300077521/&#34;&gt;The Neighborhoods of Brooklyn&lt;/a&gt;. It&#39;s only a couple decades old, but funny how much that was common knowledge then (neighborhood boundaries, makeup) doesn&#39;t apply anymore. Appreciate the historical nuggets in here. Glad to live in a place that changes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
I missed Mary Lattimore&#39;s &lt;a href=&#34;https://open.spotify.com/album/4YLxgYau7IvED7c7qk5UU5&#34;&gt;Rain on the Road&lt;/a&gt; back in May. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4qfpx6lxDOXVAwvL3ZZm48&#34;&gt;The Poppies, the Wild Mustard, the Blue-eyed Grass&lt;/a&gt;&amp;quot; has a really cool build-up and disintegration into UFO space noises.&lt;/p&gt;
&lt;p&gt;Labradford, &lt;a href=&#34;https://open.spotify.com/album/3YmrGKByGH5sVnFGtb5KvK&#34;&gt;Mi Media Naranja&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5QgiGXGydp3IT5NKheycaP&#34;&gt;Wr&lt;/a&gt;&amp;quot; has heavy reverb guitar and a bit of spooky voiceover.&lt;/p&gt;
&lt;p&gt;Bohren &amp;amp; Der Club of Gore, &lt;a href=&#34;https://open.spotify.com/album/3CrWNG2oqbEBHKAqfZP6CO&#34;&gt;Sunset Mission&lt;/a&gt;. Maybe I&#39;d call this &amp;quot;film noir music&amp;quot;?&lt;/p&gt;
&lt;p&gt;Jerry Goldsmith&#39;s &lt;a href=&#34;https://open.spotify.com/album/5eobMjKVQ5h5vgNhOdQoVS&#34;&gt;Chinatown OST&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Bark Psychosis, &lt;a href=&#34;https://open.spotify.com/album/7j98uMKCZuBQU1SPcrQAxP&#34;&gt;Hex&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/0mf8ultD8pcPdbZQW2mM8Y&#34;&gt;Harp Concertos&lt;/a&gt; of Handel, Boiedieu, Mozart, Dittersdorf, Glière, and Rodrigo. The Handel was new to me. Pretty wonderful!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.bklynlibrary.org/blog/2024/06/12/potw-your-summer-booked&#34;&gt;MAKE IT A LIBRARY SUMMER&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.statecraft.pub/p/how-to-catch-a-lab-leak&#34;&gt;How to Catch a Lab Leak&lt;/a&gt;. Fascinating interview about researching Soviet Union anthrax deaths. &amp;quot;All of these things are full of stories of human beings and all the nutcakes and crazy things that happened. You&#39;ve got to make allowance for that in nearly everything.&amp;quot;&lt;/p&gt;
&lt;p&gt;Michael Mann includes &lt;a href=&#34;https://en.wikipedia.org/wiki/Out_of_the_Past&#34;&gt;Out of the Past&lt;/a&gt; in &lt;a href=&#34;https://letterboxd.com/michaelmann/list/14-favorite-films-in-no-particular-order/&#34;&gt;his Letterboxd list of his favorite films&lt;/a&gt; – &lt;a href=&#34;https://mlarson.org/tag/outofthepast/&#34;&gt;I can relate&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;An &lt;a href=&#34;https://www.newyorker.com/culture/cultural-comment/the-critic-who-convinced-me-that-criticism-could-be-art&#34;&gt;appreciation of critic Greg Tate&lt;/a&gt;. &amp;quot;His best paragraphs throbbed like a party and chattered like a salon.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.spectator.co.uk/article/the-quiet-return-of-eugenics/&#34;&gt;The quiet return of eugenics&lt;/a&gt;. &amp;quot;The new eugenics will shortly be with us, although it will not describe itself as such. It will be described with euphemisms such as ‘genetic enhancement’ or ‘genetic health’.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.slowboring.com/p/high-pressure-youth-sports-is-bad?r=cfj8&amp;amp;triedRedirect=true&#34;&gt;High-pressure youth sports is bad for America&lt;/a&gt;. &amp;quot;Shifting from informal and school-based sports to expensive pay-to-play leagues has landed us in a pretty dysfunctional place, where parenting is unnecessarily complicated, society is unnecessarily inegalitarian, and communities are unnecessarily weak.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Terminator_2:_Judgment_Day&#34;&gt;Terminator 2: Judgment Day&lt;/a&gt;. A 4th of July rewatch. Hope we don&#39;t blow ourselves up!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Event_Horizon_(film)&#34;&gt;Event Horizon&lt;/a&gt;. Horror in space, etc.. It&#39;s done much better elsewhere.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lady_Vanishes&#34;&gt;The Lady Vanishes (1938)&lt;/a&gt;. It takes a moment to adjust to old movies. I like the wisecracks and innuendo here. Good to see an elderly actress in a dynamic main role; shame to see our firecracker primary heroine largely be set aside when she partners up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The Expanse, s2e12. I keep thinking about about starting over from the beginning of the series. I think there are some nuances I keep bluffing my way through.&lt;/p&gt;
&lt;p&gt;The Leftovers, s1e3. Uh-oh. The cult bought the church down the street.&lt;/p&gt;
&lt;p&gt;House of the Dragon, s2e3. Ended this episode not necessarily interested in more GOT lore specifically, but more interested in being immersed in one of those elaborate worlds. Inspired me to pick up the &lt;em&gt;Wheel of Time&lt;/em&gt; series again before going to bed.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt16043106/&#34;&gt;Wild Portugal&lt;/a&gt;. As with many nature docs, too much slow-motion footage. &lt;a href=&#34;https://en.wikipedia.org/wiki/Bustard&#34;&gt;Bustards&lt;/a&gt; look really cool. I had no idea the whole &lt;a href=&#34;https://en.wikipedia.org/wiki/Genet_(animal)&#34;&gt;genet&lt;/a&gt; family existed. Wolves are still the best.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 26</title>
    <link href="https://mlarson.org/2024/07/01/2024-week-26/"/>
    <updated>2024-07-01T14:08:53.000Z</updated>
    <id>https://mlarson.org/2024/07/01/2024-week-26/</id>
    <content type="html">&lt;p&gt;This week we got our wedding invitations back from the printer (featuring custom designs by &lt;a href=&#34;https://www.jaramontez.com/&#34;&gt;Jara Montez&lt;/a&gt;!), and… it&#39;s the coolest feeling. Just a few months away.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/clinton-hill-brick-buildings.jpg?w=1024&#34; alt=&#34;small brick buildings under a canopy of trees; some of the buildings have vines growing around the sides&#34; class=&#34;wp-image-10440&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Check out the &lt;a href=&#34;https://x.com/japantracul/status/1805517788162723899&#34;&gt;Fungus of immortality&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.artic.edu/artworks/247980/pierrot-with-clarinet&#34;&gt;Pierrot with Clarinet&lt;/a&gt; by Jacques Lipchitz. I recognize the word from the orchestral piece &amp;quot;Pierrot Lunaire&amp;quot;, the movie &amp;quot;Pierrot Le Fou&amp;quot;, etc., but never knew what it was – &lt;a href=&#34;https://en.wikipedia.org/wiki/Pierrot&#34;&gt;a sad clown&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Zero-Days-Ruth-Ware/dp/1982155299&#34;&gt;Zero Days&lt;/a&gt;. A husband/wife team of security consultants are caught in a web of intrigue. Been a while since I&#39;ve read a book in first-person perspective. A bit wordy, but it flies right by.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Buckled down, finished a class. One to go. Great way to kick off the second half of the year.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/07/lumber-warehouse.jpg?w=1024&#34; alt=&#34;interior of a cavernous warehouse; tall shelves – filled with wooden boards and plants – line either side of a concrete pathway down the center of the frame&#34; class=&#34;wp-image-10439&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I&#39;ve steadily been filling out the map, and got another quick win – finished running every street in Clinton Hill. With that and Crown Heights already done, next project is running all the streets in Fort Greene and Bed-Stuy.&lt;/p&gt;
&lt;p&gt;Enjoyed my extra hill workouts this month, but recognize the cost in simple time away from home. I talked with a run club buddy this weekend about his prep for a 50-mile race, and he talked about how it &amp;quot;became his whole personality&amp;quot; for a few months. Not sure I want to go there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Thom Yorke, &lt;a href=&#34;https://open.spotify.com/album/2DpwYA58Qs00nRl59i4eiL&#34;&gt;Confidenza OST&lt;/a&gt;. I like the woodwinds in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/18HSBuObNw8sWlDbapEu7G&#34;&gt;The Big City&lt;/a&gt;&amp;quot; and the hazy desert drug den trance in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1WrMLxGGI7wUlXsqmeNi5J&#34;&gt;Prize Giving&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;The Blue Nile, &lt;a href=&#34;https://open.spotify.com/album/4pLVvQiysxBwbUuSB3ceQv&#34;&gt;Hats&lt;/a&gt;. A lot of bangers on this one. My ears pick up some hints of Peter Gabriel/David Byrne. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/72YSXnRqU2Gzw0CZ38ARRG&#34;&gt;Let&#39;s Go Out Tonight&lt;/a&gt;&amp;quot;, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5H2c3QhLQEeBbutVC77gpl&#34;&gt;Headlights on the Parade&lt;/a&gt;&amp;quot;, and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2j8OCgSyVC40RVbclQzc9J&#34;&gt;Seven A.M.&lt;/a&gt;&amp;quot; are all great.&lt;/p&gt;
&lt;p&gt;The Blue Nile, &lt;a href=&#34;https://open.spotify.com/album/1NS7Bf9O24tmMAu2wqDaVy&#34;&gt;A Walk Across the Rooftops&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2WGS61LMCQtmyY4PKtQ3OT&#34;&gt;Stay&lt;/a&gt;&amp;quot; is straightforward &#39;80s pop.&lt;/p&gt;
&lt;p&gt;Soulja Boy, &lt;a href=&#34;https://open.spotify.com/album/5wFQi4xOTXILQSKQr0Ft8s&#34;&gt;souljaboytellem.com&lt;/a&gt;. I love a good intro → opening track transition. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2QXGKAFcmUIeNkipDXY6z8&#34;&gt;Intro&lt;/a&gt;&amp;quot; → &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/66TRwr5uJwPt15mfFkzhbi&#34;&gt;Crank That&lt;/a&gt;&amp;quot; is so fun. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5ykwvtHx36Z6xGNO1b4lxF&#34;&gt;Let Me Get Em&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7n2Dqgp4iXd8Zorfj9XSYo&#34;&gt;Donk&lt;/a&gt;&amp;quot; represent the best of joyful snap.&lt;/p&gt;
&lt;p&gt;Black Coffee, &lt;a href=&#34;https://open.spotify.com/album/4z9UkNYW3T0EZzcGNjBsSz&#34;&gt;Home Brewed&lt;/a&gt;. Took a minute to get used to longer track lengths – all but one over 6 minutes! Didn&#39;t know what I was getting into. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5WRoeCefMDsxn9zrsqUqhK&#34;&gt;Mama&lt;/a&gt;&amp;quot; represents well the trance feel throughout the album.&lt;/p&gt;
&lt;p&gt;I worked in a bunch more classical this week, especially woodwinds. I wonder what music of this era will still be heard in 200–300 years…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2pDeODfl18WlwLkhJ49Ntl&#34;&gt;Beethoven: Clarinet Trios&lt;/a&gt;. The &lt;a href=&#34;https://open.spotify.com/track/5Kyec79aqcuSlXhTW6s3qu&#34;&gt;Adagio in Op. 11&lt;/a&gt; is lovely.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3tsHpkZZLOKxkH1VAQPiGx&#34;&gt;Stamitz: Clarinet Concertos Nos. 3–5&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5Di7olvyVIARCbQI3vxURS&#34;&gt;Vivaldi: 7 Bassoon Concertos&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/488SKSzXWNnFWMjF31AXJQ&#34;&gt;Bach: Oboe Concertos&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2VPrIVFaon6B7XxQL5lUzt&#34;&gt;English Motets: From Dunstaple to Gibbons&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0cxRAewBpYrtxOYH5fius3&#34;&gt;Handel: Water Music&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
USA Olympian heptathlete Anna Hall shared her competition journal, and it&#39;s just fascinating to see the blend of goals, tips, motivational talk, progress tracking, etc.. &amp;quot;&lt;a href=&#34;https://x.com/annaahalll/status/1805620373268185599&#34;&gt;Choose Violence!!!!!!&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://anildash.com/2024/06/20/dash-board/&#34;&gt;What does a board of directors do&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.jdilla.xyz/post/228&#34;&gt;How children refer to adults&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Oftentimes when I just don&#39;t feel comfort, usually that means &lt;a href=&#34;https://www.npr.org/2024/06/25/g-s1-5948/questlove-interview-hip-hop-is-history&#34;&gt;it&#39;s going in the right direction&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://onemillioncheckboxes.com&#34;&gt;One Million Checkboxes&lt;/a&gt; is a lovely experiment, like something from the web of yore!&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://slate.com/culture/2024/06/the-bear-season-3-fx-hulu-bad.html&#34;&gt;Dribbling out details of a character’s past like breadcrumbs&lt;/a&gt; is a hackish and tiresome device: Filling in backstory shouldn’t be confused with character development.&amp;quot; I&#39;ve never watched the show in question, but really appreciate this criticism. I often feel ambivalent about flashback scenes, and now that it&#39;s been spelled out, I think this is probably one reason why.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Trigger_Warning_(film)&#34;&gt;Trigger Warning&lt;/a&gt;. It&#39;s not great, but it gets the job done. I appreciate Alba&#39;s heroine using knives and machetes instead of a gun. Tiptoes close to &amp;quot;Kill Bill&amp;quot; form at a few moments – I think leaning more in the western/martial arts direction could have been interesting. Also appreciate all the Mexican pride – leather jacket with the eagle and snake, embroidered blouse, etc. – and the varieties of southwestern lifestyle on display. I could do without the slurs to underscore the villainy.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Invasion_of_the_Body_Snatchers_(1978_film)&#34;&gt;Invasion of the Body Snatchers (1978)&lt;/a&gt;. Never saw the original, but got inspired to watch this after learning of Donald Sutherland&#39;s passing. It&#39;s so good. Creepy plant horror is under-explored.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s2e20 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Humbug_(The_X-Files)&#34;&gt;Humbug&lt;/a&gt;&amp;quot;. Murderous intrigue in a circus sideshow community. Right from the jump, it toys with your prejudices and expectations. Fun episode.&lt;/p&gt;
&lt;p&gt;The X-Files, s2e21 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Calusari&#34;&gt;The Calusari&lt;/a&gt;&amp;quot;. Really appreciate how this episode was shot. One of the better climaxes in the series. Even if we&#39;ve seen similar before in e.g. &amp;quot;The Exorcist&amp;quot;, some sights just don&#39;t lose their impact.&lt;/p&gt;
&lt;p&gt;The Leftovers, s1e1–2. I kept seeing this show pop up every now and then, even before the recent 10th anniversary appreciations. Finally piqued my curiosity to check it out. I&#39;m in!&lt;/p&gt;
&lt;p&gt;The Expanse, s2e11. I&#39;m really growing to appreciate how much the political intrigue is becoming more compelling. They&#39;ve shaped that arc and transition very nicely.&lt;/p&gt;
&lt;p&gt;House of the Dragon, s2e2. The collective decision-making is just… come on, people! What a silly show.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 25</title>
    <link href="https://mlarson.org/2024/06/23/2024-week-25/"/>
    <updated>2024-06-23T17:59:05.000Z</updated>
    <id>https://mlarson.org/2024/06/23/2024-week-25/</id>
    <content type="html">&lt;p&gt;Good week. Last week&#39;s R&amp;amp;R helped a lot. Came into this week with more focus and more time-in-chair than I&#39;d been able to do previously.&lt;/p&gt;
&lt;p&gt;After launching &lt;a href=&#34;https://www.runwear.app/&#34;&gt;runwear.app&lt;/a&gt;, I decided to let all the ideas in the backlog simmer for a little while, and switched over to a new coding project. Feels good to have a clean sheet of paper and a steep learning curve again.&lt;/p&gt;
&lt;p&gt;I think it also helped that I &lt;a href=&#34;https://mlarson.org/2024/04/28/2024-week-17/&#34;&gt;returned to my old burger place&lt;/a&gt; again. And again. I&#39;m realizing the extra time and energy is worth it, even on a 90º afternoon...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Finished up two projects for my current class. One to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Three of four Wednesday evening hill workouts complete. Really happy I worked this in. Next month, switching to trail runs. Trails at twilight? Can&#39;t beat it. Falling in love with running again. I&#39;ve been on such a high, and knock on wood, healthy as can be. So many ideas and goals bubbling up. (Maybe that&#39;s one thing hobbies are good for: a low-stakes area of continuous work, experimentation, reward… so you can better recognize by contrast the areas where you don&#39;t have it!)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Good-Thieves-Katherine-Rundell/dp/148141948X/&#34;&gt;The Good Thieves&lt;/a&gt;. Katherine Rundell strikes again. Her writing style doesn&#39;t strike me as much as it did the first time, but that&#39;s to be expected by the time you a writer&#39;s fourth book. It&#39;s still as lively as ever, and I still appreciate the relentless optimism and mild deviance she promotes. 😈&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
This felt like a &amp;quot;clean-up&amp;quot; week, not as focused as previous ones. Just tidying up some stray albums I&#39;d saved for later.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/3cAo0MxC6MwqpQX76cfPwN&#34;&gt;Overseas&lt;/a&gt;, from Tommy Flanagan. I really like how his toms are tuned, high and resonant. As on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3maKU90RWKn0dfRFx06Zni&#34;&gt;Dalarna&lt;/a&gt;&amp;quot;, the piano + brushes combo is still undefeated.&lt;/p&gt;
&lt;p&gt;Thom Yorke, &lt;a href=&#34;https://open.spotify.com/album/2UehMLybYgLuuNHRNJpbCB&#34;&gt;Suspiria OST&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1WZ4g7LMeNib7xoWk9MTtZ&#34;&gt;An Audition&lt;/a&gt;&amp;quot; for all the wiggly static. Short but sweet.&lt;/p&gt;
&lt;p&gt;Thom Yorke, &lt;a href=&#34;https://open.spotify.com/album/5DDPFOJVHhc93OlqirbAtm&#34;&gt;Anima&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1bIO8oWeMRyLUHUIUsTcTY&#34;&gt;Twist&lt;/a&gt;&amp;quot; for its full saturation. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3ejjAD15KNXGwRG1lQMFPI&#34;&gt;Not The News&lt;/a&gt;&amp;quot; has this wonderful brush/sandpaper sound, along with sirens and bleeps and bloops. Just perfect.&lt;/p&gt;
&lt;p&gt;No Doubt, &lt;a href=&#34;https://open.spotify.com/album/3VekjWskUut57hx6W9wqL8&#34;&gt;Tragic Kingdom&lt;/a&gt;. I gained a glancing awareness of the &amp;quot;I&#39;m Just a Girl&amp;quot; discourse, which led me to better things: re-listening to this album. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4ZD6SiaJi75smnel0d7jl3&#34;&gt;Spiderwebs&lt;/a&gt;&amp;quot; is due for a revival?&lt;/p&gt;
&lt;p&gt;Electrelane, &lt;a href=&#34;https://open.spotify.com/album/2OI1JgWQRcAiNZJGTBeCk7&#34;&gt;The Power Out&lt;/a&gt;. I don&#39;t listen to rock very much anymore! Just really lost the taste for it, unless it drifts more into the prog/metal realm. I really like hippie/folk/cult/choral flavor in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5kWlsx3EgHrTTFLO0mcsQX&#34;&gt;The Valleys&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Masego, &lt;a href=&#34;https://open.spotify.com/album/1S0yIZRDiFmqCQyTIEV175&#34;&gt;Studying Abroad: Extended Stay&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1Hl52AxTWYv4IMbNKbI5bl&#34;&gt;Sides of Me&lt;/a&gt;&amp;quot; is the best one. Love the looseness in the snaps.&lt;/p&gt;
&lt;p&gt;Moodswings, &lt;a href=&#34;https://open.spotify.com/album/6pZVGpXiSwFB8NRDtsHuuV&#34;&gt;Moodfood&lt;/a&gt;. Easy listening wallpaper. Always appreciate when nature sounds work their way in, as on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2GlsjfMbLrd8pPaA5J4mrl&#34;&gt;Thailand&lt;/a&gt;&amp;quot;. Really nice orchestration – saxes, bass, shaker – in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0ed7g01Suk6ITt0vwT2BgD&#34;&gt;Yebo/Sema&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
It was &lt;a href=&#34;https://www.rogerebert.com/black-writers-week&#34;&gt;Black Writers Week at RogerEbert.com&lt;/a&gt;, your finest source of movie and TV writing. &lt;a href=&#34;https://www.rogerebert.com/black-writers-week/introduction-to-black-writers-week-2024&#34;&gt;Robert Daniels introduces&lt;/a&gt; great writing on…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://www.rogerebert.com/black-writers-week/wild-wild-west-at-25&#34;&gt;a Wild Wild West reminiscence&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.rogerebert.com/black-writers-week/black-out-the-disappearance-of-black-couples-in-advertising&#34;&gt;Black couples in ads&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.rogerebert.com/black-writers-week/hollywood-continues-to-fail-its-black-final-girls&#34;&gt;Black &amp;quot;final girls&amp;quot;&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.rogerebert.com/black-writers-week/the-growing-exploration-of-masculinity-and-vulnerability-in-media&#34;&gt;Masculinitity and vulnerability&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.rogerebert.com/black-writers-week/the-shield-vs-the-wire&#34;&gt;The Shield vs. The Wire&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.rogerebert.com/black-writers-week/marvels-black-villain-era&#34;&gt;Black villains&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;…and much more.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thecity.nyc/2024/06/19/basketball-hoops-blacksmiths-welding/&#34;&gt;The Hands Behind New York City’s Hoop Dreams&lt;/a&gt;. Talking with NYC Parks employees that make replacement rims for public basketball courts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/business/interactive/2024/baby-names-trendy-suffixes/&#34;&gt;The mysterious tyranny of trendy baby names&lt;/a&gt;. The graphs of most popular ending letters, changing over the decades, are super cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/F/X&#34;&gt;F/X&lt;/a&gt;. A movie special effects genius is recruited by the Justice Department to help stage a fake assassination, so they can move a key witness out of sight and move a big case move forward. Lots of fun. They don&#39;t make&#39;em like this anymore!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s2e19, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/D%C3%B8d_Kalm&#34;&gt;Død Kalm&lt;/a&gt;&amp;quot;. I hope Scully &amp;amp; Mulder have generous hazard pay. &lt;a href=&#34;https://x.com/mlarson/status/1802711423128060017&#34;&gt;Impossible task for the makeup team&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The Expanse, s2e9–10. I&#39;m coming around on those Martians a little bit.&lt;/p&gt;
&lt;p&gt;Bodkin, s1e7. Season finale in the books. Decent show overall, starting strong and coasting to a pleasant stop.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 24</title>
    <link href="https://mlarson.org/2024/06/16/2024-week-24/"/>
    <updated>2024-06-16T22:10:38.000Z</updated>
    <id>https://mlarson.org/2024/06/16/2024-week-24/</id>
    <content type="html">&lt;p&gt;I keep a tally of how I spend my working hours. I put it all in a spreadsheet to make sure I&#39;ve got enough &amp;quot;butt in chair&amp;quot; time when it comes to school, coding, career stuff. It also helps me admit when I&#39;m burned out, because the numbers don&#39;t lie. Recently: 📉. So I took a few days off this week, just focusing on rest and recuperation. And movies. Felt great. Coming out of this weekend with a just-enough-vacation sort of freshness.&lt;/p&gt;
&lt;p&gt;A couple other highlights this week:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Having hot dogs and potato chips for dinner, along with a summer blockbuster on TV.&lt;/li&gt;
&lt;li&gt;I finished v1 of &lt;a href=&#34;https://www.runwear.app/&#34;&gt;www.runwear.app&lt;/a&gt;, aka Project Runwear, a little experiment to help me figure out my running outfit given the local weather, dialed in based on my own experience. It&#39;s not essential right now – these days the main question is: tshirt or tanktop? – but it will be useful in the fall and winter, soon enough.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Look at &lt;a href=&#34;https://www.artic.edu/artworks/252914/pair-of-teacups&#34;&gt;this cool pair of teacups by Sargent Claude Johnson&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Titanium-Noir-novel-Nick-Harkaway/dp/0593535367/&#34;&gt;Titanium Noir&lt;/a&gt;. A blend of hard-boiled detective in a scifi web of intrigue. I thought I was going to drop it, but glad I decided to push through. There&#39;s some sort of &amp;quot;wise guy&amp;quot; crack on just about every page, often our can&#39;t-help-himself hero just digging the hole a little deeper.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://docs.google.com/spreadsheets/d/1p2RHnuNYTnLO1MiHygJyPXHkSzlpTFIwzdG0-JLMN_8/htmlview&#34;&gt;Free Things NYC 2024&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://sophiefuji.com/travels.html&#34;&gt;The case again travel&lt;/a&gt;. &amp;quot;You have to let go of wanting to do anything existentially and focus on shortest term pleasure. Optimization of time and energy is the complete antithesis of loafing.&amp;quot; and &amp;quot;Moving is the most passive thing that feels active.&amp;quot; (&lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2024/06/saturday-assorted-links-462.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Hill workouts are going well. And I&#39;ve started taking small tangents from our run clubs usual routes – breaking off for little spells of novelty before rejoining. Gotta do the things that keep me interested.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://open.spotify.com/album/493OkghuQsDbJMa0krFlSz&#34;&gt;Godzilla Minus One OST&lt;/a&gt;. Enjoyed what I heard during the movie, but I really knew I&#39;d like this &lt;a href=&#34;https://x.com/mlarson/status/1800163379350495695&#34;&gt;when I saw the track list&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Holly Herndon, &lt;a href=&#34;https://open.spotify.com/album/29sozE8XDMOHT8KK9iq4Fo&#34;&gt;PROTO&lt;/a&gt;. Herndon was a &lt;a href=&#34;https://www.nytimes.com/2024/05/24/podcasts/transcript-ezra-klein-interviews-holly-herndon.html&#34;&gt;recent guest on Ezra Klein Show&lt;/a&gt;, and is thoughtful on her use of AI systems in her music. I like the overlapping voices and orchestra hits in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3SBhkamFAVooQtvDNz4ZJb&#34;&gt;Eternal&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Rock_(film)&#34;&gt;The Rock&lt;/a&gt;. Nicolas Cage is &lt;em&gt;such&lt;/em&gt; a gem. I should really spend more time with his filmography.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Perfect_Days&#34;&gt;Perfect Days&lt;/a&gt;. Such mixed feelings! It&#39;s lovely but I felt a little remote from it. Some of this may be situational. The theater played a pre-roll promo with the director and lead – &amp;quot;This beautiful movie is about X. It&#39;s also about Y. So-and-so is a true talent.&amp;quot; – and I found it really, really off-putting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/She%27s_Gotta_Have_It&#34;&gt;She&#39;s Gotta Have It&lt;/a&gt;. Spike Lee was just shot out of a cannon, huh? Really cool seeing Fort Greene Park, just down the road. And man, he loves a musical interlude. Didn&#39;t know he was doing those from the jump. Why not?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Men_(2022_film)&#34;&gt;Men&lt;/a&gt;. What you might call a &amp;quot;rich text&amp;quot;. E.g. we&#39;re picking apples in gardens within the first few minutes, and plenty more comparably subtle imagery to come. Really appreciate the eeriness simmering underneath from the very beginning. The sinister, fantastical turns toward the end are a bit too drawn out, but effective in their own way.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Orion_and_the_Dark&#34;&gt;Orion and the Dark&lt;/a&gt;. Glad to see animated movies mixing in different visual styles in the middle of the movie. Interesting that they didn&#39;t have that contrast for the framing device. Don&#39;t always love a narrator, but it fits the structure.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Passing_(film)&#34;&gt;Passing&lt;/a&gt;. Really heartbreaking, uncomfortable. I like how how the upper-class milieu just heightens everything, draws in your focus. Ditto for dense, allusive conversations, and our limited view through Clare&#39;s perspective. We get only a limited sense of the tradeoffs, though some acutely felt. The book was &lt;a href=&#34;https://x.com/mlarson/status/1610431949964972033&#34;&gt;one of my favorites read in 2022&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Immortals_(2011_film)&#34;&gt;Immortals&lt;/a&gt;. This got on my radar from cool-looking stills. I think I was expecting something a more clean, campy, cartoony, adventurous. It was much more in the &lt;em&gt;300&lt;/em&gt; vein, with plenty &amp;quot;look at this badass being a badass&amp;quot; slow-mo-ments, plenty of bloody splatter to go around. Still elevated by the thoughtful sets and costuming. (&lt;a href=&#34;https://mlarson.org/2012/07/13/the-fall-storytelling-narrated-by-an-injured/&#34;&gt;The Fall&lt;/a&gt; is the only other Tarsem film I&#39;ve seen, with a narrator dials up the kooky visuals even more.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s2e17, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/End_Game_(The_X-Files)&#34;&gt;End Game&lt;/a&gt;&amp;quot;. Alien Bounty Hunter escapes again. I still love Skinner so much. The most unpredictable character in the show.&lt;/p&gt;
&lt;p&gt;The X-Files, s2e18, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Fearful_Symmetry_(The_X-Files)&#34;&gt;Fearful Symmetry&lt;/a&gt;&amp;quot;. Zoos are bad! Love the recurring PNW environmentalist hippie types we&#39;ve seen in this show.&lt;/p&gt;
&lt;p&gt;The Expanse, s2e5–8. I liked the first season, and the &lt;a href=&#34;https://www.amazon.com/Leviathan-Wakes-James-S-Corey/dp/0316129089&#34;&gt;corresponding first book in the series&lt;/a&gt;. I abandoned the show a while back, though. I started to tune out when the Mars characters and bureucrats were getting more focus. I think I&#39;m still trying to figure out exactly where TV fits in my life.&lt;/p&gt;
&lt;p&gt;Bodkin, s1e6. Curious how they&#39;re gonna wrap this up…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 23</title>
    <link href="https://mlarson.org/2024/06/09/2024-week-23/"/>
    <updated>2024-06-09T20:04:04.000Z</updated>
    <id>https://mlarson.org/2024/06/09/2024-week-23/</id>
    <content type="html">&lt;p&gt;This week I was called to jury duty. I was so excited, and hoped to get on a case. But alas, I was not needed. As on previous jury calls, it&#39;s nice to see a big random-ish slice of your community, and to get a view of how things work. I was surprised how much paper-shuffling goes on. All those perforated mailers getting torn and re-sorted and passed around over and over and over.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Oh boy. Should be able to knock out one of three course projects tomorrow. Hopefully the next two not far behind. Two classes to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I&#39;m doing mid-week hill workouts this month. Mostly &amp;quot;just because&amp;quot;. It&#39;s been fun to red-line and learn where the limit is, if only for 20-30 seconds at a time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Native-American-Folklore-Traditions-Parson/dp/1788887840/&#34;&gt;Native American Folklore and Traditions&lt;/a&gt;. Last weekend I went to the library and picked up some coffee table books to keep lying around. This one has cool old photographs, illustrations, and as-told-by vignettes of the lives from a few different cultures.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Tinker-Soldier-Penguin-Hardback-Collection/dp/0241337151&#34;&gt;Tinker, Tailor, Soldier, Spy&lt;/a&gt;. Maybe it&#39;s because I kept trying to read this in bed with my mental battery at ~3%, but I simply could not follow a word he was saying. Another time! Great movie, though.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/We-Had-Remove-This-Post/dp/0358622360/&#34;&gt;We Had to Remove This Post&lt;/a&gt;. A novella about a content moderator at a fictional social media company. Best when it touches on the socioeconomics that could lead someone into these roles. It is unrelentingly dark.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Depeche Mode Week, cont.. Hit a rough patch and recovered!&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2P664rvpmtWEHUbLotgQy6&#34;&gt;Exciter&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0T7Horo32W34iuW6iC6iRU&#34;&gt;Dream On&lt;/a&gt;&amp;quot; has some outlaw country flavor to it, and also that slide guitar in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6U7vEjDKsP59O0DLZaWDS4?&#34;&gt;The Sweetest Condition&lt;/a&gt;&amp;quot;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7uuhEXAUSYlSGwAIfL21GJ&#34;&gt;Comatose&lt;/a&gt;&amp;quot; has some interesting electronics whoops and gurgles. I appreciate the experimentation, in the abstract, but did not love this album.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5QvVLyLdcK4vnaPEKg7jtO&#34;&gt;Playing the Angel&lt;/a&gt;. Distorted noise? That&#39;s definitely &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/67YMZtqBNdNJO4HY15j1Uh&#34;&gt;A Pain That I&#39;m Used To&lt;/a&gt;&amp;quot;, and appreciate. Overall, not into the vocals.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2hNLDFRdi1Yz3Qj9kg0QAd&#34;&gt;Sounds of the Universe&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/73s3kPbkc73WbWSIPvPjYK&#34;&gt;Fragile Tension&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2hSxPV7ZmmtFuCBgjWNwNB&#34;&gt;Jezebel&lt;/a&gt;&amp;quot; are the winner, maybe?&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4WkYJeMlLaNN1x5klAgeJu&#34;&gt;Spirit&lt;/a&gt;. The processing on the vocals isn&#39;t my favorite, but I like the steady grind of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4YzRQFEzFSiKtrXLWF5Atq&#34;&gt;You Move&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/3QWc9HhBWgk9dIEwOkJx4q&#34;&gt;Memento Mori&lt;/a&gt;. We&#39;re back! What a rebound! One of my most-played albums last year. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3p5JD79PQP737dyEY2hnmf&#34;&gt;Ghosts Again&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0Fy8AMzsGc5MVD7fHIVaKn&#34;&gt;Always You&lt;/a&gt;&amp;quot; both have a desperate achiness that gets me every time.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The Pointer Sisters, &lt;a href=&#34;https://open.spotify.com/album/4iqsNkST0v1aaL3S0Fd4XS&#34;&gt;So Excited!&lt;/a&gt;. &lt;a href=&#34;https://www.youtube.com/watch?v=1QBHO6ek2mU&#34;&gt;Saved By The Bell&lt;/a&gt; memes aside, &lt;a href=&#34;https://open.spotify.com/track/1ot6jEe4w4hYnsOPjd3xKQ&#34;&gt;the title track&lt;/a&gt; is so so so good. Honky-tonk piano adds a lil&#39; somethin&#39; you don&#39;t hear much anymore.&lt;/p&gt;
&lt;p&gt;Candi Staton, &lt;a href=&#34;https://open.spotify.com/album/39ntuIhbcC8rsmRV2qXkmZ&#34;&gt;Young Hearts Run Free&lt;/a&gt;. Again, that &lt;a href=&#34;https://open.spotify.com/track/3MFa9idQuY4iJLWsZl3tIQ&#34;&gt;title track&lt;/a&gt; is electric – perfect blend of depressing lyrics and intoxicating disco. Stuck in my head for days. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3PD8ofc71L9yDTsmFXTski&#34;&gt;Summer Time With You&lt;/a&gt;&amp;quot; delivers the Barry/Marvin/dancefloor/orchestra/whispered romance you need this time of year.&lt;/p&gt;
&lt;p&gt;Koffee was recommended by a run club buddy who&#39;s into dancehall/reggae. Listened to &lt;a href=&#34;https://open.spotify.com/album/2DlocpnzvkFXxV7iBy3wbZ&#34;&gt;Rapture&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/album/4Ch605EjDQIZowlcaArlLP&#34;&gt;Gifted&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0LtQRVGKzYdHMxAgL7jmXR&#34;&gt;Gifted&lt;/a&gt;&amp;quot; and really like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7D3PK92kbJXsPoviayoLN3&#34;&gt;Lonely&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Brahms, &lt;a href=&#34;https://open.spotify.com/album/6y691QuagNSK9q2wX45c45&#34;&gt;Piano Concerto No. 1&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://aworkinglibrary.com/writing/against-optimization&#34;&gt;Against optimization&lt;/a&gt;. &amp;quot;Optimization presumes a kind of certainty about the circumstances one is optimizing for, but that certainty is, more often than not, illusory.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Mr. Jarndyce called me into a small room next his bedchamber, which I found to be in part a little library of books and papers, and in part quite a little museum of his boots and shoes, and hat- boxes. &#39;Sit down, my dear,&#39; said Mr. Jarndyce. &#39;This, you must know, is the Growlery. When I am out of humour, &lt;a href=&#34;https://archive.org/details/bleakhouse01dick/page/131/mode/1up?q=growlery&#34;&gt;I come and growl here&lt;/a&gt;.&#39;&amp;quot; (&lt;a href=&#34;https://x.com/patrickc/status/1797405597882802479&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&amp;quot;When you’re learning a trade, &lt;a href=&#34;https://www.are.na/editorial/pattern-recognition&#34;&gt;it’s almost impossible to be patient&lt;/a&gt;. You have no idea how it’s supposed to go, so you’re often doubting yourself. You charge through and see what it’s like first. It makes patience impossible.&amp;quot;&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://dilettantearmy.com/articles/cut-and-paste-teen-magazines-and-the-collaged-self&#34;&gt;collage-wall immediately communicates to an audience&lt;/a&gt;: “here lies a teenage girl.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=is6gtilerPk&#34;&gt;NSYNC – I Want You Back&lt;/a&gt;. Looking at their music video is so revealing. The varying levels of comfort on-camera, showmanship, dance precision. Contrast with &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=GQMlWwIXg3M&#34;&gt;It&#39;s Gonna Be Me&lt;/a&gt;&amp;quot; just a few years later (production value aside) – it&#39;s easy to forget the development from beginners to experts!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://slate.com/culture/2024/06/sabrina-carpenter-espresso-song-summer-boogie-post-disco.html&#34;&gt;The Musical History Lesson Buried Beneath the Song of the Summer&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Look how neat &lt;a href=&#34;https://ericwbailey.website/published/i-love-my-slightly-smart-tiny-tv/&#34;&gt;this tiny little TV is&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ourincrediblejourney.tumblr.com/&#34;&gt;Our Incredible Journey&lt;/a&gt; catalogs when companies get acquired and throw their customers to the wolves, lol.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Godzilla_Minus_One&#34;&gt;Godzilla Minus One&lt;/a&gt;. Loved this movie, and it has taken the crown for favorite movie of my watching year. I appreciate this as a period piece, and not just in costume – also works in an orchestral soundtrack, and heightened acting and staging that wouldn&#39;t be out of place in the late 1940s. Fascinated by this idea of Godzilla being a creature known to locals, but barely a rumor elsewhere. Unresolved shame will keep you from love!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
The X-Files, s2e16, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Colony_(The_X-Files)&#34;&gt;Colony&lt;/a&gt;&amp;quot;. A bit disorienting, didn&#39;t get the usual time to settle in. Clones being hunted down!&lt;/p&gt;
&lt;p&gt;Abbott Elementary, s3e13, &amp;quot;Smith Playground&amp;quot;. Are Janine and Gregory getting together or what?&lt;/p&gt;
&lt;p&gt;Bodkin, s1e5. Most interesting episode so far in terms of structure. Also appreciate the mostly-Elvis soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 22</title>
    <link href="https://mlarson.org/2024/06/02/2024-week-22/"/>
    <updated>2024-06-02T18:02:52.000Z</updated>
    <id>https://mlarson.org/2024/06/02/2024-week-22/</id>
    <content type="html">&lt;p&gt;Build all the scaffolding you like, nature will follow its course.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/06/trees-under-scaffolding.jpg?w=889&#34; alt=&#34;&#34; class=&#34;wp-image-10422&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Wardrobe Upgrade PSA&lt;/strong&gt;&lt;br&gt;
Prescription sunglasses are great! I&#39;ve been wearing glasses since 8th grade, and contacts almost as long. My new prescription sunnies are perfect for when I&#39;m going to be out in the sun for a while, but not long enough to &amp;quot;waste&amp;quot; a pair of contacts and wear sunglasses. For daytime runs, errands, morning walk, etc., I love being able to do a quick swap and head out the door.&lt;/p&gt;
&lt;p&gt;I also got some &lt;a href=&#34;https://x.com/mlarson/status/1795445053776658683&#34;&gt;roomy, light-wash khakis&lt;/a&gt;. Summer dad style: activated. 😎&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;Don&#39;t apologize for your interests. &lt;a href=&#34;https://x.com/TheStalwart/status/1795481218009690568&#34;&gt;Sell your interests&lt;/a&gt;.&amp;quot; Can&#39;t speak for him, but I think Joe was using &amp;quot;sell&amp;quot; in the broader sense of promotion/persuasion, rather than simple transaction. In any case, I choose to read it that way!&lt;/p&gt;
&lt;p&gt;Zadie Smith: &amp;quot;Generally speaking, I don’t make notes. I sit down. I write a novel. But already &lt;a href=&#34;https://www.newyorker.com/magazine/2023/07/10/on-killing-charles-dickens&#34;&gt;this non-novel that I was refusing to write&lt;/a&gt; had generated a drawer full of notes and a shelf of books.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=6xonwEDkrxI&#34;&gt;Jumping&lt;/a&gt;, a really interesting animated short with a first-person &amp;quot;through the eybeballs&amp;quot; perspective. (via &lt;a href=&#34;https://funkaoshi.com/linklog/link-17019&#34;&gt;Funkaoshi&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;I&#39;ve only &lt;a href=&#34;https://mlarson.org/tag/howardhawks/&#34;&gt;seen a handful of Howard Hawks movies&lt;/a&gt;, and didn&#39;t love them all, but love this description: &amp;quot;&lt;a href=&#34;https://www.brightwalldarkroom.com/2018/09/14/only-angels-have-wings-1939/&#34;&gt;his movies feel like motorized airport walkways&lt;/a&gt; — life, but a little bit quicker, a little bit smoother than normal people can manage.&amp;quot; Along the same lines, and great reason to listen to podcasts at 2x: people are funnier when reactions are quicker, snappier! Bonus: an interview clip of &lt;a href=&#34;https://x.com/thescrewballgrl/status/1663529287230660610&#34;&gt;Howard Hawks talking about overlapping dialogue&lt;/a&gt;. (via &lt;a href=&#34;https://x.com/BWDR&#34;&gt;Bright Wall/Dark Room&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;I love &lt;a href=&#34;https://battleshippretension.com/endangered-species-reassessing-congo-by-tyler-smith/&#34;&gt;Tyler Smith&#39;s re-appreciation of Congo&lt;/a&gt;. &amp;quot;Marketing, critical consensus, box office; while these are impossible to ignore, they do tend to fall away on their own as the years go by, leaving only the movie itself, free of baggage and ready to be seen from a fresh perspective.&amp;quot; It&#39;s &lt;a href=&#34;https://mlarson.org/2017/10/14/congo/&#34;&gt;been a few years&lt;/a&gt;, I need another re-watch.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.yahoo.com/entertainment/tvs-teen-love-stories-are-getting-the-grid-treatment-on-social-media-heres-what-that-means-192201815.html&#34;&gt;Moments that get ‘gridded’ are highly economical&lt;/a&gt;. They refine an entire story to a few key images less for their formal memorability (meaning, they don’t look particularly special) than for what they symbolize: critical emotional flashpoints that, taken together, constellate the fantasies that shows like [these] reflect and cater to.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The gender gap in higher education is wider today than it was in 1972, when Title IX was passed, &lt;a href=&#34;https://ofboysandmen.substack.com/p/melinda-french-gates-invests-in-boys&#34;&gt;but the other way round, with men earning only 42% of degrees&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/NBAHistory/status/1795453573532139626&#34;&gt;RIP Bill Walton&lt;/a&gt;. A &lt;a href=&#34;https://www.jdilla.xyz/post/226&#34;&gt;remembrance from my friend James&lt;/a&gt; and &lt;a href=&#34;https://x.com/trailblazers/status/1795614273529680360&#34;&gt;from the Trail Blazers&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Alien_(film)&#34;&gt;Alien&lt;/a&gt;. Terror, in deep space! I guess I&#39;ve seen this 5-10 times now? Never once let me down. I&#39;m reminded again of Ebert&#39;s note on the cast&#39;s age: &amp;quot;By skewing older, &amp;quot;Alien&amp;quot; achieves a certain texture without even making a point of it: &lt;a href=&#34;https://www.rogerebert.com/reviews/great-movie-alien-1979&#34;&gt;These are not adventurers but workers&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Aniara_(film)&#34;&gt;Aniara&lt;/a&gt;. Despair, in deep space! A spaceship bound for Mars is knocked off-course, sending immigrants into a years-long voyage to nowhere. The crisp hotel/cruise-ship vibe wears off and we see passengers moving through stages of grief, despair, escapism, cult beliefs, false hopes. What I found most intriguing here is the AI service/entity called Mima from which the passengers get a sort of spa experience, lulled into hypnosis by their own experience and memories. Not too hard to imagine…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Depeche Mode Week. I didn&#39;t quite finish, but spent most of the week listening through their discography. I wasn&#39;t prepared for how zany/computer-y their early work was.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0Zp2eVzR9FW6lKX05lRpcu&#34;&gt;Speak &amp;amp; Spell&lt;/a&gt;. Interesting how upbeat, pop, and chip-tune-y this is. Good choice doing single promo for &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0qi4b1l0eT3jpzeNHeFXDT&#34;&gt;Just Can&#39;t Get Enough&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/570tDDsJUBimO3v70LJWFw&#34;&gt;A Broken Frame&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1x7fkwTQE9oA1jpC6dmubF&#34;&gt;Nothing to Fear&lt;/a&gt;&amp;quot; sounds like SNES RPG music, great instrumental. Also dig &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/51l9zWRbE8XVk14CiOCo0R&#34;&gt;The Sun and the Rainfall&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/4PACSjpgl1unuvybxtiZqo&#34;&gt;Construction Time Again&lt;/a&gt;. This feels like the album where the distinctive open baritone voice really comes to the fore. I think &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6QkiZkSYS7sTbq2JhEuqgj&#34;&gt;And Then…&lt;/a&gt;&amp;quot; is my favorite here. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7KOSTQ5Dl85DOwAxwGCUQy&#34;&gt;More Than a Party&lt;/a&gt;&amp;quot; is solid.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/5wfikaEZXnQTXWBZ5osw9A&#34;&gt;Some Great Reward&lt;/a&gt;. I LOVE the disjointed melancholy lullaby of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1nbtnU2737Kd4CGP11ka41&#34;&gt;It Doesn&#39;t Matter&lt;/a&gt;&amp;quot;, with its occasional sour bursts.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/1lvuzZydLlhw4tPIbriKDa&#34;&gt;Black Celebration&lt;/a&gt; seemed like a more blandly consistent album. No strong stand-outs. I&#39;ll take &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6Ug6SzkkwZIAnQWuDAZ2Vc&#34;&gt;World Full of Nothing&lt;/a&gt;&amp;quot; on this one.&lt;/li&gt;
&lt;li&gt;They must have been saving up for &lt;a href=&#34;https://open.spotify.com/album/5Yyx661Ksxl2pmRUuGLzw3&#34;&gt;Music for the Masses&lt;/a&gt;, where it feels like all the familiar pieces have fallen into place. I love the long lines of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4P9jWfITiiSq2uueK1vzoU&#34;&gt;The Things You Said&lt;/a&gt;&amp;quot; – a bit of Kraftwerk flavor in the counterpoint organ bits? I also like the murky haunting of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/14LMxU260EhxHqpzPsglgf&#34;&gt;Agent Orange&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/55f8HG5qMzgexZhZdOLs3h&#34;&gt;101 (Live)&lt;/a&gt;. Do I like live albums? I think get too attached to perfect studio vocals to appreciate most live recordings. I tend to like the instrumental ones more. And I don&#39;t want to listen to those dorks in the audience have a sing-along. I want to be there! There&#39;s &lt;a href=&#34;https://www.bloomsbury.com/us/depeche-modes-101-9781501390326/&#34;&gt;a new book about this album&lt;/a&gt; that sounds promising.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0Tg76MY2wNK4j37iCb6qyH&#34;&gt;Violator&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4U21h8AueaOxQ30agnDk6R&#34;&gt;Enjoy the Silence&lt;/a&gt;&amp;quot; and ominous &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/07z0qZjflfHSkRBZoiIuVx&#34;&gt;Memphisto&lt;/a&gt;&amp;quot; win the day.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6x7S6u9Cx2S0JD48nPsavE&#34;&gt;Songs of Faith and Devotion&lt;/a&gt;. Here it feels that we&#39;re more fully transitioned into stadium/industrial rock, with added electronics. Add a touch of blues? Vocals are more belt-y. It&#39;s not quite as fun for me. I&#39;ll still shout out &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3W0phVhCtM6ATS8KmDk9Md&#34;&gt;Judas&lt;/a&gt;&amp;quot;, I think.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/7cmj0LC7Fob1p2BxsMYYAa&#34;&gt;Ultra&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/34bdE38G1hhlxZanAEBewY&#34;&gt;It&#39;s No Good&lt;/a&gt;&amp;quot; feels like a return to form – maybe that&#39;s why it&#39;s gotten so much play? I want to fix their sound to a certain point in time. Also, some of these songs are really long – 7/12 over 5.5 minutes! I get restless...&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Maybe I&#39;ll make a playlist of favorites when I catch up to today, and see what themes I can spot?&lt;/p&gt;
&lt;p&gt;In other listening, since &amp;quot;Water&amp;quot; was the big hit last week, I continued with Tyla&#39;s &lt;a href=&#34;https://open.spotify.com/album/3KGVOGmIbinlrR97aFufGE&#34;&gt;TYLA&lt;/a&gt;. This week, I&#39;ll shine a light on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6VvJi5zSrMupsi5hxw60bn&#34;&gt;On and On&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/willevans/status/1795418657582940223&#34;&gt;Inspired by my friend Will&lt;/a&gt;, I revisited Mastodon&#39;s &lt;a href=&#34;https://open.spotify.com/album/1aQZecM7d2R3SvPs2HNNIA&#34;&gt;Remission&lt;/a&gt;. The opening riff of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1KcVOoLXfpbadmBz0HkJ1r&#34;&gt;March of the Fire Ants&lt;/a&gt;&amp;quot; is a classic.&lt;/p&gt;
&lt;p&gt;Antonio Salieri, &lt;a href=&#34;https://open.spotify.com/album/1EMZl9t5vISMLOenhrP8c4&#34;&gt;Piano Concertos&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Alice Coltrane, &lt;a href=&#34;https://open.spotify.com/album/3QLSI5J1AcRtkqYRxVmEns&#34;&gt;The Carnegie Hall Concert&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Infinity-Gate-Pandominion-Book-1-ebook/dp/B0B38STG6T&#34;&gt;Infinity Gate&lt;/a&gt;. Enjoying this scifi so far. Given an infinitude of Earths in different realities/dimensions and development paths, imagine a paranoid super-civilization develops among them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Another class down, two to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e14, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751102/&#34;&gt;Die Hand Die Verletzt&lt;/a&gt;&amp;quot;. A small crew of (half-hearted?) devil worshipers meet their match.&lt;/p&gt;
&lt;p&gt;s2e15, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751128/&#34;&gt;Fresh Bones&lt;/a&gt;&amp;quot;, Haitian voodoo stuff. I was nervous about this one being more clumsy or offensive, but not too bad in the end. I like the military and refugee aspects – sadly relevant for NYC right now.&lt;/p&gt;
&lt;p&gt;Bodkin, s1e3–4. I&#39;m enjoying the &amp;quot;Sunshiny Yankee&amp;quot; trope in this series. Seen also in Catastrophe, for example – an &amp;quot;aw shucks&amp;quot; friendly and gullible American, so easily bullied.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 21</title>
    <link href="https://mlarson.org/2024/05/26/2024-week-21/"/>
    <updated>2024-05-26T20:36:33.000Z</updated>
    <id>https://mlarson.org/2024/05/26/2024-week-21/</id>
    <content type="html">&lt;p&gt;This week I got a new bucket hat. I have not owned a bucket had since I was maybe five or six years old. And &amp;quot;owned&amp;quot; is a strong word here. I have no understanding of my relationship to that hat. It&#39;s more like: I can see I was photographed wearing it, and I remember it being in my bedroom.&lt;/p&gt;
&lt;p&gt;But now I&#39;m an adult, and I intentionally bought a bucket hat, and I found myself with a funny feeling: do I look weird? After 41 years, I&#39;ve got things pretty dialed in at this point. I can&#39;t remember the last time I stood in front of a mirror and wasn&#39;t sure. Took a second to gather my courage, damn the torpedos, and step out into society. Still growing!&lt;/p&gt;
&lt;p&gt;(Btw, I look I great. And now I own &lt;em&gt;two&lt;/em&gt; bucket hats.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Hot days are back. Wardrobe is shifting to lighter fabrics. Sunscreen is slathered. Shade is precious. Pee is orange. I designed a hilly route for run club&#39;s weekend long run and everyone hated me for it. 😈&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
This week was a struggle. I found it difficult to focus, but in a physical sense. Like my body itself was bored and restless, didn&#39;t want to stay put. Managed to finish a project and submit, hopefully doesn&#39;t need too much revision.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Cantus Thuringia, &lt;a href=&#34;https://open.spotify.com/album/64fRsgFOzRFcWaVJJokd4u&#34;&gt;Time Stands Still&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/19VaW12lQVzUUU3ep6jWsZ&#34;&gt;Come Again&lt;/a&gt;&amp;quot; is beautiful.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/0vVKFzzDYjNGLyRw6hA18O&#34;&gt;Brahms: Complete Choral Works&lt;/a&gt; all blended together for me. I struggle with Brahms! Couldn&#39;t name a single piece that&#39;s stuck with me. :(&lt;/p&gt;
&lt;p&gt;Inspired by Craig Mod&#39;s latest newsletter, went back to listen to Tony Williams&#39; &lt;a href=&#34;https://open.spotify.com/album/6gknGgfLvXz0YAv0pg78rC&#34;&gt;Tokyo Live&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I spent some time with Jamiroquai. On &lt;a href=&#34;https://open.spotify.com/album/4yrrPNjd9RcqnuDnoEhlER&#34;&gt;Travelling Without Moving&lt;/a&gt;, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4pGIF3R8nau0IBHzrYXzWX&#34;&gt;Everyday&lt;/a&gt;&amp;quot; is smoooooth! And from &lt;a href=&#34;https://open.spotify.com/album/17XrgcYNbKz2oTNm6kwVwv&#34;&gt;Synkronized&lt;/a&gt;, are you &lt;em&gt;sure&lt;/em&gt; you&#39;ve played &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/47oS7xB31QQUyPCgHpM3VZ&#34;&gt;Canned Heat&lt;/a&gt;&amp;quot; enough recently?&lt;/p&gt;
&lt;p&gt;Mozart, &lt;a href=&#34;https://open.spotify.com/album/15wEgamtHeYSgAH05QJAIV&#34;&gt;Clarinet Concerto&lt;/a&gt; (+ Oboe Concerto &amp;amp; Bassoon Concerto).&lt;/p&gt;
&lt;p&gt;Bach, &lt;a href=&#34;https://open.spotify.com/album/0HzYvKG79AmMOIL2BQU1mD&#34;&gt;Oboe Concertos&lt;/a&gt; (BWV 1053, 1055, 1056, 1059, 1060). The &lt;a href=&#34;https://open.spotify.com/track/559i6t1kgMD1eX62Qq8kkO&#34;&gt;adagio movement in BWV 1059&lt;/a&gt; is perfect, I tell you.&lt;/p&gt;
&lt;p&gt;Tyla, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5aIVCx5tnk0ntmdiinnYvw&#34;&gt;Water&lt;/a&gt;&amp;quot;. I&#39;ve had/will have this on repeat for a while.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Space_Is_the_Place&#34;&gt;Space Is the Place&lt;/a&gt;. Sun Ra! I wouldn&#39;t recommend it but it&#39;s an interesting slice of history. And I appreciate that Sun Ra has been doing this space thing for decades. If you go long enough without breaking character...&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Swimmer_(1968_film)&#34;&gt;The Swimmer&lt;/a&gt;. At opening, it captures the feeling of a boundless perfect day. By the end, nothing seems possible. The character seems to be well-known but long missing. Have to fill in the blanks as you go. I love all the image blurring, fuzzy focus, leafy obstructions, lens flare, warm comforting haze. Also: young woman meeting her boyfriend &amp;quot;through a computer&amp;quot;!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dune:_Part_Two&#34;&gt;Dune: Part Two&lt;/a&gt;. Blah. Felt more choppy, episodic, ponderous. The movie insists you understand that everything is so Important! I found myself wondering what a non-widescreen version would look like. Even a 4:3, there&#39;s a lot of real estate, that doesn&#39;t always have that much going on. Entire planets with nothing but humanoids, vehicles, and vaulted rooms.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Scream_VI&#34;&gt;Scream VI&lt;/a&gt;. Really appreciate that they continue the opening schtick. The goriest one yet, but it&#39;s not an improvement. And a bit too much plot-splaining to wrap things up. New York City, though! Change of scenery is welcome, as is new energy from cast turnover. I&#39;ve decided that I love this franchise.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Silence_(2010_film)&#34;&gt;The Silence (2010)&lt;/a&gt;. Good thriller, left me feeling icky (complimentary?). I like that it has some frustrating protagonists, a few people you just need extra time to figure out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
The morning after I watched the movie, I listened to &amp;quot;&lt;a href=&#34;https://www.newyorker.com/podcast/fiction/anne-enright-reads-john-cheever&#34;&gt;The Swimmer&lt;/a&gt;&amp;quot; as read by Anne Enright on the The New Yorker Fiction podcast.&lt;/p&gt;
&lt;p&gt;&amp;quot;Storytelling is the &lt;a href=&#34;https://www.newyorker.com/culture/the-new-yorker-interview/what-george-miller-has-learned-in-forty-five-years-of-making-mad-max-movies&#34;&gt;well-orchestrated withholding of information&lt;/a&gt;.&amp;quot; George Miller on making Mad Max and collaborating with wife and editor Margaret Sixel. Loved this, too, on gardening/editing parallels:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;She happens to be a really great gardener, on any scale—whether a big thing like a farm or a small back-yard garden. And she’s comprehensively good: everything is taken into account. I think that is where the same skill sets overlap. To make a great garden, you have to understand all these hidden processes and dimensions to a ridiculous degree: the soil, the geology, the sun, the light, the weather. You have to know the plant and when to put in the seed or seedling. But here’s the thing: somehow, in that process, you have got to anticipate what will happen a year down the line, or five years down the line, and how all those variables will fit into a graceful whole. I knew that’s how she approached gardens; I have seen gardens that she has done that are twenty-five years old. And I knew that is how she approached editing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&amp;quot;In the 1960s, 1970s, and 1980s, only about 6 percent of forty-year-olds had never been married. &lt;a href=&#34;https://www.firstthings.com/article/2024/06/the-new-midlife-crisis&#34;&gt;Today it is true of one in four&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;The Earth receives about 173,000 TW [of solar energy] continuously, &lt;a href=&#34;https://caseyhandmer.wordpress.com/2024/05/22/the-solar-industrial-revolution-is-the-biggest-investment-opportunity-in-history/&#34;&gt;more than 10,000x humanity’s current needs&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://arpitrage.substack.com/p/the-rise-of-rapid-regional-rail&#34;&gt;The Rise of Rapid Regional Rail&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://andymatuschak.org/hmwl/&#34;&gt;How Might We Learn?&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e13, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Irresistible_(The_X-Files)&#34;&gt;Irresistible&lt;/a&gt;&amp;quot;. This was the saddest, creepiest, most unsettling episode yet. Good to see some meta conversation about the trauma and the toll of their work.&lt;/p&gt;
&lt;p&gt;Bob&#39;s Burgers, s8e9. Watched immediately after the X-Files episode above – needed a palate cleanser!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Bodkin_(TV_series)&#34;&gt;Bodkin&lt;/a&gt;, s1e1-2. Off to a strong start! A &amp;quot;quiet little village&amp;quot; mystery in the vein of Deadloch, Broadchurch, Three Pines, etc.. Podcasters, smh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;Boundaries are the distance at which I can love you and me simultaneously.&amp;quot; &lt;a href=&#34;https://www.instagram.com/prentishemphill/p/CNSzFO1A21C/&#34;&gt;Prentis Hemphill&lt;/a&gt;, quoted in an &lt;a href=&#34;https://bikepacking.com/plog/man-or-bear-debate/&#34;&gt;essay on the men vs. bear debate&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 20</title>
    <link href="https://mlarson.org/2024/05/19/2024-week-20/"/>
    <updated>2024-05-19T19:49:03.000Z</updated>
    <id>https://mlarson.org/2024/05/19/2024-week-20/</id>
    <content type="html">&lt;p&gt;A few years ago when I lived in Santa Monica, &lt;a href=&#34;https://x.com/mlarson/status/1343340880212545536&#34;&gt;I walked every street in city limits&lt;/a&gt;. And I &lt;a href=&#34;https://x.com/mlarson/status/1079538325961232385&#34;&gt;did the same in downtown Atlanta&lt;/a&gt; a couple years before that (along with &lt;a href=&#34;https://x.com/mlarson/status/1132398251024486407&#34;&gt;other silly walks&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;After my run yesterday, I&#39;m getting close to filling in the map of my neighborhood here in Crown Heights, Brooklyn – only 9 or 10 miles left! 🔜 There is nothing like knowing every inch of where you live. Can&#39;t recommend highly enough.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
The last two courses were the most tedious I&#39;ll come across. Definitively in the homestretch now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
This week I focused on working through fatigue. So: a couple short runs with weights beforehand, and ending my longer chill runs at a faster tempo. It&#39;s been fun to practice like this for a little while. To feel that extra bit of tired resistance, and &lt;em&gt;insist&lt;/em&gt; on pushing through it. Cultivates an interesting focus, and I suppose it&#39;s good to annoy myself with slightly-higher expectations every now and then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
I just started &lt;a href=&#34;https://www.amazon.com/Medieval-Horizons-Middle-Ages-Matter-ebook/dp/B0CV8RMFNV&#34;&gt;Medieval Horizons: Why the Middle Ages Matter&lt;/a&gt;, and it&#39;s already rewiring my brain a little bit. It starts with an important corrective: our tendency to see &amp;quot;progress&amp;quot; through a mostly technological lens tends to exclude as much as it highlights. The flourishing of the Renaissance, Enlightenment, etc. was percolating long before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Big nostalgic highlight this week was seeing &lt;a href=&#34;https://x.com/mlarson/status/1791644029559386117&#34;&gt;a twitter convo&lt;/a&gt; that reminded me of the &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=1JEueGdQ5yQ&#34;&gt;Birdman&lt;/a&gt;&amp;quot; track from Pilotwings 64. One of my favorite videogame tunes of all time. and then saw a &lt;a href=&#34;https://www.youtube.com/watch?v=1JEueGdQ5yQ&amp;amp;lc=Ugy_RUtl2sp8p8_KwPl4AaABAg&#34;&gt;message from the composer Dan Hess&lt;/a&gt;. He&#39;s got a fun &lt;a href=&#34;https://www.youtube.com/watch?v=wkMELrsojbg&#34;&gt;&amp;quot;Birdman&amp;quot; remake&lt;/a&gt; on his own channel.&lt;/p&gt;
&lt;p&gt;This was very much a week of re-visiting classics. One interesting thing I seeing the disparity between hits and long tail. Not everything you do will be celebrated. Happens to the best of&#39;em.&lt;/p&gt;
&lt;p&gt;Aretha&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0Pe124sDVootFFmCMhqeHO&#34;&gt;Get It Right&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0fN93ne3gyK2usXV06B9XN&#34;&gt;I Got Your Love&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0SKeM61sUnpAIRUPH4Tzk3&#34;&gt;Sparkle&lt;/a&gt;. It&#39;s too bad everything on the album so completely overshadowed by &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4IOtu2nO8Us3kPtEZmUr0k&#34;&gt;Something He Can Feel&lt;/a&gt;&amp;quot;. The orchestration on e.g. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3qpRSVGg75WtOrHGVcDejU&#34;&gt;I Get High&lt;/a&gt;&amp;quot; is so good.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Diana&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/2xRVmAB5mT2jTSnG44hogO&#34;&gt;Diana Ross&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6uFxwKkNCqPK3nXEkHyIRg&#34;&gt;Where There Was Darkness&lt;/a&gt;&amp;quot; reminds me of the &lt;a href=&#34;https://en.wikipedia.org/wiki/Prayer_of_Saint_Francis&#34;&gt;Prayer of St. Francis&lt;/a&gt; lol.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/6cGCw6IxDU8XduBb5m0eFM&#34;&gt;Everything Is Everything&lt;/a&gt;. Wasn&#39;t expecting two Beatles covers!&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;James Ingram, &lt;a href=&#34;https://open.spotify.com/album/28XSg8Y5N9pwKrSrMiwmbs&#34;&gt;It&#39;s Your Night&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5edioRF5SIeNzZafgd1Py1&#34;&gt;Yah Mo B There&lt;/a&gt;&amp;quot; is great – see also &lt;a href=&#34;https://www.youtube.com/watch?v=8SPYSrcxhzY&#34;&gt;the music video with Michael McDonald&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Fatback Band. &lt;a href=&#34;https://open.spotify.com/album/7eRrdMPEmpzUQz4Xt8rIlx&#34;&gt;Is This The Future?&lt;/a&gt;. Funky! I like the &lt;a href=&#34;https://open.spotify.com/track/50IJ0twDrx3e6EIztugBeK&#34;&gt;title track&lt;/a&gt; and &lt;a href=&#34;https://open.spotify.com/track/693nLolVi1uVpdF7rCdyc7&#34;&gt;Sunshine Lady&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Quick hits…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;From Deodato&#39;s &lt;a href=&#34;https://open.spotify.com/album/1Hhvf7txA27IfTF0w3O9PC&#34;&gt;Motion&lt;/a&gt;, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7llHnRn4liWARTAyJZ8XOp&#34;&gt;Are You For Real?&lt;/a&gt;&amp;quot;&lt;/li&gt;
&lt;li&gt;From Teddy Pendergrass, &lt;a href=&#34;https://open.spotify.com/album/0uhJOt9UNPeI9BhegNXMkw&#34;&gt;Life Is A Song Worth Singing&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/53m3UkzcaQVbB2DENsrJiK&#34;&gt;Close the Door&lt;/a&gt;&amp;quot; has the hoarse Barry White delivery + orchestral backing I love.&lt;/li&gt;
&lt;li&gt;Monteverdi, &lt;a href=&#34;https://open.spotify.com/album/6ywKM6y7mCwjwynACwxFss&#34;&gt;Duets &amp;amp; Solos&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Galina Grigorjeva, &lt;a href=&#34;https://open.spotify.com/album/0sntBEnp3VQGq9w9L3QNqv&#34;&gt;Nature morte&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;I will give you my &lt;a href=&#34;https://www.youtube.com/watch?v=76QV2SrSqgo&#34;&gt;three real keys to life&lt;/a&gt;. No jokes in this part, okay? They are number one. Bust your ass. Number two. Pay attention. Number three. Fall in love.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;In 1985, I asked my brother David (age 15) to be the &lt;a href=&#34;https://x.com/jmechner/status/1791226510336045286&#34;&gt;rotoscope model for my new game, Prince of Persia&lt;/a&gt;.&amp;quot; Very cool to see that old VHS footage. (I loved the way that game looked – there was nothing like it – but man, it was infuriating to play!)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.wired.com/story/generative-ai-totally-shameless/&#34;&gt;Generative AI Is Totally Shameless. I Want to Be It&lt;/a&gt;. There is a humorous/lightly cynical tone here, but I think there&#39;s an interesting silver lining: it&#39;s &lt;em&gt;pretty much always willing to try&lt;/em&gt;. No small thing!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://nowebwithoutwomen.com/&#34;&gt;No Web Without Women&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;The same thing happened in the United States, though not to quite the same extent. In 1980, there were around 28,000 drunk driving deaths there, while in 2020, there were 11,654. Despite this progress, &lt;a href=&#34;https://worksinprogress.co/issue/how-the-war-on-drunk-driving-was-won/&#34;&gt;drunk driving remains a substantial public threat, comparable in scale to homicide&lt;/a&gt; (of which in 2020 there were 594 in Britain and 21,570 in America).&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Taken_2&#34;&gt;Taken 2&lt;/a&gt;. Does what it says on the tin! &lt;a href=&#34;https://mlarson.org/2014/12/28/taken-2-i-like-the-flip-flop-here-where-neeson/&#34;&gt;My previous review&lt;/a&gt; holds up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e12, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751078&#34;&gt;Aubrey&lt;/a&gt;&amp;quot;. I haven&#39;t seen many unrepentantly ugly characters in this series, so the ex-con in this one was a bit jarring. One of the more down-to-earth episodes?&lt;/p&gt;
&lt;p&gt;Shōgun, s1e10. Great show. I have my quibbles here and there, but really happy I put the time into it. I hear they&#39;re already signing people to come back for second and third seasons. I think I got enough out of this one that I&#39;m not sure I need more, but maybe I&#39;ll be swayed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 19</title>
    <link href="https://mlarson.org/2024/05/12/2024-week-19/"/>
    <updated>2024-05-12T19:39:00.000Z</updated>
    <id>https://mlarson.org/2024/05/12/2024-week-19/</id>
    <content type="html">&lt;p&gt;This week I celebrated my anniversary (until the new one!) with &lt;a href=&#34;https://mlarson.org/2024/05/05/2024-week-18/&#34;&gt;the aforementioned gumbo&lt;/a&gt; and a big ol&#39; cake that lasted a few days. Recommended!&lt;/p&gt;
&lt;p&gt;Another highlight of this week: I &lt;a href=&#34;https://mlarson.org/2024/05/08/converting-my-day-one-app-journal-into-printed-hardbacks/&#34;&gt;printed my old iPhone journals into hefty hardbacks&lt;/a&gt;. One of the most satisfying little projects I&#39;ve done. Five or six years of material in a form I can hold. The cloud is vapor; paper is forever. What&#39;s a body of work without a body?&lt;/p&gt;
&lt;p&gt;And another: a weekend stroll on the &lt;a href=&#34;https://parks.ny.gov/parks/96/&#34;&gt;Old Croton Aqueduct Trail&lt;/a&gt;, rambling 11-12 miles from Tarrytown to Yonkers through backyards and local parks, much of it with the Hudson River in sight. I need to go back and run it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Still-Life-Inspector-Gamache-Mystery-ebook/dp/B001OLRMZA&#34;&gt;Still Life&lt;/a&gt;. I loved the &lt;a href=&#34;https://www.imdb.com/title/tt15351648/&#34;&gt;Three Pines&lt;/a&gt; TV show, and this is the book that started the Inspector Gamache franchise (and inspired the awful movie :\ ). Enjoyed going back to the source, comparing the characterizations in the book with the two acted versions. Like the hero, the plot gently takes its time to observe and absorb.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Structure makes a big difference!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
My highest-mileage week in the last year or so, I think. Mostly from mixing in more frequent, shorter weekday runs. Feeling more tired, but looser? I registered for a couple more races in the fall, so there&#39;s lots to look forward to in the back half of the year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Amanda Whiting, &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/3tNvEZnLV5OAnOmII0jTiU&#34;&gt;The Liminality of Her&lt;/a&gt;&amp;quot;. Spacious lounge harp! &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/44yXAvkkrXruBJGxtZPxnz&#34;&gt;Facing the Sun&lt;/a&gt;&amp;quot; makes me think of… lazy days in Central America. I like how forward the rhythm section is throughout the album.&lt;/p&gt;
&lt;p&gt;Shaboozey, &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/3QEQeBF0NJ5BvvPY8lyWsP&#34;&gt;Cowboys Live Forever, Outlaws Never Die&lt;/a&gt;&amp;quot;. Can&#39;t say I like it, but it&#39;s interesting.&lt;/p&gt;
&lt;p&gt;In the barely-30-minutes-long category: Juaneco y Su Combo, &lt;a href=&#34;https://open.spotify.com/album/6J6cfGUzdbLPKHBUWXFrXJ&#34;&gt;El Gran Cacique&lt;/a&gt;. Peruvian rock &amp;amp; roll x cumbia x psychedelia.&lt;/p&gt;
&lt;p&gt;In the barely-16-minutes-long category: Benedikt, &lt;a href=&#34;https://open.spotify.com/album/0UiQGJXyPQz6ZEvl6I2Y5d&#34;&gt;Jag är sen igen&lt;/a&gt;. I like the insistent heartbeat in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4ZZNq1soT4w6sMhhsI3ERC&#34;&gt;Til fordel for ny&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;In the 18.5 hours long category, a &lt;a href=&#34;https://open.spotify.com/playlist/20bzkCppRuVRvkdox4wggA&#34;&gt;compilation of Keith Haring&#39;s mixtapes&lt;/a&gt;. It&#39;s a cool capsule of a certain slice of radio and subcultures. Also, listening to stuff like &lt;a href=&#34;https://open.spotify.com/track/5sJiLlgQKBL81QCTOkoLB5&#34;&gt;Good Life&lt;/a&gt;, it&#39;s obvious why the &lt;a href=&#34;https://www.youtube.com/watch?v=E5g-QHq925o&amp;amp;list=PLB7F9A5456C337B43&amp;amp;index=1&#34;&gt;Streets of Rage II soundtrack&lt;/a&gt; hits so hard.&lt;/p&gt;
&lt;p&gt;The Beloved, &lt;a href=&#34;https://open.spotify.com/album/3cGR7Z78GMRPXetD6cFGjG&#34;&gt;Happiness&lt;/a&gt; unlocked a memory I didn&#39;t expect – one of my roommates in college had an EDM mix that featured &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4pCvvYLj3N4kdz0jvR33Dw&#34;&gt;The Sun Rising&lt;/a&gt;&amp;quot; on it. Hadn&#39;t heard that in a couple decades (!). In its gentle, direct vocals, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7un8V0A6zFad8KogAxS7KA&#34;&gt;Don&#39;t You Worry&lt;/a&gt;&amp;quot; made me imagine a Arthur Russell x Depeche Mode crossover.&lt;/p&gt;
&lt;p&gt;I listened to Fauré&#39;s &lt;a href=&#34;https://open.spotify.com/album/2hj1QKzBWPD5viOcXHtW99&#34;&gt;Requiem&lt;/a&gt; three times on Friday (and a few more times in my head). It&#39;s the &lt;a href=&#34;https://twitter.com/mlarson/status/1788996518655193275&#34;&gt;perfect way to start your weekend&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;Bureaucratic hell is always about &lt;a href=&#34;https://www.businessinsider.com/everyone-hates-workday-human-resources-customer-service-software-fortune-500-2024-5&#34;&gt;one person&#39;s ease coming at the cost of someone else&#39;s frustration&lt;/a&gt;, time wasted, and busy work.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.latimes.com/world-nation/story/2024-04-26/mexico-remittances-farmworkers-immigration&#34;&gt;How a migrant farmworker built generational wealth, penny by penny&lt;/a&gt;. Beautiful story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Air_Force_One_(film)&#34;&gt;Air Force One&lt;/a&gt;. Incredible watch, lovely momentum. It holds up so well. And there&#39;s something comforting and reassuring about films of the 1990s. They just look right. Special effects can be &amp;quot;good enough&amp;quot; if you care about what&#39;s going on!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Scream_4&#34;&gt;Scream 4&lt;/a&gt;. It&#39;s been really fun to catch up on this franchise. &amp;quot;All through the movie, &#39;Scre4m&#39; lets us know that it knows exactly what it&#39;s up to — and then &lt;a href=&#34;https://www.rogerebert.com/reviews/scre4m-2011&#34;&gt;goes right ahead and gets up to it&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e11, &amp;quot;Excelsius Dei&amp;quot;. When elder care goes bad, toxic mushroom edition.&lt;/p&gt;
&lt;p&gt;Bodies, s1e6–8. I&#39;d give the series a solid B. Unlikely to rewatch or think about it much, but I don&#39;t regret any of it. That&#39;s something!&lt;/p&gt;
&lt;p&gt;Shōgun, s1e9. Mariko&#39;s persistent death wish is heartbreaking. Curious how they&#39;re gonna wrap this up. (I hear rumors of season 2, but kinda don&#39;t want it?)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Converting My Day One App Journal Into Printed Hardbacks</title>
    <link href="https://mlarson.org/2024/05/08/converting-my-day-one-app-journal-into-printed-hardbacks/"/>
    <updated>2024-05-08T17:33:53.000Z</updated>
    <id>https://mlarson.org/2024/05/08/converting-my-day-one-app-journal-into-printed-hardbacks/</id>
    <content type="html">&lt;p&gt;There is no substitute for journaling on paper. I first started keeping a regular journal, in fits and starts, back in 2014. I used the &lt;a href=&#34;https://dayoneapp.com/&#34;&gt;Day One app&lt;/a&gt; back then. Over time it became a several-entries-daily habit. I&#39;m grateful I had Day One back then. It was the first thing that finally got the journaling habit to stick, and it&#39;s the habit that led to me to start putting things on paper.&lt;/p&gt;
&lt;p&gt;I eventually tapered off of Day One around 2020, when I had fully transitioned to the &lt;a href=&#34;https://twitter.com/mlarson/status/1634611751701434371/&#34;&gt;ever-growing stack of paper journals&lt;/a&gt;. But seeing my beautiful journals accumulate on the bookshelf eventually made me annoyed that my older journals were trapped on my phone/in The Cloud™. Luckily, old Mark anticipated this, and &lt;a href=&#34;https://dayoneapp.com/guides/tips-and-tutorials/exporting-entries/#pdf-export-page-sizes&#34;&gt;exported the JSON archive&lt;/a&gt; from the app. I figured I&#39;d do something with it someday. Last year, I lazily poked at the file, trying to get it into something usable. Then I put it on the backburner for a while, as my skill and attention level was too low to manage it at the time.&lt;/p&gt;
&lt;p&gt;After &lt;a href=&#34;https://www.wgu.edu/online-it-degrees/computer-science.html&#34;&gt;a few months of school&lt;/a&gt;, I decided to revisit. My goals were fairly simple: extract the worthwhile stuff, make it look decent, and get it printed &amp;amp; bound. And so I took a nebulous cloud of memories and feelings and put them into a pair of 600-page A5 hardbacks. I think they turned out pretty well!&lt;/p&gt;
&lt;figure class=&#34;wp-block-gallery has-nested-images columns-default is-cropped&#34;&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/journal1.png?w=879&#34; alt=&#34;&#34; class=&#34;wp-image-10379&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/journal2.png?w=1000&#34; alt=&#34;&#34; class=&#34;wp-image-10378&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/journal3.png?w=1000&#34; alt=&#34;&#34; class=&#34;wp-image-10377&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/journal4.png?w=1000&#34; alt=&#34;&#34; class=&#34;wp-image-10376&#34;&gt;&lt;/figure&gt;&lt;/figure&gt;
&lt;p&gt;I wanted a two-column layout so I could easily search/skim by the date. The left column also has the location, weather, and tag metadata for each entry. I had the thought to use the tags to create an index, but skipped implementation because I just really needed to get it finished. I was pretty rigorous with tagging, though, and think I could have done some cool things with it.&lt;/p&gt;
&lt;p&gt;I used a pretty straightforward Python script to parse the JSON to grab the journal entries, assemble them into HTML blocks, and stitch them all together. I added a dash of CSS to get the layout where I wanted it. With all entries assembled, the script converts the HTML to a PDF. And the PDF, I sent that off to a printer – I used &lt;a href=&#34;https://mixam.com/&#34;&gt;Mixam&lt;/a&gt; without really doing much research. I&#39;m happy enough with the results, and appreciated their simple interface to upload and preview the content. (Funny surprise to see the actual printing and shipping was done in the UK. These journals have traveled more than I have lately.)&lt;/p&gt;
&lt;p&gt;I&#39;ll share my script below. It&#39;s tailored to my particular vision for the final printed book and their standard export format circa 2020, but should be easily adaptable for other goals.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;import json
import re
from datetime import datetime
from weasyprint import HTML&lt;/p&gt;
&lt;h1&gt;Define regex to find unused image references&lt;/h1&gt;
&lt;h1&gt;example: ![](dayone-moment:\/\/C5B5BC18EEB544D8A8D6F81A4B510B09)\n\n&lt;/h1&gt;
&lt;p&gt;image_pattern = re.compile(
r&#39;^\s*!\[\]\(dayone-moment:\/\/[A-Z0-9]{32}\)\n*$&#39;, re.MULTILINE)
p_break = re.compile(r&#39;&lt;p&gt;\s*&amp;lt;br\s*/?&amp;gt;&#39;)&lt;/p&gt;
&lt;h1&gt;Initialize HTML document as list of entries&lt;/h1&gt;
&lt;p&gt;html_parts = [
&amp;quot;&amp;quot;&amp;quot;&lt;/p&gt;
&lt;!DOCTYPE html&gt;
&lt;html lang=&#34;en&#34;&gt;
&lt;head&gt;
    &lt;meta charset=&#34;UTF-8&#34;&gt;
    &lt;meta name=&#34;viewport&#34; content=&#34;width=device-width, initial-scale=1.0&#34;&gt;
    &lt;title&gt;Journal Entries&lt;/title&gt;
    &lt;link rel=&#34;stylesheet&#34; href=&#34;style.css&#34;&gt;
&lt;/head&gt;
&lt;body&gt;
    &#34;&#34;&#34;
\]
&lt;h1&gt;Read the JSON file&lt;/h1&gt;
&lt;p&gt;with open(&#39;DayOneSample.json&#39;, &#39;r&#39;, encoding=&#39;utf8&#39;) as file:
data = json.load(file)&lt;/p&gt;
&lt;h1&gt;Iterate over entries, parse data, append to list&lt;/h1&gt;
&lt;p&gt;for entry in data[&#39;entries&#39;]:
# convert datetimes
raw_date = datetime.strptime(entry[&#39;creationDate&#39;], &#39;%Y-%m-%dT%H:%M:%SZ&#39;)
date_line = raw_date.strftime(&#39;%A, %B %d, %Y at %I:%M%p&#39;)&lt;/p&gt;
&lt;p&gt;# use regex to remove image references
journal_entry = image_pattern.sub(&amp;quot;&amp;quot;, entry[&#39;text&#39;])&lt;/p&gt;
&lt;p&gt;# process text to remove extraneous newlines
journal_entry = journal_entry.replace(&#39;\n\n&#39;, &#39;&lt;/p&gt;&lt;p&gt;&#39;)
journal_entry = journal_entry.replace(&#39;\n&#39;, &#39;&lt;br&gt;&#39;)
journal_entry = journal_entry.replace(&#39;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&#39;, &#39;&lt;br&gt;&#39;)
journal_entry = journal_entry.replace(&#39;&lt;br&gt;&lt;br&gt;&lt;br&gt;&#39;, &#39;&lt;br&gt;&#39;)
journal_entry = journal_entry.replace(&#39;&lt;p&gt;&lt;br&gt;&#39;, &#39;&lt;p&gt;&#39;)&lt;/p&gt;
&lt;p&gt;# parse location data
location_info = entry.get(&#39;location&#39;, {})
city = location_info.get(&#39;localityName&#39;, &#39;Unknown&#39;)
place = location_info.get(&#39;placeName&#39;, &#39;Unknown&#39;)
lat = location_info.get(&#39;latitude&#39;, 0)
long = location_info.get(&#39;longitude&#39;, 0)
country = location_info.get(&#39;country&#39;, &#39;Unknown&#39;)&lt;/p&gt;
&lt;p&gt;# parse weather data
weather_info = entry.get(&#39;weather&#39;, {})
wx_temp = ((weather_info.get(&#39;temperatureCelsius&#39;, 0) * 9) / 5) + 32
wx_description = weather_info.get(
&#39;conditionsDescription&#39;, &#39;No weather data&#39;)
wx_line = f&amp;quot;{wx_temp}°F, {wx_description}&amp;quot;&lt;/p&gt;
&lt;p&gt;# fetch the tags
tags = &#39;, &#39;.join(entry.get(&#39;tags&#39;, []))&lt;/p&gt;
&lt;p&gt;# append HTML entry + metadata to list
html_parts.append(f&amp;quot;&amp;quot;&amp;quot;&lt;/p&gt;
&lt;div class=&#34;journal-entry&#34;&gt;
    &lt;div class=&#34;entry-metadata&#34;&gt;
    &lt;h3&gt;{date\_line}&lt;/h3&gt;
    &lt;p class=&#34;geo&#34;&gt;☉ {wx\_line}&lt;/p&gt;
    &lt;p class=&#34;geo&#34;&gt;⌂ {place}, {city}, {country}&lt;/p&gt;
    &lt;p class=&#34;geo&#34;&gt;☷ {lat}, {long}&lt;/p&gt;
    &lt;p class=&#34;tags&#34;&gt;༶ {tags}&lt;/p&gt;
    &lt;/div&gt;
    &lt;div class=&#34;entry-content&#34;&gt;
    &lt;p&gt;{journal\_entry}&lt;/p&gt;
    &lt;/div&gt;
&lt;/div&gt;
    &#34;&#34;&#34;)
&lt;h1&gt;Close and assemble the HTML entries&lt;/h1&gt;
&lt;p&gt;html_parts.append(&amp;quot;&amp;quot;&amp;quot;&lt;/p&gt;
&lt;/body&gt;
&lt;/html&gt;
&#34;&#34;&#34;)
&lt;p&gt;html_content = &#39;&#39;.join(html_parts)
html_content = p_break.sub(&#39;&lt;p&gt;&#39;, html_content)&lt;/p&gt;
&lt;h1&gt;Write entries to HTML file and generate PDF&lt;/h1&gt;
&lt;p&gt;with open(&#39;sample.html&#39;, &#39;w&#39;, encoding=&#39;utf8&#39;) as file:
file.write(&#39;&#39;.join(html_content))&lt;/p&gt;
&lt;p&gt;HTML(&#39;sample.html&#39;).write_pdf(&#39;sample.pdf&#39;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 18</title>
    <link href="https://mlarson.org/2024/05/05/2024-week-18/"/>
    <updated>2024-05-05T19:15:25.000Z</updated>
    <id>https://mlarson.org/2024/05/05/2024-week-18/</id>
    <content type="html">&lt;p&gt;Maybe the most important event this week was re-learning how important it can be for me to have order and momentum in what I do. A while back I had to table a personal project so I could focus elsewhere. When I tried to come back to it on Tuesday: immediate frustration. I&#39;d forgotten where I was, the original goals didn&#39;t seem to matter at all, I wasn&#39;t sure where to pick things up. I was lost, and desperately furious with myself for having lost the plot.&lt;/p&gt;
&lt;p&gt;After a few hours to settle down, I figured out the relevant goals and made a list of to-dos. Came back the next day and had an absolute blast, ended up renewed by all the progress. &lt;a href=&#34;https://www.youtube.com/watch?v=OmBxVfQTuvI&#34;&gt;What a difference a day made – twenty-four little hours&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;ಠ_ಠ → (✿◠‿◠)&lt;/p&gt;
&lt;p&gt;I&#39;ll launch into the coming week boosted by my first-ever visit to &lt;a href=&#34;https://www.bbg.org/&#34;&gt;Brooklyn Botanical Garden&lt;/a&gt;. I traveled across the realm to the &lt;a href=&#34;https://www.nybg.org/&#34;&gt;New York Botanical Garden&lt;/a&gt; in the Bronx before I visited the one down the street. I&#39;ve lived in walking distance for a few years, sure I&#39;d get to it &amp;quot;some day&amp;quot;. All&#39;s well that ends well, a perfect dewy morning stroll.&lt;/p&gt;
&lt;div class=&#34;wp-block-jetpack-tiled-gallery aligncenter&#34;&gt;&lt;div class=&#34;is-style-rectangular&#34;&gt;&lt;div class=&#34;tiled-gallery__gallery&#34;&gt;&lt;div class=&#34;tiled-gallery__row&#34;&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:66.75774%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1000&#34; data-id=&#34;10390&#34; data-link=&#34;https://mlarson.org/?attachment_id=10390&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/yellow-flowers-1.jpg?w=1000&#34; data-width=&#34;1000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/yellow-flowers-1.jpg&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:33.24226%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1000&#34; data-id=&#34;10392&#34; data-link=&#34;https://mlarson.org/?attachment_id=10392&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/white-flowers-1.jpg?w=1000&#34; data-width=&#34;1000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/white-flowers-1.jpg&#34;&gt;&lt;/figure&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1000&#34; data-id=&#34;10393&#34; data-link=&#34;https://mlarson.org/?attachment_id=10393&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/green-pink-white-leaves-1.jpg?w=1000&#34; data-width=&#34;1000&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/05/green-pink-white-leaves-1.jpg&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;p&gt;A few other highlights of the week:&lt;br&gt;
- making pancakes for a weekday lunch&lt;br&gt;
- visiting an elementary school&#39;s plant + bake sale&lt;br&gt;
- making gumbo!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
So much personality in the &lt;a href=&#34;https://www.slam.org/collection/objects/52191/&#34;&gt;Makonde Portrait Mask (lipiko)&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.slam.org/collection/objects/17547/&#34;&gt;Figure (akua ka&#39;ai)&lt;/a&gt;. &amp;quot;Sometimes also referred to as &#39;god sticks,&#39;&#39; they would have been planted in the earth, positioned on altars, or located in the rafters, thatched roofs, or walls inside temples.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.brooklynmuseum.org/opencollection/objects/96394&#34;&gt;Up and Going (New York)&lt;/a&gt;, by Gerald K. Geerlings.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
My running club did a course preview run for an upcoming half-marathon, so our route took us down to Coney Island. I added a few miles when we were done, and was amused to see the vibe shift. One one end of the boardwalk: amusement parks, hot dog stands, runners, tourists, parents with strollers. On the other: old Russian retirees chatting on benches. A beautiful day to be outside.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Explorer-Katherine-Rundell/dp/1481419463&#34;&gt;The Explorer&lt;/a&gt;. Another kids book from Katherine Rundell. In the first three pages, we crashed an airplane. This is the kind of active plotting my brain needed this week. It also feels like a rewind for me, staying true to some core piece of myself. – &lt;a href=&#34;https://www.amazon.com/Hatchet-Gary-Paulsen/dp/1416936475&#34;&gt;Hatchet&lt;/a&gt;, &lt;a href=&#34;https://www.amazon.com/Swiss-Family-Robinson-Illustrated-Illustrations/dp/9916732426&#34;&gt;The Swiss Family Robinson&lt;/a&gt;, &lt;a href=&#34;https://www.amazon.com/Side-Mountain-Jean-Craighead-George/dp/0141312424&#34;&gt;My Side of the Mountain&lt;/a&gt;, &lt;a href=&#34;https://www.amazon.com/Robinson-Crusoe-Wordsworth-Classics-Daniel/dp/1853260452&#34;&gt;Robinson Crusoe&lt;/a&gt;, &lt;a href=&#34;https://www.amazon.com/Island-Blue-Dolphins-Scott-ODell/dp/0547328613&#34;&gt;Island of the Blue Dolphins&lt;/a&gt; – since childhood, I&#39;ve had a thing for getting stuck in the wilderness!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
My latest class has required a lot of &amp;quot;grinding it out&amp;quot;, mainlining vocab, making ChatGPT summarize the essentials at a high level before I wade into the muck. The only way out is through.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://soundcloud.com/owen-kleon/sets/tech&#34;&gt;TECH&lt;/a&gt;, from Owen Kleon. My far-and-away favorite is the found-sound layers building up in &amp;quot;Typing&amp;quot;. The melody/chord progression of &amp;quot;AI Buddy&amp;quot; made me think of &amp;quot;Suspicious Minds&amp;quot;. Not sure if that was intentional or not, but the pairing resonates well. Great dark energy in &amp;quot;Cards&amp;quot; and persistent development in &amp;quot;Television&amp;quot;. Cf. an &lt;a href=&#34;https://austinkleon.com/2024/04/29/owen-kleons-tech/&#34;&gt;interview with the artist&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Shaboozey&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2FQrifJ1N335Ljm3TjTVVf&#34;&gt;A Bar Song&lt;/a&gt;&amp;quot; is more catchy than I thought it would be! I&#39;ll find more of his work soon.&lt;/p&gt;
&lt;p&gt;Pure dumb luck to stumble on Sabrina Carter&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2qSkIjg1o9h3YT9RAgYN75&#34;&gt;Espresso&lt;/a&gt;&amp;quot; – perfect pop confection. My incessant replays eventually led me to her &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/2g4aJTa5ejGpp0O0GKzWAQ&#34;&gt;emails i can&#39;t send&lt;/a&gt;&amp;quot;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2Irr5XfPM6cyoKijHSCrqM&#34;&gt;Read your Mind&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2Zo1PcszsT9WQ0ANntJbID&#34;&gt;Feather&lt;/a&gt;&amp;quot; are similar upbeat disco-inflected dancefloor magnets.&lt;/p&gt;
&lt;p&gt;Cocteau Twins is one of those bands where I fell so hard for a few albums that I never really looked further. My loss! I took time this week to fill in the gaps:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;On the &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/7ssrkaAkcmqRno7FUADrA3&#34;&gt;The Pink Opaque&lt;/a&gt;&amp;quot;. I like the vaguely-ominous &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5Kh3DARBb2lfLT6eOFgZz3&#34;&gt;Pepper-Tree&lt;/a&gt;&amp;quot; (like the cavern level in a video game?).&lt;/li&gt;
&lt;li&gt;From &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/3SXCY4kFMM4T4egq5DSUT&#34;&gt;Blue Bell Knoll&lt;/a&gt;&amp;quot;, it&#39;s gotta be the open strings of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6PQKQubHO08iVNkU1JTeWT&#34;&gt;The Itchy Glowbo Blow&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;And same rationale for &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2Zo1PcszsT9WQ0ANntJbID&#34;&gt;Squeeze-Wax&lt;/a&gt;&amp;quot; on &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/4ZlAdQ5sx5I4HOjVV198FB&#34;&gt;Four-Calendar Cafe&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;From &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/2xWjRAaO5qYhsJSxmJp1IK&#34;&gt;Milk &amp;amp; Kisses&lt;/a&gt;&amp;quot;, it&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7605b6Lu3Dwyuwc9L6U0kJ&#34;&gt;Calfskin Smack&lt;/a&gt;&amp;quot; by a mile, for those jangly open strings again, and the fun backing vocals.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;It feels like &lt;a href=&#34;https://embedded.substack.com/p/my-internet-kathryn-jezer-morton&#34;&gt;being too serious online skips a generation&lt;/a&gt;.&lt;br&gt;
Boomers: Not funny online (at least not intentionally)&lt;br&gt;
Gen X: Funny or at the very least not too serious&lt;br&gt;
Millennials: Sanctimonious, virtue-obsessed, much too serious&lt;br&gt;
Gen Z: Funny&amp;quot;&lt;/p&gt;
&lt;p&gt;Interviews with &lt;a href=&#34;https://gothamist.com/news/small-spaces-big-city-new-yorkers-at-work-in-tight-quarters&#34;&gt;New Yorkers who work in tight quarters&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Is there anything out there like Stumbleupon that will &lt;a href=&#34;https://x.com/tyleralterman/status/1786226999251313131&#34;&gt;just show me weird, creative websites&lt;/a&gt; if I click a button?&amp;quot; Lots of good stuff in the thread – &lt;a href=&#34;https://search.marginalia.nu/&#34;&gt;Marginalia Search&lt;/a&gt; and &lt;a href=&#34;https://kagi.com/smallweb&#34;&gt;Kagi Small Web&lt;/a&gt; are especially promising.&lt;/p&gt;
&lt;p&gt;&amp;quot;Creating a culture where &lt;a href=&#34;https://anastasiabizyayeva.substack.com/p/the-value-of-imperfect-efforts&#34;&gt;people can try new things and be ‘a little good’&lt;/a&gt; is the way forward.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Hummingbird_(film)&#34;&gt;Redemption / Hummingbird&lt;/a&gt;. I wasn&#39;t expecting this to be so dark! And wasn&#39;t expecting to see Statham smile, either.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e10, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751185/&#34;&gt;Red Museum&lt;/a&gt;&amp;quot;. Look, there is just a lot going on here! Possession, serial killers, vegan cults, factory-farming conspiracies. But we got an &lt;a href=&#34;https://www.youtube.com/watch?v=wShlH7aXo1A&#34;&gt;iconic dinner scene moment&lt;/a&gt; out of it.&lt;/p&gt;
&lt;p&gt;Shōgun, s1e8. The very far-reaching limits of absolute loyalty and sacrifice, phew.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 17</title>
    <link href="https://mlarson.org/2024/04/28/2024-week-17/"/>
    <updated>2024-04-28T19:41:22.000Z</updated>
    <id>https://mlarson.org/2024/04/28/2024-week-17/</id>
    <content type="html">&lt;p&gt;This week I celebrated one year in the new apartment. But at what cost?!!?! Moving here meant leaving my favorite local food spot. It&#39;s only 3/4 of a mile away now, but that&#39;s a big difference from when it was literally right around the corner. Even today I refer to it not by its proper name but as &amp;quot;Around the Corner&amp;quot;. It&#39;s that kind of love.&lt;/p&gt;
&lt;p&gt;It&#39;s become less of a routine visit, and more of a rare treat. But on Friday afternoon, with a fresh school victory and sunny afternoon to soak it in, I went for a long walk and paid a visit. For a few hours, the world was right again.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/04/deli-counter-menu.jpg?w=786&#34; alt=&#34;&#34; class=&#34;wp-image-10372&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I had two long runs bookending the same calendar week. Felt the toll, a little sluggish on yesterday&#39;s, but also felt decent enough for a light run on today, day 8. The last couple years, I&#39;ve had a pretty steady drumbeat of running on Tu/Thu/Sat, usually with one of Sun/Mon/Wed mixed in, depending on schedule. Now I&#39;m thinking I&#39;d like to introduce those light, short runs more frequently, bump it up to ~5/7 days each week. Motion is lotion.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Theres-Always-This-Year-Basketball-ebook/dp/B0C9GQH7PS&#34;&gt;There&#39;s Always This Year: On Basketball and Ascension&lt;/a&gt;. &amp;quot;It is one thing to experience death and another to understand it to be possible on its own terms. To grasp the certainty of its arrival but still cling to a hope for that certainty to come in a very specific way, at a very specific time, after a life has fulfilled all of its promise.&amp;quot; Hanif Abdurraqib is a tremendous writer. This has a more memoir-y, reflective, prayerful? voice than I&#39;ve heard from him before, took a bit of adjustment to learn to fly with him. I&#39;d recommend it and especially the ones I read previously: &lt;a href=&#34;https://www.amazon.com/Little-Devil-America-Praise-Performance/dp/1984801198/&#34;&gt;A Little Devil in America: Notes in Praise of Black Performance&lt;/a&gt; and &lt;a href=&#34;https://www.amazon.com/They-Cant-Kill-Us-Until/dp/1937512657/&#34;&gt;They Can&#39;t Kill Us Until They Kill Us&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Finish one class, start a new one. Rinse, repeat. I&#39;m ~86% done with this degree, and feel a breeze at my back.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Another great playlist from Matthew Perpetua took up most of my listening week, spinning me out in a few directions: &lt;a href=&#34;https://open.spotify.com/playlist/26QhFZoCTRM7YKTPORx9DF&#34;&gt;The Dawn of Alternative, 1988-1990&lt;/a&gt;. So cool to hear stuff I recognize from childhood alongside stuff I only learned about later in life, and seeing how those contemporaneous threads all flowed together. I ended up doing a lot of scattered samplings, and not much full play-throughs. The main effect was to get me listening Depeche Mode again.&lt;/p&gt;
&lt;p&gt;But I did dip into The Sundays, &lt;a href=&#34;https://open.spotify.com/album/4bofszhtDfGY6smHBGeyTT&#34;&gt;Reading, Writing, &amp;amp; Arithmetic&lt;/a&gt;. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4eRDMqA0hhIlLQtOa5elXK&#34;&gt;A Certain Someone&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;And I listened to The Church and realized they&#39;re the ones who sing &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1RCtHLyq1xIbgGMrYRrKJ2&#34;&gt;Under the Milky Way&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Unrelated to the initial playlist, I liked Vanishing Twin&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/2BPkdWCoILy8WV5nHomCvz&#34;&gt;Choose Your Own Adventure&lt;/a&gt;&amp;quot;. In particular: &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3M1avkVIESWFqk9hdB8n0Q&#34;&gt;Eggs&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/01FTbYUWylleqGQczwxxtB&#34;&gt;Truth Is Boring&lt;/a&gt;&amp;quot; (tabla!).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.slowboring.com/p/ask-how-to-solve-problems-not-why&#34;&gt;Problems need solutions, not explanations&lt;/a&gt;. I might suggest &amp;quot;not only&amp;quot;, but still an underappreciated point.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/jenniferdoleac/status/1782366886635696515&#34;&gt;Compelling thread of research on crime victims&lt;/a&gt;. It&#39;s very good and worthwhile to combat all manner of crime and its causes!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.wnycstudios.org/podcasts/tnyradiohour/articles/jerry-seinfeld-on-making-a-life-in-comedy-and-also-poptarts&#34;&gt;Jerry Seinfeld on The New Yorker Radio Hour&lt;/a&gt;. &amp;quot;I don&#39;t like old people, period. They don&#39;t look good. Everything&#39;s going, everything&#39;s deteriorating, I don&#39;t wanna see this. […] I feel like God is like, &#39;I&#39;m with ya up to about 38. If you wanna stay, you can stay. But I&#39;m moving on.&#39;&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;There’s no secret sauce, no special workout or electrolyte drink that will unlock your potential and fuel your dreams. &lt;a href=&#34;https://paulflannery.substack.com/p/boston-qualified&#34;&gt;At the end of the day, there’s just you, doing the best you can with what you got&lt;/a&gt;, day after day and run after run.&amp;quot;&lt;/p&gt;
&lt;p&gt;A series of posts about &lt;a href=&#34;https://theradavist.com/tag/witches-cycle/&#34;&gt;writing/illustrating a bikepacking manga&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Road_House_(1989_film)&#34;&gt;Road House (1989)&lt;/a&gt;. I&#39;ve watched this a handful of times – TBS afternoon staple – but I think I&#39;d never seen this without commercial breaks. And it had been a long time since the last time. Patrick Swayze&#39;s charisma is on another level. I dig the traditional orchestral soundtrack, with moment-to-moment exclamations and punctuations that feed into the action. A lost art.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Anyone_but_You&#34;&gt;Anyone But You&lt;/a&gt;. Something is off here. I appreciate a few elements of the production design, like the scene transitions – neon sign in the bar and a diegetic piano backing score in particular. The line delivery from our mains feels a little dry sometimes. Too neat, too calm? I could see it being &amp;quot;in character&amp;quot;, with our protagonists not wanting to lose their cool or show weakness. But the effect is cold. It&#39;s such contrast with their initial meet-cute, and later escalations and resolution of the romance. Need more consistent voltage to keep us attached. The parents are stronger roles. Here I&#39;ll again register my complaint of defaulting to wealthy/comfortable people on screen. It&#39;s fabulous to look at, but boy can it be stale. A few genuine laughs, though, and maybe it will get you to read more Shakespeare.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Warriors_(film)&#34;&gt;The Warriors&lt;/a&gt;. Contrasting with the above – such zest here! Scrappy energy, style, grit, invigorating soundtrack. With a few years in New York City under my belt, it&#39;s gotten more an more enjoyable to see things I recognize on screen. The subway in the 1970s-80s looks like a nightmare. I like how they capture the fundamental spookiness of an empty platform. Really appreciate the variety in costuming, and each gang&#39;s schtick. The radio DJ had me thinking about the switchboard ladies in John Wick, broadcasting the bounties. I don&#39;t &lt;em&gt;want&lt;/em&gt; to see a straight-up remake (I&#39;m glad we&#39;ve largely gotten rid of homophobic slurs, by the way. It&#39;s so jarring.), but it&#39;s still fun to imagine what those contemporary gangs and costumes might look like.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Clovehitch_Killer&#34;&gt;The Clovehitch Killer&lt;/a&gt;. A straightforward thriller – what if you learned your parent was a long-dormant serial killer? – that starts well and stumbles toward the finish line. I think they show us more than we need to see. Dylan McDermott and Charlie Plummer are both great. There are few things I like in a movie more than riding bikes around small towns.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e9, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751125/&#34;&gt;Firewalker&lt;/a&gt;&amp;quot;. I remember this one from childhood. That kind of body horror sticks with you. Leland Orser and Bradley Whitford guest appearances!&lt;/p&gt;
&lt;p&gt;Bodies, s1e3. I didn&#39;t know Samuel Barber adapted his &lt;a href=&#34;https://en.wikipedia.org/wiki/Agnus_Dei_(Barber)&#34;&gt;Adagio for Strings&lt;/a&gt; into the Agnus Dei we hear at the close of the episode.&lt;/p&gt;
&lt;p&gt;Shōgun, s1e7. Things aren&#39;t looking good for Toranaga-sama.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 16</title>
    <link href="https://mlarson.org/2024/04/21/2024-week-16/"/>
    <updated>2024-04-21T20:34:47.000Z</updated>
    <id>https://mlarson.org/2024/04/21/2024-week-16/</id>
    <content type="html">&lt;p&gt;On Saturday, I took the train up to Harlem and walked through a few parks (St. Nicholas, Morningside, Cenral), looking at flowers (tulips everywhere), &lt;a href=&#34;https://www.nycgovparks.org/art/art908&#34;&gt;art&lt;/a&gt;, and New Yorkers out for fresh air. Lovely day, also got to work on my black coffee no-sugar crossover into step-back fadeaway from mid-court.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/04/ringgold-court-nicholas-park.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10367&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Emigrants_(Sebald_novel)&#34;&gt;The Emigrants&lt;/a&gt;. I appreciate the shifting characters from section to section, and the detailed look at each, wandering down biographical rabbitholes as much as our narrator&#39;s curiosity or attention allows.&lt;/p&gt;
&lt;p&gt;To Hold Up the Sky, cont.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Household Upgrade PSA&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/dp/B07L7TXFC7&#34;&gt;These SinkShroom sink strainers&lt;/a&gt; have the best draining power of any I&#39;ve used. The hollow handle and high-level hole seem to make a real difference. (Lesson: There is still so much room to improve every life!)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Sault_(band)&#34;&gt;Sault&lt;/a&gt; is &amp;quot;a British music collective that make a mixture of R&amp;amp;B, urban contemporary gospel, house and disco&amp;quot;. Sign me up. I loved &lt;a href=&#34;https://open.spotify.com/album/48PSzJhY6BJuNuDmWUOtwp&#34;&gt;Earth&lt;/a&gt; this week. The combo of drums, harmonies, chant, and dub-like echo/reverb on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/28pDDayZ3VG1qFxTwsCeDD&#34;&gt;The Lords With Me&lt;/a&gt;&amp;quot; gets me HYPED.* Love the polyrhythms and groaning (lol) on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4IwOe5WuBoFeSvxo4A3Ut8&#34;&gt;Power&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2wypRpS2XiEN6TUiqoOqiO&#34;&gt;Soul Inside My Beautiful Imagination&lt;/a&gt;&amp;quot;, and the steady march of &amp;quot;&lt;a href=&#34;https://open.spotify.com/album/48PSzJhY6BJuNuDmWUOtwp&#34;&gt;Fields&lt;/a&gt;&amp;quot; transforming into Hendrix-y blues-rock stadium riffs. * (Realizing I have a thing for chanting: see also the end of &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=vMCHDC2Lurk&#34;&gt;Acknowledgement&lt;/a&gt;&amp;quot;, &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=B82vMHs_mew&#34;&gt;Khawaja Tum Hi Ho&lt;/a&gt;&amp;quot;, &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=yQvpDIE70wk&#34;&gt;Love Is Everywhere&lt;/a&gt;&amp;quot;, etc.!)&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://open.spotify.com/album/2JwAMKpwk4IolH2KhF6nPn&#34;&gt;Past Lives soundtrack&lt;/a&gt; turns the dreaminess dial a little tooooo high sometimes, but it&#39;s great when you need it.&lt;/p&gt;
&lt;p&gt;From Maze and Frankie Beverly &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/13DPzltcv8RmuzQDfw2ItH&#34;&gt;Silky Soul&lt;/a&gt;&amp;quot; delights with heavy Marvin Gaye influence/homage. In &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/72wFvLNOcidWxXibd9Yzim&#34;&gt;Change On Our Ways&lt;/a&gt;&amp;quot; couldn&#39;t help but hear Michael McDonald&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5GvWrvLIqoHroq7YvO260M&#34;&gt;I Keep Forgettin&#39;&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/7qFscMXqzmZYUs9jBlhnCx&#34;&gt;The NID Tapes: Electronic Music from India 1969-1972&lt;/a&gt;. An hour of perfect weird computer noises. A+.&lt;/p&gt;
&lt;p&gt;I listened to a few Kiasmos albums – &lt;a href=&#34;https://open.spotify.com/album/7pBDu7nc2KaMsh0SfZMc2d&#34;&gt;self-titled&lt;/a&gt;, &lt;a href=&#34;https://open.spotify.com/album/6buz46xNMKBZ5xItTu5rDK&#34;&gt;Blurred&lt;/a&gt; (my favorite), &lt;a href=&#34;https://open.spotify.com/album/6LYDYdOtWA4kkYUlAUAaWs&#34;&gt;Flown&lt;/a&gt;. Solid upbeat head trip/working music. I like the high suspension/pedal point in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5LT8fCP8IiaDV6oNL2r5w1&#34;&gt;Paused&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Yat-Kha&#39;s &lt;a href=&#34;https://open.spotify.com/album/3cyho1zTzbfP4A1bxcWrSc&#34;&gt;Yenisei-Punk&lt;/a&gt; is worth a sample, if only to remind yourself of the variety the planet has to offer. Don&#39;t get stuck!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Feeling plateau-ish lately. I&#39;ve been running-by-ear for the last few weeks, taking the pressure off. I need to turn the screws again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://arborville.glitch.me/&#34;&gt;ArborVille&lt;/a&gt; is such a cool mix of ASCII maps and memories. (Via &lt;a href=&#34;https://www.naiveweekly.com/p/today-in-colors&#34;&gt;Naïve Weekly&lt;/a&gt;, a great newsletter with consistent pointers to the more adventurous web of yesteryear, today.)&lt;/p&gt;
&lt;p&gt;An &lt;a href=&#34;https://www.vulture.com/article/giancarlo-esposito-parish-the-gentleman-interview.html&#34;&gt;interview with Giancarlo Esposito&lt;/a&gt;. &amp;quot;I mention my children because I learned a lot from them, now that I’m able to hear them. Hearing with your heart is different than hearing just with your ears.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://www.theringer.com/features/2024/3/12/24089582/gentrification-harlem-125th-lennox-the-corner&#34;&gt;Harlem is a vision as much as a place&lt;/a&gt;, in all of its incarnations; and in all of its incarnations, there is always, somehow, a catch.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.theverge.com/c/24070570/internet-cables-undersea-deep-repair-ships&#34;&gt;Repairing undersea cables&lt;/a&gt; is one of those quiet labors that keeps the planet stitched together. Jealous of journalists who get to do reporting like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Listener_(film)&#34;&gt;The Listener&lt;/a&gt;. Tessa Thompson takes phone calls. It&#39;s like a gentle tour through society&#39;s various illnesses and hang-ups, so to speak. A few other mostly-one-person films I&#39;d easily recommend: &lt;a href=&#34;https://mlarson.org/2015/01/04/all-is-lost-loved-it-perfect-movie-for-the/&#34;&gt;All Is Lost&lt;/a&gt;, &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Shallows_(film)&#34;&gt;The Shallows&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2014/09/04/locke-i-really-liked-this-movie-two-things-it/&#34;&gt;Locke&lt;/a&gt;, &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Guilty_(2018_film)&#34;&gt;The Guilty&lt;/a&gt; and &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Guilty_(2021_film)&#34;&gt;its remake&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Beekeeper_(2024_film)&#34;&gt;The Beekeeper&lt;/a&gt;. A man with a secret past, etc.. I like the variety of killings, but perhaps he&#39;s a bit too invincible? Maybe they&#39;re playing into the mythical angle, &amp;quot;when society needs a hero&amp;quot;. Our heroine side character is a bit of a waste, doesn&#39;t add enough. Have to say, it&#39;s very refreshing when action heroes – like Statham here, and Keanu – have some credible martial arts background from their younger years, and aren&#39;t just sluggers. There&#39;s an ease and a precision to it, not easy to fake.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Picnic_at_Hanging_Rock_(film)&#34;&gt;Picnic at Hanging Rock&lt;/a&gt;. I love how nebulous and haunting this is. A perfectly lovely sunny day ruined, sickening because you have no idea what happened, and you&#39;re just left to stew in your own imagination and distraught gasping into a kerchief. Can definitely see the influence on &lt;a href=&#34;https://mlarson.org/2011/02/16/the-virgin-suicides-i-liked-this-one-quite-a/&#34;&gt;The Virgin Suicides&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/3_Body_Problem_(TV_series)&#34;&gt;3 Body Problem&lt;/a&gt;, s1e1. It was cool to recognize/remember parts of the book, but just couldn&#39;t get into it.&lt;/p&gt;
&lt;p&gt;X-Files, s2e8 &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751169/&#34;&gt;One Breath&lt;/a&gt;&amp;quot;. Scully&#39;s back! Appreciated the &amp;quot;strength of your beliefs&amp;quot; call-back. 🥲&lt;/p&gt;
&lt;p&gt;Bodies, s1e1–2. Decent little detective drama, told in parallel scenes in vastly different eras. Not all of the period stories are hitting the same way, but their relative rankings shifted from first to the second. We&#39;ll see what develops.&lt;/p&gt;
&lt;p&gt;Abbott Elementary, s3e10. This show does so well at balancing the goofy and the sentimental. I&#39;ve seen collectively maybe ~64 minutes across all the seasons, and it still had me choking up a bit.&lt;/p&gt;
&lt;p&gt;Shōgun, s1e6. Ochiba is on the rampage.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;I put time and love and too much energy into this finished project just to put it on Instagram and forget it about it. Like, no, promote your shit, let people know, &lt;a href=&#34;https://twitter.com/ladidaix/status/1780645649257464320&#34;&gt;be proud of the shit that you made&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 15</title>
    <link href="https://mlarson.org/2024/04/14/2024-week-15/"/>
    <updated>2024-04-14T17:40:37.000Z</updated>
    <id>https://mlarson.org/2024/04/14/2024-week-15/</id>
    <content type="html">&lt;p&gt;I watched the eclipse. It was cool. The real highlight – which I saw echoed over and over – was seeing everyone stop for a few minutes, seeing neighbors I&#39;ve never met, seeing the staff at the grocery store take a break and pop out on the sidewalk, everyone just looking up and having our private little cosmic moments.&lt;/p&gt;
&lt;p&gt;Another highlight of the week: finding a new diner. It&#39;s no Waffle House, but it will have to do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Faith Ringgold, &lt;a href=&#34;https://www.nytimes.com/2024/04/13/arts/faith-ringgold-dead.html?unlocked_article_code=1.kE0.Gh7R.yKIAfDymDAe-&#34;&gt;rest in peace&lt;/a&gt;. &amp;quot;I don’t like doing negative art, unless there’s something good to transmit in it. &lt;a href=&#34;https://www.interviewmagazine.com/art/faith-ringgold-has-all-the-answers&#34;&gt;I’m looking for the good part&lt;/a&gt;.&amp;quot; &lt;a href=&#34;https://twitter.com/mlarson/status/1507316648197431299&#34;&gt;Seeing her work two years ago&lt;/a&gt; was eye-opening – incredible range!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Learning more than I want to about computer architecture and how CPU instruction sets work on a bit-by-bit level. I have a bad case of senioritis.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Springtime running, man. Only thing better is autumn running. The few days off while traveling were a good reset for me, a few aches smoothed over. I felt really unusually fresh on the long run yesterday, accidentally doing my second-fastest 10mi on an invigoratingly windy, gusty morning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
The Iliad. War bros are still yelling to/at each other about honor and glory, before inciting/killing each other.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Hold-Up-Sky-Cixin-Liu-ebook/dp/B082RT6BGG&#34;&gt;To Hold Up the Sky&lt;/a&gt;. A collection of Cixin Liu&#39;s short stories, just begun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Four Tet, &lt;a href=&#34;https://open.spotify.com/album/7mpTSR6E855VhdCeoPgpCF&#34;&gt;Three&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0oLurbsZupVj0mUCiWJx2Z&#34;&gt;So Blue&lt;/a&gt;&amp;quot; is the winner by a mile. Something in that opening guitar melody seems so familiar. The song that precedes it &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6oTshmafPagXMEZeLBzc6Y&#34;&gt;31 Bloom&lt;/a&gt;&amp;quot;, has a nice subdued oontz-oontz house/trance style.&lt;/p&gt;
&lt;p&gt;Toumani Diabaté &amp;amp; Ballaké Sissoko, &lt;a href=&#34;https://open.spotify.com/album/4QYwF3SPWWDwoiS8SnKX4X&#34;&gt;New Ancient Strings&lt;/a&gt;. An equivalent of Hermanos Gutiérrez from last week? Intricate string instrumentals that will eventually bleed together in your mind, but you can both listen attentively or use it as wallpaper, and be rewarded either way.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://open.spotify.com/album/5jYG4ChZl4CEXeUeM8VfFv&#34;&gt;A Toast to the People&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;From Rapsody, &lt;a href=&#34;https://open.spotify.com/album/12JNGVDfNoFNGiFprND55Y&#34;&gt;GOATED: Rapsody&lt;/a&gt;. Good to hear Anderson.Paak on the opener &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0IqisCkaI2xkwAxWkklJbK&#34;&gt;Ooowee&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/0Qx7587Va1Auh1OjFI4RnX&#34;&gt;Flat Earth&lt;/a&gt; reminds me of the &lt;a href=&#34;https://open.spotify.com/album/70Fks2FuhlEREXml6DqDFl&#34;&gt;Stars At Noon soundtrack&lt;/a&gt; (complimentary).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;If you&#39;re an organ donor in the U.S., there&#39;s a &lt;a href=&#34;https://www.statecraft.pub/p/how-to-stop-losing-17500-kidneys&#34;&gt;25% chance your kidney ends up in the trash&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/LaChinaRobinson/status/1777180379020927044&#34;&gt;Dawn Staley, gospel edit&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;On the &lt;a href=&#34;https://www.theringer.com/tv/2024/4/8/24124015/shogun-cinematography-tv-background-blur-anamorphic-lens-effect&#34;&gt;use of anamorphic lenses in Shōgun&lt;/a&gt; and other TV shows.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.vulture.com/article/zendaya-challengers-dune-euphoria-performances.html&#34;&gt;Matt Zoller Seitz writes an appreciation of Zendaya&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.oneheatminute.com/miami-nice-podcast/mostwantedjohnortiz&#34;&gt;John Ortiz appeared on the Miami Nice podcast&lt;/a&gt; to talk about his career up to taking on the José Yero character, working with Michael Mann, etc.. Seems like a solid dude.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fist_of_the_Condor&#34;&gt;The Fist of the Condor&lt;/a&gt;. Martial arts at a gentle pace, like a slow Western. A straightforward tale of masters, students, betrayals, duels – all the good stuff. I&#39;d like more movies told in chapters like this. It&#39;s an under-used approach. I love that the ending swerves a bit, leaves a little hungry. The hero keeping a tally on a quipu at his waist is nice touch. Speaking of, I really appreciate the lead in this role, Marko Zaror. Like our greatest action stars – Cruise, Keanu, Statham – he seems comfortable in grim and silly modes. Whatever serves the work.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Her_(film)&#34;&gt;Her&lt;/a&gt;. My fourth viewing, apparently. Crazy how much can change in a decade. First saw this in theater, thinking sure, I could see that happening someday. Next thing you know… we&#39;ve got ubiquitous earbuds and ~convincing AIs that can hold conversations. The rest isn&#39;t far behind. Appreciate the opening and closing with dictated letters – one ghostwritten for an unknkown stranger, the other direct, to a dear one estranged.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e6 &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751077/&#34;&gt;Ascension&lt;/a&gt;&amp;quot;. Krychek the traitor! Scully abducted! Agh!&lt;/p&gt;
&lt;p&gt;X-Files, s2e7, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751066&#34;&gt;3&lt;/a&gt;&amp;quot;. Wow, I &lt;a href=&#34;https://x.com/mlarson/status/1777488080716370170&#34;&gt;loooooooooved this episode&lt;/a&gt;. X-Files in erotic thriller mode is A+ material.&lt;/p&gt;
&lt;p&gt;Shōgun, s1e5. I appreciate this episode leaning into the culture clash again, but this time in a more philosophical sense – duty, freedom, purpose, etc..&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 14</title>
    <link href="https://mlarson.org/2024/04/07/2024-week-14/"/>
    <updated>2024-04-07T22:04:52.000Z</updated>
    <id>https://mlarson.org/2024/04/07/2024-week-14/</id>
    <content type="html">&lt;p&gt;It was a long wait between my aunt&#39;s death and her funeral, a month or so of delay while distant family could arrange their travel. All of us grieving in a limbo state, not able to reach all the stages of the process. But the death had also happened years earlier, by degrees, as we lost her to dementia over the last decade. At the funeral mass the priest talked about death as reunion, and especially in the Easter season, a promise of going home. She&#39;d been traveling a long time alone by the time we had to say our final farewell.&lt;/p&gt;
&lt;p&gt;I traveled back to Atlanta late last week, my one-time home I&#39;ve been back to a hundred times, and from there up north to the small town where I was born and grew up – where my grandparents are buried, and where my parents will be also, on some day I&#39;ll meet in the future. And all through the weekend, surrounded by family, I&#39;m thinking about my new home, my heart in New York City, future family. Finding home in several places is a funny feeling. There&#39;s the idea that you carry loved ones with you when they pass on, all those good memories. You carry the grief and the hurt, too, but you grow new happiness around those feelings. I suppose it can be the same for the places you&#39;ve lived and leave.&lt;/p&gt;
&lt;p&gt;I said goodbye to my aunt at the gravesite, and &amp;quot;hello again – long time, no see&amp;quot; to my grandparents in the plot a few feet over, and then goodbye to my parents and siblings at the airport. Goodbye to one home, and went home again, carrying a bit more with me, committing again to grow new happiness here, to make sure I miss it when I leave.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
The &lt;a href=&#34;https://www.ancientartarchive.org/&#34;&gt;Ancient Art Archive&lt;/a&gt; has a very cool collection of pictographs, petroglyphs, cave paintings, mounds, etc.. (via &lt;a href=&#34;https://www.smithsonianmag.com/history/3-d-scans-reveal-gigantic-native-american-cave-art-in-alabama-180980004/&#34;&gt;Smithsonian&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nomadicbackpacker.com/iglesia-el-rosario-san-salvador.html&#34;&gt;Iglesia El Rosario in San Salvador&lt;/a&gt; looks rad. (&lt;a href=&#34;https://mattlakeman.org/2024/03/30/notes-on-el-salvador/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Mostly a restful week off, minus a family hike on Saturday. I&#39;m really excited for the runs to come this spring and summer. So many ideas to unleash.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
The Iliad. All of these dude are constantly mad. I find myself thinking of &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Northman&#34;&gt;The Northman&lt;/a&gt;, which is not an amazing movie, but excellent in how it makes you sit with a character bound up in a foreign-to-us set of values. (Eggers did the same with &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Witch_(2015_film)&#34;&gt;The Witch&lt;/a&gt;). Another honor culture leaving wreckage in its wake.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Last week&#39;s Beyoncé helped me learn about Linda Martell, who had only one big album, &lt;a href=&#34;https://open.spotify.com/album/6yY6HSyk9abUwA6PrHwOjL&#34;&gt;Color Me Country&lt;/a&gt;. Her rendition of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/66qOPlvaezKjZ0a7RgRdt2&#34;&gt;San Francisco Is a Lonely Town&lt;/a&gt;&amp;quot; is great.&lt;/p&gt;
&lt;p&gt;I stumbled on an article about &lt;a href=&#34;https://www.discogs.com/digs/music/underrated-aretha-franklin-records-from-the-1970s/&#34;&gt;underrated Aretha Franklin albums from the 1970&#39;s&lt;/a&gt;. If I had to choose, it would be &lt;a href=&#34;https://open.spotify.com/album/1i4CdMNfc1A5Vsnej3OXtp?si=pBSTqea9T-25ZykgYSXXZw&#34;&gt;Hey Now Hey (The Other Side of the Sky)&lt;/a&gt;, on the basis of the multiple moods in the &lt;a href=&#34;https://open.spotify.com/track/6Da9o9LxECEeu1CWH5Rvuo&#34;&gt;the title track&lt;/a&gt;, the wisftful ballad &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3tXeOQmEq6Tm5zv52sZ78D&#34;&gt;Angel&lt;/a&gt;&amp;quot; and its powerful follow-up, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4PMzTWyA5YsMVJEea5MgUu&#34;&gt;Sister From Texas&lt;/a&gt;&amp;quot;. On that last one, when the band climaxes at &amp;quot;But I&#39;m in there fighting everyday / because I got a few more dreams in me&amp;quot;, the delivery makes for a perfect pump-up/run-through-a-wall moment.&lt;/p&gt;
&lt;p&gt;Caroline Polacheck&#39;s, &lt;a href=&#34;https://open.spotify.com/album/25ktFe8igqIwv9aRbkdnTS&#34;&gt;Desire, I Want To Turn Into You&lt;/a&gt;, I especially like the flamenco-EDM in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2PLYhGXKrJ9fZv55ixWF6R&#34;&gt;Sunset&lt;/a&gt;&amp;quot;. So fun to have a moment like when I heard &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0mbLSX5Rs08lBvegcH6RcW&#34;&gt;Butterfly Net&lt;/a&gt;&amp;quot;: really liked it, went back to look up what&#39;s playing, and realizing she&#39;s singing with another artist I like. Validating.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
From the Iliad, &lt;a href=&#34;https://ships.lib.virginia.edu/neatline/show/iliad-book-2&#34;&gt;mapping the catalog of the ships&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;On close.city, you can &lt;a href=&#34;https://close.city/&#34;&gt;travel times to supermarkets, transit, libraries, parks, playgrounds, and more&lt;/a&gt;, down to the block level.&lt;/p&gt;
&lt;p&gt;&amp;quot;Though he’d originally figured he’d go to college, the route began to feel less appealing during the pandemic, when &lt;a href=&#34;https://www.wsj.com/lifestyle/careers/gen-z-trades-jobs-plumbing-welding-a76b5e43&#34;&gt;he watched his parents—both tech workers—gaze at their computers all day and realized he didn’t like the idea of spending his life seated before a screen&lt;/a&gt;.&amp;quot; The kids are alright!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://ofboysandmen.substack.com/p/how-colleges-turned-pink&#34;&gt;How colleges turned pink&lt;/a&gt;. &amp;quot;There are now 2.4 million more female than male undergraduates on U.S. campuses (8.9 million women compared to 6.5 million men).&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e5 &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751107/&#34;&gt;Duane Barry&lt;/a&gt;&amp;quot;. Intense. And we got another &amp;quot;To be continued&amp;quot;!&lt;/p&gt;
&lt;p&gt;Reacher, s2e7-8. Find myself mulling over the last scene, not sure if they earned it or not. Season one did a better job of explicitly exploring Reacher&#39;s wounded, walls-up solitude. This one is more roundabout but they really put a nice bow on it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://twitter.com/KelseyTuoc/status/1775296678368829776&#34;&gt;Kids are wildly ambitious&lt;/a&gt;. They have had the experience, over and over, of something being hard and then buckling down for six months and getting good at it.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 13</title>
    <link href="https://mlarson.org/2024/03/31/2024-week-13/"/>
    <updated>2024-03-31T20:00:49.000Z</updated>
    <id>https://mlarson.org/2024/03/31/2024-week-13/</id>
    <content type="html">&lt;p&gt;With the end of the school term, I had a few days&#39; of extra time on my hands. And I learned that the first day of vacation is a wash. The whiplash of going from full days to empty days is difficult. I should account for this a bit better – lower expectations, lower the pressure, try to leave that one diem un-carpe&#39;ed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
As I settled in, I took more time for coding projects toward the end of the week. Nothing to share right now, but it was a rewarding shift in focus. Less book-learnin&#39;, more hands-on. One particular project was on the back-burner for a year until I had enough attention on it. I&#39;m excited to see how it turns out…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
I need to see the &lt;a href=&#34;https://americanart.si.edu/exhibitions/pattern-and-paradox&#34;&gt;Amish quilts at the Smithsonian American Art Museum&lt;/a&gt; next time I&#39;m in DC.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
Strava tells me I set a new PR in the 10-mile. It happened on accident, and I have no idea what it may have been in my younger, fitter life. A validating moment, though, as I continue to explore the fitness I unlocked through all the wintertime training. Part of building endurance is a lot of long, easy, slow, slow, slooooooow gentle runs, and the dividends aren&#39;t immediately obvious. Unleashing myself a bit the last couple weeks has been like exploring a cave. I know it&#39;s bigger somehow, but the chambers aren&#39;t fully mapped!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Crytonomicon. DNF. Yeah, &lt;a href=&#34;https://mlarson.org/2024/03/24/2024-week-12/&#34;&gt;I had to call it off&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Iliad-Homer-ebook/dp/B0BWL999D3/&#34;&gt;The Iliad&lt;/a&gt;. The Wilson translation is off to a good start. I got this book in hardback months ago. But most of my reading happens at night these days, and it was just too unwieldy to read on the couch, or in bed, in the dark. So, &lt;a href=&#34;https://libbyapp.com/&#34;&gt;Libby&lt;/a&gt; to the rescue to borrow the ebook. (Also, I love Libby&#39;s feature where, if you have a book on hold that comes in too early for you, you can postpone it a little while.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Have to start with &lt;a href=&#34;https://open.spotify.com/album/6BzxX6zkDsYKFJ04ziU5xQ&#34;&gt;COWBOY CARTER&lt;/a&gt;. I listened to this just a few hours after it was released. Not something I planned, I just couldn&#39;t get back to sleep that night. But wow, it&#39;s really nice to recline in the dark with music. And also nice to check in on Twitter when I&#39;d hear something – &amp;quot;hmm, there&#39;s some Fleetwood here… and this one is Tina Turner x Outkast…&amp;quot; – and see it validated by other insomniac music nerds enjoying the same thing. Setting aside the pre-launch singles, favorites are &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6Y4rniIxibegzsg8cdWAWV&#34;&gt;BODYGUARD&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0hWCzWl04zT7P6vMy63XCN&#34;&gt;DAUGHTER&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;After &lt;a href=&#34;https://open.spotify.com/album/3T1sNCuwG8pqgj3NuNvphA&#34;&gt;Tyler &amp;amp; Schneider&lt;/a&gt; and Eno &lt;a href=&#34;https://mlarson.org/2024/03/24/2024-week-12/&#34;&gt;last week&lt;/a&gt;, I returned to Hermanos Gutiérrez, &lt;a href=&#34;https://open.spotify.com/album/6gnYcXVaffdG0vwVM34cr8&#34;&gt;Hijos Del Sol&lt;/a&gt;. &lt;a href=&#34;https://open.spotify.com/album/1amdsOYtz60qOm5EiWq8Qb&#34;&gt;El Bueno Y El Malo&lt;/a&gt; was one of my favorite albums last year. It&#39;s hard to recommend just one track from either, as they carry a similar flavor through all the songs. Looking for similar work, I found my way to an excellent &amp;quot;&lt;a href=&#34;https://open.spotify.com/playlist/0RO0GaJCJSw5Gc9M52S4El&#34;&gt;Ambient Western&lt;/a&gt;&amp;quot; playlist (&amp;quot;Big Sky chill, Bootgaze, deep thought cowboy, high lonesome, stagecoach radio&amp;quot; !), which I think will unlock a lot of good stuff as I dig in further.&lt;/p&gt;
&lt;p&gt;From Jenevieve, &lt;a href=&#34;https://open.spotify.com/album/2VG4oj0kGjOydr6j8deI7Z&#34;&gt;Division&lt;/a&gt;, I especially like the pop throwback sounds like on &lt;a href=&#34;https://open.spotify.com/track/61YldFgqyxAvqGzZbOg1yY&#34;&gt;the title track&lt;/a&gt; – some &amp;quot;Maneater&amp;quot; urgency in the rhythm section? And &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3dkUuJLJi0vZ3gDdQifDjP&#34;&gt;No Sympathy&lt;/a&gt;&amp;quot; sounds like something I&#39;d enjoy from Carly Rae Jepsen. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4Nw7kywWurWS6ceinn1cHK&#34;&gt;Baby Powder&lt;/a&gt;&amp;quot; is solid downtempo, allowed the breathe.&lt;/p&gt;
&lt;p&gt;Some other odds &amp;amp; ends:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I like the ominous undertone and wooden shuffling/grinding sound in Mary Lattimore&#39;s latest, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2ikQOoW9SMmgec0xdU94B0&#34;&gt;Nest of Earrings&lt;/a&gt;&amp;quot;.&lt;/li&gt;
&lt;li&gt;I haven&#39;t played the game in decades, but memories are resurfacing from listening to the &lt;a href=&#34;https://open.spotify.com/album/0dcBg1wM67TIXy4d2uHfgT&#34;&gt;Myst soundtrack&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Appreciate the bounciness in Alan Parsons Project, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0tCcvzZBtU5atsk7gBJ8Hg&#34;&gt;Step by Step&lt;/a&gt;&amp;quot;. (Great first-song → second-song transition on that album!)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
Matt Zoller Seitz interviews Damon Lindelof upon &lt;a href=&#34;https://www.vulture.com/2017/05/leftovers-episode-inspired-by-matt-zoller-seitz.html&#34;&gt;learning his life inspired an episode of The Leftovers&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The reliable &lt;a href=&#34;https://www.rogerebert.com/features/jordan-peele-us-nope&#34;&gt;Robert Daniels on Jordan Peele&#39;s &amp;quot;Us&amp;quot;, and explaining movies&lt;/a&gt;. &amp;quot;Unforeseen consequences arise when art is made definable.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;Physical media fans of all types tend to &lt;a href=&#34;https://www.theguardian.com/film/2024/mar/27/the-film-fans-who-refuse-to-surrender-to-streaming-one-day-youll-barter-bread-for-our-dvds&#34;&gt;see themselves as survivalists prepping for apocalypse&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;A &lt;a href=&#34;https://twitter.com/DKThomp/status/1773388299622547587&#34;&gt;good way to judge the quality of scientific criticism&lt;/a&gt; is to ask yourself: &#39;Does this argument reject the best available evidence in favor of a solution that is essentially, assume the existence of a Transform Society button…&#39;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://notes.mtb.xyz/p/dark-software&#34;&gt;Dark software is like ghost kitchens&lt;/a&gt; – as software components and functionality are refined, it becomes easier to mix-and-match, brande, and narrowly target certain customers.&lt;/p&gt;
&lt;p&gt;An app to make &lt;a href=&#34;https://sonnys-emoji-ikebana.replit.app/&#34;&gt;emoji floral arrangements&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;This website is still under construction, as I find my (pathless) path, but I’ve really been appreciating the framework of &#39;&lt;a href=&#34;https://reubenson.com/colophon/&#34;&gt;personal website as private engine of change&lt;/a&gt;&#39;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.imdb.com/title/tt2225780/&#34;&gt;Still Life: A Three Pines Mystery&lt;/a&gt;. This took a fun, zany turn in the last few minutes, but &lt;a href=&#34;https://www.imdb.com/title/tt15351648/&#34;&gt;the TV show&lt;/a&gt; is so, so, so much better in every way. (I&#39;m still begging for another season!)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Zone_of_Interest_(film)&#34;&gt;Zone of Interest&lt;/a&gt;. More impactful because it&#39;s so mundane. Disturbingly calculating, evil, selfish people carrying on indifferently. Ugh.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Point_Break&#34;&gt;Point Break&lt;/a&gt;. The original, of course. It wasn&#39;t until I watched this with a Californian that I realized how what seems super cool sub-cultures (LA surf bros!) to me (a kid raised in the rural South) can be so eye-rollingly familiar to people with first-hand exposure to it. The fight on the lawn after the house raid still makes me squirm. An excellent footchase, too. (Ends in Ballona Creek, I wonder how it maps out before?)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Video Games&lt;/strong&gt;&lt;br&gt;
I go through phases with gaming – a few weeks on, a few months off. Lately, I&#39;m back on.&lt;/p&gt;
&lt;p&gt;A couple weeks ago I dipped back into &lt;a href=&#34;https://en.wikipedia.org/wiki/Tetris_Attack&#34;&gt;Tetris Attack&lt;/a&gt; because it&#39;s &lt;a href=&#34;https://x.com/mlarson/status/1768479657345605737&#34;&gt;relaxing stress&lt;/a&gt;. Something about the level of repetition, focus, and absorption makes it easy to wind down with, even though my heart is racing.&lt;/p&gt;
&lt;p&gt;And I returned to &lt;a href=&#34;https://en.wikipedia.org/wiki/Octopath_Traveler&#34;&gt;Octopath Traveler&lt;/a&gt;, a multi-character, multi-plot RPG with elevated ~16-bit aesthetics. I took a bit too much time off, struggling to remember some plot/biography, but it&#39;s fun to play. Related, one thing that&#39;s underrated in RPGs is effective controls and menu navigation. I think they nailed it. That sort of polish makes a difference.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Luigi%27s_Mansion_3&#34;&gt;Luigi&#39;s Mansion 3&lt;/a&gt; is a little slow (we&#39;re getting carried away with cut-scenes!), but silly-spooky is a good vibe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e4 &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751204/&#34;&gt;Sleepless&lt;/a&gt;&amp;quot;. Enjoyed Tony Todd in his starring role. Really intense episode. Loved the use of &lt;a href=&#34;https://www.imdb.com/title/tt0751204/mediaindex/&#34;&gt;super-close, claustrophobic close-ups&lt;/a&gt; here and there.&lt;/p&gt;
&lt;p&gt;Reacher. s2e5-6. I like all these NYC scenes. Domenick Lombardozzi is so reliable, straight from central casting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;The best teaching will increasingly focus on &lt;a href=&#34;https://twitter.com/anecdotal/status/1773705072595407165&#34;&gt;what can&#39;t be learned online&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 12</title>
    <link href="https://mlarson.org/2024/03/24/2024-week-12/"/>
    <updated>2024-03-25T00:26:37.000Z</updated>
    <id>https://mlarson.org/2024/03/24/2024-week-12/</id>
    <content type="html">&lt;p&gt;Yesterday I spent an hour or so mending clothes. I fixed a couple holes in denim with an iron-on patch for the first time. And sewed up a loose seams in a few sweatshirts and another pair of jeans. It feels good to take care of things. And it inspired a round of &amp;quot;do I need this anymore?&amp;quot;, which led to a new bag of clothes to donate. Spring cleaning is in full effect.&lt;/p&gt;
&lt;p&gt;My mom revived her genealogy hobby recently, and turn up some new bits of family history on the New Orleans side. I learned that back in the 1920&#39;s my great-grandfather drove into a tree when the steering wheel locked up (don&#39;t trust antique cars!), and also that he was arrested for running a bar without a state license. Both were enough to make the local paper.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Honjin_Murders&#34;&gt;The Honjin Murders&lt;/a&gt;. DNF. Rural mid-century Japanese detective fiction – it sells itself! Wrong time for this one, though.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Cryptonomicon&#34;&gt;Cryptonomicon&lt;/a&gt;. Interesting so far, but I&#39;m feeling initial worries about the number of lectures disguised as conversations I&#39;ll come across…&lt;/p&gt;
&lt;p&gt;Not a book, but interesting: &lt;a href=&#34;https://shop.boox.com/products/palma&#34;&gt;Boox Palma&lt;/a&gt; is phone-dimensional e-ink device that just looks cool. A more peaceful version of a phone but in a hand-friendlier size than a Kindle. I don&#39;t need more devices, but...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
The &lt;a href=&#34;https://en.wikipedia.org/wiki/Nimrud_ivories&#34;&gt;Nimrud ivory of a lion eating a man&lt;/a&gt; is pretty intense. (via the mostly-not-related &lt;a href=&#34;https://www.statecraft.pub/p/how-to-recruit-iraqi-weapons-scientists&#34;&gt;Statecraft article on Iraqi state capacity&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
One more exam and the term is done. I need a break!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
This week I decided to re-introduce a bit more speedwork and weights. Fun 5k tempo run on Monday just to check in, see where things are. Feels like all the long runs through the winter paid off, the well is deeper, there&#39;s more draw on, but alas, I am still slow. For now... 😈&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Nejma Nefertit&#39;s &lt;a href=&#34;https://open.spotify.com/album/40plTuA4433DQKEr3iq2KP&#34;&gt;Animal Barz&lt;/a&gt; is a hiphop creature concept album – &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4AGzwC9pDp4h4YZxlxnojA&#34;&gt;Pigeons&lt;/a&gt;&amp;quot;!&lt;/p&gt;
&lt;p&gt;My fiancée made me a &amp;quot;Baptist Bangers&amp;quot; playlist and that led me to &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7JKEA8xYDoFp4q0QBW2PGg&#34;&gt;Shackles (Praise You)&lt;/a&gt;&amp;quot; from Mary Mary, and back to Kirk Franklin&#39;s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/4xm2HjtDAdCobewPoaImT7&#34;&gt;Revolution&lt;/a&gt;&amp;quot; – fond memories of the brilliant ecstasy of Vine: the &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=GJgjhl1jbp8&#34;&gt;mind if I praise God?&lt;/a&gt;&amp;quot; meme is a pinnacle of internet culture.&lt;/p&gt;
&lt;p&gt;I like the talking drums in the latest Tierra Whack, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2SCsfgLAbD4q0IIetVzGsK&#34;&gt;MS BEHAVE&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/album/7F7ZjaHYa6UdC72YnvWFT2&#34;&gt;Floraleda Sacchi plays Ryuichi Sakamoto&lt;/a&gt; (&lt;a href=&#34;https://en.wikipedia.org/wiki/Ryuichi_Sakamoto&#34;&gt;RIP&lt;/a&gt;) on the harp. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6Hkw2AsSJjxJz1h6MAjHNJ&#34;&gt;Merry Christmas Mr. Lawrence&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;From William Tyler and Luke Schneider, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0xzjPBtkmS90YCFwjvtopQ&#34;&gt;No Trouble&lt;/a&gt;&amp;quot; has big-sky reverb-y slide guitars that remind me of Eno&#39;s work on Apollo – like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/5HzfnZhtGRSenfvmdnY7aV&#34;&gt;Silver Morning&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/50mL6pbI0uI6YX1xbSer7g&#34;&gt;Deep Blue Day&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&amp;quot;&lt;a href=&#34;https://x.com/calebwatney/status/1771247543801757777&#34;&gt;A hobby is probably one of the best forms of life insurance that one can have.&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://cbcny.org/2023-resident-survey&#34;&gt;Citizens Budget Commission survey data for 2023&lt;/a&gt; has intriguing maps and comparisons to the 2017 and 2008 survey data.&lt;/p&gt;
&lt;p&gt;A series of articles on &lt;a href=&#34;https://buildingtheskyline.org/grid-plan-series/&#34;&gt;how Manhattan got its grid&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2024/01/12/books/review/steven-soderberghs-year-in-reading.html&#34;&gt;Steven Soderbergh talking about his year in reading&lt;/a&gt; with NYT Book Review. &amp;quot;I read in order to calm down.&amp;quot;&lt;/p&gt;
&lt;p&gt;Also enjoyed this &lt;a href=&#34;https://www.vulture.com/article/hanif-abdurraqib-theres-always-this-year-interview.html&#34;&gt;Vulture interview with Hanif Abdurraqib&lt;/a&gt;, whose new book &lt;a href=&#34;https://www.amazon.com/Theres-Always-This-Year-Basketball/dp/0593448790&#34;&gt;There&#39;s Always This Year: On Basketball and Ascension&lt;/a&gt; is due in my mailbox soon.&lt;/p&gt;
&lt;p&gt;“Please don’t get too worried about whether your desired baby name is &#39;too popular,&#39; especially if it’s not in the top five names in your state. Because, &lt;a href=&#34;https://www.romper.com/life/name-popularity-by-state-how-to-give-your-baby-a-unique-name&#34;&gt;statistically, it’s probably not&lt;/a&gt;.”&lt;/p&gt;
&lt;p&gt;In Rapa Nui news: settlers there &lt;a href=&#34;https://www.livescience.com/archaeology/obsidian-blades-with-food-traces-reveal-1st-settlers-of-rapa-nui-had-regular-contact-with-south-americans-1000-years-ago&#34;&gt;likely had contact with South America 1000 years ago&lt;/a&gt;. And (via &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2024/03/friday-assorted-links-462.html&#34;&gt;Marginal Revolution&lt;/a&gt;), they may have &lt;a href=&#34;https://www.popularmechanics.com/science/archaeology/a60204344/rapa-nui-language/&#34;&gt;independently developed a form of writing&lt;/a&gt;. Pacific cultures are really cool.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.irunfar.com/camille-herron-6-day-world-record-interview-2024-lululemon-further&#34;&gt;Camille Herron ran 560 miles in 6 days&lt;/a&gt; and drops some of the wildest quotes you&#39;ll ever read. &amp;quot;I felt like after a couple of days, the miles just kind of melted away and the days blended together. I felt like I was taking it 100 miles at a time after a period.&amp;quot; !&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Iron_Man_(2008_film)&#34;&gt;Iron Man&lt;/a&gt;. This holds up, and it was funnier than I remembered. Marvel is so lucky they got a talent like RDJ to kick things off.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Anatomy_of_a_Fall&#34;&gt;Anatomy of a Fall&lt;/a&gt;. Loved this movie. I need to find more French courtroom drama. There&#39;s some flavor in their trial system that feels more cinematic. I like the physical layout of the courtrooms. More confrontational and interactive, a little less speechy? It feels dynamic. (&lt;a href=&#34;https://en.wikipedia.org/wiki/Saint_Omer_(film)&#34;&gt;Saint Omer&lt;/a&gt; is another excellent French one where we don&#39;t see the crime and must draw our own conclusions during the trial – &lt;a href=&#34;https://twitter.com/mlarson/status/1742669218989121706&#34;&gt;one of my favorites from 2023&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e3, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Blood_(The_X-Files)&#34;&gt;Blood&lt;/a&gt;&amp;quot;. This week&#39;s happy casting surprise: &lt;a href=&#34;https://en.wikipedia.org/wiki/William_Sanderson&#34;&gt;William Sanderson&lt;/a&gt;, who I knew best as J.F. Sebastian from Blade Runner and E.B. Farnum from Deadwood.&lt;/p&gt;
&lt;p&gt;Jack Reacher, s2e4. Funniest episode of this season so far, needed the jolt. Also appreciate the &amp;quot;Jack Margrave&amp;quot; call-back.&lt;/p&gt;
&lt;p&gt;Shogun, s1e4. Tempers and romance coming to a boil. Canons! I&#39;m into it!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 11</title>
    <link href="https://mlarson.org/2024/03/17/2024-week-11/"/>
    <updated>2024-03-17T23:35:43.000Z</updated>
    <id>https://mlarson.org/2024/03/17/2024-week-11/</id>
    <content type="html">&lt;p&gt;Last weekend, I felt a depressive tinge seeping into my days. Like a too-heavy vignette in a photograph, making the edges a little dimmer? It&#39;s not an unusual thing for me, this time of year. I recognize it. It often goes along with some itch in the springtime – promise in the air, but a resigned bittersweet something just sort of lingering and weighing things down. It could also be pollen.&lt;/p&gt;
&lt;p&gt;It&#39;s also a time of year when I think about blowing everything up – maybe I should quit that job, cut all ties, walk across Mongolia? – but again, not new, and in a way I&#39;m glad I&#39;ve got some reps under my belt. I&#39;m happy about the transition I&#39;ve made to be able to manage through it without getting thrown off course too much. It&#39;s not a tidal wave that flattens me. I can recognize it – &amp;quot;Oh, this again? Fine, whatever.&amp;quot; – and have some capacity to try to go about my days like I usually do, stubbornly refuse to be blown off course.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Rooftoppers-Katherine-Rundell-ebook/dp/B00BAWEDXM/&#34;&gt;Rooftoppers&lt;/a&gt;. This was a delightful change of pace. Writer Katherine Rundell first came on my radar through &lt;a href=&#34;https://www.amazon.com/Super-Infinite-Transformations-Donne-Katherine-Rundell-ebook/dp/B09NTK9WDQ/&#34;&gt;her book on John Donne&lt;/a&gt; and then her brilliant, lively &lt;a href=&#34;https://conversationswithtyler.com/episodes/katherine-rundell/&#34;&gt;Conversation with Tyler Cowen&lt;/a&gt;, which made me go looking for more of her work. This story – about an orphan in search of her mother – has so many lovely turns of phrase…&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;When the music went right, it drained all the itch and fret from the world and left it glowing.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Books crowbar the world open for you.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;You have been the great green adventure of my life. Without you my days would be unlit.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Muscles, she thought, are a thing worth having. They make the world easier to reach.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;She felt as confident as a crow. Say what you will against crows, Sophie thought, they do look like they know what they’re doing.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Perhaps, she thought, that’s what love does. It’s not there to make you feel special. It’s to make you brave.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Based on the evidence here, I should read more of her children&#39;s books, or at least read &lt;a href=&#34;https://www.amazon.com/Should-Read-Childrens-Books-Though/dp/1526610078/&#34;&gt;her book about why I should&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I had the most delightful long run on Saturday morning, from my place in Brooklyn up into Queens, taking me over the &lt;a href=&#34;https://en.wikipedia.org/wiki/Kosciuszko_Bridge&#34;&gt;Kosciuszko Bridge&lt;/a&gt; for the first time. Crossed over for incredible skyline views…&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/03/nyc-skyline-from-kosciuszko-bridge-1.jpg?w=1024&#34; alt=&#34;&#34; class=&#34;wp-image-10341&#34;&gt;&lt;/figure&gt;
&lt;p&gt;…and then dumped out into desolate warehouse-industrial district, so fun its own way. Like peeking behind the scenes – for example, I passed by a FedEx distribution center, which explains so many shipping notifications show my packages arriving in Maspeth before reaching my door – making the everyday miracles more tangible.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
My first term ends in a couple weeks. Pending approval, just a couple softball classes to wrap up before starting the second one. Over 3/4 done with my degree at this point, and reality will come crashing down soon after. 🥳&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Big week for Ariana Grande! I really enjoy her new album, &lt;a href=&#34;https://open.spotify.com/album/5Csjy4XeA7KnizkhIvI7y2&#34;&gt;eternal sunshine&lt;/a&gt;. For me, maybe best since &lt;a href=&#34;https://open.spotify.com/album/5X7x18kW3mVIvnuNeedM6b?si=eegB6gUBSi6mDznWPlhdJg&#34;&gt;Dangerous Woman&lt;/a&gt;? The &lt;a href=&#34;https://open.spotify.com/track/7xTbVQSuLpM1SRIKMcaPCI&#34;&gt;90-second intro&lt;/a&gt; perfectly sets the scene and leaves you hungry for the rest. The short decelerando at ~2:20 of “&lt;a href=&#34;https://open.spotify.com/track/0Lmbke3KNVFXtoH2mMSHCw&#34;&gt;the boy is mine&lt;/a&gt;” is so satisfying (and bit surprising that more songs don&#39;t play with tempo?). I also love “&lt;a href=&#34;https://open.spotify.com/track/5D34wRmbFS29AjtTOP2QJe&#34;&gt;yes, and?&lt;/a&gt;”, a solid house dance club banger, and the disco shuffle in “&lt;a href=&#34;https://open.spotify.com/track/7aOgyKhHxAhrzTKkLGF3Ha&#34;&gt;bye&lt;/a&gt;”. And: thirty-five minutes long!&lt;/p&gt;
&lt;p&gt;Kevin Ayers&#39; 1972 album &lt;a href=&#34;https://open.spotify.com/album/3Haef15rAqdXGdApyKTylR&#34;&gt;Whatevershebringswesing&lt;/a&gt; is really playful, carefree, exploratory rock. I dig the 2-channel stereo effects in &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1CfWPdbn4ScvgB4dpa632I&#34;&gt;Song From the Bottom of a Well&lt;/a&gt;&amp;quot;. And the instrusive interruption in “&lt;a href=&#34;https://open.spotify.com/track/5qkRRLA0U2aq1o0smXwbqE&#34;&gt;Champagne Cowboy Blues&lt;/a&gt;” at ~2:45, like a marching band passing by, or driving by a live band on a patio? What&#39;s going on there? I feel like I recognize the “&lt;a href=&#34;https://open.spotify.com/album/3Haef15rAqdXGdApyKTylR&#34;&gt;Lullaby&lt;/a&gt;” melody from somewhere, but might be hallucinating that.&lt;/p&gt;
&lt;p&gt;Kali Malone has excellent glacial-pace organ pieces on &lt;a href=&#34;https://open.spotify.com/album/1Ft3N89bxz63EQAC3Eaift&#34;&gt;All Life Long&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Listened to more Suzanne Ciani, continuing from my first listens in &lt;a href=&#34;https://mlarson.org/2024/02/25/2024-week-8/&#34;&gt;2024 week 8&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2024/03/03/2024-week-9/&#34;&gt;week 9&lt;/a&gt;). I think I&#39;ll put &lt;a href=&#34;https://open.spotify.com/album/12w6StuJjgjQgaGuiLMvUo&#34;&gt;Dream Suite&lt;/a&gt; up there with Velocity of Love. I was delighted when “&lt;a href=&#34;https://open.spotify.com/track/1X5cDObYM3mAI5X0uqqayk&#34;&gt;Adagio&lt;/a&gt;”, at ~2:13, quoted melody from “&lt;a href=&#34;https://www.youtube.com/watch?v=3jPiYzUhGDo&#34;&gt;When I am laid in earth…&lt;/a&gt;”. (Previously talked about that opera in &lt;a href=&#34;https://mlarson.org/2024/01/28/2024-week-4/&#34;&gt;2024 week 4&lt;/a&gt;.) “&lt;a href=&#34;https://open.spotify.com/track/3vuYkYDHb4mSJfP0ewpBUh&#34;&gt;Sogno Agitato&lt;/a&gt;” sounds like something you’d hear on a movie soundtrack. Maybe something where a stressed-out person, well-heeled, is walking hurriedly, maybe down a European cobblestone streets, possibly pursued, or perhaps it’s for the spy who’s tailing them. Plottings are falling into place, there’s no going back.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://open.spotify.com/album/3XVZnD9SKNPcN3YJvho9Y7&#34;&gt;TENET soundtrack&lt;/a&gt; rips. Most especially at the half-way point of &lt;a href=&#34;https://open.spotify.com/track/1AKIi40li4kyJHQKOuF3Qz&#34;&gt;POSTERITY&lt;/a&gt;, the ominous buzzing and drumline-style battery transitioning into strings and that shuffling sound, then heartbeats and electro-wobbling. So good. I don&#39;t remember the scene in the movie it goes with, but I remember the feeling I had when I first heard it. (I&#39;m in a funny place with this movie – it felt a little bit tedious to watch, and same on my re-watch, but I think I want another dose! If only it were shorter…)&lt;/p&gt;
&lt;p&gt;After seeing &lt;a href=&#34;https://twitter.com/DJRTistic/status/1767023746441957671&#34;&gt;Donald Glover dressed like one of The Whispers&lt;/a&gt;, I decided to go back and listen to a few albums. I love the soft, diffuse sound of the snare on “&lt;a href=&#34;https://open.spotify.com/track/2lQkpY6mZry4fL0wgemVjh&#34;&gt;Keep Your Love Around&lt;/a&gt;&amp;quot;, and a great chorus. &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2M496HlsJdFOPLeQyKmY9T&#34;&gt;You Are The One&lt;/a&gt;&amp;quot; is a solid ballad with surprisingly punchy bass. Hearing their original &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0Rc05PXAOn01TzKeb3bWtB&#34;&gt;Rock Steady&lt;/a&gt;&amp;quot; reminded me of Freddie Gibbs&#39; sampling it for &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=yRVeME22BVY&#34;&gt;Slangin&#39; Rocks&lt;/a&gt;&amp;quot; – a 2010 song with a fun throwback 1980-something delivery when he arrives 2 minutes in. Silly and hard at the same time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://twitter.com/mattthomas/status/1767242451033493832&#34;&gt;Talked about John Tesh a little bit&lt;/a&gt; on twitter, and learned &lt;a href=&#34;https://americansongwriter.com/john-tesh-opens-up-about-faith-and-purpose-in-new-memoir-relentless/&#34;&gt;his dad wanted his son to follow him into the underwear business&lt;/a&gt;. And that when he had the inspiration for “Roundball Rock”, &lt;a href=&#34;https://www.youtube.com/watch?v=V_h7Lm7C9Nk&#34;&gt;he called his answering machine to leave himeself a voicemail with the melody&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://www.971theriver.com/news/local/atlanta-metro-area-now-6th-largest-us/5IRT54ZTXNBTXI47NT7K6NYEGE/&#34;&gt;Atlanta metro is now bigger than DC and Philadelphia&lt;/a&gt;, moves to #6. 😤 And even if there had been no international immigration, &lt;a href=&#34;https://jedkolko.com/2024/03/14/even-as-pandemic-fades-people-are-still-leaving-big-cities/&#34;&gt;“Only five of the largest fifteen metros had population gains that didn’t depend on immigration&lt;/a&gt;, all in the Sunbelt: Dallas, Houston, Atlanta, Phoenix, and Riverside CA.“&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://newyorkyimby.com/2024/03/renderings-revealed-for-the-torch-at-740-eighth-avenue-in-midtown-manhattan.html&#34;&gt;renderings for The Torch skyscraper in NYC&lt;/a&gt; look so rad.&lt;/p&gt;
&lt;p&gt;&amp;quot;Lockdown gave parents a front-row seat to our virtual classes and made it easy for them to monitor their kids. Even though we’ve been back in person for several years, &lt;a href=&#34;https://slate.com/human-interest/2024/03/phone-free-schools-movement-parents-teenagers.html&#34;&gt;they haven’t left&lt;/a&gt;.&amp;quot; Good read on helicopter parents now piloting their helicopters into the schools and stirring up dust. (Thanks, &lt;a href=&#34;https://twitter.com/jaramontez&#34;&gt;Jara&lt;/a&gt;!)&lt;/p&gt;
&lt;p&gt;You can now &lt;a href=&#34;https://www.alternativeairlines.com/airlines-not-flying-boeing-737-max&#34;&gt;search for flights that don’t use Boeing&lt;/a&gt;. (via &lt;a href=&#34;https://twitter.com/mattthomas/status/1768250773492666521&#34;&gt;Matt Thomas&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;We&#39;re a lot &lt;a href=&#34;https://x.com/alecstapp/status/1768268247496118581&#34;&gt;better at forecasting weather&lt;/a&gt; than we used to be.&lt;/p&gt;
&lt;p&gt;Are &lt;a href=&#34;https://twitter.com/anecdotal/status/1767515058828087572&#34;&gt;Dune and Dune 2 camping movies&lt;/a&gt;? (Hollis Robbins is a great follow – elliptical, considered, allusive commentary.)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/andy_matuschak/status/1768366902114648450&#34;&gt;Montaigne had blogger energy&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Ferrari_(2023_film)&#34;&gt;Ferrari&lt;/a&gt;. At its best in the racing scenes, as you would hope. The car wrecks are wild, as is the depiction of people just standing behind simple hay bales for protection? (Or not!). The race toward the end is exhilarating, enjoyed the tease/decoy with the &amp;quot;children and stray dogs&amp;quot; foreshadowing unfulfilled. Penelope Cruz is tremendous. She had a couple brief close-up scenes that had me frozen in place. The opera scene is compact, vivid storytelling, and I love how it&#39;s told from multiple points of view. It perfectly brings to life the way your mind can drift when you&#39;re listening to music.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s2e2, &amp;quot;The Host&amp;quot;. I remembered this one, mostly from being scarred and scared after the shower scene. I remember after seeing this as a kid, I spent a few weeks after taking special care to check the drains.&lt;/p&gt;
&lt;p&gt;Batman: The Animated Series, s1e10, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0519606/&#34;&gt;Nothing to Fear&lt;/a&gt;&amp;quot;. I love the title cards in this show.&lt;/p&gt;
&lt;p&gt;Jack Reacher, s2e3. This season hasn&#39;t been as fun as the first, but feels like the ensemble is coming to life a bit.&lt;/p&gt;
&lt;p&gt;Shogun, s1e2-3. The conversation is the plot! Love that. Also appreciate Blackthorne&#39;s moment on the ship – &amp;quot;No yesterday, no tomorrow, just today.&amp;quot; – obviously &lt;a href=&#34;https://www.youtube.com/watch?v=qOKE4dxjayU&#34;&gt;made me think of Tokyo Drift&lt;/a&gt;. (&amp;quot;No past and no future. No problems. Just the moment.&amp;quot;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://twitter.com/DanWritehead/status/1767104179653562578&#34;&gt;Never stop following your dreams&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 10</title>
    <link href="https://mlarson.org/2024/03/10/2024-week-10/"/>
    <updated>2024-03-10T21:50:32.000Z</updated>
    <id>https://mlarson.org/2024/03/10/2024-week-10/</id>
    <content type="html">&lt;p&gt;I arrived at today&#39;s blank page (minus the first music bit below), just not feeling it, with a sense of &amp;quot;ehh… can&#39;t I just do this tomorrow?&amp;quot; The answer is yes, but as with so many things: push on a bit, try to enjoy the ride, see what happens.&lt;/p&gt;
&lt;figure class=&#34;wp-block-image size-large&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/03/baby-on-board.jpg?w=920&#34; alt=&#34;&#34; class=&#34;wp-image-10335&#34;&gt;&lt;/figure&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
Went to a gallery opening on Friday. &lt;a href=&#34;https://susanmbchen.com/&#34;&gt;Susan Chen’s paintings&lt;/a&gt; have some really lovely chunky globs, building up texture and detail the closer you look.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Finished…&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Heart_Goes_Last&#34;&gt;The Heart Goes Last&lt;/a&gt;. (DNF) The characters have a sort of manic interiority, and much of the book moves forward through their neurotic daydreams, fears, speculations. It’s light and funny (Saunders-y?), but too much of it for me right now.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Cheerfulness-Literary-Cultural-Timothy-Hampton/dp/1942130600/&#34;&gt;Cheerfulness: A Literary and Cultural History&lt;/a&gt;. Some of the later close-reading of Austen and Dickens wasn&#39;t as fun for me – in contrast with the &lt;a href=&#34;https://mlarson.org/2024/03/03/2024-week-9/&#34;&gt;parts I read last week&lt;/a&gt; – since I didn&#39;t know all the stories. And on the final segments, on e.g. Boy Scouts, the self-help industry, and marketing, maybe we just don&#39;t yet have enough perspective. It&#39;s not the future yet. Cool to trace an idea in this way across such a long timespan, in a very tangible form. I&#39;d read more like this!&lt;/p&gt;
&lt;p&gt;In progress…&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Babel-17&#34;&gt;Babel-17&lt;/a&gt;. There&#39;s a really fascinating premise in here, where our protagonist understands words, speech, communication, body language so well it&#39;s effectively telepathy. And she&#39;s recruited by the military, who are facing a novel language used as a weapon. I feel a DNF coming on, though. We&#39;ll see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Kacey Musgraves, &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/2F9Bfp3M6FONQZToOp0Z55&#34;&gt;Deeper Well&lt;/a&gt;&amp;quot;. First heard this right when I was publishing last week’s post, played it 4-5 times, and it was the first thing I put into this draft.&lt;/p&gt;
&lt;p&gt;Listened to a lot of John Tesh this week, and if there’s one thing going for it, it’s heavy use of major-key optimism. If you listen to live version of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6HPaeDA4D4LtChhEMKhJu6&#34;&gt;A Thousand Summers&lt;/a&gt;&amp;quot;, and just earnestly let it soak in, you may not feel like you can take on the world, but it won’t feel &lt;em&gt;unreasonable&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;ScHoolboy Q’s Blue Lips. Love the variety in the production. Just throwing everything out there. The orchestra on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/7u1P36qRqrSNrXAp98cyp1&#34;&gt;Blueslides&lt;/a&gt;&amp;quot; is the winner for me.&lt;/p&gt;
&lt;p&gt;When I saw &lt;a href=&#34;https://funkaoshi.com/blog/feist&#34;&gt;Ramanan’s post about a recent Feist show&lt;/a&gt; I realized I hadn’t heard any of her albums since &lt;em&gt;Reminder&lt;/em&gt; back in 2008. Spent some time catching up on everything since then. I like &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3SrUQXxoh6OXtABjq78B9e&#34;&gt;In Lightning&lt;/a&gt;&amp;quot; on her latest, but it’s not really in keeping with the rest. The collab work on &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/6Q34tUtXLuWst5c63ddQ7N&#34;&gt;Hiding Out in the Open&lt;/a&gt;&amp;quot; is nice – singing in harmony is one of those simple pleasures we don’t get enough in modern pop.&lt;/p&gt;
&lt;p&gt;Kamasi Washington’s latest single, &lt;a href=&#34;https://open.spotify.com/album/3wDXUtAudXDc6dgy2mAqZ2&#34;&gt;Prologue&lt;/a&gt;, has me intrigued for the bigger release in May.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
The &lt;a href=&#34;https://www.vulture.com/article/stunt-awards-2024.html&#34;&gt;2024 Vulture Stunt Awards&lt;/a&gt; celebrates the best movie stunts in a variety of forms – fights, cars, guns, goofs. Includes lots of clips, fun to relive those.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.reddit.com/r/movies/comments/1b8vpej/my_name_is_alissa_wilkinson_im_a_movie_critic_for/&#34;&gt;NYT film critic Alissa Wilkinson hosted an AMA&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I knew I wasn&#39;t crazy!: &lt;a href=&#34;https://www.dmagazine.com/food-drink/2023/05/why-jalapeno-peppers-less-spicy-blame-aggies/&#34;&gt;Jalapeños aren&#39;t as hot as they used to be&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.anildash.com/2024/03/10/make-better-documents/&#34;&gt;Anil Dash shared an important PSA on making better documents&lt;/a&gt;. &amp;quot;You almost &lt;em&gt;never&lt;/em&gt; want to be building dramatic tension in a professional context&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.dwarkeshpatel.com/p/patrick-collison&#34;&gt;Dwarkesh Patel interviews Patrick Collison&lt;/a&gt;. “Maybe one version of what people in their twenties should do is get some ideas to domains you&#39;re interested in or care about, but then figure out: where can you learn the highest standards? Where are the highest standards embodied and where can you go and experience that firsthand?”&lt;/p&gt;
&lt;p&gt;Reading about the history of &lt;a href=&#34;https://www.atlantamagazine.com/news-culture-articles/atlanta-used-to-have-extensive-public-transit-actually/&#34;&gt;public transit in Atlanta&lt;/a&gt; always makes me ache for (a better version of) the old streetcar system.&lt;/p&gt;
&lt;p&gt;These &lt;a href=&#34;https://www.projectsubwaynyc.com/complexes&#34;&gt;3D diagrams of NYC subway stations&lt;/a&gt; are so… validating? My experience walking through these clicked into place when I saw these! There are so many angles and inclines and turns that I can sense but never could have described accurately, much less illustrate.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;https://paulflannery.substack.com/p/something-to-believe-in&#34;&gt;Running has never lied to me&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;https://www.cnn.com/2024/03/02/us/a-different-world-hbcu-tour-2024-reaj/index.html&#34;&gt;power of television&lt;/a&gt;: &amp;quot;HBCU enrollment increased 26% between 1976 and 1994, according to the National Center for Education Statistics. But the agency noted, &#39;virtually all of the increase occurred between 1986 and 1994.&#39; “A Different World” aired from 1987 until 1993.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Drylongso_(film)&#34;&gt;Drylongso&lt;/a&gt;. A young art student, uncomfortably caught between neglect at home, a demanding night job, and precarious safety in the community, works on a photography project to document Black men in her neighborhood. Lovely local characters, down-to-earth telling, and fun genre detours.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/1976_(film)&#34;&gt;1976 / Chile &#39;76&lt;/a&gt;. This was a fun watch, will probably get mention in my annual favorites. A comfortably retired woman, casually busy redesigning the family beach home, is drawn into political intrigue during the reign of dictator Pinochet. Really great score, colors, style, paranoia.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Michael_Clayton&#34;&gt;Michael Clayton&lt;/a&gt;. Still love it. Fourth time I’ve seen it, at least, and just now caught the horse on the hill in his son’s book!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
Happily Ever After: Fairy Tales for Every Child, s1e10, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt1230849/&#34;&gt;Cinderella&lt;/a&gt;&amp;quot;. It&#39;s fun to see the dazzling two-hour spectacles of modern animation, but nice to be reminded how little you need beyond a good story.&lt;/p&gt;
&lt;p&gt;X-Files, s2e1 &amp;quot;Little Green Men”. We’re already at the point where my memory of the show is fading out. Really dark opener! Everyone is sad and scarred from the ending of the first season. :( Hoping we see more of Director Skinner. He&#39;s a compelling, enigmatic presence.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 9</title>
    <link href="https://mlarson.org/2024/03/03/2024-week-9/"/>
    <updated>2024-03-03T22:54:15.000Z</updated>
    <id>https://mlarson.org/2024/03/03/2024-week-9/</id>
    <content type="html">&lt;p&gt;I started off the week on a high note, with a walk-and-talk phone call with &lt;a href=&#34;jdilla.xyz&#34;&gt;my friend James&lt;/a&gt;. I walked to a local park and wandered around, doodling aimless loops around the paths while we chatted. Got some pastries from the coffee shop on the way back home. 😎 A+ Monday morning, 10/10 experience, highly recommended.&lt;/p&gt;
&lt;p&gt;I bookended the week on a similar high note, in the same park, talking about wedding plans. A+ Sunday morning, 10/10 experience, highly recommended.&lt;/p&gt;
&lt;p&gt;Also popped into a couple community gardens and saw some chickens.&lt;/p&gt;
&lt;div class=&#34;wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular&#34;&gt;&lt;div class=&#34;tiled-gallery__gallery&#34;&gt;&lt;div class=&#34;tiled-gallery__row&#34;&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:50.00000%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1228&#34; data-id=&#34;10328&#34; data-link=&#34;https://mlarson.org/?attachment_id=10328&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/03/chickens-in-coop.jpg?w=1024&#34; data-width=&#34;1600&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/03/chickens-in-coop.jpg&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:50.00000%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;1228&#34; data-id=&#34;10329&#34; data-link=&#34;https://mlarson.org/?attachment_id=10329&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/03/photographing-chickens.jpg?w=1024&#34; data-width=&#34;1600&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/03/photographing-chickens.jpg&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Public Service Announcement&lt;/strong&gt;&lt;br&gt;
THE SOLAR ECLIPSE IS &lt;a href=&#34;https://science.nasa.gov/eclipses/future-eclipses/eclipse-2024/where-when&#34;&gt;JUST A MONTH AWAY&lt;/a&gt;. Be sure to stock up on eclipse glasses, &lt;a href=&#34;https://luntsolarsystems.com/product/lunt-adult-eclipse-glasses-5000-pack/&#34;&gt;available in a convenient 5000-pack&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Art&lt;/strong&gt;&lt;br&gt;
The &lt;a href=&#34;https://www.instagram.com/high.school.high/&#34;&gt;@high.school.high&lt;/a&gt; account on Instagram collects vintage high school yearbooks, and there&#39;s a lot of cool work there. Veronica Kraus (&lt;a href=&#34;https://www.instagram.com/vrklempt/&#34;&gt;@vrklempt&lt;/a&gt;) had a &lt;a href=&#34;https://www.collectorsweekly.com/articles/how-one-collector-uncovers-graphic-gems-via-discarded-high-school-yearbooks/&#34;&gt;cool interview about her project&lt;/a&gt;, which nicely summarized the appeal: &amp;quot;What makes these yearbooks stand out from, say, a trade paperback or album cover from the same time period is the youthful, DIY sensibility embedded in its pages. Look closely and you’ll notice hand-drawn letterforms with off-kilter proportions; layout page designs with inconsistent and/or awkward spacing; a mish-mash of graphic styles; and a general disregard for &#39;design rules&#39; in favor of unbridled and exuberant play.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Finished a project, focused on application front-end work. And then started another, more focused on back-end. So just two Java-focused classes to wrap up. I’m eager to move to other topoics, but really happy with the leveling up in these last two. Feel much more comfortable building from zero, and generally picking my way through the brambles of icky legacy code.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I decided to listen to my nagging aches and pains, and dial back the mileage. This week I only ran 12 miles, compared the usual 25-30ish I’ve been doing this year. Noticeable improvement. Funny to feel in worse shape aerobically but better mechanically. Also funny to notice this feeling of having &amp;quot;energy with no place to go&amp;quot;. In place of the usual runs, returned to the weight training I should never have let fall off, along with sweet, sweet rest.&lt;/p&gt;
&lt;p&gt;On my run yesterday, there was an old lady sweeping the stoop and sidewalk as I passed. I startled her a moment, but after shared apologies, she bade farewell with “God bless” as I continued on my way. ♥️&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
Finished…&lt;br&gt;
&lt;a href=&#34;https://shop.specialprojects.jp/products/things-become-other-things-1st-ed&#34;&gt;Things Become Other Things&lt;/a&gt;. Craig Mod stuck the landing on this one. I read it as a tale of infrastructure (familial, societal), how far you&#39;re allowed to fall, what follows when opportunities are washed away.&lt;/p&gt;
&lt;p&gt;In progress…&lt;br&gt;
&lt;a href=&#34;https://www.amazon.com/Heart-Goes-Last-Novel/dp/0385540353&#34;&gt;The Heart Goes Last&lt;/a&gt;. Margaret Atwood&#39;s post-collapse tale is turning the pages on its own.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Cheerfulness-Literary-Cultural-Timothy-Hampton/dp/1942130600/&#34;&gt;Cheerfulness: A Literary and Cultural History&lt;/a&gt;. Timothy Hampton as written a sort of biography of the idea and word itself, its shifting meaning, purpose, connotations. So far we&#39;ve explored cheerfulness through the writings of St. Paul, Chaucer, Augustine, Erasmus, Calvin, Rabelais, Montaigne, Shakespeare. An academic flavor, but not the stuffy kind. Good stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
Prince Fatty &amp;amp; The Aggrovators, &lt;a href=&#34;https://open.spotify.com/album/6V8TYtI1lx7BG9w2ksHWoD?si=5Xw53GN_S2K08QZCNvVD1w&#34;&gt;Prince Fatty Meets the Gorgon in Dub&lt;/a&gt;. (Funny to see this album after reading some of the Medusa-focused &lt;em&gt;Stone Cold&lt;/em&gt; last week). Favorite of the bunch is “&lt;a href=&#34;https://open.spotify.com/track/7wyF1IsIxn24ncRiu4VR1w&#34;&gt;No Love in Their Heart&lt;/a&gt;”.&lt;/p&gt;
&lt;p&gt;Glasser’s &lt;a href=&#34;https://open.spotify.com/album/2GvEyAvxiEyNu0Os14cZk7&#34;&gt;Crux&lt;/a&gt; – as in “&lt;a href=&#34;https://open.spotify.com/track/2HMaVE9epcLVH6U2VIucja&#34;&gt;Vine&lt;/a&gt;”, for example – brings back memories of Björk’s &lt;a href=&#34;https://open.spotify.com/album/0HMsmYvoT1h2x1C4di5faf&#34;&gt;Homogenic&lt;/a&gt;. Swooping, swooning electronic waves with eccentric vocals and pulsating backbeats.&lt;/p&gt;
&lt;p&gt;My tour through Suzanne Cain’s electronic work continues with her gentle 36-minute &lt;a href=&#34;https://open.spotify.com/album/0j07ux1zZw12yRPXycIjgp&#34;&gt;Velocity of Love&lt;/a&gt; from 1986. Really growing to love her work. Imagine a Tangerine Dream/Vangelis soundtrack, but focused on the most romantic, sensual, dreamy parts. Cf. the &lt;a href=&#34;https://open.spotify.com/track/5Z8drOEmdVTtwixfM4FGzN&#34;&gt;title track&lt;/a&gt; and &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/0XKPezlchnbQ55vC0vZET8&#34;&gt;Lay Down Beside Me&lt;/a&gt;&amp;quot;.&lt;/p&gt;
&lt;p&gt;Cleo Sol’s &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1JVEM4C04VPAU9JTnKthNk&#34;&gt;23&lt;/a&gt;&amp;quot; was on constant repeat back in 2021? 2022? when I first heard it. I liked her latest, &lt;a href=&#34;https://open.spotify.com/album/67DWn1tZ245gendegv7Ioz&#34;&gt;Gold&lt;/a&gt;, with more throwback R&amp;amp;B, though I don&#39;t think it reaches the same heights. “&lt;a href=&#34;https://open.spotify.com/track/342lDmTXJPrWwYxeCvYc0t&#34;&gt;In Your Own Home&lt;/a&gt;” gets close.&lt;/p&gt;
&lt;p&gt;Mariam Gebrou’s &lt;a href=&#34;https://open.spotify.com/album/1lrApbriCFLDx2Cof0lbxx&#34;&gt;Souvenirs&lt;/a&gt; is a pleasant little keepsake.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://ec.europa.eu/eurostat/cache/digpub/regions/#population-density&#34;&gt;Large parts of Spain are ~as population-sparse as Iceland, Scotland, deep Scandinavia&lt;/a&gt;. Plenty of room inland as people gather in the major cities and coast. Makes complete sense, but I had no idea!&lt;/p&gt;
&lt;p&gt;The minor league &lt;a href=&#34;https://www.milb.com/news/ben-s-biz-jacksonville-jumbo-shrimp-celebrate-public-domain&#34;&gt;Jacksonville Jumbo Shrimp baseball team will soon hold a public-domained theme night&lt;/a&gt;, with King Kong and Steamboat Willie jerseys, etc..&lt;/p&gt;
&lt;p&gt;“I can’t be destroyed through a computer &lt;a href=&#34;https://twitter.com/MeekMill/status/1762935137598136776&#34;&gt;I’m too outside&lt;/a&gt;”&lt;/p&gt;
&lt;p&gt;&amp;quot;The problem is, &lt;a href=&#34;https://www.piratewires.com/p/the-princess-and-the-girlboss&#34;&gt;the new Disney princess is neither subversive nor revelatory&lt;/a&gt;; if anything, she offers a decidedly one-dimensional vision of what a strong female character (and, by extension, women in general) can aspire to.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.axios.com/local/atlanta/2024/02/28/gallery-atlantas-black-history-in-photos&#34;&gt;Atlanta’s Black History, in photos&lt;/a&gt;. Gotta bring back those Hawks unis.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/interactive/2024/03/02/upshot/nyc-trash-rules.html&#34;&gt;New York City’s trash removal challenges&lt;/a&gt; are… complicated.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.thecity.nyc/2024/02/29/chatgpt-map-stories-nyc/&#34;&gt;The City mapped all their NYC stories&lt;/a&gt; to see what neighborhoods are getting the most attention. Appreciate this self-scrutiny. I&#39;d be really interested to see this for other metros/papers I know well – ATL (AJC) and LA (LA Times).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Dune_(2021_film)&#34;&gt;Dune (2021)&lt;/a&gt;. A rewatch. It succeeds at being BIG. But there’s not much emotional weight to it for me. Lots of “telling” dialogue, and gadget-splaining, but I’m not sure how you much you can avoid that. Favorite part was seeing moody teenage Paul Atreides, on the brink of leaving his homewarld, wearing a long dark coat, &lt;a href=&#34;https://www.youtube.com/watch?v=UPoS140YXv4&#34;&gt;sulking on the cliffs&lt;/a&gt; with &lt;a href=&#34;https://open.spotify.com/track/5glKprpzpGW5Pf4wB9gNPq&#34;&gt;ominous drums &amp;amp; riffs swelling in the score&lt;/a&gt;. The movie is at its best when he&#39;s less confident.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
X-Files, s1e23 &amp;quot;Roland&amp;quot;. Another dead revenge plot! As with a lot of older shows, entered with some discomfort with the &#39;90s representation of mentally disabled.&lt;/p&gt;
&lt;p&gt;s1e24 &amp;quot;Erlenmeyer Flask”. Closed out the first season with a couple of the most important phrases on television – “Trust no one.” and “The truth is out there.” Excited to keep this going.&lt;/p&gt;
&lt;p&gt;Shōgun, s1e1. Good enough to sample the second one. So fascinating to see religious rivalries on screen. Not sure I&#39;ve seen that anywhere else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;A &lt;a href=&#34;https://en.wikipedia.org/wiki/Paraphrases_of_Erasmus&#34;&gt;task done with cheerfulness is doubly gracious&lt;/a&gt;, since whatever is done appears to come both from within and from outside you.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 8</title>
    <link href="https://mlarson.org/2024/02/25/2024-week-8/"/>
    <updated>2024-02-25T23:17:49.000Z</updated>
    <id>https://mlarson.org/2024/02/25/2024-week-8/</id>
    <content type="html">&lt;p&gt;This week I got a call from a family member who wanted to talk about our shared medical history. Specifically, three men in our family affected by prostate cancer – all detected early and defeated. He didn’t want me to ruin the winning streak, so I got a “yo, get this taken care of” call. Such a great feeling to have fellow men looking out for me. I hope to carry on the tradition – minus the disease part. I got my eyes checked – no change! – and enjoyed how peacefully, pleasantly boring these spaces are. Another highlight of the week was date night – walked the &lt;a href=&#34;https://www.thehighline.org/&#34;&gt;High Line&lt;/a&gt; at dusk, ate at a diner, and enjoyed &lt;a href=&#34;https://www.juilliard.edu/event/168606/lost-village-seneca-other-works&#34;&gt;an evening of string quartet performances&lt;/a&gt;. Historically, string quartets haven&#39;t done much for me. But I feel like the door opened a little bit. More for the never-ending to-listen list. &lt;strong&gt;Art&lt;/strong&gt; There are fire bowls, and then there are fire bowls. Check out the &lt;a href=&#34;https://collections.lacma.org/node/2110455&#34;&gt;Brazier with Design of Willow, Cherry, and Bridge&lt;/a&gt;. (&lt;a href=&#34;https://x.com/japantracul/status/1759871764858024113&#34;&gt;via&lt;/a&gt;) This &lt;a href=&#34;https://digital.library.illinoisstate.edu/digital/collection/icca/search/&#34;&gt;online International Collection of Child Art&lt;/a&gt; – found this after &lt;a href=&#34;https://austinkleon.substack.com/p/whats-in-the-cards-for-us&#34;&gt;Austin Kleon’s 2/23 newsletter&lt;/a&gt; sent me down a wormhole – is filled with delights...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://digital.library.illinoisstate.edu/digital/collection/icca/id/10175/rec/549&#34;&gt;Bicycle Racing is Fun&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://digital.library.illinoisstate.edu/digital/collection/icca/id/8948/rec/1873&#34;&gt;Goblins and Ghosts Ride Again&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://digital.library.illinoisstate.edu/digital/collection/icca/id/7177/rec/4871&#34;&gt;Sponge Painting of Me&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://digital.library.illinoisstate.edu/digital/collection/icca/id/9470/rec/4895&#34;&gt;Spring in the Busy City&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt; I blocked out 4 hours today just for reading, and it was such a lovely way to spend the afternoon.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Sleepless-Victor-Manibo-ebook/dp/B09MT62G5Z&#34;&gt;The Sleepless&lt;/a&gt;. Finished, and enjoyed it. Appreciate the core conceit – people stop sleeping, first due to epidemic, and later when opting in. What would you do if sleep wasn&#39;t required?&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Cyclettes-Tree-Abraham/dp/1951213629&#34;&gt;Cyclettes&lt;/a&gt;. Biking-adjacent memories and snapshots. Easy breezy, makes me want to ride. Mission accomplished.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Stone-Blind-Novel-Natalie-Haynes-ebook/dp/B09ZYG642M&#34;&gt;Stone Blind&lt;/a&gt;. DNF, not the right time!&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://shop.specialprojects.jp/products/things-become-other-things-1st-ed&#34;&gt;Things Become Other Things&lt;/a&gt;. Purchased at the very first minute it was available, but hadn&#39;t gotten around to it yet. Halfway through, great stuff as expected.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;TBOT was delayed in large part because I&#39;ve become such a Kindle convert, despite all its drawbacks. These days I do most of my reading in late evening or just before falling asleep. And Kindle is just about the best way to read in the dark! Coupled with their own catalog, &lt;a href=&#34;https://libbyapp.com/&#34;&gt;my local library via Libby&lt;/a&gt;, and various &lt;a href=&#34;https://standardebooks.org/&#34;&gt;public&lt;/a&gt; &lt;a href=&#34;https://www.gutenberg.org/&#34;&gt;domain&lt;/a&gt; resources... instant access makes a big difference. &lt;strong&gt;Running&lt;/strong&gt; Felt fast and fresh last Monday. So fun. I was reaping the benefit of lots of little maintenance work – squats while I&#39;m making coffee, leg extensions while the microwave is running, touch the ceiling while I&#39;m watching TV. But still, I&#39;ve ramped up a lot lately, and I&#39;ve noticed my body breaking down a little bit. More creaky and squeaky than I want to be. Dialed it back on Saturday&#39;s long run, a bit shorter distance, but still checked out a &lt;a href=&#34;https://ny.curbed.com/2012/8/23/10336234/exploring-red-hooks-ikea-owned-erie-basin-park&#34;&gt;weird little pocket park behind an IKEA&lt;/a&gt;. Looking forward to an easier week with lower mileage and a bit more variety – neglected my weightlifting! &lt;strong&gt;Music&lt;/strong&gt; My favorite track of the week: “&lt;a href=&#34;https://open.spotify.com/track/3so07R4KCriFOFWU0tlDcC&#34;&gt;Dormi, o fulmine di guerra&lt;/a&gt;”. This aria from Alessandro Scarlatti&#39;s oratorio &lt;em&gt;La Guiditta&lt;/em&gt; is so peaceful – a military general is seduced into a drunken sleep, unaware that he&#39;s soon to be betrayed! Suzanne Ciani&#39;s &lt;a href=&#34;https://open.spotify.com/album/7uyjAWuLd40b8qvYJe2t1K&#34;&gt;Golden Apples of the Sun&lt;/a&gt; was a primary work soundtrack this week. And a work soundtrack revisited: Chilly Gonzales&#39; &lt;a href=&#34;https://open.spotify.com/album/79hPlit22yH2TfyeW1a32K&#34;&gt;Solo Piano&lt;/a&gt;. When &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/1y0lh8poxYlWIUlxWLJb0k&#34;&gt;Gogol&lt;/a&gt;&amp;quot; shuffled on, I remembered keeping this album on repeat a few years back. I love the way this is recorded, the way you can hear the physical action of the piano – wooden levers shoving felted hammers into wires. Hatis Noit, &lt;a href=&#34;https://open.spotify.com/album/1CtdQTfP0DzM3GJA95Po52&#34;&gt;Aura&lt;/a&gt;. Compelling, wobbly, visceral vocal work. Made me think of &lt;a href=&#34;https://open.spotify.com/album/2XDcGEYhqTag2tVovPrg6S&#34;&gt;eastern European folk song&lt;/a&gt;. I like the seagulls on “&lt;a href=&#34;https://open.spotify.com/track/3MXcm06AFDryFxJR7w21OP&#34;&gt;Inori&lt;/a&gt;”. Lil Jon’s &lt;a href=&#34;https://open.spotify.com/album/1hbTHwM8oYILCm4pncxjkV&#34;&gt;Total Meditation&lt;/a&gt; does what it says on the tin. The opening monologue of &amp;quot;&lt;a href=&#34;https://open.spotify.com/track/3MeoFf2DVUU0j3t4m1zu9E&#34;&gt;Boost Focus&lt;/a&gt;&amp;quot; brought a smile: &amp;quot;Before I do a DJ set for thousands of people, I know I must bring my A-game. If I make one mistake, I could jeopardize the flow of an entire event. I could throw the vibe just completely off...&amp;quot; (Cf. &amp;quot;If you&#39;re careless, and you make a mistake... Everyone, &lt;a href=&#34;https://tumblr.austinkleon.com/post/128224943481&#34;&gt;you&#39;re gonna bring down everyone&lt;/a&gt;.&amp;quot;) &lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt; We can &lt;a href=&#34;https://x.com/emollick/status/1759453828179533957&#34;&gt;get good stuff with much less work than we used to&lt;/a&gt;. Not to mention non-physical goods – medical diagnoses, business advice, book recommendations... Craig Mod &lt;a href=&#34;https://craigmod.com/essays/memberships_year_five/&#34;&gt;reviewed year 5 of his Special Projects membership program&lt;/a&gt;. This stuck with me: “I’ve historically operated from a place of great scarcity. That is, underestimating my own resources / capabilities. Sometimes we choose a gear when we are eight, or twelve, or fifteen, or twenty-five — based on our resources and situation at that time — and then stay in that gear indefinitely. Time passes and the ground truth no longer aligns with that past choice. Meaning: It’s good to revisit and recalibrate your own self-imposed limitations every now and then.” I loved the &lt;a href=&#34;https://overcast.fm/+5AWO6p1yU&#34;&gt;Odd Lots episode on the U.S. battery industry&lt;/a&gt;, really appreciate how in-depth they&#39;re willing to go on any and every business, industry, niche. &lt;a href=&#34;https://newsroom.wcs.org/News-Releases/articleType/ArticleView/articleId/22056/Flaco-the-Eurasian-Eagle-Owl-Has-Died.aspx&#34;&gt;RIP Flaco&lt;/a&gt;. &lt;a href=&#34;https://x.com/juviethegreat/status/1760515984752779460&#34;&gt;Juvenile reminds us that we&#39;re old now&lt;/a&gt;. &lt;a href=&#34;https://www.harpersbazaar.com/culture/art-books-music/a46683528/solange-knowles-interview-2024/&#34;&gt;Solange got into glassblowing&lt;/a&gt;. &amp;quot;And I didn’t take much from the program, but I found a glassblowing studio there. The lessons I learned with this material – it’s constantly evolving. The moment you become still, it’s over. You have to surrender yourself to the song and dance of this material. So much of my life has been about control and needing to control my own story. Through glassblowing, I had to surrender to this other material’s story.&amp;quot; “&lt;a href=&#34;https://maggieappleton.com/gathering-structures&#34;&gt;You are the most qualified person to create environments and experiences that you will personally enjoy&lt;/a&gt;, and in doing so you will attract people who like things that you also like.” “Regardless of the conditions, the run called for 14 miles with an aerobic progression from steady state down to race pace. The progression, by the way, wasn&#39;t the goal. &lt;a href=&#34;https://paulflannery.substack.com/p/resistance-training&#34;&gt;The goal was not making excuses&lt;/a&gt;.” &lt;strong&gt;Movies&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Teenage_Mutant_Ninja_Turtles:_Mutant_Mayhem&#34;&gt;Teenage Mutant Ninja Turtles: Mutant Mayhem&lt;/a&gt;. This was fun! One delight here is seeing a team that just loves each others&#39; company. I listened to the soundtrack a few months back, and it&#39;s a key part of the momentum. &lt;strong&gt;TV&lt;/strong&gt; Reacher, s1e5-8. Halfway through, I was on the verge of quitting, but episodes 5 and 6 pulled me back in. And the last two episodes helped put some humanity back into our rough-edges protagonist. Closed out the first season this weekend. I&#39;ll be back for another. X-Files, s1e22, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0751086/&#34;&gt;Born Again&lt;/a&gt;&amp;quot;. Creepy kid being creepy. Third episode this season, I think, where the deceased take over the living to enact their revenge or otherwise put a bow on things.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 7</title>
    <link href="https://mlarson.org/2024/02/18/2024-week-7/"/>
    <updated>2024-02-18T23:24:46.000Z</updated>
    <id>https://mlarson.org/2024/02/18/2024-week-7/</id>
    <content type="html">&lt;p&gt;We renewed our lease this week, so we’ve got at least another 15 months in Brooklyn. Let&#39;s hope year number three is the best one yet.&lt;/p&gt;
&lt;p&gt;I also went to a house party for the first time in ages. It felt so normal and pleasant, just good ol&#39;-fashioned low-stakes positive community. What a nice boost to launch into a new week.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Running&lt;/strong&gt;&lt;br&gt;
I also got a nice boost from my weekend long run. The Brooklyn Public Library system has a new &lt;a href=&#34;https://www.bklynlibrary.org/browse-branches&#34;&gt;Browse the Branches&lt;/a&gt; program. At every branch, you can collect a unique sticker and put it in a little booklet, like the National Parks. I plotted out a 15-mile loop to 11 branches in my area, and ran to collect them in 4 inches of snow and slush. Perfect Saturday morning action, followed by a perfect equal and opposite reaction: the Saturday afternoon nap.&lt;/p&gt;
&lt;div class=&#34;wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular&#34;&gt;&lt;div class=&#34;tiled-gallery__gallery&#34;&gt;&lt;div class=&#34;tiled-gallery__row&#34;&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:34.42564%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;600&#34; data-id=&#34;10302&#34; data-link=&#34;https://mlarson.org/brooklyn-library-browse-branches-jpg/&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/02/brooklyn-library-browse-branches.jpg?w=465&#34; data-width=&#34;465&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/02/brooklyn-library-browse-branches.jpg&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;div class=&#34;tiled-gallery__col&#34; style=&#34;flex-basis:65.57436%&#34;&gt;&lt;figure class=&#34;tiled-gallery__item&#34;&gt;&lt;img alt=&#34;&#34; data-height=&#34;405&#34; data-id=&#34;10301&#34; data-link=&#34;https://mlarson.org/brooklyn-library-browse-branches-stickers-jpg/&#34; data-url=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/02/brooklyn-library-browse-branches-stickers.jpg?w=599&#34; data-width=&#34;599&#34; src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/02/brooklyn-library-browse-branches-stickers.jpg&#34;&gt;&lt;/figure&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;School&lt;/strong&gt;&lt;br&gt;
Learning the Java Spring Boot framework and it’s been a pleasant surprise! I had one of those moments of looking back and seeing step-change progress. I didn’t clearly notice it while it was happening, but I have been learning a good bit, and looking back, I can see a clear growth in knowledge from then to now. No substitute for hands-on.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Books&lt;/strong&gt;&lt;br&gt;
The Sleepless – Enjoying it, but lately I’ve been too sleepy to make much progress at bedtime. Will definitely keep chipping away.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt;&lt;br&gt;
The recent snowfall led me to Ferron’s &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=PyhZ4EKiC_s&#34;&gt;Snowin’ in Brooklyn&lt;/a&gt;&amp;quot;, which led me to &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=HU_AMBm3_fc&#34;&gt;As Soon As I Find My Shoes I’m Gone&lt;/a&gt;&amp;quot;, which led me to the rest of the album. I dig it!&lt;/p&gt;
&lt;p&gt;Beyoncé has a couple new country songs. I love &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=jCOX8dT9q8M&#34;&gt;TEXAS HOLD’EM&lt;/a&gt;&amp;quot; – but that 2010s-indie-folk whistling in the chorus had me doing a double-take. I like the backing sounds in &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=f6puVdKNvNI&#34;&gt;16 CARRIAGES&lt;/a&gt;&amp;quot;, with a whip cracking, clop-clop horsetread sound at the close, etc.. The density of musical ideas in her recent work is so incredible. You hear similar in &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=hAsDiZn61Wo&#34;&gt;MY HOUSE&lt;/a&gt;&amp;quot; recently, another multi-mode single that shifts form two minutes in. I need to take another tour through her discography.&lt;/p&gt;
&lt;p&gt;Inspired by that Grammy duet with Tracy Chapman, I took some time to listen to Luke Combs. I have pretty adventurous musical taste, I think. Some genres I don’t prefer, but I’m willing to sample anything. So I was fascinated by the feeling of &lt;em&gt;comfort&lt;/em&gt; I had when listening to, say, &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=Ct9BFr9XBaI&#34;&gt;One Number Away&lt;/a&gt;&amp;quot;. It made me remember back to elementary/middle-school age. My school bus driver had wired up 3-4 speakers from the radio through the length of the bus. So country music was my soundtrack, morning and afternoon, every day from 1st through 8th grade. I wonder how to weight the music (it’s a good song!) vs. my upbringing, but there’s probably something deeply embedded in my psyche that responds to country, even though I rarely listen to it. (Another thing that jumps out is how easy it is to understand the lyrics! I barely pay attention, anyway.)&lt;/p&gt;
&lt;p&gt;After hearing of his death, I also listened to a lot of Toby Keith and… well, it’s not for me. &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=-YoBVC_Kqss&#34;&gt;Ain’t It Just Like You&lt;/a&gt;&amp;quot; is pretty good, though (despite a relatively weak chorus).&lt;/p&gt;
&lt;p&gt;As I &lt;a href=&#34;https://mlarson.org/2024/02/11/2024-week-6/&#34;&gt;mentioned last week&lt;/a&gt;, I listened to a lot more of Alice Coltrane. Definitely prefer the later era. Lukewarm overall? Realized I’d listened to &lt;em&gt;Eternity&lt;/em&gt; a few times before – &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=Z-xR7sEoNlo&#34;&gt;Om Supreme&lt;/a&gt;&amp;quot; is still great. The spiritual flavor of her work as heard on &lt;a href=&#34;https://en.wikipedia.org/wiki/Radha-Krsna_Nama_Sankirtana&#34;&gt;Radha-Krsna Nama Sankirtana&lt;/a&gt; is an interesting turn. I like the dreaminess of &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=ZUH7RNU8duo&#34;&gt;Ganesha&lt;/a&gt;&amp;quot;, and the intimate devotional of &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=FL9tZWaO0vI&#34;&gt;Prema Muditha&lt;/a&gt;&amp;quot; makes me feel like I&#39;m intruding somehow.&lt;/p&gt;
&lt;p&gt;EARTH, &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=kiVOvh3bSAQ&#34;&gt;Your Song&lt;/a&gt;&amp;quot;. I love hearing the familiar – 2000&#39;s pop/R&amp;amp;B – in languages I don&#39;t understand at all.&lt;/p&gt;
&lt;p&gt;Yusef Lateef&#39;s &lt;a href=&#34;https://www.youtube.com/watch?v=v01HAmSDb6I&#34;&gt;Eastern Sounds&lt;/a&gt; is perfect soundtrack when it&#39;s the end of the workday and I&#39;m sort of winding down, BUT I&#39;m also sort of still in the groove. You can just glide forever on this.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://substack.com/profile/18091829-jerusalem-demsas&#34;&gt;Jerusalem Demsas has a substack&lt;/a&gt;, which is an easy subscribe.&lt;/p&gt;
&lt;p&gt;Speaking of expertise on housing, I don’t often think about accounting and tax policy, but there’s a good &lt;a href=&#34;https://arpitrage.substack.com/p/unlock-a-housing-boom-through-depreciation&#34;&gt;argument that depreciation policy holds back housing construction&lt;/a&gt;, and it would be “easy” (relatively speaking) to make it much better.&lt;/p&gt;
&lt;p&gt;This &lt;a href=&#34;https://www.theringer.com/2024/2/13/24071469/dark-side-of-the-internet-obsession-with-anxiety-mental-health-crisis&#34;&gt;episode of Plain English on anxiety&lt;/a&gt; got me thinking. One nice bit: the very important distinction between therapy and &amp;quot;therapy content&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://10x.gsa.gov/news/2024-selected-investments/&#34;&gt;10x - Funding Ideas for Better Public Service&lt;/a&gt;. I had no idea a program like this even existed. It is welcome and reassuring to see the government with experimental, improvement-focused programs.&lt;/p&gt;
&lt;p&gt;&amp;quot;Most podcasts are boring because &lt;a href=&#34;https://michaelnotebook.com/podcasts/&#34;&gt;the interviewer is asking questions they already know the answer to&lt;/a&gt;, faking the role of an ignorant audience member. They&#39;re much better off asking questions they don&#39;t know the answer to, but genuinely want to know the answers to.&amp;quot;&lt;/p&gt;
&lt;p&gt;On &lt;a href=&#34;https://dubroy.com/blog/casual-programming/&#34;&gt;casual programming&lt;/a&gt;: &amp;quot;At a high level, there’s one thing that sticks out to me: there’s little computation involved in most of these. They’re mainly about data wrangling and automating tedious manual tasks.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Words of Wisdom&lt;/strong&gt;&lt;br&gt;
&amp;quot;You can do two things: &lt;a href=&#34;https://www.si.com/nba/warriors/news/klay-thompson-gets-honest-about-coming-off-the-bench&#34;&gt;you can pout, or you can go out there and respond&lt;/a&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://en.wikipedia.org/wiki/Are_You_There_God%3F_It%27s_Me,_Margaret._(film)&#34;&gt;Are You There God? It&#39;s Me, Margaret.&lt;/a&gt; Loved it. You see that Margaret is different – or at least that this won&#39;t (only) be a typical coming-of-age/tween romance story – early on when we first see her bedroom. We see maps and star charts, and in her voiceover prayers, a search for place and meaning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TV&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;https://www.imdb.com/title/tt13919000/&#34;&gt;A Real Bug&#39;s Life&lt;/a&gt;, s1e2. Pleasantly upbeat and funny. I&#39;m not the target audience, so I left feeling a little short on detail. For example, it just tossed out a quick aside on how &lt;a href=&#34;https://beekeephub.com/the-science-behind-bee-vision/&#34;&gt;bees can detect polarization of light&lt;/a&gt; (wild!) – and then moved on to the main plot. (But maybe enticing interest is the whole game?) Also: we can get the most insane footage these days. Leaps and bounds beyond what we used to have.&lt;/p&gt;
&lt;p&gt;Jack Reacher, s1e2-4. Reacher is in pain and it&#39;s hard to watch. :( A soft moment arrives and you see the walls go up. His knee-jerk smart-ass approach to life can be a little grating, but there&#39;s a tender heart in there.&lt;/p&gt;
&lt;p&gt;The X-Files, s1e20, &amp;quot;Darkness Falls&amp;quot;. Most exciting thing here is seeing a Titus Welliver guest spot, and a glimpse of the everyday lawlessness that still exists in the wilder corners of the States. And s1e21, &amp;quot;Tooms&amp;quot; was better than I feared! I appreciate the scene near the end, &lt;a href=&#34;https://ultrakillblast.com/post/175954406013/aliens-1986&#34;&gt;Mulder crawling through the tunnel like Bishop&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Batman: The Animated Series, &amp;quot;&lt;a href=&#34;https://www.imdb.com/title/tt0519584/&#34;&gt;Feat of Clay&lt;/a&gt;&amp;quot; parts I and II – &amp;quot;Listen up, scum wad!&amp;quot; LOL. Such a treat to dip into this show again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 6</title>
    <link href="https://mlarson.org/2024/02/11/2024-week-6/"/>
    <updated>2024-02-12T02:44:33.000Z</updated>
    <id>https://mlarson.org/2024/02/11/2024-week-6/</id>
    <content type="html">&lt;p&gt;More reminder than revelation: weekend naps are worth it, in moderation. &lt;strong&gt;Art&lt;/strong&gt; I like this gingerbread house I stumbled on during my run yesterday, artist unknown: &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/02/ginger-bread-house-1.jpg&#34; alt=&#34;ginger-bread-house&#34;&gt; &lt;a href=&#34;https://www.forumgallery.com/artists/michael-c-thorpe#9&#34;&gt;Blue Lagoon&lt;/a&gt;, is one of many cool quilts by Michael C Thorpe. (&lt;a href=&#34;https://x.com/artistsofcolour/status/1754534604864684261&#34;&gt;via&lt;/a&gt;) I went to the Brooklyn Museum this weekend for &lt;a href=&#34;https://www.brooklynmuseum.org/exhibitions/giants&#34;&gt;Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys&lt;/a&gt;. Favorite piece there, by a wide margin, was &lt;a href=&#34;https://www.hrm.org/exhibitions/derrick-adams/&#34;&gt;Derrick Adams&#39; Floater 74&lt;/a&gt;. His &lt;a href=&#34;https://www.derrickadams.com/painting-recent&#34;&gt;recent work&lt;/a&gt; is super cool. &lt;strong&gt;Running&lt;/strong&gt; Through most of the winter, my running has followed a casual “today’s mood” sort of program. Two weeks ago I started a new formal running plan, in prep for an upcoming race. So far, so good. One thing I&#39;ve noticed is how adding 1-2 miles to a typical ~6-mile weekday run can feel like such a big adjustment. The extra exertion isn’t a big deal. But the ripple effects on diet, recovery, sleep, social time, etc. are very real. No such thing as a free run. &lt;strong&gt;Books&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Crown_of_Swords&#34;&gt;A Crown of Swords&lt;/a&gt;. I finished the previous in the series with so much energy, but had a really hard time getting back into the groove. Moved on to others, for now. &lt;a href=&#34;https://www.wendymacnaughton.com/illustration/how-to-say-goodbye&#34;&gt;How to Say Goodbye&lt;/a&gt;. It&#39;s barely a book. Short read, loving/haunting illustrations. &lt;a href=&#34;https://www.amazon.com/Sleepless-Victor-Manibo-ebook/dp/B09MT62G5Z&#34;&gt;The Sleepless&lt;/a&gt;. Noir-ish novel set in a near-future where we no longer need to sleep. Some people opt in, others do not. I&#39;m enjoying the pace. &lt;strong&gt;Music&lt;/strong&gt; A great week for listening! Tracy Chapman’s Grammy appearance got me curious. “Fast Car” came out when I was a kid, and I remember it being low-key omnipresent on the radio up through high school. I never listened to her self-titled back then, but it’s good! I especially like &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=lMuPYOxC4rg&#34;&gt;If Not Now...&lt;/a&gt;&amp;quot;. The piano and conga work reminds me of something from the Carly Simon “Anticipation” / Carole King “Tapestry” era. I spent a lot of time with a &lt;a href=&#34;https://open.spotify.com/playlist/5jioMlFsrdAsmsMcIRDEy0&#34;&gt;couple&lt;/a&gt; &lt;a href=&#34;https://open.spotify.com/playlist/3pWCBt1lZ7cTHX7Emp70kb&#34;&gt;playlists&lt;/a&gt; of opera duets, trios, quartets, etc.. A couple I really liked: * &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=XLw9rgTVAqA&#34;&gt;Dôme épais le jasmin à la rose s&#39;assemble&lt;/a&gt;&amp;quot; from Delibes’ Lakmé has been on a bunch of soundtracks (about a minute in). It’s gorgeous, and you can’t unhear it. * The oboes and basset-horn in &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=vMJ7twd62II&#34;&gt;Mi lagnerò tacendo, notturno&lt;/a&gt;&amp;quot; stuck with me. On the opposite end of the spectrum, Blackbraid II is heavy and screamy. Really like the riffs in the second half of the album, as in &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=CY7PtuaClLE&#34;&gt;Twilight Hymn of Ancient Blood&lt;/a&gt;&amp;quot;. I love the horns and general &#39;80s pop richness of Yukihiro Takahashi&#39;s &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=2Vl2_3zqpNQ&#34;&gt;My Bright Tomorrow&lt;/a&gt;&amp;quot; and &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=3maHpSlUKYM&#34;&gt;KILL THAT THERMOSTAT&lt;/a&gt;&amp;quot;, and the stereo bounciness of &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=n7rfYjgPRiM&#34;&gt;OH LES BEAUX JAPANAIS!&lt;/a&gt;&amp;quot;. I just love disco. If you give me a jangly rhythm guitar, a roving bass, four on the floor... I, too, will be ready for &lt;a href=&#34;https://www.youtube.com/watch?v=hAx6mYeC6pY&#34;&gt;Murder on the Dancefloor&lt;/a&gt;. Les Arts Florissants recorded a &lt;a href=&#34;https://www.amazon.com/Gesualdo-Madrigali-Books-1-2/dp/B07WWSH45V&#34;&gt;3-volume/6-disc collection of madrigals from Carlo Gesualdo&lt;/a&gt;. The choral packaging is familiar, but the harmonies are so far ahead of their time. So many moments you feel a little unexpected ~twist~ in your brain. Also fits in that special category of “music that can function as wallpaper but also reward close listening”. Hard to recommend one, but worth a sample. The &lt;a href=&#34;https://open.spotify.com/track/6QxGwPK6jGiVkyCaPbJuHw&#34;&gt;adagio from Bohuslav Martinů&#39;s harpsichord concerto&lt;/a&gt; is excellent. I love the soft droning organ and synthesizer tones in Alice Coltrane’s &lt;a href=&#34;https://www.amazon.com/Kirtan-Turiya-Sings-Alice-Coltrane/dp/B0957XLLLS&#34;&gt;Kirtan: Turiya Sings&lt;/a&gt;, how it fills up the ears. The album was &amp;quot;initially released in 1982 on &lt;a href=&#34;https://en.wikipedia.org/wiki/Turiya_Sings&#34;&gt;privately-pressed cassette for her Vedantic Center&#39;s students&lt;/a&gt;”. See &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=7iZHWLOXmVA&#34;&gt;Rama Katha&lt;/a&gt;&amp;quot;. I’ll be spending more time with her work! &lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt; The &lt;a href=&#34;https://scrollprize.org/grandprize&#34;&gt;Vesuvius Challenge was successful&lt;/a&gt;. Incredibly cool that we can read text from charcoal. I’m trying to imagine the feeling of scholars who have been toiling within the field for decades, suddenly getting a rush of attention, abilities, technology that unlocks decades of progress... that they may never see. &amp;quot;One of my New Year&#39;s resolutions is to &lt;a href=&#34;https://overcast.fm/+BAVQrpLvsM/49:10&#34;&gt;not try to be modest unless I really mean it&lt;/a&gt;.&amp;quot; Thinking on this, and I think I like it! “I think &lt;a href=&#34;https://twitter.com/Jesse_Brenneman/status/1754198385672818846&#34;&gt;people confuse the feeling of nostalgia for the past with the feeling of being alive in that moment&lt;/a&gt;. They think they are remembering a feeling that they are in fact only having now, as they remember.” Service journalism meeting the people where they are: &amp;quot;We used 311 call data to find the New York zip codes with the most heat-related complaints per person. Then, we sent the &lt;a href=&#34;https://www.niemanlab.org/2024/01/how-to-meet-readers-where-they-are-when-where-they-are-is-offline/&#34;&gt;guide to getting your heat fixed&lt;/a&gt; to nearly 1,400 addresses via postcards.&amp;quot; IRS is taking a huge, much-needed step forward: the &lt;a href=&#34;https://directfile.irs.gov/&#34;&gt;Direct File pilot&lt;/a&gt; is alive! Limited scope and availability, but hope this keeps moving forward. &lt;strong&gt;Movies&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Place_Beyond_the_Pines&#34;&gt;The Place Beyond the Pines&lt;/a&gt;. My fourth viewing. My notes on &lt;a href=&#34;https://mlarson.org/2013/04/23/the-place-beyond-the-pines-its-a-bummer-that-the/&#34;&gt;the first&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2015/07/27/the-place-beyond-the-pines-this-was-my-second/&#34;&gt;second&lt;/a&gt;, and &lt;a href=&#34;https://mlarson.org/2017/05/22/the-place-beyond-the-pines/&#34;&gt;third viewing&lt;/a&gt; show a growing appreciation – five will not be enough! I really felt for Eva Mendes’ character on this watch. Dealt a bad hand several times over, just moving forward as best as possible. Emory Cohen is perfect as the very, very wounded teen putting on his best cool, unaffected front. And what&#39;s with that smile at the end? What lessons has he learned? I appreciated more parallels and echoes on this watch. Characters wearing t-shirts with lightning bolts on them. Gosling appearing with an t-shirt inside-out (like his life) after a major revelation. Dane DeHaan scooting around with his backpack and bike. Gosling barging upstairs to build a crib, dirty cops barging in to rob it. Bradley Cooper with his own two momentous walks up the stairs, and two trips into the woods. So neatly done. That soundtrack, too! &lt;a href=&#34;https://en.wikipedia.org/wiki/Fallen_Leaves_(film)&#34;&gt;Fallen Leaves&lt;/a&gt;. Took a while to get used to the dry humor and deadpan delivery. Appreciated a setting I&#39;ve not seen much of, working class Finland. Two star-crossed will-they-won&#39;t-they lovers scratching out a bit of hope in a comically hostile world – turn on the radio and its either war updates or love songs. &lt;strong&gt;TV&lt;/strong&gt; X-Files, s1e18, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Miracle_Man_(The_X-Files)&#34;&gt;Miracle Man&lt;/a&gt;&amp;quot;. One unexpected part of this rewatch is the emphasis on Mulder’s sister as a driving force. I didn’t remember her coming up so much. I love how direct Scully is when they’re interrogating people. She just says blunt things in the most calm, polite, “here’s your chance to convince me otherwise” tone. She’s got no time for your BS. And s1e19, &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/Shapes_(The_X-Files)&#34;&gt;Shapes&lt;/a&gt;&amp;quot;. Felt very anxious about the Native American depictions going in. Could have been worse! Most of all in this episode, I really appreciated how much this show travels around, all across the US, urban, rural, and everywhere in between. Jack Reacher, s1e1. This was fun! I&#39;m into it. I like Tom Cruise&#39;s sarcasm and confidence in the movies – hard to match that – but this better fits the brutish charmer I remember from the books. Miami Vice, s1e10, &amp;quot;&lt;a href=&#34;https://miamivice.fandom.com/wiki/Give_a_Little,_Take_a_Little&#34;&gt;Give a Little, Take a Little&lt;/a&gt;&amp;quot;. Parallels between life undercover and life as an informant. Interesting to see so many freeze frame moments. Fun guest stars: Burt Young, Terry O&#39;Quinn, Michael Madsen.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 5</title>
    <link href="https://mlarson.org/2024/02/04/2024-week-5/"/>
    <updated>2024-02-04T22:50:17.000Z</updated>
    <id>https://mlarson.org/2024/02/04/2024-week-5/</id>
    <content type="html">&lt;p&gt;For several years, I used the &lt;a href=&#34;https://dayoneapp.com/&#34;&gt;Day One app&lt;/a&gt; for daily journaling. It’s how I got the habit to stick. After a few years, habit established, I moved to paper journals instead. (It&#39;s much more fun to &lt;a href=&#34;https://x.com/mlarson/status/1634611751701434371?s=20&#34;&gt;see them stack up over time&lt;/a&gt;!) I exported all of those old entries to some .txt and .json files before I deleted the app. A few days ago, I got the idea to upload those old journals to ChatGPT. And then I asked it to work up a psychological profile and tell me about the writer. Some qualities it highlighted: - Socially Active but Sometimes Withdrawn - Reflective and Thoughtful - Adventurous and Curious - Analytical and Introspective - Humorous and Witty Some areas of struggle/challenge/growth: - Consistent Communication - Balancing Social and Personal Time - Tendency Towards Self-Criticism - Overthinking Social Interactions - High Expectations and Perfectionism - Occasional Negative Self-Perception We went further in-depth, poking and prodding. All pretty spot-on, seems like an accurate read with good grasp of nuances, not too much hallucination. I’m curious what it would be like to digitize and upload all those bound journals I’ve written in the 6-7 years since, and ask the bots to compare/contrast the two writers… &lt;strong&gt;Art&lt;/strong&gt; &amp;quot;&lt;a href=&#34;https://sagarandcampbell.co.uk/the-chandelier-of-lost-earrings/&#34;&gt;Chandelier of Lost Earrings&lt;/a&gt;&amp;quot; by Lauren Sagar and Sharon Campbell. (via &lt;a href=&#34;https://x.com/womensart1/status/1753744015026012485&#34;&gt;@womensart1&lt;/a&gt;) I love the &lt;a href=&#34;https://twitter.com/StampsBot/status/1753731466893160538&#34;&gt;@StampsBot&lt;/a&gt; account, where I get small little injections of art in my day, like this &lt;a href=&#34;https://x.com/stampsbot/status/1753610674071109967&#34;&gt;flower on a Rwandan stamp&lt;/a&gt; or &lt;a href=&#34;https://twitter.com/StampsBot/status/1753731466893160538&#34;&gt;this goofy Japanese bird&lt;/a&gt; or this &lt;a href=&#34;https://twitter.com/StampsBot/status/1753127487016444027&#34;&gt;Tajikistani ruby ore&lt;/a&gt;. Makes me think of sculptures you see in a public park. It&#39;s not often moved me or stirred my soul, but I like the little touch of delight – &amp;quot;that&#39;s nice&amp;quot;. More nice things. &lt;strong&gt;Running&lt;/strong&gt; I felt like I’d gotten into a rut lately, with many runs happening at the ~same speed. Cranked it up for a couple miles on Tuesday, a literal change of pace, felt great. Not registered yet, but I&#39;m eyeing 20-mile trail race the next month or so. I haven’t done that distance since… maybe a few years ago when I was living out west and running around the Santa Monica Mountains NRA. After a move back east and slow build-up after injury, it feels so, so good to be back where that distance seems pretty reasonable and attainable. I feel like I have so many ideas for routes and challenges and can&#39;t wait to take them on. &lt;strong&gt;School&lt;/strong&gt; I got a Linux certification, and now I’m in the depths of Java. I still find the syntax a bit tedious, but I think I’ve turned a bit of a corner. It doesn’t matter that much! &lt;strong&gt;Music&lt;/strong&gt; I saw André 3000 at the Crown Hill Theater last Monday. Felt great to support another ATLien far from home. Not the most incredible concert experience I&#39;ve ever had, but very glad I went. &lt;a href=&#34;https://ystrickler.com/2024/01/30/andre-3000-live-at-crown-hill-theater/&#34;&gt;Yancey Strickler’s write-up of the concert&lt;/a&gt; captures it well. &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=7TG3S9LYQTA&#34;&gt;The Long Day Closes&lt;/a&gt;&amp;quot; perf. The Sixteen, by &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Long_Day_Closes_(song)&#34;&gt;Chorley &amp;amp; Sullivan&lt;/a&gt;, was a stand-out this week. &lt;strong&gt;Books&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lord_of_Chaos&#34;&gt;Lord of Chaos&lt;/a&gt;: finally finished. Turned a corner in this book about 2/3 in, after nine thousand pages of table-setting, the pace picked up. And a narrative change where more was hinted and hidden, motives clear but intentions ambiguous. It got fun again! On to &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Crown_of_Swords&#34;&gt;A Crown of Swords&lt;/a&gt; as of last night. It&#39;ll be nice to move on to somewhat shorter books. The last three were ~20% longer than series average, and a nice tidy 800 sounds great right about now. Eight more books to go. Honestly couldn&#39;t tell you what compelled me to do this re-read, or to continue with it, but it&#39;s been fun. &lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt; David Cain on &lt;a href=&#34;https://www.raptitude.com/2024/01/the-two-ways-of-doing/&#34;&gt;The Two Ways of Doing&lt;/a&gt; is my favorite thing I read all week.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Embracing the reward while resenting the price just isn’t a viable way to go about something for long. You’re always in inner conflict. You’re driving with the brakes on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;An &lt;a href=&#34;https://www.youtube.com/watch?v=Eq3bUFgEcb4&#34;&gt;illuminating history of standard Western music notation&lt;/a&gt;, and why alternatives haven’t taken off. &lt;a href=&#34;https://ascii.theater/&#34;&gt;ASCII Theater&lt;/a&gt; lets you stream free text-based movies in your terminal app. Captions, too! (&lt;a href=&#34;https://x.com/t3xtm0de/status/1752616232698716211?s=46&#34;&gt;via&lt;/a&gt;) &amp;quot;To use AI at work requires you to &lt;a href=&#34;https://www.oneusefulthing.org/p/what-can-be-done-in-59-seconds-an&#34;&gt;think about what your work means to others, and what it means to you&lt;/a&gt;. &amp;quot; Gothamist on the NYC wildlife beat: &lt;a href=&#34;https://gothamist.com/arts-entertainment/flaco-the-central-park-owl-has-been-free-for-a-year-an-nyc-photographer-looks-back&#34;&gt;Photos of Flaco&lt;/a&gt;, free for a year. And we&#39;ve got &lt;a href=&#34;https://gothamist.com/news/do-coyotes-live-new-york-city-yes-they-are-not-leaving-anytime-soon&#34;&gt;coyotes in the city, too&lt;/a&gt;! Beware &lt;a href=&#34;https://twitter.com/JonesOnTheNBA/status/1753309942126354563&#34;&gt;fairy tale brain&lt;/a&gt;. “Something I don&#39;t like about Letterboxd is how &lt;a href=&#34;https://twitter.com/jeremypgordon/status/1752078951437017111&#34;&gt;the social aspect encourages users to have &amp;quot;clever&amp;quot; responses to a movie&lt;/a&gt;, when sometimes the only appropriate reaction is leaving the theater and silently reading the Wikipedia entry in the bathroom line.” And in that spirit, here are my minimally clever thoughts... &lt;strong&gt;Movies&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Fast_X&#34;&gt;Fast X&lt;/a&gt;. I&#39;ve only seen some of #8, and totally missed #9. I&#39;m kinda tapped out on this franchise in its current era. This is easily the worst scripted and worst acted of all the ones I&#39;ve seen. But! Silliness has its merits, and Momoa is the argument in favor. I liked his a kooky Bane-meets-Joker angel of vengeance. Statham is a breath of fresh air, too. Feels like the franchise is choking on its nostalgia. The body count/collateral damage is piling up and it&#39;s making me sad. &lt;strong&gt;TV&lt;/strong&gt; True Detective, s3e3. Interesting to see the wartime-veteran angle picking up. The X-Files, s1e17 &amp;quot;&lt;a href=&#34;https://en.wikipedia.org/wiki/E.B.E._(The_X-Files)&#34;&gt;E.B.E.&lt;/a&gt;&amp;quot;. Glad we returned to mainline UFO stuff after a few episodes away. I love when people think their place is bugged and they tear it apart!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 4</title>
    <link href="https://mlarson.org/2024/01/28/2024-week-4/"/>
    <updated>2024-01-28T22:12:30.000Z</updated>
    <id>https://mlarson.org/2024/01/28/2024-week-4/</id>
    <content type="html">&lt;p&gt;My fiancée was out of town all week, so in her absence, I went into full goblin mode for a few days. 😈 By the time we got to Wednesday morning, the thrill was gone! &lt;strong&gt;Art&lt;/strong&gt; This &lt;a href=&#34;https://www.moma.org/interactives/exhibitions/2014/matisse/the-cut-outs.html&#34;&gt;MoMA overview of Henri Matisse’s cut-outs&lt;/a&gt; is really cool. I learned his transition into &amp;quot;drawing with scissors&amp;quot; was partially a desire for speed: easier to edit a painting, or just cover a larger space, by slapping some paper on the wall. &lt;strong&gt;Running&lt;/strong&gt; On Tuesday night I did &lt;a href=&#34;https://www.bakline.nyc/products/hop-to-hops-challenge&#34;&gt;Bakline’s open-course race from Brooklyn to Manhattan&lt;/a&gt;. Short and sweet, good times. (&lt;a href=&#34;https://www.instagram.com/dhash&#34;&gt;Dave Hashim&lt;/a&gt; took some great photos.) Funny to realize I’ve been in NYC for two years, but only just now ran in Manhattan at night. Nighttime running was my default in Atlanta and LA, but somehow fell out of it. I need to get back! &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/01/20230127-nyc-skyline-from-sunset-park.jpg&#34; alt=&#34;20230127-NYC-skyline-from-Sunset-Park&#34;&gt; Nice long run out to Sunset Park on the weekend. I love the Brooklyn Tower looming in the skyline like the Eye of Sauron (on the right). Squeezed in some trailrunning, too – also need more of that. &lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt; &lt;a href=&#34;https://www.nobutakaaozaki.com/maps.html&#34;&gt;Nobutaka Aozaki made a large map of Manhattan&lt;/a&gt;, assembled from on-scrap directions from strangers. (&lt;a href=&#34;https://twitter.com/whenwereachwe/status/1749090031778619679&#34;&gt;via&lt;/a&gt;) &lt;a href=&#34;https://wikiflix.toolforge.org/&#34;&gt;Wikiflix&lt;/a&gt; is a nice UI for movies that have ascended into the public domain. Amazing what a smidge of design polish can do to sell the product. &amp;quot;&lt;a href=&#34;https://alexanderobenauer.com/ollos/&#34;&gt;OLLOS&lt;/a&gt; is an experiment that organizes everything in my personal computing environment on one unified timeline.&amp;quot; I really like this experiment, one big river of items to flow through. &amp;quot;&lt;a href=&#34;https://montaigne.io/&#34;&gt;Montaigne&lt;/a&gt; turns your Apple Notes into a website.&amp;quot; Like the above, I like this personalization of computing. It&#39;s going to be so cool to see how this trend develops, as the bots make it easier to PM something useful for yourself. There is a downside to the &amp;quot;TGIF&amp;quot; mindset – &lt;a href=&#34;https://twitter.com/jonesgarethp/status/1750112285232607521&#34;&gt;be careful about wishing your life away&lt;/a&gt;! &amp;quot;&#39;&lt;a href=&#34;https://www.nytimes.com/2024/01/23/health/deaf-gene-therapy.html&#34;&gt;There’s no sound I don’t like&lt;/a&gt;,&#39; Aissam said, with the help of interpreters during an interview last week. &#39;They’re all good.&#39;&amp;quot; We can heal forms of deafness with gene therapy. The next decade of medicine is going to be incredible. But on the other hand... &amp;quot;I worry that one of America’s superpowers is to &lt;a href=&#34;https://danwang.co/2023-letter/&#34;&gt;spin up yarns to reduce the urgency for action&lt;/a&gt;.&amp;quot; A &lt;a href=&#34;https://www.washingtonpost.com/nation/interactive/2024/hate-crime-israel-palestine-impact-justice/&#34;&gt;story of a hate crime in a local park&lt;/a&gt; caught my eye this morning. I had a similar experience when I was out for a run at some point last year. (I got some homophobic slurs / violent threats when I dared to run with... running shorts?). No identity harm for me, and didn&#39;t really feel physically at risk. But nonetheless I was really shaken/sad/angry/baffled by the malice. Mercifully, I&#39;ve had a briefer experience than the victim in the story, and one with none of the fallout that family has had. But I can relate to the jumbled feelings in the wake. Can&#39;t imagine what it&#39;s like when that&#39;s a normal risk in your daily experience. &lt;strong&gt;Music&lt;/strong&gt; Dido &amp;amp; Aeneas is one of my favorite operas. The songs that close Act III – &lt;a href=&#34;https://www.youtube.com/watch?v=DL3gAiLdRko&#34;&gt;&amp;quot;When I am laid in earth…&amp;quot; / &amp;quot;With drooping wings…&amp;quot;&lt;/a&gt; – are rightfully celebrated. Beautiful stuff. But on this recording from Nuova Musica, the &lt;a href=&#34;https://www.youtube.com/watch?v=fnthmjlNKEE&#34;&gt;dance / &amp;quot;Often she visits…&amp;quot; section&lt;/a&gt; really caught my ear. I love the period instruments, and the recording is so spacious. Learned about Jah Division from a running buddy – Joy Division covered in reggae/dub form. &amp;quot;&lt;a href=&#34;https://jahdivision.bandcamp.com/album/dub-will-tear-us-apart-again&#34;&gt;Fu Manchu Dub&lt;/a&gt;&amp;quot; is a good one. I&#39;ve gone through the same pattern with just about every album in the Radiohead family tree: 1. Okay... 2. Hmmm I dunno... 3. Hold on a minute...! 4. Okay I love it. :) From The Smile’s latest album, the early fave is &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=djSkQnPgq9o&#34;&gt;Teleharmonic&lt;/a&gt;&amp;quot;. We&#39;ll see how things change on replay after replay. I’m going to see &lt;a href=&#34;https://www.amyriadofpyramids.com/&#34;&gt;André 3000 &amp;amp; flute-friends in concert&lt;/a&gt; soon. 😎 &lt;strong&gt;Movies&lt;/strong&gt; Due to the aforementioned goblin mode, took in quite a few this week. &lt;a href=&#34;https://en.wikipedia.org/wiki/Kimi_(film)&#34;&gt;Kimi&lt;/a&gt; is a perfectly solid 90-minute thriller. What jumped out on rewatch is the perfection of the corporate exec role – sympathetic and instantly suspicious. &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Creator_(2023_film)&#34;&gt;The Creator&lt;/a&gt; has very cool sets and setting, and I&#39;m always open to more philosophical scifi. &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=NUnXxh5U25Y&#34;&gt;Everything In Its Right Place&lt;/a&gt;&amp;quot; is a sick needle drop, the way it fills the ears. I remain frustrated that John David Washington has such a compelling presence and charisma, but scene to scene, in every movie, my trust in the acting waxes and wanes. :/ &lt;a href=&#34;https://en.wikipedia.org/wiki/Scream_3&#34;&gt;Scream 3&lt;/a&gt;. It’s total nonsense, in a good way. Like a soap opera, maybe. Hone in on a few elements, dial them up. Appreciate that all of these movies explore trauma exhaustion, the film industry, the press, bloodthirsty audiences, toxic fandom, etc.. &lt;a href=&#34;https://en.wikipedia.org/wiki/Barbie_(film)&#34;&gt;Barbie&lt;/a&gt;. Wonderfully inventive and vivid... and repeatedly stalls out for talking points. And a little too much Ken, for my taste? Found it dazzling and frustrating, and I wonder what a shorter, zippier cut would feel like. Cast was great, and I really, really hope we see more movies with stylized sets and practical effects like this. The artifice can be so invigorating. Loved the the staginess and visible seams in Anderson&#39;s &lt;a href=&#34;https://en.wikipedia.org/wiki/Asteroid_City&#34;&gt;Asteroid City&lt;/a&gt; and Roald Dahl adaptations, for example, and the spare spaces in Coen&#39;s &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Tragedy_of_Macbeth_(2021_film)&#34;&gt;The Tragedy of Macbeth&lt;/a&gt;. &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Kid_(1921_film)&#34;&gt;The Kid (1921)&lt;/a&gt;. My first Charlie Chaplin. A clean 54 minutes. Sentimental, filmed with a doting smile on the lens. Fun to see signs in Spanish in old Los Angeles. But wild to see a major city in shambles, all those dirt roads, and even the average/nicer areas looking shabby. People who long for the days of yesteryear should spend more time looking at old film and photos. The past sucked! &lt;a href=&#34;https://en.wikipedia.org/wiki/Flashdance&#34;&gt;Flashdance&lt;/a&gt;. I remain fascinated with Pittsburgh, where this movie takes place. Probably the never-visited US city I&#39;m most curious about. Anyway, this is perfectly overstuffed plucky-striver fun. The musical x gritty Midwestern industrial crossover here makes me itchy for a &lt;a href=&#34;https://en.wikipedia.org/wiki/Streets_of_Fire&#34;&gt;Streets of Fire&lt;/a&gt; rewatch. &amp;quot;This is one of those movies that &lt;a href=&#34;https://www.rogerebert.com/reviews/flashdance-1983&#34;&gt;goes for a slice of life and ends up with three pies&lt;/a&gt;.&amp;quot; – Ebert says it like it&#39;s a bad thing! &lt;a href=&#34;https://en.wikipedia.org/wiki/Phoenix_(2014_film)&#34;&gt;Phoenix (2014)&lt;/a&gt;. Somehow Saturday afternoons have become my time for quiet European drama. Here we have a Holocaust survivor, the only surviving of her family, recovering from a major reconstructive surgery, and reluctant to leave the country to start over in Jewish sanctuary cities. She remains in Berlin in hope of finding her husband, who had likely turned her over to the Nazis. They meet and we see their relationship transform. It’s really good. This is the middle of a thematic trilogy from &lt;a href=&#34;https://en.wikipedia.org/wiki/Christian_Petzold_(director)&#34;&gt;Christian Petzold&lt;/a&gt; – &lt;a href=&#34;https://en.wikipedia.org/wiki/Barbara_(2012_film)&#34;&gt;Barbara&lt;/a&gt; and &lt;a href=&#34;https://en.wikipedia.org/wiki/Transit_(2018_film)&#34;&gt;Transit&lt;/a&gt; are also excellent. I’ll be watching more from him. &lt;strong&gt;TV&lt;/strong&gt; Miami Vice, s1e9, &amp;quot;&lt;a href=&#34;https://miamivice.fandom.com/wiki/Glades&#34;&gt;Glades&lt;/a&gt;&amp;quot;. Don’t know where to begin here, it’s so strange, with our heroes doing guerrilla warfare in the swamp. But it had me thinking about the value of TV built for commercials: you get a break!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 3</title>
    <link href="https://mlarson.org/2024/01/21/2024-week-3/"/>
    <updated>2024-01-21T22:46:22.000Z</updated>
    <id>https://mlarson.org/2024/01/21/2024-week-3/</id>
    <content type="html">&lt;p&gt;If it snows, I&#39;m making a snow angel. Such a great gift to give yourself. 10/10, strongly recommended. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/01/snow-angel.jpg&#34; alt=&#34;snow angel&#34; title=&#34;snow-angel.jpg&#34;&gt; Other highlights and happenings from the previous week... &lt;strong&gt;Art&lt;/strong&gt; I love these &lt;a href=&#34;https://text-mode.org/?p=20948&#34;&gt;weavings from Elsa Pärs-Berglund&lt;/a&gt;. Tremendous work. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2024/01/elsa-pars-berglund-svarta-tupp.jpeg&#34; alt=&#34;&#34; title=&#34;elsa-pars-berglund-svarta-tupp.jpeg&#34;&gt; I also love these &lt;a href=&#34;https://x.com/fedeitaliano76/status/1747733334132772979&#34;&gt;woodcuts by Gorden Mortensen&lt;/a&gt;. The crisp lines and gentle saturation remind me of the work I often see in the &lt;a href=&#34;https://twitter.com/JapanTraCul&#34;&gt;Masterpieces of Japan&lt;/a&gt; feed. &lt;strong&gt;Running&lt;/strong&gt; Had my first 25º run of the year last week. So fun! So cold! New fleecy running tights make a big difference. Some dicy, icy weather killed my usual routine, but bright side: hesitantly embraced the treadmill and... it wasn&#39;t so bad! Worse in memory than reality. This week I&#39;ll be doing a cool &lt;a href=&#34;https://www.bakline.nyc/products/hop-to-hops-challenge&#34;&gt;Bakline race starting in my neighborhood and finishing in Manhattan&lt;/a&gt;. What makes it extra-cool is that you can enter in a &amp;quot;prediction&amp;quot; group, and the winner is the person with the most accurate estimate of their finish time. No pace gadgets allowed! Should be a blast. &lt;strong&gt;Articles &amp;amp; Episodes &amp;amp; Twoots&lt;/strong&gt; &lt;a href=&#34;https://blog.nationalmuseum.ch/en/2024/01/casting-light-on-relief-map-shading/&#34;&gt;Convention and disagreement in how maps are shaded&lt;/a&gt;. (thanks, &lt;a href=&#34;https://www.jdilla.xyz/post/197&#34;&gt;James&lt;/a&gt;) &lt;a href=&#34;https://twitter.com/UsherNBA/status/1749113118121165300&#34;&gt;Hakeem was so so good&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Hakeem Olajuwon is the NBA’s all-time leader in 5x5 games with six Hakeem is also the all-time leader in: - 5x4 games (24) (D. Robinson 13) - 5x3 games (94) (Robinson 73) - 5x2 games (327) (Robinson 224) - 5x1 games (787) (K. Garnett 723)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;Music&lt;/strong&gt; Lou Reed&#39;s &lt;a href=&#34;https://en.wikipedia.org/wiki/Hudson_River_Wind_Meditations&#34;&gt;Hudson River Wind Meditations&lt;/a&gt; was re-issued, and &lt;a href=&#34;https://www.youtube.com/watch?v=85GY9lKCFKc&#34;&gt;Move Your Heart&lt;/a&gt; is a great place to start listening. The album made me think of a couple from the 1970s – Catherine Christer Hennix&#39;s 1976 &lt;a href=&#34;https://www.youtube.com/watch?v=eXxobmct4xY&#34;&gt;Electric Harpsichord&lt;/a&gt;, and the 1972 &lt;a href=&#34;https://www.youtube.com/watch?v=iS4_1N7HTX8&#34;&gt;The Wind Harp – Song from the Hill&lt;/a&gt;. &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=hXhV00454f8&#34;&gt;Soave sia il vento&lt;/a&gt;&amp;quot; from Mozart&#39;s &amp;quot;Così fan tutte&amp;quot; was a revelation. My &lt;a href=&#34;https://twitter.com/mlarson/status/1747756388846043359&#34;&gt;soul has been renewed&lt;/a&gt;. And building on that, I had a blast listening to this on repeat and making ChatGPT tell me about it.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;M: So that opera &amp;quot;Cosi fan tutte&amp;quot;, what&#39;s that song &amp;quot;Soave sia il vento&amp;quot; about? CGPT: &amp;quot;Soave sia il vento&amp;quot; is a renowned trio from Mozart&#39;s opera &amp;quot;Così fan tutte&amp;quot;. This beautiful piece is often praised for its melodic and harmonic beauty. In the context of the opera, it occurs relatively early in Act I. The song is a moment of serene and tender beauty. The characters Don Alfonso, Fiordiligi, and Dorabella are at the shore, bidding farewell to Ferrando and Guglielmo, who are pretending to leave for war (as part of Don Alfonso&#39;s scheme to test the sisters&#39; fidelity). The lyrics express a wish for the winds to be gentle and the waves to be kind during their journey. The words translate to something like: &amp;quot;May the wind be gentle, may the waves be calm, and may every element respond benignly to our desire.&amp;quot; The trio is a sublime example of Mozart&#39;s ability to convey deep emotion and a sense of peace through music. The harmonious blending of the three voices, along with the orchestral accompaniment, creates a soothing and contemplative atmosphere. This piece reflects the themes of love, loyalty, and the bittersweet farewells that are central to the opera&#39;s narrative.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;...and on from there digging into music theory, operatic conventions, similar works in music history. Opera tutor on demand, very cool. Otherwise, I loaded up on &lt;a href=&#34;https://www.gramophone.co.uk/features/article/the-best-classical-music-albums-of-2023-so-far&#34;&gt;Gramophone’s best of 2023 list&lt;/a&gt;, and have been gorging on old stuff recorded anew. &lt;strong&gt;Books&lt;/strong&gt; Lord of Chaos, continued. Almost 2/3 done, chipping away before bed. &lt;strong&gt;School&lt;/strong&gt; Finished my project for Data Structures &amp;amp; Algorithms II. Exhausting and satisfying. Now transitioning into Linux en route to an LPI certification. &lt;strong&gt;TV&lt;/strong&gt; X-Files, s1e13, &amp;quot;Beyond the Sea&amp;quot;, s1e14 &amp;quot;Gender Bender&amp;quot;, and s1e15 &amp;quot;Lazarus&amp;quot;. This has been a really tough few episodes for Scully! Manipulated by a death row psychic, hypnotized and assaulted by a religious zealot, ex-boyfriend&#39;s dead body possessed with a killer&#39;s soul. Phew! Fargo, s1e1. Felt too similar to the film, but just colder, darker, nastier. Couldn&#39;t find the levity or warmth I appreciated in the original. I hear the full run is great, but I just couldn&#39;t continue with it. True Detective, s3e1-2. Off to a good start, I&#39;d say. &lt;strong&gt;Movies&lt;/strong&gt; Rewatched &lt;a href=&#34;https://en.wikipedia.org/wiki/Love_%26_Friendship&#34;&gt;Love &amp;amp; Friendship&lt;/a&gt;, an understated chamber comedy with Kate Beckinsale starring as a selfish, plotting antiheroine. Incredible costumes and a lovely soundtrack. (&lt;a href=&#34;https://mlarson.org/2017/01/07/love-friendship-if-you-like-jane-austen-andor/&#34;&gt;Previously&lt;/a&gt;). &lt;a href=&#34;https://en.wikipedia.org/wiki/Pulse_(2001_film)&#34;&gt;Pulse&lt;/a&gt; is turn-of-the-century internet horror. Love this kind of horror where things are just... off. In one scene a person walks too slowly. In another, someone stands up in a way you know is wrong. Visceral, but rather than grisly. Admirable work on a lower budget, with horrible things revealed just with change of lighting or perspective, but in the frame the whole time. And I those beautiful beige-box computers did make me the slightest bit nostalgic.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 2</title>
    <link href="https://mlarson.org/2024/01/14/2024-week-2/"/>
    <updated>2024-01-15T00:31:22.000Z</updated>
    <id>https://mlarson.org/2024/01/14/2024-week-2/</id>
    <content type="html">&lt;p&gt;January is passing with blazing speed &lt;strong&gt;Art&lt;/strong&gt; I love &lt;a href=&#34;https://twitter.com/JapanTraCul/status/1745435641611985275&#34;&gt;old Japanese panel art on huge panels&lt;/a&gt; and it would be cool to own some one day. I also love a lot of Byzantine art, and saw a &lt;a href=&#34;https://www.metmuseum.org/exhibitions/africa-byzantium&#34;&gt;the cool Africa &amp;amp; Byzantium at the The Met recently&lt;/a&gt;. Related to those, I&#39;ve been thinking about the slow-burn interests you develop over a lifetime. Lots of stuff 10- and 20-yo Mark cared about are still in effect – running, hiking, orchestral music, sculpture, etc.. Some others, never would have seen coming: Byzantine art, Native American history, tapestries and textiles. What a gift, to keep stumbling on new stuff. &lt;strong&gt;School&lt;/strong&gt; I finished a project, and now feel 20x more competent with Python. Next adventure is all Linux, which is one of those areas where, all due respect to the super-fans, I&#39;ve never bothered to look at for more than a second. Curious what&#39;s in store. &lt;strong&gt;Running&lt;/strong&gt; In the last week, I ran the fastest 10k I&#39;ve done in a couple years... which was so so much slower than what I did when I was younger. Funny to know, objectively, I&#39;m not as fast today, but still feel so happy with it. It&#39;s been a great year of running. I&#39;ve been a part of a &lt;a href=&#34;https://crownheightsrunningclub.nyc/&#34;&gt;local running club&lt;/a&gt; for most of my time in Brooklyn. I dabbled a bit in Atlanta, didn&#39;t have one at all in Los Angeles, and now have a hard time imagining not having one again. Again, something I never would have guessed in my &#39;20s, a pretty dedicated solo (or duo) runner. &lt;strong&gt;Books&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lord_of_Chaos&#34;&gt;Lord of Chaos&lt;/a&gt;, continued. Finally getting some bubbles in this pot. &lt;strong&gt;Blogs &amp;amp; Pods &amp;amp; Twoots&lt;/strong&gt; &lt;a href=&#34;https://backpackinglight.com/podcast-95-natural-fibers-performance-apparel-alpaca-wool-arms-of-andes/&#34;&gt;Natural Fibers in Outdoor Performance Apparel&lt;/a&gt;. I&#39;ve been a member of Backpacking Light for a couple decades now (!), and an episode like this is a perfect example why. Deep science nerdery into hows and whys of fibers, weaves, knits, fabrics, and how they differ in effectively keeping you cool/warm/comfortable/safe. Nicholas Cage has &lt;a href=&#34;https://twitter.com/JFrankensteiner/status/1744119167983272172&#34;&gt;respect for the dollar&lt;/a&gt;. (Cf. &amp;quot;No amount of money, neither large nor small, ever should be taken for granted because &lt;a href=&#34;https://marginalrevolution.com/marginalrevolution/2021/02/my-history-of-manual-labor.html&#34;&gt;somewhere along the way someone earned it&lt;/a&gt;&amp;quot;.) &lt;a href=&#34;https://www.theringer.com/2024/1/9/24030994/the-dark-side-of-the-obsession-with-focus-oliver-burkeman&#34;&gt;Derek Thompson, in conversation with Oliver Burkeman&lt;/a&gt;: &amp;quot;Everything we radically oppose in life, we ironically revere. We give power to the things that we set up our life in opposition to.&amp;quot; Burkeman is an excellent guest, here and elsewhere. &lt;a href=&#34;https://www.bbc.com/news/science-environment-67940671&#34;&gt;Huge ancient lost city found in the Amazon&lt;/a&gt;. &amp;quot;Prof Rostain says he was warned against this research at the start of his career because scientists believed no ancient groups had lived in the Amazon. &#39;But I&#39;m very stubborn, so I did it anyway.&#39;&amp;quot; LIDAR is so cool. Feels like there are still so many old cities we haven’t found yet. We underestimate how much history the past had! &lt;strong&gt;Music&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://open.spotify.com/album/0E2PgtXRUHCslZ7gRselUq&#34;&gt;Old-school-flavored soul/R&amp;amp;B from Jalen Ngonda&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=kBPwEqljF-4&#34;&gt;Betty Benedeadly, &amp;quot;Mojave Mystic&amp;quot;&lt;/a&gt; – some kinship with Hermanos Gutiérrez in this one.&lt;/li&gt;
&lt;li&gt;This &lt;a href=&#34;https://open.spotify.com/playlist/5mdXUEq5MqGsObrnuKfupp&#34;&gt;playlist of X-Files soundtracks&lt;/a&gt; has been on repeat during working hours.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=yL_2oKE4VtU&#34;&gt;Brandee Younger&#39;s cover of &amp;quot;If It&#39;s Magic&amp;quot;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Movies&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Twister_(1996_film)&#34;&gt;Twister&lt;/a&gt;. The &#39;90s were a great era for movies. It could be simply a formative-age thing, but they just... look right! Wear &amp;amp; tear, sweat, grain, a little softness in the image. This is standard adventure-romance fare, but you&#39;ve got some terrific non-star star power here: Hunt, Paxton, Hoffman, Gertz, Ruck, Davies. What&#39;s not to like? &lt;a href=&#34;https://en.wikipedia.org/wiki/Leave_the_World_Behind_(film)&#34;&gt;Leave the World Behind&lt;/a&gt;. Very nicely introduces the tension and looming sense of... something... not quite right, but never ratchets up very much. &lt;strong&gt;TV&lt;/strong&gt; X-Files, s1e12, &amp;quot;Fire&amp;quot; was a bit of a miss for me. Evil guy being evil. &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Pines&#34;&gt;Three Pines&lt;/a&gt;, s1e4-8. I am bummed that this show didn&#39;t get another season. There are moments of rough dialogue, some characters sketched a little too sparsely, some dialogue that really insists you get the message, and yet... so much else working in its favor. Honorable heroes, and I can&#39;t think of any crime show that cares so much about its victims and makes time for grieving families. Here&#39;s hoping we&#39;ll get more someday. (Small consolation, there is &lt;a href=&#34;https://www.imdb.com/title/tt2225780/&#34;&gt;a movie&lt;/a&gt;, and I&#39;m curious how it interprets the characters in this world.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2024, Week 1</title>
    <link href="https://mlarson.org/2024/01/07/2024-week-1/"/>
    <updated>2024-01-08T00:05:02.000Z</updated>
    <id>https://mlarson.org/2024/01/07/2024-week-1/</id>
    <content type="html">&lt;p&gt;At the start of this week, I spent some time talking through 2024 goals.  I&#39;m excited for what&#39;s to come. One over-arching desire is to build more intention and reflection. A &lt;a href=&#34;https://austinkleon.substack.com/p/the-weekly-review&#34;&gt;weekly review&lt;/a&gt; may become part of that. It&#39;s a beginning. See where it goes? &lt;strong&gt;School&lt;/strong&gt; Last October I went &lt;a href=&#34;https://www.wgu.edu/online-it-degrees/computer-science.html&#34;&gt;back to school&lt;/a&gt;, scratching an itch, giving myself a chance to explore and learn where I hadn&#39;t given myself the chance in the past. This week&#39;s focus is a project around the &lt;a href=&#34;https://en.wikipedia.org/wiki/Travelling_salesman_problem&#34;&gt;traveling salesman problem&lt;/a&gt;, working in Python. It&#39;s felt great to see my progress, and see the project transition from googling every step, to more and more code coming from my fingers. Plenty of googling in the future, but that transition from &amp;quot;how to build from zero&amp;quot; to &amp;quot;how to fix what I just broke&amp;quot; is very satisfying. One of the biggest improvements is just making myself form very precise, discrete to-do lists, and knocking them out one at a time. &lt;strong&gt;Running&lt;/strong&gt; Fully transitioned to winter-running mode over the last few weeks. Runs in the 30-40ºF range are the new norm for the foreseeable future. Every season, every temperature drop comes with some new anxiety. I never quite remember what I wore last time it was XX temperature. There&#39;s always that little bit of paranoia when setting out, a hard time trusting the wardrobe as I walk out the door – even when I&#39;ve looked up previous runs and used the same setup. But everything settles in within a few minutes. There&#39;s a lesson here. (This is also inspiration for a coding project.) Pushed myself a smidge on a long run this weekend, just to check in on my fitness... and in the middle of that run I did the fastest 10k I&#39;ve recorded in several years? Felt like I had plenty left in the tank. Really curious to see how much I can improve over these next few months. &lt;strong&gt;Books&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lord_of_Chaos&#34;&gt;Lord of Chaos&lt;/a&gt;. In progress. I started a re-read of the &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Wheel_of_Time&#34;&gt;The Wheel of Time series&lt;/a&gt; roughly a year ago? First read during high school/college. Book six now, and thousands of pages to go. It&#39;s a perfect bedtime read when school and life has me too fried for more. &lt;strong&gt;Blogs &amp;amp; Pods&lt;/strong&gt; &amp;quot;One of the most interesting things you can do as a reader is to &lt;a href=&#34;https://blog.ayjay.org/whos-counting/&#34;&gt;sit down and think about why you abandon a book&lt;/a&gt;.&amp;quot; &lt;strong&gt;Music&lt;/strong&gt; The start of the year is always so good for me. &lt;a href=&#34;https://twitter.com/mlarson/status/1743674368046084176&#34;&gt;https://twitter.com/mlarson/status/1743674368046084176&lt;/a&gt; This year I stole the idea of so many, to create an ongoing playlist of stand-out tracks as I go through the year. Sampling from a couple great albums so far: &lt;a href=&#34;https://www.youtube.com/watch?v=7ox_SnQOpXk&#34;&gt;Nation of Language, &amp;quot;Sole Obsession&amp;quot;&lt;/a&gt; &lt;a href=&#34;https://www.youtube.com/watch?v=23Eos6c-MPA&#34;&gt;Portico Quartet, &amp;quot;On the Light&amp;quot;&lt;/a&gt; &lt;a href=&#34;https://www.youtube.com/watch?v=_WKm7B-kPK4&#34;&gt;Bulgarian State Television Female Choir, &amp;quot;Polegnala e Todora (Love Song)&amp;quot;&lt;/a&gt; I also have a new running playlist. Most often I&#39;d create them for an immediate need, and delete later on. For the current on, I&#39;ve just kept adding more. I keep it playing from newest-to-oldest, so that the freshest stuff is always near the top as I sprint around town. Recent additions: &lt;a href=&#34;https://www.youtube.com/watch?v=w6Mcf970q6M&#34;&gt;Mýa, &amp;quot;Free&amp;quot;&lt;/a&gt; &lt;a href=&#34;https://www.youtube.com/watch?v=u9DV1eHQpcA&#34;&gt;Ghost, &amp;quot;Spillways&amp;quot;&lt;/a&gt; &lt;strong&gt;Movies&lt;/strong&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Bad_Boys_(1995_film)&#34;&gt;Bad Boys (1995)&lt;/a&gt; Will Smith before he was charismatic? It&#39;s very much the Martin Lawrence show. I was surprised to see Smith so muted. You have to be wary with comedies of a certain period. Plenty of juvenile crudeness, innuendo, prejudice lurking, and... I&#39;m over it! I&#39;ll still watch the sequel – I hear it&#39;s got more Michael Bay-ness going on. &lt;a href=&#34;https://en.wikipedia.org/wiki/R.M.N.&#34;&gt;R.M.N.&lt;/a&gt; Villagers in a small town in Romania grapple with accepting outsiders (room for improvement...) and with their own economic need to leave home to thrive (and how they are received in turn). Empathy as a function of location. A major scene takes place at the most toxic community meeting you&#39;ve ever seen (and it&#39;s sad that you probably know exactly what that&#39;s like!). Influenced by true events, and clear Biblical-refugee echoes here, with its Christmastime setting. &lt;strong&gt;TV&lt;/strong&gt; The X-Files I haven&#39;t watched much since the &#39;90s. Late last year, decided to revisit. I&#39;d forgotten how much wisecracking Mulder does. This week featured &amp;quot;Fallen Angel&amp;quot; and &amp;quot;Eve&amp;quot;. Strong entries, but &amp;quot;Ghost in the Machine&amp;quot; and &amp;quot;Ice&amp;quot; still have my top spots for the first season. &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Pines&#34;&gt;Three Pines&lt;/a&gt; Another rewatch in progress. I really like my first go-round with this unfortunately one-season show. Mystery series in rural Canada with a bit of coziness, oddball characters, and a season-spanning arc with an indigenous community. It&#39;s nice to watch a crime show where, like Columbo, you sense the lead detective is fundamentally good and decent. Dark heroes are a bit overrated. Life On Our Planet Seven episodes in, the mammals are taking over! LFG!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Art Trains</title>
    <link href="https://mlarson.org/2023/01/18/art-trains/"/>
    <updated>2023-01-19T01:06:14.000Z</updated>
    <id>https://mlarson.org/2023/01/18/art-trains/</id>
    <content type="html">&lt;p&gt;This weekend I took the train from New York City to Washington, DC. An experiment: 3hrs down, 8 hours on the ground, 3hrs back home. A rousing success. I was blown away how much &lt;em&gt;nicer&lt;/em&gt; the train trip was. Took a subway to the train station, grabbed a coffee and snack, and then pretty much walked directly to my car and seat. My big fat cushiony seat with plenty of legroom, next to the big window. No security hoops to jump through, no rules for seatbelts and tray tables. What a dream. Definitely want to do more trips like this. The specific reason for the trip was that the &lt;a href=&#34;https://rubellmuseum.org/dc&#34;&gt;Rubell Museum DC&lt;/a&gt; just opened late last year. I can&#39;t think of any other time in my life I was around &amp;quot;at the beginning&amp;quot; for a new institution like that. What a cool opportunity! The featured exhibition was &lt;a href=&#34;https://rubellmuseum.org/exhibitions-dc-2/2022-whats-going-on&#34;&gt;What&#39;s Going On?&lt;/a&gt; – a nod to Marvin Gaye, who went to junior high in the building that now houses the museum. Really liked the Kehinde Wiley in the main hall – &lt;a href=&#34;https://kehindewiley.com/works/down/&#34;&gt;Sleep&lt;/a&gt; (2008):&lt;br&gt;
&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/kehindewileyrubelldc.png&#34; alt=&#34;KehindeWileyRubellDC&#34; title=&#34;KehindeWileyRubellDC.png&#34;&gt;&lt;br&gt;
(Seeing Wiley&#39;s work in person for the first time was &lt;a href=&#34;https://mlarson.org/2018/02/12/art-moments/&#34;&gt;one of my favorite art moments&lt;/a&gt;.) Also enjoyed a bedazzled and dazzling work from &lt;a href=&#34;https://rubellmuseum.org/30a-mickalene-thomas&#34;&gt;Mickalene Thomas&lt;/a&gt;, whose &lt;a href=&#34;https://mickalene.herokuapp.com/works/filter/paintings&#34;&gt;collaged paintings&lt;/a&gt; just burst out of the frame. After the Rubell, the next stop was the National Gallery of Art, East Building. Man, I love quilts. I loved this one, &amp;quot;Columns of Blocks&amp;quot; (2003) from Gee&#39;s Bend quilter &lt;a href=&#34;https://www.soulsgrowndeep.org/artist/sue-willie-seltzer&#34;&gt;Sue Willie Seltzer&lt;/a&gt;, &amp;quot;evoking ripples and reflections on the wide, wandering Alabama River&amp;quot;, as the placard has it.&lt;br&gt;
&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/suewillieseltzer-columnsofblocks.png&#34; alt=&#34;SueWillieSeltzer ColumnsOfBlocks&#34; title=&#34;SueWillieSeltzer-ColumnsOfBlocks.png&#34;&gt;&lt;br&gt;
Perfect. And I&#39;ll close with Max Ernst&#39;s &amp;quot;A Moment of Calm&amp;quot; (1939). Love its dense details, making harsh, spiky angles somehow lush and warm. And those big birds are just silly.&lt;br&gt;
&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/maxernst-momentofcalm.png&#34; alt=&#34;MaxErnst MomentofCalm&#34; title=&#34;MaxErnst-MomentofCalm.png&#34;&gt;&lt;br&gt;
In summary: 10/10, will train for art again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite Movies Watched in 2022</title>
    <link href="https://mlarson.org/2023/01/04/favorite-movies-watched-in-2022/"/>
    <updated>2023-01-05T01:03:03.000Z</updated>
    <id>https://mlarson.org/2023/01/04/favorite-movies-watched-in-2022/</id>
    <content type="html">&lt;p&gt;I watched 166 movies this year. I&#39;m proud of that, sort of? Appreciate that I put the time into something I love. But also... probably a good idea to cut back a bit. Or a lot. Stil, I don&#39;t &lt;em&gt;quite&lt;/em&gt; regret it, not with some of the high peaks in this year&#39;s viewing. I &lt;a href=&#34;https://twitter.com/mlarson/status/1609936337242652679&#34;&gt;tweeted some of the favorites&lt;/a&gt; I watched for the first time, and thought I&#39;d expand on the stand-outs here. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/school-daze-1.jpeg&#34; alt=&#34;school-daze&#34;&gt; &lt;em&gt;School Daze&lt;/em&gt; Really enjoyed catching up on a few Spike Lee films this year. His &lt;em&gt;Pass Over&lt;/em&gt; &lt;a href=&#34;https://twitter.com/mlarson/status/1609936339662782465&#34;&gt;made my second tier&lt;/a&gt;, and &lt;em&gt;Malcolm X&lt;/em&gt; just missed the cut. The energy in &lt;em&gt;School Daze&lt;/em&gt; is off-the-charts. I love Lee&#39;s willingness to blend genres, do whatever will drive the story in an entertaining way. It may not be a dedicated musical, but if we need to &lt;a href=&#34;https://www.youtube.com/watch?v=Xo6cSVeGLqo&#34;&gt;have a dance-off in a salon&lt;/a&gt; or &lt;a href=&#34;https://www.youtube.com/watch?v=aKFBy-1RsC0&#34;&gt;enjoy a joyous, raucous step show&lt;/a&gt;, we are GOING THERE. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/uncle-boonmee.jpeg&#34; alt=&#34;photo of cow in dim light in a forest, still from &amp;quot;Uncle Boonmee Who Can Recall His Past Lives&amp;quot;&#34; title=&#34;uncle-boonmee.jpeg&#34;&gt; &lt;em&gt;Uncle Boonmee Who Can Recall His Past Lives&lt;/em&gt; Completely mesmerized me. The languid forest conversations, visits from the dead, blurring boundaries between this life and the next. This was only movie last year that I re-watched right away, the following day. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/clouds-of-sils-maria.jpeg&#34; alt=&#34;two women rest at the edge of a cliff, with Alps in the background; still from &amp;quot;Clouds of Sils Maria&amp;quot;&#34; title=&#34;clouds-of-sils-maria.jpeg&#34;&gt; &lt;em&gt;Clouds of Sils Maria&lt;/em&gt; I like the everyday-ness of this, a view into a rarified world – being a celebrity seems pretty boring a lot of times! And the meta-commentary on its themes – losing your youth and your place in the world. It just glides along. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/whale-rider.jpeg&#34; alt=&#34;photo of young girl wearing backpack, with view to ocean in the backgroun; still from &amp;quot;Whale Rider&amp;quot;&#34; title=&#34;whale-rider.jpeg&#34;&gt; &lt;em&gt;Whale Rider&lt;/em&gt; This movie got me more emotional than just about anything else I watched. I love that our heroine is so direct, undisguised in what she wants. We get a glimpse into a community, and see the young teach the old. Ebert &lt;a href=&#34;https://www.rogerebert.com/reviews/whale-rider-2003&#34;&gt;sums it up nicely&lt;/a&gt;: &amp;quot;There is a vast difference between movies for 12-year-old girls, and movies about 12-year-old girls, and &amp;quot;Whale Rider&amp;quot; proves it.&amp;quot; &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/taking-pelham-123.png&#34; alt=&#34;two men talk in a dispatch control room full of computers and microphones; still from &amp;quot;The Taking of Pelham One Two Three&amp;quot;&#34; title=&#34;taking-pelham-123.png&#34;&gt; &lt;em&gt;The Taking of Pelham One Two Three (1974)&lt;/em&gt; Just a slick propulsive action movie. They don&#39;t make&#39;em like this anymore. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/kimi.png&#34; alt=&#34;a woman works at a computer in the evening; still from &amp;quot;Kimi&amp;quot;&#34; title=&#34;kimi.png&#34;&gt; &lt;em&gt;Kimi&lt;/em&gt; An agoraphobe is forced outdoors. Love the blend of modern concerns – pandemic, surveillance, corporate malfeasance, cover-ups – and Soderbergh&#39;s usual zesty presentation. This would make a fun pairing with &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Outside_Story&#34;&gt;The Outside Story&lt;/a&gt;. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2023/01/vesper.jpeg&#34; alt=&#34;a hand reaches out to touch a flowering plant; still from &amp;quot;Vesper&amp;quot;&#34; title=&#34;vesper.jpeg&#34;&gt; &lt;em&gt;Vesper&lt;/em&gt; I watched this one on 12/31 – a perfect example of why I don&#39;t finish my list until the new year starts. &lt;em&gt;Vesper&lt;/em&gt; is a biotech scifi fairy tale in the sodden forests of the north. This is sort of perfect species of science fiction for me: give me a few characters to care about. And sketch their life with such precise details that you understand their broader world without being lectured about its rules. Haunting, hopeful. Very grateful to have seen these. Thinking about movies in 2023, I need more constraints. Too often, I skipped over things I wanted to see in favor of the zeitgeist, or feeling a need to &amp;quot;catch up&amp;quot;. And too often, I chose movies as the lazy way out, something only to pass the time. Not inherently a problem, but the blend is off. I&#39;d like this year&#39;s movies tilted more toward the ones I&#39;m especially intrigued by, watched when I can bring them the energy they deserve.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Running Away</title>
    <link href="https://mlarson.org/2022/12/19/on-running-away/"/>
    <updated>2022-12-20T01:27:34.000Z</updated>
    <id>https://mlarson.org/2022/12/19/on-running-away/</id>
    <content type="html">&lt;p&gt;I &lt;a href=&#34;https://twitter.com/mlarson/status/1603758161101721601&#34;&gt;tossed off a tweet&lt;/a&gt; when I was making breakfast the other day:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Advice on leaving (your place of birth, social media platforms, etc.): Make sure you&#39;re running toward something, and not just away from something! ✨&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;What prompted it was I was cooking breakfast, and reflecting on my move from Atlanta to Los Angeles a few years ago, and then from Los Angeles to New York City. When I told my family about the first move, my dad was curious why, and shared something along those lines. He was nudging for details and trying to understand my mindset – was I hurting? Worn down? Desperate? Or alive, seeking, hopeful? It stuck with me. And luckily the second move was much higher on the &amp;quot;running toward&amp;quot; than the &amp;quot;running away&amp;quot; side of things. I was also thinking of a certain website that&#39;s been in the news lately for leaning into some of its worst qualities. I&#39;m one of the lucky people with a small, friendly following that generally has a great experience. I see many people who seem increasingly frazzled and broken by theirs, though. I don&#39;t feel it directly, but I can understand it. It&#39;s valid, as all emotions are. I think the part of the advice above that I love the most is the attitude it implies – positive, constructive, optimistic. Reminds me in a slant way of the current tag line for &lt;a href=&#34;https://blog.ayjay.org/&#34;&gt;Alan Jacobs&#39; blog&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;More lighting of candles, less cursing the darkness&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;d always want to leave with a promise of something better, not a curse on the past. I&#39;m open to the idea that Mastodon or Post or Hive or whatever is a better Twitter than Twitter. And I hope if (when?) I leave I&#39;ve got a good vision of what &amp;quot;better&amp;quot; looks like. Eventually every escape will come to rest, and when you look around, it helps to have some standards to measure by. Similar to &lt;a href=&#34;https://www.theguardian.com/culture/2015/jul/11/amy-poehler&#34;&gt;Amy Poehler&#39;s perspective&lt;/a&gt; I &lt;a href=&#34;https://mlarson.org/2015/07/14/i-see-life-as-like-being-attacked-by-a-bear-you/&#34;&gt;shared a few years ago&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I see life as like being attacked by a bear. You can run, you can pretend to be dead, or you can make yourself bigger.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I don&#39;t want to &lt;a href=&#34;https://austinkleon.com/2022/12/16/running-away/&#34;&gt;wear out my shoes fooling myself&lt;/a&gt;. What will make me bigger? It may not be another app. I&#39;ve got time to think it over. I hope you do, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2022</title>
    <link href="https://mlarson.org/2022/12/14/10198/"/>
    <updated>2022-12-15T03:08:07.000Z</updated>
    <id>https://mlarson.org/2022/12/14/10198/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Romantic comedy is the only genre committed to letting relatively ordinary people — no capes, no spaceships, no infinite sequels — figure out how to deal meaningfully with another human being. These are the lowest-stakes movies we have that are also about our highest standards for ourselves, movies predicated on the improvement of communication, the deciphering of strangers and the performance of more degrees of honesty than I ever knew existed — gentle, cruel, blunt, clarifying, T.M.I., strategic, tardy, medical, sexual, sartorial. They take our primal hunger to connect with one another and give it a story. And at their best, they do much more: They make you believe in the power of communion.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2019/04/24/magazine/romantic-comedy-movies.html?module=inline&#34;&gt;Rom-Coms Were Corny and Retrograde. Why Do I Miss Them so Much?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Collage, #1</title>
    <link href="https://mlarson.org/2022/12/13/collage-1/"/>
    <updated>2022-12-14T00:16:41.000Z</updated>
    <id>https://mlarson.org/2022/12/13/collage-1/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2022/12/collage1.png&#34; alt=&#34;Collage1&#34; title=&#34;collage1.png&#34;&gt; Move the little bits around and glue it to other stuff. Does wonders for your brain.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Is this thing on?</title>
    <link href="https://mlarson.org/2022/12/12/is-this-thing-on/"/>
    <updated>2022-12-13T01:27:43.000Z</updated>
    <id>https://mlarson.org/2022/12/12/is-this-thing-on/</id>
    <content type="html">&lt;p&gt;I think I miss blogging? I feel annoyed when I look back at the date of the last post here, and know all the interesting stuff that happened since. I moved across the country, for example. Twice. And there was a wee pandemic. But outside of my journal (kept daily, religiously), no record of my thinking, my influences. I also miss the attentiveness it cultivated in me, when that flow was at its best. I gave a little extra consideration to what I was taking in. The intake hasn&#39;t really slowed. But the processing and reflection, that background hum (&amp;quot;hmmm I might share this&amp;quot;) tapered off. I miss it. So... yeah, &lt;a href=&#34;https://www.youtube.com/watch?v=BSfpoSrCGsQ&#34;&gt;I&#39;m thinkin&#39; I&#39;m back&lt;/a&gt;. We&#39;ll see how it goes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Indulgence</title>
    <link href="https://mlarson.org/2019/06/04/indulgence/"/>
    <updated>2019-06-05T02:01:53.000Z</updated>
    <id>https://mlarson.org/2019/06/04/indulgence/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most indulgences are pleasures borrowed from your health or sanity — mindless entertainment, processed food, booze or needless shopping. But not in this case. You’re making your pleasure from the cleanest ingredients: leaves, water, and time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.raptitude.com/2012/12/how-to-sit-in-a-chair-and-drink-tea/&#34;&gt;How to sit in a chair and drink tea&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Don’t Breathe</title>
    <link href="https://mlarson.org/2019/05/31/dont-breathe/"/>
    <updated>2019-06-01T02:30:15.000Z</updated>
    <id>https://mlarson.org/2019/05/31/dont-breathe/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/06/img_0460.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Don%27t_Breathe&#34;&gt;Don&#39;t Breathe&lt;/a&gt;. A good gimmick stretched too far. Much preferred the basic home invasion plot before the homeowner got... complicated.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Atlanta Urban Walking Trilogy</title>
    <link href="https://mlarson.org/2019/05/30/atlanta-urban-walking-trilogy/"/>
    <updated>2019-05-30T04:21:04.000Z</updated>
    <id>https://mlarson.org/2019/05/30/atlanta-urban-walking-trilogy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/img_0452.jpg&#34; alt=&#34;&#34;&gt; On Memorial Day weekend I finished an urban walking trilogy. One morning in 2017 I set out to walk 19 miles from the heart of downtown out east to the top of Stone Mountain. I had toyed with the idea for a while, and figured one morning, what the heck. Why not? As soon as I finished, I thought about where else I might go. In 2018, it was 23 miles out northwest to Kennesaw Mountain&#39;s summit. This year, I did a little morning 13-miler down to the airport. Most of the time on these walks, it&#39;s not really enjoyable. The streets and highways aren&#39;t friendly for pedestrians. The sun bears down on you. Hard sidewalks (when they exist) make my feet hurt. I walk past industrial parks, encampments for those with no other place to sleep, empty lots, next to 4-lane highways, underneath interstate overpasses, past strip malls, past front porches. I feel kinda scummy and outcast, especially when just starting out. But eventually there&#39;s a sense of place I develop, connecting the pieces, filling in the gaps, that I don&#39;t get in other ways. And there&#39;s a satisfaction of looking back to where I came from, and knowing what&#39;s in between. Like most dumb &lt;a href=&#34;https://www.rei.com/blog/climb/fun-scale&#34;&gt;Type 2 fun&lt;/a&gt; I do, I&#39;m... not exactly sure... why? But when I get ideas, and wonder what-ifs, and they don&#39;t go away, it&#39;s usually best to try to give them life.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Paddington</title>
    <link href="https://mlarson.org/2019/05/27/paddington/"/>
    <updated>2019-05-28T03:00:56.000Z</updated>
    <id>https://mlarson.org/2019/05/27/paddington/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/06/img_0457.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Paddington_(film)&#34;&gt;Paddington&lt;/a&gt;. Oh man I was obsessed within minutes. So much heart, moral grounding. And the visual comedy! The dopey slapstick! Gotta chase down the sequel soon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>John Wick: Chapter 3 – Parabellum</title>
    <link href="https://mlarson.org/2019/05/27/john-wick-chapter-3-parabellum/"/>
    <updated>2019-05-28T02:15:06.000Z</updated>
    <id>https://mlarson.org/2019/05/27/john-wick-chapter-3-parabellum/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/06/img_0456.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/John_Wick:_Chapter_3_%E2%80%93_Parabellum&#34;&gt;John Wick: Chapter 3 – Parabellum&lt;/a&gt;. It was good. I consider myself a big enough fan of the franchise that I know I&#39;m probably grading on a curve, but I think &amp;quot;good&amp;quot; is accurate. I feel like the world is getting a little too big. Too many characters. This world of assassins used to feel more sneaky and underground, now it feels ubiquitous. There were too many coins being slipped across tables followed by meaningful eye contact. Halle Berry had a nice turn. Laurence Fishburne continues to be simply the best at... speaking... words. Love the final pitched battle gimmick: dudes with so much body armor they keep reviving like zombies. If you can&#39;t send infinite waves of infantry, make them recyclable. John Wick riding horseback through the city at night is very much my shit.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hiking Kungsleden</title>
    <link href="https://mlarson.org/2019/05/27/hiking-kungsleden/"/>
    <updated>2019-05-28T00:02:57.000Z</updated>
    <id>https://mlarson.org/2019/05/27/hiking-kungsleden/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_6088.jpg&#34; alt=&#34;Kungsleden6088&#34;&gt; Back in July 2017,  I spent a couple weeks hiking &lt;a href=&#34;https://en.wikipedia.org/wiki/Kungsleden&#34;&gt;Kungsleden&lt;/a&gt;, a 270-mile trail in northern Sweden. I started at Hemavan and walked ~215ish miles north up to Saltoluokta, with time constraints keeping me away from the last chunk. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_5919.jpg&#34; alt=&#34;Kungsleden5919&#34;&gt; Researching the trail was a bit challenging. While there was a lot of content on general trekking approaches, I didn&#39;t find a lot oriented toward the more ultralight/lightweight approach I prefer. There wasn&#39;t a ton of information in English, either. And because I do almost all of my hiking in the southern U.S., it was a little difficult to translate my own experience into what I would need to have a good time in a far different environment. So here I&#39;ll jot down the gear and resources I used, in hopes it will help the next person along. (I meant to write this sooner, but... 🤷‍♂️).&lt;/p&gt;
&lt;h3&gt;Timing and Conditions&lt;/h3&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_5967.jpg&#34; alt=&#34;Kungsleden5967&#34;&gt; I hiked from July 3 to 17. It was a higher snow year (I am told), and my start date was a few weeks earlier than peak season begins. When I began there was still snow lingering on many portions of the trail. Snow crossings happened on most days, but none of it was particularly difficult. It was rare to see patches longer than 100 meters or so, none of it was very steeply sloped, and I had only a bit of post-holing here and there. There was quite a lot of water on the trail – creek crossings, snowmelt, boggy sections, etc., so keeping feet dry was just about impossible. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_6064.jpg&#34; alt=&#34;Kungsleden6064&#34;&gt; Temperatures ranged from high 30s on the coldest mornings, in the 40s and 50s on most days, with sunnier ones briefly in the upper 70s or low 80s. I was lucky to only have heavy rain on a couple of days. Those were pretty miserable, and just about perfect for hypothermia. Just about every day had some strong winds at some point. Walking from the south to the north kept the prevailing winds at my back, and I&#39;d highly recommend a northbound hike for just that reason. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_6144.jpg&#34; alt=&#34;Kungsleden6144&#34;&gt; The hut system is very nice, and I took advantage of it here and there.. Most have bunks, gas stoves, etc.. The best part is many have little shops with enough food to buy for the next few days. There isn&#39;t a ton of variety, but if you&#39;re hiking at a fair pace, you don&#39;t really need to carry more than 2-3 days of food and a few bites to fill in the cracks. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_5946.jpg&#34; alt=&#34;Kungsleden5946&#34;&gt; On to the gear.&lt;/p&gt;
&lt;h3&gt;Kungsleden Gear List&lt;/h3&gt;
&lt;h4&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_6269.jpg&#34; alt=&#34;Kungsleden6269&#34;&gt;&lt;/h4&gt;
&lt;h4&gt;Clothing&lt;/h4&gt;
&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td id=&#34;left&#34;&gt;&lt;strong&gt;Item&lt;/strong&gt;&lt;/td&gt;&lt;td id=&#34;center&#34;&gt;&lt;strong&gt;Rationale&lt;/strong&gt;&lt;/td&gt;&lt;td id=&#34;right&#34;&gt;&lt;strong&gt;Retrospective&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Goodhew merino-alpaca quarter crew socks&lt;/td&gt;&lt;td&gt;Durable, warm&lt;/td&gt;&lt;td&gt;As expected, lots of miles left on these. Seemed to hold on to mud more than other merino socks I&#39;ve used – side effect of long-hair alpaca, perhaps? I only used one pair for hiking, the other reserved for nighttime toastiness.&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Adidas Traxion trailrunners&lt;/td&gt;&lt;td&gt;Light, flexible; Deep cleats for mud and gravel; mesh for easy drainage&lt;/td&gt;&lt;td&gt;Great choice. Feet wet every single day but shoes never waterlogged too long.&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Swrve slim pants&lt;/td&gt;&lt;td&gt;Cut for city cycling = deep pockets; no extra fabric to flap in wind, puddle at ankles, soak up water; don&#39;t like zipoffs or cargo pockets; polyester more stretchy and comfy in rain and in bed&lt;/td&gt;&lt;td&gt;Perfect choice, very happy&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Lightweight merino long-sleeve shirt&lt;/td&gt;&lt;td&gt;Comfy when damp; thinner for quicker drying; no stink&lt;/td&gt;&lt;td&gt;Rarely to worn alone; usually needed additional layers for bugs, cold&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Prana polyester long-sleeve quarter-zip hoody&lt;/td&gt;&lt;td&gt;Easy temp adjustment; love the thumb loops&lt;/td&gt;&lt;td&gt;Worn daily over the merino, usually all day. Hood very useful for light bug pressure when headnet too hot/fussy. (Interested to try a midweight merino with synthetic button-up?)&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Under Armor spandex boxer-briefs&lt;/td&gt;&lt;td&gt;No stretching, bunching, chafing, smell&lt;/td&gt;&lt;td&gt;Perfect choice&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Patagonia R1 hoody&lt;/td&gt;&lt;td&gt;Warmth when active; deep venting; thumb loops!&lt;/td&gt;&lt;td&gt;Hood is still a little tight and short for my long neck :(&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Polyester balaclava&lt;/td&gt;&lt;td&gt;Adjustable warmth when not wearing R1&lt;/td&gt;&lt;td&gt;Kept my cap from blowing off across the moors; lifesaver for nose/mouth when cold, dry air started to affect my lungs&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Topo Designs camp hat&lt;/td&gt;&lt;td&gt;Woven better than mesh for wet/wind; broad, flat brim helps when wearing glasses in rain&lt;/td&gt;&lt;td&gt;Perfect choice&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Casio digital watch&lt;/td&gt;&lt;td&gt;Slim, inexpensive, water resistant; tells time&lt;/td&gt;&lt;td&gt;Never took it off&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Generic fleece gloves&lt;/td&gt;&lt;td&gt;Warmish&lt;/td&gt;&lt;td&gt;Perfect for small temperature adjustments. Worn daily. Not great in rain, but jacket sleeves helped. These things are... 15 years old?&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Rab Kinetic rain jacket&lt;/td&gt;&lt;td&gt;Light; long sleeves cover hands; great hood&lt;/td&gt;&lt;td&gt;It worked great, but maybe a liiiiiiittle too light. A few more days with heavier rain would change my calculus here.&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Sierra Designs rain pants&lt;/td&gt;&lt;td&gt;Inexpensive, durable&lt;/td&gt;&lt;td&gt;Light enough, sufficiently windproof; not going to spend much on something with limited performance requirements that gets heavy wear&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Marmot Ion windshirt&lt;/td&gt;&lt;td&gt;Helps with insects + cold, wind when active&lt;/td&gt;&lt;td&gt;Absolutely perfect... for only one single day (cold, windy, alternating snowfall and sun). Otherwise, easily replaced by rain jacket.&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Mountain Hardwear Thermostatic insulated jacket&lt;/td&gt;&lt;td&gt;Nuclear option, just in case&lt;/td&gt;&lt;td&gt;Mostly used as pillow. Could be replaced with 8-10oz vest, perhaps.&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;New Balance running tights&lt;/td&gt;&lt;td&gt;Night-time layer if everything is drenched&lt;/td&gt;&lt;td&gt;Never needed&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;ULA Circuit backpack&lt;/td&gt;&lt;td&gt;More durable as luggage than my lighter packs&lt;/td&gt;&lt;td&gt;Worked perfectly; love the hip pockets&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Tarptent Moment tent&lt;/td&gt;&lt;td&gt;Not bringing trekking poles; sets up easily&lt;/td&gt;&lt;td&gt;Loved all the mesh for views and bugs; managed well in heavy winds&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Western Mountaineering Ultralite 20º sleeping bag&lt;/td&gt;&lt;td&gt;Only other option was summerweight bag&lt;/td&gt;&lt;td&gt;A little bit overkill, but no complaints&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Supercat alcohol stove&lt;/td&gt;&lt;td&gt;Inexpensive, fuel everywhere, easier to fly with&lt;/td&gt;&lt;td&gt;Would bring again&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Evernew .9L Ti pot&lt;/td&gt;&lt;td&gt;Trusty ol&#39; standby&lt;/td&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;20oz bike water bottle&lt;/td&gt;&lt;td&gt;Water everywhere, don&#39;t need a lot while moving&lt;/td&gt;&lt;td&gt;Also very useful for drink mixes and steeping lots of tea at end of day&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Platypus 2L water bottle&lt;/td&gt;&lt;td&gt;Camp convenience&lt;/td&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;DEET&lt;/td&gt;&lt;td&gt;Mosquitos waking up...&lt;/td&gt;&lt;td&gt;Essential for middle stretch – boggier, lower-elevation campsites&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;p&gt;(Not listed are the usual essentials and conveniences – sunglasses, first aid kit, chapstick, nail clippers, small light, journaling stuff, maps, etc.)&lt;/p&gt;
&lt;h3&gt;Helpful Links and Resources&lt;/h3&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/kungsleden_6221.jpg&#34; alt=&#34;Kungsleden6221&#34;&gt; I got a lot out of &lt;a href=&#34;http://www.treksnappy.com/the-kungsleden&#34;&gt;Danielle and Wayne Fenton&#39;s Kungsleden journal&lt;/a&gt;, and found &lt;a href=&#34;https://www.amazon.com/Plan-Go-Kungsleden-complete-Swedens/dp/1943126070&#34;&gt;their book&lt;/a&gt; quite useful as well. The photos were super helpful for understanding terrain and weather and such. Ditto for &lt;a href=&#34;http://www.distantnorth.com/destinations/&#34;&gt;Distant North&lt;/a&gt; and &lt;a href=&#34;https://aaronteoh.com/kungsleden-information/&#34;&gt;Aaron Teoh&lt;/a&gt;&#39;s pages. (That said, there&#39;s a fine line where you can read and see too much ahead of time...). Over on &lt;a href=&#34;https://backpackinglight.com&#34;&gt;BackpackingLight.com&lt;/a&gt;, the trip reports from &lt;a href=&#34;https://backpackinglight.com/arctic-brooks-range-gates/&#34;&gt;Kristin Gates&lt;/a&gt;&#39; and Jörgen Johansson&#39;s &lt;a href=&#34;https://backpackinglight.com/brooks-range-lightweight-johansson/&#34;&gt;trips&lt;/a&gt; in &lt;a href=&#34;https://backpackinglight.com/brooks-range-backpacking-johansson/&#34;&gt;Alaska&lt;/a&gt; were useful for rounding out Arctic travel knowledge, as were as various forum posts. The &lt;a href=&#34;https://itunes.apple.com/us/app/swedish-mountain-maps/id1118542280&#34;&gt;Swedish Mountain Maps app&lt;/a&gt; was really useful for daydreaming in advance, and the occasional peek at the terrain. The &lt;a href=&#34;https://www.facebook.com/kungsleden/&#34;&gt;STF Kungsleden Facebook page&lt;/a&gt; is good for the on-the-ground trail conditions in the days leading up to the hike. The &lt;a href=&#34;https://www.calazo.fi/product-category/kartat/ruotsin_kartat/&#34;&gt;Calazo maps&lt;/a&gt; are really good, and I was glad I had them along. And there you have it. Enjoy your hike.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marlina the Murderer in Four Acts</title>
    <link href="https://mlarson.org/2019/05/26/marlina-the-murderer-in-four-acts/"/>
    <updated>2019-05-26T14:25:32.000Z</updated>
    <id>https://mlarson.org/2019/05/26/marlina-the-murderer-in-four-acts/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/06/img_0455.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Marlina_the_Murderer_in_Four_Acts&#34;&gt;Marlina the Murderer in Four Acts&lt;/a&gt;. The old lonesome house, and our weary protagonist, reminded me of &lt;a href=&#34;https://mlarson.org/2014/08/19/unforgiven-my-second-viewing-this-time-around-i/&#34;&gt;Unforgiven&lt;/a&gt;. So much western goodness: Leone-esque desert wah wah guitar, church bells, lonesome trumpets; lone figures in a heat-rippled landscape; swords at the ready at the hip or hand like pistols, or resting across a saddle. Interesting gender themes: entitlement, absentee parents, naming children, pregnancy rumors and shaming. Birth scene seems an echo of early trauma. See also: &lt;a href=&#34;https://mlarson.org/2018/06/04/revenge/&#34;&gt;Revenge&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2018/06/05/m-f-a/&#34;&gt;MFA&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2019/04/20/a-vigilante/&#34;&gt;A Vigilante&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2014/05/07/kill-bill-vol-1-the-better-of-the-two-bills/&#34;&gt;Kill Bill: Vol. 1&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2014/05/07/kill-bill-vol-2-the-lesser-of-the-two-bills-i/&#34;&gt;Kill Bill: Vol. 2&lt;/a&gt;, etc..&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wonder Woman</title>
    <link href="https://mlarson.org/2019/04/21/wonder-woman/"/>
    <updated>2019-04-22T00:24:24.000Z</updated>
    <id>https://mlarson.org/2019/04/21/wonder-woman/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/wonder-woman-1.jpg&#34; alt=&#34;wonder-woman&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Wonder_Woman_(2017_film)&#34;&gt;Wonder Woman&lt;/a&gt;. Watched on a flight, which is the perfect environment for quietly sobbing at &lt;a href=&#34;https://www.rogerebert.com/rogers-journal/i-feel-good-i-knew-that-i-would&#34;&gt;moments of goodness&lt;/a&gt;. The origin story can be so tired, but I just loved the moral heart of this one. The No Man&#39;s Land scene is perfect (and well-named...). Dr. Poison is such a great villain. I loved the make-up and sly creepiness and the hoarse voice. Wish she had more to do. The line &amp;quot;It&#39;s not about deserve... It&#39;s about what you believe.&amp;quot; – such a great scene – got me thinking about &lt;a href=&#34;https://mlarson.org/2014/08/19/unforgiven-my-second-viewing-this-time-around-i/&#34;&gt;William Munny&lt;/a&gt;. &amp;quot;Deserve&#39;s got nothin&#39; to do with it.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crazy Rich Asians</title>
    <link href="https://mlarson.org/2019/04/21/crazy-rich-asians/"/>
    <updated>2019-04-21T22:15:06.000Z</updated>
    <id>https://mlarson.org/2019/04/21/crazy-rich-asians/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/crazy-rich-asians.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Crazy_Rich_Asians_(film)&#34;&gt;Crazy Rich Asians&lt;/a&gt;. Family drama! Family over mere passion mentioned several times. I like the loving attention to food, and flowers. Interesting that the soundtrack featured so many Asian-language covers of American songs, rather than local originals. I like the reclaiming of the Apocalypse Now helicopter/Wagner scene. Our hero Nick kinda drove me a little nuts with the constant smiling (reminded me of Jean Dujardin in &lt;a href=&#34;https://mlarson.org/2011/12/26/the-artist-its-a-fun-cute-film-that-loves-what/&#34;&gt;The Artist&lt;/a&gt;). Gotta admit I love a good wardrobe change montage – they get me every time. I wonder if there&#39;s some meaning or symbolism that went over my head during mahjong game, specifically the bamboo 8 tile. At the least, an echo of the early poker scene (&amp;quot;playing not to lose&amp;quot;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Free Solo</title>
    <link href="https://mlarson.org/2019/04/21/free-solo/"/>
    <updated>2019-04-21T22:00:05.000Z</updated>
    <id>https://mlarson.org/2019/04/21/free-solo/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/free-solo.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Free_Solo&#34;&gt;Free Solo&lt;/a&gt;. Super invigorating. Yeesh. I can&#39;t imagine. There are times I&#39;ve gotten a little bit nervous about moves on a 15ft bouldering wall. I didn&#39;t realize he had a girlfriend at the time of filming. The feat itself was amazing, but what made the movie good was those peripheral relationships. How people around him were stressing out, trying to be supportive without pressuring and without losing their minds. Saw this one on a long flight. Other outdoorsy movies I&#39;ve seen on flights: &lt;a href=&#34;https://mlarson.org/2015/03/31/wild-meh/&#34;&gt;Wild&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2011/06/20/127-hours-this-was-the-perfect-movie-to-watch/&#34;&gt;127 Hours&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Vigilante</title>
    <link href="https://mlarson.org/2019/04/20/a-vigilante/"/>
    <updated>2019-04-21T03:55:42.000Z</updated>
    <id>https://mlarson.org/2019/04/20/a-vigilante/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/vigilante.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Vigilante&#34;&gt;A Vigilante&lt;/a&gt;. Wilde is superb. The movie is not. Among recent woman-seeks-revenge movies, I looooooved &lt;a href=&#34;https://mlarson.org/2018/06/04/revenge/&#34;&gt;Revenge&lt;/a&gt;. &lt;a href=&#34;https://en.wikipedia.org/wiki/Marlina_the_Murderer_in_Four_Acts&#34;&gt;Marlina the Murderer in Four Acts&lt;/a&gt; was pretty good. &lt;a href=&#34;https://mlarson.org/2018/06/05/m-f-a/&#34;&gt;MFA&lt;/a&gt; was alright.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Wars: The Last Jedi</title>
    <link href="https://mlarson.org/2019/04/12/star-wars-the-last-jedi-2/"/>
    <updated>2019-04-13T02:51:26.000Z</updated>
    <id>https://mlarson.org/2019/04/12/star-wars-the-last-jedi-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/last-jedi.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Wars:_The_Last_Jedi&#34;&gt;Star Wars: The Last Jedi&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2018/04/09/star-wars-the-last-jedi/&#34;&gt;the first&lt;/a&gt;). The opening bombing run is really good. I&#39;d forgotten about it – holds up on rewatch. The casino interlude is so, so dumb. I appreciate the visual contrasts in the salt planet battle. Not just the colors, but the scale, like with Finn&#39;s tiny figure juxtaposed with the gigantic tanks in empty space. We need more like that. So many close-ups. Love the tortured silence of Kylo Ren. So depressed, a mindset to just let it all go, burn it all down. Broader theme here of how brash, seat-of-the-pants heroism is often foolish. The writing still strikes me as bad in many spots. I didn&#39;t notice the first time around how the kid Force-pulls himself a broom at the end.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Us</title>
    <link href="https://mlarson.org/2019/03/31/us/"/>
    <updated>2019-04-01T00:40:53.000Z</updated>
    <id>https://mlarson.org/2019/03/31/us/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/us.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Us_(2019_film)&#34;&gt;Us&lt;/a&gt;. I didn&#39;t love it, but liked it a lot and it&#39;s grown on me since. There&#39;s so much to dissect and analyze, which is fun, but better to just stew in it and let it creep you out. Jordan Peele has such a vision. I hope he&#39;s making gobs of money and putting into new work. &lt;a href=&#34;https://mlarson.org/2018/07/18/get-out/&#34;&gt;Get Out&lt;/a&gt; is also a treat.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Matilda</title>
    <link href="https://mlarson.org/2019/03/24/matilda/"/>
    <updated>2019-03-25T00:18:23.000Z</updated>
    <id>https://mlarson.org/2019/03/24/matilda/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/matilda.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Matilda_(1996_film)&#34;&gt;Matilda&lt;/a&gt;. Starts with so much energy, but I couldn&#39;t sustain my enthusiasm the full runtime. It&#39;s fun, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Can You Ever Forgive Me?</title>
    <link href="https://mlarson.org/2019/03/17/can-you-ever-forgive-me/"/>
    <updated>2019-03-18T02:11:26.000Z</updated>
    <id>https://mlarson.org/2019/03/17/can-you-ever-forgive-me/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/can-you-ever-forgive-me.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Can_You_Ever_Forgive_Me%3F&#34;&gt;Can You Ever Forgive Me?&lt;/a&gt;. Melissa McCarthy is so great. Love the portrayal of depression, loneliness, the walls and inability to connect, or only go so far before withdrawing. Nice touch with how the city sounds you hear in the apartment early on are echoed by/set up the sirens after the urgent voicemail!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mandy</title>
    <link href="https://mlarson.org/2019/03/17/mandy/"/>
    <updated>2019-03-18T00:00:36.000Z</updated>
    <id>https://mlarson.org/2019/03/17/mandy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/mandy.png&#34; alt=&#34;mandy&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mandy_(2018_film)&#34;&gt;Mandy&lt;/a&gt;. Psychedelic revenge horror. This was a little too drawn out for me. You&#39;re just immersed in suffering. But its mood and wholeness was great. The woozy rainbow colors and lens flare (like Annihilation), the washes of color. Excellent soundtrack – I&#39;ve been using it for work music ever since.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Good Things in 2018</title>
    <link href="https://mlarson.org/2019/03/17/good-things-in-2018/"/>
    <updated>2019-03-17T16:13:15.000Z</updated>
    <id>https://mlarson.org/2019/03/17/good-things-in-2018/</id>
    <content type="html">&lt;p&gt;It&#39;s never too late to reflect. I walked a lot. It&#39;s the best. One of my goals was to walk every street in downtown Atlanta. Done. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_0399.jpg&#34; alt=&#34;&#34;&gt; I also walked from my place downtown out to the peak of Kennesaw Mountain. This was ~23 miles of mostly road walking that was mostly... pretty miserable. It&#39;s hard to feel like you&#39;re living your best life when you&#39;re walking a narrow strip of grass next to a 4-lane divided highway through light-industrial zoning. But you grow in some odd way. You feel a bit more sympathy for when you see someone doing it who maybe didn&#39;t have the same choice in the matter. Similar to my walk to Stone Mountain I featured in &lt;a href=&#34;https://mlarson.org/2018/01/01/good-things-in-2017/&#34;&gt;Good Things in 2017&lt;/a&gt;, &amp;quot;Really glad I did it, and I will never do it again.&amp;quot; I also got some good walking when I made a summer visit to Glacier National Park with my dad and brother. We hadn&#39;t had a guys-only trip like that since... I couldn&#39;t tell you when. No place like it. Only downside was not being able to disappear into the wilderness immediately. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_7756.jpg&#34; alt=&#34;&#34;&gt; Glacier was my second National Park of the year. Earlier in the spring I went on a volunteer trip to Saguaro National Park, working on a long-running project to remove invasive buffelgrass (which increases wildfire risk, among other issues). It was the most incredible experience. I&#39;ve long loved the outdoors and hiking and such, but there was something about that trip where &lt;em&gt;nature&lt;/em&gt; just really bowled me over. I was there after a dry winter (I am told), but rains had come through just before I arrived. Over the course of the trip, I got to see the desert wake up. Spring was beginning. So many crazy plants I&#39;d never seen up close, or even heard of, were leafing out over the course of the week. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_7214.jpg&#34; alt=&#34;&#34;&gt; To see the dry brown scrubby landscape come alive, and then return home to the lush damp south... I was absolutely drunk on nature. I went to my usual weekend stomping grouds, a favorite state park, and I was just in aww. &amp;quot;Look at these grasses! These &lt;em&gt;leaves&lt;/em&gt;!&amp;quot; That new appreciation for nature ended up feeding into an amazing reading streak. I surfed one of those rare waves of books, hitting a stride where every book leads to the next and the next and the next. I think it really kicked off with McPhee&#39;s &lt;a href=&#34;https://www.amazon.com/Encounters-Archdruid-Narratives-Conservationist-Natural/dp/0374514313&#34;&gt;Encounters with the Archdruid&lt;/a&gt;, just before the Saguaro trip. I read &lt;a href=&#34;https://www.amazon.com/Pilgrim-Tinker-Harper-Perennial-Classics/dp/0061233323/ref=sr_1_1?keywords=pilgrim+at+tinker+creek&amp;amp;qid=1552836667&amp;amp;s=gateway&amp;amp;sr=8-1&amp;amp;tag=duckduckgo-ipad-b-20&#34;&gt;Pilgrim at Tinker Creek&lt;/a&gt; and that led me to &lt;a href=&#34;https://www.amazon.com/Hidden-Life-Trees-Communicate_Discoveries-Secret/dp/1771642483&#34;&gt;The Hidden Life of Trees&lt;/a&gt; and then I figured I&#39;d give &lt;a href=&#34;https://www.amazon.com/Desert-Solitaire-Wilderness-Edward-Abbey/dp/0345326490&#34;&gt;Desert Solitaire&lt;/a&gt; another shot, and loved it this time around. I read &lt;a href=&#34;https://www.amazon.com/Goodbye-River-Narrative-John-Graves/dp/0375727787&#34;&gt;Goodbye to a River&lt;/a&gt;, where I got a feel for the frontier, and more curiosity about the history of the west and non-white experience of the environment. &lt;a href=&#34;https://www.amazon.com/Empire-Summer-Moon-Comanches-Powerful/dp/1416591060&#34;&gt;Empire of the Summer Moon&lt;/a&gt; was a nice complement. &lt;a href=&#34;https://www.amazon.com/Natural-History-Senses-Diane-Ackerman/dp/0679735666&#34;&gt;A Natural History of the Senses&lt;/a&gt; worked its way in, and &lt;a href=&#34;https://www.amazon.com/Black-Nature-Centuries-African-American/dp/0820334316/ref=sr_1_1?keywords=black+nature+poetry&amp;amp;qid=1552836936&amp;amp;s=gateway&amp;amp;sr=8-1&amp;amp;tag=duckduckgo-20&#34;&gt;Black Nature&lt;/a&gt;, and &lt;a href=&#34;https://www.amazon.com/This-Radical-Land-Natural-American/dp/022633614X&#34;&gt;This Radical Land&lt;/a&gt;, too. (In the midst of this I took an excellent workation trip to Toronto, and saw Niagara Falls on one of those little boats, and had an out-of-body experience.) After adding &lt;a href=&#34;https://www.amazon.com/Coming-into-Country-John-McPhee/dp/0374522871&#34;&gt;Coming Into the Country&lt;/a&gt; and &lt;a href=&#34;https://www.amazon.com/Rainy-Lake-House-Twilight-Northern/dp/1421422921&#34;&gt;Rainy Lake House&lt;/a&gt; to the reading binge, I&#39;d touched just about every region of the country. This all tied together and peaked with what I think was my favorite book of the year, &lt;a href=&#34;https://www.amazon.com/Empires-Nations-Families-1800-1860-2012-10-02/dp/B01FIW12YW&#34;&gt;Empires, Nations, &amp;amp; Families&lt;/a&gt;. Whew. What a ride. Outside of that, some other 2018 reads I enjoyed more than average, with especially goods ones asterisked:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Place-Concorde-Suisse-John-McPhee-ebook/dp/B005E8AINW&#34;&gt;La Place de la Concorde Suisse&lt;/a&gt; (McPhee!)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/You-Bike-Road-Eleanor-Davis/dp/1927668409&#34;&gt;You &amp;amp; a Bike &amp;amp; a Road&lt;/a&gt;*&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Whole-Life-Novel-Robert-Seethaler/dp/0374289867&#34;&gt;A Whole Life&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Blink-Eye-Perspective-Film-Editing/dp/1879505622&#34;&gt;In the Blink of an Eye: A Perspective on Film Editing&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Word-Secret-Life-Dictionaries/dp/110187094X&#34;&gt;Word by Word: The Secret Life of Dictionaries&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Three-Body-Problem-Cixin-Liu/dp/0765377063&#34;&gt;The Three-Body Problem&lt;/a&gt;*&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Power-Naomi-Alderman/dp/0316547603&#34;&gt;The Power&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Hamlet-AmazonClassics-William-Shakespeare-ebook/dp/B071WW324R&#34;&gt;Hamlet&lt;/a&gt;* (Shakespeare: pretty good writer)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Basketball-Love-Story-Jackie-MacMullan/dp/1524761788&#34;&gt;Basketball: A Love Story&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Think-Like-Anthropologist-Matthew-Engelke-ebook/dp/B076ZYFFTX&#34;&gt;How to Think Like an Anthropologist&lt;/a&gt;*&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I watched some good stuff, too. Many of the stand-outs were smaller-scale movies. Favorites, among those new to me, mostly in reverse chronological order:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/10/13/lean-on-pete/&#34;&gt;Lean On Pete&lt;/a&gt; (favorite of the year)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/10/17/tomb-raider/&#34;&gt;Tomb Raider&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/10/13/it-follows/&#34;&gt;It Follows&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/10/07/support-the-girls/&#34;&gt;Support the Girls&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/09/26/john-wick-2/&#34;&gt;John Wick 2&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/09/16/dressed-to-kill/&#34;&gt;Dressed to Kill&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/07/22/leave-no-trace/&#34;&gt;Leave No Trace&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/07/18/get-out/&#34;&gt;Get Out&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/07/18/kannathil-muthamittal-a-peck-on-the-cheek/&#34;&gt;A Peck on the Cheek&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/07/11/faces-places/&#34;&gt;Faces Places&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/06/25/uptown-girls/&#34;&gt;Uptown Girls&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/06/04/revenge/&#34;&gt;Revenge&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/05/31/coherence/&#34;&gt;Coherence&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/02/12/wind-river/&#34;&gt;Wind River&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/02/08/columbus/&#34;&gt;Columbus&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/01/28/dunkirk/&#34;&gt;Dunkirk&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/01/27/good-time/&#34;&gt;Good Time&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/01/26/phantom-thread/&#34;&gt;Phantom Thread&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/01/24/it-comes-at-night/&#34;&gt;It Comes at Night&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/01/14/a-ghost-story/&#34;&gt;A Ghost Story&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/01/01/the-lost-city-of-z/&#34;&gt;The Lost City of Z&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href=&#34;https://mlarson.org/2018/01/01/margaret/&#34;&gt;Margaret&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I built on my daily push-up and squat habits, slacked off on meditation, and got a lot better at flossing regularly. (Don&#39;t economize on floss. Buy the good stuff and use it liberally.) I started doing evening journal to match my morning one. I&#39;ve really liked this addition. It&#39;s a good opportunity to scrub my brain clean before I sleep. Usually it&#39;s just bulletpoints of what happened during the day, and that&#39;s plenty. Good year, though it didn&#39;t always feel like it. 🤔&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eighth Grade</title>
    <link href="https://mlarson.org/2019/03/17/eighth-grade/"/>
    <updated>2019-03-17T15:24:46.000Z</updated>
    <id>https://mlarson.org/2019/03/17/eighth-grade/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/03/img_0414.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Eighth_Grade_(film)&#34;&gt;Eighth Grade&lt;/a&gt;. I largely can&#39;t relate to this, because I think I was mostly too oblivious in middle school to feel terribly awkward or unfit. The movie is still great, though. Loved the use of the soundtrack, emphasizing the cuts and subjectivity. Great closing speech at the end. Not eloquent but heartfelt, which is maybe better.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Simple Favor</title>
    <link href="https://mlarson.org/2019/03/17/a-simple-favor/"/>
    <updated>2019-03-17T15:19:31.000Z</updated>
    <id>https://mlarson.org/2019/03/17/a-simple-favor/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/03/img_0413.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/A_Simple_Favor_(film)&#34;&gt;A Simple Favor&lt;/a&gt;. Pretty fun mix of thriller and comedy and keeps a light touch. Blake Lively has a great role. I dig it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Memento</title>
    <link href="https://mlarson.org/2019/03/17/memento/"/>
    <updated>2019-03-17T15:12:01.000Z</updated>
    <id>https://mlarson.org/2019/03/17/memento/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/03/img_0412.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Memento_(film)&#34;&gt;Memento&lt;/a&gt;. Fourth viewing (&lt;a href=&#34;https://mlarson.org/2011/05/16/memento-third-viewing-but-hadnt-seen-it-in-7-8/&#34;&gt;previously&lt;/a&gt;). Joe Pantoliano is superb. Filed under: &lt;a href=&#34;https://mlarson.org/tag/christophernolan/&#34;&gt;Christopher Nolan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 17, 2019</title>
    <link href="https://mlarson.org/2019/03/17/10004/"/>
    <updated>2019-03-17T15:07:23.000Z</updated>
    <id>https://mlarson.org/2019/03/17/10004/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Hip-hop artists are musicologists, and sampling is one way histories are folded into the present.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.newyorker.com/culture/touchstones/an-appreciation-of-missy-elliotts-1997-album-supa-dupa-fly&#34;&gt;Missy Elliott’s “Supa Dupa Fly” Came from the Future&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Black Panther</title>
    <link href="https://mlarson.org/2019/03/17/black-panther/"/>
    <updated>2019-03-17T15:04:53.000Z</updated>
    <id>https://mlarson.org/2019/03/17/black-panther/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/03/img_0411.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Black_Panther_(film)&#34;&gt;Black Panther&lt;/a&gt;. Solid entry. Great villain, but our hero is kinda bland. I&#39;m not over the moon with it. Lots of humor falling flat. I selfishly liked seeing the High Museum as a featured setting. Seemed like there&#39;s some Star Wars influence here. Also, love to see MMA becoming a part of the action movie vocabulary. Not just punches and kicks, but the grappling, throws, chokes, holds, etc.. These people should be complete martial artists. The star of the soundtrack was the talking drums. 👌&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Spider-Man 2</title>
    <link href="https://mlarson.org/2019/03/17/spider-man-2/"/>
    <updated>2019-03-17T14:57:27.000Z</updated>
    <id>https://mlarson.org/2019/03/17/spider-man-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/03/img_0410.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Spider-Man_2&#34;&gt;Spider-Man 2&lt;/a&gt;. I took a break from superhero films for a while but couldn&#39;t have found a better way to return. I was just so impressed with this movie. Even more so because I &lt;em&gt;never&lt;/em&gt; liked Spider-Man comics. The pace, the stakes, some great slapstick and sight gags. Just firing on all cylinders.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Angels Wear White</title>
    <link href="https://mlarson.org/2019/03/17/angels-wear-white/"/>
    <updated>2019-03-17T14:51:28.000Z</updated>
    <id>https://mlarson.org/2019/03/17/angels-wear-white/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/03/img_0409.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Angels_Wear_White&#34;&gt;嘉年华&lt;/a&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Angels_Wear_White&#34;&gt;(Angels Wear White)&lt;/a&gt;. Good drama and melodrama. I like how they show the effects of crime here, spinning out effects in all directions, bringing out good and ill in those who weren&#39;t directly involved.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Avengers: Infinity War</title>
    <link href="https://mlarson.org/2019/03/03/avengers-infinity-war/"/>
    <updated>2019-03-04T00:38:34.000Z</updated>
    <id>https://mlarson.org/2019/03/03/avengers-infinity-war/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/avengers-infinity-war.jpg&#34; alt=&#34;avengers-infinity-war&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Avengers:_Infinity_War&#34;&gt;Avengers: Infinity War&lt;/a&gt;. It was mildly distracting to see the movie&#39;s first major battle taking place in my downtown Atlanta neighborhood, just blocks away. Is this how New Yorkers feel all the time? Thanos is a great villain. Maybe knowing they&#39;d have him around later let them invest more and give him some motivation beyond destruction? I like the several scenes where loved ones are torn between hard choices – Vision and Scarlet Witch, Thanos and Gamorra, Starlord and Gamorra, etc.. My main frustration with the movie was the big Wakanda scenes. We are convinced this is the most technologically advanced civilization on the planet, and they are fighting a crucial battle... with infantry, hand-to-hand? It&#39;s a shame. They could have done something more interesting. The giant roto-tiller machines were cool, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Widows</title>
    <link href="https://mlarson.org/2019/02/23/widows/"/>
    <updated>2019-02-24T00:29:42.000Z</updated>
    <id>https://mlarson.org/2019/02/23/widows/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/widows.png&#34; alt=&#34;widows&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Widows_(2018_film)&#34;&gt;Widows&lt;/a&gt;. Balances a big set of characters without losing its pulse or momentum. I loooooooved the culminating heist. Filed under: &lt;a href=&#34;https://mlarson.org/tag/stevemcqueen/&#34;&gt;Steve McQueen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Searching</title>
    <link href="https://mlarson.org/2019/02/21/searching/"/>
    <updated>2019-02-22T00:25:46.000Z</updated>
    <id>https://mlarson.org/2019/02/21/searching/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/searching.jpg&#34; alt=&#34;searching&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Searching_(film)&#34;&gt;Searching&lt;/a&gt;. This is a nice little manipulative thriller. Respect for how they experimented with form to give life to an otherwise straightforward tale. The opening montage killed me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lady and the Tramp</title>
    <link href="https://mlarson.org/2019/02/15/lady-and-the-tramp/"/>
    <updated>2019-02-16T01:12:33.000Z</updated>
    <id>https://mlarson.org/2019/02/15/lady-and-the-tramp/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/lady-tramp.jpg&#34; alt=&#34;lady-tramp&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lady_and_the_Tramp&#34;&gt;Lady and the Tramp&lt;/a&gt;. I saw this a million times as a kid (my sister had the VHS). Saw it again on a whim when I was in Los Angeles. Fun screening with a theater fool of kids who were super into it. The stereotypes... don&#39;t age well. But the rest does. I&#39;d forgotten about the music. Several good tunes in this one. I&#39;d totally forgot about &lt;a href=&#34;https://www.youtube.com/watch?v=KhJcyrkfjQg&#34;&gt;He&#39;s A Tramp&lt;/a&gt; (those back-up vocals!). &lt;a href=&#34;https://www.youtube.com/watch?v=ySeAjfgoFtw&#34;&gt;Bella Notte&lt;/a&gt; is unforgettable. And &lt;a href=&#34;https://www.youtube.com/watch?v=WPZ1Fqeon9k&#34;&gt;La La Lu&lt;/a&gt;? Just perfect.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Leave No Trace</title>
    <link href="https://mlarson.org/2019/02/10/leave-no-trace-2/"/>
    <updated>2019-02-11T02:09:52.000Z</updated>
    <id>https://mlarson.org/2019/02/10/leave-no-trace-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/leave-no-trace2.jpg&#34; alt=&#34;leave-no-trace2&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Leave_No_Trace_(film)&#34;&gt;Leave No Trace&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2018/07/22/leave-no-trace/&#34;&gt;the first&lt;/a&gt;). What is appropriate for an adult who can&#39;t make peace with the world isn&#39;t appropriate for a kid who&#39;s just becoming ready for it. Using &amp;quot;You Are My Sunshine&amp;quot; as the opening song... :&#39;(. Noticed the color yellow appears a few times – her favorite color, the bees, the yellow blanket at the first house they settle in, the &amp;quot;Don&#39;t Tread On Me&amp;quot; flag when the bulldozers tear down the encampment, and when dad is brought back to the house, there&#39;s a yellow blanket or sweater where Tom puts her stuff. The list of &amp;quot;inspiration source materials&amp;quot; in the closing credits was a cool addition. And there&#39;s a fern at the very end of the credits – looks like a seahorse, doesn&#39;t it? I love this movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mission: Impossible – Fallout</title>
    <link href="https://mlarson.org/2019/02/03/mission-impossible-fallout/"/>
    <updated>2019-02-04T02:20:17.000Z</updated>
    <id>https://mlarson.org/2019/02/03/mission-impossible-fallout/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/mission-impossible-fallout.jpg&#34; alt=&#34;mission-impossible-fallout&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mission:_Impossible_%E2%80%93_Fallout&#34;&gt;Mission: Impossible: Fallout&lt;/a&gt;. Such a &lt;a href=&#34;https://mlarson.org/tag/missionimpossible/&#34;&gt;reliable franchise&lt;/a&gt;! I like how this one raised the level of glamour, the cosmopolitan sheen. And I love how they handled the White Widow/Max connection.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nocturnal Animals</title>
    <link href="https://mlarson.org/2019/02/03/nocturnal-animals/"/>
    <updated>2019-02-04T00:13:32.000Z</updated>
    <id>https://mlarson.org/2019/02/03/nocturnal-animals/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/05/nocturnal-animals.jpg&#34; alt=&#34;nocturnal-animals&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Nocturnal_Animals&#34;&gt;Nocturnal Animals&lt;/a&gt;. Stylish, moody, multi-layered, draws you in, but maybe too meticulous for its own good. I was left a little cold.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What Do We Mean When We Call Art ‘Necessary’?</title>
    <link href="https://mlarson.org/2019/01/28/what-do-we-mean-when-we-call-art-necessary/"/>
    <updated>2019-01-29T02:45:27.000Z</updated>
    <id>https://mlarson.org/2019/01/28/what-do-we-mean-when-we-call-art-necessary/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The effect is something like an absurd and endless syllabus, constantly updating to remind you of ways you might flunk as a moral being.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Glad to see someone writing about &lt;a href=&#34;https://www.nytimes.com/2018/05/08/magazine/what-do-we-mean-when-we-call-art-necessary.html&#34;&gt;one of my least favorite descriptions for art&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This usage seems to gesture everywhere but at the art itself, both as an admonishment to the audience and an indictment of the world that has begotten the themes contained in the work being discussed.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>On the Basis of Sex</title>
    <link href="https://mlarson.org/2019/01/28/on-the-basis-of-sex/"/>
    <updated>2019-01-29T02:14:44.000Z</updated>
    <id>https://mlarson.org/2019/01/28/on-the-basis-of-sex/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_0405.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/On_the_Basis_of_Sex&#34;&gt;On the Basis of Sex&lt;/a&gt;. Paint-by-numbers biopic. RBG is pretty impressive and I&#39;m glad I know more of her story now. Everyone does their part and we all leave inspired. It&#39;s fine!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>万引き家族 (Shoplifters)</title>
    <link href="https://mlarson.org/2019/01/28/万引き家族-shoplifters/"/>
    <updated>2019-01-29T02:10:25.000Z</updated>
    <id>https://mlarson.org/2019/01/28/万引き家族-shoplifters/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_0404.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Shoplifters&#34;&gt;Shoplifters&lt;/a&gt;. It&#39;s bittersweet and so, so good. I like this improvised family, formed by choice and by happenstance, lasting as long as convenience and commitment allow. But for how long? Lots of beautiful moments – out thieving, on the beach, enjoying a rainy afternoon. I like the &amp;quot;mother&#39;s&amp;quot; transformation over the course of the film. Interesting to see side of Japan I&#39;m not used to – the poor, the neglected. I like this one more and more since the time I saw it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2019</title>
    <link href="https://mlarson.org/2019/01/22/10006/"/>
    <updated>2019-01-23T00:50:36.000Z</updated>
    <id>https://mlarson.org/2019/01/22/10006/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Asking yourself, “What am I doing when I like who I am?” seems to me to be a more direct way to figure out what you need more of (and what you need less of) in life, regardless of what you think you &lt;em&gt;should&lt;/em&gt; need. Often, the healthy, fulfilling things we’ve drifted away from are things whose significance probably wouldn’t occur to us, until we start doing them again and see how much they contributed to our well-being.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.raptitude.com/2015/01/self-esteem/&#34;&gt;Where Self-Esteem Comes From&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 21, 2019</title>
    <link href="https://mlarson.org/2019/01/20/10003/"/>
    <updated>2019-01-21T01:42:19.000Z</updated>
    <id>https://mlarson.org/2019/01/20/10003/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m not of the opinion that a film absolutely needs to have a clear moral framework to have worth, but I do believe that making a film is a moral act. Even if the filmmakers pose questions to which they give no answers, the formulation and presentation of the questions themselves are loaded with a moral reasoning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://moviemezzanine.com/sicario-essay/&#34;&gt;On The Vexing Moral Murkiness of &amp;quot;Sicario&amp;quot;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Big Sick</title>
    <link href="https://mlarson.org/2019/01/20/the-big-sick/"/>
    <updated>2019-01-21T01:40:37.000Z</updated>
    <id>https://mlarson.org/2019/01/20/the-big-sick/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_0403.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Big_Sick&#34;&gt;The Big Sick&lt;/a&gt;. Funny, bittersweet rom-com. I should probably watch more comedy. Shout-out to Romano and Hunter. So great in their roles.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Equalizer 2</title>
    <link href="https://mlarson.org/2019/01/20/the-equalizer-2/"/>
    <updated>2019-01-21T01:36:14.000Z</updated>
    <id>https://mlarson.org/2019/01/20/the-equalizer-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_0402.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Equalizer_2&#34;&gt;The Equalizer 2&lt;/a&gt;. I hope they just quietly let this franchise slip into obsolescence. Too much going on here plot-wise, and this edition of McCall seems to have a haranguing Cosby-esque vibe where &lt;a href=&#34;https://mlarson.org/2015/03/31/the-equalizer-second-viewing-the-first-i-wish/&#34;&gt;the first one&lt;/a&gt; had more charm. I think the highlight for me was seeing Donald Cerrone&#39;s bit part.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>First Reformed</title>
    <link href="https://mlarson.org/2019/01/20/first-reformed/"/>
    <updated>2019-01-21T01:27:32.000Z</updated>
    <id>https://mlarson.org/2019/01/20/first-reformed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/img_0401.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/First_Reformed&#34;&gt;First Reformed&lt;/a&gt;. I dig it. Some great performances. I never knew what direction it was going to go.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Arbitrary Goals</title>
    <link href="https://mlarson.org/2019/01/18/arbitrary-goals/"/>
    <updated>2019-01-19T04:30:00.000Z</updated>
    <id>https://mlarson.org/2019/01/18/arbitrary-goals/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The “time” just provides a framework to allow you to get to a place where it’s going to be hard. If you just did it casually, it would be much more comfortable, and I don’t think it would be as transformative or profound, on a personal level. So, I use the “time” as a beacon, or a motivator—whatever you want to call it—not to break a record, but more like if you challenge this time, it’s going to get you to a place where it’s going to be uncomfortable and hard and … you’re going to learn something.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Really loved that bit of &lt;a href=&#34;http://www.blackdiamondequipment.com/en_US/experience-story?cid=joe-grant-nolans-14&#34;&gt;Joe Grant&#39;s Nolan&#39;s 14 interview&lt;/a&gt;. It captured one reason a lot of my hikes turn out the way they do. I like being outdoors and have a few regular haunts. But sometimes I can&#39;t talk myself into getting out until I have a &amp;quot;gimmick&amp;quot;, I call it. Some silly goal. Can I do 40 miles in a day? What&#39;s it like to hike an all-nighter? Can I cover X distance in Y hours... with no running allowed? What if I hiked the same 3-mile loop until I lost my mind? So I put myself in these odd situations, and at times I&#39;ve found myself 20 miles out from the trailhead, thinking, &amp;quot;Well, 20 miles to get back home. The only way home is to put the hours in... so might as well get on with it.&amp;quot; I go through all these emotional roller coasters and eventually there&#39;s a certain peace that comes along, but only after I&#39;ve really stretched.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Heat</title>
    <link href="https://mlarson.org/2018/12/16/heat-2/"/>
    <updated>2018-12-17T01:54:36.000Z</updated>
    <id>https://mlarson.org/2018/12/16/heat-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/heat-waingro-pie.jpg&#34; alt=&#34;heat-waingro-pie&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Heat_(1995_film)&#34;&gt;Heat&lt;/a&gt;. Up to 7 or 8 viewings now? (Filed under: &lt;a href=&#34;https://mlarson.org/tag/heat/&#34;&gt;Heat&lt;/a&gt;). Caught a few more &amp;quot;time&amp;quot; references this go-round. Hanna&#39;s wife offers him coffee before he heads out – can&#39;t, no time. The daughter&#39;s anxiety attack is about being late for her father. And of course &lt;a href=&#34;https://www.youtube.com/watch?v=gIWmWHI5VHo&#34;&gt;the parting shot when Hanna meets with the snitch&lt;/a&gt;. One other minor thing: the Pietà statue at the hospital at the beginning of the movie is echoed by our protagonists at the end. I might have to call this my favorite movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Roma</title>
    <link href="https://mlarson.org/2018/12/12/roma/"/>
    <updated>2018-12-13T03:31:08.000Z</updated>
    <id>https://mlarson.org/2018/12/12/roma/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/roma.jpg&#34; alt=&#34;roma&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Roma_(2018_film)&#34;&gt;Roma&lt;/a&gt;. It is a seriously beautiful but I left frustrated. In several emotional, daunting, or stressful moments the camera drifts away from our protagonist to just sort of take in the scenery. In form, it seems like it... doesn&#39;t care? She&#39;s a bit of a cipher. Perhaps that&#39;s the point, and the broader time and place is what we&#39;re meant to understand. You can see the climax coming a mile away. I like the water imagery, but the astronauts even more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Harry Potter Sorcerer’s Stone</title>
    <link href="https://mlarson.org/2018/12/12/harry-potter-sorcerers-stone/"/>
    <updated>2018-12-13T03:17:22.000Z</updated>
    <id>https://mlarson.org/2018/12/12/harry-potter-sorcerers-stone/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/harry-potter-sorcerers-stone.jpg&#34; alt=&#34;harry-potter-sorcerers-stone&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Potter_and_the_Philosopher%27s_Stone_(film)&#34;&gt;Harry Potter and the Sorceror&#39;s Stone&lt;/a&gt;. What a delight. These movies could have gone off the rails in a million different ways, but they really came through. Somehow I felt the ~magic~ in this one, like literal gasping. So fun. (Side note: this came out 17 years ago???????)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>살인의 추억 (Memories of Murder)</title>
    <link href="https://mlarson.org/2018/12/09/살인의-추억-memories-of-murder/"/>
    <updated>2018-12-10T03:09:16.000Z</updated>
    <id>https://mlarson.org/2018/12/09/살인의-추억-memories-of-murder/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/memories-of-murder.jpg&#34; alt=&#34;memories-of-murder&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Memories_of_murder&#34;&gt;Memories of Murder&lt;/a&gt;. I give this a solid A-. Pretty mesmerizing, and pretty depressing. I loved the lush orchestral score. Some &lt;a href=&#34;https://mlarson.org/2018/10/12/chinatown/&#34;&gt;Chinatown&lt;/a&gt; vibes here and there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bonnie and Clyde</title>
    <link href="https://mlarson.org/2018/12/08/bonnie-and-clyde/"/>
    <updated>2018-12-09T03:01:54.000Z</updated>
    <id>https://mlarson.org/2018/12/08/bonnie-and-clyde/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/bonnie-and-clyde.jpg&#34; alt=&#34;bonnie-and-clyde&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Bonnie_and_Clyde_(film)&#34;&gt;Bonnie and Clyde&lt;/a&gt;. The criminal &lt;a href=&#34;https://mlarson.org/tag/roadmovies/&#34;&gt;road trip movie&lt;/a&gt; is a tough one. I think I respect and appreciate this one more than I enjoy it. Those birds at the end, though. What a moment! I&#39;ll take &lt;a href=&#34;https://mlarson.org/2015/03/09/badlands-second-viewing-the-first-this-time-at/&#34;&gt;Badlands&lt;/a&gt; over this one, given the choice.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Game (1997)</title>
    <link href="https://mlarson.org/2018/12/06/the-game-1997/"/>
    <updated>2018-12-07T02:54:13.000Z</updated>
    <id>https://mlarson.org/2018/12/06/the-game-1997/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/the-game.png&#34; alt=&#34;the-game&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Game_(1997_film)&#34;&gt;The Game&lt;/a&gt;. Good harmless fun. Slowly plugging the holes in my &lt;a href=&#34;https://mlarson.org/tag/davidfincher/&#34;&gt;David Fincher&lt;/a&gt; knowledge. Current rankings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2014/03/28/zodiac-a-serial-killer-is-the-impetus-but-the/&#34;&gt;Zodiac&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2016/02/24/gone-girl-third-viewing-filed-under-gone-girl/&#34;&gt;Gone Girl&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2015/04/05/the-social-network-i-didnt-like-the-zuckerberg/&#34;&gt;The Social Network&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/10/23/panic-room/&#34;&gt;Panic Room&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Game&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2014/10/07/the-girl-with-the-dragon-tattoo-i-loved-the/&#34;&gt;The Girl With the Dragon Tattoo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/10/23/seven/&#34;&gt;Seven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2018/09/23/alien-3/&#34;&gt;Alien 3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>Logan</title>
    <link href="https://mlarson.org/2018/12/01/logan/"/>
    <updated>2018-12-02T02:41:33.000Z</updated>
    <id>https://mlarson.org/2018/12/01/logan/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/logan.jpg&#34; alt=&#34;logan&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Logan_(film)&#34;&gt;Logan&lt;/a&gt;. I had sworn off superhero films for a while, needed a break. This was a solid re-entry. And a relief to see a superhero film that&#39;s not a direct sequel, and also not an origin story. Hard to see a hero so thoroughly vulnerable. Really fun limo chase.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Network</title>
    <link href="https://mlarson.org/2018/11/27/network/"/>
    <updated>2018-11-28T02:35:08.000Z</updated>
    <id>https://mlarson.org/2018/11/27/network/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/network.jpg&#34; alt=&#34;network&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Network_(1976_film)&#34;&gt;Network&lt;/a&gt;. Oof. Too real, these days. And pretty great. Recommended pairing: &lt;a href=&#34;https://mlarson.org/2017/12/10/nightcrawler/&#34;&gt;Nightcrawler&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Deliverance</title>
    <link href="https://mlarson.org/2018/11/26/deliverance/"/>
    <updated>2018-11-27T02:30:54.000Z</updated>
    <id>https://mlarson.org/2018/11/26/deliverance/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2019/01/deliverance.jpg&#34; alt=&#34;deliverance&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Deliverance&#34;&gt;Deliverance&lt;/a&gt;. Pretty incredible movie. I like the sound work, the atmospherics. Young Jon Voight here reminds me of a young version of my dad (minus the rock climbing). Man vs. wild is just another name for man vs. man. 🤔&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Willow Creek</title>
    <link href="https://mlarson.org/2018/11/25/willow-creek/"/>
    <updated>2018-11-26T02:59:14.000Z</updated>
    <id>https://mlarson.org/2018/11/25/willow-creek/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/willow-creek.png&#34; alt=&#34;willow-creek.png&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Willow_Creek_(film)&#34;&gt;Willow Creek&lt;/a&gt;. This had some fun sound design. Super intense at the climax. Good chemistry from our lead pair, too. No masterpiece, but it takes the mold from &lt;a href=&#34;https://mlarson.org/2018/10/07/the-blair-witch-project/&#34;&gt;The Blair Witch Project&lt;/a&gt;, trims some fat, and gives us what we want. Like in &lt;a href=&#34;https://mlarson.org/2018/10/20/el-orfanato-the-orphanage/&#34;&gt;The Orphanage&lt;/a&gt;, I like the stress more than the scares.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Transsiberian</title>
    <link href="https://mlarson.org/2018/11/25/transsiberian/"/>
    <updated>2018-11-26T02:52:21.000Z</updated>
    <id>https://mlarson.org/2018/11/25/transsiberian/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/transsiberian.jpg&#34; alt=&#34;transsiberian&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Transsiberian_(film)&#34;&gt;Transsiberian&lt;/a&gt;. Man, Woody Harrelson is a treasure.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Testament</title>
    <link href="https://mlarson.org/2018/11/24/testament/"/>
    <updated>2018-11-25T02:43:47.000Z</updated>
    <id>https://mlarson.org/2018/11/24/testament/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/testament.jpg&#34; alt=&#34;testament&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Testament_(1983_film)&#34;&gt;Testament&lt;/a&gt;. Really good. I&#39;d like to see more post-apocalyptic films like this. It&#39;s just people, a community, dealing with it and trying to support each other. How times change and how it changes them. Good slow burn.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cave of Forgotten Dreams</title>
    <link href="https://mlarson.org/2018/11/24/cave-of-forgotten-dreams/"/>
    <updated>2018-11-25T02:41:19.000Z</updated>
    <id>https://mlarson.org/2018/11/24/cave-of-forgotten-dreams/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/cave-forgotten-dreams.jpg&#34; alt=&#34;cave-forgotten-dreams&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Cave_of_Forgotten_Dreams&#34;&gt;Cave of Forgotten Dreams&lt;/a&gt;. Cool mostly for the fact that the cave exists, and that they got extended access to it. I saw some pictographs out in Utah a couple years ago, maybe a square meter or so&#39;s worth on a cliff wall, and still think of them with awe. Can&#39;t imagine what a whole cave-ful is like in person. Filed under: &lt;a href=&#34;https://mlarson.org/tag/wernerherzog/&#34;&gt;Werner Herzog&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mr. Brooks</title>
    <link href="https://mlarson.org/2018/11/23/mr-brooks/"/>
    <updated>2018-11-24T02:31:43.000Z</updated>
    <id>https://mlarson.org/2018/11/23/mr-brooks/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/mrbrooks.jpg&#34; alt=&#34;mrbrooks&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mr._Brooks&#34;&gt;Mr. Brooks&lt;/a&gt;. Two things I really like here: 1) villainous Kevin Costner (cf. &lt;a href=&#34;https://mlarson.org/2013/10/01/a-perfect-world-i-didnt-realize-it-had-been-a/&#34;&gt;A Perfect World&lt;/a&gt;) and 2) showing the subconscious/alter ego/devil on the shoulder in William Hurt. I think the plot might have a bit too much going on, but it&#39;s fun stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Uninvited (2009)</title>
    <link href="https://mlarson.org/2018/11/21/the-uninvited-2009/"/>
    <updated>2018-11-22T02:28:14.000Z</updated>
    <id>https://mlarson.org/2018/11/21/the-uninvited-2009/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/the-uninvited.jpg&#34; alt=&#34;the-uninvited&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Uninvited_(2009_film)&#34;&gt;The Uninvited (2009)&lt;/a&gt;. A remake of a Korean film. Elizabeth Banks and David Strathairn are just about always worth a watch, but this one can be skipped. Less than 90 minutes though! Maybe I just prefer more loose ends?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Klute</title>
    <link href="https://mlarson.org/2018/11/20/klute/"/>
    <updated>2018-11-21T02:20:35.000Z</updated>
    <id>https://mlarson.org/2018/11/20/klute/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/klute.jpg&#34; alt=&#34;klute&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Klute&#34;&gt;Klute&lt;/a&gt;. A young Jane Fonda and a young Donald Sutherland. I don&#39;t remember ever seeing them performing young. Didn&#39;t love the movie, but just to see and understand the early talent is cool. Good companion films: &lt;a href=&#34;https://mlarson.org/2014/03/12/three-days-of-the-condor-dang-this-movie-is-so/&#34;&gt;Three Days of the Condor&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2014/03/20/the-parallax-view-i-really-loved-some-of-the/&#34;&gt;The Parallax View&lt;/a&gt;, &lt;em&gt;All the President&#39;s Men&lt;/em&gt;, &lt;a href=&#34;https://mlarson.org/2018/11/17/night-moves-2/&#34;&gt;Night Moves&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Night Moves</title>
    <link href="https://mlarson.org/2018/11/17/night-moves-2/"/>
    <updated>2018-11-18T02:11:58.000Z</updated>
    <id>https://mlarson.org/2018/11/17/night-moves-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/night-moves.jpg&#34; alt=&#34;night-moves&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Night_Moves_(1975_film)&#34;&gt;Night Moves&lt;/a&gt;. This was great. So much despair in sunny places. Gene Hackman has a crazy amount of charisma. (The more recent and unrelated movie called &lt;a href=&#34;https://mlarson.org/2018/07/23/night-moves/&#34;&gt;Night Moves&lt;/a&gt; is good, too.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Psycho</title>
    <link href="https://mlarson.org/2018/11/14/psycho/"/>
    <updated>2018-11-15T02:06:56.000Z</updated>
    <id>https://mlarson.org/2018/11/14/psycho/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/psycho.jpg&#34; alt=&#34;psycho&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Psycho_(1960_film)&#34;&gt;Psycho&lt;/a&gt;. Revival showing on a big screen. The movie has gotten better as a I age. Funny how that works. I appreciated it &lt;em&gt;so&lt;/em&gt; much more this time around. Filed under: &lt;a href=&#34;https://mlarson.org/tag/hitchcock/&#34;&gt;Hitchcock&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mulholland Falls</title>
    <link href="https://mlarson.org/2018/11/11/mulholland-falls/"/>
    <updated>2018-11-12T02:02:47.000Z</updated>
    <id>https://mlarson.org/2018/11/11/mulholland-falls/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/mulholland-falls.png&#34; alt=&#34;mulholland-falls.png&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mulholland_Falls&#34;&gt;Mulholland Falls&lt;/a&gt;. If you must watch an early/mid-century L.A. crime tale, let it be &lt;a href=&#34;https://mlarson.org/2018/10/12/chinatown/&#34;&gt;Chinatown&lt;/a&gt; instead.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fly (1986)</title>
    <link href="https://mlarson.org/2018/11/09/the-fly-1986/"/>
    <updated>2018-11-10T01:54:27.000Z</updated>
    <id>https://mlarson.org/2018/11/09/the-fly-1986/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/the-fly.jpg&#34; alt=&#34;the-fly&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fly_(1986_film)&#34;&gt;The Fly (1986)&lt;/a&gt;. Excellent. I hadn&#39;t seen this in ages. I remember watching it as a kid and being kinda bored and impatient. Totally different experience as an adult. You kinda know what&#39;s coming and it&#39;s supported and pushed the whole way with the character development. Fun performance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>You Were Never Really Here</title>
    <link href="https://mlarson.org/2018/11/05/you-were-never-really-here/"/>
    <updated>2018-11-06T01:46:03.000Z</updated>
    <id>https://mlarson.org/2018/11/05/you-were-never-really-here/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/you-were-never-really-here.jpg&#34; alt=&#34;you-were-never-really-here&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/You_Were_Never_Really_Here&#34;&gt;You Were Never Really Here&lt;/a&gt;. I don&#39;t really... get it... but Phoenix is great. I&#39;m glad he&#39;s finding himself some oddball roles to live in.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Trust</title>
    <link href="https://mlarson.org/2018/11/04/trust/"/>
    <updated>2018-11-05T01:19:15.000Z</updated>
    <id>https://mlarson.org/2018/11/04/trust/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/11/trust-film.jpg&#34; alt=&#34;trust-film&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Trust_(2010_film)&#34;&gt;Trust&lt;/a&gt;. Pretty good. And sad. But count me in for anything featuring Keener and Davis.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Star Is Born (2018)</title>
    <link href="https://mlarson.org/2018/11/01/a-star-is-born-2018/"/>
    <updated>2018-11-02T00:24:09.000Z</updated>
    <id>https://mlarson.org/2018/11/01/a-star-is-born-2018/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/11/star-is-born.png&#34; alt=&#34;star-is-born&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Star_Is_Born_(2018_film)&#34;&gt;A Star Is Born (2018)&lt;/a&gt;. Didn&#39;t fall in love with it as it seems so many others did. Really loved the first hour or so. The build-ups to the musical set-pieces were perfectly manipulative – such perfect pace and timing and stakes. Ally&#39;s career seemed a bit too easy and magical, and the snapshots of whirlwind success kinda killed the second half for me. But it&#39;s not just her story. Good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nosferatu</title>
    <link href="https://mlarson.org/2018/10/28/nosferatu/"/>
    <updated>2018-10-29T00:58:11.000Z</updated>
    <id>https://mlarson.org/2018/10/28/nosferatu/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/nosferatu.png&#34; alt=&#34;nosferatu&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Nosferatu&#34;&gt;Nosferatu&lt;/a&gt;. The cut back and forth during the sleepwalk is so good. I like those creepy Venus fly traps and spiders. The score in my version had some Sibelius quotes – nice. Didn&#39;t expect the tie-in with the plague, but I really like it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rear Window</title>
    <link href="https://mlarson.org/2018/10/24/rear-window/"/>
    <updated>2018-10-25T03:15:50.000Z</updated>
    <id>https://mlarson.org/2018/10/24/rear-window/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/rear-window.jpg&#34; alt=&#34;rear-window&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Rear_Window&#34;&gt;Rear Window&lt;/a&gt;. Masterpiece. Saw this one at a revival screening. What a treat to see it on a big screen. Still my favorite &lt;a href=&#34;https://mlarson.org/tag/hitchcock/&#34;&gt;Hitchcock&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>El Orfanato (The Orphanage)</title>
    <link href="https://mlarson.org/2018/10/20/el-orfanato-the-orphanage/"/>
    <updated>2018-10-20T23:51:09.000Z</updated>
    <id>https://mlarson.org/2018/10/20/el-orfanato-the-orphanage/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/the-orphanage.jpg&#34; alt=&#34;the-orphanage&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Orphanage_(film)&#34;&gt;El Orfanato (The Orphanage)&lt;/a&gt;. I really like stressful movies like this. Dread and anxiety make the best kind of horror.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Nightmare Before Christmas</title>
    <link href="https://mlarson.org/2018/10/19/the-nightmare-before-christmas/"/>
    <updated>2018-10-19T23:48:49.000Z</updated>
    <id>https://mlarson.org/2018/10/19/the-nightmare-before-christmas/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/nightmare-before-christmas.jpg&#34; alt=&#34;nightmare-before-christmas&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Nightmare_Before_Christmas&#34;&gt;The Nightmare Before Christmas&lt;/a&gt;. It&#39;s a classic. Holds up well on my 10-millionth rewatch. Lots of lovely little details in music, scenery, etc.. (&lt;a href=&#34;https://mlarson.org/2011/12/06/the-nightmare-before-christmas-the-best-christmas/&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tomb Raider</title>
    <link href="https://mlarson.org/2018/10/17/tomb-raider/"/>
    <updated>2018-10-17T13:55:19.000Z</updated>
    <id>https://mlarson.org/2018/10/17/tomb-raider/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/img_0390.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Tomb_Raider_(film)&#34;&gt;Tomb Raider&lt;/a&gt;. So fun! I love how you see our characters growth – a bike race in familiar neighborhoods, a foot chase from some teenage thugs, waterboarding with a showerhead? We get lower stakes, and mistakes, but similar thrills. Even when the difficulty ratchets up, we see a cycle of vulnerability, fear, panic... and then determination. Our hero is not invincible, not inevitable. (Reminds me of Die Hard that way.) I like seeing the increasing influence of MMA in recent action films – more grappling, jujitsu, throws, locks, holds.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Lodger</title>
    <link href="https://mlarson.org/2018/10/16/the-lodger/"/>
    <updated>2018-10-16T19:11:00.000Z</updated>
    <id>https://mlarson.org/2018/10/16/the-lodger/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/the-lodger.jpg&#34; alt=&#34;The-Lodger&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lodger:_A_Story_of_the_London_Fog&#34;&gt;The Lodger: A Story of the London Fog&lt;/a&gt;. Preeeetty good. Theater screening with live accompaniment. So much more beautiful to look at than I expected for something created 90+ years ago. Sometimes it&#39;s hard not to laugh at old-timey-ness (in plot, acting style) of old movies (or books, for that matter), but if you can be present and give yourself over, you&#39;ll see why they&#39;ve stuck around. Filed under: &lt;a href=&#34;https://mlarson.org/tag/hitchcock/&#34;&gt;Hitchcock&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Green Room</title>
    <link href="https://mlarson.org/2018/10/14/green-room/"/>
    <updated>2018-10-14T23:34:59.000Z</updated>
    <id>https://mlarson.org/2018/10/14/green-room/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/green-room.png&#34; alt=&#34;green-room&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Green_Room_(film)&#34;&gt;Green Room&lt;/a&gt;. Dark. Having a harder time with irredeemably bad villains (outside of your comics types). Never quite hangs together. Tensions not high enough, light moments fall just a little short.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hereditary</title>
    <link href="https://mlarson.org/2018/10/14/hereditary/"/>
    <updated>2018-10-14T15:01:34.000Z</updated>
    <id>https://mlarson.org/2018/10/14/hereditary/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/hereditary.jpg&#34; alt=&#34;Hereditary&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Hereditary_(film)&#34;&gt;Hereditary&lt;/a&gt;. I liked it... and it&#39;s completely draining. Just seeps in and grinds you down like the characters. Toni Collette is a master.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lean On Pete</title>
    <link href="https://mlarson.org/2018/10/13/lean-on-pete/"/>
    <updated>2018-10-13T23:18:31.000Z</updated>
    <id>https://mlarson.org/2018/10/13/lean-on-pete/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/lean-on-pete.jpg&#34; alt=&#34;lean-on-pete&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lean_on_Pete&#34;&gt;Lean on Pete&lt;/a&gt;. Tempted to call it my favorite of the year. So many characters that seem to live on outside the frame, defying the template you might expect of them, in &amp;quot;this kind of movie&amp;quot;. I was all-in from the first few seconds.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>It Follows</title>
    <link href="https://mlarson.org/2018/10/13/it-follows/"/>
    <updated>2018-10-13T14:50:23.000Z</updated>
    <id>https://mlarson.org/2018/10/13/it-follows/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/it-follows.png&#34; alt=&#34;It-Follows&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/It_Follows&#34;&gt;It Follows&lt;/a&gt;. Loved this movie. Good theme, good creeps, good jumps, great soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Chinatown</title>
    <link href="https://mlarson.org/2018/10/12/chinatown/"/>
    <updated>2018-10-12T16:41:14.000Z</updated>
    <id>https://mlarson.org/2018/10/12/chinatown/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/chinatown.jpg&#34; alt=&#34;Chinatown&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Chinatown_(1974_film)&#34;&gt;Chinatown&lt;/a&gt;. (&lt;a href=&#34;https://mlarson.org/2011/03/28/chinatown-this-is-a-great-movie-that-absolutely/&#34;&gt;Previously&lt;/a&gt;). I think my fourth or fifth viewing and worth every one. A perfect movie, pretty much. The pure evil of Noah Cross rings a little too true these days. :(&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Descent</title>
    <link href="https://mlarson.org/2018/10/10/the-descent/"/>
    <updated>2018-10-10T16:38:11.000Z</updated>
    <id>https://mlarson.org/2018/10/10/the-descent/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/the-descent.jpg&#34; alt=&#34;The-Descent&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Descent&#34;&gt;The Descent&lt;/a&gt;. Gets to the point! Set the scene, give me foreboding hints about who&#39;s up to what, then creep me out. Very efficient opening. I&#39;m surprised we haven&#39;t seen more movies set in caves.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Arnold Schönberg: Playing Cards</title>
    <link href="https://mlarson.org/2018/10/08/arnold-schonberg-playing-cards/"/>
    <updated>2018-10-09T01:50:20.000Z</updated>
    <id>https://mlarson.org/2018/10/08/arnold-schonberg-playing-cards/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/img_0391.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://www.schoenberg.at/index.php/de/onlineshop/product/68-arnold-schoenberg-playing-cards&#34;&gt;Arnold Schönberg: Playing Cards&lt;/a&gt;. I love those designs.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This facsimile edition of playing cards painted by the composer Arnold Schönberg in c.1910 was published by Belmont Music Publishers in 1981 and produced by Ferd Piatnik (Vienna), with a preface by the composer&#39;s daughter, Nuria Schoenberg-Nono. The original cards were made in watercolours and gouache on cardboard with gold and silver, size: 10.5 by 5.5 cm. No reverse has been found for the cards so a coloured pattern painted in one of his diaries was used.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://mlarson.org/tag/notjustacomposer/&#34;&gt;not just a composer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sullivan’s Travels</title>
    <link href="https://mlarson.org/2018/10/08/sullivans-travels/"/>
    <updated>2018-10-08T18:30:53.000Z</updated>
    <id>https://mlarson.org/2018/10/08/sullivans-travels/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/sullivans-travels.jpg&#34; alt=&#34;Sullivans-Travels&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sullivan%27s_Travels&#34;&gt;Sullivan&#39;s Travels&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2013/08/05/sullivans-travels-a-good-light-comedy-aimed-at/&#34;&gt;the first&lt;/a&gt;), this time on a big screen. Holds up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Blair Witch Project</title>
    <link href="https://mlarson.org/2018/10/07/the-blair-witch-project/"/>
    <updated>2018-10-08T01:28:45.000Z</updated>
    <id>https://mlarson.org/2018/10/07/the-blair-witch-project/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/blair-witch-project.jpg&#34; alt=&#34;blair-witch-project&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Blair_Witch_Project&#34;&gt;The Blair Witch Project&lt;/a&gt;. I missed it back in the day. Pretty fun! Refreshing to see how such good work can be made at such small scale, and still kick off a little revolution in the genre.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Support the Girls</title>
    <link href="https://mlarson.org/2018/10/07/support-the-girls/"/>
    <updated>2018-10-07T22:30:46.000Z</updated>
    <id>https://mlarson.org/2018/10/07/support-the-girls/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/support-the-girls.jpg&#34; alt=&#34;support-the-girls&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Support_the_Girls&#34;&gt;Support the Girls&lt;/a&gt;. We need about 15 movies like this every year. Pretty great. Love the everydayness of the struggles, but still a huge and deserved catharsis. I&#39;d like to see more movies about managers. Seems like a rich but neglected vein for material.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Score</title>
    <link href="https://mlarson.org/2018/10/07/the-score/"/>
    <updated>2018-10-07T22:11:53.000Z</updated>
    <id>https://mlarson.org/2018/10/07/the-score/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/the-score.png&#34; alt=&#34;the-score&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Score_(2001_film)&#34;&gt;The Score&lt;/a&gt;. Decent cat-and-mousing. Shape-shifting characters seems like a whole thing back in the 90s/2000s. Fun to see actors that are just plain old now in their younger and more athletic days. I love when movies show all the gadgetry and tools that thieves put to use, borrowing from other realms to suit the need.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ninja: Shadow of a Tear</title>
    <link href="https://mlarson.org/2018/10/07/ninja-shadow-of-a-tear/"/>
    <updated>2018-10-07T18:23:27.000Z</updated>
    <id>https://mlarson.org/2018/10/07/ninja-shadow-of-a-tear/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/ninja2.jpg&#34; alt=&#34;Ninja2&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Ninja:_Shadow_of_a_Tear&#34;&gt;Ninja: Shadow of a Tear&lt;/a&gt;. I think you see the title and know what you&#39;re getting into. I still stand by the first &lt;a href=&#34;https://mlarson.org/2013/10/29/ninja-i-overreacted-but-that-doesnt-mean-my/&#34;&gt;Ninja&lt;/a&gt;. This one is longer, darker, angrier, but doesn&#39;t quite rise to that level.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alan Watts – “Music and Life”</title>
    <link href="https://mlarson.org/2018/10/06/alan-watts-music-and-life/"/>
    <updated>2018-10-06T19:16:42.000Z</updated>
    <id>https://mlarson.org/2018/10/06/alan-watts-music-and-life/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=WGoTmNU%5C_5A0&#34;&gt;https://www.youtube.com/watch?v=WGoTmNU\_5A0&lt;/a&gt; &lt;a href=&#34;https://www.youtube-nocookie.com/embed/WGoTmNU_5A0&#34;&gt;Alan Watts – Music and Life&lt;/a&gt;. (via somewhere on Twitter months and months ago)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kung Fu Killer</title>
    <link href="https://mlarson.org/2018/10/06/kung-fu-killer/"/>
    <updated>2018-10-06T18:19:54.000Z</updated>
    <id>https://mlarson.org/2018/10/06/kung-fu-killer/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/10/kung-fu-killer.jpg&#34; alt=&#34;Kung-Fu-Killer&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Kung_Fu_Jungle&#34;&gt;Kung Fu Killer&lt;/a&gt;. One of the small pleasures of international films is seeing the little differences in societal choices. For example, how the police uniforms and prisoner uniforms are different than what we see in the States. Nothing new here story-wise, but plenty of good fightin&#39;, and the variety of weapons, styles, and freakish athleticism is always fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Starship Troopers</title>
    <link href="https://mlarson.org/2018/10/04/starship-troopers/"/>
    <updated>2018-10-04T22:53:25.000Z</updated>
    <id>https://mlarson.org/2018/10/04/starship-troopers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/starship-troopers.png&#34; alt=&#34;starship-troopers.png&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Starship_Troopers_(film)&#34;&gt;Starship Troopers&lt;/a&gt;. Not for me. Ditto &lt;a href=&#34;https://mlarson.org/2017/04/20/robocop/&#34;&gt;Robocop&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I appreciate the intentional over-the-top-ness but eventually it became a bit tedious for me.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>John Wick 2</title>
    <link href="https://mlarson.org/2018/09/26/john-wick-2/"/>
    <updated>2018-09-27T01:14:32.000Z</updated>
    <id>https://mlarson.org/2018/09/26/john-wick-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/09/john-wick-2.jpg&#34; alt=&#34;john-wick-2&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/John_Wick:_Chapter_2&#34;&gt;John Wick 2&lt;/a&gt;. A+, I say. Expands the universe, crazifies the action. Just as fun as &lt;a href=&#34;https://mlarson.org/2014/11/07/john-wick-this-movie-was-much-better-than-it/&#34;&gt;the original&lt;/a&gt; for me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alien 3</title>
    <link href="https://mlarson.org/2018/09/23/alien-3/"/>
    <updated>2018-09-23T22:31:22.000Z</updated>
    <id>https://mlarson.org/2018/09/23/alien-3/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/12/alien-3.jpg&#34; alt=&#34;alien-3&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Alien_3&#34;&gt;Alien 3&lt;/a&gt;. Interesting thematically, but &lt;a href=&#34;https://www.brightwalldarkroom.com/2018/08/13/women-aliens-dangerous-things-alien-3/&#34;&gt;more fun to read about&lt;/a&gt; than to watch. It&#39;s a very very steep drop-off from &lt;a href=&#34;https://mlarson.org/2017/10/12/alien/&#34;&gt;Alien&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2012/03/15/aliens-this-is-how-you-do-a-sequel-extend-not/&#34;&gt;Aliens&lt;/a&gt; to this (same is true for most movies, to be fair). Filed under: &lt;a href=&#34;https://mlarson.org/tag/davidfincher/&#34;&gt;David Fincher&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dressed to Kill</title>
    <link href="https://mlarson.org/2018/09/16/dressed-to-kill/"/>
    <updated>2018-09-17T01:32:27.000Z</updated>
    <id>https://mlarson.org/2018/09/16/dressed-to-kill/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/09/dressed-to-kill.jpg&#34; alt=&#34;dressed-to-kill&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dressed_to_Kill_(1980_film)&#34;&gt;Dressed to Kill&lt;/a&gt;. This was excellent. Love the wordless moments, just guided by soundtrack to clue you in and shape the emotion. That museum scene! The tension! De Palman surveillance and paranoia in full force. And something about all those clocks? Nancy Allen is a hoot. And Dennis Franz! Perspectives on psychosis and the trans community haven&#39;t aged well. It is of its time. Filed under: &lt;a href=&#34;https://mlarson.org/tag/briandepalma/&#34;&gt;Brian De Palma&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Harry Brown</title>
    <link href="https://mlarson.org/2018/09/16/harry-brown/"/>
    <updated>2018-09-16T21:25:52.000Z</updated>
    <id>https://mlarson.org/2018/09/16/harry-brown/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/09/harry-brown.jpg&#34; alt=&#34;Harry Brown movie image Michael Caine&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Harry_Brown_(film)&#34;&gt;Harry Brown&lt;/a&gt;. Grumpy old man vengeance like &lt;a href=&#34;https://mlarson.org/2010/07/18/gran-torino-weaknesses-up-front-theres-some/&#34;&gt;Gran Torino&lt;/a&gt;, but much much more dark and grim and cynical. Too much so for me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>V for Vendetta</title>
    <link href="https://mlarson.org/2018/07/25/v-for-vendetta/"/>
    <updated>2018-07-25T14:30:30.000Z</updated>
    <id>https://mlarson.org/2018/07/25/v-for-vendetta/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0380.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/V_for_Vendetta_(film)&#34;&gt;V for Vendetta&lt;/a&gt;. Wow, I didn&#39;t remember this being so tedious. What a drag.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>People of the Horse | Erika Larsen</title>
    <link href="https://mlarson.org/2018/07/23/people-of-the-horse-erika-larsen/"/>
    <updated>2018-07-23T18:05:22.000Z</updated>
    <id>https://mlarson.org/2018/07/23/people-of-the-horse-erika-larsen/</id>
    <content type="html">&lt;p&gt;I was looking through some old journal entries and remembered seeing an exhibit of Erika Larsen&#39;s photography. &lt;a href=&#34;http://www.erikalarsenphoto.com/works/people-of-the-horse/&#34;&gt;This series really stuck with me&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Night Moves</title>
    <link href="https://mlarson.org/2018/07/23/night-moves/"/>
    <updated>2018-07-23T15:30:57.000Z</updated>
    <id>https://mlarson.org/2018/07/23/night-moves/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0379.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Night_Moves_(2013_film)&#34;&gt;Night Moves&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2014/12/08/night-moves-movements-of-all-sorts-cultivate/&#34;&gt;the first&lt;/a&gt;). I forgot how good this one is, visually. So many shots underscoring the protagonists&#39; perspective, seeing their environment torn apart, or reshaped, or unappreciated.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Leave No Trace</title>
    <link href="https://mlarson.org/2018/07/22/leave-no-trace/"/>
    <updated>2018-07-23T01:49:41.000Z</updated>
    <id>https://mlarson.org/2018/07/22/leave-no-trace/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0378.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Leave_No_Trace_(film)&#34;&gt;Leave No Trace&lt;/a&gt;. Loved it. Such a good quiet story. I like melodrama but it&#39;s also nice to see this, too: just naked presentation of people trying to do what they must while trying to take care of each other. Other good movies with Oregonians wrestling with modernity: &lt;a href=&#34;https://en.wikipedia.org/wiki/Old_Joy&#34;&gt;Old Joy&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2014/12/08/night-moves-movements-of-all-sorts-cultivate/&#34;&gt;Night Moves&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2013/04/29/the-goonies-a-friend-had-never-seen-it-so-we-had/&#34;&gt;The Goonies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Logan Lucky</title>
    <link href="https://mlarson.org/2018/07/21/logan-lucky/"/>
    <updated>2018-07-22T02:32:10.000Z</updated>
    <id>https://mlarson.org/2018/07/21/logan-lucky/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/logan-lucky.jpg&#34; alt=&#34;Logan-Lucky&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Logan_Lucky&#34;&gt;Logan Lucky&lt;/a&gt;. Preeeetty good. Heist movies are inherently absurd. Just gotta lean into it and I love that this one does. Neat to see scenes with cameos of local regular Atlantans like me. Shaky accents here and there. Can&#39;t shake the feeling that at times it&#39;s mildly classist in a pointing-and-laughing kind of way more than a laughing-with-them way. (Some defensiveness bubbling up, I think – I feel like I notice and feel this more about movies set in the South than movies with similar casts in other regions.) No less fun for it. Filed under: &lt;a href=&#34;https://mlarson.org/tag/stevensoderbergh/&#34;&gt;Steven Soderbergh&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Get Out</title>
    <link href="https://mlarson.org/2018/07/18/get-out/"/>
    <updated>2018-07-19T02:07:43.000Z</updated>
    <id>https://mlarson.org/2018/07/18/get-out/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0377.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Get_Out&#34;&gt;Get Out&lt;/a&gt;. The more I think about it, the better and better it becomes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kannathil Muthamittal (A Peck on the Cheek)</title>
    <link href="https://mlarson.org/2018/07/18/kannathil-muthamittal-a-peck-on-the-cheek/"/>
    <updated>2018-07-18T15:20:29.000Z</updated>
    <id>https://mlarson.org/2018/07/18/kannathil-muthamittal-a-peck-on-the-cheek/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0376.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Kannathil_Muthamittal&#34;&gt;Kannathil Muthamittal (A Peck on the Cheek)&lt;/a&gt;. Really really liked it. A child is orphaned by war and later seeks out her birth family. Took a couple turns I wasn&#39;t expecting. I was a puddle. &lt;a href=&#34;https://www.youtube.com/watch?v=fs73zhbdKnw&#34;&gt;Soundtrack has some bangers&lt;/a&gt;, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Culling vs. Surrender</title>
    <link href="https://mlarson.org/2018/07/17/culling-vs-surrender/"/>
    <updated>2018-07-17T15:20:56.000Z</updated>
    <id>https://mlarson.org/2018/07/17/culling-vs-surrender/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are really only two responses if you want to feel like you&#39;re well-read, or well-versed in music, or whatever the case may be: &lt;a href=&#34;https://www.npr.org/sections/monkeysee/2011/04/21/135508305/the-sad-beautiful-fact-that-were-all-going-to-miss-almost-everything&#34;&gt;culling and surrender&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Culling is the choosing you do for yourself. It&#39;s the sorting of what&#39;s worth your time and what&#39;s not worth your time. It&#39;s saying, &amp;quot;I deem &lt;em&gt;Keeping Up With The Kardashians&lt;/em&gt; a poor use of my time, and therefore, I choose not to watch it.&amp;quot; It&#39;s saying, &amp;quot;I read the last Jonathan Franzen book and fell asleep six times, so I&#39;m not going to read this one.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Surrender, on the other hand, is the realization that you do not have time for everything that would be worth the time you invested in it if you had the time, and that this fact doesn&#39;t have to threaten your sense that you are well-read. Surrender is the moment when you say, &amp;quot;I bet every single one of those 1,000 books I&#39;m supposed to read before I die is very, very good, but I cannot read them all, and they will have to go on the list of things I didn&#39;t get to.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Crow</title>
    <link href="https://mlarson.org/2018/07/17/the-crow/"/>
    <updated>2018-07-17T14:10:15.000Z</updated>
    <id>https://mlarson.org/2018/07/17/the-crow/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0375.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Crow_(1994_film)&#34;&gt;The Crow&lt;/a&gt;. I like the style, but I was not moved. Revenge can only get you so far. If you&#39;re gonna watch an Alex Proyas movie, make it &lt;a href=&#34;https://mlarson.org/2012/05/28/dark-city-thoroughly-enjoyable-great-sets-and/&#34;&gt;Dark City&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sahara</title>
    <link href="https://mlarson.org/2018/07/16/sahara/"/>
    <updated>2018-07-17T01:39:02.000Z</updated>
    <id>https://mlarson.org/2018/07/16/sahara/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0374.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sahara_(2005_film)&#34;&gt;Sahara&lt;/a&gt;. Really dumb, but also kinda subversive! There&#39;s some, uh, provincialism and casual violence that doesn&#39;t age well, but it&#39;s fun overall. Love the big reveal moment. Normally in these sorts of adventure movies it&#39;s a room full of treasure. Here, it&#39;s toxic waste.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A glamorous Goodwill mystery: Who are the strangers in these slides?</title>
    <link href="https://mlarson.org/2018/07/15/a-glamorous-goodwill-mystery-who-are-the-strangers-in-these-slides/"/>
    <updated>2018-07-15T13:10:55.000Z</updated>
    <id>https://mlarson.org/2018/07/15/a-glamorous-goodwill-mystery-who-are-the-strangers-in-these-slides/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The Argus 300 Model III slide projector would be perfect for viewing the boxes of slides she’d inherited from her grandmother, she thought. &lt;a href=&#34;https://www.ajc.com/entertainment/glamorous-goodwill-mystery-who-are-the-strangers-these-slides/IyvD1XOGYurFpOvtkxNeTI/&#34;&gt;She didn’t notice the original owner’s slides until later&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;What a cool find. I hope they can learn more. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_7628.jpg&#34; alt=&#34;&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_7627.jpg&#34; alt=&#34;&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_7629.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Secret Meaning of Jurassic World</title>
    <link href="https://mlarson.org/2018/07/14/the-secret-meaning-of-jurassic-world/"/>
    <updated>2018-07-15T02:27:37.000Z</updated>
    <id>https://mlarson.org/2018/07/14/the-secret-meaning-of-jurassic-world/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=SYzmmXkf9bY&#34;&gt;https://www.youtube.com/watch?v=SYzmmXkf9bY&lt;/a&gt; I loved this video essay, exploring a not-great movie&#39;s self-awareness and the way it subversively advertises the blockbusters that paved the way for it. (Narrator Tyler Smith co-hosts two podcasts I also love, &lt;a href=&#34;http://battleshippretension.com/&#34;&gt;Battleship Pretension&lt;/a&gt; and &lt;a href=&#34;http://morethanonelesson.com/&#34;&gt;More Than One Lesson&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Twilight</title>
    <link href="https://mlarson.org/2018/07/13/twilight/"/>
    <updated>2018-07-13T18:35:36.000Z</updated>
    <id>https://mlarson.org/2018/07/13/twilight/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0370.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Twilight_(2008_film)&#34;&gt;Twilight&lt;/a&gt;. Hoo boy. Yeah. It&#39;s not great. There&#39;s a lot of hopeful staring and stewing in the tension, which I imagine (hope) comes across better in the books. Here it&#39;s just kind of stagnant. No flame, no heat.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nobody Walks in L.A.</title>
    <link href="https://mlarson.org/2018/07/13/nobody-walks-in-la/"/>
    <updated>2018-07-13T13:35:24.000Z</updated>
    <id>https://mlarson.org/2018/07/13/nobody-walks-in-la/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0369.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://www.imdb.com/title/tt3878146/&#34;&gt;Nobody Walks in L.A.&lt;/a&gt;. It&#39;s uneven. I wish our heroes were more evenly matched, but she nobly spends a lot of time and effort dragging around a mopey dude. It picks up, though. I love a good walk-and-talk (e.g. Before Sunset, Before Sunrise, &lt;a href=&#34;https://mlarson.org/2013/06/23/before-midnight-id-call-it-a-must-see-if-youve/&#34;&gt;Before Midnight&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2015/03/31/top-five-lets-see-a-movie-about-an-actor-known/https://mlarson.org/2015/03/31/top-five-lets-see-a-movie-about-an-actor-known/&#34;&gt;Top Five&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2012/03/04/certified-copy-its-really-brilliant-and-its/&#34;&gt;Certified Copy&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2012/09/29/midnight-in-paris-thats-what-the-present-is/&#34;&gt;Midnight in Paris&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Take a Photo Here</title>
    <link href="https://mlarson.org/2018/07/12/take-a-photo-here/"/>
    <updated>2018-07-12T18:00:35.000Z</updated>
    <id>https://mlarson.org/2018/07/12/take-a-photo-here/</id>
    <content type="html">&lt;p&gt;Teju Cole on the &lt;a href=&#34;https://www.nytimes.com/2018/06/27/magazine/take-a-photo-here.html&#34;&gt;sameness of travel photography&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The visitor to a place like the Roman Forum does not only take a photograph of the Forum; he also takes a photograph for the Forum. His photograph partly serves the narrative chosen by the Forum’s custodians. The visitor is inadvertently mesmerized not only by the site but also by the municipal or museological organization of the experience of the site.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Incredibles 2</title>
    <link href="https://mlarson.org/2018/07/12/incredibles-2/"/>
    <updated>2018-07-12T12:35:26.000Z</updated>
    <id>https://mlarson.org/2018/07/12/incredibles-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0365.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Incredibles_2&#34;&gt;Incredibles 2&lt;/a&gt;. I liked it more than &lt;a href=&#34;https://mlarson.org/2018/07/01/the-incredibles/&#34;&gt;the first one&lt;/a&gt;. This one seemed funnier, and I like that the main heroes swapped roles. The set piece with the Screenslaver chase, fight, and monologue was delicious.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Complete Guide to Getting What You Want</title>
    <link href="https://mlarson.org/2018/07/11/a-complete-guide-to-getting-what-you-want/"/>
    <updated>2018-07-12T03:02:10.000Z</updated>
    <id>https://mlarson.org/2018/07/11/a-complete-guide-to-getting-what-you-want/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.raptitude.com/2018/06/getting-what-you-want/&#34;&gt;Everything you’ve ever wanted&lt;/a&gt; and then obtained, except maybe for the very latest thing, is probably not providing any great satisfaction at this moment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And later:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The farther your plan deviates from established “best practices” (i.e. how the people who actually achieve your goal tend to do it), the more likely it is that you don’t actually intend to do it.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Dear Zachary</title>
    <link href="https://mlarson.org/2018/07/11/dear-zachary/"/>
    <updated>2018-07-12T02:58:13.000Z</updated>
    <id>https://mlarson.org/2018/07/11/dear-zachary/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0367.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Dear_Zachary:_A_Letter_to_a_Son_About_His_Father&#34;&gt;Dear Zachary: A Letter to a Son About His Father&lt;/a&gt;. At some point last year I polled friends for movies that most reliably make them cry. They were right on this one. It&#39;s completely gutting. Interesting how often documentaries can become their own subject, the creator becoming aware of and changing/reacting to the story in front of them as it goes along.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Faces Places</title>
    <link href="https://mlarson.org/2018/07/11/faces-places/"/>
    <updated>2018-07-12T02:43:12.000Z</updated>
    <id>https://mlarson.org/2018/07/11/faces-places/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0364.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Faces_Places_(film)&#34;&gt;Faces Places&lt;/a&gt;. What a lovely documentary. I like the odd couple, clearly affectionate while also finding time to needle each other. I especially liked the mixed reactions to their art that they got from their collaborators. Some proud, some uncomfortable!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lady Bird</title>
    <link href="https://mlarson.org/2018/07/03/lady-bird/"/>
    <updated>2018-07-03T14:15:16.000Z</updated>
    <id>https://mlarson.org/2018/07/03/lady-bird/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0363.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lady_Bird_(film)&#34;&gt;Lady Bird&lt;/a&gt;. I like the momentum. Great in its cuts and edits and how it skips through time. Like our heroine, it refuses to get stuck.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Three statistics to understand the world</title>
    <link href="https://mlarson.org/2018/07/03/three-statistics-to-understand-the-world/"/>
    <updated>2018-07-03T11:20:00.000Z</updated>
    <id>https://mlarson.org/2018/07/03/three-statistics-to-understand-the-world/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One key reason why we struggle to see progress in the world today is that &lt;a href=&#34;https://www.gatesnotes.com/Development/Max-Roser-three-facts-everyone-should-know&#34;&gt;we do not know how very bad the past was&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Paranormal Activity</title>
    <link href="https://mlarson.org/2018/07/02/paranormal-activity/"/>
    <updated>2018-07-03T01:28:04.000Z</updated>
    <id>https://mlarson.org/2018/07/02/paranormal-activity/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0358.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Paranormal_Activity&#34;&gt;Paranormal Activity&lt;/a&gt;. This was really fun. Ending seemed inevitable, but I suppose there&#39;s not much else you could do. Weird that being creeped out can be so fun. Filed under: &lt;a href=&#34;https://mlarson.org/tag/horror/&#34;&gt;horror&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>To survive our high-speed society, cultivate &#39;temporal bandwidth&#39;</title>
    <link href="https://mlarson.org/2018/07/02/to-survive-our-high-speed-society-cultivate-temporal-bandwidth/"/>
    <updated>2018-07-03T01:12:41.000Z</updated>
    <id>https://mlarson.org/2018/07/02/to-survive-our-high-speed-society-cultivate-temporal-bandwidth/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To read old books is to get an education in possibility for next to nothing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/commentisfree/2018/jun/16/temporal-bandwith-social-media-alan-jacobs&#34;&gt;Alan Jacobs&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Killing of a Sacred Deer</title>
    <link href="https://mlarson.org/2018/07/02/the-killing-of-a-sacred-deer/"/>
    <updated>2018-07-03T01:03:00.000Z</updated>
    <id>https://mlarson.org/2018/07/02/the-killing-of-a-sacred-deer/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0361.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Killing_of_a_Sacred_Deer&#34;&gt;The Killing of a Sacred Deer&lt;/a&gt;. Mise-en-scène will tell you what you need to know! I liked &lt;a href=&#34;https://mlarson.org/2017/02/26/the-lobster-oof-this-is-brutal-deadpan-funny/&#34;&gt;The Lobster&lt;/a&gt; more. Colin Farrell is slowly sneaking up the ranks of favorite actors.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Incredibles</title>
    <link href="https://mlarson.org/2018/07/01/the-incredibles/"/>
    <updated>2018-07-01T22:05:55.000Z</updated>
    <id>https://mlarson.org/2018/07/01/the-incredibles/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/07/img_0360.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Incredibles&#34;&gt;The Incredibles&lt;/a&gt;. Long overdue! Pretty, pretty good. Not as funny as I&#39;d expected, but that&#39;s alright. I like the nimble score and playing off genre tropes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Murder on the Orient Express</title>
    <link href="https://mlarson.org/2018/06/28/murder-on-the-orient-express/"/>
    <updated>2018-06-28T15:25:23.000Z</updated>
    <id>https://mlarson.org/2018/06/28/murder-on-the-orient-express/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0356.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Murder_on_the_Orient_Express_(1974_film)&#34;&gt;Murder on the Orient Express&lt;/a&gt;. I think my favorite part was the extended opening, gathering up all the players before the journey starts. Mostly entertaining. The final act/resolution seems a bit over-cooked. I wonder if it comes across better in the book, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hours</title>
    <link href="https://mlarson.org/2018/06/27/hours/"/>
    <updated>2018-06-27T14:10:05.000Z</updated>
    <id>https://mlarson.org/2018/06/27/hours/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0355.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Hours_(2013_film)&#34;&gt;Hours&lt;/a&gt;. The parts focused on the central gimmick are tense and focused, as they should be. The rest (long intro and flashbacks) adds some meandering softness that undermines it. Good one-man show, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Visit to the World’s First Gym for Your Face</title>
    <link href="https://mlarson.org/2018/06/26/my-visit-to-the-worlds-first-gym-for-your-face/"/>
    <updated>2018-06-26T14:30:04.000Z</updated>
    <id>https://mlarson.org/2018/06/26/my-visit-to-the-worlds-first-gym-for-your-face/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Self-improvement imperatives always offer &lt;a href=&#34;https://www.newyorker.com/culture/on-and-off-the-avenue/the-ever-escalating-demands-of-the-beauty-industry-and-the-worlds-first-gym-for-your-face/&#34;&gt;the seductive notion of untapped potential&lt;/a&gt;: it’s a bummer to feel like you have to change, but a thrill, sometimes, to imagine that you can. The trouble is that there is no feasible end to this process.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And this, too:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Today, young female professionals have an unprecedented amount of economic and social capital; at the same time, our adulthood has been defined by constant visual self-surveillance, a market-friendly feminism that favors any female acquisitive behavior, and an overwhelming redirection of anxiety into the “wellness” space.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 26, 2018</title>
    <link href="https://mlarson.org/2018/06/25/9694/"/>
    <updated>2018-06-26T02:41:28.000Z</updated>
    <id>https://mlarson.org/2018/06/25/9694/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.nytimes.com/2018/06/07/health/depression-suicide-helping.html&#34;&gt;You don’t have to attend every argument&lt;/a&gt; you are invited to.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Uptown Girls</title>
    <link href="https://mlarson.org/2018/06/25/uptown-girls/"/>
    <updated>2018-06-26T02:38:44.000Z</updated>
    <id>https://mlarson.org/2018/06/25/uptown-girls/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0354.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Uptown_Girls&#34;&gt;Uptown Girls&lt;/a&gt;. It&#39;s not &lt;em&gt;great&lt;/em&gt; but I love that it makes the effort to be better than it strictly needs to be to get the job done. Like the high-energy opening setpiece, around the room and out the building to grab a taxi. Small touches like the quick cut when looking at the mirror in horror; the Road Runner cartoon playing during the break-up scene; the use of mirrors and blocking during the ballet practice; the cuts between street fights; the train reaction shot transitioning to Coney Island; the spin of the teacup echoing the spin at the beginning of the movie. It all adds up. Brittany Murphy is completely charming.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Source Code</title>
    <link href="https://mlarson.org/2018/06/07/source-code/"/>
    <updated>2018-06-07T14:05:00.000Z</updated>
    <id>https://mlarson.org/2018/06/07/source-code/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0351.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Source_Code&#34;&gt;Source Code&lt;/a&gt;. It&#39;s good clean fun!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Letter of Recommendation: Airport Layovers</title>
    <link href="https://mlarson.org/2018/06/06/letter-of-recommendation-airport-layovers/"/>
    <updated>2018-06-07T02:42:13.000Z</updated>
    <id>https://mlarson.org/2018/06/06/letter-of-recommendation-airport-layovers/</id>
    <content type="html">&lt;p&gt;I loved this &lt;a href=&#34;https://www.nytimes.com/2018/05/29/magazine/letter-of-recommendation-airport-layovers.html&#34;&gt;essay on layovers&lt;/a&gt;. Airports are usually incredibly relaxing for me:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All sorts of big questions wait on the other side of the gate. Will Bill still love you when you get home? Will you make it out there at college? Will Morocco be everything you’ve always dreamed of? But you don’t have to answer questions like that during a layover. You can’t: The whole point is that they have to wait. You have been granted a reprieve — a chance to consider life as it was before it goes away, or as it might be when it arrives.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also: &lt;a href=&#34;https://mlarson.org/2014/07/27/lets-fly-how-to-survive-air-travel/&#34;&gt;Let&#39;s fly&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>M.F.A.</title>
    <link href="https://mlarson.org/2018/06/05/m-f-a/"/>
    <updated>2018-06-05T15:35:21.000Z</updated>
    <id>https://mlarson.org/2018/06/05/m-f-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0350.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/M.F.A._(film)&#34;&gt;M.F.A.&lt;/a&gt;. Meh. Never finds its momentum, stalls itself out with side stories. At least it complicates the choices here and there, more via word and plot than presentation. Contrast with the excellent &lt;a href=&#34;https://mlarson.org/2018/06/04/revenge/&#34;&gt;Revenge&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Little Things Matter: A Microeconomic Travel Guide</title>
    <link href="https://mlarson.org/2018/06/04/the-little-things-matter-a-microeconomic-travel-guide/"/>
    <updated>2018-06-04T19:40:56.000Z</updated>
    <id>https://mlarson.org/2018/06/04/the-little-things-matter-a-microeconomic-travel-guide/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.bloomberg.com/view/articles/2018-05-30/international-travel-tips-from-a-microeconomic-view&#34;&gt;How are the sidewalks&lt;/a&gt;? [...] What kind of pollution?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Revenge</title>
    <link href="https://mlarson.org/2018/06/04/revenge/"/>
    <updated>2018-06-04T14:35:52.000Z</updated>
    <id>https://mlarson.org/2018/06/04/revenge/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0349.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Revenge_(2017_film)&#34;&gt;Revenge&lt;/a&gt;. Really liked it. Take some pulpy &lt;a href=&#34;https://mlarson.org/2014/05/07/kill-bill-vol-1-the-better-of-the-two-bills/&#34;&gt;Kill Bill&lt;/a&gt; and cross it with high-contrast &lt;a href=&#34;https://mlarson.org/2013/03/26/spring-breakers-great-movie-surface-appeal-is/&#34;&gt;Spring Breakers&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2015/08/06/the-guest-its-a-really-satisfying-little/&#34;&gt;The Guest&lt;/a&gt;-like creepiness and soundtrack. Thematically heavy-handed sometimes, with the fruit and the bugs and the beer cans and tattoos. Contrast the male gaze at the opening with the appreciatigve gaze after the cave scene – one of awe, of power rather than lust. And that leads into one of my favorite shots in a while, with her riding the ATV through the desert with that earring gleaming. Maybe file this one under &lt;a href=&#34;https://mlarson.org/tag/loinclothchasemovies/&#34;&gt;loincloth chase films&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Hole</title>
    <link href="https://mlarson.org/2018/06/03/a-hole/"/>
    <updated>2018-06-04T02:07:23.000Z</updated>
    <id>https://mlarson.org/2018/06/03/a-hole/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_7433.jpg&#34; alt=&#34;&#34;&gt; A while back I went trailrunning with an old friend. We went off trail at one point and cut through the woods toward nowhere in particular, toward wherever we would end up. We came across a hole in the ground. Holes are inherently interesting – something missing, a ready-made mystery, and you can fill them up with whatever stories you want. We hauled up a long branch and eased it down the hole &#39;til we hit bottom. We marked the spot at surface level and drew it up again, like we were checking the oil. We stretched out on the ground next to the branch to measure it out. Six feet plus five-and-a-half plus, oh, maybe three-and-half. We had ourselves a fifteen foot hole, maybe two feet wide, and no explanation. Didn&#39;t need one. We dropped a pine cone down and listened for it to hit bottom. It took a while. I thought about dropping in, just to scare myself a little. I think I could have gotten back out. Pretty sure. Probably. As long as the mossy sides weren&#39;t too slick. I wondered what reception was like down there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Annihilation</title>
    <link href="https://mlarson.org/2018/06/03/annihilation-2/"/>
    <updated>2018-06-04T01:54:51.000Z</updated>
    <id>https://mlarson.org/2018/06/03/annihilation-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/06/img_0348.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Annihilation_(film)&#34;&gt;Annihilation&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2018/02/26/annihilation/&#34;&gt;the first&lt;/a&gt;). Felt more sluggish and less magical this time, but I don&#39;t regret the rewatch.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Angel Heart</title>
    <link href="https://mlarson.org/2018/06/01/angel-heart/"/>
    <updated>2018-06-01T19:00:41.000Z</updated>
    <id>https://mlarson.org/2018/06/01/angel-heart/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/05/img_0346.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Angel_Heart&#34;&gt;Angel Heart&lt;/a&gt;. Love the mood and atmosphere. A nice blend of noir and horror, sort of ambling along as our PI reluctantly goes where the clues take him. Mickey Rourke was super charismatic. Haven&#39;t seen much with him aside from the recent stuff (&lt;a href=&#34;https://mlarson.org/2012/09/14/iron-man-2-its-really-pretty-when-things-are/&#34;&gt;Iron Man 2&lt;/a&gt;, &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Wrestler_(2008_film)&#34;&gt;The Wrestler&lt;/a&gt;, and the small bit in &lt;a href=&#34;https://mlarson.org/2014/09/17/man-on-fire-this-is-the-beginning-of-my-denzel/&#34;&gt;Man on Fire&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Coherence</title>
    <link href="https://mlarson.org/2018/05/31/coherence/"/>
    <updated>2018-05-31T15:00:07.000Z</updated>
    <id>https://mlarson.org/2018/05/31/coherence/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/05/img_0347.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Coherence_(film)&#34;&gt;Coherence&lt;/a&gt;. Very nice little chamber scifi. I liked it quite a bit. Just put people in a room and give them a problem. Easy. This would pair well with other small-scale scifi like &lt;a href=&#34;https://mlarson.org/2013/04/30/primer-it-was-early-on-in-the-film-when-i-stopped/&#34;&gt;Primer&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2013/08/05/upstream-color-this-is-a-special-piece-of/&#34;&gt;Upstream Color&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2015/01/02/the-one-i-love-highly-recommended-a-lot-of-fun/&#34;&gt;The One I Love&lt;/a&gt;, or something like &lt;a href=&#34;https://mlarson.org/2017/10/01/the-invitation/&#34;&gt;The Invitation&lt;/a&gt; for stressful dinner-party hijinks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Allied</title>
    <link href="https://mlarson.org/2018/05/30/allied-2/"/>
    <updated>2018-05-30T14:20:33.000Z</updated>
    <id>https://mlarson.org/2018/05/30/allied-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/05/img_0340.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Allied_(film)&#34;&gt;Allied&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2017/11/12/allied/&#34;&gt;the first&lt;/a&gt;). The seams showed a bit more and the pastiche was more apparent and I liked it more because of it, I think. The too-clean appearance heightens the fairy tale, like memory tends to soften things. Noticed a few fun edits, like the lightning shifting to the lantern on the landing strip, and the beats of the final gunshots at the tank crew matched by the curtains being drawn open. I also liked the parallels with two big decisions happening in cars – once during the sandstorm, again in the rain at the airstrip.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>There&#39;s More to This World Than You Have Seen</title>
    <link href="https://mlarson.org/2018/05/30/theres-more-to-this-world-than-you-have-seen/"/>
    <updated>2018-05-30T12:20:07.000Z</updated>
    <id>https://mlarson.org/2018/05/30/theres-more-to-this-world-than-you-have-seen/</id>
    <content type="html">&lt;p&gt;I really liked &lt;a href=&#34;https://mobile.twitter.com/ethanrawarren&#34;&gt;Ethan Warren&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.brightwalldarkroom.com/2018/05/02/theres-more-to-this-world-than-you-have-seen/&#34;&gt;reflections on&lt;/a&gt; &lt;a href=&#34;http://www.brightwalldarkroom.com/2018/05/02/theres-more-to-this-world-than-you-have-seen/&#34;&gt;&lt;em&gt;Punch-Drunk Love&lt;/em&gt;&lt;/a&gt;. (&lt;em&gt;Bright Wall/Dark Room&lt;/em&gt; is one of the best publications going.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rush Hour</title>
    <link href="https://mlarson.org/2018/05/29/rush-hour/"/>
    <updated>2018-05-29T14:55:55.000Z</updated>
    <id>https://mlarson.org/2018/05/29/rush-hour/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/05/img_0343.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Rush_Hour_(1998_film)&#34;&gt;Rush Hour&lt;/a&gt;. Lots of it is very fun. It&#39;s also of an era where, with 2018 eyes, a lots of it makes me cringed. I miss these action/adventure movies. Low stakes, focus on fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Barracuda</title>
    <link href="https://mlarson.org/2018/05/28/barracuda/"/>
    <updated>2018-05-28T14:29:31.000Z</updated>
    <id>https://mlarson.org/2018/05/28/barracuda/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/05/img_0344.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Barracuda_(2017_film)&#34;&gt;Barracuda&lt;/a&gt;. Features one of the most unlikeable yet magnetic characters I&#39;ve seen in a while. Good fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Carrie</title>
    <link href="https://mlarson.org/2018/05/28/carrie/"/>
    <updated>2018-05-28T14:19:25.000Z</updated>
    <id>https://mlarson.org/2018/05/28/carrie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/05/img_0342.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Carrie_(1976_film)&#34;&gt;Carrie&lt;/a&gt;. Last time I saw this was middle school I think. Long time ago. So sad, wrenching. We remember the mad scene for good reason, but build-up to it at the prom is exquisite.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hole Where All the Success Leaks Out</title>
    <link href="https://mlarson.org/2018/05/28/the-hole-where-all-the-success-leaks-out/"/>
    <updated>2018-05-28T14:09:06.000Z</updated>
    <id>https://mlarson.org/2018/05/28/the-hole-where-all-the-success-leaks-out/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Everything has its own list of classic amateur blunders. [...] Just one of these blunders, made consistently, can &lt;a href=&#34;http://www.raptitude.com/2018/05/where-success-leaks/&#34;&gt;undermine almost everything you’re doing right&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>There Will Be Blood</title>
    <link href="https://mlarson.org/2018/05/07/there-will-be-blood/"/>
    <updated>2018-05-08T01:06:25.000Z</updated>
    <id>https://mlarson.org/2018/05/07/there-will-be-blood/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/05/img_0338.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/There_Will_Be_Blood&#34;&gt;There Will Be Blood&lt;/a&gt;. Second viewing. Daniel Plainview is a sad sad sad lonely man, who is also very funny sometimes. Filed under: &lt;a href=&#34;https://mlarson.org/tag/paulthomasanderson/https://mlarson.org/tag/paulthomasanderson/&#34;&gt;Paul Thomas Anderson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Modest Guide to Productivity – Frank Chimero</title>
    <link href="https://mlarson.org/2018/05/02/a-modest-guide-to-productivity-frank-chimero/"/>
    <updated>2018-05-02T15:15:00.000Z</updated>
    <id>https://mlarson.org/2018/05/02/a-modest-guide-to-productivity-frank-chimero/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When the day’s list is done, &lt;a href=&#34;https://www.frankchimero.com/blog/2018/productivity-guide/&#34;&gt;do not go back to the master list&lt;/a&gt;. The rewards of productivity must not be a bottomless well of work.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>News-Adjacent Reading</title>
    <link href="https://mlarson.org/2018/05/01/news-adjacent-reading/"/>
    <updated>2018-05-01T14:35:59.000Z</updated>
    <id>https://mlarson.org/2018/05/01/news-adjacent-reading/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2018/04/kevin-williamson-atlantic-fracas.html&#34;&gt;Ask yourself what are the relevant topics you have yet to read good pieces on&lt;/a&gt;, and then try to find them and read them. Over time, your broader opinions will then evolve in better directions than if you focus on having an immediate emotional reaction to the events right before your eyes. The more tempted you are to judge, the higher the return from trying to read something factual and substantive instead.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Tyler Cowen on finding saner, more productive ways to relate to the news (if you must).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interiority</title>
    <link href="https://mlarson.org/2018/04/30/interiority/"/>
    <updated>2018-05-01T01:41:23.000Z</updated>
    <id>https://mlarson.org/2018/04/30/interiority/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mailchi.mp/kottke/noticing-imaginary-soundscapes-1122018&#34;&gt;To explore someone else&#39;s interiority&lt;/a&gt; is not just to flash, at this moment, to what you think the other person might be thinking or feeling. It&#39;s a layered, almost literary thing, to imagine the history of their experiences (known and unknown, actual and possible) and to think through those experiences, thoughts, and feelings all the way through to the end.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Today I found myself thinking back to this, from the &lt;a href=&#34;https://mailchi.mp/kottke/noticing-imaginary-soundscapes-1122018&#34;&gt;January 12 edition&lt;/a&gt; of the &lt;a href=&#34;https://kottke.org/newsletter/&#34;&gt;Kottke/Carmody&lt;/a&gt; &lt;a href=&#34;https://kottke.org/newsletter/&#34;&gt;&lt;em&gt;Noticing&lt;/em&gt;&lt;/a&gt; &lt;a href=&#34;https://kottke.org/newsletter/&#34;&gt;newsletter&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fast and the Furious</title>
    <link href="https://mlarson.org/2018/04/23/the-fast-and-the-furious/"/>
    <updated>2018-04-23T18:15:01.000Z</updated>
    <id>https://mlarson.org/2018/04/23/the-fast-and-the-furious/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_0336.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Fast_and_the_Furious_(2001_film)&#34;&gt;The Fast and the Furious&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2013/05/21/the-fast-and-the-furious-almost-exactly-what-i/&#34;&gt;the first&lt;/a&gt;). It&#39;s aged pretty well. I really got a kick out of the dialogue this time around. I also like the sound effects when cops break up the street race, and everyone scrambles, and you can hear the car alarms/locks chirping. And that first moment when Brian hits the NOS and we dive into engine is still such a rush. Filed under: &lt;a href=&#34;https://mlarson.org/tag/thefastandthefurious/&#34;&gt;The Fast and the Furious&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Streets of Fire</title>
    <link href="https://mlarson.org/2018/04/22/streets-of-fire/"/>
    <updated>2018-04-22T14:36:40.000Z</updated>
    <id>https://mlarson.org/2018/04/22/streets-of-fire/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_0334.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Streets_of_Fire&#34;&gt;Streets of Fire&lt;/a&gt;. It&#39;s such a good mash-up. Combine a western-style rescue movie with hardboiled dialogue (Michael Pare has a good John Wayne-ish drawl to his delivery sometimes), and set it in a rockabilly + &#39;80s glam alternate universe, and take some musical breaks. It stays pretty high-energy and moves along quickly. Early work from Diane Lane, Willem Dafoe, Bill Paxton, Rick Moranis. It&#39;s just plain fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Florida Project</title>
    <link href="https://mlarson.org/2018/04/11/the-florida-project/"/>
    <updated>2018-04-11T15:28:48.000Z</updated>
    <id>https://mlarson.org/2018/04/11/the-florida-project/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/florida-project.png&#34; alt=&#34;florida-project&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Florida_Project&#34;&gt;The Florida Project&lt;/a&gt;. Kids are deeply weird. I like how this movie holds to their perspective with a lower, child-height camera angles. And the colors! It&#39;s largely episodic, but eventually adds up. The choices in the very very last scene didn&#39;t work for me, but I forgive it easily. I liked Sean Baker&#39;s earlier &lt;a href=&#34;https://mlarson.org/2016/02/16/tangerine-it-kicks-your-feet-out-from-under-you/&#34;&gt;Tangerine&lt;/a&gt;, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Revenant</title>
    <link href="https://mlarson.org/2018/04/10/the-revenant/"/>
    <updated>2018-04-10T17:35:56.000Z</updated>
    <id>https://mlarson.org/2018/04/10/the-revenant/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_0328.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Revenant_(2015_film)&#34;&gt;The Revenant&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2016/02/09/the-revenant-i-still-hold-to-my-first/https://mlarson.org/2016/02/09/the-revenant-i-still-hold-to-my-first/&#34;&gt;the first&lt;/a&gt;). I appreciate it so much more this time around. Jumping out this time were the recurring trees that save his life or support him throughout. (&amp;quot;The wind cannot defeat a tree with strong roots. If you look at its branches, you swear it will fall. But if you watch the trunk, you see its stability.&amp;quot;) Like when he uses a branch as a cane. Or when injured, he&#39;s hauled on a pallet of branches. When leaving his son for the last time, he turns away and props himself on a tree trunk. When escaping downriver, he floats on a log. He&#39;s sheltered by an impromptu branch hut during a storm, a tree breaks his fall from a cliff, a tree branch makes a decoy when trying to lure Fitzgerald out of hiding. I also liked the nature interludes – elk crossing a river, buffalo stampede, avalanche – that make this epic tale seem so small, and nature indifferent.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Seeing What Is There</title>
    <link href="https://mlarson.org/2018/04/09/seeing-what-is-there/"/>
    <updated>2018-04-10T01:24:40.000Z</updated>
    <id>https://mlarson.org/2018/04/09/seeing-what-is-there/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_7338.jpg&#34; alt=&#34;&#34;&gt; This past Saturday, I woke up early and went hiking. The day started gloomy like the photo above, then misty, then drizzly, and the weather got worse and worse as the morning went on. Toward mid-day, the rain was coming down pretty steady. I came around a bend on the trail, walking up to a lookout point. A man and woman were standing there with their ponchos on, looking out at the wall of rain and fog and the dark fuzzy outlines of the ridge beyond. I started a little small talk. &amp;quot;Not much of a view today!&amp;quot; The guy smiled and laughed and gently corrected me: &amp;quot;Well... it&#39;s &lt;em&gt;different&lt;/em&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Wars: The Last Jedi</title>
    <link href="https://mlarson.org/2018/04/09/star-wars-the-last-jedi/"/>
    <updated>2018-04-10T01:16:53.000Z</updated>
    <id>https://mlarson.org/2018/04/09/star-wars-the-last-jedi/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_0327.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Star_Wars:_The_Last_Jedi&#34;&gt;Star Wars: The Last Jedi&lt;/a&gt;. I liked it, overall, and it had just enough small things to drive me a little nuts. Snoke is a misfire (just call Ed Harris! You have the budget!), and so were the various little animals. That one ship&#39;s jump to light speed was sublime. And very good space debris throughout. I like our time with Rey and Kylo, and Poe&#39;s debacles. Finn was wasted, unfortunately. Benicio Del Toro is the best, but I wish they could have found him some other way. The space chase could and should have been gut-wrenching, but something about the cuts and pacing made it just sort of... there. I wonder how I&#39;ll feel whenever I rewatch it again. Of the latest batch, this ranks behind &lt;a href=&#34;https://mlarson.org/2017/07/24/rogue-one/&#34;&gt;Rogue One&lt;/a&gt;. Filed under: &lt;a href=&#34;https://mlarson.org/tag/starwars/&#34;&gt;Star Wars&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Silence of the Lambs</title>
    <link href="https://mlarson.org/2018/04/08/the-silence-of-the-lambs/"/>
    <updated>2018-04-08T22:07:02.000Z</updated>
    <id>https://mlarson.org/2018/04/08/the-silence-of-the-lambs/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_0326.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Silence_of_the_Lambs_(film)&#34;&gt;The Silence of the Lambs&lt;/a&gt;. Re-watch (&lt;a href=&#34;https://mlarson.org/2015/02/24/the-silence-of-the-lambs-absurdly-great-movie/&#34;&gt;previously&lt;/a&gt;). Masterpiece. I noticed the close-ups much more this time around. The face are very, uh, in your face. Jack Crawford might be the most unsettling character in the whole movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Honey</title>
    <link href="https://mlarson.org/2018/04/08/american-honey-2/"/>
    <updated>2018-04-08T21:59:49.000Z</updated>
    <id>https://mlarson.org/2018/04/08/american-honey-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_0325.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/American_Honey_(film)&#34;&gt;American Honey&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2017/08/12/american-honey/&#34;&gt;the first&lt;/a&gt;). I still don&#39;t know what to make of it, thematically, but I was entranced again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Master</title>
    <link href="https://mlarson.org/2018/04/08/the-master/"/>
    <updated>2018-04-08T21:54:30.000Z</updated>
    <id>https://mlarson.org/2018/04/08/the-master/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/04/img_0324.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Master_(2012_film)&#34;&gt;The Master&lt;/a&gt;. Second viewing. I liked it a bit more than &lt;a href=&#34;https://mlarson.org/2013/02/26/the-master-phoenix-was-robbed-right-where-ddl/&#34;&gt;the first time I saw it&lt;/a&gt;. The &lt;a href=&#34;https://m.youtube.com/watch?v=Iw54-yDc6Jg&#34;&gt;argument at the party&lt;/a&gt; is such a great scene. I miss &lt;a href=&#34;https://mlarson.org/tag/philipseymourhoffman/&#34;&gt;Philip Seymour Hoffman&lt;/a&gt;. :(&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Green</title>
    <link href="https://mlarson.org/2018/03/25/green/"/>
    <updated>2018-03-26T01:22:22.000Z</updated>
    <id>https://mlarson.org/2018/03/25/green/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/03/img_7313.jpg&#34; alt=&#34;&#34;&gt; I spent a few hours at my favorite nearby park today. Heavy rains had the creek running high in the banks. Chilly air still had some snap to it, a different damp, one that makes your cheeks flush but makes you more eager to set out rather than bundle up. Walk along the creek, look out into the forest, and see the flora feeling the same way – branches blushing green, let&#39;s get started, stretching out from the greys and browns of the last few months. Buds to unlayer and blossom soon enough. Just you wait. A few weeks ago I spent a week volunteering in Saguaro National Park, which was mostly grey and brown. I learned all about the cactus, succulents, flowers, trees, and more than I thought there was to know about grasses. It rained a bit before my arrival there, and there too I got to the first greens of the season peeking out. It was a preview of a preview, a hint of spring before spring. I came back home craving the first greens and what comes after. And out today, I think I see the plants craving it, too. Following through on their own promise. Just you wait. We&#39;ll make it through the grey and brown and step out again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>We’re Building the Ship as We Sail It</title>
    <link href="https://mlarson.org/2018/03/22/were-building-the-ship-as-we-sail-it/"/>
    <updated>2018-03-22T14:15:43.000Z</updated>
    <id>https://mlarson.org/2018/03/22/were-building-the-ship-as-we-sail-it/</id>
    <content type="html">&lt;p&gt;I was having trouble sleeping a couple nights ago, so I read some &lt;a href=&#34;https://www.poetryfoundation.org/poets/kay-ryan&#34;&gt;Kay Ryan poems&lt;/a&gt; to settle my brain a bit. This one helped: &lt;a href=&#34;https://www.poetryfoundation.org/poetrymagazine/browse?contentId=48513&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/03/img_3242.jpg&#34; alt=&#34;We’re Building the Ship As We Sail It by Kay Ryan&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Girl With All the Gifts</title>
    <link href="https://mlarson.org/2018/03/21/the-girl-with-all-the-gifts/"/>
    <updated>2018-03-22T02:11:59.000Z</updated>
    <id>https://mlarson.org/2018/03/21/the-girl-with-all-the-gifts/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/03/img_0320.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Girl_with_All_the_Gifts_(film)&#34;&gt;The Girl With All the Gifts&lt;/a&gt;. Has anyone written about how in movies, if a child is portrayed to be courteous and well-behaved with adults, we think they&#39;re creepy? There&#39;s just something &lt;em&gt;off&lt;/em&gt; about a kid who cares a little too much about adults. I like the fine line this one walks, betraying our sense of what a happy ending should be. I think my favorite parts of zombie movies are when they have to sneak by them. This one has a couple good scenes like that, and they made me remember and appreciate similar ones in &lt;a href=&#34;https://mlarson.org/2017/07/31/shaun-of-the-dead/&#34;&gt;Shaun of the Dead&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2017/05/22/train-to-busan/&#34;&gt;Train to Busan&lt;/a&gt;, and &lt;a href=&#34;https://mlarson.org/2013/10/15/world-war-z-pretty-stock-adventure-for-most-of/&#34;&gt;World War Z&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Gift</title>
    <link href="https://mlarson.org/2018/02/27/the-gift/"/>
    <updated>2018-02-27T04:59:15.000Z</updated>
    <id>https://mlarson.org/2018/02/27/the-gift/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/03/img_0321.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Gift_(2015_film)&#34;&gt;The Gift&lt;/a&gt;. Second viewing (&lt;a href=&#34;https://mlarson.org/2015/08/30/the-gift-i-loved-this-movie-for-90-minutes-and/&#34;&gt;the first&lt;/a&gt;). Very nicely done. Love the characterization through costume. Edgerton&#39;s character consistently has something in the wardrobe that&#39;s on the border of &amp;quot;uncool&amp;quot; and &amp;quot;unsettling&amp;quot;. Love how it shows people wrestling with intuition vs. manners, protection vs. politeness.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Annihilation</title>
    <link href="https://mlarson.org/2018/02/26/annihilation/"/>
    <updated>2018-02-27T01:31:30.000Z</updated>
    <id>https://mlarson.org/2018/02/26/annihilation/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0317.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Annihilation_(film)&#34;&gt;Annihilation&lt;/a&gt;. I dig it. Interesting to see scifi that leans so much on biology. One of those slower exploratory scifi movies that later gets crossed with some truly horrific gore (&lt;em&gt;Stalker&lt;/em&gt; meets &lt;em&gt;The Thing&lt;/em&gt;?). Great score, especially the climactic scenes. The music was so... three-dimensional. It felt novel somehow to have a discernible rhythm in there, not a long fermata.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blade Runner 2049</title>
    <link href="https://mlarson.org/2018/02/26/blade-runner-2049/"/>
    <updated>2018-02-27T01:24:41.000Z</updated>
    <id>https://mlarson.org/2018/02/26/blade-runner-2049/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0318.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Blade_Runner_2049&#34;&gt;Blade Runner 2049&lt;/a&gt;. Pretty. Good. Can&#39;t say I like it as much as the original. I think they could have bumped the pace a bit without losing much. But there are far worse ways to bathe in goofy visuals.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Art Moments</title>
    <link href="https://mlarson.org/2018/02/12/art-moments/"/>
    <updated>2018-02-13T01:31:53.000Z</updated>
    <id>https://mlarson.org/2018/02/12/art-moments/</id>
    <content type="html">&lt;p&gt;When the &lt;a href=&#34;https://www.nytimes.com/2018/02/12/arts/design/obama-portrait.html&#34;&gt;portraits of the Obamas were revealed today&lt;/a&gt;, I &lt;a href=&#34;https://twitter.com/mlarson/status/963091448622141440&#34;&gt;mentioned&lt;/a&gt; that seeing &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Kehinde_Wiley&#34;&gt;Kehinde Wiley&lt;/a&gt;&#39;s work was one of the big Art Moments in my life. I started thinking about a few other peak experiences and wanted to jot&#39;em down. First, Wiley. I saw an &lt;a href=&#34;http://www.phxart.org/KehindeWiley&#34;&gt;exhibition in Phoenix&lt;/a&gt;, and just drooled. I love the large painted portraits, but it was the stained glass that really won me over: &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_5373-1.jpg&#34; alt=&#34;&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_5374-1.jpg&#34; alt=&#34;&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_5375-1.jpg&#34; alt=&#34;&#34;&gt; The &lt;a href=&#34;https://mlarson.org/2009/07/31/i-dont-want-to-die-neither-do-i-baby-but/&#34;&gt;first time I ever saw Out of the Past&lt;/a&gt;, I almost couldn&#39;t believe it was happening. At that moment, it was a pinnacle combination of zippy script, glamour, camerawork, noir, tragedy. Just dumbfounded and grateful that I&#39;d found it. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0314.jpg&#34; alt=&#34;&#34;&gt; As a teen I got kinda lost in the Louvre and then I came around some the corner, I saw &lt;a href=&#34;https://en.wikipedia.org/wiki/Winged_Victory_of_Samothrace&#34;&gt;Winged Victory&lt;/a&gt;, and I couldn&#39;t move. When the spell wore off a little bit, I didn&#39;t want to leave. In college I went to see the Atlanta Symphony Orchestra play &lt;a href=&#34;https://en.wikipedia.org/wiki/Piano_Concerto_No._2_(Rachmaninoff)&#34;&gt;Rachmaninov&#39;s Piano Concerto No. 2&lt;/a&gt; with a buddy of mine. At this point it was one of my favorite works for orchestra, one I&#39;d listened to a million times, and I lucked into one of those edge-of-your-seat performances where everyone was locked in. It&#39;s all great and then we come to the close of the third movement, just a few minutes remaining, where the pianist is racing through a closing bit of fireworks (&lt;a href=&#34;https://m.youtube.com/watch?v=yJpJ8REjvqo&amp;amp;t=32m18s&#34;&gt;32:18&lt;/a&gt; or so), and where there&#39;s a pause (32:33) – it&#39;s just a second, but at this point we&#39;re just &lt;em&gt;dying&lt;/em&gt; to hear the orchestra re-enter – we can hear the pianist and the composer both take a deep breath and lunge into action and boooooom we&#39;re back with timpani and strings and big chunky chords and we&#39;re all losing our minds. Lordy. Lastly (for now) I went to Chicago a few years back and wandered around the Art Institute. I had some time to kill so I figured why not wander to the bottom floor and see about that &lt;a href=&#34;http://www.artic.edu/exhibition/ethel-stein-master-weaver&#34;&gt;Ethel Stein exhibit&lt;/a&gt; they had tucked away. I&#39;d seen plenty of woven stuff before but this was one that made me really appreciate how high the ceiling can be. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0312.jpg&#34; alt=&#34;&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0313.jpg&#34; alt=&#34;&#34;&gt; I know I&#39;m missing a bunch, and that&#39;s fine. These are the ones that stick out for now. Here&#39;s to many more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wind River</title>
    <link href="https://mlarson.org/2018/02/12/wind-river/"/>
    <updated>2018-02-13T00:35:32.000Z</updated>
    <id>https://mlarson.org/2018/02/12/wind-river/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0311.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Wind_River_(film)&#34;&gt;Wind River&lt;/a&gt;. Man, this was great. I&#39;ve been catching up on 2017 movies, and when I see ones like this and &lt;a href=&#34;https://mlarson.org/2018/01/01/the-lost-city-of-z/&#34;&gt;The Lost City of Z&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2018/01/27/good-time/&#34;&gt;Good Time&lt;/a&gt;, I start to wonder why we weren&#39;t talking about them all year long. &lt;em&gt;Wind River&lt;/em&gt; sits with its pain, a steady undercurrent of mourning, and explores how we accept loss, or find ourselves in some other endless form of pursuit, resignation, denial. Native American mistreatment is also a big theme, shown with visuals – contrast modest homes vs. trailer parks – or just ignorance, like when our well-meaning FBI agent bumbles through an interview with a victim&#39;s family. At times the script feels more written than spoken, but that&#39;s not so bad when the words are great. Director Taylor Sheridan also wrote the excellent &lt;a href=&#34;https://mlarson.org/2017/11/21/sicario/&#34;&gt;Sicario&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2016/11/27/hell-or-high-water-a-western-family-heist-movie/&#34;&gt;Hell or High Water&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Columbus</title>
    <link href="https://mlarson.org/2018/02/08/columbus/"/>
    <updated>2018-02-08T15:15:57.000Z</updated>
    <id>https://mlarson.org/2018/02/08/columbus/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0310.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Columbus_(2017_film)&#34;&gt;Columbus&lt;/a&gt;. I dig it. There is definitely some &lt;a href=&#34;https://mlarson.org/2015/03/31/lost-in-translation-bill-murray-is-the-best/&#34;&gt;Lost in Translation&lt;/a&gt; similarity. Two strangers finding another someone who&#39;s a little lost, seeing each other down the road a ways. They each give each other the nudge they didn&#39;t want to want, but know they need. I like how these characters sometimes get a little peevish with other. The script is rough sometimes, but every picture is lovely to look at.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Knight of Cups and the Spirituality of Sleaze</title>
    <link href="https://mlarson.org/2018/02/07/knight-of-cups-and-the-spirituality-of-sleaze/"/>
    <updated>2018-02-08T04:22:06.000Z</updated>
    <id>https://mlarson.org/2018/02/07/knight-of-cups-and-the-spirituality-of-sleaze/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If the film has a point, it is that “discerning a point” is harder than ever in a world where mediated experiences of “beauty” are more ubiquitous, accessible and customizable than ever, but less and less tied to rubrics of meaning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really liked this &lt;a href=&#34;http://www.christianitytoday.com/ct/2016/march-web-only/knight-of-cups-and-spirituality-of-sleaze.html&#34;&gt;essay by Brett McCracken&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Life Off Grid</title>
    <link href="https://mlarson.org/2018/02/07/life-off-grid/"/>
    <updated>2018-02-08T04:12:07.000Z</updated>
    <id>https://mlarson.org/2018/02/07/life-off-grid/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0309.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://lifeoffgrid.ca&#34;&gt;Life Off Grid&lt;/a&gt;. This was a decent little documentary, profiling a few Canadians from each province who decided to disconnect, to one degree or another. It made me realize my instant association with &amp;quot;off the grid&amp;quot; is survivalist paranoiacs. Not fair, but there you go. Nice to have a broader perspective here. For many of them, going off the grid wasn&#39;t the goal in the first place. It was a side effect of some other life choice. One guy, for example, just wanted to live with less money. Another couple, well, they liked the location, and electricity simply isn&#39;t available out there. Each find their own way. Another common theme was the sense of responsibility and efficacy. Most of them talked about or hinted at ripple effects of their choices, the tensions between what they want, the effort it would take to attain it, and all the baggage that could come along. Also cool to see how each household approached common problems in different ways – water supply, grocery shopping, TV, poop, dishes. On the whole, the eastern Canadians seemed more... balanced? Mainstream?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Beltline</title>
    <link href="https://mlarson.org/2018/02/05/beltline/"/>
    <updated>2018-02-06T03:40:25.000Z</updated>
    <id>https://mlarson.org/2018/02/05/beltline/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/image_539238968154095.jpg&#34; alt=&#34;&#34;&gt; I did some volunteering with Trees Atlanta recently. In one of their offices they had this 10-year-old map of the Atlanta Beltline, with plans for the surrounding landscapes. Very cool to see this early vision – and a different one than the neighborhood/transit-focused one we&#39;re used to – back when it was mostly just a dream. It still is, but it’s also on its way. I like that they still have it around.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Emily Dickinson, Famous Gardener</title>
    <link href="https://mlarson.org/2018/02/04/emily-dickinson-famous-gardener/"/>
    <updated>2018-02-04T15:01:19.000Z</updated>
    <id>https://mlarson.org/2018/02/04/emily-dickinson-famous-gardener/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/emily-dickinson-herbarium.jpg&#34; alt=&#34;emily-dickinson-herbarium&#34;&gt; Via &lt;a href=&#34;https://twitter.com/kishwidyaratna/status/958332423762268161&#34;&gt;@KishWidyaratna&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Emily Dickinson was, in her lifetime, perhaps more widely known as a gardener than poet. She would send her friends bunches of flowers with poems attached, but &amp;quot;they valued the posy more than the poetry&amp;quot;. 💔 Her 1840s herbarium is &lt;a href=&#34;https://iiif.lib.harvard.edu/manifests/view/drs:4184689$1i&#34;&gt;online here via Harvard&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Never knew about this. So cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>We Are What We Repeatedly Do</title>
    <link href="https://mlarson.org/2018/01/29/we-are-what-we-repeatedly-do/"/>
    <updated>2018-01-30T03:09:54.000Z</updated>
    <id>https://mlarson.org/2018/01/29/we-are-what-we-repeatedly-do/</id>
    <content type="html">&lt;p&gt;I like &lt;a href=&#34;http://www.raptitude.com/2018/01/if-its-important-learn-it-repeatedly/&#34;&gt;David Cain&#39;s writing about the importance of re-learning&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’m sure the Germans or the Japanese have a word that means, precisely, “Life-changing ideas that do not change our lives because we only read about them once, agree enthusiastically, and then forget them before we act on them.” If not, we could use one. How many times has your mind been set ablaze by a profound truth from a book, podcast, article, or a speech, only for the idea to fade before you could do anything with it?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One thing I&#39;ve been pondering lately: making space for good stuff I already know about. After I ported over thousands of old tumblr posts, the ongoing clean-up process has resurfaced a bunch of old stuff I forgot I ever experienced.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dunkirk</title>
    <link href="https://mlarson.org/2018/01/28/dunkirk/"/>
    <updated>2018-01-29T01:39:36.000Z</updated>
    <id>https://mlarson.org/2018/01/28/dunkirk/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/02/img_0307.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Dunkirk_(2017_film)&#34;&gt;Dunkirk&lt;/a&gt;. It is tremendous. Couldn&#39;t look away for even a sliver of a moment. Out of all of &lt;a href=&#34;https://mlarson.org/tag/christophernolan/&#34;&gt;Christopher Nolan movies I&#39;ve seen&lt;/a&gt;, I&#39;d rank this at the top. One thing that did him a favor is that the dialogue is so minimal. A trim, direct story so he can focus on the construction. I love the layered stories – the boat scenes being my favorites – that are racing to meet at the end, which we know with hindsight is only a beginning. I haven&#39;t updated my Christopher Nolan power rankings in a while, so...&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Dunkirk&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/04/17/interstellar-as-much-as-i-whine-about-christopher/&#34;&gt;Interstellar&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/5545126705/memento-third-viewing-but-hadnt-seen-it-in-7-8&#34;&gt;Memento&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2012/06/29/the-prestige-themes-obsession-sacrifice-craft/&#34;&gt;The Prestige&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/12/25/the-dark-knight/https://mlarson.org/2017/12/25/the-dark-knight/&#34;&gt;The Dark Knight&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2014/06/07/the-dark-knight-rises-i-enjoyed-it-this-time/&#34;&gt;The Dark Knight Rises&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Batman Begins&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17534469382/insomnia-starts-well-but-id-tighten-it-up-a&#34;&gt;Insomnia&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17210923479/following-christopher-nolans-first-feature-film&#34;&gt;Following&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/847918100/inception-this-is-a-good-movie-worth-seeing&#34;&gt;Inception&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;That feels right for now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Good Time</title>
    <link href="https://mlarson.org/2018/01/27/good-time/"/>
    <updated>2018-01-28T03:32:10.000Z</updated>
    <id>https://mlarson.org/2018/01/27/good-time/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0305.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Good_Time_(film)&#34;&gt;Good Time&lt;/a&gt;. Hoo boy I loved it. An urban chase film where our protagonist keeps digging himself in bigger holes. The music is key – similar to how &lt;a href=&#34;https://mlarson.org/tag/thief/&#34;&gt;Thief&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2015/08/06/the-guest-its-a-really-satisfying-little/https://mlarson.org/2015/08/06/the-guest-its-a-really-satisfying-little/&#34;&gt;The Guest&lt;/a&gt; get so much grimy energy from their own moody, heavily electronic scores. Interesting choices to light scenes using only televisions, and in the roles that phones play in plot and theme.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Phantom Thread</title>
    <link href="https://mlarson.org/2018/01/26/phantom-thread/"/>
    <updated>2018-01-26T05:43:40.000Z</updated>
    <id>https://mlarson.org/2018/01/26/phantom-thread/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0306.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Phantom_Thread&#34;&gt;Phantom Thread&lt;/a&gt;. Loved it in the moment. Didn&#39;t know where it was going, didn&#39;t care, I just knew I wanted to be there. I&#39;d probably put this in my top 3 &lt;a href=&#34;https://mlarson.org/tag/paulthomasanderson&#34;&gt;Paul Thomas Anderson movies&lt;/a&gt;, but I&#39;m not yet sure how I&#39;d reshuffle them.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>It Comes at Night</title>
    <link href="https://mlarson.org/2018/01/24/it-comes-at-night/"/>
    <updated>2018-01-25T01:03:41.000Z</updated>
    <id>https://mlarson.org/2018/01/24/it-comes-at-night/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0303.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/It_Comes_at_Night&#34;&gt;It Comes at Night&lt;/a&gt;. It&#39;s great! Movies like this remind you of what a simple, almost primal pleasure it is just to watch how light fills and moves through a dark place. I also like that it doesn&#39;t bother with answers about the general state of the world, and doesn&#39;t waste time with half-hearted attempts. People seek and accept what&#39;s practical, and move on. Backstory is irrelevant to a degree. The red door in the house – like a church, perhaps? I&#39;ve really come to love this survival-cabin subgenre. Other recent ones that are worth a look: &lt;a href=&#34;https://mlarson.org/2017/03/04/10-cloverfield-lane-one-of-those-movies-that/&#34;&gt;10 Cloverfield Lane&lt;/a&gt;, &lt;a href=&#34;https://en.wikipedia.org/wiki/Into_the_Forest&#34;&gt;Into the Forest&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2017/09/17/z-for-zachariah/&#34;&gt;Z for Zachariah&lt;/a&gt;. What else?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Am Not Your Negro</title>
    <link href="https://mlarson.org/2018/01/24/i-am-not-your-negro/"/>
    <updated>2018-01-25T00:53:50.000Z</updated>
    <id>https://mlarson.org/2018/01/24/i-am-not-your-negro/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0302.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/I_Am_Not_Your_Negro&#34;&gt;I Am Not Your Negro&lt;/a&gt;. I liked it a lot. Just the premise – a movie rendition of an unfinished book – is such an interesting way to start. I&#39;ve heard similar formulations before, but two ideas in here really stuck with me. One, his comments during an interview that, while he may not know what whites believe, he can see the state of our institutions (church, work, real estate, etc.). They tell you something you cannot deny. Second, his prompt to ask ourselves why the negro was invented. Black people didn&#39;t come up with it. It&#39;s a white invention to fill some need – one worth examining. Recommended. Filed under: &lt;a href=&#34;https://mlarson.org/tag/documentary&#34;&gt;documentaries&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bras on Instagram</title>
    <link href="https://mlarson.org/2018/01/24/bras-on-instagram/"/>
    <updated>2018-01-25T00:29:30.000Z</updated>
    <id>https://mlarson.org/2018/01/24/bras-on-instagram/</id>
    <content type="html">&lt;p&gt;I really liked Lauren Hallden&#39;s &lt;a href=&#34;https://shift.newco.co/towards-a-bra-free-instagram-experience-3e43273b611f&#34;&gt;Towards a Bra-Free Instagram Experience&lt;/a&gt;. It made me start to wonder about the effects of a social medium when it thinks you are something... but you are not that. Every so often I&#39;ve noticed an account can stumble into a sort of algorithmic death spiral. I remember years back when I foolishly gave &lt;em&gt;The Great Gatsby&lt;/em&gt; five stars on Amazon, and for months on end it thoughtfully suggested classic after classic after classic after classic. I guess that&#39;s to be expected. But what&#39;s get interesting is that somehow it&#39;s not just an annoyance – I don&#39;t use the suggestions that much – but it also feels like a wrong worth correcting, a sense of identity betrayed. And I have to try to convince the black box that &lt;em&gt;this&lt;/em&gt; is what I&#39;m about. I&#39;ve spent my fair share of time on Instagram, and don&#39;t really regret it much. Perhaps that&#39;s because the channel isn&#39;t as emotionally charged as others can be. But I recently removed the Instagram app from my phone, just as a little experiment. I still log in every now and then on the iPad to see what&#39;s up. (By the way, Instagram via iPad web browser is so much better than the iPhone app it&#39;s crazy. There also seem to be fewer ads?) This removal is also part of a re-RSSing (and re-assessing) project I&#39;ve been trying to do. If I check comething a lot, find a feed. If I think about a topic a lot, find the feeds. Instagram doesn&#39;t have any built-in feeds that I know of, but you can cobble something together through various means (&lt;a href=&#34;https://www.simplehelp.net/2017/05/24/how-to-create-an-rss-feed-for-instagram/&#34;&gt;for example&lt;/a&gt;). So far I like this approach. I see only what I wanted – and I miss what they think I wanted. I&#39;m okay with this. This product manager idea of &amp;quot;discovery&amp;quot; has never ranked high on my list, and I don&#39;t miss content-hopping down the bottomless pit. That&#39;s what Twitter is for.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Imaginary Book #3</title>
    <link href="https://mlarson.org/2018/01/23/imaginary-book-3/"/>
    <updated>2018-01-23T23:11:33.000Z</updated>
    <id>https://mlarson.org/2018/01/23/imaginary-book-3/</id>
    <content type="html">&lt;p&gt;A spread from my forthcoming imaginary book, &lt;em&gt;Pilgrims and Converts: The Sublime Loves of Terrence Malick&lt;/em&gt;. &lt;a href=&#34;https://mlarson.org/2015/12/16/to-the-wonder-i-dig-it-just-like-the-first-time/&#34;&gt;To the Wonder&lt;/a&gt; (2012). &lt;a href=&#34;https://mlarson.org/2018/01/15/song-to-song/&#34;&gt;Song to Song&lt;/a&gt; (2017). &lt;a href=&#34;https://mlarson.org/2017/02/26/knight-of-cups-after-i-watched-it-i-wrote-some/&#34;&gt;Knight of Cups&lt;/a&gt; (2015). Filed under: &lt;a href=&#34;https://mlarson.org/tag/imaginarybooks/&#34;&gt;imaginary books&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When to Share</title>
    <link href="https://mlarson.org/2018/01/22/when-to-share/"/>
    <updated>2018-01-22T20:27:01.000Z</updated>
    <id>https://mlarson.org/2018/01/22/when-to-share/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“When not telling feels like ‘hiding,’ it’s time to tell. There’s your opener, too. ‘I should have said this sooner.’”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/lifestyle/style/carolyn-hax-how-much-truth-can-new-guy-be-expected-to-handle/2018/01/21/882e1780-fd34-11e7-8f66-2df0b94bb98a_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. As it is in relationships, so it is on the web.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Post</title>
    <link href="https://mlarson.org/2018/01/19/the-post/"/>
    <updated>2018-01-20T03:25:14.000Z</updated>
    <id>https://mlarson.org/2018/01/19/the-post/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0301.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Post_(film)&#34;&gt;The Post&lt;/a&gt;. Precisely what I expected it to be!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>If you grew up somewhere else...</title>
    <link href="https://mlarson.org/2018/01/18/if-you-grew-up-somewhere-else/"/>
    <updated>2018-01-18T18:30:00.000Z</updated>
    <id>https://mlarson.org/2018/01/18/if-you-grew-up-somewhere-else/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A question I like to ask when I travel: “What would I be like if I grew up here?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://danwang.co/2017-reflections/&#34;&gt;Dan Wang&lt;/a&gt;. I&#39;ve been thinking about this for a while.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Song to Song</title>
    <link href="https://mlarson.org/2018/01/15/song-to-song/"/>
    <updated>2018-01-16T01:50:04.000Z</updated>
    <id>https://mlarson.org/2018/01/15/song-to-song/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/song-to-song.png&#34; alt=&#34;Song-to-Song&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Song_to_Song&#34;&gt;Song to Song&lt;/a&gt;. Rooney Mara might be the best dizzy princess Malick&#39;s ever had. This one also has some of the best music. It&#39;s also one of the few Malick&#39;s to ever make me laugh multiple times. I was surprisingly swept up for the first hour or so. And yet... the staying power wasn&#39;t there for me. Still good, though. Updated &lt;a href=&#34;https://mlarson.org/tag/terrencemalick/&#34;&gt;Terrence Malick&lt;/a&gt; power rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/tag/daysofheaven/&#34;&gt;Days of Heaven&lt;/a&gt; (as if!)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2012/01/10/the-new-world-in-which-the-title-is-a-metaphor/&#34;&gt;The New World&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2015/03/09/badlands-second-viewing-the-first-this-time-at/&#34;&gt;Badlands&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2016/11/27/the-thin-red-line-a-little-weaker-each-time-i-see/&#34;&gt;The Thin Red Line&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2012/02/19/the-tree-of-life-well-its-beautiful-and-huge/&#34;&gt;The Tree of Life&lt;/a&gt; (maybe one spot higher?)&lt;/li&gt;
&lt;li&gt;Song to Song&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2015/12/16/to-the-wonder-i-dig-it-just-like-the-first-time/&#34;&gt;To the Wonder&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/02/26/knight-of-cups-after-i-watched-it-i-wrote-some/&#34;&gt;Knight of Cups&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;That is a &lt;em&gt;solid&lt;/em&gt; body of work.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Neon Demon</title>
    <link href="https://mlarson.org/2018/01/15/the-neon-demon/"/>
    <updated>2018-01-16T01:28:02.000Z</updated>
    <id>https://mlarson.org/2018/01/15/the-neon-demon/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0299.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Neon_Demon&#34;&gt;The Neon Demon&lt;/a&gt;. This is &lt;a href=&#34;https://mlarson.org/tag/nicolaswindingrefn/&#34;&gt;Nicolas Winding Refn&lt;/a&gt;&#39;s best movie, haters. I think it was &lt;a href=&#34;http://morethanonelesson.com/&#34;&gt;More Than One Lesson&lt;/a&gt;, their &lt;a href=&#34;http://morethanonelesson.com/episode-206-the-neon-demon/&#34;&gt;episode on this movie&lt;/a&gt;, where Tyler Smith talked about this being a perfect pairing: Refn loves image and surface and sheen, and here he finds characters to match. Mirrors everywhere, all-consumptive. Don&#39;t forget it&#39;s a horror movie. My Refn power rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/tag/neondemon/&#34;&gt;The Neon Demon&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2015/07/21/drive-third-viewing-that-elevator-scene-is-still/&#34;&gt;Drive&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2013/06/23/bronson-its-an-oddball-comedy-horror-character/&#34;&gt;Bronson&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2015/12/16/only-god-forgives-rewatch-i-thought-maybe-i-was/&#34;&gt;Only God Forgives&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2013/06/04/valhalla-rising-i-wonder-if-seen-in-a-different/&#34;&gt;Valhalla Rising&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Pusher&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>A Ghost Story</title>
    <link href="https://mlarson.org/2018/01/14/a-ghost-story/"/>
    <updated>2018-01-15T01:14:19.000Z</updated>
    <id>https://mlarson.org/2018/01/14/a-ghost-story/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0298.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Ghost_Story&#34;&gt;A Ghost Story&lt;/a&gt;. I loved this movie. I will probably put it on my favorites-of-2018 list. I like this view of ghosts as sort of outside of time, in both directions. Ghosts as unfinished business. Ghosts with flaws and hang-ups. And the idea that places are saturated with history, and by the same token history isn&#39;t just events in time but in a space. Solid soundtrack, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Move to Keep Things Whole</title>
    <link href="https://mlarson.org/2018/01/12/i-move-to-keep-things-whole/"/>
    <updated>2018-01-13T04:16:19.000Z</updated>
    <id>https://mlarson.org/2018/01/12/i-move-to-keep-things-whole/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://www.poetryfoundation.org/poems/47541/keeping-things-whole&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0300.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;By &lt;a href=&#34;https://www.poetryfoundation.org/poems/47541/keeping-things-whole&#34;&gt;Mark Strand&lt;/a&gt; via &lt;a href=&#34;https://twitter.com/rachaelmaddux/status/951811478809731073&#34;&gt;Rachael Maddux&#39;s poem-a-day bender&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Silence</title>
    <link href="https://mlarson.org/2018/01/10/silence/"/>
    <updated>2018-01-11T01:59:31.000Z</updated>
    <id>https://mlarson.org/2018/01/10/silence/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0295.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Silence_(2016_film)&#34;&gt;Silence&lt;/a&gt;. I confess: I got bored. Maybe someday a different me will have a better go of it. Filed under: &lt;a href=&#34;https://mlarson.org/tag/martinscorsese/&#34;&gt;Martin Scorsese&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>All the Money in the World</title>
    <link href="https://mlarson.org/2018/01/07/all-the-money-in-the-world/"/>
    <updated>2018-01-07T15:15:57.000Z</updated>
    <id>https://mlarson.org/2018/01/07/all-the-money-in-the-world/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0296.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/All_the_Money_in_the_World&#34;&gt;All the Money in the World&lt;/a&gt;. It&#39;s perfectly fine! I didn&#39;t know until afterward they re-shot so much of the movie. I respect it for that more than I actually enjoyed it. I will probably never see it again, which always feels a little bit bittersweet. Filed under: &lt;a href=&#34;https://mlarson.org/tag/ridleyscott/&#34;&gt;Ridley Scott&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>War for the Planet of the Apes</title>
    <link href="https://mlarson.org/2018/01/05/war-for-the-planet-of-the-apes/"/>
    <updated>2018-01-06T02:10:18.000Z</updated>
    <id>https://mlarson.org/2018/01/05/war-for-the-planet-of-the-apes/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0294-1.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/War_for_the_Planet_of_the_Apes&#34;&gt;War for the Planet of the Apes&lt;/a&gt;. Kind of a bummer. At first I was really into the melodrama. Eventually, it became very tedious. It seemed like they were stopping for a sappy moment every 5-10 minutes. The Gollum/Jar Jar ape didn&#39;t help. I also don&#39;t understand why a crucial character uses a crossbow in a world with guns. Another hang-up was that I couldn&#39;t figure out how the world fit together. That&#39;s one thing I liked about &lt;a href=&#34;https://mlarson.org/2014/07/20/rise-of-the-planet-of-the-apes-a-refresher/&#34;&gt;Rise...&lt;/a&gt; and &lt;a href=&#34;https://mlarson.org/2014/07/23/dawn-of-the-planet-of-the-apes-really/&#34;&gt;Dawn...&lt;/a&gt; – the geography was clear. You knew who was where. This one started in those awesome rainforests, then moved to a snowscape, and then to the Sierras? Or Tahoe? The previous ones were strong in that they felt like our world. I don&#39;t know what happened to it here. Bummer. Filed under: &lt;a href=&#34;https://mlarson.org/tag/planetoftheapes&#34;&gt;Planet of the Apes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Walking Helps Us Think</title>
    <link href="https://mlarson.org/2018/01/03/why-walking-helps-us-think/"/>
    <updated>2018-01-04T02:58:28.000Z</updated>
    <id>https://mlarson.org/2018/01/03/why-walking-helps-us-think/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When we choose a path through a city or forest, our brain must survey the surrounding environment, construct a mental map of the world, settle on a way forward, and translate that plan into a series of footsteps. Likewise, writing forces the brain to review its own landscape, plot a course through that mental terrain, and transcribe the resulting trail of thoughts by guiding the hands. Walking organizes the world around us; writing organizes our thoughts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;– &lt;a href=&#34;https://www.newyorker.com/tech/elements/walking-helps-us-think&#34;&gt;Ferris Jabr&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Lost City of Z</title>
    <link href="https://mlarson.org/2018/01/01/the-lost-city-of-z/"/>
    <updated>2018-01-02T02:00:20.000Z</updated>
    <id>https://mlarson.org/2018/01/01/the-lost-city-of-z/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0293.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lost_City_of_Z_(film)&#34;&gt;The Lost City of Z&lt;/a&gt;. I had my eyes on this movie for so, so long. It was the one 2017 film that I was really craving. And I&#39;d loved &lt;a href=&#34;https://www.amazon.com/Lost-City-Deadly-Obsession-Amazon/dp/0385513534/&#34;&gt;the book&lt;/a&gt; when I read it a few years back, so I had high hopes. All hopes fulfilled! I will watch this one again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Margaret</title>
    <link href="https://mlarson.org/2018/01/01/margaret/"/>
    <updated>2018-01-01T20:00:01.000Z</updated>
    <id>https://mlarson.org/2018/01/01/margaret/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2018/01/img_0289.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Margaret_(2011_film)&#34;&gt;Margaret&lt;/a&gt;. The first film of the new year was so damn good. Takes the everyday and shows its operatic moments. The surly, volatile teen protagonist is all of us at some point, many points – heroes of our own story, center of the universe, disappointed by and disappointing those who care about us. One especially nice touch is the sound. Throughout there are interludes where you hear snippets of other conversations, city life, sometimes even more clearly than the main characters. Loved it. &lt;a href=&#34;http://www.brightwalldarkroom.com/magazine/issues/issue41/&#34;&gt;Bright Wall/Dark Room did an entire issue about Margaret&lt;/a&gt;; lots of good reading there. The only other Lonergan movie I&#39;ve seen is &lt;a href=&#34;https://mlarson.org/2017/05/01/manchester-by-the-sea/&#34;&gt;Manchester By the Sea&lt;/a&gt;. Solid, but I&#39;d rank this one way, way higher.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Good Things in 2017</title>
    <link href="https://mlarson.org/2018/01/01/good-things-in-2017/"/>
    <updated>2018-01-01T15:47:13.000Z</updated>
    <id>https://mlarson.org/2018/01/01/good-things-in-2017/</id>
    <content type="html">&lt;p&gt;This year was terrible in many ways but really really wonderful in many others. Some good stuff... In July I spent a few weeks in Sweden, most of it hiking. A couple cold, soggy, windy days were terrible, but I can laugh about them now. And some of those days were right up there with the best days of my life, period. One of them was so especially grand that I still haven’t quite yet found the words, and may never, and maybe I shouldn’t. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/kungsledene28093aktsee28093laitaure-skierfe.jpg&#34; alt=&#34;Kungsleden–Aktse–Laitaure-Skierfe&#34;&gt; Other travel highlights: a trip to see friends get married in Maryland; a workation to Chicago to spend time with the best team on the planet; and a visit to New Orleans to celebrate my grandfather’s birthday. Along with his travel and stay in Georgia for a few months, I got to spend more time with him than I had in decades. I don’t take it for granted.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;&lt;strong&gt;I mastered sleep&lt;/strong&gt;. Oh my lord has this been huge. My family spent the previous two Christmases at the beach. Both times, I ended up sleeping 10, 12, 14 hours a night... and napping in the afternoons. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/morning-beach.jpg&#34; alt=&#34;morning-beach&#34;&gt; After a few days like that, I felt like I was seeing in color again. The freshness didn’t last after the first awakening – I spent a year squandering it – but the second time around I realized it was dumb to let myself spend months decaying into zombie mode. I just can’t thrive on 6-7 hours a night; I’m more of a 9er. A regular, earlier bedtime has cost me a few dozen late-night movies, but it’s been so, so, so worth it. I started making collages every now and then. I tried it on impulse because I had some magazines and scissors nearby, and it was &lt;a href=&#34;https://austinkleon.com/2017/01/26/glue-one-thing-to-another/&#34;&gt;instantly therapeutic&lt;/a&gt;. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/collage-bird-moon-blueberry-cigarette-escalator.jpg&#34; alt=&#34;collage-bird-moon-blueberry-cigarette-escalator&#34;&gt; I found a meditation routine and got into a groove with it, and fell out and found it again, and again, etc.. I eat veggies every day (pretty much, mostly, I try?). I don’t do as many straight-up workouts as I used to, but the average day is more active. I biked more in 2017 than any year since I was a kid. I barely drove at all (yaaassssss), outside of trips to my parents’ house or out for a hike. Aside from the Sweden trip, I had a lovely day knocking out a 35K at &lt;a href=&#34;https://en.wikipedia.org/wiki/Cloudland_Canyon_State_Park&#34;&gt;Cloudland Canyon&lt;/a&gt; for my 35th birthday. And on a lark one Saturday I walked 20-something urban miles from my house in downtown Atlanta to the summit of &lt;a href=&#34;https://en.wikipedia.org/wiki/Stone_Mountain&#34;&gt;Stone Mountain&lt;/a&gt;. Really glad I did it, and I will never do it again. I put in a bunch of miles at &lt;a href=&#34;https://en.wikipedia.org/wiki/Sweetwater_Creek_State_Park&#34;&gt;my favorite state park&lt;/a&gt; once or twice a month.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I read a bunch of good books (&lt;a href=&#34;https://twitter.com/mlarson/status/764541165274140672&#34;&gt;8 them by John Mcphee&lt;/a&gt; 😎). Here&#39;s the best of my reading year, with the top 5 distinguished with a *:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Assembling-California-John-McPhee/dp/0374523932&#34;&gt;Assembling California&lt;/a&gt; 😎&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Black-Flags-Rise-Joby-Warrick/dp/0804168938&#34;&gt;Black Flags: The Rise of Isis&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Complacent-Class-Self-Defeating-Quest-American/dp/1250108691&#34;&gt;The Complacent Class: The Self-Defeating Quest for the American Dream&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Death-Graveside-Companion-Joanna-Ebenstein/dp/0500519714&#34;&gt;Death: A Graveside Companion&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/How-Think-Survival-Guide-World/dp/0451499603&#34;&gt;How to Think: A Survival Guide for a World at Odds&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Killers-Flower-Moon-Osage-Murders/dp/0385534248&#34;&gt;Killers of the Flower Moon: The Osage Murders and the Birth of the FBI&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Lights-Out-Cyberattack-Unprepared-Surviving/dp/0553419986&#34;&gt;Lights Out: A Cyberattack, A Nation Unprepared, Surviving the Aftermath&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Naked-Statistics-Stripping-Dread-Data/dp/0393071952&#34;&gt;Naked Statistics: Stripping the Dread from the Data&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Odyssey-Homer/dp/0393089053&#34;&gt;The Odyssey&lt;/a&gt; (trans. Emily Wilson)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Trails-Exploration-Robert-Moor/dp/1476739234&#34;&gt;On Trails: An Exploration&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Philosophy-Walking-Frederic-Gros/dp/1781688370&#34;&gt;A Philosophy of Walking&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Pine-Barrens-John-McPhee/dp/0374514429&#34;&gt;The Pine Barrens&lt;/a&gt; 😎&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Play-Anything-Pleasure-Limits-Boredom/dp/0465051723&#34;&gt;Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Spy-Who-Came-Cold-George/dp/0143124757&#34;&gt;The Spy Who Came in From the Cold&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/Survival-Bark-Canoe-John-McPhee/dp/0374516936&#34;&gt;The Survival of the Bark Canoe&lt;/a&gt; 😎&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://medium.com/stubborn-attachments/stubborn-attachments-full-text-8fc946b694d&#34;&gt;Stubborn Attachments: A Vision for a Society of Free, Prosperous, and Responsible Individuals&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.amazon.com/What-Made-Maddy-Run-All-American/dp/0316356549&#34;&gt;What Made Maddy Run: The Secret Struggles and Tragic Death of an All-American Teen&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;(On a related note, I&#39;m in the market for more fiction...)&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;I &lt;a href=&#34;https://twitter.com/mlarson/status/904478979125587969&#34;&gt;didn&#39;t see any movies released in 2017&lt;/a&gt;, which was fun for a few months… and then didn’t feel any particular way for the bulk of the year… and then felt deeply miserable for the last few weeks. But for the last few days it&#39;s been nice to salivate and plan what I want to catch up on. Instead of trying to keep up with whatever happened to be new, I &lt;a href=&#34;https://mlarson.org/tag/film/&#34;&gt;saw a lot of great old stuff&lt;/a&gt; and re-watched a lot of things I love. The best of the new-to-me for 2017:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/03/05/10-cloverfield-lane-one-of-those-movies-that/&#34;&gt;10 Cloverfield Lane&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/08/21/20th-century-women/&#34;&gt;20th Century Women&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/11/12/allied/&#34;&gt;Allied&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/08/12/american-honey/&#34;&gt;American Honey&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/02/12/cameraperson-man-i-loved-this-one-a-collage-of/&#34;&gt;Cameraperson&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/03/05/children-of-heaven-i-loved-this-movie-within/&#34;&gt;Children of Heaven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/11/26/end-of-watch/&#34;&gt;End of Watch&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/04/02/frankenstein-the-last-time-i-saw-this-i-was-in/&#34;&gt;Frankenstein&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/04/02/in-the-bedroom-this-was-excellent-just-lures-you/&#34;&gt;In the Bedroom&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/10/01/the-invitation/&#34;&gt;The Invitation&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/01/07/love-friendship-if-you-like-jane-austen-andor/&#34;&gt;Love &amp;amp; Friendship&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/07/24/nerve/&#34;&gt;Nerve&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/02/12/punch-drunk-love-i-put-this-one-off-for-a-long/&#34;&gt;Punch-Drunk Love&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/07/31/shaun-of-the-dead/&#34;&gt;Shaun of the Dead&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/10/15/stagecoach/&#34;&gt;Stagecoach&lt;/a&gt; *&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://mlarson.org/2017/12/23/the-village/&#34;&gt;The Village&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;p&gt;I perfected a bunch of small things. And I still feel really smug about these dumb little tweaks and upgrades to stuff that doesn&#39;t matter very much but still makes a difference. I got a &lt;a href=&#34;https://www.amazon.com/gp/product/B00N83OMNW&#34;&gt;trim wallet&lt;/a&gt; and a fresh &lt;a href=&#34;https://www.amazon.com/gp/product/B01MYFCM73&#34;&gt;key fob&lt;/a&gt; and new &lt;a href=&#34;https://www.amazon.com/gp/product/B01N6L7DGA&#34;&gt;keyrings&lt;/a&gt; that better fit my ideal pocket situation. I switched over to wireless earbuds and thin linen bath towels. I got new pens and longer Lightning cables and made fine-tuned some hiking gear. I donated a bunch of clothes, and standardized much of the rest (blue oxford-collar button-downs, grey sweatshirts, grey t-shirts, and jeans, or GTFO). I finally took care of a bunch of tedious finance/household administration that I’d been putting off for, uh, years. I &lt;a href=&#34;https://twitter.com/mlarson/status/932314331953483777&#34;&gt;asked people where to spend more on charity&lt;/a&gt;, did it, and it felt wonderful.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Afters years of being inactive, I deleted my Facebook account and never looked back. I let my 8-year-old Tumblr drift into dormancy, ported the posts over here, and decommissioned it entirely. I let this blog lie fallow. And I started it again. ❤️&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mother Nature&#39;s Sons</title>
    <link href="https://mlarson.org/2018/01/01/mother-natures-sons/"/>
    <updated>2018-01-01T15:46:20.000Z</updated>
    <id>https://mlarson.org/2018/01/01/mother-natures-sons/</id>
    <content type="html">&lt;p&gt;I loved this &lt;a href=&#34;https://nplusonemag.com/online-only/online-only/mother-nature-s-sons/&#34;&gt;Robert Moor essay on environmentalism and masculinity&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Even as progressive men renounce the traditional notion of subordinated femininity, many still harbor conflicted notions about manhood. They want to feel individually reckless, but not socially irresponsible. They want to minimize carbon emissions, but not to scold, scrimp, or carry tote bags. They want to be pure of deed but wild at heart. So they dig ever deeper into the past, searching for a way of life that existed before “real” men and their ecological consciences parted ways.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;His book &lt;a href=&#34;https://www.amazon.com/Trails-Exploration-Robert-Moor/dp/1476739234&#34;&gt;On Trails&lt;/a&gt; was one of my faves of 2017.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Heat</title>
    <link href="https://mlarson.org/2017/12/29/heat/"/>
    <updated>2017-12-30T00:38:14.000Z</updated>
    <id>https://mlarson.org/2017/12/29/heat/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/heat-mccauley.jpg&#34; alt=&#34;heat-mccauley&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Heat_(1995_film)&#34;&gt;Heat&lt;/a&gt;. A half-dozen screenings and it keeps on delivering. One thing that really stood out this time was the use of the color blue with McCauley&#39;s character. For example, early on, there&#39;s the famous shot at his house, echoing &lt;a href=&#34;http://alexcolville.ca/gallery/alex_colville_1967_pacific/&#34;&gt;Colville&#39;s &amp;quot;Pacific&amp;quot;&lt;/a&gt; painting, but saturated in a moody blue. This is McCauley as the cool, remote professional. During a following celebration dinner with his team, you see his appreciation and envy of his crew&#39;s families. He goes to call Eadie. The shot of him on the phone has the frame split in half. He&#39;s on the left against a cool blue background, the right side is warmer. In the course of conversation with her he steps from left to right. Later in the movie, McCauley is on his way to escape, home-free. He gets a farewell call from Nate, who also tells him where Waingro is. He dismisses the idea of going back, and keeps driving, content. The camera stays on him at the wheel, and we can see through the rear window. As he enters a tunnel the lighting is a bright wash... that transitions to blue. He turns grim and decides on revenge before escape. Speaking of Waingro, interesting how his actions play up the appetites. In his introduction, he&#39;s looking for more coffee before the score. After the heist, he&#39;s smugly enjoying some pie while the main crew stares at him in disdainful silence. Later we see him with cigarettes, booze, women. Last little clever bit: in the course of the famous diner meeting, McCauley mentions, &amp;quot;There is a flip side to that coin. What if you do got me boxed in and I gotta put you down?&amp;quot; At the final climax, we see McCauley escaping into the airfield, making his last stand behind a shed, backgrounded with its large checkerboard pattern. Boxed in, the chess match coming to its endgame. &lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/heat-mccauley-boxed.jpg&#34; alt=&#34;heat-mccauley-boxed&#34;&gt; Filed under: &lt;a href=&#34;https://mlarson.org/tag/heat/&#34;&gt;Heat&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Dark Knight</title>
    <link href="https://mlarson.org/2017/12/25/the-dark-knight/"/>
    <updated>2017-12-26T00:28:10.000Z</updated>
    <id>https://mlarson.org/2017/12/25/the-dark-knight/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/the-dark-knight-joker-car.jpg&#34; alt=&#34;the-dark-knight-joker-car&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Dark_Knight_(film)&#34;&gt;The Dark Knight&lt;/a&gt;. Second viewing. (&lt;a href=&#34;https://mlarson.org/2014/12/06/the-dark-knight-re-watched-to-re-evaluate/&#34;&gt;The first&lt;/a&gt;). It&#39;s not good enough to carry its thematic weight. But Ledger is brilliant. That scene meeting with the mob... (&amp;quot;You&#39;re crazy.&amp;quot; / &amp;quot;&lt;a href=&#34;https://www.youtube.com/watch?v=5K3E5tLoado&amp;amp;t=2m1s&#34;&gt;I&#39;m not. No. I&#39;m not&lt;/a&gt;.&amp;quot;) ...chills.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Village</title>
    <link href="https://mlarson.org/2017/12/23/the-village/"/>
    <updated>2017-12-24T01:24:25.000Z</updated>
    <id>https://mlarson.org/2017/12/23/the-village/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/the-village.png&#34; alt=&#34;the-village&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Village_(2004_film)&#34;&gt;The Village&lt;/a&gt;. I&#39;d heard it was among the better of Shyamalan&#39;s but I wasn&#39;t expecting such a... masterpiece? So very, very good. Imagery and structure and theme and camerawork and characterization is all dialed in and thoughtful.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Into the Wild</title>
    <link href="https://mlarson.org/2017/12/22/into-the-wild/"/>
    <updated>2017-12-23T02:00:03.000Z</updated>
    <id>https://mlarson.org/2017/12/22/into-the-wild/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/into-the-wild.jpg&#34; alt=&#34;into-the-wild&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Into_the_Wild_(film)&#34;&gt;Into the Wild&lt;/a&gt;. Man, this dude, as portrayed, was insufferable. Awesome cast.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>One Hour Photo</title>
    <link href="https://mlarson.org/2017/12/17/one-hour-photo/"/>
    <updated>2017-12-18T01:02:48.000Z</updated>
    <id>https://mlarson.org/2017/12/17/one-hour-photo/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/one-hour-photo.jpg&#34; alt=&#34;MCDONHO FE002&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/One_Hour_Photo&#34;&gt;One Hour Photo&lt;/a&gt;. One thing I&#39;ve come to regret is that I disliked Williams&#39; sillier movies so much I ignored most of his other roles for a long time. A solid, creepy score and a solid, creepy lead.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Once Upon a Time in the West</title>
    <link href="https://mlarson.org/2017/12/16/once-upon-a-time-in-the-west/"/>
    <updated>2017-12-17T00:47:09.000Z</updated>
    <id>https://mlarson.org/2017/12/16/once-upon-a-time-in-the-west/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0269.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_the_West&#34;&gt;Once Upon a Time in the West&lt;/a&gt;. Third viewing. (&lt;a href=&#34;https://mlarson.org/2010/08/13/once-upon-a-time-in-the-west-its-awesome-one-of/&#34;&gt;First&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2014/07/28/once-upon-a-time-in-the-west-welp-its-perfect/&#34;&gt;second&lt;/a&gt;.) I heard a snippet of &lt;a href=&#34;https://m.youtube.com/watch?v=hyYg9oqL4Os&#34;&gt;Jill&#39;s Theme&lt;/a&gt; and there was no looking back. I had to watch it ASAP. One of my favorite movies, top 5 for sure. Filed under: &lt;a href=&#34;https://mlarson.org/tag/sergioleone/&#34;&gt;Sergio Leone&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fountain</title>
    <link href="https://mlarson.org/2017/12/15/the-fountain/"/>
    <updated>2017-12-16T01:00:12.000Z</updated>
    <id>https://mlarson.org/2017/12/15/the-fountain/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0279.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fountain&#34;&gt;The Fountain&lt;/a&gt;. Second viewing. (&lt;a href=&#34;https://mlarson.org/2013/02/25/the-fountain-the-score-is-such-a-big-part-of-the/&#34;&gt;The first&lt;/a&gt;.) I think I have to bump this up to my favorite Aronofsky. Izzy&#39;s lines drive me a little nuts. Thematic bludgeons. But the visuals, the score, acting, tone, mood, and everything else that&#39;s supporting the themes: on point. Filed under: &lt;a href=&#34;https://mlarson.org/tag/darrenaronofsky/&#34;&gt;Darren Aronofsky&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>L.A. Confidential</title>
    <link href="https://mlarson.org/2017/12/10/l-a-confidential/"/>
    <updated>2017-12-11T02:55:10.000Z</updated>
    <id>https://mlarson.org/2017/12/10/l-a-confidential/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0278.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/L.A._Confidential_(film)&#34;&gt;L.A. Confidential&lt;/a&gt;. I think I&#39;ve re-watched this on accident two or three times. Somehow it just doesn&#39;t stick, slides right out of my memory.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nightcrawler</title>
    <link href="https://mlarson.org/2017/12/10/nightcrawler/"/>
    <updated>2017-12-10T22:55:38.000Z</updated>
    <id>https://mlarson.org/2017/12/10/nightcrawler/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0277.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Nightcrawler_(film)&#34;&gt;Nightcrawler&lt;/a&gt;. Third viewing. (&lt;a href=&#34;https://mlarson.org/2014/11/15/nightcrawler-this-is-at-or-near-the-top-of-my/&#34;&gt;First&lt;/a&gt;, &lt;a href=&#34;https://mlarson.org/2015/03/31/nightcrawler-second-viewing-ditto-everything-i/&#34;&gt;second&lt;/a&gt;.) What a creep. Not sure if it&#39;s coincidence or foresight, but this movie anticipated so many of today&#39;s headline issues – journalism and technology, display over discernment, race, class, economics, sexual misconduct in the workplace, narcissism, freelance desperation, moral compromise. It&#39;s all there. And Bill Paxton is so great. RIP.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Noah</title>
    <link href="https://mlarson.org/2017/12/07/noah/"/>
    <updated>2017-12-08T01:00:00.000Z</updated>
    <id>https://mlarson.org/2017/12/07/noah/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0285.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Noah_(2014_film)&#34;&gt;Noah&lt;/a&gt;. I didn&#39;t know much going in (except for, you know, one of the most famous Bible stories). There was a good bit of fantasy-type and action-hero stuff that, uh, I wasn&#39;t anticipating. Overall, pretty darn good. The flood scene juxtaposing the Ark and the small spit of land – completely gutting. And I don&#39;t know how that Creation scene works so well, but it&#39;s such a genius interlude...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Two Faces of January</title>
    <link href="https://mlarson.org/2017/12/03/the-two-faces-of-january/"/>
    <updated>2017-12-03T20:50:14.000Z</updated>
    <id>https://mlarson.org/2017/12/03/the-two-faces-of-january/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0276.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Two_Faces_of_January_(film)&#34;&gt;The Two Faces of January&lt;/a&gt;. I watched it the same day I finished the book. I should double-up like that more often. (I liked the movie more.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>End of Watch</title>
    <link href="https://mlarson.org/2017/11/26/end-of-watch/"/>
    <updated>2017-11-27T02:50:15.000Z</updated>
    <id>https://mlarson.org/2017/11/26/end-of-watch/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0275.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/End_of_Watch&#34;&gt;End of Watch&lt;/a&gt;. A+, four stars. Blown away with how unexpectedly great this was, and how much I loved it. Start with something like &lt;a href=&#34;https://mlarson.org/tag/miamivice/&#34;&gt;Miami Vice&lt;/a&gt;, but dial back the moody cool and swap in more humor and camaraderie. Loved, loved, loved this movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Run All Night</title>
    <link href="https://mlarson.org/2017/11/26/run-all-night/"/>
    <updated>2017-11-27T00:50:10.000Z</updated>
    <id>https://mlarson.org/2017/11/26/run-all-night/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0273.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Run_All_Night_(film)&#34;&gt;Run All Night&lt;/a&gt;. Second viewing. (&lt;a href=&#34;https://mlarson.org/2015/04/02/run-all-night-well-theres-nothing-new-here-but/&#34;&gt;The first&lt;/a&gt;.) Not sure why I gave it another shot. There&#39;s not enough running! I like the looks at the various intra-gang relationships here and there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sicario</title>
    <link href="https://mlarson.org/2017/11/21/sicario/"/>
    <updated>2017-11-22T00:50:47.000Z</updated>
    <id>https://mlarson.org/2017/11/21/sicario/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0272.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sicario_(2015_film)&#34;&gt;Sicario&lt;/a&gt;. Second viewing. (&lt;a href=&#34;https://mlarson.org/2016/12/31/sicario-as-visually-awesome-as-youve-heard/&#34;&gt;The first&lt;/a&gt;.) It&#39;s so gorgeous. I wish the soundtrack were more interesting – lots of bom bom bom military stock-issue heavy orchestra stuff. I like how they tell you in the title what it&#39;s all about and then they distract you from it for two hours. Nicely done.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mad Max: Fury Road</title>
    <link href="https://mlarson.org/2017/11/19/mad-max-fury-road/"/>
    <updated>2017-11-20T02:10:56.000Z</updated>
    <id>https://mlarson.org/2017/11/19/mad-max-fury-road/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0287.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mad_Max:_Fury_Road&#34;&gt;Mad Max: Fury Road&lt;/a&gt;. Second viewing. (&lt;a href=&#34;https://mlarson.org/2015/06/09/mad-max-fury-road-ridiculously-fun-and-so/&#34;&gt;The first&lt;/a&gt;.) Felt a little drawn-out this time around. Still a visual delight and I love how they fleshed out this insane world.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Allied</title>
    <link href="https://mlarson.org/2017/11/12/allied/"/>
    <updated>2017-11-13T00:45:14.000Z</updated>
    <id>https://mlarson.org/2017/11/12/allied/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0271.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Allied_(film)&#34;&gt;Allied&lt;/a&gt;. Oh man. I fell in love with it within a few minutes. I wish we had more movies like this. Old-fashioned glamorous romance, melodrama. Sweeping but intimate. The stakes are high because the relationships matter.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Departed</title>
    <link href="https://mlarson.org/2017/11/10/the-departed/"/>
    <updated>2017-11-11T00:45:41.000Z</updated>
    <id>https://mlarson.org/2017/11/10/the-departed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0270.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Departed&#34;&gt;The Departed&lt;/a&gt;. Third, maybe fourth viewing. Somehow it&#39;s compulsively watchable but I don&#39;t actually like it that much? I like the Japanese original &lt;a href=&#34;https://mlarson.org/2015/06/18/infernal-affairs-the-source-material-for-the/&#34;&gt;Infernal Affairs&lt;/a&gt; more, I think. Filed under: &lt;a href=&#34;https://mlarson.org/tag/martinscorsese/&#34;&gt;Martin Scorsese&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Arrival</title>
    <link href="https://mlarson.org/2017/11/01/arrival/"/>
    <updated>2017-11-01T23:45:28.000Z</updated>
    <id>https://mlarson.org/2017/11/01/arrival/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0267.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Arrival_(film)&#34;&gt;Arrival&lt;/a&gt;. Second viewing. (&lt;a href=&#34;https://mlarson.org/2016/12/31/arrival-i-loved-the-short-story-collection-that/https://mlarson.org/2016/12/31/arrival-i-loved-the-short-story-collection-that/&#34;&gt;The first&lt;/a&gt;.) The mind-bending scifi stuff doesn&#39;t dazzle as much, having seen it twice and read the story a few times. I like the sappiness, though, and I wish they&#39;d play it up more. But I think if they had, I probably wouldn&#39;t have liked it as much the first time...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Panic Room</title>
    <link href="https://mlarson.org/2017/10/23/panic-room/"/>
    <updated>2017-10-23T23:35:56.000Z</updated>
    <id>https://mlarson.org/2017/10/23/panic-room/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0262.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Panic_Room&#34;&gt;Panic Room&lt;/a&gt;. Nicely constrained in time and space. I like the hints for stuff that comes up in the story later on, little things that foreshadow and reward your attention. Things are often in the frame for a reason.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Seven</title>
    <link href="https://mlarson.org/2017/10/23/seven/"/>
    <updated>2017-10-23T23:35:03.000Z</updated>
    <id>https://mlarson.org/2017/10/23/seven/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0261.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Seven_(1995_film)&#34;&gt;Seven&lt;/a&gt;. It&#39;s not aging very well for me. Mid-grade &lt;a href=&#34;https://mlarson.org/tag/davidfincher/&#34;&gt;Fincher&lt;/a&gt; is still pretty darn good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dances with Wolves</title>
    <link href="https://mlarson.org/2017/10/18/dances-with-wolves/"/>
    <updated>2017-10-19T00:50:22.000Z</updated>
    <id>https://mlarson.org/2017/10/18/dances-with-wolves/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/dances-with-wolves.jpg&#34; alt=&#34;Dances-With-Wolves&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dances_with_Wolves&#34;&gt;Dances with Wolves&lt;/a&gt;. The love story is a ruin, but I really like everything else. That buffalo hunt is spectacular.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stagecoach</title>
    <link href="https://mlarson.org/2017/10/15/stagecoach/"/>
    <updated>2017-10-16T03:35:05.000Z</updated>
    <id>https://mlarson.org/2017/10/15/stagecoach/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0260-1.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Stagecoach_(1939_film)&#34;&gt;Stagecoach&lt;/a&gt;. It is every bit as good as you&#39;ve heard. Really wish I hadn&#39;t ignored the praise for so long. I like these movies where a loosely-tied cast of characters get thrown together. Made me think of &lt;a href=&#34;https://mlarson.org/2015/06/09/mad-max-fury-road-ridiculously-fun-and-so/&#34;&gt;Mad Max: Fury Road&lt;/a&gt;, if taken down to a crisp 90 minutes. The pacing sweeps you up. I wasn&#39;t expecting a love story, too!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The General’s Daughter</title>
    <link href="https://mlarson.org/2017/10/15/the-generals-daughter/"/>
    <updated>2017-10-15T20:30:12.000Z</updated>
    <id>https://mlarson.org/2017/10/15/the-generals-daughter/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0259.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_General%27s_Daughter_(film)&#34;&gt;The General&#39;s Daughter&lt;/a&gt;. Ugh. Just too much.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Congo</title>
    <link href="https://mlarson.org/2017/10/14/congo/"/>
    <updated>2017-10-15T02:25:37.000Z</updated>
    <id>https://mlarson.org/2017/10/14/congo/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0257.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Congo_(film)&#34;&gt;Congo&lt;/a&gt;. Dumb old-fashioned &#39;90s jungle adventure. It&#39;s not good, and not really close, but has its charms here and there. Laura Linney!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Doctor Strange</title>
    <link href="https://mlarson.org/2017/10/14/doctor-strange/"/>
    <updated>2017-10-14T23:25:55.000Z</updated>
    <id>https://mlarson.org/2017/10/14/doctor-strange/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0256.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Doctor_Strange_(2016_film)&#34;&gt;Doctor Strange&lt;/a&gt;. It&#39;s a nice change of pace to see a superhero who&#39;s a bit of an asshole. Great finale. But still, it&#39;s yet another superhero origin story... There has to be another way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alien</title>
    <link href="https://mlarson.org/2017/10/12/alien/"/>
    <updated>2017-10-12T23:25:07.000Z</updated>
    <id>https://mlarson.org/2017/10/12/alien/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0255.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Alien_(film)&#34;&gt;Alien&lt;/a&gt;. Perfection. Still a five-star film. I love those Nostromo jackets!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lara Croft: Tomb Raider</title>
    <link href="https://mlarson.org/2017/10/08/lara-croft-tomb-raider/"/>
    <updated>2017-10-09T01:20:59.000Z</updated>
    <id>https://mlarson.org/2017/10/08/lara-croft-tomb-raider/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0254.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lara_Croft:_Tomb_Raider&#34;&gt;Lara Croft: Tomb Raider&lt;/a&gt;. So, so corny, but it keeps it light and there&#39;s a good adventure waterfall scene. Thesis: bad action/adventure movies are better than most other genres done badly.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Prisoners</title>
    <link href="https://mlarson.org/2017/10/08/prisoners/"/>
    <updated>2017-10-08T23:20:51.000Z</updated>
    <id>https://mlarson.org/2017/10/08/prisoners/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0253.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Prisoners_(2013_film)&#34;&gt;Prisoners&lt;/a&gt;. The older I get, torture scenes in movies are just more and more unbearable. I fear we still haven&#39;t appreciated Hugh Jackman enough. Nerdy Terrence Howard is a treat! Gyllenhaal&#39;s character is so weird and I love that they don&#39;t delve into it. much He just is.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Invitation</title>
    <link href="https://mlarson.org/2017/10/01/the-invitation/"/>
    <updated>2017-10-01T23:15:22.000Z</updated>
    <id>https://mlarson.org/2017/10/01/the-invitation/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0252.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Invitation_(2015_film)&#34;&gt;The Invitation&lt;/a&gt;. Really good! Draws you in and lingers. I like how it lets the suspicion sizzle without confirming it until late in the game. Love the use of and absence of sound throughout.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Passion</title>
    <link href="https://mlarson.org/2017/09/29/passion/"/>
    <updated>2017-09-29T23:15:23.000Z</updated>
    <id>https://mlarson.org/2017/09/29/passion/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0251.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Passion_(2012_film)&#34;&gt;Passion&lt;/a&gt;. The ballet scene is sublime. &lt;a href=&#34;https://en.wikipedia.org/wiki/Pr%C3%A9lude_%C3%A0_l&#39;apr%C3%A8s-midi_d&#39;un_faune&#34;&gt;Prélude à l&#39;après-midi d&#39;un faune&lt;/a&gt; plays prominently – teased early on a billboard. More on-the-nose than I expected it to be, and I was hoping for more of a slow burn.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wish You Were Here</title>
    <link href="https://mlarson.org/2017/09/24/wish-you-were-here/"/>
    <updated>2017-09-24T23:10:48.000Z</updated>
    <id>https://mlarson.org/2017/09/24/wish-you-were-here/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0250.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Wish_You_Were_Here_(2012_film)&#34;&gt;Wish You Were Here&lt;/a&gt;. I really like that Joel Edgerton. The movie is fine. Plot gets a little tooooo thick and I wonder if the timeline-chopping hurts it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Z for Zachariah</title>
    <link href="https://mlarson.org/2017/09/17/z-for-zachariah/"/>
    <updated>2017-09-18T01:10:12.000Z</updated>
    <id>https://mlarson.org/2017/09/17/z-for-zachariah/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0249.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Z_for_Zachariah_(film)&#34;&gt;Z for Zachariah&lt;/a&gt;. I liked it overall. Chris Pine has such a great blend of charm and menace. Accents are hit and miss. Biggest annoyance was the sets and costuming. The apocalypse looks a bit too much like a magazine spread. The score was written by the same woman who scored for the excellent, lovely-sounding, and harrowing &lt;a href=&#34;https://mlarson.org/2012/09/07/compliance-man-i-have-never-been-so-uneasy-in-a/&#34;&gt;Compliance&lt;/a&gt;. Good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Most Violent Year</title>
    <link href="https://mlarson.org/2017/09/17/a-most-violent-year/"/>
    <updated>2017-09-17T23:05:49.000Z</updated>
    <id>https://mlarson.org/2017/09/17/a-most-violent-year/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0248.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Most_Violent_Year&#34;&gt;A Most Violent Year&lt;/a&gt;. Solid. Gotta hang on to what you got. I like that the hero is a runner.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Felony</title>
    <link href="https://mlarson.org/2017/09/16/felony/"/>
    <updated>2017-09-16T23:05:52.000Z</updated>
    <id>https://mlarson.org/2017/09/16/felony/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0247.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Felony_(film)&#34;&gt;Felony&lt;/a&gt;. I like a story where people goof up and cover it up. But this was kinda bland. Jai Courtney surprisingly good as a straight-arrow type?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Predator</title>
    <link href="https://mlarson.org/2017/09/15/predator/"/>
    <updated>2017-09-15T23:05:26.000Z</updated>
    <id>https://mlarson.org/2017/09/15/predator/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0246.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Predator_(film)&#34;&gt;Predator&lt;/a&gt;. Holds up! I forgot how fluid and pleasing some of the camerawork is here. The scene where they unload a zillion bullets into the jungle has a strange formalist beauty. Final fight just a wee too long.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Take Shelter</title>
    <link href="https://mlarson.org/2017/09/11/take-shelter/"/>
    <updated>2017-09-11T23:00:12.000Z</updated>
    <id>https://mlarson.org/2017/09/11/take-shelter/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0245.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Take_Shelter&#34;&gt;Take Shelter&lt;/a&gt;. Good lord I love this movie. Gut-wrenching to see a man surrounded by, and pushing away, people that care about him. (My &lt;a href=&#34;https://mlarson.org/2012/03/07/take-shelter-this-one-isnt-great-as-a-thriller/&#34;&gt;first viewing&lt;/a&gt; was somehow five years ago?)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sliding Doors</title>
    <link href="https://mlarson.org/2017/09/07/sliding-doors/"/>
    <updated>2017-09-07T23:00:42.000Z</updated>
    <id>https://mlarson.org/2017/09/07/sliding-doors/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0244.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sliding_Doors&#34;&gt;Sliding Doors.&lt;/a&gt; &#39;90s movies are really growing on me. Paltrow and Lynch and Tripplehorn are such natural charmers.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Valkyrie</title>
    <link href="https://mlarson.org/2017/09/03/valkyrie/"/>
    <updated>2017-09-03T23:00:12.000Z</updated>
    <id>https://mlarson.org/2017/09/03/valkyrie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0242.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Valkyrie_(film)&#34;&gt;Valkyrie&lt;/a&gt;. I... don&#39;t remember much about. It was fine?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Our Kind of Traitor</title>
    <link href="https://mlarson.org/2017/08/30/our-kind-of-traitor/"/>
    <updated>2017-08-30T23:05:14.000Z</updated>
    <id>https://mlarson.org/2017/08/30/our-kind-of-traitor/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0240.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Our_Kind_of_Traitor_(film)&#34;&gt;Our Kind of Traitor&lt;/a&gt;. It was fine. Fairly standard spy intrigue stuff. I&#39;m on board with that, but just ran out of steam somehow.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>20th Century Women</title>
    <link href="https://mlarson.org/2017/08/21/20th-century-women/"/>
    <updated>2017-08-22T01:30:43.000Z</updated>
    <id>https://mlarson.org/2017/08/21/20th-century-women/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0238.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/20th_Century_Women&#34;&gt;20th Century Women&lt;/a&gt;. I loved it. The &#39;70s were weird but then again so was every time. Bening is a genius.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Lord of the Rings: The Return of the King</title>
    <link href="https://mlarson.org/2017/08/19/the-lord-of-the-rings-the-return-of-the-king/"/>
    <updated>2017-08-20T01:27:11.000Z</updated>
    <id>https://mlarson.org/2017/08/19/the-lord-of-the-rings-the-return-of-the-king/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0237.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King&#34;&gt;The Lord of the Rings: The Return of the King&lt;/a&gt;. The Riders of Rohan are the best. Loved&#39;em in the book. Love&#39;em in the movies. I think they nailed the melodrama in this one. And the build-up to the spider set-piece is pretty great. I still think the song during the closing credits is a huge misfire. Should have gone instrumental!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Lord of the Rings: The Two Towers</title>
    <link href="https://mlarson.org/2017/08/15/the-lord-of-the-rings-the-two-towers/"/>
    <updated>2017-08-16T01:25:27.000Z</updated>
    <id>https://mlarson.org/2017/08/15/the-lord-of-the-rings-the-two-towers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0236.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lord_of_the_Rings:_The_Two_Towers&#34;&gt;The Lord of the Rings: The Two Towers&lt;/a&gt;. You can see the move ripping at the seams. There&#39;s a lot of story to pack in here. Lots of it feels clipped, rushed, off-kilter. Romances are un-earned. Jarring shifts in tone. Gimli has a lot more to say. Legolas slides on a shield? It&#39;s a mess, but may have the best landscapes of the trilogy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Lord of the Rings: The Fellowship of the Ring</title>
    <link href="https://mlarson.org/2017/08/13/the-lord-of-the-rings-the-fellowship-of-the-ring/"/>
    <updated>2017-08-14T02:21:31.000Z</updated>
    <id>https://mlarson.org/2017/08/13/the-lord-of-the-rings-the-fellowship-of-the-ring/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/12/img_0235.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lord_of_the_Rings:_The_Fellowship_of_the_Ring&#34;&gt;The Lord of the Rings: The Fellowship of the Ring&lt;/a&gt;. Appreciated the soundtrack more this time around. Pretty sure it&#39;s borrowing from Dvorak. Also reminded me of The Last of the Mohicans in mood. Great work with the suspense and setting the sense, and such a great ending. Not a teaser, but a promise of adventure.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Honey</title>
    <link href="https://mlarson.org/2017/08/13/american-honey/"/>
    <updated>2017-08-13T04:22:12.000Z</updated>
    <id>https://mlarson.org/2017/08/13/american-honey/</id>
    <content type="html">&lt;h1&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0234.jpg&#34; alt=&#34;&#34;&gt;&lt;/h1&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/American_Honey_(film)&#34;&gt;American Honey&lt;/a&gt;. Wow, probably one of my favorites I saw in 2017. Slice-of-life-y, crazy energy, the time just slipped right by. I was swept up. Filed under: &lt;a href=&#34;https://mlarson.org/tag/roadmovies/&#34;&gt;road movies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fugitive</title>
    <link href="https://mlarson.org/2017/08/08/the-fugitive/"/>
    <updated>2017-08-08T16:51:37.000Z</updated>
    <id>https://mlarson.org/2017/08/08/the-fugitive/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0232.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fugitive_(1993_film)&#34;&gt;The Fugitive&lt;/a&gt;. Had a good time &lt;a href=&#34;https://www.twitter.com/hashtag/wesayhinky&#34;&gt;live-tweeting this one&lt;/a&gt;. Holds up really well. Favorite thing I noticed this time around was how Ford&#39;s wardrobe changes with his status in the story. He starts in a tux, then a suit, then jail uniform, then dirty coveralls, then clean coveralls, then a military jacket, and tweed. That&#39;s when you know he&#39;s really back in charge.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jaws</title>
    <link href="https://mlarson.org/2017/07/31/jaws/"/>
    <updated>2017-08-01T03:59:56.000Z</updated>
    <id>https://mlarson.org/2017/07/31/jaws/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0231.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Jaws_(film)&#34;&gt;Jaws&lt;/a&gt;. I dunno. It&#39;s perfect. What do you want me to say?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shaun of the Dead</title>
    <link href="https://mlarson.org/2017/07/31/shaun-of-the-dead/"/>
    <updated>2017-08-01T03:57:54.000Z</updated>
    <id>https://mlarson.org/2017/07/31/shaun-of-the-dead/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0229.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Shaun_of_the_Dead&#34;&gt;Shaun of the Dead&lt;/a&gt;. I really really really wish I&#39;d seen this one years ago. Like pretty much every comedy, the rapid-fire funny bits eventually decay into a slow shuffle, but it&#39;s worth it. Pegg and Wright are truly gifted.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bridges of Madison County</title>
    <link href="https://mlarson.org/2017/07/24/bridges-of-madison-county/"/>
    <updated>2017-07-24T08:06:33.000Z</updated>
    <id>https://mlarson.org/2017/07/24/bridges-of-madison-county/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0225.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Bridges_of_Madison_County_(film)&#34;&gt;The Bridges of Madison County&lt;/a&gt;. I kinda hate myself for saying this but I think Streep gets under my skin a little bit. The micro-mannerisms. I just about eye-rolled myself inside-out when she closed the fridge with her foot. Still, a lovely little doomed romance. A story of acceptance. I like the way it just sorta relaxes into the story and takes its time even though it covers such a short time period. I&#39;d say this is better than maybe half of the &lt;a href=&#34;https://mlarson.org/tag/clinteastwood/&#34;&gt;Clint Eastwood movies I&#39;ve seen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nerve</title>
    <link href="https://mlarson.org/2017/07/24/nerve/"/>
    <updated>2017-07-24T08:06:33.000Z</updated>
    <id>https://mlarson.org/2017/07/24/nerve/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0226.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Nerve_(2016_film)&#34;&gt;Nerve&lt;/a&gt;. So fun! Saw it on an airplane. Got such great zip and momentum and soundtrack. It loses some of that momentum as the stakes rise, but minor fault. Worth a watch. It took me forever to realize why Emma Roberts and Dave Franco each looked so familiar even though I knew I&#39;d never seen either one before.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rogue One: A Star Wars Story</title>
    <link href="https://mlarson.org/2017/07/24/rogue-one/"/>
    <updated>2017-07-24T08:06:33.000Z</updated>
    <id>https://mlarson.org/2017/07/24/rogue-one/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0227.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Rogue_One&#34;&gt;Rogue One: A Star Wars Story&lt;/a&gt;. It&#39;s not perfect, and I&#39;m a little annoyed that they&#39;re still making these... but, now that they are, I think this is the kind of story I&#39;d like to see more of. Sort of putting some shape around the original 6-episode arc rather than extending it. I wish it were more melodramatic. Also a wee long and kind of a bad script? Dumb fan service (I assume we&#39;re due for lots more) and the CGI Tarkin and Leia are huuuuuuge mistakes. Still, seeing Mendelsohn, Mikkelsen, and Whitaker in the same movie? What a treat! Much, much better than &lt;a href=&#34;https://mlarson.org/2016/01/11/star-wars-the-force-awakens-i-had-fun-and/&#34;&gt;The Force Awakens&lt;/a&gt;. Filed under: &lt;a href=&#34;https://mlarson.org/tag/starwars/&#34;&gt;Star Wars&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ocean&#39;s Eleven</title>
    <link href="https://mlarson.org/2017/06/21/oceans-eleven/"/>
    <updated>2017-06-22T04:14:27.000Z</updated>
    <id>https://mlarson.org/2017/06/21/oceans-eleven/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0224.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Ocean%27s_Eleven&#34;&gt;Ocean&#39;s Eleven&lt;/a&gt;. It&#39;s decent! It doesn&#39;t have the same zany charm as the first time I saw it, but holds up well enough. Filed under: &lt;a href=&#34;https://mlarson.org/tag/stevensoderbergh/&#34;&gt;Steven Soderbergh&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek: Beyond</title>
    <link href="https://mlarson.org/2017/06/19/star-trek-beyond/"/>
    <updated>2017-06-20T02:22:18.000Z</updated>
    <id>https://mlarson.org/2017/06/19/star-trek-beyond/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0223.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Trek_Beyond&#34;&gt;Star Trek: Beyond&lt;/a&gt;. These movies are getting worse. :( Hope they don&#39;t keep going this route, where they turn into basically superhero films. I fear it&#39;s too late. Filed under: &lt;a href=&#34;https://mlarson.org/tag/startrek/&#34;&gt;Star Trek&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eyes Wide Shut</title>
    <link href="https://mlarson.org/2017/06/18/eyes-wide-shut/"/>
    <updated>2017-06-19T01:15:54.000Z</updated>
    <id>https://mlarson.org/2017/06/18/eyes-wide-shut/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0222.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Eyes_Wide_Shut&#34;&gt;Eyes Wide Shut&lt;/a&gt;. Third or fourth time I&#39;ve seen it. I like it more. Probably bump this up to #3 after &lt;em&gt;2001&lt;/em&gt; and &lt;em&gt;The Killing&lt;/em&gt;. Overall I&#39;m not a huge Kubrick fan, though. Filed under: &lt;a href=&#34;https://mlarson.org/tag/stanleykubrick&#34;&gt;Stanley Kubrick&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Truman Show</title>
    <link href="https://mlarson.org/2017/06/14/the-truman-show/"/>
    <updated>2017-06-15T04:26:05.000Z</updated>
    <id>https://mlarson.org/2017/06/14/the-truman-show/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0220.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Truman_Show&#34;&gt;The Truman Show&lt;/a&gt;. So, so great. Really lovely blend of comedy and drama. Everyone is perfect in their role.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Close-Up</title>
    <link href="https://mlarson.org/2017/06/11/close-up/"/>
    <updated>2017-06-11T15:03:32.000Z</updated>
    <id>https://mlarson.org/2017/06/11/close-up/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0217.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Close-Up_(1990_film)&#34;&gt;Close-Up&lt;/a&gt;. I decided to dig into some Iranian films this year. This one is based on a true story where a guy convinces a family he is a famous director and wants to use them in his film. He is found out. This movie re-tells the story... using those same people as the actors. One of those movies where talking about it afterward was more interesting than watching it, but still compelling crazy stuff. The only other &lt;a href=&#34;https://mlarson.org/tag/abbaskiarostami/&#34;&gt;Abbas Kiarostami&lt;/a&gt; I&#39;ve seen is &lt;a href=&#34;https://mlarson.org/2012/03/04/certified-copy-its-really-brilliant-and-its/&#34;&gt;Certified Copy&lt;/a&gt;, and it was marvelous.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Mummy (1999)</title>
    <link href="https://mlarson.org/2017/06/10/the-mummy-1999/"/>
    <updated>2017-06-11T02:55:26.000Z</updated>
    <id>https://mlarson.org/2017/06/10/the-mummy-1999/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0216.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Mummy_(1999_film)&#34;&gt;The Mummy (1999)&lt;/a&gt;. Why did we ever stop making solid, pure adventure films? These old movies always have a bunch of lazy exoticizing that doesn&#39;t age well, but I miss the spirit of the whole thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Her</title>
    <link href="https://mlarson.org/2017/06/02/her/"/>
    <updated>2017-06-03T04:59:31.000Z</updated>
    <id>https://mlarson.org/2017/06/02/her/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0215.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Her_(film)&#34;&gt;Her&lt;/a&gt;. Third viewing. Just as compelling as the first time, though these days the hook seems more unlikely and even more unappealing. Filed under: &lt;a href=&#34;https://mlarson.org/tag/spikejonze/&#34;&gt;Spike Jonze&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Train to Busan</title>
    <link href="https://mlarson.org/2017/05/22/train-to-busan/"/>
    <updated>2017-05-23T03:33:51.000Z</updated>
    <id>https://mlarson.org/2017/05/22/train-to-busan/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0214.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Train_to_Busan&#34;&gt;Train to Busan&lt;/a&gt;. Mostly pretty fun. Genre films are at their best when they let you know the rules and then explore them. It has some surprising worthwhile characters, too. They&#39;re not all zombie fodder.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Place Beyond the Pines</title>
    <link href="https://mlarson.org/2017/05/22/the-place-beyond-the-pines/"/>
    <updated>2017-05-23T02:10:19.000Z</updated>
    <id>https://mlarson.org/2017/05/22/the-place-beyond-the-pines/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/img_0213.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Place_Beyond_the_Pines&#34;&gt;The Place Beyond the Pines&lt;/a&gt;. Third viewing. I&#39;m going to keep coming back to it. Filed under: &lt;a href=&#34;https://mlarson.org/tag/derekcianfrance/&#34;&gt;Derek Cianfrance&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>No Way Out</title>
    <link href="https://mlarson.org/2017/05/11/no-way-out/"/>
    <updated>2017-05-12T00:59:34.000Z</updated>
    <id>https://mlarson.org/2017/05/11/no-way-out/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/no-way-out.png&#34; alt=&#34;no-way-out.png&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/No_Way_Out_(1987_film)&#34;&gt;No Way Out&lt;/a&gt;. Really fun, really twisty, really &#39;80s. I like this version of Costner – slick as hell, and in deep shit. I wish Sean Young&#39;s character had a bit more going for her. Gene Hackman is one of those actors who does so well playing gross people I have to remember that and counteract it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Sixth Sense</title>
    <link href="https://mlarson.org/2017/05/08/the-sixth-sense/"/>
    <updated>2017-05-09T00:43:08.000Z</updated>
    <id>https://mlarson.org/2017/05/08/the-sixth-sense/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/sixth-sense.jpg&#34; alt=&#34;sixth-sense&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Sixth_Sense&#34;&gt;The Sixth Sense&lt;/a&gt;. I didn&#39;t remember this one being as good as it was, but it holds up pretty well for most of the story. Don&#39;t love how it wraps up, but hard to hate the journey there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Manchester by the Sea</title>
    <link href="https://mlarson.org/2017/05/01/manchester-by-the-sea/"/>
    <updated>2017-05-02T00:34:25.000Z</updated>
    <id>https://mlarson.org/2017/05/01/manchester-by-the-sea/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/manchester-by-the-sea.png&#34; alt=&#34;manchester-by-the-sea&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Manchester_by_the_Sea_(film)&#34;&gt;Manchester by the Sea&lt;/a&gt;. Emotionally exhausting, slow reveals, full of heart.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>RoboCop</title>
    <link href="https://mlarson.org/2017/04/20/robocop/"/>
    <updated>2017-04-21T00:24:00.000Z</updated>
    <id>https://mlarson.org/2017/04/20/robocop/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/11/robocop.jpg&#34; alt=&#34;robocop&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/RoboCop&#34;&gt;RoboCop&lt;/a&gt;. I appreciate the intentional over-the-top-ness but eventually it became a bit tedious for me. Shifts in tone keep you on your toes, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Elle</title>
    <link href="https://mlarson.org/2017/04/17/elle-i-have-never-seen-anything-quite-like-it/"/>
    <updated>2017-04-17T03:51:04.000Z</updated>
    <id>https://mlarson.org/2017/04/17/elle-i-have-never-seen-anything-quite-like-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_oojc0l5bbe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Elle_(film)&#34;&gt;Elle&lt;/a&gt;. I… have never seen anything quite like it. Guess I need to catch up on Verhoeven’s other work now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interstellar</title>
    <link href="https://mlarson.org/2017/04/17/interstellar-as-much-as-i-whine-about-christopher/"/>
    <updated>2017-04-17T03:31:20.000Z</updated>
    <id>https://mlarson.org/2017/04/17/interstellar-as-much-as-i-whine-about-christopher/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_oojb2srjlt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Interstellar_(film)&#34;&gt;Interstellar&lt;/a&gt;. As much as I whine about &lt;a href=&#34;http://mlarson.org/tag/christophernolan&#34;&gt;Christopher Nolan films&lt;/a&gt;, he’s got some gifts. My experience the second time around was almost the reverse of &lt;a href=&#34;http://tumblr.mlarson.org/post/103839431921/interstellar-first-time-id-seen-anything-on&#34;&gt;my first viewing&lt;/a&gt;: I was &lt;em&gt;feeling&lt;/em&gt; the family story, and the epic space adventure had me twiddling my thumbs. I need an alternate cut of this movie that removes the “let’s explain the science” interludes. Just gimme the melodrama. The heightened emo stuff just wrecked me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>No Country for Old Men</title>
    <link href="https://mlarson.org/2017/04/17/no-country-for-old-men-the-10th-anniversary-is/"/>
    <updated>2017-04-17T03:20:54.000Z</updated>
    <id>https://mlarson.org/2017/04/17/no-country-for-old-men-the-10th-anniversary-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_oojam9c6os1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/No_Country_for_Old_Men_(film)&#34;&gt;No Country for Old Men&lt;/a&gt;. The 10th anniversary is coming up soon (!), and it gets better every time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A History of Violence</title>
    <link href="https://mlarson.org/2017/04/17/a-history-of-violence-i-remember-reading-the/"/>
    <updated>2017-04-17T03:15:02.000Z</updated>
    <id>https://mlarson.org/2017/04/17/a-history-of-violence-i-remember-reading-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_ooja8iqo0e1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_History_of_Violence&#34;&gt;A History of Violence&lt;/a&gt;. I remember reading the graphic novel way back in the day. Pretty solid small-town drama. Reminded me of &lt;a href=&#34;https://www.mlarson.org/tag/theequalizer&#34;&gt;The Equalizer&lt;/a&gt;, with the focus on some tidy local drama that caps off with a little road trip to the rich bad guy’s house.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frailty</title>
    <link href="https://mlarson.org/2017/04/02/frailty-a-father-reveals-to-his-sons-that-god-has/"/>
    <updated>2017-04-02T17:18:05.000Z</updated>
    <id>https://mlarson.org/2017/04/02/frailty-a-father-reveals-to-his-sons-that-god-has/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_onsl7j4ws01qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Frailty_(film)&#34;&gt;Frailty&lt;/a&gt;. A father reveals to his sons that God has called them to kill demons. I really like the use of sound in this one, the full range from silence to full intensity at &lt;em&gt;just&lt;/em&gt; the right moments. Also some smart visuals, like how we see humans get killed, but when demons are destroyed, we don’t. It doesn’t give away the truth, because it’s not the point.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In the Bedroom</title>
    <link href="https://mlarson.org/2017/04/02/in-the-bedroom-this-was-excellent-just-lures-you/"/>
    <updated>2017-04-02T17:15:15.000Z</updated>
    <id>https://mlarson.org/2017/04/02/in-the-bedroom-this-was-excellent-just-lures-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_onsl49vwxa1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/In_the_Bedroom&#34;&gt;In the Bedroom&lt;/a&gt;. This was excellent. Just lures you in, and you care about every single one of them. In a few decades we’re gonna look back and realize we didn’t appreciate Tom Wilkinson quite as much as we should have. Peak Tomei, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Thing</title>
    <link href="https://mlarson.org/2017/04/02/the-thing-i-feel-like-this-one-has-been-in-the/"/>
    <updated>2017-04-02T17:15:11.000Z</updated>
    <id>https://mlarson.org/2017/04/02/the-thing-i-feel-like-this-one-has-been-in-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_onskqfopqr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Thing_(1982_film)&#34;&gt;The Thing&lt;/a&gt;. I feel like this one has been in the air a good bit recently. I… don’t understand all the hubbub. It’s fine. Just wasn’t for me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Going Clear</title>
    <link href="https://mlarson.org/2017/04/02/going-clear-a-bloated-redheaded-paranoiac/"/>
    <updated>2017-04-02T17:15:07.000Z</updated>
    <id>https://mlarson.org/2017/04/02/going-clear-a-bloated-redheaded-paranoiac/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_onskjuhscr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Going_Clear_(film)&#34;&gt;Going Clear&lt;/a&gt;. A bloated redheaded paranoiac congenital liar amasses customers/fans. Hilarity ensues. Didn’t learn a ton, but I suppose it’s nice to be reminded why some things creep you out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frankenstein</title>
    <link href="https://mlarson.org/2017/04/02/frankenstein-the-last-time-i-saw-this-i-was-in/"/>
    <updated>2017-04-02T17:15:03.000Z</updated>
    <id>https://mlarson.org/2017/04/02/frankenstein-the-last-time-i-saw-this-i-was-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_onskgooqic1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Frankenstein_(1931_film)&#34;&gt;Frankenstein&lt;/a&gt;. The last time I saw this I was in late elementary or early middle school, I think. Probably about a decade too early to appreciate the moral aspect of the horror. Heartbreaking, disturbing, must-watch. Makes me curious about the book…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Simple Plan</title>
    <link href="https://mlarson.org/2017/04/02/a-simple-plan-watch-this-one-a-couple-days-after/"/>
    <updated>2017-04-02T17:14:57.000Z</updated>
    <id>https://mlarson.org/2017/04/02/a-simple-plan-watch-this-one-a-couple-days-after/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/04/tumblr_onska9duml1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Simple_Plan_(film)&#34;&gt;A Simple Plan&lt;/a&gt;. Watch this one a couple days after Bill Paxton’s death. He’s great. Could make a nice combo with &lt;a href=&#34;http://tumblr.mlarson.org/post/113120626836/fargo-first-off-how-is-this-movie-19-years-old&#34;&gt;Fargo&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Children of Heaven</title>
    <link href="https://mlarson.org/2017/03/05/children-of-heaven-i-loved-this-movie-within/"/>
    <updated>2017-03-05T01:11:58.000Z</updated>
    <id>https://mlarson.org/2017/03/05/children-of-heaven-i-loved-this-movie-within/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/03/tumblr_omb11duhts1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Children_of_Heaven&#34;&gt;Children of Heaven&lt;/a&gt;. I loved this movie within minutes. Amazing piece of work. Majidi gets so much mileage out of the smallest moments. The schoolkids’ foot race at the end was more intense than most blockbuster finales. Anything can be high-stakes if you care about the characters.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>10 Cloverfield Lane</title>
    <link href="https://mlarson.org/2017/03/04/10-cloverfield-lane-one-of-those-movies-that/"/>
    <updated>2017-03-05T01:08:25.000Z</updated>
    <id>https://mlarson.org/2017/03/04/10-cloverfield-lane-one-of-those-movies-that/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/03/tumblr_omayool55b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/10_Cloverfield_Lane&#34;&gt;10 Cloverfield Lane&lt;/a&gt;. One of those movies that takes a few different shapes. Start with a stalker suspense, then abduction horror, then bunker survival, then… well, ya gotta watch it. Love how a few new details surfacing makes you change what you’re rooting for. Good ride.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Complete Unknown</title>
    <link href="https://mlarson.org/2017/03/05/complete-unknown-it-seems-so-unfair-that-a/"/>
    <updated>2017-03-05T01:06:49.000Z</updated>
    <id>https://mlarson.org/2017/03/05/complete-unknown-it-seems-so-unfair-that-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/03/tumblr_olzoosugav1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Complete_Unknown&#34;&gt;Complete Unknown&lt;/a&gt;. It seems so unfair that a perfectly-fine-but-not-great movie like this gets saddled with a terrible name. Weisz and Shannon are top-notch.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cold War</title>
    <link href="https://mlarson.org/2017/03/05/cold-war-its-a-bit-of-a-mess-but-its-decent/"/>
    <updated>2017-03-05T01:06:46.000Z</updated>
    <id>https://mlarson.org/2017/03/05/cold-war-its-a-bit-of-a-mess-but-its-decent/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/03/tumblr_olzomurlcc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Cold_War_(film)&#34;&gt;Cold War&lt;/a&gt;. It’s a bit of a mess but it’s decent. Always keeps moving. Bureaucratic succession drama disguised as action film! Sometimes watching foreign movies I think I’m probably missing a lot of cultural context that would help me settle in.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Stranger</title>
    <link href="https://mlarson.org/2017/03/05/the-stranger-edward-g-robinson-is-a-treasure/"/>
    <updated>2017-03-05T01:06:43.000Z</updated>
    <id>https://mlarson.org/2017/03/05/the-stranger-edward-g-robinson-is-a-treasure/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/03/tumblr_olzokfzebj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Stranger_(1946_film)&#34;&gt;The Stranger&lt;/a&gt;. Edward G. Robinson is a treasure.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>You&#39;re Next</title>
    <link href="https://mlarson.org/2017/02/26/youre-next-this-one-got-on-my-list-right-after-i/"/>
    <updated>2017-02-26T16:00:22.000Z</updated>
    <id>https://mlarson.org/2017/02/26/youre-next-this-one-got-on-my-list-right-after-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_olzofwpzd31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/You%27re_Next&#34;&gt;You’re Next&lt;/a&gt;. This one got on my list right after I finished &lt;a href=&#34;http://tumblr.mlarson.org/post/126012171891/the-guest-its-a-really-satisfying-little&#34;&gt;The Guest&lt;/a&gt; for the first time. Solid home invasion horror. The story details for this sort of thing are almost never satisfying, but the trip is fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Lobster</title>
    <link href="https://mlarson.org/2017/02/26/the-lobster-oof-this-is-brutal-deadpan-funny/"/>
    <updated>2017-02-26T16:00:18.000Z</updated>
    <id>https://mlarson.org/2017/02/26/the-lobster-oof-this-is-brutal-deadpan-funny/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_olzob5gmn41qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Lobster&#34;&gt;The Lobster&lt;/a&gt;. Oof. This is brutal. Deadpan funny and dark as can be. Seems like so it’s fully thought through and considered. I need to find more by this Lanthimos guy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Knight of Cups</title>
    <link href="https://mlarson.org/2017/02/26/knight-of-cups-after-i-watched-it-i-wrote-some/"/>
    <updated>2017-02-26T15:54:05.000Z</updated>
    <id>https://mlarson.org/2017/02/26/knight-of-cups-after-i-watched-it-i-wrote-some/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_olzo5qolnp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Knight_of_Cups_(film)&#34;&gt;Knight of Cups&lt;/a&gt;. After I watched it I wrote some snarky tweets rolling my eyes at this movie having beautiful people walking aimlessly. I meant it, and I also still liked it. The interiority that’s getting stronger in his films is interesting for me. Not so much just watching the characters but riding along with them. Also, he’s the only person making weird idiosyncratically Malickian movies with big names, whenever he feels like it. However he’s getting it done, respect. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Grey</title>
    <link href="https://mlarson.org/2017/02/26/the-grey-i-wish-the-poem-at-the-heart-of-the/"/>
    <updated>2017-02-26T15:54:02.000Z</updated>
    <id>https://mlarson.org/2017/02/26/the-grey-i-wish-the-poem-at-the-heart-of-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_olzo0xl98b1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Grey_(film)&#34;&gt;The Grey&lt;/a&gt;. I wish the poem at the heart of the movie was better. For me, there’s not quite enough there for the melodrama it’s asking for. I think maybe it would have been better without knowing the reasons our hero is so dour. But of course I like the survival bits. The surprises and set pieces are all great.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Miami Vice</title>
    <link href="https://mlarson.org/2017/02/26/miami-vice-i-love-this-movie-the-pathos-was/"/>
    <updated>2017-02-26T15:53:59.000Z</updated>
    <id>https://mlarson.org/2017/02/26/miami-vice-i-love-this-movie-the-pathos-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_olznwsqos21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Miami_Vice_(film)&#34;&gt;Miami Vice&lt;/a&gt;. I love this movie. The pathos was stronger this time around, the resignation. On each watch I also become a little more resentful that Foxx doesn’t have a bigger role. His relationship with Crockett has something to offer the story, but we don’t see it much. I’d be up for another 12 minutes with the two of them on screen. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/michaelmann&#34;&gt;Michael Mann&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Punch-Drunk Love</title>
    <link href="https://mlarson.org/2017/02/12/punch-drunk-love-i-put-this-one-off-for-a-long/"/>
    <updated>2017-02-12T22:50:15.000Z</updated>
    <id>https://mlarson.org/2017/02/12/punch-drunk-love-i-put-this-one-off-for-a-long/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_olaa04gtlh1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Punch-Drunk_Love&#34;&gt;Punch-Drunk Love&lt;/a&gt;. I put this one off for a long, long time. I started very skeptical, but it won me over. Brings out sides of Sandler I never knew were there, and gotta respect a movie that drifts so freely from convention when it feels right. My PT Anderson power rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/44084499205/the-master-phoenix-was-robbed-right-where-ddl&#34;&gt;The Master&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/107944373561/hard-eight-philip-baker-hall-is-awesome-and-so&#34;&gt;Hard Eight&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Punch-Drunk Love&lt;/li&gt;
&lt;li&gt;There Will Be Blood&lt;/li&gt;
&lt;li&gt;Magnolia&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/108601374586/boogie-nights-its-not-my-movie-but-its-a-great&#34;&gt;Boogie Nights&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Cameraperson</title>
    <link href="https://mlarson.org/2017/02/12/cameraperson-man-i-loved-this-one-a-collage-of/"/>
    <updated>2017-02-12T22:50:11.000Z</updated>
    <id>https://mlarson.org/2017/02/12/cameraperson-man-i-loved-this-one-a-collage-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_ola9tg5fbk1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Cameraperson&#34;&gt;Cameraperson&lt;/a&gt;. Man I loved this one. A collage of footage from director Kirsten Johnson’s work on other films. It works as an experience of the lives she documents and as seeing through her own eyes, and as wrestling with the choices of what or what not to show and how or how not to tell these stories. Highly recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Indiana Jones and the Last Crusade</title>
    <link href="https://mlarson.org/2017/02/12/indiana-jones-and-the-last-crusade-i-remember/"/>
    <updated>2017-02-12T16:01:14.000Z</updated>
    <id>https://mlarson.org/2017/02/12/indiana-jones-and-the-last-crusade-i-remember/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_ol9r4a1y7j1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Indiana_Jones_and_the_Last_Crusade&#34;&gt;Indiana Jones and the Last Crusade&lt;/a&gt;. I remember having the biggest crush on Dr. Elsa Schneider as a kid and feeling very conflicted about it. It’s a fun ride, but also felt a little frustrating sometimes when they’re playing for laughs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Indiana Jones and the Temple of Doom</title>
    <link href="https://mlarson.org/2017/02/12/indiana-jones-and-the-temple-of-doom-i-forgot-how/"/>
    <updated>2017-02-12T16:01:11.000Z</updated>
    <id>https://mlarson.org/2017/02/12/indiana-jones-and-the-temple-of-doom-i-forgot-how/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_ol9qwrn5of1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Indiana_Jones_and_the_Temple_of_Doom&#34;&gt;Indiana Jones and the Temple of Doom&lt;/a&gt;. I forgot how weird this movie was, is. Breakneck zany with no patience for sitting around asking questions.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Raiders of the Lost Ark</title>
    <link href="https://mlarson.org/2017/02/12/raiders-of-the-lost-ark-it-holds-up-the-best-of/"/>
    <updated>2017-02-12T16:01:08.000Z</updated>
    <id>https://mlarson.org/2017/02/12/raiders-of-the-lost-ark-it-holds-up-the-best-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_ol9qhumy8c1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Raiders_of_the_Lost_Ark&#34;&gt;Raiders of the Lost Ark&lt;/a&gt;. It holds up the best of the original trilogy. I feel Iike the Marion Ravenwood character still hasn’t gotten the attention it deserves – Karen Allen is great. Watching as an adult you realize that Indy is… often not very good at what he does. Still gorgeous and fun and it’ll be that way for years to come.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How I Got My Attention Back – Backchannel</title>
    <link href="https://mlarson.org/2017/02/05/how-i-got-my-attention-back-backchannel/"/>
    <updated>2017-02-05T19:03:04.000Z</updated>
    <id>https://mlarson.org/2017/02/05/how-i-got-my-attention-back-backchannel/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s not Wikipedia that we binge on all day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://backchannel.com/how-i-got-my-attention-back-c7fc9297d347&#34;&gt;How I Got My Attention Back – Backchannel&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Robert Eggers, Director of ‘The Witch,’ on the Horror Right in Front of Us | | Observer</title>
    <link href="https://mlarson.org/2017/02/05/robert-eggers-director-of-the-witch-on-the/"/>
    <updated>2017-02-05T19:02:55.000Z</updated>
    <id>https://mlarson.org/2017/02/05/robert-eggers-director-of-the-witch-on-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“Because modern horror is usually this masochistic titillation bullshit, a lot of people in interviews will tell me [The Witch] is not a horror film, it’s a psychological suspense thriller with supernatural elements,” he said, putting on a tone of faux-snobbery. “And I’m like, ‘O.K., that’s cool.’ But then fucking Edgar Allan Poe isn’t horror, either. “What’s important to me about horror stories,” he continued, “is to look at what’s actually horrifying about humanity, instead of shining a flashlight on it and running away giggling.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://observer.com/2016/02/robert-eggers-director-of-the-witch-on-the-horror-right-in-front-of-us/&#34;&gt;Robert Eggers, Director of ‘The Witch,’ on the Horror Right in Front of Us | | Observer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Witch</title>
    <link href="https://mlarson.org/2017/02/05/the-witch-second-viewing-incredible-movie-and/"/>
    <updated>2017-02-05T19:02:50.000Z</updated>
    <id>https://mlarson.org/2017/02/05/the-witch-second-viewing-incredible-movie-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_okx0v8qg2y1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Witch_(2015_film)&#34;&gt;The Witch&lt;/a&gt;. Second viewing. Incredible movie, and my appreciation grows and grows the more I think and read about it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blue Ruin</title>
    <link href="https://mlarson.org/2017/02/05/blue-ruin-second-viewing-i-wasnt-as-gobsmacked/"/>
    <updated>2017-02-05T18:52:54.000Z</updated>
    <id>https://mlarson.org/2017/02/05/blue-ruin-second-viewing-i-wasnt-as-gobsmacked/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_okx00zpzbu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blue_Ruin&#34;&gt;Blue Ruin&lt;/a&gt;. Second viewing. I wasn’t as gobsmacked as I was &lt;a href=&#34;http://tumblr.mlarson.org/post/96585313386/blue-ruin-holy-crap-watch-this-movie-theres&#34;&gt;the first time I watched it&lt;/a&gt;, but it holds up really well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stormy Monday</title>
    <link href="https://mlarson.org/2017/02/05/stormy-monday-i-like-its-stylishness-the-moody/"/>
    <updated>2017-02-05T18:34:26.000Z</updated>
    <id>https://mlarson.org/2017/02/05/stormy-monday-i-like-its-stylishness-the-moody/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/02/tumblr_okwzi5e2hu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Stormy_Monday_(film)&#34;&gt;Stormy Monday&lt;/a&gt;. I like its stylishness, the moody, cynical, compact story. Also enjoyed Mike Figgis’ &lt;a href=&#34;http://tumblr.mlarson.org/post/121881529801/internal-affairs-the-main-reason-i-watched-this&#34;&gt;Internal Affairs&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Love &amp;amp; Friendship</title>
    <link href="https://mlarson.org/2017/01/07/love-friendship-if-you-like-jane-austen-andor/"/>
    <updated>2017-01-07T03:51:44.000Z</updated>
    <id>https://mlarson.org/2017/01/07/love-friendship-if-you-like-jane-austen-andor/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/01/tumblr_oje50flgsy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Love_%26_Friendship&#34;&gt;Love &amp;amp; Friendship&lt;/a&gt;. If you like Jane Austen and/or &lt;a href=&#34;https://www.mlarson.org/tag/whitstillman&#34;&gt;Whit Stillman&lt;/a&gt;, you can’t go wrong here. Chatty, witty, gossipy. Things really pick up when Sir James Martin appears. It’s like someone tossed a confetti bomb into the room. I should watch more chamber pieces.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Inside Llewyn Davis</title>
    <link href="https://mlarson.org/2017/01/07/inside-llewyn-davis-i-liked-it-but-i-feel-like-i/"/>
    <updated>2017-01-07T03:11:13.000Z</updated>
    <id>https://mlarson.org/2017/01/07/inside-llewyn-davis-i-liked-it-but-i-feel-like-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2017/01/tumblr_oje3a0arpi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Inside_Llewyn_Davis&#34;&gt;Inside Llewyn Davis&lt;/a&gt;. I liked it but I feel like I was missing a little something. It’s just not the Coen way to get super sappy. Can’t help but see this movie as the two of them trying to work out how they’d carry on without the other. I’d rank this one third out of their movies I’ve seen, behind &lt;a href=&#34;https://www.mlarson.org/tag/nocountryforoldmen&#34;&gt;No Country for Old Men&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/113120626836/fargo-first-off-how-is-this-movie-19-years-old&#34;&gt;Fargo&lt;/a&gt; and way ahead of &lt;em&gt;The Big Lebowski&lt;/em&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Genevieve Bell: ‘Humanity’s greatest fear is about being irrelevant’ | Technology | The Guardian</title>
    <link href="https://mlarson.org/2017/01/04/genevieve-bell-humanitys-greatest-fear-is-about/"/>
    <updated>2017-01-04T02:58:43.000Z</updated>
    <id>https://mlarson.org/2017/01/04/genevieve-bell-humanitys-greatest-fear-is-about/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m interested in how animals are connected to the internet and how we might be able to see the world from an animal’s point of view. There’s something very interesting in someone else’s vantage point, which might have a truth to it. For instance, the tagging of cows for automatic milking machines, so that the cows can choose when to milk themselves. Cows went from being milked twice a day to being milked three to six times a day, which is great for the farm’s productivity and results in happier cows, but it’s also faintly disquieting that the technology makes clear to us the desires of cows – making them visible in ways they weren’t before. So what does one do with that knowledge? One of the unintended consequences of big data and the internet of things is that some things will become visible and compel us to confront them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/technology/2016/nov/27/genevieve-bell-ai-robotics-anthropologist-robots&#34;&gt;Genevieve Bell: ‘Humanity’s greatest fear is about being irrelevant’ | Technology | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Paris Review - William Gibson, The Art of Fiction No. 211</title>
    <link href="https://mlarson.org/2017/01/04/paris-review-william-gibson-the-art-of-fiction/"/>
    <updated>2017-01-04T02:49:19.000Z</updated>
    <id>https://mlarson.org/2017/01/04/paris-review-william-gibson-the-art-of-fiction/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There was a lot of inherent cultural relativism in the science fiction I discovered then. It gave me the idea that you could question anything, that it was possible to question anything at all. You could question religion, you could question your own culture’s most basic assumptions. That was just unheard of—where else could I have gotten it? You know, to be thirteen years old and get your brain plugged directly into Philip K. Dick’s brain!&lt;/p&gt;
&lt;p&gt;That wasn’t the way science fiction advertised itself, of course. The self-advertisement was: Technology! The world of the future! Educational! Learn about science! It didn’t tell you that it would jack your kid into this weird malcontent urban literary universe and serve as the gateway drug to J. G. Ballard.&lt;/p&gt;
&lt;p&gt;And nobody knew. The people at the high school didn’t know, your parents didn’t know. Nobody knew that I had discovered this window into all kinds of alien ways of thinking that wouldn’t have been at all acceptable to the people who ran that little world I lived in.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/6089/william-gibson-the-art-of-fiction-no-211-william-gibson&#34;&gt;Paris Review - William Gibson, The Art of Fiction No. 211&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2017</title>
    <link href="https://mlarson.org/2017/01/03/resentment-might-start-with-a-wrong-thats-done-to/"/>
    <updated>2017-01-03T02:06:42.000Z</updated>
    <id>https://mlarson.org/2017/01/03/resentment-might-start-with-a-wrong-thats-done-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Resentment might start with a wrong that’s done to you, but harboring it in silence is a wrong you do to others.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/lifestyle/style/carolyn-hax-wife-needs-to-be-forthright-about-desperate-need-to-move-back-to-west-coast/2016/12/01/2cb69ac2-b595-11e6-a677-b608fbb3aaf6_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Digital Minimalism - Study Hacks - Cal Newport</title>
    <link href="https://mlarson.org/2017/01/03/on-digital-minimalism-study-hacks-cal-newport/"/>
    <updated>2017-01-03T02:06:37.000Z</updated>
    <id>https://mlarson.org/2017/01/03/on-digital-minimalism-study-hacks-cal-newport/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Be wary of tools that solve a problem that didn’t exist before the tool. GPS helped solve a problem that existed for a long time before it came along (how do I get where I want to go?), so did Google (how do I find this piece of information I need?). Snapchat, by contrast, did not. Be wary of tools in this latter category as they tend to exist mainly to create addictive new behaviors that support ad sales.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://calnewport.com/blog/2016/12/18/on-digital-minimalism/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+StudyHacks+%28Study+Hacks%29&#34;&gt;On Digital Minimalism - Study Hacks - Cal Newport&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Neon Demon</title>
    <link href="https://mlarson.org/2016/12/31/the-neon-demon-if-divisiveness-was-refns-goal/"/>
    <updated>2016-12-31T21:00:57.000Z</updated>
    <id>https://mlarson.org/2016/12/31/the-neon-demon-if-divisiveness-was-refns-goal/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2i4onjey1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Neon_Demon&#34;&gt;The Neon Demon&lt;/a&gt;. If divisiveness was Refn’s goal, it seems he delivered. Lots of hate and eye-rolling for this one, and I get it to a degree (especially when the director is kind of a troll). But I liked it. I appreciated &lt;a href=&#34;http://www.gradient.is/features/the-neon-demon/&#34;&gt;Lauren Wilford’s perspective&lt;/a&gt;. Movies are not just the stories they’re about, but also the way they are about it. Gotta make space in the world for demented fever-dreamy impressionist movies, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bone Tomahawk</title>
    <link href="https://mlarson.org/2016/12/31/bone-tomahawk-its-a-western-and-a-horror-film-i/"/>
    <updated>2016-12-31T20:45:11.000Z</updated>
    <id>https://mlarson.org/2016/12/31/bone-tomahawk-its-a-western-and-a-horror-film-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2hklmcvv1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Bone_Tomahawk&#34;&gt;Bone Tomahawk&lt;/a&gt;. It’s a western and a horror film. I shouldn’t have to sell it more than that, but I’ll add that it has a script that just blew my mind. So funny, so sharp. There’s some thematic richness, too, in how these characters (all pretty well-drawn) manage what they face together (some, uh, seriously horrific stuff – fair warning). So pleasantly surprised with this movie. I need a rewatch!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Arrival</title>
    <link href="https://mlarson.org/2016/12/31/arrival-i-loved-the-short-story-collection-that/"/>
    <updated>2016-12-31T20:35:47.000Z</updated>
    <id>https://mlarson.org/2016/12/31/arrival-i-loved-the-short-story-collection-that/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2h1jieah1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Arrival_(film)&#34;&gt;Arrival&lt;/a&gt;. I loved the &lt;a href=&#34;https://www.amazon.com/Stories-Your-Life-Ted-Chiang/dp/1931520720&#34;&gt;short story collection&lt;/a&gt; that this movie draws from. I wish they’d played the extremes just a bit more. Maybe get even more nerdy with the science/linguistics, and even more fragmented/playful with the chronology. Can’t have everything, though. It’s about as good an adaptation as you can ask for that’d still get wide release.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Moonlight</title>
    <link href="https://mlarson.org/2016/12/31/moonlight-loved-it-broke-my-heart-many-times/"/>
    <updated>2016-12-31T20:23:49.000Z</updated>
    <id>https://mlarson.org/2016/12/31/moonlight-loved-it-broke-my-heart-many-times/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2geilkbf1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Moonlight_(2016_film)&#34;&gt;Moonlight&lt;/a&gt;. Loved it. Broke my heart many times over. One of my 2016 favorites.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bølgen (The Wave)</title>
    <link href="https://mlarson.org/2016/12/31/bolgen-the-wave-with-disaster-films-you-pretty/"/>
    <updated>2016-12-31T20:13:16.000Z</updated>
    <id>https://mlarson.org/2016/12/31/bolgen-the-wave-with-disaster-films-you-pretty/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2fz4auc91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Wave_(2015_film)&#34;&gt;Bølgen (The Wave)&lt;/a&gt;. With disaster films, you pretty much know what you’re getting into. This one delivers on all the beats you want – peaceful daily life with the foreboding undercurrent; the guy who has a spider-sense about what’s coming; the family drama; the series of traps and mishaps. These can only get so good, but it holds up its end of the deal. This could make a nice double-feature with &lt;a href=&#34;http://tumblr.mlarson.org/post/153734259721/force-majeure-domestic-dramas-are-better-when&#34;&gt;Force Majeure&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Halloween</title>
    <link href="https://mlarson.org/2016/12/31/halloween-it-holds-up/"/>
    <updated>2016-12-31T19:56:10.000Z</updated>
    <id>https://mlarson.org/2016/12/31/halloween-it-holds-up/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2fcgvf0b1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Halloween_(1978_film)&#34;&gt;Halloween&lt;/a&gt;. It holds up!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sicario</title>
    <link href="https://mlarson.org/2016/12/31/sicario-as-visually-awesome-as-youve-heard/"/>
    <updated>2016-12-31T19:49:46.000Z</updated>
    <id>https://mlarson.org/2016/12/31/sicario-as-visually-awesome-as-youve-heard/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2f01zf0w1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sicario_(2015_film)&#34;&gt;Sicario&lt;/a&gt;. As visually awesome as you’ve heard. Blunt and Brolin are great as usual, fine, sure, but Benicio Del Toro is probably in my top 5 all time?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Robin Hood: Prince of Thieves</title>
    <link href="https://mlarson.org/2016/12/31/robin-hood-prince-of-thieves-as-always-good/"/>
    <updated>2016-12-31T19:44:20.000Z</updated>
    <id>https://mlarson.org/2016/12/31/robin-hood-prince-of-thieves-as-always-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2ehsjzjb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Robin_Hood:_Prince_of_Thieves&#34;&gt;Robin Hood: Prince of Thieves&lt;/a&gt;. As always, good company elevates everything, so &lt;a href=&#34;https://storify.com/austinkleon/spooninglocksley&#34;&gt;live-tweeting the movie&lt;/a&gt; took a fun story to another level.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Chimes at Midnight</title>
    <link href="https://mlarson.org/2016/12/31/chimes-at-midnight-kinda-exhausting/"/>
    <updated>2016-12-31T19:33:51.000Z</updated>
    <id>https://mlarson.org/2016/12/31/chimes-at-midnight-kinda-exhausting/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2ebl9vuk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Chimes_at_Midnight&#34;&gt;Chimes at Midnight&lt;/a&gt;. Kinda exhausting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jack Reacher: Never Go Back</title>
    <link href="https://mlarson.org/2016/12/31/jack-reacher-never-go-back-disappointed-there/"/>
    <updated>2016-12-31T19:28:39.000Z</updated>
    <id>https://mlarson.org/2016/12/31/jack-reacher-never-go-back-disappointed-there/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2dz4gybt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Jack_Reacher:_Never_Go_Back&#34;&gt;Jack Reacher: Never Go Back&lt;/a&gt;. Disappointed. There is some charm in its weird parent-comedy moments, but missed the mark for me. Still a big fan of &lt;a href=&#34;http://tumblr.mlarson.org/post/104528076161/jack-reacher-i-liked-it-the-first-time-but-i&#34;&gt;the first one&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hush</title>
    <link href="https://mlarson.org/2016/12/31/hush-theres-a-pretty-bullshit-moment-near-the/"/>
    <updated>2016-12-31T19:21:40.000Z</updated>
    <id>https://mlarson.org/2016/12/31/hush-theres-a-pretty-bullshit-moment-near-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2dnz9rik1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Hush_(2016_film)&#34;&gt;Hush&lt;/a&gt;. There’s a pretty bullshit moment near the climax but it’s mostly pretty fun. I had a few shouting-at-the-TV moments, which is mostly what I’m looking for in this kind of movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kubo and the Two Strings</title>
    <link href="https://mlarson.org/2016/12/31/kubo-and-the-two-strings-absurdly-gorgeous-for/"/>
    <updated>2016-12-31T19:16:07.000Z</updated>
    <id>https://mlarson.org/2016/12/31/kubo-and-the-two-strings-absurdly-gorgeous-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/12/tumblr_oj2ddfcnfb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Kubo_and_the_Two_Strings&#34;&gt;Kubo and the Two Strings&lt;/a&gt;. Absurdly gorgeous for stop-motion animation. I’m so impressed. The plot drags at times, but always dazzling in some way or another.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Carolyn Hax: A quick trip from travel mode to grump mode - The Washington Post</title>
    <link href="https://mlarson.org/2016/12/31/carolyn-hax-a-quick-trip-from-travel-mode-to/"/>
    <updated>2016-12-31T19:08:33.000Z</updated>
    <id>https://mlarson.org/2016/12/31/carolyn-hax-a-quick-trip-from-travel-mode-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Alone time is a gift many people don’t feel comfortable asking for, and not having it when needed is a common cause of stage sighing and other put-upon theatrics.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;*ahem*&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/lifestyle/style/carolyn-hax-a-quick-trip-from-travel-mode-to-grump-mode/2016/12/18/387ad1a6-c3ab-11e6-9a51-cd56ea1c2bb7_story.html?utm_term=.0e076d79eeed&#34;&gt;Carolyn Hax: A quick trip from travel mode to grump mode - The Washington Post&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In “Collateral Beauty” and “Passengers,” Two Tales of Gaslighting - The New Yorker</title>
    <link href="https://mlarson.org/2016/12/31/in-collateral-beauty-and-passengers-two-tales/"/>
    <updated>2016-12-31T19:08:31.000Z</updated>
    <id>https://mlarson.org/2016/12/31/in-collateral-beauty-and-passengers-two-tales/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Fantasy, even when it’s rooted in practical details and doesn’t involve any metaphysical impossibilities, is the hardest genre to pull off, for the simple reason that life is interesting. A drama or a comedy that sticks close to experience has the intrinsic virtue of documentary—and, as with documentary itself, less is usually more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/culture/richard-brody/in-collateral-beauty-and-passengers-two-tales-of-gaslighting&#34;&gt;In “Collateral Beauty” and “Passengers,” Two Tales of Gaslighting - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hell or High Water</title>
    <link href="https://mlarson.org/2016/11/27/hell-or-high-water-a-western-family-heist-movie/"/>
    <updated>2016-11-27T18:04:08.000Z</updated>
    <id>https://mlarson.org/2016/11/27/hell-or-high-water-a-western-family-heist-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohbbbj4gax1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Hell_or_High_Water_(film)&#34;&gt;Hell or High Water&lt;/a&gt;. A western family heist movie that has it all: quiet moments, comedy, high-stakes action, strong relationships. One of the best of the year.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man of Tai Chi</title>
    <link href="https://mlarson.org/2016/11/27/man-of-tai-chi-good-fightin-its-rare-that/"/>
    <updated>2016-11-27T18:04:05.000Z</updated>
    <id>https://mlarson.org/2016/11/27/man-of-tai-chi-good-fightin-its-rare-that/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohbaybxltt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Man_of_Tai_Chi&#34;&gt;Man of Tai Chi.&lt;/a&gt; Good fightin’. It’s rare that martial arts movies work in some good grappling and wrestling, but it really takes this one to another level. This makes a nice pairing with &lt;a href=&#34;http://tumblr.mlarson.org/post/153737179001/99-homes-a-tale-of-greed-and-selfishness-i-think&#34;&gt;99 Homes&lt;/a&gt; – about a hero’s incrementally ignoble choices leading to self-destruction. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/keanureeves&#34;&gt;Keanu Reeves&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/martialarts&#34;&gt;martial arts&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>99 Homes</title>
    <link href="https://mlarson.org/2016/11/27/99-homes-a-tale-of-greed-and-selfishness-i-think/"/>
    <updated>2016-11-27T18:04:02.000Z</updated>
    <id>https://mlarson.org/2016/11/27/99-homes-a-tale-of-greed-and-selfishness-i-think/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohbaht5upr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/99_Homes&#34;&gt;99 Homes&lt;/a&gt;. A tale of greed and selfishness. I think the lead’s motivation is borderline too irrational to hold up, but you never know. Wasn’t expecting so much from Andrew Garfield, but he’s legit. Shannon is the king.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Ides of March</title>
    <link href="https://mlarson.org/2016/11/27/the-ides-of-march-i-dont-think-i-remember-a/"/>
    <updated>2016-11-27T17:18:11.000Z</updated>
    <id>https://mlarson.org/2016/11/27/the-ides-of-march-i-dont-think-i-remember-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb99hofy01qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Ides_of_March_(film)&#34;&gt;The Ides of March&lt;/a&gt;. I don’t think I remember a single thing about this one. ¯&lt;em&gt;(ツ)&lt;/em&gt;/¯ Seems like a shame, with Hoffman, Giamatti, Tomei, and Wright on the cast.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eastern Promises</title>
    <link href="https://mlarson.org/2016/11/27/eastern-promises-its-fine/"/>
    <updated>2016-11-27T17:18:08.000Z</updated>
    <id>https://mlarson.org/2016/11/27/eastern-promises-its-fine/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb92q8c5b1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Eastern_Promises.&#34;&gt;Eastern Promises&lt;/a&gt;. It’s fine!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gone Baby Gone</title>
    <link href="https://mlarson.org/2016/11/27/gone-baby-gone-second-viewing-i-like-my-first/"/>
    <updated>2016-11-27T17:18:05.000Z</updated>
    <id>https://mlarson.org/2016/11/27/gone-baby-gone-second-viewing-i-like-my-first/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb8q6dzil1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Gone_Baby_Gone&#34;&gt;Gone Baby Gone&lt;/a&gt;. Second viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/35339579171/gone-baby-gone-i-kinda-wish-the-movie-had-stopped&#34;&gt;I like my first write-up&lt;/a&gt;). One thing I hate in this movie is how a disfigured villain character distances us. Seems like kind of a weasel move. You see similar in &lt;em&gt;True Detective&lt;/em&gt;, which also really bothered me. So much of the series lingers in mundane evil and violence, and then… the final villains are freakshows. Lame. I suppose it’s a bit different here with the denouement, but the earlier raid still gets under my skin.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Assassination of Jesse James by the Coward Robert Ford</title>
    <link href="https://mlarson.org/2016/11/27/the-assassination-of-jesse-james-by-the-coward/"/>
    <updated>2016-11-27T17:18:01.000Z</updated>
    <id>https://mlarson.org/2016/11/27/the-assassination-of-jesse-james-by-the-coward/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb87lznyy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Assassination_of_Jesse_James_by_the_Coward_Robert_Ford&#34;&gt;The Assassination of Jesse James by the Coward Robert Ford&lt;/a&gt;. It’s an odd one. Absolutely gorgeous at times. I like the olde-timey lens distortion and sepia tones. And the slow-burn obsession is awesome. Reminds me a bit of &lt;a href=&#34;http://tumblr.mlarson.org/post/134839677521/public-enemies-i-love-how-so-many-people-get-to&#34;&gt;Public Enemies&lt;/a&gt;, with the possessive attraction to a charismatic criminal.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Force Majeure</title>
    <link href="https://mlarson.org/2016/11/27/force-majeure-domestic-dramas-are-better-when/"/>
    <updated>2016-11-27T16:44:50.000Z</updated>
    <id>https://mlarson.org/2016/11/27/force-majeure-domestic-dramas-are-better-when/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb7ly7xvm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Force_Majeure_(film)&#34;&gt;Force Majeure&lt;/a&gt;. Domestic dramas are better when they are also dark comedy. I really liked the balance here. So much awkwardness, the couple tentatively probing and exploring what they’ve learned about each other, figuring out how to break the silence when vulnerability is high.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Into the Blue</title>
    <link href="https://mlarson.org/2016/11/27/into-the-blue-one-of-the-mid-level-00s/"/>
    <updated>2016-11-27T16:44:46.000Z</updated>
    <id>https://mlarson.org/2016/11/27/into-the-blue-one-of-the-mid-level-00s/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb79b8cg31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Into_the_Blue_(2005_film)&#34;&gt;Into the Blue&lt;/a&gt;. One of the mid-level ‘00s action/adventure films that holds up. I love some of the cliche characters here. Like, yep, that new friend is definitely going to ruin everything by doing something dumb. You know it &lt;em&gt;instantly&lt;/em&gt;. And I’d totally forgotten about Brolin’s role in this. If a movie makes you envy a lifestyle even if it’s not a great movie, it’s still doing something right.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Midnight Special</title>
    <link href="https://mlarson.org/2016/11/27/midnight-special-this-was-one-i-liked-so-much-in/"/>
    <updated>2016-11-27T16:44:42.000Z</updated>
    <id>https://mlarson.org/2016/11/27/midnight-special-this-was-one-i-liked-so-much-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb6qnjitv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Midnight_Special_(film)&#34;&gt;Midnight Special&lt;/a&gt;. This was one I liked so much in previews and during the majority of its runtime that there was probably no way for it to conclude in a way that I loved. Good ride. &lt;a href=&#34;https://www.mlarson.org/tag/jeffnichols&#34;&gt;Jeff Nichols&lt;/a&gt; is on a roll.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Thin Red Line</title>
    <link href="https://mlarson.org/2016/11/27/the-thin-red-line-a-little-weaker-each-time-i-see/"/>
    <updated>2016-11-27T16:44:38.000Z</updated>
    <id>https://mlarson.org/2016/11/27/the-thin-red-line-a-little-weaker-each-time-i-see/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/11/tumblr_ohb6eoqdxb1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.m.wikipedia.org/wiki/The_Thin_Red_Line_(1998_film)&#34;&gt;The Thin Red Line&lt;/a&gt;. A little weaker each time I see it, some parts seemed kinda limp, but it’s still great. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Do we need *more* radical Islam? - Marginal REVOLUTION</title>
    <link href="https://mlarson.org/2016/09/02/do-we-need-more-radical-islam-marginal/"/>
    <updated>2016-09-02T02:07:30.000Z</updated>
    <id>https://mlarson.org/2016/09/02/do-we-need-more-radical-islam-marginal/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In general, I am suspicious when someone dismisses a view for being “radical” or “extreme.”  There is usually sloppy thinking behind that designation.  Why not just say what is wrong with the view?  How for instance are we supposed to feel about “radical Christianity”?  Good or bad?  Does it mean Origen or Ted Cruz or something altogether different?  Can’t we just debate the question itself?&lt;/p&gt;
&lt;p&gt;The same is true in politics.  Let’s say someone favors free trade and the First Amendment.  Is that “radical”?  Or is it mainstream and thus non-radical?  Does labeling it radical further the debate on whether or not those are the correct positions?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2016/07/radical-islam.html&#34;&gt;Do we need *more* radical Islam? - Marginal REVOLUTION&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blow Out</title>
    <link href="https://mlarson.org/2016/08/31/blow-out-last-movie-i-saw-at-ebertfest-and-man/"/>
    <updated>2016-08-31T16:35:40.000Z</updated>
    <id>https://mlarson.org/2016/08/31/blow-out-last-movie-i-saw-at-ebertfest-and-man/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_ocr2vc77yl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blow_Out&#34;&gt;Blow Out&lt;/a&gt;. Last movie I saw at &lt;a href=&#34;https://www.mlarson.org/tag/ebertfest&#34;&gt;Ebertfest&lt;/a&gt;, and man what a way to go out. Love the cold open with a terrible horror film shoot… which we revisit later on. The movie does this throughout, working with both highbrow and lowbrow, exploiting genre trappings while mocking them. John Lithgow is amazing. I love how much old tech is in this: tape recorders, 16mm film, photo development, paper flipbooks, wearing wires. The climax, so ecstatic and lush and colorful and heightened through its slowness, is perfect. There’s something about the idea of truth in this one. Audio isn’t enough. It’s seeing that’s believing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Scrying Game — Real Life</title>
    <link href="https://mlarson.org/2016/08/31/the-scrying-game-real-life/"/>
    <updated>2016-08-31T15:24:28.000Z</updated>
    <id>https://mlarson.org/2016/08/31/the-scrying-game-real-life/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Making leisure your labor, an elaboration of “working from home,” can be a profound comfort. Collapsing the public and private can mean protection from both realms — stripped of some of the obligations of traditional professionalism, your public life can be more intimate and casual. And when you “be yourself” for a living, your private self can be infused with the armored posturing of a public persona. This elision can also, truly, drive a person crazy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://reallifemag.com/the-scrying-game/&#34;&gt;The Scrying Game — Real Life&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Love &amp;amp; Mercy</title>
    <link href="https://mlarson.org/2016/08/31/love-mercy-biopics-are-not-my-strong-suit-and-i/"/>
    <updated>2016-08-31T13:00:14.000Z</updated>
    <id>https://mlarson.org/2016/08/31/love-mercy-biopics-are-not-my-strong-suit-and-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_ocp3x1ubuo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Love_%26_Mercy_(film)&#34;&gt;Love &amp;amp; Mercy&lt;/a&gt;. Biopics are not my strong suit and I usually complain about them. This was a good one, alternating between an older and a younger Brian Wilson, some of the scenes echoing each other. It didn’t delve into the drug stuff as much as I expected, or the long years he spent in bed. I wonder if that was a PR thing? Or maybe it just doesn’t lend itself to picturization. Still an interesting view of mental illness, and mental illness in a particular time and place without stuff we take for granted now. Also an atypical romance here, where the collapse happens in a way that you’re sympathetic to both. He’s a broken man; she’s a woman who knows she can only give so much. I left wondering about how thwarted and overwhelmed he must have felt. Not just the creative struggle to take what’s in his head and make it real. There’s also the conflicting and belittling messages from father, doctor, bandmates, etc. Wicked sound design at times playing against all of those in a few scenes, like when he rejects his father and picks up the headphones, some studio breakthroughs, some moments wrestling with schizophrenia. After seeing this, I’m also curious about &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Wrecking_Crew_(2008_film)&#34;&gt;The Wrecking Crew&lt;/a&gt;, a doc about the session musicians who helped create the original sound for the Beach Boys and many others. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/ebertfest&#34;&gt;Ebertfest&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2016</title>
    <link href="https://mlarson.org/2016/08/30/i-started-watching-stranger-things-yesterday-and/"/>
    <updated>2016-08-30T23:57:02.000Z</updated>
    <id>https://mlarson.org/2016/08/30/i-started-watching-stranger-things-yesterday-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_ocqy87ubrz1qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I started watching &lt;a href=&#34;https://en.m.wikipedia.org/wiki/Stranger_Things_(TV_series)&#34;&gt;Stranger Things&lt;/a&gt; yesterday, and this moment from s1e1 spoke to me on a deep level. And &lt;a href=&#34;https://open.spotify.com/album/1puplOrvmUGoq2VxsB0ENJ&#34;&gt;the soundtrack&lt;/a&gt; is pretty rad, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>10 Reasons the 5K is Freaking Awesome</title>
    <link href="https://mlarson.org/2016/08/30/10-reasons-the-5k-is-freaking-awesome/"/>
    <updated>2016-08-30T14:10:23.000Z</updated>
    <id>https://mlarson.org/2016/08/30/10-reasons-the-5k-is-freaking-awesome/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I had to ask myself, &lt;em&gt;Is this as fast as you can possibly run right now?&lt;/em&gt; and when the answer was &lt;em&gt;No&lt;/em&gt;, making myself try harder for no other reason than that trying hard matters.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.runnersworld.com/5k/10-reasons-the-5k-is-freaking-awesome&#34;&gt;10 Reasons the 5K is Freaking Awesome&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Radical Grace</title>
    <link href="https://mlarson.org/2016/08/30/radical-grace-this-was-a-fun-documentary-it/"/>
    <updated>2016-08-30T14:05:33.000Z</updated>
    <id>https://mlarson.org/2016/08/30/radical-grace-this-was-a-fun-documentary-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_ocp3aqhlse1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.imdb.com/title/tt4175088/&#34;&gt;Radical Grace&lt;/a&gt;. This was a fun documentary. It tracks a group of feisty nuns and their guerrilla battles with the patriarchy in the Catholic church. They come under a lot of fire for more progressive outspokenness on a variety of issues. The sisters keep alive a sort of old-school community-based hippie evangelist approach. There’s some good droll “those wild women need supervisin’!” humor throughout. The nerve! Favorite line was from Sister Jean Hughes, when she said something like “God is not a man with a beard. God is the impetus for good.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Is ‘Rage Twitter’ Meaningless, or an Expression of a Deeper Sense of Hurt? – The Extratextual</title>
    <link href="https://mlarson.org/2016/08/30/is-rage-twitter-meaningless-or-an-expression-of/"/>
    <updated>2016-08-30T14:00:20.000Z</updated>
    <id>https://mlarson.org/2016/08/30/is-rage-twitter-meaningless-or-an-expression-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Twitter puts its users in the uncomfortable position of spectating people’s tirades and honest outpourings of hurt while being almost entirely powerless to respond in a meaningful way.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://extratextuals.com/is-rage-twitter-meaningless-or-an-expression-of-a-deeper-sense-of-hurt-6b687e3d206f#.c4tjrlo1d&#34;&gt;Is ‘Rage Twitter’ Meaningless, or an Expression of a Deeper Sense of Hurt? – The Extratextual&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Is It So Hard to Get Serial Drama Right in 2016?</title>
    <link href="https://mlarson.org/2016/08/29/why-is-it-so-hard-to-get-serial-drama-right-in/"/>
    <updated>2016-08-29T23:35:51.000Z</updated>
    <id>https://mlarson.org/2016/08/29/why-is-it-so-hard-to-get-serial-drama-right-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;As TV drama becomes more traditionally novelistic, announcing exactly how long a story is going to take and assuring us that the end of a season will be the End, we can breathe a sigh of relief, because we know that at least one thing we’ve invested our emotions in will set an endpoint and stick to it and let us move on to something else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This speaks to me. I don’t remember the last show I watched past the third season. I’m sure I’m missing out on many wonderful experiences, but… to each their own. Cf. &lt;a href=&#34;http://www.nytimes.com/2015/12/20/arts/television/streaming-tv-isnt-just-a-new-way-to-watch-its-a-new-genre.html?_r=0&#34;&gt;streaming TV as a new genre&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2016/08/serial-drama-slump-c-v-r.html&#34;&gt;Why Is It So Hard to Get Serial Drama Right in 2016?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Force of Destiny</title>
    <link href="https://mlarson.org/2016/08/29/force-of-destiny-in-this-one-a-sculptor-gets/"/>
    <updated>2016-08-29T13:08:31.000Z</updated>
    <id>https://mlarson.org/2016/08/29/force-of-destiny-in-this-one-a-sculptor-gets/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_ocnchpcu7p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.imdb.com/title/tt3359868/&#34;&gt;Force of Destiny&lt;/a&gt;. In this one a sculptor gets liver cancer and falls in love. One of those sweet gentle ones, very weepy and slow. Every now and it’s intercut with trippy scenes: a heron flying with a stick; the hero with his mother as a child; scenes from Italy travel and boats; a masked ball with people in the hospital. One thing it captures well is that special sort of quite terror and anxiety of waiting in the hospital, surrounded by other people’s grief and afflictions. The autobiographical overtones here made me wonder if it’s self-indulgent, and if that’s bad, and why it matters, and why it bothers me, and what it means that it colors my reaction to the film so much. Also a little bit of a not-too-subtle organ donation promotional, and I’m on board with that. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/ebertfest&#34;&gt;Ebertfest&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Even Superheroes Punch the Clock - The New York Times</title>
    <link href="https://mlarson.org/2016/08/29/even-superheroes-punch-the-clock-the-new-york/"/>
    <updated>2016-08-29T01:23:44.000Z</updated>
    <id>https://mlarson.org/2016/08/29/even-superheroes-punch-the-clock-the-new-york/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;All of Bourne’s enemies, as well as his potential allies, are colleagues of one kind or another, and his very existence is a horrifying reductio ad absurdum of life on the corporate treadmill.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2016/08/14/movies/even-superheroes-punch-the-clock.html&#34;&gt;Even Superheroes Punch the Clock - The New York Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Storyboards for Heat</title>
    <link href="https://mlarson.org/2016/08/29/michael-manns-photographic-storyboards-for-the/"/>
    <updated>2016-08-29T01:20:57.000Z</updated>
    <id>https://mlarson.org/2016/08/29/michael-manns-photographic-storyboards-for-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_ocncu5ghe71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://twitter.com/mccrabb_will/status/766768652573999104&#34;&gt;Michael Mann’s photographic storyboards for the bank heist from Heat&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/heat&#34;&gt;Heat&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eve&#39;s Bayou</title>
    <link href="https://mlarson.org/2016/08/29/eves-bayou-one-of-my-absolute-favorites-from/"/>
    <updated>2016-08-29T00:50:15.000Z</updated>
    <id>https://mlarson.org/2016/08/29/eves-bayou-one-of-my-absolute-favorites-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_o8w7bkzvjh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Eve%27s_Bayou&#34;&gt;Eve’s Bayou&lt;/a&gt;. One of my absolute favorites from &lt;a href=&#34;https://www.mlarson.org/tag/ebertfest&#34;&gt;Ebertfest&lt;/a&gt;. Maybe my favorite, period. Stands out superficially with some impressive child actors, female leads throughout, and no white people. I love how it accumulates little moments. There’s a vibe here I’m not savvy enough to describe other than “very 90s” that’s very… old-fashioned. Full orchestra. Soft film image. Evening glow. It felt like a play at some points, with some of the momentum and delivery in the dialogue, and how the scenes were staged. The &lt;a href=&#34;http://www.youtube.com/watch?v=vZMaBokfGRU&#34;&gt;scene where Mozelle tells the story of her husband confronting her lover&lt;/a&gt; is a little masterpiece. Highly recommended!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Disturbing the Peace</title>
    <link href="https://mlarson.org/2016/08/29/disturbing-the-peace-a-documentary-about-how/"/>
    <updated>2016-08-29T00:50:10.000Z</updated>
    <id>https://mlarson.org/2016/08/29/disturbing-the-peace-a-documentary-about-how/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/08/tumblr_o8w7z3nqgv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.imdb.com/title/tt5503512/&#34;&gt;Disturbing the Peace&lt;/a&gt;. A documentary about how former militants – Israeli and Palestinian – changed their minds, joined up with the enemy, and started to work for peace. It opens with personal stories of transformation. Confessions of wrongdoing. Stories of victimhood. The moment they decided to do something different than fight the other side. In form, it’s a mix of talking heads, reenactments, news reel footage, and live documenting protests and nonviolent demonstrations. My favorite part was this really great scene between husband and wife. The wife holds a more angry and strident pro-Palestinian stance. She sees the nonviolent, loving approach as a surrender. There’s this awesome parental tension I’d never considered – how do they decide to expose their daughters to that greater world and their perspective, when to introduce them to certain ideas, etc. There’s also the fact that the rest of the populations (Israeli and Palestinian) sometimes aren’t just ambivalent but sometimes strongly anti-nonviolence, strongly against peaceful protest. Gave me a new appreciation, of how hard it is to do protest work when the rest of your community hates what you’re doing… I forget whether this was in the movie or in the post-movie conversation, but I also like the idea that forgiveness is not altruistic. It’s one of the best things you can do for yourself. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/ebertfest&#34;&gt;Ebertfest&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man on the Street - The New Yorker</title>
    <link href="https://mlarson.org/2016/06/28/man-on-the-street-the-new-yorker/"/>
    <updated>2016-06-28T01:49:31.000Z</updated>
    <id>https://mlarson.org/2016/06/28/man-on-the-street-the-new-yorker/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In 1966, a photographer Cunningham knew gave him an Olympus Pen D half-frame camera. “It cost about thirty-five dollars,” Cunningham wrote. “He said, ‘Here, use it like a notebook.’ And that was the real beginning.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/magazine/2009/03/16/man-on-the-street&#34;&gt;Man on the Street - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>L&#39;Inhumaine</title>
    <link href="https://mlarson.org/2016/06/28/linhumaine-marcel-lherbiers-old-french-1924/"/>
    <updated>2016-06-28T01:34:08.000Z</updated>
    <id>https://mlarson.org/2016/06/28/linhumaine-marcel-lherbiers-old-french-1924/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/06/tumblr_o8w830lmkm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/L%27Inhumaine&#34;&gt;L&#39;Inhumaine&lt;/a&gt;. Marcel L’Herbier’s old French 1924 silent film. I saw this one at &lt;a href=&#34;https://www.mlarson.org/tag/ebertfest&#34;&gt;Ebertfest&lt;/a&gt;, along with Darius Milhaud’s original score played live by the Alloy Orchestra. It… &lt;a href=&#34;https://twitter.com/mlarson/status/721142403348983808&#34;&gt;messed with my head&lt;/a&gt;. It starts at this awesome crazy-designed mansion of wealthy singer. You see, she’s a babe and there are men competing for her attention. One is jilted and attempts/fakes suicide. People mourn. There’s a big scene at a Paris theatre with a big rabble-rousing crowd. (That scene also features some awesome cameos from real-life friends from the art world – Proust, Joyce, Pound, etc.). The singer feels guilt. The suicide guy returns. One of the other suitors, a Maharaja, seeks revenge for his jilting by posing as a taxi driver and planting a poisonous snake in her cab. She dies. A mad scientist revives her. Etc. That’s not even the half of it. The final trippy hallucinatory sequence is NUTS. There’s montage, translucencies, overlapping images, swapping color filters, flashes of bold color, accelerating cuts. Don’t sleep on the old stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>adventure journal – The Struggles of an Introverted Adventurer</title>
    <link href="https://mlarson.org/2016/06/14/adventure-journal-the-struggles-of-an/"/>
    <updated>2016-06-14T14:31:11.000Z</updated>
    <id>https://mlarson.org/2016/06/14/adventure-journal-the-struggles-of-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I am not shy, but I am elusive.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A lot of the essay is a more mopey than rings true for me, but I like that description a lot.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://adventure-journal.com/2016/05/the-struggles-of-an-introverted-adventurer/&#34;&gt;adventure journal – The Struggles of an Introverted Adventurer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Third Man (1949)</title>
    <link href="https://mlarson.org/2016/06/14/the-third-man-1949-number-four-from-ebertfest/"/>
    <updated>2016-06-14T14:13:32.000Z</updated>
    <id>https://mlarson.org/2016/06/14/the-third-man-1949-number-four-from-ebertfest/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/06/tumblr_o8ql9ctkyl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Third_Man&#34;&gt;The Third Man (1949)&lt;/a&gt;. Number four from &lt;a href=&#34;https://www.mlarson.org/tag/ebertfest&#34;&gt;Ebertfest&lt;/a&gt;. I dug it, and I remember basically nothing about the plot. Post-war Vienna light-and-shadow mystery stuff, cock-eyed angles. Orwell’s reveal, emerging from the shadows, is so good. Nice sewer chase at the end, though I wish they’d tightened it up a bit. I wonder how they managed the sound down there. And basics like navigating around. Apparently that persistent zither soundtrack was a local, on-the-spot hire, some dude they found on location at a cafe during the filming of the movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Northfork</title>
    <link href="https://mlarson.org/2016/06/13/northfork-third-movie-i-saw-at-ebertfest-its/"/>
    <updated>2016-06-13T14:22:10.000Z</updated>
    <id>https://mlarson.org/2016/06/13/northfork-third-movie-i-saw-at-ebertfest-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/06/tumblr_o8oliewjje1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Northfork&#34;&gt;Northfork&lt;/a&gt;. Third movie I saw at Ebertfest. It’s really bizarre and I really liked it. In this one, there’s a small town that’s about to be flooded as a new lake is constructed. Some G-men types are hired to evacuate people (a pair of lovers; a guy who nailed himself to his front porch, waiting gun in hand; a man who built an ark for himself and his two wives). There’s also a storyline with a small dying orphan boy who has dreams with imagery that draw from the knick-knacks on his bedside table: a cup of tea, a model plane, a Bible, pillow and its feathers, a model hand, a music box. So, a story of transitions and leave-takings. But for all that, it has its light moments like some really droll, straightfaced wordplay delivered without a hint of knowingness (“fowl play”, “What are you talking about Willis?”), a quartet of angels looking for a chosen one, and some weird gags like the guessing game at the diner. There’s a blend of Catholic, Mormon, and Amish local influence along with some magical realism. So, a really, really odd one. Some of the drama is a little flat, but I love the imagination.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 13, 2016</title>
    <link href="https://mlarson.org/2016/06/13/compatibility-is-an-achievement-of-love-it-must/"/>
    <updated>2016-06-13T12:21:50.000Z</updated>
    <id>https://mlarson.org/2016/06/13/compatibility-is-an-achievement-of-love-it-must/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Compatibility is an achievement of love; it must not be its precondition.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://news.nationalpost.com/life/why-you-will-marry-the-wrong-person-men-and-women-rarely-reveal-flaws-before-tying-the-knot&#34;&gt;Alain de Botton&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Americans pretend to love ‘ethnic food’</title>
    <link href="https://mlarson.org/2016/06/12/how-americans-pretend-to-love-ethnic-food/"/>
    <updated>2016-06-12T23:22:15.000Z</updated>
    <id>https://mlarson.org/2016/06/12/how-americans-pretend-to-love-ethnic-food/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Despite all this talk about how we eat everything and like everything, we are not willing to pay for everything at the same rate, and that tells you something.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/news/wonk/wp/2016/04/22/the-great-ethnic-food-lie/&#34;&gt;How Americans pretend to love ‘ethnic food’&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Grandma</title>
    <link href="https://mlarson.org/2016/06/12/grandma-another-one-from-ebertfest-one-of-my/"/>
    <updated>2016-06-12T23:20:49.000Z</updated>
    <id>https://mlarson.org/2016/06/12/grandma-another-one-from-ebertfest-one-of-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/06/tumblr_o8okbtybmh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;//en.wikipedia.org/wiki/Grandma_(film)%E2%80%9D&#34;&gt;Grandma&lt;/a&gt;. Another one from Ebertfest, one of my least favorite of the weekend, but it’s not bad by any means. In short, a granddaughter goes to her grandmother’s house to get money for money for an abortion, and we go from there. This grandma… has anger issues. She’s gruff, flaky, independent. It’s weird having a central character who’s so angry all the time. Takes something special to keep her worth watching. She’s her own worst enemy for sure. She also drives a classic car that’s near breaking down. She doesn’t take care of it – metaphor! Themes of motherhood, parental influence, experiencing and anticipating loss, grieving, etc. All female cast except for an excellent Sam Elliott cameo and the guy at dinner.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Guillermo del Toro&#39;s Twitter book recommendations (with tweets) · tehgort · Storify</title>
    <link href="https://mlarson.org/2016/06/12/guillermo-del-toros-twitter-book-recommendations/"/>
    <updated>2016-06-12T22:32:57.000Z</updated>
    <id>https://mlarson.org/2016/06/12/guillermo-del-toros-twitter-book-recommendations/</id>
    <content type="html">&lt;p&gt;Just like it says on the label. Awesome that someone took the time to collect these from &lt;a href=&#34;https://twitter.com/RealGDT&#34;&gt;his excellent Twitter account&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://storify.com/tehgort/gdt-s-book-recs&#34;&gt;Guillermo del Toro&#39;s Twitter book recommendations (with tweets) · tehgort · Storify&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crimson Peak</title>
    <link href="https://mlarson.org/2016/06/12/crimson-peak-this-was-the-opener-at-ebertfest/"/>
    <updated>2016-06-12T22:30:28.000Z</updated>
    <id>https://mlarson.org/2016/06/12/crimson-peak-this-was-the-opener-at-ebertfest/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/06/tumblr_o8oiqf9tko1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Crimson_Peak&#34;&gt;Crimson Peak&lt;/a&gt;. This was the opener at &lt;a href=&#34;http://ebertfest.com/&#34;&gt;Ebertfest&lt;/a&gt; when I went a couple months ago. &lt;a href=&#34;http://tumblr.mlarson.org/post/135219091976/crimson-peak-marketed-as-one-thing-gives-you&#34;&gt;I loved it the first time&lt;/a&gt; and it was even better with an enthusiastic crowd in an old theater. Felt like an event. The anticipation helps a lot, and having the director on hand to talk about his movie does, too. One of my favorite lines from &lt;a href=&#34;https://www.youtube.com/watch?v=vnl_CJ1fHlk&#34;&gt;Guillermo Del Toro’s awesome Q&amp;amp;A that night&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don’t make eye candy. I make eye protein.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He shared background on the influences, comparisons and similarities to &lt;em&gt;Jane Eyre&lt;/em&gt; and &lt;em&gt;Frankenstein&lt;/em&gt;, which have a similar sense of loss and abandonment, and to a few Hitchcock movies – &lt;em&gt;Rebecca&lt;/em&gt;, &lt;em&gt;Suspicion&lt;/em&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/1640719644/notorious-highly-recommended-were-back-in&#34;&gt;Notorious&lt;/a&gt; – as more recent gothic romances where love ends in conflagration. In this one the heroine’s experience of love goes hand-in-hand with the experience of death. He also talked a lot about the unity of construction through the whole thing. How the story is told in architecture (different architectural styles through the house and each floor, the differing levels of moral order and corruption), in costume (Chastain’s blue dress borrows architectural elements from the house; another draws influence from her association with moth vs. Wasikowska’s butterfly; she’s the only person to wear red, etc.), and in sets (oversized chairs when our heroine takes ill). Aside from the movie itself, I also enjoyed hearing Del Toro talk about two approaches to evaluating a movie. One, as a viewer, does it do its job? Like, did you feel like you wasted your time? And another way is to approach it as a piece of art – taking into account the context, influences, intentions – did it meet its goals?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Burglars Commit Crime and Take Advantage of Cities by Hacking Architecture | VICE | United States</title>
    <link href="https://mlarson.org/2016/04/06/how-burglars-commit-crime-and-take-advantage-of/"/>
    <updated>2016-04-06T02:18:33.000Z</updated>
    <id>https://mlarson.org/2016/04/06/how-burglars-commit-crime-and-take-advantage-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;At some point in everyone’s life, you think like a burglar. It’s when you’re trying to sneak out of the house as a teenager, or you’re trying to sneak downstairs to look at Christmas presents, or you’re doing anything where you’re trying not to get caught, sneaking in, out of, or through a building in any way.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vice.com/read/how-burglars-commit-crime-and-take-advantage-of-cities-by-hacking-architecture&#34;&gt;How Burglars Commit Crime and Take Advantage of Cities by Hacking Architecture | VICE | United States&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Efficiency Trap</title>
    <link href="https://mlarson.org/2016/04/06/the-efficiency-trap/"/>
    <updated>2016-04-06T02:18:30.000Z</updated>
    <id>https://mlarson.org/2016/04/06/the-efficiency-trap/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People don’t read these books to find out how to be better human beings. People read them to figure out how to become the kind of human being the workplace is looking for.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/magazine/2016/03/28/smarter-faster-better-the-secrets-of-being-productive-in-life-and-business&#34;&gt;The Efficiency Trap&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Aerial Surveillance Has Changed Policing — and Crime — in Los Angeles</title>
    <link href="https://mlarson.org/2016/03/30/how-aerial-surveillance-has-changed-policing-and/"/>
    <updated>2016-03-30T01:34:21.000Z</updated>
    <id>https://mlarson.org/2016/03/30/how-aerial-surveillance-has-changed-policing-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Cities get the types of crime their design calls for.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Excited for &lt;a href=&#34;http://www.amazon.com/Burglars-Guide-City-Geoff-Manaugh/dp/0374117268&#34;&gt;Manaugh’s book&lt;/a&gt; to hit my mailbox in a few days.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2016/03/27/magazine/panopticops.html&#34;&gt;How Aerial Surveillance Has Changed Policing — and Crime — in Los Angeles&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Witch</title>
    <link href="https://mlarson.org/2016/03/30/the-witch-feminist-folk-horror-i-dig-it/"/>
    <updated>2016-03-30T01:33:55.000Z</updated>
    <id>https://mlarson.org/2016/03/30/the-witch-feminist-folk-horror-i-dig-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/03/tumblr_o4kl1s4uj71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Witch_(2015_film)&#34;&gt;The Witch&lt;/a&gt;. Feminist folk horror? I dig it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Da Vinci Code</title>
    <link href="https://mlarson.org/2016/03/30/the-da-vinci-code-i-remember-reading-a-few-pages/"/>
    <updated>2016-03-30T01:33:47.000Z</updated>
    <id>https://mlarson.org/2016/03/30/the-da-vinci-code-i-remember-reading-a-few-pages/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/03/tumblr_o4kkywyojl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Da_Vinci_Code_(film)&#34;&gt;The Da Vinci Code&lt;/a&gt;. I remember reading a few pages of the book when it came out, and… yeesh. This is much better. Not great at all, but elevates the source material into something amusing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Want You Still: Celebrating 40 Years of Marvin Gaye’s Sensual Classic | Pitchfork</title>
    <link href="https://mlarson.org/2016/03/30/i-want-you-still-celebrating-40-years-of-marvin/"/>
    <updated>2016-03-30T01:33:40.000Z</updated>
    <id>https://mlarson.org/2016/03/30/i-want-you-still-celebrating-40-years-of-marvin/</id>
    <content type="html">&lt;p&gt;Fun interview about creating &lt;a href=&#34;https://en.wikipedia.org/wiki/I_Want_You_(Marvin_Gaye_album)&#34;&gt;one of my favorite albums&lt;/a&gt;. Nice bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Out of the 13 months we took to make the album, there was six months of partying. Seriously. We would come into the studio, and Marvin would say, “Let’s go play basketball.” And we would play basketball half the day, on studio time. There was no pressure.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/interview/9835-i-want-you-still-celebrating-40-years-of-marvin-gayes-sensual-classic/&#34;&gt;I Want You Still: Celebrating 40 Years of Marvin Gaye’s Sensual Classic | Pitchfork&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Citizenfour</title>
    <link href="https://mlarson.org/2016/03/06/citizenfour-theres-this-interesting-tension/"/>
    <updated>2016-03-06T20:46:25.000Z</updated>
    <id>https://mlarson.org/2016/03/06/citizenfour-theres-this-interesting-tension/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/03/tumblr_o3mxd0nh5p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Citizenfour&#34;&gt;Citizenfour&lt;/a&gt;. There’s this interesting tension where a guy has done something earth-shaking, and he knows it… but he’s watching the effects while hidden in a hotel room far from home. Very cool to see all the planning and diligence they took to keep things mum until they were ready to reveal. So glad they took the time to document this while it was happening. I’m probably on a watchlist now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2016</title>
    <link href="https://mlarson.org/2016/03/02/nyctaeus-ad-reinhardt-from-how-to-look-at/"/>
    <updated>2016-03-02T15:00:09.000Z</updated>
    <id>https://mlarson.org/2016/03/02/nyctaeus-ad-reinhardt-from-how-to-look-at/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/03/tumblr_ndhxb5js0h1supp8bo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nyctaeus.tumblr.com/post/100118363198&#34;&gt;nyctaeus&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.moma.org/collection/artist.php?artist_id=4856&#34;&gt;Ad Reinhardt&lt;/a&gt;, from ‘How to Look at Art, Arts &amp;amp; Architecture’ (1946)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Seven Habits of Highly Depolarizing People</title>
    <link href="https://mlarson.org/2016/03/02/the-seven-habits-of-highly-depolarizing-people/"/>
    <updated>2016-03-02T04:33:02.000Z</updated>
    <id>https://mlarson.org/2016/03/02/the-seven-habits-of-highly-depolarizing-people/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Count higher than two. Of all the mental habits that encourage polarization, the most dangerous is probably binary thinking – the tendency to divide everything into two mutually antagonistic categories.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.the-american-interest.com/2016/02/17/the-seven-habits-of-highly-depolarizing-people/&#34;&gt;The Seven Habits of Highly Depolarizing People&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Good, the Bad and the Ugly</title>
    <link href="https://mlarson.org/2016/03/02/the-good-the-bad-and-the-ugly-such-a-lovely-mix/"/>
    <updated>2016-03-02T04:29:31.000Z</updated>
    <id>https://mlarson.org/2016/03/02/the-good-the-bad-and-the-ugly-such-a-lovely-mix/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/03/tumblr_o3e9sphfhp1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Good,_the_Bad_and_the_Ugly&#34;&gt;The Good, the Bad and the Ugly&lt;/a&gt;. Such a lovely mix in this movie. You’ve got one-liners, goofball slapstick, melodrama, real drama. Those mournful interludes on the Civil War battlefront hit hard this time around. :’(&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Meru</title>
    <link href="https://mlarson.org/2016/02/24/meru-i-liked-it-most-when-they-were-showing-the/"/>
    <updated>2016-02-24T02:32:27.000Z</updated>
    <id>https://mlarson.org/2016/02/24/meru-i-liked-it-most-when-they-were-showing-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o315pdq16g1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Meru_(film)&#34;&gt;Meru&lt;/a&gt;. I liked it most when they were showing the footage that makes you squirm and makes your palms get sweaty. Wish they’d geeked out on the nitty-gritty climbing details more, and/or cut back on the talking heads. Sometimes the people who were there aren’t the best ones to tell the story?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gone Girl</title>
    <link href="https://mlarson.org/2016/02/24/gone-girl-third-viewing-filed-under-gone-girl/"/>
    <updated>2016-02-24T02:24:17.000Z</updated>
    <id>https://mlarson.org/2016/02/24/gone-girl-third-viewing-filed-under-gone-girl/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o315cazj6n1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Gone_Girl_(film)&#34;&gt;Gone Girl&lt;/a&gt;. Third viewing. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/gonegirl&#34;&gt;Gone Girl&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Weird Global Appeal of Heavy Metal</title>
    <link href="https://mlarson.org/2016/02/24/the-weird-global-appeal-of-heavy-metal/"/>
    <updated>2016-02-24T02:15:17.000Z</updated>
    <id>https://mlarson.org/2016/02/24/the-weird-global-appeal-of-heavy-metal/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The explosion of local bands around the world tends to track rising living standards and Internet use. Making loud music is expensive: You need electric guitars, amplifiers, speakers, music venues and more leisure time. “When economic development happens, metal scenes appear. They’re like mushrooms after the rain,” says Roy Doron, an African history professor at Winston-Salem State University.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wsj.com/articles/the-weird-global-appeal-of-heavy-metal-1455819419&#34;&gt;The Weird Global Appeal of Heavy Metal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tangerine</title>
    <link href="https://mlarson.org/2016/02/16/tangerine-it-kicks-your-feet-out-from-under-you/"/>
    <updated>2016-02-16T01:26:35.000Z</updated>
    <id>https://mlarson.org/2016/02/16/tangerine-it-kicks-your-feet-out-from-under-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o2m9c37vj01qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Tangerine_(film)&#34;&gt;Tangerine&lt;/a&gt;. It kicks your feet out from under you with all this zany energy. I wish it could have sustained it all the way through. The scene at the end where all the threads come together is a bit of a too-long jumble. And some parts are, ah, problematic because the tone feels a bit off. But man, such a fresh and fiery start. I love how they work in the soundtrack, and let the visuals and the music guide you every now and then.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Assassin</title>
    <link href="https://mlarson.org/2016/02/16/the-assassin-not-going-to-pretend-that-i/"/>
    <updated>2016-02-16T01:18:41.000Z</updated>
    <id>https://mlarson.org/2016/02/16/the-assassin-not-going-to-pretend-that-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o2m8yrr5ci1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Assassin_(2015_film)&#34;&gt;The Assassin&lt;/a&gt;. Not going to pretend that I understood the plot in its finest details, but it’s pretty great. We have a heroine who’s had her life planned for her, and now she is wrestling with a choice. Love how the soundtrack often sticks to almost silence, except for a slow drum strike every few seconds. There’s one long scene that’s we watch – just barely, sometimes – through these gauzy curtains that drift back and forth as the camera pans from A to B and back. It’s one of those moments that gets me fired up about what you can do with movies with a little patience. Rare to see something so reflective yet so lively.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Essentialism: The Disciplined Pursuit of Less</title>
    <link href="https://mlarson.org/2016/02/16/i-read-greg-mckeowns-essentialism-the/"/>
    <updated>2016-02-16T01:04:38.000Z</updated>
    <id>https://mlarson.org/2016/02/16/i-read-greg-mckeowns-essentialism-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o0ca7hiqc21qzcye0o2_r1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Greg McKeown’s &lt;a href=&#34;http://www.amazon.com/gp/product/0804137382&#34;&gt;Essentialism: The Disciplined Pursuit of Less&lt;/a&gt;, and I got some good ideas out of it.I suppose at it’s heart it’s about making decisions. “Less but better”. It’s a tough one to pull quotes from. Some of the best parts were a few graphics here and there. This was important:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Routine is one of the most powerful tools for removing obstacles.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I also like this idea of an “essential intent”. That is, some idea that’s both somewhat inspirational but also concrete. It gets you motivated… and you also know when you’re done. “Done right, an essential intent is one decision that settles one thousand later decisions”. Maybe the most immediately practical part was a section on sayning “no”, where appeared this lovely bit of conversational judo:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Use the words “You are welcome to X. I am willing to Y.” For example, “You are welcome to borow my car. I am willing to make sure the keys are here for you.” By this you are also saying, “I won’t be able to drive you.” You &lt;em&gt;are&lt;/em&gt; saying what you will not do, but you are couching it in terms of what you are willing to do. This is a particularly good way to navigate a request you would like to support somewhat but cannot throw your full weight behind. I particularly like this construct because it also expresses a respect for &lt;em&gt;the other person’s&lt;/em&gt; ability to choose, as well as your own. It reminds both parties of the choices they have.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And this section on sleeping:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The best asset we have for making a contribution to the world is &lt;em&gt;ourselves&lt;/em&gt;. If we underinvest in ourselves, and by that I mean our minds, our bodies, an dour spirits, we damage the very tool we nee to make our highest contribution. One of the most common ways people – especially ambitious, successful people – damage this asset is through a lack of sleep. […] While there are clearly people who can survive on fewer hours of sleep, I’ve found that most of them are just so used to being tired they have forgotten what it really feels like to be fully rested.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Guilty as charged. Reminded me, I realized this over Christmas vacation recently, when my previously typical 6-6.5 hours of sleep each day ballooned to 10-11 when I didn’t have any constraints. I felt like a different human being and now I’m all about that 8hrs every day. Worth a read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Basin and Range</title>
    <link href="https://mlarson.org/2016/02/09/i-read-john-mcphees-basin-and-range-and-really/"/>
    <updated>2016-02-09T04:19:17.000Z</updated>
    <id>https://mlarson.org/2016/02/09/i-read-john-mcphees-basin-and-range-and-really/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o271155hkt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read John McPhee’s &lt;a href=&#34;http://www.amazon.com/gp/product/0374516901&#34;&gt;Basin and Range&lt;/a&gt;, and really liked it. He’s just a ridiculously great writer. Big chunks of the book tie in with a road trip he takes with a geologist named Deffeyes. They stop a lot and look at rocks.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Deffeyes said, “Let’s Richter the situation,” and he got out and crossed the road. With his hammer, he chipped at the rock, puzzled the cut. He scraped the rock and dropped acid on the scrapings. Tilted by the western breeze, the snow was dipping sixty degrees east. The bedding planes were dipping twenty degrees east; and the stripes of Deffeyes’ knitted cap were dipping fifty degrees north. The cap had a big tassel, and with his gray-wisped hair coming out from under in a curly mélange he looked like an exaggerated efl. He said he thought he knew what had cause “that big goober” in the rock, and it was almost certainly not a manifestation of some major tectonic event – merely local violence, a cashier shot in a grab raid, an item for an inside page.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There’s a lot of neat historical parallels, like how geology’s growing understanding of deep time put humanity in our place, just like over in biology, natural selection was having a similar effect. It’s 300 pages about &lt;em&gt;rocks&lt;/em&gt;, y&#39;all. This is one book of a four-part series collected in &lt;em&gt;Annals of the Former World&lt;/em&gt; and I’m very, very tempted. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/johnmcphee&#34;&gt;John McPhee&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Revenant</title>
    <link href="https://mlarson.org/2016/02/08/the-revenant-i-still-hold-to-my-first/"/>
    <updated>2016-02-09T03:54:52.000Z</updated>
    <id>https://mlarson.org/2016/02/08/the-revenant-i-still-hold-to-my-first/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o27g9ipd0l1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Revenant_(2015_film)&#34;&gt;The Revenant&lt;/a&gt;. I still hold to &lt;a href=&#34;https://twitter.com/mlarson/status/689678434033790976&#34;&gt;my first reaction&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wish THE REVENANT were wilder, of all things. Camera makes you feel not like you’re there, but like you’re on an Arctic ride on rails. Or a videogame cut scene? I liked it though. Looked like the most miserable filming experience one could ask for. Also, Tom Hardy has never lost a staring contest.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A bit of a slog. Doesn’t seem to be a whole lot of meat on those bones. &lt;a href=&#34;http://tumblr.mlarson.org/post/103839424351/birdman-not-for-me-but-like-i-said-if-you-like&#34;&gt;Birdman&lt;/a&gt; also felt a bit stifling for me. Amazing that this thing got made, though. I wonder if all the PR talk about the filming conditions was sort of an admission/cover that they didn’t &lt;em&gt;quite&lt;/em&gt; get what they wanted out of this one. See also: &lt;a href=&#34;http://tumblr.mlarson.org/post/40544040250/the-grey-its-great-watch-it-there-are&#34;&gt;The Grey&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/118495177506/grizzly-man-second-viewing-the-first-i-found&#34;&gt;Grizzly Man&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out Stealing Horses</title>
    <link href="https://mlarson.org/2016/02/08/i-read-the-first-13-or-so-of-per-pettersons-out/"/>
    <updated>2016-02-08T01:18:07.000Z</updated>
    <id>https://mlarson.org/2016/02/08/i-read-the-first-13-or-so-of-per-pettersons-out/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o2711ug3w81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read the first 1/3 or so of Per Petterson’s &lt;a href=&#34;http://www.amazon.com/gp/product/0312427085&#34;&gt;Out Stealing Horses&lt;/a&gt;, but then I came to a chapter where I predicted what was going to happen within the first couple pages. When my prediction turned out to be right, I tried to press on but interest dwindled too quicky. Lovely writing about nature, though. I like this, too:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Time is important to me now, I tell myself. Not that it should pass quickly or slowly, but be only time, be something I live inside and fill with physical things and activities that I can divide it up by, so that it grows distinct to me and does not vanish when I am not looking.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Carol</title>
    <link href="https://mlarson.org/2016/02/08/carol-i-feel-like-theres-enough-there-for-me-to/"/>
    <updated>2016-02-08T01:11:42.000Z</updated>
    <id>https://mlarson.org/2016/02/08/carol-i-feel-like-theres-enough-there-for-me-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o27fb8u7bc1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Carol_(film)&#34;&gt;Carol&lt;/a&gt;. I feel like there’s enough there for me to like it more than I do, but it wasn’t for me. I don’t regret watching Blanchett and Mara for a couple hours, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Spotlight</title>
    <link href="https://mlarson.org/2016/02/08/spotlight-i-loved-it-great-writing-and-acting/"/>
    <updated>2016-02-08T01:11:39.000Z</updated>
    <id>https://mlarson.org/2016/02/08/spotlight-i-loved-it-great-writing-and-acting/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/02/tumblr_o27eooa2ad1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Spotlight_(film)&#34;&gt;Spotlight&lt;/a&gt;. I loved it. Great writing and acting. Teamwork, thinking, putting pieces together. There is some conflict here and there, and most of it doesn’t seem too drummed up for drama, but just real people navigating messy institutions and practical realities. Love the costume design, too. Doesn’t just capture the era but the personalities, too. One of my faves of last year.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Oxy Epidemic Shows What Happens When Addictive Drugs Are Easily Available | Mother Jones</title>
    <link href="https://mlarson.org/2016/01/11/the-oxy-epidemic-shows-what-happens-when-addictive/"/>
    <updated>2016-01-11T01:49:40.000Z</updated>
    <id>https://mlarson.org/2016/01/11/the-oxy-epidemic-shows-what-happens-when-addictive/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s easy to favor drug legalization when you’re middle-class and well educated. Your social group probably doesn’t include many people who abuse drugs much in the first place. Moderate users can afford their habit. And when their use turns into addiction, they usually have a strong support network to help out. It’s a problem, but not a huge one. In poor communities, none of this is true. Drug addiction is financially ruinous. It often leads to petty crime. Support systems are nonexistent. The justice system is harsh. There are no rehab centers on the Malibu coast to help out. Drug epidemics — Oxy, meth, heroin, you name it — are devastating. It’s something to keep in mind when you consider both the costs and benefits of drug legalization. Ending the war on drugs would indeed be a huge benefit, but the costs might be higher than you think.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://m.motherjones.com/kevin-drum/2016/01/oxy-epidemic-shows-what-happens-when-addictive-drugs-are-easily-available&#34;&gt;The Oxy Epidemic Shows What Happens When Addictive Drugs Are Easily Available | Mother Jones&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Wars: The Force Awakens</title>
    <link href="https://mlarson.org/2016/01/11/star-wars-the-force-awakens-i-had-fun-and/"/>
    <updated>2016-01-11T01:47:28.000Z</updated>
    <id>https://mlarson.org/2016/01/11/star-wars-the-force-awakens-i-had-fun-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/01/tumblr_o0rlxglqdl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Wars:_The_Force_Awakens&#34;&gt;Star Wars: The Force Awakens&lt;/a&gt;. I had fun, and quickly forgot it. It mostly felt good to be watching a &lt;em&gt;Star Wars&lt;/em&gt; movie again. If you’re pretty sure you don’t care about &lt;em&gt;Star Wars&lt;/em&gt; in general, this movie will not convince you otherwise. If you do, you will probably leave feeling satisfied, depending on how you like your ratio of pandering nostalgia vs. breaking new ground. The hat-tips and references to previous movies wore thin pretty quickly and for me slowed down what otherwise has some nice momentum. Definitely some groaners, though (for example, the snowy mountain Nazi castle…). I really like Ridley and Chiyoga as the new faces. Isaac is always reliable. I feel like in a few months or maybe not until VIII we’ll look back and admit “Hey, VII is pretty thin but it’s not a total trainwreck and that’s okay”. Ranking the best episode 7’s in 2015:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/135358265246/creed-loved-it-loooooooooooved-it-id-put-it-up&#34;&gt;Creed&lt;/a&gt;, by a landslide.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/115719123296/furious-7-on-the-whole-much-more-of-a-soap-opera&#34;&gt;Furious 7&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Force Awakens&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2016</title>
    <link href="https://mlarson.org/2016/01/06/to-discard-the-stuff-weve-acquired-is-to-murder/"/>
    <updated>2016-01-06T03:36:52.000Z</updated>
    <id>https://mlarson.org/2016/01/06/to-discard-the-stuff-weve-acquired-is-to-murder/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To discard the stuff we’ve acquired is to murder the version of ourselves we envision using it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Laura Miller in &lt;a href=&#34;http://www.slate.com/articles/arts/books/2016/01/marie_kondo_s_life_changing_magic_and_death.html&#34;&gt;Marie Kondo Will Help You Tidy Your House, Embrace Your Mortality&lt;/a&gt;. Cleaning up is hard to do, y&#39;all.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The piles of stuff we might need someday are an argument that we will always be around to need them. The plans to revisit those photos and take up again that course of study, the books we fully intend to finally read assure us that there will be enough time to do so. Mementos presume the ongoing existence of a rememberer. Yes, all of that is a lie, but it’s a necessary lie. And all the joy in the world can’t really compensate for having to let that go.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cf. “&lt;a href=&#34;http://tumblr.mlarson.org/post/44227504687/our-unlived-livesthe-lives-we-live-in-fantasy&#34;&gt;Our unlived lives&lt;/a&gt;…”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Wars Episode III: Revenge of the Sith</title>
    <link href="https://mlarson.org/2016/01/06/star-wars-episode-iii-revenge-of-the-sith-i/"/>
    <updated>2016-01-06T03:36:36.000Z</updated>
    <id>https://mlarson.org/2016/01/06/star-wars-episode-iii-revenge-of-the-sith-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/01/tumblr_o0ihsfawzt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Wars_Episode_III:_Revenge_of_the_Sith&#34;&gt;Star Wars Episode III: Revenge of the Sith&lt;/a&gt;. I don’t know how you could watch the prequels and pick anyone other than Obi-Wan Kenobi as the coolest guy in the galaxy. I also appreciate that it undercuts the Jedi a bit. They are powerful and try to do some good, but they mess up a lot. I really dig the psychological battles and manipulation in this one. Great stuff. While Christensen is not a good actor, I buy into his tortured melodrama because I believe in Darth Vader’s arc. You’ll forgive a lot if the story is worth believing in. Would have loved more of that. Meanwhile, who the hell is General Grievous? (Know what’s cooler than two light sabers? Four light sabers!) Yeesh. Better than the other two prequels, I think, and a good way to close things out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Wars Episode II: Attack of the Clones</title>
    <link href="https://mlarson.org/2016/01/06/star-wars-episode-ii-attack-of-the-clones-one-of/"/>
    <updated>2016-01-06T03:36:33.000Z</updated>
    <id>https://mlarson.org/2016/01/06/star-wars-episode-ii-attack-of-the-clones-one-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/01/tumblr_o0glwiinvb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Wars_Episode_II:_Attack_of_the_Clones&#34;&gt;Star Wars Episode II: Attack of the Clones&lt;/a&gt;. One of my major complaints of the prequels is that everything looks so nice, and nothing really feels lived in. Very true in this one. I like that we get to hang out with Obi-Wan so much, doing private eye stuff, chasing down assassins. Overstuffed and scattered, though, and there’s just &lt;em&gt;no way&lt;/em&gt; that Anakin &amp;amp; Padme fall in love. Teen Anakin is a nightmare. While I don’t see him in that relationship, I can start to feel for him here, just tragicomically buffeted by his emotions, absolutely at their mercy. The soundtrack is in peak form here, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Wars Episode I: The Phantom Menace</title>
    <link href="https://mlarson.org/2016/01/06/star-wars-episode-i-the-phantom-menace-maybe/"/>
    <updated>2016-01-06T03:36:29.000Z</updated>
    <id>https://mlarson.org/2016/01/06/star-wars-episode-i-the-phantom-menace-maybe/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/01/tumblr_o0gli4hvyf1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Wars_Episode_I:_The_Phantom_Menace&#34;&gt;Star Wars Episode I: The Phantom Menace&lt;/a&gt;. Maybe it’s just that time has washed away the hurt and shattered expectations of 1999, but &lt;a href=&#34;https://twitter.com/mlarson/status/674807208924856320&#34;&gt;my thoughts after a second viewing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I learned anything from STAR WARS it’s to let go of hate and stuff and I realized episode 1 is kinda campy and charming on second watch?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The story is blah, the writing and acting is blah. But yet, I don’t regret watching it again. I love how every setting is packed with goofy species and local details, every cityscape is full of air traffic. If there is any saving grace, it is the soundtrack – the best part of all of the prequels.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2016</title>
    <link href="https://mlarson.org/2016/01/03/you-dont-realize-how-much-of-your-sense-of-self/"/>
    <updated>2016-01-03T22:21:32.000Z</updated>
    <id>https://mlarson.org/2016/01/03/you-dont-realize-how-much-of-your-sense-of-self/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You don’t realize how much of your sense of self is bound up in how you use your time until you have a lot of it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Max Read in &lt;a href=&#34;http://www.theawl.com/2015/12/milling-time&#34;&gt;Milling Time&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Aurora</title>
    <link href="https://mlarson.org/2016/01/03/i-read-13-of-kim-stanley-robinsons-aurora-and/"/>
    <updated>2016-01-03T22:21:24.000Z</updated>
    <id>https://mlarson.org/2016/01/03/i-read-13-of-kim-stanley-robinsons-aurora-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2016/01/tumblr_o0ca79v4ci1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read ~1/3 of Kim Stanley Robinson’s &lt;a href=&#34;http://www.amazon.com/gp/product/0316098108&#34;&gt;Aurora&lt;/a&gt;, and no further. Got distracted by other books and never found my way back.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>New year, new you? Forget it</title>
    <link href="https://mlarson.org/2016/01/01/new-year-new-you-forget-it/"/>
    <updated>2016-01-01T16:31:46.000Z</updated>
    <id>https://mlarson.org/2016/01/01/new-year-new-you-forget-it/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Behind the seductive lure of “New Year, New You” lies another kind of mistake, too: the idea that what we require, in order finally to change, is one last push of willpower. (Presumably, the hope is that the “January feeling” of fresh starts and clean slates will provide it.) The assumption is that you’re a bit like a heavy rock, poised on a hill above the Valley of Achievement, Productivity and Clean Eating. All you need is a concerted push to get you rolling.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: my really good &lt;a href=&#34;https://www.mlarson.org/tag/resolutions&#34;&gt;resolutions&lt;/a&gt; tag. &lt;a href=&#34;http://www.theguardian.com/lifeandstyle/2016/jan/01/want-a-new-you-for-new-year-oliver-burkeman&#34;&gt;New year, new you? Forget it&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>About</title>
    <link href="https://mlarson.org/about/"/>
    <updated>2016-01-01T05:55:27.000Z</updated>
    <id>https://mlarson.org/about/</id>
    <content type="html">&lt;h3&gt;Hi there.&lt;/h3&gt;
&lt;p&gt;Mark Larson – me – is a dude who lives in Brooklyn, New York. I write at least a few notes on &lt;a href=&#34;https://www.mlarson.org/tag/film&#34;&gt;every* movie I watch&lt;/a&gt; (*I used to, anyway!) and &lt;a href=&#34;https://www.mlarson.org/tag/bookreviews&#34;&gt;every* book I read&lt;/a&gt; (*ditto!). I tag posts religiously and that will be your best window into recent obsessions and stuff I think about a lot. Like &lt;a href=&#34;https://www.mlarson.org/tag/relationships&#34;&gt;relationships&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/work&#34;&gt;work&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/writing&#34;&gt;writing&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/opinions&#34;&gt;opinions&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/empathy&#34;&gt;empathy&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/arguments&#34;&gt;arguments&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/happiness&#34;&gt;happiness&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/death&#34;&gt;death&lt;/a&gt;, and so on. I also &lt;a href=&#34;https://www.twitter.com/mlarson&#34;&gt;tweet&lt;/a&gt; and do the other usual social media stuff. And I love email – send me some: markdlarson at hey dot com.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Target in the Night</title>
    <link href="https://mlarson.org/2015/12/30/i-read-ricardo-piglias-target-in-the-night-and-i/"/>
    <updated>2015-12-30T02:48:33.000Z</updated>
    <id>https://mlarson.org/2015/12/30/i-read-ricardo-piglias-target-in-the-night-and-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_o02pkpy45k1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Ricardo Piglia’s &lt;a href=&#34;http://www.amazon.com/gp/product/1941920160&#34;&gt;Target in the Night&lt;/a&gt; and I liked its blend of paranoid detective mystery/family drama. Shout-out to &lt;a href=&#34;http://deepvellum.org/&#34;&gt;Deep Vellum&lt;/a&gt; for the translation.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Streaming TV Isn’t Just a New Way to Watch. It’s a New Genre.</title>
    <link href="https://mlarson.org/2015/12/30/streaming-tv-isnt-just-a-new-way-to-watch-its-a/"/>
    <updated>2015-12-30T02:48:29.000Z</updated>
    <id>https://mlarson.org/2015/12/30/streaming-tv-isnt-just-a-new-way-to-watch-its-a/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/12/20/arts/television/streaming-tv-isnt-just-a-new-way-to-watch-its-a-new-genre.html&#34;&gt;Streaming TV Isn’t Just a New Way to Watch. It’s a New Genre.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2015</title>
    <link href="https://mlarson.org/2015/12/29/if-youre-30-through-your-life-youre-likely-90/"/>
    <updated>2015-12-29T03:33:58.000Z</updated>
    <id>https://mlarson.org/2015/12/29/if-youre-30-through-your-life-youre-likely-90/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_o03ok7gkvn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://qz.com/572284/the-tail-end/&#34;&gt;If you’re 30% through your life, you’re likely 90% through your best relationships&lt;/a&gt;. Some really great visuals in this one – how many books you might read, how many times you might go swimming – and then it comes to this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’ve been thinking about my parents, who are in their mid-60s. During my first 18 years, I spent some time with my parents during at least 90% of my days. But since heading off to college and then later moving out of Boston, I’ve probably seen them an average of only five times a year each, for an average of maybe two days each time. 10 days a year. About 3% of the days I spent with them each year of my childhood. Being in their mid-60s, let’s continue to be super optimistic and say I’m one of the incredibly lucky people to have both parents alive into my 60s. That would give us about 30 more years of coexistence. If the 10 days a year thing holds, that’s 300 days left to hang with mom and dad. Less time than I spent with them in any one of my 18 childhood years.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Damn.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2015</title>
    <link href="https://mlarson.org/2015/12/29/austinkleon-ellsworth-kelly-spectrum-colors/"/>
    <updated>2015-12-29T03:22:02.000Z</updated>
    <id>https://mlarson.org/2015/12/29/austinkleon-ellsworth-kelly-spectrum-colors/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://austinkleon.tumblr.com/post/136120679326&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Ellsworth Kelly, &lt;em&gt;Spectrum Colors Arranged by Chance I—VIII&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;From &lt;a href=&#34;http://www.philamuseum.org/collections/permanent/295539.html?mulR=156&#34;&gt;The Philadelphia Museum of Art&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;While in Paris between 1948 and 1954, Ellsworth Kelly explored many new artistic strategies. Seeking to abandon figuration for abstraction, in 1950 he seized upon the randomness of collage made of cut-up pieces of his drawings. In a further effort to remove any semblance of a figurative image from his work, the next year he arranged collaged elements by chance on the systematic form of the grid. The fortuitous discovery in a Paris stationery shop of a stock of gummed papers in twenty colors led to eight collages entitled &lt;em&gt;Spectrum Colors Arranged by Chance&lt;/em&gt;; the present composition is the first in the series. With a method both systematic and random, Kelly took the small squares of colored paper and arranged them quickly and intuitively on the grid, as if by chance, using no system or scientific method except to proceed progressively from the grid’s lateral sides toward the center. As a result of Kelly’s instinctive and playful method of composing, try as one might, there is no scheme or pattern to discover in the arrangement of the colors in this vibrant collage. Innis Howe Shoemaker, from &lt;em&gt;Philadelphia Museum of Art: Handbook of the Collections&lt;/em&gt;, 2009.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From an interview at the Tate Museum:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Christoph Grunenberg: Did you use a mathematical system with the early works?&lt;/p&gt;
&lt;p&gt;Ellsworth Kelly: It was a chance system for the placement of colours on a grid. Numbered slips of paper each referred to a colour, one of eighteen different hues to be placed on a grid 40 inches by 40 inches. Each of the eight collages used a different process.&lt;/p&gt;
&lt;p&gt;Christoph Grunenberg: Did you make conscious references in the arrangement of these works to the aesthetics of the colour chart?&lt;/p&gt;
&lt;p&gt;Ellsworth Kelly: I never thought of colour charts at all when I was working on them. They were really an experiment. I wanted to show how any colour goes with any other colour. Above all, I wanted to learn about colour relationships. Many of the works of this period start from chance encounters, such as shadows on a staircase, the reflections of the sun on the River Seine and the exposed sides of buildings that showed the abstract black patterns where the chimneys had been. After the experiments with arranging colours by chance came my first works using the actual colour spectrum as a source (Spectrum I, 1953).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;via &lt;a href=&#34;http://socks-studio.com/2014/03/05/the-aesthetics-of-chance-ellsworth-kellys-spectrum-colors-arranged-by-chance-i-to-viii/&#34;&gt;Socks&lt;/a&gt;. Filed under: &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/ellsworth+kelly&#34;&gt;Ellsworth Kelly&lt;/a&gt;, &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/color&#34;&gt;color&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really love these. Pixel art before pixels were a thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Man Who Knew Too Much</title>
    <link href="https://mlarson.org/2015/12/29/i-read-gk-chestertons-story-collection-the-man/"/>
    <updated>2015-12-29T03:17:49.000Z</updated>
    <id>https://mlarson.org/2015/12/29/i-read-gk-chestertons-story-collection-the-man/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_o03njakaoc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read GK Chesterton’s story collection &lt;a href=&#34;http://www.gutenberg.org/ebooks/1720&#34;&gt;The Man Who Knew Too Much&lt;/a&gt;, and it was a lifesaver. I picked this book on instinct right before I took off on a flight. When I was doing my final packing the morning of my trip, none of the books on my nightstand felt right. All the books at the airport looked dumb. It was a crisis. Then I remembered &lt;a href=&#34;http://www.gutenberg.org/&#34;&gt;Project Gutenberg&lt;/a&gt;. I skimmed through some of the top/popular lists, clicked on some names I recognized, and a few seconds later I had a handful of options ready for travel. A good collection of fun, cynical mysteries, usually with some laconic or mordant humor. There’s usually some corruption at the heart of things. If you ever find yourself in a pinch, Gutenberg has you covered.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2015</title>
    <link href="https://mlarson.org/2015/12/22/bldgblog-ghost-streets-of-los-angeles-i-love/"/>
    <updated>2015-12-22T02:58:06.000Z</updated>
    <id>https://mlarson.org/2015/12/22/bldgblog-ghost-streets-of-los-angeles-i-love/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzqo8nur1o1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bldgblog.blogspot.com/2015/12/ghost-streets-of-los-angeles.html&#34;&gt;BLDGBLOG: Ghost Streets of Los Angeles&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I love the idea that the buildings seen here take their form from a lost street—that an old throughway since scrubbed from the surface of Los Angeles has reappeared in the form of contemporary architectural space. That is, someone’s living room is actually shaped the way it is not because of something peculiar to architectural history, but because of a ghost street, or the wall of perhaps your very own bedroom takes its angle from a right of way that, for whatever reason, long ago disappeared.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Do I Have to Call This App ‘Julie’?</title>
    <link href="https://mlarson.org/2015/12/22/why-do-i-have-to-call-this-app-julie/"/>
    <updated>2015-12-22T02:55:03.000Z</updated>
    <id>https://mlarson.org/2015/12/22/why-do-i-have-to-call-this-app-julie/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/12/20/opinion/sunday/why-do-i-have-to-call-this-app-julie.html&#34;&gt;Why Do I Have to Call This App ‘Julie’?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Chi-Raq</title>
    <link href="https://mlarson.org/2015/12/22/chi-raq-this-one-made-me-wonder-if-other-movies/"/>
    <updated>2015-12-22T02:50:49.000Z</updated>
    <id>https://mlarson.org/2015/12/22/chi-raq-this-one-made-me-wonder-if-other-movies/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzqnqsbl7d1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Chi-Raq&#34;&gt;Chi-Raq&lt;/a&gt;. This one made me wonder if other movies are even &lt;em&gt;trying&lt;/em&gt; to be interesting. Some parts I didn’t love, some I actively kinda disliked, but man there’s so much good stuff. So many different moods and shifts. It’s a little bit of a mess but I’d much rather feel that investment, alternately cackling with pleasure and rolling my eyes, than settle for a placid, sated indifference for two hours.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Equilateral</title>
    <link href="https://mlarson.org/2015/12/22/i-read-ken-kalfus-equilateral-and-thought-it-was/"/>
    <updated>2015-12-22T02:42:51.000Z</updated>
    <id>https://mlarson.org/2015/12/22/i-read-ken-kalfus-equilateral-and-thought-it-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzo0ifhzte1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Ken Kalfus’ &lt;a href=&#34;http://www.amazon.com/gp/product/1620400162&#34;&gt;Equilateral&lt;/a&gt;, and thought it was worthwhile. A 19th century engineer coordinates the construction of a giant continent-spanning triangle built as a signal to Martian civilization. There’s a faint kinship with &lt;a href=&#34;http://tumblr.mlarson.org/post/123291842111/i-read-lily-kings-euphoria-and-loved-it-a-love&#34;&gt;Euphoria&lt;/a&gt; (which I loved), in its blending the romance, science, and exploration.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Creed</title>
    <link href="https://mlarson.org/2015/12/17/creed-loved-it-loooooooooooved-it-id-put-it-up/"/>
    <updated>2015-12-17T03:30:27.000Z</updated>
    <id>https://mlarson.org/2015/12/17/creed-loved-it-loooooooooooved-it-id-put-it-up/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzhg7yy0xe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Creed_(film)&#34;&gt;Creed&lt;/a&gt;. Loved it. Loooooooooooved it. I’d put it up there with the original. Jordan and Thompson leads radiate young beautiful blackness. There’s nothing new in the plotting of their story, but I love how they grow together. They each have their own thing cooking, neither one gives it up, and they find a way to show up for each other. Stallone – and I love how these movies can’t help but be autobiographical – is solid, that ideal Balboa mix of tough and noble and vulnerable. Interesting naming of Jordan’s lead. I was thinking &lt;a href=&#34;https://en.wikipedia.org/wiki/Muscle_dysmorphia&#34;&gt;Adonis complex&lt;/a&gt;, but rather than driven by misperceived appearance, it’s a deeper shame from ancestry, or maybe even just existing in the first place. Also ties in with rebirth pattern you see in the myths: the son and the franchise. Love the camera tracking in the first big fight, and its willingness in calmer scenes to sit back and bit and not shove faces in your, uh, face. Also dig the fun details like the stat cards for rival boxers. Why not? Even the triumphantly corny moment with the biker kids taps into something so local and specific you can’t argue with it. I was ready to fight. One of my favorites this year.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2015</title>
    <link href="https://mlarson.org/2015/12/17/i-started-using-day-one-last-fall-today-makes-365/"/>
    <updated>2015-12-17T03:30:24.000Z</updated>
    <id>https://mlarson.org/2015/12/17/i-started-using-day-one-last-fall-today-makes-365/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzhehbzjw01qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I started using &lt;a href=&#34;http://dayoneapp.com/&#34;&gt;Day One&lt;/a&gt; last fall. Today makes 365 consecutive days with at least one entry, most with several sets of notes and a photo or two. Think I might get those 600-something pages printed and bound and read everything I forgot. I guess I could have been putting this on paper all along, but y&#39;know, whatever helps you build the habit…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Structured Procrastination: Do Less &amp;amp; Deceive Yourself</title>
    <link href="https://mlarson.org/2015/12/16/structured-procrastination-do-less-deceive/"/>
    <updated>2015-12-16T02:28:33.000Z</updated>
    <id>https://mlarson.org/2015/12/16/structured-procrastination-do-less-deceive/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Procrastinators often follow exactly the wrong tack. They try to minimize their commitments, assuming that if they have only a few things to do, they will quit procrastinating and get them done. But this goes contrary to the basic nature of the procrastinator and destroys his most important source of motivation. The few tasks on his list will be by definition the most important, and the only way to avoid doing them will be to do nothing. This is a way to become a couch potato, not an effective human being.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;em&gt;cough&lt;/em&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/procrastination&#34;&gt;procrastination&lt;/a&gt;. &lt;a href=&#34;http://www.structuredprocrastination.com/&#34;&gt;Structured Procrastination: Do Less &amp;amp; Deceive Yourself&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Only God Forgives</title>
    <link href="https://mlarson.org/2015/12/16/only-god-forgives-rewatch-i-thought-maybe-i-was/"/>
    <updated>2015-12-16T02:25:40.000Z</updated>
    <id>https://mlarson.org/2015/12/16/only-god-forgives-rewatch-i-thought-maybe-i-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzfiovbsba1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Only_God_Forgives&#34;&gt;Only God Forgives&lt;/a&gt;. Rewatch. I thought maybe I was missing something &lt;a href=&#34;http://tumblr.mlarson.org/post/57656821254/only-god-forgives-almost-fell-asleep-veeerrry&#34;&gt;the first time around&lt;/a&gt;, but I have trouble meeting it where it is. I wish there more tension to hang these beautiful moments on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>To the Wonder</title>
    <link href="https://mlarson.org/2015/12/16/to-the-wonder-i-dig-it-just-like-the-first-time/"/>
    <updated>2015-12-16T02:20:41.000Z</updated>
    <id>https://mlarson.org/2015/12/16/to-the-wonder-i-dig-it-just-like-the-first-time/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzfiihlh741qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/To_the_Wonder&#34;&gt;To the Wonder&lt;/a&gt;. I dig it, just like the &lt;a href=&#34;http://tumblr.mlarson.org/post/49182900744/to-the-wonder-this-is-probably-a-malick-fans-only&#34;&gt;first time&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ex Machina</title>
    <link href="https://mlarson.org/2015/12/16/ex-machina-definitely-thinner-the-second-time/"/>
    <updated>2015-12-16T02:14:54.000Z</updated>
    <id>https://mlarson.org/2015/12/16/ex-machina-definitely-thinner-the-second-time/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_ny9190zyci1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Ex_Machina_(film)&#34;&gt;Ex Machina&lt;/a&gt;. Definitely thinner the second time around (&lt;a href=&#34;http://tumblr.mlarson.org/post/117480297926/ex-machina-one-of-my-favorites-of-the-year-so&#34;&gt;the first&lt;/a&gt;), but it’s still fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Spectre</title>
    <link href="https://mlarson.org/2015/12/15/spectre-nope-i-admit-that-im-not-a-huge-fan-of/"/>
    <updated>2015-12-15T01:17:32.000Z</updated>
    <id>https://mlarson.org/2015/12/15/spectre-nope-i-admit-that-im-not-a-huge-fan-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzdkg9xnwq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Spectre_(2015_film)&#34;&gt;Spectre&lt;/a&gt;. Nope. I admit that I’m not a huge fan of the franchise, in general, but this seemed especially flavorless.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Room</title>
    <link href="https://mlarson.org/2015/12/15/room-i-love-that-a-huge-piece-of-this-movie/"/>
    <updated>2015-12-15T01:17:26.000Z</updated>
    <id>https://mlarson.org/2015/12/15/room-i-love-that-a-huge-piece-of-this-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzdk90mc2g1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Room_(2015_film)&#34;&gt;Room&lt;/a&gt;. I love that a huge piece of this movie starts where many would have left off. Like most of it is time-shifted, where we see the after-affects of a horrifying experience, not just the first victory over it. Some side characters I can’t get behind, but the leads are solid gold.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When Popular Fiction Isn’t Popular: Genre, Literary, and the Myths of Popularity | Electric Literature</title>
    <link href="https://mlarson.org/2015/12/15/when-popular-fiction-isnt-popular-genre/"/>
    <updated>2015-12-15T00:57:19.000Z</updated>
    <id>https://mlarson.org/2015/12/15/when-popular-fiction-isnt-popular-genre/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There is an odd cognitive dissonance that happens in these conversations, where we are simultaneously supposed to believe that literary fiction is “mainstream fiction” and genre fiction is “ghettoized,” and also that literary fiction is a niche nobody reads while genre authors laugh all the way to the bank.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://electricliterature.com/when-popular-fiction-isnt-popular-genre-literary-and-the-myths-of-popularity/&#34;&gt;When Popular Fiction Isn’t Popular: Genre, Literary, and the Myths of Popularity | Electric Literature&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to talk to anyone: the experts&#39; guide</title>
    <link href="https://mlarson.org/2015/12/15/how-to-talk-to-anyone-the-experts-guide/"/>
    <updated>2015-12-15T00:55:54.000Z</updated>
    <id>https://mlarson.org/2015/12/15/how-to-talk-to-anyone-the-experts-guide/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s a phrase I like to use: “The roof is an introduction”, which means that if you’re in the same place, you always have something in common. Remember that most people in any room feel uncomfortable. If we can be aware of that, and think, “What can I do to make other people feel comfortable with me?” that’s not just a great strategy for socialising – it’s a kindness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/lifeandstyle/2015/nov/28/how-to-talk-to-anyone-the-experts-guide&#34;&gt;How to talk to anyone: the experts&#39; guide&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crimson Peak</title>
    <link href="https://mlarson.org/2015/12/15/crimson-peak-marketed-as-one-thing-gives-you/"/>
    <updated>2015-12-15T00:54:09.000Z</updated>
    <id>https://mlarson.org/2015/12/15/crimson-peak-marketed-as-one-thing-gives-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzdjtko7fd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Crimson_Peak&#34;&gt;Crimson Peak&lt;/a&gt;. Marketed as one thing, gives you something better. Loved this beautiful heightened melodrama, everything so grand and loaded.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pan&#39;s Labyrinth</title>
    <link href="https://mlarson.org/2015/12/15/pans-labyrinth-watched-in-preparation-for/"/>
    <updated>2015-12-15T00:54:05.000Z</updated>
    <id>https://mlarson.org/2015/12/15/pans-labyrinth-watched-in-preparation-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzdjfe2mqb1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Pan%27s_Labyrinth&#34;&gt;Pan’s Labyrinth&lt;/a&gt;. Watched in preparation for &lt;em&gt;Crimson Peak&lt;/em&gt;. It was a DNF when I first attempted it a few years ago. This time around? Eyes glued to the screen. Really good stuff, if you time it right.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bridge of Spies</title>
    <link href="https://mlarson.org/2015/12/15/bridge-of-spies-it-was-a-perfectly-pleasant-and/"/>
    <updated>2015-12-15T00:53:59.000Z</updated>
    <id>https://mlarson.org/2015/12/15/bridge-of-spies-it-was-a-perfectly-pleasant-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nzdjarnsdd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Bridge_of_Spies_(film)&#34;&gt;Bridge of Spies&lt;/a&gt;. It was a perfectly pleasant and engaging movie and I have not thought about it in a couple months.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2015</title>
    <link href="https://mlarson.org/2015/12/09/visionaryskeptic-a-dog-standing-in-water/"/>
    <updated>2015-12-09T05:36:50.000Z</updated>
    <id>https://mlarson.org/2015/12/09/visionaryskeptic-a-dog-standing-in-water/</id>
    <content type="html">&lt;p&gt;[wpvideo 4nm08CHw]&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://visionaryskeptic.tumblr.com/post/133986077824&#34;&gt;visionaryskeptic&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;a dog standing in water&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Politics of Empathy and the Politics of Technology — The Message</title>
    <link href="https://mlarson.org/2015/12/09/the-politics-of-empathy-and-the-politics-of/"/>
    <updated>2015-12-09T05:36:05.000Z</updated>
    <id>https://mlarson.org/2015/12/09/the-politics-of-empathy-and-the-politics-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Then there’s the question of automated changing of profile pictures to express sympathy, a form of emotional disaster relief. We first saw this phenomenon when Facebook created an easy way for people to apply a rainbow overlay to their profile pictures to support and celebrate a civil rights win: marriage equality. Even if you approve of rainbowing profiles, you have to acknowledge that by encouraging rainbows, Facebook was making another political choice, like the way Safety Check was a political decision.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/the-politics-of-empathy-and-the-politics-technology-664437b6427#.14g8gkgvm&#34;&gt;The Politics of Empathy and the Politics of Technology — The Message&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Leveling both sides of the playing field</title>
    <link href="https://mlarson.org/2015/12/09/leveling-both-sides-of-the-playing-field/"/>
    <updated>2015-12-09T05:36:00.000Z</updated>
    <id>https://mlarson.org/2015/12/09/leveling-both-sides-of-the-playing-field/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What if, instead of teaching women that they have to raise their hands to speak at meetings, we taught men to be more reflective and circumspect; instead of telling women to tamp down their emotions at the office, a man was told that he didn’t appear committed enough to the job because he’s never shed tears over it; instead of pushing women to take public credit for their work, we publicly admonish men who don’t properly acknowledge others’ contributions? I was just invited to a seminar on public speaking skills for women — where’s the class on listening skills for men?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/@urchkin/leveling-both-sides-of-the-playing-field-3d879cd13164&#34;&gt;Leveling both sides of the playing field&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Public Enemies</title>
    <link href="https://mlarson.org/2015/12/09/public-enemies-i-love-how-so-many-people-get-to/"/>
    <updated>2015-12-09T05:32:40.000Z</updated>
    <id>https://mlarson.org/2015/12/09/public-enemies-i-love-how-so-many-people-get-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/12/tumblr_nyasprbnuo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Public_Enemies_(2009_film)&#34;&gt;Public Enemies&lt;/a&gt;. I love how so many people get to “lead” in this movie, though Depp is still at the heart of it. Forgot about the brief Channing Tatum scene. The arrest/trasnport/imprisonment scenes have some nice echoes of &lt;a href=&#34;http://tumblr.mlarson.org/post/113119894021/badlands-second-viewing-the-first-this-time-at&#34;&gt;Kit Carruthers&lt;/a&gt;, the charisma and confidence. “We’re having too good of a time today; we’re not thinking about tomorrow.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Wesleyan Argus | A.O. Scott Defends the Art of Criticism</title>
    <link href="https://mlarson.org/2015/11/29/the-wesleyan-argus-ao-scott-defends-the-art/"/>
    <updated>2015-11-29T17:14:40.000Z</updated>
    <id>https://mlarson.org/2015/11/29/the-wesleyan-argus-ao-scott-defends-the-art/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“One of the things that any artist is working with is other art. You think about filmmakers, for example, and they all start out as film fans. You have Martin Scorsese as a kid going to double features every day and absorbing all of the world in that way, and then thinking about Quentin Tarantino in the video store,” Scott said. “In the simplest way that you see something or you hear something, and you start thinking, ‘How did they do that? Could I do that? Could I do it better? How would I do it differently?’ All of what we identify as aspects of the creative process, the absorption of influence, the learning and discarding of rules, the workshop discipline of figuring out what works and what doesn’t and how—all of that is criticism.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Most human effort results in mediocrity, it’s just the tragic fact of the human condition. The question is, though, how mad are you gonna get about that?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wesleyanargus.com/2015/11/22/a-o-scott-film-criticism/&#34;&gt;The Wesleyan Argus | A.O. Scott Defends the Art of Criticism&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hunger Makes Us Modern Fans: An Interview with Carrie Brownstein | NOISEY</title>
    <link href="https://mlarson.org/2015/11/29/hunger-makes-us-modern-fans-an-interview-with/"/>
    <updated>2015-11-29T15:48:07.000Z</updated>
    <id>https://mlarson.org/2015/11/29/hunger-makes-us-modern-fans-an-interview-with/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Fandom carries with it an inherent curiosity, and I think curiosity is what allows us to be open and optimistic and to allow into our lives experiences that we would otherwise be closed off to. We’re confronted all the time with so many instances and so much information that almost requires a shutting down—almost requires us to become inert… to become frightened. There’s something about fandom’s relationship to curiosity that keeps us moving forward into the world and into the process of discovery, and I think to balance that with the things that feel more frightening and uncertain… It helps me keep optimism as part of the ingredients in my life, and it helps me live in the present. Even if you’re discovering something old for the first time, the process of allowing something new into your life I think speaks to an allowance that’s important.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://noisey.vice.com/blog/carrie-brownstein-hunger-makes-me-a-modern-girl-interview-2015&#34;&gt;Hunger Makes Us Modern Fans: An Interview with Carrie Brownstein | NOISEY&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Reasons to Survive November</title>
    <link href="https://mlarson.org/2015/11/29/reasons-to-survive-november/"/>
    <updated>2015-11-29T15:45:34.000Z</updated>
    <id>https://mlarson.org/2015/11/29/reasons-to-survive-november/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://josianecurtis.tumblr.com/post/133691572836&#34;&gt;josianecurtis&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;November like a train wreck—&lt;br&gt;
as if a locomotive made of cold&lt;br&gt;
had hurtled out of Canada&lt;br&gt;
and crashed into a million trees,&lt;br&gt;
flaming the leaves, setting the woods on fire.&lt;/p&gt;
&lt;p&gt;The sky is a thick, cold gauze—&lt;br&gt;
but there’s a soup special at the Waffle House downtown,&lt;br&gt;
and the Jack Parsons show is up at the museum,&lt;br&gt;
full of luminous red barns.&lt;/p&gt;
&lt;p&gt;—Or maybe I’ll visit beautiful Donna,&lt;br&gt;
the kickboxing queen from Santa Fe,&lt;br&gt;
and roll around in her foldout bed.&lt;/p&gt;
&lt;p&gt;I know there are some people out there&lt;br&gt;
who think I am supposed to end up&lt;br&gt;
in a room by myself&lt;/p&gt;
&lt;p&gt;with a gun and a bottle full of hate,&lt;br&gt;
a locked door and my slack mouth open&lt;br&gt;
like a disconnected phone.&lt;/p&gt;
&lt;p&gt;But I hate those people back&lt;br&gt;
from the core of my donkey soul&lt;br&gt;
and the hatred makes me strong&lt;br&gt;
and my survival is their failure,&lt;/p&gt;
&lt;p&gt;and my happiness would kill them&lt;br&gt;
so I shove joy like a knife&lt;br&gt;
into my own heart over and over&lt;/p&gt;
&lt;p&gt;and I force myself toward pleasure,&lt;br&gt;
and I love this November life&lt;br&gt;
where I run like a train&lt;br&gt;
deeper and deeper&lt;br&gt;
into the land of my enemies.&lt;/p&gt;
&lt;p&gt;Tony Hoagland&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2015</title>
    <link href="https://mlarson.org/2015/11/29/brightwalldarkroom-its-said-that-chaplin/"/>
    <updated>2015-11-29T15:44:51.000Z</updated>
    <id>https://mlarson.org/2015/11/29/brightwalldarkroom-its-said-that-chaplin/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_nykht68ylv1qzheh0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://brightwalldarkroom.tumblr.com/post/134182605882/its-said-that-chaplin-wanted-you-to-like-him&#34;&gt;brightwalldarkroom&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“It’s said that &lt;a href=&#34;https://en.wikiquote.org/wiki/Charlie_Chaplin&#34; title=&#34;Charlie Chaplin&#34;&gt;Chaplin&lt;/a&gt; wanted you to like him, but Keaton didn’t care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.” &lt;strong&gt;—Roger Ebert&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The digital revolution in higher education has already happened. No one noticed.</title>
    <link href="https://mlarson.org/2015/11/25/the-digital-revolution-in-higher-education-has/"/>
    <updated>2015-11-25T04:22:14.000Z</updated>
    <id>https://mlarson.org/2015/11/25/the-digital-revolution-in-higher-education-has/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Our collective obsession with elite students and institutions means public conversations about college are increasingly irrelevant to the lives of many of the actual students.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/@cshirky/the-digital-revolution-in-higher-education-has-already-happened-no-one-noticed-78ec0fec16c7#.nddr3mg7o&#34;&gt;The digital revolution in higher education has already happened. No one noticed.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 25, 2015</title>
    <link href="https://mlarson.org/2015/11/25/buster-keaton-the-art-of-the-gag-tony-zhou-does/"/>
    <updated>2015-11-25T04:16:04.000Z</updated>
    <id>https://mlarson.org/2015/11/25/buster-keaton-the-art-of-the-gag-tony-zhou-does/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/146442912&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;https://vimeo.com/146442912&#34;&gt;Buster Keaton – The Art of the Gag&lt;/a&gt;. Tony Zhou does a lot of good stuff. Closely related to this one, and just as wonderful, is his video essay on &lt;a href=&#34;https://vimeo.com/113439313&#34;&gt;Jackie Chan and action comedy&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/busterkeaton&#34;&gt;Buster Keaton&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Psycho</title>
    <link href="https://mlarson.org/2015/11/25/american-psycho-great-example-of-how-a-movie-can/"/>
    <updated>2015-11-25T04:15:57.000Z</updated>
    <id>https://mlarson.org/2015/11/25/american-psycho-great-example-of-how-a-movie-can/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_nycrufcami1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/American_Psycho_(film)&#34;&gt;American Psycho&lt;/a&gt;. Great example of how a movie can depict the absolute worst human being and make it enjoyable. A tale of hyper-masculine narcissism and sociopathy. Status envy. The recitations of facts, routines, brands and such, all that cataloging reminded me of… Walt Whitman? Bale’s character develops in only one direction, but he gives it his all.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Book of Strange New Things</title>
    <link href="https://mlarson.org/2015/11/25/i-read-a-good-bit-of-the-book-of-strange-new/"/>
    <updated>2015-11-25T04:00:41.000Z</updated>
    <id>https://mlarson.org/2015/11/25/i-read-a-good-bit-of-the-book-of-strange-new/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_nx3cp3roqs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read a good bit of &lt;a href=&#34;http://www.amazon.com/Book-Strange-New-Things-Novel/dp/055341884X&#34;&gt;The Book of Strange New Things&lt;/a&gt;, and found a lot of it really good, but didn’t stick with it. The concept – a Christian missionary goes to another planet… and… well, you’ll have to find out. I might, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Friendships Change When You Become an Adult</title>
    <link href="https://mlarson.org/2015/11/24/how-friendships-change-when-you-become-an-adult/"/>
    <updated>2015-11-24T02:44:19.000Z</updated>
    <id>https://mlarson.org/2015/11/24/how-friendships-change-when-you-become-an-adult/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“The real bittersweet aspect is young adulthood begins with all this time for friendship, and friendship just having this exuberant, profound importance for figuring out who you are and what’s next,” Rawlins says. “And you find at the end of young adulthood, now you don’t have time for the very people who helped you make all these decisions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/health/archive/2015/10/how-friendships-change-over-time-in-adulthood/411466/&#34;&gt;How Friendships Change When You Become an Adult&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 24, 2015</title>
    <link href="https://mlarson.org/2015/11/24/making-a-masterpiece-with-bob-ross-and-the-ipad/"/>
    <updated>2015-11-24T02:41:59.000Z</updated>
    <id>https://mlarson.org/2015/11/24/making-a-masterpiece-with-bob-ross-and-the-ipad/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/lISXP6TOnnM&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=lISXP6TOnnM&#34;&gt;Making a masterpiece with Bob Ross and the iPad Pro Pencil&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Back to the Future and creative frustration</title>
    <link href="https://mlarson.org/2015/11/24/back-to-the-future-and-creative-frustration/"/>
    <updated>2015-11-24T02:41:43.000Z</updated>
    <id>https://mlarson.org/2015/11/24/back-to-the-future-and-creative-frustration/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/131630516621&#34;&gt;Back to the Future and creative frustration&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Back to the Future&#34; is now all back and no future | MZS | Roger Ebert</title>
    <link href="https://mlarson.org/2015/11/24/back-to-the-future-is-now-all-back-and-no-future/"/>
    <updated>2015-11-24T02:39:53.000Z</updated>
    <id>https://mlarson.org/2015/11/24/back-to-the-future-is-now-all-back-and-no-future/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The passage of time makes the whole trilogy seem wise and humble, in ways it never could seem in the eighties or nineties or aughts, because the entire thing is really and truly a time capsule—not of any temporal-physical reality, but of a particular strain of American cultural posturing circa 1985-1990. All movies, particularly time-travel movies, have a touch of this. But the “Future” films are different because, unlike the vast majority of time travel stories, they are anchored very strongly in the “present.” The present is not merely a framing device or a launching pad for adventures, as is the case in most time travel films. All visits to the past or future are related to the present – and the stakes are not just personal (Marty’s existence, his parents’ happiness), they are cultural. Marty doesn’t just change his family, he changes the town, and by implication, American life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rogerebert.com/mzs/back-to-the-future-is-now-all-back-and-no-future&#34;&gt;&amp;quot;Back to the Future&amp;quot; is now all back and no future | MZS | Roger Ebert&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Beautiful Mutants / Swallowing Geography</title>
    <link href="https://mlarson.org/2015/11/24/i-read-some-of-both-halves-of-beautiful-mutants/"/>
    <updated>2015-11-24T02:26:25.000Z</updated>
    <id>https://mlarson.org/2015/11/24/i-read-some-of-both-halves-of-beautiful-mutants/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_nx3coeqi5n1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read some of both halves of &lt;a href=&#34;http://www.amazon.com/gp/product/1620406756&#34;&gt;Beautiful Mutants and Swallowing Geography: Two Early Novels&lt;/a&gt;, and didn’t finish either one. Maybe too rough or biting for me at the time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sympathy for the Devil by Lorrie Moore</title>
    <link href="https://mlarson.org/2015/11/20/sympathy-for-the-devil-by-lorrie-moore/"/>
    <updated>2015-11-20T04:38:33.000Z</updated>
    <id>https://mlarson.org/2015/11/20/sympathy-for-the-devil-by-lorrie-moore/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The ability on a camera-laden set to inhabit a character without a twitch of distraction or preoccupation or visible hint of the internally or externally irrelevant is a scary but brilliant feat. Ordinary people cannot do it. But I have seen great actors do it even at cocktail receptions full of cell phones. In a world where major writers have announced that they cannot focus on their work without extracting or blocking the modems in their laptops, this kind of thespian concentration is worth noting. (One thinks of the writer Anne Lamott’s remark on her own maturing undistractibility: “I used to not be able to work if there were dishes in the sink,” she has said. “Then I had a child and now I can work if there is a corpse in the sink.”)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2015/sep/24/true-detective-sympathy-devil/&#34;&gt;Sympathy for the Devil by Lorrie Moore&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Writing Education: A Time Line - The New Yorker</title>
    <link href="https://mlarson.org/2015/11/20/my-writing-education-a-time-line-the-new-yorker/"/>
    <updated>2015-11-20T04:35:26.000Z</updated>
    <id>https://mlarson.org/2015/11/20/my-writing-education-a-time-line-the-new-yorker/</id>
    <content type="html">&lt;p&gt;George Saunders is a gem.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s this theory that self-esteem has to do with getting confirmation from the outside world that our perceptions are fundamentally accurate. What Doug does at this meeting is increase my self-esteem by confirming that my perception of the work I’d been doing is fundamentally accurate. The work I’ve been doing is bad. Or, worse: it’s blah. This is uplifting–liberating, even—to have my unspoken opinion of my work confirmed. I don’t have to pretend bad is good. This frees me to leave it behind and move on and try to do something better.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/books/page-turner/my-writing-education-a-timeline&#34;&gt;My Writing Education: A Time Line - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why cabin fantasies shut out reality</title>
    <link href="https://mlarson.org/2015/11/20/why-cabin-fantasies-shut-out-reality/"/>
    <updated>2015-11-20T04:35:20.000Z</updated>
    <id>https://mlarson.org/2015/11/20/why-cabin-fantasies-shut-out-reality/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The trend for digital detox holidays and other fashionable manifestations of spare, minimalist, decluttered living: what if they’re at least partly motivated by avoidance?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/lifeandstyle/2015/nov/06/cabin-fantasies-reality-oliver-burkeman&#34;&gt;Why cabin fantasies shut out reality&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Martian</title>
    <link href="https://mlarson.org/2015/11/20/the-martian-whats-most-refreshing-here-is-that/"/>
    <updated>2015-11-20T04:34:47.000Z</updated>
    <id>https://mlarson.org/2015/11/20/the-martian-whats-most-refreshing-here-is-that/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_ny3jdrsn101qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Martian_(film)&#34;&gt;The Martian&lt;/a&gt;. What’s most refreshing here is that it’s a fairly gentle, nice movie. Perfectly pleasant, always positive. I don’t think there’s anythig here for me to come back to, but it was really fun to watch. I didn’t finish &lt;a href=&#34;http://tumblr.mlarson.org/post/116514245186/i-read-about-half-of-andy-weirs-the-martian-and&#34;&gt;the book&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Primal Fear</title>
    <link href="https://mlarson.org/2015/11/20/primal-fear-ugh/"/>
    <updated>2015-11-20T04:34:44.000Z</updated>
    <id>https://mlarson.org/2015/11/20/primal-fear-ugh/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_ny3j0chuif1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Primal_Fear_(film)&#34;&gt;Primal Fear&lt;/a&gt;. Ugh.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why I Quit Ordering From Uber-for-Food Start-Ups</title>
    <link href="https://mlarson.org/2015/11/19/why-i-quit-ordering-from-uber-for-food-start-ups/"/>
    <updated>2015-11-19T04:00:03.000Z</updated>
    <id>https://mlarson.org/2015/11/19/why-i-quit-ordering-from-uber-for-food-start-ups/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Sprig-type operations drain agency and expertise out of the world. They centralize, aiming to build huge hubs with small spokes; their innermost mechanisms are hidden. They depend on humans behaving as interchangeable units of labor.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/technology/archive/2015/11/the-food-delivery-start-up-you-havent-heard-of/414540/&#34;&gt;Why I Quit Ordering From Uber-for-Food Start-Ups&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Absolute Power</title>
    <link href="https://mlarson.org/2015/11/19/absolute-power-a-jewel-thief-witnesses-the/"/>
    <updated>2015-11-19T03:56:12.000Z</updated>
    <id>https://mlarson.org/2015/11/19/absolute-power-a-jewel-thief-witnesses-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_ny1mxk03zz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Absolute_Power_(film)&#34;&gt;Absolute Power&lt;/a&gt;. A jewel thief witnesses the President murdering his mistress. I’d put this in the upper middle-class of &lt;a href=&#34;https://www.mlarson.org/tag/clinteastwood&#34;&gt;movies Eastwood has directed&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Living and Dying on Airbnb — Matter</title>
    <link href="https://mlarson.org/2015/11/19/living-and-dying-on-airbnb-matter/"/>
    <updated>2015-11-19T03:46:00.000Z</updated>
    <id>https://mlarson.org/2015/11/19/living-and-dying-on-airbnb-matter/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Startups that redefine social and economic relations pop up in an instant. Lawsuits and regulations lag behind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/matter/living-and-dying-on-airbnb-6bff8d600c04#.uvj9rdiz5&#34;&gt;Living and Dying on Airbnb — Matter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why is English so weirdly different from other languages? by John McWhorter — Aeon</title>
    <link href="https://mlarson.org/2015/11/19/why-is-english-so-weirdly-different-from-other/"/>
    <updated>2015-11-19T03:44:34.000Z</updated>
    <id>https://mlarson.org/2015/11/19/why-is-english-so-weirdly-different-from-other/</id>
    <content type="html">&lt;p&gt;English is a mutt and it’s the best thing. I love dives like this, into the history of a language. Well, at least this one.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages&#34;&gt;Why is English so weirdly different from other languages? by John McWhorter — Aeon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In the Line of Fire</title>
    <link href="https://mlarson.org/2015/11/19/in-the-line-of-fire-cat-mouse-better-than-id/"/>
    <updated>2015-11-19T03:41:22.000Z</updated>
    <id>https://mlarson.org/2015/11/19/in-the-line-of-fire-cat-mouse-better-than-id/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_ny1m8uoddb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/In_the_Line_of_Fire&#34;&gt;In the Line of Fire&lt;/a&gt;. Cat, mouse. Better than I’d hoped. I still can’t jive with Malkovich, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Can a Trip Ever Be ‘Authentic’? - The New York Times</title>
    <link href="https://mlarson.org/2015/11/18/can-a-trip-ever-be-authentic-the-new-york/"/>
    <updated>2015-11-18T04:15:01.000Z</updated>
    <id>https://mlarson.org/2015/11/18/can-a-trip-ever-be-authentic-the-new-york/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Our notion of places — which is to say the romances and images we project onto them — are always less current and subtle than the places themselves. […] That disconnect is even more acute because so many travelers have been everywhere (if only on-screen), which in turn means that reality — all that is unmediated and nonvirtual — holds a greater premium than ever.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/11/09/t-magazine/authentic-travel-experiences-quest.html&#34;&gt;Can a Trip Ever Be ‘Authentic’? - The New York Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Collateral</title>
    <link href="https://mlarson.org/2015/11/18/collateral-i-keep-trying-to-re-rank-mann-movies/"/>
    <updated>2015-11-18T04:12:33.000Z</updated>
    <id>https://mlarson.org/2015/11/18/collateral-i-keep-trying-to-re-rank-mann-movies/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/11/tumblr_nxbkw6xvma1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Collateral_(film)&#34;&gt;Collateral&lt;/a&gt;. I keep trying to re-rank Mann movies and running out of #1 slots.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2015</title>
    <link href="https://mlarson.org/2015/11/18/getting-along-isnt-luck-its-a-skill/"/>
    <updated>2015-11-18T04:11:30.000Z</updated>
    <id>https://mlarson.org/2015/11/18/getting-along-isnt-luck-its-a-skill/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Getting along isn’t luck, it’s a skill.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/lifestyle/style/carolyn-hax-brothers-wedding-offers-opportunity-to-end-family-feud/2015/11/10/80ceee0a-81b3-11e5-8ba6-cec48b74b2a7_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2015</title>
    <link href="https://mlarson.org/2015/11/05/informal-language-is-the-athletic-clothing-of/"/>
    <updated>2015-11-05T02:26:47.000Z</updated>
    <id>https://mlarson.org/2015/11/05/informal-language-is-the-athletic-clothing-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Informal language is the athletic clothing of ideas.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.paulgraham.com/talk.html&#34;&gt;Paul Graham&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On The Knick Set With Steven Soderbergh, Binge Director</title>
    <link href="https://mlarson.org/2015/10/23/on-the-knick-set-with-steven-soderbergh-binge/"/>
    <updated>2015-10-23T00:54:39.000Z</updated>
    <id>https://mlarson.org/2015/10/23/on-the-knick-set-with-steven-soderbergh-binge/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2015/10/on-set-steven-soderbergh-the-knick.html&#34;&gt;On The Knick Set With Steven Soderbergh, Binge Director&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Resonant Frequency: A Glitch in Time: How Oval’s 1995 Ambient Masterpiece Predicted Our Digital Present</title>
    <link href="https://mlarson.org/2015/10/23/resonant-frequency-a-glitch-in-time-how-ovals/"/>
    <updated>2015-10-23T00:54:29.000Z</updated>
    <id>https://mlarson.org/2015/10/23/resonant-frequency-a-glitch-in-time-how-ovals/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;By virtue of being atmospheric, ambient music tends to make the listener aware of the hardware involved in reproducing it, so it’s always, in a sense, about technology.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/resonant-frequency/9730-a-glitch-in-time-how-ovals-1995-ambient-masterpiece-predicted-our-digital-present/&#34;&gt;Resonant Frequency: A Glitch in Time: How Oval’s 1995 Ambient Masterpiece Predicted Our Digital Present&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 23, 2015</title>
    <link href="https://mlarson.org/2015/10/23/the-restriction-of-trailers-to-a-few-minutes-of/"/>
    <updated>2015-10-23T00:53:56.000Z</updated>
    <id>https://mlarson.org/2015/10/23/the-restriction-of-trailers-to-a-few-minutes-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The restriction of trailers to a few minutes of carefully selected and edited shots and scenes endows what we do see, from faces to car crashes, with a kind of pregnancy or underdeterminacy that allows audiences to create an imaginary (as-yet-unseen) film out of these fragments—we desire not the real film but the film we want to see.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lisa Kernan, quoted in &lt;a href=&#34;https://twitter.com/mattthomas&#34;&gt;Matt Thomas&lt;/a&gt;’ &lt;a href=&#34;http://mediacommons.futureofthebook.org/imr/2011/06/13/following-post-has-been-approved-all-audiences&#34;&gt;The Following Post Has Been Approved for All Audiences&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cardiologists and Chinese Robbers</title>
    <link href="https://mlarson.org/2015/10/18/cardiologists-and-chinese-robbers/"/>
    <updated>2015-10-18T22:49:42.000Z</updated>
    <id>https://mlarson.org/2015/10/18/cardiologists-and-chinese-robbers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are over a billion Chinese people. If even one in a thousand is a robber, you can provide one million examples of Chinese robbers to appease the doubters. Most people think of stereotyping as “Here’s one example I heard of where the out-group does something bad,” and then you correct it with “But we can’t generalize about an entire group just from one example!” It’s less obvious that you may be able to provide literally one million examples of your false stereotype and still have it be a false stereotype. If you spend twelve hours a day on the task and can describe one crime every ten seconds, you can spend four months doing nothing but providing examples of burglarous Chinese – and still have absolutely no point.&lt;/p&gt;
&lt;p&gt;If we’re really concerned about media bias, we need to think about Chinese Robber Fallacy as one of the media’s strongest weapons. There are lots of people – 300 million in America alone. No matter what point the media wants to make, there will be hundreds of salient examples. No matter how low-probability their outcome of interest is, they will never have to stop covering it if they don’t want to.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://slatestarcodex.com/2015/09/16/cardiologists-and-chinese-robbers/&#34;&gt;Cardiologists and Chinese Robbers&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Save for Later</title>
    <link href="https://mlarson.org/2015/10/04/save-for-later/"/>
    <updated>2015-10-04T23:14:02.000Z</updated>
    <id>https://mlarson.org/2015/10/04/save-for-later/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The Bookmark represents what we wish for. It’s the earliest indicator of intention, and the most vulnerable; by definition, the act of saving something for later means that whatever we hope for hasn’t happened yet. Bookmarks are placeholders for the future. By thumbing through them, we can start to see what might happen next.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/@dianakimball/save-for-later-b2fa64782078&#34;&gt;Save for Later&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Film Snob? Is That So Wrong?</title>
    <link href="https://mlarson.org/2015/10/04/film-snob-is-that-so-wrong/"/>
    <updated>2015-10-04T23:10:38.000Z</updated>
    <id>https://mlarson.org/2015/10/04/film-snob-is-that-so-wrong/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If the words nerd and geek can be rehabilitated — if legions of misunderstood enthusiasts can march from the margins of respectability to the heart of the mainstream — then why not snob as well?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/10/04/movies/film-snob-is-that-so-wrong.html?nytmobile=0&#34;&gt;Film Snob? Is That So Wrong?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2015</title>
    <link href="https://mlarson.org/2015/09/28/atlantas-marta-map-super-mario-3-style/"/>
    <updated>2015-09-28T01:08:38.000Z</updated>
    <id>https://mlarson.org/2015/09/28/atlantas-marta-map-super-mario-3-style/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/09/tumblr_nvd4htgbk91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://davesgeekyideas.com/2013/04/04/atlantas-marta-map-super-mario-3-style/&#34;&gt;Atlanta’s MARTA Map – Super Mario 3 Style&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2015</title>
    <link href="https://mlarson.org/2015/09/28/internet-writers-live-on-twitter-and-it-greatly/"/>
    <updated>2015-09-28T01:04:00.000Z</updated>
    <id>https://mlarson.org/2015/09/28/internet-writers-live-on-twitter-and-it-greatly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Internet writers live on Twitter and it greatly distorts their understanding of reality.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mattbruenig.com/2015/09/23/nobody-is-on-twitter/&#34;&gt;Nobody Is On Twitter&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As someone who loves Twitter, this can be hard to admit, but ultimately Twitter is an ephemeral online forum that nobody really uses, and our tiny politics subpocket of Twitterdom almost certainly has no effect on anything.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2015</title>
    <link href="https://mlarson.org/2015/09/22/i-love-these-drawings-by-delmer-daves-for-his/"/>
    <updated>2015-09-22T01:59:07.000Z</updated>
    <id>https://mlarson.org/2015/09/22/i-love-these-drawings-by-delmer-daves-for-his/</id>
    <content type="html">&lt;p&gt;I love these &lt;a href=&#34;https://www.criterion.com/current/posts/2772-drawings-by-delmer-daves&#34;&gt;drawings by Delmer Daves&lt;/a&gt; for his adaptation of the 1957 &lt;a href=&#34;https://www.mlarson.org/tag/310toyuma&#34;&gt;3:10 to Yuma&lt;/a&gt;. It makes me so happy to see these things sketched out and then see how they really came to life, just like they had in mind.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>3:10 to Yuma (2007)</title>
    <link href="https://mlarson.org/2015/09/22/310-to-yuma-2007-well-russell-crowe-is-no/"/>
    <updated>2015-09-22T01:57:13.000Z</updated>
    <id>https://mlarson.org/2015/09/22/310-to-yuma-2007-well-russell-crowe-is-no/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/09/tumblr_nv22p98fjs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/3:10_to_Yuma_(2007_film)&#34;&gt;3:10 to Yuma (2007)&lt;/a&gt;. Well, Russell Crowe is no Glenn Ford, but who is. Loved &lt;a href=&#34;http://tumblr.mlarson.org/post/8338835528/310-to-yuma-1957-this-is-another-western-with&#34;&gt;the original movie&lt;/a&gt;, which fleshes out the &lt;a href=&#34;http://tumblr.mlarson.org/post/119874890596/i-read-elmore-leonards-three-ten-to-yuma-and&#34;&gt;very short story&lt;/a&gt; really well. This movie adds in a bit too much extra material for me, which dissipates the tension. Good, though. Themes of pride, circumstance, honor. Love this line on insurance/forced retirement, basically: “They weren’t paying me to walk away; they were paying me so they could walk away.” Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/western&#34;&gt;westerns&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of Sight</title>
    <link href="https://mlarson.org/2015/09/20/i-read-elmore-leonards-out-of-sight-and-it-was/"/>
    <updated>2015-09-20T18:28:43.000Z</updated>
    <id>https://mlarson.org/2015/09/20/i-read-elmore-leonards-out-of-sight-and-it-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/09/tumblr_nuzdenqwd51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Elmore Leonard’s &lt;a href=&#34;http://www.amazon.com/Out-Sight-Novel-Elmore-Leonard/dp/0062227874/&#34;&gt;Out of Sight&lt;/a&gt; and it was just what I needed. Fun crime/love caper with great dialogue, always moving to the next thing. Makes me want to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;the movie&lt;/a&gt; again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Salvation</title>
    <link href="https://mlarson.org/2015/09/20/the-salvation-i-feel-like-mads-mikkelsens-face/"/>
    <updated>2015-09-20T18:28:28.000Z</updated>
    <id>https://mlarson.org/2015/09/20/the-salvation-i-feel-like-mads-mikkelsens-face/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/09/tumblr_nuzn5ozzvh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Salvation_(film)&#34;&gt;The Salvation&lt;/a&gt;. I feel like Mads Mikkelsen’s face was just begging to be put in a Western. This one sometimes feels like it was assembled from a western-movie kit, but has some really good moments – I particularly like the conversation with the priest in the jail, the parallel funerals, and a silent escape on a train.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hunt</title>
    <link href="https://mlarson.org/2015/09/20/the-hunt-after-wrapping-up-the-second-season-of/"/>
    <updated>2015-09-20T18:18:33.000Z</updated>
    <id>https://mlarson.org/2015/09/20/the-hunt-after-wrapping-up-the-second-season-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/09/tumblr_nuzme0d2fj1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Hunt_(2012_film)&#34;&gt;The Hunt&lt;/a&gt;. After wrapping up the second season of &lt;em&gt;Hannibal&lt;/em&gt;, I decided I needed to watch more &lt;a href=&#34;https://www.mlarson.org/tag/madsmikkelsen&#34;&gt;Mikkelsen&lt;/a&gt;. Good drama here, terrifying and heartbreaking. A reminder of how fragile communities can be.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 20, 2015</title>
    <link href="https://mlarson.org/2015/09/20/friendship-is-not-a-pale-imitation-of-sexual/"/>
    <updated>2015-09-20T18:18:30.000Z</updated>
    <id>https://mlarson.org/2015/09/20/friendship-is-not-a-pale-imitation-of-sexual/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Friendship is not a pale imitation of sexual romance. It is a romance unto itself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.psmag.com/books-and-culture/the-art-of-loving-and-losing-female-friends&#34;&gt;Leah Reich&lt;/a&gt;, via &lt;a href=&#34;http://decider.com/2015/09/11/mourning-paul-walker/&#34;&gt;Matt Thomas’ essay on Paul Walker and male friendships&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Aviator</title>
    <link href="https://mlarson.org/2015/09/20/the-aviator-i-often-struggle-with-biopics-but-i/"/>
    <updated>2015-09-20T18:18:25.000Z</updated>
    <id>https://mlarson.org/2015/09/20/the-aviator-i-often-struggle-with-biopics-but-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/09/tumblr_nuzltc2tt91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Aviator_(2004_film)&#34;&gt;The Aviator&lt;/a&gt;. I often struggle with biopics, but I liked this one a lot. I like how the film stock and coloring shifts with the passage of time, the recurring hands imagery, and the sympathy we feel as we see this man changing. “Nothing’s clean, Howard. But we do our best.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Close at Hand</title>
    <link href="https://mlarson.org/2015/09/14/close-at-hand/"/>
    <updated>2015-09-14T02:15:52.000Z</updated>
    <id>https://mlarson.org/2015/09/14/close-at-hand/</id>
    <content type="html">&lt;p&gt;I loved this dive through the history of pockets and gadgets and little daily conveniences we keep with us.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/@dianakimball/close-at-hand-b4331294160d&#34;&gt;Close at Hand&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shutter Island</title>
    <link href="https://mlarson.org/2015/09/14/shutter-island-better-than-i-thought-it-would-be/"/>
    <updated>2015-09-14T02:15:49.000Z</updated>
    <id>https://mlarson.org/2015/09/14/shutter-island-better-than-i-thought-it-would-be/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/09/tumblr_nunaa0sa4z1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Shutter_Island_(film)&#34;&gt;Shutter Island&lt;/a&gt;. Better than I thought it would be. Scorsese takes some simple genre stuff to some good creepy heights.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2015</title>
    <link href="https://mlarson.org/2015/09/14/the-first-draft-is-always-perfect-perfect-its/"/>
    <updated>2015-09-14T02:15:44.000Z</updated>
    <id>https://mlarson.org/2015/09/14/the-first-draft-is-always-perfect-perfect-its/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The first draft is always perfect. perfect. Its only job is to exist.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.caseyrfowler.com/2015/09/10/first-draft-is-always-perfect/&#34;&gt;Casey Fowler&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Story of Your Life</title>
    <link href="https://mlarson.org/2015/09/01/the-story-of-your-life/"/>
    <updated>2015-09-01T00:52:07.000Z</updated>
    <id>https://mlarson.org/2015/09/01/the-story-of-your-life/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In telling the story of how you became who you are, and of who you’re on your way to becoming, the story itself becomes a part of who you are.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/health/archive/2015/08/life-stories-narrative-psychology-redemption-mental-health/400796/&#34;&gt;The Story of Your Life&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 1, 2015</title>
    <link href="https://mlarson.org/2015/09/01/the-best-way-to-educate-yourself-for-most/"/>
    <updated>2015-09-01T00:52:02.000Z</updated>
    <id>https://mlarson.org/2015/09/01/the-best-way-to-educate-yourself-for-most/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The best way to “educate yourself,” for most people at most stages in your life, is to make marginal adjustments in your peer group.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.producthunt.com/live/tyler-cowen&#34;&gt;Tyler Cowen&lt;/a&gt;. (&lt;a href=&#34;http://tumblr.mlarson.org/post/20917428163/the-fastest-way-to-change-yourself-is-to-hang-out&#34;&gt;Along the same lines&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Gift</title>
    <link href="https://mlarson.org/2015/08/30/the-gift-i-loved-this-movie-for-90-minutes-and/"/>
    <updated>2015-08-30T21:32:28.000Z</updated>
    <id>https://mlarson.org/2015/08/30/the-gift-i-loved-this-movie-for-90-minutes-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_ntwzqvvg9d1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Gift_(2015_film)&#34;&gt;The Gift&lt;/a&gt;. I loved this movie for 90 minutes and then I hated it so much. There are a couple late plot decisions that totally broke the spell. But, credit is for a spell-binding run up to that point. It’s amazing how much tension Edgerton wrings out of thin air. I liked it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mission: Impossible 3</title>
    <link href="https://mlarson.org/2015/08/30/mission-impossible-3-better-than-i-remembered/"/>
    <updated>2015-08-30T21:32:22.000Z</updated>
    <id>https://mlarson.org/2015/08/30/mission-impossible-3-better-than-i-remembered/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_ntwzawbq7o1qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mission:_Impossible_III&#34;&gt;Mission: Impossible 3&lt;/a&gt;. Better than I remembered. Hoffman is casually one of the most terrifying villains of the past couple decades. It’s a shame that Keri Russell didn’t have a larger role. Current &lt;a href=&#34;https://www.mlarson.org/tag/missionimpossible&#34;&gt;Mission: Impossible&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30966408540/mission-impossible-the-gadgets-have-not-aged&#34;&gt;Mission: Impossible&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Mission: Impossible 3&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/126778225546/mission-impossible-rogue-nation-its-fun-i&#34;&gt;Mission: Impossible – Rogue Nation&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/40101128302/mission-impossible-ghost-protocol-forget-the&#34;&gt;Mission: Impossible – Ghost Protocol&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Mission: Impossible 2&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;It seems the rule of thumb here is that the quality of the &lt;em&gt;MI&lt;/em&gt; films is inversely proportional to the length of Tom Cruise’s hair.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My new attitude to travel is to skip the iconic – and I thank my father for that</title>
    <link href="https://mlarson.org/2015/08/30/my-new-attitude-to-travel-is-to-skip-the-iconic/"/>
    <updated>2015-08-30T16:18:47.000Z</updated>
    <id>https://mlarson.org/2015/08/30/my-new-attitude-to-travel-is-to-skip-the-iconic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;As I grow older, I hope to become more like my father, who caused much amusement by firmly declining a ride by the White House when we went to Washington DC to visit my in-laws. “It’s the White House,” my mother-in-law said to me. “Anyone would want to go.”&lt;/p&gt;
&lt;p&gt;Anyone except my father. Over the years of saying no to other people’s adventures, he has retained his triangularity in a world of round pegs with well-rounded to-do lists. He loved what he loved – the bridges of New York, the Halal street food vendors, the ferry to Staten Island – not because they were iconic but because they pierced his indifference.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/travel/2015/aug/19/new-attitude-to-travel-skip-the-iconic&#34;&gt;My new attitude to travel is to skip the iconic – and I thank my father for that&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why patience really is a virtue</title>
    <link href="https://mlarson.org/2015/08/30/why-patience-really-is-a-virtue/"/>
    <updated>2015-08-30T15:55:00.000Z</updated>
    <id>https://mlarson.org/2015/08/30/why-patience-really-is-a-virtue/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When you take a class with the Harvard University art historian Jennifer Roberts, your first task is always to choose a work of art, then go and look at it, wherever it’s displayed, for three full hours.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/lifeandstyle/2015/aug/21/patience-is-form-of-power-oliver-burkeman&#34;&gt;Why patience really is a virtue&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2015</title>
    <link href="https://mlarson.org/2015/08/30/diamonds-kurt-pio-these-paintings-are-awesome/"/>
    <updated>2015-08-30T15:54:57.000Z</updated>
    <id>https://mlarson.org/2015/08/30/diamonds-kurt-pio-these-paintings-are-awesome/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_nt5b08zj7k1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kurtpio.co.za/gallery/diamonds/&#34;&gt;Diamonds – Kurt Pio&lt;/a&gt;. These paintings are awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 27, 2015</title>
    <link href="https://mlarson.org/2015/08/27/my-creative-process-begins-with-just-thinking-i/"/>
    <updated>2015-08-27T03:23:59.000Z</updated>
    <id>https://mlarson.org/2015/08/27/my-creative-process-begins-with-just-thinking-i/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My creative process begins with: just thinking. I do a lot of thinking, a lot of pondering. I rarely watch films in airplanes; I just sort of sit there, looking at the ceiling. Day dreaming is the equivalent of doodling; it’s mental doodling.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wsj.com/articles/designer-marc-newson-on-fountain-pens-and-the-sad-state-of-cars-1439406436&#34;&gt;Marc Newsom&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 15, 2015</title>
    <link href="https://mlarson.org/2015/08/15/heidisaman-composition-no-62-is-from-rear/"/>
    <updated>2015-08-15T22:42:03.000Z</updated>
    <id>https://mlarson.org/2015/08/15/heidisaman-composition-no-62-is-from-rear/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_nsz7cxi9td1roxqxqo1_540.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/post/126626123388&#34;&gt;heidisaman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Composition no. 62 is from &lt;em&gt;Rear Window&lt;/em&gt; (1954, dir. Alfred Hitchcock) Cinematography by Robert Burks&lt;/p&gt;
&lt;p&gt;I love love love that you can see the reflection of the window through the lens.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/tagged/composition&#34;&gt;Compositions no. 1-61&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Finally, A Non-Embarrassing Classical-Music Scene in a Blockbuster Movie - The New Yorker</title>
    <link href="https://mlarson.org/2015/08/15/finally-a-non-embarrassing-classical-music-scene/"/>
    <updated>2015-08-15T22:19:55.000Z</updated>
    <id>https://mlarson.org/2015/08/15/finally-a-non-embarrassing-classical-music-scene/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The tendency to associate classical music with murderous insanity is a curious neurosis of the American pop-cultural psyche.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/culture/cultural-comment/finally-a-non-embarrassing-classical-music-scene-in-a-blockbuster-movie&#34;&gt;Finally, A Non-Embarrassing Classical-Music Scene in a Blockbuster Movie - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mission: Impossible – Rogue Nation</title>
    <link href="https://mlarson.org/2015/08/15/mission-impossible-rogue-nation-its-fun-i/"/>
    <updated>2015-08-15T22:18:18.000Z</updated>
    <id>https://mlarson.org/2015/08/15/mission-impossible-rogue-nation-its-fun-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_nt59uodyj21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mission:_Impossible_%E2%80%93_Rogue_Nation&#34;&gt;Mission: Impossible – Rogue Nation&lt;/a&gt;. It’s fun! I wish it were as stylish as some of its predecessors. I wasn’t picking up on a McQuarrie directorial stamp like we saw in the De Palma, Woo, and Abrams movies. Also a little bit disappointed with Hunt this time around. Seems like he was a bit overmatched at times – more like something you saw in the early stages of &lt;a href=&#34;http://tumblr.mlarson.org/post/89315385921/edge-of-tomorrow-this-this-is-the-kind-of-genre&#34;&gt;Edge of Tomorrow&lt;/a&gt;, or something out of &lt;em&gt;Indiana Jones&lt;/em&gt;. I’m use to a Hunt that’s more ruthlessly (absurdly) competent. But still, really solid, and I love the pace. That Ferguson is Cruise’s equal (superior?), the opera scene is top-notch, the villain is perfect, and it’s nice to see an action movie that doesn’t feel like it needs a built-in romance. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/tomcruise&#34;&gt;Tom Cruise&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/missionimpossible&#34;&gt;Mission: Impossible&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 14, 2015</title>
    <link href="https://mlarson.org/2015/08/14/id-never-had-to-sit-and-try-to-think-about/"/>
    <updated>2015-08-14T01:21:03.000Z</updated>
    <id>https://mlarson.org/2015/08/14/id-never-had-to-sit-and-try-to-think-about/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’d never had to sit and try to think about exactly what I meant by each thing I was saying, because normally, I had written it. And so honestly, what I tried to do was picture what an actor I admired would do, and I copied that. And that is the absolute truth. I imagined what somebody would do if they were given this part, and then I did all of those things.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theverge.com/2015/7/30/9069973/jason-segel-david-foster-wallace-interview-end-of-the-tour&#34;&gt;Jason Segel talks about taking on the daunting role of David Foster Wallace&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mindy Kaling&#39;s Guide to Killer Confidence</title>
    <link href="https://mlarson.org/2015/08/14/mindy-kalings-guide-to-killer-confidence/"/>
    <updated>2015-08-14T01:18:30.000Z</updated>
    <id>https://mlarson.org/2015/08/14/mindy-kalings-guide-to-killer-confidence/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Here’s how I think you can get your confidence back, kid: Work hard, know your shit, show your shit, and then feel entitled.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.glamour.com/entertainment/2015/08/mindy-kaling-guide-to-killer-confidence&#34;&gt;Mindy Kaling&#39;s Guide to Killer Confidence&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Song of the Sea</title>
    <link href="https://mlarson.org/2015/08/07/song-of-the-sea-from-the-same-crew-that-brought/"/>
    <updated>2015-08-07T15:00:07.000Z</updated>
    <id>https://mlarson.org/2015/08/07/song-of-the-sea-from-the-same-crew-that-brought/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_nsp37dxwkp1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Song_of_the_Sea_(2014_film)&#34;&gt;Song of the Sea&lt;/a&gt;. From the same crew that brought you &lt;a href=&#34;http://tumblr.mlarson.org/post/119817300101/the-secret-of-kells-gorgeous-but-a-little-thin&#34;&gt;The Secret of Kells&lt;/a&gt;. This one is lighter, and more of a mess. It is heart-stoppingly gorgeous at times, and I love the sound design. I also love how much the story was told visually. The direction tunes us in to the acting, their moods, what’s they’re interacting with, where they are, guiding us along as they meet their new challenges. That’s all lovely. But there’s a lot of mythology and plotting and tasks that got in the way for me, and when the climax came around, I just wasn’t invested enough to revel in it. I think &lt;em&gt;The Secret of Kells&lt;/em&gt; is the stronger of the two.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When Did Feminism Get So “Sneaky”?</title>
    <link href="https://mlarson.org/2015/08/06/when-did-feminism-get-so-sneaky/"/>
    <updated>2015-08-06T15:00:04.000Z</updated>
    <id>https://mlarson.org/2015/08/06/when-did-feminism-get-so-sneaky/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s a nefarious, Mobius strip quality to “sneaky feminism” as a piece of rhetoric. If the point of using it is to satisfy readers that the product in question is ideologically sound, but also chill (Lean in! Not too far!), then this ostensible attempt to make feminism palatable is rather anti-feminist, if sneakily so. That’s because one of feminism’s foundational goals has always been to release women from their disproportionate obligation to show tact, delicacy, and sweetness—to say their piece without being aggressive or annoying about it. Yet we’re asking feminism itself to shimmy through a window and creep down a corridor dancing between laser beams before whispering its claims in the cultural ear.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/blogs/lexicon_valley/2015/07/21/sneakily_slyly_and_subtly_feminist_why_do_writers_want_sisterhood_to_slink.html&#34;&gt;When Did Feminism Get So “Sneaky”?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Guest</title>
    <link href="https://mlarson.org/2015/08/06/the-guest-its-a-really-satisfying-little/"/>
    <updated>2015-08-06T14:00:07.000Z</updated>
    <id>https://mlarson.org/2015/08/06/the-guest-its-a-really-satisfying-little/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_nsn7hzqyuf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Guest_(film)&#34;&gt;The Guest&lt;/a&gt;. It’s a really satisfying little thriller. Love that they cut out whatever dumb backstory explains this guy, and just ran with it. Sort of like &lt;a href=&#34;http://tumblr.mlarson.org/post/104528076161/jack-reacher-i-liked-it-the-first-time-but-i&#34;&gt;Jack Reacher&lt;/a&gt;, with a drifter passing through town, getting mixed up with some teens that are waaaaay out of their depth. Love the creepy pumpkins and jack o&#39;lanterns other spooky mood bits throughout. Gotta be one of the last movies to work CDs into the plot. Killer soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Q&amp;amp;A: Kobe Bryant talks retirement, playoffs and life after basketball</title>
    <link href="https://mlarson.org/2015/08/06/qa-kobe-bryant-talks-retirement-playoffs-and/"/>
    <updated>2015-08-06T12:00:03.000Z</updated>
    <id>https://mlarson.org/2015/08/06/qa-kobe-bryant-talks-retirement-playoffs-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“They see me workout. They see me train. They see the effort I put in. But I’m always Dad to them. If I try to show them how to make a move, they are like, ‘Dad, seriously?’ [Like] I don’t know what I’m talking about. I’m just Dad. It’s awesome.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sports.yahoo.com/news/q-a--kobe-bryant-talks-retirement--playoffs-and-life-after-basketball-141155813.html&#34;&gt;Q&amp;amp;A: Kobe Bryant talks retirement, playoffs and life after basketball&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Three Colors: Red</title>
    <link href="https://mlarson.org/2015/08/04/three-colors-red-third-and-last-in-the-three/"/>
    <updated>2015-08-04T03:35:14.000Z</updated>
    <id>https://mlarson.org/2015/08/04/three-colors-red-third-and-last-in-the-three/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_nsjglu1g3m1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Colors:_Red&#34;&gt;Three Colors: Red&lt;/a&gt;. Third and last in the &lt;a href=&#34;https://www.mlarson.org/tag/threecolorstrilogy&#34;&gt;Three Colors Trilogy&lt;/a&gt;. This one felt more natural than &lt;a href=&#34;http://tumblr.mlarson.org/post/123945295636/three-colors-blue-on-grief-separating&#34;&gt;Blue&lt;/a&gt; (and less of a drag), and not as zany as &lt;a href=&#34;http://tumblr.mlarson.org/post/123945300686/three-colors-white-second-in-the-three-colors&#34;&gt;White&lt;/a&gt;. So balanced and sure. I dig it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Anthropoid Condition - The Los Angeles Review of Books</title>
    <link href="https://mlarson.org/2015/08/04/the-anthropoid-condition-the-los-angeles-review/"/>
    <updated>2015-08-04T03:24:38.000Z</updated>
    <id>https://mlarson.org/2015/08/04/the-anthropoid-condition-the-los-angeles-review/</id>
    <content type="html">&lt;p&gt;This is one of the best interviews I’ve read in recent months. I could feel my brain stretching and warping throughout. Thanks to &lt;a href=&#34;https://twitter.com/mattthomas/status/619916078093742080&#34;&gt;@mattthomas&lt;/a&gt; for recommending it. Some good morsels, unapologetically out of context:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My modus operandi in general: to try to be as precise and informed as possible while also taking metaphors seriously as paths to insight.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Since mortals cannot read (or write) very many books, I think an author should thank the reader for choosing your book by not wasting their time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The history of media theory from McLuhan to Kittler was always also an implicit theory of gender. What if the philosophy of technology focused on birth as much as death? What if we appreciated container technologies as much as power technologies, or labor on life as much as work on things? What if we took domestication not as lost vigor but as the site of the hardest and greatest work? The book doesn’t answer these questions at length, but suggests they are essential to any future philosophy of media.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It would take a lot of thought to detail my research techniques but they include the following imperatives: write early in the morning, cultivate memory, reread core books, take detailed reading notes, work on several projects at once, maintain a thick archive, rotate crops, take a weekly Sabbath, go to bed at the same time, exercise so hard you can’t think during it, talk to different kinds of people including the very young and very old, take words and their histories seriously (i.e., read dictionaries), step outside of the empire of the English language regularly, look for vocabulary from other fields, love the basic, keep your antennae tuned, and seek out contexts of understanding quickly (i.e., use guides, encyclopedias, and Wikipedia without guilt). As to tools, the body is the writer’s essential tool, and I have not quite resolved the question of how to write and read and have a body at the same time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;His &lt;a href=&#34;http://www.amazon.com/Marvelous-Clouds-Toward-Philosophy-Elemental/dp/022625383X&#34;&gt;new book&lt;/a&gt; sounds great.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://lareviewofbooks.org/interview/the-anthropoid-condition-an-interview-with-john-durham-peters/&#34;&gt;The Anthropoid Condition - The Los Angeles Review of Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I run a university. I’m also an Uber driver.</title>
    <link href="https://mlarson.org/2015/08/04/i-run-a-university-im-also-an-uber-driver/"/>
    <updated>2015-08-04T03:14:37.000Z</updated>
    <id>https://mlarson.org/2015/08/04/i-run-a-university-im-also-an-uber-driver/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Instead of getting a glimpse into the new economy, I was getting full exposure to the burdens of the old economy — specifically, how hard it is for regular working people to make it from their home or apartment to a job every day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.washingtonpost.com/posteverything/wp/2015/07/29/i-run-a-university-im-also-an-uber-driver/&#34;&gt;I run a university. I’m also an Uber driver.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Trainwreck</title>
    <link href="https://mlarson.org/2015/08/04/trainwreck-gonna-sound-like-a-total-old-man-but/"/>
    <updated>2015-08-04T03:13:12.000Z</updated>
    <id>https://mlarson.org/2015/08/04/trainwreck-gonna-sound-like-a-total-old-man-but/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/08/tumblr_nsjf3ps0su1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Trainwreck_(film)&#34;&gt;Trainwreck&lt;/a&gt;. Gonna sound like a total old man, but this is a mess. I walked out of the theater thinking, “Okay, that was fun here and there”, and as the week went on I got more and more annoyed. Vulgarity can be fun, but it’s not enough. There’s some super lame homophobic/racist stuff. The main character seems to despise her sister’s child and husband for no good reason. Surprisingly frosty relationship. Interesting that it opens up with strong resistance to anything resembling slut-shaming… and then tells a story leading to a very traditional redemption and triumph. Acting-wise, Schumer is better than I expected. Hader every bit as good. LeBron is magnetic, but his character is just weird. Better writing would have helped him shine. In general, the celeb cameos are lame. There is some lovely physical comedy, though. Like early on, walking down a shitty sidewalk in heels, and a triumphant moment on the boat. And later one, putting an average person next to pro perfomers, and seeing how they compare. That’s great stuff. But the scene exists as a dance ex machina (sorry), and doesn’t work. Where did she find time for that? No idea why Ezra Miller exists in this story. Blah. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/6013922491/the-hangover-and-the-age-of-the-jokeless-comedy&#34;&gt;The Age of the Jokeless Comedy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2015</title>
    <link href="https://mlarson.org/2015/07/28/the-best-way-to-communicate-your-needs-clearly-is/"/>
    <updated>2015-07-28T01:31:33.000Z</updated>
    <id>https://mlarson.org/2015/07/28/the-best-way-to-communicate-your-needs-clearly-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The best way to communicate your needs clearly is to trust them, vs. spinning them in the most favorable way or second-guessing your own normalcy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-showing-a-boyfriend-what-alone-time-really-means/2015/07/21/eb505fda-24dd-11e5-aae2-6c4f59b050aa_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. &lt;a href=&#34;https://www.mlarson.org/tag/carolynhax&#34;&gt;Hax&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Place Beyond the Pines</title>
    <link href="https://mlarson.org/2015/07/27/the-place-beyond-the-pines-this-was-my-second/"/>
    <updated>2015-07-27T02:38:30.000Z</updated>
    <id>https://mlarson.org/2015/07/27/the-place-beyond-the-pines-this-was-my-second/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_ns4kmu6cgk1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Place_Beyond_the_Pines&#34;&gt;The Place Beyond the Pines&lt;/a&gt;. This was my second viewing (cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/48704407077/the-place-beyond-the-pines-its-a-bummer-that-the&#34;&gt;the first&lt;/a&gt;), and I really really liked it. The whole thing hung together for me better this time. One thing I noticed the second time around that I appreciated: the movie opens with the sound of Gosling’s breathing prominent; the second main chapter opens with Cooper’s. I would watch a feature film made entirely of those tracking road shots.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2015</title>
    <link href="https://mlarson.org/2015/07/26/the-obsessively-detailed-map-of-american/"/>
    <updated>2015-07-26T17:56:32.000Z</updated>
    <id>https://mlarson.org/2015/07/26/the-obsessively-detailed-map-of-american/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_ns3wgprafd1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.atlasobscura.com/articles/the-obsessively-detailed-map-of-american-literatures-most-epic-road-trips&#34;&gt;The Obsessively Detailed Map of American Literature’s Most Epic Road Trips | Atlas Obscura&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2015</title>
    <link href="https://mlarson.org/2015/07/26/lil-b-sums-up-summer-in-atlanta/"/>
    <updated>2015-07-26T17:52:33.000Z</updated>
    <id>https://mlarson.org/2015/07/26/lil-b-sums-up-summer-in-atlanta/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://twitter.com/LILBTHEBASEDGOD/status/624761322530557952&#34;&gt;Lil B&lt;/a&gt; &lt;a href=&#34;https://twitter.com/LILBTHEBASEDGOD/status/624748362064113664&#34;&gt;sums&lt;/a&gt; &lt;a href=&#34;https://twitter.com/LILBTHEBASEDGOD/status/624747272992067584&#34;&gt;up&lt;/a&gt; &lt;a href=&#34;https://twitter.com/LILBTHEBASEDGOD/status/624744835384262656&#34;&gt;summer&lt;/a&gt; &lt;a href=&#34;https://twitter.com/LILBTHEBASEDGOD/status/624369548758806528&#34;&gt;in Atlanta&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blackhat</title>
    <link href="https://mlarson.org/2015/07/26/blackhat-some-really-cool-moments-and-scenes-but/"/>
    <updated>2015-07-26T17:43:47.000Z</updated>
    <id>https://mlarson.org/2015/07/26/blackhat-some-really-cool-moments-and-scenes-but/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrv8zbmt6n1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blackhat_(film)&#34;&gt;Blackhat&lt;/a&gt;. Some really cool moments and scenes, but a bit underwhelmed the second time around. (&lt;a href=&#34;http://tumblr.mlarson.org/post/109022934431/blackhat-i-really-liked-it-if-my-tweet-binge-is&#34;&gt;The first&lt;/a&gt;.) Updated &lt;a href=&#34;https://www.mlarson.org/tag/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;https://www.mlarson.org/tag/heat&#34;&gt;Heat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.mlarson.org/tag/thief&#34;&gt;Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29124751775/the-last-of-the-mohicans-i-might-have-seen-this&#34;&gt;The Last of the Mohicans&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/95009070796/collateral-my-third-viewing-ignore-my-comments&#34;&gt;Collateral&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/73265995950/miami-vice-this-second-time-around-i-was-more&#34;&gt;Miami Vice&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/118657734181/the-insider-its-awesome-like-all-the-rest-of&#34;&gt;The Insider&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/31066043274/public-enemies-its-a-good-ride-and-its&#34;&gt;Public Enemies&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.mlarson.org/tag/manhunter&#34;&gt;Manhunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Blackhat&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/36188125533/the-keep-im-sure-theres-a-cult-following-for-it&#34;&gt;The Keep&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Selfish</title>
    <link href="https://mlarson.org/2015/07/26/i-read-kim-kardashian-wests-book-selfish-and/"/>
    <updated>2015-07-26T12:16:42.000Z</updated>
    <id>https://mlarson.org/2015/07/26/i-read-kim-kardashian-wests-book-selfish-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_ns0un59jod1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Kim Kardashian West’s book &lt;a href=&#34;http://www.amazon.com/Kim-Kardashian-Selfish-West/dp/0789329204&#34;&gt;Selfish&lt;/a&gt;, and can’t help but like her more. (I’ve never watched the TV shows, and only know the bare sketches of her bio and place in culture at the moment.) I think any book of portraits of just one subject would have a similar effect. Just another human gettin’ by.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2015</title>
    <link href="https://mlarson.org/2015/07/22/havent-seen-the-whole-fireside-chat-but-had-to/"/>
    <updated>2015-07-22T01:39:07.000Z</updated>
    <id>https://mlarson.org/2015/07/22/havent-seen-the-whole-fireside-chat-but-had-to/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/O4MtQGRIIuA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Haven’t seen the whole fireside chat, but had to dig up the source when came across this great &lt;a href=&#34;https://www.youtube.com/watch?v=O4MtQGRIIuA&amp;amp;t=4m30s&#34;&gt;Jeff Bezos wisdom around 4.5 minutes in&lt;/a&gt;, on anticipating future business needs:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I very frequently get the question, “What’s going to change in the next ten years?” And that is a very interesting question. It’s a very common one. I almost never get the question, “What’s &lt;em&gt;not&lt;/em&gt; going to change in the next ten years?” And I submit to you that that second question is actually the more important of the two. Because you can build a business strategy around the things that are stable in time. In our retail business, we know that customers want low prices. And I know that’s going to be true ten years from now. They want fast delivery. They want vast selection. It’s impossible to imagine a future ten years from now where a customer comes up and says, “Jeff, I love Amazon. I just wish the prices were a little higher”. “I love Amazon. I just wish you’d deliver a little more slowly.” Impossible. And so the effort we put into those things, spinning those things up… we know the energy we put into it today will still be paying off dividends for our customers ten years from now. When you have something that you know is true, even over the long term, you can afford to put a lot of energy into it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There’s a life metaphor in there somewhere.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Give me file hierarchies, or give me chaos.</title>
    <link href="https://mlarson.org/2015/07/22/give-me-file-hierarchies-or-give-me-chaos/"/>
    <updated>2015-07-22T01:26:54.000Z</updated>
    <id>https://mlarson.org/2015/07/22/give-me-file-hierarchies-or-give-me-chaos/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When it’s time to get dressed in the morning, I don’t throw myself into a giant room full of clothes. I pull socks from my sock drawer and shirts from my shirt drawer. I’ve been doing this since I was five years old. It’s not a challenge.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.zeldman.com/2015/07/10/give-me-file-hierarchies-or-give-me-chaos/&#34;&gt;Give me file hierarchies, or give me chaos.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Koji Kondo’s Super Mario Bros. Soundtrack</title>
    <link href="https://mlarson.org/2015/07/21/i-read-koji-kondos-super-mario-bros-soundtrack/"/>
    <updated>2015-07-21T02:02:18.000Z</updated>
    <id>https://mlarson.org/2015/07/21/i-read-koji-kondos-super-mario-bros-soundtrack/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrtedwmbp31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read &lt;a href=&#34;http://www.amazon.com/Kondos-Super-Mario-Bros-Soundtrack/dp/1628928530&#34;&gt;Koji Kondo’s Super Mario Bros. Soundtrack&lt;/a&gt; and had felt many feelings. Overall a bit dry and academic. If you were obsessed with games of the era (I’m guilty), you probably know too much industry history to find anything new here in the first half, and you’re already sold on the cultural import. The second half focuses more on the music itself, and digs into music theory a bit more… but if you know a good bit about music already, it also feels like… just not enough. It still made me very nostalgic, though, and for a while I convinced myself I need to buy a Wii U or something.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 21, 2015</title>
    <link href="https://mlarson.org/2015/07/21/a-scan-from-better-cooking-better-living-1952/"/>
    <updated>2015-07-21T01:30:04.000Z</updated>
    <id>https://mlarson.org/2015/07/21/a-scan-from-better-cooking-better-living-1952/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrrj3x26ie1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.presentandcorrect.com/blog/scans-from-better-cooking-better-living-1952&#34;&gt;A scan from Better Cooking, Better Living (1952)&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Spy Who Came in From the Cold</title>
    <link href="https://mlarson.org/2015/07/21/the-spy-who-came-in-from-the-cold-gotta-admit-i/"/>
    <updated>2015-07-21T01:30:00.000Z</updated>
    <id>https://mlarson.org/2015/07/21/the-spy-who-came-in-from-the-cold-gotta-admit-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrrj93qk4f1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Spy_Who_Came_in_from_the_Cold_(film)&#34;&gt;The Spy Who Came in From the Cold&lt;/a&gt;. Gotta admit I didn’t follow this one very well. I liked it, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Drive</title>
    <link href="https://mlarson.org/2015/07/21/drive-third-viewing-that-elevator-scene-is-still/"/>
    <updated>2015-07-21T01:29:54.000Z</updated>
    <id>https://mlarson.org/2015/07/21/drive-third-viewing-that-elevator-scene-is-still/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrrgdob26c1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Drive_(2011_film)&#34;&gt;Drive&lt;/a&gt;. Third viewing. That elevator scene is still top notch. I’m a sucker for any movie that suspends time to drift into a moment just because. Oscar Isaac has some of the best casual menace in the game right now. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/drive&#34;&gt;Drive&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Magic Mike XXL</title>
    <link href="https://mlarson.org/2015/07/15/magic-mike-xxl-my-appreciation-for-it-grows-as/"/>
    <updated>2015-07-15T02:35:47.000Z</updated>
    <id>https://mlarson.org/2015/07/15/magic-mike-xxl-my-appreciation-for-it-grows-as/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrghix9yvj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Magic_Mike_XXL&#34;&gt;Magic Mike XXL&lt;/a&gt;. My appreciation for it grows as time passes. It’s more aimless than &lt;a href=&#34;http://tumblr.mlarson.org/post/46351505317/magic-mike-soderbergh-best-movie-ever-about-the&#34;&gt;the first one&lt;/a&gt; (which I &lt;em&gt;really&lt;/em&gt; liked), and I think that “this isn’t gonna be like last time” shift is pretty obvious right away with the “Pony” solo. This one seems more gentle and… appreciative? Everybody learned some lessons over the years since the last one. Now it’s time to celebrate, honor that time, and move on. It’s a shame their crew only has like 1.5 decent dancers, but it kinda works. I really enjoyed &lt;a href=&#34;https://twitter.com/KameronHurley/status/620057826392678400&#34;&gt;Kameron&lt;/a&gt; &lt;a href=&#34;https://twitter.com/KameronHurley/status/620051974537523200&#34;&gt;Hurley’s&lt;/a&gt; &lt;a href=&#34;https://twitter.com/KameronHurley/status/620046701093625856&#34;&gt;series&lt;/a&gt; &lt;a href=&#34;https://twitter.com/KameronHurley/status/620046556557930496&#34;&gt;of&lt;/a&gt; &lt;a href=&#34;https://twitter.com/KameronHurley/status/620040886513238016&#34;&gt;tweets&lt;/a&gt; &lt;a href=&#34;https://twitter.com/KameronHurley/status/620040344214863873&#34;&gt;about&lt;/a&gt; &lt;a href=&#34;https://twitter.com/KameronHurley/status/620039951124680704&#34;&gt;the movie&lt;/a&gt;, which had me shouting in agreement. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/magicmike&#34;&gt;Magic Mike&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Team America: World Police</title>
    <link href="https://mlarson.org/2015/07/15/team-america-world-police-a-mixed-bag-some/"/>
    <updated>2015-07-15T02:19:34.000Z</updated>
    <id>https://mlarson.org/2015/07/15/team-america-world-police-a-mixed-bag-some/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrghdmhzzl1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Team_America%3A_World_Police&#34;&gt;Team America: World Police&lt;/a&gt;. A mixed bag. Some brilliant satire and some painfully juvenile stuff. Interesting to see things that were casually fun back then that just won’t fly today.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 14, 2015</title>
    <link href="https://mlarson.org/2015/07/14/i-see-life-as-like-being-attacked-by-a-bear-you/"/>
    <updated>2015-07-14T02:58:38.000Z</updated>
    <id>https://mlarson.org/2015/07/14/i-see-life-as-like-being-attacked-by-a-bear-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I see life as like being attacked by a bear. You can run, you can pretend to be dead, or you can make yourself bigger.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/culture/2015/jul/11/amy-poehler&#34;&gt;Amy Poehler&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Can&#39;t Streaming Services Get Classical Music Right?</title>
    <link href="https://mlarson.org/2015/07/13/why-cant-streaming-services-get-classical-music/"/>
    <updated>2015-07-13T03:08:35.000Z</updated>
    <id>https://mlarson.org/2015/07/13/why-cant-streaming-services-get-classical-music/</id>
    <content type="html">&lt;p&gt;Don’t get me started. Hard out there for a baller.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/sections/therecord/2015/06/04/411963624/why-cant-streaming-services-get-classical-music-right&#34;&gt;Why Can&#39;t Streaming Services Get Classical Music Right?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Three Colors: White</title>
    <link href="https://mlarson.org/2015/07/13/three-colors-white-second-in-the-three-colors/"/>
    <updated>2015-07-13T03:08:31.000Z</updated>
    <id>https://mlarson.org/2015/07/13/three-colors-white-second-in-the-three-colors/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nreopwta031qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Colors:_White&#34;&gt;Three Colors: White&lt;/a&gt;. Second in the Three Colors trilogy. A dark and funny revenge (?) tale, with a little bit of shaggy dog thing going on. Another thumbs-up from me. I like when movies lull you into getting invested in a terrible protagonist.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Three Colors: Blue</title>
    <link href="https://mlarson.org/2015/07/13/three-colors-blue-on-grief-separating/"/>
    <updated>2015-07-13T03:08:27.000Z</updated>
    <id>https://mlarson.org/2015/07/13/three-colors-blue-on-grief-separating/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nreo3hlxzw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Colors:_Blue&#34;&gt;Three Colors: Blue&lt;/a&gt;. On grief (+ separating yourself from it) and human connection (+ separating yourself from it). I dig it. It doesn’t play like a weepy melodrama because our lead is in such a shambles, she’s unpredictable and hard to read. Never gonna argue with a Binoche movie. This is the first I watched from the &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Colors_trilogy&#34;&gt;Three Colors trilogy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Girl on the Train</title>
    <link href="https://mlarson.org/2015/07/12/i-read-a-quarter-of-paula-hawkins-the-girl-on-the/"/>
    <updated>2015-07-12T17:23:45.000Z</updated>
    <id>https://mlarson.org/2015/07/12/i-read-a-quarter-of-paula-hawkins-the-girl-on-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nrdo72bmxt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read a quarter of Paula Hawkins’ &lt;a href=&#34;http://www.amazon.com/Girl-Train-Paula-Hawkins/dp/1594633665&#34;&gt;The Girl on the Train&lt;/a&gt;, and bailed. I’m &lt;em&gt;pretty&lt;/em&gt; sure I won’t finish, anyway. Might grab it again later to make sure I’m not missing out. For now, on to the next.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Unless You Are Spock, Irrelevant Things Matter in Economic Behavior</title>
    <link href="https://mlarson.org/2015/07/12/unless-you-are-spock-irrelevant-things-matter-in/"/>
    <updated>2015-07-12T17:13:03.000Z</updated>
    <id>https://mlarson.org/2015/07/12/unless-you-are-spock-irrelevant-things-matter-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Rationally, no one should be happier about a score of 96 out of 137 (70 percent) than 72 out of 100, but my students were. And by realizing this, I was able to set the kind of exam I wanted but still keep the students from grumbling.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/05/10/upshot/unless-you-are-spock-irrelevant-things-matter-in-economic-behavior.html&#34;&gt;Unless You Are Spock, Irrelevant Things Matter in Economic Behavior&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Enlightenment on Your iPhone</title>
    <link href="https://mlarson.org/2015/07/12/enlightenment-on-your-iphone/"/>
    <updated>2015-07-12T17:11:51.000Z</updated>
    <id>https://mlarson.org/2015/07/12/enlightenment-on-your-iphone/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To pluck some things from the list, while ignoring others, strikes many Buddhists as absurd. McMahan said, “It would be as if somebody went to the Catholic Church and said, ‘I don’t buy all this stuff about Jesus and God, but I really dig this Communion ritual. Would you just teach me how to do that bit? Oh, and I want to start a company marketing wafers.’&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/magazine/2015/07/06/the-higher-life&#34;&gt;Enlightenment on Your iPhone&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Balancing Frames and Canvas at Viktor &amp;amp; Rolf</title>
    <link href="https://mlarson.org/2015/07/11/balancing-frames-and-canvas-at-viktor-rolf/"/>
    <updated>2015-07-11T14:54:53.000Z</updated>
    <id>https://mlarson.org/2015/07/11/balancing-frames-and-canvas-at-viktor-rolf/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thecuttingclass.com/post/123654962558/balancing-frames-canvas-viktor-rolf-couture&#34;&gt;thecuttingclass&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;figure class=&#34;tmblr-full&#34;&gt;&lt;a href=&#34;http://thecuttingclass.com/post/123654962558/balancing-frames-canvas-viktor-rolf-couture&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/98d41aa3d8b2236348f95c190c9705d4/tumblr_inline_nr8dtgaTev1qfbxhx_540.jpg&#34; alt=&#34;Balancing Frames and Canvas at Viktor &amp;amp; Rolf | The Cutting Class. Viktor &amp;amp; Rolf, Couture, AW15, Paris.&#34;&gt;&lt;/a&gt;&lt;/figure&gt;
&lt;p&gt;&lt;em&gt;Viktor &amp;amp; Rolf, Couture, AW15, Paris.&lt;/em&gt; In a show that saw artworks exploding off the wall to form couture gowns, Viktor and Rolf created garments that exaggerated the balancing acts that lie at the heart of all clothing. On everyday clothing, common pattern shapes are regurgitated so that designers don’t have to deal with pesky things like gravity. However, once materials become harder, heavier or stiffer the ability to shape and control the structure of a garment to form extreme silhouettes becomes more and more important. &lt;a href=&#34;http://thecuttingclass.com/post/123654962558/balancing-frames-canvas-viktor-rolf-couture&#34;&gt;Keep reading&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.mlarson.org/tag/thecuttingclass&#34;&gt;Previous favorites from The Cutting Class&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rapping – and rocking – with Matt Bonner | Concord Monitor</title>
    <link href="https://mlarson.org/2015/07/11/rapping-and-rocking-with-matt-bonner-concord/"/>
    <updated>2015-07-11T14:50:39.000Z</updated>
    <id>https://mlarson.org/2015/07/11/rapping-and-rocking-with-matt-bonner-concord/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“You’re about to get an exclusive here,” Bonner said. “I hate to make excuses, I was raised to never make excuses, but I went through a two-and-a-half month stretch where I had really bad tennis elbow, and during that stretch it made it so painful for me to shoot I’d almost be cringing before I even caught the ball like, ‘Oh, this is going to kill.’ ” […] “Everybody is going to find this hilarious, but here’s my theory on how I got it,” he said. “When the new iPhone came out it was way bigger than the last one, and I think because I got that new phone it was a strain to use it, you have to stretch further to hit the buttons, and I honestly think that’s how I ended up developing it.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also: &lt;a href=&#34;http://tumblr.mlarson.org/post/98314260411/15-questions-for-san-antonios-matt-bonner&#34;&gt;Matt Bonner’s sandwich metric&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.concordmonitor.com/community/town-by-town/concord/17589745-95/rapping-and-rocking-with-matt-bonner&#34;&gt;Rapping – and rocking – with Matt Bonner | Concord Monitor&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Reading War and Peace on my iPhone</title>
    <link href="https://mlarson.org/2015/07/09/reading-war-and-peace-on-my-iphone/"/>
    <updated>2015-07-09T02:44:41.000Z</updated>
    <id>https://mlarson.org/2015/07/09/reading-war-and-peace-on-my-iphone/</id>
    <content type="html">&lt;p&gt;Loved this essay from &lt;a href=&#34;https://twitter.com/pomeranian99&#34;&gt;Clive Thompson&lt;/a&gt;. The part about exporting his marginalia into a little mini-book is very intriguing. And how compelling reading changes our habits:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The phone’s extreme portability allowed me to fit Tolstoy’s book into my life, and thus to get swept up in it. And it was &lt;em&gt;being&lt;/em&gt; swept up that, ironically, made the phone’s distractions melt away. Once you’re genuinely hankering to get back to a book, to delve into the folds of its plot and the clockwork machinations of its characters, you stop needing so much mindfulness to screen out digital diversions. The book becomes the diversion itself, the thing your brain is needling you to engage with. &lt;em&gt;Stop checking your email and Twitter! You’ve got a book to read!&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bookriot.com/quarterly/bkr07/&#34;&gt;Reading War and Peace on my iPhone&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 9, 2015</title>
    <link href="https://mlarson.org/2015/07/09/heidisaman-when-youre-an-actor-you-can-act/"/>
    <updated>2015-07-09T02:39:28.000Z</updated>
    <id>https://mlarson.org/2015/07/09/heidisaman-when-youre-an-actor-you-can-act/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nr6nouzxi41roxqxqo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/post/123592175651/when-youre-an-actor-you-can-act-on-your-own&#34;&gt;heidisaman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“When you’re an actor, you can act on your own, but you kind of need to get hired. You need to be chosen. And when you’re chosen to act in something, the thing itself is already validated—it’s already real in some way. But for the most part, people who are creators—writers and directors—are always starting from zero. Nobody is &lt;em&gt;asking&lt;/em&gt; them to make what they make. Every time you set out to create something from nothing that nobody has asked for, you feel the void more than you do in any other art form. I do, anyway. I’d never experienced that with a film before &lt;em&gt;Frances Ha&lt;/em&gt;, where at first there was nothing, and then there was something because we made it. &lt;em&gt;Frances Ha&lt;/em&gt; felt like I gave birth to it. And then I realized that that’s what you have to do on every single project for the rest of your life, if this is what you want to do.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rookiemag.com/2013/08/greta-gerwig-interview/3/&#34;&gt;– Greta Gerwig on writing and acting in &lt;em&gt;Frances Ha&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Still from &lt;em&gt;Frances Ha&lt;/em&gt; (2012, dir. Noah Baumbach)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 9, 2015</title>
    <link href="https://mlarson.org/2015/07/09/balltillifall-reading-amazon-reviews-of-magic/"/>
    <updated>2015-07-09T02:36:01.000Z</updated>
    <id>https://mlarson.org/2015/07/09/balltillifall-reading-amazon-reviews-of-magic/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://balltillifall.com/post/123401683030/reading-amazon-reviews-of-magic-mike-reinforces-my&#34;&gt;balltillifall&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Reading &lt;a href=&#34;http://www.amazon.com/Magic-Mike-Blu-ray-Channing-Tatum/dp/B008WCP2KG/ref=cm_cr_pr_product_top?ie=UTF8&#34;&gt;Amazon reviews of MAGIC MIKE&lt;/a&gt; reinforces my view that it might be one of the most incredible acts of cinematic subversion of our time. Soderbergh tricked a bunch of horny Midwestern housewives into watching a super dark treatise on modern American culture by cloaking it in the trojan horse of a “sexy Channing Tatum movie” (and made a bucket of money while doing it).&lt;/p&gt;
&lt;p&gt;FURY ROAD getting a bunch of bro’s to watch a dystopian, feminist revenge flick and SPRING BREAKERS tricking tween Disney fans into seeing a fucked up Harmony Korine neon fever dream are the other other recent examples that come to mind.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Michael Clayton</title>
    <link href="https://mlarson.org/2015/07/09/michael-clayton-third-viewing-second-first/"/>
    <updated>2015-07-09T02:34:17.000Z</updated>
    <id>https://mlarson.org/2015/07/09/michael-clayton-third-viewing-second-first/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nr78g9tzmn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Michael_Clayton_%28film%29&#34;&gt;Michael Clayton&lt;/a&gt;. Third viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/81914930349/michael-clayton-i-love-this-movie-previously&#34;&gt;second&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/320599973/michael-clayton-i-was-really-impressed-with-this&#34;&gt;first&lt;/a&gt;). Something about this movie just really clicks with me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Euphoria</title>
    <link href="https://mlarson.org/2015/07/05/i-read-lily-kings-euphoria-and-loved-it-a-love/"/>
    <updated>2015-07-05T17:00:38.000Z</updated>
    <id>https://mlarson.org/2015/07/05/i-read-lily-kings-euphoria-and-loved-it-a-love/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nr0snck7st1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Lily King’s &lt;a href=&#34;http://www.amazon.com/Euphoria-Lily-King/dp/0802123708&#34;&gt;Euphoria&lt;/a&gt;, and loved it. A love triangle among anthropologists on assignment in the jungles of New Guinea! Loosely based on/inspired by the life of &lt;a href=&#34;https://en.wikipedia.org/wiki/Margaret_Mead&#34;&gt;Margaret Mead&lt;/a&gt;, who seems fascinating after doing a bit of side reading. Finding lovely turns of phrase like this is one of the reasons I read:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One woman had bright gold hair, the other eyelashes like black ferns.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 5, 2015</title>
    <link href="https://mlarson.org/2015/07/05/i-didnt-read-the-article-but-this-photo-by-billy/"/>
    <updated>2015-07-05T16:57:34.000Z</updated>
    <id>https://mlarson.org/2015/07/05/i-didnt-read-the-article-but-this-photo-by-billy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/07/tumblr_nr0xrh7bjd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I didn’t read &lt;a href=&#34;http://mobile.nytimes.com/2015/06/30/science/a-scientific-ethical-divide-between-china-and-west.html&#34;&gt;the article&lt;/a&gt;, but this photo by &lt;a href=&#34;http://www.billyhckwok.com/&#34;&gt;Billy H.C. Kwok&lt;/a&gt; is really great.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Obtuse Triangle</title>
    <link href="https://mlarson.org/2015/07/04/the-obtuse-triangle/"/>
    <updated>2015-07-04T17:51:06.000Z</updated>
    <id>https://mlarson.org/2015/07/04/the-obtuse-triangle/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“I asked him, how does it feel when people say [Phil Jackson] won only because he had Jordan, Pippen, O’Neal and Bryant? He brightened. “Feels great!” he said. “I’m so glad I had those players. Made all the difference.””&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/06/28/sports/basketball/phil-jackson-knicks-triangle-offense-nba.html&#34;&gt;The Obtuse Triangle&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Magic Mike XXL Movie Review &amp;amp; Film Summary (2015) | Roger Ebert</title>
    <link href="https://mlarson.org/2015/07/04/magic-mike-xxl-movie-review-film-summary-2015/"/>
    <updated>2015-07-04T17:48:33.000Z</updated>
    <id>https://mlarson.org/2015/07/04/magic-mike-xxl-movie-review-film-summary-2015/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When a series about a handsome and charming male stripper serves up two dud love stories in a row, you have to assume it’s intentional – that the films are genuflecting to the idea of including a “love interest,” but not trying too hard to make a convincing one, because it might interfere in with the films’ true, great, ongoing romance, between the audience’s eyeballs and Channing Tatum’s body.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rogerebert.com/reviews/magic-mike-xxl-2015&#34;&gt;Magic Mike XXL Movie Review &amp;amp; Film Summary (2015) | Roger Ebert&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Sun Never Sets: On Roger Federer, Endings, and Wimbledon</title>
    <link href="https://mlarson.org/2015/07/04/the-sun-never-sets-on-roger-federer-endings-and/"/>
    <updated>2015-07-04T17:47:46.000Z</updated>
    <id>https://mlarson.org/2015/07/04/the-sun-never-sets-on-roger-federer-endings-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Who knows what goes on in any athlete’s head, but he comes across as someone who has genuinely found a way to solve the three brutal overlapping problems that come for any really great athlete late in his or her career. Namely, how to a) keep up the phenomenal and borderline terrifying level of motivation required to commit to nonstop training and preparation after you’ve already realized all your goals, while b) making peace with the fact that you not only aren’t as good as you once were but in fact are doomed to get worse, while c) maintaining a realistic, evolving sense of what you can do so that you know how to plan and when to feel proud, frustrated, optimistic, etc.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://grantland.com/the-triangle/the-sun-never-sets-on-roger-federer-endings-and-wimbledon/&#34;&gt;The Sun Never Sets: On Roger Federer, Endings, and Wimbledon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Captive</title>
    <link href="https://mlarson.org/2015/06/29/the-captive-there-is-way-too-much-going-on-here/"/>
    <updated>2015-06-29T03:34:58.000Z</updated>
    <id>https://mlarson.org/2015/06/29/the-captive-there-is-way-too-much-going-on-here/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nqos1bl9a51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Captive_(2014_film)&#34;&gt;The Captive&lt;/a&gt;. There is way too much going on here.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jurassic World</title>
    <link href="https://mlarson.org/2015/06/29/jurassic-world-there-are-at-least-three/"/>
    <updated>2015-06-29T03:27:32.000Z</updated>
    <id>https://mlarson.org/2015/06/29/jurassic-world-there-are-at-least-three/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nqortqxjdm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Jurassic_World&#34;&gt;Jurassic World&lt;/a&gt;. There are at least three establishing shots early in the movie that make sure you’re ready, later on in the movie, for a terrible jab about high heels. It’s that sort of dedication to the stupidest things where this movie really shines. I’m curious about how this amped up B-movie plays for a young audience that doesn’t have ties to the earliest film. There’s a lot of fan service here with “remember how ___?” nudges throughout. The cellphone ringtone that pulls from the main theme was a nice touch. Along with those references, I thought I saw some borrowing from other movies, too: *Predator*-vision with people getting killed in the jungle; *King Kong*, where a monster looms over a woman in a tattered dress; flying creatures pouring over the horizon, like *The Wizard of Oz*; the scene people with tossing air tanks off the back of a vehicle has a hint of *Jaws* to it. There’s also a complete orgy of product placement! Converse, Beats, Samsung, Verizon, Coca-Cola, Blackberry, Mercedes, Starbucks, Margaritaville. I’m pretty sure I’m forgetting another 5-10, minimum. Totally shameless. It’s too bad that Chris Pratt is no fun here, mostly posing stiffly and asserting. They killed his charm, but he’s somehow still the best thing going here. D&#39;Onofrio manages to make his Hoskins character more interesting than it should be, with all the swagger and bluster. Most of the others are pretty bland. Least (spoiler) favorite (spoiler) part (spoiler): the viciously indulgent death of the British nanny. Other downsides relate to its general overstuffed-ness. Earnest family bonding moments &lt;em&gt;and&lt;/em&gt; a vast insider corporate conspiracy? That I have so much to say about this says… something. So anyway, go watch &lt;a href=&#34;http://tumblr.mlarson.org/post/121632445371/jurassic-park-damn-this-movie-is-good-one-of&#34;&gt;Jurassic Park&lt;/a&gt; instead.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Top Gun</title>
    <link href="https://mlarson.org/2015/06/24/top-gun-exhilarating-for-the-first-80-minutes-or/"/>
    <updated>2015-06-24T02:24:47.000Z</updated>
    <id>https://mlarson.org/2015/06/24/top-gun-exhilarating-for-the-first-80-minutes-or/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nqffvzhssk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Top_Gun&#34;&gt;Top Gun&lt;/a&gt;. Exhilarating for the first 80 minutes or so. Intoxicating. Is there any other movie where people are this &lt;em&gt;cool&lt;/em&gt;? So many blinding, aggressive smiles. I remember when I was a kid I thought Iceman was a punk. Now he seems so chill and reasonable. “It’s not your flying, it’s your attitude.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2015</title>
    <link href="https://mlarson.org/2015/06/24/nevver-gluyas-williams/"/>
    <updated>2015-06-24T02:15:30.000Z</updated>
    <id>https://mlarson.org/2015/06/24/nevver-gluyas-williams/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_n30nhrrpat1qz6f9yo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thisisnthappiness.com/post/80724703382/gluyas-williams&#34;&gt;nevver&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.drawger.com/kroninger/index.php?section=articles&amp;amp;article_id=14752&#34;&gt;Gluyas Williams&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Blade Runner (Final Cut)</title>
    <link href="https://mlarson.org/2015/06/22/blade-runner-final-cut-i-like-how-the-more-i/"/>
    <updated>2015-06-22T22:17:57.000Z</updated>
    <id>https://mlarson.org/2015/06/22/blade-runner-final-cut-i-like-how-the-more-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nqblb6ctrz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blade_Runner&#34;&gt;Blade Runner (Final Cut)&lt;/a&gt;. I like how the more I watch this the less I root for Deckard and the more I pull for Roy, Pris, Leon, and Zhora. Deckards’s kind of a jerk, right? Fits with the film noiriness to have a hero with a dark side. Those elements stood out a lot more this time, too, so much smoke and fog, backlighting, rainfall leaving everyone bundled and drenched. I forget how jarring some of the cuts and transitions are, but I’ll forgive a lot. Such a whole, rich world. You feel like you could go there. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/bladerunner&#34;&gt;Blade Runner&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 22, 2015</title>
    <link href="https://mlarson.org/2015/06/22/nationalgeographicscans-rug-washers-in-tehran/"/>
    <updated>2015-06-22T00:17:28.000Z</updated>
    <id>https://mlarson.org/2015/06/22/nationalgeographicscans-rug-washers-in-tehran/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_lh2ov841n41qcu97io1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nationalgeographicscans.tumblr.com/post/3463656737/rug-washers-in-tehran-iran-1960&#34;&gt;nationalgeographicscans&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Rug Washers in Tehran, Iran, 1960&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 22, 2015</title>
    <link href="https://mlarson.org/2015/06/22/photography-would-seem-to-preserve-our-past-and/"/>
    <updated>2015-06-22T00:17:23.000Z</updated>
    <id>https://mlarson.org/2015/06/22/photography-would-seem-to-preserve-our-past-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Photography would seem to preserve our past and make it invulnerable to the distortions of repeated memorial superimpositions, but I think that is a fallacy: photographs supplant the past and corrupt our memories.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Sally Mann, &lt;em&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0316247766/wwwaustinkleo-20/ref=nosim/&#34;&gt;Hold Still&lt;/a&gt;&lt;/em&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Adaptation</title>
    <link href="https://mlarson.org/2015/06/22/adaptation-i-dig-it-weird-and-lively-nicolas/"/>
    <updated>2015-06-22T00:17:18.000Z</updated>
    <id>https://mlarson.org/2015/06/22/adaptation-i-dig-it-weird-and-lively-nicolas/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nq9b2zbgre1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Adaptation_(film)&#34;&gt;Adaptation&lt;/a&gt;. I dig it. Weird and lively. Nicolas Cage is genius again. My &lt;a href=&#34;https://www.mlarson.org/tag/spikejonze&#34;&gt;Spike Jonze&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/74127803567/her-i-still-like-it-previously&#34;&gt;Her&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Adaptation&lt;/li&gt;
&lt;li&gt;Being John Malkovich&lt;/li&gt;
&lt;li&gt;“&lt;a href=&#34;https://www.youtube.com/watch?v=ila-hAUXR5U&#34;&gt;Flashing Lights&lt;/a&gt;”&lt;/li&gt;
&lt;li&gt;“&lt;a href=&#34;https://www.youtube.com/watch?v=z5rRZdiu1UE&#34;&gt;Sabotage&lt;/a&gt;”&lt;/li&gt;
&lt;li&gt;“&lt;a href=&#34;https://www.youtube.com/watch?v=5yt849wJyVk&#34;&gt;Get Back&lt;/a&gt;”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/217711955/where-the-wild-things-are-i-did-not-enjoy-this&#34;&gt;Where the Wild Things Are&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Internal Affairs</title>
    <link href="https://mlarson.org/2015/06/19/internal-affairs-the-main-reason-i-watched-this/"/>
    <updated>2015-06-19T01:16:52.000Z</updated>
    <id>https://mlarson.org/2015/06/19/internal-affairs-the-main-reason-i-watched-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nq4b37cwh11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Internal_Affairs_(film)&#34;&gt;Internal Affairs&lt;/a&gt;. The main reason I watched this was becase I’d recently watched &lt;a href=&#34;http://tumblr.mlarson.org/post/121798338441/infernal-affairs-the-source-material-for-the&#34;&gt;Infernal Affairs&lt;/a&gt;, so I figured why not. Pretty solid! I love the undercurrents of menace and heat. So much imagined, suggested, inferred. And always fun to see a charming star like Gere play someone who’s just a terrible human being.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dark Places</title>
    <link href="https://mlarson.org/2015/06/18/i-read-gillian-flynns-dark-places-but-i-didnt/"/>
    <updated>2015-06-18T01:09:13.000Z</updated>
    <id>https://mlarson.org/2015/06/18/i-read-gillian-flynns-dark-places-but-i-didnt/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nq1ep96v5u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Gillian Flynn’s &lt;a href=&#34;http://www.amazon.com/Dark-Places-Gillian-Flynn/dp/0307341577&#34;&gt;Dark Places&lt;/a&gt;, but I didn’t finish. It’s &lt;em&gt;really&lt;/em&gt; into being dark, and it leans so hard on its ugly rawness that it seems a little… insecure? Let this not dissuade you from reading or watching &lt;a href=&#34;https://www.mlarson.org/tag/gonegirl&#34;&gt;Gone Girl&lt;/a&gt;, though. That one. That’s the stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2015</title>
    <link href="https://mlarson.org/2015/06/18/i-went-on-a-little-hike-last-weekend/"/>
    <updated>2015-06-18T01:04:23.000Z</updated>
    <id>https://mlarson.org/2015/06/18/i-went-on-a-little-hike-last-weekend/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_npy493yw2s1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I went on a little hike last weekend.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2015</title>
    <link href="https://mlarson.org/2015/06/18/what-i-learned-from-prince-and-muhammad-ali-was/"/>
    <updated>2015-06-18T01:03:04.000Z</updated>
    <id>https://mlarson.org/2015/06/18/what-i-learned-from-prince-and-muhammad-ali-was/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What I learned from Prince and Muhammad Ali was that it’s possible to love yourself so much that everyone else does, too.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/anildash/status/1721819502&#34;&gt;Anil Dash&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Infernal Affairs</title>
    <link href="https://mlarson.org/2015/06/18/infernal-affairs-the-source-material-for-the/"/>
    <updated>2015-06-18T01:02:56.000Z</updated>
    <id>https://mlarson.org/2015/06/18/infernal-affairs-the-source-material-for-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nq0m30vds41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Infernal_Affairs&#34;&gt;Infernal Affairs&lt;/a&gt;. The source material for &lt;em&gt;The Departed&lt;/em&gt;, and every bit as good as it’s remake. Maybe better. I appreciate its briskness where Scorsese tends to linger. Good soundtrack for the occasional jolt, and I like the emo, slightly soap opera moments, too. I also enjoyed Tony Leung in the excellent &lt;a href=&#34;http://tumblr.mlarson.org/post/68010392281/in-the-mood-for-love-gorgeous-seductive-movie&#34;&gt;In the Mood for Love&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Train Dreams</title>
    <link href="https://mlarson.org/2015/06/16/i-read-denis-johnsons-train-dreams-and-enjoyed/"/>
    <updated>2015-06-16T00:53:20.000Z</updated>
    <id>https://mlarson.org/2015/06/16/i-read-denis-johnsons-train-dreams-and-enjoyed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_npy48u8ywe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Denis Johnson’s &lt;a href=&#34;http://www.amazon.com/Train-Dreams-Novella-Denis-Johnson/dp/1250007658&#34;&gt;Train Dreams&lt;/a&gt; and enjoyed it. Short and sharp. I like the “scenes from a life” method here. Hits some highlights, not strictly chronological, plenty of asides and characters that aren’t strictly relevant to any plot (such as it is), but add color and fragrance to the story. Parts of it based around the Pacific Northwest logging scene reminded me of &lt;a href=&#34;http://tumblr.mlarson.org/post/92335914356/i-read-john-vaillants-book-the-golden-spruce-a&#34;&gt;The Golden Spruce&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jurassic Park</title>
    <link href="https://mlarson.org/2015/06/16/jurassic-park-damn-this-movie-is-good-one-of/"/>
    <updated>2015-06-16T00:49:55.000Z</updated>
    <id>https://mlarson.org/2015/06/16/jurassic-park-damn-this-movie-is-good-one-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_npy3hyvpie1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Jurassic_Park_(film)&#34;&gt;Jurassic Park&lt;/a&gt;. Damn this movie is good. One of those movies where just skimming through search results looking for a good headline image had me smiling. Dr. Sattler is up there amongst the best heroines of the last couple decades. Smart, tough, funny, bold, decisive. (“We can discuss sexism in survival situations when I get back.”) There’s a lot of humor I’d forgetten in this one.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Are these characters… autoerotica?” “No, we don’t have any animatronics.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Some catchphrases (“Hold on to your butts.”), and a few great monologues, like…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’ll tell you the problem with the scientific power that you’re using here, it didn’t require any discipline to attain it. You read what others had done and you took the next step. You didn’t earn the knowledge for yourselves, so you don’t take any responsibility for it. You stood on the shoulders of geniuses to accomplish something as fast as you could, and before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now you’re selling it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also nice to see an action/thriller that, despite it’s crazy dinosaurs, is very human. It isn’t heavily reliant on overt evil, just self-interest and shortsightedness that devolves (see what I did there) in just about the worst ways possible. And the heroes are pretty regular people, out of their depth, but thinking on their feet and for the most part working together. Even the kids make some good decisions. Maybe the best sequence in the whole thing is where that teamwork is undercut by each group working with limited information. Dr. Grant and the kids are making their way back to HQ, while the folks at HQ are working to get the power back on. It’s brilliant. Each group is separately in danger, each one needs to succeed, and the success of one group of good guys, at the wrong time, is really gonna screw over the others. I’m surprised more movies don’t do something like that – the same team accidentally working at cross-purposes. If you haven’t seen this in a while… fix that.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bright Wall/Dark Room June 2015: A History of Violence</title>
    <link href="https://mlarson.org/2015/06/16/bright-walldark-room-june-2015-a-history-of/"/>
    <updated>2015-06-16T00:35:22.000Z</updated>
    <id>https://mlarson.org/2015/06/16/bright-walldark-room-june-2015-a-history-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The scaffolding around this essay is my unshakeable belief that images matter, in real time and in retrospect, because visual media can and do shape the way we see the world, frequently more than we bargained for. Does Hersh’s account transform “Zero Dark Thirty” from half fact into whole fiction? If the cinematic treatment of a supposedly true story turns out to be a lie, does that make it propaganda? To what, exactly, can we ascribe the profusion of doubt that’s accompanied this tale of sound and fury, and what does it mean that this is a story we can’t seem to tell, much less find the moral in?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really liked this essay (and &lt;a href=&#34;http://tumblr.mlarson.org/post/41156619686/zero-dark-thirty-i-cant-think-of-many-movies&#34;&gt;the movie&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rogerebert.com/balder-and-dash/bright-wall-dark-room-june-2015-a-history-of-violence&#34;&gt;Bright Wall/Dark Room June 2015: A History of Violence&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Secret of NIMH</title>
    <link href="https://mlarson.org/2015/06/14/the-secret-of-nimh-id-heard-about-it-for-ages/"/>
    <updated>2015-06-14T17:26:27.000Z</updated>
    <id>https://mlarson.org/2015/06/14/the-secret-of-nimh-id-heard-about-it-for-ages/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_npy2v793dj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Secret_of_NIMH&#34;&gt;The Secret of NIMH&lt;/a&gt;. I’d heard about it for ages, but this was the first time I’d seen it. Stumbled on a big-screen showing on a recent trip to San Francisco, and I figured why not? So much more funny and bizarre than I expected. I’m having a hard time imagining a similarly weird movie like this coming out any time soon. Refugee displacement, magic, biomedial ethics, eugenics, interspecies rivalry and cooperation, etc. I’ve been watching (slightly) more &lt;a href=&#34;https://www.mlarson.org/tag/animation&#34;&gt;animated stuff&lt;/a&gt; lately, with good results.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Margin Call</title>
    <link href="https://mlarson.org/2015/06/14/margin-call-be-first-be-smarter-or-cheat/"/>
    <updated>2015-06-14T17:08:13.000Z</updated>
    <id>https://mlarson.org/2015/06/14/margin-call-be-first-be-smarter-or-cheat/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_nppmrdq8fc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Margin_Call_(film)&#34;&gt;Margin Call&lt;/a&gt;. “Be first, be smarter, or cheat.” Good ensemble corporate thriller. I don’t understand Kevin Spacey. Given the strength of this and &lt;a href=&#34;http://tumblr.mlarson.org/post/107130668266/all-is-lost-loved-it-perfect-movie-for-the&#34;&gt;All Is Lost&lt;/a&gt;, I guess I should get around to seeing &lt;em&gt;A Most Violent Year&lt;/em&gt;. Other good movies about corporate crises: &lt;a href=&#34;http://tumblr.mlarson.org/post/73266639693/arbitrage-throws-you-in-the-middle-and-lets-you&#34;&gt;Arbitrage&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/81914930349/michael-clayton-i-love-this-movie-previously&#34;&gt;Michael Clayton&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/118657734181/the-insider-its-awesome-like-all-the-rest-of&#34;&gt;The Insider&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/115616490096/the-social-network-i-didnt-like-the-zuckerberg&#34;&gt;The Social Network&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/31737083925/the-informant-soderbergh-walks-a-fine-line-here&#34;&gt;The Informant!&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2015</title>
    <link href="https://mlarson.org/2015/06/10/the-cine-files-the-tinnitus-trope-acoustic/"/>
    <updated>2015-06-10T02:13:06.000Z</updated>
    <id>https://mlarson.org/2015/06/10/the-cine-files-the-tinnitus-trope-acoustic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_npnmfbrtzv1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thecine-files.com/the-tinnitus-trope/&#34;&gt;The Cine-Files » THE TINNITUS TROPE: ACOUSTIC TRAUMA IN NARRATIVE FILM&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How—if at all—do increasing or changing representations of acoustic trauma articulate with changing notions of nation, security, and warfare? Tinnitus is the top disability in American troops returning from Iraq and Afghanistan and untold numbers of westerners have experienced it after terrorist attacks in New York, Madrid, London, and Boston. It does seem plausible that consequence-free cinematic explosions began to strain credulity (not to mention morality) after such attacks, even for those who have not directly experienced acoustic trauma. Tinnitus offers an economical representation of trauma in films that aspire to some level of realism and empathy—and in fact, researchers view tinnitus and PTSD as related. Could a nation’s trauma be sounding in the ears of its onscreen heroes?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2015</title>
    <link href="https://mlarson.org/2015/06/10/listen-for-follow-up-questions-because-when-those/"/>
    <updated>2015-06-10T02:12:58.000Z</updated>
    <id>https://mlarson.org/2015/06/10/listen-for-follow-up-questions-because-when-those/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Listen for follow-up questions, because when those dry up, that means your companion’s interest usually has, too.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-keeping-a-health-saga-from-becoming-a-conversation-stopper/2015/06/07/ec163c58-fe5b-11e4-8b6c-0dcce21e223d_story.html?wprss=rss_carolyn-hax&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>CONVERSATIONS ON SLOWNESS | Vestoj</title>
    <link href="https://mlarson.org/2015/06/10/conversations-on-slowness-vestoj/"/>
    <updated>2015-06-10T02:12:41.000Z</updated>
    <id>https://mlarson.org/2015/06/10/conversations-on-slowness-vestoj/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When we talk about the 1970s for instance, they think about ABBA as one of the icons of the decade. They don’t know that ABBA at the time was considered to be extremely bad taste – vulgar and completely unfashionable. ABBA was still wearing platform shoes when everyone else had already moved on. What I mean to say is that it’s not always the best versions of the past that live on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://vestoj.com/conversations-on-slowness-2/&#34;&gt;CONVERSATIONS ON SLOWNESS | Vestoj&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Heart Machine</title>
    <link href="https://mlarson.org/2015/06/09/the-heart-machine-i-liked-it-good-movie-about/"/>
    <updated>2015-06-09T02:01:07.000Z</updated>
    <id>https://mlarson.org/2015/06/09/the-heart-machine-i-liked-it-good-movie-about/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_npnmxk0dqo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Heart_Machine&#34;&gt;The Heart Machine&lt;/a&gt;. I liked it! Good movie about FOMO, longing, lies, relationship anxiety, and the going bonkers as a result of all that. Other highly recommended movies about technology and mysteries about the person you’re falling in love with: &lt;a href=&#34;http://tumblr.mlarson.org/post/106914788376/the-one-i-love-highly-recommended-a-lot-of-fun&#34;&gt;The One I Love&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/spikejonze&#34;&gt;Her&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/117480297926/ex-machina-one-of-my-favorites-of-the-year-so&#34;&gt;Ex Machina&lt;/a&gt;, and &lt;a href=&#34;https://www.mlarson.org/tag/bladerunner&#34;&gt;Blade Runner&lt;/a&gt;. Apparently this is one of my favorite genres.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thrillers</title>
    <link href="https://mlarson.org/2015/06/09/thrillers/"/>
    <updated>2015-06-09T01:43:34.000Z</updated>
    <id>https://mlarson.org/2015/06/09/thrillers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are a lot of ways for a novelist to create suspense, but also really only two: one a trick, one an art.&lt;/p&gt;
&lt;p&gt;The trick is to keep a secret. Or many secrets, even. In Lee Child’s books, Jack Reacher always has a big mystery to crack, but there are a series of smaller mysteries in the meantime, too, a new one appearing as soon as the last is resolved. J. K. Rowling is another master of this technique — Who gave Harry that Firebolt? How is Rita Skeeter getting her info?&lt;/p&gt;
&lt;p&gt;The art, meanwhile, the thing that makes “Pride and Prejudice” so superbly suspenseful, more suspenseful than the slickest spy novel, is to write stories in which characters must make decisions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/05/31/books/review/thrillers.html&#34;&gt;Thrillers&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Michael Pollan Is Wrong About Artisanal Food</title>
    <link href="https://mlarson.org/2015/06/09/why-michael-pollan-is-wrong-about-artisanal-food/"/>
    <updated>2015-06-09T01:42:01.000Z</updated>
    <id>https://mlarson.org/2015/06/09/why-michael-pollan-is-wrong-about-artisanal-food/</id>
    <content type="html">&lt;p&gt;I’m kind of exhausted with food talk these days, so I almost skipped this interview. Glad I didn’t. It’s a great change of pace.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Farm products are not food; they are the raw materials for food. Turning plants and animals into something edible is just as difficult, just as laborious as farming itself. Very few of our calories come from raw, unprocessed food. And if those calories are from fruits and vegetables, then it’s only because centuries of breeding has made them less chewy, more tasty, and easier to digest. Cooking, which is one part of processing, went hand in hand with becoming human. Human food is processed food. And there are good reasons for this. Overall, processed foods are easier to eat and digest, more nutritious, tastier, safer, and longer lasting. The idea that any change made in the raw material is detrimental is just flat wrong. […] That we can talk about “A cake made from scratch” when the butter, sugar, and flour that go into it are are highly processed shows how we have lost awareness of the energy that formerly went into food preparation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonian.com/blogs/bestbites/todd-kliman-otherwise/rachel-lauden-how-michael-pollan-alice-waters-got-everything-wrong.php&#34;&gt;Why Michael Pollan Is Wrong About Artisanal Food&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mad Max: Fury Road</title>
    <link href="https://mlarson.org/2015/06/09/mad-max-fury-road-ridiculously-fun-and-so/"/>
    <updated>2015-06-09T01:31:23.000Z</updated>
    <id>https://mlarson.org/2015/06/09/mad-max-fury-road-ridiculously-fun-and-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/06/tumblr_np1hyyogng1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mad_Max:_Fury_Road&#34;&gt;Mad Max: Fury Road&lt;/a&gt;. Ridiculously fun, and so refreshing. I do wish the dialogue were more intelligible. I would have killed for some subtitles or something in the first 10-15 minutes. Sneaky side-effect, though, is that it makes you dial in a bit more, and pay attention. On the other other hand, it doesn’t matter too much, though, as it’s a (very extended) chase film where the details don’t matter too much. (Made me think of &lt;a href=&#34;http://tumblr.mlarson.org/post/9838846888/apocalypto-i-got-a-kick-out-of-this-one-at-its&#34;&gt;Apocalypto&lt;/a&gt; in its relentlessness.) Furiosa joins a long, storied line of &lt;a href=&#34;http://tvtropes.org/pmwiki/pmwiki.php/Main/BaldWomen&#34;&gt;shaven-head heroines&lt;/a&gt; like &lt;a href=&#34;http://tumblr.mlarson.org/post/19345857994/aliens-this-is-how-you-do-a-sequel-extend-not&#34;&gt;Ripley&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/20752921208/star-trek-the-motion-picture-and-so-it-begins&#34;&gt;Lt. Ilia&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/38972176455/thx-1138-part-of-me-wishes-that-george-lucas-had&#34;&gt;LUH-3417&lt;/a&gt;, what’s-her-face in &lt;em&gt;V for Vendetta&lt;/em&gt;, et al. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/roadmovies&#34;&gt;road movies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Loveless</title>
    <link href="https://mlarson.org/2015/05/29/the-loveless-gotta-admit-i-got-really-restless/"/>
    <updated>2015-05-29T02:16:29.000Z</updated>
    <id>https://mlarson.org/2015/05/29/the-loveless-gotta-admit-i-got-really-restless/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_np39lnui1b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Loveless&#34;&gt;The Loveless&lt;/a&gt;. Gotta admit I got really restless watching this one. Funny to see old fashion from yesteryear that’s still around today, but the cultural associations are so different. I love &lt;a href=&#34;https://www.mlarson.org/tag/willemdafoe&#34;&gt;Willem Dafoe&lt;/a&gt;. Another willfully slow-paced and stylish movie with a hero on the fringe: &lt;a href=&#34;http://tumblr.mlarson.org/post/118495169321/a-girl-walks-home-alone-at-night-thrives-more-on&#34;&gt;A Girl Walks Home Alone at Night&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/36103929315/easy-rider-two-rebels-made-their-compromise-and&#34;&gt;Easy Rider&lt;/a&gt; is a better movie focused on bikers. Can I count &lt;a href=&#34;http://tumblr.mlarson.org/post/48704407077/the-place-beyond-the-pines-its-a-bummer-that-the&#34;&gt;The Place Beyond the Pines&lt;/a&gt;, too? And yeah, &lt;a href=&#34;http://tumblr.mlarson.org/post/245600058/sherlock-jr-this-is-a-great-movie-watch-the&#34;&gt;Sherlock Jr.&lt;/a&gt; has one of the &lt;a href=&#34;https://www.youtube.com/watch?v=Cp5fTvEWdh4&#34;&gt;best motorcycle scenes you’ll ever see&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blue Steel</title>
    <link href="https://mlarson.org/2015/05/29/blue-steel-it-took-me-a-while-to-realize-id-seen/"/>
    <updated>2015-05-29T01:58:40.000Z</updated>
    <id>https://mlarson.org/2015/05/29/blue-steel-it-took-me-a-while-to-realize-id-seen/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_np38vqu4fh1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blue_Steel_(1989_film)&#34;&gt;Blue Steel&lt;/a&gt;. It took me a while to realize I’d seen big chunks of this one before. Jamie Lee Curtis is a cop with itchy trigger finger issues, but she’s also in a frame and no one believes her! Interesting to watch this in the wake of &lt;a href=&#34;http://tumblr.mlarson.org/post/119974753086/the-thin-blue-line-i-appreciated-it-more-for&#34;&gt;The Thin Blue Line&lt;/a&gt; and see how easily cops are over-committed to their early suspicions and prejudices. Slowly catching up on &lt;a href=&#34;https://www.mlarson.org/tag/kathrynbigelow&#34;&gt;Kathryn Bigelow films&lt;/a&gt;. She’s good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Robots Are Winning! by Daniel Mendelsohn</title>
    <link href="https://mlarson.org/2015/05/26/the-robots-are-winning-by-daniel-mendelsohn/"/>
    <updated>2015-05-26T23:22:32.000Z</updated>
    <id>https://mlarson.org/2015/05/26/the-robots-are-winning-by-daniel-mendelsohn/</id>
    <content type="html">&lt;p&gt;On two strains of Greek narrative (economic and theological) that continue in modern science fiction storytelling. Good stuff. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/danielmendelsohn&#34;&gt;Daniel Mendelsohn&lt;/a&gt;. &lt;a href=&#34;http://www.nybooks.com/articles/archives/2015/jun/04/robots-are-winning/&#34;&gt;The Robots Are Winning! by Daniel Mendelsohn&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Our Pampered Wilderness</title>
    <link href="https://mlarson.org/2015/05/26/our-pampered-wilderness/"/>
    <updated>2015-05-26T23:22:21.000Z</updated>
    <id>https://mlarson.org/2015/05/26/our-pampered-wilderness/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A reservation can cost up to $220 per night for a minimum two-night weekend stay in midsummer. Coffee delivered at your tent-flap is $9 extra. This is the worst thing to happen to public camping since poison ivy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/05/24/opinion/sunday/our-pampered-wilderness.html&#34;&gt;Our Pampered Wilderness&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Thin Blue Line</title>
    <link href="https://mlarson.org/2015/05/26/the-thin-blue-line-i-appreciated-it-more-for/"/>
    <updated>2015-05-26T23:21:19.000Z</updated>
    <id>https://mlarson.org/2015/05/26/the-thin-blue-line-i-appreciated-it-more-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_novypskj4f1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Thin_Blue_Line_(1988_film)&#34;&gt;The Thin Blue Line&lt;/a&gt;. I appreciated it more for historical/influence reasons than for the viewing experience. &lt;a href=&#34;http://www.criterion.com/current/posts/3500-the-thin-blue-line-a-radical-classic&#34;&gt;Charles Musser’s Criterion essay&lt;/a&gt; helps put it into context.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Happy People: A Year in the Taiga</title>
    <link href="https://mlarson.org/2015/05/26/happy-people-a-year-in-the-taiga-it-tracks-a/"/>
    <updated>2015-05-26T01:21:53.000Z</updated>
    <id>https://mlarson.org/2015/05/26/happy-people-a-year-in-the-taiga-it-tracks-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_novycseexw1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Happy_People:_A_Year_in_the_Taiga&#34;&gt;Happy People: A Year in the Taiga&lt;/a&gt;. It tracks a year in the lives of Siberian trappers, mostly. Deep Russia is such a strange place. I’m both in love and terrified. Definitely want to see more Herzog, documentaries in particular. So far I’ve only seen &lt;a href=&#34;http://tumblr.mlarson.org/post/32984757147/grizzly-man-what-some-call-crazy-others-call&#34;&gt;Grizzly&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/118495177506/grizzly-man-second-viewing-the-first-i-found&#34;&gt;Man&lt;/a&gt; a couple times, and &lt;a href=&#34;http://tumblr.mlarson.org/post/62209662884/the-bad-lieutenant-port-of-call-new-orleans-its&#34;&gt;The Bad Lieutenant: Port of New Orleans&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Three-Ten to Yuma, and Other Stories</title>
    <link href="https://mlarson.org/2015/05/25/i-read-elmore-leonards-three-ten-to-yuma-and/"/>
    <updated>2015-05-25T20:05:39.000Z</updated>
    <id>https://mlarson.org/2015/05/25/i-read-elmore-leonards-three-ten-to-yuma-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_novztckbxc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Elmore Leonard’s &lt;a href=&#34;http://www.amazon.com/Three-Ten-Other-Stories-Elmore-Leonard/dp/0061121649&#34;&gt;Three-Ten to Yuma, and Other Stories&lt;/a&gt; because I really liked &lt;a href=&#34;http://tumblr.mlarson.org/post/8338835528/3-10-to-yuma-1957-this-is-another-western-with&#34;&gt;the old movie&lt;/a&gt; that was based on the title story. The others are similarly brisk and evocative of more than they say explicitly. This was a great fit with my current reading cycle. Some small tasty bits to shake things up between a couple longer ones.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 25, 2015</title>
    <link href="https://mlarson.org/2015/05/25/dont-you-forget-about-me-a-tribute-to-80s/"/>
    <updated>2015-05-25T18:50:46.000Z</updated>
    <id>https://mlarson.org/2015/05/25/dont-you-forget-about-me-a-tribute-to-80s/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/kYJgCp_9h48&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=kYJgCp_9h48&#34;&gt;Don’t You (Forget About Me) - A Tribute to 80’s Teen Movies&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/asymmetricinfo/status/602445233847144450&#34;&gt;via&lt;/a&gt;). So many formative feelings here.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Orion Magazine | Landspeak</title>
    <link href="https://mlarson.org/2015/05/25/orion-magazine-landspeak/"/>
    <updated>2015-05-25T03:19:13.000Z</updated>
    <id>https://mlarson.org/2015/05/25/orion-magazine-landspeak/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A new edition of the Oxford Junior Dictionary was published. A sharp-eyed reader noticed that there had been a culling of words concerning nature. Under pressure, Oxford University Press revealed a list of the entries it no longer felt to be relevant to a modern-day childhood. The deletions included acorn, adder, ash, beech, bluebell, buttercup, catkin, conker, cowslip, cygnet, dandelion, fern, hazel, heather, heron, ivy, kingfisher, lark, mistletoe, nectar, newt, otter, pasture, and willow. The words introduced to the new edition included attachment, block-graph, blog, broadband, bullet-point, celebrity, chatroom, committee, cut-and-paste, MP3 player, and voice-mail.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://orionmagazine.org/article/landspeak/&#34;&gt;Orion Magazine | Landspeak&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Heat</title>
    <link href="https://mlarson.org/2015/05/25/heat-fourth-viewing-cant-get-enough-of-this/"/>
    <updated>2015-05-25T03:19:07.000Z</updated>
    <id>https://mlarson.org/2015/05/25/heat-fourth-viewing-cant-get-enough-of-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_nou1ugmm7b1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Heat_%281995_film%29&#34;&gt;Heat&lt;/a&gt;. Fourth viewing. Can’t get enough of this movie. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/heat&#34;&gt;Heat&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Secret of Kells</title>
    <link href="https://mlarson.org/2015/05/25/the-secret-of-kells-gorgeous-but-a-little-thin/"/>
    <updated>2015-05-25T03:03:59.000Z</updated>
    <id>https://mlarson.org/2015/05/25/the-secret-of-kells-gorgeous-but-a-little-thin/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_nou1kd2vvc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Secret_of_Kells&#34;&gt;The Secret of Kells&lt;/a&gt;. Gorgeous, but a little thin, story-wise. It focuses on Brendan, and hints at so many possibilities about creativity, religion, fear, duty, and so on… but only hints, and left me wanting more. Not sure there’s enough in here for kids, either, now that I think about it. Beautiful, though. I love that it embraces the frame and uses big chunks of the screen borders just for mood/decoration when it feels like it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sphinx</title>
    <link href="https://mlarson.org/2015/05/17/i-read-anne-garretas-sphinx-and-theres-a-crazy/"/>
    <updated>2015-05-17T16:36:42.000Z</updated>
    <id>https://mlarson.org/2015/05/17/i-read-anne-garretas-sphinx-and-theres-a-crazy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_nohznd2ucb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Anne Garréta’s &lt;a href=&#34;http://www.amazon.com/Sphinx-Anne-Garreta/dp/1941920098&#34;&gt;Sphinx&lt;/a&gt;, and there’s a crazy &lt;a href=&#34;http://en.wikipedia.org/wiki/Oulipo&#34;&gt;Oulipian&lt;/a&gt; experiment going on here. Once you realize the constraint that makes this book strange and different, you can’t help but be impressed that it was 1) written and 2) translated well (shout-out to &lt;a href=&#34;http://deepvellum.org/&#34;&gt;Deep Vellum&lt;/a&gt;). It’s a story of the narrator’s obsession and romance, “caught up in a love that was always uncompleting itself”. I enjoyed it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Inner Game of Tennis</title>
    <link href="https://mlarson.org/2015/05/14/i-read-timothy-gallweys-the-inner-game-of-tennis/"/>
    <updated>2015-05-14T02:41:57.000Z</updated>
    <id>https://mlarson.org/2015/05/14/i-read-timothy-gallweys-the-inner-game-of-tennis/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no5hdihdn71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Timothy Gallwey’s &lt;a href=&#34;http://www.amazon.com/Inner-Game-Tennis-Classic-Performance/dp/0679778314&#34;&gt;The Inner Game of Tennis&lt;/a&gt;, and really enjoyed it. It’s one of those “hub” books you come across every so often, where you realize there are spokes sticking out into a bunch of other stuff that’s been on your mind lately. Gallwey’s working theory here is about the internal dichotomy between “Self 1” and “Self 2” in performance. Self 1 is that voice inside, that part of you that “knows” how to do things, that instructs, urges, reprimands, exhorts. Self 2 is the one that does things. Given that Self 1 is so eager to “try hard” and correct and evaluate, successful practice and performance is about building trust for Self 2 and learning through practice and simple observation.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Letting go of judgments does not mean ignoring errors. It simply means seeing events as they are and not adding anything to them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Mindfulness! There’s a flip side of that, too – Self 1 can be too pleased with itself when things are going well. Self-congratulations also takes you out of the moment. I really like this section, about avoiding criticism as we learn:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When plant a rose seed in the earth, we notice that it is small, but we do not criticize it as “rootless and stemless”. We treat it as a seed, giving it the water and nourishment required of a seed. When it first shoots up out of the earth, we don’t condemn it as immature and underdeveloped; nor do we criticize the buds for not being open when they appear. We stand in wonder at the process taking place and give the plant the care it needs at each stage of its development. The rose is a rose from the time it is a seed to the time it dies. Within it, at all times, it contains its whole potential.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another interesting bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you think you are controlled by a habit, then you will feel you have to try to break it. […] There is no need to fight old habits. Start new ones.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And I thought this was nicely phrased…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Natural focus occurs when the mind is interested.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Focus isn’t something we &lt;em&gt;do&lt;/em&gt;, it’s something that &lt;em&gt;results&lt;/em&gt;. I also like one final section on the games that people play aside from the actual game itself. We each tend to embrace different goals within the game: to be perfect, to be better than the other guy, to &lt;em&gt;appear&lt;/em&gt; to be great, to bond, to learn, to be challenged, etc. Each of these motivations influence and contaminate and distract us from performance to some degree. Very highly recommended! Some other related posts around here: &lt;a href=&#34;http://tumblr.mlarson.org/post/74059028141/never-try-to-look-cool-and-learn-something-at-the&#34;&gt;Never try to look cool and learn something at the same time&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/473651507/if-you-are-feeling-nervous-nervous-is-good-all&#34;&gt;Nervous is good&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/17264877155/flight-of-the-concord-the-perils-of-the-recording&#34;&gt;Performance vs. editing&lt;/a&gt;. In order to have your best performance &lt;a href=&#34;http://tumblr.mlarson.org/post/713239147/the-purpose-is-to-give-yourself-an-opportunity-to&#34;&gt;you have to be relaxed&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/470517853/sext-by-w-h-auden&#34;&gt;That eye-on-the-object look&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/47916635620/whats-done-is-done-reality-not-maybe-is-zen&#34;&gt;Reality not maybe is zen&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/35069194717/festina-lente-wikipedia-the-free-encyclopedia&#34;&gt;Festina lente&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/757936164/this-is-a-surprisingly-great-interview-with-jason&#34;&gt;Willing to be shit at things&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/53675359031/i-love-the-fact-that-im-bad-at-things-you-know&#34;&gt;Forever the 5-year-old of something&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/20470078674/all-you-had-to-do-was-look-at-each-of-your-players&#34;&gt;A good coach made you suffer in a way that suited you&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Carolyn Hax: A friend with seemingly everything still has time for fine whine</title>
    <link href="https://mlarson.org/2015/05/14/carolyn-hax-a-friend-with-seemingly-everything/"/>
    <updated>2015-05-14T02:35:53.000Z</updated>
    <id>https://mlarson.org/2015/05/14/carolyn-hax-a-friend-with-seemingly-everything/</id>
    <content type="html">&lt;p&gt;Classic &lt;a href=&#34;https://www.mlarson.org/tag/carolynhax&#34;&gt;Hax&lt;/a&gt;. You have to be pretty open-minded and self-aware to be able to sympathize with those who appear to be (and may objectively be) more fortunate than you are.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Or she’s genuinely unhappy. It can, of course, happen amid gaudy equity, lovely kids, an attentive spouse, a flexible career, stable finances and ambitious travel; just because these have societal value doesn’t mean they’re valuable to her. And just because the decisions were “very-thought-out” doesn’t mean they were the right ones for her. If a person’s baseline understanding of herself is a degree or two off, then her choices can lead her, over the years, hundreds of miles off-course.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-a-friend-with-seemingly-everything-still-has-time-for-fine-whine/2015/05/12/88f226c6-ee95-11e4-8666-a1d756d0218e_story.html&#34;&gt;Carolyn Hax: A friend with seemingly everything still has time for fine whine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Zen Mind, Beginner&#39;s Mind</title>
    <link href="https://mlarson.org/2015/05/13/i-read-zen-mind-beginners-mind-but-it-took-me-a/"/>
    <updated>2015-05-13T00:33:33.000Z</updated>
    <id>https://mlarson.org/2015/05/13/i-read-zen-mind-beginners-mind-but-it-took-me-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no5hcq2gih1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read &lt;a href=&#34;http://www.amazon.com/Zen-Mind-Beginners-Shunryu-Suzuki/dp/1590308492&#34;&gt;Zen Mind, Beginner’s Mind&lt;/a&gt;, but it took me a while. When it’s good, it’s great. When it’s not, it’s a wispy, ambiguous snoozer. Seems like a book you really have to just vacuum up in one fell swoop… or save it and nibble every now and then. I took the slow route.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crucial Conversations: Tools for Talking When the Stakes Are High</title>
    <link href="https://mlarson.org/2015/05/12/i-re-read-crucial-conversations-a-book-id-read/"/>
    <updated>2015-05-12T03:03:17.000Z</updated>
    <id>https://mlarson.org/2015/05/12/i-re-read-crucial-conversations-a-book-id-read/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no5hcbsbxs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I re-read &lt;a href=&#34;http://www.amazon.com/Crucial-Conversations-Talking-Stakes-Second/dp/0071771328&#34;&gt;Crucial Conversations&lt;/a&gt;, a book I’d read for a previous job years and years ago. It’s proven its worth many times over. It’s all about creating safety when you need to hold people accountable, or have other awkward conversations where your counterpart’s defenses (and your own!) are going to be on high alert.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I was an undercover Uber driver</title>
    <link href="https://mlarson.org/2015/05/11/i-was-an-undercover-uber-driver/"/>
    <updated>2015-05-11T01:36:33.000Z</updated>
    <id>https://mlarson.org/2015/05/11/i-was-an-undercover-uber-driver/</id>
    <content type="html">&lt;p&gt;An interesting take I haven’t seen elsewhere. Plenty of stuff I’d never thought about before, like:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One way Uber has fewer costs than the taxi companies is that its drivers use their personal insurance policies as their primary coverage.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The &lt;a href=&#34;http://citypaper.net/uber-driver-tricks/&#34;&gt;companion piece&lt;/a&gt; has some interesting tips and tricks. Gotta know where the free parking and bathrooms are.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://citypaper.net/uberdriver/&#34;&gt;I was an undercover Uber driver&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Predestination</title>
    <link href="https://mlarson.org/2015/05/11/predestination-the-brisk-opening-especially-felt/"/>
    <updated>2015-05-11T01:32:37.000Z</updated>
    <id>https://mlarson.org/2015/05/11/predestination-the-brisk-opening-especially-felt/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no2dc4ilcq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Predestination_(film)&#34;&gt;Predestination&lt;/a&gt;. The brisk opening especially felt a little 1990s-ish, in a good way. I wish that pace had kept up. Reminded me of &lt;a href=&#34;http://tumblr.mlarson.org/post/23934998854/dark-city-thoroughly-enjoyable-great-sets-and&#34;&gt;Dark City&lt;/a&gt; a bit. Love the costume and set details that keep you oriented. As with many labyrinthine movies, I’m curious about what the experience would be like if they told it straight, in one chronology. There’s so much story in this story that it sort of spoils itself, but… I liked it. How wrong can you go with time travel?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Insider</title>
    <link href="https://mlarson.org/2015/05/11/the-insider-its-awesome-like-all-the-rest-of/"/>
    <updated>2015-05-11T01:32:33.000Z</updated>
    <id>https://mlarson.org/2015/05/11/the-insider-its-awesome-like-all-the-rest-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no2cqdjese1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Insider_(film)&#34;&gt;The Insider&lt;/a&gt;. It’s awesome, like all the rest of Michael Mann’s stuff. He’s got such a great handle on momentum within and across scenes. Great cast across the board. Love the mini-breaks just to gaze and reflect and get in their heads a bit. (Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/michaelmann&#34;&gt;Michael Mann&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pitch Perfect</title>
    <link href="https://mlarson.org/2015/05/10/pitch-perfect-a-perfectly-average-and-enjoyable/"/>
    <updated>2015-05-10T19:09:40.000Z</updated>
    <id>https://mlarson.org/2015/05/10/pitch-perfect-a-perfectly-average-and-enjoyable/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no2cb4l35w1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Pitch_Perfect&#34;&gt;Pitch Perfect&lt;/a&gt;. A perfectly average and enjoyable modern musical comedy. So much of the humor is non sequitur. Anna Kendrick is a delight, as always. I won’t go out of my way to watch the sequel, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Grizzly Man</title>
    <link href="https://mlarson.org/2015/05/09/grizzly-man-second-viewing-the-first-i-found/"/>
    <updated>2015-05-09T03:40:43.000Z</updated>
    <id>https://mlarson.org/2015/05/09/grizzly-man-second-viewing-the-first-i-found/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no2buzifgo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Grizzly_Man&#34;&gt;Grizzly Man&lt;/a&gt;. Second viewing. (&lt;a href=&#34;http://tumblr.mlarson.org/post/32984757147/grizzly-man-what-some-call-crazy-others-call&#34;&gt;The first&lt;/a&gt;.) I found myself less sympathetic and more disturbed and saddened the second time around.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Girl Walks Home Alone at Night</title>
    <link href="https://mlarson.org/2015/05/09/a-girl-walks-home-alone-at-night-thrives-more-on/"/>
    <updated>2015-05-09T03:40:36.000Z</updated>
    <id>https://mlarson.org/2015/05/09/a-girl-walks-home-alone-at-night-thrives-more-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/05/tumblr_no2bpd9ny01qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Girl_Walks_Home_Alone_at_Night&#34;&gt;A Girl Walks Home Alone at Night&lt;/a&gt;. Thrives more on effective mood and style and ambiance than narrative strength. Too cool for its own good, in both sense of the word (for my tastes), but it’s fresh, and I like the genre-blending across western, noir, and horror. &lt;a href=&#34;http://www.amazon.com/Girl-Walks-Home-Alone-Night/dp/B00VKUUG6M&#34;&gt;Soundtrack&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Yorker’s Susan Orlean on the magic and mystery of writing</title>
    <link href="https://mlarson.org/2015/05/09/the-new-yorkers-susan-orlean-on-the-magic-and/"/>
    <updated>2015-05-09T03:40:34.000Z</updated>
    <id>https://mlarson.org/2015/05/09/the-new-yorkers-susan-orlean-on-the-magic-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I also think if you’ve got writer’s block, you don’t have writer’s block. You have reporter’s block. You only are having trouble writing because you don’t actually yet know what you’re trying to say, and that usually means you don’t have enough information. That’s the signal to walk away from the keyboard, think about what it is that you don’t really know yet, and go do that reporting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My father was really, really the author of my particular personality. He gave me a million different pieces of advice, but one that comes up all the time is: Anything that can be fixed with money isn’t worth crying over.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/blogs/on-leadership/wp/2015/04/24/the-new-yorkers-susan-orlean-on-the-magic-and-mystery-of-writing/&#34;&gt;The New Yorker’s Susan Orlean on the magic and mystery of writing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wolf in White Van</title>
    <link href="https://mlarson.org/2015/04/28/i-read-john-darnielles-wolf-in-white-van-but/"/>
    <updated>2015-04-28T22:35:41.000Z</updated>
    <id>https://mlarson.org/2015/04/28/i-read-john-darnielles-wolf-in-white-van-but/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nnjfpxfmt01qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read John Darnielle’s &lt;a href=&#34;http://www.amazon.com/Wolf-White-Van-John-Darnielle/dp/0374292086&#34;&gt;Wolf in White Van&lt;/a&gt;, but only 1/3 or so. Onward!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>That Ominous Pulse</title>
    <link href="https://mlarson.org/2015/04/28/that-ominous-pulse/"/>
    <updated>2015-04-28T22:35:38.000Z</updated>
    <id>https://mlarson.org/2015/04/28/that-ominous-pulse/</id>
    <content type="html">&lt;p&gt;I’ve noticed a few recent movies with electro-ish scores that feature some sort of pulse or buzz or building waves of raw sound. Not especially melodic, just a persistent, engulfing motif that swallows you up.&lt;/p&gt;
&lt;p&gt;From *Upstream Color*, one of my favorite soundtrack moments in recent memory, “As If It Would Have A Universal And Memorable Ending”:&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/6QYwhrWoLuE&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;From *Gone Girl*, “Consummation”:&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/U38JBoY09GI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;And recently in *Ex Machina*, there’s the last minute or so of “Hacking/Cutting”:&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/snjBBVWFPSc&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;The last two especially remind me of the opening few seconds of &lt;a href=&#34;https://www.youtube.com/watch?v=D4zfJpdSi6k&#34;&gt;Yeezus&lt;/a&gt;. I’m sure I’m missing some other good examples?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>True Grit</title>
    <link href="https://mlarson.org/2015/04/28/i-read-charles-portis-true-grit-and-was-surprised/"/>
    <updated>2015-04-28T22:26:04.000Z</updated>
    <id>https://mlarson.org/2015/04/28/i-read-charles-portis-true-grit-and-was-surprised/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nnfh8webk81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Charles Portis’ &lt;a href=&#34;http://www.amazon.com/Charles-Portis-True-Grit/dp/B005YPIFTY&#34;&gt;True Grit&lt;/a&gt; and was surprised how it manages to wring so much humor out of a pretty straight-shooting narrator. A quick read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ex Machina</title>
    <link href="https://mlarson.org/2015/04/27/ex-machina-one-of-my-favorites-of-the-year-so/"/>
    <updated>2015-04-27T02:00:06.000Z</updated>
    <id>https://mlarson.org/2015/04/27/ex-machina-one-of-my-favorites-of-the-year-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nng02zod5m1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Ex_Machina_(film)&#34;&gt;Ex Machina&lt;/a&gt;. One of my favorites of the year so far. Oscar Isaac’s Nathan is awesome, flipping back and forth from intimidating to genial. He’s a brogrammer archetype. Excellent critique here of tech sexism and overreach. His overconfidence makes him too casual, flippant about the ethics. Domhnall Gleeson’s Caleb has his own blinders, about gender in particular. Some of the dialogue was tiresome. I wish they’d felt more courage to just let people talk, and let the audience get lost a bit (if needed) without preface and theory. On the other hand, I was pleasantly surprised how they handled the ending. I’d imagined something more traditional. Loved it. I’ve been listening to &lt;a href=&#34;http://www.amazon.com/Machina-Original-Motion-Picture-Soundtrack/dp/B00UG6PRDI&#34;&gt;the soundtrack&lt;/a&gt; for a couple weeks now. Good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fault in Our Stars</title>
    <link href="https://mlarson.org/2015/04/22/i-read-john-greens-the-fault-in-our-stars-and-i/"/>
    <updated>2015-04-22T01:31:17.000Z</updated>
    <id>https://mlarson.org/2015/04/22/i-read-john-greens-the-fault-in-our-stars-and-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nn4j0qk5f71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read John Green’s &lt;a href=&#34;http://www.amazon.com/Fault-Our-Stars-John-Green/dp/014242417X&#34;&gt;The Fault in Our Stars&lt;/a&gt;, and I was the guy wiping away tears and sniffling in public. Good one for all you softies out there. Recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Everyone&#39;s Saying &#39;YAAAAAASSSSSS&#39; Now</title>
    <link href="https://mlarson.org/2015/04/22/why-everyones-saying-yaaaaaassssss-now/"/>
    <updated>2015-04-22T01:26:35.000Z</updated>
    <id>https://mlarson.org/2015/04/22/why-everyones-saying-yaaaaaassssss-now/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The word “yes” is an extremely dull way to express the varied sentiments of “yes.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/technology/archive/2015/04/how-to-say-yes-by-not-saying-yes/390129/&#34;&gt;Why Everyone&#39;s Saying &#39;YAAAAAASSSSSS&#39; Now&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2001: A Space Odyssey</title>
    <link href="https://mlarson.org/2015/04/21/i-re-read-arthur-c-clarkes-2001-a-space-odyssey/"/>
    <updated>2015-04-21T01:36:15.000Z</updated>
    <id>https://mlarson.org/2015/04/21/i-re-read-arthur-c-clarkes-2001-a-space-odyssey/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmrvav1czy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I re-read Arthur C. Clarke’s &lt;a href=&#34;http://www.amazon.com/2001-A-Space-Odyssey-Signet/dp/0451155807&#34;&gt;2001: A Space Odyssey&lt;/a&gt; and am glad I did. It was cooler than I remembered. Much of it is a bit cold and distant, like the movies, but still has some awestruck moments, and it’s fun to come back to something that I’ve seen four or five times and have such convenient visuals/memories for. If you like the movie, this is a natural complement.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Town</title>
    <link href="https://mlarson.org/2015/04/16/the-town-this-movie-is-so-great-previously/"/>
    <updated>2015-04-16T01:36:31.000Z</updated>
    <id>https://mlarson.org/2015/04/16/the-town-this-movie-is-so-great-previously/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmvlpneowe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Town_(2010_film)&#34;&gt;The Town&lt;/a&gt;. This movie is so great. (&lt;a href=&#34;http://tumblr.mlarson.org/post/35300923669/the-town-i-would-have-preferred-less-gunfire-and&#34;&gt;Previously&lt;/a&gt;.) Follows that wonderful formula that &lt;a href=&#34;https://www.mlarson.org/tag/heat&#34;&gt;Heat&lt;/a&gt;, uses: criminals + leader + wildcard teammate + romantic complication + the pressure to do &lt;em&gt;just one more job&lt;/em&gt; = everything falling apart. Hall and Hamm’s characters seemed stronger on second viewing. Renner’s character? I can’t enough.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Doug MacRay: You can’t be up there killing people. James Coughlin: Hey, you brought me.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Ida</title>
    <link href="https://mlarson.org/2015/04/16/ida-its-exceptionally-lovely-to-look-at-black/"/>
    <updated>2015-04-16T01:22:21.000Z</updated>
    <id>https://mlarson.org/2015/04/16/ida-its-exceptionally-lovely-to-look-at-black/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmvl531w5r1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Ida_(film)&#34;&gt;Ida&lt;/a&gt;. It’s exceptionally lovely to look at. Black and white brings out the layers and textures and lighting. The boxy aspect ratio makes is a refreshing change too. I’m thinking it’s under-used these days. (&lt;a href=&#34;http://tumblr.mlarson.org/post/105895890826/meeks-cutoff-the-opening-scene-has-the-cast&#34;&gt;Meek’s Cutoff&lt;/a&gt; is another recent example that does it well.) Story isn’t as invigorating as the visuals, but it packs a lot in and feels so much bigger than its minutes, in a good way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Walk Alone</title>
    <link href="https://mlarson.org/2015/04/16/i-walk-alone-spins-out-of-control-really-nicely/"/>
    <updated>2015-04-16T01:12:48.000Z</updated>
    <id>https://mlarson.org/2015/04/16/i-walk-alone-spins-out-of-control-really-nicely/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmvkp4pwk61qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/I_Walk_Alone&#34;&gt;I Walk Alone&lt;/a&gt;. Spins out of control really nicely! Solid.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Martian</title>
    <link href="https://mlarson.org/2015/04/16/i-read-about-half-of-andy-weirs-the-martian-and/"/>
    <updated>2015-04-16T01:07:25.000Z</updated>
    <id>https://mlarson.org/2015/04/16/i-read-about-half-of-andy-weirs-the-martian-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmrvanl19u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read about half of Andy Weir’s &lt;a href=&#34;http://www.amazon.com/Martian-Andy-Weir/dp/0553418025&#34;&gt;The Martian&lt;/a&gt;, and then I bailed. DNF. Definitely enjoyed the thought process and survival engineering. Ultimately, I was hoping for some more narrative progress, more quickly. On to the next.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Peter Thiel on the Future of Innovation</title>
    <link href="https://mlarson.org/2015/04/16/peter-thiel-on-the-future-of-innovation/"/>
    <updated>2015-04-16T01:06:20.000Z</updated>
    <id>https://mlarson.org/2015/04/16/peter-thiel-on-the-future-of-innovation/</id>
    <content type="html">&lt;p&gt;Good stuff here. I appreciate the range and pace. It’s a little bit obnoxious, too, but better that than boring.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;TYLER COWEN: It’s like Beach Boys music. Sounds optimistic on the surface but it’s deeply sad and melancholy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;PETER THIEL: I remember a professor once told me back in the ’80s that writing a book was more dangerous than having a child because you could always disown a child if it turned out badly.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;PETER THIEL: I think often the smarter people are more prone to trendy, fashionable thinking because they can pick up on things, they can pick up on cues more easily, and so they’re even more trapped by it than people of average ability.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Etc.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/conversations-with-tyler/peter-thiel-on-the-future-of-innovation-77628a43c0dd&#34;&gt;Peter Thiel on the Future of Innovation&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 11, 2015</title>
    <link href="https://mlarson.org/2015/04/11/mapped-how-hard-it-is-to-get-across-us-cities/"/>
    <updated>2015-04-11T16:57:25.000Z</updated>
    <id>https://mlarson.org/2015/04/11/mapped-how-hard-it-is-to-get-across-us-cities/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmnj3dqznz1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/blogs/wonkblog/wp/2015/04/01/bleak-maps-of-how-cities-look-using-only-their-bike-lanes/&#34;&gt;Mapped: How hard it is to get across U.S. cities using only bike lanes - The Washington Post&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We’d never build a street grid that looks like this and expect drivers to navigate the city through it.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 11, 2015</title>
    <link href="https://mlarson.org/2015/04/11/obvious-button-states-the-brooks-review-this/"/>
    <updated>2015-04-11T16:53:58.000Z</updated>
    <id>https://mlarson.org/2015/04/11/obvious-button-states-the-brooks-review-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmd3chcvrc1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://brooksreview.net/2015/04/obvious-button-states/&#34;&gt;Obvious Button States — The Brooks Review&lt;/a&gt;. This kills me over and over.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2015</title>
    <link href="https://mlarson.org/2015/04/07/i-was-out-on-a-trip-recently-and-had-been-away/"/>
    <updated>2015-04-07T01:23:08.000Z</updated>
    <id>https://mlarson.org/2015/04/07/i-was-out-on-a-trip-recently-and-had-been-away/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nm7eg34qtc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I was out on a trip recently, and had been away from home for two weeks. I missed it much more than I thought I would. But then I was finally on the plane again.&lt;/p&gt;
&lt;p&gt;I find flights pretty relaxing in general, something about the ambient hum of brown noise from wind and engines, and &lt;em&gt;just&lt;/em&gt; enough oxygen to keep your body functioning. I can grab some fitful sleep, here and there, but most of my time was spent watching movies, and the clock. I managed to doze off again for an hour or so near the end of the flight.&lt;/p&gt;
&lt;p&gt;I woke up. Too groggy and loopy to think much, but I put my earphones in and put my music on shuffle. I slowly inch the window shade up and squint out as my eyes adjust. It was a fresh morning for me, late morning in California, and I was finally just one more leg away from home. I’d been over the Pacific for about 12 hours, and as our path broke the coastline of California, &lt;a href=&#34;https://www.youtube.com/watch?v=RHJb87nNsGY&#34;&gt;Fleetwood Mac’s “Sara”&lt;/a&gt; shuffles on. And then I’m all goosebumpy, smiling, welling up and spilling over with a few relieved, grateful tears. I have no idea what that tune is about, but sometimes a song and a moment just hit you like that. And as soon as I got back I started thinking about what other trips I’d like to take.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Furious 7</title>
    <link href="https://mlarson.org/2015/04/07/furious-7-on-the-whole-much-more-of-a-soap-opera/"/>
    <updated>2015-04-07T01:23:03.000Z</updated>
    <id>https://mlarson.org/2015/04/07/furious-7-on-the-whole-much-more-of-a-soap-opera/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmewimvpom1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Furious_7&#34;&gt;Furious 7&lt;/a&gt;. On the whole, much more of a soap opera than the previous movies. Or just opera. It’s grand, it’s sentimental. The series seemed to transition from heist flick into slightly more of a superhero ensemble piece. The mission and conflict is much more personal through and through, rather than practical. The bus scene up there is not in any way ruined by the trailer. So much better than I thought. Other good stuff: I like how they set up and executed the staircase scene. And this one felt funnier than the previous ones. It’s a bit slighter and choppier in hindsight, but when I was watching they really played the whole range pretty well. I also have to mention that it was difficult to watch at times, for real-life reasons. Seeing Paul Walker doing dangerous things in cars, knowing the circumstances of his death, made me a little uneasy. In the theatre it made me think of Heath Ledger’s Joker from &lt;a href=&#34;http://tumblr.mlarson.org/post/104528143591/the-dark-knight-re-watched-to-re-evaluate&#34;&gt;The Dark Knight&lt;/a&gt;. It’s all too easy to make those eerie parallels with the real world. I trust that this one, too, will be easier to watch again later, because you also get to see him just having fun with his fellow cast, enjoying this ride like we do. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/thefastandthefurious&#34;&gt;The Fast and the Furious&lt;/a&gt;. I guess I have to go back and re-watch all of them now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Casablanca</title>
    <link href="https://mlarson.org/2015/04/06/casablanca-its-perfect-claude-rains-keeps-the/"/>
    <updated>2015-04-06T00:04:18.000Z</updated>
    <id>https://mlarson.org/2015/04/06/casablanca-its-perfect-claude-rains-keeps-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmcyumdh3y1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Casablanca_(film)&#34;&gt;Casablanca&lt;/a&gt;. It’s perfect. Claude Rains keeps the whole thing moving.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Erin Brockovich</title>
    <link href="https://mlarson.org/2015/04/06/erin-brockovich-roberts-is-great-but-its/"/>
    <updated>2015-04-06T00:04:13.000Z</updated>
    <id>https://mlarson.org/2015/04/06/erin-brockovich-roberts-is-great-but-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmcyjzvuwv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Erin_Brockovich_(film)&#34;&gt;Erin Brockovich&lt;/a&gt;. Roberts is great, but it’s hamstrung by its repetition. Manages to make paperwork interesting for a couple hours, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Devil Wears Prada</title>
    <link href="https://mlarson.org/2015/04/06/the-devil-wears-prada-it-does-a-good-job-of/"/>
    <updated>2015-04-06T00:04:10.000Z</updated>
    <id>https://mlarson.org/2015/04/06/the-devil-wears-prada-it-does-a-good-job-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmcyc8wsv41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Devil_Wears_Prada_(film)&#34;&gt;The Devil Wears Prada&lt;/a&gt;. It does a good job of playing both sides. I wish it would move a little more quickly.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Social Network</title>
    <link href="https://mlarson.org/2015/04/05/the-social-network-i-didnt-like-the-zuckerberg/"/>
    <updated>2015-04-05T23:47:21.000Z</updated>
    <id>https://mlarson.org/2015/04/05/the-social-network-i-didnt-like-the-zuckerberg/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nmcy08rzjb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Social_Network&#34;&gt;The Social Network&lt;/a&gt;. I didn’t like the Zuckerberg characterization as much this time around (&lt;a href=&#34;http://tumblr.mlarson.org/post/4957002753/the-social-network-no-joke-this-is-a-pretty&#34;&gt;previously&lt;/a&gt;), but somehow I felt more sympathetic. Great movie. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/davidfincher&#34;&gt;David Fincher&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Spiritual Shape  of Political Ideas</title>
    <link href="https://mlarson.org/2015/04/05/the-spiritual-shape-of-political-ideas/"/>
    <updated>2015-04-05T23:47:16.000Z</updated>
    <id>https://mlarson.org/2015/04/05/the-spiritual-shape-of-political-ideas/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The mainline congregations may be gone as significant factors in the nation’s public life, but their collapse released a religious logic and set of spiritual anxieties that are still with us—still demanding that we see our nation and ourselves in the patterns cast by their old theological lights.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.weeklystandard.com/articles/spiritual-shape-political-ideas_819707.html&#34;&gt;The Spiritual Shape of Political Ideas&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 2, 2015</title>
    <link href="https://mlarson.org/2015/04/02/i-feel-at-ease-with-whatever-will-come-not/"/>
    <updated>2015-04-02T03:06:22.000Z</updated>
    <id>https://mlarson.org/2015/04/02/i-feel-at-ease-with-whatever-will-come-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I feel at ease with whatever will come, not because I am strong but because this is a part of life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mobile.nytimes.com/2015/03/24/opinion/angelina-jolie-pitt-diary-of-a-surgery.html&#34;&gt;Angelina Jolie Pitt&lt;/a&gt;, Stoic philosopher. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/acceptance&#34;&gt;acceptance&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Run All Night</title>
    <link href="https://mlarson.org/2015/04/02/run-all-night-well-theres-nothing-new-here-but/"/>
    <updated>2015-04-02T03:03:39.000Z</updated>
    <id>https://mlarson.org/2015/04/02/run-all-night-well-theres-nothing-new-here-but/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nm1ylg9j5p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Run_All_Night_(film)&#34;&gt;Run All Night&lt;/a&gt;. Well there’s nothing new here, but some good stuff, and also a groaner of a villainous re-appearance. I was surprise at how many nice photographs there are in this one, in particular some really lovely nighttime city scenes. Makes me more curious about &lt;a href=&#34;https://en.wikipedia.org/wiki/Unknown_(2011_film)&#34;&gt;Unknown&lt;/a&gt; and &lt;a href=&#34;https://en.wikipedia.org/wiki/Non-Stop_(film)&#34;&gt;Non-Stop&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mean Girls</title>
    <link href="https://mlarson.org/2015/04/02/mean-girls-brilliant-another-screen-on-the-green/"/>
    <updated>2015-04-02T03:01:12.000Z</updated>
    <id>https://mlarson.org/2015/04/02/mean-girls-brilliant-another-screen-on-the-green/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/04/tumblr_nm1yv51qp21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mean_Girls&#34;&gt;Mean Girls&lt;/a&gt;. Brilliant. Another screen-on-the-green viewing. This might be the movie I quote the most? (&lt;a href=&#34;http://tumblr.mlarson.org/post/23518284776/mean-girls-this-is-one-of-the-great-comedies-of&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blade Runner</title>
    <link href="https://mlarson.org/2015/03/31/blade-runner-had-the-good-fortune-to-see-this-on/"/>
    <updated>2015-03-31T02:18:21.000Z</updated>
    <id>https://mlarson.org/2015/03/31/blade-runner-had-the-good-fortune-to-see-this-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nm1ybh8kqx1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blade_Runner&#34;&gt;Blade Runner&lt;/a&gt;. Had the good fortune to see this on a big screen, in a big park. So rad. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/bladerunner&#34;&gt;Blade Runner&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Equalizer</title>
    <link href="https://mlarson.org/2015/03/31/the-equalizer-second-viewing-the-first-i-wish/"/>
    <updated>2015-03-31T02:15:58.000Z</updated>
    <id>https://mlarson.org/2015/03/31/the-equalizer-second-viewing-the-first-i-wish/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nm1y49gq4o1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Equalizer_(film)&#34;&gt;The Equalizer&lt;/a&gt;. Second viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/98730525186/the-equalizer-average-with-a-few-bright-points&#34;&gt;the first&lt;/a&gt;). I wish there were a prequel about Marton Csokas’ character.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wild</title>
    <link href="https://mlarson.org/2015/03/31/wild-meh/"/>
    <updated>2015-03-31T02:02:27.000Z</updated>
    <id>https://mlarson.org/2015/03/31/wild-meh/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nm1xyufurb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Wild_(film)&#34;&gt;Wild&lt;/a&gt;. Meh.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nebraska</title>
    <link href="https://mlarson.org/2015/03/31/nebraska-its-good-does-its-best-work-in-the/"/>
    <updated>2015-03-31T02:02:24.000Z</updated>
    <id>https://mlarson.org/2015/03/31/nebraska-its-good-does-its-best-work-in-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nm1xpmia4j1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Nebraska_(film)&#34;&gt;Nebraska&lt;/a&gt;. It’s good. Does it’s best work in the lighter moments, but that’s just me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lost in Translation</title>
    <link href="https://mlarson.org/2015/03/31/lost-in-translation-bill-murray-is-the-best/"/>
    <updated>2015-03-31T02:00:59.000Z</updated>
    <id>https://mlarson.org/2015/03/31/lost-in-translation-bill-murray-is-the-best/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nm1xg7npi41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lost_in_Translation_(film)&#34;&gt;Lost in Translation&lt;/a&gt;. Bill Murray is the best. Johansson is really good, but I don’t see this movie working without him.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Top Five</title>
    <link href="https://mlarson.org/2015/03/31/top-five-lets-see-a-movie-about-an-actor-known/"/>
    <updated>2015-03-31T02:00:55.000Z</updated>
    <id>https://mlarson.org/2015/03/31/top-five-lets-see-a-movie-about-an-actor-known/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nm1xl58s8p1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Top_Five&#34;&gt;Top Five&lt;/a&gt;. Let’s see, a movie about an actor known for more mass-market-friendly work who’s anxious about trying his hand at something more serious. &lt;a href=&#34;http://tumblr.mlarson.org/post/103839424351/birdman-not-for-me-but-like-i-said-if-you-like&#34;&gt;Sounds familiar&lt;/a&gt;, but worked so much better for me. I don’t follow the business side of movies very much, so I really hope this did well enough for Rock to do many more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nightcrawler</title>
    <link href="https://mlarson.org/2015/03/31/nightcrawler-second-viewing-ditto-everything-i/"/>
    <updated>2015-03-31T02:00:50.000Z</updated>
    <id>https://mlarson.org/2015/03/31/nightcrawler-second-viewing-ditto-everything-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nm1xbhwoqe1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/102697471121/nightcrawler-this-is-at-or-near-the-top-of-my&#34;&gt;Nightcrawler&lt;/a&gt;. Second viewing, ditto &lt;a href=&#34;http://tumblr.mlarson.org/post/102697471121/nightcrawler-this-is-at-or-near-the-top-of-my&#34;&gt;everything I wrote before&lt;/a&gt;), and I loved it even more this time. This was the first of a handful I watched on a very long flight. Sorry not sorry for the deluge to come.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>First Alan Adler Invented the Aerobie. Now He’s Created the Perfect Cup of Coffee</title>
    <link href="https://mlarson.org/2015/03/31/first-alan-adler-invented-the-aerobie-now-hes/"/>
    <updated>2015-03-31T00:47:26.000Z</updated>
    <id>https://mlarson.org/2015/03/31/first-alan-adler-invented-the-aerobie-now-hes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;At first I was stirring it in a cup and then pouring the slurry into the AeroPress. Later on I learned that I could stir it right in the AeroPress.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love that in the early, prototyping days even the inventor didn’t know how to use his invention.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/backchannel/first-alan-adler-invented-the-aerobie-now-he-s-created-the-perfect-cup-of-coffee-c5e94ccc538e&#34;&gt;First Alan Adler Invented the Aerobie. Now He’s Created the Perfect Cup of Coffee&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Bewildering Crash - The New Yorker</title>
    <link href="https://mlarson.org/2015/03/31/a-bewildering-crash-the-new-yorker/"/>
    <updated>2015-03-31T00:47:21.000Z</updated>
    <id>https://mlarson.org/2015/03/31/a-bewildering-crash-the-new-yorker/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To be told that a scene of mass death is the result of an accident or terrorism is to be given not only an explanation of the cause but also an idea of how to reckon with the consequence.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/news/daily-comment/a-bewildering-crash&#34;&gt;A Bewildering Crash - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2015</title>
    <link href="https://mlarson.org/2015/03/27/2384/"/>
    <updated>2015-03-27T13:29:23.000Z</updated>
    <id>https://mlarson.org/2015/03/27/2384/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nlvhgzunnn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How the Hawks are running away with the East</title>
    <link href="https://mlarson.org/2015/03/12/how-the-hawks-are-running-away-with-the-east/"/>
    <updated>2015-03-12T03:47:28.000Z</updated>
    <id>https://mlarson.org/2015/03/12/how-the-hawks-are-running-away-with-the-east/</id>
    <content type="html">&lt;p&gt;I love this so much:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[Point guard Jeff Teague] reported to training camp in September 2013 and couldn’t find his chair. “You’re over there now,” said reserve big man Gustavo Ayon, motioning to the spot between center Al Horford and forward Mike Scott. [Head coach] Budenholzer wanted players sitting next to one teammate they could influence and another who could influence them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.si.com/nba/2015/03/10/atlanta-hawks-jeff-teague-kyle-korver-mike-budenholzer?utm_source=Sailthru&amp;amp;utm_medium=email&amp;amp;utm_term=NBA%20National%20Newsletter&amp;amp;utm_campaign=GMIB%203%2F11%2F2015&#34;&gt;How the Hawks are running away with the East&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2015</title>
    <link href="https://mlarson.org/2015/03/11/2388/"/>
    <updated>2015-03-11T02:03:43.000Z</updated>
    <id>https://mlarson.org/2015/03/11/2388/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nkz26litbc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>No Country for Old Men</title>
    <link href="https://mlarson.org/2015/03/11/no-country-for-old-men-fourth-or-fifth-time-ive/"/>
    <updated>2015-03-11T01:58:41.000Z</updated>
    <id>https://mlarson.org/2015/03/11/no-country-for-old-men-fourth-or-fifth-time-ive/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nkx7586qdh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/No_Country_for_Old_Men_%28film%29&#34;&gt;No Country for Old Men&lt;/a&gt;. Fourth or fifth time I’ve watched it, I think. Dear lord. There might be just a single-digit number of movies better than this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shitphone: A Love Story</title>
    <link href="https://mlarson.org/2015/03/11/shitphone-a-love-story/"/>
    <updated>2015-03-11T01:58:07.000Z</updated>
    <id>https://mlarson.org/2015/03/11/shitphone-a-love-story/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the lesser-appreciated joys of online shopping is that, in the process of streamlining and compressing the expressions of capitalism we call “retail,” it gives us a god’s eye view of market patterns. In one search on Amazon or Newegg you can see a category’s past, present, and near future: high-margin luxury options on one side, low-margin or out-of-date good-enough options from unlikely or unknown brands on the other. Then, in the big mushy middle, brands fighting over a diminishing opportunity. This is faintly empowering. To watch the compressed cycles of modern consumer electronics pass through your viewfinder gives a calming order to an industry that depends on the perception that it is perpetually exceptional. This perspective also helps to enforce realism about your relationship with consumer electronics. Whether you choose the luxury option, the commodity option, or something in between, you are buying future garbage.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/matter/shitphone-a-love-story-a44e66434807&#34;&gt;Shitphone: A Love Story&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 10, 2015</title>
    <link href="https://mlarson.org/2015/03/10/ive-had-my-dictaphone-since-the-mid-to-late/"/>
    <updated>2015-03-10T01:16:22.000Z</updated>
    <id>https://mlarson.org/2015/03/10/ive-had-my-dictaphone-since-the-mid-to-late/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’ve had my dictaphone since the mid- to late ’90s. In my previous life, I used to record demos on it. Then I ran into some trouble with tendonitis and repetitive stress and it prevented me from writing at my laptop. I got really bummed about it, so I started speaking my scripts out into this dictaphone I had lying around. I realized it was really helpful for my creative process. Having a linear writing machine, where I couldn’t go back and hate myself and edit myself, allowed me to blast through drafts of scripts much more quickly and write from a much more instinctual, as opposed to intellectual, place. It’s a mess when it comes out, but the pacing is really good. So I have Radio Shack to thank for my entire creative process.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tmagazine.blogs.nytimes.com/2015/02/25/mark-duplass-on-cassavetes-kale-smoothies-and-stevie-nicks&#34;&gt;Mark Duplass&lt;/a&gt;. (&lt;a href=&#34;http://karavanderbijl.tumblr.com/post/112168182345/carriewintour-when-im-feeling-a-little&#34;&gt;via&lt;/a&gt;). And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For the first time in my life, I’m starting to make more money than I know what to do with. And it’s really weird. What it does is it kind of kills your god. Because your god, as an artist, is to try to find a way to make the art you want to make while being financially sustainable. And to have achieved that murdered my god. So now I look to Warren Buffett — the way he’s still actively excited about achieving career success and making money, and then he throws it all away on people who need it. That is the most inspiring thing that I can imagine.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Fargo</title>
    <link href="https://mlarson.org/2015/03/09/fargo-first-off-how-is-this-movie-19-years-old/"/>
    <updated>2015-03-09T01:03:26.000Z</updated>
    <id>https://mlarson.org/2015/03/09/fargo-first-off-how-is-this-movie-19-years-old/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nkx6f7kkoc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Fargo_(film)&#34;&gt;Fargo&lt;/a&gt;. First off, how is this movie 19 years old now? Second, it’s great. Some of the gee-golly-dontcha-know Midwestern charm doesn’t age as well, but it does a wonderful job of nudging these great characters along, and switching between their scenes. McDormand and Macy are geniuses. I realized when watching this time that Stomare’s Grimsrud character is something of an early variation of &lt;a href=&#34;https://www.mlarson.org/tag/heat&#34;&gt;Waingro&lt;/a&gt;, and anticipates their own rendition of &lt;a href=&#34;https://www.mlarson.org/tag/nocountryforoldmen&#34;&gt;Chigurh&lt;/a&gt;, too. As for the &lt;a href=&#34;http://www.mtv.com/news/1499898/rewind-what-part-of-based-on-dont-you-understand/&#34;&gt;based on a true story&lt;/a&gt; part:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If an audience believes that something’s based on a real event, it gives you permission to do things they might otherwise not accept.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Badlands</title>
    <link href="https://mlarson.org/2015/03/09/badlands-second-viewing-the-first-this-time-at/"/>
    <updated>2015-03-09T00:54:32.000Z</updated>
    <id>https://mlarson.org/2015/03/09/badlands-second-viewing-the-first-this-time-at/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nkx67actxi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Badlands_(film)&#34;&gt;Badlands&lt;/a&gt;. Second viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;the first&lt;/a&gt;), this time at the theater. You can’t not like Sheen (and Kit). I don’t think this viewing changed its spot in my &lt;a href=&#34;https://www.mlarson.org/tag/terrencemalick&#34;&gt;Malick&lt;/a&gt; rankings (3rd), but it does boost his work as a whole.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2015</title>
    <link href="https://mlarson.org/2015/03/03/conley-presler-got-a-letter-from-mr-rogers/"/>
    <updated>2015-03-03T03:52:23.000Z</updated>
    <id>https://mlarson.org/2015/03/03/conley-presler-got-a-letter-from-mr-rogers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nkmaqigrvx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/conleydraws/status/568647062251663361&#34;&gt;Conley Presler got a letter from Mr. Rogers&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You are special, and you make each day a special day for the people who care about you – just because you’re you.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2015</title>
    <link href="https://mlarson.org/2015/03/03/darkwater-matt-gemmell-thats-whats-so/"/>
    <updated>2015-03-03T03:49:16.000Z</updated>
    <id>https://mlarson.org/2015/03/03/darkwater-matt-gemmell-thats-whats-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/03/tumblr_nk6tznzfq11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mattgemmell.com/darkwater/&#34;&gt;Darkwater - Matt Gemmell&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;That’s what’s so frightening. Because it feels wonderful. Sensory deprivation, when you need it most. It’s an off-switch from all that’s outside. And wherever you go, it stays with you.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2015</title>
    <link href="https://mlarson.org/2015/02/24/elisa-strozyks-wooden-textiles-via/"/>
    <updated>2015-02-24T02:59:11.000Z</updated>
    <id>https://mlarson.org/2015/02/24/elisa-strozyks-wooden-textiles-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_nk99m1ofny1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.elisastrozyk.de/seite/woodtex/woodentextiles.html&#34;&gt;Elisa Strozyk’s Wooden Textiles&lt;/a&gt;. (&lt;a href=&#34;http://bldgblog.blogspot.com/2015/02/low-poly-tectonics.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Silence of the Lambs</title>
    <link href="https://mlarson.org/2015/02/24/the-silence-of-the-lambs-absurdly-great-movie/"/>
    <updated>2015-02-24T02:48:24.000Z</updated>
    <id>https://mlarson.org/2015/02/24/the-silence-of-the-lambs-absurdly-great-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_nk6rlpcct51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Silence_of_the_Lambs_(film)&#34;&gt;The Silence of the Lambs&lt;/a&gt;. Absurdly great movie. Its greatest strength is its exploration of institutional sexism and the constant, relentless challenge of demanding respect and getting her shit done without it. Combines some great slow-burn mystery/thriller tactics with occasional over-the-top violence and just enough sly humor. The pacing and the ties between scenes are brilliant. I also appreciate the small bits of foreshadowing and “warm-up” material (the view from the Belvedere, inkpen, creeper nightvision goggles, etc.) throughout.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The art of the bug</title>
    <link href="https://mlarson.org/2015/02/22/the-art-of-the-bug/"/>
    <updated>2015-02-22T19:31:40.000Z</updated>
    <id>https://mlarson.org/2015/02/22/the-art-of-the-bug/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If the experience is demoralizing and alienating, our community has squandered your potential. The tricky part is that the computer has no idea that you’re just a beginner.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/towards-a-remarkable-career/the-art-of-the-bug-ac5a535315fa&#34;&gt;The art of the bug&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gone Girl</title>
    <link href="https://mlarson.org/2015/02/22/gone-girl-a-this-movie-is-even-more-slack-jawed/"/>
    <updated>2015-02-22T19:31:35.000Z</updated>
    <id>https://mlarson.org/2015/02/22/gone-girl-a-this-movie-is-even-more-slack-jawed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_nk1wrtj4fs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Gone_Girl_(film)&#34;&gt;Gone Girl&lt;/a&gt;. A+. This movie is even more slack-jawed “whaaaaa…?” and nightmarish the second time around. (&lt;a href=&#34;http://tumblr.mlarson.org/post/100089842631/gone-girl-i-loved-this-one-pike-and-affleck-work&#34;&gt;The first&lt;/a&gt;.) Detective Rhonda Boney is the best movie character since Steamboat Willie, probably.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 21, 2015</title>
    <link href="https://mlarson.org/2015/02/21/the-invisible-network-that-keeps-the-world-running/"/>
    <updated>2015-02-21T19:03:41.000Z</updated>
    <id>https://mlarson.org/2015/02/21/the-invisible-network-that-keeps-the-world-running/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_nk4xdopabr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bbc.com/future/story/20150209-the-network-that-runs-the-world&#34;&gt;The invisible network that keeps the world running - BBC - Future&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To find out more about this huge, invisible network, I accompanied a group of architects and designers called the Unknown Fields Division for a rare voyage on a container ship between Korea and China. The aim of the trip was to follow the supply chain back to some of the remotest parts of China and the source of our consumer goods – and what we saw as we travelled through mega-ports and across oceans looked closer to science fiction than reality.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If I ever change to a new career it just might be container shipping.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Professor Explains Why He’s Teaching College Kids About Kanye</title>
    <link href="https://mlarson.org/2015/02/21/a-professor-explains-why-hes-teaching-college/"/>
    <updated>2015-02-21T19:02:50.000Z</updated>
    <id>https://mlarson.org/2015/02/21/a-professor-explains-why-hes-teaching-college/</id>
    <content type="html">&lt;p&gt;Just down the road from me, Georgia State professor &lt;a href=&#34;http://english.gsu.edu/profile/scott-heath/&#34;&gt;Scott Heath&lt;/a&gt; doing work that needs to be done.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“He’s aware of the criticism and the critiques that come his way, and he then critiques those critiques. This is a guy who gives interviews where the entire interview is about another interview that he gave earlier,” says Heath, pointing to conversations with Jimmy Kimmel and Ricky Smiley as examples. “That, to me, is very keenly discursive.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“He’s having to process or deal with other people’s interpretation of what he’s saying and who he happens to be,” says Heath, alluding to Du Bois’ assessment that black people in America are tasked with the emotionally arduous task of filtering their own identities through the lens of dominant white culture. “An exciting moment for me was the students reading Du Bois and the lightbulb going off and them making the connection to Kanye.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/kanyewest&#34;&gt;Kanye West&lt;/a&gt;. &lt;a href=&#34;http://www.thefader.com/2015/02/07/a-professor-explains-why-hes-teaching-college-kids-about-kanye&#34;&gt;A Professor Explains Why He’s Teaching College Kids About Kanye&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>GQ&amp;amp;A: Kobe Bryant</title>
    <link href="https://mlarson.org/2015/02/20/gqa-kobe-bryant/"/>
    <updated>2015-02-20T12:43:45.000Z</updated>
    <id>https://mlarson.org/2015/02/20/gqa-kobe-bryant/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Do you ever think that the qualities that make you great are actually problems?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Oh, yeah. But the things that make a person average are also problems. The things that make someone not good at anything at all are a problem. If you want to be the greatest of all-time at something, there’s going to be a negative side to that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gq.com/sports/201503/kobe-bryant-nba-allstar?printable=true&#34;&gt;GQ&amp;amp;A: Kobe Bryant&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Adam Smith Can Change Your Life</title>
    <link href="https://mlarson.org/2015/02/20/i-read-russ-roberts-book-how-adam-smith-can/"/>
    <updated>2015-02-20T12:43:18.000Z</updated>
    <id>https://mlarson.org/2015/02/20/i-read-russ-roberts-book-how-adam-smith-can/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njvv2crq9o1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Russ Roberts’ book &lt;a href=&#34;http://www.amazon.com/Adam-Smith-Change-Your-Life/dp/1591846846&#34;&gt;How Adam Smith Can Change Your Life&lt;/a&gt;, and it’s certainly the most heavily dog-eared book I’ve read in the last couple months. It’s slighter in hindsight, but still got some good stuff out of it. Smith is best known for the more macro-level, distant, impersonal view on economics in &lt;em&gt;The Wealth of Nations&lt;/em&gt;. This books relies on Smith’s lesser-known &lt;em&gt;A Theory of Moral Sentiments&lt;/em&gt;, which explores the more intimate, direct relationships between individuals. What I like is its undercurrent of humility and courtesy, for one, and the idea of ripple effects that go beyond us. There’s the idea of the “impartial spectator” in here – a hypothetical (and likely impossible) imagined outsider, an objective witness we can turn to to evaluate what we do. Of course, we’re delusional and biased and self-obsesssed. The principle stands, though, and the community around us helps to shape this hypothetical ideal that we imagine. Virtuous behavior is like passable writing vs. &lt;em&gt;great&lt;/em&gt; writing. At a basic level, there is grammar and syntax. There’s broad agreement on many of those details. But there’s a special &lt;em&gt;something&lt;/em&gt; that goes beyond the basic requirements. Along the same lines, no one individual really decides what proper grammar is, and how a language works. But many people, making many small decisions every day, spread and sustain behaviors that add up to something bigger on the scale of family, office, neighborhood, nation, culture. And it’s that big-picture thinking that (hopefully) motivates us to “be lovely even when we can get away with not being lovely”. Going along with that are some healthy warnings about our obessions with powerful people, and about hubris when it comes to societal engineering. Some other parts I like? Smith on keeping it simple:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What can be added to the happiness of the man who is in health, out of debt, and has a clear conscience?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Smith on praise we haven’t earned…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To us they [his praises] should be more mortifying than any censure, and should perpetually call to our minds, the most humbling of all reflections, the reflection of what we ought to be, but what we are not.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Or as Roberts phrases it, “Undeserved praise is a repimand – a reminder of what I could be.” There’s another great section that talks about how gadgets are seductive. Roberts says, “We often care more about the elegance of the device than for what it can achieve.” Smith’s line here made me think about the tech and especially the #EDC community:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How many people ruin themselves by laying out money on trinkets of frivolous utility? What pleases these lovers of toys is not so much the utility, as the aptness of the machines which are fitted to promote it. All their pockets are stuffed with little conveniences.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Smith on why friendship is so valuable when you’re grieving – we see our pain through their eyes, and see it’s not so bad:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We are immediately put in mind of the light in which he will view our situation, and we begin to view it ourselves in the same light; for the effect of sympathy is instantaneous.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Roberts on caring on a smaller scale than save-the-world dreams:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Maybe, just maybe, your best way of making the world a better place is to be a really superlative husband or mom or neighbor. […] We forget that being good at our work helps others and makes the world a better place, too.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And a lovely bit of &lt;a href=&#34;http://en.wikipedia.org/wiki/Pirkei_Avot&#34;&gt;rabbinic wisdom&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is not up to you to finish the work. But you are not free to desist from it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A similar, more energetic book along the same lines is Sarah Bakewell’s very excellent &lt;a href=&#34;http://www.amazon.com/How-Live-Montaigne-Question-Attempts/dp/1590514831&#34;&gt;How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jonathan Ive and the Future of Apple - The New Yorker</title>
    <link href="https://mlarson.org/2015/02/18/jonathan-ive-and-the-future-of-apple-the-new/"/>
    <updated>2015-02-18T02:56:48.000Z</updated>
    <id>https://mlarson.org/2015/02/18/jonathan-ive-and-the-future-of-apple-the-new/</id>
    <content type="html">&lt;p&gt;Even if you don’t give a shit about tech, or profiles of wealthy people, stick around for the lovely little bits of colorful writing. Ian Parker is great:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ive’s career sometimes suggests the movements of a man who, engrossed in a furrowed, deferential conversation, somehow backs onto a throne.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/magazine/2015/02/23/shape-things-come&#34;&gt;Jonathan Ive and the Future of Apple - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Still Alice</title>
    <link href="https://mlarson.org/2015/02/18/still-alice-effective-and-depressing-moore-is/"/>
    <updated>2015-02-18T02:55:01.000Z</updated>
    <id>https://mlarson.org/2015/02/18/still-alice-effective-and-depressing-moore-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njvt1wbnwo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Still_Alice&#34;&gt;Still Alice&lt;/a&gt;. Effective and depressing. Moore is awesome, but the movie isn’t very adventurous, and sometimes a little tedious. Unfortunately strays a bit into advertorial/advocacy/message territory. Which is fine, it’s a great cause, etc. But I think it would have been stronger if it had stuck with the family.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Time of Our Singing</title>
    <link href="https://mlarson.org/2015/02/17/i-read-richard-powers-book-the-time-of-our/"/>
    <updated>2015-02-17T02:02:14.000Z</updated>
    <id>https://mlarson.org/2015/02/17/i-read-richard-powers-book-the-time-of-our/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njvv2446g91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Richard Powers’ book &lt;a href=&#34;http://www.amazon.com/Time-Our-Singing-Novel/dp/0312422180&#34;&gt;The Time of Our Singing&lt;/a&gt; and, actually, nope, now I have to tell the friend who recommended it that I didn’t finish.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Will Smith on Kids, Career, and Failure</title>
    <link href="https://mlarson.org/2015/02/16/will-smith-on-kids-career-and-failure/"/>
    <updated>2015-02-16T20:18:05.000Z</updated>
    <id>https://mlarson.org/2015/02/16/will-smith-on-kids-career-and-failure/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You know, I suck so much more than I’ve thought that I should at forty-six. I hate not knowing what I should be doing. I don’t mind not being where I’m going, but I hate not knowing where I should be going.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/the-esq-a-with-will-smith-163-3-esq0315&#34;&gt;Will Smith on Kids, Career, and Failure&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>It’s Kind of Cheesy Being Green</title>
    <link href="https://mlarson.org/2015/02/16/its-kind-of-cheesy-being-green/"/>
    <updated>2015-02-16T20:16:23.000Z</updated>
    <id>https://mlarson.org/2015/02/16/its-kind-of-cheesy-being-green/</id>
    <content type="html">&lt;p&gt;In one good little segment about product management, there’s this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The reason good product managers are insanely expensive to hire is because they are able to work across many layers of technology at once. I met one person who put transparent plastic sheets on her whiteboard so that she could flip between the layers. That’s right, nerds: three-dimensional whiteboarding.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/its-kind-of-cheesy-being-green-2c72cc9e5eda&#34;&gt;It’s Kind of Cheesy Being Green&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Haywire</title>
    <link href="https://mlarson.org/2015/02/16/haywire-second-viewing-the-first-sometimes-it/"/>
    <updated>2015-02-16T20:15:06.000Z</updated>
    <id>https://mlarson.org/2015/02/16/haywire-second-viewing-the-first-sometimes-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njl6i16a3h1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Haywire_(film)&#34;&gt;Haywire&lt;/a&gt;. Second viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;the first&lt;/a&gt;). Sometimes it could use a little spark, but I do appreciate it’s overall reserve and steady rumble. If I were in charge, I’d probably do some trimming at the end. Nice, though, to let the side characters like MacGregor and Douglas shine a bit.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lucy</title>
    <link href="https://mlarson.org/2015/02/10/lucy-movie-trailers-can-be-deceiving-in-this/"/>
    <updated>2015-02-10T02:32:44.000Z</updated>
    <id>https://mlarson.org/2015/02/10/lucy-movie-trailers-can-be-deceiving-in-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njgr80vo6p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Lucy_(2014_film)&#34;&gt;Lucy&lt;/a&gt;. Movie trailers can be deceiving. In this case, they sold it as a pretty yawner-looking action movie, but the story is delivered with more spirit and weirdness than you’d expect. There’s this really wonderful ongoing pattern of spliced-in nature footage as counterpoint to the story. A few moments are delightfully heightened (e.g. opening the briefcase), or thoughtfully disorienting (not translating other languages). Most of that is early on, though, and it unfortunately falls back on serviceable scifi/action pastiche, including plenty of &lt;em&gt;Matrix&lt;/em&gt;-y philosophy talk. What really helps the early going is that Johansson is more fun to watch. It’s too bad that our hero basically turns into robot, loses affect. There’s an ongoing theme of conquering time via reproduction/evolution, and how knowledge transforms. Notice how they smuggle drugs in their stomach (womb). Also makes me think of study drugs, nootropics, etc. Also reminded me of Ted Chiang’s story &lt;a href=&#34;http://en.wikipedia.org/wiki/Understand_(story)&#34;&gt;Understand&lt;/a&gt; in his (really really good) collection &lt;a href=&#34;http://www.amazon.com/Stories-Your-Life-Others-Chiang/dp/1931520720&#34;&gt;Stories of Your Life&lt;/a&gt;. So maybe the overall problem here is that it was too good too soon, and once you’ve got the premise up and running, it’s hard to keep it weird. I’d place &lt;a href=&#34;http://tumblr.mlarson.org/post/105809774521/the-fifth-element-just-delightful-even-when-its&#34;&gt;The Fifth Element&lt;/a&gt; ahead of this in my &lt;a href=&#34;https://www.mlarson.org/tag/lucbesson&#34;&gt;Luc Besson&lt;/a&gt; power rankings.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sorry Please Thank You</title>
    <link href="https://mlarson.org/2015/02/09/i-read-charles-yus-sorry-please-thank-you-which/"/>
    <updated>2015-02-09T16:22:00.000Z</updated>
    <id>https://mlarson.org/2015/02/09/i-read-charles-yus-sorry-please-thank-you-which/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njextwxpa41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read &lt;a href=&#34;https://www.mlarson.org/tag/charlesyu&#34;&gt;Charles Yu&lt;/a&gt;’s &lt;a href=&#34;http://www.amazon.com/Sorry-Please-Thank-You-Contemporaries/dp/0307948463&#34;&gt;Sorry Please Thank You&lt;/a&gt;, which I picked up after two of his other books made my &lt;a href=&#34;http://tumblr.mlarson.org/post/107016067736/the-best-books-i-read-2014&#34;&gt;2014 favorites list&lt;/a&gt;. The opener “Standard Loneliness Package”, is one of the best in the book (a somewhat &lt;a href=&#34;http://www.lightspeedmagazine.com/fiction/standard-loneliness-package/&#34;&gt;different version is online&lt;/a&gt;)…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Some genius in Delhi had figured out a transfer protocol to standardize and packetize all different kinds of experiences. Overnight, everything changed. An industry was born. The business of bad feeling. For the right price, almost any part of life could be avoided.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;”Troubleshooting” and “Open” are other good examples of what you’re in for: short stories that are a little bit wistful or cynical, a little bit of comic exasperation, and a sort of tech- and/or scifi bent to them. Most of them work with a brain-teaser/experimental premise, but don’t feel as emotionally compelling as his earlier stuff. &lt;a href=&#34;http://www.mlarson.org/blog/2014/4/19/third-class-superhero-review&#34;&gt;Third Class Superhero&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/96048080281/i-read-charles-yus-how-to-live-safely-in-a&#34;&gt;How to Live Safely in a Science Fictional Universe&lt;/a&gt; are definitely worthwhile, though. If you like those first, you’ll probably enjoy this, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Batman Returns</title>
    <link href="https://mlarson.org/2015/02/08/batman-returns-it-had-been-a-long-time-since-id/"/>
    <updated>2015-02-08T22:20:09.000Z</updated>
    <id>https://mlarson.org/2015/02/08/batman-returns-it-had-been-a-long-time-since-id/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njgpz2kmzo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Batman_Returns&#34;&gt;Batman Returns&lt;/a&gt;. It had been a long time since I’d seen it. This Christmas tale also begins with a birth, but it’s so much more desperate and twisted than the traditional one. Too bad Catwoman is the only villain that stresses me out. Penguin is just kinda lame and pitiful. :( I like the staging and framing for many of the scenes. Like during Penguin PR speech, back at the mansion Alfred is decorating the Christmas tree while Bruce watches TV. (Speaking of, kinda funny how Batman learning about about rising threats through &lt;em&gt;television&lt;/em&gt; seems so dated now.) And there’s some silly-exhilarating stuff, like when Kyle falls through layers of awnings. That &lt;a href=&#34;https://www.youtube.com/watch?v=eeEz9oE17ac&#34;&gt;scene at the masquerade&lt;/a&gt; (Superfreak!) is a masterpiece. Lovely to look at, and charmingly mental, but the story progression is too herky-jerky for my tastes, and not as fun as the 1989 for me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 8, 2015</title>
    <link href="https://mlarson.org/2015/02/08/aside-from-my-notebooks-about-what-im-reading/"/>
    <updated>2015-02-08T14:25:00.000Z</updated>
    <id>https://mlarson.org/2015/02/08/aside-from-my-notebooks-about-what-im-reading/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njexulycmt1qzcye0o1_r1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Aside from my notebooks about what I’m reading (which I’ve kept pretty religiously for years), I’ve been a terrible journaler. Never got into a groove and stayed there. But a couple months ago, I started using &lt;a href=&#34;http://dayoneapp.com/&#34;&gt;Day One&lt;/a&gt;, and have consistently knocked out a few entries every single day, mostly from my phone. I even went through and back-filled a few memorable trips/days from the months before I had the app. Who knows if it will last, but I definitely don’t regret it.&lt;/p&gt;
&lt;p&gt;&amp;lt;&lt;/p&gt;
&lt;p&gt;p&amp;gt;I set up a couple reminders to give me an extra nudge in the morning and afternoon. Sometimes it just ends up as a few bullet points on the day’s goals or failures. Sometimes just a photo and caption. Sometimes something longer. But always &lt;em&gt;something&lt;/em&gt;, which is what I’ve been looking for. And, there’s already a few solid, reliable options for exporting, so I have peace of mind if want to jump ship. But so far, so good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>StrengthsFinder 2.0</title>
    <link href="https://mlarson.org/2015/02/08/i-and-a-few-dozen-folks-i-work-with-read-tom/"/>
    <updated>2015-02-08T14:24:34.000Z</updated>
    <id>https://mlarson.org/2015/02/08/i-and-a-few-dozen-folks-i-work-with-read-tom/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njextjajr51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I and a few dozen folks I work with read Tom Rath’s &lt;a href=&#34;http://www.amazon.com/StrengthsFinder-2-0-Tom-Rath/dp/159562015X&#34;&gt;StrengthsFinder 2.0&lt;/a&gt;. Good stuff. The assessment results tell me that my top &lt;a href=&#34;http://www.strengthstest.com/strengthsfinderthemes/strengths-themes.html&#34;&gt;strengths/themes&lt;/a&gt; are: Restorative®, Intellection®, Ideation®, Input®, and Relator®. Basically, I like fixing things; stockpiling ideas and connecting them; and sticking with people I’m close with. Sounds pretty fair, and there’s much more depth on each of those in the book and in their online thingy. At the very least, it explains why I love my job as much as I do. Also has some good ideas to invest in those strengths for TrueUltimatePower®. I was a bit skeptical, but it’s worth a read!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 7, 2015</title>
    <link href="https://mlarson.org/2015/02/07/gotemcoach-rusty-aint-playing/"/>
    <updated>2015-02-07T20:09:05.000Z</updated>
    <id>https://mlarson.org/2015/02/07/gotemcoach-rusty-aint-playing/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/109991814129/rusty-aint-playing&#34;&gt;gotemcoach&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Rusty ain’t playing.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Texas: The Great Theft</title>
    <link href="https://mlarson.org/2015/02/07/i-read-carmen-boullosas-texas-the-great-theft/"/>
    <updated>2015-02-07T20:09:00.000Z</updated>
    <id>https://mlarson.org/2015/02/07/i-read-carmen-boullosas-texas-the-great-theft/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_njexsg4cvt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Carmen Boullosa’s &lt;a href=&#34;http://www.amazon.com/Texas-Great-Theft-Carmen-Boullosa/dp/1941920004&#34;&gt;Texas: The Great Theft&lt;/a&gt;. It took me a while to catch on, but then I was able to coast along with the dozens and dozens of side characters and tangents. I didn’t love it, but haven’t read anything else where you get about ten thousand vivid snapshots of a time and place. Also, this book was the first release from &lt;a href=&#34;http://deepvellum.org/&#34;&gt;Deep Vellum&lt;/a&gt;, a specialty translated lit operation run my friend &lt;a href=&#34;https://twitter.com/willevans&#34;&gt;Will Evans&lt;/a&gt;. So far my subscription is paying off. &lt;a href=&#34;http://deepvellum.org/order/&#34;&gt;More to come&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blackhat and the Return of Michael Mann - MensJournal.com</title>
    <link href="https://mlarson.org/2015/02/07/blackhat-and-the-return-of-michael-mann/"/>
    <updated>2015-02-07T01:42:29.000Z</updated>
    <id>https://mlarson.org/2015/02/07/blackhat-and-the-return-of-michael-mann/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Do you have any Starsky &amp;amp; Hutch memories?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I remember writing that there was a robbery, and a car jumped the curb and went through the window of a car dealership. And then they shot it. I said, “Wow, this is crazy. I write this stuff, and they go and do it.” So then, of course, the ambition increased.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mensjournal.com/magazine/blackhat-and-the-return-of-michael-mann-20150113&#34;&gt;Blackhat and the Return of Michael Mann - MensJournal.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Paris Review - The Art of Fiction No. 158, Shelby Foote</title>
    <link href="https://mlarson.org/2015/02/05/paris-review-the-art-of-fiction-no-158-shelby/"/>
    <updated>2015-02-05T04:46:46.000Z</updated>
    <id>https://mlarson.org/2015/02/05/paris-review-the-art-of-fiction-no-158-shelby/</id>
    <content type="html">&lt;p&gt;On research and not being tooooo organized:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’ve never had anything resembling a secretary or a research assistant. I don’t want those. Each time I type, it gives me another shot at it, another look at it. As for research, I can’t begin to tell you the things I discovered while I was looking for something else. A research assistant couldn’t have done that. Not being a trained historian, I had botherations that led to good things. For instance, I didn’t take careful notes while reading. Then I’d get to something and I’d say, By golly, there’s something John Rawlins said at that time that’s real important. Where did I see it? Then I would remember that it was in a book with a red cover, close to the middle of the book, on the right-hand side and one third from the top of the page. So I’d spend an hour combing through all my red-bound books. I’d find it eventually, but I’d also find a great many other things in the course of the search.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/931/the-art-of-fiction-no-158-shelby-foote&#34;&gt;Paris Review - The Art of Fiction No. 158, Shelby Foote&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Babadook</title>
    <link href="https://mlarson.org/2015/02/03/the-babadook-i-uh-wasnt-too-anxious-to-go-to/"/>
    <updated>2015-02-03T03:42:00.000Z</updated>
    <id>https://mlarson.org/2015/02/03/the-babadook-i-uh-wasnt-too-anxious-to-go-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/02/tumblr_nj4i7jckbw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Babadook&#34;&gt;The Babadook&lt;/a&gt;. I, uh, wasn’t too anxious to go to bed after watching this. If I were a child actor, I wouldn’t have survive it psychologically intact. Awesome movie, though, and like many horror flicks, has a lot of material ripe for interpretation. Some lovely foreshadowing – a children’s author, “Mom is very lucky to have you, isn’t she?”, hands on throats, etc. I like the editing, particularly the transitions from night to day, how they often use timelapse or a just a shift in lighting. It keeps the momentum up. Love the sound design (insectoid sound effects were an inspired choice) and those cool blue-grey palettes. Interesting to see TV and the movies as both comfort/entertainment (for the elderly neighbor) and a nudge over the edge. We could see the babadook as repressed memories/guilt/sadness/anger over the husband that fester and spoil as they – and she – are increasingly isolated from work, hobbies, family, community. The refuge where you flee becomes a trap. Eventually, we have to make some sort of peace with our inner torment. Acknowledge it just enough, with proper fear, no more, and move on as best we can, knowing we’ll need to tend to it again later. Another good movie about the fallout after a father’s death: &lt;a href=&#34;http://tumblr.mlarson.org/post/109687371976/a-letter-to-momo-the-warm-up-and-the&#34;&gt;A Letter to Momo&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Sentimentality: A Critique of Humans of New York</title>
    <link href="https://mlarson.org/2015/02/03/on-sentimentality-a-critique-of-humans-of-new/"/>
    <updated>2015-02-03T03:25:18.000Z</updated>
    <id>https://mlarson.org/2015/02/03/on-sentimentality-a-critique-of-humans-of-new/</id>
    <content type="html">&lt;p&gt;I’ve never followed HONY, and I’m not sure if I’ve actually seen any of the posts, but I’m familiar with the project. Interesting how it’s pretty much inevitable that even our most noble efforts will be compromised somehow. You can’t observe and document people as some kind of inert, neutral, sociology-less being… so it’s important to take criticism well when you run with projects like this.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.warscapes.com/opinion/sentimentality-critique-humans-new-york&#34;&gt;On Sentimentality: A Critique of Humans of New York&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>From &#39;American Sniper&#39; to &#39;Macbeth,&#39; a Reporter&#39;s Moviegoing Spree - NYTimes.com</title>
    <link href="https://mlarson.org/2015/02/03/from-american-sniper-to-macbeth-a-reporters/"/>
    <updated>2015-02-03T03:24:44.000Z</updated>
    <id>https://mlarson.org/2015/02/03/from-american-sniper-to-macbeth-a-reporters/</id>
    <content type="html">&lt;p&gt;I love this essay about a two-day bender at the movie theaters.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Henry Higgins has a song in “My Fair Lady” in which he talks about how even-keeled his life was before Eliza Doolittle came along and messed it up. That is true at the movies, too. Alone, you can respond any way you want; the only negotiation is between you and the screen. Let another person in, and everything changes. My friend was gracious, but I could tell that he wished the seats were farther back and that he was repelled by what he perceived to be the unpleasant jingoism cascading around the theater. I felt responsible, because the movie had been my idea.&lt;/p&gt;
&lt;p&gt;That was a bummer. I began to believe that maybe art is better experienced alone, which is not a healthy belief.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And this too:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The movie was “Night at the Museum 3: Secret of the Tomb,” and it was pretty bad. It was a perfect thing to see alone, because I really liked it and would not have wanted to explain myself to anyone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/01/30/movies/from-american-sniper-to-macbeth-a-reporters-moviegoing-spree.html&#34;&gt;From &#39;American Sniper&#39; to &#39;Macbeth,&#39; a Reporter&#39;s Moviegoing Spree - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2015</title>
    <link href="https://mlarson.org/2015/01/31/balltillifall-step-1-read-this-book-step-2/"/>
    <updated>2015-01-31T17:48:26.000Z</updated>
    <id>https://mlarson.org/2015/01/31/balltillifall-step-1-read-this-book-step-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_niv4wpqhxg1qz5otxo1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://balltillifall.com/post/109348683015/step-1-read-this-book-step-2-live-a-cool-life&#34;&gt;balltillifall&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Step 1. Read this book Step 2. Live a cool life Step 3. Repeat once a year&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.mlarson.org/tag/seneca&#34;&gt;Seneca&lt;/a&gt; reblog rule in effect.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>ももへの手紙 (A Letter to Momo)</title>
    <link href="https://mlarson.org/2015/01/31/ももへの手紙-a-letter-to-momo-the-warm-up-and-the/"/>
    <updated>2015-01-31T17:48:22.000Z</updated>
    <id>https://mlarson.org/2015/01/31/ももへの手紙-a-letter-to-momo-the-warm-up-and-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nj1ws4xihj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Letter_to_Momo&#34;&gt;ももへの手紙 (A Letter to Momo)&lt;/a&gt;. The warm-up and the denouement drag a bit for me, but there’s plenty of laughter and heart and goofy “why not?” interludes along the way. I like the focus on the daughter here, and her inner life. Good soundtrack, too. Nice contrast after watching a movie like &lt;a href=&#34;http://tumblr.mlarson.org/post/108600089806/big-hero-6-its-good-at-times-genius-but-its-a&#34;&gt;Big Hero 6&lt;/a&gt;. I should be more open-minded about animated stuff in general.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Myth and the Reality of the $43 Download | The Pitch | Pitchfork</title>
    <link href="https://mlarson.org/2015/01/29/the-myth-and-the-reality-of-the-43-download-the/"/>
    <updated>2015-01-29T00:27:34.000Z</updated>
    <id>https://mlarson.org/2015/01/29/the-myth-and-the-reality-of-the-43-download-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Yet here is a most crucial piece of knowledge regarding sound quality: &lt;em&gt;Transmitting electricity is easy, moving air is hard.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/thepitch/643-the-myth-and-the-reality-of-the-43-download/&#34;&gt;The Myth and the Reality of the $43 Download | The Pitch | Pitchfork&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2015</title>
    <link href="https://mlarson.org/2015/01/28/deforest-i-just-do-things-i-really-enjoy-i/"/>
    <updated>2015-01-28T04:16:50.000Z</updated>
    <id>https://mlarson.org/2015/01/28/deforest-i-just-do-things-i-really-enjoy-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_m688l4hgl31qd48zdo1_r1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://deforest.tumblr.com/post/25925275507/i-just-do-things-i-really-enjoy-i-enjoy-acting&#34;&gt;deforest&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;I just do things I really enjoy. I enjoy acting. When I’m driving to the studio, I sing in the car. I love my work and my wife and my kids and my friends. And I think, “You’re a lucky man, Gregory Peck, a damn lucky man.”&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Making Peace With Music That Everyone Loves But You</title>
    <link href="https://mlarson.org/2015/01/27/making-peace-with-music-that-everyone-loves-but/"/>
    <updated>2015-01-27T04:47:56.000Z</updated>
    <id>https://mlarson.org/2015/01/27/making-peace-with-music-that-everyone-loves-but/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Part of maturing, I think, is realizing that charges of acting in bad faith are often themselves made in bad faith, an attempt to explain away gaps in understanding between two people rather than trying to bridge them, or even make peace with them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/entertainment/archive/2015/01/panda-bear-and-fear-of-music-that-everyone-else-but-you-likes/384470/&#34;&gt;Making Peace With Music That Everyone Loves But You&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Life-changing Magic of Tidying Up</title>
    <link href="https://mlarson.org/2015/01/27/i-read-marie-kondos-book-the-life-changing-magic/"/>
    <updated>2015-01-27T04:15:13.000Z</updated>
    <id>https://mlarson.org/2015/01/27/i-read-marie-kondos-book-the-life-changing-magic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nitg2mszlc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Marie Kondo’s book &lt;a href=&#34;http://www.amazon.com/Life-Changing-Magic-Tidying-Decluttering-Organizing/dp/1607747308/&#34;&gt;The Life-Changing Magic of Tidying Up&lt;/a&gt;, and it was a bit embarrassing to see how many of these recommendations I was already doing. She’s a little nutty, but it’s a great set of advice and perspective. And I really like the part about empathizing with your socks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Codes, chaos, and the world of Heat / The Dissolve</title>
    <link href="https://mlarson.org/2015/01/27/codes-chaos-and-the-world-of-heat-the-dissolve/"/>
    <updated>2015-01-27T04:15:08.000Z</updated>
    <id>https://mlarson.org/2015/01/27/codes-chaos-and-the-world-of-heat-the-dissolve/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Neil and Vincent are orderly men, and Mann harmonizes their activities beautifully, but being human isn’t an orderly business. Opening up to other people means opening up to chaos and disorder.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And from the later &lt;a href=&#34;https://thedissolve.com/features/movie-of-the-week/880-forum-heat/&#34;&gt;forum discussion of &lt;em&gt;Heat&lt;/em&gt;&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It struck me that, for all the ways Heat questions the macho code of non-attachment that McCauley and Hanna live by, it has a very old-fashioned view of the uses of violence. Both McCauley and Hanna deploy it very precisely. What’s wrong with Waingro is that he can’t control himself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://thedissolve.com/features/movie-of-the-week/879-codes-chaos-and-the-world-of-heat/&#34;&gt;Codes, chaos, and the world of Heat / The Dissolve&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Sniper</title>
    <link href="https://mlarson.org/2015/01/27/american-sniper-not-as-good-as-other-eastwood/"/>
    <updated>2015-01-27T04:15:04.000Z</updated>
    <id>https://mlarson.org/2015/01/27/american-sniper-not-as-good-as-other-eastwood/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nithzgcu3m1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/American_Sniper_(film)&#34;&gt;American Sniper&lt;/a&gt;. Not as good as other &lt;a href=&#34;https://www.mlarson.org/tag/clinteastwood&#34;&gt;Eastwood movies&lt;/a&gt; with similar thematic material. Broken heroes, the toll of duty and violence, and what it is to have a noble but misunderstood purpose, and so forth. Perhaps this and &lt;a href=&#34;http://tumblr.mlarson.org/post/109023046886/selma-amazing-stuff-mad-respect-for-movies-that&#34;&gt;Selma&lt;/a&gt; share some common values? The fake babies are really distracting and completely baffling. Forewarning: there are parts of this movie that will be unbearable if you’re sensitive about violence against children. And if you aren’t… WTF? If I were choosing among 9/11 fallout movies, I’d rather watch &lt;a href=&#34;http://tumblr.mlarson.org/post/41156619686/zero-dark-thirty-i-cant-think-of-many-movies&#34;&gt;Zero Dark Thirty&lt;/a&gt; again. Another movie with a great sandstorm climax is &lt;a href=&#34;http://tumblr.mlarson.org/post/40101128302/mission-impossible-ghost-protocol-forget-the&#34;&gt;Mission: Impossible – Ghost Protocol&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Whiplash</title>
    <link href="https://mlarson.org/2015/01/25/whiplash-fixation-and-obsession-somewhat/"/>
    <updated>2015-01-25T00:59:07.000Z</updated>
    <id>https://mlarson.org/2015/01/25/whiplash-fixation-and-obsession-somewhat/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nip2lqfclx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Whiplash_(2014_film)&#34;&gt;Whiplash&lt;/a&gt;. Fixation and obsession. Somewhat promotes the myth of the tortured artist who must be pushed to self- and other-destructive extremes. If you’ve ever felt that sinking feeling when you become the focus of attention in band class, you can relate to this movie. Good momentum through most of it – take some of that &lt;a href=&#34;http://tumblr.mlarson.org/post/103839424351/birdman-not-for-me-but-like-i-said-if-you-like&#34;&gt;Birdman&lt;/a&gt;-esque groove with more big band pop and sizzle. Love the way they did the cuts and shifts. Kind of criminal that they ignored half of the drumset, though. Seriously, all that wonderful energy and no footwork at all? It’s really too bad. Simmons is not jk in this movie. He’s awesome. A weakness is that Teller isn’t his equal. Still fun, though. Another movie that features a horrifying coach/mentor: &lt;a href=&#34;http://tumblr.mlarson.org/post/106725973031/foxcatcher-i-appreciate-the-acting-but-i&#34;&gt;Foxcatcher&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Inherent Vice</title>
    <link href="https://mlarson.org/2015/01/25/inherent-vice-its-a-fun-ride-i-didnt/"/>
    <updated>2015-01-25T00:59:00.000Z</updated>
    <id>https://mlarson.org/2015/01/25/inherent-vice-its-a-fun-ride-i-didnt/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nip382re2t1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Inherent_Vice_(film)&#34;&gt;Inherent Vice&lt;/a&gt;. It’s a fun ride. I didn’t understand it completely while it was happening, but didn’t particularly care about that. Then again, I don’t feel interested in understanding, either. I’d be curious to see &lt;a href=&#34;https://www.mlarson.org/tag/paulthomasanderson&#34;&gt;Paul Thomas Anderson&lt;/a&gt; go back to material that’s not so sprawling. I’m more likely re-watch any of his other movies before this one. Speaking of, I think I’d rank them…&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/44084499205/the-master-phoenix-was-robbed-right-where-ddl&#34;&gt;The Master&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/107944373561/hard-eight-philip-baker-hall-is-awesome-and-so&#34;&gt;Hard Eight&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;There Will Be Blood&lt;/li&gt;
&lt;li&gt;Boogie Nights&lt;/li&gt;
&lt;li&gt;Magnolia&lt;/li&gt;
&lt;li&gt;Inherent Vice&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;…or something along those lines.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When once isn’t enough</title>
    <link href="https://mlarson.org/2015/01/24/when-once-isnt-enough/"/>
    <updated>2015-01-24T18:30:03.000Z</updated>
    <id>https://mlarson.org/2015/01/24/when-once-isnt-enough/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To me, the threshold for repeat viewings is this: The first viewing must beckon you back for a second. It’s not enough to feel like you’d missed something the first time […] but you have to like the film and feel compelled to return, like an itch that needs scratching.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://thedissolve.com/features/exposition/887-when-once-isnt-enough/&#34;&gt;When once isn’t enough&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Selma</title>
    <link href="https://mlarson.org/2015/01/24/selma-amazing-stuff-mad-respect-for-movies-that/"/>
    <updated>2015-01-24T18:30:00.000Z</updated>
    <id>https://mlarson.org/2015/01/24/selma-amazing-stuff-mad-respect-for-movies-that/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nip1ly6q161qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Selma_(film)&#34;&gt;Selma&lt;/a&gt;. Amazing stuff. Mad respect for movies that take inherently interesting subjects, and then actually measure up. Not just summarizing the events, but giving them dramatic weight. Not just telling what their goal is, but something of their emotional life. (&lt;em&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/108700198241/the-imitation-game-some-good-material-here-but&#34;&gt;cough&lt;/a&gt;&lt;/em&gt;) One particularly refreshing thing in this movie: seeing religion treated as a source of solace and comfort. Another thing that struck me about both is the “period” look. &lt;em&gt;Selma&lt;/em&gt; a bit sepia and has this constant lens distortion at the edge of the frame (you can see it in the still above). I saw &lt;em&gt;The Imitation Game&lt;/em&gt; the day before, and noticed its own “historic” palette is desaturated, but with some hues just exploding, like they were manually re-tinted black-and-whites. In both cases the movies resemble some extant photographs from those times. Which is a bit odd. Like, the world itself wasn’t sepia or desaturated back then. Just got me thinking of whether that “period look” that helps transport us back in the storytelling could also over-distance us from the events and the people. Hems them in, keeps them at arms length, makes it easier to see and forget when we need to remember.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Devotion Leap - NYTimes.com</title>
    <link href="https://mlarson.org/2015/01/24/the-devotion-leap-nytimescom/"/>
    <updated>2015-01-24T18:28:52.000Z</updated>
    <id>https://mlarson.org/2015/01/24/the-devotion-leap-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If they’re going to be open to a real relationship, they have to stop asking where this person rates in comparison to others and start asking, can we lower the boundaries between self and self.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2015/01/23/opinion/david-brooks-the-devotion-leap.html&#34;&gt;The Devotion Leap - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blackhat</title>
    <link href="https://mlarson.org/2015/01/24/blackhat-i-really-liked-it-if-my-tweet-binge-is/"/>
    <updated>2015-01-24T18:28:00.000Z</updated>
    <id>https://mlarson.org/2015/01/24/blackhat-i-really-liked-it-if-my-tweet-binge-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nip100ctnm1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blackhat_(film)&#34;&gt;Blackhat&lt;/a&gt;. I really liked it, if my &lt;a href=&#34;https://twitter.com/mlarson/status/556464681431617536&#34;&gt;tweet binge&lt;/a&gt; is any indication. If you like Michael Mannerisms, you probably will, too. I like how the hacking here wasn’t just people tapping away at a keyboard, but also more general deceptive/intrusive behaviors like social engineering and burglary, and how technology is subverted for purposes good and bad. (Note how our hero goes into final battle with improvised body armor and weapons that reflect prison ingenuity.) I love that the big battle scenes have some geographical/tactical brains behind them, and the hand-to-hand fights are swiftly decided. It’s a movie willing to let its stars lounge in bed, or enjoy a nice view, and get you inside their head a bit. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/michaelmann&#34;&gt;Michael Mann&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Imitation Game</title>
    <link href="https://mlarson.org/2015/01/21/the-imitation-game-some-good-material-here-but/"/>
    <updated>2015-01-21T03:06:17.000Z</updated>
    <id>https://mlarson.org/2015/01/21/the-imitation-game-some-good-material-here-but/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nigdckceq51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Imitation_Game&#34;&gt;The Imitation Game&lt;/a&gt;. Some good material here, but pretty instantly forgettable. So much left at surface level, it seemed. And they weren’t really lacking for time. Blah.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 20, 2015</title>
    <link href="https://mlarson.org/2015/01/20/putthison-three-generations-martin-luther-king/"/>
    <updated>2015-01-20T03:05:00.000Z</updated>
    <id>https://mlarson.org/2015/01/20/putthison-three-generations-martin-luther-king/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_niczxcxmkh1qa2j8co1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://putthison.com/post/108555598192/three-generations-martin-luther-king-jr-with-his&#34;&gt;putthison&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Three Generations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Martin Luther King Jr. with his father and son. Photo taken in 1963 by Richard Avedon.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;(via &lt;a href=&#34;http://www.voxsartoria.com/&#34;&gt;Voxsartoria&lt;/a&gt;)&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Boogie Nights</title>
    <link href="https://mlarson.org/2015/01/20/boogie-nights-its-not-my-movie-but-its-a-great/"/>
    <updated>2015-01-20T01:52:07.000Z</updated>
    <id>https://mlarson.org/2015/01/20/boogie-nights-its-not-my-movie-but-its-a-great/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nigd2u0a3u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Boogie_Nights&#34;&gt;Boogie Nights&lt;/a&gt;. It’s not my movie, but it’s a great movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>An Old Fogey’s Analysis of a Teenager’s View on Social Media — The Message — Medium</title>
    <link href="https://mlarson.org/2015/01/20/an-old-fogeys-analysis-of-a-teenagers-view-on/"/>
    <updated>2015-01-20T01:42:38.000Z</updated>
    <id>https://mlarson.org/2015/01/20/an-old-fogeys-analysis-of-a-teenagers-view-on/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We’ve been down this path before. Andrew is not the first teen to speak as an “actual” teen and have his story picked up. Every few years, a (typically white male) teen with an interest in technology writes about technology among his peers on a popular tech platform and gets traction. Tons of conferences host teen panels, usually drawing on privileged teens in the community or related to the organizers. I’m not bothered by these teens’ comments; I’m bothered by the way they are interpreted and treated by the tech press and the digerati.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/an-old-fogeys-analysis-of-a-teenagers-view-on-social-media-5be16981034d&#34;&gt;An Old Fogey’s Analysis of a Teenager’s View on Social Media — The Message — Medium&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Big Hero 6</title>
    <link href="https://mlarson.org/2015/01/20/big-hero-6-its-good-at-times-genius-but-its-a/"/>
    <updated>2015-01-20T01:36:28.000Z</updated>
    <id>https://mlarson.org/2015/01/20/big-hero-6-its-good-at-times-genius-but-its-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nigcbghko11qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Big_Hero_6_(film)&#34;&gt;Big Hero 6&lt;/a&gt;. It’s good, at times genius, but it’s a mixed experience. I am most disappointed (ugh, so deeply disappointed) that the most fun gimmick in the movie – that there’s this lovable squooshy vinyl robot – is soon wrapped up in armor that disguises what makes him interesting. There are a few great gags that come out of his body and presence. Shame to waste opportunities for more. (I still don’t know anything about the comic books that this movie is working from, by the way. Not sure how it compares.) I also like the parts where the movie was self-consciously “filmed” in big-budget action movie sort of style. I suppose I should also admit that I fell asleep for a few minutes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jack Ryan: Shadow Recruit</title>
    <link href="https://mlarson.org/2015/01/13/jack-ryan-shadow-recruit-eeehhhhhhhh-too-many/"/>
    <updated>2015-01-13T03:02:00.000Z</updated>
    <id>https://mlarson.org/2015/01/13/jack-ryan-shadow-recruit-eeehhhhhhhh-too-many/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_ni3hqgd5o21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Jack_Ryan:_Shadow_Recruit&#34;&gt;Jack Ryan: Shadow Recruit&lt;/a&gt;. Eeehhhhhhhh. Too many of these people have too many skills, so it all feels overstuffed and much less tense than how I remember the Baldwin/Ford movies. I did enjoy seeing the covert meetings in barren movie theaters, emptied office buildings at night, and lonely forest roads. Some pretty solid Nokia product placement. If I see one more movie where a (heavy finger quotes) “trained assassin” doesn’t know his bullet count… One of my notes while watching this movie:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;intense typing&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When it comes to rebooted properties featuring &lt;a href=&#34;https://www.mlarson.org/tag/chrispine&#34;&gt;Chris Pine&lt;/a&gt;, this one ranks behind the &lt;a href=&#34;http://tumblr.mlarson.org/post/30894665041/star-trek-this-is-more-space-opera-than&#34;&gt;first&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/64078912466/star-trek-into-darkness-this-one-does-not-compare&#34;&gt;second&lt;/a&gt; &lt;a href=&#34;https://www.mlarson.org/tag/startrek&#34;&gt;Star Trek movies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2015</title>
    <link href="https://mlarson.org/2015/01/13/austinkleon-read-a-fucking-book-hacked-led/"/>
    <updated>2015-01-13T02:24:29.000Z</updated>
    <id>https://mlarson.org/2015/01/13/austinkleon-read-a-fucking-book-hacked-led/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_ni2o5sbj8t1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/107900802211&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.laweekly.com/news/read-a-f-ing-book-street-sign-was-likely-a-hack-photos-5332229&#34;&gt;&lt;strong&gt;“READ A FUCKING BOOK” hacked LED street sign in downtown LA&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;According to the &lt;a href=&#34;http://www.theparisreview.org/blog/2015/01/12/the-power-of-suggestion-and-other-news/&#34;&gt;&lt;em&gt;Paris Review&lt;/em&gt;&lt;/a&gt;, “Indie booksellers are reporting a noticeable uptick in sales.”&lt;/p&gt;
&lt;p&gt;I obviously &lt;a href=&#34;http://austinkleon.com/2014/07/22/read-a-book-instead/&#34;&gt;approve&lt;/a&gt; &lt;a href=&#34;http://austinkleon.com/2014/12/29/how-to-read-more/&#34;&gt;this&lt;/a&gt; &lt;a href=&#34;http://austinkleon.com/2014/10/17/33-thoughts-on-reading/&#34;&gt;message&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>In a World...</title>
    <link href="https://mlarson.org/2015/01/13/in-a-world-loved-it-again-its-so-nice-to-see/"/>
    <updated>2015-01-13T02:09:32.000Z</updated>
    <id>https://mlarson.org/2015/01/13/in-a-world-loved-it-again-its-so-nice-to-see/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_ni3fbjce7k1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/In_a_World...&#34;&gt;In a World…&lt;/a&gt;. Loved it (&lt;a href=&#34;http://tumblr.mlarson.org/post/62207921261/in-a-world-loved-it-the-power-of-voice-and&#34;&gt;again&lt;/a&gt;). It’s so nice to see a movie with such… &lt;em&gt;complete&lt;/em&gt; characters. Driven, charming, obnoxious, lovable, self-defeating. All of it. And such a good momentum through the whole thing ‘til it smashes right through the glass ceiling. Very much recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hard Eight</title>
    <link href="https://mlarson.org/2015/01/13/hard-eight-philip-baker-hall-is-awesome-and-so/"/>
    <updated>2015-01-13T01:57:30.000Z</updated>
    <id>https://mlarson.org/2015/01/13/hard-eight-philip-baker-hall-is-awesome-and-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_ni3ein02j51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Hard_Eight_(film)&#34;&gt;Hard Eight&lt;/a&gt;. Philip Baker Hall is awesome, and so is John C. Reilly. Love how Reilly becomes a poor imitation of the expert. I love the moments of still life, coffee and pie and cigarettes and such. I felt a bit let down by the reveal. I guess you’d have to steer the climax a bit differently without it, but I didn’t really need a reason for how the story opened. I was totally on board with this strange characters. I think &lt;a href=&#34;http://tumblr.mlarson.org/post/44084499205/the-master-phoenix-was-robbed-right-where-ddl&#34;&gt;The Master&lt;/a&gt; is my favorite of Paul Thomas Anderson’s, then probably this one and then &lt;em&gt;There Will Be Blood&lt;/em&gt; and then &lt;em&gt;Magnolia&lt;/em&gt;? Hard to say. They’re all pretty solid.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2015</title>
    <link href="https://mlarson.org/2015/01/13/grief-is-as-unique-as-a-fingerprint/"/>
    <updated>2015-01-13T01:34:37.000Z</updated>
    <id>https://mlarson.org/2015/01/13/grief-is-as-unique-as-a-fingerprint/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Grief is as unique as a fingerprint.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://opinionator.blogs.nytimes.com/2015/01/10/getting-grief-right&#34;&gt;Patrick O&#39;Malley&lt;/a&gt;. (&lt;a href=&#34;http://tinyletter.com/mattthomas&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Amazon order test as an algorithm for evaluating books</title>
    <link href="https://mlarson.org/2015/01/07/the-amazon-order-test-as-an-algorithm-for/"/>
    <updated>2015-01-07T04:11:09.000Z</updated>
    <id>https://mlarson.org/2015/01/07/the-amazon-order-test-as-an-algorithm-for/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you read a book, how many other related or similar books does it make you order? […] If you don’t end your read with some additional book orders, maybe you need to ask yourself what exactly went wrong.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And this is worth pondering:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How about a book review outlet which refuses to consider the books under consideration, but rather considers and evaluates what they will induce you to read next?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2015/01/the-amazon-order-test-as-an-algorithm-for-evaluating-books.html&#34;&gt;The Amazon order test as an algorithm for evaluating books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2015</title>
    <link href="https://mlarson.org/2015/01/07/slaughterhouse90210-nothing-has-topped-the-way/"/>
    <updated>2015-01-07T01:26:56.000Z</updated>
    <id>https://mlarson.org/2015/01/07/slaughterhouse90210-nothing-has-topped-the-way/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhmms8hsnv1qzy4ewo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://slaughterhouse90210.tumblr.com/post/107217859137/nothing-has-topped-the-way-men-shake-her-hand-and&#34;&gt;slaughterhouse90210&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Nothing has topped the way men shake her hand and look her in the eye, what it’s like to be able to call a man a chickenshit to his face and get away with it, to mean it, to feel free and dominant and in control of your life.”&lt;br&gt;
—Megan Mayhew Bergman, &lt;em&gt;Almost Famous Women&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2015</title>
    <link href="https://mlarson.org/2015/01/07/give-your-past-present-and-future-selves/"/>
    <updated>2015-01-07T01:26:29.000Z</updated>
    <id>https://mlarson.org/2015/01/07/give-your-past-present-and-future-selves/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Give your past, present and future selves influence in proportion to what each has earned. Which one of you is working with the most reliable information — about you and nobody else?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-her-wanderlust-has-faded-should-she-try-to-reignite-it/2014/12/31/8ba8d418-8555-11e4-a702-fa31ff4ae98e_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2015</title>
    <link href="https://mlarson.org/2015/01/04/randomscreencap-have-you-made-any-new-years/"/>
    <updated>2015-01-04T20:44:00.000Z</updated>
    <id>https://mlarson.org/2015/01/04/randomscreencap-have-you-made-any-new-years/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://randomscreencap.tumblr.com/post/39336282250&#34;&gt;randomscreencap&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;“Have you made any New Year’s resolutions, Chuck?&lt;/em&gt;”&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>All Is Lost</title>
    <link href="https://mlarson.org/2015/01/04/all-is-lost-loved-it-perfect-movie-for-the/"/>
    <updated>2015-01-04T18:57:53.000Z</updated>
    <id>https://mlarson.org/2015/01/04/all-is-lost-loved-it-perfect-movie-for-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhnpqhrcmh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/All_Is_Lost&#34;&gt;All Is Lost&lt;/a&gt;. Loved it. Perfect movie for the messy, rainy weather of late. Redford’s sailboat is hit by a freight container… and then he deals with it. Minimal script and music, the focus is on inventiveness, improvising, and the mundane aspects of making do. I appreciate that there weren’t any gimmicks that felt too dumb or contrived, like, I dunno, getting tangled in the ropes or something. It’s also a great example of how much more thrilling it can be to focus on the person facing peril, and how they react, rather than show a huge CGI wave vs. a tiny boat. I love the couple moments where he’s… enjoying himself, somehow? A sunset. A simple dinner. And there’s a beautiful, heartbreaking moment before he sends out a communication where he pauses – not &lt;em&gt;quite&lt;/em&gt; ready – and then follows through. Other good “peril at sea” movies: &lt;a href=&#34;http://tumblr.mlarson.org/post/65402048778/captain-phillips-i-really-dug-it-hanks-is-great&#34;&gt;Captain Phillips&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/37768314256/life-of-pi-awesome-special-effects-and&#34;&gt;Life of Pi&lt;/a&gt;. Other good survival films: &lt;a href=&#34;http://tumblr.mlarson.org/post/63620325947/gravity-its-definitely-worth-seeing-very&#34;&gt;Gravity&lt;/a&gt; (+ &lt;a href=&#34;https://www.youtube.com/watch?v=0zcYkuIzzy8&#34;&gt;Aningaaq&lt;/a&gt;). &lt;a href=&#34;http://tumblr.mlarson.org/post/40544040250/the-grey-its-great-watch-it-there-are&#34;&gt;The Grey&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/6727682368/127-hours-this-was-the-perfect-movie-to-watch&#34;&gt;127 Hours&lt;/a&gt;. Another good movie focusing on one actor, one vehicle: &lt;a href=&#34;http://tumblr.mlarson.org/post/96585286131/locke-i-really-liked-this-movie-two-things-it&#34;&gt;Locke&lt;/a&gt;. Another good movie with an older actor trying to get out of trouble: &lt;a href=&#34;http://tumblr.mlarson.org/post/73266639693/arbitrage-throws-you-in-the-middle-and-lets-you&#34;&gt;Arbitrage&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Veronica Mars</title>
    <link href="https://mlarson.org/2015/01/04/if-i-were-wise-enough-to-know-the-difference/"/>
    <updated>2015-01-04T14:26:38.000Z</updated>
    <id>https://mlarson.org/2015/01/04/if-i-were-wise-enough-to-know-the-difference/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhm331xmvy1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I were wise enough to know the difference between what I can and can’t change, would I even be who I am?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Veronica_Mars_(film)&#34;&gt;Veronica Mars&lt;/a&gt;. It opens with an explanatory montage narrated by Bell – it’s a nice introduction for newbies and also helps boost the anticipation/nostalgia for veterans. Even with that lead-in, though, I don’t think you could get much out of the movie without watching a good bit of the TV series (which you should absolutely, definitely do as soon as possible). Lots of inside jokes, references, running gags, cameos, and other bits of fan service. There were a pair of legitimately shocking moments in there, too. The great writing that sustained the show carries over here, and the key relationships – Veronica and her dad; Veronica and Logan – are as sharp as ever. Love the &lt;a href=&#34;https://www.youtube.com/watch?v=XCW1i5HQ0o0&#34;&gt;Lou Rawls soundtrack&lt;/a&gt; during one of the climactic scenes. But alas, it’s not the TV show, and two hours simply is not enough for a challenge worthy of Veronica, and there’s not enough time for beloved supporting characters to remind us why we love them so much. Another great movie that revolves around noir-ish high school drama is &lt;a href=&#34;http://tumblr.mlarson.org/post/16246499156/brick-hard-boiled-film-noir-in-modern-high-school&#34;&gt;Brick&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Best Books I Read, 2014</title>
    <link href="https://mlarson.org/2015/01/03/the-best-books-i-read-2014/"/>
    <updated>2015-01-03T16:49:00.000Z</updated>
    <id>https://mlarson.org/2015/01/03/the-best-books-i-read-2014/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/a1532f0268de7b83f36ffc9d2f894b2f/tumblr_inline_nhm1a7Rdko1qzag13.png&#34; alt=&#34;Best Books of 2014&#34;&gt;&lt;/p&gt;
&lt;p&gt;Well, there’s always 2015. What follows are the best of a pitiful 30 (?!) books I read in 2014, which is nowhere near previous glorious heights. These are in a very particular order – as more discerning readers will see – gently arranged for optimal reading pleasure. Don’t skim or jump around, or you’ll ruin the whole thing. All links are to my own notes on the books, such as they are.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.mlarson.org/blog/2014/4/19/the-pleasures-of-reading-in-an-age-of-distraction-review&#34;&gt;The Pleasures of Reading in an Age of Distraction&lt;/a&gt; by &lt;a href=&#34;https://twitter.com/ayjay&#34;&gt;Alan Jacobs&lt;/a&gt; is a great reminder to ignore everyone else’s rules about reading. Read at whim!&lt;/li&gt;
&lt;li&gt;Mohsin Hamid’s &lt;a href=&#34;http://www.mlarson.org/blog/2014/4/20/how-to-get-filthy-rich-in-rising-asia-review&#34;&gt;How to Get Filthy Rich in Rising Asia&lt;/a&gt; has to be my favorite fiction of the year, and &lt;a href=&#34;http://tumblr.mlarson.org/post/103117402816/i-read-mohsin-hamids-the-reluctant&#34;&gt;The Reluctant Fundamentalist&lt;/a&gt; is right up there, too.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/88320535241/i-read-carl-wilsons-lets-talk-about-love-a&#34;&gt;Let’s Talk About Love&lt;/a&gt; by Carl Wilson is the best nonfiction of my year, easily.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/105382877231/i-read-john-williams-book-stoner-and-found-it&#34;&gt;Stoner&lt;/a&gt; by John Williams just works, and I have no idea how.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/95012704061/i-read-the-strugatsky-brothers-book-definitely&#34;&gt;Definitely Maybe&lt;/a&gt; from the Strugatsky brothers.&lt;/li&gt;
&lt;li&gt;My experience reading Gillian Flynn’s &lt;a href=&#34;http://tumblr.mlarson.org/post/100204290581/i-read-gillian-flynns-gone-girl-and-really&#34;&gt;Gone Girl&lt;/a&gt; overlapped with &lt;a href=&#34;http://tumblr.mlarson.org/post/100089842631/gone-girl-i-loved-this-one-pike-and-affleck-work&#34;&gt;the movie&lt;/a&gt; in really lovely ways.&lt;/li&gt;
&lt;li&gt;And I had similar fun with Dashiell Hammet’s &lt;a href=&#34;http://tumblr.mlarson.org/post/103013699366/i-read-dashiel-hammetts-book-the-thin-man-and&#34;&gt;The Thin Man&lt;/a&gt; and the &lt;a href=&#34;http://tumblr.mlarson.org/post/103013688096/the-thin-man-i-watched-this-after-i-read-the&#34;&gt;film adaptation&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Amy Hempel’s stories in &lt;a href=&#34;http://tumblr.mlarson.org/post/89403361336/i-read-amy-hempels-tumble-home-the-title-novella&#34;&gt;Tumble Home&lt;/a&gt; make me want to write better.&lt;/li&gt;
&lt;li&gt;I love Charles Yu’s kooky &lt;a href=&#34;http://www.mlarson.org/blog/2014/4/19/third-class-superhero-review&#34;&gt;Third-Class Superhero&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/96048080281/i-read-charles-yus-how-to-live-safely-in-a&#34;&gt;How to Live Safely in a Science Fictional Universe&lt;/a&gt;. I’ve got another one of his books lined up for early this year.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/94181154436/i-read-virginia-woolfs-flush-a-biography-of&#34;&gt;Flush&lt;/a&gt; by Virginia Woolf – the best dog biography you’ll ever find.&lt;/li&gt;
&lt;li&gt;A new translation of Stanisław Lem’s &lt;a href=&#34;http://tumblr.mlarson.org/post/92685538301/i-read-stanislaw-lems-solaris-the-new-bill&#34;&gt;Solaris&lt;/a&gt; by Bill Johnston&lt;/li&gt;
&lt;li&gt;I read &lt;a href=&#34;http://www.mlarson.org/blog/2013/12/15/njals-saga-review&#34;&gt;Njál’s Saga&lt;/a&gt; at the end of last year, so I’m giving it another shout-out here.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I hope your year is filled with books you enjoy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Meditations</title>
    <link href="https://mlarson.org/2015/01/03/i-re-read-marcus-aurelius-meditations-a-couple/"/>
    <updated>2015-01-03T15:53:00.000Z</updated>
    <id>https://mlarson.org/2015/01/03/i-re-read-marcus-aurelius-meditations-a-couple/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhinmlh9bh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I re-read Marcus Aurelius’ &lt;a href=&#34;http://www.amazon.com/Meditations-Penguin-Classics-Marcus-Aurelius/dp/B006Q36SH4&#34;&gt;Meditations&lt;/a&gt; a couple days ago, a &lt;a href=&#34;https://twitter.com/mlarson/status/550658376209014784&#34;&gt;New Year’s tradition&lt;/a&gt;. I also spent some more time digging in the appendices in this book, and comparing my notes from 2013. And, as I did &lt;a href=&#34;https://twitter.com/search?f=realtime&amp;amp;q=from%3Amlarson%20since%3A2014-01-01%20until%3A2014-01-02&amp;amp;src=typd&#34;&gt;last year&lt;/a&gt;, I &lt;a href=&#34;https://twitter.com/search?f=realtime&amp;amp;q=%23MARCUS2015%20from%3Amlarson&amp;amp;src=typd&#34;&gt;tweeted&lt;/a&gt; some quotes and paraphrases that struck me as I read it this time around. A few of those, with book/chapter references:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Expecting nothing, shirking nothing, […] and a heroic truthfulness in all that you say and mean – then you will lead a good life. And nobody is able to stop you. (3.12) Whenever you want to cheer up, think of the admirable qualities and virtues of your friends. (6.48)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That last one makes me think of &lt;a href=&#34;http://tumblr.mlarson.org/post/10204206067/on-tranquillity-of-mind-seneca&#34;&gt;Seneca&lt;/a&gt;, especially, and some other good stuff filed under my &lt;a href=&#34;https://www.mlarson.org/tag/friends&#34;&gt;friends&lt;/a&gt; tag.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Do not be ashamed of being helped. […] It is human nature to love even those who trip and fall.“ (7.7 and 7.22) Without frenzy, without apathy, without pretense. (7.69) Prayer about things you want in the world &amp;lt; Prayer to be free from fear, desire, regret. (9.40) Kindness is invincible. (11.18.9)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I appreciated his personal journaling this year as much as ever, but also felt like some things were missing – because, selfishly, he’s writing for himself and not for me specifically. But I take some comfort in seeing him grapple with his own shortcomings as I work on my own, and try to live well despite them. Be sure to check out &lt;a href=&#34;http://tumblr.austinkleon.com/post/106964220481/marcus-aurelius-meditations-inspired-by-mark&#34;&gt;Austin Kleon’s thoughts&lt;/a&gt; from his own re-reading. I’ve got another re-read coming up shortly, just as soon as the postman delivers the &lt;a href=&#34;http://www.amazon.com/Meditations-Marcus-Aurelius/dp/1500979686&#34;&gt;Hays translation&lt;/a&gt; that Ryan Holiday &lt;a href=&#34;http://ryanholiday.net/reading-list/&#34;&gt;recommends&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/stoicism&#34;&gt;Stoicism&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cyberbooks</title>
    <link href="https://mlarson.org/2015/01/02/i-read-a-lot-of-ben-bovas-cyberbooks-but-not-all/"/>
    <updated>2015-01-02T19:49:59.000Z</updated>
    <id>https://mlarson.org/2015/01/02/i-read-a-lot-of-ben-bovas-cyberbooks-but-not-all/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhinrv5h0b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read a lot of Ben Bova’s &lt;a href=&#34;http://www.amazon.com/Cyberbooks-Ben-Bova/dp/0312931816&#34;&gt;Cyberbooks&lt;/a&gt;, but not all of it. There is a certain kind of joy in reading about science fiction that’s no longer fiction. In this case, ebooks and tablets and the future of publishing as seen from 1989. Ultimately it was a bit more light and meandering than I wanted. DNF.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Strange Days</title>
    <link href="https://mlarson.org/2015/01/02/strange-days-the-last-movie-i-watched-in-2014/"/>
    <updated>2015-01-02T17:23:10.000Z</updated>
    <id>https://mlarson.org/2015/01/02/strange-days-the-last-movie-i-watched-in-2014/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhk7wusvpu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Strange_Days_(film)&#34;&gt;Strange Days&lt;/a&gt;. The last movie I watched in 2014. The setting is a dark and messy L.A. where the go-to underground drug is VR “playback” of other people’s recorded first-person thrills. All the stuff with rampant police abuse, violence for entertainment, and mediated experience seemed relevant today. It’s one of those where I love the world they built in the early parts of the movie, but didn’t have much interest in the story they developed from there. Love the &lt;a href=&#34;https://www.youtube.com/watch?v=QZ1DKig78u0&#34;&gt;closing song&lt;/a&gt;. My &lt;a href=&#34;https://www.mlarson.org/tag/kathrynbigelow&#34;&gt;Kathryn Bigelow&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/41156619686/zero-dark-thirty-i-cant-think-of-many-movies&#34;&gt;Zero Dark Thirty&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/91312316286/point-break-so-damn-good-sensual-west-coast&#34;&gt;Point Break&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/588501189/the-hurt-locker-im-happy-to-say-that-the-good&#34;&gt;The Hurt Locker&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Strange Days&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;She’s really damn good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The One I Love</title>
    <link href="https://mlarson.org/2015/01/02/the-one-i-love-highly-recommended-a-lot-of-fun/"/>
    <updated>2015-01-02T17:09:00.000Z</updated>
    <id>https://mlarson.org/2015/01/02/the-one-i-love-highly-recommended-a-lot-of-fun/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhk7jplfz51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_One_I_Love_(film)&#34;&gt;The One I Love&lt;/a&gt;. Highly recommended, a lot of fun. I wish this one had made a bigger splash. A couple on the rocks goes on a retreat to focus on their relationship. Hijinks ensue. I love movies like this that focus on just a couple cast members, and you get to see their chemistry and talent carry the whole thing. Moss and Duplass are awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Le Week-End</title>
    <link href="https://mlarson.org/2015/01/02/le-week-end-fast-forward-linklaters-before/"/>
    <updated>2015-01-02T16:56:00.000Z</updated>
    <id>https://mlarson.org/2015/01/02/le-week-end-fast-forward-linklaters-before/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2015/01/tumblr_nhk714ns0w1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Le_Week-End&#34;&gt;Le Week-End&lt;/a&gt;. Fast-forward Linklater’s &lt;em&gt;Before&lt;/em&gt; trilogy 40 years into the future, and you’ll get the idea. The silly parts are much sillier, though, and the dark parts even worse. Jeff Goldblum’s character is overwhelming and terrible and so much fun to watch.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2015</title>
    <link href="https://mlarson.org/2015/01/02/the-ultimate-david-lee-roth-karate-kick/"/>
    <updated>2015-01-02T16:48:30.000Z</updated>
    <id>https://mlarson.org/2015/01/02/the-ultimate-david-lee-roth-karate-kick/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=GVbBrePfbgc&#34;&gt;The Ultimate David Lee Roth Karate Kick Compilation&lt;/a&gt;. Bring it, 2015.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Foxcatcher</title>
    <link href="https://mlarson.org/2014/12/31/foxcatcher-i-appreciate-the-acting-but-i/"/>
    <updated>2014-12-31T18:08:26.000Z</updated>
    <id>https://mlarson.org/2014/12/31/foxcatcher-i-appreciate-the-acting-but-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nhgku6xr0m1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Foxcatcher&#34;&gt;Foxcatcher&lt;/a&gt;. I appreciate the acting, but I couldn’t hang with it. Mark Ruffalo is a genius, though. Matt Zoller Seitz &lt;a href=&#34;http://www.rogerebert.com/reviews/foxcatcher-2014&#34;&gt;said it well&lt;/a&gt;: “If I had to make a list of movies I’m saddest about not having liked, this would rank near the top.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Double</title>
    <link href="https://mlarson.org/2014/12/31/the-double-love-it-a-dark-funny-absurdist/"/>
    <updated>2014-12-31T17:51:50.000Z</updated>
    <id>https://mlarson.org/2014/12/31/the-double-love-it-a-dark-funny-absurdist/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nhgk77aqlf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Double_(2013_film)&#34;&gt;The Double&lt;/a&gt;. Love it. A dark, funny, absurdist cross between the budding romance/bureaucracy of &lt;a href=&#34;http://tumblr.mlarson.org/post/456695666/il-posto-the-job-i-loved-this-movie-and&#34;&gt;Il Posto&lt;/a&gt; with the doppelgänging of &lt;a href=&#34;http://tumblr.mlarson.org/post/105789777696/enemy-unexpectedly-good-soundtrack-the-more&#34;&gt;Enemy&lt;/a&gt;, and &lt;a href=&#34;http://tumblr.mlarson.org/post/3426669371/brazil-a-daydreaming-bureaucrat-muddles-through-a&#34;&gt;Brazil&lt;/a&gt;’s clunky, busted futurism.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Good Will Hunting</title>
    <link href="https://mlarson.org/2014/12/31/good-will-hunting-i-was-that-person-who-had-never/"/>
    <updated>2014-12-31T17:38:09.000Z</updated>
    <id>https://mlarson.org/2014/12/31/good-will-hunting-i-was-that-person-who-had-never/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nhgjmad4cm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Good_Will_Hunting&#34;&gt;Good Will Hunting&lt;/a&gt;. I was that person who had never seen it before. If you’re still that person… keep doing your thing, but consider making time for this movie. Good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 31, 2014</title>
    <link href="https://mlarson.org/2014/12/31/stills-from-thief-filed-under-thief/"/>
    <updated>2014-12-31T17:38:02.000Z</updated>
    <id>https://mlarson.org/2014/12/31/stills-from-thief-filed-under-thief/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://stampsy.com/stamp/6513&#34;&gt;Stills from Thief&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/thief&#34;&gt;Thief&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Killer Mike Explains Champagne in the South | First We Feast</title>
    <link href="https://mlarson.org/2014/12/29/killer-mike-explains-champagne-in-the-south/"/>
    <updated>2014-12-29T14:30:15.000Z</updated>
    <id>https://mlarson.org/2014/12/29/killer-mike-explains-champagne-in-the-south/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“When you pop champagne, man, a guy holding a 40 can’t stand next to you. Our whole shit was, We drinking champagne because we deserve this shit.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://firstwefeast.com/drink/killer-mike-explains-champagne-in-the-south/&#34;&gt;Killer Mike Explains Champagne in the South | First We Feast&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stand By Me</title>
    <link href="https://mlarson.org/2014/12/29/stand-by-me-nothing-beats-exploring-the-woods/"/>
    <updated>2014-12-29T14:20:03.000Z</updated>
    <id>https://mlarson.org/2014/12/29/stand-by-me-nothing-beats-exploring-the-woods/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nhbcrmkrx11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Stand_by_Me_(film)&#34;&gt;Stand By Me&lt;/a&gt;. Nothing beats &lt;a href=&#34;http://tumblr.mlarson.org/post/29124751775/the-last-of-the-mohicans-i-might-have-seen-this&#34;&gt;exploring the woods with your friends&lt;/a&gt;. Especially when your parents are clueless as to your whereabouts. This one is not as good as I remembered. I couldn’t help but compare it with that other Oregon-based tween adventure from a year earlier, &lt;a href=&#34;http://tumblr.mlarson.org/post/49183526883/the-goonies-a-friend-had-never-seen-it-so-we-had&#34;&gt;The Goonies&lt;/a&gt;, and it comes up short. Maybe it just works better for younger eyes and ears, where the foul language is more scandalous and thrilling, and the loving fisticuffs more relatable. I didn’t realize this is where the &lt;a href=&#34;https://en.wikipedia.org/wiki/Castle_Rock_Entertainment&#34;&gt;production company&lt;/a&gt;’s name came from.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Meaning of “Culture”</title>
    <link href="https://mlarson.org/2014/12/28/the-meaning-of-culture/"/>
    <updated>2014-12-28T22:13:03.000Z</updated>
    <id>https://mlarson.org/2014/12/28/the-meaning-of-culture/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It goes without saying that “culture” is a confusing word, this year or any year.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/culture/cultural-comment/meaning-culture&#34;&gt;The Meaning of “Culture”&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Christmas Story</title>
    <link href="https://mlarson.org/2014/12/28/a-christmas-story-its-aged-very-very-well/"/>
    <updated>2014-12-28T22:07:55.000Z</updated>
    <id>https://mlarson.org/2014/12/28/a-christmas-story-its-aged-very-very-well/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nhbc4im5yg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Christmas_Story&#34;&gt;A Christmas Story&lt;/a&gt;. It’s aged very, very well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Taken 2</title>
    <link href="https://mlarson.org/2014/12/28/taken-2-i-like-the-flip-flop-here-where-neeson/"/>
    <updated>2014-12-28T22:07:44.000Z</updated>
    <id>https://mlarson.org/2014/12/28/taken-2-i-like-the-flip-flop-here-where-neeson/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nhbbhzpfj41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Taken_2&#34;&gt;Taken 2&lt;/a&gt;. I like the flip-flop here, where Neeson has to rely on his daughter for a bit. Love the absurdly nonchalant use of grenades. Neeson is the most nightmarish backseat driver you could ever imagine. Like &lt;a href=&#34;http://tumblr.mlarson.org/post/98730525186/the-equalizer-average-with-a-few-bright-points&#34;&gt;The Equalizer&lt;/a&gt;, he gives the final bad guy a chance to make the right decision, but… people never learn. Not sure what’s up with the images here, like how the colors were pushed and processed into these weird greenish-yellow skin tones. &lt;a href=&#34;https://www.youtube.com/watch?v=zavGRwpBsLQ&#34;&gt;Tick of the Clock&lt;/a&gt; is one of the best things to happen to action movies (&lt;a href=&#34;https://www.mlarson.org/tag/drive&#34;&gt;Cf&lt;/a&gt;.). More of the same ain’t bad, but &lt;a href=&#34;http://tumblr.mlarson.org/post/70188403066/taken-preposterous-fantasy-fulfillment-popcorn&#34;&gt;Taken&lt;/a&gt; is better.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dark City</title>
    <link href="https://mlarson.org/2014/12/23/dark-city-not-going-to-complain-about-lizabeth/"/>
    <updated>2014-12-23T21:45:00.000Z</updated>
    <id>https://mlarson.org/2014/12/23/dark-city-not-going-to-complain-about-lizabeth/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nh2169s5lf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dark_City_(1950_film)&#34;&gt;Dark City&lt;/a&gt;. Not going to complain about Lizabeth Scott (I only put this one my list because of &lt;a href=&#34;http://tumblr.mlarson.org/post/80848225909/pitfall-aw-man-i-watched-this-at-the-end-of&#34;&gt;Pitfall&lt;/a&gt;), but there’s not a lot of compelling stuff here. Good job easing into the pivotal scene though. Watch the other completely unrelated 1998 &lt;a href=&#34;http://tumblr.mlarson.org/post/23934998854/dark-city-thoroughly-enjoyable-great-sets-and&#34;&gt;Dark City&lt;/a&gt; instead.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Meek&#39;s Cutoff</title>
    <link href="https://mlarson.org/2014/12/22/meeks-cutoff-the-opening-scene-has-the-cast/"/>
    <updated>2014-12-22T20:45:45.000Z</updated>
    <id>https://mlarson.org/2014/12/22/meeks-cutoff-the-opening-scene-has-the-cast/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngy57gx7bl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Meek%27s_Cutoff&#34;&gt;Meek’s Cutoff&lt;/a&gt;. The opening scene has the cast fording a waist-deep river – rushing water taking over the soundtrack – and you sense that’s about as good as it’s gonna get for a while. I love the contrast between the hot bright sunny bleached-out days, and the nights where you can see absolutely nothing but what fire’s light touches. And the square frame makes things feel a bit more fraught somehow. Over and over we see women hanging back while men deliberate their course. (Often with men in long shot, conversations barely audible, while the women get the close-ups and mediums.) And look where it gets them. By the end, it’s time to try something new. Fingers crossed. Kelly Reichardt’s movies &lt;a href=&#34;http://tumblr.mlarson.org/post/104680402391/night-moves-movements-of-all-sorts-cultivate&#34;&gt;Night Moves&lt;/a&gt; and &lt;em&gt;Old Joy&lt;/em&gt; are also really good. &lt;em&gt;Wendy &amp;amp; Lucy&lt;/em&gt; is still on my list.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Sense of Where You Are</title>
    <link href="https://mlarson.org/2014/12/22/i-read-john-mcphees-book-a-sense-of-where-you/"/>
    <updated>2014-12-22T20:45:38.000Z</updated>
    <id>https://mlarson.org/2014/12/22/i-read-john-mcphees-book-a-sense-of-where-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngxrj6x66s1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read John McPhee’s book &lt;a href=&#34;http://www.amazon.com/Sense-Where-You-Are-Princeton/dp/0374526893&#34;&gt;A Sense of Where You Are&lt;/a&gt;. Short and sweet. Good line:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When he wastes time, he wastes it hurriedly rather than at leisure.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I wish McPhee would write about sports more often. &lt;a href=&#34;http://www.amazon.com/Levels-Game-John-McPhee/dp/0374515263&#34;&gt;Levels of the Game&lt;/a&gt; was also really good. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/johnmcphee&#34;&gt;John McPhee&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>G.I. Joe: The Rise of the Cobra</title>
    <link href="https://mlarson.org/2014/12/21/gi-joe-the-rise-of-cobra-pretty-to-look-at/"/>
    <updated>2014-12-21T22:14:19.000Z</updated>
    <id>https://mlarson.org/2014/12/21/gi-joe-the-rise-of-cobra-pretty-to-look-at/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngy5orhmum1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/G.I._Joe:_The_Rise_of_Cobra&#34;&gt;G.I. Joe: The Rise of Cobra&lt;/a&gt;. Pretty to look at (reminded me of how I felt about &lt;a href=&#34;http://tumblr.mlarson.org/post/31550550506/iron-man-2-its-really-pretty-when-things-are&#34;&gt;Iron Man 2&lt;/a&gt;). Seemed like Tatum was a little bored?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fifth Element</title>
    <link href="https://mlarson.org/2014/12/21/the-fifth-element-just-delightful-even-when-its/"/>
    <updated>2014-12-21T22:14:14.000Z</updated>
    <id>https://mlarson.org/2014/12/21/the-fifth-element-just-delightful-even-when-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngy4y3ovvn1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fifth_Element&#34;&gt;The Fifth Element&lt;/a&gt;. Just delightful. Even when it’s not always working, it’s refreshing to see them go all-out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How You Know</title>
    <link href="https://mlarson.org/2014/12/21/how-you-know/"/>
    <updated>2014-12-21T18:13:03.000Z</updated>
    <id>https://mlarson.org/2014/12/21/how-you-know/</id>
    <content type="html">&lt;p&gt;On re-reading:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Reading and experience train your model of the world. And even if you forget the experience or what you read, its effect on your model of the world persists. Your mind is like a compiled program you’ve lost the source of. It works, but you don’t know why.&lt;/p&gt;
&lt;p&gt;[…] Reading and experience are usually “compiled” at the time they happen, using the state of your brain at that time. The same book would get compiled differently at different points in your life. Which means it is very much worth reading important books multiple times. I always used to feel some misgivings about rereading books. I unconsciously lumped reading together with work like carpentry, where having to do something again is a sign you did it wrong the first time. Whereas now the phrase “already read” seems almost ill-formed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://paulgraham.com/know.html&#34;&gt;How You Know&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>You Don’t Have To Be Pretty – On YA Fiction And Beauty As A Priority | The Belle Jar</title>
    <link href="https://mlarson.org/2014/12/21/you-dont-have-to-be-pretty-on-ya-fiction-and/"/>
    <updated>2014-12-21T18:03:00.000Z</updated>
    <id>https://mlarson.org/2014/12/21/you-dont-have-to-be-pretty-on-ya-fiction-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We never say that all men deserve to feel beautiful. We never say that each man is beautiful in his own way. We don’t have huge campaigns aimed at young boys trying to convince them that they’re attractive, probably because we very rarely correlate a man’s worth with his appearance. The problem is that a woman’s value in this world is still very much attached to her appearance, and telling her that she should or deserves to feel beautiful does more to promote that than negate it. Telling women that they “deserve” to feel pretty plays right in to the idea that prettiness should be important to them. And having books and movies aimed at young women where every female protagonist turns out to be beautiful (whereas many of the antagonists are described in much less flattering terms) reinforces the message that beauty has some kind of morality attached to it, and that all heroines are somehow pretty.&lt;/p&gt;
&lt;p&gt;Can we please change the script here?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bellejar.ca/2014/03/23/you-dont-have-to-be-pretty-on-ya-fiction-and-beauty-as-a-priority/&#34;&gt;You Don’t Have To Be Pretty – On YA Fiction And Beauty As A Priority | The Belle Jar&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Enemy</title>
    <link href="https://mlarson.org/2014/12/21/enemy-unexpectedly-good-soundtrack-the-more/"/>
    <updated>2014-12-21T18:01:35.000Z</updated>
    <id>https://mlarson.org/2014/12/21/enemy-unexpectedly-good-soundtrack-the-more/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngoplmjcrq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Enemy_(2013_film)&#34;&gt;Enemy&lt;/a&gt;. Unexpectedly good soundtrack. The more chamber ensemble feel is a nice change. Even got some bassoon leading the way at times. Two Gyllenhaals contrast in appearance (leather band dress watch vs. link sports watch; chinos vs. denim; blazer vs. leather jacket; Volvo vs. motorcycle) and behavior (hunch vs. swagger). Nice how each man (emotionally) is the one the other’s wife has been missing. Also a good reminder of how objectively difficult it would be to live someone else’s life – from basics like knowing which keys to use to family history, social circle gossip, etc. – and the futility of escapism when we have our own multitudes we should be reconciling. There’s a good car scene here, particularly as it settles down with a truck-mounted camera, which then cranes down and closer to the action. Not sure about the spider imagery. Something about weaving illusions, bread-and-circus distractions from real life (like the strip club).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thief</title>
    <link href="https://mlarson.org/2014/12/20/thief-so-great-this-was-the-first-time-id/"/>
    <updated>2014-12-20T20:42:00.000Z</updated>
    <id>https://mlarson.org/2014/12/20/thief-so-great-this-was-the-first-time-id/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngwdhmarhw1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Thief_(film)&#34;&gt;Thief&lt;/a&gt;. So great. This was the first time I’d noticed a couple cameos from &lt;a href=&#34;http://tumblr.mlarson.org/post/93735360471/manhunter-safe-to-call-michael-mann-my-favorite&#34;&gt;Manhunter&lt;/a&gt; stars: Dennis Farina (&lt;em&gt;Manhunter&lt;/em&gt;’s Jack Crawford) as a henchman and William Petersen (profiler Will Graham) as a bouncer at the bar where Caan is late for his date. A few other nice camera/editing odds and ends I appreciated this time around:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;During the diamond exchange in the diner, I like how he starts unwrapping one of the packages, then pauses, and the camera cuts away when the waitress arrives.&lt;/li&gt;
&lt;li&gt;After Caan barges into the office, the blocking follows the shifting of power. Caan moves from the visitor’s chair in the owner’s office, then parallel to the desk, then moves behind the desk and forces the owner into the guest’s chair.&lt;/li&gt;
&lt;li&gt;When using a tracking device to misdirect the cops, the camera tells the story as it zooms past three or four cars, then fixes on the bus.&lt;/li&gt;
&lt;li&gt;The wide shots of the monolithic safe at the big heist me of similar shots at the El Paso bank in &lt;a href=&#34;http://tumblr.mlarson.org/post/419308785/for-a-few-dollars-more-ive-finally-finished-the&#34;&gt;For a Few Dollars More&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Just about 99% of the movie is urban, but the final setting is in comfortable suburbia (the sort of life that Caan has been working toward). The climactic scene at the mob boss’s house is nearly silent up until the last moments, and then there’s a crane up into the trees…&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;One last bit of awesomeness is Willie Nelson’s character, Okla, dispensing some perfect life advice:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Lie to no one. If there’s somebody close to you, you’ll ruin it with a lie. If they’re a stranger, who the fuck are they you gotta lie to them?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 19, 2014</title>
    <link href="https://mlarson.org/2014/12/19/press-start-to-begin-art/"/>
    <updated>2014-12-19T21:30:17.000Z</updated>
    <id>https://mlarson.org/2014/12/19/press-start-to-begin-art/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngr1nagewh1r8o9vio1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://press-start-to-begin.tumblr.com/post/105473959563/art&#34;&gt;press-start-to-begin&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;art*&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Nobody Is Ever Missing</title>
    <link href="https://mlarson.org/2014/12/19/i-read-23-or-so-of-catherine-laceys-nobody-is/"/>
    <updated>2014-12-19T21:28:58.000Z</updated>
    <id>https://mlarson.org/2014/12/19/i-read-23-or-so-of-catherine-laceys-nobody-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngozu0ibb81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read 2/3 or so of Catherine Lacey’s &lt;a href=&#34;http://www.amazon.com/Nobody-Ever-Missing-Catherine-Lacey/dp/0374534497&#34;&gt;Nobody Is Ever Missing&lt;/a&gt;, but I didn’t finish. If I were in a different book zone, I’d probably appreciate more how Lacey plays with meaning, and the layering, rewinding, sentence-paragraphs that follow our hero’s thoughts.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why James Cameron’s Aliens is the best movie about technology</title>
    <link href="https://mlarson.org/2014/12/19/why-james-camerons-aliens-is-the-best-movie-about/"/>
    <updated>2014-12-19T21:24:02.000Z</updated>
    <id>https://mlarson.org/2014/12/19/why-james-camerons-aliens-is-the-best-movie-about/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;That’s what technology is. It’s the world of things, some impossibly stupid, some smarter than we are, we have assembled around ourselves to cover over our fundamental weaknesses as a species. The strength we have, the advantage this gives us, is our ability to stand apart from the things we’ve made: to use them and set them aside; to make them prosthetic extensions of ourselves and to let them go.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/why-james-camerons-aliens-is-the-best-movie-about-technology-4741e666e07a&#34;&gt;Why James Cameron’s Aliens is the best movie about technology&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2014</title>
    <link href="https://mlarson.org/2014/12/16/most-decade-specific-words-in-billboard-popular/"/>
    <updated>2014-12-16T22:02:01.000Z</updated>
    <id>https://mlarson.org/2014/12/16/most-decade-specific-words-in-billboard-popular/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngop60gww11qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.prooffreader.com/2014/12/most-decade-specific-words-in-billboard.html&#34;&gt;Most decade-specific words in Billboard popular song titles, 1890-2014 | prooffreader.com&lt;/a&gt;. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stoner</title>
    <link href="https://mlarson.org/2014/12/16/i-read-john-williams-book-stoner-and-found-it/"/>
    <updated>2014-12-16T21:58:06.000Z</updated>
    <id>https://mlarson.org/2014/12/16/i-read-john-williams-book-stoner-and-found-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngp1nxb36p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read John Williams’ book &lt;a href=&#34;http://www.amazon.com/Stoner-York-Review-Books-Classics/dp/1590171993&#34;&gt;Stoner&lt;/a&gt;, and found it strangely mesmerizing. So direct and plain and sturdy and beautiful. A couple lines that liked, that also capture something of its directness. At dinner with friends:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;They became a little drunk; they laughed vaguely and sentimentally; they saw each other anew.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;While the hero rehabs his house and office, the importance of the spaces we create:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As he repaired his furniture and arranged it in the room, it was himself he was slowly shaping, it was himself that he was putting into a kind of order, it was himself he was making possible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Other smart people agree that this book is great. It was &lt;a href=&#34;http://balltillifall.com/post/97658910820/what-i-read-stoner-by-john-williams-god-what-a&#34;&gt;Dean Peterson&lt;/a&gt;’s write-up that gave me the final nudge to buy it. Got on my radar when I heard about it from &lt;a href=&#34;http://tumblr.austinkleon.com/post/85540701106&#34;&gt;Austin Kleon&lt;/a&gt;, &lt;a href=&#34;http://casnocha.com/2014/08/book-review-stoner-by-john-williams.html&#34;&gt;Ben Casnocha&lt;/a&gt;, &lt;a href=&#34;http://www.nytimes.com/2014/05/11/magazine/you-should-seriously-read-stoner-right-now.html&#34;&gt;Steve Almond&lt;/a&gt;, &lt;a href=&#34;http://www.newyorker.com/books/page-turner/the-greatest-american-novel-youve-never-heard-of&#34;&gt;Tim Kreider&lt;/a&gt;, et al.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2014</title>
    <link href="https://mlarson.org/2014/12/16/tom-gauld-is-so-good-via/"/>
    <updated>2014-12-16T21:06:39.000Z</updated>
    <id>https://mlarson.org/2014/12/16/tom-gauld-is-so-good-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ngna9sidoi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tomgauld.com/index.php?/shop/guardian-prints/&#34;&gt;Tom Gauld&lt;/a&gt; is so good. (&lt;a href=&#34;http://submittedforyourperusal.com/2014/12/12/my-library/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of Time</title>
    <link href="https://mlarson.org/2014/12/16/out-of-time-at-the-beginning-i-thought-this/"/>
    <updated>2014-12-16T21:03:56.000Z</updated>
    <id>https://mlarson.org/2014/12/16/out-of-time-at-the-beginning-i-thought-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ng8g63sjhm1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_Time_(2003_film)&#34;&gt;Out of Time&lt;/a&gt;. At the beginning, I thought this might tend towards something like &lt;a href=&#34;http://tumblr.mlarson.org/post/101980260966/china-moon-florida-noir-i-wish-i-remembered-this&#34;&gt;China Moon&lt;/a&gt;’s Florida noir. It later changes to a cute cat-and-mouse flick – including an awesome race against a fax machine! Not nearly as good as, let’s say, &lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt;, but a noble effort.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Night Moves</title>
    <link href="https://mlarson.org/2014/12/08/night-moves-movements-of-all-sorts-cultivate/"/>
    <updated>2014-12-08T16:40:05.000Z</updated>
    <id>https://mlarson.org/2014/12/08/night-moves-movements-of-all-sorts-cultivate/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ng8fcbucwx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Night_Moves_(2013_film)&#34;&gt;Night Moves&lt;/a&gt;. Movements of all sorts cultivate their own extremists. Part of being on that fringe is wrestling with futility. Even if you accept that you’re not able to do one huge world-changing act… you may not even be at peace with your own puny effort. Reichardt captures pretty standard thriller genre stuff with a spooky calm. The lead-up to and climax at the dam is brilliant. I love the scenes with jabs at how we’ve alienated ourselves. There are glimpses of homes with heavily landscaped backyards that imitate nature itself; leisure activities like golf in the same faux-natural environments; campgrounds where people sit in RVs and watch TV; gear stores that sell a squeaky-clean &lt;em&gt;impression&lt;/em&gt; of interest in the outdoors; etc. Been a while since I’ve seen a character use a public library. Eisenberg is a master of sulking. He’s so good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 7, 2014</title>
    <link href="https://mlarson.org/2014/12/07/live-by-the-schedule-as-a-gift-to-yourself/"/>
    <updated>2014-12-07T17:02:52.000Z</updated>
    <id>https://mlarson.org/2014/12/07/live-by-the-schedule-as-a-gift-to-yourself/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Live by the schedule as a gift to yourself. Deferring to it will take many high-stakes, high-guilt decisions out of your day on a daily basis.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-woman-with-full-plate-should-portion-out-what-she-can-do/2014/12/05/04b216d2-71a4-11e4-ad12-3734c461eab6_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. Previously in &lt;a href=&#34;https://www.mlarson.org/tag/carolynhax&#34;&gt;Carolyn Hax wisdom&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Dark Science of Pop Music</title>
    <link href="https://mlarson.org/2014/12/06/the-dark-science-of-pop-music/"/>
    <updated>2014-12-06T23:41:36.000Z</updated>
    <id>https://mlarson.org/2014/12/06/the-dark-science-of-pop-music/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;While most users think of Shazam as a handy tool for identifying unfamiliar songs, it offers music executives something far more valuable: an early-detection system for hits. By studying 20 million searches every day, Shazam can identify which songs are catching on, and where, before just about anybody else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2014/12/the-shazam-effect/382237/?single_page=true&#34;&gt;The Dark Science of Pop Music&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Dark Knight</title>
    <link href="https://mlarson.org/2014/12/06/the-dark-knight-re-watched-to-re-evaluate/"/>
    <updated>2014-12-06T23:17:09.000Z</updated>
    <id>https://mlarson.org/2014/12/06/the-dark-knight-re-watched-to-re-evaluate/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ng6oflsz7i1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Dark_Knight_(film)&#34;&gt;The Dark Knight&lt;/a&gt;. Re-watched to re-evaluate. Individual performances are great but as a whole it’s just… ¯&lt;em&gt;(ツ)&lt;/em&gt;/¯&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jack Reacher</title>
    <link href="https://mlarson.org/2014/12/06/jack-reacher-i-liked-it-the-first-time-but-i/"/>
    <updated>2014-12-06T23:16:17.000Z</updated>
    <id>https://mlarson.org/2014/12/06/jack-reacher-i-liked-it-the-first-time-but-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_ng6o04vobt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Jack_Reacher_(film)&#34;&gt;Jack Reacher&lt;/a&gt;. I liked it the &lt;a href=&#34;http://tumblr.mlarson.org/post/73898129574/jack-reacher-pulpy-ridiculous-and-just-barely&#34;&gt;first time&lt;/a&gt;, but I appreciate it so much more now. More subtlety than I remembered, like starting with a solid 8-10 minutes without dialogue. More great humor than I remembered, like Reacher sometimes acknowledging that he’s a bit ridiculous. And the mouthing off before the fight outside the bar. Love the dynamism in the car chase, great filming there. Also LOVE how he takes control of the hostage negotiation on the phone. There’s nothing else like it. This, then &lt;a href=&#34;http://tumblr.mlarson.org/post/68521640865/oblivion-if-you-have-seen-and-enjoyed-a-science&#34;&gt;Oblivion&lt;/a&gt; then &lt;a href=&#34;http://tumblr.mlarson.org/post/89315385921/edge-of-tomorrow-this-this-is-the-kind-of-genre&#34;&gt;Edge of Tomorrow&lt;/a&gt; is a solid three-year run.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2014</title>
    <link href="https://mlarson.org/2014/12/06/gotemcoach-whatever-makes-it-go-in-routine/"/>
    <updated>2014-12-06T22:58:10.000Z</updated>
    <id>https://mlarson.org/2014/12/06/gotemcoach-whatever-makes-it-go-in-routine/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/104260620394/whatever-makes-it-go-in&#34;&gt;gotemcoach&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Whatever makes it go in…&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Routine!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2014</title>
    <link href="https://mlarson.org/2014/12/03/finding-marlowe-did-this-man-inspire-two-of/"/>
    <updated>2014-12-03T04:05:11.000Z</updated>
    <id>https://mlarson.org/2014/12/03/finding-marlowe-did-this-man-inspire-two-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nf39dtwxqe1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://graphics.latimes.com/finding-marlowe/&#34;&gt;Finding Marlowe: Did this man inspire two of noir’s iconic fictional detectives? - Los Angeles Times&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Lost letters worth thousands. A family trying to uncover the truth about a man all mixed up in the glamour and the seediness of L.A. between the wars. And a Hollywood screenwriter who stood to gain a lot from any story I might write. This was L.A. noir.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2014</title>
    <link href="https://mlarson.org/2014/12/03/jomc-may-2012-students-in-quebec-were-asked-to/"/>
    <updated>2014-12-03T04:04:48.000Z</updated>
    <id>https://mlarson.org/2014/12/03/jomc-may-2012-students-in-quebec-were-asked-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/12/tumblr_nfvqsmxg3t1qz77ppo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://jomc.tumblr.com/post/104032075338/may-2012-students-in-quebec-were-asked-to-send&#34;&gt;jomc&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;May 2012: Students in Quebec were asked to send protest march route to the cops &amp;amp; they replied with this: (via &lt;a href=&#34;https://twitter.com/OccupyRMN/status/538956005422690304&#34;&gt;https://twitter.com/OccupyRMN/status/538956005422690304&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hunger Games: Mockingjay – Part 1</title>
    <link href="https://mlarson.org/2014/11/29/the-hunger-games-mockingjay-part-1-its-40/"/>
    <updated>2014-11-29T00:37:37.000Z</updated>
    <id>https://mlarson.org/2014/11/29/the-hunger-games-mockingjay-part-1-its-40/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nfrvuixcbm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Hunger_Games:_Mockingjay_%E2%80%93_Part_1&#34;&gt;The Hunger Games: Mockingjay – Part 1&lt;/a&gt;. It’s ~40 minutes of almost-revolution and ~80 minutes where we watch them shoot commercials. &lt;em&gt;yawn&lt;/em&gt; I think there actually is an interesting movie to be made (already made?) about the internal/self-directed marketing for revolutionary movements, but it’s not this one. The &lt;a href=&#34;http://tumblr.mlarson.org/post/20322685974/hunger-games-well-its-got-plenty-of-flaws&#34;&gt;first movie&lt;/a&gt; is the best. The &lt;a href=&#34;http://tumblr.mlarson.org/post/87943923216/the-hunger-games-catching-fire-i-like-the-world&#34;&gt;second one&lt;/a&gt; has its moments. The trend is not good. Fingers crossed for a good finale.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Beyond the Lights</title>
    <link href="https://mlarson.org/2014/11/28/beyond-the-lights-this-is-pretty-much-at-the-peak/"/>
    <updated>2014-11-28T23:09:50.000Z</updated>
    <id>https://mlarson.org/2014/11/28/beyond-the-lights-this-is-pretty-much-at-the-peak/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nfrutletsd1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Beyond_the_Lights&#34;&gt;Beyond the Lights&lt;/a&gt;. This is pretty much at the peak of the bell curve for average, solid rom-drama. One thing I thought particularly interesting: the sexualization of pop music is more apparent/disturbing when it’s a fictional celebrity. There’s no built-in aura of fame, so the constructedness is so much more calculated and weird. Another thing: that they needed to invent a whole new set of songs (that are pretty passable) is an odd peek behind the curtains.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interstellar</title>
    <link href="https://mlarson.org/2014/11/28/interstellar-first-time-id-seen-anything-on/"/>
    <updated>2014-11-28T23:09:42.000Z</updated>
    <id>https://mlarson.org/2014/11/28/interstellar-first-time-id-seen-anything-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nfru9oocat1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Interstellar_(film)&#34;&gt;Interstellar&lt;/a&gt;. First time I’d seen anything on IMAX. Lives up to the format. It’s one of the best &lt;a href=&#34;https://www.mlarson.org/tag/christophernolan&#34;&gt;Nolan films&lt;/a&gt; since &lt;em&gt;The Dark Knight&lt;/em&gt;, probably. But it’s very Nolan: he can direct the crap out of some spectacular action/space sequences, but it rarely moves me. (The truck/rocket scene above in the above screencap is a glorious exception). And it could use some trimming. I have to give him credit for directing original material though, and working with smart ideas. No one is doing crazy stuff at that level like he is. Maybe my second favorite after &lt;em&gt;Memento&lt;/em&gt;? I need to re-visit &lt;em&gt;The Dark Knight&lt;/em&gt; and &lt;em&gt;The Prestige&lt;/em&gt; to see where it fits in.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Birdman</title>
    <link href="https://mlarson.org/2014/11/28/birdman-not-for-me-but-like-i-said-if-you-like/"/>
    <updated>2014-11-28T23:09:36.000Z</updated>
    <id>https://mlarson.org/2014/11/28/birdman-not-for-me-but-like-i-said-if-you-like/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nfrto07a9u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Birdman_(film)&#34;&gt;Birdman&lt;/a&gt;. Not for me. But &lt;a href=&#34;https://twitter.com/mlarson/status/529013292787064832&#34;&gt;like I said&lt;/a&gt;, If you like reading writers writing about how hard writing is, and also acting, you might like it. I appreciate the one-camera, no cuts constraint, but it feels claustrophobic after a while. Sweet soundtrack. Keaton is still the man.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Reluctant Fundamentalist</title>
    <link href="https://mlarson.org/2014/11/20/i-read-mohsin-hamids-the-reluctant/"/>
    <updated>2014-11-20T12:31:37.000Z</updated>
    <id>https://mlarson.org/2014/11/20/i-read-mohsin-hamids-the-reluctant/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nf3biwzsug1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Mohsin Hamid’s &lt;a href=&#34;http://www.amazon.com/Reluctant-Fundamentalist-Mohsin-Hamid/dp/0156034026&#34;&gt;The Reluctant Fundamentalist&lt;/a&gt;, and I’m still a bit dizzied by how great a writer this dude is. Earlier this year &lt;a href=&#34;http://www.mlarson.org/blog/2014/4/20/how-to-get-filthy-rich-in-rising-asia-review&#34;&gt;I stormed through How to Get Filthy Rich in Rising Asia&lt;/a&gt;, which “I loooooooved”. This one is more melancholy, but have to give high recommendations to both.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Thin Man</title>
    <link href="https://mlarson.org/2014/11/19/i-read-dashiel-hammetts-book-the-thin-man-and/"/>
    <updated>2014-11-19T03:46:00.000Z</updated>
    <id>https://mlarson.org/2014/11/19/i-read-dashiel-hammetts-book-the-thin-man-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nf3bgguiih1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Dashiel Hammett’s book &lt;a href=&#34;http://www.amazon.com/Thin-Man-Dashiell-Hammett/dp/0679722637&#34;&gt;The Thin Man&lt;/a&gt;, and quite enjoyed it. Awesome story of a lovable couple casually working their way through a murder case that’s too amusing to ignore. Has some good droll observations about how people work, like the social boilerplate around saying goodbye:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We shook hands and make polite speeches all around and they went away.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Nice turns of phrase, like this bit after an underling compliments his boss:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“And what a hunch!” Flint exclaimed, practically top-heavy with admiration.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And I’m pretty sure this is one of the greatest paragraphs in the English language:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When we stopped at Reuben’s for coffee on our way home at four the next morning, Nora opened a newspaper and found a line in one of the gossip columns: “Nick Charles, former TransAmerica Detective Agency ace, on from Coast to sift the Julia Wolf murder mystery”; and when I opened my eyes and sat up in bed some six hours later Nora was shaking me and a man with a gun in his hand was standing in the bedroom doorway.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;How could you read that, and not go immediately to the next chapter? I &lt;a href=&#34;http://tumblr.mlarson.org/post/103013688096/the-thin-man-i-watched-this-after-i-read-the&#34;&gt;watched the movie&lt;/a&gt; right away, too, like I did with &lt;em&gt;Gone Girl&lt;/em&gt; (&lt;a href=&#34;http://tumblr.mlarson.org/post/100089842631/gone-girl-i-loved-this-one-pike-and-affleck-work&#34;&gt;movie&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/100204290581/i-read-gillian-flynns-gone-girl-and-really&#34;&gt;book&lt;/a&gt;). Both recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Thin Man</title>
    <link href="https://mlarson.org/2014/11/19/the-thin-man-i-watched-this-after-i-read-the/"/>
    <updated>2014-11-19T03:45:00.000Z</updated>
    <id>https://mlarson.org/2014/11/19/the-thin-man-i-watched-this-after-i-read-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nf9nw579fl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Thin_Man_(film)&#34;&gt;The Thin Man&lt;/a&gt;. I watched this after &lt;a href=&#34;http://tumblr.mlarson.org/post/103013699366/i-read-dashiel-hammetts-book-the-thin-man-and&#34;&gt;I read the book&lt;/a&gt;. It lives up to the source material, for sure. Delightful murder mystery + comedy. It’s nice to watch a charming couple (and pair of actors) just having a great time.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Nora Charles: You know, that sounds like an interesting case. Why don’t you take it? Nick Charles: I haven’t the time. I’m much too busy seeing that you don’t lose any of the money I married you for.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2014</title>
    <link href="https://mlarson.org/2014/11/18/since-my-son-was-born-i-realized-soon-hell-be/"/>
    <updated>2014-11-18T00:30:00.000Z</updated>
    <id>https://mlarson.org/2014/11/18/since-my-son-was-born-i-realized-soon-hell-be/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Since my son was born I realized: soon, he’ll be three-and-a-half. Soon, he’ll be able to see who I was. And shortly after that, what he’ll be reading in the oldest blogs will be closer to his age than mine. Now, I write for him.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vanityfair.com/online/daily/2014/11/twitter-anil-dash&#34;&gt;Anil Dash&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2014</title>
    <link href="https://mlarson.org/2014/11/15/spoliamag-when-i-lived-in-christian-places-like/"/>
    <updated>2014-11-15T16:06:45.000Z</updated>
    <id>https://mlarson.org/2014/11/15/spoliamag-when-i-lived-in-christian-places-like/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_netwrdm9ok1spxbwko1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://spoliamag.tumblr.com/post/102277520645/when-i-lived-in-christian-places-like-kansas-and&#34;&gt;spoliamag&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When I lived in Christian places like Kansas and Texas, every so often I’d get a Christian trying to convert me. Now, though, I only get atheists trying to do the same thing.&lt;/p&gt;
&lt;p&gt;I regularly receive emails from atheists who need to bring me to the truth and the light, and the most recent one came two weeks ago. “I feel sorry for you,” he wrote, which is always a good opener. “I feel sorry for anyone who continues on fantasies of Santa Claus or god past the age of 4.”&lt;/p&gt;
&lt;p&gt;He wanted to save me through conversation and conversion. The thing is, I had just the week before written this, in &lt;a href=&#34;https://lareviewofbooks.org/review/discreet-charm-polytheism&#34;&gt;my essay on polytheism for the Los Angeles Review of Books&lt;/a&gt;, now up on their site:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What a tremendous weapon pity is! If you can frame someone as “pathetic,” then it’s okay to take their land, destroy their language and heritage, steal their children and place them in “decent” homes, and kill off their gods and heroes. It’s for their own good, after all.&lt;/p&gt;
&lt;p&gt;In duBois’s book, the language monotheist believers use to talk about the heathens is essentially the same as the language New Atheists use to talk about all believers: “pathetic,” “superstitious,” “irrational,” “a stupendous system of error.” (That last one was said by Scottish missionary Alexander Duff about Hinduism.) Those who believe in something else are not simply different: they are misguided and need correction. This has been the justification for any number of wars or cultural erasings. Religion and dogma as colonialism.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And I wanted to write back, thank you for the concrete example of what I had just been writing about in the abstract! That’s amazing! But his email continued:&lt;/p&gt;
&lt;p&gt;“I’ve seen your picture, and I think maybe we could have some fun. :) If you would like to meet up to discuss further, I’d love to buy you a drink.”&lt;/p&gt;
&lt;p&gt;Women! Do not fuck your colonialist oppressors! Starve them out until they see the error of their ways or at least die without corrupting any others!&lt;/p&gt;
&lt;p&gt;I did not write him back.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Image: get it, St. Hildegard&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Nightcrawler</title>
    <link href="https://mlarson.org/2014/11/15/nightcrawler-this-is-at-or-near-the-top-of-my/"/>
    <updated>2014-11-15T15:59:48.000Z</updated>
    <id>https://mlarson.org/2014/11/15/nightcrawler-this-is-at-or-near-the-top-of-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nf38evtoxp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Nightcrawler_(film)&#34;&gt;Nightcrawler&lt;/a&gt;. This is at or near the top of my 2014 favorites. Gyllenhaal and Russo are great. A warning about the easy path from consumer to witness to amateur to professional to accomplice. Joblessness, economic precarity makes that transition even easier. Business theories unmoored from real flesh and blood humanity are worthless. Though the context here is metro network news, it also works as an indictment of CNN (et al.) and international affairs. Promote violence to sell more violence. Think globally, act locally. I love the moment during Bloom’s first monologue in the studio, where this laughably sentimental soundtrack eases in, cleverly undermining the creepster ravings. It’s a wink to the audience – &amp;quot;Can you believe this nut?“ Of course not. I think I might see this one again. It’d make a good L.A. nighttime adventure moral compromise double-feature with &lt;a href=&#34;http://tumblr.mlarson.org/post/95009070796/collateral-my-third-viewing-ignore-my-comments&#34;&gt;Collateral&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2014</title>
    <link href="https://mlarson.org/2014/11/15/brightwalldarkroom-the-front-cover-of-the-press/"/>
    <updated>2014-11-15T15:37:59.000Z</updated>
    <id>https://mlarson.org/2014/11/15/brightwalldarkroom-the-front-cover-of-the-press/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_neugezyg4k1qzheh0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://brightwalldarkroom.tumblr.com/post/102534636402/the-front-cover-of-the-press-book-exhibitors&#34;&gt;brightwalldarkroom&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The front cover of the press book (“Exhibitors Manual”) for 1947’s &lt;em&gt;Out of the Past&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.mlarson.org/tag/outofthepast&#34;&gt;OUT OF THE PAST&lt;/a&gt; insta-reblog rule in effect.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Write a Damn Blog (with tweets) · funkaoshi · Storify</title>
    <link href="https://mlarson.org/2014/11/11/write-a-damn-blog-with-tweets-funkaoshi/"/>
    <updated>2014-11-11T01:24:26.000Z</updated>
    <id>https://mlarson.org/2014/11/11/write-a-damn-blog-with-tweets-funkaoshi/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Here I use Storify to make fun of needing to use Storify.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://storify.com/funkaoshi/blog&#34;&gt;Write a Damn Blog (with tweets) · funkaoshi · Storify&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Vanguard after the Revolution: Bill James sparked a baseball insurrection, but he has regrets about the world he wrought</title>
    <link href="https://mlarson.org/2014/11/09/vanguard-after-the-revolution-bill-james-sparked/"/>
    <updated>2014-11-09T15:01:01.000Z</updated>
    <id>https://mlarson.org/2014/11/09/vanguard-after-the-revolution-bill-james-sparked/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“I have to take my share of responsibility for promoting skepticism about things that I didn’t understand as well as I might have,” he says. “What I would say NOW is that skepticism should be directed at things that are actually untrue rather than things that are difficult to measure.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sportsworld.nbcsports.com/bill-james-statistical-revolution/&#34;&gt;Vanguard after the Revolution: Bill James sparked a baseball insurrection, but he has regrets about the world he wrought&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ten Short Rants About #GamerGate | Popehat</title>
    <link href="https://mlarson.org/2014/11/09/ten-short-rants-about-gamergate-popehat/"/>
    <updated>2014-11-09T14:58:34.000Z</updated>
    <id>https://mlarson.org/2014/11/09/ten-short-rants-about-gamergate-popehat/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;But here’s the thing: people will draw conclusions about your motives based on your timing and your chosen vehicle.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.popehat.com/2014/10/26/ten-short-rants-about-gamergate/&#34;&gt;Ten Short Rants About #GamerGate | Popehat&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>That Catcalling Video and Why “Research Methods” is such an Exciting Topic (Really!)</title>
    <link href="https://mlarson.org/2014/11/09/that-catcalling-video-and-why-research-methods/"/>
    <updated>2014-11-09T14:57:51.000Z</updated>
    <id>https://mlarson.org/2014/11/09/that-catcalling-video-and-why-research-methods/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Without understanding research methods, you cannot understand how to judge what you see. […] The important methodological point is that the video, without further reflection, can support all three wildly incompatible propositions. In other words, if you just look at the video, you can believe any three, and you will likely choose whichever fits your existing conclusions and prejudices.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/that-catcalling-video-and-why-research-methods-is-such-an-exciting-topic-really-32223ac9c9e8&#34;&gt;That Catcalling Video and Why “Research Methods” is such an Exciting Topic (Really!)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 7, 2014</title>
    <link href="https://mlarson.org/2014/11/07/i-imagine-one-of-the-reasons-people-cling-to-their/"/>
    <updated>2014-11-07T03:42:52.000Z</updated>
    <id>https://mlarson.org/2014/11/07/i-imagine-one-of-the-reasons-people-cling-to-their/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Fire_Next_Time&#34;&gt;James Baldwin&lt;/a&gt; (via &lt;a href=&#34;http://malevichsquare.tumblr.com/&#34;&gt;malevichsquare&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Frighteners</title>
    <link href="https://mlarson.org/2014/11/07/the-frighteners-i-feel-like-theres-a-very-very/"/>
    <updated>2014-11-07T03:40:14.000Z</updated>
    <id>https://mlarson.org/2014/11/07/the-frighteners-i-feel-like-theres-a-very-very/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nengt6yghx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Frighteners&#34;&gt;The Frighteners&lt;/a&gt;. I feel like there’s a very, very good version of this movie lurking beneath the (kooky, stylish) one that actually exists. Good comedy-horror for the most part. The final act is exhausting (seems like many horror movies go awry when they give the villains too much screen time). Jeffrey Combs plays one of the best FBI agents in film history, and man, just imagine: what if – what if – Michael J. Fox had stayed healthy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>William Gibson Has No Idea How the Future Will See Us</title>
    <link href="https://mlarson.org/2014/11/07/william-gibson-has-no-idea-how-the-future-will-see/"/>
    <updated>2014-11-07T03:26:50.000Z</updated>
    <id>https://mlarson.org/2014/11/07/william-gibson-has-no-idea-how-the-future-will-see/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“In time-travel stories, we tend to imagine that the people in the past are hicks and rubes. And when we imagine people in the future in time-travel stories, they’re always weak and decadent.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://motherboard.vice.com/read/william-gibson-we-have-no-idea-what-the-future-will-think-of-us&#34;&gt;William Gibson Has No Idea How the Future Will See Us&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>China Moon</title>
    <link href="https://mlarson.org/2014/11/07/china-moon-florida-noir-i-wish-i-remembered-this/"/>
    <updated>2014-11-07T03:26:44.000Z</updated>
    <id>https://mlarson.org/2014/11/07/china-moon-florida-noir-i-wish-i-remembered-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nenfzjgxzy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/China_Moon&#34;&gt;China Moon&lt;/a&gt;. Florida noir! I wish I remembered this one better, but I liked it. Fun to see such a young Benicio del Toro. Director John Bailey did the camera work for the excellent &lt;a href=&#34;http://tumblr.mlarson.org/post/95006004106/american-gigolo-fantastic-movie-one-current-is&#34;&gt;American Gigolo&lt;/a&gt; and also contributed to &lt;a href=&#34;http://tumblr.mlarson.org/post/34572090666/two-lane-blacktop-theres-not-a-lot-of-explicit&#34;&gt;Two-Lane Blacktop&lt;/a&gt; and &lt;a href=&#34;https://www.mlarson.org/tag/daysofheaven&#34;&gt;Days of Heaven&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>John Wick</title>
    <link href="https://mlarson.org/2014/11/07/john-wick-this-movie-was-much-better-than-it/"/>
    <updated>2014-11-07T03:26:40.000Z</updated>
    <id>https://mlarson.org/2014/11/07/john-wick-this-movie-was-much-better-than-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/11/tumblr_nenfi8apuo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/John_Wick_(film)&#34;&gt;John Wick&lt;/a&gt;. This movie was much better than it needed to be. Oddly inventive, and I love the world they built, with the secret clubs, clean-up contractors, doubloons (!), industry hotel, etc. It’s been a while since a movie had so many judo slams. Also love the way Wick would disable a nearby opponent, turn his attention to more distant ones for a moment, then turn back to neutralize the close one. His fighting had a sense of style, a personality. I need to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/91312316286/point-break-so-damn-good-sensual-west-coast&#34;&gt;Point Break&lt;/a&gt; again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dark Days</title>
    <link href="https://mlarson.org/2014/10/26/dark-days-a-remarkable-documentary-about-people/"/>
    <updated>2014-10-26T20:02:23.000Z</updated>
    <id>https://mlarson.org/2014/10/26/dark-days-a-remarkable-documentary-about-people/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndvlc9c8al1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dark_Days_(film)&#34;&gt;Dark Days&lt;/a&gt;. A remarkable documentary about people – a community, a neighborhood you’ll see – living underground in New York City. One thing that many great documentaries have in common: just letting people talk. Heartbreaking, funny, heartwarming. Recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dear White People</title>
    <link href="https://mlarson.org/2014/10/26/dear-white-people-not-what-i-expected-and-in-a/"/>
    <updated>2014-10-26T19:59:43.000Z</updated>
    <id>https://mlarson.org/2014/10/26/dear-white-people-not-what-i-expected-and-in-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndvkkyiumo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dear_White_People&#34;&gt;Dear White People&lt;/a&gt;. Not what I expected, and in a good way. I was thinking it would be more of a gimmick comedy that would burn out. Lots of good stuff about identity and affiliation. But… it’s also insanely likeable. Like you’ve been watching some really charming people spit some talking points you already agree with. Part of me wonders if I should leave the theater feeling more uncomfortable than I did. The funny is never uncomfortably accusing, the drama feels like it pulls a few punches, too. It has a more distinctive cinematography than I expected. Also, gotta say that I’ve done a 100% about-face on Tessa Thompson. I hated her character in the &lt;em&gt;Veronica Mars&lt;/em&gt; TV series soooooo much that it blinded me to her talent and how the camera can’t ignore her. Great turn here. I am reminded of my childhood crush on Denise Huxtable.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Teacher spends two days as a student and is shocked at what she learns</title>
    <link href="https://mlarson.org/2014/10/26/teacher-spends-two-days-as-a-student-and-is/"/>
    <updated>2014-10-26T18:34:07.000Z</updated>
    <id>https://mlarson.org/2014/10/26/teacher-spends-two-days-as-a-student-and-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Key Takeaway #1: Students sit all day, and sitting is exhausting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Key Takeaway #2: High school students are sitting passively and listening during approximately 90 percent of their classes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Key takeaway #3: You feel a little bit like a nuisance all day long.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/blogs/answer-sheet/wp/2014/10/24/teacher-spends-two-days-as-a-student-and-is-shocked-at-what-she-learned/&#34;&gt;Teacher spends two days as a student and is shocked at what she learns&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Inside Man</title>
    <link href="https://mlarson.org/2014/10/24/inside-man-i-like-that-you-can-hear-the-basic/"/>
    <updated>2014-10-24T13:46:54.000Z</updated>
    <id>https://mlarson.org/2014/10/24/inside-man-i-like-that-you-can-hear-the-basic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndvjvke4jp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Inside_Man&#34;&gt;Inside Man&lt;/a&gt;. I like that you can hear the basic summary (detective vs. bank robber/hostage-taker)… but what you see is a little bit smarter and not as interested in basic genre trappings. On the other hand, it wanders when you might want a little more spark and plausibility. &lt;a href=&#34;http://www.rogerebert.com/reviews/inside-man-2006&#34;&gt;Ebert&lt;/a&gt; says it well: “It’s not that the movie is hiding something, but that when it’s revealed, it’s been left sitting too long at room temperature.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Scream</title>
    <link href="https://mlarson.org/2014/10/22/scream-id-forgotten-how-sharp-this-was-i-love/"/>
    <updated>2014-10-22T01:29:56.000Z</updated>
    <id>https://mlarson.org/2014/10/22/scream-id-forgotten-how-sharp-this-was-i-love/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndto5jqomo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Scream_(1996_film)&#34;&gt;Scream&lt;/a&gt;. I’d forgotten how sharp this was. I love the no-BS opening, just straight to a phone call. Lots of good visual storytelling hints early on – the phone, the windows, the knife block, etc. And some good meta touches, like the first phone call, and the TV in the opening scene is prepped for a movie. Also does a good job of introducing characters and suspicions simultaneously, briskly outlining the relationships and why you might want to worry about them. Love the silly touches like the conversation between the two cops, the older one smoking a cigarette, the junior one licking an ice cream cone. A gold mine for movie trivia, and I love the casual spoilers, too. Like many comedies, it stumbles to an ending, and especially struggles when the meta-commentary becomes more and more explicit, and the thing starts narrating itself. Still holds up pretty well, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Knight&#39;s Tale</title>
    <link href="https://mlarson.org/2014/10/22/a-knights-tale-very-historically-accurate-and/"/>
    <updated>2014-10-22T01:14:38.000Z</updated>
    <id>https://mlarson.org/2014/10/22/a-knights-tale-very-historically-accurate-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndtnezlllh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Knight%27s_Tale&#34;&gt;A Knight’s Tale&lt;/a&gt;. Very historically accurate, and you can’t beat the &lt;a href=&#34;https://www.youtube.com/watch?v=J1_WbhGmpTw&#34;&gt;“Golden Years” dance scene&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Rise of the Fragmented Novel (An Essay in 26 Fragments)</title>
    <link href="https://mlarson.org/2014/10/21/the-rise-of-the-fragmented-novel-an-essay-in-26/"/>
    <updated>2014-10-21T00:32:07.000Z</updated>
    <id>https://mlarson.org/2014/10/21/the-rise-of-the-fragmented-novel-an-essay-in-26/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The modern novel is falling to pieces! Ted Gioia looks at the rise of the fragmented novel in modern mainstream literary fiction. He includes a reading list of 57 ‘fragmented’ novels, with essays on each book in the list.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://fractiousfiction.com/rise_of_the_fragmented_novel.html&#34;&gt;The Rise of the Fragmented Novel (An Essay in 26 Fragments)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Chicago</title>
    <link href="https://mlarson.org/2014/10/19/chicago/"/>
    <updated>2014-10-19T22:37:42.000Z</updated>
    <id>https://mlarson.org/2014/10/19/chicago/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/f370a3b3d5cddf7448bd92a3e04937ab/tumblr_inline_ndkf1c41Ar1qzag13.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;My first-ever trip to a very awesome city. I left my house earlier than usual because &lt;a href=&#34;https://medium.com/message/lets-fly-d566ecd35678&#34;&gt;I’m 150 years old and like to move through the airport like the Dalai Lama&lt;/a&gt;. I was sad that after I first arrived, while taking the elevated train into town, I had to remind myself to stay off Twitter, and… y&#39;know… gawk at the architecture. It was easier with my feet on the ground.&lt;/p&gt;
&lt;p&gt;I was surprised at how cool &lt;a href=&#34;https://en.wikipedia.org/wiki/Cloud_Gate&#34;&gt;The Bean&lt;/a&gt; was. Glad I got to catch it at a few different times of day.&lt;/p&gt;
&lt;p&gt;Took a few hours to hit the &lt;a href=&#34;https://en.wikipedia.org/wiki/Art_Institute_of_Chicago&#34;&gt;Art Institute&lt;/a&gt;. Gotta say, Magritte is not my thing. I’ve rarely been so bored in an art exhibition. By far – by far – my favorite thing there was a &lt;a href=&#34;http://www.artic.edu/exhibition/ethel-stein-master-weaver&#34;&gt;collection of Ethel Stein’s weavings and textiles&lt;/a&gt;. It just blew my mind. Can’t believe that had that tucked away in a lower corner.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/42218b0541aa7f5f1570f7fbeca30df0/tumblr_inline_ndkf37TwqA1qzag13.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Lake Michigan is absurdly lovely. I wish Atlanta had some water nearby. I get it. While I was making my way down the Lakeshore Trail one morning, I stopped in the Chicago History Museum. I’d totally forgotten they had that &lt;a href=&#34;http://www.vivianmaier.com/&#34;&gt;Vivian Maier&lt;/a&gt; photography exhibit. The rest of the museum was just okay. But that Maier stuff and the Ethel Stein I mentioned earlier were my favorites from the trip. So glad I stumbled on those.&lt;/p&gt;
&lt;p&gt;I also got to eat a &lt;a href=&#34;https://en.wikipedia.org/wiki/Chicago-style_hot_dog&#34;&gt;Chicago-style hot dog&lt;/a&gt; before my next museum stop, so that was another huge victory. I’ll probably be making those at home.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;http://www2.mcachicago.org/exhibition/david-bowie-is/&#34;&gt;David Bowie exhibition at the MCA&lt;/a&gt; was cool… but it also made me realize I don’t care *that* much about his work. I’d never heard that he’d used a &lt;a href=&#34;http://www.7luas.com.br/all/research/researchblog/verbasizer-david-bowie-eng/&#34;&gt;Verbasizer&lt;/a&gt; (Burroughsian custom software to remix text for lyrics and ideas), so that was a nice surprise. And the final room where there had three giant screens and a loud soundsystem for old concert footage? Very cool.&lt;/p&gt;
&lt;p&gt;The Signature Lounge is at Hancock Tower is a total waste of money and time.&lt;/p&gt;
&lt;p&gt;I can’t recommend &lt;a href=&#34;http://ioimprov.com/chicago/io/shows/the-experts&#34;&gt;The Experts at iO&lt;/a&gt; highly enough. Such a great improv gimmick: invite an outside expert/research/writer to lecture about their pet topic. The audience learns, the performers riff for 15-20, and then a round of direct Q&amp;amp;A leads to a few more shorter skits. Enjoyed it so much we got some more beer and got tickets for another show there later that night. So great.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/4a777d0f737b6b4f14dc1805fc13676f/tumblr_inline_ndkf3gkKMa1qzag13.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I’m not much for pastries, but if you put food on a wooden board, you can usually count me in. And so we got a &lt;a href=&#34;http://www.thebristolchicago.com/&#34;&gt;pastry board at Bristol&lt;/a&gt; to eat before I ate even more. Walked off the brunch through various neighborhoods I can’t remember and then a movie-nap. Never underestimate the vacation movie-nap.&lt;/p&gt;
&lt;p&gt;Later highlights that afternoon were the big dumb Ferris wheel at the Navy Pier and &lt;a href=&#34;http://threedotschicago.com/&#34;&gt;dumb tiki drinks&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/3b85996520581d636b99041723e4d2e0/tumblr_inline_ndkf7itdNq1qzag13.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;We woke up early to watch the Chicago Marathon, which, for a few minutes at least, had me convinced I should do a marathon. I’m about 95% sure that one of the runners was a bouncer at Signature Lounge. Kind of like how I saw one of the iO actors at a bar later in the weekend. Big city/small town. Seems like an amazing place to live. But it’s not my town. But I’m still excited to go back some day.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/655e7fa057674704407f91e8ece69c4c/tumblr_inline_ndpqn3bS5c1qzag13.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Is the sub-2 hour marathon imminent? Don&#39;t hold your breath, and here&#39;s why | The Science of Sport</title>
    <link href="https://mlarson.org/2014/10/19/is-the-sub-2-hour-marathon-imminent-dont-hold/"/>
    <updated>2014-10-19T13:50:41.000Z</updated>
    <id>https://mlarson.org/2014/10/19/is-the-sub-2-hour-marathon-imminent-dont-hold/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;So a man who runs a 59-min half marathon will not be able to sustain two back-to-back 60 min half marathons. It’s just not possible. And so therefore, before we can even consider the sub-2 hour marathon, we need to look at the ability over the half marathon. Until humans can run a half-marathon in under 58-minutes (and here, I’m talking low-57), it will not be possible to produce 59:59 twice in a marathon.&lt;/p&gt;
&lt;p&gt;And that can be taken one step further, to 10km. If you are going to see a 57:x half marathon, then you should also be seeing a 10km that is substantially faster than the current 26:x. The 10km performance required to run a 57 is probably in the high 25s.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’d never considered that. We may get there, but sounds further away than I thought it would be.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://sportsscientists.com/2013/10/is-the-sub-2-hour-marathon-imminent-dont-hold-your-breath-and-heres-why/&#34;&gt;Is the sub-2 hour marathon imminent? Don&#39;t hold your breath, and here&#39;s why | The Science of Sport&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Super Sad True Love Story</title>
    <link href="https://mlarson.org/2014/10/19/i-tried-to-read-gary-shteyngarts-super-sad-true/"/>
    <updated>2014-10-19T13:44:45.000Z</updated>
    <id>https://mlarson.org/2014/10/19/i-tried-to-read-gary-shteyngarts-super-sad-true/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndil9c09lb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I tried to read Gary Shteyngart’s &lt;a href=&#34;http://www.amazon.com/Super-Sad-True-Love-Story/dp/0812977866&#34;&gt;Super Sad True Love Story&lt;/a&gt;, but it just didn’t sit right. DNF.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gone Girl</title>
    <link href="https://mlarson.org/2014/10/17/i-read-gillian-flynns-gone-girl-and-really/"/>
    <updated>2014-10-17T01:31:00.000Z</updated>
    <id>https://mlarson.org/2014/10/17/i-read-gillian-flynns-gone-girl-and-really/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndil8huajg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Gillian Flynn’s &lt;a href=&#34;http://www.amazon.com/Gone-Girl-Novel-Gillian-Flynn/dp/0307588378&#34;&gt;Gone Girl&lt;/a&gt;, and really really liked it. It was a welcome change of pace from some of the other recent reading drudgery I’ve put myself through. Just really compelling in its own right. I love when you find an addictive page-turn-y book, whatever the genre, and it just makes you want to read more in general. I only read this book because I heard that David Fincher had his recent movie adaptation coming out. I made it about ~80-85% into the book, and I just couldn’t wait any more before &lt;a href=&#34;http://tumblr.mlarson.org/post/100089842631/gone-girl-i-loved-this-one-pike-and-affleck-work&#34;&gt;I saw the movie&lt;/a&gt;. Kind of a fun way to experience this particular one. I knew nothing about the story, but always had Affleck and Pike’s faces in mind as I was reading, but none of their movements or mannerisms I know from the movie now. I was already well past one big turn in the story, but one climactic scene in the movie tops just about everything. Recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gone Girl</title>
    <link href="https://mlarson.org/2014/10/15/gone-girl-i-loved-this-one-pike-and-affleck-work/"/>
    <updated>2014-10-15T17:49:00.000Z</updated>
    <id>https://mlarson.org/2014/10/15/gone-girl-i-loved-this-one-pike-and-affleck-work/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ndgs8euvfj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Gone_Girl_(film)&#34;&gt;Gone Girl&lt;/a&gt;. I loved this one. Pike and Affleck work as both archetypes and just really odd layered characters. Highly disturbing, and like &lt;em&gt;Zodiac&lt;/em&gt;, has this seductive quality where you don’t care how long it takes to unfold. I saw it when I was ~80-85% finished with &lt;a href=&#34;http://tumblr.mlarson.org/post/100204290581/i-read-gillian-flynns-gone-girl-and-really&#34;&gt;the book&lt;/a&gt; – I didn’t want to wait another day. There’s a good chance I’ll catch it in the theaters again. The &lt;a href=&#34;http://www.amazon.com/Gone-Girl-Soundtrack-Motion-Picture/dp/B00NUPTUHG&#34;&gt;soundtrack&lt;/a&gt; is great, too. As for updated &lt;a href=&#34;https://www.mlarson.org/tag/davidfincher&#34;&gt;David Fincher&lt;/a&gt; rankings… I’ll use recency bias as a tiebreaker, and let this edge in to the second slot:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/80927020360/zodiac-a-serial-killer-is-the-impetus-but-the&#34;&gt;Zodiac&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Gone Girl&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/4957002753/the-social-network-no-joke-this-is-a-pretty&#34;&gt;The Social Network&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/99368388656/the-girl-with-the-dragon-tattoo-i-loved-the&#34;&gt;The Girl with the Dragon Tattoo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Seven&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/3025055169/fight-club-this-was-kind-of-boring-zodiac-is-by&#34;&gt;Fight Club&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Express Yourself: NBA&#39;s Mike Scott Explains His Sweet Emoji Tattoos</title>
    <link href="https://mlarson.org/2014/10/15/express-yourself-nbas-mike-scott-explains-his/"/>
    <updated>2014-10-15T15:38:34.000Z</updated>
    <id>https://mlarson.org/2014/10/15/express-yourself-nbas-mike-scott-explains-his/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mashable.com/2014/10/13/mike-scott-emoji-tattoos-nba/&#34;&gt;Express Yourself: NBA&#39;s Mike Scott Explains His Sweet Emoji Tattoos&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Skeleton Twins</title>
    <link href="https://mlarson.org/2014/10/15/the-skeleton-twins-good-fun-luke-wilson-steals/"/>
    <updated>2014-10-15T02:15:36.000Z</updated>
    <id>https://mlarson.org/2014/10/15/the-skeleton-twins-good-fun-luke-wilson-steals/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_nd1xrifpjc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Skeleton_Twins&#34;&gt;The Skeleton Twins&lt;/a&gt;. Good fun. Luke Wilson steals the show. Some whiplash changes in tone, but they tried to pack in a good bit. A real, live 90-minute movie!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Killing Them Softly</title>
    <link href="https://mlarson.org/2014/10/15/killing-them-softly-a-steady-chain-of/"/>
    <updated>2014-10-15T02:12:34.000Z</updated>
    <id>https://mlarson.org/2014/10/15/killing-them-softly-a-steady-chain-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_nczfeduszg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Killing_Them_Softly&#34;&gt;Killing Them Softly&lt;/a&gt;. A steady chain of transactions – literal and figurative distancing from violence – with a constant undertow of economic collapse/politicking in the background. Very heavy-handed, thematically, but it works. Crummy neighborhoods, bare infrastructure, sweat and damp. The scene with Liotta reduced to tears was more disturbing than any movie violence in recent memory. Odd visuals with the shallow focus and vignetting. I love that hyper-experiential scene with the guy getting hight and his fitful conversation – zooms, speed changes, audio shifts, etc. Too bad the packaging was off. This was much more thoughtful and strange than they sold it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2014</title>
    <link href="https://mlarson.org/2014/10/15/gotemcoach-this-kid/"/>
    <updated>2014-10-15T01:53:19.000Z</updated>
    <id>https://mlarson.org/2014/10/15/gotemcoach-this-kid/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_nd14gmuovy1qcmnsoo1_r1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/99419775094/this-kid&#34;&gt;gotemcoach&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;This kid.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Today Was The First Saturday Without Saturday Morning Cartoons</title>
    <link href="https://mlarson.org/2014/10/07/today-was-the-first-saturday-without-saturday/"/>
    <updated>2014-10-07T02:06:42.000Z</updated>
    <id>https://mlarson.org/2014/10/07/today-was-the-first-saturday-without-saturday/</id>
    <content type="html">&lt;p&gt;Dang.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.outsidethebeltway.com/today-was-the-first-saturday-without-saturday-morning-cartoons/&#34;&gt;Today Was The First Saturday Without Saturday Morning Cartoons&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Girl with the Dragon Tattoo</title>
    <link href="https://mlarson.org/2014/10/07/the-girl-with-the-dragon-tattoo-i-loved-the/"/>
    <updated>2014-10-07T02:04:44.000Z</updated>
    <id>https://mlarson.org/2014/10/07/the-girl-with-the-dragon-tattoo-i-loved-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/10/tumblr_ncmyw3jmlq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Girl_with_the_Dragon_Tattoo_(2011_film)&#34;&gt;The Girl with the Dragon Tattoo&lt;/a&gt;. I loved the trippy oozy music video opening. Seemed like they were trying to kick off a brand. (I’m glad Fincher didn’t get sucked into a trilogy though). Dunno. It’s good. A little cold. Might as well try some &lt;a href=&#34;https://www.mlarson.org/tag/davidfincher&#34;&gt;David Fincher&lt;/a&gt; rankings. I’ll go with…&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/80927020360/zodiac-a-serial-killer-is-the-impetus-but-the&#34;&gt;Zodiac&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/4957002753/the-social-network-no-joke-this-is-a-pretty&#34;&gt;The Social Network&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Girl with the Dragon Tattoo&lt;/li&gt;
&lt;li&gt;Seven&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/3025055169/fight-club-this-was-kind-of-boring-zodiac-is-by&#34;&gt;Fight Club&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Dirty Love</title>
    <link href="https://mlarson.org/2014/09/30/i-read-andre-dubus-iiis-book-dirty-love-but-only/"/>
    <updated>2014-09-30T00:41:30.000Z</updated>
    <id>https://mlarson.org/2014/09/30/i-read-andre-dubus-iiis-book-dirty-love-but-only/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_ncoqp3gwnb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Andre Dubus III’s book &lt;a href=&#34;http://www.amazon.com/Dirty-Love-Andre-Dubus-III/dp/0393064654&#34;&gt;Dirty Love&lt;/a&gt;, but only up to page 100-something. DNF. Just not feelin’ the ennui/melancholy/disappointment thing right now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Decoding a Menu at Root &amp;amp; Bone - NYTimes.com</title>
    <link href="https://mlarson.org/2014/09/29/decoding-a-menu-at-root-bone-nytimescom/"/>
    <updated>2014-09-29T16:05:48.000Z</updated>
    <id>https://mlarson.org/2014/09/29/decoding-a-menu-at-root-bone-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In a study of more than a million Yelp restaurant reviews, Mr. Jurafsky and the Carnegie Mellon team found that four-star reviews tended to use a narrower range of vague positive words, while one-star reviews had a more varied vocabulary. One-star reviews also had higher incidence of past tense, pronouns (especially plural pronouns) and other subtle markers that linguists have previously found in chat room discussions about the death of Princess Diana and blog posts written in the months after the Sept. 11 attacks.&lt;/p&gt;
&lt;p&gt;In short, Mr. Jurafsky said, authors of one-star reviews unconsciously use language much as people do in the wake of collective trauma. “They use the word ‘we’ much more than ‘I,’ as if taking solace in the fact that this bad thing happened, but it happened to us together,” he said.&lt;/p&gt;
&lt;p&gt;Another finding: Reviews of expensive restaurants are more likely to use sexual metaphors, while the food at cheaper restaurants tends to be compared to drugs.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2014/09/17/dining/dan-jurafsky-a-linguist-decodes-restaurant-menus.html&#34;&gt;Decoding a Menu at Root &amp;amp; Bone - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Equalizer</title>
    <link href="https://mlarson.org/2014/09/29/the-equalizer-average-with-a-few-bright-points/"/>
    <updated>2014-09-29T16:05:44.000Z</updated>
    <id>https://mlarson.org/2014/09/29/the-equalizer-average-with-a-few-bright-points/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_ncmfr48g8b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Equalizer_(film)&#34;&gt;The Equalizer&lt;/a&gt;. Average, with a few bright points here and there. I love the diner scenes. They build Denzel’s character as the precise, exacting, confident type, but I like the hints of compulsive behavior beyond that. Not just the careful folding of the kitchen towel, or the tea ritual, or the perfectly crisp button-ups, tucked in. There’s the opening and closing the door, flicking the lights on and off, maybe even the car window opening and closing, rearranging the skulls. Nice little wrinkle. Visually its a mess. It reminded me of the colorfully shifty, dizzying jumps and zooms that Tony Scott used in &lt;a href=&#34;http://tumblr.mlarson.org/post/97697453211/man-on-fire-this-is-the-beginning-of-my-denzel&#34;&gt;Man on Fire&lt;/a&gt;, except without the thoughtfulness and consistency with mood. Also weakly similar to that movie: there is an art to “walking away slowly from an explosion” scenes, and you have to earn it. You can’t just shove one in the middle of the movie. I enjoyed the fight scenes. But have to mention something that drove me crazy: the Sherlock Holmes-ian superpower thing in the office brawl. I’m talking about the thing where time is paused or slowed for a moment, where we get to see how the hero analyzes and calculates all the situational details before getting in a rumble – who is where, what weapons they have, the layout of the room. I don’t mind this sort of movie cliché, or this way of making the hero look awesome. That’s fine. What made it frustrating was that the movie had &lt;em&gt;already shown us&lt;/em&gt; those details. I assume it was done to heighten the tension beforehand. But it’s draining to show a guy sitting ready with a knife, and then show us Denzel noticing the guy has a knife. I love that stopwatch, though. All that said: whatever Denzel has, I want it. He’s got charm coming out the ears. And Marton Csokas is awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Internet Has a Problem(atic) - The Awl</title>
    <link href="https://mlarson.org/2014/09/29/the-internet-has-a-problematic-the-awl/"/>
    <updated>2014-09-29T16:05:37.000Z</updated>
    <id>https://mlarson.org/2014/09/29/the-internet-has-a-problematic-the-awl/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Not only did “problematic” become popular because it suits identity politics and sounds smart, it’s also highly shareable. “Problematic” bundles urgency, seriousness, and debatability into a single vague word, which is great for both sound bytes and tweets.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theawl.com/2014/09/the-problem-with-problems&#34;&gt;The Internet Has a Problem(atic) - The Awl&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Missing Out: In Praise of the Unlived Life</title>
    <link href="https://mlarson.org/2014/09/28/i-read-adam-phillips-book-missing-out-in-praise/"/>
    <updated>2014-09-28T16:45:02.000Z</updated>
    <id>https://mlarson.org/2014/09/28/i-read-adam-phillips-book-missing-out-in-praise/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_nckdrqaoe31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read &lt;a href=&#34;https://www.mlarson.org/tag/adamphillips&#34;&gt;Adam Phillips&lt;/a&gt;’ book &lt;a href=&#34;http://www.amazon.com/Missing-Out-Praise-Unlived-Life/dp/1250043514&#34;&gt;Missing Out: In Praise of the Unlived Life&lt;/a&gt;, and I wish I’d enjoyed it more. I probably would have, if only I were more familiar with Freud and Shakespeare (&lt;em&gt;King Lear&lt;/em&gt; and &lt;em&gt;Othello&lt;/em&gt; are frequently discussed). I’ve read a couple of his others that I really liked (&lt;a href=&#34;http://www.amazon.com/Going-Sane-Happiness-Adam-Phillips/dp/0007155395&#34;&gt;Going Sane&lt;/a&gt; and &lt;a href=&#34;http://www.mlarson.org/2010/11/04/on-kindness-review-45/&#34;&gt;On Kindness&lt;/a&gt;). This one a lot of “What does it &lt;em&gt;mean&lt;/em&gt; when we say ____?” kind of stuff, and a good bit of historical/etymological looks at how our our language has developed ideas like “getting away with it” or “getting out of it”. The best recurring theme for me was the idea of omniscience, and how it relates to frustration (assuming we know what we need; reluctance to seek advice or try new things), escapism/prediction (assuming we know what we’re avoiding, or that we are in fact avoiding it), tyranny (false confidence about someone else’s needs), avoidance (“we mustn’t let knowing do the work of acknowledging”), etc. It seemed a bit more impersonal and less psychological than what I remember of the other two. Still, some good stuff here and there, and Phillips has a knack for aphorism.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>For Arianna Huffington and Kobe Bryant: First, Success. Then Sleep. - NYTimes.com</title>
    <link href="https://mlarson.org/2014/09/28/for-arianna-huffington-and-kobe-bryant-first/"/>
    <updated>2014-09-28T16:12:00.000Z</updated>
    <id>https://mlarson.org/2014/09/28/for-arianna-huffington-and-kobe-bryant-first/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Kobe Bryant: Exactly. I’ll give you an example. When you watch me shoot my fadeaway jumper, you’ll notice my leg is always extended. I had problems making that shot in the past. It’s tough. So one day I’m watching the Discovery Channel and see a cheetah hunting. When the cheetah runs, its tail always gives it balance, even if it’s cutting a sharp angle. And that’s when I was like: My leg could be the tail, right?&lt;/p&gt;
&lt;p&gt;Arianna Huffington: That’s amazing.&lt;/p&gt;
&lt;p&gt;KB: Inspiration surrounds us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Maybe it was a cheetah named &lt;a href=&#34;http://tumblr.mlarson.org/post/22318788557/gotemcoach-the-iron-leg-dirk-nowitzki-showed&#34;&gt;Dirk Nowitzki&lt;/a&gt;. Also really interesting in this interview: both of them weaning themselves from the “I only need  hours of sleep” lie. They both wised up and made changes to sleep more.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2014/09/28/fashion/arianna-huffington-kobe-bryant-meditate.html&#34;&gt;For Arianna Huffington and Kobe Bryant: First, Success. Then Sleep. - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2014</title>
    <link href="https://mlarson.org/2014/09/27/thingsmagazine-david-hockney-the-desk/"/>
    <updated>2014-09-27T14:09:26.000Z</updated>
    <id>https://mlarson.org/2014/09/27/thingsmagazine-david-hockney-the-desk/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_ncdo286zw81qzk7t0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thingsmagazine.tumblr.com/post/98263138862/david-hockney-the-desk&#34;&gt;thingsmagazine&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sothebys.com/en/auctions/ecatalogue/2014/photographs-n09204/lot.222.html&#34;&gt;David Hockney, ‘The Desk’&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Living the GoPro Life</title>
    <link href="https://mlarson.org/2014/09/27/living-the-gopro-life/"/>
    <updated>2014-09-27T14:08:29.000Z</updated>
    <id>https://mlarson.org/2014/09/27/living-the-gopro-life/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When the agony of missing the shot trumps the joy of the experience worth shooting, the adventure athlete (climber, surfer, extreme skier) reveals himself to be something else: a filmmaker, a brand, a vessel for the creation of content.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/magazine/2014/09/22/camera&#34;&gt;Living the GoPro Life&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>15 Questions for San Antonio’s Matt Bonner</title>
    <link href="https://mlarson.org/2014/09/24/15-questions-for-san-antonios-matt-bonner/"/>
    <updated>2014-09-24T16:16:57.000Z</updated>
    <id>https://mlarson.org/2014/09/24/15-questions-for-san-antonios-matt-bonner/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Here is a very rudimentary formula I came up with for rating a sandwich:&lt;/p&gt;
&lt;p&gt;Score on a scale of 1-100:&lt;br&gt;
A = bread&lt;br&gt;
B = meat&lt;br&gt;
C = fixings&lt;br&gt;
D = sauces&lt;br&gt;
.4(A) + .3(B) + .2© + .1(D) = overall score on a 0-100 scale&lt;/p&gt;
&lt;p&gt;Each ingredient is weighted based on its level of importance to a good sandwich. Please note that the coefficients can certainly change when dealing with specialty sandwiches (for example, a steak and cheese would have a higher value placed on meat).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://grantland.com/the-triangle/15-questions-for-san-antonios-matt-bonner/&#34;&gt;15 Questions for San Antonio’s Matt Bonner&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Boring Lives, Boring Television</title>
    <link href="https://mlarson.org/2014/09/24/boring-lives-boring-television/"/>
    <updated>2014-09-24T16:16:50.000Z</updated>
    <id>https://mlarson.org/2014/09/24/boring-lives-boring-television/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;So far this year, I’ve watched “The Knick,” “Mad Men,” “Game of Thrones,” “Outlander,” “Boardwalk Empire” and “Downton Abbey.” Oh, I complain about the various anachronisms – the clothes are too clean, the lives of the servants are far too easy and don’t even get me started on, um, almost everything in “The Knick.” But these are forgivable errors, occasionally almost lovable.&lt;/p&gt;
&lt;p&gt;The thing I find harder to forgive is the shows’ inability to commit to that drama – to try to actually engage with what was actually dramatic and interesting in those eras. They can’t resist moralizing from the point of view of a 21st-century modern – and so they sap the conflicts they’re portraying of their meaning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bloombergview.com/articles/2014-09-18/boring-lives-boring-television&#34;&gt;Boring Lives, Boring Television&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Training Day</title>
    <link href="https://mlarson.org/2014/09/24/training-day-pretty-good-denzel-covers-some-good/"/>
    <updated>2014-09-24T16:16:45.000Z</updated>
    <id>https://mlarson.org/2014/09/24/training-day-pretty-good-denzel-covers-some-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_nc0v6bq3cd1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Training_Day&#34;&gt;Training Day&lt;/a&gt;. Pretty good. Denzel covers some good range here, maybe a little toooooo schizo/flip-floppy. Always switching, probing, testing. I was a bit impatient with it after a while. Surprised how well Hawke carried his chunk of the movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2014</title>
    <link href="https://mlarson.org/2014/09/23/mcconaughey-and-harrelson-bffs/"/>
    <updated>2014-09-23T01:46:03.000Z</updated>
    <id>https://mlarson.org/2014/09/23/mcconaughey-and-harrelson-bffs/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_ncbzk4neyp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.whosay.com/status/MatthewMcConaughey/800583&#34;&gt;McConaughey and Harrelson, BFFs&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man on Fire</title>
    <link href="https://mlarson.org/2014/09/17/man-on-fire-this-is-the-beginning-of-my-denzel/"/>
    <updated>2014-09-17T02:00:49.000Z</updated>
    <id>https://mlarson.org/2014/09/17/man-on-fire-this-is-the-beginning-of-my-denzel/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_nc0uu7plr21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Man_on_Fire_(2004_film)&#34;&gt;Man on Fire&lt;/a&gt;. This is the beginning of my Denzel Washington self-education program, as I’ve seen embarrassingly few of his movies, and they were all a long time ago. A guilt-ridden drunk on a revenge mission. Young Dakota Fanning is impossible not to like. And her on-screen friendship with Denzel is fantastic. I really liked the lively, kind of spazzy directing. A rush of colors and cuts, zooms in and out, accelerating and coming to a halt, and how that ties in with characterization and mood. I like the work with the occasional subtitles, too. Interesting that the bullet and the St. Jude medallion come along with sobriety (like AA tokens). Also note the recurring theme of “I’m just a professional” or “I’m just doing my job.” It’s not enough. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/70188403066/taken-preposterous-fantasy-fulfillment-popcorn&#34;&gt;Taken&lt;/a&gt;, of course.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is no such thing as tough. There is trained and untrained.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2014</title>
    <link href="https://mlarson.org/2014/09/17/we-make-ourselves-lists-in-order-to-know-if-we/"/>
    <updated>2014-09-17T01:46:09.000Z</updated>
    <id>https://mlarson.org/2014/09/17/we-make-ourselves-lists-in-order-to-know-if-we/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We make ourselves lists in order to know if we think what we think.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/culture/sasha-frere-jones/perfect-beat&#34;&gt;Sasha Frere-Jones&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is no finality in a list, just a promise that we will argue about everything listed, adjust our thoughts, and watch our feelings change over time.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Minority Report: The Real Problem of the Atlanta Hawks Implosion</title>
    <link href="https://mlarson.org/2014/09/17/minority-report-the-real-problem-of-the-atlanta/"/>
    <updated>2014-09-17T01:46:05.000Z</updated>
    <id>https://mlarson.org/2014/09/17/minority-report-the-real-problem-of-the-atlanta/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An interesting byproduct — perhaps a trick — of labeling someone a racist is making them an exception. Racists, once outed, are banished to Racism Island, and then it’s business as usual for everyone else. That’s the Sterling example. But Bruce Levenson isn’t an anomaly. Who doesn’t know a Bruce Levenson? Who hasn’t overheard someone at work or a friend’s dad talk like this before? They’re everywhere.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://grantland.com/the-triangle/atlanta-hawks-bruce-levenson-danny-ferry-scandal-racism/&#34;&gt;Minority Report: The Real Problem of the Atlanta Hawks Implosion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Serena Williams Is America’s Greatest Athlete</title>
    <link href="https://mlarson.org/2014/09/11/serena-williams-is-americas-greatest-athlete/"/>
    <updated>2014-09-11T23:47:05.000Z</updated>
    <id>https://mlarson.org/2014/09/11/serena-williams-is-americas-greatest-athlete/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When the culture at large grants athletic adoration to women, it is often of a temporary, fleeting kind directed toward teen-age American sweethearts at the Olympics. Williams has never been America’s sweetheart. […] The failure to fully appreciate her importance is perhaps evidence of our inability to appreciate the stubbornly unfamiliar narrative arc of her career. Williams is underloved because, at times, she has been unlovable and, in the end, mostly unrepentant about it&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/news/sporting-scene/serena-williams-americas-greatest-athlete&#34;&gt;Serena Williams Is America’s Greatest Athlete&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The U.S. Open’s Federer-less Final - The New Yorker</title>
    <link href="https://mlarson.org/2014/09/09/the-us-opens-federer-less-final-the-new/"/>
    <updated>2014-09-09T03:32:17.000Z</updated>
    <id>https://mlarson.org/2014/09/09/the-us-opens-federer-less-final-the-new/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;So what is happening here? Other players are winning tennis matches. They are doing so by playing better than their opponents, even the ones, like Federer and Djokovic, who usually win. A couple of new guys, who are likable, hard-working, and talented, get their shot at the big fancy trophy and the giant check. Many fans will have a hard time accepting this. It requires a categorical adjustment, a recognition that a tournament is merely a process of narrowing down a pool of athletes to the one who beats the rest, rather than an expression of the Form of the Good.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/news/sporting-scene/opens-post-federer-final&#34;&gt;The U.S. Open’s Federer-less Final - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2014</title>
    <link href="https://mlarson.org/2014/09/09/louisiana-loses-its-boot-matter-medium/"/>
    <updated>2014-09-09T03:29:40.000Z</updated>
    <id>https://mlarson.org/2014/09/09/louisiana-loses-its-boot-matter-medium/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_nbm70yms3u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/matter/louisiana-loses-its-boot-b55b3bd52d1e&#34;&gt;Louisiana Loses Its Boot — Matter — Medium&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;According to the U.S.G.S., the state lost just under 1,900 square miles of land between 1932 and 2000. This is the rough equivalent of the entire state of Delaware dropping into the Gulf of Mexico, and the disappearing act has no closing date. If nothing is done to stop the hemorrhaging, the state predicts as much as another 1,750 square miles of land — an area larger than Rhode Island — will convert to water by 2064. An area approximately the size of a football field continues to slip away every hour.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 4, 2014</title>
    <link href="https://mlarson.org/2014/09/04/the-only-autographed-copy-of-tim-duncans-honors/"/>
    <updated>2014-09-04T16:30:05.000Z</updated>
    <id>https://mlarson.org/2014/09/04/the-only-autographed-copy-of-tim-duncans-honors/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_nbcvbe9lpu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thechalksonline.blogspot.com/2009/01/only-autographed-copy-of-tim-duncans.html&#34;&gt;The ONLY Autographed Copy of Tim Duncan’s Honors Thesis!&lt;/a&gt;. Oh, Tim. Pretty neat story. Gotta say I’m a bit jealous.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blue Ruin</title>
    <link href="https://mlarson.org/2014/09/04/blue-ruin-holy-crap-watch-this-movie-theres/"/>
    <updated>2014-09-04T02:10:04.000Z</updated>
    <id>https://mlarson.org/2014/09/04/blue-ruin-holy-crap-watch-this-movie-theres/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_nbctxkr6il1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Blue_Ruin&#34;&gt;Blue Ruin&lt;/a&gt;. Holy. Crap. Watch this movie. There’s some kinship with &lt;a href=&#34;http://tumblr.mlarson.org/post/5422480856/shotgun-stories-two-sets-of-half-brothers-feud&#34;&gt;Shotgun Stories&lt;/a&gt; here, swirling around revenge and vicious family rivalry. Just multiply the intensity by 3 or 4. A wee bit of &lt;a href=&#34;https://en.wikipedia.org/wiki/Fargo_(film)&#34;&gt;Fargo&lt;/a&gt;, too, what with the bumbling? Great acting, sound, editing, the whole package is legit. This will probably be very high in my 2014 rankings.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Locke</title>
    <link href="https://mlarson.org/2014/09/04/locke-i-really-liked-this-movie-two-things-it/"/>
    <updated>2014-09-04T02:09:46.000Z</updated>
    <id>https://mlarson.org/2014/09/04/locke-i-really-liked-this-movie-two-things-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/09/tumblr_nbcteyko8o1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Locke_(film)&#34;&gt;Locke&lt;/a&gt;. I really liked this movie. Two things it reminded me of: &lt;a href=&#34;http://tumblr.mlarson.org/post/73266639693/arbitrage-throws-you-in-the-middle-and-lets-you&#34;&gt;Arbitrage&lt;/a&gt;, because he’s in a really crappy position and he’s trying to make do. And &lt;a href=&#34;http://tumblr.mlarson.org/post/53678454000/bronson-its-an-oddball-comedy-horror-character&#34;&gt;Bronson&lt;/a&gt;, because it’s Tom Hardy putting on a one-man show and just nailing it. About 99% of it is watching him on phone calls while he’s driving. I love it when movies play with constraints like this. So good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Imaginary Book #2</title>
    <link href="https://mlarson.org/2014/09/02/a-spread-from-my-forthcoming-imaginary-book/"/>
    <updated>2014-09-02T18:43:40.000Z</updated>
    <id>https://mlarson.org/2014/09/02/a-spread-from-my-forthcoming-imaginary-book/</id>
    <content type="html">&lt;p&gt;A spread from my forthcoming imaginary book, &lt;strong&gt;Steering into the Skid&lt;/strong&gt;, which examines automobility and interiority in filmic (anti)heroism. Delon in &lt;a href=&#34;https://en.wikipedia.org/wiki/Le_Samoura%C3%AF&#34;&gt;Le Samourai&lt;/a&gt;. Bacon in &lt;a href=&#34;https://en.wikipedia.org/wiki/Footloose_(1984_film)&#34;&gt;Footloose&lt;/a&gt;. Gosling in &lt;a href=&#34;https://en.wikipedia.org/wiki/Drive_(2011_film)&#34;&gt;Drive&lt;/a&gt;. De Niro in &lt;a href=&#34;https://en.wikipedia.org/wiki/Taxi_Driver&#34;&gt;Taxi Driver&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Strange Tale of the North Pond Hermit</title>
    <link href="https://mlarson.org/2014/09/01/the-strange-tale-of-the-north-pond-hermit/"/>
    <updated>2014-09-01T15:32:45.000Z</updated>
    <id>https://mlarson.org/2014/09/01/the-strange-tale-of-the-north-pond-hermit/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“With no audience, no one to perform for, I was just there. There was no need to define myself; I became irrelevant.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gq.com/news-politics/newsmakers/201409/the-last-true-hermit&#34;&gt;The Strange Tale of the North Pond Hermit&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 31, 2014</title>
    <link href="https://mlarson.org/2014/08/31/note-to-self-awesome-photos-that-i-find-online/"/>
    <updated>2014-08-31T15:53:23.000Z</updated>
    <id>https://mlarson.org/2014/08/31/note-to-self-awesome-photos-that-i-find-online/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nb6hctuqkc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Note to self: awesome photos that I find online can be printed. I think I’m going to print and frame up my &lt;a href=&#34;http://www.mlarson.org/blog/2014/3/21/trainstagram&#34;&gt;#trainstagram collection&lt;/a&gt;, too, now that I’m up to a dozen or so.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 31, 2014</title>
    <link href="https://mlarson.org/2014/08/31/dont-focus-too-much-on-this-idea-that-your/"/>
    <updated>2014-08-31T14:48:28.000Z</updated>
    <id>https://mlarson.org/2014/08/31/dont-focus-too-much-on-this-idea-that-your/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Don’t focus too much on this idea that your influences will be similar to people whose films you admire. In fact, it’s really the opposite: You like people who are doing something completely different, and it’s very relaxing to you because they’re dealing with all kinds of problems you don’t have to deal with.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thedissolve.com/features/the-last-great-movie-i-saw/725-whit-stillman-on-the-hitchcock-film-whose-greatnes/&#34;&gt;Whit Stillman&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/whitstillman&#34;&gt;Whit Stillman&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/influence&#34;&gt;influence&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Most Wanted Man</title>
    <link href="https://mlarson.org/2014/08/30/a-most-wanted-man-no-one-i-saw-it-with-agreed/"/>
    <updated>2014-08-30T15:55:28.000Z</updated>
    <id>https://mlarson.org/2014/08/30/a-most-wanted-man-no-one-i-saw-it-with-agreed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nb1pfgxsss1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Most_Wanted_Man_(film)&#34;&gt;A Most Wanted Man&lt;/a&gt;. No one I saw it with agreed with me, but I thought it was really good. Has a similar feel to &lt;a href=&#34;http://tumblr.mlarson.org/post/80034538795/tinker-tailor-soldier-spy-i-still-like-it-such-a&#34;&gt;Tinker Tailor Soldier Spy&lt;/a&gt;: cold, deliberate. This isn’t the sexy/sneaky side of spying. This is conversation, paperwork, negotiation, management. Every now and then you get to use a hidden camera. The only other Anton Corbijn film I’ve seen is &lt;a href=&#34;http://tumblr.mlarson.org/post/2909338394/the-american-it-seems-that-critics-are-a-bit&#34;&gt;The American&lt;/a&gt;, and it’s great.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Guardians of the Galaxy</title>
    <link href="https://mlarson.org/2014/08/30/guardians-of-the-galaxy-its-good-nice-to-see/"/>
    <updated>2014-08-30T15:53:28.000Z</updated>
    <id>https://mlarson.org/2014/08/30/guardians-of-the-galaxy-its-good-nice-to-see/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nb1p5bwdh71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Guardians_of_the_Galaxy_(film)&#34;&gt;Guardians of the Galaxy&lt;/a&gt;. It’s good. Nice to see superhero movies trying to be a bit more lighthearted and funny. Too bad the villains and the climax are so lame. I’d still put the Captain America movies at the top of my &lt;a href=&#34;https://www.mlarson.org/tag/marvel&#34;&gt;Marvel rankings&lt;/a&gt;, but this is close behind.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Decade Later, Whither the Metrosexual</title>
    <link href="https://mlarson.org/2014/08/30/a-decade-later-whither-the-metrosexual/"/>
    <updated>2014-08-30T15:50:33.000Z</updated>
    <id>https://mlarson.org/2014/08/30/a-decade-later-whither-the-metrosexual/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The men’s care industry killed metrosexuality by co-opting metrosexuals’ grooming habits and repackaging them as masculine and paternal. Same goes for the renaissance of old-school men’s shops, where conditioning skin and softening hair is neither “metro” nor “narcissistic,” but “classic,” and “quality.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theawl.com/2014/08/a-decade-later-whither-the-metrosexual&#34;&gt;A Decade Later, Whither the Metrosexual&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Against “Against [X]” - The New Yorker</title>
    <link href="https://mlarson.org/2014/08/30/against-against-x-the-new-yorker/"/>
    <updated>2014-08-30T13:45:42.000Z</updated>
    <id>https://mlarson.org/2014/08/30/against-against-x-the-new-yorker/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“Against [X]” is often not just an effective rhetorical form but also a canny career move: against X as an implicit argument for the polemicist.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/books/page-turner/x&#34;&gt;Against “Against [X]” - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2014</title>
    <link href="https://mlarson.org/2014/08/30/the-urban-oil-fields-of-los-angeles-oh-my-god-i/"/>
    <updated>2014-08-30T13:43:01.000Z</updated>
    <id>https://mlarson.org/2014/08/30/the-urban-oil-fields-of-los-angeles-oh-my-god-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nb1ra5oggk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/infocus/2014/08/the-urban-oil-fields-of-los-angeles/100799/&#34;&gt;The Urban Oil Fields of Los Angeles&lt;/a&gt;. Oh my God I love that city.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Live Safely in a Science Fictional Universe</title>
    <link href="https://mlarson.org/2014/08/29/i-read-charles-yus-how-to-live-safely-in-a/"/>
    <updated>2014-08-29T01:43:00.000Z</updated>
    <id>https://mlarson.org/2014/08/29/i-read-charles-yus-how-to-live-safely-in-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_natf79y0qu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Charles Yu’s &lt;a href=&#34;http://www.amazon.com/Live-Safely-Science-Fictional-Universe/dp/0307739457&#34;&gt;How to Live Safely in a Science Fictional Universe&lt;/a&gt;, and I loved it in the end. I might even say it changed my life in a few pointed ways. It’s a mildly science fictional story that pairs a good sense of humor with some great thinking on memory, nostalgia, wistfulness, and stories we keep telling ourselves.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Time does heal. It will do so whether you like it or not, and there’s nothing anyone can do about it. If you’re not careful, time will take away everything that ever hurt you, everything you have ever lost, and replace it with knowledge. Time is a machine: it will convert your pain to experience.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The writing is slightly distant and self-aware because it’s more fun that way. Like this heavily-footnoted passage, where he’s describing the time machine he lives/works in, which leads to a minor footnote on particle physics:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This unit, this phone booth, this four-dimensional person-sized laboratory, I live in it, but, over time, through diffusion and breathing and particle exchange, the air in here, the air that travels with me, it is me, and I’m it.* The exhaled carbon dioxide that gets recycle and processed by the pump, the oxygen-rich air that is piped back in, these molecules* move around me, and in me, and then back out, all* of it* the same matter.* I breath it* in, it* is in my bloodstream. Sometimes, they* are part of me, sometimes, I am part of them.* Sometimes, they* are in my sandwich,* […]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There are plenty of little aphoristic moments that come up, like…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Life is to some extent an extended dialogue with your future self about how exactly you are going to let yourself down over the coming years.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;…or like this aside on growing up in a household with parents arguing and fighting:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Call it the law of conservation of parental anger […] bouncing around, some of it reflected, some of it absorbed by the smaller bodies in the house.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One of my favorite turns of phrase came up in one travel scene, picking up on that swelling, aching beautiful uplift you can feel when flying:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As the machine banks into its approach and we angle into our steep descent spiral, looking down into the city, I have, for a minute or two, some clarified sense of scale, the proper balance of awe and possibility, a kind of airplane courage […]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There’s also some clever meta-textual work relating to the physical book itself and some interludic commentary (like how people in recreational alternate universes can qualify as “protagonists” or even “heroes” in these fantasylands, or diagrams that clarify the plot, background sketches on history/setting, magazine tips for time travel, etc.). I have to acknowledge that there’s a definite patch just after the halfway point where it dragged a bit for me. (You can see him getting carried away, piling ideas between commas.) But the opening half is so fun, and the final sprint led to a goosebumps ending for me. Very much recommended. Earlier this spring I also really liked Yu’s collection of short stories, &lt;a href=&#34;http://www.mlarson.org/blog/2014/4/19/third-class-superhero-review&#34;&gt;Third Class Superhero&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Double Indemnity</title>
    <link href="https://mlarson.org/2014/08/24/double-indemnity-so-dark-and-so-funny-they/"/>
    <updated>2014-08-24T17:10:00.000Z</updated>
    <id>https://mlarson.org/2014/08/24/double-indemnity-so-dark-and-so-funny-they/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nan1oq10ul1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Double_Indemnity_(film)&#34;&gt;Double Indemnity&lt;/a&gt;. So dark, and so funny. They don’t write&#39;em like this anymore. This was my second viewing, and it’s worth a third. &lt;a href=&#34;http://tumblr.mlarson.org/post/3100380920/double-indemnity-this-one-is-very-good-very&#34;&gt;Previously&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sacred Hoops</title>
    <link href="https://mlarson.org/2014/08/24/i-read-phil-jacksons-sacred-hoops-and-mostly/"/>
    <updated>2014-08-24T17:06:03.000Z</updated>
    <id>https://mlarson.org/2014/08/24/i-read-phil-jacksons-sacred-hoops-and-mostly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_narx1yiecc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Phil Jackson’s &lt;a href=&#34;http://www.amazon.com/Sacred-Hoops-Spiritual-Lessons-Hardwood/dp/1401308813&#34;&gt;Sacred Hoops&lt;/a&gt;, and mostly liked the more biographical stuff. His tales of the early days (in a Pentecostal family in North Dakota) reminded me of my father and grandfather, devoted Christians growing up in the midwest and geeking about about basketball and eventually other spiritual traditions. One nice treat of reading books like this – recent history when there are always cameras rolling – is the ability to &lt;a href=&#34;https://www.youtube.com/watch?v=dJPjeOR5IBI&#34;&gt;check YouTube for the highlights&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Boyhood</title>
    <link href="https://mlarson.org/2014/08/22/boyhood-though-the-movie-is-pretty-mesmerizing-in/"/>
    <updated>2014-08-22T01:45:25.000Z</updated>
    <id>https://mlarson.org/2014/08/22/boyhood-though-the-movie-is-pretty-mesmerizing-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_naglxvamph1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Boyhood_(film)&#34;&gt;Boyhood&lt;/a&gt;. Though the movie is pretty mesmerizing in a slice-of-life-y way, I think I’m &lt;a href=&#34;https://twitter.com/mlarson/status/498571612825079808&#34;&gt;more in awe of the work involved&lt;/a&gt; than the end product.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Unforgiven</title>
    <link href="https://mlarson.org/2014/08/19/unforgiven-my-second-viewing-this-time-around-i/"/>
    <updated>2014-08-19T22:59:29.000Z</updated>
    <id>https://mlarson.org/2014/08/19/unforgiven-my-second-viewing-this-time-around-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_naglmcpqse1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Unforgiven&#34;&gt;Unforgiven&lt;/a&gt;. My second viewing. This time around I got to see it on the big screen and it’s glorious. &lt;a href=&#34;http://tumblr.mlarson.org/post/1003768775/unforgiven-this-is-a-very-very-good-movie&#34;&gt;Previously&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Deserve’s got nothin’ to do with it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/clinteastwood&#34;&gt;Clint Eastwood&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Emily Dickinson: Selected Poems</title>
    <link href="https://mlarson.org/2014/08/19/i-read-some-selected-poems-by-emily-dickinson/"/>
    <updated>2014-08-19T22:59:11.000Z</updated>
    <id>https://mlarson.org/2014/08/19/i-read-some-selected-poems-by-emily-dickinson/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nafjr7nmra1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; I read some &lt;a href=&#34;http://www.amazon.com/Emily-Dickinson-Selected-Bloomsbury-Classics/dp/0312097522&#34;&gt;Selected Poems&lt;/a&gt; by Emily Dickinson, which is a good way to fill little pockets of time here and there. Some of my favorites:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.poetryfoundation.org/poem/171619&#34;&gt;“Hope” is the thing with feathers&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://academic.brooklyn.cuny.edu/english/melani/cs6/funeral.html&#34;&gt;I felt a Funeral, in my Brain&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://academic.brooklyn.cuny.edu/english/melani/cs6/nobody.html&#34;&gt;I’m Nobody! Who are you?&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.bartleby.com/113/1015.html&#34;&gt;I know some lonely Houses off the Road&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.bartleby.com/113/4053.html&#34;&gt;Death sets a Thing significant&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.poemhunter.com/poem/it-s-coming-the-postponeless-creature/&#34;&gt;It’s coming – the postponeless Creature –&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.americanpoems.com/poets/emilydickinson/10357&#34;&gt;It might be lonelier&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.americanpoems.com/poets/emilydickinson/10371&#34;&gt;We grow accustomed to the Dark –&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.bartleby.com/113/3028.html&#34;&gt;A Charm invests a Face&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.americanpoems.com/poets/emilydickinson/11555&#34;&gt;The going from a world we know&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.poetryfoundation.org/poem/182810&#34;&gt;Fame is a bee&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;If you’re hankerin’ for some Emily Dickinson set to music, check out &lt;a href=&#34;http://www.earbox.com/chorus/harmonium&#34;&gt;John Adams&lt;/a&gt;’ orchestral piece &lt;a href=&#34;https://www.youtube.com/watch?v=VamFzv523u0&#34;&gt;Harmonium&lt;/a&gt;, which uses Donne’s &lt;a href=&#34;http://www.luminarium.org/sevenlit/donne/negative.htm&#34;&gt;Negative Love&lt;/a&gt; in addition to Dickinson’s &lt;a href=&#34;http://www.poetryfoundation.org/poem/177119&#34;&gt;Because I could not stop for Death&lt;/a&gt; and &lt;a href=&#34;http://www.poetryfoundation.org/poem/173343&#34;&gt;Wild Nights - Wild Nights!&lt;/a&gt;. It’s a phenomenal piece of music.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 19, 2014</title>
    <link href="https://mlarson.org/2014/08/19/not-having-an-opinion-means-not-having-an/"/>
    <updated>2014-08-19T22:55:37.000Z</updated>
    <id>https://mlarson.org/2014/08/19/not-having-an-opinion-means-not-having-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Not having an opinion means not having an obligation. And not being obligated is one of the sweetest of life’s riches.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/ftrain&#34;&gt;Paul Ford&lt;/a&gt; in &lt;a href=&#34;https://medium.com/message/how-to-be-polite-9bf1e69e888c&#34;&gt;How to Be Polite&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Imaginary Book #1</title>
    <link href="https://mlarson.org/2014/08/17/a-spread-from-my-forthcoming-imaginary-book-2/"/>
    <updated>2014-08-17T17:46:00.000Z</updated>
    <id>https://mlarson.org/2014/08/17/a-spread-from-my-forthcoming-imaginary-book-2/</id>
    <content type="html">&lt;p&gt;A spread from my forthcoming imaginary book, &lt;strong&gt;Hangin’ Out: Up-ending Masculinity in 1980s Cinema&lt;/strong&gt;. Richard Gere in &lt;a href=&#34;http://en.wikipedia.org/wiki/American_Gigolo&#34;&gt;American Gigolo&lt;/a&gt; (1980). Josh Brolin in &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Goonies&#34;&gt;The Goonies&lt;/a&gt; (1985). Michael Keaton in &lt;a href=&#34;https://en.wikipedia.org/wiki/Batman_(1989_film)&#34;&gt;Batman&lt;/a&gt; (1989). Kyle Machlachlan in &lt;a href=&#34;https://en.wikipedia.org/wiki/Twin_Peaks&#34;&gt;Twin Peaks&lt;/a&gt; (1990).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Definitely Maybe</title>
    <link href="https://mlarson.org/2014/08/17/i-read-the-strugatsky-brothers-book-definitely/"/>
    <updated>2014-08-17T17:04:14.000Z</updated>
    <id>https://mlarson.org/2014/08/17/i-read-the-strugatsky-brothers-book-definitely/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nafjqujtwm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read the Strugatsky Brothers’ book &lt;a href=&#34;http://www.amazon.com/Definitely-Maybe-Neversink-Arkady-Strugatsky/dp/1612192815&#34;&gt;Definitely Maybe&lt;/a&gt;, and enjoyed its kooky Russian brand of paranoia. I love how transitions between scenes and chapters just drop off and pick up mid-sentence. I heard about this one from my buddy &lt;a href=&#34;https://twitter.com/willevans&#34;&gt;Will&lt;/a&gt;, book-devourer and &lt;a href=&#34;https://twitter.com/deepvellum&#34;&gt;publisher&lt;/a&gt;, who also tipped me off to that &lt;a href=&#34;http://tumblr.mlarson.org/post/92685538301/i-read-stanislaw-lems-solaris-the-new-bill&#34;&gt;Solaris translation&lt;/a&gt; I wrote about a few weeks ago.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Collateral</title>
    <link href="https://mlarson.org/2014/08/17/collateral-my-third-viewing-ignore-my-comments/"/>
    <updated>2014-08-17T16:15:37.000Z</updated>
    <id>https://mlarson.org/2014/08/17/collateral-my-third-viewing-ignore-my-comments/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9qtj2rvah1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Collateral_%28film%29&#34;&gt;Collateral&lt;/a&gt;. My third viewing. (Ignore my comments after &lt;a href=&#34;http://tumblr.mlarson.org/post/11701039611/collateral-totally-forgot-mark-ruffalo-was-in&#34;&gt;the second&lt;/a&gt;.) It feels like every time I watch a Michael Mann movie it becomes my new favorite of his. This movie is seriously in love with LA, too. You almost never get this much richness in setting. The surfaces, the light, daytime and night. Passing scenes and shots of a Hispanic gas station, a Korean (?) newspaper, murals, traffic, strip malls, modest neighborhoods, airport boulevards. Crucial scenes in Latino and (mostly Asian) nightclubs. This sense of place fits with one of the movie’s themes – presence. Our protagonists are Vincent (Cruise’s cool, decisive, efficient professional) and Max (Foxx’s daydreaming perfectionist). Max is dreaming miles into the future, but too hesitant or cautious (“It’s gotta be perfect.”) to do anything to get there. Vincent is skimming along the moment, zipping through assignments. (“We gotta make the best of it, improvise, adapt to the environment, Darwin, shit happens, I Ching, whatever man, we gotta roll with it.”) Two early soundtrack moments underscore the contrast, too. Early on, Max enjoys the nostalgic, old-school vibes of Groove Armada’s &lt;a href=&#34;https://www.youtube.com/watch?v=CedVxOZ6xAA&#34;&gt;Hands of Time&lt;/a&gt; as he cruises through the city. Soon after, we see some of Vincent’s subway/disconnection speech (foreshadowing!) backgrounded with a cool blues-y rendition of Bach’s &lt;a href=&#34;https://www.youtube.com/watch?v=N-Yc6ns14cY&#34;&gt;Air on the G String&lt;/a&gt;. Pure sophistication. It’s not until (after the missed-opportunity soliloquy in the &lt;a href=&#34;https://www.youtube.com/watch?v=IejpzbxKUZE&#34;&gt;jazz club scene&lt;/a&gt;) Max is forced into impersonating Vincent that he starts to show some real agency. On this viewing the humor came through much more for me, thanks to Cruise. Lines like “Promise not to tell anybody, right?” and “Don’t let me cornered. You don’t have the trunk space.” and “What? I should only kill people after I get to know them?”. I could go on. What a damn great movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Minds wiped calm as sea-leveled sands&#34;</title>
    <link href="https://mlarson.org/2014/08/17/child-in-the-womb-or-saint-on-a-tomb-which/"/>
    <updated>2014-08-17T16:15:27.000Z</updated>
    <id>https://mlarson.org/2014/08/17/child-in-the-womb-or-saint-on-a-tomb-which/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Child in the womb, Or saint on a tomb — Which way shall I lie To fall asleep? The keen moon stares From the back of the sky, The clouds are all home Like driven sheep. Bright drops of time, One and two chime, I turn and lie straight With folded hands; Convent-child, Pope, They choose this state, And their minds are wiped calm As sea-leveled sands. So my thoughts are: But sleep stays as far, Till I crouch on one side Like a foetus again — For sleeping, like death, Must be won without pride, With a nod from nature, And a lack of strain, And a loss of stature.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Philip Larkin. Via &lt;a href=&#34;http://maudnewton.tumblr.com/post/94340600967/how-to-sleep&#34;&gt;Maud Newton&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/sleep&#34;&gt;sleep&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Gigolo</title>
    <link href="https://mlarson.org/2014/08/17/american-gigolo-fantastic-movie-one-current-is/"/>
    <updated>2014-08-17T15:32:00.000Z</updated>
    <id>https://mlarson.org/2014/08/17/american-gigolo-fantastic-movie-one-current-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_nagj62k4jb1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/American_Gigolo&#34;&gt;American Gigolo&lt;/a&gt;. Fantastic movie. One current is an electric crime drama (and the challenge of justice for outsider groups). Another is the steady melancholy, loneliness, and emptiness of the protagonist’s life. &lt;a href=&#34;http://clothesonfilm.com/american-gigolo-armani-gere/13314/&#34;&gt;Awesome&lt;/a&gt; &lt;a href=&#34;http://classiq.me/style-in-film-richard-gere-american-gigolo&#34;&gt;clothes&lt;/a&gt;. And OMG &lt;a href=&#34;http://classiq.me/style-in-film-lauren-hutton-in-american-gigolo&#34;&gt;Lauren Hutton&lt;/a&gt;. Another good movie that explores the tensions between a criminal profession and desire for a normal life: &lt;a href=&#34;https://www.mlarson.org/tag/thief&#34;&gt;Thief&lt;/a&gt;, of course.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 16, 2014</title>
    <link href="https://mlarson.org/2014/08/16/fame-is-a-bee-it-has-a-song-it-has-a-sting/"/>
    <updated>2014-08-16T22:59:03.000Z</updated>
    <id>https://mlarson.org/2014/08/16/fame-is-a-bee-it-has-a-song-it-has-a-sting/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Fame is a bee.&lt;br&gt;
It has a song—&lt;br&gt;
It has a sting—&lt;br&gt;
Ah, too, it has a wing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.poetryfoundation.org/poem/182810&#34;&gt;Emily Dickinson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Flush</title>
    <link href="https://mlarson.org/2014/08/08/i-read-virginia-woolfs-flush-a-biography-of/"/>
    <updated>2014-08-08T19:46:00.000Z</updated>
    <id>https://mlarson.org/2014/08/08/i-read-virginia-woolfs-flush-a-biography-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9znxx2uzj1qzcye0o2_r1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Virginia Woolf’s &lt;a href=&#34;http://www.amazon.com/Flush-A-Biography-Virginia-Woolf/dp/0156319527&#34;&gt;Flush&lt;/a&gt;, a biography of Elizabeth Barrett Browning’s cocker spaniel. We grew up with two cocker spaniels (first Nugget, then Rusty, and I still take pride in choosing such good names), so I was rooting for this one from the start. It’s short and breezy and completely charming.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The true philosopher is he who has lost his coat but is free from fleas.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Matt Thomas reads the Sunday Times so you don&#39;t have to</title>
    <link href="https://mlarson.org/2014/08/08/matt-thomas-reads-the-sunday-times-so-you-dont/"/>
    <updated>2014-08-08T19:45:21.000Z</updated>
    <id>https://mlarson.org/2014/08/08/matt-thomas-reads-the-sunday-times-so-you-dont/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/93779337921&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I highly recommend subscribing to &lt;a href=&#34;http://submittedforyourperusal.com&#34;&gt;Matt Thomas&lt;/a&gt;’s &lt;a href=&#34;http://tinyletter.com/mattthomas&#34;&gt;NYTimes Sunday Digest&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Every Sunday since 2007 (that’s 346 consecutive weeks), I’ve posted links to and quotes from articles I thought were interesting in that day’s New York Times on &lt;a href=&#34;http://submittedforyourperusal.com/&#34;&gt;my blog&lt;/a&gt;. I started doing it to give myself a Sunday…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;I can’t reblog this hard enough.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/93779337921&#34;&gt;Matt Thomas reads the Sunday Times so you don&#39;t have to&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>All the Pretty Horses</title>
    <link href="https://mlarson.org/2014/08/06/i-read-cormac-mccarthys-all-the-pretty-horses-i/"/>
    <updated>2014-08-06T23:31:21.000Z</updated>
    <id>https://mlarson.org/2014/08/06/i-read-cormac-mccarthys-all-the-pretty-horses-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9qw86jgnd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Cormac McCarthy’s &lt;a href=&#34;http://www.amazon.com/Pretty-Horses-Border-Trilogy-Book/dp/0679744398&#34;&gt;All the Pretty Horses&lt;/a&gt;. I was disappointed that I didn’t &lt;a href=&#34;http://tumblr.mlarson.org/post/57913113772/cormac-mccarthys-vocabulary-is-better-than-yours&#34;&gt;learn a bunch of words like I did when reading &lt;em&gt;Blood Meridian&lt;/em&gt;&lt;/a&gt;. I’m pretty sure &lt;em&gt;No Country for Old Men&lt;/em&gt; is my favorite of his, followed by &lt;em&gt;Blood Meridian&lt;/em&gt; and then &lt;em&gt;The Road&lt;/em&gt; and then this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Manhunts: A Philosophical History</title>
    <link href="https://mlarson.org/2014/08/05/i-read-gregoire-chamayous-manhunts-i-may-not/"/>
    <updated>2014-08-05T19:11:32.000Z</updated>
    <id>https://mlarson.org/2014/08/05/i-read-gregoire-chamayous-manhunts-i-may-not/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9qwahbuss1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Grégoire Chamayou’s &lt;a href=&#34;http://www.amazon.com/Manhunts-Philosophical-History-Gr%C3%A9goire-Chamayou/dp/0691151652&#34;&gt;Manhunts&lt;/a&gt;. I may not have given it a fair shake – it has a way more academic bent than what I was in the mood for – but there are some neat ideas here. The most useful:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Every hunt is accompanied by a theory of its prey that explains why, by virtue of what difference, of what distinction, some men can be hunted and others not.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One of the better parts of reading this wasn’t the book itself, but how it related to other things I’ve come across. &lt;a href=&#34;http://tumblr.mlarson.org/post/93735360471/manhunter-safe-to-call-michael-mann-my-favorite&#34;&gt;Manhunter&lt;/a&gt;, clearly, and how pursuit puts one’s soul at peril. &lt;a href=&#34;http://www.mlarson.org/blog/2013/12/15/njals-saga-review&#34;&gt;Njál’s Saga&lt;/a&gt; frequently deals with banishment and outlaws, vengeance and vulnerability. Also the book &lt;a href=&#34;http://www.amazon.com/Columbine-Dave-Cullen/dp/0446546925&#34;&gt;Columbine&lt;/a&gt; and other events like the OKC bombing and Isla Vista, and how theories of exclusion always follow closely behind. &lt;a href=&#34;http://tumblr.mlarson.org/post/41156619686/zero-dark-thirty-i-cant-think-of-many-movies&#34;&gt;Zero Dark Thirty&lt;/a&gt;, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cold Stoicism of Advice Columns for Men</title>
    <link href="https://mlarson.org/2014/08/05/the-cold-stoicism-of-advice-columns-for-men/"/>
    <updated>2014-08-05T17:07:11.000Z</updated>
    <id>https://mlarson.org/2014/08/05/the-cold-stoicism-of-advice-columns-for-men/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Advice columns for men, however, seem not to have made the leap from proscriptive notions of rectitude to the smart-older-sister vibe of advice for women. In &lt;em&gt;GQ&lt;/em&gt; and &lt;em&gt;Esquire&lt;/em&gt; and even &lt;em&gt;Maxim&lt;/em&gt;, which are full of Q&amp;amp;A-format advice for readers, situations are often posed in a joking tone and answered as if the writer were the dude from the Dos Equis commercials and the ultimate ethical standard is masculinity rather than humanity. &lt;a href=&#34;http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%253Daps&amp;amp;field-keywords=how%20to%20be%20a%20man&amp;amp;sprefix=how%252Bto%252Bbe%252Ba%252Bma%252Caps&amp;amp;rh=i%253Aaps%252Ck%253Ahow%20to%20be%20a%20man&#34;&gt;“How to be a man” literature&lt;/a&gt; is the new conduct literature: it’s not that men haven’t cared about ideals of masculinity before now, but the idea verges on obsession these days, cf. everything from Shia LaBoeuf’s resignation &lt;a href=&#34;http://nymag.com/daily/intelligencer/2013/02/shia-labeouf-plagiarized-esquire-tom-chiarella.html&#34;&gt;note&lt;/a&gt; to the fact that someone greenlit &lt;em&gt;&lt;a href=&#34;http://www.deadline.com/2011/10/how-to-be-a-gentleman-pulled-from-saturdays-after-one-airing/&#34;&gt;How to Be a Gentleman&lt;/a&gt;&lt;/em&gt;. It’s a whole genre and evidently a popular one—but, while advice columns are the delicious and healthy snack of things to devour on the Internet, it matters for men and women alike that advice columns for men evolve, not by abandoning their gentlemanly tone but by choosing the right questions to answer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That’s one reason why I read waaaaay more of &lt;a href=&#34;https://www.mlarson.org/tag/carolynhax&#34;&gt;Carolyn Hax&lt;/a&gt; than anything in men’s magazines. &lt;a href=&#34;http://www.theatlantic.com/sexes/archive/2013/02/the-cold-stoicism-of-advice-columns-for-men/273556/&#34;&gt;The Cold Stoicism of Advice Columns for Men&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 4, 2014</title>
    <link href="https://mlarson.org/2014/08/04/my-friend-mario-joyner-has-a-funny-line-its-not/"/>
    <updated>2014-08-04T16:06:17.000Z</updated>
    <id>https://mlarson.org/2014/08/04/my-friend-mario-joyner-has-a-funny-line-its-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My friend Mario Joyner has a funny line. It’s not something he does in his act, but he’s a brilliantly funny guy about life. The wedding gown, the celebration, the aggrandizement of the woman in this amazing outfit at the wedding—she’s telling the world “I got one of these motherfuckers to act right.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/blogs/culture/jerry-seinfeld-interview-0614&#34;&gt;Jerry Seinfeld&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Manhunter</title>
    <link href="https://mlarson.org/2014/08/04/manhunter-safe-to-call-michael-mann-my-favorite/"/>
    <updated>2014-08-04T02:05:00.000Z</updated>
    <id>https://mlarson.org/2014/08/04/manhunter-safe-to-call-michael-mann-my-favorite/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9qs5pkfzp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Manhunter_(film)&#34;&gt;Manhunter&lt;/a&gt;. Safe to call &lt;a href=&#34;https://www.mlarson.org/tag/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; my favorite director now? So very good. I wish I’d planned it consciously, but I ended up unintentionally re-watching this around the same time I was reading &lt;a href=&#34;http://www.amazon.com/Manhunts-Philosophical-History-Gr%C3%A9goire-Chamayou/dp/0691151652&#34;&gt;Manhunts&lt;/a&gt;. Another recommended pairing: &lt;a href=&#34;http://www.movingimagesource.us/articles/zen-pulp-pt-4-20090715&#34;&gt;Matt Zoller Seitz’s reflections&lt;/a&gt; (heh) on the mirrors, doppelgängers, doubles, duality, etc. in this and Mann’s other works.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Collected Stories of Amy Hempel</title>
    <link href="https://mlarson.org/2014/08/04/i-read-a-lot-of-the-collected-stories-of-amy/"/>
    <updated>2014-08-04T02:00:14.000Z</updated>
    <id>https://mlarson.org/2014/08/04/i-read-a-lot-of-the-collected-stories-of-amy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9r54fccwg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read a lot of &lt;a href=&#34;http://www.amazon.com/Collected-Stories-Hempel-published-Scribner/dp/B00E31I2SO&#34;&gt;The Collected Stories of Amy Hempel&lt;/a&gt;, but not all of them. I liked the ones I read, and still think that previous collection, &lt;a href=&#34;http://tumblr.mlarson.org/post/89403361336/i-read-amy-hempels-tumble-home-the-title-novella&#34;&gt;Tumble Home&lt;/a&gt;, is great. But I think I was becoming a little numb. Worth picking up again later.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The NeverEnding Story</title>
    <link href="https://mlarson.org/2014/08/03/the-neverending-story-the-handful-of-times-i/"/>
    <updated>2014-08-03T17:26:00.000Z</updated>
    <id>https://mlarson.org/2014/08/03/the-neverending-story-the-handful-of-times-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9qr16apdu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_NeverEnding_Story_(film)&#34;&gt;The NeverEnding Story&lt;/a&gt;. The handful of times I watched this as a kid I found it too baffling to grow any sort of attachment or fondness. I remembered only a few snapshots before re-watching: boy reading in attic, boy warrior in a terrifying bog, flying on a dogdragon, wolf with a twitchy nose, a young queen in distress. Good young actors in a dark, compressed allegorical movie about bullying, escapism, and the value of imagination. Let’s also take a moment to appreciate that the villain is called “The Nothing” and the &lt;a href=&#34;https://www.youtube.com/watch?v=SqkpeotWEZE&#34;&gt;rad electro soundtrack in the Swamps of Sadness&lt;/a&gt;. :( :( :(&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2014</title>
    <link href="https://mlarson.org/2014/08/02/in-the-cut-part-i-shots-in-the-dark-knight-i/"/>
    <updated>2014-08-02T23:34:46.000Z</updated>
    <id>https://mlarson.org/2014/08/02/in-the-cut-part-i-shots-in-the-dark-knight-i/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/28792404&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rogerebert.com/scanners/annotated-transcript-in-the-cut-part-i-shots-in-the-dark-knight&#34;&gt;In the Cut, Part I: Shots in the Dark (Knight)&lt;/a&gt;. I really, really liked this dissection, by Jim Emerson, of a chase scene in &lt;em&gt;The Dark Knight&lt;/em&gt;. I think the scene still communicates on a sequence-of-events level – chase goes underground, trucks smashes car, weapons are fired, Batmobile rams a dump truck – but there are definitely ways the editing makes it less spatially coherent or viscerally “real”. You can set aside whether that makes the scene good or bad, or whether it undermines or supports whatever Nolan’s intentions were. It’s still a nice primer and breakdown of how they communicate narrative through the frame, and how ignoring or adhering to visual conventions affects how you understand what you see.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2014</title>
    <link href="https://mlarson.org/2014/08/02/ryanhamiltonwalsh-starting-a-new-tradition-with/"/>
    <updated>2014-08-02T22:51:58.000Z</updated>
    <id>https://mlarson.org/2014/08/02/ryanhamiltonwalsh-starting-a-new-tradition-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/08/tumblr_n9l1syrhoz1rtpgemo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ryanhamiltonwalsh.tumblr.com/post/93409683551/starting-a-new-tradition-with-ikea-assemblies&#34;&gt;ryanhamiltonwalsh&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Starting a new tradition with Ikea assemblies where I add the discussion had during the build into the instructions &lt;a href=&#34;http://t.co/Kk9zUUZLgR&#34; title=&#34;http://i.imgur.com/9LiM59y.jpg&#34;&gt;http://i.imgur.com/9LiM59y.jpg&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2014</title>
    <link href="https://mlarson.org/2014/08/02/the-genius-of-this-simultaneously-simple-and/"/>
    <updated>2014-08-02T22:51:00.000Z</updated>
    <id>https://mlarson.org/2014/08/02/the-genius-of-this-simultaneously-simple-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The genius of this simultaneously simple and profound phrase comes from its naked embrace of the fact that some stories are too good to verify and must be shared as soon as possible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.dailydot.com/lol/whoa-if-true/&#34;&gt;A brief history of ‘Whoa, if true’&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Once Upon a Time in the West</title>
    <link href="https://mlarson.org/2014/07/28/once-upon-a-time-in-the-west-welp-its-perfect/"/>
    <updated>2014-07-28T16:41:54.000Z</updated>
    <id>https://mlarson.org/2014/07/28/once-upon-a-time-in-the-west-welp-its-perfect/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n9ec4ugbtb1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_the_West&#34;&gt;Once Upon a Time in the West&lt;/a&gt;. Welp. It’s perfect. This was my second time seeing it all the way through (&lt;a href=&#34;http://tumblr.mlarson.org/post/948682233/once-upon-a-time-in-the-west-its-awesome-one-of&#34;&gt;my first&lt;/a&gt;), and I was very lucky to catch it on the big screen. Two things that stood out for me more this time around…. One, the operatic heightening. Straight out of opera, each major character gets a leitmotif in the soundtrack, they’re all introduced in a different way to draw attention to their role, and they’re all pretty unambiguous archetypes: villain, hero, buffoon, hooker with heart of gold. And dang, &lt;a href=&#34;https://www.youtube.com/watch?v=2s0-wbXC3pQ&#34;&gt;that score&lt;/a&gt;. Two, the recurring hints about time. The movie opens with a shot of a rail schedule, then shifts to a comically, absurdly extended introduction marked by dripping water and creaking windmills. The anxious father who wants to be ready for his beloved’s arrival. Watches checked, appointments made. A capitalist who wants to reach the Pacific coast before his death. A railroad station that must be built on a deadline. Fancy clocks in the financier’s railcar. The clockface in town during a shoot-out. And battles that the hero faces are a sort of countdown: three assassins, then two, then one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Let’s fly: How to survive air travel</title>
    <link href="https://mlarson.org/2014/07/27/lets-fly-how-to-survive-air-travel/"/>
    <updated>2014-07-27T23:54:16.000Z</updated>
    <id>https://mlarson.org/2014/07/27/lets-fly-how-to-survive-air-travel/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This is how you survive the airport:&lt;/p&gt;
&lt;p&gt;Arrive early. Arrive early? Sounds simple. It is — let me show you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I remember reading somewhere that if you’ve never missed a flight then you’ve wasted too much of your life waiting in airports. Fair point, maybe. But I have to agree, after a few recent flights, that arriving much much earlier than needed – giving over to what might first feel like inconvenience – can create some beautifully peaceful and productive time to work with.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/lets-fly-d566ecd35678&#34;&gt;Let’s fly: How to survive air travel&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2014</title>
    <link href="https://mlarson.org/2014/07/27/when-people-say-im-the-kind-of-person-who-my/"/>
    <updated>2014-07-27T23:53:00.000Z</updated>
    <id>https://mlarson.org/2014/07/27/when-people-say-im-the-kind-of-person-who-my/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When people say, “I’m the kind of person who,” my heart always sinks. These are formulas, we’ve all got about ten formulas about who we are, what we like, the kind of people we like, all that stuff. The disparity between these phrases and how one experiences oneself minute by minute is ludicrous. It’s like the caption under a painting. You think, Well, yeah, I can see it’s called that. But you need to look at the picture.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/6286/the-art-of-nonfiction-no-7-adam-phillips&#34;&gt;Adam Phillips&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/adamphillips&#34;&gt;Adam Phillips&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>MOONRISE KINGDOM: Wes in Wonderland</title>
    <link href="https://mlarson.org/2014/07/27/moonrise-kingdom-wes-in-wonderland/"/>
    <updated>2014-07-27T23:51:55.000Z</updated>
    <id>https://mlarson.org/2014/07/27/moonrise-kingdom-wes-in-wonderland/</id>
    <content type="html">&lt;p&gt;I’m &lt;a href=&#34;http://tumblr.mlarson.org/post/25140088150/moonrise-kingdom-wes-anderson-is-simply-not-my&#34;&gt;on record&lt;/a&gt; as not being a huge fan of this particular movie, but damn, Anderson is good at what he does. Cf. &lt;a href=&#34;http://www.davidbordwell.net/blog/2014/03/26/the-grand-budapest-hotel-wes-anderson-takes-the-43-challenge/&#34;&gt;David Bordwell discussing &lt;em&gt;The Grand Budapest Hotel&lt;/em&gt;&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/wesanderson&#34;&gt;Wes Anderson&lt;/a&gt;. &lt;a href=&#34;http://www.davidbordwell.net/blog/2014/07/20/moonrise-kingdom-wes-in-wonderland/&#34;&gt;MOONRISE KINGDOM: Wes in Wonderland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Solaris</title>
    <link href="https://mlarson.org/2014/07/24/i-read-stanislaw-lems-solaris-the-new-bill/"/>
    <updated>2014-07-24T01:37:14.000Z</updated>
    <id>https://mlarson.org/2014/07/24/i-read-stanislaw-lems-solaris-the-new-bill/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n951tbfp6b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Stanisław Lem’s &lt;a href=&#34;https://en.wikipedia.org/wiki/Solaris_(novel)&#34;&gt;Solaris&lt;/a&gt; (the &lt;a href=&#34;http://www.metafilter.com/104691/New-Solaris-translation-locked-in-Limbo&#34;&gt;new Bill Johnston translation&lt;/a&gt;, grade-A uncut straight from the Polish), and enjoyed it for the most part. Not available in paper, so I finally used this Kindle gadget thing. This is a book for ideas. The writing isn’t too special on its own, on a sentence and paragraph level. I could have done with less of the spinning off into academic/history tangents, but I suppose they have their purpose. Reminds me of Borges a bit, that spirit of developing gobs and gobs of history and references. I think the spirit is more ironic here, underscoring how the knowledge of Solaris that humans gathered and theorized for generations really amounts to so little. Now I really want to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;both&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/30359506876/solaris-2002-i-really-liked-the-tarkovsky&#34;&gt;movies&lt;/a&gt; again. I read a lot of this while listening to &lt;a href=&#34;http://www.amazon.com/Fountain-Clint-Mansell-Kronos-Quartet/dp/B0011ZYCZW&#34;&gt;the soundtrack for &lt;em&gt;The Fountain&lt;/em&gt;&lt;/a&gt;, which makes a good pairing. Another Lem book I really, really liked was &lt;a href=&#34;http://www.amazon.com/Imaginary-Magnitude-Stanislaw-Lem/dp/0156441802&#34;&gt;Imaginary Magnitude&lt;/a&gt;, which, as a collection of… stories?… offers a lot more variety and more opportunities to have your mind blown.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dawn of the Planet of the Apes</title>
    <link href="https://mlarson.org/2014/07/23/dawn-of-the-planet-of-the-apes-really/"/>
    <updated>2014-07-23T02:16:48.000Z</updated>
    <id>https://mlarson.org/2014/07/23/dawn-of-the-planet-of-the-apes-really/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n9573ufnpj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dawn_of_the_Planet_of_the_Apes&#34;&gt;Dawn of the Planet of the Apes&lt;/a&gt;. Really underwhelming. I was so fired up for this after &lt;a href=&#34;http://tumblr.mlarson.org/post/92334329781/rise-of-the-planet-of-the-apes-a-refresher&#34;&gt;re-watching &lt;em&gt;Rise…&lt;/em&gt;&lt;/a&gt; and hearing good reviews. I think the best way to summarize this one is that there’s just not much to be curious about. Once you get the early outlines, you could finish the screenplay yourself. Bonus points, though, for good use of xylophone in the score. I also thought it was interesting that they only used a handful of locations for this movie: city, grove, dam, village, apartment. Reminded me of the clashing civilizations/neighbors in &lt;a href=&#34;http://tumblr.mlarson.org/post/15619928959/the-new-world-in-which-the-title-is-a-metaphor&#34;&gt;The New World&lt;/a&gt;. Took me the longest time to realize how I recognized Kodi Smit-McPhee: &lt;a href=&#34;http://tumblr.mlarson.org/post/4634685507/let-me-in-im-torn-on-this-remake-i-like-the&#34;&gt;Let Me In&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nicely Said: Writing for the Web with Style and Purpose (review)</title>
    <link href="https://mlarson.org/2014/07/23/i-read-nicole-fenton-and-kate-kiefer-lees-new/"/>
    <updated>2014-07-23T02:16:41.000Z</updated>
    <id>https://mlarson.org/2014/07/23/i-read-nicole-fenton-and-kate-kiefer-lees-new/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n90o5h4kud1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read &lt;a href=&#34;https://twitter.com/nicoleslaw&#34;&gt;Nicole Fenton&lt;/a&gt; and &lt;a href=&#34;https://twitter.com/katekiefer&#34;&gt;Kate Kiefer Lee&lt;/a&gt;’s new book &lt;a href=&#34;http://www.amazon.com/Nicely-Said-Writing-Purpose-Voices/dp/0321988191&#34;&gt;Nicely Said: Writing for the Web with Style and Purpose&lt;/a&gt;. Now that I think of it, that subtitle goes against just about everything this tumblr stands for. Good friendly guide, especially if you need advice more along the lines of project structure and how to think about what you’re doing, more so than nuts-and-bolts writing advice.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Top Gun, it’s always magic hour for the best of the best</title>
    <link href="https://mlarson.org/2014/07/22/in-top-gun-its-always-magic-hour-for-the-best-of/"/>
    <updated>2014-07-22T17:38:03.000Z</updated>
    <id>https://mlarson.org/2014/07/22/in-top-gun-its-always-magic-hour-for-the-best-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;For a film that worships the military, and is in turn worshipped by the military, Top Gun seems perversely uninterested in the military—or foreign policy, or warfare—as anything other than a crucible that sweaty, shirtless, constantly showering men must endure on the route to über-awesomeness. The enemy is deliberately shadowy because the real enemy is self-doubt and moral weakness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thedissolve.com/features/movie-of-the-week/662-in-top-gun-its-always-magic-hour-for-the-best-of-t/&#34;&gt;In Top Gun, it’s always magic hour for the best of the best&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2014</title>
    <link href="https://mlarson.org/2014/07/22/i-like-to-read-my-poems-but-i-dont-like-to-hear/"/>
    <updated>2014-07-22T17:38:00.000Z</updated>
    <id>https://mlarson.org/2014/07/22/i-like-to-read-my-poems-but-i-dont-like-to-hear/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I like to read my poems, but I don’t like to hear other people read theirs.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/5889/the-art-of-poetry-no-94-kay-ryan&#34;&gt;Kay Ryan&lt;/a&gt;. Zing!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>“I Like Things That Look Like Mistakes”: The Perfect Imperfection of Frances Ha</title>
    <link href="https://mlarson.org/2014/07/22/i-like-things-that-look-like-mistakes-the/"/>
    <updated>2014-07-22T17:37:56.000Z</updated>
    <id>https://mlarson.org/2014/07/22/i-like-things-that-look-like-mistakes-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Energetic, prone to folly, and warmly sincere, Frances is perhaps the best illustrated character to come out of film in ages, both a perfect fit for the contemporary environment she inhabits and yet timeless in how human she is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Nodding my head every other sentence. Really great appreciation. I, too, &lt;a href=&#34;http://tumblr.mlarson.org/post/52322017484/frances-ha-i-loved-it-were-all-incomplete-this&#34;&gt;loved this movie&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;They are closer than most friends, intimate emotionally with one another more than most people on screen are (unless someone is dying). But the fact that they exist as two separate people whose interests evolve is critical to understanding why Frances and Sophie work as a couple and why &lt;em&gt;Frances Ha&lt;/em&gt; works as a film.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://moviescene.wordpress.com/2014/07/06/i-like-things-that-look-like-mistakes-the-perfect-imperfection-of-frances-ha/&#34;&gt;“I Like Things That Look Like Mistakes”: The Perfect Imperfection of Frances Ha&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Snowpiercer</title>
    <link href="https://mlarson.org/2014/07/20/snowpiercer-i-keep-thinking-about-this-one-there/"/>
    <updated>2014-07-20T19:45:20.000Z</updated>
    <id>https://mlarson.org/2014/07/20/snowpiercer-i-keep-thinking-about-this-one-there/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n90pj1nbxq1qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Snowpiercer&#34;&gt;Snowpiercer&lt;/a&gt;. I keep thinking about this one. There are plenty of logical flaws, loopholes, heavy-handed messaging, whatever. But it’s so cool. The railroad car constraint lends to some great invention with sets and storytelling and form. Evans shows some range you don’t get to see in the Marvel movies. Swinton drives me nuts sometimes, but I really appreciated her role here for both evil and levity. I rank this highly among 2014 releases, in the good company of &lt;a href=&#34;http://tumblr.mlarson.org/post/89315385921/edge-of-tomorrow-this-this-is-the-kind-of-genre&#34;&gt;Edge of Tomorrow&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/81906719143/the-grand-budapest-hotel-i-dig-it-its-got-the&#34;&gt;The Grand Budapest Hotel&lt;/a&gt;, and &lt;a href=&#34;http://tumblr.mlarson.org/post/77701382090/the-lego-movie-i-had-heard-that-this-was-better&#34;&gt;The Lego Movie&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Golden Spruce</title>
    <link href="https://mlarson.org/2014/07/20/i-read-john-vaillants-book-the-golden-spruce-a/"/>
    <updated>2014-07-20T15:22:24.000Z</updated>
    <id>https://mlarson.org/2014/07/20/i-read-john-vaillants-book-the-golden-spruce-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n8ymf0q4i21qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; I read John Vaillant’s book &lt;a href=&#34;http://www.amazon.com/The-Golden-Spruce-Story-Madness/dp/0393328643&#34;&gt;The Golden Spruce: A True Story of Myth, Madness, and Greed&lt;/a&gt; on &lt;a href=&#34;http://www.ryanholiday.net/reading-newsletter/&#34;&gt;Ryan Holiday’s recommendation&lt;/a&gt;. The writing was a bit too overstuffed/awestruck for my tastes sometimes, but there’s some good material in there about the history of the Pacific Northwest and the rise of the modern logging industry. An even better book about man vs. nature: Vaillant’s &lt;a href=&#34;http://www.amazon.com/The-Tiger-Vengeance-Survival-Departures/dp/0307389049&#34;&gt;The Tiger&lt;/a&gt;, which is absolutely incredible. I &lt;a href=&#34;http://tumblr.mlarson.org/post/3625159235/before-we-learned-to-tell-stories-we-learned-to&#34;&gt;tumbled a couple good excerpts&lt;/a&gt; a few years ago.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2014</title>
    <link href="https://mlarson.org/2014/07/20/cccilla-george-herriman-1921/"/>
    <updated>2014-07-20T15:13:56.000Z</updated>
    <id>https://mlarson.org/2014/07/20/cccilla-george-herriman-1921/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n7n8pdi8jn1rt74cqo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cccilla.tumblr.com/post/89698267084/george-herriman-1921&#34;&gt;cccilla&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;George Herriman, 1921&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2014</title>
    <link href="https://mlarson.org/2014/07/20/carpentrix-theparisreview-arguably/"/>
    <updated>2014-07-20T15:13:08.000Z</updated>
    <id>https://mlarson.org/2014/07/20/carpentrix-theparisreview-arguably/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n8rsdsugi91qced37o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://carpentrix.tumblr.com/post/91970727779/theparisreview-arguably-literatures-basic&#34;&gt;carpentrix&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://theparisreview.tumblr.com/post/91878657654/arguably-literatures-basic-charge-is-to-describe&#34;&gt;theparisreview&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Arguably literature’s basic charge is to describe being in the world—the Grainger catalog reveals just how extensively our writers have failed to document the varieties of work happening now, and the hyper-precise terminology surrounding that work.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/blog/2014/07/15/power-tools/&#34;&gt;Dan Piepenbring on the wonders of industrial-supply catalogs&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Neat piece on the specificity of words and the specificity of tools, materials, and devices found in this mammoth catalog. This was a highlight, in his discussion of item descriptions:&lt;/p&gt;
&lt;p&gt;“If ‘For sale: baby shoes, never worn’ counts as a story, then so, too, must ‘all-wood coffins store flat and assemble without tools. Can be stacked 3-high when assembled to maximize space in mass-casualty emergencies.’ Or: ‘High-visibility warning whips alert other vehicles of your presence.’ Or: ‘Stretch knit material covers head to protect from overspray.’&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Two Ridiculous Headphones and a Pile of Schiit – Marco.org</title>
    <link href="https://mlarson.org/2014/07/20/two-ridiculous-headphones-and-a-pile-of-schiit/"/>
    <updated>2014-07-20T15:10:17.000Z</updated>
    <id>https://mlarson.org/2014/07/20/two-ridiculous-headphones-and-a-pile-of-schiit/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Choosing an audiophile amp and DAC are difficult because audiophiles will tell you a great deal of unscientific wine-tasting descriptions of how each component sounds, then recommend whatever they bought.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marco.org/2014/07/12/ridiculous-headphones-pile-of-schiit&#34;&gt;Two Ridiculous Headphones and a Pile of Schiit – Marco.org&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rise of the Planet of the Apes</title>
    <link href="https://mlarson.org/2014/07/20/rise-of-the-planet-of-the-apes-a-refresher/"/>
    <updated>2014-07-20T14:58:00.000Z</updated>
    <id>https://mlarson.org/2014/07/20/rise-of-the-planet-of-the-apes-a-refresher/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n8h67pow0f1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rise_of_the_Planet_of_the_Apes&#34;&gt;Rise of the Planet of the Apes&lt;/a&gt;. A refresher viewing before the upcoming sequel. I liked it a good bit more than &lt;a href=&#34;http://tumblr.mlarson.org/post/24646130168/rise-of-the-planet-of-the-apes-nothing&#34;&gt;the first time I saw it&lt;/a&gt;. Now I appreciate more how the milder human performances help highlight the apes (backhanded compliment?). But wow the apes are great. Good heart in this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pinboard Turns Five (Pinboard Blog)</title>
    <link href="https://mlarson.org/2014/07/11/pinboard-turns-five-pinboard-blog/"/>
    <updated>2014-07-11T02:02:00.000Z</updated>
    <id>https://mlarson.org/2014/07/11/pinboard-turns-five-pinboard-blog/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Avoiding burnout is difficult to write about, because the basic premise is obnoxious. Burnout is a rich man’s game.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://blog.pinboard.in/2014/07/pinboard_turns_five/&#34;&gt;Pinboard Turns Five (Pinboard Blog)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 11, 2014</title>
    <link href="https://mlarson.org/2014/07/11/recently-ive-been-thinking-that-when-youre/"/>
    <updated>2014-07-11T01:26:44.000Z</updated>
    <id>https://mlarson.org/2014/07/11/recently-ive-been-thinking-that-when-youre/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Recently I’ve been thinking that when you’re younger, you need to say yes to everything; then, when you’re older, you need to learn how to say no to everything. I don’t mean younger in age, but as a step in your profession.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://thegreatdiscontent.com/interview/liz-danzico&#34;&gt;Liz Danzico&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Raid: Redemption</title>
    <link href="https://mlarson.org/2014/07/10/the-raid-redemption-this-is-an-implausibly/"/>
    <updated>2014-07-10T02:30:34.000Z</updated>
    <id>https://mlarson.org/2014/07/10/the-raid-redemption-this-is-an-implausibly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n8h5koz8ed1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Raid:_Redemption&#34;&gt;The Raid: Redemption&lt;/a&gt;. This is an implausibly heightened* excuse for great choreography and fightin’. (*a pregnant wife; an innocent bystander who needs to deliver medicine to his bedridden spouse; an unauthorized mission without backup; corrupt leadership; sibling rivalry; etc.) I loved early parts of the movie, where there was more play with music vs. silence, shadow vs. light, when things felt more precarious. Once the shit hit the fan, it was still fun, but more predictable, and less interesting. Transitions got a bit awkward as the stories splinter and rivalries come a head, and people start talking more. I think I would have appreciated something leaner, and something that took more advantage of the architectural aspect like &lt;a href=&#34;http://tumblr.mlarson.org/post/423526147/die-hard-excessive-law-enforcement-buffoonery&#34;&gt;Die Hard&lt;/a&gt;. Good relentless fun, though. Two more things: 1) I am getting a bit too old and squeamish for gore, and 2) that moment when the camera drops through the floor (!!). Another movie that’s “pure gold when it comes to the art of moving cameras around moving bodies doing cool things”: &lt;a href=&#34;http://tumblr.mlarson.org/post/65402057802/ninja-i-overreacted-but-that-doesnt-mean-my&#34;&gt;Ninja&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Point Break</title>
    <link href="https://mlarson.org/2014/07/10/point-break-so-damn-good-sensual-west-coast/"/>
    <updated>2014-07-10T02:30:12.000Z</updated>
    <id>https://mlarson.org/2014/07/10/point-break-so-damn-good-sensual-west-coast/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n8h4lru1641qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Point_break&#34;&gt;Point Break&lt;/a&gt;. So damn good. Sensual west-coast crime cat-and-mouse rivalry a la &lt;a href=&#34;https://www.mlarson.org/tag/heat&#34;&gt;Heat&lt;/a&gt;. I need to move to L.A.. I don’t know what it was, but that lawnmower scene had the most viscerally tense squirmy moments of anything I’ve seen since, maybe &lt;a href=&#34;http://tumblr.mlarson.org/post/31066449623/compliance-man-i-have-never-been-so-uneasy-in-a&#34;&gt;Compliance&lt;/a&gt;? I also liked Kathryn Bigelow’s &lt;a href=&#34;http://tumblr.mlarson.org/post/588501189/the-hurt-locker-im-happy-to-say-that-the-good&#34;&gt;The Hurt Locker&lt;/a&gt;, and loved &lt;a href=&#34;http://tumblr.mlarson.org/post/41156619686/zero-dark-thirty-i-cant-think-of-many-movies&#34;&gt;Zero Dark Thirty&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 6, 2014</title>
    <link href="https://mlarson.org/2014/07/06/googles-street-view-cameras-are-touring-museums/"/>
    <updated>2014-07-06T15:09:38.000Z</updated>
    <id>https://mlarson.org/2014/07/06/googles-street-view-cameras-are-touring-museums/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n8aq3eqmln1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://qz.com/229852/googles-street-view-cameras-are-touring-museums-and-taking-weird-selfies-by-accident/&#34;&gt;Google’s Street View cameras are touring museums and taking weird selfies by accident&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 6, 2014</title>
    <link href="https://mlarson.org/2014/07/06/michael-bay-what-is-bayhem-looks-like-ill-be/"/>
    <updated>2014-07-06T15:05:48.000Z</updated>
    <id>https://mlarson.org/2014/07/06/michael-bay-what-is-bayhem-looks-like-ill-be/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/2THVvshvq0Q&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=2THVvshvq0Q&#34;&gt;Michael Bay - What is Bayhem?&lt;/a&gt;. Looks like I’ll be combing through the archives at &lt;a href=&#34;http://everyframeapainting.tumblr.com/&#34;&gt;Every Frame a Painting&lt;/a&gt; soon.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 5, 2014</title>
    <link href="https://mlarson.org/2014/07/05/optimism-is-often-dismissed-as-false-hope-but/"/>
    <updated>2014-07-05T12:47:27.000Z</updated>
    <id>https://mlarson.org/2014/07/05/optimism-is-often-dismissed-as-false-hope-but/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Optimism is often dismissed as false hope. But there is also false hopelessness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://news.stanford.edu/news/2014/june/gates-commencement-remarks-061514.html&#34;&gt;Text of the 2014 Commencement address by Bill and Melinda Gates&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Crying Game</title>
    <link href="https://mlarson.org/2014/07/05/the-crying-game-i-think-contemporary-eyes-will/"/>
    <updated>2014-07-05T12:47:21.000Z</updated>
    <id>https://mlarson.org/2014/07/05/the-crying-game-i-think-contemporary-eyes-will/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n8718qksis1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Crying_Game&#34;&gt;The Crying Game&lt;/a&gt;. I think contemporary eyes will guess The Big Twist like I did, and it doesn’t matter because the story and characters are good enough to keep you hooked. Strange turns and odd narrative devices abound.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Firm</title>
    <link href="https://mlarson.org/2014/07/05/the-firm-better-than-i-remember-i-like-that-the/"/>
    <updated>2014-07-05T12:47:10.000Z</updated>
    <id>https://mlarson.org/2014/07/05/the-firm-better-than-i-remember-i-like-that-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n870kobq7u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Firm_(1993_film)&#34;&gt;The Firm&lt;/a&gt;. Better than I remember! I like that the early parts stay upbeat while maintaining the foreshadowing. You can be ominous without being dark. Good momentum through the whole thing. An even better Sydney Pollack film is &lt;a href=&#34;http://tumblr.mlarson.org/post/79324298882/three-days-of-the-condor-dang-this-movie-is-so&#34;&gt;Three Days of the Condor&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 2, 2014</title>
    <link href="https://mlarson.org/2014/07/02/i-particularly-hate-that-phrase-about-women/"/>
    <updated>2014-07-02T03:27:52.000Z</updated>
    <id>https://mlarson.org/2014/07/02/i-particularly-hate-that-phrase-about-women/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I particularly hate that phrase about women “wanting to have it all.” Because that’s not about women, it’s about humans. The humans want to have it all! Blame the fucking humans who situated themselves halfway between the beasts and the gods and then discovered it was an uneasy place to be.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/interview/subterranean-lives/&#34;&gt;Jenny Offill&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>“Forgive@h3r”</title>
    <link href="https://mlarson.org/2014/07/02/forgiveh3r/"/>
    <updated>2014-07-02T03:24:57.000Z</updated>
    <id>https://mlarson.org/2014/07/02/forgiveh3r/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://parislemon.com/post/90473495242/forgive-h3r&#34;&gt;parislemon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A very clever, poignant lifehack by Mauricio Estrella.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/@manicho/how-a-password-changed-my-life-7af5d5f28038&#34;&gt;“Forgive@h3r”&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Write Flight: When White Hoops Writers Run Away from White Players</title>
    <link href="https://mlarson.org/2014/07/02/write-flight-when-white-hoops-writers-run-away/"/>
    <updated>2014-07-02T03:22:14.000Z</updated>
    <id>https://mlarson.org/2014/07/02/write-flight-when-white-hoops-writers-run-away/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most journalists have gotten over using the archaic terms of past generations. Every once in a while that coded language will flare up again (as it did during Jeremy Lin’s emergence a couple of years ago, and when Richard Sherman went off a couple of months ago) but for the most part we know better. We don’t connect ability to chromosomal sequences anymore. Well, except for white basketball players.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Not looking for pity for the white man here, but it’s something I’ve noticed, too. Thoughtful writing on race, sports journalism, and lazy thinking.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://triangleoffense.com/features/write-flight-when-white-writers-run/&#34;&gt;Write Flight: When White Hoops Writers Run Away from White Players&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Know Times Are Changing</title>
    <link href="https://mlarson.org/2014/07/02/i-know-times-are-changing/"/>
    <updated>2014-07-02T03:11:08.000Z</updated>
    <id>https://mlarson.org/2014/07/02/i-know-times-are-changing/</id>
    <content type="html">&lt;p&gt;If you don’t want to read &lt;a href=&#34;https://twitter.com/anildash&#34;&gt;Anil Dash&lt;/a&gt; geeking out about Prince for 3600+ words, then I just don’t know what I can do for you.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/i-know-times-are-changing-f6032d87c97b&#34;&gt;I Know Times Are Changing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>War of the Worlds (2005)</title>
    <link href="https://mlarson.org/2014/07/02/war-of-the-worlds-2005-i-love-the-opening-hour/"/>
    <updated>2014-07-02T02:54:37.000Z</updated>
    <id>https://mlarson.org/2014/07/02/war-of-the-worlds-2005-i-love-the-opening-hour/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n82dcyyvfq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/War_of_the_Worlds_(2005_film)&#34;&gt;War of the Worlds (2005)&lt;/a&gt;. I love the opening hour or so. I think the big weakness is that the aliens are kinda boring. I like their throwback design and effects, but something is missing there. The basement scene also drags on waaaaaayyy too long. Spielberg is still a genius, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Duplex</title>
    <link href="https://mlarson.org/2014/07/02/i-read-kathryn-davis-duplex-but-i-didnt-finish/"/>
    <updated>2014-07-02T02:47:10.000Z</updated>
    <id>https://mlarson.org/2014/07/02/i-read-kathryn-davis-duplex-but-i-didnt-finish/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/07/tumblr_n803awswql1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Kathryn Davis’ &lt;a href=&#34;http://www.amazon.com/Duplex-A-Novel-Kathryn-Davis/dp/1555976530&#34;&gt;Duplex&lt;/a&gt;, but I didn’t finish. There’s some neat stuff in here – robots! sorcerers! – but the writing was a bit opaque for me this go-round. Readers with a bit more patience who are willing to re-read will probably be rewarded. (More &lt;a href=&#34;https://www.mlarson.org/tag/bookreviews&#34;&gt;recent reading&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Martha Marcy May Marlene</title>
    <link href="https://mlarson.org/2014/06/24/martha-marcy-may-marlene-i-loved-it-the-first/"/>
    <updated>2014-06-24T00:35:43.000Z</updated>
    <id>https://mlarson.org/2014/06/24/martha-marcy-may-marlene-i-loved-it-the-first/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7l9ytarkr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Martha_Marcy_May_Marlene&#34;&gt;Martha Marcy May Marlene&lt;/a&gt;. I loved it &lt;a href=&#34;http://tumblr.mlarson.org/post/12821676701/martha-marcy-may-marlene-wrenching-you-just-want&#34;&gt;the first time I saw it&lt;/a&gt;. Now I’m even more convinced that it’s pretty special. We have the privilege of seeing all sides, and how hard it is for each to understand the other. Another awesome movie that explores the gap between what one person feels and what others experience is &lt;a href=&#34;http://tumblr.mlarson.org/post/18913084251/take-shelter-this-one-isnt-great-as-a-thriller&#34;&gt;Take Shelter&lt;/a&gt;, which has been on my re-watch for way too long. Watch that one, and this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Watchmen</title>
    <link href="https://mlarson.org/2014/06/23/watchmen-i-dont-know-why-i-do-this-to-myself/"/>
    <updated>2014-06-23T21:43:20.000Z</updated>
    <id>https://mlarson.org/2014/06/23/watchmen-i-dont-know-why-i-do-this-to-myself/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7l9ik3hrp1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Watchmen_movie&#34;&gt;Watchmen&lt;/a&gt;. I don’t know why I do this to myself.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hide Your Smiling Faces</title>
    <link href="https://mlarson.org/2014/06/22/hide-your-smiling-faces-two-brothers-wrestle-with/"/>
    <updated>2014-06-22T21:11:24.000Z</updated>
    <id>https://mlarson.org/2014/06/22/hide-your-smiling-faces-two-brothers-wrestle-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7l8sjulx41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.imdb.com/title/tt1964773/&#34;&gt;Hide Your Smiling Faces&lt;/a&gt;. Two brothers wrestle with death in their midst. Not amazing, but not bad at all. They found some ridiculously great locations, and I appreciate the emotional modesty. If you’re looking for other movies starring two adolescent boys growing up before your eyes, I recommend &lt;a href=&#34;http://tumblr.mlarson.org/post/74795185109/the-return-first-of-all-just-a&#34;&gt;The Return&lt;/a&gt; and highly recommend &lt;a href=&#34;http://tumblr.mlarson.org/post/67308744397/mud-best-summarized-in-this-review-i-stumbled&#34;&gt;Mud&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sound of My Voice</title>
    <link href="https://mlarson.org/2014/06/22/sound-of-my-voice-two-idealistic-journalists-join/"/>
    <updated>2014-06-22T21:11:19.000Z</updated>
    <id>https://mlarson.org/2014/06/22/sound-of-my-voice-two-idealistic-journalists-join/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7l8bt1vfn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sound_of_My_Voice&#34;&gt;Sound of My Voice&lt;/a&gt;. Two idealistic journalists join a cult to expose it from the inside. Hijinks ensue. This one was alright, but it makes me curious to see &lt;a href=&#34;https://en.wikipedia.org/wiki/The_East_(film)&#34;&gt;The East&lt;/a&gt;, as this seems to be something of a first draft or starter’s kit for the ideas developed in that bigger feature. Brit Marling also does good work in &lt;a href=&#34;http://tumblr.mlarson.org/post/24784100034/another-earth-this-was-just-slightly-too&#34;&gt;Another Earth&lt;/a&gt; and the very excellent &lt;a href=&#34;http://tumblr.mlarson.org/post/73266639693/arbitrage-throws-you-in-the-middle-and-lets-you&#34;&gt;Arbitrage&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Joy of Typing</title>
    <link href="https://mlarson.org/2014/06/22/the-joy-of-typing/"/>
    <updated>2014-06-22T20:33:18.000Z</updated>
    <id>https://mlarson.org/2014/06/22/the-joy-of-typing/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When you can type quickly, there’s a joy to the iterative quality of writing. You start bashing out a sentence, then realize about half-way through that it’s not quite what you want — the phrasing or ideas are “off”, clichéd, flat, barbaric. So you instantly delete all but the first few words and rewrite, zipping back and forth and trying out various microexperiments in phrasing and conception. This is delightful and fun, and pretty much impossible if you can’t type fluidly.&lt;/p&gt;
&lt;p&gt;Proponents of handwriting tend to romanticize the physicality of the pencil and paper, while failing to appreciate the rich physical and kinesthetic joys of the keyboard.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Good to see this argument for both/and rather than either/or.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/message/the-joy-of-typing-fd8d091ab8ef&#34;&gt;The Joy of Typing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Obstacle Is the Way</title>
    <link href="https://mlarson.org/2014/06/22/i-read-ryan-holidays-the-obstacle-is-the-way-at/"/>
    <updated>2014-06-22T20:33:13.000Z</updated>
    <id>https://mlarson.org/2014/06/22/i-read-ryan-holidays-the-obstacle-is-the-way-at/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7l3xygxrb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Ryan Holiday’s &lt;a href=&#34;http://www.amazon.com/gp/aw/d/1591846358&#34;&gt;The Obstacle Is the Way&lt;/a&gt;, at least to the point that I realized it’d be better to peck at it here and there, else the pile-on of stories and reminders would become tedious just chugging straight through. If you’ve been paying attention to &lt;a href=&#34;http://www.ryanholiday.net/reading-newsletter/&#34;&gt;Holiday’s must-subscribe reading newsletters&lt;/a&gt;, you’ll see many of those works and people and themes resurface here. I’ll keep it nearby to knock off a few more chapters as needed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Left Hand of Darkness</title>
    <link href="https://mlarson.org/2014/06/22/i-read-ursula-le-guins-the-left-hand-of-darkness/"/>
    <updated>2014-06-22T13:23:51.000Z</updated>
    <id>https://mlarson.org/2014/06/22/i-read-ursula-le-guins-the-left-hand-of-darkness/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7knt1kuih1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Ursula Le Guin’s &lt;a href=&#34;http://www.amazon.com/Left-Hand-Darkness-Ursula-Guin/dp/0441478123&#34;&gt;The Left Hand of Darkness&lt;/a&gt; because it’s regarded as one of those high points in the scifi canon. It’s about an envoy on an ambisextrous planet, which is a great start. I wish the political intrigue hadn’t been derailed by a particular journey toward the end, but still enjoyed most of it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tumble Home</title>
    <link href="https://mlarson.org/2014/06/20/i-read-amy-hempels-tumble-home-the-title-novella/"/>
    <updated>2014-06-20T23:33:10.000Z</updated>
    <id>https://mlarson.org/2014/06/20/i-read-amy-hempels-tumble-home-the-title-novella/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7hqoos1tr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Amy Hempel’s &lt;a href=&#34;http://www.amazon.com/Tumble-Home-Novella-Short-Stories/dp/0684838877&#34;&gt;Tumble Home&lt;/a&gt;. The title novella didn’t do much for me, but the short stories were so crisp and weird and vivid. From page 21, one of my favorite images of the year: “the halved-apple faces of owls”. Short and sweet.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Edge of Tomorrow</title>
    <link href="https://mlarson.org/2014/06/20/edge-of-tomorrow-this-this-is-the-kind-of-genre/"/>
    <updated>2014-06-20T01:34:29.000Z</updated>
    <id>https://mlarson.org/2014/06/20/edge-of-tomorrow-this-this-is-the-kind-of-genre/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7g1okaazy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Edge_of_Tomorrow_(film)&#34;&gt;Edge of Tomorrow&lt;/a&gt;. THIS. This is the kind of genre action film we need. Superheroes can suck it. The best Cruise performance in a good while, and his character has a great arc from coward to competence (always likeable, though). I love the film’s learning curve, too. Just enough to string you along, while not weighing you down with unnecessary repetition. For 2014 releases, I have to put this up there with &lt;a href=&#34;http://tumblr.mlarson.org/post/77701382090/the-lego-movie-i-had-heard-that-this-was-better&#34;&gt;The Lego Movie&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/81906719143/the-grand-budapest-hotel-i-dig-it-its-got-the&#34;&gt;The Grand Budapest Hotel&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Godzilla (2014)</title>
    <link href="https://mlarson.org/2014/06/20/godzilla-2014-this-movie-precisely-met-my/"/>
    <updated>2014-06-20T01:18:57.000Z</updated>
    <id>https://mlarson.org/2014/06/20/godzilla-2014-this-movie-precisely-met-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n7g0yp3ocw1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Godzilla_2014&#34;&gt;Godzilla (2014)&lt;/a&gt;. This movie precisely met my expectations, which is kind of a treat in itself. I like how you end up rooting for the big guy. That said, I’m not sure I can describe how tired I am of seeing monsters roar at the screen. We’ve worn it out. The &lt;a href=&#34;http://nyti.ms/1g9GPix&#34;&gt;HALO jump scene&lt;/a&gt; is one of my favorites this year. Elizabeth Olsen is criminally under-featured. No good reason to waste all that talent, unless you’re also doing it with Watanabe, Binoche, Hawkins, Strathairn, Cranston… This movie is probably better overall, but &lt;a href=&#34;http://tumblr.mlarson.org/post/55465036581/pacific-rim-its-a-pretty-mediocre-to-bad-movie&#34;&gt;Pacific Rim&lt;/a&gt; had better fightin’. I liked it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tony Gwynn&#39;s incredible numbers</title>
    <link href="https://mlarson.org/2014/06/20/tony-gwynns-incredible-numbers/"/>
    <updated>2014-06-20T00:58:30.000Z</updated>
    <id>https://mlarson.org/2014/06/20/tony-gwynns-incredible-numbers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What does it mean to have piled up a .338 batting average over a 20-year career, over 9,288 at-bats? It means Tony Gwynn would have had to go 0-for-his-next-1,183 to get his average to fall under .300 (and even then, it would have “plummeted” to a mere .29997). We kid you not.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lordy.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://espn.go.com/mlb/story/_/id/11092617/mlb-late-tony-gwynn-incredible-hitting-numbers&#34;&gt;Tony Gwynn&#39;s incredible numbers&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Submergence (review)</title>
    <link href="https://mlarson.org/2014/06/16/i-read-jm-ledgards-submergence-and-while-i-was/"/>
    <updated>2014-06-16T03:12:53.000Z</updated>
    <id>https://mlarson.org/2014/06/16/i-read-jm-ledgards-submergence-and-while-i-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n737tzsquz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read J.M. Ledgard’s &lt;a href=&#34;http://www.amazon.com/Submergence-J-M-Ledgard/dp/1566893194&#34;&gt;Submergence&lt;/a&gt;, and while I was hoping for something more plot-y, I came to enjoy its vignettiness, bopping between two characters and their lives with terrorists, hostages, deep ocean science, deep reminiscing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 16, 2014</title>
    <link href="https://mlarson.org/2014/06/16/i-read-george-saunders-tenth-of-december-i/"/>
    <updated>2014-06-16T02:46:18.000Z</updated>
    <id>https://mlarson.org/2014/06/16/i-read-george-saunders-tenth-of-december-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n737s03zlq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read George Saunders’ &lt;a href=&#34;http://www.amazon.com/Tenth-December-Stories-George-Saunders/dp/0812984250&#34;&gt;Tenth of December&lt;/a&gt;. I enjoyed re-reading the story &lt;a href=&#34;http://www.newyorker.com/fiction/features/2011/06/13/110613fi_fiction_saunders&#34;&gt;Home&lt;/a&gt; (actually, many of these are reprints from The New Yorker), but overall, didn’t enjoy it as much as some of his earlier books like &lt;a href=&#34;http://www.amazon.com/Pastoralia-George-Saunders/dp/1573228729&#34;&gt;Pastoralia&lt;/a&gt; and &lt;a href=&#34;http://www.mlarson.org/blog/2008/01/31/the-braindead-megaphone-review-455&#34;&gt;The Braindead Megaphone&lt;/a&gt;. Seems like these had a little more bite to them? Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/georgesaunders&#34;&gt;George Saunders&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Will the Real Introverts Please Stand Up? | Scientific American</title>
    <link href="https://mlarson.org/2014/06/14/will-the-real-introverts-please-stand-up/"/>
    <updated>2014-06-14T14:41:41.000Z</updated>
    <id>https://mlarson.org/2014/06/14/will-the-real-introverts-please-stand-up/</id>
    <content type="html">&lt;p&gt;Good exploration of the misconceptions and what we know from research these days. Made me think of &lt;a href=&#34;http://tumblr.mlarson.org/post/51100154233/im-an-ambivert-more-introverted-than-extroverted&#34;&gt;Daniel Pink&lt;/a&gt; again:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’m an ambivert—more introverted than extroverted but with some extraordinarily well-developed faking skills.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/introverts&#34;&gt;introverts&lt;/a&gt;. &lt;a href=&#34;http://blogs.scientificamerican.com/beautiful-minds/2014/06/09/will-the-real-introvert-stand-up/&#34;&gt;Will the Real Introverts Please Stand Up? | Scientific American&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Going Clear: Scientology, Hollywood, and the Prison of Belief</title>
    <link href="https://mlarson.org/2014/06/14/i-read-parts-of-the-exhaustive-going-clear-but-i/"/>
    <updated>2014-06-14T14:41:00.000Z</updated>
    <id>https://mlarson.org/2014/06/14/i-read-parts-of-the-exhaustive-going-clear-but-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n737m2yacq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read parts of the exhaustive &lt;a href=&#34;http://www.amazon.com/Going-Clear-Scientology-Hollywood-Vintage/dp/0307745309&#34;&gt;Going Clear&lt;/a&gt;, but I didn’t finish it. (Trying to do a better job keeping up with quick &lt;a href=&#34;https://www.mlarson.org/tag/bookreviews&#34;&gt;book reviews&lt;/a&gt; these days, and I finally got talked into &lt;a href=&#34;http://www.goodreads.com/markdlarson&#34;&gt;Goodreads&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 13, 2014</title>
    <link href="https://mlarson.org/2014/06/13/heidisaman-the-less-money-you-take-the-more/"/>
    <updated>2014-06-13T01:51:35.000Z</updated>
    <id>https://mlarson.org/2014/06/13/heidisaman-the-less-money-you-take-the-more/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n72re73sdw1roxqxqo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/post/88617117553/the-less-money-you-take-the-more-freedom-you&#34;&gt;heidisaman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“The less money you take, the more freedom you have. I’ve never made a film where I don’t have final cut. And I can’t imagine doing that. That just seems like it would be turmoil. &lt;strong&gt;I edit because that’s where you learn how to direct, really. All the answers of what you should have done are in the editing.&lt;/strong&gt; I miss out on being able to be in a conversation with someone, and I can see where that can be a really valuable thing—to have someone with more of a distance to be having a dialogue with. You write alone, and scouting is really lonely. Then you do this really intense thing with a lot of people. Afterwards, I usually feel like I want to hide away with my film again and go through the process of making sure that every possible thing has been tried. I’m a big believer in letting your film be bad for a while, and not trying to get to a good cut too quickly. I just want to be involved and I want that process, because it makes me think of what lens I should have used or what I should have done. It’s such a learning experience that I hate to miss out on it.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.indiewire.com/article/kelly-reichardt-on-filming-night-moves-editing-her-own-films-and-shooting-in-living-spaces&#34;&gt;— Kelly Reichardt on why she edits her own films&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Still from &lt;em&gt;Wendy and Lucy&lt;/em&gt; (2008, dir. Kelly Reichardt)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Emphasis my own. I love that.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Let’s Talk About Love: A Journey to the End of Taste</title>
    <link href="https://mlarson.org/2014/06/09/i-read-carl-wilsons-lets-talk-about-love-a/"/>
    <updated>2014-06-09T23:42:25.000Z</updated>
    <id>https://mlarson.org/2014/06/09/i-read-carl-wilsons-lets-talk-about-love-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n6xdq2ldj11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Carl Wilson’s &lt;a href=&#34;http://www.amazon.com/Celine-Dions-Lets-Talk-About/dp/082642788X/&#34;&gt;Let’s Talk About Love: A Journey to the End of Taste&lt;/a&gt;, and it’s probably my favorite book of the year so far. Like Wilson, I never cared that much for Céline Dion’s music, and hadn’t tried to care, but I came away with a new appreciation for where she came from and some of her shrewd business moves. But it’s not just about the music and industry angle, the good stuff is how he uses Dion as the pivot to talk about taste, and all the baggage that informs our opinions.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Much of this book is about reasonable people carting around cultural assumptions that make them assholes to millions of strangers.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So this is right in my wheelhouse, as &lt;a href=&#34;https://www.mlarson.org/tag/taste&#34;&gt;taste&lt;/a&gt; and &lt;a href=&#34;https://www.mlarson.org/tag/opinions&#34;&gt;opinions&lt;/a&gt; are two of my favorite tags here. Some favorite parts… On pop criticism and critical reevaluation:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If critics were so wrong about disco in the 1970s, why not about Britney Spears now? Why did pop music have to get old before getting a fair shake?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And later, trying to fight your instincts and keep an open mind:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If guilty pleasures are out of date, perhaps the time has come to conceive of a &lt;em&gt;guilty displeasure&lt;/em&gt;. This is not like the nagging regret I have about, say, never learning to like opera. My aversion to Dion more closely resembles how put off I feel when someone says they’re pro-life or a Republican: intellectually I’m aware how personal and complicated such affiliations can be, but my gut reactions are more crudely tribal.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On the acknowledged fakeness of shows like American Idol:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For all the show’s concentration on character and achievement, it is not about the kind of self-expression critics tend to praise as real. It celebrates […] “authentic inauthenticity”, the sense of showbiz known and enjoyed as a &lt;em&gt;genuine fake&lt;/em&gt;, in a time when audiences are savvy enough to realize image-construction is an inevitability and just want it to be fun. “Authentic inauthenticity” is really just another way of saying “art”, but people caught up in romantic ideals still bristle to admit how much of creativity is being able to manipulate artifice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On conformity of opinion:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The bias that “conformity” is a pejorative has led, I think, to underestimating the part mimesis - imitation - plays in taste. It’s always other people following crowds, whereas my own taste reflects my specialness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On middlebrow:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Middle brow is the new lowbrow - mainstream taste the only taste for which you still have you say you’re sorry. And there, taste seems less an aesthetic question than, again, a social one: among the thousands of varieties of aesthetes and geeks and hobbyists, each with their special-ordered cultural diet, the abiding mystery of mainstream culture is, “Who the hell &lt;em&gt;are&lt;/em&gt; those people?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In a section that ties in the work of Pierre Bourdieu, a bit on class and the varieties of capital:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of Bourdieu’s most striking notions is that there’s also an inherent antagonism between people in fields structured mainly by cultural capital and those in fields where there is primarily economic capital: while high-ranking artists and intellectuals are part of the dominant class in society thanks to their education and influence, they are a &lt;em&gt;dominated&lt;/em&gt; segment of that class compared to actual &lt;em&gt;rich&lt;/em&gt; people. This helps explain why so many artists, journalists and academics can see themselves as anti-establishment subversives while most of the public sees them as smug elitists.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love this section on the double-standards about the emotional content of music, especially when it comes to things like sentimentality, tenderness, etc.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Cliché certainly might be an aesthetic flaw, but it’s not what sets sentimentality apart in pop music, or there wouldn’t be a primitive band every two years that’s hailed for bringing rock “back to basics”. Such double-standards arise everywhere for sentimental music: excess, formulaism, two-dimensionality can all be positives for music that is not gentle and conciliatory, but infuriated and rebellious. You could say punk rock is anger’s schmaltz.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In a section talking about all the ways we can love a song, a reminder:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You can only feel all these sorts of love if you’re uncowed by the questions of whether a song will stand the “test of time”, which implies that to pass away, to die, is to fail (and that taste is about making predictions). You can’t feel them if you’re looking for the one record you would take to a desert island, a scenario designed to strip the conviviality from the aesthetic imagination.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And another one:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When we do make judgements, though, the trick would be to remember that they are contingent, hailing from one small point in time and in society. It’s only a rough draft of art history: it always could be otherwise, and usually will be. The thrill is that as a rough draft, it is always up for revision, so we are constantly at risk of our minds being changed - the promise that lured us all to art in the first place.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;While I’m wrapping up, I should mention two things those excerpts don’t capture well: 1) the long, smooth, winding essay feel, as it all snaps into place so nicely, and 2) a lot of fascinating detail on Céline Dion herself. She’s a pro. This book would pair really nicely with two other books I’ve loved: &lt;a href=&#34;http://www.mlarson.org/blog/2008/05/12/highbrow-lowbrow-review&#34;&gt;Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America&lt;/a&gt;, a sort of historical/sociological exploration of class and taste, and &lt;a href=&#34;http://www.mlarson.org/blog/2011/07/26/the-age-of-the-infovore-review&#34;&gt;The Age of the Infovore&lt;/a&gt;, which runs with the idea of open-mindedness and how we’re all so damn lucky to have so much culture at our fingertips.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dixie Zen :: Oxford American</title>
    <link href="https://mlarson.org/2014/06/07/dixie-zen-oxford-american/"/>
    <updated>2014-06-07T13:14:09.000Z</updated>
    <id>https://mlarson.org/2014/06/07/dixie-zen-oxford-american/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s hard to overemphasize the passivity of tubing. It is sloth ingeniously disguised as adventure. Though you are outside, you may as well be in your living room watching television.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/thesouth&#34;&gt;the South&lt;/a&gt;. &lt;a href=&#34;http://www.oxfordamerican.org/magazine/item/201-dixie-zen&#34;&gt;Dixie Zen :: Oxford American&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>M: Roger Angell, A Hall-of-Famer at 93</title>
    <link href="https://mlarson.org/2014/06/07/m-roger-angell-a-hall-of-famer-at-93/"/>
    <updated>2014-06-07T13:14:01.000Z</updated>
    <id>https://mlarson.org/2014/06/07/m-roger-angell-a-hall-of-famer-at-93/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I don’t go for nostalgia. I try not to. It’s so easy to sentimentalize the good old days, but I don’t ever do that. I’m aware that things have changed, but I try not to go there. It’s very easy, and you get sort of a mental diabetes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I also liked this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you do enough reporting, then you don’t have to gush about the emerald field, the white streak of the ball, and that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wwd.com/menswear-news/lifestyle/m-roger-angell-a-hall-of-famer-at-93-7698004&#34;&gt;M: Roger Angell, A Hall-of-Famer at 93&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Dark Knight Rises</title>
    <link href="https://mlarson.org/2014/06/07/the-dark-knight-rises-i-enjoyed-it-this-time/"/>
    <updated>2014-06-07T13:13:57.000Z</updated>
    <id>https://mlarson.org/2014/06/07/the-dark-knight-rises-i-enjoyed-it-this-time/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n6sudm7lzp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dark_Knight_Rises&#34;&gt;The Dark Knight Rises&lt;/a&gt;. I enjoyed it this time around more than &lt;a href=&#34;http://tumblr.mlarson.org/post/38319168473/the-dark-knight-rises-dont-get-me-started&#34;&gt;the first time I watched it&lt;/a&gt;. Still uneven and exasperating at times.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Interrogative Mood</title>
    <link href="https://mlarson.org/2014/06/07/i-read-padgett-powells-the-interrogative-mood-a/"/>
    <updated>2014-06-07T13:13:52.000Z</updated>
    <id>https://mlarson.org/2014/06/07/i-read-padgett-powells-the-interrogative-mood-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n520hoidfh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Padgett Powell’s &lt;a href=&#34;http://www.amazon.com/The-Interrogative-Mood-A-Novel/dp/0061859435&#34;&gt;The Interrogative Mood: A Novel?&lt;/a&gt;, which is one-of-a-kind. Easy to pick up and chew a few lines at a time, or just surf along the steady waves of questions. Here’s an idea of what you’re in for:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Is there enough time left? Does it matter that I did not specify for what? Was there ever enough time? Does the notion of “enough time” actually make any sense?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Or maybe this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Have you ever watched bats come out of a wall? How the soft, friendly things keep pouring silently out of the brick? How they have focus, and mission, and you do not?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Not the most representative sample, but I’m not sure there is one. Good stuff. Thanks to Austin Kleon for the &lt;a href=&#34;http://tumblr.austinkleon.com/post/35787250227&#34;&gt;glowing recommendation&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hunger Games: Catching Fire</title>
    <link href="https://mlarson.org/2014/06/06/the-hunger-games-catching-fire-i-like-the-world/"/>
    <updated>2014-06-06T01:18:00.000Z</updated>
    <id>https://mlarson.org/2014/06/06/the-hunger-games-catching-fire-i-like-the-world/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n6q3mbawdz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Hunger_Games:_Catching_Fire&#34;&gt;The Hunger Games: Catching Fire&lt;/a&gt;. I like the world they created, but felt like this one kind of ran out of steam. I take it as a good sign, though, that the games were the least interesting part.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>So...</title>
    <link href="https://mlarson.org/2014/06/06/essentially-so-is-the-universal-shorthand-for/"/>
    <updated>2014-06-06T01:02:40.000Z</updated>
    <id>https://mlarson.org/2014/06/06/essentially-so-is-the-universal-shorthand-for/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Essentially, “So…” is the universal shorthand for, “I’ve given this a lot more thought than you have and will now proceed to refocus the conversation in a way that interests me and highlights my personal file card on this particular topic.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kungfugrippe.com/post/84784045549/erm-so&#34;&gt;Merlin Mann&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Face Of Literary Publishing In Dallas | Art&amp;amp;Seek</title>
    <link href="https://mlarson.org/2014/06/06/the-new-face-of-literary-publishing-in-dallas/"/>
    <updated>2014-06-06T01:02:35.000Z</updated>
    <id>https://mlarson.org/2014/06/06/the-new-face-of-literary-publishing-in-dallas/</id>
    <content type="html">&lt;p&gt;My buddy &lt;a href=&#34;https://twitter.com/willevans&#34;&gt;Will Evans&lt;/a&gt; is starting a publishing house called &lt;a href=&#34;http://deepvellum.org/&#34;&gt;Deep Vellum&lt;/a&gt;, and I’m so stoked. And now I remember one of the classic economic arguments for reading works in translation…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Tyler Cowen, the economist, advises readers to “&lt;a href=&#34;http://www.ft.com/intl/cms/s/0/17503fdc-7261-11de-ba94-00144feabdc0.html&#34;&gt;snap up foreign fiction translated into English&lt;/a&gt;, if only because the selection pressures are so severe”: in order for a publisher to think a work of fiction worth the risk of translating and promoting to a foreign audience, its quality has on average to be higher than the average for homegrown work.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Or, as &lt;a href=&#34;http://colinmarshall.typepad.com/blog/2009/07/stratum-upon-stratum.html&#34;&gt;Colin Marshall puts it&lt;/a&gt;: “Snag the stuff that had to see hell to get to to you, no matter where you may be.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://artandseek.net/2014/05/08/the-new-face-of-literary-publishing-in-dallas/&#34;&gt;The New Face Of Literary Publishing In Dallas | Art&amp;amp;Seek&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Magic Hours</title>
    <link href="https://mlarson.org/2014/06/06/i-read-tom-bissells-magic-hours-a-good/"/>
    <updated>2014-06-06T01:02:29.000Z</updated>
    <id>https://mlarson.org/2014/06/06/i-read-tom-bissells-magic-hours-a-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n520h6qzxk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; I read Tom Bissell’s &lt;a href=&#34;http://www.amazon.com/Magic-Hours-Essays-Creators-Creation/dp/1936365766&#34;&gt;Magic Hours&lt;/a&gt;, a good collection of nonfiction. Just gonna pull out a few parts I really liked. On small towns:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In a small town, success is the simplest arithmetic there is. To achieve it, you leave – then subsequently bore your new big-city friends with accounts of your narrow escape.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Thinking about &lt;a href=&#34;http://tumblr.mlarson.org/post/87854767756/stories-we-tell-such-an-amazing-movie-great&#34;&gt;Stories We Tell&lt;/a&gt; last night reminded me of this, on documentaries:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Explanatory impotence is not unique to the documentary but in some ways is abetted by the form. Inimitably vivid yet brutally compressed, documentaries often treasure image over information, proffer complications instead of conclusions, and touch on rather than explore. When a documentary film […] charts the mysteries of human behavior, an inconclusive effect can be electrifying.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Along the same lines, later, on nonfiction…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In the end, great nonfiction writing does not necessarily require any accuracy greater than that of an honest and vividly rendered confusion.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Overall, I enjoyed most of it, but not nearly as much as I liked his more focused, and somewhat more personal book &lt;a href=&#34;http://www.mlarson.org/blog/2012/02/08/extra-lives-review&#34;&gt;Extra Lives&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stories We Tell</title>
    <link href="https://mlarson.org/2014/06/05/stories-we-tell-such-an-amazing-movie-great/"/>
    <updated>2014-06-05T02:21:55.000Z</updated>
    <id>https://mlarson.org/2014/06/05/stories-we-tell-such-an-amazing-movie-great/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n6o9gz480t1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Stories_We_Tell&#34;&gt;Stories We Tell&lt;/a&gt;. Such an amazing movie. Great blend of the real and the invented, as memory is wont to be.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 5, 2014</title>
    <link href="https://mlarson.org/2014/06/05/the-breakfast-table-by-john-brack-i-took-a-bunch/"/>
    <updated>2014-06-05T01:11:21.000Z</updated>
    <id>https://mlarson.org/2014/06/05/the-breakfast-table-by-john-brack-i-took-a-bunch/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n6ma3uluu51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.artgallery.nsw.gov.au/collection/works/193.2013/&#34;&gt;The breakfast table&lt;/a&gt; by &lt;a href=&#34;http://en.m.wikipedia.org/wiki/John_Brack&#34;&gt;John Brack&lt;/a&gt;. I took a bunch of photos of the art at the &lt;a href=&#34;http://www.artgallery.nsw.gov.au&#34;&gt;Art Gallery of New South Wales&lt;/a&gt;, but I think this was my favorite.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 5, 2014</title>
    <link href="https://mlarson.org/2014/06/05/body-my-house-my-horse-my-hound-what-will-i-do/"/>
    <updated>2014-06-05T01:04:40.000Z</updated>
    <id>https://mlarson.org/2014/06/05/body-my-house-my-horse-my-hound-what-will-i-do/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Body my house&lt;br&gt;
my horse my hound&lt;br&gt;
what will I do&lt;br&gt;
when you are fallen&lt;/p&gt;
&lt;p&gt;Where will I sleep&lt;br&gt;
How will I ride&lt;br&gt;
What will I hunt&lt;/p&gt;
&lt;p&gt;Where can I go&lt;br&gt;
without my mount&lt;br&gt;
all eager and quick&lt;br&gt;
How will I know&lt;br&gt;
in thicket ahead&lt;br&gt;
is danger or treasure&lt;br&gt;
when Body my good&lt;br&gt;
bright dog is dead&lt;/p&gt;
&lt;p&gt;How will it be&lt;br&gt;
to lie in the sky&lt;br&gt;
without roof or door&lt;br&gt;
and wind for an eye&lt;/p&gt;
&lt;p&gt;With cloud for shift&lt;br&gt;
how will I hide?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;May Swenson, “Question” (via &lt;a href=&#34;http://malevichsquare.tumblr.com/&#34;&gt;malevichsquare&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;I’ve come back to read this a dozen times.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Watching Details Move Through Time at Anrealage</title>
    <link href="https://mlarson.org/2014/06/02/watching-details-move-through-time-at-anrealage/"/>
    <updated>2014-06-02T02:23:11.000Z</updated>
    <id>https://mlarson.org/2014/06/02/watching-details-move-through-time-at-anrealage/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thecuttingclass.com/post/85810366133/watching-details-move-through-time-at-anrealage&#34; title=&#34;Watching Details Move Through Time at Anrealage | The Cutting Class&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/c9605085d9f51f9d64a700cdd70d1f85/tumblr_inline_n5m4htuYbP1qfbxhx.jpg&#34; alt=&#34;Watching Details Move Through Time at Anrealage | The Cutting Class. Anrealage, AW12, Tokyo.&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Anrealage, AW12, Tokyo.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;In the same way that some of the Futurist artists used stuttering lines to indicate speed and movement, Japanese label Anrealage was able to give the impression of blurry human movements, seen as though captured through the passing of time for the Autumn-Winter 2012 collection.&lt;/p&gt;
&lt;p&gt;At first some of the garments trick the viewer into believing the photos are out of focus, with exaggerated silhouettes enhanced using prints and patterns that blur on the edges. However the effect is created through carefully considered print placements and precise pattern cutting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thecuttingclass.com/post/85810366133/watching-details-move-through-time-at-anrealage&#34;&gt;Read More&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Blows my mind.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2014</title>
    <link href="https://mlarson.org/2014/06/02/rivalries-are-born-from-teams-that-play-each-other/"/>
    <updated>2014-06-02T01:54:37.000Z</updated>
    <id>https://mlarson.org/2014/06/02/rivalries-are-born-from-teams-that-play-each-other/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Rivalries are born from teams that play each other a lot. When you’re not in the rivalry and you look back at it, you’re thinking, Well, I hated that guy because he would have made a great teammate.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://grantland.com/features/2002-western-conference-oral-history-los-angeles-lakers-sacramento-kings/&#34;&gt;Scot Pollard&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/32266053205/competitive-people-are-most-annoying-to-other&#34;&gt;Carolyn Hax&lt;/a&gt;: “Competitive people are most annoying to other competitive people.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2014</title>
    <link href="https://mlarson.org/2014/06/02/the-last-word-on-nothing-guest-post-the-art/"/>
    <updated>2014-06-02T01:51:31.000Z</updated>
    <id>https://mlarson.org/2014/06/02/the-last-word-on-nothing-guest-post-the-art/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/06/tumblr_n6iqhkz0w91qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lastwordonnothing.com/2014/05/05/guest-post-the-art-science-of-lefty-portraits/&#34;&gt;The Last Word On Nothing | Guest Post: The Art (&amp;amp; Science) of Lefty Portraits&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Consider these simple line drawings of half-smiley, half-frowny faces. In a literal sense, each is equal parts sad and happy. But to most people the emotion on the left side of each face (from the viewer’s point of view) dominates, and determines the overall emotional tenor. There are a few reasons for this…&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Lizzie Widdicombe: Could Soylent Replace Food? : The New Yorker</title>
    <link href="https://mlarson.org/2014/05/15/lizzie-widdicombe-could-soylent-replace-food/"/>
    <updated>2014-05-15T11:42:41.000Z</updated>
    <id>https://mlarson.org/2014/05/15/lizzie-widdicombe-could-soylent-replace-food/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;With a bottle of Soylent on your desk, time stretches before you, featureless and a little sad. […] Soylent makes you realize how many daily indulgences we allow ourselves in the name of sustenance.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2014/05/12/140512fa_fact_widdicombe&#34;&gt;Lizzie Widdicombe: Could Soylent Replace Food? : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2014</title>
    <link href="https://mlarson.org/2014/05/12/doubt-is-what-drives-me-the-nervousness-that-i/"/>
    <updated>2014-05-12T23:19:09.000Z</updated>
    <id>https://mlarson.org/2014/05/12/doubt-is-what-drives-me-the-nervousness-that-i/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Doubt is what drives me, the nervousness that I don’t have it anymore. There’s nothing a coach or anyone can say to me that’s more powerful than my own fear that I can’t do it anymore.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://espn.go.com/blog/truehoop/miamiheat/post/_/id/20704/battier-in-the-house-without-a-doubt&#34;&gt;Shane Battier&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Under the Skin</title>
    <link href="https://mlarson.org/2014/05/12/under-the-skin-even-now-a-couple-weeks-later/"/>
    <updated>2014-05-12T23:15:34.000Z</updated>
    <id>https://mlarson.org/2014/05/12/under-the-skin-even-now-a-couple-weeks-later/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n5hhwbgh5g1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Under_the_Skin_(2013_film)&#34;&gt;Under the Skin&lt;/a&gt;. Even now, a couple weeks later, I’m still not sure if I liked it or not. Which &lt;a href=&#34;http://tumblr.mlarson.org/post/81775714934/one-of-my-general-rules-is-if-youre-on-the-fence&#34;&gt;technically is a “yes”&lt;/a&gt;, I think. At the least, I appreciate that there’s nothing quite like it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Demons Hate Fresh Air</title>
    <link href="https://mlarson.org/2014/05/07/my-father-was-a-very-disciplined-and-punctual-man/"/>
    <updated>2014-05-07T02:54:06.000Z</updated>
    <id>https://mlarson.org/2014/05/07/my-father-was-a-very-disciplined-and-punctual-man/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My father was a very disciplined and punctual man; it was a prerequisite for his creativity…. No matter what time you get out of bed, go for a walk and then work, he’d say, because the demons hate it when you get out of bed, demons hate fresh air.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vogue.com/culture/article/linn-ullmann-novel-the-cold-song/#1&#34;&gt;Linn Ullmann&lt;/a&gt; talking about her father Ingmar Bergman. Via &lt;a href=&#34;http://submittedforyourperusal.com/2014/04/30/demons-hate-fresh-air/&#34;&gt;Matt Thomas&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kill Bill: Vol. 2</title>
    <link href="https://mlarson.org/2014/05/07/kill-bill-vol-2-the-lesser-of-the-two-bills-i/"/>
    <updated>2014-05-07T02:51:27.000Z</updated>
    <id>https://mlarson.org/2014/05/07/kill-bill-vol-2-the-lesser-of-the-two-bills-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n52ho6yvgo1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Kill_Bill_Volume_2&#34;&gt;Kill Bill: Vol. 2&lt;/a&gt;. The lesser of the two Bills, I say, because there’s so much more talk-talk-talk. It’s thoughtfully done, but I just like the more action-y first one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kill Bill: Vol. 1</title>
    <link href="https://mlarson.org/2014/05/07/kill-bill-vol-1-the-better-of-the-two-bills/"/>
    <updated>2014-05-07T02:51:22.000Z</updated>
    <id>https://mlarson.org/2014/05/07/kill-bill-vol-1-the-better-of-the-two-bills/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n52h6vpvb41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Kill_Bill_Volume_1&#34;&gt;Kill Bill: Vol. 1&lt;/a&gt;. The better of the two Bills. Kind of exhausting at times, being submerged in a fanatic’s imagination and obsessions for two hours, but it’s good goofy fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>La Belle et la Bête (Beauty and the Beast), 1946</title>
    <link href="https://mlarson.org/2014/05/04/la-belle-et-la-bete-beauty-and-the-beast-so/"/>
    <updated>2014-05-04T20:48:06.000Z</updated>
    <id>https://mlarson.org/2014/05/04/la-belle-et-la-bete-beauty-and-the-beast-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n52gmu0hpj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/La_Belle_et_la_B%C3%AAte_(1946_film)&#34;&gt;La Belle et la Bête (Beauty and the Beast)&lt;/a&gt;. So creepy and strange and fantastical. Props (so to speak) to the set and costume design and clever special effects.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frozen</title>
    <link href="https://mlarson.org/2014/05/04/frozen-sorry-not-sorry-that-famous-song-isnt/"/>
    <updated>2014-05-04T20:18:36.000Z</updated>
    <id>https://mlarson.org/2014/05/04/frozen-sorry-not-sorry-that-famous-song-isnt/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n52gdywkiq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Frozen_(2013_film)&#34;&gt;Frozen&lt;/a&gt;. Sorry not sorry: that &lt;a href=&#34;https://www.youtube.com/watch?v=moSFlvxnbgk&#34;&gt;famous song&lt;/a&gt; isn’t very good – and especially not in comparison to “&lt;a href=&#34;https://www.youtube.com/watch?v=UFatVn1hP3o&#34;&gt;In Summer&lt;/a&gt;”. Good movie overall, though. The state of animation today just blows my mind.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 4, 2014</title>
    <link href="https://mlarson.org/2014/05/04/james-naismith-in-1928-holding-a-peach-basket/"/>
    <updated>2014-05-04T19:52:08.000Z</updated>
    <id>https://mlarson.org/2014/05/04/james-naismith-in-1928-holding-a-peach-basket/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n52f61zzau1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;“&lt;a href=&#34;http://www.nytimes.com/2014/05/03/upshot/choices-on-race-even-from-basketballs-beginnings.html&#34;&gt;James Naismith in 1928&lt;/a&gt;, holding a peach basket for his wife, Maude, to make a shot.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Days of Future Present</title>
    <link href="https://mlarson.org/2014/05/04/days-of-future-present/"/>
    <updated>2014-05-04T19:49:02.000Z</updated>
    <id>https://mlarson.org/2014/05/04/days-of-future-present/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Blessed with 20/20 hindsight, we’re now able to look back on a given era’s “future” and glean some of what was percolating through the collective unconscious.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thedissolve.com/features/exposition/532-days-of-future-present/&#34;&gt;Days of Future Present&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 1, 2014</title>
    <link href="https://mlarson.org/2014/05/01/please-dont-push-me-david-smith-i-havent/"/>
    <updated>2014-05-01T04:05:14.000Z</updated>
    <id>https://mlarson.org/2014/05/01/please-dont-push-me-david-smith-i-havent/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n4vnbhvazk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://david-smith.org/blog/2014/02/28/please-dont-push-me/&#34;&gt;Please Don’t Push Me - David Smith&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I haven’t even seen your app yet!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 1, 2014</title>
    <link href="https://mlarson.org/2014/05/01/austinkleon-my-new-favorite-thing-this-is-the/"/>
    <updated>2014-05-01T04:02:51.000Z</updated>
    <id>https://mlarson.org/2014/05/01/austinkleon-my-new-favorite-thing-this-is-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/05/tumblr_n4rv0cac3i1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/84189757931&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://storify.com/mattthomas/iowa-writers-workshop-2nd-year-poetry-reading-in-m/preview&#34;&gt;my new favorite thing&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is the best thing online.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 27, 2014</title>
    <link href="https://mlarson.org/2014/04/27/fuckyeahdirectors-sergio-leone-and-clint/"/>
    <updated>2014-04-27T22:04:26.000Z</updated>
    <id>https://mlarson.org/2014/04/27/fuckyeahdirectors-sergio-leone-and-clint/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n2maqhyxr21qisxvio1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fuckyeahdirectors.tumblr.com/post/83341235035/sergio-leone-and-clint-eastwood-on-set-of-the&#34;&gt;fuckyeahdirectors&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Sergio Leone and Clint Eastwood on-set of &lt;strong&gt;&lt;em&gt;The Good, The Bad, and the Ugly (1966)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Get Filthy Rich in Rising Asia (review)</title>
    <link href="https://mlarson.org/2014/04/25/how-to-get-filthy-rich-in-rising-asia-review/"/>
    <updated>2014-04-25T01:21:33.000Z</updated>
    <id>https://mlarson.org/2014/04/25/how-to-get-filthy-rich-in-rising-asia-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/How-Filthy-Rich-Rising-Asia/dp/1594632332&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n4kc2wbl4r1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt; If &lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2013/07/how-to-get-filthy-rich-in-rising-asia-a-novel.html&#34;&gt;Tyler Cowen&lt;/a&gt;, &lt;a href=&#34;http://tumblr.austinkleon.com/post/47205448492&#34;&gt;Austin Kleon&lt;/a&gt;, and &lt;a href=&#34;http://casnocha.com/2014/01/book-review-how-to-get-filthy-rich-in-rising-asia.html&#34;&gt;Ben Casnocha&lt;/a&gt; all recommend a book, I don&#39;t really need another nudge. I loooooooved &lt;a href=&#34;http://twitter.com/mohsin_hamid&#34;&gt;Mohsin Hamid&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.amazon.com/How-Filthy-Rich-Rising-Asia/dp/1594632332&#34;&gt;How to Get Filthy Rich in Rising Asia&lt;/a&gt;. Two structural things you don&#39;t see very often in fiction: it&#39;s written in the second person, and the novel&#39;s chapter titles and general format are plays on the self-help genre (&amp;quot;Move to the City&amp;quot;, &amp;quot;Get an Education&amp;quot;, &amp;quot;Don&#39;t Fall in Love&amp;quot;). In the story, the protagonist (uh...&amp;quot;you&amp;quot;) is a third-world scrub who gradually climbs his way up the social ladder. I really appreciated the perspective on economics and daily life in a world that that&#39;s not all that familiar. Some favorite parts:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You read a self-help book so someone who isn&#39;t yourself can help you, that someone being the author.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Some understated humor on receiving bad news:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You take this news as well as possible, which is to say you do not die.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So much awesome imagery and color in this one. As in this classroom scene, where students look on as one of their classmates gets on the wrong side of their teacher:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;They watch in horrified fascination, like seals on a rock observing a great white breaching beneath one of their own, just a short swim away.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On becoming a parent:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Fatherhood has taught you the lesson that, even in middle age, love is practicable. It is possible to adore those newly come into your world, to envision, no matter how late in the day, a happily entwined future with those who have not been part of your past.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On books:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Writers and readers seek a solution to the the problem that time passes, that those of us who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On taking out a business loan:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;With borrowed funds, a business can invest, gain leverage, and leverage is a pair of wings. Leverage is flight. Leverage is a way for small to be big and big to be huge, a glorious abstraction, the promise of tomorrow today, yes, a liberation from time, the resounding triumph of human will over dreary, chronology-shackled physical reality.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That passage hints at what&#39;s particularly hard to capture: the restless energy in this book. It just keeps coming and coming, so much invention, and it&#39;s so fun to read. I wouldn&#39;t be surprised if I reread this one soon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 24, 2014</title>
    <link href="https://mlarson.org/2014/04/24/thedissolve-comedy-thrives-inside-a-fixed/"/>
    <updated>2014-04-24T00:40:42.000Z</updated>
    <id>https://mlarson.org/2014/04/24/thedissolve-comedy-thrives-inside-a-fixed/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thedissolve.tumblr.com/post/83522723675/comedy-thrives-inside-a-fixed-frame-its-not&#34;&gt;thedissolve&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;“Comedy thrives inside a fixed frame. It’s not an &lt;em&gt;essential&lt;/em&gt; element, but as with dancing and magic tricks, it’s always more impressive if the viewer can see the performer’s hands and feet at all times. In &lt;em&gt;Sherlock, Jr&lt;/em&gt;, Keaton moves the camera when he has to, during all of the movie’s crazy chases. But even then, the motion is limited: Keaton tracks alongside the actors, or he attaches the camera to the front of one of the moving vehicles so that he can keep all the action inside the rectangle.&lt;em&gt;Sherlock, Jr.&lt;/em&gt; is at its funniest, though, when the camera stays still, and the characters move in and out, like figures in a side-scrolling platform videogame. Maybe that’s because the fixed frame emphasizes the characters &lt;em&gt;as&lt;/em&gt; characters, arriving into the picture exactly when needed for the plot—and sometimes remaining stuck there, like the projectionist, never confident that he can find a way to break out of the box.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Noel Murray kicks off our Movie Of The Week discussion of the 1924 classic &lt;em&gt;Sherlock, Jr.&lt;/em&gt; with an examination of how Buster Keaton’s physical comedy thrived in a fixed environment of boxes and lines. [&lt;a href=&#34;http://thedissolve.com/features/movie-of-the-week/526-the-boxes-and-lines-of-sherlock-jr/&#34;&gt;Read more…&lt;/a&gt;]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.mlarson.org/tag/busterkeaton&#34;&gt;Buster Keaton&lt;/a&gt; insta-reblog rule in effect.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Carolyn Hax: Weddings bring out the worst in an unmarried couple - The Washington Post</title>
    <link href="https://mlarson.org/2014/04/22/carolyn-hax-weddings-bring-out-the-worst-in-an/"/>
    <updated>2014-04-22T00:31:02.000Z</updated>
    <id>https://mlarson.org/2014/04/22/carolyn-hax-weddings-bring-out-the-worst-in-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Plus, I wonder whether you’ve actually just talked about it in a non-charged setting and, if you have, why one or both of you isn’t accepting the outcome of that talk as your current reality. “Fighting” is really just a nickname for an attempt to renegotiate what you already know is the truth but don’t want to accept.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Oh, snap. &lt;a href=&#34;https://www.mlarson.org/tag/carolynhax&#34;&gt;Carolyn Hax&lt;/a&gt; bringin’ some real talk. &lt;a href=&#34;http://m.washingtonpost.com/lifestyle/style/carolyn-hax-weddings-bring-out-the-worst-in-an-unmarried-couple/2014/04/20/40413eca-bf58-11e3-b574-f8748871856a_story.html&#34;&gt;Carolyn Hax: Weddings bring out the worst in an unmarried couple - The Washington Post&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>This column will change your life: stop being busy</title>
    <link href="https://mlarson.org/2014/04/21/this-column-will-change-your-life-stop-being-busy/"/>
    <updated>2014-04-21T16:29:21.000Z</updated>
    <id>https://mlarson.org/2014/04/21/this-column-will-change-your-life-stop-being-busy/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s only one viable time management approach left (and even that’s only really an option for the better-off). Step one: identify what seem to be, right now, the most meaningful ways to spend your life. Step two: schedule time for those things. There is no step three.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/lifeandstyle/2014/apr/19/change-your-life-stop-being-busy&#34;&gt;This column will change your life: stop being busy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Pleasures of Reading in an Age of Distraction (review)</title>
    <link href="https://mlarson.org/2014/04/20/2014419the-pleasures-of-reading-in-an-age-of-distraction-review/"/>
    <updated>2014-04-20T16:58:03.000Z</updated>
    <id>https://mlarson.org/2014/04/20/2014419the-pleasures-of-reading-in-an-age-of-distraction-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/The-Pleasures-Reading-Age-Distraction/dp/0199747490&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n4cea133n11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“One dominant, overarching, nearly definitive principle for reading: Read at Whim.”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;Somewhere around Christmastime I fell into a massive reading rut. What I was reading was no fun, and there was nothing better out there, and there never would be. Everything was in ruins. Then I read this book. And for the past couple months, I&#39;ve been on one of those glorious hot streaks where just about everything I&#39;ve read has been fun, and the stuff that wasn&#39;t I dropped without second thought. Coincidence? I have to give some credit to leaving behind the cold, dark, depressing winter, and stepping into the golden light of springtime... but &lt;a href=&#34;https://twitter.com/ayjay&#34;&gt;Alan Jacobs&lt;/a&gt;&#39; &lt;a href=&#34;http://www.amazon.com/The-Pleasures-Reading-Age-Distraction/dp/0199747490&#34;&gt;The Pleasures of Reading in an Age of Distraction&lt;/a&gt; definitely deserves some credit, too. I like the tone of this one. It&#39;s like your at a smart friend&#39;s house, and he&#39;s reclining in a chair and talking at length. Some favorite parts... In an awesome footnote, relating to the &amp;quot;gateway drug&amp;quot; theory of lowbrow reading eventually leading to &amp;quot;better&amp;quot; books, an &lt;a href=&#34;http://futureofthebook.org/blog/2009/07/14/the_almighty_word/&#34;&gt;excerpt from Alex Rose&lt;/a&gt;:&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“The only conceivable value of trashy books is the dubious but not unthinkable possibility that they might go some of the way towards engendering in young people a love of reading as an end in-itself, which in turn might whet the appetite for better books. For many, that’s the only way in. They’ll read Sweet Valley High or Twilight at thirteen, lose their taste for it by fourteen and demand something richer and more challenging at sixteen. Or so the thinking goes. If the argument applies to one form of entertainment, though, it should apply to all. Why is it that when kids become enraptured by some idiotic program, no one says, “well, at least they’re watching TV?””&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;In hindsight, this is obvious, but it&#39;s a really good, liberating reminder:&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“If I set a book aside today I am not thereby forbidding myself to return to it later—nor am I promising to do so. To everything there is a season, and, by corollary, everything is sometimes *out* of season.”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;Timing is everything. And along the same lines of releasing the pressure on yourself, we&#39;re reminded that &amp;quot;Many books become more boring the faster you read them&amp;quot; and that &amp;quot;All books want our attention, but not all of them want the same kind of attention.&amp;quot; I also liked this excerpt from Auden about thinking about how we evaluate the stuff we read:&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;““For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don’t like it; I can see this is good, and, though at present I don’t like it, I believe with perserverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don’t like it.””&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;If you find yourself in a reading rut, maybe this one will help you get out, too. Recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Third Class Superhero (review)</title>
    <link href="https://mlarson.org/2014/04/20/2014419third-class-superhero-review/"/>
    <updated>2014-04-20T16:58:03.000Z</updated>
    <id>https://mlarson.org/2014/04/20/2014419third-class-superhero-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Third-Class-Superhero-Charles-Yu/dp/0156030810/&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n4cebvxaqa1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt; This is a pretty fun collection. Charles Yu&#39;s &lt;a href=&#34;http://www.amazon.com/Third-Class-Superhero-Charles-Yu/dp/0156030810/&#34;&gt;Third Class Superhero&lt;/a&gt; has some good light scifi/speculative influences, along with a George Saunders-ian blend of dark but sympathetic takes on modern everyday life (cf. &amp;quot;the Capitalized Phrases, offering entry into an &lt;a href=&#34;http://www.nytimes.com/2007/10/07/books/review/Blythe-t.html&#34;&gt;Exclusive Club for People Who Get It&lt;/a&gt;&amp;quot;). It&#39;s fatalistic, but still curious. Goofiness pops up in the title story (read an &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=91743775&#34;&gt;extended excerpt&lt;/a&gt;):&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“Every morning, when I open my eyes, I think the same four thoughts: 1) I am not a superhero. 2) I have to go to work. 3) If I didn’t have to work, I could be a superhero. 4) If I were a superhero, I wouldn’t have to work.”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;Ladies and gentlemen, Moisture Man. One of my favorite stories was &amp;quot;401(k)&amp;quot;, which has a tongue-in-cheek exploration of the treadmill of consumer society and life&#39;s template.&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“The Realtor is showing us our dreams. “Private, affordable, midrange,” he says. I never thought I’d have midrange dreams.”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;And later in the same story, a sequence on aging:&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“The thirties and forties. The long run. The lifelong conversation. Somewhere in here we’ll get incredibly lost, wander around in the desert, and get spit out on the other side of fifty-nine and a half, into the land of penalty-free-IRA-withdrawal, looking around like we just popped out of a quarter-century fun-park water slide tube, thinking, Where am I, how did I get here, can I do it again?”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;Maybe my favorite bit in the whole book, a poke at how we think about travel:&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“We plan a vacation. We want to see the Other. The travel agent sends us literature, glossies, video brochures. We choose a package deal with Authentic ExperiencesTM****. According to the brochure, there are five kinds of Experience: Urban, Rural, Semirural, Ethnic, and Ethnic with Danger. Standard Endangerment is Mild or Implied, but those in the know understand they may inquire discreetly about Actual Hazard—e.g., I’ve heard there might be something more?...”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;This kind of writing – where skills of observation meet clever exaggeration – is just so fun:&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“Five-year-olds are playing soccer nearby. More specifically, they are viciously kicking one another in the shins while a soccer ball sits unharmed in the vicinity.”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;My other favorite story is probably &amp;quot;32.05864991%&amp;quot;, which explores &amp;quot;why men are such terrible emotional statisticians&amp;quot;, and the existing of two different Englishes – &amp;quot;the language of the wanted and the language of the one doing the wanting.&amp;quot;, and what exactly &amp;quot;maybe&amp;quot; means. I love this bit that touches on nervousness and superstition:&lt;/p&gt;
&lt;figure&gt;&lt;blockquote&gt;“He has two shirts left in the current dry-cleaning cycle and a pile of shirts on the floor and a pair of brand-new slacks with the tag still on that he doesn’t want to touch for fear that any deviations from his normal routine will affect something that happens during the day and turn “maybe” into “no.” In order to avoid disturbing whatever tension lines of cause and effect may be between him and Janine, he has to minimize perturbations in the system and allow chance to take him where it will.”&lt;/blockquote&gt;&lt;/figure&gt;
&lt;p&gt;Good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 19, 2014</title>
    <link href="https://mlarson.org/2014/04/19/cf-its-okay-to-not-like-things/"/>
    <updated>2014-04-19T17:31:38.000Z</updated>
    <id>https://mlarson.org/2014/04/19/cf-its-okay-to-not-like-things/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n47gnacygd1qa4karo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Cf. &lt;a href=&#34;https://www.youtube.com/watch?v=0la5DBtOVNI&#34;&gt;It’s okay to not like things&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Defense of the Expert Review | Balder and Dash | Roger Ebert</title>
    <link href="https://mlarson.org/2014/04/19/in-defense-of-the-expert-review-balder-and-dash/"/>
    <updated>2014-04-19T17:31:33.000Z</updated>
    <id>https://mlarson.org/2014/04/19/in-defense-of-the-expert-review-balder-and-dash/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When scientific experts criticize “Gravity” for failing to display an academic-level understanding of the laws of nature, they are missing the point. Nobody goes to “Gravity” for a physics lesson; they go to be entertained. But there are times when a fact-check of a film can provide necessary context and, especially if the film is based on true events, illuminate not just how a narrative deviates from the truth but why it does. At their best, expert reviews can even illuminate deeper truths, like how reality is an often unintended casualty of pop culture. Since mainstream movies only show us what we want to be true—almost by definition, a film that sells tens of millions of tickets does not challenge any widely-held perspectives—movie fact-checkers can show why a certain film felt the need to diverge from reality to tell a satisfying story.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rogerebert.com/balder-and-dash/in-defense-of-the-expert-review&#34;&gt;In Defense of the Expert Review | Balder and Dash | Roger Ebert&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 19, 2014</title>
    <link href="https://mlarson.org/2014/04/19/just-how-bad-were-the-bad-boys/"/>
    <updated>2014-04-19T17:29:24.000Z</updated>
    <id>https://mlarson.org/2014/04/19/just-how-bad-were-the-bad-boys/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n48niadvfb1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fivethirtyeight.com/features/just-how-bad-were-the-bad-boys/&#34;&gt;Just How Bad Were the ‘Bad Boys’? | FiveThirtyEight&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Avengers</title>
    <link href="https://mlarson.org/2014/04/06/the-avengers-the-basic-plot-mechanics-are-a-bit/"/>
    <updated>2014-04-06T20:00:02.000Z</updated>
    <id>https://mlarson.org/2014/04/06/the-avengers-the-basic-plot-mechanics-are-a-bit/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n3mid6zvbo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Avengers_(2012_film)&#34;&gt;The Avengers&lt;/a&gt;. The basic plot mechanics are a bit tired, but I am not ashamed to admit how satisfying it is to see the whole gang together after seeing &lt;a href=&#34;https://www.mlarson.org/tag/marvel&#34;&gt;others in the Marvel series&lt;/a&gt;. A couple neat camera moments (&lt;a href=&#34;http://www.dvdbeaver.com/film4/blu-ray_reviews57/marvels_the_avengers_blu-ray_/large/large_marvels_avengers_blu-ray_13.jpg&#34;&gt;Cap in the rearview&lt;/a&gt; and a POV shot that flips along with the car it’s inside of). Nothing quite like the joy/terror of Hulk being Hulk. I really wish Renner had more to work with.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Captain America: The Winter Soldier</title>
    <link href="https://mlarson.org/2014/04/06/captain-america-the-winter-soldier-i-had-so-much/"/>
    <updated>2014-04-06T20:00:00.000Z</updated>
    <id>https://mlarson.org/2014/04/06/captain-america-the-winter-soldier-i-had-so-much/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n3mj5osn3e1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Captain_America:_The_Winter_Soldier&#34;&gt;Captain America: The Winter Soldier&lt;/a&gt;. I had so much fun. Good action movies make you want to do the things you see on screen. Iron Man is fun to watch, but I don’t feel like I want to fly around and shoot beams out of my hands. But this? Yeah, I want to hold up a shield and run through locked doors. The &lt;a href=&#34;http://tumblr.mlarson.org/post/24858237171/captain-america-the-first-avenger-pleasantly&#34;&gt;First Avenger&lt;/a&gt; is still my favorite of the &lt;a href=&#34;https://www.mlarson.org/tag/marvel&#34;&gt;Marvel movies&lt;/a&gt;, but this is a nice elaboration and keeps the good drama/humor balance. Such a great character, becoming more suspicious, more wary of what he’s asked to do.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Michael Clayton</title>
    <link href="https://mlarson.org/2014/04/06/michael-clayton-i-love-this-movie-previously/"/>
    <updated>2014-04-06T19:59:00.000Z</updated>
    <id>https://mlarson.org/2014/04/06/michael-clayton-i-love-this-movie-previously/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n3mk3h1cgb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Michael_Clayton_(film)&#34;&gt;Michael Clayton&lt;/a&gt;. I love this movie. (&lt;a href=&#34;http://tumblr.mlarson.org/post/320599973/michael-clayton-i-was-really-impressed-with-this&#34;&gt;Previously&lt;/a&gt;.) Clooney has the lead role, but Wilkinson (incredible) and Swinton bring in the color and the contrast - each of the three responding to the ongoing toll of their work. Other good slow-burning corporate conspiracy mood movies? Gotta check out &lt;a href=&#34;http://tumblr.mlarson.org/post/73266639693/arbitrage-throws-you-in-the-middle-and-lets-you&#34;&gt;Arbitrage&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/54099869467/the-conversation-great-great-flick-the-scale-is&#34;&gt;The Conversation&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>아저씨 (The Man from Nowhere)</title>
    <link href="https://mlarson.org/2014/04/06/아저씨-the-man-from-nowhere-another/"/>
    <updated>2014-04-06T19:59:00.000Z</updated>
    <id>https://mlarson.org/2014/04/06/아저씨-the-man-from-nowhere-another/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n3mkraal0s1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Man_from_Nowhere_(film)&#34;&gt;아저씨 (The Man from Nowhere)&lt;/a&gt;. Another abduction/rescue movie in the spirit of &lt;a href=&#34;http://tumblr.mlarson.org/post/70188403066/taken-preposterous-fantasy-fulfillment-popcorn&#34;&gt;Taken&lt;/a&gt; or &lt;a href=&#34;http://tumblr.mlarson.org/post/42107144603/commando-classic-como-esta&#34;&gt;Commando&lt;/a&gt;, but it plays with the pace quite a bit more. Surprised both by how dark/graphic it was, and by its melodrama (colorful, sunny flashbacks). I like the use of first-person POV in some of the action scenes. &lt;a href=&#34;http://tumblr.mlarson.org/post/33268604458/oldboy-a-lot-of-energy-its-a-revenge-flick-and&#34;&gt;Oldboy&lt;/a&gt; has some similar driven/relentless/remorseless violence. I also liked Won Bin in &lt;a href=&#34;http://tumblr.mlarson.org/post/472579603/mother-eh-a-hyper-protective-mother-defends-an&#34;&gt;Mother&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Deadfall</title>
    <link href="https://mlarson.org/2014/04/06/deadfall-theres-some-good-northern-winter-noir/"/>
    <updated>2014-04-06T18:38:33.000Z</updated>
    <id>https://mlarson.org/2014/04/06/deadfall-theres-some-good-northern-winter-noir/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n3mglnubpi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Deadfall_(2012_film)&#34;&gt;Deadfall&lt;/a&gt;. There’s some good northern winter noir here and there, but it’s not consistent. I wonder if a different, shorter edit would have worked better for me. &lt;a href=&#34;http://tumblr.mlarson.org/post/48704407077/the-place-beyond-the-pines-its-a-bummer-that-the&#34;&gt;The Place Beyond the Pines&lt;/a&gt; is a better exploration of family relationships + law enforcement. &lt;a href=&#34;http://tumblr.mlarson.org/post/40544040250/the-grey-its-great-watch-it-there-are&#34;&gt;The Grey&lt;/a&gt; is a better snowbound film where the odds are stacked from the beginning. I should re-watch both of those.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Grand Budapest Hotel</title>
    <link href="https://mlarson.org/2014/04/06/the-grand-budapest-hotel-i-dig-it-its-got-the/"/>
    <updated>2014-04-06T18:38:23.000Z</updated>
    <id>https://mlarson.org/2014/04/06/the-grand-budapest-hotel-i-dig-it-its-got-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n3mfauaalq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Grand_Budapest_Hotel&#34;&gt;The Grand Budapest Hotel&lt;/a&gt;. I dig it. It’s got the usual fussy-awesome art direction and some &lt;a href=&#34;http://tumblr.mlarson.org/post/80848823292/observations-on-film-art-the-grand-budapest&#34;&gt;technically interesting camera stuff&lt;/a&gt;, but what I really liked here: a good heart. Didn’t have much of the rooted dysfunction or cynicism or weariness that made some of his previous movies kind of a drag for me at times. I think I’ll call this my favorite of the &lt;a href=&#34;https://www.mlarson.org/tag/wesanderson&#34;&gt;Wes Anderson movies I’ve seen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kickboxer</title>
    <link href="https://mlarson.org/2014/04/06/kickboxer-another-childhood-favorite-revisited/"/>
    <updated>2014-04-06T18:38:00.000Z</updated>
    <id>https://mlarson.org/2014/04/06/kickboxer-another-childhood-favorite-revisited/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/04/tumblr_n3mg7yppzf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Kickboxer_(film)&#34;&gt;Kickboxer&lt;/a&gt;. Another childhood favorite revisited. This has not aged well. If you need ‘80s Van Damme, you will be much, much happier with &lt;a href=&#34;http://tumblr.mlarson.org/post/29531017807/bloodsport-finally-saw-it-on-the-big&#34;&gt;Bloodsport&lt;/a&gt;. This one does have that &lt;a href=&#34;https://www.youtube.com/watch?v=XxQEMBfa8Qo&amp;amp;t=1m25s&#34;&gt;classic dance scene&lt;/a&gt;, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 6, 2014</title>
    <link href="https://mlarson.org/2014/04/06/interesting-villain-in-prison-cliche-to-see/"/>
    <updated>2014-04-06T17:35:31.000Z</updated>
    <id>https://mlarson.org/2014/04/06/interesting-villain-in-prison-cliche-to-see/</id>
    <content type="html">&lt;p&gt;Interesting villain-in-prison cliché to see popping up recently. Practical for shooting movies (nothing blocking your view), but then again, these days you can put a camera anywhere. Pairs nicely with a more paranoid, surveillance-oriented approach to war and policing. Can’t fight what you can’t constantly observe, or so they say.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Great Discontent: Austin Kleon</title>
    <link href="https://mlarson.org/2014/04/06/the-great-discontent-austin-kleon/"/>
    <updated>2014-04-06T17:35:00.000Z</updated>
    <id>https://mlarson.org/2014/04/06/the-great-discontent-austin-kleon/</id>
    <content type="html">&lt;p&gt;On the “velvet rut”:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s real, and it’s easy to get stuck in it. You start to think, “I’ve got my breakfast tacos, my sunshine, my BBQ, and my food trucks. I’m just going to sit here and do my thing.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thegreatdiscontent.com/austin-kleon&#34;&gt;The Great Discontent: Austin Kleon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2014</title>
    <link href="https://mlarson.org/2014/04/05/one-of-my-general-rules-is-if-youre-on-the-fence/"/>
    <updated>2014-04-05T13:51:18.000Z</updated>
    <id>https://mlarson.org/2014/04/05/one-of-my-general-rules-is-if-youre-on-the-fence/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of my general rules is, if you’re on the fence about a movie/TV show/etc and you mull it over for a week, you liked it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/mattzollerseitz/status/452087115317530624&#34;&gt;Matt Zoller Seitz&lt;/a&gt;. Also applies to books, concerts, paintings…. people?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2014</title>
    <link href="https://mlarson.org/2014/04/05/lacienegasmiled-demo-of-beat-it-composed-using/"/>
    <updated>2014-04-05T13:18:12.000Z</updated>
    <id>https://mlarson.org/2014/04/05/lacienegasmiled-demo-of-beat-it-composed-using/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/81773559834/tumblr_mwufvoBmWP1qld2xe?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/81773559834/audio_player_iframe/mlarson/tumblr_mwufvoBmWP1qld2xe?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F81773559834%2Ftumblr_mwufvoBmWP1qld2xe&#34;&gt;http://mlarson.tumblr.com/post/81773559834/audio_player_iframe/mlarson/tumblr_mwufvoBmWP1qld2xe?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F81773559834%2Ftumblr_mwufvoBmWP1qld2xe&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://lacienegasmiled.tumblr.com/post/77598143356/demo-of-beat-it-composed-using-only-michael&#34;&gt;lacienegasmiled&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Demo of Beat It composed using only Michael Jackson’s voice&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As Jackson couldn’t fluently play any instruments, he would sing and beatbox out how he wanted his songs to sound by himself on tape, layering the vocals, harmonies and rhythm before having instrumentalists come in to complete the songs.&lt;/p&gt;
&lt;p&gt;One of his engineers Robmix on how Jackson worked: “One morning MJ came in with a new song he had written overnight. We called in a guitar player, and Michael sang every note of every chord to him. “here’s the first chord first note, second note, third note. Here’s the second chord first note, second note, third note”, etc., etc. We then witnessed him giving the most heartfelt and profound vocal performance, live in the control room through an SM57. He would sing us an entire string arrangement, every part. Steve Porcaro once told me he witnessed MJ doing that with the string section in the room. Had it all in his head, harmony and everything. Not just little eight bar loop ideas. he would actually sing the entire arrangement into a micro-cassette recorder complete with stops and fills.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reasons why I laugh when people say he wasn’t a real musician.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Dang. Dude was good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Zen Pulp</title>
    <link href="https://mlarson.org/2014/03/31/zen-pulp-by-matt-zoller-seitz-moving-image/"/>
    <updated>2014-03-31T03:13:21.000Z</updated>
    <id>https://mlarson.org/2014/03/31/zen-pulp-by-matt-zoller-seitz-moving-image/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n398u4m3op1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.movingimagesource.us/articles/zen-pulp-pt-1-20090701&#34;&gt;Zen Pulp, by Matt Zoller Seitz - Moving Image Source&lt;/a&gt;. I was trolling the web, looking for some more stuff to read about &lt;a href=&#34;https://www.mlarson.org/tag/michaelmann&#34;&gt;Michael Mann&lt;/a&gt;’s work (as one does), and came across this great &lt;a href=&#34;http://www.movingimagesource.us/articles/zen-pulp-pt-1-20090701&#34;&gt;five&lt;/a&gt;-&lt;a href=&#34;http://www.movingimagesource.us/articles/zen-pulp-pt-2-20090703&#34;&gt;part&lt;/a&gt; &lt;a href=&#34;http://www.movingimagesource.us/articles/zen-pulp-pt-3-20090709&#34;&gt;video&lt;/a&gt;+&lt;a href=&#34;http://www.movingimagesource.us/articles/zen-pulp-pt-4-20090715&#34;&gt;essay&lt;/a&gt; &lt;a href=&#34;http://www.movingimagesource.us/articles/zen-pulp-pt-5-20090723&#34;&gt;series&lt;/a&gt; from &lt;a href=&#34;https://mobile.twitter.com/mattzollerseitz&#34;&gt;@mattzollerseitz&lt;/a&gt;. If you’ve already seen his &lt;a href=&#34;http://vimeo.com/album/2792312&#34;&gt;series on Wes Anderson&lt;/a&gt;, then you already know it’s good. If you haven’t, then watch that, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>#trainstagram</title>
    <link href="https://mlarson.org/2014/03/29/2014321trainstagram/"/>
    <updated>2014-03-29T19:03:04.000Z</updated>
    <id>https://mlarson.org/2014/03/29/2014321trainstagram/</id>
    <content type="html">&lt;p&gt;The first time I instagrammed a container car, it was because I was waiting on my commuter train to show up, and I was bored to death.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagram.com/p/jCmonQjEna&#34;&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/532cff3fe4b010786b5b2c93/1395457855865/train1-hamburg-sud.jpg&#34; alt=&#34;(click for superfluous historical facts!)&#34;&gt;&lt;/a&gt; (click for superfluous historical facts!)&lt;/p&gt;
&lt;p&gt;The second time, I was curious about the word &amp;quot;Maersk&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagram.com/p/jPD5PRDEkr/&#34;&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/532cff67e4b00cf211b4f580/1395457896197/train2-maersk.jpg&#34; alt=&#34;(click again!) &#34;&gt;&lt;/a&gt; (click again!)&lt;/p&gt;
&lt;p&gt;The third time… yeah, in all honesty, I was just kinda trolling my friends.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagram.com/p/kKcg4CjEqE/&#34;&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/532cff96e4b09fd47864c26a/1395457944222/train3-csx.jpg&#34; alt=&#34;(etc!) &#34;&gt;&lt;/a&gt; (etc!)&lt;/p&gt;
&lt;p&gt;But at least a handful of other folks saw the same appeal. I kept seeing the containers, and the each time I did a little more on-the-spot research, I learned how old and/or humongous these companies are.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagram.com/p/k4jVGYjEmL/&#34;&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/532cffdbe4b00cf211b4f5c2/1395458019063/train4-umax.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Kinda cool that there&#39;s a whole other part of the economy that&#39;s just been chugging along, making the rest of it work a little more smoothly.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagram.com/p/lNA822DEiF/&#34;&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/532cfffde4b00cf211b4f5e4/1395458046398/train5-schneider.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And there&#39;s the novelty, like birding. I&#39;ve seen, in passing, a bunch of other containers that I haven&#39;t snapped or read about yet.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagram.com/p/lpqVeUjEsn/&#34;&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/532d0017e4b0bd8ef0345a98/1395458071623/train6-jbhunt.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;It&#39;s not sexy at all, but there&#39;s something compelling here. Some things are born interesting. Some things, given time or attention, become interesting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Sisters Brothers (review)</title>
    <link href="https://mlarson.org/2014/03/29/20131215the-sisters-brothers-review/"/>
    <updated>2014-03-29T18:57:22.000Z</updated>
    <id>https://mlarson.org/2014/03/29/20131215the-sisters-brothers-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/532cfe12e4b0bf79b0b89947/1395457555199/#img.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Who do you know that has faith in you?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Within the first 40 or 45 pages of &lt;a href=&#34;http://www.amazon.com/Sisters-Brothers-Patrick-deWitt/dp/0062041282&#34;&gt;The Sisters Brothers&lt;/a&gt; there&#39;s a lethal spider bite, tough mercenaries marveling at the wonders of a toothbrush, a gyspy-witch, and a bear attack. The next 250 are just about as strong. It&#39;s splendid.&lt;/p&gt;
&lt;p&gt;The two lead characters--who aren&#39;t really good people, by the way--are brothers, and there were plenty of family dynamics here that made me think of my own (&amp;quot;Our blood is the same, we just use it differently.&amp;quot;). And our narrator is smart and self-aware, and is constantly tossing out little observations and musings, like:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I could not sleep without proper covering and instead spent the night rewriting lost arguments from my past, altering history so that I emerged victorious.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And here, on booze:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When a man is properly drunk it is as though he is in a room by himself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And here, on making a bozo move when he&#39;s trying to get his flirt on:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My chest swelled like an aching bruise and I thought, I am a perfect ass.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And here, on waking up:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I thought, Why did I bring up God so soon after waking?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Funny, thoughtful, twisted, must-read. Thanks to &lt;a href=&#34;http://tumblr.austinkleon.com/post/43897982701&#34;&gt;Austin&lt;/a&gt; for the suggestion!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Zodiac</title>
    <link href="https://mlarson.org/2014/03/28/zodiac-a-serial-killer-is-the-impetus-but-the/"/>
    <updated>2014-03-28T00:19:49.000Z</updated>
    <id>https://mlarson.org/2014/03/28/zodiac-a-serial-killer-is-the-impetus-but-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n32tynumyf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Zodiac_(film)&#34;&gt;Zodiac&lt;/a&gt;. A serial killer is the impetus, but the theme is obsession. So good. If only all directors could use their minutes this well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2014</title>
    <link href="https://mlarson.org/2014/03/27/observations-on-film-art-the-grand-budapest/"/>
    <updated>2014-03-27T03:56:18.000Z</updated>
    <id>https://mlarson.org/2014/03/27/observations-on-film-art-the-grand-budapest/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n32tlgde101qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.davidbordwell.net/blog/2014/03/26/the-grand-budapest-hotel-wes-anderson-takes-the-43-challenge/&#34;&gt;Observations on film art : THE GRAND BUDAPEST HOTEL: Wes Anderson takes the 4:3 challenge&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In &lt;em&gt;Grand Budapest Hotel&lt;/em&gt; we move from the present, more or less, to events in the 1980s, then the 1960s, and eventually the 1930s, which constitute the central episodes. Anderson has shot the frame stories in different aspect ratios. It’s 1.85 for the near present and the 1980s, when the Author recounts meeting the hotel owner. That meeting, set in the 1960s, is shown in 2.40, the anamorphic aspect ratio. The central story, taking place in the 1930s, is presented in classic 1.37, or 4:3 imagery. With typical Anderson butterfly-collector wit, each era gets a ratio that could have been used in a movie at the time. It’s remarkable that Anderson could persuade Fox Searchlight to let him do this, but it’s also a gift of digital projection: This play with ratios wouldn’t have been possible on film.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I &lt;em&gt;knew&lt;/em&gt; something was up, I just couldn’t put my finger on it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Structure</title>
    <link href="https://mlarson.org/2014/03/27/structure/"/>
    <updated>2014-03-27T03:50:56.000Z</updated>
    <id>https://mlarson.org/2014/03/27/structure/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Almost always there is considerable tension between chronology and theme, and chronology traditionally wins. The narrative wants to move from point to point through time, while topics that have arisen now and again across someone’s life cry out to be collected.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/johnmcphee&#34;&gt;John McPhee&lt;/a&gt;. &lt;a href=&#34;http://www.newyorker.com/reporting/2013/01/14/130114fa_fact_mcphee?currentPage=all&amp;amp;printable=true&#34;&gt;Structure&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pitfall</title>
    <link href="https://mlarson.org/2014/03/27/pitfall-aw-man-i-watched-this-at-the-end-of/"/>
    <updated>2014-03-27T03:49:03.000Z</updated>
    <id>https://mlarson.org/2014/03/27/pitfall-aw-man-i-watched-this-at-the-end-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n2z3qorgtk1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Pitfall_(1948_film)&#34;&gt;Pitfall&lt;/a&gt;. Aw, man. I watched this at the end of last month, so now everything is out of order. Anyway, really dug this one. A guy does some really dumb things while on the job, and the universe exacts its toll. Raymond Burr is so awesome - always loved him since watching &lt;em&gt;Perry Mason&lt;/em&gt; as a kid. Reminds me of a portly cross between Kirk Douglas and Philip Seymour Hoffman. What a perfect weaselly creepy charmer.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>“Divergent” and “Hunger Games” as capitalist agitprop</title>
    <link href="https://mlarson.org/2014/03/27/divergent-and-hunger-games-as-capitalist/"/>
    <updated>2014-03-27T03:48:45.000Z</updated>
    <id>https://mlarson.org/2014/03/27/divergent-and-hunger-games-as-capitalist/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Let’s pause for a moment, in fact, to notice that this kind of story almost always imagines a future world that’s far simpler than the one we currently live in, one in which all the stuff and clutter of our lives – the screens, the gizmos, the cars, the noise – has evaporated. As David Mamet once put it, every fear hides a wish.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/2014/03/22/divergent_and_hunger_games_as_capitalist_agitprop/&#34;&gt;“Divergent” and “Hunger Games” as capitalist agitprop&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frank Chimero - Three Things to Say</title>
    <link href="https://mlarson.org/2014/03/20/frank-chimero-three-things-to-say/"/>
    <updated>2014-03-20T19:19:13.000Z</updated>
    <id>https://mlarson.org/2014/03/20/frank-chimero-three-things-to-say/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A person can only have so much expertise, but if you can sell your ignorance and ability to root out answers, you’ll be employable forever, understood frequently, and relatable always.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://frankchimero.com/blog/three-things-to-say/&#34;&gt;Frank Chimero - Three Things to Say&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Parallax View</title>
    <link href="https://mlarson.org/2014/03/20/the-parallax-view-i-really-loved-some-of-the/"/>
    <updated>2014-03-20T19:19:08.000Z</updated>
    <id>https://mlarson.org/2014/03/20/the-parallax-view-i-really-loved-some-of-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n2k1nljwvr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Parallax_view&#34;&gt;The Parallax View&lt;/a&gt;. I really loved some of the camerawork and staging and general style, but I just didn’t care. Something about Beatty(’s character) just didn’t click for me. So in general, I’d say skip this one. Actually, do watch the &lt;a href=&#34;http://www.youtube.com/watch?v=zzGstwUOero&#34;&gt;watch the amazing montage/brainwashing scene&lt;/a&gt;. And then go watch the superior &lt;a href=&#34;http://tumblr.mlarson.org/post/79324298882/three-days-of-the-condor-dang-this-movie-is-so&#34;&gt;Three Days of the Condor&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Broken Circle Breakdown</title>
    <link href="https://mlarson.org/2014/03/20/the-broken-circle-breakdown-heartbreaking-cf-my/"/>
    <updated>2014-03-20T19:19:04.000Z</updated>
    <id>https://mlarson.org/2014/03/20/the-broken-circle-breakdown-heartbreaking-cf-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n2k16w48ms1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Broken_Circle_Breakdown&#34;&gt;The Broken Circle Breakdown&lt;/a&gt;. Heartbreaking. Cf. my thoughts on &lt;a href=&#34;http://tumblr.mlarson.org/post/11956712445/blue-valentine-my-first-reaction-its-a-snuff&#34;&gt;Blue Valentine&lt;/a&gt;. More like Bluegrass Valentine, amirite? Our relationships hinge on our ability to adapt not just to change itself, but also to how we accept/support/deny/undermine the effect on those we care about. I was pleasantly surprised by how much of this movie revolved around parenthood as much as romance. I was hoping for a bit more music. Took a quote-unquote “European” turn for a bit at the end.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2014</title>
    <link href="https://mlarson.org/2014/03/19/percentage-wise-it-is-100-easier-not-to-do/"/>
    <updated>2014-03-19T14:19:51.000Z</updated>
    <id>https://mlarson.org/2014/03/19/percentage-wise-it-is-100-easier-not-to-do/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Percentage wise, it is 100% easier not to do things than to do them, and so much fun not to do them—especially when you were supposed to do them. In terms of instant relief, canceling plans is like heroin.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=vKaijlTs2Ns&#34;&gt;John Mulaney&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2014</title>
    <link href="https://mlarson.org/2014/03/19/no-one-wants-adviceonly-corroboration/"/>
    <updated>2014-03-19T03:16:30.000Z</updated>
    <id>https://mlarson.org/2014/03/19/no-one-wants-adviceonly-corroboration/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No one wants advice—only corroboration.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Winter_of_Our_Discontent&#34;&gt;John Steinbeck&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>State of Play</title>
    <link href="https://mlarson.org/2014/03/19/state-of-play-a-bit-a-too-complicated-for-its-own/"/>
    <updated>2014-03-19T03:16:15.000Z</updated>
    <id>https://mlarson.org/2014/03/19/state-of-play-a-bit-a-too-complicated-for-its-own/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n2k0m2wlqy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/State_of_Play_(film)&#34;&gt;State of Play&lt;/a&gt;. A bit a too complicated for its own good, but it’s still fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tinker Tailor Soldier Spy</title>
    <link href="https://mlarson.org/2014/03/19/tinker-tailor-soldier-spy-i-still-like-it-such-a/"/>
    <updated>2014-03-19T03:16:09.000Z</updated>
    <id>https://mlarson.org/2014/03/19/tinker-tailor-soldier-spy-i-still-like-it-such-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n2k1zfdswk1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Tinker_Tailor_Soldier_Spy_%28film%29&#34;&gt;Tinker Tailor Soldier Spy&lt;/a&gt;. I still like it. Such a nice change of pace, embodied in Oldman’s lead role. Patient, cautious, taciturn, deliberate. (&lt;a href=&#34;http://tumblr.mlarson.org/post/15544647517/tinker-tailor-soldier-spy-i-enjoyed-this-much&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2014</title>
    <link href="https://mlarson.org/2014/03/15/filmprojections-beginners-2010-i-have-to/"/>
    <updated>2014-03-15T13:16:39.000Z</updated>
    <id>https://mlarson.org/2014/03/15/filmprojections-beginners-2010-i-have-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n2gwdrf5ei1qa4quyo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://filmprojections.tumblr.com/post/79635226870/beginners-2010&#34;&gt;filmprojections&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Beginners (2010)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I have to &lt;a href=&#34;http://tumblr.mlarson.org/post/16390031242/beginners-what-a-good-sweet-movie-if-you-miss&#34;&gt;re-watch&lt;/a&gt; this soon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hating Bourbon Street - Places: Design Observer</title>
    <link href="https://mlarson.org/2014/03/13/hating-bourbon-street-places-design-observer/"/>
    <updated>2014-03-13T14:46:21.000Z</updated>
    <id>https://mlarson.org/2014/03/13/hating-bourbon-street-places-design-observer/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Authenticity is seductive; we embrace it because it makes us feel exclusive. Hating Bourbon Street has valuable social currency, and it’s an easy step toward assuming co-ownership of “real” New Orleans culture. But declaring something to be inauthentic positions the critic in the dubious position of arbitrating reality. […] Worse, inauthenticity rests on the troubling supposition that not all human beings or human endeavors contribute equally to this thing we call culture.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://places.designobserver.com/feature/hating-bourbon-street-new-orleans/38323/&#34;&gt;Hating Bourbon Street - Places: Design Observer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 13, 2014</title>
    <link href="https://mlarson.org/2014/03/13/atlurbanist-eyes-that-have-seen-a-lot-of-stuff/"/>
    <updated>2014-03-13T14:46:16.000Z</updated>
    <id>https://mlarson.org/2014/03/13/atlurbanist-eyes-that-have-seen-a-lot-of-stuff/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://atlurbanist.tumblr.com/post/79318774164/eyes-that-have-seen-a-lot-of-stuff-in-downtown&#34;&gt;atlurbanist&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Eyes that have seen a lot of stuff in Downtown Atlanta. From the &lt;a href=&#34;http://atlurbanist.tumblr.com/post/13500177027/eiseman-building-facade-five-points-marta&#34;&gt;Eiseman Building&lt;/a&gt; to the Five Points MARTA station.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Three Days of the Condor</title>
    <link href="https://mlarson.org/2014/03/12/three-days-of-the-condor-dang-this-movie-is-so/"/>
    <updated>2014-03-12T02:44:39.000Z</updated>
    <id>https://mlarson.org/2014/03/12/three-days-of-the-condor-dang-this-movie-is-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n2axp9xah11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Days_of_the_Condor&#34;&gt;Three Days of the Condor&lt;/a&gt;. Dang, this movie is so fun. There aren’t many spy films with such appeal to your daydream fantasy fulfillment side, that seem almost within reach. The protagonist here? Just a dork with a day job that mainly involves reading about espionage - news, novels, magazines - and reporting on new ideas. BUT then he becomes the object of various gun-related machinations, and now he’s got to think his way out. There’s some strange sexual politics and some really good writing and some refreshing characterization. Redford and Dunaway are great. It took me a second to figure out &lt;a href=&#34;http://tumblr.mlarson.org/post/9918251198/det-sjunde-inseglet-the-seventh-seal-first-time&#34;&gt;why Max von Sydow looked familiar&lt;/a&gt;. Worth checking out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frank Chimero – This One&#39;s for Me</title>
    <link href="https://mlarson.org/2014/03/12/frank-chimero-this-one-s-for-me/"/>
    <updated>2014-03-12T02:44:29.000Z</updated>
    <id>https://mlarson.org/2014/03/12/frank-chimero-this-one-s-for-me/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In light of all our focus on “progress,” it’s easy to forget that you can turn around from traveling in a wrong direction, and return to the place where things last felt right—whether that’s for something as trivial as what I’m trying to do with my goofy website, or as monumental as restructuring your identity, ambition, and emotional furnishings to match the last time you felt like yourself. You can go back. Sometimes &lt;em&gt;that’s&lt;/em&gt; progress.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://frankchimero.com/blog/this-ones-for-me/&#34;&gt;Frank Chimero – This One&#39;s for Me&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 12, 2014</title>
    <link href="https://mlarson.org/2014/03/12/heidisaman-i-get-that-same-queasy-nervous/"/>
    <updated>2014-03-12T02:44:13.000Z</updated>
    <id>https://mlarson.org/2014/03/12/heidisaman-i-get-that-same-queasy-nervous/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n1y0txhsyb1roxqxqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/post/78700275899/i-get-that-same-queasy-nervous-thrilling&#34;&gt;heidisaman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“I get that same queasy, nervous, thrilling feeling every time I go to work. That’s never worn off since I was 12 years-old with my dad’s 8-millimeter movie camera. The thrill hasn’t changed at all. In fact, as I’ve gotten older, it’s actually increased, because now I appreciate the collaboration. When I was a kid, there was no collaboration, it’s you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself. My job was constantly to keep a movie family going.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.imdb.com/name/nm0000229/&#34;&gt;— Steven Spielberg&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>NBA Rebuilding the Highlight Factory - ESPN</title>
    <link href="https://mlarson.org/2014/03/12/nba-rebuilding-the-highlight-factory-espn/"/>
    <updated>2014-03-12T02:36:23.000Z</updated>
    <id>https://mlarson.org/2014/03/12/nba-rebuilding-the-highlight-factory-espn/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Atlanta is a sports town, just not one that resembles other major league cities. To understand Atlanta’s relationship with the Hawks, it’s necessary to understand that the common cultural heritage of the metropolitan area tends toward living in the suburbs and the tribalism of college football. To believe Atlanta is not a good sports town, it’s necessary to believe college football is not a sport.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://espn.go.com/blog/truehoop/post/_/id/66511/rebuilding-the-highlight-factory&#34;&gt;NBA Rebuilding the Highlight Factory - ESPN&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ran</title>
    <link href="https://mlarson.org/2014/03/12/ran-very-satisfying-i-still-have-a-lot-of/"/>
    <updated>2014-03-12T02:34:53.000Z</updated>
    <id>https://mlarson.org/2014/03/12/ran-very-satisfying-i-still-have-a-lot-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n295ht9yyl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Ran_(film)&#34;&gt;Ran&lt;/a&gt;. Very satisfying. I still have a lot of Kurosawa left to see. Previously: &lt;a href=&#34;http://tumblr.mlarson.org/post/197994764/throne-of-blood-is-the-first-kurosawa-film-ive&#34;&gt;Throne of Blood&lt;/a&gt;; &lt;a href=&#34;http://tumblr.mlarson.org/post/380901969/rashomon-this-is-my-second-kurosawa-flick-throne&#34;&gt;Rashomon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2014</title>
    <link href="https://mlarson.org/2014/03/11/gotemcoach-timmy-with-a-major-league-slurve/"/>
    <updated>2014-03-11T03:17:58.000Z</updated>
    <id>https://mlarson.org/2014/03/11/gotemcoach-timmy-with-a-major-league-slurve/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/78876616686/timmy-with-a-major-league-slurve&#34;&gt;gotemcoach&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Timmy with a major league slurve.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’ve watched this loop at least 60-70 times.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2014</title>
    <link href="https://mlarson.org/2014/03/11/concealing-what-is-shameful-to-you-will-never-lead/"/>
    <updated>2014-03-11T03:17:52.000Z</updated>
    <id>https://mlarson.org/2014/03/11/concealing-what-is-shameful-to-you-will-never-lead/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Concealing what is shameful to you will never lead to anything of value.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/theobserver/2014/mar/01/karl-ove-knausgaard-norway-proust-profile&#34;&gt;Karl Ove Knausgård&lt;/a&gt;. Oh, Karl Ove. He would say that. (&lt;a href=&#34;http://www.mlarson.org/blog/2013/10/20/my-struggle-review&#34;&gt;My Struggle&lt;/a&gt; is good. Book 2 is still a few months away.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Whole Foods: America’s Temple of Pseudoscience</title>
    <link href="https://mlarson.org/2014/03/11/whole-foods-americas-temple-of-pseudoscience/"/>
    <updated>2014-03-11T03:17:44.000Z</updated>
    <id>https://mlarson.org/2014/03/11/whole-foods-americas-temple-of-pseudoscience/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We often have it stuck in our heads that science communicators have only failed to speak to the religious right. But while issues of science-and-society are always tied up, in some ways, with politics, they’re not bound to any particular part of the spectrum.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thedailybeast.com/articles/2014/02/23/whole-foods-america-s-temple-of-pseudoscience.html&#34;&gt;Whole Foods: America’s Temple of Pseudoscience&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2014</title>
    <link href="https://mlarson.org/2014/03/11/million-dollar-baby-ive-had-this-near-the-top-of/"/>
    <updated>2014-03-11T03:17:18.000Z</updated>
    <id>https://mlarson.org/2014/03/11/million-dollar-baby-ive-had-this-near-the-top-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/03/tumblr_n294y6eecb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Million_Dollar_Baby&#34;&gt;Million Dollar Baby&lt;/a&gt;. I’ve had this near the top of my &lt;a href=&#34;https://www.mlarson.org/tag/clinteastwood&#34;&gt;Eastwood&lt;/a&gt; rankings for a while, but I started to wonder if I was due for a reevaluation. It’s good, but I think memory rounded off some of the rough edges. Rankings are getting a bit absurd, but I think you can safely say that numbers 1-4 are in the must-see tier, 5-8 are worthwhile, 9-11 you can safely skip, while only 12 is what I’d call straight-up bad.&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1003768775/unforgiven-this-is-a-very-very-good-movie&#34;&gt;Unforgiven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/827964597/gran-torino-weaknesses-up-front-theres-some&#34;&gt;Gran Torino&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11732690139/mystic-river-great-movie-dang-i-was-immediately&#34;&gt;Mystic River&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/975408225/the-outlaw-josey-wales-i-wouldnt-call-this-a&#34;&gt;The Outlaw Josey Wales&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/10441529132/changeling-man-clint-eastwood-has-a-steady-hand&#34;&gt;Changeling&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/25020202591/hereafter-the-ending-is-way-too-cute-and&#34;&gt;Hereafter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Million_Dollar_Baby&#34;&gt;Million Dollar Baby&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/16987378917/the-gauntlet-they-used-at-least&#34;&gt;The Gauntlet&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/12007093086/high-plains-drifter-this-is-one-of-those-movies&#34;&gt;High Plains Drifter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1109867081/bird-a-pretty-good-eastwood-directed-biopic-about&#34;&gt;Bird&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/972193682/midnight-in-the-garden-of-good-and-evil-couldnt&#34;&gt;Midnight in the Garden of Good and Evil&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2014</title>
    <link href="https://mlarson.org/2014/02/28/why-hollywood-will-never-look-the-same-again-on/"/>
    <updated>2014-02-28T00:53:36.000Z</updated>
    <id>https://mlarson.org/2014/02/28/why-hollywood-will-never-look-the-same-again-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1ol5cbrtg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nofilmschool.com/2014/02/why-hollywood-will-never-look-the-same-again-on-film-leds-in-la-ny/&#34;&gt;Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA &amp;amp; NY « No Film School&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In a sense, every night exterior LA-shot film previous to this change is rendered a sort of anthropological artifact, an historical document of obsolete urban infrastructure.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Now I want to give &lt;a href=&#34;http://tumblr.mlarson.org/post/11701039611/collateral-totally-forgot-mark-ruffalo-was-in&#34;&gt;Collateral&lt;/a&gt; another shot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Lego Movie</title>
    <link href="https://mlarson.org/2014/02/24/the-lego-movie-i-had-heard-that-this-was-better/"/>
    <updated>2014-02-24T14:14:03.000Z</updated>
    <id>https://mlarson.org/2014/02/24/the-lego-movie-i-had-heard-that-this-was-better/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1havyz9m31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_lego_movie&#34;&gt;The Lego Movie&lt;/a&gt;. I had heard that this was better than you’d think, but it was still so wildly beyond my expectations. (My &lt;a href=&#34;https://twitter.com/mlarson/status/437092324955664384&#34;&gt;first reaction&lt;/a&gt; might still hold. I’ll need to mull it over a it more.) The story is pretty straightforward, but they build in a lot of good meta-movie/genre tropes and the sense of humor was right up my alley (both the wit and the dumb gags). And it’s gorgeous. The verrrrry very end doesn’t quite work for me, but geez. What a treat.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2014</title>
    <link href="https://mlarson.org/2014/02/23/life-is-a-game-this-is-your-strategy-guide/"/>
    <updated>2014-02-23T15:53:55.000Z</updated>
    <id>https://mlarson.org/2014/02/23/life-is-a-game-this-is-your-strategy-guide/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1ghd3xllr1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://oliveremberton.com/2014/life-is-a-game-this-is-your-strategy-guide/&#34;&gt;Life is a game. This is your strategy guide&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2014</title>
    <link href="https://mlarson.org/2014/02/23/the-risks-worth-taking-austin-kleon-believe-me/"/>
    <updated>2014-02-23T15:53:49.000Z</updated>
    <id>https://mlarson.org/2014/02/23/the-risks-worth-taking-austin-kleon-believe-me/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1gh9opxpc1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://austinkleon.com/2014/02/05/the-risks-worth-taking/&#34;&gt;The Risks Worth Taking - Austin Kleon&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Believe me, when I quit my day job almost two years ago, it was not an act of bravery, and if it was a risk, it was an extremely calculated one.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Skyfall</title>
    <link href="https://mlarson.org/2014/02/23/skyfall-uhhh-i-fell-asleep-theres-some-good/"/>
    <updated>2014-02-23T15:53:43.000Z</updated>
    <id>https://mlarson.org/2014/02/23/skyfall-uhhh-i-fell-asleep-theres-some-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1empckcxf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Skyfall&#34;&gt;Skyfall&lt;/a&gt;. Uhhh… I fell asleep. There’s some good location porn though. Word on the street is &lt;em&gt;Quantum of Solace&lt;/em&gt; is the worst one? Haven’t seen it, but I’m skeptical. I guess Bond in general just isn’t my thing. &lt;a href=&#34;http://tumblr.mlarson.org/post/23549939555/casino-royale-i-admitted-on-twitter-that-id&#34;&gt;Casino Royale&lt;/a&gt; was pretty good, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Bling Ring</title>
    <link href="https://mlarson.org/2014/02/23/the-bling-ring-its-not-amazing-characterization/"/>
    <updated>2014-02-23T15:53:37.000Z</updated>
    <id>https://mlarson.org/2014/02/23/the-bling-ring-its-not-amazing-characterization/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1em6sjvbp1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Bling_Ring&#34;&gt;The Bling Ring&lt;/a&gt;. It’s not amazing (characterization is pretty weak (but it doesn’t seem to be trying (but maybe it would help?))), but it does have an addictive energy to it. There’s one burglary that’s caught in a one-take long shot that’s just perfect. I need to catch up on Sofia Coppola’s other stuff. &lt;a href=&#34;http://tumblr.mlarson.org/post/3327527898/the-virgin-suicides-i-liked-this-one-quite-a&#34;&gt;The Virgin Suicides&lt;/a&gt; and &lt;em&gt;Lost in Translation&lt;/em&gt; are pretty brilliant.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 22, 2014</title>
    <link href="https://mlarson.org/2014/02/22/2013-double-feature-her-don-jon-the/"/>
    <updated>2014-02-22T15:52:15.000Z</updated>
    <id>https://mlarson.org/2014/02/22/2013-double-feature-her-don-jon-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1ejqpgggh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thedissolve.com/features/2013-double-feature/385-2013-double-feature-her-don-jon/&#34;&gt;2013 Double Feature: Her / Don Jon / The Dissolve&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Samantha and Barbara are idealized, objectified versions of women based on the main characters’ tastes. In Don Jon, Gordon-Levitt’s Jon repeatedly calls Barbara the most perfect thing—note the “thing”—he’s ever seen, an evaluation based primarily on her physical resemblance to the women in the pornography he spends hours watching each day. In Her, Samantha is literally the ideal woman for Joaquin Phoenix’s sad-sack Theodore Twombly, an intuitive piece of technology that adapts to him, without him even realizing she’s doing it. She’s everything he wants, without him having to say, or even understand, what he wants.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Armageddon</title>
    <link href="https://mlarson.org/2014/02/22/armageddon-ebert-summarized-it-correctly-here/"/>
    <updated>2014-02-22T15:51:56.000Z</updated>
    <id>https://mlarson.org/2014/02/22/armageddon-ebert-summarized-it-correctly-here/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/02/tumblr_n1em07x4im1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Armageddon_film%0Ahttps://en.wikipedia.org/wiki/Armageddon_film&#34;&gt;Armageddon&lt;/a&gt;. Ebert summarized it correctly (“Here it is at last, the first 150-minute trailer.”), but I enjoyed it more than he did. Some terrible writing and comedy hasn’t aged well, but the melodrama and spectacle holds up. I’d totally forgotten about the hyper-idealized middle-America nostalgia in there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Philip Seymour Hoffman: The End of Quitting</title>
    <link href="https://mlarson.org/2014/02/22/philip-seymour-hoffman-the-end-of-quitting/"/>
    <updated>2014-02-22T14:43:03.000Z</updated>
    <id>https://mlarson.org/2014/02/22/philip-seymour-hoffman-the-end-of-quitting/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He knew the habit wasn’t worth it. The inevitable consequences had long resonated, I’m sure. But the culture that says that such remembering, taken one day at a time, is the key to recovery is the culture that drives so many — even those who have sought help in the past — to die in the shadows. It’s just too embarrassing to admit you did it anyway. Again.&lt;/p&gt;
&lt;p&gt;There are limits to empathy. Every addict lives in fear of reaching them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/essay/philip-seymour-hoffman-end-quitting-just-end-quitting-quittings-end/&#34;&gt;Philip Seymour Hoffman: The End of Quitting&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Angry Robot: Not about online photo storage really</title>
    <link href="https://mlarson.org/2014/02/22/angry-robot-not-about-online-photo-storage-really/"/>
    <updated>2014-02-22T14:41:37.000Z</updated>
    <id>https://mlarson.org/2014/02/22/angry-robot-not-about-online-photo-storage-really/</id>
    <content type="html">&lt;p&gt;As &lt;a href=&#34;http://funkaoshi.com/linklog/link-15177&#34;&gt;Ramanan said&lt;/a&gt;, “some proper-ass blogging right here”.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://angryrobot.ca/2014/02/10/not-about-online-photo-storage-really&#34;&gt;Angry Robot: Not about online photo storage really&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Возвращение (The Return)</title>
    <link href="https://mlarson.org/2014/01/28/возвращение-the-return-first-of-all-just-a/"/>
    <updated>2014-01-28T03:32:31.000Z</updated>
    <id>https://mlarson.org/2014/01/28/возвращение-the-return-first-of-all-just-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_n03dltnqnv1qzcye0o1_540.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Return_%282003_film%29&#34;&gt;Возвращение (The Return)&lt;/a&gt;. First of all: just a ridiculously gorgeous and beautifully shot movie. I dig the desaturated blue-grey metallic finish to the whole thing. You can take the story as presented and see a good, moody, thoughtful mystery unfold… or you can put on your analytical hat and pull out plenty of theological/mythical/psychological/allegorical stuff. Either way, you win. Really enjoyed seeing a few scenes/shots mirrored at later points (a moment in bed is reprised in the rowboat; compare a shot of the brothers on the boat trip out with the one on the way back; etc.) If you’re looking for another amazing movie that revolves around two boys, mysterious boats, and a mysterious man, you have to see &lt;a href=&#34;http://tumblr.mlarson.org/post/67308744397/mud-best-summarized-in-this-review-i-stumbled&#34;&gt;Mud&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cameras as a Means to Create Long-form Photography</title>
    <link href="https://mlarson.org/2014/01/26/cameras-as-a-means-to-create-long-form-photography/"/>
    <updated>2014-01-26T17:19:25.000Z</updated>
    <id>https://mlarson.org/2014/01/26/cameras-as-a-means-to-create-long-form-photography/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In the same way that mobile has enabled us to share our thoughts quickly in short-form, the smartphone camera has made it easy to quickly share a short-form image.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Clunkiness of the phrase aside, I like what he’s getting at here.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://conradstoll.com/blog/2014/1/12/cameras-as-a-means-to-create-long-form-photography&#34;&gt;Cameras as a Means to Create Long-form Photography&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stanford Man: Richard Sherman and the Thug Athlete Narrative «</title>
    <link href="https://mlarson.org/2014/01/26/stanford-man-richard-sherman-and-the-thug-athlete/"/>
    <updated>2014-01-26T17:18:31.000Z</updated>
    <id>https://mlarson.org/2014/01/26/stanford-man-richard-sherman-and-the-thug-athlete/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;And while the intentions were good, and helped shift some of the conversation about him back in his favor, it shouldn’t be a primary argument when given the all-too-common task of proving someone isn’t a thug. If anything, it’s harmful logic. Because the next Richard Sherman may not have attended Stanford. So what then?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://grantland.com/the-triangle/stanford-man-richard-sherman-and-the-thug-athlete-narrative/&#34;&gt;Stanford Man: Richard Sherman and the Thug Athlete Narrative «&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hunter</title>
    <link href="https://mlarson.org/2014/01/22/the-hunter-dang-i-love-this-movie-previously/"/>
    <updated>2014-01-22T03:05:09.000Z</updated>
    <id>https://mlarson.org/2014/01/22/the-hunter-dang-i-love-this-movie-previously/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzs8fkwghe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Hunter_%282011_Australian_film%29&#34;&gt;The Hunter&lt;/a&gt;. Dang, I love this movie. (&lt;a href=&#34;http://tumblr.mlarson.org/post/38909094326/the-hunter-great-movie-dafoe-is-awesome-per&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Her</title>
    <link href="https://mlarson.org/2014/01/22/her-i-still-like-it-previously/"/>
    <updated>2014-01-22T02:38:47.000Z</updated>
    <id>https://mlarson.org/2014/01/22/her-i-still-like-it-previously/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzs7coek7r1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Her_%28film%29&#34;&gt;Her&lt;/a&gt;. I still like it! (&lt;a href=&#34;http://tumblr.mlarson.org/post/73269386347/her-i-expected-to-love-it-i-did-and-i-still-was&#34;&gt;Previously&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 21, 2014</title>
    <link href="https://mlarson.org/2014/01/21/never-try-to-look-cool-and-learn-something-at-the/"/>
    <updated>2014-01-21T13:48:05.000Z</updated>
    <id>https://mlarson.org/2014/01/21/never-try-to-look-cool-and-learn-something-at-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Never try to look cool and learn something at the same time. You must have an awkward phase.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/entertainment/archive/2014/01/neil-brennan-white-americas-greatest-klingon-writer/283172/&#34;&gt;Ta-Nehisi Coates&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kanye West</title>
    <link href="https://mlarson.org/2014/01/21/kanye-west/"/>
    <updated>2014-01-21T04:51:19.000Z</updated>
    <id>https://mlarson.org/2014/01/21/kanye-west/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I was a music producer, and everyone was telling me that I had no business becoming a rapper, so it gave me the opportunity to tell everyone, “Hey, I need some time to recover.” But during that recovery period, I just spent all my time honing my craft and making The College Dropout. Without that period, there would have been so many phone calls and so many people putting pressure on me from every direction—so many people I somehow owed something to—and I would have never had the time to do what I wanted to.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.interviewmagazine.com/music/kanye-west&#34;&gt;Kanye West&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jack Reacher</title>
    <link href="https://mlarson.org/2014/01/20/jack-reacher-pulpy-ridiculous-and-just-barely/"/>
    <updated>2014-01-20T01:59:22.000Z</updated>
    <id>https://mlarson.org/2014/01/20/jack-reacher-pulpy-ridiculous-and-just-barely/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzdg67pfjx1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Jack_Reacher_%28film%29&#34;&gt;Jack Reacher&lt;/a&gt;. Pulpy, ridiculous, and just barely passable thriller. Tom Cruise, though. I love how pretty much every female in the movie starts drooling whenever he passes by. He’s a pretty remorseless “hero”, but interesting to see him enact a very personal brand/blend of justice and opportunism.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Learning to Measure Time in Love and Loss</title>
    <link href="https://mlarson.org/2014/01/20/learning-to-measure-time-in-love-and-loss/"/>
    <updated>2014-01-20T01:46:52.000Z</updated>
    <id>https://mlarson.org/2014/01/20/learning-to-measure-time-in-love-and-loss/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/12/29/fashion/learning-to-measure-time-in-love-and-loss.html?pagewanted=all&#34;&gt;Learning to Measure Time in Love and Loss&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Her</title>
    <link href="https://mlarson.org/2014/01/14/her-i-expected-to-love-it-i-did-and-i-still-was/"/>
    <updated>2014-01-14T03:20:00.000Z</updated>
    <id>https://mlarson.org/2014/01/14/her-i-expected-to-love-it-i-did-and-i-still-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzdfwt0mup1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Her_(film)&#34;&gt;Her&lt;/a&gt;. I expected to love it, I did, and I still was pleasantly surprised with some of the mordant humans-are-screwed humor and the science-fiction-y, speculative thoughtfulness. It’s pretty wonderful. Shout-out to movies that rely on conversation and subtle music. Also neat to see a movie set in the comfortable future - nothing crazy here, just a few plausible tweaks that have had some time to settle in. Some of the writing and face-acting didn’t work for me, but for ideas and smarts, I will forgive many things. Also, seeing Joaquin Phoenix and Amy Adams on screen together again made me want to re-watch &lt;a href=&#34;http://tumblr.mlarson.org/post/44084499205/the-master-phoenix-was-robbed-right-where-ddl&#34;&gt;The Master&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Wolf of Wall Street</title>
    <link href="https://mlarson.org/2014/01/14/the-wolf-of-wall-street-if-scorsese-has-any-one/"/>
    <updated>2014-01-14T03:10:01.000Z</updated>
    <id>https://mlarson.org/2014/01/14/the-wolf-of-wall-street-if-scorsese-has-any-one/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzdfgb89k71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Wolf_of_Wall_Street_(2013_film)&#34;&gt;The Wolf of Wall Street&lt;/a&gt;. If Scorsese has any one gift, it is making a scene longer than it needs to be, and somehow not ruining it. If he has a second gift, it’s all the filmic energy that he gets out of moving a camera. Repulsive behavior has rarely been so much fun. Much better than &lt;a href=&#34;http://tumblr.mlarson.org/post/15211915548/wall-street-first-movie-i-saw-in-2012-because&#34;&gt;Wall Street&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/46351498557/spring-breakers-great-movie-surface-appeal-is&#34;&gt;Spring Breakers&lt;/a&gt; is another good debauched horror story.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Hustle</title>
    <link href="https://mlarson.org/2014/01/14/american-hustle-disappointed-with-the-ending-but/"/>
    <updated>2014-01-14T03:00:04.000Z</updated>
    <id>https://mlarson.org/2014/01/14/american-hustle-disappointed-with-the-ending-but/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzdezpsqoz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/American_Hustle_(2013_film)&#34;&gt;American Hustle&lt;/a&gt;. Disappointed with the ending, but that’s heist movies for ya. I should note that most of my disappointment was because most of the movie has such an enjoyable, playful ambiguity to it. You spend so much time on your toes, wondering what these folks are really up to, because there’s no real obvious villain or goal, and then it all wraps up too neatly for my taste. But Amy Adams is so good, the sets and stuff are a trip, and there’s some fun visual gags in there. I’d also recommend David O. Russell’s &lt;a href=&#34;http://tumblr.mlarson.org/post/2139963484/three-kings-the-setting-is-iraq-at-the-end-of-the&#34;&gt;Three Kings&lt;/a&gt;, which has a lot of the same energy and restlessness.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Arbitrage</title>
    <link href="https://mlarson.org/2014/01/14/arbitrage-throws-you-in-the-middle-and-lets-you/"/>
    <updated>2014-01-14T02:53:00.000Z</updated>
    <id>https://mlarson.org/2014/01/14/arbitrage-throws-you-in-the-middle-and-lets-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzb54rkkg31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Arbitrage_(film)&#34;&gt;Arbitrage&lt;/a&gt;. Throws you in the middle and lets you figure out the details, as you watch a dude try to keep his composure while bullshitting his way through a very bad week. If you like this, you may also like &lt;a href=&#34;http://tumblr.mlarson.org/post/320599973/michael-clayton-i-was-really-impressed-with-this&#34;&gt;Michael Clayton&lt;/a&gt; (I do), which is similar in its cool, polished tone - dig &lt;a href=&#34;http://www.youtube.com/watch?v=v3Pva5Xvs0I&amp;amp;list=PL5ZA2MWTbsEDhV1mCKL2kwGWAYQoqKSaW&#34;&gt;the soundtrack&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Miami Vice</title>
    <link href="https://mlarson.org/2014/01/14/miami-vice-this-second-time-around-i-was-more/"/>
    <updated>2014-01-14T02:47:00.000Z</updated>
    <id>https://mlarson.org/2014/01/14/miami-vice-this-second-time-around-i-was-more/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2014/01/tumblr_mzb4xumcbf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Miami_Vice_(film)&#34;&gt;Miami Vice&lt;/a&gt;. This second time around, I was more struck with 1) the noir-iness of the whole thing, and 2) the emphasis on non-verbal communication (gesture, expression, eye contact exchanges, posture, observation &amp;amp; reaction) instead of dialogue. It’s pretty compact storytelling. &lt;a href=&#34;http://tumblr.mlarson.org/post/30524846101/miami-vice-its-not-nearly-as-good-as-his-best&#34;&gt;My first review&lt;/a&gt; - I might bump it to number 4 or 5 in my &lt;a href=&#34;https://www.mlarson.org/tag/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; rankings now. &lt;a href=&#34;http://www.ferdyonfilms.com/2011/miami-vice-2006/8397/&#34;&gt;Roderick Heath’s review&lt;/a&gt; is a must-read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Started a Joke: &#34;PBR&amp;amp;B&#34; and What Genres Mean Now | Pitchfork</title>
    <link href="https://mlarson.org/2014/01/07/i-started-a-joke-pbrb-and-what-genres-mean-now/"/>
    <updated>2014-01-07T03:56:28.000Z</updated>
    <id>https://mlarson.org/2014/01/07/i-started-a-joke-pbrb-and-what-genres-mean-now/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This is what genres do really well, for good and for ill: They make large amounts of music easier to talk about (and, by extension, sell). Most often, genres do not stand up to scrutiny, yet they’re a fundamental part not only of music discussions online and off, but of any conversations we have about culture more generally. Particularly with the infinite online options for music access and conversation, pithy and memorable genre names can make it easier (if not necessarily accurate) to classify, discuss, and compare music. Genres arise out of tastes, and are often institutionalized (I wrote about one such example here), though online there’s infinitely more space to create, market, sort and search by micro-genres. (Remember “witch house”?) People have lengthy, years-long arguments using genres as combatants. If nothing else, genres make music easier to fight about.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/thepitch/95-i-started-a-joke-the-saga-of-pbrb/&#34;&gt;I Started a Joke: &amp;quot;PBR&amp;amp;B&amp;quot; and What Genres Mean Now | Pitchfork&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What I Discovered on My Flash Drive</title>
    <link href="https://mlarson.org/2014/01/07/what-i-discovered-on-my-flash-drive/"/>
    <updated>2014-01-07T03:53:57.000Z</updated>
    <id>https://mlarson.org/2014/01/07/what-i-discovered-on-my-flash-drive/</id>
    <content type="html">&lt;p&gt;I really like the whole mood and vibe of this review. A smart writer who’s not super-invested in the industry or the product in general, but still curious and open-minded, talking about a new-to-them thing.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I pulled the car — it resembles a growling alien insect — into her high school’s parking lot, and I half-accidentally revved the engine as I came into view. The resulting snort of sound made six dozen pairs of eyeballs swivel in our direction. The only way I can describe this blast is to borrow a phrase from the rock critic Lester Bangs: “imperative groin thunder.” I felt like an idiot. But I went with it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/12/22/automobiles/autoreviews/what-i-discovered-on-my-flash-drive.html?pagewanted=all&#34;&gt;What I Discovered on My Flash Drive&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Metropolitan, or How I Learned to Stop Kvetching and Love Christmas by Ben Mauk</title>
    <link href="https://mlarson.org/2014/01/07/metropolitan-or-how-i-learned-to-stop-kvetching/"/>
    <updated>2014-01-07T03:00:22.000Z</updated>
    <id>https://mlarson.org/2014/01/07/metropolitan-or-how-i-learned-to-stop-kvetching/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The other first thing you notice is the vibe of &lt;em&gt;Peanuts Take Manhattan&lt;/em&gt;. &lt;em&gt;Metropolitan&lt;/em&gt; exists in a world populated solely by children and, moreover, by children who act comically adult-like. Parents are rarely mentioned, and even more rarely in-scene. (“I don’t think I’ve met anyone’s parents,” Tom notes.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Good appreciation here. I need to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/14940265927/metropolitan-i-loved-it-what-we-have-is-a&#34;&gt;Metropolitan&lt;/a&gt; again. I’ve liked all of the &lt;a href=&#34;https://www.mlarson.org/tag/whitstillman&#34;&gt;Whit Stillman movies I’ve seen&lt;/a&gt;. &lt;a href=&#34;http://brightwalldarkroom.com/post/2484849110/metropolitan-1990&#34;&gt;Metropolitan, or How I Learned to Stop Kvetching and Love Christmas by Ben Mauk&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jerry Seinfeld on how to be funny without sex and swearing</title>
    <link href="https://mlarson.org/2014/01/05/jerry-seinfeld-on-how-to-be-funny-without-sex-and/"/>
    <updated>2014-01-05T20:21:00.000Z</updated>
    <id>https://mlarson.org/2014/01/05/jerry-seinfeld-on-how-to-be-funny-without-sex-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“Comedians are known for having long marriages,” he says. Why? “I have to apologise for the self-serving answer I’m going to give you, but: we’re smart. If you’re smart, you stay married if you can. Marriage is hard for everyone – that’s a basic fact – but it’s a better life if you can do it. Very nice. Very relaxing. Very enjoyable.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To this day, Seinfeld still marks crosses on a calendar, keeping regular hours (albeit relaxed ones: most days, he says, he’ll meet a friend for a two-hour breakfast) and spending 20 minutes a day doing Transcendental Meditation, which is the only topic to jolt him from his default nonchalance into real enthusiasm: “I could do the whole interview about TM, to be honest, but we’d just lose everybody. I’ll describe it very simply: it’s like you have a phone, and somebody gives you a charger for it. And so now you can recover from this exhausting experience of being a human, twice a day. It’s deep rest. Now that’s something that can help people. As opposed to this idiotic calendar thing.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/culture/2014/jan/05/jerry-seinfeld-funny-sex-swearing-sitcom-comedy&#34;&gt;Jerry Seinfeld on how to be funny without sex and swearing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2014</title>
    <link href="https://mlarson.org/2014/01/02/markrichardson-matthewmcvickar/"/>
    <updated>2014-01-02T00:29:45.000Z</updated>
    <id>https://mlarson.org/2014/01/02/markrichardson-matthewmcvickar/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;http://api.soundcloud.com/tracks/127343178/stream?client_id=N2eHz8D7GtXSl6fTtcGHdSJiS74xqOUI?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;[soundcloud url=&amp;quot;&lt;a href=&#34;http://api.soundcloud.com/tracks/127343178&#34;&gt;http://api.soundcloud.com/tracks/127343178&lt;/a&gt;&amp;quot; params=&amp;quot;visual=true&amp;amp;liking=false&amp;amp;sharing=false&amp;amp;auto_play=false&amp;amp;show_comments=false&amp;amp;continuous_play=false&amp;amp;origin=tumblr&amp;quot; width=&amp;quot;100%&amp;quot; height=&amp;quot;540&amp;quot; iframe=&amp;quot;true&amp;quot; /]&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.markrichardson.org/post/71822789453/matthewmcvickar&#34;&gt;markrichardson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/71795945660/2013-sounds&#34;&gt;matthewmcvickar&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;2013:&lt;/em&gt;&lt;/strong&gt; &lt;strong&gt;&lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/71668048289/2013-musically-and-otherwise&#34;&gt;Roundup&lt;/a&gt; • &lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/71767817468/2013-favorite-albums&#34;&gt;Albums&lt;/a&gt; • &lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/71767804447/2013-favorite-songs&#34;&gt;Songs&lt;/a&gt; • &lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/71775276655/2013-favorite-music-writing&#34;&gt;Writing&lt;/a&gt; • &lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/71795945660/2013-sounds&#34;&gt;Sounds&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This is the third annual installment of my favorite sounds and moments from music this year. All sounds have been extracted from their songs and smashed together in the SoundCloud player above; the list is below so you can follow along.&lt;/p&gt;
&lt;p&gt;(I first did this &lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/14941264323/2011-sounds&#34;&gt;in 2011&lt;/a&gt; and again &lt;a href=&#34;http://matthewmcvickar.tumblr.com/post/44781803792/sounds-2012&#34;&gt;in 2012&lt;/a&gt;.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;For three years now I’ve enjoyed Matthew’s collage of his favorite sounds of the year; you might enjoy it too.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is pretty wonderful.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Year Music Failed to Blockbust</title>
    <link href="https://mlarson.org/2013/12/23/the-year-music-failed-to-blockbust/"/>
    <updated>2013-12-23T15:51:04.000Z</updated>
    <id>https://mlarson.org/2013/12/23/the-year-music-failed-to-blockbust/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Music fans tend to regard the implosion of the record industry like most Americans think about overseas wars — we know it’s out there, and it’s very likely bad, but we quickly grow tired of hearing about it because it doesn’t appear to affect us directly.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See my &lt;a href=&#34;https://www.mlarson.org/tag/stevenhyden&#34;&gt;Steven Hyden&lt;/a&gt; tag for a couple other of his music articles I’ve liked. &lt;a href=&#34;http://www.grantland.com/story/_/id/10149470/lady-gaga-katy-perry-eminem-justin-timberlake-beyonce-year-music&#34;&gt;The Year Music Failed to Blockbust&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Njál&#39;s Saga (review)</title>
    <link href="https://mlarson.org/2013/12/23/20131215njals-saga-review/"/>
    <updated>2013-12-23T15:36:46.000Z</updated>
    <id>https://mlarson.org/2013/12/23/20131215njals-saga-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Njals-Saga-Penguin-Classics-Anonymous/dp/0140447695&#34;&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/12/tumblr_my9nlvsdap1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;With law our land shall rise, but it will perish with lawlessness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Poor Njál. He&#39;s caught in the middle of a bunch of hotheads, and his own sons are among the worst of the lot. (&amp;quot;I&#39;m not in on their planning, but I was seldom left out when their plans were good.&amp;quot;) &lt;a href=&#34;http://www.amazon.com/Njals-Saga-Penguin-Classics-Anonymous/dp/0140447695&#34;&gt;Njál&#39;s Saga&lt;/a&gt; is a tale of a multi-decade blood feud in Iceland, and it was one of the most fun, bizarrely addictive books I read this year. Fun, because it&#39;s full of dudes swinging axes at each other, and various neighborhood troublemakers that keep spurring them on. There was one battle that had me leaping out of my chair, where Njál&#39;s sons get in a fight on a frozen river. Dudes are jumping and slashing and sliding across the ice like something out of a movie. It&#39;s fantastic. It&#39;s not all action-hero bravado, though. (&amp;quot;Only speak out if you are pushed hard and intend to act.&amp;quot;) What made the page-turning feel so strange is that, for all the action there is, it&#39;s balanced out by a lot of legal wrangling and arbitration. It helps that this story is so deeply rooted in real events, and real people (lots of folks can trace their heritage back to specific characters), and real places (many of which &lt;a href=&#34;http://www.mlarson.org/?tag=iceland&#34;&gt;I traveled through a few years ago&lt;/a&gt;). It&#39;s not quite strict history, but you can think of it as highly dramatized truth. And part of the messy truth of real life involves a lot of repetitive conversations and agreements and bargains and compromises. You have this society, one of the earliest democracies we know about. They&#39;re making a go at having laws, contracts, and legal procedures, and sticking to them. They&#39;re eking by at the environmental and social fringe. It&#39;s all so fragile. Heartbreaking.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You&#39;re not letting another man&#39;s woe be your warning, as the saying goes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I have to mention another part of what made this book work for me: I read the introductory material. That extra bit of context helps it all come alive. I don&#39;t think I&#39;d still be chipping away at &lt;a href=&#34;https://en.wikipedia.org/wiki/Histories_(Herodotus)&#34;&gt;The Histories&lt;/a&gt; for 17 months and counting if I hadn&#39;t read the opening essays. I used to always, always skip that stuff for... no good reason, really. Now I always, always read it. You never know what you&#39;ll sell yourself on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Taken</title>
    <link href="https://mlarson.org/2013/12/16/taken-preposterous-fantasy-fulfillment-popcorn/"/>
    <updated>2013-12-16T13:49:37.000Z</updated>
    <id>https://mlarson.org/2013/12/16/taken-preposterous-fantasy-fulfillment-popcorn/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/12/tumblr_mxvpr5ras51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Taken_(film)&#34;&gt;Taken&lt;/a&gt;. Preposterous fantasy fulfillment popcorn flick that has everything you need, if that’s all you seek. Tough guy does cool shit! Gérard Watkins was perfect in his brief appearance. Liam Neeson also has a great badass role in &lt;a href=&#34;http://tumblr.mlarson.org/post/40544040250/the-grey-its-great-watch-it-there-are&#34;&gt;The Grey&lt;/a&gt;. If you’re looking for another good abduction/chase movie set in Paris, you need to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/19868011926/a-bout-portant-point-blank-some-movies-do-all&#34;&gt;À bout portant (Point Blank)&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2013</title>
    <link href="https://mlarson.org/2013/12/16/he-who-travels-to-be-amused-or-to-get-somewhat/"/>
    <updated>2013-12-16T13:48:50.000Z</updated>
    <id>https://mlarson.org/2013/12/16/he-who-travels-to-be-amused-or-to-get-somewhat/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He who travels to be amused, or to get somewhat which he does not carry, travels away from himself, and grows old even in youth among old things. In Thebes, in Palmyra, his will and mind have become old and dilapidated as they. He carries ruins to ruins.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ryanholiday.net/emerson-on-travel/&#34;&gt;Ralph Waldo Emerson&lt;/a&gt; in &lt;a href=&#34;http://www.emersoncentral.com/selfreliance.htm&#34;&gt;Self Reliance&lt;/a&gt;. Pretty clear echoes of &lt;a href=&#34;http://thriceholy.net/Texts/Tranquility.html&#34;&gt;Seneca&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;They undertake one journey after another and change spectacle for spectacle. As Lucretius says: “&lt;a href=&#34;http://tumblr.mlarson.org/post/9996718399/thus-ever-from-himself-doth-each-man-flee&#34;&gt;Thus ever from himself doth each man flee&lt;/a&gt;.” But what does he gain if he does not escape from himself? He ever follows himself and weighs upon himself as his own most burdensome companion.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Anorexia, the Impossible Subject</title>
    <link href="https://mlarson.org/2013/12/16/anorexia-the-impossible-subject/"/>
    <updated>2013-12-16T13:48:11.000Z</updated>
    <id>https://mlarson.org/2013/12/16/anorexia-the-impossible-subject/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you want to be a beautiful writer, not wanting to connect your illness to your brilliance is nearly impossible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/books/2013/12/anorexia-the-impossible-subject.html&#34;&gt;Anorexia, the Impossible Subject&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Struggle (review)</title>
    <link href="https://mlarson.org/2013/12/16/20131020my-struggle-review/"/>
    <updated>2013-12-16T00:08:58.000Z</updated>
    <id>https://mlarson.org/2013/12/16/20131020my-struggle-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/12/tumblr_mxvkcllouj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It wasn&#39;t a question of keeping away from something, it was a question of something not existing; nothing about him touched me. That was how it had been, but then I had sat down to write, and the tears poured forth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It&#39;s been a while since I finished &lt;a href=&#34;http://www.amazon.com/My-Struggle-Karl-Ove-Knausgaard/dp/0374534144/&#34;&gt;My Struggle&lt;/a&gt; - mid-September, I think - but it has stuck with me. When I finished it, I wasn&#39;t sure if I&#39;d read Knausgård&#39;s second volume, to say nothing of the third, fourth, fifth and sixth. I pre-ordered the second last week. Reading this book is a strange experience. It&#39;s rarely fun. The book opens with a reflection on death, closes with death, and in between are all manner of musings and journalings about muddling through life and fatherhood. But it&#39;s a great exercise in being aware, a wake-up call. Despite relying on some pretty intense memory-dredging, it doesn&#39;t quite feel sentimental (&amp;quot;Nostalgia is not only shameless, it is also treacherous.&amp;quot;). The challenge seems to be to examine the past so closely that you can let it go - the contrast with what&#39;s actually here and now becomes too stark to ignore. And there&#39;s a weird addictive quality to it, despite how dark it is sometimes. The writing is mostly functional, rather than poetic or luminous or whatever. And the boldness of his oversharing helps. But it&#39;s the occasional big, beautiful payoff that makes the slogging really worthwhile. (And some of it is indeed pure slog - the 100-page story of a New Year&#39;s Eve beer run is… something else.) There are delights like this description, taken from a section about his college days, when he discovered Theodor Adorno&#39;s writing:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This heavy, intricate, detailed, precise language whose aim was to elevate thought ever higher, and where every period was set like a mountaineer&#39;s cleat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Such a great image! Or this, trying to capture the feeling of falling in love with a painting:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Yes, yes yes. That&#39;s where it is. That&#39;s where I have to go.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Been there, for sure. I suppose when you write so much without filtering or apparent embarrassment (on life as a teen: &amp;quot;I have never been in any doubt that this is what girls I have tried my luck with have seen in my eyes. Too much desire, too little hope.&amp;quot;), there&#39;s bound to be some memorable parts. Let it all pour out, and see what works. Like this passage early on, when he, a middle-aged guy, is thinking back to what it felt like to be a kid around his father, and using his now-adult perspective to reflect on what it was like to &lt;em&gt;be&lt;/em&gt; his father, now that time has made him his father&#39;s peer, in a way:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;While my days were jampacked with meaning, when each step opened a new opportunity, and when every opportunity filled me to the brim, in a way which now is actually incomprehensible, the meaning of his days was not concentrated in individual events but spread over such large areas that it was not possible to comprehend them in anything other than abstract terms. &amp;quot;Family&amp;quot; was one such term, &amp;quot;career&amp;quot; another.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Speaking of being a father, here he is on the birth of first child:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There has never been so much future in my life as at that time, never so much joy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So beautiful. But as Knausgård doesn&#39;t seem to have much of a filter, nothing remains quite that simple or tidy:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Nothing I had previously experienced warned me about the invasion into your life that having children entails. [...] Your own worst sides are no longer something you can keep to yourself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He&#39;s not afraid to acknowledge ambivalence. (That bit, by the way, reminded me of &lt;a href=&#34;http://tumblr.mlarson.org/post/28339657202/unhappy-husband-must-look-past-cliche-the-washington&#34;&gt;Carolyn Hax talking about introverts having children&lt;/a&gt;.) Along with the mundane details - like the dozens of scenes where&#39;s he&#39;s hanging out with someone and making coffee, tea, etc. - there are some more philosophical asides. In a passage that mirrors the opening and the closing of the book, he talks about death and and how our language mirrors the way we don&#39;t quite accept it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;While the person is alive the name refers to the body, to where it resides, to what it does; the name becomes detached from the body when it dies and remains with the living, who, when they use the name always mean the person he was, never the person he is now, a body which lies rotting somewhere. [...] Death might be beyond the term and beyond life, but it is not beyond the world.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;These little excerpts don&#39;t quite capture it, though. It really is a book better experienced in huge chunks. Recommended. Filed under: &lt;a href=&#34;http://www.mlarson.org/tag/bookreviews&#34;&gt;books I’ve reviewed&lt;/a&gt;. I also enjoyed this &lt;a href=&#34;http://lareviewofbooks.org/essay/recapturing-the-world-with-karl-ove-knausgaard/&#34;&gt;LARB review&lt;/a&gt; and this &lt;a href=&#34;http://www.bookforum.com/interview/11771&#34;&gt;Bookforum interview&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Joe Jonas: My Life As a Jonas Brother</title>
    <link href="https://mlarson.org/2013/12/11/joe-jonas-my-life-as-a-jonas-brother/"/>
    <updated>2013-12-11T03:15:07.000Z</updated>
    <id>https://mlarson.org/2013/12/11/joe-jonas-my-life-as-a-jonas-brother/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Being a part of the Disney thing for so long will make you not want to be this perfect little puppet forever. Eventually, I hit a limit and thought, Screw all this, I’m just going to show people who I am. I think that happened to a lot of us. Disney kids are spunky in some way, and I think that’s why Disney hires them. “Look, he jumped up on the table!” Five, six, ten years later, they’re like, “Oh! What do we do?” Come on, guys. You did this to yourselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Who knows how much of this is just really good, massaged PR messaging, but still. An interesting look from the inside out.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2013/11/joe-jonas-talks-jonas-brothers.html&#34;&gt;Joe Jonas: My Life As a Jonas Brother&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kyle Korver&#39;s Big Night, and the Day on the Ocean That Made It Possible</title>
    <link href="https://mlarson.org/2013/12/11/kyle-korvers-big-night-and-the-day-on-the-ocean/"/>
    <updated>2013-12-11T03:14:57.000Z</updated>
    <id>https://mlarson.org/2013/12/11/kyle-korvers-big-night-and-the-day-on-the-ocean/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The point is, as we’re paddleboarding [25 miles] … there wasn’t a tree, there wasn’t a corner, there weren’t mile markers. You had to break it down even smaller. Into the stroke. So I sat there and tried to perfect my stroke each time I pull. The angles of how I’m pulling the paddle back and going forward. How long I’m going. How I’m using my wrist. All these things. You try to make the stroke perfect.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/practice&#34;&gt;practice&lt;/a&gt;. &lt;a href=&#34;http://www.grantland.com/blog/the-triangle/post/_/id/85159/kyle-korvers-big-night-and-the-day-on-the-ocean-that-made-it-possible&#34;&gt;Kyle Korver&#39;s Big Night, and the Day on the Ocean That Made It Possible&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dallas Buyers Club</title>
    <link href="https://mlarson.org/2013/12/11/dallas-buyers-club-its-not-great-but-never/"/>
    <updated>2013-12-11T03:11:18.000Z</updated>
    <id>https://mlarson.org/2013/12/11/dallas-buyers-club-its-not-great-but-never/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/12/tumblr_mxknplrmfa1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Dallas_Buyer&#39;s_Club&#34;&gt;Dallas Buyers Club&lt;/a&gt;. It’s not great, but never really goes wrong, and I like the moment-to-moment push and urgency of the thing. Great to see a likable hero who never remotely approaches perfection. &lt;a href=&#34;https://www.mlarson.org/tag/matthewmcconaughey&#34;&gt;Matthew McConaughey&lt;/a&gt; is something special.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Critical thinking #4: Daniel Mendelsohn</title>
    <link href="https://mlarson.org/2013/12/06/critical-thinking-4-daniel-mendelsohn/"/>
    <updated>2013-12-06T14:46:21.000Z</updated>
    <id>https://mlarson.org/2013/12/06/critical-thinking-4-daniel-mendelsohn/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I always tease them at the beginning of the semester about their writing—I say, “Whenever you write me at 11 o’clock on a Thursday night begging me for an extension on the paper, the prose is always so beautiful and the email is so wonderfully structured.” It’s a joke, but it’s also not a joke—in that situation they understand the rhetoric of the form to which they’re committing themselves: They understand who they are as a writer and a beseecher, they understand who I am as the person in charge, they understand what evidence to adduce in their favour—their dog died, their computer broke or whatever. Which is why the email begging for the paper extension is always a well-written piece. But whenever they have to write three paragraphs about women in &lt;em&gt;Genesis&lt;/em&gt; or whatever—when they have to make an &lt;em&gt;argument&lt;/em&gt;—it’s basically “word salad,” because they’ve never read anything that presents a text, wrestles with it and comes up with some conclusions. For that reason, I think it’s better that they should be reading Pauline Kael reviews in the &lt;em&gt;New Yorker&lt;/em&gt; than Derrida.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/danielmendelsohn&#34;&gt;Daniel Mendelsohn&lt;/a&gt;. &lt;a href=&#34;http://www.prospectmagazine.co.uk/magazine/critical-thinking-interview-daniel-mendelsohn/#.UqHV0_RDuSr&#34;&gt;Critical thinking #4: Daniel Mendelsohn&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 2, 2013</title>
    <link href="https://mlarson.org/2013/12/02/quick-shout-out-the-cutting-class-is-one-of-my/"/>
    <updated>2013-12-02T18:01:21.000Z</updated>
    <id>https://mlarson.org/2013/12/02/quick-shout-out-the-cutting-class-is-one-of-my/</id>
    <content type="html">&lt;p&gt;Quick shout-out: &lt;a href=&#34;http://thecuttingclass.com/&#34;&gt;The Cutting Class&lt;/a&gt; is one of my favorite tumblrs. It is a true joy to stumble on writing like this, where someone smart points out things that you’d never notice and makes you aware of a whole other world of smarts that you’d otherwise never know about.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2013</title>
    <link href="https://mlarson.org/2013/12/01/be-gentle-especially-when-youre-right/"/>
    <updated>2013-12-01T21:46:48.000Z</updated>
    <id>https://mlarson.org/2013/12/01/be-gentle-especially-when-youre-right/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Be gentle especially when you’re right.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-who-merits-compassion-in-a-family-struggle-centered-on-an-abusive-mom/2013/11/27/656c92e2-4caf-11e3-9890-a1e0997fb0c0_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2013</title>
    <link href="https://mlarson.org/2013/12/01/nerdology-azertip-bruce-timm-best-intro-in/"/>
    <updated>2013-12-01T21:46:18.000Z</updated>
    <id>https://mlarson.org/2013/12/01/nerdology-azertip-bruce-timm-best-intro-in/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://nerdology.tumblr.com/post/66305290397&#34;&gt;nerdology&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://azertip.tumblr.com/post/65876351554/bruce-timm&#34;&gt;azertip&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h3&gt;&lt;a href=&#34;https://www.google.be/url?sa=t&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=web&amp;amp;cd=2&amp;amp;cad=rja&amp;amp;ved=0CEEQFjAB&amp;amp;url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FBruce_Timm&amp;amp;ei=ARx2UtWEJoWTtQa0xYCQCw&amp;amp;usg=AFQjCNGrb8xpdy_g6wW89mwGkUBEIjkdyA&amp;amp;sig2=OlP03qbzWUYMlM6e-dWcbg&amp;amp;bvm=bv.55819444,d.Yms&#34;&gt;Bruce Timm&lt;/a&gt;&lt;/h3&gt;
&lt;/blockquote&gt;
&lt;p&gt;Best intro in television history.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=mC9mFPki0BY&#34;&gt;What an opening&lt;/a&gt;! &lt;em&gt;Batman: The Animated Series&lt;/em&gt; is still one of my favorite shows.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 30, 2013</title>
    <link href="https://mlarson.org/2013/11/30/markrichardson-i-feel-like-this-song-was-for/"/>
    <updated>2013-11-30T03:04:17.000Z</updated>
    <id>https://mlarson.org/2013/11/30/markrichardson-i-feel-like-this-song-was-for/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/Kw6h4mZO1oU&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.markrichardson.org/post/68205636612/i-feel-like-this-song-was-for-many-american&#34;&gt;markrichardson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I feel like this song was, for many American children, an introduction to Deep Thinking. Even at age 8 or 9 you heard this and thought something like, “There is some essential yearning and sadness and an essential sense of loss in life that we can’t escape, though many things are also beautiful and happy and the power of love and human connection is very real,” even if your mind didn’t yet have all these words in that order.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 30, 2013</title>
    <link href="https://mlarson.org/2013/11/30/dad-magazine-thanksgiving-edition-the-value-of/"/>
    <updated>2013-11-30T02:52:11.000Z</updated>
    <id>https://mlarson.org/2013/11/30/dad-magazine-thanksgiving-edition-the-value-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mx1fn3gbxo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://the-toast.net/2013/11/28/dad-magazine-thanksgiving/&#34;&gt;Dad Magazine: Thanksgiving Edition&lt;/a&gt;. “The Value of a Dollar: Dads Weigh In”. &lt;a href=&#34;http://the-toast.net/tag/dad-magazine/&#34;&gt;Check out the archives&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Oblivion</title>
    <link href="https://mlarson.org/2013/11/30/oblivion-if-you-have-seen-and-enjoyed-a-science/"/>
    <updated>2013-11-30T02:52:00.000Z</updated>
    <id>https://mlarson.org/2013/11/30/oblivion-if-you-have-seen-and-enjoyed-a-science/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mx21o3jn121qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Oblivion_(2013_film)&#34;&gt;Oblivion&lt;/a&gt;. If you have seen and enjoyed a science fiction movie, you will probably find something to like here, where they’re all mixed and mashed into a movie that’s far from perfect, but more than good enough. Easy to find plotlines and moods from movies like &lt;a href=&#34;http://tumblr.mlarson.org/post/364184524/moon-i-really-liked-this-one-in-the-end-good&#34;&gt;Moon&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;Solaris&lt;/a&gt;, the new &lt;a href=&#34;http://tumblr.mlarson.org/post/30359506876/solaris-2002-i-really-liked-the-tarkovsky&#34;&gt;Solaris&lt;/a&gt;, &lt;em&gt;2001&lt;/em&gt;, &lt;em&gt;The Matrix&lt;/em&gt;, &lt;em&gt;WALL·E&lt;/em&gt;, &lt;em&gt;Star Wars&lt;/em&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/startrek&#34;&gt;Star Trek&lt;/a&gt;. (I particularly like the space-captain-retiring-to-California parallels with &lt;a href=&#34;http://tumblr.mlarson.org/post/42559018665/star-trek-v-the-final-frontier-the-star-trio-is&#34;&gt;Star Trek V: The Final Frontier&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/42854068353/star-trek-generations-it-is-simply-not-as-good&#34;&gt;Star Trek: Generations&lt;/a&gt;). I would have been okay with more time exploring the love/memory/identity stuff and less generic action, but no biggie. Outside of the plot, a few areas I was impressed by: camerawork with a smart sense of space and geography; world/technology design and general gorgeousness; and a &lt;a href=&#34;http://www.amazon.com/Oblivion-Original-Motion-Picture-Soundtrack/dp/B00C1XZ2LQ&#34;&gt;good soundtrack by M83&lt;/a&gt;, et al.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>12 Years a Slave</title>
    <link href="https://mlarson.org/2013/11/26/12-years-a-slave-not-sure-how-to-talk-about-this/"/>
    <updated>2013-11-26T03:21:32.000Z</updated>
    <id>https://mlarson.org/2013/11/26/12-years-a-slave-not-sure-how-to-talk-about-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mwsmcx332i1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/12_Years_a_Slave_%28film%29&#34;&gt;12 Years a Slave&lt;/a&gt;. Not sure how to talk about this one. Hard to watch. At times it is very, very on-the-nose. If you’ve seen &lt;a href=&#34;https://www.mlarson.org/tag/stevemcqueen&#34;&gt;Steve McQueen&lt;/a&gt;’s &lt;a href=&#34;http://tumblr.mlarson.org/post/19157282394/shame-just-like-with-hunger-my-interest-rarely&#34;&gt;Shame&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/15401355390/hunger-not-sure-how-i-feel-about-this-one&#34;&gt;Hunger&lt;/a&gt;, this will be no surprise. But it’s strange that it doesn’t feel… dramatic. It is focused. It is facts. It also makes you feel some of the same unease (the score is a huge contributor here). The movie is all in the protagonist’s perspective, which unfortunately means everyone else can seem a little flat (despite the cast being awesome), or merely functional. But it also puts you in the center, witnessing the moral bargains and compromises, comparing and contrasting how each person manages an impossible situation, and perhaps suggesting the futility of passing judgment on how each copes. A couple more things to note. I’m not sure if it was intentional or not, but you don’t get the sense of time passing, though it’s ostensibly twelve years we see. Could definitely be by design - the monotony and sameness by design - I’m just not sure. And I gotta say, I’m not thrilled with Brad Pitt’s late appearance. He’s got too much star power to show up so late, in such a role, for so short a period. I couldn’t quite get used to him. It’s not his fault, though. Anyway, good movie. The contrast with &lt;a href=&#34;http://tumblr.mlarson.org/post/39675509203/django-unchained-the-best-way-to-summarize-my&#34;&gt;Django Unchained&lt;/a&gt; could not be more stark.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Professor Sees Parallels Between Things, Other Things</title>
    <link href="https://mlarson.org/2013/11/26/professor-sees-parallels-between-things-other/"/>
    <updated>2013-11-26T03:06:17.000Z</updated>
    <id>https://mlarson.org/2013/11/26/professor-sees-parallels-between-things-other/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/professor-sees-parallels-between-things-other-thin,5692/&#34;&gt;Professor Sees Parallels Between Things, Other Things&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Enough Said</title>
    <link href="https://mlarson.org/2013/11/25/enough-said-sometimes-we-are-our-own-worst-enemy/"/>
    <updated>2013-11-25T00:22:57.000Z</updated>
    <id>https://mlarson.org/2013/11/25/enough-said-sometimes-we-are-our-own-worst-enemy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mwslgaldsz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Enough_Said_%28film%29&#34;&gt;Enough Said&lt;/a&gt;. Sometimes we are our own worst enemy, as they say. Louis-Dreyfus is a genius. Gandolfini is instantly lovable. Keener plays a perfect flaky narcissist. Such a good heart to this movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In the Mood for Love</title>
    <link href="https://mlarson.org/2013/11/25/in-the-mood-for-love-gorgeous-seductive-movie/"/>
    <updated>2013-11-25T00:22:30.000Z</updated>
    <id>https://mlarson.org/2013/11/25/in-the-mood-for-love-gorgeous-seductive-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mwskmamjsa1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/In_the_Mood_for_Love&#34;&gt;In the Mood for Love&lt;/a&gt;. Gorgeous, seductive movie. One of the dilemmas here is, (how) can you get what you want if you don’t want to be the kind of person that would do what it takes to get it? When you’re watching it, it’s easy to sympathize with the protagonists, but afterward… don’t they seem a little, um, weird? I love the parallels in setting and architecture. They’re so hemmed in, so much kept inside. Thematically, it pairs well with &lt;a href=&#34;https://www.mlarson.org/tag/davidlean&#34;&gt;David Lean&lt;/a&gt;’s &lt;a href=&#34;http://tumblr.mlarson.org/post/555100892/brief-encounter-this-was-pretty-good-i-enjoyed&#34;&gt;Brief Encounter&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 21, 2013</title>
    <link href="https://mlarson.org/2013/11/21/1-on-1-basketball-game-don-cornelius-vs-marvin/"/>
    <updated>2013-11-21T01:58:11.000Z</updated>
    <id>https://mlarson.org/2013/11/21/1-on-1-basketball-game-don-cornelius-vs-marvin/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://media.mtvnservices.com/embed/mgid:uma:video:vh1.com:479509/cp~vid%3D479509%26uri%3Dmgid%3Auma%3Avideo%3Avh1.com%3A479509&#34;&gt;http://media.mtvnservices.com/embed/mgid:uma:video:vh1.com:479509/cp~vid%3D479509%26uri%3Dmgid%3Auma%3Avideo%3Avh1.com%3A479509&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vh1.com/shows/&#34;&gt;TV Shows&lt;/a&gt; - &lt;a href=&#34;http://www.vh1.com/video/full_episodes.jhtml&#34;&gt;Full Episode Video&lt;/a&gt; - &lt;a href=&#34;http://www.vh1.com/shows/&#34;&gt;Reality TV Shows&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vh1.com/video/misc/479509/1-on-1-basketball-game-don-cornelius-vs-marvin-gaye.jhtml&#34;&gt;1-on-1 Basketball Game: Don Cornelius vs Marvin Gaye&lt;/a&gt;. Ref&#39;ed by Smokey Robinson. If ever there were a video at the center of an important-to-me Venn diagram, it’s this one.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://media.mtvnservices.com/&#34;&gt;http://media.mtvnservices.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man vs. Corpse</title>
    <link href="https://mlarson.org/2013/11/18/man-vs-corpse/"/>
    <updated>2013-11-18T22:06:07.000Z</updated>
    <id>https://mlarson.org/2013/11/18/man-vs-corpse/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The postapocalyptic scenario—the future in which everyone’s a corpse (except you)—must be, at this point, one of the most thoroughly imagined fictions of the age.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2013/dec/05/zadie-smith-man-vs-corpse/&#34;&gt;Man vs. Corpse&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How we&#39;re dying</title>
    <link href="https://mlarson.org/2013/11/18/how-were-dying/"/>
    <updated>2013-11-18T15:05:42.000Z</updated>
    <id>https://mlarson.org/2013/11/18/how-were-dying/</id>
    <content type="html">&lt;p&gt;Catching up on my RSS, seeing these two from Marginal Revolution in close succession caught my attention. I had no idea:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2013/11/firearms-and-suicides-in-us-states.html&#34;&gt;Suicides outnumber homicides&lt;/a&gt; in the United States by 3:1.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2013/11/sentences-to-ponder-72.html&#34;&gt;Prescription painkillers&lt;/a&gt; now kill more Americans than heroin and cocaine combined, according to the CDC.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;:( Take care.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>An Interview With Steve Reich, Who Rewrote Radiohead</title>
    <link href="https://mlarson.org/2013/11/18/an-interview-with-steve-reich-who-rewrote/"/>
    <updated>2013-11-18T01:38:00.000Z</updated>
    <id>https://mlarson.org/2013/11/18/an-interview-with-steve-reich-who-rewrote/</id>
    <content type="html">&lt;p&gt;Steve Reich can talk a mile. The most amusing, Reich-splaining part of this interview is him talking about how, exactly, he was influenced by jazz.:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Yeah, sure, all jazz is improvisation. What I’m saying is what jazz is for me is yes, improvisation is a big part of it, I understand that and I’m just not a very good improviser and I’m not interested in improvisation at all, but I understand that it’s a very, very important part of music. What interests me in jazz is the feel of jazz, the tones of jazz, the gestures of jazz, the way John Coltrane sounds as opposed to some classical saxophone is like two different universes. I’ve had a tremendous influence where, when I was a kid I took piano lessons, but it wasn’t until the age of 14—when I was a kid before the age of 14 I never heard a note of music before 1750, I never heard a note of music after Wagner, and I never heard any real jazz, I heard you know, pop music and all kinds of Broadway shows and that kind of stuff. But at the age of 14 for the first time I heard the The Rite of Spring, the 5th Brandenburg Concerto, and Miles Davis, Charlie Parker, and the drummer Kenny Clarke and I decided I want to be Kenny Clarke and I started studying percussion at the age of 14. I studied with Roland Kohloff, who was the local great drummer and later became the timpanist with the New York Philharmonic, and I remained a drummer ever since. And so hence all the percussion in my group. And I went down to hear Miles Davis and Kenny Clarke and Thelonious Monk and Horace Silver and Art Blakey and the Jazz Messengers and all those groups started when I was 14 years old, on through high school, on through college when I got to Juilliard and continued doing it, and I started listening particularly to John Coltrane. I got out to the West Coast and I was studying with Luciano Berio during the day, and every time he was in town I would go to hear John Coltrane at night. Now what was it I learned, improvisation? No, forget about it. What I learned was this: John Coltrane could play for half an hour on one harmony. Think of the album, or if you don’t think of it, go out and buy it or steal it whatever, called “&lt;a href=&#34;https://www.youtube.com/watch?v=Ptdybmhd4R4&#34;&gt;Africa Brass&lt;/a&gt;”. Do you know it? “Africa Brass” is 17 minutes and it’s all on the low E of the double bass. So if you go to a jazz musician and say ‘hey man, what are the harmonic changes of “Africa Brass” - “This is E” “well what changes?”.”E for 17 minutes!” “Well that sounds strange, how are you going to play one harmony for 17 minutes?” Well I’ll tell you how: you have incredible melodic invention from Coltrane himself, who’s either playing gorgeous melodies or screaming noise through his horn, you have incredible timbral variety because he was working with another great jazz musician Eric Dolphy, who arranged all the brass in the “Africa Brass” and part of it was french horn, which sounded like elephants coming through the jungle. He also was working with Elvin Jones, who as you may know, is a drummer who sounds like he’s two or three or four drummers all at once. If you have rhythmic complexity, timbral variety and melodic invention, then you can stay put on a single harmony for half an hour, and it’s fascinating, it’s fantastic, it gives it more intensity because you’re focused on these other things. And in a funny way my piece “Drumming” doesn’t sound like “Africa Brass”. I didn’t even think about “Africa Brass”, but really it syncs the exact same way. There’s one slight change of key in the glock section, but basically it’s in six sharps for an hour. It doesn’t change. Because of the rhythmic complexity in the drums, the complete change of timbre into marimbas, and the rhythmic complexity and the melodic invention of the women’s voices and then the complete change of timbre into glockenspiel and the melodies in the flutes and piccolo and whistling, and then the complete change of timbre to all those instruments playing together you can listen to one key for an hour and enjoy it. So my interest in jazz is in gestures, the way Kenny Clarke could make an entire band sort of float in a magical way I never heard in any classical music, and the gesture of tones, the style of playing, THAT’S what I loved about jazz.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He also closes talking about his Radiohead piece and a great rant about artists getting expensed out of NYC. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/stevereich&#34;&gt;Steve Reich&lt;/a&gt;. &lt;a href=&#34;http://gothamist.com/2013/11/15/an_interview_with_steve_reich_who_r.php&#34;&gt;An Interview With Steve Reich, Who Rewrote Radiohead&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mud</title>
    <link href="https://mlarson.org/2013/11/17/mud-best-summarized-in-this-review-i-stumbled/"/>
    <updated>2013-11-17T23:32:32.000Z</updated>
    <id>https://mlarson.org/2013/11/17/mud-best-summarized-in-this-review-i-stumbled/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mwfjmu0qoc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Mud_(2012_film)&#34;&gt;Mud&lt;/a&gt;. Best summarized in &lt;a href=&#34;http://www.patheos.com/blogs/dochollywood/2013/05/mud-mcconaughey-on-the-mississippi-is-an-instant-classic/&#34;&gt;this review&lt;/a&gt; I stumbled upon where I lifted the still above: “Mud reminds us that the most special effect is compelling characters caught in a vexing situation.” Check and check. I loved this movie. &lt;a href=&#34;https://www.mlarson.org/tag/jeffnichols&#34;&gt;Jeff Nichols&lt;/a&gt; is on a roll right now, after directing &lt;a href=&#34;http://tumblr.mlarson.org/post/5422480856/shotgun-stories-two-sets-of-half-brothers-feud&#34;&gt;Shotgun Stories&lt;/a&gt;, and then &lt;a href=&#34;http://tumblr.mlarson.org/post/18913084251/take-shelter-this-one-isnt-great-as-a-thriller&#34;&gt;Take Shelter&lt;/a&gt;, and then this. I’m excited for whatever is next.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2013</title>
    <link href="https://mlarson.org/2013/11/17/atlanta-to-atlantis-an-outkast-retrospective/"/>
    <updated>2013-11-17T23:24:04.000Z</updated>
    <id>https://mlarson.org/2013/11/17/atlanta-to-atlantis-an-outkast-retrospective/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mwfjixytdc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/articles/9253-outkast/&#34;&gt;Atlanta to Atlantis: An OutKast Retrospective | Pitchfork&lt;/a&gt;. Essential reading.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The poet and the player was the tagline; the truth is that you never knew who was who.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Richie Incognito, Jonathan Martin, and the Miami Dolphins bullying scandal - Grantland</title>
    <link href="https://mlarson.org/2013/11/17/richie-incognito-jonathan-martin-and-the-miami/"/>
    <updated>2013-11-17T22:35:42.000Z</updated>
    <id>https://mlarson.org/2013/11/17/richie-incognito-jonathan-martin-and-the-miami/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No one thought Joe Theismann was soft for leaving the game when his leg was hanging sideways. Sometimes the brain goes sideways, and when that happens, “brave” or “cowardly” shouldn’t even come into it. Seeking help is just the practical thing to do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9939308/richie-incognito-jonathan-martin-miami-dolphins-bullying-scandal&#34;&gt;Richie Incognito, Jonathan Martin, and the Miami Dolphins bullying scandal - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A MARTA story in tweets from @lainshakespeare</title>
    <link href="https://mlarson.org/2013/11/17/a-marta-story-in-tweets-from-lainshakespeare/"/>
    <updated>2013-11-17T22:35:00.000Z</updated>
    <id>https://mlarson.org/2013/11/17/a-marta-story-in-tweets-from-lainshakespeare/</id>
    <content type="html">&lt;p&gt;So jealous of &lt;a href=&#34;http://www.twitter.com/lainshakespeare&#34;&gt;Lain Shakespeare&lt;/a&gt;’s Atlanta moment:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Dude on MARTA dances alone in the center of the car. He’s good! An onlooker criticizes, says he’s not dancing “ATL enough” &amp;amp; challenges him.&lt;/p&gt;
&lt;p&gt;— Lain Shakespeare (@lainshakespeare) &lt;a href=&#34;https://twitter.com/lainshakespeare/statuses/401531610358886400&#34;&gt;November 16, 2013&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The onlooker gets up and dances to show how it’s done. He’s good too! They dance battle. Everyone else is half-delighted, half-uneasy.&lt;/p&gt;
&lt;p&gt;— Lain Shakespeare (@lainshakespeare) &lt;a href=&#34;https://twitter.com/lainshakespeare/statuses/401531766449926144&#34;&gt;November 16, 2013&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We pull into a station, they stop. Meanwhile, a woman gets caught moving between cars. The door jams! Moment of panic, then she tumbles out.&lt;/p&gt;
&lt;p&gt;— Lain Shakespeare (@lainshakespeare) &lt;a href=&#34;https://twitter.com/lainshakespeare/statuses/401532041701117952&#34;&gt;November 16, 2013&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;She nearly falls over, regains footing by momentum-dancing up the aisle. She’s embarrassed but rolling with it, right toward battle dudes.&lt;/p&gt;
&lt;p&gt;— Lain Shakespeare (@lainshakespeare) &lt;a href=&#34;https://twitter.com/lainshakespeare/statuses/401532236216147968&#34;&gt;November 16, 2013&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Battle dudes recognize her embarrassment &amp;amp; dance-beckon. They all dance together until the next stop. Everyone is delighted! Cheers erupt.&lt;/p&gt;
&lt;p&gt;— Lain Shakespeare (@lainshakespeare) &lt;a href=&#34;https://twitter.com/lainshakespeare/statuses/401532373759975424&#34;&gt;November 16, 2013&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We arrive at the next stop. Everyone sits, the crowd elated. The moment passes with delighted hush. As if on beat, the second dancer says:&lt;/p&gt;
&lt;p&gt;— Lain Shakespeare (@lainshakespeare) &lt;a href=&#34;https://twitter.com/lainshakespeare/statuses/401532498527928320&#34;&gt;November 16, 2013&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Yo, who wants to buy some liquor?!” He opens a backpack revealing like twenty mini vodka bottles. And right then, the door opened: my stop.&lt;/p&gt;
&lt;p&gt;— Lain Shakespeare (@lainshakespeare) &lt;a href=&#34;https://twitter.com/lainshakespeare/statuses/401532747615059968&#34;&gt;November 16, 2013&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2013</title>
    <link href="https://mlarson.org/2013/11/15/how-a-densely-populated-neighborhood-became-turner/"/>
    <updated>2013-11-15T15:32:41.000Z</updated>
    <id>https://mlarson.org/2013/11/15/how-a-densely-populated-neighborhood-became-turner/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mwb9shs3011qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://homer.gsu.edu/blogs/library/2013/11/14/how-a-densely-populated-neighborhood-became-turner-field-a-map-essay/&#34;&gt;How a Densely Populated Neighborhood Became Turner Field: A Map Essay | Georgia State University Library Blog&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2013</title>
    <link href="https://mlarson.org/2013/11/15/saying-good-bye-as-the-braves-leave-atlanta-for/"/>
    <updated>2013-11-15T15:31:56.000Z</updated>
    <id>https://mlarson.org/2013/11/15/saying-good-bye-as-the-braves-leave-atlanta-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mw8lpbx3e11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/blog/the-triangle/post/_/id/82022/saying-good-bye-as-the-braves-leave-atlanta-for-atlanta&#34;&gt;Saying Good-bye As the Braves Leave Atlanta for ‘Atlanta’ - Grantland&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Nothing in this message is a lie, or even exaggerated, once you realize who the audience is. This message isn’t directed toward the Atlanta city-dweller. The “you, our fans” is not targeted at a person who lives in the city of Atlanta. It’s targeted at everyone in that dark-red blot that lives in the city’s northern suburbs. If you’re a fan who lives in these suburban areas, today is a great day. It has long been a hassle to get to Turner Field — because it involves going all the way to Atlanta to see the Atlanta Braves.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Schulz on the Terrors, Pleasures of Robert Frost -- Vulture</title>
    <link href="https://mlarson.org/2013/11/15/schulz-on-the-terrors-pleasures-of-robert-frost/"/>
    <updated>2013-11-15T15:24:19.000Z</updated>
    <id>https://mlarson.org/2013/11/15/schulz-on-the-terrors-pleasures-of-robert-frost/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He doesn’t say one thing while meaning something else: He says one thing, wholly means it—and also means something else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2012/05/the-art-of-robert-frost-tim-kendall.html&#34;&gt;Schulz on the Terrors, Pleasures of Robert Frost -- Vulture&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2013</title>
    <link href="https://mlarson.org/2013/11/15/ecantwell-i-have-become-a-big-fan-of-sunrises/"/>
    <updated>2013-11-15T15:24:11.000Z</updated>
    <id>https://mlarson.org/2013/11/15/ecantwell-i-have-become-a-big-fan-of-sunrises/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mw5pinfsst1qz9swpo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ecantwell.tumblr.com/post/66781324570/i-have-become-a-big-fan-of-sunrises-lately&#34;&gt;ecantwell&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I have become a big fan of sunrises lately. Sunsets get all the credit, all the social media likes, all the romance. Sure, okay, more people are &lt;em&gt;awake&lt;/em&gt; when the sun sets (especially these post-daylight-savings days), but I think there is also something &lt;em&gt;lingering&lt;/em&gt; about a sunset that allows it to be mused over and loved and savored by its admirers. Sunrises, as I have come to observe, are often over very fast. The gorgeous part doesn’t hang around. It is there and then it is not.&lt;/p&gt;
&lt;p&gt;It is there and then it is not and then it’s time to eat breakfast, to answer emails, to fight traffic, to stare at the clock, to spend money, to feel tired, to wish you were somewhere else. You can’t settle into a sunrise with a glass of wine and a nice book. You can’t use it as a chance to reflect on things.&lt;/p&gt;
&lt;p&gt;Sunrises are capricious and selfish. They are not interested in rewarding you. They are the kind of lover who leaves when the act is over. This is brave of them. They don’t want to cater to your needs. They don’t want to perform for you on cue. They take care of themselves, they are gorgeous when they want to be, they are not ashamed to become mundane again very quickly.&lt;/p&gt;
&lt;p&gt;And yet how can you wake up to this and not feel somehow more whole, more alive, more determined? Walk into it, walk through it. It will be gone too soon not to dive in like some holy Olympian. Take it by its stupid reins and ride it into the ground. You’re only awake like this for a minute.&lt;/p&gt;
&lt;p&gt;Don’t waste it.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Bobulate: A short history of my long workout</title>
    <link href="https://mlarson.org/2013/11/15/bobulate-a-short-history-of-my-long-workout/"/>
    <updated>2013-11-15T15:22:45.000Z</updated>
    <id>https://mlarson.org/2013/11/15/bobulate-a-short-history-of-my-long-workout/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bobulate.com/post/66747529569/a-short-history-of-my-long-workout&#34;&gt;bobulate&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Analytics recently captured:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Miles scrolled on my work mouse: 542&lt;/li&gt;
&lt;li&gt;Miles scrolled on my home mouse: 1,213&lt;/li&gt;
&lt;li&gt;Miles scrolled on the Apple Mighty Mouse: 1,401&lt;/li&gt;
&lt;li&gt;Miles scrolled on the Apple Magic Mouse: 354&lt;/li&gt;
&lt;li&gt;Miles scrolled on the Apple Magic Trackpad: n/a&lt;/li&gt;
&lt;li&gt;Miles scrolled on the iPod Classic: 2,384&lt;/li&gt;
&lt;li&gt;…&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bobulate.com/post/66747529569/a-short-history-of-my-long-workout&#34;&gt;Bobulate: A short history of my long workout&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2013</title>
    <link href="https://mlarson.org/2013/11/05/gotemcoach-look-away-steph-curry-had-a-3-on-1/"/>
    <updated>2013-11-05T22:43:36.000Z</updated>
    <id>https://mlarson.org/2013/11/05/gotemcoach-look-away-steph-curry-had-a-3-on-1/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/66028027557/look-away-steph-curry-had-a-3-on-1-break-against&#34;&gt;gotemcoach&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;LOOK AWAY&lt;/strong&gt;&lt;/em&gt;: Steph Curry had a 3-on-1 break against the Clippers, so naturally he pulled up and shot a 3-pointer (and got fouled = 4-point play).  That’s not why I posted this &lt;a href=&#34;http://gotemcoach.com/tagged/GIF&#34; title=&#34;click for more GIFs&#34;&gt;&lt;em&gt;&lt;strong&gt;GIF&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt; though. Just look at the faces of the crushed Clippers fans in the stands who can do nothing but look away. &lt;strong&gt;My Power Rankings:&lt;/strong&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Brunette lady in blue Clippers jersey&lt;/li&gt;
&lt;li&gt;Guy who exhales, grabs Dodgers cap&lt;/li&gt;
&lt;li&gt;Older white guy shaking his head&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com&#34; title=&#34;follow&#34;&gt;&lt;em&gt;&lt;strong&gt;#GotEmCoach&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2013</title>
    <link href="https://mlarson.org/2013/11/03/alright-gotta-get-this-out-of-my-system-i-took/"/>
    <updated>2013-11-03T21:13:45.000Z</updated>
    <id>https://mlarson.org/2013/11/03/alright-gotta-get-this-out-of-my-system-i-took/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/11/tumblr_mv1vzpyryy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Alright, gotta get this out of my system. I took this photo a few weeks ago when I went back up to Dahlonega, the small town in north Georgia where I was born and spent the first half of my life. This is the first house we lived in. And, take my word for it, this is a flattering photo. The place has… seen better days. I keep pulling up this picture so I can hate-look at it. I hope that one day, if I ever buy a house, I will remember that it might have been where someone else grew up. My memories are still in pristine condition, so no harm there. And I have no idea of the circumstances of the people who live there now. But part of me is like… come on. Ah well. Gotta let it go.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Logic of Stupid Poor People</title>
    <link href="https://mlarson.org/2013/11/03/the-logic-of-stupid-poor-people/"/>
    <updated>2013-11-03T21:03:39.000Z</updated>
    <id>https://mlarson.org/2013/11/03/the-logic-of-stupid-poor-people/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One person’s illogical belief is another person’s survival skill.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This essay is so damn good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tressiemc.com/2013/10/29/the-logic-of-stupid-poor-people/&#34;&gt;The Logic of Stupid Poor People&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frieze Magazine | Conservative Party</title>
    <link href="https://mlarson.org/2013/11/03/frieze-magazine-conservative-party/"/>
    <updated>2013-11-03T20:55:13.000Z</updated>
    <id>https://mlarson.org/2013/11/03/frieze-magazine-conservative-party/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are days when postwar art his­to­ry starts to sound like a Classic Rock radio station.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.frieze.com/issue/article/conservative-party/&#34;&gt;Frieze Magazine | Conservative Party&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Canon - The LARB Blog</title>
    <link href="https://mlarson.org/2013/11/03/the-new-canon-the-larb-blog/"/>
    <updated>2013-11-03T20:51:00.000Z</updated>
    <id>https://mlarson.org/2013/11/03/the-new-canon-the-larb-blog/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Through this reliance on Netflix, I’ve seen a new television pantheon begin to take form: there’s what’s streaming on Netflix, and then there’s everything else.&lt;/p&gt;
&lt;p&gt;When I ask a student what they’re watching, the answers are varied: Friday Night Lights, Scandal, It’s Always Sunny, The League, Breaking Bad, Luther, Downton Abbey, Sherlock, Arrested Development, The Walking Dead, Pretty Little Liars, Weeds, Freaks &amp;amp; Geeks, The L Word, Twin Peaks, Archer, Louie, Portlandia. What all these shows have in common, however, is that they’re all available, in full, on Netflix.&lt;/p&gt;
&lt;p&gt;Things that they haven’t watched? The Wire. Deadwood. Veronica Mars, Rome, Six Feet Under, The Sopranos. Even Sex in the City.&lt;/p&gt;
&lt;p&gt;It’s not that they don’t want to watch these shows — it’s that with so much out there, including so much so-called “quality” programs, such as Twin Peaks and Freaks &amp;amp; Geeks, to catch up on, why watch something that’s not on Netflix? Why work that hard when there’s something this easy — and arguably just as good or important — right in front of you?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Markets influence taste.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.lareviewofbooks.org/deartv/77/&#34;&gt;The New Canon - The LARB Blog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2013</title>
    <link href="https://mlarson.org/2013/11/03/i-force-myself-toward-pleasure-and-i-love-this/"/>
    <updated>2013-11-03T15:15:00.000Z</updated>
    <id>https://mlarson.org/2013/11/03/i-force-myself-toward-pleasure-and-i-love-this/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I force myself toward pleasure,&lt;br&gt;
and I love this November life&lt;br&gt;
where I run like a train&lt;br&gt;
deeper and deeper&lt;br&gt;
into the land of my enemies.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Tony Hoagland, “&lt;a href=&#34;http://writersalmanac.publicradio.org/index.php?date=2003/11/03&#34;&gt;Reasons to Survive November&lt;/a&gt;“. (via &lt;a href=&#34;http://tumblr.austinkleon.com/post/65743179178/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ninja</title>
    <link href="https://mlarson.org/2013/10/29/ninja-i-overreacted-but-that-doesnt-mean-my/"/>
    <updated>2013-10-29T03:19:33.000Z</updated>
    <id>https://mlarson.org/2013/10/29/ninja-i-overreacted-but-that-doesnt-mean-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_mveubtkefe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Ninja_(film)&#34;&gt;Ninja&lt;/a&gt;. I &lt;a href=&#34;https://mobile.twitter.com/mlarson/status/392124285533179905&#34;&gt;overreacted&lt;/a&gt;, but that doesn’t mean my opinion was wrong. I was inspired to watch this after the &lt;a href=&#34;http://www.avclub.com/articles/todays-best-action-directors-arent-working-in-holl,104394/&#34;&gt;AV Club article on direct-to-video action movies&lt;/a&gt;. You will find nothing surprising in plot or writing, and now that I think about it, a lot of the actual ass-kicking isn’t that amazing. But - huge but - this movie is pure gold when it comes to the art of moving cameras around moving bodies doing cool things. Really dynamic fight scenes that are still completely comprehensible in time and geography? Sold. E.g., the subway scene. Ultimately, it gets down to a one-on-one battle like you’d expect, which isn’t as cinematically fun. Plenty of good stuff, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Captain Phillips</title>
    <link href="https://mlarson.org/2013/10/29/captain-phillips-i-really-dug-it-hanks-is-great/"/>
    <updated>2013-10-29T03:19:27.000Z</updated>
    <id>https://mlarson.org/2013/10/29/captain-phillips-i-really-dug-it-hanks-is-great/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_mvetfs2gvn1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Captain_Phillips_(film)&#34;&gt;Captain Phillips&lt;/a&gt;. I really dug it. Hanks is great, so is Abdi. And what makes this worthwhile is that both of them get fair treatment in how the story is structured (despite the one-sided title). Pretty strong similarities to &lt;a href=&#34;http://tumblr.mlarson.org/post/41156619686/zero-dark-thirty-i-cant-think-of-many-movies&#34;&gt;Zero Dark Thirty&lt;/a&gt; in tone and tension, and how they’re not quite really about the obvious thematic baggage they might have easily tended toward. The scale of the stuff - real gigantic boats and aircraft - made me think of 80s/90s action movies. Very refreshing. Also, having captain on the bridge talking to engineering down with the engines reminded me of &lt;a href=&#34;https://www.mlarson.org/tag/startrek&#34;&gt;Star Trek&lt;/a&gt;. I really liked &lt;a href=&#34;http://www.theamericanconservative.com/millman/the-two-films-in-captain-phillips/&#34;&gt;Noah Millman’s write-up&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Arts - Agents of Change and Source of Enchantment | Catholic World Report</title>
    <link href="https://mlarson.org/2013/10/28/the-arts-agents-of-change-and-source-of/"/>
    <updated>2013-10-28T03:49:42.000Z</updated>
    <id>https://mlarson.org/2013/10/28/the-arts-agents-of-change-and-source-of/</id>
    <content type="html">&lt;p&gt;Dana Gioia:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The modern assumption that writers and artists are dreamy, impractical people is both odd and quite insulting to creative people. Sophocles was a general, Goethe a scientist and statesman. Shakespeare was the most successful entertainment entrepreneur of Renaissance England. I had no particular interest in business, but I had to make a living, and I realized that I had a talent for managing enterprises such as literary magazines and films series. So I took the plunge and went to business school. I found the business world very demanding but also a good place for hard-working and talented people—better, I think, than the university. I let absolutely no one at General Foods know that I was a poet. I kept my two lives entirely separate. It wasn’t until years later when Esquire featured me in a special issue of “Men and Women Under Forty Who Are Changing America” that my secret life was revealed to my colleagues. I didn’t enjoy the sudden celebrity. It only complicated my life. Never underestimate the advantages of anonymity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Dana’s brother Ted Gioia:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you asked me to sum up my view of music in one sentence, I could do it: music is a change agent and a source of enchantment. When people start understanding the arts in those terms, you don’t need to sell them on culture. They come out of curiosity, desire, and self-interest. Teachers can help spur this process, but it’s a different kind of teaching than you find in most classrooms&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.catholicworldreport.com/Item/2643/the_artsagents_of_change_and_source_of_enchantment.aspx&#34;&gt;The Arts - Agents of Change and Source of Enchantment | Catholic World Report&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 28, 2013</title>
    <link href="https://mlarson.org/2013/10/28/cartography-the-true-true-size-of-africa-the/"/>
    <updated>2013-10-28T03:41:02.000Z</updated>
    <id>https://mlarson.org/2013/10/28/cartography-the-true-true-size-of-africa-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_mvd0vm9mu11qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.economist.com/blogs/dailychart/2010/11/cartography&#34;&gt;Cartography: The true true size of Africa | The Economist&lt;/a&gt;. Speaking of Africa, the place is huge.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Africa&#39;s Trauma Epidemic</title>
    <link href="https://mlarson.org/2013/10/28/africa-s-trauma-epidemic/"/>
    <updated>2013-10-28T03:34:57.000Z</updated>
    <id>https://mlarson.org/2013/10/28/africa-s-trauma-epidemic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Billions of dollars have poured into the continent to fight killer diseases. But the most basic killer, injury, is neglected.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I have never once thought about this before.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/10/18/opinion/africas-trauma-epidemic.html&#34;&gt;Africa&#39;s Trauma Epidemic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2013</title>
    <link href="https://mlarson.org/2013/10/19/ecantwell-things-that-wake-up-my-baby-the/"/>
    <updated>2013-10-19T15:07:35.000Z</updated>
    <id>https://mlarson.org/2013/10/19/ecantwell-things-that-wake-up-my-baby-the/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://ecantwell.tumblr.com/post/64301629665/things-that-wake-up-my-baby-the-sound-of-me&#34;&gt;ecantwell&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Things That Wake Up My Baby:&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;the sound of me pouring milk on my cereal&lt;/li&gt;
&lt;li&gt;sneezing&lt;/li&gt;
&lt;li&gt;the door closing&lt;/li&gt;
&lt;li&gt;the dog barking at invisible squirrels&lt;/li&gt;
&lt;li&gt;a spoon stirring cream into coffee&lt;/li&gt;
&lt;li&gt;his own arms moving involuntarily&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Things That Do Not Wake Up My Baby:&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;the microwave&lt;/li&gt;
&lt;li&gt;the screams of people getting brutally murdered on television&lt;/li&gt;
&lt;li&gt;books falling on the floor&lt;/li&gt;
&lt;li&gt;the dog barking at actual men outside our house&lt;/li&gt;
&lt;li&gt;loud laughter&lt;/li&gt;
&lt;li&gt;power drills being used in the next room&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2013</title>
    <link href="https://mlarson.org/2013/10/18/3320/"/>
    <updated>2013-10-18T11:56:05.000Z</updated>
    <id>https://mlarson.org/2013/10/18/3320/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_lku4gwuvmw1qf8z5zo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2013</title>
    <link href="https://mlarson.org/2013/10/16/any-time-youre-trying-to-explain-something-based/"/>
    <updated>2013-10-16T04:22:44.000Z</updated>
    <id>https://mlarson.org/2013/10/16/any-time-youre-trying-to-explain-something-based/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Any time you’re trying to explain something based on what broad categories of people do, it’s time to stop, back up, stick to the facts at hand, and ask yourself why you’re reaching so far to get a more appealing answer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-how-much-to-expect-from-a-significant-other/2013/10/04/61bc650a-2400-11e3-b3e9-d97fb087acd6_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. My &lt;a href=&#34;https://www.mlarson.org/tag/carolynhax&#34;&gt;Hax tag&lt;/a&gt; is the best.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Film by Any Other Name - NYTimes.com</title>
    <link href="https://mlarson.org/2013/10/16/film-by-any-other-name-nytimescom/"/>
    <updated>2013-10-16T04:22:40.000Z</updated>
    <id>https://mlarson.org/2013/10/16/film-by-any-other-name-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The movies will only get bigger, shinier and more thoroughly standardized, like airports and hotels in big, business-hub capitals. But this is only half the story. […] Both the metastasis of the blockbuster and the viral replication of the small-scale art movie are digital phenomena.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/10/15/movies/film-by-any-other-name.html?smid=tw-share&amp;amp;pagewanted=all&amp;amp;_r=1&amp;amp;&#34;&gt;Film by Any Other Name - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Outrage | The Point Magazine</title>
    <link href="https://mlarson.org/2013/10/16/outrage-the-point-magazine/"/>
    <updated>2013-10-16T04:22:24.000Z</updated>
    <id>https://mlarson.org/2013/10/16/outrage-the-point-magazine/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An addiction to outrage seems to afflict writers across the political spectrum. Opponents are castigated for being insufficiently scandalized by the atrocity of the hour, and authors of offending posts are roundly demonized and ridiculed. Silver linings are rarely sought in bad news, common ground with adversaries seldom found.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Delighted to see discussion of &lt;a href=&#34;http://tumblr.mlarson.org/post/41156619686/zero-dark-thirty-i-cant-think-of-many-movies&#34;&gt;Zero Dark Thirty&lt;/a&gt; in this essay. I was so bummed out by the conversation around the movie last winter.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thepointmag.com/2013/politics/outrage&#34;&gt;Outrage | The Point Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek Into Darkness</title>
    <link href="https://mlarson.org/2013/10/15/star-trek-into-darkness-this-one-does-not-compare/"/>
    <updated>2013-10-15T02:20:40.000Z</updated>
    <id>https://mlarson.org/2013/10/15/star-trek-into-darkness-this-one-does-not-compare/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_muougbvjwb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Trek_Into_Darkness&#34;&gt;Star Trek Into Darkness&lt;/a&gt;. This one does not compare well to the other &lt;a href=&#34;https://www.mlarson.org/tag/startrek&#34;&gt;Star Trek movies&lt;/a&gt;. Fun, maybe, kinda, but there’s all kinds of narrative whiplash, and the non-Kirk, non-Spock characters aren’t quite there for me. Slapdash effort. Oh, well. I’ve still got my top 5 or 6 in the series to fall back on:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42807433613/star-trek-vi-the-undiscovered-country-this-one&#34;&gt;Star Trek VI: The Undiscovered Country&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/33614768552/star-trek-ii-the-wrath-of-khan-it-really-is&#34;&gt;Star Trek II: The Wrath of Khan&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42558816497/star-trek-iv-the-voyage-home-yeah-the-one-with&#34;&gt;Star Trek IV: The Voyage Home&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/20752921208/star-trek-the-motion-picture-and-so-it-begins&#34;&gt;Star Trek: The Motion Picture&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/43321984119/star-trek-first-contact-i-hear-this-is-the-best&#34;&gt;Star Trek: First Contact&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30894665041/star-trek-this-is-more-space-opera-than&#34;&gt;Star Trek&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/43463159882/star-trek-nemesis-i-can-see-why-they-put-the&#34;&gt;Star Trek: Nemesis&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42559018665/star-trek-v-the-final-frontier-the-star-trio-is&#34;&gt;Star Trek V: The Final Frontier&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42517923854/star-trek-iii-the-search-for-spock-the-team-goes&#34;&gt;Star Trek III: The Search for Spock&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42854068353/star-trek-generations-it-is-simply-not-as-good&#34;&gt;Star Trek: Generations&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Star Trek Into Darkness&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/43365269024/star-trek-insurrection-there-are-a-couple-of&#34;&gt;Star Trek: Insurrection&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>World War Z</title>
    <link href="https://mlarson.org/2013/10/15/world-war-z-pretty-stock-adventure-for-most-of/"/>
    <updated>2013-10-15T01:58:05.000Z</updated>
    <id>https://mlarson.org/2013/10/15/world-war-z-pretty-stock-adventure-for-most-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_muotg3wlh31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/World_War_Z_%28film%29&#34;&gt;World War Z&lt;/a&gt;. Pretty stock adventure for most of its runtime, but the last act has some nice tension. I’d still take &lt;a href=&#34;http://tumblr.mlarson.org/post/60142168677/i-am-legend-ah-dude-this-could-have-been-so&#34;&gt;I Am Legend&lt;/a&gt; or &lt;em&gt;28 Days Later&lt;/em&gt; or &lt;em&gt;Night of the Living Dead&lt;/em&gt; over this one any day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Networking into the Abyss | Jacob Silverman | The Baffler</title>
    <link href="https://mlarson.org/2013/10/15/networking-into-the-abyss-jacob-silverman-the/"/>
    <updated>2013-10-15T01:37:00.000Z</updated>
    <id>https://mlarson.org/2013/10/15/networking-into-the-abyss-jacob-silverman-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;SXSW, where only 15 percent of attendees make less than $50,000 per year.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I did not know that.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thebaffler.com/past/networking_into_the_abyss&#34;&gt;Networking into the Abyss | Jacob Silverman | The Baffler&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2013</title>
    <link href="https://mlarson.org/2013/10/14/wait-he-was-and-but-he-just/"/>
    <updated>2013-10-14T01:37:20.000Z</updated>
    <id>https://mlarson.org/2013/10/14/wait-he-was-and-but-he-just/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/63763726190&#34;&gt;Wait, he was… and but… he just…&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gravity</title>
    <link href="https://mlarson.org/2013/10/10/gravity-its-definitely-worth-seeing-very/"/>
    <updated>2013-10-10T04:09:01.000Z</updated>
    <id>https://mlarson.org/2013/10/10/gravity-its-definitely-worth-seeing-very/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_mufq4xhet81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Gravity_(film)&#34;&gt;Gravity&lt;/a&gt;. It’s definitely worth seeing. Very stressful in an entertaining way. Gotta respect a movie with moments where just grabbing a rail feels like the most important thing in the universe. It’s a steady sequence of disasters and new problems. The special effects are just tremendous. I love the way Cuarón plays with the sound, changing with the environment or how the camera or the viewpoint would experience it. The score is omnipresent, for better or worse, depending on how you feel about that sort of thing, but I liked its spacy abstraction. The writing is a real weakness I was willing to ignore in the moment, but made me sour a little bit when thinking back. The plotsplaining was a bit tedious at times (“But now we have to do X, but we have to look out for Y.”, or “It’s getting really hot in here!”), and there’s some backstory and associated melodrama that probably could have been excised, but it’s a popcorn genre film, sooooo whatever. Deal.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Conversation: Antonin Scalia</title>
    <link href="https://mlarson.org/2013/10/10/in-conversation-antonin-scalia/"/>
    <updated>2013-10-10T03:51:54.000Z</updated>
    <id>https://mlarson.org/2013/10/10/in-conversation-antonin-scalia/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What I do wish is that we were in agreement on the basic question of what we think we’re doing when we interpret the Constitution. I mean, that’s sort of rudimentary. It’s sort of an embarrassment, really, that we’re not. But some people think our job is to keep it up to date, give new meaning to whatever phrases it has. And others think it’s to give it the meaning the people ratified when they adopted it. Those are quite different views.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Really enjoyed this interview. I need to keep an eye out for this Jennifer Senior character, as I just remembered &lt;a href=&#34;http://tumblr.mlarson.org/post/44080295991/why-you-never-truly-leave-high-school-new-york&#34;&gt;her really good article on high school&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/news/features/antonin-scalia-2013-10/&#34;&gt;In Conversation: Antonin Scalia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 5, 2013</title>
    <link href="https://mlarson.org/2013/10/05/beatlemania-the-screamers-and-other-tales-of/"/>
    <updated>2013-10-05T22:11:00.000Z</updated>
    <id>https://mlarson.org/2013/10/05/beatlemania-the-screamers-and-other-tales-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_mu7urhtqfw1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://www.theguardian.com/music/2013/sep/29/beatlemania-screamers-fandom-teenagers-hysteria&#34;&gt;Beatlemania: ‘the screamers’ and other tales of fandom&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If anyone is likely to look kindly on the excesses of new generations of fans, it’s a former Beatlemaniac. “I understand when I see the One Direction kids going mad,” says Bridget Kelly. “People think they’re silly but they’re not. It’s the togetherness. We had this big communal thing that we all knew and loved and understood — something that was yours and nothing to do with your mum and dad. We were all in it together. It was lovely.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Remember &lt;a href=&#34;http://tumblr.mlarson.org/post/1603569254/patpadua-purchased-at-the-antiques-garage-in&#34;&gt;this old photo&lt;/a&gt;? Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/fandom&#34;&gt;fandom&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 5, 2013</title>
    <link href="https://mlarson.org/2013/10/05/janehu-gregorypecks-deactivated2014032-cary/"/>
    <updated>2013-10-05T22:10:20.000Z</updated>
    <id>https://mlarson.org/2013/10/05/janehu-gregorypecks-deactivated2014032-cary/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://janehu.tumblr.com/post/63192103963/cary-grant-is-a-gossipy-teenage-girl&#34;&gt;janehu&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://gregorypecks-deactivated2014032.tumblr.com/post/63111543966&#34;&gt;gregorypecks-deactivated2014032&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Cary Grant is a gossipy teenage girl.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;AHHHHHHHHHHHHHHHHHHHHHHH&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Lost to the Ages: Looking back on the game &#39;Myst&#39; on its 20th anniversary</title>
    <link href="https://mlarson.org/2013/10/05/lost-to-the-ages-looking-back-on-the-game-myst/"/>
    <updated>2013-10-05T22:08:47.000Z</updated>
    <id>https://mlarson.org/2013/10/05/lost-to-the-ages-looking-back-on-the-game-myst/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Ah, remember that old argument to get your parents to buy you a Nintendo? “It’ll improve my hand-eye coordination, Mom!”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9713372/looking-back-game-myst-20th-anniversary&#34;&gt;Lost to the Ages: Looking back on the game &#39;Myst&#39; on its 20th anniversary&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Robin Sloan&#39;s Book Bag: Five Science Fiction Books That Matter</title>
    <link href="https://mlarson.org/2013/10/01/robin-sloan-s-book-bag-five-science-fiction/"/>
    <updated>2013-10-01T03:25:14.000Z</updated>
    <id>https://mlarson.org/2013/10/01/robin-sloan-s-book-bag-five-science-fiction/</id>
    <content type="html">&lt;p&gt;And just like that, four new books on my list.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thedailybeast.com/articles/2013/09/24/robin-sloan-s-book-bag-five-science-fiction-books-that-matter.html&#34;&gt;Robin Sloan&#39;s Book Bag: Five Science Fiction Books That Matter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Poison Tree: A letter to Niko Bellic about Grand Theft Auto V</title>
    <link href="https://mlarson.org/2013/10/01/poison-tree-a-letter-to-niko-bellic-about-grand/"/>
    <updated>2013-10-01T03:22:40.000Z</updated>
    <id>https://mlarson.org/2013/10/01/poison-tree-a-letter-to-niko-bellic-about-grand/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;GTA&lt;/em&gt; is basically the most elaborate asshole simulation system ever devised&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9719678/tom-bissell-writes-letter-niko-bellic-grand-theft-auto-v&#34;&gt;Poison Tree: A letter to Niko Bellic about Grand Theft Auto V&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Perfect World</title>
    <link href="https://mlarson.org/2013/10/01/a-perfect-world-i-didnt-realize-it-had-been-a/"/>
    <updated>2013-10-01T03:18:52.000Z</updated>
    <id>https://mlarson.org/2013/10/01/a-perfect-world-i-didnt-realize-it-had-been-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/10/tumblr_mtyyu5ax6x1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Perfect_World&#34;&gt;A Perfect World&lt;/a&gt;. I didn’t realize it had been a year since my last Eastwood movie. Not many directors exploring violence so thoroughly and thoughtfully. The thematic priorities are pretty clear when you consider what is depicted and what takes place off-screen. Ties into the father-son/parent stuff. The kid’s personality is not the most interesting but neither are real kids, so fine. It actually helps the bond with Costner, as you really don’t know where these two are headed. A bigger weakness is that Eastwood and the other cops feel a bit superfluous. It’s not much of a manhunt/chase movie. There’s some story details that come out via the police, and they bring a variation in tone, but the heart is with Costner and the kid. I’ve got so many &lt;a href=&#34;https://www.mlarson.org/tag/clinteastwood&#34;&gt;Eastwood movie&lt;/a&gt; rankings that specific placement is getting silly, but not like it’s gonna stop me…&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1003768775/unforgiven-this-is-a-very-very-good-movie&#34;&gt;Unforgiven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/827964597/gran-torino-weaknesses-up-front-theres-some&#34;&gt;Gran Torino&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Million_Dollar_Baby&#34;&gt;Million Dollar Baby&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11732690139/mystic-river-great-movie-dang-i-was-immediately&#34;&gt;Mystic River&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/975408225/the-outlaw-josey-wales-i-wouldnt-call-this-a&#34;&gt;The Outlaw Josey Wales&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/10441529132/changeling-man-clint-eastwood-has-a-steady-hand&#34;&gt;Changeling&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;A Perfect World&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/25020202591/hereafter-the-ending-is-way-too-cute-and&#34;&gt;Hereafter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/16987378917/the-gauntlet-they-used-at-least&#34;&gt;The Gauntlet&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/12007093086/high-plains-drifter-this-is-one-of-those-movies&#34;&gt;High Plains Drifter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1109867081/bird-a-pretty-good-eastwood-directed-biopic-about&#34;&gt;Bird&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/972193682/midnight-in-the-garden-of-good-and-evil-couldnt&#34;&gt;Midnight in the Garden of Good and Evil&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2013</title>
    <link href="https://mlarson.org/2013/10/01/gotemcoach-the-best-nothing-is-more-larry-bird/"/>
    <updated>2013-10-01T02:41:55.000Z</updated>
    <id>https://mlarson.org/2013/10/01/gotemcoach-the-best-nothing-is-more-larry-bird/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/62653785130/the-best-nothing-is-more-larry-bird-than-this&#34;&gt;gotemcoach&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&#34;http://gotemcoach.com/tagged/the_best&#34;&gt;THE BEST&lt;/a&gt;:&lt;/strong&gt;&lt;/em&gt; Nothing is more Larry Bird than this play&lt;/p&gt;
&lt;p&gt;This is, by far, my favorite Larry Bird moment, and a Top 10 NBA Moment Ever in my opinion.  The first time I saw this highlight, I gasped.&lt;/p&gt;
&lt;p&gt;It’s one thing to know your shot is short.  It’s another to know where the rebound’s headed.  It’s a third to instinctually and immediately go for the ball, and just patently absurd to switch hands to get the shot off, and make it.&lt;/p&gt;
&lt;p&gt;There are a lot of great plays in the NBA, but you will not find ten better than this.  It really is breathtaking.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tumblr.com/follow/gotemcoach&#34; title=&#34;follow&#34;&gt;&lt;em&gt;&lt;strong&gt;#GotEmCoach&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2013</title>
    <link href="https://mlarson.org/2013/09/25/percussive-maintenance/"/>
    <updated>2013-09-25T02:34:20.000Z</updated>
    <id>https://mlarson.org/2013/09/25/percussive-maintenance/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/74965870&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/74965870&#34;&gt;Percussive Maintenance&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Bad Lieutenant: Port of Call New Orleans</title>
    <link href="https://mlarson.org/2013/09/25/the-bad-lieutenant-port-of-call-new-orleans-its/"/>
    <updated>2013-09-25T02:34:15.000Z</updated>
    <id>https://mlarson.org/2013/09/25/the-bad-lieutenant-port-of-call-new-orleans-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_mtnthcewd11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Bad_Lieutenant:_Port_of_Call_New_Orleans&#34;&gt;The Bad Lieutenant: Port of Call New Orleans&lt;/a&gt;. It’s an odd one, and that is enough sometimes. Unexpectedly dark/funny. No one measures up to Cage, so if you can ride along with his zaniness, you’ll probably like it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In a World...</title>
    <link href="https://mlarson.org/2013/09/25/in-a-world-loved-it-the-power-of-voice-and/"/>
    <updated>2013-09-25T02:15:26.000Z</updated>
    <id>https://mlarson.org/2013/09/25/in-a-world-loved-it-the-power-of-voice-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_mtk3nzbqwg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/In_a_World...&#34;&gt;In a World…&lt;/a&gt;. Loved it. The power of voice! And such a great a set of characters. No one is perfect; no one is irredeemable. I couldn’t help but think of &lt;a href=&#34;http://tumblr.mlarson.org/post/52322017484/frances-ha-i-loved-it-were-all-incomplete-this&#34;&gt;Frances Ha&lt;/a&gt;, but this one, like its protagonist, is far more polished. A really fine piece of work. Also was reminded of writer/director/producer/star &lt;a href=&#34;http://tumblr.mlarson.org/post/41729935809/its-so-intimate-and-its-one-of-your-best&#34;&gt;Lake Bell on screenwriting&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s so intimate, and it’s one of your best friends, this stupid script that you end up living with for seventeen drafts or twenty drafts. […] You’re like, ‘You’re still here?? Can you clean up your shit? You leave it everywhere!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>In the Dark: Looking back at The X-Files on its 20th anniversary</title>
    <link href="https://mlarson.org/2013/09/22/in-the-dark-looking-back-at-the-x-files-on-its/"/>
    <updated>2013-09-22T22:34:43.000Z</updated>
    <id>https://mlarson.org/2013/09/22/in-the-dark-looking-back-at-the-x-files-on-its/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The show out-noired noir by recognizing that the most extreme context for modern alienation was not the mean streets of the detective story but a white-collar bureaucracy that extended infinitely above the main protagonists — literally into space — and that threatened to control them without their knowing how or why.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9610046/the-x-files-20th-anniversary&#34;&gt;In the Dark: Looking back at The X-Files on its 20th anniversary&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2013</title>
    <link href="https://mlarson.org/2013/09/19/kanye-west-loft-nyc-2007-claudio-silvestrin/"/>
    <updated>2013-09-19T04:37:23.000Z</updated>
    <id>https://mlarson.org/2013/09/19/kanye-west-loft-nyc-2007-claudio-silvestrin/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_mtcvh94ugi1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.claudiosilvestrin.eu/mobile/index.php?option=com_content&amp;amp;view=article&amp;amp;id=30%3Akanyewestloft&amp;amp;catid=2&amp;amp;Itemid=11&#34;&gt;Kanye West Loft, NYC 2007 - Claudio Silvestrin&lt;/a&gt;. Cf. &lt;a href=&#34;http://www.thedailybeast.com/newsweek/2013/06/26/rick-rubin-on-crashing-kanye-s-album-in-15-days.html&#34;&gt;Rick Rubin:&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We talked a lot about minimalism. My house is basically an empty white box. When [Kanye] walked in, he was like, “My house is an empty white box, too!”&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Perks of Being a Wallflower</title>
    <link href="https://mlarson.org/2013/09/18/the-perks-of-being-a-wallflower-had-a-few-nice/"/>
    <updated>2013-09-18T02:31:36.000Z</updated>
    <id>https://mlarson.org/2013/09/18/the-perks-of-being-a-wallflower-had-a-few-nice/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_mtav05ypgt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Perks_of_Being_a_Wallflower_(film)&#34;&gt;The Perks of Being a Wallflower&lt;/a&gt;. Had a few nice moments, but really not for me. Didn’t click. I think I disliked the book, too, but I can’t remember it at all. Shrug.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Barcelona</title>
    <link href="https://mlarson.org/2013/09/18/barcelona-i-think-its-the-weakest-of-the-three/"/>
    <updated>2013-09-18T02:12:00.000Z</updated>
    <id>https://mlarson.org/2013/09/18/barcelona-i-think-its-the-weakest-of-the-three/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_mtatxdkqhm1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Barcelona_(film)&#34;&gt;Barcelona&lt;/a&gt;. I think it’s the weakest of the three loosely-related movies (&lt;a href=&#34;http://tumblr.mlarson.org/post/14940265927/metropolitan-i-loved-it-what-we-have-is-a&#34;&gt;Metropolitan&lt;/a&gt; is great; &lt;a href=&#34;http://tumblr.mlarson.org/post/8435994051/the-last-days-of-disco-i-loved-whit-stillmans&#34;&gt;The Last Days of Disco&lt;/a&gt; is really enjoyable, too.), but there’s plenty to like. I appreciate the layers of themes. You’ve got two cousins working out how to be family. They each are figuring out their careers and romantic relationships. And they as Americans are navigating what it means to be a foreigner. Along with other less character-specific stuff like ‘80s self-help/management trends. &lt;a href=&#34;https://www.mlarson.org/tag/whitstillman&#34;&gt;Whit Stillman&lt;/a&gt; is a good writer. &lt;a href=&#34;http://www.rogerebert.com/reviews/barcelona-1994&#34;&gt;Ebert says&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 18, 2013</title>
    <link href="https://mlarson.org/2013/09/18/all-not-lost-great-old-buildings-historic/"/>
    <updated>2013-09-18T01:55:44.000Z</updated>
    <id>https://mlarson.org/2013/09/18/all-not-lost-great-old-buildings-historic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_mtatcipdss1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wdanielanderson.wordpress.com/2013/08/31/all-not-lost-great-old-buildings-historic-districts-of-downtown-atlanta/&#34;&gt;All Not Lost: Great Old Buildings &amp;amp; Historic Districts of Downtown Atlanta | Georgia Globe Design News&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 18, 2013</title>
    <link href="https://mlarson.org/2013/09/18/rachael-maddux-jasontravisphoto-drinking/"/>
    <updated>2013-09-18T01:45:55.000Z</updated>
    <id>https://mlarson.org/2013/09/18/rachael-maddux-jasontravisphoto-drinking/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://rachael-maddux.tumblr.com/post/61502870391/jasontravisphoto-drinking-hansons-beer&#34;&gt;rachael-maddux&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://jasontravisphoto.tumblr.com/post/61498413134/drinking-hansons-beer-mmmhops-with-hanson&#34;&gt;jasontravisphoto&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&#34;http://clatl.com/omnivore/archives/2013/09/17/drinking-hansons-beer-mmmhops-with-hanson&#34;&gt;Drinking Hanson’s beer, Mmmhops, with Hanson&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/austinlouisray&#34;&gt;Austin Ray&lt;/a&gt; totally nailed this article for Creative Loafing. I took some photos. We drank beer with Hanson. It was a lot of fun.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I mentioned this &lt;a href=&#34;https://twitter.com/rachaelmaddux/status/379971818733314048&#34;&gt;on Twitter&lt;/a&gt; already—I’m not sure what would have seem crazier to 11-year-old Me: That one day she’d have a dude pal (that would be Austin, mentioned above) who “got” Hanson, or that Hanson would make a beer. But now that I think about it, actually, the beer maybe would have seemed more likely.&lt;/p&gt;
&lt;p&gt;I’ve been trying to figure out how to write about this for a while and haven’t quite cracked it, but in short: back when I was someone who would have identified in any real capacity as “a Hanson fan,” people in general and boys in particular were, to put it quite elegantly, basically like total megadicks to me about it! Liking this band was probably the thing I got teased about the most in middle school. It probably wasn’t that much, actually, just amplified times a million by the general OMG OMG UGHHHH EVERYTHING IS AWFULNESS of being an adolescent human/female, but it still hurt and made me feel weird and bad about myself in a way nothing else quite could. This was true even on into high school, when Hanson was quickly becoming more of a personal relic than an active~*~*~love~*~*~; I think I was a sophomore when a friend of mine, a senior, in a very convoluted and roundabout and deeply personally stabby way, mocked me for it in front of our entire creative writing class.&lt;/p&gt;
&lt;p&gt;MEANWHILE, one of the greatest things ever, when I was a wee fan and an even wee-er Person Thinking About Becoming A Writer One Day, was when people wrote things that seemed to really “get” the band, which is actually not super hard to do but does requires a certain amount of taking-them-seriously, which is a tough prospect when the subjects are widely beloved by teenaged girls. Two pieces I remember in particular: &lt;a href=&#34;http://www.oocities.org/ikes_sister/rsmay.htm&#34;&gt;This Rob Sheffield review&lt;/a&gt;, and &lt;a href=&#34;http://books.google.com/books?id=6N0JSkTI3j4C&amp;amp;printsec=frontcover&amp;amp;source=gbs_ge_summary_r&amp;amp;cad=0#v=onepage&amp;amp;q=mmm&amp;amp;f=false&#34;&gt;this &lt;em&gt;Spin&lt;/em&gt; feature&lt;/a&gt; (well, except that subhed, but eh). They took the band seriously, and by extension I felt like &lt;em&gt;I&lt;/em&gt; was being taken seriously, and that was huge.&lt;/p&gt;
&lt;p&gt;Anyway, can’t wait to drink some of this stuff. I will probably giggle a lot.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2013</title>
    <link href="https://mlarson.org/2013/09/17/3d-sound-headphone-test/"/>
    <updated>2013-09-17T04:03:00.000Z</updated>
    <id>https://mlarson.org/2013/09/17/3d-sound-headphone-test/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/OR_sk6UiCKw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=OR_sk6UiCKw&#34;&gt;3D Sound - Headphone test&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2013</title>
    <link href="https://mlarson.org/2013/09/17/austinkleon-lynda-barry-the-20-stages-of/"/>
    <updated>2013-09-17T01:46:43.000Z</updated>
    <id>https://mlarson.org/2013/09/17/austinkleon-lynda-barry-the-20-stages-of/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/61314313830&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/lynda-barry-the-20-stages-of-reading/2013/09/13/e82fd970-1cbf-11e3-a628-7e6dde8f889d_gallery.html#photo=10&#34;&gt;&lt;strong&gt;Lynda Barry: The 20 stages of reading&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/lynda+barry&#34;&gt;Lynda Barry&lt;/a&gt;, &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/reading&#34;&gt;reading&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cosmology of Serialized Television</title>
    <link href="https://mlarson.org/2013/09/16/the-cosmology-of-serialized-television/"/>
    <updated>2013-09-16T04:11:11.000Z</updated>
    <id>https://mlarson.org/2013/09/16/the-cosmology-of-serialized-television/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;How serialized storytelling has evolved on television, and how prestigious shows habitually promise viewers more than they can possibly deliver.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://theamericanreader.com/the-cosmology-of-serialized-television/&#34;&gt;The Cosmology of Serialized Television&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Russell Brand and the GQ awards: &#39;It&#39;s amazing how absurd it seems&#39;</title>
    <link href="https://mlarson.org/2013/09/16/russell-brand-and-the-gq-awards-its-amazing-how/"/>
    <updated>2013-09-16T03:30:00.000Z</updated>
    <id>https://mlarson.org/2013/09/16/russell-brand-and-the-gq-awards-its-amazing-how/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The glamour and the glitz isn’t real, the party isn’t real, you have a much better time mucking around trying to make your mates laugh.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theguardian.com/culture/2013/sep/13/russell-brand-gq-awards-hugo-boss&#34;&gt;Russell Brand and the GQ awards: &#39;It&#39;s amazing how absurd it seems&#39;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 16, 2013</title>
    <link href="https://mlarson.org/2013/09/16/heidisaman-shooting-a-movie-is-the-worst/"/>
    <updated>2013-09-16T03:29:51.000Z</updated>
    <id>https://mlarson.org/2013/09/16/heidisaman-shooting-a-movie-is-the-worst/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_mt0y59ffb81roxqxqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/post/61064322051/shooting-a-movie-is-the-worst-milieu-for-creative&#34;&gt;heidisaman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Shooting a movie is the worst milieu for creative work ever devised by man. It is a noisy, physical apparatus; it is difficult to concentrate—and you have to do it from eight-thirty to six-thirty, five days a week. It’s not an environment an artist would ever choose to work in. The only advantage it has is that you must do it, and you can’t procrastinate…”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://filmmakeriq.com/2013/09/stanley-kubrick-on-what-a-director-does/&#34;&gt;— Stanley Kubrick on making films&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Photo of Kubrick on the set of &lt;em&gt;Barry Lyndon&lt;/em&gt; &lt;a href=&#34;http://acertaincinema.com/&#34;&gt;via a certain cinema&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2013</title>
    <link href="https://mlarson.org/2013/09/12/kanakaweb-sargent-all-ava-maria-so-awesome/"/>
    <updated>2013-09-12T03:04:20.000Z</updated>
    <id>https://mlarson.org/2013/09/12/kanakaweb-sargent-all-ava-maria-so-awesome/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://kanakaweb.blogspot.com/2013/08/sargent-all-ava-maria.html&#34;&gt;Kanakaweb: Sargent: All Ava Maria&lt;/a&gt;. So awesome. (&lt;a href=&#34;http://funkaoshi.com/linklog/link-14968&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Below the original is my attempt to copy Sargent’s painting. I’ve been thinking a lot recently about how people learn to paint. I’m starting to think that maybe copying paintings you like is a good way to study other people’s paintings technique while forcing yourself to learn some basic skills along the way. I gather that this is how students learned to paint back in the day, so it seems like a good thing to try in my spare time. The painting took about an hour to complete, but I feel like I learned a lot in that time. Here are my random notes in case you are interested…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This entire thing is fantastic.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2013</title>
    <link href="https://mlarson.org/2013/09/12/heidisaman-mise-en-scene-5-a-still-from/"/>
    <updated>2013-09-12T03:04:14.000Z</updated>
    <id>https://mlarson.org/2013/09/12/heidisaman-mise-en-scene-5-a-still-from/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/post/60282538054/mise-en-scene-5-a-still-from-pretty-in-pink&#34;&gt;heidisaman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Mise-en-scene #5&lt;/p&gt;
&lt;p&gt;A still from &lt;em&gt;Pretty in Pink&lt;/em&gt; (1986, dir. Howard Deutch).&lt;/p&gt;
&lt;p&gt;I particularly like how the image on the wall to the left contrasts with Ringwald’s position in the frame.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://heidisaman.tumblr.com/search/mise+en+scene&#34;&gt;Mise-en-scene #1-4.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/Heidi_Saman&#34;&gt;Follow me on Twitter&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Donald Trump Licked My Flesh, Part 3</title>
    <link href="https://mlarson.org/2013/09/09/donald-trump-licked-my-flesh-part-3/"/>
    <updated>2013-09-09T03:49:10.000Z</updated>
    <id>https://mlarson.org/2013/09/09/donald-trump-licked-my-flesh-part-3/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Legacy is a marketing tool; it exists for the convenience of people who want to sell you something. It has nothing to do with the athlete, whose accomplishments aren’t going to change if he plays past his prime, literally aren’t going to change at all, because Skip Bayless doesn’t own a time machine. Legacy is a post-Jordan, made-up idea that glorifies “going out on top” as part of a corporate strategy, presuming that fans don’t have memories and can’t cope with the complexity of a human life. Legacy belongs in the same pile of bogus thought-propaganda as “controlling the narrative” and “personal brand.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9633175/the-us-open-roger-federer-legacy&#34;&gt;Donald Trump Licked My Flesh, Part 3&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ain&#39;t Them Bodies Saints</title>
    <link href="https://mlarson.org/2013/09/09/aint-them-bodies-saints-really-enjoyed-this-one/"/>
    <updated>2013-09-09T03:49:06.000Z</updated>
    <id>https://mlarson.org/2013/09/09/aint-them-bodies-saints-really-enjoyed-this-one/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Ain%27t_Them_Bodies_Saints&#34;&gt;Ain’t Them Bodies Saints&lt;/a&gt;. Really enjoyed this one. Love the soundtrack, trimmed down to strings and clapping. There’s some DNA of tense Texas slow-pursuit films like &lt;a href=&#34;http://tumblr.mlarson.org/post/58109880428/no-country-for-old-men-still-one-of-the-best-ive&#34;&gt;No Country for Old Men&lt;/a&gt;, crossed with strains of outlaw lover flicks like &lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;Badlands&lt;/a&gt; and parts of &lt;a href=&#34;http://tumblr.mlarson.org/post/49698309970/days-of-heaven-third-viewing-first-second-i&#34;&gt;Days of Heaven&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2013</title>
    <link href="https://mlarson.org/2013/09/09/any-gifts-and-time-you-give-to-family-members-are/"/>
    <updated>2013-09-09T03:48:11.000Z</updated>
    <id>https://mlarson.org/2013/09/09/any-gifts-and-time-you-give-to-family-members-are/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Any gifts and time you give to family members are investments in them as people, vs. investments in your relationship with them. It’s “I want the best for you” vs. “I want the best out of you” — a fine distinction, but an important one.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-grandma-doesnt-want-to-play-favorites/2013/09/03/b20997fa-0a9a-11e3-8974-f97ab3b3c677_story.html&#34;&gt;Hax&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Am Legend</title>
    <link href="https://mlarson.org/2013/09/03/i-am-legend-ah-dude-this-could-have-been-so/"/>
    <updated>2013-09-03T02:45:12.000Z</updated>
    <id>https://mlarson.org/2013/09/03/i-am-legend-ah-dude-this-could-have-been-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_msj3m2foty1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Am_Legend_%28film%29&#34;&gt;I Am Legend&lt;/a&gt;. Ah, dude. This could have been so amazing. The early scene in the dark building has to be one of the most intense film moments ever, because Smith is not a commando and he is scared as shit. It’s also filmed just about perfectly. I love the early gut-clenching mood anxiety, and the exploration of the toll of solitude (see also: &lt;a href=&#34;http://tumblr.mlarson.org/post/364184524/moon-i-really-liked-this-one-in-the-end-good&#34;&gt;Moon&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/10766879215/alien-this-one-has-not-aged-a-bit-fantasic&#34;&gt;Alien&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;Solaris&lt;/a&gt;). The movie goes off the rails by the end. The CGI-fest is jarring enough, but the shift in tone is really disappointing. But man, 90% is incredible. &lt;a href=&#34;http://battleshippretension.com/?p=11106&#34;&gt;David Bax puts it well&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s more to a movie than how it ends. Take, for example, Francis Lawrence’s &lt;em&gt;I Am Legend&lt;/em&gt;, which spent an hour building one of the most daring and intense genre blockbusters in years before the third act from some other, dumber movie swooped in and delivered the automatic weaponry and explosions no one was asking for at that point. It’s a shame but it doesn’t obliterate the experience of what came before it.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2013</title>
    <link href="https://mlarson.org/2013/09/02/94-year-olds-business-card-related/"/>
    <updated>2013-09-02T20:31:37.000Z</updated>
    <id>https://mlarson.org/2013/09/02/94-year-olds-business-card-related/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_msh5bwdopz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://imgur.com/a/Djo5T&#34;&gt;94-year-old’s business card&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/50341418575/retired-man-enjoys-easy-life-at-home&#34;&gt;Related&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Two (Sucked) Thumbs Up - NYTimes.com</title>
    <link href="https://mlarson.org/2013/09/01/two-sucked-thumbs-up-nytimescom/"/>
    <updated>2013-09-01T23:53:30.000Z</updated>
    <id>https://mlarson.org/2013/09/01/two-sucked-thumbs-up-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;How much can I trust the critical faculties in which I once had so much faith? Now that I see so few movies, every single one is an ecstatic experience. They all become impossibly brilliant and entertaining.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/09/01/magazine/two-sucked-thumbs-up.html?_r=0&amp;amp;pagewanted=all&#34;&gt;Two (Sucked) Thumbs Up - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Who Will Prosper in the New World - NYTimes.com</title>
    <link href="https://mlarson.org/2013/09/01/who-will-prosper-in-the-new-world-nytimescom/"/>
    <updated>2013-09-01T17:28:02.000Z</updated>
    <id>https://mlarson.org/2013/09/01/who-will-prosper-in-the-new-world-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A lot of jobs will consist of making people feel either very good or very bad about themselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://opinionator.blogs.nytimes.com/2013/08/31/who-will-prosper-in-the-new-world/?_r=0&#34;&gt;Who Will Prosper in the New World - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Emmys: Jerry Seinfeld on Why He May Never Go Back to TV (Q&amp;amp;A) - The Hollywood Reporter</title>
    <link href="https://mlarson.org/2013/09/01/emmys-jerry-seinfeld-on-why-he-may-never-go-back/"/>
    <updated>2013-09-01T15:12:52.000Z</updated>
    <id>https://mlarson.org/2013/09/01/emmys-jerry-seinfeld-on-why-he-may-never-go-back/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I made Comedians in Cars out of that show [The Marriage Ref]. If you look at it, you’ll see what I was going for on that show. I think it’s interesting to hear people talk about something that’s powerful and interesting to them out of the box. But I couldn’t make it happen. One of the big things I realized was that the audience is stopping these people from talking. The other thing I realized is that I was much more interested in comedians than I was in a lot of other people whom I thought I was interested in. So, in some ways, I took that pot, smashed it on the ground, took four or five pieces and re-glued them into another thing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.hollywoodreporter.com/news/emmys-jerry-seinfeld-why-he-609111?page=show&#34;&gt;Emmys: Jerry Seinfeld on Why He May Never Go Back to TV (Q&amp;amp;A) - The Hollywood Reporter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 1, 2013</title>
    <link href="https://mlarson.org/2013/09/01/winners-of-chimpanzee-art-contest-announced-the/"/>
    <updated>2013-09-01T15:12:21.000Z</updated>
    <id>https://mlarson.org/2013/09/01/winners-of-chimpanzee-art-contest-announced-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/09/tumblr_msgcv4bxyq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://secure.humanesociety.org/site/SPageServer?pagename=chimp_art_contest&amp;amp;s_src=web_vanity_chimpart&#34;&gt;Winners of Chimpanzee Art Contest Announced - The Humane Society of the United States&lt;/a&gt;. Art is subjective and all, but this one is definitely the best. Also, I’m feeling a lot of mixed emotions about many aspects of this.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>An Impossible Number of Books: Matthew L. Jockers&#39;s &#34;Macroanalysis&#34; -</title>
    <link href="https://mlarson.org/2013/08/30/an-impossible-number-of-books-matthew-l/"/>
    <updated>2013-08-30T02:05:16.000Z</updated>
    <id>https://mlarson.org/2013/08/30/an-impossible-number-of-books-matthew-l/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Changing the canon — or even a proliferation of canons, as literary studies has fractured into a collection of increasingly well-defined subfields — takes us only so far. Readers are finite creatures, capable of making their way through only a tiny fraction of the millions of books published over the centuries. The problem, at this sort of scale, has less to do with canonical selection bias than it does with our inevitable ignorance of nearly everything that has ever been written. It’s one thing to claim that a particular book was influential in its day (though influence is a tricky matter, more sociological and economic than literary) or that a text has been treated as important in subsequent scholarship. It’s something else entirely to argue that the same book is “representative” of a genre’s or an era’s output, especially when even the best-informed critics have read almost none of the material in question.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/review/an-impossible-number-of-books/&#34;&gt;An Impossible Number of Books: Matthew L. Jockers&#39;s &amp;quot;Macroanalysis&amp;quot; -&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sleepless in Seattle</title>
    <link href="https://mlarson.org/2013/08/29/sleepless-in-seattle-93-meg-ryan-you-guys-its/"/>
    <updated>2013-08-29T02:56:39.000Z</updated>
    <id>https://mlarson.org/2013/08/29/sleepless-in-seattle-93-meg-ryan-you-guys-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_ms7xjmsjmh1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sleepless_in_seattle&#34;&gt;Sleepless in Seattle&lt;/a&gt;. ‘93 Meg Ryan, you guys. It’s uneven, but I love how the first hour or so everybody has to wrestle with dreamy wistfulness/“something’s missing” kind of feelings vs. carpe diem/“go get&#39;em” bootstrapping.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2013</title>
    <link href="https://mlarson.org/2013/08/28/never-attribute-to-something-other-than-fear-that/"/>
    <updated>2013-08-28T01:41:51.000Z</updated>
    <id>https://mlarson.org/2013/08/28/never-attribute-to-something-other-than-fear-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Never attribute to something other than fear that which can be attributed to fear.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Marshall’s Razor, coined by &lt;a href=&#34;https://mobile.twitter.com/colinmarshall/status/372363222919032832&#34;&gt;Colin Marshall&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/fear&#34;&gt;fear&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2013</title>
    <link href="https://mlarson.org/2013/08/28/bill-murray-has-a-good-face-for-this-kind-of/"/>
    <updated>2013-08-28T01:39:56.000Z</updated>
    <id>https://mlarson.org/2013/08/28/bill-murray-has-a-good-face-for-this-kind-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_ms1jl8wncm1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://society6.com/product/Bill-Murray-replaceface_Print&#34;&gt;Bill Murray has a good face for this kind of thing&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tarantino and Spielberg: Two Visions of America - Bright Lights Film Journal</title>
    <link href="https://mlarson.org/2013/08/28/tarantino-and-spielberg-two-visions-of-america/"/>
    <updated>2013-08-28T01:36:32.000Z</updated>
    <id>https://mlarson.org/2013/08/28/tarantino-and-spielberg-two-visions-of-america/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The villain is the slaveholder Calvin Candy. He is evil, and as loquacious as anyone in Spielberg’s film; he is suave, and he dispatches his slaves casually and horrifically. At the center point of the movie, he delivers a long, intimidating speech on phrenology. The difference between the races, he explains, is physiological: the construction of the African American skull reveals the construction of their brains, and it is this construction that makes them inferior. […] Here, we are at the epicenter of Tarantino’s vision: the villain is exactly as cool and violent as the hero. Given this tenuous balance, morality becomes a matter of keeping, and defending, a code. This is American history as a story in which the qualities of greatness are also the qualities of terror; it is a vision that understands the double-edged nature of our proclivity for violence and our existential belief in the individual.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://brightlightsfilm.com/81/81-tarantino-spielberg-critique-america-lincoln-django.php&#34;&gt;Tarantino and Spielberg: Two Visions of America - Bright Lights Film Journal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Act of Killing</title>
    <link href="https://mlarson.org/2013/08/20/the-act-of-killing-it-follows-a-few-semi-retired/"/>
    <updated>2013-08-20T03:56:00.000Z</updated>
    <id>https://mlarson.org/2013/08/20/the-act-of-killing-it-follows-a-few-semi-retired/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mrt9hz4vd71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Act_of_Killing&#34;&gt;The Act of Killing&lt;/a&gt;. It follows a few semi-retired Indonesian gangsters/mass-murderers as they make an increasingly bizarre movie about their youth. Probably the most intense documentary I’ve seen. And not at all because it’s graphic (It’s not - the most wrenching scene for me, spoiler, was when you see these guys go on a neighborhood shakedown for cash. It is completely heartbreaking.). It’s just morally rich and a really interesting text, excuse the academic-ese. All about storytelling, memory, forgetting; the influence of movies; youth vs. age. Totally worth it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Strange Ascent of ‘Strained Pulp’ - NYTimes.com</title>
    <link href="https://mlarson.org/2013/08/20/the-strange-ascent-of-strained-pulp/"/>
    <updated>2013-08-20T03:26:53.000Z</updated>
    <id>https://mlarson.org/2013/08/20/the-strange-ascent-of-strained-pulp/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There was a time when just about anything — dumb commercial entertainment, ugly clothes, the weird dishes your grandmother used to serve — could be appreciated and appropriated in quotation marks. Strained pulp is not quite that — its celebration of the formerly marginal and disreputable is serious and sincere. The condescension is not overt but is latent in the desire to correct and improve the recipes retrieved from the past, to finish vernacular artifacts with a highbrow glaze. We’re going to make ’em — movies, cocktails, regional dishes, zombie novels, garage-rock anthems — just the way they used to, but a little bit better. This strikes me as a form of snobbery. But then again, maybe I’m the snob.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/08/18/magazine/the-strange-ascent-of-strained-pulp.html?pagewanted=all&#34;&gt;The Strange Ascent of ‘Strained Pulp’ - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2013</title>
    <link href="https://mlarson.org/2013/08/20/there-has-never-been-so-much-future-in-my-life-as/"/>
    <updated>2013-08-20T02:51:00.000Z</updated>
    <id>https://mlarson.org/2013/08/20/there-has-never-been-so-much-future-in-my-life-as/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There has never been so much future in my life as at that time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/My-Struggle-Karl-Ove-Knausgaard/dp/0374534144&#34;&gt;Karl Ove Knausgaard&lt;/a&gt;, on the early days with his firstborn. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/31926683089/i-think-of-children-sort-of-like-voyager-probes&#34;&gt;Lev Grossman&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Serengeti Lion</title>
    <link href="https://mlarson.org/2013/08/19/the-serengeti-lion/"/>
    <updated>2013-08-19T16:51:55.000Z</updated>
    <id>https://mlarson.org/2013/08/19/the-serengeti-lion/</id>
    <content type="html">&lt;p&gt;I’m trying to imagine how my 8-year-old self would have reacted to this. Pretty nifty.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ngm.nationalgeographic.com/serengeti-lion/index.html&#34;&gt;The Serengeti Lion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Case Against Eating Lunch Outside</title>
    <link href="https://mlarson.org/2013/08/18/the-case-against-eating-lunch-outside/"/>
    <updated>2013-08-18T00:35:51.000Z</updated>
    <id>https://mlarson.org/2013/08/18/the-case-against-eating-lunch-outside/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Only on special “it’s such a nice day!” kind of days do people want to go outside. But what’s a nice day? Well, it’s a day when the temperature outside approximates the results of indoor climate control technology.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/blogs/moneybox/2013/08/15/eating_lunch_outside_sucks_stay_inside.html&#34;&gt;The Case Against Eating Lunch Outside&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 18, 2013</title>
    <link href="https://mlarson.org/2013/08/18/deserves-got-nothing-to-do-with-it/"/>
    <updated>2013-08-18T00:35:23.000Z</updated>
    <id>https://mlarson.org/2013/08/18/deserves-got-nothing-to-do-with-it/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Deserve’s got nothing to do with it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;William Munny, &lt;a href=&#34;http://www.youtube.com/watch?v=dpDkYZWeeVg&#34;&gt;life coach&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Not New York: Building Book Culture in Dallas, TX | Publishing Trendsetter</title>
    <link href="https://mlarson.org/2013/08/18/not-new-york-building-book-culture-in-dallas-tx/"/>
    <updated>2013-08-18T00:35:00.000Z</updated>
    <id>https://mlarson.org/2013/08/18/not-new-york-building-book-culture-in-dallas-tx/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;On the other side of the equation, I can’t bear the thought that people think they have to move to New York to work in publishing, especially when the future of this country, and the publishing industry, is going to be found outside of New York.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;My buddy &lt;a href=&#34;http://mobile.twitter.com/willevans&#34;&gt;@WillEvans&lt;/a&gt; is the coolest.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://publishingtrendsetter.com/industryinsight/york-building-book-culture-dallas-tx/&#34;&gt;Not New York: Building Book Culture in Dallas, TX | Publishing Trendsetter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2013</title>
    <link href="https://mlarson.org/2013/08/13/pickling-basics-easiest-refrigerator-pickles/"/>
    <updated>2013-08-13T01:55:07.000Z</updated>
    <id>https://mlarson.org/2013/08/13/pickling-basics-easiest-refrigerator-pickles/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mrg5bvg1ir1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thekitchn.com/cooking-basics-very-easy-pickl-83971&#34;&gt;Pickling Basics: Easiest Refrigerator Pickles | The Kitchn&lt;/a&gt;. This might have changed my life. Early exit polls are promising.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Themes and analysis of No Country for Old Men (film) - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2013/08/13/themes-and-analysis-of-no-country-for-old-men/"/>
    <updated>2013-08-13T01:49:23.000Z</updated>
    <id>https://mlarson.org/2013/08/13/themes-and-analysis-of-no-country-for-old-men/</id>
    <content type="html">&lt;p&gt;Well this is… thorough.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Themes_and_analysis_of_No_Country_for_Old_Men_(film)&#34;&gt;Themes and analysis of No Country for Old Men (film) - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>No Country for Old Men</title>
    <link href="https://mlarson.org/2013/08/13/no-country-for-old-men-still-one-of-the-best-ive/"/>
    <updated>2013-08-13T01:49:03.000Z</updated>
    <id>https://mlarson.org/2013/08/13/no-country-for-old-men-still-one-of-the-best-ive/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mrg51frd9t1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/No_Country_for_Old_Men_%28film%29&#34;&gt;No Country for Old Men&lt;/a&gt;. Still one of the best I’ve ever seen. I love this movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekend</title>
    <link href="https://mlarson.org/2013/08/10/weekend-ive-seen-unorthodox-movies-before-like/"/>
    <updated>2013-08-10T22:29:10.000Z</updated>
    <id>https://mlarson.org/2013/08/10/weekend-ive-seen-unorthodox-movies-before-like/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mr8t4doz4w1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Weekend_(1967_film)&#34;&gt;Weekend&lt;/a&gt;. I’ve seen unorthodox movies, before (like &lt;a href=&#34;https://www.mlarson.org/tag/jeanlucgodard&#34;&gt;other Godard films&lt;/a&gt;) but… dang. Absurdist dystopia at its peak. Pleasantly surprised at the effectiveness of the soundtrack, and the traffic jam scene is a delight.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cormac McCarthy&#39;s Vocabulary Is Better Than Yours: Blood Meridian {spoilers!}</title>
    <link href="https://mlarson.org/2013/08/10/cormac-mccarthys-vocabulary-is-better-than-yours/"/>
    <updated>2013-08-10T22:23:16.000Z</updated>
    <id>https://mlarson.org/2013/08/10/cormac-mccarthys-vocabulary-is-better-than-yours/</id>
    <content type="html">&lt;p&gt;sprent&lt;br&gt;
anchorite&lt;br&gt;
tailorwise&lt;br&gt;
carbolic&lt;br&gt;
chancel&lt;br&gt;
halms&lt;br&gt;
scantlin(g)&lt;br&gt;
vernier&lt;br&gt;
hasping&lt;br&gt;
jacal&lt;br&gt;
purlieus&lt;br&gt;
bistre&lt;br&gt;
sotol&lt;br&gt;
kerfs&lt;br&gt;
scoria&lt;br&gt;
ratchel&lt;br&gt;
porphyry&lt;br&gt;
mare imbrium&lt;br&gt;
apishamore&lt;br&gt;
marl&lt;br&gt;
ignis fatuus&lt;br&gt;
cibolero&lt;br&gt;
enfilade&lt;br&gt;
acequias&lt;br&gt;
spanceled&lt;br&gt;
azoteas&lt;br&gt;
debouched&lt;br&gt;
topers&lt;br&gt;
chert&lt;br&gt;
eskers&lt;br&gt;
escopeta&lt;br&gt;
shakos&lt;br&gt;
caparisoned&lt;br&gt;
serried&lt;br&gt;
devonian&lt;br&gt;
charivari&lt;br&gt;
catafalque&lt;br&gt;
ciborium&lt;br&gt;
guttapercha&lt;br&gt;
shacto&lt;br&gt;
vedette&lt;br&gt;
suzerain&lt;br&gt;
almagre&lt;br&gt;
roweled&lt;br&gt;
withy&lt;br&gt;
criada&lt;br&gt;
sutlers&lt;br&gt;
billets&lt;br&gt;
spalls&lt;br&gt;
whinstones&lt;br&gt;
scrog&lt;br&gt;
chorines&lt;br&gt;
alameda&lt;br&gt;
vigas&lt;br&gt;
guisado&lt;br&gt;
sclera&lt;br&gt;
baldric&lt;br&gt;
lemniscate&lt;br&gt;
tiswin&lt;br&gt;
demiculverin&lt;br&gt;
revetment&lt;br&gt;
holothurians&lt;br&gt;
morral&lt;br&gt;
alcalde&lt;br&gt;
skelps&lt;br&gt;
baize&lt;br&gt;
cabildo&lt;br&gt;
lazarous&lt;br&gt;
scow&lt;br&gt;
thaumaturge&lt;br&gt;
atavistic&lt;br&gt;
scapular&lt;br&gt;
fard&lt;br&gt;
sprues&lt;br&gt;
alparejas&lt;br&gt;
mansuete&lt;br&gt;
replevined&lt;br&gt;
pampooties&lt;br&gt;
skifts&lt;br&gt;
burins&lt;br&gt;
dosshouse&lt;br&gt;
pitero&lt;br&gt;
matracas&lt;br&gt;
nickered&lt;br&gt;
bagnios&lt;br&gt;
scapegrace&lt;br&gt;
peignoirs&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Battleship Potemkin</title>
    <link href="https://mlarson.org/2013/08/08/battleship-potemkin-this-is-an-important-movie-i/"/>
    <updated>2013-08-08T00:32:04.000Z</updated>
    <id>https://mlarson.org/2013/08/08/battleship-potemkin-this-is-an-important-movie-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mr5227tttj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Battleship_Potemkin&#34;&gt;Battleship Potemkin&lt;/a&gt;. This is an Important Movie, I hear. I didn’t find myself completely edge-of-my-seat captivated from moment-to-moment, but it holds up pretty well and it’s still interesting for a number of historical reasons. That &lt;a href=&#34;https://www.youtube.com/watch?v=Ps-v-kZzfec&#34;&gt;scene at the Odessa staircase&lt;/a&gt; is legit.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Only God Forgives</title>
    <link href="https://mlarson.org/2013/08/08/only-god-forgives-almost-fell-asleep-veeerrry/"/>
    <updated>2013-08-08T00:29:42.000Z</updated>
    <id>https://mlarson.org/2013/08/08/only-god-forgives-almost-fell-asleep-veeerrry/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mr51isybsh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Only_God_Forgives&#34;&gt;Only God Forgives&lt;/a&gt;. Almost fell asleep. Veeerrry nice to look at, here and there, but it’s kinda boring. Even setting aside plot and taking everything as symbol or allegory or myth or archetype, the tension didn’t hold for me. None of the energy or electricity you see in &lt;a href=&#34;http://tumblr.mlarson.org/post/24562090753/drive-second-viewing-the-first-i-told-myself&#34;&gt;Drive&lt;/a&gt;. Not quite as starkly focused as &lt;a href=&#34;http://tumblr.mlarson.org/post/52164620257/valhalla-rising-i-wonder-if-seen-in-a-different&#34;&gt;Valhalla Rising&lt;/a&gt;. No knockout performance like in &lt;a href=&#34;http://tumblr.mlarson.org/post/53678454000/bronson-its-an-oddball-comedy-horror-character&#34;&gt;Bronson&lt;/a&gt;. All that said, I did dig the ongoing hands/power/potency theme, and the use of an international setting without a ton of dumb exoticizing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Is Amazon Art a doomed venture?  Let’s hope so</title>
    <link href="https://mlarson.org/2013/08/08/is-amazon-art-a-doomed-venture-lets-hope-so/"/>
    <updated>2013-08-08T00:29:30.000Z</updated>
    <id>https://mlarson.org/2013/08/08/is-amazon-art-a-doomed-venture-lets-hope-so/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One enduring feature of the art world is that a given piece will sell for much more in one context rather than another. The same painting that might sell for 5k from a lower tier dealer won’t command more than 2k on eBay, if that. Yet it could sell for 10k, as a bargain item, relatively speaking, if it ended up in the right NYC gallery (which it probably wouldn’t). Where does Amazon stand in this hierarchy? It doesn’t look promising.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2013/08/is-amazon-art-a-doomed-venture-lets-hope-so.html&#34;&gt;Is Amazon Art a doomed venture? Let’s hope so&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Upstream Color</title>
    <link href="https://mlarson.org/2013/08/05/upstream-color-this-is-a-special-piece-of/"/>
    <updated>2013-08-05T03:39:07.000Z</updated>
    <id>https://mlarson.org/2013/08/05/upstream-color-this-is-a-special-piece-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mr1dibojnr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Upstream_Color&#34;&gt;Upstream Color&lt;/a&gt;. This is a special piece of moviemaking. I definitely dig it more than the first time I saw it, and I liked it a lot then. The sound really stood out this time. So much attention to detail. I knew I was going to watch it again, but the urgency increased after &lt;a href=&#34;http://www.quora.com/Reviews-of-Upstream-Color-2013-movie/review/Mills-Baker&#34;&gt;Mills wrote about it&lt;/a&gt; and &lt;a href=&#34;http://nomore.metaismurder.com/post/56614673884/for-those-interested-in-upstream-color&#34;&gt;then wrote a little more&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sullivan&#39;s Travels</title>
    <link href="https://mlarson.org/2013/08/05/sullivans-travels-a-good-light-comedy-aimed-at/"/>
    <updated>2013-08-05T03:39:00.000Z</updated>
    <id>https://mlarson.org/2013/08/05/sullivans-travels-a-good-light-comedy-aimed-at/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mr1epd4wqe1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Sullivan%27s_Travels&#34;&gt;Sullivan’s Travels&lt;/a&gt;. A good light comedy aimed at deflating Hollywood pretension and moral bluster. It took a minute in the first act to catch up with that rapid-fire dialogue. So good. And there’s an &lt;a href=&#34;https://www.youtube.com/watch?v=9ofxELr5sa4&#34;&gt;insane chase scene with delightfully escalating slapstick&lt;/a&gt;. The third act shift to high drama caught me off-guard, but it works. Bonus trivia: this film is the first appearance of the fake novel &lt;em&gt;O Brother, Where Art Thou?&lt;/em&gt; This was another edition in an irregular series of &lt;a href=&#34;https://www.mlarson.org/tag/roadmovies&#34;&gt;road movies&lt;/a&gt;, loosely defined. I think &lt;a href=&#34;https://en.wikipedia.org/wiki/Weekend_(1967_film)&#34;&gt;Weekend&lt;/a&gt; is next.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Two New Books About Jorge Luis Borges : The New Yorker</title>
    <link href="https://mlarson.org/2013/08/02/two-new-books-about-jorge-luis-borges-the-new/"/>
    <updated>2013-08-02T23:22:53.000Z</updated>
    <id>https://mlarson.org/2013/08/02/two-new-books-about-jorge-luis-borges-the-new/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Borges’s fictional universe is relentlessly, oppressively male. He wrote very few female characters, and there is a vision of masculinity—violent, fearless, austere—that exists in his work as a counterpoint to its obsessive bookishness, and neither ideal has much room for the presence of women, writers or otherwise. His abstraction meant, among other things, a removal from the heat and chaos of human relationships. There is very little love in his work, very little emotional intensity; its richness and complexity is that of philosophical problems, of theology and ontology, not of human relationships.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/books/2013/07/two-new-books-about-borges.html&#34;&gt;Two New Books About Jorge Luis Borges : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2013</title>
    <link href="https://mlarson.org/2013/08/02/each-of-us-is-born-with-a-series-of-built-in/"/>
    <updated>2013-08-02T01:55:49.000Z</updated>
    <id>https://mlarson.org/2013/08/02/each-of-us-is-born-with-a-series-of-built-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Each of us is born with a series of built-in confusions that are probably somehow Darwinian. These are: (1) we’re central to the universe (that is, our personal story is the main and most interesting story, the only story, really); (2) we’re separate from the universe (there’s US and then, out there, all that other junk – dogs and swing-sets, and the State of Nebraska and low-hanging clouds and, you know, other people), and (3) we’re permanent (death is real, o.k., sure – for you, but not for me).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://6thfloor.blogs.nytimes.com/2013/07/31/george-saunderss-advice-to-graduates/?_r=1&amp;amp;&#34;&gt;George Saunders&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Doubles</title>
    <link href="https://mlarson.org/2013/08/02/doubles/"/>
    <updated>2013-08-02T01:10:30.000Z</updated>
    <id>https://mlarson.org/2013/08/02/doubles/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mashatupitsyn.tumblr.com/post/56921148668/doubles&#34;&gt;mashatupitsyn&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;The Passenger&lt;/em&gt;, 1975&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/06022e11149d997987fd7586a56e88aa/tumblr_inline_mqpn21ecdv1qz4rgp.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The Master&lt;/em&gt;, 2012&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/d213db030734bbbb0b1c2f923c6fb736/tumblr_inline_mqpn5kb3ek1qz4rgp.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2013</title>
    <link href="https://mlarson.org/2013/08/02/austinkleon-roz-chast-man-reads-the/"/>
    <updated>2013-08-02T01:07:43.000Z</updated>
    <id>https://mlarson.org/2013/08/02/austinkleon-roz-chast-man-reads-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/08/tumblr_mqs070kk0y1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/56925242530&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/tagged/roz+chast&#34;&gt;Roz Chast&lt;/a&gt;, &lt;a href=&#34;http://www.art.com/products/p15063142575-sa-i6842177/roz-chast-man-reads-the-obituaries-in-newspaper-headlines-for-each-death-refer-rel%E2%80%A6-new-yorker-cartoon.htm&#34;&gt;&lt;em&gt;Man reads the obituaries&lt;/em&gt;&lt;/a&gt;, 1993&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Via &lt;a href=&#34;http://twitter.com/brucetracy&#34;&gt;@BruceTracy&lt;/a&gt;. Filed under: &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/obituaries&#34;&gt;obituaries&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Borges and the Sharknado Problem</title>
    <link href="https://mlarson.org/2013/07/29/borges-and-the-sharknado-problem/"/>
    <updated>2013-07-29T02:44:07.000Z</updated>
    <id>https://mlarson.org/2013/07/29/borges-and-the-sharknado-problem/</id>
    <content type="html">&lt;p&gt;Borges:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The composition of vast books is a laborious and impoverishing extravagance. To go on for five hundred pages developing an idea whose perfect oral exposition is possible in a few minutes! A better course of procedure is to pretend that these books already exist, and then to offer a resume, a commentary … More reasonable, more inept, more indolent, I have preferred to write notes upon imaginary books.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Some books better left unwritten! Oh, but here again I will recommend &lt;a href=&#34;http://www.amazon.com/Imaginary-Magnitude-Stanislaw-Lem/dp/0156441802&#34;&gt;Imaginary Magnitude&lt;/a&gt;, which I &lt;a href=&#34;http://tumblr.mlarson.org/post/39980230129/favorite-books-of-2012&#34;&gt;shortlisted last year&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A collection of introductions to fictional books covering, among other things, x-ray pornograms, computer-generated literature, and a biography of a sentient, moody super-computer. If you like the Borges above [&lt;a href=&#34;http://www.amazon.com/Dreamtigers-Texas-Pan-American-Series/dp/0292715498&#34;&gt;Dreamtigers&lt;/a&gt;], or Borges in general, or strange science fiction, or strange conceptual writing in general, this is absolutely a book for you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://asociologist.com/2013/07/26/borges-and-the-sharknado-problem/&#34;&gt;Borges and the Sharknado Problem&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>ATL Urbanist: Friendship Baptist and the Atlanta Falcons</title>
    <link href="https://mlarson.org/2013/07/29/atl-urbanist-friendship-baptist-and-the-atlanta/"/>
    <updated>2013-07-29T02:36:56.000Z</updated>
    <id>https://mlarson.org/2013/07/29/atl-urbanist-friendship-baptist-and-the-atlanta/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://atlurbanist.tumblr.com/post/56541292659/friendship-baptist-and-the-atlanta-falcons&#34;&gt;atlurbanist&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/9e8ceda9d3ffa425775026d63db8db7d/tumblr_inline_mqk7skKpdB1qz4rgp.jpg&#34; alt=&#34;image&#34;&gt;&lt;/p&gt;
&lt;p&gt;A very clever person named Kyle Kessler put together this chart, helpfully comparing Friendship Baptist Church and the Atlanta Falcons.&lt;/p&gt;
&lt;p&gt;One of two possible sites for the construction of the new Atlanta Falcons stadium would require the &lt;a href=&#34;http://www.bizjournals.com/atlanta/news/2013/07/25/friendship-baptist-church-may-have.html?page=all&#34;&gt;purchase and demolition of this 1873 church building&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://atlurbanist.tumblr.com/post/56541292659/friendship-baptist-and-the-atlanta-falcons&#34;&gt;ATL Urbanist: Friendship Baptist and the Atlanta Falcons&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Emily Nussbaum: How “Sex and the City” Lost its Good Name : The New Yorker</title>
    <link href="https://mlarson.org/2013/07/23/emily-nussbaum-how-sex-and-the-city-lost-its/"/>
    <updated>2013-07-23T15:16:01.000Z</updated>
    <id>https://mlarson.org/2013/07/23/emily-nussbaum-how-sex-and-the-city-lost-its/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;High-feminine instead of fetishistically masculine, glittery rather than gritty, and daring in its conception of character, “Sex and the City” was a brilliant and, in certain ways, radical show. It also originated the unacknowledged first female anti-hero on television: ladies and gentlemen, Carrie Bradshaw.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Why is the show so often portrayed as a set of empty, static cartoons, an embarrassment to womankind? It’s a classic misunderstanding, I think, stemming from an unexamined hierarchy: the assumption that anything stylized (or formulaic, or pleasurable, or funny, or feminine, or explicit about sex rather than about violence, or made collaboratively) must be inferior.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/arts/critics/television/2013/07/29/130729crte_television_nussbaum?currentPage=all&amp;amp;printable=true&#34;&gt;Emily Nussbaum: How “Sex and the City” Lost its Good Name : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 23, 2013</title>
    <link href="https://mlarson.org/2013/07/23/in-climbing-income-ladder-location-matters/"/>
    <updated>2013-07-23T15:14:12.000Z</updated>
    <id>https://mlarson.org/2013/07/23/in-climbing-income-ladder-location-matters/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mqdeexq9yr1qzcye0o1_250.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/07/22/business/in-climbing-income-ladder-location-matters.html?_r=0&#34;&gt;In Climbing Income Ladder, Location Matters - NYTimes.com&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All else being equal, upward mobility tended to be higher in metropolitan areas where poor families were more dispersed among mixed-income neighborhoods. Income mobility was also higher in areas with more two-parent households, better elementary schools and high schools, and more civic engagement, including membership in religious and community groups.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hey wait that cuts across party lines what should I believe?! Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/13329936744/the-geography-of-stuck-the-atlantic-cities-glad&#34;&gt;The Geography of Stuck&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mills Baker&#39;s review of Upstream Color (2013 movie) - Quora</title>
    <link href="https://mlarson.org/2013/07/23/mills-bakers-review-of-upstream-color-2013/"/>
    <updated>2013-07-23T03:28:06.000Z</updated>
    <id>https://mlarson.org/2013/07/23/mills-bakers-review-of-upstream-color-2013/</id>
    <content type="html">&lt;p&gt;Read it! Watch it! I have to get this in the re-watch queue. It lingers.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.quora.com/Reviews-of-Upstream-Color-2013-movie/review/Mills-Baker&#34;&gt;Mills Baker&#39;s review of Upstream Color (2013 movie) - Quora&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2013</title>
    <link href="https://mlarson.org/2013/07/22/heroism-is-often-some-seriously-boring-stuff/"/>
    <updated>2013-07-22T03:11:39.000Z</updated>
    <id>https://mlarson.org/2013/07/22/heroism-is-often-some-seriously-boring-stuff/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Heroism is often some seriously boring stuff.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-new-boyfriend-is-red-flag-material/2013/07/16/f34fee6c-e3fd-11e2-80eb-3145e2994a55_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2013</title>
    <link href="https://mlarson.org/2013/07/22/around-alone-laphams-quarterly/"/>
    <updated>2013-07-22T01:51:11.000Z</updated>
    <id>https://mlarson.org/2013/07/22/around-alone-laphams-quarterly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mqap9yfjmk1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.laphamsquarterly.org/essays/around-alone.php?page=all&#34;&gt;Around Alone - Laphams’ Quarterly&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2013</title>
    <link href="https://mlarson.org/2013/07/22/drift-compatible-geek-empire-in-which-l-rhodes/"/>
    <updated>2013-07-22T01:51:07.000Z</updated>
    <id>https://mlarson.org/2013/07/22/drift-compatible-geek-empire-in-which-l-rhodes/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mqapidt9ft1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/geek-empire/b154203053ce&#34;&gt;Drift Compatible - Geek Empire&lt;/a&gt;. In which &lt;a href=&#34;https://mobile.twitter.com/upstreamism&#34;&gt;L. Rhodes&lt;/a&gt; uses &lt;em&gt;Pacific Rim&lt;/em&gt; as a pivot to talk about kaiju films as manifestations of urban anxiety, and issues that come out of genre and fandom in general. Good reminder that I can learn from bad movies, too.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When a fanboy defends Pacific Rim to those audience members by saying, “What did you expect?” the underlying issue is genre. An astute viewer will learn to expect certain things from movies that fall into certain genres. A clever filmmaker will learn how to use those expectations to advantage. A fair-minded critic will keep those expectations in mind when judging a genre film. Things are rarely so simple. For one thing, genres carry their own history implicitly, and that often makes it difficult to understand just what’s at stake…&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>A Synopsis of Tim Burton&#39;s Batman Based Only on the Prince Soundtrack</title>
    <link href="https://mlarson.org/2013/07/16/a-synopsis-of-tim-burtons-batman-based-only-on/"/>
    <updated>2013-07-16T03:20:24.000Z</updated>
    <id>https://mlarson.org/2013/07/16/a-synopsis-of-tim-burtons-batman-based-only-on/</id>
    <content type="html">&lt;p&gt;The 1989 &lt;em&gt;Batman&lt;/em&gt; is the first time I remember hearing Prince’s music. So many good things in this movie. “Gentlemen! &lt;a href=&#34;http://www.youtube.com/watch?v=LLZ-1c0EbtU&#34;&gt;Let’s broaden our minds&lt;/a&gt;!”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://io9.com/a-synopsis-of-tim-burtons-batman-based-only-on-the-pri-758183831&#34;&gt;A Synopsis of Tim Burton&#39;s Batman Based Only on the Prince Soundtrack&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pacific Rim</title>
    <link href="https://mlarson.org/2013/07/15/pacific-rim-its-a-pretty-mediocre-to-bad-movie/"/>
    <updated>2013-07-15T00:14:00.000Z</updated>
    <id>https://mlarson.org/2013/07/15/pacific-rim-its-a-pretty-mediocre-to-bad-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mpybacl2jh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Pacific_Rim_%28film%29&#34;&gt;Pacific Rim&lt;/a&gt;. It’s a pretty mediocre-to-bad movie that I had a lot of fun watching. The dialogue is merely serviceable when it isn’t just blatant crib notes for the audience. It borrows from many good sources (Japanese montster/mecha/anime traditions, &lt;em&gt;Top Gun&lt;/em&gt;, &lt;em&gt;Star Wars&lt;/em&gt;, &lt;em&gt;Star Trek&lt;/em&gt;, &lt;em&gt;Transformers&lt;/em&gt;, &lt;em&gt;Aliens&lt;/em&gt;, and more…), but doesn’t rise to their level. It trades in some really terrible international typing. The comic-relief duo is cringe-worthy. It also got caught in a weird zone where it was too long, they edited it down so there are strange gaps and emotional undertones that aren’t prepared well. And it’s &lt;em&gt;still&lt;/em&gt; too long. And yet… I had fun. Guess I lucked out with good company and a good attitude that afternoon. The fights are good corny spectacles that activated my brain’s primitive comic fanboy region. It’s not good, but you might have a good time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>jomc.links: This mesmerizing image contains all of LeBron James’ scores in Game 7...</title>
    <link href="https://mlarson.org/2013/07/14/jomclinks-this-mesmerizing-image-contains-all-of/"/>
    <updated>2013-07-14T23:46:25.000Z</updated>
    <id>https://mlarson.org/2013/07/14/jomclinks-this-mesmerizing-image-contains-all-of/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://jomc.tumblr.com/post/55431063104/this-mesmerizing-image-contains-all-of-lebron&#34;&gt;jomc&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tribecafilm.com/future-of-film/trapped-in-the-loop-edward-snowden-gifs-vine-instagram&#34;&gt;&lt;img src=&#34;https://s3.amazonaws.com/tribeca_cms_production/uploads/uploads/image/gallery_image/51dc32ffc07f5d340f000001/bball.gif&#34; alt=&#34;image&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This mesmerizing image contains all of LeBron James’ scores in Game 7 of the NBA Finals. It lasts only four seconds, but one could gaze at it for quite some time. It almost seems to contain the entire history of the game, evoking a sense of data, like a visual stats card. It has information inside of it, but we can only understand the data by repetition. By definition, you have to watch The Loop again and again to understand its depth.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Loops are not short films. Loops are more like spreadsheets: data, but with a fourth dimension, time. Without the repetition, you would not see the data.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tribecafilm.com/future-of-film/trapped-in-the-loop-edward-snowden-gifs-vine-instagram&#34;&gt;&lt;/a&gt;&lt;a href=&#34;http://tribecafilm.com/future-of-film/trapped-in-the-loop-edward-snowden-gifs-vine-instagram&#34;&gt;http://tribecafilm.com/future-of-film/trapped-in-the-loop-edward-snowden-gifs-vine-instagram&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://jomc.tumblr.com/post/55431063104/this-mesmerizing-image-contains-all-of-lebron&#34;&gt;jomc.links: This mesmerizing image contains all of LeBron James’ scores in Game 7...&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 10, 2013</title>
    <link href="https://mlarson.org/2013/07/10/dance-floor-at-burts-place-a-short-lived-atl/"/>
    <updated>2013-07-10T00:22:00.000Z</updated>
    <id>https://mlarson.org/2013/07/10/dance-floor-at-burts-place-a-short-lived-atl/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mpp21cnpdl1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pecannelog.com/2010/10/05/the-swing-of-things-at-burts-place/&#34;&gt;Dance floor at Burt’s Place&lt;/a&gt;, a short-lived ATL restaurant/nightclub.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Study Hacks » The Need for a Deeper Vocabulary of Career Aspiration</title>
    <link href="https://mlarson.org/2013/07/08/study-hacks-the-need-for-a-deeper-vocabulary-of/"/>
    <updated>2013-07-08T16:07:33.000Z</updated>
    <id>https://mlarson.org/2013/07/08/study-hacks-the-need-for-a-deeper-vocabulary-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Students tend to place too much importance on the specifics of a job, as if there was a specific knowledge work pursuit hardwired in their genes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://calnewport.com/blog/2013/07/03/why-did-most-of-dartmouths-valedictorians-become-investment-bankers-and-consultants-the-need-for-a-deeper-vocabulary-of-career-aspiration/&#34;&gt;Study Hacks » The Need for a Deeper Vocabulary of Career Aspiration&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>bookforum talks with karl ove knausgaard - bookforum.com / interviews</title>
    <link href="https://mlarson.org/2013/07/08/bookforum-talks-with-karl-ove-knausgaard/"/>
    <updated>2013-07-08T16:07:21.000Z</updated>
    <id>https://mlarson.org/2013/07/08/bookforum-talks-with-karl-ove-knausgaard/</id>
    <content type="html">&lt;p&gt;Good interview. &lt;em&gt;My Struggle&lt;/em&gt; sounds so strange. Here’s Knausgaard talking about the magic that happened when he stopped filtering and perfecting his writing, and just started going for sheer volume:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When I was nineteen, I went to a yearlong course in creative writing. There, some simple rules dominated, and the most important one dealt with quality: if a sentence was bad, you removed it. If a scene was bad, you removed it. The critical reading of the texts always resulted in parts being deleted. So that was what I did. My writing became more and more minimalist. In the end, I couldn’t write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing. Fuck quality, fuck perfection, fuck minimalism. My world isn’t minimalist; my world isn’t perfect, so why on earth should my writing be? I then did the same thing with every other rule. Show, don’t tell? What happens if you do tell, really try to tell EVERYTHING, and don’t give a damn about subtext? Something else happens, something you can’t control. No matter how explicitly you describe a person or a scene, there is always a shadow in the text, a kind of tone or sound, and that tone or sound is the important thing. When I freed myself from these restrictions and started to insist on quantity instead of quality, my texts started to get long. Not necessarily good, but long!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/3456667099/the-baroque-is-that-style-which-deliberately&#34;&gt;Borges on the baroque style&lt;/a&gt;: “The Baroque is that style which deliberately exhausts (or tries to exhaust) its possibilities and borders on its own caricature.” In a similar section of the interview I liked, he talks about the balance of family and ambition, and how he started being easier on himself, in a way:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Karen Blixen, the Danish writer, said something like “you can’t go hunting the Grail with a pram.” And she’s right. When I started to write this book, I was deeply frustrated and alienated. We had three kids in four years, and the dominant feeling for both my wife and me was that of living on the edge of chaos. There was a lot of quarreling going on, and at the same time, I was not able to write anything. So at one point I decided to let go of all ambition whatsoever and just write about that: The domestic world, the banality and tristesse of everyday life. I really hated the idea, because I didn’t want trivialities, I wanted the Grail, and when I started to do this, I was ashamed of my writing. The struggle was really to overcome the shame. But taking care of kids and writing do not exclude each other—I would start to write at 4am, then either my wife or I would take them to Kindergarten at 8, and then I would write until 3 pm and spend the rest of the day with them. It’s not Hemingway’s way—as I understand, he wrote from 6 till 12, then started to drink—but it is a way, if not to reach the Grail, then at least to finish some pages every day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bookforum.com/interview/11771&#34;&gt;bookforum talks with karl ove knausgaard - bookforum.com / interviews&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 3, 2013</title>
    <link href="https://mlarson.org/2013/07/03/one-of-the-things-i-love-about-sports-is-that-they/"/>
    <updated>2013-07-03T02:53:42.000Z</updated>
    <id>https://mlarson.org/2013/07/03/one-of-the-things-i-love-about-sports-is-that-they/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the things I love about sports is that they let you spend time communing with trepidation and panic without making you face any consequences.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9440415/wimbledon-wild-first-week&#34;&gt;Brian Phillips&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 3, 2013</title>
    <link href="https://mlarson.org/2013/07/03/austinkleon-an-interview-with-rick-rubin-on/"/>
    <updated>2013-07-03T02:53:27.000Z</updated>
    <id>https://mlarson.org/2013/07/03/austinkleon-an-interview-with-rick-rubin-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mpc4bba5x41qz6f4bo1_r1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/54472060433&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thedailybeast.com/newsweek/2013/06/26/rick-rubin-on-crashing-kanye-s-album-in-15-days.html&#34;&gt;&lt;strong&gt;An interview with Rick Rubin&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;On &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/notknowing&#34;&gt;not-knowing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I never decide if an idea is good or bad until I try it. So much of what gets in the way of things being good is thinking that we know. And the more that we can remove any baggage we’re carrying with us, and just be in the moment, use our ears, and pay attention to what’s happening, and just listen to the inner voice that directs us, the better. But it’s not the voice in your head. It’s a different voice. It’s not intellect. It’s not a brain function. It’s a body function, like running from a tiger.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On producing:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;So how would you describe your role as a producer, in general?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Just as fan. Making music that I want to hear. You’re so close to something when you write it that it’s hard to have any perspective on how it hits someone else. My job is to be a professional version of the outside world—a listener who is not attached to any of it, who doesn’t know the story of how it was written, who doesn’t know how it works, who doesn’t know why this is important to you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On stripping things down:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s a tremendous power in using the least amount of information to get a point across.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Wonderful interview.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So great. That part about being a “professional version of the outside world” reminded me of &lt;a href=&#34;http://www.newyorker.com/reporting/2012/02/06/120206fa_fact_denk&#34;&gt;Jeremy Denk’s New Yorker essay about recording&lt;/a&gt;, and how hard it is to get perspective. A favorite quote:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In the moment of playing, the logistics of just hitting the notes distract you somewhat from the continuous choices you are making. In the edit you have nothing but choice. And yet you feel helpless, since everything has already been played.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And since he talked about Kanye, remember the rules: &lt;a href=&#34;http://tumblr.mlarson.org/post/1662884093/no-hipster-hats-no-acoustic-guitar-in-the&#34;&gt;No hipster hats. No acoustic guitar in the studio&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Side Effects</title>
    <link href="https://mlarson.org/2013/07/03/side-effects-i-made-this-a/"/>
    <updated>2013-07-03T02:47:01.000Z</updated>
    <id>https://mlarson.org/2013/07/03/side-effects-i-made-this-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mp8koqzjd01qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Side_Effects_%282013_film%29&#34;&gt;Side Effects&lt;/a&gt;. I made this a Soderbergh-takes-on-controlled-substances double-feature with Traffic. Hitchcockian psycho-thriller here. It gets too clever in the final act, but I like that you see new facets of these characters all the way up to the end. I think his understated style helps manage those swings. Soderbergh can be pretty overt with his themes, especially with some side characters that are basically there for social commentary. The leads are strong, though. I totally forgot about the intro and did the jaw-drop forehead-slap thing with the kitchen scene. Good soundtrack tends to linger and push things along, like in &lt;em&gt;Contagion&lt;/em&gt;. And now to catch up on rankings for all the &lt;a href=&#34;https://www.mlarson.org/tag/stevensoderbergh&#34;&gt;Soderbergh movies I’ve seen&lt;/a&gt;:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;Haywire&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/46351505317/magic-mike-soderbergh-best-movie-ever-about-the&#34;&gt;Magic Mike&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/32647261393/the-girlfriend-experience-gotta-admit-i-loved&#34;&gt;The Girlfriend Experience&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30359506876/solaris-2002-i-really-liked-the-tarkovsky&#34;&gt;Solaris&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29412326086/contagion-pretty-good-deliberate-precise&#34;&gt;Contagion&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/31737083925/the-informant-soderbergh-walks-a-fine-line-here&#34;&gt;The Informant!&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Ocean’s Eleven&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/54371594966/traffic-it-took-a-good-hour-before-i-realized-id&#34;&gt;Traffic&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Side Effects&lt;/li&gt;
&lt;li&gt;Ocean’s Twelve&lt;/li&gt;
&lt;li&gt;Ocean’s Thirteen&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Seriously, what a great director. I don’t think you can credibly use the word “mediocre” or even “average” about any of those movies until you get down to number 10 or 11 maybe.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Traffic</title>
    <link href="https://mlarson.org/2013/07/01/traffic-it-took-a-good-hour-before-i-realized-id/"/>
    <updated>2013-07-01T21:14:04.000Z</updated>
    <id>https://mlarson.org/2013/07/01/traffic-it-took-a-good-hour-before-i-realized-id/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mp8jq0ddex1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Traffic_%282000_film%29&#34;&gt;Traffic&lt;/a&gt;. It took a good hour before I realized I’d seen it before. It took a good two seconds before I remembered that I have a huge man-crush on Benicio del Toro. He’s so good. Don Cheadle, too. The movie as a whole is pretty straightforward, docudrama-ish style, not played up for emotions like &lt;em&gt;Babel&lt;/em&gt; or other multi-storyline, “&lt;a href=&#34;http://www.newyorker.com/arts/critics/atlarge/2007/03/05/070305crat_atlarge_denby?currentPage=all&#34;&gt;highbrow globalist tearjerkers&lt;/a&gt;”. A few interesting things… the cool blue tint for U.S. interiors vs. the overexposed yellows in Mexico; the tension between identity and professional image; and the anecdote about Khrushchev and the two letters:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You know, when they forced Khrushchev out, he sat down and wrote two letters to his successor. He said, “When you get yourself into a situation you can’t get out of, open the first letter, and you’ll be safe. When you get yourself into another situation you can’t get out of, open the second letter”. Well, soon enough, this guy found himself into a tight place, so he opened the first letter. Which said, “Blame everything on me”. So he blames the old man, it worked like a charm. He got himself into a second situation he couldn’t get out of, he opened the second letter. It said, “Sit down, and write two letters”.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Hilary Mantel reviews ‘Tormented Hope’ by Brian Dillon · LRB 5 November 2009</title>
    <link href="https://mlarson.org/2013/07/01/hilary-mantel-reviews-tormented-hope-by-brian/"/>
    <updated>2013-07-01T18:01:54.000Z</updated>
    <id>https://mlarson.org/2013/07/01/hilary-mantel-reviews-tormented-hope-by-brian/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Anxiety about a specific symptom is more bearable and easier to rationalise than the diffuse ontological malaise that used to be known as spiritual despair. It is easier to say ‘my knee is killing me,’ because we know it isn’t, than to dwell in the belief that the clock is ticking and that the journey from birth to death is a journey to extinction; it is better to have a symptom than to have a void inside.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lrb.co.uk/v31/n21/hilary-mantel/what-is-going-on-in-there&#34;&gt;Hilary Mantel reviews ‘Tormented Hope’ by Brian Dillon · LRB 5 November 2009&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The French Connection</title>
    <link href="https://mlarson.org/2013/07/01/the-french-connection-its-a-great-mean-cop/"/>
    <updated>2013-07-01T01:56:03.000Z</updated>
    <id>https://mlarson.org/2013/07/01/the-french-connection-its-a-great-mean-cop/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/07/tumblr_mp8ildgthf1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_French_Connection_%28film%29&#34;&gt;The French Connection&lt;/a&gt;. It’s a great “mean cop” flick. Gene Hackman’s “Popeye” Doyle is pretty unlikeable, but you still find yourself on his side despite all the recklessness and disregard for, y&#39;know, the law. I love the attention to detective details here, the surveillance stuff with all the stake-outs, and the car tails, and the cat-and-mouse following on foot with a switching team. Also: that final chase is legit.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2013</title>
    <link href="https://mlarson.org/2013/06/30/the-best-pixar-movies-as-chosen-by-children/"/>
    <updated>2013-06-30T22:56:04.000Z</updated>
    <id>https://mlarson.org/2013/06/30/the-best-pixar-movies-as-chosen-by-children/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/arts/culturebox/2013/06/the_best_pixar_movies_as_chosen_by_children_critics_say_they_re_on_the_decline.html&#34;&gt;The best Pixar movies as chosen by children - Slate Magazine&lt;/a&gt;. Know your audience. On a related note, the last Pixar movie I saw was &lt;em&gt;WALL·E&lt;/em&gt;; the last Pixar movie I saw in a theater… &lt;em&gt;Toy Story&lt;/em&gt;. No real reason. Just a slacker with no children to drag me there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2013</title>
    <link href="https://mlarson.org/2013/06/30/frank-chimero-blog-web-tableaus-the-past-week/"/>
    <updated>2013-06-30T22:50:39.000Z</updated>
    <id>https://mlarson.org/2013/06/30/frank-chimero-blog-web-tableaus-the-past-week/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://frankchimero.com/blog/2013/06/web-tableaus/&#34;&gt;Frank Chimero × Blog × Web Tableaus&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The past week has provided a few notable redesigns of popular web services, including Squarespace and MailChimp. It’s interesting to note the visual similarities in how they have chosen to present themselves: photographed tableaus with props around laptops, tablets, and phones.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also Matt Thomas’s great post on &lt;a href=&#34;http://submittedforyourperusal.com/2013/02/13/zoes-desk/&#34;&gt;depicting knowledge work in film&lt;/a&gt;, and Felix Salmon’s recent tumble on &lt;a href=&#34;http://felixsalmon.tumblr.com/post/53864611124/the-moven-and-simple-homepages-both-feature-a-cup&#34;&gt;marketing for mobile banking apps&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Both feature a cup of artisanal coffee on a dark wood counter, next to an iPhone 4 displaying the app in question. How to choose between them?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Surface Tension</title>
    <link href="https://mlarson.org/2013/06/30/surface-tension/"/>
    <updated>2013-06-30T22:50:16.000Z</updated>
    <id>https://mlarson.org/2013/06/30/surface-tension/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;How big a role has court technology played in tennis’s current golden age?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;As the different court surfaces are modified to play more similarly, players whose game is well-suited to those physics will dominate more and more. I’d never thought about this before.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Maybe relevant here: The same four players have won every major and Olympic gold medal except one in the past eight years. That’s 34 big titles for Federer, Nadal, Djokovic, and Andy Murray, and one for every other tennis player on earth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9401109/court-surfaces-golden-age-men-tennis&#34;&gt;Surface Tension&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>THE MINUTE I GET HOME FROM WORK</title>
    <link href="https://mlarson.org/2013/06/28/the-minute-i-get-home-from-work/"/>
    <updated>2013-06-28T14:37:00.000Z</updated>
    <id>https://mlarson.org/2013/06/28/the-minute-i-get-home-from-work/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://hollywoodassistants.tumblr.com/post/49199851788/the-minute-i-get-home-from-work&#34;&gt;hollywoodassistants&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/a3bcbd2a1aa7226740716af249e8c405/tumblr_inline_mm1a7cyOSd1qz4rgp.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ah, summertime commuting in the South.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Conversation</title>
    <link href="https://mlarson.org/2013/06/28/the-conversation-great-great-flick-the-scale-is/"/>
    <updated>2013-06-28T14:26:13.000Z</updated>
    <id>https://mlarson.org/2013/06/28/the-conversation-great-great-flick-the-scale-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mozbnxl0vd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Conversation&#34;&gt;The Conversation&lt;/a&gt;. Great, great flick. The scale is so small and focused, and the protagonist is a perfect tragic character, in turns expert and inept. Themes: Surveillance and paranoia. Temptation vs. dull professionalism. Signal, noise, interpretation, expertise. I love how the movie’s opening and closing mirror each other, or maybe I should say echo each other. Gene Hackman is fantastic. Harrison Ford has one of the best scowls in the game. Fun fact: Coppola released both this and &lt;em&gt;The Godfather Part II&lt;/em&gt; in 1974. That’s a good year, huh?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sinking Into the World of &#39;Upstream Color&#39; With Director Shane Carruth - Movies - BlackBook</title>
    <link href="https://mlarson.org/2013/06/28/sinking-into-the-world-of-upstream-color-with/"/>
    <updated>2013-06-28T14:25:54.000Z</updated>
    <id>https://mlarson.org/2013/06/28/sinking-into-the-world-of-upstream-color-with/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I love narrative and how it exists and why it exists and how it’s meant to be used. You can come up with a paragraph full of some truth, something that’s universal, some exploration, and it can be really informative, but it’s likely to not be that interesting. But you can spin a story, you can tell a narrative, and you can infuse it with this stuff, and if you’ve done your job right, you haven’t just captured somebody’s attention long enough to take them on this journey, you’ve also figured out something about the exploration through the act of the story.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Says the guy who made &lt;a href=&#34;http://tumblr.mlarson.org/post/49696846753/upstream-color-the-speculative-hook-is-a-strange&#34;&gt;one of the most interesting movies I’ve seen this year&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.blackbookmag.com/movies/sinking-into-the-world-of-upstream-color-with-director-shane-carruth-1.60265&#34;&gt;Sinking Into the World of &#39;Upstream Color&#39; With Director Shane Carruth - Movies - BlackBook&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kanye West and White Women | The Awl</title>
    <link href="https://mlarson.org/2013/06/28/kanye-west-and-white-women-the-awl/"/>
    <updated>2013-06-28T14:25:50.000Z</updated>
    <id>https://mlarson.org/2013/06/28/kanye-west-and-white-women-the-awl/</id>
    <content type="html">&lt;p&gt;I haven’t heard the album yet.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theawl.com/2013/06/white-women&#34;&gt;Kanye West and White Women | The Awl&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 26, 2013</title>
    <link href="https://mlarson.org/2013/06/26/the-cookbook-theory-of-economics-by-tyler-cowen/"/>
    <updated>2013-06-26T02:16:03.000Z</updated>
    <id>https://mlarson.org/2013/06/26/the-cookbook-theory-of-economics-by-tyler-cowen/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_moza6lkinz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.foreignpolicy.com/articles/2013/06/24/the_cookbook_theory_of_economics?page=full&#34;&gt;The Cookbook Theory of Economics - By Tyler Cowen | Foreign Policy&lt;/a&gt;. Cookbooks as a proxy for economic development…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Soon it will be possible to cook the dishes of the entire world, but only those, alas, that survive the process of commercialization and standardization.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 26, 2013</title>
    <link href="https://mlarson.org/2013/06/26/if-saturn-were-as-close-as-the-moon-sign-me-up/"/>
    <updated>2013-06-26T02:14:57.000Z</updated>
    <id>https://mlarson.org/2013/06/26/if-saturn-were-as-close-as-the-moon-sign-me-up/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_moz9qxzlev1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.dailymail.co.uk/sciencetech/article-2345679/Photographer-Ron-Miller-creates-incredible-pictures-look-like-planets-closer.html&#34;&gt;If Saturn were as close as the moon&lt;/a&gt;. Sign me up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man of Steel</title>
    <link href="https://mlarson.org/2013/06/23/man-of-steel-the-best-part-of-this-movie-was/"/>
    <updated>2013-06-23T23:53:19.000Z</updated>
    <id>https://mlarson.org/2013/06/23/man-of-steel-the-best-part-of-this-movie-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mourgbffnw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Man_of_Steel_%28film%29&#34;&gt;Man of Steel&lt;/a&gt;. The best part of this movie was seeing Michael Shannon in Kansas, which reminded me I need to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/18913084251/take-shelter-this-one-isnt-great-as-a-thriller&#34;&gt;Take Shelter&lt;/a&gt; again. Otherwise, very disappointing and a waste of a good cast. Snyder bit off more themes than he could chew, even with 2.5 hours to work with. All dull rush and no impact. Then it devolves into heartless, comprehensive destruction. This is not a Superman that speaks to me. Oh, well. I’ll always have &lt;a href=&#34;http://www.youtube.com/watch?v=wArmHSPIvlQ&#34;&gt;the teaser&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ambivalence Is Awesome - Slate Magazine</title>
    <link href="https://mlarson.org/2013/06/23/ambivalence-is-awesome-slate-magazine/"/>
    <updated>2013-06-23T23:52:55.000Z</updated>
    <id>https://mlarson.org/2013/06/23/ambivalence-is-awesome-slate-magazine/</id>
    <content type="html">&lt;p&gt;Echoes of &lt;a href=&#34;http://www.mlarson.org/blog/2013/6/1/the-antidote-review&#34;&gt;The Antidote&lt;/a&gt; and that &lt;a href=&#34;http://tumblr.mlarson.org/post/53495498043/theres-no-need-for-you-to-decide-on-one&#34;&gt;recent Carolyn Hax quote&lt;/a&gt;. &lt;a href=&#34;https://www.mlarson.org/tag/lifeismessy&#34;&gt;Life is messy&lt;/a&gt;. &lt;a href=&#34;http://www.slate.com/articles/health_and_science/science/2013/06/ambivalence_conflicted_feelings_cause_discomfort_and_creativity.single.html&#34;&gt;Ambivalence Is Awesome - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Before Midnight</title>
    <link href="https://mlarson.org/2013/06/23/before-midnight-id-call-it-a-must-see-if-youve/"/>
    <updated>2013-06-23T23:47:05.000Z</updated>
    <id>https://mlarson.org/2013/06/23/before-midnight-id-call-it-a-must-see-if-youve/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mouqvf1dgp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Before_Midnight_%28film%29&#34;&gt;Before Midnight&lt;/a&gt;. I’d call it a must-see if you’ve seen and liked the previous two movies. It’s been a real treat to see these fictional people grow and change. There’s a couple moments in there (a dinner table monologue, a sunset countdown) that are so perfectly heartstring-tugging and bittersweet. I also liked the expanded cast with some couples older and younger to add some ground or contrast, and the timely nods to new technology and ways we connect. Somewhat in the same vein, I have to recommend &lt;a href=&#34;http://tumblr.mlarson.org/post/18743478991/certified-copy-its-really-brilliant-and-its&#34;&gt;Certified Copy&lt;/a&gt;, a brilliant walk-and-talk Mediterranean maybe-romance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Choice And The Moral Universe Of &#39;Man Of Steel&#39; [Opinion] - ComicsAlliance</title>
    <link href="https://mlarson.org/2013/06/23/choice-and-the-moral-universe-of-man-of-steel/"/>
    <updated>2013-06-23T23:46:02.000Z</updated>
    <id>https://mlarson.org/2013/06/23/choice-and-the-moral-universe-of-man-of-steel/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Different heroes have different values, different roles, and they tell different stories. For much of the audience, Superman is the virtuous hero, and a story that doesn’t explore this is not a Superman story. And really, the makers of &lt;em&gt;Man of Steel&lt;/em&gt; did not seem overly interested in telling a Superman story.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ditto everything in this essay.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.comicsalliance.com/2013/06/21/man-of-steel-moral-superman-review-zack-snyder-david-goyer/&#34;&gt;Choice And The Moral Universe Of &#39;Man Of Steel&#39; [Opinion] - ComicsAlliance&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cabin in the Woods</title>
    <link href="https://mlarson.org/2013/06/23/the-cabin-in-the-woods-a-delight-through-and/"/>
    <updated>2013-06-23T15:39:23.000Z</updated>
    <id>https://mlarson.org/2013/06/23/the-cabin-in-the-woods-a-delight-through-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mouq496crs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Cabin_in_the_Woods&#34;&gt;The Cabin in the Woods&lt;/a&gt;. A delight through and through. The framing plot that keeps things a little sluggish early also pushes it towards some glorious, satisfying excess before the ending. Great script. I’m no connoisseur of the genre, but &lt;a href=&#34;http://tumblr.mlarson.org/post/19631846452/tucker-dale-vs-evil-the-best-genre-satire&#34;&gt;Tucker &amp;amp; Dale vs Evil&lt;/a&gt; is another really great horror-satire I’d recommend.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bronson</title>
    <link href="https://mlarson.org/2013/06/23/bronson-its-an-oddball-comedy-horror-character/"/>
    <updated>2013-06-23T15:26:28.000Z</updated>
    <id>https://mlarson.org/2013/06/23/bronson-its-an-oddball-comedy-horror-character/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_moupb6hgal1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Bronson_%28film%29&#34;&gt;Bronson&lt;/a&gt;. It’s an oddball comedy-horror character portrait, goofier and more stylized than I expected, e.g. the frequent juxtaposed opera in &lt;a href=&#34;http://www.imdb.com/title/tt1172570/soundtrack&#34;&gt;the soundtrack&lt;/a&gt;. My respect for &lt;a href=&#34;https://www.mlarson.org/tag/tomhardy&#34;&gt;Tom Hardy&lt;/a&gt; keeps growing. &lt;a href=&#34;https://www.mlarson.org/tag/nicolaswindingrefn&#34;&gt;Refn&lt;/a&gt; really has a thing for these violent loner types. &lt;a href=&#34;http://tumblr.mlarson.org/post/15401355390/hunger-not-sure-how-i-feel-about-this-one&#34;&gt;Hunger&lt;/a&gt; is a very, very different look at a UK prison experience that’s worth seeing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Mega-Death of Summer Movies - Richard Lawson - The Atlantic Wire</title>
    <link href="https://mlarson.org/2013/06/23/the-mega-death-of-summer-movies-richard-lawson/"/>
    <updated>2013-06-23T14:31:50.000Z</updated>
    <id>https://mlarson.org/2013/06/23/the-mega-death-of-summer-movies-richard-lawson/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I know it would be a bummer to show 10,000 funerals in a summertime movie, but then maybe don’t kill 10,000 people while people are trying to have a good time?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://m.theatlanticwire.com/entertainment/2013/06/mega-death-summer-movies/66214/&#34;&gt;The Mega-Death of Summer Movies - Richard Lawson - The Atlantic Wire&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 23, 2013</title>
    <link href="https://mlarson.org/2013/06/23/girls-on-film-before-midnight-and-the-evolution/"/>
    <updated>2013-06-23T14:31:40.000Z</updated>
    <id>https://mlarson.org/2013/06/23/girls-on-film-before-midnight-and-the-evolution/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mot6sgkdv71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://m.theweek.com/article.php?id=244767&#34;&gt;Girls on Film: Before Midnight and the evolution of one of cinema’s most dynamic women&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Yes, they are some of the most critically acclaimed cinematic romances in decades. Yes, they represent the “little engine that could” in a creative system in which only big-budget popcorn flicks tend to get multiple sequels. Yes, they are an enjoyable departure from the current standard of overly frenetic, quick-cut filmmaking. But they are also the only films that strive — and succeed — to create a detailed and ongoing look at the female experience.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 23, 2013</title>
    <link href="https://mlarson.org/2013/06/23/i-love-the-fact-that-im-bad-at-things-you-know/"/>
    <updated>2013-06-23T14:31:17.000Z</updated>
    <id>https://mlarson.org/2013/06/23/i-love-the-fact-that-im-bad-at-things-you-know/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I love the fact that I’m bad at [things], you know what I’m saying? I’m forever the 35-year-old 5-year-old. I’m forever the 5-year-old of something.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mobile.nytimes.com/2013/06/16/arts/music/kanye-west-talks-about-his-career-and-album-yeezus.html&#34;&gt;Kanye West&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2013</title>
    <link href="https://mlarson.org/2013/06/21/theres-no-need-for-you-to-decide-on-one/"/>
    <updated>2013-06-21T04:59:58.000Z</updated>
    <id>https://mlarson.org/2013/06/21/theres-no-need-for-you-to-decide-on-one/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s no need for you to “decide” on one feeling. If we don’t allow ourselves multiple, confusing, even conflicting feelings, then how else do we learn to deal with people when the going gets gray?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/grandparents-unequal-approach-to-gifts-unappreciated/2013/06/15/293e5f1e-c8a5-11e2-9f1a-1a7cdee20287_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2013</title>
    <link href="https://mlarson.org/2013/06/21/themartachronicles-marta-could-reduce-average/"/>
    <updated>2013-06-21T04:51:13.000Z</updated>
    <id>https://mlarson.org/2013/06/21/themartachronicles-marta-could-reduce-average/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://themartachronicles.tumblr.com/post/50033774820/marta-could-reduce-average-wait-times-and-improve&#34;&gt;themartachronicles&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;MARTA could reduce average wait times and improve customer satisfaction by extending the Blue Line Train’s final eastbound destination from Candler Park to Indian Creek during rush hour.&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As a frequent rider on the eastbound Blue Line train, I often wonder why MARTA runs a short train that terminates service at Candler Park instead of continuing on to East Lake, Decatur, Avondale, Kensington, and Indian Creek stations. This odd routing decision adds up to 7 minutes—not an insignificant amount of waiting time—to each one-way trip for riders traveling eastbound from Five Points to stations beyond Candler Park.&lt;/p&gt;
&lt;p&gt;I’m often struck by how few people get on the “mini” train, but I figured I was missing something because surely MARTA would only do this extra level of service to customers headed to heavily used stations.&lt;/p&gt;
&lt;p&gt;However, I took a look at the station ridership data…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yep, the short route is kinda ridiculously empty in the mornings.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Charlie Munger&#39;s 18 Biases That Cause You to Fool Yourself and Make Bad Decisions</title>
    <link href="https://mlarson.org/2013/06/21/charlie-mungers-18-biases-that-cause-you-to-fool/"/>
    <updated>2013-06-21T04:48:52.000Z</updated>
    <id>https://mlarson.org/2013/06/21/charlie-mungers-18-biases-that-cause-you-to-fool/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://www.mlarson.org/tag/charliemunger&#34;&gt;Munger&lt;/a&gt;! &lt;a href=&#34;http://www.fool.com/investing/general/2013/06/10/charlie-mungers-18-biases-that-cause-you-to-fool-y.aspx&#34;&gt;Charlie Munger&#39;s 18 Biases That Cause You to Fool Yourself and Make Bad Decisions&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2013</title>
    <link href="https://mlarson.org/2013/06/21/the-consumer-fallacy-the-tech-sector-surrounds-us/"/>
    <updated>2013-06-21T04:48:48.000Z</updated>
    <id>https://mlarson.org/2013/06/21/the-consumer-fallacy-the-tech-sector-surrounds-us/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The consumer fallacy the tech-sector surrounds us with is that the progress we need comes in upgrades.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://scottberkun.com/2013/the-meaninglessness-of-google-glass/&#34;&gt;Scott Berkun&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fast &amp;amp; Furious 6</title>
    <link href="https://mlarson.org/2013/06/21/fast-furious-6-the-best-yet-no-doubt-two/"/>
    <updated>2013-06-21T04:47:42.000Z</updated>
    <id>https://mlarson.org/2013/06/21/fast-furious-6-the-best-yet-no-doubt-two/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mo1xjo9wad1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Fast_%26_Furious_6&#34;&gt;Fast &amp;amp; Furious 6&lt;/a&gt;. The best yet, no doubt. Two things help. One, it gets back to the roots a little bit (good drivers in fast cars going fast, car porn, bounteous stylishness). And two, it’s much, much better at what Fast Five tried to do (go bigger and more outrageous). I think I have to call it my favorite. Rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Fast &amp;amp; Furious 6&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/51399059628/the-fast-and-the-furious-tokyo-drift-now-were&#34;&gt;The Fast and the Furious: Tokyo Drift&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/50998933605/the-fast-and-the-furious-almost-exactly-what-i&#34;&gt;The Fast and the Furious&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/51807439633/fast-furious-decent-most-franchises-dont-stay&#34;&gt;Fast &amp;amp; Furious&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/52162711710/fast-five-my-my-this-franchise-has-gone-a-long&#34;&gt;Fast Five&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/51233606644/2-fast-2-furious-not-as-good-as-the-first-one&#34;&gt;2 Fast 2 Furious&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Adam Yauch’s Top 10 - The Criterion Collection</title>
    <link href="https://mlarson.org/2013/06/14/adam-yauchs-top-10-the-criterion-collection/"/>
    <updated>2013-06-14T13:56:49.000Z</updated>
    <id>https://mlarson.org/2013/06/14/adam-yauchs-top-10-the-criterion-collection/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;3. Nights of Cabiria. I don’t know what to write. I just love this movie.&lt;br&gt;
4. Yojimbo. I guess you have figured out by now that I am really not going to review any of the films that I picked.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.criterion.com/explore/57-adam-yauch-s-top-10&#34;&gt;Adam Yauch’s Top 10 - The Criterion Collection&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 14, 2013</title>
    <link href="https://mlarson.org/2013/06/14/proustitute-jorge-luis-borges-takes-a-leak-via/"/>
    <updated>2013-06-14T13:56:45.000Z</updated>
    <id>https://mlarson.org/2013/06/14/proustitute-jorge-luis-borges-takes-a-leak-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mobb2yl6nk1qc2mclo1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://proustitute.tumblr.com/post/52841739822/jorge-luis-borges-takes-a-leak-via-biblioklept&#34;&gt;proustitute&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Jorge Luis Borges takes a leak (via &lt;a href=&#34;http://biblioklept.org/2013/06/10/borges-takes-a-leak/&#34;&gt;biblioklept&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;They’re just like us! &lt;a href=&#34;http://www.infonews.com/nota.php?id=82521&amp;amp;bienvenido=1&#34;&gt;Background on the photo&lt;/a&gt;. Filed under: &lt;a href=&#34;https://www.mlarson.org/tag/borges&#34;&gt;Borges&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2013</title>
    <link href="https://mlarson.org/2013/06/08/vruba-here-is-something-i-sometimes-watch-when/"/>
    <updated>2013-06-08T00:40:52.000Z</updated>
    <id>https://mlarson.org/2013/06/08/vruba-here-is-something-i-sometimes-watch-when/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/6zoCzWEGnxc&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vruba.tumblr.com/post/52344195104/here-is-something-i-sometimes-watch-when-theres&#34;&gt;vruba&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here is something I sometimes watch when there’s stressful news.&lt;/p&gt;
&lt;p&gt;If you live near a coast of the US, you’ve probably seen many &lt;a href=&#34;http://en.wikipedia.org/wiki/HH-65C&#34;&gt;MH/HH-60/65 search and rescue helicopters in Coast Guard orange and white&lt;/a&gt;. They are nicknamed Tupperwolves by some crews: Tupper from Tupperware®, because they are more plastic than most aircraft, and wolf from the show Airwolf, which starred a heroic helicopter. These craft appeared in my childhood as fire trucks might have appeared in others’. YouTube provides us with many videos of them at work. They are full of danger but end happily through careful, altruistic collaboration.&lt;/p&gt;
&lt;p&gt;The Coast Guard’s air-sea rescues are by teams of three: a pilot (including a basically inert co-pilot), who flies the helicopter, a flight mechanic/hoist operator, who raises and lowers the basket, and a rescue swimmer, who gets survivors into the basket. From this you can guess that the pilot must be a virtuoso, and the swimmer clearly a great athlete, but you might suppose that the hoist operator could be anyone who can push a lever. Not so. Watch a minute or two of the typical video above (you may skip at random; I particularly enjoy the part starting at about 2:10).&lt;/p&gt;
&lt;p&gt;The hoist operator is the one doing almost all the talking, and she’s doing it because she’s the nexus of the whole operation. The pilot is indeed an expert, a real world-class hoverer, but he’s in a machine with a floor, and so, because he’s trying to stay over something drifting below him in heavy seas – instead of an abstract, GPS-defined point – &lt;em&gt;he’s blind&lt;/em&gt;. He can act as a lookout for dangerous waves, and he can tell the hoist operator if she asks for something impossible, but basically the helicopter moves at her direction.&lt;/p&gt;
&lt;p&gt;Meanwhile, the swimmer is generally off-radio because speakers and microphones don’t enjoy swimming without a facemask (and he would be inaudible in the spray and downwash anyway); he communicates with the hoist operator mostly by gesture. So running the hoist itself is really the least of her duties – probably the pilot could have the lever and she could give him directions. Her actual job is to have &lt;a href=&#34;http://en.wikipedia.org/wiki/Situational_awareness&#34;&gt;situational awareness&lt;/a&gt; of the entire rescue. She’s the one who integrates a picture of the whole operation (wave timings, the helicopter’s flight charactersitics, the swimmer’s actions, …) and makes the decisions about what’s going to happen next. She’s constantly handling ambiguity, making small plans, and ensuring that her partners have the information they need when they need it.&lt;/p&gt;
&lt;p&gt;For example, one thing you start to notice as you watch these is that the hoist operators do a lot of subtle preventative work to avoid pendulum motions building up in the basket in the combination of wind and downwash. A swinging basket could destabilize the helicopter or slam the survivor against it when they came alongside, but the hoist operator’s only tools are the timing of their directions to the pilot and direct manipulation of the cable. This is enough: you never see out-of-control swinging.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=DZYiMSjDB_Q&#34;&gt;This one&lt;/a&gt; has some after-the-fact remarks from the pilot (NVG means night-vision goggles).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=PQLnmdOthmA&#34;&gt;I wasn’t being snide when I called the pilots world-class hoverers.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=EsRHfsgObc0&#34;&gt;This one&lt;/a&gt; illustrates that a person standing among redwoods is still referred to as a swimmer on a deck, and that hoist operators often work lying prone.&lt;/p&gt;
&lt;p&gt;At about 2:42 &lt;a href=&#34;http://www.youtube.com/watch?v=wTCZLyDT9jo&#34;&gt;here&lt;/a&gt;, the pilot asks whether the swimmer is traversing, and from then on the hoist operator gives him updates on that. (Many survivors will be in shock or hypothermic, and thus behaving erratically while still looking and superficially sounding healthy.) Later, the hoist operator is concerned about cleanly breaking contact with the cliff – lifting too much from the inshore side would pull the swimmer and survivor along the rocks, but too much from the offshore side would cause a pendulum; as a complicating factor, downwash does strange things along irregular slopes.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=XutZvA79XUc&#34;&gt;Here&lt;/a&gt; we have the interesting twist of talking to &lt;a href=&#34;http://en.wikipedia.org/wiki/Roz_Savage&#34;&gt;the survivor&lt;/a&gt; on the phone.&lt;/p&gt;
&lt;p&gt;Although it’s likely that this crew is merely operating briskly because of the good weather conditions, compared to the deliberateness of the other rescues it seems almost as if they’re in a hurry to get this rescue over with so they can run other minor errands in &lt;a href=&#34;http://www.youtube.com/watch?v=5Q3YrmKq0Us&#34;&gt;this one&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;These help me when I’m feeling complicated about human nature, ethical intervention, the potential for good of various kinds of personal and organizational power, etc. I hope they might do the same for you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Everyone now and then the internet gives you something you didn’t know you’d find fascinating. This is the &lt;em&gt;best&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2013</title>
    <link href="https://mlarson.org/2013/06/08/these-arent-the-prisms-youre-looking-for/"/>
    <updated>2013-06-08T00:40:48.000Z</updated>
    <id>https://mlarson.org/2013/06/08/these-arent-the-prisms-youre-looking-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mo1tr0jt4k1qzcye0o1_540.png&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://waxy.org/2013/06/these_arent_the_prisms_youre_looking_for/&#34;&gt;These Aren’t the PRISMs You’re Looking For - Waxy.org&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’m a little obsessed with the story that &lt;a href=&#34;http://www.guardian.co.uk/world/2013/jun/06/us-tech-giants-nsa-data&#34;&gt;broke yesterday&lt;/a&gt; about PRISM, the NSA/FBI project to gather information from popular Internet services, including Facebook, Google, and Apple.&lt;/p&gt;
&lt;p&gt;So, naturally, I’ve been doing a lot of digging about the story on *.gov websites. In the process, I realized that the U.S. government loves the “PRISM” acronym. There are literally &lt;strong&gt;dozens&lt;/strong&gt; of projects and applications named PRISM at the state and federal level, many with delightfully goofy logos. Here are some of my favorites.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Frances Ha</title>
    <link href="https://mlarson.org/2013/06/06/frances-ha-i-loved-it-were-all-incomplete-this/"/>
    <updated>2013-06-06T20:20:04.000Z</updated>
    <id>https://mlarson.org/2013/06/06/frances-ha-i-loved-it-were-all-incomplete-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mny8d6hgze1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Frances_Ha&#34;&gt;Frances Ha&lt;/a&gt;. I loved it. We’re all incomplete; this is about filling in the gaps. The way it treats deep friendship is so rare in movies. There’s a great California interlude with family that underscores the theme. Home can be so comfortable, but we leave it and we have to figure out how to find that support elsewhere. Other things I liked: Gerwig has a delightfully expressive face, and great timing. I thought the script was funny and loose – it didn’t feel have the volleyball bump-set-smash rhythm to the jokes, just kept rolling along through the bad ones and the good ones. And a good bit of the humor is cinematic, based on a cut/juxtaposition, or underscored with music and a lingering camera. The black-and-white photography and marvelous bursts of music throughout bring to mind &lt;a href=&#34;https://www.mlarson.org/tag/woodyallen&#34;&gt;Woody Allen&lt;/a&gt; + &lt;a href=&#34;https://www.mlarson.org/tag/frenchnewwave&#34;&gt;French New Wave&lt;/a&gt;. It doesn’t feel like an homage, but it’s similarly joyful. Good flick.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2013</title>
    <link href="https://mlarson.org/2013/06/06/march2012-heat/"/>
    <updated>2013-06-06T20:19:59.000Z</updated>
    <id>https://mlarson.org/2013/06/06/march2012-heat/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_m19bli3rqw1qghl49o1_r1_500.gif&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://technoir.nl/post/19700321181/march2012-heat&#34;&gt;t3chn0ir&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.imdb.com/title/tt0113277/&#34; title=&#34;Heat&#34;&gt;Heat&lt;/a&gt; (1995)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.mlarson.org/tag/heat&#34;&gt;Heat&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bright Wall/Dark Room.: Seinfeld (1990-1998)</title>
    <link href="https://mlarson.org/2013/06/06/bright-walldark-room-seinfeld-1990-1998/"/>
    <updated>2013-06-06T20:19:50.000Z</updated>
    <id>https://mlarson.org/2013/06/06/bright-walldark-room-seinfeld-1990-1998/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://brightwalldarkroom.com/post/52242599160/seinfeld-1990-1998&#34;&gt;brightwalldarkroom&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h2&gt;NOT THAT THERE’S ANYTHING WRONG WITH THAT**.**&lt;/h2&gt;
&lt;p&gt;&lt;em&gt;by Elizabeth Cantwell&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I love that [Elaine] eats on screen—a lot—and it’s so normal that she doesn’t even have to say a bunch of jokey punchlines about it. Liz Lemon is perhaps a good counterexample here—she’s also often portrayed eating, but whether it’s a donut or a pizza or a piece of cheese, the food is always the punchline to a joke. Because watching a cute woman eat a lot is just HILARIOUS to us, right? But Elaine, she just walks into Jerry’s kitchen and starts eating cereal—or ice cream, or muffins—while talking about the weather or about how she hates her roommate or about toupees. Not one word about the food. It’s almost as though she’s just eating because she’s hungry or even—gasp!—because she simply &lt;em&gt;wants&lt;/em&gt; to. This is maybe the healthiest portrayal of a woman’s appetite I’ve ever seen on screen.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Man, I had the biggest crush on Elaine.&lt;/p&gt;
&lt;p&gt;Okay, I’m not fooling anyone with the past tense there.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://brightwalldarkroom.com/post/52242599160/seinfeld-1990-1998&#34;&gt;Bright Wall/Dark Room.: Seinfeld (1990-1998)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2013</title>
    <link href="https://mlarson.org/2013/06/06/the-full-story-is-never-as-tidy-as-the-one-that/"/>
    <updated>2013-06-06T20:17:07.000Z</updated>
    <id>https://mlarson.org/2013/06/06/the-full-story-is-never-as-tidy-as-the-one-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The full story is never as tidy as the one that starts with “Obviously . . .”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-a-sister-needs-to-speak-up-about-a-perceived-snub/2013/06/04/9fececea-c240-11e2-9fe2-6ee52d0eb7c1_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Valhalla Rising</title>
    <link href="https://mlarson.org/2013/06/04/valhalla-rising-i-wonder-if-seen-in-a-different/"/>
    <updated>2013-06-04T20:59:02.000Z</updated>
    <id>https://mlarson.org/2013/06/04/valhalla-rising-i-wonder-if-seen-in-a-different/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mnvz84kyu71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Valhalla_Rising_(film)&#34;&gt;Valhalla Rising&lt;/a&gt;. I wonder if, seen in a different state of mind, I would call this brooding rather than plodding. So much slow motion and silence, which is punctuated by some astounding brutality. There are hints at good things, but just didn’t do it for me. I’m trying to catch up on the &lt;a href=&#34;https://www.mlarson.org/tag/nicolaswindingrefn&#34;&gt;Refn&lt;/a&gt; filmography before &lt;a href=&#34;https://en.wikipedia.org/wiki/Only_God_Forgives&#34;&gt;Only God Forgives&lt;/a&gt;, and I definitely have to recommend &lt;a href=&#34;https://www.mlarson.org/tag/drive&#34;&gt;Drive&lt;/a&gt; over this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fast Five</title>
    <link href="https://mlarson.org/2013/06/04/fast-five-my-my-this-franchise-has-gone-a-long/"/>
    <updated>2013-06-04T20:34:10.000Z</updated>
    <id>https://mlarson.org/2013/06/04/fast-five-my-my-this-franchise-has-gone-a-long/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mnudcszeyn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Fast_Five_%28film%29&#34;&gt;Fast Five&lt;/a&gt;. My, my. This franchise has gone a long way from where it started. I’m struggling to keep up. More is more, but also more is not more. The movie warms up with bus-jacking followed by a high-speed train robbery. Street races feels so quaint in comparison. But it also means this movie doesn’t feel as idiosyncratic as the earlier ones in the series, and there’s more standard-fare crude language, violence, vulgarity. Exploding toilets? Come on, guys. Although, there was one scene where Walker had this goofy, exhilarated smile and just seemed &lt;em&gt;so&lt;/em&gt; happy to be at the heart of all the destruction, and I’m like, yeah, I get that. The final tow-chase was legit. This one also has the undeniable joy of a cast reunion and team chemistry. It’s heist time! (Downside: Sorkin-style teamsplaining the plot, and the inevitable camera that rotates around the planning table at HQ.) And alas, I couldn’t help but let out a resigned sigh when I saw the team’s bundle of new gadgets and spy-tech. Vin Diesel seems to have acquired superhuman strength, and a new rival in the no-nonsense fast-talking Dwayne Johnson (hints of &lt;a href=&#34;http://www.youtube.com/watch?v=R_cczIWvBq4&#34;&gt;TLJ in &lt;em&gt;The Fugitive&lt;/em&gt;&lt;/a&gt;), and they get in a fight that’s not very interesting. The family/togetherness theme was more upfront in this one than the others. “&lt;a href=&#34;http://www.youtube.com/watch?v=VLtRVENHxb0&amp;amp;t=2m15s&#34;&gt;Money will come and go&lt;/a&gt;. We know that. But the most important thing in life will always be the people in this room.” And earlier, “Promise me we stick together.” It made me remember back to &lt;a href=&#34;http://tumblr.mlarson.org/post/51399059628/the-fast-and-the-furious-tokyo-drift-now-were&#34;&gt;Tokyo Drift&lt;/a&gt;: “I have money. &lt;a href=&#34;http://www.youtube.com/watch?v=g2F1cj60wUU&amp;amp;t=45s&#34;&gt;It’s trust and character I need around me&lt;/a&gt;. You know, who you choose to be around you lets you know who you are.” With that in mind, I think that’s why some of the best tension of the franchise isn’t in this film: for the most part, they’ve staked out their loyalties and they don’t have to wrestle with them very much. Two last notes: One, I was disappointed to hear a greater reliance on fairly standard orchestral scores; I remember the earlier movies having more song-based soundtracks that were connected with locale. And two, I love how they did the subtitles, floating and fading out on the screen instead of hugging the bottom edge. Small touch, but it’s cool that they took the time to make it cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2013</title>
    <link href="https://mlarson.org/2013/06/03/new-yorks-hometown-paper-doesnt-get-how-new-york/"/>
    <updated>2013-06-03T19:12:37.000Z</updated>
    <id>https://mlarson.org/2013/06/03/new-yorks-hometown-paper-doesnt-get-how-new-york/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mntz2knqdk1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.streetsblog.org/2013/06/03/new-yorks-hometown-paper-doesnt-get-how-new-york-city-streets-work/&#34;&gt;New York’s Hometown Paper Doesn’t Get How New York City Streets Work | Streetsblog New York City&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Spatial footprint of bikes, cars, and buses: In a city where street space is limited, you need to prioritize the most spatially efficient modes of travel, or else streets don’t work well for anyone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Disclaimer: I don’t own a bike.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2013</title>
    <link href="https://mlarson.org/2013/06/03/stravinsky-in-a-conversation-this-totally-made-my/"/>
    <updated>2013-06-03T19:12:00.000Z</updated>
    <id>https://mlarson.org/2013/06/03/stravinsky-in-a-conversation-this-totally-made-my/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/t-FzkDuqF7k&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=t-FzkDuqF7k&#34;&gt;Stravinsky in a Conversation&lt;/a&gt;. This totally made my day. Stravinsky drinking Scotch with Nicolas Nabokov, talking about paparazzi, consulting his Russian-English dictionary (“diligent”), getting the camera crew to drink up, learning bad news about Cocteau. (&lt;a href=&#34;http://mobile.twitter.com/herecomeslucy/status/341622981472174082&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man On Cusp Of Having Fun Suddenly Remembers Every Single One Of His Responsibilities | The Onion</title>
    <link href="https://mlarson.org/2013/06/03/man-on-cusp-of-having-fun-suddenly-remembers-every/"/>
    <updated>2013-06-03T14:53:55.000Z</updated>
    <id>https://mlarson.org/2013/06/03/man-on-cusp-of-having-fun-suddenly-remembers-every/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/man-on-cusp-of-having-fun-remembers-every-single-o,32632/&#34;&gt;Man On Cusp Of Having Fun Suddenly Remembers Every Single One Of His Responsibilities | The Onion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2013</title>
    <link href="https://mlarson.org/2013/06/03/memento-mori-wikipedia-the-free/"/>
    <updated>2013-06-03T14:53:38.000Z</updated>
    <id>https://mlarson.org/2013/06/03/memento-mori-wikipedia-the-free/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mntnglzipj1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Memento_mori&#34;&gt;Memento mori - Wikipedia, the free encyclopedia&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Timepieces were formerly an apt reminder that your time on Earth grows shorter with each passing minute. Public clocks would be decorated with mottos such as &lt;em&gt;ultima forsan&lt;/em&gt; (“perhaps the last” [hour]) or &lt;em&gt;vulnerant omnes, ultima necat&lt;/em&gt; (“they all wound, and the last kills”).&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Jefferson Bible - The Life and Morals of Jesus of Nazareth by Thomas Jefferson</title>
    <link href="https://mlarson.org/2013/06/02/the-jefferson-bible-the-life-and-morals-of-jesus/"/>
    <updated>2013-06-02T13:35:53.000Z</updated>
    <id>https://mlarson.org/2013/06/02/the-jefferson-bible-the-life-and-morals-of-jesus/</id>
    <content type="html">&lt;p&gt;I figured I should read this eventually. I mean &lt;a href=&#34;http://americanhistory.si.edu/JeffersonBible/the-book/?page=5&amp;amp;view=scan#dl&#34;&gt;look at this thing&lt;/a&gt;. It cuts off the miraculous bookends of Jesus’ life and focuses on the Enlightenment-friendly moralizing. There was nothing in here I hadn’t heard before, but reading it in all in one go made me remember how many common phrases come out of the Bible. A quick run-through, just from the &lt;a href=&#34;http://en.wikipedia.org/wiki/Sermon_on_the_Mount&#34;&gt;Sermon on the Mount&lt;/a&gt;:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;blessed are the…&lt;/li&gt;
&lt;li&gt;salt of the earth&lt;/li&gt;
&lt;li&gt;light of the world&lt;/li&gt;
&lt;li&gt;town upon a hill&lt;/li&gt;
&lt;li&gt;turn the other cheek&lt;/li&gt;
&lt;li&gt;left hand knowing what the right hand is doing&lt;/li&gt;
&lt;li&gt;serving two masters&lt;/li&gt;
&lt;li&gt;can’t serve God and mammon&lt;/li&gt;
&lt;li&gt;lilies of the field&lt;/li&gt;
&lt;li&gt;ye of little faith&lt;/li&gt;
&lt;li&gt;tomorrow will worry about itself&lt;/li&gt;
&lt;li&gt;just not, lest you be judged&lt;/li&gt;
&lt;li&gt;cast pearls before swine&lt;/li&gt;
&lt;li&gt;seek and you will find&lt;/li&gt;
&lt;li&gt;do to others what you would have them do to you&lt;/li&gt;
&lt;li&gt;wolf in sheep’s clothing&lt;/li&gt;
&lt;li&gt;by their fruit you will recognize them&lt;/li&gt;
&lt;li&gt;bearing bad fruit&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And that section is only, what, 2500 words? That’s some influential shit.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.monadnock.net/jefferson/bible.html&#34;&gt;The Jefferson Bible - The Life and Morals of Jesus of Nazareth by Thomas Jefferson&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2013</title>
    <link href="https://mlarson.org/2013/06/02/my-first-upholstery-project-i-made-this/"/>
    <updated>2013-06-02T13:35:44.000Z</updated>
    <id>https://mlarson.org/2013/06/02/my-first-upholstery-project-i-made-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mnqqblun4m1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mlarson.org/blog/2013/6/1/my-first-upholstery-project&#34;&gt;My first upholstery project&lt;/a&gt;. I made this.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Antidote (review)</title>
    <link href="https://mlarson.org/2013/06/01/201361the-antidote-review/"/>
    <updated>2013-06-01T23:47:28.000Z</updated>
    <id>https://mlarson.org/2013/06/01/201361the-antidote-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mnqq4oa5hj1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As the Buddha said two and a half thousand years ago, we&#39;re all out of our fucking minds! That&#39;s just the way we are. - Albert Ellis&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;What a fine book. If, like me, you have ongoing interest in &lt;a href=&#34;https://www.mlarson.org/tag/stoicism&#34;&gt;stoicism&lt;/a&gt;, &lt;a href=&#34;https://www.mlarson.org/tag/happiness&#34;&gt;happiness&lt;/a&gt;, mindfulness meditation, thinking about &lt;a href=&#34;https://www.mlarson.org/tag/death&#34;&gt;death&lt;/a&gt; and &lt;a href=&#34;https://www.mlarson.org/tag/failure&#34;&gt;failure&lt;/a&gt;, and tend to be a skeptical of your Rhonda Byrne/Tony Robbins types (but are at the same time, kind of amused by them), you&#39;ll probably like Oliver Burkeman&#39;s &lt;a href=&#34;http://www.amazon.com/The-Antidote-Happiness-Positive-Thinking/dp/0865479410&#34;&gt;The Antidote: Happiness for People Who Can&#39;t Stand Positive Thinking&lt;/a&gt;. In every chapter, there&#39;s some kind of personal connection--an interview, an experiment, field research--but it doesn&#39;t turn preachy or antagonistic. He&#39;s not much for dishy takedowns or &amp;quot;turns out&amp;quot; revelations. He examines a few traditions or lines of thinking, and connects them with an experience. I think he strikes a good balance between his first-person narrative and his research and exploration. Early on, Burkeman suggests that one weakness in happy thinking is what you might call a reductionist problem: life is messier than that. Most things aren&#39;t binary. Life is full of uncertainty, there are constant threats to our precarious hold on whatever we&#39;ve got going for us, and, to top it all off, there&#39;s a shitty,  guaranteed end result:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;No matter how much success you may experience in life, your eventual story will be one of failure. Your bodily organs will fail, and you will die.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You have to make peace with that. And blinding, sunny optimism doesn&#39;t always afford the opportunity. Burkeman finds a practical objection to positive thinking that I hadn&#39;t considered: Kind of like the challenge &amp;quot;do not think of a pink elephant&amp;quot;, when you try to live the admonition to &amp;quot;think positive&amp;quot;, you end up with this constant meta-cognitive scanning. Am I thinking happy? Is this a negative thought? Am I successfully not thinking about bad things X, Y, and Z? You naturally think of negative things while policing yourself for negative thoughts. How can you change this? One alternative is a more stoic approach. Avoid or minimize the labeling in the first place, or confront it honestly and let it go. After all,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Nothing outside your own mind can properly be described as negative or positive at all.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It&#39;s a more global perspective. Outside events run through a filter (our beliefs) and then generate some interior reaction. If you really embrace this, you get more power over how you (choose to) feel. And how bad can it be, really? That&#39;s another more stoic/realist tactic: face the disaster head-on. Imagine, in detail, how bad it could be. One advantage of this worst-case scenario approach: it &amp;quot;turns infinite fears into finite ones&amp;quot;. I &lt;em&gt;love&lt;/em&gt; that. Another practical barrier to positive thinking I thought was interesting was about affirmations: we simply don&#39;t internalize them very well. And when things like &amp;quot;&lt;a href=&#34;http://www.youtube.com/watch?v=-DIETlxquzY&#34;&gt;I&#39;m good enough, I&#39;m smart enough&lt;/a&gt;...&amp;quot; just don&#39;t ring true with how we already conceive of ourselves, thinking them is only going to make us more anxious. Even positive visualization can make you relax instead of pumping you up. And I love this line about advice and motivation:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Motivational advice risks making things worse by surreptitiously strengthening your belief that you need to feel motivated before you can act. By encouraging an attachment to a particular emotional state, it actually inserts an additional hurdle between you and your goal.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So, the stoic approach is valuable: it&#39;s gonna suck, you don&#39;t feel like it, and you won&#39;t anytime soon, it might be a disaster, but do it anyway. Whatever &amp;quot;it&amp;quot; is. In the chapter on Buddhism, non-attachment, and meditation, he brings up &lt;a href=&#34;http://en.wikipedia.org/wiki/Albert_Ellis&#34;&gt;Albert Ellis&lt;/a&gt;&#39; idea of &amp;quot;musturbation&amp;quot;. We become obsessed with things we want. We become absolutist about the results we need. There&#39;s a related idea here: &amp;quot;goalodicy&amp;quot; (coined by &lt;a href=&#34;http://business.gwu.edu/faculty/christopher_kayes.cfm&#34;&gt;Christopher Kayes&lt;/a&gt;), where we hang on to and internally defend faulty goals as a way of preserving our identity, because we&#39;ve already invested so much of ourselves in a particular happy outcome. Build things up too much, and you get burned. So meditation is both practice in giving up control, and a way to honestly confront what life brings you. Burkeman quotes a great, great line from &lt;a href=&#34;http://en.wikipedia.org/wiki/Barry_Magid&#34;&gt;Barry Magid&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Meditation is a way to stop running away from things.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A related idea: considering any problems you face, how many of those problems are problems right now? As in, &lt;em&gt;now&lt;/em&gt; now. Probably none or few--most problems we have (and our compulsively recycled thoughts about them) are about the past or about the future. Meditation brings you back to this moment, when you can actually do something. Another way to think about the problem of optimism is that it can turn into a way of chasing security, and fleeing vulnerability. The problem, as &lt;a href=&#34;http://en.wikipedia.org/wiki/Alan_Watts&#34;&gt;Alan Watts&lt;/a&gt; says, is that&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I want to be secure, that is, protected from the flux of life, I am wanting to be separate from life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I loved the final sections about death, too. Burkeman talks about memento mori, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Mono_no_aware&#34;&gt;mono no aware&lt;/a&gt;, and more broadly the idea of failure and &amp;quot;letting death seep back into life&amp;quot;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Carol_Dweck&#34;&gt;Carol Dweck&lt;/a&gt; comes up in a short discussion of talent and success, specifically her idea that the mindset we have about success tends to be either &amp;quot;fixed&amp;quot; or &amp;quot;incremental&amp;quot;. That is, we see success in terms of innate talent/ability vs. growth/learning, and thus tend to see failure in terms of dread/threat/identity crisis vs. improvement/opportunity/adaptation. (&lt;a href=&#34;http://www.flickr.com/photos/jenbee/3349368144/&#34;&gt;Let&#39;s make better mistakes tomorrow&lt;/a&gt;!) So in the midst of a failure-shy, success-worshipping culture, we get a better sense of community and empathy when we acknowledge mess-ups as an expected, normal, more-than-likely-than-not occurrence. And more practically:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Failure is a relief. At last you can say what you think.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;his book would pair well with Marcus Aurelius&#39; &lt;a href=&#34;http://www.mlarson.org/2012/01/09/meditations-review/&#34;&gt;Meditations&lt;/a&gt; or Alain de Botton&#39;s &lt;a href=&#34;http://www.mlarson.org/2012/06/21/religion-for-atheists-review/&#34;&gt;Religion for Atheists&lt;/a&gt;--I detect similar attitudes in each. For good books on happiness, I recommend Jonathan Haidt&#39;s &lt;a href=&#34;http://www.mlarson.org/blog/2010/07/13/the-happiness-hypothesis-review-55&#34;&gt;The Happiness Hypothesis&lt;/a&gt;, and Mark Kingwell&#39;s &lt;a href=&#34;http://www.mlarson.org/2011/06/25/in-pursuit-of-happiness-review/&#34;&gt;In Pursuit of Happiness&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My first upholstery project</title>
    <link href="https://mlarson.org/2013/06/01/201361my-first-upholstery-project/"/>
    <updated>2013-06-01T23:04:08.000Z</updated>
    <id>https://mlarson.org/2013/06/01/201361my-first-upholstery-project/</id>
    <content type="html">&lt;p&gt;It had been a while since my last significant hands-on project, when I &lt;a href=&#34;http://www.flickr.com/photos/marklarson/7037058727/in/photostream/&#34;&gt;refinished a table I inherited from my grandpa&lt;/a&gt;. I figured I could use a padded bench/ottoman kind of thing. And I dove right in. This was my first attempt at any kind of upholstery. I got the original bench on the cheap from an antiques store. It was hideous, but I saw potential:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa75a0e4b02f20260554e7/1370125730002/upholstery-1.jpg&#34; alt=&#34;&#34;&gt; &lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa75cee4b07ac5e8bd49db/1370125775001/upholstery-2.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Floral stripes + gold tassel fringe really ain&#39;t my thing. First step, strip all of that junk off of the frame. The previous owner/builder really half-assed the internal seat support, and the frame itself:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa766ae4b0953aee4d4c95/1370125931493/upholstery-3.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;After I added a few metal brackets to reinforce the frame, I installed new jute webbing with some 5/8&amp;quot; upholstery tacks. The webbing with the red stripe is stronger than the black-striped rolls, FYI, and hence better for areas that bear weight. I also made some rookie mistakes at one ends by not weaving first. Whoops:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa7699e4b02509ec25b812/1370125978601/upholstery-4.jpg&#34; alt=&#34;&#34;&gt; &lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa76cee4b013f5da4a1282/1370126031904/upholstery-5.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;After that, I covered it with some burlap to help reduce wear and tear, and stapled it down:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa7945e4b02f35a70f316f/1370126662230/upholstery-6.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I added some dense, firm foam as the bottom layer for the seat, and reused the previous main cushion, which was still in decent shape (which also saved me another $50-70, give or take). Both of those pads were attached to the base and to each other with some spray adhesive:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa795ae4b08c2bc46f1ecb/1370126683158/upholstery-7.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;For a little extra give, the bench gets swaddled in a few strategically-placed layers soft batting (focusing on the top of the seat and the corners of the frame), also affixed with some spray adhesive:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa798fe4b067eacb48a892/1370126736402/upholstery-8.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I completely forgot to take pictures of the final fabric-covering stage, but basically it&#39;s more staples and more tacks, with a little tugging and tucking here and there to make sure the fabric is lined up correctly. Like military bed-making, but permanent. Finished it off with a dust cover underneath...&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa7a91e4b067eacb48a9ff/1370126994743/upholstery-9.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;...et voilà!:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static1.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/51aa7ab1e4b02509ec25bbda/1370127025661/upholstery-10.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;This simple project didn&#39;t offer any special technical challenges, but it did provide some insight into how much of a pain in the ass it is to do a great job. So much of the material and so much of the effort is hidden when you&#39;re all done. Shout-out to my mom, who I&#39;ve seen refurbish and reupholster about a million pieces of furniture, and who gave me a great guidebook and &lt;a href=&#34;http://www.diyupholsterysupply.com/120-5.html&#34;&gt;some&lt;/a&gt; &lt;a href=&#34;http://www.diyupholsterysupply.com/255.html&#34;&gt;specialty&lt;/a&gt; &lt;a href=&#34;http://www.diyupholsterysupply.com/33.html&#34;&gt;tools&lt;/a&gt; that probably saved me 300-400 hours of tears and frustration. I want to do this again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2013</title>
    <link href="https://mlarson.org/2013/06/01/local-people-with-their-arms-crossed/"/>
    <updated>2013-06-01T13:40:29.000Z</updated>
    <id>https://mlarson.org/2013/06/01/local-people-with-their-arms-crossed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mnpvanaczm1qzcye0o1_540.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://localpeoplearmscrossed.tumblr.com/&#34;&gt;Local People With Their Arms Crossed&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2013</title>
    <link href="https://mlarson.org/2013/06/01/carpentrix-over-the-fireplace-in-the-first/"/>
    <updated>2013-06-01T12:57:58.000Z</updated>
    <id>https://mlarson.org/2013/06/01/carpentrix-over-the-fireplace-in-the-first/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/06/tumblr_mno27rdkv61qd391jo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://carpentrix.tumblr.com/post/51803929293/over-the-fireplace-in-the-first-house-my-parents&#34;&gt;carpentrix&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Over the fireplace in the first house my parents owned together, the house I was brought back to when I was born, the words BOIS TORTU FAIT FEU DROIT were painted on the brick in Gothic script. Crooked logs make straight fires.&lt;/p&gt;
&lt;p&gt;The way I choose to make its meaning: out of something gnarled, tough, flawed comes something with use and power.&lt;/p&gt;
&lt;p&gt;Or, even busted shit can work if put to use in the right way.&lt;/p&gt;
&lt;p&gt;Or, twisted bizarro brains shine bright too.&lt;/p&gt;
&lt;p&gt;Crooked wood, straight fires! It was a cold house, and I don’t remember it. I’ve heard many times from my parents about glasses of water that froze solid on bedside tables over night.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 31, 2013</title>
    <link href="https://mlarson.org/2013/05/31/can-authenticity-be-aware-of-itself-as-such-and/"/>
    <updated>2013-05-31T20:30:58.000Z</updated>
    <id>https://mlarson.org/2013/05/31/can-authenticity-be-aware-of-itself-as-such-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Can authenticity be aware of itself as such and still be authentic?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Cooked-A-Natural-History-Transformation/dp/1594204217&#34;&gt;Michael Pollan&lt;/a&gt;, talking about the way we talk about food, specifically, the bullshitting/storytelling endemic to Southern barbecue culture (which is part of its charm, right?).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fast &amp;amp; Furious</title>
    <link href="https://mlarson.org/2013/05/31/fast-furious-decent-most-franchises-dont-stay/"/>
    <updated>2013-05-31T15:24:04.000Z</updated>
    <id>https://mlarson.org/2013/05/31/fast-furious-decent-most-franchises-dont-stay/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mnn8tcbxbn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Fast_%26_Furious&#34;&gt;Fast &amp;amp; Furious&lt;/a&gt;. Decent. Most franchises don’t stay strong after three movies. It’s definitely grown up: multi-national settings, gratuitous helicopter flyover shots, fancier locations, and pretty fireball explosions among the big-budget must-haves. The obvious CGI in the tunnel scenes was a bit of a letdown. The races more frenetic and choppy; the crashes were definitely more… comprehensive. I was also thinking this is first in the series that’s felt wholly like a work of the 2000s. Even has &lt;a href=&#34;http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-hollywood-please-stop.html&#34;&gt;teal and orange&lt;/a&gt; in full force, along with some shaky-cam here and there. Good to see Vin Diesel back in a bigger role here, though sometimes it seems like he’s following instructions or something. Gotta like him, though. I also really, really enjoy John Ortiz as a villain. So good. He has a knack for balancing the malice and the charm without turning into a sideshow (see also his role in &lt;a href=&#34;http://tumblr.mlarson.org/post/30524846101/miami-vice-its-not-nearly-as-good-as-his-best&#34;&gt;Miami Vice&lt;/a&gt;). I don’t think the music is as strong as in the previous three. Also, border crossings and expendable, replaceable labor force? Where have I heard that before? Final thought: I’d love to know how many times in movie history there’s been a woman/man/couple carrying groceries into a house, unloading in the kitchen, and then devolving into an argument/outburst/tears/etc. It’s movie boilerplate. I’m now four deep into the &lt;a href=&#34;https://www.mlarson.org/tag/thefastandthefurious&#34;&gt;F&amp;amp;F franchise&lt;/a&gt;. My top and my bottom picks are pretty secure, but for the middle ones, right now I think I’d rank them like…&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/51399059628/the-fast-and-the-furious-tokyo-drift-now-were&#34;&gt;The Fast and the Furious: Tokyo Drift&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/50998933605/the-fast-and-the-furious-almost-exactly-what-i&#34;&gt;The Fast and the Furious&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Fast &amp;amp; Furious&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/51233606644/2-fast-2-furious-not-as-good-as-the-first-one&#34;&gt;2 Fast 2 Furious&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>May 31, 2013</title>
    <link href="https://mlarson.org/2013/05/31/concrete-jungle-food-map-an-ongoing-project-to/"/>
    <updated>2013-05-31T15:06:13.000Z</updated>
    <id>https://mlarson.org/2013/05/31/concrete-jungle-food-map-an-ongoing-project-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mno4kbte9f1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://www.concrete-jungle.org/food-map&#34;&gt;Concrete Jungle » Food Map&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An ongoing project to document food sources in the Atlanta area. It is very incomplete and constantly changing, so if you know about a great fruit tree or other food source that you think should be on the map, please add it to the map!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Currently in season: blackberry, mulberry, plum, and serviceberry. Gotta get my harvest on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Intelligent Artifice - The three most common techniques for telling stories in games</title>
    <link href="https://mlarson.org/2013/05/31/intelligent-artifice-the-three-most-common/"/>
    <updated>2013-05-31T15:06:01.000Z</updated>
    <id>https://mlarson.org/2013/05/31/intelligent-artifice-the-three-most-common/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Mainstream games, or at least a significant subset that I’m too lazy to define here, make use of three big techniques to tell stories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Cut-scenes.&lt;/li&gt;
&lt;li&gt;Invisible boxes.&lt;/li&gt;
&lt;li&gt;Environmental storytelling.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I think both game developers and players understand these techniques by now, and in fact I think players are getting tired of them. I know I am.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.intelligent-artifice.com/2013/02/the-three-most-common-techniques-for-telling-stories-in-games.html&#34;&gt;Intelligent Artifice - The three most common techniques for telling stories in games&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alex Payne — Letter To A Young Programmer Considering A Startup</title>
    <link href="https://mlarson.org/2013/05/31/alex-payne-letter-to-a-young-programmer/"/>
    <updated>2013-05-31T15:06:00.000Z</updated>
    <id>https://mlarson.org/2013/05/31/alex-payne-letter-to-a-young-programmer/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Here are some things to consider that, in my experience, you’re less likely to hear about working in startups.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Good essay. I’ve been thinking this for a while:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Startups are portrayed as an exciting, risky, even subversive alternative to traditional corporate work. Startups are thought of as more free, more open and flexible. Some companies surely begin that way, but a few interviews at later-stage startups will make clear just how quickly they ossify into structures that look very much like the organizations that came before them.&lt;/p&gt;
&lt;p&gt;As there was in the first dot com bubble, there is a current proliferation of startups, incubators, accelerators, angel/seed funding, and so forth. In order for the “startup community” to replicate itself, nanobot-like, the mechanics of “doing a startup” have been reduced to an easily transmitted sequence of actions accompanied by a shared set of values, norms, and language.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://al3x.net/2013/05/23/letter-to-a-young-programmer.html&#34;&gt;Alex Payne — Letter To A Young Programmer Considering A Startup&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2013</title>
    <link href="https://mlarson.org/2013/05/29/cinema-du-wtf-upstream-color-shane-carruth/"/>
    <updated>2013-05-29T18:21:32.000Z</updated>
    <id>https://mlarson.org/2013/05/29/cinema-du-wtf-upstream-color-shane-carruth/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mnko64ifnm1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://brightlightsfilm.com/blog/2013/05/cinema-du-wtf-upstream-color-shane-carruth-2013.html&#34;&gt;Cinema du WTF – UPSTREAM COLOR (Shane Carruth 2013) – Bright Lights After Dark&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Even at its most obscure, Upstream Color keeps the viewer involved thanks to the aforesaid music score and the flow of its nature-derived imagery – sunlight, water, animals, insects, and birds (see still at top of page) and the archetypal blue flower motif. The consistent beauty of the imagery gives the movie the feel of poetry:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;O Rose thou art sick.&lt;br&gt;
The invisible worm,&lt;br&gt;
That flies in the night&lt;br&gt;
In the howling storm: Has found out thy bed&lt;br&gt;
Of crimson joy:&lt;br&gt;
And his dark secret love&lt;br&gt;
Does thy life destroy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(“The Sick Rose” by William Blake.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I can’t seem to stop reading about this movie since &lt;a href=&#34;http://tumblr.mlarson.org/post/49696846753/upstream-color-the-speculative-hook-is-a-strange&#34;&gt;I watched it&lt;/a&gt; a few weeks ago. That &lt;a href=&#34;http://brightlightsfilm.com/blog/2006/08/a-persistence-of-imagery.html&#34;&gt;blue flower connection&lt;/a&gt; is a good find.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Does reading have a future? A noted Canadian philosopher gazes into the future</title>
    <link href="https://mlarson.org/2013/05/29/does-reading-have-a-future-a-noted-canadian/"/>
    <updated>2013-05-29T18:07:00.000Z</updated>
    <id>https://mlarson.org/2013/05/29/does-reading-have-a-future-a-noted-canadian/</id>
    <content type="html">&lt;p&gt;Via &lt;a href=&#34;http://www.theamericanconservative.com/jacobs/once-more-on-the-future-of-reading/&#34;&gt;Alan Jacobs&lt;/a&gt;, who rightly encourages you to read the whole thing.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s not technophobic or Luddite to recognize that the techie questions are largely beside the point. The scope of their effects lies on a time scale that none of us can foresee, thus creating not genuine questions but opportunities for self-serving predictions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ha! Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The specific concern for the future of the bound-page book should be seen for what it is: a form of fond special pleading whereby a particular (how I like to read) masquerades as a universal (reading!).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;His essay is more thoughtful and substantial than those quotes, by the way. I just thought they were funny.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ottawacitizen.com/news/news/8433300/story.html&#34;&gt;Does reading have a future? A noted Canadian philosopher gazes into the future&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2013</title>
    <link href="https://mlarson.org/2013/05/29/these-are-some-of-the-best-athletes-on-the-planet/"/>
    <updated>2013-05-29T15:56:04.000Z</updated>
    <id>https://mlarson.org/2013/05/29/these-are-some-of-the-best-athletes-on-the-planet/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mnkdb9tvtp1qzcye0o1_r2_400.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.cbssports.com/nba/blog/eye-on-basketball/22315303/gif-lebron-james-flops-and-then-david-west-flops-off-his-flop&#34;&gt;These are some of the best athletes on the planet&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2013</title>
    <link href="https://mlarson.org/2013/05/27/part-of-my-drinking-was-so-much-about-trying-not/"/>
    <updated>2013-05-27T14:24:43.000Z</updated>
    <id>https://mlarson.org/2013/05/27/part-of-my-drinking-was-so-much-about-trying-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Part of my drinking was so much about trying not to feel things, to not feel how I actually felt, and the terrible thing about being so hidden is if people tell you they love you… it kinda doesn’t sink in. You always think, if you’re hiding things, How could you know who I am? You don’t know who I am, so how could you love me? Saying who I am, and trying to be as candid as possible as part of practicing the principles, has permitted me to actually connect with people for the first time in my life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thefix.com/content/mary-karr-liars-sober91684?page=all&#34;&gt;Mary Karr&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 26, 2013</title>
    <link href="https://mlarson.org/2013/05/26/tim-duncan-encourages-teammates-to-be-fathers/"/>
    <updated>2013-05-26T20:14:22.000Z</updated>
    <id>https://mlarson.org/2013/05/26/tim-duncan-encourages-teammates-to-be-fathers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mnf99juezj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/tim-duncan-encourages-teammates-to-be-fathers-firs,32575/&#34;&gt;Tim Duncan Encourages Teammates To Be Fathers First, Basketball Players Second | The Onion&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“What you do on this court is nothing compared to what you do at home for your children,” said Duncan, adding that what this country lacks most is not basketball players but mature men. “The playoffs end in June, but the responsibilities of fatherhood? Those are year-round. Guys, it doesn’t matter if you score 10,000 points or win three NBA championships—spending time with your kids: &lt;em&gt;that’s&lt;/em&gt; the championship.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/search/?q=tim+duncan&#34;&gt;The Onion and Tim Duncan&lt;/a&gt; go way back.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fast and the Furious: Tokyo Drift</title>
    <link href="https://mlarson.org/2013/05/26/the-fast-and-the-furious-tokyo-drift-now-were/"/>
    <updated>2013-05-26T16:28:00.000Z</updated>
    <id>https://mlarson.org/2013/05/26/the-fast-and-the-furious-tokyo-drift-now-were/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mnduykobtv1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Fast_and_the_Furious:_Tokyo_Drift&#34;&gt;The Fast and the Furious: Tokyo Drift&lt;/a&gt;. Now we’re getting somewhere! Better than &lt;a href=&#34;http://tumblr.mlarson.org/post/50998933605/the-fast-and-the-furious-almost-exactly-what-i&#34;&gt;the first&lt;/a&gt;, way better than &lt;a href=&#34;http://tumblr.mlarson.org/post/51233606644/2-fast-2-furious-not-as-good-as-the-first-one&#34;&gt;the second&lt;/a&gt;. I like how the physical/technical strain of the driving is more evident. Definitely a contrast with the delinquent joyride thrills of the second movie. And the change to mostly night-time, dense, urban driving makes for all kinds of crazy lighting and colors that gives the restless camera more to ogle. The two opposing father-son stories work. One son rebellious, one obedient. A possibly inadvertent dramatic bonus: what with the setting not being conducive to reckless gun-play in the streets, the few times when a gun is drawn are a bit more potent. Great job on audio across the board. Also, the &lt;a href=&#34;http://www.youtube.com/watch?v=qOKE4dxjayU&#34;&gt;scene with Neela driving&lt;/a&gt; is reminiscent of &lt;a href=&#34;http://www.youtube.com/watch?v=9P2b_ygxIRY&#34;&gt;Toretto’s “10 seconds” monologue&lt;/a&gt;, but it also instantly made me think of the &lt;a href=&#34;http://www.youtube.com/watch?v=6dHrspngJnU&#34;&gt;balcony scene in &lt;em&gt;Heat&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2 Fast 2 Furious</title>
    <link href="https://mlarson.org/2013/05/24/2-fast-2-furious-not-as-good-as-the-first-one/"/>
    <updated>2013-05-24T16:58:41.000Z</updated>
    <id>https://mlarson.org/2013/05/24/2-fast-2-furious-not-as-good-as-the-first-one/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mnbarhbcwq1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/2_Fast_2_Furious&#34;&gt;2 Fast 2 Furious&lt;/a&gt;. Not as good as &lt;a href=&#34;http://tumblr.mlarson.org/post/50998933605/the-fast-and-the-furious-almost-exactly-what-i&#34;&gt;the first one&lt;/a&gt;, bro. Seemed more exploitative, more dopey, more juvenile. Tyrese is funny and charismatic, whereas Paul Walker’s performance reaches new levels of… subtlety (Ebert perfectly &lt;a href=&#34;http://www.rogerebert.com/reviews/2-fast-2-furious-2003&#34;&gt;describes him as Don Johnson lite&lt;/a&gt;). BUT, those chases are fun. Nice to see them driving in legitimate traffic this time around. Also: Luda + Eva Mendes. &lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/30524846101/miami-vice-its-not-nearly-as-good-as-his-best&#34;&gt;Miami Vice&lt;/a&gt; are far better Miami movies. I still haven’t seen either of the &lt;em&gt;Bad Boys&lt;/em&gt; films, unfortunately.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Key Change Blog</title>
    <link href="https://mlarson.org/2013/05/24/key-change-blog/"/>
    <updated>2013-05-24T16:03:59.000Z</updated>
    <id>https://mlarson.org/2013/05/24/key-change-blog/</id>
    <content type="html">&lt;p&gt;“A blog that appreciates the art of the key change.” A blog after my own heart.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://keychangeblog.blogspot.com/&#34;&gt;Key Change Blog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Small Talk | The Point Magazine</title>
    <link href="https://mlarson.org/2013/05/24/small-talk-the-point-magazine/"/>
    <updated>2013-05-24T16:03:54.000Z</updated>
    <id>https://mlarson.org/2013/05/24/small-talk-the-point-magazine/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Exchanging small talk with people we’ve just met may be an unfortunate necessity, but with people we already know, it seems to suggest that they’re people to whom we have nothing to say. And yet if small talk is just talk that’s idle, insignificant and without stated purpose, then surely a substantial portion of the chatter that goes on between couples, friends and (or especially) families must count as small. Banality, however, need not always be insignificant. There’s nothing earth-shattering, usually, about missing the bus, what you ate for lunch or the new dress you just bought, but these are just the mundane tidbits that make up so much of the talk between intimates. In fact, such conversations about trivialities can arguably happen only with those close to us—only the members of our inner circle do we presume to burden with the minutiae of our lives.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thepointmag.com/2013/reviews/small-talk&#34;&gt;Small Talk | The Point Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 23, 2013</title>
    <link href="https://mlarson.org/2013/05/23/vatican-holds-seminar-to-mark-anniversary-of-1972/"/>
    <updated>2013-05-23T15:36:06.000Z</updated>
    <id>https://mlarson.org/2013/05/23/vatican-holds-seminar-to-mark-anniversary-of-1972/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mn9co6g6z91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.artinfo.com/artintheair/2013/05/23/vatican-holds-seminar-to-mark-anniversary-of-1972-attack-on-michelangelos-pieta/&#34;&gt;Vatican Holds Seminar to Mark Anniversary of 1972 Attack on Michelangelo’s Pieta | ARTINFO.com&lt;/a&gt;. News to me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2013</title>
    <link href="https://mlarson.org/2013/05/22/im-an-ambivertmore-introverted-than-extroverted/"/>
    <updated>2013-05-22T22:21:36.000Z</updated>
    <id>https://mlarson.org/2013/05/22/im-an-ambivertmore-introverted-than-extroverted/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m an ambivert—more introverted than extroverted but with some extraordinarily well-developed faking skills.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lifehacker.com/im-daniel-pink-and-this-is-how-i-work-509280806&#34;&gt;Daniel Pink&lt;/a&gt;. This. This is me. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/introverts&#34;&gt;introverts&lt;/a&gt;. (via &lt;a href=&#34;https://mobile.twitter.com/austinkleon/status/337323354883244033&#34;&gt;@austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2013</title>
    <link href="https://mlarson.org/2013/05/22/nique-bird-an-oral-history-never-forget-bird/"/>
    <updated>2013-05-22T22:21:01.000Z</updated>
    <id>https://mlarson.org/2013/05/22/nique-bird-an-oral-history-never-forget-bird/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mn809kq0wm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nba.com/hawks/features/nique-bird-oral-history-full-version&#34;&gt;Nique-Bird: An Oral History&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=QZEaNL4nLZ0&#34;&gt;Never forget&lt;/a&gt;! Bird turning the corner at 7:50 is a heart-breaker.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2013</title>
    <link href="https://mlarson.org/2013/05/22/wherever-a-process-of-life-communicates-an/"/>
    <updated>2013-05-22T22:20:55.000Z</updated>
    <id>https://mlarson.org/2013/05/22/wherever-a-process-of-life-communicates-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Wherever a process of life communicates an eagerness to him who lives it, there the life becomes genuinely significant. Sometimes the eagerness is more knit up with the motor activities, sometimes with the perceptions, sometimes with the imagination, sometimes with reflective thought. But, wherever it is found, there is the zest, the tingle, the excitement of reality; and there is ‘importance’ in the only real and positive sense in which importance ever anywhere can be.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.monadnock.net/james/blindness.html&#34;&gt;William James&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fast and the Furious</title>
    <link href="https://mlarson.org/2013/05/21/the-fast-and-the-furious-almost-exactly-what-i/"/>
    <updated>2013-05-21T17:16:00.000Z</updated>
    <id>https://mlarson.org/2013/05/21/the-fast-and-the-furious-almost-exactly-what-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mn5ooi5tzw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Fast_and_the_Furious_%282001_film%29&#34;&gt;The Fast and the Furious&lt;/a&gt;. Almost exactly what I was expecting. One surprise, though: I figured there would be some fun, gratuitous style flourishes, but didn’t think it would be so cinematically interesting. The way they edited the racing scenes, the warps and perspective shifts, reminded me of the welding scene in &lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt;. It goes from a more neutral third-person observer perspective into this subjective-experience interpretive moment. Nicely done. It’s not high drama, but credit for making some gestures towards character-building, even though that’s not the point. And there’s a fun soundtrack. &lt;a href=&#34;http://tumblr.mlarson.org/post/34572090666/two-lane-blacktop-theres-not-a-lot-of-explicit&#34;&gt;Two-Lane Blacktop&lt;/a&gt; is another good movie with itchy street racers.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 21, 2013</title>
    <link href="https://mlarson.org/2013/05/21/jealousy-lives-upon-doubt-and-comes-to-an-end-or/"/>
    <updated>2013-05-21T15:57:49.000Z</updated>
    <id>https://mlarson.org/2013/05/21/jealousy-lives-upon-doubt-and-comes-to-an-end-or/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Jealousy lives upon doubt; and comes to an end or becomes a fury as soon as it passes from doubt to certainty.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.monadnock.net/rochefoucauld/maxims.html&#34;&gt;François de La Rochefoucauld&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 20, 2013</title>
    <link href="https://mlarson.org/2013/05/20/queue-up-20-essential-music-documentaries/"/>
    <updated>2013-05-20T20:49:15.000Z</updated>
    <id>https://mlarson.org/2013/05/20/queue-up-20-essential-music-documentaries/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mn473okkvu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/articles/9134-music-documentaries/&#34;&gt;Queue Up: 20 Essential Music Documentaries | Pitchfork&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Classic or seldom-seen music films available to stream for free online.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 19, 2013</title>
    <link href="https://mlarson.org/2013/05/19/yesssss/"/>
    <updated>2013-05-19T21:42:33.000Z</updated>
    <id>https://mlarson.org/2013/05/19/yesssss/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mn0kwrhcko1qcts43o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Saturn_Devouring_His_Son&#34;&gt;Yesssss!&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 19, 2013</title>
    <link href="https://mlarson.org/2013/05/19/a-knot-is-the-basal-portion-of-a-branch-whose/"/>
    <updated>2013-05-19T21:42:28.000Z</updated>
    <id>https://mlarson.org/2013/05/19/a-knot-is-the-basal-portion-of-a-branch-whose/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mn2d9cv3uf1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A knot is the basal portion of a branch whose structure becomes surrounded by the enlarging stem. Since branches begin with lateral buds, knots can always be traced back to the pith of the main stem.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ah, this makes so much sense now. Excerpt from &lt;a href=&#34;http://www.amazon.com/dp/1561583588/&#34;&gt;Understanding Wood&lt;/a&gt; at &lt;a href=&#34;http://kk.org/cooltools/archives/11778&#34;&gt;Cool Tools&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why are we not much, much, much better at parenting? | Practical Ethics</title>
    <link href="https://mlarson.org/2013/05/17/why-are-we-not-much-much-much-better-at/"/>
    <updated>2013-05-17T16:45:28.000Z</updated>
    <id>https://mlarson.org/2013/05/17/why-are-we-not-much-much-much-better-at/</id>
    <content type="html">&lt;p&gt;Economics!&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Humans are quite bad at estimating the results of different interventions, if the feedback only comes years later. One needs only to see the plethora of different parenting guides and opposed schools of upbringing thought. Such variety couldn’t maintain itself if it were easy for parents to see which methods worked and which didn’t. Thus parents are poor at knowing what they need, and hence make ineffective consumers from the economic perspective.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also, “a lot of parenting techniques are procedural, rather than declarative.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.practicalethics.ox.ac.uk/2013/05/why-are-we-not-much-much-much-better-at-parenting/&#34;&gt;Why are we not much, much, much better at parenting? | Practical Ethics&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 17, 2013</title>
    <link href="https://mlarson.org/2013/05/17/the-rembrandt-of-basketball/"/>
    <updated>2013-05-17T15:54:20.000Z</updated>
    <id>https://mlarson.org/2013/05/17/the-rembrandt-of-basketball/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://6thfloor.blogs.nytimes.com/2013/05/16/the-rembrandt-of-basketball/?pagewanted=all&#34;&gt;The Rembrandt of Basketball&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bret Dunlap Discovered Running and It Changed His Life | Runner&#39;s World</title>
    <link href="https://mlarson.org/2013/05/17/bret-dunlap-discovered-running-and-it-changed-his/"/>
    <updated>2013-05-17T15:54:16.000Z</updated>
    <id>https://mlarson.org/2013/05/17/bret-dunlap-discovered-running-and-it-changed-his/</id>
    <content type="html">&lt;p&gt;Keep your tissues handy.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.runnersworld.com/runners-stories/bret-dunlap-discovered-running-and-it-changed-his-life?page=single&#34;&gt;Bret Dunlap Discovered Running and It Changed His Life | Runner&#39;s World&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nuptial Matters by Ruth Graham</title>
    <link href="https://mlarson.org/2013/05/16/nuptial-matters-by-ruth-graham/"/>
    <updated>2013-05-16T15:58:42.000Z</updated>
    <id>https://mlarson.org/2013/05/16/nuptial-matters-by-ruth-graham/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;How did reading poetry become an essential part of so many American wedding ceremonies—and why is it still so hard to choose a wedding poem of one’s own? […] It was around the early 1960s that some Protestant denominations began loosening the strictures of approved readings and music, according to Paula Treckel, a historian at Allegheny College who has written about the history of American weddings. The usual suspects were first to acquiesce: Unitarians, Congregationalists, and Presbyterians, responding to counterculture couples who wanted to make their wedding ceremonies their own. Suddenly, weddings were taking place in parks, and couples were writing their own vows. As the journalist Rebecca Mead writes in her 2007 book about contemporary weddings, &lt;em&gt;One True Day&lt;/em&gt;, the modern idea is that “a wedding ceremony, like a wedding reception, ought to be an expression of the character of the couple who are getting married, rather than an expression of the character of the institution marrying them.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Fascinating.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Despite our best attempts at uniqueness, we have generated a canon (as people do). And so what if the canon shifts over time (as canons do)? If, in 30 or 40 years, Cummings brands an early-21st-century wedding as indelibly as Gibran brands a 1970s wedding, well, so be it. Marriage means stepping into an ancient institution marked by hundreds of temporal particulars—everything from the cut of the bride’s dress to who is legally allowed to marry. We hope the marriage lasts forever, but we have to expect the wedding itself will age. Maybe we’ll all look back on our wedding poetry the same way we’ll look back on our wedding photos: with a fondness for those young, goofy people who had no idea how their tastes would change, or what was to happen to them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.poetryfoundation.org/article/245922&#34;&gt;Nuptial Matters by Ruth Graham&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Scientific Search for the Most Remote Places in the United States - The Atlantic Cities</title>
    <link href="https://mlarson.org/2013/05/16/a-scientific-search-for-the-most-remote-places-in/"/>
    <updated>2013-05-16T15:14:50.000Z</updated>
    <id>https://mlarson.org/2013/05/16/a-scientific-search-for-the-most-remote-places-in/</id>
    <content type="html">&lt;p&gt;Pretty cool. Cf. the &lt;a href=&#34;http://packrafting.blogspot.com/2010/08/2006-arctic-1000-625-miles-in-24-days.html&#34;&gt;Arctic 1000 traverse&lt;/a&gt; from a few years back, which crossed through the &lt;a href=&#34;http://www.backpackinglight.com/cgi-bin/backpackinglight/arctic1000/expedition_map.html&#34;&gt;most remote part of Alaska&lt;/a&gt;. Also reminds me of some of the issues and ironies that William Cronon brings up in &lt;a href=&#34;http://www.williamcronon.net/writing/Trouble_with_Wilderness_Main.html&#34;&gt;The Trouble with Wilderness&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlanticcities.com/neighborhoods/2013/05/scientific-search-most-remote-places-united-states/5591/&#34;&gt;A Scientific Search for the Most Remote Places in the United States - The Atlantic Cities&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 16, 2013</title>
    <link href="https://mlarson.org/2013/05/16/natgeofound-buckets-of-iron-ore-are-transported/"/>
    <updated>2013-05-16T14:57:15.000Z</updated>
    <id>https://mlarson.org/2013/05/16/natgeofound-buckets-of-iron-ore-are-transported/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmujrqmhsc1s7f3fyo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://natgeofound.tumblr.com/post/50500605707/buckets-of-iron-ore-are-transported-to-a-major&#34;&gt;natgeofound&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Buckets of iron ore are transported to a major steelworks in Hunedoara, Romania, November 1975.&lt;br&gt;
Photograph by Winfield Parks, National Geographic&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The mood here made me think of &lt;a href=&#34;http://riowang.blogspot.com/2010/06/tarkovskys-polaroids.html&#34;&gt;Tarkovky’s Polaroids&lt;/a&gt;. Winfield Parks also took that great &lt;a href=&#34;http://photography.nationalgeographic.com/photography/photo-of-the-day/turkish-steam-bath.html&#34;&gt;photo of the Turkish steambath&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Thoreau Poison: Shane Carruth&#39;s &#39;Upstream Color&#39; : The New Yorker</title>
    <link href="https://mlarson.org/2013/05/16/the-thoreau-poison-shane-carruths-upstream/"/>
    <updated>2013-05-16T14:56:44.000Z</updated>
    <id>https://mlarson.org/2013/05/16/the-thoreau-poison-shane-carruths-upstream/</id>
    <content type="html">&lt;p&gt;This movie has prompted some really good writing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/books/2013/05/the-thoreau-poison.html&#34;&gt;The Thoreau Poison: Shane Carruth&#39;s &#39;Upstream Color&#39; : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 14, 2013</title>
    <link href="https://mlarson.org/2013/05/14/it-is-not-the-young-man-who-is-most-happy-but-the/"/>
    <updated>2013-05-14T02:11:01.000Z</updated>
    <id>https://mlarson.org/2013/05/14/it-is-not-the-young-man-who-is-most-happy-but-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It is not the young man who is most happy, but the old man who has lived beautifully; for despite being at his very peak the young man stumbles around as if he were of many minds, whereas the old man has settled into old age as if in a harbor, secure in his gratitude for the good things he was once unsure of.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.monadnock.net/epicurus/vatican-sayings.html&#34;&gt;Epicurus&lt;/a&gt;. So yeah, I accidentally started a &lt;a href=&#34;http://tumblr.mlarson.org/tagged/retirement&#34;&gt;retirement&lt;/a&gt; tag today.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Iron Man 3</title>
    <link href="https://mlarson.org/2013/05/14/iron-man-3-i-liked-it-more-than-iron-man-2-maybe/"/>
    <updated>2013-05-14T02:10:57.000Z</updated>
    <id>https://mlarson.org/2013/05/14/iron-man-3-i-liked-it-more-than-iron-man-2-maybe/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmrklqe5gf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Iron_Man_3&#34;&gt;Iron Man 3&lt;/a&gt;. I liked it more than &lt;a href=&#34;http://tumblr.mlarson.org/post/31550550506/iron-man-2-its-really-pretty-when-things-are&#34;&gt;Iron Man 2&lt;/a&gt;, maybe not as much as the original &lt;em&gt;Iron Man&lt;/em&gt;, though I don’t remember it well at this point. This was definitely funnier than the first sequel, with some &lt;em&gt;Kiss Kiss Bang Bang&lt;/em&gt;-ish genre awareness and biting humor. The villains, though, were a letdown, and the silly action spectaculars were kind of a mess. And yeah, it is kind of a &lt;a href=&#34;https://mobile.twitter.com/anildash/status/330164294845079552&#34;&gt;feature-length damnation of wearable computing&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Girl Rising</title>
    <link href="https://mlarson.org/2013/05/14/girl-rising-got-suckered-into-seeing-this/"/>
    <updated>2013-05-14T02:10:51.000Z</updated>
    <id>https://mlarson.org/2013/05/14/girl-rising-got-suckered-into-seeing-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmrjxu5e6t1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://girlrising.com/&#34;&gt;Girl Rising&lt;/a&gt;. Got suckered into seeing this two-hour commercial. Some vignettes are better than others (depending on the spunk of the girls and the writers’ adaptation), but some seemed a dangerous mix of exploitative and/or pandering. And the didactic interludes just grate after a while. Like, say, a Michael Moore film, I’m not sure that anyone who agrees really needs to see it, no one who disagrees (and who might that be?) will be persuaded.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 13, 2013</title>
    <link href="https://mlarson.org/2013/05/13/sarahlcomics-save-on/"/>
    <updated>2013-05-13T17:07:49.000Z</updated>
    <id>https://mlarson.org/2013/05/13/sarahlcomics-save-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmqrcsjyxy1r20dhzo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://sarahlcomics.tumblr.com/post/50343119066/save-on&#34;&gt;sarahlcomics&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Save on.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 13, 2013</title>
    <link href="https://mlarson.org/2013/05/13/retired-man-enjoys-easy-life-at-home/"/>
    <updated>2013-05-13T13:59:24.000Z</updated>
    <id>https://mlarson.org/2013/05/13/retired-man-enjoys-easy-life-at-home/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmqpdfzk9m1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.natchezdemocrat.com/2013/05/13/retired-man-enjoys-easy-life-at-home/&#34;&gt;Retired man enjoys easy life at home | Mississippi’s Best Community Newspaper&lt;/a&gt;. Not &lt;em&gt;The Onion&lt;/em&gt;. Something to shoot for! (&lt;a href=&#34;https://twitter.com/RobbieBrown07/status/333940029997076480&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>City Meditations: 7 | The American Conservative</title>
    <link href="https://mlarson.org/2013/05/13/city-meditations-7-the-american-conservative/"/>
    <updated>2013-05-13T13:59:19.000Z</updated>
    <id>https://mlarson.org/2013/05/13/city-meditations-7-the-american-conservative/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In the country you have to drive when you want to go anywhere; in a big, dense city people get around on foot and via public transport. Suburbs are in this respect in-between. And in other respects too. Which is why, I suppose, suburbs are never perceived as either divine or demonic. “Nothing too much,” the suburb seems to say, which means that, though its human dramas exist, and are as meaningful as they are anywhere else in the cosmos, they remain largely inaccessible to our myths.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theamericanconservative.com/jacobs/city-meditations-7/?utm_source=rss&amp;amp;utm_medium=rss&amp;amp;utm_campaign=city-meditations-7&#34;&gt;City Meditations: 7 | The American Conservative&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Every Every Every Generation Has Been the Me Me Me Generation - The Atlantic Wire</title>
    <link href="https://mlarson.org/2013/05/13/every-every-every-generation-has-been-the-me-me-me/"/>
    <updated>2013-05-13T00:24:29.000Z</updated>
    <id>https://mlarson.org/2013/05/13/every-every-every-generation-has-been-the-me-me-me/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Basically, it’s not that people born after 1980 are narcissists, it’s that young people are narcissists, and they get over themselves as they get older. It’s like doing a study of toddlers and declaring those born since 2010 are Generation Sociopath: Kids These Days Will Pull Your Hair, Pee On Walls, Throw Full Bowls of Cereal Without Even Thinking of the Consequences.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlanticwire.com/national/2013/05/me-generation-time/65054/&#34;&gt;Every Every Every Generation Has Been the Me Me Me Generation - The Atlantic Wire&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>This Is Running for Your Life (review)</title>
    <link href="https://mlarson.org/2013/05/12/2013512this-is-running-for-your-life-review/"/>
    <updated>2013-05-12T23:26:07.000Z</updated>
    <id>https://mlarson.org/2013/05/12/2013512this-is-running-for-your-life-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmpmiqjiub1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Often I went to the movies to mess with time, to get it off my back or keep it from staring glumly at me from across the room.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/This-Is-Running-Your-Life/dp/0374533326&#34;&gt;This Is Running for Your Life&lt;/a&gt; is a pretty great collection of essays, with a mix that includes some more personal, memoir-ish stuff and some that are a bit more historically-minded, on-the-ground reportage. I don&#39;t think surgical focus is &lt;a href=&#34;http://michelleorange.com/&#34;&gt;Michelle Orange&lt;/a&gt;&#39;s strong suit here, nor her aim, really. The joy is in the wandering. As she says late in the book,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Perhaps all I can offer is the setting down of a space, one whose highest aim is that you might roam, however elusively, within its borders.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Topics aside, what I really, really appreciated were the regular, like, slap-your-forehead/I-wish-I&#39;d-written-that/I-need-to-read-that-again delights on the level of sentence and word and image, little pivots and reveals from behind the cape. If you&#39;re jazzed by turns of phrase, you&#39;ll find a lot to love here. A fun example:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ryder&#39;s shivering sad girl underwent a kind of ritual sacrifice in 1999, when newcomer Angelina Jolie devoured her in every frame of &lt;em&gt;Girl, Interrupted&lt;/em&gt; and licked the screen. But Jolie was quickly isolated and quarantined as an anomaly; she eventually shed the force of her personality and slipped behind the imperial mask of her beauty.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That&#39;s great stuff. That bit comes from what I think is my favorite essay in the book, &amp;quot;The Dream (Girl) Is Over&amp;quot;, which is about movie stars and bodies and mythologizing and evolving silver screen ideals. (Film is a recurring topic in the book. I can relate.)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Movie&lt;/em&gt; is the shorthand that preceded &lt;em&gt;talkie&lt;/em&gt;. But it&#39;s the latter term that faded away. It&#39;s the movement that sets the form apart (&lt;em&gt;Action!&lt;/em&gt;), and the beauty of bright, moving bodies that transfixes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The essay, among other things, touches on the ideals we&#39;ve offered ourselves on the screen, from the impossibly dreamy Marilyn Monroe and Elizabeth Taylor, to later muscular heroines like Sigourney Weaver, Linda Hamilton, Madonna. And, yes, the Manic Pixie Dream Girl. (Oh, also there&#39;s this great aside on how actresses disrobing becomes an important part of the meta-story, &amp;quot;explicit love scenes invariably described as &#39;raw,&#39; &#39;real,&#39; and &#39;brave.&#39;&amp;quot;--cf. &lt;a href=&#34;http://en.wikipedia.org/wiki/Girls_%28TV_series%29&#34;&gt;Girls&lt;/a&gt;?). Another smart observation on how we talk about bodies:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Men queue up to log specious, self-congratulatory elegies, ascribing vague laments for an earlier era&#39;s voluptuousness to the bodies of the women who inhabited it. Women, meanwhile, get lost in arguments about the scourge of vanity sizing. But the body&#39;s centrality is what sets it beside the point: Marilyn Monroe&#39;s measurements were handed out by the same press agents hawking Theda Bara&#39;s false passports; I knew Elizabeth Taylor&#39;s eighteen-inch waist size before it matched my age. Because they look to our hourglass-starved eyes like more generous, &amp;quot;normal&amp;quot; shapes doesn&#39;t make it so, nor does it retro-exempt former standards from their status &lt;em&gt;as&lt;/em&gt; standards.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Some other favorite lines? In one essay that talks about brain scans and movie market-testing:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It&#39;s no wonder we have started pair-bonding with our iPhones. In device attachment resides the old struggle between the possessor and the possessed, the shifting sands of desire and consent. What we respond to is not the gadget itself but its promise of some personal and highly specific gratification.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And a related earlier quote, one hazard of our awesome gadgets and the not-quite-hereness they can engender:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Modern cultural memory is afflicted by a kind of dementia, its fragments ever floating around us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And a related problem:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What we call nostalgia today is too much remembering of too little.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On email&#39;s subtle, sneaky draw:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Email opened up a kind of perpetually empty stage, an endless call for encores.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A bit from an essay on compulsive running and loneliness:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As a way of escape, distance running is the sensory negative of sexual oblivion.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From a chapter on photography:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Especially when they are held out blindly in big crowds, the screens that have replaced the traditional viewfinder appear to function as a kind of second subjectivity, a third eye to cope with a world that is less often collected with any kind of discretion than amassed in daily reality dumps. So that to raise a camera is mostly to remind yourself: &lt;em&gt;Right now I’m here; I’m here right now.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of &lt;a href=&#34;http://fieldnotesbrand.com/&#34;&gt;Field Notes&lt;/a&gt;: &amp;quot;I’m not writing it down to remember it later, I’m writing it down to remember it now.&amp;quot; A related aside:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I always laughed when a Dutch friend of mine referred to “making” a photo—a translation glitch he couldn’t keep straight. I just thought it sounded funny, but there is something strange about the one art form we talk about in terms of taking, not making.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In her essay reporting on the development of the DSM-5, which also touches on war and addiction, and growing up:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We reach maturity any number of times—biologically, religiously, legally, academically, socially—before the age of twenty-one, but the imputation rarely sticks. The world will not be informed of your various arrivals, the world informs you. [...] Slowly, sometimes moment by moment, small choices about whom and how to be beget bigger ones--shading in the background, scaling out the continuum; striking out villains, fleshing in the overlooked--until the story begins to tell itself, with a fully-fledged hero at its center.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another good line from that essay, one of my favorite observations in the book:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Treating apparently &amp;quot;new&amp;quot; emotional and behavioral disturbances like biological events would seem to be another evasion of a problem the 12-step program makes plain. It feels significant that the first thing someone seeking that program&#39;s help does is walk into a room filled with other people.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So good. There&#39;s much more range here than what my quotes might indicate. You&#39;re likely to find something that works for you, too. Worth a read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cool Tools – How to Be Invisible</title>
    <link href="https://mlarson.org/2013/05/12/cool-tools-how-to-be-invisible/"/>
    <updated>2013-05-12T04:13:58.000Z</updated>
    <id>https://mlarson.org/2013/05/12/cool-tools-how-to-be-invisible/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Suppose you wish to send $25,000 from Vancouver, British Columbia, to a friend in Helsinki, Finland. You would hand $25,000 cash to a Vancouver money changer (Hawaladar) in Vancouver, and receive code words (or an agreed signal such as a secret handshake) and a contact address in Helsinki. No actual cash moves out of Canada. Instead, when your friend gives the code to the correspondent hawaladar in helsinki, he will receive the equivalent in euros (less a commission) from money that is already there. To review: -There are no written documents. The exchanges are based on mutual trust (perhaps for that reason unpopular in the United States?). -Only local currencies are used. Thus, if you are sending money from the UK to Mexico, you pay in pounds and the receiver in Mexico collects in pesos. -This exchange cannot be traced because no money crosses a border.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Has this been done in a movie yet?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kk.org/cooltools/archives/11678&#34;&gt;Cool Tools – How to Be Invisible&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2013</title>
    <link href="https://mlarson.org/2013/05/12/marlboro-southern-cut-cigarette-review/"/>
    <updated>2013-05-12T04:11:54.000Z</updated>
    <id>https://mlarson.org/2013/05/12/marlboro-southern-cut-cigarette-review/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/KwhGMm1Rfb0&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?&amp;amp;v=KwhGMm1Rfb0&#34;&gt;Marlboro Southern Cut Cigarette Review&lt;/a&gt;. Incredible. Package analysis, unlit dry puff, regular drag, deep inhalation, nostril exhale, body, flavor, taste, aroma. You can find geeky unboxings and video reviews for anything. This is a genre. (&lt;a href=&#34;https://www.twitter.com/simonFerrari/status/333427496861196289&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 10, 2013</title>
    <link href="https://mlarson.org/2013/05/10/hyperbole-and-a-half-depression-part-two/"/>
    <updated>2013-05-10T15:27:09.000Z</updated>
    <id>https://mlarson.org/2013/05/10/hyperbole-and-a-half-depression-part-two/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmk16ffyrd1qzcye0o1_r1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://hyperboleandahalf.blogspot.com/2013/05/depression-part-two.html&#34;&gt;Hyperbole and a Half: Depression Part Two&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 7, 2013</title>
    <link href="https://mlarson.org/2013/05/07/motivational-advice-risks-making-things-worse-by/"/>
    <updated>2013-05-07T16:32:25.000Z</updated>
    <id>https://mlarson.org/2013/05/07/motivational-advice-risks-making-things-worse-by/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Motivational advice risks making things worse, by surreptitiously strengthening your belief that you need to feel motivated before you can act. By encouraging an attachment to a particular emotional state, it actually inserts an additional hurdle between you and your goal.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Oliver Burkeman in &lt;a href=&#34;http://www.amazon.com/The-Antidote-Happiness-Positive-Thinking/dp/0865479410&#34;&gt;The Antidote&lt;/a&gt;, the first 1/3 of which I can confirm is good. After the intro, he talks about Stoicism and the dangers of optimism; this came from a chapter on Buddhism, non-attachment, and mindfulness meditation.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 7, 2013</title>
    <link href="https://mlarson.org/2013/05/07/rickrossgrunt-see-the-days-of-heaven-screencaps/"/>
    <updated>2013-05-07T16:32:19.000Z</updated>
    <id>https://mlarson.org/2013/05/07/rickrossgrunt-see-the-days-of-heaven-screencaps/</id>
    <content type="html">&lt;p&gt;{rickrossgrunt}. See the &lt;a href=&#34;http://screenmusings.org/DaysOfHeaven/&#34;&gt;Days of Heaven Screencaps Gallery&lt;/a&gt; for more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2013</title>
    <link href="https://mlarson.org/2013/05/06/no-country-for-old-men-2007-i-feel/"/>
    <updated>2013-05-06T18:58:00.000Z</updated>
    <id>https://mlarson.org/2013/05/06/no-country-for-old-men-2007-i-feel/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/co5aKOGcHaw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=co5aKOGcHaw&amp;amp;t=1m55s&#34;&gt;No Country for Old Men (2007) - “I feel overmatched.”&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All the time you spend tryin’ to get back what’s been took from you, more’s goin’ out the door.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I need to watch this movie again. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/21748365697/vitality-shows-in-not-only-the-ability-to-persist&#34;&gt;F. Scott Fitzgerald&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Vitality shows in not only the ability to persist but the ability to start over.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2013</title>
    <link href="https://mlarson.org/2013/05/06/what-we-respond-to-is-not-the-gadget-itself-but/"/>
    <updated>2013-05-06T17:58:51.000Z</updated>
    <id>https://mlarson.org/2013/05/06/what-we-respond-to-is-not-the-gadget-itself-but/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What we respond to is not the gadget itself but its promise of some personal and highly specific gratification.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/This-Is-Running-Your-Life/dp/0374533326&#34;&gt;Michelle Orange&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Economics of Social Status</title>
    <link href="https://mlarson.org/2013/05/06/the-economics-of-social-status/"/>
    <updated>2013-05-06T17:51:51.000Z</updated>
    <id>https://mlarson.org/2013/05/06/the-economics-of-social-status/</id>
    <content type="html">&lt;p&gt;Status as currency. The whole thing is worth a read. I liked this aside on public speaking, which also connects with live music and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/standupcomedy&#34;&gt;standup comedy&lt;/a&gt; and other types of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/performance&#34;&gt;performance&lt;/a&gt;, and why they’re scary:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Bidding for status” is another activity with economic characteristics. The nature of a bid is that it sets a particular ‘price’ that can be accepted or rejected. Robin Hanson suspects that speaking in public is a way of bidding for status. The very act of standing in front of a group and speaking authoritatively represents a claim to relatively high status. If you speak on behalf of the group – i.e., making statements that summarize the group’s position or commit the group to a course of action — then you’re claiming even higher status. These bids can either be accepted by the group (if they show approval or rapt attention, and let you continue to speak) or rejected (if they show disapproval, interrupt you, ignore you, or boo you off stage).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/161381742/respect-the-dance-floor-because-the-dance-floor&#34;&gt;The dance floor never lies&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ribbonfarm.com/2013/05/01/the-economics-of-social-status/&#34;&gt;The Economics of Social Status&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Days of Heaven</title>
    <link href="https://mlarson.org/2013/05/05/days-of-heaven-third-viewing-first-second-i/"/>
    <updated>2013-05-05T17:09:41.000Z</updated>
    <id>https://mlarson.org/2013/05/05/days-of-heaven-third-viewing-first-second-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmc4xiu9gk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Days_of_Heaven&#34;&gt;Days of Heaven&lt;/a&gt;. Third viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/7241020197/days-of-heaven-my-first-malick-film-and-luckily&#34;&gt;first&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/30966428742/days-of-heaven-re-watched-re-loved-still-near&#34;&gt;second&lt;/a&gt;). I don’t typically use words like “rapturous” or “transfixed”, but I feel like I need to here. I just sit there slack-jawed for 90 minutes. I don’t know how you can make a biblical, romantic prairie drama have such momentum. This is the first &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt; movie I ever saw, and I still think it’s his best. I have to keep it in my top three, up there with &lt;a href=&#34;http://tumblr.mlarson.org/tagged/outofthepast&#34;&gt;Out of the Past&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/heat&#34;&gt;Heat&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 5, 2013</title>
    <link href="https://mlarson.org/2013/05/05/savvy-advertising-is-always-trying-to-tell-you/"/>
    <updated>2013-05-05T17:09:34.000Z</updated>
    <id>https://mlarson.org/2013/05/05/savvy-advertising-is-always-trying-to-tell-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Savvy advertising is always trying to tell you something about yourself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/This-Is-Running-Your-Life/dp/0374533326&#34;&gt;Michelle Orange&lt;/a&gt;, who continues:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It traffics only in different, better, more fulfilled versions of you. That’s why it’s so miserably effective: an ad can adopt the stance of leading you toward your own best interests. But a brand-centric movie is stuck pretending its purpose is to entertain, even if its job was done the moment it got you through the door, $13.50 lighter.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Upstream Color</title>
    <link href="https://mlarson.org/2013/05/05/upstream-color-the-speculative-hook-is-a-strange/"/>
    <updated>2013-05-05T16:50:00.000Z</updated>
    <id>https://mlarson.org/2013/05/05/upstream-color-the-speculative-hook-is-a-strange/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mmb0ox1qsz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Upstream_Color&#34;&gt;Upstream Color&lt;/a&gt;. The speculative hook is a strange cycle of events driven by some sort of parasite, I guess. A microbe that seems to enhance empathy or connection in all of its hosts. And you can interpret the rest in about seven million ways. I’m thinking: identity and self-construction. The first half-hour or so, with the thief, is just perfectly tense. Interesting that the personal resolution at the end of the story is misplaced justice. We don’t always know better. Oh, and there’s one scene, when the heroine is waking up, where the image and sound are so well-executed you kinda want to yawn and stretch, too. I didn’t like this one as much as &lt;a href=&#34;http://tumblr.mlarson.org/post/49261051412/primer-it-was-early-on-in-the-film-when-i-stopped&#34;&gt;Primer&lt;/a&gt;, but I will continue to support and hold out hope for more good, weird movies. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/shanecarruth&#34;&gt;Shane Carruth&lt;/a&gt; knows his stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>So Jerry Seinfeld Called Us To Talk About Coffee : The Salt : NPR</title>
    <link href="https://mlarson.org/2013/05/04/so-jerry-seinfeld-called-us-to-talk-about-coffee/"/>
    <updated>2013-05-04T16:04:46.000Z</updated>
    <id>https://mlarson.org/2013/05/04/so-jerry-seinfeld-called-us-to-talk-about-coffee/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I got married and I had a family and my entire day was not free for social interaction. And eating is annoying and difficult to arrange, [and it’s] hard to choose places. And meeting someone for coffee suddenly seemed like a wonderful, compact, accessible and portable social interaction. You don’t even really need a place. But you feel like you’re doing something. That is what coffee is. And that is one of the geniuses of the new coffee culture.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Shortly before reading this, I invited a friend to meet for &lt;a href=&#34;http://tumblr.mlarson.org/post/19807268448/elaine-in-seinfeld-male-unbonding-episode-i&#34;&gt;coffee and not talking&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;ELAINE: Come on, let’s go do something. I don’t want to just sit around here.&lt;/p&gt;
&lt;p&gt;JERRY: Okay.&lt;/p&gt;
&lt;p&gt;ELAINE: Want to go get something to eat?&lt;/p&gt;
&lt;p&gt;JERRY: Where do you want to go?&lt;/p&gt;
&lt;p&gt;ELAINE: I don’t care, I’m not hungry.&lt;/p&gt;
&lt;p&gt;JERRY: We could go to one of those cappuccino places. They let you just sit there.&lt;/p&gt;
&lt;p&gt;ELAINE: What are we gonna do there? Talk?&lt;/p&gt;
&lt;p&gt;JERRY: We can talk.&lt;/p&gt;
&lt;p&gt;ELAINE: I’ll go if I don’t have to talk.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/thesalt/2013/04/26/179049781/so-jerry-seinfeld-called-us-to-talk-about-coffee&#34;&gt;So Jerry Seinfeld Called Us To Talk About Coffee : The Salt : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2013</title>
    <link href="https://mlarson.org/2013/05/02/its-basically-recursion-you-start-with-a-problem/"/>
    <updated>2013-05-02T02:41:00.000Z</updated>
    <id>https://mlarson.org/2013/05/02/its-basically-recursion-you-start-with-a-problem/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s basically recursion. You start with a problem that spits out an answer. You feed the answer back into the problem and get another answer, which you put right back into the problem.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2004/10/19/movies/19prim.html?_r=0&#34;&gt;Shane Carruth&lt;/a&gt; talking about nonlinear dynamics and maybe the creative process? And though he said this 9 years ago, this is also relevant to &lt;a href=&#34;http://en.wikipedia.org/wiki/Upstream_Color&#34;&gt;Upstream Color&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2013</title>
    <link href="https://mlarson.org/2013/05/02/life-lessons-with-kareem-abdul-jabbar-20-things/"/>
    <updated>2013-05-02T01:22:00.000Z</updated>
    <id>https://mlarson.org/2013/05/02/life-lessons-with-kareem-abdul-jabbar-20-things/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/05/tumblr_mm5d21gl9e1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/blogs/culture/kareem-things-i-wish-i-knew&#34;&gt;Life Lessons with Kareem Abdul-Jabbar - 20 Things I Wish I’d Known When I Was 30 - Esquire&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Career is never as important as family. The better you are at your job, the more you’re rewarded, financially and spiritually, by doing it. You know how to solve problems for which you receive praise and money. Home life is more chaotic. Solving problems is less prescriptive and no one’s applauding or throwing money if you do it right. That’s why so many young professionals spend more time at work with the excuse, “I’m sacrificing for my family.” Bullshit. Learn to embrace the chaos of family life and enjoy the small victories.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2013</title>
    <link href="https://mlarson.org/2013/05/02/i-called-around-and-managed-to-get-a-lot-of/"/>
    <updated>2013-05-02T01:17:43.000Z</updated>
    <id>https://mlarson.org/2013/05/02/i-called-around-and-managed-to-get-a-lot-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I called around and managed to get a lot of expired stock donated. I also used tungsten-based 35mm slide film to storyboard the movie - this really helped me show the various labs what the final film would look like and thus negotiate prices with them. They are much more likely to give you a discount when they think you’re someone that might be back one day with a bigger budget.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.makingthefilm.com/interview21.html&#34;&gt;Shane Carruth&lt;/a&gt;. Clever! Prepare like a professional, get professional treatment.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 1, 2013</title>
    <link href="https://mlarson.org/2013/05/01/illumiroom-peripheral-projected-illusions-for/"/>
    <updated>2013-05-01T01:53:20.000Z</updated>
    <id>https://mlarson.org/2013/05/01/illumiroom-peripheral-projected-illusions-for/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/L2w-XqW7bF4&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=L2w-XqW7bF4&#34;&gt;IllumiRoom: Peripheral Projected Illusions for Interactive Experiences&lt;/a&gt;. We are closer and closer to Infinite Jest. I haven’t read the book, so I’m not totally sure what that means. But this looks cool.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tim Brando, Chris Broussard, and giving credit where credit is due - SBNation.com</title>
    <link href="https://mlarson.org/2013/05/01/tim-brando-chris-broussard-and-giving-credit/"/>
    <updated>2013-05-01T01:53:15.000Z</updated>
    <id>https://mlarson.org/2013/05/01/tim-brando-chris-broussard-and-giving-credit/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Debate whether [Jason Collins] is a hero or not in your world, but he’s leading by example for a small subset of people who need examples, and doing so positively: with love, and work, and still more work. The two are ultimately indistinguishable when done right, and what they leave behind is the capacity to pass that work forward.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sbnation.com/nba/2013/4/30/4285808/tim-brando-chris-broussard-jason-collins-out&#34;&gt;Tim Brando, Chris Broussard, and giving credit where credit is due - SBNation.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 30, 2013</title>
    <link href="https://mlarson.org/2013/04/30/it-really-got-to-me-when-someone-asks-what-i-did/"/>
    <updated>2013-04-30T17:09:12.000Z</updated>
    <id>https://mlarson.org/2013/04/30/it-really-got-to-me-when-someone-asks-what-i-did/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It really got to me when someone asks what I did for a living and I realized I didn’t have a good answer. And it was just, I don’t know, it was like I’m in my apartment alone all day editing this thing that I’m calling a film but it wasn’t actually a film yet. So yeah, there’s a couple of times where I just gave up and decided I was going to go back and get a job and actually have a good answer to what I did for a living. That was going to be that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://movies.about.com/od/primer/a/primer102104_5.htm&#34;&gt;Shane Carruth&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Taxman Cometh - The Daily Beast</title>
    <link href="https://mlarson.org/2013/04/30/the-taxman-cometh-the-daily-beast/"/>
    <updated>2013-04-30T17:04:24.000Z</updated>
    <id>https://mlarson.org/2013/04/30/the-taxman-cometh-the-daily-beast/</id>
    <content type="html">&lt;p&gt;There’s this dispute in Minnesota where an artist couple has been claiming tax deductions to keep doing their various art things. Trouble is, in the eye of the law, you can’t claim deductions unless you’re (on the way to) running a business that makes profit. Years and years of losses or minimal profit are just asking for an audit. Hilarity ensues.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thedailybeast.com/articles/2013/04/30/the-taxman-cometh.html&#34;&gt;The Taxman Cometh - The Daily Beast&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 30, 2013</title>
    <link href="https://mlarson.org/2013/04/30/its-so-hard-with-a-word-processor-to-know-what-a/"/>
    <updated>2013-04-30T15:25:19.000Z</updated>
    <id>https://mlarson.org/2013/04/30/its-so-hard-with-a-word-processor-to-know-what-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s so hard with a word processor to know what a revision is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://movies.about.com/od/primer/a/primer102104_3.htm&#34;&gt;Shane Carruth&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Primer</title>
    <link href="https://mlarson.org/2013/04/30/primer-it-was-early-on-in-the-film-when-i-stopped/"/>
    <updated>2013-04-30T15:10:05.000Z</updated>
    <id>https://mlarson.org/2013/04/30/primer-it-was-early-on-in-the-film-when-i-stopped/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mm2ooazodn1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Primer_%28film%29&#34;&gt;Primer&lt;/a&gt;. It was early on in the film when I stopped trying to understand the technical details. Just let it ride for now and watch it again soon. Very cool movie. There’s a fine line in (many genres but especially in) science fiction where budgets force decisions about how you show crazy things. I love seeing the conservative work-arounds. You reduce the spectacle so you can preserve the speculative heart of the thing. This not all science fiction, though. There’s a good human core about invention, entrepreneurship, risk, paranoia, trust, etc. Looking forward to seeing Shane Carruth’s &lt;a href=&#34;https://en.wikipedia.org/wiki/Upstream_Color&#34;&gt;Upstream Color&lt;/a&gt; this week.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 30, 2013</title>
    <link href="https://mlarson.org/2013/04/30/in-a-tone-that-grew-more-defiantly-nonchalant-with/"/>
    <updated>2013-04-30T15:09:43.000Z</updated>
    <id>https://mlarson.org/2013/04/30/in-a-tone-that-grew-more-defiantly-nonchalant-with/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In a tone that grew more defiantly nonchalant with every update, the pilot advised us that some of our bags would arrive on a future flight. Even with routine debacles such as this it’s rare to be promised future bullshit while the current bullshit is still very much in progress. &lt;em&gt;Sorry ‘bout that, folks&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/This-Is-Running-Your-Life/dp/0374533326&#34;&gt;Michelle Orange&lt;/a&gt;, on the joys of airline travel.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Goonies</title>
    <link href="https://mlarson.org/2013/04/29/the-goonies-a-friend-had-never-seen-it-so-we-had/"/>
    <updated>2013-04-29T16:01:34.000Z</updated>
    <id>https://mlarson.org/2013/04/29/the-goonies-a-friend-had-never-seen-it-so-we-had/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mm0xq314bz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Goonies&#34;&gt;The Goonies&lt;/a&gt;. A friend had never seen it, so we had to correct that. I remember a period of my life where I watched this every afternoon for a couple weeks straight, and knew that, any day now, I’d have an adventure, too. It still holds up. I certainly miss the days &lt;a href=&#34;http://beforevfx.tumblr.com/&#34;&gt;before VFX&lt;/a&gt; when moviemakers would build ridiculous sets. A huge sailing ship, in a large pool of water, in a vaulted cave? That’s still amazing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Problem With Public Shaming | The Nation</title>
    <link href="https://mlarson.org/2013/04/29/the-problem-with-public-shaming-the-nation/"/>
    <updated>2013-04-29T16:01:27.000Z</updated>
    <id>https://mlarson.org/2013/04/29/the-problem-with-public-shaming-the-nation/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Vigilante justice is a tricky thing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thenation.com/article/174039/problem-public-shaming&#34;&gt;The Problem With Public Shaming | The Nation&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 29, 2013</title>
    <link href="https://mlarson.org/2013/04/29/out-in-the-great-alone-brian-phillips/"/>
    <updated>2013-04-29T15:49:16.000Z</updated>
    <id>https://mlarson.org/2013/04/29/out-in-the-great-alone-brian-phillips/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mlxg5ml5cj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/9175394/out-great-alone&#34;&gt;Out in the Great Alone&lt;/a&gt;. Brian Phillips (&lt;a href=&#34;https://twitter.com/runofplay&#34;&gt;@runofplay&lt;/a&gt;) makes feature writing look easy, somehow. Good stuff. Previously, &lt;a href=&#34;http://www.grantland.com/story/_/id/8097092/a-visit-all-england-club-wimbledon-kickoff-2012-tournament&#34;&gt;at Wimbledon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>To the Wonder</title>
    <link href="https://mlarson.org/2013/04/29/to-the-wonder-this-is-probably-a-malick-fans-only/"/>
    <updated>2013-04-29T15:49:12.000Z</updated>
    <id>https://mlarson.org/2013/04/29/to-the-wonder-this-is-probably-a-malick-fans-only/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mlvje8gxxy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/To_the_Wonder&#34;&gt;To the Wonder&lt;/a&gt;. This is probably a Malick-fans-only affair, given that he’s brought all his Malickisms to expected highs/belabored lows. So I liked it, naturally. It’s very chopped and fragmented, both within scenes and through time, but there is a clear arc here. Yet maybe it’s understated enough that you get as much drama out of it as you put in. The thing starts with Kurylenko’s narration, her camera, her self-documentation, so there’s an interpretation that most of it is her record. Regardless, just that little bit of self-shot camerawork helps to set up the interiority of the rest. Affleck is given almost nothing to say, and he’s muted repeatedly even when it looks like he’s saying something. And the voices we can hear from other characters, it’s often just barely. The dance analogy I’ve heard fits well. Where words are absent, gesture and music have to carry it. It’s also like, y&#39;know… silent film. Great score, though you too may chuckle if you’re familiar with some of the music selected (e.g. &lt;a href=&#34;http://en.wikipedia.org/wiki/Symphony_No._3_%28G%C3%B3recki%29&#34;&gt;Górecki&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Isle_of_the_Dead_%28Rachmaninoff%29&#34;&gt;Rachmaninov&lt;/a&gt;, &lt;a href=&#34;http://www.monsalvat.no/prelact1.htm&#34;&gt;Wagner&lt;/a&gt;). Ridiculous desktop wallpaper camera porn abounds. Malick needs to sell his b-roll for the TVs in waiting rooms and airports. I love the transition from the water shot of coastal France to the tall grass in the States. And another transition from the sunlit exteriors of the U.S. to the damp claustrophobic fluorescence of Paris at night. And that final shot. Man. That made it all worth it for me. Themes. Taking it back to the early sequence at Mont Saint-Michel shows the two becoming one, a little island drawing off from the rest. And the first early versions of how the camera is drawn, again and again, to light, tracking toward windows and doors, trying to get up and out. So that’s love as a combinatory force, bringing two into one, making the inside the outside, drawing you out of yourself (note the barely furnished home). So there’s love as awesome, and there’s love as absent. Bardem carries this part. Note how he’s sequestered himself inside too much. By the end, maybe he’s trying a little harder. Or praying at least, &lt;a href=&#34;http://en.wikipedia.org/wiki/Lorica_%28incantation%29&#34;&gt;girding himself&lt;/a&gt; to get out there again, narrating a common excerpt from &lt;a href=&#34;http://www.ourcatholicprayers.com/st-patricks-breastplate.html&#34;&gt;St. Patrick’s Breastplate&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Christ with me, Christ before me, Christ behind me, Christ in me, Christ beneath me, Christ above me, Christ on my right, Christ on my left, Christ when I lie down, Christ when I sit down, Christ when I arise, Christ in the heart of every man who thinks of me, Christ in the mouth of everyone who speaks of me, Christ in every eye that sees me, Christ in every ear that hears me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I liked &lt;a href=&#34;http://harpers.org/blog/2013/04/terrence-malicks-song-of-songs/&#34;&gt;Pico Iyer’s review&lt;/a&gt;. &lt;a href=&#34;http://www.rogerebert.com/reviews/to-the-wonder-2013&#34;&gt;Ebert’s take&lt;/a&gt; will continue to be good for extra-filmic reasons. And the &lt;a href=&#34;http://onebigsoulterrencemalickblog.blogspot.com/2013/04/terrence-malicks-lyrical-masterpiece-to.html&#34;&gt;Terrence Malick community blog&lt;/a&gt; has a nice blow-by-blow. My &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt; rankings and reviews:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30966428742/days-of-heaven-re-watched-re-loved-still-near&#34;&gt;Days of Heaven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/15619928959/the-new-world-in-which-the-title-is-a-metaphor&#34;&gt;The New World&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;Badlands&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;To the Wonder&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17889450052/the-tree-of-life-well-its-beautiful-and-huge&#34;&gt;The Tree of Life&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/19523134803/the-thin-red-line-ive-now-seen-everything&#34;&gt;The Thin Red Line&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Nitsuh Abebe on the Punk Movement -- New York Magazine</title>
    <link href="https://mlarson.org/2013/04/26/nitsuh-abebe-on-the-punk-movement-new-york/"/>
    <updated>2013-04-26T16:48:18.000Z</updated>
    <id>https://mlarson.org/2013/04/26/nitsuh-abebe-on-the-punk-movement-new-york/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;By the time punk swept the U.K., the sound had cut itself back to the sinew and muscle of early rock and roll, yes, but it had also excised one of the key things that made early rock and roll captivating to young people, which was some sense of sexual urgency—swing, groove, sly vocal implication. All were traded for happy hectoring and desiccated angularity. The guitars may have a kinship with Chuck Berry, but the barking does not.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ergo, punk never had much appeal for me.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/news/features/punk-movement-2013-4/&#34;&gt;Nitsuh Abebe on the Punk Movement -- New York Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Green Screen: The Lack of Female Road Narratives and Why it Matters</title>
    <link href="https://mlarson.org/2013/04/24/green-screen-the-lack-of-female-road-narratives/"/>
    <updated>2013-04-24T19:41:11.000Z</updated>
    <id>https://mlarson.org/2013/04/24/green-screen-the-lack-of-female-road-narratives/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To offer some context for my perspective, the year I was fifteen I hitchhiked 15,000 miles alone, mostly through truck stops. By the time I was nineteen I had hitchhiked another 5,000 miles through Turkey, Greece, and pre-war Yugoslavia, also alone. Those years were a time of misery and terror, but they were also transformative. Every day I bounced wildly between danger, high comedy, and extreme loneliness—which is to say that it was also an adventure, and that inside all the high stakes turmoil was a nascent self that was trying to become, to change, to step out into the world as an adult.&lt;/p&gt;
&lt;p&gt;But there is no female counterpart in our culture to Ishmael or Huck Finn. There is no Dean Moriarty, Sal, or even a Fuckhead. It sounds like a doctoral crisis, but it’s not. As a fifteen-year-old hitchhiker, my survival depended upon other people’s ability to envision a possible future for me. Without a Melvillean or Kerouacian framework, or at least some kind of narrative to spell out a potential beyond death, none of my resourcefulness or curiosity was recognizable, and therefore I was unrecognizable.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://theamericanreader.com/green-screen-the-lack-of-female-road-narratives-and-why-it-matters/&#34;&gt;Green Screen: The Lack of Female Road Narratives and Why it Matters&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 24, 2013</title>
    <link href="https://mlarson.org/2013/04/24/state-your-needs-dont-test-people-on-them/"/>
    <updated>2013-04-24T19:41:05.000Z</updated>
    <id>https://mlarson.org/2013/04/24/state-your-needs-dont-test-people-on-them/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;State your needs, don’t test people on them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-martyr-syndrome-makes-family-hard-to-trust/2013/04/23/58b3d86e-a1f9-11e2-be47-b44febada3a8_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/carolynhax&#34;&gt;Dreamgirl&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Quaker Mode - The Pastry Box Project | 22 April 2013, baked by Mike Monteiro</title>
    <link href="https://mlarson.org/2013/04/23/quaker-mode-the-pastry-box-project-22-april/"/>
    <updated>2013-04-23T18:08:08.000Z</updated>
    <id>https://mlarson.org/2013/04/23/quaker-mode-the-pastry-box-project-22-april/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The incredibly great thing about Quaker meetings is that everyone just sits there. Silently. And they talk only if the spirit moves them to talk. They only open their mouths if it improves on the silence. I’m gonna repeat that phrase because I love it so fucking much: “if it improves on the silence.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When we were staying over at grandma’s house, when me and my brother and sister were getting annoying, we knew fun time was over when Grandma would say firmly, “&lt;em&gt;Okay&lt;/em&gt;. Let’s play Quaker.” The three of us then groan and sigh and collapse on the floor, mortally wounded, sulky, resentful. Quiet time had begun. I hated that “game” so much. Mike Monteiro’s idea sounds good, though.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://the-pastry-box-project.net/mike-monteiro/2013-april-22/&#34;&gt;Quaker Mode - The Pastry Box Project | 22 April 2013, baked by Mike Monteiro&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bringing Up Baby</title>
    <link href="https://mlarson.org/2013/04/23/bringing-up-baby-too-much-of-a-muchness-wrt/"/>
    <updated>2013-04-23T18:08:00.000Z</updated>
    <id>https://mlarson.org/2013/04/23/bringing-up-baby-too-much-of-a-muchness-wrt/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mlpyoeg3j71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Bringing_Up_Baby&#34;&gt;Bringing Up Baby&lt;/a&gt;. Too much of a muchness w/r/t silly characters and storytelling contortions to keep the laughs coming. Of all the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/carygrant&#34;&gt;Cary Grant&lt;/a&gt; I’ve seen, this is the first straight-up goofy comedy role (sillier than in &lt;a href=&#34;http://tumblr.mlarson.org/post/830281401/the-philadelphia-story-a-very-good-movie-hepburn&#34;&gt;The Philadelphia Story&lt;/a&gt;). He’s got a knack for it, apparently. I love seeing a new side of an actor I know mostly for being dashing. Favorite &lt;a href=&#34;http://tumblr.mlarson.org/tagged/howardhawks&#34;&gt;Howard Hawks movies&lt;/a&gt;? Gotta take &lt;a href=&#34;http://tumblr.mlarson.org/post/12185513719/scarface-1932-ambition-bloodlust-cowardice&#34;&gt;Scarface&lt;/a&gt; over &lt;a href=&#34;http://tumblr.mlarson.org/post/226499053/the-big-sleep-its-got-a-twisty-turny-plot-where&#34;&gt;The Big Sleep&lt;/a&gt;, and then this one after &lt;a href=&#34;http://tumblr.mlarson.org/post/221509984/gentlemen-prefer-blondes-its-hard-to-adjust-to&#34;&gt;Gentlemen Prefer Blondes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Place Beyond the Pines</title>
    <link href="https://mlarson.org/2013/04/23/the-place-beyond-the-pines-its-a-bummer-that-the/"/>
    <updated>2013-04-23T17:49:59.000Z</updated>
    <id>https://mlarson.org/2013/04/23/the-place-beyond-the-pines-its-a-bummer-that-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mlpy1ydyw81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Place_Beyond_the_Pines&#34;&gt;The Place Beyond the Pines&lt;/a&gt;. It’s a bummer that the wind goes out of the sails when Gosling leaves the screen, but that’s still to his and the director’s credit for those parts of the movie. And Mendes was fantastic. What a talent. I just wish the third act hadn’t run out of gas. But, then again, I think that’s partly me being snob-weary-dreary-bonehead, “Oh, another fathers and sons tale” and not wanting to give in to it. It’s good, though. Derek Cianfrance’s &lt;a href=&#34;http://tumblr.mlarson.org/post/11956712445/blue-valentine-my-first-reaction-its-a-snuff&#34;&gt;Blue Valentine&lt;/a&gt; is pretty sharp, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 22, 2013</title>
    <link href="https://mlarson.org/2013/04/22/i-think-we-have-to-be-frugal-with-our/"/>
    <updated>2013-04-22T15:06:25.000Z</updated>
    <id>https://mlarson.org/2013/04/22/i-think-we-have-to-be-frugal-with-our/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think we have to be frugal with our photo-viewing. I love it when you find a photo from a time you’ve forgotten about – one that, maybe, someone else had possession of. It makes you realise how linear and reductive memory is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/books/2013/apr/22/george-saunders-my-desktop-time-100&#34;&gt;George Saunders&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why it’s ok to buy books and not read them</title>
    <link href="https://mlarson.org/2013/04/19/why-its-ok-to-buy-books-and-not-read-them/"/>
    <updated>2013-04-19T19:33:59.000Z</updated>
    <id>https://mlarson.org/2013/04/19/why-its-ok-to-buy-books-and-not-read-them/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I used to feel guilty about books I own but haven’t read. They’d sit in piles making me feel unworthy as a writer, and reader. And no matter how many books I’d read in a year, I’d always find myself buying more. I couldn’t win. It was a destructive cycle and it drove me mad. One day I realized there was another way to frame my behavior. The goal should not be efficiency because efficiency makes you conservative. As a writer I need an ambitious curiosity, not a safe one. It’s good to take bets on books at the limits of my comfort zone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://scottberkun.com/2013/buy-books-and-not-read-them/&#34;&gt;Why it’s ok to buy books and not read them&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 17, 2013</title>
    <link href="https://mlarson.org/2013/04/17/i-am-not-a-scholar-and-the-majority-of-my/"/>
    <updated>2013-04-17T16:03:24.000Z</updated>
    <id>https://mlarson.org/2013/04/17/i-am-not-a-scholar-and-the-majority-of-my/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I am not a scholar and the majority of my references have been culled from my personal library, allowing me to check them without difficulty. But I read in zigzags, I travel from one book to the next, and this is not without risks. It is quite possible that here and there, certain interpretations or comparisons are stretched or simply gratuitous. However, this book is a journey—and travelers should be aware that paths leading nowhere are also part of the trip.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.scribd.com/doc/104178492/Raul-Ruiz-Poetics-of-Cinema-1995&#34;&gt;Raul Ruiz&lt;/a&gt;, from the introduction to &lt;em&gt;Poetics of Cinema&lt;/em&gt;. I read in zigzags, too. Michelle Orange mentioned this excerpt in an &lt;a href=&#34;http://www.theparisreview.org/blog/2013/03/19/blurring-the-lines-an-interview-with-michelle-orange/&#34;&gt;interview with the Paris Review&lt;/a&gt;. Her book &lt;a href=&#34;http://www.amazon.com/This-Is-Running-Your-Life/dp/0374533326&#34;&gt;This Is Running for Your Life&lt;/a&gt; is pretty awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 17, 2013</title>
    <link href="https://mlarson.org/2013/04/17/doug-bowman-the-wired-office-when-i-joined-in/"/>
    <updated>2013-04-17T16:01:49.000Z</updated>
    <id>https://mlarson.org/2013/04/17/doug-bowman-the-wired-office-when-i-joined-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mlepp3mhip1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://mobile.twitter.com/stop/status/324380083181740032&#34;&gt;Doug Bowman&lt;/a&gt;: “The Wired office when I joined, in 1996”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>George Saunders on inspiration and his Texas dance hall days | The Dallas Morning News</title>
    <link href="https://mlarson.org/2013/04/15/george-saunders-on-inspiration-and-his-texas-dance/"/>
    <updated>2013-04-15T16:26:21.000Z</updated>
    <id>https://mlarson.org/2013/04/15/george-saunders-on-inspiration-and-his-texas-dance/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I still play. I just got a little home studio on my Mac, Logic Express, and I just keep going through that same process, working really hard and then recording something and then going, “Yeah, the world doesn’t really need this.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.dallasnews.com/entertainment/books/20130413-george-saunders-on-inspiration-and-his-texas-dance-hall-days.ece?ssimg=968372#ssStory968373&#34;&gt;George Saunders on inspiration and his Texas dance hall days | The Dallas Morning News&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2013</title>
    <link href="https://mlarson.org/2013/04/15/up-in-these-mountains-they-grow-so-slowly/"/>
    <updated>2013-04-15T03:58:32.000Z</updated>
    <id>https://mlarson.org/2013/04/15/up-in-these-mountains-they-grow-so-slowly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Up in these mountains, they grow so slowly sometimes they stop growing altogether. They just gather strength.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bbc.co.uk/news/magazine-22094279&#34;&gt;Stradivarius trees: Searching for perfect musical wood - BBC News&lt;/a&gt;. I feel like I’ve read variations on Stradivarius features about 600 times, but I love this image.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 14, 2013</title>
    <link href="https://mlarson.org/2013/04/14/whats-done-is-done-reality-not-maybe-is-zen/"/>
    <updated>2013-04-14T02:18:00.000Z</updated>
    <id>https://mlarson.org/2013/04/14/whats-done-is-done-reality-not-maybe-is-zen/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What’s done is done. Reality not maybe is zen.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://mobile.twitter.com/PhilJackson11/status/323129956144119808?p=v&#34;&gt;Phil Jackson&lt;/a&gt;, philosopher emeritus of the NBA.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 12, 2013</title>
    <link href="https://mlarson.org/2013/04/12/ricky-rubios-advice-to-alexey-shved-change-this/"/>
    <updated>2013-04-12T16:35:13.000Z</updated>
    <id>https://mlarson.org/2013/04/12/ricky-rubios-advice-to-alexey-shved-change-this/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/Po5faPzrGTY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?&amp;amp;v=Po5faPzrGTY&#34;&gt;Ricky Rubio’s Advice To Alexey Shved&lt;/a&gt;. “Change this face!”&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Change This Face: Towards Being A Better Fan | The Classical</title>
    <link href="https://mlarson.org/2013/04/12/change-this-face-towards-being-a-better-fan-the/"/>
    <updated>2013-04-12T16:34:25.000Z</updated>
    <id>https://mlarson.org/2013/04/12/change-this-face-towards-being-a-better-fan-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Music writing, like sportswriting, is inherently ancillary, and people who only ever seem to want to talk about who gets it right, who gets it wrong, and who gets it stupid are not just drags but point-missing drags. They’re the Tom Townsends of the world, drowning in counterpunching Jeezy crit when they could be listening to &lt;em&gt;The Recession&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://theclassical.org/articles/change-this-face-towards-being-a-better-fan&#34;&gt;Change This Face: Towards Being A Better Fan | The Classical&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 12, 2013</title>
    <link href="https://mlarson.org/2013/04/12/issues-scroll-via-the-bygone-bureau-this/"/>
    <updated>2013-04-12T16:33:03.000Z</updated>
    <id>https://mlarson.org/2013/04/12/issues-scroll-via-the-bygone-bureau-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_ml5eybhdsl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://scroll.vg/issues&#34;&gt;Issues - SCROLL&lt;/a&gt;. Via &lt;a href=&#34;http://bygonebureau.com/2013/04/12/recommendations-412/&#34;&gt;The Bygone Bureau&lt;/a&gt;, this videogame history magazine seems pretty rad.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The disruptive potential of native advertising | Felix Salmon</title>
    <link href="https://mlarson.org/2013/04/12/the-disruptive-potential-of-native-advertising/"/>
    <updated>2013-04-12T16:31:29.000Z</updated>
    <id>https://mlarson.org/2013/04/12/the-disruptive-potential-of-native-advertising/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In that sense, TV ads are truly native; the way you consume a TV ad is the same as the way you consume a TV show. Similarly, long copy print ads are native, for the same reason. And the ultimate native ads are the glossy fashion ads in Vogue: in most cases, they’re better than the editorial, and as a result, readers spend as much time with the ads — if not more — as they do with the edit.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Fashion magazines are such a good racket. Love that junk.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.reuters.com/felix-salmon/2013/04/09/the-disruptive-potential-of-native-advertising/&#34;&gt;The disruptive potential of native advertising | Felix Salmon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Q &amp;amp; A with artist Ashley Anderson | CommonCreativ ATL</title>
    <link href="https://mlarson.org/2013/04/11/q-a-with-artist-ashley-anderson-commoncreativ/"/>
    <updated>2013-04-11T13:49:58.000Z</updated>
    <id>https://mlarson.org/2013/04/11/q-a-with-artist-ashley-anderson-commoncreativ/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I moved to Atlanta in 2007, which was pre-WonderRoot, pre-Dashboard, pre-Living Walls, pre-Glo, pre-Flux and plenty of other stuff. And then WHAM, everyone’s doing stuff. That’s in a period of five-and-a-half years. That’s insane—good insane. And we’re all still very much learning what each of us does, galleries are closing, capital is moving around, new artists are constantly showing up, communities are reacting—there’s whole lotta shakin’ goin’ on. Beats the hell out of how it was when I moved here and it’s a light years better than what little was going on in the last city I lived in. Keep going everyone, and bless the haters as you climb over them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://commoncreativatlanta.com/?p=3769&#34;&gt;Q &amp;amp; A with artist Ashley Anderson | CommonCreativ ATL&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mean Professor Tells Student to “get your sh*t together” | Things Doanie Likes</title>
    <link href="https://mlarson.org/2013/04/10/mean-professor-tells-student-to-get-your-sht/"/>
    <updated>2013-04-10T15:09:00.000Z</updated>
    <id>https://mlarson.org/2013/04/10/mean-professor-tells-student-to-get-your-sht/</id>
    <content type="html">&lt;p&gt;One of the perks of the job.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;xxxx, get your shit together. Getting a good job, working long hours, keeping your skills relevant, navigating the politics of an organization, finding a live/work balance…these are all really hard, xxxx. In contrast, respecting institutions, having manners, demonstrating a level of humility…these are all (relatively) easy. Get the easy stuff right xxxx. In and of themselves they will not make you successful. However, not possessing them will hold you back and you will not achieve your potential.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is straight out of the Marcus Aurelius playbook. One of &lt;a href=&#34;http://www.mlarson.org/2012/01/09/meditations-review/&#34;&gt;my favorite passages from &lt;em&gt;Meditations&lt;/em&gt;&lt;/a&gt; comes in Book 5:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Display those virtues which are wholly in your own power–integrity, dignity, hard work, self-denial, contentment, frugality, kindness, independence, simplicity, discretion, magnanimity. Do you not see how many virtues you can already display without any excuse of lack of talent or aptitude? And yet you are still content to lag behind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://doanie.wordpress.com/2010/02/23/mean-professor-tells-student/&#34;&gt;Mean Professor Tells Student to “get your sh*t together” | Things Doanie Likes&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why techies don’t buy contemporary art | Felix Salmon</title>
    <link href="https://mlarson.org/2013/04/09/why-techies-dont-buy-contemporary-art-felix/"/>
    <updated>2013-04-09T16:32:00.000Z</updated>
    <id>https://mlarson.org/2013/04/09/why-techies-dont-buy-contemporary-art-felix/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This, for me, is the real reason that tech types don’t buy art: they’re busy investing in each other’s startups instead. Being an early-stage investor is in many ways just like being a contemporary art collector: you’re very unlikely to make money at it, even though the potential and anecdotal returns can be enormous; and it’s used in large part as a way of supporting your friends and being seen as being important within a very small world.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.reuters.com/felix-salmon/2013/04/08/why-techies-dont-buy-contemporary-art/&#34;&gt;Why techies don’t buy contemporary art | Felix Salmon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>billa: Philip Roth on the beauty of naps SIMON: Is there something you’re...</title>
    <link href="https://mlarson.org/2013/04/08/billa-philip-roth-on-the-beauty-of-naps-simon-is/"/>
    <updated>2013-04-08T18:36:29.000Z</updated>
    <id>https://mlarson.org/2013/04/08/billa-philip-roth-on-the-beauty-of-naps-simon-is/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/47452295308/philip-roth-on-the-beauty-of-naps-simon-is-there&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/2013/03/23/174949848/at-80-philip-roth-reflects-on-life-literature-and-the-beauty-of-naps&#34;&gt;&lt;strong&gt;Philip Roth on the beauty of naps&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;SIMON: Is there something you’re taking more time for now that…&lt;/p&gt;
&lt;p&gt;ROTH: Yeah, naps. Let me tell you about the nap. It’s absolutely fantastic. When I was a kid, my father was always trying to tell me how to be a man. And he said - I was maybe nine - he said, Philip, whenever you take a nap, take your clothes off and put a blanket over you and you’re going to sleep better. Well, as with everything, he was right. And so I now do that and I come back from the swimming pool I go to and I have my lunch and I read the paper and I take this glorious thing called a nap. And then the best part of it is that when you wake up, for the first 15 seconds you have no idea where you are. You’re just alive. That’s all you know and it’s bliss. It’s absolute bliss. So, I suggest - you’re still working but your time will come.&lt;/p&gt;
&lt;p&gt;SIMON: That sounds like great advice.&lt;/p&gt;
&lt;p&gt;ROTH: And take your clothes off.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/47452295308/philip-roth-on-the-beauty-of-naps-simon-is-there&#34;&gt;billa: Philip Roth on the beauty of naps SIMON: Is there something you’re...&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Code-Switching Explains The World : Code Switch : NPR</title>
    <link href="https://mlarson.org/2013/04/08/how-code-switching-explains-the-world-code/"/>
    <updated>2013-04-08T18:34:24.000Z</updated>
    <id>https://mlarson.org/2013/04/08/how-code-switching-explains-the-world-code/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You rush your mom or whomever off the phone in some less formal syntax (“Yo, I&#39;mma holler at you later,”), hang up and get back to work. Then you look up and you see your co-workers looking at you and wondering who the hell you’d morphed into for the last few minutes. That right there? That’s what it means to code-switch.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;My dad and my sister are experts at (subconsciously) stepping up the Southern accent ever so slightly when the situation calls for it. I’m pretty sure I do it, too, but it’s quite possible everyone sees right through me.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/codeswitch/2013/04/08/176064688/how-code-switching-explains-the-world&#34;&gt;How Code-Switching Explains The World : Code Switch : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2013</title>
    <link href="https://mlarson.org/2013/04/07/take-the-hard-feelings-away-and-this-is-the-right/"/>
    <updated>2013-04-07T15:49:41.000Z</updated>
    <id>https://mlarson.org/2013/04/07/take-the-hard-feelings-away-and-this-is-the-right/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Take the hard feelings away, and this is the right thing to do. Put the feelings back and it hurts like hell, but the right thing to do hasn’t changed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/love-triangle-is-unfortunately-all-in-the-family/2013/04/05/6626bea4-9267-11e2-bdea-e32ad90da239_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crouching Tiger, Hidden Dragon</title>
    <link href="https://mlarson.org/2013/04/07/crouching-tiger-hidden-dragon-i-didnt-know/"/>
    <updated>2013-04-07T15:49:33.000Z</updated>
    <id>https://mlarson.org/2013/04/07/crouching-tiger-hidden-dragon-i-didnt-know/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mksiwpg1vk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Crouching_Tiger%2C_Hidden_Dragon&#34;&gt;Crouching Tiger, Hidden Dragon&lt;/a&gt;. I didn’t know anything about wuxia when this came out; fun to remember my first moments seeing the wirework and acrobatics, I could feel the neurons lighting up and stretching out. There are movies that, although perhaps not Great Films, you remember because they open up a new world for you. Respect for an interesting balance here. It gave some philosophical weight to ass-kicking, and gave some visual fireworks to solemn melodrama. And what melodrama it is, so drawn out. Our two heroes’ relationship is traced in three conversations spaced out over two hours, and doesn’t culminate until the last breaths. Even the fighting deaths are delayed. And the flashback? Dang, a full half-hour? I still think Jen is an asshole.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>College vs. Pros: madness vs. superiority - TrueHoop Blog - ESPN</title>
    <link href="https://mlarson.org/2013/04/07/college-vs-pros-madness-vs-superiority/"/>
    <updated>2013-04-07T15:49:27.000Z</updated>
    <id>https://mlarson.org/2013/04/07/college-vs-pros-madness-vs-superiority/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s become a cliché to announce a preference for NBA basketball because the level of play is superior. Every reasonable person knows that games are played better in the pros, so college fans tout the “exciting” aspects of upsets. Yes, the tourney is exciting. Yes, it’s fun to follow your bracket through a maze of unpredictability. But what makes the NBA a superior product, from my perspective, isn’t just that its play is superior – it’s that its system rewards superiority. In the NBA, great basketball is ultimately validated – not conspired against. Because of this, the results matter in a deeper way.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://espn.go.com/blog/truehoop/post/_/id/56410/college-vs-pros-madness-vs-superiority&#34;&gt;College vs. Pros: madness vs. superiority - TrueHoop Blog - ESPN&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2013</title>
    <link href="https://mlarson.org/2013/04/07/been-too-long-since-my-last-buster-keaton-gif/"/>
    <updated>2013-04-07T15:09:42.000Z</updated>
    <id>https://mlarson.org/2013/04/07/been-too-long-since-my-last-buster-keaton-gif/</id>
    <content type="html">&lt;p&gt;Been too long since my last &lt;a href=&#34;http://tumblr.mlarson.org/tagged/busterkeaton&#34;&gt;Buster Keaton&lt;/a&gt; gif.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2013</title>
    <link href="https://mlarson.org/2013/04/05/lit-hum-jorie-graham-on-caravaggios-supper-at/"/>
    <updated>2013-04-05T18:27:00.000Z</updated>
    <id>https://mlarson.org/2013/04/05/lit-hum-jorie-graham-on-caravaggios-supper-at/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mksf8gw9ys1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lit-hum.org/2013/03/jorie-graham-on-caravaggios-supper-at.html&#34;&gt;Lit Hum: Jorie Graham on Caravaggio’s Supper at Emmaus&lt;/a&gt;. Gonna go right ahead and do a mega-quote here:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I often teach a painting of Caravaggio’s, Supper at Emmaus. Christ is sitting before us in an alcove against the “back wall” of the painting. We face into a dinner table covered with things for the meal. We are quite sure that the edge of this table is identical with the absolute front of the canvas. But then one undergoes a troubling sensation. The basket of fruit, the edge of the wicker basket, sticks out into our “actual” space, our here and now. The host suddenly recognizes the stranger at his table as Christ and throws open his arms, like this. [Gestures.] His left hand comes out, beyond the border—further than the sacramental grapes in their wicker—out here into the same air that you (and I) are breathing in the National Gallery. At the same time, his right hand penetrates the crucial illusionistic space, the alcove in which Christ sits. What he does, by going like this, is enact what it is to be “taken” by surprise, to be, suddenly, in that spiritual place where the otherness of the world, of possibility, “turns” one’s soul—taking one off the path of mere “ongoingness” onto the other path of “journey.” At any rate, the host’s gesture connects that immortal-because-imaginary space Christ occupies, with the mortal one of the gallery in which I am standing breathing my minutes—and you suddenly realize Caravaggio has activated what I call the “sensation of real time”: the time of the painting’s represented action has crossed over into the time in which my only days are taking place. So you cannot read the painting without being inside the terms of the painting, which are these graduating degrees of temporality: mortal time, immortal time, represented time, actual time, the “time” of process. The activity of the painting is to do that. The host is crucified in this position—a position the artist is also in—saying, You reader and you subject (God, Christ), I have put you two together. It’s my job. That’s what the meal is. That’s what we eat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Boom. Art, man.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2013</title>
    <link href="https://mlarson.org/2013/04/05/car-salesman-leroy-carpenter-demonstrating-trunk/"/>
    <updated>2013-04-05T18:24:58.000Z</updated>
    <id>https://mlarson.org/2013/04/05/car-salesman-leroy-carpenter-demonstrating-trunk/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mksg0v1k4y1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://images.google.com/hosted/life/b0f9c146a314a7bc.html&#34;&gt;Car salesman Leroy Carpenter demonstrating trunk capacity of new Dodge&lt;/a&gt; by Michael Mauney. Atlanta, 1971. Thank heavens for &lt;a href=&#34;http://lifephotosearch.net/&#34;&gt;better search for Google’s Life photo archive&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Language of Addiction Takes Over » Helen Rittelmeyer | A First Things Blog</title>
    <link href="https://mlarson.org/2013/04/05/the-language-of-addiction-takes-over-helen/"/>
    <updated>2013-04-05T18:24:00.000Z</updated>
    <id>https://mlarson.org/2013/04/05/the-language-of-addiction-takes-over-helen/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A man who drops his old good-time buddies when he finds God is sanctimonious; a man who drops them when he joins AA is just doing what it takes to stay sober.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.firstthings.com/blogs/helen-rittelmeyer/2013/04/01/the-language-of-addiction-takes-over/&#34;&gt;The Language of Addiction Takes Over » Helen Rittelmeyer | A First Things Blog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2013</title>
    <link href="https://mlarson.org/2013/04/05/haywires-body-talk-cleo-from-2009-to-2012/"/>
    <updated>2013-04-05T18:18:26.000Z</updated>
    <id>https://mlarson.org/2013/04/05/haywires-body-talk-cleo-from-2009-to-2012/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mkseyqceoz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cleojournal.com/2013/04/01/haywires-body-talk/&#34;&gt;Haywire’s Body Talk | cléo&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;From 2009 to 2012 Soderbergh directed seven films, three of which may be called his unofficial trilogy of “body films”: The Girlfriend Experience (2009), Haywire (2011), and Magic Mike (2012). While star-studded, arguably even stunt, casting has always been important to his work—from Jennifer Lopez in Out Of Sight (1998) to the comically high-caliber cast of the Oceans franchise (2001, 2004, 2007)—in these three films, the bodies of the stars were integral to what each film explored. Moreover, each stars’ bodies represented a Hollywood outsider crossing over into the mainstream.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;Soderbergh&lt;/a&gt;! Out of all his movies I’ve seen, the body trilogy and &lt;em&gt;Out of Sight&lt;/em&gt; hold the top four spots.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Ecology of Obesity | Newgeography.com</title>
    <link href="https://mlarson.org/2013/04/05/the-ecology-of-obesity-newgeographycom/"/>
    <updated>2013-04-05T18:13:12.000Z</updated>
    <id>https://mlarson.org/2013/04/05/the-ecology-of-obesity-newgeographycom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Part of what makes obesity a wicked problem is how existing solutions — farmers markets, anti-corporate marketing — led advocates to frame the problem in particular ways. “The picture painted by advocates of grocery stores and gardens in the inner city was compelling to so many in no small part because it combined an established way of thinking about poor neighborhoods as materially deprived along with rising cultural support from middle-class Americans for eating healthier, locally grown foods,” Lee writes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So we’re debunking “food deserts” now. More from &lt;a href=&#34;http://jacobageller.com/2013/04/the-problem-of-food-deserts-is-not-all-about-access/&#34;&gt;Jacob Geller&lt;/a&gt;, I thought this was a useful way to think about it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What I think is going on in America is that if someone really does want to eat healthy — and they know how to — then they will eat healthy, but huge numbers of Americans “choose” not to.  The cost and the distance don’t much matter.  And I put “choose” in air quotes, because people are not “choosing” per se, rather they are &lt;em&gt;hooked&lt;/em&gt;.  They buy sugar instead of broccoli, because &lt;a href=&#34;http://www.amazon.com/Fat-Chance-Beating-Against-Processed/dp/159463100X&#34;&gt;sugar tastes awesome and goes with everything&lt;/a&gt;, whereas broccoli is gross.  The deck is physiologically stacked in favor of sugar.  The cost and the distance are virtual non-factors for most Americans, outliers notwithstanding, and obesity really does need to be tackled aggressively on the demand side, if at all possible, precisely &lt;em&gt;because&lt;/em&gt; distance and cost are virtual non-factors.&lt;/p&gt;
&lt;p&gt;The economist’s way of saying the same thing is that unhealthy foods (like sugar) tend to be sort of addictive, or habit-forming, or are at least advantaged by our physiology or biology, so our demand for that food tends to be pretty insensitive to price (or “inelastic”).  And because our demand is insensitive to price, shifting the supply curve one way or the other &lt;a href=&#34;http://jacobageller.com/wp-content/uploads/2013/04/sugar.jpg&#34;&gt;isn’t going to change the quantity consumed all that much&lt;/a&gt;.  You can fiddle with the supply curve all you like, but the problem is ultimately that this inelastic demand curve is keeping quantity consumed stuck more or less in the same place.  So from a public policy and public health standpoint, it’s better to just tackle the demand curve, by shifting it leftward or making it less inelastic, through solid health education curricula or forming good eating habits during childhood, or whatever, if possible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newgeography.com/content/003605-the-ecology-obesity&#34;&gt;The Ecology of Obesity | Newgeography.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Who Needs a Loser to Win? :: Boxcar Grocer</title>
    <link href="https://mlarson.org/2013/04/05/who-needs-a-loser-to-win-boxcar-grocer/"/>
    <updated>2013-04-05T14:56:08.000Z</updated>
    <id>https://mlarson.org/2013/04/05/who-needs-a-loser-to-win-boxcar-grocer/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If there is one thing history has consistently taught us it is that pitting groups against each other makes for great news and lousy cities.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.boxcargrocer.com/2013/03/30/who-needs-a-loser-to-win/&#34;&gt;Who Needs a Loser to Win? :: Boxcar Grocer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On the Waterfront</title>
    <link href="https://mlarson.org/2013/04/05/on-the-waterfront-second-viewing-this-time-on/"/>
    <updated>2013-04-05T02:07:00.000Z</updated>
    <id>https://mlarson.org/2013/04/05/on-the-waterfront-second-viewing-this-time-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mkpiouldna1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/On_the_Waterfront&#34;&gt;On the Waterfront&lt;/a&gt;. Second viewing, this time on the big screen. Knowing the right thing isn’t always enough. Like Edie says, “Was there ever a saint who hid in the Church?” Can’t have it both ways. But sometimes it takes some hectoring and cajoling to get your courage up. Finally Terry gets on the good side, and switches his wardrobe along with it. He moves from the (conflicted) buffalo plaid jacket to the dark solid jacket formerly owned by Joey (Edie’s universally beloved, upstanding brother). Terry rejects his genetic brother in favor of the broader brotherhood of his community. And you gotta love that Bernstein soundtrack. It’s not just supportive, it barges in and demands your attention every now and then.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2013</title>
    <link href="https://mlarson.org/2013/04/05/a-complex-mix-of-losing-and-winning-may-help-you/"/>
    <updated>2013-04-05T01:45:15.000Z</updated>
    <id>https://mlarson.org/2013/04/05/a-complex-mix-of-losing-and-winning-may-help-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A complex mix of losing and winning may help you more with choking than simply lots of winning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2013/04/how-do-you-build-immunity-from-choking-a-meditation-on-carlsen-and-kramnik.html&#34;&gt;Tyler Cowen&lt;/a&gt; on sports psychology. Cf. &lt;a href=&#34;http://www.fooledbyrandomness.com/Antifragile.htm&#34;&gt;antifragile&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of the Past</title>
    <link href="https://mlarson.org/2013/04/05/out-of-the-past-out-of-the-past-virginia-huston/"/>
    <updated>2013-04-05T01:40:27.000Z</updated>
    <id>https://mlarson.org/2013/04/05/out-of-the-past-out-of-the-past-virginia-huston/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mkpihkwtgs1qzcye0o1_r2_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_the_Past&#34;&gt;Out of the Past&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/outofthepast&#34;&gt;OUT OF THE PAST&lt;/a&gt;! Virginia Huston has a small role, lines-wise, but it’s our identification with her that’s the heart, the emotional pivot for the whole thing. Sigh. Why can’t we be better?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Roger Ebert dies at 70 after battle with cancer - Chicago Sun-Times</title>
    <link href="https://mlarson.org/2013/04/04/roger-ebert-dies-at-70-after-battle-with-cancer/"/>
    <updated>2013-04-04T19:44:00.000Z</updated>
    <id>https://mlarson.org/2013/04/04/roger-ebert-dies-at-70-after-battle-with-cancer/</id>
    <content type="html">&lt;p&gt;So bummed about this news; so grateful for his life and work.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.suntimes.com/news/metro/17320958-418/roger-ebert-dies-at-70-after-battle-with-cancer.html&#34;&gt;Roger Ebert dies at 70 after battle with cancer - Chicago Sun-Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I married young. What are the rest of you waiting for? - Slate Magazine</title>
    <link href="https://mlarson.org/2013/04/02/i-married-young-what-are-the-rest-of-you-waiting/"/>
    <updated>2013-04-02T16:55:16.000Z</updated>
    <id>https://mlarson.org/2013/04/02/i-married-young-what-are-the-rest-of-you-waiting/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Marriage these days signals that you’ve figured out how to be a grown up. You’ve played the field, backpacked Europe, and held a bartending gig to supplement an unpaid internship. You’ve “arrived,” having finished school, settled into a career path, bought a condo, figured out who you are, and found your soul mate. The fairytale wedding is your gateway into adult life. But in my experience, this idea about marriage as the end of the road is pretty misguided and means couples are missing out on a lot of the fun.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/double_x/doublex/2013/04/i_married_young_what_are_the_rest_of_you_waiting_for.single.html&#34;&gt;I married young. What are the rest of you waiting for? - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 2, 2013</title>
    <link href="https://mlarson.org/2013/04/02/the-nbas-most-stylish-players-gq-even/"/>
    <updated>2013-04-02T16:51:21.000Z</updated>
    <id>https://mlarson.org/2013/04/02/the-nbas-most-stylish-players-gq-even/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/04/tumblr_mkn025iijg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://www.gq.com/sports/profiles/201304/nba-fashion-style-dwyane-wade-lebron-james-russell-westbrook?printable=true&#34;&gt;The NBA’s Most Stylish Players: GQ&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Even Westbrook has his limits, of course—Kanye’s infamous leather kilt, for instance. Though in his next breath Russ allows that he’d “be open to it if it were a slimmer fit.”&lt;/p&gt;
&lt;p&gt;The NBA has had fashion moments before—Clyde Frazier wearing his wide-brimmed Borsalino on the cover of Esquire, the introduction of the Air Jordan in the mid-‘80s, Allen Iverson bringing cornrows, baggy jeans, and garish jewelry from the hood to the hardwood in the late &#39;90s—but the sine waves of high fashion and locker-room style have never synced up quite like they do right now.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>A History of Like – The New Inquiry</title>
    <link href="https://mlarson.org/2013/04/02/a-history-of-like-the-new-inquiry/"/>
    <updated>2013-04-02T16:45:45.000Z</updated>
    <id>https://mlarson.org/2013/04/02/a-history-of-like-the-new-inquiry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Liking in marketing was always meant to be a metonym for many other complex processes — persuasion, affect, cognition, recall — but it wasn’t meant to be exposed to the public as such. In Facebook, however, the “Like” button further reduces this reduction and makes it visible, making the whole process somewhat cartoonish and tiresome.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/essays/a-history-of-like/&#34;&gt;A History of Like – The New Inquiry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Point of View: Chess and 18th Century artificial intelligence - BBC News</title>
    <link href="https://mlarson.org/2013/04/02/a-point-of-view-chess-and-18th-century-artificial/"/>
    <updated>2013-04-02T16:45:33.000Z</updated>
    <id>https://mlarson.org/2013/04/02/a-point-of-view-chess-and-18th-century-artificial/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The inventor’s real genius was not to build a chess-playing machine. It was to be the first to notice that, in the modern world, there is more mastery available than you might think; that exceptional talent is usually available, and will often work cheap.&lt;/p&gt;
&lt;p&gt;And there lies what I think of now as the asymmetry of mastery - the mystery of mastery, a truth that is for some reason extremely hard for us to grasp. We over-rate masters and under-rate mastery. That simplest solution was the hardest, partly because they underestimated the space inside the cabinet, but also because they overestimated just how good the chess player had to be.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bbc.co.uk/news/magazine-21876120&#34;&gt;A Point of View: Chess and 18th Century artificial intelligence - BBC News&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tyler, the Creator Talks Directing Movies, Being Rejected by Justin Bieber | Billboard</title>
    <link href="https://mlarson.org/2013/04/01/tyler-the-creator-talks-directing-movies-being/"/>
    <updated>2013-04-01T17:33:33.000Z</updated>
    <id>https://mlarson.org/2013/04/01/tyler-the-creator-talks-directing-movies-being/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Tyler and the Clancys’ 4 Strike management group recently started a new creative agency called Camp Flog Gnaw, which aims to lend Tyler’s brain to companies that want to engage the youth demographic. The first fruit of the new enterprise is a partnership with Mountain Dew, for whom Tyler has directed four left-of-center TV commercials starring a talking goat named Felicia. “The agency is a way to stay true to Tyler and not do endorsements, but to allow companies to use his creative energy,” Clancy says. “There’s a demographic out there that corporate America has lost, but Tyler has managed to build a brand around it.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This strikes me as a bit more savvy and way more interesting than becoming creative director of &lt;a href=&#34;http://www.theverge.com/2013/1/30/3932048/blackberry-announces-alicia-keys-as-global-creative-director&#34;&gt;Blackberry&lt;/a&gt; or &lt;a href=&#34;http://latimesblogs.latimes.com/technology/2011/01/william-named-intels-director-of-creative-innovation.html&#34;&gt;Intel&lt;/a&gt; or something…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.billboard.com/articles/columns/the-juice/1555245/tyler-the-creator-talks-directing-movies-rejected-by-justin-bieber&#34;&gt;Tyler, the Creator Talks Directing Movies, Being Rejected by Justin Bieber | Billboard&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2013</title>
    <link href="https://mlarson.org/2013/04/01/if-the-world-were-merely-seductive-that-would-be/"/>
    <updated>2013-04-01T17:33:00.000Z</updated>
    <id>https://mlarson.org/2013/04/01/if-the-world-were-merely-seductive-that-would-be/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If the world were merely seductive, that would be easy. If it were merely challenging, that would be no problem. But I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/books/97/08/03/lifetimes/white-notes.html&#34;&gt;E.B. White&lt;/a&gt;. (&lt;a href=&#34;http://casnocha.com/2013/04/quote-of-the-day-9.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2013</title>
    <link href="https://mlarson.org/2013/04/01/ghostbusters-recut-trailer-in-a-more-contemporary/"/>
    <updated>2013-04-01T17:32:42.000Z</updated>
    <id>https://mlarson.org/2013/04/01/ghostbusters-recut-trailer-in-a-more-contemporary/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/X4wagcmxh4o&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=X4wagcmxh4o&#34;&gt;Ghostbusters Recut Trailer&lt;/a&gt;, in a more contemporary style. (&lt;a href=&#34;http://www.newyorker.com/online/blogs/culture/2013/03/trailer-trash.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Priceonomics Blog: If Sitting Is The New Smoking, Then Why Do We Make Kids Do It?</title>
    <link href="https://mlarson.org/2013/04/01/priceonomics-blog-if-sitting-is-the-new-smoking/"/>
    <updated>2013-04-01T17:32:37.000Z</updated>
    <id>https://mlarson.org/2013/04/01/priceonomics-blog-if-sitting-is-the-new-smoking/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.priceonomics.com/post/46857679725/if-sitting-is-the-new-smoking-then-why-do-we-make-kids&#34;&gt;priceonomics&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Stuck in their habits, most adults shrug off standing desks despite the dire health warnings. Children, on the other hand, never wanted to be sitting in the first place.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.priceonomics.com/post/46857679725/if-sitting-is-the-new-smoking-then-why-do-we-make-kids&#34;&gt;Priceonomics Blog: If Sitting Is The New Smoking, Then Why Do We Make Kids Do It?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2013</title>
    <link href="https://mlarson.org/2013/03/29/libraryjournal-jerumebrunneng-an-image-of-a/"/>
    <updated>2013-03-29T18:09:17.000Z</updated>
    <id>https://mlarson.org/2013/03/29/libraryjournal-jerumebrunneng-an-image-of-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_m5koc84xnl1rnv7wro1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.libraryjournal.com/post/25102170203/jerumebrunneng-an-image-of-a-page-from-the&#34;&gt;libraryjournal&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://jerumebrunneng.tumblr.com/post/25040699452/an-image-of-a-page-from-the-hitchhikers-guide-to&#34;&gt;jerumebrunneng&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;An image of a page from The Hitchhiker’s Guide To The Galaxy, describing The Hitchhiker’s Guide To The Galaxy, on an e-reader that resembles The Hitchhiker’s Guide To The Galaxy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is the future, guys.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Human Intervention as a Competitive Advantage | Derek Sivers</title>
    <link href="https://mlarson.org/2013/03/28/human-intervention-as-a-competitive-advantage/"/>
    <updated>2013-03-28T17:04:55.000Z</updated>
    <id>https://mlarson.org/2013/03/28/human-intervention-as-a-competitive-advantage/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When everyone else is trying to automate everything, using a little human intervention can be a competitive advantage. The problem is when business owners see it as a cost, instead of an opportunity. Trying to minimize costs, instead of maximize income, quality, loyalty, happiness, connection, and all those other wonderful things that come from real human attention.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sivers.org/hi&#34;&gt;Human Intervention as a Competitive Advantage | Derek Sivers&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stoker</title>
    <link href="https://mlarson.org/2013/03/28/stoker-when-it-comes-to-character-and-plot-stuff/"/>
    <updated>2013-03-28T16:53:00.000Z</updated>
    <id>https://mlarson.org/2013/03/28/stoker-when-it-comes-to-character-and-plot-stuff/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mkc00yea3m1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Stoker_%28film%29&#34;&gt;Stoker&lt;/a&gt;. When it comes to character and plot stuff, this didn’t seem very good. I got over the (I’m assuming intentionally) stilted dialogue. The problem for me was that I didn’t care what the truth was. I don’t need to &lt;em&gt;like&lt;/em&gt; any characters, but I need to have a reaction to whatever the story reveals and develops. It kinda lands with a thud. I wonder again how I would have liked the movie if the story were told linearly, instead of turning to distant flashbacks that cut into the movie after 80 minutes. There’s a distinct fun to the style of suspense where instead of feeling in the dark and curious, you’re in the loop, but powerless. It’s “Uh oh! I don’t know what’s going to happen!” vs. “I have a pretty idea what’s about to happen, but alas I am powerless to help anyone involved! Don’t go down that hallway! No seriously don’t open that door!”. It’s the shouting-at-the-screen instinct. When they withhold explanations for a long time and keep you out of the loop until the flashbacks, you end up as more of a spectator, less complicit. So I have those complaints. But–and this is a big but if you like moving pictures for other more mechanical reasons–this movie was pretty engaging for its photography and editing and sound. I love how Park moves the camera around, all the blocking and pivots. Such a clever momentum with the timing. There’s a delightful climactic scene with parallel cuts between three locations. I had more or less the same reaction to Park’s movie &lt;a href=&#34;http://tumblr.mlarson.org/post/33268604458/oldboy-a-lot-of-energy-its-a-revenge-flick-and&#34;&gt;Oldboy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Disclosure: Rands In Repose</title>
    <link href="https://mlarson.org/2013/03/28/a-disclosure-rands-in-repose/"/>
    <updated>2013-03-28T16:52:57.000Z</updated>
    <id>https://mlarson.org/2013/03/28/a-disclosure-rands-in-repose/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Management is a total career restart.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.randsinrepose.com/archives/2009/01/25/a_disclosure.html&#34;&gt;A Disclosure: Rands In Repose&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2013</title>
    <link href="https://mlarson.org/2013/03/28/who-needs-a-plain-old-crime-now-crimes-need/"/>
    <updated>2013-03-28T16:52:51.000Z</updated>
    <id>https://mlarson.org/2013/03/28/who-needs-a-plain-old-crime-now-crimes-need/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Who needs a plain old crime now? Crimes need endorsement, distribution, crowds.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.berfrois.com/2013/03/masha-tupitsyn-on-steubenville/&#34;&gt;Masha Tupitsyn on Steubenville | berfrois&lt;/a&gt;. Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/1076004423/interview-with-william-gibson-viceland-today&#34;&gt;William Gibson on terrorism&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You’re a small group with no reputation, and you start covertly blowing up or murdering the people of a big group, like a government or a nation-state or a whole race. And you can’t just do it and then go and do the next one. You have to do it, and then go and do your PR. “We just bombed your mall. It was us.”&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2013</title>
    <link href="https://mlarson.org/2013/03/26/hurdle-race-on-snowshoes-montreal-qc-1892-this/"/>
    <updated>2013-03-26T18:39:13.000Z</updated>
    <id>https://mlarson.org/2013/03/26/hurdle-race-on-snowshoes-montreal-qc-1892-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mka0b9gb201qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/museemccordmuseum/5348751223/&#34;&gt;Hurdle race on snowshoes, Montreal, QC, 1892&lt;/a&gt;. This seems a little cruel. I’d love to try it. (&lt;a href=&#34;http://www.archivalclothing.com/2013/03/archival-sports.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Magic Mike</title>
    <link href="https://mlarson.org/2013/03/26/magic-mike-soderbergh-best-movie-ever-about-the/"/>
    <updated>2013-03-26T18:39:00.000Z</updated>
    <id>https://mlarson.org/2013/03/26/magic-mike-soderbergh-best-movie-ever-about-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mk9zhkqml91qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Magic_Mike&#34;&gt;Magic Mike&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;Soderbergh&lt;/a&gt;! Best movie ever about the economy and strippers. I’d rank this one behind only &lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;Haywire&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt;. You’ve got Tatum’s stripper-slash-roofer-slash-artisan muddling through, but it’s hard to change course when he’s great at something he doesn’t love that’s still addicting in its own way. You’ve got Pettyfer’s teenage socially-tone-deaf bro drifter who’s having a great time being showered with money and attention–at long last! You’ve got McConaughey’s (too?) serious entrepreneur-impresario-emperor. There’s the promise of Miami as the great mythical somewhere else where things are different, some future day. Just a few more nights and then…? Contrast these three with Horn, who takes a more cautious, realist, rooted approach to every day’s compromise. She’s awake in daylight, she works and reads and goes out to dinner and enjoys a glass of wine at home. Hard and boring is okay. Pairs well with &lt;a href=&#34;http://tumblr.mlarson.org/post/46351498557/spring-breakers-great-movie-surface-appeal-is&#34;&gt;Spring Breakers&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Spring Breakers</title>
    <link href="https://mlarson.org/2013/03/26/spring-breakers-great-movie-surface-appeal-is/"/>
    <updated>2013-03-26T18:38:00.000Z</updated>
    <id>https://mlarson.org/2013/03/26/spring-breakers-great-movie-surface-appeal-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mk8xti4vsm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Spring_Breakers&#34;&gt;Spring Breakers&lt;/a&gt;. Great movie. Surface appeal is dangerous, no? It feels a little exploitative sometimes, but then again our protagonists have such undeniable agency that you wonder whose fantasy(-ies) you’re watching. So now what creeps you out? The movie repeats itself over and over. It’s the promise of spring break and sunshine and fun and release and anything but &lt;em&gt;this&lt;/em&gt;, but looping to exhaustion. Interesting also that the movie borrows a contemporary sun-drenched/lens flare/desaturated/neon/present-tense-nostalgia fun aesthetic to undermine itself. Some dialogue I didn’t love, but maybe it was better for efficiency’s sake. Franco’s Alien and Gomez’s Faith are great. I watched this as a belated double feature with &lt;a href=&#34;http://tumblr.mlarson.org/post/46351505317/magic-mike-soderbergh-best-movie-ever-about-the&#34;&gt;Magic Mike&lt;/a&gt;. Florida: Where the American Dream Confronts Itself!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Barbed Gift of Leisure - The Chronicle Review - The Chronicle of Higher Education</title>
    <link href="https://mlarson.org/2013/03/26/the-barbed-gift-of-leisure-the-chronicle-review/"/>
    <updated>2013-03-26T16:15:00.000Z</updated>
    <id>https://mlarson.org/2013/03/26/the-barbed-gift-of-leisure-the-chronicle-review/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We have always sensed that free time, time not dedicated to a specific purpose, is dangerous because it implicitly raises the question of what to do with it, and that in turn opens the door to the greatest of life mysteries: why we do anything at all. Thorstein Veblen was right to see, in &lt;em&gt;The Theory of the Leisure Class&lt;/em&gt;, not only that leisure time offered the perfect status demonstration of not having to work, that ultimate nonmaterial luxury good in a world filled with things, but also that, in thus joining leisure to conspicuous consumption of other luxuries, a person with free time and money could endlessly trapeze above the yawning abyss of existential reflection. With the alchemy of competitive social position governing one’s leisure, there is no need ever to look beyond the art collection, the fashion parade, the ostentatious sitting about in luxe cafes and restaurants, no need to confront one’s mortality or the fleeting banality of one’s experience thereof. Even if many of us today would cry foul at being considered a leisure class in Veblen’s sense, there is still a pervasive energy of avoidance in our so-called leisure activities.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Work hones skills, challenges cognition, and, at its best, serves noble ends. It also makes the experience of genuine idling, in contrast to frenzied leisure time, even more valuable. Here, with only our own ends and desires to contemplate—what shall we do with this free time?—we come face to face with life’s ultimate question. To ask what is worth doing when nobody is telling us what to do, to wonder about how to spend our time, is to ask why are we here in the first place.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Previously in &lt;a href=&#34;http://tumblr.mlarson.org/tagged/markkingwell&#34;&gt;Mark Kingwell tumbles&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/The-Existential-Quandaries-of/138011/&#34;&gt;The Barbed Gift of Leisure - The Chronicle Review - The Chronicle of Higher Education&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>notes on &#34;when i quit smoking&#34;</title>
    <link href="https://mlarson.org/2013/03/25/notes-on-when-i-quit-smoking/"/>
    <updated>2013-03-25T20:21:20.000Z</updated>
    <id>https://mlarson.org/2013/03/25/notes-on-when-i-quit-smoking/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In the end it’s just fun to break shit every once in a while and see what happens. Cutting Twitter out for an extended period is definitely going to break some shit. I can’t wait to see what happens.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://notes.torrez.org/2013/03/when-i-quit-smoking.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20typepad/notes%20(Notes)&#34;&gt;notes on &amp;quot;when i quit smoking&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2013</title>
    <link href="https://mlarson.org/2013/03/22/dailymeh-visual-framing-in-tarkovskys-stalker/"/>
    <updated>2013-03-22T20:32:08.000Z</updated>
    <id>https://mlarson.org/2013/03/22/dailymeh-visual-framing-in-tarkovskys-stalker/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://enthusiasms.org/post/45952169167&#34;&gt;dailymeh&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Visual framing in Tarkovsky’s &lt;em&gt;&lt;a href=&#34;http://www.imdb.com/title/tt0079944/&#34;&gt;Stalker&lt;/a&gt;&lt;/em&gt; (1979).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also: &lt;a href=&#34;http://tumblr.mlarson.org/post/1205251432/austinkleon-doorways-in-john-fords-the&#34;&gt;doorways in &lt;em&gt;The Searchers&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2013</title>
    <link href="https://mlarson.org/2013/03/21/ransomcenter-theres-a-reason-so-many-of/"/>
    <updated>2013-03-21T16:08:40.000Z</updated>
    <id>https://mlarson.org/2013/03/21/ransomcenter-theres-a-reason-so-many-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mk0jxb12xm1rqskreo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ransomcenter.tumblr.com/post/45912097001/theres-a-reason-so-many-of-newmans-portraits&#34;&gt;ransomcenter&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“There’s a reason so many of Newman’s portraits have become the iconic images of artists such as Stravinsky and Picasso. Entering their space, Newman managed to capture something of these artists’ inner lives.”&lt;/p&gt;
&lt;p&gt;Read the &lt;a href=&#34;http://budurl.com/aasan&#34;&gt;Austin American-Statesman’s review&lt;/a&gt; of “Arnold Newman: Masterclass.”&lt;/p&gt;
&lt;p&gt;Caption: Arnold Newman, Igor Stravinsky, 1945. Contact sheet of four negatives with Newman’s marks and cropping lines.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2013</title>
    <link href="https://mlarson.org/2013/03/21/master-the-best-that-other-people-have-ever/"/>
    <updated>2013-03-21T16:08:00.000Z</updated>
    <id>https://mlarson.org/2013/03/21/master-the-best-that-other-people-have-ever/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Master the best that other people have ever figured out. Don’t just try to dream it all up yourself. Nobody’s that smart.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sivers.org/book/SeekingWisdom&#34;&gt;Charlie Munger&lt;/a&gt;. I’ve got more &lt;a href=&#34;http://tumblr.mlarson.org/tagged/charliemunger&#34;&gt;Munger wisdom&lt;/a&gt; on file.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2013</title>
    <link href="https://mlarson.org/2013/03/21/tfs-essentials-dirty-dancing-feminism-and-the/"/>
    <updated>2013-03-21T02:24:41.000Z</updated>
    <id>https://mlarson.org/2013/03/21/tfs-essentials-dirty-dancing-feminism-and-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjz73dtpk31qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thetfs.ca/2013/03/19/tfs-essentials-dirty-dancing-feminism-and-the-female-gaze/&#34;&gt;TFS Essentials: Dirty Dancing, feminism and the female gaze - Toronto Film Scene&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s no wonder that Dirty Dancing inspires near-mythic allegiance among women of a certain age. It may be the only film we’ve ever seen in which the male love interest is the one placed squarely in the centre of the frame to be admired for his physical prowess. Ostensibly, films in the romance genre are always “for women” but it’s rare that the male lead is objectified in the way Swayze is here. […] Baby has a great experience with a caring lover, and then at the end of the summer she goes on with her awesomely ambitious life. She doesn’t change her plans to be with her man or cry bitter tears at having to leave him. It’s impossible to overstate how rare a role model like Baby is in films aimed at teenage girls and young women.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2013</title>
    <link href="https://mlarson.org/2013/03/21/austinkleon-the-onion-find-the-thing-youre/"/>
    <updated>2013-03-21T02:24:37.000Z</updated>
    <id>https://mlarson.org/2013/03/21/austinkleon-the-onion-find-the-thing-youre/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjzl02aqdx1qz6f4bo1_540.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/45879528815&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/find-the-thing-youre-most-passionate-about-then-do,31742/&#34;&gt;The Onion | Find The Thing You’re Most Passionate About, Then Do It On Nights And Weekends For The Rest Of Your Life&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;This killed me, &lt;a href=&#34;http://www.austinkleon.com/2012/02/24/on-keeping-or-not-keeping-your-day-job/&#34;&gt;for obvious reasons&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Creative People Say No — Thoughts on creativity — Medium</title>
    <link href="https://mlarson.org/2013/03/21/creative-people-say-no-thoughts-on-creativity/"/>
    <updated>2013-03-21T02:24:32.000Z</updated>
    <id>https://mlarson.org/2013/03/21/creative-people-say-no-thoughts-on-creativity/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are few overnight successes and many up-all-night successes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/thoughts-on-creativity/bad7c34842a2&#34;&gt;Creative People Say No — Thoughts on creativity — Medium&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2013</title>
    <link href="https://mlarson.org/2013/03/21/wear-it-all-over-yourself-quote-from/"/>
    <updated>2013-03-21T02:24:28.000Z</updated>
    <id>https://mlarson.org/2013/03/21/wear-it-all-over-yourself-quote-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjznogezwq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagram.com/p/XGevF2uwIy/&#34;&gt;Wear it all over yourself&lt;/a&gt;. Quote from &lt;a href=&#34;https://twitter.com/kellyoxford&#34;&gt;@kellyoxford&lt;/a&gt;’s new book.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2013</title>
    <link href="https://mlarson.org/2013/03/21/do-yourself-proud-in-whatever-shape-that-takes/"/>
    <updated>2013-03-21T02:24:01.000Z</updated>
    <id>https://mlarson.org/2013/03/21/do-yourself-proud-in-whatever-shape-that-takes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Do yourself proud, in whatever shape that takes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/the-guilt-edged-check-and-a-legacy-of-abuse/2013/03/19/0d009832-869f-11e2-999e-5f8e0410cb9d_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2013</title>
    <link href="https://mlarson.org/2013/03/19/essay-daily-take-one-daily-and-call-me-every/"/>
    <updated>2013-03-19T17:23:43.000Z</updated>
    <id>https://mlarson.org/2013/03/19/essay-daily-take-one-daily-and-call-me-every/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjx460mupw1qzcye0o1_r1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://essaydaily.blogspot.com/2013/02/two-clowns-on-tarkovsky-mark-ehling.html&#34;&gt;Essay Daily: Take One Daily and Call Me Every Morning: “Two Clowns on Tarkovsky”: Mark Ehling&lt;/a&gt;. This is awesome. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/tarkovsky&#34;&gt;Tarkovsky&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2013</title>
    <link href="https://mlarson.org/2013/03/19/the-story-of-christoph-niemanns-petting-zoo-app/"/>
    <updated>2013-03-19T17:23:39.000Z</updated>
    <id>https://mlarson.org/2013/03/19/the-story-of-christoph-niemanns-petting-zoo-app/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjx0iislrg1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/culture/2013/03/christoph-niemann-petting-zoo-app.html&#34;&gt;The Story of Christoph Niemann’s Petting Zoo App : The New Yorker&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2013</title>
    <link href="https://mlarson.org/2013/03/19/beforevfx-captain-america-the-first-avenger/"/>
    <updated>2013-03-19T16:24:20.000Z</updated>
    <id>https://mlarson.org/2013/03/19/beforevfx-captain-america-the-first-avenger/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mj4i76jkp11s6mknho1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://beforevfx.tumblr.com/post/44526987160/captain-america-the-first-avenger&#34;&gt;beforevfx&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Captain America: The First Avenger&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2013</title>
    <link href="https://mlarson.org/2013/03/19/camera-obscura-the-new-album-desire-lines-out/"/>
    <updated>2013-03-19T01:18:22.000Z</updated>
    <id>https://mlarson.org/2013/03/19/camera-obscura-the-new-album-desire-lines-out/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjvtr1cigb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://camera-obscura.net/&#34;&gt;Camera Obscura - The new album, Desire Lines, out on June 3rd (4th USA) on 4AD.&lt;/a&gt; *FISTPUMP* &lt;a href=&#34;http://www.last.fm/user/markdlarson/library&#34;&gt;Last.fm tells me&lt;/a&gt; that among bands, I’ve only listened to Radiohead, Beach House, and Led Zeppelin more over the past 6-7 years. My sad hunch was that they were just going to quietly retire. Anyway, Atlanta: July 13 at Variety Playhouse!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2013</title>
    <link href="https://mlarson.org/2013/03/18/atlurbanist-waiting-for-a-marta-bus-in-1974/"/>
    <updated>2013-03-18T15:54:25.000Z</updated>
    <id>https://mlarson.org/2013/03/18/atlurbanist-waiting-for-a-marta-bus-in-1974/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjuxfyalhz1qc63pwo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://atlurbanist.tumblr.com/post/45669951701/waiting-for-a-marta-bus-in-1974-cool-dude-waiting&#34;&gt;atlurbanist&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Waiting for a MARTA bus in 1974&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Cool dude waiting for a MARTA bus in Atlanta, 1974. This photo comes from &lt;a href=&#34;http://commons.wikimedia.org/wiki/File:BUS_STOP_IS_A_LEANING_POST_FOR_A_PASSENGER_WAITING_FOR_A_METROPOLITAN_ATLANTA_RAPID_TRANSIT_AUTHORITY_%28MARTA%29_BUS_IN..._-_NARA_-_556799.jpg&#34;&gt;Wiki Commons&lt;/a&gt;, with a note that there was a spike in ridership at this time because the fare was reduced from 40 cents to 15 cents. Also, new routes and buses had been recently added.&lt;/p&gt;
&lt;p&gt;Current MARTA fare for buses and trains is $2.50, with an &lt;a href=&#34;http://www.ajc.com/news/news/transportation/marta-chief-says-fare-increase-possible-next-year/nT2Qz/&#34;&gt;increase possible later this year&lt;/a&gt; if budgeting measures (and proposed privatization) are unsuccessful at alleviating financial woes at the agency.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really like these old bus stop obelisks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Changing your operating system | Derek Sivers</title>
    <link href="https://mlarson.org/2013/03/18/changing-your-operating-system-derek-sivers/"/>
    <updated>2013-03-18T15:54:16.000Z</updated>
    <id>https://mlarson.org/2013/03/18/changing-your-operating-system-derek-sivers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Once somebody pays me the first dollar, I’m on the hook to deliver. And wait a second: I don’t know if I want that yet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sivers.org/os&#34;&gt;Changing your operating system | Derek Sivers&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2013</title>
    <link href="https://mlarson.org/2013/03/14/secret-of-momma-the-bygone-bureau/"/>
    <updated>2013-03-14T19:25:01.000Z</updated>
    <id>https://mlarson.org/2013/03/14/secret-of-momma-the-bygone-bureau/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjnwgxyssh1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bygonebureau.com/2013/03/14/secret-of-momma/&#34;&gt;Secret of Momma – The Bygone Bureau&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to read a book</title>
    <link href="https://mlarson.org/2013/03/14/how-to-read-a-book/"/>
    <updated>2013-03-14T15:52:35.000Z</updated>
    <id>https://mlarson.org/2013/03/14/how-to-read-a-book/</id>
    <content type="html">&lt;p&gt;I think people who want to read more but don’t, or people who don’t like to read, are sometimes just putting too much pressure on themselves. And perhaps not being smart or creative enough about it. Here are ways around reading a book that are still kinda reading a book:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Don’t read the book, read the author’s flurry of blog posts and essays on sites everywhere that appeared around the time of the book’s launch.&lt;/li&gt;
&lt;li&gt;Don’t read the book, read a bunch of smart book reviews.&lt;/li&gt;
&lt;li&gt;Read the introduction and/or conclusion. I used to skip intros all the time when I was in high school because I was cool, but when I started &lt;a href=&#34;http://en.wikipedia.org/wiki/Histories_%28Herodotus%29&#34;&gt;Histories&lt;/a&gt;, I realized that smart context can be among the best parts. And the intros are also good for selling you the ideas in the rest of the book…&lt;/li&gt;
&lt;li&gt;Read the index and look for entries with lots of sub-entries. No seriously, read like every line. It’s just a way to get yourself oriented, and more importantly, maybe you’ll catch a name or phrase that gets you curious, which leads me to…&lt;/li&gt;
&lt;li&gt;Start wherever you feel like it. Page 53 is fine if it’s interesting. This is another good way to sell yourself the book. All you need is a foothold. Pages 1-52 will always be there later.&lt;/li&gt;
&lt;li&gt;Skim it. For things that interest you. Gloss over numbers or the anecdotes if they bore you. When I read &lt;a href=&#34;http://www.amazon.com/Information-History-Theory-Flood/dp/1400096235&#34;&gt;The Information&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/dp/159420411X&#34;&gt;The Signal and the Noise&lt;/a&gt; recently I semi-skimmed, with dramatic impatient sighs, the sections about medicine, health, environment. These have long been areas of maximal boredom for me and I’m happy to acknowledge that and move on to something cooler.&lt;/li&gt;
&lt;li&gt;Take notes, which is to say, use the book as a way to make your own writing.&lt;/li&gt;
&lt;li&gt;Read your notes.&lt;/li&gt;
&lt;li&gt;Reread your older notes.&lt;/li&gt;
&lt;li&gt;Stop reading. As in, no sentences at all from anywhere. You’ll be back. Mark my words.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And as I finish this brain dump I remember that &lt;a href=&#34;http://www.ryanholiday.net/read-to-lead-how-to-digest-books-above-your-level/&#34;&gt;Ryan Holiday&lt;/a&gt; has said many of the same things already.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2013</title>
    <link href="https://mlarson.org/2013/03/14/gibson-faulkner-space-the-future-is-already/"/>
    <updated>2013-03-14T15:49:02.000Z</updated>
    <id>https://mlarson.org/2013/03/14/gibson-faulkner-space-the-future-is-already/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Gibson-Faulkner space = “The future is already here—it’s just not very evenly distributed.” × “The past is never dead. It’s not even past.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/robinsloan/status/311940793491398656&#34;&gt;Robin Sloan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Ikea Effect – The New Inquiry</title>
    <link href="https://mlarson.org/2013/03/14/the-ikea-effect-the-new-inquiry/"/>
    <updated>2013-03-14T15:48:58.000Z</updated>
    <id>https://mlarson.org/2013/03/14/the-ikea-effect-the-new-inquiry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The self-care of beauty work is part of how we physically enact our self-assigned value. There’s a reason one sign of depression and some other mental illnesses is neglected grooming: When your brain decides that you’re not as valuable as you once believed, you’re less likely to keep doing the labor that represents that value.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/blogs/the-beheld/the-ikea-effect/&#34;&gt;The Ikea Effect – The New Inquiry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2013</title>
    <link href="https://mlarson.org/2013/03/14/the-descent-of-cribs-quiet-babylon-all-these/"/>
    <updated>2013-03-14T15:48:48.000Z</updated>
    <id>https://mlarson.org/2013/03/14/the-descent-of-cribs-quiet-babylon-all-these/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjm7g5boqf1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://quietbabylon.com/2011/the-descent-of-cribs/&#34;&gt;The Descent of Cribs | Quiet Babylon&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All these people, telling stories about the stories that their things tell about them.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Warrior</title>
    <link href="https://mlarson.org/2013/03/13/warrior-ive-raved-about-this-movie-before-a-few/"/>
    <updated>2013-03-13T19:12:21.000Z</updated>
    <id>https://mlarson.org/2013/03/13/warrior-ive-raved-about-this-movie-before-a-few/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjm2xwcipk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Warrior_%282011_film%29&#34;&gt;Warrior&lt;/a&gt;. I’ve &lt;a href=&#34;http://tumblr.mlarson.org/post/37995060289/warrior-so-good-you-guys-i-love-this-movie-so&#34;&gt;raved&lt;/a&gt; about this movie &lt;a href=&#34;http://tumblr.mlarson.org/post/31993500441/warrior-some-plot-points-are-about-subtle-as-a&#34;&gt;before&lt;/a&gt;. A few things I appreciate on third viewing… 1. The efficiency of the startup. A few bits of dialogue, usually barbs hinting at old wounds. Some are too vague to be effective (“That shit you pulled”), but some are so wincingly perfect for character and delivery (“Must be tough to find a girl who could take a punch nowadays.”) 2. Shot, reverse-shot. Sports movies have to deliver on dialogue when you’re not at the relevant events. This is why you care about Rocky or Rudy. Style-wise, these shots reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt;, peering over the shoulder. 3. Obstructing the shots. I’m thinking of the husband-wife conversation in the bathroom and the father-son scene in the hotel room. Doorways and bodies block the view, so you instinctively want to tilt your head a bit. It also works in the fight scenes cage, where you’re trying to peek through the fence to get closer to the action. In a way, those shots feel more like you’re “there” in the arena than when you get the clean close-ups. 4. This movie is now &lt;a href=&#34;https://twitter.com/mlarson/statuses/280016953832263680&#34;&gt;3-for-3&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 13, 2013</title>
    <link href="https://mlarson.org/2013/03/13/austinkleon-its-more-complicated-than/"/>
    <updated>2013-03-13T17:24:04.000Z</updated>
    <id>https://mlarson.org/2013/03/13/austinkleon-its-more-complicated-than/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mjlurgq5vv1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/45270114472&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0003pg&#34;&gt;&lt;strong&gt;“It’s more complicated than that.”&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Edward Tufte, Complicated: yellow, print on canvas, 29 ½” x 29 ½”, edition of 3&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/lifeismessy&#34;&gt;Life is messy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Facebook could get you arrested | Technology | The Observer</title>
    <link href="https://mlarson.org/2013/03/13/how-facebook-could-get-you-arrested-technology/"/>
    <updated>2013-03-13T17:23:57.000Z</updated>
    <id>https://mlarson.org/2013/03/13/how-facebook-could-get-you-arrested-technology/</id>
    <content type="html">&lt;p&gt;Big Data + law enforcement = …?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/technology/2013/mar/09/facebook-arrested-evgeny-morozov-extract?CMP=twt_fd&#34;&gt;How Facebook could get you arrested | Technology | The Observer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 13, 2013</title>
    <link href="https://mlarson.org/2013/03/13/fear-and-defensiveness-the-architects-of-so-many/"/>
    <updated>2013-03-13T17:23:52.000Z</updated>
    <id>https://mlarson.org/2013/03/13/fear-and-defensiveness-the-architects-of-so-many/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Fear and defensiveness, the architects of so many of our lowest moments.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/2013/03/08/5247fdc6-7b88-11e2-a044-676856536b40_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Net Is a Waste of Time - New York Times</title>
    <link href="https://mlarson.org/2013/03/12/the-net-is-a-waste-of-time-new-york-times/"/>
    <updated>2013-03-12T19:03:15.000Z</updated>
    <id>https://mlarson.org/2013/03/12/the-net-is-a-waste-of-time-new-york-times/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I stay in. Hooked. Is this leisure – this browsing, randomly linking my way through these small patches of virtual real-estate – or do I somehow imagine that I am performing some more dynamic function? The content of the Web aspires to absolute variety. One might find anything there. It is like rummaging in the forefront of the collective global mind. Somewhere, surely, there is a site that contains … everything we have lost?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Oldie but a goodie. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/williamgibson&#34;&gt;William Gibson&lt;/a&gt; in 1996.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Today, in its clumsy, larval, curiously innocent way, it offers us the opportunity to waste time, to wander aimlessly, to daydream about the countless other lives, the other people, on the far sides of however many monitors in that postgeographical meta-country we increasingly call home. It will probably evolve into something considerably less random, and less fun — we seem to have a knack for that — but in the meantime, in its gloriously unsorted Global Ham Television Postcard Universes phase, surfing the Web is a procrastinator’s dream. And people who see you doing it might even imagine you’re working.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/1996/07/14/magazine/the-net-is-a-waste-of-time.html&#34;&gt;The Net Is a Waste of Time - New York Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Borg Complex: A Primer | The Frailest Thing</title>
    <link href="https://mlarson.org/2013/03/06/borg-complex-a-primer-the-frailest-thing/"/>
    <updated>2013-03-06T01:17:33.000Z</updated>
    <id>https://mlarson.org/2013/03/06/borg-complex-a-primer-the-frailest-thing/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A Borg Complex is exhibited by writers and pundits who explicitly assert or implicitly assume that resistance to technology is futile.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thefrailestthing.com/2013/03/01/borg-complex-a-primer/&#34;&gt;Borg Complex: A Primer | The Frailest Thing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Looper</title>
    <link href="https://mlarson.org/2013/03/06/looper-solid-scifi-just-take-a-nugget-of-a/"/>
    <updated>2013-03-06T01:17:00.000Z</updated>
    <id>https://mlarson.org/2013/03/06/looper-solid-scifi-just-take-a-nugget-of-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mj6502eymo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Looper_%28film%29&#34;&gt;Looper&lt;/a&gt;. Solid scifi. Just take a nugget of a concept and let it spool out around a handful of people. It makes movie sense in the moment even if it doesn’t later. I love this vision of a possible future. Dystopic, but not totally dire. Just worn out. Good job with the makeup, and especially how Gordon-Levitt takes on some Willis mannerisms. I love Jeff Daniels’ character. There is some violence that a certain demographics won’t take to very well, but I appreciate that he did it anyway, it fit the story, and that it wasn’t over-the-top exploitative. It was sad. I also liked some of the audio editing and they he played with the sound stage. There’s too much leeenns flaaare. But good movie! Rian Johnson knows his craft. Makes me want to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/16246499156/brick-hard-boiled-film-noir-in-modern-high-school&#34;&gt;Brick&lt;/a&gt; again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Killer&#39;s Kiss</title>
    <link href="https://mlarson.org/2013/03/05/killers-kiss-pretty-conventional-noir-with/"/>
    <updated>2013-03-05T03:53:40.000Z</updated>
    <id>https://mlarson.org/2013/03/05/killers-kiss-pretty-conventional-noir-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mj65cvmbyx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Killer%27s_Kiss&#34;&gt;Killer’s Kiss&lt;/a&gt;. Pretty conventional noir with beautiful photography. The ax stuff at the end make me think of &lt;em&gt;The Shining&lt;/em&gt; and the mannequins, &lt;a href=&#34;http://tumblr.mlarson.org/post/40888708191/a-clockwork-orange-i-get-it-but-i-dont-get-it&#34;&gt;A Clockwork Orange&lt;/a&gt;. I think I’d rank it #5 of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stanleykubrick&#34;&gt;Kubrick films I’ve seen&lt;/a&gt; so far. Short and to the point.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Acting Personality: Just How &#34;Authentic&#34; Is Jennifer Lawrence? | Press Play</title>
    <link href="https://mlarson.org/2013/03/04/the-acting-personality-just-how-authentic-is/"/>
    <updated>2013-03-04T17:21:10.000Z</updated>
    <id>https://mlarson.org/2013/03/04/the-acting-personality-just-how-authentic-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Fame is high-risk and fundamentally incompatible with artlessness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is so good. By &lt;a href=&#34;https://www.twitter.com/lifeasweshowit&#34;&gt;Masha Tupitsyn&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.indiewire.com/pressplay/the-acting-personality&#34;&gt;The Acting Personality: Just How &amp;quot;Authentic&amp;quot; Is Jennifer Lawrence? | Press Play&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2013</title>
    <link href="https://mlarson.org/2013/03/02/people-who-dont-live-in-the-area-drive-by-see/"/>
    <updated>2013-03-02T21:45:06.000Z</updated>
    <id>https://mlarson.org/2013/03/02/people-who-dont-live-in-the-area-drive-by-see/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“People who don’t live in the area drive by, see people hanging out in the park or on the street talking, and assume everyone’s dealing drugs or up to something. Most of them are just living their lives.” [Police Lieutenant Douglas E. Little, speaking about Bedford Pine in Atlanta]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.atlantamagazine.com/features/2013/03/01/building-boulevard&#34;&gt;Building Boulevard: following last year’s Year of Boulevard initiative, what’s next?&lt;/a&gt; | Rebecca Burns, Atlanta Magazine (via &lt;a href=&#34;http://atlurbanist.tumblr.com/&#34;&gt;atlurbanist&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2013</title>
    <link href="https://mlarson.org/2013/03/02/martha-stewart/"/>
    <updated>2013-03-02T21:45:00.000Z</updated>
    <id>https://mlarson.org/2013/03/02/martha-stewart/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/03/tumblr_mj1yuk120s1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.dailymail.co.uk/femail/article-2286689/Is-Martha-Stewart-Stunning-Sixties-photographs-lifestyle-guru-young-model.html&#34;&gt;Martha Stewart&lt;/a&gt;!!!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2013</title>
    <link href="https://mlarson.org/2013/02/28/our-unlived-livesthe-lives-we-live-in-fantasy/"/>
    <updated>2013-02-28T18:00:00.000Z</updated>
    <id>https://mlarson.org/2013/02/28/our-unlived-livesthe-lives-we-live-in-fantasy/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Our unlived lives–the lives we live in fantasy, the wished-for lives–are often more important to us than our so-called lived lives; we can’t (in both senses) imagine ourselves without them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/adamphillips&#34;&gt;Adam Phillips&lt;/a&gt; in his new book &lt;a href=&#34;http://www.amazon.com/Missing-Out-Praise-Unlived-Life/dp/0374281114&#34;&gt;Missing Out: In Praise of the Unlived Life&lt;/a&gt;. Gotta track this one down. I liked &lt;a href=&#34;http://www.amazon.com/Going-Sane-Happiness-Adam-Phillips/dp/0007155395&#34;&gt;Going Sane&lt;/a&gt; and &lt;a href=&#34;http://www.mlarson.org/2010/11/04/on-kindness-review-45/&#34;&gt;On Kindness&lt;/a&gt;. (&lt;a href=&#34;http://www.slate.com/articles/arts/books/2013/02/adam_phillips_missing_out_reviewed.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>46 Reasons My Three Year Old Might be Freaking Out</title>
    <link href="https://mlarson.org/2013/02/27/46-reasons-my-three-year-old-might-be-freaking-out/"/>
    <updated>2013-02-27T22:23:19.000Z</updated>
    <id>https://mlarson.org/2013/02/27/46-reasons-my-three-year-old-might-be-freaking-out/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;[…]&lt;br&gt;
He’s hungry, but can’t remember the word “hungry.”&lt;br&gt;
Someone touched his knee.&lt;br&gt;
He’s not allowed in the oven.&lt;br&gt;
I picked out the wrong pants.&lt;br&gt;
[…]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://jasongood.net/365/2012/12/46-reasons-why-my-three-year-old-might-be-freaking-out/&#34;&gt;46 Reasons My Three Year Old Might be Freaking Out&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Master</title>
    <link href="https://mlarson.org/2013/02/26/the-master-phoenix-was-robbed-right-where-ddl/"/>
    <updated>2013-02-26T21:19:24.000Z</updated>
    <id>https://mlarson.org/2013/02/26/the-master-phoenix-was-robbed-right-where-ddl/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_miuj7wjzec1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Master_%282012_film%29&#34;&gt;The Master&lt;/a&gt;. Phoenix was robbed, right? Where DDL takes an amazing script written for a national hero we love to love and embodies it just like we imagined, Phoenix plays a dummy the likes of which we’ve never seen. Maybe the awards don’t capital-m Matter, but man, I can see how it would sting. But the movie: I liked it, but I didn’t really feel it. I felt the same with &lt;em&gt;There Will Be Blood&lt;/em&gt;. Like, I didn’t want to blink for 3 hours but I haven’t wanted to see it again, either. Impressed, hell yes. But maybe this is exactly the kind of movie I should be re-watching though. Who knows. Greenwood’s score is fantastic. Hoffman is good at smug and speeches and he does the smile-with-closed-lips-audibly-breathing-out-of-the-nose thing. And his group is like a peripatetic band of gypsies, eking by at the fringe. They get an introduction to NYC high society, but that goes sour. They later run the business out of a patron’s house in Philadelphia. Their big annual conference is rather sad, and I don’t think that’s just my post-TED/Apple keynote perspective talking. Why did the whole gang pick up and leave SF, in the first place? And why is Dodd totally okay with a self-destructive stowaway? Take what you can get, I suppose.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Waiting for Pappy: one man&#39;s search of Nashville for America&#39;s hottest bourbon | Nashville City Paper</title>
    <link href="https://mlarson.org/2013/02/26/waiting-for-pappy-one-mans-search-of-nashville/"/>
    <updated>2013-02-26T20:22:57.000Z</updated>
    <id>https://mlarson.org/2013/02/26/waiting-for-pappy-one-mans-search-of-nashville/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This is partly our fault. We, the bourbon drinking collective, have been doing it for years now — haughtily referencing some tiny boutique bourbon we’ve recently tried. They snobbed up the beer and we said nothing. They snobbed up pub food and we said nothing. This was inevitable, and we ushered it in.&lt;/p&gt;
&lt;p&gt;10 years ago: “Oh you like Jim Beam? You should try Maker’s Mark.”&lt;/p&gt;
&lt;p&gt;Five years ago: “Maker’s, huh? Check out Bulleit next time.”&lt;/p&gt;
&lt;p&gt;Two years ago: “Bulleit’s a solid starter bourbon, but next time try for a Jefferson’s Reserve. I had it at a tasting recently. You’ll hear about it soon.”&lt;/p&gt;
&lt;p&gt;And so on. Before I knew the impact of my own pretentiousness, I’d contributed to the mania.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nashvillecitypaper.com/content/lifestyles/waiting-pappy-one-mans-search-nashville-americas-hottest-bourbon&#34;&gt;Waiting for Pappy: one man&#39;s search of Nashville for America&#39;s hottest bourbon | Nashville City Paper&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Noahpinion: Django Unchained: A white revenge fantasy</title>
    <link href="https://mlarson.org/2013/02/26/noahpinion-django-unchained-a-white-revenge/"/>
    <updated>2013-02-26T20:22:53.000Z</updated>
    <id>https://mlarson.org/2013/02/26/noahpinion-django-unchained-a-white-revenge/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;With a bit of cartoonish violence, Quentin Tarantino was able to do what a thousand reasonable op-eds and preachy biopics have been unable to do: reverse white people’s affinity for the South. I see Django as a white revenge fantasy - whites, whose ancestors (like Tarantino’s) had no part in the institution of slavery, saying “No. The South does not get to represent my racial group. If I was alive in the 1800s, I would have shot those assholes right in the head!”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://noahpinionblog.blogspot.co.uk/2013/02/movie-review-django-unchained.html&#34;&gt;Noahpinion: Django Unchained: A white revenge fantasy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why You Never Truly Leave High School -- New York Magazine</title>
    <link href="https://mlarson.org/2013/02/26/why-you-never-truly-leave-high-school-new-york/"/>
    <updated>2013-02-26T20:22:46.000Z</updated>
    <id>https://mlarson.org/2013/02/26/why-you-never-truly-leave-high-school-new-york/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It was a really small study. I wouldn’t necessarily read too much into it. But its results sum up the entire high-school experience, in my view: mistaking people’s fear for something else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/5132192509/like-adolescents-distance-runners-have-rivalries&#34;&gt;Mark Oppenheimer on running&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Like adolescents, distance runners have rivalries only with themselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I got through high school relatively unscathed, I think, but I think it was probably dumb luck.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/news/features/high-school-2013-1/&#34;&gt;Why You Never Truly Leave High School -- New York Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nieman Reports | ‘Writing is all about rewriting, which means you’ve got to get something down.’</title>
    <link href="https://mlarson.org/2013/02/26/nieman-reports-writing-is-all-about-rewriting/"/>
    <updated>2013-02-26T20:22:38.000Z</updated>
    <id>https://mlarson.org/2013/02/26/nieman-reports-writing-is-all-about-rewriting/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Steps for Managing Your Stories&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Lower your standards.&lt;/li&gt;
&lt;li&gt;Get something down.&lt;/li&gt;
&lt;li&gt;Swallow the bile that rises in your throat when you write a first draft.&lt;/li&gt;
&lt;li&gt;Print out early.&lt;/li&gt;
&lt;li&gt;Read aloud.&lt;/li&gt;
&lt;li&gt;Apply very critical standards.&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nieman.harvard.edu/reports/article/101452/Writing-is-all-about-rewriting-which-means-youve-got-to-get-something-down.aspx&#34;&gt;Nieman Reports | ‘Writing is all about rewriting, which means you’ve got to get something down.’&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Making culture for the internets—all of them — The Sea of Fog — Medium</title>
    <link href="https://mlarson.org/2013/02/26/making-culture-for-the-internetsall-of-them-the/"/>
    <updated>2013-02-26T02:29:58.000Z</updated>
    <id>https://mlarson.org/2013/02/26/making-culture-for-the-internetsall-of-them-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People ridiculed George W. Bush when he called them “the internets” but he had it right. Technically, the internet is one huge interconnected network. Linguistically and socially, it is many networks, and they are very distinct. For example: There are 40 million Brazilians on Twitter. Do you follow any Brazilians?* This is a significant fraction of a service that many of us consider our internet front porch—and yet, unless you speak Portuguese, it’s invisible. It might as well be a different service entirely.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://medium.com/the-sea-of-fog/33bacb8f851b&#34;&gt;Making culture for the internets—all of them — The Sea of Fog — Medium&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2013</title>
    <link href="https://mlarson.org/2013/02/25/a-bittersweet-life-when-film-imitates-art/"/>
    <updated>2013-02-25T04:10:59.000Z</updated>
    <id>https://mlarson.org/2013/02/25/a-bittersweet-life-when-film-imitates-art/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://a-bittersweet-life.tumblr.com/post/43647495221/when-film-imitates-art-edward-hoppers-nighthawks&#34;&gt;a-bittersweet-life&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;When Film Imitates Art&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Edward Hopper’s &lt;em&gt;Nighthawks&lt;/em&gt; and Herbert Ross’ &lt;em&gt;Pennies from Heaven&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Leonardo da Vinci’s &lt;em&gt;The Last Supper&lt;/em&gt; and Robert Altman’s &lt;em&gt;MASH&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Edgar Degas’ &lt;em&gt;Dancers Lace Their Shoes&lt;/em&gt; and George Cukor’s &lt;em&gt;A Star is Born&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Sandro Botticelli’s &lt;em&gt;The Birth of Venus&lt;/em&gt; and Terry Gilliam’s &lt;em&gt;The Adventures of Baron Munchausen&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Henry Fuseli’s &lt;em&gt;The Nightmare&lt;/em&gt; and Ken Russell’s &lt;em&gt;Gothic&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2013</title>
    <link href="https://mlarson.org/2013/02/25/filmprojections-daniel-day-lewis-getting-ice/"/>
    <updated>2013-02-25T01:08:14.000Z</updated>
    <id>https://mlarson.org/2013/02/25/filmprojections-daniel-day-lewis-getting-ice/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_miqzl4qurx1qa4quyo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://filmprojections.tumblr.com/post/43933915429/daniel-day-lewis-getting-ice-cream-with-his&#34;&gt;filmprojections&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Daniel Day Lewis&lt;/strong&gt;, getting ice cream with his father, poet Cecil Day Lewis.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>On disclosures, Instagram photos of your kids, and the “artist as genius” myth</title>
    <link href="https://mlarson.org/2013/02/25/on-disclosures-instagram-photos-of-your-kids-and/"/>
    <updated>2013-02-25T01:00:00.000Z</updated>
    <id>https://mlarson.org/2013/02/25/on-disclosures-instagram-photos-of-your-kids-and/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/43908051249&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;“That’s all any of us are: amateurs. We don’t live long enough to be anything else.”&lt;br&gt;
—Charlie Chaplin, &lt;em&gt;Limelight&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;My wife and I have been talking so much lately about “authenticity” and “honesty” online — this insane idea that you can &lt;em&gt;really&lt;/em&gt; tell who or what someone is and how they are doing just by what they show you of themselves on the internet. That social media is somehow a more “authentic,” or more “human” way of presenting yourself, warts and all, to the world. (As if it weren’t, in fact, making it easier to invent more perfect, alter egos — as if we aren’t all carefully selecting and choosing the bits and pieces of our life to show each other — and as if, “IRL,” we didn’t already choose what bits and pieces to show our friends when they came over to dinner [“Sweep that mess into the closet! Do the dishes! Put away the embarrassing records!”]) And how, inevitably, you start measuring your own life against what you see of the lives of others. (cf. “&lt;a href=&#34;http://en.wikipedia.org/wiki/Keeping_up_with_the_Joneses&#34;&gt;Keeping Up With The Joneses&lt;/a&gt;” and “&lt;a href=&#34;http://tumblr.austinkleon.com/post/191178334&#34;&gt;The Referendum&lt;/a&gt;” and my friend Paige’s “&lt;a href=&#34;http://www.flux-rad.com/2013/02/19/observations-on-why-facebook-makes-us-miserable/&#34;&gt;Why Facebook Makes Us Miserable&lt;/a&gt;.”)&lt;/p&gt;
&lt;p&gt;This used to happen to me with other artist friends of mine who I follow online, but actually, it was a positive thing. I would see that so-and-so had been on a drawing tear, posting tons of really interesting drawings, and some of them would be really good, and it would get me wanting to draw. Only later, when talking to them in person, would it turn out that they were just as lazy and uninspired sometimes as I was. The myth contained in the images, in a way, did me good, because it made me push myself. But I wondered, for other aspiring artists who aren’t as driven or delusional as me, if the opposite wouldn’t be true, and they would feel discouraged.&lt;/p&gt;
&lt;p&gt;This quandery got ratcheted up a bit more after our son was born. I started thinking about how fundamentally unprepared I was for the experience of caring for a newborn. It was simultaneously the best and worst thing that ever happened to me. (As I like to say, even the best baby in the world can still be a complete fucking monster.) I remembered how people told me it was tough, but nobody told me how fucking distressed and insane sleep deprivation would make me, how absolutely full of despair I would feel for that first month, how it would dredge up feelings I hadn’t felt in years, etc.&lt;/p&gt;
&lt;p&gt;And yet, there I was, feeling pretty fucking dark, Instagramming perfect photos of my cute kid sleeping, my wife looking like an angel, etc. And there were my friends doing the same, even though I knew, after a drink at the bar, their struggles were mostly the same as mine.&lt;/p&gt;
&lt;p&gt;I was talking about this with my friend Steven, and I suggested that there should be a kind of “shadow gallery” on Instagram — a place where you post pictures of your kid at his worst. He said I absolutely had to do this. (He had a friend whose first move after giving birth was to call all of her girlfriends who were moms and swear them out for not being honest with her.)&lt;/p&gt;
&lt;p&gt;And then, of course, I thought of a “shadow gallery” for artists — places where they post their work at their worst, where they acknowledge, that they are, in fact, not natural-born geniuses. A blank Microsoft Word screen. A terrible, sloppy drawing. Their Google search histories…&lt;/p&gt;
&lt;p&gt;(You’d think someplace like &lt;a href=&#34;http://dribbble.com/&#34;&gt;Dribbble&lt;/a&gt; would accomplish this — but every work-in-progress I’ve ever seen a designer post there has been borderline perfect. &lt;em&gt;Things organized neatly…&lt;/em&gt;)&lt;/p&gt;
&lt;p&gt;Then last night my wife sent me &lt;a href=&#34;http://www.girlsgonechild.net/2013/02/help-is-not-four-letter-word.html&#34;&gt;this post my a mommyblogger&lt;/a&gt;, acknowledging that the reason she seemed so productive is that she has a nanny.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Why are we, as women, so reluctant to talk about the people we hire to help us so that we can do what we do? What are we afraid of? People thinking we CAN’T do it all?&lt;/p&gt;
&lt;p&gt;Well, duh.&lt;/p&gt;
&lt;p&gt;We fucking can’t.&lt;/p&gt;
&lt;p&gt;So what’s this big secret we’re trying to keep and who do we think we’re fooling?&lt;/p&gt;
&lt;p&gt;And what is it doing to people who read our blogs and books and pin our how-tos and think that all of these projects are being finished while children sit quietly on the sidelines with their hands in their laps.&lt;/p&gt;
&lt;p&gt;What is it doing to you?&lt;/p&gt;
&lt;p&gt;We write disclosure copy on posts that are sponsored, giveaways that are donated. We are contractually obligated to label and link but where is the disclosure copy stating how we work from home with small children? How we shoot videos and meet deadlines and go to meetings and travel around the country attending conventions and conferences.&lt;/p&gt;
&lt;p&gt;We have help, that’s how!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;People have asked me, over the years, how I’m able to do so much. (My first thought is always, “So much? Boy, do I have you fooled.”) Now, I’m thinking of this idea of an Artist’s Disclosure. (Brian Eno had one in his &lt;a href=&#34;http://tumblr.austinkleon.com/post/42199119914&#34;&gt;&lt;em&gt;Diary&lt;/em&gt;&lt;/a&gt;: “one of the reasons I am capable of running three careers in parallel is because I married my manager.”) I’m thinking about what my disclosure might look like, and whether I have the guts to share it, and whether it’d really do anyone any good, including me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me: one hiker I met on the Appalachian Trail made sure to take pictures of himself during the worst days on the trail. Tired, cold, rain-soaked, heat exhaustion, dehydrated, muddy, cranky, whatever. It’s a way to remind yourself of the price of admission, and a reminder that you did, in fact, keep doing this cool thing despite the occasional suckiness.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.girlsgonechild.net/2013/02/help-is-not-four-letter-word.html&#34;&gt;On disclosures, Instagram photos of your kids, and the “artist as genius” myth&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fountain</title>
    <link href="https://mlarson.org/2013/02/25/the-fountain-the-score-is-such-a-big-part-of-the/"/>
    <updated>2013-02-25T00:51:40.000Z</updated>
    <id>https://mlarson.org/2013/02/25/the-fountain-the-score-is-such-a-big-part-of-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_miorzkhjzx1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Fountain&#34;&gt;The Fountain&lt;/a&gt;. The score is such a big part of the emotional impact here that it almost hurts the movie’s case. In other words, I found it distracting. Absolutely beautiful to look at, though. I like Aronofsky’s restrained sepia/golden/silver palettes, and smart use of the macro lenses. I wonder how it would have turned out if the first, fully-budgeted version had gone to completion. I liked &lt;a href=&#34;http://tumblr.mlarson.org/post/2362263701/black-swan-this-was-ultimately-a-bit&#34;&gt;Black Swan&lt;/a&gt; just a bit more. &lt;em&gt;Pi&lt;/em&gt; and &lt;em&gt;Requiem for a Dream&lt;/em&gt; are also good, but &lt;em&gt;The Wrestler&lt;/em&gt; is the best. I think it’s fair to say I respect his work more than I enjoy it. But he makes movies you should watch. Can’t say that about many.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Queen of Versailles</title>
    <link href="https://mlarson.org/2013/02/21/the-queen-of-versailles-change-is-hard-i-was/"/>
    <updated>2013-02-21T19:29:21.000Z</updated>
    <id>https://mlarson.org/2013/02/21/the-queen-of-versailles-change-is-hard-i-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mil47rlfnm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Queen_of_Versailles&#34;&gt;The Queen of Versailles&lt;/a&gt;. Change is hard. I was ready to settle in for some good, smug hate-watching, but this family won me over, all of them. Yeah, they’re ridiculous, but still. They couldn’t have cast it better with auditions.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Resonant Frequency: &#34;Happy Birthday, Kurt&#34; | Features | Pitchfork</title>
    <link href="https://mlarson.org/2013/02/21/resonant-frequency-happy-birthday-kurt/"/>
    <updated>2013-02-21T19:29:06.000Z</updated>
    <id>https://mlarson.org/2013/02/21/resonant-frequency-happy-birthday-kurt/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We think he was a good guy but we really have no idea; we know he was a drug addict and that he abandoned his family, but many of us overlook that because we think we understand his pain, and who are we to judge. But of course, we can’t do the same for people in our own lives. Forgiveness in real life is much harder and more complicated, which is another alluring thing about interfacing to an iconic image: We get to practice feelings when the stakes are low.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.twitter.com/_markrichardson&#34;&gt;@_markrichardson&lt;/a&gt; also has &lt;a href=&#34;http://www.markrichardson.org/&#34;&gt;a great tumblr you should be following&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/resonant-frequency/9071-happy-birthday-kurt/&#34;&gt;Resonant Frequency: &amp;quot;Happy Birthday, Kurt&amp;quot; | Features | Pitchfork&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Talented Mr. Ripley</title>
    <link href="https://mlarson.org/2013/02/21/the-talented-mr-ripley-i-had-to-re-watch-after/"/>
    <updated>2013-02-21T19:17:00.000Z</updated>
    <id>https://mlarson.org/2013/02/21/the-talented-mr-ripley-i-had-to-re-watch-after/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mil36o5fto1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Talented_Mr._Ripley_%28film%29&#34;&gt;The Talented Mr. Ripley&lt;/a&gt;. I had to re-watch after reading the &lt;a href=&#34;http://brightlightsfilm.com/79/79-talented-mr-ripley-matt-damon-anthony-mingella-review-daseler.php&#34;&gt;appreciation in Bright Lights&lt;/a&gt;. Like &lt;a href=&#34;http://tumblr.mlarson.org/tagged/drive&#34;&gt;Drive&lt;/a&gt;, this is one of those movies where I go in thinking, “I’ll just watch the opening 20 minutes or so, then skip around a bit”, and then an hour later I haven’t moved… Tom is even more pitiful than I remembered. Dickie is even more of an asshole. I can’t help but find Marge adorable–such a sunny, blank foil to the other two. Freddie is one of those characters you root for and also find kind of insufferable (Hoffman!). I still think &lt;a href=&#34;http://tumblr.mlarson.org/post/492467695/plein-soleil-purple-noon-this-movie-is&#34;&gt;Plein Soleil&lt;/a&gt; is a bit better.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2013</title>
    <link href="https://mlarson.org/2013/02/20/healing-hoops-sea-otter-plays-basketball-to-ease/"/>
    <updated>2013-02-20T19:42:00.000Z</updated>
    <id>https://mlarson.org/2013/02/20/healing-hoops-sea-otter-plays-basketball-to-ease/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mij9waihoy1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://animaltracks.today.com/_news/2013/02/19/17020601-healing-hoops-sea-otter-plays-basketball-to-ease-arthritis#.USUVuTZWHwQ.twitter&#34;&gt;Healing hoops: Sea otter plays basketball to ease arthritis - Animal Tracks&lt;/a&gt;. He should do a summer session with Hakeem.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2013</title>
    <link href="https://mlarson.org/2013/02/20/aggregating-via-gwynnstu/"/>
    <updated>2013-02-20T16:36:08.000Z</updated>
    <id>https://mlarson.org/2013/02/20/aggregating-via-gwynnstu/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mij1zkt7ft1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://i.imgur.com/ZQ0IVbU.png&#34;&gt;Aggregating&lt;/a&gt;! (via &lt;a href=&#34;https://mobile.twitter.com/gwynnstu/status/304265127266488321?p=p&#34;&gt;@gwynnstu&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2013</title>
    <link href="https://mlarson.org/2013/02/20/aeonmagazine-before-having-children-and/"/>
    <updated>2013-02-20T16:14:55.000Z</updated>
    <id>https://mlarson.org/2013/02/20/aeonmagazine-before-having-children-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_miiftf2icz1s2ojkyo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://aeonmagazine.tumblr.com/post/43555464477/http-aeonm-ag-15ue47y&#34;&gt;aeonmagazine&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Before having children, and provided we’ve moved on a little from the maelstrom of adolescence, it is possible to think of ourselves as good people: patient, kind, loving, tolerant. A few years of parenthood strips us of these illusions and we see ourselves in the raw: capable of fury, rage, pettiness, jealousy — you name it. For children confront us with the infantile aspects of our own personalities, the parts of ourselves we’d most like to deny, and we can hate them for it. Worse still, they can thwart our wish, even our need, to feel loving and effective.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That’s &lt;a href=&#34;http://www.aeonmagazine.com/being-human/edward-marriott-ambivalent-parenting/&#34;&gt;Edward Marriott on ambivalent parenting&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/743608797/its-fine-to-go-through-life-happy-in-other&#34;&gt;Megan McArdle&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wonder if we ought to re-examine our commitment to happiness. It seems to me that there’s possibly some merit – if we persevere and have the sense to learn from it – in the other-orientation that is (good) parenting. It’s fine to go through life happy, in other words, but I suspect we also want to go through life without becoming big fat self-absorbed jackasses. Children really help in that regard.&lt;/p&gt;
&lt;p&gt;To be sure, there are too many parents who, despite their children, remain narcissistic nimrods. But the nature of parenting is to beat that out of you. There’s just no time to spend on ourselves, at least not like we would if we didn’t have babies to wash and toys to clean up, usually in the middle of the night, after impaling our feet on them.&lt;/p&gt;
&lt;p&gt;People are inherently self-centered, and especially in a peaceful, prosperous society, this easily leads to self-indulgence that in turn can make us weak and ignoble. There’s something to be said for ordeals – like parenting, or marriage, or tending the weak and broken – which push us into an other-orientation. When we have to care for someone, we get better at, well, caring for people. It actually takes practice, after all.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek: Nemesis</title>
    <link href="https://mlarson.org/2013/02/19/star-trek-nemesis-i-can-see-why-they-put-the/"/>
    <updated>2013-02-19T04:28:00.000Z</updated>
    <id>https://mlarson.org/2013/02/19/star-trek-nemesis-i-can-see-why-they-put-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mig9qtqtrh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Trek%3A_Nemesis&#34;&gt;Star Trek: Nemesis&lt;/a&gt;. I can see why they put the brakes on the movies for a while. This one might be too blockbuster for it’s own good. It lost some Trekkiness. A very safe film. Definitely better than &lt;a href=&#34;http://tumblr.mlarson.org/post/43365269024/star-trek-insurrection-there-are-a-couple-of&#34;&gt;Insurrection&lt;/a&gt;, though, and I think the better production values are a big part of it. As you might suspect from the title, there’s some identity issues explored here. The Picard/Shinzon relationship feels a bit portentous (although one of the saving graces is that young Tom Hardy shows he’s had that incredible screen presence all along, even though his villain is one we’ve seen before: smart, pale, bald, leather.); it’s the relationship between Data and B4 that’s really cool. It’s sort of a &lt;a href=&#34;https://en.wikipedia.org/wiki/Ship_of_Theseus&#34;&gt;Ship of Theseus&lt;/a&gt; problem–if you give a physically identical android the same memories, is it the same android? Brent Spiner is a life-saver for all the TNG movies, which seem like they give their supporting cast a lot more screen time. I admit that I enjoyed the dune buggies. And that’s that. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/startrek&#34;&gt;I’ve seen every Star Trek film&lt;/a&gt;. Here’s how I rank them:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42807433613/star-trek-vi-the-undiscovered-country-this-one&#34;&gt;Star Trek VI: The Undiscovered Country&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/33614768552/star-trek-ii-the-wrath-of-khan-it-really-is&#34;&gt;Star Trek II: The Wrath of Khan&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42558816497/star-trek-iv-the-voyage-home-yeah-the-one-with&#34;&gt;Star Trek IV: The Voyage Home&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/20752921208/star-trek-the-motion-picture-and-so-it-begins&#34;&gt;Star Trek: The Motion Picture&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/43321984119/star-trek-first-contact-i-hear-this-is-the-best&#34;&gt;Star Trek: First Contact&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30894665041/star-trek-this-is-more-space-opera-than&#34;&gt;Star Trek&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/43463159882/star-trek-nemesis-i-can-see-why-they-put-the&#34;&gt;Star Trek: Nemesis&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42559018665/star-trek-v-the-final-frontier-the-star-trio-is&#34;&gt;Star Trek V: The Final Frontier&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42517923854/star-trek-iii-the-search-for-spock-the-team-goes&#34;&gt;Star Trek III: The Search for Spock&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42854068353/star-trek-generations-it-is-simply-not-as-good&#34;&gt;Star Trek: Generations&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/43365269024/star-trek-insurrection-there-are-a-couple-of&#34;&gt;Star Trek: Insurrection&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Understanding a fan&#39;s relationship with management in sports - Grantland</title>
    <link href="https://mlarson.org/2013/02/18/understanding-a-fans-relationship-with-management/"/>
    <updated>2013-02-18T17:50:18.000Z</updated>
    <id>https://mlarson.org/2013/02/18/understanding-a-fans-relationship-with-management/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You hit 30, 35, 40, and the life of a professional athlete seems more and more remote. It’s one of a million pasts that never happened rather than a future you can dream about. And the experience of the coach is simply much more accessible to almost every grown-up fan than the experience of any high-level player. And not just because so many fans go on to coach their kid’s T-ball team or whatever; think of it as a lifestyle question. The coach doesn’t have to be able to score from an overhead kick or throw a football 80 yards; he has to run meetings, make plans, juggle lists, and justify himself, same as anybody. He does paperwork. Maybe hops on the treadmill when he can. He’s still connected to the magic of sports, but with him it takes the form of inspired halftime speeches and brilliant late-game stratagems — basically work e-mail lifted to a spiritual plane. More than anything, he has to watch a ton of games: obsess about what’s not working, get mad at players who screw up, praise players who do well.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/8957014/understanding-fan-relationship-management-sports&#34;&gt;Understanding a fan&#39;s relationship with management in sports - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2013</title>
    <link href="https://mlarson.org/2013/02/18/conspiracy-is-a-nearly-irresistible-labor-saving/"/>
    <updated>2013-02-18T06:06:55.000Z</updated>
    <id>https://mlarson.org/2013/02/18/conspiracy-is-a-nearly-irresistible-labor-saving/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Conspiracy is a nearly irresistible labor-saving device in the face of recalcitrant complexity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Thirteen-Ways-Looking-Black-Man/dp/0679776664&#34;&gt;Henry Louis Gates&lt;/a&gt;, quoted in &lt;a href=&#34;http://www.amazon.com/dp/159420411X&#34;&gt;The Signal and the Noise&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/18765505115/conspiracy-theories-and-the-occult-comfort-us&#34;&gt;William Gibson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Conspiracy theories and the occult comfort us because they present models of the world that more easily make sense than the world itself, and, regardless of how dark or threatening, are inherently less frightening.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2013</title>
    <link href="https://mlarson.org/2013/02/18/captain-picard-loves-him-some-tablets/"/>
    <updated>2013-02-18T05:56:00.000Z</updated>
    <id>https://mlarson.org/2013/02/18/captain-picard-loves-him-some-tablets/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mie98j7hpj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.memory-alpha.org/wiki/Star_Trek:_Insurrection&#34;&gt;Captain Picard loves him some tablets&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek: Insurrection</title>
    <link href="https://mlarson.org/2013/02/18/star-trek-insurrection-there-are-a-couple-of/"/>
    <updated>2013-02-18T02:28:00.000Z</updated>
    <id>https://mlarson.org/2013/02/18/star-trek-insurrection-there-are-a-couple-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mie9a5k30w1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Trek_Insurrection&#34;&gt;Star Trek: Insurrection&lt;/a&gt;. There are a couple of main themes here that I really like. One, aging and youth. And two, the forced relocation/Lebensraum/irredentist refugee thing, with the Federation getting involved in some less obviously noble politics. But these themes come up in a pretty ho-hum story that never breaks the TV feel like &lt;a href=&#34;http://tumblr.mlarson.org/post/43321984119/star-trek-first-contact-i-hear-this-is-the-best&#34;&gt;First Contact&lt;/a&gt; does. Even the opening titles are kind of cheap. Add in some truly stupid moments (the beaded headdress; the Gilbert &amp;amp; Sullivan; the life raft), and some good drama that starts and ends too abruptly (Geordi and the sunrise; the slow-time moments). Missed opportunity. Riker kicks ass on the bridge, though. One more to go!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2013</title>
    <link href="https://mlarson.org/2013/02/17/zoes-desk-submitted-for-your-perusal-its-a/"/>
    <updated>2013-02-17T17:25:51.000Z</updated>
    <id>https://mlarson.org/2013/02/17/zoes-desk-submitted-for-your-perusal-its-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_midjf9zpke1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://submittedforyourperusal.com/2013/02/13/zoes-desk/&#34;&gt;Zoe’s Desk | Submitted For Your Perusal&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s a neat trick on Fincher’s part. It’s difficult to render knowledge work cinematically (quick, what’s the last great movie about writing you remember seeing?), as opposed to physical work which more readily lends itself to &lt;a href=&#34;http://www.slate.com/articles/arts/culturebox/2006/12/the_power_and_glory_of_the_rocky_montage.html&#34;&gt;Rocky-style montages&lt;/a&gt;, but Fincher has figured out a way to short circuit the process. Like all good filmmakers, he knows that if he gives us the signs, we will fill in the rest.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek: First Contact</title>
    <link href="https://mlarson.org/2013/02/17/star-trek-first-contact-i-hear-this-is-the-best/"/>
    <updated>2013-02-17T17:25:46.000Z</updated>
    <id>https://mlarson.org/2013/02/17/star-trek-first-contact-i-hear-this-is-the-best/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mibuucyd0y1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Trek_First_Contact&#34;&gt;Star Trek: First Contact&lt;/a&gt;. I hear this is the best of the TNG cast, and it is good, but doesn’t measure up to the best of the original cast. Definitely darker. Some of that innocence and optimism is gone (which makes some of the humor and goofiness just… awkward), though thankfully the special effects are finally worthy of the setting. Highlights? I loved the editing and cuts between the scenes on Earth and the various ship scenes–so fluid. &lt;a href=&#34;https://www.youtube.com/watch?v=s3RNsZvdYZQ&amp;amp;t=1m20s&#34;&gt;Patrick Stewart breaks out&lt;/a&gt; of Shatner’s shadow at last. The scenes with Data and the Borg are really good. The spacewalk scene is one of the most typically movie-theater-type fun set pieces in the whole series. There’s also a &lt;a href=&#34;http://www.youtube.com/watch?v=cyJhq_0yhtY&#34;&gt;thematically appropriate opera reference&lt;/a&gt; in the solid soundtrack. I liked it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bright Lights Film Journal :: The Complex Art of Murder: On The Talented Mr. Ripley</title>
    <link href="https://mlarson.org/2013/02/17/bright-lights-film-journal-the-complex-art-of/"/>
    <updated>2013-02-17T17:25:36.000Z</updated>
    <id>https://mlarson.org/2013/02/17/bright-lights-film-journal-the-complex-art-of/</id>
    <content type="html">&lt;p&gt;Great appreciation for a great film. &lt;em&gt;The Talented Mr. Ripley&lt;/em&gt; was kind of a wake-up call for me. I think I saw &lt;em&gt;Magnolia&lt;/em&gt; around the same time. I was 17. Like there was something different about the way these movies were good and strange that I hadn’t seen before and didn’t really have a reference for.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://brightlightsfilm.com/79/79-talented-mr-ripley-matt-damon-anthony-mingella-review-daseler.php&#34;&gt;Bright Lights Film Journal :: The Complex Art of Murder: On The Talented Mr. Ripley&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Aziz Ansari gets candid about love: “elusive and sadly ephemeral”</title>
    <link href="https://mlarson.org/2013/02/17/aziz-ansari-gets-candid-about-love-elusive-and/"/>
    <updated>2013-02-17T17:25:00.000Z</updated>
    <id>https://mlarson.org/2013/02/17/aziz-ansari-gets-candid-about-love-elusive-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;With my stand-up now, I’ve realized there are two types of jokes. One type is me talking about miscellaneous topics and getting laughs. That would be how I feel my first two stand-up specials come off. The second type is, you get a laugh, but you also get the feeling that the audience is saying, “Thank you for saying that!” I find the second type way more satisfying.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mobile.avclub.com/articles/aziz-ansari-candid-about-love-elusive-sadly-ephem,92476/?mobile=true&#34;&gt;Aziz Ansari gets candid about love: “elusive and sadly ephemeral”&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Perfect Adventure: Frugal Traveler Columnist Seth Kugel | My Perfect Adventure | OutsideOnline.com</title>
    <link href="https://mlarson.org/2013/02/13/my-perfect-adventure-frugal-traveler-columnist/"/>
    <updated>2013-02-13T16:57:27.000Z</updated>
    <id>https://mlarson.org/2013/02/13/my-perfect-adventure-frugal-traveler-columnist/</id>
    <content type="html">&lt;p&gt;Wow. Seth Kugel is delightfully self-aware.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Q: What motivates you to keep writing?&lt;br&gt;
A: Not to be facile, but if I don’t write, I don’t get to do the things I later write about. An editor once asked me whether I was one of those writers who liked writing or who hated writing. The implication—that there are journalists who struggle with writing and that that’s completely normal—was a huge relief.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Q: Name three things you still want to cross off your bucket list.&lt;br&gt;
A: Get married. Have kids. Write a great book. Disappointed?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.outsideonline.com/outdoor-adventure/my-perfect-adventure/My-Perfect-Adventure-Seth-Kugel.html?page=all&#34;&gt;My Perfect Adventure: Frugal Traveler Columnist Seth Kugel | My Perfect Adventure | OutsideOnline.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2013</title>
    <link href="https://mlarson.org/2013/02/13/everything-i-know-about-love-i-learned-from-chrono/"/>
    <updated>2013-02-13T16:57:23.000Z</updated>
    <id>https://mlarson.org/2013/02/13/everything-i-know-about-love-i-learned-from-chrono/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mi6400mldj1qzcye0o1_400.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bygonebureau.com/2013/02/05/everything-i-needed-to-know-about-love-i-learned-from-playing-chrono-trigger/&#34;&gt;Everything I Know About Love I Learned from Chrono Trigger – The Bygone Bureau&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Definitely Just a Cold - Television Tropes &amp;amp; Idioms</title>
    <link href="https://mlarson.org/2013/02/13/definitely-just-a-cold-television-tropes/"/>
    <updated>2013-02-13T16:37:43.000Z</updated>
    <id>https://mlarson.org/2013/02/13/definitely-just-a-cold-television-tropes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Actually, the more obvious it’s not a normal illness, the less likely they’ll mention it. Even if your cast includes some of the most helpful doctors or mind readers, the character won’t bring it up for quite a few episodes in a row, constantly making the excuse they’re just a bit under the weather.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tvtropes.org/pmwiki/pmwiki.php/Main/DefinitelyJustACold&#34;&gt;Definitely Just a Cold - Television Tropes &amp;amp; Idioms&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Enthusiasms: Epictetus Discovers the Internet</title>
    <link href="https://mlarson.org/2013/02/13/enthusiasms-epictetus-discovers-the-internet/"/>
    <updated>2013-02-13T16:37:39.000Z</updated>
    <id>https://mlarson.org/2013/02/13/enthusiasms-epictetus-discovers-the-internet/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://enthusiasms.org/post/42882585623&#34;&gt;dailymeh&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;On trolls&lt;/strong&gt;: Remember that foul words or blows in themselves are no outrage, but your judgement that they’re so. So when anyone makes you angry, know that it’s your own thought that has angered you. Therefore make it your first endeavour not to let your impressions carry you away…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Love me some &lt;a href=&#34;http://tumblr.mlarson.org/tagged/epictetus&#34;&gt;Epictetus&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://enthusiasms.org/post/42882585623&#34;&gt;Enthusiasms: Epictetus Discovers the Internet&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek: Generations</title>
    <link href="https://mlarson.org/2013/02/11/star-trek-generations-it-is-simply-not-as-good/"/>
    <updated>2013-02-11T18:19:52.000Z</updated>
    <id>https://mlarson.org/2013/02/11/star-trek-generations-it-is-simply-not-as-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mi2iu6bzw51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Trek_Generations&#34;&gt;Star Trek: Generations&lt;/a&gt;. It is simply not as good as the others, and Shatner’s exit is woefullly mishandled. What a shame. Three more to go. Rankings so far:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42807433613/star-trek-vi-the-undiscovered-country-this-one&#34;&gt;Star Trek VI: The Undiscovered Country&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/33614768552/star-trek-ii-the-wrath-of-khan-it-really-is&#34;&gt;Star Trek II: The Wrath of Khan&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42558816497/star-trek-iv-the-voyage-home-yeah-the-one-with&#34;&gt;Star Trek IV: The Voyage Home&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/20752921208/star-trek-the-motion-picture-and-so-it-begins&#34;&gt;Star Trek: The Motion Picture&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30894665041/star-trek-this-is-more-space-opera-than&#34;&gt;Star Trek&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42559018665/star-trek-v-the-final-frontier-the-star-trio-is&#34;&gt;Star Trek V: The Final Frontier&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42517923854/star-trek-iii-the-search-for-spock-the-team-goes&#34;&gt;Star Trek III: The Search for Spock&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Star Trek: Generations&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2013</title>
    <link href="https://mlarson.org/2013/02/11/the-age-of-reason-there-are-a-couple-scary-things/"/>
    <updated>2013-02-11T18:19:48.000Z</updated>
    <id>https://mlarson.org/2013/02/11/the-age-of-reason-there-are-a-couple-scary-things/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mi2i1mo9vs1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2012/02/the-age-of-reason.html&#34;&gt;The Age of Reason&lt;/a&gt;. There are a couple scary things here. (&lt;a href=&#34;http://www.thedailybeast.com/articles/2013/02/11/the-pope-resigns-good-decision.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek VI: The Undiscovered Country</title>
    <link href="https://mlarson.org/2013/02/11/star-trek-vi-the-undiscovered-country-this-one/"/>
    <updated>2013-02-11T02:21:49.000Z</updated>
    <id>https://mlarson.org/2013/02/11/star-trek-vi-the-undiscovered-country-this-one/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mhxq2aknuu1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Trek_VI:_The_Undiscovered_Country&#34;&gt;Star Trek VI: The Undiscovered Country&lt;/a&gt;. This one is intense! Such a good way to close out with the original stars. It seems to have the most traditional blockbuster feel: political intrigue, betrayal, blatant emotionalism, heroes in peril, a mad dash to prevent calamity, last-minute rescues, one-liners and philosophical banter. I think this one also built up the biggest sense of dread and risk out of the series. Also a nice thematic change, rather than exploring the frontiers of space and encounters with strange beings or energy forms or whatever, they’re easing into universal civics, basically, and trying not to let their baggage screw it all up. Same director as the excellent &lt;a href=&#34;http://tumblr.mlarson.org/post/33614768552/star-trek-ii-the-wrath-of-khan-it-really-is&#34;&gt;Star Trek II&lt;/a&gt;… and I think this one gives it strong competition.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#39;Ocean&#39;s Twelve&#39; Is a Great Sequel About How Hard It Is to Make a Great Sequel | Criticwire</title>
    <link href="https://mlarson.org/2013/02/11/oceans-twelve-is-a-great-sequel-about-how-hard/"/>
    <updated>2013-02-11T02:21:15.000Z</updated>
    <id>https://mlarson.org/2013/02/11/oceans-twelve-is-a-great-sequel-about-how-hard/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The film tricks you into thinking it’s one thing and then repeatedly reveals itself as another. With enough viewings and distance, you begin to see that the film is entirely about the act of its own creation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.indiewire.com/criticwire/oceans-twelve-is-a-great-sequel&#34;&gt;&#39;Ocean&#39;s Twelve&#39; Is a Great Sequel About How Hard It Is to Make a Great Sequel | Criticwire&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Repo Man</title>
    <link href="https://mlarson.org/2013/02/09/repo-man-so-lively-and-fun-and-it-gets-more/"/>
    <updated>2013-02-09T17:40:00.000Z</updated>
    <id>https://mlarson.org/2013/02/09/repo-man-so-lively-and-fun-and-it-gets-more/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mhvwjtqmsk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Repo_Man_%28film%29&#34;&gt;Repo Man&lt;/a&gt;. So lively and fun, and it gets more demented the further you go. I loved this one, especially all the side laughs they threw in – just little gems of gesture (e.g., the wrapped gift) or background noise (the TV in the hospital) or the way a scene closes (behind the counter after buying drink at the convenience store) or a character detail (the cop knitting; the kindling for the kooky fireside conversation). A solid cast across the board, with lovely typecasting. One character is an obvious ancestor of Napoleon Dynamite.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek V: The Final Frontier</title>
    <link href="https://mlarson.org/2013/02/08/star-trek-v-the-final-frontier-the-star-trio-is/"/>
    <updated>2013-02-08T04:19:10.000Z</updated>
    <id>https://mlarson.org/2013/02/08/star-trek-v-the-final-frontier-the-star-trio-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mhvvue710p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Trek_V%3A_The_Final_Frontier&#34;&gt;Star Trek V: The Final Frontier&lt;/a&gt;. The star trio is reunited! Kirk is also more bad-ass than usual. Director’s privilege? A good bit of the humor attempts fall flat, but I think the story is decent overall. The camera in this one is definitely more fluid than the previous entries in the series. Lots more long, arcing movements and mobile in-your-face stuff. I think the soundtrack was influenced by &lt;em&gt;Scheherazade&lt;/em&gt;. If I had to describe the Star Trek films in one word, it would be idiosyncratic. The changes in tone, the weird plotlines, the ambivalence toward traditional villains… there’s a lot you don’t see in other movies. Star Trek rankings so far? Tough call, but maybe:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/33614768552/star-trek-ii-the-wrath-of-khan-it-really-is&#34;&gt;Star Trek II: The Wrath of Khan&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42558816497/star-trek-iv-the-voyage-home-yeah-the-one-with&#34;&gt;Star Trek IV: The Voyage Home&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/20752921208/star-trek-the-motion-picture-and-so-it-begins&#34;&gt;Star Trek: The Motion Picture&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30894665041/star-trek-this-is-more-space-opera-than&#34;&gt;Star Trek&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Star Trek V: The Final Frontier&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/42517923854/star-trek-iii-the-search-for-spock-the-team-goes&#34;&gt;Star Trek III: The Search for Spock&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>B Michael Tumblr: Just Free Stuff</title>
    <link href="https://mlarson.org/2013/02/08/b-michael-tumblr-just-free-stuff/"/>
    <updated>2013-02-08T04:18:11.000Z</updated>
    <id>https://mlarson.org/2013/02/08/b-michael-tumblr-just-free-stuff/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bmichael.me/post/42522944357/just-free-stuff&#34;&gt;bmichael&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Rappers are very much analogous to bloggers in that both groups sort of do what they do because they want to do it, but they also know there’s not really any worth to what they’re doing - except sometimes one of their cohort gets scooped up by some faceless place with money, so there’s always a little halo of maybe-money attached to what they do. Maybe that halo’s worth more than actually making a piddly amount of money.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bmichael.me/post/42522944357/just-free-stuff&#34;&gt;B Michael Tumblr: Just Free Stuff&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek IV: The Voyage Home</title>
    <link href="https://mlarson.org/2013/02/08/star-trek-iv-the-voyage-home-yeah-the-one-with/"/>
    <updated>2013-02-08T04:16:19.000Z</updated>
    <id>https://mlarson.org/2013/02/08/star-trek-iv-the-voyage-home-yeah-the-one-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mhuza1hlpj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Trek_IV%3A_The_Voyage_Home&#34;&gt;Star Trek IV: The Voyage Home&lt;/a&gt;. Yeah, the one with the whales. The plot is loony, funny, and it’s a great change of pace from the previous three. The fish-out-of-water scenes are a nice chance for the lead actors to separate and shine a little bit. This film also has some of the most trippy visuals out of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/startrek&#34;&gt;Star Treks I’ve seen so far&lt;/a&gt;. Highly recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek III: The Search for Spock</title>
    <link href="https://mlarson.org/2013/02/07/star-trek-iii-the-search-for-spock-the-team-goes/"/>
    <updated>2013-02-07T19:19:18.000Z</updated>
    <id>https://mlarson.org/2013/02/07/star-trek-iii-the-search-for-spock-the-team-goes/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mhrm9bv0hg1qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Trek_III:_The_Search_for_Spock&#34;&gt;Star Trek III: The Search for Spock&lt;/a&gt;. The team goes rogue! But there is a pervasive sadness here. Even the end of the mission is bittersweet. I enjoy more and more how much conversation there is in Star Trek, even when it’s super-explanatory. Christopher Lloyd as a dramatic Klingon is awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How The South Will Rise To Power Again | Newgeography.com</title>
    <link href="https://mlarson.org/2013/02/04/how-the-south-will-rise-to-power-again/"/>
    <updated>2013-02-04T18:08:19.000Z</updated>
    <id>https://mlarson.org/2013/02/04/how-the-south-will-rise-to-power-again/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In the 1950s, the South, the Northeast and the Midwest each had about the same number of people. Today the region is almost as populous as the Northeast and the Midwest combined.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I did not know that, along with a lot of the other family and economic trends mentioned in the article. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/thesouth&#34;&gt;the South&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newgeography.com/content/003451-how-the-south-will-rise-to-power-again?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20Newgeography%20(Newgeography.com%20-%20Economic,%20demographic,%20and%20political%20commentary%20about%20places)&amp;amp;utm_content=Google%20Reader&#34;&gt;How The South Will Rise To Power Again | Newgeography.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Internet Users Demand Less Interactivity | The Onion</title>
    <link href="https://mlarson.org/2013/02/04/internet-users-demand-less-interactivity-the/"/>
    <updated>2013-02-04T17:42:34.000Z</updated>
    <id>https://mlarson.org/2013/02/04/internet-users-demand-less-interactivity-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“All I want is to go to a website, enjoy it for the time I’ve decided to spend there, and then move on with my life,” he continued. “Is that so much to ask?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/internet-users-demand-less-interactivity,30920/&#34;&gt;Internet Users Demand Less Interactivity | The Onion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rebecca Solnit · Diary: Google Invades · LRB 7 February 2013</title>
    <link href="https://mlarson.org/2013/02/04/rebecca-solnit-diary-google-invades-lrb-7/"/>
    <updated>2013-02-04T17:42:31.000Z</updated>
    <id>https://mlarson.org/2013/02/04/rebecca-solnit-diary-google-invades-lrb-7/</id>
    <content type="html">&lt;p&gt;I loved this essay on San Francisco and boomtowns. Nicely done.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lrb.co.uk/v35/n03/rebecca-solnit/diary&#34;&gt;Rebecca Solnit · Diary: Google Invades · LRB 7 February 2013&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Entrance</title>
    <link href="https://mlarson.org/2013/02/02/entrance-i-was-with-it-until-the-last-half-hour/"/>
    <updated>2013-02-02T16:28:25.000Z</updated>
    <id>https://mlarson.org/2013/02/02/entrance-i-was-with-it-until-the-last-half-hour/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mhk4ysj9kw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.imdb.com/title/tt1918806/&#34;&gt;Entrance&lt;/a&gt;. I was with it until the last half hour. Good slice of Los Angeles, though, and a good creepy final moment.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Commando</title>
    <link href="https://mlarson.org/2013/02/02/commando-classic-como-esta/"/>
    <updated>2013-02-02T16:28:03.000Z</updated>
    <id>https://mlarson.org/2013/02/02/commando-classic-como-esta/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/02/tumblr_mhk2abktqj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Commando_%28film%29&#34;&gt;Commando&lt;/a&gt;. Classic. ¿Como esta?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2013</title>
    <link href="https://mlarson.org/2013/02/01/a-man-should-never-be-ashamed-to-own-he-has-been/"/>
    <updated>2013-02-01T18:50:23.000Z</updated>
    <id>https://mlarson.org/2013/02/01/a-man-should-never-be-ashamed-to-own-he-has-been/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A man should never be ashamed to own he has been in the wrong, which is but saying in other words, that he is wiser today than he was yesterday.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=Q1MVAAAAYAAJ&amp;amp;dq=wiser%20today%20than%20he%20was%20yesterday&amp;amp;pg=PA551#v=onepage&amp;amp;q=wiser%20today%20than%20he%20was%20yesterday&amp;amp;f=false&#34;&gt;Alexander Pope&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2013</title>
    <link href="https://mlarson.org/2013/01/31/see-the-big-picture-of-how-suburban-developments/"/>
    <updated>2013-01-31T17:43:26.000Z</updated>
    <id>https://mlarson.org/2013/01/31/see-the-big-picture-of-how-suburban-developments/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mhgu6mpsul1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.houzz.com/ideabooks/6557287/list/Get-a-Bird-s-Eye-View-of-America-s-Housing-Patterns&#34;&gt;See the big picture of how suburban developments are changing the country’s landscape, with aerial photos and ideas for the future&lt;/a&gt;. A typology of suburbs. The variety is kind of cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Meet the Flannery O’Connor of the Internet age - Salon.com</title>
    <link href="https://mlarson.org/2013/01/31/meet-the-flannery-oconnor-of-the-internet-age/"/>
    <updated>2013-01-31T17:42:00.000Z</updated>
    <id>https://mlarson.org/2013/01/31/meet-the-flannery-oconnor-of-the-internet-age/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Focusing all experiences through the lens of the Internet is an example of not being able to see history through the eyes of others, to be so enamored of one’s present time that one cannot see that the world was once elsewise and was not about you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/2013/01/23/meet_the_flannery_oconnor_of_the_internet_age/&#34;&gt;Meet the Flannery O’Connor of the Internet age - Salon.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2013</title>
    <link href="https://mlarson.org/2013/01/28/its-so-intimate-and-its-one-of-your-best/"/>
    <updated>2013-01-28T22:11:11.000Z</updated>
    <id>https://mlarson.org/2013/01/28/its-so-intimate-and-its-one-of-your-best/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s so intimate, and it’s one of your best friends, this stupid script that you end up living with for seventeen drafts or twenty drafts. […] You’re like, ‘You’re still here?? Can you clean up your shit? You leave it everywhere!’&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2013/01/lake-bell-wins-screenwriting-award-at-sundance.html&#34;&gt;Lake Bell&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Wealth of Words by E. D. Hirsch, Jr., City Journal WInter 2013</title>
    <link href="https://mlarson.org/2013/01/28/a-wealth-of-words-by-e-d-hirsch-jr-city/"/>
    <updated>2013-01-28T16:12:13.000Z</updated>
    <id>https://mlarson.org/2013/01/28/a-wealth-of-words-by-e-d-hirsch-jr-city/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s a positive correlation between a student’s vocabulary size in grade 12, the likelihood that she will graduate from college, and her future level of income. The reason is clear: vocabulary size is a convenient proxy for a whole range of educational attainments and abilities—not just skill in reading, writing, listening, and speaking but also general knowledge of science, history, and the arts. If we want to reduce economic inequality in America, a good place to start is the language-arts classroom.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.city-journal.org/2013/23_1_vocabulary.html&#34;&gt;A Wealth of Words by E. D. Hirsch, Jr., City Journal WInter 2013&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Conversation: Steven Soderbergh -- Vulture</title>
    <link href="https://mlarson.org/2013/01/28/in-conversation-steven-soderbergh-vulture/"/>
    <updated>2013-01-28T15:11:24.000Z</updated>
    <id>https://mlarson.org/2013/01/28/in-conversation-steven-soderbergh-vulture/</id>
    <content type="html">&lt;p&gt;I loved this long interview.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;On the few occasions where I’ve talked to film students, one of the things I stress, in addition to learning your craft, is how you behave as a person. For the most part, our lives are about telling stories. So I ask them, “What are the stories you want people to tell about you?” Because at a certain point, your ability to get a job could turn on the stories people tell about you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was watching one of those iconoclast shows on the Sundance Channel. Jamie Oliver said Paul Smith had told him something he hadn’t understood until very recently: “I’d rather be No. 2 forever than No. 1 for a while.” Just make stuff and don’t agonize over it. Stop worrying about being No. 1. I see a lot of people getting paralyzed by the response to their work, the imagined result. It’s like playing a Jedi mind trick on yourself, and Smith is right. That’s the way I’ve always approached films, the way I approach everything. Just &lt;em&gt;make&lt;/em&gt; ’em.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He’s become &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;one of my favorite directors&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2013/01/steven-soderbergh-in-conversation.html&#34;&gt;In Conversation: Steven Soderbergh -- Vulture&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2013</title>
    <link href="https://mlarson.org/2013/01/25/a-still-from-holy-motors/"/>
    <updated>2013-01-25T19:18:50.000Z</updated>
    <id>https://mlarson.org/2013/01/25/a-still-from-holy-motors/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mh6zg33u6c1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A still from &lt;a href=&#34;https://en.wikipedia.org/wiki/Holy_Motors&#34;&gt;Holy Motors&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Holy Motors</title>
    <link href="https://mlarson.org/2013/01/25/holy-motors-incredible-amazing-amazing/"/>
    <updated>2013-01-25T19:16:43.000Z</updated>
    <id>https://mlarson.org/2013/01/25/holy-motors-incredible-amazing-amazing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mh6wg0rfcm1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Holy_Motors&#34;&gt;Holy Motors&lt;/a&gt;. Incredible. Amazing, amazing performance from Denis Lavant. There’s no traditional plot, but the structure involves Lavant’s character being driven around Paris in a limousine to a series of appointments, each one requiring a different costume, makeup, identity, and performance. The logic is bent and ambiguous. A couple hours of mad and weird invention, wholly invigorating. Here’s &lt;a href=&#34;http://www.newyorker.com/online/blogs/movies/2012/10/leos-caraxs-holy-motors-reviewed.html&#34;&gt;Richard Brody&lt;/a&gt;. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20121107/REVIEWS/121109986&#34;&gt;Ebert&lt;/a&gt;. Another good &lt;a href=&#34;http://musicfromthefartherroom.wordpress.com/2012/10/08/holy-motors/&#34;&gt;critical reading&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Audience as affordance: Twitter versus Facebook — Remains of the Day</title>
    <link href="https://mlarson.org/2013/01/25/audience-as-affordance-twitter-versus-facebook/"/>
    <updated>2013-01-25T19:10:42.000Z</updated>
    <id>https://mlarson.org/2013/01/25/audience-as-affordance-twitter-versus-facebook/</id>
    <content type="html">&lt;p&gt;In reference to &lt;a href=&#34;https://medium.com/i-m-h-o/52a20d7a17de&#34;&gt;Matt Haughey’s essay&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What could I possibly write as a status update that would be interesting to my father, one of my coworkers from my first job out of college, the friend of a friend who met me at a pub crawl and friended me, and someone who followed me because of a blog post I wrote about technology? This odd assortment of people all friended me on Facebook because they know me, and that doesn’t feel like a natural audience for any content except random life updates, like relationship status changes, the birth of children, job changes, the occasional photo so people know what you look like now. So unlike Haughey, what I struggle with about Facebook is not the constraint to be consistent with a single conception of myself, it’s the struggle to target content to match multiple versions of myself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.eugenewei.com/blog/2013/1/11/the-medium-shapes-the-message-twitter-versus-facebook&#34;&gt;Audience as affordance: Twitter versus Facebook — Remains of the Day&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Full Metal Jacket</title>
    <link href="https://mlarson.org/2013/01/25/full-metal-jacket-good-stuff-i-love-how-the/"/>
    <updated>2013-01-25T19:10:30.000Z</updated>
    <id>https://mlarson.org/2013/01/25/full-metal-jacket-good-stuff-i-love-how-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mh6x0rqvco1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Full_Metal_Jacket&#34;&gt;Full Metal Jacket&lt;/a&gt;. Good stuff. I love how the first and second half have storytelling parallels, but with very different cinematographic styles. Tighter, controlled, fortifying training scenes vs. the looser, edgier feel in Vietnam. &lt;a href=&#34;http://tumblr.mlarson.org/post/33614782769/apocalypse-now-um-epic&#34;&gt;Apocalypse Now&lt;/a&gt; is definitely the better Vietnam film, though. It’s been quite a while since I last saw &lt;em&gt;Platoon&lt;/em&gt; or &lt;em&gt;The Deer Hunter&lt;/em&gt;. Vincent D&#39;Onofrio was also awesome in &lt;a href=&#34;http://tumblr.mlarson.org/post/32221889055/mystic-pizza-the-80s-were-a-golden-era-for&#34;&gt;Mystic Pizza&lt;/a&gt;. My updated &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stanleykubrick&#34;&gt;Kubrick&lt;/a&gt; leaderboard:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;2001: A Space Odyssey&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/37118661047/the-killing-ive-seen-2001-a-space-odyssey-four&#34;&gt;The Killing&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Full Metal Jacket&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/41158121803/eyes-wide-shut-i-didnt-love-it-but-ill-put-it&#34;&gt;Eyes Wide Shut&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Shining&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/40888708191/a-clockwork-orange-i-get-it-but-i-dont-get-it&#34;&gt;A Clockwork Orange&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Pina</title>
    <link href="https://mlarson.org/2013/01/25/pina-visually-very-cool-and-the-talent-on/"/>
    <updated>2013-01-25T19:10:00.000Z</updated>
    <id>https://mlarson.org/2013/01/25/pina-visually-very-cool-and-the-talent-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mh73pxvcsd1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Pina_%28film%29&#34;&gt;Pina&lt;/a&gt;. Visually very cool, and the talent on display is great to watch. A few troubles I had with it: it’s frustrating to see only excerpts from longer dance performances, and even those fragments are interrupted. Also, like &lt;a href=&#34;http://tumblr.mlarson.org/post/30359563743/jiro-dreams-of-sushi-80-minutes-of-rapturous&#34;&gt;Jiro Dreams of Sushi&lt;/a&gt;, there’s a ton of talking-head praise for the title heroine, but it seems you learn even less about her. It’s possible I’m missing the point, though. Great dancing, and it takes a quite a mind to dream of such spectacles and bring them to life.ume&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alain de Botton - By the Book - NYTimes.com</title>
    <link href="https://mlarson.org/2013/01/24/alain-de-botton-by-the-book-nytimescom/"/>
    <updated>2013-01-24T18:03:40.000Z</updated>
    <id>https://mlarson.org/2013/01/24/alain-de-botton-by-the-book-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s a mistaken prejudice of our times to think that the only way to cheer someone up is to tell them something cheerful. Exaggerated tragic pronouncements work far better.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/24432989068/a-willingness-to-hear-unwelcome-truths-is-the&#34;&gt;Carolyn Hax&lt;/a&gt;, “A willingness to hear unwelcome truths is the unhappy person’s best friend.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/01/27/books/review/alain-de-botton-by-the-book.html?_r=0&#34;&gt;Alain de Botton - By the Book - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Feeling-Making Machine: An Interview with Mary Karr  - R A I N T A X I o n l i n e Spring 2010</title>
    <link href="https://mlarson.org/2013/01/24/feeling-making-machine-an-interview-with-mary/"/>
    <updated>2013-01-24T01:40:19.000Z</updated>
    <id>https://mlarson.org/2013/01/24/feeling-making-machine-an-interview-with-mary/</id>
    <content type="html">&lt;p&gt;This interview is such a gold mine.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I differ from the most diseased part of myself, and I think that an irony of spiritual practice is that when you get out of yourself you kind of more become yourself. When I was a little kid I was bouncy and I made a lot noise and I broke shit. I ran around, I was very enthusiastic. In all the pictures of me I’m smiling. Now, I’m pretty happy. I laugh a lot. I have joy on a given day. I’m not a blithering idiot, and I suffer when it’s hot out or it’s raining and I can’t get a cab. I worry about my kid or my friend getting chemo or whatever. I suffer. But I’m pretty happy. And it’s almost like, I remember my mother saying when I was getting sober, “you’re going to come back to that [childhood happiness].” And I said, “Mother, I don’t even fucking remember that.” I just don’t remember feeling that way. But I really think that voice—not the one that says, fuck you, you stupid bitch, you’re a whore, but the one that says, you can do better than this, honey—that voice is God. And that’s actually who you really are. The other stuff that’s telling you what an asshole you are all the time is fucking noise, your ego or your head or whatever. The Buddhists would call it your ego. Pentecostals would call it Satan. It doesn’t matter what you call it. It’s my fucking head talking.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.raintaxi.com/online/2010spring/karr.shtml&#34;&gt;Feeling-Making Machine: An Interview with Mary Karr - R A I N T A X I o n l i n e Spring 2010&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Advice for Boys – The Bygone Bureau</title>
    <link href="https://mlarson.org/2013/01/24/advice-for-boys-the-bygone-bureau/"/>
    <updated>2013-01-24T01:40:14.000Z</updated>
    <id>https://mlarson.org/2013/01/24/advice-for-boys-the-bygone-bureau/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My readers taught me as much about listening and taking people’s problems seriously as anything I have ever done. They taught me the value of what kindness and generosity can do, not only for the person receiving it but for you who give. Of what happens when you give people the space to talk about themselves, and of how much guys will start to talk about their feelings if we give them space to do so.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bygonebureau.com/2013/01/23/advice-for-boys/&#34;&gt;Advice for Boys – The Bygone Bureau&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 24, 2013</title>
    <link href="https://mlarson.org/2013/01/24/cool-tools-nail-puller-what-a-beautiful-thing/"/>
    <updated>2013-01-24T01:40:08.000Z</updated>
    <id>https://mlarson.org/2013/01/24/cool-tools-nail-puller-what-a-beautiful-thing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mh3wh7j51s1qzcye0o1_250.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kk.org/cooltools/archives/8279&#34;&gt;Cool Tools - Nail Puller&lt;/a&gt;. What a beautiful thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2013</title>
    <link href="https://mlarson.org/2013/01/23/literature-is-eucharistic-you-take-somebody/"/>
    <updated>2013-01-23T18:00:00.000Z</updated>
    <id>https://mlarson.org/2013/01/23/literature-is-eucharistic-you-take-somebody/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Literature is Eucharistic. You take somebody else’s suffering into your body and you’re changed by it, you’re made larger by their pain.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.raintaxi.com/online/2010spring/karr.shtml&#34;&gt;Mary Karr&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Deadliest Jobs In America, In One Graphic : Planet Money : NPR</title>
    <link href="https://mlarson.org/2013/01/23/the-deadliest-jobs-in-america-in-one-graphic/"/>
    <updated>2013-01-23T16:06:00.000Z</updated>
    <id>https://mlarson.org/2013/01/23/the-deadliest-jobs-in-america-in-one-graphic/</id>
    <content type="html">&lt;p&gt;I like how they just casually mention loggers “killed by an out of control machine”. We know &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Terminator&#34;&gt;how this ends&lt;/a&gt;. Also, firefighters?&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Over a third of firefighter deaths from 2011 were due to fires or explosions, but another quarter were because of transportation accidents.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“Cosmo’s got the caboose!”&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/OuCiB-2Wreg&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/money/2013/01/08/168897140/the-deadliest-jobs-in-america-in-one-graphic&#34;&gt;The Deadliest Jobs In America, In One Graphic : Planet Money : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Art &amp;amp; Film: Rembrandt/Tarkovsky</title>
    <link href="https://mlarson.org/2013/01/23/art-film-rembrandttarkovsky/"/>
    <updated>2013-01-23T16:00:31.000Z</updated>
    <id>https://mlarson.org/2013/01/23/art-film-rembrandttarkovsky/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://kino-obscura.com/post/41179608436/art-film-rembrandt-tarkovsky&#34;&gt;kino-obscura&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;From the &lt;a href=&#34;http://kino-obscura.tumblr.com/tagged/art%26amp%3Bfilm&#34;&gt;canvas&lt;/a&gt; to the cinema.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kino-obscura.com&#34;&gt;David Liu&lt;/a&gt; | 21 January 2013&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_ly5fd7ejFP1qay58d.jpg&#34; alt=&#34;image&#34;&gt;&lt;strong&gt;&lt;em&gt;The Return of the Prodigal Son&lt;/em&gt;&lt;/strong&gt; (Rembrandt, 1669; oil on canvas)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_lyfeacK6G51qay58d.jpg&#34; alt=&#34;image&#34;&gt;Solaris&lt;/em&gt;&lt;/strong&gt; (Andrei Tarkovsky, 1972)&lt;/p&gt;
&lt;p&gt;In the end: a dog, a father and a son. Like the works of Rembrandt, Tarkovsky’s adaptation of Stanislaw Lem’s 1961 science fiction novel reveals a consummate humanist at work — an artist for whom the individual search for redemption transcends the realms of faith and waking consciousness.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2013</title>
    <link href="https://mlarson.org/2013/01/23/everybody-talks-about-the-writers-feeling-and-the/"/>
    <updated>2013-01-23T15:46:26.000Z</updated>
    <id>https://mlarson.org/2013/01/23/everybody-talks-about-the-writers-feeling-and-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Everybody talks about the writer’s feeling and the writer’s expression and the writer’s experience, and, you know, I don’t give a fuck how the writer feels. I want a fucking book that I can be in love with. I want a book that I’ll reread seventeen times. That’s what I want.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.raintaxi.com/online/2010spring/karr.shtml&#34;&gt;Mary Karr&lt;/a&gt;. I usually finish reading before I tumble, but I couldn’t help it this time. (&lt;a href=&#34;https://mobile.twitter.com/helenavonsalome/status/294104855117713408&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eyes Wide Shut</title>
    <link href="https://mlarson.org/2013/01/22/eyes-wide-shut-i-didnt-love-it-but-ill-put-it/"/>
    <updated>2013-01-22T01:53:54.000Z</updated>
    <id>https://mlarson.org/2013/01/22/eyes-wide-shut-i-didnt-love-it-but-ill-put-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mh07wqpzzy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Eyes_Wide_Shut&#34;&gt;Eyes Wide Shut&lt;/a&gt;. I didn’t love it, but I’ll put it in the plus column for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stanleykubrick&#34;&gt;Stanley Kubrick&lt;/a&gt;. The cult scene had some wonderful tension. I also respect his willingness to let scenes slow down to a near stand-still, like during Kidman’s monologues. And he’s got a great way with music and musical commentary (the Shostakovich waltz; “When I Fall In Love”; “Stranger in the Night”). My Kubrick rankings (there’s considerable distance between #3 and #4):&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;2001: A Space Odyssey&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/37118661047/the-killing-ive-seen-2001-a-space-odyssey-four&#34;&gt;The Killing&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Eyes Wide Shut&lt;/li&gt;
&lt;li&gt;The Shining&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/40888708191/a-clockwork-orange-i-get-it-but-i-dont-get-it&#34;&gt;A Clockwork Orange&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>A Brief Remark on Zero Dark Thirty « The Pinocchio Theory</title>
    <link href="https://mlarson.org/2013/01/22/a-brief-remark-on-zero-dark-thirty-the-pinocchio/"/>
    <updated>2013-01-22T01:37:04.000Z</updated>
    <id>https://mlarson.org/2013/01/22/a-brief-remark-on-zero-dark-thirty-the-pinocchio/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Zero Dark Thirty&lt;/em&gt; is the &lt;em&gt;ne plus ultra&lt;/em&gt; of proceduralism, its ultimate expansion and &lt;em&gt;reductio ad absurdum&lt;/em&gt;. It’s all about the well-nigh interminable &lt;em&gt;process&lt;/em&gt; of searching for, and then eliminating, Osama Bin Laden. The premise and initial impetus of this process is of course the mythological demonization of Bin Laden, as the ultimate culprit responsible for Nine Eleven. But in the relentless proceduralism that the film presents to us, this goal or rationale is abraded away. The torture which the film has become controversial for depicting is of course part of this. But so is the process of painstakingly correlating irrelevant information, the accidental discovery of leads in years-old records, the repetitive tracking of the vehicle of the suspected courier, the endless bureaucratic meetings at which officials seek to decide if the information is valid and what should be done about it, and above all the military operation in the last thirty minutes of the film (has military action ever been depicted in the movies with such relentless a focus on operational techniques, in a manner that is utterly devoid alike of the horror of war and of the glory and heroism that are so often invoked to justify it?). The goal has been so absorbed into procedural routine that the ostensible climax of the film, the actual killing of Bin Laden, occurs offscreen; and we barely even get a glimpse of the corpse, zipped as it is into a body bag, which is to say treated entirely (and literally) according to Standard Operating Procedure.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.shaviro.com/Blog/?p=1114&#34;&gt;A Brief Remark on Zero Dark Thirty « The Pinocchio Theory&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2013</title>
    <link href="https://mlarson.org/2013/01/22/relationships-are-complicated-but-happiness-in-a/"/>
    <updated>2013-01-22T01:37:00.000Z</updated>
    <id>https://mlarson.org/2013/01/22/relationships-are-complicated-but-happiness-in-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Relationships are complicated, but happiness in a relationship isn’t: It’s just wanting exactly what you have. Wanting something else is dispiriting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/does-nfl-have-to-mean-not-for-long-in-this-relationship/2013/01/20/a1104cca-5a76-11e2-beee-6e38f5215402_story.html?wprss=rss_carolyn-hax&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Zero Dark Thirty</title>
    <link href="https://mlarson.org/2013/01/22/zero-dark-thirty-i-cant-think-of-many-movies/"/>
    <updated>2013-01-22T01:36:59.000Z</updated>
    <id>https://mlarson.org/2013/01/22/zero-dark-thirty-i-cant-think-of-many-movies/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mh0735b5bi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Zero_Dark_Thirty&#34;&gt;Zero Dark Thirty&lt;/a&gt;. I can’t think of many movies with such a steady build-up. Really well done. Setting aside any moral/political/veracity issues you may like to bring up, what I really loved was the simplicity of the plotline. Like &lt;a href=&#34;http://www.shaviro.com/Blog/?p=1114&#34;&gt;Steven Shaviro wisely points out&lt;/a&gt; (must read, I say), it’s a procedural film. There are people who want to locate a man. It’s really difficult. They spend a decade working on it. Although we have a single protagonist, there’s no love interest. There are only hints at a personal life, mostly so the possibility can be downplayed. (I actually thought some of the weakest, most embarrassing moments were when Chastain was showed some ‘tude, like in the hallway confrontation and the writing on the office window. The script just wasn’t built for it.) There’s no sabotage, no competitors, just work. Oh, and chronic failure. And somehow it didn’t feel like 2.5 hours! All the plot resistance comes from the difficulty of the task itself and bosses who like good work, sure, but demand incredibly great work. In the end, after all the collaboration, the actual fulfillment of the mission is completely out of our heroine’s hands. She just watches and listens, like us. And what’s interesting from a filmmaking standpoint, is that climax is pretty dry, detailed, by-the-book. There’s no personal bloodlust, just well-rehearsed and well-executed teamwork. The movie progress from the horrific, emotional opening, through a couple hours of procedural drudgery, to an incredibly competent raid. By the time we get to the end of the movie (sort of like how we might have felt by the end of the manhunt in real life), the ending lacks much triumph or satisfaction. Everything zipped up. On to the next. Like the heroine, I just felt drained. While we’re on the topic, I remember the song I was listening to when I heard that Bin Laden had been killed: Marvin Gaye’s &lt;a href=&#34;https://www.youtube.com/watch?v=uv4Xk7xJHOE&#34;&gt;If I Should Die Tonight&lt;/a&gt;. It was a strange night, wasn’t it?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2013</title>
    <link href="https://mlarson.org/2013/01/22/hidetaka-fukaya-il-micio-permanent-style-these/"/>
    <updated>2013-01-22T01:36:18.000Z</updated>
    <id>https://mlarson.org/2013/01/22/hidetaka-fukaya-il-micio-permanent-style-these/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mgzjkks6my1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.permanentstyle.co.uk/2013/01/hidetaka-fukaya-il-micio.html&#34;&gt;Hidetaka Fukaya, Il Micio - Permanent Style&lt;/a&gt;. These are awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Erik Davis - Trickster and tricked</title>
    <link href="https://mlarson.org/2013/01/19/erik-davis-trickster-and-tricked/"/>
    <updated>2013-01-19T17:15:34.000Z</updated>
    <id>https://mlarson.org/2013/01/19/erik-davis-trickster-and-tricked/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;All gurus try to undermine their followers’ egos and expectations, so does it matter if the teacher is a real fraud?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Kumare/dp/B00AIDXT5M&#34;&gt;Kumaré&lt;/a&gt; sounds interesting.&lt;br&gt;
&lt;a href=&#34;http://www.aeonmagazine.com/oceanic-feeling/erik-davis-guru-trickster/&#34;&gt;Erik Davis - Trickster and tricked&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fish Monkey&#39;s Writing Stuff: On Shoes</title>
    <link href="https://mlarson.org/2013/01/19/fish-monkeys-writing-stuff-on-shoes/"/>
    <updated>2013-01-19T17:15:21.000Z</updated>
    <id>https://mlarson.org/2013/01/19/fish-monkeys-writing-stuff-on-shoes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Shopping for shoes is largely free of body anxiety associated with clothes shopping.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Never thought of that. I remember asking a woman I used to work with about the allure of shoes. Her response, “It’s like a little sculpture. You can put it in your hand and look at it and it’s just perfect.” She’s an artist, so that might be a natural response, but I still think about it years later.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fishmonkey.blogspot.com/2012/12/on-shoes.html&#34;&gt;Fish Monkey&#39;s Writing Stuff: On Shoes&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2013</title>
    <link href="https://mlarson.org/2013/01/19/whenever-we-invent-something-new-our-neuroses/"/>
    <updated>2013-01-19T16:35:03.000Z</updated>
    <id>https://mlarson.org/2013/01/19/whenever-we-invent-something-new-our-neuroses/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Whenever we invent something new, our neuroses rush over there and get writ large.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/article.php?type=&amp;amp;id=1319&amp;amp;fulltext=1&amp;amp;media=#article-text-cutpoint&#34;&gt;George Saunders&lt;/a&gt;. And further in his LARB interview:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A definition of parenting: “That state in which, because of the existence of great love, an individual feels that he or she has failed, or is failing, or will soon fail.”&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>A Clockwork Orange</title>
    <link href="https://mlarson.org/2013/01/19/a-clockwork-orange-i-get-it-but-i-dont-get-it/"/>
    <updated>2013-01-19T02:18:55.000Z</updated>
    <id>https://mlarson.org/2013/01/19/a-clockwork-orange-i-get-it-but-i-dont-get-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mgu0c89pgx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Clockwork_Orange_(film)&#34;&gt;A Clockwork Orange&lt;/a&gt;. I get it, but I don’t get it. This was exhausting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Malick’s Music of the Spheres: The Tree of Life</title>
    <link href="https://mlarson.org/2013/01/17/malicks-music-of-the-spheres-the-tree-of-life/"/>
    <updated>2013-01-17T16:54:21.000Z</updated>
    <id>https://mlarson.org/2013/01/17/malicks-music-of-the-spheres-the-tree-of-life/</id>
    <content type="html">&lt;p&gt;Plenty of academic jargon, but I liked this look at the scoring for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt;’s movies over his career. And the idea that parts of &lt;a href=&#34;http://tumblr.mlarson.org/post/17889450052/the-tree-of-life-well-its-beautiful-and-huge&#34;&gt;The Tree of Life&lt;/a&gt; harken back to silent film mechanics (dominant score; voiceover ≈ dialogue intertitles) was interesting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.screeningthepast.com/2012/12/malick%E2%80%99s-music-of-the-spheres-%E2%80%93-the-tree-of-life/&#34;&gt;Malick’s Music of the Spheres: The Tree of Life&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Paris Review – CivilWarLand in Bad Decline: Preface, George Saunders</title>
    <link href="https://mlarson.org/2013/01/17/paris-review-civilwarland-in-bad-decline/"/>
    <updated>2013-01-17T16:54:17.000Z</updated>
    <id>https://mlarson.org/2013/01/17/paris-review-civilwarland-in-bad-decline/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I was in my twenties I had this plan to go to El Salvador and write about the experience. I had no money, didn’t speak Spanish, but this was “my dream.” I stopped by one day to see a friend of mine but found only his father home. I’d never spoken to this man before, not really. He was a truck driver, a father of eight, always went around in a white T-shirt and a pair of Buddy Holly glasses. But this day, we talked. I told him about my El Salvador plan, expecting him to find it indulgent. But instead he said, “You know what? You have to do it.”&lt;/p&gt;
&lt;p&gt;“Yes,” I said, with the force of revelation. “I do. I really do.”&lt;/p&gt;
&lt;p&gt;“And you know why?” he said. “Because you know who you’re going to blame if you don’t?”&lt;/p&gt;
&lt;p&gt;I did know.&lt;/p&gt;
&lt;p&gt;“Myself,” I said with a knowing smile.&lt;/p&gt;
&lt;p&gt;“Bullshit,” he said. “You’ll blame your wife and  kids.”&lt;/p&gt;
&lt;p&gt;I often thought of this conversation when I was stealing time from Radian to write this book. If I didn’t, I told myself, I was going to become a bitter old-fart version of myself, blaming Paula and the girls.&lt;/p&gt;
&lt;p&gt;So I stole like a mother. I wrote in the bathroom, I printed using the company printer, I turned away from my Kodak report to jot things down, I edited while waiting for an offsite groundwater remediation system to purge, I sometimes blew off a full afternoon when I was feeling ripe, although usually, when that happened, I’d take work home, just to be fair.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/25504334129/age-and-experience-will-slowly-whittle-away-at&#34;&gt;Amy Poehler&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;It’s been a few years since I’ve read any Saunders, but I’m really excited about &lt;a href=&#34;http://www.amazon.com/Tenth-December-Stories-George-Saunders/dp/0812993802&#34;&gt;his new book&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/blog/2013/01/07/civilwarland-in-bad-decline-preface/&#34;&gt;Paris Review – CivilWarLand in Bad Decline: Preface, George Saunders&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jacob Silverman: Some Notes on a Book</title>
    <link href="https://mlarson.org/2013/01/15/jacob-silverman-some-notes-on-a-book/"/>
    <updated>2013-01-15T21:18:19.000Z</updated>
    <id>https://mlarson.org/2013/01/15/jacob-silverman-some-notes-on-a-book/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.jacobsilverman.com/post/40606702072/some-notes-on-a-book&#34;&gt;jacobsilverman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Last month, I sold a proposal to HarperCollins for a book about social media and its role in online identity, privacy, self-expression, and Internet culture. All this began with my &lt;a href=&#34;http://www.slate.com/articles/arts/books/2012/08/writers_and_readers_on_twitter_and_tumblr_we_need_more_criticism_less_liking_.html&#34;&gt;“Against Enthusiasm”&lt;/a&gt; essay in Slate, but I’m now looking more broadly at the attention and sharing economies; how (for some people) life becomes reconstituted around the ways in which we can broadcast it online; how the wall between online and “real” life has largely collapsed; the values engineered into social networks (which include incessant liking and favoriting); and so forth.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/49baf7e773d82dca7b5e3e0e089f0cbb/tumblr_inline_mgodr1m01C1qzx7zc.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;If you’re interested in talking to me about the book, want to send me something to read, or you think there’s someone I should be talking to, please feel free to &lt;a href=&#34;mailto:%20jacobsilverman@gmail.com&#34;&gt;get in touch&lt;/a&gt;. I’ll still be doing some freelancing and book reviewing, though I’ll be focusing more on social media and the culture of technology. But for now, it’s time to get to work. The book will be out sometime in 2014 (release date TK). Thanks for reading.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I like and reblog this without reservation.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.jacobsilverman.com/post/40606702072/some-notes-on-a-book&#34;&gt;Jacob Silverman: Some Notes on a Book&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2013</title>
    <link href="https://mlarson.org/2013/01/15/im-59-years-old-i-dont-care-about-these/"/>
    <updated>2013-01-15T21:15:31.000Z</updated>
    <id>https://mlarson.org/2013/01/15/im-59-years-old-i-dont-care-about-these/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m 59 years old. I don’t care about these technology pets they have.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lvrj.com/news/if-you-lose-your-cellphone-don-t-blame-wayne-dobson-186670171.html&#34;&gt;If you lose your cellphone, don’t blame Wayne Dobson - ReviewJournal.com&lt;/a&gt;. I’d never thought about this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In 1997, cellphone users were roughly one in three callers to 911 dispatchers. And dispatchers didn’t know what to do in situations where the person couldn’t, or didn’t, provide their location. For land lines, dispatchers automatically knew where they were. If you were in Chicago calling from a cellphone with a 702 area code, for example, Chicago dispatchers would forward the call to Las Vegas police.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>What is art in the internet age? | Yale Insights</title>
    <link href="https://mlarson.org/2013/01/15/what-is-art-in-the-internet-age-yale-insights/"/>
    <updated>2013-01-15T00:04:47.000Z</updated>
    <id>https://mlarson.org/2013/01/15/what-is-art-in-the-internet-age-yale-insights/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Q: What are the incentives you think artists are responding to?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Money and fame and sex—the same as always—but now there’s a difference. You can’t perfect your masterwork for 20 years. There’s a bit of a hurry. There’s a sense that things are changing. You can end up obsolete.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Q: How about from the audience perspective? How different is consuming art versus other consumption?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;I think it’s changed enormously in the last 10 years. You see it in movie theaters, but it’s everywhere: people text or tweet and don’t pay full attention. They’re in some ways quite fussy. The attitude is, I’m already in control of my own informational life and entertainment. What else can you bring to the table? Not in a hostile way, but in an entirely legitimate “what have you got for me?” way. A lot of creators aren’t really up to it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://qn.som.yale.edu/content/what-art-internet-age&#34;&gt;What is art in the internet age? | Yale Insights&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Grey</title>
    <link href="https://mlarson.org/2013/01/14/the-grey-its-great-watch-it-there-are/"/>
    <updated>2013-01-14T21:40:54.000Z</updated>
    <id>https://mlarson.org/2013/01/14/the-grey-its-great-watch-it-there-are/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mgmou3obc61qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Grey&#34;&gt;The Grey&lt;/a&gt;. It’s great. Watch it. There are (spoiler) wolves that (spoiler) eat people! Cinematically! The occasional narration and flashbacks in the story didn’t entirely sit well with me right away, but the strength of the rest of the acting, set pieces, sound work, and general grim relentlessness were spot-on. I think maybe you can even argue in favor of the bluntness of the voiceover writing. We’re so used to heroes being accomplished, superlative, clever, admirable. This is kind of a regular guy, down and out and swallowed in his own drama. How many people have written a good diary entry, literariness-wise? Who, in those circumstances, would be self-conscious enough to turn out new insights and artisan memories? No, you get by on what you have with you. I didn’t think about that stuff much when I was watching the movie, though. I was already having too much fun. Other movies I’ve seen recently that involve the protagonist in a man vs. canine situation: &lt;a href=&#34;http://tumblr.mlarson.org/post/38909094326/the-hunter-great-movie-dafoe-is-awesome-per&#34;&gt;The Hunter&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/39272051120/white-dog-incredibly-blunt-b-level-message-movie&#34;&gt;White Dog&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/40529759642/the-bourne-legacy-if-you-tend-to-like-the-bourne&#34;&gt;The Bourne Legacy&lt;/a&gt;. Man vs. cat? &lt;a href=&#34;http://tumblr.mlarson.org/post/37768314256/life-of-pi-awesome-special-effects-and&#34;&gt;Life of Pi&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 14, 2013</title>
    <link href="https://mlarson.org/2013/01/14/ray-lewis-visits-elon-football-team-inspirational/"/>
    <updated>2013-01-14T18:56:09.000Z</updated>
    <id>https://mlarson.org/2013/01/14/ray-lewis-visits-elon-football-team-inspirational/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/FiSFdLh5xLQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=FiSFdLh5xLQ&#34;&gt;Ray Lewis visits Elon Football Team. Inspirational Speech&lt;/a&gt;. The thunder is a nice touch.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When you wake up in the mornings, don’t let your alarm clock be the only thing that wakes you up.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Noted - The Chronicle Review - The Chronicle of Higher Education</title>
    <link href="https://mlarson.org/2013/01/14/noted-the-chronicle-review-the-chronicle-of/"/>
    <updated>2013-01-14T18:13:32.000Z</updated>
    <id>https://mlarson.org/2013/01/14/noted-the-chronicle-review-the-chronicle-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In his 1689 &lt;em&gt;De arte Excerpendi&lt;/em&gt;, the Hamburg rhetorician Vincent Placcius described a &lt;em&gt;scrinium literatum&lt;/em&gt;, or literary cabinet, whose multiple doors held 3,000 hooks on which loose slips could be organized under various headings and transposed as necessary. Two of the cabinets were eventually built, one for Placcius’s own use and one acquired by Leibniz. It was an early manifestation of the principle that still governs our response to the knowledge explosion: The remedy for the problems created by information technology is more information technology.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/Noted/136419/&#34;&gt;Noted - The Chronicle Review - The Chronicle of Higher Education&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Bourne Legacy</title>
    <link href="https://mlarson.org/2013/01/14/the-bourne-legacy-if-you-tend-to-like-the-bourne/"/>
    <updated>2013-01-14T18:13:28.000Z</updated>
    <id>https://mlarson.org/2013/01/14/the-bourne-legacy-if-you-tend-to-like-the-bourne/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mgmnv9sdiv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Bourne_Legacy_(film)&#34;&gt;The Bourne Legacy&lt;/a&gt;. If you tend to like the &lt;em&gt;Bourne&lt;/em&gt; movies, you’ll like this &lt;em&gt;Bourne&lt;/em&gt; movie. Favorite moments: the wolf rivalry, the &lt;a href=&#34;https://www.youtube.com/watch?v=kYZbUzlniYc&#34;&gt;climb from basement to upstairs window&lt;/a&gt; and the con to enter the factory. We even got a little &lt;a href=&#34;http://tvtropes.org/pmwiki/pmwiki.php/Main/FruitCart&#34;&gt;fruit cart&lt;/a&gt; cameo. I’d love to see more more movies that show how insane and terrifying drones are.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2013</title>
    <link href="https://mlarson.org/2013/01/13/i-think-every-kid-wants-to-rebel-against-their/"/>
    <updated>2013-01-13T15:44:34.000Z</updated>
    <id>https://mlarson.org/2013/01/13/i-think-every-kid-wants-to-rebel-against-their/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think every kid wants to rebel against their parents and my parents are cool, artistic, creative people. So my way to rebel was to take the academic route. I always wanted to go to college and go to law school.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.garancedore.fr/en/2013/01/09/career-rashida/&#34;&gt;Rashida Jones&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2013</title>
    <link href="https://mlarson.org/2013/01/12/how-motion-pictures-became-the-movies-1908-1920/"/>
    <updated>2013-01-12T19:31:15.000Z</updated>
    <id>https://mlarson.org/2013/01/12/how-motion-pictures-became-the-movies-1908-1920/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/57245550&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/57245550&#34;&gt;How Motion Pictures Became the Movies 1908-1920&lt;/a&gt;. Homework! &lt;a href=&#34;http://davidbordwell.net/video/movielecture.php&#34;&gt;References and filmography&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2013</title>
    <link href="https://mlarson.org/2013/01/11/onion-talks-yes-im-an-idea-man-i-link-up-with/"/>
    <updated>2013-01-11T20:34:14.000Z</updated>
    <id>https://mlarson.org/2013/01/11/onion-talks-yes-im-an-idea-man-i-link-up-with/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/videoseries&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=DkGMY63FF3Q&amp;amp;list=SP4NL9i-Fu15hhYGB-d0hmSWD1fcIvLvn1&#34;&gt;Onion Talks&lt;/a&gt;. Yes!&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’m an idea man. I link up with implementers, and then we share the money.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2013</title>
    <link href="https://mlarson.org/2013/01/11/i-had-never-written-a-movie-before-and-dan-gave-me/"/>
    <updated>2013-01-11T18:44:22.000Z</updated>
    <id>https://mlarson.org/2013/01/11/i-had-never-written-a-movie-before-and-dan-gave-me/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I had never written a movie before and Dan gave me this huge list of movies and took me to Whole Foods with his laptop. We sat and watched every movie on the list frame-by-frame and talked through it. That was my film school, meeting with Dan at Whole Foods.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://hyperallergic.com/54507/lucy-alibar/&#34;&gt;Lucy Alibar&lt;/a&gt;, on adapting “Juicy and Delicious” into &lt;a href=&#34;http://tumblr.mlarson.org/post/26799622134/beasts-of-the-southern-wild-i-loved-this-movie&#34;&gt;Beasts of the Southern Wild&lt;/a&gt;. Easy as that.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>America’s favorite joke is anything but funny - Salon.com</title>
    <link href="https://mlarson.org/2013/01/11/americas-favorite-joke-is-anything-but-funny/"/>
    <updated>2013-01-11T18:44:17.000Z</updated>
    <id>https://mlarson.org/2013/01/11/americas-favorite-joke-is-anything-but-funny/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Without the foil, we would have to face our own poverties, our own barbarism, our own shelteredness, our own actual lack of sophistication.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The problem with a stereotype is usually not that it is completely inaccurate, but that it identifies a feature as relevant or important for irrelevant reasons and, in so doing, makes it difficult for the person or entity to break out of the stereotype and beyond it in observers’ eyes, which makes an authentic relationship with the stereotyped person or entity impossible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/rednecks&#34;&gt;rednecks&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stereotypes&#34;&gt;stereotypes&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/2013/01/07/whats_so_funny_about_being_poor/&#34;&gt;America’s favorite joke is anything but funny - Salon.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Film Crit Hulk Smash: HULK VS. TOM HOOPER AND ART OF CINEMATIC AFFECTATION | Badass Digest</title>
    <link href="https://mlarson.org/2013/01/11/film-crit-hulk-smash-hulk-vs-tom-hooper-and-art/"/>
    <updated>2013-01-11T17:38:09.000Z</updated>
    <id>https://mlarson.org/2013/01/11/film-crit-hulk-smash-hulk-vs-tom-hooper-and-art/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;IT IS NOT AN ACCIDENT THAT THEY CALL THE FILM CAMERA “GOD’S EYE” BECAUSE IT’S OUR GATEWAY TO OMNISCIENT EXPERIENCE. AND IT ALL ADDS UP TO ONE VERY SIMPLE NOTION &lt;em&gt;CINEMATOGRAPHY MATTERS&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://badassdigest.com/2013/01/09/film-crit-hulk-smash-hulk-vs.-tom-hooper-and-art-of-cinematic-affectation/&#34;&gt;Film Crit Hulk Smash: HULK VS. TOM HOOPER AND ART OF CINEMATIC AFFECTATION | Badass Digest&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interview: Big Boi « The FADER</title>
    <link href="https://mlarson.org/2013/01/09/interview-big-boi-the-fader/"/>
    <updated>2013-01-09T22:22:00.000Z</updated>
    <id>https://mlarson.org/2013/01/09/interview-big-boi-the-fader/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I discovered Phantogram’s music by chance, on a popup ad on the computer. I’m closing out of a ‘You have just won a prize’ screen and “Mouth Full of Diamonds” came on and I Shazamed it, bought the song, then invited them to Stankonia.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Easy as that.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thefader.com/2012/12/11/interview-big-boi/&#34;&gt;Interview: Big Boi « The FADER&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Don&#39;t Go to Business School! - The Daily Beast</title>
    <link href="https://mlarson.org/2013/01/09/dont-go-to-business-school-the-daily-beast/"/>
    <updated>2013-01-09T17:57:57.000Z</updated>
    <id>https://mlarson.org/2013/01/09/dont-go-to-business-school-the-daily-beast/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Teaching yourself to go after what you want, and accept the inevitable rejection that comes with that, will add more to your earning power than anything that you could possibly learn in class.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/meganmcardle&#34;&gt;Megan McArdle&lt;/a&gt; is my new &lt;a href=&#34;http://tumblr.mlarson.org/tagged/carolynhax&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thedailybeast.com/articles/2013/01/09/don-t-go-to-business-school.html&#34;&gt;Don&#39;t Go to Business School! - The Daily Beast&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mission: Impossible – Ghost Protocol</title>
    <link href="https://mlarson.org/2013/01/09/mission-impossible-ghost-protocol-forget-the/"/>
    <updated>2013-01-09T17:05:36.000Z</updated>
    <id>https://mlarson.org/2013/01/09/mission-impossible-ghost-protocol-forget-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mgdbg78som1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mission:_Impossible_%E2%80%93_Ghost_Protocol&#34;&gt;Mission: Impossible – Ghost Protocol&lt;/a&gt;. Forget the skyscraper scene, that dust storm chase was dope. Pretty stock otherwise, but with smartphones! I’m glad I saw it (it’s the second-best of the modern MI series, after the &lt;a href=&#34;http://tumblr.mlarson.org/post/30966408540/mission-impossible-the-gadgets-have-not-aged&#34;&gt;first one&lt;/a&gt;), despite all the times it made me groan. Oh, and Patton’s Jane Carter has nothing, &lt;em&gt;nothing&lt;/em&gt; on &lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;Carano’s Mallory Kane&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Julian Baggini – The art of coffee</title>
    <link href="https://mlarson.org/2013/01/09/julian-baggini-the-art-of-coffee/"/>
    <updated>2013-01-09T16:43:53.000Z</updated>
    <id>https://mlarson.org/2013/01/09/julian-baggini-the-art-of-coffee/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The logical consequence of molecular gastronomy is haute-mechanisation. If the best way to cook meat, for example, really is to vacuum-seal it with some herbs and spices and cook in water at 55 °C (131 °F) for 48 hours, then as soon as a suitable, cheap sous-vide cooker is available, there is no reason why a novice chef in a local pub, or anyone else for that matter, couldn’t collect it from the butcher and do as good a job as anyone else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.aeonmagazine.com/being-human/julian-baggini-coffee-artisans/&#34;&gt;Julian Baggini – The art of coffee&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite improvements of 2012</title>
    <link href="https://mlarson.org/2013/01/08/favorite-improvements-of-2012/"/>
    <updated>2013-01-08T02:58:32.000Z</updated>
    <id>https://mlarson.org/2013/01/08/favorite-improvements-of-2012/</id>
    <content type="html">&lt;p&gt;In addition to my previous posts on &lt;a href=&#34;http://tumblr.mlarson.org/post/39980307967/favorite-movies-of-2012&#34;&gt;movies&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/39980230129/favorite-books-of-2012&#34;&gt;books&lt;/a&gt;, and &lt;a href=&#34;http://tumblr.mlarson.org/post/38654662509/favorite-albums-of-2012&#34;&gt;music&lt;/a&gt;, I’ll mention some things that made my life better last year, in some way or another. I’m dividing it here into two parts: things I bought, and decisions I made.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Products&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Amazon Prime. Wonderful. Love it. I get another source for movies, and I get stuff I don’t always need, more quickly. This is why we made civilization.&lt;/li&gt;
&lt;li&gt;A grapefruit spoon. Great example of having the right tool for the job. When you need both cutting and scooping power. An incredibly thoughtful gift from a friend who listens well.&lt;/li&gt;
&lt;li&gt;A drain snake. There is no reason, in this day and age, in a nation of great prosperity, to suffer through domestic life with a slow or clogged drain. (I think I have a thing about drains. The sink strainers I bought a couple years ago still deliver me daily joy.)&lt;/li&gt;
&lt;li&gt;A shoehorn. I hate when my shoes get the crumpled heel counter. And it feels nice. Hard to explain, it just feels proper and kinda smug, which is great way to start the day.&lt;/li&gt;
&lt;li&gt;Better sound. The small, relatively inexpensive upgrades for my amplifier, headphones, and earbuds have made all the difference. Louder sound, cleaner sound, less background noise. And I don’t even think I’m much of an audiophile (……….yet?).&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.ghostery.com/&#34;&gt;Ghostery&lt;/a&gt; is a great way to fight the Man, and an easy, at-a-glance way to roughly gauge which sites are more bullshitty than others.&lt;/li&gt;
&lt;li&gt;Embracing a uniform, sorta. My favorite thing to wear is a grey t-shirt and jeans. Or grey t-shirts and pants. Or a grey sweatshirt. Or a blue or white button-up. Or some combination of the above. Boring. Predictable. Stockpile the good stuff and phase out the rest!&lt;/li&gt;
&lt;li&gt;Art. I ripped a bunch of things out of art books to frame, but I also bought a kick-ass print to hang by my desk and had a friend make me a painting that sits in the bedroom.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Decisions&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I resigned from my job at &lt;a href=&#34;http://www.howstuffworks.com/&#34;&gt;HowStuffWorks&lt;/a&gt;. I had a good run, but it was probably past time. (4.5 years! Dang, y&#39;all.)&lt;/li&gt;
&lt;li&gt;I started a new job at &lt;a href=&#34;http://www.simplepart.com/&#34;&gt;SimplePart&lt;/a&gt;. Awesome startup I was super-stoked to join.&lt;/li&gt;
&lt;li&gt;I resigned from that new job at SimplePart. Awesome company, but the wrong fit, it turns out. No hard feelings on either side. They’re gonna make piles of money.&lt;/li&gt;
&lt;li&gt;Taking my time to figure it out. I’m lucky I’ve been a disciplined miser since college, which gives me the chance to leap into the great unemployed unknown every now and then (and &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600553114109/&#34;&gt;go&lt;/a&gt; &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157594498835896/&#34;&gt;hiking&lt;/a&gt;). This whole discernment process has been exhausting/exciting/stressful/fun, depending on the day/week/minute. Who knows what’s next?&lt;/li&gt;
&lt;li&gt;I started going to therapy. There is nothing quite like it. Everyone I’ve mentioned it to has been supportive and/or jealous. Not to claim that I’ve made huge strides as a human being, but I can’t think of anyone who would not benefit from setting aside some time (and money, yeah) for thoughtful conversation focused on yourself.&lt;/li&gt;
&lt;li&gt;I called my family more often. This isn’t saying much, but it’s a step in the right direction for sure.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Here’s to another year of small improvements and big ones.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite movies of 2012</title>
    <link href="https://mlarson.org/2013/01/08/favorite-movies-of-2012/"/>
    <updated>2013-01-08T02:40:00.000Z</updated>
    <id>https://mlarson.org/2013/01/08/favorite-movies-of-2012/</id>
    <content type="html">&lt;p&gt;I watched more movies in 2012 than any other year of my life, by far (132). I should have taken up cinephilia years and years ago. Although, um, I maybe should tone it down a bit?&lt;/p&gt;
&lt;p&gt;Some of the high points this year came from diving deep into &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;Steven Soderbergh&lt;/a&gt;, and yeah, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/benaffleck&#34;&gt;Ben Affleck&lt;/a&gt;, along with re-watching a good collection of old favorites. Below are some new-to-me movies that I loved in 2012. I looked at &lt;a href=&#34;http://letterboxd.com/markdlarson/films/diary/&#34;&gt;my diary on Letterboxd&lt;/a&gt;, and listed the movies that I gave either 4.5 or 5 stars. All the links go to my own reviews:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/37885829294/heat-my-third-viewing-first-second-this-is&#34;&gt;Heat&lt;/a&gt; (&lt;a href=&#34;http://tumblr.mlarson.org/post/36615055083/heat-michael-mann-man-this-still-blows-my-mind&#34;&gt;watched&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;3x&lt;/a&gt;!) “Yeah, this is definitely going on my list of movies that are 1) more than 2.5 hours long, and 2) worth watching 3x or more.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/32984831049/lawrence-of-arabia-ridiculously-spectacular-most&#34;&gt;Lawrence of Arabia&lt;/a&gt;. “&lt;a href=&#34;http://tumblr.mlarson.org/tagged/davidlean&#34;&gt;David Lean&lt;/a&gt;? This, &lt;a href=&#34;http://tumblr.mlarson.org/post/1126595864/doctor-zhivago-beautifully-set-shot-and-acted&#34;&gt;Doctor Zhivago&lt;/a&gt;, and &lt;a href=&#34;http://tumblr.mlarson.org/post/555100892/brief-encounter-this-was-pretty-good-i-enjoyed&#34;&gt;Brief Encounter&lt;/a&gt;? There’s a resume for you.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/26799622134/beasts-of-the-southern-wild-i-loved-this-movie&#34;&gt;Beasts of the Southern Wild&lt;/a&gt;. “Best soundtrack of the year so far? I might have cried twice.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/15619928959/the-new-world-in-which-the-title-is-a-metaphor&#34;&gt;The New World&lt;/a&gt;. “You’re forced to set aside Disney memories and whatever historical précis you’ve got leftover from school.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/16635260144/the-iron-giant-the-greatest-anti-war-film-ever&#34;&gt;The Iron Giant&lt;/a&gt;. “The greatest anti-war film ever made.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/18743478991/certified-copy-its-really-brilliant-and-its&#34;&gt;Certified Copy&lt;/a&gt;. “The surprises depend on you coming to a conclusion, one way or another, and the way the movie unfolds, you have to question what you come up with.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/18913084251/take-shelter-this-one-isnt-great-as-a-thriller&#34;&gt;Take Shelter&lt;/a&gt;. “Often when I see extreme psychological issues on screen it feels like an excuse for spectacle, it’s motive, it’s entertainment. Michael Shannon’s paranoia just breaks him.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/37995060289/warrior-so-good-you-guys-i-love-this-movie-so&#34;&gt;Warrior&lt;/a&gt; (&lt;a href=&#34;http://tumblr.mlarson.org/post/31993500441/warrior-some-plot-points-are-about-subtle-as-a&#34;&gt;2x&lt;/a&gt;!) “Some plot points are about subtle as a kick to the head, but the power is there, too.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/32544253408/midnight-in-paris-thats-what-the-present-is&#34;&gt;Midnight in Paris&lt;/a&gt;. “I love our hero’s giddy, can’t-believe-his-luck enthusiasm. This might be my favorite Owen Wilson performance ever.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/32399201185/the-night-of-the-hunter-so-strange-and-so-cool&#34;&gt;The Night of the Hunter&lt;/a&gt;. “Some things aren’t right in this neighborhood. Perfect horror.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt;. “I also like that this thief isn’t an MI-style sneaky ninja techno-athlete or some kind of &lt;a href=&#34;http://www.youtube.com/watch?v=mr834Cs9ncs&#34;&gt;capoeira breakdancer&lt;/a&gt;. He’s an old man. He’s got a limp. He wants to have a wife and kid.”&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And what the hell, here are the 4-star movies from 2012. It’s a thin line:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/39060487450/fame-like-i-said-after-i-watched-mystic-pizza&#34;&gt;Fame&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/38909094326/the-hunter-great-movie-dafoe-is-awesome-per&#34;&gt;The Hunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/37118661047/the-killing-ive-seen-2001-a-space-odyssey-four&#34;&gt;The Killing&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/34572090666/two-lane-blacktop-theres-not-a-lot-of-explicit&#34;&gt;Two-Lane Blacktop&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/33614782769/apocalypse-now-um-epic&#34;&gt;Apocalypse Now&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/33614768552/star-trek-ii-the-wrath-of-khan-it-really-is&#34;&gt;Star Trek II: The Wrath of Khan&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/32647261393/the-girlfriend-experience-gotta-admit-i-loved&#34;&gt;The Girlfriend Experience&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/31066449623/compliance-man-i-have-never-been-so-uneasy-in-a&#34;&gt;Compliance&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/31066043274/public-enemies-its-a-good-ride-and-its&#34;&gt;Public Enemies&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/37113063397/melancholia-i-like-it-even-more-on-second-viewing&#34;&gt;Melancholia&lt;/a&gt; (&lt;a href=&#34;http://tumblr.mlarson.org/post/22594713909/melancholia-i-really-wish-id-seen-this-on-the&#34;&gt;2x&lt;/a&gt;)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/16065636326/bill-cunningham-new-york-very-highly-recommended&#34;&gt;Bill Cunningham New York&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/16390031242/beginners-what-a-good-sweet-movie-if-you-miss&#34;&gt;Beginners&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/16506104851/the-crowd-it-took-a-while-for-the-talkies-to&#34;&gt;The Crowd&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17553937786/gilda-this-one-is-worth-watching-for-rita&#34;&gt;Gilda&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17721606976/sweet-smell-of-success-its-about-information&#34;&gt;Sweet Smell of Success&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/19631846452/tucker-dale-vs-evil-the-best-genre-satire&#34;&gt;Tucker &amp;amp; Dale vs. Evil&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/20318525250/13-assassins-one-important-thing-others&#34;&gt;13 Assassins&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite books of 2012</title>
    <link href="https://mlarson.org/2013/01/08/favorite-books-of-2012/"/>
    <updated>2013-01-08T02:39:00.000Z</updated>
    <id>https://mlarson.org/2013/01/08/favorite-books-of-2012/</id>
    <content type="html">&lt;p&gt;Like my &lt;a href=&#34;http://tumblr.mlarson.org/post/38654662509/favorite-albums-of-2012&#34;&gt;year in music&lt;/a&gt;, my reading was also a little down this year, especially over late summer and fall. I think I did pretty well on fiction this time around, though. I’ll stick to a couple picks for each month:&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;January&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/Extra-Lives-Video-Games-Matter/dp/0307474313&#34;&gt;Extra Lives&lt;/a&gt;. Why video games are awesome and why they make you feel guilty and ashamed. And more! (&lt;a href=&#34;http://www.mlarson.org/2012/02/08/extra-lives-review/&#34;&gt;reviewed&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Runner-up: &lt;a href=&#34;http://www.amazon.com/The-Art-Fielding-A-Novel/dp/0316126691&#34;&gt;The Art of Fielding&lt;/a&gt;. A tale of baseball and friendship that’s much, much better than it sounds. (&lt;a href=&#34;http://www.mlarson.org/2012/12/23/the-art-of-fielding/&#34;&gt;reviewed&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/Steal-Like-Artist-Things-Creative/dp/0761169253&#34;&gt;Steal Like an Artist&lt;/a&gt;. Obviously. But &lt;a href=&#34;http://www.austinkleon.com/steal/praise/&#34;&gt;you don’t have to take my word for it&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Runner-up: &lt;a href=&#34;http://www.amazon.com/Hark-A-Vagrant-Kate-Beaton/dp/1770460608&#34;&gt;Hark! A Vagrant&lt;/a&gt;. I wish this was my high school history textbook.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/Distrust-Particular-Flavor-William-Gibson/dp/042525299X&#34;&gt;Distrust That Particular Flavor&lt;/a&gt;. Twenty years of work from a great mind. I &lt;a href=&#34;http://tumblr.mlarson.org/tagged/williamgibson&#34;&gt;tumbled&lt;/a&gt; a bunch of quotes.&lt;/p&gt;
&lt;p&gt;Runner-up: &lt;a href=&#34;http://www.amazon.com/Dreamtigers-Texas-Pan-American-Series/dp/0292715498&#34;&gt;Dreamtigers&lt;/a&gt;. Only giving this one second place because I’ve read some of the stories before. Borges is still a champ.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/The-Gift-Fear-Gavin-Becker/dp/0440226198&#34;&gt;The Gift of Fear&lt;/a&gt;. A fascinating look at the psychology of trust. (&lt;a href=&#34;http://www.mlarson.org/2012/04/24/the-gift-of-fear-review/&#34;&gt;reviewed&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Runner-up: &lt;a href=&#34;http://www.amazon.com/Philosophy-Bites-David-Edmonds/dp/0199576327&#34;&gt;Philosophy Bites&lt;/a&gt;, for thoughtful variety that, like the podcast of the same name, doesn’t waste your time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/Religion-Atheists-Non-believers-Guide-Uses/dp/0307379108&#34;&gt;Religion for Atheists&lt;/a&gt;, for its thoughtful, inquisitive look at something many of us are already decided about. One of my favorites this year. (&lt;a href=&#34;http://www.mlarson.org/2012/06/21/religion-for-atheists-review/&#34;&gt;reviewed&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Runner-up: &lt;a href=&#34;http://www.amazon.com/Macbeth-Oxford-School-Shakespeare-William/dp/0198324006&#34;&gt;Macbeth&lt;/a&gt;, for being short and sweeping and brilliant. (&lt;a href=&#34;http://tumblr.mlarson.org/tagged/macbeth&#34;&gt;tumbled&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Second runner-up: &lt;a href=&#34;http://www.amazon.com/Mindless-Eating-More-Than-Think/dp/0345526880&#34;&gt;Mindless Eating&lt;/a&gt;, for its friendly, simple, super-practical approach to habits you might want to change. (&lt;a href=&#34;http://www.mlarson.org/2012/05/20/mindless-eating-review/&#34;&gt;reviewed&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt;&lt;br&gt;
{sound of crickets}&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/An-Economist-Gets-Lunch-Everyday/dp/0525952667&#34;&gt;An Economist Gets Lunch&lt;/a&gt;, for Tyler Cowen’s typically counter-intuitive, omnivorous openness to experience. I’m a &lt;a href=&#34;http://tumblr.mlarson.org/tagged/tylercowen&#34;&gt;huge fan&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Runner-up: &lt;a href=&#34;http://www.amazon.com/Imaginary-Magnitude-Stanislaw-Lem/dp/0156441802&#34;&gt;Imaginary Magnitude&lt;/a&gt;. A collection of introductions to fictional books covering, among other things, x-ray pornograms, computer-generated literature, and a biography of a sentient, moody super-computer. If you like the Borges above, or Borges in general, or strange science fiction, or strange conceptual writing in general, this is absolutely a book for you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August, September, October&lt;/strong&gt;&lt;br&gt;
{embarrassed silence}&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/Mr-Penumbras-24-Hour-Bookstore-Novel/dp/0374214913&#34;&gt;Mr. Penumbra’s 24-Hour Bookstore&lt;/a&gt;. This is tied with &lt;em&gt;The Art of Fielding&lt;/em&gt; for the “How did he make that book so page-turnable?” award. A light, bright, fun adventure. &lt;a href=&#34;http://www.robinsloan.com/&#34;&gt;Robin Sloan&lt;/a&gt; is next-level.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt;&lt;br&gt;
&lt;a href=&#34;http://www.amazon.com/Visit-Goon-Squad-Jennifer-Egan/dp/0307477479&#34;&gt;A Visit from the Goon Squad&lt;/a&gt;. Growing up in a music-heavy world. I like that every chapter has a different voice, perspective, and structure.&lt;/p&gt;
&lt;p&gt;Runner-up: &lt;a href=&#34;http://www.amazon.com/The-First-Four-Notes-Imagination/dp/0307593282&#34;&gt;The First Four Notes&lt;/a&gt;, for its wide-ranging history of philosophy and aesthetics that uses Beethoven’s music as the pivot point.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2013</title>
    <link href="https://mlarson.org/2013/01/07/motivation-behavior-change-bj-fogg/"/>
    <updated>2013-01-07T19:13:15.000Z</updated>
    <id>https://mlarson.org/2013/01/07/motivation-behavior-change-bj-fogg/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mg9ozaamem1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/bjfogg/status/288338294629093376/photo/1/large&#34;&gt;Motivation &amp;amp; Behavior Change - BJ Fogg&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>George Saunders Has Written the Best Book You’ll Read This Year - NYTimes.com</title>
    <link href="https://mlarson.org/2013/01/07/george-saunders-has-written-the-best-book-youll/"/>
    <updated>2013-01-07T16:06:54.000Z</updated>
    <id>https://mlarson.org/2013/01/07/george-saunders-has-written-the-best-book-youll/</id>
    <content type="html">&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/georgesaunders&#34;&gt;George Saunders&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2013/01/06/magazine/george-saunders-just-wrote-the-best-book-youll-read-this-year.html?partner=rss&amp;amp;emc=rss&amp;amp;smid=tw-nytimes&amp;amp;_r=1&amp;amp;pagewanted=all&amp;amp;&#34;&gt;George Saunders Has Written the Best Book You’ll Read This Year - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2013</title>
    <link href="https://mlarson.org/2013/01/06/trombone-silliness-yes-via/"/>
    <updated>2013-01-06T18:43:55.000Z</updated>
    <id>https://mlarson.org/2013/01/06/trombone-silliness-yes-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/_iSzgi2VhDw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=_iSzgi2VhDw&#34;&gt;Trombone Silliness&lt;/a&gt;. Yes! (&lt;a href=&#34;https://twitter.com/ibogost/status/287987033241182210&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Millions : My New Year’s Resolution: Read Fewer Books</title>
    <link href="https://mlarson.org/2013/01/05/the-millions-my-new-years-resolution-read/"/>
    <updated>2013-01-05T01:59:03.000Z</updated>
    <id>https://mlarson.org/2013/01/05/the-millions-my-new-years-resolution-read/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In an odd way, the fact that no one else knows has made me more competitive, not less. I’m sure serious runners are familiar with this seeming paradox. Maybe nobody else knows that you shaved 1.2 seconds off your personal best time for the mile, but &lt;em&gt;you&lt;/em&gt; know — and that knowledge, plus the fact that your achievement has brought you no external reward, gives you a perverse sense of satisfaction. Or no, let’s be honest about this: it gives you a perverse sense of superiority.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.themillions.com/2013/01/my-new-years-resolution-read-fewer-books.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20themillionsblog/fedw%20(The%20Millions)&#34;&gt;The Millions : My New Year’s Resolution: Read Fewer Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Django Unchained</title>
    <link href="https://mlarson.org/2013/01/04/django-unchained-the-best-way-to-summarize-my/"/>
    <updated>2013-01-04T19:50:00.000Z</updated>
    <id>https://mlarson.org/2013/01/04/django-unchained-the-best-way-to-summarize-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mg49mb2wgv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Django_Unchained&#34;&gt;Django Unchained&lt;/a&gt;. The best way to summarize my experience is that this movie made me excited about what movies can do. And like &lt;a href=&#34;http://tumblr.mlarson.org/post/31066449623/compliance-man-i-have-never-been-so-uneasy-in-a&#34;&gt;Compliance&lt;/a&gt;, a huge part of the experience is how you share it with a theater full of other viewers. Powerful, thoughtful entertainment that makes you think about why you’re entertained.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Django, the N-Word, and How We Talk About Race in 2013 - Grantland</title>
    <link href="https://mlarson.org/2013/01/04/django-the-n-word-and-how-we-talk-about-race-in/"/>
    <updated>2013-01-04T17:42:20.000Z</updated>
    <id>https://mlarson.org/2013/01/04/django-the-n-word-and-how-we-talk-about-race-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;While not the same, because it’s much more complex, this “Django Moment” is an evolutionary advancement to my own personal “&lt;a href=&#34;http://www.grantland.com/blog/hollywood-prospectus/post/_/id/45677/sxsw-monday-recap-an-awkward-moment-at-that-jay-z-concert&#34;&gt;Jay-Z Moment&lt;/a&gt;,” in which the decision has to be made, going into one of his shows, of how to attack the N-word. While most certainly not just tied to Mr. Carter, the overall sentiment of “I’m not black, but I want to say the N-word at this concert, because the rapper onstage is practically begging me to say it along with him” has long been something to note among his ever growing, ever more mainstream fan base. What’s happening in Django is simply taking that premise to the next, more intense level.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Really good stuff from Rembert Browne (&lt;a href=&#34;http://twitter.com/rembert&#34;&gt;@rembert&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/blog/hollywood-prospectus/post/_/id/64541/django-the-n-word-and-how-we-talk-about-race-in-2013&#34;&gt;Django, the N-Word, and How We Talk About Race in 2013 - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2013</title>
    <link href="https://mlarson.org/2013/01/04/this-is-what-rss-is-for-these-days-you-set-a/"/>
    <updated>2013-01-04T17:31:57.000Z</updated>
    <id>https://mlarson.org/2013/01/04/this-is-what-rss-is-for-these-days-you-set-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This is what RSS is for, these days: you set a snare, leave it, and trap for yourself the words you want to read most.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2013/8049&#34;&gt;Robin Sloan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What&#39;s Better: Cell Phones or Indoor Toilets? - The Daily Beast</title>
    <link href="https://mlarson.org/2013/01/04/whats-better-cell-phones-or-indoor-toilets/"/>
    <updated>2013-01-04T17:31:52.000Z</updated>
    <id>https://mlarson.org/2013/01/04/whats-better-cell-phones-or-indoor-toilets/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m not sure how revealing it is that people in rural China and Africa have chosen something that is relatively inexpensive and available, over something that is fairly expensive, and isn’t. Saying “Well, they didn’t install this totally inadequate substitute” doesn’t really persuade me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/meganmcardle&#34;&gt;Megan McArdle&lt;/a&gt; FTW.&lt;br&gt;
&lt;a href=&#34;http://www.thedailybeast.com/articles/2013/01/03/what-s-better-cell-phones-or-indoor-toilets.html&#34;&gt;What&#39;s Better: Cell Phones or Indoor Toilets? - The Daily Beast&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Un flic (A Cop/Dirty Money)</title>
    <link href="https://mlarson.org/2013/01/01/un-flic-a-copdirty-money-i-love-seeing-older/"/>
    <updated>2013-01-01T23:11:56.000Z</updated>
    <id>https://mlarson.org/2013/01/01/un-flic-a-copdirty-money-i-love-seeing-older/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2013/01/tumblr_mfyz1daz7k1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Un_flic&#34;&gt;Un flic (A Cop/Dirty Money)&lt;/a&gt;. I love seeing older movies like this and realize I’m seeing some of the early DNA for later films. Like the camera that circles the group as they plan/explain the upcoming heist. The helicopter+locomotive scene was surely an inspiration for &lt;a href=&#34;http://tumblr.mlarson.org/post/30966408540/mission-impossible-the-gadgets-have-not-aged&#34;&gt;Mission Impossible&lt;/a&gt;. And the ending, where the camera holds on Delon’s face as he drives? You see the same thing echoed at the close of &lt;a href=&#34;http://tumblr.mlarson.org/post/320599973/michael-clayton-i-was-really-impressed-with-this&#34;&gt;Michael Clayton&lt;/a&gt;. You’re invited to linger on the protagonist and speculate about how they feel about the whole ordeal. Oh, and I love Delon’s (anti-)hero here. He’s not traditionally noble. Like how he handles the love triangle. Or the part where, instead of trying to prevent a suicide and collar a live suspect, he closes the door? Woah! And about those criminals: like I mentioned when I watched &lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt;, there’s something about seeing middle-aged guys doing heists that’s kind of refreshing. And the one guy hiding the moonlighting from his wife! He’s like, “The job interview went okay. Long day!” Ha! This movie also has: 1. Catherine Deneuve (not enough, but hey). 2. A character nicknamed Matthew Suitcase. 3. A transvestite informer (/love interest?). Looks great, sounds great. Great movie. Jean-Pierre Melville’s &lt;a href=&#34;http://tumblr.mlarson.org/post/2050310352/le-samourai-when-i-came-across-this-i-was&#34;&gt;Le Samouraï&lt;/a&gt; is also very good. I also love Alain Delon in &lt;a href=&#34;http://tumblr.mlarson.org/post/492467695/plein-soleil-purple-noon-this-movie-is&#34;&gt;Plein Soleil/Purple Noon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Badlands: An Oral History: Movies   TV: GQ</title>
    <link href="https://mlarson.org/2013/01/01/badlands-an-oral-history-movies-tv-gq/"/>
    <updated>2013-01-01T18:04:24.000Z</updated>
    <id>https://mlarson.org/2013/01/01/badlands-an-oral-history-movies-tv-gq/</id>
    <content type="html">&lt;p&gt;Martin Sheen:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Terry called one night and said, “I want you to play the part.” I had to get up very early the next morning to go to work, and I was driving along the Pacific Coast Highway in a little Mazda. I was listening to a Dylan album I was fond of, and the song “Desolation Row” was playing, and the sun was rising, and it hit me that I was going to play the role of my life. I had been a professional actor since I was eighteen. I was thirty-one, I had four children, I was struggling, doing a lot of television—a lot of bad, silly work just to make ends meet—and I wasn’t having any luck in features to speak of, and here was the part of my life. And I was overwhelmed, and I pulled off to the side of the road, and I wept uncontrollably.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also, from assistant director Bill Scott:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We were so green. A couple years ago, Terry told me that on that first morning of filming, after he got his big wide shot, the cameraman turned to him and said, “Should we go in for coverage now, Terry?” And Terry said, “No, let’s do an over-the-shoulder shot’&amp;quot;—which is coverage. And I remember when someone asked me if I had ordered the honeywagon, I said, &amp;quot;Yeah, the catering’s all lined up.” The honeywagon’s the toilet truck.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I gotta watch &lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;Badlands&lt;/a&gt; again.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gq.com/entertainment/movies-and-tv/201105/badlands-oral-history?printable=true&#34;&gt;Badlands: An Oral History: Movies TV: GQ&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>White Dog</title>
    <link href="https://mlarson.org/2012/12/31/white-dog-incredibly-blunt-b-level-message-movie/"/>
    <updated>2012-12-31T03:11:00.000Z</updated>
    <id>https://mlarson.org/2012/12/31/white-dog-incredibly-blunt-b-level-message-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mfvkuqm96h1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/White_Dog&#34;&gt;White Dog&lt;/a&gt;. Incredibly blunt B-level message movie with terrible dialogue, but it works in a &lt;em&gt;Night of the Living Dead&lt;/em&gt; kind of way. Ennio Morricone soundtrack helps for sure.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 30, 2012</title>
    <link href="https://mlarson.org/2012/12/30/what-i-read-2007-2012-amazing-how-it-all-adds/"/>
    <updated>2012-12-30T01:04:08.000Z</updated>
    <id>https://mlarson.org/2012/12/30/what-i-read-2007-2012-amazing-how-it-all-adds/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157601575033868/&#34;&gt;What I Read, 2007-2012&lt;/a&gt;. Amazing how it all adds up. Six years, 400-something books and counting. (Sometimes &lt;a href=&#34;http://www.mlarson.org/category/reviews/&#34;&gt;I write about them&lt;/a&gt;.)&lt;/p&gt;
&lt;p&gt;As with any long-term journaling, what’s especially fun is the bigger picture you get from looking back. I see the individual books, yes, and my passing topical interests and ongoing obsessions, but I also see who I was hanging out with, who I was influenced by, and an incidental history of where I was living.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cold Hard Facts of Freezing to Death | OutsideOnline.com</title>
    <link href="https://mlarson.org/2012/12/29/the-cold-hard-facts-of-freezing-to-death/"/>
    <updated>2012-12-29T23:15:06.000Z</updated>
    <id>https://mlarson.org/2012/12/29/the-cold-hard-facts-of-freezing-to-death/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No one can yet predict exactly how quickly and in whom hypothermia will strike–and whether it will kill when it does. The cold remains a mystery, more prone to fell men than women, more lethal to the thin and well muscled than to those with avoirdupois, and least forgiving to the arrogant and the unaware.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In other words, I’m doomed. I remember reading Jack London’s &lt;a href=&#34;http://www.jacklondons.net/buildafire.html&#34;&gt;To Build a Fire&lt;/a&gt; and watching the &lt;a href=&#34;http://www.youtube.com/watch?v=RBB06RLmCcU&#34;&gt;short film adaptation&lt;/a&gt; in middle school. Love it. Keep your gloves on, folks.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.outsideonline.com/outdoor-adventure/As-Freezing-Persons-Recollect-the-Snow--First-Chill--Then-Stupor--Then-the-Letting-Go.html?page=all&#34;&gt;The Cold Hard Facts of Freezing to Death | OutsideOnline.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2012</title>
    <link href="https://mlarson.org/2012/12/29/maps-are-not-only-about-space-theyre-also-about/"/>
    <updated>2012-12-29T23:15:01.000Z</updated>
    <id>https://mlarson.org/2012/12/29/maps-are-not-only-about-space-theyre-also-about/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Maps are not only about space, they’re also about time: maps are frozen journeys.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/In-Other-Worlds-Human-Imagination/dp/0307741761/&#34;&gt;Margaret Atwood&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Finding the Words (or Not) to Say Goodbye - NYTimes.com</title>
    <link href="https://mlarson.org/2012/12/29/finding-the-words-or-not-to-say-goodbye/"/>
    <updated>2012-12-29T02:51:06.000Z</updated>
    <id>https://mlarson.org/2012/12/29/finding-the-words-or-not-to-say-goodbye/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;After working with terminal patients for over 30 years, Dr. Byock recommends four simple expressions. “Please forgive me.” “I forgive you.” “Thank you.” “I love you.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/death&#34;&gt;death&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/12/30/fashion/finding-the-words-or-not-to-say-goodbye.html?smid=tw-nytimes&amp;amp;_r=1&amp;amp;pagewanted=all&amp;amp;&#34;&gt;Finding the Words (or Not) to Say Goodbye - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2012</title>
    <link href="https://mlarson.org/2012/12/28/strangewood-storyboards-for-alfred-hitchcocks/"/>
    <updated>2012-12-28T20:11:00.000Z</updated>
    <id>https://mlarson.org/2012/12/28/strangewood-storyboards-for-alfred-hitchcocks/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://strangewood.tumblr.com/post/38021836049&#34;&gt;strangewood&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Storyboards for Alfred Hitchcock’s &lt;a href=&#34;http://www.youtube.com/watch?v=ydLJtKlVVZw&#34;&gt;&lt;strong&gt;The Birds&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This reminds me of &lt;a href=&#34;http://www.youtube.com/watch?v=ltl0EQ9O7Gg&amp;amp;t=0m50s&#34;&gt;Betty Draper vs. the pigeons&lt;/a&gt;.&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/ltl0EQ9O7Gg&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
</content>
  </entry>
  
  <entry>
    <title>Fame</title>
    <link href="https://mlarson.org/2012/12/28/fame-like-i-said-after-i-watched-mystic-pizza/"/>
    <updated>2012-12-28T19:55:10.000Z</updated>
    <id>https://mlarson.org/2012/12/28/fame-like-i-said-after-i-watched-mystic-pizza/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mfraxj5ypc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Fame_%281980_film%29&#34;&gt;Fame&lt;/a&gt;. Like I said after I watched &lt;a href=&#34;http://tumblr.mlarson.org/post/32221889055/mystic-pizza-the-80s-were-a-golden-era-for&#34;&gt;Mystic Pizza&lt;/a&gt;, the bildungsroman reached a huge peak in the ‘80s. I was totally sold on a few &lt;a href=&#34;https://www.youtube.com/watch?v=UZASveVzcV0&#34;&gt;really&lt;/a&gt; &lt;a href=&#34;https://www.youtube.com/watch?v=KXIEukQKWqU&#34;&gt;awesome&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=_g7byKNH05g&#34;&gt;musical&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=q6YpipBvGTc&#34;&gt;numbers&lt;/a&gt; in there, none of them feeling too super-campy-fabulous, but the real payoff is actually the stories in between. The few main chapters (auditions, freshman year, sophomore year, etc.) each present a few vignettes revolving around a collection of teen hopefuls. Success, stress, trauma, persistence. Great movie. I have no interest in the remake. Another wonderful, episodic film about New York teens (from a different demographic) wrestling with their fears and expectations is &lt;a href=&#34;http://tumblr.mlarson.org/post/14940265927/metropolitan-i-loved-it-what-we-have-is-a&#34;&gt;Metropolitan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tweetage Wasteland : Get Off My Stoop</title>
    <link href="https://mlarson.org/2012/12/28/tweetage-wasteland-get-off-my-stoop/"/>
    <updated>2012-12-28T19:55:02.000Z</updated>
    <id>https://mlarson.org/2012/12/28/tweetage-wasteland-get-off-my-stoop/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The standards once applied to reporting are now often reserved for correction writing. […] If you tell me that a lunatic killed twenty kids in an elementary school, that gives me enough to process for a while. I can wait a few minutes or a few hours (or even a few days) to learn about the details about the shooter’s psyche or his relationship with his deceased mother. But these days, it seems, no one producing news can wait. But someone has to wait. Little value for journalists or their readership is created in the race to be first. We need a media that races to be right.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tweetagewasteland.com/2012/12/get-off-my-stoop/&#34;&gt;Tweetage Wasteland : Get Off My Stoop&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When Bram Met Walt | Humanities</title>
    <link href="https://mlarson.org/2012/12/28/when-bram-met-walt-humanities/"/>
    <updated>2012-12-28T19:54:57.000Z</updated>
    <id>https://mlarson.org/2012/12/28/when-bram-met-walt-humanities/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When he was twenty-two, Bram Stoker read and fell in love with Walt Whitman’s poetry, finding solace and joy between the covers of Leaves of Grass. And, like many fans, he wanted the connection that he felt to Whitman to be real. Late one night, cloaked in the comfort of darkness, Stoker poured his soul out to Whitman in a shockingly honest letter that described himself and his disposition. That letter, when Stoker finally mustered the courage to mail it, would begin an unexpected literary friendship that lasted until Whitman’s death.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.neh.gov/humanities/2012/novemberdecember/feature/when-bram-met-walt&#34;&gt;When Bram Met Walt | Humanities&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Conversations: Walter Murch and the Art of Editing Film</title>
    <link href="https://mlarson.org/2012/12/27/the-conversations-walter-murch-and-the-art-of/"/>
    <updated>2012-12-27T20:25:00.000Z</updated>
    <id>https://mlarson.org/2012/12/27/the-conversations-walter-murch-and-the-art-of/</id>
    <content type="html">&lt;p&gt;After &lt;a href=&#34;http://tumblr.mlarson.org/post/38972176455/thx-1138-part-of-me-wishes-that-george-lucas-had&#34;&gt;watching THX 1138&lt;/a&gt;, I started reading about co-writer &lt;a href=&#34;https://en.wikipedia.org/wiki/Walter_Murch&#34;&gt;Walter Murch&lt;/a&gt;. I love how he separates his film editing from his film writing:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When I write a script, I lie down–because that’s the opposite of standing up. I stand up to edit, so I lie down to write. I take a little tape recorder and, without being aware of it, go into a light hypnotic trance. I pretend the film is finished and I’m simply describing what was happening. I start out chronologically but then skip around. Anything that occurs to me, I say into the recorder. Because I’m lying down, because my eyes are closed, because I’m not looking at anything, and the ideas are being captured only by this silent scribe–the tape recorder–there’s nothing for me to criticize. It’s just coming out.&lt;/p&gt;
&lt;p&gt;That is my way of disarming the editorial side. Putting myself in a situation that is opposite as possible to how I edit–both physically and mentally. To encourage those ideas to come out of the woods like little animals and drink at the pool safely, without feeling that the falcon is going to come down and tear them apart.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So simple, so obvious: if you want to get some ideas out without reflexive self-editing, choose your medium and environment so it’s hard to edit. Use a tape recorder, &lt;a href=&#34;http://www.austinkleon.com/2011/06/11/interviews/&#34;&gt;separate digital vs. analog desks&lt;/a&gt;, &lt;a href=&#34;https://37signals.com/svn/posts/466-sketching-with-a-sharpie&#34;&gt;Sharpies&lt;/a&gt;, &lt;a href=&#34;http://www.kungfugrippe.com/tagged/index-cards&#34;&gt;index cards&lt;/a&gt;…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/The-Conversations-Walter-Murch-Editing/dp/0375709827/&#34;&gt;The Conversations: Walter Murch and the Art of Editing Film&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Secret Reading Lives, Revealed - The Chronicle Review - The Chronicle of Higher Education</title>
    <link href="https://mlarson.org/2012/12/27/secret-reading-lives-revealed-the-chronicle/"/>
    <updated>2012-12-27T20:04:31.000Z</updated>
    <id>https://mlarson.org/2012/12/27/secret-reading-lives-revealed-the-chronicle/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Going back to the 19th century makes you realize that a phenomenon we tend to blame on digitization actually happened a century earlier. Once you can throw it away, the value of books comes to reside in the words they contain rather than their potential for reuse.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/Secret-Reading-Lives-Revealed/136261/&#34;&gt;Secret Reading Lives, Revealed - The Chronicle Review - The Chronicle of Higher Education&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>THX 1138</title>
    <link href="https://mlarson.org/2012/12/27/thx-1138-part-of-me-wishes-that-george-lucas-had/"/>
    <updated>2012-12-27T20:04:26.000Z</updated>
    <id>https://mlarson.org/2012/12/27/thx-1138-part-of-me-wishes-that-george-lucas-had/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mfph32x1qs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/THX_1138&#34;&gt;THX 1138&lt;/a&gt;. Part of me wishes that George Lucas had continued to make weird films. But then we wouldn’t have The Empire Strikes Back, so… I don’t think the characters are great–you root for them more as symbols–but the mechanics are fun. I love the claustrophobic close-ups, the dead interiors. The chase was surprisingly good for a debut, in this era. And those &lt;a href=&#34;http://www.youtube.com/watch?v=ly_djozCksg&#34;&gt;confessional booths&lt;/a&gt;! This one is certainly better than other flight-from-dystopia films like &lt;a href=&#34;http://tumblr.mlarson.org/post/24407305296/logans-run-campy-disco-scifi-it-works-in-fits&#34;&gt;Logan’s Run&lt;/a&gt;, but not quite up there with &lt;a href=&#34;http://tumblr.mlarson.org/post/3426669371/brazil-a-daydreaming-bureaucrat-muddles-through-a&#34;&gt;Brazil&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pilgrim’s Progress by Pete Beatty - An Excerpt From “Rust Belt Chic” | Vol. 1 Brooklyn</title>
    <link href="https://mlarson.org/2012/12/27/pilgrims-progress-by-pete-beatty-an-excerpt/"/>
    <updated>2012-12-27T19:42:10.000Z</updated>
    <id>https://mlarson.org/2012/12/27/pilgrims-progress-by-pete-beatty-an-excerpt/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The Rust Belt is at once very real and something of a mirage. It took a miracle to make the factories and foundries and neighborhoods of Cleveland burst into flower, to make vibrant and meaningful cultures to spring up here, in Pittsburgh, in Buffalo, in the Mahoning Valley, in Detroit and Chicago. It took the exact opposite of that miracle to empty out those jobs and homes, to send us scurrying to the suburban desert, to very nearly forsake the idea of community. A community—what New York City can’t be—is the closest thing we have to heaven. Middleburg Heights probably can’t host the community I want either, although the only way to prove that would be to try to build one. Cleveland, as a place that needs and wants people, is a fallow field, desperate to be the host to a living community again. It will soon be played out once more if we treat it like we have in the past. Those are the terms of use.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I always enjoy Pete Beatty’s (@&lt;a href=&#34;http://twitter.com/nocoastoffense&#34;&gt;nocoastoffense&lt;/a&gt;) writing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vol1brooklyn.com/2012/12/27/an-excerpt-from-rust-belt-chic/&#34;&gt;Pilgrim’s Progress by Pete Beatty - An Excerpt From “Rust Belt Chic” | Vol. 1 Brooklyn&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gannet &amp;amp; The Grand: A Wyoming Whirlwind Tour | The Ultimate Direction Buzz</title>
    <link href="https://mlarson.org/2012/12/27/gannet-the-grand-a-wyoming-whirlwind-tour-the/"/>
    <updated>2012-12-27T19:42:06.000Z</updated>
    <id>https://mlarson.org/2012/12/27/gannet-the-grand-a-wyoming-whirlwind-tour-the/</id>
    <content type="html">&lt;p&gt;On speed in the outdoors (after summiting &lt;a href=&#34;https://en.wikipedia.org/wiki/Gannett_Peak&#34;&gt;Gannett Peak&lt;/a&gt; in 9 hours):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I used to be of the opinion that speed isn’t important. And, in an absolute sense, I don’t think it is. In a relative sense, however, I think that one’s speed does matter. This is because–relative to one’s innate ability–striving to operate as close to that ability as possible requires a level of commitment to the craft and presence in the moment that I have yet to achieve by other means. For instance, because I wanted to move quickly when climbing Gannet (or any mountain), I made a point to study the map carefully, read other trip reports, solicit advice from friends who had already made the outing. Not to mention spending countless hours in the mountains building skill and fitness (and having fun!). Without the impetus of speed I would’ve undoubtedly taken a more lackadaisical approach that likely would’ve left me irresponsibly underprepared, with less respect for the mountain, and, ultimately, less connected to both the landscape and the community of enthusiasts who venture into this gem of a mountain range. Going fast requires–above all else–paying attention, and achieving that fleeting measure of grace where my effort and abilities are meshed perfectly with the challenge is a huge motivating factor in what I do. I find that this practice of paying attention is one of the more instructive and valuable takeaways that a trip to the mountains offers me. Plus, I’m just really inspired by wild landscapes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.ultimatedirection.com/gannet-the-grand-a-wyoming-whirlwind-tour/&#34;&gt;Gannet &amp;amp; The Grand: A Wyoming Whirlwind Tour | The Ultimate Direction Buzz&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hunter</title>
    <link href="https://mlarson.org/2012/12/27/the-hunter-great-movie-dafoe-is-awesome-per/"/>
    <updated>2012-12-27T00:41:10.000Z</updated>
    <id>https://mlarson.org/2012/12/27/the-hunter-great-movie-dafoe-is-awesome-per/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mfnreqmmcx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Hunter_%282011_Australian_film%29&#34;&gt;The Hunter&lt;/a&gt;. Great movie! Dafoe is awesome per usual. I was also pleasantly surprised to not just tolerate, but really enjoy the child actors. It’s nice to watch Dafoe doing the day-to-day tasks of setting traps, navigating, recording the day’s work. I don’t love the opening and closing plot elements, but you have to have something to get the rest rolling. I love the environmental sounds in this one: water drips, crickets, bird calls and such. And there’s a &lt;a href=&#34;http://www.youtube.com/watch?v=O7mv9QJSEuE&#34;&gt;wonderful Springsteen moment&lt;/a&gt; that you shouldn’t watch unless you’re sure you want it spoiled. &lt;a href=&#34;http://tumblr.mlarson.org/post/36473757862/el-aura-the-aura-too-bad-fabian-bielinsky-is-no&#34;&gt;El Aura&lt;/a&gt; is another great, gently-paced work of suspense that takes place during a hunting trip. &lt;a href=&#34;http://tumblr.mlarson.org/post/9996055490/the-naked-prey-speaking-of-chase-movies-stripped&#34;&gt;The Naked Prey&lt;/a&gt; is much more frantic.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hundred Best Lists of All Time : The New Yorker</title>
    <link href="https://mlarson.org/2012/12/27/the-hundred-best-lists-of-all-time-the-new/"/>
    <updated>2012-12-27T00:34:28.000Z</updated>
    <id>https://mlarson.org/2012/12/27/the-hundred-best-lists-of-all-time-the-new/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;73. &lt;a href=&#34;http://www.afi.com/100years/movies10.aspx&#34;&gt;American Film Institute’s “100 Years, 100 Movies”&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;72. &lt;a href=&#34;http://www.economist.com/search/apachesolr_search/big%20mac%20index&#34;&gt;The Economist’s “Big Mac Index”&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;71. &lt;a href=&#34;http://www.at40fan.info/at40/index.html&#34;&gt;Casey Kasem’s “American Top 40”&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;70. &lt;a href=&#34;http://www.domesdaybook.co.uk/&#34;&gt;William the Conqueror’s “The Domesday Book”&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/shouts/2012/12/the-hundred-best-lists-of-all-time.html&#34;&gt;The Hundred Best Lists of All Time : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Longform Articles Tagged &#39;making of movies&#39;</title>
    <link href="https://mlarson.org/2012/12/26/longform-articles-tagged-making-of-movies/"/>
    <updated>2012-12-26T21:59:53.000Z</updated>
    <id>https://mlarson.org/2012/12/26/longform-articles-tagged-making-of-movies/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://longform.org/tags/318&#34;&gt;Longform Articles Tagged &#39;making of movies&#39;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Nightmare on Elm Street</title>
    <link href="https://mlarson.org/2012/12/26/a-nightmare-on-elm-street-they-dont-end-them/"/>
    <updated>2012-12-26T21:59:49.000Z</updated>
    <id>https://mlarson.org/2012/12/26/a-nightmare-on-elm-street-they-dont-end-them/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mfnq9yxui91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Nightmare_on_Elm_Street&#34;&gt;A Nightmare on Elm Street&lt;/a&gt;. They don’t end them like this anymore. Johnny Depp’s debut!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thor</title>
    <link href="https://mlarson.org/2012/12/26/thor-funny-to-compare-this-to-my-experience/"/>
    <updated>2012-12-26T21:55:00.000Z</updated>
    <id>https://mlarson.org/2012/12/26/thor-funny-to-compare-this-to-my-experience/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mfnpvmukco1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Thor_%28film%29&#34;&gt;Thor&lt;/a&gt;. Funny to compare this to my experience watching &lt;a href=&#34;http://tumblr.mlarson.org/post/38319168473/the-dark-knight-rises-dont-get-me-started&#34;&gt;The Dark Knight Rises&lt;/a&gt;. While just as gee-whiz/fun/bad, this one was much less ambitious and much less exasperating. A lesson in expectations. I expect &lt;a href=&#34;http://tumblr.mlarson.org/post/24858237171/captain-america-the-first-avenger-pleasantly&#34;&gt;Captain America&lt;/a&gt; to remain my favorite of the Marvel series, followed by the first &lt;em&gt;Iron Man&lt;/em&gt;, then &lt;em&gt;Thor&lt;/em&gt;, then &lt;a href=&#34;http://tumblr.mlarson.org/post/31550550506/iron-man-2-its-really-pretty-when-things-are&#34;&gt;Iron Man II&lt;/a&gt;. I guess that leaves &lt;em&gt;The Incredible Hulk&lt;/em&gt; and &lt;em&gt;The Avengers&lt;/em&gt; on my to-watch list.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>‘The Dark Knight Rises’ review by Ryan • Letterboxd</title>
    <link href="https://mlarson.org/2012/12/26/the-dark-knight-rises-review-by-ryan/"/>
    <updated>2012-12-26T21:03:36.000Z</updated>
    <id>https://mlarson.org/2012/12/26/the-dark-knight-rises-review-by-ryan/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Pro tip: when you turn your brain off to enjoy a stupid movie, be sure to turn it back on before critiquing the film.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://letterboxd.com/followtheblind/film/the-dark-knight-rises/&#34;&gt;‘The Dark Knight Rises’ review by Ryan • Letterboxd&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite albums of 2012</title>
    <link href="https://mlarson.org/2012/12/23/favorite-albums-of-2012/"/>
    <updated>2012-12-23T21:27:00.000Z</updated>
    <id>https://mlarson.org/2012/12/23/favorite-albums-of-2012/</id>
    <content type="html">&lt;p&gt;My music listening was way down this year. I blame it on &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;all the movies&lt;/a&gt; and starting a new job. The end result is that my best picks here probably aren’t quite as strong as they were in &lt;a href=&#34;http://www.mlarson.org/2008/12/05/favorite-albums-of-2008/&#34;&gt;2008&lt;/a&gt;, &lt;a href=&#34;http://www.mlarson.org/2009/12/21/favorite-albums-of-2009/&#34;&gt;2009&lt;/a&gt;, &lt;a href=&#34;http://www.mlarson.org/2010/12/29/favorite-albums-of-2010/&#34;&gt;2010&lt;/a&gt;, or &lt;a href=&#34;http://www.mlarson.org/2011/12/30/favorite-albums-of-2011/&#34;&gt;2011&lt;/a&gt;. But still, some good stuff. As in previous years, the vast majority of this came before 2012, but this was the year I paid attention.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;January&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/mariah-carey-greatest-hits.jpg&#34; alt=&#34;Mariah Carey Greatest Hits&#34; title=&#34;Mariah Carey Greatest Hits&#34;&gt;&lt;a href=&#34;http://www.amazon.com/Greatest-Hits/dp/B00138CTNY/&#34;&gt;Greatest Hits&lt;/a&gt; - Mariah Carey. This album saw me through the end of a hard winter. So much goodness. I don’t know if I’ll ever dive into one of her full albums… but some of these peaks are so high I may reconsider. &lt;a href=&#34;http://www.youtube.com/watch?v=NrJEFrth27Q&#34;&gt;Emotions&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.datpiff.com/Curreny-Return-To-The-Winners-Circle-mixtape.184223.html&#34;&gt;Return to the Winners Circle&lt;/a&gt; - Curren$y. If I needed to, I could rank this solely on the strength of &lt;a href=&#34;http://www.youtube.com/watch?v=D857cJ37zbc&#34;&gt;Moon &amp;amp; Stars Remix&lt;/a&gt;. Rare that the headliner and two guest rappers all just destroy their verses. And I love that backbeat.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.datpiff.com/Fabolous-The-Soul-Tape-mixtape.220063.html&#34;&gt;The Soul Tape&lt;/a&gt; - Fabolous. I like &lt;a href=&#34;http://www.youtube.com/watch?v=3P4FxYIYRyA&#34;&gt;Pain&lt;/a&gt; (“An old head told me, let nothing disturb your business / Beef is only good when you in the burger business”) and &lt;a href=&#34;http://www.youtube.com/watch?v=mDWGqvWa3J8&#34;&gt;In the Morning&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/dachip.png&#34; alt=&#34;Da Chip&#34; title=&#34;Da Chip&#34;&gt;&lt;a href=&#34;http://dachip.com/download.html&#34;&gt;Da Chip Vol. 1 &amp;amp; 2&lt;/a&gt; was a fun listen, but probably works best if you’re already familiar with Daft Punk, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/senor-coconut-baile-aleman.jpg&#34; alt=&#34;Senor Coconut, El Baile Aleman&#34; title=&#34;Senor Coconut, El Baile Aleman&#34;&gt;&lt;/p&gt;
&lt;p&gt;Sometimes you don’t realize it, but what your life is missing is an awesome collection of Kraftwerk tunes covered with a Latin/lounge feel. Thankfully my buddy &lt;a href=&#34;https://twitter.com/bluelineswing&#34;&gt;John&lt;/a&gt; knew what I needed to hear: &lt;a href=&#34;http://www.amazon.com/El-Baile-Alem%C3%A1n/dp/B001J6ZNLU/&#34;&gt;El Baile Alemán&lt;/a&gt; from Señor Coconut y Su Conjunto. For all the campiness, there’s some smart, creative arrangements here. &lt;a href=&#34;http://www.youtube.com/watch?v=Gxqbn2dRwsk&#34;&gt;Neon Lights&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=V6j0YBkKEJ0&#34;&gt;Showroom Dummies&lt;/a&gt; are good examples.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.datpiff.com/TI-Fuck-A-Mixtape.123255.html&#34;&gt;Fuck a Mixtape&lt;/a&gt; - T.I.. I don’t &lt;em&gt;loooove&lt;/em&gt; the whole album, but worthy of mention: &lt;a href=&#34;http://www.youtube.com/watch?v=ZTWmOowqc9c&#34;&gt;No Competition&lt;/a&gt; is my JAM.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Big-Bach-Set/dp/B007MS6D1I&#34;&gt;Big Bach Set&lt;/a&gt;. It’s a great bargain. The Mass in B minor is a big draw, but besides that, the &lt;a href=&#34;http://www.youtube.com/watch?v=rH3OTsy40o0&#34;&gt;Adagio from the Concerto for Two Harpsichords in C minor, BWV 1060&lt;/a&gt; really stood out. Pizzicato in stereo is so wonderful on headphones.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/young-jeezy-come-shop.jpg&#34; alt=&#34;Young Jeezy, Come Shop Wit Me&#34; title=&#34;Young Jeezy, Come Shop Wit Me&#34;&gt;&lt;/p&gt;
&lt;p&gt;My best music month overall.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Come-Shop-Wit-Me/dp/B000S583MO&#34;&gt;Come Shop Wit Me&lt;/a&gt; - Young Jeezy. I’m 9 years late, but it’s &lt;strong&gt;album of the year&lt;/strong&gt; for me. My faves from Jeezy’s second are: &lt;a href=&#34;http://www.youtube.com/watch?v=k1IgMl8noGE&#34;&gt;Let Me Hit Dat&lt;/a&gt; (love those reverb guitars and the overactive bass; Fi Chief &amp;amp; Big Dank kill it), &lt;a href=&#34;http://www.youtube.com/watch?v=aNYDAdlIM-U&#34;&gt;Take It to the Floor&lt;/a&gt; (pump-up/act-like-I’m-someone-I’m-not song), &lt;a href=&#34;http://www.youtube.com/watch?v=Prspz2zOw_c&amp;amp;t=43m27s&#34;&gt;Come Shop Wit Me&lt;/a&gt; (fun storytelling, and the overdriven bass line reminds me of a late ‘80s video game), &lt;a href=&#34;http://www.youtube.com/watch?v=DGRh76Ojg5o&#34;&gt;Thug Ya&lt;/a&gt; (steel drums!), and &lt;a href=&#34;http://www.youtube.com/watch?v=Prspz2zOw_c&amp;amp;t=58m27s&#34;&gt;Bananas&lt;/a&gt; (fat, dopey bass, and something about his voice in the verses here: looser, goofier, unhinged).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.katedmonson.com/way-down-low&#34;&gt;Way Down Low&lt;/a&gt; from my friend &lt;a href=&#34;http://twitter.com/katedmonson&#34;&gt;Kat Edmonson&lt;/a&gt;. Listen to “Hopelessly Blue”. I mean, geez. Incredible voice.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Blue-Afternoon/dp/B00122KBWM/&#34;&gt;Blue Afternoon&lt;/a&gt;. You’d figure I’d catch on to Tim Buckley sooner, having spent college obsessing over his son’s music. You’d figure wrong. Listen to &lt;a href=&#34;http://www.youtube.com/watch?v=R2MZ7umJO40&#34;&gt;Happy Time&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=R2MZ7umJO40&amp;amp;t=27m0s&#34;&gt;Blue Melody&lt;/a&gt;. He’s got a wonderful back-up band. The whole gang is so loose. And look at that album cover!&lt;/p&gt;
&lt;p&gt;And I can’t forget Françoise Hardy’s &lt;a href=&#34;http://www.amazon.com/Soleil/dp/B000TRZ2CK/&#34;&gt;Soleil&lt;/a&gt;. I don’t understand any of it, but the mood is right. My favorite track is &lt;a href=&#34;http://www.youtube.com/watch?v=rQvkfubQeBw&#34;&gt;Je fais des puzzles&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/beach-house-bloom.jpg&#34; alt=&#34;Beach House, Bloom&#34; title=&#34;Beach House, Bloom&#34;&gt;&lt;a href=&#34;http://www.amazon.com/Bloom/dp/B007ZCQJOM/&#34;&gt;Bloom&lt;/a&gt; - Beach House. It’s a lot like the previous three, which is totally fine by me. (I think only Bach and Camera Obscura beat them in my music archive for comfy, catchy, beloved predictability.) &lt;a href=&#34;http://www.youtube.com/watch?v=FuvWc3ToDHg&#34;&gt;Myth&lt;/a&gt; is an obvious stand-out, but I think the verses on &lt;a href=&#34;https://www.youtube.com/watch?v=iNKeDyTYlTE&#34;&gt;New Year&lt;/a&gt; are kinda genius. Same for &lt;a href=&#34;http://www.youtube.com/watch?v=aRSDzmAy-X8&#34;&gt;Wild&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Shortly after that album came out, I caught Beach House on tour again. On the drive back from Athens, a friend introduced me to &lt;a href=&#34;http://www.amazon.com/Bad-Vibes/dp/B005F9VQG8&#34;&gt;Bad Vibes&lt;/a&gt; by Shlohmo. Drippy, druggy lullabies. &lt;a href=&#34;http://www.youtube.com/watch?v=ZckIyXQE83I&#34;&gt;Places&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=ganX1ppJIX8&#34;&gt;Seriously&lt;/a&gt; are favorites.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt;&lt;br&gt;
I got nothin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/my-bloody-valentine-loveless.jpg&#34; alt=&#34;My Bloody Valentine, Loveless&#34; title=&#34;My Bloody Valentine, Loveless&#34;&gt;&lt;a href=&#34;http://www.amazon.com/Loveless/dp/B001EBRJXU&#34;&gt;Loveless&lt;/a&gt; - My Bloody Valentine. Woah. Slept on this one but the &lt;a href=&#34;http://www.grantland.com/story/_/id/8086090/why-my-bloody-valentine-loveless-greatest-rock-album-our-greatness-averse-age&#34;&gt;Grantland article&lt;/a&gt; woke me up. I was so proud of myself when I recognized the &lt;a href=&#34;http://www.youtube.com/watch?v=ztnutktJP7M&#34;&gt;Loomer&lt;/a&gt;/&lt;a href=&#34;http://www.youtube.com/watch?v=i-KSrcyF6qQ&#34;&gt;Optimistic&lt;/a&gt; resemblance.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tangerine-dream-thief.jpg&#34; alt=&#34;Tangerine Dream, Thief&#34; title=&#34;Tangerine Dream, Thief&#34;&gt;&lt;/p&gt;
&lt;p&gt;A great month for radio in the car!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://&#34;&gt;Kaleidoscope Dream&lt;/a&gt; - Miguel. &lt;a href=&#34;http://www.youtube.com/watch?v=8dM5QYdTo08&#34;&gt;Adorn&lt;/a&gt; has gotten crazy playtime in Atlanta. That bass is perfect for your car. And I love how the harmony is a little suppressed, so that voice and the bass do all the driving.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Trilla-Explicit/dp/B00157LKRE/&#34;&gt;Trilla&lt;/a&gt; - Rick Ross. My friend &lt;a href=&#34;http://twitter.com/katieelambert&#34;&gt;Katie&lt;/a&gt; and I were driving to &lt;a href=&#34;http://www.yelp.com/biz/peter-changs-tasty-china-ii-sandy-springs&#34;&gt;one of my favorite places to eat too much&lt;/a&gt;, if I recall correctly. I heard the opening &lt;a href=&#34;http://www.youtube.com/watch?v=xJqXpbDAQq0&#34;&gt;sample from my favorite Stevie Wonder album&lt;/a&gt; in &lt;a href=&#34;http://www.youtube.com/watch?v=PHn4BaDv_mQ&amp;amp;t=0m20s&#34;&gt;Here I Am&lt;/a&gt; and I was sold. I made her Shazam it for future reference.&lt;/p&gt;
&lt;p&gt;To round out the group: &lt;a href=&#34;http://www.amazon.com/Channel-Orange-Explicit/dp/B008KW43TE&#34;&gt;Channel Orange&lt;/a&gt; - Frank Ocean. &lt;a href=&#34;http://www2.gsu.edu/~www885/index.html&#34;&gt;WRAS 88.5 FM&lt;/a&gt; played &lt;a href=&#34;http://www.youtube.com/watch?v=3XzyR4fEaVA&#34;&gt;Pyramids&lt;/a&gt; while I was driving over to another friend named &lt;a href=&#34;http://twitter.com/jododojo10&#34;&gt;John&lt;/a&gt;’s house and I lost it. I *had* to call in and find out what it was. You can’t beat that feeling.&lt;/p&gt;
&lt;p&gt;I didn’t hear it on the radio, but I can’t forget the &lt;a href=&#34;http://www.amazon.com/Thief-Tangerine-Dream/dp/B0000074CG&#34;&gt;Thief soundtrack&lt;/a&gt; by Tangerine Dream. Probably best if you’ve seen the &lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;awesome movie&lt;/a&gt;, but it’s great for working on secret projects.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;September&lt;/strong&gt;&lt;br&gt;
{crickets}&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;October&lt;/strong&gt;&lt;br&gt;
I didn’t bother with the whole album, but &lt;a href=&#34;http://www.youtube.com/watch?v=FOrLNHbEzMg&#34;&gt;Clique&lt;/a&gt; from &lt;a href=&#34;http://www.amazon.com/Presents-Summer-Explicit-digital-booklet/dp/B0098WX954&#34;&gt;Cruel Summer&lt;/a&gt; is dope. Perfect beat, but the song doesn’t really take flight until Jay-Z gets on the mic (that jet engine glissando helps). Kanye takes lovable insufferability to a new level.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/takemitsu.jpg&#34; alt=&#34;Toru Takemitsu, Asterism, Requiem, Green, Dorian Horizon&#34; title=&#34;Toru Takemitsu, Asterism, Requiem, Green, Dorian Horizon&#34;&gt;&lt;a href=&#34;http://www.amazon.com/Toru-Takemitsu-Asterism-Requiem-Symphony/dp/B0052FUAPS&#34;&gt;Asterism/Requiem/Green/The Dorian Horizon&lt;/a&gt; - Toru Takemitsu. I really like it, but only recommended if you’ve got ears for late 20th-century orchestral music…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt;&lt;br&gt;
It’s not too late for your suggestions!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mlarson.org/2012/12/23/favorite-albums-of-2012/&#34;&gt;Favorite albums of 2012&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2012</title>
    <link href="https://mlarson.org/2012/12/23/astronaut-selfies/"/>
    <updated>2012-12-23T20:55:16.000Z</updated>
    <id>https://mlarson.org/2012/12/23/astronaut-selfies/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://apod.nasa.gov/apod/ap120918.html&#34;&gt;Astronaut selfies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2012</title>
    <link href="https://mlarson.org/2012/12/23/the-one-time-i-got-a-bunch-of-prizes-i-just/"/>
    <updated>2012-12-23T18:41:42.000Z</updated>
    <id>https://mlarson.org/2012/12/23/the-one-time-i-got-a-bunch-of-prizes-i-just/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The one time I got a bunch of prizes, I just assumed I’d win them all. […] I really saw something in myself and I thought, ‘Oh, my God. I really did want that thing!’ Some part of me was disappointed that I got tricked into thinking it was important. I told myself, if that happens again, I don’t want to do that. I’ve since realized that it was good I didn’t win, because I wasn’t ready.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gq.com/entertainment/celebrities/201301/bill-murray-profile-gq-january-2013?printable=true&#34;&gt;Bill Murray&lt;/a&gt; on the zen of not winning the Academy Award for his role in &lt;em&gt;Lost in Translation&lt;/em&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite albums of 2012</title>
    <link href="https://mlarson.org/2012/12/23/20121223favorite-albums-of-2012/"/>
    <updated>2012-12-23T17:06:10.000Z</updated>
    <id>https://mlarson.org/2012/12/23/20121223favorite-albums-of-2012/</id>
    <content type="html">&lt;p&gt;My music listening was way down this year. I blame it on &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;all the movies&lt;/a&gt; and starting a new job. The end result is that my best picks here probably aren&#39;t quite as strong as they were in &lt;a href=&#34;/mark-larson-1/2008/12/05/favorite-albums-of-2008&#34;&gt;2008&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2009/12/21/favorite-albums-of-2009&#34;&gt;2009&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2010/12/29/favorite-albums-of-2010&#34;&gt;2010&lt;/a&gt;, or &lt;a href=&#34;/mark-larson-1/2011/12/30/favorite-albums-of-2011&#34;&gt;2011&lt;/a&gt;. But still, some good stuff. As in previous years, the vast majority of this came before 2012, but this was the year I paid attention. &lt;strong&gt;January&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f86/1356124601000/mariah-carey-greatest-hits.jpg?format=original&#34; alt=&#34;Mariah Carey Greatest Hits&#34; title=&#34;Mariah Carey Greatest Hits&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Greatest-Hits/dp/B00138CTNY/&#34;&gt;Greatest Hits&lt;/a&gt; - Mariah Carey. This album saw me through the end of a hard winter. So much goodness. I don&#39;t know if I&#39;ll ever dive into one of her full albums... but some of these peaks are so high I may reconsider. &lt;a href=&#34;http://www.youtube.com/watch?v=NrJEFrth27Q&#34;&gt;Emotions&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.datpiff.com/Curreny-Return-To-The-Winners-Circle-mixtape.184223.html&#34;&gt;Return to the Winners Circle&lt;/a&gt; - Curren$y. If I needed to, I could rank this solely on the strength of &lt;a href=&#34;http://www.youtube.com/watch?v=D857cJ37zbc&#34;&gt;Moon &amp;amp; Stars Remix&lt;/a&gt;. Rare that the headliner and two guest rappers all just destroy their verses. And I love that backbeat.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.datpiff.com/Fabolous-The-Soul-Tape-mixtape.220063.html&#34;&gt;The Soul Tape&lt;/a&gt; - Fabolous. I like &lt;a href=&#34;http://www.youtube.com/watch?v=3P4FxYIYRyA&#34;&gt;Pain&lt;/a&gt; (&amp;quot;An old head told me, let nothing disturb your business / Beef is only good when you in the burger business&amp;quot;) and &lt;a href=&#34;http://www.youtube.com/watch?v=mDWGqvWa3J8&#34;&gt;In the Morning&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f89/1356124608000/dachip.png?format=original&#34; alt=&#34;Da Chip&#34; title=&#34;Da Chip&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://dachip.com/download.html&#34;&gt;Da Chip Vol. 1 &amp;amp; 2&lt;/a&gt; was a fun listen, but probably works best if you&#39;re already familiar with Daft Punk, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f8c/1356124613000/senor-coconut-baile-aleman.jpg?format=original&#34; alt=&#34;Senor Coconut, El Baile Aleman&#34; title=&#34;Senor Coconut, El Baile Aleman&#34;&gt;&lt;/p&gt;
&lt;p&gt;Sometimes you don&#39;t realize it, but what your life is missing is an awesome collection of Kraftwerk tunes covered with a Latin/lounge feel. Thankfully my buddy &lt;a href=&#34;https://twitter.com/bluelineswing&#34;&gt;John&lt;/a&gt; knew what I needed to hear: &lt;a href=&#34;http://www.amazon.com/El-Baile-Alem%C3%A1n/dp/B001J6ZNLU/&#34;&gt;El Baile Alemán&lt;/a&gt; from Señor Coconut y Su Conjunto. For all the campiness, there&#39;s some smart, creative arrangements here. &lt;a href=&#34;http://www.youtube.com/watch?v=Gxqbn2dRwsk&#34;&gt;Neon Lights&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=V6j0YBkKEJ0&#34;&gt;Showroom Dummies&lt;/a&gt; are good examples.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.datpiff.com/TI-Fuck-A-Mixtape.123255.html&#34;&gt;Fuck a Mixtape&lt;/a&gt; - T.I.. I don&#39;t &lt;em&gt;loooove&lt;/em&gt; the whole album, but worthy of mention: &lt;a href=&#34;http://www.youtube.com/watch?v=ZTWmOowqc9c&#34;&gt;No Competition&lt;/a&gt; is my JAM.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Big-Bach-Set/dp/B007MS6D1I&#34;&gt;Big Bach Set&lt;/a&gt;. It&#39;s a great bargain. The Mass in B minor is a big draw, but besides that, the &lt;a href=&#34;http://www.youtube.com/watch?v=rH3OTsy40o0&#34;&gt;Adagio from the Concerto for Two Harpsichords in C minor, BWV 1060&lt;/a&gt; really stood out. Pizzicato in stereo is so wonderful on headphones.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f8f/1356124615000/young-jeezy-come-shop.jpg?format=original&#34; alt=&#34;Young Jeezy, Come Shop Wit Me&#34; title=&#34;Young Jeezy, Come Shop Wit Me&#34;&gt;&lt;/p&gt;
&lt;p&gt;My best music month overall.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Come-Shop-Wit-Me/dp/B000S583MO&#34;&gt;Come Shop Wit Me&lt;/a&gt; - Young Jeezy. I&#39;m 9 years late, but it&#39;s &lt;strong&gt;album of the year&lt;/strong&gt; for me. My faves from Jeezy&#39;s second are: &lt;a href=&#34;http://www.youtube.com/watch?v=k1IgMl8noGE&#34;&gt;Let Me Hit Dat&lt;/a&gt; (love those reverb guitars and the overactive bass; Fi Chief &amp;amp; Big Dank kill it), &lt;a href=&#34;http://www.youtube.com/watch?v=aNYDAdlIM-U&#34;&gt;Take It to the Floor&lt;/a&gt; (pump-up/act like I&#39;m someone I&#39;m not song), &lt;a href=&#34;http://www.youtube.com/watch?v=Prspz2zOw_c&amp;amp;t=43m27s&#34;&gt;Come Shop Wit Me&lt;/a&gt; (fun storytelling, and the overdriven bass line reminds me of a late &#39;80s video game), &lt;a href=&#34;http://www.youtube.com/watch?v=DGRh76Ojg5o&#34;&gt;Thug Ya&lt;/a&gt; (steel drums!), and &lt;a href=&#34;http://www.youtube.com/watch?v=Prspz2zOw_c&amp;amp;t=58m27s&#34;&gt;Bananas&lt;/a&gt; (fat, dopey bass, and something about his voice in the verses here: looser, goofier, unhinged).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.katedmonson.com/way-down-low&#34;&gt;Way Down Low&lt;/a&gt; from my friend &lt;a href=&#34;http://twitter.com/katedmonson&#34;&gt;Kat Edmonson&lt;/a&gt;. Listen to &amp;quot;Hopelessly Blue&amp;quot;. I mean, geez. Incredible voice.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Blue-Afternoon/dp/B00122KBWM/&#34;&gt;Blue Afternoon&lt;/a&gt;. You&#39;d figure I&#39;d catch on to Tim Buckley sooner, having spent college obsessing over his son&#39;s music. You&#39;d figure wrong. Listen to &lt;a href=&#34;http://www.youtube.com/watch?v=R2MZ7umJO40&#34;&gt;Happy Time&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=R2MZ7umJO40&amp;amp;t=27m0s&#34;&gt;Blue Melody&lt;/a&gt;. He&#39;s got a wonderful back-up band. The whole gang is so loose. And look at that album cover!&lt;/p&gt;
&lt;p&gt;And I can&#39;t forget Françoise Hardy&#39;s &lt;a href=&#34;http://www.amazon.com/Soleil/dp/B000TRZ2CK/&#34;&gt;Soleil&lt;/a&gt;. I don&#39;t understand any of it, but the mood is right. My favorite track is &lt;a href=&#34;http://www.youtube.com/watch?v=rQvkfubQeBw&#34;&gt;Je fais des puzzles&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9185e4b06bff88911015/1356124617000/beach-house-bloom.jpg?format=original&#34; alt=&#34;Beach House, Bloom&#34; title=&#34;Beach House, Bloom&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Bloom/dp/B007ZCQJOM/&#34;&gt;Bloom&lt;/a&gt; - Beach House. It&#39;s a lot like the previous three, which is totally fine by me. (I think only Bach and Camera Obscura beats them in my music archive for comfy, catchy, beloved predictability.) &lt;a href=&#34;http://www.youtube.com/watch?v=FuvWc3ToDHg&#34;&gt;Myth&lt;/a&gt; is an obvious stand-out, but I think the verses on &lt;a href=&#34;https://www.youtube.com/watch?v=iNKeDyTYlTE&#34;&gt;New Year&lt;/a&gt; are kinda genius. Same for &lt;a href=&#34;http://www.youtube.com/watch?v=aRSDzmAy-X8&#34;&gt;Wild&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Shortly after that album came out, I caught Beach House on tour again. On the drive back from Athens, a friend introduced me to &lt;a href=&#34;http://www.amazon.com/Bad-Vibes/dp/B005F9VQG8&#34;&gt;Bad Vibes&lt;/a&gt; by Shlohmo. Drippy, druggy lullabies. &lt;a href=&#34;http://www.youtube.com/watch?v=ZckIyXQE83I&#34;&gt;Places&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=ganX1ppJIX8&#34;&gt;Seriously&lt;/a&gt; are favorites.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt; I got nothin&#39;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9185e4b06bff88911018/1356124618000/my-bloody-valentine-loveless.jpg?format=original&#34; alt=&#34;My Bloody Valentine, Loveless&#34; title=&#34;My Bloody Valentine, Loveless&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Loveless/dp/B001EBRJXU&#34;&gt;Loveless&lt;/a&gt; - My Bloody Valentine. Woah. Slept on this one but the &lt;a href=&#34;http://www.grantland.com/story/_/id/8086090/why-my-bloody-valentine-loveless-greatest-rock-album-our-greatness-averse-age&#34;&gt;Grantland article&lt;/a&gt; woke me up. I was so proud of myself when I recognized the &lt;a href=&#34;http://www.youtube.com/watch?v=ztnutktJP7M&#34;&gt;Loomer&lt;/a&gt;/&lt;a href=&#34;http://www.youtube.com/watch?v=i-KSrcyF6qQ&#34;&gt;Optimistic&lt;/a&gt; resemblance.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9185e4b06bff8891101b/1356124623000/tangerine-dream-thief.jpg?format=original&#34; alt=&#34;Tangerine Dream, Thief&#34; title=&#34;Tangerine Dream, Thief&#34;&gt;&lt;/p&gt;
&lt;p&gt;A great month for radio in the car!&lt;/p&gt;
&lt;p&gt;Kaleidoscope Dream - Miguel. &lt;a href=&#34;http://www.youtube.com/watch?v=8dM5QYdTo08&#34;&gt;Adorn&lt;/a&gt; has gotten crazy playtime in Atlanta. That bass is perfect for your car. And I love how the harmony is a little suppressed, so that voice and the bass do all the driving.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Trilla-Explicit/dp/B00157LKRE/&#34;&gt;Trilla&lt;/a&gt; - Rick Ross. My friend &lt;a href=&#34;http://twitter.com/katieelambert&#34;&gt;Katie&lt;/a&gt; and I were driving to &lt;a href=&#34;http://www.yelp.com/biz/peter-changs-tasty-china-ii-sandy-springs&#34;&gt;one of my favorite places to eat too much&lt;/a&gt;, if I recall correctly. I heard the opening &lt;a href=&#34;http://www.youtube.com/watch?v=xJqXpbDAQq0&#34;&gt;sample from my favorite Stevie Wonder album&lt;/a&gt; in &lt;a href=&#34;http://www.youtube.com/watch?v=PHn4BaDv_mQ&amp;amp;t=0m20s&#34;&gt;Here I Am&lt;/a&gt; and I was sold. I made her Shazam it for future reference.&lt;/p&gt;
&lt;p&gt;To round out the group: &lt;a href=&#34;http://www.amazon.com/Channel-Orange-Explicit/dp/B008KW43TE&#34;&gt;Channel Orange&lt;/a&gt; - Frank Ocean. &lt;a href=&#34;http://www2.gsu.edu/~www885/index.html&#34;&gt;WRAS 88.5 FM&lt;/a&gt; played &lt;a href=&#34;http://www.youtube.com/watch?v=3XzyR4fEaVA&#34;&gt;Pyramids&lt;/a&gt; while I was driving over to another friend named &lt;a href=&#34;http://twitter.com/jododojo10&#34;&gt;John&lt;/a&gt;&#39;s house and I lost it. I *had* to call in and find out what it was. You can&#39;t beat that feeling.&lt;/p&gt;
&lt;p&gt;I didn&#39;t hear it on the radio, but I can&#39;t forget the &lt;a href=&#34;http://www.amazon.com/Thief-Tangerine-Dream/dp/B0000074CG&#34;&gt;Thief soundtrack&lt;/a&gt; by Tangerine Dream. Probably best if you&#39;ve seen the &lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;awesome movie&lt;/a&gt;, but it&#39;s great for working on secret projects.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;September&lt;/strong&gt; {crickets}&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;October&lt;/strong&gt; I didn&#39;t bother with the whole album, but &lt;a href=&#34;http://www.youtube.com/watch?v=FOrLNHbEzMg&#34;&gt;Clique&lt;/a&gt; from &lt;a href=&#34;http://www.amazon.com/Presents-Summer-Explicit-digital-booklet/dp/B0098WX954&#34;&gt;Cruel Summer&lt;/a&gt; is dope. Perfect beat, but the song doesn&#39;t really take flight until Jay-Z gets on the mic (that jet engine glissando helps). Kanye takes lovable insufferability to a new level.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9185e4b06bff8891101e/1356124626000/takemitsu.jpg?format=original&#34; alt=&#34;Toru Takemitsu, Asterism, Requiem, Green, Dorian Horizon&#34; title=&#34;Toru Takemitsu, Asterism, Requiem, Green, Dorian Horizon&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Toru-Takemitsu-Asterism-Requiem-Symphony/dp/B0052FUAPS&#34;&gt;Asterism/Requiem/Green/The Dorian Horizon&lt;/a&gt; - Toru Takemitsu. I really like it, but only recommended if you&#39;ve got ears for late 20th-century orchestral music...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt; It&#39;s not too late for your suggestions!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Art of Fielding</title>
    <link href="https://mlarson.org/2012/12/23/20121223the-art-of-fielding/"/>
    <updated>2012-12-23T17:04:20.000Z</updated>
    <id>https://mlarson.org/2012/12/23/20121223the-art-of-fielding/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6796840947/&#34; title=&#34;The Art of Fielding by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7141/6796840947_abf33378b3.jpg&#34; alt=&#34;The Art of Fielding&#34;&gt;&lt;/a&gt; I have the hardest time finding good fiction. One working theory to explain that is that I usually don&#39;t try very hard to find good fiction. I&#39;ll own up to it. But sometimes my laziness (i.e., willingness to let trusted internet sources filter culture for me) works to perfection. This one got recommended by &lt;a href=&#34;http://tumblr.austinkleon.com/post/11497284027&#34;&gt;Austin Kleon&lt;/a&gt;, &lt;a href=&#34;http://slaughterhouse90210.tumblr.com/post/13501108492/my-favorite-books-of-2011-im-often-asked-for-book&#34;&gt;Maris Kreiszman&lt;/a&gt;, and &lt;a href=&#34;http://casnocha.com/2012/01/book-review-the-art-of-fielding.html&#34;&gt;Ben Casnocha&lt;/a&gt;, so I thought I&#39;d better pick it up.&lt;/p&gt;
&lt;p&gt;Ignore for a moment the fact that they mentioned it about a year ago and I read it this summer and I didn&#39;t write about it until now. It&#39;s a novel of baseball and college and friendship and family, and it is delightful to read at all times, from the off-hand asides...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This was a real college, an enlightened place--you could get in trouble for hating people here.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;...to the self-aware observations:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Literature could turn you into an asshole; he&#39;d learned that teaching grad-school seminars. It could teach you to treat real people the way you did characters, as instruments of your own intellectual pleasure, cadavers on which to practice your critical faculties.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And there&#39;s the realist/critical eye toward modern business life:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Management consulting terms like *industry ante* and *decision factor* were the glue of their relationship--Affenlight tried to learn as many of them as possible, and to intuit or invent the ones he hadn&#39;t learned.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another good example, observing baseball scouts:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Smooth-featured and polite, business-casual in dress, with slender laptops in their laps and BlackBerries laid beside them on the bleachers, they looked like oversize consultants or CIA agents playing a very reserved sort of hooky.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Austin already pulled one of the best excerpts in there:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He already knew he could coach. All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story. You told it with a hint of doom. You included his flaws. You emphasized the obstacles that could prevent him from succeeding. That was what made the story epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn’t do this alone; they needed a coach. A good coach made you suffer in a way that suited you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I also loved this section on the ontology of sport:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with a special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we&#39;re alive and have access to beauty, can even erratically create it, but will someday be dead and will not. Baseball was an art, but to excel at it you had to become a machine. It didn&#39;t matter how beautifully you performed *sometimes*, what you did on your best day, how many spectacular plays you made. You weren&#39;t a painter or a writer--you didn&#39;t work in private and discard your mistakes, and it wasn&#39;t just your masterpieces that counted. What mattered, as for any machine, was repeatability. Moments of inspiration were nothing compared to elimination of error.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And one character&#39;s thoughts on self-definition:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Don&#39;t be dour about it. Straight gay black white young old--it&#39;s not going to kill you or let you live.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This line reminded me of &lt;a href=&#34;http://tumblr.mlarson.org/post/238245256/i-am-frankly-embarrassed-that-most-of-my-musical&#34;&gt;John Cage&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;That was the idiot hopefulness of humans, always to love what was unformed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lastly, on men:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Men were such odd creatures. They didn&#39;t duel anymore, even fistfights had come to seem barbaric, the old casual violence all channeled through institutions now, but they still loved to uphold their ancient codes. And what they loved even more was to forgive each other.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2012</title>
    <link href="https://mlarson.org/2012/12/22/i-have-this-old-57-porsche-speedster-and-the-way/"/>
    <updated>2012-12-22T02:28:37.000Z</updated>
    <id>https://mlarson.org/2012/12/22/i-have-this-old-57-porsche-speedster-and-the-way/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I have this old ’57 Porsche Speedster, and the way the door closes, I’ll just sit there and listen to the sound of the latch going, cluh-CLICK-click. That door! I live for that door. Whatever the opposite of planned obsolescence is, that’s what I’m into.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/12/23/magazine/jerry-seinfeld-intends-to-die-standing-up.html?hp&amp;amp;_r=2&amp;amp;pagewanted=all&#34;&gt;Jerry Seinfeld&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Dark Knight Rises</title>
    <link href="https://mlarson.org/2012/12/19/the-dark-knight-rises-dont-get-me-started/"/>
    <updated>2012-12-19T19:24:25.000Z</updated>
    <id>https://mlarson.org/2012/12/19/the-dark-knight-rises-dont-get-me-started/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mfalvzabgx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Dark_Knight_Rises&#34;&gt;The Dark Knight Rises&lt;/a&gt;. Don’t get me started. Updated &lt;a href=&#34;http://tumblr.mlarson.org/tagged/christophernolan&#34;&gt;Christopher Nolan&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/5545126705/memento-third-viewing-but-hadnt-seen-it-in-7-8&#34;&gt;Memento&lt;/a&gt; (12 years and still going strong…)&lt;/li&gt;
&lt;li&gt;Batman Begins (It’s been a while, though. I may need to review this ranking.)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/26115587376/the-prestige-themes-obsession-sacrifice-craft&#34;&gt;The Prestige&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17210923479/following-christopher-nolans-first-feature-film&#34;&gt;Following&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Dark Knight&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17534469382/insomnia-starts-well-but-id-tighten-it-up-a&#34;&gt;Insomnia&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Dark Knight Rises&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/847918100/inception-this-is-a-good-movie-worth-seeing&#34;&gt;Inception&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>December 19, 2012</title>
    <link href="https://mlarson.org/2012/12/19/both-male-and-female-intps-may-end-up-feeling/"/>
    <updated>2012-12-19T18:59:00.000Z</updated>
    <id>https://mlarson.org/2012/12/19/both-male-and-female-intps-may-end-up-feeling/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Both male and female INTPs may end up feeling guilty for having forsaken their social duty in favor of their own Introverted needs, perhaps not having satisfied either. While feeling true to themselves, they may be thinking, ‘I’ve screwed up again.’&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ha! Man oh man. Took the words right out of my mouth. I found this when I was reading &lt;a href=&#34;http://www.amazon.com/Type-Talk-Work-Revised-Personality/dp/0440509289&#34;&gt;Type Talk at Work&lt;/a&gt; yesterday. Definitely worth flipping through.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>There&#39;s Little We Can Do to Prevent Another Massacre - The Daily Beast</title>
    <link href="https://mlarson.org/2012/12/19/theres-little-we-can-do-to-prevent-another/"/>
    <updated>2012-12-19T02:03:55.000Z</updated>
    <id>https://mlarson.org/2012/12/19/theres-little-we-can-do-to-prevent-another/</id>
    <content type="html">&lt;p&gt;I’m not about to get all gun talk here. Mostly tumbling so I can mention that &lt;a href=&#34;http://tumblr.mlarson.org/tagged/meganmcardle&#34;&gt;Megan McArdle&lt;/a&gt; is a great, thoughtful writer.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thedailybeast.com/articles/2012/12/17/there-s-little-we-can-do-to-prevent-another-massacre.html&#34;&gt;There&#39;s Little We Can Do to Prevent Another Massacre - The Daily Beast&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Argo</title>
    <link href="https://mlarson.org/2012/12/19/argo-i-liked-this-one-the-tension-isnt-the/"/>
    <updated>2012-12-19T02:03:00.000Z</updated>
    <id>https://mlarson.org/2012/12/19/argo-i-liked-this-one-the-tension-isnt-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mf99pwgrwc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Argo_%282012_film%29&#34;&gt;Argo&lt;/a&gt;. I liked this one. The tension isn’t the violent suspense of &lt;a href=&#34;http://tumblr.mlarson.org/post/35300923669/the-town-i-would-have-preferred-less-gunfire-and&#34;&gt;The Town&lt;/a&gt; or the queasy terror of &lt;a href=&#34;http://tumblr.mlarson.org/post/35339579171/gone-baby-gone-i-kinda-wish-the-movie-had-stopped&#34;&gt;Gone Baby Gone&lt;/a&gt;. It’s just a precarious scheme, one chance, and there’s no shooting their way out. Very polished. And Ben Affleck has the best poker face in the game right now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2012</title>
    <link href="https://mlarson.org/2012/12/17/in-every-work-of-genius-we-recognize-our-own/"/>
    <updated>2012-12-17T04:07:20.000Z</updated>
    <id>https://mlarson.org/2012/12/17/in-every-work-of-genius-we-recognize-our-own/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikisource.org/wiki/Essays:_First_Series/Self-Reliance&#34;&gt;Ralph Waldo Emerson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Warrior</title>
    <link href="https://mlarson.org/2012/12/15/warrior-so-good-you-guys-i-love-this-movie-so/"/>
    <updated>2012-12-15T18:12:00.000Z</updated>
    <id>https://mlarson.org/2012/12/15/warrior-so-good-you-guys-i-love-this-movie-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mf33ufuaus1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Warrior_%282011_film%29&#34;&gt;Warrior&lt;/a&gt;. So good, you guys. I love this movie so much. (My &lt;a href=&#34;http://tumblr.mlarson.org/post/31993500441/warrior-some-plot-points-are-about-subtle-as-a&#34;&gt;first review&lt;/a&gt;.) It does nothing you don’t expect but it does it all so well. Like &lt;a href=&#34;http://tumblr.mlarson.org/post/35273076435/casablanca-or-the-cliches-are-having-a-ball-umberto&#34;&gt;Umberto Eco says&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When all the archetypes burst in shamelessly, we reach Homeric depths. Two cliches make us laugh. A hundred cliches move us.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Heat</title>
    <link href="https://mlarson.org/2012/12/14/heat-my-third-viewing-first-second-this-is/"/>
    <updated>2012-12-14T03:54:00.000Z</updated>
    <id>https://mlarson.org/2012/12/14/heat-my-third-viewing-first-second-this-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mf04v07jxv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Heat_%281995_film%29&#34;&gt;Heat&lt;/a&gt;. My third viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;first&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/36615055083/heat-michael-mann-man-this-still-blows-my-mind&#34;&gt;second&lt;/a&gt;). This is officially my second favorite movie after &lt;a href=&#34;http://tumblr.mlarson.org/tagged/outofthepast&#34;&gt;Out of the Past&lt;/a&gt;. It seems like (Pacino’s) Hanna has more fun than (De Niro’s) McCauley does. Maybe I’m projecting, and he’s just more fun to watch because he’s more exasperated and has the power to say whatever he wants. He definitely smiles more. His stakes are lower in a way. He’s got a day job, a sense of purpose, even if home life is a wreck. Note the close of the hospital scene, when he’s paged back into action, he gives his wife a smile before an almost gleeful run down the stairs, back to the chase. Compare to the ending, where there’s no triumph on his face. More like disappointment. McCauley is always more restrained, as he always has less room for error. (Hanna asks him, “What are you, some kind of monk?”). After two really upsetting phone calls (one with adversary Van Zandt, one with his partner Trejo at the breakfast joint), he doesn’t slam the phone or toss it, but seems to pause, gather himself, and return the phone to rest. At the diner with Hanna, McCauley mentions that recurring dream of running out of time. Note how, towards the end, when he’s looking to find Waingro, Eady and Nate mention/ask him about the time he has left before he catches his flight out of the country. A guy who does things like to wrap his glasses in paper napkins loses his usual discipline, and things go haywire. One last thing: I love how the music is so supportive. It’s there in subtle ways like in the &lt;a href=&#34;http://www.youtube.com/watch?v=DdDl6mbcGtc&#34;&gt;drive-in money exchange&lt;/a&gt;, where much of the tension rides on the music, but it’s not until the fade-out that you realize the music is even there. It’s present in more obvious ways like in the &lt;a href=&#34;http://www.youtube.com/watch?v=JqDoUCcJHPU&#34;&gt;nighttime balcony romance&lt;/a&gt;, with that noodly jazz guitar playing behind soft, gauzy synth curtains. Lord, I love that. Other movies I re-watched this year include &lt;a href=&#34;http://tumblr.mlarson.org/post/31066048158/winters-bone-such-a-damn-good-movie-every-bit&#34;&gt;Winter’s Bone&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/37113063397/melancholia-i-like-it-even-more-on-second-viewing&#34;&gt;Melancholia&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/30966408540/mission-impossible-the-gadgets-have-not-aged&#34;&gt;Mission Impossible&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/30966428742/days-of-heaven-re-watched-re-loved-still-near&#34;&gt;Days of Heaven&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/29845706204/blade-runner-final-cut-dang-like-alien-this&#34;&gt;Blade Runner&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/29531017807/bloodsport-finally-saw-it-on-the-big&#34;&gt;Bloodsport&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/29124751775/the-last-of-the-mohicans-i-might-have-seen-this&#34;&gt;The Last of the Mohicans&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/25317061209/the-godfather-not-much-i-can-add-to-the&#34;&gt;The Godfather&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/24562090753/drive-second-viewing-the-first-i-told-myself&#34;&gt;Drive&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/23518284776/mean-girls-this-is-one-of-the-great-comedies-of&#34;&gt;Mean Girls&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/23082920362/the-shawshank-redemption-second-time-around&#34;&gt;The Shawshank Redemption&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/19735918433/raging-bull-i-liked-it-more-this-time-around-than&#34;&gt;Raging Bull&lt;/a&gt;, and &lt;a href=&#34;http://tumblr.mlarson.org/post/19345857994/aliens-this-is-how-you-do-a-sequel-extend-not&#34;&gt;Aliens&lt;/a&gt;. I’ve really been itching for another viewing of &lt;a href=&#34;http://tumblr.mlarson.org/post/31993500441/warrior-some-plot-points-are-about-subtle-as-a&#34;&gt;Warrior&lt;/a&gt;. Update: &lt;a href=&#34;http://tumblr.mlarson.org/post/37995060289/warrior-so-good-you-guys-i-love-this-movie-it&#34;&gt;done&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>One is the Loneliest Number - NYTimes.com</title>
    <link href="https://mlarson.org/2012/12/14/one-is-the-loneliest-number-nytimescom/"/>
    <updated>2012-12-14T03:53:57.000Z</updated>
    <id>https://mlarson.org/2012/12/14/one-is-the-loneliest-number-nytimescom/</id>
    <content type="html">&lt;p&gt;I’d never considered this side of having children later in life. From &lt;a href=&#34;http://www.tnr.com/article/politics/magazine/110861/how-older-parenthood-will-upend-american-society&#34;&gt;Julie Shulevitz’s essay&lt;/a&gt; excerpted in the link above:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What haunts me about my children, though, is […] the actuarial risk I run of dying before they’re ready to face the world.&lt;/p&gt;
&lt;p&gt;Older parents die earlier in their children’s lives. […] A mother who is 35 when her child is born is more likely than not to have died by the time that child is 46. The one who is 45 may have bowed out of her child’s life when he’s 37. The odds are slightly worse for fathers: The 35-year-old new father can hope to live to see his child turn 42. The 45-year-old one has until the child is 33.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://douthat.blogs.nytimes.com/2012/12/12/one-is-the-loneliest-number/&#34;&gt;One is the Loneliest Number - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Web We Lost - Anil Dash</title>
    <link href="https://mlarson.org/2012/12/14/the-web-we-lost-anil-dash/"/>
    <updated>2012-12-14T03:53:51.000Z</updated>
    <id>https://mlarson.org/2012/12/14/the-web-we-lost-anil-dash/</id>
    <content type="html">&lt;p&gt;I always love reading Anil’s perspective.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://dashes.com/anil/2012/12/the-web-we-lost.html&#34;&gt;The Web We Lost - Anil Dash&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Profiles: Dave Brubeck : The New Yorker</title>
    <link href="https://mlarson.org/2012/12/12/profiles-dave-brubeck-the-new-yorker/"/>
    <updated>2012-12-12T04:33:43.000Z</updated>
    <id>https://mlarson.org/2012/12/12/profiles-dave-brubeck-the-new-yorker/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Brubeck liked to save money, didn’t smoke, and limited himself to one martini before dinner. (Paul Desmond, the quartet’s sax player, explained Brubeck’s experiments in hedonism this way: “Every five years or so, Dave makes a major breakthrough, like discovering room service.”)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/backissues/2012/12/profiles-dave-brubeck.html?mobify=0&#34;&gt;Profiles: Dave Brubeck : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Life of Pi</title>
    <link href="https://mlarson.org/2012/12/12/life-of-pi-awesome-special-effects-and/"/>
    <updated>2012-12-12T04:33:29.000Z</updated>
    <id>https://mlarson.org/2012/12/12/life-of-pi-awesome-special-effects-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mewh9p4lit1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Life_of_Pi_%28film%29&#34;&gt;Life of Pi&lt;/a&gt;. Awesome special effects and photography, almost worth watching simply for the spectacle. (Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/27122871603/the-fall-storytelling-narrated-by-an-injured&#34;&gt;The Fall&lt;/a&gt; in that way). I’d like it sooooooooooooooooooooooooo much more overall without the (blunt, preachy) narrative wrapper. I DNFed on the book several years ago. Not sure how it compares.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>John Carter</title>
    <link href="https://mlarson.org/2012/12/12/john-carter-easily-the-most-teal-and-orange-movie/"/>
    <updated>2012-12-12T04:33:18.000Z</updated>
    <id>https://mlarson.org/2012/12/12/john-carter-easily-the-most-teal-and-orange-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mewgelegh11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/John_Carter_%28film%29&#34;&gt;John Carter&lt;/a&gt;. Easily the most &lt;a href=&#34;http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-hollywood-please-stop.html&#34;&gt;teal-and-orange movie&lt;/a&gt; I’ve ever seen. I feel like there’s a good movie hiding in here somewhere. Overhaul the terrible dialogue, trim judiciously. It has some decent-enough swashbuckling action (and one really effective battle), and thankfully doesn’t rely on dumb one-liners or dopey comic relief characters or modern-day allegory. It’s really straightforward, for all its excess in other ways (effects, cast, milieu) &lt;a href=&#34;https://en.wikipedia.org/wiki/Andrew_Stanton&#34;&gt;Andrew Stanton&lt;/a&gt; directed a dud here, but at least he’s still got &lt;em&gt;Finding Nemo&lt;/em&gt; and &lt;em&gt;Wall-E&lt;/em&gt; on his resume…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 12, 2012</title>
    <link href="https://mlarson.org/2012/12/12/i-dont-remember-exactly-when-this-dawned-me-far/"/>
    <updated>2012-12-12T04:33:00.000Z</updated>
    <id>https://mlarson.org/2012/12/12/i-dont-remember-exactly-when-this-dawned-me-far/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I don’t remember exactly when this dawned me — far too late, definitely — but I started enjoying sad/sappy movies a lot more when I let myself cry when the movie seemed to expect it of me instead thinking I was somehow beating the system or proving my superiority by resisting it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/blogs/marginal-utility/dating-robots/&#34;&gt;Rob Horning&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2012</title>
    <link href="https://mlarson.org/2012/12/06/dave-brubecks-set-list-october-5-2002-when-i/"/>
    <updated>2012-12-06T03:16:51.000Z</updated>
    <id>https://mlarson.org/2012/12/06/dave-brubecks-set-list-october-5-2002-when-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_melag3dgba1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2465022442/&#34;&gt;Dave Brubeck’s set list&lt;/a&gt;, October 5, 2002. When I was in college, I played percussion about 5 feet behind and to Dave’s left in this concert. He left his notes sitting on the piano after the show. So I took it. &lt;a href=&#34;http://en.wikipedia.org/wiki/Dave_Brubeck&#34;&gt;What a guy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Remains of the Day - Washingtonian</title>
    <link href="https://mlarson.org/2012/12/05/remains-of-the-day-washingtonian/"/>
    <updated>2012-12-05T04:24:40.000Z</updated>
    <id>https://mlarson.org/2012/12/05/remains-of-the-day-washingtonian/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A wedding photographer sets out to learn what happened to the couples who hired him for their big day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is so great. (&lt;a href=&#34;https://twitter.com/katekiefer/status/276029455397433345&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonian.com/articles/print/2012/11/28/remains-of-the-day.php&#34;&gt;Remains of the Day - Washingtonian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2012</title>
    <link href="https://mlarson.org/2012/12/04/humor-is-almost-always-anger-with-its-makeup-on/"/>
    <updated>2012-12-04T17:40:34.000Z</updated>
    <id>https://mlarson.org/2012/12/04/humor-is-almost-always-anger-with-its-makeup-on/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Humor is almost always anger with its makeup on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A line from Stephen King’s &lt;a href=&#34;http://www.amazon.com/Bag-Bones-Stephen-King/dp/067102423X&#34;&gt;Bag of Bones&lt;/a&gt; (&lt;a href=&#34;https://twitter.com/russpitts/status/276007962265391104&#34;&gt;via&lt;/a&gt;), which &lt;a href=&#34;http://books.google.com/books?id=kDZSh9rtva4C&amp;amp;pg=PT157&amp;amp;dq=humor+anger+make-up+king&amp;amp;hl=en#v=onepage&amp;amp;q=humor%20anger%20makeup&amp;amp;f=false&#34;&gt;continues&lt;/a&gt;…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;but in little towns the makeup tends to be thin.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/anger&#34;&gt;anger&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bach’s Music, Back Then and Right Now</title>
    <link href="https://mlarson.org/2012/12/04/bachs-music-back-then-and-right-now/"/>
    <updated>2012-12-04T16:37:00.000Z</updated>
    <id>https://mlarson.org/2012/12/04/bachs-music-back-then-and-right-now/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Beethoven specialists are known as great musicians, great interpreters, whereas Bach specialists tend to be viewed vatically, as mediums. I found myself connecting Casals’s moaning and Gould’s humming—for a composer who is supposed to be pure, we sure enjoy a lot of extraneous noise!—the musical equivalent of speaking in tongues, channeling, a kind of cultish signal, a sonic signature of being on the right occult frequency to communicate with the master.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This essay reminded me of this excerpt from &lt;a href=&#34;http://en.wikipedia.org/wiki/Steppenwolf_(novel)&#34;&gt;Steppenwolf&lt;/a&gt; that I’ve &lt;a href=&#34;http://tumblr.mlarson.org/post/1298646099/it-was-at-a-concert-of-lovely-old-music-after-two&#34;&gt;tumbled before&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It was at a concert of lovely old music. After two or three notes of the piano the door was opened of a sudden to the other world. I sped through heaven and saw God at work. I suffered holy pains. I dropped all my defenses and was afraid of nothing in the world. I accepted all things and to all things I gave up my heart. It did not last very long, a quarter of an hour perhaps; but it returned to me in a dream at night, and since, through all the barren days, I caught a glimpse of it now and then.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tnr.com/print/article/books-and-arts/magazine/110177/bachs-music-back-then-and-right-now&#34;&gt;Bach’s Music, Back Then and Right Now&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2012</title>
    <link href="https://mlarson.org/2012/12/04/the-joy-of-the-single-a-documentary-about-7-inch/"/>
    <updated>2012-12-04T16:06:25.000Z</updated>
    <id>https://mlarson.org/2012/12/04/the-joy-of-the-single-a-documentary-about-7-inch/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/8R5UUhP-m8E&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=8R5UUhP-m8E&#34;&gt;The Joy of the Single&lt;/a&gt;. A documentary about 7-inch 45s. Mostly nostalgic talking heads, but they cover some good stuff. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/30393719996/the-king-of-78s-joe-bussard-this-guy-has-15-000&#34;&gt;The King of 78s&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/dusttodigital/status/275991002513301505&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Killing</title>
    <link href="https://mlarson.org/2012/12/03/the-killing-ive-seen-2001-a-space-odyssey-four/"/>
    <updated>2012-12-03T17:12:00.000Z</updated>
    <id>https://mlarson.org/2012/12/03/the-killing-ive-seen-2001-a-space-odyssey-four/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mefvhmclkj1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Killing_%28film%29&#34;&gt;The Killing&lt;/a&gt;. I’ve seen &lt;em&gt;2001: A Space Odyssey&lt;/em&gt; four or five times at least, and it’s fantastic, but watching &lt;em&gt;The Shining&lt;/em&gt; a few years ago really killed my interest in Stanley Kubrick’s work. This one resurrects it. Awesome camera and soundtrack and a great set of characters. Multiple perspectives and time cuts. Also touches on some of the practical aspects of dealing with piles and piles of money.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Detour</title>
    <link href="https://mlarson.org/2012/12/03/detour-spoiler-this-guy-is-so-screwed-see-film/"/>
    <updated>2012-12-03T17:11:55.000Z</updated>
    <id>https://mlarson.org/2012/12/03/detour-spoiler-this-guy-is-so-screwed-see-film/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mefubag1jj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Detour_%281945_film%29&#34;&gt;Detour&lt;/a&gt;. Spoiler: This guy is so screwed (see: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/filmnoir&#34;&gt;film noir&lt;/a&gt;). This movie also features one of the most intimidating wrecking balls of a femme fatale you’ll find.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Serpico</title>
    <link href="https://mlarson.org/2012/12/03/serpico-i-like-how-pacino-embodies-the-role-here/"/>
    <updated>2012-12-03T15:29:16.000Z</updated>
    <id>https://mlarson.org/2012/12/03/serpico-i-like-how-pacino-embodies-the-role-here/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_meftuxhmyp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Serpico&#34;&gt;Serpico&lt;/a&gt;. I like how Pacino embodies the role here, and how you can pick up on the passage of time from the way his look and behavior changes. Also, 1970s hospitals are TERRIFYING.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why I love Twitter and barely tolerate Facebook — I.M.H.O. — Medium</title>
    <link href="https://mlarson.org/2012/12/03/why-i-love-twitter-and-barely-tolerate-facebook/"/>
    <updated>2012-12-03T15:29:11.000Z</updated>
    <id>https://mlarson.org/2012/12/03/why-i-love-twitter-and-barely-tolerate-facebook/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://medium.com/i-m-h-o/52a20d7a17de&#34;&gt;Why I love Twitter and barely tolerate Facebook — I.M.H.O. — Medium&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Melancholia</title>
    <link href="https://mlarson.org/2012/12/03/melancholia-i-like-it-even-more-on-second-viewing/"/>
    <updated>2012-12-03T14:53:29.000Z</updated>
    <id>https://mlarson.org/2012/12/03/melancholia-i-like-it-even-more-on-second-viewing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/12/tumblr_mefsmrpueq1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Melancholia_%282011_film%29&#34;&gt;Melancholia&lt;/a&gt;. I like it even more on second viewing (&lt;a href=&#34;http://tumblr.mlarson.org/post/22594713909/melancholia-i-really-wish-id-seen-this-on-the&#34;&gt;the first&lt;/a&gt;), especially after reading &lt;a href=&#34;http://reframe.sussex.ac.uk/sequence1/1-1-melancholia-or-the-romantic-anti-sublime/&#34;&gt;Steven Shaviro’s essay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Myth of American Meritocracy | The American Conservative</title>
    <link href="https://mlarson.org/2012/11/29/the-myth-of-american-meritocracy-the-american/"/>
    <updated>2012-11-29T02:46:19.000Z</updated>
    <id>https://mlarson.org/2012/11/29/the-myth-of-american-meritocracy-the-american/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;How corrupt are Ivy League admissions?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It’s really long and really, really awesome. Definitely worth the time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theamericanconservative.com/articles/the-myth-of-american-meritocracy/&#34;&gt;The Myth of American Meritocracy | The American Conservative&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2012</title>
    <link href="https://mlarson.org/2012/11/27/supply-of-per-capita-football-talent-this-chart/"/>
    <updated>2012-11-27T17:45:45.000Z</updated>
    <id>https://mlarson.org/2012/11/27/supply-of-per-capita-football-talent-this-chart/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_me5qh01sqx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/8654190/on-urban-meyer-ohio-state-wisconsin-big-ten-expanding-include-maryland-rutgers&#34;&gt;Supply of Per Capita Football Talent&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This chart comes from a paper presented by &lt;a href=&#34;http://www.nwmissouri.edu/socialsciences/directory/goudge.htm&#34;&gt;Theodore Goudge&lt;/a&gt;, an associate professor in the department of geography at Northwest Missouri State University, at the 2012 Annual Meeting of the Association of American Geographers. It pretty clearly shows what Goudge referred to as the “pigskin cult” of the south.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The paper in question is “The Geography of College Football Player Origins &amp;amp; Success: Football Championship Subdivision (FCS)”, here’s &lt;a href=&#34;http://meridian.aag.org/callforpapers/program/AbstractDetail.cfm?AbstractID=39856&#34;&gt;an abstract&lt;/a&gt;. Featured in &lt;a href=&#34;http://www.grantland.com/story/_/id/8654190/on-urban-meyer-ohio-state-wisconsin-big-ten-expanding-include-maryland-rutgers&#34;&gt;On Urban Meyer’s Ohio State, Wisconsin, and the Big Ten expanding to include Maryland and Rutgers - Grantland&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why We Shouldn’t Treat Rap As Poetry | The Awl</title>
    <link href="https://mlarson.org/2012/11/27/why-we-shouldnt-treat-rap-as-poetry-the-awl/"/>
    <updated>2012-11-27T17:45:41.000Z</updated>
    <id>https://mlarson.org/2012/11/27/why-we-shouldnt-treat-rap-as-poetry-the-awl/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Consider this proposition in reverse to see how absurd it is: For my graduate thesis, I am going to give Calvin Trillin a bunch of half-assed instrumentals and have DJ Drama help him put together a Gangta Grillz mixtape, and then we’ll evaluate him alongside Gucci Mane and Cam’ron, and other rappers who have made Gangsta Grillz mixtapes. That would be awesome, but it would not provide any more insight into the how and why Calvin Trillin does what he does. It would simply provide me the opportunity to take someone else’s work, put it in a different context, and call it something different.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theawl.com/2011/04/why-we-shouldnt-treat-rap-as-poetry&#34;&gt;Why We Shouldn’t Treat Rap As Poetry | The Awl&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2012</title>
    <link href="https://mlarson.org/2012/11/27/my-review-of-tony-robbins-unleash-the-power-within/"/>
    <updated>2012-11-27T17:45:36.000Z</updated>
    <id>https://mlarson.org/2012/11/27/my-review-of-tony-robbins-unleash-the-power-within/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_me5q1voxms1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nickgray.net/tony-robbins-review/&#34;&gt;My Review of Tony Robbins Unleash the Power Within Seminar&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What was very interesting is that the words Tony writes are 90% illegible. He is expressing ideas and scribbling with the marker but does not have time for accuracy. For example, on one slide that I remembered, I saw that the word FINANCE was not even slightly legible, SUCCESS looked like a jumbled signature, then there were lots of swirly lines and arrows. Without the context of Tony, it would have made no sense. But the ideas were conveyed better with the aid of these notes.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2012</title>
    <link href="https://mlarson.org/2012/11/27/i-finally-finally-finally-realized-what-the/"/>
    <updated>2012-11-27T17:45:00.000Z</updated>
    <id>https://mlarson.org/2012/11/27/i-finally-finally-finally-realized-what-the/</id>
    <content type="html">&lt;p&gt;I finally, finally, finally realized what the &lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt; poster &lt;a href=&#34;http://tumblr.mlarson.org/post/6248949135/back-to-the-future-i-had-an-essentially-perfect&#34;&gt;reminds me of&lt;/a&gt;. Thanks, &lt;a href=&#34;http://twitter.com/austinkleon/status/273255759700164608&#34;&gt;Austin&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Subcompact Publishing — by Craig Mod</title>
    <link href="https://mlarson.org/2012/11/27/subcompact-publishing-by-craig-mod/"/>
    <updated>2012-11-27T01:18:22.000Z</updated>
    <id>https://mlarson.org/2012/11/27/subcompact-publishing-by-craig-mod/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Business skeuomorphism happens when we take business decisions explicitly tied to one medium, and bring them to another medium — no questions asked. Business skeuomorphism is rampant in the publishing industry. The simplest example is with magazines.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://craigmod.com/journal/subcompact_publishing/&#34;&gt;Subcompact Publishing — by Craig Mod&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>30 Things We Learned from the ‘Thief’ Commentary | Film School Rejects</title>
    <link href="https://mlarson.org/2012/11/26/30-things-we-learned-from-the-thief-commentary/"/>
    <updated>2012-11-26T22:03:00.000Z</updated>
    <id>https://mlarson.org/2012/11/26/30-things-we-learned-from-the-thief-commentary/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Caan comments on Frank’s manner of speaking and how he never uses contractions. He and Mann determined Frank was a man who was trying to make up for lost time, and his way of speaking slowly, methodically, and clear makes it such that he never has to repeat himself. […] “You knew he didn’t say anything he didn’t mean”.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Awesome&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.filmschoolrejects.com/features/30-things-we-learned-from-the-thief-commentary.php&#34;&gt;30 Things We Learned from the ‘Thief’ Commentary | Film School Rejects&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Heat</title>
    <link href="https://mlarson.org/2012/11/26/heat-michael-mann-man-this-still-blows-my-mind/"/>
    <updated>2012-11-26T21:55:00.000Z</updated>
    <id>https://mlarson.org/2012/11/26/heat-michael-mann-man-this-still-blows-my-mind/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_me47ijctnp1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Heat_(1995_film)&#34;&gt;Heat&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt;, man. This still blows my mind on second viewing. (&lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;The first&lt;/a&gt;). I love (Pacino’s) Vincent Hanna so much in this one. He truly does not give a shit. And he &lt;em&gt;drives&lt;/em&gt; like a cop. I also finally realized that Hanna’s sidekick Cassals (&lt;a href=&#34;http://en.wikipedia.org/wiki/Wes_Studi&#34;&gt;Wes Studi&lt;/a&gt;) is so familiar because he also plays &lt;a href=&#34;http://tumblr.mlarson.org/post/29124751775/the-last-of-the-mohicans-i-might-have-seen-this&#34;&gt;Magua&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>i don&#39;t know, man: Only the Internet Could Compel Me to Feel Sorta Bad for Racist Teens</title>
    <link href="https://mlarson.org/2012/11/26/i-dont-know-man-only-the-internet-could-compel/"/>
    <updated>2012-11-26T21:24:53.000Z</updated>
    <id>https://mlarson.org/2012/11/26/i-dont-know-man-only-the-internet-could-compel/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://willystaley.tumblr.com/post/36574794140/only-the-internet-could-compel-me-to-feel-sorta-bad-for&#34;&gt;i don&#39;t know, man: Only the Internet Could Compel Me to Feel Sorta Bad for Racist Teens&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Los Angeles Review of Books - What Would DFW Do: Maria Bustillos, Eric Been, And Mike Goetzman On &#34;Both Flesh And Not&#34; And All Things Foster Wallace</title>
    <link href="https://mlarson.org/2012/11/26/los-angeles-review-of-books-what-would-dfw-do/"/>
    <updated>2012-11-26T21:18:19.000Z</updated>
    <id>https://mlarson.org/2012/11/26/los-angeles-review-of-books-what-would-dfw-do/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Perhaps we ought to be a little more understanding of the compromises involved in creating art, and that getting bent out of shape once certain liberties are exposed (when just a minute ago we were so thoroughly enthralled!) seems a reaction based more on our uneasiness with our own vulnerability and credulousness than any serious authorial wrongdoing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/article.php?type=&amp;amp;id=1196&amp;amp;fulltext=1&amp;amp;media=#article-text-cutpoint&#34;&gt;Los Angeles Review of Books - What Would DFW Do: Maria Bustillos, Eric Been, And Mike Goetzman On &amp;quot;Both Flesh And Not&amp;quot; And All Things Foster Wallace&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 26, 2012</title>
    <link href="https://mlarson.org/2012/11/26/david-foster-wallace-knows-the-answer/"/>
    <updated>2012-11-26T21:18:00.000Z</updated>
    <id>https://mlarson.org/2012/11/26/david-foster-wallace-knows-the-answer/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_me45txlkfn1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/article.php?type=&amp;amp;id=1196&amp;amp;fulltext=1&amp;amp;media=#article-text-cutpoint&#34;&gt;David Foster Wallace knows the answer&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>El Aura (The Aura)</title>
    <link href="https://mlarson.org/2012/11/25/el-aura-the-aura-too-bad-fabian-bielinsky-is-no/"/>
    <updated>2012-11-25T01:52:48.000Z</updated>
    <id>https://mlarson.org/2012/11/25/el-aura-the-aura-too-bad-fabian-bielinsky-is-no/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_me0t68jfdc1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/El_Aura&#34;&gt;El Aura (The Aura)&lt;/a&gt;. Too bad &lt;a href=&#34;https://en.wikipedia.org/wiki/Fabi%C3%A1n_Bielinsky&#34;&gt;Fabián Bielinsky&lt;/a&gt; is no longer with us. I think he was on to something here. This one meanders ever so slightly, but still pretty solid. I love the rural photography; the pace; the way it doesn’t prepare you for anything, but makes you wait and watch this guy get in over his head. Ricardo Darín is so awesome. I really liked him in &lt;a href=&#34;http://tumblr.mlarson.org/post/1578822344/el-secreto-de-sus-ojos-the-secret-in-their-eyes&#34;&gt;El Secreto de Sus Ojos&lt;/a&gt;, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Antifragile: How to Live in a World We Don&#39;t Understand by Nassim Nicholas Taleb – review | The Guardian</title>
    <link href="https://mlarson.org/2012/11/25/antifragile-how-to-live-in-a-world-we-dont/"/>
    <updated>2012-11-25T01:52:45.000Z</updated>
    <id>https://mlarson.org/2012/11/25/antifragile-how-to-live-in-a-world-we-dont/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If I may be forgiven a heuristic of my own, it is a very bad sign when authors start to look down on the books that connected them to their audience: it means they are now irredeemably up themselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/books/2012/nov/21/antifragile-how-to-live-nassim-nicholas-taleb-review&#34;&gt;Antifragile: How to Live in a World We Don&#39;t Understand by Nassim Nicholas Taleb – review | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Keep</title>
    <link href="https://mlarson.org/2012/11/21/the-keep-im-sure-theres-a-cult-following-for-it/"/>
    <updated>2012-11-21T04:00:16.000Z</updated>
    <id>https://mlarson.org/2012/11/21/the-keep-im-sure-theres-a-cult-following-for-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdtjcbpbzw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Keep_%28film%29&#34;&gt;The Keep&lt;/a&gt;. I’m sure there’s a cult following for it somewhere. Some of the photography and the Tangerine Dream soundtrack are worthwhile. Otherwise, it’s not quite Michael Mann’s best work. That said, if you want to see gothic-scifi-horror with Nazis set in 1940s Romania, it’s your best bet. This is what I get for being a &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; completist. The only ones I haven’t seen yet are &lt;em&gt;Ali&lt;/em&gt; and &lt;em&gt;The Insider&lt;/em&gt;. Here’s how I rank the rest:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;Heat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29124751775/the-last-of-the-mohicans-i-might-have-seen-this&#34;&gt;The Last of the Mohicans&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/31066043274/public-enemies-its-a-good-ride-and-its&#34;&gt;Public Enemies&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30524846101/miami-vice-its-not-nearly-as-good-as-his-best&#34;&gt;Miami Vice&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11701039611/collateral-totally-forgot-mark-ruffalo-was-in&#34;&gt;Collateral&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Keep&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>November 21, 2012</title>
    <link href="https://mlarson.org/2012/11/21/chuck-close-photographed-by-bill-jacobson-while/"/>
    <updated>2012-11-21T00:41:35.000Z</updated>
    <id>https://mlarson.org/2012/11/21/chuck-close-photographed-by-bill-jacobson-while/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdtb6xjfnv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bombsite.com/issues/52/articles/1868&#34;&gt;Chuck Close photographed by Bill Jacobson&lt;/a&gt;, while Close works on “John, 1992, oil on canvas, 100 x 84”. (&lt;a href=&#34;https://twitter.com/artsy/status/271030210386874368&#34;&gt;via&lt;/a&gt;) Featured in &lt;a href=&#34;http://bombsite.com/issues/52/articles/1868&#34;&gt;Lisa Yuskavage’s interview with Close&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I think of my work as what used to be called women’s work: knitting, quilting. Women were busy cooking, raising children, so they had to have an activity that they could pick up and put down. A quilt may take a year, but if you just keep doing it, you get a quilt. Or if you knit one and pearl two, and you believe in the process, eventually you’ll make a sweater. There’s some aspect of that in me.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Fighting Continues Over World&#39;s Holiest Bombing Sites | The Onion</title>
    <link href="https://mlarson.org/2012/11/20/fighting-continues-over-worlds-holiest-bombing/"/>
    <updated>2012-11-20T17:27:00.000Z</updated>
    <id>https://mlarson.org/2012/11/20/fighting-continues-over-worlds-holiest-bombing/</id>
    <content type="html">&lt;p&gt;You win this one, Onion.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/fighting-continues-over-worlds-holiest-bombing-sit,30451/&#34;&gt;Fighting Continues Over World&#39;s Holiest Bombing Sites | The Onion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 20, 2012</title>
    <link href="https://mlarson.org/2012/11/20/every-whole-person-understands-his-lifetime-as-an/"/>
    <updated>2012-11-20T01:06:45.000Z</updated>
    <id>https://mlarson.org/2012/11/20/every-whole-person-understands-his-lifetime-as-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Every whole person understands his lifetime as an organized, recountable series of events and changes with at least a beginning and a middle. We need narrative like we need space-time; it’s a built-in thing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;David Foster Wallace in &lt;a href=&#34;http://www.theknowe.net/dfwfiles/pdfs/ffacy.pdf&#34;&gt;Fictional Futures and the Conspicuously Young&lt;/a&gt; [pdf], which was previously &lt;a href=&#34;http://www.thehowlingfantods.com/dfw/uncollected-dfw.html&#34;&gt;uncollected&lt;/a&gt;. I just started &lt;a href=&#34;http://www.amazon.com/Both-Flesh-David-Foster-Wallace/dp/0316182370&#34;&gt;Both Flesh and Not&lt;/a&gt; today.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>We&#39;re Not Louis C.K. - Indie Game: The Movie - A Video Game Documentary</title>
    <link href="https://mlarson.org/2012/11/20/were-not-louis-ck-indie-game-the-movie-a/"/>
    <updated>2012-11-20T01:06:41.000Z</updated>
    <id>https://mlarson.org/2012/11/20/were-not-louis-ck-indie-game-the-movie-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Our version of working a small comedy club in Idaho was spending 5 minutes responding to an email about what type of camera we were using or a tweeted questions about the film. Little by little, it added up. We don’t want to push the analogy too hard. We’re not trying to say we’re just like Louis C.K. Not even close. But we do want to make the point that you don’t need throngs of ready-made fans to make this type of distribution effective and worthwhile. You can build towards it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really should have watched &lt;a href=&#34;http://buy.indiegamethemovie.com/&#34;&gt;the movie&lt;/a&gt; by now. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.indiegamethemovie.com/news/2012/11/19/were-not-louis-ck.html&#34;&gt;We&#39;re Not Louis C.K. - Indie Game: The Movie - A Video Game Documentary&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Easy Rider</title>
    <link href="https://mlarson.org/2012/11/20/easy-rider-two-rebels-made-their-compromise-and/"/>
    <updated>2012-11-20T01:01:00.000Z</updated>
    <id>https://mlarson.org/2012/11/20/easy-rider-two-rebels-made-their-compromise-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdpq5tvyce1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Easy_Rider&#34;&gt;Easy Rider&lt;/a&gt;. Two rebels made their compromise and try to live with it. Nicholson’s square tag-along is a nice addition. The cuts between scenes were so strange at first–I don’t think I’ve scene anything like it. Solid soundtrack, and you can laugh at hippies. A buddy and I are working through some notable road movies we haven’t seen. Previously: &lt;a href=&#34;http://tumblr.mlarson.org/post/34572090666/two-lane-blacktop-theres-not-a-lot-of-explicit&#34;&gt;Two-Lane Blacktop&lt;/a&gt; (my favorite so far) and &lt;a href=&#34;http://tumblr.mlarson.org/post/33514096533/thunder-road-its-not-amazing-but-its-fun&#34;&gt;Thunder Road&lt;/a&gt; (second).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 20, 2012</title>
    <link href="https://mlarson.org/2012/11/20/dre-likes-to-work-in-an-environment-where-you-can/"/>
    <updated>2012-11-20T01:00:20.000Z</updated>
    <id>https://mlarson.org/2012/11/20/dre-likes-to-work-in-an-environment-where-you-can/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Dre likes to work in an environment where you can create. [Where] everybody’s on the creative atmosphere and not about what’s goin’ on in the ‘hood, how many niggas you shot and how much shit you did. He didn’t want that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Me and Dre both. That’s Snoop, talking about &lt;a href=&#34;http://blogs.laweekly.com/westcoastsound/2012/11/making_of_the_chronic_dre_death_row.php?print=true&#34;&gt;the making of &lt;em&gt;The Chronic&lt;/em&gt;&lt;/a&gt;. Life was simpler then:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was just happy to be workin’ with Dre. I had my own apartment. I was getting a thousand dollars a month, had all the best weed I wanted. My girl was lovin’ me, I was lovin’ her. It was all just crackin’.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Lincoln</title>
    <link href="https://mlarson.org/2012/11/19/lincoln-the-best-movie-about-the-legislative/"/>
    <updated>2012-11-19T02:13:51.000Z</updated>
    <id>https://mlarson.org/2012/11/19/lincoln-the-best-movie-about-the-legislative/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdppfz1qbk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Lincoln_%282012_film%29&#34;&gt;Lincoln&lt;/a&gt;. The best movie about the legislative process released this year! For real, historical biography isn’t my thing (&lt;a href=&#34;http://tumblr.mlarson.org/post/32984831049/lawrence-of-arabia-ridiculously-spectacular-most&#34;&gt;Lawrence of Arabia&lt;/a&gt; excepted), so I liked that the condensed timeline here moved it more into political drama with horse-trading and cajoling and backroom negotiation. I have my complaints (over-teaching; soft-focus soap opera lighting; lens flare; tokenism; etc.), but still… DDL is the man. His storytelling, along with the other individual performances, make it worthwhile.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Scott Adams Blog: Sleep Tip 03/21/2011</title>
    <link href="https://mlarson.org/2012/11/18/scott-adams-blog-sleep-tip-03212011/"/>
    <updated>2012-11-18T15:41:12.000Z</updated>
    <id>https://mlarson.org/2012/11/18/scott-adams-blog-sleep-tip-03212011/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Here’s a tip for falling asleep. I don’t think you’ll see it anywhere else. It goes like this: &lt;em&gt;Don’t think words&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://blog.colinmarshall.org/?p=1105&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://dilbert.com/blog/entry/sleep_tip/&#34;&gt;Scott Adams Blog: Sleep Tip 03/21/2011&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2012</title>
    <link href="https://mlarson.org/2012/11/17/i-love-the-south-the-mud-and-the-creeks-and-the/"/>
    <updated>2012-11-17T00:33:14.000Z</updated>
    <id>https://mlarson.org/2012/11/17/i-love-the-south-the-mud-and-the-creeks-and-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I love the South. The mud and the creeks and the moss and the lightning bugs and the oak trees and the pecan trees. Climbing trees and looking for snakes, I really miss all that. That was the best part of my childhood.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/cover-story/reader/cat-power/&#34;&gt;Chan Marshall&lt;/a&gt;. Hell yeah &lt;a href=&#34;http://tumblr.mlarson.org/tagged/thesouth&#34;&gt;the South&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2012</title>
    <link href="https://mlarson.org/2012/11/16/millsinabout-i-guess-you-could-say-im-a-pretty/"/>
    <updated>2012-11-16T20:49:36.000Z</updated>
    <id>https://mlarson.org/2012/11/16/millsinabout-i-guess-you-could-say-im-a-pretty/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdlkqc4k8n1rz5hbqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nomore.metaismurder.com/post/35857247562/i-guess-you-could-say-im-a-pretty-big-fan&#34;&gt;millsinabout&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I guess you could say I’m a pretty big fan.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Eastwood Conundrum - Esquire</title>
    <link href="https://mlarson.org/2012/11/16/the-eastwood-conundrum-esquire/"/>
    <updated>2012-11-16T20:45:55.000Z</updated>
    <id>https://mlarson.org/2012/11/16/the-eastwood-conundrum-esquire/</id>
    <content type="html">&lt;p&gt;An anecdote from his work on &lt;a href=&#34;https://en.wikipedia.org/wiki/A_Perfect_World&#34;&gt;A Perfect World&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Costner was a big star who had agreed to make an art film while Eastwood was determined to make a Clint Movie, and they were at cross-purposes. Finally, Eastwood called Costner from his trailer for a scene, and Costner told him to wait — that he wasn’t ready.&lt;/p&gt;
&lt;p&gt;“Find his extra,” Eastwood said, “and put a shirt on him.”&lt;/p&gt;
&lt;p&gt;He wound up shooting the scene with the extra — with the extra walking through a field, and the camera so close to him he became a blur. Then Costner emerged from his trailer and announced that he was ready to work. “Never mind,” Eastwood said, “we’re moving on.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/print-this/clint-eastwood-profile-1012?page=all&#34;&gt;The Eastwood Conundrum - Esquire&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2012</title>
    <link href="https://mlarson.org/2012/11/15/get-out-of-the-conceptual-rut-that-a-good-life/"/>
    <updated>2012-11-15T00:51:00.000Z</updated>
    <id>https://mlarson.org/2012/11/15/get-out-of-the-conceptual-rut-that-a-good-life/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Get out of the conceptual rut that a good life looks one way and a disappointing one looks another.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-good-advice-for-a-nephews-fiancee/2012/11/14/30e6dc7e-2219-11e2-ac85-e669876c6a24_story.html?wprss=rss_carolyn-hax&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Headhunters</title>
    <link href="https://mlarson.org/2012/11/15/hodejegerne-headhunters-you-cant-help-but-love/"/>
    <updated>2012-11-15T00:51:00.000Z</updated>
    <id>https://mlarson.org/2012/11/15/hodejegerne-headhunters-you-cant-help-but-love/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdi718z31b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Headhunters_%28Film%29&#34;&gt;Hodejegerne (Headhunters)&lt;/a&gt;. You can’t help but love an art thief. There’s some solid heist/chase fundamentals in here, as well as some &lt;em&gt;whaaaa?&lt;/em&gt; gross-out moments and dark humor. I love how it plays with your assumptions about character and plot. Good stuff. For foreign-language films, &lt;a href=&#34;http://tumblr.mlarson.org/post/18743478991/certified-copy-its-really-brilliant-and-its&#34;&gt;Certified Copy&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/19868011926/a-bout-portant-point-blank-some-movies-do-all&#34;&gt;Point Blank&lt;/a&gt; are still my favorites of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;movies I’ve seen&lt;/a&gt; this year. &lt;a href=&#34;http://tumblr.mlarson.org/post/20318525250/13-assassins-one-important-thing-others&#34;&gt;13 Assassins&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/33268604458/oldboy-a-lot-of-energy-its-a-revenge-flick-and&#34;&gt;Oldboy&lt;/a&gt; are next in the rankings.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Face/Off</title>
    <link href="https://mlarson.org/2012/11/15/faceoff-its-a-late-90s-action-movie-directed/"/>
    <updated>2012-11-15T00:50:57.000Z</updated>
    <id>https://mlarson.org/2012/11/15/faceoff-its-a-late-90s-action-movie-directed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdi5xs8ioc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Face/Off&#34;&gt;Face/Off&lt;/a&gt;. It’s a late ‘90s action movie directed by John Woo, full of late &#39;90s action and Woo-isms. Preposterous and fun and too long.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>BWV 849 | Philip Engel | The Hypocrite Reader</title>
    <link href="https://mlarson.org/2012/11/14/bwv-849-philip-engel-the-hypocrite-reader/"/>
    <updated>2012-11-14T23:57:02.000Z</updated>
    <id>https://mlarson.org/2012/11/14/bwv-849-philip-engel-the-hypocrite-reader/</id>
    <content type="html">&lt;p&gt;Bach was ridiculous.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.hypocritereader.com/21/bwv&#34;&gt;BWV 849 | Philip Engel | The Hypocrite Reader&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2012</title>
    <link href="https://mlarson.org/2012/11/14/last-album-i-was-like-i-dont-now-how-im-finna/"/>
    <updated>2012-11-14T20:34:23.000Z</updated>
    <id>https://mlarson.org/2012/11/14/last-album-i-was-like-i-dont-now-how-im-finna/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Last album I was like “I don’t now how I’m finna do this shit again,” but it’s been like that since Southernplayalistic… When in doubt you just gotta go to work.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.villagevoice.com/music/2012/11/big_boi_outkast_vicious.php?print=true&#34;&gt;Big Boi&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2012</title>
    <link href="https://mlarson.org/2012/11/14/the-secret-is-that-the-shit-is-fun-to-me-finding/"/>
    <updated>2012-11-14T20:16:20.000Z</updated>
    <id>https://mlarson.org/2012/11/14/the-secret-is-that-the-shit-is-fun-to-me-finding/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The secret is that the shit is fun to me. Finding a new groove to make a new song, that shit is fun. When you get the beat right and then the hooks and the bridges and the lyrics and it all comes together it’s like this feeling that you get like you hit the jackpot. I can only describe it as trying to unlock the combination to a safe. Once you get inside it, boom.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.villagevoice.com/music/2012/11/big_boi_outkast_vicious.php?print=true&#34;&gt;Big Boi&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2012</title>
    <link href="https://mlarson.org/2012/11/14/from-the-excellent-cutters-way-the-mysterious/"/>
    <updated>2012-11-14T19:02:07.000Z</updated>
    <id>https://mlarson.org/2012/11/14/from-the-excellent-cutters-way-the-mysterious/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mdhrdmskps1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;From the excellent &lt;a href=&#34;http://brightlightsfilm.com/78/78-cutters-way-the-mysterious-art-of-film-editing-walter-murch-margaret-booth_daseler.php&#34;&gt;Cutters’ Way: The Mysterious Art of Film Editing&lt;/a&gt;, an illustration of the &lt;a href=&#34;https://en.wikipedia.org/wiki/Kuleshov_Effect&#34;&gt;Kuleshov Effect&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The implication is that viewers brought their own emotional reactions to this sequence of images, and then moreover attributed those reactions to the actor, investing his impassive face with their own feelings. Kuleshov believed this, along with montage, had to be the basis of cinema as an independent art form.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Bright Lights Film Journal :: Cutters&#39; Way: The Mysterious Art of Film Editing</title>
    <link href="https://mlarson.org/2012/11/14/bright-lights-film-journal-cutters-way-the/"/>
    <updated>2012-11-14T19:02:04.000Z</updated>
    <id>https://mlarson.org/2012/11/14/bright-lights-film-journal-cutters-way-the/</id>
    <content type="html">&lt;p&gt;An essay on the hidden, underappreciated geniuses behind great films: the editors.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[Walter] Murch played a vital part in shaping four of Coppola’s most celebrated films — The Godfather, The Godfather, Part ll (1975), The Conversation, and Apocalypse Now — but was noticeably absent from the director’s more ponderous projects in the eighties: One From the Heart (1982), The Cotton Club (1984), Peggy Sue Got Married (1986), and Tucker: The Man and His Dream (1988). Some people might not see that as a coincidence.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On the magic of cuts and juxtapositions in films. They’re like dreams, or like thought.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What is it that makes cutting work? How is it that we accept such a violent transition — whether it be from a wide shot to a close-up, from Paris to the Sahara desert, or from the seventeenth century to the present — as a cut? “Nothing in our day-to-day experience seems to prepare us for such a thing,” Walter Murch observes. “From the moment we get up in the morning until we close our eyes at night, the visual reality we perceive is a continuous stream of linked images: In fact, for millions of years — tens, hundreds of millions of years — life on Earth has experienced the world in this way. Then suddenly, at the beginning of the twentieth century, human beings were confronted with something else — edited film.&amp;quot;11 What prepared them for this? Not painting, not theater, not even literature, cinematic as some of Dickens’s scenes now appear. Murch speculates that it was dreams. &amp;quot;We accept the cut because it resembles the way images are juxtaposed in our dreams,” he writes. “In the darkness of the theater, we say to ourselves, in effect, ‘This looks like reality, but it cannot be reality because it is so visually discontinuous; therefore, it must be a dream.’&amp;quot;12 Director John Huston saw it differently. Cinema, he said, was not just a reflection of our dream lives but the very essence of conscious thought, with its fitful jumble of visuals and sound: &amp;quot;To me the perfect film is as though it were unwinding behind your eyes, and your eyes were projecting it themselves, so that you were seeing what you wished to see. It’s like thought. It’s the closest to thought process of any art.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also cool sections in there about the Ralph Rosenblum/Woody Allen partnership; the influence of Russians like Eisenstein, who began as editors; how the nature of editing work led to opportunities for women; digital editing; and more.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://brightlightsfilm.com/78/78-cutters-way-the-mysterious-art-of-film-editing-walter-murch-margaret-booth_daseler.php&#34;&gt;Bright Lights Film Journal :: Cutters&#39; Way: The Mysterious Art of Film Editing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cato Unbound » Why Online Education Works</title>
    <link href="https://mlarson.org/2012/11/14/cato-unbound-why-online-education-works/"/>
    <updated>2012-11-14T03:15:53.000Z</updated>
    <id>https://mlarson.org/2012/11/14/cato-unbound-why-online-education-works/</id>
    <content type="html">&lt;p&gt;Very interesting perspective. I like this bit on lectures and attention spans:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Online education can also break the artificial lecture length of 50–90 minutes. Many teaching experts say that adult attention span is 10–15 minutes in a lecture, with many suggesting that attention span has declined in the Internet era. A good professor can refocus the attention of motivated students over longer periods. Nevertheless, it is clear that the standard lecture length has not been determined by optimal learning time but by the high fixed costs of traveling to school. Lower the fixed costs and lectures will evolve to a more natural level, probably between 5–20 minutes of length—perhaps not coincidentally the natural length of a lecture is probably not that different from the length of a typical popular music track or television segment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.cato-unbound.org/2012/11/12/alex-tabarrok/why-online-education-works/&#34;&gt;Cato Unbound » Why Online Education Works&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2012</title>
    <link href="https://mlarson.org/2012/11/12/blood-on-the-moog-cultureramp-a-good-series-on/"/>
    <updated>2012-11-12T16:43:48.000Z</updated>
    <id>https://mlarson.org/2012/11/12/blood-on-the-moog-cultureramp-a-good-series-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mddu8gmhi31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cultureramp.com/blood-on-the-moog/&#34;&gt;Blood on the Moog » CultureRamp&lt;/a&gt;. A good series on using synthesizers in violent movies. (&lt;a href=&#34;https://twitter.com/el_gray/status/267677953264070657&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2012</title>
    <link href="https://mlarson.org/2012/11/12/we-had-zero-business-plan-or-experience-but-its/"/>
    <updated>2012-11-12T02:50:28.000Z</updated>
    <id>https://mlarson.org/2012/11/12/we-had-zero-business-plan-or-experience-but-its/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We had zero business plan or experience, but it’s amazing what desperation will do for you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.businessweek.com/printer/articles/81480-genius-the-nickelback-story&#34;&gt;Ryan Peake&lt;/a&gt;, lead guitarist for Nickelback.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2012</title>
    <link href="https://mlarson.org/2012/11/09/one-reason-crime-movies-tend-to-be-intrinsically/"/>
    <updated>2012-11-09T15:21:53.000Z</updated>
    <id>https://mlarson.org/2012/11/09/one-reason-crime-movies-tend-to-be-intrinsically/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One reason crime movies tend to be intrinsically interesting is that the supporting characters have to be riveting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20071018/REVIEWS/710180303&#34;&gt;Roger Ebert&lt;/a&gt; in his review of &lt;em&gt;Gone Baby Gone&lt;/em&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gone Baby Gone</title>
    <link href="https://mlarson.org/2012/11/09/gone-baby-gone-i-kinda-wish-the-movie-had-stopped/"/>
    <updated>2012-11-09T15:21:00.000Z</updated>
    <id>https://mlarson.org/2012/11/09/gone-baby-gone-i-kinda-wish-the-movie-had-stopped/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_md87105zej1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Gone_Baby_Gone&#34;&gt;Gone Baby Gone&lt;/a&gt;. I kinda wish the movie had stopped after the second voiceover. It would have been amazing (if maybe predictable in an ambiguous, artsy way). But it’s a genre film, so it kept going, and while the second, twisty act was a little mystery-novel page-turner-y, Ben Affleck does a great job with it. I assume he was being more or less faithful to the source. Great, great cast. The end offers an interesting tension between Monaghan’s ethic-of-care/consequentialist perspective and Casey Affleck’s ethic-of-justice/deontological take. I also like the sound in this one, working with the full range. I’m not sure whether it’s better or worse than &lt;a href=&#34;http://tumblr.mlarson.org/post/35300923669/the-town-i-would-have-preferred-less-gunfire-and&#34;&gt;The Town&lt;/a&gt;, which I mean as a compliment to both. Other great movies that are heavy on the Boston:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11732690139/mystic-river-great-movie-dang-i-was-immediately&#34;&gt;Mystic River&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/4957002753/the-social-network-no-joke-this-is-a-pretty&#34;&gt;The Social Network&lt;/a&gt;, sorta&lt;/li&gt;
&lt;li&gt;The Town&lt;/li&gt;
&lt;li&gt;The Departed&lt;/li&gt;
&lt;li&gt;Good Will Hunting&lt;/li&gt;
&lt;li&gt;Next Stop Wonderland&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>The Town</title>
    <link href="https://mlarson.org/2012/11/08/the-town-i-would-have-preferred-less-gunfire-and/"/>
    <updated>2012-11-08T23:45:50.000Z</updated>
    <id>https://mlarson.org/2012/11/08/the-town-i-would-have-preferred-less-gunfire-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_md6f4qdqa01qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Town_%282010_film%29&#34;&gt;The Town&lt;/a&gt;. I would have preferred less gunfire and more of everything else, but geez. Affleck. Dude can direct! I’m excited to see what else he comes up with. Gotta check out &lt;em&gt;Gone Baby Gone&lt;/em&gt; and &lt;em&gt;Argo&lt;/em&gt; soon. Also, I love Renner in this. What a nut.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2012</title>
    <link href="https://mlarson.org/2012/11/08/clean-up-from-a-coca-cola-spill-on-campus-hazards/"/>
    <updated>2012-11-08T15:33:34.000Z</updated>
    <id>https://mlarson.org/2012/11/08/clean-up-from-a-coca-cola-spill-on-campus-hazards/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_md6df76xet1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/54939236@N07/5151871212/in/photostream&#34;&gt;Clean-up from a Coca-Cola spill on campus&lt;/a&gt;. Hazards of Emory student life.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Casablanca, or, The Clichés are Having a Ball - Umberto Eco</title>
    <link href="https://mlarson.org/2012/11/08/casablanca-or-the-cliches-are-having-a-ball/"/>
    <updated>2012-11-08T15:33:30.000Z</updated>
    <id>https://mlarson.org/2012/11/08/casablanca-or-the-cliches-are-having-a-ball/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When all the archetypes burst in shamelessly, we reach Homeric depths. Two cliches make us laugh. A hundred cliches move us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.themodernword.com/eco/eco_casablanca.html&#34;&gt;Casablanca, or, The Clichés are Having a Ball - Umberto Eco&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Four Weddings and a Funeral</title>
    <link href="https://mlarson.org/2012/11/08/four-weddings-and-a-funeral-andie-macdowells/"/>
    <updated>2012-11-08T15:33:25.000Z</updated>
    <id>https://mlarson.org/2012/11/08/four-weddings-and-a-funeral-andie-macdowells/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_md6c8rkznm1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Four_Weddings_and_a_Funeral&#34;&gt;Four Weddings and a Funeral&lt;/a&gt;. Andie MacDowell’s character is the worst. Don’t do it, Hugh! Great supporting characters. This had much more subtlety and color than I expected.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2012</title>
    <link href="https://mlarson.org/2012/11/08/it-seems-to-me-that-if-a-work-has-something/"/>
    <updated>2012-11-08T02:44:50.000Z</updated>
    <id>https://mlarson.org/2012/11/08/it-seems-to-me-that-if-a-work-has-something/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It seems to me that if a work has something remarkable to say, then someone who wants to whistle it will find something in it to whistle.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/11/06/arts/music/elliott-carter-avant-garde-composer-dies-at-103.html?smid=tw-share&amp;amp;pagewanted=all&#34;&gt;Elliott Carter&lt;/a&gt;. RIP. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/32395958548/it-seems-to-me-that-the-ears-that-are-listening&#34;&gt;Will Oldham&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It seems to me that the ears that are listening make more difference than the way the music sounds.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2012</title>
    <link href="https://mlarson.org/2012/11/08/who-will-write-the-last-tweet/"/>
    <updated>2012-11-08T02:44:42.000Z</updated>
    <id>https://mlarson.org/2012/11/08/who-will-write-the-last-tweet/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Who will write the last tweet?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/JoyceCarolOates/status/265444265755283456&#34;&gt;@JoyceCarolOates&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2012</title>
    <link href="https://mlarson.org/2012/11/08/outlaw-josey-wales-good-discussion-of-eastwoods/"/>
    <updated>2012-11-08T02:44:00.000Z</updated>
    <id>https://mlarson.org/2012/11/08/outlaw-josey-wales-good-discussion-of-eastwoods/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/48784020&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/groups/audiovisualcy/videos/48784020&#34;&gt;Outlaw: Josey Wales&lt;/a&gt;. Good discussion of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;Eastwood&lt;/a&gt;’s self-awareness, and lots of historical context I never knew about.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Festina lente - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2012/11/05/festina-lente-wikipedia-the-free-encyclopedia/"/>
    <updated>2012-11-05T19:29:13.000Z</updated>
    <id>https://mlarson.org/2012/11/05/festina-lente-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A classical adage and oxymoron meaning “make haste slowly” or “more haste, less speed”. It has been used as the motto of many people including the emperors Augustus and Titus, the Medicis and the Onslows.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Slow is smooth; smooth is fast. (&lt;a href=&#34;http://www.amazon.com/Mr-Penumbras-24-Hour-Bookstore-Novel/dp/0374214913&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Festina_Lente&#34;&gt;Festina lente - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2012</title>
    <link href="https://mlarson.org/2012/11/05/alex-grant-archives-fall-outerwear-suggestions/"/>
    <updated>2012-11-05T19:29:09.000Z</updated>
    <id>https://mlarson.org/2012/11/05/alex-grant-archives-fall-outerwear-suggestions/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_md14dksosb1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://alexandergrant.blogspot.com/2012/10/archives-fall-outerwear-suggestions.html&#34;&gt;Alex Grant: Archives || Fall Outerwear Suggestions from The Goonies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cost of Higher Education — Crooked Timber</title>
    <link href="https://mlarson.org/2012/11/05/the-cost-of-higher-education-crooked-timber/"/>
    <updated>2012-11-05T19:29:00.000Z</updated>
    <id>https://mlarson.org/2012/11/05/the-cost-of-higher-education-crooked-timber/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Suppose you wanted to go live at a luxury resort for four years. You’d expect that to cost, wouldn’t you? (No one is going to write an editorial raging about how if you wanted to live at Club Med it would cost you at least $50,000 a year – probably more.) So why are people surprised that it costs a lot – really a lot – to send a kid to college for four years? College is the sort of thing that seems like it should cost a lot: beautiful buildings on nice land, nice gym, nice green spaces, expensive equipment, large staff that have to be well-paid because they provide expert services. If you want to be puzzled about something, figure out how and why it was ever cheap, not why it costs now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://crookedtimber.org/2012/10/24/the-cost-of-higher-education/&#34;&gt;The Cost of Higher Education — Crooked Timber&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2012</title>
    <link href="https://mlarson.org/2012/11/03/an-essential-aspect-of-a-painters-canvas-and-a/"/>
    <updated>2012-11-03T15:01:00.000Z</updated>
    <id>https://mlarson.org/2012/11/03/an-essential-aspect-of-a-painters-canvas-and-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An essential aspect of a painter’s canvas and a musical instrument is the immediacy with which the artist gets something there to react to. A canvas or sketchbook serves as an “external imagination”, where an artist can grow an idea from birth to maturity by continuously reacting to what’s in front of him.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://worrydream.com/LearnableProgramming/&#34;&gt;Learnable Programming&lt;/a&gt;. Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As a child, you probably had the experience of playing with a construction kit of some kind – Legos, or Erector Sets, or even just blocks. As a first act before starting to build, a child will often spread out all of the parts on the floor. This provides more than simply quick access. It allows the child to scan the available parts and &lt;em&gt;get new ideas&lt;/em&gt;. A child building a Lego car might spot a wide flat piece, and decide to give the car wings.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Yelp Hates on Museums | Los Angeles County Museum on Fire | ARTINFO.com</title>
    <link href="https://mlarson.org/2012/11/02/yelp-hates-on-museums-los-angeles-county-museum/"/>
    <updated>2012-11-02T18:10:10.000Z</updated>
    <id>https://mlarson.org/2012/11/02/yelp-hates-on-museums-los-angeles-county-museum/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A critic who thought the Frick Collection “sucked” would not have a job. Yelp’s reviews are infinitely more democratic, written by anyone who cares to write them. That includes not a few masochists who hate museums and go anyway. There might be something to that. If a certain percentage of Yelpers find LACMA or the Frick &lt;em&gt;boorrriinnnnggg&lt;/em&gt;, it might be worth knowing—to others who are thinking of going and worry they might be bored stiff. Serious critics almost never address that audience or that concern.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cf. The Onion: &lt;a href=&#34;http://www.theonion.com/articles/whole-museum-visit-spent-feeling-guilty-about-movi,29568/&#34;&gt;Whole Museum Visit Spent Feeling Guilty About Moving On From Paintings&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.artinfo.com/lacmonfire/2012/09/19/yelp-hates-on-museums/&#34;&gt;Yelp Hates on Museums | Los Angeles County Museum on Fire | ARTINFO.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How a Smart Conservative Would Reform FEMA - Jordan Weissmann - The Atlantic</title>
    <link href="https://mlarson.org/2012/11/02/how-a-smart-conservative-would-reform-fema/"/>
    <updated>2012-11-02T18:10:05.000Z</updated>
    <id>https://mlarson.org/2012/11/02/how-a-smart-conservative-would-reform-fema/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We’ve nationalized so many of the events over the last few decades that the federal government is involved in virtually every disaster that happens. And that’s not the way it’s supposed to be. It stresses FEMA unnecessarily. And it allows states to shift costs from themselves to other states, while defunding their own emergency management because Uncle Sam is going to pay. That’s not good for anyone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/business/archive/2012/10/how-a-smart-conservative-would-reform-fema/264367/&#34;&gt;How a Smart Conservative Would Reform FEMA - Jordan Weissmann - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dark Shadows</title>
    <link href="https://mlarson.org/2012/11/02/dark-shadows-dnf-its-terrible/"/>
    <updated>2012-11-02T18:10:01.000Z</updated>
    <id>https://mlarson.org/2012/11/02/dark-shadows-dnf-its-terrible/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mcmkrpjs6x1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Dark_Shadows_%28film%29&#34;&gt;Dark Shadows&lt;/a&gt;. DNF. It’s terrible.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>50/50</title>
    <link href="https://mlarson.org/2012/11/02/5050-no-major-flaws-no-major-features-brick-is/"/>
    <updated>2012-11-02T18:09:54.000Z</updated>
    <id>https://mlarson.org/2012/11/02/5050-no-major-flaws-no-major-features-brick-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/11/tumblr_mcsk6h4v1h1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/50/50_%282011_film%29&#34;&gt;50/50&lt;/a&gt;. No major flaws, no major features. &lt;a href=&#34;http://tumblr.mlarson.org/post/16246499156/brick-hard-boiled-film-noir-in-modern-high-school&#34;&gt;Brick&lt;/a&gt; is still my favorite movie with Joseph Gordon-Levitt, though I haven’t seen all that many.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Bet is a Tax on Bullshit</title>
    <link href="https://mlarson.org/2012/11/02/a-bet-is-a-tax-on-bullshit/"/>
    <updated>2012-11-02T17:33:33.000Z</updated>
    <id>https://mlarson.org/2012/11/02/a-bet-is-a-tax-on-bullshit/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2012/11/a-bet-is-a-tax-on-bullshit.html&#34;&gt;A Bet is a Tax on Bullshit&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Two-Lane Blacktop</title>
    <link href="https://mlarson.org/2012/10/29/two-lane-blacktop-theres-not-a-lot-of-explicit/"/>
    <updated>2012-10-29T16:52:00.000Z</updated>
    <id>https://mlarson.org/2012/10/29/two-lane-blacktop-theres-not-a-lot-of-explicit/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mcmklztncp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Two-Lane_Blacktop&#34;&gt;Two-Lane Blacktop&lt;/a&gt;. There’s not a lot of explicit plot motivation or dramatic arc. The characters are enigmatic drifters, and with one exception, don’t really talk a lot (there’s definitely some Western genre flavor here). I can totally see how someone might hate it. But not me. Besides the novelty of seeing James Taylor and Dennis Wilson acting, it’s got: surprisingly great photography, Warren Oates playing one of my new favorite movie characters, a nice slice-of-life/picture-of-an-era thing going, and the commitment to do its thing all the way through.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Study Hacks » Blog Archive » The Joys and Sorrows of Deep Work</title>
    <link href="https://mlarson.org/2012/10/25/study-hacks-blog-archive-the-joys-and-sorrows/"/>
    <updated>2012-10-25T00:49:55.000Z</updated>
    <id>https://mlarson.org/2012/10/25/study-hacks-blog-archive-the-joys-and-sorrows/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The very type of deep work that provides the nutriment for remarkable results also defies all our instincts for how a productive day should feel. I don’t have a specific set of strategies to suggest here. Instead, I just want to point out that when it comes to our understanding of how to build towards something important in our working life, there is a lot that our current conversation about work — which focuses on themes like courage, passion and productivity — seems to be missing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://calnewport.com/blog/2012/10/23/the-joys-and-sorrows-of-deep-work/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20StudyHacks%20(Study%20Hacks)&#34;&gt;Study Hacks » Blog Archive » The Joys and Sorrows of Deep Work&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Joe Queenan: My 6,128 Favorite Books - WSJ.com</title>
    <link href="https://mlarson.org/2012/10/25/joe-queenan-my-6128-favorite-books-wsjcom/"/>
    <updated>2012-10-25T00:32:07.000Z</updated>
    <id>https://mlarson.org/2012/10/25/joe-queenan-my-6128-favorite-books-wsjcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A case can be made that people who read a preposterous number of books are not playing with a full deck. I prefer to think of us as dissatisfied customers.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10000872396390444868204578064483923017090.html&#34;&gt;Joe Queenan: My 6,128 Favorite Books - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>You Learn From People Who Mostly Agree With You | Ben Casnocha</title>
    <link href="https://mlarson.org/2012/10/25/you-learn-from-people-who-mostly-agree-with-you/"/>
    <updated>2012-10-25T00:32:03.000Z</updated>
    <id>https://mlarson.org/2012/10/25/you-learn-from-people-who-mostly-agree-with-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Some of my best, most mind-expanding conversations have occurred with good friends who agree with me on almost everything––but not quite &lt;em&gt;everything&lt;/em&gt;. Bottom Line: Want to learn and get smarter by talking to people? Seek out those who agree with you on 99.9% of things, and then push, push, push at the niche-y, hyper-specific areas of disagreement. It’s not about groupthink; it’s not about confirmation bias. It’s about learning on the margin.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/16014236296/introspection-means-talking-to-yourself-and-one&#34;&gt;William Deresiewicz&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Introspection means talking to yourself, and one of the best ways of talking to yourself is by talking to another person.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://casnocha.com/2012/10/you-learn-from-people-who-mostly-agree-with-you.html&#34;&gt;You Learn From People Who Mostly Agree With You | Ben Casnocha&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Famous First Lines | Submitted For Your Perusal</title>
    <link href="https://mlarson.org/2012/10/25/famous-first-lines-submitted-for-your-perusal/"/>
    <updated>2012-10-25T00:31:58.000Z</updated>
    <id>https://mlarson.org/2012/10/25/famous-first-lines-submitted-for-your-perusal/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://submittedforyourperusal.com/2012/10/19/famous-first-lines/&#34;&gt;Famous First Lines | Submitted For Your Perusal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>AFI&#39;s 100 Years...100 Movies - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2012/10/15/afis-100-years100-movies-wikipedia-the-free/"/>
    <updated>2012-10-15T02:16:15.000Z</updated>
    <id>https://mlarson.org/2012/10/15/afis-100-years100-movies-wikipedia-the-free/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;AFI’s 100 Years…100 Movies is a list of the 100 best American movies, as determined by the American Film Institute from a poll of more than 1,500 artists and leaders in the film industry who chose from a list of 400 nominated movies.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’ve seen a little over half of the updated list. Interesting to see how the rankings changed between the first list in 1998 and the revision in 2007. &lt;a href=&#34;http://tumblr.mlarson.org/post/1288217305/vertigo-the-first-hour-was-really-fun-theres&#34;&gt;Vertigo&lt;/a&gt;, &lt;em&gt;City Lights&lt;/em&gt;, and &lt;em&gt;The Searchers&lt;/em&gt; each jumped over 50 spots. &lt;a href=&#34;http://tumblr.mlarson.org/post/1126595864/doctor-zhivago-beautifully-set-shot-and-acted&#34;&gt;Doctor Zhivago&lt;/a&gt; and &lt;em&gt;The Birth of a Nation&lt;/em&gt;, originally list in the top 50, failed to make the cut the second time around. But &lt;em&gt;The Sixth Sense&lt;/em&gt; did!&lt;/p&gt;
&lt;p&gt;AFI&#39;s 100 Years...100 Movies - Wikipedia, the free encyclopedia&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Apocalypse Now</title>
    <link href="https://mlarson.org/2012/10/15/apocalypse-now-um-epic/"/>
    <updated>2012-10-15T02:15:54.000Z</updated>
    <id>https://mlarson.org/2012/10/15/apocalypse-now-um-epic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mbwebp70mq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Apocalypse_Now&#34;&gt;Apocalypse Now&lt;/a&gt;. Um. Epic.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek II: The Wrath of Khan</title>
    <link href="https://mlarson.org/2012/10/15/star-trek-ii-the-wrath-of-khan-it-really-is/"/>
    <updated>2012-10-15T02:15:42.000Z</updated>
    <id>https://mlarson.org/2012/10/15/star-trek-ii-the-wrath-of-khan-it-really-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mbwdopiaw81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Trek_II:_The_Wrath_of_Khan&#34;&gt;Star Trek II: The Wrath of Khan&lt;/a&gt;. It really is really good. Best of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/startrek&#34;&gt;Star Treks I’ve seen&lt;/a&gt; so far, for sure. Parable aside, one thing I’m growing to appreciate in this universe is the space battles. There aren’t always hordes of TIE fighters and X-wings buzzing in frantic clouds. Just a couple gigantic-ass ships lumbering around. You’ve got torpedoes, phasers, shields, and engines. Pick one, because you can’t go full power on everything. Every choice has a cost.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2012</title>
    <link href="https://mlarson.org/2012/10/13/i-find-two-things-especially-noteworthy-about/"/>
    <updated>2012-10-13T19:47:08.000Z</updated>
    <id>https://mlarson.org/2012/10/13/i-find-two-things-especially-noteworthy-about/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I find two things especially noteworthy about these things that Everyone Knows: first, they tend to be really nasty-minded; and second, they tend to be equally tidy-minded — that is, they make the world a neat, simple place in which there are ever so many people one needn’t take seriously, or treat with anything other than immediately reflexive contempt, because one knows in advance of any particular encounter exactly what they’re like.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theamericanconservative.com/jacobs/adventures-in-generalization/&#34;&gt;Alan Jacobs&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/19524292953/real-life-is-messy-and-as-a-general-rule-the&#34;&gt;Felix Salmon&lt;/a&gt;. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/lifeismessy&#34;&gt;life is messy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Art.sy Is Mapping the World of Art on the Web - NYTimes.com</title>
    <link href="https://mlarson.org/2012/10/13/artsy-is-mapping-the-world-of-art-on-the-web/"/>
    <updated>2012-10-13T19:46:38.000Z</updated>
    <id>https://mlarson.org/2012/10/13/artsy-is-mapping-the-world-of-art-on-the-web/</id>
    <content type="html">&lt;p&gt;And they’ve got &lt;a href=&#34;http://theartgenomeproject.tumblr.com/&#34;&gt;a tumblr&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/10/09/arts/design/artsy-is-mapping-the-world-of-art-on-the-web.html?pagewanted=2&amp;amp;_r=4&amp;amp;smid=tw-nytimes&amp;amp;pagewanted=all&amp;amp;&#34;&gt;Art.sy Is Mapping the World of Art on the Web - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;The Help&#34; by Kathryn Fleishman</title>
    <link href="https://mlarson.org/2012/10/13/the-help-by-kathryn-fleishman/"/>
    <updated>2012-10-13T19:46:24.000Z</updated>
    <id>https://mlarson.org/2012/10/13/the-help-by-kathryn-fleishman/</id>
    <content type="html">&lt;p&gt;Okay, definitely feeling some confirmation bias when I read this, but I was glad to see this criticism about a movie I never saw.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;The Help&lt;/em&gt; fails to challenge us &lt;em&gt;now&lt;/em&gt;, instead creating an easy, rather than troubling, space, in which we can laugh at the “pastness” of our past, especially its prejudices.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ejumpcut.org/currentissue/FleishmanHelp/index.html&#34;&gt;&amp;quot;The Help&amp;quot; by Kathryn Fleishman&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thunder Road</title>
    <link href="https://mlarson.org/2012/10/13/thunder-road-its-not-amazing-but-its-fun/"/>
    <updated>2012-10-13T19:46:00.000Z</updated>
    <id>https://mlarson.org/2012/10/13/thunder-road-its-not-amazing-but-its-fun/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mbt0nvs2vx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Thunder_Road&#34;&gt;Thunder Road&lt;/a&gt;. It’s not amazing, but it’s fun, funny and memorable, which is close to the same thing. Good music. Nice engine roars. There’s one car crash that’s just amazing. Lemme spoil it: the car spins out, and skids off the road. Okay, no big deal. Then, wait, now it’s going downhill. And gaining speed. And then it catches fire! And tumbles end over end! And THEN it plunges into a waterfall! &lt;a href=&#34;http://www.youtube.com/watch?v=WUFt42urcmk&amp;amp;t=4m9s&#34;&gt;Exhilarating&lt;/a&gt;. Also, how could Mitchum’s character not go for &lt;a href=&#34;http://www.imdb.com/media/rm3930241792/tt0052293&#34;&gt;Roxy&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Long Goodbye</title>
    <link href="https://mlarson.org/2012/10/10/the-long-goodbye-its-all-mood-and-meandering/"/>
    <updated>2012-10-10T01:03:18.000Z</updated>
    <id>https://mlarson.org/2012/10/10/the-long-goodbye-its-all-mood-and-meandering/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mbliowspqk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Long_Goodbye_%28film%29&#34;&gt;The Long Goodbye&lt;/a&gt;. It’s all mood and meandering. I’m often okay with that sort of thing, but this one didn’t totally click with me. Gould is an excellent Marlowe, though. I think this is the only Robert Altman movie I’ve seen.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Oldboy</title>
    <link href="https://mlarson.org/2012/10/10/oldboy-a-lot-of-energy-its-a-revenge-flick-and/"/>
    <updated>2012-10-10T01:03:00.000Z</updated>
    <id>https://mlarson.org/2012/10/10/oldboy-a-lot-of-energy-its-a-revenge-flick-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mbljj86pp71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Oldboy_%282003_film%29&#34;&gt;Oldboy&lt;/a&gt;. A lot of energy. It’s a revenge flick and a couple other genres, too. I’m not thrilled with the ending and various revelations, but I can’t complain when the journey there is so good. At the very least, watch the &lt;a href=&#34;http://www.youtube.com/watch?v=VwIIDzrVVdc&#34;&gt;corridor fight scene&lt;/a&gt;. Ridiculous, but just real enough that it doesn’t feel like a total put-on. And how about that soundtrack? I watched on &lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2012/10/my-favorite-things-korea.html&#34;&gt;Tyler Cowen’s recommendation&lt;/a&gt;. I’ll have to look up some more good Korean movies, as I know basically nothing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 6, 2012</title>
    <link href="https://mlarson.org/2012/10/06/worldview-crash-is-usually-comprehensive/"/>
    <updated>2012-10-06T03:34:33.000Z</updated>
    <id>https://mlarson.org/2012/10/06/worldview-crash-is-usually-comprehensive/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Worldview-crash is usually comprehensive.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-worries-about-a-sisters-post-breakup-behavior/2012/10/04/48584a22-028f-11e2-9b24-ff730c7f6312_story.html?wprss=rss_carolyn-hax&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Philip Glass and Beck Discuss Collaborating on ‘Rework’ - NYTimes.com</title>
    <link href="https://mlarson.org/2012/10/06/philip-glass-and-beck-discuss-collaborating-on/"/>
    <updated>2012-10-06T03:34:27.000Z</updated>
    <id>https://mlarson.org/2012/10/06/philip-glass-and-beck-discuss-collaborating-on/</id>
    <content type="html">&lt;p&gt;Glass:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When I talk to young composers, I tell them, I know that you’re all worried about finding your voice. Actually you’re going to find your voice. By the time you’re 30, you’ll find it. But that’s not the problem. The problem is getting rid of it. You have to find an engine for change. And that’s what collaborative work does. Whatever we do together will make us different.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/10/07/magazine/philip-glass-and-beck-discuss-collaborating-on-rework.html?_r=0&#34;&gt;Philip Glass and Beck Discuss Collaborating on ‘Rework’ - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lawrence of Arabia</title>
    <link href="https://mlarson.org/2012/10/06/lawrence-of-arabia-ridiculously-spectacular-most/"/>
    <updated>2012-10-06T03:34:22.000Z</updated>
    <id>https://mlarson.org/2012/10/06/lawrence-of-arabia-ridiculously-spectacular-most/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mbgcfvwa2y1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Lawrence_of_Arabia_%28film%29&#34;&gt;Lawrence of Arabia&lt;/a&gt;. Ridiculously spectacular, most especially the visuals and the acting. Lots of good laugh lines, too. I’m very grateful I got to see this on a big theater screen. I didn’t realize the &lt;a href=&#34;http://collider.com/lawrence-of-arabia-trailer/192302/&#34;&gt;new 4K restoration&lt;/a&gt; was showing in Atlanta until a few hours beforehand. Totally lucked out. What a great experience. Also, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/davidlean&#34;&gt;David Lean&lt;/a&gt;? This, &lt;a href=&#34;http://tumblr.mlarson.org/post/1126595864/doctor-zhivago-beautifully-set-shot-and-acted&#34;&gt;Doctor Zhivago&lt;/a&gt;, and &lt;a href=&#34;http://tumblr.mlarson.org/post/555100892/brief-encounter-this-was-pretty-good-i-enjoyed&#34;&gt;Brief Encounter&lt;/a&gt;? There’s a resume for you. I need see some more of his work.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Blue Collar Coder - Anil Dash</title>
    <link href="https://mlarson.org/2012/10/06/the-blue-collar-coder-anil-dash/"/>
    <updated>2012-10-06T03:34:09.000Z</updated>
    <id>https://mlarson.org/2012/10/06/the-blue-collar-coder-anil-dash/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Part of our challenge is that the tech sector has to acknowledge and accept that a broad swath of jobs in the middle of our industry require skills but need not be predicated on a full liberal arts education at a high-end university. The Stanford CS grads are always going to be fine; It’s the people who can’t go into the same trade as their dad, or who are smart but not interested in the eating-ramen-and-working-100-hours-a-week startup orthodoxy who we need to bring along with us into tech.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://dashes.com/anil/2012/10/the-blue-collar-coder.html&#34;&gt;The Blue Collar Coder - Anil Dash&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Grizzly Man</title>
    <link href="https://mlarson.org/2012/10/06/grizzly-man-what-some-call-crazy-others-call/"/>
    <updated>2012-10-06T03:33:12.000Z</updated>
    <id>https://mlarson.org/2012/10/06/grizzly-man-what-some-call-crazy-others-call/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mbgbn7rmwd1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Grizzly_Man&#34;&gt;Grizzly Man&lt;/a&gt;. What some call crazy, others call really living. Herzog and I disagree, but that’s totally fine. Too long, but interesting, outside most everyone’s experience, and I can’t think of any comparable nature films.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>White Bread Kills: A history of a national paranoia.</title>
    <link href="https://mlarson.org/2012/10/04/white-bread-kills-a-history-of-a-national/"/>
    <updated>2012-10-04T14:51:45.000Z</updated>
    <id>https://mlarson.org/2012/10/04/white-bread-kills-a-history-of-a-national/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;That which I don’t eat makes me better than you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mobile.slate.com/articles/double_x/doublex/2012/04/a_review_of_white_bread_a_new_book_about_our_nation_s_fear_of_flour_.html&#34;&gt;White Bread Kills: A history of a national paranoia.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Philip Gourevitch: Memory is a disease - Salon.com</title>
    <link href="https://mlarson.org/2012/10/01/philip-gourevitch-memory-is-a-disease-saloncom/"/>
    <updated>2012-10-01T02:58:16.000Z</updated>
    <id>https://mlarson.org/2012/10/01/philip-gourevitch-memory-is-a-disease-saloncom/</id>
    <content type="html">&lt;p&gt;Great interview. I’ve been slowly working my way through &lt;em&gt;The Histories&lt;/em&gt; lately, and this attitude reminded me of Herodotus:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I were simply to present these people talking about the deep past at face value, an historian would almost immediately say, “Gourevitch was taken in by these guys and their spin on history.” But to me what’s interesting—and the way I’ll present it—is that this is how they are invoking and recounting their inheritance, which may or may not be historically accurate. […] It’s an identity story as much as an accurate history.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On memory and moving on:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s a kind of fetishization of memory in our culture. Some of it comes from the experience and the memorial culture of the Holocaust—the injunction to remember. And it also comes from the strange collision of Freud and human rights thinking—the belief that anything that is not exposed and addressed and dealt with is festering and going to come back to destroy you. This is obviously not true. Memory is not such a cure-all. On the contrary, many of the great political crimes of recent history were committed in large part in the name of memory. The difference between memory and grudge is not always clean. Memories can hold you back, they can be a terrible burden, even an illness. Yes, memory—hallowed memory—can be a kind of disease. That’s one of the reasons that in every culture we have memorial structures and memorial days, whether for personal grief or for collective historical traumas. Because you need to get on with life the rest of the time and not feel the past too badly. I’m not talking about letting memory go. The thing is to contain memory, and then, on those days, or in those places, you can turn on the tap and really touch and feel it. The idea is not oblivion or even denial of memory. It’s about not poisoning ourselves with memory.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And there’s this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s no such thing as a story all by itself. Stories don’t exist in solitude—they exist in relation to other stories.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/2012/09/26/philip_gourevitch_memory_is_a_disease/print/&#34;&gt;Philip Gourevitch: Memory is a disease - Salon.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Girlfriend Experience</title>
    <link href="https://mlarson.org/2012/10/01/the-girlfriend-experience-gotta-admit-i-loved/"/>
    <updated>2012-10-01T02:58:10.000Z</updated>
    <id>https://mlarson.org/2012/10/01/the-girlfriend-experience-gotta-admit-i-loved/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/10/tumblr_mb71fgzdl01qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Girlfriend_Experience&#34;&gt;The Girlfriend Experience&lt;/a&gt;. Gotta admit, I loved this one. It’s a people film, not a plot film. &lt;em&gt;Specific&lt;/em&gt; people, not symbols. How they manage their own fictions. I read a lot of negative reviews after watching, and it seems that many folks were 1) hoping/expecting this movie to be about something else or 2) didn’t like the way it was about what it was about. Watch it and draw your own conclusions. Definitely thought-provoking for me. Time for updated &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;Steven Soderbergh&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;Haywire&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Girlfriend Experience&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30359506876/solaris-2002-i-really-liked-the-tarkovsky&#34;&gt;Solaris&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29412326086/contagion-pretty-good-deliberate-precise&#34;&gt;Contagion&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/31737083925/the-informant-soderbergh-walks-a-fine-line-here&#34;&gt;The Informant!&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Ocean’s Eleven&lt;/li&gt;
&lt;li&gt;Ocean’s Twelve&lt;/li&gt;
&lt;li&gt;Ocean’s Thirteen&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>September 30, 2012</title>
    <link href="https://mlarson.org/2012/09/30/photo-by-jonas-bendiksen-russia-altai/"/>
    <updated>2012-09-30T22:44:01.000Z</updated>
    <id>https://mlarson.org/2012/09/30/photo-by-jonas-bendiksen-russia-altai/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mb6oxafvot1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.magnumphotos.com/C.aspx?VP3=SearchDetail_VPage&amp;amp;IID=2K7O3RJHMMHH&#34;&gt;Photo by Jonas Bendiksen&lt;/a&gt;. “RUSSIA. Altai Territory. 2000. Villagers collecting scrap from a crashed spacecraft, surrounded by thousands of white butterflies.” (via &lt;a href=&#34;https://twitter.com/robinsloan/status/252258128840781824&#34;&gt;@robinsloan&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Colin Marshall › Portland Diary II</title>
    <link href="https://mlarson.org/2012/09/30/colin-marshall-portland-diary-ii/"/>
    <updated>2012-09-30T22:43:58.000Z</updated>
    <id>https://mlarson.org/2012/09/30/colin-marshall-portland-diary-ii/</id>
    <content type="html">&lt;p&gt;Talking about Portland, Colin slides in a few interviewing tips he’s picked up:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One mentioned starting off with explicit follow-up questions to those asked by previous interviewers. Another described how, given his interest in architecture, he thinks about conversation as a means of discovering the structures — intellectual, aesthetic, social, commercial — his interlocutors see themselves operating within. (Yeah, I totally get off on ideas like that.) Another praised Jon Stewart’s technique of setting down his hand on the table before him to subtly signal that he has a question about what his guest’s saying at that moment. I’ve been trying these out here in Portland. They work!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.colinmarshall.org/?p=964&#34;&gt;Colin Marshall › Portland Diary II&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Midnight in Paris</title>
    <link href="https://mlarson.org/2012/09/29/midnight-in-paris-thats-what-the-present-is/"/>
    <updated>2012-09-29T20:39:08.000Z</updated>
    <id>https://mlarson.org/2012/09/29/midnight-in-paris-thats-what-the-present-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mb2pwbxtvi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Midnight_in_Paris&#34;&gt;Midnight in Paris&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;That’s what the present is. It’s a little unsatisfying because life is unsatisfying.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really liked this one. Fun exploration of nostalgia, heroes, &lt;em&gt;joie de vivre&lt;/em&gt;, being true to yourself, etc. And I love our hero’s giddy, can’t-believe-his-luck enthusiasm. This might be my favorite Owen Wilson performance ever. There’s a few characters who are only light caricatures for purposes of contrast, but that’s Woody Allen for you. I do love how the elements of scifi/fantasy here are a given, accepted, no explanation required. It’s been a while since my last &lt;a href=&#34;http://tumblr.mlarson.org/tagged/woodyallen&#34;&gt;Woody Allen&lt;/a&gt; film. My updated rankings, though maybe it’s been too long a time for this to be definitive:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Manhattan&lt;/li&gt;
&lt;li&gt;Annie Hall&lt;/li&gt;
&lt;li&gt;Midnight in Paris&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/14464768006/the-purple-rose-of-cairo-this-is-a-tremendous&#34;&gt;The Purple Rose of Cairo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Vicky Cristina Barcelona&lt;/li&gt;
&lt;li&gt;Sleeper&lt;/li&gt;
&lt;li&gt;Match Point&lt;/li&gt;
&lt;li&gt;Scoop&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2012</title>
    <link href="https://mlarson.org/2012/09/27/press-start-to-begin-if-you-missed-shinobi/"/>
    <updated>2012-09-27T20:26:00.000Z</updated>
    <id>https://mlarson.org/2012/09/27/press-start-to-begin-if-you-missed-shinobi/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/50198902&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://press-start-to-begin.tumblr.com/post/32378488413/if-you-missed-shinobi-marilyn-at-emily-amy&#34;&gt;press-start-to-begin&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you missed “Shinobi Marilyn” at Emily Amy Gallery, here’s a walkthrough video I made!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;How cool. If you missed this show, or you don’t happen to own a &lt;a href=&#34;http://tumblr.mlarson.org/post/30690777182/great-wave-off-kanagawa-by-ashley-anderson-cf&#34;&gt;sweet Hokusai/Anderson “Great Wave” print&lt;/a&gt;, this seems like a good way to figure out what you missed. Have any other artists done walkthroughs of their gallery shows? Postcards and catalogs are nice keepsakes and all, but it’s not like being there. Maybe if there were an easy way to set up your own &lt;a href=&#34;http://maps.google.com/help/maps/streetview/gallery.html#!/art-project&#34;&gt;Google Street View gallery walkthrough&lt;/a&gt;…&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Night of the Hunter</title>
    <link href="https://mlarson.org/2012/09/27/the-night-of-the-hunter-so-strange-and-so-cool/"/>
    <updated>2012-09-27T16:45:50.000Z</updated>
    <id>https://mlarson.org/2012/09/27/the-night-of-the-hunter-so-strange-and-so-cool/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mb0p7nsxzh1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Night_of_the_Hunter_(film)&#34;&gt;The Night of the Hunter&lt;/a&gt;. So strange and so cool. This is the most German Expressionist film made by an American I’ve ever seen. I love the shifting between naturalistic location shoots and the strange, surreal sets in dramatically lit interiors and highly staged outdoors scenes later. Strange biblical dialogue and a few main characters you never quite become easy with. Some things aren’t right in this neighborhood. Perfect horror.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2012</title>
    <link href="https://mlarson.org/2012/09/27/it-seems-to-me-that-the-ears-that-are-listening/"/>
    <updated>2012-09-27T15:21:42.000Z</updated>
    <id>https://mlarson.org/2012/09/27/it-seems-to-me-that-the-ears-that-are-listening/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It seems to me that the ears that are listening make more difference than the way the music sounds.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/blog/2012/09/24/will-oldham-on-bonnie-%E2%80%9Cprince%E2%80%9D-billy/&#34;&gt;Will Oldham&lt;/a&gt; aka Bonnie “Prince” Billy. This notion applies outside of music, too. Also? He put on one of my favorite concerts of all time a few years ago here in Atlanta. Brilliant dude. Excited to read &lt;a href=&#34;http://www.amazon.com/Will-Oldham-Bonnie-Prince-Billy/dp/0393344339&#34;&gt;this new book&lt;/a&gt;. (via &lt;a href=&#34;http://tumblr.austinkleon.com/post/32212356513&#34;&gt;Austin Kleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Love Like Cosima - The Barnes &amp;amp; Noble Review</title>
    <link href="https://mlarson.org/2012/09/27/love-like-cosima-the-barnes-noble-review/"/>
    <updated>2012-09-27T15:21:07.000Z</updated>
    <id>https://mlarson.org/2012/09/27/love-like-cosima-the-barnes-noble-review/</id>
    <content type="html">&lt;p&gt;I didn’t realize that &lt;a href=&#34;http://twitter.com/thebookslut&#34;&gt;Jessa Crispin&lt;/a&gt; had an &lt;a href=&#34;http://bnreview.barnesandnoble.com/t5/Kind-Reader/bg-p/kindreader&#34;&gt;advice column&lt;/a&gt;! &lt;a href=&#34;http://twitter.com/CosimaWagner&#34;&gt;@CosimaWagner&lt;/a&gt; is one of my favorite Twitter accounts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bnreview.barnesandnoble.com/t5/Kind-Reader/Love-Like-Cosima/ba-p/8989&#34;&gt;Love Like Cosima - The Barnes &amp;amp; Noble Review&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2012</title>
    <link href="https://mlarson.org/2012/09/27/youtube-hof-musical-interludes/"/>
    <updated>2012-09-27T15:05:10.000Z</updated>
    <id>https://mlarson.org/2012/09/27/youtube-hof-musical-interludes/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/0d1C1qQ_VoI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/blog/hollywood-prospectus/post/_/id/58486/youtube-hof-musical-interludes&#34;&gt;YouTube HOF: Musical Interludes - Grantland&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Annotated lyrics:&lt;br&gt;
&lt;em&gt;Amado mio&lt;/em&gt;, OK.&lt;br&gt;
&lt;em&gt;love me forever&lt;/em&gt;. DONE.&lt;br&gt;
&lt;em&gt;And let forever&lt;/em&gt; … YES, RITA HAYWORTH?&lt;br&gt;
&lt;em&gt;begin tonight&lt;/em&gt;. OH FANTASTIC.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If you haven’t seen &lt;a href=&#34;http://tumblr.mlarson.org/post/17553937786/gilda-this-one-is-worth-watching-for-rita&#34;&gt;Gilda&lt;/a&gt;, it’s hard to describe how absolutely captivating Rita Hayworth is. That &lt;a href=&#34;http://tumblr.mlarson.org/post/17561237982/rita-hayworth-gildas-first-appearance-when-i&#34;&gt;introduction&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2012</title>
    <link href="https://mlarson.org/2012/09/26/cellphones-are-eating-the-family-budget-wsjcom/"/>
    <updated>2012-09-26T18:15:47.000Z</updated>
    <id>https://mlarson.org/2012/09/26/cellphones-are-eating-the-family-budget-wsjcom/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_maywyeugaq1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10000872396390444083304578018731890309450.html?mod=wsj_share_tweet&#34;&gt;Cellphones Are Eating the Family Budget - WSJ.com&lt;/a&gt;. Among other things.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2012</title>
    <link href="https://mlarson.org/2012/09/26/when-people-bypass-simple-solutions-to-write-to/"/>
    <updated>2012-09-26T16:22:25.000Z</updated>
    <id>https://mlarson.org/2012/09/26/when-people-bypass-simple-solutions-to-write-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When people bypass simple solutions to write to someone like me, that tends to mean there’s an ulterior motive on board.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/caroyln-hax-the-married-name-game/2012/09/25/0cabb31a-ffa6-11e1-8adc-499661afe377_story.html?wprss=rss_carolyn-hax&#34;&gt;Caroyln Hax&lt;/a&gt;. Ha! Awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Case for Allowing Richard Wagner&#39;s Music to be Performed in Israel : The New Yorker</title>
    <link href="https://mlarson.org/2012/09/26/the-case-for-allowing-richard-wagners-music-to-be/"/>
    <updated>2012-09-26T16:22:23.000Z</updated>
    <id>https://mlarson.org/2012/09/26/the-case-for-allowing-richard-wagners-music-to-be/</id>
    <content type="html">&lt;p&gt;The part that matters most to me:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I am writing a book called “Wagnerism: Art in the Shadow of Music”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yesssssssssssssss!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/culture/2012/09/the-case-for-wagner-in-israel.html&#34;&gt;The Case for Allowing Richard Wagner&#39;s Music to be Performed in Israel : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sometimes Formica Is Better Than White Cloth — How to Cook Everything - NYTimes.com</title>
    <link href="https://mlarson.org/2012/09/26/sometimes-formica-is-better-than-white-cloth-how/"/>
    <updated>2012-09-26T16:22:20.000Z</updated>
    <id>https://mlarson.org/2012/09/26/sometimes-formica-is-better-than-white-cloth-how/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s about expectations and consistency. Whatever I expect from a four-star restaurant has become unachievable. […] If the food isn’t delicious, everything else will just seem annoying, and that happens quite a lot.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/09/05/dining/sometimes-formica-is-better-than-white-cloth.html?_r=2&amp;amp;pagewanted=2&amp;amp;pagewanted=all&#34;&gt;Sometimes Formica Is Better Than White Cloth — How to Cook Everything - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Los Angeles Review of Books - Happiness Is A Warm Glock: Paul Barrett On America’s Gun</title>
    <link href="https://mlarson.org/2012/09/26/los-angeles-review-of-books-happiness-is-a-warm/"/>
    <updated>2012-09-26T16:22:13.000Z</updated>
    <id>https://mlarson.org/2012/09/26/los-angeles-review-of-books-happiness-is-a-warm/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The fact that it’s not simple doesn’t mean it’s a paradox: it means it’s not simple.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Focused, competent evil is a very hard force to legislate against.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/article.php?type=&amp;amp;id=943&amp;amp;fulltext=1&amp;amp;media=&#34;&gt;Los Angeles Review of Books - Happiness Is A Warm Glock: Paul Barrett On America’s Gun&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Books Are The Ultimate New Business Card | Fast Company</title>
    <link href="https://mlarson.org/2012/09/26/why-books-are-the-ultimate-new-business-card/"/>
    <updated>2012-09-26T16:22:07.000Z</updated>
    <id>https://mlarson.org/2012/09/26/why-books-are-the-ultimate-new-business-card/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A trend I had noticed in nearly every book I’d seen in the last year: They never say what they’re about. Almost as a rule, hardcover books (and increasingly e-books) favor laudatory “blurbs” over descriptions–opting for short quotes from important authors, CEOs, celebrities, or media outlets to make their case.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.fastcompany.com/3001359/why-books-are-ultimate-new-business-card&#34;&gt;Why Books Are The Ultimate New Business Card | Fast Company&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2012</title>
    <link href="https://mlarson.org/2012/09/25/competitive-people-are-most-annoying-to-other/"/>
    <updated>2012-09-25T15:56:19.000Z</updated>
    <id>https://mlarson.org/2012/09/25/competitive-people-are-most-annoying-to-other/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Competitive people are most annoying to other competitive people.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-stopping-the-baby-bragging/2012/09/24/68bb41ae-ffa4-11e1-8adc-499661afe377_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why I Love Mormonism - NYTimes.com</title>
    <link href="https://mlarson.org/2012/09/25/why-i-love-mormonism-nytimescom/"/>
    <updated>2012-09-25T15:56:17.000Z</updated>
    <id>https://mlarson.org/2012/09/25/why-i-love-mormonism-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This is a &lt;em&gt;casual&lt;/em&gt; prejudice that is not like the visceral hatred that plagued the early decades of Mormonism, […] but a symptom of a thoughtless incuriousness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://opinionator.blogs.nytimes.com/2012/09/16/why-i-love-mormonism/&#34;&gt;Why I Love Mormonism - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Stop Hospitals from Killing Us - WSJ.com</title>
    <link href="https://mlarson.org/2012/09/25/how-to-stop-hospitals-from-killing-us-wsjcom/"/>
    <updated>2012-09-25T15:55:52.000Z</updated>
    <id>https://mlarson.org/2012/09/25/how-to-stop-hospitals-from-killing-us-wsjcom/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10000872396390444620104578008263334441352.html?mod=wsj_share_tweet&#34;&gt;How to Stop Hospitals from Killing Us - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mystic Pizza</title>
    <link href="https://mlarson.org/2012/09/24/mystic-pizza-the-80s-were-a-golden-era-for/"/>
    <updated>2012-09-24T22:26:00.000Z</updated>
    <id>https://mlarson.org/2012/09/24/mystic-pizza-the-80s-were-a-golden-era-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mav4j80phg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mystic_Pizza&#34;&gt;Mystic Pizza&lt;/a&gt;. The ‘80s were a golden era for coming-of-age movies like this one. Really great job at undercutting the drama with humor and twisting some of the scenes and characters in really smart, unexpected ways. Also features a wee young Matt Damon in a small role!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2012</title>
    <link href="https://mlarson.org/2012/09/23/youmightfindyourself-in-augusta-to-photograph/"/>
    <updated>2012-09-23T02:48:42.000Z</updated>
    <id>https://mlarson.org/2012/09/23/youmightfindyourself-in-augusta-to-photograph/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mapmryh8sr1qzu6nxo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://youmightfindyourself.com/post/31991039655/in-augusta-to-photograph-james-brown-these&#34;&gt;youmightfindyourself&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;“In Augusta, to photograph James Brown, these pictures were taken when he suggested we go for a ride. He told me he would show me ‘his town.’ So we jumped into an old car and drove around. He would stop the car when he saw someone sitting in their yard, run up, do the split, yell out, ‘I feel good,’ and jump back in the car and drive off. It was all so spontaneous and hilarious, and it took the onlookers by such surprise. Brown was a fun-loving character and a good sport.”&lt;/em&gt; &lt;strong&gt;&lt;a href=&#34;http://www.harrybenson.com/index.php#p=-1&amp;amp;a=0&amp;amp;at=0&#34;&gt;Harry Benson, Photographer&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Warrior</title>
    <link href="https://mlarson.org/2012/09/21/warrior-some-plot-points-are-about-subtle-as-a/"/>
    <updated>2012-09-21T18:14:00.000Z</updated>
    <id>https://mlarson.org/2012/09/21/warrior-some-plot-points-are-about-subtle-as-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mappbf2vk41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Warrior_(2011_film)&#34;&gt;Warrior&lt;/a&gt;. Some plot points are about subtle as a kick to the head, but the power is there, too. Much, much better than I expected, thanks to a great cast (&lt;a href=&#34;http://movies.nytimes.com/2011/09/09/movies/warrior-directed-by-gavin-oconnor-review.html&#34;&gt;A.O. Scott&lt;/a&gt;: “These are tough guys, but you can only care about them if you believe that they can break.”) and a great pace. &lt;a href=&#34;http://www.rogerebert.com/apps/pbcs.dll/article?AID=/20110907/REVIEWS/110909991/1023&#34;&gt;Ebert&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is a rare fight movie in which we don’t want to see either fighter lose. That brings such complexity to the final showdown that hardly anything could top it — but something does.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Makers vs. takers</title>
    <link href="https://mlarson.org/2012/09/20/makers-vs-takers/"/>
    <updated>2012-09-20T16:48:40.000Z</updated>
    <id>https://mlarson.org/2012/09/20/makers-vs-takers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Many commentators are framing the matter in terms of raising or lowering the relative status of aid recipients. So it’s the aspiring student, the virtuous retiree, and the brave veteran, rather than the irresponsible bums. That’s a distraction (albeit a legitimate correction), as the real question is whether the political equilibrium is shifting toward takers. That’s takers as roles in particular political struggles, not individuals with “taker” stamped on their foreheads.&lt;/p&gt;
&lt;p&gt;Various forms of crony capitalism arguably are on the rise. Is the political influence of the issue-specific takers, relative to the issue-specific makers, a growing problem in American politics? What does the evidence actually suggest?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/arguments&#34;&gt;arguments&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/4957155134/economonomics-charitable-arguing&#34;&gt;Charitable arguing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Taking a moment to hunt for an interpretation that makes an argument good — before you denounce it as a bad argument — is a nice heuristic that forestalls the tempting leap from “There exists an interpretation that makes this a bad argument, but it may not be what he had in mind,” to “This is a bad argument!”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2012/09/makers-vs-takers.html&#34;&gt;Makers vs. takers&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 20, 2012</title>
    <link href="https://mlarson.org/2012/09/20/i-think-of-children-sort-of-like-voyager-probes/"/>
    <updated>2012-09-20T16:44:17.000Z</updated>
    <id>https://mlarson.org/2012/09/20/i-think-of-children-sort-of-like-voyager-probes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think of children sort of like Voyager probes, except instead of sending them out into space you send them forward in time. They carry messages from your civilization inside them, on into the weirdness of the future.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lev Grossman, &lt;a href=&#34;http://levgrossman.com/2012/09/benedict/&#34;&gt;“Thoughts on Being a Writer and Having Children”&lt;/a&gt; (cf. &lt;a href=&#34;http://tumblr.austinkleon.com/post/3724640389&#34;&gt;Neil Postman&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Terminator</title>
    <link href="https://mlarson.org/2012/09/18/the-terminator-i-find-it-interesting-mostly-as-a/"/>
    <updated>2012-09-18T23:36:36.000Z</updated>
    <id>https://mlarson.org/2012/09/18/the-terminator-i-find-it-interesting-mostly-as-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_makk2oq1tk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Terminator&#34;&gt;The Terminator&lt;/a&gt;. I find it interesting mostly as a historical artifact. It’s adequate, but I’ll take T2 over it any day if I’m just looking for fun. It is amazing to see the progress in special effects we’ve made. A lot of the stuff in this movie looks really clunky now. Contrast with &lt;a href=&#34;http://tumblr.mlarson.org/post/19345857994/aliens-this-is-how-you-do-a-sequel-extend-not&#34;&gt;Aliens&lt;/a&gt;, where pretty much everything is still perfect. What a difference two years can make!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2012</title>
    <link href="https://mlarson.org/2012/09/17/i-know-these-are-masterpieces-and-youre/"/>
    <updated>2012-09-17T19:38:00.000Z</updated>
    <id>https://mlarson.org/2012/09/17/i-know-these-are-masterpieces-and-youre/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I know these are masterpieces, and you’re supposed to let their brilliance wash over you while you contemplate their significance, but I really couldn’t make myself stand there for more than a few seconds,” said museum-goer Vernon Bailey, admitting he spent more time reading the placards describing each painting than he did looking at the art itself. “They have all these Monets and Renoirs in there, but I made it through that entire wing in, like, five minutes. By the end I was just blowing past these iconic works—Nighthawks, American Gothic, that really famous pointillist one—and thinking, ‘Okay, done, done, done.’ What’s wrong with me?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/whole-museum-visit-spent-feeling-guilty-about-movi,29568/&#34;&gt;Whole Museum Visit Spent Feeling Guilty About Moving On From Paintings | The Onion - America’s Finest News Source&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The White Market – The New Inquiry</title>
    <link href="https://mlarson.org/2012/09/17/the-white-market-the-new-inquiry/"/>
    <updated>2012-09-17T17:27:22.000Z</updated>
    <id>https://mlarson.org/2012/09/17/the-white-market-the-new-inquiry/</id>
    <content type="html">&lt;p&gt;Interesting discussion of &lt;em&gt;Breaking Bad&lt;/em&gt;…__&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The point isn’t that the show is unrealistic or hard to believe, but the narrative function of the ways in which it is: Which disbeliefs are viewers asked to suspend, and which ideologies are they encouraged to retain?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/essays/the-white-market/&#34;&gt;The White Market – The New Inquiry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2012</title>
    <link href="https://mlarson.org/2012/09/17/truth-and-falsity-properly-considered-are/"/>
    <updated>2012-09-17T17:27:19.000Z</updated>
    <id>https://mlarson.org/2012/09/17/truth-and-falsity-properly-considered-are/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Truth and falsity properly considered are properties of language, not of images.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.publicbooks.org/interviews/errol-morris-forensic-epistemologist&#34;&gt;Errol Morris&lt;/a&gt; in conversation with Lawrence Weschler.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Informant!</title>
    <link href="https://mlarson.org/2012/09/17/the-informant-soderbergh-walks-a-fine-line-here/"/>
    <updated>2012-09-17T17:27:15.000Z</updated>
    <id>https://mlarson.org/2012/09/17/the-informant-soderbergh-walks-a-fine-line-here/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mah0o4qmdo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Informant!&#34;&gt;The Informant!&lt;/a&gt;. Soderbergh walks a fine line here with genre and mood. Can’t say I love it, but it’s got a great pace and the way the layers of lies and revelations and confusions and contortions pile up is a lot of fun. Excellent soundtrack, and Matt Damon totally proves himself. My latest &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;Soderbergh film&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;Haywire&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30359506876/solaris-2002-i-really-liked-the-tarkovsky&#34;&gt;Solaris&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29412326086/contagion-pretty-good-deliberate-precise&#34;&gt;Contagion&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Informant!&lt;/li&gt;
&lt;li&gt;Ocean’s Eleven&lt;/li&gt;
&lt;li&gt;Ocean’s Twelve&lt;/li&gt;
&lt;li&gt;Ocean’s Thirteen&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>On PUBLIC ENEMIES. Part I: Charles Winstead, Mann’s Man « Cinema Truth</title>
    <link href="https://mlarson.org/2012/09/17/on-public-enemies-part-i-charles-winstead/"/>
    <updated>2012-09-17T17:27:10.000Z</updated>
    <id>https://mlarson.org/2012/09/17/on-public-enemies-part-i-charles-winstead/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://filmatical.wordpress.com/2010/01/22/on-public-enemies-part-ii-screens-audiences-and-complicity/&#34;&gt;Part II: Screens, Audiences, and Complicity&lt;/a&gt; and &lt;a href=&#34;http://filmatical.wordpress.com/2010/03/05/on-public-enemies-part-iii-manns-transcendental-cinema/&#34;&gt;Part III: Mann’s Transcendental Cinema&lt;/a&gt; are also really good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://filmatical.wordpress.com/2010/01/13/on-public-enemies-part-i-charles-winstead-manns-man/&#34;&gt;On PUBLIC ENEMIES. Part I: Charles Winstead, Mann’s Man « Cinema Truth&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Iron Man 2</title>
    <link href="https://mlarson.org/2012/09/14/iron-man-2-its-really-pretty-when-things-are/"/>
    <updated>2012-09-14T23:40:39.000Z</updated>
    <id>https://mlarson.org/2012/09/14/iron-man-2-its-really-pretty-when-things-are/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_mad5r6blab1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Iron_Man_2&#34;&gt;Iron Man 2&lt;/a&gt;. It’s really pretty when things are blowing up. Admittedly, it’s been a while since I’ve seen a movie with a lot of ‘splosions, so I’m behind on the state of the art. Lots of eye candy, though. The main villain face-offs felt really low-stakes and awkwardly paced. Really erratic writing. I felt like the first one was funnier? &lt;a href=&#34;http://tumblr.mlarson.org/post/24858237171/captain-america-the-first-avenger-pleasantly&#34;&gt;Captain America&lt;/a&gt; is still my favorite of the few Avengers movies I’ve seen.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2012</title>
    <link href="https://mlarson.org/2012/09/12/melancholia-or-the-romantic-anti-sublime/"/>
    <updated>2012-09-12T16:08:48.000Z</updated>
    <id>https://mlarson.org/2012/09/12/melancholia-or-the-romantic-anti-sublime/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_ma8s9qevrp1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://reframe.sussex.ac.uk/sequence1/1-1-melancholia-or-the-romantic-anti-sublime/&#34;&gt;MELANCHOLIA or, The Romantic Anti-Sublime | SEQUENCE 1.1 (2012)&lt;/a&gt; . Wonderful long, long essay on my favorite &lt;a href=&#34;http://tumblr.mlarson.org/tagged/larsvontrier&#34;&gt;Von Trier&lt;/a&gt; film.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A great and very wide-ranging study of Lars von Trier’s recent film, one that touches on object-oriented ontology, feminist representation, contemporary film melodrama, the Sublime, non-normative filmmaking, as well as the end of the world.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;What more could you ask for?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Payback</title>
    <link href="https://mlarson.org/2012/09/11/payback-well-no-its-not-particularly/"/>
    <updated>2012-09-11T21:59:21.000Z</updated>
    <id>https://mlarson.org/2012/09/11/payback-well-no-its-not-particularly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_ma7h0hxpok1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Payback_%281999_film%29&#34;&gt;Payback&lt;/a&gt;. Well, no, it’s not particularly inventive. It’s noir-ish and singlemindedly goofy, if a bit one-note, with bonus points for creative violence. Mel Gibson is such a good blend of comedian and tough guy. (There’s a little bit of an aggrieved Bill Murray in there, mixed with something else). Shame that, with all his talent, he managed to torpedo his career of late.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alzheimer&#39;s could be the most catastrophic impact of junk food | The Guardian</title>
    <link href="https://mlarson.org/2012/09/11/alzheimers-could-be-the-most-catastrophic-impact/"/>
    <updated>2012-09-11T21:59:16.000Z</updated>
    <id>https://mlarson.org/2012/09/11/alzheimers-could-be-the-most-catastrophic-impact/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The strong association between poor diets and poverty allows people to use this issue as a cipher for something else they want to say, which is less socially acceptable.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/commentisfree/2012/sep/10/alzheimers-junk-food-catastrophic-effect&#34;&gt;Alzheimer&#39;s could be the most catastrophic impact of junk food | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Surprise! It Is Easy to Crowdsource When You&#39;re Famous | The American Conservative</title>
    <link href="https://mlarson.org/2012/09/11/surprise-it-is-easy-to-crowdsource-when-youre/"/>
    <updated>2012-09-11T21:59:11.000Z</updated>
    <id>https://mlarson.org/2012/09/11/surprise-it-is-easy-to-crowdsource-when-youre/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The idealistic kids are funding the Establishment now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theamericanconservative.com/surprise-it-is-easy-to-crowdsource-when-youre-famous/&#34;&gt;Surprise! It Is Easy to Crowdsource When You&#39;re Famous | The American Conservative&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Light by Which You See</title>
    <link href="https://mlarson.org/2012/09/11/your-beliefs-will-be-the-light-by-which-you-see/"/>
    <updated>2012-09-11T21:59:00.000Z</updated>
    <id>https://mlarson.org/2012/09/11/your-beliefs-will-be-the-light-by-which-you-see/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Your beliefs will be the light by which you see, but they will not be what you see and they will not be a substitute for seeing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Flannery O’Connor in “Writing Short Stories” from her collection &lt;a href=&#34;http://www.amazon.com/Mystery-Manners-Occasional-Flannery-OConnor/dp/0374508046&#34;&gt;Mystery and Manners&lt;/a&gt;. (via &lt;a href=&#34;http://malevichsquare.tumblr.com/post/31296983990/your-beliefs-will-be-the-light-by-which-you-see&#34;&gt;malevichsquare&lt;/a&gt;) Filed under &lt;a href=&#34;http://tumblr.mlarson.org/tagged/flanneryoconnor&#34;&gt;Flannery O&#39;Connor&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2012</title>
    <link href="https://mlarson.org/2012/09/09/the-long-two-and-josh-smith-courtvision-the/"/>
    <updated>2012-09-09T02:27:42.000Z</updated>
    <id>https://mlarson.org/2012/09/09/the-long-two-and-josh-smith-courtvision-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_ma29axzisx1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://courtvisionanalytics.com/the-long-two-and-josh-smith/&#34;&gt;The Long Two and Josh Smith | CourtVision&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The reason Atlanta fans melt down when Josh shoots a jumper is dualistic: it’s a low-percentage shot AND he is a beast near the rim.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ooooohhhh man do NOT get me started.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>n+1: Money</title>
    <link href="https://mlarson.org/2012/09/07/n-1-money/"/>
    <updated>2012-09-07T18:25:03.000Z</updated>
    <id>https://mlarson.org/2012/09/07/n-1-money/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The biggest pitfall of journalism is not penury but vanity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nplusonemag.com/money&#34;&gt;n+1: Money&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Compliance</title>
    <link href="https://mlarson.org/2012/09/07/compliance-man-i-have-never-been-so-uneasy-in-a/"/>
    <updated>2012-09-07T18:25:01.000Z</updated>
    <id>https://mlarson.org/2012/09/07/compliance-man-i-have-never-been-so-uneasy-in-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9zri3tm2x1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Compliance_(film)&#34;&gt;Compliance&lt;/a&gt;. Man. I have never been so uneasy in a movie theatre. (Not even during the (spoiler!) C-section in &lt;a href=&#34;http://tumblr.mlarson.org/post/25046422934/prometheus-my-first-draft-for-this-post-was&#34;&gt;Prometheus&lt;/a&gt;.) A sustained hour of dread, not entertainment. Powerful stuff. I love when art can make you feel something so strongly, even if what you feel isn’t pleasant. Excellent score, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2012</title>
    <link href="https://mlarson.org/2012/09/07/austinkleon-cognitive-surplus-by-clay-shirky/"/>
    <updated>2012-09-07T18:23:18.000Z</updated>
    <id>https://mlarson.org/2012/09/07/austinkleon-cognitive-surplus-by-clay-shirky/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9yhlxtxjs1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/31033496241&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0143119583/wwwaustinkleo-20/ref=nosim/&#34;&gt;&lt;strong&gt;&lt;em&gt;Cognitive Surplus&lt;/em&gt; by Clay Shirky&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Started reading this last year, finished it a few weeks ago. My favorite sentence from the book which maybe summarizes it best: “The internet is an opportunity machine.”&lt;/p&gt;
&lt;p&gt;My other favorite passage, which I’ve already posted, but I’ll repost here anyways:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The stupidest creative act is still a creative act… On the spectrum of creative work, the difference between the mediocre and the good is vast. Mediocrity is, however, still on the spectrum; you can move from mediocre to good in increments. The real gap is between doing nothing and doing something.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Oh, by the way: it’s fun to pay attention to subtitles, especially when a book comes in a hardback/paperback edition — the paperback edition usually shows the evolution (or devolution) of the publisher’s marketing of the book. The hardcover subtitle of &lt;em&gt;Cognitive Surplus&lt;/em&gt; is “Creativity and Generosity in a Connected Age” vs. the paperback subtitle, “How Technology Makes Consumers into Collaborators.” When Lewis Hyde’s &lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0307279502/wwwaustinkleo-20/ref=nosim/&#34;&gt;&lt;em&gt;The Gift&lt;/em&gt;&lt;/a&gt; came out, the subtitle was “Imagination and the Erotic Life of Property”—later, much later, it was “Creativity and the Artist in the Modern World.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That favorite passage reminds me of &lt;a href=&#34;http://blakemasters.tumblr.com/post/20400301508/cs183class1&#34;&gt;Peter Thiel talking about horizontal business vs. vertical business&lt;/a&gt;. Going from 1 to &lt;em&gt;N&lt;/em&gt;, copying things that work, incrementally spreading and improving, is hard, yes. But going from 0 to 1 is really, really hard in a very different way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The stadium effect | Creative Loafing Atlanta</title>
    <link href="https://mlarson.org/2012/09/07/the-stadium-effect-creative-loafing-atlanta/"/>
    <updated>2012-09-07T18:15:39.000Z</updated>
    <id>https://mlarson.org/2012/09/07/the-stadium-effect-creative-loafing-atlanta/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What happens when your neighbor is a multimillion dollar shrine to sports&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/thomaswheatley&#34;&gt;Thomas Wheatley&lt;/a&gt; bringin’ truth to the people.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/gyrobase/the-stadium-effect/Content?oid=6296522&amp;amp;showFullText=true&#34;&gt;The stadium effect | Creative Loafing Atlanta&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Public Enemies</title>
    <link href="https://mlarson.org/2012/09/07/public-enemies-its-a-good-ride-and-its/"/>
    <updated>2012-09-07T18:15:23.000Z</updated>
    <id>https://mlarson.org/2012/09/07/public-enemies-its-a-good-ride-and-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9zi2mdzjf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Public_Enemies_(2009_film)&#34;&gt;Public Enemies&lt;/a&gt;. It’s a good ride, and it’s greatest charm and greatest flaw is that it doesn’t have a big arc to it. It’s not &lt;em&gt;dramatic&lt;/em&gt;. Fine by me. This is a movie about a single-minded, short-sighted guy, told directly. I’d love to see Johnny Depp in more movies like this (i.e. non-comedy, non-Burton). Not sure about the very last scene, but I’ll give it to him. Time for updated &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; rankings. The top 3 are set, for sure. The others fluctuate day to day:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;Heat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29124751775/the-last-of-the-mohicans-i-might-have-seen-this&#34;&gt;The Last of the Mohicans&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Public Enemies&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/30524846101/miami-vice-its-not-nearly-as-good-as-his-best&#34;&gt;Miami Vice&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11701039611/collateral-totally-forgot-mark-ruffalo-was-in&#34;&gt;Collateral&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Winter&#39;s Bone</title>
    <link href="https://mlarson.org/2012/09/07/winters-bone-such-a-damn-good-movie-every-bit/"/>
    <updated>2012-09-07T18:15:00.000Z</updated>
    <id>https://mlarson.org/2012/09/07/winters-bone-such-a-damn-good-movie-every-bit/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9zjhhzoow1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Winter%27s_Bone&#34;&gt;Winter’s Bone&lt;/a&gt;. Such a damn good movie. Every bit as good as the &lt;a href=&#34;http://tumblr.mlarson.org/post/4210033096/winters-bone-this-is-fantastic-i-got-totally&#34;&gt;first time&lt;/a&gt;. It has the perfect balance between feeding you information and leaving you in the dark. Who knows what to do next? And I love the little moments of life in the Ozarks: splitting firewood, hunting, neighbors looking after each other, cooking. Between this and &lt;a href=&#34;http://tumblr.mlarson.org/post/12821676701/martha-marcy-may-marlene-wrenching-you-just-want&#34;&gt;Martha Marcy May Marlene&lt;/a&gt;, I’ve got to find some more stuff with &lt;a href=&#34;http://en.wikipedia.org/wiki/John_Hawkes_(actor)&#34;&gt;John Hawkes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2012</title>
    <link href="https://mlarson.org/2012/09/06/i-feel-like-inspiring-political-moments-these-days/"/>
    <updated>2012-09-06T13:52:51.000Z</updated>
    <id>https://mlarson.org/2012/09/06/i-feel-like-inspiring-political-moments-these-days/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I feel like inspiring political moments these days are just spank-material for aspiring typesetters.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/hkyarbies/status/243583765950103552&#34;&gt;@hkyarbies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Directors of the Decade No. 9: The sensualists - Salon.com</title>
    <link href="https://mlarson.org/2012/09/06/directors-of-the-decade-no-9-the-sensualists/"/>
    <updated>2012-09-06T00:52:12.000Z</updated>
    <id>https://mlarson.org/2012/09/06/directors-of-the-decade-no-9-the-sensualists/</id>
    <content type="html">&lt;p&gt;On Michael Mann, Terrence Malick, David Lynch, Wong Kar-wai and Hou Hsiao-hsien, etc.:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The sensualists are bored with dramatic housekeeping. They’re interested in sensations and emotions, occurrences and memories of occurrences. If their films could be said to have a literary voice, it would fall somewhere between third person and first — perhaps as close to first person as the film can get without having the camera directly represent what a character sees.&lt;/p&gt;
&lt;p&gt;Yet at the same time sensualist directors have a respect for privacy and mystery. They are attuned to tiny fluctuations in mood (the character’s and the scene’s). But they’d rather drink lye than tell you what a character is thinking or feeling – or, God forbid, have a character tell you what he’s thinking or feeling. The point is to inspire associations, realizations, epiphanies — not in the character, although that sometimes happens, but in the moviegoer.&lt;/p&gt;
&lt;p&gt;You can tell by watching the sensualists’ films, with their startling cuts, lyrical transitions, off-kilter compositions and judicious use of slow motion as emotional italics, that they believe we experience life not as dramatic arcs or plot points or in-the-moment revelations, but as moments that cohere and define themselves in hindsight — as markers that don’t seem like markers when they happen.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/2009/12/17/sensualists_seitz/&#34;&gt;Directors of the Decade No. 9: The sensualists - Salon.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Days of Heaven</title>
    <link href="https://mlarson.org/2012/09/06/days-of-heaven-re-watched-re-loved-still-near/"/>
    <updated>2012-09-06T00:52:00.000Z</updated>
    <id>https://mlarson.org/2012/09/06/days-of-heaven-re-watched-re-loved-still-near/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9uub6betd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Days_of_Heaven&#34;&gt;Days of Heaven&lt;/a&gt;. Re-watched. Re-loved. Still near the top of my all-time list. (&lt;a href=&#34;http://tumblr.mlarson.org/post/7241020197/days-of-heaven-my-first-malick-film-and-luckily&#34;&gt;My first viewing&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mission: Impossible</title>
    <link href="https://mlarson.org/2012/09/06/mission-impossible-the-gadgets-have-not-aged/"/>
    <updated>2012-09-06T00:52:00.000Z</updated>
    <id>https://mlarson.org/2012/09/06/mission-impossible-the-gadgets-have-not-aged/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9uuovtfuv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mission:_Impossible_%28film%29&#34;&gt;Mission Impossible&lt;/a&gt;. The gadgets have not aged well, but the rest of the film definitely has. &lt;a href=&#34;http://flickminute.com/wp-content/uploads/2012/04/Mission-Impossible_-Vanessa-Redgrave-as-Max-19965.png&#34;&gt;Max&lt;/a&gt; is one of the best characters of the ‘90s.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Random! Postmodern Bio Blurbs » 3:AM Magazine</title>
    <link href="https://mlarson.org/2012/09/05/random-postmodern-bio-blurbs-3am-magazine/"/>
    <updated>2012-09-05T13:13:26.000Z</updated>
    <id>https://mlarson.org/2012/09/05/random-postmodern-bio-blurbs-3am-magazine/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Gone are the golden days when an author’s bio blurb read like an obituary. Date and place of birth, occupation, current abode, names and dates of publications, year of death (if applicable): this was, apparently, all an educated public really needed to know about their writers to be able to ‘place’ their work. And as staid and conventional as that may now seem, there’s a lot to be said for this approach.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.3ammagazine.com/3am/random-postmodern-bio-blurbs/&#34;&gt;Random! Postmodern Bio Blurbs » 3:AM Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek</title>
    <link href="https://mlarson.org/2012/09/04/star-trek-this-is-more-space-opera-than/"/>
    <updated>2012-09-04T22:42:30.000Z</updated>
    <id>https://mlarson.org/2012/09/04/star-trek-this-is-more-space-opera-than/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9ukbox5uo1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Trek_%28film%29&#34;&gt;Star Trek&lt;/a&gt;. This is more space opera than intellectual scifi salon, for better or worse. The best comparison I can think of is &lt;a href=&#34;http://tumblr.mlarson.org/post/24646130168/rise-of-the-planet-of-the-apes-nothing&#34;&gt;Rise of the Planet of the Apes&lt;/a&gt;: It’s not an all-time great movie, not really even close, but it’s great at what it does. Silly adventure that’s nice to look at. The cameo is dopey. But I do hope that movies following this reboot are a little more nerdy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2012</title>
    <link href="https://mlarson.org/2012/09/02/great-wave-off-kanagawa-by-ashley-anderson-cf/"/>
    <updated>2012-09-02T00:47:11.000Z</updated>
    <id>https://mlarson.org/2012/09/02/great-wave-off-kanagawa-by-ashley-anderson-cf/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/09/tumblr_m9p62vaa3e1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/7909762812/&#34;&gt;Great Wave Off Kanagawa&lt;/a&gt; by &lt;a href=&#34;http://press-start-to-begin.tumblr.com/&#34;&gt;Ashley Anderson&lt;/a&gt;. Cf. &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Great_Wave_off_Kanagawa&#34;&gt;Hokusai&lt;/a&gt;. I knew I wanted this print the second I saw a sample at &lt;a href=&#34;http://artlantisfestival.wordpress.com/&#34;&gt;Artlantis&lt;/a&gt; a couple months ago. Got a big print. Finally got it framed. My walls are killing it right now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2012</title>
    <link href="https://mlarson.org/2012/09/02/knowledge-taste-meaningful-judgment/"/>
    <updated>2012-09-02T00:47:07.000Z</updated>
    <id>https://mlarson.org/2012/09/02/knowledge-taste-meaningful-judgment/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;KNOWLEDGE + TASTE = MEANINGFUL JUDGMENT.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/books/2012/08/a-critics-manifesto.html&#34;&gt;Daniel Mendelsohn&lt;/a&gt;. More &lt;a href=&#34;http://tumblr.mlarson.org/tagged/danielmendelsohn&#34;&gt;Mendelsohn&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Here Comes Honey Boo Boo and the history of the hillbilly in America. - Slate Magazine</title>
    <link href="https://mlarson.org/2012/09/02/here-comes-honey-boo-boo-and-the-history-of-the/"/>
    <updated>2012-09-02T00:47:00.000Z</updated>
    <id>https://mlarson.org/2012/09/02/here-comes-honey-boo-boo-and-the-history-of-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The hillbilly figure allows middle-class white people to offload the venality and sin of the nation onto some &lt;em&gt;other&lt;/em&gt; constituency, people who live somewhere—anywhere—else. The hillbilly’s backwardness highlights the progress more upstanding Americans in the cities or the suburbs have made. These fools haven’t crawled out of the muck, the story goes, because they don’t want to.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/arts/culturebox/2012/08/here_comes_honey_boo_boo_and_the_history_of_the_hillbilly_in_america_.html&#34;&gt;Here Comes Honey Boo Boo and the history of the hillbilly in America. - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Millsin&#39; About: Jiro Dreams of Errol Morris</title>
    <link href="https://mlarson.org/2012/09/02/millsin-about-jiro-dreams-of-errol-morris/"/>
    <updated>2012-09-02T00:46:55.000Z</updated>
    <id>https://mlarson.org/2012/09/02/millsin-about-jiro-dreams-of-errol-morris/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://nomore.metaismurder.com/post/30534341226/jiro-dreams-of-errol-morris&#34;&gt;millsinabout&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I know too little about film or production to say much about this, either, but: the film used a lot of shot-techniques or whatever that I recognize from promos for films and reality TV shows. Here is the staff of the restaurant, arranged just so, staring into the camera; it is slightly slow-mo, the camera slightly pans to give dimensionality, but nothing is really happening. This is how you make ads and music videos, not documentaries, which ought to have something to impart beyond “tune in!” or “this! this! this!”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yep. &lt;em&gt;Jiro&lt;/em&gt; is fun to watch and &lt;a href=&#34;https://twitter.com/mlarson/status/240272119244673024&#34;&gt;makes you hungry&lt;/a&gt; and it’s also a complete letdown if you’re hoping to *learn* anything. Like Mills says &lt;a href=&#34;http://nomore.metaismurder.com/post/30543705797/another-thing-about-jiro-he-is-the-greatest-sushi&#34;&gt;furthermore&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A documentary about an artist which fails to even discuss what is unique about him or his work, how he works, what he is good an bad at, with what he struggles, what the nature of his excellence is: such a documentary must be a failure.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nomore.metaismurder.com/post/30534341226/jiro-dreams-of-errol-morris&#34;&gt;Millsin&#39; About: Jiro Dreams of Errol Morris&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2012</title>
    <link href="https://mlarson.org/2012/09/02/kubrick-one-point-perspective-see-also-wes/"/>
    <updated>2012-09-02T00:46:41.000Z</updated>
    <id>https://mlarson.org/2012/09/02/kubrick-one-point-perspective-see-also-wes/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/48425421&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/48425421&#34;&gt;Kubrick // One-Point Perspective&lt;/a&gt;. See also &lt;a href=&#34;http://vimeo.com/35870502&#34;&gt;Wes Anderson From Above&lt;/a&gt; and &lt;a href=&#34;http://vimeo.com/37540504&#34;&gt;Tarantino From Below&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Miami Vice</title>
    <link href="https://mlarson.org/2012/08/30/miami-vice-its-not-nearly-as-good-as-his-best/"/>
    <updated>2012-08-30T16:09:51.000Z</updated>
    <id>https://mlarson.org/2012/08/30/miami-vice-its-not-nearly-as-good-as-his-best/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m9ksnicwsd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Miami_Vice_(film)&#34;&gt;Miami Vice&lt;/a&gt;. It’s not nearly as good as his best, but it’s good corny fun. I mean, it’s &lt;em&gt;Miami Vice&lt;/em&gt;. Visually, it’s also the most Michael Mann-ish thing I’ve seen (see &lt;a href=&#34;http://travissaves.blogspot.com/search/label/michael%20mann&#34;&gt;Pinnland Empire on Mann’s motifs&lt;/a&gt;). It’s also got the typical cop/criminal dynamic he loves. Best analogy I read somewhere was this movie would happen if Malick decided to make a cop film (from the general reverie to the looser, drifty handycam shooting). Sadly, the score is merely functional, but Mann knows when to turn the music down and let it ride. I feel like if I watched it again, I’d like it even more. I really, really like this dude’s movies. Updated &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;Heat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29124751775/the-last-of-the-mohicans-i-might-have-seen-this&#34;&gt;The Last of the Mohicans&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Miami Vice&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11701039611/collateral-totally-forgot-mark-ruffalo-was-in&#34;&gt;Collateral&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2012</title>
    <link href="https://mlarson.org/2012/08/30/campbell-soup-company-is-tapping-andy-warhol-for/"/>
    <updated>2012-08-30T13:42:42.000Z</updated>
    <id>https://mlarson.org/2012/08/30/campbell-soup-company-is-tapping-andy-warhol-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m9km2qrwal1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://artdaily.com/index.asp?int_sec=2&amp;amp;int_new=57425#.UD9tUdaPV2o&#34;&gt;Campbell Soup Company is tapping Andy Warhol for another 15 minutes of fame&lt;/a&gt;. I’m not surprised that Target is involved in this.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2012</title>
    <link href="https://mlarson.org/2012/08/29/racism-is-not-merely-a-simplistic-hatred-it-is/"/>
    <updated>2012-08-29T17:58:53.000Z</updated>
    <id>https://mlarson.org/2012/08/29/racism-is-not-merely-a-simplistic-hatred-it-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Racism is not merely a simplistic hatred. It is, more often, broad sympathy toward some and broader skepticism toward others.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2012/09/fear-of-a-black-president/309064/?single_page=true&#34;&gt;Ta-Nehisi Coates&lt;/a&gt;. Cf. &lt;a href=&#34;http://dashes.com/anil/2012/06/racist-culture-is-a-factory-defect.html&#34;&gt;Anil Dash&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Disciplined Pursuit of Less - Greg McKeown - Harvard Business Review</title>
    <link href="https://mlarson.org/2012/08/29/the-disciplined-pursuit-of-less-greg-mckeown/"/>
    <updated>2012-08-29T17:58:50.000Z</updated>
    <id>https://mlarson.org/2012/08/29/the-disciplined-pursuit-of-less-greg-mckeown/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Instead of asking, “How much do I value this item?” we should ask “If I did not own this item, how much would I pay to obtain it?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.hbr.org/cs/2012/08/the_disciplined_pursuit_of_less.html&#34;&gt;The Disciplined Pursuit of Less - Greg McKeown - Harvard Business Review&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Sad Secular Monks | First Things</title>
    <link href="https://mlarson.org/2012/08/29/the-sad-secular-monks-first-things/"/>
    <updated>2012-08-29T17:58:00.000Z</updated>
    <id>https://mlarson.org/2012/08/29/the-sad-secular-monks-first-things/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Just like the driven twenty-somethings of &lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2012/09/boys-on-the-side/309062/?single_page=true&#34;&gt;Rosin’s article&lt;/a&gt;, monks and nuns have made a commitment so total that it precludes marriage. But in the case of vowed religious, the form of their service is meant to be elevating, not just useful.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.firstthings.com/onthesquare/2012/08/the-sad-secular-monks&#34;&gt;The Sad Secular Monks | First Things&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2012</title>
    <link href="https://mlarson.org/2012/08/28/the-king-of-78s-joe-bussard-this-guy-has-15000/"/>
    <updated>2012-08-28T17:13:00.000Z</updated>
    <id>https://mlarson.org/2012/08/28/the-king-of-78s-joe-bussard-this-guy-has-15000/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m9h6avtfnj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.dustandgrooves.com/joe-bussard-frederick-ma/&#34;&gt;The King of 78s: Joe Bussard&lt;/a&gt;. This guy has 15,000 records and hilariously cantankerous taste in music. Although maybe that passion and nerdery foments and requires this kind of dismissive focus:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Q: Is there a music genre that you avoid?&lt;br&gt;
A: Rock-n- roll. Period. Any of it. Hate it. Worse thing that happened to music. Hurt all types of music. They took blues and ruined it. It’s the cancer of music….ate into everything. Killed Country music, that’s for sure.&lt;br&gt;
Q: A lot of people would claim the complete opposite. that Rock-n-Roll re invented and recharged music. What is it about rock-n-roll that annoys you so much?&lt;br&gt;
A: Don’t like. Just my personal taste. Don’t like the sound of it, the meaning of it…doesn’t promote anything beautiful or meaningful. Idiotic noise, in my opinion.&lt;br&gt;
Q: So artist like Miles Davis, John Coltrane don’t deserve your time?&lt;br&gt;
A: Oh my god, you gotta be kidding me. None of that music moves me.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Jiro Dreams of Sushi</title>
    <link href="https://mlarson.org/2012/08/28/jiro-dreams-of-sushi-80-minutes-of-rapturous/"/>
    <updated>2012-08-28T02:16:43.000Z</updated>
    <id>https://mlarson.org/2012/08/28/jiro-dreams-of-sushi-80-minutes-of-rapturous/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m9g0xkiyeb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Jiro_Dreams_of_Sushi&#34;&gt;Jiro Dreams of Sushi&lt;/a&gt;. 80 minutes of rapturous fawning and food porn! I liked it.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It really comes down to making an effort and repeating the same thing every day.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Punctuation Marks by Theodor Adorno [pdf]</title>
    <link href="https://mlarson.org/2012/08/28/punctuation-marks-by-theodor-adorno-pdf/"/>
    <updated>2012-08-28T02:16:33.000Z</updated>
    <id>https://mlarson.org/2012/08/28/punctuation-marks-by-theodor-adorno-pdf/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Only a person who can perceive the different weights of strong and weak phrasings in musical form can really feel the distinction between the comma and the semicolon.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;https://twitter.com/ubuweb/status/231464081868079105&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://ubu.com/papers/Adorno-Theodor-W-Punctuation-Marks.pdf&#34;&gt;Punctuation Marks by Theodor Adorno [pdf]&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Original Kings of Comedy</title>
    <link href="https://mlarson.org/2012/08/28/the-original-kings-of-comedy-sometimes-hilarious/"/>
    <updated>2012-08-28T02:16:08.000Z</updated>
    <id>https://mlarson.org/2012/08/28/the-original-kings-of-comedy-sometimes-hilarious/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m9fi7sngl01qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Original_Kings_of_Comedy&#34;&gt;The Original Kings of Comedy&lt;/a&gt;. Sometimes hilarious, sometimes awful. I gotta find some more Bernie Mac.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Solaris (2002)</title>
    <link href="https://mlarson.org/2012/08/28/solaris-2002-i-really-liked-the-tarkovsky/"/>
    <updated>2012-08-28T02:15:00.000Z</updated>
    <id>https://mlarson.org/2012/08/28/solaris-2002-i-really-liked-the-tarkovsky/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m9feb60zra1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Solaris_(2002_film)&#34;&gt;Solaris (2002)&lt;/a&gt;. I really liked the &lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;Tarkovsky version&lt;/a&gt; of the novel, and Soderbergh’s is very good, too. It’s more trim and spare. What I really loved was the sound throughout. Footsteps, rustle of clothing, breath. And that soundtrack! &lt;a href=&#34;http://en.wikipedia.org/wiki/Cliff_Martinez&#34;&gt;Cliff Martinez&lt;/a&gt; to the rescue again (see: &lt;em&gt;Drive&lt;/em&gt;; &lt;em&gt;Contagion&lt;/em&gt;). So perfect. That said, the script is a little painful here and there. What are you gonna do? At least the ideas about memory, empathy, regret, etc. are evergreen. There’s not a single dud in any of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;Soderbergh films I’ve seen&lt;/a&gt; lately. Looking forward to more. My current rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;Haywire&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Solaris&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/29412326086/contagion-pretty-good-deliberate-precise&#34;&gt;Contagion&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Ocean’s Trilogy, which I don’t remember all that well, honestly.&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>What Does It Mean When Smartphones Replace Travel Guides? | The New Republic</title>
    <link href="https://mlarson.org/2012/08/27/what-does-it-mean-when-smartphones-replace-travel/"/>
    <updated>2012-08-27T20:04:23.000Z</updated>
    <id>https://mlarson.org/2012/08/27/what-does-it-mean-when-smartphones-replace-travel/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The danger with a digital guidebook, used in isolation, is the same as the problem with all electronic media: You might find exactly what you’re looking for, and not much else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tnr.com/blog/plank/106591/europe-5-gb-day&#34;&gt;What Does It Mean When Smartphones Replace Travel Guides? | The New Republic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Five Obstructions</title>
    <link href="https://mlarson.org/2012/08/27/the-five-obstructions-a-documentary-in-which-lars/"/>
    <updated>2012-08-27T20:04:17.000Z</updated>
    <id>https://mlarson.org/2012/08/27/the-five-obstructions-a-documentary-in-which-lars/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m9fcw3nfwd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Five_Obstructions&#34;&gt;The Five Obstructions&lt;/a&gt;. A documentary in which Lars von Trier puts his hero/mentor &lt;a href=&#34;http://en.wikipedia.org/wiki/J%C3%B8rgen_Leth&#34;&gt;Jørgen Leth&lt;/a&gt; to the test. Leth has to recreate his own surrealist film, &lt;a href=&#34;http://www.youtube.com/watch?v=0qFS5IEctis&#34;&gt;The Perfect Human&lt;/a&gt;, five times with five different sets of constraints, dreamed up off-the-cuff by Von Trier, who’s really just trying to get Leth to make something that sucks. Interesting to see the back-and-forth here. Rumor has it that Von Trier and Scorsese are going to do a similar project. My &lt;a href=&#34;http://tumblr.mlarson.org/tagged/larsvontrier&#34;&gt;Lars Von Trier&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/22594713909/melancholia-i-really-wish-id-seen-this-on-the&#34;&gt;Melancholia&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Dancer in the Dark&lt;/li&gt;
&lt;li&gt;The Five Obstructions&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/18019605642/antichrist-this-and-the-tree-of-life-in-one&#34;&gt;Antichrist&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Why does the return journey feel quicker? - The Irish Times</title>
    <link href="https://mlarson.org/2012/08/23/why-does-the-return-journey-feel-quicker-the/"/>
    <updated>2012-08-23T18:10:05.000Z</updated>
    <id>https://mlarson.org/2012/08/23/why-does-the-return-journey-feel-quicker-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Childhood holidays seem to last forever, but as you grow older time seems to accelerate. “Time” is related to how much information you are taking in – information stretches time. A child’s day from 9am to 3.30pm is like a 20-hour day for an adult. Children experience many new things every day and time passes slowly, but as people get older they have fewer new experiences and time is less stretched by information.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.irishtimes.com/newspaper/sciencetoday/2012/0816/1224322254373.html&#34;&gt;Why does the return journey feel quicker? - The Irish Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 23, 2012</title>
    <link href="https://mlarson.org/2012/08/23/hyperbole-and-a-half-adventures-in-depression/"/>
    <updated>2012-08-23T18:10:03.000Z</updated>
    <id>https://mlarson.org/2012/08/23/hyperbole-and-a-half-adventures-in-depression/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m97o9wnrmv1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://&#34;&gt;Hyperbole and a Half: Adventures in Depression&lt;/a&gt;. Glad to stumble on this post again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Observations on film art : Unsteadicam chronicles</title>
    <link href="https://mlarson.org/2012/08/23/observations-on-film-art-unsteadicam-chronicles/"/>
    <updated>2012-08-23T18:09:57.000Z</updated>
    <id>https://mlarson.org/2012/08/23/observations-on-film-art-unsteadicam-chronicles/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Run-and-gun technique doesn’t demand that you develop an ongoing sense of the figures within a spatial whole. The bodies, fragmented and smeared across the frame, don’t dwell within these locales. They exist in an architectural vacuum. In &lt;em&gt;United 93&lt;/em&gt;, the technique could work because we’re all minimally familiar with the geography of a passenger jet. But in &lt;em&gt;The Bourne Ultimatum&lt;/em&gt;, could anybody reconstruct any of these stations, streets, or apartment blocks on the strength of what we see?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me once again of &lt;a href=&#34;http://tumblr.mlarson.org/post/423526147/die-hard-excessive-law-enforcement-buffoonery&#34;&gt;Die Hard&lt;/a&gt; &lt;a href=&#34;http://bldgblog.blogspot.com/2010/01/nakatomi-space.html&#34;&gt;as an architectural film&lt;/a&gt;. I don’t think this kind of spatial understanding is an absolute requirement for a good action movie or any movie, really, but it’s interesting to think about. I recently mentioned &lt;a href=&#34;http://tumblr.mlarson.org/post/19523134803/the-thin-red-line-ive-now-seen-everything&#34;&gt;The Thin Red Line&lt;/a&gt; did a great job during the hilltop battle. &lt;a href=&#34;http://tumblr.mlarson.org/post/1159524247/rear-window-good-lord-this-is-a-near-perfect&#34;&gt;Rear Window&lt;/a&gt;, too, but that’s maybe an easier task, given the confinement. Which others?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.davidbordwell.net/blog/2007/08/17/unsteadicam-chronicles/&#34;&gt;Observations on film art : Unsteadicam chronicles&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Usual Suspects</title>
    <link href="https://mlarson.org/2012/08/23/the-usual-suspects-id-already-heard-so-much/"/>
    <updated>2012-08-23T18:09:51.000Z</updated>
    <id>https://mlarson.org/2012/08/23/the-usual-suspects-id-already-heard-so-much/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m97qf6zpc61qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Usual_Suspects&#34;&gt;The Usual Suspects&lt;/a&gt;. I’d already heard so much about this movie that I went in jaded and suspicious and looking for clues. I figured out the Big Thing early, was underwhelmed, had a hard time staying awake during the last 1/3, gained no satisfaction from being right, and then I woke up and &lt;a href=&#34;https://twitter.com/mlarson/status/238634687734620160&#34;&gt;spoiled it on Twitter&lt;/a&gt; (spoiler!). I do think great stories withstand spoilers. This might not be one, but there’s good camera and cast and characters. I bet this was fun to make.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blade Runner</title>
    <link href="https://mlarson.org/2012/08/20/blade-runner-final-cut-dang-like-alien-this/"/>
    <updated>2012-08-20T20:16:05.000Z</updated>
    <id>https://mlarson.org/2012/08/20/blade-runner-final-cut-dang-like-alien-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m916fhl0ws1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Blade_Runner&#34;&gt;Blade Runner (Final Cut)&lt;/a&gt;. Dang. Like &lt;a href=&#34;http://tumblr.mlarson.org/post/10766879215/alien-this-one-has-not-aged-a-bit-fantasic&#34;&gt;Alien&lt;/a&gt;, this one holds up so, so well. Incredible movie. Cast, sets (!), shots, sound, score. I love the eye imagery and symbolism throughout. Themes of empathy, memory, humanity. Deckard has a sweet bachelor pad. If I were more of a jerk, right around now I’d take a second to mention how bad &lt;a href=&#34;http://tumblr.mlarson.org/post/25046422934/prometheus-my-first-draft-for-this-post-was&#34;&gt;Prometheus&lt;/a&gt; was in comparison. Night and day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2012</title>
    <link href="https://mlarson.org/2012/08/20/let-me-never-fall-into-the-vulgar-mistake-of/"/>
    <updated>2012-08-20T14:07:52.000Z</updated>
    <id>https://mlarson.org/2012/08/20/let-me-never-fall-into-the-vulgar-mistake-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Let me never fall into the vulgar mistake of dreaming that I am persecuted whenever I am contradicted.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=ijoOVniDTz8C&amp;amp;pg=PA206&amp;amp;lpg=PA206&amp;amp;dq=Let+me+never+fall+into+the+vulgar+mistake+of+dreaming+that+I+am+persecuted+whenever+I+am+contradicted&#34;&gt;Ralph Waldo Emerson&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/silvermanjacob/status/237260602819616768&#34;&gt;via&lt;/a&gt;). Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/8069026511/lets-not-bring-flame-where-light-is-enough&#34;&gt;Victor Hugo&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Let’s not bring flame where light is enough.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And &lt;a href=&#34;http://tumblr.mlarson.org/post/7044847103/its-hard-to-beat-the-entertainment-value-of&#34;&gt;Jay-Z&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s hard to beat the entertainment value of people who deliberately misunderstand the world, people dying to be insulted, running around looking for a bullet to get in front of.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of the Past</title>
    <link href="https://mlarson.org/2012/08/20/out-of-the-past-yep/"/>
    <updated>2012-08-20T14:07:48.000Z</updated>
    <id>https://mlarson.org/2012/08/20/out-of-the-past-yep/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m915e2j3to1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_the_Past&#34;&gt;Out of the Past&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/outofthepast&#34;&gt;Yep&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Driver</title>
    <link href="https://mlarson.org/2012/08/20/the-driver-did-not-enjoy/"/>
    <updated>2012-08-20T14:07:45.000Z</updated>
    <id>https://mlarson.org/2012/08/20/the-driver-did-not-enjoy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m915npp9eo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Driver&#34;&gt;The Driver&lt;/a&gt;. Did not enjoy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 17, 2012</title>
    <link href="https://mlarson.org/2012/08/17/meal-entering-vehicle-window-tacky-suburban/"/>
    <updated>2012-08-17T17:31:00.000Z</updated>
    <id>https://mlarson.org/2012/08/17/meal-entering-vehicle-window-tacky-suburban/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Meal entering vehicle window = tacky, suburban, boring, junk food. Meal exiting vehicle window = cool, urban, hip, adventurous.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/andishehnouraee/status/236502082612518912&#34;&gt;Andisheh Nouraee&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pallets: The single most important object in the global economy. - Slate Magazine</title>
    <link href="https://mlarson.org/2012/08/17/pallets-the-single-most-important-object-in-the/"/>
    <updated>2012-08-17T15:07:53.000Z</updated>
    <id>https://mlarson.org/2012/08/17/pallets-the-single-most-important-object-in-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Some 80 percent of all U.S. commerce is carried on pallets. So widespread is their use that they account for, according to one estimate, more than 46 percent of total U.S. hardwood lumber production.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Takes me back to high school, working the night shift stocking the shelves at Kroger. So. Many. Pallets.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/business/transport/2012/08/pallets_the_single_most_important_object_in_the_global_economy_.single.html&#34;&gt;Pallets: The single most important object in the global economy. - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Chiasmus - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2012/08/16/chiasmus-wikipedia-the-free-encyclopedia/"/>
    <updated>2012-08-16T19:43:53.000Z</updated>
    <id>https://mlarson.org/2012/08/16/chiasmus-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;the figure of speech in which two or more clauses are related to each other through a reversal of structures in order to make a larger point; that is, the clauses display inverted parallelism.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So they’re mirrored (like the shape of the letter X… Greek letter &lt;a href=&#34;http://en.wikipedia.org/wiki/Chi_(letter)&#34;&gt;chi&lt;/a&gt;… chiasmus…). Think ABCCBA, or ABCDEDCBA, or whatever. This is really common in the Bible, e.g. Isaiah 6:10:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A “Make the &lt;em&gt;heart&lt;/em&gt; of this people fat,&lt;br&gt;
B and make their &lt;em&gt;ears&lt;/em&gt; heavy,&lt;br&gt;
C and shut their &lt;em&gt;eyes&lt;/em&gt;;&lt;br&gt;
C lest they see with their &lt;em&gt;eyes&lt;/em&gt;,&lt;br&gt;
B and hear with their &lt;em&gt;ears&lt;/em&gt;,&lt;br&gt;
A and understand with their &lt;em&gt;heart&lt;/em&gt;, and convert [return], and be healed.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And in songwriting, e.g. Snoop’s &lt;a href=&#34;http://www.youtube.com/watch?v=0Cxr1-b6Xkc&#34;&gt;Gin and Juice&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I got my mind on my money, my money on my mind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Or the wisdom of &lt;a href=&#34;http://www.youtube.com/watch?v=HH3ruuml-R4&#34;&gt;Stephen Stills&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you can’t be with the one you love, honey / Love the one you’re with.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You also see &lt;a href=&#34;http://en.wikipedia.org/wiki/Chiastic_structure&#34;&gt;chiastic structure&lt;/a&gt; for an entire work, like the &lt;a href=&#34;http://en.wikipedia.org/wiki/Song_of_Songs&#34;&gt;Song of Songs&lt;/a&gt; or &lt;a href=&#34;http://en.wikipedia.org/wiki/Paradise_Lost&#34;&gt;Paradise Lost&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Man, I really like words.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Chiasmus&#34;&gt;Chiasmus - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mad Love: The Surrealism of the Supernatural Romantic Melodrama, Part One « The Third Meaning</title>
    <link href="https://mlarson.org/2012/08/16/mad-love-the-surrealism-of-the-supernatural/"/>
    <updated>2012-08-16T19:43:48.000Z</updated>
    <id>https://mlarson.org/2012/08/16/mad-love-the-surrealism-of-the-supernatural/</id>
    <content type="html">&lt;p&gt;I hadn’t considered this. Socio-cultural roots of the modern fantasy melodrama?&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Part of what makes supernatural romantic melodramas stories of &lt;em&gt;amours fou&lt;/em&gt;, arguably, is how they go about addressing a fundamental problem for the love story in the contemporary social context: how do you erect obstacles between the couple? If they are in love enough for us to be invested in their situation, how can you have a plausible enough obstacle for them to have to overcome in order to be together? Unless you want to do a period picture (be it Thomas Hardy, &lt;em&gt;Far from Heaven&lt;/em&gt; or &lt;em&gt;The Notebook&lt;/em&gt;), class, nationality, religion, and other aspects of social background just aren’t sufficiently convincing barriers to a Western audience, even if really they should be; we have all been raised, mostly by movies and pop songs, to believe that True Love Conquers All.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://3rdmeaning.wordpress.com/2012/07/05/mad-love-the-surrealism-of-the-supernatural-romantic-melodrama-part-one/&#34;&gt;Mad Love: The Surrealism of the Supernatural Romantic Melodrama, Part One « The Third Meaning&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 16, 2012</title>
    <link href="https://mlarson.org/2012/08/16/striptease-has-become-less-interesting-since-they/"/>
    <updated>2012-08-16T04:16:37.000Z</updated>
    <id>https://mlarson.org/2012/08/16/striptease-has-become-less-interesting-since-they/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Striptease has become less interesting since they did away with the costumes. It’s become Newtonian. The movement of bodies through space, period. It can get boring.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/2262/the-art-of-fiction-no-121-margaret-atwood&#34;&gt;Margaret Atwood&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/parisreview/status/233935745562329088&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bloodsport</title>
    <link href="https://mlarson.org/2012/08/16/bloodsport-finally-saw-it-on-the-big/"/>
    <updated>2012-08-16T04:10:08.000Z</updated>
    <id>https://mlarson.org/2012/08/16/bloodsport-finally-saw-it-on-the-big/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8ty7jc1yx1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Bloodsport_%28film%29&#34;&gt;Bloodsport&lt;/a&gt;. ★★★★★. Finally saw it on the big screen. And there’s nothing like seeing a movie with a crowd that cares as much as you do. This movie is one of the first things I remember me and my big brother bonding over, so I’ve lost all critical perspective. That actually might have happened before I saw the movie, when my brother told me about the &lt;a href=&#34;http://www.youtube.com/watch?v=p63lTONotQQ&amp;amp;t=1m12s&#34;&gt;shin scene&lt;/a&gt; (spoiler!). I was horrified/sold. I love how briskly it all moves. Backstory and dialogue are mostly functional. A route from A to B. We all know why we’re here: fights! Surprisingly good soundtrack, though. I haven’t met anyone who’s seen this that didn’t love &lt;a href=&#34;http://www.youtube.com/watch?v=IDJOqokZt0g&#34;&gt;Paco&lt;/a&gt;. And there’s a young Forest Whitaker!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 14, 2012</title>
    <link href="https://mlarson.org/2012/08/14/preface-otherwise-banal-life-wisdom-with-my/"/>
    <updated>2012-08-14T15:53:27.000Z</updated>
    <id>https://mlarson.org/2012/08/14/preface-otherwise-banal-life-wisdom-with-my/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Preface otherwise banal life wisdom with “My father once taught me…” (or similar) and it then becomes rich with generational credibility.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/bencasnocha/status/235071670472290304&#34;&gt;Ben Casnocha&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Steven Soderbergh Is Better Than You Think He Is « The Third Meaning</title>
    <link href="https://mlarson.org/2012/08/14/steven-soderbergh-is-better-than-you-think-he-is/"/>
    <updated>2012-08-14T15:53:02.000Z</updated>
    <id>https://mlarson.org/2012/08/14/steven-soderbergh-is-better-than-you-think-he-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Soderbergh is not parodying or denigrating his chosen genre framework, though; […] one is left with little doubt that he could pull off a more straightforwardly commercial film if it wasn’t for the probability that doing so would bore him to tears.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://3rdmeaning.wordpress.com/2012/02/07/steven-soderbergh-is-better-than-you-think-he-is/&#34;&gt;Steven Soderbergh Is Better Than You Think He Is « The Third Meaning&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Contagion</title>
    <link href="https://mlarson.org/2012/08/14/contagion-pretty-good-deliberate-precise/"/>
    <updated>2012-08-14T15:52:00.000Z</updated>
    <id>https://mlarson.org/2012/08/14/contagion-pretty-good-deliberate-precise/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8r5eljoan1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Contagion_(film)&#34;&gt;Contagion&lt;/a&gt;. Pretty good. Deliberate, precise, dispassionate. It’s not a weepy melodrama. The point is to get a sense of all the moving parts. I’d call it scifi, but in the less-fantastical sense of exploring a hypothetical that isn’t (yet!?!!?!?!) true. Jude Law’s blogger/gadfly was a hoot. Another good score by &lt;a href=&#34;http://en.wikipedia.org/wiki/Cliff_Martinez&#34;&gt;Cliff Martinez&lt;/a&gt; (&lt;a href=&#34;http://tumblr.mlarson.org/tagged/drive&#34;&gt;Cf&lt;/a&gt;.). This is only the third &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevensoderbergh&#34;&gt;Steven Soderbergh movie&lt;/a&gt; for me, outside of the &lt;em&gt;Ocean’s&lt;/em&gt; trilogy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thieves and Enemies</title>
    <link href="https://mlarson.org/2012/08/14/thieves-and-enemies-some-thoughts-on-michael/"/>
    <updated>2012-08-14T15:07:28.000Z</updated>
    <id>https://mlarson.org/2012/08/14/thieves-and-enemies-some-thoughts-on-michael/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8o8cs21pw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://mubi.com/notebook/posts/thieves-and-enemies-some-thoughts-on-michael-manns-evolution&#34;&gt;Thieves and Enemies: Some Thoughts on Michael Mann’s Evolution on Notebook | MUBI&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Mann’s characters are dreamers posing as tough guys. The beauty of his latest films lies in the way there’s no distance between his camera’s proclivities for stylistic abstraction and the protagonists’ own reveries. The director isn’t just photographing them, but dreaming along with them.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2012</title>
    <link href="https://mlarson.org/2012/08/13/very-few-things-happen-at-the-right-time-and-the/"/>
    <updated>2012-08-13T01:59:33.000Z</updated>
    <id>https://mlarson.org/2012/08/13/very-few-things-happen-at-the-right-time-and-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Very few things happen at the right time, and the rest do not happen at all: the conscientious historian will correct these defects.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Herodotus, or so Mark Twain would have us believe in the &lt;a href=&#34;http://en.wikipedia.org/w/index.php?title=File:1906._A_Horse%27s_Tale.djvu&amp;amp;page=14&#34;&gt;intro&lt;/a&gt; to &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Horse%27s_Tale&#34;&gt;A Horse’s Tale&lt;/a&gt;. Reminds me of Oscar Wilde in &lt;a href=&#34;http://tumblr.mlarson.org/post/9262082066/the-decay-of-lying-oscar-wilde&#34;&gt;The Decay of Lying&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The ancient historians gave us delightful fiction in the form of fact; the modern novelist presents us with dull facts under the guise of fiction.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lord help me I just started reading the &lt;a href=&#34;http://en.wikipedia.org/wiki/Histories_%28Herodotus%29&#34;&gt;Histories&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Laconic (adj.) - Online Etymology Dictionary</title>
    <link href="https://mlarson.org/2012/08/13/laconic-adj-online-etymology-dictionary/"/>
    <updated>2012-08-13T01:59:00.000Z</updated>
    <id>https://mlarson.org/2012/08/13/laconic-adj-online-etymology-dictionary/</id>
    <content type="html">&lt;p&gt;I never knew the word was connected with the Spartans. Awesome:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“concise, abrupt,” 1580s, probably via L. &lt;em&gt;Laconicus&lt;/em&gt;, from Gk. &lt;em&gt;Lakonikos&lt;/em&gt;, from &lt;em&gt;Lakon&lt;/em&gt; “person from &lt;em&gt;Lakonia&lt;/em&gt;,” the district around Sparta in southern Greece in ancient times, whose inhabitants were famously proud of their brevity of speech. When Philip of Macedon threatened them with, “If I enter Laconia, I will raze Sparta to the ground,” the Spartans’ reply was, “If.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One &lt;a href=&#34;http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0288%3Asection%3D17&#34;&gt;source&lt;/a&gt; of this story is &lt;a href=&#34;http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0288%3Asection%3D1&#34;&gt;Plutarch’s &lt;em&gt;On Talkativeness&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.etymonline.com/index.php?term=laconic&amp;amp;allowed_in_frame=0&#34;&gt;Laconic (adj.) - Online Etymology Dictionary&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2012</title>
    <link href="https://mlarson.org/2012/08/13/drive-yellow-light-red-light-blue-light-pink/"/>
    <updated>2012-08-13T01:58:59.000Z</updated>
    <id>https://mlarson.org/2012/08/13/drive-yellow-light-red-light-blue-light-pink/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8nuzztro71qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/scanners/2011/09/drive_red_light_green_light_ye.html&#34;&gt;Drive: Yellow light, red light, blue light, pink light - scanners&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The movie is so emotionally/sexually repressed (all cool, slick surfaces, glazed reflections and valentine-candy-heart cliches) that this over-the-top, graphic-but-artificial RED – it’s not just red, it’s blood – feels like an absurd, joyous, orgasmic release.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Scott Higgins, Thinking Cinematically: Stallone, Expendables, and Color Today</title>
    <link href="https://mlarson.org/2012/08/13/scott-higgins-thinking-cinematically-stallone/"/>
    <updated>2012-08-13T01:58:53.000Z</updated>
    <id>https://mlarson.org/2012/08/13/scott-higgins-thinking-cinematically-stallone/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I have a theory that Stallone films, like Bond films, are excellent indicators of what film style looks like in popular cinema at any particular moment – they tend to be competent, and to show off whatever is thought to be “stylish” in current mainstream filmmaking, but they rarely break new ground.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://shiggins.blogs.wesleyan.edu/2010/09/17/stallone-expendables-and-color-today/&#34;&gt;Scott Higgins, Thinking Cinematically: Stallone, Expendables, and Color Today&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2012</title>
    <link href="https://mlarson.org/2012/08/10/drive-memory-lane-the-third-meaning-so/"/>
    <updated>2012-08-10T14:33:53.000Z</updated>
    <id>https://mlarson.org/2012/08/10/drive-memory-lane-the-third-meaning-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8jlxssrr11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://3rdmeaning.wordpress.com/2011/11/15/drive-memory-lane/&#34;&gt;“Drive”: Memory Lane « The Third Meaning&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;So much film geekery is informed, more or less directly, by the Manny Farber discourse on such action-oriented fare that its cred as ‘termite art’ comes already embossed on its metallic exterior by virtue of its generic/critical positioning even before consideration of the specifics of the individual case. […]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Drive&lt;/em&gt; is, then, a contribution to its particular kind of silent-tough-guy, hyperstylized, cool crime film. But what it adds is filigree. It’s a baroque, decadent, intensification of and comment on those aspects of Melville, Hill and Mann that Refn fetishizes, film geek that he is, and it appeals to other film geeks, like me, who share his tastes.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Last of the Mohicans</title>
    <link href="https://mlarson.org/2012/08/10/the-last-of-the-mohicans-i-might-have-seen-this/"/>
    <updated>2012-08-10T14:33:31.000Z</updated>
    <id>https://mlarson.org/2012/08/10/the-last-of-the-mohicans-i-might-have-seen-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8jn05l6bp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Last_of_the_Mohicans_(1992_film)&#34;&gt;The Last of the Mohicans&lt;/a&gt;. I might have seen this more times than I should have, but it’s mighty fine dramatic Hollywood entertainment. Such a great pace and you really feel like you’ve been on a &lt;em&gt;story&lt;/em&gt;, y&#39;know? Frontier love fantasy! Majestic scenery! An outsider caught between two worlds (seems to be a recurring Mann theme)! A strong, noble woman who won’t be brought down by the savagery around her! DDL with long, flowing hair! Scalpings! &lt;a href=&#34;http://en.wikipedia.org/wiki/Gun_fu&#34;&gt;Gun fu&lt;/a&gt;, but with muskets! As much as I bitch about the main melody’s omnipresence throughout the score, I’d totally forgotten about &lt;a href=&#34;http://www.youtube.com/watch?v=lv6VW4tMZbE&#34;&gt;the vocal tune&lt;/a&gt; at the climax. I like that the movie bookends with those mountain running scenes. I think I have to re-sort my &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;Heat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Last of the Mohicans&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11701039611/collateral-totally-forgot-mark-ruffalo-was-in&#34;&gt;Collateral&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>August 8, 2012</title>
    <link href="https://mlarson.org/2012/08/08/analysis-of-blade-runner-in-which-i-learned-that/"/>
    <updated>2012-08-08T15:44:44.000Z</updated>
    <id>https://mlarson.org/2012/08/08/analysis-of-blade-runner-in-which-i-learned-that/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/47059529&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/47059529&#34;&gt;Analysis of Blade Runner&lt;/a&gt;. In which I learned that Deckard’s apartment scenes were modeled after Frank Lloyd Wright&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Ennis_House&#34;&gt;Ennis House&lt;/a&gt;, which has relief design inspired by the &lt;a href=&#34;http://en.wikipedia.org/wiki/Uxmal&#34;&gt;Mayan temples at Uxmal&lt;/a&gt;, which, unicorns aside, is an interesting architectural hint, when you recall that the Tyrell Corporation is headquartered in a gigantic-ass pyramid. Via &lt;a href=&#34;http://filmstudiesforfree.blogspot.com/2012/08/blade-runner-inception-and-silence-of.html&#34;&gt;Film Studies for Free&lt;/a&gt;, which I discovered on my journey waaaaaaaaaaaaaay down the rabbithole of film writing after watching and reading about &lt;a href=&#34;http://tumblr.mlarson.org/post/28877268126/thief-hell-yeah-fun-stuff-some-good-writing&#34;&gt;Thief&lt;/a&gt; and related works.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Every Day Is Like Sunday</title>
    <link href="https://mlarson.org/2012/08/08/every-day-is-like-sunday/"/>
    <updated>2012-08-08T15:44:33.000Z</updated>
    <id>https://mlarson.org/2012/08/08/every-day-is-like-sunday/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://rachael-maddux.tumblr.com/post/28805068675/every-day-is-like-sunday&#34;&gt;rachael-maddux&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Atlanta in particular is one hell of a beautiful old leaky old house. The whole Chick-Fil-A thing is actually kind of a perfect encapsulation of the strangeness of the city and the cultural faultlines its cultures straddle—the old-school conservative businessman and the religious right (usually aligned with the suburbs) versus the progressive urban center, and all the shades in between. The irony of it all is so striking, those statements (and that money) coming from a man who lives in, and in part owes the vast success of his business to, a city with one of the largest gay populations in the South, indeed one of the largest in the U.S. It’s counterintuitive and maddening and hard to explain to an outsider. It is so very Atlanta.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/atlanta&#34;&gt;Atlanta&lt;/a&gt;; &lt;a href=&#34;http://tumblr.mlarson.org/tagged/thesouth&#34;&gt;The South&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 7, 2012</title>
    <link href="https://mlarson.org/2012/08/07/the-chuck-taylor-in-films-recent-and-classic/"/>
    <updated>2012-08-07T01:46:21.000Z</updated>
    <id>https://mlarson.org/2012/08/07/the-chuck-taylor-in-films-recent-and-classic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8d3j1cdq11qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://chucksconnection.com/films.html&#34;&gt;The Chuck Taylor in Films&lt;/a&gt;. “Recent and classic films where Converse All Stars have a role”. &lt;a href=&#34;http://chucksconnection.com/footloose.html&#34;&gt;Footloose&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thief</title>
    <link href="https://mlarson.org/2012/08/07/thief-hell-yeah-fun-stuff-some-good-writing/"/>
    <updated>2012-08-07T01:45:00.000Z</updated>
    <id>https://mlarson.org/2012/08/07/thief-hell-yeah-fun-stuff-some-good-writing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8d2phbkwg1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Thief_(film)&#34;&gt;Thief&lt;/a&gt;. Hell yeah. Fun stuff. Some good writing here and a great Tangerine Dream soundtrack. I love how the camera kind of zones out every now and then and the movie is all form (like the welding climax). I also like that this thief isn’t an MI-style sneaky ninja techno-athlete (or some kind of capoeira breakdancer &lt;em&gt;cough&lt;a href=&#34;http://www.youtube.com/watch?v=mr834Cs9ncs&#34;&gt;Ocean&#39;sTwelve&lt;/a&gt;cough&lt;/em&gt;). He’s an old man. He’s got a limp. He wants to have a wife and kid. He uses power saws and hammers and welding torches. I forget how cool James Caan is. And Willie Nelson is in it! You can definitely see the influence on &lt;a href=&#34;http://tumblr.mlarson.org/post/24562090753/drive-second-viewing-the-first-i-told-myself&#34;&gt;Drive&lt;/a&gt;. Here’s my rankings for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann films I’ve seen&lt;/a&gt; so far. Strong, strong work:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/27915006401/heat-yeah-this-is-definitely-going-on-my-list-of&#34;&gt;Heat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Thief (not far behind)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Last of the Mohicans&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11701039611/collateral-totally-forgot-mark-ruffalo-was-in&#34;&gt;Collateral&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>August 7, 2012</title>
    <link href="https://mlarson.org/2012/08/07/you-can-never-be-both-a-writer-and-a-politician/"/>
    <updated>2012-08-07T01:39:53.000Z</updated>
    <id>https://mlarson.org/2012/08/07/you-can-never-be-both-a-writer-and-a-politician/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You can never be both a writer and a politician – at least not a good writer. A writer must always tell the truth as he sees it, and a politician must never give the game away. Now, these are two opposing forces.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/2012/08/03/157778526/fresh-air-remembers-writer-and-critic-gore-vidal&#34;&gt;NPR Fresh Air&lt;/a&gt; remembers &lt;strong&gt;Gore Vidal&lt;/strong&gt; with excerpts from two Terry Gross interviews (via &lt;a href=&#34;http://exp.lore.com/&#34;&gt;explore-blog&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Don’t Bring Policy to a Culture Fight | Easily Distracted</title>
    <link href="https://mlarson.org/2012/08/07/dont-bring-policy-to-a-culture-fight-easily/"/>
    <updated>2012-08-07T01:39:25.000Z</updated>
    <id>https://mlarson.org/2012/08/07/dont-bring-policy-to-a-culture-fight-easily/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When lots of people are doing something and valuing it as a part of their lives, it cannot be changed by fiat, no matter how good the arguments on paper are for doing it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.swarthmore.edu/burke/2012/07/26/dont-bring-policy-to-a-culture-fight/&#34;&gt;Don’t Bring Policy to a Culture Fight | Easily Distracted&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sleepers</title>
    <link href="https://mlarson.org/2012/08/07/sleepers-has-a-nice-momentum-to-it-but-once-it/"/>
    <updated>2012-08-07T01:39:15.000Z</updated>
    <id>https://mlarson.org/2012/08/07/sleepers-has-a-nice-momentum-to-it-but-once-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/08/tumblr_m8d1qnwhcz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Sleepers_%28film%29&#34;&gt;Sleepers&lt;/a&gt;. Has a nice momentum to it, but once it becomes a simple revenge story, it all goes to waste. I really liked Dustin Hoffman’s role, though. &lt;a href=&#34;http://tumblr.mlarson.org/post/16873200492/mean-streets-didnt-enjoy-this-very-much-i&#34;&gt;Mean Streets&lt;/a&gt; was another story of friend/neighborhood loyalties that I didn’t enjoy very much. I’ve heard good things about Levinson’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Diner_%28film%29&#34;&gt;Diner&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Naked and the TED</title>
    <link href="https://mlarson.org/2012/08/07/the-naked-and-the-ted/"/>
    <updated>2012-08-07T01:39:10.000Z</updated>
    <id>https://mlarson.org/2012/08/07/the-naked-and-the-ted/</id>
    <content type="html">&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Since any meaningful discussion of politics is off limits at TED, the solutions advocated by TED’s techno-humanitarians cannot go beyond the toolkit available to the scientist, the coder, and the engineer. This leaves Silicon Valley entrepreneurs positioned as TED’s preferred redeemers. In TED world, tech entrepreneurs are in the business of solving the world’s most pressing problems. This is what makes TED stand out from other globalist shindigs, and makes its intellectual performances increasingly irrelevant to genuine thought and serious action.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tnr.com/print/article/books-and-arts/magazine/105703/the-naked-and-the-ted-khanna&#34;&gt;The Naked and the TED&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Q. and A. - Chris Rock Is Itching for Dirty Work - NYTimes.com</title>
    <link href="https://mlarson.org/2012/08/03/q-and-a-chris-rock-is-itching-for-dirty-work/"/>
    <updated>2012-08-03T13:51:29.000Z</updated>
    <id>https://mlarson.org/2012/08/03/q-and-a-chris-rock-is-itching-for-dirty-work/</id>
    <content type="html">&lt;p&gt;On criticism:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Only fans should be allowed to criticize. Because it’s for the fans. When I hear somebody go, “Country music [stinks],” I’m like, well, country music’s not for you. You’re just being elitist. Only a fan of Travis Tritt can say the record [stinks], because he’s got every one.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also, on the need to work up your craft in private:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When you’re workshopping it, a lot of stuff is bumpy and awkward. Especially when you’re working on the edge, you’re going to offend. […] You’re mad at Ray Leonard because he’s not in shape, in the gym? That’s what the gym’s for. The sad thing, with all this taping and stuff, no one’s going to do stand-up. And every big stand-up I talk to says: “How do I work out new material? Where can you go, if I have a half an idea and then it’s on the Internet next week?” Just look at some of my material. You can’t imagine how rough it was and how unfunny and how sexist or racist it might have seemed. &lt;a href=&#34;http://www.youtube.com/watch?v=f3PJF0YE-x4&#34;&gt;“Niggas vs. Black People”&lt;/a&gt; probably took me six months to get that thing right. You know how racist that thing was a week in? That’s not to be seen by anybody.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/08/05/movies/q-and-a-chris-rock-is-itching-for-dirty-work.html?_r=3&amp;amp;pagewanted=2&amp;amp;hp&amp;amp;pagewanted=all&amp;amp;pagewanted=print&#34;&gt;Q. and A. - Chris Rock Is Itching for Dirty Work - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Boss Is Hungry: Every Food or Drink Name-Dropped in a Rick Ross Song</title>
    <link href="https://mlarson.org/2012/08/03/the-boss-is-hungry-every-food-or-drink/"/>
    <updated>2012-08-03T13:49:24.000Z</updated>
    <id>https://mlarson.org/2012/08/03/the-boss-is-hungry-every-food-or-drink/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2012/07/every-food-item-name-dropped-in-a-rick-ross-song.html&#34;&gt;The Boss Is Hungry: Every Food or Drink Name-Dropped in a Rick Ross Song&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ronin</title>
    <link href="https://mlarson.org/2012/07/30/ronin-you-know-how-according-to-me-haywire-is-a/"/>
    <updated>2012-07-30T19:58:19.000Z</updated>
    <id>https://mlarson.org/2012/07/30/ronin-you-know-how-according-to-me-haywire-is-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7zmphygly1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Ronin_(film)&#34;&gt;Ronin&lt;/a&gt;. You know how, &lt;a href=&#34;https://twitter.com/mlarson/status/229758736531611649&#34;&gt;according to me&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/27260707962/haywire-i-love-when-genre-films-are-cooler-than&#34;&gt;Haywire&lt;/a&gt; is a &lt;em&gt;smart&lt;/em&gt; dumb action movie? This is kind of a dumb dumb action movie. But it’s still got fun. Was this really only 14 years ago? &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19980925/REVIEWS/809250303/1023&#34;&gt;Ebert’s review&lt;/a&gt; sums it up well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Unhappy husband must look past cliché - The Washington Post</title>
    <link href="https://mlarson.org/2012/07/30/unhappy-husband-must-look-past-cliche-the/"/>
    <updated>2012-07-30T15:40:17.000Z</updated>
    <id>https://mlarson.org/2012/07/30/unhappy-husband-must-look-past-cliche-the/</id>
    <content type="html">&lt;p&gt;I’d never thought about this before:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here’s something to consider: Not everyone is comfortable with the abundance of noise, speech, color, smell, touch — especially touch — involved with small children. They’re in your lap, your arms, they’re tugging your hands, your shirt, your hair. Again, this affects men and women, introverts especially, older more than younger, and leads both men and women to withdraw (though women still tend to be the parent in the thick of it).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/unhappy-husband-must-look-past-cliche/2012/07/25/gJQApqr1DX_story.html&#34;&gt;Unhappy husband must look past cliché - The Washington Post&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 29, 2012</title>
    <link href="https://mlarson.org/2012/07/29/summer-reading-and-programming-i-guess-you-could/"/>
    <updated>2012-07-29T22:37:45.000Z</updated>
    <id>https://mlarson.org/2012/07/29/summer-reading-and-programming-i-guess-you-could/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/h55PrGZQgAw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.robinsloan.com/summer-reading/and-programming/&#34;&gt;Summer Reading… and Programming&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I guess you could say this is a book review written… in JavaScript?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Seven Year Itch</title>
    <link href="https://mlarson.org/2012/07/29/the-seven-year-itch-good-stuff-but-there-arent/"/>
    <updated>2012-07-29T22:31:43.000Z</updated>
    <id>https://mlarson.org/2012/07/29/the-seven-year-itch-good-stuff-but-there-arent/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7xvgjnnzm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Seven_Year_Itch&#34;&gt;The Seven Year Itch&lt;/a&gt;. Good stuff, but there aren’t many things stage-to-screen that I’ve really, really &lt;em&gt;loved&lt;/em&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/555100892/brief-encounter-this-was-pretty-good-i-enjoyed&#34;&gt;Brief Encounter&lt;/a&gt; is up there, though. (It also deals with adultery and features &lt;a href=&#34;http://en.wikipedia.org/wiki/Piano_Concerto_No._2_%28Rachmaninoff%29&#34;&gt;Rachmaninov’s Piano Concerto No. 2&lt;/a&gt; prominently in the score… coincidence?). &lt;em&gt;Grease&lt;/em&gt; and &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt; are other strong contenders.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Felix: The weird NYT apologetic boast</title>
    <link href="https://mlarson.org/2012/07/29/felix-the-weird-nyt-apologetic-boast/"/>
    <updated>2012-07-29T22:31:19.000Z</updated>
    <id>https://mlarson.org/2012/07/29/felix-the-weird-nyt-apologetic-boast/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://felixsalmon.tumblr.com/post/28269793018/the-weird-nyt-apologetic-boast&#34;&gt;felixsalmon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’ve been reading the NYT for long enough that I’ve read these pro-forma sentences many times, but they haven’t really sunk in until today; […] My theory is that these weird sentences, inserted into long stories somewhere before the jump, are the NYT’s way of saying “sorry this story goes on so long, but it’s really important, and you really ought to read it anyway”.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://felixsalmon.tumblr.com/post/28269793018/the-weird-nyt-apologetic-boast&#34;&gt;Felix: The weird NYT apologetic boast&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>AUSTIN KLEON: Bob Ross&#39;s rivalry with his mentor, Bill Alexander: “He betrayed me!”</title>
    <link href="https://mlarson.org/2012/07/29/austin-kleon-bob-rosss-rivalry-with-his-mentor/"/>
    <updated>2012-07-29T22:31:15.000Z</updated>
    <id>https://mlarson.org/2012/07/29/austin-kleon-bob-rosss-rivalry-with-his-mentor/</id>
    <content type="html">&lt;p&gt;This is so awesome.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/28263827800&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_m7xblgc5jX1qz6f4b.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;So here’s something you don’t hear about a lot — Bob Ross, the famous afro-ed host of &lt;em&gt;The Joy Of Painting&lt;/em&gt;, was taught his famous “wet on wet” fast painting technique by a German expatriate painter named Bill Alexander, who, believe it or not, had his own PBS painting show called_The Magic of Oil Painting_, that ran from 1974-1982.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/28263827800&#34;&gt;AUSTIN KLEON: Bob Ross&#39;s rivalry with his mentor, Bill Alexander: “He betrayed me!”&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2012</title>
    <link href="https://mlarson.org/2012/07/27/burnaway-from-picasso-to-warhol-to-sega-ashley/"/>
    <updated>2012-07-27T02:55:22.000Z</updated>
    <id>https://mlarson.org/2012/07/27/burnaway-from-picasso-to-warhol-to-sega-ashley/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7st6kolka1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.burnaway.org/2012/07/from-picasso-to-warhol-to-sega-ashley-andersons-shinobi-marilyn/&#34;&gt;BURNAWAY » From Picasso to Warhol to Sega: Ashley Anderson’s Shinobi Marilyn&lt;/a&gt;. I’m a proud owner of one of Anderson’s other prints, and I’m so excited for this art show this weekend. Geeking out:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I love how Marilyn and 20th Century Fox never knew some artist in New York would buy a photo made to promote &lt;em&gt;Niagara&lt;/em&gt; and turn it into some of the most famous art of the last 100 years. I love how Warhol died never knowing a game designer in Japan would inject his work into a video game (I think he would have loved it). I love how the game designer in Japan never knew his work would end up archived on the internet, found 25 years after the fact by some guy in Atlanta who would then turn the imagery right back around from the electric into the physical! It’s crazy!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cf. &lt;a href=&#34;http://www.robinsloan.com/note/flip-flop/&#34;&gt;Robin Sloan on the flip-flop&lt;/a&gt;. Atlantans: get thee to the &lt;a href=&#34;http://emilyamygallery.com/&#34;&gt;Emily Amy Gallery&lt;/a&gt; this weekend.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2012</title>
    <link href="https://mlarson.org/2012/07/26/i-would-not-mind-having-this-in-my-house-crochet/"/>
    <updated>2012-07-26T03:08:00.000Z</updated>
    <id>https://mlarson.org/2012/07/26/i-would-not-mind-having-this-in-my-house-crochet/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7qzab0vpl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I would not mind having this in my house. &lt;a href=&#34;http://www.marcelwanders.nl/new-pages/droog-crochet-chair.html&#34;&gt;Crochet chair designed by Marcel Wanders&lt;/a&gt;. This prototype is on display in the &lt;a href=&#34;http://www.high.org/&#34;&gt;High Museum&lt;/a&gt; right now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 25, 2012</title>
    <link href="https://mlarson.org/2012/07/25/notebook-on-cities-culture-s2-san-francisco-and/"/>
    <updated>2012-07-25T23:41:07.000Z</updated>
    <id>https://mlarson.org/2012/07/25/notebook-on-cities-culture-s2-san-francisco-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7qpdxoidi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kickstarter.com/projects/colinmarshall/notebook-on-cities-and-culture-s2-san-francisco-an&#34;&gt;Notebook on Cities &amp;amp; Culture S2: San Francisco and Portland by Colin Marshall — Kickstarter&lt;/a&gt;. Get your wallets open. I was a proud backer of the first season, and now this one as well. And check out THIS shit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For &lt;strong&gt;$1000 or more&lt;/strong&gt;, you’ll be the guest in one of season two’s episodes. I’ll come to you (within North America only, at least for this season) and we’ll record a conversation about the culture you create and the city you create it in. I’ll also thank you by name in all of season two’s episodes. This sounds like a joke, and I partially made it an option so the other options would look cheaper by comparison, but in the unlikely event of a $1000 pledge, I &lt;em&gt;will&lt;/em&gt; totally do it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Colin’s a great, great interviewer. Whoever snapped up that offer was wise.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In-Use: FF Quadraat in ‘The Shape of Design’ – An interview with Frank Chimero</title>
    <link href="https://mlarson.org/2012/07/25/in-use-ff-quadraat-in-the-shape-of-design-an/"/>
    <updated>2012-07-25T23:41:04.000Z</updated>
    <id>https://mlarson.org/2012/07/25/in-use-ff-quadraat-in-the-shape-of-design-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We forget that doing the work makes us better, and being better makes us dislike the work that made us that way.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.fontfont.com/news/ff-quadraat-the-shape-of-design-interview-with-frank-chimero&#34;&gt;In-Use: FF Quadraat in ‘The Shape of Design’ – An interview with Frank Chimero&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Minimalist - A No-Frills Kitchen Still Cooks - NYTimes.com</title>
    <link href="https://mlarson.org/2012/07/24/the-minimalist-a-no-frills-kitchen-still-cooks/"/>
    <updated>2012-07-24T18:06:10.000Z</updated>
    <id>https://mlarson.org/2012/07/24/the-minimalist-a-no-frills-kitchen-still-cooks/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Like cookbooks, kitchen equipment is a talisman.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Restaurant supply stores are dope.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2007/05/09/dining/09mini.html?_r=1&amp;amp;pagewanted=all&#34;&gt;The Minimalist - A No-Frills Kitchen Still Cooks - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Heat</title>
    <link href="https://mlarson.org/2012/07/24/heat-yeah-this-is-definitely-going-on-my-list-of/"/>
    <updated>2012-07-24T16:41:00.000Z</updated>
    <id>https://mlarson.org/2012/07/24/heat-yeah-this-is-definitely-going-on-my-list-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7obmfuyr41qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Heat_(1995_film)&#34;&gt;Heat&lt;/a&gt;. Yeah, this is definitely going on my list of movies that are &lt;a href=&#34;http://twitter.com/mlarson/status/21063721281&#34;&gt;1) more than 2.5 hours long, and 2) worth watching 3x or more&lt;/a&gt;. At the center are two guys who are both in lines of work that keep them from being normal people with normal relationships. And they know it. (Pacino’s Vincent Hanna would probably be jealous of &lt;a href=&#34;http://tumblr.mlarson.org/post/27529927277/the-big-heat-here-we-see-the-repercussions-of-a&#34;&gt;Ford’s Dave Bannion&lt;/a&gt;). The female leads help round them out. Such a great cast. Nice action sequences, but thankfully not every confrontation is noisy or fast-paced or even violent. Although some, of course, are. But &lt;a href=&#34;http://tumblr.mlarson.org/tagged/michaelmann&#34;&gt;Michael Mann&lt;/a&gt; knows how to use silence, too. The end reminded me of &lt;a href=&#34;http://tumblr.mlarson.org/post/27261620810/hanna-a-blend-of-fairy-tale-and-thriller-realism&#34;&gt;Hanna&lt;/a&gt; with its perfect use of environmental light and sound. And I can’t forget to mention the L.A. synth-mood breaks a la Mann&#39;s &lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;, which I also loved (&lt;a href=&#34;http://en.wikipedia.org/wiki/Dante_Spinotti&#34;&gt;same cinematographer&lt;/a&gt;, too). Great, great film.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 24, 2012</title>
    <link href="https://mlarson.org/2012/07/24/best-headphones-under-30-the-wirecutter-i/"/>
    <updated>2012-07-24T16:40:59.000Z</updated>
    <id>https://mlarson.org/2012/07/24/best-headphones-under-30-the-wirecutter-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7n6hgs8eq1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thewirecutter.com/reviews/best-headphones-under-30/&#34;&gt;Best Headphones Under $30 | The Wirecutter&lt;/a&gt;. I bought these on &lt;a href=&#34;https://twitter.com/wirecutter&#34;&gt;@wirecutter&lt;/a&gt;’s advice and don’t regret it one bit. The &lt;a href=&#34;http://www.amazon.com/Monoprice-Enhanced-Hi-Fi-Isolating-Earphones/dp/B007VEQ2UU/&#34;&gt;best $8 I’ve spent this year&lt;/a&gt;? They’ll be used for travel and office, mostly, as I only need something with decent isolation that doesn’t take up space and won’t fall out of my ear. I only have one pair of worthy over-ear headphones, so they stay at home. If I left those at the office or in a hotel or something I would be reduced to tears.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On the Predominance of Cupcakes as a Cultural Form</title>
    <link href="https://mlarson.org/2012/07/24/on-the-predominance-of-cupcakes-as-a-cultural-form/"/>
    <updated>2012-07-24T14:53:00.000Z</updated>
    <id>https://mlarson.org/2012/07/24/on-the-predominance-of-cupcakes-as-a-cultural-form/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Cupcakes are serial cakes. Mass produced but conveying a sense of homestyle goodness. Cupcakes are the perfect homeopathic antidote for the industrially-produced food we mostly consume. Fordism never tasted so sickly sweet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.samplereality.com/2012/07/24/on-the-predominance-of-cupcakes-as-a-cultural-form/&#34;&gt;On the Predominance of Cupcakes as a Cultural Form&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>We Need to Talk About Kevin</title>
    <link href="https://mlarson.org/2012/07/23/we-need-to-talk-about-kevin-its-grim-but-its/"/>
    <updated>2012-07-23T17:14:07.000Z</updated>
    <id>https://mlarson.org/2012/07/23/we-need-to-talk-about-kevin-its-grim-but-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7lbl9qr631qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/We_Need_to_Talk_About_Kevin_%28film%29&#34;&gt;We Need to Talk About Kevin&lt;/a&gt;. It’s grim, but it’s good. Family horror? The cast is solid across the board. I didn’t see the ending coming, and it’s not even a twist. Smart use of color and food and interior design to suggest other details. Score by Jonny Greenwood. And good timing on this one, as it touches on, here and there, the dehumanizing backlash that follows horrific events and how we struggle to make them meaningful when even those who cause them may or may not know why.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Race, Class, and the Stigma of Riding the Bus in America</title>
    <link href="https://mlarson.org/2012/07/23/race-class-and-the-stigma-of-riding-the-bus-in/"/>
    <updated>2012-07-23T17:14:00.000Z</updated>
    <id>https://mlarson.org/2012/07/23/race-class-and-the-stigma-of-riding-the-bus-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Choice commuters want a transit solution that seems modern, even if it’s actually old school. Really, they want a transportation choice that feels made for people just like them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlanticcities.com/commute/2012/07/race-class-and-stigma-riding-bus-america/2510/&#34;&gt;Race, Class, and the Stigma of Riding the Bus in America&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Big Heat</title>
    <link href="https://mlarson.org/2012/07/19/the-big-heat-here-we-see-the-repercussions-of-a/"/>
    <updated>2012-07-19T03:14:47.000Z</updated>
    <id>https://mlarson.org/2012/07/19/the-big-heat-here-we-see-the-repercussions-of-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m7e025xpdk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Big_Heat&#34;&gt;The Big Heat&lt;/a&gt;. Here we see the repercussions of a righteous anger, an uncompromising pursuit of justice. I love that our hero has a strong marriage and family life when he’s not on his beat. I haven’t seen that in &lt;a href=&#34;http://tumblr.mlarson.org/tagged/filmnoir&#34;&gt;film noir&lt;/a&gt; before. I really like this Glenn Ford guy (see also: &lt;a href=&#34;http://tumblr.mlarson.org/post/8338835528/3-10-to-yuma-1957-this-is-another-western-with&#34;&gt;3:10 to Yuma&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/17553937786/gilda-this-one-is-worth-watching-for-rita&#34;&gt;Gilda&lt;/a&gt;). &lt;a href=&#34;http://tumblr.mlarson.org/post/1296517642/metropolis-amazing-i-was-pumped-up-to-see-this&#34;&gt;Metropolis&lt;/a&gt; is the only other Fritz Lang I’ve seen. I should probably watch &lt;a href=&#34;http://en.wikipedia.org/wiki/M_%281931_film%29&#34;&gt;M&lt;/a&gt; at some point.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why We Fight: Uncomfortably Numb | Features | Pitchfork</title>
    <link href="https://mlarson.org/2012/07/19/why-we-fight-uncomfortably-numb-features/"/>
    <updated>2012-07-19T03:14:38.000Z</updated>
    <id>https://mlarson.org/2012/07/19/why-we-fight-uncomfortably-numb-features/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;[Hair-metal musicians] are idealists, some of the last true believers in a weird idea that had floated around for decades: that rock music could be used to escape all the moral and hygienic values of the working and middle classes–self-restraint, work ethic, humility, sexual decency–and live happily among baser pleasures.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/why-we-fight/8892-why-we-fight/&#34;&gt;Why We Fight: Uncomfortably Numb | Features | Pitchfork&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hanna</title>
    <link href="https://mlarson.org/2012/07/15/hanna-a-blend-of-fairy-tale-and-thriller-realism/"/>
    <updated>2012-07-15T15:20:16.000Z</updated>
    <id>https://mlarson.org/2012/07/15/hanna-a-blend-of-fairy-tale-and-thriller-realism/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m77irhblj31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Hanna_%28film%29&#34;&gt;Hanna&lt;/a&gt;. A blend of fairy tale and thriller-realism. I have some quibbles with premise, plot, and character, but a couple moments were pure cinematic delight for me. I’m thinking of the early chase in the bunker and the later one in the cargo container yard. The way that the natural ambient lighting, the camerawork, and the blocking all work in perfect sync… so cool. Great editing. I kinda wish Joe Wright had gone a little more in that style-over-substance/style-is-substance direction. Delightfully weird electronic-heavy score.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 15, 2012</title>
    <link href="https://mlarson.org/2012/07/15/i-beg-you-to-have-patience-with-everything/"/>
    <updated>2012-07-15T15:20:12.000Z</updated>
    <id>https://mlarson.org/2012/07/15/i-beg-you-to-have-patience-with-everything/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I beg you, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Rainer Maria Rilke, &lt;em&gt;Letters to a Young Poet&lt;/em&gt; (via &lt;a href=&#34;http://malevichsquare.tumblr.com/&#34;&gt;malevichsquare&lt;/a&gt;) Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/1015326501/tmr-an-interview-with-george-saunders&#34;&gt;George Saunders&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I just stay fully engaged in whatever has presented itself, things will be fine. That is, I try not to think about things like: Next, I begin MY NOVEL!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 15, 2012</title>
    <link href="https://mlarson.org/2012/07/15/hovding-invisible-bicycle-helmet/"/>
    <updated>2012-07-15T15:20:08.000Z</updated>
    <id>https://mlarson.org/2012/07/15/hovding-invisible-bicycle-helmet/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m76c93im6u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.coolhunting.com/tech/hovding-invisible-bicycle-helmet.php&#34;&gt;H&lt;/a&gt;&lt;a href=&#34;http://www.coolhunting.com/tech/hovding-invisible-bicycle-helmet.php&#34;&gt;ö&lt;/a&gt;&lt;a href=&#34;http://www.coolhunting.com/tech/hovding-invisible-bicycle-helmet.php&#34;&gt;vding Invisible Bicycle Helmet&lt;/a&gt;. Wooooooooooooaaaahhh. Airbag for cycling!! &lt;a href=&#34;http://www.hovding.com/&#34;&gt;This is brilliant&lt;/a&gt;. See also: &lt;a href=&#34;http://revolights.com/&#34;&gt;Revolights&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Our Elites Stink - NYTimes.com</title>
    <link href="https://mlarson.org/2012/07/15/why-our-elites-stink-nytimescom/"/>
    <updated>2012-07-15T15:20:03.000Z</updated>
    <id>https://mlarson.org/2012/07/15/why-our-elites-stink-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The problem is that today’s meritocratic elites cannot admit to themselves that they are elites. Everybody thinks they are countercultural rebels, insurgents against the true establishment, which is always somewhere else. This attitude prevails in the Ivy League, in the corporate boardrooms and even at television studios where hosts from Harvard, Stanford and Brown rail against the establishment. As a result, today’s elite lacks the self-conscious leadership ethos that the racist, sexist and anti-Semitic old boys’ network did possess. If you went to Groton a century ago, you knew you were privileged. You were taught how morally precarious privilege was and how much responsibility it entailed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It’s hard to see yourself from the outside. This also made me think of arguments in favor of monarchy in &lt;a href=&#34;http://en.wikipedia.org/wiki/Hans-Hermann_Hoppe&#34;&gt;Hoppe&lt;/a&gt;’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Democracy:_The_God_That_Failed&#34;&gt;Democracy&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/07/13/opinion/brooks-why-our-elites-stink.html&#34;&gt;Why Our Elites Stink - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tom Bissell reviews Spec Ops: The Line and explores the reasons why we play shooter games. - Grantland</title>
    <link href="https://mlarson.org/2012/07/15/tom-bissell-reviews-spec-ops-the-line-and/"/>
    <updated>2012-07-15T14:57:15.000Z</updated>
    <id>https://mlarson.org/2012/07/15/tom-bissell-reviews-spec-ops-the-line-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Couldn’t you argue that the men and women who make &lt;em&gt;Battlefield&lt;/em&gt; and &lt;em&gt;Modern Combat&lt;/em&gt; and &lt;em&gt;Call of Duty&lt;/em&gt; are making the world a demonstrably worse place? I think you could. Sometimes I wonder how they sleep at night. Sometimes, when I can’t sleep at night, I play &lt;em&gt;Call of Duty&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/8157257/line-explores-reasons-why-play-shooter-games&#34;&gt;Tom Bissell reviews Spec Ops: The Line and explores the reasons why we play shooter games. - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Haywire</title>
    <link href="https://mlarson.org/2012/07/15/haywire-i-love-when-genre-films-are-cooler-than/"/>
    <updated>2012-07-15T14:57:00.000Z</updated>
    <id>https://mlarson.org/2012/07/15/haywire-i-love-when-genre-films-are-cooler-than/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m77hrqdai61qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Haywire_%28film%29&#34;&gt;Haywire&lt;/a&gt;. I love when genre films are cooler than they need to be. There’s plenty of moments of playing color and camera angles and audio cuts. The long shots of just running or driving in reverse (!). Quiet fights. Shower-time rummaging. The house with the lights out. The sunset beach scene. The careful, cautious rooftop chase was a nice change from the insane parkour we often see. The use of moody soundtrack reminded me of &lt;a href=&#34;http://tumblr.mlarson.org/post/23082414689/manhunter-awesome-slow-burning-miami-synth-moods&#34;&gt;Manhunter&lt;/a&gt;. Carano is a little bit of a robot. It fits, though. Dialogue isn’t too special, but there’s a certain magic that a recognizable ensemble cast brings. I need to see more Steven Soderbergh. &lt;a href=&#34;http://tumblr.mlarson.org/post/21922321426/out-of-sight-this-was-sooooo-much-better-than-i&#34;&gt;Out of Sight&lt;/a&gt; was great.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 15, 2012</title>
    <link href="https://mlarson.org/2012/07/15/kochalka-after-the-release-party-for-i-am-the/"/>
    <updated>2012-07-15T14:56:11.000Z</updated>
    <id>https://mlarson.org/2012/07/15/kochalka-after-the-release-party-for-i-am-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m71rhj4edw1rpr1z3o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kochalka.tumblr.com/post/27085341653/after-the-release-party-for-i-am-the-beast&#34;&gt;kochalka&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;After the release party for &lt;a href=&#34;http://kochalka.bandcamp.com/album/i-am-the-beast&#34;&gt;I Am the Beast.&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fall</title>
    <link href="https://mlarson.org/2012/07/13/the-fall-storytelling-narrated-by-an-injured/"/>
    <updated>2012-07-13T14:05:16.000Z</updated>
    <id>https://mlarson.org/2012/07/13/the-fall-storytelling-narrated-by-an-injured/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m73r45vcxk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Fall_(2006_film)&#34;&gt;The Fall&lt;/a&gt;. Storytelling narrated by an injured stuntman paired with visuals imagined by a young girl. The hokey melodrama and goofy costuming is perfect. Awesome, awesome location shooting and set design. This movie is a lot of fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Millions: The Stockholm Syndrome Theory of Long Novels</title>
    <link href="https://mlarson.org/2012/07/11/the-millions-the-stockholm-syndrome-theory-of/"/>
    <updated>2012-07-11T16:39:58.000Z</updated>
    <id>https://mlarson.org/2012/07/11/the-millions-the-stockholm-syndrome-theory-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you’re the kind of reader who doesn’t intend to give up on a Great Big Important Novel no matter how inhumanely it treats you, then there’s a sense in which Joyce or Pynchon or Gaddis (or whoever your captor happens to be) owns you for the duration of that captivity. In order to maintain your sanity, you may end up being disproportionately grateful for the parts where they don’t threaten to bore you to death, where there seems to be some genuine empathic connection between reader and writer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.themillions.com/2011/05/the-stockholm-syndrome-theory-of-long-novels.html&#34;&gt;The Millions: The Stockholm Syndrome Theory of Long Novels&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 11, 2012</title>
    <link href="https://mlarson.org/2012/07/11/forms-styles-structureswhatever-word-you/"/>
    <updated>2012-07-11T16:39:54.000Z</updated>
    <id>https://mlarson.org/2012/07/11/forms-styles-structureswhatever-word-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Forms, styles, structures–whatever word you prefer–should change like skirt lengths. They have to; otherwise we make a rule, a religion of one form; we say, “This form here, this is what reality is like,” and it pleases us to say that (…) because it means we don’t have to read anymore, or think, or feel.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/1594202370&#34;&gt;Zadie Smith&lt;/a&gt;, in an essay on George Eliot and the Victorians and the evolution of the novel and such.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 9, 2012</title>
    <link href="https://mlarson.org/2012/07/09/on-the-other-side-of-the-class-and-educational/"/>
    <updated>2012-07-09T15:23:15.000Z</updated>
    <id>https://mlarson.org/2012/07/09/on-the-other-side-of-the-class-and-educational/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;On the other side of the class and educational divide (…) it’s easy to forget what it’s like not to know.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2008/aug/14/em-forster-middle-manager/?pagination=false&#34;&gt;Zadie Smith&lt;/a&gt;, in an essay on E.M. Forster collected in &lt;a href=&#34;http://www.amazon.com/dp/1594202370&#34;&gt;Changing My Mind&lt;/a&gt;. The context is whether or not readers pick up on literary/cultural references. It made me think of &lt;a href=&#34;http://tumblr.mlarson.org/post/3788002845/odds-are-good-that-you-primarily-know-one-sort-of&#34;&gt;Ezra Klein&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Abebe: Why Frank Ocean&#39;s Coming-Out Was Unique</title>
    <link href="https://mlarson.org/2012/07/09/abebe-why-frank-oceans-coming-out-was-unique/"/>
    <updated>2012-07-09T15:21:00.000Z</updated>
    <id>https://mlarson.org/2012/07/09/abebe-why-frank-oceans-coming-out-was-unique/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s become, I think, a straight American commonplace to want to dignify same-sex relationships by treating them the same way we would heterosexual ones — which means that when someone tells us, for instance, that he’s gay, some of us who are straight might silently assume his relationships are not just as valid as ours but fundamentally &lt;em&gt;the same&lt;/em&gt; as ours. As habits go, it’s politically useful and often accurate, but it also means we don’t see much mainstream discussion of the way that figuring out a sexual identity, via any one of the million different paths we all manage it, influences a person’s experience of love itself and the stories they have to tell about how it feels.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/nitsuhabebe&#34;&gt;Nitsuh Abebe&lt;/a&gt;, as thoughtful as ever.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2012/07/abebe-on-frank-oceans-coming-out.html&#34;&gt;Abebe: Why Frank Ocean&#39;s Coming-Out Was Unique&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 9, 2012</title>
    <link href="https://mlarson.org/2012/07/09/markrichardson-steve-reichs-tape-piece-come/"/>
    <updated>2012-07-09T15:20:43.000Z</updated>
    <id>https://mlarson.org/2012/07/09/markrichardson-steve-reichs-tape-piece-come/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/g0WVh1D0N50&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.markrichardson.org/post/26697537704/steve-reichs-tape-piece-come-out-from-1966&#34;&gt;markrichardson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Steve Reich’s tape piece “Come Out”, from 1966. When people talk about someone “coming out” this track often shows up in my head, unannounced. Even though it is, obviously, about something very different.&lt;/p&gt;
&lt;p&gt;From listening to this track, I learned something about how my mouth makes sounds and my brain turns those sounds into meaning. Say “come out to show them” over and over for a minute and understand the difference between a vowel and a “sh”, and how the “sh” can very easily become a rhythmic device not unlike a hi-hat. And when you say it over and over you can feel how the phrase turns from “words” into “sounds” and you can get a sense of how your brain has been trained to extract meaning from these sounds but can sort of fall asleep on the job, lulled by repetition.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevereich&#34;&gt;Steve Reich&lt;/a&gt; reblog rule in effect. &lt;a href=&#34;http://musicmavericks.publicradio.org/features/interview_reich.html&#34;&gt;Reich on “Come Out” in 2002&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I remember being invited up to NYC or WBAI–before they became so political they were very musical–and being asked to play “Come Out,” and the switchboard lit up like a tree. “Your transformer’s broken and the needle’s stuck in the groove! Will you PLEASE fix it?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 9, 2012</title>
    <link href="https://mlarson.org/2012/07/09/the-novels-we-know-best-have-an-architecture-not/"/>
    <updated>2012-07-09T01:22:00.000Z</updated>
    <id>https://mlarson.org/2012/07/09/the-novels-we-know-best-have-an-architecture-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The novels we know best have an architecture. Not only a door going in and another leading out, but rooms, hallways, stairs, little gardens front and back, trapdoors, hidden passageways, et cetera. It’s a fortunate rereader who knows half a dozen novels this way in their lifetime. I know one, Pnin, having read it half a dozen times. When you enter a beloved novel many times, you can come to feel that you possess it, that nobody else has ever lived there. You try not to notice the party of impatient tourists trooping through the kitchen (Pnin a minor scenic attraction en route to the canyon Lolita), or that shuffling academic army, moving in perfect phalanx, as they stalk a squirrel around the backyard (or a series of squirrels, depending on their methodology). Even the architect’s claim on his creation seems secondary to your wonderful way of living in it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Zadie Smith, opening an essay on two opposing philosophies of the reader-writer relationship, pitting Barthes vs. Nabokov. Collected in &lt;a href=&#34;http://www.amazon.com/dp/1594202370&#34;&gt;Changing My Mind&lt;/a&gt;, which I recommend. I’ll probably post some more quotes from this book in the near future.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Beasts of the Southern Wild</title>
    <link href="https://mlarson.org/2012/07/09/beasts-of-the-southern-wild-i-loved-this-movie/"/>
    <updated>2012-07-09T01:21:00.000Z</updated>
    <id>https://mlarson.org/2012/07/09/beasts-of-the-southern-wild-i-loved-this-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m6vclhv7f81qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Beasts_of_the_Southern_Wild&#34;&gt;Beasts of the Southern Wild&lt;/a&gt;. I loved this movie and recommend it to all living creatures. It’s about endings, and how we react to and prepare ourselves and others for the inevitable. What we leave behind. Best soundtrack of the year so far? I might have cried twice. YMMV. Also, I read about &lt;a href=&#34;http://en.wikipedia.org/wiki/Aurochs&#34;&gt;aurochs&lt;/a&gt; after watching this and was intrigued to find the connection to the old rune &lt;a href=&#34;http://en.wikipedia.org/wiki/Ur_%28rune%29&#34;&gt;Ur&lt;/a&gt;, which has also been used to mean water or rain. Cool!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>LeBron James Is a Sack of Melons - NYTimes.com</title>
    <link href="https://mlarson.org/2012/07/09/lebron-james-is-a-sack-of-melons-nytimescom/"/>
    <updated>2012-07-09T01:19:36.000Z</updated>
    <id>https://mlarson.org/2012/07/09/lebron-james-is-a-sack-of-melons-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;James has always been harder to place. On the court, he’s a whole anthology of players: an oversize, creative point guard like Magic Johnson; a bodybuilder-style space-displacer like Karl Malone; a harassing, omnipresent defender like Scottie Pippen; a leaping finisher like Dr. J. He does everything that a human can possibly do on a basketball court; he is 12 different specialists fused, Voltron-style, into a one-man All-Star team.&lt;/p&gt;
&lt;p&gt;Somehow this doesn’t quite track. Even as we admire James’s unique skill set, we’re always forced to think about the tension that holds all of the disparate parts together — the contradictory philosophies of the game that all of those different skills imply.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/07/08/magazine/lebron-james-is-a-sack-of-melons.html?_r=1&amp;amp;pagewanted=all&#34;&gt;LeBron James Is a Sack of Melons - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Online fraud: Blatancy and latency | The Economist</title>
    <link href="https://mlarson.org/2012/07/09/online-fraud-blatancy-and-latency-the-economist/"/>
    <updated>2012-07-09T01:19:29.000Z</updated>
    <id>https://mlarson.org/2012/07/09/online-fraud-blatancy-and-latency-the-economist/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Blatancy is a means of weeding out all but the most credulous respondents. (…) A big cost for [spammers] is the time they spend coaxing fully into their net those who show initial interest. So they need to select the most promising targets, rather than timewasters or the wary. “By sending an e-mail that repels all but the most gullible, the scammer gets the most promising marks [victims] to self-select.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.economist.com/node/21557726&#34;&gt;Online fraud: Blatancy and latency | The Economist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thinking Backwards — The Brooks Review</title>
    <link href="https://mlarson.org/2012/07/04/thinking-backwards-the-brooks-review/"/>
    <updated>2012-07-04T18:30:27.000Z</updated>
    <id>https://mlarson.org/2012/07/04/thinking-backwards-the-brooks-review/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What would you rather have: a digital replica of a magazine — perfect replica — or would you rather have a completely new concept of what a magazine is. For me my magazine is Instapaper — and it’s the best one I have ever had.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://brooksreview.net/2012/07/tablets-print/&#34;&gt;Thinking Backwards — The Brooks Review&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why My Bloody Valentine&#39;s Loveless is the greatest rock album of our greatness-averse age - Grantland</title>
    <link href="https://mlarson.org/2012/07/04/why-my-bloody-valentines-loveless-is-the-greatest/"/>
    <updated>2012-07-04T15:25:11.000Z</updated>
    <id>https://mlarson.org/2012/07/04/why-my-bloody-valentines-loveless-is-the-greatest/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What good are touchstones in an era where consensus seems to actively annoy people?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/8086090/why-my-bloody-valentine-loveless-greatest-rock-album-our-greatness-averse-age&#34;&gt;Why My Bloody Valentine&#39;s Loveless is the greatest rock album of our greatness-averse age - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 3, 2012</title>
    <link href="https://mlarson.org/2012/07/03/all-any-of-us-want-on-our-graves-is-here-lies-the/"/>
    <updated>2012-07-03T14:47:58.000Z</updated>
    <id>https://mlarson.org/2012/07/03/all-any-of-us-want-on-our-graves-is-here-lies-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;All any of us want on our graves is “HERE LIES THE PERSON WITH THE UNIQUEST OPINIONS.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/DCpierson/status/219864789277605888&#34;&gt;DC Pierson&lt;/a&gt;. I love my &lt;a href=&#34;http://tumblr.mlarson.org/tagged/opinions&#34;&gt;opinions&lt;/a&gt; tag so much.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Believer - Beat Boutique</title>
    <link href="https://mlarson.org/2012/07/02/the-believer-beat-boutique/"/>
    <updated>2012-07-02T15:34:30.000Z</updated>
    <id>https://mlarson.org/2012/07/02/the-believer-beat-boutique/</id>
    <content type="html">&lt;p&gt;On library music and the idea of “selling out”.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Are you OK with making compromises with your art, or is it just better off for you to have your big compromise be walking into an office every day and getting to do whatever you want?” she says, without a fleck of judgment in her voice. “I think there’s arguments to be made for both.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/201207/?read=article_zoladz&#34;&gt;The Believer - Beat Boutique&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Medication Generation: Teenagers and Antidepressants - WSJ.com</title>
    <link href="https://mlarson.org/2012/07/02/the-medication-generation-teenagers-and/"/>
    <updated>2012-07-02T15:22:09.000Z</updated>
    <id>https://mlarson.org/2012/07/02/the-medication-generation-teenagers-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In my own case, talk therapy was vital. Though it didn’t make the pain go away, it did enable me to do something medication hadn’t, which was to talk and think about myself. It gave me a chance to have someone else confront my pain not as disorder but as part of the human experience. And that made it bearable.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052702303649504577493112618709108.html&#34;&gt;The Medication Generation: Teenagers and Antidepressants - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The IRL Fetish – The New Inquiry</title>
    <link href="https://mlarson.org/2012/07/02/the-irl-fetish-the-new-inquiry/"/>
    <updated>2012-07-02T03:18:51.000Z</updated>
    <id>https://mlarson.org/2012/07/02/the-irl-fetish-the-new-inquiry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We are far from forgetting about the offline; rather we have become obsessed with being offline more than ever before. We have never appreciated a solitary stroll, a camping trip, a face-to-face chat with friends, or even our boredom better than we do now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/essays/the-irl-fetish/&#34;&gt;The IRL Fetish – The New Inquiry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hustle &amp;amp; Flow</title>
    <link href="https://mlarson.org/2012/07/02/hustle-flow-i-was-expecting-a-more-formulaic/"/>
    <updated>2012-07-02T03:12:00.000Z</updated>
    <id>https://mlarson.org/2012/07/02/hustle-flow-i-was-expecting-a-more-formulaic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m6ijjt4glb1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Hustle_%26_Flow&#34;&gt;Hustle &amp;amp; Flow&lt;/a&gt;. I was expecting a more formulaic rags-to-riches story, but got several wonderful surprises and setbacks in how this one played out. The main characters here are so, so, so well-done. Terrence Howard is great as he works through what’s basically a mid-life crisis. Damp, dumpy Memphis is the perfect backdrop and it’s just a generally nice change of scenery from most movies. Ludacris has a decent turn here as Skinny Black, but Big Boi’s menacing Marcus in &lt;a href=&#34;http://tumblr.mlarson.org/post/5667188535/atl-dont-expect-casablanca-but-i-recommend-this&#34;&gt;ATL&lt;/a&gt; puts it to shame. Also, this one has Isaac Hayes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 1, 2012</title>
    <link href="https://mlarson.org/2012/07/01/dance-the-flip-flop-robin-sloan-the-flip-flop/"/>
    <updated>2012-07-01T16:18:23.000Z</updated>
    <id>https://mlarson.org/2012/07/01/dance-the-flip-flop-robin-sloan-the-flip-flop/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/07/tumblr_m6eb3ktc3k1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.robinsloan.com/note/flip-flop/&#34;&gt;Dance the flip-flop - Robin Sloan&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;the flip-flop (n.) the process of pushing a work of art or craft from the physical world to the digital world and back again—maybe more than once&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Prestige</title>
    <link href="https://mlarson.org/2012/06/29/the-prestige-themes-obsession-sacrifice-craft/"/>
    <updated>2012-06-29T02:45:47.000Z</updated>
    <id>https://mlarson.org/2012/06/29/the-prestige-themes-obsession-sacrifice-craft/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m6cr3qka5t1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Prestige_%28film%29&#34;&gt;The Prestige&lt;/a&gt;. Themes: obsession, sacrifice, craft, identity, showmanship, revenge, deceit, science as magic, etc. It’s a little mechanical and maybe overstuffed, but always interesting. Hugh Jackman is excellent. I expect viewers would either love or hate the ending, in which the inevitable is delayed while the story is re-told and all is explained. I kinda hate that, but I should have expected as much. I guess that’s Nolan’s own prestige moment? I get really annoyed when you watch a movie and then, near the end, the movie tells you about the story that happened that you didn’t know about. (Yeah, I know &lt;a href=&#34;http://tumblr.mlarson.org/post/22048457352/thin-ice-it-never-quite-hit-the-right-rhythm-on&#34;&gt;I complained about this recently&lt;/a&gt;.) Good twists are fine, but they always make me wonder how you could tell the same story in an engaging way while sharing more details with the audience up front. Isn’t it also fun when we know something the other characters don’t? I’ve now seen all of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/christophernolan&#34;&gt;Christopher Nolan&lt;/a&gt;’s feature-length movies. Here’s how they stack up for me right now:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/5545126705/memento-third-viewing-but-hadnt-seen-it-in-7-8&#34;&gt;Memento&lt;/a&gt; (with a commanding lead)&lt;/li&gt;
&lt;li&gt;Batman Begins (I’d like to re-watch this soon)&lt;/li&gt;
&lt;li&gt;The Prestige&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17210923479/following-christopher-nolans-first-feature-film&#34;&gt;Following&lt;/a&gt; (tied for third?)&lt;/li&gt;
&lt;li&gt;The Dark Knight&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17534469382/insomnia-starts-well-but-id-tighten-it-up-a&#34;&gt;Insomnia&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/847918100/inception-this-is-a-good-movie-worth-seeing&#34;&gt;Inception&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>UC Berkeley Classics Department: 2009 Commencement Address by Daniel Mendelsohn</title>
    <link href="https://mlarson.org/2012/06/29/uc-berkeley-classics-department-2009-commencement/"/>
    <updated>2012-06-29T02:45:42.000Z</updated>
    <id>https://mlarson.org/2012/06/29/uc-berkeley-classics-department-2009-commencement/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What can it mean to devote oneself to a discipline that likes to think that it is timeless, that it has cheated the centuries, the millennia?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.berkeley.edu/news/mendelsohnAddress.php&#34;&gt;UC Berkeley Classics Department: 2009 Commencement Address by Daniel Mendelsohn&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What Nora Ephron Taught Me About Love In The Movies : Monkey See : NPR</title>
    <link href="https://mlarson.org/2012/06/29/what-nora-ephron-taught-me-about-love-in-the/"/>
    <updated>2012-06-29T02:45:38.000Z</updated>
    <id>https://mlarson.org/2012/06/29/what-nora-ephron-taught-me-about-love-in-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Have you never said that “the rest was history,” which implies that a moment happened, and then history just followed, like you were letting out the kite string but the wind was doing the work?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love that image.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/monkeysee/2012/06/26/155810045/what-nora-ephron-taught-me-about-love-in-the-movies&#34;&gt;What Nora Ephron Taught Me About Love In The Movies : Monkey See : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>It Happens - David Fleming - ESPN.com</title>
    <link href="https://mlarson.org/2012/06/28/it-happens-david-fleming-espncom/"/>
    <updated>2012-06-28T18:25:45.000Z</updated>
    <id>https://mlarson.org/2012/06/28/it-happens-david-fleming-espncom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Do I stop? Or go?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://espn.go.com/espn/print?id=5651802&amp;amp;type=story&#34;&gt;It Happens - David Fleming - ESPN.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 25, 2012</title>
    <link href="https://mlarson.org/2012/06/25/life-is-to-some-extent-an-extended-dialogue-w/"/>
    <updated>2012-06-25T01:04:02.000Z</updated>
    <id>https://mlarson.org/2012/06/25/life-is-to-some-extent-an-extended-dialogue-w/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Life is, to some extent, an extended dialogue w/ your future self about how exactly you are going to let yourself down over the coming years&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.twitter.com/willevans/status/217011790675054592&#34;&gt;Will Evans&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Little Fugitive</title>
    <link href="https://mlarson.org/2012/06/25/little-fugitive-an-adventure-in-1950s-new-york/"/>
    <updated>2012-06-25T01:03:54.000Z</updated>
    <id>https://mlarson.org/2012/06/25/little-fugitive-an-adventure-in-1950s-new-york/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m63r89cwaq1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Little_Fugitive&#34;&gt;Little Fugitive&lt;/a&gt;. An adventure in 1950s New York City seen through a child’s eyes. It’s got some genuinely charming moments, though they’re more rooted in the nature of children than any wonders of plot or technique. The camera is low and so are the stakes, but it forces you to take the kid’s perspective. Nicely done for most of its 75 minutes. You can see the influence on the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/frenchnewwave&#34;&gt;French New Wave&lt;/a&gt; that followed overseas.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Love</title>
    <link href="https://mlarson.org/2012/06/24/love-some-parts-i-really-loved-some-parts-i/"/>
    <updated>2012-06-24T03:36:43.000Z</updated>
    <id>https://mlarson.org/2012/06/24/love-some-parts-i-really-loved-some-parts-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m63qp5pbtc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Love_%282011_film%29&#34;&gt;Love&lt;/a&gt;. Some parts I really loved, some parts I really did not. Such is the debut film experience. Excellent work on the sets and soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2012</title>
    <link href="https://mlarson.org/2012/06/24/markrichardson-calling-this-the-funkiest/"/>
    <updated>2012-06-24T03:36:38.000Z</updated>
    <id>https://mlarson.org/2012/06/24/markrichardson-calling-this-the-funkiest/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.markrichardson.org/post/25721284681/calling-this-the-funkiest-bassline-in-the-history&#34;&gt;markrichardson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Calling this the funkiest bassline in the history of recorded music. After it kicks into the main groove at 1:30, an entire universe with a six-billion-year history opens up between the beat and the delayed third note Michael Henderson plays each bar.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.markrichardson.org/&#34;&gt;http://www.markrichardson.org/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Does Wes Anderson hate dogs?: The New Yorker</title>
    <link href="https://mlarson.org/2012/06/22/does-wes-anderson-hate-dogs-the-new-yorker/"/>
    <updated>2012-06-22T19:45:44.000Z</updated>
    <id>https://mlarson.org/2012/06/22/does-wes-anderson-hate-dogs-the-new-yorker/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Maiming and death are just as central to Anderson’s vision of things as are all the precise costumes that his characters wear. Misfortune comes just as suddenly to dogs as it does to humans. By including the beloved dog in this condition of life, he reminds us that no one is safe. […] Another way to look at it is that these dogs are most often punished as collateral damage of the moral and practical ineptitude of adults.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/culture/2012/06/does-wes-anderson-hate-dogs.html&#34;&gt;Does Wes Anderson hate dogs?: The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Religion for Atheists (review)</title>
    <link href="https://mlarson.org/2012/06/21/20120621religion-for-atheists-review/"/>
    <updated>2012-06-21T20:55:04.000Z</updated>
    <id>https://mlarson.org/2012/06/21/20120621religion-for-atheists-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/7190944716/&#34; title=&#34;Religion for Atheists by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm6.staticflickr.com/5280/7190944716_ffbc1ac98b.jpg&#34; alt=&#34;Religion for Atheists&#34;&gt;&lt;/a&gt; Alain de Botton&#39;s &lt;a href=&#34;http://www.amazon.com/Religion-Atheists-Non-believers-Guide-Uses/dp/0307379108&#34;&gt;Religion for Atheists&lt;/a&gt; has a simple, reasonable, open-minded premise: whether or not you believe in God/Jesus/Heaven/afterlife/salvation/etc., religions can still be interesting, useful, and consoling. The idea here is to explore function rather than truth. Religious institutions are some of the most successful, influential, widespread, long-lived things that humans have ever done, so there&#39;s a lot to learn. There&#39;s the idea of community, for one. &amp;quot;Religions know a great deal about loneliness&amp;quot; de Botton writes. And if you&#39;ve been to mass with any frequency, you know how often things like poverty, sadness, failure, and loss come up---because the church &amp;quot;sees the ill, frail of mind, desperate, and elderly as aspects of humanity and ourselves that we&#39;re tempted to deny.&amp;quot; But acknowledging these things can bring us closer, or at least make us more humble. De Botton talks about this sort of groundedness again later. There&#39;s an earthly pessimism that comes with some religious belief. Hopes are ascribed to the &lt;em&gt;next&lt;/em&gt; life, not this one. For this one you just try to do right, be generous, and get by as best you can. This pessimism deflates our hopes a bit, but helps to balance those needy, absorptive, consuming, ever-optimistic desires that come in everyday life. Christianity is sober, where perhaps the secular world is too optimistic, or maybe too cowardly, to face life&#39;s hard facts. I like this line where de Botton summarizes all secular arguments:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Why can&#39;t you be more perfect?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Luckily, &amp;quot;sermons by their very nature assume that their audiences are in important ways lost.&amp;quot; We need teaching, and religion&#39;s insistence on that is pretty useful.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Christianity concerns itself with the inner confused side of us, declaring that none of us are born knowing how to live; we are fragile, capricious, unempathetic, and beset by fantasies of omnipotence.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The ever-seeking nature of secularism can also lead to lack of gratitude. Religions bring us back to the basics. A prayer of gratitude before you eat. Marking the passing of the hours with prayer or the seasons or harvests with celebrations. We need reminders of the transcendent, of our smallness. We need rituals and practices that put us in our place. Art could do this, perhaps---&amp;quot;We need art because we are so forgetful&amp;quot;. De Botton has a great section on the opportunities that modern museum culture misses out on.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We tend to enter galleries with grave, though by necessity discreet doubts about what we are meant to do in them. [...] It would take a brave soul to raise a hand.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Museums have a hard time explaining why they&#39;re valuable. Education, sure. They&#39;re not made for prayer or worship, really. We end up with buildings about history of art-ness. But what about something more ambitious? There&#39;s an opportunity to meet our own psychological, emotional needs. We see placards on the walls about style and era and medium and influence. But just like churches aren&#39;t made to teach us about the history of theology, necessarily, museums need not teach us about art history (exclusively). Why don&#39;t we see an exhibition about Death? Or Parenting? Loss? Courage? De Botton makes similar arguments about secular education, which is fairly impractical. Things like accounting and psychology are useful, yes, but where are the classes about tensions in marriage, or dying gracefully, or the struggles of friendship? (Of course, a philosopher would argue for these things, of course.) Topics aside, there&#39;s also the structure and etiquette of the modern class to consider. Lector, desks, students, whiteboard. Boring. Contrast with a vibrant church where the attendees are shouting &amp;quot;Amen&amp;quot; and &amp;quot;Preach on!&amp;quot; and &amp;quot;Thank you, Jesus.&amp;quot; You can&#39;t underestimate the value of rapture and assent and an active audience. Teaching is a kind of performance, too.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What purpose can possibly be served by the academy&#39;s primness? How much more expansive the scope of meaning in Montaigne&#39;s essays would seem if a 100-strong and transported chorus were to voice its approval after ever sentence.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There&#39;s also the idea that religious education isn&#39;t, well... it&#39;s not all that new. But the lack of novelty is a blessing in its own way. It makes room for reflection. The church hasn&#39;t had big discoveries or breakthroughs. But it does a fantastic job for structure, schedules, repetition, and reinforcement of its long-held ideas. A Catholic &lt;a href=&#34;http://en.wikipedia.org/wiki/Lectionary&#34;&gt;lectionary&lt;/a&gt;, for example, outlines everything you&#39;ll be reading over the course of three years, with readings matched to season and occasion in the church calendar. If you&#39;re devout and interested, there&#39;s a plan there for you to follow. Even if you&#39;re a casual but regular churchgoer, you&#39;re going to cover a lot of material, and it&#39;ll be appropriate to the season. But what&#39;s the best way and context for me to revisit &lt;a href=&#34;/mark-larson-1/2012/01/09/meditations-review&#34;&gt;Marcus Aurelius&#39; Meditations&lt;/a&gt;? Is there a good calendar for reflecting on &lt;em&gt;Leaves of Grass&lt;/em&gt;, if that&#39;s your thing? How can you carve out a space for secular reflection in your life? It&#39;s not just a scheduling thing. It&#39;s knowing what to do when the time comes. Church attendance is a kind of rehearsal for life outside its doors, and inside its doors you know exactly what&#39;s going to happen. Another favorite passage:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An absence of religious belief in no way invalidates a continuing need for &amp;quot;patron saints&amp;quot; of qualities like Courage, Friendship, Fidelity, Patience, Confidence, or Skepticism. We can still profit from moments when we give space to voices of the more balanced, brave, generous--and through whom we may reconnect with our most dignified and serious possibilities.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Again, whether or not Mary gave virgin birth, or whether or not Jesus was also God, or whether or not Saint So-and-so really bled from her hands and levitated? Make your own call. The truth is secondary to De Botton&#39;s argument. The &lt;em&gt;function&lt;/em&gt; of these beliefs is to get you to be a better person. This is one of the best &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157601575033868/detail/&#34;&gt;books I&#39;ve read&lt;/a&gt; in 2012 so far. Very highly recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Great Air Conditioners | The Wirecutter</title>
    <link href="https://mlarson.org/2012/06/21/great-air-conditioners-the-wirecutter/"/>
    <updated>2012-06-21T15:00:55.000Z</updated>
    <id>https://mlarson.org/2012/06/21/great-air-conditioners-the-wirecutter/</id>
    <content type="html">&lt;p&gt;I don’t need a window air conditioner, nor do I expect to, but I’ll be damned if this isn’t worth reading anyway. &lt;a href=&#34;http://tumblr.mlarson.org/post/23518276522/best-room-fan-the-wirecutter&#34;&gt;Cf&lt;/a&gt;. The Wirecutter is on to something good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thewirecutter.com/reviews/great-air-conditioners/&#34;&gt;Great Air Conditioners | The Wirecutter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Four Deadly Fallacies, Pathetic and Otherwise</title>
    <link href="https://mlarson.org/2012/06/21/the-four-deadly-fallacies-pathetic-and-otherwise/"/>
    <updated>2012-06-21T15:00:50.000Z</updated>
    <id>https://mlarson.org/2012/06/21/the-four-deadly-fallacies-pathetic-and-otherwise/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/1986/06/09/arts/the-critic-s-notebook-the-4-deadly-fallacies-pathetic-and-otherwise.html?pagewanted=all&#34;&gt;The Four Deadly Fallacies, Pathetic and Otherwise&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 20, 2012</title>
    <link href="https://mlarson.org/2012/06/20/age-and-experience-will-slowly-whittle-away-at/"/>
    <updated>2012-06-20T14:18:00.000Z</updated>
    <id>https://mlarson.org/2012/06/20/age-and-experience-will-slowly-whittle-away-at/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Age and experience will slowly whittle away at your dreams, so don’t do that to yourself. Let other people do that to you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.capitalnewyork.com/article/culture/2012/06/6007632/stage-pleasant-purple-state-feminism-amy-poehler&#34;&gt;Amy Poehler&lt;/a&gt;. Great line. Read &lt;a href=&#34;http://www.jacobsilverman.com/&#34;&gt;Jacob Silverman&lt;/a&gt;’s (&lt;a href=&#34;https://twitter.com/silvermanjacob&#34;&gt;@silvermanjacob&lt;/a&gt;) full report for more!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 17, 2012</title>
    <link href="https://mlarson.org/2012/06/17/wes-anderson-bingo-via/"/>
    <updated>2012-06-17T21:52:15.000Z</updated>
    <id>https://mlarson.org/2012/06/17/wes-anderson-bingo-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5s7dvrmcf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/blogs/browbeat/2012/05/24/wes_anderson_bingo_play_along_with_moonrise_kingdom_using_our_bingo_board_generator_.html&#34;&gt;Wes Anderson Bingo!&lt;/a&gt;. (&lt;a href=&#34;http://andrewsullivan.thedailybeast.com/2012/06/the-slippery-slope-to-self-parody.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Service Patch - NYTimes.com</title>
    <link href="https://mlarson.org/2012/06/17/the-service-patch-nytimescom/"/>
    <updated>2012-06-17T21:42:06.000Z</updated>
    <id>https://mlarson.org/2012/06/17/the-service-patch-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Many people today find it easy to use the vocabulary of entrepreneurialism, whether they are in business or social entrepreneurs. This is a utilitarian vocabulary. How can I serve the greatest number? How can I most productively apply my talents to the problems of the world? It’s about resource allocation.&lt;/p&gt;
&lt;p&gt;People are less good at using the vocabulary of moral evaluation, which is less about what sort of career path you choose than what sort of person you are.&lt;/p&gt;
&lt;p&gt;In whatever field you go into, you will face greed, frustration and failure. You may find your life challenged by depression, alcoholism, infidelity, your own stupidity and self-indulgence. So how should you structure your soul to prepare for this? Simply working at Amnesty International instead of McKinsey is not necessarily going to help you with these primal character tests.&lt;/p&gt;
&lt;p&gt;[…] It’s worth noting that you can devote your life to community service and be a total schmuck. You can spend your life on Wall Street and be a hero. Understanding heroism and schmuckdom requires fewer Excel spreadsheets, more Dostoyevsky and the Book of Job.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I missed this last month, so many thanks &lt;a href=&#34;http://twitter.com/#!/davidbhayes&#34;&gt;@davidbhayes&lt;/a&gt; for &lt;a href=&#34;http://www.linkbanana.com/2012/06/17/the-service-patch/&#34;&gt;the post&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/05/25/opinion/brooks-the-service-patch.html?_r=2&amp;amp;partner=rssnyt&amp;amp;emc=rss&#34;&gt;The Service Patch - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Godfather</title>
    <link href="https://mlarson.org/2012/06/17/the-godfather-not-much-i-can-add-to-the/"/>
    <updated>2012-06-17T21:32:52.000Z</updated>
    <id>https://mlarson.org/2012/06/17/the-godfather-not-much-i-can-add-to-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5s6h2zg161qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Godfather&#34;&gt;The Godfather&lt;/a&gt;. Not much I can add to the well-deserved praise this one has gotten over the past 40 years. Incredible storytelling. I paid a lot more attention to &lt;a href=&#34;http://en.wikipedia.org/wiki/Gordon_Willis&#34;&gt;Gordon Willis&lt;/a&gt;’ work here after learning more in &lt;a href=&#34;http://tumblr.mlarson.org/post/17298870309/visions-of-light-if-you-have-the-slightest-movie&#34;&gt;Visions of Light&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Which old sayings are true and which are false? - Barking up the wrong tree</title>
    <link href="https://mlarson.org/2012/06/17/which-old-sayings-are-true-and-which-are-false/"/>
    <updated>2012-06-17T21:19:16.000Z</updated>
    <id>https://mlarson.org/2012/06/17/which-old-sayings-are-true-and-which-are-false/</id>
    <content type="html">&lt;p&gt;Let’s go ahead and insert the “studies say” caveat, but there’s a lot of interesting stuff here. Selections:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;“All _____ people look alike”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;For all of us, whenever people are a different race &lt;a href=&#34;http://www.bakadesuyo.com/do-people-all-look-alike&#34;&gt;it’s harder to tell them apart&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“The light that burns twice as bright burns half as long”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/does-youthful-success-mean-you-wont-live-as-l&#34;&gt;Probably&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“You can tell a lot about a man by his handshake”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/what-does-your-grip-say-about-you&#34;&gt;Absolutely&lt;/a&gt;. “Results showed that HGS was correlated with SHRs, aggressive behavior, age at first sexual intercourse, and promiscuity in males but not in females. HGS appears to be an honest signal for genetic quality in males.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“Happy wife, happy life”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;When the husband is happier than the wife, couples are &lt;a href=&#34;http://www.bakadesuyo.com/should-a-man-be-happier-than-his-wife&#34;&gt;more likely to divorce&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“Gaydar”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/can-you-tell-if-a-woman-is-a-lesbian-just-by&#34;&gt;Yes&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“Attractive women make men stupid”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/do-attractive-women-really-make-men-stupider&#34;&gt;True.&lt;/a&gt; In fact, just &lt;a href=&#34;http://www.bakadesuyo.com/does-just-thinking-about-dealing-with-women-m&#34;&gt;thinking about attractive women&lt;/a&gt; makes men dumb.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“It’s the booze talking”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;No, actually, &lt;a href=&#34;http://www.bakadesuyo.com/its-not-the-booze-talking&#34;&gt;that’s &lt;em&gt;you&lt;/em&gt; talking&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“Spanking is bad for kids”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Kids who were spanked &lt;a href=&#34;http://www.bakadesuyo.com/never-spanking-might-be-worse-for-kids-than-s&#34;&gt;behave better as teenagers&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/which-old-sayings-are-true-and-which-are-fals&#34;&gt;Which old sayings are true and which are false? - Barking up the wrong tree&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Moonrise Kingdom</title>
    <link href="https://mlarson.org/2012/06/15/moonrise-kingdom-wes-anderson-is-simply-not-my/"/>
    <updated>2012-06-15T04:10:51.000Z</updated>
    <id>https://mlarson.org/2012/06/15/moonrise-kingdom-wes-anderson-is-simply-not-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5n01xnol51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Moonrise_Kingdom&#34;&gt;Moonrise Kingdom&lt;/a&gt;. Wes Anderson is simply not my director. When I wrote about Bottle Rocket, I had the thought:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wonder if I’d like his movies more if I’d seen them as serials?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I wonder about this because the structural repetition really wears on me over the course of a movie. Repetitive framing, symmetry, truck here, pan there, dolly now and then. It’s like a slideshow sometimes. I respect the precision and fastidiousness, but for most of it I just couldn’t sustain an emotion beyond “that’s kinda neat”. Because I have no heart, basically. Or I don’t function well with magical realism. Or because the script is on the bad side, and while there’s invention, there are no surprises. Everything tidy, labeled, anticipated. It’s not &lt;em&gt;terrible&lt;/em&gt;, though. Just frustrating. I did LOL on multiple occasions. And using &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Young_Person%27s_Guide_to_the_Orchestra&#34;&gt;The Young Person’s Guide to the Orchestra&lt;/a&gt; to open the movie, and then mirroring that work, was clever. Kids run away (main theme), then we follow reactions by the group of scouts, the scout leader, the cop, the parents, and social services (variations). My rankings for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/wesanderson&#34;&gt;Anderson’s films that I’ve seen&lt;/a&gt;:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/351012474/the-darjeeling-limited-this-is-the-first-wes&#34;&gt;The Darjeeling Limited&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/367922454/the-royal-tenenbaums-film-3-in-my-wes-anderson&#34;&gt;The Royal Tenenbaums&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Moonrise Kingdom&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/403265244/bottle-rocket-eh-id-like-to-see-the-short-film&#34;&gt;Bottle Rocket&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/363476160/rushmore-this-is-my-second-wes-anderson-film&#34;&gt;Rushmore&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>I analyzed the chords of 1300 popular songs for patterns. This is what I found. | Blog – Hooktheory</title>
    <link href="https://mlarson.org/2012/06/15/i-analyzed-the-chords-of-1300-popular-songs-for/"/>
    <updated>2012-06-15T04:10:46.000Z</updated>
    <id>https://mlarson.org/2012/06/15/i-analyzed-the-chords-of-1300-popular-songs-for/</id>
    <content type="html">&lt;p&gt;I’m interested to see what the &lt;a href=&#34;http://twitter.com/hooktheory&#34;&gt;@hooktheory&lt;/a&gt; folks come up with down the line.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.hooktheory.com/2012/06/06/i-analyzed-the-chords-of-1300-popular-songs-for-patterns-this-is-what-i-found/&#34;&gt;I analyzed the chords of 1300 popular songs for patterns. This is what I found. | Blog – Hooktheory&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 15, 2012</title>
    <link href="https://mlarson.org/2012/06/15/the-best-thing-that-hearing-music-can-do-for-you/"/>
    <updated>2012-06-15T04:10:00.000Z</updated>
    <id>https://mlarson.org/2012/06/15/the-best-thing-that-hearing-music-can-do-for-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The best thing that hearing music can do for you is make you want to make your own. I find it close to absurd that some people are musicians and singers and others are silent apostles who never let out a peep, maybe not even in the shower. Music seems like a basic human right, much like the right to prayer and the right to fall in love.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/Can-Music-Save-Your-Life-/132040/&#34;&gt;Can Music Save Your Life? - The Chronicle Review - The Chronicle of Higher Education&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Prometheus</title>
    <link href="https://mlarson.org/2012/06/13/prometheus-my-first-draft-for-this-post-was/"/>
    <updated>2012-06-13T21:41:45.000Z</updated>
    <id>https://mlarson.org/2012/06/13/prometheus-my-first-draft-for-this-post-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5jj0pnvkq1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Prometheus_%28film%29&#34;&gt;Prometheus&lt;/a&gt;. My first draft for this post was longer, but it was turning into a pile-on. &lt;em&gt;Prometheus&lt;/em&gt; is not all bad, but, still… it’s kind of a mess. No good when you find yourself laughing at a dark, mysterious, portentous movie. I was sold for the first 70-80 minutes, though. Mostly. A better script is a must, and serious editing would help. Too many cooks in this kitchen? I’m not sure what kind of movie it wanted to be. It’s also handicapped by a cookie-cutter score. Cue the French horn! Shame to see talent like Fassbender, Rapace, Theron, and Elba not put to full use. You’re definitely better off staying home and watching &lt;a href=&#34;http://tumblr.mlarson.org/post/10766879215/alien-this-one-has-not-aged-a-bit-fantasic&#34;&gt;Alien&lt;/a&gt; again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Zing!: What the New Science of the New Sciences Tells Us About Our Unquenchable Craving for the Illusion of Scientifically-Validated Insight | The Moral Sciences Club | Big Think</title>
    <link href="https://mlarson.org/2012/06/13/zing-what-the-new-science-of-the-new-sciences/"/>
    <updated>2012-06-13T21:41:25.000Z</updated>
    <id>https://mlarson.org/2012/06/13/zing-what-the-new-science-of-the-new-sciences/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Popularizations that hold up are most likely penned by actual experts who happen to write well.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bigthink.com/the-moral-sciences-club/zing-what-the-new-science-of-the-new-sciences-tells-us-about-our-unquenchable-lust-for-new-science&#34;&gt;Zing!: What the New Science of the New Sciences Tells Us About Our Unquenchable Craving for the Illusion of Scientifically-Validated Insight | The Moral Sciences Club | Big Think&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of the Past</title>
    <link href="https://mlarson.org/2012/06/13/out-of-the-past-said-it-before-ill-say-it/"/>
    <updated>2012-06-13T17:50:00.000Z</updated>
    <id>https://mlarson.org/2012/06/13/out-of-the-past-said-it-before-ill-say-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5ji48vb0w1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_the_Past&#34;&gt;Out of the Past&lt;/a&gt;. Said it before, I’ll say it again:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;OUT OF THE PAST. &lt;a href=&#34;https://twitter.com/search/%2523greatestmovieofalltime&#34;&gt;#greatestmovieofalltime&lt;/a&gt; — Mark Larson (@mlarson) &lt;a href=&#34;https://twitter.com/mlarson/status/212388084002721792&#34;&gt;June 12, 2012&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt; Part of what sets it apart is an &lt;a href=&#34;http://www.script-o-rama.com/movie_scripts/o/out-of-the-past-script.html&#34;&gt;incredible script&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ann: Every time I look at the sky, I think of all the places I’ve never been. Jeff: Yes, and every time you look up, they’re all the same. A: You’ve been a lot of places, haven’t you? J: One too many. A: Which did you like best? J: This one right here. A: I bet you say that to all the places.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I fear that my feelings about the rest of &lt;a href=&#34;http://en.wikipedia.org/wiki/Jacques_Tourneur&#34;&gt;Jacques Tourneur&lt;/a&gt;’s work mirror my feelings about about Larry McMurtry’s:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I realized I can’t read another Larry McMurtry novel because it won’t be Lonesome Dove. &lt;a href=&#34;https://twitter.com/search/%2523librarytweets&#34;&gt;#librarytweets&lt;/a&gt; — Mark Larson (@mlarson) &lt;a href=&#34;https://twitter.com/mlarson/status/206121435889025024&#34;&gt;May 25, 2012&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;//platform.twitter.com/widgets.js&#34;&gt;//platform.twitter.com/widgets.js&lt;/a&gt; To sum up, this is my reflex film. It’s what I turn to when there is no other hope. Though there are many very good reasons to love this film, my enthusiasm is now well beyond the bounds of rationality, and I won’t have it any other way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hereafter</title>
    <link href="https://mlarson.org/2012/06/13/hereafter-the-ending-is-way-too-cute-and/"/>
    <updated>2012-06-13T13:29:46.000Z</updated>
    <id>https://mlarson.org/2012/06/13/hereafter-the-ending-is-way-too-cute-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5jh4ldibs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Hereafter_%28film%29&#34;&gt;Hereafter&lt;/a&gt;. The ending is way too cute and coincidental, but the journey there is decent and it has a good premise treated seriously. The opening tsunami scenes are rightfully praised, but the cooking scenes were the real stand-outs for me. Excellent acting and directing there. The two boys are a little wooden, but I probably shouldn’t pick on kids. I recognized that Clint Eastwood did the score within about 4 seconds. Speaking of, it’s been a while since I last saw an Eastwood film. Updated rankings for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;stuff he’s directed&lt;/a&gt;:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1003768775/unforgiven-this-is-a-very-very-good-movie&#34;&gt;Unforgiven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/827964597/gran-torino-weaknesses-up-front-theres-some&#34;&gt;Gran Torino&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Million_Dollar_Baby&#34;&gt;Million Dollar Baby&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11732690139/mystic-river-great-movie-dang-i-was-immediately&#34;&gt;Mystic River&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/975408225/the-outlaw-josey-wales-i-wouldnt-call-this-a&#34;&gt;The Outlaw Josey Wales&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/10441529132/changeling-man-clint-eastwood-has-a-steady-hand&#34;&gt;Changeling&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Hereafter (or maybe one rank higher)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/16987378917/the-gauntlet-they-used-at-least&#34;&gt;The Gauntlet&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/12007093086/high-plains-drifter-this-is-one-of-those-movies&#34;&gt;High Plains Drifter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1109867081/bird-a-pretty-good-eastwood-directed-biopic-about&#34;&gt;Bird&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/972193682/midnight-in-the-garden-of-good-and-evil-couldnt&#34;&gt;Midnight in the Garden of Good and Evil&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>June 12, 2012</title>
    <link href="https://mlarson.org/2012/06/12/wes-andersons-arrested-development-interesting/"/>
    <updated>2012-06-12T16:35:15.000Z</updated>
    <id>https://mlarson.org/2012/06/12/wes-andersons-arrested-development-interesting/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5igopxt9l1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/essays/wes-andersons-arrested-development/&#34;&gt;Wes Anderson’s Arrested Development&lt;/a&gt;. Interesting criticism here. This led to an aha! moment for me:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Nothing more perfectly evokes the feeling of both a child’s literal interpretation of the world and youthful big ambition on a frustratingly small scale like a school play, and Anderson smartly adopts this style.&lt;/p&gt;
&lt;p&gt;[…] We don’t lose ourselves in the emotion of the production, and for the same reason we’re not meant to lose ourselves in the story of an Anderson film. Like in a children’s play, we are meant to be aware at all times of creative effort, for this is where its true value lies. Anderson’s ability to blend substance and form and communicate this feeling is his greatest skill. His films look like a stage plays: Sets look like sets, the frame becomes the proscenium arch (with a symmetry in the set that exaggerates and enhances the frame’s boundaries), and the action is kept in the center of the frame, usually directed out toward the audience in mainly medium or wide shots.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And I like this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Anything that helps to enlarge an understanding is important, as large thinking is contagious and will contaminate all other areas of your life, so that eventually nothing will be allowed to remain simple and small.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 12, 2012</title>
    <link href="https://mlarson.org/2012/06/12/bosavi-headlamp-by-dan-freschl-kickstarter/"/>
    <updated>2012-06-12T16:35:09.000Z</updated>
    <id>https://mlarson.org/2012/06/12/bosavi-headlamp-by-dan-freschl-kickstarter/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5igbqnpzc1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kickstarter.com/projects/1900436368/bosavi-headlamp&#34;&gt;Bosavi: Headlamp by Dan Freschl - Kickstarter&lt;/a&gt;. This is definitely an area of outdoor gear that’s due for an overhaul. (&lt;a href=&#34;http://www.theboilerwerks.com/2012/06/bosavi-something-cool-by-somebody-else/&#34;&gt;via&lt;/a&gt; another awesome outdoor Kickstarter project I loved, the &lt;a href=&#34;http://www.theboilerwerks.com/about/&#34;&gt;Boilerwerks Backcountry Boiler&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 11, 2012</title>
    <link href="https://mlarson.org/2012/06/11/one-cannot-be-too-careful-with-words-they-change/"/>
    <updated>2012-06-11T02:21:42.000Z</updated>
    <id>https://mlarson.org/2012/06/11/one-cannot-be-too-careful-with-words-they-change/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One cannot be too careful with words, they change their minds just as people do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Death-Interruptions-Jose-Saramago/dp/0151012741&#34;&gt;José Saramago&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Captain America: The First Avenger</title>
    <link href="https://mlarson.org/2012/06/11/captain-america-the-first-avenger-pleasantly/"/>
    <updated>2012-06-11T02:21:00.000Z</updated>
    <id>https://mlarson.org/2012/06/11/captain-america-the-first-avenger-pleasantly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5fbwd2m741qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Captain_America:_The_First_Avenger&#34;&gt;Captain America: The First Avenger&lt;/a&gt;. Pleasantly surprised by this one. You’ve got a solid underdog story, with an arc from bumbling to confident. The love interest wasn’t treated as typically as I expected. There was some blood spray and general grittiness that, coupled with the cutting-edge 1940s tech and throwback look, was really satisfying. I always loved that Captain America carried a gun. And they took some breaks for musical comedy! I understand and appreciate his role in the movie, but I wish they’d eased up on the &lt;em&gt;Stark&lt;/em&gt; references. It’s really annoying to mention &lt;em&gt;Stark&lt;/em&gt; because &lt;em&gt;Stark&lt;/em&gt; is probably connected to &lt;em&gt;Tony Stark&lt;/em&gt; who’s &lt;em&gt;Iron Man&lt;/em&gt; who’s in a related movie. &lt;em&gt;Stark&lt;/em&gt;. NUDGE. Hugo Weaving every now and then signalssss malevolenccccce with his sibilantssss. I will really miss Tommy Lee Jones if he ever retires.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Did He Feel Good?: James Brown&#39;s epic life and career by Ian Penman - City Journal</title>
    <link href="https://mlarson.org/2012/06/10/did-he-feel-good-james-browns-epic-life-and/"/>
    <updated>2012-06-10T14:48:29.000Z</updated>
    <id>https://mlarson.org/2012/06/10/did-he-feel-good-james-browns-epic-life-and/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.city-journal.org/2012/bc0608ip.html&#34;&gt;Did He Feel Good?: James Brown&#39;s epic life and career by Ian Penman - City Journal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Another Earth</title>
    <link href="https://mlarson.org/2012/06/10/another-earth-this-was-just-slightly-too/"/>
    <updated>2012-06-10T01:49:36.000Z</updated>
    <id>https://mlarson.org/2012/06/10/another-earth-this-was-just-slightly-too/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m5d725bcmh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Another_Earth&#34;&gt;Another Earth&lt;/a&gt;. This was just slightly too melodramatic for me, and thus I found it better as a source of ideas and food-for-thought than as general dramatic entertainment. Strong acting from the leads, though, and I appreciate that focus on only a pair of charactrers. I would have like less handheld camera. Good soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Abebe: Nicki Minaj, Hot 97, and the Fight Over ‘Real Hip-Hop’ -- Vulture</title>
    <link href="https://mlarson.org/2012/06/10/abebe-nicki-minaj-hot-97-and-the-fight-over/"/>
    <updated>2012-06-10T01:38:41.000Z</updated>
    <id>https://mlarson.org/2012/06/10/abebe-nicki-minaj-hot-97-and-the-fight-over/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We’ve all spent years talking about taste in the age of the mp3, and how listeners can shuffle happily from Hank Williams to Too $hort to Katy Perry. Minaj might force some people to accept that a musician might have more than one inclination as well — that she might, unsurprisingly, be interested in steely rapping and sugar-rush pop at the same time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2012/06/minaj-hot-97-and-the-fight-over-real-hip-hop.html&#34;&gt;Abebe: Nicki Minaj, Hot 97, and the Fight Over ‘Real Hip-Hop’ -- Vulture&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rise of the Planet of the Apes</title>
    <link href="https://mlarson.org/2012/06/08/rise-of-the-planet-of-the-apes-nothing/"/>
    <updated>2012-06-08T00:43:00.000Z</updated>
    <id>https://mlarson.org/2012/06/08/rise-of-the-planet-of-the-apes-nothing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m59oe3z9bd1qzcye0o1_r1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rise_of_the_Planet_of_the_Apes&#34;&gt;Rise of the Planet of the Apes&lt;/a&gt;. Nothing incredible, but it checks all the boxes. The pivotal moment is done really well. So is the final scene on the bridge.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2012</title>
    <link href="https://mlarson.org/2012/06/06/pornography-is-not-directly-obscene-it-excites/"/>
    <updated>2012-06-06T21:42:00.000Z</updated>
    <id>https://mlarson.org/2012/06/06/pornography-is-not-directly-obscene-it-excites/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Pornography is not directly obscene: it excites only as long as there is a struggle within the viewer between lust and the angel of culture.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Stanis%C5%82aw_Lem&#34;&gt;Stanisław Lem&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/Imaginary-Magnitude-Stanislaw-Lem/dp/0156441802&#34;&gt;Imaginary Magnitude&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Drive</title>
    <link href="https://mlarson.org/2012/06/06/drive-second-viewing-the-first-i-told-myself/"/>
    <updated>2012-06-06T21:38:00.000Z</updated>
    <id>https://mlarson.org/2012/06/06/drive-second-viewing-the-first-i-told-myself/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m57tat9lik1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Drive_%282011_film%29&#34;&gt;Drive&lt;/a&gt;. Second viewing. (&lt;a href=&#34;http://tumblr.mlarson.org/post/11102834408/drive-i-liked-it-about-as-much-as-i-liked-the&#34;&gt;The first&lt;/a&gt;.) I told myself I was just going to watch the opening scenes again, but I kept going. This time around I find myself enjoying the directing and mechanics even more and the plot/characters so much less. I can’t handle the beach scene. Still, those first 20-40 minutes? That’s some good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2012</title>
    <link href="https://mlarson.org/2012/06/06/things-without-all-remedy-should-be-without/"/>
    <updated>2012-06-06T17:16:58.000Z</updated>
    <id>https://mlarson.org/2012/06/06/things-without-all-remedy-should-be-without/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Things without all remedy&lt;br&gt;
Should be without regard: what’s done is done.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://shakespeare.mit.edu/macbeth/full.html&#34;&gt;Lady Macbeth&lt;/a&gt;, Buddhist/Stoic. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/5769575743/this-is-all-the-life-there-is-it-is-good-enough&#34;&gt;Palladas&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2012</title>
    <link href="https://mlarson.org/2012/06/06/domestication-of-pyramids-by-magdalena-jetelova/"/>
    <updated>2012-06-06T17:16:34.000Z</updated>
    <id>https://mlarson.org/2012/06/06/domestication-of-pyramids-by-magdalena-jetelova/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m57fdermdj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.jetelova.de/projects/pyramids/modul.html&#34;&gt;Domestication of Pyramids by Magdalena Jetelova&lt;/a&gt;. (&lt;a href=&#34;http://www.thefoxisblack.com/2012/06/05/domestication-of-pyramids-by-magdalena-jetelova/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2012</title>
    <link href="https://mlarson.org/2012/06/06/art-thou-afeard-to-be-the-same-in-thine-own-act/"/>
    <updated>2012-06-06T17:16:09.000Z</updated>
    <id>https://mlarson.org/2012/06/06/art-thou-afeard-to-be-the-same-in-thine-own-act/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Art thou afeard&lt;br&gt;
To be the same in thine own act and valour&lt;br&gt;
As thou art in desire? Wouldst thou have that&lt;br&gt;
Which thou esteem&#39;st the ornament of life,&lt;br&gt;
And live a coward in thine own esteem,&lt;br&gt;
Letting ‘I dare not’ wait upon &#39;I would’?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://shakespeare.mit.edu/macbeth/full.html&#34;&gt;Lady Macbeth&lt;/a&gt;, suggesting you be less of a wimp. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/5422634506/you-act-like-mortals-in-all-that-you-fear-and&#34;&gt;Seneca&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You act like mortals in all that you fear, and like immortals in all that you desire.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2012</title>
    <link href="https://mlarson.org/2012/06/06/chris-glass-vorontsov-livadia-palaces-that/"/>
    <updated>2012-06-06T17:09:00.000Z</updated>
    <id>https://mlarson.org/2012/06/06/chris-glass-vorontsov-livadia-palaces-that/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m55n5itmgx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://chrisglass.com/album/2012/05/17/vorontsov-livadia/&#34;&gt;Chris Glass » Vorontsov &amp;amp; Livadia Palaces&lt;/a&gt;. That floral relief is incredible.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2012</title>
    <link href="https://mlarson.org/2012/06/06/noughts-had-alls-spent-where-our-desire-is/"/>
    <updated>2012-06-06T17:08:37.000Z</updated>
    <id>https://mlarson.org/2012/06/06/noughts-had-alls-spent-where-our-desire-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Nought’s had, all’s spent,&lt;br&gt;
Where our desire is got without content&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://shakespeare.mit.edu/macbeth/full.html&#34;&gt;Lady Macbeth&lt;/a&gt; has a lot of good lines.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 4, 2012</title>
    <link href="https://mlarson.org/2012/06/04/a-willingness-to-hear-unwelcome-truths-is-the/"/>
    <updated>2012-06-04T23:27:37.000Z</updated>
    <id>https://mlarson.org/2012/06/04/a-willingness-to-hear-unwelcome-truths-is-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A willingness to hear unwelcome truths is the unhappy person’s best friend.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-fiances-jealousy-is-a-bad-omen-friend-seeks-love-life-advice/2012/05/31/gJQA3o8M5U_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Racist Culture is a Factory Defect - Anil Dash</title>
    <link href="https://mlarson.org/2012/06/04/racist-culture-is-a-factory-defect-anil-dash/"/>
    <updated>2012-06-04T23:27:10.000Z</updated>
    <id>https://mlarson.org/2012/06/04/racist-culture-is-a-factory-defect-anil-dash/</id>
    <content type="html">&lt;p&gt;Post-&lt;a href=&#34;http://dashes.com/anil/2012/05/fixing-popchips.html&#34;&gt;Popchips&lt;/a&gt; reflections. Anil Dash is awesome.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the great struggles in trying to challenge racist aspects of culture is that we’ve moved from overt, obvious, overbearing racist practices to things that are much more nuanced, and which are often the result of bad habits or ignorance from otherwise well-intentioned people.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://dashes.com/anil/2012/06/racist-culture-is-a-factory-defect.html&#34;&gt;Racist Culture is a Factory Defect - Anil Dash&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Roland Barthes Gave Us the TV Recap - NYTimes.com</title>
    <link href="https://mlarson.org/2012/06/04/how-roland-barthes-gave-us-the-tv-recap/"/>
    <updated>2012-06-04T23:21:54.000Z</updated>
    <id>https://mlarson.org/2012/06/04/how-roland-barthes-gave-us-the-tv-recap/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He was the Walt Whitman of critical theory.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/05/27/magazine/how-roland-barthes-gave-us-the-tv-recap.html&#34;&gt;How Roland Barthes Gave Us the TV Recap - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Times Herald - A room so quiet no one can stand it for more than 45 minutes</title>
    <link href="https://mlarson.org/2012/06/04/the-times-herald-a-room-so-quiet-no-one-can/"/>
    <updated>2012-06-04T23:19:02.000Z</updated>
    <id>https://mlarson.org/2012/06/04/the-times-herald-a-room-so-quiet-no-one-can/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Feelings have great predictive value, but opinions don’t.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.timesherald.com/article/20120515/NEWS04/120519723/a-room-so-quiet-no-one-can-stand-it-for-more-than-45-minutes&amp;amp;pager=full_story&#34;&gt;The Times Herald - A room so quiet no one can stand it for more than 45 minutes&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Logan&#39;s Run</title>
    <link href="https://mlarson.org/2012/06/04/logans-run-campy-disco-scifi-it-works-in-fits/"/>
    <updated>2012-06-04T16:23:48.000Z</updated>
    <id>https://mlarson.org/2012/06/04/logans-run-campy-disco-scifi-it-works-in-fits/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/06/tumblr_m53p8vwwkk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Logan%27s_Run_%28film%29&#34;&gt;Logan’s Run&lt;/a&gt;. Campy disco scifi. It works, in fits and starts.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 4, 2012</title>
    <link href="https://mlarson.org/2012/06/04/listen-to-your-friends-by-all-means-but-not-to/"/>
    <updated>2012-06-04T16:23:40.000Z</updated>
    <id>https://mlarson.org/2012/06/04/listen-to-your-friends-by-all-means-but-not-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Listen to your friends, by all means, but not to the conclusions they’ve drawn; those are about them. […] Listen instead to the reasons your friends felt and concluded what they did, and use them to inform your decisions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-listen-to-gut-instincts-about-parenthood/2012/06/03/gJQAeinsBV_story.html?wprss=rss_carolyn-hax&#34;&gt;Carolyn Hax&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;Austin&lt;/a&gt;: &lt;a href=&#34;http://www.austinkleon.com/2011/03/30/how-to-steal-like-an-artist-and-9-other-things-nobody-told-me/&#34;&gt;All advice is autobiographical&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Some that will never be read</title>
    <link href="https://mlarson.org/2012/06/01/some-that-will-never-be-read/"/>
    <updated>2012-06-01T14:51:18.000Z</updated>
    <id>https://mlarson.org/2012/06/01/some-that-will-never-be-read/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://maudnewton.tumblr.com/post/24144661848/some-that-will-never-be-read&#34;&gt;maudnewton&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_m4wl82xgm21qztcx9.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Limits&lt;/p&gt;
&lt;p&gt;There is a line of Verlaine I will never remember&lt;/p&gt;
&lt;p&gt;There is another street I can no longer walk down&lt;/p&gt;
&lt;p&gt;There is a face in the mirror I have seen for the very last time&lt;/p&gt;
&lt;p&gt;There is a door that is closed until the end of the world.&lt;/p&gt;
&lt;p&gt;Among the books of my library (I am seeing them now)&lt;/p&gt;
&lt;p&gt;There are some that will never be read.&lt;/p&gt;
&lt;p&gt;This summer I will be fifty:&lt;/p&gt;
&lt;p&gt;Death consumes me, constantly.&lt;/p&gt;
&lt;p&gt;—&lt;a href=&#34;http://www.rebeccawalker.com/blog/2009/11/17/birthday-by-borges&#34;&gt;Jorge Luis Borges, trans. Rebecca Walker&lt;/a&gt;; &lt;a href=&#34;http://www.terra.es/personal2/cap.nemo/limites.htm&#34;&gt;original&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Image of Borges, Hôtel des Beaux Arts, Paris, &lt;a href=&#34;http://tomclarkblog.blogspot.com/2011/03/jorge-luis-borges-buenos-aires-pure.html&#34;&gt;by Pepe Fernández, 1969&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/borges&#34;&gt;Borges&lt;/a&gt; auto-reblog rule in effect.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2012</title>
    <link href="https://mlarson.org/2012/06/01/if-you-sit-on-sleep-on-stare-at-or-touch/"/>
    <updated>2012-06-01T13:42:01.000Z</updated>
    <id>https://mlarson.org/2012/06/01/if-you-sit-on-sleep-on-stare-at-or-touch/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you sit on, sleep on, stare at, or touch something for more than an hour a day, spend whatever it takes to get the best.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/marcoarment/statuses/13642753090&#34;&gt;Marco Arment&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interview with Craig Mod… « instantbight</title>
    <link href="https://mlarson.org/2012/05/31/interview-with-craig-mod-instantbight/"/>
    <updated>2012-05-31T13:53:07.000Z</updated>
    <id>https://mlarson.org/2012/05/31/interview-with-craig-mod-instantbight/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Q. If you could be president for one day what would be your first order of business?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;A. […] Everyone gets free pizza making lessons (dough, sauce, etc). Crazy, right? No! It’s about teaching people to have an eye (and tongue) sensitive to quality. Pizza seems simple, but boy it’s tough at first. But then it’s pretty easy once you know what you’re doing. And you’re like: Wow! I make the best pizza in the ‘hood! And chances are, you’re right. You do. So, once you know great pizza, it’s *shocking* how little is out there. How much *bad* pizza is out there. It’s everywhere! Great pizza is actually a pretty low bar. And doesn’t have to cost that much. So it gets you thinking: “Why are these bad pizza places so bad? Why don’t they make great pizza? It’s not that hard!” And then: “Why don’t more people know what great pizza tastes like? Don’t they know how much pleasure they’re missing out on?” And then it spirals into more generalized notions of quality and sensitivity and experience. And then, *poof*, suddenly America is Japan. Or something like that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://instantbight.com/2012/05/30/interview-with-craig-mod/&#34;&gt;Interview with Craig Mod… « instantbight&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Iced-Coffee Economy: Why the Cold Stuff Costs More</title>
    <link href="https://mlarson.org/2012/05/30/the-iced-coffee-economy-why-the-cold-stuff-costs/"/>
    <updated>2012-05-30T20:03:29.000Z</updated>
    <id>https://mlarson.org/2012/05/30/the-iced-coffee-economy-why-the-cold-stuff-costs/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://newyork.grubstreet.com/2012/03/why-does-iced-coffee-cost-more-than-hot.html&#34;&gt;The Iced-Coffee Economy: Why the Cold Stuff Costs More&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Last Days of Disco: Abebe Remembers Donna Summer and Robin Gibb</title>
    <link href="https://mlarson.org/2012/05/30/the-last-days-of-disco-abebe-remembers-donna/"/>
    <updated>2012-05-30T19:59:52.000Z</updated>
    <id>https://mlarson.org/2012/05/30/the-last-days-of-disco-abebe-remembers-donna/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Disco’s success at capturing glamour and sex as an &lt;em&gt;aesthetic&lt;/em&gt; can be frightening — in approximately the same way it’s frightening to watch the world do similar things to weddings, turning them into sites of glittery yearning where one’s sense of self and love turns strangely prop-filled and expensive. This seems like one of the more-flattering reasons why rock fans treated disco with so much hostility: It’s a puritan’s gut instinct that there’s something dangerous about a sex-and-glamour bubble floating too exuberantly beyond the realm of reality, becoming too stylized and commercial. And of &lt;em&gt;course&lt;/em&gt; straight, white, male rock fans were the ones who’d feel that fear and loathing most strongly: They’d have been the listeners with the least to gain from actively reimagining love, sex, and glamour. Disco claimed the audience with the most critical stake in reframing those things — gay, black, female, and Latino listeners chief among them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/166880512/reading-through-the-histories-of-both-jazz-and&#34;&gt;Cf&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vulture.com/2012/05/abebe-remembers-donna-summer-and-robin-gibb.html&#34;&gt;The Last Days of Disco: Abebe Remembers Donna Summer and Robin Gibb&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dark City</title>
    <link href="https://mlarson.org/2012/05/28/dark-city-thoroughly-enjoyable-great-sets-and/"/>
    <updated>2012-05-28T16:33:50.000Z</updated>
    <id>https://mlarson.org/2012/05/28/dark-city-thoroughly-enjoyable-great-sets-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m4qrbt6myt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Dark_City_%281998_film%29&#34;&gt;Dark City&lt;/a&gt;. Thoroughly enjoyable. Great sets and costuming and general noiriness. Bonus points for sparing us hours of dialogue about how the movie works (see: The Matrix, &lt;a href=&#34;http://tumblr.mlarson.org/post/847918100/inception-this-is-a-good-movie-worth-seeing&#34;&gt;Inception&lt;/a&gt;, etc.).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 25, 2012</title>
    <link href="https://mlarson.org/2012/05/25/a-happy-childhood-is-poor-preparation-for-human/"/>
    <updated>2012-05-25T17:12:40.000Z</updated>
    <id>https://mlarson.org/2012/05/25/a-happy-childhood-is-poor-preparation-for-human/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A happy childhood is poor preparation for human contacts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/B003NYDCNC&#34;&gt;Sidonie-Gabrielle Colette&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 25, 2012</title>
    <link href="https://mlarson.org/2012/05/25/kochalka-up-on-the-dirt-pile/"/>
    <updated>2012-05-25T17:12:37.000Z</updated>
    <id>https://mlarson.org/2012/05/25/kochalka-up-on-the-dirt-pile/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m4l491f60a1rpr1z3o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kochalka.tumblr.com/post/23735763586/up-on-the-dirt-pile&#34;&gt;kochalka&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Up on the &lt;a href=&#34;http://www.americanelf.com/comics/americanelf.php?view=single&amp;amp;ID=43578&#34;&gt;Dirt Pile&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2012</title>
    <link href="https://mlarson.org/2012/05/22/whatever-it-is-you-have-never-done-before-in-your/"/>
    <updated>2012-05-22T20:53:21.000Z</updated>
    <id>https://mlarson.org/2012/05/22/whatever-it-is-you-have-never-done-before-in-your/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Whatever it is you have never done before in your life and have no interest in doing, that’s probably what you’ll need to learn in order to keep your business running. Accounting, sales, inventory management. These are all things I’ve had to take on. These are also things that I would rather not do for the rest of my life. And while I’ll never be a crack accountant or a star salesman, it’s better to be mediocre than incompetent.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mondaynightbrewing.com/2012/05/22/lessons-from-a-craft-beer-startup/&#34;&gt;Lessons from a craft beer startup&lt;/a&gt;. My buddy &lt;a href=&#34;http://twitter.com/#!/mondaynight&#34;&gt;Jonathan&lt;/a&gt; and his two co-founders Jeff and Joel make &lt;a href=&#34;http://mondaynightbrewing.com/brews/&#34;&gt;the best beer in Atlanta&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2012</title>
    <link href="https://mlarson.org/2012/05/22/the-question-arose-as-to-what-we-would-do/"/>
    <updated>2012-05-22T16:59:44.000Z</updated>
    <id>https://mlarson.org/2012/05/22/the-question-arose-as-to-what-we-would-do/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The question arose as to what we would do differently if we were immortal. […] I answered that I would travel more. Later the question was asked, what would you do differently if you found out you had only a short time to live. I answered again that I would travel more. Click, buzz, whirr…does not compute, does not compute. […] Given that I would travel more if I was to live either less or more, the probability that I was at just that level of mortality that I should not be traveling now must be vanishingly small.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2005/07/lunch_matters.html&#34;&gt;Alex Tabarrok&lt;/a&gt;. Swap out “travel” for whatever it is that you happen to value a lot. (Got reminded about this post via &lt;a href=&#34;http://casnocha.com/2012/05/mike-moritz-is-chasing-daylight-the-adjustments-hes-making-as-a-result.html&#34;&gt;Ben Casnocha&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2012</title>
    <link href="https://mlarson.org/2012/05/22/eating-on-buford-highway-via/"/>
    <updated>2012-05-22T16:59:39.000Z</updated>
    <id>https://mlarson.org/2012/05/22/eating-on-buford-highway-via/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://maps.google.com/maps/ms?msid=206013494224790608290.0004bf2aa0724231c31d0&amp;amp;msa=0&amp;amp;ie=UTF8&amp;amp;t=m&amp;amp;source=embed&amp;amp;ll=33.888087,-84.304276&amp;amp;spn=0.199501,0.291824&amp;amp;w=500&amp;amp;h=412&#34;&gt;View map&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://maps.google.com/maps/ms?msid=206013494224790608290.0004bf2aa0724231c31d0&amp;amp;msa=0&amp;amp;ie=UTF8&amp;amp;t=m&amp;amp;ll=33.888087,-84.304276&amp;amp;spn=0.199501,0.291824&amp;amp;z=11&amp;amp;source=embed&#34;&gt;Eating on Buford Highway&lt;/a&gt;. (&lt;a href=&#34;http://eatbufordhighway.com/african/the-map/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://maps.google.com/&#34;&gt;http://maps.google.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Casino Royale</title>
    <link href="https://mlarson.org/2012/05/22/casino-royale-i-admitted-on-twitter-that-id/"/>
    <updated>2012-05-22T16:59:34.000Z</updated>
    <id>https://mlarson.org/2012/05/22/casino-royale-i-admitted-on-twitter-that-id/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m4fhfp1wyp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Casino_Royale_%282006_film%29&#34;&gt;Casino Royale&lt;/a&gt;. I &lt;a href=&#34;http://twitter.com/#!/mlarson/status/204649983050399744&#34;&gt;admitted on Twitter&lt;/a&gt; that I’d never seen a post-Dalton Bond film and asked for recommendations. This was the clear favorite. I like this reboot. Craig is excellent. The movie is kinda Bourne-y, and therefore great as an action film. It’s kinda eehhhhh if you’re looking for clever spy things. (Chasing baddies by text messages they leave behind on cellphones? Surely it’s harder than that…) It has basically no sense of humor. It’s a bit too long. Appropriately glamorous photography. Soundtrack is nothing special, but I really appreciate withholding the main theme until the closing credits. The arc of storytelling is not the revelation and denial of a grand evil plot; it’s gloomy, reckless Bond becoming &lt;em&gt;Bond&lt;/em&gt;. Looking forward to &lt;em&gt;Quantum of Solace&lt;/em&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mean Girls</title>
    <link href="https://mlarson.org/2012/05/22/mean-girls-this-is-one-of-the-great-comedies-of/"/>
    <updated>2012-05-22T01:44:01.000Z</updated>
    <id>https://mlarson.org/2012/05/22/mean-girls-this-is-one-of-the-great-comedies-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m4efl0sj2b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mean_Girls&#34;&gt;Mean Girls&lt;/a&gt;. This is one of the great comedies of our era. So quotable, awesome characters, great pace. Talent is put to perfect use here. I really hope Lohan bounces back some day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Best Room Fan | The Wirecutter</title>
    <link href="https://mlarson.org/2012/05/22/best-room-fan-the-wirecutter/"/>
    <updated>2012-05-22T01:43:55.000Z</updated>
    <id>https://mlarson.org/2012/05/22/best-room-fan-the-wirecutter/</id>
    <content type="html">&lt;p&gt;Just in time. The Wirecutter is wonderful.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thewirecutter.com/reviews/best-room-fan-tornado-660/&#34;&gt;Best Room Fan | The Wirecutter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What is the most musical city in the United States?</title>
    <link href="https://mlarson.org/2012/05/21/what-is-the-most-musical-city-in-the-united/"/>
    <updated>2012-05-21T14:13:27.000Z</updated>
    <id>https://mlarson.org/2012/05/21/what-is-the-most-musical-city-in-the-united/</id>
    <content type="html">&lt;p&gt;Atlanta = number 5 in musical artists per capita, behind Beverly Hills, San Francisco, Nashville, and Boston. Eat it, cities not in the top 5! (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;See also &lt;a href=&#34;http://www.technologyreview.com/blog/arxiv/27761/?ref=rss&#34;&gt;evidence for Atlanta listeners being the among the most influential&lt;/a&gt;. We run this.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.technologyreview.com/blog/arxiv/27761/?ref=rss&#34;&gt;&lt;img src=&#34;http://www.technologyreview.com/blog/arxiv/files/84154/Music%20flow.png&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://musicmachinery.com/2012/05/20/what-is-the-most-musical-city-in-the-united-states/&#34;&gt;What is the most musical city in the United States?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mindless Eating (review)</title>
    <link href="https://mlarson.org/2012/05/20/20120520mindless-eating-review/"/>
    <updated>2012-05-20T22:55:43.000Z</updated>
    <id>https://mlarson.org/2012/05/20/20120520mindless-eating-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/7154547098/&#34; title=&#34;Mindless Eating by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7222/7154547098_38ef6bc74b.jpg&#34; alt=&#34;Mindless Eating&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Eating &lt;em&gt;right&lt;/em&gt; is a long-term goal, eating &lt;em&gt;better&lt;/em&gt; is something we can start today.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/0553804340&#34;&gt;Mindless Eating: Why We Eat More Than We Think&lt;/a&gt; is really great. It&#39;s not just prescriptive tactics (eat this, don&#39;t eat that). It takes a bigger perspective, drawing on psychology and environmental influences, and suggests some guidelines with those pressures in mind. Smart, moderate changes over long periods of time.&lt;/p&gt;
&lt;p&gt;There&#39;s a double meaning in the title there: there&#39;s &amp;quot;mindless eating&amp;quot; in the sense of the subconscious habits and tendencies we have around food (grazing, over-ordering, overeating, impulse purchases), and there&#39;s &amp;quot;mindless eating&amp;quot; in the sense of re-writing those scripts and re-structuring our eating environments so that our choices about food are easier, healthier and more automatic in a smarter way. And since we make ~200 food decisions a day, relying on willpower alone is a recipe (ha!) for disaster.&lt;/p&gt;
&lt;p&gt;Besides, deprivation diets don&#39;t work. Our body and brain and environment tend to conspire against us. There are all kinds of signals and cues, both internal and external, that persuade us to keep eating. That brings us to what author Brian Wansink calls the &amp;quot;mindless margin&amp;quot;. We can only lose roughly half a pound per week without triggering our bodies&#39; metabolic alarms. It&#39;s science. Lose weight more quickly, and your body panics a bit and starts compensating by being more stingy, storing more fats, etc. If 1 pound is ~3500 calories, we&#39;re talking about cutting 1700 calories/week or 200-300 calories a day. Doable. At that amount, you basically won&#39;t miss it. Slow and steady is the key.&lt;/p&gt;
&lt;p&gt;With a modest goal in mind, the books explores a lot of the psychology and research behind eating, and comes up with some simple tactics. Many of these are great even if you&#39;re not trying to lose weight, but just trying to maintain weight or get some better habits:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;We tend to eat by volume, not by calories&lt;/strong&gt;. So triple how much healthy stuff you put on your plate. Consider serving 20% less of the unhealthy stuff. You&#39;ll tend to eat all that you serve and see in front of you, so get a head-start on setting a smart satisfaction point. Don&#39;t cut the unhealthy entirely, immediately, because deprivation tends not to work and that&#39;s no way to live, anyway.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;See the food&lt;/strong&gt;. Plate everything beforehand, and leave the serving dishes in the kitchen. Don&#39;t clear away the refuse like chicken bones or corn cobs. You need a reminder of your progress through a meal.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Presentation counts&lt;/strong&gt;. We eat more from bigger packages → Buy food in smaller packages. And dear God, don&#39;t eat straight out of the box. We eat more from bigger dishes and silverware, and and drink more from shorter, wider glasses → Replace your dishes and silverware with smaller versions and get yourself some taller, narrower glasses.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;We eat our expectations&lt;/strong&gt;. We tend to think better-named products taste better. Those aren&#39;t noodles, it&#39;s Grandma&#39;s Artisan Pesto alla Genovese. Would you rather have wine from Burgundy or Tallahassee? We eat what we think we eat. Remember this if you&#39;re hosting a dinner, or if you&#39;re the primary cook in your household. It&#39;s salesmanship.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Beware variety&lt;/strong&gt;. There&#39;s a thing called &lt;a href=&#34;http://en.wikipedia.org/wiki/Sensory-specific_satiety&#34;&gt;sensory-specific satiety&lt;/a&gt;. You tend to get tired of one flavor or food item and stop eating. Introduce a new flavor(s), and it&#39;s like getting a fresh new appetite. More variety, more consumption. That&#39;s one reason why you overeat at buffets. Besides the fact that it&#39;s really awesome sometimes.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Beware variety, part II&lt;/strong&gt;. Since you&#39;re gonna get bored with any flavor, remember you&#39;ll get the most bang for your bite by ending dessert after a few forkfuls. Perhaps split one with the table.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Beware extra food&lt;/strong&gt;. &amp;quot;Leftovers signal that you made too much---and probably ate too much---of the original meal.&amp;quot;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Beware visible food&lt;/strong&gt;. We eat more of what we see (and think about) often. Apples and carrots go on the kitchen counter. Cookies go in the pantry. (&lt;strong&gt;Storytime&lt;/strong&gt;!: I woke up one recent morning to find a cake on the kitchen counter. I walked past it about a dozen times that day, proud of my will to resist. Then I found myself in the kitchen at 1130 that night, staring at the platter, and sighed, knowing exactly what was about to happen. The next morning I draped a napkin over the cake stand. Haven&#39;t touched it since.)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Beware eating scripts&lt;/strong&gt;. The way you always do things. Do you eat cereal until you finish your magazine? Do you eat Peanut M&amp;amp;Ms until the TV show is over? Do you order a cheese plate basically every time you walk into &lt;a href=&#34;http://www.brickstorepub.com/home/&#34;&gt;Brick Store Pub&lt;/a&gt; because that&#39;s what you do there? (Oh, me? Guilty on all counts...)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Beware distractions&lt;/strong&gt;. TV. Books. Friends. These things pair well with just about every dish, and you&#39;re pretty much guaranteed eat more and eat longer. Try pacing yourself with the slowest eater.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Welcome smart hassles&lt;/strong&gt;. Leave food in the kitchen so you have to get up for a second serving. You&#39;re much less likely to eat from the candy dish at the office if it&#39;s tucked away in your desk drawer, or better yet, in the office kitchen. Maybe keep only one or two beers in the fridge, instead of the whole six-pack.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Great stuff. A couple other parts I appreciated...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I loved the observation that fast food places are designed for high turnover: bright lights, hard surfaces that do nothing to diminish noise, and &lt;a href=&#34;https://www.google.com/search?q=fast%20food%20logos&amp;amp;tbm=isch&#34;&gt;high-contrast and high-arousal colors&lt;/a&gt;. I&#39;d never put it all together.&lt;/li&gt;
&lt;li&gt;One reason we tend to buy name brands, despite the added expense: &amp;quot;We like to remind ourselves that we&#39;re not hopelessly cheap.&amp;quot;&lt;/li&gt;
&lt;li&gt;When it comes to comfort foods, males tend to prefer meals like pizza, pasta, soup, etc. (Think: attention, being pampered, cared for). Females tend to prefer ice cream, cookies, etc. (Think: convenience, ease, time away from other people&#39;s demands).&lt;/li&gt;
&lt;li&gt;So simple, but kinda blew my mind: &amp;quot;Food companies don&#39;t care if you eat the food, as long as you repeatedly buy it.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>The First 20 Minutes (review)</title>
    <link href="https://mlarson.org/2012/05/20/20120520the-first-20-minutes-review/"/>
    <updated>2012-05-20T22:54:02.000Z</updated>
    <id>https://mlarson.org/2012/05/20/20120520the-first-20-minutes-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/7236430680/&#34; title=&#34;The First 20 Minutes by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm9.staticflickr.com/8009/7236430680_66737b46f9.jpg&#34; alt=&#34;The First 20 Minutes&#34;&gt;&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/The-First-20-Minutes-Surprising/dp/1594630933&#34;&gt;The First 20 Minutes&lt;/a&gt; is a decent summary of what we know about exercise, at least for those of us who aren&#39;t preparing for the Olympics and are just trying to avoid dying. It&#39;s worth flipping through for a hour or so.&lt;/p&gt;
&lt;p&gt;&amp;quot;Exercise more!&amp;quot; Yeah yeah yeah. What&#39;s best here is the attitude. It&#39;s not motivational or encouraging, really, but it&#39;s practical. The author calls out her own failings and averageness, which helps drive home one of the early points: if you&#39;re looking to not die a stupidly early death, you have to exercise, but maybe not as much or as hard as you think. This book pairs very nicely with &lt;a href=&#34;/mark-larson-1/2012/05/20/mindless-eating-review&#34;&gt;Mindless Eating&lt;/a&gt;. Moderate changes with a long-term attitude will do you a world of good.&lt;/p&gt;
&lt;p&gt;The vast majority of exercise&#39;s benefits come with any movement at all above zero. Think power law relationship or Pareto principle. If you get about 150 minutes of walking each week (or equivalent light activity), or about 75 minutes of jogging each week, you drastically reduce your risk of fairly avoidable things like diabetes and heart disease. When it comes to mortality, the benefit of a small activity change like that is right up there with laying off cigarettes. Anything beyond is icing on the cake.&lt;/p&gt;
&lt;p&gt;And with that in mind, if you&#39;re not a driven athlete and don&#39;t particularly care to be one, you don&#39;t need to train like one. Spare yourself the need for exercise paraphernalia that people would love to sell you. You don&#39;t need special shoes, special clothes, performance gels or nutritional supplements. Basically the stuff you&#39;ve got and a reasonable diet and you&#39;re good to go. And exercise is going to make your brain even more awesome, too. Better memory, better mood, etc.&lt;/p&gt;
&lt;p&gt;There&#39;s also some good myth-busting in this book:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Static stretching before a workout isn&#39;t worthwhile; a simple warm-up is.&lt;/li&gt;
&lt;li&gt;Massages and ice baths don&#39;t have much benefit for muscles after workouts, though the psychological perks probably still exist.&lt;/li&gt;
&lt;li&gt;Your basic grocery store chocolate milk is pretty ideal for workout recovery.&lt;/li&gt;
&lt;li&gt;Carbo-loading before a race isn&#39;t particularly useful if you&#39;ll be replenishing while you run, anyway (via sports drinks, gels, etc.).&lt;/li&gt;
&lt;li&gt;Eight glasses of water a day is kinda bullshit. Drink when you&#39;re thirsty. Don&#39;t drink when you&#39;re not.&lt;/li&gt;
&lt;li&gt;There&#39;s no &amp;quot;afterburn&amp;quot;/metabolic ramp-up over the day after moderate exercise--if that&#39;s what you want, you have to do intense workouts.&lt;/li&gt;
&lt;li&gt;Strength training can be just as beneficial as cardio, especially when it comes to the effects of aging. If you&#39;re not a runner/swimmer/whatever, hit the weight room. And you&#39;re not gonna Hulk out unless you really amp up the protein, too.&lt;/li&gt;
&lt;li&gt;Simple running shoes are best. Shoes that feature fancy structure for high arch or pronation/supination control do what they advertise, yes, but they don&#39;t seem to have any effect on injury rates.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;One last interesting idea here was that inactivity has its own physiology. Sitting and laying about cause their own (often negative) processes in the body, like normal gene activities shutting down or enzymes getting made in the wrong proportions. And that&#39;s gonna happen every time you spend a lot of time on your ass. I don&#39;t claim to understand the science, but the point is, exercise can&#39;t reverse all of it. You gotta stand up more. Walk around. Do some more ironing or cooking or carpentry. Pace while you&#39;re on the phone. Dance. Wiggle. Fidget.&lt;/p&gt;
&lt;p&gt;One small complaint: I wish this book had a better index.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hiking Laugavegur</title>
    <link href="https://mlarson.org/2012/05/20/20120520hiking-laugavegur/"/>
    <updated>2012-05-20T21:06:31.000Z</updated>
    <id>https://mlarson.org/2012/05/20/20120520hiking-laugavegur/</id>
    <content type="html">&lt;p&gt;Wow. Unearthed this 3.5-year-old draft from the dusty back hallways of my computer. Read on for one of the best hikes of my entire life...---&lt;/p&gt;
&lt;p&gt;In mid-September [of 2008], just slightly off-season, I spent a couple days hiking Laugavegurinn (translates something like &amp;quot;the warm pools way&amp;quot; or &amp;quot;the hot springs route&amp;quot;) in south-central Iceland. I started at Landmannalaugar and hiked south to Þórsmörk. Immensely helpful in planning my hike, which I sandwiched between some tourist days, were &lt;a href=&#34;http://www.andrewskurka.com/IS08/index.php&#34;&gt;Andrew Skurka&#39;s Iceland page&lt;/a&gt;, &lt;a href=&#34;http://www.phlumf.com/travels/iceland&#34;&gt;Jonathan Ley&#39;s Iceland photos and advice&lt;/a&gt;, and &lt;a href=&#34;http://www.fi.is/&#34;&gt;Ferðafélag Íslands&lt;/a&gt;, a group that maintains some of the very nice huts along the way.&lt;/p&gt;
&lt;p&gt;The weather wasn&#39;t very extreme, but it did change frequently, like every half-hour or so. Temperatures were mostly in the mid-40s to high 50s F (5-10C). Low-hanging clouds mostly--just a few hours of genuine, full sunshine. No terrible rainstorms, but the occasional rain changed to sun changed to mist change to light rain change to fog, etc. Heavy winds were common, as there was no tree cover until the last 30 minutes of my hike.&lt;/p&gt;
&lt;p&gt;I&#39;ve got the &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157607436891752/&#34;&gt;full set of photos on the Laugavegur&lt;/a&gt; available on Flickr, but here are some highlights:&lt;/p&gt;
&lt;p&gt;First morning out, looking back at the hut at Landmannalaugar: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2879976697/&#34; title=&#34;Landmannalaugar valley by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3193/2879976697_effa653a7e.jpg&#34; alt=&#34;Landmannalaugar valley&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;A short walk over a lava field and into the hills beyond: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2885492529/&#34; title=&#34;First morning of hiking by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3047/2885492529_5787631f11.jpg&#34; alt=&#34;First morning of hiking&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Unfortunately fog and high winds were the norm on the way to Hrafntinnusker, where the trail skirts a volcanic crater at about 3000 feet. This is where I had repeated moments of being lost and found, lost and found. And when I stopped to take a break with no shelter from the wind, my hands froze. Lesson learned: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2885521399/&#34; title=&#34;Limited visibility by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3273/2885521399_143bfb7821.jpg&#34; alt=&#34;Limited visibility&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I made it over the crest of the volcano and back down, then stopped and warmed up at Höskuldsskáli hut for an hour or so. The old season&#39;s snow had melted, and the new snow hadn&#39;t yet arrived. So the next stretch was up and down and up and down a series of small creek valleys. &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2892593639/&#34; title=&#34;Little waterfalls by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3101/2892593639_3482aacc32.jpg&#34; alt=&#34;Little waterfalls&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Here&#39;s a look back where I came from. The hut is a speck about 1/3 of the way in from the right edge of the image: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2892598357/&#34; title=&#34;Rhyolite hills by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3055/2892598357_60da296be8.jpg&#34; alt=&#34;Rhyolite hills&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Then uphill again, where thankfully the weather was fair enough to see those famous rhyolite hills: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2893441876/&#34; title=&#34;The money shot by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3179/2893441876_b885735dd4.jpg&#34; alt=&#34;The money shot&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Next was a steep drop down to Álftavatn, where I spent the night: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2892697049/&#34; title=&#34;End of the first day by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3136/2892697049_fc0e7ab45a.jpg&#34; alt=&#34;End of the first day&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The second morning featured several very cold river crossings. Bláfjallakvísl was easily the widest, deepest and coldest I&#39;ve ever crossed on foot. Just over knee-deep at the worst, and really swift. NOT fun. VERY stressful. I had to run for about 10 minutes afterward to warm my frozen legs again. &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2897264162/&#34; title=&#34;Bláfjallakvísl by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3255/2897264162_9bbac5181e.jpg&#34; alt=&#34;Bláfjallakvísl&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I was glad that the Nyrðri Emstruá had a bridge! &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2897343348/&#34; title=&#34;Nyrðri Emstruá by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3069/2897343348_f86ed7420d.jpg&#34; alt=&#34;Nyrðri Emstruá&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The most of the rest of the day was mostly flat, going through some very cool volcanic wastelands. Only a few little plants could eke out a living there: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2897359200/&#34; title=&#34;A little life by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3070/2897359200_13da342f6a.jpg&#34; alt=&#34;A little life&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I finished the second day in the early afternoon at Emstrur/Botnar hut, so I spent a few hours trail running and exploring the surroundings, like the Markarfljótsgljúfur. The Markar river canyon is about 500 feet/180m at the deepest point. &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2896685099/&#34; title=&#34;Farewell to Markarfljótsgljúfur by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3201/2896685099_15a434be60.jpg&#34; alt=&#34;Farewell to Markarfljótsgljúfur&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The third day was the warmest and best weather, the only day I got to wear shorts. The trail snaked down to cross the river at the bottom of the Syðri-Emstruá canyon (Entujökull glacier in the background), then bent back to head towards the right side of this photo: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2903141115/&#34; title=&#34;Syðri-Emstruá canyon by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3174/2903141115_08b0623e7c.jpg&#34; alt=&#34;Syðri-Emstruá canyon&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;A walk in the lovely Sandar, a glacial wash, and then up the basalt cliffs in the distance: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2903176277/&#34; title=&#34;Short walk in Sandar by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3094/2903176277_aa09a6a713_b.jpg&#34; alt=&#34;Short walk in Sandar&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Up and over the basalt cliffs, it goes on to the Almenningar plateau: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2905680553/&#34; title=&#34;Doing what I do by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3229/2905680553_75782a91ba.jpg&#34; alt=&#34;Doing what I do&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;One last break to reflect on the trip before the last major river crossing... &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2906541072/&#34; title=&#34;Thinking it over by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3102/2906541072_0fb9b99688.jpg&#34; alt=&#34;Thinking it over&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;...and then into the more lush environs of Þórsmörk Reserve: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2905722751/&#34; title=&#34;Lush by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3073/2905722751_c2ffc9516a.jpg&#34; alt=&#34;Lush&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And lastly, I took a quick jaunt up Valahnúkur while waiting for the bus back to Reykjavik. &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2926096206/&#34; title=&#34;On Valahnúkur by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3025/2926096206_5f4b957bfe.jpg&#34; alt=&#34;On Valahnúkur&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I highly recommend this trail if you happen to be nearby. I&#39;d gladly do it again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 20, 2012</title>
    <link href="https://mlarson.org/2012/05/20/what-we-call-a-home-is-merely-any-place-that/"/>
    <updated>2012-05-20T20:44:05.000Z</updated>
    <id>https://mlarson.org/2012/05/20/what-we-call-a-home-is-merely-any-place-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What we call a home is merely any place that succeeds in making more consistently available to us the important truths which the wider world ignores, or which our distracted and irresolute selves have trouble holding on to. As we write, so we build: to keep a record of what matters to us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From &lt;em&gt;The Architecture of Happiness&lt;/em&gt; by Alain de Botton. (via &lt;a href=&#34;http://carpentrix.tumblr.com/&#34;&gt;carpentrix&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why do you always sit in the same place in meetings? - Barking up the wrong tree</title>
    <link href="https://mlarson.org/2012/05/20/why-do-you-always-sit-in-the-same-place-in/"/>
    <updated>2012-05-20T20:43:09.000Z</updated>
    <id>https://mlarson.org/2012/05/20/why-do-you-always-sit-in-the-same-place-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;People exhibit territorial behavior when they take seats in public places, limiting themselves to small areas so they don’t have to “renegotiate” seating arrangements with other people&lt;/strong&gt;, researchers say. In one study by Marco Costa of the University of Bologna in Italy, university &lt;strong&gt;students showed strong attachments to specific areas of a lecture hall; on average, each student made use of just 2.4% to 2.7% of the seating area.&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Confession: at college back in the day and at work currently, I’m that jerk that, every so often, likes to take the seat where other people always sit. Always stirrin’ shit up.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/why-do-you-always-sit-in-the-same-place-in-me&#34;&gt;Why do you always sit in the same place in meetings? - Barking up the wrong tree&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Enjoy Going to the Movies Again - NYTimes.com</title>
    <link href="https://mlarson.org/2012/05/20/how-to-enjoy-going-to-the-movies-again/"/>
    <updated>2012-05-20T20:12:30.000Z</updated>
    <id>https://mlarson.org/2012/05/20/how-to-enjoy-going-to-the-movies-again/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A hushed theater reminds me why I love movies. But a midnight show reminds me why I love going to the movies.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/05/20/magazine/how-to-enjoy-going-to-the-movies-again.html&#34;&gt;How to Enjoy Going to the Movies Again - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 15, 2012</title>
    <link href="https://mlarson.org/2012/05/15/everybodys-al-capone-in-a-barbers-chair/"/>
    <updated>2012-05-15T14:36:47.000Z</updated>
    <id>https://mlarson.org/2012/05/15/everybodys-al-capone-in-a-barbers-chair/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Everybody’s Al Capone in a barber’s chair.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/atlanta/the-rap-on-killer-mikes-socially-conscious-swag/Content?oid=5384823&#34;&gt;Killer Mike&lt;/a&gt;. Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Atlanta [is] the post-civil rights city that worked. I think that’s the real legacy. All this foolishness we be doin’ as rappers is just something for the old guys to laugh at,“ he says with a conciliatory chuckle. &amp;quot;They did this on Simpson [Road] 50 years ago.”&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Shawshank Redemption</title>
    <link href="https://mlarson.org/2012/05/15/the-shawshank-redemption-second-time-around/"/>
    <updated>2012-05-15T02:50:00.000Z</updated>
    <id>https://mlarson.org/2012/05/15/the-shawshank-redemption-second-time-around/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m41mfymj6m1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Shawshank_Redemption&#34;&gt;The Shawshank Redemption&lt;/a&gt;. Second time around. Still don’t like it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Manhunter</title>
    <link href="https://mlarson.org/2012/05/15/manhunter-awesome-slow-burning-miami-synth-moods/"/>
    <updated>2012-05-15T02:42:00.000Z</updated>
    <id>https://mlarson.org/2012/05/15/manhunter-awesome-slow-burning-miami-synth-moods/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m40rw8fada1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Manhunter_%28film%29&#34;&gt;Manhunter&lt;/a&gt;. Awesome. Slow-burning Miami-synth-moods thriller. I love the pre-cellphone detective work, cops running evidence from office to office. The sitting and pondering. The prison scene in Atlanta is actually in the &lt;a href=&#34;http://www.high.org&#34;&gt;High Museum&lt;/a&gt;! I now have to see everything Michael Mann has done.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 14, 2012</title>
    <link href="https://mlarson.org/2012/05/14/many-people-think-that-in-the-1960s-i-quit-my-job/"/>
    <updated>2012-05-14T02:52:07.000Z</updated>
    <id>https://mlarson.org/2012/05/14/many-people-think-that-in-the-1960s-i-quit-my-job/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Many people think that in the 1960s I quit my job in an advertising company to write my first novel. Not at all: I just quit so I could go to the movies every afternoon.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://moviecitynews.com/2012/05/don-delillo-talks-cosmopolis-spoilers/&#34;&gt;Don DeLillo&lt;/a&gt;. (&lt;a href=&#34;https://mobile.twitter.com/mathitak/status/201836363371397120&#34;&gt;via&lt;/a&gt;) Echoing the &lt;a href=&#34;http://www.theparisreview.org/interviews/1887/the-art-of-fiction-no-135-don-delillo&#34;&gt;Paris Review interview&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wish I had started earlier, but evidently I wasn’t ready. First, I lacked ambition. I may have had novels in my head but very little on paper and no personal goals, no burning desire to achieve some end. Second, I didn’t have a sense of what it takes to be a serious writer. It took me a long time to develop this. Even when I was well into my first novel I didn’t have a system for working, a dependable routine. I worked haphazardly, sometimes late at night, sometimes in the afternoon. I spent too much time doing other things or nothing at all.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 11, 2012</title>
    <link href="https://mlarson.org/2012/05/11/flutteringly/"/>
    <updated>2012-05-11T15:46:00.000Z</updated>
    <id>https://mlarson.org/2012/05/11/flutteringly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m3ob90kygw1rpr1z3o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kochalka.tumblr.com/post/22610836210/flutteringly&#34;&gt;kochalka&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.americanelf.com/comics/americanelf.php?view=single&amp;amp;ID=43560&#34;&gt;Flutteringly.&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 11, 2012</title>
    <link href="https://mlarson.org/2012/05/11/kidcrochet-httpthesarahgracecom-a-new/"/>
    <updated>2012-05-11T15:45:02.000Z</updated>
    <id>https://mlarson.org/2012/05/11/kidcrochet-httpthesarahgracecom-a-new/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m3tjrswk2h1qzrykvo1_250.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kidcrochet.tumblr.com/post/22787719164/http-thesarahgrace-com-a-new-home-for&#34;&gt;kidcrochet&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thesarahgrace.com/&#34;&gt;http://thesarahgrace.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;a new home for everything crocheted, doodled, felted, crafted, cooked, knotted, photographed, and made by my hands. enjoy!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Because why have one tumblr when you can have like 97?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 10, 2012</title>
    <link href="https://mlarson.org/2012/05/10/three-point-landing-i-love-cliches/"/>
    <updated>2012-05-10T19:48:32.000Z</updated>
    <id>https://mlarson.org/2012/05/10/three-point-landing-i-love-cliches/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/mgOtPXDyKjA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=mgOtPXDyKjA&#34;&gt;Three Point Landing&lt;/a&gt;. I love &lt;a href=&#34;http://tumblr.mlarson.org/tagged/cliches&#34;&gt;clichés&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 9, 2012</title>
    <link href="https://mlarson.org/2012/05/09/john-lewis-og-via/"/>
    <updated>2012-05-09T17:11:46.000Z</updated>
    <id>https://mlarson.org/2012/05/09/john-lewis-og-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m3rmfnikif1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://store.johnlewisforcongress.com/product/john-lewis-autographed-mugshot-poster&#34;&gt;John Lewis&lt;/a&gt;, OG. (&lt;a href=&#34;http://clatl.com/freshloaf/archives/2012/05/09/congressman-john-lewis-new-campaign-gear-is-mugshotty-awesome&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 9, 2012</title>
    <link href="https://mlarson.org/2012/05/09/making-a-choice-and-trying-it-is-an-important/"/>
    <updated>2012-05-09T16:07:32.000Z</updated>
    <id>https://mlarson.org/2012/05/09/making-a-choice-and-trying-it-is-an-important/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Making a choice and trying it is an important career skill. And choosing something practical, that people get paid well for, is an important life skill.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2012/05/08/how-to-choose-a-career-if-your-interests-are-wide/&#34;&gt;Penelope Trunk&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Private Empire (review)</title>
    <link href="https://mlarson.org/2012/05/08/20120508private-empire-review/"/>
    <updated>2012-05-08T00:30:39.000Z</updated>
    <id>https://mlarson.org/2012/05/08/20120508private-empire-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/7154541132/&#34; title=&#34;Private Empire by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm6.staticflickr.com/5239/7154541132_c8614cb43e_z.jpg&#34; alt=&#34;Private Empire&#34;&gt;&lt;/a&gt; Long-time readers will recall that &lt;a href=&#34;/mark-larson-1/2008/12/02/the-bin-ladens-review&#34;&gt;I loved The Bin Ladens&lt;/a&gt;, a previous book by &lt;a href=&#34;http://en.wikipedia.org/wiki/Steve_Coll&#34;&gt;Steve Coll&lt;/a&gt;. So, I was really glad to get a copy of &lt;a href=&#34;http://www.amazon.com/Private-Empire-ExxonMobil-American-Power/dp/1594203350&#34;&gt;Private Empire&lt;/a&gt; in the mail a few weeks ago1.&lt;/p&gt;
&lt;p&gt;This one doesn&#39;t have the same narrative drive as &lt;em&gt;The Bin Ladens&lt;/em&gt; (it&#39;s not as biography-based, for one), but it&#39;s dang good. It covers the modern history of ExxonMobil from the 1970s, 80s, and beyond, just touching on the old Standard Oil days briefly here and there. The bookends are disasters: &lt;a href=&#34;http://en.wikipedia.org/wiki/Exxon_Valdez_oil_spill&#34;&gt;Exxon Valdez&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Deepwater_Horizon_oil_spill&#34;&gt;Deepwater Horizon&lt;/a&gt;. It&#39;s an ominous way to open and close the book, but those parts---like the middle sections on ExxonMobil&#39;s involvement in Indonesia, Nigeria, Equatorial Guinea, Saudi Arabia, Qatar, Russia and elsewhere---are really fair and thoughtful. I&#39;d wager that public opinion weighs pretty heavily against ExxonMobil, so a lot of this is good corrective or at least perspective. Think of it as a healthy re-complication of the simpler stories you might hear or assume, whatever your stance.&lt;/p&gt;
&lt;p&gt;My favorite parts of this book weren&#39;t the environmental concerns or the human rights horrors or the tangled geopolitical wrangling so well documented here, but the perspective on the business side. It woke me up to the sheer nerve (impudence?), courage (recklessness?), and (evil?) genius it takes to run a business like this. It&#39;s incredible. Things I hadn&#39;t thought much about before:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The planning has to take into account huge time scales. If you&#39;re building new wells, new pipelines, new plants, and new shipping routes... for billions of gallons of reserves... in a war-torn country... you&#39;ve got your hands full. And on top of that, assessing environmental risk, political stability, and managing investments over 30, 40, 50 years and behond in those environments, &lt;em&gt;and&lt;/em&gt; managing to turn a profit? I can&#39;t help but admire it.&lt;/li&gt;
&lt;li&gt;ExxonMobil much prefers to own the whole process, upstream to downstream, from ground to well to refinery to processing to gas stations and other end products. Reminds me of Apple. Owning the whole value chain makes it easier call your own shots.&lt;/li&gt;
&lt;li&gt;ExxonMobil isn&#39;t a place for cowboys. Of all the big players in the industry, it has the reputation for being the most anal, rigid, calculating, precise, conservative, family-oriented, engineering-minded culture. And the most cocky. But it&#39;s earned.&lt;/li&gt;
&lt;li&gt;I kind of cynically assume a little bit of chicanery for any really big company, but I was surprised by how much ExxonMobil seemed to prefer to stay away from the government. A request here and there, but the firm seemed staunch in its stance: it&#39;s not the Red Cross, and it operates worldwide. Global responsibility to employees and shareholders means that ExxonMobil&#39;s interests may or may not always align those of the U.S. government. Best to keep your distance and keep the favors to a minimum.&lt;/li&gt;
&lt;li&gt;With these volumes of money that ExxonMobil makes, tax becomes a huge concern in negotiations and business operations worldwide (not just the IRS). Even small variations can swing earnings.&lt;/li&gt;
&lt;li&gt;There&#39;s a great section on the we-started-the-Iraq-War-for-oil fallacy and our dysfunctional understanding of &amp;quot;energy security&amp;quot; in general, a corrective I wish we&#39;d heard more 10 years ago. But, alas, it&#39;s so hard to keep a holistic perspective in stressful times.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;If anything, Coll errs on the side of detail. There were times I wondered why I was reading about so-and-so&#39;s time in college or career trajectory, when I knew I wasn&#39;t going to remember it and they wouldn&#39;t be mentioned after the next 7 pages. But it&#39;s that careful, steady, inclusive approach, carried out over hundreds of pages, that makes it easier to trust Coll&#39;s sense for the nuances in really sensitive topics. Think &amp;quot;oil industry&amp;quot; or &amp;quot;global corporation&amp;quot; and try not to have a strong gut reaction. I&#39;d thank this book for tempering my knee-jerk response on a lot of topics. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/lifeismessy&#34;&gt;Life is messy&lt;/a&gt;. I&#39;m really glad I read this one.&lt;/p&gt;
&lt;p&gt;--- 1. Disclosure: I got it for free on the condition that I write about it. I would have gotten it for free from the library anyway because I like Coll&#39;s writing. But just so you know.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 7, 2012</title>
    <link href="https://mlarson.org/2012/05/07/moving-on-doesnt-mean-youll-never-feel-bad-about/"/>
    <updated>2012-05-07T23:47:19.000Z</updated>
    <id>https://mlarson.org/2012/05/07/moving-on-doesnt-mean-youll-never-feel-bad-about/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Moving on doesn’t mean you’ll never feel bad about something again.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-dont-pick-a-fight-pick-marriage-counseling/2012/05/06/gIQAXaCN6T_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. Sometimes it’s the almost-obvious wisdom that really works. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/lettinggo&#34;&gt;letting go&lt;/a&gt;; &lt;a href=&#34;http://tumblr.mlarson.org/tagged/carolynhax&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Complete text of an invitation to a friend&#39;s party last Friday night</title>
    <link href="https://mlarson.org/2012/05/07/complete-text-of-an-invitation-to-a-friends-party/"/>
    <updated>2012-05-07T23:43:53.000Z</updated>
    <id>https://mlarson.org/2012/05/07/complete-text-of-an-invitation-to-a-friends-party/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;HEY WHO WANTS BURGERS&lt;br&gt;
AND BEER.&lt;br&gt;
PARTY FOR PEOPLE GRADUATING AND WHO ARE THIRTY&lt;br&gt;
AND FOR EVERYONE&lt;br&gt;
FOR SUMMER&lt;br&gt;
OUTSTANDING FOOD&lt;br&gt;
AND DRINKS&lt;br&gt;
MUSIC&lt;br&gt;
FERRIS WHEEL, BOUNCY CASTLE&lt;br&gt;
SKEET SHOOTING&lt;br&gt;
PINATA&lt;br&gt;
LADIES AND GENTLEMEN MR. RICK SANTORUM&lt;br&gt;
TV&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I couldn’t not share it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Look what I made: a MacBook Air sleeve</title>
    <link href="https://mlarson.org/2012/05/07/20120507look-what-i-made-a-macbook-air-sleeve/"/>
    <updated>2012-05-07T23:37:21.000Z</updated>
    <id>https://mlarson.org/2012/05/07/20120507look-what-i-made-a-macbook-air-sleeve/</id>
    <content type="html">&lt;p&gt;Meant to post this a couple months ago. I was commissioned by a friend. After a couple experiments with scotch tape and newspaper, I laid out the hide and got to work: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/6906839149/&#34; title=&#34;New project by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7069/6906839149_e25d67d1f8_z.jpg&#34; alt=&#34;New project&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Then I spent roughly 900 hours punching holes and sewing:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6932149283/&#34; title=&#34;MacBook Air envelope, before by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7210/6932149283_221c29931c.jpg&#34; alt=&#34;MacBook Air envelope, before&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Not too shabby.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6932150243/&#34; title=&#34;MacBook Air envelope, before by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7051/6932150243_3e89dc4f60.jpg&#34; alt=&#34;MacBook Air envelope, before&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;My hindsight hunch is that I should have reinforced this better. Time will tell:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6786035136/&#34; title=&#34;MacBook Air envelope, before by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7181/6786035136_307c517f68.jpg&#34; alt=&#34;MacBook Air envelope, before&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Dyed and ready for action:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6786043194/&#34; title=&#34;MacBook Air envelope, after by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7057/6786043194_f2aec81de0_z.jpg&#34; alt=&#34;MacBook Air envelope, after&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Fits the 13-inch model like a dream. Other things I&#39;ve made: a &lt;a href=&#34;/mark-larson-1/2011/09/22/look-what-i-made-a-wallet&#34;&gt;super-simple wallet&lt;/a&gt;, a &lt;a href=&#34;/mark-larson-1/2011/10/13/look-what-i-made-a-tray&#34;&gt;leather tray&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Melancholia</title>
    <link href="https://mlarson.org/2012/05/07/melancholia-i-really-wish-id-seen-this-on-the/"/>
    <updated>2012-05-07T17:40:25.000Z</updated>
    <id>https://mlarson.org/2012/05/07/melancholia-i-really-wish-id-seen-this-on-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m3nycp9u7j1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Melancholia_%282011_film%29&#34;&gt;Melancholia&lt;/a&gt;. I really wish I’d seen this on the big screen. Depression, death and the end of life on Earth! Some parallel construction here with &lt;a href=&#34;http://tumblr.mlarson.org/post/18019605642/antichrist-this-and-the-tree-of-life-in-one&#34;&gt;Antichrist&lt;/a&gt;: the &lt;a href=&#34;http://www.nytimes.com/2012/01/01/movies/awardsseason/manohla-dargis-looks-at-the-overture-to-melancholia.html&#34;&gt;super-slow-motion theatrical overture&lt;/a&gt; and introduction of themes, and then a brief journey to an isolated setting where the rest of the film takes place. It’s like Trier is controlling the variables of society, technology, etc. so he can run this storytelling experiment on three subjects. Speaking of, great cast. Kirsten Dunst, Charlotte Gainsbourg, and Kiefer Sutherland are all excellent. Side characters are good for color and occasional comic relief (see: plate-breaking scene). The recurring use of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Tristan_und_Isolde&#34;&gt;Tristan &amp;amp; Isolde&lt;/a&gt; prelude is a smart choice. And it’s gorgeous. I do wonder how this movie would feel different if the setting were not so ridiculously wealthy and comfortable. I’ll call this my favorite &lt;a href=&#34;http://tumblr.mlarson.org/tagged/larsvontrier&#34;&gt;Lars von Trier&lt;/a&gt; film, though it’s only the third. &lt;em&gt;Dancer in the Dark&lt;/em&gt; would be probably be second, followed by &lt;em&gt;Antichrist&lt;/em&gt;. I’ve heard good things about &lt;a href=&#34;http://en.wikipedia.org/wiki/Dogville&#34;&gt;Dogville&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Boss_of_It_All&#34;&gt;The Boss of It All&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Five_Obstructions&#34;&gt;The Five Obstructions&lt;/a&gt; look interesting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 7, 2012</title>
    <link href="https://mlarson.org/2012/05/07/a-good-rule-of-thumb-is-that-diversity-of-opinion/"/>
    <updated>2012-05-07T17:40:00.000Z</updated>
    <id>https://mlarson.org/2012/05/07/a-good-rule-of-thumb-is-that-diversity-of-opinion/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A good rule of thumb is that diversity of opinion is essential anytime you don’t know anything about something important.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blakemasters.tumblr.com/post/21437840885/peter-thiels-cs183-startup-class-5-notes-essay&#34;&gt;Max Levchin&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2012</title>
    <link href="https://mlarson.org/2012/05/06/people-who-are-smart-and-energetic-are-often/"/>
    <updated>2012-05-06T20:10:35.000Z</updated>
    <id>https://mlarson.org/2012/05/06/people-who-are-smart-and-energetic-are-often/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People who are smart and energetic are often angry. Not at each other, usually. Rather, they’re angry that we’re “not there yet,” i.e. that they have to solve X when they should be working on some greater problem Y.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blakemasters.tumblr.com/post/21437840885/peter-thiels-cs183-startup-class-5-notes-essay&#34;&gt;Max Levchin&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2012</title>
    <link href="https://mlarson.org/2012/05/06/rick-ross-here-i-am-ross-wins-some-serious/"/>
    <updated>2012-05-06T20:10:31.000Z</updated>
    <id>https://mlarson.org/2012/05/06/rick-ross-here-i-am-ross-wins-some-serious/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/PHn4BaDv_mQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=PHn4BaDv_mQ&#34;&gt;Rick Ross - Here I Am&lt;/a&gt;. Ross wins some serious bonus points from me by &lt;a href=&#34;http://www.whosampled.com/sample/view/12078/&#34;&gt;sampling my favorite Stevie Wonder album&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Offline: day one of life without internet | The Verge</title>
    <link href="https://mlarson.org/2012/05/04/offline-day-one-of-life-without-internet-the/"/>
    <updated>2012-05-04T03:11:31.000Z</updated>
    <id>https://mlarson.org/2012/05/04/offline-day-one-of-life-without-internet-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s almost intimidating to have someone be that attentive to you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theverge.com/2012/5/2/2994277/paul-miller-diary-offline-day-of-life-without-internet&#34;&gt;Offline: day one of life without internet | The Verge&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 3, 2012</title>
    <link href="https://mlarson.org/2012/05/03/gotemcoach-the-iron-leg-dirk-nowitzki-showed/"/>
    <updated>2012-05-03T13:22:45.000Z</updated>
    <id>https://mlarson.org/2012/05/03/gotemcoach-the-iron-leg-dirk-nowitzki-showed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/05/tumblr_m3f8ae2c4l1qcmnsoo1_r2_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://gotemcoach.com/post/22296664349/the-iron-leg-dirk-nowitzki-showed-the-world-his&#34;&gt;gotemcoach&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;“THE IRON LEG”&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Dirk Nowitzki showed the world his step back jumper.  Kobe Bryant watched Dirk win the 2010-2011 NBA Championship.  Now, Kobe shoots Dirk’s step back jumper.&lt;/p&gt;
&lt;p&gt;Some people might slight Bryant for so clearly jacking &lt;em&gt;“The Iron Leg.”&lt;/em&gt;  Not me.  I think it’s incredible.  And awesome.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a href=&#34;http://gotemcoach.com/private/22294456756/tumblr_m3fb5gQwsz1qcmnso&#34; title=&#34;check it&#34;&gt;[slideshow of each version]&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Dirk created the best post-Olajuwon post move in basketball, Kobe understood it’s value, and put it in his game.  That’s why he’s great — anything to get better.  Last night, Bryant used it in &lt;a href=&#34;http://youtu.be/073-49ZDV3k?hd=1&amp;amp;t=2m19s&#34; title=&#34;watch&#34;&gt;the Playoffs&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;You know, imitation is the highest form of flattery, but before you go thinking Kobe’s handing out compliments…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;“I improved his move.  I can shoot mine from the three-point line.  He can’t do that… Dirk does it well, I do it better.  Mine’s a little sexier.”&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;_-Kobe Bryant&lt;br&gt;
_&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;_&lt;a href=&#34;http://gotemcoach.com&#34; title=&#34;follow&#34;&gt;&lt;strong&gt;#GotEmCoach&lt;/strong&gt;&lt;/a&gt;&lt;br&gt;
_&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Rhizome | A Conversation with Jonathan Lethem</title>
    <link href="https://mlarson.org/2012/05/02/rhizome-a-conversation-with-jonathan-lethem/"/>
    <updated>2012-05-02T16:18:12.000Z</updated>
    <id>https://mlarson.org/2012/05/02/rhizome-a-conversation-with-jonathan-lethem/</id>
    <content type="html">&lt;p&gt;Lethem on art and identity and betrayal:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We are so prone to feeling betrayed by the artist in some way. Because the art does something so extraordinary to us that then we find out some detail. “Oh! He stole that from Willie Dixon.” “Oh! He beat his wife.” “Oh! He picks his nose in public.” “Wait a minute. He made that thing that changed my life. This is incongruent. I don’t like it!” That’s why we get so betrayed by the knowledge of appropriations, because we’re holding art to this very weird standard where it is actually about us. It’s about our own lives.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On T.S. Elliott and art that lets you cite:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;T.S. Elliott has this appendix to The Wasteland where there are all these citations. We’ll put aside the fact that probably no one ever bothers to read that. But it’s there. He tried. It’s right there. But if a painter makes a canvas, it does not have room for footnotes on it. And a lot of art, the form doesn’t invite the same kinds of embrace of transparency. The specific gestures just don’t work. So what do you do? There might be follow-up. You could speak in an interview, you could make a gesture. But you know what? Not everyone wants to do that. Not everyone wants to be interviewed about their work at all. They want to just make it. And that’s okay.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On Led Zeppelin and Willie Dixon vs. Paul Simon and &lt;em&gt;Graceland&lt;/em&gt;, and the axes of judging appropriation:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There are sort of two primary axes on which we make the individual judgment. One is: degree of transformation and the other is degree of transparency and or citation. In other words, how much do they really make something different out of what they appropriated? And how much did they make it easy to see that there was someone else’s gesture behind their own?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://rhizome.org/editorial/2012/apr/26/jonathan-lethem/&#34;&gt;Rhizome | A Conversation with Jonathan Lethem&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 1, 2012</title>
    <link href="https://mlarson.org/2012/05/01/the-iron-rule-of-life-is-that-only-20-of-the/"/>
    <updated>2012-05-01T15:33:25.000Z</updated>
    <id>https://mlarson.org/2012/05/01/the-iron-rule-of-life-is-that-only-20-of-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The iron rule of life is that only 20% of the people can be in the top fifth. That’s just the way it is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://ycombinator.com/munger.html&#34;&gt;Charlie Munger&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>10 Things Your Commencement Speaker Won&#39;t Tell You</title>
    <link href="https://mlarson.org/2012/04/29/10-things-your-commencement-speaker-wont-tell-you/"/>
    <updated>2012-04-29T22:11:41.000Z</updated>
    <id>https://mlarson.org/2012/04/29/10-things-your-commencement-speaker-wont-tell-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;6. Read obituaries.&lt;/strong&gt; They are just like biographies, only shorter. They remind us that interesting, successful people rarely lead orderly, linear lives.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;7. Your parents don’t want what is best for you.&lt;/strong&gt; They want what is good for you, which isn’t always the same thing. There is a natural instinct to protect our children from risk and discomfort, and therefore to urge safe choices.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052702304811304577366332400453796.html&#34;&gt;10 Things Your Commencement Speaker Won&#39;t Tell You&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thin Ice</title>
    <link href="https://mlarson.org/2012/04/29/thin-ice-it-never-quite-hit-the-right-rhythm-on/"/>
    <updated>2012-04-29T14:30:09.000Z</updated>
    <id>https://mlarson.org/2012/04/29/thin-ice-it-never-quite-hit-the-right-rhythm-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m38waaawbp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Thin_Ice_%282011_film%29&#34;&gt;Thin Ice&lt;/a&gt;. It never quite hit the right rhythm on the funny parts, and the soundtrack wasn’t sure what kind of story this was, but this was a decent, moderately entertaining movie until the last five minutes when it turned into &lt;em&gt;Ocean’s Eleven&lt;/em&gt;. There are twists, and then there are twists that undermine everything you just saw. Turns out, the movie wasn’t about the movie you thought you were watching! Disappointing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of Sight</title>
    <link href="https://mlarson.org/2012/04/27/out-of-sight-this-was-sooooo-much-better-than-i/"/>
    <updated>2012-04-27T18:30:54.000Z</updated>
    <id>https://mlarson.org/2012/04/27/out-of-sight-this-was-sooooo-much-better-than-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m35i0fdp0c1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_Sight&#34;&gt;Out of Sight&lt;/a&gt;. This was sooooo much better than I expected. Lots of good writing and shooting here. If you’re gonna watch a movie that’s not outlandishly amazing, might as well choose one that’s really, really good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>B Michael Tumblr: Four Pictures Of Instagram</title>
    <link href="https://mlarson.org/2012/04/27/b-michael-tumblr-four-pictures-of-instagram/"/>
    <updated>2012-04-27T15:24:35.000Z</updated>
    <id>https://mlarson.org/2012/04/27/b-michael-tumblr-four-pictures-of-instagram/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Instagram filters are just &lt;em&gt;how we’ve convinced ourselves to put up with looking at each other’s inane snapshots&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bmichael.me/post/21908951415/four-pictures-of-instagram&#34;&gt;B Michael Tumblr: Four Pictures Of Instagram&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>David Simon | I meant this, not that. But yeah, I meant it.</title>
    <link href="https://mlarson.org/2012/04/25/david-simon-i-meant-this-not-that-but-yeah-i/"/>
    <updated>2012-04-25T19:48:44.000Z</updated>
    <id>https://mlarson.org/2012/04/25/david-simon-i-meant-this-not-that-but-yeah-i/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If we can manufacture a good guy, we can exalt him. If we can manufacture a bad guy, we can degrade him. If we can’t decide, we can argue and call each other names. But more than anything complicated, the dialectic is always about deciding who is the bigger asshole.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://davidsimon.com/i-meant-this/&#34;&gt;David Simon | I meant this, not that. But yeah, I meant it.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 25, 2012</title>
    <link href="https://mlarson.org/2012/04/25/champion-trees-in-atl-google-maps-located-on/"/>
    <updated>2012-04-25T17:26:20.000Z</updated>
    <id>https://mlarson.org/2012/04/25/champion-trees-in-atl-google-maps-located-on/</id>
    <content type="html">&lt;p&gt;s&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://maps.google.com/maps/ms?msa=0&amp;amp;msid=202986041984824801335.000479c03e05b2cdc63b5&amp;amp;ie=UTF8&amp;amp;t=m&amp;amp;ll=33.814198,-84.420086&amp;amp;spn=0.289402,0.260019&amp;amp;w=500&amp;amp;h=412&#34;&gt;View map&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://maps.google.com/maps/ms?&amp;amp;msa=0&amp;amp;msid=202986041984824801335.000479c03e05b2cdc63b5&#34;&gt;Champion Trees in ATL - Google Maps&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Located on this map are numerous city and state champion trees- the largest of their species in the area. Also noted are some historically significant or otherwise significant trees worth visiting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://maps.google.com/&#34;&gt;http://maps.google.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 25, 2012</title>
    <link href="https://mlarson.org/2012/04/25/vitality-shows-in-not-only-the-ability-to-persist/"/>
    <updated>2012-04-25T00:12:05.000Z</updated>
    <id>https://mlarson.org/2012/04/25/vitality-shows-in-not-only-the-ability-to-persist/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Vitality shows in not only the ability to persist but the ability to start over.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=NIhKY8SpAE4C&amp;amp;pg=PA126&#34;&gt;F. Scott Fitzgerald&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 24, 2012</title>
    <link href="https://mlarson.org/2012/04/24/potentially-a-new-attitudeemotional-state-for-the/"/>
    <updated>2012-04-24T22:15:00.000Z</updated>
    <id>https://mlarson.org/2012/04/24/potentially-a-new-attitudeemotional-state-for-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Potentially a new attitude/emotional state for the digital age: Mark All As Read.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/tcarmody/status/43142780591157248&#34;&gt;@tcarmody&lt;/a&gt;. (&lt;a href=&#34;http://www.deronbauman.com/2012/04/for-the-body-is-not-one-member-but-many-an-interview-with-tim-carmody/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>For The Body Is Not One Member, But Many: An Interview with Tim Carmody : Deron Bauman</title>
    <link href="https://mlarson.org/2012/04/24/for-the-body-is-not-one-member-but-many-an/"/>
    <updated>2012-04-24T22:14:58.000Z</updated>
    <id>https://mlarson.org/2012/04/24/for-the-body-is-not-one-member-but-many-an/</id>
    <content type="html">&lt;p&gt;Nice interview with &lt;a href=&#34;http://twitter.com/#!/deronbauman&#34;&gt;Deron Bauman&lt;/a&gt; (of &lt;a href=&#34;http://www.clusterflock.org/&#34;&gt;Clusterflock&lt;/a&gt;) and &lt;a href=&#34;http://twitter.com/#!/tcarmody&#34;&gt;Tim Carmody&lt;/a&gt; (&lt;a href=&#34;http://www.snarkmarket.com/&#34;&gt;Snarkmarket&lt;/a&gt;).&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;TC:&lt;/strong&gt; The best way to [figure things out for ourselves] is by making things — whether it’s a website, an app, or a little book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;DB:&lt;/strong&gt; So the act of making becomes an act of definition.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TC:&lt;/strong&gt; Exactly — definition in its original sense of mapping a thing’s contours, in order to make something that’s fuzzy easier to see.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Something a college professor of mine told me: it’s not about making students love the same things that you do, but showing them that they can love something just as much. And that it’s OKAY, it’s IMPORTANT, for them to find something that they love that much.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.deronbauman.com/2012/04/for-the-body-is-not-one-member-but-many-an-interview-with-tim-carmody/&#34;&gt;For The Body Is Not One Member, But Many: An Interview with Tim Carmody : Deron Bauman&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Gift of Fear (review)</title>
    <link href="https://mlarson.org/2012/04/24/20120424the-gift-of-fear-review/"/>
    <updated>2012-04-24T20:05:42.000Z</updated>
    <id>https://mlarson.org/2012/04/24/20120424the-gift-of-fear-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/7097704973/&#34; title=&#34;The Gift of Fear by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm6.staticflickr.com/5453/7097704973_b1f805b17b.jpg&#34; alt=&#34;The Gift of Fear&#34;&gt;&lt;/a&gt; This is all about violence, evaluating risk, and how to keep yourself from being a victim. &lt;a href=&#34;http://www.amazon.com/The-Gift-Fear-Survival-Violence/dp/0316235024/&#34;&gt;The Gift of Fear&lt;/a&gt; is one of the best things I&#39;ve read this year.&lt;/p&gt;
&lt;p&gt;The key idea here: trust your intuition. Early on in the book, Gavin de Becker won my interest when he appealed to my inner word-nerd. He points out that the &lt;a href=&#34;http://www.etymonline.com/index.php?term=intuition&amp;amp;allowed_in_frame=0&#34;&gt;root of the word intuition&lt;/a&gt; is &amp;quot;tueri&amp;quot;, meaning protection, defense, guardianship. As he says later, when it comes to violence,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Intuition is always right in at least two important ways: 1. It is always in response to something. 2. It always has your best interests at heart.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Whether we respond correctly, or even interpret those signals correctly, is another matter.&lt;/p&gt;
&lt;p&gt;We&#39;re born with a lot of relationship sensitivity (&amp;quot;all relationships start with predictions&amp;quot;), and by the time we&#39;re adults, we&#39;ve got pretty good wiring. Becker:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You can imagine every human feeling and it is that ability that makes you an expert at predicting what others will do.1&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So he gets practical. Those ideas and impulses tip us off. Let&#39;s look at De Becker&#39;s Pre-Incident Indicators or PINS. Lazily copying and paraphrasing from &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Gift_of_Fear&#34;&gt;the Wikipedia page on the book&lt;/a&gt;:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Forced Teaming. This is when a person tries to pretend that he has something in common with a person and that they are in the same predicament when that isn&#39;t really true. Look out for &amp;quot;we&amp;quot; and &amp;quot;us&amp;quot; and &amp;quot;together&amp;quot;-type language.&lt;/li&gt;
&lt;li&gt;Charm and Niceness. This is being polite and friendly to a person in order to manipulate him or her. &amp;quot;Niceness is a decision, a strategy of social interaction; it is not a character trait&amp;quot;.&lt;/li&gt;
&lt;li&gt;Too Many Details. If a person is lying they will add excessive details to make themselves sound more credible to the victim... and to themselves.&lt;/li&gt;
&lt;li&gt;Typecasting. An insult to get a person who would otherwise ignore one to talk to one. &lt;a href=&#34;http://www.urbandictionary.com/define.php?term=negging&#34;&gt;Negging&lt;/a&gt;, anyone?&lt;/li&gt;
&lt;li&gt;Loan Sharking. Giving unsolicited help and expecting favors in return. Give a little, collect a lot more.&lt;/li&gt;
&lt;li&gt;The Unsolicited Promise. A promise to do (or not do) something when no such promise is asked for; this usually means that such a promise will be broken. For example: an unsolicited, &amp;quot;I promise I&#39;ll leave you alone after this,&amp;quot; usually means you will not be left alone. Similarly, an unsolicited &amp;quot;I promise I won&#39;t hurt you&amp;quot; usually means the person intends to hurt you. &lt;em&gt;An unsolicited promise shows nothing more than that the person wants to convince you of something&lt;/em&gt;. There&#39;s no collateral.&lt;/li&gt;
&lt;li&gt;Discounting the Word &amp;quot;No&amp;quot;. Refusing to accept a clear rejection is a big signal.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;What instantly struck me about this list? It made me think of salesmen and pick-up artists. Not all of whom are criminals, but winning confidence and power plays a big part. And thus, one of the best forms of protection is a healthy bullshit detector. After all:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The nicest guy, the guy with no self-serving agenda whatsoever, the one who wants nothing from you, won&#39;t approach you at all.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It follows from those PINs that good strategies to avoid coercion or worse might include...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;A single, crystal-clear, direct &amp;quot;NO&amp;quot;. Anything less as a first volley is open to negotiation. Backing down from it later just makes you weaker.&lt;/li&gt;
&lt;li&gt;Communicating awareness. If you&#39;re walking down the street, that might mean direct eye contact and sustained attention on an approaching stranger.&lt;/li&gt;
&lt;li&gt;Don&#39;t give threats credence. Threats don&#39;t usually come from a position of power, anyway. It&#39;s the listener who decides how credible it is. After all, who benefits if the victim acts like the threat will be carried out? Which relates to the idea of...&lt;/li&gt;
&lt;li&gt;Forcing the person to be explicit. If extortion is the goal, &amp;quot;I don&#39;t understand what you&#39;re getting at&amp;quot; forces the asshole to be explicit. Many would rather back down rather than be clear about the evil they want to do.&lt;/li&gt;
&lt;li&gt;Allow opportunities for retreat. Give alternatives to violence. Avoidance first, folks. Fighting is always a later option, but it&#39;s really hard to reverse it.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I should mention here that the book is focused on predicting and avoiding pursuit/coercion/violence from men, as we are the source of most of it. And it won&#39;t surprise you that women are much more likely to listen their instincts without second-guessing.&lt;/p&gt;
&lt;p&gt;I thought the best parts of this book were on relationships and stalking, but there were other good sections on workplace violence and threats to celebrities/politicians, and plenty of great psych-factoids throughout, like:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Everything a person does is done twice: once in the mind, once in execution. Ideas and impulses are tip-offs. Someone who has bothered to smash a beer bottle is more likely to fight. Suicidal people who can describe their intended methods in greater detail are at a much higher risk.&lt;/li&gt;
&lt;li&gt;Threats against random public figures are generally unreliable. More likely tip-offs are (perceived) connections like lovesickness, adoration, rejection, feelings of debt or being owed something.&lt;/li&gt;
&lt;li&gt;Non-anonymous threats are more likely to be credible and dangerous, because they&#39;re attention-seeking.&lt;/li&gt;
&lt;li&gt;Restraining orders are common, but aren&#39;t much of a solution. Shelters, on the other hand, are generally awesome at preventing murders.&lt;/li&gt;
&lt;li&gt;Stalking/unwanted pursuit is a form of relationship addiction. The only way to make it better is to make yourself unavailable.2&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And later there&#39;s a good bit on anxiety and worrying, when he points out that &amp;quot;Most often, we worry because it provides some secondary reward&amp;quot;. Like what? Worry is a way to avoid change, avoid a feeling of powerlessness, avoid disappointment in the future by moderating expectations, and to connect or commiserate with others. I also like his notion that &amp;quot;anxiety is caused by low-confidence predictions&amp;quot;.&lt;/p&gt;
&lt;p&gt;Read this book. Get other people to read it. It is so good.&lt;/p&gt;
&lt;p&gt;--- 1. Two tangents here: One, it makes me think of the power of fiction -- how much we relate to fictional characters, how the fun of great storytelling is our participation and trying to guess what&#39;s coming. And two, it reminds me of a part from the &lt;a href=&#34;http://www.amazon.com/Philosophy-Bites-David-Edmonds/dp/0199576327&#34;&gt;Philosophy Bites&lt;/a&gt; interview with &lt;a href=&#34;http://nigelwarburton.typepad.com/philosophy_bites/2008/08/alex-neill-on-t.html&#34;&gt;Alex Neill talking about the paradox of tragedy&lt;/a&gt;: We love tragedy not only because it tugs our heartstrings but also because it offers &lt;em&gt;insight&lt;/em&gt;. And that insight is what sets it apart from other blatant emotion-rousing genres like horror or porn. 2. &lt;a href=&#34;http://en.wikipedia.org/wiki/Carolyn_Hax&#34;&gt;Carolyn Hax&lt;/a&gt; connection here: &lt;a href=&#34;http://tumblr.mlarson.org/post/21600061659/behavior-is-easier-to-change-than-expectations&#34;&gt;Behavior is easier to change than expectations are&lt;/a&gt;. Never not &lt;a href=&#34;http://tumblr.mlarson.org/tagged/carolynhax&#34;&gt;loving Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2012</title>
    <link href="https://mlarson.org/2012/04/23/millions-long-for-immortality-who-dont-know-what/"/>
    <updated>2012-04-23T03:08:16.000Z</updated>
    <id>https://mlarson.org/2012/04/23/millions-long-for-immortality-who-dont-know-what/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Millions long for immortality who don’t know what to do with themselves on a rainy Sunday afternoon.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Susan_Ertz&#34;&gt;Susan Ertz&lt;/a&gt;. (&lt;a href=&#34;https://mobile.twitter.com/bakadesuyo/status/194198958824886272&#34;&gt;via&lt;/a&gt;). Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/5422634506/you-act-like-mortals-in-all-that-you-fear-and&#34;&gt;Seneca&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You act like mortals in all that you fear, and like immortals in all that you desire.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 22, 2012</title>
    <link href="https://mlarson.org/2012/04/22/behavior-is-easier-to-change-than-expectations/"/>
    <updated>2012-04-22T21:17:00.000Z</updated>
    <id>https://mlarson.org/2012/04/22/behavior-is-easier-to-change-than-expectations/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Behavior is easier to change than expectations are. […] Telling your enthusiasm and daydreams to sit in a closet till [the situation] proves worthy of them? That involves the hard work of identifying, and admitting, why you so badly need the validation. Repairing the source of the need is the answer here.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-moving-too-fast-in-relationships-how-to-thank-a-generous-uncle/2012/04/18/gIQAvzEDUT_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. I edited this quote to make it more general. Relates to another favorite line of hers: &lt;a href=&#34;http://tumblr.mlarson.org/post/19157277520/let-the-facts-write-your-dreams&#34;&gt;Let the facts write your dreams&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/carolynhax&#34;&gt;Other Hax quotes I love&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 22, 2012</title>
    <link href="https://mlarson.org/2012/04/22/each-day-humble-supplies-enough-energy-to-melt-7/"/>
    <updated>2012-04-22T21:08:42.000Z</updated>
    <id>https://mlarson.org/2012/04/22/each-day-humble-supplies-enough-energy-to-melt-7/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m2wf7jigsi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=k00EAAAAMBAJ&amp;amp;pg=PA86-IA2&#34;&gt;EACH DAY HUMBLE SUPPLIES ENOUGH &lt;em&gt;ENERGY&lt;/em&gt; TO MELT 7 MILLION TONS OF GLACIER!&lt;/a&gt;. My, how times have changed. I learned about this ad while reading an advance copy of &lt;a href=&#34;http://en.wikipedia.org/wiki/Steve_Coll&#34;&gt;Steve Coll&lt;/a&gt;’s &lt;a href=&#34;http://www.amazon.com/Private-Empire-ExxonMobil-American-Power/dp/1594203350&#34;&gt;Private Empire&lt;/a&gt;, which I received because I am special.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wehr in the World: 30+ hours of TV later...</title>
    <link href="https://mlarson.org/2012/04/22/wehr-in-the-world-30-hours-of-tv-later/"/>
    <updated>2012-04-22T21:08:33.000Z</updated>
    <id>https://mlarson.org/2012/04/22/wehr-in-the-world-30-hours-of-tv-later/</id>
    <content type="html">&lt;p&gt;Justin Wehr on how &lt;a href=&#34;http://en.wikipedia.org/wiki/Community_(TV_series)&#34;&gt;Community&lt;/a&gt; is awesome and so is TV but…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don’t mean to be another pretentious I’m-above-TV guy, because I’m not. TV is above me. It dominates me, it makes me want to do nothing but sit in front of its glowing glory. In a real way, it scares me, because it shows me how powerless I am. […] The danger of TV and of passive entertainment more generally is not just that it takes time away from better things. The real danger is that it makes better things seem harder.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A couple months ago I set aside &lt;a href=&#34;http://www.flickr.com/photos/marklarson/tags/sundaymorning/&#34;&gt;Sunday mornings&lt;/a&gt; as a sacred, no-interference-allowed time for books and nerdery. It’s a guaranteed 3-5 hours of learning. No regrets whatsoever. And then on Sunday afternoons I watch/play sports because that’s what you do.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2012/04/30-hours-of-tv-later.html&#34;&gt;Wehr in the World: 30+ hours of TV later...&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blake Masters: Peter Thiel’s CS183: Startup - Class 5 Notes Essay</title>
    <link href="https://mlarson.org/2012/04/22/blake-masters-peter-thiels-cs183-startup/"/>
    <updated>2012-04-22T21:08:24.000Z</updated>
    <id>https://mlarson.org/2012/04/22/blake-masters-peter-thiels-cs183-startup/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://palantir.com/stephen&#34;&gt;Stephen Cohen&lt;/a&gt; on learning:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We tend to massively underestimate the compounding returns of intelligence. As humans, we need to solve big problems. If you graduate Stanford at 22 and Google recruits you, you’ll work a 9-to-5. It’s probably more like an 11-to-3 in terms of hard work. They’ll pay well. It’s relaxing. But what they are actually doing is paying you to accept a much lower intellectual growth rate. When you recognize that intelligence is compounding, the cost of that missing long-term compounding is enormous. &lt;em&gt;They’re not giving you the best opportunity of your life&lt;/em&gt;. Then a scary thing can happen: You might realize one day that you’ve lost your competitive edge. You won’t be the best anymore. You won’t be able to fall in love with new stuff. Things are cushy where you are. You get complacent and stall. So, run your prospective engineering hires through that narrative. Then show them the alternative: working at your startup.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Working at a startup is &lt;em&gt;an&lt;/em&gt; alternative rather than &lt;em&gt;the&lt;/em&gt; alternative, but the career principle is the same: learning’s good and it’s wise to choose it over just about everything else. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/20917507783/when-to-leave-grad-school-off-your-resume-penelope&#34;&gt;Penelope&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/12691454231/when-we-say-what-do-you-do-we-really-mean-what&#34;&gt;Trunk&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/12161949746/oh-you-have-a-dream-you-should-pay-a-lot-of-money&#34;&gt;Annie Clark&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/1269651165/when-i-was-young-i-read-the-richest-man-in&#34;&gt;Charlie Munger&lt;/a&gt;, etc.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blakemasters.tumblr.com/post/21437840885/peter-thiels-cs183-startup-class-5-notes-essay&#34;&gt;Blake Masters: Peter Thiel’s CS183: Startup - Class 5 Notes Essay&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Newsstand Sophisticate: Rereading</title>
    <link href="https://mlarson.org/2012/04/20/newsstand-sophisticate-rereading/"/>
    <updated>2012-04-20T17:51:04.000Z</updated>
    <id>https://mlarson.org/2012/04/20/newsstand-sophisticate-rereading/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Rereading, an operation contrary to the commercial and ideological habits of our society, which would have us “throw away” the story once it has been consumed (“devoured”), so that we can then move on to another story, buy another book, and which is tolerated only in certain marginal categories (children, old people, and professors), rereading is here suggested at the outset, for it alone saves the text from repetition (those who fail to reread are obliged to read the same story everywhere) …&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also: &lt;a href=&#34;http://ekstasis.tumblr.com/post/20354382559/i-repeat-my-themes-frederick-seidel-are&#34;&gt;William Ball&lt;/a&gt; and &lt;a href=&#34;http://blog.millsbaker.net/post/20366881933/there-are-things-we-live-among-and-to-see-them&#34;&gt;Mills Baker&lt;/a&gt; writing about &lt;a href=&#34;http://www.robinsloan.com/&#34;&gt;Robin Sloan&lt;/a&gt;’s app, &lt;a href=&#34;http://www.robinsloan.com/fish/&#34;&gt;Fish: a tap essay&lt;/a&gt;, discussing things like &lt;a href=&#34;http://snarkmarket.com/2010/4890&#34;&gt;stock and flow&lt;/a&gt; and &lt;a href=&#34;http://www.quora.com/David-Cole/Personal-Canon&#34;&gt;David Cole’s personal canon&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://jndevereux.tumblr.com/post/20533137578/rereading&#34;&gt;Newsstand Sophisticate: Rereading&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2012</title>
    <link href="https://mlarson.org/2012/04/20/essentially-we-become-our-own-documentarians-and/"/>
    <updated>2012-04-20T17:48:07.000Z</updated>
    <id>https://mlarson.org/2012/04/20/essentially-we-become-our-own-documentarians-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Essentially, we become our own documentarians and archivists in order to impose meaning on daily life, to show that we are honoring moments with the seriousness we are told they are supposed to possess, and to preserve that honor for posterity. We once did this in the semi-private realm of our families and social circles. Now we do so on a larger scale.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/culture/2012/04/instagrams-instant-nostalgia.html&#34;&gt;Culture Desk: Instagram’s Instant Nostalgia : The New Yorker&lt;/a&gt;. I finally figured out what this excerpt reminds me of: &lt;a href=&#34;http://tumblr.mlarson.org/post/12793384032/silva-rerum-wikipedia-the-free-encyclopedia&#34;&gt;silva rerum&lt;/a&gt;. (via &lt;a href=&#34;http://www.markrichardson.org/post/20882805588/essentially-we-become-our-own-documentarians-and&#34;&gt;markrichardson&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bottle episode - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2012/04/20/bottle-episode-wikipedia-the-free-encyclopedia/"/>
    <updated>2012-04-20T17:29:55.000Z</updated>
    <id>https://mlarson.org/2012/04/20/bottle-episode-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A TV episode produced inexpensively and restricted in scope to use as few non-regular cast members, effects, and sets as possible. Most bottle episodes are shot on sets already built for other episodes, frequently the main interior sets for a series, and consist largely of dialogue or scenes for which no special preparations are needed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Bottle_episode&#34;&gt;Bottle episode - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Personal Velocity: Three Portraits</title>
    <link href="https://mlarson.org/2012/04/19/personal-velocity-three-portraits-great/"/>
    <updated>2012-04-19T13:54:47.000Z</updated>
    <id>https://mlarson.org/2012/04/19/personal-velocity-three-portraits-great/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m2pjcwxg7k1qzcye0o1_r1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Personal_Velocity:_Three_Portraits&#34;&gt;Personal Velocity: Three Portraits&lt;/a&gt;. Great characters here. The first two of the three vignettes are excellent, the third was too much for me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Avoid Burnout: Marissa Mayer - Businessweek</title>
    <link href="https://mlarson.org/2012/04/18/how-to-avoid-burnout-marissa-mayer-businessweek/"/>
    <updated>2012-04-18T20:29:00.000Z</updated>
    <id>https://mlarson.org/2012/04/18/how-to-avoid-burnout-marissa-mayer-businessweek/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I have a theory that burnout is about resentment. And you beat it by knowing what it is you’re giving up that makes you resentful.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That’s so incisive. It’s not about the work, it’s about what you’re giving up that you’d rather not. I love when I find ideas that take things up one level of thinking, like a psychological &lt;a href=&#34;http://tumblr.mlarson.org/tagged/heuristics&#34;&gt;heuristic&lt;/a&gt;. Burnout is about resentment, &lt;a href=&#34;http://tumblr.mlarson.org/post/20585802952/it-was-only-later-that-i-realized-the-value-of&#34;&gt;boredom indicates a gap between your interests and your current environment&lt;/a&gt;; &lt;a href=&#34;http://tumblr.mlarson.org/post/15423945478/when-youre-in-denial-about-how-invested-you-are&#34;&gt;unrealistic expecations have their roots in denial&lt;/a&gt;; when you talk to someone, &lt;a href=&#34;http://tumblr.mlarson.org/post/998699856/the-war-on-unhappiness-goodbye-freud-hello-positive&#34;&gt;you’re talking to their agent&lt;/a&gt;, etc.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.businessweek.com/articles/2012-04-12/how-to-avoid-burnout-marissa-mayer&#34;&gt;How to Avoid Burnout: Marissa Mayer - Businessweek&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Metaphors We Live By - George Lakoff and Mark Johnson [pdf]</title>
    <link href="https://mlarson.org/2012/04/18/metaphors-we-live-by-george-lakoff-and-mark/"/>
    <updated>2012-04-18T20:03:00.000Z</updated>
    <id>https://mlarson.org/2012/04/18/metaphors-we-live-by-george-lakoff-and-mark/</id>
    <content type="html">&lt;p&gt;Lots of great examples here. E.g., ideas are food (&lt;em&gt;raw&lt;/em&gt; facts; a &lt;em&gt;half-baked&lt;/em&gt; theory; let an idea &lt;em&gt;percolate&lt;/em&gt;; &lt;em&gt;devouring&lt;/em&gt; a book) and theories are buildings (ideas need a &lt;em&gt;foundation&lt;/em&gt; and &lt;em&gt;support&lt;/em&gt;; &lt;em&gt;construct&lt;/em&gt; a theoretical &lt;em&gt;framework&lt;/em&gt;; &lt;em&gt;buttress&lt;/em&gt; an argument), etc. (&lt;a href=&#34;https://mobile.twitter.com/sethhoekstra/status/191670371139846145&#34;&gt;via&lt;/a&gt;). Makes me think of &lt;a href=&#34;http://tumblr.mlarson.org/post/7240117871/when-we-get-better-at-expressiveness-we-get&#34;&gt;George Saunders&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When we get better at expressiveness, we get better at understanding, better at sympathy, better at bullshit-detection, better at experiencing pleasure, better at true engagement (with others, with the world, with ourselves).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;Update&lt;/strong&gt;: I think this is one reason I love learning about the history of a word. Like when I learned the word &lt;a href=&#34;http://www.etymonline.com/index.php?term=raga&#34;&gt;raga&lt;/a&gt; is related to the Sanskrit word for dye (the musical form colors your mood!), or when I was reading &lt;a href=&#34;http://www.amazon.com/The-Gift-Fear-Survival-Violence/dp/0316235024/&#34;&gt;The Gift of Fear&lt;/a&gt; recently and learned that &lt;a href=&#34;http://www.etymonline.com/index.php?term=intuition&#34;&gt;intuition&lt;/a&gt; has roots in a word meaning protection, defense, guardianship (you trust it because it has your interests at heart). Learning where a word comes from, like metaphors, has a way of changing your perspective or giving you another lens to see language through. And yeah, I just used two metaphors to explain how etymology is like a metaphor. Boom!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.soc.washington.edu/users/brines/lakoff.pdf&#34;&gt;Metaphors We Live By - George Lakoff and Mark Johnson [pdf]&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Los Angeles Review of Books - Life Is Short; Art Is Shorter</title>
    <link href="https://mlarson.org/2012/04/18/los-angeles-review-of-books-life-is-short-art/"/>
    <updated>2012-04-18T14:34:18.000Z</updated>
    <id>https://mlarson.org/2012/04/18/los-angeles-review-of-books-life-is-short-art/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Life is interesting all over. Every life, properly understood, is compelling. Anyone aspiring to be an artist knows there’s no such thing as why-bother or nothing-to-see.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lareviewofbooks.org/article.php?id=142&#34;&gt;Los Angeles Review of Books - Life Is Short; Art Is Shorter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Your biggest career decision is who you marry | Penelope Trunk Blog</title>
    <link href="https://mlarson.org/2012/04/18/your-biggest-career-decision-is-who-you-marry/"/>
    <updated>2012-04-18T14:34:15.000Z</updated>
    <id>https://mlarson.org/2012/04/18/your-biggest-career-decision-is-who-you-marry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You have to be really clear on what you are not willing to give up—because you’ll probably be giving up everything else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2012/04/16/five-tactics-for-finding-a-spouse/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20BrazenCareerist%20(Penelope%20Trunk)&#34;&gt;Your biggest career decision is who you marry | Penelope Trunk Blog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Six Rules for Dining Out - Magazine - The Atlantic</title>
    <link href="https://mlarson.org/2012/04/16/six-rules-for-dining-out-magazine-the-atlantic/"/>
    <updated>2012-04-16T20:55:44.000Z</updated>
    <id>https://mlarson.org/2012/04/16/six-rules-for-dining-out-magazine-the-atlantic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The laughing and the smiling will set in. Beware! That’s when you need to stop going.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2012/05/six-rules-for-dining-out/8929/?single_page=true&#34;&gt;Six Rules for Dining Out - Magazine - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Top Idea in Your Mind</title>
    <link href="https://mlarson.org/2012/04/12/the-top-idea-in-your-mind/"/>
    <updated>2012-04-12T02:45:52.000Z</updated>
    <id>https://mlarson.org/2012/04/12/the-top-idea-in-your-mind/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’ve found there are two types of thoughts especially worth avoiding—thoughts like the Nile Perch in the way they push out more interesting ideas. One I’ve already mentioned: thoughts about money. Getting money is almost by definition an attention sink. The other is disputes. These too are engaging in the wrong way: they have the same velcro-like shape as genuinely interesting ideas, but without the substance. So avoid disputes if you want to get real work done. Corollary: Avoid becoming an administrator, or your job will consist of dealing with money and disputes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.paulgraham.com/top.html&#34;&gt;The Top Idea in Your Mind&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 11, 2012</title>
    <link href="https://mlarson.org/2012/04/11/seafood-the-choice-is-yours-the-washington/"/>
    <updated>2012-04-11T20:16:01.000Z</updated>
    <id>https://mlarson.org/2012/04/11/seafood-the-choice-is-yours-the-washington/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m2c0aqdy581qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/national/health-science/2012/04/03/gIQABd16sS_graphic.html&#34;&gt;Seafood: The choice is yours - The Washington Post&lt;/a&gt;. Validating my love of sardines, anchovies, and sweet, sweet &lt;a href=&#34;http://www.europeanfoodservice.com/abba-of-sweden-herring-marinated-with-dill/&#34;&gt;herring&lt;/a&gt;. (&lt;a href=&#34;http://blog.sethroberts.net/2012/04/10/assorted-links-169/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When to leave grad school off your resume | Penelope Trunk Blog</title>
    <link href="https://mlarson.org/2012/04/11/when-to-leave-grad-school-off-your-resume/"/>
    <updated>2012-04-11T20:02:41.000Z</updated>
    <id>https://mlarson.org/2012/04/11/when-to-leave-grad-school-off-your-resume/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People who have excitement about deciding for themselves what to read and what to learn are people who stop going to school and join the workforce. The workplace, done right, is a place for self-directed learning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2012/04/10/when-to-leave-grad-school-off-your-resume/&#34;&gt;When to leave grad school off your resume | Penelope Trunk Blog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Joe Posnanski » Posts Bubbas and Goodbyes</title>
    <link href="https://mlarson.org/2012/04/11/joe-posnanski-posts-bubbas-and-goodbyes/"/>
    <updated>2012-04-11T20:01:21.000Z</updated>
    <id>https://mlarson.org/2012/04/11/joe-posnanski-posts-bubbas-and-goodbyes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What, after all, are reality TV shows except an effort to reproduce the drama and unexpected turns of sports?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://joeposnanski.si.com/2012/04/08/bubbas-and-goodbyes/&#34;&gt;Joe Posnanski » Posts Bubbas and Goodbyes&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 11, 2012</title>
    <link href="https://mlarson.org/2012/04/11/the-fastest-way-to-change-yourself-is-to-hang-out/"/>
    <updated>2012-04-11T20:01:13.000Z</updated>
    <id>https://mlarson.org/2012/04/11/the-fastest-way-to-change-yourself-is-to-hang-out/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The fastest way to change yourself is to hang out with people who are already the way you want to be.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/The-Start-up-You-Yourself-Transform/dp/0307888908&#34;&gt;Hoffman &amp;amp; Casnocha&lt;/a&gt;. Warren Buffett &lt;a href=&#34;http://tumblr.mlarson.org/post/1603603410/hang-around-people-who-are-better-than-you-all-the&#34;&gt;agrees&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Hang around people who are better than you all the time. You do pick up the behavior of people who are around you. It will make you a better person. Marry upward. That is the person who is going to have the biggest effect on you. A relationship like that over the decades will do nothing but good.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If I can stretch this a bit, they don’t even have to be alive! See &lt;a href=&#34;http://tumblr.mlarson.org/post/18383010390/the-great-thing-about-dead-or-remote-masters-is&#34;&gt;Austin Kleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The great thing about dead or remote masters is that they can’t refuse you as an apprentice. You can learn whatever you want from them. They left their lesson plans in their work.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Eternal Vigilance « Thomas Jefferson’s Monticello</title>
    <link href="https://mlarson.org/2012/04/09/eternal-vigilance-thomas-jeffersons-monticello/"/>
    <updated>2012-04-09T14:17:00.000Z</updated>
    <id>https://mlarson.org/2012/04/09/eternal-vigilance-thomas-jeffersons-monticello/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://twitter.com/jennylish&#34;&gt;@jennylish&lt;/a&gt;: “The price of accurately sourcing quotations is also eternal vigilance! (&lt;a href=&#34;https://mobile.twitter.com/jessamyn/status/189189855090180097&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Thomas Jefferson didn’t say this.  But strangely enough, I’ve discovered a whole string of quite famous people who did say this, which makes it seem even odder that the attribution got pinned on a relatively obscure figure like [Wendell] Phillips.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.monticello.org/site/blog-and-community/posts/eternal-vigilance&#34;&gt;Eternal Vigilance « Thomas Jefferson’s Monticello&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Art for Everybody by Susan Orlean</title>
    <link href="https://mlarson.org/2012/04/09/art-for-everybody-by-susan-orlean/"/>
    <updated>2012-04-09T14:11:49.000Z</updated>
    <id>https://mlarson.org/2012/04/09/art-for-everybody-by-susan-orlean/</id>
    <content type="html">&lt;p&gt;From an October 15, 2001 profile of Thomas Kinkade in The New Yorker:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We believe that the walls of the home are the new frontier for branding.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.susanorlean.com/articles/art_for_everybody.html&#34;&gt;Art for Everybody by Susan Orlean&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 9, 2012</title>
    <link href="https://mlarson.org/2012/04/09/if-its-common-now-for-men-and-women-to-be/"/>
    <updated>2012-04-09T02:49:00.000Z</updated>
    <id>https://mlarson.org/2012/04/09/if-its-common-now-for-men-and-women-to-be/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If it’s common now for men and women to be friends, why do we so rarely see it in popular culture? Partly, it’s a narrative problem. Friendship isn’t courtship. It doesn’t have a beginning, a middle and an end. Stories about friendships of any kind are relatively rare, especially given what a huge place the relationships have in our lives.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/04/08/opinion/sunday/a-man-a-woman-just-friends.html?_r=1&amp;amp;ref=todayspaper&amp;amp;pagewanted=all&#34;&gt;William Deresiewicz&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Alexander_Nehamas&#34;&gt;Alexander Nehamas&lt;/a&gt; talks about this in his &lt;a href=&#34;http://philosophybites.com/2008/10/alexander-neham.html&#34;&gt;Philosophy Bites interview&lt;/a&gt; (also in &lt;a href=&#34;http://www.amazon.com/dp/0199576327&#34;&gt;the book&lt;/a&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is close to impossible, for example, to recognize that a painting depicts two (or more) friends without a title to that effect or some similar literary artifice or allusion. The reason is that friends can be doing anything together and no single event is ever enough to indicate the presence of friendship.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He goes on to make useful analogies with the arts in general. You come to know a friend like you recognize a painter’s style: you can’t predict them necessarily, but you can see how things fit the pattern, once the friendship has “time to develop in the first place and time to flourish.” There’s also the idea that friends, and art, are things we use to become our individual, differentiated ourselves. Like &lt;a href=&#34;http://theamericanscholar.org/solitude-and-leadership/&#34;&gt;Deresiewicz said elsewhere&lt;/a&gt;,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Introspection means talking to yourself, and one of the best ways of talking to yourself is by talking to another person.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Via &lt;a href=&#34;http://submittedforyourperusal.com/2012/04/08/4-8-2012-new-york-times-digest/&#34;&gt;Matt Thomas’ weekly NYT Digest&lt;/a&gt;, for which I am always grateful.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 9, 2012</title>
    <link href="https://mlarson.org/2012/04/09/the-bogus-religiosity-which-now-surrounds-original/"/>
    <updated>2012-04-09T02:16:25.000Z</updated>
    <id>https://mlarson.org/2012/04/09/the-bogus-religiosity-which-now-surrounds-original/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The bogus religiosity which now surrounds original works of art, and which is ultimately dependent on market value, has become a substitute for what paintings lost when the camera made them reproducible. Its function is nostalgic. It is the final empty claim for the continuing values of an oligarchic, undemocratic culture. If the image is no longer unique, and exclusive, the art object, the thing, must be made mysteriously so.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Berger, &lt;em&gt;&lt;a href=&#34;http://www.austinkleon.com/2008/10/19/ways-of-seeing-by-john-berger/&#34;&gt;Ways of Seeing&lt;/a&gt;&lt;/em&gt; (via &lt;a href=&#34;http://jenbee.tumblr.com/&#34;&gt;jenbee&lt;/a&gt;). Okay, two things here. One, it brings me back to &lt;a href=&#34;http://www.amazon.com/Authenticity-Hoax-Real-Things-Happy/dp/0061251356/&#34;&gt;The Authenticity Hoax&lt;/a&gt; again (I wrote about &lt;a href=&#34;http://www.mlarson.org/2012/01/29/the-authenticity-hoax-review/&#34;&gt;why you should read it&lt;/a&gt;). Andrew Potter:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Can you see what is happening here? It is the return of the aura, of the unique and irreproducible artistic work. Across the artistic spectrum, we are starting to see a turn toward forms of aesthetic experience and production that by their nature can’t be digitized and thrown into the maw of the freeconomy. One aspect of this is the cultivation of deliberate scarcity, which is &lt;a href=&#34;http://online.wsj.com/article/SB124475230719107485.html&#34;&gt;what Alec Duffy is doing with his listening sessions&lt;/a&gt;. Another is the recent hipster trend to treat the city as a playground—involving staged pillow fights in the financial district, silent raves on subways, or games of kick the can that span entire neighborhoods. This fascination with works that are transient, ephemeral, participatory, and site-specific is part of the ongoing rehabilitation of the old idea of the unique, authentic work having an aura that makes it worthy of our profound respect. But in a reversal of Walter Benjamin’s analysis, the gain in deep artistic appreciation is balanced by a loss in egalitarian principle.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And two, made me think of any time someone writes a “&lt;a href=&#34;https://www.google.com/search?hl=en&amp;amp;q=%22why%20*%20matters%22&#34;&gt;Why ___ Matters&lt;/a&gt;” essay. See: &lt;a href=&#34;http://en.wikipedia.org/wiki/Swan_song&#34;&gt;swan song&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Star Trek: The Motion Picture</title>
    <link href="https://mlarson.org/2012/04/09/star-trek-the-motion-picture-and-so-it-begins/"/>
    <updated>2012-04-09T01:53:08.000Z</updated>
    <id>https://mlarson.org/2012/04/09/star-trek-the-motion-picture-and-so-it-begins/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m246lhvjia1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Star_Trek:_The_Motion_Picture&#34;&gt;Star Trek: The Motion Picture&lt;/a&gt;. And so it begins. I’m not sure if I want to watch all of the Star Trek movies, but at least the first few and the most recent one. Spoiler: there are no dramatic gun battles or explosions at the climax. This is mostly brainy. I thought the 10-minute interlude with Starship &lt;em&gt;Enterprise&lt;/em&gt; flyby porn was a nice touch. I miss the days when they’d build big crazy sets instead of using CGI. The soundtrack here has a case of &lt;em&gt;Last of the Mohicans&lt;/em&gt;-itis: when in doubt, play the rousing main theme. I didn’t remember that I’d seen this one until the last scene, which I take as a good sign. Nice twist.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 9, 2012</title>
    <link href="https://mlarson.org/2012/04/09/its-an-odd-feature-about-the-way-human-beings/"/>
    <updated>2012-04-09T01:45:14.000Z</updated>
    <id>https://mlarson.org/2012/04/09/its-an-odd-feature-about-the-way-human-beings/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s an odd feature about the way human beings work that there are many things that we’re interested in that we don’t know if it’s acceptable to be interested in them. […] I think that’s the role of many, many art forms–to legitimate certain questions and certain sensitivities.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Alain_de_Botton&#34;&gt;Alain de Botton&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/dp/0199576327&#34;&gt;Philosophy Bites&lt;/a&gt;. This reminds me of some of Tyler Cowen’s arguments in &lt;a href=&#34;http://www.mlarson.org/2011/07/26/the-age-of-the-infovore-review/&#34;&gt;The Age of the Infovore&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Sociological approaches to cultural taste often imply that taste differences are contrived, artificial, or reflect wasteful status-seeking. The result is that we appreciate taste differences less than we might and we become less curious. Neurological approaches imply that different individuals perceive different cultural mysteries and beauties. You can’t always cross the gap to understand the other person’s point of view, but at the very least you know something is there worth pursuing.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Vengeance</title>
    <link href="https://mlarson.org/2012/04/09/vengeance-i-admit-it-i-was-seduced-by-the-cover/"/>
    <updated>2012-04-09T01:20:43.000Z</updated>
    <id>https://mlarson.org/2012/04/09/vengeance-i-admit-it-i-was-seduced-by-the-cover/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m238ihzmpa1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Vengeance_%282009_film%29&#34;&gt;Vengeance&lt;/a&gt;. I admit it: I was seduced by &lt;a href=&#34;https://en.wikipedia.org/wiki/File:Vengeancejt-new1.jpg&#34;&gt;the cover art&lt;/a&gt;. Points awarded for creative use of lighting and nice work with with framing and staging and such. The plot is your basic revenge tale and I didn’t find much to stir my blood.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 9, 2012</title>
    <link href="https://mlarson.org/2012/04/09/perception-vs-reality-an-excerpt-from-the/"/>
    <updated>2012-04-09T01:17:16.000Z</updated>
    <id>https://mlarson.org/2012/04/09/perception-vs-reality-an-excerpt-from-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m26u8tbc4i1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/7057536873/in/photostream&#34;&gt;Perception vs. Reality&lt;/a&gt;. An excerpt from &lt;a href=&#34;http://www.amazon.com/dp/0307888908&#34;&gt;The Start-up of You&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 6, 2012</title>
    <link href="https://mlarson.org/2012/04/06/it-was-only-later-that-i-realized-the-value-of/"/>
    <updated>2012-04-06T13:22:17.000Z</updated>
    <id>https://mlarson.org/2012/04/06/it-was-only-later-that-i-realized-the-value-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It was only later that I realized the value of being bored was actually pretty high. Being bored is a kind of diagnostic for the gap between what you might be interested in and your current environment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.findings.com/post/20527246081/how-we-will-read-clay-shirky&#34;&gt;Clay Shirky&lt;/a&gt;. (via &lt;a href=&#34;http://www.kungfugrippe.com/post/20574178993/bored&#34;&gt;merlin&lt;/a&gt;) Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/8736002566/ive-noticed-that-my-best-ideas-always-bubble-up&#34;&gt;Scott Adams&lt;/a&gt; in the &lt;a href=&#34;http://online.wsj.com/article/SB10001424053111903454504576486412642177904.html?mod=googlenews_wsj&#34;&gt;WSJ last August&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’ve noticed that my best ideas always bubble up when the outside world fails in its primary job of frightening, wounding or entertaining me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under &lt;a href=&#34;http://tumblr.mlarson.org/tagged/boredom&#34;&gt;boredom&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2012</title>
    <link href="https://mlarson.org/2012/04/05/throw-everything-you-know-about-ads-out-the-window/"/>
    <updated>2012-04-05T22:11:05.000Z</updated>
    <id>https://mlarson.org/2012/04/05/throw-everything-you-know-about-ads-out-the-window/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.ads.pof.com/2012/04/03/throw-everything-you-know-about-ads-out-the-window-pics-inside/&#34;&gt;Throw Everything You Know About Ads Out The Window (pics inside)&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Results? 0.049% CTR vs. &lt;strong&gt;0.137% CTR&lt;/strong&gt; in favor of the shit ad in Microsoft Paint. I also tested speed lines vs. no speed lines behind the car and speed lines won LOL. So what does this prove? &lt;strong&gt;Every idea that you have is worth testing, no matter how crappy you think it is.&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 4, 2012</title>
    <link href="https://mlarson.org/2012/04/04/all-you-had-to-do-was-look-at-each-of-your-players/"/>
    <updated>2012-04-04T15:59:24.000Z</updated>
    <id>https://mlarson.org/2012/04/04/all-you-had-to-do-was-look-at-each-of-your-players/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story. You told it with a hint of doom. You included his flaws. You emphasized the obstacles that could prevent him from succeeding. That was what made the story epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn’t do this alone; they needed a coach. A good coach made you suffer in a way that suited you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Chad Harbach, &lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0316126691/wwwaustinkleo-20/ref=nosim/&#34;&gt;&lt;em&gt;The Art of Fielding&lt;/em&gt;&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/post/11395045918&#34;&gt;Austin Kleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Kendrick Lamar/Dr. Dre Song, and Other Examples of Egregiously Obvious Ghostwriting - Grantland</title>
    <link href="https://mlarson.org/2012/04/04/the-new-kendrick-lamardr-dre-song-and-other/"/>
    <updated>2012-04-04T02:51:26.000Z</updated>
    <id>https://mlarson.org/2012/04/04/the-new-kendrick-lamardr-dre-song-and-other/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/blog/hollywood-prospectus/post/_/id/47049/the-new-kendrick-lamardr-dre-song-and-other-examples-of-egregiously-obvious-ghostwriting&#34;&gt;The New Kendrick Lamar/Dr. Dre Song, and Other Examples of Egregiously Obvious Ghostwriting - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Do You Make Life-Changing Decisions? | RyanHoliday.net</title>
    <link href="https://mlarson.org/2012/04/03/how-do-you-make-life-changing-decisions/"/>
    <updated>2012-04-03T01:29:28.000Z</updated>
    <id>https://mlarson.org/2012/04/03/how-do-you-make-life-changing-decisions/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Books. Books. Books. People have been doing [whatever it is your deciding about] for a while now. They’ve been moving West, leaving school, investing their savings, getting dumped or filing for divorce, starting businesses, quitting their jobs, fighting, dying and fucking for thousands of years. This is all written down, often in the first person. Read it. Stop pretending you’re breaking new ground.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ryanholiday.net/how-do-you-make-life-changing-decisions/&#34;&gt;How Do You Make Life-Changing Decisions? | RyanHoliday.net&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hunger Games</title>
    <link href="https://mlarson.org/2012/04/02/the-hunger-games-well-its-got-plenty-of-flaws/"/>
    <updated>2012-04-02T01:04:00.000Z</updated>
    <id>https://mlarson.org/2012/04/02/the-hunger-games-well-its-got-plenty-of-flaws/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m1tstwqylz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Hunger_Games_%28film%29&#34;&gt;The Hunger Games&lt;/a&gt;. Well, it’s got plenty of flaws (script, directing, plot, length), but it’s entertainment. Good enough to kill my interest in the books. More than anything, it makes me want to watch &lt;a href=&#34;http://tumblr.mlarson.org/post/4210033096/winters-bone-this-is-fantastic-i-got-totally&#34;&gt;Winter’s Bone&lt;/a&gt; again. Jennifer Lawrence is the real deal.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>13 Assassins</title>
    <link href="https://mlarson.org/2012/04/01/十三人の刺客-13-assassins-one-important-thing-others/"/>
    <updated>2012-04-01T23:59:32.000Z</updated>
    <id>https://mlarson.org/2012/04/01/十三人の刺客-13-assassins-one-important-thing-others/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/04/tumblr_m1tru2jezf1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/13_Assassins&#34;&gt;十三人の刺客 (13 Assassins)&lt;/a&gt;. One important thing others movies can learn from this one: the diplomatic boardroom plotting in the first part of the film is perfectly balanced with an absurd(ly fun) bloodbath at the end of the movie. I’m pretty sure there was some Japanese cultural nuance here that I just didn’t get, but I still dig it. Great directing and great acting. Also, be ye warned, there is one scene early in the movie that I just can’t unsee.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shame: A Durkheimian Take – The New Inquiry</title>
    <link href="https://mlarson.org/2012/04/01/shame-a-durkheimian-take-the-new-inquiry/"/>
    <updated>2012-04-01T23:59:28.000Z</updated>
    <id>https://mlarson.org/2012/04/01/shame-a-durkheimian-take-the-new-inquiry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The fact that addiction is a clinical condition that is straying into more and more areas of life is itself an interesting sociological phenomenon. It’s not that the field of psychology does not or should not exist, but efforts to cram more and more into this field represents a form of societal dishonesty that rivals the psychic dishonesty of addicts refusing to come clean.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/essays/shame-a-durkheimian-take/&#34;&gt;Shame: A Durkheimian Take – The New Inquiry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 25, 2012</title>
    <link href="https://mlarson.org/2012/03/25/god-with-magnificent-irony-gives-me-at-once-both/"/>
    <updated>2012-03-25T21:03:58.000Z</updated>
    <id>https://mlarson.org/2012/03/25/god-with-magnificent-irony-gives-me-at-once-both/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;God with magnificent irony / gives me at once both books and night.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Jorge Luis Borges, in &lt;a href=&#34;http://www.poesia-inter.net/jlb0402.htm&#34;&gt;Poem About Gifts&lt;/a&gt;. Disclaimer: translated, paraphrased. He almost certainly has blindness in mind when referring to night, but it reminded me of &lt;a href=&#34;http://twitter.com/#!/mlarson/status/83751604116922368&#34;&gt;me complaining on Twitter&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Every night the same fruitless bedtime prayer: “Dear God, please let me stop getting sleepy so I can read more. Amen.”&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>À bout portant (Point Blank)</title>
    <link href="https://mlarson.org/2012/03/25/a-bout-portant-point-blank-some-movies-do-all/"/>
    <updated>2012-03-25T01:45:18.000Z</updated>
    <id>https://mlarson.org/2012/03/25/a-bout-portant-point-blank-some-movies-do-all/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m1f3er7d831qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Point_Blank_%282010_film%29&#34;&gt;À bout portant (Point Blank)&lt;/a&gt;. Some movies do all the clichés right. Wrongful suspicion! A man in over his head! A woman in labor! Crooked cops! A chase on a complicated urban transit system! General ridiculousness! It all works. This movie reminded me of a great episode of a TV thriller–there’s not a ton of time for bullshit conversations and plot thickeners on your cellphones, so just go go go. There’s one chase scene in here that ends perfectly. It’s &lt;em&gt;exactly&lt;/em&gt; what I would do.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 24, 2012</title>
    <link href="https://mlarson.org/2012/03/24/elaine-in-seinfeld-male-unbonding-episode-i/"/>
    <updated>2012-03-24T00:28:00.000Z</updated>
    <id>https://mlarson.org/2012/03/24/elaine-in-seinfeld-male-unbonding-episode-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0fmanwdi91qlnh11o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Elaine in Seinfeld, &lt;a href=&#34;http://www.seinfeldscripts.com/MaleUnbonding.htm&#34;&gt;Male Unbonding&lt;/a&gt; episode. I probably quote this more than anything I’ve ever seen on TV:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;ELAINE: Come on, let’s go do something. I don’t want to just sit around here.&lt;/p&gt;
&lt;p&gt;JERRY: Okay.&lt;/p&gt;
&lt;p&gt;ELAINE: Want to go get something to eat?&lt;/p&gt;
&lt;p&gt;JERRY: Where do you want to go?&lt;/p&gt;
&lt;p&gt;ELAINE: I don’t care, I’m not hungry.&lt;/p&gt;
&lt;p&gt;JERRY: We could go to one of those cappuccino places. They let you just sit there.&lt;/p&gt;
&lt;p&gt;ELAINE: What are we gonna do there? Talk?&lt;/p&gt;
&lt;p&gt;JERRY: We can talk.&lt;/p&gt;
&lt;p&gt;ELAINE: I’ll go if I don’t have to talk.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;File under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/boredom&#34;&gt;boredom&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/introverts&#34;&gt;introverts&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 24, 2012</title>
    <link href="https://mlarson.org/2012/03/24/the-single-worst-argument-siskel-and-i-ever-had/"/>
    <updated>2012-03-24T00:22:45.000Z</updated>
    <id>https://mlarson.org/2012/03/24/the-single-worst-argument-siskel-and-i-ever-had/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The single worst argument Siskel and I ever had came after a coin flip, when we were unable to decide what we had been flipping for. We eventually had a two-out-of-three flip to settle the question of the original flip.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mobile.slate.com/articles/arts/culturebox/2012/03/siskel_and_ebert_an_oral_history_.html&#34;&gt;Roger Ebert&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 23, 2012</title>
    <link href="https://mlarson.org/2012/03/23/i-dream-about-a-kind-of-criticism-that-would-try/"/>
    <updated>2012-03-23T15:51:51.000Z</updated>
    <id>https://mlarson.org/2012/03/23/i-dream-about-a-kind-of-criticism-that-would-try/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I dream about a kind of criticism that would try not to judge but to bring an oeuvre, a book, a sentence, an idea to life; it would light fires, watch the grass grow, listen to the wind, and catch the sea foam in the breeze and scatter it. It would multiply not judgments but signs of existence; it would summon them, drag them from their sleep. Perhaps it would invent them sometimes — all the better. Criticism that hands down sentences sends me to sleep; I’d like a criticism of scintillating leaps of imagination. It would not be sovereign or dressed in red. It would bear the lightning of possible storms.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Michel Foucault (via &lt;a href=&#34;http://blog.frankchimero.com/&#34;&gt;viafrank&lt;/a&gt;). See also &lt;a href=&#34;http://tumblr.mlarson.org/post/6013985425/whatever-the-subject-a-real-critic-is-a-cultural&#34;&gt;Clive James&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Whatever the subject, a real critic is a cultural critic, always: if your judgment doesn’t bring in more of the world than it shuts out, you shouldn’t start.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;and &lt;a href=&#34;http://tumblr.mlarson.org/post/1554689102/of-all-the-duties-required-of-the-professional&#34;&gt;Anthony Lane&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Of all the duties required of the professional critic, the least important—certainly the least enduring—is the verdict.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 23, 2012</title>
    <link href="https://mlarson.org/2012/03/23/lemmetweetthatforyou-makes-twitter-forgery-simple/"/>
    <updated>2012-03-23T15:46:28.000Z</updated>
    <id>https://mlarson.org/2012/03/23/lemmetweetthatforyou-makes-twitter-forgery-simple/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m1ch5hl2vy1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://lemmetweetthatforyou.com/&#34;&gt;LEMMETWEETTHATFORYOU&lt;/a&gt; makes Twitter forgery simple and fast! Awesome. Don’t believe everything you see online, kids.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Raging Bull</title>
    <link href="https://mlarson.org/2012/03/22/raging-bull-i-liked-it-more-this-time-around-than/"/>
    <updated>2012-03-22T16:56:17.000Z</updated>
    <id>https://mlarson.org/2012/03/22/raging-bull-i-liked-it-more-this-time-around-than/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m1ap2vhltj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Raging_Bull&#34;&gt;Raging Bull&lt;/a&gt;. I liked it more this time around than &lt;a href=&#34;http://tumblr.mlarson.org/post/867179936/raging-bull-i-expected-that-boxing-would-be-much&#34;&gt;the first time I watched it&lt;/a&gt;. Something about seeing it on the big screen and with a crowd, it seemed much funnier. I still think the last half-hour or so is a trudge, but most biopics seem to be that way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why I Hate The &#39;Goldberg Variations&#39; : NPR</title>
    <link href="https://mlarson.org/2012/03/21/why-i-hate-the-goldberg-variations-npr/"/>
    <updated>2012-03-21T16:14:41.000Z</updated>
    <id>https://mlarson.org/2012/03/21/why-i-hate-the-goldberg-variations-npr/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;[Bach] says, in effect, &lt;em&gt;yes this is bound to be boring but I am going to be so masterful that you will be in awe and not care even if you will be bored&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Jeremy Denk is a great writer. See also &lt;a href=&#34;http://tumblr.mlarson.org/post/17264877155/flight-of-the-concord-the-perils-of-the-recording&#34;&gt;Denk on recording&lt;/a&gt; and &lt;a href=&#34;http://theselvedgeyard.wordpress.com/2011/03/10/pianist-glenn-gould-rejecting-the-bloodsport-cult-of-showmanship/&#34;&gt;photos of Glenn Gould during the March 1955 ‘Goldberg’ recording sessions&lt;/a&gt; collected by &lt;a href=&#34;http://theselvedgeyard.wordpress.com/&#34;&gt;The Selvedge Yard&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/deceptivecadence/2012/03/16/148769794/why-i-hate-the-goldberg-variations&#34;&gt;Why I Hate The &#39;Goldberg Variations&#39; : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In China, millions make themselves at home in caves - latimes.com</title>
    <link href="https://mlarson.org/2012/03/21/in-china-millions-make-themselves-at-home-in/"/>
    <updated>2012-03-21T16:08:06.000Z</updated>
    <id>https://mlarson.org/2012/03/21/in-china-millions-make-themselves-at-home-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;More than 30 million Chinese people live in caves, many of them in Shaanxi province where the Loess plateau, with its distinctive cliffs of yellow, porous soil, makes digging easy and cave dwelling a reasonable option.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Wow! 30 million.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.latimes.com/news/nationworld/world/la-fg-china-caves-20120318,0,2352472.story&#34;&gt;In China, millions make themselves at home in caves - latimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tucker &amp;amp; Dale vs Evil</title>
    <link href="https://mlarson.org/2012/03/20/tucker-dale-vs-evil-the-best-genre-satire/"/>
    <updated>2012-03-20T17:30:00.000Z</updated>
    <id>https://mlarson.org/2012/03/20/tucker-dale-vs-evil-the-best-genre-satire/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m171w2atz91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Tucker_%26_Dale_vs_Evil&#34;&gt;Tucker &amp;amp; Dale vs Evil&lt;/a&gt;. The best genre satire embraces as much as it mocks. You could work your way down a checklist of clichés acknowledged and subverted. The two leads are really great, and some of the best moments come from their script, chemistry, and delivery. Worthwhile for sure.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2012</title>
    <link href="https://mlarson.org/2012/03/18/ted2012-remixed-its-time-for-ted-this-is/"/>
    <updated>2012-03-18T18:34:00.000Z</updated>
    <id>https://mlarson.org/2012/03/18/ted2012-remixed-its-time-for-ted-this-is/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/vDHET3aCI2U&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=vDHET3aCI2U&#34;&gt;TED2012 remixed: It’s Time for TED&lt;/a&gt;. This is hilarious. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/bullshit&#34;&gt;bullshit&lt;/a&gt;. (&lt;a href=&#34;http://blogs.reuters.com/felix-salmon/2012/03/17/fabulous-journalism/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2012</title>
    <link href="https://mlarson.org/2012/03/18/real-life-is-messy-and-as-a-general-rule-the/"/>
    <updated>2012-03-18T18:31:00.000Z</updated>
    <id>https://mlarson.org/2012/03/18/real-life-is-messy-and-as-a-general-rule-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Real life is messy. And as a general rule, the more theatrical the story you hear, and the more it divides the world into goodies vs baddies, the less reliable that story is going to be. […] One of the central problems with narrative nonfiction is that the best narratives aren’t messy and complicated, while nonfiction nearly always is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.reuters.com/felix-salmon/2012/03/17/fabulous-journalism/&#34;&gt;Felix Salmon&lt;/a&gt;. I was so glad to see this article this afternoon. I just created my &lt;a href=&#34;http://tumblr.mlarson.org/tagged/lifeismessy&#34;&gt;life is messy&lt;/a&gt; tag last night. (&lt;a href=&#34;http://www.twitter.com/mike_ftw/status/181422239470731264&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Thin Red Line</title>
    <link href="https://mlarson.org/2012/03/18/the-thin-red-line-ive-now-seen-everything/"/>
    <updated>2012-03-18T18:11:24.000Z</updated>
    <id>https://mlarson.org/2012/03/18/the-thin-red-line-ive-now-seen-everything/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m134v5lpu01qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Thin_Red_Line_%281998_film%29&#34;&gt;The Thin Red Line&lt;/a&gt;. I’ve now seen everything &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt; has directed. I thought I’d like this one more. Concessions: it’s gorgeous, the hilltop battle is a masterpiece (I can’t think of any movie battle where you have such a feeling for the geography, the space they move in), the acting is top-notch. The challenge he doesn’t quite meet here is in telling a story about humanity by letting everyone tell a human story. &lt;em&gt;Badlands&lt;/em&gt; and &lt;em&gt;Days of Heaven&lt;/em&gt; each had single narrators; this one has at least seven, just counting off from memory. That’s fine. Single narration isn’t a rule. I appreciate the experimentation. I just don’t think it works here. With a few exceptions, these guys almost always speak lofty Malickian. Which is also fine! I can understand an argument that this could be the Universal Voice of the Yearning Soul, or something. It just didn’t feel right to me because the language was too similar, as if it were one person with a handful of accents. Wikipedia tells me that Billy Bob Thornton, Martin Sheen, Gary Oldman, Bill Pullman, Lukas Haas, Jason Patric, Viggo Mortensen and Mickey Rourke were all cast and filmed, but didn’t make it into the final edit. Incredible! I wonder if keeping these guys in, with their own voiceovers, could help balance the narration. Along with all the other actors who basically got cameos (Travolta, Clooney, Brody), could this be a movie that isn’t long enough? Dare I say it? My Terrence Malick rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/7241020197/days-of-heaven-my-first-malick-film-and-luckily&#34;&gt;Days of Heaven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/15619928959/the-new-world-in-which-the-title-is-a-metaphor&#34;&gt;The New World&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;Badlands&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/17889450052/the-tree-of-life-well-its-beautiful-and-huge&#34;&gt;The Tree of Life&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Thin Red line&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;I ranked this one dead last (close call), but note that Malick’s worst has still got a good lead over the median film. I think it’s safe to say he’s one of my favorite directors (up there with &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;Eastwood&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/busterkeaton&#34;&gt;Buster Keaton&lt;/a&gt;). I’d probably say that based on &lt;em&gt;Days of Heaven&lt;/em&gt; alone. Other &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;movies I’ve seen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Seth&#39;s Blog » More About the This American Life Retraction</title>
    <link href="https://mlarson.org/2012/03/17/seths-blog-more-about-the-this-american-life/"/>
    <updated>2012-03-17T19:53:27.000Z</updated>
    <id>https://mlarson.org/2012/03/17/seths-blog-more-about-the-this-american-life/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If there are more stories about this, in-depth ones, I am afraid Glass is going to conclude &lt;em&gt;We wanted to believe&lt;/em&gt;. That is going to be his deepest comment on this. I hope I’m wrong. I don’t agree with that assessment. I think the real problem is &lt;em&gt;We wanted things to be simple&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.sethroberts.net/2012/03/17/more-about-the-this-american-life-retraction/&#34;&gt;Seth&#39;s Blog » More About the This American Life Retraction&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rebranding is the Last Refuge of Terrorists | Mother Jones</title>
    <link href="https://mlarson.org/2012/03/17/rebranding-is-the-last-refuge-of-terrorists/"/>
    <updated>2012-03-17T19:45:36.000Z</updated>
    <id>https://mlarson.org/2012/03/17/rebranding-is-the-last-refuge-of-terrorists/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Bin Laden’s biggest concern was al-Qaeda’s media image among Muslims. He worried that it was so tarnished that, in a draft letter probably intended for [Atiyah Abd al-Rahman], he argued that &lt;a href=&#34;http://www.washingtonpost.com/opinions/the-bin-laden-plot-to-kill-president-obama/2012/03/16/gIQAwN5RGS_print.html&#34;&gt;the organization should find a new name&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2012/03/assorted-links-398.html&#34;&gt;via&lt;/a&gt;) See also &lt;a href=&#34;http://tumblr.mlarson.org/post/1076004423/interview-with-william-gibson-viceland-today&#34;&gt;William Gibson on terrorism PR&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You’re a small group with no reputation, and you start covertly blowing up or murdering the people of a big group, like a government or a nation-state or a whole race. And you can’t just do it and then go and do the next one. You have to do it, and then go and do your PR. “We just bombed your mall. It was us.” And then maybe you do it, and some other guys, these upstart assholes across town, are calling up the news and saying, “We did it! We bombed the mall!” So then you have to get your PR guy on the phone and say, “No, they’re full of shit. WE bombed the mall.” So it’s about branding to that extent.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://motherjones.com/kevin-drum/2012/03/rebranding-last-refuge-terrorists&#34;&gt;Rebranding is the Last Refuge of Terrorists | Mother Jones&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 17, 2012</title>
    <link href="https://mlarson.org/2012/03/17/if-you-look-inward-and-concentrate-only-on-your/"/>
    <updated>2012-03-17T19:45:31.000Z</updated>
    <id>https://mlarson.org/2012/03/17/if-you-look-inward-and-concentrate-only-on-your/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you look inward and concentrate only on your own desires all the time, you end up having fun some of the time, but a large amount of the time you’re miserable and another portion of the time you’re bored. I’d rather be attentive and curious all the time so I just keep my eyes and ears open to the world beyond myself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.people.com/people/article/0,,20074824,00.html&#34;&gt;John Cage&lt;/a&gt;, in People magazine of all places. 1979. (via &lt;a href=&#34;https://mobile.twitter.com/alexrossmusic/status/181025731852238848&#34;&gt;Alex Ross&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2012</title>
    <link href="https://mlarson.org/2012/03/15/erased-de-kooning-drawing-by-robert-rauschenberg/"/>
    <updated>2012-03-15T15:40:41.000Z</updated>
    <id>https://mlarson.org/2012/03/15/erased-de-kooning-drawing-by-robert-rauschenberg/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0xne4ebu21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sfmoma.org/explore/collection/artwork/25846&#34;&gt;Erased de Kooning Drawing&lt;/a&gt; by Robert Rauschenberg. (&lt;a href=&#34;http://www.npr.org/blogs/krulwich/2012/03/12/148456099/two-ways-to-think-about-nothing&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Aliens</title>
    <link href="https://mlarson.org/2012/03/15/aliens-this-is-how-you-do-a-sequel-extend-not/"/>
    <updated>2012-03-15T15:40:00.000Z</updated>
    <id>https://mlarson.org/2012/03/15/aliens-this-is-how-you-do-a-sequel-extend-not/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0xixksbgq1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Aliens_%28film%29&#34;&gt;Aliens&lt;/a&gt;. This is how you do a sequel. Extend, not rehash. It’s not as good as &lt;a href=&#34;http://tumblr.mlarson.org/post/10766879215/alien-this-one-has-not-aged-a-bit-fantasic&#34;&gt;Alien&lt;/a&gt;, but few things are and it doesn’t need to be because it’s just as fun. The first was about trauma and violation and survival, this one about confrontation and closure. Ripley’s got a great arc. I’d always wished they’d done more with Bishop’s crawl down the tunnel. It’s one of the best shots in scifi, but then the story zips elsewhere and when you come back, Bishop is chillin’, remote-controlling a plane. I also love when Ripley makes her machine gun + motion tracker + flamethrower superweapon with duct tape. It’s the little things. &lt;img src=&#34;http://digitalmediaservices.files.wordpress.com/2010/09/aliens05.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2012</title>
    <link href="https://mlarson.org/2012/03/14/vigilante-vigilante-the-battle-for-expression/"/>
    <updated>2012-03-14T16:31:27.000Z</updated>
    <id>https://mlarson.org/2012/03/14/vigilante-vigilante-the-battle-for-expression/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/25601874&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vigilantefilm.com/&#34;&gt;Vigilante Vigilante: The Battle for Expression&lt;/a&gt;. Some people get their thrills from graffiti/street art/etc., other people get their thrills from painting over other people’s graffiti/street art/etc. Hilarity ensues. I wish I was able to see this over &lt;a href=&#34;http://www.cinefestfilmtheatre.com/&#34;&gt;at Cinefest today&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 12, 2012</title>
    <link href="https://mlarson.org/2012/03/12/when-you-go-to-the-cinema-the-first-two-or-three/"/>
    <updated>2012-03-12T19:21:00.000Z</updated>
    <id>https://mlarson.org/2012/03/12/when-you-go-to-the-cinema-the-first-two-or-three/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When you go to the cinema — the first two or three minutes of any film are amazing. Because the screen is so big. The scale. Directors can pretty much do anything for those first few minutes. It doesn’t matter how many films you see — it’s still kind of a moment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/03/11/magazine/jonny-greenwood-radioheads-runaway-guitarist.html?pagewanted=all&#34;&gt;Jonny Greenwood&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shame</title>
    <link href="https://mlarson.org/2012/03/12/shame-just-like-with-hunger-my-interest-rarely/"/>
    <updated>2012-03-12T01:52:00.000Z</updated>
    <id>https://mlarson.org/2012/03/12/shame-just-like-with-hunger-my-interest-rarely/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0r133f5fq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Shame_%282011_film%29&#34;&gt;Shame&lt;/a&gt;. Just like with &lt;a href=&#34;http://tumblr.mlarson.org/post/15401355390/hunger-not-sure-how-i-feel-about-this-one&#34;&gt;Hunger&lt;/a&gt;, my interest rarely wavered but I’m not totally sure what to make of it. It felt odd that a movie that’s so vivid and unafraid is also so… conservative? I’d scrap the song scene, which is a fine performance but so, so dreary compared to the rest of the movie. Michael Fassbender is incredible, though (makes me even more excited for &lt;a href=&#34;http://en.wikipedia.org/wiki/Prometheus_%28film%29&#34;&gt;Prometheus&lt;/a&gt;). Carey Mulligan is also great, with the reservation that I like her role’s characterizing-Fassbender function much more than her plot function as the movie progresses. I’m pretty sure I’ll watch whatever Steve McQueen’s next movie is.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 12, 2012</title>
    <link href="https://mlarson.org/2012/03/12/let-the-facts-write-your-dreams/"/>
    <updated>2012-03-12T01:51:56.000Z</updated>
    <id>https://mlarson.org/2012/03/12/let-the-facts-write-your-dreams/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Let the facts write your dreams.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-sleeping-apart-but-staying-together-she-wants-kids-he-doesnt/2012/02/21/gIQABS661R_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2012</title>
    <link href="https://mlarson.org/2012/03/11/detail-from-monkeys-by-hasegawa-tohaku-this-was/"/>
    <updated>2012-03-11T21:54:14.000Z</updated>
    <id>https://mlarson.org/2012/03/11/detail-from-monkeys-by-hasegawa-tohaku-this-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0qgglpveh1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ubu.com/aspen/aspen10/monkeys.html&#34;&gt;Detail from Monkeys&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Hasegawa_T%C5%8Dhaku&#34;&gt;Hasegawa Tōhaku&lt;/a&gt;. This was republished in &lt;a href=&#34;http://ubu.com/aspen/&#34;&gt;Aspen&lt;/a&gt;,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;a multimedia magazine of the arts published by Phyllis Johnson from 1965 to 1971. Each issue came in a customized box filled with booklets, phonograph recordings, posters, postcards — one issue even included a spool of Super-8 movie film.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Awesome. &lt;a href=&#34;http://ubu.com/aspen/&#34;&gt;Archived at Ubuweb&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2012</title>
    <link href="https://mlarson.org/2012/03/09/mechanical-watches-partake-of-what-my-friend-john/"/>
    <updated>2012-03-09T03:33:37.000Z</updated>
    <id>https://mlarson.org/2012/03/09/mechanical-watches-partake-of-what-my-friend-john/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Mechanical watches partake of what my friend John Clute calls the Tamagotchi Gesture. They’re pointless in a peculiarly needful way; they’re comforting precisely because they require tending.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wired.com/wired/archive/7.01/ebay_pr.html&#34;&gt;William Gibson&lt;/a&gt;. This is the last time I’m gonna plug &lt;a href=&#34;http://www.amazon.com/dp/039915843X&#34;&gt;Distrust That Particular Flavor&lt;/a&gt;, I promise. The John Clute essay he’s referencing is in &lt;a href=&#34;http://www.amazon.com/Book-End-Times-John-Clute/dp/0061050334&#34;&gt;The Book of End Times&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2012</title>
    <link href="https://mlarson.org/2012/03/09/stephen-wolfram-blog-the-personal-analytics-of/"/>
    <updated>2012-03-09T03:23:38.000Z</updated>
    <id>https://mlarson.org/2012/03/09/stephen-wolfram-blog-the-personal-analytics-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0lgikni8g1qzcye0o1_540.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.stephenwolfram.com/2012/03/the-personal-analytics-of-my-life/&#34;&gt;Stephen Wolfram Blog : The Personal Analytics of My Life&lt;/a&gt;. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My consistent experience has been that the more routine I can make the basic practical aspects of my life, the more I am able to be energetic—and spontaneous—about intellectual and other things.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Words to Be Aware Of – Lone Gunman</title>
    <link href="https://mlarson.org/2012/03/09/words-to-be-aware-of-lone-gunman/"/>
    <updated>2012-03-09T03:21:15.000Z</updated>
    <id>https://mlarson.org/2012/03/09/words-to-be-aware-of-lone-gunman/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Wish. Try. Should. Deserve.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lonegunman.co.uk/2012/03/05/words-to-be-aware-of/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20LoneGunman%20(Lone%20Gunman)&#34;&gt;Words to Be Aware Of – Lone Gunman&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2012</title>
    <link href="https://mlarson.org/2012/03/09/last-year-at-a-dinner-party-i-was-seated-near-an/"/>
    <updated>2012-03-09T03:19:49.000Z</updated>
    <id>https://mlarson.org/2012/03/09/last-year-at-a-dinner-party-i-was-seated-near-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Last year at a dinner party, I was seated near an overweight man who was eating heaping helpings of roast beef, bread, vegetables, and potatoes. During the meal, when he heard me mention that I specialized in addiction therapy, he said, “I’m a food addict. I’ve tried everything–Weight Watchers, The South Beach, raw food, Atkins, low-fat diets. Nothing works for me.” I looked at him and said, “Have you tried suffering?” He laughed out loud, as if I was joking. I wasn’t joking.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;An excerpt from the opening of a later chapter of &lt;a href=&#34;http://www.amazon.com/dp/1616084189/&#34;&gt;Unhooked&lt;/a&gt;, which I really liked. Great book on addictions of all sorts (cigarettes, weed, alcohol, porn, gambling, the internet, exercise, food…), how they develop and sustain, the value of therapy, relationships, change, case studies. The chapter continues…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A therapist should not strive to make you happy. Living well, even suffering well, are more attainable goals than being happy, regardless of what the advertising world, Hollywood, the Hallmark card company, and the pharmaceutical industry would have us believe.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/194196311/remember-too-on-every-occasion-which-leads-thee-to&#34;&gt;Marcus Aurelius&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Remember too on every occasion which leads thee to vexation to apply this principle: not that this is a misfortune, but that to bear it nobly is good fortune.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>n 1: Listening to Books</title>
    <link href="https://mlarson.org/2012/03/09/n-1-listening-to-books/"/>
    <updated>2012-03-09T02:36:34.000Z</updated>
    <id>https://mlarson.org/2012/03/09/n-1-listening-to-books/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The essayist Sven Birkerts claims that all good reading involves self-mediation, effort, “collaboration” between the reader and the book, whereas audio books “determine” everything—“pace, timbre, inflection”—for the “captive listener.” The blogger and critic Scott Esposito is less careful to mask his snobbery: “Don’t go pretending like you’re some kind of big-time reader because you consumed the complete works of Balzac via mp3. No, you’re some guy who listened to an iPod while cooking dinner.” And when a &lt;em&gt;New York Times&lt;/em&gt; reporter asked Harold Bloom a couple of years ago what he thought of audio books, the great Yale humanist told her that “deep reading really demands the inner ear as well as the outer ear.” It requires, he continued, the use of “that part of you which is open to wisdom. You need the text in front of you.” This sounds to me somewhat peculiar, but a lot of people basically agree with it. They believe that whatever part of you is “open to wisdom” is a part that can be activated only through the eyes.&lt;/p&gt;
&lt;p&gt;Unless, of course, you are blind. In which case everything is obviously completely totally different.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nplusonemag.com/listening-to-books&#34;&gt;n 1: Listening to Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2012</title>
    <link href="https://mlarson.org/2012/03/07/post-industrial-creatures-of-an-information/"/>
    <updated>2012-03-07T20:28:32.000Z</updated>
    <id>https://mlarson.org/2012/03/07/post-industrial-creatures-of-an-information/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Post-industrial creatures of an information economy, we increasingly sense that accessing media is what we do. We have become terminally self-conscious. There is no such thing as simple entertainment. We watch ourselves watching. We watch ourselves watching Beavis and Butt-head, who are watching rock videos. Simply to watch, without the buffer of irony in place, might reveal a fatal naiveté.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/1996/07/14/magazine/the-net-is-a-waste-of-time.html?pagewanted=all&amp;amp;src=pm&#34;&gt;William Gibson&lt;/a&gt; on Twitter, in 1996. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/7273129748/this-continuous-modification-of-man-by-his-own&#34;&gt;Marshall McLuhan&lt;/a&gt;, (&lt;a href=&#34;http://www.amazon.com/dp/039915843X&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2012</title>
    <link href="https://mlarson.org/2012/03/07/you-can-get-hooked-on-anything-used-to-change-how/"/>
    <updated>2012-03-07T20:28:00.000Z</updated>
    <id>https://mlarson.org/2012/03/07/you-can-get-hooked-on-anything-used-to-change-how/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You can get hooked on anything used to change how you feel.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Unhooked-Quit-Anything-Susan-Shapiro/dp/1616084189&#34;&gt;Woolverton &amp;amp; Shapiro&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Take Shelter</title>
    <link href="https://mlarson.org/2012/03/07/take-shelter-this-one-isnt-great-as-a-thriller/"/>
    <updated>2012-03-07T20:27:00.000Z</updated>
    <id>https://mlarson.org/2012/03/07/take-shelter-this-one-isnt-great-as-a-thriller/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0j7h1qaga1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Take_Shelter&#34;&gt;Take Shelter&lt;/a&gt;. This one isn’t great as a thriller, because you go in thinking the guy’s gonna be a lunatic and you don’t buy for a second that it’s not just all in his head. BUT, and this is huge, it’s really, really good just as a movie about mental illness. I don’t think I’ve seen many movies this convincingly sympathetic. Often when I see extreme psychological issues on screen (recently: &lt;a href=&#34;http://tumblr.mlarson.org/post/18019605642/antichrist-this-and-the-tree-of-life-in-one&#34;&gt;Antichrist&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/13329851734/repulsion-my-third-by-polanski-as-in-rosemarys&#34;&gt;Repulsion&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/2362263701/black-swan-this-was-ultimately-a-bit&#34;&gt;Black Swan&lt;/a&gt;) it feels like an excuse for spectacle, it’s motive, it’s entertainment. Michael Shannon’s paranoia just breaks him, and you see the overwhelming shame and terror he feels about his own condition and how it threatens his family. In that, this is very successful. It’s like &lt;a href=&#34;http://tumblr.mlarson.org/post/12821676701/martha-marcy-may-marlene-wrenching-you-just-want&#34;&gt;Martha Marcy May Marlene&lt;/a&gt; in that way. Jessica Chastain is my favorite actress that I didn’t know existed &lt;a href=&#34;http://tumblr.mlarson.org/post/17889450052/the-tree-of-life-well-its-beautiful-and-huge&#34;&gt;until last month&lt;/a&gt;. I also liked director Jeff Nichols’ movie &lt;a href=&#34;http://tumblr.mlarson.org/post/5422480856/shotgun-stories-two-sets-of-half-brothers-feud&#34;&gt;Shotgun Stories&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 6, 2012</title>
    <link href="https://mlarson.org/2012/03/06/a-book-exists-at-the-intersection-of-the-authors/"/>
    <updated>2012-03-06T15:59:00.000Z</updated>
    <id>https://mlarson.org/2012/03/06/a-book-exists-at-the-intersection-of-the-authors/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A book exists at the intersection of the author’s subconscious and the reader’s response. An author’s career exists in the same way. A writer worries away at a jumble of thoughts, building them into a device that communicates, but the writer doesn’t know what’s been communicated until it’s possible to see it communicated.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/039915843X&#34;&gt;William Gibson&lt;/a&gt;. Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/1133011474/i-always-assume-that-a-good-book-is-more&#34;&gt;Umberto Eco&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I always assume that a good book is more intelligent than its author. It can say things that the writer is not aware of.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And &lt;a href=&#34;http://tumblr.mlarson.org/post/9530706767/an-able-reader-often-discovers-in-other-mens&#34;&gt;Montaigne&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An able reader often discovers in other men’s writings perfections beyond those that the author put in or perceived, and lends them richer meanings and aspects.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2012</title>
    <link href="https://mlarson.org/2012/03/05/william-gibson-referred-to-history-as-that-other/"/>
    <updated>2012-03-05T16:58:00.000Z</updated>
    <id>https://mlarson.org/2012/03/05/william-gibson-referred-to-history-as-that-other/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0f7lgb4os1qz5dklo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;William Gibson referred to history as “&lt;a href=&#34;http://www.wired.com/wired/archive/9.09/gibson.html&#34;&gt;that other form of speculative fiction&lt;/a&gt;”. Came across it in &lt;a href=&#34;http://www.amazon.com/dp/039915843X&#34;&gt;his new collection&lt;/a&gt; that &lt;a href=&#34;http://tumblr.mlarson.org/tagged/williamgibson&#34;&gt;I have been and will continue quoting&lt;/a&gt; for a while. (&lt;a href=&#34;http://blog.frankchimero.com/post/18793908366&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Making of OutKast&#39;s Aquemini | Creative Loafing Atlanta</title>
    <link href="https://mlarson.org/2012/03/05/the-making-of-outkasts-aquemini-creative/"/>
    <updated>2012-03-05T03:45:27.000Z</updated>
    <id>https://mlarson.org/2012/03/05/the-making-of-outkasts-aquemini-creative/</id>
    <content type="html">&lt;p&gt;Andre 3000:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When you rap and say anything kinda conscious, all the conscious people approach you. So after ATLiens I got it all - from books on sex to [metaphysics] and religion. But you also get introduced to a lot of fake phony ass people, and I addressed it in the song. You find some of the fakest people with dreads pouring oils on you. And it’s really kind of mind-blowing when you’re a young person and you start to find out some of this is bullshit, so then you’re just out there searching.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;https://mobile.twitter.com/musicwriting/status/176506164593438722&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/gyrobase/the-making-of-outkasts-aquemini/Content?oid=1552576&amp;amp;showFullText=true&#34;&gt;The Making of OutKast&#39;s Aquemini | Creative Loafing Atlanta&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2012</title>
    <link href="https://mlarson.org/2012/03/05/conspiracy-theories-and-the-occult-comfort-us/"/>
    <updated>2012-03-05T01:39:00.000Z</updated>
    <id>https://mlarson.org/2012/03/05/conspiracy-theories-and-the-occult-comfort-us/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Conspiracy theories and the occult comfort us because they present models of the world that more easily make sense than the world itself, and, regardless of how dark or threatening, are inherently less frightening.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wholeearth.com/issue/2105/article/111/metrophagy&#34;&gt;William Gibson&lt;/a&gt;, from an essay collected in &lt;a href=&#34;http://www.amazon.com/dp/039915843X&#34;&gt;Distrust That Particular Flavor&lt;/a&gt;, which &lt;a href=&#34;https://twitter.com/#!/mlarson/status/176378972244946944&#34;&gt;I recommend&lt;/a&gt;. This quote reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/14816502369/transcript-tyler-cowen-on-stories-less-wrong&#34;&gt;Tyler Cowen on storytelling&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Certified Copy</title>
    <link href="https://mlarson.org/2012/03/04/certified-copy-its-really-brilliant-and-its/"/>
    <updated>2012-03-04T20:00:14.000Z</updated>
    <id>https://mlarson.org/2012/03/04/certified-copy-its-really-brilliant-and-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0djc1aam81qzcye0o1_r1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Certified_Copy_%28film%29&#34;&gt;Certified Copy&lt;/a&gt;. It’s really brilliant, and it’s kinda hard to talk about this movie without spoiling it. There’s a lovely parceling out of information here, the way you learn more about the protagonists. The reveals are like, “Oh… &lt;em&gt;oooohhhh&lt;/em&gt;…”, not like, “But he’s ACTUALLY a GHOST!” In any case, the surprises depend on you coming to a conclusion, one way or another, and the way the movie unfolds, you have to question what you come up with. Much of the conversation in the movie works around ideas of authenticity (&lt;a href=&#34;http://en.wikipedia.org/wiki/Certified_copy&#34;&gt;cf&lt;/a&gt;.), subjectivity, pretense, conviction, truth. Art and relationships are alike in that way. I’ve heard &lt;a href=&#34;http://blog.colinmarshall.org/&#34;&gt;Colin Marshall&lt;/a&gt; praise director &lt;a href=&#34;http://en.wikipedia.org/wiki/Abbas_Kiarostami&#34;&gt;Abbas Kiarostami&lt;/a&gt; many times, and now I feel like a fool for not seeking out his work sooner. Watch this!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 4, 2012</title>
    <link href="https://mlarson.org/2012/03/04/had-the-concept-of-software-been-available-to-me/"/>
    <updated>2012-03-04T19:27:24.000Z</updated>
    <id>https://mlarson.org/2012/03/04/had-the-concept-of-software-been-available-to-me/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Had the concept of software been available to me, I imagine I would have felt as though I were installing something that exponentially increased what one day would be called bandwidth, though bandwidth of what, exactly, I remain unable to say.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/039915843X&#34;&gt;William Gibson&lt;/a&gt; on reading Borges’ &lt;a href=&#34;http://www.coldbacon.com/writing/borges-tlon.html&#34;&gt;Tlön, Uqbar, Orbis Tertius&lt;/a&gt; for the first time. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/borges&#34;&gt;Borges&lt;/a&gt;; &lt;a href=&#34;http://tumblr.mlarson.org/tagged/williamgibson&#34;&gt;William Gibson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Country Music, Openness to Experience, and the Psychology of Culture War | Big Think</title>
    <link href="https://mlarson.org/2012/03/04/country-music-openness-to-experience-and-the/"/>
    <updated>2012-03-04T19:19:01.000Z</updated>
    <id>https://mlarson.org/2012/03/04/country-music-openness-to-experience-and-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What high-openness liberals feel as mere nostalgia, low-openness conservatives feel as the baseline emotional tone of a recognizably decent life. If your kids don’t experience the same meaningful things in the same same way that you experienced them, then it may seem that their lives will be deprived of meaning, which would be tragic. And even if you’re able to see that your kids will find plenty of meaning, but in different things and in different ways, you might well worry about the possibility of ever really understanding and relating to them. The inability to bond over profound common experience would itself constitute a grave loss of meaning for both generations. So when the culture redefines a major life milestone, such as marriage, it trivializes one’s own milestone experience by imbuing it was a sense of contingency, threatens to deprive one’s children of the same experience, and thus threatens to make the generations strangers to one another. And what kind of monster would want that?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2012/03/assorted-links-384.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bigthink.com/ideas/country-music-openness-to-experience-and-the-psychology-of-culture-war?page=all&#34;&gt;Country Music, Openness to Experience, and the Psychology of Culture War | Big Think&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Get Him to the Greek</title>
    <link href="https://mlarson.org/2012/03/04/get-him-to-the-greek-ehhhhh/"/>
    <updated>2012-03-04T19:16:50.000Z</updated>
    <id>https://mlarson.org/2012/03/04/get-him-to-the-greek-ehhhhh/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/03/tumblr_m0bokurxdg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Get_Him_to_the_Greek&#34;&gt;Get Him to the Greek&lt;/a&gt;. Ehhhhh.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2012</title>
    <link href="https://mlarson.org/2012/03/03/when-were-shown-an-image-we-tend-to-let-our-guard/"/>
    <updated>2012-03-03T17:52:53.000Z</updated>
    <id>https://mlarson.org/2012/03/03/when-were-shown-an-image-we-tend-to-let-our-guard/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When we’re shown an image we tend to let our guard down. People learn how to read critically and think critically, but I don’t believe we learn how to see critically.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thebrowser.com/interviews/errol-morris-on-photography-and-reality?page=full&#34;&gt;Errol Morris&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pocketful of Dough - gourmet.com</title>
    <link href="https://mlarson.org/2012/03/03/pocketful-of-dough-gourmetcom/"/>
    <updated>2012-03-03T17:51:45.000Z</updated>
    <id>https://mlarson.org/2012/03/03/pocketful-of-dough-gourmetcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You want to go to the hottest restaurant in town. You have no reservation. Bruce Feiler has a plan for you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;How to bribe without being or feeling skeezy. (&lt;a href=&#34;http://www.lonegunman.co.uk/2012/03/02/bribing-and-restaurant-seating/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gourmet.com/magazine/2000s/2000/10/pocketful?printable=true&#34;&gt;Pocketful of Dough - gourmet.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kevin Durant, Russell Westbrook, and a midseason report on the Oklahoma City Thunder - Grantland</title>
    <link href="https://mlarson.org/2012/03/02/kevin-durant-russell-westbrook-and-a-midseason/"/>
    <updated>2012-03-02T21:39:01.000Z</updated>
    <id>https://mlarson.org/2012/03/02/kevin-durant-russell-westbrook-and-a-midseason/</id>
    <content type="html">&lt;p&gt;Reblogging so I can enjoy this phrase a little longer: “Oklahoma City’s free-jazz marionette of a superstar and its hailstorm of a point guard”.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/7634693/kevin-durant-russell-westbrook-midseason-report-oklahoma-city-thunder&#34;&gt;Kevin Durant, Russell Westbrook, and a midseason report on the Oklahoma City Thunder - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2012</title>
    <link href="https://mlarson.org/2012/03/02/writers-it-seems-to-me-should-write-not-make/"/>
    <updated>2012-03-02T21:38:23.000Z</updated>
    <id>https://mlarson.org/2012/03/02/writers-it-seems-to-me-should-write-not-make/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Writers, it seems to me, should write, not make speeches. But speeches, like quasi-journalistic writing assignments, can come attached to plane tickets, to hotel rooms in cities one might never have thought of visiting otherwise. In writing speeches, curiously, one sometimes finds out what one thinks, at that moment, about something. The world at large, say. Or futurity. Or the impossibility of absolutely grasping either. Generally they make me even more uncomfortable to write than articles, but later, back in the place of writing fiction, I often discover that I have been trying to tell myself something.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Distrust-Particular-Flavor-William-Gibson/dp/039915843X/&#34;&gt;William Gibson&lt;/a&gt; on creative transference.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Those Fabulous Confabs</title>
    <link href="https://mlarson.org/2012/03/02/those-fabulous-confabs/"/>
    <updated>2012-03-02T21:38:14.000Z</updated>
    <id>https://mlarson.org/2012/03/02/those-fabulous-confabs/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Until recently, the universal self-­actualizing creative ambition was to write a novel. Everyone has a novel in them, it was said. Now the fantasy has changed: Everyone has a TED Talk in them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/print/?/news/features/ted-conferences-2012-3/&#34;&gt;Those Fabulous Confabs&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frank Chimero - Library</title>
    <link href="https://mlarson.org/2012/03/02/frank-chimero-library/"/>
    <updated>2012-03-02T21:36:20.000Z</updated>
    <id>https://mlarson.org/2012/03/02/frank-chimero-library/</id>
    <content type="html">&lt;p&gt;Judging only by the books on the list that I’ve actually read and heard about, excellent suggestions all around. I need to do this.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://frankchimero.com/library/&#34;&gt;Frank Chimero - Library&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How external cues make us overeat.</title>
    <link href="https://mlarson.org/2012/03/02/how-external-cues-make-us-overeat/"/>
    <updated>2012-03-02T21:34:45.000Z</updated>
    <id>https://mlarson.org/2012/03/02/how-external-cues-make-us-overeat/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Why not make the fruit bowl more visible? Put your fruit on the table and not in the refrigerator bin. People say, “That’s okay because I have self-control.” Why not give your self-control a break?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Excellent interview about various findings from research on eating habits. External cues, exercise, perceptions, norming, status, mindfulness, and more generally, over-confidence.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thefreelibrary.com/_/print/PrintArticle.aspx?id=255363001&#34;&gt;How external cues make us overeat.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lists of Note: 10 Commandments for Con Men</title>
    <link href="https://mlarson.org/2012/03/02/lists-of-note-10-commandments-for-con-men/"/>
    <updated>2012-03-02T21:27:53.000Z</updated>
    <id>https://mlarson.org/2012/03/02/lists-of-note-10-commandments-for-con-men/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.listsofnote.com/2012/02/10-commandments-for-con-men.html&#34;&gt;Lists of Note: 10 Commandments for Con Men&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 1, 2012</title>
    <link href="https://mlarson.org/2012/03/01/one-of-the-more-peculiar-more-semiconscious/"/>
    <updated>2012-03-01T03:04:00.000Z</updated>
    <id>https://mlarson.org/2012/03/01/one-of-the-more-peculiar-more-semiconscious/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the more peculiar, more semiconscious exercises I practiced, early in my fiction-writing career, consisted of reading record reviews in, say, Melody Maker, while pretending that I was actually reading a review of a new science fiction novel. I would later attempt to recall that novel, my sense of it from the review, as a species of writing-prompt.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Distrust-Particular-Flavor-William-Gibson/dp/039915843X/&#34;&gt;William Gibson&lt;/a&gt;. Imaginative reading, recalling, repeating… &lt;a href=&#34;http://tumblr.mlarson.org/post/10687678495/in-which-teenage-ben-franklin-improves-his-writing-by&#34;&gt;Ben Franklin did the same thing to improve his writing&lt;/a&gt; as a teenager.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bruce Schneier on Trust | FiveBooks | The Browser</title>
    <link href="https://mlarson.org/2012/02/29/bruce-schneier-on-trust-fivebooks-the-browser/"/>
    <updated>2012-02-29T03:22:26.000Z</updated>
    <id>https://mlarson.org/2012/02/29/bruce-schneier-on-trust-fivebooks-the-browser/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Self-deception makes us better at deception. For example, there is value in my being able to deceive you into thinking I am stronger than I really am. You’re less likely to pick a fight with me, I’m more likely to win a dominance struggle without fighting, and so on. I am better able to bluff you if I actually believe I am stronger than I really am. So we deceive ourselves in order to be better able to deceive others.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/delusions&#34;&gt;delusions&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thebrowser.com/interviews/bruce-schneier-on-trust?page=full&#34;&gt;Bruce Schneier on Trust | FiveBooks | The Browser&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 29, 2012</title>
    <link href="https://mlarson.org/2012/02/29/art-is-cognitive-play-humans-and-other/"/>
    <updated>2012-02-29T03:14:49.000Z</updated>
    <id>https://mlarson.org/2012/02/29/art-is-cognitive-play-humans-and-other/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Art is cognitive play. Humans and other intelligent species engage in prolonged periods of physical play as children—mock combat, feats of balance and coordination—in order to train themselves to deal with situations they will face as adults. Art, beginning with the songs of mothers and infants, trains our minds. Cognition is, first and foremost, pattern recognition, and art is concentrated pattern. But humans are also intensely social animals—the source of our evolutionary success—and the life of small human groups, as primate studies suggest (and everyday experience confirms), requires a constant effort of social cognition: eye contact, shared attention, awareness of status hierarchies, sensitivity to what others may be feeling, intending, discovering, believing. That’s where storytelling comes in.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;William Deresiewicz in &lt;a href=&#34;http://www.thenation.com/article/adaptation-literary-darwinism?page=0,1&#34;&gt;Adaptation: On Literary Darwinism | The Nation&lt;/a&gt;, summarizing some arguments in &lt;a href=&#34;http://en.wikipedia.org/wiki/Brian_Boyd&#34;&gt;Brian Boyd&lt;/a&gt;’s &lt;a href=&#34;http://www.amazon.com/Origin-Stories-Evolution-Cognition-Fiction/dp/0674033574&#34;&gt;On the Origin of Stories&lt;/a&gt;. (via &lt;a href=&#34;http://wehr.tumblr.com/post/18302466601/art-is-cognitive-play-humans-and-other&#34;&gt;wehr&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 29, 2012</title>
    <link href="https://mlarson.org/2012/02/29/murketing-raw-file-has-an-enjoyable-writeup-by/"/>
    <updated>2012-02-29T03:09:04.000Z</updated>
    <id>https://mlarson.org/2012/02/29/murketing-raw-file-has-an-enjoyable-writeup-by/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_m01zhlaxuf1qzuq4lo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://murketing.tumblr.com/post/18377824893&#34;&gt;murketing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Raw File has an enjoyable writeup by &lt;a href=&#34;http://www.wired.com/rawfile/author/amurabayashi/&#34; title=&#34;Posts by Allen Murabayashi&#34;&gt;Allen Murabayashi&lt;/a&gt;, in a form that we might call a “love rant.” It’s titled: &lt;a href=&#34;http://www.wired.com/rawfile/2012/02/rant-i-love-photography/&#34;&gt;Rant: I Love Photography | Raw File | Wired.com&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There are so many more incredible photos today than there ever were. And more people consume more photography than they ever did thanks to things like Facebook, Instagram, iPads, blogs, and “best of” compilations. This is the golden age of photography. Everyone takes photos now, and there is inspiration all around us. History is being made, and we’re capturing it. I love photography.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It’s worth a read/look.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>G&amp;amp;G Me With a Buccellati Silver Spoon! The OA Editor Takes Down the Competition :: Oxford American</title>
    <link href="https://mlarson.org/2012/02/29/gg-me-with-a-buccellati-silver-spoon-the-oa/"/>
    <updated>2012-02-29T03:08:48.000Z</updated>
    <id>https://mlarson.org/2012/02/29/gg-me-with-a-buccellati-silver-spoon-the-oa/</id>
    <content type="html">&lt;p&gt;An extended, worthwhile critique/rant on &lt;em&gt;Garden &amp;amp; Gun&lt;/em&gt;. OA Editor Marc Smirnoff talks a bit about willful editorial blind spots, like &lt;em&gt;G&amp;amp;G&lt;/em&gt;’s intentional avoidance of politics, religion, and football. And race:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The South’s progress since 1966 is what needs to be celebrated, not the fact that a native magazine ignored the historic issues and deep struggles of the era. The growth in consciousness wasn’t a pretty process—wasn’t pretty enough for the pages of &lt;em&gt;Southern Living&lt;/em&gt;—and it wasn’t even a process that all wanted. But nothing, in the end, has made the South more “civilized” and “gracious” than that growth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;https://mobile.twitter.com/silvermanjacob/status/174215550283689984&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://oxfordamerican.org/articles/2012/feb/23/gg-me-buccellati-silver-spoon/&#34;&gt;G&amp;amp;G Me With a Buccellati Silver Spoon! The OA Editor Takes Down the Competition :: Oxford American&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 29, 2012</title>
    <link href="https://mlarson.org/2012/02/29/nba-rookie-midterm-report-i-love-these-radar/"/>
    <updated>2012-02-29T03:08:10.000Z</updated>
    <id>https://mlarson.org/2012/02/29/nba-rookie-midterm-report-i-love-these-radar/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/7624588/nba-rookie-midterm-report-including-kyrie-irving-ricky-rubio-more&#34;&gt;NBA Rookie Midterm Report&lt;/a&gt;. I love these radar charts for sports, especially with percentile rankings. Awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>We&#39;re All the 1 Percent - Charles Kenny | Foreign Policy</title>
    <link href="https://mlarson.org/2012/02/28/were-all-the-1-percent-charles-kenny-foreign/"/>
    <updated>2012-02-28T16:38:00.000Z</updated>
    <id>https://mlarson.org/2012/02/28/were-all-the-1-percent-charles-kenny-foreign/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To make it into the richest 1 percent globally, all you need is an income of around $34,00.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Perspective!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.foreignpolicy.com/articles/2012/02/27/we_are_all_the_1_percent&#34;&gt;We&#39;re All the 1 Percent - Charles Kenny | Foreign Policy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 27, 2012</title>
    <link href="https://mlarson.org/2012/02/27/we-are-shaped-as-writers-i-believe-not-much-by/"/>
    <updated>2012-02-27T16:45:05.000Z</updated>
    <id>https://mlarson.org/2012/02/27/we-are-shaped-as-writers-i-believe-not-much-by/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We [are] shaped as writers, I believe, not much by who our favorite writers are as by our general experience of fiction. Learning to write fiction, we learn to listen for our own acquired sense of what feels right, based on the totality of the pleasure (or its lack) that fiction has provided us. Not direct emulation, but rather a matter of a personal micro-culture.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/039915843X&#34;&gt;William Gibson&lt;/a&gt; &lt;a href=&#34;http://www.brainpickings.org/index.php/2012/02/24/william-gibson-personal-micro-culture/&#34;&gt;via Brain Pickings&lt;/a&gt;. I just picked up this book. Really looking forward to reading more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Decline and Fall of Parental Authority | AlterNet</title>
    <link href="https://mlarson.org/2012/02/27/the-decline-and-fall-of-parental-authority/"/>
    <updated>2012-02-27T16:45:01.000Z</updated>
    <id>https://mlarson.org/2012/02/27/the-decline-and-fall-of-parental-authority/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;By the time kids are 18, at least half of them have already received a psychological diagnosis.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If that’s true… wow. (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2012/02/assorted-links-376.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.alternet.org/story/154249/the_decline_and_fall_of_parental_authority?page=entire&#34;&gt;The Decline and Fall of Parental Authority | AlterNet&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 27, 2012</title>
    <link href="https://mlarson.org/2012/02/27/steal-like-an-artist-reviews-what-people-are/"/>
    <updated>2012-02-27T16:44:49.000Z</updated>
    <id>https://mlarson.org/2012/02/27/steal-like-an-artist-reviews-what-people-are/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_m028yenaft1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/steal/praise/&#34;&gt;Steal Like An Artist Reviews - What People Are Saying&lt;/a&gt;. A stream of tweets, photos, and blog posts from happy customers. Why aren’t more writers/publishers doing this?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 27, 2012</title>
    <link href="https://mlarson.org/2012/02/27/the-great-thing-about-dead-or-remote-masters-is/"/>
    <updated>2012-02-27T16:44:36.000Z</updated>
    <id>https://mlarson.org/2012/02/27/the-great-thing-about-dead-or-remote-masters-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The great thing about dead or remote masters is that they can’t refuse you as an apprentice. You can learn whatever you want from them. They left their lesson plans in their work.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Steal-Like-Artist-Things-Creative/dp/0761169253/&#34;&gt;Austin Kleon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Teaching « Modeled Behavior</title>
    <link href="https://mlarson.org/2012/02/27/on-teaching-modeled-behavior/"/>
    <updated>2012-02-27T16:44:00.000Z</updated>
    <id>https://mlarson.org/2012/02/27/on-teaching-modeled-behavior/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No matter what you are saying your effectiveness will be primarily determined by how much you love saying it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://modeledbehavior.com/2012/02/26/on-teaching/&#34;&gt;On Teaching « Modeled Behavior&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2012</title>
    <link href="https://mlarson.org/2012/02/24/as-an-artist-you-can-sit-and-tinker-with-stuff/"/>
    <updated>2012-02-24T18:32:32.000Z</updated>
    <id>https://mlarson.org/2012/02/24/as-an-artist-you-can-sit-and-tinker-with-stuff/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;As an artist you can sit and tinker with stuff forever. You can add and take away but I think that’s kind of the importance of having someone over you saying, “We need this, this is a deadline.” Sometimes those oppositions or those who push and pull are needed because we’ll just sit and tinker forever.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gq.com/entertainment/music/201202/andre-3000-interview-new-outkast-album-benjamin-bixby&#34;&gt;Andre 3000&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Are You As Busy As You Think? - WSJ.com</title>
    <link href="https://mlarson.org/2012/02/24/are-you-as-busy-as-you-think-wsjcom/"/>
    <updated>2012-02-24T17:00:26.000Z</updated>
    <id>https://mlarson.org/2012/02/24/are-you-as-busy-as-you-think-wsjcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Claiming to be busy relieves us of the burden of choice. But if you’re working 50 hours a week, and sleeping eight hours a night (56 per week) that leaves 62 hours for other things. That’s plenty of hours for a family life and a personal life — exercising, volunteering, sitting on the porch with the paper, plus watching TV if you like.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052970203358704577237603853394654.html?mod=WSJ_hps_sections_careerjournal#articleTabs%3Darticle&#34;&gt;Are You As Busy As You Think? - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>T-Men</title>
    <link href="https://mlarson.org/2012/02/23/t-men-a-b-movie-mostly-remembered-for-john/"/>
    <updated>2012-02-23T22:04:02.000Z</updated>
    <id>https://mlarson.org/2012/02/23/t-men-a-b-movie-mostly-remembered-for-john/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzuo05wyvz1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/T-Men&#34;&gt;T-Men&lt;/a&gt;. A B-movie mostly remembered for &lt;a href=&#34;http://en.wikipedia.org/wiki/John_Alton&#34;&gt;John Alton&lt;/a&gt;’s cinematography. Film noir is so mannered sometimes. Our modern sensibilities make many parts of this movie unintentionally funny, but of course that makes you like it more. Had a good mini-twist and a surprisingly touching death scene. This is the only &lt;a href=&#34;http://en.wikipedia.org/wiki/Anthony_Mann&#34;&gt;Anthony Mann&lt;/a&gt; film I’ve seen, besides watching &lt;a href=&#34;http://en.wikipedia.org/wiki/El_Cid_%28film%29&#34;&gt;El Cid&lt;/a&gt; in high school Spanish class.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 22, 2012</title>
    <link href="https://mlarson.org/2012/02/22/young-jeezy-hustlaz-ambition-who-gives-a-fuck/"/>
    <updated>2012-02-22T21:57:33.000Z</updated>
    <id>https://mlarson.org/2012/02/22/young-jeezy-hustlaz-ambition-who-gives-a-fuck/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/yVs5HDlabR4&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=yVs5HDlabR4&#34;&gt;Young Jeezy - Hustlaz Ambition&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Who gives a fuck what you think of me unless you feedin’ my family?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Antichrist</title>
    <link href="https://mlarson.org/2012/02/21/antichrist-this-and-the-tree-of-life-in-one/"/>
    <updated>2012-02-21T18:49:00.000Z</updated>
    <id>https://mlarson.org/2012/02/21/antichrist-this-and-the-tree-of-life-in-one/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzqy8pupls1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Antichrist_%28film%29&#34;&gt;Antichrist&lt;/a&gt;. This and &lt;a href=&#34;http://tumblr.mlarson.org/post/17889450052/the-tree-of-life-well-its-beautiful-and-huge&#34;&gt;The Tree of Life&lt;/a&gt; in one weekend? I could use a good slapstick comedy now. It wasn’t as dark or graphic as I expected, but Jeeeeeeesus. Not for the timid. This is a movie that I’ll enjoy a lot more after reading some good criticism. Plenty of (not-so-subtle) archetypal/mythological/symbolic/etc./etc. fodder here. Incidentally, this one was dedicated to &lt;a href=&#34;http://tumblr.mlarson.org/tagged/tarkovsky&#34;&gt;Tarkovsky&lt;/a&gt;. One obvious reference to &lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;Solaris&lt;/a&gt;: &lt;img src=&#34;http://silentlistening.files.wordpress.com/2009/12/antichrist.jpg&#34; alt=&#34;&#34;&gt; &lt;img src=&#34;http://www.jonathanrosenbaum.com/wp-content/uploads/2011/05/solaris1.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I didn’t dedicate the film to Tarkovsky, then everyone would say I was stealing from him. &lt;a href=&#34;http://www.timeout.com/film/features/show-feature/8262/Lars_Von_Trier_discusses-Antichrist-.html&#34;&gt;If you are stealing, then dedicate&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2012</title>
    <link href="https://mlarson.org/2012/02/20/austinkleon-i-sort-of-hate-book-trailers-so-i/"/>
    <updated>2012-02-20T16:25:00.000Z</updated>
    <id>https://mlarson.org/2012/02/20/austinkleon-i-sort-of-hate-book-trailers-so-i/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/37086074&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/17950012379&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I sort of hate book trailers, so I made &lt;a href=&#34;http://www.austinkleon.com/2012/02/20/steal-like-an-artist-book-trailer/&#34;&gt;a cute dog video&lt;/a&gt; disguised as one instead.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;My relationship with Amazon was deeply harmed when they told me &lt;a href=&#34;http://www.amazon.com/Steal-Like-Artist-Things-Creative/dp/0761169253/&#34;&gt;my pre-ordered copy&lt;/a&gt; isn’t coming until March 1st restored when I got an update that it should arrive tomorrow! Hurry it up Good job, guys!&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Upping the Antihero – The New Inquiry</title>
    <link href="https://mlarson.org/2012/02/20/upping-the-antihero-the-new-inquiry/"/>
    <updated>2012-02-20T16:23:03.000Z</updated>
    <id>https://mlarson.org/2012/02/20/upping-the-antihero-the-new-inquiry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The old cop who chafed at institutional limits has undergone a neoliberal transformation: The result is a new kind of series that we might call the consultant procedural. A derivative of the cop and private investigator procedurals, the consultant procedural starts with some sort of institutional disqualification and follows the central character as he or she ports unmatched professional skills from job to job.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The consultant procedural! This is brilliant.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/essays/upping-the-antihero/&#34;&gt;Upping the Antihero – The New Inquiry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gilbert Arenas, Kobe Bryant, the Los Angeles Lakers, and the argument for signing Agent Zero - Grantland</title>
    <link href="https://mlarson.org/2012/02/20/gilbert-arenas-kobe-bryant-the-los-angeles/"/>
    <updated>2012-02-20T16:20:30.000Z</updated>
    <id>https://mlarson.org/2012/02/20/gilbert-arenas-kobe-bryant-the-los-angeles/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Kobe’s relentlessness has always been his most celebrated quality, but this season, he’s starting to remind me of one of those space probes that somehow keep feeding back data even after they’ve gone out twice as far as the zone where they were supposed to break down. You know these stories — no one at NASA can believe it, every day they come into work expecting the line to be dead, but somehow, the beeps and blorps keep coming through. Maybe half the transmissions get lost these days, or break up around the moons of Jupiter, but somehow, this piece of isolated metal keeps functioning on a cold fringe of the solar system that no human eyes have seen.&lt;/p&gt;
&lt;p&gt;That’s Kobe, right? While the rest of the Lakers look increasingly anxious and time-bound, he just keeps gliding farther out, like some kind of experiment to see whether never having a single feeling can make you immortal. He’s barely preserving radio contact with anyone else at this point, but basketball scientists who’ve seen fragments of his diagnostic readouts report that the numbers are heartening. It’s bizarre.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/7585846/gilbert-arenas-kobe-bryant-los-angeles-lakers-argument-signing-agent-zero&#34;&gt;Gilbert Arenas, Kobe Bryant, the Los Angeles Lakers, and the argument for signing Agent Zero - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 19, 2012</title>
    <link href="https://mlarson.org/2012/02/19/rarely-do-i-have-any-shittiness-that-stays-shitty/"/>
    <updated>2012-02-19T17:16:11.000Z</updated>
    <id>https://mlarson.org/2012/02/19/rarely-do-i-have-any-shittiness-that-stays-shitty/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Rarely do I have any shittiness that stays shitty. I either resolve it or walk away. Rarely do I let shit linger.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rollingstone.com/movies/news/eddie-murphy-the-rolling-stone-interview-20111109?print=true&#34;&gt;Eddie Murphy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eddie Murphy: The Rolling Stone Interview</title>
    <link href="https://mlarson.org/2012/02/19/eddie-murphy-the-rolling-stone-interview/"/>
    <updated>2012-02-19T17:13:00.000Z</updated>
    <id>https://mlarson.org/2012/02/19/eddie-murphy-the-rolling-stone-interview/</id>
    <content type="html">&lt;p&gt;I missed this interview last fall. Murphy on the selectiveness that wealth affords:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I only want to do what I really want to do, otherwise I’m content to sit here and play my guitar all day. I always tell people now that I’m a semiretired gentleman of leisure, and occasionally I’ll go do some work to break the boredom up.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On parenting:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;That stuff, with people disciplining their kids back in the day, it’s totally different. You hear about Joe Jackson, who had, what, 10 kids? You’re whipping somebody’s ass if you have 10 kids, in this little house! Ten kids, one of them is spinning all around and walking backward and shit? You’d be like, “Somebody’s getting their ass whipped” [laughs]. It’s a whole different time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On transience:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Technology has it to where they gonna play this stuff forever. But the reality is, all this shit turns into dust, everything is temporary. No matter what you do, if you’re around here long enough, you’ll wind up dribbling and shitting on yourself, and you won’t even remember the shit you did.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rollingstone.com/movies/news/eddie-murphy-the-rolling-stone-interview-20111109?print=true&#34;&gt;Eddie Murphy: The Rolling Stone Interview&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Tree of Life</title>
    <link href="https://mlarson.org/2012/02/19/the-tree-of-life-well-its-beautiful-and-huge/"/>
    <updated>2012-02-19T17:13:00.000Z</updated>
    <id>https://mlarson.org/2012/02/19/the-tree-of-life-well-its-beautiful-and-huge/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzngjjhvjf1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Tree_of_Life_%28film%29&#34;&gt;The Tree of Life&lt;/a&gt;. Well, it’s beautiful. And huge bonus points to Malick for ridiculous ambition and the credibility to do it at scale with big names. But in the same way that I wouldn’t necessarily recommend movies like &lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;Solaris&lt;/a&gt; or &lt;a href=&#34;http://en.wikipedia.org/wiki/2001:_A_Space_Odyssey_(film)&#34;&gt;2001&lt;/a&gt; or &lt;a href=&#34;http://tumblr.mlarson.org/post/948682233/once-upon-a-time-in-the-west-its-awesome-one-of&#34;&gt;Once Upon a Time in the West&lt;/a&gt; or &lt;a href=&#34;http://en.wikipedia.org/wiki/Koyaanisqatsi&#34; title=&#34;Koyaanisqatsi&#34;&gt;Koyaanisqatsi&lt;/a&gt; or something, I don’t recommend this one if you’re not willing to sit through some wanky, gorgeous, exhausting, melodramatic sequences. I felt really, really skeptical when I saw the trailers, skeptical when I started, rolled my eyes a few times when I was watching… and yet I’m warming to the idea of watching it again. In the moments where there’s actually acting, the performers are excellent. Sometimes it takes you one viewing to figure out the rules and another to participate/surrender like you need to. My current &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/7241020197/days-of-heaven-my-first-malick-film-and-luckily&#34;&gt;Days of Heaven&lt;/a&gt; (with a probably insurmountable lead)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/15619928959/the-new-world-in-which-the-title-is-a-metaphor&#34;&gt;The New World&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;Badlands&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Tree of Life (or tied for third?)&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;With this one out of the way, it’s on to &lt;em&gt;The Thin Red Line&lt;/em&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Predictive analytics and information camouflage – The New Inquiry</title>
    <link href="https://mlarson.org/2012/02/19/predictive-analytics-and-information-camouflage/"/>
    <updated>2012-02-19T17:07:26.000Z</updated>
    <id>https://mlarson.org/2012/02/19/predictive-analytics-and-information-camouflage/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Ads lift us above the other people who are duped by them. That is part of how they persuade us. […] We are hailed by ads only under the pretense that we are observing someone else being hailed (someone who turns out to become us).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/blogs/marginal-utility/predictive-analytics-and-information-camouflage/&#34;&gt;Predictive analytics and information camouflage – The New Inquiry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Envisioning a Post-Campus America - Megan McArdle - The Atlantic</title>
    <link href="https://mlarson.org/2012/02/19/envisioning-a-post-campus-america-megan-mcardle/"/>
    <updated>2012-02-19T17:05:51.000Z</updated>
    <id>https://mlarson.org/2012/02/19/envisioning-a-post-campus-america-megan-mcardle/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Tenured academics has worked a great scam. They’ve managed to monetize peoples’ affection for regional football teams, and their desire for a work credential, and then somehow diverted that money into paying academics to work on whatever they want, for the rest of their lives, &lt;em&gt;without any oversight by the football fans or the employers&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In addition to enjoying this nice little zinger, definitely read her 12 hypotheses about the college system in the wake of distance-learning disruption. Good stuff.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/business/archive/2012/02/envisioning-a-post-campus-america/253032/&#34;&gt;Envisioning a Post-Campus America - Megan McArdle - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sweet Smell of Success</title>
    <link href="https://mlarson.org/2012/02/16/sweet-smell-of-success-its-about-information/"/>
    <updated>2012-02-16T19:48:38.000Z</updated>
    <id>https://mlarson.org/2012/02/16/sweet-smell-of-success-its-about-information/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzhxdyrcqm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Sweet_Smell_of_Success&#34;&gt;Sweet Smell of Success&lt;/a&gt;. It’s about information, and what you can get for it. This is a cynical film, but somehow you’re never far from a punchline. Awesome movie. Tony Curtis is truly incredible. (I really liked him in &lt;a href=&#34;http://tumblr.mlarson.org/post/4390545864/some-like-it-hot-i-have-verified-that-this-is-one&#34;&gt;Some Like It Hot&lt;/a&gt;, too.) First time I’ve seen Burt Lancaster, though &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Killers_%281946_film%29&#34;&gt;The Killers&lt;/a&gt; has been on my list for a while.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2012</title>
    <link href="https://mlarson.org/2012/02/16/a-photograph-is-a-secret-about-a-secret-the-more/"/>
    <updated>2012-02-16T19:48:33.000Z</updated>
    <id>https://mlarson.org/2012/02/16/a-photograph-is-a-secret-about-a-secret-the-more/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A photograph is a secret about a secret. The more it tells you, the less you know.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Diane_Arbus&#34;&gt;Diane Arbus&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2012</title>
    <link href="https://mlarson.org/2012/02/16/the-bomb-and-the-general-a-vintage-semiotic/"/>
    <updated>2012-02-16T19:48:26.000Z</updated>
    <id>https://mlarson.org/2012/02/16/the-bomb-and-the-general-a-vintage-semiotic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzg3sp9mqi1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.brainpickings.org/index.php/2012/02/13/the-bomb-and-the-general-umberto-eco/&#34;&gt;The Bomb and the General: A Vintage Semiotic Children’s Book by Umberto Eco circa 1966&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New World of William Carlos Williams by Adam Kirsch | The New York Review of Books</title>
    <link href="https://mlarson.org/2012/02/14/the-new-world-of-william-carlos-williams-by-adam/"/>
    <updated>2012-02-14T14:47:58.000Z</updated>
    <id>https://mlarson.org/2012/02/14/the-new-world-of-william-carlos-williams-by-adam/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In his Autobiography, Williams makes clear that part of what inspired him to become a writer was anger: “To write, like Shakespeare! and besides I wanted to tell people, to tell ‘em off, plenty. There would be a bitter pleasure in that, bitter because I instinctively knew no one much would listen.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2012/feb/23/new-world-william-carlos-williams/&#34;&gt;The New World of William Carlos Williams by Adam Kirsch | The New York Review of Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2012</title>
    <link href="https://mlarson.org/2012/02/13/rita-hayworth-gildas-first-appearance-when-i/"/>
    <updated>2012-02-13T19:24:57.000Z</updated>
    <id>https://mlarson.org/2012/02/13/rita-hayworth-gildas-first-appearance-when-i/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/RijTch6B5WE&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=RijTch6B5WE&#34;&gt;Rita Hayworth - Gilda’s First Appearance&lt;/a&gt;. When I saw it featured in &lt;a href=&#34;http://tumblr.mlarson.org/post/17298870309/visions-of-light-if-you-have-the-slightest-movie&#34;&gt;Visions of Light&lt;/a&gt;, which just showed the hair-tossing and winning smile, this bit got a nice laugh out of the audience. This was in the section of the documentary about Hollywood starlets and their symbiotic professional relationships with cinematographers who knew how to make them look great. Actresses and photographers would look out for each other. And then &lt;a href=&#34;http://tumblr.mlarson.org/post/17553937786/gilda-this-one-is-worth-watching-for-rita&#34;&gt;when I watched &lt;em&gt;Gilda&lt;/em&gt;&lt;/a&gt; last night and saw this clip again, after a 20-minute intro… It’s still silly, but… I mean… dang.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2012</title>
    <link href="https://mlarson.org/2012/02/13/so-successful-has-been-the-cameras-role-in/"/>
    <updated>2012-02-13T16:00:33.000Z</updated>
    <id>https://mlarson.org/2012/02/13/so-successful-has-been-the-cameras-role-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;So successful has been the camera’s role in beautifying the world that photographs, rather than the world, have become the standard of the beautiful.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/On_Photography&#34;&gt;Susan Sontag&lt;/a&gt;. Via &lt;a href=&#34;http://catandgirl.com/?p=3585#comment-314443&#34;&gt;a commenter&lt;/a&gt; on &lt;a href=&#34;http://catandgirl.com/?p=3585&#34;&gt;today’s Cat and Girl&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2012</title>
    <link href="https://mlarson.org/2012/02/13/very-small-array-the-contemplative-juries-of-law/"/>
    <updated>2012-02-13T16:00:21.000Z</updated>
    <id>https://mlarson.org/2012/02/13/very-small-array-the-contemplative-juries-of-law/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzc9ipox5q1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.verysmallarray.com/?p=1361&#34;&gt;very small array » The Contemplative Juries of Law &amp;amp; Order, Season 1&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gilda</title>
    <link href="https://mlarson.org/2012/02/13/gilda-this-one-is-worth-watching-for-rita/"/>
    <updated>2012-02-13T16:00:00.000Z</updated>
    <id>https://mlarson.org/2012/02/13/gilda-this-one-is-worth-watching-for-rita/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzc7wxzbcj1qzcye0o1_r1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Gilda&#34;&gt;Gilda&lt;/a&gt;. This one is worth watching for Rita Hayworth. Gilda is a sad, sad, rebellious woman. The movie ends and you don’t feel good about this couple at all. I love Steve Geray’s role as a sort of one-man Greek chorus. Also great photography here by &lt;a href=&#34;http://en.wikipedia.org/wiki/Rudolph_Mat%C3%A9&#34; title=&#34;Rudolph Maté&#34;&gt;Rudolph Maté&lt;/a&gt;, who directed the superior &lt;a href=&#34;http://tumblr.mlarson.org/post/13873644480/d-o-a-oh-i-quite-like-this-one-this-is-not-the&#34;&gt;D.O.A.&lt;/a&gt;. Reminds me of another excellent film with a lost woman that revolves around casino life: &lt;a href=&#34;http://tumblr.mlarson.org/post/1078845396/la-baie-des-anges-bay-of-angels-a-man-new-to&#34;&gt;La Baie des Anges&lt;/a&gt;. And another good film named after and about an object of irrational obsession is &lt;a href=&#34;http://en.wikipedia.org/wiki/Laura_%281944_film%29&#34;&gt;Laura&lt;/a&gt;. Glenn Ford was also awesome in &lt;a href=&#34;http://tumblr.mlarson.org/post/8338835528/3-10-to-yuma-1957-this-is-another-western-with&#34;&gt;3:10 to Yuma&lt;/a&gt;. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/filmnoir&#34;&gt;film noir&lt;/a&gt;; &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;movies I’ve seen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Content Everywhere, But Not A Drop To Drink – Marco.org</title>
    <link href="https://mlarson.org/2012/02/13/content-everywhere-but-not-a-drop-to-drink/"/>
    <updated>2012-02-13T15:54:50.000Z</updated>
    <id>https://mlarson.org/2012/02/13/content-everywhere-but-not-a-drop-to-drink/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’ve learned that talking to the press is like talking to the police — ideally, don’t, since your interests conflict and there’s little to no potential upside for you — but I regularly forget or ignore this wisdom.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marco.org/2012/02/12/content-everywhere-but-not-a-drop-to-drink&#34;&gt;Content Everywhere, But Not A Drop To Drink – Marco.org&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Made Better in Japan - WSJ.com</title>
    <link href="https://mlarson.org/2012/02/13/made-better-in-japan-wsjcom/"/>
    <updated>2012-02-13T15:47:29.000Z</updated>
    <id>https://mlarson.org/2012/02/13/made-better-in-japan-wsjcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The heavy black menus offer no dishes, only a short manifesto from the chef explaining that he will choose what we eat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052970204542404577157290201608630.html&#34;&gt;Made Better in Japan - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2012</title>
    <link href="https://mlarson.org/2012/02/13/basing-your-friendships-on-what-people-have-to/"/>
    <updated>2012-02-13T03:55:00.000Z</updated>
    <id>https://mlarson.org/2012/02/13/basing-your-friendships-on-what-people-have-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Basing your friendships on what people have to offer, vs. what you want from them, can make them closer than they’ve ever been.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/2012/01/25/gIQAjC2f2Q_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Insomnia</title>
    <link href="https://mlarson.org/2012/02/13/insomnia-starts-well-but-id-tighten-it-up-a/"/>
    <updated>2012-02-13T03:55:00.000Z</updated>
    <id>https://mlarson.org/2012/02/13/insomnia-starts-well-but-id-tighten-it-up-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lzaynzjbih1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Insomnia_%282002_film%29&#34;&gt;Insomnia&lt;/a&gt;. Starts well, but I’d tighten it up a bit. I’d rank this is my 4th favorite &lt;a href=&#34;http://tumblr.mlarson.org/tagged/christophernolan&#34;&gt;Christopher Nolan&lt;/a&gt; movie. We need more old, aching heroes. I love seeing old man Pacino tired and cranky, running around trying to not to screw up even more. Kind of like a &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Fugitive_%281993_film%29&#34;&gt;Harrison&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Patriot_Games_%28film%29&#34;&gt;Ford&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Raiders_of_the_Lost_Ark&#34;&gt;hero&lt;/a&gt;. My biggest struggle with the movie? Hilary Swank has too much natural toughness and smarts for the role here. I don’t buy her as the aww-shucks/awestruck/wet-behind-the-ears type. Apparently this is a &lt;a href=&#34;http://en.wikipedia.org/wiki/Insomnia_%281997_film%29&#34;&gt;remake of a 1997 Norwegian film&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2012</title>
    <link href="https://mlarson.org/2012/02/12/austinkleon-my-notes-from-terry-gilliams-10/"/>
    <updated>2012-02-12T22:27:27.000Z</updated>
    <id>https://mlarson.org/2012/02/12/austinkleon-my-notes-from-terry-gilliams-10/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lz6t2gw2ug1qz6f4bo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/17376462868&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;My notes from &lt;a href=&#34;http://www.filmmakermagazine.com/news/2011/12/the-terry-gilliam-school-of-film-10-lessons-for-directors-today/&#34;&gt;Terry Gilliam’s 10 lessons&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;3. Auteurism is out. Fil-teurism is in.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Being an auteur is what we all dreamed of being, as far [back] as the films of the late ‘50s and ‘60s, when the idea of the auteur filmmaker arrived on the planet. And people kept using that term, and they do with my movies because I suppose they are very individual and they give me all the credit, so they say I’m an auteur. And I say no, the reality is I’m a ‘fil-teur.’ I know what I’m trying to make but I have a lot of people who are around me who are my friends and don’t take orders and don’t listen to me, but who have individual ideas. And when they come up with a good idea, if it’s one that fits what I’m trying to do, I use it. So the end film is a collaboration of a lot of people, and I’m the filter who decides what goes in and what stays out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;4. Put your ideas in a drawer. Take them out as needed.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;I do have a drawer in my desk with all the ideas that I have and that I scribbled out. I put them in there and some day I use them. At the beginning of a new film, I often go in that drawer and look at everything I’ve done and see if there are some ideas that might apply to what I’m doing. But things grow, so I just start with a sketch and then refine it. And you do it with other people’s ideas coming in. That’s the fun part.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Zadie Smith has said &lt;a href=&#34;http://tumblr.austinkleon.com/post/41611804&#34;&gt;the same thing about drawers&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On fil-teuring and control, see also &lt;a href=&#34;http://tumblr.mlarson.org/post/15383808040/louis-ck-q-a-jonahweiner-com&#34;&gt;Louis CK&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’m not a dictator, because I’m not in control of anything, I’m just deciding what to try. To me, it’s not that I control a bunch of people, it’s just that nobody controls me. There’s nothing above me except responsibility to the product. That’s the ultimate responsibility, is if the show sucks, then what was the fucking point of being in charge? I’m right about these things on the show, and when I’m not, it’s interesting to watch me be wrong. I don’t think you have to be perfect, you just have to be compelling in the work you do.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2012</title>
    <link href="https://mlarson.org/2012/02/12/the-most-adult-decisions-in-your-life-are-ones/"/>
    <updated>2012-02-12T18:22:43.000Z</updated>
    <id>https://mlarson.org/2012/02/12/the-most-adult-decisions-in-your-life-are-ones/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The most adult decisions in your life are ones that put severe limits on other possibilities.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2012/02/11/7-big-relocation-mistakes/&#34;&gt;Penelope Trunk&lt;/a&gt;. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/decisions&#34;&gt;decisions&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Visions of Light</title>
    <link href="https://mlarson.org/2012/02/09/visions-of-light-if-you-have-the-slightest-movie/"/>
    <updated>2012-02-09T02:42:37.000Z</updated>
    <id>https://mlarson.org/2012/02/09/visions-of-light-if-you-have-the-slightest-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lz3u6ecmrg1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Visions_of_Light&#34;&gt;Visions of Light&lt;/a&gt;. If you have the slightest movie nerd or photography tendency, this will be a treat. It’s a documentary about cinematography, told through interviews with cinematographers and lots and lots of clips – I wish I’d taken notes to track them down later. Favorite bits: early silent film and how way, way advanced they were when it comes to lighting and movement; how the dynamism of silent film was lost when the talkies came around (sound recording required isolating/insulating the camera, which was thus rendered largely immobile); how Hollywood starlets formed relationships with the cinematographers who lit them well; early color technique; New York style vs. Hollywood style; film noir roots, style, and influences; and so much more. Great stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Extra Lives (review)</title>
    <link href="https://mlarson.org/2012/02/08/20120208extra-lives-review/"/>
    <updated>2012-02-08T23:47:55.000Z</updated>
    <id>https://mlarson.org/2012/02/08/20120208extra-lives-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6690228315/&#34; title=&#34;Extra Lives by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7004/6690228315_aae15b55f9.jpg&#34; alt=&#34;Extra Lives&#34;&gt;&lt;/a&gt; What I love about &lt;a href=&#34;http://www.amazon.com/Extra-Lives-Video-Games-Matter/dp/0307378705&#34;&gt;Extra Lives: Why Video Games Matter&lt;/a&gt; is Tom Bissell&#39;s ambivalent relationship with video games. This is a book by an enthusiast, yes (aren&#39;t most books?), but he also hates them sometimes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was then and am now routinely torn about whether video games are a worthy way to spend my time and often ask myself why I like them as much as I do, especially when, very often, I hate them. Sometimes I think I hate them because of how purely they bring me back to childhood, when I could only imagine what I would do if I were single-handedly fighting off an alien army or driving down the street in a very fast car while the police try to shoot out my tires or told that I was the ancestral inheritor of some primeval sword and my destiny was the rid the realm of evil. These are very intriguing scenarios if you are twelve years old. They are far less intriguing if you are thirty-five and have a career, friends, a relationship, or children. The problem, however, at least for me, is that they are no less &lt;em&gt;fun&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And that&#39;s the thing. I&#39;m reminded of Daniel Mendelsohn &lt;a href=&#34;/mark-larson-1/2008/10/19/1445&#34;&gt;once again&lt;/a&gt;, from &lt;a href=&#34;/mark-larson-1/2008/10/23/how-beautiful-it-is-review&#34;&gt;How Beautiful It Is and How Easily It Can Be Broken&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Strange as it may sound to many people, who tend to think of critics as being motivated by the lower emotions: envy, disdain, contempt even… Critics are, above all, people who are in love with beautiful things, and who worry that those things will get broken.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And Bissell is definitely a critic, and a very good one. He gets really annoyed when video games don&#39;t try hard enough, or try to do things they really aren&#39;t made for. Here he is in the midst of talking about &lt;a href=&#34;http://en.wikipedia.org/wiki/Fallout_3&#34;&gt;Fallout 3&lt;/a&gt; and other open-world games (the genre at the core of the book) in general:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The art direction in a good number of contemporary big-budget video games has the cheerful parasitism of a tribute band. Visual inspirations are perilously few: Forests will be Tolkienishly enchanted; futuristic industrial zones will be mazes of predictably grated metal catwalks; gunfights will erupt amid rubble- and car-strewn boulevards on loan from a thousand war-movie sieges. Once video games shed their distinctive vector-graphic and primary-color 8-bit origins, a commercially ascendant subset of game slowly but surely matured into what might well be the most visually derivative popular art form in history.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The art comparison comes up a lot. Here he talks about the idea of surrender and participation in art, which gets right to the core of video games&#39; special offering and really, really difficult challenge:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When I watch a film, the most imperial form of popular entertainment---particularly when experienced in a proper movie theater---I am surrendering most humiliatingly, for the film begins at a time I cannot control, has nothing to sell me that I have not already purchased, and goes on whether or not I happen to be in my seat. When I read a novel I am not only surrendering; I am allowing my mind to be occupied by a colonizer of uncertain intent. Entertainment takes it as a given that I cannot affect it other than in brutish, exterior ways: turning it off, leaving the theater, pausing the disc, stuffing in a bookmark, underlining a phrase. [...] Playing video games is not quite like this. The surrender is always partial. You get control and are controlled. Games are patently aware of you and have a physical dimension unlike any other form of popular entertainment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And later, tying in with &lt;a href=&#34;http://en.wikipedia.org/wiki/Mass_Effect&#34;&gt;Mass Effect&lt;/a&gt;, he talks more about the control that video games offer. It&#39;s not just kinetic/spatial; it can be moral:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Games such as Mass Effect allow the gamer a freedom of decision that can be evilly enlivening or nobly self-congratulating, but these games become uniquely compelling when they force you to the edge of some drawn, real-life line of intellectual or moral obligation that, to your mild astonishment, you find you cannot step across even in what is, essentially, a digital dollhouse for adults. Other mediums may depict the necessary (or foolhardy) breaches of such lines, or their foolhardy (or necessary) protection, but only games actually push you to the line&#39;s edge and make you live with the fictional consequences of your choice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There&#39;s one excellent extended passage---seriously: exciting, edge-of-your-seat writing about a video game---where he talks about a particular moment of &lt;a href=&#34;http://en.wikipedia.org/wiki/Left_4_Dead&#34;&gt;Left 4 Dead&lt;/a&gt; heroism. I&#39;ll let you find the details in his book, but it&#39;s followed up with this sharp comedown experience:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I then realized I was contrasting my aesthetic sensitivity to that of some teenagers about a game that concerns itself with shooting as many zombies as possible. It is moments like this that can make it so dispiritingly difficult to care about video games.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Delightful sometimes. Infuriating sometimes. That&#39;s video games for you. I haven&#39;t really played video games since I sold my dearly beloved PlayStation and Dreamcast. This book made me miss them.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What Facebook&#39;s IPO means for women | Penelope Trunk Blog</title>
    <link href="https://mlarson.org/2012/02/08/what-facebooks-ipo-means-for-women-penelope/"/>
    <updated>2012-02-08T19:57:51.000Z</updated>
    <id>https://mlarson.org/2012/02/08/what-facebooks-ipo-means-for-women-penelope/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s no coincidence that the number-one woman on the list of self-made millionaires is Oprah. She has no kids and no husband. She’s fascinating, nice, and smart. But few of us would really enjoy her life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2012/02/07/what-facebooks-ipo-means-for-women/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20BrazenCareerist%20(Penelope%20Trunk)&#34;&gt;What Facebook&#39;s IPO means for women | Penelope Trunk Blog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Flight of the Concord: The perils of the recording studio by Jeremy Denk - The New Yorker</title>
    <link href="https://mlarson.org/2012/02/08/flight-of-the-concord-the-perils-of-the-recording/"/>
    <updated>2012-02-08T15:04:32.000Z</updated>
    <id>https://mlarson.org/2012/02/08/flight-of-the-concord-the-perils-of-the-recording/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In the moment of playing, the logistics of just hitting the notes distract you somewhat from the continuous choices you are making. In the edit you have nothing but choice. And yet you feel helpless, since everything has already been played.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2012/02/06/120206fa_fact_denk&#34;&gt;Flight of the Concord: The perils of the recording studio by Jeremy Denk - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Following</title>
    <link href="https://mlarson.org/2012/02/07/following-christopher-nolans-first-feature-film/"/>
    <updated>2012-02-07T15:22:00.000Z</updated>
    <id>https://mlarson.org/2012/02/07/following-christopher-nolans-first-feature-film/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lz13omn2w01qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Following&#34;&gt;Following&lt;/a&gt;. Christopher Nolan’s first feature film set the trend for his later puzzle-piece, time-shifted narratives. Solid, modern noir. I like seeing early work like this without fancy production, pristine private sets, celebrity talent. My rankings of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/christophernolan&#34;&gt;Nolan movies I’ve seen&lt;/a&gt;:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/5545126705/memento-third-viewing-but-hadnt-seen-it-in-7-8&#34;&gt;Memento&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Batman Begins&lt;/li&gt;
&lt;li&gt;Following&lt;/li&gt;
&lt;li&gt;The Dark Knight&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/847918100/inception-this-is-a-good-movie-worth-seeing&#34;&gt;Inception&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Yeah, after his last two I mostly lost interest in Nolan’s work. This one was good enough to get me curious about &lt;a href=&#34;http://en.wikipedia.org/wiki/Insomnia_(2002_film)&#34;&gt;Insomnia&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Prestige_(film)&#34;&gt;The Prestige&lt;/a&gt;, though. I’ve also done rankings for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;Hitchcock&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;Eastwood&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Malick&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/wesanderson&#34;&gt;Wes Anderson&lt;/a&gt;, and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/davidfincher&#34;&gt;David Fincher&lt;/a&gt;, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2012</title>
    <link href="https://mlarson.org/2012/02/06/im-not-very-interested-in-political-satire/"/>
    <updated>2012-02-06T18:17:00.000Z</updated>
    <id>https://mlarson.org/2012/02/06/im-not-very-interested-in-political-satire/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m not very interested in political satire because it works on the assumption that They Are Assholes. Fiction works on the assumption that They Are Us, on a Different Day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.moreview.org/content/dynamic/view_text.php?text_id=819&#34;&gt;George Saunders&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/1015326501/tmr-an-interview-with-george-saunders&#34;&gt;Re-tumbling&lt;/a&gt; this part of a really good interview because it’s an election year. Just doing my part for America.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2012</title>
    <link href="https://mlarson.org/2012/02/06/the-point-isnt-to-achieve-everything-just-to-pay/"/>
    <updated>2012-02-06T16:28:08.000Z</updated>
    <id>https://mlarson.org/2012/02/06/the-point-isnt-to-achieve-everything-just-to-pay/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The point isn’t to achieve everything, just to pay respects to one or two of the things one suspects oneself capable of.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/alaindebotton/status/166454271406116864&#34;&gt;Alain de Botton&lt;/a&gt;. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/success&#34;&gt;success&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2012</title>
    <link href="https://mlarson.org/2012/02/06/sashafrerejones-25-years-of-kylie-minogue-in/"/>
    <updated>2012-02-06T16:19:44.000Z</updated>
    <id>https://mlarson.org/2012/02/06/sashafrerejones-25-years-of-kylie-minogue-in/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/TSOGpl-t4E0&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://sashafrerejones.tumblr.com/post/16197355959/25-years-of-kylie-minogue-in-17-minutes-via&#34;&gt;sashafrerejones&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“25 years of Kylie Minogue in 17 minutes.” (Via &lt;a href=&#34;http://fette.tumblr.com/&#34;&gt;Fette&lt;/a&gt; &amp;amp; &lt;a href=&#34;http://ohrohin.com/&#34;&gt;Rohin Guha&lt;/a&gt;.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A pleasure about which I feel no guilt.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Charles Murray on the New American Divide - WSJ.com</title>
    <link href="https://mlarson.org/2012/02/05/charles-murray-on-the-new-american-divide/"/>
    <updated>2012-02-05T20:46:15.000Z</updated>
    <id>https://mlarson.org/2012/02/05/charles-murray-on-the-new-american-divide/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Places to live in which the people around you have no problems that need cooperative solutions tend to be sterile. America outside the enclaves of the new upper class is still a wonderful place, filled with smart, interesting, entertaining people. If you’re not part of that America, you’ve stripped yourself of much of what makes being American special.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052970204301404577170733817181646.html#printMode&#34;&gt;Charles Murray on the New American Divide - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2012</title>
    <link href="https://mlarson.org/2012/02/05/the-spielberg-face-via/"/>
    <updated>2012-02-05T20:42:12.000Z</updated>
    <id>https://mlarson.org/2012/02/05/the-spielberg-face-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/VS5W4RxGv4s&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=VS5W4RxGv4s&#34;&gt;The Spielberg Face&lt;/a&gt;. (&lt;a href=&#34;http://www.slate.com/articles/arts/the_completist/2012/01/steven_spielberg_s_complete_movies_i_ve_seen_every_one_and_i_almost_wish_i_hadn_t.single.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Steven Spielberg&#39;s complete movies: I&#39;ve seen every one, and I almost wish I hadn&#39;t - Slate Magazine</title>
    <link href="https://mlarson.org/2012/02/05/steven-spielbergs-complete-movies-ive-seen/"/>
    <updated>2012-02-05T20:42:07.000Z</updated>
    <id>https://mlarson.org/2012/02/05/steven-spielbergs-complete-movies-ive-seen/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the weaknesses people have noticed about his work—but have not, I think, yet commented enough upon—is that he can’t do comedy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/arts/the_completist/2012/01/steven_spielberg_s_complete_movies_i_ve_seen_every_one_and_i_almost_wish_i_hadn_t.single.html&#34;&gt;Steven Spielberg&#39;s complete movies: I&#39;ve seen every one, and I almost wish I hadn&#39;t - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Louis CK: Chewed Up</title>
    <link href="https://mlarson.org/2012/02/05/louis-ck-chewed-up-good-stuff-a-few-of-my/"/>
    <updated>2012-02-05T20:41:59.000Z</updated>
    <id>https://mlarson.org/2012/02/05/louis-ck-chewed-up-good-stuff-a-few-of-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lyxsrtoxq51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.amazon.com/dp/B001FRNB94&#34;&gt;Louis C.K.: Chewed Up&lt;/a&gt;. Good stuff. A few of &lt;a href=&#34;http://www.youtube.com/watch?v=TG4f9zR5yzY&#34;&gt;my&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=WzEhoyXpqzQ&#34;&gt;favorite&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=dF1NUposXVQ&#34;&gt;bits&lt;/a&gt; are in this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2012</title>
    <link href="https://mlarson.org/2012/02/03/that-was-the-idiot-hopefulness-of-humans-always/"/>
    <updated>2012-02-03T21:47:17.000Z</updated>
    <id>https://mlarson.org/2012/02/03/that-was-the-idiot-hopefulness-of-humans-always/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;That was the idiot hopefulness of humans, always to love what was unformed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Chad_Harbach&#34;&gt;Chad Harbach&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/Art-Fielding-Novel-Chad-Harbach/dp/0316126691&#34;&gt;The Art of Fielding&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/238245256/i-am-frankly-embarrassed-that-most-of-my-musical&#34;&gt;John Cage&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I am frankly embarrassed that most of my musical life has been spent in the search for new materials. The significance of new materials is that they represent, I believe, the incessant desire in our culture to explore the unknown. Before we know the unknown, it inflames our hearts. When we know it, the flame dies down, only to burst forth again at the thought of a new unknown. This desire has found expression in our culture in new materials, because our culture has its faith not in the peaceful center of the spirit but in an ever-hopeful projection onto things of our own desire for completion.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Gauntlet</title>
    <link href="https://mlarson.org/2012/02/03/the-gauntlet-they-used-at-least/"/>
    <updated>2012-02-03T20:20:00.000Z</updated>
    <id>https://mlarson.org/2012/02/03/the-gauntlet-they-used-at-least/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lyu31islq21qzcye0o1_r2_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Gauntlet_%28film%29&#34;&gt;The Gauntlet&lt;/a&gt;. They used at least 300-thousand-million bullets in this film. It’s not the best &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;Clint Eastwood&lt;/a&gt; movie I’ve seen, not by a long shot, but I went in with appropriate expectations. It’s just a fun and highly ridiculous road trip movie with a loser cop and a clever prostitute. We need more helicopter chases in movies. Interesting &lt;a href=&#34;http://somecamerunning.typepad.com/some_came_running/2008/09/clint-eastwoods.html&#34;&gt;parallels with Frank Capra’s &lt;em&gt;It Happened One Night&lt;/em&gt;&lt;/a&gt;. Check out that &lt;a href=&#34;http://crashlanden.files.wordpress.com/2011/07/theguanttlet.jpg&#34;&gt;promo poster&lt;/a&gt;! My updated rankings for Eastwood’s directing:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1003768775/unforgiven-this-is-a-very-very-good-movie&#34;&gt;Unforgiven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/827964597/gran-torino-weaknesses-up-front-theres-some&#34;&gt;Gran Torino&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Million_Dollar_Baby&#34;&gt;Million Dollar Baby&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/11732690139/mystic-river-great-movie-dang-i-was-immediately&#34;&gt;Mystic River&lt;/a&gt; (or maybe tied for third)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/975408225/the-outlaw-josey-wales-i-wouldnt-call-this-a&#34;&gt;The Outlaw Josey Wales&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/10441529132/changeling-man-clint-eastwood-has-a-steady-hand&#34;&gt;Changeling&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;The Gauntlet&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/12007093086/high-plains-drifter-this-is-one-of-those-movies&#34;&gt;High Plains Drifter&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1109867081/bird-a-pretty-good-eastwood-directed-biopic-about&#34;&gt;Bird&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/972193682/midnight-in-the-garden-of-good-and-evil-couldnt&#34;&gt;Midnight in the Garden of Good and Evil&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>Are people who dwell on their problems more creative? - Barking up the wrong tree</title>
    <link href="https://mlarson.org/2012/02/03/are-people-who-dwell-on-their-problems-more/"/>
    <updated>2012-02-03T20:02:26.000Z</updated>
    <id>https://mlarson.org/2012/02/03/are-people-who-dwell-on-their-problems-more/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Because rumination may allow an idea to stay in one’s conscious longer and indecision may result in more time on a given task, it was expected that these two cognitive processes may predict creativity. Self-report measures of rumination, indecision, and creativity were electronically distributed to 85 adults (28 men, 57 women; M age = 32.96 years old). Reflective rumination significantly predicted creativity, moderated by high levels of indecision. This study may resolve previous conflicts between findings on rumination and creativity and introduces indecision as beneficial in the creative process. This study also provided important clinical implications in distinguishing between adaptive and maladaptive rumination suggesting a new cognitive link between creativity and depression.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Insert the “One Single Study Often Means Jack Shit” disclaimer here. But it reminded me of &lt;a href=&#34;http://tumblr.mlarson.org/post/14261725449/being-cheerful-is-really-no-recipe-to-get-down-to&#34;&gt;Alain de Botton&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Being cheerful is really no recipe to get down to work: nothing happens until paranoia, jealousy, competitiveness and guilt arrive.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also of &lt;a href=&#34;http://www.nytimes.com/2009/06/14/nyregion/14routine.html&#34;&gt;Roz Chast&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I kind of tend to stay up late just about every night, anywhere from 12:30 a.m. to 3 a.m. I putter. I nurse old grudges. I fold origami while nursing old grudges. I think about the past. I wonder if there’s any grudges I should start.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/are-people-who-dwell-on-their-problems-more-c&#34;&gt;Are people who dwell on their problems more creative? - Barking up the wrong tree&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2012</title>
    <link href="https://mlarson.org/2012/02/03/we-expect-too-much-from-january-and-not-enough/"/>
    <updated>2012-02-03T19:59:00.000Z</updated>
    <id>https://mlarson.org/2012/02/03/we-expect-too-much-from-january-and-not-enough/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We expect too much from January and not enough from February.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/mlarson/status/165268215805644800&#34;&gt;@mlarson&lt;/a&gt;, aka me. I think I’m on to something here.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2012</title>
    <link href="https://mlarson.org/2012/02/02/hacking-the-used-car-purchase-carsabi-hack/"/>
    <updated>2012-02-02T18:24:48.000Z</updated>
    <id>https://mlarson.org/2012/02/02/hacking-the-used-car-purchase-carsabi-hack/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lyrseluxfq1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.carsabi.com/2012/01/31/hacking-the-used-car-purchase/&#34;&gt;Hacking the Used Car Purchase « carsabi&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Hack #3: Buy Luxury Later. If you’re broke like us but still really like performance and leather interiors, consider getting a luxury car that’s 5-6 years old. More luxury owners want newer models than older ones leading to a pretty steep depreciation for the first few years; the average new E320 loses about $12k per year no matter the mileage (112 datapoints). Compare this to the depreciation curve for a Camry: the car holds value like people *want* to drive it into the ground. Crazy! (1,523 datapoints).&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2012</title>
    <link href="https://mlarson.org/2012/02/02/dont-be-dour-about-it-straight-gay-black-white/"/>
    <updated>2012-02-02T14:54:46.000Z</updated>
    <id>https://mlarson.org/2012/02/02/dont-be-dour-about-it-straight-gay-black-white/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Don’t be dour about it. Straight gay black white young old–it’s not going to kill you or let you live.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Chad_Harbach&#34;&gt;Chad Harbach&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/Art-Fielding-Novel-Chad-Harbach/dp/0316126691&#34;&gt;The Art of Fielding&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2012</title>
    <link href="https://mlarson.org/2012/02/02/thesyllabi-image-via-prospect-magazine-the/"/>
    <updated>2012-02-02T14:54:36.000Z</updated>
    <id>https://mlarson.org/2012/02/02/thesyllabi-image-via-prospect-magazine-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lymompjvlu1r96kapo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thesyllabi.tumblr.com/post/16863633441/image-via-prospect-magazine-the-joy-of-tennis&#34;&gt;thesyllabi&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;(Image via Prospect Magazine)&lt;/em&gt;&lt;/p&gt;
&lt;h2&gt;The Joy of Tennis&lt;/h2&gt;
&lt;p&gt;With the Australian Open &lt;a href=&#34;http://www.grantland.com/story/_/id/7518166/the-epic-warfare-rafael-nadal-novak-djokovic-australian-open-final&#34; title=&#34;Nadal vs. Djokovic: Here We Are Again, My Friend (Grantland)&#34;&gt;coming to a record-breaking, excessively long climax&lt;/a&gt; this weekend, what better to fill the tennis void than some great writing on the subject?&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The correct way to begin a tour of tennis writing is with David Foster Wallace. In his &lt;a href=&#34;http://www.esquire.com/features/sports/the-string-theory-0796&#34; title=&#34;The String Theory (Esquire)&#34;&gt;1996 essay for Esquire&lt;/a&gt;, he uses a profile of Michael Joyce as a cover for an obsessive and effortlessly insightful consideration of tennis. Quite likely the best tennis nonfiction written to date. He revisits tennis &lt;a href=&#34;http://www.nytimes.com/2006/08/20/sports/playmagazine/20federer.html?pagewanted=all&#34; title=&#34;Roger Federer as Religious Experience (New York Times)&#34;&gt;ten years later&lt;/a&gt; for the New York Times and lets his inner fanboy loose with an equally epic and insightful profile of Roger Federer.&lt;/li&gt;
&lt;li&gt;Three years later, Cynthia Gorney gives us &lt;a href=&#34;http://www.nytimes.com/2009/06/21/magazine/21nadal-t.html?pagewanted=all&#34; title=&#34;Ripped. (Or Torn Up?) (New York Times)&#34;&gt;a fantastic, sprawling profile of Rafael Nadal&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Rounding out the profiles of today’s top tennis players is S.L. Price with &lt;a href=&#34;http://sportsillustrated.cnn.com/vault/article/magazine/MAG1186004/index.htm&#34; title=&#34;Staring Down History (Sports Illustrated)&#34;&gt;a profile of Novak Djokovic&lt;/a&gt; and Sarah Corbett &lt;a href=&#34;http://www.nytimes.com/2003/01/12/magazine/venus-wants-a-place-in-the-universe.html?pagewanted=all&amp;amp;src=pm&#34; title=&#34;Venus Wants a Place in the Universe (New York Times)&#34;&gt;on Venus Williams&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;For profiles of yesterday’s best, Julian Rubenstein’s &lt;a href=&#34;http://julianrubinstein.com/articles/mcenroe/&#34; title=&#34;Johnny Mac, Jack Nicholson once said, Dont Ever Change. He Hasnt. (New York Times)&#34;&gt;award-winning profile of John McEnroe&lt;/a&gt; and Frank Deford’s 1978 &lt;a href=&#34;http://sportsillustrated.cnn.com/vault/article/magazine/MAG1005527/index.htm&#34; title=&#34;Raised By Women To Conquer Men (Sports Illustrated)&#34;&gt;profile of Jimmy Connors&lt;/a&gt; are required reading.&lt;/li&gt;
&lt;li&gt;One of the great pleasures of tennis is the personalities and the rivalries, and as Gerald Marzorati &lt;a href=&#34;http://www.nytimes.com/2011/08/28/magazine/the-fierce-intimacy-of-tennis-rivalries.html?_r=1&amp;amp;pagewanted=all&#34; title=&#34;The Fierce Intimacy of Tennis Rivalries (New York Times)&#34;&gt;pointed out last year&lt;/a&gt;, “rivalries in tennis are like no others in sports.” In recent years, we’ve seen the same three — four or five if you’re generous — players constantly jockeying for the top spots in the rankings, always climaxing in thrilling, suspenseful, and often record-breaking semi-final and final matches in the year’s tournaments. “To be a great tennis player is to need a rival.”&lt;/li&gt;
&lt;li&gt;Although you wouldn’t call them rivals, John Isner and Nicolas Mahut found themselves locked in a seemingly neverending first round match-up at last year’s Wimbledon. Most tennis matches end long before the 11 hours this one took to end, usually because a player loses concentration, but neither Mahut or Isner blinked for 3 days of play, and Ed Caesar &lt;a href=&#34;http://www.edcaesar.co.uk/article.php?article_id=60&#34; title=&#34;Isner, Mahut and Endless Tennis (GQ)&#34;&gt;explains why in his GQ piece&lt;/a&gt; following the match.&lt;/li&gt;
&lt;li&gt;In “&lt;a href=&#34;http://www.prospectmagazine.co.uk/2011/05/geoff-dyer-tennis-beautiful-game-federer/&#34; title=&#34;The most beautiful game (Prospect Magazine)&#34;&gt;The most beautful game&lt;/a&gt;,” Geoff Dyer considers the beauty of tennis. It’s not enough that the players are simply good at tennis — everything you see on Centre Court at Wimbledon can be “replicated by an average player in a park.” The draw for the viewing public, he thinks, is wrapped up in the mechanics of the game: the most effective way to play is gracefully, as best exempified by Federer’s memorable single-handed backhand.&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;Read these and then read John McPhee’s &lt;a href=&#34;http://www.newyorker.com/archive/1969/06/07/1969_06_07_045_TNY_CARDS_000294350&#34;&gt;Levels of the Game&lt;/a&gt; (&lt;a href=&#34;http://www.newyorker.com/archive/1969/06/14/1969_06_14_044_TNY_CARDS_000293744&#34;&gt;part II&lt;/a&gt;) [$], and you’ll have just about covered all of the best writing on tennis.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mean Streets</title>
    <link href="https://mlarson.org/2012/02/01/mean-streets-didnt-enjoy-this-very-much-i/"/>
    <updated>2012-02-01T19:03:16.000Z</updated>
    <id>https://mlarson.org/2012/02/01/mean-streets-didnt-enjoy-this-very-much-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/02/tumblr_lyq7m6joqu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mean_Streets&#34;&gt;Mean Streets&lt;/a&gt;. Didn’t enjoy this very much. I appreciate how Scorsese mixes up the camerawork and the musical interludes, but otherwise it seemed a bit of a drag.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2012</title>
    <link href="https://mlarson.org/2012/02/01/we-know-the-cruelest-of-fanatics-by-their/"/>
    <updated>2012-02-01T19:03:04.000Z</updated>
    <id>https://mlarson.org/2012/02/01/we-know-the-cruelest-of-fanatics-by-their/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We know the cruelest of fanatics by their exceptionally clear consciences.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/arts/critics/atlarge/2012/01/16/120116crat_atlarge_gopnik&#34;&gt;Adam Gopnik&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Amy Rebecca Klein: The Last Thing I&#39;ll Ever Write About Lana Del Rey</title>
    <link href="https://mlarson.org/2012/02/01/amy-rebecca-klein-the-last-thing-ill-ever-write/"/>
    <updated>2012-02-01T15:23:02.000Z</updated>
    <id>https://mlarson.org/2012/02/01/amy-rebecca-klein-the-last-thing-ill-ever-write/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When the world decided that Lana totally bombed on Saturday Night Life, we could see Lana telling us nothing other than what we already tell ourselves about women in music. We already assume that the feminine is inauthentic. So, I mean, why does everyone care so much if she has had plastic surgery, or if her management company created an image for her? What’s the big deal with being deceived? Some of our most respected musical icons (Bob Dylan, anyone?) used music to continually invent and re-invent possible selves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also &lt;a href=&#34;http://tumblr.mlarson.org/post/6874009770/pitchfork-columns-why-we-fight-15&#34;&gt;Nitsuh Abebe&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Making pop music— more than almost any other art— sits right at the intersection between being yourself and finding something better than yourself to be. This, in the end, is what we’re looking for: Someone who can devise some fantastically compelling version of herself to act out, while still seeming as if she’s… being herself. Musicians are expected to write a great part and convincingly act the role at the same time. And even after that, we’re not really judging them on how compelling the identity they’re offering us is— we judge them based on which types of identities we &lt;em&gt;personally&lt;/em&gt; &lt;a href=&#34;http://pitchfork.com/features/why-we-fight/7787-why-we-fight-2/&#34;&gt;need or aspire to&lt;/a&gt; at the moment. There is no identity politics quite as nuanced or complicated as people arguing about music.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://amyrebeccaklein.tumblr.com/post/16674666675/the-last-thing-ill-ever-write-about-lana-del-rey&#34;&gt;Amy Rebecca Klein: The Last Thing I&#39;ll Ever Write About Lana Del Rey&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eli Manning&#39;s Burden | The Classical</title>
    <link href="https://mlarson.org/2012/02/01/eli-mannings-burden-the-classical/"/>
    <updated>2012-02-01T15:22:54.000Z</updated>
    <id>https://mlarson.org/2012/02/01/eli-mannings-burden-the-classical/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He took the burden of history, carefully placed it in the garbage, and lit the garbage on fire.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I just thought that was a nice turn of phrase.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://theclassical.org/articles/eli-mannings-burden&#34;&gt;Eli Manning&#39;s Burden | The Classical&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2012</title>
    <link href="https://mlarson.org/2012/01/31/dusttodigital-alan-lomaxs-dream-of-a-global/"/>
    <updated>2012-01-31T16:44:00.000Z</updated>
    <id>https://mlarson.org/2012/01/31/dusttodigital-alan-lomaxs-dream-of-a-global/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lyo7ztpslc1qa7wy0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://news.dust-digital.com/post/16821738236&#34;&gt;dusttodigital&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Alan Lomax’s dream of a “global jukebox” comes true with 17,000 music tracks being made available for free streaming.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2012/01/31/arts/music/the-alan-lomax-collection-from-the-american-folklife-center.html?_r=2&amp;amp;pagewanted=all&#34;&gt;Folklorist’s Global Jukebox Goes Digital&lt;/a&gt;. Oh hell yes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Me, Reading: In the Mind of a Subway Reader - The New Yorker</title>
    <link href="https://mlarson.org/2012/01/31/me-reading-in-the-mind-of-a-subway-reader-the/"/>
    <updated>2012-01-31T14:43:16.000Z</updated>
    <id>https://mlarson.org/2012/01/31/me-reading-in-the-mind-of-a-subway-reader-the/</id>
    <content type="html">&lt;p&gt;Patricia Marx nailed it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/humor/2012/01/30/120130sh_shouts_marx&#34;&gt;Me, Reading: In the Mind of a Subway Reader - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2012</title>
    <link href="https://mlarson.org/2012/01/30/take-care-of-your-choropleth-maps-great-overview/"/>
    <updated>2012-01-30T17:14:09.000Z</updated>
    <id>https://mlarson.org/2012/01/30/take-care-of-your-choropleth-maps-great-overview/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lymeu2ffbu1qzcye0o1_540.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://vis4.net/blog/posts/choropleth-maps/&#34;&gt;Take Care of Your Choropleth Maps&lt;/a&gt;. Great overview of how some seemingly simple tweaks in the data limits, colors, etc. can result in a different story.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2012</title>
    <link href="https://mlarson.org/2012/01/30/i-owe-my-livelihood-to-technology-and-i-love-the/"/>
    <updated>2012-01-30T00:32:26.000Z</updated>
    <id>https://mlarson.org/2012/01/30/i-owe-my-livelihood-to-technology-and-i-love-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I owe my livelihood to technology and I love the raw capability it offers us as a tool, but I fear it a bit more than most people do. It’s a tool, but it’s not quite a hammer, because a hammer doesn’t seduce you into sitting around lonely in your underwear for 6 hours at a stretch.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thewirecutter.com/2012/01/happiness-takes-a-little-magic/&#34;&gt;Brian Lam&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2012</title>
    <link href="https://mlarson.org/2012/01/30/are-there-fundamental-laws-of-cooking-wired/"/>
    <updated>2012-01-30T00:32:16.000Z</updated>
    <id>https://mlarson.org/2012/01/30/are-there-fundamental-laws-of-cooking-wired/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lyl4cwtslj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wired.com/wiredscience/2012/01/are-there-fundamental-laws-of-cooking/&#34;&gt;Are There Fundamental Laws of Cooking? | Wired&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;They found that [the food pairing hypothesis] was true, at least when it came to Western cooking. North American and Western European cuisines, which share many of the same ingredients, both adhere to the food pairing hypothesis: Foods in the same recipe often have the same underlying molecular components. However, once we stray from these cuisines, the food pairing hypothesis breaks down. East Asian and Southern European recipes use ingredients that do not overlap in their flavor compounds, implying that these styles of cooking are in fact quantitatively distinct.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2012</title>
    <link href="https://mlarson.org/2012/01/30/red-green-blue-yellow-the-stunning-colors-you/"/>
    <updated>2012-01-30T00:32:06.000Z</updated>
    <id>https://mlarson.org/2012/01/30/red-green-blue-yellow-the-stunning-colors-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lyl472ttmx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lifeslittlemysteries.com/2069-forbidden-colors-red-green.html&#34;&gt;Red-Green &amp;amp; Blue-Yellow: The Stunning Colors You Can’t See&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Red-green and yellow-blue are the so-called “forbidden colors.” Composed of pairs of hues whose light frequencies automatically cancel each other out in the human eye, they’re supposed to be impossible to see simultaneously.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I had no idea.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Authenticity Hoax (review)</title>
    <link href="https://mlarson.org/2012/01/29/20120129the-authenticity-hoax-review/"/>
    <updated>2012-01-29T23:47:32.000Z</updated>
    <id>https://mlarson.org/2012/01/29/20120129the-authenticity-hoax-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7026/6407304191_3ea760f838.jpg&#34; alt=&#34;The Authenticity Hoax&#34;&gt; It&#39;s a stretch to call this a review, because I mainly just wanted to purge some quotes that I&#39;ve had lying around that I kept being lazy about sharing because they were a bit too long or needed more context than I wanted to bother with on &lt;a href=&#34;http://tumblr.mlarson.org/&#34;&gt;my tumblr&lt;/a&gt;. Anyway. &lt;a href=&#34;http://www.amazon.com/Authenticity-Hoax-Real-Things-Happy/dp/0061251356/&#34;&gt;Great book&lt;/a&gt;, especially the first five chapters on modernity, business, art, self, etc.&lt;/p&gt;
&lt;p&gt;On bullshit, and where to find it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is hardly surprising to find that the two areas of human enterprise most concerned with sincerity as opposed to truth—namely, politics and advertising—are also the two areas most steeped in bullshit. Or would it be better to say that politics and advertising are the two areas most concerned with the appearance of authenticity? This might be a distinction without a difference.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Validating the suburbs:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The people who move to the suburbs aren’t nearly as stupid or careless or brainwashed as the urbanites seem to think. They know they’re going to get a lawn, a garage, and a backyard. They know they will be miles from a store or cafe, and that they’ll have to drive everywhere. Most people move to the suburbs with eyes wide open, fully aware of the tradeoffs they are making. They are not looking for some pastoral idyll, but for more privacy, space, quiet, and parking.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On meaning in a modern world:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The search for authenticity is about the search for meaning in a world where all the traditional sources-—religion and successor ideals such as aristocracy, community, and nationalism-—have been dissolved in the acid of science, technology, capitalism, and liberal democracy. We are looking to replace the God concept with something more acceptable in a world that is not just disenchanted, but also socially flattened, cosmopolitan, individualistic, and egalitarian.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A good example of his cantankerous sarcasm. He likes jabbing at liberals:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The exact mechanism of the apocalypse is unknown, but if you troll around the Internet you can find any number of speculative scenarios. Most of them presume that there’ll be a sort of massive ecological collapse and extinction event caused by a combination of global warming, deforestation, peak oil production, overfishing, overpopulation, suburbia, megacities, bird flu, swine flu, consumer electronics, hedge funds, credit default swaps, and fast food.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;With regard to recent developments in art (specifically pivoting off of &lt;a href=&#34;http://online.wsj.com/article/SB124475230719107485.html&#34;&gt;Alec Duffy and his Sufjan Stevens recording&lt;/a&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Can you see what is happening here? It is the return of the aura, of the unique and irreproducible artistic work. Across the artistic spectrum, we are starting to see a turn toward forms of aesthetic experience and production that by their nature can’t be digitized and thrown into the maw of the freeconomy. One aspect of this is the cultivation of deliberate scarcity, which is what Alec Duffy is doing with his listening sessions. Another is the recent hipster trend to treat the city as a playground—involving staged pillow fights in the financial district, silent raves on subways, or games of kick the can that span entire neighborhoods. This fascination with works that are transient, ephemeral, participatory, and site-specific is part of the ongoing rehabilitation of the old idea of the unique, authentic work having an aura that makes it worthy of our profound respect. But in a reversal of Walter Benjamin’s analysis, the gain in deep artistic appreciation is balanced by a loss in egalitarian principle.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On consumption gravitas:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Conspicuous authenticity raises the stakes by turning the search for the authentic into a matter of utmost gravity: not only does it provide me with a meaningful life, but it is also good for society, the environment, even the entire planet. This basic fusion of the two ideals of the privately beneficial and the morally praiseworthy is the bait-and-switch at the heart of the authenticity hoax. This desire for the personal and the public to align explains why so much of what passes for authentic living has a do-gooder spin to it. Yet the essentially status-oriented nature of the activity always reveals itself eventually.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2012</title>
    <link href="https://mlarson.org/2012/01/29/im-almost-annoyed-when-something-ive-been/"/>
    <updated>2012-01-29T19:35:18.000Z</updated>
    <id>https://mlarson.org/2012/01/29/im-almost-annoyed-when-something-ive-been/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m almost annoyed when something I’ve been interested in becomes valuable. Then it becomes trouble. I have to take care of it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theverge.com/2012/1/24/2724370/william-gibson-interview&#34;&gt;William Gibson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Iron Giant</title>
    <link href="https://mlarson.org/2012/01/28/the-iron-giant-the-greatest-anti-war-film-ever/"/>
    <updated>2012-01-28T14:51:17.000Z</updated>
    <id>https://mlarson.org/2012/01/28/the-iron-giant-the-greatest-anti-war-film-ever/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lyijxhzgm41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Iron_Giant&#34;&gt;The Iron Giant&lt;/a&gt;. The greatest anti-war film ever made. I LOLed a lot. So good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 27, 2012</title>
    <link href="https://mlarson.org/2012/01/27/i-was-always-somebody-i-was-famous-at-the/"/>
    <updated>2012-01-27T18:13:10.000Z</updated>
    <id>https://mlarson.org/2012/01/27/i-was-always-somebody-i-was-famous-at-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I was always somebody. I was famous at the Chevron. I’ve had some trials that would have made the average motherfucker jump out a window a long time ago, but if you wake up one morning and say, ‘I can’t do it no more,’ then it’s all over. That’s why I wake up every morning and say, let’s do this shit. Let’s get it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/7503780/the-return-young-jeezy&#34;&gt;Young Jeezy&lt;/a&gt; on staying optimistic. (via &lt;a href=&#34;http://howtotalktogirlsatparties.tumblr.com/&#34;&gt;howtotalktogirlsatparties&lt;/a&gt;). And &lt;a href=&#34;http://tumblr.mlarson.org/post/13597173273/i-dont-give-a-fuck-if-youre-doin-petty-shit-or&#34;&gt;don’t forget&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don’t give a fuck if you’re doin’ petty shit or big shit. […] Get your motherfuckin’ money and make other people’s lives better.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2012</title>
    <link href="https://mlarson.org/2012/01/26/i-have-saved-the-world-so-many-times-in-video/"/>
    <updated>2012-01-26T04:13:10.000Z</updated>
    <id>https://mlarson.org/2012/01/26/i-have-saved-the-world-so-many-times-in-video/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I have saved the world so many times in video games that lately I have felt a kind of resentful Republicanism creep into my game-playing mind: &lt;em&gt;Can’t these fucking people take care of themselves?&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Tom_Bissell&#34;&gt;Tom Bissell&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/Extra-Lives-Video-Games-Matter/dp/0307378705&#34;&gt;Extra Lives&lt;/a&gt;, which you should read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Crowd</title>
    <link href="https://mlarson.org/2012/01/26/the-crowd-it-took-a-while-for-the-talkies-to/"/>
    <updated>2012-01-26T04:12:00.000Z</updated>
    <id>https://mlarson.org/2012/01/26/the-crowd-it-took-a-while-for-the-talkies-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lye0zm6sfp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Crowd&#34;&gt;The Crowd&lt;/a&gt;. It took a while for the talkies to catch up with the camerawork in this 1928 film. Nicely done. And as I find with many silent films, it was much funnier than I expected. The work scenes anticipate &lt;a href=&#34;http://tumblr.mlarson.org/post/456695666/il-posto-the-job-i-loved-this-movie-and&#34;&gt;Il Posto&lt;/a&gt; (one of my favorite movies) in some ways. Technically, it’s supposed to be one of the pinnacles of silent film. One &lt;a href=&#34;http://www.youtube.com/watch?v=WyMwGPyZ5t0&amp;amp;t=1m0s&#34;&gt;early long zoom moment&lt;/a&gt; reminded me of &lt;a href=&#34;http://www.youtube.com/watch?v=B1dc9Y614Ao#t=4m00s&#34;&gt;Hitchcock’s famous zoom-in&lt;/a&gt; in &lt;a href=&#34;http://tumblr.mlarson.org/post/1640719644/notorious-highly-recommended-were-back-in&#34;&gt;Notorious&lt;/a&gt;, 20 years later. Themes include changing social mores in relationships, expectations about masculinity, the arrival of modernity, self-realization, practicality. Probably hard to find on DVD, I lucked out with a &lt;a href=&#34;http://filmstudies.emory.edu/home/events/index.html?trumbaEmbed=view%3Devent%26eventid%3D98141854&#34;&gt;live screening and piano accompaniment&lt;/a&gt;. Looking forward to the rest of &lt;a href=&#34;http://filmstudies.emory.edu/home/events/index.html&#34;&gt;Emory Film Department’s spring 2012 series&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2012</title>
    <link href="https://mlarson.org/2012/01/25/i-think-that-part-of-my-experience-of-growing-up/"/>
    <updated>2012-01-25T15:37:21.000Z</updated>
    <id>https://mlarson.org/2012/01/25/i-think-that-part-of-my-experience-of-growing-up/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think that part of my experience of growing up in the American South in the early ‘60’s was one of living in a place unevenly established in the present. You could look out one window and see the 20th century, then turn and look out another window and see the 19th.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theverge.com/2012/1/24/2724370/william-gibson-interview&#34;&gt;William Gibson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>An interview with William Gibson | The Verge</title>
    <link href="https://mlarson.org/2012/01/25/an-interview-with-william-gibson-the-verge/"/>
    <updated>2012-01-25T15:35:10.000Z</updated>
    <id>https://mlarson.org/2012/01/25/an-interview-with-william-gibson-the-verge/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think it’s an expression of our old hunter-gatherer module. I think that’s the module that lights up for everybody on eBay, regardless of what they’re looking for. It’s the flea-market gene. It’s hunting a bargain, sometimes. But when I went through my “watch process,” at the end of it I realized it was about information, about trying to master a body of fairly esoteric knowledge, regardless of what it was about. For somebody else it could have been hockey statistics. It wasn’t really collecting; it was about getting the knowledge.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theverge.com/2012/1/24/2724370/william-gibson-interview&#34;&gt;An interview with William Gibson | The Verge&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Don&#39;t Understand What Anyone Is Saying Anymore - Dan Pallotta - Harvard Business Review</title>
    <link href="https://mlarson.org/2012/01/24/i-dont-understand-what-anyone-is-saying-anymore/"/>
    <updated>2012-01-24T03:47:36.000Z</updated>
    <id>https://mlarson.org/2012/01/24/i-dont-understand-what-anyone-is-saying-anymore/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I was at a Hilton a few weeks ago. They had taken this absurdity to its logical end. There was a huge sign in the lobby that said, “Our goal is to exceed the customer’s expectation.” The best way to start would be to take down that bullshit sign that just reminds me, as a customer, how cosmic the gap is between what businesses say and what they do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/bullshit&#34;&gt;bullshit&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.hbr.org/pallotta/2011/12/i-dont-understand-what-anyone.html&#34;&gt;I Don&#39;t Understand What Anyone Is Saying Anymore - Dan Pallotta - Harvard Business Review&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Beginners</title>
    <link href="https://mlarson.org/2012/01/24/beginners-what-a-good-sweet-movie-if-you-miss/"/>
    <updated>2012-01-24T03:37:27.000Z</updated>
    <id>https://mlarson.org/2012/01/24/beginners-what-a-good-sweet-movie-if-you-miss/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lya9y1x7nq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Beginners&#34;&gt;Beginners&lt;/a&gt;. What a good, sweet movie. If you miss and/or dismiss this you’re dumb. Excellent soundtrack with old blues and standards and, much to my delight, an arrangement of the &lt;a href=&#34;http://www.youtube.com/watch?v=E0BalQMrVDU&#34;&gt;Adagio from Marcello’s Oboe Concerto in D minor&lt;/a&gt;, one of my favorite tracks from one of &lt;a href=&#34;http://www.mlarson.org/2010/12/29/favorite-albums-of-2010/&#34;&gt;my favorite albums of 2010&lt;/a&gt;. Another good movie about starting over that co-stars a charismatic dog: &lt;a href=&#34;http://tumblr.mlarson.org/post/14816581978/the-artist-its-a-fun-cute-film-that-loves-what&#34;&gt;The Artist&lt;/a&gt;. The dog has the best line in the whole thing:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Tell her the darkness is about to drown us unless something drastic happens right now.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Hibbert showcasing post-up fundamentals | NBA Playbook</title>
    <link href="https://mlarson.org/2012/01/24/hibbert-showcasing-post-up-fundamentals-nba/"/>
    <updated>2012-01-24T03:37:18.000Z</updated>
    <id>https://mlarson.org/2012/01/24/hibbert-showcasing-post-up-fundamentals-nba/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the fundamental aspects missing in today’s game is the ability for players (of any position) to work hard to get good spots on the floor (For post-up opportunities, that usually means getting at least one foot in the paint on a post catch). Contrary to popular opinion, this isn’t always derived from laziness. In fact, most times it’s because players are so used to being so much taller/stronger/more athletic than their competition, that they haven’t yet realized the value of getting prime real estate.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nbaplaybook.com/2012/01/23/hibbert-showcasing-post-up-fundamentals/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed:%20NBAPlaybook%20(NBA%20Playbook)&#34;&gt;Hibbert showcasing post-up fundamentals | NBA Playbook&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2012</title>
    <link href="https://mlarson.org/2012/01/23/do-your-work-for-six-years-but-in-the-seventh-go/"/>
    <updated>2012-01-23T17:49:55.000Z</updated>
    <id>https://mlarson.org/2012/01/23/do-your-work-for-six-years-but-in-the-seventh-go/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Do your work for six years; but in the seventh, go into solitude or among strangers, so that the memory of your friends does not hinder you from being what you have become.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Le%C3%B3_Szil%C3%A1rd&#34;&gt;Leó Szilárd&lt;/a&gt;, from his &lt;a href=&#34;http://sandefur.typepad.com/freespace/2008/09/index.html&#34;&gt;ten commandments&lt;/a&gt;. (&lt;a href=&#34;http://paul.kedrosky.com/archives/2012/01/on-work.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Brick</title>
    <link href="https://mlarson.org/2012/01/21/brick-hard-boiled-film-noir-in-modern-high-school/"/>
    <updated>2012-01-21T21:17:00.000Z</updated>
    <id>https://mlarson.org/2012/01/21/brick-hard-boiled-film-noir-in-modern-high-school/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_ly62qo5pes1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Brick_%28film%29&#34;&gt;Brick&lt;/a&gt;. Hard-boiled film noir in modern high school suburbia. Everything was treated very carefully here, and it totally works for me. I could understand how ostensible 17- or 18-year-olds talking like Dashiell Hammett characters might not work for some, though. Some of which characters are clearly set to type (femme fatale, loyal informant, short-fused blockhead, sad-sack, etc.). Most of the movie has great, lively style but isn’t afraid to undercut itself every now and then. Solid score. I say it’s worth your time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>BrightestYoungThings: Futurenomics: The Tyler Cowen Interview</title>
    <link href="https://mlarson.org/2012/01/21/brightestyoungthings-futurenomics-the-tyler/"/>
    <updated>2012-01-21T21:13:30.000Z</updated>
    <id>https://mlarson.org/2012/01/21/brightestyoungthings-futurenomics-the-tyler/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I was born in 1962 which was like the end of an era of breakthroughs. The moon walk, wow! That was exciting. Maybe it didn’t lead to anything, but we were all stunned. We saw it as a kid. I was like seven and thought “oh my god, this is awesome!” and you are like “science brought us this” and everyone was like “woah, science,” and then you have this long period of science not bringing that much and I think some of that status just went away. I can understand why.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.brightestyoungthings.com/articles/futurenomics-the-tyler-cowen-interview.htm&#34;&gt;BrightestYoungThings: Futurenomics: The Tyler Cowen Interview&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 21, 2012</title>
    <link href="https://mlarson.org/2012/01/21/the-long-sentence-is-how-we-begin-to-free/"/>
    <updated>2012-01-21T21:13:24.000Z</updated>
    <id>https://mlarson.org/2012/01/21/the-long-sentence-is-how-we-begin-to-free/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The long sentence is how we begin to free ourselves from the machine-like world of bullet points and the inhumanity of ballot-box yeas or nays.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Pico Iyer. Here’s &lt;a href=&#34;http://blog.millsbaker.net/post/16138174921/the-long-sentence-is-how-we-begin-to-free&#34;&gt;mills&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Pico Iyer, in a pleasant &lt;em&gt;&lt;a href=&#34;http://www.chicagotribune.com/entertainment/books/la-ca-pico-iyer-20120108,0,718629.story&#34;&gt;Los Angeles Times&lt;/a&gt;&lt;/em&gt; &lt;a href=&#34;http://www.chicagotribune.com/entertainment/books/la-ca-pico-iyer-20120108,0,718629.story&#34;&gt;article&lt;/a&gt; noted by &lt;a href=&#34;http://www.schmudde.net/&#34;&gt;Schmudde&lt;/a&gt;, defending his use of “…longer and longer sentences as a small protest against —and attempt to rescue any readers I might have from— the bombardment of the moment.”&lt;/p&gt;
&lt;p&gt;Iyer chooses two sorts of reduced expression as examples: bullet points_,_ which are the prose of the business world; and the “inhuman” ballot-box, where political expression occurs. It is amusing to note that many believe that it is in precisely these spaces —the professional and the political— that their identity resides, that the substance of their life resides. If not there, after all, where?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of an &lt;a href=&#34;http://tumblr.mlarson.org/post/12161934708/it-is-hardly-surprising-to-find-that-the-two-areas&#34;&gt;Andrew Potter quote I tumbled&lt;/a&gt; from &lt;a href=&#34;http://www.amazon.com/Authenticity-Hoax-Lost-Finding-Ourselves/dp/006125133X&#34;&gt;The Authenticity Hoax&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is hardly surprising to find that the two areas of human enterprise most concerned with sincerity as &lt;em&gt;opposed to truth&lt;/em&gt;—namely, politics and advertising—are also the two areas most steeped in bullshit. Or would it be better to say that politics and advertising are the two areas most concerned with the appearance of authenticity? This might be a distinction without a difference.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And another thing I &lt;a href=&#34;http://www.mlarson.org/2010/04/06/vocabulary-and-the-reading-diet/&#34;&gt;think of&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/7240117871/when-we-get-better-at-expressiveness-we-get&#34;&gt;repeat often&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Death-Sentences-Management-Speak-Strangling-Language/dp/1592401406&#34;&gt;If you write like porridge you will think like it&lt;/a&gt;, and the other way around.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Bill Cunningham New York</title>
    <link href="https://mlarson.org/2012/01/18/bill-cunningham-new-york-very-highly-recommended/"/>
    <updated>2012-01-18T16:46:00.000Z</updated>
    <id>https://mlarson.org/2012/01/18/bill-cunningham-new-york-very-highly-recommended/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_ly03djdtn01qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Bill_Cunningham_New_York&#34;&gt;Bill Cunningham New York&lt;/a&gt;. Very highly recommended. What a guy.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you don’t take money, they can’t tell you what to do. That’s the key to the whole thing.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>thoughts on films: WGA 101 BEST SCREENPLAY LIST RECAP</title>
    <link href="https://mlarson.org/2012/01/17/thoughts-on-films-wga-101-best-screenplay-list/"/>
    <updated>2012-01-17T18:25:07.000Z</updated>
    <id>https://mlarson.org/2012/01/17/thoughts-on-films-wga-101-best-screenplay-list/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Here are 15 things I learned from watching and writing about these 101 movies.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I loved following along with &lt;a href=&#34;https://twitter.com/#!/jamesfflynn&#34;&gt;@jamesfflynn&lt;/a&gt;’s screenplay series.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://candycanesammy.blogspot.com/2012/01/wga-101-best-screenplay-list-recap.html&#34;&gt;thoughts on films: WGA 101 BEST SCREENPLAY LIST RECAP&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gary Taubes on Dieting | FiveBooks | The Browser</title>
    <link href="https://mlarson.org/2012/01/17/gary-taubes-on-dieting-fivebooks-the-browser/"/>
    <updated>2012-01-17T18:20:36.000Z</updated>
    <id>https://mlarson.org/2012/01/17/gary-taubes-on-dieting-fivebooks-the-browser/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you look and see who is healthier, you’ll find out that people who were mostly vegetarians tend to live longer and have less cancer and diabetes than people who get most of their fat and protein from animal products. The assumption by the researchers is that this is causal – that the only difference between mostly vegetarians and mostly meat-eaters is how many vegetables and how much meat they eat. I’ve argued that this assumption is naïve almost beyond belief. In this case, vegetarians or mostly vegetarian people are more health conscious. That’s why they’ve chosen to eat like this. They’re better educated than the mostly meat-eaters, they’re in a higher socioeconomic bracket, they have better doctors, they have better medical advice, they engage in other health conscious activities like walking, they smoke less. There’s a whole slew of things that goes with vegetarianism and leaning towards a vegetarian diet. You can’t use these observational studies to imply cause and effect. To me, it’s one of the most extreme examples of bad science in the nutrition field.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thebrowser.com/interviews/gary-taubes-on-dieting?page=full&#34;&gt;Gary Taubes on Dieting | FiveBooks | The Browser&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2012</title>
    <link href="https://mlarson.org/2012/01/17/introspection-means-talking-to-yourself-and-one/"/>
    <updated>2012-01-17T18:20:00.000Z</updated>
    <id>https://mlarson.org/2012/01/17/introspection-means-talking-to-yourself-and-one/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Introspection means talking to yourself, and one of the best ways of talking to yourself is by talking to another person. One other person you can trust, one other person to whom you can unfold your soul. One other person you feel safe enough with to allow you to acknowledge things—to acknowledge things to yourself—that you otherwise can’t. Doubts you aren’t supposed to have, questions you aren’t supposed to ask.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://theamericanscholar.org/solitude-and-leadership/&#34;&gt;The American Scholar: Solitude and Leadership - William Deresiewicz&lt;/a&gt;. First sentence.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Because You Asked About the Line Between Prose and Poetry by Howard Nemerov</title>
    <link href="https://mlarson.org/2012/01/11/because-you-asked-about-the-line-between-prose-and/"/>
    <updated>2012-01-11T15:02:28.000Z</updated>
    <id>https://mlarson.org/2012/01/11/because-you-asked-about-the-line-between-prose-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Sparrows were feeding in a freezing drizzle&lt;br&gt;
That while you watched turned to pieces of snow&lt;br&gt;
Riding a gradient invisible&lt;br&gt;
From silver aslant to random, white, and slow.&lt;/p&gt;
&lt;p&gt;There came a moment that you couldn’t tell.&lt;br&gt;
And then they clearly flew instead of fell.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://blog.penelopetrunk.com/2012/01/06/my-new-years-resolution-pay-attention/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.poets.org/viewmedia.php/prmMID/20007&#34;&gt;Because You Asked About the Line Between Prose and Poetry by Howard Nemerov&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2012</title>
    <link href="https://mlarson.org/2012/01/10/one-purpose-of-children-is-to-shred-parental/"/>
    <updated>2012-01-10T15:08:45.000Z</updated>
    <id>https://mlarson.org/2012/01/10/one-purpose-of-children-is-to-shred-parental/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One purpose of children is to shred parental black-and-whites into gray confetti.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-a-homemaker-feels-the-sting-of-free-time-remark/2011/12/21/gIQApfXXmP_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New World</title>
    <link href="https://mlarson.org/2012/01/10/the-new-world-in-which-the-title-is-a-metaphor/"/>
    <updated>2012-01-10T15:08:00.000Z</updated>
    <id>https://mlarson.org/2012/01/10/the-new-world-in-which-the-title-is-a-metaphor/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lxl8fgdjmh1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_New_World_%28film%29&#34;&gt;The New World&lt;/a&gt;. In which the title is a metaphor. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Terrence Malick&lt;/a&gt; is a seductive director. I thought it started a little conventionally, but partway in, it turned into something special. You’re forced to set aside Disney memories and whatever historical précis you’ve got leftover from school. Interesting to see what expected bits of history and relationship development that he delays or leaves out completely, or proceeds quickly through and moves on. Lots of amazing nature scenes and life out of doors. I love the contrast of Smith’s time in the lush forests, and then the return to grey, denuded, muddy Jamestown. Malick uses narration again, which is kind of a clever cheat. You allow characters to voice their thoughts over visuals, and that keeps you from having to dialogue all the time. Couple that with the often elliptical camera–characters rarely face to face, often staggered in distance or in gentle motion, seen over-the-shoulder or trailing behind–you just get to gaze and treat your eyes and ears. I like &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060119/REVIEWS/51220006&#34;&gt;Ebert’s observation&lt;/a&gt;: “The events in his film, including the tragic battles between the Indians and the settlers, seem to be happening for the first time.” Right now I think &lt;a href=&#34;http://tumblr.mlarson.org/post/7241020197/days-of-heaven-my-first-malick-film-and-luckily&#34;&gt;Days of Heaven&lt;/a&gt; is still my favorite Malick, with &lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;Badlands&lt;/a&gt; coming in close third.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Prayer That Will Be Answered</title>
    <link href="https://mlarson.org/2012/01/09/a-prayer-that-will-be-answered/"/>
    <updated>2012-01-09T15:25:30.000Z</updated>
    <id>https://mlarson.org/2012/01/09/a-prayer-that-will-be-answered/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Lord let me suffer much&lt;br&gt;
and then die&lt;/p&gt;
&lt;p&gt;Let me walk through silence&lt;br&gt;
and leave nothing behind not even fear&lt;/p&gt;
&lt;p&gt;Make the world continue&lt;br&gt;
let the ocean kiss the sand just as before&lt;/p&gt;
&lt;p&gt;Let the grass stay green&lt;br&gt;
so that the frogs can hide in it&lt;/p&gt;
&lt;p&gt;so that someone can bury his face in it&lt;br&gt;
and sob out his love&lt;/p&gt;
&lt;p&gt;Make the day rise brightly&lt;br&gt;
as if there were no more pain&lt;/p&gt;
&lt;p&gt;And let my poem stand clear as a windowpane&lt;br&gt;
bumped by a bumblebee’s head&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Anna Kemienska’s poem from &lt;a href=&#34;http://www.amazon.com/Book-Luminous-Things-International-Anthology/dp/0156005743&#34;&gt;The Book of Luminous Things&lt;/a&gt;, translated from Polish by Stanislaw Baranczak and Clare Cavanagh. Via &lt;a href=&#34;http://malevichsquare.tumblr.com/post/15465919713&#34;&gt;malevichsquare&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/poetry&#34;&gt;poetry&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/prayer&#34;&gt;prayer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Turning words into touchdowns: Does a player&#39;s speech predict how he&#39;ll perform in the NFL? - Slate Magazine</title>
    <link href="https://mlarson.org/2012/01/09/turning-words-into-touchdowns-does-a-players/"/>
    <updated>2012-01-09T15:25:00.000Z</updated>
    <id>https://mlarson.org/2012/01/09/turning-words-into-touchdowns-does-a-players/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/sports/sports_nut/2011/04/turning_words_into_touchdowns.html&#34;&gt;Turning words into touchdowns: Does a player&#39;s speech predict how he&#39;ll perform in the NFL? - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tinker Tailor Soldier Spy</title>
    <link href="https://mlarson.org/2012/01/09/tinker-tailor-soldier-spy-i-enjoyed-this-much/"/>
    <updated>2012-01-09T02:14:23.000Z</updated>
    <id>https://mlarson.org/2012/01/09/tinker-tailor-soldier-spy-i-enjoyed-this-much/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lxi5wmdcnb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Tinker_Tailor_Soldier_Spy_%28film%29&#34;&gt;Tinker Tailor Soldier Spy&lt;/a&gt;. I enjoyed this much more than expected, because/despite the fact that I got lost every now and then. This one shows a lot of sitting, reading, thinking, talking–a nice contrast to more action-packed spy movies. I’d gladly see it again, in the comfort of my own home.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Meditations (review)</title>
    <link href="https://mlarson.org/2012/01/09/meditations-review/"/>
    <updated>2012-01-09T00:06:27.000Z</updated>
    <id>https://mlarson.org/2012/01/09/meditations-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm8.staticflickr.com/7162/6407304569_b88b760797.jpg&#34; alt=&#34;Meditations&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Your mind will take on the character of your most frequent thoughts: &lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.5.five.html&#34;&gt;souls are dyed by thoughts&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Funny to think how I am still very much myself. &lt;a href=&#34;/mark-larson-1/2010/11/04/in-which-i-ponder-former-selves&#34;&gt;Same Mark, more detail&lt;/a&gt;. If you &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/12/stereotyping-to-learn.html&#34;&gt;overlapped all my pattern-stereotypes&lt;/a&gt; I had around 1992, you&#39;d get a pretty good picture of me today of what 2012 Mark is like. Summer of last year, I started reading more works of and about Stoicism, and that led to tumbling a lot of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stoicism&#34;&gt;stoicism quotes&lt;/a&gt;. This was not a new interest by any means. I remember thinking Stoics were cool back in childhood, when I first learned about them. I think my interest then was more of a tough-guy, counter-culture, I-am-a-rock/island sort of thing. Maybe a way of validating introversion, independence, self-protection.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.4.four.html&#34;&gt;Men seek retreats for themselves&lt;/a&gt;--in the country, by the sea, in the hills--and you yourself are particularly prone to this yearning. But all this is quite unphilosophic, when it is open to you, at any time you want, to retreat into yourself. No retreat offers someone more quiet and relaxation than that into his own mind, especially if he can dip into thoughts there which put him at immediate and complete ease: and by ease I simply mean a well-ordered life. (4.3)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I remember picking up Marcus Aurelius&#39; &lt;a href=&#34;http://en.wikipedia.org/wiki/Meditations&#34;&gt;Meditations&lt;/a&gt; on at least three different occasions, but never finishing. In fact, barely starting each time. Some lessons can&#39;t be learned early, I guess. I still like the independent-minded ideas, but I think now a lot of what gets me are the ideas of acceptance, attitude, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/gratitude&#34;&gt;gratitude&lt;/a&gt; (which is the focus of the &lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.1.one.html&#34;&gt;entire amazing first chapter&lt;/a&gt;). And, yeah, being hard on myself....&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;They cannot admire you for intellect. Granted--but there are many other qualities of which you cannot say, &amp;quot;but that is not the way I am made&amp;quot;. So &lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.5.five.html&#34;&gt;display those virtues which are wholly in your own power&lt;/a&gt;--integrity, dignity, hard work, self-denial, contentment, frugality, kindness, independence, simplicity, discretion, magnanimity. Do you not see how many virtues you can already display without any excuse of lack of talent or aptitude? And yet you are still content to lag behind. (5.5)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I bookmarked the hell out of it when I was reading and made a bunch of notes to myself (&lt;a href=&#34;http://tumblr.mlarson.org/post/12793220247/hypomnema-wikipedia-the-free-encyclopedia&#34;&gt;hypomnema&lt;/a&gt;!). I&#39;ll probably be turning back to this one for a long time to come. All the quotes below come from &lt;a href=&#34;http://www.amazon.com/dp/0140449337&#34;&gt;Martin Hammond&#39;s translation&lt;/a&gt;. The numbers refer to chapter and sub-section, should you decide to pick up this book. Which you should do.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;On gossip. (3.4)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Do not waste the remaining part of your life in thoughts about other people, when you are not thinking with reference to some aspect of the common good. Why deprive yourself of the time for some other task? I mean, thinking about what so-and-so is doing, and why, what he is saying or contemplating or plotting, and all that line of thought, makes you stray from the close watch on your directing mind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On hurt and its source, our compulsion to draw conclusions and render judgement on what has befallen us. (4.7)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Remove the judgement, and you have removed the thought &amp;quot;I am hurt&amp;quot;: removed the thought &amp;quot;I am hurt&amp;quot;, and the hurt itself is removed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On revenge. (6.6)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The best revenge is not to be like your enemy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On transience. There were several moments of this kind of beautiful writing that makes you slow down or rest the book and think it over. (6.15)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Some things are hurrying to come into being, others are hurrying to be gone, and part of that which is being born is already extinguished. Flows and changes are constantly renewing the world, just as the ceaseless passage of time makes eternity ever young. In this river, then, where there can be no foothold, what should anyone prize of all that races past him? It is as if he were to begin to fancy one of the little sparrows that fly past--but already it is gone from his sight.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On history repeating and our shared universal experience. (6.37)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He who sees the present has seen all things, both all that has come to pass from everlasting and all that will be for eternity: all things are related and the same.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On adapting to and embracing what is, &lt;a href=&#34;/mark-larson-1/2008/08/27/noticing-curating-caring&#34;&gt;caring&lt;/a&gt;. (6.39)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Fit yourself for the matters which have fallen to your lot, and love these people among whom destiny has cast you--but your love must be genuine.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On composure, comportment, grace, style. (7.60)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The body, too, should stay firmly composed, and not fling itself about either in motion or at rest. Just as the mind displays qualities in the face, keeping it intelligent and attractive, something similar should be required of the whole body. But all this should be secured without making an obvious point of it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On vice and keeping good company. (7.71)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is ridiculous not to escape from one&#39;s own vices, which is possible, while trying to escape the vices of others, which is impossible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On change, being wrong, graciousness. (8.16)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Remember that to change course or accept correction leaves you just as free as you were. The action is your own, driven by your own impulse or judgement, indeed your own intelligence.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On looking back, looking forward, being present, letting go. (8.36)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Do not let the panorama of your life oppress you, do not dwell on all the various troubles which may have occurred in the past or may occur in the future. Just ask yourself in each instance of the present: &amp;quot;What is there in this work which I cannot endure or support?&amp;quot; You will be ashamed to make any such confession. Then remind yourself that it is neither the future nor the past which weighs on you, but always the present: and the present burden reduces, if only you can isolate it and accuse your mind of weakness if it cannot hold against something thus stripped bare.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On simplicity, kindness, perseverance, virtue. Like water off a duck&#39;s back. (8.51)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If a man were to come up to a spring of clear, sweet water and curse it--it would still continue to bubble up water good to drink. He could throw in mud or dung: in no time the spring will break it down, wash it away, and take no color from it. How then can you secure an everlasting spring and not a cistern? By keeping yourself at all times intent on freedom--and staying kind, simple, and decent.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On fame, attention, transience, obsessions, Facebook, death. (10.34)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All things are short-lived--this is their common lot--but you pursue likes and dislikes as if all was fixed for eternity. In a little while you too will close your eyes, and soon there will be others mourning the man who buries you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On duty, openness, constancy, honesty. (11.27)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The Pythagoreans say, &amp;quot;Look at the sky at dawn&amp;quot;--to remind ourselves of the constancy of those heavenly bodies, their perpetual round of their own duty, their order, their purity, and their nakedness. No star wears a veil.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On dying. (12.36)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is like the officer who engaged a comic actor dismissing him from the stage. &amp;quot;But I have not played my five acts, only three.&amp;quot; &amp;quot;True, but in life three acts can be the whole play.&amp;quot; Completion is determined by that being who caused first your composition and now your dissolution. You have no part in either causation. Go then in peace: the god who lets you go is at peace with you.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite movies of 2011</title>
    <link href="https://mlarson.org/2012/01/09/20120109favorite-movies-of-2011/"/>
    <updated>2012-01-09T00:06:01.000Z</updated>
    <id>https://mlarson.org/2012/01/09/20120109favorite-movies-of-2011/</id>
    <content type="html">&lt;p&gt;I &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;watched a lot of movies&lt;/a&gt; last year, 82 if my count is right. I re-watched some favorites (&lt;a href=&#34;http://tumblr.mlarson.org/post/10277233833/out-of-the-past-my-favorite-movie-of-all-time&#34;&gt;Out of the Past&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/10766879215/alien-this-one-has-not-aged-a-bit-fantasic&#34;&gt;Alien&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/6248949135/back-to-the-future-i-had-an-essentially-perfect&#34;&gt;Back to the Future&lt;/a&gt;), but I kept these monthly selections focused on new-to-me stuff. Out of all of them, I think &lt;a href=&#34;http://tumblr.mlarson.org/post/4210033096/winters-bone-this-is-fantastic-i-got-totally&#34;&gt;Winter&#39;s Bone&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/9838846888/apocalypto-i-got-a-kick-out-of-this-one-at-its&#34;&gt;Apocalypto&lt;/a&gt; were really amazing movies that you&#39;d be a fool to miss. All the links go to &lt;a href=&#34;http://tumblr.mlarson.org/&#34;&gt;my tumblr&lt;/a&gt;, where you&#39;ll find whatever brief or sometimes rambling commentary I had in mind after watching. Right now I&#39;m too lazy to get images like I did for my &lt;a href=&#34;/mark-larson-1/2011/12/30/favorite-albums-of-2011&#34;&gt;favorite albums of 2011&lt;/a&gt;. So here&#39;s the quick text-only run-down, mostly to give you an encouraging nudge if you get the chance to see them: &lt;strong&gt;January&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/2909338394/the-american-it-seems-that-critics-are-a-bit&#34;&gt;The American&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/3100380920/double-indemnity-this-one-is-very-good-very&#34;&gt;Double Indemnity&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/3327527898/the-virgin-suicides-i-liked-this-one-quite-a&#34;&gt;The Virgin Suicides&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/3426669371/brazil-a-daydreaming-bureaucrat-muddles-through-a&#34;&gt;Brazil&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/3564607117/force-of-evil-very-very-good-everyone-tries-to&#34;&gt;Force of Evil&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/3877301641/high-noon-great-movie-here-are-some-very-good&#34;&gt;High Noon&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/4159764340/chinatown-this-is-a-great-movie-that-absolutely&#34;&gt;Chinatown&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/4210033096/winters-bone-this-is-fantastic-i-got-totally&#34;&gt;Winter&#39;s Bone&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/4390545864/some-like-it-hot-i-have-verified-that-this-is-one&#34;&gt;Some Like It Hot&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/4957002753/the-social-network-no-joke-this-is-a-pretty&#34;&gt;The Social Network&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/5422480856/shotgun-stories-two-sets-of-half-brothers-feud&#34;&gt;Shotgun Stories&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/5667188535/atl-dont-expect-casablanca-but-i-recommend-this&#34;&gt;ATL&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/5745547975/guess-whos-coming-to-dinner-watch-this-more-for&#34;&gt;Guess Who&#39;s Coming to Dinner&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/6727682368/127-hours-this-was-the-perfect-movie-to-watch&#34;&gt;127 Hours&lt;/a&gt;, by default.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/7241020197/days-of-heaven-my-first-malick-film-and-luckily&#34;&gt;Days of Heaven&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/8338835528/3-10-to-yuma-1957-this-is-another-western-with&#34;&gt;3:10 to Yuma&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/8435994051/the-last-days-of-disco-i-loved-whit-stillmans&#34;&gt;The Last Days of Disco&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;September&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/9838846888/apocalypto-i-got-a-kick-out-of-this-one-at-its&#34;&gt;Apocalypto&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/9918251198/det-sjunde-inseglet-the-seventh-seal-first-time&#34;&gt;The Seventh Seal&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/10609208040/ivans-childhood-this-was-my&#34;&gt;Ivan&#39;s Childhood&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;October&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/11102834408/drive-i-liked-it-about-as-much-as-i-liked-the&#34;&gt;Drive&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/11732690139/mystic-river-great-movie-dang-i-was-immediately&#34;&gt;Mystic River&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/12185513719/scarface-1932-ambition-bloodlust-cowardice&#34;&gt;Scarface (1932)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/12821676701/martha-marcy-may-marlene-wrenching-you-just-want&#34;&gt;Martha Marcy May Marlene&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/13362935729/badlands-my-second-malick-like-in-days-of&#34;&gt;Badlands&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/13873644480/d-o-a-oh-i-quite-like-this-one-this-is-not-the&#34;&gt;D.O.A.&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/14464768006/the-purple-rose-of-cairo-this-is-a-tremendous&#34;&gt;The Purple Rose of Cairo&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/14816581978/the-artist-its-a-fun-cute-film-that-loves-what&#34;&gt;The Artist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2012</title>
    <link href="https://mlarson.org/2012/01/07/when-youre-in-denial-about-how-invested-you-are/"/>
    <updated>2012-01-07T00:44:58.000Z</updated>
    <id>https://mlarson.org/2012/01/07/when-youre-in-denial-about-how-invested-you-are/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When you’re in denial about how invested you are in a single outcome, that’s when unrealistic expectations creep in.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-worried-about-impressing-the-boyfriends-parents/2011/12/14/gIQATWACbP_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hunger</title>
    <link href="https://mlarson.org/2012/01/06/hunger-not-sure-how-i-feel-about-this-one/"/>
    <updated>2012-01-06T16:09:58.000Z</updated>
    <id>https://mlarson.org/2012/01/06/hunger-not-sure-how-i-feel-about-this-one/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lxdwvs0um81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Hunger_%282008_film%29&#34;&gt;Hunger&lt;/a&gt;. Not sure how I feel about this one overall. I was glad Bobby Sands wasn’t really portrayed as martyr-hero or villain-fool, just a really committed guy. Much more about the choices of a life than the politics that motivate them. I wish the dreamy bits at the end had been chopped down a bit, maybe a better balance with the first two acts that way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2012</title>
    <link href="https://mlarson.org/2012/01/06/uncouple-your-own-grief-from-the-hopes-you-pin-on/"/>
    <updated>2012-01-06T04:57:10.000Z</updated>
    <id>https://mlarson.org/2012/01/06/uncouple-your-own-grief-from-the-hopes-you-pin-on/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Uncouple your own grief from the hopes you pin on others. All relationships stand alone; there are no replacements.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-worried-about-impressing-the-boyfriends-parents/2011/12/14/gIQATWACbP_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Different Take on Empathy | RyanHoliday.net</title>
    <link href="https://mlarson.org/2012/01/06/a-different-take-on-empathy-ryanholidaynet/"/>
    <updated>2012-01-06T04:56:14.000Z</updated>
    <id>https://mlarson.org/2012/01/06/a-different-take-on-empathy-ryanholidaynet/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s not simply that you have something to do or say, there is another person who will be responding to you and that response is equally daunting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/empathy&#34;&gt;Empathy&lt;/a&gt; is an ongoing interest of mine.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ryanholiday.net/a-different-take-on-empathy/&#34;&gt;A Different Take on Empathy | RyanHoliday.net&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2012</title>
    <link href="https://mlarson.org/2012/01/06/they-say-you-only-live-once-but-every-time-i-come/"/>
    <updated>2012-01-06T04:37:23.000Z</updated>
    <id>https://mlarson.org/2012/01/06/they-say-you-only-live-once-but-every-time-i-come/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;They say you only live once but every time I come to work I feel like I’m starting a second life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/kanyewest/status/154765127185469440&#34;&gt;Kanye West&lt;/a&gt; on the transformative power of creative endeavors.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Louis CK Q&amp;amp;A - JonahWeiner.com</title>
    <link href="https://mlarson.org/2012/01/06/louis-ck-qa-jonahweinercom/"/>
    <updated>2012-01-06T04:33:00.000Z</updated>
    <id>https://mlarson.org/2012/01/06/louis-ck-qa-jonahweinercom/</id>
    <content type="html">&lt;p&gt;Well, this is awesome. (&lt;a href=&#34;https://twitter.com/#!/silvermanjacob/status/154969625304629248&#34;&gt;via&lt;/a&gt;) Here we have an edited transcript of Jonah Weiner’s interview with Louis CK that was used for the &lt;a href=&#34;http://jonahweiner.com/RS_Louie_CK_Jonah_Weiner.html&#34;&gt;Rolling Stone profile last fall&lt;/a&gt;. Lots of good stuff here. Here’s Louis CK on the importance of those early failures and growing experiences:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Stand-up, I didn’t know what that was going to feel like. I guess I thought it would feel like it does in TV shows or movies: they’re going to laugh. That’s part of it, right? You tell a joke and then they laugh. It has this feel to it that I knew, and boy, when you realize how wrong you are, that’s a fucking cold slap in the face. I think that’s true of anybody’s first time. […] You need to enter stand-up with that cold slap in the face, or you’ll never really understand what you’re doing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This next part rang really true for me. I thought for a long time that I was headed to grad school right after college, but each fall afterward I just couldn’t bring myself to do the paperwork. That’s me sending myself a message. CK on resisting college and keeping a day job while he chased his dreams (cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/411821278/people-say-you-teach-during-the-day-and-youre&#34;&gt;Steve Reich&lt;/a&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An old teacher of mine got me an interview at NYU film school, and I brought all these videos I’d made, and photographs, a portfolio – I’d gotten into photography and stuff, and they said that they would accept me to go to film school. So I quit my job with that in mind, and I’d been doing stand-up, but not well or successfully, and then I never filled in – I got these forms from this guy to fill in, on the floor of my apartment somewhere, but I couldn’t get my brain to…I was supposed to go back to my high school and get my transcripts, and the idea of doing all that, just that paperwork – going to NYU film school was this dream come true for me, but I couldn’t fill out the thing, couldn’t fill it out and go to the Xerox machine and put a stamp on an envelope, all that stuff. It made me want to vomit. That sort of thing has always been the case for me, I can’t get that done. That’s why I have an assistant. Now if I just dream up shit I want to do, I have her to take care of it.&lt;/p&gt;
&lt;p&gt;So I decided, “Fuck it, I’m a comedian. I’m just going to do that, I’m going to stay in Boston.” That’s when I worked at the garage. I stopped working at local-access cable. I drove a cab for a while. I started taking shitty jobs so I could do stand-up, I didn’t want an all-encompassing job. I liked that, I just liked having dead-end jobs and doing stand-up. I thought, “Fuck it, that’s what I’m going to try to do.” I had an instinct that if I just kept hammering it and hammering it, I had a head start on people, I was very young, and I was resilient, I didn’t mind living stupidly, I wasn’t anxious about making a living, just played it close to the bottom for a long time, and I knew how to do that, it didn’t bother me. I liked the freedom, I didn’t have a job-job, I’m not working for a company, I’m not going to a school, I live on my own.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And, wow, on the typical sitcom plot:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;With a lot of these shows, I know what’s going on, and I think the audience does, too. Here comes the part where they’re going to walk in the door while the credits are still rolling. They’re going to trade quick barbs, “What did you do?” “I went to the store to get a coffee and they had the Michael J. Fox coffee today, so they spilled it.” “Oh, ha ha ha.” “What happened to you today?” Kind of inconsequential jokes. Joke, joke, joke, then somebody goes, “Somebody was here to ask you about this” – here comes the story, and it gets quiet, and then, “Oh, I can’t go, because I have this thing,” “He’s only in town for one day,” and now we’re laying pipe and it’s getting quiet. “What are you going to do about that?” “I don’t know,” because here’s a joke about the character that is an outside world joke or observational joke, and then the blow, the big fucking blow to get out of the scene – you have to have a blow, a big enough laugh, and it’s something really contrived: people sat there in the writer’s room, fucking eating fast food and going, “Where’s the blow for this scene, I want to go home.”&lt;/p&gt;
&lt;p&gt;Then here comes the funny character, the guest star, who’s in town, and we find out what the lead character hates about him, and then there’s the guy, the character, that carries all the jokes. He says dumb things and keeps it going, there’s this energy, he’s like a circuit or something, just does this one thing. […] So there’s a guy on every show that does that, he has his one way, he has his variety, about eight different joke formulas, and you refill them with different stuff. He’s either the dumb guy or, like, Lisa Kudrow’s character on Friends or whatever. “I thought coffee was from Brazil.” “Ugh, no the guy’s name is Coffee. He’s from Italy.” Garbage like that. Then you start building the story, then you go away on an act break. Then you build a third act that just is the train wreck of not really much fun, but it pays everything off, it leaves everybody feeling exactly the same way they left, that they felt before the show started. That’s what shows are meant to do, is leave on par and leave a few jokes behind, to be printed in Entertainment Weekly’s sound bites.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On kids and growing up:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Having kids, you don’t escape from it, you seize onto it, it’s a big, stressful, exhilarating, real life thing. And it’s permanent, it’s something that you have to evolve for. Some people don’t, but I think you have to actually change your values system, and you have to revolutionize yourself in order to do it properly, because kids can’t raise kids, and I think you’re somewhat a kid until you have them, then you really have to grow up.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lastly on being in control, experimenting, being wrong, being interesting:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’m not a dictator, because I’m not in control of anything, I’m just deciding what to try. To me, it’s not that I control a bunch of people, it’s just that nobody controls me. There’s nothing above me except responsibility to the product. That’s the ultimate responsibility, is if the show sucks, then what was the fucking point of being in charge? I’m right about these things on the show, and when I’m not, it’s interesting to watch me be wrong. I don’t think you have to be perfect, you just have to be compelling in the work you do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://jonahweiner.com/Louis_CK_Q&amp;amp;A.html&#34;&gt;Louis CK Q&amp;amp;A - JonahWeiner.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Right on Cue - Ta-Nehisi Coates - The Atlantic</title>
    <link href="https://mlarson.org/2012/01/04/right-on-cue-ta-nehisi-coates-the-atlantic/"/>
    <updated>2012-01-04T16:46:52.000Z</updated>
    <id>https://mlarson.org/2012/01/04/right-on-cue-ta-nehisi-coates-the-atlantic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Age, like all power constructs, (race, gender, class) encourages it’s own ignorance. To not know is a luxury of power. You don’t have to know &lt;a href=&#34;http://www.amazon.com/Their-Eyes-Were-Watching-God/dp/0060931418&#34;&gt;&lt;em&gt;Their Eyes Were Watching God&lt;/em&gt;&lt;/a&gt;. But I damn sure better know &lt;a href=&#34;http://www.amazon.com/Scarlet-Letter-Bantam-Classics/dp/0553210092&#34;&gt;&lt;em&gt;The Scarlet Letter&lt;/em&gt;&lt;/a&gt;. (It’s bad enough I’m slipping on Twain.) Age turns ignorance into a luxury, and worse, if you don’t recognize it as a luxury you start to think everyone is as clueless as you. And of course you’re clueless that any of this is even going on. It’s just a bad look all around.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://kottke.org/10/08/digging-in-the-crates-or-why-my-generation-is-into-history&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/entertainment/archive/2010/05/right-on-cue/56541/&#34;&gt;Right on Cue - Ta-Nehisi Coates - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Super 8 as an Allegory on the Triumph of Digital FX « Pancake Dominion</title>
    <link href="https://mlarson.org/2012/01/04/super-8-as-an-allegory-on-the-triumph-of-digital/"/>
    <updated>2012-01-04T16:45:13.000Z</updated>
    <id>https://mlarson.org/2012/01/04/super-8-as-an-allegory-on-the-triumph-of-digital/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When a filmmaker makes totally 100% sure that even the most moronic audiences notice some non-plot thing in his film, there’s almost always a solid reason for it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This brings to mind complaints about, for example, Mel Gibson’s detailed, graphic violence or Tarantino’s fountains of blood and foul language. It might be excess, it might be artistic signature, it might mean something. Note to self: it might be better to assume thoughtful intent, rather than be dismissive or complain about part of a movie/book/song I don’t like. Seek ye first to understand. Whether it &lt;em&gt;works&lt;/em&gt; or not is another thing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pancakedominion.wordpress.com/2011/09/21/super-8-as-an-allegory-on-the-triumph-of-digital-fx/&#34;&gt;Super 8 as an Allegory on the Triumph of Digital FX « Pancake Dominion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Gollum Effect</title>
    <link href="https://mlarson.org/2012/01/03/the-gollum-effect/"/>
    <updated>2012-01-03T14:34:20.000Z</updated>
    <id>https://mlarson.org/2012/01/03/the-gollum-effect/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Extreme couponers, if you count the value of their time, basically make a modest living doing below-minimum-wage marketing work for the coupon-based marketing universe that welcomes them as raving fans.&lt;/p&gt;
&lt;p&gt;From the point of view of the stores, far from being hostile opponents in some asymmetric game of chess, these are merely cheap and committed marketers. They are encouraged to model, in extreme ways, the very couponing behaviors that the marketing machine wants others to emulate in less extreme ways.&lt;/p&gt;
&lt;p&gt;Which is exactly what happens. So long as you and I casually clip and use coupons, inspired by the extreme couponers in our midst, the grocery stores still comes out on top. If the extreme couponers’ leadership behavior were to actually lead to large-scale loss-driving sedition by too many customers, the store could easily staunch the losses overnight, by making minor changes to coupon-redemption rules.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I hadn’t thought about it this way.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ribbonfarm.com/2011/01/06/the-gollum-effect/&#34;&gt;The Gollum Effect&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why We Stopped Spanking - Megan McArdle - The Atlantic</title>
    <link href="https://mlarson.org/2012/01/03/why-we-stopped-spanking-megan-mcardle-the/"/>
    <updated>2012-01-03T02:19:37.000Z</updated>
    <id>https://mlarson.org/2012/01/03/why-we-stopped-spanking-megan-mcardle-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It strikes me as plausible that a world in which kids spend more time unsupervised requires a parenting style more reliant on swift punishment for detected wrongdoing than rewards for good behavior.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is probably the best summary I’ve ever seen for 1) why I got spanked every so often, and 2) why I don’t really feel bad about that.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Today’s kids seem to be not only supervised but regimented; most of their time is supposed to be spent in some sort of structured activity. This makes it very easy to create elaborate reward systems, because there is all this elaborate surveillance that makes it very easy to monitor compliance.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;File under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/parenting&#34;&gt;parenting&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/health/archive/2011/12/why-we-stopped-spanking/250422/&#34;&gt;Why We Stopped Spanking - Megan McArdle - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2012</title>
    <link href="https://mlarson.org/2012/01/03/ending-the-infographic-plague-megan-mcardle/"/>
    <updated>2012-01-03T02:05:32.000Z</updated>
    <id>https://mlarson.org/2012/01/03/ending-the-infographic-plague-megan-mcardle/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lx79t8fikg1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/business/archive/2011/12/ending-the-infographic-plague/250474/&#34;&gt;Ending the Infographic Plague - Megan McArdle - The Atlantic&lt;/a&gt;. “Remember: only you can prevent viral media from spreading.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Language of Food: Entrée</title>
    <link href="https://mlarson.org/2012/01/03/the-language-of-food-entree/"/>
    <updated>2012-01-03T00:35:34.000Z</updated>
    <id>https://mlarson.org/2012/01/03/the-language-of-food-entree/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Language mavens have probably been around pretty much since there were two speakers to complain about the vocabulary, pronunciation, or grammar of a third. They can be very useful for historical linguists, because grammar writers don’t complain about a change in the language until it’s basically already happened&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;File under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/purists&#34;&gt;purists&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://languageoffood.blogspot.com/2009/08/entree.html&#34;&gt;The Language of Food: Entrée&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wall Street</title>
    <link href="https://mlarson.org/2012/01/03/wall-street-first-movie-i-saw-in-2012-because/"/>
    <updated>2012-01-03T00:35:00.000Z</updated>
    <id>https://mlarson.org/2012/01/03/wall-street-first-movie-i-saw-in-2012-because/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lx6jvu1w2w1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Wall_Street_%281987_film%29&#34;&gt;Wall Street&lt;/a&gt;. First movie I saw in 2012, because money never sleeps. Michael Douglas and Martin Sheen are really good. I like how Oliver Stone worked in a couple small moments of respite–the sunrise on the beach, the “Who am I?” on the balcony–and then gets right back to business. The only other Stone-directed films I’ve seen are &lt;a href=&#34;http://en.wikipedia.org/wiki/Platoon_%28film%29&#34;&gt;Platoon&lt;/a&gt; (pretty good), &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Doors_%28film%29&#34;&gt;The Doors&lt;/a&gt; (eh), and &lt;a href=&#34;http://en.wikipedia.org/wiki/Natural_Born_Killers&#34;&gt;Natural Born Killers&lt;/a&gt; (ugh). I felt a little sad to realize I have little interest in anything else he’s done.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dumb and Dumber</title>
    <link href="https://mlarson.org/2012/01/02/dumb-and-dumber-this-one-makes-me-wonder-how/"/>
    <updated>2012-01-02T03:08:46.000Z</updated>
    <id>https://mlarson.org/2012/01/02/dumb-and-dumber-this-one-makes-me-wonder-how/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lx5hvf4sha1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Dumb_and_Dumber&#34;&gt;Dumb and Dumber&lt;/a&gt;. This one makes me wonder how today’s comedies will come across in 2030. This is the first time I finished this movie, though I’ve seen the beginning chunk a couple hundred times. Maybe the slowest-starting comedy I’ve ever seen. The road trip and early Aspen scenes in the middle are the best.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Karate Kid (2010)</title>
    <link href="https://mlarson.org/2012/01/02/the-karate-kid-2010-i-accurately-predicted-this/"/>
    <updated>2012-01-02T02:53:53.000Z</updated>
    <id>https://mlarson.org/2012/01/02/the-karate-kid-2010-i-accurately-predicted-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lx5h8rzrt51qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Karate_Kid_%282010_film%29&#34;&gt;The Karate Kid (2010)&lt;/a&gt;. I accurately predicted this would be bad. Everything is bigger than it needs to be. The actors are way too young to carry their extremes. The emotions, the violence are waaaaaayyy over-the-top for their age. The &lt;a href=&#34;http://tumblr.mlarson.org/post/15159197812/the-karate-kid-1984-this-one-holds-up-the&#34;&gt;1984 film&lt;/a&gt; hit the right tone with hormonal high-schoolers. These kids barely have all their teeth. Smith has little of Macchio’s likeability, and I think a large part of it is because he’s a tween. Weak soundtrack that has too many “We’re on a magical adventure!”-type swelling moments. I could pile on more, but I’ll just point you to these &lt;a href=&#34;http://www.11points.com/Movies/11_Things_I_Hated_About_the_Karate_Kid_Remake&#34;&gt;11 criticisms&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Karate Kid (1984)</title>
    <link href="https://mlarson.org/2012/01/02/the-karate-kid-1984-this-one-holds-up-the/"/>
    <updated>2012-01-02T02:53:10.000Z</updated>
    <id>https://mlarson.org/2012/01/02/the-karate-kid-1984-this-one-holds-up-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2012/01/tumblr_lx5f13o31q1qzcye0o1_r2_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Karate_Kid_%281984_film%29&#34;&gt;The Karate Kid (1984)&lt;/a&gt;. This one holds up! The opening scenes come along one-two-three and you’ve got all your plot pieces in place. Macchio has serious charisma. I didn’t remember how well-shot this movie was. There are some lovely scenes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 30, 2011</title>
    <link href="https://mlarson.org/2011/12/30/mark-larson-favorite-albums-of-2011-this-makes/"/>
    <updated>2011-12-30T20:17:37.000Z</updated>
    <id>https://mlarson.org/2011/12/30/mark-larson-favorite-albums-of-2011-this-makes/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.mlarson.org/2011/12/30/favorite-albums-of-2011/&#34;&gt;mark larson | Favorite albums of 2011&lt;/a&gt;. This makes the fourth year I’ve spent too much time tallying up the best not-necessarily-from-2011 things I listened to. &lt;a href=&#34;http://www.mlarson.org/2008/12/05/favorite-albums-of-2008/&#34;&gt;2008&lt;/a&gt;. &lt;a href=&#34;http://www.mlarson.org/2009/12/21/favorite-albums-of-2009/&#34;&gt;2009&lt;/a&gt;. &lt;a href=&#34;http://www.mlarson.org/2010/12/29/favorite-albums-of-2010/&#34;&gt;2010&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite albums of 2011</title>
    <link href="https://mlarson.org/2011/12/30/20111230favorite-albums-of-2011/"/>
    <updated>2011-12-30T15:11:05.000Z</updated>
    <id>https://mlarson.org/2011/12/30/20111230favorite-albums-of-2011/</id>
    <content type="html">&lt;p&gt;Here we go again. Short version: you should buy &lt;a href=&#34;http://www.amazon.com/Kaputt/dp/B004I2GDZ2&#34;&gt;Kaputt&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Hotter-Than-July-Stevie-Wonder/dp/B00004SZWB&#34;&gt;Hotter Than July&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Trap-Muzik-T-I/dp/B0000AKQGT&#34;&gt;Trap Muzik&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Five-Italian-Concertos-Tomaso-Albinoni/dp/B00002EIUF&#34;&gt;Five Italian Oboe Concertos&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Apocalypse-Bill-Callahan/dp/B004QL24GC&#34;&gt;Apocalypse&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Last-Days-Disco-Motion-Picture/dp/B000006O7T&#34;&gt;The Last Days of Disco OST&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Night-Drive-Deluxe-Edition/dp/B00474GUEA&#34;&gt;Night Drive&lt;/a&gt;, and &lt;a href=&#34;http://www.amazon.com/Watch-Throne-Jay-Z/dp/B005BQLCBO&#34;&gt;Watch The Throne&lt;/a&gt;. The same rules hold from &lt;a href=&#34;/mark-larson-1/2008/12/05/favorite-albums-of-2008&#34;&gt;2008&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2009/12/21/favorite-albums-of-2009&#34;&gt;2009&lt;/a&gt;, and &lt;a href=&#34;/mark-larson-1/2010/12/29/favorite-albums-of-2010&#34;&gt;2010&lt;/a&gt;: these recommendations are selected from all the new-to-me music I listened to this year. Old stuff, new stuff, no matter. Fortunately, 2011 started with my favorite album, which means I got to listen to it all year long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;January&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f62/1325258957000/destroyer-kaputt.jpg?format=original&#34; alt=&#34;Kaputt&#34; title=&#34;Kaputt&#34;&gt;&lt;/p&gt;
&lt;p&gt;My favorite album of this month, and the year, was Destroyer&#39;s &lt;a href=&#34;http://www.amazon.com/Kaputt/dp/B004I2GDZ2&#34;&gt;Kaputt&lt;/a&gt;, and very few come close to topping it. Amazing listen.&lt;/p&gt;
&lt;p&gt;January was my first exposure to Freddie Gibbs, who quickly became one of my favorites. It&#39;s not the most polite music you&#39;ll ever hear, but still... &lt;a href=&#34;http://freddiegibbs.bandcamp.com/album/midwestgangstaboxframecadillacmuzik&#34;&gt;Midwestgangstaboxframecaddilacmuzik&lt;/a&gt; is excellent (see: &lt;a href=&#34;http://www.youtube.com/watch?v=PbBfjRfCt0I&#34;&gt;County Bounce&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=rRHPqQ3kuJQ&#34;&gt;I&#39;m the Man&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=xZmg95dKwUM&#34;&gt;Boxframe Cadillac&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;Curren$y, &lt;a href=&#34;http://www.amazon.com/Pilot-Talk-Curren-y/dp/B003SG8104&#34;&gt;Pilot Talk&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Pilot-Talk-II-Explicit/dp/B004BSDOM8/&#34;&gt;Pilot Talk II&lt;/a&gt;. I love the production on both of these. The first has higher peaks, I think (e.g. &lt;a href=&#34;http://www.youtube.com/watch?v=Wk4l4MUCFMU&#34;&gt;Breakfast&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=amS-GMSjsCw&#34;&gt;The Day&lt;/a&gt;), but the second is more consistently good.&lt;/p&gt;
&lt;p&gt;The Roots, &lt;a href=&#34;http://www.amazon.com/Rising-Down-Roots/dp/B000ZK08HK&#34;&gt;Rising Down&lt;/a&gt;. Rock-solid.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f65/1325259052000/bach-kozena-arias.jpg?format=original&#34; alt=&#34;Bach/Kozena - Arias&#34; title=&#34;Bach/Kozena - Arias&#34;&gt;&lt;/p&gt;
&lt;p&gt;Bach. &lt;a href=&#34;http://www.amazon.com/J-S-Bach-Arias-Johann-Sebastian/dp/B000026CKG&#34;&gt;Arias&lt;/a&gt;. Can&#39;t go wrong with that combo. Magdalena Kožená sings with Musica Florea cond. Marek Strync. I loved Kožená&#39;s album of &lt;a href=&#34;http://www.amazon.com/French-Arias-Magdalena-Orchestra-Minkowski/dp/B000VAABF8/&#34;&gt;French Arias&lt;/a&gt; that I heard last year. The highlight from this one was an aria from Cantata BWV 208 &lt;a href=&#34;http://www.youtube.com/watch?v=dAwEas-b46o&#34;&gt;Schafe können sicher weiden&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;You might recall that I got hooked on &lt;a href=&#34;http://en.wikipedia.org/wiki/Dhrupad&#34;&gt;dhrupad&lt;/a&gt; last summer. Gundecha Brothers to the rescue again with &lt;a href=&#34;http://www.amazon.com/gp/product/B000QZX5WE&#34;&gt;Tears on a Lotus: Ragas Gaoti and Shivranjani&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f68/1325259167000/five-italian-oboe-concertos.jpg?format=original&#34; alt=&#34;Five Italian Oboe Concertos&#34; title=&#34;Five Italian Oboe Concertos&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Five-Italian-Concertos-Tomaso-Albinoni/dp/B00002EIUF&#34;&gt;Five Italian Oboe Concertos&lt;/a&gt;. I played the shit out of this one. Nicholas Daniel and the Peterborough String Orchestra.&lt;/p&gt;
&lt;p&gt;Mulatu Astatke &amp;amp; His Ethiopian Quintet, &lt;a href=&#34;http://www.vinyl.com/product_id/LPWORT1014H&#34;&gt;Afro Latin Soul&lt;/a&gt;. Great start to finish. Latin tends to wear on me after a while, but this one stays pretty fresh.&lt;/p&gt;
&lt;p&gt;Irma Thomas, &lt;a href=&#34;http://www.amazon.com/Wish-Someone-Would-Care/dp/B004WSNLRU&#34;&gt;Wish Someone Would Care&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=PrDyrEAUadk&#34;&gt;Without Love (There Is Nothing)&lt;/a&gt; is a strong, strong tune.&lt;/p&gt;
&lt;p&gt;Radiohead, &lt;a href=&#34;http://www.amazon.com/The-King-Of-Limbs/dp/B004SQS9FA&#34;&gt;The King of Limbs&lt;/a&gt;. It grew on me. &lt;a href=&#34;http://www.youtube.com/watch?v=8A9bMTh9rdQ&#34;&gt;Bloom&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=41Yz5JtnNwM&#34;&gt;Give Up the Ghost&lt;/a&gt; are the top picks here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f6b/1325259204000/stevie-wonder-hotter-than-july.jpg?format=original&#34; alt=&#34;Hotter Than July&#34; title=&#34;Hotter Than July&#34;&gt;&lt;/p&gt;
&lt;p&gt;Big month. Brace yourself.&lt;/p&gt;
&lt;p&gt;In April, I started a Stevie Wonder review project, which made clear to me the trouble with best-of lists. Forget &lt;a href=&#34;http://www.amazon.com/Songs-Key-Life-Stevie-Wonder/dp/B000VH4OCW&#34;&gt;Songs in the Key of Life&lt;/a&gt; or &lt;a href=&#34;http://www.amazon.com/Innervisions-Stevie-Wonder/dp/B000V63D02&#34;&gt;Innervisions&lt;/a&gt;. They&#39;re the reflexively-mentioned albums because they&#39;re damn good. But one of the problems with them being both great and popular is that if you don&#39;t *really* *love* the albums like you think you should, you might give up on the guy. Like I did.&lt;/p&gt;
&lt;p&gt;So I&#39;d never heard of his actual best album, &lt;a href=&#34;http://www.amazon.com/Hotter-Than-July-Stevie-Wonder/dp/B00004SZWB&#34;&gt;Hotter Than July&lt;/a&gt; (←opinion!). &lt;a href=&#34;http://www.youtube.com/watch?v=cZ9Pa41KJjM&#34;&gt;All I Do&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=jgUiTNq0uYA&#34;&gt;Rocket Love&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=ISbkwLvrUDM&#34;&gt;I Ain&#39;t Gonna Stand for It&lt;/a&gt;, and &lt;a href=&#34;http://www.youtube.com/watch?v=dg7XmGbw0TY&#34;&gt;As If You Read My Mind&lt;/a&gt; make one of the best four-song sequences you&#39;ll hear.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Fulfillingness-First-Finale/dp/B000V6AF5I&#34;&gt;Fullfillingness&#39; First Finale&lt;/a&gt; is Wonder&#39;s second-best album for me, in no small part because &lt;a href=&#34;http://www.youtube.com/watch?v=yIE6unjkXmc&#34;&gt;Heaven Is 10 Zillion Light Years Away&lt;/a&gt; has become one of my all-time favorite songs. &lt;a href=&#34;http://www.amazon.com/Music-Of-My-Mind/dp/B000V697MA&#34;&gt;Music of My Mind&lt;/a&gt; is a close third (see: &lt;a href=&#34;http://www.youtube.com/watch?v=jOlycEMViWU&#34;&gt;Happier Than the Morning Sun&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=zj08jTHsLuY&#34;&gt;Keep on Running&lt;/a&gt;). &lt;a href=&#34;http://www.amazon.com/Talking-Book/dp/B000V6ACTC&#34;&gt;Talking Book&lt;/a&gt; is also great (&lt;a href=&#34;http://www.youtube.com/watch?v=0ItPnIG6abg&#34;&gt;Maybe Your Baby&lt;/a&gt; is my fave).&lt;/p&gt;
&lt;p&gt;I guess the bottom line is that he&#39;s written a TON of REALLY GOOD music. I need to keep in mind the rule for many really good artists: if the super-popular super-great album/painting/sculpture/book still isn&#39;t quite your thing, there&#39;s still a good chance there&#39;s another worthwhile one out there.&lt;/p&gt;
&lt;p&gt;End of digression.&lt;/p&gt;
&lt;p&gt;Marvin Gaye, &lt;a href=&#34;http://www.amazon.com/I-Want-You/dp/B000V63C30&#34;&gt;I Want You&lt;/a&gt;. I&#39;ve &lt;a href=&#34;http://tumblr.mlarson.org/post/12285892844/marvin-gaye-lounging-on-a-couch-in-the-studio&#34;&gt;frequently&lt;/a&gt; &lt;a href=&#34;https://twitter.com/#!/mlarson/statuses/132123160471552005&#34;&gt;mentioned&lt;/a&gt; my love for the &lt;a href=&#34;http://www.youtube.com/watch?v=qWwHN3V8cYU&#34;&gt;title track&lt;/a&gt;, but there&#39;s also &lt;a href=&#34;http://www.youtube.com/watch?v=xwVtK14KicU&#34;&gt;After the Dance&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=pgCNR5p_2kU&#34;&gt;I Wanna Be Where You Are&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=GH-uW-LxNpE&#34;&gt;Soon I&#39;ll Be Loving You Again&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;In another example of how critically-acclaimed amazing things can overshadow other amazing things (what I loosely term the Wonder Conundrum), &lt;a href=&#34;http://www.amazon.com/Lets-Get-It-On/dp/B001NTJV7U&#34;&gt;Let&#39;s Get It On&lt;/a&gt; is known for... &lt;a href=&#34;http://www.youtube.com/watch?v=rAuwbQZCwhU&#34;&gt;Let&#39;s Get It On&lt;/a&gt;. Rightly so, great track. But &lt;a href=&#34;http://www.youtube.com/watch?v=X5DVikHnSFg&#34;&gt;If I Should Die Tonight&lt;/a&gt; is sooooooo damn good. I also have this weird association with it, as it shuffled on when I found out that Osama bin Laden had been killed. &amp;quot;How many hearts, baby, have felt their world stand still?&amp;quot;&lt;/p&gt;
&lt;p&gt;R. Kelly&#39;s &lt;a href=&#34;http://www.amazon.com/Love-Letter-R-Kelly/dp/B0048LDTKK&#34;&gt;Love Letter&lt;/a&gt; got foisted on me somehow and I don&#39;t regret it. &lt;a href=&#34;http://www.youtube.com/watch?v=j9ZB0fcwoJI&#34;&gt;Love Letter&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=X1knTrVvb3E&#34;&gt;Number One Hit&lt;/a&gt; are the favorites.&lt;/p&gt;
&lt;p&gt;John Coltrane&#39;s &lt;a href=&#34;http://www.amazon.com/Stardust-RVG-Remastered-John-Coltrane/dp/B0013AUYE8&#34;&gt;Stardust&lt;/a&gt; was one of the few jazz albums I heard and liked this year. &lt;a href=&#34;http://www.youtube.com/watch?v=xbYKYyRIA1o&#34;&gt;Title track&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Curren$y &amp;amp; Alchemist, &lt;a href=&#34;http://www.livemixtapes.com/mixtapes/13689/curreny_alchemist_covert_coup.html&#34;&gt;Covert Coup&lt;/a&gt;. Mostly recommending on the strength of Freddie Gibbs&#39; guest appearance on &lt;a href=&#34;http://www.youtube.com/watch?v=CKOXd6BM20g&#34;&gt;Scottie Pippens&lt;/a&gt;, though &lt;a href=&#34;http://www.youtube.com/watch?v=FH8J2alx7TY&#34;&gt;Smoke Break&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=50jVMAha5X4&#34;&gt;The Type&lt;/a&gt; are also quality.&lt;/p&gt;
&lt;p&gt;Speaking of Freddie Gibbs again, I also got into &lt;a href=&#34;http://freddiegibbs.bandcamp.com/album/the-miseducation-of-freddie-gibbs&#34;&gt;The Miseducation of Freddie Gibbs&lt;/a&gt; and &lt;a href=&#34;http://freddiegibbs.bandcamp.com/album/str8-killa-no-filla&#34;&gt;Str8 Killa No Filla&lt;/a&gt;. Both worthwhile. See: &lt;a href=&#34;http://www.youtube.com/watch?v=Il_EE3EFTRY&#34;&gt;How We Do&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=d7X5aSf4KUI&#34;&gt;Do Wrong&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=SoRwt6nWk6w&#34;&gt;Crushin&#39; Feelin&#39;s&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=xaowOF45pBs&#34;&gt;Slangin&#39; Rocks&lt;/a&gt; and most especially &lt;a href=&#34;http://www.youtube.com/watch?v=H6udb3mM_04&#34;&gt;Rock Bottom&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;May was another really strong month...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f6e/1325259608000/ti-trap-muzik.jpg?format=original&#34; alt=&#34;Trap Muzik&#34; title=&#34;Trap Muzik&#34;&gt;&lt;/p&gt;
&lt;p&gt;Holy shit, T.I.. My favorite rapper? Probably, yes. &lt;a href=&#34;http://www.amazon.com/Trap-Muzik-T-I/dp/B0000AKQGT&#34;&gt;Trap Muzik&lt;/a&gt; is brilliant. See: &lt;a href=&#34;http://www.youtube.com/watch?v=-0CqQdnmHk0&#34;&gt;Trap Musik&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=qQlpxDd_g-M&#34;&gt;No More Talk&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Doin-Job-Explicit-Album-Version/dp/B00122V3OC&#34;&gt;Doin&#39; My Job&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=foC9k-jSaT0&#34;&gt;Look What I Got&lt;/a&gt;, and &lt;a href=&#34;http://www.youtube.com/watch?v=5roSwLPy8GE&#34;&gt;Be Better Than Me&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I&#39;d never listened to much Bill Callahan, but glad I started with &lt;a href=&#34;http://www.amazon.com/Apocalypse-Bill-Callahan/dp/B004QL24GC&#34;&gt;Apocalypse&lt;/a&gt;. Such a good album. My favorite tracks are &lt;a href=&#34;http://www.youtube.com/watch?v=1tEnAgKDF34&#34;&gt;Drover&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=3A-3S7P3Hik&#34;&gt;One Fine Morning&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Cass McCombs was also new to me. &lt;a href=&#34;http://www.amazon.com/Wits-End/dp/B004WCV5QU&#34;&gt;Wit&#39;s End&lt;/a&gt; wears out just a little bit by the end, but &lt;a href=&#34;http://www.youtube.com/watch?v=sOcnITphyjk&#34;&gt;County Line&lt;/a&gt; is a damn fine song.&lt;/p&gt;
&lt;p&gt;I&#39;m gonna go ahead and add in Terry Riley&#39;s &lt;a href=&#34;http://c-d.tumblr.com/post/5053145778/terry-riley-youre-no-good-1968&#34;&gt;You&#39;re No Good&lt;/a&gt; single here. Partly because it&#39;s awesome, and also because its late &#39;60s minimalist sound segues nicely into June&#39;s top pick.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f71/1325259762000/hennix-electric-harpsichord.jpg?format=original&#34; alt=&#34;Electric Harpsichord&#34; title=&#34;Electric Harpsichord&#34;&gt;&lt;/p&gt;
&lt;p&gt;Catherine Christer Hennix, &lt;a href=&#34;http://www.soundohm.com/catherine-christer-hennix/the-eelectric-harpsichord/die-schachtel/&#34;&gt;The Electric Harpsichord&lt;/a&gt;. It&#39;s one track that&#39;s only 25 minutes and change, but this is fantastic.&lt;/p&gt;
&lt;p&gt;Another must-recommend single from June was Radiohead&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=tFTLxkMmY4M&#34;&gt;Staircase (live From the Basement)&lt;/a&gt;. I hope you didn&#39;t miss it.&lt;/p&gt;
&lt;p&gt;Getting back to full albums, The Rosebuds were a nice surprise. Of the albums I heard, &lt;a href=&#34;http://www.amazon.com/Loud-Planes-Fly-Low&#34;&gt;Loud Planes Fly Low&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Life-Like/dp/B001GXTKPG&#34;&gt;Life Like&lt;/a&gt; are the best. See: &lt;a href=&#34;http://www.youtube.com/watch?v=PkuS2Mmugrs&#34;&gt;Come Visit Me&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=cPUYq7sOHDQ&#34;&gt;Waiting for You&lt;/a&gt;, and &lt;a href=&#34;http://www.youtube.com/watch?v=89gEXwD4A5g&#34;&gt;Border Guards&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f74/1325259848000/ti-drama-down-with-the-king.jpg?format=original&#34; alt=&#34;Down with the King&#34; title=&#34;Down with the King&#34;&gt;&lt;/p&gt;
&lt;p&gt;Bach again. He rarely goes wrong. &lt;a href=&#34;http://www.amazon.com/Bach-Trauerode-Cantate-meine-Seele/dp/B00001NTI6&#34;&gt;Cantatas: Trauerode BWV 198 and Jesu, der du meine Seele, BWV 78&lt;/a&gt; is a nice pair of cantatas performed by La Chapelle Royale under Philippe Herreweghe&#39;s direction.&lt;/p&gt;
&lt;p&gt;T.I. again, with DJ Drama. &lt;a href=&#34;http://www.datpiff.com/TI-Down-with-the-king-mixtape.453.html&#34;&gt;Down With The King&lt;/a&gt;. This one came from a list of &lt;a href=&#34;http://tumblr.mlarson.org/post/9960117274/albums-recommended-in-dirty-south&#34;&gt;albums recommended in Ben Westhoff&#39;s book&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/dp/1569766061/&#34;&gt;Dirty South&lt;/a&gt;. Top picks are &lt;a href=&#34;http://www.youtube.com/watch?v=RJeo-cE0LyA&#34;&gt;Jackin&#39; for Beats&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=I4_zdwPMCjo&#34;&gt;Welcome Back&lt;/a&gt;, and Xtaci&#39;s hilarious/brilliant &lt;a href=&#34;http://www.youtube.com/watch?v=1iOMPtrIqZY&#34;&gt;&amp;quot;Why?&amp;quot; freestyle&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Bumba Massa, &lt;a href=&#34;http://likembe.blogspot.com/2011/05/congo-memories-with-bumba-massa.html&#34;&gt;Dovi&lt;/a&gt;. This is sonic Prozac.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f77/1325259923000/last-days-of-disco-ost.jpg?format=original&#34; alt=&#34;The Last Days of Disco OST&#34; title=&#34;The Last Days of Disco OST&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Last-Days-Disco-Motion-Picture/dp/B000006O7T&#34;&gt;The Last Days of Disco OST&lt;/a&gt;. I previously called this an &lt;a href=&#34;http://tumblr.mlarson.org/post/8435994051/the-last-days-of-disco-i-loved-whit-stillmans&#34;&gt;UNDENIABLE SOUNDTRACK&lt;/a&gt; and I stand by that statement. Disco!&lt;/p&gt;
&lt;p&gt;I&#39;d never listened to much MF Doom. &lt;a href=&#34;http://www.amazon.com/Take-Me-To-Your-Leader/dp/B000QZSLC8&#34;&gt;Take Me to Your Leader&lt;/a&gt; is funny and mental and weird and delightful. I love his production and the use of old film clips. I ought to find some more of his work in 2012.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;September&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f7a/1325259955000/young-jeezy-last-laugh.jpg?format=original&#34; alt=&#34;The Last Laugh&#34; title=&#34;The Last Laugh&#34;&gt;&lt;/p&gt;
&lt;p&gt;Yeah... so... Young Jeezy pretty much owned September. I&#39;m the first to admit his lyrics often blow, but man his delivery and production are so good, so often. The &lt;a href=&#34;http://www.datpiff.com/Young-Jeezy-The-Last-Laugh-mixtape.156135.html&#34;&gt;Last Laugh&lt;/a&gt; mixtape had my favorite tracks, with &lt;a href=&#34;http://en.musicplayon.com/play?v=105056&#34;&gt;Pressure&#39;s On&lt;/a&gt; and &lt;a href=&#34;http://en.musicplayon.com/play?v=278798&#34;&gt;Game Over&lt;/a&gt; on repeat pretty often. &lt;a href=&#34;http://www.datpiff.com/Young-Jeezy-Trap-Or-Die-Gangsta-Grillz-Edition-mixtape.83.html&#34;&gt;Trap or Die&lt;/a&gt; (see: &lt;a href=&#34;http://www.youtube.com/watch?v=y1vzWe0wCUQ&#34;&gt;&amp;quot;GA&amp;quot; freestyle&lt;/a&gt;), &lt;a href=&#34;http://www.datpiff.com/Young-Jeezy-Trap-Or-Die-2-mixtape.117512.html&#34;&gt;Trap or Die 2&lt;/a&gt;, and &lt;a href=&#34;http://www.datpiff.com/Young-Jeezy-1000-Grams-mixtape.154147.html&#34;&gt;1,000 Grams&lt;/a&gt; were the most consistent of the other mixtapes I listened to.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;October&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f7d/1325260095000/chromatics-night-drive.jpg?format=original&#34; alt=&#34;Night Drive&#34; title=&#34;Night Drive&#34;&gt;&lt;/p&gt;
&lt;p&gt;I played the shit out of Chromatics&#39; &lt;a href=&#34;http://www.amazon.com/Night-Drive/dp/B00126SZ26&#34;&gt;Night Drive&lt;/a&gt;. It seems to fit a lot of moods: work-time productivity, lazy lounging, driving about town...&lt;/p&gt;
&lt;p&gt;Hariprasad Chaurasia made one of my favorite albums from last year. &lt;a href=&#34;http://ragavibrations.blogspot.com/2011/09/hariprasad-chaurasia-raga-darbari.html&#34;&gt;Raga Darbari Kanada &amp;amp; Dhun in Mishra Pilu&lt;/a&gt; is another solid one.&lt;/p&gt;
&lt;p&gt;T.I.&#39;s &lt;a href=&#34;http://www.amazon.com/The-Leak/dp/B000TEMRVM&#34;&gt;The Leak&lt;/a&gt; is a classic. &lt;a href=&#34;http://www.youtube.com/watch?v=gqKwmak5e8M&#34;&gt;Front Back Side to Side&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=F4-OE1Ev1X4&#34;&gt;Do U Really Want Me&lt;/a&gt; are the favorites here.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Biggest-Bluest-Hi-Fi/dp/B000U7XUZA&#34;&gt;Biggest Bluest Hi-Fi&lt;/a&gt; was the only Camera Obscura album I hadn&#39;t heard yet. It&#39;s amazing how consistent their sound has been since this early stuff, and how it still satisfies every single time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f80/1325260141000/jayz-kanye-watch-the-throne.jpg?format=original&#34; alt=&#34;Watch the Throne&#34; title=&#34;Watch the Throne&#34;&gt;&lt;/p&gt;
&lt;p&gt;Jay-Z &amp;amp; Kanye West, &lt;a href=&#34;http://www.amazon.com/Watch-Throne-Jay-Z/dp/B005BQLCBO&#34;&gt;Watch The Throne&lt;/a&gt;. I didn&#39;t want to like this album. It&#39;s part of a foolish contrarian streak that doesn&#39;t always serve me well. I actually didn&#39;t like much of it besides &lt;a href=&#34;http://www.youtube.com/watch?v=M37VucWh06Y&#34;&gt;No Church in the Wild&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=BoEKWtgJQAU&#34;&gt;Otis&lt;/a&gt; (still my favorites) on first listen, but it keeps growing and growing on me. I expect this one to last.&lt;/p&gt;
&lt;p&gt;Drake, both &lt;a href=&#34;http://www.amazon.com/Thank-Me-Later-Drake/dp/B003PW48US&#34;&gt;Thank Me Later&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Take-Care-Deluxe-Drake/dp/B0065GG2ZK&#34;&gt;Take Care&lt;/a&gt;. Apparently I&#39;m a Drake fan? I also didn&#39;t want to like these, an opinion mostly based on songs I was tired of hearing on the radio. Happy to be proven wrong. I like &lt;a href=&#34;http://www.youtube.com/watch?v=nwyjxsOYnys&#34;&gt;Marvin&#39;s Room&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=Hl2Pdzbb8Ic&#34;&gt;Doing It Wrong&lt;/a&gt;, and &lt;a href=&#34;http://www.youtube.com/watch?v=nhjRmhP2f-8&#34;&gt;Karaoke&lt;/a&gt; in particular.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f83/1325260210000/bun-b-southern-royalty.jpg?format=original&#34; alt=&#34;Southern Royalty&#34; title=&#34;Southern Royalty&#34;&gt;&lt;/p&gt;
&lt;p&gt;After listening to a bunch of other mixtapes this year (and re-visiting &lt;a href=&#34;http://www.youtube.com/watch?v=Cgoqrgc_0cM&#34;&gt;Big Pimpin&#39;&lt;/a&gt;), I realized I love Bun B. Of the mixtapes I collected, &lt;a href=&#34;http://www.datpiff.com/Bun-B-The-Legend-Series-1-mixtape.605.html&#34;&gt;Legends Series Vol. 1&lt;/a&gt;, &lt;a href=&#34;http://www.datpiff.com/Bun-B-No-Mixtape.95678.html&#34;&gt;No Mixtape&lt;/a&gt;, and &lt;a href=&#34;http://www.datpiff.com/Bun-B-Southern-Royalty-mixtape.29098.html&#34;&gt;Southern Royalty&lt;/a&gt; are favorites. Give a listen to &lt;a href=&#34;http://www.youtube.com/watch?v=6evB8ocCmjE&#34;&gt;It Ain&#39;t Me&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=okoxEMI5YN0&#34;&gt;I Made It&lt;/a&gt;, and &lt;a href=&#34;http://www.youtube.com/watch?v=Akx5nc-0KaI&#34;&gt;The Champion&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I also got UGK&#39;s &lt;a href=&#34;http://www.amazon.com/Ridin-Dirty/dp/B00138IZIW&#34;&gt;Ridin&#39; Dirty&lt;/a&gt;, which is awesome -- thanks again to &lt;a href=&#34;http://tumblr.mlarson.org/post/9960117274/albums-recommended-in-dirty-south&#34;&gt;Westhoff&#39;s Dirty South recommendations&lt;/a&gt; for the tip.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Maria Popova&#39;s Beautiful Mind - Mother Jones</title>
    <link href="https://mlarson.org/2011/12/26/maria-popovas-beautiful-mind-mother-jones/"/>
    <updated>2011-12-26T17:38:52.000Z</updated>
    <id>https://mlarson.org/2011/12/26/maria-popovas-beautiful-mind-mother-jones/</id>
    <content type="html">&lt;p&gt;From an interview with the creator of &lt;a href=&#34;http://www.brainpickings.org/&#34;&gt;Brain Pickings&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When you intercept the rumination process with something that requires your full attention—that’s stimulating and absorbing, that places a demand on your intellectual focus—you don’t get to ruminate. In a way, it’s a mental health aid to be able to do that so much. My routine, what I do, it just feels like home. It’s my comfort food.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://motherjones.com/print/151886&#34;&gt;Maria Popova&#39;s Beautiful Mind - Mother Jones&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Artist</title>
    <link href="https://mlarson.org/2011/12/26/the-artist-its-a-fun-cute-film-that-loves-what/"/>
    <updated>2011-12-26T17:38:00.000Z</updated>
    <id>https://mlarson.org/2011/12/26/the-artist-its-a-fun-cute-film-that-loves-what/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lwtdqydcqe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Artist_(film)&#34;&gt;The Artist&lt;/a&gt;. It’s a fun, cute film that loves what it’s doing, but it’s not a must-see. A bit one-note. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/silentfilm&#34;&gt;silent film&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/moviesaboutmovies&#34;&gt;movies about movies&lt;/a&gt;. &lt;strong&gt;Update&lt;/strong&gt;: I meant to mention the staircase scene, but I forgot somehow. I wish I could find a clip. It’s incredible.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>[Transcript] Tyler Cowen on Stories - Less Wrong Discussion</title>
    <link href="https://mlarson.org/2011/12/26/transcript-tyler-cowen-on-stories-less-wrong/"/>
    <updated>2011-12-26T17:36:00.000Z</updated>
    <id>https://mlarson.org/2011/12/26/transcript-tyler-cowen-on-stories-less-wrong/</id>
    <content type="html">&lt;p&gt;I’ve long thought of &lt;a href=&#34;http://tedxmidatlantic.com/2009-video/#TylerCowen&#34;&gt;Cowen’s talk&lt;/a&gt; as a must-listen and &lt;a href=&#34;http://tumblr.mlarson.org/post/11440685091/misinformation-in-tv-drama-gains-credibility-over-time&#34;&gt;listened to it multiple times&lt;/a&gt;. And now it’s been transcribed. And thus, a must-read. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/storytelling&#34;&gt;storytelling&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Stories, to work, have to be simple, easily grasped, easily told to others, easily remembered. So stories will serve dual and conflicting purposes, and very often they will lead us astray.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://lesswrong.com/r/discussion/lw/8w1/transcript_tyler_cowen_on_stories/&#34;&gt;[Transcript] Tyler Cowen on Stories - Less Wrong Discussion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why We Haven’t Met Any Aliens § SeedMagazine.com</title>
    <link href="https://mlarson.org/2011/12/26/why-we-havent-met-any-aliens-seedmagazinecom/"/>
    <updated>2011-12-26T17:29:39.000Z</updated>
    <id>https://mlarson.org/2011/12/26/why-we-havent-met-any-aliens-seedmagazinecom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Technology is fairly good at controlling external reality to promote real biological fitness, but it’s even better at delivering fake fitness—subjective cues of survival and reproduction without the real-world effects.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://seedmagazine.com/content/article/why_we_havent_met_any_aliens/&#34;&gt;Why We Haven’t Met Any Aliens § SeedMagazine.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Louis CK: Live at the Beacon Theater</title>
    <link href="https://mlarson.org/2011/12/26/louis-ck-live-at-the-beacon-theater-worth-5/"/>
    <updated>2011-12-26T17:25:52.000Z</updated>
    <id>https://mlarson.org/2011/12/26/louis-ck-live-at-the-beacon-theater-worth-5/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lwmgk9rt7w1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://buy.louisck.net/&#34;&gt;Louis CK: Live at the Beacon Theater&lt;/a&gt;. Worth 5 bucks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2011</title>
    <link href="https://mlarson.org/2011/12/22/people-tend-to-think-that-creative-work-is-an/"/>
    <updated>2011-12-22T18:59:48.000Z</updated>
    <id>https://mlarson.org/2011/12/22/people-tend-to-think-that-creative-work-is-an/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People tend to think that creative work is an expression of a preexisting desire or passion, a feeling made manifest, and in a way it is. As if an overwhelming anger, love, pain, or longing fills the artist or composer, as it might with any of us—the difference being that the creative artist then has no choice but to express those feelings through his or her given creative medium. I proposed that more often the work is a kind of tool that discovers and brings to light that emotional muck. Singers (and possibly listeners of music too) when they write or perform a song don’t so much bring to the work already formed emotions, ideas, and feelings as much as they use the act of singing as a device that reproduces and dredges them up.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mlarson.org/2009/12/28/bicycle-diaries-review/&#34;&gt;David Byrne&lt;/a&gt;. I was reading &lt;a href=&#34;http://blog.colinmarshall.org/?p=178&#34;&gt;Colin Marshall’s thoughts on Bicycle Diaries&lt;/a&gt; and remembered this quote from my own write-up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2011</title>
    <link href="https://mlarson.org/2011/12/22/do-things-the-long-hard-stupid-way-frank/"/>
    <updated>2011-12-22T18:59:28.000Z</updated>
    <id>https://mlarson.org/2011/12/22/do-things-the-long-hard-stupid-way-frank/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dolectures.com/lectures/do-things-the-long-hard-stupid-way/?layout=embed&#34;&gt;http://www.dolectures.com/lectures/do-things-the-long-hard-stupid-way/?layout=embed&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.dolectures.com/lectures/do-things-the-long-hard-stupid-way/&#34;&gt;Do things the long, hard, stupid way - Frank Chimero&lt;/a&gt;. Finally got around to watching &lt;a href=&#34;https://twitter.com/#!/fchimero&#34;&gt;@fchimero&lt;/a&gt;’s talk on struggle, creativity, gifts. Worthwhile, as usual.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.dolectures.com/&#34;&gt;http://www.dolectures.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2011</title>
    <link href="https://mlarson.org/2011/12/21/tim-tebow-and-the-taxonomy-of-clutch-skeptical/"/>
    <updated>2011-12-21T18:19:00.000Z</updated>
    <id>https://mlarson.org/2011/12/21/tim-tebow-and-the-taxonomy-of-clutch-skeptical/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lwkg922wmk1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://skepticalsports.com/?p=2620&#34;&gt;Tim Tebow and the Taxonomy of Clutch » Skeptical Sports Analysis&lt;/a&gt;. I was getting worried about the recent &lt;a href=&#34;http://twitter.com/skepticalsports&#34;&gt;@skepticalsports&lt;/a&gt; drought, but those dark days are past for now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2011</title>
    <link href="https://mlarson.org/2011/12/21/compulsive-avoidance-of-embarrassment-is-a-form-of/"/>
    <updated>2011-12-21T15:10:50.000Z</updated>
    <id>https://mlarson.org/2011/12/21/compulsive-avoidance-of-embarrassment-is-a-form-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Compulsive avoidance of embarrassment is a form of suicide.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/colinmarshall/status/149292132392386561&#34;&gt;Colin Marshall&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2011</title>
    <link href="https://mlarson.org/2011/12/21/satellite-tourist-regularity-chicago/"/>
    <updated>2011-12-21T15:09:39.000Z</updated>
    <id>https://mlarson.org/2011/12/21/satellite-tourist-regularity-chicago/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lwj0zzsjrn1r72o8eo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://satellite-tourist.tumblr.com/post/14533651007/regularity-chicago&#34;&gt;satellite-tourist&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;regularity, chicago&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>How To Not Get Sick On An Airplane</title>
    <link href="https://mlarson.org/2011/12/20/how-to-not-get-sick-on-an-airplane/"/>
    <updated>2011-12-20T20:34:42.000Z</updated>
    <id>https://mlarson.org/2011/12/20/how-to-not-get-sick-on-an-airplane/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/14512524440&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I get sick every time I go home for Christmas, and while it isn’t helped by lack of sleep and alcohol abuse, I’m pretty sure 75% of it is the 3-5 hours I spend on what is, essentially, a flying petri dish.&lt;/p&gt;
&lt;p&gt;So thanks to &lt;a href=&#34;http://online.wsj.com/article/the_middle_seat.html&#34;&gt;&lt;em&gt;The Wall Street Journal&lt;/em&gt;&lt;/a&gt; for these tips (which I’ve summarized):&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Hydrate&lt;/strong&gt; (drink water, use saline spray).&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Clean your hands&lt;/strong&gt; with alcohol-based hand sanitizer&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Use disinfecting wipes&lt;/strong&gt; to clean off tray tables before using&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Avoid seat-back pockets.&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Open your air vent&lt;/strong&gt;, and aim it so it passes just in front of your face. Filtered airplane air can help direct airborne contagions away from you.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Stay the hell away&lt;/strong&gt; from people who look sick&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The air vent thing was new to me! Now I’m off to get disinfecting wipes and some saline spray.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Update:&lt;/strong&gt; thanks to &lt;a href=&#34;http://newspeedwayboogie.tumblr.com/&#34;&gt;@aweissman&lt;/a&gt; for this suggestion: “i do this and it almost always works: basically OD on Vitamin C before you get on the plane - right before. Use EmergenC or a similar product, drink it all up while waiting.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also: &lt;a href=&#34;http://www.danpink.com/archives/category/travel-tips&#34;&gt;Daniel Pink’s travel tips&lt;/a&gt;. &lt;a href=&#34;http://www.danpink.com/archives/2008/10/pinks-travel-tip-1-never-get-sick-again&#34;&gt;Episode #1 is about avoiding illness&lt;/a&gt;. I like his ointment-in-the-nose trick. And don’t forget (environ-)mental health tactics: earplugs, headphones, eye mask!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/the_middle_seat.html&#34;&gt;How To Not Get Sick On An Airplane&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Will Follow</title>
    <link href="https://mlarson.org/2011/12/20/i-will-follow-hmm-promising-beginning-there/"/>
    <updated>2011-12-20T20:34:15.000Z</updated>
    <id>https://mlarson.org/2011/12/20/i-will-follow-hmm-promising-beginning-there/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lwhid3xxin1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Will_Follow_%28film%29&#34;&gt;I Will Follow&lt;/a&gt;. Hmm. Promising beginning. There were moments when I really liked this one, but I couldn’t hang with it the whole way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Purple Rose of Cairo</title>
    <link href="https://mlarson.org/2011/12/19/the-purple-rose-of-cairo-this-is-a-tremendous/"/>
    <updated>2011-12-19T18:40:00.000Z</updated>
    <id>https://mlarson.org/2011/12/19/the-purple-rose-of-cairo-this-is-a-tremendous/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lwgrebx5qn1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Purple_Rose_of_Cairo&#34;&gt;The Purple Rose of Cairo&lt;/a&gt;. This is a tremendous movie. If you love movies, I think it’ll stay with you. So good. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19850301/REVIEWS/901069998/1023&#34;&gt;Ebert agrees with me&lt;/a&gt;. As in &lt;a href=&#34;http://tumblr.mlarson.org/post/245600058/sherlock-jr-this-is-a-great-movie-watch-the&#34;&gt;Sherlock, Jr.&lt;/a&gt; the characters break the screen and go back and forth from the film world to reality (&lt;a href=&#34;http://submittedforyourperusal.com/2011/11/21/woody-allen-science-fiction-filmmaker/&#34;&gt;Allen is a science fiction filmmaker&lt;/a&gt;, you might recall) and wrestle with the rules and expectations on either side. There’s clever satire of movies, movie culture, movie-lovers. Much of it is bittersweet, but there’s almost always some jumping dixieland jazz playing in the background that keeps things from getting too sour. Thus, we have &lt;a href=&#34;http://tumblr.mlarson.org/post/582050890/it-seems-to-me-that-making-escapist-films-might-be&#34;&gt;an escapist film&lt;/a&gt; about film escapism. After all, &lt;a href=&#34;http://tumblr.mlarson.org/post/1132056634/we-need-some-delusions-to-keep-us-going-and-the&#34;&gt;we need delusions to keep us going&lt;/a&gt;. Since no one asked, here’s my ranking of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/woodyallen&#34;&gt;Woody Allen&lt;/a&gt; films I’ve seen:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Manhattan&lt;/li&gt;
&lt;li&gt;The Purple Rose of Cairo&lt;/li&gt;
&lt;li&gt;Annie Hall&lt;/li&gt;
&lt;li&gt;Vicky Cristina Barcelona&lt;/li&gt;
&lt;li&gt;Sleeper&lt;/li&gt;
&lt;li&gt;Match Point&lt;/li&gt;
&lt;li&gt;Scoop&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Definitely need to see some more. I’ve done similar, ongoing lists for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;Clint Eastwood&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;Alfred Hitchcock&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2011</title>
    <link href="https://mlarson.org/2011/12/16/embrace-all-change-not-just-change-that-benefits/"/>
    <updated>2011-12-16T16:42:45.000Z</updated>
    <id>https://mlarson.org/2011/12/16/embrace-all-change-not-just-change-that-benefits/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Embrace all change, not just change that benefits you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-picking-the-day-for-a-family-christmas/2011/11/29/gIQAKIRRsO_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2011</title>
    <link href="https://mlarson.org/2011/12/15/correlation-or-causation-business/"/>
    <updated>2011-12-15T20:57:09.000Z</updated>
    <id>https://mlarson.org/2011/12/15/correlation-or-causation-business/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lw9jgh0wom1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.businessweek.com/magazine/correlation-or-causation-12012011-gfx.html#&#34;&gt;Correlation or Causation? - Business Week&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Statistics are easy: All you need are two graphs and a leading question.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2011</title>
    <link href="https://mlarson.org/2011/12/15/its-so-easy-not-to-realize-youre-under-someone/"/>
    <updated>2011-12-15T20:57:05.000Z</updated>
    <id>https://mlarson.org/2011/12/15/its-so-easy-not-to-realize-youre-under-someone/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s so easy not to realize you’re under someone else’s influence. When we tell ourselves something, it’s always in our own voice, so it naturally seems like our idea. (Though we can often hear the influence when we say things aloud to others.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-helping-a-girlfriend-with-self-esteem-issues/2011/11/29/gIQAHEiXuO_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How American food got so bad — Marginal Revolution</title>
    <link href="https://mlarson.org/2011/12/15/how-american-food-got-so-bad-marginal-revolution/"/>
    <updated>2011-12-15T15:20:00.000Z</updated>
    <id>https://mlarson.org/2011/12/15/how-american-food-got-so-bad-marginal-revolution/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I attempt to explain how this came about, in &lt;a href=&#34;http://www.freakonomics.com/2011/12/14/how-american-food-got-so-bad-a-new-marketplace-podcast/&#34;&gt;the podcast&lt;/a&gt; and in one chapter of my forthcoming book &lt;a href=&#34;http://www.amazon.com/Economist-Gets-Lunch-Everyday-Foodies/dp/0525952667/&#34;&gt;An Economist Gets Lunch: New Rules for Everyday Foodies&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I will read this book.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/12/how-american-food-got-so-bad.html&#34;&gt;How American food got so bad — Marginal Revolution&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2011</title>
    <link href="https://mlarson.org/2011/12/15/being-cheerful-is-really-no-recipe-to-get-down-to/"/>
    <updated>2011-12-15T14:18:21.000Z</updated>
    <id>https://mlarson.org/2011/12/15/being-cheerful-is-really-no-recipe-to-get-down-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Being cheerful is really no recipe to get down to work: nothing happens until paranoia, jealousy, competitiveness and guilt arrive.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/alaindebotton/statuses/146593368561037312&#34;&gt;Alain de Botton&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 14, 2011</title>
    <link href="https://mlarson.org/2011/12/14/landscape-absurdism-las-vegas-design-the/"/>
    <updated>2011-12-14T19:09:00.000Z</updated>
    <id>https://mlarson.org/2011/12/14/landscape-absurdism-las-vegas-design-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lw7jvbdwxw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlanticcities.com/design/2011/12/landscape-absurdism-las-vegas/711/&#34;&gt;Landscape Absurdism: Las Vegas - Design - The Atlantic Cities&lt;/a&gt;. The natural vs. the built.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 13, 2011</title>
    <link href="https://mlarson.org/2011/12/13/dont-be-a-free-user-pinboard-blog-via/"/>
    <updated>2011-12-13T20:45:07.000Z</updated>
    <id>https://mlarson.org/2011/12/13/dont-be-a-free-user-pinboard-blog-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lw5th3e14u1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.pinboard.in/2011/12/don_t_be_a_free_user/&#34;&gt;Don’t Be A Free User - Pinboard Blog&lt;/a&gt;. (&lt;a href=&#34;http://daringfireball.net/linked/2011/12/13/free-user&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Avoid mom-and-pop projects that don’t take your money! You might call this the anti-free-software movement. […]&lt;/p&gt;
&lt;p&gt;So stop getting caught off guard when your favorite project sells out! “They were getting so popular, why did they have to shut it down?” Because it’s hard to resist a big payday when you are rapidly heading into debt. And because it’s culturally acceptable to leave your user base high and dry if you get a good offer, citing self-inflicted financial hardship.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Damien Hirst prepares to unleash another round of art for buyers - latimes.com</title>
    <link href="https://mlarson.org/2011/12/13/damien-hirst-prepares-to-unleash-another-round-of/"/>
    <updated>2011-12-13T14:51:00.000Z</updated>
    <id>https://mlarson.org/2011/12/13/damien-hirst-prepares-to-unleash-another-round-of/</id>
    <content type="html">&lt;p&gt;I like this litmus test that Damien Hirst suggests:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I put a painting outside a bar at closing time, and it’s still there in the morning, it’s a crap painting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He also suggests the market for art is bigger than you think, even at his prices:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I remember flying into L.A. at a time when my paintings were 20,000 to 50,000 pounds and looking at the swimming pools here and thinking everyone who has a pool can afford one of these. The market is so much bigger than anyone realizes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I hadn’t thought about it that way. Also, on the idea of masterpieces vs. ubiquity:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You also have to ask yourself as an artist, “What would be more appealing … to have made the Mona Lisa painting itself or have made the merchandising possibilities — putting a postcard on everyone’s walls all over the world?” Both are brilliant, but in a way I would probably prefer the postcards — just to get my art out there.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;All this reminds me of &lt;a href=&#34;http://www.macleans.ca/columnists/article.jsp?id=4&amp;amp;content=20081022_87673_87673&#34;&gt;one section&lt;/a&gt; in Andrew Potter’s &lt;a href=&#34;http://www.amazon.com/Authenticity-Hoax-Lost-Finding-Ourselves/dp/006125133X&#34;&gt;The Authenticity Hoax&lt;/a&gt;, a part where he writes about &lt;a href=&#34;http://en.wikipedia.org/wiki/Robert_Hughes_%28critic%29&#34;&gt;Robert Hughes&lt;/a&gt;’ criticism of Damien Hirst’s work:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“The idea that there is some &lt;a href=&#34;http://www.telegraph.co.uk/culture/tvandradio/3560841/The-Mona-Lisa-Curse.htmlhttp://www.telegraph.co.uk/culture/tvandradio/3560841/The-Mona-Lisa-Curse.html&#34;&gt;special magic attached to Hirst’s work&lt;/a&gt; that shoves it into the multi-million-pound realm is ludicrous,” [Hughes] wrote. But there &lt;em&gt;is&lt;/em&gt; a special magic attached to Hirst’s work. That magic is the spectacularly successful brand known as Damien Hirst. And for those to whom the brand is successfully markted—hedge fund types, tycoons of all sorts, generally anyone who happens to be cash-rich but taste-poor—it makes his products worth every cent. […] Some people think a Lamborghini is vulgar, and lots of people can afford yachts. But put a Damien Hirst dot painting on your wall and the reaction is, “Wow, isn’t that a Hirst?” The point is, Hirst is not selling art, he’s selling a cure for rich people with severe status anxiety. Judging Hirst’s work by the criteria of technical skill, artistic vision, and emotional resonance is like complaining that the Nike swoosh is just a check mark.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.latimes.com/entertainment/news/la-et-damien-hirst-20111210,0,3329755.story&#34;&gt;Damien Hirst prepares to unleash another round of art for buyers - latimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Magical Thinking - Psychology Today</title>
    <link href="https://mlarson.org/2011/12/11/magical-thinking-psychology-today/"/>
    <updated>2011-12-11T17:57:55.000Z</updated>
    <id>https://mlarson.org/2011/12/11/magical-thinking-psychology-today/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;5. To name is to rule. […] After watching sugar being poured into two glasses of water and then personally affixing a “sucrose” label to one and a “poison” label to the other, people much prefer to drink from the “sucrose” glass and will even shy away from one they label “not poison.” (The subconscious doesn’t process negatives.) Rozin has also found that people are reluctant to tear up a piece of paper with a loved one’s name written on it. Arbitrary symbols carry the essence of what they represent.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I also like this bit on rituals and luck:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;People who truly trust in their rituals exhibit a phenomenon known as “illusion of control,” the belief that they have more influence over the world than they actually do. And it’s not a bad delusion to have—a sense of control encourages people to work harder than they might otherwise. In fact, a fully accurate assessment of your powers, a state known as “depressive realism,” haunts people with clinical depression, who in general show less magical thinking.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1132056634/we-need-some-delusions-to-keep-us-going-and-the&#34;&gt;Woody Allen nailed it&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We need some delusions to keep us going. And the people who successfully delude themselves seem happier than the people who can’t.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.psychologytoday.com/print/21263&#34;&gt;Magical Thinking - Psychology Today&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Treasure of the Sierra Madre</title>
    <link href="https://mlarson.org/2011/12/11/the-treasure-of-the-sierra-madre-not-so-hot-on/"/>
    <updated>2011-12-11T17:50:59.000Z</updated>
    <id>https://mlarson.org/2011/12/11/the-treasure-of-the-sierra-madre-not-so-hot-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lw1w48eoqs1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Treasure_of_the_Sierra_Madre_%28film%29&#34;&gt;The Treasure of the Sierra Madre&lt;/a&gt;. Not so hot on this one. It seems like too much of a message film. Greed is bad! Money corrupts! I do like seeing &lt;a href=&#34;http://tumblr.mlarson.org/tagged/humphreybogart&#34;&gt;Bogart&lt;/a&gt; as a bad guy, though. The only other &lt;a href=&#34;http://tumblr.mlarson.org/tagged/johnhuston&#34;&gt;John Huston&lt;/a&gt; movies I’ve seen are &lt;a href=&#34;http://tumblr.mlarson.org/post/418795609/key-largo-your-head-says-one-thing-and-your&#34;&gt;Key Largo&lt;/a&gt;, which is pretty good, and &lt;a href=&#34;http://tumblr.mlarson.org/post/338073501/the-maltese-falcon-this-movie-is-really-really&#34;&gt;The Maltese Falcon&lt;/a&gt;, which is superb. I’d like to see &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Misfits_(film)&#34;&gt;The Misfits&lt;/a&gt; at some point.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bluebrain’s App Central Park (Listen to the Light) - NYTimes.com</title>
    <link href="https://mlarson.org/2011/12/09/bluebrains-app-central-park-listen-to-the-light/"/>
    <updated>2011-12-09T18:43:23.000Z</updated>
    <id>https://mlarson.org/2011/12/09/bluebrains-app-central-park-listen-to-the-light/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;[&lt;a href=&#34;http://bluebrainmusic.blogspot.com/2011/07/blog-post.html&#34;&gt;The app&lt;/a&gt;] uses a global positioning network to activate different themes as the listener wanders through the park. The app contains more than 400 tracks, each tied to a location. They were written to fit together harmonically like a sonic jigsaw puzzle.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’d &lt;a href=&#34;http://itunes.apple.com/us/app/central-park-listen-to-light/id468193258?mt=8&#34;&gt;download it on iTunes&lt;/a&gt; if I lived anywhere nearby. Oh, and how cool would it be if they had a bigger map with famous recordings from around NYC? &lt;a href=&#34;http://www.youtube.com/watch?v=bHRbEhLj540&#34;&gt;Take the “A” Train&lt;/a&gt; at the relevant time? Maybe cue up a random clip from a &lt;a href=&#34;http://en.wikipedia.org/wiki/CBGB&#34;&gt;CBGB&lt;/a&gt; show if you’re strolling down the Bowery? Or a &lt;a href=&#34;http://www.youtube.com/watch?v=IUzlw9HxnRo&#34;&gt;Gaslight Cafe recording&lt;/a&gt; if you wandering around Greenwich Village? Or a bit from &lt;a href=&#34;http://www.youtube.com/watch?v=FnpgGsDQB38&#34;&gt;Heartbeats/Boats and Buoys&lt;/a&gt; if you wander over near the river? Please tell me someone has beaten me to this idea.&lt;/p&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/soundsculptures&#34;&gt;sound sculptures&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/12/08/arts/music/bluebrains-app-central-park-listen-to-the-light.html?_r=1&#34;&gt;Bluebrain’s App Central Park (Listen to the Light) - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cooking Food Featured in Fantasy Novels - WSJ.com</title>
    <link href="https://mlarson.org/2011/12/09/cooking-food-featured-in-fantasy-novels-wsjcom/"/>
    <updated>2011-12-09T18:21:39.000Z</updated>
    <id>https://mlarson.org/2011/12/09/cooking-food-featured-in-fantasy-novels-wsjcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;On a recent evening, Ms. Monroe-Cassel used boar tenderloins to recreate a dish served during a wedding feast with 77 courses in “A Storm of Swords.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really hope I invented this word: &lt;strong&gt;cuisplay&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052970203935604577064981671021446.html&#34;&gt;Cooking Food Featured in Fantasy Novels - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mesrine: L&#39;instinct de mort</title>
    <link href="https://mlarson.org/2011/12/08/mesrine-linstinct-de-mort-i-need-to-see-more/"/>
    <updated>2011-12-08T15:14:52.000Z</updated>
    <id>https://mlarson.org/2011/12/08/mesrine-linstinct-de-mort-i-need-to-see-more/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lvu95kd2n11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mesrine_%282008_film%29&#34;&gt;Mesrine: L&#39;instinct de mort&lt;/a&gt;. I need to see more movies with Vincent Cassel. The guy is awesome. This one is the first of a two-parter about a &lt;a href=&#34;http://en.wikipedia.org/wiki/Jacques_Mesrine&#34;&gt;real French gangster/bank robber&lt;/a&gt; and it’s great. No CGI silliness. No melodrama silliness. Just a magnetic, unhinged sort of guy going about his dirty business. Good stuff. Looking forward to the second part when it arrives.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 8, 2011</title>
    <link href="https://mlarson.org/2011/12/08/charts-graphs-and-tables-are-on-the-decline-but/"/>
    <updated>2011-12-08T15:14:45.000Z</updated>
    <id>https://mlarson.org/2011/12/08/charts-graphs-and-tables-are-on-the-decline-but/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.google.com/trends?q=infographics%2C+charts%2C+graphs%2C+tables&amp;amp;ctab=0&amp;amp;geo=all&amp;amp;date=all&amp;amp;sort=1&#34;&gt;Charts, graphs, and tables are on the decline&lt;/a&gt;. But what’s that newcomer in blue? &lt;a href=&#34;http://www.google.com/trends?q=infographics&amp;amp;ctab=0&amp;amp;geo=all&amp;amp;date=all&amp;amp;sort=1&#34;&gt;Infographics&lt;/a&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>You&#39;re Not Me: Nyjah Huston and Inflationary Spectacle | The Classical</title>
    <link href="https://mlarson.org/2011/12/08/youre-not-me-nyjah-huston-and-inflationary/"/>
    <updated>2011-12-08T15:14:22.000Z</updated>
    <id>https://mlarson.org/2011/12/08/youre-not-me-nyjah-huston-and-inflationary/</id>
    <content type="html">&lt;p&gt;Pete Beatty (&lt;a href=&#34;https://twitter.com/#!/nocoastoffense&#34;&gt;@nocoastoffense&lt;/a&gt;) &lt;a href=&#34;https://twitter.com/#!/nocoastoffense/status/144786947058057216&#34;&gt;sums it up&lt;/a&gt;: “In which &lt;a href=&#34;https://twitter.com/#%21/kylebeachy&#34;&gt;@kylebeachy&lt;/a&gt; invents skateboard crit”.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://theclassical.org/articles/youre-not-me-nyjah-huston-and-inflationary-spectacle&#34;&gt;You&#39;re Not Me: Nyjah Huston and Inflationary Spectacle | The Classical&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 7, 2011</title>
    <link href="https://mlarson.org/2011/12/07/your-mind-will-take-on-the-character-of-your-most/"/>
    <updated>2011-12-07T19:14:00.000Z</updated>
    <id>https://mlarson.org/2011/12/07/your-mind-will-take-on-the-character-of-your-most/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Your mind will take on the character of your most frequent thoughts: souls are dyed by thoughts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/0140449337&#34;&gt;Marcus Aurelius&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>D.O.A.</title>
    <link href="https://mlarson.org/2011/12/07/doa-oh-i-quite-like-this-one-this-is-not-the/"/>
    <updated>2011-12-07T14:55:05.000Z</updated>
    <id>https://mlarson.org/2011/12/07/doa-oh-i-quite-like-this-one-this-is-not-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lvsfmaay7x1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/D.O.A._%281950_film%29&#34;&gt;D.O.A.&lt;/a&gt;. Oh, I quite like this one. This is not the drawing room intrigue of &lt;a href=&#34;http://tumblr.mlarson.org/post/338073501/the-maltese-falcon-this-movie-is-really-really&#34;&gt;The Maltese Falcon&lt;/a&gt;; it’s more like the wholly despairing &lt;a href=&#34;http://tumblr.mlarson.org/post/1389407872/blast-of-silence-a-criterion-essay-cleverly-calls&#34;&gt;Blast of Silence&lt;/a&gt;. A man away from home, facing the void, asking “Why me?”. The &lt;a href=&#34;http://www.youtube.com/watch?v=X_gVCwINrrA&#34;&gt;Fisherman Jazz scene&lt;/a&gt; is great and there’s quite a few well-shot action scenes out and about in the city. It’s in the public domain and thus, you can &lt;a href=&#34;http://www.youtube.com/watch?v=Fj9TlNoEnsY&#34;&gt;watch it online&lt;/a&gt;. Filed under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/filmnoir&#34;&gt;film noir&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 7, 2011</title>
    <link href="https://mlarson.org/2011/12/07/other-peoples-words-are-the-bridge-you-use-to/"/>
    <updated>2011-12-07T14:54:24.000Z</updated>
    <id>https://mlarson.org/2011/12/07/other-peoples-words-are-the-bridge-you-use-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Other people’s words are the bridge you use to cross from where you were to wherever you’re going.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Zadie Smith, “Other People’s Words, Part One,” in &lt;em&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/1594202370/wwwaustinkleo-20/ref=nosim/&#34;&gt;Changing My Mind: Occasional Essays&lt;/a&gt;&lt;/em&gt; &lt;a href=&#34;http://www.quotenik.com/&#34;&gt;(via)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And this, my friends, is why I’m an inveterate collector of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/quotes&#34;&gt;quotes&lt;/a&gt;. Nice find, &lt;a href=&#34;http://tumblr.austinkleon.com/post/13648831280&#34;&gt;Austin&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Elf</title>
    <link href="https://mlarson.org/2011/12/06/elf-overall-ugh-i-like-the-physical-comedy-bits/"/>
    <updated>2011-12-06T19:37:47.000Z</updated>
    <id>https://mlarson.org/2011/12/06/elf-overall-ugh-i-like-the-physical-comedy-bits/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lvqyj0ug0f1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Elf_(film)&#34;&gt;Elf&lt;/a&gt;. Overall: ugh. I like the physical comedy bits (e.g., the &lt;a href=&#34;http://www.youtube.com/watch?v=mZtELwekBpc&amp;amp;t=7m17s&#34;&gt;escalator scene&lt;/a&gt;) and the wink-wink references to other films (Bigfoot, LOTR, Back to the Future, Rudolph the Red-nosed Reindeer, etc.). Good premise, good opening, then goes stale. The last half-hour is a total waste. So mechanical. Disappointing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2011</title>
    <link href="https://mlarson.org/2011/12/06/very-small-array-we-sure-like-being-the-good/"/>
    <updated>2011-12-06T19:36:48.000Z</updated>
    <id>https://mlarson.org/2011/12/06/very-small-array-we-sure-like-being-the-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lvsrorxvid1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.verysmallarray.com/?p=1293&#34;&gt;very small array » We sure like being the good guys&lt;/a&gt;. WWII will not go away. (&lt;a href=&#34;http://iknowstuffyoudont.tumblr.com/post/13818347195/we-sure-like-being-the-good-guys&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2011</title>
    <link href="https://mlarson.org/2011/12/06/if-youre-dumb-surround-yourself-with-smart/"/>
    <updated>2011-12-06T19:36:00.000Z</updated>
    <id>https://mlarson.org/2011/12/06/if-youre-dumb-surround-yourself-with-smart/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you’re dumb, surround yourself with smart people. If you’re smart, surround yourself with smart people who disagree with you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Aaron Sorkin on &lt;a href=&#34;http://www.imdb.com/title/tt0707452/&#34;&gt;Sports Night&lt;/a&gt;, via &lt;a href=&#34;http://battleshippretension.com/?p=5262&#34;&gt;Battleship Pretension, Episode 246&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Music Students Hit the Boxing Ring - WSJ.com</title>
    <link href="https://mlarson.org/2011/12/06/music-students-hit-the-boxing-ring-wsjcom/"/>
    <updated>2011-12-06T16:55:37.000Z</updated>
    <id>https://mlarson.org/2011/12/06/music-students-hit-the-boxing-ring-wsjcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“It does feel satisfying to hit something.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052970204449804577068361166526098.html&#34;&gt;Music Students Hit the Boxing Ring - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Nightmare Before Christmas</title>
    <link href="https://mlarson.org/2011/12/06/the-nightmare-before-christmas-the-best-christmas/"/>
    <updated>2011-12-06T14:38:19.000Z</updated>
    <id>https://mlarson.org/2011/12/06/the-nightmare-before-christmas-the-best-christmas/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lvqy74ibkn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Nightmare_Before_Christmas&#34;&gt;The Nightmare Before Christmas&lt;/a&gt;. The best Christmas musical? Not sure, but probably a contender. This was the 5th or 6th time I’ve watched it and it’s not old yet. Great songs. 76 fun minutes and you’re done. And I’m not much for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/musicals&#34;&gt;musicals&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2011</title>
    <link href="https://mlarson.org/2011/12/06/they-cannot-admire-you-for-intellect-grantedbut/"/>
    <updated>2011-12-06T14:38:14.000Z</updated>
    <id>https://mlarson.org/2011/12/06/they-cannot-admire-you-for-intellect-grantedbut/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;They cannot admire you for intellect. Granted–but there are many other qualities of which you cannot say, “but that is not the way I am made”. So display those virtues which are wholly in your own power–integrity, dignity, hard work, self-denial, contentment, frugality, kindness, independence, simplicity, discretion, magnanimity. Do you not see how many virtues you can already display without any excuse of lack of talent or aptitude? And yet you are still content to lag behind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/0140449337&#34;&gt;Marcus Aurelius&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 5, 2011</title>
    <link href="https://mlarson.org/2011/12/05/the-searchers-each-time-from-take-me-for-what/"/>
    <updated>2011-12-05T20:57:47.000Z</updated>
    <id>https://mlarson.org/2011/12/05/the-searchers-each-time-from-take-me-for-what/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=vqBHzOjrKMA&#34;&gt;The Searchers - Each Time&lt;/a&gt; from &lt;a href=&#34;http://www.amazon.com/dp/B000057T25/&#34;&gt;Take Me for What I’m Worth&lt;/a&gt;. I love those big luscious jangly echoing guitars. Great cover of some wonderful songwriting. It’s a crime that this isn’t as well-known as &lt;a href=&#34;http://en.wikipedia.org/wiki/Jackie_DeShannon&#34;&gt;Jackie DeShannon&lt;/a&gt;’s other hits like &lt;a href=&#34;http://en.wikipedia.org/wiki/When_You_Walk_in_the_Room&#34;&gt;When You Walk in the Room&lt;/a&gt; or &lt;a href=&#34;http://en.wikipedia.org/wiki/Put_a_Little_Love_in_Your_Heart&#34;&gt;Put a Little Love in Your Heart&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fugitive</title>
    <link href="https://mlarson.org/2011/12/05/the-fugitive-this-has-held-up-pretty-well-the/"/>
    <updated>2011-12-05T20:57:43.000Z</updated>
    <id>https://mlarson.org/2011/12/05/the-fugitive-this-has-held-up-pretty-well-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lvqy05eynh1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Fugitive_%281993_film%29&#34;&gt;The Fugitive&lt;/a&gt;. This has held up pretty well. The opening half-hour is A+, then holds a steady grade B through to the end. Caught it on TV and got my first exposure to &lt;a href=&#34;http://blogs.amctv.com/movie-blog/2011/12/story-notes-trivia-the-fugitive.php&#34;&gt;Story Notes&lt;/a&gt;, to mixed results. “He was not actually missing an arm.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 5, 2011</title>
    <link href="https://mlarson.org/2011/12/05/the-people-who-move-to-the-suburbs-arent-nearly/"/>
    <updated>2011-12-05T17:59:25.000Z</updated>
    <id>https://mlarson.org/2011/12/05/the-people-who-move-to-the-suburbs-arent-nearly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The people who move to the suburbs aren’t nearly as stupid or careless or brainwashed as the urbanites seem to think. They know they’re going to get a lawn, a garage, and a backyard. They know they will be miles from a store or cafe, and that they’ll have to drive everywhere. Most people move to the suburbs with eyes wide open, fully aware of the tradeoffs they are making. They are not looking for some pastoral idyll, but for more privacy, space, quiet, and parking.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/006125133X&#34;&gt;Andrew Potter&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 5, 2011</title>
    <link href="https://mlarson.org/2011/12/05/ti-drug-related-from-the-leak-materialistic/"/>
    <updated>2011-12-05T17:52:02.000Z</updated>
    <id>https://mlarson.org/2011/12/05/ti-drug-related-from-the-leak-materialistic/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=e8-yxlT0VKc&#34;&gt;T.I. - Drug Related&lt;/a&gt; from &lt;a href=&#34;http://www.datpiff.com/TI-The-Leak-mixtape.130.html&#34;&gt;The Leak&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Materialistic can’t substitute for your happiness.&lt;br&gt;
Life’s about how you feel about you, and what you do.&lt;br&gt;
When you wake up in the morning, in the mirror, you seeing who?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Last Notes: The wild, sublime music that composers write on their deathbeds. - Slate Magazine</title>
    <link href="https://mlarson.org/2011/12/05/last-notes-the-wild-sublime-music-that-composers/"/>
    <updated>2011-12-05T17:48:10.000Z</updated>
    <id>https://mlarson.org/2011/12/05/last-notes-the-wild-sublime-music-that-composers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Making things is a better way to spend your time than staring at the wall contemplating what little time you’ve got left.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/arts/music_box/2011/11/famous_classical_composers_the_last_piece_they_wrote_before_they_died_.single.html&#34;&gt;Last Notes: The wild, sublime music that composers write on their deathbeds. - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 5, 2011</title>
    <link href="https://mlarson.org/2011/12/05/it-is-ridiculous-not-to-escape-from-ones-own/"/>
    <updated>2011-12-05T14:56:22.000Z</updated>
    <id>https://mlarson.org/2011/12/05/it-is-ridiculous-not-to-escape-from-ones-own/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It is ridiculous not to escape from one’s own vices, which is possible, while trying to escape the vices of others, which is impossible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/0140449337&#34;&gt;Marcus Aurelius&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Missing the Point | RyanHoliday.net</title>
    <link href="https://mlarson.org/2011/12/05/missing-the-point-ryanholidaynet/"/>
    <updated>2011-12-05T14:56:18.000Z</updated>
    <id>https://mlarson.org/2011/12/05/missing-the-point-ryanholidaynet/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Getting up and going for a run everyday doesn’t need to be “justified” a few months later by competing to finish an arbitrary number of miles in a certain amount of time against a bunch of other unhappy losers. No, you run because keeping a healthy body and clear mind is part of your job as a human being. Because its a commitment you made to yourself that you’re obligated to keep no matter how tired, how busy or how burn out you feel. In other words, it’s practice—proof of your ability—in always having &lt;a href=&#34;http://www.ryanholiday.net/one-more-step/&#34;&gt;a little bit extra in you&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ryanholiday.net/missing-the-point/&#34;&gt;Missing the Point | RyanHoliday.net&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tom Bissell on The Elder Scrolls V: Skyrim - Grantland</title>
    <link href="https://mlarson.org/2011/12/05/tom-bissell-on-the-elder-scrolls-v-skyrim/"/>
    <updated>2011-12-05T14:35:21.000Z</updated>
    <id>https://mlarson.org/2011/12/05/tom-bissell-on-the-elder-scrolls-v-skyrim/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It seems fair to ask when a game’s expansiveness becomes an affable form of indentured servitude.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/7290527/one-night-skyrim-makes-strong-man-crumble&#34;&gt;Tom Bissell on The Elder Scrolls V: Skyrim - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2011</title>
    <link href="https://mlarson.org/2011/12/01/all-things-are-short-livedthis-is-their-common/"/>
    <updated>2011-12-01T19:09:00.000Z</updated>
    <id>https://mlarson.org/2011/12/01/all-things-are-short-livedthis-is-their-common/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;All things are short-lived–this is their common lot–but you pursue likes and dislikes as if all was fixed for eternity. In a little while you too will close your eyes, and soon there will be others mourning the man who buries you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/0140449337&#34;&gt;Marcus Aurelius&lt;/a&gt; on fame, death, and social media.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2011</title>
    <link href="https://mlarson.org/2011/12/01/i-dont-give-a-fuck-if-youre-doin-petty-shit-or/"/>
    <updated>2011-12-01T19:09:00.000Z</updated>
    <id>https://mlarson.org/2011/12/01/i-dont-give-a-fuck-if-youre-doin-petty-shit-or/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I don’t give a fuck if you’re doin’ petty shit or big shit. […] Get your motherfuckin’ money and make other people’s lives better.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.datpiff.com/Young-Jeezy-Trap-Or-Die-Gangsta-Grillz-Edition-mixtape.83.html&#34;&gt;Young Jeezy&lt;/a&gt; in “Jeezy Talks to the People”.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2011</title>
    <link href="https://mlarson.org/2011/12/01/tent-that-looks-like-a-sandwich-among-numerous/"/>
    <updated>2011-12-01T19:09:00.000Z</updated>
    <id>https://mlarson.org/2011/12/01/tent-that-looks-like-a-sandwich-among-numerous/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/12/tumblr_lvjgc7ifju1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.fieldcandy.com/_all&#34;&gt;Tent that looks like a sandwich&lt;/a&gt;, among numerous other designs. We’ve crossed a line somewhere.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2011</title>
    <link href="https://mlarson.org/2011/11/29/isnt-a-private-library-simply-a-universal-legacy/"/>
    <updated>2011-11-29T19:39:43.000Z</updated>
    <id>https://mlarson.org/2011/11/29/isnt-a-private-library-simply-a-universal-legacy/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Isn’t a private library simply a universal legacy pretending to be an individual one?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;James Wood in &lt;a href=&#34;http://www.newyorker.com/reporting/2011/11/07/111107fa_fact_wood&#34;&gt;Shelf Life: Packing up my father-in-law’s library&lt;/a&gt;. [$]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2011</title>
    <link href="https://mlarson.org/2011/11/29/austinkleon-little-printer-berg-cloud-little/"/>
    <updated>2011-11-29T16:50:32.000Z</updated>
    <id>https://mlarson.org/2011/11/29/austinkleon-little-printer-berg-cloud-little/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/32796535&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/13502611543&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bergcloud.com/littleprinter/#!prettyPhoto&#34;&gt;Little Printer | BERG Cloud&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Little Printer lives in your home, bringing you news, puzzles and gossip from friends. Use your smartphone to set up subscriptions and Little Printer will gather them together to create a timely, beautiful mini-newspaper.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is too cool. Imagine a daily &lt;a href=&#34;http://newspaperblackout.com&#34;&gt;blackout poem&lt;/a&gt; delivered to your LittlePrinter. Hmmm….&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Three days ago, a friend politely listened to me lament the demise of fax machines and more generally, a sort of personal printing network. I wish we’d gotten to the point where someone could send an SMS picture to a fax back home, and I’d have a nice surprise waiting in the evening. Or an automated daily calendar, with maps and directions printed of where you need to drive that day. Or auto-printed journaling based on notes/pictures/voice memos you put into your phone that day. Or print up your own morning paper. We’re basically there. &lt;a href=&#34;http://bergcloud.com/littleprinter/&#34;&gt;We have arrived&lt;/a&gt;. Oh, and I wonder how you could combine it with &lt;a href=&#34;http://www.kickstarter.com/projects/supermechanical/twine-listen-to-your-world-talk-to-the-internet&#34;&gt;Twine&lt;/a&gt;…? Things are getting really interesting, folks!&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2011</title>
    <link href="https://mlarson.org/2011/11/28/the-body-too-should-stay-firmly-composed-and/"/>
    <updated>2011-11-28T21:00:57.000Z</updated>
    <id>https://mlarson.org/2011/11/28/the-body-too-should-stay-firmly-composed-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The body, too, should stay firmly composed, and not fling itself about either in motion or at rest. Just as the mind displays qualities in the face, keeping it intelligent and attractive, something similar should be required of the whole body. But all this should be secured without making an obvious point of it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.7.seven.html&#34;&gt;Marcus Aurelius&lt;/a&gt; on style, grace, comportment.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2011</title>
    <link href="https://mlarson.org/2011/11/28/my-pacific-crest-trail-moleskine-journals-the/"/>
    <updated>2011-11-28T17:52:00.000Z</updated>
    <id>https://mlarson.org/2011/11/28/my-pacific-crest-trail-moleskine-journals-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lvdsksmrgu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thehikeguy.com/2011/11/10/pct-moleskines/&#34;&gt;My Pacific Crest Trail Moleskine Journals | The Hike Guy&lt;/a&gt;. Hiking journal porn. 850 pages from the PCT. What a treasure he’s made for himself.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thehikeguy.com/2011/11/10/pct-moleskines/&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6042/6332324389_df399df6b9_z.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Home Movies: “Tower Heist,” “Melancholia,” and the battle over video on demand - The New Yorker</title>
    <link href="https://mlarson.org/2011/11/28/home-movies-tower-heist-melancholia-and-the/"/>
    <updated>2011-11-28T17:26:00.000Z</updated>
    <id>https://mlarson.org/2011/11/28/home-movies-tower-heist-melancholia-and-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s only one problem with home cinema: it doesn’t exist. The very phrase is an oxymoron. As you pause your film to answer the door or fetch a Coke, the experience ceases to be cinema. Even the act of choosing when to watch means you are no longer at the movies. Choice—preferably an exhaustive menu of it—pretty much defines our status as consumers, and has long been an unquestioned tenet of the capitalist feast, but in fact carte blanche is no way to run a cultural life (or any kind of life, for that matter), and one thing that has nourished the theatrical experience, from the Athens of Aeschylus to the multiplex, is the element of compulsion. Someone else decides when the show will start; we may decide whether to attend, but, once we take our seats, we join the ride and surrender our will. The same goes for the folks around us, whom we do not know, and whom we resemble only in our private desire to know more of what will unfold in public, on the stage or screen. We are strangers in communion, and, once that pact of the intimate and the populous is snapped, the charm is gone. Our revels now are ended.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also &lt;a href=&#34;http://tumblr.mlarson.org/post/12970957628/composers-as-gardeners-brian-eno-edge&#34;&gt;Brian Eno on surrender&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/arts/critics/cinema/2011/11/07/111107crci_cinema_lane?currentPage=all&#34;&gt;Home Movies: “Tower Heist,” “Melancholia,” and the battle over video on demand - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2011</title>
    <link href="https://mlarson.org/2011/11/28/atlanta-then-and-now-1871-to-2011-the/"/>
    <updated>2011-11-28T16:09:00.000Z</updated>
    <id>https://mlarson.org/2011/11/28/atlanta-then-and-now-1871-to-2011-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lvdo3dtblx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlanticcities.com/arts-and-lifestyle/2011/11/atlanta-then-and-now/539/&#34;&gt;Atlanta, Then and Now (1871 to 2011) - The Atlantic Cities&lt;/a&gt;. Awesome set of comparisons. &lt;a href=&#34;http://maps.google.com/maps?q=33.747604,-84.382838&#34;&gt;Same spot&lt;/a&gt;, different day. This lot has been forlorn for a century:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://cdn.theatlanticcities.com/img/upload/2011/11/22/map10.jpg&#34; alt=&#34;Sad, eternally empty lot at Fulton Street and Pryor Street, Atlanta&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://memory.loc.gov/cgi-bin/map_item.pl?data=/home/www/data/gmd/gmd392/g3924/g3924a/pm001210.jp2&amp;amp;style=pmmap&amp;amp;itemLink=D?gmd:2:./temp/~ammem_kkGT::&#34;&gt;Albert Ruger’s 1871 map of Atlanta&lt;/a&gt; is so good. See also his &lt;a href=&#34;http://memory.loc.gov/cgi-bin/query/D?gmd:58:./temp/~ammem_JLHq::&#34;&gt;map of Chicago, 1868&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Makeup of Stuck America - The Atlantic Cities</title>
    <link href="https://mlarson.org/2011/11/28/the-makeup-of-stuck-america-the-atlantic-cities/"/>
    <updated>2011-11-28T15:32:00.000Z</updated>
    <id>https://mlarson.org/2011/11/28/the-makeup-of-stuck-america-the-atlantic-cities/</id>
    <content type="html">&lt;p&gt;Richard Florida follows up on &lt;a href=&#34;http://www.theatlanticcities.com/housing/2011/11/geography-stuck/534/&#34;&gt;The Geography of Stuck&lt;/a&gt; that I &lt;a href=&#34;http://tumblr.mlarson.org/post/13329936744/the-geography-of-stuck-the-atlantic-cities-glad&#34;&gt;tumbled&lt;/a&gt; a few days ago, talking about religion, poverty, human capital, diversity, health, and most interesting to me, the &lt;a href=&#34;http://en.wikipedia.org/wiki/Big_Five_personality_traits&#34;&gt;Big Five personality traits&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;States with higher levels of agreeable, extroverted and neurotic personality types are much more likely to have a higher percentage of residents born in that state (with correlations of .46, .49 and .4 respectively). Conversely, the percentage of residents born in a state is negatively associated with openness-to-experience personality types (-.32).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I should add: considering all of the above, it seems statistically unlikely that I will remain in Atlanta.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlanticcities.com/housing/2011/11/makeup-of-stuck-america/535/&#34;&gt;The Makeup of Stuck America - The Atlantic Cities&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 26, 2011</title>
    <link href="https://mlarson.org/2011/11/26/no-more-roundabout-discussion-of-what-makes-a-good/"/>
    <updated>2011-11-26T21:31:20.000Z</updated>
    <id>https://mlarson.org/2011/11/26/no-more-roundabout-discussion-of-what-makes-a-good/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No more roundabout discussion of what makes a good man. Be one!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.10.ten.html&#34;&gt;Marcus Aurelius&lt;/a&gt;, who then goes on to write two more chapters. Fair warning: I just finished reading this and typing up favorite parts, so brace yourself for more &lt;a href=&#34;http://tumblr.mlarson.org/tagged/marcusaurelius&#34;&gt;Marcus Aurelius quotes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Badlands</title>
    <link href="https://mlarson.org/2011/11/26/badlands-my-second-malick-like-in-days-of/"/>
    <updated>2011-11-26T20:51:30.000Z</updated>
    <id>https://mlarson.org/2011/11/26/badlands-my-second-malick-like-in-days-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lvace1imx11qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Badlands_%28film%29&#34;&gt;Badlands&lt;/a&gt;. My second &lt;a href=&#34;http://tumblr.mlarson.org/tagged/terrencemalick&#34;&gt;Malick&lt;/a&gt;. Like in &lt;a href=&#34;http://tumblr.mlarson.org/post/7241020197/days-of-heaven-my-first-malick-film-and-luckily&#34;&gt;Days of Heaven&lt;/a&gt;, which I really liked, we have another young female narrator, but this one, though older, seems more innocent and caught up in fairy tale language. Both of these characters are caught up in their own narrative, their own little world. Inspired by &lt;a href=&#34;http://en.wikipedia.org/wiki/Charles_Starkweather&#34;&gt;real&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Caril_Ann_Fugate&#34;&gt;people&lt;/a&gt;. Martin Sheen is really, really good here. Lots of &lt;a href=&#34;http://musixxx-etc.blogspot.com/2011/06/movie-badlands-terrence-malick-martin.html&#34;&gt;eye candy&lt;/a&gt; and some &lt;a href=&#34;http://www.youtube.com/watch?v=TQ9_6W6bVoQ&#34;&gt;great moments in the soundtrack&lt;/a&gt;. I’ve got to see &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Thin_Red_Line_%281998_film%29&#34;&gt;The Thin Red Line&lt;/a&gt; soon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 26, 2011</title>
    <link href="https://mlarson.org/2011/11/26/the-geography-of-stuck-the-atlantic-cities-glad/"/>
    <updated>2011-11-26T03:18:00.000Z</updated>
    <id>https://mlarson.org/2011/11/26/the-geography-of-stuck-the-atlantic-cities-glad/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lv8equb7qy1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlanticcities.com/housing/2011/11/geography-stuck/534/&#34;&gt;The Geography of Stuck - The Atlantic Cities&lt;/a&gt;. Glad to verify my childhood hunch that no one ever leaves Louisiana, or if they do, they go back. 78.9% native, that one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Repulsion</title>
    <link href="https://mlarson.org/2011/11/26/repulsion-my-third-by-polanski-as-in-rosemarys/"/>
    <updated>2011-11-26T03:16:34.000Z</updated>
    <id>https://mlarson.org/2011/11/26/repulsion-my-third-by-polanski-as-in-rosemarys/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lv8xiif9oj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Repulsion&#34;&gt;Repulsion&lt;/a&gt;. My third by &lt;a href=&#34;http://tumblr.mlarson.org/tagged/romanpolanski&#34;&gt;Polanski&lt;/a&gt;. As in &lt;a href=&#34;http://tumblr.mlarson.org/post/237584540/rosemarys-baby-this-is-one-creepy-movie-its&#34;&gt;Rosemary’s Baby&lt;/a&gt;–and &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Shining_%28film%29&#34;&gt;The Shining&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/237574118/psycho-had-a-second-viewing-this-weekend-as-good&#34;&gt;Psycho&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/2362263701/black-swan-this-was-ultimately-a-bit&#34;&gt;Black Swan&lt;/a&gt; and others–here we have a largely housebound voyage into a disturbed mind. A common thread with these types of movies is that I find them mostly mediocre when they’re not boring. This one is decent, although (because?) it is pretty much completely absent of plot. You’re just watching this affectless woman fall apart. Great sound design from jazz in the streets to clocks and phones and alarms. And I will never complain about watching Catherine Deneuve for 90 minutes. Movies I’ve seen in recent years that also star a crazy woman: &lt;a href=&#34;http://tumblr.mlarson.org/post/1156064046/suddenly-last-summer-good-movie-its-roots-are&#34;&gt;Suddenly, Last Summer&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/481729977/joe-gillis-youre-norma-desmond-you-used-to-be&#34;&gt;Sunset Boulevard&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/942432572/mulholland-drive-i-liked-this-one-my-second&#34;&gt;Mulholland Drive&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/489123140/monster-charlize-theron-is-amazing-in-this-movie&#34;&gt;Monster&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/472579603/mother-eh-a-hyper-protective-mother-defends-an&#34;&gt;Mother&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Martha_Marcy_May_Marlene&#34;&gt;Martha Marcy May Marlene&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Does cheater deserve a second chance? - Carolyn Hax - The Washington Post</title>
    <link href="https://mlarson.org/2011/11/21/does-cheater-deserve-a-second-chance-carolyn/"/>
    <updated>2011-11-21T16:51:43.000Z</updated>
    <id>https://mlarson.org/2011/11/21/does-cheater-deserve-a-second-chance-carolyn/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/carolynhax&#34;&gt;Carolyn Hax&lt;/a&gt; tumbles are going to become a regular feature here. On the dangers of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/storytelling&#34;&gt;storytelling&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My advice is to discard whatever narrative you’re tempted to superimpose on yourself, your boyfriend, your relationship and whatever else, and just live by the reality you have in hand. That means recognizing that your partner is a temptation-wrestler or birthday-forgetter or stress-eater or emotion-bottler or whatever other trait just isn’t going away, no matter how much better life would be if it did. And it means choosing to stay with someone only if you can see these things as the price of a life that suits you well, not as temporary obstacles to some imaginary better life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/does-cheater-deserve-a-second-chance/2011/11/09/gIQA3X6tYN_story.html&#34;&gt;Does cheater deserve a second chance? - Carolyn Hax - The Washington Post&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 21, 2011</title>
    <link href="https://mlarson.org/2011/11/21/always-make-a-definition-or-sketch-of-what/"/>
    <updated>2011-11-21T16:48:56.000Z</updated>
    <id>https://mlarson.org/2011/11/21/always-make-a-definition-or-sketch-of-what/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Always make a definition or sketch of what presents itself to your mind, so you can see it stripped bare to its essential nature and identify it clearly, in whole and in all its parts, and can tell yourself its proper name and the name of those elements of which it is compounded and into which it will be dissolved.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.3.three.html&#34;&gt;Marcus Aurelius&lt;/a&gt;. I’m taking the words out of context here so it appears that he likes sketching. I’ve been reading &lt;a href=&#34;http://www.amazon.com/Meditations-Penguin-Classics-Marcus-Aurelius/dp/0140449337&#34;&gt;Martin Hammond’s Penguin translation&lt;/a&gt; and bookmarking every 3 paragraphs or so.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 21, 2011</title>
    <link href="https://mlarson.org/2011/11/21/peachtree-street-with-wagon-traffic-atlanta/"/>
    <updated>2011-11-21T16:46:37.000Z</updated>
    <id>https://mlarson.org/2011/11/21/peachtree-street-with-wagon-traffic-atlanta/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_luvffbu0rq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.archives.gov/research/military/civil-war/photos/&#34;&gt;Peachtree Street with wagon traffic&lt;/a&gt;. Atlanta, Georgia. 1864. Photo by &lt;a href=&#34;http://memory.loc.gov/ammem/collections/panoramic_photo/pnbnard.html&#34;&gt;George N. Barnard&lt;/a&gt;. 165-SC-46. &lt;a href=&#34;http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-3357&#34;&gt;Barnard in Georgia&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What makes music boring?  | Music | The Big Questions | The A.V. Club</title>
    <link href="https://mlarson.org/2011/11/21/what-makes-music-boring-music-the-big/"/>
    <updated>2011-11-21T16:46:03.000Z</updated>
    <id>https://mlarson.org/2011/11/21/what-makes-music-boring-music-the-big/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The reason you’re not connecting might very well be you. Your boredom could indicate an inability to appreciate a particular kind of music at this moment in time. You should regret that—or take it as a (here’s that word again) “challenge”—not wear it like a badge of honor. What good is there in not being able to like a song, something that might bring you pleasure?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Amen. This reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/9301330473/on-taste-edmund-burke&#34;&gt;Edmund Burke’s &lt;em&gt;On Taste&lt;/em&gt;&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Almost the only pleasure that men have in judging better than others, consists in a sort of conscious pride and superiority, which arises from thinking rightly; but then, this is an indirect pleasure, a pleasure which does not immediately result from the object which is under contemplation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.avclub.com/articles/what-makes-music-boring,65075/&#34;&gt;What makes music boring? | Music | The Big Questions | The A.V. Club&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Composers As Gardeners - Brian Eno - Edge</title>
    <link href="https://mlarson.org/2011/11/18/composers-as-gardeners-brian-eno-edge/"/>
    <updated>2011-11-18T16:40:00.000Z</updated>
    <id>https://mlarson.org/2011/11/18/composers-as-gardeners-brian-eno-edge/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The reason I have an a cappella group is because it gives me every Tuesday evening the chance to do some surrendering. Which is, by the way, the reason people go to church, I think, as well. And to art galleries. What you want from those experiences is to be reminded of what it’s like to be taken along by something. To be taken. To be lifted up, to be whatever the other words for transcendence are. And I think we find those experiences in at least four areas. Religion, sex, art, and drugs. […] Essentially they’re all experiments with ourselves in trying to remind ourselves that the controlling talent that we have must be balanced by the surrendering talent that we also have. And so my idea about art as gardening.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;More from &lt;a href=&#34;http://tumblr.mlarson.org/tagged/brianeno&#34;&gt;Brian Eno&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/#!/TimHarford/status/137563864068915200&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://edge.org/conversation/composers-as-gardeners&#34;&gt;Composers As Gardeners - Brian Eno - Edge&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2011</title>
    <link href="https://mlarson.org/2011/11/18/for-if-he-shall-begin-to-fall-into-dotage/"/>
    <updated>2011-11-18T14:14:59.000Z</updated>
    <id>https://mlarson.org/2011/11/18/for-if-he-shall-begin-to-fall-into-dotage/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;For if he shall begin to fall into dotage, perspiration and nutrition and imagination and appetite, and whatever else there is of the kind, will not fail; but the power of making use of ourselves, and filling up the measure of our duty, and clearly separating all appearances, and considering whether a man should now depart from life, and whatever else of the kind absolutely requires a disciplined reason, all this is already extinguished. We must make haste then, not only because we are daily nearer to death, but also because the conception of things and the understanding of them cease first.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.fordham.edu/halsall/ancient/marcuaurelius1.asp#BOOK%20THREE&#34;&gt;Marcus Aurelius&lt;/a&gt;, reminding you that even if you live a long life, those last years probably won’t be very useful. Have a great day!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2011</title>
    <link href="https://mlarson.org/2011/11/18/wisdom-justice-moderation-old-try-the/"/>
    <updated>2011-11-18T14:14:47.000Z</updated>
    <id>https://mlarson.org/2011/11/18/wisdom-justice-moderation-old-try-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lut8o1msab1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://theoldtry.com/product/on-my-mind&#34;&gt;Wisdom, Justice &amp;amp; Moderation - Old Try&lt;/a&gt;. The &lt;a href=&#34;http://en.wikipedia.org/wiki/Flag_of_Georgia_%28U.S._state%29&#34;&gt;Georgia state flag&lt;/a&gt; is an exercise in compromise. We went through a &lt;a href=&#34;http://en.wikipedia.org/wiki/File:Flag_of_the_State_of_Georgia_%282001-2003%29.svg&#34;&gt;rough patch&lt;/a&gt; (after a &lt;a href=&#34;http://en.wikipedia.org/wiki/File:Flag_of_the_State_of_Georgia_%281956-2001%29.svg&#34;&gt;shit patch&lt;/a&gt;), but it’s looking just fine for now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2011</title>
    <link href="https://mlarson.org/2011/11/16/how-i-learned-to-stop-worrying-and-love-discussing/"/>
    <updated>2011-11-16T17:19:13.000Z</updated>
    <id>https://mlarson.org/2011/11/16/how-i-learned-to-stop-worrying-and-love-discussing/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/MbdxeFcQtaU&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=MbdxeFcQtaU&#34;&gt;How I Learned to Stop Worrying and Love Discussing Race - Jay Smooth - TEDxHampshireCollege&lt;/a&gt;. I’ve &lt;a href=&#34;http://tumblr.mlarson.org/post/141472731/love-the-camera-and-the-microphone-jay-smooth&#34;&gt;said it before&lt;/a&gt;: &lt;a href=&#34;http://www.illdoctrine.com/&#34;&gt;Jay Smooth&lt;/a&gt; is one of my favorite thinkers.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Martha Marcy May Marlene</title>
    <link href="https://mlarson.org/2011/11/15/martha-marcy-may-marlene-wrenching-you-just-want/"/>
    <updated>2011-11-15T03:46:06.000Z</updated>
    <id>https://mlarson.org/2011/11/15/martha-marcy-may-marlene-wrenching-you-just-want/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_luomrvqkzo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Martha_Marcy_May_Marlene&#34;&gt;Martha Marcy May Marlene&lt;/a&gt;. Wrenching. You just want to know, is she going to be okay? I’m not sure of other movies that deal with the dazed, overwhelmed confusion of self like this one. I also realized a while after movie started how refreshing it is to see a rural setting on film again. So many of our movies are urbanized, you don’t see a lot of love for those greens and browns. Elizabeth Olsen is impressive. John Hawkes, equally awesome (see: &lt;a href=&#34;http://tumblr.mlarson.org/post/4210033096/winters-bone-this-is-fantastic-i-got-totally&#34;&gt;Winter’s Bone&lt;/a&gt;). This is absolutely worth seeing, but just know you probably won’t come out happy and refreshed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2011</title>
    <link href="https://mlarson.org/2011/11/14/silva-rerum-wikipedia-the-free-encyclopedia/"/>
    <updated>2011-11-14T16:48:52.000Z</updated>
    <id>https://mlarson.org/2011/11/14/silva-rerum-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_luntdh5wjg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Silva_rerum&#34;&gt;Silva rerum - Wikipedia, the free encyclopedia&lt;/a&gt;. Silva Rerum (diary) of Krassowscy family from Ziemia Drohicka in Podlasie, Poland.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In historical Poland [silva rerum] was written by members of the Polish nobility as a diary or memoir for the entire family, recording family traditions, among other matters; they were not intended for a wider audience of printing (although there were a few exceptions); some were also lent to friends of the family, who were allowed to add their comments to them. It was added to by many generations, and contained various information: diary-type entires on current events, memoirs, letters, political speeches, copies of legal documents, gossips, jokes and anecdotes, financial documents, economic information (price of grain, etc.), philosophical musings, poems, genealogical trees, advice (agricultural, medical, moral) for the descendants and others - the wealth of information in silva is staggering, they contain anything that their authors wished to record for future generations).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This blew my mind a little bit. A private book for multiple generations! Fascinating.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hypomnema - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2011/11/14/hypomnema-wikipedia-the-free-encyclopedia/"/>
    <updated>2011-11-14T16:43:19.000Z</updated>
    <id>https://mlarson.org/2011/11/14/hypomnema-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;…a Greek word with several translations into English including a reminder, a note, a public record, a commentary, a draft, a copy, and other variations on those terms.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The context was Marcus Aurelius’ &lt;a href=&#34;http://en.wikipedia.org/wiki/Meditations&#34;&gt;Meditations&lt;/a&gt;, but it sounds like a good description of Tumblr, Twitter, and a number of wonderful things on the internet. I first came across &lt;em&gt;hypomnemata&lt;/em&gt; (&lt;a href=&#34;http://www.etymonline.com/&#34;&gt;sleep + thread&lt;/a&gt;…) in &lt;a href=&#34;http://www.amazon.com/dp/0804748365/&#34;&gt;The Present Alone is Our Happiness&lt;/a&gt; (recommended in &lt;a href=&#34;http://www.ryanholiday.net/reading-list-email-archive/&#34;&gt;Ryan Holiday’s super awesome reading list email archive&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;Reading the Wikipedia entry, it made me realize what I often (mostly?) use this Tumblr for: to &lt;em&gt;make notes to myself&lt;/em&gt;, shaping and re-shaping my perspective. Many of my favorite posts (tagged, e.g., &lt;a href=&#34;http://tumblr.mlarson.org/tagged/work&#34;&gt;work&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/opinions&#34;&gt;opinions&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/empathy&#34;&gt;empathy&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/arguments&#34;&gt;arguments&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/happiness&#34;&gt;happiness&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/death&#34;&gt;death&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/travel&#34;&gt;travel&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/thinking&#34;&gt;thinking&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/philosophy&#34;&gt;philosophy&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stoicism&#34;&gt;stoicism&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/psychology&#34;&gt;psychology&lt;/a&gt;) function as a sort of admonishment that I really do re-read every now and then. It’s an attempt to refresh and re-calibrate, internalize. This journaling/commonplacing thing isn’t new, but there’s something satisfying about knowing that one strand of the tradition goes back to an old Greek word. See also &lt;a href=&#34;http://en.wikipedia.org/wiki/Commentarii&#34;&gt;commentarii&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Commonplace_book&#34;&gt;commonplace&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Memoranda&#34;&gt;memoranda&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Hypomnema&#34;&gt;Hypomnema - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2011</title>
    <link href="https://mlarson.org/2011/11/12/when-we-say-what-do-you-do-we-really-mean-what/"/>
    <updated>2011-11-12T16:19:07.000Z</updated>
    <id>https://mlarson.org/2011/11/12/when-we-say-what-do-you-do-we-really-mean-what/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When we say, “What do you do?” we really mean what do you learn? Because that’s what makes a person interesting – what they are learning. No one wants to answer the question what do you do if they have a job where they are not learning. That’s how you know it’s the learning that matters.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2011/11/11/how-to-find-a-job-youll-love/&#34;&gt;Penelope Trunk&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2011</title>
    <link href="https://mlarson.org/2011/11/12/ecstasy-of-order-the-tetris-masters-a-feature/"/>
    <updated>2011-11-12T16:17:17.000Z</updated>
    <id>https://mlarson.org/2011/11/12/ecstasy-of-order-the-tetris-masters-a-feature/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/23398636&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/23398636&#34;&gt;Ecstasy of Order: The Tetris Masters&lt;/a&gt;, “a feature length documentary capturing the greatest world record Tetris players as they prepare for the Classic Tetris World Championship.” I would &lt;a href=&#34;http://ecstasyoforder.com/&#34;&gt;watch this&lt;/a&gt;. (&lt;a href=&#34;http://arstechnica.com/gaming/news/2011/11/upcoming-documentary-shows-worlds-greatest-tetris-players.ars&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Wrong Inequality - NYTimes.com</title>
    <link href="https://mlarson.org/2011/11/11/the-wrong-inequality-nytimescom/"/>
    <updated>2011-11-11T17:21:03.000Z</updated>
    <id>https://mlarson.org/2011/11/11/the-wrong-inequality-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If your ultimate goal is to reduce inequality, then you should be furious at the doctors, bankers and C.E.O.’s. If your goal is to expand opportunity, then you have a much bigger and different agenda.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/11/01/opinion/brooks-the-wrong-inequality.html?_r=1&amp;amp;hp&#34;&gt;The Wrong Inequality - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The old-fashioned: a complete history and guide to this classic cocktail. - Slate Magazine</title>
    <link href="https://mlarson.org/2011/11/11/the-old-fashioned-a-complete-history-and-guide-to/"/>
    <updated>2011-11-11T17:20:17.000Z</updated>
    <id>https://mlarson.org/2011/11/11/the-old-fashioned-a-complete-history-and-guide-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A classic that can be destroyed, perfected, perverted. It can also reveal the depths of your character.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The One True Drink. Great, funny read.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/life/drink/2011/11/the_old_fashioned_a_complete_history_and_guide_to_this_classic_c.html&#34;&gt;The old-fashioned: a complete history and guide to this classic cocktail. - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2011</title>
    <link href="https://mlarson.org/2011/11/11/i-wasnt-much-on-school-i-was-2-busy-listening-2/"/>
    <updated>2011-11-11T16:53:00.000Z</updated>
    <id>https://mlarson.org/2011/11/11/i-wasnt-much-on-school-i-was-2-busy-listening-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lui9kq6ffs1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wasn’t much on school. I was 2 busy listening 2 the grass grow.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lettersofnote.com/2011/11/i-was-2-busy-listening-2-grass-grow.html&#34;&gt;Letter from Prince to a fan&lt;/a&gt;, June 1984. Look at that cursive!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2011</title>
    <link href="https://mlarson.org/2011/11/10/never-be-ashamed-of-how-you-live-or-where-you/"/>
    <updated>2011-11-10T14:58:16.000Z</updated>
    <id>https://mlarson.org/2011/11/10/never-be-ashamed-of-how-you-live-or-where-you/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/5roSwLPy8GE&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;p&gt;Never be ashamed of how you live or where you from.&lt;br&gt;
You stack a mill’, ***s will see how far you come.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=5roSwLPy8GE&#34;&gt;T.I. - Be Better Than Me&lt;/a&gt;. My favorite song on &lt;a href=&#34;http://en.wikipedia.org/wiki/Trap_Muzik&#34;&gt;Trap Musik&lt;/a&gt; besides &lt;a href=&#34;http://www.youtube.com/watch?v=wbeO8KqrVU8&#34;&gt;Look What I Got&lt;/a&gt;. Here’s T.I. on the proper ingredients for success:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Stay down, stay on your grind and yo digits’ll come.&lt;br&gt;
Bottom line? You gotta shine, no matter what you become.&lt;br&gt;
These streets is 40 percent of yo’ mind and 5 percent muscle,&lt;br&gt;
10 struggle, 10 time, and 35 percent hustle.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2011</title>
    <link href="https://mlarson.org/2011/11/10/austinkleon-google-image-search-results-new/"/>
    <updated>2011-11-10T14:21:32.000Z</updated>
    <id>https://mlarson.org/2011/11/10/austinkleon-google-image-search-results-new/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_lufbjs2omo1qz6f4bo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/12583473854&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pergoogle.tumblr.com/&#34;&gt;Google Image Search Results&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;New Tumblr by &lt;a href=&#34;http://www.murketing.com/journal/&#34;&gt;Rob Walker&lt;/a&gt; (who you should be following at &lt;a href=&#34;http://murketing.tumblr.com/&#34;&gt;murketing&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;Background: &lt;a href=&#34;http://observersroom.designobserver.com/robwalker/post/the-work-of-art-in-the-age-of-googled-reproduction/29078/&#34;&gt;Rob Walker: The Work of Art in the Age of Googled Reproduction: Observers Room: Design Observer&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is awesome. Related: a high school friend I was catching up with last night has this tattoo:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_lug7s2sJzn1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Which is awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Inquiry - Consider the Humblebrag</title>
    <link href="https://mlarson.org/2011/11/09/the-new-inquiry-consider-the-humblebrag/"/>
    <updated>2011-11-09T15:07:51.000Z</updated>
    <id>https://mlarson.org/2011/11/09/the-new-inquiry-consider-the-humblebrag/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you made a Venn diagram of self-promotion, the phenomenon of humblebragging sits in the overlap of two distinctly American pathologies — where manipulative self-consciousness meets our maniacal desire to succeed. What feels better than an ego boost? An ego boost everyone knows about.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/post/12325032998/consider-the-humblebrag&#34;&gt;The New Inquiry - Consider the Humblebrag&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2011</title>
    <link href="https://mlarson.org/2011/11/09/a-crusade-in-reverse-we-marched-forth-to-lose/"/>
    <updated>2011-11-09T15:05:31.000Z</updated>
    <id>https://mlarson.org/2011/11/09/a-crusade-in-reverse-we-marched-forth-to-lose/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A crusade in reverse, we marched forth to lose what religion we had and be conquered.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Wen Stephenson in &lt;a href=&#34;http://prospect.org/article/travel-lonelier-planet&#34;&gt;Travel: Lonelier Planet&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>my mortifying month</title>
    <link href="https://mlarson.org/2011/11/09/my-mortifying-month/"/>
    <updated>2011-11-09T15:03:18.000Z</updated>
    <id>https://mlarson.org/2011/11/09/my-mortifying-month/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://agrammar.tumblr.com/post/12470887436/my-mortifying-month&#34;&gt;agrammar&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There needs to be room for music writing that’s not just about the author performing taste and making value judgments. So much of the life of music — the ways we hear it, the things we want from it, and so on — exist in a huge, complicated &lt;em&gt;context&lt;/em&gt;, and someone needs to describe that context.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 4, 2011</title>
    <link href="https://mlarson.org/2011/11/04/the-apparent-practical-success-of-capitalism-is/"/>
    <updated>2011-11-04T16:52:52.000Z</updated>
    <id>https://mlarson.org/2011/11/04/the-apparent-practical-success-of-capitalism-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The apparent practical success of capitalism is matched only by the failure of its public relations.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ft.com/intl/cms/s/0/01f61914-0485-11e1-ac2a-00144feabdc0.html#axzz1cUJv5400&#34;&gt;John Kay&lt;/a&gt;. (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/11/very-good-sentences-8.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2011</title>
    <link href="https://mlarson.org/2011/11/03/marvin-gaye-lounging-on-a-couch-in-the-studio/"/>
    <updated>2011-11-03T15:50:20.000Z</updated>
    <id>https://mlarson.org/2011/11/03/marvin-gaye-lounging-on-a-couch-in-the-studio/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/dyIUR9l5pWI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=dyIUR9l5pWI&#34;&gt;Marvin Gaye lounging on a couch in the studio rehearsing “I Want You”&lt;/a&gt;. Man, I love &lt;a href=&#34;http://www.youtube.com/watch?v=dmZ03Q7AoaU&#34;&gt;this song&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Want_You_%28Marvin_Gaye_song%29&#34;&gt;One of my favorites&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>WhoSampled.com</title>
    <link href="https://mlarson.org/2011/11/03/whosampledcom/"/>
    <updated>2011-11-03T15:46:04.000Z</updated>
    <id>https://mlarson.org/2011/11/03/whosampledcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We’re building the ultimate database of sampled music, remixes and cover songs. Dig deeper into music by discovering direct links among over 116,000 songs and 44,000 artists, from Hip-Hop and R&amp;amp;B via Electronic Music through to Rock, Pop, Funk, Soul, Jazz and beyond.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I wish I’d known about this site a long, long time ago.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.whosampled.com/&#34;&gt;WhoSampled.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Four Senior Citizens Plotted Killing Spree at a Waffle House | Mother Jones</title>
    <link href="https://mlarson.org/2011/11/02/four-senior-citizens-plotted-killing-spree-at-a/"/>
    <updated>2011-11-02T14:18:24.000Z</updated>
    <id>https://mlarson.org/2011/11/02/four-senior-citizens-plotted-killing-spree-at-a/</id>
    <content type="html">&lt;p&gt;File under: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/wafflehouse&#34;&gt;Waffle House&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://motherjones.com/mojo/2011/11/four-senior-citizens-plotted-killing-spree-waffle-house&#34;&gt;Four Senior Citizens Plotted Killing Spree at a Waffle House | Mother Jones&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2011</title>
    <link href="https://mlarson.org/2011/11/02/karen-what-difference-does-it-make-who-cares-if/"/>
    <updated>2011-11-02T14:07:10.000Z</updated>
    <id>https://mlarson.org/2011/11/02/karen-what-difference-does-it-make-who-cares-if/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/0p6DP7qIY4A&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;p&gt;KAREN: What difference does it make? Who cares if she doesn’t like you? Does everybody in the world have to like you?&lt;br&gt;
GEORGE: Yes! Yes! Everybody has to like me. I must be liked!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=0p6DP7qIY4A#t=24s&#34;&gt;George Costanza on being liked&lt;/a&gt;. &lt;a href=&#34;http://www.seinology.com/scripts/script-73.shtml&#34;&gt;Episode 73 - The Masseuse&lt;/a&gt;. (&lt;a href=&#34;http://www.raptitude.com/2011/10/7-high-leverage-life-skills-they-should-teach-in-grade-school/&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://www.linkbanana.com/2011/10/30/seven-seldom-studied-skills/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interview with Andrew Potter: Travel and the Search for Authenticity - World Hum</title>
    <link href="https://mlarson.org/2011/11/02/interview-with-andrew-potter-travel-and-the/"/>
    <updated>2011-11-02T14:06:55.000Z</updated>
    <id>https://mlarson.org/2011/11/02/interview-with-andrew-potter-travel-and-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think we need to keep in mind that the backpackers you’re talking about, who go to new areas and beat new paths by living close to the people and close to the earth and so on, they are in a sense—and this isn’t my line, this is from an old book I came across—the &lt;a href=&#34;http://prospect.org/article/travel-lonelier-planet&#34;&gt;shock troops of the mass tourism industry&lt;/a&gt;. They’re the ones who go into a place that has no infrastructure for tourism and basically create the market for other people to come in behind them. And that may or may not be a bad thing. But we need to be aware that that’s actually what’s going on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.worldhum.com/features/travel-interviews/interview-with-andrew-potter-travel-and-the-search-authenticity-20100512/&#34;&gt;Interview with Andrew Potter: Travel and the Search for Authenticity - World Hum&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2011</title>
    <link href="https://mlarson.org/2011/11/02/when-an-artist-brings-me-their-work-i-treat-it/"/>
    <updated>2011-11-02T14:01:23.000Z</updated>
    <id>https://mlarson.org/2011/11/02/when-an-artist-brings-me-their-work-i-treat-it/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When an artist brings me their work, I treat it like food — like a frozen chicken. Like, I have my stove and I didn’t make the chicken, but I can put the right spices on it, and put my stove at a certain degree.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.spin.com/articles/dj-drama-art-yelling-mixtape&#34;&gt;DJ Drama&lt;/a&gt; in an interview with &lt;a href=&#34;http://no-trivia.tumblr.com/&#34;&gt;Brandon Soderberg&lt;/a&gt;/&lt;a href=&#34;https://twitter.com/#!/notrivia&#34;&gt;@notrivia&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Idler Q&amp;amp;A (3) | HiLobrow</title>
    <link href="https://mlarson.org/2011/11/02/idler-qa-3-hilobrow/"/>
    <updated>2011-11-02T13:55:51.000Z</updated>
    <id>https://mlarson.org/2011/11/02/idler-qa-3-hilobrow/</id>
    <content type="html">&lt;p&gt;Mark Kingwell and Joshua Glenn discuss their sequel to &lt;a href=&#34;http://www.amazon.com/Idlers-Glossary-Joshua-Glenn/dp/1897231466&#34;&gt;The Idler’s Glossary&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Wage-Slaves-Glossary-Joshua-Glenn/dp/192684517X&#34;&gt;The Wage Slave’s Glossary&lt;/a&gt;. Kingwell:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The idler/slacker distinction is a powerful lever. It makes clear that idling, unlike slacking, is not about work at all: it’s not avoiding work, or resenting work, or hiding from parents or spouses who think you should be working more. Idling offers an independent value which, in being independent, constructs an implicit (sometimes explicit) critique of the work-world’s norms. […] The idler says, don’t grow (if growth just means bigger markets). Instead, play! We are trustees of our time here, not owners of it. When it comes to selfhood and our time here, there is no property; there is only care.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mlarson.org/2011/06/25/in-pursuit-of-happiness-review/&#34;&gt;I loved Mark Kingwell’s book &lt;em&gt;In Pursuit of Happiness&lt;/em&gt;&lt;/a&gt;.&lt;br&gt;
&lt;a href=&#34;http://hilobrow.com/2011/11/01/idler-qa-3/&#34;&gt;Idler Q&amp;amp;A (3) | HiLobrow&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Scarface (1932)</title>
    <link href="https://mlarson.org/2011/11/01/scarface-1932-ambition-bloodlust-cowardice/"/>
    <updated>2011-11-01T03:23:00.000Z</updated>
    <id>https://mlarson.org/2011/11/01/scarface-1932-ambition-bloodlust-cowardice/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/11/tumblr_ltypa1ge1y1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Scarface_%281932_film%29&#34;&gt;Scarface (1932)&lt;/a&gt;. Ambition, bloodlust, cowardice. Good flick, especially after you get used to the 1930s-y acting. (My wholly uninformed but standing assumption is that the &lt;a href=&#34;http://en.wikipedia.org/wiki/Scarface_(1983_film)&#34;&gt;1983 remake&lt;/a&gt; is far inferior.) I was pleasantly surprised with some of the tracking shots and felt proud when I figured out &lt;a href=&#34;http://m00ch.wordpress.com/2010/10/10/scarface-1932-and-its-x-motif/&#34;&gt;the X motif&lt;/a&gt; (spoilers!). The only other Howard Hawks works I’ve seen are &lt;a href=&#34;http://tumblr.mlarson.org/post/226499053/the-big-sleep-its-got-a-twisty-turny-plot-where&#34;&gt;The Big Sleep&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/221509984/gentlemen-prefer-blondes-its-hard-to-adjust-to&#34;&gt;Gentlemen Prefer Blondes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 1, 2011</title>
    <link href="https://mlarson.org/2011/11/01/theres-no-such-thing-as-not-playing-music-has/"/>
    <updated>2011-11-01T00:30:18.000Z</updated>
    <id>https://mlarson.org/2011/11/01/theres-no-such-thing-as-not-playing-music-has/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s no such thing as not playing. Music has rests in it. So you’re on a rest right now, and the music will begin shortly.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/2011/10/31/141657227/tom-waits-the-fresh-air-interview&#34;&gt;Tom Waits&lt;/a&gt;. Via &lt;a href=&#34;http://tumblr.austinkleon.com/post/12172229829&#34;&gt;austinkleon&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/248651437/we-have-to-start-the-concert-at-8-00-and-we-have&#34;&gt;Ralf Hütter of Kraftwerk&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We have to start the concert at 8:00 and we have to stop sometime because the halls are rented for a certain time but the music goes on in your mind before and after you play. It’s really just an agreement you make to stop at a certain time. On record, it goes for 40 minutes because an album has these dimensions. It’s just an agreement. But really the music goes on.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2011</title>
    <link href="https://mlarson.org/2011/10/31/oh-you-have-a-dream-you-should-pay-a-lot-of-money/"/>
    <updated>2011-10-31T15:30:00.000Z</updated>
    <id>https://mlarson.org/2011/10/31/oh-you-have-a-dream-you-should-pay-a-lot-of-money/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Oh you have a dream? You should pay a lot of money for that dream and maybe at the end of a lot of debt you’ll be better at that dream.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/festival/2011/09/st-vincent-annie-clark-concert-fantasy.html&#34;&gt;Annie Clark&lt;/a&gt; on education at Berklee College of Music. Another take in &lt;a href=&#34;http://blogs.westword.com/backbeat/2010/02/qa_with_annie_clark_of_st_vinc.php&#34;&gt;an earlier interview&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;At some point you have to learn all you can and then forget everything that you learned in order to actually start making music.&lt;/p&gt;
&lt;p&gt;I think a lot of people, if they’re not careful, can err on the side of the quantifiable and approach it like an athlete. Run that little bit faster, do that little bit more and think you’re being more successful. But the truth is that a lot of times it’s not necessarily about merely being the best athlete, it’s about attempting a new sport.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2011</title>
    <link href="https://mlarson.org/2011/10/31/it-is-hardly-surprising-to-find-that-the-two-areas/"/>
    <updated>2011-10-31T15:29:25.000Z</updated>
    <id>https://mlarson.org/2011/10/31/it-is-hardly-surprising-to-find-that-the-two-areas/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It is hardly surprising to find that the two areas of human enterprise most concerned with sincerity &lt;em&gt;as opposed to truth&lt;/em&gt;–namely, politics and advertising–are also the two areas most steeped in bullshit. Or would it be better to say that politics and advertising are the two areas most concerned with the appearance of authenticity? This might be a distinction without a difference.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Authenticity-Hoax-Lost-Finding-Ourselves/dp/006125133X&#34;&gt;Andrew Potter&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2011</title>
    <link href="https://mlarson.org/2011/10/31/austinkleon-melissa-st-vincent-surgeon/"/>
    <updated>2011-10-31T15:29:14.000Z</updated>
    <id>https://mlarson.org/2011/10/31/austinkleon-melissa-st-vincent-surgeon/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/XjZgiv2F1QY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/12036565375&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://melissa.tumblr.com/post/12034886110/st-vincent-surgeon-4ad-sessions&#34;&gt;melissa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;St. Vincent, “Surgeon,” &lt;em&gt;&lt;a href=&#34;http://4ad.com/sessions/010&#34;&gt;4AD Sessions&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Seeing her pull off those guitar lines up close…&lt;em&gt;hot damn&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Filed under: &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/st.+vincent&#34;&gt;St. Vincent&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/mlarson/status/130153268780351488&#34;&gt;Saw St. Vincent on Friday&lt;/a&gt;. First time. Freaked out &lt;a href=&#34;https://twitter.com/#!/mlarson/status/129975526126387203&#34;&gt;like I thought I would&lt;/a&gt;. There were some obscenely talented musicians on the stage. Dang.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Baseball Umpires Aren&#39;t Perfect, OK? - NPR</title>
    <link href="https://mlarson.org/2011/10/28/baseball-umpires-arent-perfect-ok-npr/"/>
    <updated>2011-10-28T16:40:40.000Z</updated>
    <id>https://mlarson.org/2011/10/28/baseball-umpires-arent-perfect-ok-npr/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Corresponding to the umpire-as-instrument idea is External Realism. According to External Realism, there are umpiring-independent facts of the game — balls are really fair or foul, runners are either safe or out — and the questions we face are merely &lt;em&gt;epistemological&lt;/em&gt;, how best to determine the facts, how to find out.&lt;/p&gt;
&lt;p&gt;Corresponding to the umpire-as-player idea is Internal Anti-Realism. According to Internal Anti-Realism, umpires don’t call them as they see them; umpires, through their calls, &lt;em&gt;make it the case&lt;/em&gt; that a pitch is a strike or a ball, a runner safe or out. There are no umpire-independent facts in baseball.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/13.7/2011/10/26/141681382/-nobody-s-perfect&#34;&gt;Baseball Umpires Aren&#39;t Perfect, OK? - NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>High Plains Drifter</title>
    <link href="https://mlarson.org/2011/10/27/high-plains-drifter-this-is-one-of-those-movies/"/>
    <updated>2011-10-27T22:40:00.000Z</updated>
    <id>https://mlarson.org/2011/10/27/high-plains-drifter-this-is-one-of-those-movies/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_ltqxghaix11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/High_Plains_Drifter&#34;&gt;High Plains Drifter&lt;/a&gt;. This is one of those movies where you have to remember that the protagonist doesn’t always reflect the values of the real, actual live human being director. Here, the Stranger kills three guys and rapes a woman within, oh, 10-15 minutes. It’s not the most subtle movie you’ll ever see. Honestly, I finished this one out of a sense of obligation and curiosity because I love &lt;a href=&#34;http://tumblr.mlarson.org/tagged/western&#34;&gt;westerns&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;I love Clint Eastwood&lt;/a&gt;. This was the second movie he directed, after &lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;. Aside from a few excellent parts here and there, this one is more enjoyable when reading and thinking about it after you’ve watched it than while actually watching. It doesn’t all hold together so well. Comparing this to his directing work in the 1990s and 2000s is like night and day. That said, objectively awesome bits include a great &lt;a href=&#34;http://www.youtube.com/watch?v=eFIQ6QdxdTA&#34;&gt;opening mirage entrance scene&lt;/a&gt;, a spooky, eerie score that would fit right in with a horror or 1950s scifi movie, and the &lt;a href=&#34;http://www.youtube.com/watch?v=ks7-A-7Zvak&#34;&gt;tough guy one-liners&lt;/a&gt;. Speaking of tough guys, I really need to make some time for the Dirty Harry flicks…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 27, 2011</title>
    <link href="https://mlarson.org/2011/10/27/by-seven-everyone-is-gone-they-all-offered-to/"/>
    <updated>2011-10-27T16:11:00.000Z</updated>
    <id>https://mlarson.org/2011/10/27/by-seven-everyone-is-gone-they-all-offered-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;By seven everyone is gone. They all offered to help, and you waved them away. There is a shabby nobility in failing all by yourself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Excerpt from &lt;a href=&#34;http://en.wikipedia.org/wiki/Bright_Lights,_Big_City_%28novel%29&#34;&gt;Bright Lights, Big City&lt;/a&gt;, a swift, often funny book with a terrible ending. Another favorite bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You have friends who actually care about you and speak the language of the inner self. You have avoided them of late. Your soul is as disheveled as your apartment, and until you can clean it up a little you don’t want to invite anyone inside.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Fake Authenticity | HiLobrow</title>
    <link href="https://mlarson.org/2011/10/26/fake-authenticity-hilobrow/"/>
    <updated>2011-10-26T19:04:00.000Z</updated>
    <id>https://mlarson.org/2011/10/26/fake-authenticity-hilobrow/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Whenever authenticity is evoked, we are in the world of fake authenticity. […] “Authenticity” is a reality-label from the art world, and as such it cannot be fixed to anything living and vital.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Which essay I found via the excellent &lt;a href=&#34;http://www.amazon.com/Authenticity-Hoax-Lost-Finding-Ourselves/dp/006125133X&#34;&gt;The Authenticity Hoax&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://hilobrow.com/2010/06/01/fake-authenticity/&#34;&gt;Fake Authenticity | HiLobrow&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2011</title>
    <link href="https://mlarson.org/2011/10/26/emily-dickinsons-coconut-cake-recipe-see-also/"/>
    <updated>2011-10-26T18:59:25.000Z</updated>
    <id>https://mlarson.org/2011/10/26/emily-dickinsons-coconut-cake-recipe-see-also/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_ltn3rrms6s1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/thesalt/2011/10/20/141554113/a-coconut-cake-from-emily-dickinson-reclusive-poet-passionate-baker&#34;&gt;Emily Dickinson’s coconut cake recipe&lt;/a&gt;. See also &lt;a href=&#34;http://tumblr.mlarson.org/post/1534857750/marilyn-monroes-stuffing-recipe-found-in-the-new&#34;&gt;Marilyn Monroe’s stuffing&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blue Valentine</title>
    <link href="https://mlarson.org/2011/10/26/blue-valentine-my-first-reaction-its-a-snuff/"/>
    <updated>2011-10-26T18:56:56.000Z</updated>
    <id>https://mlarson.org/2011/10/26/blue-valentine-my-first-reaction-its-a-snuff/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_ltoslmqhpc1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Blue_Valentine_(film)&#34;&gt;Blue Valentine&lt;/a&gt;. My &lt;a href=&#34;https://twitter.com/#!/mlarson/status/129026937082494976&#34;&gt;first reaction&lt;/a&gt;: it’s a snuff film. My &lt;a href=&#34;https://twitter.com/#!/KatieELambert/status/129027645894705153&#34;&gt;second reaction&lt;/a&gt;: it’s not entertainment. Which is right and wrong. Tragedy isn’t fun, but it is appealing in that train-wreck-in-slow-motion kind of way. The shifting back and forth in time lets you see, in parallel, their courtship (including a falling-in-love montage I will lazily/accurately describe as “cloyingly indie”) and their crumbling. Nice to see signals of their growing union fall into place (e.g., She starts wearing his jacket. One tune played is later revealed to be “their song” from back in the day. Etc.). &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110105/REVIEWS/110109996&#34;&gt;Ebert observes wisely&lt;/a&gt;: “Dean thinks marriage is the station. Cindy thought it was the train.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man&#39;s Search for Meaning</title>
    <link href="https://mlarson.org/2011/10/21/mans-search-for-meaning/"/>
    <updated>2011-10-21T14:39:54.000Z</updated>
    <id>https://mlarson.org/2011/10/21/mans-search-for-meaning/</id>
    <content type="html">&lt;p&gt;I got curious about this one after seeing &lt;a href=&#34;http://tumblr.austinkleon.com/post/1097602358&#34;&gt;Austin’s post&lt;/a&gt;. Good read. Author &lt;a href=&#34;http://en.wikipedia.org/wiki/Viktor_Frankl&#34;&gt;Viktor Frankl&lt;/a&gt; says:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What was really needed was a fundamental change in our attitude toward life. We had to learn ourselves and furthermore, we had to teach the despairing men, that &lt;em&gt;it did not really matter what we expected from life, but rather what life expected from us&lt;/em&gt;. We needed to stop asking about the meaning of life, and instead to think of ourselves as those who were being questioned by life–daily and hourly. Our answer must consist, not in talk and meditation, but in right action and right conduct. Life ultimately means taking the responsibility to find the right answer to its problems and to fulfill the tasks which it constantly sets for each individual.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This reminds me of a favorite blog post I came across several years ago: &lt;a href=&#34;http://37signals.com/svn/posts/587-sunspots-the-futurist-edition&#34;&gt;You don’t need a plan, you need skills and a problem&lt;/a&gt; (&lt;a href=&#34;http://dushanwegner.com/2007/you-dont-need-a-plan-you-need-skills-and-a-problem/&#34;&gt;original blog now defunct?&lt;/a&gt;).&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Screw your plans. Work on your skills. Apply them to a problem that is biting you. Flush and repeat until people believe you had a plan.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love the sense of *action* that Frankl gets at. Meaning doesn’t happen to you or arrive through talk or navel-gazing, it’s something you do. You have to &lt;a href=&#34;http://tumblr.mlarson.org/tagged/scratching&#34;&gt;scratch around&lt;/a&gt; a bit. It’s part of a process, which itself is part of the fun, if you’re doing it right: &lt;a href=&#34;http://tumblr.mlarson.org/post/592570782/things-won-are-done-joys-soul-lies-in-the-doing&#34;&gt;Things won are done; joy’s soul lies in the doing&lt;/a&gt;. Doesn’t mean it’s easy. &lt;a href=&#34;http://ethosophical.tumblr.com/post/4578787104/opportunity-is-missed-by-most-people-because-it&#34;&gt;Opportunity comes dressed in overalls&lt;/a&gt;, as they say. You’ll have to spend some time &lt;a href=&#34;http://tumblr.mlarson.org/post/7216996108/the-better-part-of-my-work-on-media-is-actually&#34;&gt;groping, listening, testing, accepting, discarding&lt;/a&gt;. And if you’re doing it right, it won’t feel good a lot of time: &lt;a href=&#34;http://tumblr.mlarson.org/post/6980539093/you-can-tell-if-its-your-own-plan-by-how-lost-you&#34;&gt;you can tell if it’s your own plan by how lost you feel&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Doesn’t mean you have to be super-choosy (although &lt;a href=&#34;http://www.communicatrix.com/2010/07/family-friends-health-work-pick-three.html&#34;&gt;Family. Friends. Health. Work. Pick any three&lt;/a&gt; is helpful to keep in mind). Be careful what parts of yourself you give up on: “&lt;a href=&#34;http://tumblr.austinkleon.com/post/3487168803&#34;&gt;You can cut off a couple passions and only focus on one, but after a while, you’ll start to feel phantom limb pain&lt;/a&gt;.” And you have to keep in mind that, if you do ever succeed, having found your life’s purpose/calling/vocation/mission, it’s &lt;a href=&#34;http://tumblr.mlarson.org/post/5769526635/i-take-my-work-less-seriously-than-anybody-i&#34;&gt;not going to extend your life and not necessarily make you *happy*&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/876032835/you-have-to-reinvent-reasons-for-playing-and-one&#34;&gt;One year’s answer might not do for another&lt;/a&gt;. And by the way, “&lt;a href=&#34;http://tumblr.mlarson.org/post/7081502982/chris-rock-job-vs-career-via-damn-i-gotta&#34;&gt;Don’t let yo’ happiness make somebody sad!&lt;/a&gt;”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Man%27s_Search_for_Meaning&#34;&gt;Man&#39;s Search for Meaning&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mystic River</title>
    <link href="https://mlarson.org/2011/10/21/mystic-river-great-movie-dang-i-was-immediately/"/>
    <updated>2011-10-21T14:34:00.000Z</updated>
    <id>https://mlarson.org/2011/10/21/mystic-river-great-movie-dang-i-was-immediately/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_lte8hg53tf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mystic_River_%28film%29&#34;&gt;Mystic River&lt;/a&gt;. Great movie. Dang. I was immediately convinced this one would be worth it. On the surface it’s a whodunnit crime thriller kind of thing, but by the end it’s beside the point. It’s about hurt and healing, history and fate. My respect for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;Clint Eastwood&lt;/a&gt; grows with every film I watch. My overall impression is that he just seems to use his time really well, which is not a small compliment. I also realized during the movie that the score was recognizably Eastwoodian–I hadn’t known he wrote it before I started watching, but it’s definitely got his touch there, too. And I can’t not mention the kickass cast that kicks ass like you think they would: Penn, Robbins, Bacon, Fishburne, Linney. Good stuff. My updated rankings for Eastwood’s directing:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1003768775/unforgiven-this-is-a-very-very-good-movie&#34;&gt;Unforgiven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/827964597/gran-torino-weaknesses-up-front-theres-some&#34;&gt;Gran Torino&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Million_Dollar_Baby&#34;&gt;Million Dollar Baby&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Mystic River (or maybe one ranking higher, not sure)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/975408225/the-outlaw-josey-wales-i-wouldnt-call-this-a&#34;&gt;The Outlaw Josey Wales&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/10441529132/changeling-man-clint-eastwood-has-a-steady-hand&#34;&gt;Changeling&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1109867081/bird-a-pretty-good-eastwood-directed-biopic-about&#34;&gt;Bird&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/972193682/midnight-in-the-garden-of-good-and-evil-couldnt&#34;&gt;Midnight in the Garden of Good and Evil&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;I think I’ve seen more movies directed by Eastwood than anyone except for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;Hitchcock&lt;/a&gt; (also 9 movies) and Spielberg (20-something!). &lt;a href=&#34;http://tumblr.mlarson.org/tagged/busterkeaton&#34;&gt;Buster Keaton&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/timburton&#34;&gt;Tim Burton&lt;/a&gt; come in at 6 and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/martinscorsese&#34;&gt;Martin Scorsese&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/christophernolan&#34;&gt;Christopher Nolan&lt;/a&gt; at 5, if I’m remembering correctly. Can’t think of anyone else with more than 4 right now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 20, 2011</title>
    <link href="https://mlarson.org/2011/10/20/more-and-more-a-psychiatrist-is-approached-today/"/>
    <updated>2011-10-20T19:25:00.000Z</updated>
    <id>https://mlarson.org/2011/10/20/more-and-more-a-psychiatrist-is-approached-today/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;More and more, a psychiatrist is approached today by patients who confront him with human problems rather than neurotic symptoms. Some of the people who nowadays call on a psychiatrist would have seen a pastor, priest or rabbi in former days.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Man%27s_Search_for_Meaning&#34;&gt;Viktor Frankl&lt;/a&gt;. For better or worse, who knows?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 20, 2011</title>
    <link href="https://mlarson.org/2011/10/20/for-a-single-person-thinking-something-through/"/>
    <updated>2011-10-20T19:24:16.000Z</updated>
    <id>https://mlarson.org/2011/10/20/for-a-single-person-thinking-something-through/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;For a single person, thinking something through marks the end of the reasoning process; it becomes habit. But that gets the married (or life-partnered) person only halfway through at best.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/lifestyle/style/carolyn-hax-husband-invited-layout-brother-to-live-with-them/2011/10/04/gIQAKZSEvL_story.html&#34;&gt;Carolyn Hax&lt;/a&gt;. I used to read Hax all the time in the newspaper. Many thanks to &lt;a href=&#34;http://wehrintheworld.blogspot.com/&#34;&gt;Justin&lt;/a&gt; for reminding me that she’s still at it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Collateral</title>
    <link href="https://mlarson.org/2011/10/20/collateral-totally-forgot-mark-ruffalo-was-in/"/>
    <updated>2011-10-20T19:24:08.000Z</updated>
    <id>https://mlarson.org/2011/10/20/collateral-totally-forgot-mark-ruffalo-was-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_ltdpvuym5q1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Collateral_%28film%29&#34;&gt;Collateral&lt;/a&gt;. Totally forgot Mark Ruffalo was in this. Fun, but moreso in memory than the second time around. I should have left this one alone.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 17, 2011</title>
    <link href="https://mlarson.org/2011/10/17/im-a-big-believer-in-boredom-boredom-allows-one/"/>
    <updated>2011-10-17T17:05:00.000Z</updated>
    <id>https://mlarson.org/2011/10/17/im-a-big-believer-in-boredom-boredom-allows-one/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m a big believer in boredom. Boredom allows one to indulge in curiosity, and out of curiosity comes everything.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wired.com/epicenter/2011/10/jobs/all/1&#34;&gt;Steve Jobs&lt;/a&gt;. Sort of paraphrasing here.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2011</title>
    <link href="https://mlarson.org/2011/10/14/the-confidence-that-people-have-in-their-beliefs/"/>
    <updated>2011-10-14T17:33:00.000Z</updated>
    <id>https://mlarson.org/2011/10/14/the-confidence-that-people-have-in-their-beliefs/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The confidence that people have in their beliefs is not a measure of the quality of evidence, it is not a judgment of the quality of the evidence but it is a judgment of the coherence of the story that the mind has managed to construct.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://edge.org/conversation/the-marvels-and-flaws-of-intuitive-thinking&#34;&gt;Daniel Kahneman&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Misinformation in TV Drama Gains Credibility Over Time - Miller-McCune</title>
    <link href="https://mlarson.org/2011/10/14/misinformation-in-tv-drama-gains-credibility-over/"/>
    <updated>2011-10-14T17:29:00.000Z</updated>
    <id>https://mlarson.org/2011/10/14/misinformation-in-tv-drama-gains-credibility-over/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;New research finds we’re more likely to believe a piece of false information conveyed in a television drama after two weeks have passed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Okay yeah yeah yeah you can find any number of things “a recent study” will tell you. But I like this because it makes me think of &lt;a href=&#34;http://tedxmidatlantic.com/2009-video/#TylerCowen&#34;&gt;Tyler Cowen’s talk on being suspicious of stories&lt;/a&gt;, which I have listened to probably 6 or 7 times and will do so again starting… now. (&lt;a href=&#34;http://www.artsjournal.com/artsjournal1/2011/10/want_people_to.shtml&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.miller-mccune.com/culture/misinformation-in-tv-drama-can-gain-credibility-36845/&#34;&gt;Misinformation in TV Drama Gains Credibility Over Time - Miller-McCune&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Overcoming Bias : ‘Never Settle’ Is A Brag</title>
    <link href="https://mlarson.org/2011/10/14/overcoming-bias-never-settle-is-a-brag/"/>
    <updated>2011-10-14T14:06:00.000Z</updated>
    <id>https://mlarson.org/2011/10/14/overcoming-bias-never-settle-is-a-brag/</id>
    <content type="html">&lt;p&gt;Robin Hanson on Steve Jobs’ commencement speech:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Now notice: doing what you love, and never settling until you find it, is a costly signal of your career prospects. Since following this advice tends to go better for really capable people, they pay a smaller price for following it. So endorsing this strategy in a way that makes you more likely to follow it is a way to signal your status.&lt;/p&gt;
&lt;p&gt;It sure feels good to tell people that you think it is important to “do what you love”; and doing so signals your status. You are in effect bragging. Don’t you think there might be some relation between these two facts?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/business/archive/2011/10/follow-your-bliss-sort-of/246350/&#34;&gt;Megan McArdle’s follow-up&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The problem is, the people who give these sorts of speeches are the outliers: the folks who have made a name for themselves in some very challenging, competitive, and high-status field. No one ever brings in the regional sales manager for a medical supplies firm to say, “Yeah, I didn’t get to be CEO. But I wake up happy most mornings, my kids are great, and my golf game gets better every year.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;She continues, talking about talking about her own awesome job with aspiring young folk:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Usually, what I tell them next is that it’s not a tragedy if they don’t do what they thought they wanted to do at 22; that they have more time than they think to figure out “what they want to do with the rest of their lives”; and that the world outside of school and words is more interesting than they probably suspect.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Similarly, &lt;a href=&#34;http://bigthink.com/ideas/40539&#34;&gt;Will Wilkinson on commencement advice&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Find what you love and never settle for less” is an excellent recipe for frustration and poverty. “Reconcile yourself to the limits of your talent and temperament and find the most satisfactory compromise between what you love to do and what you need to do to feed your children” is rather less stirring, but it’s much better advice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.overcomingbias.com/2011/10/never-settle-is-a-brag.html&#34;&gt;Overcoming Bias : ‘Never Settle’ Is A Brag&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Look what I made: a tray</title>
    <link href="https://mlarson.org/2011/10/13/20111013look-what-i-made-a-tray/"/>
    <updated>2011-10-13T16:22:01.000Z</updated>
    <id>https://mlarson.org/2011/10/13/20111013look-what-i-made-a-tray/</id>
    <content type="html">&lt;p&gt;I like to have a place for everything. &lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173294435/&#34; title=&#34;I made a tray by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6155/6173294435_848fa028e0.jpg&#34; alt=&#34;I made a tray&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I have a drawer in my nightstand for all my day-to-day stuff, but it still didn&#39;t feel together enough.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173294241/&#34; title=&#34;I made a tray by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6173/6173294241_7286df8f5d.jpg&#34; alt=&#34;I made a tray&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;A light went off in my head when I saw these leather trays from &lt;a href=&#34;http://www.artintheage.com/store/default/home/valet-tray.html&#34;&gt;JW Hulme&lt;/a&gt; and &lt;a href=&#34;http://www.aspinaloflondon.com/eshop-catalogue/mens-collection/cufflink-and-dressing-cases/tidy-trays/mini-tidy-tray&#34;&gt;Aspinal&lt;/a&gt;. This was actually the whole reason I started messing around with leatherworking in the first place.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173821566/&#34; title=&#34;I made a tray by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6164/6173821566_ed235e3909.jpg&#34; alt=&#34;I made a tray&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Turns out, besides being convenient in my actual house, this is *exactly* what I never knew I always wanted when I settle into a strange hotel room. I hate having my stuff scattered about the room. Everything centralized, mind at rest. Snaps let it pack flat.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173294369/&#34; title=&#34;I made a tray by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6151/6173294369_82840a7475.jpg&#34; alt=&#34;I made a tray&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I didn&#39;t know how to set snaps when I started, but a few minutes of obnoxious late-night hammering and cursing had me on my way. I also didn&#39;t know how to sew leather at the time, so this one remains unlined.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173821506/&#34; title=&#34;I made a tray by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6151/6173821506_7f89fdcd03.jpg&#34; alt=&#34;I made a tray&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;By the way, I still can&#39;t sew leather very well at all. Evidence forthcoming.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2011</title>
    <link href="https://mlarson.org/2011/10/12/a-mans-suffering-is-similar-to-the-behavior-of/"/>
    <updated>2011-10-12T17:59:12.000Z</updated>
    <id>https://mlarson.org/2011/10/12/a-mans-suffering-is-similar-to-the-behavior-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Man%27s_Search_for_Meaning&#34;&gt;Viktor Frankl&lt;/a&gt;. Remembered this while I was sick the past few days.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 11, 2011</title>
    <link href="https://mlarson.org/2011/10/11/those-who-decry-statistics-are-often-the-first-to/"/>
    <updated>2011-10-11T21:31:54.000Z</updated>
    <id>https://mlarson.org/2011/10/11/those-who-decry-statistics-are-often-the-first-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Those who decry statistics are often the first to cite a statistic with a sample size of exactly one.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/articles/sports/sports_nut/features/2011/nfl_2011/week-5/dear_nfl_coaches_if_you_re_on_the_37_yard_line_go_for_it.html&#34;&gt;Dear NFL coaches: If you’re on the 37-yard line, go for it. - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Code Duello: Rules of Dueling</title>
    <link href="https://mlarson.org/2011/10/11/the-code-duello-rules-of-dueling/"/>
    <updated>2011-10-11T21:30:36.000Z</updated>
    <id>https://mlarson.org/2011/10/11/the-code-duello-rules-of-dueling/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The Code Duello, covering the practice of dueling and points of honor, was drawn up and settled at Clonmel Summer Assizes, 1777, by gentlemen-delegates of Tipperary, Galway, Sligo, Mayo and Roscommon, and prescribed for general adoption throughout Ireland. The Code was generally also followed in England and on the Continent with some slight variations. In America, the principal rules were followed, although occasionally there were some glaring deviations.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Rule 15. Challenges are never to be delivered at night, unless the party to be challenged intend leaving the place of offense before morning; for it is desirable to avoid all hot-headed proceedings.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.pbs.org/wgbh/amex/duel/sfeature/rulesofdueling.html&#34;&gt;The Code Duello: Rules of Dueling&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Atanarjuat (The Fast Runner)</title>
    <link href="https://mlarson.org/2011/10/11/atanarjuat-the-fast-runner-one-of-my-least/"/>
    <updated>2011-10-11T21:30:00.000Z</updated>
    <id>https://mlarson.org/2011/10/11/atanarjuat-the-fast-runner-one-of-my-least/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_lswyyicrnk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Atanarjuat&#34;&gt;Atanarjuat (The Fast Runner)&lt;/a&gt;. One of my least favorite movies in recent memory. Most interesting as a glimpse into the life of &lt;a href=&#34;http://en.wikipedia.org/wiki/Aboriginal_peoples_in_Northern_Canada&#34;&gt;aboriginal peoples in Northern Canada&lt;/a&gt;. I would be so unhappy there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Drive</title>
    <link href="https://mlarson.org/2011/10/06/drive-i-liked-it-about-as-much-as-i-liked-the/"/>
    <updated>2011-10-06T16:10:00.000Z</updated>
    <id>https://mlarson.org/2011/10/06/drive-i-liked-it-about-as-much-as-i-liked-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_lsnjipkn0d1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Drive_%282011_film%29&#34;&gt;Drive&lt;/a&gt;. I liked it about as much as I liked the book, which is to say it’s a damn fine way to pass a couple hours. Excellent opening scene, then putters just slightly. Much slower, quieter than I expected but the supporting cast keeps it alive. It’s like a lot of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/filmnoir&#34;&gt;film noir&lt;/a&gt; in that way – much of the movie’s momentum is from the hero cornered, reacting to other people’s plans. Interpretive tip: it’s not about driving cars. Good soundtrack. The movie wouldn’t be the same (wouldn’t be possible?) without it. Gosling’s role makes me think of Eastwood’s roles as the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/dollarstrilogy&#34;&gt;Man With No Name&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Unforgiven&#34;&gt;William Munny&lt;/a&gt;, and Delon’s in &lt;a href=&#34;http://tumblr.mlarson.org/post/2050310352/le-samourai-when-i-came-across-this-i-was&#34;&gt;Le Samouraï&lt;/a&gt; and a little bit of Clooney’s in &lt;a href=&#34;http://en.wikipedia.org/wiki/The_American_(2010_film)&#34;&gt;The American&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2011</title>
    <link href="https://mlarson.org/2011/10/04/well-weve-had-a-good-time-tonight-considering/"/>
    <updated>2011-10-04T16:43:09.000Z</updated>
    <id>https://mlarson.org/2011/10/04/well-weve-had-a-good-time-tonight-considering/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Well, we’ve had a good time tonight, considering we’re all going to die someday.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=NqBNe1RIDHsC&amp;amp;q=we%27re+all+going+to+die+some+day#v=snippet&amp;amp;q=we%27re%20all%20going%20to%20die%20some%20day&amp;amp;f=false&#34;&gt;Steve Martin&lt;/a&gt;, closing out a night of stand-up. (&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/10/ultimate-compatibility-criterion-are-we.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hiroshima mon amour</title>
    <link href="https://mlarson.org/2011/10/04/hiroshima-mon-amour-dnf-just-couldnt-hang-with/"/>
    <updated>2011-10-04T13:39:51.000Z</updated>
    <id>https://mlarson.org/2011/10/04/hiroshima-mon-amour-dnf-just-couldnt-hang-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/10/tumblr_lsjn9jqvoq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Hiroshima_mon_amour&#34;&gt;Hiroshima mon amour&lt;/a&gt;. DNF. Just couldn’t hang with this one. I don’t know if it would have been easier to watch if I’d known more or less about its impact on the film world (see: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/frenchnewwave&#34;&gt;French New Wave&lt;/a&gt;). Might try this one again another day. &lt;a href=&#34;http://www.criterion.com/films/217&#34;&gt;Criterion essay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2011</title>
    <link href="https://mlarson.org/2011/09/29/in-the-past-nothing-is-irretrievably-lost-but/"/>
    <updated>2011-09-29T16:34:48.000Z</updated>
    <id>https://mlarson.org/2011/09/29/in-the-past-nothing-is-irretrievably-lost-but/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In the past, nothing is irretrievably lost but everything is irrevocably stored.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Man%27s_Search_for_Meaning&#34;&gt;Viktor Frankl&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2011</title>
    <link href="https://mlarson.org/2011/09/29/flannery-oconnors-androgynous-prayer-from-the/"/>
    <updated>2011-09-29T16:34:18.000Z</updated>
    <id>https://mlarson.org/2011/09/29/flannery-oconnors-androgynous-prayer-from-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lsaelgttzw1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1450830422/&#34;&gt;Flannery O&#39;Connor’s Androgynous Prayer&lt;/a&gt; from the &lt;a href=&#34;http://marbl.library.emory.edu/collection-overview/featured-collections/flannery-oconnor-collections&#34;&gt;Emory University collection&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Oh universe which is the all of being–reverence to you–your rule be known–and acceded to in darkness as in light. Feed us by the truth of our need. Let us not be deluded that we may transgress or be transgressed upon. Deliver us from the violence of the false. Amen.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I was reminded of this when I read a &lt;a href=&#34;http://www.time.com/time/magazine/article/0,9171,799814,00.html&#34;&gt;1949 &lt;em&gt;Time&lt;/em&gt; article&lt;/a&gt; about &lt;a href=&#34;http://en.wikipedia.org/wiki/Death_Be_Not_Proud&#34;&gt;Death Be Not Proud&lt;/a&gt;. The author’s dying son comes up with an “Unbeliever’s Prayer”:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Almighty God forgive me for my agnosticism; For I shall try to keep it gentle, not cynical, nor a bad influence. And O! if Thou art truly in the heavens, accept my gratitude for all Thy gifts and I shall try to fight the good fight. Amen.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Alien</title>
    <link href="https://mlarson.org/2011/09/28/alien-this-one-has-not-aged-a-bit-fantasic/"/>
    <updated>2011-09-28T14:24:00.000Z</updated>
    <id>https://mlarson.org/2011/09/28/alien-this-one-has-not-aged-a-bit-fantasic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_ls8l8noxyc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Alien_(film)&#34;&gt;Alien&lt;/a&gt;. This one has not aged a bit. Fantasic slow-burning horror. So smart. Also, Sigourney Weaver… dang. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20031026/REVIEWS08/310260301/1023&#34;&gt;Ebert’s appreciation&lt;/a&gt; makes a good point about the cast I hadn’t considered: they’re all 30-ish and older. A younger cast would totally change the feel. See also: &lt;a href=&#34;http://tumblr.mlarson.org/post/2715828610/benlansky-on-den-of-geek-an-overview-of&#34;&gt;In praise of the sci-fi corridor&lt;/a&gt;. I’ve been keeping track of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;all the movies I watch&lt;/a&gt; for over two years now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2011</title>
    <link href="https://mlarson.org/2011/09/26/igor-stravinsky-bowing-down-to-kiss-his-wife-vera/"/>
    <updated>2011-09-26T21:54:36.000Z</updated>
    <id>https://mlarson.org/2011/09/26/igor-stravinsky-bowing-down-to-kiss-his-wife-vera/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_ls5dt1s4ab1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://images.google.com/hosted/life/l?imgurl=c195c33263b5205c&#34;&gt;Igor Stravinsky bowing down to kiss his wife&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Vera_de_Bosset&#34;&gt;Vera de Bosset&lt;/a&gt;. Hollywood, 1947. Photo by &lt;a href=&#34;http://en.wikipedia.org/wiki/Loomis_Dean&#34;&gt;Loomis Dean&lt;/a&gt; for &lt;em&gt;Life Magazine&lt;/em&gt;. I should really have more stuff with a &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stravinsky&#34;&gt;Stravinsky tag&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2011</title>
    <link href="https://mlarson.org/2011/09/26/the-dozens-a-history-of-raps-mama-by-elijah/"/>
    <updated>2011-09-26T15:42:00.000Z</updated>
    <id>https://mlarson.org/2011/09/26/the-dozens-a-history-of-raps-mama-by-elijah/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_ls4yzrfjef1qzcye0o1_250.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.elijahwald.com/dozens.html&#34;&gt;The Dozens: A History of Rap’s Mama, by Elijah Wald&lt;/a&gt;. This looks promising. &lt;a href=&#34;http://www.amazon.com/How-Beatles-Destroyed-Rock-Roll/dp/0195341546&#34;&gt;How the Beatles Destroyed Rock ‘n’ Roll&lt;/a&gt; was really strong. (&lt;a href=&#34;https://twitter.com/#!/dusttodigital/status/118335577782370304&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://dust-digital.com/&#34;&gt;Dust to Digital&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In which teenage Ben Franklin improves his writing by imitation</title>
    <link href="https://mlarson.org/2011/09/26/in-which-teenage-ben-franklin-improves-his-writing/"/>
    <updated>2011-09-26T14:58:05.000Z</updated>
    <id>https://mlarson.org/2011/09/26/in-which-teenage-ben-franklin-improves-his-writing/</id>
    <content type="html">&lt;p&gt;When I was reading this &lt;a href=&#34;http://www.thenewatlantis.com/publications/the-science-of-self-help&#34;&gt;New Atlantis article on self-help&lt;/a&gt;, I found mention of Ben Franklin’s ingenious plan for becoming a better writer: imitation, summary, repeated practice. He set up lessons for himself, varying ways of copying from &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Spectator_%281711%29&#34;&gt;The Spectator&lt;/a&gt;…&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;One method was picking an essay, summarizing every sentence with a brief “hint”, setting those summaries aside for a while, and then trying to recreate the essays from his own notes. Then he’d compare to the original and see where he came up short.&lt;/li&gt;
&lt;li&gt;Sometimes he’d put these hints on separate sheets, jumble them all up, and set them aside for a few weeks. Then he’d try to re-order them and re-write the essay, and compare his with the original.&lt;/li&gt;
&lt;li&gt;To work on his vocabulary, he transformed the prose stories into poetry, waited a while so the memory was no longer fresh, and then turned them back into prose again.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Dang. Who has time for all that? Basically everyone with discipline: “My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship…”&lt;/p&gt;
&lt;p&gt;He did this while still a teenager working at the printing shop. Here’s how &lt;a href=&#34;http://www.earlyamerica.com/lives/franklin/chapt1/&#34;&gt;Franklin tells it in his autobiography&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My father happened to find my [letters] and read them. Without entering into the discussion, he took occasion to talk to me about the manner of my writing; observed that, though I had the advantage of my antagonist in correct spelling and pointing (which I ow’d to the printing-house), I fell far short in elegance of expression, in method and in perspicuity, of which he convinced me by several instances. I saw the justice of his remark, and thence grew more attentive to the manner in writing, and determined to endeavor at improvement.&lt;/p&gt;
&lt;p&gt;About this time I met with an odd volume of the &lt;em&gt;Spectator&lt;/em&gt;. It was the third. I had never before seen any of them. I bought it, read it over and over, and was much delighted with it. I thought the writing excellent, and wished, if possible, to imitate it. With this view I took some of the papers, and, making short hints of the sentiment in each sentence, laid them by a few days, and then, without looking at the book, try’d to compleat the papers again, by expressing each hinted sentiment at length, and as fully as it had been expressed before, in any suitable words that should come to hand. Then I compared my &lt;em&gt;Spectator&lt;/em&gt; with the original, discovered some of my faults, and corrected them. But I found I wanted a stock of words, or a readiness in recollecting and using them, which I thought I should have acquired before that time if I had gone on making verses; since the continual occasion for words of the same import, but of different length, to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore I took some of the tales and turned them into verse; and, after a time, when I had pretty well forgotten the prose, turned them back again. I also sometimes jumbled my collections of hints into confusion, and after some weeks endeavored to reduce them into the best order, before I began to form the full sentences and compleat the paper. This was to teach me method in the arrangement of thoughts. By comparing my work afterwards with the original, I discovered many faults and amended them; but I sometimes had the pleasure of fancying that, in certain particulars of small import, I had been lucky enough to improve the method or the language, and this encouraged me to think I might possibly in time come to be a tolerable English writer, of which I was extremely ambitious. My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship which my father used to exact on me when I was under his care, and which indeed I still thought a duty, though I could not, as it seemed to me, afford time to practise it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;What a &lt;a href=&#34;http://en.wikipedia.org/wiki/Benjamin_Franklin&#34;&gt;badass&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Atlantis » History as Wall Art</title>
    <link href="https://mlarson.org/2011/09/24/the-new-atlantis-history-as-wall-art/"/>
    <updated>2011-09-24T19:54:00.000Z</updated>
    <id>https://mlarson.org/2011/09/24/the-new-atlantis-history-as-wall-art/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Excerpt from the &lt;a href=&#34;http://en.wikipedia.org/wiki/Annales_Alamannici&#34;&gt;Annals of St. Gall&lt;/a&gt;, a yearly chronicle from an early-medieval Frankish monastery:&lt;/p&gt;
&lt;p&gt;709. Hard winter. Duke Gottfried died.&lt;br&gt;
710. Hard year and deficient in crops.&lt;br&gt;
711.&lt;br&gt;
712. Flood everywhere.&lt;br&gt;
713.&lt;br&gt;
714. Pippin, mayor of the palace, died.&lt;br&gt;
715.&lt;br&gt;
716.&lt;br&gt;
717.&lt;br&gt;
718. Charles devastated the Saxon with great destruction.&lt;br&gt;
719.&lt;br&gt;
720. Charles fought against the Saxons.&lt;br&gt;
721. Theudo drove the Saracens out of Aquitaine.&lt;br&gt;
722. Great crops.&lt;br&gt;
723.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thenewatlantis.com/publications/history-as-wall-art&#34;&gt;The New Atlantis » History as Wall Art&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ivan&#39;s Childhood</title>
    <link href="https://mlarson.org/2011/09/24/ива-ново-де-тство-ivans-childhood-this-was-my/"/>
    <updated>2011-09-24T19:50:08.000Z</updated>
    <id>https://mlarson.org/2011/09/24/ива-ново-де-тство-ivans-childhood-this-was-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_ls158ygs7j1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Ivan%27s_Childhood&#34;&gt;Ива́ново де́тство (Ivan’s Childhood)&lt;/a&gt;. This was my second &lt;a href=&#34;http://tumblr.mlarson.org/tagged/tarkovsky&#34;&gt;Tarkovsky&lt;/a&gt;–&lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;Solaris&lt;/a&gt; was amazing. This one is impressive, especially for his first film. It’s told non-linearly with occasional flashbacks, memories, dreams, and voiceovers creeping in. Ivan is a child orphan who, when we meet him, is doing recon/intelligence for the Soviets during World War II. This movie has a similar gritty take on the war that you find in &lt;a href=&#34;http://tumblr.mlarson.org/post/425501937/the-cranes-are-flying-heres-a-good-criterion&#34;&gt;The Cranes Are Flying&lt;/a&gt;. It’s less rhapsodic, but the black and white photography is just as ridiculously good. My favorites are the haunting nighttime scenes along the riverbanks and swamps, and the scenes in those &lt;a href=&#34;http://www.google.com/search?q=russian+birch+forest&amp;amp;tbm=isch&#34;&gt;Russian birch forests&lt;/a&gt; that are just impossible to make look bad. &lt;a href=&#34;http://www.criterion.com/current/posts/589-ivans-childhood-dream-come-true&#34;&gt;Criterion essay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2011</title>
    <link href="https://mlarson.org/2011/09/24/scientists-use-brain-imaging-to-reveal-the-movies/"/>
    <updated>2011-09-24T00:56:08.000Z</updated>
    <id>https://mlarson.org/2011/09/24/scientists-use-brain-imaging-to-reveal-the-movies/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrzdn0nwbc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://newscenter.berkeley.edu/2011/09/22/brain-movies/&#34;&gt;Scientists use brain imaging to reveal the movies in our mind&lt;/a&gt;. &lt;a href=&#34;https://sites.google.com/site/gallantlabucb/publications/nishimoto-et-al-2011&#34;&gt;Reconstructing visual experiences from brain activity evoked by natural movies&lt;/a&gt;. Woah. (&lt;a href=&#34;http://funkaoshi.com/linklog/link-13766&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://www.metafilter.com/107707/I-know-what-youre-thinking&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2011</title>
    <link href="https://mlarson.org/2011/09/24/if-you-dont-take-money-they-cant-tell-you-what/"/>
    <updated>2011-09-24T00:55:16.000Z</updated>
    <id>https://mlarson.org/2011/09/24/if-you-dont-take-money-they-cant-tell-you-what/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you don’t take money, they can’t tell you what to do. That’s the key to the whole thing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gelatobaby.com/2011/06/15/street-photography/&#34;&gt;Bill Cunningham&lt;/a&gt; &lt;a href=&#34;http://twitter.com/#!/mattthomas/status/109657289329352704&#34;&gt;(via)&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/post/1530962135/if-you-are-dependent-on-borrowed-money-you-have&#34;&gt;Warren Buffett agrees&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2011</title>
    <link href="https://mlarson.org/2011/09/23/im-not-terribly-interested-in-whether-real/"/>
    <updated>2011-09-23T14:17:00.000Z</updated>
    <id>https://mlarson.org/2011/09/23/im-not-terribly-interested-in-whether-real/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m not terribly interested in whether real, brain-chemically-defined Asperger’s is over- or underdiagnosed, or whether it exists at all except as a metaphor. I’m interested in how vital the description feels lately. Is there any chance the Aspergerian retreat from affective risk, in favor of the role of alienated scientist-observer, might be an increasingly “popular” coping stance in a world where corporations, machines, and products flourish within their own ungovernable systems?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2011/10/0083616&#34;&gt;Jonathan Lethem&lt;/a&gt;. Makes me think of &lt;a href=&#34;http://www.mlarson.org/2011/07/26/the-age-of-the-infovore-review/&#34;&gt;The Age of the Infovore&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When jazz cats cover classical</title>
    <link href="https://mlarson.org/2011/09/22/20110922when-jazz-cats-cover-classical/"/>
    <updated>2011-09-22T21:36:23.000Z</updated>
    <id>https://mlarson.org/2011/09/22/20110922when-jazz-cats-cover-classical/</id>
    <content type="html">&lt;p&gt;I got to wondering the other day, what&#39;s the best-ever jazz cover of a tune from classical music? Seems strange that &lt;a href=&#34;http://en.wikipedia.org/wiki/Prelude,_Fugue,_and_Riffs&#34;&gt;jazz&lt;/a&gt;-&lt;a href=&#34;http://en.wikipedia.org/wiki/An_American_in_Paris&#34;&gt;influenced&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rhapsody_in_Blue&#34;&gt;classical&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Clarinet_Concerto_(Copland)&#34;&gt;stuff&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Piano_Concerto_(Ravel)&#34;&gt;seems&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Ebony_Concerto_(Stravinsky)&#34;&gt;so&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Concerto_for_Piano_and_Wind_Instruments_%28Stravinsky%29&#34;&gt;much&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Threepenny_Opera&#34;&gt;better&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/La_cr%C3%A9ation_du_monde&#34;&gt;known&lt;/a&gt; than the reverse. Is there a jazz-community stigma from drawing on the old white stuff? A classical tendency to canonize? More marginalized musicians? A comparatively higher level of general quality in in-house jazz than in-house classical? Maybe I&#39;m just more ignorant? In any case, the question came up when I was listening for the millionth time to what is my nominee for #1, Thelonius Monk, John Coltrane &amp;amp; Co.&#39;s cover of &lt;a href=&#34;http://en.wikipedia.org/wiki/Abide_with_Me&#34;&gt;Abide with Me&lt;/a&gt;. Take a great tune by &lt;a href=&#34;http://en.wikipedia.org/wiki/William_Henry_Monk&#34;&gt;William Henry Monk&lt;/a&gt; (no relation?) and add some breathy woodwinds. What a beautiful piece of music.&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/ZWU9Fqnpk44&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f58/1316725041000/Abide_with_Me_Sheet_Music.gif?format=original&#34; alt=&#34;&amp;quot;Abide with Me&amp;quot; sheet music&#34; title=&#34;&amp;quot;Abide with Me&amp;quot; sheet music&#34;&gt;&lt;/p&gt;
&lt;p&gt;You&#39;d have to try pretty hard to mess that one up. Another bulletproof melody comes from &lt;a href=&#34;http://en.wikipedia.org/wiki/Joaqu%C3%ADn_Rodrigo&#34;&gt;Joaquín Rodrigo&lt;/a&gt;&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Concierto_de_Aranjuez&#34;&gt;Concierto de Aranjuez&lt;/a&gt;, which I think is probably better known in Miles Davis form:&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/lVZq9Lk2hYQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Another strong contender for 2nd place is Duke Ellington&#39;s twist on Tchaikovsky&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Nutcracker#Concert_excerpts_and_arrangements&#34;&gt;Nutcracker Suite&lt;/a&gt;:&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/xslI86VqX78&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Also, the man has charisma coming out of his ears:&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/93W1Cgy9e9A&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Beyond those, I didn&#39;t know any really outstanding ones. &lt;a href=&#34;http://www.youtube.com/watch?v=NZ2KDYH0qnA&#34;&gt;Bill Evans&#39; version&lt;/a&gt; of Fauré&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Pavane_%28Faur%C3%A9%29&#34;&gt;Pavane&lt;/a&gt; seems a little safe and boring until you get to the improv. At least he avoids the heavy, trodding, sappiness that a lot of classical recordings seem to embrace. &lt;a href=&#34;http://www.youtube.com/watch?v=V-f-sM9NOd4&#34;&gt;Wayne Shorter&#39;s take&lt;/a&gt; on Sibelius&#39; &lt;a href=&#34;http://en.wikipedia.org/wiki/Valse_triste_%28Sibelius%29&#34;&gt;Valse Triste&lt;/a&gt; is lively. &lt;a href=&#34;http://www.youtube.com/watch?v=p4JIx1EK8m4&#34;&gt;Glenn Miller&#39;s riff&lt;/a&gt; on Verdi&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Anvil_Chorus&#34;&gt;Anvil Chorus&lt;/a&gt; ranks above the &lt;a href=&#34;http://www.youtube.com/watch?v=FvEiC3cRakU&#34;&gt;Woody Herman recording&lt;/a&gt; of Khachaturian&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Sabre_Dance&#34;&gt;Sabre Dance&lt;/a&gt;, but both are a little too... swing-y? Big band-y? for my tastes. I don&#39;t expect anything different from those guys, but I&#39;ve always struggled with the big band stuff. Although maybe that&#39;s &lt;a href=&#34;http://tumblr.mlarson.org/post/166880512/reading-through-the-histories-of-both-jazz-and&#34;&gt;because I&#39;m not dancing&lt;/a&gt;. I wonder what else I&#39;m missing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Look what I made: a wallet</title>
    <link href="https://mlarson.org/2011/09/22/20110922look-what-i-made-a-wallet/"/>
    <updated>2011-09-22T20:33:20.000Z</updated>
    <id>https://mlarson.org/2011/09/22/20110922look-what-i-made-a-wallet/</id>
    <content type="html">&lt;p&gt;I love this thing. &lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173293983/&#34; title=&#34;I made a wallet by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6158/6173293983_6cfa370506.jpg&#34; alt=&#34;I made a wallet&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Rollin&#39; flush with my single dollar bill. That&#39;s just how I do.&lt;/p&gt;
&lt;p&gt;I stole the idea after stumbling across &lt;a href=&#34;http://leffot.com/2010/08/30/the-fold/&#34;&gt;Leffot&#39;s Fold wallet&lt;/a&gt; when I was trying to find some &lt;a href=&#34;http://leffot.com/&#34;&gt;shoe porn&lt;/a&gt;. Mine isn&#39;t nearly as nice as theirs. On the other hand, it didn&#39;t cost $100, so I&#39;ll call it a draw. I also got the satisfaction of a job-kinda-well-ish done. I made a quick paper prototype and then went to cuttin&#39;. Part of the fun of doing a quick sloppy draft is that often times the quick sloppy draft is surprisingly good enough.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173821428/&#34; title=&#34;I made a wallet by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6159/6173821428_5958dc4e08.jpg&#34; alt=&#34;I made a wallet&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Like &lt;a href=&#34;http://leffot.com/2011/08/23/the-fold-reload/&#34;&gt;they say&lt;/a&gt;, &amp;quot;Simplicity is the ultimate sophistication&amp;quot;. I loved the stripped-down feel. I will spare you the #lifehack #diy #dailycarry #tips about how I use it. You&#39;re welcome.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/6173293937/&#34; title=&#34;I made a wallet by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm7.static.flickr.com/6167/6173293937_3055c21166.jpg&#34; alt=&#34;I made a wallet&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The point is, this thing is awesome. Now that I&#39;ve tested and loved the concept, I&#39;m considering making myself an upgrade with nicer leather and non-crooked cuts. And there&#39;s also the expected satisfaction that comes with generally trying harder---not to be underestimated.&lt;/p&gt;
&lt;p&gt;Alas, the ascendancy of this wallet means that my previous favorite, the &lt;a href=&#34;http://www.backpackinglight.com/cgi-bin/backpackinglight/litefold_xp_ultralight_wallet.html&#34;&gt;Backpacking Light/Simblissity collaboration, the LiteFOLD XP&lt;/a&gt;, is now retired. After 6 or 7 years of hiking and, um, sitting on my ass, the old wallet was showing its age. I still highly recommend &lt;a href=&#34;http://www.simblissity.net/litefold_productpage.htm&#34;&gt;Simblissity&lt;/a&gt; and will probably pick up another one for multi-day outdoorsy use. My fold is the new king.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Leveling the field: What I learned from for-profit education—By Christopher R. Beha (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2011/09/22/leveling-the-field-what-i-learned-from-for-profit/"/>
    <updated>2011-09-22T18:39:17.000Z</updated>
    <id>https://mlarson.org/2011/09/22/leveling-the-field-what-i-learned-from-for-profit/</id>
    <content type="html">&lt;p&gt;This is a fascinating funny/sad inside look at for-profit education. [$]&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The first chapter of our textbook, &lt;em&gt;Your College Experience&lt;/em&gt;, was entitled “Exploring Your Purpose for Attending College,” and that’s where we would begin. It seemed strange to me that a credit-bearing college course should be dedicated to telling students why they should go to college, but the entire first-year sequence turns out to be an almost surreal riff on the socialization process of higher education, where secondary characteristics of college graduates become the actual subjects of the courses.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2011/10/0083639&#34;&gt;Leveling the field: What I learned from for-profit education—By Christopher R. Beha (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2011</title>
    <link href="https://mlarson.org/2011/09/22/people-have-not-yet-learned-that-every-work-of-art/"/>
    <updated>2011-09-22T18:26:13.000Z</updated>
    <id>https://mlarson.org/2011/09/22/people-have-not-yet-learned-that-every-work-of-art/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People have not yet learned that every work of art is a game played out at the worktable. Nothing is more harmful to creativity than the passion of inspiration. It’s the fable of bad romantics that fascinates bad poets and bad narrators. Art is a serious matter. Manzoni and Flaubert, Balzac and Stendhal wrote at the worktable. That means to construct, like an architect plans a building. Yet we prefer to believe that a novelist invents because he has a genius whispering into his ear.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.themodernword.com/eco/eco_stewart_01.html&#34;&gt;Umberto Eco&lt;/a&gt;. I’ve collected some other good &lt;a href=&#34;http://tumblr.mlarson.org/tagged/umbertoeco&#34;&gt;Umberto Eco quotes&lt;/a&gt;, but never read any of his works. Open to suggestions…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2011</title>
    <link href="https://mlarson.org/2011/09/22/champ-harmonique-harmonic-fields-i-love-sound/"/>
    <updated>2011-09-22T18:25:00.000Z</updated>
    <id>https://mlarson.org/2011/09/22/champ-harmonique-harmonic-fields-i-love-sound/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/FcoaPlx5ML8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=FcoaPlx5ML8&#34;&gt;Champ harmonique / Harmonic fields&lt;/a&gt;. I love &lt;a href=&#34;http://en.wikipedia.org/wiki/Sound_sculpture&#34;&gt;sound sculptures&lt;/a&gt;! (When I discovered &lt;a href=&#34;http://www.swanfungus.com/2008/02/the-wind-harp-song-from-the-hill.html&#34;&gt;The Song from the Hill&lt;/a&gt;, it became one of &lt;a href=&#34;http://www.mlarson.org/2009/12/21/favorite-albums-of-2009/&#34;&gt;my favorite albums that year&lt;/a&gt;.) Via the always-satisfying &lt;a href=&#34;http://bldgblog.blogspot.com/2011/09/on-beach.html&#34;&gt;BLDGBLOG&lt;/a&gt;. More &lt;a href=&#34;http://www.guardian.co.uk/music/2011/jun/02/harmonic-fields-pierre-sauvageot&#34;&gt;in the Guardian&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Discourses by Epictetus, Book One - The Internet Classics Archive</title>
    <link href="https://mlarson.org/2011/09/22/the-discourses-by-epictetus-book-one-the/"/>
    <updated>2011-09-22T14:22:08.000Z</updated>
    <id>https://mlarson.org/2011/09/22/the-discourses-by-epictetus-book-one-the/</id>
    <content type="html">&lt;p&gt;The latest in my journey through &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stoicism&#34;&gt;stoicism&lt;/a&gt;. Last night while reading this I realized I was reading ideas from 2000 years ago on an iPad. Mind blown.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Bear and endure. Have you not received faculties by which you will be able to bear all that happens? Have you not received greatness of soul? Have you not received manliness? Have you not received endurance? And why do I trouble myself about anything that can happen if I possess greatness of soul? What shall distract my mind or disturb me, or appear painful? Shall I not use the power for the purposes for which I received it, and shall I grieve and lament over what happens?&lt;/p&gt;
&lt;p&gt;“Yes, but my nose runs.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.mit.edu/Epictetus/discourses.1.one.html&#34;&gt;The Discourses by Epictetus, Book One - The Internet Classics Archive&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Movies saved my life: A young New Yorker meets foreigners in film—By Tom Engelhardt (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2011/09/22/movies-saved-my-life-a-young-new-yorker-meets/"/>
    <updated>2011-09-22T14:12:21.000Z</updated>
    <id>https://mlarson.org/2011/09/22/movies-saved-my-life-a-young-new-yorker-meets/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Unlike most of my peers in the 1950s and early 1960s, I advanced with the U.S. Marines &lt;em&gt;and&lt;/em&gt; the Russians, bombed Tokyo &lt;em&gt;and&lt;/em&gt; witnessed Hiroshima after it was atomized. I took out Panzers, but for two hours one afternoon was a German boy willing to die as American tanks bore down on him. They confirmed in me a sense that the world was not as we were told, and that ours was not necessarily the most exceptional way of life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2011/10/0083652&#34;&gt;Movies saved my life: A young New Yorker meets foreigners in film—By Tom Engelhardt (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Southern American English - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2011/09/21/southern-american-english-wikipedia-the-free/"/>
    <updated>2011-09-21T22:33:58.000Z</updated>
    <id>https://mlarson.org/2011/09/21/southern-american-english-wikipedia-the-free/</id>
    <content type="html">&lt;p&gt;Remembered this when I got to &lt;a href=&#34;https://twitter.com/#!/mlarson/status/116606771958788096&#34;&gt;tweeting&lt;/a&gt; &lt;a href=&#34;https://twitter.com/#!/mlarson/status/116609002921656320&#34;&gt;about&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Double_modal&#34;&gt;modal stacking&lt;/a&gt; this afternoon. &lt;a href=&#34;http://en.wikipedia.org/wiki/Y%27all&#34;&gt;Y&#39;all&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Southern_American_English&#34;&gt;Southern American English - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 21, 2011</title>
    <link href="https://mlarson.org/2011/09/21/a-history-of-map-monsters-theatrum-orbis-terrarum/"/>
    <updated>2011-09-21T19:49:23.000Z</updated>
    <id>https://mlarson.org/2011/09/21/a-history-of-map-monsters-theatrum-orbis-terrarum/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrw134hfec1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/slideshow/science/a-history-of-map-monsters/&#34;&gt;A History of Map Monsters&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Theatrum_Orbis_Terrarum&#34;&gt;Theatrum Orbis Terrarum&lt;/a&gt; - &lt;a href=&#34;http://en.wikipedia.org/wiki/Abraham_Ortelius&#34;&gt;Abraham Ortelius&lt;/a&gt;, 1570.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Changeling</title>
    <link href="https://mlarson.org/2011/09/20/changeling-man-clint-eastwood-has-a-steady-hand/"/>
    <updated>2011-09-20T13:47:00.000Z</updated>
    <id>https://mlarson.org/2011/09/20/changeling-man-clint-eastwood-has-a-steady-hand/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrswsgvzyw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Changeling_%28film%29&#34;&gt;Changeling&lt;/a&gt;. Man, Clint Eastwood has a steady hand. He will take his damn time and everything will be in its place. He even did the music. There’s no razzle-dazzle here, it’s just firm, reliable storytelling. I’m glad he didn’t go into the more lurid aspects of the story, focusing more on building your outrage and indignation. You only see one death in full and its impact caught me off-guard. Heavy stuff. Angelina Jolie is excellent. The only other Jolie films I’ve seen are one of the &lt;em&gt;Tomb Raider&lt;/em&gt; films (ugh) and &lt;em&gt;Mr. &amp;amp; Mrs. Smith&lt;/em&gt; (eehhhh), so this was a nice change. My current rankings for &lt;a href=&#34;http://tumblr.mlarson.org/tagged/clinteastwood&#34;&gt;Eastwood&lt;/a&gt;’s work as director:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1003768775/unforgiven-this-is-a-very-very-good-movie&#34;&gt;Unforgiven&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/827964597/gran-torino-weaknesses-up-front-theres-some&#34;&gt;Gran Torino&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Million_Dollar_Baby&#34;&gt;Million Dollar Baby&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/975408225/the-outlaw-josey-wales-i-wouldnt-call-this-a&#34;&gt;The Outlaw Josey Wales&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Changeling&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1341038646/play-misty-for-me-i-was-trying-to-decide-what-to&#34;&gt;Play Misty for Me&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1109867081/bird-a-pretty-good-eastwood-directed-biopic-about&#34;&gt;Bird&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/972193682/midnight-in-the-garden-of-good-and-evil-couldnt&#34;&gt;Midnight in the Garden of Good and Evil&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Lots of good work there. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/2952190788/rope-this-was-pretty-good-but-not-quite-high&#34;&gt;Hitchcock&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Uncreative Writing: It&#39;s Not Plagiarism. In the Digital Age, It&#39;s &#39;Repurposing.&#39; - The Chronicle of Higher Education</title>
    <link href="https://mlarson.org/2011/09/19/uncreative-writing-its-not-plagiarism-in-the/"/>
    <updated>2011-09-19T13:53:00.000Z</updated>
    <id>https://mlarson.org/2011/09/19/uncreative-writing-its-not-plagiarism-in-the/</id>
    <content type="html">&lt;p&gt;Summarizing some of &lt;a href=&#34;http://marjorieperloff.com/books/unoriginal-genius/&#34;&gt;Marjorie Perloff’s ideas on unoriginal genius&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Today’s writer resembles more a programmer than a tortured genius, brilliantly conceptualizing, constructing, executing, and maintaining a writing machine.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For the past several years, I’ve taught a class at the University of Pennsylvania called “Uncreative Writing.” In it, students are penalized for showing any shred of originality and creativity. Instead they are rewarded for plagiarism, identity theft, repurposing papers, patchwriting, sampling, plundering, and stealing. Not surprisingly, they thrive.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://www.aldaily.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/Uncreative-Writing/128908/&#34;&gt;Uncreative Writing: It&#39;s Not Plagiarism. In the Digital Age, It&#39;s &#39;Repurposing.&#39; - The Chronicle of Higher Education&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2011</title>
    <link href="https://mlarson.org/2011/09/19/if-celebrities-moved-to-oklahoma-pretty-faces/"/>
    <updated>2011-09-19T13:44:20.000Z</updated>
    <id>https://mlarson.org/2011/09/19/if-celebrities-moved-to-oklahoma-pretty-faces/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrrvcsfs4a1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.annehelenpetersen.com/?p=2705&#34;&gt;“If Celebrities Moved To Oklahoma” — Pretty Faces, Poor Bodies | Celebrity Gossip, Academic Style&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The power of these photos, then, is the way that they illuminate the amount of capital it takes to make bodies not look like this. Celebrities weren’t born looking gorgeous and sophisticated. They are created; they are the product of capital. That process is elided, in part because the allure of the celebrity is the effortlessness with which he or she appears. But it’s absolutely crucial for us to remember, if only to recall that bodies are never automatically “trashy” or “classy,” “famous” or “poor,” including our own.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2011</title>
    <link href="https://mlarson.org/2011/09/19/ethereal-slowmo-base-jumping-shot-with-gopro-and/"/>
    <updated>2011-09-19T13:38:13.000Z</updated>
    <id>https://mlarson.org/2011/09/19/ethereal-slowmo-base-jumping-shot-with-gopro-and/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/29017795&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.petapixel.com/2011/09/15/ethereal-slowmo-base-jumping-shot-with-gopro-and-slowed-with-twixtor/&#34;&gt;Ethereal Slowmo BASE Jumping Shot with GoPro and Slowed with Twixtor&lt;/a&gt;. Okay. Make base-jumping slow and angelic, and you can count me in. I’m not ready for the breakneck stuff yet.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Inquiry - Fear of an Ape Planet</title>
    <link href="https://mlarson.org/2011/09/19/the-new-inquiry-fear-of-an-ape-planet/"/>
    <updated>2011-09-19T13:37:17.000Z</updated>
    <id>https://mlarson.org/2011/09/19/the-new-inquiry-fear-of-an-ape-planet/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s a neat trick: If you make a rousing summer blockbuster that allows for a certain amount of smug critical masturbation, you’ll get great reviews for no added cost.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/post/10202863862/fear-of-an-ape-planet&#34;&gt;The New Inquiry - Fear of an Ape Planet&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Remembering a Relationship, One Chat at a Time - GOOD</title>
    <link href="https://mlarson.org/2011/09/19/remembering-a-relationship-one-chat-at-a-time/"/>
    <updated>2011-09-19T13:36:06.000Z</updated>
    <id>https://mlarson.org/2011/09/19/remembering-a-relationship-one-chat-at-a-time/</id>
    <content type="html">&lt;p&gt;Y&#39;know, just in case you need to read something depressing this morning. &lt;a href=&#34;http://tumblr.mlarson.org/post/6901998736/last-minutes-with-oden-yknow-just-in-case-you&#34;&gt;Previously&lt;/a&gt; in &lt;a href=&#34;http://tumblr.mlarson.org/tagged/morningheartbreak&#34;&gt;morning heartbreak&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.good.is/post/chat-history/&#34;&gt;Remembering a Relationship, One Chat at a Time - GOOD&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of the Past</title>
    <link href="https://mlarson.org/2011/09/16/out-of-the-past-my-favorite-movie-of-all-time/"/>
    <updated>2011-09-16T14:50:00.000Z</updated>
    <id>https://mlarson.org/2011/09/16/out-of-the-past-my-favorite-movie-of-all-time/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrmdc2lurr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_the_Past&#34;&gt;Out of the Past&lt;/a&gt;. My favorite movie of all time? &lt;a href=&#34;https://twitter.com/#!/mlarson/status/114532370413142017&#34;&gt;Quite possibly&lt;/a&gt;. Probably. I loved it &lt;a href=&#34;http://tumblr.mlarson.org/post/152606956/i-dont-want-to-die-neither-do-i-baby-but&#34;&gt;the first time I watched it&lt;/a&gt; and every time since. This is well-written, witty, funny, overwhelmingly tragic stuff. Man. So good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 15, 2011</title>
    <link href="https://mlarson.org/2011/09/15/map-of-atlanta-on-a-pizza-via-the-making-of/"/>
    <updated>2011-09-15T18:38:38.000Z</updated>
    <id>https://mlarson.org/2011/09/15/map-of-atlanta-on-a-pizza-via-the-making-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrkd6jf3kb1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Map of Atlanta on a pizza. Via &lt;a href=&#34;http://pecannelog.com/2011/09/14/the-making-of-modern-suburban-atlanta-or-the-great-dunwoody-tennis-boom-of-1991/&#34;&gt;The Making of Modern Suburban Atlanta; or, The Great Dunwoody Tennis Boom of 1991 « pecanne log&lt;/a&gt;. Love me some &lt;a href=&#34;http://tumblr.mlarson.org/tagged/pecannelog&#34;&gt;Pecanne Log&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 15, 2011</title>
    <link href="https://mlarson.org/2011/09/15/for-what-shall-i-wield-a-dagger-o-lord-what-can/"/>
    <updated>2011-09-15T18:38:35.000Z</updated>
    <id>https://mlarson.org/2011/09/15/for-what-shall-i-wield-a-dagger-o-lord-what-can/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;For what shall I wield a dagger, o lord?&lt;br&gt;
What can I pluck it out of or plunge it into&lt;br&gt;
when you are all the world?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Devar_Dasimayya&#34;&gt;Devara Dasimayya&lt;/a&gt;, 10th century Indian poet/saint. (&lt;a href=&#34;http://bettyann.tumblr.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2011</title>
    <link href="https://mlarson.org/2011/09/14/dirt-dogs-mongolia-by-mountain-bike-this/"/>
    <updated>2011-09-14T16:13:55.000Z</updated>
    <id>https://mlarson.org/2011/09/14/dirt-dogs-mongolia-by-mountain-bike-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lreyhpfufe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://dirtanddogs.blogspot.com/2011/09/mongolia-by-mountain-bike.html&#34;&gt;dirt &amp;amp; dogs: Mongolia by Mountain Bike&lt;/a&gt;. This strikes me as something worth doing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2011</title>
    <link href="https://mlarson.org/2011/09/14/we-must-be-indulgent-to-the-mind-and-from-time-to/"/>
    <updated>2011-09-14T16:13:52.000Z</updated>
    <id>https://mlarson.org/2011/09/14/we-must-be-indulgent-to-the-mind-and-from-time-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We must be indulgent to the mind, and from time to time must grant it the leisure that serves as its food and strength.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thriceholy.net/Texts/Tranquility.html&#34;&gt;Seneca&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Tranquillity of Mind - Seneca</title>
    <link href="https://mlarson.org/2011/09/14/on-tranquillity-of-mind-seneca/"/>
    <updated>2011-09-14T16:13:00.000Z</updated>
    <id>https://mlarson.org/2011/09/14/on-tranquillity-of-mind-seneca/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/9251423073/the-enchiridion-by-epictetus-the-internet-classics&#34;&gt;As predicted&lt;/a&gt;, I’ve been on a stoicism bender. This was a good one to dive into early, as my recent &lt;a href=&#34;http://tumblr.mlarson.org/tagged/heraclitus&#34;&gt;Heraclitus&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/seneca&#34;&gt;Seneca&lt;/a&gt; might have tipped you off. This bit on friendship was one of my favorite parts:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Nothing, however, gives the mind so much pleasure as fond and faithful friendship. What a blessing it is to have those to whose waiting hearts every secret may be committed with safety, whose knowledge of you you fear less than your knowledge of yourself, whose conversation soothes your anxiety, whose opinion assists your decision, whose cheerfulness scatters your sorrow, the very sight of whom gives you joy! We shall of course choose those who are free, as far as may be, from selfish desires; for vices spread unnoticed, and quickly pass to those nearest and do harm by their contact.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thriceholy.net/Texts/Tranquility.html&#34;&gt;On Tranquillity of Mind - Seneca&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Millions : Nobody Hearts L.A.: A Personal Los Angeles Canon</title>
    <link href="https://mlarson.org/2011/09/14/the-millions-nobody-hearts-la-a-personal-los/"/>
    <updated>2011-09-14T02:08:54.000Z</updated>
    <id>https://mlarson.org/2011/09/14/the-millions-nobody-hearts-la-a-personal-los/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Readying myself for a move to Los Angeles, I naturally turned to literature, but I decided to avoid the region’s richest, oldest, most beloved literary currents: its unflinching examinations of Old Hollywood, its hardscrabble outsider odysseys toward the kingdom of celebrity, its hard-boiled tales of murderous intrigue and complex deceit beneath the palm trees. Those novels became iconic for a reason, but I had to ask: given Los Angeles’ practically unfathomable size and diversity, what &lt;em&gt;other&lt;/em&gt; kinds of literature does it offer?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.themillions.com/2011/09/nobody-hearts-l-a-a-personal-los-angeles-canon.html&#34;&gt;The Millions : Nobody Hearts L.A.: A Personal Los Angeles Canon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Food-Based Body Clock the Key to Jet Lag – Lone Gunman</title>
    <link href="https://mlarson.org/2011/09/14/food-based-body-clock-the-key-to-jet-lag-lone/"/>
    <updated>2011-09-14T02:07:51.000Z</updated>
    <id>https://mlarson.org/2011/09/14/food-based-body-clock-the-key-to-jet-lag-lone/</id>
    <content type="html">&lt;p&gt;Man, if I’d known this when I got back from Tokyo, I would have saved myself sooooo much anguish.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lonegunman.co.uk/2011/04/27/food-based-body-clock-the-key-to-jet-lag/&#34;&gt;Food-Based Body Clock the Key to Jet Lag – Lone Gunman&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2011</title>
    <link href="https://mlarson.org/2011/09/14/extreme-tidying-up-krulwich-wonders-npr-via/"/>
    <updated>2011-09-14T02:07:37.000Z</updated>
    <id>https://mlarson.org/2011/09/14/extreme-tidying-up-krulwich-wonders-npr-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrha1qyurr1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/krulwich/2011/09/12/140394807/extreme-tidying-up&#34;&gt;Extreme Tidying Up : Krulwich Wonders… : NPR&lt;/a&gt; (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/09/assorted-links-220.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Video Games Killed the Video-Game Star: Tom Bissell on Dead Island - Grantland</title>
    <link href="https://mlarson.org/2011/09/14/video-games-killed-the-video-game-star-tom/"/>
    <updated>2011-09-14T02:03:00.000Z</updated>
    <id>https://mlarson.org/2011/09/14/video-games-killed-the-video-game-star-tom/</id>
    <content type="html">&lt;p&gt;On the dangers of over-gamifying games. (&lt;a href=&#34;https://twitter.com/#!/thepeopleseason/status/113736244382543872&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is, anyway, only one story worth telling in a zombie game, and here it is: See those zombies over there? You should probably get away from them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grantland.com/story/_/id/6963024/video-games-killed-video-game-star&#34;&gt;Video Games Killed the Video-Game Star: Tom Bissell on Dead Island - Grantland&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2011</title>
    <link href="https://mlarson.org/2011/09/13/paper-trail-atlanta-features-pitchfork-nice/"/>
    <updated>2011-09-13T16:12:40.000Z</updated>
    <id>https://mlarson.org/2011/09/13/paper-trail-atlanta-features-pitchfork-nice/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrgxcne8ge1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/paper-trail/8662-atlanta/&#34;&gt;Paper Trail: Atlanta | Features | Pitchfork&lt;/a&gt;. Nice interview with &lt;a href=&#34;http://en.wikipedia.org/wiki/Kelefa_Sanneh&#34;&gt;Kelefa Sanneh&lt;/a&gt; about the &lt;a href=&#34;http://atlbook.com/&#34;&gt;Atlanta book&lt;/a&gt;, and Atlanta, and hiphop.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Another thing that’s interesting about Atlanta is that it’s a real magnet. A lot of the people that define that music aren’t &lt;em&gt;from&lt;/em&gt; there; they’re &lt;em&gt;drawn&lt;/em&gt; there. Gucci Mane comes from Alabama.Waka Flocka was born in Queens. The amazing producer Lex Luger comes in from Virginia. T-Pain’s from Florida. Even when Lil B launched his own first co-sign post Pack, he goes and hooks up with Soulja Boy. Machine Gun Kelly, from Cleveland, goes to Atlanta and hooks up with Travis Porter. I think one reason why the city has sustained itself so well is that it has welcomed artists from all over the place.&lt;/p&gt;
&lt;p&gt;Pitchfork: Yeah, even Ludacris is from Illinois.&lt;/p&gt;
&lt;p&gt;KS: Right. There is this industry infrastructure. Maybe it’s because Atlanta is known as a comfortable place to live if you’re African-American and have some money, and people generally enjoy living there. Can it become the Nashville of hip-hop? With Nashville, it’s not even about a Nashville sound anymore. It’s just that if you want to go into country music, that’s where you go. It’s not impossible to imagine that Atlanta can get there.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Somehow, and this is weird to me, the labels are all still in New York, except for Interscope in L.A. But you see these people get contracts. Living here in New York, I got the feeling that the label people were signing Atlanta artists because they had to, but that there wasn’t much enthusiasm for them within the labels. It’s like the history of hip-hop in miniature because that’s how hip-hop used to be treated by the music industry, like: “I guess we’ll sign them because this is what the kids are doing, but we don’t really get it, and we don’t really want to spend more time on this stuff than we have to.” So, for better or for worse, the Atlanta stuff has been pretty grassroots.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2011</title>
    <link href="https://mlarson.org/2011/09/13/artists-and-fans-in-atlanta-dont-seem-to-struggle/"/>
    <updated>2011-09-13T15:54:00.000Z</updated>
    <id>https://mlarson.org/2011/09/13/artists-and-fans-in-atlanta-dont-seem-to-struggle/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Artists and fans in Atlanta don’t seem to struggle with [getting hung up on one style] so much. They don’t seem to get as hung up on it as people do in New York, which is probably the capital of hip-hop people getting hung up on stuff.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/paper-trail/8662-atlanta/&#34;&gt;Kelefa Sanneh&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2011</title>
    <link href="https://mlarson.org/2011/09/12/it-is-hard-to-contend-against-passion-for/"/>
    <updated>2011-09-12T20:28:00.000Z</updated>
    <id>https://mlarson.org/2011/09/12/it-is-hard-to-contend-against-passion-for/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It is hard to contend against passion, for whatever it craves it buys with its life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.classicpersuasion.org/pw/heraclitus/herpate.htm&#34;&gt;Heraclitus&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2011</title>
    <link href="https://mlarson.org/2011/09/12/billa-reading-between-the-lines-on-september/"/>
    <updated>2011-09-12T19:29:49.000Z</updated>
    <id>https://mlarson.org/2011/09/12/billa-reading-between-the-lines-on-september/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrbs5yuqsx1qz5buqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/10050747405&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://gijsvanvaerenbergh.com/z-out/&#34;&gt;Reading between the Lines&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;On September 24th, Gijs Van Vaerenbergh will reveal a construction in the rural landscape, by a cycle route, that’s based on the design of the local church. This ‘church’ consists of 30 tons of steel and 2000 columns, and is built on a fundament of armed concrete. Through the use of horizontal plates, the concept of the traditional church is transformed into a transparent object of art.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2011</title>
    <link href="https://mlarson.org/2011/09/12/flyer-in-a-bus-station-rack/"/>
    <updated>2011-09-12T16:58:18.000Z</updated>
    <id>https://mlarson.org/2011/09/12/flyer-in-a-bus-station-rack/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrf5lgcn9i1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/nancyfranklin/status/113285539788095488&#34;&gt;Flyer in a bus-station rack&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2011</title>
    <link href="https://mlarson.org/2011/09/12/we-cannot-bear-toil-or-pleasure-or-ourselves-or/"/>
    <updated>2011-09-12T16:57:02.000Z</updated>
    <id>https://mlarson.org/2011/09/12/we-cannot-bear-toil-or-pleasure-or-ourselves-or/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We cannot bear toil or pleasure or ourselves or anything very long.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Seneca in &lt;a href=&#34;http://thriceholy.net/Texts/Tranquility.html&#34;&gt;On Tranquillity of Mind&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2011</title>
    <link href="https://mlarson.org/2011/09/12/it-is-weariness-upon-the-same-things-to-labor-and/"/>
    <updated>2011-09-12T16:57:00.000Z</updated>
    <id>https://mlarson.org/2011/09/12/it-is-weariness-upon-the-same-things-to-labor-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It is weariness upon the same things to labor and by them to be controlled. In change is rest.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.classicpersuasion.org/pw/heraclitus/herpate.htm&#34;&gt;Heraclitus&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2011</title>
    <link href="https://mlarson.org/2011/09/12/toward-a-reading-of-post-kanye-hip-hop-the-rise/"/>
    <updated>2011-09-12T16:55:49.000Z</updated>
    <id>https://mlarson.org/2011/09/12/toward-a-reading-of-post-kanye-hip-hop-the-rise/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lrf2xh6zyu1qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/post/10126810883/toward-a-reading-of-post-kanye-hip-hop&#34;&gt;Toward a Reading of Post-Kanye Hip-Hop: The rise of swagger and the increasing irrelevance of haters&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A genre doesn’t function as a genre unless it establishes the conditions of its own replication.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2011</title>
    <link href="https://mlarson.org/2011/09/09/thus-ever-from-himself-doth-each-man-flee/"/>
    <updated>2011-09-09T15:55:20.000Z</updated>
    <id>https://mlarson.org/2011/09/09/thus-ever-from-himself-doth-each-man-flee/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Thus ever from himself doth each man flee.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Seneca_the_Younger&#34;&gt;Seneca&lt;/a&gt; &lt;a href=&#34;http://thriceholy.net/Texts/Tranquility.html&#34;&gt;quoting&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Lucretius&#34;&gt;Lucretius&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/loinclothchasemovies&#34;&gt;Cf.&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Naked Prey</title>
    <link href="https://mlarson.org/2011/09/09/the-naked-prey-speaking-of-chase-movies-stripped/"/>
    <updated>2011-09-09T15:26:33.000Z</updated>
    <id>https://mlarson.org/2011/09/09/the-naked-prey-speaking-of-chase-movies-stripped/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lr9hf7ftqh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Naked_Prey&#34;&gt;The Naked Prey&lt;/a&gt;. Speaking of &lt;a href=&#34;http://tumblr.mlarson.org/post/9838846888/apocalypto-i-got-a-kick-out-of-this-one-at-its&#34;&gt;chase movies stripped down to loincloths&lt;/a&gt;… This one was inspired by the &lt;a href=&#34;http://en.wikipedia.org/wiki/John_Colter#Colter.27s_Run&#34;&gt;true(ish?) story of John Colter’s escape from the Blackfeet&lt;/a&gt; in 1809, but it’s set in the African savannah somewhere. A safari trip goes wrong because the financial backer is a jackass and Cornel Wilde, the guide who’s been there enough to pick up a few languages, ends up running from the locals. It’s pulpy popcorn stuff, but there’s an interesting balance in how everything is portrayed. This is not the Africa with the sunsets and acacia trees and newborn knock-kneed giraffes. This is the dusty, thorny one with all the snakes. Neither hunters nor prey are acting all that honorably or dishonorably, they’ve just been reduced and everyone’s running on instinct and resourcefulness. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19670614/REVIEWS/706140301/1023&#34;&gt;Ebert didn’t like it much&lt;/a&gt;, for fair reasons that seem to related to having scene this kind of absurd stuff before, but I think that non-realistic ≠ non-enjoyable. The script could probably fit on a page or two. The soundtrack is almost entirely percussion. Plot aside, there’s some really great nature interludes that reminded me of how much I loved wildlife film when I was a kid.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Albums Recommended in &#34;Dirty South&#34;</title>
    <link href="https://mlarson.org/2011/09/08/albums-recommended-in-dirty-south/"/>
    <updated>2011-09-08T16:48:20.000Z</updated>
    <id>https://mlarson.org/2011/09/08/albums-recommended-in-dirty-south/</id>
    <content type="html">&lt;p&gt;Ben Westhoff’s Southern hiphop starter kit listed at the end of the book. FYI.&lt;/p&gt;
&lt;p&gt;The 2 Live Crew Is What We Are - The 2 Live Crew&lt;br&gt;
We Can’t Be Stopped - Geto Boys&lt;br&gt;
The Fix - Scarface&lt;br&gt;
Diary of the Originator: Chapter 12 - June 27th - DJ Screw&lt;br&gt;
Ridin’ Dirty - UGK&lt;br&gt;
On Top of the World - Eightball &amp;amp; MJG&lt;br&gt;
Most Known Unknown - Three 6 Mafia&lt;br&gt;
Aquemini - OutKast&lt;br&gt;
Soul Food - Goodie Mob&lt;br&gt;
400 Degreez - Juvenile&lt;br&gt;
Ghetto D - Master P&lt;br&gt;
Country Grammar - Nelly&lt;br&gt;
Aaliyah - Aaliyah (&lt;a href=&#34;http://dashes.com/anil/2011/08/a-decade-after-aaliyah.html&#34;&gt;Anil Dash approved&lt;/a&gt;!)&lt;br&gt;
Under Construction - Missy Elliot&lt;br&gt;
Lord Willin’ - Clipse&lt;br&gt;
Kings of Crunk - Lil Jon &amp;amp; the East Side Boyz&lt;br&gt;
Down with the King - T.I. hosted by DJ Drama&lt;br&gt;
Get Ya Mind Correct - Paul Wall and Chamillionaire&lt;br&gt;
We the Best - DJ Khaled&lt;br&gt;
&lt;a href=&#34;http://Souljaboytellem.com&#34;&gt;Souljaboytellem.com&lt;/a&gt; - Soulja Boy&lt;br&gt;
Tha Carter III - Lil Wayne&lt;br&gt;
Murder Was the Case - Gucci Mane&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/1569766061/&#34;&gt;Albums Recommended in &amp;quot;Dirty South&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>DJ Screw vinyl to be archived at University of Houston library | 29-95.com</title>
    <link href="https://mlarson.org/2011/09/08/dj-screw-vinyl-to-be-archived-at-university-of/"/>
    <updated>2011-09-08T16:40:44.000Z</updated>
    <id>https://mlarson.org/2011/09/08/dj-screw-vinyl-to-be-archived-at-university-of/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/DJ_Screw&#34;&gt;DJ Screw&lt;/a&gt;’s &lt;a href=&#34;http://www.sosouth.com/detail.php?ID=5535&#34;&gt;Diary of the Originator: Chapter 12, June 27th&lt;/a&gt; was one of the recommended albums in &lt;a href=&#34;http://www.amazon.com/dp/1569766061&#34;&gt;Dirty South&lt;/a&gt; (which &lt;a href=&#34;http://tumblr.mlarson.org/tagged/dirtysouth&#34;&gt;I enjoyed muchly&lt;/a&gt;). &lt;a href=&#34;http://www.youtube.com/watch?v=Wg9dNUBh7A4&#34;&gt;Worth a listen&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/#!/anitazavrrr/status/111834308620201985&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.29-95.com/music/story/dj-screw-vinyl-headed-u-h&#34;&gt;DJ Screw vinyl to be archived at University of Houston library | 29-95.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Atlantis » GPS and the End of the Road</title>
    <link href="https://mlarson.org/2011/09/08/the-new-atlantis-gps-and-the-end-of-the-road/"/>
    <updated>2011-09-08T15:12:14.000Z</updated>
    <id>https://mlarson.org/2011/09/08/the-new-atlantis-gps-and-the-end-of-the-road/</id>
    <content type="html">&lt;p&gt;One of the better essays I’ve read this year. I ended up browswing the site and Instapapering a bunch of other stuff. (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/08/assorted-links-192.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is another paradox of [&lt;em&gt;On the Road&lt;/em&gt; and &lt;em&gt;Huckleberry Finn&lt;/em&gt;] that the supposed escape from civilization in large part consists of escape to civilization, or at least to its lesser-known boroughs. In each case, their travels are set against the grandeur of the natural world, but the scenes of their adventures are composed of unknown people in unfamiliar places. The “promise of every cobbled alley” is wrapped up in the possibility of the stranger — more fully, the chance encounter with the mysterious stranger in the enchanted place.&lt;/p&gt;
&lt;p&gt;Seen in the right way, what the two novels show us is not the virtue of quitting civilization, but the freedom that comes from finding our own way through a world that is not of our own making.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Go to a city and find your way to somewhere new; take a walk or a drive through the streets of Washington, D.C., and you will begin to &lt;em&gt;feel&lt;/em&gt; how it is a different place from Austin or San Francisco or Paris or New Orleans — how your possibilities for action are different and so too your possibilities for being.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thenewatlantis.com/publications/gps-and-the-end-of-the-road&#34;&gt;The New Atlantis » GPS and the End of the Road&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 8, 2011</title>
    <link href="https://mlarson.org/2011/09/08/dogs-also-bark-at-what-they-do-not-know/"/>
    <updated>2011-09-08T14:04:00.000Z</updated>
    <id>https://mlarson.org/2011/09/08/dogs-also-bark-at-what-they-do-not-know/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Dogs, also, bark at what they do not know.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.classicpersuasion.org/pw/heraclitus/herpate.htm&#34;&gt;Heraclitus&lt;/a&gt;, reminding you to slow your roll. Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/8069026511/lets-not-bring-flame-where-light-is-enough&#34;&gt;Victor Hugo&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Seventh Seal</title>
    <link href="https://mlarson.org/2011/09/07/det-sjunde-inseglet-the-seventh-seal-first-time/"/>
    <updated>2011-09-07T14:43:35.000Z</updated>
    <id>https://mlarson.org/2011/09/07/det-sjunde-inseglet-the-seventh-seal-first-time/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lr5pp7nuan1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Seventh_Seal&#34;&gt;Det Sjunde Inseglet (The Seventh Seal)&lt;/a&gt;. First time I’d seen anything from Ingmar Bergman. Strange reaction to this one: when I was watching it, I wasn’t swept away. It was good, shot beautifully, funnier than I expected, etc. etc. But afterward, I kept thinking about it, turning it over, remembering scenes. Those ideas of morality, religion, existence, fear, and vulnerability in a meaningless universe have some staying power. You can definitely see why &lt;a href=&#34;http://www.time.com/time/arts/article/0,8599,1648917,00.html&#34;&gt;Woody Allen loves his work&lt;/a&gt;. Allen recommends starting with this one, &lt;a href=&#34;http://en.wikipedia.org/wiki/Wild_Strawberries_(film)&#34;&gt;Wild Strawberries&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Magician_(1958_film)&#34;&gt;The Magician&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Cries_and_Whispers&#34;&gt;Cries and Whispers&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Persona_(film)&#34;&gt;Persona&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2011</title>
    <link href="https://mlarson.org/2011/09/07/a-movie-thats-good-for-you-is-by-definition-not/"/>
    <updated>2011-09-07T14:43:31.000Z</updated>
    <id>https://mlarson.org/2011/09/07/a-movie-thats-good-for-you-is-by-definition-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A movie that’s good for you is, by definition, not good for you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.criterion.com/current/posts/1171-the-seventh-seal-there-go-the-clowns&#34;&gt;Gary Giddins&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Murder, My Sweet</title>
    <link href="https://mlarson.org/2011/09/06/i-dont-know-which-side-anybodys-on-i-dont-even/"/>
    <updated>2011-09-06T13:33:00.000Z</updated>
    <id>https://mlarson.org/2011/09/06/i-dont-know-which-side-anybodys-on-i-dont-even/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lr2r5hshqv1qzcye0o1_r3_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don’t know which side anybody’s on. I don’t even know who’s playing today.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Murder,_My_Sweet&#34;&gt;Murder, My Sweet&lt;/a&gt;. Not excellent, not bad. Every new character brings a new complication to the story. Plenty of the snappy writing that you’d expect from Raymond Chandler. (Other &lt;a href=&#34;http://tumblr.mlarson.org/tagged/filmnoir&#34;&gt;film noir&lt;/a&gt; I’ve watched.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fierce Intimacy of Tennis Rivalries - NYTimes.com</title>
    <link href="https://mlarson.org/2011/09/05/the-fierce-intimacy-of-tennis-rivalries/"/>
    <updated>2011-09-05T23:15:27.000Z</updated>
    <id>https://mlarson.org/2011/09/05/the-fierce-intimacy-of-tennis-rivalries/</id>
    <content type="html">&lt;p&gt;One nice thing about sportswriting about the greats is that it can point you to things you didn’t get to experience live. I’d never seen the &lt;a href=&#34;http://www.youtube.com/watch?v=6qaweRhyAxk&#34;&gt;McEnroe-Borg tie break in the 4th set of the 1980 Wimbledon Final&lt;/a&gt;. Incredible.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/08/28/magazine/the-fierce-intimacy-of-tennis-rivalries.html?_r=3&amp;amp;hp=&amp;amp;pagewanted=all&#34;&gt;The Fierce Intimacy of Tennis Rivalries - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Apocalypto</title>
    <link href="https://mlarson.org/2011/09/05/apocalypto-i-got-a-kick-out-of-this-one-at-its/"/>
    <updated>2011-09-05T17:07:00.000Z</updated>
    <id>https://mlarson.org/2011/09/05/apocalypto-i-got-a-kick-out-of-this-one-at-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lr26myhcss1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Apocalypto&#34;&gt;Apocalypto&lt;/a&gt;. I got a kick out of this one. At its heart, it’s a chase movie, stripped down to loincloths. It did not at all feel like 140 minutes. Many thanks to the &lt;a href=&#34;http://battleshippretension.com/?p=2878&#34;&gt;Battleship Pretension episode on Mel Gibson’s directing&lt;/a&gt; for spurring me to watch it. If you’ve seen &lt;em&gt;Braveheart&lt;/em&gt; or &lt;em&gt;The Passion of the Christ&lt;/em&gt;, you’ll be prepared for the frequent, unsubtle graphic violence. I cringed a lot, but that’s okay. Actually, funny thing when I was watching, the violence actually got me curious about psychological health in ancient times. Given that levels of violence, trauma, and death were much higher than today, you have to wonder. I’m not suggesting that this movie is historically accurate in any way. That’s very much beside the point, I think. Every movie set in the past gets something wrong. It’s just context, people. Not a documentary. I think that some folks have gotten up in arms about the depiction of the Mayans is actually kind of a bonus – it hasn’t really been explored on film, so they’d like to get it right. Understandable. The benefit for the viewer, accuracy aside, is that the novelty forces your attention. It’s all in Yucatec Maya language, so you have to keep your eyes on the screen for subtitles. Clothing and environment are novel. You probably don’t recognize any of the actors, so you can come to watch their performance without any expectations. When &lt;a href=&#34;http://tumblr.mlarson.org/post/555100892/brief-encounter-this-was-pretty-good-i-enjoyed&#34;&gt;I watched &lt;em&gt;Brief Encounter&lt;/em&gt;&lt;/a&gt; I had a similar reaction to an unknown-to-me cast:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the most enjoyable things about old/foreign movies is that I often don’t know the cast. It can feel more immediately immersive to see the characters as characters, rather than recognizing actors and trying to set aside that I know they’re portraying people. There’s no baggage, no expectations, no known quirks or ticks. It all feels very fresh.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Along the same lines, familiar scenes feel less loaded. There’s a slave-trading scene that’s somehow more touching because it’s Mayans selling Mayans, rather than whites selling blacks. Put a familiar, undeniable evil in a different cultural frame, and you feel it more powerfully, I think. You can’t bring your baggage as easily. I feel no hesitation in recommending this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 5, 2011</title>
    <link href="https://mlarson.org/2011/09/05/cbenjamin-the-syllabus-to-an-english-class-at/"/>
    <updated>2011-09-05T16:15:06.000Z</updated>
    <id>https://mlarson.org/2011/09/05/cbenjamin-the-syllabus-to-an-english-class-at/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lqv0l7pyr61qa1i7lo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cbenjamin.tumblr.com/post/9675367935&#34;&gt;cbenjamin&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The syllabus to an English class at Rutgers. If I was a professor, I would do shit like this all the time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=sV6Xj5RyF3Y&amp;amp;t=1m38s&#34;&gt;Yes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Micromort - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2011/09/05/micromort-wikipedia-the-free-encyclopedia/"/>
    <updated>2011-09-05T16:07:46.000Z</updated>
    <id>https://mlarson.org/2011/09/05/micromort-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;“A unit of risk measuring a one-in-a-million probability of death”. (via &lt;a href=&#34;http://www.lonegunman.co.uk/2011/07/20/micromorts-and-understanding-the-probability-of-death/&#34;&gt;Lone Gunman&lt;/a&gt;, which blog I found via &lt;a href=&#34;http://www.linkbanana.com/2011/09/03/how-to-internet/&#34;&gt;Link Banana&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Micromort&#34;&gt;Micromort - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fist of Fury</title>
    <link href="https://mlarson.org/2011/09/05/fist-of-fury-okay-philistine-that-i-am-i-was/"/>
    <updated>2011-09-05T16:07:20.000Z</updated>
    <id>https://mlarson.org/2011/09/05/fist-of-fury-okay-philistine-that-i-am-i-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/09/tumblr_lr0u4oos331qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Fist_of_Fury&#34;&gt;Fist of Fury&lt;/a&gt;. Okay. Philistine that I am, I was bored when they weren’t fighting. One side benefit was that I was reminded of and re-watched &lt;a href=&#34;http://vimeo.com/19469447&#34;&gt;Everything Is a Remix on &lt;em&gt;Kill Bill&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>collision detection: The art of public thinking</title>
    <link href="https://mlarson.org/2011/09/01/collision-detection-the-art-of-public-thinking/"/>
    <updated>2011-09-01T15:45:00.000Z</updated>
    <id>https://mlarson.org/2011/09/01/collision-detection-the-art-of-public-thinking/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I feel like I’m losing some of my ability to think. Why? Because I’m not blogging any more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.collisiondetection.net/mt/archives/2011/08/the_art_of_publ.php&#34;&gt;collision detection: The art of public thinking&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Martin Luther King Jr. National Memorial Opens in Washington - NYTimes.com</title>
    <link href="https://mlarson.org/2011/08/29/martin-luther-king-jr-national-memorial-opens-in/"/>
    <updated>2011-08-29T20:26:40.000Z</updated>
    <id>https://mlarson.org/2011/08/29/martin-luther-king-jr-national-memorial-opens-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There is always an element of kitsch in monumental memorials, a built-in grandiosity that exaggerates the physical and spiritual statures of their human subjects. That is one of the purposes of turning flesh into imposing stone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/08/assorted-links-204.html&#34;&gt;Via&lt;/a&gt;. See also &lt;a href=&#34;http://www.denisdutton.com/kitsch_macmillan.htm&#34;&gt;Dennis Dutton on kitsch&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;According to Tomas Kulka, the standard kitsch work must be instantly identifiable as depicting “an object or theme which is generally considered to be beautiful or highly charged with stock emotions.” Moreover, kitsch “does not substantially enrich our associations related to the depicted subject.” The impact of kitsch is limited to &lt;em&gt;reminding&lt;/em&gt; the viewer of great works of art, deep emotions, or grand philosophic, religious, or patriotic sentiments.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/08/26/arts/design/martin-luther-king-jr-national-memorial-opens-in-washington.html&#34;&gt;Martin Luther King Jr. National Memorial Opens in Washington - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/candy-lady-grandbaby-andrew-j-bell-jr-hs/"/>
    <updated>2011-08-29T20:22:59.000Z</updated>
    <id>https://mlarson.org/2011/08/29/candy-lady-grandbaby-andrew-j-bell-jr-hs/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lqphrpyred1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://argotandochre.com/2011/02/this-some-bad-shit-bruce-davenport-jr-at-as-if-gallery-nyc/&#34;&gt;Candy Lady Grandbaby (Andrew J. Bell Jr. H.S. Crusaders Marching Band), 2010&lt;/a&gt; by &lt;a href=&#34;https://www.facebook.com/pages/Bruce-Davenport-Jr-Artist/179702825380562&#34;&gt;Bruce Davenport, Jr.&lt;/a&gt;. More info at &lt;a href=&#34;http://www.asifgallery.com/info/bruce-davenport-jr.htm&#34;&gt;AS IF Gallery&lt;/a&gt;. Via &lt;a href=&#34;http://harpers.org/archive/2011/09&#34;&gt;this month’s Harper’s&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Bruce Davenport Jr., lives and works in the now-infamous Lower Ninth Ward, devoting his time to meticulous graphic reenactments of the local musical culture of junior high and high school marching bands, those that were decimated by the levees breech and those that survive.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The pretender: Dana Spiotta&#39;s persuasive performances—By Jonathan Dee (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2011/08/29/the-pretender-dana-spiottas-persuasive/"/>
    <updated>2011-08-29T03:03:20.000Z</updated>
    <id>https://mlarson.org/2011/08/29/the-pretender-dana-spiottas-persuasive/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Part of the fascination rock stars, even those of the wannabe variety, hold for fiction writers must have to do with the degrees of mediation in an artist’s relationship to his or her audience. What would it be like to jump the gap between oneself and the presentation of one’s own art? In live performance the feedback is instant, for better or worse, and the artist’s presence as a conduit for his or her work is a precondition for that work’s existence.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’ve tagged a lot of things with &lt;a href=&#34;http://tumblr.mlarson.org/tagged/performance&#34;&gt;performance&lt;/a&gt;/&lt;a href=&#34;http://tumblr.mlarson.org/tagged/audience&#34;&gt;audience&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2011/09/0083605&#34;&gt;The pretender: Dana Spiotta&#39;s persuasive performances—By Jonathan Dee (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/an-able-reader-often-discovers-in-other-mens/"/>
    <updated>2011-08-29T02:53:00.000Z</updated>
    <id>https://mlarson.org/2011/08/29/an-able-reader-often-discovers-in-other-mens/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An able reader often discovers in other men’s writings perfections beyond those that the author put in or perceived, and lends them richer meanings and aspects.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Michel_de_Montaigne&#34;&gt;Michel de Montaigne&lt;/a&gt;, &lt;a href=&#34;http://books.google.com/books?id=CbFXtTYLV7cC&amp;amp;lpg=PT46&amp;amp;pg=PT325#v=onepage&amp;amp;q=An%20able%20reader%20often%20discovers%20in%20other%20man&#39;s%20writings%20perfections&amp;amp;f=false&#34;&gt;quoted&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/dp/1590514254/&#34;&gt;How to Live&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/1133011474/i-always-assume-that-a-good-book-is-more&#34;&gt;Umberto Eco&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/laurence-sterne-diagrams-the-first-five-volumes-of/"/>
    <updated>2011-08-29T02:49:59.000Z</updated>
    <id>https://mlarson.org/2011/08/29/laurence-sterne-diagrams-the-first-five-volumes-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lqo41gphtd1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ronosaurusrex.com/metablog/2010/03/13/tristram-shandys-audacious-layout/&#34;&gt;Laurence Sterne diagrams the first five volumes&lt;/a&gt; of &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Life_and_Opinions_of_Tristram_Shandy,_Gentleman&#34;&gt;Tristram Shandy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/only-part-of-us-is-sane-only-part-of-us-loves/"/>
    <updated>2011-08-29T02:49:00.000Z</updated>
    <id>https://mlarson.org/2011/08/29/only-part-of-us-is-sane-only-part-of-us-loves/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Only part of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=M7Epab59bbcC&amp;amp;lpg=PT992&amp;amp;dq=rebecca%20west%20blackened%20foundations&amp;amp;pg=PT992#v=onepage&amp;amp;q&amp;amp;f=false&#34;&gt;Rebecca West&lt;/a&gt;, &lt;a href=&#34;http://books.google.com/books?id=CbFXtTYLV7cC&amp;amp;lpg=PT211&amp;amp;dq=rebecca%20west%20blackened%20foundations%20how%20to%20live&amp;amp;pg=PT211#v=onepage&amp;amp;q=rebecca%20west%20blackened%20foundations%20how%20to%20live&amp;amp;f=false&#34;&gt;quoted&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/dp/1590514254/&#34;&gt;How to Live&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/593677545/im-a-typical-american-half-of-me-is-dying-to&#34;&gt;David Foster Wallace&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/if-my-mind-could-gain-a-firm-footing-i-would-not/"/>
    <updated>2011-08-29T02:47:38.000Z</updated>
    <id>https://mlarson.org/2011/08/29/if-my-mind-could-gain-a-firm-footing-i-would-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If my mind could gain a firm footing, I would not make essays, I would make decisions; but it is always in apprenticeship and on trial.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Michel_de_Montaigne&#34;&gt;Michel de Montaigne&lt;/a&gt;, &lt;a href=&#34;http://books.google.com/books?id=CbFXtTYLV7cC&amp;amp;lpg=PT46&amp;amp;vq=%22If%20my%20mind%20could%20gain%20a%20firm%20footing%2C%20I%20would%20not%20make%20essays%22&amp;amp;pg=PT46&#34;&gt;quoted&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/dp/1590514254/&#34;&gt;How to Live&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/jesuisperdu-from-the-series-aerials-claire/"/>
    <updated>2011-08-29T02:45:04.000Z</updated>
    <id>https://mlarson.org/2011/08/29/jesuisperdu-from-the-series-aerials-claire/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lqipkxbjju1qzt15co1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://jesuisperdu.tumblr.com/post/9404413822&#34;&gt;jesuisperdu&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;from the series &lt;em&gt;&lt;a href=&#34;http://www.clairejohnsonart.com/work/aerials/&#34;&gt;aerials&lt;/a&gt;&lt;/em&gt;, &lt;a href=&#34;http://www.clairejohnsonart.com/&#34;&gt;claire johnson&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When I saw this my first thought was “Hey, that makes me think of &lt;a href=&#34;http://en.wikipedia.org/wiki/Chuck_Close&#34;&gt;Chuck Close&lt;/a&gt;.” &lt;a href=&#34;http://tumblr.mlarson.org/tagged/lifeimitatesart&#34;&gt;Life imitates art&lt;/a&gt;, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/a-rural-person-expects-to-know-every-person-in-his/"/>
    <updated>2011-08-29T02:40:00.000Z</updated>
    <id>https://mlarson.org/2011/08/29/a-rural-person-expects-to-know-every-person-in-his/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A rural person expects to know every person in his world, and therefore thinks of every person as an individual. An urbanized person never expects to know the people he comes into contact with, and therefore rarely focuses on them as individuals. Stating the same thing in a different way, when you have more &lt;em&gt;categories&lt;/em&gt; in your mind than &lt;em&gt;people&lt;/em&gt;, you tend to see the categories as characteristics of the people. […] But once you have more people in your world than categories, you start to sort the people into categories.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Bill James in &lt;a href=&#34;http://books.google.com/books?id=LNJ6JFWRnaQC&amp;amp;lpg=PT148&amp;amp;dq=A%20rural%20person%20expects%20to%20know%20every%20person%20in%20his%20world&amp;amp;pg=PT148#v=onepage&#34;&gt;Popular Crime&lt;/a&gt;. Food for thought.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2011</title>
    <link href="https://mlarson.org/2011/08/29/austinkleon-a-page-from-john-cages/"/>
    <updated>2011-08-29T02:37:04.000Z</updated>
    <id>https://mlarson.org/2011/08/29/austinkleon-a-page-from-john-cages/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lq3uhjvmqs1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/9417493321&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;A page from John Cage’s “Aria”&lt;/strong&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Cage wanted the piece to be singable by any male or female vocalist, and he wanted them to freely choose 10 different singing styles that could be rapidly alternated. Each style is represented by a different color and the shape of the squiggles indicates the general melodic contour.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Link: &lt;a href=&#34;http://opinionator.blogs.nytimes.com/2011/08/03/scoring-outside-the-lines/&#34;&gt;Scoring Outside the Lines - NYTimes.com&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2011</title>
    <link href="https://mlarson.org/2011/08/25/there-are-cases-were-poetry-creates-itself/"/>
    <updated>2011-08-25T17:45:36.000Z</updated>
    <id>https://mlarson.org/2011/08/25/there-are-cases-were-poetry-creates-itself/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are cases were poetry creates itself. […] Let us take the title of one of the most famous books in the world, &lt;em&gt;El ingenioso hidalgo don Quijote de la Mancha&lt;/em&gt;. […] “De la Mancha” – now this sounds noble and Castilian to us, but when Cervantes wrote it down he intended the word to sound perhaps as if he wrote “Don Quixote of Kansas City” […]. You see how those words have changed, how they have been ennobled.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ubu.com/sound/borges.html&#34;&gt;Jorge Luis Borges&lt;/a&gt; in “The Riddle of Poetry” segment of his Norton Lectures. File under &lt;a href=&#34;http://tumblr.mlarson.org/tagged/borges&#34;&gt;Borges&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2011</title>
    <link href="https://mlarson.org/2011/08/25/james-brown-covering-september-song-by-kurt-weill/"/>
    <updated>2011-08-25T17:44:46.000Z</updated>
    <id>https://mlarson.org/2011/08/25/james-brown-covering-september-song-by-kurt-weill/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=49p_Wi8d5ek&#34;&gt;James Brown covering&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/September_Song&#34;&gt;September Song&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Kurt_Weill&#34;&gt;Kurt Weill&lt;/a&gt;. Oh hell yes. (via &lt;a href=&#34;http://www.therestisnoise.com/2011/08/james-brown-sings-kurt-weill.html&#34;&gt;Alex Ross&lt;/a&gt;) See also &lt;a href=&#34;http://tumblr.mlarson.org/post/1367612178/louis-armstrong-mack-the-knife-1959&#34;&gt;Louis Armstrong’s rendition of “Mack the Knife”&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2011</title>
    <link href="https://mlarson.org/2011/08/25/my-secret-flaw-is-just-not-being-very-good-like/"/>
    <updated>2011-08-25T17:10:43.000Z</updated>
    <id>https://mlarson.org/2011/08/25/my-secret-flaw-is-just-not-being-very-good-like/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My secret flaw is just not being very good, like everyone else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/3153/the-art-of-poetry-no-30-philip-larkin&#34;&gt;Philip Larkin&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2011</title>
    <link href="https://mlarson.org/2011/08/25/no-love-for-me-dmx-if-im-lookin-for/"/>
    <updated>2011-08-25T17:10:25.000Z</updated>
    <id>https://mlarson.org/2011/08/25/no-love-for-me-dmx-if-im-lookin-for/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/mTLdtb9StsI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=mTLdtb9StsI&#34;&gt;No Love For Me - DMX&lt;/a&gt;. “If I’m lookin’ for somethin’, it’s probably a fight.”&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2011</title>
    <link href="https://mlarson.org/2011/08/25/i-got-a-report-card-in-first-grade-that-said/"/>
    <updated>2011-08-25T16:40:02.000Z</updated>
    <id>https://mlarson.org/2011/08/25/i-got-a-report-card-in-first-grade-that-said/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I got a report card in first grade that said, “Jack excels in his studies and really enjoys math and English, but he starts fights on the playground that he brings back into the classroom.” I’ve tried to make that my operating premise.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.adweek.com/news/press/interview-jack-shafer-134444&#34;&gt;An Interview with Jack Shafer | Adweek&lt;/a&gt;. (via &lt;a href=&#34;http://felixsalmon.tumblr.com/&#34;&gt;felixsalmon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Adventureland</title>
    <link href="https://mlarson.org/2011/08/23/adventureland-a-simple-story-told-well/"/>
    <updated>2011-08-23T19:24:24.000Z</updated>
    <id>https://mlarson.org/2011/08/23/adventureland-a-simple-story-told-well/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lqc53vhkzr1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Adventureland_%28film%29&#34;&gt;Adventureland&lt;/a&gt;. A simple story told well. Conversations! Motivations! Jokes! Strong cast here. I recommend it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sex and the City 2</title>
    <link href="https://mlarson.org/2011/08/23/sex-and-the-city-2-dnf-there-is-actually-some/"/>
    <updated>2011-08-23T19:24:20.000Z</updated>
    <id>https://mlarson.org/2011/08/23/sex-and-the-city-2-dnf-there-is-actually-some/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lqb8hxtssd1qzcye0o1_r1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Sex_and_the_City_2&#34;&gt;Sex and the City 2&lt;/a&gt;. DNF. There is some good writing in there, but there’s a sense of overstuffedness and improbability and awkward timing. It doesn’t feel SATC-y, from the season or so I’ve seen. I feel bad for the super-fans who got sucked into this one, and who will presumably still pay up for the third.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Taste - Edmund Burke</title>
    <link href="https://mlarson.org/2011/08/23/on-taste-edmund-burke/"/>
    <updated>2011-08-23T19:24:00.000Z</updated>
    <id>https://mlarson.org/2011/08/23/on-taste-edmund-burke/</id>
    <content type="html">&lt;p&gt;Like &lt;a href=&#34;http://tumblr.mlarson.org/post/9262082066/the-decay-of-lying-oscar-wilde&#34;&gt;yesterday’s Oscar Wilde&lt;/a&gt;, here’s favorites from another good bit of vacation reading.* First a bit on imagination, and that there’s nothing new, just what we take in and recombine:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The mind of man possesses a sort of creative power of its own; either in representing at pleasure the images of things in the order and manner in which they were received by the senses, or in combining those images in a new manner, and according to a different order. This power is called Imagination; and to this belongs whatever is called wit, fancy, invention, and the like. But it must be observed, that this power of the imagination is incapable of producing any thing absolutely new; it can only vary the disposition of those ideas which it has received from the senses.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Burke argues that, when comparing, it’s easier and to our benefit to look more for similarities than differences:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The mind of man has naturally a far greater alacrity and satisfaction in tracing resemblances than in searching for differences; because by making resemblances we produce new images, we unite, we create, we enlarge our stock; but in making distinctions we offer no food at all to the imagination; the task itself is more severe and irksome, and what pleasure we derive from it is something of a negative and indirect nature.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ain’t nothing you can’t learn from. Also reminds me of &lt;a href=&#34;http://blog.sethroberts.net/2008/12/12/whats-appreciative-thinking/&#34;&gt;Seth Roberts’ writing on appreciative thinking&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/1572017915/ideas-and-views-that-differ-from-ones-own-should&#34;&gt;Philip Ball’s suggestion&lt;/a&gt; that “Ideas and views that differ from one’s own should not be targets for demolition, but whetstones for sharpening one’s own thoughts.”.&lt;/p&gt;
&lt;p&gt;He goes on to talk about our opinions and tastes, how we outgrow them, and how our smugness and satisfaction with our own views is a second-order pleasure at best. This strikes me as something well worth remembering:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Almost the only pleasure that men have in judging better than others, consists in a sort of conscious pride and superiority, which arises from thinking rightly; but then, this is an indirect pleasure, a pleasure which does not immediately result from the object which is under contemplation. In the morning of our days, when the senses are unworn and tender, when the whole man is awake in every part, and the gloss of novelty fresh upon all the objects that surround us, how lively at that time are our sensations, but how false and inaccurate the judgments we form of things? I despair of ever receiving the same degree of pleasure from the most excellent performances of genius, which I felt at that age from pieces which my present judgment regards as trifling and contemptible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;We change our opinions over time (hopefully some, at least) by learning more, paying more attention, and thinking about them more. Slow opinions tend to be better. See also &lt;a href=&#34;http://www.saffo.com/journal/entry.php?id=898&#34;&gt;stong opinions, weakly held&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Men of the best taste, by consideration, come frequently to change these early and precipitate judgments, which the mind, from its aversion to neutrality and doubt, loves to form on the spot. It is known that the taste (whatever it is) is improved exactly as we improve our judgment, by extending our knowledge, by a steady attention to our object, and by frequent exercise. They who have not taken these methods, if their taste decides quickly, it is always uncertainly; and their quickness is owing to their presumption and rashness, and not to any sudden irradiation, that in a moment dispels all darkness from their minds.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;*Yeah, &lt;a href=&#34;http://classics.mit.edu/Epictetus/epicench.html&#34;&gt;this&lt;/a&gt; &lt;a href=&#34;http://www.library.utoronto.ca/utel/nonfiction_u/arnoldm_ca/ca_ch1.html&#34;&gt;is&lt;/a&gt; &lt;a href=&#34;http://www.marxists.org/reference/archive/adorno/1944/culture-industry.htm&#34;&gt;what&lt;/a&gt; &lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/web%20publishing/wordsworthPreface.htm&#34;&gt;I&lt;/a&gt; &lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/phil%20of%20art/wildetext.htm&#34;&gt;read&lt;/a&gt; &lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/phil%20of%20art/kant%20selections.htm&#34;&gt;at&lt;/a&gt; &lt;a href=&#34;http://plato.stanford.edu/entries/hume-aesthetics/&#34;&gt;the&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/How-Live-Montaigne-Question-Attempts/dp/0701178922&#34;&gt;beach&lt;/a&gt;. &lt;a href=&#34;https://twitter.com/#!/mlarson/status/95313132494393344&#34;&gt;Instapaper ftw&lt;/a&gt;. Just how I roll.&lt;br&gt;
&lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/web%20publishing/BurkeOnTaste.htm&#34;&gt;On Taste - Edmund Burke&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2011</title>
    <link href="https://mlarson.org/2011/08/22/at-twilight-nature-becomes-a-wonderfully/"/>
    <updated>2011-08-22T20:27:00.000Z</updated>
    <id>https://mlarson.org/2011/08/22/at-twilight-nature-becomes-a-wonderfully/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;At twilight nature becomes a wonderfully suggestive effect, and is not without loveliness, though perhaps its chief use is to illustrate quotations from the poets.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/phil%20of%20art/wildetext.htm&#34;&gt;Oscar Wilde&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Decay of Lying - Oscar Wilde</title>
    <link href="https://mlarson.org/2011/08/22/the-decay-of-lying-oscar-wilde/"/>
    <updated>2011-08-22T20:26:00.000Z</updated>
    <id>https://mlarson.org/2011/08/22/the-decay-of-lying-oscar-wilde/</id>
    <content type="html">&lt;p&gt;Dang, this is a great essay. If you only know it from the famous “Life imitates Art” bit out of context, you’re missing out on a world of goodness. There’s a million quotable parts. Here’s a few…&lt;/p&gt;
&lt;p&gt;I first got sucked in with this (tongue-in-cheek?) bit on Nature.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If Nature had been comfortable, mankind would never have invented architecture, and I prefer houses to the open air. In a house we all feel of the proper proportions. Everything is subordinated to us, fashioned for our use and our pleasure. Egotism itself, which is so necessary to a proper sense of human dignity, is entirely the result of indoor life. Out of doors one becomes abstract and impersonal. One’s individuality absolutely leaves one.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I wonder about this one:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The more abstract, the more ideal an art is, the more it reveals to us the temper of its age. If we wish to understand a nation by means of its art, let us look at its architecture or its music.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On the change from old-school fiction vs. fiction in Wilde’s time, when novels were really taking off. Still true today?&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The ancient historians gave us delightful fiction in the form of fact; the modern novelist presents us with dull facts under the guise of fiction.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And finally to that “Life imitates Art” thing.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Things are because we see them, and what we see, and how we see it, depends on the Arts that have influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it come into existence. At present, people see fogs, not because there are fogs, but because poets and painters have taught them the mysterious loveliness of such effects.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Along the same lines…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A great artist invents a type, and Life tries to copy it, to reproduce it in a popular form, like an enterprising publisher.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;We see lilypads and think of Monet, we see Western landscapes as perfect replicas of an Ansel Adams, we experience love through filters we borrowed from &lt;em&gt;Romeo &amp;amp; Juliet&lt;/em&gt; or &lt;em&gt;Casablanca&lt;/em&gt;. Reminds me of a bit &lt;a href=&#34;http://www.mlarson.org/2011/07/26/the-age-of-the-infovore-review/&#34;&gt;I quoted from The Age of the Infovore&lt;/a&gt;, when Tyler Cowen acknowledges that many of his dreams, fantasies, experiences are borrowed:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I treasure those thoughts and feelings so much but in reality I pull a lot of them from a social context and I pull them from points that are socially salient. That means I pull them from celebrities, from ads, from popular culture, and most generally from ideas that are easy to communicate and disseminate to large numbers of people. We all dream in pop culture language to some degree.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/phil%20of%20art/wildetext.htm&#34;&gt;The Decay of Lying - Oscar Wilde&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2011</title>
    <link href="https://mlarson.org/2011/08/22/whatever-moral-rules-you-have-deliberately/"/>
    <updated>2011-08-22T14:33:59.000Z</updated>
    <id>https://mlarson.org/2011/08/22/whatever-moral-rules-you-have-deliberately/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Whatever moral rules you have deliberately proposed to yourself, abide by them as they were laws, and as if you would be guilty of impiety by violating any of them. Don’t regard what anyone says of you, for this, after all, is no concern of yours. How long, then, will you put off thinking yourself worthy of the highest improvements and follow the distinctions of reason? You have received the philosophical theorems, with which you ought to be familiar, and you have been familiar with them. What other master, then, do you wait for, to throw upon that the delay of reforming yourself?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Epictetus in &lt;a href=&#34;http://classics.mit.edu/Epictetus/epicench.html&#34;&gt;The Enchiridion&lt;/a&gt;. Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/4257877250/people-just-wait-for-you-to-grow-up-and-do-the&#34;&gt;Mike Tyson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Enchiridion by Epictetus - The Internet Classics Archive</title>
    <link href="https://mlarson.org/2011/08/22/the-enchiridion-by-epictetus-the-internet/"/>
    <updated>2011-08-22T14:33:23.000Z</updated>
    <id>https://mlarson.org/2011/08/22/the-enchiridion-by-epictetus-the-internet/</id>
    <content type="html">&lt;p&gt;Probably going to go on a Stoicism bender pretty soon.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is great danger in immediately throwing out what you have not digested. And, if anyone tells you that you know nothing, and you are not nettled at it, then you may be sure that you have begun your business. For sheep don’t throw up the grass to show the shepherds how much they have eaten; but, inwardly digesting their food, they outwardly produce wool and milk. Thus, therefore, do you likewise not show theorems to the unlearned, but the actions produced by them after they have been digested.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.mit.edu/Epictetus/epicench.html&#34;&gt;The Enchiridion by Epictetus - The Internet Classics Archive&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>List of cognitive biases - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2011/08/22/list-of-cognitive-biases-wikipedia-the-free/"/>
    <updated>2011-08-22T14:30:03.000Z</updated>
    <id>https://mlarson.org/2011/08/22/list-of-cognitive-biases-wikipedia-the-free/</id>
    <content type="html">&lt;p&gt;These are fascinating.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_cognitive_biases&#34;&gt;List of cognitive biases - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Against Vacation | Front Porch Republic</title>
    <link href="https://mlarson.org/2011/08/22/against-vacation-front-porch-republic/"/>
    <updated>2011-08-22T14:29:56.000Z</updated>
    <id>https://mlarson.org/2011/08/22/against-vacation-front-porch-republic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;At long last you are all consumer, endlessly provided for and endlessly entertained. But if, deep down, you have reconciled yourself to your condition, which is not to play but to work, you know that without work you cannot fully inhabit your humanity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.frontporchrepublic.com/2011/08/against-vacation/&#34;&gt;Against Vacation | Front Porch Republic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2011</title>
    <link href="https://mlarson.org/2011/08/22/fermented-spirits-please-our-common-people/"/>
    <updated>2011-08-22T14:29:33.000Z</updated>
    <id>https://mlarson.org/2011/08/22/fermented-spirits-please-our-common-people/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Fermented spirits please our common people, because they banish care, and all consideration of future or present evils.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/web%20publishing/BurkeOnTaste.htm&#34;&gt;Edmund Burke&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2011</title>
    <link href="https://mlarson.org/2011/08/13/the-difference-between-playing-with-otis-redding/"/>
    <updated>2011-08-13T18:22:55.000Z</updated>
    <id>https://mlarson.org/2011/08/13/the-difference-between-playing-with-otis-redding/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The difference between playing with Otis Redding and James Brown? I didn’t get fined when I played behind Otis.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/gyrobase/james-brown-soul-brother-no-1-1933-2006/Content?oid=1265044&amp;amp;showFullText=true&#34;&gt;Clyde Stubblefield&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Clyde_Stubblefield&#34;&gt;drummer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2011</title>
    <link href="https://mlarson.org/2011/08/13/the-sultan-of-ko/"/>
    <updated>2011-08-13T18:22:48.000Z</updated>
    <id>https://mlarson.org/2011/08/13/the-sultan-of-ko/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_ln9juaeatp1qbcyhro1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://chitwoodandhobbs.com/post/8827266826/the-sultan-of-ko&#34;&gt;chitwoodandhobbs&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h3&gt;&lt;strong&gt;The Sultan of KO&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;July 5th, 1924. In a game against the Washington Senators, Babe Ruth was knocked unconscious when he collided with a concrete wall while chasing down a fly ball. Out cold for five minutes, Ruth was awakened by the Yankees trainer and insisted on staying in the game. Despite a bruised pelvic bone and most certainly battling post-concussion syndrome, Ruth hit a double in his next at-bat and went 3-for-4 the next day with two doubles and a home run. (Damn.)&lt;/p&gt;
&lt;p&gt;In the 1920s, you couldn’t keep a grown man from ballin’.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>General Orders No. 9</title>
    <link href="https://mlarson.org/2011/08/13/general-orders-no-9-man-what-a-frustrating/"/>
    <updated>2011-08-13T18:22:38.000Z</updated>
    <id>https://mlarson.org/2011/08/13/general-orders-no-9-man-what-a-frustrating/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lpvpemr0ck1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.generalordersno9.com/&#34;&gt;General Orders No. 9&lt;/a&gt;. Man, what a frustrating movie. There’s one refrain that appears throughout the movie: “Deer trail becomes Indian trail. Indian trail becomes county road.” And so we have a history of Georgia, or part of it anyway. It’s about the march of time, progress, “progress”, cities, bygone ways, and maybe about struggling to suck it up and move on without forgetting where you came from or resenting what’s now around you. Recurring images include water towers, courthouses, cemeteries, rivers, lonely trees in open fields, interstates, damp southern forests. Visually, it’s like 70 minutes of (what in many other films would be used for) b-roll and pillow shots, but a lot of it is beautiful. There’s narration sprinkled throughout, with sets of lonely sentences bookending the sections of the movie. I feel like maybe he could have used an editor for both text and image. Would that rob it of its deeply personal heart and soul? Maybe. (I also got to wondering at one point if I would like the narration even less if he didn’t have a southern accent. It’s what I grew up around, so there will always be a soft spot. I would not be surprised if the words sounded more crude or banal in another voice.) The title refers to &lt;a href=&#34;http://en.wikipedia.org/wiki/Lee%27s_Farewell_Address&#34;&gt;Lee’s Farewell Address&lt;/a&gt;, by the way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2011</title>
    <link href="https://mlarson.org/2011/08/11/youd-make-a-mistake-while-he-was-singing-and/"/>
    <updated>2011-08-11T02:07:58.000Z</updated>
    <id>https://mlarson.org/2011/08/11/youd-make-a-mistake-while-he-was-singing-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You’d make a mistake while he was singing, and he’d turn around and say, “Ten dollars.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/gyrobase/james-brown-soul-brother-no-1-1933-2006/Content?oid=1265044&amp;amp;showFullText=true&#34;&gt;Bernard Purdie&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Bernard_Purdie&#34;&gt;drummer for James Brown&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>James Brown: Soul Brother No. 1 (1933-2006) | Creative Loafing Atlanta</title>
    <link href="https://mlarson.org/2011/08/11/james-brown-soul-brother-no-1-1933-2006/"/>
    <updated>2011-08-11T02:06:25.000Z</updated>
    <id>https://mlarson.org/2011/08/11/james-brown-soul-brother-no-1-1933-2006/</id>
    <content type="html">&lt;p&gt;Ummmmm… James Brown got in a gunfight??!!?!!!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/gyrobase/james-brown-soul-brother-no-1-1933-2006/Content?oid=1265044&amp;amp;showFullText=true&#34;&gt;James Brown: Soul Brother No. 1 (1933-2006) | Creative Loafing Atlanta&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why are we in this debt fix? It’s the elderly, stupid. - The Washington Post</title>
    <link href="https://mlarson.org/2011/08/11/why-are-we-in-this-debt-fix-its-the-elderly/"/>
    <updated>2011-08-11T01:48:19.000Z</updated>
    <id>https://mlarson.org/2011/08/11/why-are-we-in-this-debt-fix-its-the-elderly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s hard to discuss the budget realistically if you ignore most of what the budget does. […] We need to ask how much today’s programs constitute a genuine “safety net” to protect the vulnerable (which is good) and how much they simply subsidize retirees’ private pleasures.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/opinions/why-are-we-in-this-debt-fix-its-the-elderly-stupid/2011/07/28/gIQA08LtfI_story.html?hpid=z3&#34;&gt;Why are we in this debt fix? It’s the elderly, stupid. - The Washington Post&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2011</title>
    <link href="https://mlarson.org/2011/08/10/gamification-is-marketing-bullshit-invented-by/"/>
    <updated>2011-08-10T17:43:20.000Z</updated>
    <id>https://mlarson.org/2011/08/10/gamification-is-marketing-bullshit-invented-by/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Gamification is marketing bullshit, invented by consultants as a means to capture the wild, coveted beast that is videogames and to domesticate it for use in the grey, hopeless wasteland of big business, where bullshit already reigns anyway.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bogost.com/blog/gamification_is_bullshit.shtml&#34;&gt;Ian Bogost&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/post/8703271909&#34;&gt;austinkleon&lt;/a&gt; and &lt;a href=&#34;http://circletheglo.be/post/8702674881/more-specifically-gamification-is-marketing&#34;&gt;douglas wolk&lt;/a&gt;). I like when I get to use &lt;a href=&#34;http://tumblr.mlarson.org/tagged/bullshit&#34;&gt;my bullshit tag&lt;/a&gt;. See also &lt;a href=&#34;http://www.gamasutra.com/view/feature/6366/persuasive_games_exploitationware.php&#34;&gt;Bogost’s Gamasutra feature on exploitationware&lt;/a&gt;. Naming is a powerful weapon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2011</title>
    <link href="https://mlarson.org/2011/08/10/we-choose-our-favourite-author-as-we-do-our/"/>
    <updated>2011-08-10T17:38:00.000Z</updated>
    <id>https://mlarson.org/2011/08/10/we-choose-our-favourite-author-as-we-do-our/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We choose our favourite author as we do our friend, from a conformity of humour and disposition.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/phil%20of%20art/hume%20on%20taste.htm&#34;&gt;David Hume&lt;/a&gt; in &lt;a href=&#34;http://en.wikipedia.org/wiki/Four_Dissertations#Of_the_Standard_of_Taste&#34;&gt;Of the Standard of Taste&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2011</title>
    <link href="https://mlarson.org/2011/08/10/ive-noticed-that-my-best-ideas-always-bubble-up/"/>
    <updated>2011-08-10T15:51:36.000Z</updated>
    <id>https://mlarson.org/2011/08/10/ive-noticed-that-my-best-ideas-always-bubble-up/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’ve noticed that my best ideas always bubble up when the outside world fails in its primary job of frightening, wounding or entertaining me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424053111903454504576486412642177904.html?mod=googlenews_wsj&#34;&gt;Scott Adams&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Vodka Nation: How the flavorless, colorless, odorless spirit became a billion-dollar business | The Weekly Standard</title>
    <link href="https://mlarson.org/2011/08/09/vodka-nation-how-the-flavorless-colorless/"/>
    <updated>2011-08-09T18:20:03.000Z</updated>
    <id>https://mlarson.org/2011/08/09/vodka-nation-how-the-flavorless-colorless/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://www.aldaily.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The important thing is that we make a great drink. And vodka is capable of that. But it is the chicken breast of cocktails. It is the most boring, least thoughtful, sort of one that you can mix with.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.weeklystandard.com/articles/vodka-nation_582069.html?nopager=1&#34;&gt;Vodka Nation: How the flavorless, colorless, odorless spirit became a billion-dollar business | The Weekly Standard&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 9, 2011</title>
    <link href="https://mlarson.org/2011/08/09/a-view-of-central-pyongyang-north-korea-at-dusk/"/>
    <updated>2011-08-09T18:19:26.000Z</updated>
    <id>https://mlarson.org/2011/08/09/a-view-of-central-pyongyang-north-korea-at-dusk/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lpmg0ap2ne1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A view of central Pyongyang, North Korea, at dusk on April 12, 2011. Photo by David Guttenfelder. &lt;a href=&#34;http://www.theatlantic.com/infocus/2011/08/inside-north-korea/100119/&#34;&gt;Inside North Korea - The Atlantic&lt;/a&gt;. The most depressing place on Earth? (&lt;a href=&#34;http://funkaoshi.com/linklog/link-13688&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Night on Earth</title>
    <link href="https://mlarson.org/2011/08/07/night-on-earth-its-a-mixed-bag-a-set-of-five/"/>
    <updated>2011-08-07T16:30:24.000Z</updated>
    <id>https://mlarson.org/2011/08/07/night-on-earth-its-a-mixed-bag-a-set-of-five/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lpjl22y3jz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Night_on_Earth&#34;&gt;Night on Earth&lt;/a&gt;. It’s a mixed bag. A set of five short films, like &lt;a href=&#34;http://en.wikipedia.org/wiki/Paris,_je_t%27aime&#34;&gt;Paris, je t&#39;aime&lt;/a&gt;. None of the stories connect or tie in with each other in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Syriana&#34;&gt;Syriana&lt;/a&gt;/&lt;a href=&#34;http://en.wikipedia.org/wiki/Babel_%28film%29&#34;&gt;Babel&lt;/a&gt;/&lt;a href=&#34;http://en.wikipedia.org/wiki/Magnolia_%28film%29&#34;&gt;Magnolia&lt;/a&gt;/&lt;a href=&#34;http://en.wikipedia.org/wiki/Pulp_Fiction&#34;&gt;Pulp Fiction&lt;/a&gt;/&lt;a href=&#34;http://en.wikipedia.org/wiki/Crash_%282004_film%29&#34;&gt;Crash&lt;/a&gt;/&lt;a href=&#34;http://en.wikipedia.org/wiki/Love_Actually&#34;&gt;Love Actually&lt;/a&gt; kind of way, besides the fact that they revolve around taxis. They all stand on their own. The Los Angeles and New York stories are the best. Paris was also very good. Rome and Helsinki rely too much on the storytelling of the drivers rather than the passenger-driver relationship of the first three stories. Though I wonder if there’s some cultural or filmic references that I’m missing that would have made those more enjoyable.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2011</title>
    <link href="https://mlarson.org/2011/08/06/i-actually-believe-the-south-is-a-hungrier-place/"/>
    <updated>2011-08-06T15:54:45.000Z</updated>
    <id>https://mlarson.org/2011/08/06/i-actually-believe-the-south-is-a-hungrier-place/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I actually believe the South is a hungrier place, and always describe the East Coast as a piece of bread, and the West Coast as a piece of bread, and the South, the meat. Everybody’s roots is from the South, so at the end of the day, we the meat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/James_Prince&#34;&gt;J. Prince&lt;/a&gt;, quoted in &lt;a href=&#34;http://www.amazon.com/dp/1569766061&#34;&gt;Dirty South&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 4, 2011</title>
    <link href="https://mlarson.org/2011/08/04/why-new-restaurants-are-so-noisy-hardwood-floors/"/>
    <updated>2011-08-04T17:35:31.000Z</updated>
    <id>https://mlarson.org/2011/08/04/why-new-restaurants-are-so-noisy-hardwood-floors/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lpezj7on861qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052748704022804575041060813407740.html&#34;&gt;Why New Restaurants Are So Noisy&lt;/a&gt;. Hardwood floors, plain walls, exposed ceilings, no tablecloths.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The medium chill | Grist</title>
    <link href="https://mlarson.org/2011/08/04/the-medium-chill-grist/"/>
    <updated>2011-08-04T16:38:00.000Z</updated>
    <id>https://mlarson.org/2011/08/04/the-medium-chill-grist/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Fact is, we just don’t want to work that hard! We already work harder than we feel like working. We enjoy having time to lay around in the living room with the kids, reading. We like to watch a little TV after the kids are in bed. We like going to the park and visits with friends and low-key vacations and generally relaxing. Going further down our respective career paths would likely mean more work, greater responsibilities, higher stress, and less time to lay around the living room with the kids.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There’s something important here. I’m not good at keeping to them all the time, but I think I have similar ideals.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The medium chill involves what economists call satisficing: abandoning the quest for the ideal in favor of the good-enough. It means stepping off the aspirational treadmill, foregoing some material opportunities and accepting some material constraints in exchange for more time to spend on relationships and experiences.&lt;/p&gt;
&lt;p&gt;It turns out, though, that satisficing doesn’t come easy to us human beings. We have an extremely hard time saying, “okay, this is good enough.” Why?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grist.org/living/2011-06-28-the-medium-chill&#34;&gt;The medium chill | Grist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Smart Set: On the Road Again - July 29, 2011</title>
    <link href="https://mlarson.org/2011/08/04/the-smart-set-on-the-road-again-july-29-2011/"/>
    <updated>2011-08-04T16:34:00.000Z</updated>
    <id>https://mlarson.org/2011/08/04/the-smart-set-on-the-road-again-july-29-2011/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;With so many other ways to get information — if you want to know about Albania, for example, you can now much more easily ask the Albanians — the point of travel writing has fallen out. There’s an increased pressure on travel writers to create a personal arc of, yes, transformation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also &lt;a href=&#34;http://blog.penelopetrunk.com/2009/08/17/4-reasons-travel-for-fun-is-a-waste-of-time/&#34;&gt;4 reasons travel is a waste of time&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/#!/thebookslut/status/98343179463569408&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://thesmartset.com/article/article07291101.aspx&#34;&gt;The Smart Set: On the Road Again - July 29, 2011&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 4, 2011</title>
    <link href="https://mlarson.org/2011/08/04/what-am-i-doing-here-anyway-the-fundamental/"/>
    <updated>2011-08-04T16:31:50.000Z</updated>
    <id>https://mlarson.org/2011/08/04/what-am-i-doing-here-anyway-the-fundamental/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;‘What am I doing here anyway?’ — the fundamental mantra if not prayer of every traveler. For it is precisely on a trip, in the morning, in a strange city, before the second cup of coffee has begun to work, that you experience most palpably the oddness of your banal existence. Travel is no more than a relatively healthy form of narcotic, after all.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thesmartset.com/article/article07291101.aspx&#34;&gt;Andrzej Stasiuk&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Last Days of Disco</title>
    <link href="https://mlarson.org/2011/08/03/the-last-days-of-disco-i-loved-whit-stillmans/"/>
    <updated>2011-08-03T18:45:00.000Z</updated>
    <id>https://mlarson.org/2011/08/03/the-last-days-of-disco-i-loved-whit-stillmans/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lpcuy3yvkt1qzcye0o1_r2_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Last_Days_of_Disco&#34;&gt;The Last Days of Disco&lt;/a&gt;. I loved &lt;a href=&#34;http://en.wikipedia.org/wiki/Whit_Stillman&#34;&gt;Whit Stillman&lt;/a&gt;’s &lt;a href=&#34;http://tumblr.mlarson.org/post/2397597775/metropolitan-i-loved-it-what-we-have-is-a&#34;&gt;Metropolitan&lt;/a&gt;. (At this point I might as well complete the semi-trilogy with &lt;a href=&#34;http://en.wikipedia.org/wiki/Barcelona_%28film%29&#34;&gt;Barcelona&lt;/a&gt;). This one isn’t quite as fun or funny as &lt;em&gt;Metropolitan&lt;/em&gt;, but it still has that same well-paced, compulsively watchable slice-of-life-ness to it. Some of the old characters reappear, slightly older, but still as earnest and floundering and full of shit. Sevigny’s character Alice is the most grounded of the lot. Worthwhile. And it’s got an &lt;a href=&#34;http://www.amazon.com/gp/product/B0012GMWNE/&#34;&gt;UNDENIABLE SOUNDTRACK&lt;/a&gt;. &lt;a href=&#34;http://www.criterion.com/current/posts/1214-the-last-days-of-disco-pop-paradise&#34;&gt;Criterion essay&lt;/a&gt;. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19980529/REVIEWS/805290302/1023&#34;&gt;Ebert says&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The underlying tone of the film is sweet, fond and a little sad: These characters believe the disco period was the most wonderful period of their lives, and we realize that it wasn’t disco that was so special, but youth.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 3, 2011</title>
    <link href="https://mlarson.org/2011/08/03/whenever-im-asked-why-southern-writers/"/>
    <updated>2011-08-03T18:23:00.000Z</updated>
    <id>https://mlarson.org/2011/08/03/whenever-im-asked-why-southern-writers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/0823232158/&#34;&gt;Flannery O’Connor&lt;/a&gt;. (&lt;a href=&#34;http://i12bent.tumblr.com/post/8427556061/flannery-oconnor-southern-writer-of-the-novel&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 3, 2011</title>
    <link href="https://mlarson.org/2011/08/03/scoutlikegirl-scribnerbooks-i12bent/"/>
    <updated>2011-08-03T18:21:24.000Z</updated>
    <id>https://mlarson.org/2011/08/03/scoutlikegirl-scribnerbooks-i12bent/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lpcr0selzn1qdogv5o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://scoutlikegirl.tumblr.com/post/8429195932&#34;&gt;scoutlikegirl&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://scribnerbooks.tumblr.com/post/8428873168&#34;&gt;scribnerbooks&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://i12bent.tumblr.com/post/8427556061&#34;&gt;i12bent&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Flannery O’Connor, Southern writer (of the novel &lt;em&gt;Wise Blood&lt;/em&gt; and short stories) - died this day in 1964, aged 39, from lupus…&lt;/p&gt;
&lt;p&gt;Photo of Flannery in front of her self-portrait w. peacock…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;This photo was taken by &lt;a href=&#34;http://album.atlantahistorycenter.com/store/Category/446-joe-mctyre-photograph-collection.aspx&#34;&gt;AJC photojournalist Joe McTyre&lt;/a&gt;, by the way. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/flanneryoconnor&#34;&gt;Love me some Flannery&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2011</title>
    <link href="https://mlarson.org/2011/08/02/the-difference-is-between-sitting-around-listening/"/>
    <updated>2011-08-02T01:46:21.000Z</updated>
    <id>https://mlarson.org/2011/08/02/the-difference-is-between-sitting-around-listening/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The difference is between sitting around listening to music and partying to music. You can’t just be walking back and forth on stage, otherwise it could just be a seminar.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Lil_Scrappy&#34;&gt;Lil Scrappy&lt;/a&gt; on crunk, quoted in &lt;a href=&#34;http://www.amazon.com/dp/1569766061&#34;&gt;Dirty South&lt;/a&gt;. You could say that the music &lt;a href=&#34;http://tumblr.mlarson.org/post/6013981742/its-my-theory-that-rock-and-roll-happens-between&#34;&gt;happens between fans and stars rather than between listeners and musicians&lt;/a&gt;. And like Little Steven says, performance &lt;a href=&#34;http://tumblr.mlarson.org/post/287685988/the-crisis-in-performance-is-i-believe-based-on&#34;&gt;relies on a working-class energy&lt;/a&gt;. And then there’s Elijah Wald’s observation that &lt;a href=&#34;http://tumblr.mlarson.org/post/166880512/reading-through-the-histories-of-both-jazz-and&#34;&gt;critics tend to be people that collect and discuss music, rather than dance to it&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2011</title>
    <link href="https://mlarson.org/2011/08/02/a-still-from-samuel-fullers-pickup-on-south/"/>
    <updated>2011-08-02T01:46:15.000Z</updated>
    <id>https://mlarson.org/2011/08/02/a-still-from-samuel-fullers-pickup-on-south/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lpa26s2wou1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;http://theartofmemory.blogspot.com/2008/03/robert-bresson-samuel-fuller-jean.html&#34;&gt;still&lt;/a&gt; from &lt;a href=&#34;http://en.wikipedia.org/wiki/Samuel_Fuller&#34;&gt;Samuel Fuller&lt;/a&gt;’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Pickup_on_South_Street&#34;&gt;Pickup on South Street&lt;/a&gt;. Part of a really awesome collection of stills in this &lt;a href=&#34;http://theartofmemory.blogspot.com/2011/01/trains-in-cinema-part-8.html&#34;&gt;series about trains in film&lt;/a&gt;. Linking to part 8 because it links to all the posts in the series at the bottom of the page.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2011</title>
    <link href="https://mlarson.org/2011/08/02/what-punk-was-to-rock-crunk-is-to-rap/"/>
    <updated>2011-08-02T01:46:00.000Z</updated>
    <id>https://mlarson.org/2011/08/02/what-punk-was-to-rock-crunk-is-to-rap/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What punk was to rock, crunk is to rap.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Andr%C3%A9_3000&#34;&gt;Andre 3000&lt;/a&gt;, quoted in &lt;a href=&#34;http://www.amazon.com/dp/1569766061&#34;&gt;Dirty South&lt;/a&gt;. &lt;a href=&#34;http://books.google.com/books?id=t-sT4VyjTKUC&amp;amp;pg=PA17&amp;amp;dq=What+punk+was+to+rock,+crunk+is+to+rap&#34;&gt;Apparently&lt;/a&gt; he said this on an MTV2 &lt;em&gt;Slanguistics&lt;/em&gt; segment.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>BEING THERE: ATLANTA | More Intelligent Life</title>
    <link href="https://mlarson.org/2011/08/02/being-there-atlanta-more-intelligent-life/"/>
    <updated>2011-08-02T00:59:02.000Z</updated>
    <id>https://mlarson.org/2011/08/02/being-there-atlanta-more-intelligent-life/</id>
    <content type="html">&lt;p&gt;Reflections on Atlanta from a Yankee who now calls it home. (&lt;a href=&#34;https://twitter.com/#!/LizaDunning/status/98179074098339840&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Atlanta is a profoundly pleasant city. That is not as easy as it seems. New York is thrilling, Hong Kong a marvel of density, Moscow the closest a city can get to a cocaine level of jitteriness and excitement, London endless: I love all four places, but I would never describe them as pleasant. They are none of them as comfortable and human-scaled as Atlanta. Social life just sort of happens here. In New York and London my calendar filled up weeks in advance; here it is not unusual to look forward to a relaxing, empty weekend on Thursday and then find that Saturday and Sunday are frantic.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The weekend thing is soooooo true. Also, while it’s in the South, it’s not always &lt;em&gt;of&lt;/em&gt; the South:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Atlanta has always been about trade, business, enterprise—the hustle. And if that fact robs it of the stately southern charm of Savannah or Charleston, it also did much to protect it from the worst excesses of reaction during the turbulent mid-60s, and made it a bastion of openness and tolerance in the South (not to mention a springtime blessing for those of us allergic to both Spanish moss and antebellum nostalgia).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://moreintelligentlife.com/content/places/jon-fasman/being-there-atlanta?page=full&#34;&gt;BEING THERE: ATLANTA | More Intelligent Life&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 1, 2011</title>
    <link href="https://mlarson.org/2011/08/01/there-are-for-example-only-two-reasons-for/"/>
    <updated>2011-08-01T13:04:22.000Z</updated>
    <id>https://mlarson.org/2011/08/01/there-are-for-example-only-two-reasons-for/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are, for example, only two reasons for children to go to school – apart, that is, from acquiring the werewithal to earn a living: to make friends, and to see if they can find something of absorbing interest to themselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/books/2010/sep/04/adam-phillips-the-happiness-myth&#34;&gt;Adam Phillips&lt;/a&gt;. I’ve &lt;a href=&#34;http://tumblr.mlarson.org/post/1076050006/adam-phillips-on-the-happiness-myth-books-the&#34;&gt;quoted this before&lt;/a&gt;, but it’s worth a repeat. More wisdom in the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/adamphillips&#34;&gt;Adam Phillips tag&lt;/a&gt;. My &lt;a href=&#34;http://www.mlarson.org/2010/11/04/on-kindness-review-45/&#34;&gt;favorite bits from his book &lt;em&gt;On Kindness&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>3:10 to Yuma (1957)</title>
    <link href="https://mlarson.org/2011/08/01/310-to-yuma-1957-this-is-another-western-with/"/>
    <updated>2011-08-01T13:02:51.000Z</updated>
    <id>https://mlarson.org/2011/08/01/310-to-yuma-1957-this-is-another-western-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/08/tumblr_lp8cqywipr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/3:10_to_Yuma_%281957_film%29&#34;&gt;3:10 to Yuma (1957)&lt;/a&gt;. This is another western with a somewhat reluctant hero on a deadline, like the excellent &lt;a href=&#34;http://tumblr.mlarson.org/post/3877301641/high-noon-great-movie-here-are-some-very-good&#34;&gt;High Noon&lt;/a&gt;. This one, in Glenn Ford’s character, also has an early appearance of the now-archetypal chatty, charismatic villain. Lovely camerawork and a good soundtrack, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 1, 2011</title>
    <link href="https://mlarson.org/2011/08/01/i-come-from-a-classical-background-i-came-up/"/>
    <updated>2011-08-01T13:02:42.000Z</updated>
    <id>https://mlarson.org/2011/08/01/i-come-from-a-classical-background-i-came-up/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I come from a classical background. I came up singing Italian sonnets, Negro spirituals, and shit of that nature.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Pimp_C&#34;&gt;Pimp C&lt;/a&gt;, quoted in &lt;a href=&#34;http://www.amazon.com/dp/1569766061&#34;&gt;Dirty South&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Put This On: On Gay Talese &amp;amp; Limited Budgets</title>
    <link href="https://mlarson.org/2011/08/01/put-this-on-on-gay-talese-limited-budgets/"/>
    <updated>2011-08-01T13:02:19.000Z</updated>
    <id>https://mlarson.org/2011/08/01/put-this-on-on-gay-talese-limited-budgets/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Perhaps you should consider consuming less, but consuming something special. Prioritizing something that pays a person who is creating a product that approaches art, rather than approaching widget.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://putthison.com/post/8219367353&#34;&gt;Put This On: On Gay Talese &amp;amp; Limited Budgets&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2011</title>
    <link href="https://mlarson.org/2011/07/28/you-know-how-they-make-us-look-on-tv-like-we-live/"/>
    <updated>2011-07-28T13:57:50.000Z</updated>
    <id>https://mlarson.org/2011/07/28/you-know-how-they-make-us-look-on-tv-like-we-live/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You know how they make us look on TV? Like we live on the front porch with flies and shit flying around us, with our stomachs all big eating watermelon rinds? That ain’t us, man. We’re smart, man. Our life is slowed down so we don’t miss nothing. When shit gets moving too fast you miss everything.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Scarface_%28rapper%29&#34;&gt;Scarface&lt;/a&gt;, quoted in &lt;a href=&#34;http://www.amazon.com/dp/1569766061&#34;&gt;Dirty South&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2011</title>
    <link href="https://mlarson.org/2011/07/28/three-guys-running-the-marathon-at-the-1896/"/>
    <updated>2011-07-28T13:57:13.000Z</updated>
    <id>https://mlarson.org/2011/07/28/three-guys-running-the-marathon-at-the-1896/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_lp05rmykhv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Three guys &lt;a href=&#34;http://en.wikipedia.org/wiki/Athletics_at_the_1896_Summer_Olympics_%E2%80%93_Men%27s_marathon&#34;&gt;running the marathon at the 1896 Olympics&lt;/a&gt;. Primitive running gear aside, this is a lovely photo. (&lt;a href=&#34;http://kottke.org/11/07/1896-olympic-marathon&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2011</title>
    <link href="https://mlarson.org/2011/07/27/i-dont-want-to-say-it-was-cool-but-the-girls/"/>
    <updated>2011-07-27T13:36:43.000Z</updated>
    <id>https://mlarson.org/2011/07/27/i-dont-want-to-say-it-was-cool-but-the-girls/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I don’t want to say it was cool, [but] the &lt;em&gt;girls&lt;/em&gt; was cool in school.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Big_Boi&#34;&gt;Big Boi&lt;/a&gt;, quoted in &lt;a href=&#34;http://www.amazon.com/dp/1569766061&#34;&gt;Dirty South&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Art Bollocks - Bryan Ashbee</title>
    <link href="https://mlarson.org/2011/07/27/art-bollocks-bryan-ashbee/"/>
    <updated>2011-07-27T13:19:39.000Z</updated>
    <id>https://mlarson.org/2011/07/27/art-bollocks-bryan-ashbee/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The art market is not a free market. It’s rigged; hugely distorted by the presence of public subsidy – the grants and funding available to organisations and individuals deemed to be producing “significant” work. To get access to this, it’s even more important that artists create the right theoretical discourse to surround their work.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also known as &lt;a href=&#34;http://tumblr.mlarson.org/tagged/bullshit&#34;&gt;bullshit&lt;/a&gt;. A handy guide for writing your own art bollocks:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A useful catch-all formula can be applied to all of this work, which I freely offer here, without charge:&lt;/p&gt;
&lt;p&gt;“X’s work&lt;br&gt;
{wryly/mockingly/cunningly/innocently/intelligently}&lt;br&gt;
{deconstructs/subverts/disrupts/parodies/appropriates/undermines}&lt;br&gt;
{popular notions/stereotypes/archetypes/conventions/the mythology/strategies}&lt;br&gt;
of {gender/representation/style/sexuality/commodification/identity}&lt;br&gt;
by …” followed by a nod at whatever images or objects are assembled.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://tumblr.austinkleon.com/post/6905633536&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://www.ipod.org.uk/reality/art_bollocks.asp&#34;&gt;Art Bollocks - Bryan Ashbee&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2011</title>
    <link href="https://mlarson.org/2011/07/27/colin-marshall-on-creative-community-in-which-i/"/>
    <updated>2011-07-27T13:07:13.000Z</updated>
    <id>https://mlarson.org/2011/07/27/colin-marshall-on-creative-community-in-which-i/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/26812813&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/26812813&#34;&gt;Colin Marshall on Creative Community&lt;/a&gt; from &lt;a href=&#34;http://vimeo.com/user2406147&#34;&gt;Colin Marshall&lt;/a&gt; on &lt;a href=&#34;http://vimeo.com&#34;&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vimeo.com/26812813&#34;&gt;Colin Marshall on Creative Community&lt;/a&gt;. In which I continue to admire Colin’s thoughtfulness and wonder when his film based on &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Aleph_%28short_story%29&#34;&gt;an awesome Borges story&lt;/a&gt; is gonna drop.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://player.vimeo.com/&#34;&gt;http://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Age of the Infovore (review)</title>
    <link href="https://mlarson.org/2011/07/26/20110726the-age-of-the-infovore-review/"/>
    <updated>2011-07-26T20:37:15.000Z</updated>
    <id>https://mlarson.org/2011/07/26/20110726the-age-of-the-infovore-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_loyva5year1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; One overriding sense that I get from Tyler Cowen&#39;s books (and &lt;a href=&#34;http://marginalrevolution.com/&#34;&gt;the blog he co-writes&lt;/a&gt;) is that he could explain a lot more in more exhaustive depth and detail, but prefers not to do so. The brainpower is there, for sure, and the writing is clear, but the feeling is that he wants me to think rather than be spoonfed. I appreciate this. You might have heard of &lt;a href=&#34;http://www.amazon.com/Age-Infovore-Succeeding-Information-Economy/dp/0452296196&#34;&gt;The Age of the Infovore&lt;/a&gt; under its earlier name, Create Your Own Economy, which maybe explains the contents a bit better (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2009/06/create-your-own-economy-standing-on-one-foot.html&#34;&gt;his own summary&lt;/a&gt;). Here&#39;s the idea: we live in a crazy modern world etc. etc. information overload etc. etc. BUT the optimistic take is that this cultural explosion coupled with technological advancement means it&#39;s easier and easier for us to assemble these cultural pieces in ways that are meaningful for each of us as individuals.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One result of the internet, I think, is that &lt;a href=&#34;http://tumblr.mlarson.org/post/315555450/one-result-of-the-internet-i-think-is-that-it&#34;&gt;it makes almost everyone smart more eclectic&lt;/a&gt;, whether in terms of substance or presentation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Which ties in with a later argument...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The mixing of populations lowers the cost of being unusual.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And similarly...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As cultural production becomes more diverse, more and more art forms will be directed at pleasing people with unusual neurologies. More and more of the aesthetic beauty of the world will be hidden to most observers, or at least those who don&#39;t invest in learning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And luckily, that applies not just to the consumers of art but the art itself. The neurology thing comes up again and again, because one of the continuing threads throughout the book is autism/Asperger&#39;s. He tries, successfully I think, to show the advantages that these conditions can have. Above-average strengths often appear in the autistic cognitive profile (in sorting/ordering, perception of detail, specialization, pattern detection, accurate recall, etc.) and you could say we&#39;ve begun to use things like the internet to order our lives and pursue our interests in ways that more closely mimic autistic traits. Unfortunately, our culture seems to sweep autistics aside because it&#39;s more stereotypically associated with more observable, less desirable personality/behavioral traits. Much of the book tries to set this straight, and in a typically Cowen-esque approach, see the other side. So back to maybe the greatest joy of modern life: the way we can delve into so many different interests (social, intellectual, cultural, spiritual, etc.) and media (books, blogs, movies, music, etc.) at the same time. And at this point I realize I&#39;m writing this while listening to &lt;a href=&#34;http://en.wikipedia.org/wiki/Thione_Seck&#34;&gt;Mbalax music&lt;/a&gt; and texting with a couple friends. While the immediate outside impression-at-a-glance is of overwhelm or disorder, this stuff usually relates to our long-term interests:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;While it is easy to observe apparent overload in our busy lives, the underlying reality is subtler. The common word is &amp;quot;multitasking&amp;quot; but I would sooner point to the coherence in your mind than regard it as a jumbled or chaotic blend. The coherence lies in the fact that you are getting a steady stream of information to feed your long-run attention. No matter how disparate the topics may appear to an outside viewer, most parts of the stream relate to your passions, your interests, your affiliations, and how it all hangs together. [...] The emotional power of our personal blends is potent, and they make work, and learning, a lot more fun. Multitasking is, in part, a strategy to keep ourselves interested. [...] The self-assembly of small cultural bits is sometimes addictive in the sense that the more of it you do, the more of it you want to do. But that kind of addiction doesn&#39;t have to be bad. Anything good in your life is probably going to have an addictive quality to it, as many people find with classical music or an appreciation of the Western classics, or for that matter a happy marriage. Shouldn&#39;t some of the best things in life get better the more you do them?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cowen has a definite anti-snob bent. Not a cultural relativist per se, but a similar word to the title, &amp;quot;omnivore&amp;quot;, definitely fits. One chapter analogizes modern culture and marriage:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Many critics of contemporary life want our culture to remain like a long-distance relationship, with thrilling peaks, when most of us are growing into something more mature. We are treating culture like a self-assembly of small bits, and we are creating and committing ourselves to a fascinating daily brocade, much as we can make a marriage into a rich and satisfying life. We are better off for this change and it is part of a broader trend of how the production of value---including beauty, suspense, and education---is becoming increasingly interior to our minds.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love that idea of a &amp;quot;daily brocade&amp;quot;. Speaking of texting and such, here&#39;s a bit on phone calls:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When you make a cellphone call, you open yourself up to being asked questions. You have to commit yourself on matters of tone and also on key information, such as telling your mother where you are and what you are doing and why you didn&#39;t call earlier. A phone call is actually a pretty complicated emotional event and that is one reason why so many people remained &amp;quot;cellphone holdouts&amp;quot; for so long. [...] A phone call is a demand on you. A phone call is a chance to be rejected. And a phone call is a chance to flub your lines or overplay your hand.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On the internet&#39;s potential to open your mind politically-speaking:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Being a Democrat, Republican, Libertarian, etc. doesn&#39;t many any single thing for what we are actually like as human beings. One thing we do on the web is seek out others who are like us in non-political ways and then we cement those alliances and friendships. Over time, we will discover that many of these truly similar people do not in fact share our political views. Then we realize that politics isn&#39;t as important as we used to think.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Here&#39;s a nice/terrifying bit on education that I first read &lt;a href=&#34;http://ben.casnocha.com/2009/07/comparing-modern-education-to-a-placebo.html&#34;&gt;on Ben Casnocha&#39;s blog&lt;/a&gt;. Comparing high-school-only grads to college grads is common, but if you really want to control, you have to compare college grads to people who &lt;em&gt;think&lt;/em&gt; they&#39;re being college-educated to find out if it&#39;s actually working...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It&#39;s now well-known in the medical literature that a medicine needs to be compared to a placebo, rather than to simply doing nothing. Placebo effects can be very powerful and many supposedly effective medicines do not in fact outperform the placebo. The sorry truth is that no one has compared modern education to a placebo. What if we just gave people lots of face-to-face contact and &lt;em&gt;told&lt;/em&gt; them they were being educated? I&#39;m not sure I want to know the answer to that question. Maybe that&#39;s what current methods of education &lt;em&gt;already consist of&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I really liked his chapter on &amp;quot;The New Economy of Stories&amp;quot;. You&#39;ll get a good idea of what he has to say if you watch &lt;a href=&#34;http://www.youtube.com/watch?v=RoEEDKwzNBw&#34;&gt;his awesome TEDxMidAtlantic talk on stories&lt;/a&gt;.&lt;/p&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/RoEEDKwzNBw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Some of this branches off from economist Thomas C. Schelling&#39;s essay, &lt;a href=&#34;http://www.amazon.com/Choice-Consequence-Thomas-C-Schelling/dp/0674127714&#34;&gt;The Mind As a Consuming Organ&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Schelling emphasizes that we &amp;quot;consume&amp;quot; stories through memories, anticipations, fantasies, and daydreams. Concrete goods and services, such as Lassie programs, help impose order and discipline on our fantasies and give us stronger and more coherent mental lives. Of course consuming stories is not just about watching television, even though the average American does that for several hours in a typical day. If the tube bores us, we play computer games, read novels, reimagine central events in our lives, spin fantasies, or listen to the narratives of friends.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One way we tell ourselves stories is in how we use our money. (A book that&#39;s become a sort of touchstone for me, &lt;a href=&#34;/mark-larson-1/2009/07/27/spent-review&#34;&gt;Geoffrey Miller&#39;s &lt;em&gt;Spent&lt;/em&gt;&lt;/a&gt;, comes at these ideas from a similar angle):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You&#39;re not just buying a sneaker, you&#39;re buying an image of athleticism and an associated story about yourself. It&#39;s not just an indie pop song, it is your sense of identity as the listener and owner of the music. If you give to Oxfam, yes you want to help people, but you also are constructing a narrative about your place in the broader world and the responsibilities you have chosen to assume. The Portuguese author Fernando Pessoa wrote: &amp;quot;The buyers of useless things are wiser than is commonly supposed---the buy little dreams.&amp;quot; That is a big part of what markets are about. Whether you are buying cosmetics, a lottery ticket, or an oil painting, you are constructing, defining, and memorializing your dreams into vivid and physically real forms.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And it&#39;s important to keep in mind that these dreams, the stories we tell ourselves, may not be so special or unique to us:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Hollywood blockbusters... end up drained of vitality and risk-taking in an effort to appeal to the least common denominator in a large group of people. We&#39;re less likely to see that the same logic applies not just to the Hollywood studios but also to ourselves. In this way I am pretty typical. Some of the inputs behind my deepest personal narratives suffer from the least-common-denominator effect. The logic applies to my dream. To my fantasies. To my deepest visions of what I can be. I treasure those thoughts and feelings so much but in reality I pull a lot of them from a social context and I pull them from points that are socially salient. That means I pull them from celebrities, from ads, from popular culture, and most generally from ideas that are easy to communicate and disseminate to large numbers of people. We all dream in pop culture language to some degree.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This next quote is all &lt;a href=&#34;http://en.wikipedia.org/wiki/Fernando_Pessoa&#34;&gt;Pessoa&lt;/a&gt;, writing perhaps too stridently about the dangers of novelty, but it&#39;s worth considering:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Wise is the man who monotonizes his existence, for then each minor incident seems a marvel. A hunter of lions feels no adventure after the third lion. Fro my monotonous cook, a fist-fight on the street always has something of a modest apocalypse... The man who has journeyed all over the world can&#39;t find any novelty in five thousand miles, for he finds only new things---yet another novelty, the old routine of the forever new---while his abstract concept of novelty got lost at sea after the second new thing he saw.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A later chapter goes into art and culture and aesthetics. Branching off some ideas from neurology and from &lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/phil%20of%20art/hume%20on%20taste.htm&#34;&gt;David Hume&#39;s &amp;quot;Of the Standard of Taste&amp;quot;&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Sociological approaches to cultural taste often imply that taste differences are contrived, artificial, or reflect wasteful status-seeking. The result is that we appreciate taste differences less than we might and we become less curious. Neurological approaches imply that different individuals perceive different cultural mysteries and beauties. You can&#39;t always cross the gap to understand the other person&#39;s point of view, but at the very least you know something is there worth pursuing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I liked the argument here about musical complexity, but surely the argument applies anywhere else you have cultural competence:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An issue arises if you get &amp;quot;too good&amp;quot; at finding the order in music. You must resort of bigger and bigger doses of informational complexity to achieve the prior effects that were so enjoyable. It&#39;s a bit like needing successively stronger doses of heroin, wanting to move beyond Vivaldi, or more prosaically having to switch from one pop song to the next. Don&#39;t we all do that? But the metric for the right amount of complexity differs across listeners, even across listeners with the same degree of musical experience and education.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And this ties in with how we evaluate cultural works...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The most common reaction is simply to evaluate the aesthetic perspective through the taste of either the public or the educated critics. We privilege those perspectives either because they have social status or because, in the case of the consumers, they have buying power and thus they command the attention of the media. So if it is serial killer stories, maybe the critics call it too lowbrow and talk about the decline of our society. If it is atonal music, it gets labeled as too inaccessible or too highbrow or it is claimed that the academic composers are perverse and self-indulgent. Most cultural criticism is staggering in how much it begs the question of what is the appropriate middle ground.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Boom. Read this book.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2011</title>
    <link href="https://mlarson.org/2011/07/26/the-shining-spatial-awareness-and-set-design/"/>
    <updated>2011-07-26T20:00:43.000Z</updated>
    <id>https://mlarson.org/2011/07/26/the-shining-spatial-awareness-and-set-design/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/0sUIxXCCFWw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=0sUIxXCCFWw&#34;&gt;THE SHINING: Spatial awareness and set design. Part 1&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=eUavRrCMUZ0&#34;&gt;Part 2&lt;/a&gt;. See also Rob Ager’s &lt;a href=&#34;http://www.collativelearning.com/the%20shining.html&#34;&gt;Mazes, Mirrors, Deception and Denial&lt;/a&gt;. I’m not the biggest fan of &lt;em&gt;The Shining&lt;/em&gt;, but dang, there’s some thought that went into it. (&lt;a href=&#34;http://daringfireball.net/linked/2011/07/26/shining-spatial-impossibilities&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2011</title>
    <link href="https://mlarson.org/2011/07/26/1992-nlcs-sid-breams-mad-dash-just-remembered/"/>
    <updated>2011-07-26T19:57:24.000Z</updated>
    <id>https://mlarson.org/2011/07/26/1992-nlcs-sid-breams-mad-dash-just-remembered/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlb.mlb.com/shared/flash/video/share/ObjectEmbedFrame.swf?content_id=3251567&amp;amp;topic_id=&amp;amp;width=400&amp;amp;height=254&amp;amp;property=mlb&#34;&gt;http://mlb.mlb.com/shared/flash/video/share/ObjectEmbedFrame.swf?content_id=3251567&amp;amp;topic_id=&amp;amp;width=400&amp;amp;height=254&amp;amp;property=mlb&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlb.mlb.com/video/play.jsp?content_id=3251567&#34;&gt;1992 NLCS: Sid Bream’s Mad Dash&lt;/a&gt;. Just remembered the greatest sports highlight of my first 9 years of life: Sid Bream chugs around third, scores the winning run, and the Braves head to the 1992 World Series.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://mlb.mlb.com/&#34;&gt;http://mlb.mlb.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2011</title>
    <link href="https://mlarson.org/2011/07/26/lets-not-bring-flame-where-light-is-enough/"/>
    <updated>2011-07-26T02:45:50.000Z</updated>
    <id>https://mlarson.org/2011/07/26/lets-not-bring-flame-where-light-is-enough/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Let’s not bring flame where light is enough.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Victor Hugo in &lt;a href=&#34;http://books.google.com/books?id=WOxhhg3qyMYC&amp;amp;pg=PA426&amp;amp;dq=let&#39;s+not+bring+flame+where+light+is+enough&#34;&gt;Les Miserables&lt;/a&gt;. (&lt;a href=&#34;http://harpers.org/archive/2011/08/0083546&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>After 9/11: The limits of remembrance—By David Rieff (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2011/07/26/after-911-the-limits-of-remembranceby-david/"/>
    <updated>2011-07-26T02:45:43.000Z</updated>
    <id>https://mlarson.org/2011/07/26/after-911-the-limits-of-remembranceby-david/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The ghost at the banquet of all public commemoration is always politics—above all, the mobilization of solidarity […] It is about the reaffirming of group loyalty rather than the establishing of historical accuracy, let alone the presenting of an event in all its moral and political complexity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2011/08/0083546&#34;&gt;After 9/11: The limits of remembrance—By David Rieff (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A question of discrimination - AC Grayling on art and elitism | The Guardian</title>
    <link href="https://mlarson.org/2011/07/26/a-question-of-discrimination-ac-grayling-on-art/"/>
    <updated>2011-07-26T02:45:32.000Z</updated>
    <id>https://mlarson.org/2011/07/26/a-question-of-discrimination-ac-grayling-on-art/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A mature culture is one which wishes to know more about other cultures, and which values the best examples of what it has of them, and which is better able to appreciate them because it has standards and insights developed in appreciation of its own.&lt;/p&gt;
&lt;p&gt;It was the African figures in the Louvre that inspired Picasso. That one fact alone could serve to remind us how porous high culture is, in both directions, and how symbiotic the existence of all cultures is, especially in the globalised world. When receptive sensibilities engage with the artefacts of the past and other civilisations, they are nourished by them and learn from them, not least how to be discerning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/books/2002/jul/13/arts.artsfeatures&#34;&gt;A question of discrimination - AC Grayling on art and elitism | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Problem of Hamlet - T. S. Eliot</title>
    <link href="https://mlarson.org/2011/07/26/the-problem-of-hamlet-t-s-eliot/"/>
    <updated>2011-07-26T02:45:27.000Z</updated>
    <id>https://mlarson.org/2011/07/26/the-problem-of-hamlet-t-s-eliot/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Probably more people have thought &lt;em&gt;Hamlet&lt;/em&gt; a work of art because they found it interesting, than have found it interesting because it is a work of art. It is the “Mona Lisa” of literature.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/web%20publishing/Eiliot_Hamlet.htm&#34;&gt;The Problem of Hamlet - T. S. Eliot&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On the Problem of Form - Wassily Kandinsky</title>
    <link href="https://mlarson.org/2011/07/26/on-the-problem-of-form-wassily-kandinsky/"/>
    <updated>2011-07-26T02:45:18.000Z</updated>
    <id>https://mlarson.org/2011/07/26/on-the-problem-of-form-wassily-kandinsky/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In practical life… one will hardly find a person who, if he wants to travel to Berlin, gets off the train in Regensburg! In spiritual life, getting off the train in Regensburg is a rather usual thing. Sometimes even the engineer does not want to go any further, and all of the passengers get off in Regensburg. How many, who sought God, finally remained standing before a carved figure! How many, who sought art, became caught on a form which an artist had used for his own purposes, be it Giotto, Raphael, Durer, or Van Gogh!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mnstate.edu/gracyk/courses/phil%20of%20art/kandinskytext5.htm&#34;&gt;On the Problem of Form - Wassily Kandinsky&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Denis Dutton on Kitsch</title>
    <link href="https://mlarson.org/2011/07/26/denis-dutton-on-kitsch/"/>
    <updated>2011-07-26T02:45:04.000Z</updated>
    <id>https://mlarson.org/2011/07/26/denis-dutton-on-kitsch/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The impact of kitsch is limited to &lt;em&gt;reminding&lt;/em&gt; the viewer of great works of art, deep emotions, or grand philosophic, religious, or patriotic sentiments.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.denisdutton.com/kitsch_macmillan.htm&#34;&gt;Denis Dutton on Kitsch&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>People&#39;s Champion: Behind the Battle</title>
    <link href="https://mlarson.org/2011/07/26/peoples-champion-behind-the-battle-i-was-bummed/"/>
    <updated>2011-07-26T02:45:00.000Z</updated>
    <id>https://mlarson.org/2011/07/26/peoples-champion-behind-the-battle-i-was-bummed/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/26585091&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/26585091&#34;&gt;People’s Champion: Behind the Battle&lt;/a&gt;. I was bummed I missed the Atlanta premiere back in May, so I’m glad the first half of &lt;a href=&#34;http://peopleschampiondoc.com/&#34;&gt;People’s Champion&lt;/a&gt; is now online. It’s a documentary going behind the scenes of the &lt;a href=&#34;http://www.youtube.com/watch?v=tKKxPtP6XjQ&#34;&gt;Eli Porter vs. Envy freestyle battle&lt;/a&gt;. They’re trying to &lt;a href=&#34;http://www.kickstarter.com/projects/peopleschampiondoc/eli-porter-iron-mic-documentary-peoples-champion&#34;&gt;Kickstarter the second half&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wehr in the World: New York frickin’ City</title>
    <link href="https://mlarson.org/2011/07/26/wehr-in-the-world-new-york-frickin-city/"/>
    <updated>2011-07-26T02:44:57.000Z</updated>
    <id>https://mlarson.org/2011/07/26/wehr-in-the-world-new-york-frickin-city/</id>
    <content type="html">&lt;p&gt;I love this. Reminds me that I forgot to do notes on Tokyo. Should have done that when it was still fresh.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/07/new-york-frickin-city.html&#34;&gt;Wehr in the World: New York frickin’ City&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Zanskar Trek, I: Darcha to Padum</title>
    <link href="https://mlarson.org/2011/07/25/the-zanskar-trek-i-darcha-to-padum/"/>
    <updated>2011-07-25T01:01:31.000Z</updated>
    <id>https://mlarson.org/2011/07/25/the-zanskar-trek-i-darcha-to-padum/</id>
    <content type="html">&lt;p&gt;I just finished reading Chris Willett’s &lt;a href=&#34;http://tumblr.mlarson.org/post/7618404567/trekking-in-the-indian-trans-himalaya-chris&#34;&gt;journals from the Indian Himalaya that I tumbled a while ago&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The purity of the alpine is not a reassuring quality. It is a fearful one, one that does not invite a person to linger or lounge. It is an abode that is best visited and not one to be domesticated, the living room of everything that is not the village, everything that is outside the bounds of settled, civil life.&lt;/p&gt;
&lt;p&gt;But it is a place that one calls to some of us, bringing us to the hostile place to breathe the air and feel the sterility. It is a place, like the floor of Death Valley or, presumably, the ice floes of the Antarctic, that amplifies human existence. One does not feel insignificant in such places. Rather, one feels a sense of importance for no other reason that being alive.&lt;/p&gt;
&lt;p&gt;It is not an importance born and cultivated to be ego satisfying or one that inspires arrogance. No, it is a sense that to be alive is an important quality and that to be alive is better than to be dead. Barren, lifeless places teach us this better than anything written, drawn, or recorded. And, besides, the alpine is a beautiful place to visit in fine weather.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://cwillett.imathas.com/ladakh/leg2.html&#34;&gt;The Zanskar Trek, I: Darcha to Padum&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>We Must Be Superstars - New York Magazine</title>
    <link href="https://mlarson.org/2011/07/25/we-must-be-superstars-new-york-magazine/"/>
    <updated>2011-07-25T00:58:08.000Z</updated>
    <id>https://mlarson.org/2011/07/25/we-must-be-superstars-new-york-magazine/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The music we spend our private time on, and use to build our identities, varies more wildly than ever from person to person. But there’s at least one kind of music that needs consensus to function, and that’s the stuff we dance, party, and strut around to. “The club” might be the last remaining space where strangers are all forced to pay attention to the same songs. And whether it’s an actual club or just a bedroom, it tends to be a space where people enjoy feeling fabulous.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/7086981664/the-concert-hall-is-one-of-the-few-places-where-we&#34;&gt;Norman Lebrecht&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/print/?/arts/popmusic/features/narcissism-2011-7/index3.html&#34;&gt;We Must Be Superstars - New York Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Being Ill (review)</title>
    <link href="https://mlarson.org/2011/07/25/20110725on-being-ill-review/"/>
    <updated>2011-07-25T00:58:01.000Z</updated>
    <id>https://mlarson.org/2011/07/25/20110725on-being-ill-review/</id>
    <content type="html">&lt;p&gt;I don&#39;t have much to say about &lt;a href=&#34;http://www.amazon.com/Being-Ill-Virginia-Woolf/dp/1930464061&#34;&gt;On Being Ill&lt;/a&gt; other than it&#39;s incredibly short and its meanderings in that space cover the spectrum from silly to sentimental. You will spend perhaps 30 minutes reading this book. I heard of it via &lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/07/what-ive-been-reading-8.html&#34;&gt;Tyler Cowen&#39;s breathless recommendation&lt;/a&gt;. It&#39;s hard to block quote such a short flowing text, but I like these next couple passages. Here&#39;s one at the heart of the book: people don&#39;t write about pain much. It&#39;s overlooked by the great writers, and thus we have no words to steal or clichés to rely on:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry. There is nothing ready made for him. He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And I think most can relate to the the perverse sort of joy we take in being sick, reclining, casting off social graces, embracing our misery:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is, let us confess it (and illness is the great confessional), a childish outspokenness in illness; things are said, truths blurted out, which the cautious respectability of health conceals. About sympathy for example---we can do without it. That illusion of a world so shaped that it echoes every groan, of human beings so tied together by common needs and fears that a twitch at one wrist jerks another, where however strange your experience other people have had it too, where however far you travel in your own mind someone has been there before you---is all an illusion. We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds&#39; feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable. But in health the genial pretense must be kept up and the effort renewed---to communicate, to civilise, to share, to cultivate the desert, educate the native, to work together by day and by night to sport. In illness this make-believe ceases.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Americanisms: 50 of your most noted examples - BBC News</title>
    <link href="https://mlarson.org/2011/07/22/americanisms-50-of-your-most-noted-examples-bbc/"/>
    <updated>2011-07-22T18:00:08.000Z</updated>
    <id>https://mlarson.org/2011/07/22/americanisms-50-of-your-most-noted-examples-bbc/</id>
    <content type="html">&lt;p&gt;“The Magazine’s recent piece on Americanisms entering the language in the UK prompted thousands of you to e-mail examples.” Picky picky.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bbc.co.uk/news/magazine-14201796&#34;&gt;Americanisms: 50 of your most noted examples - BBC News&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2011</title>
    <link href="https://mlarson.org/2011/07/22/freddie-gibbs-rock-bottom-i-stand-by-my/"/>
    <updated>2011-07-22T17:55:14.000Z</updated>
    <id>https://mlarson.org/2011/07/22/freddie-gibbs-rock-bottom-i-stand-by-my/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/H6udb3mM_04&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=H6udb3mM_04&#34;&gt;Freddie Gibbs - Rock Bottom&lt;/a&gt;. I stand by &lt;a href=&#34;http://tumblr.mlarson.org/post/5776667870/cbenjamin-its-gangsta-gibbs-hoe-favorite&#34;&gt;my previous statements&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2011</title>
    <link href="https://mlarson.org/2011/07/22/most-of-my-days-involve-four-and-five-hour/"/>
    <updated>2011-07-22T17:50:00.000Z</updated>
    <id>https://mlarson.org/2011/07/22/most-of-my-days-involve-four-and-five-hour/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most of my days involve four- and five-hour stretches of what I would characterize as dicking around on the Internet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.fastcompany.com/most-creative-people/2011/jesse-thorn-maximum-fun&#34;&gt;Jesse Thorn&lt;/a&gt;. (&lt;a href=&#34;http://submittedforyourperusal.com/2011/07/11/stretches/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Harry Potter and the Deathly Hallows – Part 2</title>
    <link href="https://mlarson.org/2011/07/22/harry-potter-and-the-deathly-hallows-part-2-you/"/>
    <updated>2011-07-22T17:49:48.000Z</updated>
    <id>https://mlarson.org/2011/07/22/harry-potter-and-the-deathly-hallows-part-2-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_loqxhjbnud1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Harry_Potter_and_the_Deathly_Hallows_%E2%80%93_Part_2&#34;&gt;Harry Potter and the Deathly Hallows – Part 2&lt;/a&gt;. You know it’s serious when the skies are overcast for two hours straight. Setting aside the expected clichés of dim lighting, muted palettes, stormclouds, speeches, etc., I went in expecting to be highly entertained and I was not disappointed. Until the end. I see the last five minutes as a pretty serious failure given the ~15 hours of good work that came before. Seriously, just throw an &lt;a href=&#34;http://www.youtube.com/watch?v=np6vAuS0KNs&#34;&gt;Ewok party&lt;/a&gt; and call it a day. Don’t try to make 20-year-olds-who-look-like-teenagers look like 40-years-olds. Yep, I’m old and grumpy. One day I’ll be glad to watch these again with my kids.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Harry Potter and the Deathly Hallows – Part 1</title>
    <link href="https://mlarson.org/2011/07/22/harry-potter-and-the-deathly-hallows-part-1/"/>
    <updated>2011-07-22T17:49:43.000Z</updated>
    <id>https://mlarson.org/2011/07/22/harry-potter-and-the-deathly-hallows-part-1/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_loqxegbscq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Harry_Potter_and_the_Deathly_Hallows_%E2%80%93_Part_1&#34;&gt;Harry Potter and the Deathly Hallows – Part 1&lt;/a&gt;. Honestly, I don’t remember this one well at all. My friends were talking a lot while it played. Whereas I’m not a superfan, and whereas I stopped reading the books after 2¼ books, it struck me as the same kind of chase-this, find-that sort of adventure I was expecting. Which is not at all a bad thing. It was fun. The best moment is &lt;a href=&#34;http://www.youtube.com/watch?v=7pczPkuRbKQ&amp;amp;t=58s&#34;&gt;Dobby unscrewing the chandelier&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2011</title>
    <link href="https://mlarson.org/2011/07/20/the-value-of-physical-pain-is-that-it-is-finite/"/>
    <updated>2011-07-20T17:22:22.000Z</updated>
    <id>https://mlarson.org/2011/07/20/the-value-of-physical-pain-is-that-it-is-finite/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The value of physical pain is that it is finite. It ends when the ailment ends. We can use this as an opportunity to push on through, with the safety net of knowing it will eventually be over. It is practice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ryanholiday.net/pain/&#34;&gt;Ryan Holiday&lt;/a&gt;. Just this weekend I was talking about the value of exercise &lt;em&gt;qua&lt;/em&gt; mild self-harm. This is more articulate than I was.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Son Of Strelka, Son Of God (Narrated by Obama) - A Free Audio Story</title>
    <link href="https://mlarson.org/2011/07/14/son-of-strelka-son-of-god-narrated-by-obama-a/"/>
    <updated>2011-07-14T18:46:22.000Z</updated>
    <id>https://mlarson.org/2011/07/14/son-of-strelka-son-of-god-narrated-by-obama-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Bit by bit I’ve dissected Obama’s self-read autobiography into thousands of very short phrases, usually one to ten words or so, and have used these snippets to tell a completely different story from the original. I’ve then set the story to music. The story is called Son Of Strelka, Son Of God. Broadly speaking, it tells the story of an ugly dog-faced demigod who recreates the world after it is destroyed. It’s about thirty minutes long, and lies in some weird grey area between audiobook and electronic music.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Wow. More &lt;a href=&#34;http://www.slate.com/id/2298951/&#34;&gt;in Slate&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://forums.somethingawful.com/showthread.php?threadid=3422981&#34;&gt;Son Of Strelka, Son Of God (Narrated by Obama) - A Free Audio Story&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 14, 2011</title>
    <link href="https://mlarson.org/2011/07/14/trekking-in-the-indian-trans-himalaya-chris/"/>
    <updated>2011-07-14T17:13:06.000Z</updated>
    <id>https://mlarson.org/2011/07/14/trekking-in-the-indian-trans-himalaya-chris/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_loc2hva1uf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cwillett.imathas.com/ladakh/&#34;&gt;Trekking in the Indian Trans-Himalaya&lt;/a&gt;. Chris Willett’s journals from a July-August trip to Ladakh and Zanskar, India. I still agree with &lt;a href=&#34;http://tumblr.mlarson.org/post/232008911/chris-willett-keeps-pretty-much-the-best-hiking&#34;&gt;my claim&lt;/a&gt; that he has pretty much the best hiking journal on the internet when you consider the double-whammy of writing and photography. Usually pretty unvarnished. Sometimes travel is damn hard.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It was here that Tibetans fled when the Chinese liberated their country, and it was here that I was told Tibetan culture was still intact. Desert peaks leading to handing glaciers soared above irrigated valleys, with monasteries carved into the sides of mountains and an outdoor paradise, this was the objective for the summer. But as always seems to happen, my time was more an experience within myself, an experience that helped to bring clarity to my own life at a time of transition. I will not be back.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 13, 2011</title>
    <link href="https://mlarson.org/2011/07/13/harry-bertoias-my-self-rating-chart-school/"/>
    <updated>2011-07-13T16:14:40.000Z</updated>
    <id>https://mlarson.org/2011/07/13/harry-bertoias-my-self-rating-chart-school/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_loa54grgmf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/life/feature/2011/07/12/lists_morgan_library_imprint/index.html&#34;&gt;Harry Bertoia’s “My-self Rating Chart” school assignment&lt;/a&gt;. Harry Bertoia papers, 1917-1979.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 13, 2011</title>
    <link href="https://mlarson.org/2011/07/13/the-buyers-of-useless-things-are-wiser-than-is/"/>
    <updated>2011-07-13T16:06:43.000Z</updated>
    <id>https://mlarson.org/2011/07/13/the-buyers-of-useless-things-are-wiser-than-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The buyers of useless things are wiser than is commonly supposed – they buy little dreams.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Fernando_Pessoa&#34;&gt;Fernando Pessoa&lt;/a&gt; in &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Book_of_Disquiet&#34;&gt;The Book of Disquiet&lt;/a&gt;, which I haven’t read but got the quote from Tyler Cowen’s so-far excellent &lt;a href=&#34;http://www.amazon.com/dp/0452296196&#34;&gt;The Age of the Infovore&lt;/a&gt;. See also &lt;a href=&#34;http://gapingvoid.com/2007/10/24/more-thoughts-on-social-objects/&#34;&gt;social objects&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 13, 2011</title>
    <link href="https://mlarson.org/2011/07/13/eero-saarinens-list-of-aline-bernsteins-good/"/>
    <updated>2011-07-13T16:00:00.000Z</updated>
    <id>https://mlarson.org/2011/07/13/eero-saarinens-list-of-aline-bernsteins-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_loa4h7l82c1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/life/feature/2011/07/12/lists_morgan_library_imprint/index.html&#34;&gt;Eero Saarinen’s list of Aline Bernstein’s good qualities&lt;/a&gt;, ca. 1954. Aline and Eero Saarinen papers, 1857-1972. Featured in &lt;a href=&#34;http://www.salon.com/life/feature/2011/07/12/lists_morgan_library_imprint/index.html&#34;&gt;What we can learn from lists&lt;/a&gt;. This reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/884617560/this-is-the-question-charles-darwin-writes-at-the&#34;&gt;Charles Darwin trying to decide whether or not to marry Emma Wedgewood&lt;/a&gt;. Sounds like a cool &lt;a href=&#34;http://www.themorgan.org/exhibitions/exhibition.asp?id=53&#34;&gt;list-focused exhibition at the Morgan Library &amp;amp; Museum&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Overcoming Bias : Beware Morality Porn</title>
    <link href="https://mlarson.org/2011/07/13/overcoming-bias-beware-morality-porn/"/>
    <updated>2011-07-13T01:22:06.000Z</updated>
    <id>https://mlarson.org/2011/07/13/overcoming-bias-beware-morality-porn/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Movies usually focus more on whether characters have the strength of will to do what is obviously right than on whether they have the wisdom to discern what is right. And movie characters rarely have to choose between the praise of associates and doing the right thing – key associates usually support doing the right thing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.overcomingbias.com/2011/07/beware-morality-porn.html&#34;&gt;Overcoming Bias : Beware Morality Porn&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 12, 2011</title>
    <link href="https://mlarson.org/2011/07/12/there-are-few-if-any-awkward-silences-on-facebook/"/>
    <updated>2011-07-12T13:41:19.000Z</updated>
    <id>https://mlarson.org/2011/07/12/there-are-few-if-any-awkward-silences-on-facebook/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are few if any awkward silences on Facebook.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.themachinestarts.com/read/60&#34;&gt;Facebook, the Projected Self and Narcissism - The Machine Starts&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 11, 2011</title>
    <link href="https://mlarson.org/2011/07/11/manute-bol-and-spud-webb-1985-photo-by-manny/"/>
    <updated>2011-07-11T15:38:00.000Z</updated>
    <id>https://mlarson.org/2011/07/11/manute-bol-and-spud-webb-1985-photo-by-manny/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_lo0wlkup3u1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://sportsillustrated.cnn.com/multimedia/photo_gallery/1005/manute.bol.photos/content.2.html&#34;&gt;Manute Bol and Spud Webb - 1985&lt;/a&gt;. Photo by &lt;a href=&#34;http://sportsillustrated.cnn.com/vault/topic/article/Manny_Millan/1900-01-01/2100-12-31/mdd/index.htm&#34;&gt;Manny Millan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>4 Reasons traveling is a waste of time | Penelope Trunk</title>
    <link href="https://mlarson.org/2011/07/11/4-reasons-traveling-is-a-waste-of-time-penelope/"/>
    <updated>2011-07-11T15:37:00.000Z</updated>
    <id>https://mlarson.org/2011/07/11/4-reasons-traveling-is-a-waste-of-time-penelope/</id>
    <content type="html">&lt;p&gt;I do not disagree with any of these. Food for thought!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2009/08/17/4-reasons-travel-for-fun-is-a-waste-of-time/&#34;&gt;4 Reasons traveling is a waste of time | Penelope Trunk&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 9, 2011</title>
    <link href="https://mlarson.org/2011/07/09/you-dont-get-what-you-deserve-you-get-what-you/"/>
    <updated>2011-07-09T17:22:58.000Z</updated>
    <id>https://mlarson.org/2011/07/09/you-dont-get-what-you-deserve-you-get-what-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You don’t get what you deserve, you get what you negotiate.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Decoded-Jay-Z/dp/1400068924&#34;&gt;Jay-Z&lt;/a&gt;. Gotta say, I &lt;a href=&#34;http://www.mlarson.org/2011/07/09/decoded-review/&#34;&gt;really liked his book&lt;/a&gt;. And it was &lt;a href=&#34;http://www.mlarson.org/2010/12/29/favorite-albums-of-2010/&#34;&gt;only last December&lt;/a&gt; that I started paying decent attention to his music.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Decoded (review)</title>
    <link href="https://mlarson.org/2011/07/09/20110709decoded-review/"/>
    <updated>2011-07-09T13:16:08.000Z</updated>
    <id>https://mlarson.org/2011/07/09/20110709decoded-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5874763974/&#34; title=&#34;Decoded by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm6.static.flickr.com/5273/5874763974_b06bb6f613.jpg&#34; alt=&#34;Decoded&#34;&gt;&lt;/a&gt; Jay-Z&#39;s &lt;a href=&#34;http://www.amazon.com/Decoded-Jay-Z/dp/1400068924&#34;&gt;Decoded&lt;/a&gt; is a wonderful book. Read it. I&#39;d love to read more nonfiction like this. So conversational, relaxed, super-smart. And it&#39;s just a really beautiful book. Lots of photos, lyrics and footnoes, pull-quotes. I started off a little skeptical, just skimming for pictures and quotes and anecdotes, but then I just had to start over and read it straight through. Highly recommended. Here&#39;s some favorite parts...&lt;/p&gt;
&lt;p&gt;An important lesson from &amp;quot;Coming of Age&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ten thou&#39; or a hundred G keep yo&#39; shit the same&lt;/p&gt;
&lt;/blockquote&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/HH_XQ3IrDJk&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Next up is maybe my favorite line from the whole book. The context is the music business, but the wisdom applies well beyond. Emphasis mine:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In the streets there aren&#39;t written contracts. Instead, you live by certain codes. There are no codes and ethics in music because there are lawyers. People can hide behind their lawyers and contracts and then rob you blind. A lot of street cats come into the music game and expect a certain kind of honor and ethics, even outside of contracts. But in business, like they say, &lt;strong&gt;you don&#39;t get what you deserve, you get what you negotiate&lt;/strong&gt;. So I mind my business and I don&#39;t apologize for it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Speaking of business, when he was just getting started, he knew to put the plans on paper...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We didn&#39;t know the business yet, but we knew how to hustle. Like a lot of underground crews on a mission, we were on some real trunk-of-the-car shit. The difference with us was that we didn&#39;t want to get stalled at low-level hustling. We had a plan. We did more than talk about it, we wrote it down. Coming up with a business plan was the first thing the three of us did. We made short and long-term projections, we kept it realistic, but the key thing is that we wrote it down, which is as important as visualization in realizing success.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I think this next bit is a pretty incisive take on poverty. Cuts right to the heart of it. Emphasis mine:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the reasons inequality gets so deep in this country is that everyone wants to be rich. That&#39;s the American ideal. Poor people don&#39;t like talking about poverty because even though they might live in the projects surrounded by other poor people and have, like, ten dollars in the bank, they don&#39;t like to think of themselves as poor. It&#39;s embarrassing. [...] &lt;strong&gt;The burden of poverty isn&#39;t just that you don&#39;t always have the things you need, it&#39;s the feeling of being embarrassed every day of your life&lt;/strong&gt;, and you&#39;d do anything to lift that burden.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yep.&lt;/p&gt;
&lt;p&gt;Later in the book he talks about the tension between being a ridiculously wealthy businessman with lingering remnants of street thug...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Having a devil on one shoulder and an angel on the other is the most common thing in the world. The real bullshit is when you act like you &lt;em&gt;don&#39;t&lt;/em&gt; have contradictions inside you, that you&#39;re so dull and unimaginative that your mind never changes or wanders into strange, unexpected places.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Which reminds me of a &lt;a href=&#34;http://tumblr.mlarson.org/post/6951955304/i-was-on-the-streets-for-more-than-half-of-my-life&#34;&gt;quote I already tumbled&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I’m so far away from that life—now that I’ve got businesses and Grammys and magazine covers—that I have no right to rap about it. But how distant is the story of your own life ever going to be?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I first read &lt;a href=&#34;http://www.themillions.com/2011/01/jay-z-is-not-a-proudhon-of-hip-hop.html&#34;&gt;this bit in The Millions&lt;/a&gt; (thanks, &lt;a href=&#34;http://tumblr.austinkleon.com/post/3588520549&#34;&gt;Austin&lt;/a&gt;!). It&#39;s about piecing together your influences:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The seventies were a strange time, especially in black America. The music was beautiful in part because it was keeping a kind of torch lit in a dark time. I feel like we--rappers, DJs, producers--were able to smuggle some of the magic of that dying civilization in our music and use it to build a new world. We were kids without fathers, so we found our fathers on wax and on the streets and in history, and in a way, that was a gift: We got to pick and choose the ancestors who would inspire the world we were going to make for ourselves. That was part of the ethos of that time and place, and it got built in to the culture we created. Rap took the remnants of a dying society and created something new. Our fathers were gone, usually because they just bounced, but we took their old records and used them to build something fresh.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And speaking of fathers, one of the wisest bits come in his footnotes for the song &amp;quot;Moment of Clarity&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My father and I didn&#39;t have a lot of deep conversations before he died, but we did have one important one. When I first reconnected with him, I hit him with questions and he came back with answers until I realized nothing he could ever say would satisfy me or make sense of all the feelings I&#39;d had since he turned his back on us. In the end, he broke down and apologized. And, somewhat to my surprise, I forgave him. [...] Although this verse starts off on a cold note--I seem indifferent and even smirking about his death--that&#39;s only me being honest. I didn&#39;t cry. I didn&#39;t know him that well. But at the same time, it was so important that we did meet up before he died. It was important for me to hear him say he was sorry and for me to hear myself say, &amp;quot;I forgive you.&amp;quot; It changed my life, really. I wish every kid who grew up like me could have the same chance to confront the fathers who left them, not just so they can lay out their anger, but so they can, in the end, let that anger go.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/L92dYzBGBHk&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
</content>
  </entry>
  
  <entry>
    <title>July 8, 2011</title>
    <link href="https://mlarson.org/2011/07/08/case-study-building-a-better-mixer/"/>
    <updated>2011-07-08T14:10:11.000Z</updated>
    <id>https://mlarson.org/2011/07/08/case-study-building-a-better-mixer/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_lo0pynbc8p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tmagazine.blogs.nytimes.com/2011/05/02/case-study-building-a-better-mixer/&#34;&gt;Case Study | Building a Better Mixer - NYTimes.com&lt;/a&gt;. I spent an embarrassing number of hours peeling and juicing limes to start this cordial last night. This better pay off big. Early samples tell me I’m on the right track…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 5, 2011</title>
    <link href="https://mlarson.org/2011/07/05/this-continuous-modification-of-man-by-his-own/"/>
    <updated>2011-07-05T19:49:07.000Z</updated>
    <id>https://mlarson.org/2011/07/05/this-continuous-modification-of-man-by-his-own/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This continuous modification of man by his own technology stimulates him to find continuous means of modifying it; man thus becomes the sex organs of the machine world just as the bee is of the plant world, permitting it to reproduce and constantly evolve to higher forms. The machine world reciprocates man’s devotion by rewarding him with goods and services and bounty.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan/&#34;&gt;Marshall McLuhan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Days of Heaven</title>
    <link href="https://mlarson.org/2011/07/04/days-of-heaven-my-first-malick-film-and-luckily/"/>
    <updated>2011-07-04T21:49:00.000Z</updated>
    <id>https://mlarson.org/2011/07/04/days-of-heaven-my-first-malick-film-and-luckily/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_lntwlif2kn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Days_of_Heaven&#34;&gt;Days of Heaven&lt;/a&gt;. My first &lt;a href=&#34;http://en.wikipedia.org/wiki/Terrence_Malick&#34;&gt;Malick&lt;/a&gt; film, and luckily an interesting, beautiful one. The story has scattershot narration by a young kid. Sometimes she has wise observations and sometimes she has immaterial asides. With this distance in age, we sort of see the characters in the central love triangle at a remove, a little more inscrutable. We see the drama and the tragedy but Malick’s not looking for your tears, I don’t think. The story’s too thin to bear it. The magic’s in the editing. The shots are elliptical, working by collage and juxtaposition and suggestion. Check out some &lt;a href=&#34;http://filmgrab.wordpress.com/2010/07/21/days-of-heaven/&#34;&gt;lovely&lt;/a&gt; &lt;a href=&#34;http://screenmusings.org/DaysOfHeaven/index.htm&#34;&gt;stills&lt;/a&gt;. Nice soundtrack from Mr. &lt;a href=&#34;http://en.wikipedia.org/wiki/Ennio_Morricone&#34;&gt;Morricone&lt;/a&gt;, to boot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 4, 2011</title>
    <link href="https://mlarson.org/2011/07/04/when-we-get-better-at-expressiveness-we-get/"/>
    <updated>2011-07-04T21:21:51.000Z</updated>
    <id>https://mlarson.org/2011/07/04/when-we-get-better-at-expressiveness-we-get/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When we get better at expressiveness, we get better at understanding, better at sympathy, better at bullshit-detection, better at experiencing pleasure, better at true engagement (with others, with the world, with ourselves).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bombsite.com/issues/1000/articles/5022&#34;&gt;George Saunders&lt;/a&gt;. Which reminds me of &lt;a href=&#34;http://www.mlarson.org/2010/04/06/vocabulary-and-the-reading-diet/&#34;&gt;one of my oft-quoted favorite Phrases to Live By&lt;/a&gt;: “&lt;a href=&#34;http://www.amazon.com/Death-Sentences-Management-Speak-Strangling-Language/dp/1592401406&#34;&gt;If you write like porridge you will think like it&lt;/a&gt;, and the other way around.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Epidemic of Mental Illness: Why? by Marcia Angell | The New York Review of Books</title>
    <link href="https://mlarson.org/2011/07/04/the-epidemic-of-mental-illness-why-by-marcia/"/>
    <updated>2011-07-04T21:21:31.000Z</updated>
    <id>https://mlarson.org/2011/07/04/the-epidemic-of-mental-illness-why-by-marcia/</id>
    <content type="html">&lt;p&gt;See also &lt;a href=&#34;http://www.nybooks.com/articles/archives/2011/jul/14/illusions-of-psychiatry/?pagination=false&#34;&gt;part two&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2011/jun/23/epidemic-mental-illness-why/?pagination=false&#34;&gt;The Epidemic of Mental Illness: Why? by Marcia Angell | The New York Review of Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Forgotten but Not Gone - Guernica</title>
    <link href="https://mlarson.org/2011/07/04/forgotten-but-not-gone-guernica/"/>
    <updated>2011-07-04T21:21:23.000Z</updated>
    <id>https://mlarson.org/2011/07/04/forgotten-but-not-gone-guernica/</id>
    <content type="html">&lt;p&gt;“On the fiftieth anniversary of Borges’s first visit to Texas, Eric Benson searches for traces of the fabulist in the Lone Star State.” (&lt;a href=&#34;https://twitter.com/#!/maudnewton/status/87889797477171200&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Reading Borges isn’t like reading most fiction, it’s more like flipping through an encyclopedia: uncovering its most surprising truths requires whim and a wandering mind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guernicamag.com/features/2834/eric_benson_borges_7_1_11/&#34;&gt;Forgotten but Not Gone - Guernica&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>No Strings Attached</title>
    <link href="https://mlarson.org/2011/07/04/no-strings-attached-this-is-pretty-terrible/"/>
    <updated>2011-07-04T04:23:44.000Z</updated>
    <id>https://mlarson.org/2011/07/04/no-strings-attached-this-is-pretty-terrible/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_lnsjvlgccn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/No_Strings_Attached_%28film%29&#34;&gt;No Strings Attached&lt;/a&gt;. This is pretty terrible. Awful script. But Lake Bell’s character was wonderful.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 4, 2011</title>
    <link href="https://mlarson.org/2011/07/04/god-forbid-we-should-wake-up-one-day-and-know/"/>
    <updated>2011-07-04T04:23:35.000Z</updated>
    <id>https://mlarson.org/2011/07/04/god-forbid-we-should-wake-up-one-day-and-know/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;God forbid we should wake up one day and know exactly what we’re doing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://bombsite.com/issues/1000/articles/5022&#34;&gt;George Saunders&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Kids Are All Right</title>
    <link href="https://mlarson.org/2011/07/04/the-kids-are-all-right-its-alright-not/"/>
    <updated>2011-07-04T04:20:27.000Z</updated>
    <id>https://mlarson.org/2011/07/04/the-kids-are-all-right-its-alright-not/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/07/tumblr_lnsjk3ahyu1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Kids_Are_All_Right_%28film%29&#34;&gt;The Kids Are All Right&lt;/a&gt;. It’s… alright. Not particularly funny nor dramatic. Breezy and halting in turns. Mostly a little awkward.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 4, 2011</title>
    <link href="https://mlarson.org/2011/07/04/the-better-part-of-my-work-on-media-is-actually/"/>
    <updated>2011-07-04T04:20:12.000Z</updated>
    <id>https://mlarson.org/2011/07/04/the-better-part-of-my-work-on-media-is-actually/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The better part of my work on media is actually somewhat like a safe-cracker’s. I don’t know what’s inside; maybe it’s nothing. I just sit down and start to work. I grope, I listen, I test, I accept and discard; I try out different sequences — until the tumblers fall and the doors spring open.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan/&#34;&gt;Marshall McLuhan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2011</title>
    <link href="https://mlarson.org/2011/06/30/the-concert-hall-is-one-of-the-few-places-where-we/"/>
    <updated>2011-06-30T17:38:48.000Z</updated>
    <id>https://mlarson.org/2011/06/30/the-concert-hall-is-one-of-the-few-places-where-we/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The concert hall is one of the few places where we become unreachable, where we can switch off our lifelines and surrender to a form that will not let us go for an hour or more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://standpointmag.co.uk/node/3985/full&#34;&gt;Norman Lebrecht&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2011</title>
    <link href="https://mlarson.org/2011/06/30/chris-rock-job-vs-career-via-damn-i-gotta/"/>
    <updated>2011-06-30T14:14:00.000Z</updated>
    <id>https://mlarson.org/2011/06/30/chris-rock-job-vs-career-via-damn-i-gotta/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=ypar
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=ypar-aVN_lo&#34;&gt;Chris Rock: Job vs. Career&lt;/a&gt;. (&lt;a href=&#34;http://ben.casnocha.com/2011/06/chris-rock-on-job-vs-career.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Damn, I gotta come in early tomorrow and work on my project!” There ain’t enough time when you got a &lt;em&gt;career&lt;/em&gt;. When you got a &lt;em&gt;job&lt;/em&gt;, there’s too much time. You’re looking at your watch, like “Ah, shit. It’s 9:08.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 29, 2011</title>
    <link href="https://mlarson.org/2011/06/29/its-hard-to-beat-the-entertainment-value-of/"/>
    <updated>2011-06-29T14:38:07.000Z</updated>
    <id>https://mlarson.org/2011/06/29/its-hard-to-beat-the-entertainment-value-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s hard to beat the entertainment value of people who deliberately misunderstand the world, people dying to be insulted, running around looking for a bullet to get in front of.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/1400068924&#34;&gt;Jay-Z&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>George Saunders: “Home” - The New Yorker</title>
    <link href="https://mlarson.org/2011/06/29/george-saunders-home-the-new-yorker/"/>
    <updated>2011-06-29T14:36:35.000Z</updated>
    <id>https://mlarson.org/2011/06/29/george-saunders-home-the-new-yorker/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Find some way to bring me back.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/fiction/features/2011/06/13/110613fi_fiction_saunders?currentPage=all&#34;&gt;George Saunders: “Home” - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>There and Back Again: The Soul of the Commuter - The New Yorker</title>
    <link href="https://mlarson.org/2011/06/29/there-and-back-again-the-soul-of-the-commuter/"/>
    <updated>2011-06-29T14:34:26.000Z</updated>
    <id>https://mlarson.org/2011/06/29/there-and-back-again-the-soul-of-the-commuter/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Last year, Midas, the muffler company, in honor of its fiftieth anniversary, gave an award for America’s longest commute to an engineer at Cisco Systems, in California, who travels three hundred and seventy-two miles—seven hours—a day, from the Sierra foothills to San Jose and back. “It’s actually exhilarating,” the man said of his morning drive.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2007/04/16/070416fa_fact_paumgarten?currentPage=all&#34;&gt;There and Back Again: The Soul of the Commuter - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 28, 2011</title>
    <link href="https://mlarson.org/2011/06/28/most-things-are-hideous-at-birth/"/>
    <updated>2011-06-28T20:22:06.000Z</updated>
    <id>https://mlarson.org/2011/06/28/most-things-are-hideous-at-birth/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most things are hideous at birth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/nikastates/status/85505589194665984&#34;&gt;@nikastates&lt;/a&gt;. I don’t personally know the person that said this, but it got the &lt;a href=&#34;https://twitter.com/#!/millsbaker&#34;&gt;@millsbaker&lt;/a&gt;/&lt;a href=&#34;http://blog.millsbaker.net/&#34;&gt;Mills&lt;/a&gt; retweet endorsement and it strikes me as very wise.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 28, 2011</title>
    <link href="https://mlarson.org/2011/06/28/wehr-gezin-picknickt-naast-hun-daf-dutch/"/>
    <updated>2011-06-28T20:21:22.000Z</updated>
    <id>https://mlarson.org/2011/06/28/wehr-gezin-picknickt-naast-hun-daf-dutch/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lnhl6dpuyc1qb27qzo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehr.tumblr.com/post/7003408773&#34;&gt;wehr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Gezin picknickt naast hun DAF / Dutch family having a picnic (by &lt;a href=&#34;http://www.flickr.com/photos/nationaalarchief/4795486819/sizes/o/in/set-72157624492663716/&#34;&gt;Nationaal Archief&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 28, 2011</title>
    <link href="https://mlarson.org/2011/06/28/most-things-are-hideous-at-birth-2/"/>
    <updated>2011-06-28T17:37:51.000Z</updated>
    <id>https://mlarson.org/2011/06/28/most-things-are-hideous-at-birth-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most things are hideous at birth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/nikastates/status/85505589194665984&#34;&gt;@nikastates&lt;/a&gt;. I don’t know who this is, but it got the &lt;a href=&#34;https://twitter.com/#!/millsbaker&#34;&gt;@millsbaker&lt;/a&gt;/&lt;a href=&#34;http://blog.millsbaker.net/&#34;&gt;Mills&lt;/a&gt; retweet endorsement and it strikes me as very wise.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 28, 2011</title>
    <link href="https://mlarson.org/2011/06/28/most-things-are-hideous-at-birth-3/"/>
    <updated>2011-06-28T17:37:44.000Z</updated>
    <id>https://mlarson.org/2011/06/28/most-things-are-hideous-at-birth-3/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most things are hideous at birth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/nikastates/status/85505589194665984&#34;&gt;@nikastates&lt;/a&gt;. I don’t know who this is, but it got the &lt;a href=&#34;https://twitter.com/#!/millsbaker&#34;&gt;@millsbaker&lt;/a&gt;/&lt;a href=&#34;http://blog.millsbaker.net/&#34;&gt;Mills&lt;/a&gt; retweet endorsement and it strikes me as very wise.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 27, 2011</title>
    <link href="https://mlarson.org/2011/06/27/art-elevates-and-refines-and-transforms/"/>
    <updated>2011-06-27T22:01:33.000Z</updated>
    <id>https://mlarson.org/2011/06/27/art-elevates-and-refines-and-transforms/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Art elevates and refines and transforms experience. And sometimes it just fucks with you for the fun of it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/1400068924&#34;&gt;Jay-Z&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 27, 2011</title>
    <link href="https://mlarson.org/2011/06/27/fish-eye-picasso-1963-by-david-douglas-duncan/"/>
    <updated>2011-06-27T22:01:23.000Z</updated>
    <id>https://mlarson.org/2011/06/27/fish-eye-picasso-1963-by-david-douglas-duncan/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lngyhengw11qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.hrc.utexas.edu/exhibitions/web/ddd/gallery/picasso/315.html&#34;&gt;Fish-eye Picasso, 1963&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/David_Douglas_Duncan&#34;&gt;David Douglas Duncan&lt;/a&gt;. One of many of &lt;a href=&#34;http://www.hrc.utexas.edu/exhibitions/web/ddd/gallery/picasso/&#34;&gt;his awesome photos of Picasso&lt;/a&gt; in &lt;a href=&#34;http://www.hrc.utexas.edu/exhibitions/web/ddd/home.html&#34;&gt;his collection at the Ransom Center&lt;/a&gt;. I learned about his work &lt;a href=&#34;http://www.mlarson.org/2011/06/27/the-best-art-in-tokyo-and-nearby/&#34;&gt;when I was looking at art in Tokyo&lt;/a&gt; a couple weeks ago.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 27, 2011</title>
    <link href="https://mlarson.org/2011/06/27/you-can-tell-if-its-your-own-plan-by-how-lost-you/"/>
    <updated>2011-06-27T18:20:00.000Z</updated>
    <id>https://mlarson.org/2011/06/27/you-can-tell-if-its-your-own-plan-by-how-lost-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You can tell if it’s your own plan by how lost you feel. People who do their own plans feel lost most of the time. People who do other peoples’ plans feel on track most of the time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2011/05/31/good-plans-feel-unsteady/&#34;&gt;Penelope Trunk&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 27, 2011</title>
    <link href="https://mlarson.org/2011/06/27/picassos-upholstery-design-by-picasso/"/>
    <updated>2011-06-27T18:19:38.000Z</updated>
    <id>https://mlarson.org/2011/06/27/picassos-upholstery-design-by-picasso/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lnget7qi6k1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.sfmoma.org/2011/06/alice-toklas-juliet-clark/&#34;&gt;Picasso’s Upholstery&lt;/a&gt;. Design by Picasso, embroidered by &lt;a href=&#34;http://en.wikipedia.org/wiki/Alice_B._Toklas&#34;&gt;Alice Toklas&lt;/a&gt;. (&lt;a href=&#34;http://theo.theodorealexander.com/2011/06/26/picassos-upholstery/&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;https://twitter.com/#!/ladycrumpet/status/85347843010871296&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The best art in Tokyo and nearby</title>
    <link href="https://mlarson.org/2011/06/27/20110627the-best-art-in-tokyo-and-nearby/"/>
    <updated>2011-06-27T17:56:12.000Z</updated>
    <id>https://mlarson.org/2011/06/27/20110627the-best-art-in-tokyo-and-nearby/</id>
    <content type="html">&lt;p&gt;I visited a bunch of galleries when I was on vacation and wrote down and/or drew all that I found especially memorable. (Side note: the combination of not being able to take photos in museums + not being able to find the artwork online is absolutely maddening.) Here&#39;s some highlights... &lt;strong&gt;&lt;a href=&#34;http://www.nmwa.go.jp/en/&#34;&gt;National Museum of Western Art&lt;/a&gt;&lt;/strong&gt; Bonus anecdote: on the walk through &lt;a href=&#34;http://en.wikipedia.org/wiki/Ueno_Park&#34;&gt;Ueno Park&lt;/a&gt; on the way to the National Museum of Western Art, there was a contact juggler busking outside. His soundtrack was a jazz-lite Japanese flute cover of John Denver&#39;s &amp;quot;Country Roads&amp;quot;. On my first morning in town, this was a welcome dose of home.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/S.1959-0038.html&#34;&gt;Orpheus and the Maenads&lt;/a&gt; - Auguste Rodin&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/S.1959-0038.html&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f49/1309194522000/Orpheus-and-the-Maenads-Rodin.jpg?format=original&#34; alt=&#34;Orpheus and the Maenads - Rodin&#34; title=&#34;Orpheus and the Maenads - Rodin&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/S.1959-0022.html&#34;&gt;Fugit Amor&lt;/a&gt; - Auguste Rodin&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/S.1959-0022.html&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f3d/1309194515000/Fugit-Amor-Rodin.jpg?format=original&#34; alt=&#34;Fugit Amor - Rodin&#34; title=&#34;Fugit Amor - Rodin&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Diptych: &lt;a href=&#34;http://collection.nmwa.go.jp/en/P.1980-0003.html&#34;&gt;Christ Crowned with Thorns&lt;/a&gt;/&lt;a href=&#34;http://collection.nmwa.go.jp/en/P.2007-0001.html&#34;&gt;Mater Dolorosa&lt;/a&gt; - (workshop of) Dirk Bouts&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/P.1980-0003.html&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f4f/1309194695000/Christ-Crowned-with-Thorns-Bouts.jpg?format=original&#34; alt=&#34;Christ Crowned with Thorns - Bouts&#34; title=&#34;Christ Crowned with Thorns - Bouts&#34;&gt;&lt;/a&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/P.2007-0001.html&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f52/1309194696000/Mater-Dolorosa-Bouts.jpg?format=original&#34; alt=&#34;Mater Dolorosa - Bouts&#34; title=&#34;Mater Dolorosa - Bouts&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/P.1959-0060.html&#34;&gt;Gypsy in Reflection&lt;/a&gt; - Gustave Courbet&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/P.1959-0060.html&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f40/1309194517000/Gypsy-in-Reflection-Courbet.jpg?format=original&#34; alt=&#34;Gypsy in Reflection - Courbet&#34; title=&#34;Gypsy in Reflection - Courbet&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/P.1985-0001.html&#34;&gt;Beach of Trouville&lt;/a&gt; - Eugène Boudin&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collection.nmwa.go.jp/en/P.1985-0001.html&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f3a/1309194512000/Beach-of-Trouville-Boudin.jpg?format=original&#34; alt=&#34;Beach of Trouville - Boudin&#34; title=&#34;Beach of Trouville - Boudin&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&#34;http://www.tnm.jp/?lang=en&#34;&gt;Tokyo National Museum&lt;/a&gt;&lt;/strong&gt; I couldn&#39;t take (decent) photos of some of these, and the website is fairly useless for finding images. In any case, I&#39;d never been much for the whispy suggestive evanescent Japanese tapestry &amp;quot;thing&amp;quot;, but these went a long way to changing my mind. There really is no substitute for standing in front of a piece of art.&lt;/p&gt;
&lt;p&gt;I really liked this one landscape by Unkoku Togan:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5878189075/&#34;&gt;http://www.flickr.com/photos/marklarson/5878189075/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;There was also an amazingly simple watercolor of an Ox by Maruyama Okyo. Kind of like &lt;a href=&#34;http://en.wikipedia.org/wiki/Ens%C5%8D&#34;&gt;ensō&lt;/a&gt; in its simplicity.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5878750520/&#34;&gt;http://www.flickr.com/photos/marklarson/5878750520/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;In the town of &lt;a href=&#34;http://en.wikipedia.org/wiki/Kamakura,_Kanagawa&#34;&gt;Kamakura&lt;/a&gt;&lt;/strong&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/K%C5%8Dtoku-in&#34;&gt;The Great Buddha at Kōtoku-in Temple&lt;/a&gt; was so much better than I expected. Wow.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5862211066/&#34;&gt;http://www.flickr.com/photos/marklarson/5862211066/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;In the &lt;a href=&#34;http://en.wikipedia.org/wiki/Odawara_Castle&#34;&gt;Odawara Castle&lt;/a&gt; museum&lt;/strong&gt; I got caught with my camera out. Ach! I really, really, really wish I&#39;d gotten a picture of this one incredible painting by Okamoto Shuki. It had a peacock and some fish painted on four large cedar panels slightly smaller than doors. Incredible stuff:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5878188863/&#34;&gt;http://www.flickr.com/photos/marklarson/5878188863/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;In the &lt;a href=&#34;http://www.hakone-oam.or.jp/english&#34;&gt;Hakone Open-air Museum&lt;/a&gt;&lt;/strong&gt; Besides the landscaping, gardens, and outdoor sculpture, there&#39;s also &lt;a href=&#34;http://www.flickr.com/photos/marklarson/5861666119/&#34;&gt;a whole building dedicated to stuff by Picasso&lt;/a&gt;. Who knew he did pottery?&lt;/p&gt;
&lt;p&gt;I haven&#39;t seen them anywhere online, but he did a series of 18 portraits of his wife Jacqueline, each slightly different in medium and execution. Awesome to see them lined up side by side on the gallery walls. I also liked his &amp;quot;Man with the Striped Shirt&amp;quot;:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f46/1309194520000/Man-with-the-Striped-Shirt-Picasso.jpg?format=original&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f46/1309194520000/Man-with-the-Striped-Shirt-Picasso.jpg?format=original&#34; alt=&#34;Man with the Striped Shirt - Picasso&#34; title=&#34;Man with the Striped Shirt - Picasso&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Another nice surprise in the Picasso wing was a ton of photography of Picasso taken by &lt;a href=&#34;http://en.wikipedia.org/wiki/David_Douglas_Duncan&#34;&gt;David Douglas Duncan&lt;/a&gt;. You can see a bunch of &lt;a href=&#34;http://www.hrc.utexas.edu/exhibitions/web/ddd/gallery/picasso/&#34;&gt;Duncan&#39;s Picasso photos at the Harry Ransom Center&lt;/a&gt; (where else?). Well worth your time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.hrc.utexas.edu/exhibitions/web/ddd/gallery/picasso/037.html&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f55/1309197240000/037.jpg?format=original&#34; alt=&#34;Picasso &amp;amp; Jacqueline - David Douglas Duncan&#34; title=&#34;Picasso &amp;amp; Jacqueline - David Douglas Duncan&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Lastly, Kyoji Takubo made a really cool obelisk, presumably one of more than one, that I haven&#39;t been able to find anywhere. If I drew it it would just look like a stick, but rest assured it was cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lesson Learned&lt;/strong&gt; I went to a handful of other galleries and museums besides these. The lasting lesson of seeing so much good stuff is that it made me want to acquire more of my own. &lt;a href=&#34;https://twitter.com/#!/mlarson/status/82919289891463168&#34;&gt;I&#39;ve already gotten started&lt;/a&gt;. What I&#39;d really love is to have a giant chunk of marble or metal sculpture in my house... One fine day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 26, 2011</title>
    <link href="https://mlarson.org/2011/06/26/i-was-on-the-streets-for-more-than-half-of-my-life/"/>
    <updated>2011-06-26T22:26:14.000Z</updated>
    <id>https://mlarson.org/2011/06/26/i-was-on-the-streets-for-more-than-half-of-my-life/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I’m so far away from that life–now that I’ve got businesses and Grammys and magazine covers–that I have no right to rap about it. But how distant is the story of your own life ever going to be?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/1400068924&#34;&gt;Jay-Z&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 25, 2011</title>
    <link href="https://mlarson.org/2011/06/25/last-minutes-with-oden-yknow-just-in-case-you/"/>
    <updated>2011-06-25T13:49:00.000Z</updated>
    <id>https://mlarson.org/2011/06/25/last-minutes-with-oden-yknow-just-in-case-you/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/8191217&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/8191217&#34;&gt;Last Minutes with ODEN&lt;/a&gt;. Y&#39;know, just in case you need your heart broken this morning. A longtime friend sent me this during the workday Friday and I ended up a bit of a mess at my desk.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 25, 2011</title>
    <link href="https://mlarson.org/2011/06/25/we-erected-one-of-the-great-cultural-constructions/"/>
    <updated>2011-06-25T13:46:54.000Z</updated>
    <id>https://mlarson.org/2011/06/25/we-erected-one-of-the-great-cultural-constructions/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We erected one of the great cultural constructions of our times, the weekend, to make fun more culturally and institutionally available.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Mark_Kingwell&#34;&gt;Mark Kingwell&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/dp/0609605356&#34;&gt;In Pursuit of Happiness&lt;/a&gt;. One of &lt;a href=&#34;http://www.mlarson.org/2011/06/25/in-pursuit-of-happiness-review/&#34;&gt;many good quotes from the book&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Pursuit of Happiness (review)</title>
    <link href="https://mlarson.org/2011/06/25/20110625in-pursuit-of-happiness-review/"/>
    <updated>2011-06-25T09:28:21.000Z</updated>
    <id>https://mlarson.org/2011/06/25/20110625in-pursuit-of-happiness-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5868769787/&#34; title=&#34;In Pursuit of Happiness by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3129/5868769787_965757a148.jpg&#34; alt=&#34;In Pursuit of Happiness&#34;&gt;&lt;/a&gt; I heard about this &lt;a href=&#34;http://en.wikipedia.org/wiki/Mark_Kingwell&#34;&gt;Mark Kingwell&lt;/a&gt; character from &lt;a href=&#34;http://wehrintheworld.blogspot.com/&#34;&gt;Justin Wehr&lt;/a&gt;, &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/06/achievement-invading-play.html&#34;&gt;who&lt;/a&gt; &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/05/subtle-aggression-of-ideology.html&#34;&gt;won&#39;t&lt;/a&gt; (&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/05/happiness-as-choice.html&#34;&gt;can&#39;t&lt;/a&gt;?) &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/06/this-damn-city-restores-my-faith-in.html&#34;&gt;stop&lt;/a&gt; &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/05/thing-about-human-limitations.html&#34;&gt;blogging&lt;/a&gt; &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/04/asking-obvious.html&#34;&gt;stuff&lt;/a&gt; &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/05/id-rather-be-right-than-happy.html&#34;&gt;from&lt;/a&gt; &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/05/happy-people-scare-me.html&#34;&gt;his&lt;/a&gt; &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/04/whats-point-asked-philosopher.html&#34;&gt;books&lt;/a&gt;. General rule: if smart people keep talking about something, you investigate. Glad I did. Kingwell has a mix of attentive observation, earnest thinkiness, mild cynicism and wry humor that goes over really well with me.&lt;/p&gt;
&lt;p&gt;I&#39;ve learned recently---in this book, for example, and &lt;a href=&#34;https://twitter.com/#!/alaindebotton&#34;&gt;Alain de Botton&#39;s tweets&lt;/a&gt;, and that &lt;a href=&#34;/mark-larson-1/2010/11/04/on-kindness-review-45&#34;&gt;book on kindness by Adam Phillips and Barbara Taylor&lt;/a&gt;, or a &lt;a href=&#34;http://tumblr.mlarson.org/tagged/borges&#34;&gt;Borges&lt;/a&gt; story---that a lot of times when I&#39;m reading deep-thinker types I get the most joy from the shrewd observations, the asides that hint at entire essays, more so than the actual topic of the work. So it is here. The book is about our culture of happiness, but a lot of the stuff I most enjoyed is further afield.&lt;/p&gt;
&lt;p&gt;The book took a little while to take off. The first chapter was the expected &amp;quot;What is happiness, though, really?&amp;quot;-type preamble, the second chapter was a funny stretch written around a trip to the (somewhat terrifying) &lt;a href=&#34;http://www.thehappinessinstitute.com/&#34;&gt;Happiness Institute&lt;/a&gt;. Then about 90 pages in I went on a dog-earing streak. Here&#39;s some bits I liked, starting with the first dog-ear that really stopped me in my tracks:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Like a lot of people, I have bouts of mild depression, in my case sometimes associated with insomnia, hangovers, or other forms of physical depletion, in which color drains from the world, joy fades from the achievements obsessively detailed in my C.V., and friendships resolve themselves temporarily into desperate utilitarian or drug-based pacts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Friendship as &amp;quot;utilitarian or drug-based pacts&amp;quot;---that gives me chills. On two varieties of happiness:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Hedonistic happiness is happiness as contented feeling, sometimes but not always identifiable with simple pleasure, usually of the bodily kind. Hence the hedonist is someone devoted to the pursuit of pleasurable physical sensations, whether in gastronomic, aesthetic, sexual, or other forms. Eudaimonistic happiness, by contrast, is happiness understood the way Aristotle saw it, namely as a kind of rational satisfaction with one&#39;s character and actions: a form of reflective rationality that looks back on a life and---always in a provisional way of course, for things may change, luck may turn---pronounces it worth living.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And of course, there&#39;s incredible tension when we only use one word to describe both ends of the spectrum and everything in between. And then there&#39;s &amp;quot;fun&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The idea of fun is hardly ever examined, common though it is. We take for granted that, other things being equal, fun things are preferable to non-fun things. And why not? We even created the idea of leisure time for the sake of fun and erected one of the great cultural constructions of our times, the weekend, to make fun more culturally and institutionally available.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Further on the topic of fun, paraphrasing some ideas from a new book on my to-read list, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Culture_of_Narcissism&#34;&gt;The Culture of Narcissism&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Christopher_Lasch&#34;&gt;Christopher Lasch&lt;/a&gt;, who noted&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The American tendency for &amp;quot;the invasion of play by the rhetoric of achievement&amp;quot;---a kind of cultural infection in which the virus of the Protestant work ethic steals into the otherwise un-self-conscious body of fun. Hence the aggressive, goal-oriented forms of play so much favored by weekend warriors of various kinds: mountain climbing, triathlon racing, extreme or high-risk sports, but also the slightly crazed Saturday-afternoon attempts to &lt;em&gt;get through&lt;/em&gt; all the enjoyable leisure-time activities of gardening, decorating, cooking, eating, and socializing before sun-down. Even the standard forms of urban dissolution---drinking and doing drugs, say, or staying up late---are annexed to the peculiar rhetoric of achievement, creating the odd spectacle of apparently nonconformist or antiestablishment hipsters bragging to each other about how drunk, how stoned, or how tired they are, just like plaid-sporting businessmen comparing golf handicaps.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In a section on cool, he &lt;a href=&#34;http://en.wikipedia.org/wiki/Understanding_Media:_The_Extensions_of_Man&#34;&gt;quotes Marshall McLuhan&lt;/a&gt; on sunglasses:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Dark glasses... created the inscrutable and inaccessible image that invites a great deal of participation and completion.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And Kingwell on the funny fat guy:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The funny fat guy functions, too, as a form of cultural reassurance, a bulky sign that we can, in a sense, safely ignore the shrieking exercise wingnuts on the Home Shopping Channel and get down to the happy business of drinking beer, eating doughnuts, and cracking wise. He is a benign jolly presence, hailing almost exclusively from the trailer park or bungalow subdivision, a kind of ubiquitous Santa-analogue, dishing out the good cheer year-round.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On our existential blinders about really important things:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What is alarming is the way our imaginations can often seem so limited when it comes to thinking about what happiness means to us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;At one point in the book, Kingwell writes about trying various medications for depression, and has a wonderful bit about relationships:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I kept waiting, while on Prozac and St. John&#39;s Wort, for some isolated experience or episode in which the elevated neurotransmitter levels would make me feel like someone else, make me sense that I was no longer myself. It never really arrived. In fact, the strangest feature of these periods of waiting, at least as I experienced hem at the time, was realizing, with an awareness more physical than intellectual, that there was a fine-spun intricacy to my web of social relations, a complex equilibrium in the ordinary life of friends, coworkers, acquaintances, family and wife, in which my behavior was deeply embedded and, more than that, constantly adjudicated in countless tiny ways. It wasn&#39;t as though I actually felt myself to be different, it was more that other people experienced me as being so----and therefore forced me to bring those differences (edginess, melancholy, antisocial behavior) on board as part of myself. It was a lesson in the collective hallucination of personality.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In another section, he talks about the &lt;a href=&#34;http://en.wikipedia.org/wiki/Edvard_Munch&#34;&gt;Edvard Munch&lt;/a&gt; painting &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Scream&#34;&gt;The Scream&lt;/a&gt;, and its commodification: shirts, mugs, commercials, etc. Besides the problem of artistic aura and authenticity,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The complementary problem is that, at the same time as the aesthetic image is divorced from its original and authentic setting and made into a cheap commodity, the experience of viewing the work of art itself becomes all the more closed into the regimented, bourgeois, culturally safe context of the gallery experience. The gallery and the gallery shop exist side by side, two features of the same process of commercialization. Thus the work, which we might by rights expect to be jarring or arresting, is instead enveloped in the deadening self-improvement aura of the modern art gallery, which people visit not so much to view art as to feel better about themselves. [...] We sell dread, now in debased forms like fridge magnets and inflatables. We also sell safety, now in the odd form of viewing art that should, by rights, be shocking, with the same deadened gaze we nightly direct toward the television screen.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And later he touches on one of my favorite topics, the big nexus of narcissism/storytelling/personal narrative/&lt;a href=&#34;http://en.wikipedia.org/wiki/Self-serving_bias&#34;&gt;self-serving bias&lt;/a&gt;/&lt;a href=&#34;http://en.wikipedia.org/wiki/Emotive_conjugation&#34;&gt;emotive conjugation&lt;/a&gt;, etc.:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When we each construct our narrative tales, we are inevitably the stars of the show. And if we have unpleasant emotions to explain, it is natural to construct the tale in such a way that the fault lies elsewhere. More precisely, psychological evidence suggests that we each tend to view our own lives as very much in flux---stories still under construction---even as we regard others&#39; characters as more fixed and determinate. Whereas I see in you something I regard as a character flaw, a permanent (if perhaps forgiveable) aspect of who you are, you may see in yourself merely an aberrant act or unseemly adventure, something that demonstrates not a pattern of behavior or, still less, a feature of your personality, but only a rather unfortunate and atypical lapse. Or you might admit a pattern of behavior but think of it as &amp;quot;something you are working on&amp;quot;---not a permanent or established character trait, as an outsider might see it, but part of an internal struggle that could go either way. It is not that we view others as entirely non-narrative beings, simple props and furniture in our own solipsistic dramas; it&#39;s just that we tend to be more determinate with them than with ourselves, holding them in place more rigidly even as we grant ourselves all kinds of poetic license.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I may have done a disservice here. I realized in typing out all of these quotes that none of them are very funny, though Kingwell often is. But it&#39;s hard to share that out of the rhythm and context of the page. The book is definitely worth your time, especially pages 90-260 or so.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pitchfork: Columns: Why We Fight #15</title>
    <link href="https://mlarson.org/2011/06/24/pitchfork-columns-why-we-fight-15/"/>
    <updated>2011-06-24T19:12:00.000Z</updated>
    <id>https://mlarson.org/2011/06/24/pitchfork-columns-why-we-fight-15/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Making pop music– more than almost any other art– sits right at the intersection between being yourself and finding something better than yourself to be. This, in the end, is what we’re looking for: Someone who can devise some fantastically compelling version of herself to act out, while still seeming as if she’s… being herself. Musicians are expected to write a great part and convincingly act the role at the same time. And even after that, we’re not really judging them on how compelling the identity they’re offering us is– we judge them based on which types of identities we &lt;em&gt;personally&lt;/em&gt; &lt;a href=&#34;http://pitchfork.com/features/why-we-fight/7787-why-we-fight-2/&#34;&gt;need or aspire to&lt;/a&gt; at the moment. There is no identity politics quite as nuanced or complicated as people arguing about music.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://agrammar.tumblr.com/&#34;&gt;Nitsuh Abebe&lt;/a&gt; kills it every time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/columns/7993-why-we-fight-15/&#34;&gt;Pitchfork: Columns: Why We Fight #15&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2011</title>
    <link href="https://mlarson.org/2011/06/24/dont-talk-angry-voicemail-censored-alamo/"/>
    <updated>2011-06-24T16:07:18.000Z</updated>
    <id>https://mlarson.org/2011/06/24/dont-talk-angry-voicemail-censored-alamo/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/JVz-fO7kxcQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=JVz-fO7kxcQ&#34;&gt;Don’t Talk - Angry Voicemail (Censored) - Alamo Drafthouse&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We do not tolerate people that talk or text in the theater. In fact, before every film, we have several warnings on screen to prevent such happenings. Occasionally, someone doesn’t follow the rules, and we do, in fact, kick their asses out of our theater. This video is an actual voicemail from a woman that was kicked out of one of our Austin theaters. Thanks, anonymous woman, for being awesome.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“About &lt;a href=&#34;http://www.nytimes.com/2011/06/24/business/media/24adco.html&#34;&gt;150 people are kicked out annually&lt;/a&gt; for talking or using mobile devices at all of the locations combined, Mr. League said.”&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2011</title>
    <link href="https://mlarson.org/2011/06/24/billa-an-illustrated-packing-list-from-a/"/>
    <updated>2011-06-24T14:03:15.000Z</updated>
    <id>https://mlarson.org/2011/06/24/billa-an-illustrated-packing-list-from-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lmucio9xpj1qz5buqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/6557524299&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An illustrated packing list from a notebook by the artist Adolf Konrad, Dec. 16, 1963.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;via &lt;a href=&#34;http://www.nytimes.com/2011/06/03/arts/design/lists-exhibition-at-morgan-library-museum.html&#34;&gt;‘Lists,’ Exhibition at Morgan Library &amp;amp; Museum - NYTimes.com&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2011</title>
    <link href="https://mlarson.org/2011/06/24/envy-works-upon-what-is-close-at-hand-and-things/"/>
    <updated>2011-06-24T14:03:00.000Z</updated>
    <id>https://mlarson.org/2011/06/24/envy-works-upon-what-is-close-at-hand-and-things/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Envy works upon what is close at hand, and things that are far off we are more free to admire.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.forumromanum.org/literature/seneca_younger/brev_e.html&#34;&gt;Seneca&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Portrait Of The Bagel As A Young Man</title>
    <link href="https://mlarson.org/2011/06/24/portrait-of-the-bagel-as-a-young-man/"/>
    <updated>2011-06-24T14:03:00.000Z</updated>
    <id>https://mlarson.org/2011/06/24/portrait-of-the-bagel-as-a-young-man/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Bike messenger, gallery assistant, office temp. I took these jobs to make money, but there was also an aspect of penance to them. I don’t know exactly for what sin I was repenting. Maybe the sin of having gone to graduate school for writing. On some level, I saw these jobs as a kind of Karma insurance. It was a way of testing myself: You want to be a writer? Can you handle this? How about this?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mrbellersneighborhood.com/2004/03/portrait-of-the-bagel-as-a-young-man&#34;&gt;Portrait Of The Bagel As A Young Man&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2011</title>
    <link href="https://mlarson.org/2011/06/21/back-by-mary-henderson-the-great-majority-of/"/>
    <updated>2011-06-21T14:47:00.000Z</updated>
    <id>https://mlarson.org/2011/06/21/back-by-mary-henderson-the-great-majority-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_ln59mvv9xw1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://lyonswiergallery.com/mary_henderson_back.html&#34;&gt;Back&lt;/a&gt; by &lt;a href=&#34;http://maryhenderson.net/home.html&#34;&gt;Mary Henderson&lt;/a&gt;. The great majority of photorealistic painting leaves me cold, but that skin and sand… (via &lt;a href=&#34;http://www.harpers.org/archive/2011/07/0083476&#34;&gt;this month’s Harper’s&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2011</title>
    <link href="https://mlarson.org/2011/06/21/life-will-follow-the-path-it-started-upon-and/"/>
    <updated>2011-06-21T14:44:00.000Z</updated>
    <id>https://mlarson.org/2011/06/21/life-will-follow-the-path-it-started-upon-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Life will follow the path it started upon, and will neither reverse nor check its course; it will make no noise, it will not remind you of its swiftness. Silent it will glide on; it will not prolong itself at the command of a king, or at the applause of the populace. Just as it was started on its first day, so it will run; nowhere will it turn aside, nowhere will it delay.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.forumromanum.org/literature/seneca_younger/brev_e.html&#34;&gt;Seneca&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2011</title>
    <link href="https://mlarson.org/2011/06/21/radiohead-staircase-live-from-the-basement/"/>
    <updated>2011-06-21T14:33:43.000Z</updated>
    <id>https://mlarson.org/2011/06/21/radiohead-staircase-live-from-the-basement/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/tFTLxkMmY4M&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=tFTLxkMmY4M&#34;&gt;Radiohead - Staircase (live From the Basement)&lt;/a&gt;. New song. Self-recommending, as they say.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>127 Hours</title>
    <link href="https://mlarson.org/2011/06/20/127-hours-this-was-the-perfect-movie-to-watch/"/>
    <updated>2011-06-20T17:41:52.000Z</updated>
    <id>https://mlarson.org/2011/06/20/127-hours-this-was-the-perfect-movie-to-watch/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_ln3npr5qg41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/127_Hours&#34;&gt;127 Hours&lt;/a&gt;. This was the perfect movie to watch while trapped in the middle of a 10-hour plane ride. Well done. We need more 90-minute movies.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 20, 2011</title>
    <link href="https://mlarson.org/2011/06/20/canon-de-chelly-navaho-by-edward-sheriff-curtis/"/>
    <updated>2011-06-20T17:41:41.000Z</updated>
    <id>https://mlarson.org/2011/06/20/canon-de-chelly-navaho-by-edward-sheriff-curtis/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_ln3nhhoc6y1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/mopa1/5711512090/&#34;&gt;Canon de Chelly - Navaho&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Edward_S._Curtis&#34;&gt;Edward Sheriff Curtis&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2011</title>
    <link href="https://mlarson.org/2011/06/07/he-who-bestows-all-of-his-time-on-his-own-needs/"/>
    <updated>2011-06-07T20:36:00.000Z</updated>
    <id>https://mlarson.org/2011/06/07/he-who-bestows-all-of-his-time-on-his-own-needs/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He who bestows all of his time on his own needs, who plans out every day as if it were his last, neither longs for nor fears the morrow. For what new pleasure is there that any hour can now bring? They are all known, all have been enjoyed to the full.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.forumromanum.org/literature/seneca_younger/brev_e.html&#34;&gt;Seneca&lt;/a&gt; is my new jam.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2011</title>
    <link href="https://mlarson.org/2011/06/07/without-the-making-of-theories-i-am-convinced/"/>
    <updated>2011-06-07T20:34:37.000Z</updated>
    <id>https://mlarson.org/2011/06/07/without-the-making-of-theories-i-am-convinced/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Without the making of theories I am convinced there would be no observations.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;–Charles Darwin.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/6285860397&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;(Via &lt;a href=&#34;http://6thfloor.blogs.nytimes.com/2011/06/06/sentence-of-the-week-open-flesh-wound-edition/&#34;&gt;Sam Anderson’s sentence of the week.&lt;/a&gt; Been thinking about “we see what we’re looking for” in terms of writing, and especially blogging. I find that when I set up a tag, often it’s a hopeful gesture, as if I’m saying, “Two or three makes a pattern. I’ll bet there’s more. I’ll name this so I can keep track of it and then I’ll keep an eye out for things to add.” And when I start a book, it’s, “There’s something to this. Let’s give this a name and start working on it.” Then the real gathering begins…)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/4510418658/organizing-is-really-just-an-ugly-way-of-saying&#34;&gt;a favorite Justin Wehr quote&lt;/a&gt;: “‘Organizing’ is really just an ugly way of saying ‘drawing connections’.” Or like with photo captions, you can’t help but be influenced by the labels put on things…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2011</title>
    <link href="https://mlarson.org/2011/06/07/higher-stakes-by-austin-kleon/"/>
    <updated>2011-06-07T20:25:04.000Z</updated>
    <id>https://mlarson.org/2011/06/07/higher-stakes-by-austin-kleon/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lmfbulckud1qafoq6o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://instagr.am/p/FT-8g/&#34;&gt;“Higher stakes”&lt;/a&gt; by &lt;a href=&#34;http://tumblr.austinkleon.com&#34;&gt;Austin Kleon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2011</title>
    <link href="https://mlarson.org/2011/06/07/pretty-sure-i-was-buster-keatons-biggest-fan-in-a/"/>
    <updated>2011-06-07T20:23:56.000Z</updated>
    <id>https://mlarson.org/2011/06/07/pretty-sure-i-was-buster-keatons-biggest-fan-in-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lm5j15jbsg1qe30m0o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Pretty sure I was Buster Keaton’s biggest fan in a previous life.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2011</title>
    <link href="https://mlarson.org/2011/06/07/art-space-tokyo-if-my-vacation-wasnt-the/"/>
    <updated>2011-06-07T20:23:14.000Z</updated>
    <id>https://mlarson.org/2011/06/07/art-space-tokyo-if-my-vacation-wasnt-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lmfsmq1mv01qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://artspacetokyo.com/book/&#34;&gt;Art Space Tokyo&lt;/a&gt;. If my vacation wasn’t the last-minute cluster that I seem to specialize in, I would have purchased this book ahead of time. Luckily, &lt;a href=&#34;http://craigmod.com/&#34;&gt;Craig Mod&lt;/a&gt; is kind and has some awesome &lt;a href=&#34;http://artspacetokyo.com/artmaps/&#34;&gt;Tokyo art maps online&lt;/a&gt;, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2011</title>
    <link href="https://mlarson.org/2011/06/07/catherine-christer-hennix-the-electric/"/>
    <updated>2011-06-07T15:42:50.000Z</updated>
    <id>https://mlarson.org/2011/06/07/catherine-christer-hennix-the-electric/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lmfee1gea91qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://knowyourconjurer.blogspot.com/2011/06/catherine-christer-hennix-electric.html&#34;&gt;Catherine Christer Hennix - The Electric Harpsichord [1976]&lt;/a&gt;. Dang. Great piece of music. (&lt;a href=&#34;http://www.soundohm.com/catherine-christer-hennix/the-eelectric-harpsichord/die-schachtel/&#34;&gt;Some say&lt;/a&gt; it’s “possibly &lt;strong&gt;THE&lt;/strong&gt; obscure masterpiece of the days of the early American minimalism.”) In a stroke of unintentional genius, I apparently had my playlist such that it segued right into Bach’s &lt;a href=&#34;http://www.youtube.com/watch?v=U6VCmlrUkKg&#34;&gt;Fantasy in A minor, BWV922&lt;/a&gt; on harpsichord. Boom. And apparently I already had a &lt;a href=&#34;http://tumblr.mlarson.org/tagged/harpsichords&#34;&gt;harpsichords&lt;/a&gt; tag?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2011</title>
    <link href="https://mlarson.org/2011/06/07/heaven-knows-such-lives-as-yours-though-they/"/>
    <updated>2011-06-07T14:49:00.000Z</updated>
    <id>https://mlarson.org/2011/06/07/heaven-knows-such-lives-as-yours-though-they/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Heaven knows! such lives as yours, though they should pass the limit of a thousand years, will shrink into the merest span; your vices will swallow up any amount of time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.forumromanum.org/literature/seneca_younger/brev_e.html&#34;&gt;Seneca&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Days of Thunder</title>
    <link href="https://mlarson.org/2011/06/06/days-of-thunder-its-not-very-good-but-is-robert/"/>
    <updated>2011-06-06T17:20:00.000Z</updated>
    <id>https://mlarson.org/2011/06/06/days-of-thunder-its-not-very-good-but-is-robert/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lmdh4u8trm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Days_of_Thunder&#34;&gt;Days of Thunder&lt;/a&gt;. It’s not very good. But is Robert Duvall the most likable actor of all time? Also, I didn’t realize that director &lt;a href=&#34;http://en.wikipedia.org/wiki/Tony_Scott&#34;&gt;Tony Scott&lt;/a&gt; is &lt;a href=&#34;http://en.wikipedia.org/wiki/Ridley_Scott&#34;&gt;Ridley Scott&lt;/a&gt;’s little brother.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2011</title>
    <link href="https://mlarson.org/2011/06/06/it-never-gets-old-of-course-its-a-little/"/>
    <updated>2011-06-06T17:19:51.000Z</updated>
    <id>https://mlarson.org/2011/06/06/it-never-gets-old-of-course-its-a-little/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lmdo7mjqg31qced37o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/blog/2011/06/06/it-never-gets-old/&#34;&gt;It Never Gets Old&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Of course it’s a little strange if there’s another player that usually beats the best player ever. This debate is funny, and not just because it’s impossible to compare players across generations. It’s an attempt to make the present eternal.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Back to the Future</title>
    <link href="https://mlarson.org/2011/06/06/back-to-the-future-i-had-an-essentially-perfect/"/>
    <updated>2011-06-06T14:15:08.000Z</updated>
    <id>https://mlarson.org/2011/06/06/back-to-the-future-i-had-an-essentially-perfect/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lmanxuy9yj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Back_to_the_Future&#34;&gt;Back to the Future&lt;/a&gt;. I had an essentially &lt;a href=&#34;https://twitter.com/#!/mlarson/status/76503047949393922&#34;&gt;perfect viewing at Screen on the Green&lt;/a&gt;. Far too long since the last time. I’m still blown away how flawless this movie is. Seems like not a single wasted second in the whole thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2011</title>
    <link href="https://mlarson.org/2011/06/03/general-orders-no-9-im-curious-about-this/"/>
    <updated>2011-06-03T17:43:16.000Z</updated>
    <id>https://mlarson.org/2011/06/03/general-orders-no-9-im-curious-about-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lm86hypbyk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.generalordersno9.com/&#34;&gt;General Orders No. 9&lt;/a&gt;. I’m curious about this documentary. &lt;a href=&#34;http://trailers.apple.com/trailers/independent/generalordersno9/&#34;&gt;Trailer&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;General Orders No. 9&lt;/em&gt; breaks from the constraints of the documentary form as it contemplates the signs of loss and change in the American South. […] Told entirely with images, poetry, and music, General Orders No. 9 is unlike any film you have ever seen. A story of maps, dreams, and prayers, it’s one last trip down the rabbit hole before it’s paved over.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2011</title>
    <link href="https://mlarson.org/2011/06/03/a-short-history-of-the-campsite-places-design/"/>
    <updated>2011-06-03T16:39:35.000Z</updated>
    <id>https://mlarson.org/2011/06/03/a-short-history-of-the-campsite-places-design/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lm7xgtfamk1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://places.designobserver.com/entry.html?entry=26808&#34;&gt;A Short History of the Campsite: Places: Design Observer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fake Prada Bags: Why counterfeits help high-end designers sell more of the real thing.</title>
    <link href="https://mlarson.org/2011/06/03/fake-prada-bags-why-counterfeits-help-high-end/"/>
    <updated>2011-06-03T16:39:32.000Z</updated>
    <id>https://mlarson.org/2011/06/03/fake-prada-bags-why-counterfeits-help-high-end/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/6105818151&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://murketing.tumblr.com/post/6104137353&#34;&gt;murketing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When most people think about the effect of counterfeits on legitimate brands—and when brands themselves litigate against counterfeiters—they focus on the “business stealing” effect: Every fake Prada handbag represents a lost sale for Prada. A dirty little secret is that Prada rip-offs can also function as free advertising for real Prada handbags—partly by signaling the brand’s popularity, but, less obviously, by creating what MIT marketing professor &lt;a href=&#34;http://mitsloan.mit.edu/faculty/detail.php?in_spseqno=sp0026630&amp;amp;co_list=F&#34;&gt;Renee Richardson Gosline&lt;/a&gt; has described as a “&lt;a href=&#34;http://www.forbes.com/2010/02/11/luxury-goods-counterfeit-fakes-chanel-gucci-cmo-network-renee-richardson-gosline_print.html&#34;&gt;gateway&lt;/a&gt;” product. For her &lt;a href=&#34;http://gradworks.umi.com/3371273.pdf&#34;&gt;doctoral thesis&lt;/a&gt;, Gosline immersed herself in the counterfeit “purse parties” of upper-middle-class moms. She found that her subjects formed attachments to their phony Vuittons and came to crave the real thing when, inevitably, they found the stitches falling apart on their cheap knockoffs. Within a couple of years, more than half of the women—many of whom had never fancied themselves consumers of $1,300 purses—abandoned their counterfeits for authentic items.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Fascinating.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I imagine it’s hard to let go of a that &lt;a href=&#34;http://tumblr.mlarson.org/tagged/signaling&#34;&gt;signaling&lt;/a&gt; power, especially when, over the time of ownership, you’ve begun to see yourself less as a sneaky-counterfeit-buyer and more as a apparent-Prada-owner. See also &lt;a href=&#34;http://tumblr.mlarson.org/post/937592830/why-elite-shoppers-eschew-logos&#34;&gt;Why Elite Shoppers Eschew Logos&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2294927/?from=rss&#34;&gt;Fake Prada Bags: Why counterfeits help high-end designers sell more of the real thing.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2011</title>
    <link href="https://mlarson.org/2011/06/02/no-no-there-is-no-going-back-less-and-less-you/"/>
    <updated>2011-06-02T16:14:00.000Z</updated>
    <id>https://mlarson.org/2011/06/02/no-no-there-is-no-going-back-less-and-less-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No, no, there is no going back.&lt;br&gt;
Less and less you are&lt;br&gt;
that possibility you were.&lt;br&gt;
More and more you have become&lt;br&gt;
those lives and deaths&lt;br&gt;
that have belonged to you.&lt;br&gt;
You have become a sort of grave&lt;br&gt;
containing much that was&lt;br&gt;
and is no more in time, beloved&lt;br&gt;
then, now, and always.&lt;br&gt;
And so you have become a sort of tree&lt;br&gt;
standing over a grave.&lt;br&gt;
Now more than ever you can be&lt;br&gt;
generous toward each day&lt;br&gt;
that comes, young, to disappear&lt;br&gt;
forever, and yet remain&lt;br&gt;
unaging in the mind.&lt;br&gt;
Every day you have less reason&lt;br&gt;
not to give yourself away.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/1582430063&#34;&gt;The Sabbath Poems: 1993, I&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Wendell_Berry&#34;&gt;Wendell Berry&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2011</title>
    <link href="https://mlarson.org/2011/06/01/look-back-in-memory-and-consider-when-you-ever-had/"/>
    <updated>2011-06-01T13:40:00.000Z</updated>
    <id>https://mlarson.org/2011/06/01/look-back-in-memory-and-consider-when-you-ever-had/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Look back in memory and consider when you ever had a fixed plan, how few days have passed as you had intended, when you were ever at your own disposal, when your face ever wore its natural expression, when your mind was ever unperturbed, what work you have achieved in so long a life, how many have robbed you of life when you were not aware of what you were losing, how much was taken up in useless sorrow, in foolish joy, in greedy desire, in the allurements of society, how little of yourself was left to you; you will perceive that you are dying before your season!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.forumromanum.org/literature/seneca_younger/brev_e.html&#34;&gt;Seneca&lt;/a&gt;. I’ll probably have a few more from this one soon…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2011</title>
    <link href="https://mlarson.org/2011/06/01/my-friends-fortune-not-good/"/>
    <updated>2011-06-01T13:40:00.000Z</updated>
    <id>https://mlarson.org/2011/06/01/my-friends-fortune-not-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/06/tumblr_lm45qtvz2o1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;My friend’s fortune. Not good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 31, 2011</title>
    <link href="https://mlarson.org/2011/05/31/theres-all-this-talk-about-bias-in-public-radio/"/>
    <updated>2011-05-31T20:21:58.000Z</updated>
    <id>https://mlarson.org/2011/05/31/theres-all-this-talk-about-bias-in-public-radio/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s all this talk about “bias” in public radio … the real bias in public radio is against joy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://artthreat.net/2011/05/radio-without-boundaries-breaking-free-of-format-and-formula/&#34;&gt;Roman Mars&lt;/a&gt;, lamenting the dwindling experimentation and serendipity in public radio. His show &lt;a href=&#34;http://99percentinvisible.org/&#34;&gt;99% Invisible&lt;/a&gt; is a good antidote. (&lt;a href=&#34;https://twitter.com/#!/rekha6/status/75575254730289152&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 31, 2011</title>
    <link href="https://mlarson.org/2011/05/31/two-couples-have-a-cookout-in-cherokee-national/"/>
    <updated>2011-05-31T19:13:11.000Z</updated>
    <id>https://mlarson.org/2011/05/31/two-couples-have-a-cookout-in-cherokee-national/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llx3e7najg1qzcye0o1_r1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nationalgeographicstock.com/ngsimages/explore/explorecomp.jsf?xsys=SE&amp;amp;id=831988&#34;&gt;Two couples have a cookout in Cherokee National Forest&lt;/a&gt;. Photo by J. Baylor Roberts. Who doesn’t love &lt;a href=&#34;http://tumblr.mlarson.org/tagged/picnics&#34;&gt;picnics&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 31, 2011</title>
    <link href="https://mlarson.org/2011/05/31/philosophy-and-jokes-proceed-from-the-same/"/>
    <updated>2011-05-31T19:07:19.000Z</updated>
    <id>https://mlarson.org/2011/05/31/philosophy-and-jokes-proceed-from-the-same/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Philosophy and jokes proceed from the same impulse: to confound our sense of the way things are, to flip our worlds upside down, and to ferret out hidden, often uncomfortable, truths about life. What the philosopher calls an insight, the gagster calls a zinger.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/05/how-philosophy-is-like-humor.html&#34;&gt;Thomas Cathcart &amp;amp; Daniel Klein&lt;/a&gt; in &lt;a href=&#34;http://www.platoandaplatypus.com/&#34;&gt;Plato and a Platypus Walk Into a Bar&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Exit Through the Gift Shop</title>
    <link href="https://mlarson.org/2011/05/31/exit-through-the-gift-shop-i-wish-i-felt-more/"/>
    <updated>2011-05-31T16:33:00.000Z</updated>
    <id>https://mlarson.org/2011/05/31/exit-through-the-gift-shop-i-wish-i-felt-more/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_lm2jbgluyh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Exit_Through_the_Gift_Shop&#34;&gt;Exit Through the Gift Shop&lt;/a&gt;. I wish I felt more strongly on the love/hate spectrum for this one, either direction. Hoax or not, this was a little… boring? I’ll add the disclaimer that street art isn’t really my thing. It was fun to see the gleeful rush that the artists get from making their projects come to life in the dark of night. There’s some kind of manic drive to it all, legal/ethical/logistical difficulties be damned.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 31, 2011</title>
    <link href="https://mlarson.org/2011/05/31/cbenjamin-i-need-to-see-this-ive-got-my-eye/"/>
    <updated>2011-05-31T15:09:45.000Z</updated>
    <id>https://mlarson.org/2011/05/31/cbenjamin-i-need-to-see-this-ive-got-my-eye/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/16304114&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://cbenjamin.tumblr.com/post/5902845273&#34;&gt;cbenjamin&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I need to see this.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’ve got my eye on you, &lt;a href=&#34;http://peopleschampiondoc.com/&#34;&gt;People’s Champion&lt;/a&gt;. You can also &lt;a href=&#34;http://www.karmalooptv.com/2011/05/eli-porter-peoples-champion-behind-the-battle&#34;&gt;watch the first five minutes&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 31, 2011</title>
    <link href="https://mlarson.org/2011/05/31/social-occasions-can-work-a-certain-magic-you-see/"/>
    <updated>2011-05-31T15:05:23.000Z</updated>
    <id>https://mlarson.org/2011/05/31/social-occasions-can-work-a-certain-magic-you-see/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Social occasions can work a certain magic. You see your friends in costumes and onstage as it were, and suddenly they turn from ordinarily familiar to strangely familiar: They achieve sudden glory.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Eva_Brann&#34;&gt;Eva Brann&lt;/a&gt;. (via &lt;a href=&#34;http://christmasgorilla.com/&#34;&gt;christmasgorilla&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>n+1: White Oak Denim, Greensboro</title>
    <link href="https://mlarson.org/2011/05/31/n-1-white-oak-denim-greensboro/"/>
    <updated>2011-05-31T15:03:33.000Z</updated>
    <id>https://mlarson.org/2011/05/31/n-1-white-oak-denim-greensboro/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Smiling, ruddy, polo-shirted middle-aged men with white baseball caps asking everyone “Howya doing?” are as North Carolinian as NASCAR and pecan pie.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nplusonemag.com/white-oak-denim-greensboro&#34;&gt;n+1: White Oak Denim, Greensboro&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ranking Baseball&#39;s Best Ballparks - NYTimes.com</title>
    <link href="https://mlarson.org/2011/05/31/ranking-baseballs-best-ballparks-nytimescom/"/>
    <updated>2011-05-31T01:42:22.000Z</updated>
    <id>https://mlarson.org/2011/05/31/ranking-baseballs-best-ballparks-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The winner by a country mile is Pittsburgh’s PNC Park. More than 80 percent of reviewers gave it the top, 5-star rating, and its average score was 4.77 points. It is followed by Boston’s Fenway Park (4.59 stars), San Francisco’s AT&amp;amp;T Park (4.57), Minneapolis’ Target Field (4.53), and Baltimore’s Camden Yards (4.47).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I have a suspicion based on zero personal experience that Pittsburgh is one of America’s secretly great cities.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fivethirtyeight.blogs.nytimes.com/2011/05/29/ranking-baseballs-best-ballparks/&#34;&gt;Ranking Baseball&#39;s Best Ballparks - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Avatar</title>
    <link href="https://mlarson.org/2011/05/30/avatar-im-of-two-minds-on-this-one-glad-to/"/>
    <updated>2011-05-30T21:50:39.000Z</updated>
    <id>https://mlarson.org/2011/05/30/avatar-im-of-two-minds-on-this-one-glad-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llzuzynssg1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Avatar_%282009_film%29&#34;&gt;Avatar&lt;/a&gt;. I’m of two minds on this one. Glad to cross it off the list, but you could live happily without seeing it. It’s about as good as you can do a dumb movie. Strange pacing. Heavy-handed political parallels. So much swooping sweeping camera movement. Give James Cameron credit for, gradually, over the course of the movie, making me actually want to finish it, and for not being afraid to kill off side characters. Maybe I’ll watch &lt;em&gt;Titanic&lt;/em&gt; this year, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 30, 2011</title>
    <link href="https://mlarson.org/2011/05/30/its-my-theory-that-rock-and-roll-happens-between/"/>
    <updated>2011-05-30T21:48:01.000Z</updated>
    <id>https://mlarson.org/2011/05/30/its-my-theory-that-rock-and-roll-happens-between/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s my theory that rock and roll happens between fans and stars, rather than between listeners and musicians—that you have to be a screaming teenager, at least in your heart, to know what’s going on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=YhvBfNXvoQoC&amp;amp;lpg=PA77&amp;amp;dq=%22rock%20and%20roll%20happens%20between%20fans%20and%20stars%22&amp;amp;pg=PA77#v=onepage&amp;amp;q=%22rock%20and%20roll%20happens%20between%20fans%20and%20stars%22&amp;amp;f=false&#34;&gt;Ellen Willis&lt;/a&gt;, quoted in &lt;a href=&#34;http://thenewinquiry.com/post/5895334429/heroine-ellen-willis-on-rock-music&#34;&gt;The New Inquiry - Heroine: Ellen Willis on Rock Music&lt;/a&gt;. On a similar note, &lt;a href=&#34;http://tumblr.mlarson.org/post/3090978240/strange-as-it-may-sound-to-many-people-who-tend&#34;&gt;Daniel Mendelsohn says&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Strange as it may sound to many people, who tend to think of critics as being motivated by the lower emotions: envy, disdain, contempt even… Critics are, above all, people who are in love with beautiful things, and who worry that those things will get broken.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also both &lt;a href=&#34;http://tumblr.mlarson.org/post/287685988/the-crisis-in-performance-is-i-believe-based-on&#34;&gt;Little Steven&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/166880512/reading-through-the-histories-of-both-jazz-and&#34;&gt;Elijah Wald&lt;/a&gt; on music and dancing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 30, 2011</title>
    <link href="https://mlarson.org/2011/05/30/whatever-the-subject-a-real-critic-is-a-cultural/"/>
    <updated>2011-05-30T21:48:00.000Z</updated>
    <id>https://mlarson.org/2011/05/30/whatever-the-subject-a-real-critic-is-a-cultural/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Whatever the subject, a real critic is a cultural critic, always: if your judgment doesn’t bring in more of the world than it shuts out, you shouldn’t start.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2011/06/hollywood-a-love-story/8501/&#34;&gt;Clive James&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>‘The Hangover’ and the Age of the Jokeless Comedy - NYTimes.com</title>
    <link href="https://mlarson.org/2011/05/30/the-hangover-and-the-age-of-the-jokeless-comedy/"/>
    <updated>2011-05-30T21:46:15.000Z</updated>
    <id>https://mlarson.org/2011/05/30/the-hangover-and-the-age-of-the-jokeless-comedy/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In Apatow, the enemy is adulthood, which ruins life; in Phillips, the enemy is women, who ruin men.&lt;/p&gt;
&lt;p&gt;What these auteurs truly have in common, though, is that they have systematically boiled away many of the pleasures previously associated with comedy — first among these, jokes themselves — and replaced them with a different kind of lure: the appeal of spending two hours hanging out with a loose and jocular gang of goofy bros.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/05/29/magazine/the-hangover-and-the-age-of-the-jokeless-comedy.html?pagewanted=print&#34;&gt;‘The Hangover’ and the Age of the Jokeless Comedy - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 30, 2011</title>
    <link href="https://mlarson.org/2011/05/30/chitwoodandhobbs-the-crossover-on-display-the/"/>
    <updated>2011-05-30T21:44:08.000Z</updated>
    <id>https://mlarson.org/2011/05/30/chitwoodandhobbs-the-crossover-on-display-the/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://graphics8.nytimes.com/bcvideo/1.0/iframe/embed.html?videoId=100000000831937&amp;amp;playerType=embed&#34;&gt;http://graphics8.nytimes.com/bcvideo/1.0/iframe/embed.html?videoId=100000000831937&amp;amp;playerType=embed&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://chitwoodandhobbs.com/post/5903463339/the-crossover-on-display&#34;&gt;chitwoodandhobbs&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h3&gt;&lt;strong&gt;The Crossover on Display&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;The New York Times interviews Dwyane Wade, Allen Iverson, Tim Hardaway and Pearl Washington for &lt;a href=&#34;http://video.nytimes.com/video/2011/05/25/sports/basketball/100000000831937/the-crossover-on-display.html&#34;&gt;a video profile on the crossover&lt;/a&gt;, basketball’s most lethal offensive move.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://graphics8.nytimes.com/&#34;&gt;http://graphics8.nytimes.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hable con ella (Talk to Her)</title>
    <link href="https://mlarson.org/2011/05/30/hable-con-ella-talk-to-her-dnf/"/>
    <updated>2011-05-30T02:05:00.000Z</updated>
    <id>https://mlarson.org/2011/05/30/hable-con-ella-talk-to-her-dnf/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llxw2t2skc1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Talk_to_Her&#34;&gt;Hable con ella (Talk to Her)&lt;/a&gt;. DNF.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 30, 2011</title>
    <link href="https://mlarson.org/2011/05/30/queasyundergrad-a-e-housman/"/>
    <updated>2011-05-30T02:03:22.000Z</updated>
    <id>https://mlarson.org/2011/05/30/queasyundergrad-a-e-housman/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://queasyundergrad.tumblr.com/post/5894086474&#34;&gt;queasyundergrad&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_llty9591dj1qzwcup.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;—&lt;a href=&#34;http://en.wikipedia.org/wiki/A._E._Housman&#34;&gt;A. E. Housman&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 30, 2011</title>
    <link href="https://mlarson.org/2011/05/30/the-more-seriously-i-took-everything-and-how/"/>
    <updated>2011-05-30T02:00:00.000Z</updated>
    <id>https://mlarson.org/2011/05/30/the-more-seriously-i-took-everything-and-how/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The more seriously I took everything, and how serious life was in general, the better laughs I got.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2011/jun/09/genius-buster-keaton/?pagination=false&#34;&gt;Buster Keaton&lt;/a&gt;. (&lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Genius of Buster by Jana Prikryl | The New York Review of Books</title>
    <link href="https://mlarson.org/2011/05/30/the-genius-of-buster-by-jana-prikryl-the-new/"/>
    <updated>2011-05-30T01:59:38.000Z</updated>
    <id>https://mlarson.org/2011/05/30/the-genius-of-buster-by-jana-prikryl-the-new/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/busterkeaton&#34;&gt;Buster Keaton&lt;/a&gt; is my jam. Quoting James Agee:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Perhaps because “dry” comedy is so much more rare and odd than “dry” wit, there are people who never much cared for Keaton. Those who do cannot care mildly.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2011/jun/09/genius-buster-keaton/?pagination=false&#34;&gt;The Genius of Buster by Jana Prikryl | The New York Review of Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2011</title>
    <link href="https://mlarson.org/2011/05/29/two-border-patrol-officers-attempt-to-keep-a/"/>
    <updated>2011-05-29T14:32:21.000Z</updated>
    <id>https://mlarson.org/2011/05/29/two-border-patrol-officers-attempt-to-keep-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llx3g68jtg1qzcye0o1_r1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nationalgeographicstock.com/ngsimages/explore/explorecomp.jsf?xsys=SE&amp;amp;id=581978&#34;&gt;Two border patrol officers attempt to keep a fugitive in the US&lt;/a&gt;. Photo by &lt;a href=&#34;http://en.wikipedia.org/wiki/Luis_Marden&#34;&gt;Luis Marden&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2011</title>
    <link href="https://mlarson.org/2011/05/29/sports-by-xkcd/"/>
    <updated>2011-05-29T14:28:10.000Z</updated>
    <id>https://mlarson.org/2011/05/29/sports-by-xkcd/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llx1cn01111qzcye0o1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://xkcd.com/904/&#34;&gt;Sports&lt;/a&gt; by xkcd.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2011</title>
    <link href="https://mlarson.org/2011/05/27/meet-the-sloths-by-lucy-cooke-i-filmed-this-at/"/>
    <updated>2011-05-27T02:19:54.000Z</updated>
    <id>https://mlarson.org/2011/05/27/meet-the-sloths-by-lucy-cooke-i-filmed-this-at/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/11712103&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/11712103&#34;&gt;Meet the sloths by Lucy Cooke&lt;/a&gt;. “I filmed this at the Aviaros del Caribe sloth sanctuary in Costa Rica - the world’s only sloth orphanage.”&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lars and the Real Girl</title>
    <link href="https://mlarson.org/2011/05/26/lars-and-the-real-girl-a-little-dreary-perhaps/"/>
    <updated>2011-05-26T03:38:55.000Z</updated>
    <id>https://mlarson.org/2011/05/26/lars-and-the-real-girl-a-little-dreary-perhaps/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llr5nlqzvx1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Lars_and_the_Real_Girl&#34;&gt;Lars and the Real Girl&lt;/a&gt;. A little dreary, perhaps? Lots of people talking quietly. I wasn’t looking for perverted gags or slapstick or anything, but I just couldn’t hang with this one. But it’s got a good heart.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Self-Direction « RyanHoliday.net</title>
    <link href="https://mlarson.org/2011/05/26/self-direction-ryanholidaynet/"/>
    <updated>2011-05-26T03:33:17.000Z</updated>
    <id>https://mlarson.org/2011/05/26/self-direction-ryanholidaynet/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Think about how easy it has to have one more—to go beyond what you allowed yourself and have one more piece, one more glass, one more handful. And yet, think about how much harder it is to do one more—one more lap, one more page, one more hour, one more rep than you intended. There’s always rationalization on hand for the one and an convenient excuse ready for the other.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is timely.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ryanholiday.net/self-direction/&#34;&gt;Self-Direction « RyanHoliday.net&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 24, 2011</title>
    <link href="https://mlarson.org/2011/05/24/the-frugal-travelers-guide-to-ramen-shops-in/"/>
    <updated>2011-05-24T14:43:15.000Z</updated>
    <id>https://mlarson.org/2011/05/24/the-frugal-travelers-guide-to-ramen-shops-in/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://maps.google.com/maps/ms?ie=UTF8&amp;amp;hl=en&amp;amp;msa=0&amp;amp;msid=211428017821687805442.00047e29a8e88205cfd48&amp;amp;source=embed&amp;amp;ll=35.681841,139.687042&amp;amp;spn=0.195209,0.32959&amp;amp;w=500&amp;amp;h=412&#34;&gt;View map&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://maps.google.com/maps/ms?ie=UTF8&amp;amp;hl=en&amp;amp;msa=0&amp;amp;msid=108491683740077678026.00047e29a8e88205cfd48&amp;amp;ll=35.681841,139.687042&amp;amp;spn=0.195209,0.32959&amp;amp;z=11&amp;amp;source=embed&#34;&gt;The Frugal Traveler’s guide to ramen shops in Tokyo&lt;/a&gt;. I love the internet.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://maps.google.com/&#34;&gt;http://maps.google.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 23, 2011</title>
    <link href="https://mlarson.org/2011/05/23/cbenjamin-its-gangsta-gibbs-hoe-favorite/"/>
    <updated>2011-05-23T20:45:27.000Z</updated>
    <id>https://mlarson.org/2011/05/23/cbenjamin-its-gangsta-gibbs-hoe-favorite/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llnrbghcyy1qa1i7lo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cbenjamin.tumblr.com/post/5770565263&#34;&gt;cbenjamin&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s Gangsta Gibbs, hoe.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=2rb6S_j4KeU&#34;&gt;Favorite&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=YL2WxsMyfYI&#34;&gt;new-to-me&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=Il_EE3EFTRY&#34;&gt;rapper&lt;/a&gt; of &lt;a href=&#34;http://www.youtube.com/watch?v=U9M9MFe-kho&#34;&gt;2011&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=CKOXd6BM20g&#34;&gt;by far&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>There Will Be Blood, live-tweeted</title>
    <link href="https://mlarson.org/2011/05/23/there-will-be-blood-live-tweeted/"/>
    <updated>2011-05-23T20:45:09.000Z</updated>
    <id>https://mlarson.org/2011/05/23/there-will-be-blood-live-tweeted/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/5771681588&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My friend &lt;a href=&#34;http://twitter.com/jamesfflynn&#34;&gt;@jamesfflynn&lt;/a&gt; couldn’t sleep, so he live-tweeted TWBB through the lens of his theory that TWBB is as much about filmmaking as it is oil/capitalism. I figured it was a good time for me to figure out how to use Storify. &lt;a href=&#34;http://storify.com/austinkleon/there-will-be-blood-livetweeted?awesm=sfy.co_9vW&amp;amp;utm_campaign=austinkleon&amp;amp;utm_content=storify-share&amp;amp;utm_medium=sfy.co-twitter&amp;amp;utm_source=direct-sfy.co&#34;&gt;Enjoy!&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/mlarson/status/72665833574371328&#34;&gt;I was so glad&lt;/a&gt; when I saw &lt;a href=&#34;https://twitter.com/#!/jamesfflynn&#34;&gt;James&lt;/a&gt;’ tweets this morning. I love that Twitter gives me direct access to smart people’s brains.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://storify.com/austinkleon/there-will-be-blood-livetweeted&#34;&gt;There Will Be Blood, live-tweeted&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Kindle abroad « Snarkmarket</title>
    <link href="https://mlarson.org/2011/05/23/the-kindle-abroad-snarkmarket/"/>
    <updated>2011-05-23T16:22:17.000Z</updated>
    <id>https://mlarson.org/2011/05/23/the-kindle-abroad-snarkmarket/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Even if you are not ever going to read an e-book, but want a device to help you stay connected and organized while traveling—especially if you’re going a bit off the beaten track—the investment in a Kindle (barely more than a hundred bucks at this point) can’t be beat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hadn’t considered it before, but this makes a lot of sense.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2011/6858&#34;&gt;The Kindle abroad « Snarkmarket&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 23, 2011</title>
    <link href="https://mlarson.org/2011/05/23/this-is-all-the-life-there-is-it-is-good-enough/"/>
    <updated>2011-05-23T16:20:53.000Z</updated>
    <id>https://mlarson.org/2011/05/23/this-is-all-the-life-there-is-it-is-good-enough/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This is all the life there is.&lt;br&gt;
It is good enough for me.&lt;br&gt;
Worry won’t make another.&lt;br&gt;
Or make this one last longer.&lt;br&gt;
The flesh of man wastes in time.&lt;br&gt;
Today there’s wine and dancing.&lt;br&gt;
Today there’s flowers and women.&lt;br&gt;
We might as well enjoy them.&lt;br&gt;
Tomorrow—nobody knows.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Palladas&#34;&gt;Palladas&lt;/a&gt;. (via &lt;a href=&#34;http://www.mlarson.org/2010/04/13/what-ive-been-reading-vol-ii/&#34;&gt;me&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 23, 2011</title>
    <link href="https://mlarson.org/2011/05/23/i-take-my-work-less-seriously-than-anybody-i/"/>
    <updated>2011-05-23T16:18:47.000Z</updated>
    <id>https://mlarson.org/2011/05/23/i-take-my-work-less-seriously-than-anybody-i/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I take [my work] less seriously than anybody. I know that it’s not going to help me into heaven one little bit, man. It’s not going to get me out of the fiery furnace. It’s certainly not going to extend my life any and it’s not going to make me happy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/today/hi/today/newsid_9492000/9492886.stm&#34;&gt;Bob Dylan&lt;/a&gt; in a 1966 interview. (&lt;a href=&#34;http://www.therestisnoise.com/2011/05/dylan-on-dylan.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>stevenberlinjohnson.com: Go West, Middle-Aged Man</title>
    <link href="https://mlarson.org/2011/05/22/stevenberlinjohnsoncom-go-west-middle-aged-man/"/>
    <updated>2011-05-22T21:50:53.000Z</updated>
    <id>https://mlarson.org/2011/05/22/stevenberlinjohnsoncom-go-west-middle-aged-man/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When you’re in your routine, frequenting the same old haunts, time seems to accelerate – was it just four years ago that our youngest son was born? But all the complexities of moving – figuring out where to live, getting there, and then navigating all the new realities of the changed environment – means that the minutes and hours that once passed as a kind of background process, the rote memory of knowing your place, suddenly are thrust into your conscious awareness. You have to figure it out, and figuring things out makes you aware of the passing days and months more acutely. You get disoriented, or at least you have to think for a while before you can be properly oriented again.&lt;/p&gt;
&lt;p&gt;So that is why we are moving: for the natural beauty, yes, and the climate, and the Bay Area tech scene, and the many friends out there we haven’t seen enough of over the past twenty years. But more than anything, we’re moving to slow down time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.stevenberlinjohnson.com/2011/05/go-west-middle-aged-man.html&#34;&gt;stevenberlinjohnson.com: Go West, Middle-Aged Man&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2011</title>
    <link href="https://mlarson.org/2011/05/22/without-the-perks-plain-ol-fame-and-fortune-just/"/>
    <updated>2011-05-22T21:50:18.000Z</updated>
    <id>https://mlarson.org/2011/05/22/without-the-perks-plain-ol-fame-and-fortune-just/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Without the perks, plain ol’ fame and fortune just ain’t worth the trouble.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/print/?/arts/tv/upfronts/2011/roseanne-barr-2011-5/&#34;&gt;Roseanne Barr&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Guess Who&#39;s Coming to Dinner</title>
    <link href="https://mlarson.org/2011/05/22/guess-whos-coming-to-dinner-watch-this-more-for/"/>
    <updated>2011-05-22T21:48:53.000Z</updated>
    <id>https://mlarson.org/2011/05/22/guess-whos-coming-to-dinner-watch-this-more-for/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llm9vivgoo1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Guess_Who%27s_Coming_to_Dinner&#34;&gt;Guess Who’s Coming to Dinner&lt;/a&gt;. Watch this more for the historical significance (successful interracial romance in the ‘60s) and star-studded cast (e.g. Spencer Tracy’s last performance) than for miracles of cinematography or storytelling. My modern perspective finds it overt and not very adventurous. Either we’ve come a long way or I’m fooling myself. &lt;a href=&#34;http://www.youtube.com/watch?v=9Yt0wxoFl4o&#34;&gt;Spencer Tracy’s final monologue&lt;/a&gt; is worth your time, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>ATL</title>
    <link href="https://mlarson.org/2011/05/20/atl-dont-expect-casablanca-but-i-recommend-this/"/>
    <updated>2011-05-20T14:20:00.000Z</updated>
    <id>https://mlarson.org/2011/05/20/atl-dont-expect-casablanca-but-i-recommend-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llh5v4e2wq1qzcye0o1_r2_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/ATL_%28film%29&#34;&gt;ATL&lt;/a&gt;. Don’t expect &lt;em&gt;Casablanca&lt;/em&gt;, but I recommend this without reservation – there’s some really great movie here. And it’s always flattering to have a movie in your home city. T.I. doesn’t do any dramatic fireworks, but he’s charismatic as usual. Big Boi’s character is terrifying and hilarious. You might know director Chris Robinson from his work on &lt;a href=&#34;http://www.youtube.com/watch?v=VuX_zwX3jPg&#34;&gt;Bring Em Out&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=rWsvkW6rKkQ&#34;&gt;Shutterbugg&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=C7ec0VI4Yl0&#34;&gt;Go Getta&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=JCOURZ-yx4E&#34;&gt;One Mic&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=KV2ssT8lzj8&#34;&gt;No Love&lt;/a&gt;, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 19, 2011</title>
    <link href="https://mlarson.org/2011/05/19/rock-steady-aretha-franklin-been-too-long-since/"/>
    <updated>2011-05-19T14:51:16.000Z</updated>
    <id>https://mlarson.org/2011/05/19/rock-steady-aretha-franklin-been-too-long-since/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/wmOX_L1Txb8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=wmOX_L1Txb8&#34;&gt;Rock Steady - Aretha Franklin&lt;/a&gt;. Been too long since my last &lt;a href=&#34;http://tumblr.mlarson.org/tagged/soultrain&#34;&gt;Soul Train&lt;/a&gt; post.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 19, 2011</title>
    <link href="https://mlarson.org/2011/05/19/if-you-want-a-happy-ending-that-depends-of/"/>
    <updated>2011-05-19T14:48:55.000Z</updated>
    <id>https://mlarson.org/2011/05/19/if-you-want-a-happy-ending-that-depends-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you want a happy ending, that depends, of course, on where you stop your story.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Orson Welles, in his screenplay for &lt;em&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/B00002SSKS/wwwaustinkleo-20/ref=nosim/&#34;&gt;The Big Brass Ring&lt;/a&gt;&lt;/em&gt;, written in the early 1980s as his last attempt at a commercial Hollywood film (via &lt;a href=&#34;http://tumblr.austinkleon.com/post/5251107539/if-you-want-a-happy-ending-that-depends-of&#34;&gt;austinkleon&lt;/a&gt;). And thus was born my new &lt;a href=&#34;http://tumblr.mlarson.org/tagged/endings&#34;&gt;endings&lt;/a&gt; tag. See also &lt;a href=&#34;http://tumblr.mlarson.org/post/1076022751/happy-endings-in-life-and-in-fiction-too-perhaps&#34;&gt;William Gibson&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/358317749/not-every-end-is-a-goal-the-end-of-a-melody-is&#34;&gt;Nietzsche&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 18, 2011</title>
    <link href="https://mlarson.org/2011/05/18/killer-by-julia-kissina-part-of-the-shadows-cast/"/>
    <updated>2011-05-18T13:54:00.000Z</updated>
    <id>https://mlarson.org/2011/05/18/killer-by-julia-kissina-part-of-the-shadows-cast/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_lle9bhqgdo1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kunsthalle-zoo.de/fotografie/schatten/schadows_2.html&#34;&gt;Killer&lt;/a&gt; by &lt;a href=&#34;http://www.kunsthalle-zoo.de/index.html&#34;&gt;Julia Kissina&lt;/a&gt;. Part of the &lt;a href=&#34;http://www.kunsthalle-zoo.de/fotografie/schatten/schadows_2.html&#34;&gt;Shadows Cast People&lt;/a&gt; project via &lt;a href=&#34;http://www.harpers.org/archive/2011/06/0083438&#34;&gt;this month’s issue of Harper’s&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 17, 2011</title>
    <link href="https://mlarson.org/2011/05/17/matrix-for-choosing-good-tinder-for-backcountry/"/>
    <updated>2011-05-17T16:23:49.000Z</updated>
    <id>https://mlarson.org/2011/05/17/matrix-for-choosing-good-tinder-for-backcountry/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llcflsgsvw1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/uallas/5730173646/in/set-72157626616563115/&#34;&gt;Matrix for Choosing Good Tinder&lt;/a&gt; for backcountry firebuilding: Above the ground / on the ground // No overhead protection / Overhead protection. See also a &lt;a href=&#34;http://www.flickr.com/photos/uallas/5729627523/in/set-72157626616563115/&#34;&gt;graph for adding fuel&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Fleet of One: Eighty thousand pounds of Dangerous Goods - The New Yorker</title>
    <link href="https://mlarson.org/2011/05/17/a-fleet-of-one-eighty-thousand-pounds-of/"/>
    <updated>2011-05-17T16:23:41.000Z</updated>
    <id>https://mlarson.org/2011/05/17/a-fleet-of-one-eighty-thousand-pounds-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The most beautiful truck on earth—Don Ainsworth’s present sapphire-drawn convexing elongate stainless mirror—gets a smidgen over six miles to the gallon.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In a nice moment of literary convergence, I finished this awesome essay by John McPhee while taking a break from the photography book &lt;a href=&#34;http://www.amazon.com/dp/097996668X/&#34;&gt;Truckers&lt;/a&gt;. Creative Loafing did a nice &lt;a href=&#34;http://clatl.com/culturesurfing/archives/2010/05/24/a-few-questions-with-mary-richardson/&#34;&gt;interview with writer Mary Richardson&lt;/a&gt;. It’s a whole different world.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/archive/2003/02/17/030217fa_fact4?currentPage=all&#34;&gt;A Fleet of One: Eighty thousand pounds of Dangerous Goods - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 17, 2011</title>
    <link href="https://mlarson.org/2011/05/17/i-am-angry-and-curious-these-two-things-propel-me/"/>
    <updated>2011-05-17T15:45:00.000Z</updated>
    <id>https://mlarson.org/2011/05/17/i-am-angry-and-curious-these-two-things-propel-me/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I am angry and curious. These two things propel me forward. I come from the minimum-wage working world. I have no illusions as to where I should have ended up. I have really nothing to lose, and so I go.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.britannica.com/blogs/2011/05/man-motion-5-questions-punk-rock-icon-henry-rollins/&#34;&gt;Henry Rollins&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/#!/theBDR/status/70506298034233344&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man stabbed arguing over Ford vs. Chevy | 11alive.com</title>
    <link href="https://mlarson.org/2011/05/17/man-stabbed-arguing-over-ford-vs-chevy/"/>
    <updated>2011-05-17T14:24:38.000Z</updated>
    <id>https://mlarson.org/2011/05/17/man-stabbed-arguing-over-ford-vs-chevy/</id>
    <content type="html">&lt;p&gt;The culture that is north Georgia, region of my birth. &lt;a href=&#34;http://tumblr.mlarson.org/post/727300587/the-circle-of-life-southern-style-creative&#34;&gt;See also&lt;/a&gt;. (&lt;a href=&#34;https://twitter.com/#!/bstonecrest/status/70467712379392000&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.11alive.com/rss/article/191267/40/Man-stabbed-arguing-over-Ford-vs-Chevy&#34;&gt;Man stabbed arguing over Ford vs. Chevy | 11alive.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 16, 2011</title>
    <link href="https://mlarson.org/2011/05/16/josh-smith-down-the-lane-slam-vsceltics-he-just/"/>
    <updated>2011-05-16T18:25:55.000Z</updated>
    <id>https://mlarson.org/2011/05/16/josh-smith-down-the-lane-slam-vsceltics-he-just/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/vWvl-c7poDc&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=vWvl-c7poDc&#34;&gt;Josh Smith Down The Lane Slam vs.Celtics&lt;/a&gt;. He just comes skipping into the frame so beautifully. Hasn’t gotten old yet.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Indiana Jones and the Kingdom of the Crystal Skull</title>
    <link href="https://mlarson.org/2011/05/16/indiana-jones-and-the-kingdom-of-the-crystal/"/>
    <updated>2011-05-16T18:24:42.000Z</updated>
    <id>https://mlarson.org/2011/05/16/indiana-jones-and-the-kingdom-of-the-crystal/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llan7uooco1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Indiana_Jones_and_the_Kingdom_of_the_Crystal_Skull&#34;&gt;Indiana Jones and the Kingdom of the Crystal Skull&lt;/a&gt;. Two hours of dumb fun followed immediately by regret.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 16, 2011</title>
    <link href="https://mlarson.org/2011/05/16/terry-riley-and-big-boi-american-heroes-via/"/>
    <updated>2011-05-16T15:41:40.000Z</updated>
    <id>https://mlarson.org/2011/05/16/terry-riley-and-big-boi-american-heroes-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llakzbjjxm1qggv3uo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Terry Riley and Big Boi. American heroes. (&lt;a href=&#34;http://shadesofeternalnight.tumblr.com/post/5544471246&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Memento</title>
    <link href="https://mlarson.org/2011/05/16/memento-third-viewing-but-hadnt-seen-it-in-7-8/"/>
    <updated>2011-05-16T14:56:09.000Z</updated>
    <id>https://mlarson.org/2011/05/16/memento-third-viewing-but-hadnt-seen-it-in-7-8/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llamtlul2g1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Memento_%28film%29&#34;&gt;Memento&lt;/a&gt;. Third viewing, but hadn’t seen it in 7-8 years. This one holds up pretty well. Funnier than I remembered.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 16, 2011</title>
    <link href="https://mlarson.org/2011/05/16/the-faux-vintage-photo-full-essay-parts-i-ii/"/>
    <updated>2011-05-16T13:36:00.000Z</updated>
    <id>https://mlarson.org/2011/05/16/the-faux-vintage-photo-full-essay-parts-i-ii/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_llaj4ppjko1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thesocietypages.org/cyborgology/2011/05/14/the-faux-vintage-photo-full-essay-parts-i-ii-and-iii/&#34;&gt;The Faux-Vintage Photo: Full Essay (Parts I, II and III) » Cyborgology&lt;/a&gt;. On social media and “nostalgia for the present”. (&lt;a href=&#34;http://thebrowser.com/articles/faux-vintage-photo&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Faux-vintage photo will no longer be able to conjure the importance associated with physicality if the vintage look begins to be more closely associated with smartphones than old photos.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 16, 2011</title>
    <link href="https://mlarson.org/2011/05/16/in-a-hundred-different-ways-we-have-slowly/"/>
    <updated>2011-05-16T03:01:51.000Z</updated>
    <id>https://mlarson.org/2011/05/16/in-a-hundred-different-ways-we-have-slowly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;In a hundred different ways, we have slowly marginalized an entire category of critical professions, reshaping our expectations of a “good job” into something that no longer looks like work. A few years from now, an hour with a good plumber–if you can find one–is going to cost more than an hour with a good psychiatrist. At which point we’ll all be in need of both.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://dsc.discovery.com/fansites/dirtyjobs/mike-rowe-senate-testimony-04.html&#34;&gt;Mike Rowe’s Senate Testimony&lt;/a&gt; on why we still need to work with our hands.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>some of my evaluative patterns</title>
    <link href="https://mlarson.org/2011/05/14/some-of-my-evaluative-patterns/"/>
    <updated>2011-05-14T16:01:07.000Z</updated>
    <id>https://mlarson.org/2011/05/14/some-of-my-evaluative-patterns/</id>
    <content type="html">&lt;p&gt;One guy’s rules of thumb for books, movies, etc.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;4. Long descriptive passages very rarely work.&lt;br&gt;
8. It is wonderful to think you’re watching story X and then discover you’re watching story Q.&lt;br&gt;
17. Enough with the Christ imagery!&lt;br&gt;
18. Don’t speak the subtext!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://adamcadre.ac/calendar/patterns.html&#34;&gt;some of my evaluative patterns&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Inquiry: Comfortably Alone</title>
    <link href="https://mlarson.org/2011/05/14/the-new-inquiry-comfortably-alone/"/>
    <updated>2011-05-14T15:50:23.000Z</updated>
    <id>https://mlarson.org/2011/05/14/the-new-inquiry-comfortably-alone/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Shyness had made me so deficient in empathic experience that I could only view social life in terms of risk rather than opportunity. The best way to manage that risk, I thought, was to be unapproachable but legibly fascinating at a distance, to present myself as an object to be read but with a message that’s inscrutable and fleeting, one that could convey the complexity of the real me without reducing it to something superficial. I could not get past the wish to broadcast my identity without having to interact with anyone.&lt;/p&gt;
&lt;p&gt;Facebook, of course, caters to that desire.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/post/5335093500&#34;&gt;The New Inquiry: Comfortably Alone&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2011</title>
    <link href="https://mlarson.org/2011/05/12/stevie-wonder-heaven-is-10-zillion-light-years/"/>
    <updated>2011-05-12T18:02:00.000Z</updated>
    <id>https://mlarson.org/2011/05/12/stevie-wonder-heaven-is-10-zillion-light-years/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/yIE6unjkXmc&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=yIE6unjkXmc&#34;&gt;Stevie Wonder - Heaven Is 10 Zillion Light Years Away&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s taken Him so long&lt;br&gt;
‘Cause we’ve got so far to come&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Amazing song on an amazing album - but &lt;a href=&#34;https://twitter.com/#!/mlarson/status/63610097041014784&#34;&gt;I stand by my tweet&lt;/a&gt;. Mental note: tumble music more often.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2011</title>
    <link href="https://mlarson.org/2011/05/12/you-act-like-mortals-in-all-that-you-fear-and/"/>
    <updated>2011-05-12T15:52:00.000Z</updated>
    <id>https://mlarson.org/2011/05/12/you-act-like-mortals-in-all-that-you-fear-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You act like mortals in all that you fear, and like immortals in all that you desire.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://coffeetheory.com/2011/05/10/seneca-on-the-shortness-of-life/&#34;&gt;Seneca&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/De_Brevitate_Vitae_%28Seneca%29&#34;&gt;On the Shortness of Life&lt;/a&gt;. (via &lt;a href=&#34;http://wehr.tumblr.com/post/5383374397/you-act-like-mortals-in-all-that-you-fear-and&#34;&gt;wehr&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2011</title>
    <link href="https://mlarson.org/2011/05/12/its-okay-to-not-like-things-via/"/>
    <updated>2011-05-12T15:49:36.000Z</updated>
    <id>https://mlarson.org/2011/05/12/its-okay-to-not-like-things-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/0la5DBtOVNI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=0la5DBtOVNI&#34;&gt;It’s okay to not like things&lt;/a&gt;. (&lt;a href=&#34;http://www.linkbanana.com/2011/04/30/its-okay-to-not-like-things/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2011</title>
    <link href="https://mlarson.org/2011/05/12/my-daughter-just-turned-16-years-old-and-you-can/"/>
    <updated>2011-05-12T15:46:13.000Z</updated>
    <id>https://mlarson.org/2011/05/12/my-daughter-just-turned-16-years-old-and-you-can/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My daughter just turned 16 years old, and you can see it on MTV’s [‘My Super Sweet Sixteen’], where they get cars, and things that depreciate and just don’t mean nothing. I wanted to give my child something that she can grow and build and nurture. So I gave her her own label.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.billboard.com/news/big-boi-to-launch-kids-record-label-with-1005180012.story&#34;&gt;Big Boi&lt;/a&gt;. (via &lt;a href=&#34;http://andyhutchins.tumblr.com/&#34;&gt;andyhutchins&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shotgun Stories</title>
    <link href="https://mlarson.org/2011/05/12/shotgun-stories-two-sets-of-half-brothers-feud/"/>
    <updated>2011-05-12T15:44:00.000Z</updated>
    <id>https://mlarson.org/2011/05/12/shotgun-stories-two-sets-of-half-brothers-feud/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_ll37zmxvqm1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Shotgun_Stories&#34;&gt;Shotgun Stories&lt;/a&gt;. Two sets of half-brothers feud after their father dies. Similar themes of family, justice, resentment, forgiveness, etc. that you see in the v. good &lt;a href=&#34;http://tumblr.mlarson.org/post/4210033096/winters-bone-this-is-fantastic-i-got-totally&#34;&gt;Winter’s Bone&lt;/a&gt;, which is also set in the same region. None of what happens will surprise you that much, but the way it’s handled is excellent. Great movie. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20080605/REVIEWS/806050305&#34;&gt;Ebert agrees&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 11, 2011</title>
    <link href="https://mlarson.org/2011/05/11/when-its-midnight-and-its-raining-and-youre-on/"/>
    <updated>2011-05-11T16:19:18.000Z</updated>
    <id>https://mlarson.org/2011/05/11/when-its-midnight-and-its-raining-and-youre-on/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When it’s midnight and it’s raining and you’re on the steepest hill you’ve ever climbed and you’re bleeding from briars and you’re alone and you’ve been alone for hours, it’s only you around to witness yourself quit or continue.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/201105/?read=article_jamison&#34;&gt;The Believer - The Immortal Horizon&lt;/a&gt;. One reason I “enjoy” long days hiking.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Eating Your Cultural Vegetables - NYTimes.com</title>
    <link href="https://mlarson.org/2011/05/11/eating-your-cultural-vegetables-nytimescom/"/>
    <updated>2011-05-11T16:18:15.000Z</updated>
    <id>https://mlarson.org/2011/05/11/eating-your-cultural-vegetables-nytimescom/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.linkbanana.com/2011/05/07/cultural-vegetables&#34;&gt;Via David Hayes&lt;/a&gt;, who said it best:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s no single solid takeaway from this essay about the culture we feel obligated to consume, but I think it’s a good and valuable thing to think about and pay attention to.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/05/01/magazine/mag-01Riff-t.html&#34;&gt;Eating Your Cultural Vegetables - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nearly 100 Fantastic Pieces of Journalism - The Atlantic</title>
    <link href="https://mlarson.org/2011/05/11/nearly-100-fantastic-pieces-of-journalism-the/"/>
    <updated>2011-05-11T15:51:54.000Z</updated>
    <id>https://mlarson.org/2011/05/11/nearly-100-fantastic-pieces-of-journalism-the/</id>
    <content type="html">&lt;p&gt;One guy’s favorites from 2010. Just when I was approaching Instapaper Zero again. (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/05/assorted-links-96.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/entertainment/archive/2011/05/nearly-100-fantastic-pieces-of-journalism/238230/&#34;&gt;Nearly 100 Fantastic Pieces of Journalism - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>BPS Research Digest: The books and journal articles all psychologists should read</title>
    <link href="https://mlarson.org/2011/05/10/bps-research-digest-the-books-and-journal/"/>
    <updated>2011-05-10T15:09:32.000Z</updated>
    <id>https://mlarson.org/2011/05/10/bps-research-digest-the-books-and-journal/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bps-research-digest.blogspot.com/2011/04/several-books-and-journal-articles-all.html&#34;&gt;BPS Research Digest: The books and journal articles all psychologists should read&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tent City, U.S.A. - George Saunders - GQ</title>
    <link href="https://mlarson.org/2011/05/10/tent-city-usa-george-saunders-gq/"/>
    <updated>2011-05-10T15:08:03.000Z</updated>
    <id>https://mlarson.org/2011/05/10/tent-city-usa-george-saunders-gq/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A field study, in these Hard Times, of the Homeless (as observed in the H Street Encampment, Fresno, California). Being an examination of who they are, how they think, and what they do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also the excellent &lt;a href=&#34;http://www.harpers.org/archive/2011/03/0083334&#34;&gt;Homeless in Sacramento: Welcome to the new tent cities&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gq.com/news-politics/big-issues/200909/homeless-tent-city-george-saunders-fresno?printable=true&#34;&gt;Tent City, U.S.A. - George Saunders - GQ&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 10, 2011</title>
    <link href="https://mlarson.org/2011/05/10/most-people-have-excellent-necks-now-they-cover/"/>
    <updated>2011-05-10T00:28:11.000Z</updated>
    <id>https://mlarson.org/2011/05/10/most-people-have-excellent-necks-now-they-cover/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most people have excellent necks. Now they cover them with curtains, which is kind of ridiculous.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/talk/2011/05/09/110509ta_talk_schulman&#34;&gt;Vidal Sassoon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Time&#39;s Inverted Index (Ftrain.com)</title>
    <link href="https://mlarson.org/2011/05/10/times-inverted-index-ftraincom/"/>
    <updated>2011-05-10T00:21:16.000Z</updated>
    <id>https://mlarson.org/2011/05/10/times-inverted-index-ftraincom/</id>
    <content type="html">&lt;p&gt;Great read. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I’ve been surprised—and upset—to find that ideas I had then were very similar to the ones I have now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This younger I seemed far more engaged than the venal goon I remembered. Why did I want to judge him as lacking? Jealousy? Fear that what was lacking was my own progress?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ftrain.com/times-inverted-index.html&#34;&gt;Time&#39;s Inverted Index (Ftrain.com)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 9, 2011</title>
    <link href="https://mlarson.org/2011/05/09/portlandia-put-a-bird-on-it/"/>
    <updated>2011-05-09T13:57:00.000Z</updated>
    <id>https://mlarson.org/2011/05/09/portlandia-put-a-bird-on-it/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=0XM3vWJmpfo
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=0XM3vWJmpfo&#34;&gt;Portlandia: Put A Bird On It&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Liveable v lovable - FT.com</title>
    <link href="https://mlarson.org/2011/05/09/liveable-v-lovable-ftcom/"/>
    <updated>2011-05-09T13:35:19.000Z</updated>
    <id>https://mlarson.org/2011/05/09/liveable-v-lovable-ftcom/</id>
    <content type="html">&lt;p&gt;“We also have to acknowledge that these cities that come top of the polls also don’t have any poor people.” (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/05/assorted-links-92.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ft.com/cms/s/2/dd9bba18-769c-11e0-bd5d-00144feabdc0.html#axzz1LTnLOMvY&#34;&gt;Liveable v lovable - FT.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Joy of Stats - Tablet Magazine</title>
    <link href="https://mlarson.org/2011/05/09/the-joy-of-stats-tablet-magazine/"/>
    <updated>2011-05-09T13:32:39.000Z</updated>
    <id>https://mlarson.org/2011/05/09/the-joy-of-stats-tablet-magazine/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Where before we silently cursed the dumb coach in our living room while remaining unsure whether we were pissed because we were right or because we had had four beers, today we take to the Internet and find thousands of people who also think we are right, and some more who have done the math that demonstrates that we are right, and therefore we know.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tabletmag.com/news-and-politics/65845/the-joy-of-stats/?print=1&#34;&gt;The Joy of Stats - Tablet Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 9, 2011</title>
    <link href="https://mlarson.org/2011/05/09/once-death-is-invoked-the-choice-of-who-must-die/"/>
    <updated>2011-05-09T13:30:40.000Z</updated>
    <id>https://mlarson.org/2011/05/09/once-death-is-invoked-the-choice-of-who-must-die/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Once death is invoked, the choice of who must die may seem oddly arbitrary.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=gE5aAAAAMAAJ&amp;amp;q=%22once+death+is+invoked,+the+choice+of+who+must+die+may+seem+oddly+arbitrary%22&#34;&gt;John Berger&lt;/a&gt; quoted in &lt;a href=&#34;http://thenewinquiry.com/post/5134078336/whos-afraid-of-the-big-bad-little-girl&#34;&gt;The New Inquiry - Who’s Afraid of The Big Bad Little Girl?&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Inside David Foster Wallace&#39;s Private Self-Help Library | The Awl</title>
    <link href="https://mlarson.org/2011/05/09/inside-david-foster-wallaces-private-self-help/"/>
    <updated>2011-05-09T13:30:35.000Z</updated>
    <id>https://mlarson.org/2011/05/09/inside-david-foster-wallaces-private-self-help/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theawl.com/2011/04/inside-david-foster-wallaces-private-self-help-library&#34;&gt;Inside David Foster Wallace&#39;s Private Self-Help Library | The Awl&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Case for Dennis Rodman, Part 4/4(b): The Finale (Or, “Rodman v. Jordan 2”) » Skeptical Sports Analysis</title>
    <link href="https://mlarson.org/2011/05/06/the-case-for-dennis-rodman-part-44b-the/"/>
    <updated>2011-05-06T20:02:49.000Z</updated>
    <id>https://mlarson.org/2011/05/06/the-case-for-dennis-rodman-part-44b-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Could being the best “3rd-best” player in NBA history actually make Rodman the best player in NBA history?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://skepticalsports.com/?p=1397&#34;&gt;The Case for Dennis Rodman, Part 4/4(b): The Finale (Or, “Rodman v. Jordan 2”) » Skeptical Sports Analysis&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2011</title>
    <link href="https://mlarson.org/2011/05/06/girls-encounter-hippie-vans-in-piedmont-park/"/>
    <updated>2011-05-06T19:47:00.000Z</updated>
    <id>https://mlarson.org/2011/05/06/girls-encounter-hippie-vans-in-piedmont-park/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_lkshmeu4221qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://likethedew.com/2009/11/30/hippies-in-atlanta-however-did-they-get-in/&#34;&gt;Girls encounter hippie vans in Piedmont Park&lt;/a&gt;. Atlanta, 1970. Photo by &lt;a href=&#34;http://album.atlantahistorycenter.com/store/Category/418-boyd-lewis-photographs.aspx&#34;&gt;Boyd Lewis&lt;/a&gt;. (&lt;a href=&#34;http://pecannelog.com/2011/05/05/another-modest-proposal/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 5, 2011</title>
    <link href="https://mlarson.org/2011/05/05/breaking-down-the-situation-room-the-washington/"/>
    <updated>2011-05-05T15:54:46.000Z</updated>
    <id>https://mlarson.org/2011/05/05/breaking-down-the-situation-room-the-washington/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_lkqc7bzcjp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/wp-srv/lifestyle/style/situation-room.html&#34;&gt;Breaking down the Situation Room - The Washington Post&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;So the sequence is this: We have less power than they do, and they have less power than reality. The photographer creates a kind of “V” of sightlines to emphasize this drama: We look in from one angle as they look out at another, almost a perfect mirror image.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 5, 2011</title>
    <link href="https://mlarson.org/2011/05/05/the-way-to-success-is-strategically-along-the-line/"/>
    <updated>2011-05-05T13:55:30.000Z</updated>
    <id>https://mlarson.org/2011/05/05/the-way-to-success-is-strategically-along-the-line/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The way to success is strategically along the line of least expectation, and tactically along the line of least resistance.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=8hZXNrfoZjsC&amp;amp;lpg=PA315&amp;amp;vq=least%20expectation%20least%20resistance&amp;amp;pg=PA315#v=snippet&amp;amp;q=least%20expectation%20least%20resistance&amp;amp;f=false&#34;&gt;B.H. Liddell Hart&lt;/a&gt;, writing about General Sherman’s philosophy of war. I got this quote from &lt;a href=&#34;http://www.ryanholiday.net/reading-newsletter/&#34;&gt;Ryan Holiday’s monthly Reading List newsletter&lt;/a&gt;–if you’re not subscribed, you’re missing out pretty big.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 4, 2011</title>
    <link href="https://mlarson.org/2011/05/04/thisfits-here-are-a-few-blog-entries-to-get-you/"/>
    <updated>2011-05-04T20:01:23.000Z</updated>
    <id>https://mlarson.org/2011/05/04/thisfits-here-are-a-few-blog-entries-to-get-you/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_lkorz2eume1qb49x3o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thisfits.me/post/5195803023&#34;&gt;thisfits&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.google.com/search?&amp;amp;q=site%3Athesartorialist.blogspot.com+more+%22I+wish+more+men+dressed+like+this%22&#34;&gt;Here are a few blog entries to get you started&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Genius. The google lets you read people’s minds. Whether stated preferences match real preferences is, of course, another matter.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Soviet film classics find new life on YouTube - Yahoo! News</title>
    <link href="https://mlarson.org/2011/05/04/soviet-film-classics-find-new-life-on-youtube/"/>
    <updated>2011-05-04T18:58:00.000Z</updated>
    <id>https://mlarson.org/2011/05/04/soviet-film-classics-find-new-life-on-youtube/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The Moscow film company behind some of the greatest classics of Soviet cinema on Wednesday said it had agreed to make &lt;a href=&#34;http://www.youtube.com/mosfilm&#34;&gt;dozens of its best-known movies freely available on YouTube&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Now I need someone to tell me what to watch.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://news.yahoo.com/s/afp/20110427/ennew_afp/entertainmentrussiafilminternet_20110427160808&#34;&gt;Soviet film classics find new life on YouTube - Yahoo! News&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Believer - The Immortal Horizon</title>
    <link href="https://mlarson.org/2011/05/04/the-believer-the-immortal-horizon/"/>
    <updated>2011-05-04T15:57:59.000Z</updated>
    <id>https://mlarson.org/2011/05/04/the-believer-the-immortal-horizon/</id>
    <content type="html">&lt;p&gt;“Thirty-Five Runners Face Hollers and Hells, a Flooded Prison, Rats the Size of Possums, and Flesh-Flaying Briars to Test the Limits of Self-Sufficiency.” Essay about the &lt;a href=&#34;http://en.wikipedia.org/wiki/Barkley_Marathons&#34;&gt;most ridiculous footrace on the planet&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/201105/?read=article_jamison&#34;&gt;The Believer - The Immortal Horizon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2011</title>
    <link href="https://mlarson.org/2011/05/02/school-buses-lined-his-block-every-morning-like/"/>
    <updated>2011-05-02T20:34:33.000Z</updated>
    <id>https://mlarson.org/2011/05/02/school-buses-lined-his-block-every-morning-like/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;School buses lined his block every morning, like vast tipped orange-juice cartons spilling out the human vitamin of youthful lunacy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;An excerpt from the story “The Dystopianist” in Jonathan Lethem’s very good book, &lt;a href=&#34;http://www.amazon.com/dp/0385512163&#34;&gt;Men and Cartoons&lt;/a&gt;. It’s worth seeking out even if you only read “The Spray”–amazing story.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>seedy: Terry Riley - You&#39;re No Good (1968)</title>
    <link href="https://mlarson.org/2011/05/02/seedy-terry-riley-youre-no-good-1968/"/>
    <updated>2011-05-02T20:31:22.000Z</updated>
    <id>https://mlarson.org/2011/05/02/seedy-terry-riley-youre-no-good-1968/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://c-d.tumblr.com/post/5053145778&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_lkfsiqc9ZL1qac7z9.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://c-d.tumblr.com/post/5053145778&#34;&gt;c-d&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here’s &lt;em&gt;You’re No Good&lt;/em&gt;, a live performance using moog and tapes from 1968. He takes Harvey Averne’s r&amp;amp;b song of the same name and cuts it up, layering and multitracking parts above and below.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;em&gt;1968&lt;/em&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Terry_Riley&#34;&gt;Terry Riley&lt;/a&gt;, OG.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://c-d.tumblr.com/post/5053145778&#34;&gt;seedy: Terry Riley - You&#39;re No Good (1968)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2011</title>
    <link href="https://mlarson.org/2011/05/02/yourheadoff-its-clint-eastwood-pj-harvey/"/>
    <updated>2011-05-02T20:26:52.000Z</updated>
    <id>https://mlarson.org/2011/05/02/yourheadoff-its-clint-eastwood-pj-harvey/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_lkk9vyx59z1qac8hfo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://yourheadoff.tumblr.com/post/5128151318&#34;&gt;yourheadoff&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s Clint Eastwood &amp;amp; PJ Harvey! Swoon.&lt;br&gt;
(by Kristin Burns)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2011</title>
    <link href="https://mlarson.org/2011/05/02/puberty-was-a-bag-of-cement-lashed-to-my-ankle-at/"/>
    <updated>2011-05-02T19:13:13.000Z</updated>
    <id>https://mlarson.org/2011/05/02/puberty-was-a-bag-of-cement-lashed-to-my-ankle-at/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Puberty was a bag of cement lashed to my ankle. At least conversationally. Everything I thought and said now had this burning undercurrent of “How’s this going to get me laid?” And wit can’t have an agenda.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/dp/1439149089&#34;&gt;Patton Oswalt&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kiss Me Deadly</title>
    <link href="https://mlarson.org/2011/05/02/kiss-me-deadly-not-recommended-but-i-have-to-say/"/>
    <updated>2011-05-02T17:38:53.000Z</updated>
    <id>https://mlarson.org/2011/05/02/kiss-me-deadly-not-recommended-but-i-have-to-say/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/05/tumblr_lkkx0tgv6d1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Kiss_Me_Deadly&#34;&gt;Kiss Me Deadly&lt;/a&gt;. Not recommended. But I have to say (spoiler coming), the final scene–where the lady opens the mystery box and accidentally self-immolates with nuclear material–was quite a shock, to say the least.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2011</title>
    <link href="https://mlarson.org/2011/05/02/like-adolescents-distance-runners-have-rivalries/"/>
    <updated>2011-05-02T14:11:00.000Z</updated>
    <id>https://mlarson.org/2011/05/02/like-adolescents-distance-runners-have-rivalries/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Like adolescents, distance runners have rivalries only with themselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Mark Oppenheimer in &lt;a href=&#34;http://www.believermag.com/issues/201103/?read=article_oppenheimer&#34;&gt;The Race That Is Not About Winning&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 2, 2011</title>
    <link href="https://mlarson.org/2011/05/02/all-runners-are-at-heart-mediocrities-bad-even/"/>
    <updated>2011-05-02T14:10:00.000Z</updated>
    <id>https://mlarson.org/2011/05/02/all-runners-are-at-heart-mediocrities-bad-even/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;All runners are at heart mediocrities, bad even when they are good.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Mark Oppenheimer in &lt;a href=&#34;http://www.believermag.com/issues/201103/?read=article_oppenheimer&#34;&gt;The Race That Is Not About Winning&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Case for Dennis Rodman: Outline » Skeptical Sports Analysis</title>
    <link href="https://mlarson.org/2011/05/02/the-case-for-dennis-rodman-outline-skeptical/"/>
    <updated>2011-05-02T14:08:31.000Z</updated>
    <id>https://mlarson.org/2011/05/02/the-case-for-dennis-rodman-outline-skeptical/</id>
    <content type="html">&lt;p&gt;I love this whole series. Statistics class would have been so much better if these were the lessons. It makes both basketball and math a lot more interesting than you’d think.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://skepticalsports.com/?p=112&#34;&gt;The Case for Dennis Rodman: Outline » Skeptical Sports Analysis&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Diary</title>
    <link href="https://mlarson.org/2011/05/02/diary-2010-by-tim-hetherington-arresting/"/>
    <updated>2011-05-02T14:05:00.000Z</updated>
    <id>https://mlarson.org/2011/05/02/diary-2010-by-tim-hetherington-arresting/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/18497543&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/18497543&#34;&gt;Diary (2010) by Tim Hetherington&lt;/a&gt;. Arresting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 29, 2011</title>
    <link href="https://mlarson.org/2011/04/29/we-live-in-what-is-but-we-find-a-thousand-ways/"/>
    <updated>2011-04-29T14:15:17.000Z</updated>
    <id>https://mlarson.org/2011/04/29/we-live-in-what-is-but-we-find-a-thousand-ways/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We live in what is, but we find a thousand ways not to face it. Great theater strengthens our faculty to face it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/4887/the-art-of-fiction-no-16-thornton-wilder&#34;&gt;Thornton Wilder&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 27, 2011</title>
    <link href="https://mlarson.org/2011/04/27/i-never-understand-why-a-company-would-put/"/>
    <updated>2011-04-27T19:32:00.000Z</updated>
    <id>https://mlarson.org/2011/04/27/i-never-understand-why-a-company-would-put/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I never understand why a company would put pointless music and animation between my credit card and their business.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thisfits.me/post/4990303081&#34;&gt;This Fits&lt;/a&gt;. Truth.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 27, 2011</title>
    <link href="https://mlarson.org/2011/04/27/if-you-want-to-understand-foreign-policy-read/"/>
    <updated>2011-04-27T17:22:56.000Z</updated>
    <id>https://mlarson.org/2011/04/27/if-you-want-to-understand-foreign-policy-read/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you want to understand foreign policy, read history, not the newspaper. When you read history, you get distance. You learn how events looked to people at the time – and how wrong they usually were.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://econlog.econlib.org/archives/2011/04/cowen_contra_pa.html&#34;&gt;Bryan Caplan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 26, 2011</title>
    <link href="https://mlarson.org/2011/04/26/india-bureaucracy-bihar-2003-india-172003/"/>
    <updated>2011-04-26T15:04:41.000Z</updated>
    <id>https://mlarson.org/2011/04/26/india-bureaucracy-bihar-2003-india-172003/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_lk2hhoecam1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.janbanning.com/gallery/bureaucratics/&#34;&gt;India, bureaucracy, Bihar, 2003. India-17/2003 [Pat., SP (b. 1962)]&lt;/a&gt; by &lt;a href=&#34;http://www.janbanning.com/&#34;&gt;Jan Banning&lt;/a&gt;. I like a lot of the work on his site. (&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/04/assorted-links-75.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Economonomics: Charitable arguing</title>
    <link href="https://mlarson.org/2011/04/26/economonomics-charitable-arguing/"/>
    <updated>2011-04-26T15:00:43.000Z</updated>
    <id>https://mlarson.org/2011/04/26/economonomics-charitable-arguing/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Taking a moment to hunt for an interpretation that makes an argument good — before you denounce it as a bad argument — is a nice heuristic that forestalls the tempting leap from “&lt;em&gt;There exists&lt;/em&gt; an interpretation that makes this a bad argument, but it may not be what he had in mind,” to “&lt;em&gt;This is a bad argument!&lt;/em&gt;”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/arguments&#34;&gt;Arguments&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/opinions&#34;&gt;opinions&lt;/a&gt; might be my favorite tags. (&lt;a href=&#34;http://www.linkbanana.com/2011/04/25/charitable-arguing/&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://economonomics.blogspot.com/2011/04/charitable-arguing.html&#34;&gt;Economonomics: Charitable arguing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Does the Novel Have a Future? The Answer Is In This Essay!</title>
    <link href="https://mlarson.org/2011/04/26/does-the-novel-have-a-future-the-answer-is-in/"/>
    <updated>2011-04-26T14:55:00.000Z</updated>
    <id>https://mlarson.org/2011/04/26/does-the-novel-have-a-future-the-answer-is-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A certain literary discourse, about what others should or shouldn’t be doing with their art, will probably always exist as a distraction from writing novels.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/907935187/american-drink-purist-intentions&#34;&gt;See also&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;After all, this is America, where the only art more popular than the art itself is the art of being a dick about the art.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.observer.com/print/141581&#34;&gt;Does the Novel Have a Future? The Answer Is In This Essay!&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Social Network</title>
    <link href="https://mlarson.org/2011/04/26/the-social-network-no-joke-this-is-a-pretty/"/>
    <updated>2011-04-26T14:51:11.000Z</updated>
    <id>https://mlarson.org/2011/04/26/the-social-network-no-joke-this-is-a-pretty/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_lk9ky3nplu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Social_Network&#34;&gt;The Social Network&lt;/a&gt;. No joke, this is a pretty amazing movie. Just like everyone says. Great tale, whether accurate or not. It’s refreshing to see a movie about this kind of creativity and this kind of business. Great editing. I didn’t like the soundtrack much when I listened through it as a stand-alone, but it’s just about perfect in context. Of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/davidfincher&#34;&gt;David Fincher&lt;/a&gt; films I’ve seen, I’d rank this one first or second, with &lt;em&gt;Zodiac&lt;/em&gt; giving it stiff competition. Maybe &lt;em&gt;Fight Club&lt;/em&gt; slightly edges &lt;em&gt;Seven&lt;/em&gt;, but neither one is nearly as good as the other two.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 25, 2011</title>
    <link href="https://mlarson.org/2011/04/25/aint-no-thang/"/>
    <updated>2011-04-25T01:59:00.000Z</updated>
    <id>https://mlarson.org/2011/04/25/aint-no-thang/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_lk6quwcunp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=yAqQyQ7JZn4&#34;&gt;Ain’t No Thang&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 22, 2011</title>
    <link href="https://mlarson.org/2011/04/22/felixsalmon-this-is-very-hansonian-more-people/"/>
    <updated>2011-04-22T17:47:00.000Z</updated>
    <id>https://mlarson.org/2011/04/22/felixsalmon-this-is-very-hansonian-more-people/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljxydu8jkg1qfajg3o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://felixsalmon.tumblr.com/post/4835530495&#34;&gt;felixsalmon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is very &lt;a href=&#34;http://www.overcomingbias.com/&#34;&gt;Hansonian&lt;/a&gt;. More people should live this way.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Dan Charnas, Author of The Big Payback: Interview on The Sound of Young America</title>
    <link href="https://mlarson.org/2011/04/22/dan-charnas-author-of-the-big-payback-interview/"/>
    <updated>2011-04-22T17:14:47.000Z</updated>
    <id>https://mlarson.org/2011/04/22/dan-charnas-author-of-the-big-payback-interview/</id>
    <content type="html">&lt;p&gt;A really, really good episode about the &lt;a href=&#34;http://www.amazon.com/gp/product/0451229290/&#34;&gt;business of hip hop&lt;/a&gt; from the beginnings to now. Worth a listen/read.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.maximumfun.org/sound-young-america/dan-charnas-author-big-payback-interview-sound-young-america&#34;&gt;Dan Charnas, Author of The Big Payback: Interview on The Sound of Young America&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why I&#39;m a pacifist: The dangerous myth of the Good War - By Nicholson Baker (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2011/04/22/why-im-a-pacifist-the-dangerous-myth-of-the-good/"/>
    <updated>2011-04-22T13:38:44.000Z</updated>
    <id>https://mlarson.org/2011/04/22/why-im-a-pacifist-the-dangerous-myth-of-the-good/</id>
    <content type="html">&lt;p&gt;Good stuff. I also liked &lt;a href=&#34;http://www.newyorker.com/reporting/2010/08/09/100809fa_fact_baker&#34;&gt;Nicholson Baker’s article about video games&lt;/a&gt; last fall.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.harpers.org/archive/2011/05/0083402&#34;&gt;Why I&#39;m a pacifist: The dangerous myth of the Good War - By Nicholson Baker (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 22, 2011</title>
    <link href="https://mlarson.org/2011/04/22/saturday-night-live-george-f-wills-sports/"/>
    <updated>2011-04-22T02:56:00.000Z</updated>
    <id>https://mlarson.org/2011/04/22/saturday-night-live-george-f-wills-sports/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nbc.com/assets/video/5-0/swf/DirectWidget.swf?CXNID=1000004.10045NXC&amp;amp;widID=4727a250e66f9723&amp;amp;configXML=http%3A%2F%2Fwww.nbc.com%2Fservice%2Fvideowidget%2Fparams%2FdmlkZW9faWQ9MjczNA%3D%3D%2F&#34;&gt;http://www.nbc.com/assets/video/5-0/swf/DirectWidget.swf?CXNID=1000004.10045NXC&amp;amp;widID=4727a250e66f9723&amp;amp;configXML=http%3A%2F%2Fwww.nbc.com%2Fservice%2Fvideowidget%2Fparams%2FdmlkZW9faWQ9MjczNA%3D%3D%2F&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nbc.com/saturday-night-live/video/george-f.-wills-sports-machine/2734&#34;&gt;Saturday Night Live - George F. Will’s Sports Machine&lt;/a&gt;. “As always, the questions will focus exclusively on baseball, the only game that transcends the boundary between fury and repose.” Also, “The answer is: the exhilarating tension between being and becoming.” This kills me. (&lt;a href=&#34;http://patrickswanson.tumblr.com/post/3321414712/james-brown-and-wagner-tension-and-release&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.nbc.com/&#34;&gt;http://www.nbc.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>SweetH2O 50K 2011 Race Report, or How to Run an Ultramarathon with Only Three Weeks&#39; Training*</title>
    <link href="https://mlarson.org/2011/04/21/20110421sweeth2o-50k-2011-race-report-or-how-to-run-an-ultramarathon-with-only-three-weeks-training/"/>
    <updated>2011-04-21T22:41:05.000Z</updated>
    <id>https://mlarson.org/2011/04/21/20110421sweeth2o-50k-2011-race-report-or-how-to-run-an-ultramarathon-with-only-three-weeks-training/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5633024557/&#34; title=&#34;New favorite t-shirt by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm6.static.flickr.com/5185/5633024557_50275e1117.jpg&#34; alt=&#34;New favorite t-shirt&#34;&gt;&lt;/a&gt; I had talked about doing the &lt;a href=&#34;http://www.sweeth20races.com/&#34;&gt;SweetH2O 50K&lt;/a&gt; for the previous 4 years, pretty much since it first started. I&#39;d put it on the That Would Be Cool to Do list every year, and when springtime rolled around I&#39;d forget about it/chicken out/go traveling/kick myself for not registering. After a nice wake-up conversation with a friend, I decided it was time to put up or shut up. This would be my first ultra... and my first marathon**, technically.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&amp;quot;Training&amp;quot;&lt;/strong&gt; Emphasis on the air quotes. I&#39;d been out for a long (~30M) hike/trailrun about a month before the race, but that&#39;s somewhat typical for me a long day in the mountains. I took my time, took lots of breaks, and didn&#39;t really think of it as a training. I didn&#39;t even remember the 50K was coming up until about a week later. I registered on March 23. The race was set for April 16. Between those two dates I did a grand total of 26.5 miles of running, which I now find funny/brilliant/lucky but at the time had me a bit panicky. I figured I was pretty much screwed overall fitness-wise, so I focused on hill-climbing runs, keeping the core muscles in tune (situps, pushups, planks, various leg raises, etc. etc.), and lots of stretching. I&#39;m lucky I&#39;m young and resilient. Next time, it would be wise to plan ahead and take it a bit more seriously.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Highlights from the Race&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Being so nervous at the starting line that I had to leave the pack and face the opposite direction before the gun fired. And then I was fine.&lt;/li&gt;
&lt;li&gt;Settling in at the very back of the pack, where I knew I belonged, for the for few miles with a couple other guys also running their first ultras.&lt;/li&gt;
&lt;li&gt;Ridiculously beautiful morning weather! Perfect.&lt;/li&gt;
&lt;li&gt;A giddy, loopy, ridiculously fun runner&#39;s high/ Transcendental Experience of the Union of All Things from ~8-12M.&lt;/li&gt;
&lt;li&gt;Tripping and falling into a creek at the ~16-mile mark. Soaked from neck down.&lt;/li&gt;
&lt;li&gt;Passing people. I&#39;m human.&lt;/li&gt;
&lt;li&gt;Drinking a nice cold &lt;a href=&#34;http://www.oskarblues.com/the-brews/mamas-little-yella-pils&#34;&gt;Mama&#39;s Little Yella Pils&lt;/a&gt; at ~22M. Aid stations rule.&lt;/li&gt;
&lt;li&gt;Metabolic crash into my own personal hell at ~24-27M. This was a dark place, a highlight only in hindsight.&lt;/li&gt;
&lt;li&gt;Finishing in 7:47 (#141/250) and not feeling all that bad.&lt;/li&gt;
&lt;li&gt;My awesome new shirt and hat.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Philosophical Observation&lt;/strong&gt; One part of the race route (a giant loop, run twice) is an out-and-back spur to an aid station. This is a maybe 2-mile round trip where you have runners going both directions. The brilliance of the course layout is this spur comes after a nasty section of just brutal hills, and the second time you run the spur is right around the marathon mark, i.e. when it&#39;s hot and you&#39;re crashing. But this is also the only time you cross paths with your fellow runners. And the thing is, everybody is cheering everyone else when they pass by. &amp;quot;Good job. Keep it up. Stay strong. Not much further. Looking good. You&#39;ve got this. Doing great.&amp;quot; I don&#39;t want to get too hippie-dippie about it, but it is amazing how much these platitudes can lift you up, and how quickly I fell into saying them, too. And when you remember that they&#39;re coming from people who are every bit as tired, sore, thirsty as you are and just as likely to be in their own hellish mental state... there&#39;s something special there. You feel grateful to be out there, struggling, but supported and somehow maybe saying something another person needs to hear. Life lesson.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;In Conclusion&lt;/strong&gt; Now that I finally gave myself a chance, I think I&#39;m hooked. Next stop, 50M.&lt;/p&gt;
&lt;p&gt;--- *Misleading title. Please don&#39;t follow my advice. **I have little to no interest in road marathons, unless I hear about a really amazing course somewhere.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 21, 2011</title>
    <link href="https://mlarson.org/2011/04/21/if-everyone-had-good-manners-we-wouldnt-need/"/>
    <updated>2011-04-21T17:29:07.000Z</updated>
    <id>https://mlarson.org/2011/04/21/if-everyone-had-good-manners-we-wouldnt-need/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If everyone had good manners we wouldn’t need laws. I think that’s the great hope of civility, that we can control society through cultural means rather than through lawyers.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.getkempt.com/conversation/reflections-of-a-style-guy.php&#34;&gt;Glenn O’Brien&lt;/a&gt;. (&lt;a href=&#34;http://submittedforyourperusal.com/2011/04/20/i-hope-theyre-not-together/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Humblebrag: Re-Tweeting (Not-So) Humble Promoters - WSJ.com</title>
    <link href="https://mlarson.org/2011/04/21/humblebrag-re-tweeting-not-so-humble-promoters/"/>
    <updated>2011-04-21T16:19:16.000Z</updated>
    <id>https://mlarson.org/2011/04/21/humblebrag-re-tweeting-not-so-humble-promoters/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Actor Levar Burton had my all time favorite. The tweet was “It’s a good night for natural light in LA” and then he posted a picture of his fireplace, but on the mantle above it were like 20 Emmy awards. A masterpiece!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052748704570704576275320082913808.html?mod=e2tw&#34;&gt;Humblebrag: Re-Tweeting (Not-So) Humble Promoters - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 21, 2011</title>
    <link href="https://mlarson.org/2011/04/21/i-have-always-wanted-to-give-a-voice-to-my/"/>
    <updated>2011-04-21T14:14:00.000Z</updated>
    <id>https://mlarson.org/2011/04/21/i-have-always-wanted-to-give-a-voice-to-my/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I have always wanted to give a voice to my subjects. That’s really important for me. It’s their reality, and I’m mediating it for the public. And I understand that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Tim Hetherington in an interview with NewsHour in 2010.  There are &lt;a href=&#34;http://www.pbs.org/newshour/art/blog/2011/04/photographer-filmmaker-tim-hetherington-among-journalists-killed-in-libay.html&#34;&gt;several reports that the photographer and filmmaker has been killed in Libya&lt;/a&gt;. This attitude was &lt;a href=&#34;http://tumblr.mlarson.org/post/3593329392/restrepo-this-is-as-depressing-as-youd-expect&#34;&gt;one of my favorite parts about his documentary &lt;em&gt;Restrepo&lt;/em&gt;&lt;/a&gt;. What a loss.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lore Segal: “Spry for Frying” - The New Yorker</title>
    <link href="https://mlarson.org/2011/04/21/lore-segal-spry-for-frying-the-new-yorker/"/>
    <updated>2011-04-21T14:02:21.000Z</updated>
    <id>https://mlarson.org/2011/04/21/lore-segal-spry-for-frying-the-new-yorker/</id>
    <content type="html">&lt;p&gt;I wish this weren’t behind a paywall. It was one of my favorite pieces in &lt;a href=&#34;http://www.newyorker.com/magazine/toc/2011/04/18/toc_20110411&#34;&gt;last week’s very good issue&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2011/04/18/110418fa_fact_segal&#34;&gt;Lore Segal: “Spry for Frying” - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 21, 2011</title>
    <link href="https://mlarson.org/2011/04/21/bigcrush-the-new-yorker-barry-michelss-phil/"/>
    <updated>2011-04-21T13:57:32.000Z</updated>
    <id>https://mlarson.org/2011/04/21/bigcrush-the-new-yorker-barry-michelss-phil/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljgafkoni51qz8uh4o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bigcrush.tumblr.com/post/4501123577&#34;&gt;bigcrush&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&#34;http://documents.newyorker.com/2011/03/therapy_drawings/&#34;&gt;THE NEW YORKER: Barry Michels’s &amp;amp; Phil Stutz’ Therapy Drawings&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://ethosophical.tumblr.com/post/4578787104/opportunity-is-missed-by-most-people-because-it&#34;&gt;See also&lt;/a&gt;: “Opportunity is missed by most people because it comes dressed in overalls and looks like work.” -Thomas Edison.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 19, 2011</title>
    <link href="https://mlarson.org/2011/04/19/shitty-local-bar-presents-photographed-in/"/>
    <updated>2011-04-19T20:02:45.000Z</updated>
    <id>https://mlarson.org/2011/04/19/shitty-local-bar-presents-photographed-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljx10m5ifg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://i.imgur.com/bz2EO.jpg&#34;&gt;SHITTY LOCAL BAR presents…&lt;/a&gt;. Photographed in Atlanta’s Little Five Points neighborhood, apparently. (&lt;a href=&#34;https://twitter.com/#!/Ohmpark/status/60422615801671680&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 19, 2011</title>
    <link href="https://mlarson.org/2011/04/19/city-of-words-by-vito-acconci/"/>
    <updated>2011-04-19T14:42:00.000Z</updated>
    <id>https://mlarson.org/2011/04/19/city-of-words-by-vito-acconci/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljwm6onec21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;“City of Words” by &lt;a href=&#34;http://en.wikipedia.org/wiki/Vito_Acconci&#34;&gt;Vito Acconci&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 18, 2011</title>
    <link href="https://mlarson.org/2011/04/18/philosophy-referee-signals-created-by-landon/"/>
    <updated>2011-04-18T13:35:45.000Z</updated>
    <id>https://mlarson.org/2011/04/18/philosophy-referee-signals-created-by-landon/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljuoflfuq21qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://marginalrevolution.com/marginalrevolution/2011/04/philosophy-referee-signals.html&#34;&gt;Philosophy Referee Signals&lt;/a&gt;. Created by Landon Schurtz of the University of Oklahoma. Q.E.D.!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Joy of Not Cooking - The Atlantic</title>
    <link href="https://mlarson.org/2011/04/15/the-joy-of-not-cooking-the-atlantic/"/>
    <updated>2011-04-15T18:42:22.000Z</updated>
    <id>https://mlarson.org/2011/04/15/the-joy-of-not-cooking-the-atlantic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Leisure is as much about our pleasant fantasies as it is about what we’re actually doing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/print/2011/05/the-joy-of-not-cooking/8442/&#34;&gt;The Joy of Not Cooking - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2011</title>
    <link href="https://mlarson.org/2011/04/15/patrickswanson-igor-stravinsky-cowboy/"/>
    <updated>2011-04-15T15:48:05.000Z</updated>
    <id>https://mlarson.org/2011/04/15/patrickswanson-igor-stravinsky-cowboy/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/-qSfMlIzUUU&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://patrickswanson.tumblr.com/post/3148404774&#34;&gt;patrickswanson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=-qSfMlIzUUU&#34;&gt;Igor Stravinsky: Cowboy&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Let Me In</title>
    <link href="https://mlarson.org/2011/04/15/let-me-in-im-torn-on-this-remake-i-like-the/"/>
    <updated>2011-04-15T15:43:35.000Z</updated>
    <id>https://mlarson.org/2011/04/15/let-me-in-im-torn-on-this-remake-i-like-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljpacnbipk1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Let_Me_In_%28film%29&#34;&gt;Let Me In&lt;/a&gt;. I’m torn on this remake. I like the good suspense with a steady, chilling, creeping weirdness about it, but not so intense that I didn’t mind stopping the film a couple times to take a break. It’s crippled by a bad/ill-timed score, which drove me nuts. The young actors are very, very good and pretty much carry the whole thing when it goes off-course. The shots and locations are chosen and photographed really well. Love the contrast of warm/cold, damp/dry, bright/dark. But there’s some sketchy CGI and it seems like the director should have made stronger decisions about showing the violence on-screen vs. off. It kind of waffles. Interesting themes of power, safety, and dependency. I also loved the one perfect moment when the two leads are hanging out: She picks up his Romeo &amp;amp; Juliet book, which he dismisses as a boring class assignment; then he talks to her about Morse code. The premise of the whole film is good enough that I’d like to see &lt;a href=&#34;http://en.wikipedia.org/wiki/Let_the_Right_One_In&#34;&gt;the original&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2011</title>
    <link href="https://mlarson.org/2011/04/15/i-used-to-beat-up-all-the-kids-on-the-block-i/"/>
    <updated>2011-04-15T14:47:56.000Z</updated>
    <id>https://mlarson.org/2011/04/15/i-used-to-beat-up-all-the-kids-on-the-block-i/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I used to beat up all the kids on the block. I used to confiscate their marbles, snatch them up!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/3209/the-art-of-theater-no-5-tennessee-williams&#34;&gt;Tennessee Williams&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=rDVzmbtVZ6s&#34;&gt;Which reminds me of&lt;/a&gt;…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Legal disclaimers: Spare us the e-mail yada-yada | The Economist</title>
    <link href="https://mlarson.org/2011/04/14/legal-disclaimers-spare-us-the-e-mail-yada-yada/"/>
    <updated>2011-04-14T19:30:31.000Z</updated>
    <id>https://mlarson.org/2011/04/14/legal-disclaimers-spare-us-the-e-mail-yada-yada/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;E-mail disclaimers are one of the minor nuisances of modern office life, along with fire drills, annual appraisals and colleagues who keep sneezing loudly.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Perfect timing, Economist. We had a fire drill yesterday, annual appraisals last month, and this morning *I* was the guy with the sneezing fit.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.economist.com/node/18529895&#34;&gt;Legal disclaimers: Spare us the e-mail yada-yada | The Economist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Norm MacDonald Interview | The A.V. Club</title>
    <link href="https://mlarson.org/2011/04/13/norm-macdonald-interview-the-av-club/"/>
    <updated>2011-04-13T19:22:24.000Z</updated>
    <id>https://mlarson.org/2011/04/13/norm-macdonald-interview-the-av-club/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s a very odd thing with Hollywood, where you do stand-up, you’re good at it, then they go, “How would you like to be a horrible actor?” Then you say, “All right, that sounds good. I’ll do that.” So I’m fucking excited about not having to pretend to know what I’m doing with acting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I love abandoning shit, because I don’t like doing shit over and over and over. I’ve thrown so many jokes away. First of all, I’m not a good enough performer to pretend that “I just thought of this,” that kind of shit. It’s saying the same word over and over again, it loses its fucking meaning. Also, generally I don’t like traveling around saying the exact same thing. I don’t think that’s a very good thing to do with your life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don’t really care about success or money or shit. I could give a fuck. I hate fame. I hate being recognized, because I don’t know how to talk to people. I see Sandler, man, and I’m like fuck, goddamn, I don’t know how he does it, those people are fucking everywhere he walks. If you’re walking with him, all you hear behind is people whispering. It’s almost like being fucking stoned, or a paranoid schizophrenic or something, where you think people are talking about you, but they actually are talking about you. It’s fucking surreal.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.avclub.com/articles/norm-macdonald,54380/&#34;&gt;Norm MacDonald Interview | The A.V. Club&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 13, 2011</title>
    <link href="https://mlarson.org/2011/04/13/austinkleon-the-photography-of-otis-ike-aka/"/>
    <updated>2011-04-13T17:00:00.000Z</updated>
    <id>https://mlarson.org/2011/04/13/austinkleon-the-photography-of-otis-ike-aka/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljip88rnyg1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/4542844552&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://otisike.com/welcome/otisike.html&#34;&gt;The Photography of Otis Ike (a.k.a. Patrick Bresnan)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I look forward to Patrick’s email blasts — whether he’s photographing &lt;a href=&#34;http://www.otisike.com/welcome/txrelays.html&#34;&gt;6th Street during the Texas Relays&lt;/a&gt;, &lt;a href=&#34;http://www.otisike.com/welcome/renforrest.html&#34;&gt;a Renaissance Fair&lt;/a&gt;, or &lt;a href=&#34;http://www.otisike.com/welcome/superbowl.html&#34;&gt;the Super Bowl parking lot&lt;/a&gt;, I know I’m going to see an America I never get see…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Woah, these are great.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 13, 2011</title>
    <link href="https://mlarson.org/2011/04/13/patrickswanson-labi-siffre-it-must-be/"/>
    <updated>2011-04-13T16:58:15.000Z</updated>
    <id>https://mlarson.org/2011/04/13/patrickswanson-labi-siffre-it-must-be/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/4582751750/tumblr_liuv62Zs5p1qboc9f?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/4582751750/audio_player_iframe/mlarson/tumblr_liuv62Zs5p1qboc9f?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F4582751750%2Ftumblr_liuv62Zs5p1qboc9f&#34;&gt;http://mlarson.tumblr.com/post/4582751750/audio_player_iframe/mlarson/tumblr_liuv62Zs5p1qboc9f?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F4582751750%2Ftumblr_liuv62Zs5p1qboc9f&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://patrickswanson.tumblr.com/post/4203196271&#34;&gt;patrickswanson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;http://i.imgur.com/Nalie.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Labi Siffre - “It Must Be Love” (from &lt;a href=&#34;http://www.amazon.com/Crying-Laughing-Loving-Lying-Siffre/dp/B000EXOA0Y/ref=sr_1_5?s=music&amp;amp;ie=UTF8&amp;amp;qid=1301462748&amp;amp;sr=1-5&#34;&gt;&lt;em&gt;Crying Laughing Loving Lying&lt;/em&gt;&lt;/a&gt;)&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I wish I’d known about this song long, long ago. So catchy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Meadowlark Lemons.: James Brown and Wagner: Tension and Release</title>
    <link href="https://mlarson.org/2011/04/12/meadowlark-lemons-james-brown-and-wagner/"/>
    <updated>2011-04-12T16:20:00.000Z</updated>
    <id>https://mlarson.org/2011/04/12/meadowlark-lemons-james-brown-and-wagner/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://patrickswanson.tumblr.com/post/3321414712&#34;&gt;patrickswanson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_lgoyq3Hjaa1qb2977.jpg&#34; alt=&#34;&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_lgoyqv5Kf11qb2977.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Not even Reich’s music is as exhilaratingly tense as “Doing it to the Death,” or “The Payback.” Reich’s pieces take long, extended journeys; they are exquisite processes which slowly unfold through time, irreversibly. Brown’s best music never takes a journey: it’s either just where it should be, or tantalizingly close to where it should be.&lt;/p&gt;
&lt;p&gt;Strangely enough, I think that ”The Payback” has more in common with &lt;em&gt;Tristan und Isolde&lt;/em&gt; than it does with Glass or Reich. It’s all about tension and release.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This whole post is straight-up brilliant.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://patrickswanson.tumblr.com/post/3321414712&#34;&gt;Meadowlark Lemons.: James Brown and Wagner: Tension and Release&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Steroids, Baseball, America: Did Drugs Kill Sports? - The Point Magazine</title>
    <link href="https://mlarson.org/2011/04/12/steroids-baseball-america-did-drugs-kill/"/>
    <updated>2011-04-12T14:58:09.000Z</updated>
    <id>https://mlarson.org/2011/04/12/steroids-baseball-america-did-drugs-kill/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Popularity and growth are frequently corollaries of corruption rather than proof of its absence or irrelevance—which only raises anew the question of how the most committed fans might register their sense of that corruption.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thepointmag.com/archive/steroids-baseball-america/&#34;&gt;Steroids, Baseball, America: Did Drugs Kill Sports? - The Point Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>NBA Playbook » 2010-2011 Playoff Previews</title>
    <link href="https://mlarson.org/2011/04/12/nba-playbook-2010-2011-playoff-previews/"/>
    <updated>2011-04-12T14:55:49.000Z</updated>
    <id>https://mlarson.org/2011/04/12/nba-playbook-2010-2011-playoff-previews/</id>
    <content type="html">&lt;p&gt;I’m loving these pre-post-season… posts. This blog is so good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nbaplaybook.com/category/2010-2011-playoff-previews/&#34;&gt;NBA Playbook » 2010-2011 Playoff Previews&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Twin Lessons: Have More Kids. Pay Less Attention to Them. - WSJ</title>
    <link href="https://mlarson.org/2011/04/12/twin-lessons-have-more-kids-pay-less-attention/"/>
    <updated>2011-04-12T14:50:45.000Z</updated>
    <id>https://mlarson.org/2011/04/12/twin-lessons-have-more-kids-pay-less-attention/</id>
    <content type="html">&lt;p&gt;See also Bryan Caplan on &lt;a href=&#34;http://tumblr.mlarson.org/post/404972315/ignoring-there-is-such-a-thing-as-free-sleep-bryan&#34;&gt;letting your children cry themselves to sleep&lt;/a&gt; in the dark, lonely night and other things tagged &lt;a href=&#34;http://tumblr.mlarson.org/tagged/parenting&#34;&gt;parenting&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.wsj.com/ideas-market/2011/04/11/twin-lessons-have-more-kids-pay-less-attention-to-them/&#34;&gt;Twin Lessons: Have More Kids. Pay Less Attention to Them. - WSJ&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marty Nemko: The Un-MBA: I teach the aspiring self-employed the opposite of what is taught in business school</title>
    <link href="https://mlarson.org/2011/04/11/marty-nemko-the-un-mba-i-teach-the-aspiring/"/>
    <updated>2011-04-11T00:56:58.000Z</updated>
    <id>https://mlarson.org/2011/04/11/marty-nemko-the-un-mba-i-teach-the-aspiring/</id>
    <content type="html">&lt;p&gt;Interesting ideas here on starting a business. Keep it simple. Keep it boring.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Biz schools focus on high-status businesses: high tech, biotech, medical devices, environmental technology, multinational corporations, etc. I teach my clients the opposite: start a low-status business, the grungier the better. That way you’re competing with less capable business owners. Few Stanford or Harvard graduates aspire to owning diesel repair shops, mobile home park cleaning, installing and removing home-for-sale signs from lawns, shoeshine stands, cleaning out and installing cabinets in basements and garages, gourmet food trucks, rehabbing tenant-damaged apartment buildings, carts selling soup, scarves, knockoff designer purses, French soap, or coffee, or placing and maintaining laundry machines in apartment buildings. It’s far easier to compete successfully in such low-status businesses. I teach my clients, “Status is the enemy of success.”&lt;/p&gt;
&lt;p&gt;Biz schools focus on intellectually meaty, complex businesses like the aforementioned high-tech, biotech, etc.. Alas, the more complex the business, the more that can go wrong. I teach my clients to choose a simple business, such as those I list in the previous paragraph. Each business location may yield insufficient profit to support a family but, once you’ve refined the concept, as I said, just clone your simple business in another location(s.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/warrenbuffett&#34;&gt;Warren Buffett&lt;/a&gt; stuff I’ve read. See also &lt;a href=&#34;http://tumblr.mlarson.org/post/2135140853/what-economic-laws-have-worked-best-for-berkshire&#34;&gt;being smart once&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/1530962135/if-you-are-dependent-on-borrowed-money-you-have&#34;&gt;borrowing money&lt;/a&gt;, and &lt;a href=&#34;http://buffettfaq.com/#i23new&#34;&gt;sticking with what you understand&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://martynemko.blogspot.com/2011/04/while-i-am-critical-of-many-aspects-of.html&#34;&gt;Marty Nemko: The Un-MBA: I teach the aspiring self-employed the opposite of what is taught in business school&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 11, 2011</title>
    <link href="https://mlarson.org/2011/04/11/organizing-is-really-just-an-ugly-way-of-saying/"/>
    <updated>2011-04-11T00:46:00.000Z</updated>
    <id>https://mlarson.org/2011/04/11/organizing-is-really-just-an-ugly-way-of-saying/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;‘Organizing’ is really just an ugly way of saying &#39;drawing connections’.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/04/behind-scenes-making-of-masculine.html&#34;&gt;Justin Wehr&lt;/a&gt;. Currently enjoying my &lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/04/behind-scenes-making-of-masculine.html&#34;&gt;masculine booklet&lt;/a&gt;. Get&#39;em while they’re hot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>NBA Power Poll: The contenders - Bill Simmons - ESPN</title>
    <link href="https://mlarson.org/2011/04/11/nba-power-poll-the-contenders-bill-simmons/"/>
    <updated>2011-04-11T00:43:29.000Z</updated>
    <id>https://mlarson.org/2011/04/11/nba-power-poll-the-contenders-bill-simmons/</id>
    <content type="html">&lt;p&gt;Few things refresh like good sportswriting.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Orlando leads the league in “Guys Even Spectators Feel Like They Could Take Off The Dribble Or Post Up” (seven by my count).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A few years ago, I gave Steve Nash my 2007 MVP vote because that Suns roster was specifically tailored to him: it was an exquisite, ridiculously powerful race car that only one driver could have handled. This Spurs team was more like a beautiful, slightly broken-down sailboat sailing across the Atlantic — it needed a skipper who had done the trip a few times, understood his boat completely, could make a few on-the-fly fixes if anything happened, clicked with his crew completely, and wouldn’t panic if water ever started spurting from the deck.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sports.espn.go.com/espn/page2/story?page=simmons/110408&amp;amp;sportCat=nba&#34;&gt;NBA Power Poll: The contenders - Bill Simmons - ESPN&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 8, 2011</title>
    <link href="https://mlarson.org/2011/04/08/a-man-who-lives-among-immortal-blessings-is-not/"/>
    <updated>2011-04-08T15:33:46.000Z</updated>
    <id>https://mlarson.org/2011/04/08/a-man-who-lives-among-immortal-blessings-is-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A man who lives among immortal blessings is not like to a mortal being.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://alien.dowling.edu/%7Ecperring/epicurustomenoeceus.html&#34;&gt;Epicurus&lt;/a&gt; in his &lt;em&gt;Letter to Menoeceus&lt;/em&gt;. (&lt;a href=&#34;http://econlog.econlib.org/archives/2011/04/top_40_things_i.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wall of Sound: The iPod has changed the way we listen to music. And the way we respond to it. - By Nikil Saval - Slate Magazine</title>
    <link href="https://mlarson.org/2011/04/08/wall-of-sound-the-ipod-has-changed-the-way-we/"/>
    <updated>2011-04-08T15:31:40.000Z</updated>
    <id>https://mlarson.org/2011/04/08/wall-of-sound-the-ipod-has-changed-the-way-we/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;As certain foodies score points by having eaten everything—blowfish, yak milk tea, haggis, hot dogs—so the person who knows and likes all music achieves a curious sophistication-through-indiscriminateness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Somewhat guilty as charged. &lt;a href=&#34;http://tumblr.mlarson.org/post/315555450/one-result-of-the-internet-i-think-is-that-it&#34;&gt;See also Tyler Cowen on the internet and eclecticism&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2289177/pagenum/all/&#34;&gt;Wall of Sound: The iPod has changed the way we listen to music. And the way we respond to it. - By Nikil Saval - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>40 Things I Learned in My First 40 Years - Bryan Caplan | EconLog</title>
    <link href="https://mlarson.org/2011/04/08/40-things-i-learned-in-my-first-40-years-bryan/"/>
    <updated>2011-04-08T15:28:12.000Z</updated>
    <id>https://mlarson.org/2011/04/08/40-things-i-learned-in-my-first-40-years-bryan/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;4. Obsessiveness is a powerful solution for physical and social problems. Unfortunately it’s also a major cause of emotional problems.&lt;/p&gt;
&lt;p&gt;9. Your mind ages at a slower rate than you expect when you’re young, your body at a faster rate.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://econlog.econlib.org/archives/2011/04/top_40_things_i.html&#34;&gt;40 Things I Learned in My First 40 Years - Bryan Caplan | EconLog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 8, 2011</title>
    <link href="https://mlarson.org/2011/04/08/it-takes-no-work-to-fall-in-love-it-takes-real/"/>
    <updated>2011-04-08T15:25:16.000Z</updated>
    <id>https://mlarson.org/2011/04/08/it-takes-no-work-to-fall-in-love-it-takes-real/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It takes no work to fall in love. It takes real work to rise to a real and lasting friendship.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://andrewsullivan.thedailybeast.com/2011/04/is-love-a-choice-ctd-1.html&#34;&gt;Andrew Sullivan&lt;/a&gt;. I find so much good stuff in &lt;a href=&#34;http://www.delicious.com/bencasnocha&#34;&gt;Ben Casnocha’s Delicious feed&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 8, 2011</title>
    <link href="https://mlarson.org/2011/04/08/how-to-steal-like-an-artist-and-9-other-things/"/>
    <updated>2011-04-08T15:23:51.000Z</updated>
    <id>https://mlarson.org/2011/04/08/how-to-steal-like-an-artist-and-9-other-things/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_lj6npvusin1qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/2011/03/30/how-to-steal-like-an-artist-and-9-other-things-nobody-told-me/&#34;&gt;How To Steal Like An Artist (And 9 Other Things Nobody Told Me) - Austin Kleon&lt;/a&gt;. Umm. Meant to get this out of the drafts pile a long time ago. Great stuff, as usual.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2011</title>
    <link href="https://mlarson.org/2011/04/07/ludwig-van-beethoven-symphony-no3-in-e-flat/"/>
    <updated>2011-04-07T20:01:56.000Z</updated>
    <id>https://mlarson.org/2011/04/07/ludwig-van-beethoven-symphony-no3-in-e-flat/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/opXAUbtcXsc&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=opXAUbtcXsc&#34;&gt;Ludwig van Beethoven - Symphony No.3 in E-flat major, Op.55 “Eroica”&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Symphony_No._3_%28Beethoven%29&#34;&gt;On this day in history&lt;/a&gt;. &lt;a href=&#34;http://www.grunin.com/eroica/index.htm&#34;&gt;See also&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2011</title>
    <link href="https://mlarson.org/2011/04/07/pre-interstate-atlanta-1919-by-the-foote-davies/"/>
    <updated>2011-04-07T16:28:30.000Z</updated>
    <id>https://mlarson.org/2011/04/07/pre-interstate-atlanta-1919-by-the-foote-davies/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_ljafohrpqq1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://atlurbanist.tumblr.com/post/4401522870/&#34;&gt;Pre-interstate Atlanta, 1919&lt;/a&gt; by the &lt;a href=&#34;http://en.wikipedia.org/wiki/Foote_%26_Davies_Company&#34;&gt;Foote &amp;amp; Davies Company&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is an image from the 1919 Foote and Davies map of Atlanta, taken from the very cool &lt;a href=&#34;http://www.bigmapblog.com/2011/atlanta-in-1919/&#34;&gt;Big Map Blog&lt;/a&gt;. We can see what the built environment of downtown Atlanta looked like (and might have continued to look like) before the interstates and their ramps sliced wide chasms of asphalt and concrete through the area.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’m trying to imagine Atlanta if we got rid of the I-75/I-85 Connector and did a &lt;a href=&#34;http://en.wikipedia.org/wiki/Cheonggyecheon&#34;&gt;Cheonggyecheon&lt;/a&gt;-style &lt;a href=&#34;http://www.grist.org/infrastructure/2011-04-04-seoul-korea-tears-down-an-urban-highway-life-goes-on&#34;&gt;restoration&lt;/a&gt;. I can dream.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Some Like It Hot</title>
    <link href="https://mlarson.org/2011/04/06/some-like-it-hot-i-have-verified-that-this-is-one/"/>
    <updated>2011-04-06T14:10:07.000Z</updated>
    <id>https://mlarson.org/2011/04/06/some-like-it-hot-i-have-verified-that-this-is-one/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/04/tumblr_lj8i0vv3hx1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Some_Like_It_Hot&#34;&gt;Some Like It Hot&lt;/a&gt;. I have verified that this is one of the great comedies.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Will you look at that! Look how she moves! It’s like Jell-O on springs. Must have some sort of built-in motor or something. I tell you, it’s a whole different sex!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>n+1: Sad as Hell</title>
    <link href="https://mlarson.org/2011/04/04/n-1-sad-as-hell/"/>
    <updated>2011-04-04T14:43:27.000Z</updated>
    <id>https://mlarson.org/2011/04/04/n-1-sad-as-hell/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Tabloids are only interesting as long as you’re always reading them; let your checkout-line-skimming lapse for a week and the thought of celebrity gossip seems pointless.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nplusonemag.com/sad-as-hell&#34;&gt;n+1: Sad as Hell&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 4, 2011</title>
    <link href="https://mlarson.org/2011/04/04/the-fact-that-a-place-is-out-of-fashion-forgotten/"/>
    <updated>2011-04-04T14:41:12.000Z</updated>
    <id>https://mlarson.org/2011/04/04/the-fact-that-a-place-is-out-of-fashion-forgotten/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The fact that a place is out of fashion, forgotten or not yet on the map doesn’t make it less interesting, just more itself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://travel.nytimes.com/2011/04/03/travel/03Cover.html?pagewanted=all&#34;&gt;Paul Theroux&lt;/a&gt;. Reminds me of one of my &lt;a href=&#34;http://tumblr.mlarson.org/post/328907490/good-travel-writing-contends-honestly-and-openly&#34;&gt;early tumble quotes&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Good travel writing contends honestly and openly with presumptions of who is traveling and why… and it does not treat local people as though their lives were just incidental, conveniently or inconveniently producing conditions for others’ escapism.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Related: &lt;a href=&#34;http://tumblr.mlarson.org/tagged/authenticity&#34;&gt;authenticity&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/culturalneutrality&#34;&gt;cultural neutrality&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 4, 2011</title>
    <link href="https://mlarson.org/2011/04/04/billa-tehillim-by-steve-reich-performed-last/"/>
    <updated>2011-04-04T14:34:36.000Z</updated>
    <id>https://mlarson.org/2011/04/04/billa-tehillim-by-steve-reich-performed-last/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/21793070&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/4261290329&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Tehillim by Steve Reich, performed last night by Asko|Schönberg and Synergy Vocals. Light design by Carel Kuitenbrouwer&lt;/p&gt;
&lt;p&gt;&lt;em&gt;via &lt;a href=&#34;http://wmmf.tumblr.com/post/4255418239/tehillim-play-asko-schonberg-music-steve-reich-light&#34;&gt;wmmf / vpro&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reich-reblog rule still in effect. I’m amazed at the quality of this recording.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 4, 2011</title>
    <link href="https://mlarson.org/2011/04/04/whats-great-about-this-country-is-that-america/"/>
    <updated>2011-04-04T14:32:56.000Z</updated>
    <id>https://mlarson.org/2011/04/04/whats-great-about-this-country-is-that-america/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you can know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking… All of this is really American.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/The_Philosophy_of_Andy_Warhol&#34;&gt;Andy Warhol&lt;/a&gt;. (&lt;a href=&#34;http://thenewinquiry.com/post/4279589452&#34;&gt;via&lt;/a&gt;) See also &lt;a href=&#34;http://tumblr.mlarson.org/post/1640753951/i-bet-we-all-in-this-room-live-about-the-same-we&#34;&gt;Warren Buffett on our similar American lives&lt;/a&gt;. Also, I love my &lt;a href=&#34;http://tumblr.mlarson.org/tagged/america&#34;&gt;America&lt;/a&gt; tag.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Roger Ebert&#39;s Glossary of Movie Terms</title>
    <link href="https://mlarson.org/2011/04/04/roger-eberts-glossary-of-movie-terms/"/>
    <updated>2011-04-04T14:25:02.000Z</updated>
    <id>https://mlarson.org/2011/04/04/roger-eberts-glossary-of-movie-terms/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://www.kungfugrippe.com/post/4295071552&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Wrong-Headed Commanding Officer&lt;/strong&gt;. The commanding officer exists solely for the purpose of taking the hero off the case, calling him on the carpet, issuing dire warnings, asking him to hand over his badge and gun, etc.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://academic.sun.ac.za/forlang/bergman/tech/glossary/ebert_glos.htm&#34;&gt;Roger Ebert&#39;s Glossary of Movie Terms&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bill Simmons: The non-contenders rule Part 1 of the NBA Power Poll - ESPN</title>
    <link href="https://mlarson.org/2011/04/01/bill-simmons-the-non-contenders-rule-part-1-of/"/>
    <updated>2011-04-01T20:03:48.000Z</updated>
    <id>https://mlarson.org/2011/04/01/bill-simmons-the-non-contenders-rule-part-1-of/</id>
    <content type="html">&lt;p&gt;On Grant Hill:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You realize Grant Hill quietly just had one of the most incredible seasons in the history of the league, right? He played 135 games &lt;em&gt;total&lt;/em&gt; from 2000 to 2006; in the past three seasons, he’s played every game but three and averaged 30 minutes a night. This season, he tossed up 48-84-39 percentages for FG/FT/3FG, scored 13 a game, played the best perimeter defense of anyone other than Andre Iguodala and even wrote a &lt;a href=&#34;http://thequad.blogs.nytimes.com/2011/03/16/grant-hills-response-to-jalen-rose/&#34;&gt;takedown essay of Jalen Rose for The New York Times&lt;/a&gt;. He’s 38 years old! This shouldn’t be happening.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sports.espn.go.com/espn/page2/story?page=simmons/110401&amp;amp;sportCat=nba&#34;&gt;Bill Simmons: The non-contenders rule Part 1 of the NBA Power Poll - ESPN&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2011</title>
    <link href="https://mlarson.org/2011/04/01/99percentinvisible-episode-15-the-sound-of/"/>
    <updated>2011-04-01T18:25:00.000Z</updated>
    <id>https://mlarson.org/2011/04/01/99percentinvisible-episode-15-the-sound-of/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/4262337514/tumblr_lgg07ue8qc1qcyj2v?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/4262337514/audio_player_iframe/mlarson/tumblr_lgg07ue8qc1qcyj2v?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F4262337514%2Ftumblr_lgg07ue8qc1qcyj2v&#34;&gt;http://mlarson.tumblr.com/post/4262337514/audio_player_iframe/mlarson/tumblr_lgg07ue8qc1qcyj2v?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F4262337514%2Ftumblr_lgg07ue8qc1qcyj2v&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://99percentinvisible.org/post/3230995265&#34;&gt;99percentinvisible&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Episode 15 - The Sound of the Artificial World&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Without all the beeps and chimes, without sonic feedback, all of your modern conveniences would be very hard to use. If a device and its sounds are designed correctly, it creates a special “theater of the mind” that users completely buy into. Electronic things are made to feel mechanical. It’s the feeling of movement, texture and articulation where none exists. We talk with Sound Designer Jim McKee of &lt;a href=&#34;http://www.earwaxproductions.com/&#34;&gt;Earwax Productions&lt;/a&gt; about the art of designing organic sounds for inorganic things.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I just found &lt;a href=&#34;http://99percentinvisible.org/&#34;&gt;99% Invisible&lt;/a&gt; a few weeks ago, and I’m now depressed that I’ve caught up on all the episodes. Great show, and the sound design is top-notch. This episode is one of my favorites.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2011</title>
    <link href="https://mlarson.org/2011/04/01/people-just-wait-for-you-to-grow-up-and-do-the/"/>
    <updated>2011-04-01T13:42:26.000Z</updated>
    <id>https://mlarson.org/2011/04/01/people-just-wait-for-you-to-grow-up-and-do-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People just wait for you to grow up and do the right thing. They’re just waiting for you to participate in the improvement of your life as a human being. When are you going to do it?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/03/20/magazine/mag-20Tyson-t.html&#34;&gt;Mike Tyson&lt;/a&gt;. (&lt;a href=&#34;http://longreads.com/&#34;&gt;via&lt;/a&gt;) And also: “I’ve learned to live a boring life and love it.” (&lt;a href=&#34;http://tumblr.austinkleon.com/post/4066009383/ive-learned-to-live-a-boring-life-and-love-it&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2011</title>
    <link href="https://mlarson.org/2011/03/31/unisys-weather-just-wanted-to-say-i-still-love/"/>
    <updated>2011-03-31T18:27:36.000Z</updated>
    <id>https://mlarson.org/2011/03/31/unisys-weather-just-wanted-to-say-i-still-love/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lixpy01enq1qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://weather.unisys.com/&#34;&gt;Unisys Weather&lt;/a&gt;. Just wanted to say I still love this website. Best in the business.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2011</title>
    <link href="https://mlarson.org/2011/03/31/laphamsquarterly-laphamsquarterly-in-our/"/>
    <updated>2011-03-31T17:39:32.000Z</updated>
    <id>https://mlarson.org/2011/03/31/laphamsquarterly-laphamsquarterly-in-our/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lixedytmcg1qcl7wao1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://laphamsquarterly.tumblr.com/post/4233627805&#34;&gt;laphamsquarterly&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://laphamsquarterly.tumblr.com/post/4233627805&#34;&gt;laphamsquarterly&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In our sundown perambulations of late through the outer parts of Brooklyn, &lt;strong&gt;we have observed several parties of youngsters playing “base,” a certain game of ball.&lt;/strong&gt; We wish such sights were more common among us. In the practice of athletic and manly sports, the young men of nearly all our American cities are very deficient—perhaps more so than those of any other country that could be mentioned. Clerks are shut up from early morning till nine or ten o’clock at night—apprentices, after their days’ works, either go to bed or lounge about in places where they benefit neither body nor mind—and all classes seem to act as though there were no commendable objects of pursuit in the world except making money and tenaciously sticking to one’s trade or occupation. Now, as the fault is so generally of this kind, we can do little harm in hinting to people that, after all, there may be no necessity for such a drudge system among men. Let us enjoy life a little. Has God made this beautiful earth—the sun to shine—all the sweet influences of nature to operate and planted in man a wish for their delights—and all for nothing? Let us leave our close rooms and the dust and corruption of stagnant places, and taste some of the good things Providence has scattered around so liberally.&lt;/p&gt;
&lt;p&gt;—&lt;a href=&#34;http://www.laphamsquarterly.org/voices-in-time/playing-ball-and-base.php&#34;&gt;&lt;strong&gt;Walt Whitman&lt;/strong&gt;, from the &lt;em&gt;Brooklyn Daily Eagle&lt;/em&gt;, 1846&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Today’s the first day of the the base and ball season. Play on, youths!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2011</title>
    <link href="https://mlarson.org/2011/03/31/mikeindustries-inventables-very-cool-i-am-not/"/>
    <updated>2011-03-31T17:38:35.000Z</updated>
    <id>https://mlarson.org/2011/03/31/mikeindustries-inventables-very-cool-i-am-not/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_liubyfcbqg1qzvlpco1_250.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblelog.mikeindustries.com/post/4193609446&#34;&gt;mikeindustries&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.inventables.com/&#34;&gt;Inventables:&lt;/a&gt; Very cool. I am not sure what to order here, but I definitely want something. Perhaps some stainless steel paint.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;My first thought was to wonder which of these things I could use for hiking gear…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2011</title>
    <link href="https://mlarson.org/2011/03/31/austinkleon-destroyers-kaputt-is-3-on/"/>
    <updated>2011-03-31T16:51:20.000Z</updated>
    <id>https://mlarson.org/2011/03/31/austinkleon-destroyers-kaputt-is-3-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lixl0l6cj31qz6f4bo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/4235710763&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/B004I2GDZ2/wwwaustinkleo-20/ref=nosim/&#34;&gt;Destroyer’s Kaputt is $3 on Amazon.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Get it. It’s awesome.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Take heed. My most heavily-played album of Q1 2011. The only dude I’ve played more this year is Bach, and he had a bit of a head-start.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 30, 2011</title>
    <link href="https://mlarson.org/2011/03/30/mavenist-clapping-music-animation/"/>
    <updated>2011-03-30T20:44:09.000Z</updated>
    <id>https://mlarson.org/2011/03/30/mavenist-clapping-music-animation/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/eu-tRXgOrdg&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://mavenist.tumblr.com/post/4215335585&#34;&gt;mavenist&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=eu-tRXgOrdg&amp;amp;feature=related&#34;&gt;Clapping Music - Animation&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Obligatory &lt;a href=&#34;http://tumblr.mlarson.org/tagged/stevereich&#34;&gt;Steve Reich&lt;/a&gt; insta-reblog. &lt;a href=&#34;http://tumblr.mlarson.org/post/198775629/score-for-clapping-music-by-steve-reich-video-of&#34;&gt;See&lt;/a&gt; &lt;a href=&#34;http://tumblr.mlarson.org/post/3105830612/steve-reichs-clapping-music-performed-by-lee&#34;&gt;also&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Winter&#39;s Bone</title>
    <link href="https://mlarson.org/2011/03/30/winters-bone-this-is-fantastic-i-got-totally/"/>
    <updated>2011-03-30T15:47:00.000Z</updated>
    <id>https://mlarson.org/2011/03/30/winters-bone-this-is-fantastic-i-got-totally/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_livnvts5cl1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Winter%27s_Bone&#34;&gt;Winter’s Bone&lt;/a&gt;. This is fantastic. I got totally sucked in. Probably the best I’ve seen this year. Go watch it now if you’re an idiot like me who didn’t get around to it in 2010.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pierrot le fou</title>
    <link href="https://mlarson.org/2011/03/29/pierrot-le-fou-godard-is-so-strange-this-one-is/"/>
    <updated>2011-03-29T17:08:55.000Z</updated>
    <id>https://mlarson.org/2011/03/29/pierrot-le-fou-godard-is-so-strange-this-one-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_litwyvlioa1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Pierrot_le_fou&#34;&gt;Pierrot le fou&lt;/a&gt;. &lt;a href=&#34;http://tumblr.mlarson.org/tagged/jeanlucgodard&#34;&gt;Godard&lt;/a&gt; is so strange. This one is hyperactive and goofy like &lt;a href=&#34;http://tumblr.mlarson.org/post/3603165970/une-femme-est-une-femme-a-woman-is-a-woman-what&#34;&gt;Une femme est une femme&lt;/a&gt; from earlier this month, but even more unconventional and maybe a bit more cynical. All kinds of references and meta-ish episodes. I think I like it. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19661010/REVIEWS/908240301/1023&#34;&gt;Ebert&lt;/a&gt;. &lt;a href=&#34;http://www.criterion.com/current/posts/525-pierrot-le-fou-self-portrait-in-a-shattered-lens&#34;&gt;Criterion essay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2011</title>
    <link href="https://mlarson.org/2011/03/28/the-greatest-audience-comment-ever-recorded-is-i/"/>
    <updated>2011-03-28T14:50:00.000Z</updated>
    <id>https://mlarson.org/2011/03/28/the-greatest-audience-comment-ever-recorded-is-i/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The greatest audience comment ever recorded is, I think, a remark overheard at a performance of Ernst Krenek’s Second Piano Concerto at the Boston Symphony in 1938. A Boston matriarch responded to Krenek’s twelve-tone discourse by saying, ‘Conditions in Europe must be dreadful.’&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/2011/03/quoting-the-audience.html&#34;&gt;Alex Ross: The Rest Is Noise: Quoting the audience&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Chinatown</title>
    <link href="https://mlarson.org/2011/03/28/chinatown-this-is-a-great-movie-that-absolutely/"/>
    <updated>2011-03-28T14:43:14.000Z</updated>
    <id>https://mlarson.org/2011/03/28/chinatown-this-is-a-great-movie-that-absolutely/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lirviyvobi1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Chinatown_%281974_film%29&#34;&gt;Chinatown&lt;/a&gt;. This is a great movie that absolutely lives up to its reputation. Well worth the time. I wish that I hadn’t been so worn out the &lt;a href=&#34;https://twitter.com/#!/mlarson/status/50936039270912000&#34;&gt;first three times&lt;/a&gt; I tried to watch.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2011</title>
    <link href="https://mlarson.org/2011/03/28/peter-gabriel-solsbury-hill-if-i-were-peter/"/>
    <updated>2011-03-28T14:09:55.000Z</updated>
    <id>https://mlarson.org/2011/03/28/peter-gabriel-solsbury-hill-if-i-were-peter/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/eMwn_hnoS5Y&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=eMwn_hnoS5Y&#34;&gt;Peter Gabriel - Solsbury Hill&lt;/a&gt;. If I were Peter Gabriel you could be damn sure I’d ride a bike around the stage.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2011</title>
    <link href="https://mlarson.org/2011/03/28/wehr-in-the-world-introducing-my-new-book-thingy/"/>
    <updated>2011-03-28T14:04:40.000Z</updated>
    <id>https://mlarson.org/2011/03/28/wehr-in-the-world-introducing-my-new-book-thingy/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lirtpxu8io1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/03/vol1.html&#34;&gt;Wehr in the World: Introducing my new book-thingy: 446ish* Ideas** Worth*** Considering&lt;/a&gt;. This is on my must-read list. Hurry up with that shipping, Justin.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2011</title>
    <link href="https://mlarson.org/2011/03/28/regrets-of-the-typical-american-and-i-like-this/"/>
    <updated>2011-03-28T13:39:47.000Z</updated>
    <id>https://mlarson.org/2011/03/28/regrets-of-the-typical-american-and-i-like-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lirsmbkxgs1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mindhacks.com/2011/03/27/regrets-ive-had-a-few-but-not-too-few-to-mention/&#34;&gt;Regrets of the Typical American&lt;/a&gt;. And I like this bit from &lt;a href=&#34;http://spp.sagepub.com/content/early/2011/02/28/1948550611401756&#34;&gt;the abstract of the study&lt;/a&gt;: “inaction regrets lasted longer than action regrets”.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 25, 2011</title>
    <link href="https://mlarson.org/2011/03/25/sj-boyz-501-levis-ft-jam-boyz-wild-yella/"/>
    <updated>2011-03-25T19:58:11.000Z</updated>
    <id>https://mlarson.org/2011/03/25/sj-boyz-501-levis-ft-jam-boyz-wild-yella/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/kjCI-ohNOag&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=kjCI-ohNOag&#34;&gt;SJ Boyz - 501 Levi’s (ft. Jam Boyz, Wild Yella)&lt;/a&gt;. (&lt;a href=&#34;http://www.cocaineblunts.com/blunts/?p=6808&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 25, 2011</title>
    <link href="https://mlarson.org/2011/03/25/i-havent-had-trouble-with-writers-block-i-think/"/>
    <updated>2011-03-25T13:54:42.000Z</updated>
    <id>https://mlarson.org/2011/03/25/i-havent-had-trouble-with-writers-block-i-think/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.wsj.com/speakeasy/2011/03/24/how-do-you-write-a-great-work-of-fiction-jennifer-egan-explains-the-steps/&#34;&gt;Jennifer Egan&lt;/a&gt;. (&lt;a href=&#34;http://literaryflack.tumblr.com/post/4083259895&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://esquared.tumblr.com/post/4067160943&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Owsley Stanley: The King of LSD | Rolling Stone Culture</title>
    <link href="https://mlarson.org/2011/03/24/owsley-stanley-the-king-of-lsd-rolling-stone/"/>
    <updated>2011-03-24T15:38:16.000Z</updated>
    <id>https://mlarson.org/2011/03/24/owsley-stanley-the-king-of-lsd-rolling-stone/</id>
    <content type="html">&lt;p&gt;“Would the Summer of Love have ever happened without Stanley, the reclusive acid impresario who turned on the world?”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rollingstone.com/culture/news/owsley-stanley-the-king-of-lsd-20110314?print=true&#34;&gt;Owsley Stanley: The King of LSD | Rolling Stone Culture&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Owsley Stanley, Artisan of Acid, Is Dead at 76 - NYTimes.com</title>
    <link href="https://mlarson.org/2011/03/24/owsley-stanley-artisan-of-acid-is-dead-at-76/"/>
    <updated>2011-03-24T15:37:20.000Z</updated>
    <id>https://mlarson.org/2011/03/24/owsley-stanley-artisan-of-acid-is-dead-at-76/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He did not, contrary to popular lore, release a product called Purple Haze; in interviews, he sounded quite miffed that anything emerging from his laboratory could be thought to cause haziness rather than the crystalline clarity for which he personally vouched.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/03/15/us/15stanley.html&#34;&gt;Owsley Stanley, Artisan of Acid, Is Dead at 76 - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 23, 2011</title>
    <link href="https://mlarson.org/2011/03/23/louis-ck-on-turning-40-via/"/>
    <updated>2011-03-23T13:59:40.000Z</updated>
    <id>https://mlarson.org/2011/03/23/louis-ck-on-turning-40-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/WzEhoyXpqzQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=WzEhoyXpqzQ&#34;&gt;Louis CK - On Turning 40&lt;/a&gt;. (&lt;a href=&#34;http://www.kungfugrippe.com/post/4035083481/your-shitty-ankle&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2011</title>
    <link href="https://mlarson.org/2011/03/22/this-just-in-neuroimaging-researchers-discover/"/>
    <updated>2011-03-22T20:10:20.000Z</updated>
    <id>https://mlarson.org/2011/03/22/this-just-in-neuroimaging-researchers-discover/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This just in: Neuroimaging researchers discover the area of the brain responsible for overinterpreting scientific results.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;https://twitter.com/#!/MattTheGr8/status/40292282179526656&#34;&gt;@MattTheGr8&lt;/a&gt;. My &lt;a href=&#34;http://tumblr.mlarson.org/post/4028743598/should-you-stay-up-all-night-gambling-in-vegas&#34;&gt;previous post&lt;/a&gt; made me remember this. Genius.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Should you stay up all night gambling in Vegas? - Barking up the wrong tree</title>
    <link href="https://mlarson.org/2011/03/22/should-you-stay-up-all-night-gambling-in-vegas/"/>
    <updated>2011-03-22T20:06:01.000Z</updated>
    <id>https://mlarson.org/2011/03/22/should-you-stay-up-all-night-gambling-in-vegas/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The powers that be in Las Vegas figured out something long before neuroscientists at two Duke University medical schools confirmed their ideas this week: Trying to make decisions while sleep-deprived can lead to a case of optimism.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Add in the usual required dose of skepticism required for science journalism, sure. I still think this is interesting and the risk-taking aspect seems to tie into both 1) late-night bouts of creativity and 2) survival situations. Both of which can make you feel a little psychotic in the moment and can be kind of horrifying in hindsight after you’ve regained your right mind.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/should-you-stay-up-all-night-gambling-in-vega&#34;&gt;Should you stay up all night gambling in Vegas? - Barking up the wrong tree&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2011</title>
    <link href="https://mlarson.org/2011/03/22/the-magician-self-portrait-with-four-arms-by/"/>
    <updated>2011-03-22T19:44:46.000Z</updated>
    <id>https://mlarson.org/2011/03/22/the-magician-self-portrait-with-four-arms-by/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lih5indb5w1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.abcgallery.com/M/magritte/magritte50.html&#34;&gt;The Magician (Self-Portrait with Four Arms)&lt;/a&gt; by René Magritte, 1952. Sometimes I wish I could do this.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rural purge</title>
    <link href="https://mlarson.org/2011/03/22/rural-purge/"/>
    <updated>2011-03-22T16:50:02.000Z</updated>
    <id>https://mlarson.org/2011/03/22/rural-purge/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bestofwikipedia.tumblr.com/post/4025362952&#34;&gt;bestofwikipedia&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The “rural purge” of American television networks (in particular CBS) was a series of cancellations between 1969 and 1972, the majority of which occurred at the end of the 1970-71 television season, of still popular rural-themed shows and shows with demographically-skewed audiences. (via &lt;a href=&#34;http://sleevia.tumblr.com/&#34;&gt;sleevia&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Rural_purge&#34;&gt;Rural purge&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Complex: The 30 Greatest Hip-Hop Demos</title>
    <link href="https://mlarson.org/2011/03/22/complex-the-30-greatest-hip-hop-demos/"/>
    <updated>2011-03-22T14:16:31.000Z</updated>
    <id>https://mlarson.org/2011/03/22/complex-the-30-greatest-hip-hop-demos/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblinerb.com/post/3925836215&#34;&gt;gucciwings&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Chairman Mao’s 30 Greatest Hip-Hop Demos. I know the instinct is to complain about these things and surely my inner nerd is gritting his teeth on some fronts but come the fuck on… I hadn’t even heard a good chunk of this stuff. And they have entire tapes up there! Just be excited, listen and stfu.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.complex.com/music/2011/03/greatest-hip-hop-demos/&#34;&gt;Complex: The 30 Greatest Hip-Hop Demos&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2011</title>
    <link href="https://mlarson.org/2011/03/22/newspaperblackout-blackout-by-erika-b/"/>
    <updated>2011-03-22T14:12:01.000Z</updated>
    <id>https://mlarson.org/2011/03/22/newspaperblackout-blackout-by-erika-b/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_li9yh03hhr1qafoq6o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://newspaperblackout.tumblr.com/post/3981795115&#34;&gt;newspaperblackout&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://newspaperblackout.tumblr.com&#34;&gt;Blackout&lt;/a&gt; by Erika B., Oberlin, OH&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;life is heavily laced with gleefully apocalyptic gossip and grist&lt;br&gt;
but frequently the understatement is what is important&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;Obligatory &lt;a href=&#34;http://tumblr.mlarson.org/tagged/gustavmahler&#34;&gt;Mahler&lt;/a&gt; reblog.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2011</title>
    <link href="https://mlarson.org/2011/03/18/francoise-hardy-ce-petit-coeur-good-lord/"/>
    <updated>2011-03-18T19:30:24.000Z</updated>
    <id>https://mlarson.org/2011/03/18/francoise-hardy-ce-petit-coeur-good-lord/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=wuE3YexxMQg&#34;&gt;Françoise Hardy - Ce Petit Cœur&lt;/a&gt;. Good lord.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Behind the Paywall: How New York Times Articles End | VF Daily | Vanity Fair</title>
    <link href="https://mlarson.org/2011/03/18/behind-the-paywall-how-new-york-times-articles/"/>
    <updated>2011-03-18T18:00:00.000Z</updated>
    <id>https://mlarson.org/2011/03/18/behind-the-paywall-how-new-york-times-articles/</id>
    <content type="html">&lt;p&gt;“Here is a list of popular endings to New York Times pieces. It’s totally free.” A few of my favorites… (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;The apartment is really that small, and people really do live there, but somehow it just works for them.&lt;/li&gt;
&lt;li&gt;The old restaurant/bar is unaffected by changes to its neighborhood.&lt;/li&gt;
&lt;li&gt;Though restaurant’s use of sustainable ingredients attracts a young, creative clientele, buttoned-up, more conservative patrons will also enjoy the food.&lt;/li&gt;
&lt;li&gt;The neighborhood’s recent gentrification has not always been a smooth cultural and economic transition for longtime residents.&lt;/li&gt;
&lt;li&gt;The situation in that country you’ve been hearing about is even worse than you thought.&lt;/li&gt;
&lt;li&gt;It’s not worth it to spend 36 hours in a place to which roundtrip airfare is $2,500.&lt;/li&gt;
&lt;li&gt;Maureen Dowd disapproves.&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vanityfair.com/online/daily/2011/03/behind-the-paywall-how-new-york-times-articles-end.html&#34;&gt;Behind the Paywall: How New York Times Articles End | VF Daily | Vanity Fair&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2011</title>
    <link href="https://mlarson.org/2011/03/18/austinkleon-the-university-of-twitter-a-short/"/>
    <updated>2011-03-18T17:19:57.000Z</updated>
    <id>https://mlarson.org/2011/03/18/austinkleon-the-university-of-twitter-a-short/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_li9isc09je1qz6f4bo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/3942190446&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitpic.com/4ansfu/full&#34;&gt;The University of Twitter: a short course in Political Philosophy in 7 parts&lt;/a&gt; by &lt;a href=&#34;http://www.twitter.com/alaindebotton&#34;&gt;@alaindebotton&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;(via &lt;a href=&#34;http://twitter.com/megmaker/statuses/48739968792788994&#34;&gt;@megmaker&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2011</title>
    <link href="https://mlarson.org/2011/03/18/cooling-plant-dubai-2009-by-bas-princen-i-love/"/>
    <updated>2011-03-18T15:29:26.000Z</updated>
    <id>https://mlarson.org/2011/03/18/cooling-plant-dubai-2009-by-bas-princen-i-love/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_li9f15ahwp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vankranendonk.nl/artists/princen/slides.html&#34;&gt;Cooling plant (Dubai) 2009&lt;/a&gt; by Bas Princen. I love this photo. Came across it in the &lt;a href=&#34;http://harpers.org/archive/2011/04&#34;&gt;current issue of Harper’s&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2011</title>
    <link href="https://mlarson.org/2011/03/18/dusttodigital-los-angeles-based-artist-steve/"/>
    <updated>2011-03-18T15:06:00.000Z</updated>
    <id>https://mlarson.org/2011/03/18/dusttodigital-los-angeles-based-artist-steve/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_li9c20cq0s1qa7wy0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://news.dust-digital.com/post/3940394835&#34;&gt;dusttodigital&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Los Angeles-based artist Steve Roden has worked in an overwhelming variety of forms throughout his career, creating everything from conceptual recordings and sound installations to color field paintings and experimental films. For his latest project, Roden has teamed up with Atlanta-based record label and publisher Dust-to-Digital to release a book and two cds culled from his extensive collections of early photographs and 78 rpm recordings. (via &lt;a href=&#34;http://clatl.com/culturesurfing/archives/2011/03/18/preview-steve-rodens-collections-at-the-contemporary&#34;&gt;Preview: Steve Roden’s collections at the Contemporary | Atlanta A&amp;amp;E Blog&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 17, 2011</title>
    <link href="https://mlarson.org/2011/03/17/it-might-reasonably-be-said-that-all-art-at-some/"/>
    <updated>2011-03-17T15:25:20.000Z</updated>
    <id>https://mlarson.org/2011/03/17/it-might-reasonably-be-said-that-all-art-at-some/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It might reasonably be said that all art at some time and in some manner becomes mass entertainment, and that if it does not it dies and is forgotten.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/print/1969/12/oscar-night-in-hollywood/5705/&#34;&gt;Raymond Chandler&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 17, 2011</title>
    <link href="https://mlarson.org/2011/03/17/you-cannot-meet-someone-for-a-moment-or-even-cast/"/>
    <updated>2011-03-17T15:22:34.000Z</updated>
    <id>https://mlarson.org/2011/03/17/you-cannot-meet-someone-for-a-moment-or-even-cast/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You cannot meet someone for a moment, or even cast eyes on someone in the street, without changing. That is my subject.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/731/the-art-of-poetry-no-81-carolyn-kizer&#34;&gt;Carolyn Kizer&lt;/a&gt; (via &lt;a href=&#34;http://theparisreview.tumblr.com/&#34;&gt;theparisreview&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ben Casnocha: The Blog: Las Vegas: Authentically Unauthentic</title>
    <link href="https://mlarson.org/2011/03/16/ben-casnocha-the-blog-las-vegas-authentically/"/>
    <updated>2011-03-16T19:17:00.000Z</updated>
    <id>https://mlarson.org/2011/03/16/ben-casnocha-the-blog-las-vegas-authentically/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When you visit New York City, you worry about whether you are being a tourist, about whether you are doing as the locals do. Same with visiting Paris, Rome, London. But in Las Vegas, everybody is a tourist. Anybody who’s not a tourist works in the tourism/hospitality industry. There is no real thing. It’s fake all the way to the bottom. The very idea of a sprawling, water guzzling city that sits in the middle of barren desert is too absurd to take seriously.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also &lt;a href=&#34;http://tumblr.mlarson.org/post/1003840403/where-i-live-is-culturally-neutral-if-i-lived-in&#34;&gt;Richard Thompson &amp;amp; Communicatrix on cultural neutrality&lt;/a&gt;.&lt;br&gt;
&lt;a href=&#34;http://ben.casnocha.com/2011/03/las-vegas-authentically-unauthentic.html&#34;&gt;Ben Casnocha: The Blog: Las Vegas: Authentically Unauthentic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2011</title>
    <link href="https://mlarson.org/2011/03/15/special-march-madness-chart-tournament-of/"/>
    <updated>2011-03-15T17:29:48.000Z</updated>
    <id>https://mlarson.org/2011/03/15/special-march-madness-chart-tournament-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_li40lontqe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://twitpic.com/49rujk&#34;&gt;Special March Madness Chart: Tournament of Brackets&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/bengreenman/status/47710032112009216&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2011</title>
    <link href="https://mlarson.org/2011/03/15/austin-city-limits-pilot-episode-willie-nelson/"/>
    <updated>2011-03-15T16:02:17.000Z</updated>
    <id>https://mlarson.org/2011/03/15/austin-city-limits-pilot-episode-willie-nelson/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www-tc.pbs.org/video/media/swf/PBSPlayer.swf&#34;&gt;http://www-tc.pbs.org/video/media/swf/PBSPlayer.swf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Watch the &lt;a href=&#34;http://video.pbs.org/video/1294292042&#34;&gt;full episode&lt;/a&gt;. See more &lt;a href=&#34;http://austincitylimits.org&#34;&gt;Austin City Limits.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://video.pbs.org/video/1294292042/&#34;&gt;Austin City Limits Pilot Episode: Willie Nelson&lt;/a&gt;. Recorded October 17, 1974. (&lt;a href=&#34;http://theheatwarps.blogspot.com/2010/01/willie-nelson-1974-austin-city-limits.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www-tc.pbs.org/&#34;&gt;http://www-tc.pbs.org/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2011</title>
    <link href="https://mlarson.org/2011/03/15/green-tunnel-the-appalachian-trail-lives-up-to/"/>
    <updated>2011-03-15T15:23:33.000Z</updated>
    <id>https://mlarson.org/2011/03/15/green-tunnel-the-appalachian-trail-lives-up-to/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/20218520&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/20218520&#34;&gt;Green Tunnel&lt;/a&gt;. The Appalachian Trail lives up to its nickname in this stop-motion journey. Man, this takes me back. Was it really &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157594498835896/&#34;&gt;6 years&lt;/a&gt; and &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600553114109/&#34;&gt;4 years ago&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2011</title>
    <link href="https://mlarson.org/2011/03/15/oldhollywood-duke-ellington-midnight/"/>
    <updated>2011-03-15T14:53:57.000Z</updated>
    <id>https://mlarson.org/2011/03/15/oldhollywood-duke-ellington-midnight/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/3877420797/tumblr_li2xqux5wK1qzdvhi?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/3877420797/audio_player_iframe/mlarson/tumblr_li2xqux5wK1qzdvhi?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F3877420797%2Ftumblr_li2xqux5wK1qzdvhi&#34;&gt;http://mlarson.tumblr.com/post/3877420797/audio_player_iframe/mlarson/tumblr_li2xqux5wK1qzdvhi?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F3877420797%2Ftumblr_li2xqux5wK1qzdvhi&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://oldhollywood.tumblr.com/post/3870151544&#34;&gt;oldhollywood&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Duke Ellington&lt;/strong&gt; - &lt;em&gt;Midnight Indigo&lt;/em&gt; (via &lt;em&gt;Anatomy of a Murder:&lt;/em&gt; Original Motion Picture Soundtrack)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One of the great soundtracks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>High Noon</title>
    <link href="https://mlarson.org/2011/03/15/high-noon-great-movie-here-are-some-very-good/"/>
    <updated>2011-03-15T14:42:00.000Z</updated>
    <id>https://mlarson.org/2011/03/15/high-noon-great-movie-here-are-some-very-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_li3sv4mo8i1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/High_Noon&#34;&gt;High Noon&lt;/a&gt;. Great movie. Here are some very good reasons to watch it: 1. It takes place in real time – 85 lean, tense minutes. The deadline is firm. No dilly-dallying. 2. There’s plenty left unsaid/implied. I love when the backstory and mechanics aren’t fully clear and you end up guessing (often along with the characters themselves) and interpreting relationships based on a few clues here and there – a gesture, a look, a rhythm of conversation that suggests years. (And in this movie, given that the plot hinges on an event approaching at noon, there’s not much time for backstory, either.) 3. Gary Cooper is really good. I need to see more with him. 4. Grace Kelly. 5. It’s the first film appearance of &lt;a href=&#34;http://en.wikipedia.org/wiki/Lee_Van_Cleef&#34;&gt;Lee Van Cleef&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2011</title>
    <link href="https://mlarson.org/2011/03/11/odds-are-good-that-you-primarily-know-one-sort-of/"/>
    <updated>2011-03-11T18:46:00.000Z</updated>
    <id>https://mlarson.org/2011/03/11/odds-are-good-that-you-primarily-know-one-sort-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Odds are good that you primarily know one sort of person: highly educated, high-achieving, extremely cerebral, etc. Odds are also good that you give too much weight to feedback and ideas from this sort of person, while discounting arguments and complaints from people who don’t know the right way to persuade you. Try to keep that in mind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://voices.washingtonpost.com/ezra-klein/2011/03/common_mistakes_made_by_econom.html&#34;&gt;Ezra Klein - Common mistakes made by economists&lt;/a&gt;. (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2011/03/common-mistakes-made-by-economists.html&#34;&gt;via&lt;/a&gt;) I’ve come across a lot of good posts about &lt;a href=&#34;http://tumblr.mlarson.org/tagged/arguments&#34;&gt;arguments&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/opinions&#34;&gt;opinions&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2011</title>
    <link href="https://mlarson.org/2011/03/11/glenn-gould-march-1955-at-the-columbia-studio-in/"/>
    <updated>2011-03-11T16:45:35.000Z</updated>
    <id>https://mlarson.org/2011/03/11/glenn-gould-march-1955-at-the-columbia-studio-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lhwjw0fvjq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Glenn Gould, March 1955, at the Columbia studio in New York during the recording sessions for the Goldberg Variations. Photo by Gordon Parks for LIFE. &lt;a href=&#34;http://theselvedgeyard.wordpress.com/2011/03/10/pianist-glenn-gould-rejecting-the-bloodsport-cult-of-showmanship/&#34;&gt;PIANIST GLENN GOULD | REJECTING THE ‘BLOODSPORT’ CULT OF SHOWMANSHIP « The Selvedge Yard&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Guest Blog: Science in the neighborhood: How to make really good coffee</title>
    <link href="https://mlarson.org/2011/03/11/guest-blog-science-in-the-neighborhood-how-to/"/>
    <updated>2011-03-11T16:35:52.000Z</updated>
    <id>https://mlarson.org/2011/03/11/guest-blog-science-in-the-neighborhood-how-to/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.scientificamerican.com/blog/post.cfm?id=science-in-the-neighborhood-how-to-2011-03-08&#34;&gt;Guest Blog: Science in the neighborhood: How to make really good coffee&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 10, 2011</title>
    <link href="https://mlarson.org/2011/03/10/meeks-cutoff-trailer-an-upcoming-western/"/>
    <updated>2011-03-10T18:09:38.000Z</updated>
    <id>https://mlarson.org/2011/03/10/meeks-cutoff-trailer-an-upcoming-western/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/iR5o8omffT8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://meekscutoff.com/trailer/&#34;&gt;Meek’s Cutoff - Trailer&lt;/a&gt;. An upcoming western directed by &lt;a href=&#34;http://en.wikipedia.org/wiki/Kelly_Reichardt&#34;&gt;Kelly Reichardt&lt;/a&gt;, who did &lt;a href=&#34;http://www.kino.com/oldjoy/&#34;&gt;Old Joy&lt;/a&gt;, which I &lt;a href=&#34;http://www.mlarson.org/2008/05/28/1277/&#34;&gt;saw and loved a few years ago&lt;/a&gt;. I’ve got high hopes for this one.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2011</title>
    <link href="https://mlarson.org/2011/03/09/its-amazing-what-some-sleep-will-do-fo-a-mutha/"/>
    <updated>2011-03-09T19:30:16.000Z</updated>
    <id>https://mlarson.org/2011/03/09/its-amazing-what-some-sleep-will-do-fo-a-mutha/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;IT’S AMAZING WHAT SOME SLEEP WILL DO FO A MUTHA FUKA!!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/#!/LilJon/status/45515292289417216&#34;&gt;@LIL JON&lt;/a&gt;. Yep.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>You are listening to Los Angeles</title>
    <link href="https://mlarson.org/2011/03/08/you-are-listening-to-los-angeles/"/>
    <updated>2011-03-08T18:21:28.000Z</updated>
    <id>https://mlarson.org/2011/03/08/you-are-listening-to-los-angeles/</id>
    <content type="html">&lt;p&gt;Ambient music + Los Angeles police radio. This is awesome. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://youarelisteningtolosangeles.com/&#34;&gt;You are listening to Los Angeles&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shady Characters</title>
    <link href="https://mlarson.org/2011/03/08/shady-characters/"/>
    <updated>2011-03-08T18:15:52.000Z</updated>
    <id>https://mlarson.org/2011/03/08/shady-characters/</id>
    <content type="html">&lt;p&gt;“This is Keith Houston’s blog about the unusual stories behind some well-known — and some rather more outlandish — marks of punctuation.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.shadycharacters.co.uk/&#34;&gt;Shady Characters&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2011</title>
    <link href="https://mlarson.org/2011/03/08/woody-guthries-new-years-rulins-1942-via/"/>
    <updated>2011-03-08T17:59:00.000Z</updated>
    <id>https://mlarson.org/2011/03/08/woody-guthries-new-years-rulins-1942-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lhr3b9wrds1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.woodyguthrie.org/newyearsrulins.htm&#34;&gt;Woody Guthrie’s New Year’s Rulin’s&lt;/a&gt;, 1942. (&lt;a href=&#34;http://dontpointyourfeet.blogspot.com/2011/03/woody-guthries-old-new-years.html&#34;&gt;via&lt;/a&gt;). See also &lt;a href=&#34;http://tumblr.austinkleon.com/post/1406883777/johnny-cashs-to-do-list-via&#34;&gt;Johnny Cash’s to-do list&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/481782074/q-a-david-lipsky-mark-athitakis-american-fiction&#34;&gt;David Foster Wallace on the philosophical depth of country music&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;ol&gt;
&lt;li&gt;Work more and better&lt;/li&gt;
&lt;li&gt;Work by a schedule&lt;/li&gt;
&lt;li&gt;Wash teeth if any&lt;/li&gt;
&lt;li&gt;Shave&lt;/li&gt;
&lt;li&gt;Take bath&lt;/li&gt;
&lt;li&gt;Eat good - fruit - vegetables - milk&lt;/li&gt;
&lt;li&gt;Drink very scant if any&lt;/li&gt;
&lt;li&gt;Write a song a day&lt;/li&gt;
&lt;li&gt;Wear clean clothes - look good&lt;/li&gt;
&lt;li&gt;Shine shoes&lt;/li&gt;
&lt;li&gt;Change socks&lt;/li&gt;
&lt;li&gt;Change bed clothes often&lt;/li&gt;
&lt;li&gt;Read lots good books&lt;/li&gt;
&lt;li&gt;Listen to radio a lot&lt;/li&gt;
&lt;li&gt;Learn people better&lt;/li&gt;
&lt;li&gt;Keep rancho clean&lt;/li&gt;
&lt;li&gt;Don’t get lonesome&lt;/li&gt;
&lt;li&gt;Stay glad&lt;/li&gt;
&lt;li&gt;Keep hoping machine running&lt;/li&gt;
&lt;li&gt;Dream good&lt;/li&gt;
&lt;li&gt;Bank all extra money&lt;/li&gt;
&lt;li&gt;Save dough&lt;/li&gt;
&lt;li&gt;Have company but don’t waste time&lt;/li&gt;
&lt;li&gt;Send Mary and kids money&lt;/li&gt;
&lt;li&gt;Play and sing good&lt;/li&gt;
&lt;li&gt;Dance better&lt;/li&gt;
&lt;li&gt;Help win war - beat fascism&lt;/li&gt;
&lt;li&gt;Love Mama&lt;/li&gt;
&lt;li&gt;Love Papa&lt;/li&gt;
&lt;li&gt;Love Pete&lt;/li&gt;
&lt;li&gt;Love everybody&lt;/li&gt;
&lt;li&gt;Make up your mind&lt;/li&gt;
&lt;li&gt;Wake up and fight&lt;/li&gt;
&lt;/ol&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2011</title>
    <link href="https://mlarson.org/2011/03/03/before-we-learned-to-tell-stories-we-learned-to/"/>
    <updated>2011-03-03T20:58:00.000Z</updated>
    <id>https://mlarson.org/2011/03/03/before-we-learned-to-tell-stories-we-learned-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Before we learned to tell stories, we learned to read them. In other words, we learned to track. The first letter of the first word of the first recorded story was written–“printed”–not by us, but by an animal. These signs and symbols left in mud, sand, leaves, and snow represent proto-alphabets. Often smeared, fragmented, and confused by weather, time, and other animals, these cryptograms were life-and-death exercises in abstract thinking. […] The notion that it was animals who taught us to read may seem counterintuitive, but listening to skilled hunters analyze tiger sign is not that different from listening to literature majors deconstruct a short story. Both are sorting through minutiae, down to the specific placement and inflection of individual elements, in order to determine motive, subtext, and narrative arc.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Vaillant in his excellent book, &lt;a href=&#34;http://www.amazon.com/Tiger-Story-Vengeance-Surviva-Borzoi/dp/0307268934&#34;&gt;The Tiger: A True Story of Vengeance and Survival&lt;/a&gt;. Great storytelling and lots to learn about tigers and Russia. I also liked this bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Evidence suggests that the reason tigers and their kind continue to capture our attention is because, over time, this has proven the most effective way to prevent them from capturing &lt;em&gt;us&lt;/em&gt;. Maybe this is why it is impossible not to wonder what Markov and Khomenko saw and felt in their last moments–an experience so aberrant and alien to us, and yet strangely, deeply familiar: there is a part of us that still needs to know.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: The quality of fiction vs. the quality of non-fiction</title>
    <link href="https://mlarson.org/2011/03/03/marginal-revolution-the-quality-of-fiction-vs/"/>
    <updated>2011-03-03T18:55:41.000Z</updated>
    <id>https://mlarson.org/2011/03/03/marginal-revolution-the-quality-of-fiction-vs/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2011/03/the-quality-of-fiction-vs-the-quality-of-non-fiction.html&#34;&gt;Marginal Revolution: The quality of fiction vs. the quality of non-fiction&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Une femme est une femme (A Woman Is a Woman)</title>
    <link href="https://mlarson.org/2011/03/02/une-femme-est-une-femme-a-woman-is-a-woman-what/"/>
    <updated>2011-03-02T18:19:06.000Z</updated>
    <id>https://mlarson.org/2011/03/02/une-femme-est-une-femme-a-woman-is-a-woman-what/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lhewi2prfn1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Woman_Is_a_Woman&#34;&gt;Une femme est une femme (A Woman Is a Woman)&lt;/a&gt;. What a wacky movie. Anna Karina wants to get pregnant. Boyfriend Jean-Claude Brialy won’t help while buddy Jean-Paul Belmondo is all too willing. Lots of rich primary colors. Hints at the musical genre every so often, and sometimes it seems operatic, with bits of dialogue like &lt;a href=&#34;http://en.wikipedia.org/wiki/Recitative&#34;&gt;recitative&lt;/a&gt; punctuated with responses or embellishments from the orchestra. It’s very self-aware, playing with the form, making no attempt to stay absolutely true-to-life, sometimes literally winking at the camera. It’s all good fun. I caught several references to other films, and it’s likely there are more clever ones that I didn’t notice. This is probably my favorite of the &lt;a href=&#34;http://tumblr.mlarson.org/tagged/jeanlucgodard&#34;&gt;Godard movies I’ve seen&lt;/a&gt; so far.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Is this a tragedy or a comedy? With women you never know.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2011</title>
    <link href="https://mlarson.org/2011/03/02/when-i-was-younger-i-developed-what-i-called-the/"/>
    <updated>2011-03-02T16:46:25.000Z</updated>
    <id>https://mlarson.org/2011/03/02/when-i-was-younger-i-developed-what-i-called-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I was younger I developed what I called the Baseball Theory of life. At that point the average life expectancy was something like 72 years. If you divide that by nine, it’s eight years an inning. Once you turn 32 you’re in the top of the fifth inning. At 36 you’re in the bottom of the fifth. It’s an official game at that point. You can’t mess around any more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thenategreenexperience.com/blog/you-dont-belong-here-esquires-chris-jones&#34;&gt;Chris Jones&lt;/a&gt; of &lt;em&gt;Esquire&lt;/em&gt; (via &lt;a href=&#34;http://dontdrinkfromthecarton.tumblr.com/&#34;&gt;dontdrinkfromthecarton&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Restrepo</title>
    <link href="https://mlarson.org/2011/03/02/restrepo-this-is-as-depressing-as-youd-expect/"/>
    <updated>2011-03-02T02:45:22.000Z</updated>
    <id>https://mlarson.org/2011/03/02/restrepo-this-is-as-depressing-as-youd-expect/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/03/tumblr_lheszmphuc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Restrepo_%28film%29&#34;&gt;Restrepo&lt;/a&gt;. This is as depressing as you’d expect. It’s also some ballsy filming, tastefully done. I’m really glad the film kept its focus on the on-the-ground experience without straying into speechy political analyst territory. People who weren’t there don’t get to talk.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Should you pursue mastery? | Penelope Trunk&#39;s Brazen Careerist</title>
    <link href="https://mlarson.org/2011/03/01/should-you-pursue-mastery-penelope-trunks/"/>
    <updated>2011-03-01T03:29:08.000Z</updated>
    <id>https://mlarson.org/2011/03/01/should-you-pursue-mastery-penelope-trunks/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;At some point, all first dates become the same. The beginnings of relationships are all the same, but deeper connections require understanding more and more about yourself to keep going. That’s what I think of mastery. […] It occurs to me that mastery is irrational. Pursuing it makes life more difficult and more interesting than people really need life to be. But people who are driven to mastery can’t stop. It’s either charming or boorish. I’m not sure which.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.penelopetrunk.com/2011/02/23/should-you-pursue-mastery/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+BrazenCareerist+%28Brazen+Careerist+-+by+Penelope+Trunk%29&#34;&gt;Should you pursue mastery? | Penelope Trunk&#39;s Brazen Careerist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 1, 2011</title>
    <link href="https://mlarson.org/2011/03/01/if-you-inspire-people-to-make-things-it-just/"/>
    <updated>2011-03-01T03:28:58.000Z</updated>
    <id>https://mlarson.org/2011/03/01/if-you-inspire-people-to-make-things-it-just/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you inspire people to make things, it just makes them love you all the more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.fringemagazine.org/lit/features/austin-kleon-playtime-on-canvas/&#34;&gt;Austin Kleon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 1, 2011</title>
    <link href="https://mlarson.org/2011/03/01/what-you-want-to-do-is-build-the-people-up-you/"/>
    <updated>2011-03-01T03:18:00.000Z</updated>
    <id>https://mlarson.org/2011/03/01/what-you-want-to-do-is-build-the-people-up-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What you want to do is build the people up. You start ‘em off and you give them this first half, and their feet, and next thing they got their heads goin’, and the next thing they got their mouths open and they’re yellin’ and they’re screamin’. It’s a great feeling when you can have your audience get involved with you […] where everyone can jump in and have a real good time. “What’d I Say” is my last song onstage. When I do “What’d I Say,” you don’t have to worry about it — that’s the end of me. There ain’t no encore, no nothin’. I’m finished!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=1070667&#34;&gt;Ray Charles&lt;/a&gt; in an awesome interview with NPR, via the &lt;a href=&#34;http://mixonline.com/mag/audio_ray_charles_whatd/index.html&#34;&gt;Mix Magazine Classic Track essay on “What I’d Say”&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Force of Evil</title>
    <link href="https://mlarson.org/2011/02/28/force-of-evil-very-very-good-everyone-tries-to/"/>
    <updated>2011-02-28T15:55:00.000Z</updated>
    <id>https://mlarson.org/2011/02/28/force-of-evil-very-very-good-everyone-tries-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lh7590aw5v1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Force_of_Evil&#34;&gt;Force of Evil&lt;/a&gt;. Very, very good. Everyone tries to justify their minor (and major) wrongdoings, but living in the gray areas rarely turns out well. Touches on ideas of business, family, loyalty, with some biblical overtones. “What do you mean ‘gangsters’? It’s business.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wine descriptors tell us more about a bottle&#39;s price than its flavor. - By Coco Krumme - Slate Magazine</title>
    <link href="https://mlarson.org/2011/02/25/wine-descriptors-tell-us-more-about-a-bottles/"/>
    <updated>2011-02-25T16:37:26.000Z</updated>
    <id>https://mlarson.org/2011/02/25/wine-descriptors-tell-us-more-about-a-bottles/</id>
    <content type="html">&lt;p&gt;“Graphite. Black currant. Incense. &lt;em&gt;And&lt;/em&gt; camphor?” This is a great read. You’ve probably read something similar about wine bullshit before, but this is probably better. Interesting that more expensive wines are described with more specific words.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When it comes to invoking elegance, foreign and complex words have a natural advantage. Cigars and truffle conjure up prestige and luxury. Meanwhile, a little-known berry or spice conveys the worldly sophistication of the critic, which the drinker can share. For a price.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2285723/pagenum/all/&#34;&gt;Wine descriptors tell us more about a bottle&#39;s price than its flavor. - By Coco Krumme - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2011</title>
    <link href="https://mlarson.org/2011/02/25/my-parents-a-family-friend-dug-up-some-photos-id/"/>
    <updated>2011-02-25T14:46:32.000Z</updated>
    <id>https://mlarson.org/2011/02/25/my-parents-a-family-friend-dug-up-some-photos-id/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lh6h1lomw81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5476589346/&#34;&gt;My parents&lt;/a&gt;. A family friend dug up some photos I’d never seen before.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2011</title>
    <link href="https://mlarson.org/2011/02/25/via-mhsteger-a-few-of-sydney-smiths/"/>
    <updated>2011-02-25T03:56:00.000Z</updated>
    <id>https://mlarson.org/2011/02/25/via-mhsteger-a-few-of-sydney-smiths/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgqxnk6mxn1qzdxojo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Via &lt;a href=&#34;http://mhsteger.tumblr.com/post/3340366289&#34;&gt;mhsteger&lt;/a&gt;, a few of Sydney Smith’s prescriptions for low spirits, from a February, 1820 letter to Lady Georgiana Morpeth:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;6th. See as much as you can of those friends who respect and like you.&lt;br&gt;
7th. And of those acquaintances who amuse you.&lt;br&gt;
11th. Don’t expect too much from human life—a sorry business at the best.&lt;br&gt;
14th. Be as much as you can in the open air without fatigue.&lt;br&gt;
15th. Make the room where you commonly sit gay and pleasant.&lt;br&gt;
17th. Don’t be too severe upon yourself, or underrate yourself, but do yourself justice.&lt;br&gt;
18th. Keep good blazing fires.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>AUSTIN KLEON: Don&#39;t discard. Keep all your pieces in play.</title>
    <link href="https://mlarson.org/2011/02/25/austin-kleon-dont-discard-keep-all-your-pieces/"/>
    <updated>2011-02-25T03:44:38.000Z</updated>
    <id>https://mlarson.org/2011/02/25/austin-kleon-dont-discard-keep-all-your-pieces/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/3487168803&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You can cut off a couple passions and only focus on one, but after a while, you’ll start to feel phantom limb pain.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is truth.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/3487168803&#34;&gt;AUSTIN KLEON: Don&#39;t discard. Keep all your pieces in play.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Joan Rivers: A Piece of Work</title>
    <link href="https://mlarson.org/2011/02/25/joan-rivers-a-piece-of-work-rivers-is-awesome/"/>
    <updated>2011-02-25T03:39:00.000Z</updated>
    <id>https://mlarson.org/2011/02/25/joan-rivers-a-piece-of-work-rivers-is-awesome/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lh5m0kuaro1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Joan_Rivers:_A_Piece_of_Work&#34;&gt;Joan Rivers: A Piece of Work&lt;/a&gt;. Rivers is awesome. This movie is not. Two things I would have especially liked: 1) longer scenes from her stand-up acts and 2) more of a plot or wrapper. It’s a “scenes from a year in the life of”-type documentary–hey let’s film famous people and see if anything interesting happens! It &lt;a href=&#34;http://tumblr.mlarson.org/post/551910050/it-might-get-loud-somewhat-disappointed-in-this&#34;&gt;doesn’t always work&lt;/a&gt;. This one ends up more like reality TV. Which is fine, I guess, but I expect more from a feature-length. What I need is &lt;a href=&#34;http://tumblr.mlarson.org/post/383111609/the-september-issue-this-was-mostly-interesting&#34;&gt;mysterious brilliance on a deadline&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/353695544/tyson-its-a-great-movie-tyson-narrates-the&#34;&gt;a story of redemption&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/434844736/note-by-note-the-making-of-steinway-l1037-this&#34;&gt;a look into a specialized world&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/327791399/man-on-wire-fantastic-movie-wow-im-glad-the&#34;&gt;an insane challenge&lt;/a&gt;, or &lt;a href=&#34;http://en.wikipedia.org/wiki/The_King_of_Kong:_A_Fistful_of_Quarters&#34;&gt;old-fashioned good vs evil&lt;/a&gt;. All that said, I am super-impressed with Rivers as a person, still going, still feisty in an absolutely brutal industry.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2011</title>
    <link href="https://mlarson.org/2011/02/23/i-have-one-of-those-food-chopper-brains-that/"/>
    <updated>2011-02-23T15:55:00.000Z</updated>
    <id>https://mlarson.org/2011/02/23/i-have-one-of-those-food-chopper-brains-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I have one of those food-chopper brains that nothing comes out of the way it comes in.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thisrecording.com/today/2011/2/20/in-which-when-i-went-to-iowa-i-had-never-heard-of-faulkner.html&#34;&gt;Flannery O&#39;Connor&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Behave in an Art Museum – Paper Monument</title>
    <link href="https://mlarson.org/2011/02/23/how-to-behave-in-an-art-museum-paper-monument/"/>
    <updated>2011-02-23T15:41:57.000Z</updated>
    <id>https://mlarson.org/2011/02/23/how-to-behave-in-an-art-museum-paper-monument/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Intellectual conversations, as a woman I briefly dated once admonished me, are like public displays of affection—fun to be in, but mortifying to observe, and in a museum you know you’re being observed. But refusing to answer your friend’s questions is no solution either. You’re paralyzed. And you’re not even sure what you’re afraid of. You’re not sure whether your replies will make you look like a philistine or a snob. Which would be worse? Which are you more qualified to be?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.papermonument.com/web-only/how-to-behave-in-an-art-museum/&#34;&gt;How to Behave in an Art Museum – Paper Monument&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2011</title>
    <link href="https://mlarson.org/2011/02/23/what-its-like-to-work-for-donald-rumsfeld/"/>
    <updated>2011-02-23T15:36:27.000Z</updated>
    <id>https://mlarson.org/2011/02/23/what-its-like-to-work-for-donald-rumsfeld/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lh2u0r9gpo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/international/archive/2011/02/what-its-like-to-work-for-donald-rumsfeld/71521/&#34;&gt;What It’s Like to Work for Donald Rumsfeld - Alexis Madrigal - The Atlantic&lt;/a&gt;. “We also need to solve the Pakistan problem. And Korea doesn’t seem to be going well.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marilyn by Larry McMurtry | The New York Review of Books</title>
    <link href="https://mlarson.org/2011/02/23/marilyn-by-larry-mcmurtry-the-new-york-review-of/"/>
    <updated>2011-02-23T03:24:08.000Z</updated>
    <id>https://mlarson.org/2011/02/23/marilyn-by-larry-mcmurtry-the-new-york-review-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Imagine Marilyn Monroe, the star commonly thought to be an airhead, keeping up with Somerset Maugham’s birthday and taking the trouble to send him a telegram.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2011/mar/10/marilyn/?pagination=false&#34;&gt;Marilyn by Larry McMurtry | The New York Review of Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2011</title>
    <link href="https://mlarson.org/2011/02/23/the-baroque-is-that-style-which-deliberately/"/>
    <updated>2011-02-23T02:57:01.000Z</updated>
    <id>https://mlarson.org/2011/02/23/the-baroque-is-that-style-which-deliberately/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The Baroque is that style which deliberately exhausts (or tries to exhaust) its possibilities and borders on its own caricature.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/A_Universal_History_of_Infamy&#34;&gt;Jorge Luis Borges&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Shhhh! Quiet People At Work : NPR</title>
    <link href="https://mlarson.org/2011/02/23/shhhh-quiet-people-at-work-npr/"/>
    <updated>2011-02-23T02:31:50.000Z</updated>
    <id>https://mlarson.org/2011/02/23/shhhh-quiet-people-at-work-npr/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.npr.org/2011/02/22/133958245/shhhh-quiet-people-at-work&#34;&gt;Shhhh! Quiet People At Work : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Brazil</title>
    <link href="https://mlarson.org/2011/02/21/brazil-a-daydreaming-bureaucrat-muddles-through-a/"/>
    <updated>2011-02-21T17:36:00.000Z</updated>
    <id>https://mlarson.org/2011/02/21/brazil-a-daydreaming-bureaucrat-muddles-through-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgza7iwxsg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Brazil_%28film%29&#34;&gt;Brazil&lt;/a&gt;. A daydreaming bureaucrat muddles through a dysfunctional future that seems crippled more by pervasive triplicate than any central evil. It’s not perfect, but it is absurd and entertaining. Jonathan Pryce is excellent.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2011</title>
    <link href="https://mlarson.org/2011/02/18/the-seo-rapper-page-rank/"/>
    <updated>2011-02-18T20:44:44.000Z</updated>
    <id>https://mlarson.org/2011/02/18/the-seo-rapper-page-rank/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/fnSJBpB_OKQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=fnSJBpB_OKQ&#34;&gt;The SEO Rapper - Page Rank&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Micmacs</title>
    <link href="https://mlarson.org/2011/02/18/micmacs-this-one-falls-victim-to-excess-its-a/"/>
    <updated>2011-02-18T02:03:00.000Z</updated>
    <id>https://mlarson.org/2011/02/18/micmacs-this-one-falls-victim-to-excess-its-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgs7orfclw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Micmacs_%28film%29&#34;&gt;Micmacs&lt;/a&gt;. This one falls victim to excess. It’s a goofy, goofy French film with some laughs and lots of spy-movie-type fun. But if it were my choice, I’d cut a bunch of shots here and there. Not many entire scenes, mostly the small asides that make the already improbable plot a little manic and over-stuffed. Good intentions, though. Bonus points for camerawork, sets, and working &lt;a href=&#34;http://tumblr.mlarson.org/post/226499053/the-big-sleep-its-got-a-twisty-turny-plot-where&#34;&gt;The Big Sleep&lt;/a&gt; into the opening scenes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2011</title>
    <link href="https://mlarson.org/2011/02/17/gone-with-the-wind-atlanta-premiere-atlanta/"/>
    <updated>2011-02-17T21:02:18.000Z</updated>
    <id>https://mlarson.org/2011/02/17/gone-with-the-wind-atlanta-premiere-atlanta/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/e/zLuo9r3tv5w&#34;&gt;http://www.youtube.com/e/zLuo9r3tv5w&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=zLuo9r3tv5w&#34;&gt;Gone With the Wind Atlanta Premiere - Atlanta History Center&lt;/a&gt;. (&lt;a href=&#34;http://www.decaturmetro.com/2011/02/17/1939-color-home-movie-of-atlanta/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Home video footage by Russell Bellman of the “Gone With the Wind” Atlanta Premiere (December 15, 1939). Video features the Georgian Terrace Hotel, Atlanta Municipal Auditorium, Gone With the Wind Ball, and the Loew’s Grand Theatre in Atlanta.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I know &lt;a href=&#34;http://tumblr.mlarson.org/post/1660279464/peachtree-street-on-a-rainy-night-atlanta-1951&#34;&gt;I’ve said it before&lt;/a&gt;, but man, I really, really wish I’d been alive when &lt;a href=&#34;http://en.wikipedia.org/wiki/Loew%27s_Grand_Theatre&#34;&gt;Loew’s Grand Theatre&lt;/a&gt; was still around.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2011</title>
    <link href="https://mlarson.org/2011/02/17/tests-for-husbands-and-wives-rate-yourself-on-the/"/>
    <updated>2011-02-17T20:39:39.000Z</updated>
    <id>https://mlarson.org/2011/02/17/tests-for-husbands-and-wives-rate-yourself-on-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgs424rwco1qzcye0o1_400.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/tiabla/2491839696/sizes/o/in/set-72157605047200616/&#34;&gt;Tests for Husbands and Wives&lt;/a&gt;. Rate yourself on the &lt;a href=&#34;http://www.magatsu.net/maritaltest/&#34;&gt;1930s Marital Scale&lt;/a&gt;. I scored… umm… 17.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tech in Lyrics: James Brown the Anti-Technoutopian - Alexis Madrigal - The Atlantic</title>
    <link href="https://mlarson.org/2011/02/17/tech-in-lyrics-james-brown-the-anti-technoutopian/"/>
    <updated>2011-02-17T17:40:07.000Z</updated>
    <id>https://mlarson.org/2011/02/17/tech-in-lyrics-james-brown-the-anti-technoutopian/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/technology/archive/2011/02/tech-in-lyrics-james-brown-the-anti-technoutopian/71400/&#34;&gt;Tech in Lyrics: James Brown the Anti-Technoutopian - Alexis Madrigal - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>All of Mix Magazine&#39;s &#34;Classic Tracks&#34; in one place</title>
    <link href="https://mlarson.org/2011/02/17/all-of-mix-magazines-classic-tracks-in-one/"/>
    <updated>2011-02-17T17:31:00.000Z</updated>
    <id>https://mlarson.org/2011/02/17/all-of-mix-magazines-classic-tracks-in-one/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/3339796005&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How did I not know about this? Essential reading for recording geeks.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Dang. Time to fire up the Instapaper.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mixonline.com/classic-tracks/&#34;&gt;All of Mix Magazine&#39;s &amp;quot;Classic Tracks&amp;quot; in one place&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2011</title>
    <link href="https://mlarson.org/2011/02/17/dust-to-digital-goodbye-to-obscurity-purge/"/>
    <updated>2011-02-17T17:12:01.000Z</updated>
    <id>https://mlarson.org/2011/02/17/dust-to-digital-goodbye-to-obscurity-purge/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgrug2c9n41qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://purgeatl.com/2011/02/12/dust-to-digital-%E2%80%9Cgoodbye%E2%80%9D-to-obscurity/&#34;&gt;Dust-to-Digital: “Goodbye” to Obscurity - PURGE&lt;/a&gt;. Good interview with the &lt;a href=&#34;http://www.dust-digital.com/&#34;&gt;Dust-to-Digital&lt;/a&gt; folks.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Neil Young was on Weekend Edition saying that Bob Dylan gave him a copy [of &lt;a href=&#34;http://dust-digital.com/goodbye-babylon.htm&#34;&gt;Goodbye, Babylon&lt;/a&gt;]. That actually freaked me out more than the Grammys. I almost fell on the floor.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Virgin Suicides</title>
    <link href="https://mlarson.org/2011/02/16/the-virgin-suicides-i-liked-this-one-quite-a/"/>
    <updated>2011-02-16T15:39:00.000Z</updated>
    <id>https://mlarson.org/2011/02/16/the-virgin-suicides-i-liked-this-one-quite-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgozvuiw0x1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Virgin_Suicides_%28film%29&#34;&gt;The Virgin Suicides&lt;/a&gt;. I liked this one. Quite a debut. Themes include boys obsessing over girls on their way to womanhood, the fascination with death, the penumbra of loss that affects a community, etc. I like the tie-in with the dying elms, leaving mute, immovable stumps in the yards. And while I often cringe at moments when films use popular song, I thought the inclusions of Heart’s &lt;a href=&#34;http://www.youtube.com/watch?v=3vlAdMeZSfw&#34;&gt;Magic Man&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=8qZLtaUcYl8&#34;&gt;Crazy On You&lt;/a&gt; were inspired. If there’s any complaint, some parts were too overt. You don’t need a narrator intoning, “And so we started to learn about their lives, coming to hold collective memories of times we hadn’t experienced” when that’s clearly suggested on the screen. Small quibble though. Worth watching. I wonder how &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Virgin_Suicides&#34;&gt;the book&lt;/a&gt; compares.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2011</title>
    <link href="https://mlarson.org/2011/02/16/the-great-gatsby-for-nes-i-fully-support-this/"/>
    <updated>2011-02-16T02:24:55.000Z</updated>
    <id>https://mlarson.org/2011/02/16/the-great-gatsby-for-nes-i-fully-support-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgoupkiy1n1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://greatgatsbygame.com/&#34;&gt;The Great Gatsby - for NES&lt;/a&gt;. I fully support this. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>NBA’s Greatest Shots – Court Location &amp;amp; Video</title>
    <link href="https://mlarson.org/2011/02/16/nbas-greatest-shots-court-location-video/"/>
    <updated>2011-02-16T01:08:16.000Z</updated>
    <id>https://mlarson.org/2011/02/16/nbas-greatest-shots-court-location-video/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://hoopism.com/?p=1083&#34;&gt;NBA’s Greatest Shots – Court Location &amp;amp; Video&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Moral Crusade Against Foodies - The Atlantic</title>
    <link href="https://mlarson.org/2011/02/15/the-moral-crusade-against-foodies-the-atlantic/"/>
    <updated>2011-02-15T18:37:01.000Z</updated>
    <id>https://mlarson.org/2011/02/15/the-moral-crusade-against-foodies-the-atlantic/</id>
    <content type="html">&lt;p&gt;“Is any other subculture reported on so exclusively by its own members?”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2011/03/the-moral-crusade-against-foodies/8370/&#34;&gt;The Moral Crusade Against Foodies - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Phonestheme - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2011/02/14/phonestheme-wikipedia-the-free-encyclopedia/"/>
    <updated>2011-02-14T22:07:37.000Z</updated>
    <id>https://mlarson.org/2011/02/14/phonestheme-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;The word refers to the “systematic pairing of form and meaning in a language” where “a word with a phonestheme in it has other material in it that is not itself a &lt;a href=&#34;http://en.wikipedia.org/wiki/Morpheme&#34;&gt;morpheme&lt;/a&gt;.”&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For example, the English phonestheme “gl-” occurs in a large number of words relating to light or vision, like “glitter”, “glisten”, “glow”, “gleam”, “glare”, “glint”, and so on&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love this stuff. Here’s a &lt;a href=&#34;http://reocities.com/SoHo/Studios/9783/phond1.html&#34;&gt;list of English phonesthemes&lt;/a&gt;.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;/st/ is stable, stalwart, staunch, steadfast, steady, stolid, stout, and sturdy&lt;/li&gt;
&lt;li&gt;/sk/ scuffles, skips, scuttles, scoots, scampers, scurries, and skedaddles&lt;/li&gt;
&lt;li&gt;/dr/ drips, dribbles, drools, dredges, drizzles, drops, droops, and drags with the dross, dregs and the dreck&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Phonestheme&#34;&gt;Phonestheme - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 14, 2011</title>
    <link href="https://mlarson.org/2011/02/14/mememolly-sports/"/>
    <updated>2011-02-14T17:53:01.000Z</updated>
    <id>https://mlarson.org/2011/02/14/mememolly-sports/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lg804sbkok1qz82gvo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mememolly.tumblr.com/post/3168076134&#34;&gt;mememolly&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;SPORTS!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 14, 2011</title>
    <link href="https://mlarson.org/2011/02/14/my-strategy-can-be-reduced-to-two-rules-1-find-a/"/>
    <updated>2011-02-14T16:45:41.000Z</updated>
    <id>https://mlarson.org/2011/02/14/my-strategy-can-be-reduced-to-two-rules-1-find-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My strategy can be reduced to two rules: 1) Find a way to make it fun and 2) If that fails, find a way to do something else.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://paulbuchheit.blogspot.com/2011/02/two-paths-to-success.html&#34;&gt;Paul Buchheit: The two paths to success&lt;/a&gt;. (&lt;a href=&#34;http://daringfireball.net/linked/2011/02/04/paul-buchheit&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Confessions of a Prep School College Counselor - Magazine - The Atlantic</title>
    <link href="https://mlarson.org/2011/02/14/confessions-of-a-prep-school-college-counselor/"/>
    <updated>2011-02-14T16:45:30.000Z</updated>
    <id>https://mlarson.org/2011/02/14/confessions-of-a-prep-school-college-counselor/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Certainly, I understood why students who had worked so hard and done so well would want to go to schools like Harvard and Princeton, but many places seem to be prestigious simply because student fads and crazes have made them hard to get into. Brazenly capitalizing on the whims and passions of teenagers seems a questionable practice for institutions dedicated, in part, to the well-being of young people.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2001/09/confessions-of-a-prep-school-college-counselor/2281/&#34;&gt;Confessions of a Prep School College Counselor - Magazine - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 14, 2011</title>
    <link href="https://mlarson.org/2011/02/14/amen-break-wikipedia-the-free-encyclopedia/"/>
    <updated>2011-02-14T15:55:26.000Z</updated>
    <id>https://mlarson.org/2011/02/14/amen-break-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgm6wee4pk1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Amen_break&#34;&gt;Amen break - Wikipedia, the free encyclopedia&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2011</title>
    <link href="https://mlarson.org/2011/02/11/pablo-picasso-with-brigitte-bardot-in-his-studio/"/>
    <updated>2011-02-11T17:41:02.000Z</updated>
    <id>https://mlarson.org/2011/02/11/pablo-picasso-with-brigitte-bardot-in-his-studio/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lggrsejwye1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/theobserver/2010/may/09/big-picture-brigitte-bardot-picasso&#34;&gt;Pablo Picasso with Brigitte Bardot&lt;/a&gt; in his studio in Vallauris during the 1956 International Cannes Film Festival. Photo by Jerome Brierre.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2011</title>
    <link href="https://mlarson.org/2011/02/11/self-control-is-really-just-the-art-of-making-the/"/>
    <updated>2011-02-11T15:11:00.000Z</updated>
    <id>https://mlarson.org/2011/02/11/self-control-is-really-just-the-art-of-making-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Self-control is really just the art of making the future bigger.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/02/squibs.html&#34;&gt;Justin Wehr&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2011</title>
    <link href="https://mlarson.org/2011/02/11/the-100-greatest-film-noir-posters-via/"/>
    <updated>2011-02-11T14:38:32.000Z</updated>
    <id>https://mlarson.org/2011/02/11/the-100-greatest-film-noir-posters-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lggjc8yuox1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wheredangerlives.blogspot.com/search/label/*%20Film%20Noir%20Poster%20Countdown&#34;&gt;The 100 Greatest Film Noir Posters&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/openculture/status/35969188451454976&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2011</title>
    <link href="https://mlarson.org/2011/02/10/i-think-painters-and-sculptors-react-to-music/"/>
    <updated>2011-02-10T21:50:02.000Z</updated>
    <id>https://mlarson.org/2011/02/10/i-think-painters-and-sculptors-react-to-music/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think painters and sculptors react to music, more naively, in a sense, because their politics are a lot different from our politics. It’s very hard for one composer to listen to another composer without somehow bringing his own mind-set to the music he’s listening to. It’s not that it’s impossible. And that’s only natural, whereas someone in another art field is going to listen to it very naively, in a sense (you hope), and that’s a worthwhile, unbiased opinion. Ultimately, it’s a naive opinion that rules the roost.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newmusicbox.org/archive/firstperson/reich/index.html&#34;&gt;Steve Reich&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When the Crescendo Is the Least of Your Worries by Christopher R. Graham - The Morning News</title>
    <link href="https://mlarson.org/2011/02/10/when-the-crescendo-is-the-least-of-your-worries-by/"/>
    <updated>2011-02-10T21:26:55.000Z</updated>
    <id>https://mlarson.org/2011/02/10/when-the-crescendo-is-the-least-of-your-worries-by/</id>
    <content type="html">&lt;p&gt;“After practicing with his iPod—and feeling pretty good, actually—novice Christopher R. Graham discovers the extreme fear of conducting a professional orchestra.” (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.themorningnews.org/archives/personal_essays/when_the_crescendo_is_the_least_of_your_worries_.php&#34;&gt;When the Crescendo Is the Least of Your Worries by Christopher R. Graham - The Morning News&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 9, 2011</title>
    <link href="https://mlarson.org/2011/02/09/getting-a-job-decreases-the-amount-of-work-it/"/>
    <updated>2011-02-09T16:52:57.000Z</updated>
    <id>https://mlarson.org/2011/02/09/getting-a-job-decreases-the-amount-of-work-it/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Getting a job decreases the amount of work it takes to live. That’s why jobs are good.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://modeledbehavior.com/2011/02/08/arnold-kling-on-psst/&#34;&gt;Karl Smith&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/bryan_caplan/status/35376717145055232&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 8, 2011</title>
    <link href="https://mlarson.org/2011/02/08/the-malcolm-gladwell-book-generator-via/"/>
    <updated>2011-02-08T20:33:05.000Z</updated>
    <id>https://mlarson.org/2011/02/08/the-malcolm-gladwell-book-generator-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lgbfr5ra4s1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.malcolmgladwellbookgenerator.com/&#34;&gt;The Malcolm Gladwell Book Generator&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/maudnewton/status/35071769958154241&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Am Love</title>
    <link href="https://mlarson.org/2011/02/08/i-am-love-not-sold-on-this-one-just-like-the/"/>
    <updated>2011-02-08T04:10:48.000Z</updated>
    <id>https://mlarson.org/2011/02/08/i-am-love-not-sold-on-this-one-just-like-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lga6a0ai9l1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Am_Love_%28film%29&#34;&gt;I Am Love&lt;/a&gt;. Not sold on this one. Just like the film deals with genteel restraint and animal passions, there’s a strange balance in the film making where some things are left unsaid, only hinted at–and some parts of the film are maddeningly overt or silly. Good enough to finish, but…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 7, 2011</title>
    <link href="https://mlarson.org/2011/02/07/stephenkennedy-southern-food-section-aisle-9/"/>
    <updated>2011-02-07T18:26:58.000Z</updated>
    <id>https://mlarson.org/2011/02/07/stephenkennedy-southern-food-section-aisle-9/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lg0d6fuz7t1qz84hwo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://stephenkennedy.tumblr.com/post/3073318113&#34;&gt;stephenkennedy&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/58520542@N03/5402411846/in/pool-1616804@N23&#34;&gt;Southern Food Section Aisle 9&lt;/a&gt; (by &lt;a href=&#34;http://flickr.com/photos/58520542@N03&#34;&gt;Lindsay Reul&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 7, 2011</title>
    <link href="https://mlarson.org/2011/02/07/thunderball-opening-titles-with-theme-song-by/"/>
    <updated>2011-02-07T16:57:06.000Z</updated>
    <id>https://mlarson.org/2011/02/07/thunderball-opening-titles-with-theme-song-by/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/R3rqS98seNA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=R3rqS98seNA&#34;&gt;&lt;em&gt;Thunderball&lt;/em&gt; opening titles with theme song by Johnny Cash&lt;/a&gt;. Woah. ( &lt;a href=&#34;http://twitter.com/#!/DrewDernavich/status/34649362533593088&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Say What?: An Interview with Etymonline.com’s Douglas Harper | David C. Carver | Drunken Koudou</title>
    <link href="https://mlarson.org/2011/02/07/say-what-an-interview-with-etymonlinecoms/"/>
    <updated>2011-02-07T15:55:51.000Z</updated>
    <id>https://mlarson.org/2011/02/07/say-what-an-interview-with-etymonlinecoms/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.drunkenkoudou.com/2010/10/say-what-an-interview-with-etymonline-com%E2%80%99s-douglas-harper/&#34;&gt;Say What?: An Interview with Etymonline.com’s Douglas Harper | David C. Carver | Drunken Koudou&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2011</title>
    <link href="https://mlarson.org/2011/02/04/steve-reichs-clapping-music-performed-by-lee/"/>
    <updated>2011-02-04T16:02:00.000Z</updated>
    <id>https://mlarson.org/2011/02/04/steve-reichs-clapping-music-performed-by-lee/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/BY4bL_bO8sA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=BY4bL_bO8sA&#34;&gt;Steve Reich’s “Clapping Music” performed by Lee Marvin and Angela Dickinson&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/moderncomp/status/33553014442692609&#34;&gt;via&lt;/a&gt;) A scene from &lt;a href=&#34;http://en.wikipedia.org/wiki/Point_Blank_(film)&#34;&gt;Point Blank&lt;/a&gt;, I believe. &lt;a href=&#34;http://tumblr.mlarson.org/post/198775629/score-for-clapping-music-by-steve-reich-video-of&#34;&gt;Here’s the score&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2011</title>
    <link href="https://mlarson.org/2011/02/04/potlatch-the-politics-of-the-thumb-the/"/>
    <updated>2011-02-04T15:48:36.000Z</updated>
    <id>https://mlarson.org/2011/02/04/potlatch-the-politics-of-the-thumb-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lg3nx0uaah1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://potlatch.typepad.com/weblog/2011/01/the-politics-of-the-thumb.html&#34;&gt;Potlatch: The Politics of the Thumb&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The thumb-press is a straight-forward mode of manual expression, in which the user makes a traditional fist, but then manoeuvres the thumb from its position clasped over (or under the fingers) and lays it gently on top of the index finger as a hint of diplomacy.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2011</title>
    <link href="https://mlarson.org/2011/02/04/atlanta-by-car-1991-as-pecanne-log-points-out/"/>
    <updated>2011-02-04T15:38:47.000Z</updated>
    <id>https://mlarson.org/2011/02/04/atlanta-by-car-1991-as-pecanne-log-points-out/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/rsmZg1hjaYU&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=rsmZg1hjaYU&#34;&gt;Atlanta by car, 1991&lt;/a&gt;. As &lt;a href=&#34;http://pecannelog.com/2011/02/03/atlanta-by-car-1991/&#34;&gt;Pecanne Log points out&lt;/a&gt;: killer soundtrack.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wind &amp;amp; Wonder: the Great Mississippi River Balloon Race by Brian Blickenstaff - Norman Einstein&#39;s Sports &amp;amp; Rocket Science Monthly</title>
    <link href="https://mlarson.org/2011/02/04/wind-wonder-the-great-mississippi-river-balloon/"/>
    <updated>2011-02-04T14:51:49.000Z</updated>
    <id>https://mlarson.org/2011/02/04/wind-wonder-the-great-mississippi-river-balloon/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://normaneinsteins.com/21/windandwonder/&#34;&gt;Wind &amp;amp; Wonder: the Great Mississippi River Balloon Race by Brian Blickenstaff - Norman Einstein&#39;s Sports &amp;amp; Rocket Science Monthly&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Double Indemnity</title>
    <link href="https://mlarson.org/2011/02/04/double-indemnity-this-one-is-very-good-very/"/>
    <updated>2011-02-04T05:18:27.000Z</updated>
    <id>https://mlarson.org/2011/02/04/double-indemnity-this-one-is-very-good-very/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lg2uqrv75x1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Double_Indemnity_%28film%29&#34;&gt;Double Indemnity&lt;/a&gt;. This one is very good. Very cynical, not as nearly as complicated as some other noir, just a tight, direct story. You have to wonder why the characters let themselves get caught up like this. They might wonder the same thing. Good performances all around, but again I find myself especially impressed with &lt;a href=&#34;http://en.wikipedia.org/wiki/Edward_G._Robinson&#34;&gt;Edward G. Robinson&lt;/a&gt;. The other time I saw him was in &lt;a href=&#34;http://tumblr.mlarson.org/post/418795609/key-largo-your-head-says-one-thing-and-your&#34;&gt;Key Largo&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2011</title>
    <link href="https://mlarson.org/2011/02/03/strange-as-it-may-sound-to-many-people-who-tend/"/>
    <updated>2011-02-03T20:23:38.000Z</updated>
    <id>https://mlarson.org/2011/02/03/strange-as-it-may-sound-to-many-people-who-tend/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Strange as it may sound to many people, who tend to think of critics as being motivated by the lower emotions: envy, disdain, contempt even… Critics are, above all, people who are in love with beautiful things, and who worry that those things will get broken.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/How-Beautiful-Easily-Can-Broken/dp/0061456438&#34;&gt;Daniel Mendelsohn&lt;/a&gt;. (&lt;a href=&#34;http://www.mlarson.org/2008/10/19/1445/&#34;&gt;via a previous version of myself&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Mad Men Account by Daniel Mendelsohn | The New York Review of Books</title>
    <link href="https://mlarson.org/2011/02/03/the-mad-men-account-by-daniel-mendelsohn-the-new/"/>
    <updated>2011-02-03T20:20:27.000Z</updated>
    <id>https://mlarson.org/2011/02/03/the-mad-men-account-by-daniel-mendelsohn-the-new/</id>
    <content type="html">&lt;p&gt;Although I can’t vouch for anything beyond the second season, Mendelsohn’s critique seems fair. (&lt;a href=&#34;http://stephenschenkenberg.com/post/3089986127&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Worst of all—in a drama with aspirations to treating social and historical “issues”—the show is melodramatic rather than dramatic. By this I mean that it proceeds, for the most part, like a soap opera, serially (and often unbelievably) generating, and then resolving, successive personal crises (adulteries, abortions, premarital pregnancies, interracial affairs, alcoholism and drug addiction, etc.), rather than exploring, by means of believable conflicts between personality and situation, the contemporary social and cultural phenomena it regards with such fascination: sexism, misogyny, social hypocrisy, racism, the counterculture, and so forth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A few years ago, I &lt;a href=&#34;http://www.mlarson.org/2008/10/23/how-beautiful-it-is-review/&#34;&gt;read a collection of Mendelsohn’s criticism&lt;/a&gt;, most of it anyway, and found it quite enjoyable.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/2011/feb/24/mad-men-account/?pagination=false&#34;&gt;The Mad Men Account by Daniel Mendelsohn | The New York Review of Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2011</title>
    <link href="https://mlarson.org/2011/02/03/you-can-tell-when-rhetoric-is-empty-and/"/>
    <updated>2011-02-03T15:03:00.000Z</updated>
    <id>https://mlarson.org/2011/02/03/you-can-tell-when-rhetoric-is-empty-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You can tell when rhetoric is empty — and therefore should be cut — because it would never be possible to say the alternative.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.hbr.org/cs/2011/01/president_obamas_annual_report.html&#34;&gt;How CEOs Can Improve Speeches - Harvard Business Review&lt;/a&gt;. (&lt;a href=&#34;http://ben.casnocha.com/2011/02/how-to-identify-empty-rhetoric.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2011</title>
    <link href="https://mlarson.org/2011/02/02/woman-at-the-piano-by-philip-evergood-1955/"/>
    <updated>2011-02-02T19:38:16.000Z</updated>
    <id>https://mlarson.org/2011/02/02/woman-at-the-piano-by-philip-evergood-1955/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/02/tumblr_lg097tuhfe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://americanart.si.edu/collections/search/artwork/?id=8135&#34;&gt;Woman at the Piano&lt;/a&gt; by Philip Evergood, 1955.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Father&#39;s Fashion Tips - GQ</title>
    <link href="https://mlarson.org/2011/02/02/my-fathers-fashion-tips-gq/"/>
    <updated>2011-02-02T18:55:55.000Z</updated>
    <id>https://mlarson.org/2011/02/02/my-fathers-fashion-tips-gq/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The turtleneck is the most flattering thing a man can wear because it strips a man down to himself—because it forces a man to &lt;em&gt;project&lt;/em&gt; himself. The turtleneck does not &lt;em&gt;decorate&lt;/em&gt;, like at tie, or &lt;em&gt;augment&lt;/em&gt;, like a sport coat, or in any way distract from what my father calls a man’s “presentation”; rather, it fixes a man in sharp relief and puts his face on a pedestal—first literally, then figuratively. It is about isolation, the turtleneck is; it is about essences and first causes; it is about the body and the face, and that’s &lt;em&gt;all&lt;/em&gt; it’s about.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gq.com/style/grooming/200706/fashion-generation-tips-national-magazine-award?printable=true&#34;&gt;My Father&#39;s Fashion Tips - GQ&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2011</title>
    <link href="https://mlarson.org/2011/02/02/music-is-not-ruined-by-other-people-liking-it/"/>
    <updated>2011-02-02T17:53:41.000Z</updated>
    <id>https://mlarson.org/2011/02/02/music-is-not-ruined-by-other-people-liking-it/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Music is not ruined by other people liking it. Discovering things for the first time can still be the source of great pleasure, even when everyone else in the world has already heard it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Roderick, &lt;a href=&#34;http://blogs.seattleweekly.com/reverb/2011/01/the_pink_moon_problem_theres_n.php&#34;&gt;“The Pink Moon Problem: There’s No Shame In Admitting You’re Hearing Something For the First Time”&lt;/a&gt; (Amen.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Riff Market: Theoretically Unpublished Piece About Girl Talk</title>
    <link href="https://mlarson.org/2011/02/02/riff-market-theoretically-unpublished-piece-about/"/>
    <updated>2011-02-02T17:26:00.000Z</updated>
    <id>https://mlarson.org/2011/02/02/riff-market-theoretically-unpublished-piece-about/</id>
    <content type="html">&lt;p&gt;I endorse this criticism, particularly regarding the uniformity of timbre/texture/tempo. And/or I’m just old and cranky and don’t understand kids these days. (&lt;a href=&#34;http://thenewinquiry.com/post/3059591714/arguing-the-web-1-mash-up-a-v&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;With Girl Talk, we get that blissful moment of recognition without having to suffer through the next three minutes and thirty seconds remembering exactly why it hasn’t been Hammertime for more than a decade now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Girl Talk’s insistence on not being a pure DJ is a key to why the music sounds like it does, why it has only one speed, one timbre, and one density: if he lets a sample or phrase or loop breath on its own without some kind of additional percussion or secondary element, he is violating his own semantic scruples. Rule Number One of Girl Talk Club: Everything must be mashed at all times or otherwise the whole musique concrete / “art compounded from other art” rationale falls away, and Gillis is “just a DJ.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This was intriguing, but has maybe been true for decades:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;With Girl Talk compositions, one wonders how much of Gillis’s ease is a testament to his technical prowess, and how much is just an articulation of the fact that pop music has become increasingly standardized.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Forget art. The question is, without a public hungry for the references, is &lt;em&gt;Feed the Animals&lt;/em&gt; anything at all? Does Girl Talk hold up as “music” without all the extratextual information? If you had no idea about mash-ups or hip-hop or “No Diggity” or “Epic” by Faith No More would you really be all that impressed? It would just be a long stream of unstructured pop drone. Imaginary straw-men that have lived in a underground bunker for fifty years would totally hate Girl Talk!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.riffmarket.com/2008/12/theoretically-unpublished-piece-about.html&#34;&gt;Riff Market: Theoretically Unpublished Piece About Girl Talk&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Every NBA Slam Dunk Contest Video Visualization</title>
    <link href="https://mlarson.org/2011/02/02/every-nba-slam-dunk-contest-video-visualization/"/>
    <updated>2011-02-02T00:48:00.000Z</updated>
    <id>https://mlarson.org/2011/02/02/every-nba-slam-dunk-contest-video-visualization/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We broke down every NBA slam dunk contest (1984 to 2010) by dunk, year, and score. You can see video footage of the actual dunk by clicking on the circles in the graph.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://hoopism.com/?p=961&#34;&gt;Every NBA Slam Dunk Contest Video Visualization&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Racing Up the Empire State Building - NYTimes.com</title>
    <link href="https://mlarson.org/2011/02/01/racing-up-the-empire-state-building-nytimescom/"/>
    <updated>2011-02-01T19:47:30.000Z</updated>
    <id>https://mlarson.org/2011/02/01/racing-up-the-empire-state-building-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The way to kick [competitors] in the gut is to surge… But who does that? A guy who’s trained to do it for the last six months.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/01/31/sports/31staircase.html?_r=1&amp;amp;pagewanted=all&#34;&gt;Racing Up the Empire State Building - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2011</title>
    <link href="https://mlarson.org/2011/02/01/love-has-never-failed-it-has-won-every-battle/"/>
    <updated>2011-02-01T15:21:47.000Z</updated>
    <id>https://mlarson.org/2011/02/01/love-has-never-failed-it-has-won-every-battle/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Love has never failed. It has won every battle. And today and forever more it will go on undefeated.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.interviewmagazine.com/music/r-kelly/&#34;&gt;R. Kelly&lt;/a&gt; in an interview with Will Oldham. I had no idea he started as a busker.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2011</title>
    <link href="https://mlarson.org/2011/01/31/whats-in-a-surname-via-a-new-view-of-the/"/>
    <updated>2011-01-31T15:40:20.000Z</updated>
    <id>https://mlarson.org/2011/01/31/whats-in-a-surname-via-a-new-view-of-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lfw8s9xhxz1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.ngm.com/blog_central/2011/01/whats-in-a-surname.html&#34;&gt;What’s in a Surname?&lt;/a&gt;. (&lt;a href=&#34;http://makingmaps.net/2011/01/31/word-maps-words-on-maps-map-typography/&#34;&gt;via&lt;/a&gt;) “A new view of the United States based on the distribution of common last names shows centuries of history and echoes some of America’s great immigration sagas.” (Map: Mina Liu; Oliver Uberti, NGM Staff. Source: James Cheshire, Paul Longley, and Pablo Mateos, University College London.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Problem With Memoirs - NYTimes.com</title>
    <link href="https://mlarson.org/2011/01/31/the-problem-with-memoirs-nytimescom/"/>
    <updated>2011-01-31T04:02:27.000Z</updated>
    <id>https://mlarson.org/2011/01/31/the-problem-with-memoirs-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There was a time when you had to earn the right to draft a memoir, by accomplishing something noteworthy or having an extremely unusual experience or being such a brilliant writer that you could turn relatively ordinary occurrences into a snapshot of a broader historical moment. Anyone who didn’t fit one of those categories was obliged to keep quiet. Unremarkable lives went unremarked upon, the way God intended.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2011/01/30/books/review/Genzlinger-t.html&#34;&gt;The Problem With Memoirs - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fight Club</title>
    <link href="https://mlarson.org/2011/01/31/fight-club-this-was-kind-of-boring-zodiac-is-by/"/>
    <updated>2011-01-31T03:57:00.000Z</updated>
    <id>https://mlarson.org/2011/01/31/fight-club-this-was-kind-of-boring-zodiac-is-by/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lfvcc6rsqm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Fight_Club_%28film%29&#34;&gt;Fight Club&lt;/a&gt;. This was kind of boring. (&lt;a href=&#34;http://en.wikipedia.org/wiki/Zodiac_(film)&#34;&gt;Zodiac&lt;/a&gt; is by far the best of the three David Fincher films I’ve seen. &lt;a href=&#34;http://en.wikipedia.org/wiki/Seven_(film)&#34;&gt;Seven&lt;/a&gt; was worthwhile, but hasn’t aged well. I wonder where &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Social_Network&#34;&gt;The Social Network&lt;/a&gt; will rank when I see it.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Best Beer Bars 2011 - RateBeer</title>
    <link href="https://mlarson.org/2011/01/28/best-beer-bars-2011-ratebeer/"/>
    <updated>2011-01-28T18:20:00.000Z</updated>
    <id>https://mlarson.org/2011/01/28/best-beer-bars-2011-ratebeer/</id>
    <content type="html">&lt;p&gt;I can walk to #4 and drive to #7 in like 8 minutes. We’ve also got the #12 retailer. I love Atlanta.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ratebeer.com/RateBeerBest/table_2011.asp?title=Best+Beer+Bars+2011&amp;amp;file=bars_places_2011.csv&#34;&gt;Best Beer Bars 2011 - RateBeer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2011</title>
    <link href="https://mlarson.org/2011/01/28/you-should-just-sit-down-there-should-be-a/"/>
    <updated>2011-01-28T17:04:00.000Z</updated>
    <id>https://mlarson.org/2011/01/28/you-should-just-sit-down-there-should-be-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You should just sit down, there should be a bottomless thing of chips and really good salsa and then your meal starts. This whole thing about sitting down and ordering chips and salsa and paying $5.00 for it is insane.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://eater.com/archives/2011/01/06/st-vincent-sound-cheque.php&#34;&gt;Annie Clark&lt;/a&gt;. Amen.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2011</title>
    <link href="https://mlarson.org/2011/01/28/as-there-is-no-appetite-sexual-or-otherwise/"/>
    <updated>2011-01-28T16:55:45.000Z</updated>
    <id>https://mlarson.org/2011/01/28/as-there-is-no-appetite-sexual-or-otherwise/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;As there is no appetite, sexual or otherwise, without excitement, the sane person has to be unusually mindful of all the ways she has of attacking, trivializing, ignoring, ironizing and generally spoiling her own excitement. So she will prize charm in herself and others because charm gives excitement a chance; and she will be suspicious of her own shyness–and more sympathetically suspicious of other people’s–because it too smugly keeps the excited self at bay.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Going-Sane-Happiness-Adam-Phillips/dp/0007155395&#34;&gt;Adam Phillips&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2011</title>
    <link href="https://mlarson.org/2011/01/28/a-cadgers-map-of-a-begging-district-frontispiece/"/>
    <updated>2011-01-28T16:54:56.000Z</updated>
    <id>https://mlarson.org/2011/01/28/a-cadgers-map-of-a-begging-district-frontispiece/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lfqrz8jicm1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://longstreet.typepad.com/thesciencebookstore/2011/01/the-specialized-vocabulary-o-froad-warriors-tramps-hoboes-and-vagabonds-o.html&#34;&gt;A Cadger’s Map of a Begging District&lt;/a&gt;. Frontispiece to &lt;em&gt;The Slang Dictionary; or, the Vulgar Words, Street Phrases and Fast Expression of High and Low Society&lt;/em&gt;. (&lt;a href=&#34;http://longform.org/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Fine Balance: Can one write about yoga without being either overly precious or deadly earnest? | More Intelligent Life</title>
    <link href="https://mlarson.org/2011/01/28/a-fine-balance-can-one-write-about-yoga-without/"/>
    <updated>2011-01-28T16:54:52.000Z</updated>
    <id>https://mlarson.org/2011/01/28/a-fine-balance-can-one-write-about-yoga-without/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Spiritual experiences are easy to put into words, as long as you stick to cheesy, clichéd ones.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://moreintelligentlife.com/content/lifestyle/emily-gould/posing-and-pain&#34;&gt;A Fine Balance: Can one write about yoga without being either overly precious or deadly earnest? | More Intelligent Life&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 27, 2011</title>
    <link href="https://mlarson.org/2011/01/27/we-recognize-our-sexual-desire-by-the-fact-that/"/>
    <updated>2011-01-27T14:41:07.000Z</updated>
    <id>https://mlarson.org/2011/01/27/we-recognize-our-sexual-desire-by-the-fact-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We recognize our sexual desire by the fact that once again–once again, after childhood–we feel our safety and our excitement are in conflict with each other. When we feel we are taking a risk, or are at risk, there is always an object of desire in the vicinity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Going-Sane-Happiness-Adam-Phillips/dp/0007155395&#34;&gt;Adam Phillips&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 27, 2011</title>
    <link href="https://mlarson.org/2011/01/27/flights-of-fancy-how-birds-and-bird-watchers/"/>
    <updated>2011-01-27T14:40:29.000Z</updated>
    <id>https://mlarson.org/2011/01/27/flights-of-fancy-how-birds-and-bird-watchers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lfor89a5iv1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.americanscientist.org/issues/pub/2011/1/flights-of-fancy/1&#34;&gt;Flights of Fancy: How birds (and bird-watchers) compute the behavior of a flock on the wing - American Scientist&lt;/a&gt;. Image from the &lt;a href=&#34;http://oldboy.phys.uniroma1.it/index.php?option=com_content&amp;amp;view=article&amp;amp;id=90&#34;&gt;STARFLAG project, INFM-CNR&lt;/a&gt;. I am reminded of &lt;a href=&#34;http://tumblr.mlarson.org/post/409234845/a-flock-of-starlings-on-a-page-from-the-curse-in&#34;&gt;Kevin Huizenga’s starlings&lt;/a&gt; once again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 27, 2011</title>
    <link href="https://mlarson.org/2011/01/27/since-money-always-promises-something-other-than/"/>
    <updated>2011-01-27T04:42:18.000Z</updated>
    <id>https://mlarson.org/2011/01/27/since-money-always-promises-something-other-than/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Since money always promises something other than itself–it is only, as we say, worth what it can buy–it seems to protect us, as promises do, from the fear of there being nothing and no one that we want.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Adam_Phillips_%28psychologist%29&#34;&gt;Adam Phillips&lt;/a&gt;. I think I’ll post a couple more from his very good &lt;a href=&#34;http://www.amazon.com/Going-Sane-Happiness-Adam-Phillips/dp/0007155395&#34;&gt;Going Sane&lt;/a&gt; later.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rope</title>
    <link href="https://mlarson.org/2011/01/27/rope-this-was-pretty-good-but-not-quite-high/"/>
    <updated>2011-01-27T03:46:00.000Z</updated>
    <id>https://mlarson.org/2011/01/27/rope-this-was-pretty-good-but-not-quite-high/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lfnx5ojglh1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rope_%28film%29&#34;&gt;Rope&lt;/a&gt;. This was pretty good, but not quite high enough suspense levels with all the dinnertime distractions. There are some great side characters, though. I like the novelty of having the movie run in real-time with one camera tracking around the room. It’s based on a &lt;a href=&#34;http://en.wikipedia.org/wiki/Rope_(play)&#34;&gt;play of the same name&lt;/a&gt;, which leads to a big downside for me: walking standing talking walking standing talking walking standing talking. That’s one of the reasons I’ve never gotten into theater that much. Only so many things you can do when you’re trapped in a room, and this is no &lt;a href=&#34;http://tumblr.mlarson.org/post/1159524247/rear-window-good-lord-this-is-a-near-perfect&#34;&gt;Rear Window&lt;/a&gt;. My updated Hitchcock rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1159524247/rear-window-good-lord-this-is-a-near-perfect&#34;&gt;Rear Window&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/508261539/to-catch-a-thief-its-a-romance-packaged-in-a&#34;&gt;To Catch a Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1640719644/notorious-highly-recommended-were-back-in&#34;&gt;Notorious&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1288217305/vertigo-the-first-hour-was-really-fun-theres&#34;&gt;Vertigo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Rope&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/237574118/psycho-had-a-second-viewing-this-weekend-as-good&#34;&gt;Psycho&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/2623546711/sabotage-ill-give-hitchcock-credit-for-starting&#34;&gt;Sabotage&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1591622471/north-by-northwest-sorry-folks-i-found-this&#34;&gt;North by Northwest&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/232523211/the-man-who-knew-too-much-1934-dnf-i-get-the&#34;&gt;The Man Who Knew Too Much&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/tagged/jamesstewart&#34;&gt;James Stewart&lt;/a&gt; has a pretty good track record for me. I’ll need to see some more of his movies. And I think I’ve had &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;my fill of Hitchcock&lt;/a&gt; for a while, unless there’s something &lt;em&gt;really&lt;/em&gt; awesome I still haven’t seen…?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: In praise of picture books</title>
    <link href="https://mlarson.org/2011/01/25/marginal-revolution-in-praise-of-picture-books/"/>
    <updated>2011-01-25T15:50:03.000Z</updated>
    <id>https://mlarson.org/2011/01/25/marginal-revolution-in-praise-of-picture-books/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The authors of picture books are often relatively “agenda-less,” since most people don’t read the text, the selling point is the pictures, and the book is so expensive that the publisher doesn’t want to rule out the broadest possible audience.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2011/01/in-praise-of-picture-books.html&#34;&gt;Marginal Revolution: In praise of picture books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Opinions | Meteuphoric</title>
    <link href="https://mlarson.org/2011/01/25/opinions-meteuphoric/"/>
    <updated>2011-01-25T15:49:02.000Z</updated>
    <id>https://mlarson.org/2011/01/25/opinions-meteuphoric/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://meteuphoric.wordpress.com/about/&#34;&gt;Katja Grace&lt;/a&gt; gathers her opinions in one spot. I’m repeatedly surprised and delighted by how valuable I find some bloggers’ hunches, musings, and asides, e.g. &lt;a href=&#34;http://wehrintheworld.blogspot.com/search/label/squibs&#34;&gt;Justin Wehr’s squibs&lt;/a&gt;, &lt;a href=&#34;http://www.google.com/search?q=site%3Aben.casnocha.com+assorted+musings&#34;&gt;Ben Casnocha’s assorted musings&lt;/a&gt;, &lt;a href=&#34;http://colinmarshall.typepad.com/blog/2009/12/heuristic-roundup-09.html&#34;&gt;Colin Marshall’s heuristics&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://meteuphoric.wordpress.com/opinion/&#34;&gt;Opinions | Meteuphoric&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Baking for Beginners: An Introduction to Temperature - The Atlantic</title>
    <link href="https://mlarson.org/2011/01/24/baking-for-beginners-an-introduction-to/"/>
    <updated>2011-01-24T18:01:00.000Z</updated>
    <id>https://mlarson.org/2011/01/24/baking-for-beginners-an-introduction-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You may read this and think: High maintenance! Picky! Temperamental! But I hope you’ll view it like this: Pastry is logical and consistent and wonderfully fun.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/food/archive/2011/01/baking-for-beginners-an-introduction-to-temperature/69555/&#34;&gt;Baking for Beginners: An Introduction to Temperature - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The American</title>
    <link href="https://mlarson.org/2011/01/24/the-american-it-seems-that-critics-are-a-bit/"/>
    <updated>2011-01-24T16:06:25.000Z</updated>
    <id>https://mlarson.org/2011/01/24/the-american-it-seems-that-critics-are-a-bit/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lfjbd0ifvl1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_American_(2010_film)&#34;&gt;The American&lt;/a&gt;. It seems that &lt;a href=&#34;http://www.metacritic.com/movie/the-american&#34;&gt;critics are a bit mixed&lt;/a&gt;, but &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20100831/REVIEWS/100839999&#34;&gt;I’m with Ebert&lt;/a&gt;: I loved this one. It got billed as a semi-action-thriller. Yeah, there’s some killin’, but this is really more of a slow-burning mood piece like &lt;a href=&#34;http://tumblr.mlarson.org/post/2050310352/le-samourai-when-i-came-across-this-i-was&#34;&gt;Le Samouraï&lt;/a&gt;. Or, say, a Sergio Leone western – there’s even a scene with the &lt;a href=&#34;http://www.youtube.com/watch?v=YTCm3ejcKvI&#34;&gt;&lt;em&gt;Once Upon a Time in the West&lt;/em&gt; McBain massacre&lt;/a&gt; &lt;a href=&#34;http://www.imfdb.org/images/thumb/2/26/AmerOUATITW.jpg/600px-AmerOUATITW.jpg&#34;&gt;playing in the background&lt;/a&gt;. This is not (just) about assassins doing jobs, but about an existential crisis–I detect some parallels in &lt;a href=&#34;http://tumblr.mlarson.org/post/583083680/in-bruges-plenty-of-dark-humor-presented-in-a&#34;&gt;In Bruges&lt;/a&gt;, and in film noir like &lt;a href=&#34;http://tumblr.mlarson.org/post/1389407872/blast-of-silence-a-criterion-essay-cleverly-calls&#34;&gt;Blast of Silence&lt;/a&gt; and my beloved &lt;a href=&#34;http://tumblr.mlarson.org/post/152606956/i-dont-want-to-die-neither-do-i-baby-but&#34;&gt;Out of the Past&lt;/a&gt;. Except this is set in sunny Italy. Great photography, absolute minimal soundtrack. Some obvious detractions are the heavy-handed dialogue with the priest and also the–yep–&lt;a href=&#34;http://en.wikipedia.org/wiki/Hooker_with_a_heart_of_gold&#34;&gt;hooker with a heart of gold&lt;/a&gt;. But still. Master craftsmanship from &lt;a href=&#34;http://en.wikipedia.org/wiki/Anton_Corbijn&#34;&gt;Anton Corbijn&lt;/a&gt;. I’ll probably watch it again soon. Coincidentally, the only movie I watched twice last year was Clooney’s &lt;a href=&#34;http://tumblr.mlarson.org/post/320599973/michael-clayton-i-was-really-impressed-with-this&#34;&gt;Michael Clayton&lt;/a&gt;. The guy’s got great taste.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 21, 2011</title>
    <link href="https://mlarson.org/2011/01/21/stavin-chain-playing-guitar-and-singing-the/"/>
    <updated>2011-01-21T15:58:00.000Z</updated>
    <id>https://mlarson.org/2011/01/21/stavin-chain-playing-guitar-and-singing-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lfdr1g1hcm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.loc.gov/pictures/item/2007660069/&#34;&gt;Stavin’ Chain playing guitar and singing the ballad “Batson,” Lafayette, Louisiana. 1934&lt;/a&gt;. Photo by Alan Lomax. (&lt;a href=&#34;http://online.wsj.com/article/SB10001424052748704723104576062420986386998.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Your Shit, My Stuff, Goldilocks, and Making the Bed You Sleep In</title>
    <link href="https://mlarson.org/2011/01/21/your-shit-my-stuff-goldilocks-and-making-the/"/>
    <updated>2011-01-21T15:41:53.000Z</updated>
    <id>https://mlarson.org/2011/01/21/your-shit-my-stuff-goldilocks-and-making-the/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.frankchimero.com/post/2831408736/your-shit-my-stuff-goldilocks-and-making-the-bed-you&#34;&gt;viafrank&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The less frequently we use something, the stronger the argument for valuing access over ownership.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Playboy Interview: Metallica (April 2001)</title>
    <link href="https://mlarson.org/2011/01/19/playboy-interview-metallica-april-2001/"/>
    <updated>2011-01-19T15:55:00.000Z</updated>
    <id>https://mlarson.org/2011/01/19/playboy-interview-metallica-april-2001/</id>
    <content type="html">&lt;p&gt;This interview is packed with wonderful tidbits. James Hetfield on day jobs and the early tour routine:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We worked at day jobs. After that, we’d throw parties, take the furniture out of the house and smash the joint. We smashed dressing rooms just because you were supposed to. Then you’d get the bill and go, “Whoa! I didn’t know Pete Townshend paid for his lamp!” Come back off the tour and you hadn’t made any money. You bought furniture for a bunch of promoters.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hetfield on growing up differently from Lars Ulrich:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I could afford maybe one record a week, and he would come back from the store with 20. He bought Styx and REO Speedwagon, bands he’d heard of in Denmark. I would go, “What the fuck? Why did you buy Styx?“&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Kirk Hammett on Hetfield’s &lt;a href=&#34;http://www.youtube.com/watch?v=NcbAibPA2yY&#34;&gt;Nothing Else Matters&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All I could think of at the time was, James wrote a fucking love song to his girlfriend? That’s just weird.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hetfield on alcohol abuse and parenthood:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You can’t be hung over when you got kids, man. “Dad, get the fuck off the couch!” Well, they don’t say that—yet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ulrich on Matt Damon:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;PLAYBOY: Your wife, Skylar, used to date Matt Damon, and he made her the model for the female lead in Good Will Hunting. A few years ago, Matt described you as “a fucking rock star who’s got $80 million and his own jet—a bad rock star, too.”&lt;/p&gt;
&lt;p&gt;ULRICH: He said that before we met. And he’s apologized about a hundred times. The first five times I saw him, he would spend 10 minutes apologizing profusely. He really is a sweetheart.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ulrich on collecting art:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Hanging out backstage with Kid Rock is an amazing turn-on, no less so than sitting and staring at my Dubuffet for an hour with a fucking gin and tonic.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://metallica.awardspace.com/inter.html&#34;&gt;Playboy Interview: Metallica (April 2001)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2011</title>
    <link href="https://mlarson.org/2011/01/19/on-the-first-tour-through-america-my-spandexi/"/>
    <updated>2011-01-19T15:54:38.000Z</updated>
    <id>https://mlarson.org/2011/01/19/on-the-first-tour-through-america-my-spandexi/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;On the first tour through America, my spandex—I fucking hate saying, “my spandex”. It’s a pretty evil phrase.—They were wet from the night before, and I was drying them by the heater. A big hole melted right in the crotch. It was like, “They’re like pantyhose.” I just opted to keep my jeans on, and that was the best thing that ever happened.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;James Hetfield in the &lt;a href=&#34;http://www.ilikethat.com/metallica/interviews_playboy.cfm&#34;&gt;April 2001 Playboy interview with Metallica&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2011</title>
    <link href="https://mlarson.org/2011/01/19/when-i-open-my-mouth-most-of-the-time-something/"/>
    <updated>2011-01-19T15:54:33.000Z</updated>
    <id>https://mlarson.org/2011/01/19/when-i-open-my-mouth-most-of-the-time-something/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I open my mouth, most of the time something somewhat eloquent comes out, and once in a while I talk a bunch of fucking bullshit. I’m aware of that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lars Ulrich in the &lt;a href=&#34;http://www.ilikethat.com/metallica/interviews_playboy.cfm&#34;&gt;April 2001 Playboy interview with Metallica&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2011</title>
    <link href="https://mlarson.org/2011/01/19/an-interview-is-a-halfway-point-between-a/"/>
    <updated>2011-01-19T15:09:37.000Z</updated>
    <id>https://mlarson.org/2011/01/19/an-interview-is-a-halfway-point-between-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An interview is a halfway point between a psychoanalytical sitting and a competitive examination.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Federico Fellini in an &lt;a href=&#34;http://www.brightlightsfilm.com/26/fellini1.html&#34;&gt;interview with Bright Lights Film Journal&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2011</title>
    <link href="https://mlarson.org/2011/01/19/8-½-mile-fellini-mastroianni-eminem/"/>
    <updated>2011-01-19T15:01:45.000Z</updated>
    <id>https://mlarson.org/2011/01/19/8-½-mile-fellini-mastroianni-eminem/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/cP3MxoZK_YA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theavclub.tv/episode/8_mile&#34;&gt;8 ½ Mile&lt;/a&gt;. Fellini + Mastroianni + Eminem.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>8½</title>
    <link href="https://mlarson.org/2011/01/19/8½-my-first-fellini-features-a-nice-blend-of/"/>
    <updated>2011-01-19T14:55:00.000Z</updated>
    <id>https://mlarson.org/2011/01/19/8½-my-first-fellini-features-a-nice-blend-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lf9ysrukar1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/8%C2%BD&#34;&gt;8½&lt;/a&gt;. My first Fellini. Features a nice blend of reality and the daydreams of the protagonist. I also appreciate how the protagonist-director’s anxiety and creative listlessness are undercut by the mastery of the actual director’s work. A film about being lost by someone totally in control. It is a quite beautiful film. They say it’s &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20000528/REVIEWS08/5280301/1023&#34;&gt;one&lt;/a&gt; &lt;a href=&#34;http://www.film.com/movies/8-12/story/whats-big-deal-8-12/31364207&#34;&gt;of&lt;/a&gt; &lt;a href=&#34;http://www.criterion.com/current/posts/172-8-1-2-when-he-became-i&#34;&gt;the&lt;/a&gt; &lt;a href=&#34;http://www.criterion.com/current/posts/173-8-1-2-a-film-with-itself-as-its-subject&#34;&gt;greats&lt;/a&gt; .&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Playboy Interview: Metallica (April 2001)</title>
    <link href="https://mlarson.org/2011/01/19/playboy-interview-metallica-april-2001-2/"/>
    <updated>2011-01-19T05:14:00.000Z</updated>
    <id>https://mlarson.org/2011/01/19/playboy-interview-metallica-april-2001-2/</id>
    <content type="html">&lt;p&gt;This interview is packed with wonderful tidbits. James Hetfield on day jobs and the early tour routine:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We worked at day jobs. After that, we’d throw parties, take the furniture out of the house and smash the joint. We smashed dressing rooms just because you were supposed to. Then you’d get the bill and go, “Whoa! I didn’t know Pete Townshend paid for his lamp!” Come back off the tour and you hadn’t made any money. You bought furniture for a bunch of promoters.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hetfield on growing up differently from Lars Ulrich:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I could afford maybe one record a week, and he would come back from the store with 20. He bought Styx and REO Speedwagon, bands he’d heard of in Denmark. I would go, “What the fuck? Why did you buy Styx?“&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Kirk Hammett on Hetfield’s &lt;a href=&#34;http://www.youtube.com/watch?v=NcbAibPA2yY&#34;&gt;Nothing Else Matters&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All I could think of at the time was, James wrote a fucking love song to his girlfriend? That’s just weird.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hetfield on alcohol abuse and parenthood:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You can’t be hung over when you got kids, man. “Dad, get the fuck off the couch!” Well, they don’t say that—yet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ulrich on Matt Damon:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;PLAYBOY: Your wife, Skylar, used to date Matt Damon, and he made her the model for the female lead in Good Will Hunting. A few years ago, Matt described you as “a fucking rock star who’s got $80 million and his own jet—a bad rock star, too.”&lt;/p&gt;
&lt;p&gt;ULRICH: He said that before we met. And he’s apologized about a hundred times. The first five times I saw him, he would spend 10 minutes apologizing profusely. He really is a sweetheart.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ulrich on collecting art:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Hanging out backstage with Kid Rock is an amazing turn-on, no less so than sitting and staring at my Dubuffet for an hour with a fucking gin and tonic.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ilikethat.com/metallica/interviews_playboy.cfm&#34;&gt;Playboy Interview: Metallica (April 2001)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2011</title>
    <link href="https://mlarson.org/2011/01/19/on-the-first-tour-through-america-my-spandexi-2/"/>
    <updated>2011-01-19T05:13:00.000Z</updated>
    <id>https://mlarson.org/2011/01/19/on-the-first-tour-through-america-my-spandexi-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;On the first tour through America, my spandex—I fucking hate saying, “my spandex”. It’s a pretty evil phrase.—They were wet from the night before, and I was drying them by the heater. A big hole melted right in the crotch. It was like, “They’re like pantyhose.” I just opted to keep my jeans on, and that was the best thing that ever happened.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;James Hetfield in the &lt;a href=&#34;http://www.ilikethat.com/metallica/interviews_playboy.cfm&#34;&gt;April 2001 Playboy interview with Metallica&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2011</title>
    <link href="https://mlarson.org/2011/01/19/when-i-open-my-mouth-most-of-the-time-something-2/"/>
    <updated>2011-01-19T05:09:00.000Z</updated>
    <id>https://mlarson.org/2011/01/19/when-i-open-my-mouth-most-of-the-time-something-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I open my mouth, most of the time something somewhat eloquent comes out, and once in a while I talk a bunch of fucking bullshit. I’m aware of that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lars Ulrich in the &lt;a href=&#34;http://www.ilikethat.com/metallica/interviews_playboy.cfm&#34;&gt;April 2001 Playboy interview with Metallica&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Der Siebente Continent (The Seventh Continent)</title>
    <link href="https://mlarson.org/2011/01/18/der-siebente-continent-the-seventh-continent/"/>
    <updated>2011-01-18T00:49:03.000Z</updated>
    <id>https://mlarson.org/2011/01/18/der-siebente-continent-the-seventh-continent/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lf70xujcwg1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Seventh_Continent&#34;&gt;Der Siebente Continent (The Seventh Continent)&lt;/a&gt;. DNF. Bailed at the halfway mark.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2011</title>
    <link href="https://mlarson.org/2011/01/16/austinkleon-drummer-gene-krupa-performing-at/"/>
    <updated>2011-01-16T20:52:00.000Z</updated>
    <id>https://mlarson.org/2011/01/16/austinkleon-drummer-gene-krupa-performing-at/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/2779644121/drummer-gene-krupa-performing-at-gjon-milis&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Drummer &lt;a href=&#34;http://en.wikipedia.org/wiki/Gene_Krupa&#34;&gt;Gene Krupa&lt;/a&gt; performing at &lt;a href=&#34;http://en.wikipedia.org/wiki/Gjon_Mili&#34;&gt;Gjon Mili’s&lt;/a&gt; studio. NYC, 1941&lt;/p&gt;
&lt;p&gt;*Amazing* photographs &lt;a href=&#34;http://www.life.com/search/?q0=gene+krupa&#34;&gt;from LIFE Magazine’s photo archives&lt;/a&gt;. Originally featured in the July 9th, 1941 article, “&lt;a href=&#34;http://books.google.com/books?id=jUwEAAAAMBAJ&amp;amp;lpg=PP1&amp;amp;ots=UF3FOeg6Io&amp;amp;dq=%22life%20magazine%22%20%22gene%20krupa%22%201941&amp;amp;pg=PA81#v=onepage&amp;amp;q&amp;amp;f=false&#34;&gt;GENE KRUPA SHOWS HOW TO PLAY DRUM IN THESE FANTASTIC SOUND PICTURES.&lt;/a&gt;”&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In these unusual shots Krupa illustrates some rudiments of drumming. They were taken by Gjon Mili’s multiple-exposure camera so you could follow the track of Krupa’s drumsticks whizzing through the air. But they are interesting also as impressionistic portraits of sound, suggesting the rhythmic pandemonium of a Krupa jam session.&lt;/p&gt;
&lt;p&gt;….As a drum historian, he likes to tell how Napoleon Bonaparte was once defeated by Russians who were roused to a fighting frenzy by Cossack drummers. Says Krupa proudly, “I have Cossack blood myself.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also, be sure to follow &lt;a href=&#34;http://life.tumblr.com&#34;&gt;the LIFE Tumblr&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2011</title>
    <link href="https://mlarson.org/2011/01/16/a-beautiful-play-by-gregg-popovich-puts-the-game/"/>
    <updated>2011-01-16T20:48:34.000Z</updated>
    <id>https://mlarson.org/2011/01/16/a-beautiful-play-by-gregg-popovich-puts-the-game/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lf4v3qmtdp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nbaplaybook.com/2011/01/13/a-beautiful-play-by-gregg-popovich-puts-the-game-away/&#34;&gt;A Beautiful Play By Gregg Popovich Puts The Game Away&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=ETHNK1iphcs&#34;&gt;Great play&lt;/a&gt;. I didn’t know &lt;a href=&#34;http://nbaplaybook.com/&#34;&gt;NBA Playbook&lt;/a&gt; existed until a few days ago, but I love it. It’s so cool to see these plays dissected step by step in pictures and then in full motion. What a great way to learn.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Simple Art of Murder - Raymond Chandler</title>
    <link href="https://mlarson.org/2011/01/15/the-simple-art-of-murder-raymond-chandler/"/>
    <updated>2011-01-15T22:45:00.000Z</updated>
    <id>https://mlarson.org/2011/01/15/the-simple-art-of-murder-raymond-chandler/</id>
    <content type="html">&lt;p&gt;Chandler on the detective story and how it resists criticism. This bit reminded me of &lt;a href=&#34;http://www.newyorker.com/arts/critics/atlarge/2011/01/10/110110crat_atlarge_acocella&#34;&gt;Joan Acocella’s recent article about Stieg Larsson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The murder novel has also a depressing way of minding its own business, solving its own problems and answering its own questions. There is nothing left to discuss, except whether it was well enough written to be good fiction, and the people who make up the half-million sales wouldn’t know that anyway.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A bit cynical, but there you go. Also provocative:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There are no vital and significant forms of art; there is only art, and precious little of that. The growth of populations has in no way increased the amount; it has merely increased the adeptness with which substitutes can be produced and packaged.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And of course:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Everything written with vitality expresses that vitality; there are no dull subjects, only dull minds. All men who read escape from something else into what lies behind the printed page; the quality of the dream may be argued, but its release has become a functional necessity. […] I hold no particular brief for the detective story as the ideal escape. I merely say that &lt;em&gt;all&lt;/em&gt; reading for pleasure is escape, whether it be Greek, mathematics, astronomy, Benedetto Croce, or &lt;em&gt;The Diary of the Forgotten Man&lt;/em&gt;. To say otherwise is to be an intellectual snob, and a juvenile at the art of living.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also &lt;a href=&#34;http://tumblr.mlarson.org/post/582050890/it-seems-to-me-that-making-escapist-films-might-be&#34;&gt;Woody Allen on escapism&lt;/a&gt;. The next-to-last paragraph about the nature of the crime/detective story hero is also worthwhile.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.en.utexas.edu/amlit/amlitprivate/scans/chandlerart.html&#34;&gt;The Simple Art of Murder - Raymond Chandler&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Abandon resolutions. Stop looking for a soulmate. Reject positive thinking | Science | The Guardian</title>
    <link href="https://mlarson.org/2011/01/15/abandon-resolutions-stop-looking-for-a-soulmate/"/>
    <updated>2011-01-15T22:36:00.000Z</updated>
    <id>https://mlarson.org/2011/01/15/abandon-resolutions-stop-looking-for-a-soulmate/</id>
    <content type="html">&lt;p&gt;I’ve come back to read this several times over the past couple weeks. (&lt;a href=&#34;http://www.linkbanana.com/2011/01/02/how-to-change-your-life/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/science/2011/jan/01/how-to-better-person-2011&#34;&gt;Abandon resolutions. Stop looking for a soulmate. Reject positive thinking | Science | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2011</title>
    <link href="https://mlarson.org/2011/01/15/besides-i-am-destined-to-perish-definitively/"/>
    <updated>2011-01-15T22:32:00.000Z</updated>
    <id>https://mlarson.org/2011/01/15/besides-i-am-destined-to-perish-definitively/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From Borges’ short story &lt;a href=&#34;http://www.cs.northwestern.edu/~fabianb/borgesandi.html&#34;&gt;Borges and I&lt;/a&gt;, which, even though it’s so short, &lt;a href=&#34;http://tumblr.mlarson.org/post/536055721/borges-and-i-by-jorge-luis-borges&#34;&gt;I’ve tumbled before&lt;/a&gt;. My reading of his work has been scattered (I picked up a &lt;a href=&#34;http://www.amazon.com/Labyrinths-Directions-Paperbook-Jorge-Borges/dp/0811216993&#34;&gt;few&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Writing-Penguin-Classics-Jorge-Borges/dp/0143105728/&#34;&gt;different&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Mysticism-Penguin-Classics-Jorge-Borges/dp/0143105698/&#34;&gt;collections&lt;/a&gt; to fix that), but it almost always hurts my brain in a good way. For the volume of imagination and inventiveness and ideas in such efficient form, I &lt;a href=&#34;http://twitter.com/#!/mlarson/status/26359803307630592&#34;&gt;remain convinced&lt;/a&gt; that the right Borges at the right time can be more worthwhile than entire literature classes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Our Psychic Living Room: Why It&#39;s Particularly Important to Read David Foster Wallace - TCR</title>
    <link href="https://mlarson.org/2011/01/15/our-psychic-living-room-why-its-particularly/"/>
    <updated>2011-01-15T22:22:45.000Z</updated>
    <id>https://mlarson.org/2011/01/15/our-psychic-living-room-why-its-particularly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What Wallace is often trying to say in his fiction and essays—the message, as it were, at the heart of so much outpouring of feeling—is simple: think about someone else besides yourself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thecommonreview.org/article/article/our-psychic-living-room.html?sp=1&#34;&gt;Our Psychic Living Room: Why It&#39;s Particularly Important to Read David Foster Wallace - TCR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Raymond Chandler - The Simple Art of Murder</title>
    <link href="https://mlarson.org/2011/01/15/raymond-chandler-the-simple-art-of-murder/"/>
    <updated>2011-01-15T21:11:00.000Z</updated>
    <id>https://mlarson.org/2011/01/15/raymond-chandler-the-simple-art-of-murder/</id>
    <content type="html">&lt;p&gt;Chandler on the detective story and how it resists criticism. This bit reminded me of &lt;a href=&#34;http://www.newyorker.com/arts/critics/atlarge/2011/01/10/110110crat_atlarge_acocella&#34;&gt;Joan Acocella’s recent article about Stieg Larsson&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The murder novel has also a depressing way of minding its own business, solving its own problems and answering its own questions. There is nothing left to discuss, except whether it was well enough written to be good fiction, and the people who make up the half-million sales wouldn’t know that anyway.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A bit cynical, but there you go. Also provocative:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There are no vital and significant forms of art; there is only art, and precious little of that. The growth of populations has in no way increased the amount; it has merely increased the adeptness with which substitutes can be produced and packaged.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And of course:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Everything written with vitality expresses that vitality; there are no dull subjects, only dull minds. All men who read escape from something else into what lies behind the printed page; the quality of the dream may be argued, but its release has become a functional necessity. […] I hold no particular brief for the detective story as the ideal escape. I merely say that &lt;em&gt;all&lt;/em&gt; reading for pleasure is escape, whether it be Greek, mathematics, astronomy, Benedetto Croce, or &lt;em&gt;The Diary of the Forgotten Man&lt;/em&gt;. To say otherwise is to be an intellectual snob, and a juvenile at the art of living.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also &lt;a href=&#34;http://tumblr.mlarson.org/post/582050890/it-seems-to-me-that-making-escapist-films-might-be&#34;&gt;Woody Allen on escapism&lt;/a&gt;. The next-to-last paragraph about the nature of the crime/detective story hero is also worthwhile.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.en.utexas.edu/amlit/amlitprivate/scans/chandlerart.html&#34;&gt;Raymond Chandler - The Simple Art of Murder&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Abandon resolutions. Stop looking for a soulmate. Reject positive thinking | Science | The Guardian</title>
    <link href="https://mlarson.org/2011/01/15/abandon-resolutions-stop-looking-for-a-soulmate-2/"/>
    <updated>2011-01-15T20:51:00.000Z</updated>
    <id>https://mlarson.org/2011/01/15/abandon-resolutions-stop-looking-for-a-soulmate-2/</id>
    <content type="html">&lt;p&gt;I’ve come back to read this several times over the past couple weeks. (&lt;a href=&#34;http://www.linkbanana.com/2011/01/02/how-to-change-your-life/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/science/2011/jan/01/how-to-better-person-2011&#34;&gt;Abandon resolutions. Stop looking for a soulmate. Reject positive thinking | Science | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2011</title>
    <link href="https://mlarson.org/2011/01/15/besides-i-am-destined-to-perish-definitively-2/"/>
    <updated>2011-01-15T04:56:00.000Z</updated>
    <id>https://mlarson.org/2011/01/15/besides-i-am-destined-to-perish-definitively-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From Borges’ short story &lt;a href=&#34;http://www.cs.northwestern.edu/~fabianb/borgesandi.html&#34;&gt;Borges and I&lt;/a&gt;, which, even though it’s so short, &lt;a href=&#34;http://tumblr.mlarson.org/post/536055721/borges-and-i-by-jorge-luis-borges&#34;&gt;I’ve tumbled before&lt;/a&gt;. My reading of his work has been scattered (I picked up a &lt;a href=&#34;http://www.amazon.com/Labyrinths-Directions-Paperbook-Jorge-Borges/dp/0811216993&#34;&gt;few&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Writing-Penguin-Classics-Jorge-Borges/dp/0143105728/&#34;&gt;different&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Mysticism-Penguin-Classics-Jorge-Borges/dp/0143105698/&#34;&gt;collections&lt;/a&gt; to fix that), but it almost always hurts my brain in a good way. For the volume of imagination and inventiveness and ideas in such efficient form, I &lt;a href=&#34;http://twitter.com/#!/mlarson/status/26359803307630592&#34;&gt;remain convinced&lt;/a&gt; that the right Borges at the right time can more worthwhile than entire literature classes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Our Psychic Living Room: Why It&#39;s Particularly Important to Read David Foster Wallace - TCR</title>
    <link href="https://mlarson.org/2011/01/15/our-psychic-living-room-why-its-particularly-2/"/>
    <updated>2011-01-15T00:55:00.000Z</updated>
    <id>https://mlarson.org/2011/01/15/our-psychic-living-room-why-its-particularly-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What Wallace is often trying to say in his fiction and essays—the message, as it were, at the heart of so much outpouring of feeling—is simple: think about someone else besides yourself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thecommonreview.org/article/article/our-psychic-living-room.html?sp=1&#34;&gt;Our Psychic Living Room: Why It&#39;s Particularly Important to Read David Foster Wallace - TCR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 14, 2011</title>
    <link href="https://mlarson.org/2011/01/14/when-i-begin-working-on-a-film-its-like-standing/"/>
    <updated>2011-01-14T05:07:55.000Z</updated>
    <id>https://mlarson.org/2011/01/14/when-i-begin-working-on-a-film-its-like-standing/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I begin working on a film, it’s like standing on shaky ground. I never know where I’m standing. My only sure footing is to make the movie. If the movie moves me and interests me, I presume it will move and interest others. At the same time, if I’ve made a good movie, I try not to repeat it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitchfilm.com/interviews/2009/04/la-ventana-the-windowinterview-with-carlos-sorin.php&#34;&gt;Carlos Sorín&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>La Ventana (The Window)</title>
    <link href="https://mlarson.org/2011/01/14/la-ventana-the-window-antonio-is-an-ailing-old/"/>
    <updated>2011-01-14T05:05:06.000Z</updated>
    <id>https://mlarson.org/2011/01/14/la-ventana-the-window-antonio-is-an-ailing-old/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lezy4xyciw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://www.imdb.com/title/tt1285144/&#34;&gt;La Ventana (The Window)&lt;/a&gt;. Antonio is an ailing old man whose estranged son is coming to visit. He gets a haircut, retrieves the special bottle of champagne, goes for a walk, has the piano tuned. Movies like this are proof that you don’t need dramatic twists, revelations, surprises or other antics to make a worthwhile film. Even predictable is fine if you’ve got a premise you’re willing to follow for a few minutes and a world with a few characters you’re willing to care about. This one was really nicely done.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2011</title>
    <link href="https://mlarson.org/2011/01/13/theres-blake-flying-up-for-an-offensive-rebound/"/>
    <updated>2011-01-13T17:39:20.000Z</updated>
    <id>https://mlarson.org/2011/01/13/theres-blake-flying-up-for-an-offensive-rebound/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s Blake flying up for an offensive rebound, soaring higher, and higher, and then a little bit higher … and we’re sitting there in awe, and we’re gasping for air … and right at the moment of truth, we realize one of the following four things:&lt;/p&gt;
&lt;p&gt;A. Blake is about to make the single greatest highlight in the history of professional basketball.&lt;br&gt;
B. Blake is about to give us the highlight of the night.&lt;br&gt;
C. Blake can’t pull this off because the degree of difficulty is too high, but he’s trying anyway.&lt;br&gt;
D. Blake is going to break his neck or land in a such a way that his leg flies off his body and lands in the fifth row.&lt;/p&gt;
&lt;p&gt;Those are the four options EVERY time he goes in the air. Watching it unfold reminds me of watching my 3-year-old son, who’s equally fearless (and dangerous).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sports.espn.go.com/espn/page2/story?page=simmons/110113&amp;amp;sportCat=nba&#34;&gt;Bill Simmons on Blake Griffin&lt;/a&gt;, who’s probably the &lt;a href=&#34;http://www.youtube.com/watch?v=xdP5PZvM8J0&#34;&gt;most ridiculous player I’ve ever seen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2011</title>
    <link href="https://mlarson.org/2011/01/13/theres-blake-flying-up-for-an-offensive-rebound-2/"/>
    <updated>2011-01-13T17:27:00.000Z</updated>
    <id>https://mlarson.org/2011/01/13/theres-blake-flying-up-for-an-offensive-rebound-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s Blake flying up for an offensive rebound, soaring higher, and higher, and then a little bit higher … and we’re sitting there in awe, and we’re gasping for air … and right at the moment of truth, we realize one of the following four things:&lt;/p&gt;
&lt;p&gt;A. Blake is about to make the single greatest highlight in the history of professional basketball.&lt;br&gt;
B. Blake is about to give us the highlight of the night.&lt;br&gt;
C. Blake can’t pull this off because the degree of difficulty is too high, but he’s trying anyway.&lt;br&gt;
D. Blake is going to break his neck or land in a such a way that his leg flies off his body and lands in the fifth row.&lt;/p&gt;
&lt;p&gt;Those are the four options EVERY time he goes in the air. Watching it unfold reminds me of watching my 3-year-old son, who’s equally fearless (and dangerous).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sports.espn.go.com/espn/page2/story?page=simmons/110113&amp;amp;sportCat=nba&#34;&gt;Bill Simmons on Blake Griffin&lt;/a&gt;, who’s probably the &lt;a href=&#34;http://www.youtube.com/watch?v=xdP5PZvM8J0&#34;&gt;most ridiculous player I’ve ever seen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2011</title>
    <link href="https://mlarson.org/2011/01/13/happy-snow-day-candler-park-2011-mere-blocks-from/"/>
    <updated>2011-01-13T16:35:00.000Z</updated>
    <id>https://mlarson.org/2011/01/13/happy-snow-day-candler-park-2011-mere-blocks-from/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/n9QqDjeWoZc&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=n9QqDjeWoZc&#34;&gt;Happy Snow Day Candler Park 2011&lt;/a&gt;. Mere blocks from my house! (&lt;a href=&#34;http://www.candlerpark.org/content/candler-park-sledding-mania&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Sex and Statistics or Heteroscedasticity is Hot</title>
    <link href="https://mlarson.org/2011/01/13/marginal-revolution-sex-and-statistics-or/"/>
    <updated>2011-01-13T16:28:06.000Z</updated>
    <id>https://mlarson.org/2011/01/13/marginal-revolution-sex-and-statistics-or/</id>
    <content type="html">&lt;p&gt;Alex Tabarrok mulls over the recent &lt;a href=&#34;http://blog.okcupid.com/index.php/the-mathematics-of-beauty/&#34;&gt;OkTrends post on the Mathematics of Beauty&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I think there are certain types of beauty that greatly attract some men but repel others. Analagously, some people will pay hundreds of dollars for an ounce of caviar that other people won’t eat for free. The reason some people love caviar, however, is not that other people dislike it. Instead, it just so happens, that the thing that some people love is the very thing that repels others. We see the same phenomena in art, some people love John Cage, other people would rather listen to nothing at all. ;)&lt;/p&gt;
&lt;p&gt;Now if we mix in this kind of beauty–beauty over which there are violent disagreements–with the kind that most people do agree upon (think Haagan-Dazs vanilla ice cream) then I suspect that it will appear that lower rankings increase messages. But what is really going on is that high rankings–conditional on their also being many low rankings–actually signal an extra strong attraction. Someone who tells you that John Cage is their favorite composer is telling you more than someone who says Aaron Copland is their favorite composer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2011/01/heteroscedasticity-is-so-hot.html&#34;&gt;Marginal Revolution: Sex and Statistics or Heteroscedasticity is Hot&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2011</title>
    <link href="https://mlarson.org/2011/01/12/benlansky-on-den-of-geek-an-overview-of/"/>
    <updated>2011-01-12T18:38:22.000Z</updated>
    <id>https://mlarson.org/2011/01/12/benlansky-on-den-of-geek-an-overview-of/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://benlansky.tumblr.com/post/2715691776/on-den-of-geek-an-overview-of-corridors-in-sci-fi&#34;&gt;benlansky&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;On &lt;em&gt;Den of Geek&lt;/em&gt;, &lt;a href=&#34;http://www.denofgeek.com/movies/313130/in_praise_of_the_scifi_corridor.html#&#34;&gt;an overview of corridors in sci-fi cinema&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of &lt;a href=&#34;http://tumblr.mlarson.org/post/1205251432/austinkleon-doorways-in-john-fords-the&#34;&gt;doorways in John Ford’s &lt;em&gt;The Searchers&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Sex and Statistics or Heteroscedasticity is Hot</title>
    <link href="https://mlarson.org/2011/01/12/marginal-revolution-sex-and-statistics-or-2/"/>
    <updated>2011-01-12T18:30:00.000Z</updated>
    <id>https://mlarson.org/2011/01/12/marginal-revolution-sex-and-statistics-or-2/</id>
    <content type="html">&lt;p&gt;Alex Tabarrok mulls over the recent &lt;a href=&#34;http://blog.okcupid.com/index.php/the-mathematics-of-beauty/&#34;&gt;OkTrends post on the Mathematics of Beauty&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I think there are certain types of beauty that greatly attract some men but repel others. Analagously, some people will pay hundreds of dollars for an ounce of caviar that other people won’t eat for free. The reason some people love caviar, however, is not that other people dislike it. Instead, it just so happens, that the thing that some people love is the very thing that repels others. We see the same phenomena in art, some people love John Cage, other people would rather listen to nothing at all. ;)&lt;/p&gt;
&lt;p&gt;Now if we mix in this kind of beauty–beauty over which there are violent disagreements–with the kind that most people do agree upon (think Haagan-Dazs vanilla ice cream) then I suspect that it will appear that lower rankings increase messages. But what is really going on is that high rankings–conditional on their also being many low rankings–actually signal an extra strong attraction. Someone who tells you that John Cage is their favorite composer is telling you more than someone who says Aaron Copland is their favorite composer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2011/01/heteroscedasticity-is-so-hot.html&#34;&gt;Marginal Revolution: Sex and Statistics or Heteroscedasticity is Hot&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Emphasis Update and Source - NYTimes.com</title>
    <link href="https://mlarson.org/2011/01/12/emphasis-update-and-source-nytimescom/"/>
    <updated>2011-01-12T18:22:39.000Z</updated>
    <id>https://mlarson.org/2011/01/12/emphasis-update-and-source-nytimescom/</id>
    <content type="html">&lt;p&gt;This is really cool. (&lt;a href=&#34;http://snarkmarket.com/2011/6569&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://open.blogs.nytimes.com/2011/01/11/emphasis-update-and-source/#h%5BLNITwr,2,TccIth,2%5D&#34;&gt;Emphasis Update and Source - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2011</title>
    <link href="https://mlarson.org/2011/01/12/the-swing-incentive-spousonomics-the-homemade/"/>
    <updated>2011-01-12T18:05:53.000Z</updated>
    <id>https://mlarson.org/2011/01/12/the-swing-incentive-spousonomics-the-homemade/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lex8xvzt2w1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.spousonomics.com/1451/2011/01/the-swing-incentive/&#34;&gt;The Swing Incentive | Spousonomics&lt;/a&gt;. The homemade cradle-swing is genius. Mental note for when I have kids.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Motown Junkies</title>
    <link href="https://mlarson.org/2011/01/12/motown-junkies/"/>
    <updated>2011-01-12T15:04:22.000Z</updated>
    <id>https://mlarson.org/2011/01/12/motown-junkies/</id>
    <content type="html">&lt;p&gt;“A guide to every Motown single ever released”. Wow. There’s a ton of work that’s gone into these reviews. Here’s the &lt;a href=&#34;http://motownjunkies.wordpress.com/index/&#34;&gt;master index&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://motownjunkies.wordpress.com/&#34;&gt;Motown Junkies&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2011</title>
    <link href="https://mlarson.org/2011/01/11/ice-skating-on-peachtree-street-in-midtown/"/>
    <updated>2011-01-11T17:19:00.000Z</updated>
    <id>https://mlarson.org/2011/01/11/ice-skating-on-peachtree-street-in-midtown/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/18654578&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/18654578&#34;&gt;Ice Skating on Peachtree Street in Midtown Atlanta&lt;/a&gt;. Now this is the kind of urban development I like to see. (&lt;a href=&#34;http://twitter.com/el_gray/status/24876176895909888&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2010 Review of Books (Aaron Swartz&#39;s Raw Thought)</title>
    <link href="https://mlarson.org/2011/01/11/2010-review-of-books-aaron-swartzs-raw-thought/"/>
    <updated>2011-01-11T16:00:51.000Z</updated>
    <id>https://mlarson.org/2011/01/11/2010-review-of-books-aaron-swartzs-raw-thought/</id>
    <content type="html">&lt;p&gt;Good round-up and commentary on his year in reading. New to/of interest to me:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Secrets by Daniel Ellsberg&lt;/li&gt;
&lt;li&gt;A Bee Stung Me So I Killed All The Fish by George Saunders&lt;/li&gt;
&lt;li&gt;Prince of the Marshes by Rory Stewart&lt;/li&gt;
&lt;li&gt;Eating the Dinosaur by Chuck Klosterman&lt;/li&gt;
&lt;li&gt;Becoming Attached by Robert Karen&lt;/li&gt;
&lt;li&gt;Bonfire of the Vanities by Tom Wolfe&lt;/li&gt;
&lt;li&gt;The Girl with the Dragon Tattoo by Stieg Larsson&lt;/li&gt;
&lt;li&gt;The Possessed: Adventures with Russian Books and the People Who Read Them by Elif Batuman&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;http://www.aaronsw.com/weblog/books2010&#34;&gt;2010 Review of Books (Aaron Swartz&#39;s Raw Thought)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Grolar Bears and Narlugas: Rise of the Arctic Hybrids | OnEarth Magazine</title>
    <link href="https://mlarson.org/2011/01/11/grolar-bears-and-narlugas-rise-of-the-arctic/"/>
    <updated>2011-01-11T14:37:15.000Z</updated>
    <id>https://mlarson.org/2011/01/11/grolar-bears-and-narlugas-rise-of-the-arctic/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.onearth.org/article/grolar-bears-and-narlugas-rise-of-the-arctic-hybrids&#34;&gt;Grolar Bears and Narlugas: Rise of the Arctic Hybrids | OnEarth Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>2010 Review of Books (Aaron Swartz&#39;s Raw Thought)</title>
    <link href="https://mlarson.org/2011/01/11/2010-review-of-books-aaron-swartzs-raw-thought-2/"/>
    <updated>2011-01-11T05:02:00.000Z</updated>
    <id>https://mlarson.org/2011/01/11/2010-review-of-books-aaron-swartzs-raw-thought-2/</id>
    <content type="html">&lt;p&gt;Good round-up and commentary on his year in reading. New to/of interest to me:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Secrets by Daniel Ellsberg&lt;/li&gt;
&lt;li&gt;A Bee Stung Me So I Killed All The Fish by George Saunders&lt;/li&gt;
&lt;li&gt;Prince of the Marshes by Rory Stewart&lt;/li&gt;
&lt;li&gt;Eating the Dinosaur by Chuck Klosterman&lt;/li&gt;
&lt;li&gt;Becoming Attached by Robert Karen&lt;/li&gt;
&lt;li&gt;Bonfire of the Vanities by Tom Wolfe&lt;/li&gt;
&lt;li&gt;The Girl with the Dragon Tattoo by Stieg Larsson&lt;/li&gt;
&lt;li&gt;The Possessed: Adventures with Russian Books and the People Who Read Them by Elif Batuman&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;http://www.aaronsw.com/weblog/books2010&#34;&gt;2010 Review of Books (Aaron Swartz&#39;s Raw Thought)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>List of fictional elements, materials, isotopes and atomic particles - Wikipedia</title>
    <link href="https://mlarson.org/2011/01/11/list-of-fictional-elements-materials-isotopes/"/>
    <updated>2011-01-11T04:54:54.000Z</updated>
    <id>https://mlarson.org/2011/01/11/list-of-fictional-elements-materials-isotopes/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_fictional_elements,_materials,_isotopes_and_atomic_particles&#34;&gt;List of fictional elements, materials, isotopes and atomic particles - Wikipedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>List of fictional elements, materials, isotopes and atomic particles - Wikipedia</title>
    <link href="https://mlarson.org/2011/01/10/list-of-fictional-elements-materials-isotopes-2/"/>
    <updated>2011-01-10T23:19:00.000Z</updated>
    <id>https://mlarson.org/2011/01/10/list-of-fictional-elements-materials-isotopes-2/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_fictional_elements,_materials,_isotopes_and_atomic_particles&#34;&gt;List of fictional elements, materials, isotopes and atomic particles - Wikipedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2011</title>
    <link href="https://mlarson.org/2011/01/07/fully-validated-kanye-west-retires-to-quiet-farm/"/>
    <updated>2011-01-07T18:59:00.000Z</updated>
    <id>https://mlarson.org/2011/01/07/fully-validated-kanye-west-retires-to-quiet-farm/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_leo23fjpn51qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/fully-validated-kanye-west-retires-to-quiet-farm-i,18724/&#34;&gt;Fully Validated Kanye West Retires To Quiet Farm In Iowa | The Onion&lt;/a&gt;. “My goal all along was to be praised and talked about until I reached a level of total contentment with who I am and where I belong in the world, and on Friday night of last week, I reached that level.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The 10 best foreign films of 2010 - Roger Ebert&#39;s Journal</title>
    <link href="https://mlarson.org/2011/01/07/the-10-best-foreign-films-of-2010-roger-eberts/"/>
    <updated>2011-01-07T15:54:39.000Z</updated>
    <id>https://mlarson.org/2011/01/07/the-10-best-foreign-films-of-2010-roger-eberts/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Biutiful&#34;&gt;Biutiful&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Cell_211&#34;&gt;Cell 211&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Home_(2008_film)&#34;&gt;Home&lt;/a&gt; look good. I &lt;a href=&#34;http://tumblr.mlarson.org/post/472579603/mother-eh-a-hyper-protective-mother-defends-an&#34;&gt;didn’t like &lt;em&gt;Mother&lt;/em&gt;&lt;/a&gt; all that much, but what do I know?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/ebert/2010/12/the_10_best_foreign_films_of_2.html&#34;&gt;The 10 best foreign films of 2010 - Roger Ebert&#39;s Journal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Death and the Compass&#34; by Jorge Luis Borges</title>
    <link href="https://mlarson.org/2011/01/07/death-and-the-compass-by-jorge-luis-borges/"/>
    <updated>2011-01-07T15:39:08.000Z</updated>
    <id>https://mlarson.org/2011/01/07/death-and-the-compass-by-jorge-luis-borges/</id>
    <content type="html">&lt;p&gt;Still trying to make sense of it all but I know I liked it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://members.multimania.co.uk/shortstories/borgesdeath.html&#34;&gt;&amp;quot;Death and the Compass&amp;quot; by Jorge Luis Borges&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2011</title>
    <link href="https://mlarson.org/2011/01/07/i-frequently-hear-music-in-the-very-heart-of-the/"/>
    <updated>2011-01-07T15:32:58.000Z</updated>
    <id>https://mlarson.org/2011/01/07/i-frequently-hear-music-in-the-very-heart-of-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I frequently hear music in the very heart of the noise…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;George Gershwin on &lt;em&gt;Rhapsody in Blue&lt;/em&gt;’s inspiration, the &lt;a href=&#34;https://www.washingtonpost.com/wp-srv/national/horizon/nov98/gershwin.htm&#34;&gt;rhythm of the city train&lt;/a&gt;. (via &lt;a href=&#34;http://debris.adamnorwood.com/post/2628561765/the-very-heart-of-noise&#34;&gt;adamnorwood&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;This reminds me of what &lt;a href=&#34;http://tumblr.mlarson.org/post/104896844/steve-reich-city-life-part-1-check-it-out&#34;&gt;I called&lt;/a&gt; and still call one of my favorite pieces of music ever, Steve Reich’s &lt;a href=&#34;http://en.wikipedia.org/wiki/City_Life_(music)&#34;&gt;City Life&lt;/a&gt;, which uses a bunch of samples from New York City street scenes: hawkers, sirens, car and boat horns, screeching tires, subway whooshings. Luckily &lt;a href=&#34;http://www.youtube.com/watch?v=OY5_cwN1i74&#34;&gt;all&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=gIvmUWMssow&#34;&gt;five&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=q99jsF6icaQ&#34;&gt;parts&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=FnpgGsDQB38&#34;&gt;are&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=73SwsvhsEjQ&#34;&gt;online&lt;/a&gt; for your listening pleasure.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2011</title>
    <link href="https://mlarson.org/2011/01/07/intel-visual-life-the-sartorialist-via-it/"/>
    <updated>2011-01-07T15:14:00.000Z</updated>
    <id>https://mlarson.org/2011/01/07/intel-visual-life-the-sartorialist-via-it/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/e5NgG5koPZU&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=e5NgG5koPZU&#34;&gt;Intel Visual Life - The Sartorialist&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/craigmod/status/23290794299367424&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It seems odd, but it’s almost like going out there and letting yourself fall in love a little bit every day, letting yourself be seduced a little bit every day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I also like his idea of the internet as a “digital park bench”, where you can see the entire world passing through your neighborhood.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The 10 best foreign films of 2010 - Roger Ebert&#39;s Journal</title>
    <link href="https://mlarson.org/2011/01/07/the-10-best-foreign-films-of-2010-roger-eberts-2/"/>
    <updated>2011-01-07T05:31:00.000Z</updated>
    <id>https://mlarson.org/2011/01/07/the-10-best-foreign-films-of-2010-roger-eberts-2/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Biutiful&#34;&gt;Biutiful&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Cell_211&#34;&gt;Cell 211&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Home_(2008_film)&#34;&gt;Home&lt;/a&gt; look good. I &lt;a href=&#34;http://tumblr.mlarson.org/post/472579603/mother-eh-a-hyper-protective-mother-defends-an&#34;&gt;didn’t like &lt;em&gt;Mother&lt;/em&gt;&lt;/a&gt; all that much, but what do I know?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/ebert/2010/12/the_10_best_foreign_films_of_2.html&#34;&gt;The 10 best foreign films of 2010 - Roger Ebert&#39;s Journal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Death and the Compass&#34; by Jorge Luis Borges</title>
    <link href="https://mlarson.org/2011/01/07/death-and-the-compass-by-jorge-luis-borges-2/"/>
    <updated>2011-01-07T05:15:00.000Z</updated>
    <id>https://mlarson.org/2011/01/07/death-and-the-compass-by-jorge-luis-borges-2/</id>
    <content type="html">&lt;p&gt;Still trying to make sense of it all but I know I liked it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://members.multimania.co.uk/shortstories/borgesdeath.html&#34;&gt;&amp;quot;Death and the Compass&amp;quot; by Jorge Luis Borges&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Black Swan And Bathrooms - Mirror: Motion Picture Commentary</title>
    <link href="https://mlarson.org/2011/01/06/black-swan-and-bathrooms-mirror-motion-picture/"/>
    <updated>2011-01-06T21:39:58.000Z</updated>
    <id>https://mlarson.org/2011/01/06/black-swan-and-bathrooms-mirror-motion-picture/</id>
    <content type="html">&lt;p&gt;Interesting essay on self and &lt;em&gt;Black Swan&lt;/em&gt;. (&lt;a href=&#34;http://www.newyorker.com/online/blogs/movies/2011/01/the-heroine-of-black-swan.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Solitude welcomes a self or selves that does not, cannot, appear when in the company of others. Private selves refuse to manifest in public because other personas are at the front lines. Like mother Elephants circling their calves, our public selves form ranks. Each is a layer of armor, tweaking our interactions in the unconscious name of self defense.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mirrorfilm.org/2011/01/03/black-swan-and-bathrooms/&#34;&gt;Black Swan And Bathrooms - Mirror: Motion Picture Commentary&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Black Swan And Bathrooms - Mirror: Motion Picture Commentary</title>
    <link href="https://mlarson.org/2011/01/06/black-swan-and-bathrooms-mirror-motion-picture-2/"/>
    <updated>2011-01-06T20:46:00.000Z</updated>
    <id>https://mlarson.org/2011/01/06/black-swan-and-bathrooms-mirror-motion-picture-2/</id>
    <content type="html">&lt;p&gt;Interesting essay on self and &lt;em&gt;Black Swan&lt;/em&gt;. (&lt;a href=&#34;http://www.newyorker.com/online/blogs/movies/2011/01/the-heroine-of-black-swan.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Solitude welcomes a self or selves that does not, cannot, appear when in the company of others. Private selves refuse to manifest in public because other personas are at the front lines. Like mother Elephants circling their calves, our public selves form ranks. Each is a layer of armor, tweaking our interactions in the unconscious name of self defense.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mirrorfilm.org/2011/01/03/black-swan-and-bathrooms/&#34;&gt;Black Swan And Bathrooms - Mirror: Motion Picture Commentary&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2011</title>
    <link href="https://mlarson.org/2011/01/06/sunset-portraits-from-8462359-sunset-pictures/"/>
    <updated>2011-01-06T20:43:55.000Z</updated>
    <id>https://mlarson.org/2011/01/06/sunset-portraits-from-8462359-sunset-pictures/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lemc97iikp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;“Sunset Portraits, From 8,462,359 Sunset Pictures on Flickr, 12/21/10”. A photo illustration by Penelope Umbrico for The New York Times. I’ve probably become inured to news images, but this was one of those rare ones that stopped me in my tracks. If there were a print of this, I’d probably buy it. &lt;a href=&#34;http://www.nytimes.com/2011/01/09/magazine/09Immortality-t.html&#34;&gt;Cyberspace When You’re Dead&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>10/40/70 - Nicholas Rombes - The Rumpus.net</title>
    <link href="https://mlarson.org/2011/01/06/104070-nicholas-rombes-the-rumpusnet/"/>
    <updated>2011-01-06T19:41:46.000Z</updated>
    <id>https://mlarson.org/2011/01/06/104070-nicholas-rombes-the-rumpusnet/</id>
    <content type="html">&lt;p&gt;“This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible.” I’ve only read the &lt;a href=&#34;http://therumpus.net/2011/01/104070-31-moon/&#34;&gt;10/40/70 on &lt;em&gt;Moon&lt;/em&gt;&lt;/a&gt; (which &lt;a href=&#34;http://tumblr.mlarson.org/post/364184524/moon-i-really-liked-this-one-in-the-end-good&#34;&gt;I liked&lt;/a&gt;), but this seems like a really cool series.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://therumpus.net/sections/blogs/nicholas-rombes-blogs/&#34;&gt;10/40/70 - Nicholas Rombes - The Rumpus.net&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2011</title>
    <link href="https://mlarson.org/2011/01/06/there-are-two-ways-of-walking-through-a-wood-the/"/>
    <updated>2011-01-06T15:16:52.000Z</updated>
    <id>https://mlarson.org/2011/01/06/there-are-two-ways-of-walking-through-a-wood-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are two ways of walking through a wood. The first is to try one of several routes (so as to get out of the wood as fast as possible, say, or to reach the house of grandmother, Tom Thumb, or Hansel and Gretel); the second is to walk so as to discover what the wood is like and find out why some paths are accessible and others are not. Similarly, there are two ways of going through a narrative text.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Umberto Eco, in &lt;a href=&#34;http://en.wikipedia.org/wiki/Six_Walks_in_the_Fictional_Woods&#34;&gt;Six Walks in the Fictional Woods&lt;/a&gt;. (&lt;a href=&#34;http://mhsteger.tumblr.com/post/2619541340/umberto-eco-born-5-january-1932-pictured-above&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2011</title>
    <link href="https://mlarson.org/2011/01/06/theatlantic-in-response-to-the-the-new-york/"/>
    <updated>2011-01-06T15:06:15.000Z</updated>
    <id>https://mlarson.org/2011/01/06/theatlantic-in-response-to-the-the-new-york/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lelrn64mtu1qcokc4o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://theatlantic.tumblr.com/post/2622834168/in-response-to-the-the-new-york-times-cheney&#34;&gt;theatlantic&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In response to the &lt;a href=&#34;http://theatlantic.tumblr.com/post/2599248397/inothernews-its-official-the-new-york-times&#34;&gt;The New York Times’ Cheney layout gaffe&lt;/a&gt;, a reader writes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I still have a copy of the New York Times from August 8, 1974 — one day before Richard Nixon resigned the presidency. On the front page at the bottom is a photo of Nixon, walking from the Executive Office Building to the White House, juxtaposed with an article headlined, “Many Mental Patients Simply Walk Out.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Read more &lt;a href=&#34;http://www.theatlantic.com/national/archive/2011/01/many-mental-patients-simply-walk-out/68935/&#34;&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2011</title>
    <link href="https://mlarson.org/2011/01/06/life-gets-a-lot-easier-when-you-give-up-being/"/>
    <updated>2011-01-06T15:03:26.000Z</updated>
    <id>https://mlarson.org/2011/01/06/life-gets-a-lot-easier-when-you-give-up-being/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Life gets a lot easier when you give up being outwardly sad about anything.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.typepad.com/blog/2011/01/jean-philippe-toussaint-self-portrait-abroad.html&#34;&gt;Colin Marshall&lt;/a&gt;. Still pondering this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sabotage</title>
    <link href="https://mlarson.org/2011/01/06/sabotage-ill-give-hitchcock-credit-for-starting/"/>
    <updated>2011-01-06T15:02:34.000Z</updated>
    <id>https://mlarson.org/2011/01/06/sabotage-ill-give-hitchcock-credit-for-starting/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lel2t6geaz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Sabotage_(film)&#34;&gt;Sabotage&lt;/a&gt;. I’ll give Hitchcock credit for starting off in a snappy manner without much preamble, but my attention drifted a good bit here and there. Especially after the heartless, &lt;a href=&#34;http://www.obsessedwithfilm.com/greatest-scenes/classic-scene-%E2%80%93-sabotage-1936.php&#34;&gt;classic&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=QJphwVjUF9E#t=5m11s&#34;&gt;package delivery scene&lt;/a&gt;, which is both an impossible-to-beat mid-story climax and a colossal waste of time. It’s also really effective, even if you know what’s coming. I kind of resent Hitchcock’s skill at jerking my emotional chain for a few minutes, and then leaving me not caring very much when the moment passes. To his credit, he &lt;a href=&#34;http://www.youtube.com/watch?v=-dhbSUP9mhk#t=2m28s&#34;&gt;came to regret the scene&lt;/a&gt; later in his career as he developed as a storyteller. My updated &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;Hitchcock&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1159524247/rear-window-good-lord-this-is-a-near-perfect&#34;&gt;Rear Window&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/508261539/to-catch-a-thief-its-a-romance-packaged-in-a&#34;&gt;To Catch a Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1640719644/notorious-highly-recommended-were-back-in&#34;&gt;Notorious&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1288217305/vertigo-the-first-hour-was-really-fun-theres&#34;&gt;Vertigo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/237574118/psycho-had-a-second-viewing-this-weekend-as-good&#34;&gt;Psycho&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Sabotage&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1591622471/north-by-northwest-sorry-folks-i-found-this&#34;&gt;North by Northwest&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/232523211/the-man-who-knew-too-much-1934-dnf-i-get-the&#34;&gt;The Man Who Knew Too Much&lt;/a&gt;&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2011</title>
    <link href="https://mlarson.org/2011/01/06/life-gets-a-lot-easier-when-you-give-up-being-2/"/>
    <updated>2011-01-06T02:41:00.000Z</updated>
    <id>https://mlarson.org/2011/01/06/life-gets-a-lot-easier-when-you-give-up-being-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Life gets a lot easier when you give up being outwardly sad about anything.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.typepad.com/blog/2011/01/jean-philippe-toussaint-self-portrait-abroad.html&#34;&gt;Colin Marshall&lt;/a&gt;. Still pondering this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2011</title>
    <link href="https://mlarson.org/2011/01/06/to-find-out-who-you-are-focus-not-on-your/"/>
    <updated>2011-01-06T02:34:00.000Z</updated>
    <id>https://mlarson.org/2011/01/06/to-find-out-who-you-are-focus-not-on-your/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To find out who “you” are, focus not on your intentions but on how to interpret your behaviors.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2011/01/squibs.html&#34;&gt;Justin Wehr&lt;/a&gt; paraphrasing &lt;a href=&#34;http://en.wikipedia.org/wiki/Sheena_Iyengar&#34;&gt;Sheena Iyengar&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kingdom of the Blind: Revenge missions in the films of Clint Eastwood by Matt Zoller Seitz - Moving Image Source</title>
    <link href="https://mlarson.org/2011/01/06/kingdom-of-the-blind-revenge-missions-in-the/"/>
    <updated>2011-01-06T02:20:15.000Z</updated>
    <id>https://mlarson.org/2011/01/06/kingdom-of-the-blind-revenge-missions-in-the/</id>
    <content type="html">&lt;p&gt;“Is Eastwood an exploitation filmmaker with aspirations to importance, or an artist who uses violent action to entice viewers into experiencing his films’ more complex aspects?” &lt;a href=&#34;http://www.movingimagesource.us/articles/kingdom-of-the-blind-pt-2-20091203&#34;&gt;Part two&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.movingimagesource.us/articles/kingdom-of-the-blind-pt-1-20091201&#34;&gt;Kingdom of the Blind: Revenge missions in the films of Clint Eastwood by Matt Zoller Seitz - Moving Image Source&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Company Man: Why Bud Selig Is Wrong For Baseball &amp;amp; Why It Doesn&#39;t Matter by Ben Birdsall</title>
    <link href="https://mlarson.org/2011/01/06/company-man-why-bud-selig-is-wrong-for-baseball/"/>
    <updated>2011-01-06T02:15:23.000Z</updated>
    <id>https://mlarson.org/2011/01/06/company-man-why-bud-selig-is-wrong-for-baseball/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Winning in sport matters because it doesn’t matter in any grander scheme. Because nothing beyond a game rests on which team scores the most runs, we can give it our all without having to consider anything else. Our team is righteous, our opponent is craven precisely because nothing outside the field of play is at stake.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://normaneinsteins.com/20/companyman/&#34;&gt;Company Man: Why Bud Selig Is Wrong For Baseball &amp;amp; Why It Doesn&#39;t Matter by Ben Birdsall&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2011</title>
    <link href="https://mlarson.org/2011/01/06/counterpunch-history-robs-tom-molineaux-by/"/>
    <updated>2011-01-06T02:12:02.000Z</updated>
    <id>https://mlarson.org/2011/01/06/counterpunch-history-robs-tom-molineaux-by/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lekws3lq5y1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://normaneinsteins.com/20/counterpunch/&#34;&gt;Counterpunch: History Robs Tom Molineaux by Graydon Gordian - Norman Einstein’s Sports &amp;amp; Rocket Science Monthly&lt;/a&gt;. The tale of a boxing match in 1810.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kingdom of the Blind: Revenge missions in the films of Clint Eastwood by Matt Zoller Seitz - Moving Image Source</title>
    <link href="https://mlarson.org/2011/01/06/kingdom-of-the-blind-revenge-missions-in-the-2/"/>
    <updated>2011-01-06T01:40:00.000Z</updated>
    <id>https://mlarson.org/2011/01/06/kingdom-of-the-blind-revenge-missions-in-the-2/</id>
    <content type="html">&lt;p&gt;“Is Eastwood an exploitation filmmaker with aspirations to importance, or an artist who uses violent action to entice viewers into experiencing his films’ more complex aspects?” &lt;a href=&#34;http://www.movingimagesource.us/articles/kingdom-of-the-blind-pt-2-20091203&#34;&gt;Part two&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.movingimagesource.us/articles/kingdom-of-the-blind-pt-1-20091201&#34;&gt;Kingdom of the Blind: Revenge missions in the films of Clint Eastwood by Matt Zoller Seitz - Moving Image Source&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On White She-Devils - Ta-Nehisi Coates - The Atlantic</title>
    <link href="https://mlarson.org/2011/01/05/on-white-she-devils-ta-nehisi-coates-the/"/>
    <updated>2011-01-05T15:00:00.000Z</updated>
    <id>https://mlarson.org/2011/01/05/on-white-she-devils-ta-nehisi-coates-the/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://twitter.com/jsmooth995/status/22638121438941184&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/culture/archive/2011/01/on-white-she-devils/68822/&#34;&gt;On White She-Devils - Ta-Nehisi Coates - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stephen Schenkenberg: My Favorites for 2010</title>
    <link href="https://mlarson.org/2011/01/04/stephen-schenkenberg-my-favorites-for-2010/"/>
    <updated>2011-01-04T03:50:49.000Z</updated>
    <id>https://mlarson.org/2011/01/04/stephen-schenkenberg-my-favorites-for-2010/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://stephenschenkenberg.com/post/2554444137/my-favorites-for-2010&#34;&gt;schenkenberg&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;So at the end of just about every year since 2000, I’ve rounded up my favorite (mainly cultural) stuff of the previous 12 months and posted it online. Here are my picks for 2010, which I’ll soon be adding to my permanent &lt;a href=&#34;http://stephenschenkenberg.com/annualfavorites&#34;&gt;Annual Favorites page&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Aside from the great idea of keeping a running annual favorites page, I also appreciate Stephen’s inclusion of museum collections/exhibitions and wines. I keep telling myself I need to keep a beer/whiskey/etc. journal.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://stephenschenkenberg.com/post/2554444137/my-favorites-for-2010&#34;&gt;Stephen Schenkenberg: My Favorites for 2010&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/art-history-harald-sohlberg-a-flowery-meadow/"/>
    <updated>2011-01-04T03:38:55.000Z</updated>
    <id>https://mlarson.org/2011/01/04/art-history-harald-sohlberg-a-flowery-meadow/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lbjprnnk941qzultro1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art-history.tumblr.com/post/1650878621&#34;&gt;art-history&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Harald_Sohlberg&#34;&gt;Harald Sohlberg&lt;/a&gt;, &lt;a href=&#34;http://www.flickr.com/photos/kclare/525594064/&#34;&gt;A Flowery Meadow in the North&lt;/a&gt;, 1905  (via &lt;a href=&#34;http://arsvitaest.tumblr.com/post/1512437807&#34;&gt;arsvitaest&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/wehr-amy-stein-photography-blog-a-few/"/>
    <updated>2011-01-04T03:37:10.000Z</updated>
    <id>https://mlarson.org/2011/01/04/wehr-amy-stein-photography-blog-a-few/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_ldjzhsiziu1qb27qzo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehr.tumblr.com/post/2344384774/amy-stein-photography-blog-a-few-questions&#34;&gt;wehr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://amysteinphoto.blogspot.com/2010/12/few-questions-for-jo-ann-walters.html&#34;&gt;Amy Stein | Photography | Blog: A Few Questions for Jo Ann Walters&lt;/a&gt; Wow. Check out the whole set.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When I see great portraiture like the stuff here, I am reminded how rare it really is. I was not expecting it to be so good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/art-history-harald-sohlberg-a-flowery-meadow-2/"/>
    <updated>2011-01-04T03:25:00.000Z</updated>
    <id>https://mlarson.org/2011/01/04/art-history-harald-sohlberg-a-flowery-meadow-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_lbjprnnk941qzultro1_12801.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art-history.tumblr.com/post/1650878621&#34;&gt;art-history&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Harald_Sohlberg&#34;&gt;Harald Sohlberg&lt;/a&gt;, &lt;a href=&#34;http://www.flickr.com/photos/kclare/525594064/&#34;&gt;A Flowery Meadow in the North&lt;/a&gt;, 1905  (via &lt;a href=&#34;http://arsvitaest.tumblr.com/post/1512437807&#34;&gt;arsvitaest&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/wehr-amy-stein-photography-blog-a-few-2/"/>
    <updated>2011-01-04T03:20:00.000Z</updated>
    <id>https://mlarson.org/2011/01/04/wehr-amy-stein-photography-blog-a-few-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2011/01/tumblr_ldjzhsiziu1qb27qzo1_12801.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehr.tumblr.com/post/2344384774/amy-stein-photography-blog-a-few-questions&#34;&gt;wehr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://amysteinphoto.blogspot.com/2010/12/few-questions-for-jo-ann-walters.html&#34;&gt;Amy Stein | Photography | Blog: A Few Questions for Jo Ann Walters&lt;/a&gt; Wow. Check out the whole set.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When I see great portraiture like the stuff here, I am reminded how rare it really is. I was not expecting it to be so good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Women Laughing Alone With Salad | The Hairpin</title>
    <link href="https://mlarson.org/2011/01/04/women-laughing-alone-with-salad-the-hairpin-2/"/>
    <updated>2011-01-04T03:02:00.000Z</updated>
    <id>https://mlarson.org/2011/01/04/women-laughing-alone-with-salad-the-hairpin-2/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://wehr.tumblr.com/post/2587864678/women-laughing-alone-with-salad-the-hairpin&#34;&gt;wehr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is hilarious to me on so many (poorly understood) levels.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes! I’m a big fan of &lt;a href=&#34;http://tumblr.mlarson.org/tagged/cliches&#34;&gt;cliches&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thehairpin.com/2011/01/women-laughing-alone-with-salad/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+thehairpin%2FBdYj+%28The+Hairpin%29&#34;&gt;Women Laughing Alone With Salad | The Hairpin&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>HaïkuLeaks / Cable is poetry</title>
    <link href="https://mlarson.org/2011/01/04/haikuleaks-cable-is-poetry/"/>
    <updated>2011-01-04T02:53:22.000Z</updated>
    <id>https://mlarson.org/2011/01/04/haikuleaks-cable-is-poetry/</id>
    <content type="html">&lt;p&gt;Haikus found in the &lt;a href=&#34;http://en.wikipedia.org/wiki/United_States_diplomatic_cables_leak&#34;&gt;leaked cables&lt;/a&gt;. “As is typical, / the Pope stayed above the fray / and did not comment.” (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;) Other &lt;a href=&#34;http://tumblr.mlarson.org/tagged/foundpoetry&#34;&gt;found poetry&lt;/a&gt;-type stuff I’ve enjoyed.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://haikuleaks.tetalab.org/&#34;&gt;HaïkuLeaks / Cable is poetry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/no-pain-here-no-dull-empty-hours-no-fear-of-the/"/>
    <updated>2011-01-04T02:45:21.000Z</updated>
    <id>https://mlarson.org/2011/01/04/no-pain-here-no-dull-empty-hours-no-fear-of-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No pain here, no dull empty hours, no fear of the past, no fear of the future.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Muir &lt;a href=&#34;http://books.google.com/books?id=Bs69hOu3RJUC&amp;amp;pg=PA174&amp;amp;lpg=PA174&#34;&gt;on Yosemite&lt;/a&gt;. (&lt;a href=&#34;http://www.williamcronon.net/writing/Trouble_with_Wilderness_Main.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Trouble with Wilderness; or, Getting Back to the Wrong Nature - William Cronon</title>
    <link href="https://mlarson.org/2011/01/04/the-trouble-with-wilderness-or-getting-back-to/"/>
    <updated>2011-01-04T02:42:07.000Z</updated>
    <id>https://mlarson.org/2011/01/04/the-trouble-with-wilderness-or-getting-back-to/</id>
    <content type="html">&lt;p&gt;A very good essay on how the twin ideas of the sublime and the frontier coalesced into the American environmental movement, and how the modern idea of wilderness sets a dangerous sort of man vs. nature dualism that we’re better off without. There’s also the class/race issues, of course, and how modern outdoor experience became not a way of life but a consumptive pastime. And ironically, “Frontier nostalgia became an important vehicle for expressing a peculiarly bourgeois form of antimodernism.” Good stuff.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.williamcronon.net/writing/Trouble_with_Wilderness_Main.html&#34;&gt;The Trouble with Wilderness; or, Getting Back to the Wrong Nature - William Cronon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/the-line-between-the-reality-that-is-photographed/"/>
    <updated>2011-01-04T02:34:18.000Z</updated>
    <id>https://mlarson.org/2011/01/04/the-line-between-the-reality-that-is-photographed/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The line between the reality that is photographed because it seems beautiful to us and the reality that seems beautiful because it has been photographed is very narrow. […] The minute you start saying something, “Ah, how beautiful! We must photograph it!” you are already close to the view of the person who thinks that everything that is not photographed is lost, as if it had never existed, and that therefore, in order really to live, you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life. The first course leads to stupidity; the second to madness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Italo Calvino in his short story &lt;a href=&#34;http://members.multimania.co.uk/shortstories/calvinophotographer.html&#34;&gt;The Adventure of a Photographer&lt;/a&gt;. Also: “the life that you live in order to photograph it is already, at the outset, a commemoration of itself.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#39;I took my kids offline&#39; | The Guardian</title>
    <link href="https://mlarson.org/2011/01/04/i-took-my-kids-offline-the-guardian/"/>
    <updated>2011-01-04T02:30:24.000Z</updated>
    <id>https://mlarson.org/2011/01/04/i-took-my-kids-offline-the-guardian/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Upon receipt of Maushart’s out-of-office email stating that she was no longer online, many of them assumed that she’d had a nervous breakdown.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/lifeandstyle/2011/jan/01/technology-ban-kids-home-experiment&#34;&gt;&#39;I took my kids offline&#39; | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Trouble with Wilderness; or, Getting Back to the Wrong Nature - William Cronon</title>
    <link href="https://mlarson.org/2011/01/04/the-trouble-with-wilderness-or-getting-back-to-2/"/>
    <updated>2011-01-04T01:52:00.000Z</updated>
    <id>https://mlarson.org/2011/01/04/the-trouble-with-wilderness-or-getting-back-to-2/</id>
    <content type="html">&lt;p&gt;A very good essay on how the twin ideas of the sublime and the frontier coalesced into the American environmental movement, and how the modern idea of wilderness sets a dangerous sort of man vs. nature dualism that we’re better off without. There’s also the class/race issues, of course, and how modern outdoor experience became not a way of life but a consumptive pastime. And ironically, “Frontier nostalgia became an important vehicle for expressing a peculiarly bourgeois form of antimodernism.” Good stuff.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.williamcronon.net/writing/Trouble_with_Wilderness_Main.html&#34;&gt;The Trouble with Wilderness; or, Getting Back to the Wrong Nature - William Cronon&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/no-pain-here-no-dull-empty-hours-no-fear-of-the-2/"/>
    <updated>2011-01-04T01:18:00.000Z</updated>
    <id>https://mlarson.org/2011/01/04/no-pain-here-no-dull-empty-hours-no-fear-of-the-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;No pain here, no dull empty hours, no fear of the past, no fear of the future.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Muir &lt;a href=&#34;http://books.google.com/books?id=Bs69hOu3RJUC&amp;amp;pg=PA174&amp;amp;lpg=PA174&#34;&gt;on Yosemite&lt;/a&gt;. (&lt;a href=&#34;http://www.williamcronon.net/writing/Trouble_with_Wilderness_Main.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#39;I took my kids offline&#39; | The Guardian</title>
    <link href="https://mlarson.org/2011/01/04/i-took-my-kids-offline-the-guardian-2/"/>
    <updated>2011-01-04T00:24:00.000Z</updated>
    <id>https://mlarson.org/2011/01/04/i-took-my-kids-offline-the-guardian-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Upon receipt of Maushart’s out-of-office email stating that she was no longer online, many of them assumed that she’d had a nervous breakdown.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/lifeandstyle/2011/jan/01/technology-ban-kids-home-experiment&#34;&gt;&#39;I took my kids offline&#39; | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2011</title>
    <link href="https://mlarson.org/2011/01/04/the-line-between-the-reality-that-is-photographed-2/"/>
    <updated>2011-01-04T00:18:00.000Z</updated>
    <id>https://mlarson.org/2011/01/04/the-line-between-the-reality-that-is-photographed-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The line between the reality that is photographed because it seems beautiful to us and the reality that seems beautiful because it has been photographed is very narrow. […] The minute you start saying something, “Ah, how beautiful! We must photograph it!” you are already close to the view of the person who thinks that everything that is not photographed is lost, as if it had never existed, and that therefore, in order really to live, you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life. The first course leads to stupidity; the second to madness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Italo Calvino in his short story &lt;a href=&#34;http://members.multimania.co.uk/shortstories/calvinophotographer.html&#34;&gt;The Adventure of a Photographer&lt;/a&gt;. Also: “the life that you live in order to photograph it is already, at the outset, a commemoration of itself.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: How to eat well anywhere in Mexico</title>
    <link href="https://mlarson.org/2011/01/02/marginal-revolution-how-to-eat-well-anywhere-in/"/>
    <updated>2011-01-02T21:50:24.000Z</updated>
    <id>https://mlarson.org/2011/01/02/marginal-revolution-how-to-eat-well-anywhere-in/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/12/how-to-eat-well-anywhere-in-mexico.html&#34;&gt;Marginal Revolution: How to eat well anywhere in Mexico&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 31, 2010</title>
    <link href="https://mlarson.org/2010/12/31/we-are-all-dying-of-miscellany/"/>
    <updated>2010-12-31T16:16:00.000Z</updated>
    <id>https://mlarson.org/2010/12/31/we-are-all-dying-of-miscellany/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We are all dying of miscellany.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ralph Waldo Emerson, quoted from his journals in &lt;a href=&#34;http://www.harpers.org/archive/2011/01/0083259&#34;&gt;Between insanity and fat dullness: How I became an Emersonian&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The enveloping air: Light and moment in Monet - By John Berger (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/12/31/the-enveloping-air-light-and-moment-in-monet-by/"/>
    <updated>2010-12-31T16:09:29.000Z</updated>
    <id>https://mlarson.org/2010/12/31/the-enveloping-air-light-and-moment-in-monet-by/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Like many innovative artists, Monet, I believe, was unclear about what he had achieved. Or, to be more precise, he could not name his achievement. He could only recognize it intuitively, and then doubt it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.harpers.org/archive/2011/01/0083252&#34;&gt;The enveloping air: Light and moment in Monet - By John Berger (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The drunk&#39;s club: A.A., the cult that cures - By Clancy W. Martin (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/12/31/the-drunks-club-aa-the-cult-that-cures-by/"/>
    <updated>2010-12-31T16:07:13.000Z</updated>
    <id>https://mlarson.org/2010/12/31/the-drunks-club-aa-the-cult-that-cures-by/</id>
    <content type="html">&lt;p&gt;An alcoholic writes about AA and recovery. This is a fantastic essay. [$]&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My own view-in-progress is that there is no such thing as alcoholism as a disease or an allergy or a condition, but that alcohol is a very effective and potentially addictive medication for a whole host of psychological and neurobiological problems. […]The problem with alcohol is not so much that it is an addictive medication; rather, it’s that, unlike other addictive medications–to which people will also grow or not grow addicted at varying speeds and in unpredictable ways–alcohol’s social function and accessibility obfuscate this reality. If you’re prone to overdoing it, the fact that you’re self-prescribing (and choosing your own dosage) doesn’t help.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Like most alcoholics I prefer to be the center of attention. That’s one of the reasons drinking was fun. You’re the hero of every story.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When you keep hearing “Relapse is part of recovery, relapse is part of recovery” each night from a different person, sometimes two or three, and then you leave the meeting and see the neon beer signs of the bar on the other side of Main, well, those lights get a little sparklier. Elbows on the bar, squeezed in, the bartender smiles; that smell of the bar, the smell of self-acceptance, joy, and fellowship.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Help is out there, folks.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.harpers.org/archive/2011/01/0083250&#34;&gt;The drunk&#39;s club: A.A., the cult that cures - By Clancy W. Martin (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The 10 best foreign films of 2010 - Roger Ebert&#39;s Journal</title>
    <link href="https://mlarson.org/2010/12/31/the-10-best-foreign-films-of-2010-roger-eberts-3/"/>
    <updated>2010-12-31T15:51:00.000Z</updated>
    <id>https://mlarson.org/2010/12/31/the-10-best-foreign-films-of-2010-roger-eberts-3/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/ebert/2010/12/the_10_best_foreign_films_of_2.html&#34;&gt;The 10 best foreign films of 2010 - Roger Ebert&#39;s Journal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Boredom Enthusiasts Discover the Pleasures of Understimulation - WSJ.com</title>
    <link href="https://mlarson.org/2010/12/30/boredom-enthusiasts-discover-the-pleasures-of/"/>
    <updated>2010-12-30T16:16:36.000Z</updated>
    <id>https://mlarson.org/2010/12/30/boredom-enthusiasts-discover-the-pleasures-of/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052748703395904576025482554838642.html&#34;&gt;Boredom Enthusiasts Discover the Pleasures of Understimulation - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>mark larson | Favorite albums of 2010</title>
    <link href="https://mlarson.org/2010/12/29/mark-larson-favorite-albums-of-2010/"/>
    <updated>2010-12-29T22:09:06.000Z</updated>
    <id>https://mlarson.org/2010/12/29/mark-larson-favorite-albums-of-2010/</id>
    <content type="html">&lt;p&gt;My third year doing this labor of love. &lt;a href=&#34;http://www.mlarson.org/2008/12/05/favorite-albums-of-2008/&#34;&gt;2008&lt;/a&gt;. &lt;a href=&#34;http://www.mlarson.org/2009/12/21/favorite-albums-of-2009/&#34;&gt;2009&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mlarson.org/2010/12/29/favorite-albums-of-2010/&#34;&gt;mark larson | Favorite albums of 2010&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite albums of 2010</title>
    <link href="https://mlarson.org/2010/12/29/20101229favorite-albums-of-2010/"/>
    <updated>2010-12-29T18:06:53.000Z</updated>
    <id>https://mlarson.org/2010/12/29/20101229favorite-albums-of-2010/</id>
    <content type="html">&lt;p&gt;Short version: you should buy &lt;a href=&#34;http://www.amazon.com/How-I-Got-Over-Roots/dp/B0029LX2LC&#34;&gt;How I Got Over&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Watertown-Frank-Sinatra/dp/B003H695GY/&#34;&gt;Watertown&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Gene-Clark-aka-White-Light/dp/B000068PQ7/&#34;&gt;White Light&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Station-To-US-Version/dp/B00435GEF8/&#34;&gt;Station to Station&lt;/a&gt;, and &lt;a href=&#34;http://www.amazon.com/Black-Album-Jay-Z/dp/B0000DZFL0/&#34;&gt;The Black Album&lt;/a&gt;. What follows are more highlights from my year, month by month. As in &lt;a href=&#34;/mark-larson-1/2008/12/05/favorite-albums-of-2008&#34;&gt;2008&lt;/a&gt; and &lt;a href=&#34;/mark-larson-1/2009/12/21/favorite-albums-of-2009&#34;&gt;2009&lt;/a&gt;, the general rule here is I don&#39;t care if it actually came out in 2010, it&#39;s just that I happened to pay attention this year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;January&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f16/1293623912000/beforeandafterscience.jpg?format=original&#34; alt=&#34;Before and After Science&#34; title=&#34;beforeandafterscience&#34;&gt;&lt;/p&gt;
&lt;p&gt;Brian Eno, &lt;a href=&#34;http://www.amazon.com/Before-After-Science-Brian-Eno/dp/B00022LRXA&#34;&gt;Before And After Science&lt;/a&gt;. I *love* &lt;a href=&#34;http://www.youtube.com/watch?v=77G0xF45weg&#34;&gt;No One Receiving&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=SrZYP8SzlN8&#34;&gt;By This River&lt;/a&gt;. In a similar vein, but not quite as good, were Fripp &amp;amp; Eno&#39;s albums &lt;a href=&#34;http://www.amazon.com/Evening-Star-Fripp-Eno/dp/B001DU48WW/&#34;&gt;Evening Star&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/No-Pussyfooting-Fripp-Eno/dp/B001DU48XG/&#34;&gt;(No Pussyfooting)&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Cocteau Twins, &lt;a href=&#34;http://www.amazon.com/Victorialand-Cocteau-Twins/dp/B00007IFR5/&#34;&gt;Victorialand&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Head-Over-Heels-Cocteau-Twins/dp/B00004Y82V/&#34;&gt;Head Over Heels&lt;/a&gt;. Twisting vocals and dark, driving Cure-ish soundscapes. These guys are great.&lt;/p&gt;
&lt;p&gt;Ama Maïga, &lt;a href=&#34;http://likembe.blogspot.com/2010/01/malian-arrow.html&#34;&gt;Une Fleche Malienne&lt;/a&gt;. Kora + Afro-pop. The first and last tracks are my favorites.&lt;/p&gt;
&lt;p&gt;Linda Perhacs, &lt;a href=&#34;http://www.amazon.com/Parallelograms-Linda-Perhacs/dp/B0001XTIUO&#34;&gt;Parallelograms&lt;/a&gt;. Think Joan Baez/Joni Mitchell-esque dreamy acoustic guitar with solid songwriting. This album&#39;s vibe would echoed in October with one from Françoise Hardy...&lt;/p&gt;
&lt;p&gt;Steve Roach, &lt;a href=&#34;http://www.amazon.com/Structures-Silence-Steve-Roach/dp/B00005M94W&#34;&gt;Structures from Silence&lt;/a&gt;. I&#39;m not quite sure how to distinguish good ambient music from bad ambient music, aside from maintaining a general sort of peacefulness, but I liked this a lot.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f34/1293623924000/watertown.jpg?format=original&#34; alt=&#34;Watertown&#34; title=&#34;watertown&#34;&gt;&lt;/p&gt;
&lt;p&gt;Frank Sinatra, &lt;a href=&#34;http://www.amazon.com/Watertown-Frank-Sinatra/dp/B003H695GY/&#34;&gt;Watertown&lt;/a&gt;. This is my favorite one that wasn&#39;t released this year. It&#39;s another of his heartbreak concept albums, and it definitely holds its own against &lt;a href=&#34;http://www.amazon.com/Wee-Small-Hours-Frank-Sinatra/dp/B000006OHD&#34;&gt;In The Wee Small Hours&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Frank-Sinatra-Sings-Only-Lonely/dp/B000006OHF/&#34;&gt;Only the Lonely&lt;/a&gt;. I have no idea why this one is still underground.&lt;/p&gt;
&lt;p&gt;Antônio Carlos Jobim, &lt;a href=&#34;http://www.amazon.com/Wave-Antonio-Carlos-Jobim/dp/B000002G6J/&#34;&gt;Wave&lt;/a&gt;. His most successful album. &lt;a href=&#34;http://www.amazon.com/Stone-Flower-Antonio-Carlos-Jobim/dp/B0012GMX9M/&#34;&gt;Stone Flower&lt;/a&gt; came out a few years later and is worth a listen, if only for &lt;a href=&#34;http://www.youtube.com/watch?v=q2d-GtJUO_w&#34;&gt;Brazil&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Sayeeduddin Dagar, &lt;a href=&#34;http://www.amazon.com/Lineage-Dhrupad-Sayeeduddin-Dagar/dp/B0006VYEVO/&#34;&gt;Lineage of Dhrupad&lt;/a&gt;. I hadn&#39;t listened to much Indian vocal work before this year, but this album sold me on it, especially the old dhrupad stuff. The voice and breathe control is super-impressive. Lots more to come later in the year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f31/1293623923000/theinspiration.jpg?format=original&#34; alt=&#34;The Inspiration&#34; title=&#34;theinspiration&#34;&gt;&lt;/p&gt;
&lt;p&gt;Young Jeezy, &lt;a href=&#34;http://www.amazon.com/Inspiration-Young-Jeezy/dp/B000IFRQMW/&#34;&gt;The Inspiration: Thug Motivation 102&lt;/a&gt;. Atlanta&#39;s own. He&#39;s not the best lyricist, but I love his voice/delivery and the steady, drenched sound you hear in most of the production. And he has good samples. Standout tunes are &lt;a href=&#34;http://www.youtube.com/watch?v=4RUs87_ZhBk&#34;&gt;Hypnotize&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=q3nCwemrGNs&#34;&gt;The Inspiration&lt;/a&gt; (Diana Ross sample!). Great nighttime city-driving music.&lt;/p&gt;
&lt;p&gt;Hariprasad Chaurasia, &lt;a href=&#34;http://ragavibrations.blogspot.com/2010/03/hariprasad-chaurasia-charm-of-bamboo.html&#34;&gt;Charm of the Bamboo Flute&lt;/a&gt;. This might be my favorite Indian album this year.&lt;/p&gt;
&lt;p&gt;Magdalena Kožená, performing a collection of &lt;a href=&#34;http://www.amazon.com/French-Arias-Magdalena-Orchestra-Minkowski/dp/B000VAABF8/&#34;&gt;French Arias&lt;/a&gt;. Charles Gounod&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=QR9gUHhnKFk&#34;&gt;O ma lyre immortelle&lt;/a&gt; from &lt;em&gt;Sapho&lt;/em&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=ZZrMKORV69Y&#34;&gt;Nuit resplendissante&lt;/a&gt; from &lt;em&gt;Cinq-Mars&lt;/em&gt; are the best ones. Ambroise Thomas&#39; &lt;a href=&#34;http://www.youtube.com/watch?v=aSR1kZNtglQ&#34;&gt;Connais-tu le pays&lt;/a&gt; from &lt;em&gt;Mignon&lt;/em&gt; is a close third.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Crystal-Tears/dp/B00181OSYY/&#34;&gt;Crystal Tears&lt;/a&gt; is a solid Renaissance collection from Andreas Scholl singing with Julian Behr on the lute and the Concerto di Viole Basel. John Bennet&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=cVOVnlLQ8Do&#34;&gt;Venus&#39; birds whose mournful tunes&lt;/a&gt; is a good one and John Dowland&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=eZtDIBUH0Wo&#34;&gt;Go, crystal tears&lt;/a&gt; is a classic.&lt;/p&gt;
&lt;p&gt;Flanders Fiamminghi Orchestra and conductor Rudolf Werthen put together the awesome &lt;a href=&#34;http://www.amazon.com/I-Fiamminghi-Collection-Alan-Hovhaness/dp/B000003D6I/&#34;&gt;An I Fiamminghi Collection&lt;/a&gt;. Highlights for me are Alan Hovhaness&#39; &lt;a href=&#34;http://www.youtube.com/watch?v=hWvWE994lcc&#34;&gt;Prayer of St. Gregory&lt;/a&gt; and Henryk Górecki&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=0ypgkeREw2w&#34;&gt;Pieces in the Olden Style&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Mariem Hassan, &lt;a href=&#34;http://www.amazon.com/Deseos/dp/B003CUJN1W/&#34;&gt;Deseos&lt;/a&gt;. This might be my favorite African album of the year. Sick desert blues riffs + powerful vocals. Check out &lt;a href=&#34;http://www.amazon.com/gp/product/B003CUBQX0/&#34;&gt;Magat milkitna dulaa&lt;/a&gt;, or &lt;a href=&#34;http://www.amazon.com/gp/product/B003CUHL7A/&#34;&gt;Sbar&lt;/a&gt;. &lt;a href=&#34;http://www.amazon.com/Mariem-Hassan-Leyoad/dp/B00006IIBN/&#34;&gt;Mariem Hassan con Leyoad&lt;/a&gt; is not quite as good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f22/1293623917000/radio-activity.jpg?format=original&#34; alt=&#34;Radio-Activity&#34; title=&#34;radio-activity&#34;&gt;&lt;/p&gt;
&lt;p&gt;Kraftwerk, &lt;a href=&#34;http://www.amazon.com/Radio-Activity-Kraftwerk/dp/B00000DQT0&#34;&gt;Radio-Activity&lt;/a&gt;. A lot of it is pretty toned-down and spacey compared to the earlier stuff I loved so much last November.&lt;/p&gt;
&lt;p&gt;Gundecha Brothers &amp;amp; Uday Bhawalkar, &lt;a href=&#34;http://ragavibrations.blogspot.com/2010/04/gundecha-brothers-udhay-bhawalkar.html&#34;&gt;Timeless Dhrupads&lt;/a&gt;. Whoever is playing mridangam here is just killing it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/gp/product/B000002ZIS/&#34;&gt;Duruflé: Requiem &amp;amp; Four Motets&lt;/a&gt;. Lovely recording. This one is a happy medium between the sleepy &lt;a href=&#34;http://en.wikipedia.org/wiki/Requiem_%28Faur%C3%A9%29&#34;&gt;Fauré Requiem&lt;/a&gt; and Verdi&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Requiem_%28Verdi%29&#34;&gt;ridiculous one&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Yeasayer, &lt;a href=&#34;http://www.amazon.com/Odd-Blood-Yeasayer/dp/B0030E5NKU/&#34;&gt;Odd Blood&lt;/a&gt;. This one took a while to grow on me, though I loved &lt;a href=&#34;http://en.wikipedia.org/wiki/All_Hour_Cymbals&#34;&gt;All Hour Cymbals&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=9wlMh9WOgMM&#34;&gt;Mondegreen&lt;/a&gt; is the best song, followed by &lt;a href=&#34;http://www.youtube.com/watch?v=XZvOeknTW2M&#34;&gt;I Remember&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Glenn Gould recorded &lt;a href=&#34;http://www.amazon.com/gp/product/B000VOOMV8/&#34;&gt;Brahms&#39; Ballades, Op. 10 and Rhapsodies, Op. 79&lt;/a&gt;. I don&#39;t know if Gould is a good Brahms interpreter or not, but he helped me overcome my long-standing aversion to the guy. I like the &lt;a href=&#34;http://www.youtube.com/watch?v=lN62IF_3Lbg&#34;&gt;Ballades&lt;/a&gt; in particular.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f25/1293623918000/rossoitalianbaroquearias.jpg?format=original&#34; alt=&#34;Rosso: Italian Baroque Arias&#34; title=&#34;rossoitalianbaroquearias&#34;&gt;&lt;/p&gt;
&lt;p&gt;This was baroque month, apparently. While only two albums stood out, they were very, very good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Rosso-Italian-Baroque-Arias-Petibon/dp/B0033QEUR2/&#34;&gt;Rosso - Italian Baroque Arias&lt;/a&gt;, sung by Patricia Petibon with Andrea Marcon conducting the Venice Baroque Orchestra. Highlights for me: from Stradella&#39;s &lt;em&gt;San Giovanni Battista&lt;/em&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=QLOklgLzpl8&#34;&gt;Queste lagrime e sospiri&lt;/a&gt;; from Handel&#39;s &lt;em&gt;Giulio Cesare&lt;/em&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=l5lbVdr-2WU&#34;&gt;Piangerò la sorte mia&lt;/a&gt;; and from Sartorio&#39;s &lt;em&gt;L&#39;Orfeo&lt;/em&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=1fdQWpiKwzA&#34;&gt;Orfeo, tu dormi&lt;/a&gt;. Dang, y&#39;all.&lt;/p&gt;
&lt;p&gt;I also enjoyed various &lt;a href=&#34;http://www.amazon.com/Baroque-Oboe-Concertos-Alessandro-Marcello/dp/B00018D3S2/&#34;&gt;Baroque Oboe Concertos&lt;/a&gt; with Marcel Ponseele on the oboe, with Ensemble Il Gardellino. One particular favorite is Bach&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=tK1oE_aefmY&#34;&gt;Ich steh mit einem Fuß im Grabe, BWV 156&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;May was odd in its uniformity. I&#39;m not sure what connects Bach and Bowie, but they were both highlights for the next month...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f2b/1293623921000/stationtostation.jpg?format=original&#34; alt=&#34;Station to Station&#34; title=&#34;stationtostation&#34;&gt;&lt;/p&gt;
&lt;p&gt;David Bowie, &lt;a href=&#34;http://www.amazon.com/Station-To-US-Version/dp/B00435GEF8/&#34;&gt;Station to Station&lt;/a&gt; is a masterpiece, pure and simple. See: &lt;a href=&#34;http://www.youtube.com/watch?v=wd2clb5T8JA&#34;&gt;Golden Years&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=MzI5N1ufID8&#34;&gt;Stay&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=VbpMpRq6DV4&#34;&gt;Wild Is the Wind&lt;/a&gt;, and everything else.&lt;/p&gt;
&lt;p&gt;Collegium Vocale Ghent and conductor Philippe Herreweghe did some good work on &lt;a href=&#34;http://www.amazon.com/Christus-ist-mein-Leben-Cantatas/dp/B0012DAC8O&#34;&gt;Christus, der ist mein Leben: Bach Cantatas BWV 27, 84, 95, 161&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Olivier Latry played César Franck&#39;s organ stuff on &lt;a href=&#34;http://www.amazon.com/Spiritum-Olivier-Latry-Franck-Hybrid/dp/B0009DBXKY/&#34;&gt;In Spiritum&lt;/a&gt;. Much of it is pretty mellow. The &lt;a href=&#34;http://www.youtube.com/watch?v=VXWYG6CjGOg&#34;&gt;Pièce héroïque&lt;/a&gt; is wonderful, as is the &lt;a href=&#34;http://www.youtube.com/watch?v=RGUx39Wum9U&#34;&gt;Prelude, fugue and variations, Op. 18&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f28/1293623919000/somethingforeverybody.jpg?format=original&#34; alt=&#34;Something for Everybody&#34; title=&#34;somethingforeverybody&#34;&gt;&lt;/p&gt;
&lt;p&gt;Devo&#39;s &lt;a href=&#34;http://www.amazon.com/Something-Everybody-Devo/dp/B003JYOFIW&#34;&gt;Something For Everybody&lt;/a&gt; was surprisingly fun. It doesn&#39;t seem very ambitious, just upbeat, tight, and it reaps major benefits from keeping the songs brief and to the point.&lt;/p&gt;
&lt;p&gt;Sundrips, &lt;a href=&#34;http://uaxuctum.blogspot.com/2010/07/sundrips-slow-futures.html&#34;&gt;Slow Futures&lt;/a&gt;. More ambient. Everything I&#39;ve heard from Sundrips has been pretty good.&lt;/p&gt;
&lt;p&gt;Ramakant &amp;amp; Umakant Gundecha, &lt;a href=&#34;http://www.amazon.com/gp/product/B000QZY1AY/&#34;&gt;Ancestral Voices&lt;/a&gt;. More dhrupad. There is something incredibly fulfilling about the pattern of slow, meditative, exploratory beginnings that build to rhythmic extravagance by the end. &lt;a href=&#34;http://www.amazon.com/gp/product/B000QP4ZZU/&#34;&gt;Sooltal&lt;/a&gt; of Raga Charukeshi is a favorite here, but it&#39;s not as satisfying if you don&#39;t listen to the opening.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f1c/1293623914000/howigotover.jpg?format=original&#34; alt=&#34;How I Got Over&#34; title=&#34;howigotover&#34;&gt;&lt;/p&gt;
&lt;p&gt;The Roots, my friends. &lt;a href=&#34;http://www.amazon.com/How-I-Got-Over-Roots/dp/B0029LX2LC&#34;&gt;How I Got Over&lt;/a&gt; is my favorite album released this year. It&#39;s a lovely piece of work. Writing, production, performances, variety. It&#39;s all in there. Favorite track = &lt;a href=&#34;http://www.youtube.com/watch?v=ZyLzQrors9g&#34;&gt;Now or Never&lt;/a&gt;, followed closely by the &lt;a href=&#34;http://www.youtube.com/watch?v=zI4D1QOLGuM&#34;&gt;title track&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;This month actually kicked off with &lt;a href=&#34;http://beatconnection.bandcamp.com/&#34;&gt;Beat Connection&#39;s Surf Noir EP&lt;/a&gt;, which was available on their site and is probably easy to download somewhere else now. &lt;a href=&#34;http://www.youtube.com/watch?v=IkPaWVdU4tI&#34;&gt;Sunburn&lt;/a&gt; followed by &lt;a href=&#34;http://www.youtube.com/watch?v=nvg_Vz3gpBk&#34;&gt;In the Water&lt;/a&gt; is one of the great album openings. Nice closer, too, with &lt;a href=&#34;http://www.youtube.com/watch?v=D7oxb_aBnGE&#34;&gt;Same Damn Time&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;M.I.A.&#39;s &lt;a href=&#34;http://www.amazon.com/Kala-M-I/dp/B000TJ6CM2&#34;&gt;Kala&lt;/a&gt; makes me wish I was on something. &lt;a href=&#34;http://www.youtube.com/watch?v=7sei-eEjy4g&#34;&gt;Paper Planes&lt;/a&gt; is one for the ages.&lt;/p&gt;
&lt;p&gt;Like St. Vincent&#39;s &lt;a href=&#34;http://www.amazon.com/Actor-St-Vincent/dp/B001W63DQ4/&#34;&gt;Actor&lt;/a&gt; last year, The Ruby Suns&#39; &lt;a href=&#34;http://www.amazon.com/Fight-Softly-Ruby-Suns/dp/B0034800BO/&#34;&gt;Fight Softly&lt;/a&gt; gets better as it goes along. It&#39;s not as sharp as Annie Clark&#39;s work (but what is?), but solid nonetheless. &lt;a href=&#34;http://www.youtube.com/watch?v=jN7y9P9ukN8&#34;&gt;Two Humans&lt;/a&gt; is the one to hear.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;September&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f1f/1293623916000/inventionsforelectricguitar.jpg?format=original&#34; alt=&#34;Inventions for Electric Guitar&#34; title=&#34;inventionsforelectricguitar&#34;&gt;&lt;/p&gt;
&lt;p&gt;Ash Ra Tempel, &lt;a href=&#34;http://www.amazon.com/Inventions-Electric-Guitar-Ash-Tempel/dp/B0006GB1D8&#34;&gt;Inventions for Electric Guitar&lt;/a&gt;. Something like Steve Reich + Robert Fripp, maybe? Whatever the ingredients, it&#39;s good space-trippy music.&lt;/p&gt;
&lt;p&gt;Rilo Kiley, &lt;a href=&#34;http://www.amazon.com/Under-Blacklight-Rilo-Kiley/dp/B000QUUE1Y/&#34;&gt;Under the Blacklight&lt;/a&gt;. How have I ignored this so long? The &lt;a href=&#34;http://www.amazon.com/gp/product/B00122E16E/&#34;&gt;title track&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=jVtSSCzASR0&#34;&gt;Silver Lining&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=mtyhWo8qngk&#34;&gt;The Moneymaker&lt;/a&gt;, and &lt;a href=&#34;http://www.amazon.com/gp/product/B00122E16Y/&#34;&gt;Dejalo&lt;/a&gt; are stand-outs. The rest are really good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Beneath-Fingers-Giuseppe-Baldassare-Sammartini/dp/B00116XDHE/&#34;&gt;Fire Beneath My Fingers&lt;/a&gt; is a sweet collection of recorder concertos. &lt;a href=&#34;http://twitter.com/#!/mlarson/status/25790537362&#34;&gt;Like I said&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=7_qzePqF2mM&#34;&gt;Vivaldi&#39;s Trio Sonata RV 86&lt;/a&gt; is my jam.&lt;/p&gt;
&lt;p&gt;Robert Johnson, &lt;a href=&#34;http://globalgroovers.blogspot.com/2010/05/robert-johnson-king-of-delta-blues.html&#34;&gt;King of the Delta Blues Singers, Slow Version&lt;/a&gt;. The speed change creates a whole different feel for a great body of work.&lt;/p&gt;
&lt;p&gt;The Clientele, &lt;a href=&#34;http://www.amazon.com/Minotaur-Clientele/dp/B0041V3IEO/&#34;&gt;Minotaur&lt;/a&gt;. Like an updated version of The Byrds, tempered with a dash of Devendra Banhart or Iron &amp;amp; Wine or something.&lt;/p&gt;
&lt;p&gt;Thione Seck, the &lt;a href=&#34;http://likembe.blogspot.com/2010/04/best-of-thione-seck.html&#34;&gt;Best of&lt;/a&gt;. I love the layers of drumming, big horns, funky guitar riffs. See &lt;a href=&#34;http://likembe.net/Sounds/Seck/02%20Mane%20Mi%20Gnoul.mp3&#34;&gt;Mane Mi Gnoul&lt;/a&gt;, &lt;a href=&#34;http://likembe.net/Sounds/Seck/03%20Mass%20Ndiaye.mp3&#34;&gt;Mass Ndiaye&lt;/a&gt;, and &lt;a href=&#34;http://likembe.net/Sounds/Seck/07%20Yaye%20Boye.mp3&#34;&gt;Yaye Boye&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;October&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f19/1293623913000/darkerthanblue.jpg?format=original&#34; alt=&#34;Darker Than Blue&#34; title=&#34;darkerthanblue&#34;&gt;&lt;/p&gt;
&lt;p&gt;This might have been the best month overall. The favorite was &lt;a href=&#34;http://www.amazon.com/Darker-Than-Blue-Jamdown-1973-1980/dp/B00005LEW1/&#34;&gt;Darker Than Blue, Soul From Jamdown 1973-1980&lt;/a&gt;. Jamaican bands cover American funk. Win-win. Check out Freddie McGregor&#39;s cover of &lt;a href=&#34;http://www.youtube.com/watch?v=r_na7RQzWRo&#34;&gt;Get Involved&lt;/a&gt; (&lt;a href=&#34;http://www.youtube.com/watch?v=J2vir-1PxqE&#34;&gt;George Soule&#39;s original&lt;/a&gt;) and John Holt&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=_-BDJkehXhw&#34;&gt;For the Love of You&lt;/a&gt; (&lt;a href=&#34;http://www.youtube.com/watch?v=Kd2sOqbIcaM&#34;&gt;Isley Brothers original&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;The Clientele, &lt;a href=&#34;http://www.amazon.com/Bonfires-Heath-Clientele/dp/B002M9FY6W/&#34;&gt;Bonfires on the Heath&lt;/a&gt;. Another solid album.&lt;/p&gt;
&lt;p&gt;Washed Out. The &lt;a href=&#34;http://www.amazon.com/Life-Of-Leisure/dp/B002OPDQT6&#34;&gt;Life of Leisure EP&lt;/a&gt; came out late last year, but somehow I missed it. I can&#39;t wait to see this dude for the third time in just a few weeks. I say this summer&#39;s song, &lt;a href=&#34;http://www.youtube.com/watch?v=KoN2IvLlK8w&#34;&gt;You and I&lt;/a&gt;, is a must-listen. Love that slow disco-stomp + sweet bass line.&lt;/p&gt;
&lt;p&gt;As I did with Brahms, this year I also finally came to understand That Which Is Hendrix. &lt;a href=&#34;http://www.amazon.com/Are-Experienced-Jimi-Hendrix-Experience/dp/B000002P5Y&#34;&gt;Are You Experienced?&lt;/a&gt; did the job.&lt;/p&gt;
&lt;p&gt;Françoise Hardy&#39;s album &lt;a href=&#34;http://www.amazon.com/La-Question/dp/B000V889WC/&#34;&gt;La question&lt;/a&gt; kicks off with the breezy &lt;a href=&#34;http://www.youtube.com/watch?v=j7vX3s9Kd3I&#34;&gt;Viens&lt;/a&gt;, and sweeps through 11 more songs.&lt;/p&gt;
&lt;p&gt;Charanjit Singh&#39;s &lt;a href=&#34;http://www.amazon.com/Synthesizing-Ten-Ragas-Disco-Beat/dp/B003F4FEV8/&#34;&gt;Ten Ragas to a Disco Beat&lt;/a&gt; is fantastic, and &lt;a href=&#34;http://tumblr.mlarson.org/post/1306756655/ten-ragas-to-a-disco-beat-charanjit&#34;&gt;apparently preceded&lt;/a&gt; much of what we call dance/trance/electronic over here in the States. This is my new upbeat Getting Shit Done music.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;http://www.amazon.com/Brahms-Symphony-1/dp/B001I19RC2/&#34;&gt;collection&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Brahms-Symphony-2/dp/B001V8JIX0/&#34;&gt;of&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Brahms-Symphony-3/dp/B002QO3Q7W/&#34;&gt;Brahms&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Brahms-Symphony-No-4/dp/B0040T5V06/&#34;&gt;Symphonies&lt;/a&gt; from Orchestre Révolutionnaire et Romantique and conductor John Eliot Gardiner helped me get Brahms. It&#39;ll take a few more listens to settle in, but they are good recordings.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f37/1293623925000/whitelight.jpg?format=original&#34; alt=&#34;White Light&#34; title=&#34;whitelight&#34;&gt;&lt;/p&gt;
&lt;p&gt;Gene Clark, &lt;a href=&#34;http://www.amazon.com/Gene-Clark-aka-White-Light/dp/B000068PQ7/&#34;&gt;White Light&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Roadmaster-Gene-Clark/dp/B0000011SZ/&#34;&gt;Roadmaster&lt;/a&gt; are excellent 70&#39;s country-rock albums. Check out &lt;a href=&#34;http://www.youtube.com/watch?v=dQxE9jEf-OU&#34;&gt;The Virgin&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=J_bXF_AyccA&#34;&gt;Where My Love Lies Asleep&lt;/a&gt;, and &lt;a href=&#34;http://www.youtube.com/watch?v=lmunF4Y0G0Q&#34;&gt;1975&lt;/a&gt;. I&#39;d never heard Clark outside of The Byrds, and I was surprised these solo albums were so good. His later album &lt;a href=&#34;http://www.amazon.com/No-Other-Gene-Clark/dp/B0000ACY0Y/&#34;&gt;No Other&lt;/a&gt; misses the mark a bit for me (though &lt;a href=&#34;http://www.amazon.com/Some-Misunderstanding-LP-Version/dp/B00124F7PQ&#34;&gt;Some Misunderstanding&lt;/a&gt; is superb).&lt;/p&gt;
&lt;p&gt;Heart is an amazing band. I knew some of the songs from the radio, but never heard &lt;a href=&#34;http://www.amazon.com/Little-Queen-Exp-Heart/dp/B0002CHK4K/&#34;&gt;Little Queen&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Dreamboat-Annie-Heart/dp/B00000633F/&#34;&gt;Dreamboat Annie&lt;/a&gt; all the way through. I didn&#39;t expect them to be so good. It&#39;s like a female-dominant Led Zeppelin + Rush + Fleetwood Mac + something else. Favorites include &lt;a href=&#34;http://www.youtube.com/watch?v=BCt0S4etsec&#34;&gt;Love Alive&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=p1XWHocQ3-Y&#34;&gt;Too Long a Time&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=eLoMej34zvA&#34;&gt;Dreamboat Annie&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Xavier Cugat, &lt;a href=&#34;http://www.amazon.com/Cugis-Cocktails-Dig-Xavier-Cugat/dp/B0007KVAKW/&#34;&gt;Cugi&#39;s Cocktails&lt;/a&gt;. A lot of latin albums drive me nuts, but this one really hit the spot. I want to have a party where I try to mix+serve+consume each song&#39;s corresponding drink before the song ends. The frenzy! The fun! Small portions, naturally. Favorites are &lt;a href=&#34;http://www.amazon.com/gp/product/B001NCKH8Y/&#34;&gt;Zombie&lt;/a&gt; and, of course, the &lt;a href=&#34;http://www.amazon.com/Old-Fashioned-Beguine/dp/B001NCM8CW&#34;&gt;Old-Fashioned&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Bach. Boom. &lt;a href=&#34;http://www.blockmrecords.org/bach/about.htm&#34;&gt;James Kibbie recorded all of Bach&#39;s organ works&lt;/a&gt; and they&#39;re free for download. !!!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917fe4b06bff88910f2e/1293623922000/theblackalbum.jpg?format=original&#34; alt=&#34;The Black Album&#34; title=&#34;theblackalbum&#34;&gt;&lt;/p&gt;
&lt;p&gt;Jay-Z, &lt;a href=&#34;http://www.amazon.com/Black-Album-Jay-Z/dp/B0000DZFL0/&#34;&gt;The Black Album&lt;/a&gt;. Holy shit, guys. I take it all back. Jay-Z&#39;s voice used to drive me nuts, but his writing from this era is so good. This is a seriously once-in-a-lifetime album. &lt;a href=&#34;http://www.amazon.com/Blueprint-Jay-Z/dp/B00005O54T/&#34;&gt;The Blueprint&lt;/a&gt; is also worthwhile. I need to check out the rest. (His &lt;a href=&#34;http://www.amazon.com/Blueprint-3-Deluxe-DVD/dp/B002OEWIQE/&#34;&gt;latest album&lt;/a&gt;, with the exception of &lt;a href=&#34;http://www.youtube.com/watch?v=559GntKRNYY&#34;&gt;What We Talkin&#39; About&lt;/a&gt;, blows).&lt;/p&gt;
&lt;p&gt;Marvin Gaye &amp;amp; Tammi Terrell. Their &lt;a href=&#34;http://www.amazon.com/Complete-Duets-Marvin-Gaye/dp/B00005RIK5&#34;&gt;three albums together&lt;/a&gt; are pretty priceless, e.g. &lt;a href=&#34;http://www.youtube.com/watch?v=t34duvvQkPw&#34;&gt;Give A Little Love&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Western 101, via Netflix Watch Instantly - Snarkmarket</title>
    <link href="https://mlarson.org/2010/12/29/the-western-101-via-netflix-watch-instantly/"/>
    <updated>2010-12-29T14:35:00.000Z</updated>
    <id>https://mlarson.org/2010/12/29/the-western-101-via-netflix-watch-instantly/</id>
    <content type="html">&lt;p&gt;Nice selection. See also Carmody’s earlier &lt;a href=&#34;http://snarkmarket.com/2010/6489&#34;&gt;Film History 101&lt;/a&gt; and Matt Penniman’s &lt;a href=&#34;http://snarkmarket.com/2010/6492&#34;&gt;SciFi Film History 101&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2010/6523&#34;&gt;The Western 101, via Netflix Watch Instantly - Snarkmarket&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Never said about restaurant websites</title>
    <link href="https://mlarson.org/2010/12/29/never-said-about-restaurant-websites/"/>
    <updated>2010-12-29T14:30:41.000Z</updated>
    <id>https://mlarson.org/2010/12/29/never-said-about-restaurant-websites/</id>
    <content type="html">&lt;p&gt;“Who needs the phone number of a restaurant when you could be enjoying stock photos of food?” (&lt;a href=&#34;http://www.juliansanchez.com/2010/12/27/why-are-restaurant-web-sites-so-bad/&#34;&gt;via&lt;/a&gt;) See also &lt;a href=&#34;http://tumblr.mlarson.org/post/879741682/&#34;&gt;university websites&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://neversaidaboutrestaurantwebsites.tumblr.com/&#34;&gt;Never said about restaurant websites&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gifting Digital Books — Craig Mod</title>
    <link href="https://mlarson.org/2010/12/28/gifting-digital-books-craig-mod/"/>
    <updated>2010-12-28T23:37:16.000Z</updated>
    <id>https://mlarson.org/2010/12/28/gifting-digital-books-craig-mod/</id>
    <content type="html">&lt;p&gt;This is a good idea.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My friend turns on their Kindle the morning of the day I select for the book to arrive. Their Kindle syncs with the Kindle cloud and — oh, look! A gift! The book is automatically downloaded. My personalized message — long or short — is displayed and kept as a part of that book. Furthermore, if I’ve opted to have my notes and highlights included with the book, those too, are downloaded.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://craigmod.com/satellite/gifting_digital_books/&#34;&gt;Gifting Digital Books — Craig Mod&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Metropolitan</title>
    <link href="https://mlarson.org/2010/12/28/metropolitan-i-loved-it-what-we-have-is-a/"/>
    <updated>2010-12-28T23:05:00.000Z</updated>
    <id>https://mlarson.org/2010/12/28/metropolitan-i-loved-it-what-we-have-is-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldrh9b67ag1qzcye0o1_r1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Metropolitan_%28film%29&#34;&gt;Metropolitan&lt;/a&gt;. I loved it. What we have is a modern-day drawing room film/comedy of manners, with upper-crusty Manhattanite teens inviting a misfit into their fold. They go back and forth from debutante balls to house parties, gossiping and verbally jousting all the while. It’s very dialogue-heavy (they almost all speak in long, precise sentences, processing their emotions and ideals and the failings of society) and very funny. I think you could compare it favorably to &lt;a href=&#34;http://en.wikipedia.org/wiki/Annie_Hall&#34;&gt;Annie Hall&lt;/a&gt; or &lt;a href=&#34;http://en.wikipedia.org/wiki/Manhattan_(film)&#34;&gt;Manhattan&lt;/a&gt;, but with a younger cast. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19900810/REVIEWS/8100302/1023&#34;&gt;Ebert says&lt;/a&gt;. &lt;a href=&#34;http://www.criterion.com/current/posts/412-metropolitan-after-the-ball&#34;&gt;Criterion essay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crazy Heart</title>
    <link href="https://mlarson.org/2010/12/28/crazy-heart-a-through-and-through-enjoyable/"/>
    <updated>2010-12-28T19:08:55.000Z</updated>
    <id>https://mlarson.org/2010/12/28/crazy-heart-a-through-and-through-enjoyable/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_le5juv4ofb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Crazy_Heart&#34;&gt;Crazy Heart&lt;/a&gt;. A through and through enjoyable movie. There’s no good reason not to watch it. One good reason to watch it, besides Jeff Bridges, Maggie Gyllenhaal, and Robert Duvall being awesome, is to see Colin Farrell as a country star. Yes! I’ll be interested to see what else director &lt;a href=&#34;http://en.wikipedia.org/wiki/Scott_Cooper_(director)&#34;&gt;Scott Cooper&lt;/a&gt; comes up with.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out With Mariah’s Melisma, In With Kesha’s Kick - NYTimes.com</title>
    <link href="https://mlarson.org/2010/12/28/out-with-mariahs-melisma-in-with-keshas-kick/"/>
    <updated>2010-12-28T17:54:24.000Z</updated>
    <id>https://mlarson.org/2010/12/28/out-with-mariahs-melisma-in-with-keshas-kick/</id>
    <content type="html">&lt;p&gt;“Melisma has retreated, while pop, which has just wrapped up one of its best years in at least a decade, has benefited from a return to less frilly, less bombastic vocal showcases.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/12/26/arts/music/26browne.html&#34;&gt;Out With Mariah’s Melisma, In With Kesha’s Kick - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2010</title>
    <link href="https://mlarson.org/2010/12/28/graph-of-the-year-statistical-modeling-causal/"/>
    <updated>2010-12-28T14:47:27.000Z</updated>
    <id>https://mlarson.org/2010/12/28/graph-of-the-year-statistical-modeling-causal/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_le57r4aygt1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://www.stat.columbia.edu/~cook/movabletype/archives/2010/12/graph_of_the_ye.html&#34;&gt;Graph of the year - Statistical Modeling, Causal Inference, and Social Science&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Bill James (and others) have pointed out that true racial equality in baseball came, not when superstars such as Jackie Robinson and Willie Mays started joining major league rosters, but when there was room for ordinary black players to join their equally unexceptional white colleagues on the bench.&lt;/p&gt;
&lt;p&gt;Similarly, graphical methods have truly arrived when journalists use graphs to make ordinary, unexceptional points in a clearer way. When making a graph, and including it in an article, is easy enough that it’s done as a matter of course.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 27, 2010</title>
    <link href="https://mlarson.org/2010/12/27/by-the-way-for-all-you-bums-tumbling-without/"/>
    <updated>2010-12-27T22:06:00.000Z</updated>
    <id>https://mlarson.org/2010/12/27/by-the-way-for-all-you-bums-tumbling-without/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldtlc4yrna1qezy6po1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;By the way, for all you bums tumbling without credit, this photo is by George H. Barker for The Tennessean (&lt;a href=&#34;http://www.tennessean.com/apps/pbcs.dll/gallery?Avis=DN&amp;amp;Dato=20090818&amp;amp;Kategori=TUNEIN&amp;amp;Lopenr=818005&amp;amp;Ref=PH&#34;&gt;which has a lot of great Elvis photos&lt;/a&gt;), during the &lt;a href=&#34;http://www.elvisrecordings.com/s580610.htm&#34;&gt;June 10, 1958 RCA studio session&lt;/a&gt; in Nashville. Perhaps he’s taking a break with Chet Atkins, Hank Garland, and the Jordanaires after recording &lt;a href=&#34;http://www.youtube.com/watch?v=BF9rgnD693Y&#34;&gt;I Need Your Love Tonight&lt;/a&gt; or &lt;a href=&#34;http://www.youtube.com/watch?v=c-pxzegiX8A&#34;&gt;A Big Hunk o’ Love&lt;/a&gt;? A little credit/context goes a long way.&lt;/p&gt;
&lt;p&gt;And now back to our regularly scheduled non-cranky programming.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 27, 2010</title>
    <link href="https://mlarson.org/2010/12/27/one-of-a-cycle-of-ninety-two-illustrations/"/>
    <updated>2010-12-27T15:42:00.000Z</updated>
    <id>https://mlarson.org/2010/12/27/one-of-a-cycle-of-ninety-two-illustrations/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_le3fmgthdq1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;One of a cycle of ninety-two illustrations produced by Botticelli for a fifteen-century manuscript of Dante’s Divine Comedy. &lt;a href=&#34;http://www.newyorker.com/online/blogs/books/2010/12/mendelsohn-vatican-library.html&#34;&gt;Slide Show: Treasures from the Vatican Library&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Strip Clubs: Launch Pads For Hits In Atlanta - NPR</title>
    <link href="https://mlarson.org/2010/12/24/strip-clubs-launch-pads-for-hits-in-atlanta-npr/"/>
    <updated>2010-12-24T17:03:11.000Z</updated>
    <id>https://mlarson.org/2010/12/24/strip-clubs-launch-pads-for-hits-in-atlanta-npr/</id>
    <content type="html">&lt;p&gt;“We’re all just hustling each other.” (&lt;a href=&#34;http://twitter.com/#!/caitlinroper/status/18186456258318336&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/therecord/2010/12/23/132287578/strip-clubs-launch-pads-for-hits-in-atlanta&#34;&gt;Strip Clubs: Launch Pads For Hits In Atlanta - NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 24, 2010</title>
    <link href="https://mlarson.org/2010/12/24/mad-men-recut-don-draper-undone-via-via/"/>
    <updated>2010-12-24T17:00:26.000Z</updated>
    <id>https://mlarson.org/2010/12/24/mad-men-recut-don-draper-undone-via-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/1Y0wl-isLeg&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=1Y0wl-isLeg&amp;amp;feature=player_embedded&#34;&gt;Mad Men Recut: “Don Draper Undone”&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/francesk/status/18345147582390272&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://nymag.com/daily/entertainment/2010/12/don_draper_undone.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Inequality That Matters - Tyler Cowen - The American Interest Magazine</title>
    <link href="https://mlarson.org/2010/12/24/the-inequality-that-matters-tyler-cowen-the/"/>
    <updated>2010-12-24T16:58:15.000Z</updated>
    <id>https://mlarson.org/2010/12/24/the-inequality-that-matters-tyler-cowen-the/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.the-american-interest.com/article-bd.cfm?piece=907&#34;&gt;The Inequality That Matters - Tyler Cowen - The American Interest Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>proverb.gener.at/or</title>
    <link href="https://mlarson.org/2010/12/20/proverbgenerator/"/>
    <updated>2010-12-20T15:21:57.000Z</updated>
    <id>https://mlarson.org/2010/12/20/proverbgenerator/</id>
    <content type="html">&lt;p&gt;“Honesty has its thorn.” (&lt;a href=&#34;http://twitter.com/#!/TodayTomorrow/status/16859227289026560&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://proverb.gener.at/or/&#34;&gt;proverb.gener.at/or&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 20, 2010</title>
    <link href="https://mlarson.org/2010/12/20/criticism-can-be-instructive-in-the-sense-that-it/"/>
    <updated>2010-12-20T01:27:22.000Z</updated>
    <id>https://mlarson.org/2010/12/20/criticism-can-be-instructive-in-the-sense-that-it/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Criticism can be instructive in the sense that it gives readers, including the author of the book, some information about the critic’s intelligence, or honesty, or both.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/4310/the-art-of-fiction-no-40-vladimir-nabokov&#34;&gt;Vladimir Nabokov&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Monkey&#39;s Paw by W. W. Jacobs</title>
    <link href="https://mlarson.org/2010/12/20/the-monkeys-paw-by-w-w-jacobs/"/>
    <updated>2010-12-20T01:22:56.000Z</updated>
    <id>https://mlarson.org/2010/12/20/the-monkeys-paw-by-w-w-jacobs/</id>
    <content type="html">&lt;p&gt;Good story. I’d forgotten about this one.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.americanliterature.com/Jacobs/SS/TheMonkeysPaw.html&#34;&gt;The Monkey&#39;s Paw by W. W. Jacobs&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Monkey&#39;s Paw by W. W. Jacobs</title>
    <link href="https://mlarson.org/2010/12/19/the-monkeys-paw-by-w-w-jacobs-2/"/>
    <updated>2010-12-19T01:17:00.000Z</updated>
    <id>https://mlarson.org/2010/12/19/the-monkeys-paw-by-w-w-jacobs-2/</id>
    <content type="html">&lt;p&gt;Good story. I’d forgotten about this one.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.americanliterature.com/Jacobs/SS/TheMonkeysPaw.html&#34;&gt;The Monkey&#39;s Paw by W. W. Jacobs&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2010</title>
    <link href="https://mlarson.org/2010/12/18/criticism-can-be-instructive-in-the-sense-that-it-2/"/>
    <updated>2010-12-18T21:20:00.000Z</updated>
    <id>https://mlarson.org/2010/12/18/criticism-can-be-instructive-in-the-sense-that-it-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Criticism can be instructive in the sense that it gives readers, including the author of the book, some information about the critic’s intelligence, or honesty, or both.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/4310/the-art-of-fiction-no-40-vladimir-nabokov&#34;&gt;Vladimir Nabokov&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sci-Fi Film History 101 (via Netflix Watch Instantly) - Snarkmarket</title>
    <link href="https://mlarson.org/2010/12/18/sci-fi-film-history-101-via-netflix-watch/"/>
    <updated>2010-12-18T18:35:00.000Z</updated>
    <id>https://mlarson.org/2010/12/18/sci-fi-film-history-101-via-netflix-watch/</id>
    <content type="html">&lt;p&gt;A follow-up to &lt;a href=&#34;http://snarkmarket.com/2010/6489&#34;&gt;Tim Carmody’s Film History 101 (via Netflix Watch Instantly)&lt;/a&gt;. This one “features films that take a scientific possibility or question as their central premise”. I’ve got 11 of 15 crossed off the list.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2010/6492&#34;&gt;Sci-Fi Film History 101 (via Netflix Watch Instantly) - Snarkmarket&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2010</title>
    <link href="https://mlarson.org/2010/12/18/cross-section-of-kowloon-walled-city-via-wehr-i/"/>
    <updated>2010-12-18T18:30:45.000Z</updated>
    <id>https://mlarson.org/2010/12/18/cross-section-of-kowloon-walled-city-via-wehr-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldga9mnu8v1qb27qzo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.archdaily.com/95757/kowloon-walled-city/&#34;&gt;Cross-section of Kowloon Walled City&lt;/a&gt; via &lt;a href=&#34;http://wehr.tumblr.com/post/2320560501/via-www-archdaily-com&#34;&gt;wehr&lt;/a&gt;. I finally figured out what this reminded me of: &lt;a href=&#34;http://www.chakart.com/&#34;&gt;Chung Chak&lt;/a&gt;’s photography project, &lt;a href=&#34;http://www.chakart.com/boxes01.html&#34;&gt;The Boxes&lt;/a&gt; (&lt;a href=&#34;http://www.chakart.com/boxes13.html&#34;&gt;e.g.&lt;/a&gt;) (which &lt;a href=&#34;http://tumblr.mlarson.org/post/403994830/hwy-66-new-mexico-2007-5-ft-x-5-ft-archival&#34;&gt;I tumbled&lt;/a&gt; and mis-tagged ages ago.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2010</title>
    <link href="https://mlarson.org/2010/12/18/cross-section-of-kowloon-walled-city-via-wehr-i-2/"/>
    <updated>2010-12-18T18:27:00.000Z</updated>
    <id>https://mlarson.org/2010/12/18/cross-section-of-kowloon-walled-city-via-wehr-i-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldga9mnu8v1qb27qzo1_12801.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.archdaily.com/95757/kowloon-walled-city/&#34;&gt;Cross-section of Kowloon Walled City&lt;/a&gt; via &lt;a href=&#34;http://wehr.tumblr.com/post/2320560501/via-www-archdaily-com&#34;&gt;wehr&lt;/a&gt;. I finally figured out what this reminded me of: &lt;a href=&#34;http://www.chakart.com/&#34;&gt;Chung Chak&lt;/a&gt;’s photography project, &lt;a href=&#34;http://www.chakart.com/boxes01.html&#34;&gt;The Boxes&lt;/a&gt; (&lt;a href=&#34;http://www.chakart.com/boxes13.html&#34;&gt;e.g.&lt;/a&gt;) (which &lt;a href=&#34;http://tumblr.mlarson.org/post/403994830/hwy-66-new-mexico-2007-5-ft-x-5-ft-archival&#34;&gt;I tumbled&lt;/a&gt; and mis-tagged ages ago.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cary Grant’s Suit | Granta 94: On the Road Again | Granta Magazine</title>
    <link href="https://mlarson.org/2010/12/18/cary-grants-suit-granta-94-on-the-road-again/"/>
    <updated>2010-12-18T18:15:14.000Z</updated>
    <id>https://mlarson.org/2010/12/18/cary-grants-suit-granta-94-on-the-road-again/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;North by Northwest isn’t a film about what happens to Cary Grant, it’s about what happens to his suit.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ha! I thought &lt;a href=&#34;http://tumblr.mlarson.org/post/1591622471/north-by-northwest-sorry-folks-i-found-this&#34;&gt;North by Northwest was kinda boring&lt;/a&gt;, and I honestly did spend much of my attention on his clothing. (&lt;a href=&#34;http://submittedforyourperusal.com/2008/01/28/cary-grant%E2%80%99s-suit/&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://www.granta.com/Magazine/94/Cary-Grants-Suit&#34;&gt;Cary Grant’s Suit | Granta 94: On the Road Again | Granta Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Black Swan</title>
    <link href="https://mlarson.org/2010/12/18/black-swan-this-was-ultimately-a-bit/"/>
    <updated>2010-12-18T18:12:00.000Z</updated>
    <id>https://mlarson.org/2010/12/18/black-swan-this-was-ultimately-a-bit/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldmyhb9a161qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Black_Swan_%28film%29&#34;&gt;Black Swan&lt;/a&gt;. This was ultimately a bit disappointing. Great performances from Portman, Cassel, et al. Once I got used to it, I liked the use of the up-close, claustrophobic, over-the-shoulder stalker cam. A lot of the camerawork struck me as pretty impressive. Great moments in cramped interiors and the rhapsodic, choreographed dances. There’s also the nice bonus that the movie draws from a &lt;a href=&#34;http://en.wikipedia.org/wiki/Swan_Lake&#34;&gt;kickass soundtrack&lt;/a&gt; that’s long been one of my favorites. The trouble with this movie is that once you go the fantasy/hallucination/supernatural route, it’s very, very hard to do it in a fresh way. This is how we end up repeating clichés like mysterious bleeding, reflections in the mirror moving without the character moving, painted portraits coming to life, mysterious whispers of sound, the epileptic-ecstatic flashing lights drugged-up dance club scene, sightings of people who look like certain people but actually aren’t when you get up close, etc. I loved seeing the strain of dancers seeking physical perfection; the consumptive effects of artistic striving; and the psycho-sexual power games among family, rivals, mentors. That was mostly excellent. My groans started with how these things were visually manifested on-screen–it seems like a pile-on. I think it would have been a more engaging film without the fantasy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>It&#39;s the Annual Kitchen Gift Guide - Megan McArdle - The Atlantic</title>
    <link href="https://mlarson.org/2010/12/16/its-the-annual-kitchen-gift-guide-megan-mcardle/"/>
    <updated>2010-12-16T01:29:52.000Z</updated>
    <id>https://mlarson.org/2010/12/16/its-the-annual-kitchen-gift-guide-megan-mcardle/</id>
    <content type="html">&lt;p&gt;A thoughtful, elaborate gift guide from an enthusiast. Great ideas here. And I like this bit at the end: “There is as much snobbery in what food people won’t pay for as in what they will”. Also applies to people in general.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/personal/archive/2010/12/its-the-annual-kitchen-gift-guide/67851/&#34;&gt;It&#39;s the Annual Kitchen Gift Guide - Megan McArdle - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2010</title>
    <link href="https://mlarson.org/2010/12/15/la-mantovana-wikipedia-a-tweet-from-david/"/>
    <updated>2010-12-15T18:40:00.000Z</updated>
    <id>https://mlarson.org/2010/12/15/la-mantovana-wikipedia-a-tweet-from-david/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldhfszzgck1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/La_Mantovana&#34;&gt;La Mantovana - Wikipedia&lt;/a&gt;. A &lt;a href=&#34;http://twitter.com/#!/ironicsans/status/15110089337733120&#34;&gt;tweet&lt;/a&gt; from &lt;a href=&#34;http://www.ironicsans.com/&#34;&gt;David Friedman&lt;/a&gt; (&lt;a href=&#34;http://twitter.com/#!/ironicsans&#34;&gt;@ironicsans&lt;/a&gt;)…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;‘Tree of Life’ trailer: &lt;a href=&#34;http://bit.ly/i5RnkM&#34;&gt;http://bit.ly/i5RnkM&lt;/a&gt; Smetana’s &#39;Moldau’: &lt;a href=&#34;http://bit.ly/gSgHbP&#34;&gt;http://bit.ly/gSgHbP&lt;/a&gt; Israel’s national anthem: &lt;a href=&#34;http://bit.ly/eXEDYS&#34;&gt;http://bit.ly/eXEDYS&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;…reminded me of this old, old, old song. I love that we’re still using 400-year-old melodies.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2010</title>
    <link href="https://mlarson.org/2010/12/15/la-mantovana-wikipedia-a-tweet-from-david-2/"/>
    <updated>2010-12-15T18:38:00.000Z</updated>
    <id>https://mlarson.org/2010/12/15/la-mantovana-wikipedia-a-tweet-from-david-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldhfszzgck1qzcye0o1_5401.jpg&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/La_Mantovana&#34;&gt;La Mantovana - Wikipedia&lt;/a&gt;. A &lt;a href=&#34;http://twitter.com/#!/ironicsans/status/15110089337733120&#34;&gt;tweet&lt;/a&gt; from &lt;a href=&#34;http://www.ironicsans.com/&#34;&gt;David Friedman&lt;/a&gt; (&lt;a href=&#34;http://twitter.com/#!/ironicsans&#34;&gt;@ironicsans&lt;/a&gt;)…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;‘Tree of Life’ trailer: &lt;a href=&#34;http://bit.ly/i5RnkM&#34;&gt;http://bit.ly/i5RnkM&lt;/a&gt; Smetana’s &#39;Moldau’: &lt;a href=&#34;http://bit.ly/gSgHbP&#34;&gt;http://bit.ly/gSgHbP&lt;/a&gt; Israel’s national anthem: &lt;a href=&#34;http://bit.ly/eXEDYS&#34;&gt;http://bit.ly/eXEDYS&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;…reminded me of this old, old, old song. I love that we’re still using 400-year-old melodies.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cary Grant’s Suit | Granta 94: On the Road Again | Granta Magazine</title>
    <link href="https://mlarson.org/2010/12/15/cary-grants-suit-granta-94-on-the-road-again-2/"/>
    <updated>2010-12-15T18:01:00.000Z</updated>
    <id>https://mlarson.org/2010/12/15/cary-grants-suit-granta-94-on-the-road-again-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;North by Northwest isn’t a film about what happens to Cary Grant, it’s about what happens to his suit.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ha! I thought &lt;a href=&#34;http://tumblr.mlarson.org/post/1591622471/north-by-northwest-sorry-folks-i-found-this&#34;&gt;North by Northwest was kinda boring&lt;/a&gt;, and I honestly did spend much of my attention on his clothing. (&lt;a href=&#34;http://submittedforyourperusal.com/2008/01/28/cary-grant%E2%80%99s-suit/&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://www.granta.com/Magazine/94/Cary-Grants-Suit&#34;&gt;Cary Grant’s Suit | Granta 94: On the Road Again | Granta Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cocaine Blunts: Best Rap, 2010</title>
    <link href="https://mlarson.org/2010/12/15/cocaine-blunts-best-rap-2010/"/>
    <updated>2010-12-15T17:21:00.000Z</updated>
    <id>https://mlarson.org/2010/12/15/cocaine-blunts-best-rap-2010/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This is the Best Rap list. There is no Drake. Other notable omissions include, but are not limited to: aging New Yorkers who have had more major deals than major hits; teenagers from Dallas or LA who keep giving different names to the same goddamn dances and won’t get off my lawn; autistic youtube sensations; dead men whose voices live on in the name of dollars; white people who aren’t wolves or bugs; bloggers turned rappers; child actors turned rappers; children of rappers turned rappers; 40 year old rappers who talk about Gucci; children who act like 40 year old rappers who talk about Gucci; 40 year old rappers who hate both children and Gucci; children who act like 40 year old rappers who hate children and Gucci; Juggalos; Canadians; South Africans and J. Cole.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Adding to my “to listen” list. (via &lt;a href=&#34;http://putthison.com/post/2322452602/cocaine-blunts-best-rap-2010&#34;&gt;putthison&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.cocaineblunts.com/blunts/?p=6513&#34;&gt;Cocaine Blunts: Best Rap, 2010&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Film History 101 (via Netflix Watch Instantly)</title>
    <link href="https://mlarson.org/2010/12/15/film-history-101-via-netflix-watch-instantly/"/>
    <updated>2010-12-15T03:15:10.000Z</updated>
    <id>https://mlarson.org/2010/12/15/film-history-101-via-netflix-watch-instantly/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/2314840489/film-history-101-via-netflix-watch-instantly&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Why the internet is awesome: &lt;a href=&#34;http://twitter.com/fchimero/status/13792198306824192&#34;&gt;you ask for something&lt;/a&gt;, and quite often you get an answer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Count me in. Always looking to add to &lt;a href=&#34;http://tumblr.mlarson.org/tagged/film&#34;&gt;my film viewings&lt;/a&gt;. 8 down, 25 to go.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2010/6489&#34;&gt;Film History 101 (via Netflix Watch Instantly)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 13, 2010</title>
    <link href="https://mlarson.org/2010/12/13/dr-dre-kush-ft-snoop-dogg-and-akon-in-which/"/>
    <updated>2010-12-13T15:50:30.000Z</updated>
    <id>https://mlarson.org/2010/12/13/dr-dre-kush-ft-snoop-dogg-and-akon-in-which/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/BuJDaOVz2qY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=BuJDaOVz2qY&#34;&gt;Dr. Dre - Kush ft. Snoop Dogg and Akon&lt;/a&gt;. In which Dr. Dre wears a motorcycle jacket better than anyone, ever.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Advice for planning a wedding</title>
    <link href="https://mlarson.org/2010/12/12/marginal-revolution-advice-for-planning-a-wedding/"/>
    <updated>2010-12-12T19:24:57.000Z</updated>
    <id>https://mlarson.org/2010/12/12/marginal-revolution-advice-for-planning-a-wedding/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/12/advice-for-planning-a-wedding.html&#34;&gt;Marginal Revolution: Advice for planning a wedding&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Business clichés: The subtleties of corporate English | The Economist</title>
    <link href="https://mlarson.org/2010/12/12/business-cliches-the-subtleties-of-corporate/"/>
    <updated>2010-12-12T19:18:13.000Z</updated>
    <id>https://mlarson.org/2010/12/12/business-cliches-the-subtleties-of-corporate/</id>
    <content type="html">&lt;p&gt;“It’s terribly important, at least in American business meetings, to be constantly acknowledging the contributions other people have made”. (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;) A further rhapsody on “deep dive”:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s something athletic, soulful even, about the thought of physically diving into a spreadsheet, kicking around in its dusky deep columns, paddling lazily through the surf of numbers, digging for hidden gems among its pivot tables, and coming up for air gasping but ecstatic, with the decimal points cascading down your forehead.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.economist.com/blogs/johnson/2010/12/business_clich%C3%A9s&#34;&gt;Business clichés: The subtleties of corporate English | The Economist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 12, 2010</title>
    <link href="https://mlarson.org/2010/12/12/visualizing-slavery-nytimescom-map-showing-the/"/>
    <updated>2010-12-12T19:08:00.000Z</updated>
    <id>https://mlarson.org/2010/12/12/visualizing-slavery-nytimescom-map-showing-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ldbx6vvh1r1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://opinionator.blogs.nytimes.com/2010/12/09/visualizing-slavery/?hp&#34;&gt;Visualizing Slavery - NYTimes.com&lt;/a&gt;. &lt;a href=&#34;http://hdl.loc.gov/loc.gmd/g3861e.cw0013200&#34;&gt;Map showing the distribution of the slave population of the southern states of the United States&lt;/a&gt;. I didn’t realize there was so many along the Mississippi River. I’d always imagined more along the &lt;a href=&#34;http://en.wikipedia.org/wiki/Piedmont_%28United_States%29&#34;&gt;Piedmont&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Atlantic_Coastal_Plain&#34;&gt;coastal plains&lt;/a&gt;. The LOC has some great &lt;a href=&#34;http://memory.loc.gov/ammem/gmdhtml/gmdhome.html&#34;&gt;map collections&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2010</title>
    <link href="https://mlarson.org/2010/12/09/esperanza-atlanta-dome-field-advantage-falcons/"/>
    <updated>2010-12-09T15:06:00.000Z</updated>
    <id>https://mlarson.org/2010/12/09/esperanza-atlanta-dome-field-advantage-falcons/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ld61zl5dy31qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esperanza-atl.com/Esp/?p=8036&#34;&gt;Esperanza Atlanta | DOME FIELD ADVANTAGE&lt;/a&gt;. Falcons 10-2. Just sayin’.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 8, 2010</title>
    <link href="https://mlarson.org/2010/12/08/your-ancestors-set-up-those-trophies-not-that-you/"/>
    <updated>2010-12-08T19:27:07.000Z</updated>
    <id>https://mlarson.org/2010/12/08/your-ancestors-set-up-those-trophies-not-that-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Your ancestors set up those trophies, not that you may gaze at them in wonder but that you may also imitate the virtues of the men who set them up.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/On_the_Liberty_of_the_Rhodians&#34;&gt;Demosthenes&lt;/a&gt;, quoted in &lt;a href=&#34;http://www.ryanholiday.net/trophies/&#34;&gt;Trophies « RyanHoliday.net&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mira Kirshenbaum on Relationship Therapy | FiveBooks</title>
    <link href="https://mlarson.org/2010/12/08/mira-kirshenbaum-on-relationship-therapy/"/>
    <updated>2010-12-08T15:20:38.000Z</updated>
    <id>https://mlarson.org/2010/12/08/mira-kirshenbaum-on-relationship-therapy/</id>
    <content type="html">&lt;p&gt;“Therapy is not about insights. It’s about change.” Some of these sound really good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fivebooks.com/interviews/mira-kirshenbaum-on-relationship-therapy&#34;&gt;Mira Kirshenbaum on Relationship Therapy | FiveBooks&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Three Kings</title>
    <link href="https://mlarson.org/2010/12/08/three-kings-the-setting-is-iraq-at-the-end-of-the/"/>
    <updated>2010-12-08T04:20:00.000Z</updated>
    <id>https://mlarson.org/2010/12/08/three-kings-the-setting-is-iraq-at-the-end-of-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_ld3czdwcao1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/Three_Kings_(1999_film)&#34;&gt;Three Kings&lt;/a&gt;. The setting is Iraq at the end of the Gulf War, when bored/greedy soldiers go in search of stolen Kuwaiti gold and get in over their heads. It veers from buddy-movie hijinks to touching moments to graphic battle scenes and never rests, never goes wrong. Very highly recommended. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19991004/REVIEWS/910040306/1023&#34;&gt;Ebert says&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>SPIEGEL Interview with Umberto Eco</title>
    <link href="https://mlarson.org/2010/12/08/spiegel-interview-with-umberto-eco/"/>
    <updated>2010-12-08T01:52:39.000Z</updated>
    <id>https://mlarson.org/2010/12/08/spiegel-interview-with-umberto-eco/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We have a limit, a very discouraging, humiliating limit: death. That’s why we like all the things that we assume have no limits and, therefore, no end. It’s a way of escaping thoughts about death. We like lists because we don’t want to die.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was fascinated with Stendhal at 13 and with Thomas Mann at 15 and, at 16, I loved Chopin. Then I spent my life getting to know the rest. Right now, Chopin is at the very top once again. If you interact with things in your life, everything is constantly changing. And if nothing changes, you’re an idiot.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.umbertoeco.com/en/news/spiegel-interview-with-umberto-eco-88.html&#34;&gt;SPIEGEL Interview with Umberto Eco&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 7, 2010</title>
    <link href="https://mlarson.org/2010/12/07/allen-ginsberg-america-march-18-1956/"/>
    <updated>2010-12-07T20:25:51.000Z</updated>
    <id>https://mlarson.org/2010/12/07/allen-ginsberg-america-march-18-1956/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=tEUjTpyBhOo
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=tEUjTpyBhOo&#34;&gt;Allen Ginsberg - “America”&lt;/a&gt;. March 18, 1956. &lt;a href=&#34;http://www.poetryarchive.org/poetryarchive/singlePoem.do?poemId=1548&#34;&gt;Transcript&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What economic laws have worked best for Berkshire?</title>
    <link href="https://mlarson.org/2010/12/07/what-economic-laws-have-worked-best-for-berkshire/"/>
    <updated>2010-12-07T20:25:08.000Z</updated>
    <id>https://mlarson.org/2010/12/07/what-economic-laws-have-worked-best-for-berkshire/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It is all a matter of trying to find businesses with wide moats protecting a large castle occupied by an honest lord. Moats might be a natural franchise, brand loyalty, or being a low-cost producer. In a capitalistic society, all moats are subject to attack: if you have a good castle, others will want it. What we want to figure out is what keeps the castle standing and how smart is the lord. [Charlie Munger: We also like to look for low agency costs on that lord, economies of scale and “economies of intelligence.”]&lt;/p&gt;
&lt;p&gt;Buffett elaborated on the “economies of intelligence”: the idea is to find businesses where you have to be smart only once instead of being smart forever. Retailing is a business where you have to be smart forever: your competitors will always copy your innovations. Buying a network TV station in the early days of television required you to be smart only once. In that kind of business, a terrible manager can still make a fortune. Given the choice between the two (a business where you have to be smart forever or one where you have to be smart once), Buffett advised, pick the great business–be smart once.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Be smart once!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/#b8&#34;&gt;What economic laws have worked best for Berkshire?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 5, 2010</title>
    <link href="https://mlarson.org/2010/12/05/hans-roslings-200-countries-200-years-4-minutes/"/>
    <updated>2010-12-05T16:53:03.000Z</updated>
    <id>https://mlarson.org/2010/12/05/hans-roslings-200-countries-200-years-4-minutes/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/jbkSRLYSojo&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=jbkSRLYSojo&#34;&gt;Hans Rosling’s 200 Countries, 200 Years, 4 Minutes - The Joy of Stats - BBC Four&lt;/a&gt;. Showing the world’s progress along the axes of lifespan and income. Fascinating data and a wonderful narrator/performance. (&lt;a href=&#34;http://gregmankiw.blogspot.com/2010/12/200-countries-and-200-years-in-4.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pitchfork: David Lynch Talks New Music Projects</title>
    <link href="https://mlarson.org/2010/12/02/pitchfork-david-lynch-talks-new-music-projects/"/>
    <updated>2010-12-02T20:28:52.000Z</updated>
    <id>https://mlarson.org/2010/12/02/pitchfork-david-lynch-talks-new-music-projects/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I just love musicians. They’re not all super-happy all the time, but when they’re playing they’re happy, and it’s such a beautiful thing. I also like them because they sleep late in the morning; they’re more like children.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/news/40872-david-lynch-talks-new-music-projects/&#34;&gt;Pitchfork: David Lynch Talks New Music Projects&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wehr in the World: The importance of family and such</title>
    <link href="https://mlarson.org/2010/12/02/wehr-in-the-world-the-importance-of-family-and/"/>
    <updated>2010-12-02T19:37:30.000Z</updated>
    <id>https://mlarson.org/2010/12/02/wehr-in-the-world-the-importance-of-family-and/</id>
    <content type="html">&lt;p&gt;Family first? This is one of the best things I’ve read recently.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I can think of a few questions to gauge what is important to someone:&lt;/p&gt;
&lt;p&gt;If you could only achieve one thing in your life, what would it be?&lt;br&gt;
If you could only spend your life doing one thing, what would it be?&lt;br&gt;
If you could only know one person in your life, who would it be?&lt;br&gt;
How do you want to be remembered?&lt;br&gt;
How do you want to be perceived right now?&lt;br&gt;
Whose respect do you most hope to earn?&lt;br&gt;
Whose admiration do you most hope to earn?&lt;br&gt;
Whose love do you most hope to earn?&lt;br&gt;
What ideas/principles are you willing to die for?&lt;br&gt;
Who are you willing to die for?&lt;br&gt;
What is the most meaningful thing you can do with your life?&lt;br&gt;
What is the best way you can spend your time?&lt;br&gt;
What is the best way you spent your time today?&lt;br&gt;
If you knew you had only weeks to live, how would you spend your time?&lt;br&gt;
If you knew you had only hours to live, how would you spend your time?&lt;br&gt;
If you knew you had only minutes to live, how would you spend your time?&lt;br&gt;
Of all the things in your life, which would you be the most sorry to lose irrevocably?&lt;br&gt;
What would you most like to gain in your life?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Solid gold. By all means, read the whole thing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/11/importance-of-family-and-such.html&#34;&gt;Wehr in the World: The importance of family and such&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 2, 2010</title>
    <link href="https://mlarson.org/2010/12/02/seoulbrother-six-years-ago-wikipedia-started/"/>
    <updated>2010-12-02T19:12:24.000Z</updated>
    <id>https://mlarson.org/2010/12/02/seoulbrother-six-years-ago-wikipedia-started/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_lcs0mzq5ae1qz61nmo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.seoulbrother.com/post/2065345794/six-years-ago-wikipedia-started-with-a-radical&#34;&gt;seoulbrother&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Six years ago Wikipedia started with a radical idea. That’s true. I ain’t promising you nothing extra. I’m just giving you life and you’re giving me life. And I’m saying that men can live together without butchering one another.&lt;/p&gt;
&lt;p&gt;Now remember, when things look bad and it looks like you’re not gonna make it, then you gotta get mean. I mean plumb, mad-dog mean. ‘Cause if you lose your head and you give up then you neither live nor win. That’s just the way it is.&lt;/p&gt;
&lt;p&gt;Dyin’ ain’t much of a living, boy.&lt;/p&gt;
&lt;p&gt;Please consider a generous donation to the Wikimedia Foundation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;UPDATE: &lt;a href=&#34;http://daringfireball.net/misc/2010/12/Wikipedia%20Josey%20Wales.safariextz&#34;&gt;Download the Safari extension&lt;/a&gt; by Troy Gaul that puts this on Wikipedia. After installing, see it &lt;a href=&#34;http://en.wikipedia.org/wiki/Josey_Wales_(gunfighter)&#34;&gt;in action here&lt;/a&gt;. (via &lt;a href=&#34;http://daringfireball.net&#34;&gt;Daring Fireball&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 2, 2010</title>
    <link href="https://mlarson.org/2010/12/02/fakecriterions-point-break-1991-imagined/"/>
    <updated>2010-12-02T14:34:00.000Z</updated>
    <id>https://mlarson.org/2010/12/02/fakecriterions-point-break-1991-imagined/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_lcpw3lq7fd1qf1yxjo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fakecriterions.tumblr.com/post/2060165192/point-break-1991&#34;&gt;fakecriterions&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Point Break&lt;/em&gt; [1991]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Imagined additions to the one of the great film collections! Reminds me of the &lt;a href=&#34;http://www.flickr.com/groups/77139108@N00/pool/&#34;&gt;DS Tie-in Games I Wanna Play&lt;/a&gt; group on Flickr. (&lt;a href=&#34;http://twitter.com/jeskeets/status/10187257659002880&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2010</title>
    <link href="https://mlarson.org/2010/12/01/oldhollywood-i-am-not-funny-my-writers-were/"/>
    <updated>2010-12-01T14:42:18.000Z</updated>
    <id>https://mlarson.org/2010/12/01/oldhollywood-i-am-not-funny-my-writers-were/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/12/tumblr_lcforqxzaz1qzdvhio1_r6_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://oldhollywood.tumblr.com/post/1717810173/i-am-not-funny-my-writers-were-funny-my&#34;&gt;oldhollywood&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“I am not funny. My writers were funny. My directors were funny. The situations were funny…What I am is brave. I have never been scared. Not when I did movies, certainly not when I was a model, and not when I did &lt;em&gt;I Love Lucy&lt;/em&gt;.”&lt;/p&gt;
&lt;p&gt;-&lt;strong&gt;Lucille Ball&lt;/strong&gt; (&lt;em&gt;Rolling Stone&lt;/em&gt;, June 23, 1983) (photo by Walt Sanders for LIFE, 1943, click to enlarge)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2010</title>
    <link href="https://mlarson.org/2010/12/01/they-get-one-letter-from-me-every-couple-of-years/"/>
    <updated>2010-12-01T04:45:00.000Z</updated>
    <id>https://mlarson.org/2010/12/01/they-get-one-letter-from-me-every-couple-of-years/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;They get one letter from me every couple of years. And basically it says, run this business like it’s the only business that your family can own for the next 100 years. You can’t sell it. But every year don’t measure it by the earnings in the quarter that year. Measure it by whether the moat around that business, what gives it competitive advantage over time has widened or narrowed. If you keep doing that for 100 years, it’s going to work out very well. Then I tell them basically if the reason for doing something is everybody else is doing it, it’s not good enough. If you have to use that as a reason, forget it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/#b18&#34;&gt;Warren Buffett&lt;/a&gt;’s thoughts on building a business work well on a personal scale, too. Build your moat, make it bigger. See also Douglas Adams’ &lt;a href=&#34;http://dilbertblog.typepad.com/the_dilbert_blog/2007/07/career-advice.html&#34;&gt;career advice&lt;/a&gt; (&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/02/how-narrow-should-your-career-focus-be.html&#34;&gt;via&lt;/a&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you want something extraordinary, you have two paths: 1. Become the best at one specific thing. 2. Become very good (top 25%) at two or more things. […] Capitalism rewards things that are both rare and valuable. You make yourself rare by combining two or more “pretty goods” until no one else has your mix.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Poignance Measured in Digits - New York Times</title>
    <link href="https://mlarson.org/2010/12/01/poignance-measured-in-digits-new-york-times/"/>
    <updated>2010-12-01T04:34:20.000Z</updated>
    <id>https://mlarson.org/2010/12/01/poignance-measured-in-digits-new-york-times/</id>
    <content type="html">&lt;p&gt;July 16, 1989 article by Hans Fantel. He writes about a CD his father gave him, a Vienna Philharmonic performance of Mahler’s 9th–the very show that they’d attended together 50 years earlier, which also happened to be the last the Vienna Philharmonic would give before Hitler rolled in.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;But it wasn’t the music alone that cast a spell over me as I listened to the new CD. Nor was it the memory of the time when the recording was made. It took me a while to discover what so moved me. Finally, I knew what it was: This disk held fast an event I had shared with my father: 71 minutes out of the 16 years we had together. Soon after, as an “enemy of Reich and Fuhrer,” my father also disappeared into Hitler’s abyss.&lt;/p&gt;
&lt;p&gt;That’s what made me realize something about the nature of phonographs: they admit no ending. They imply perpetuity.&lt;/p&gt;
&lt;p&gt;All this seems far from our usual concerns with the hardware of sound reproduction. But then again, speculating on endlessness may be getting at the purposive essence of all this electronic gadetry - its “telos,” as the Greeks would say. In the perennial rebirth of music through recordings, something of life itself steps over the normal limits of time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(via &lt;a href=&#34;http://www.amazon.com/dp/0374187746/&#34;&gt;Alex Ross’ new book&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://www.nytimes.com/1989/07/16/arts/sound-poignance-measured-in-digits.html&#34;&gt;Poignance Measured in Digits - New York Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Le Samouraï</title>
    <link href="https://mlarson.org/2010/11/30/le-samourai-when-i-came-across-this-i-was/"/>
    <updated>2010-11-30T18:13:00.000Z</updated>
    <id>https://mlarson.org/2010/11/30/le-samourai-when-i-came-across-this-i-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lcomyrgy191qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Le_Samoura%C3%AF&#34;&gt;Le Samouraï&lt;/a&gt;. When I came across this I was thinking something along the lines of “Alain Delon as assassin ≈ Cary Grant as &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Bourne_Identity_(2002_film)&#34;&gt;Treadstone&lt;/a&gt; asset”. Count me in. Four minutes into the movie we get a bit of &lt;a href=&#34;http://www.youtube.com/watch?v=eG1Pi_edC1o&#34;&gt;pulsing ostinato organ riff&lt;/a&gt; and somehow I knew I’d love it. (There’s also some great &lt;a href=&#34;http://en.wikipedia.org/wiki/Diegesis#Film_sound_and_music&#34;&gt;diegetic&lt;/a&gt; jazz later in the film.) Early on, Delon goes out to do a job BUT he screws up pretty big. He gets arrested, we get a long, fascinating ensemble interrogation scene (&lt;a href=&#34;http://en.wikipedia.org/wiki/Fran%C3%A7ois_P%C3%A9rier&#34;&gt;François Périer&lt;/a&gt; is great) and the rest of the movie unfolds in a taut but not frenzied way. Great movie. &lt;a href=&#34;http://www.criterion.com/current/posts/391-le-samourai-death-in-white-gloves&#34;&gt;David Thomson’s Criterion essay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 30, 2010</title>
    <link href="https://mlarson.org/2010/11/30/he-chose-a-way-of-death-guaranteed-to-bring-down-a/"/>
    <updated>2010-11-30T03:18:46.000Z</updated>
    <id>https://mlarson.org/2010/11/30/he-chose-a-way-of-death-guaranteed-to-bring-down-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He chose a way of death guaranteed to bring down a hailstorm of prying analytical chatter far in excess of anything he had experienced while he was alive. This is the paradoxical allure of suicide: to leave the chattering world behind and yet to stage-manage the exit so that one is talked about in the right way.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Listen-This-Alex-Ross/dp/0374187746&#34;&gt;Alex Ross on Kurt Cobain&lt;/a&gt;. From the obituary that first appeared with slightly different wording &lt;a href=&#34;http://archives.newyorker.com/?i=1994-04-25#folio=102&#34;&gt;in the New Yorker&lt;/a&gt;. [$]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 30, 2010</title>
    <link href="https://mlarson.org/2010/11/30/all-trivial-fond-records-cold-hopes-swarm-like/"/>
    <updated>2010-11-30T03:04:18.000Z</updated>
    <id>https://mlarson.org/2010/11/30/all-trivial-fond-records-cold-hopes-swarm-like/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lcnvdshkfo1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://queasyundergrad.tumblr.com/post/1729019999/cold-hopes-swarm-like-worms-within-our-living-clay&#34;&gt;All trivial fond records: Cold hopes swarm like worms within our living clay&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There’s something terribly morbid about a clock protruding from a funeral parlour isn’t there?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 30, 2010</title>
    <link href="https://mlarson.org/2010/11/30/its-not-worth-the-bother-of-killing-yourself/"/>
    <updated>2010-11-30T03:03:02.000Z</updated>
    <id>https://mlarson.org/2010/11/30/its-not-worth-the-bother-of-killing-yourself/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s not worth the bother of killing yourself, since you always kill yourself too late.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Emil_Cioran&#34;&gt;Emil Cioran&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/Trouble-Being-Born-M-Cioran/dp/1559704624&#34;&gt;The Trouble with Being Born&lt;/a&gt;. (&lt;a href=&#34;http://writersnoonereads.tumblr.com/post/1611440660/no-one-reads-cioran-its-not-worth-the-bother&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Searchers: Radiohead’s unquiet revolution - The New Yorker</title>
    <link href="https://mlarson.org/2010/11/30/the-searchers-radioheads-unquiet-revolution/"/>
    <updated>2010-11-30T02:25:38.000Z</updated>
    <id>https://mlarson.org/2010/11/30/the-searchers-radioheads-unquiet-revolution/</id>
    <content type="html">&lt;p&gt;Alex Ross on tour with Radiohead. I like this bit from Nigel Godrich on Radiohead’s ongoing effort to figure out their sound and musical directions. At one point,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;People stopped talking to one another. ‘Insanity’ is the word. In the end, I think the debate was redundant, because the band ultimately kept doing what it has always done—zigzagging between extremes. Whenever we really did try to impose an aesthetic from the outside—the aesthetic being, say, electronic—it would fail. All the drama was just a form of procrastination.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/archive/2001/08/20/010820fa_FACT1?currentPage=all&#34;&gt;The Searchers: Radiohead’s unquiet revolution - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Anagnorisis - Wikipedia</title>
    <link href="https://mlarson.org/2010/11/30/anagnorisis-wikipedia/"/>
    <updated>2010-11-30T02:17:38.000Z</updated>
    <id>https://mlarson.org/2010/11/30/anagnorisis-wikipedia/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Anagnorisis&#34;&gt;Anagnorisis - Wikipedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2010</title>
    <link href="https://mlarson.org/2010/11/29/i-read-an-interview-with-tom-waits-around-the/"/>
    <updated>2010-11-29T16:20:47.000Z</updated>
    <id>https://mlarson.org/2010/11/29/i-read-an-interview-with-tom-waits-around-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I read an interview with Tom Waits, around the time of his album “Rain Dogs,” in which he talked about how you come to a point on an instrument where you have to stop playing it and find another instrument that you don’t know what you’re doing with. Part of songwriting is having that naïve excitement about not quite realizing why you’re getting off on it, because you haven’t had time to pull it apart yet. Songwriting relies on not pulling things apart: the best ideas are the simple ideas.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/archive/2001/08/20/010820on_onlineonly03&#34;&gt;Thom Yorke&lt;/a&gt; in an interview with Alex Ross.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2010</title>
    <link href="https://mlarson.org/2010/11/29/newspaperblackout-give-credit-and-get-out-of/"/>
    <updated>2010-11-29T16:18:40.000Z</updated>
    <id>https://mlarson.org/2010/11/29/newspaperblackout-give-credit-and-get-out-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lcnlryvdag1qz6f4bo1_r1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://newspaperblackout.tumblr.com/post/1727760695/give-credit-and-get-out-of-the-way-by&#34;&gt;newspaperblackout&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;“Give credit and get out of the way.”&lt;/strong&gt; by &lt;a href=&#34;http://tumblr.austinkleon.com/post/1727739414/give-credit-and-get-out-of-the-way&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Appropriate for Tumblr, no?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Not a Scorpio? &lt;a href=&#34;http://www.austinkleon.com/2010/11/29/horoscopes-5/&#34;&gt;Read your horoscope →&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2010</title>
    <link href="https://mlarson.org/2010/11/29/the-difference-between-potential-and-output-comes/"/>
    <updated>2010-11-29T02:35:57.000Z</updated>
    <id>https://mlarson.org/2010/11/29/the-difference-between-potential-and-output-comes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The difference between potential and output comes from human qualities. You can make a list of the qualities you admire and those you despise. To turn the tables, think if this is the way I react to the qualities on the list, which is the way the world will react to me. You can learn to turn on those qualities you want and turn off those qualities you wish to avoid. The chains of habit are too light to be felt until they are too heavy to be broken. You can’t change at 60; the time to look at that list is now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/#p10&#34;&gt;Warren Buffett&lt;/a&gt; on habits and being a better person. Ties in with some of my &lt;a href=&#34;http://www.mlarson.org/2010/05/04/connecting-some-threads-living-a-well-balanced-life/&#34;&gt;thoughts on a well-balanced life&lt;/a&gt; earlier this year. Write it down, check in every so often, re-calibrate as needed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What I&#39;ve been reading, vol. iv</title>
    <link href="https://mlarson.org/2010/11/29/20101129what-ive-been-reading-vol-iv/"/>
    <updated>2010-11-29T01:12:09.000Z</updated>
    <id>https://mlarson.org/2010/11/29/20101129what-ive-been-reading-vol-iv/</id>
    <content type="html">&lt;p&gt;Gotta say, these past two months have been pretty good for reading. From the most recent to the more distant in time: 1. &lt;a href=&#34;http://www.amazon.com/dp/0375423818&#34;&gt;Why Mahler?&lt;/a&gt;. This might be better for people who already care at least a little bit about Mahler, one of those characters that lends to incompleteness. Like talking about his music. Too vast, too contradictory, too universal, too personal. Still, it&#39;s a breezy, rangy biography mixed with some memoir, and it&#39;s a good read.&lt;/p&gt;
&lt;p&gt;2. &lt;a href=&#34;http://www.amazon.com/dp/0374187746/&#34;&gt;Listen to This&lt;/a&gt;. &lt;a href=&#34;http://www.therestisnoise.com/&#34;&gt;Alex Ross&lt;/a&gt; is one of my favorite writers. This book is mostly a collection of &lt;a href=&#34;http://www.newyorker.com/magazine/bios/alex_ross/search?contributorName=Alex%20Ross&#34;&gt;stuff he&#39;s written for The New Yorker&lt;/a&gt;. The essays I dog-eared most heavily were &lt;a href=&#34;http://www.therestisnoise.com/2010/09/yo-yo-chacona.html&#34;&gt;Chacona, Lamento, Walking Blues&lt;/a&gt;, &lt;a href=&#34;http://www.newyorker.com/archive/2005/06/06/050606crat_atlarge&#34;&gt;Infernal Machines&lt;/a&gt;, &lt;a href=&#34;http://www.newyorker.com/archive/2006/07/24/060724crat_atlarge&#34;&gt;The Storm of Style&lt;/a&gt;, &lt;a href=&#34;http://www.newyorker.com/reporting/2008/05/12/080512fa_fact_ross&#34;&gt;Song of the Earth&lt;/a&gt;, &lt;a href=&#34;http://www.newyorker.com/archive/2001/09/24/010924crat_atlarge&#34;&gt;Verdi&#39;s Grip&lt;/a&gt;, and his &lt;a href=&#34;http://www.newyorker.com/archive/2001/08/20/010820fa_FACT1&#34;&gt;writings on tour with Radiohead&lt;/a&gt; and &lt;a href=&#34;http://www.newyorker.com/archive/1999/05/10/1999_05_10_056_TNY_LIBRY_000018133&#34;&gt;Bob Dylan&lt;/a&gt; were interesting, too. He&#39;s also got a great &lt;a href=&#34;http://www.therestisnoise.com/listentothisaudio/&#34;&gt;audio guide for Listen to This&lt;/a&gt; like the &lt;a href=&#34;http://www.therestisnoise.com/2007/01/book-audiofiles.html&#34;&gt;one for The Rest is Noise&lt;/a&gt; (&lt;a href=&#34;/mark-larson-1/2007/11/29/the-rest-is-noise-listening-to-the-twentieth-century-review-55&#34;&gt;which is awesome&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;3. &lt;a href=&#34;http://www.amazon.com/dp/0399536108&#34;&gt;The Art of Non-Conformity&lt;/a&gt;. Got curious about this one because I recognized the brand. The &lt;a href=&#34;http://chrisguillebeau.com/3x5/&#34;&gt;blog&lt;/a&gt; is better.&lt;/p&gt;
&lt;p&gt;4. &lt;a href=&#34;http://www.amazon.com/dp/0199754276/&#34;&gt;The Music Instinct&lt;/a&gt;. Author Philip Ball struck me first and foremost as a very fair writer. It seems like he doesn&#39;t have very many bones to pick, aside from the fact that we should stay open-minded and &lt;a href=&#34;http://tumblr.mlarson.org/tagged/openearedness&#34;&gt;open-eared&lt;/a&gt;. The first 60-70% of the book, the best part, is nerdy stuff about music theory---the science of pitch, scales, harmony, timbre, rhythm, etc. He&#39;s glad to branch out across the world and not just focus on Western tradition. I found it quite good.&lt;/p&gt;
&lt;p&gt;5. &lt;a href=&#34;http://www.amazon.com/dp/0060186321&#34;&gt;The Substance of Style&lt;/a&gt;. Couldn&#39;t finish. Seemed sort of argument-by-anecdote-y, which is fine, but not what I wanted at the time.&lt;/p&gt;
&lt;p&gt;6. &lt;a href=&#34;http://www.amazon.com/dp/0375420827&#34;&gt;The Art of Travel&lt;/a&gt;. This is mostly worthwhile, the first half in particular. Each section centers around a topic (Anticipation, Curiosity, the Exotic, the Sublime, etc.), a tour guide of sorts (e.g. Huysmans, Humboldt, Baudelaire, Flaubert, Van Gogh), and de Botton&#39;s own observations and musings. It&#39;s a good, quick read.&lt;/p&gt;
&lt;p&gt;7. &lt;a href=&#34;http://www.amazon.com/dp/034551176X&#34;&gt;The Book of Basketball&lt;/a&gt;. I thought &lt;a href=&#34;/mark-larson-1/2010/11/04/the-book-of-basketball-review&#34;&gt;it was awesome&lt;/a&gt;. Rare to find any book, nonfiction or otherwise, that keeps you up late a few nights in a row.&lt;/p&gt;
&lt;p&gt;8. &lt;a href=&#34;http://www.amazon.com/dp/0374226504&#34;&gt;On Kindness&lt;/a&gt;. Another one that &lt;a href=&#34;/mark-larson-1/2010/11/04/on-kindness-review-45&#34;&gt;I really, really liked&lt;/a&gt; and shared a bunch of quotes from. Great brain food here.&lt;/p&gt;
&lt;p&gt;9. &lt;a href=&#34;http://www.amazon.com/dp/0312278675&#34;&gt;Steppenwolf&lt;/a&gt;. I read this one right after &amp;quot;The Moviegoer&amp;quot;, below. They both deal with existential angst, but this one is much more over-the-top, orotund, and, um, German. I think you could get your time&#39;s worth just reading the first 40 pages or so.&lt;/p&gt;
&lt;p&gt;10. &lt;a href=&#34;http://www.amazon.com/dp/0375701966/&#34;&gt;The Moviegoer&lt;/a&gt;. I liked this one alright. Nothing much happens in the story, but the narrator&#39;s struggles---with his own ambivalence, with relating to people, with finding satisfaction outside of passive distractions, etc.---were good food for thought.&lt;/p&gt;
&lt;p&gt;11. &lt;a href=&#34;http://www.amazon.com/dp/0451526554&#34;&gt;Jane Eyre&lt;/a&gt;. This was a bit of a drag. Either I&#39;m a curmudgeon with no heart or it&#39;s kind of boring. This was, however, the first book I read mostly on my iPad, so it was nice to have that experience. I would have shared a bunch of quotes and bon mots, but, alas, as of now there&#39;s no way to export highlights from iBooks other than tedious cut and paste. Maybe get to that later...&lt;/p&gt;
&lt;p&gt;I think I&#39;m due for some more fiction soon. More of what I&#39;ve read lately can be found in volumes &lt;a href=&#34;/mark-larson-1/2010/02/11/what-ive-been-reading&#34;&gt;one&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2010/04/13/what-ive-been-reading-vol-ii&#34;&gt;two&lt;/a&gt;, and &lt;a href=&#34;/mark-larson-1/2010/09/28/what-ive-been-reading-vol-iii&#34;&gt;three&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2010</title>
    <link href="https://mlarson.org/2010/11/28/an-expedition-across-iceland-alastair-humphreys/"/>
    <updated>2010-11-28T15:53:12.000Z</updated>
    <id>https://mlarson.org/2010/11/28/an-expedition-across-iceland-alastair-humphreys/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/16580852&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/16580852&#34;&gt;An Expedition Across Iceland&lt;/a&gt;. Alastair Humphreys also has a great &lt;a href=&#34;http://www.alastairhumphreys.com/adventures/transiceland/&#34;&gt;trip report&lt;/a&gt; of the journey from north to south over highlands and glaciers via foot and packraft. Man, I’d go back there in a heartbeat. (&lt;a href=&#34;http://www.hikinginfinland.com/2010/11/week-in-review_28.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Gangster Film vs. The Western</title>
    <link href="https://mlarson.org/2010/11/27/the-gangster-film-vs-the-western/"/>
    <updated>2010-11-27T21:32:00.000Z</updated>
    <id>https://mlarson.org/2010/11/27/the-gangster-film-vs-the-western/</id>
    <content type="html">&lt;p&gt;Notes from Robert Warshow’s “Movie Chronicle: The Westerner”. The full essay is in &lt;a href=&#34;http://www.amazon.com/dp/0195365623&#34;&gt;Film Theory and Criticism&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://davidlavery.net/courses/Gangster/gangster-western.htm&#34;&gt;The Gangster Film vs. The Western&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2010</title>
    <link href="https://mlarson.org/2010/11/27/anns-snack-bar-in-atlanta-nytimescom-home-of/"/>
    <updated>2010-11-27T21:10:00.000Z</updated>
    <id>https://mlarson.org/2010/11/27/anns-snack-bar-in-atlanta-nytimescom-home-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lckasos8qd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/11/27/us/27burger.html&#34;&gt;Ann’s Snack Bar in Atlanta - NYTimes.com&lt;/a&gt;. Home of the &lt;a href=&#34;http://www.cheese-burger.net/stories/anns-snack-bar.html&#34;&gt;Ghetto&lt;/a&gt; &lt;a href=&#34;http://www.foodiebuddha.com/2010/05/10/the-making-of-the-ghetto-burger-at-anns-snack-bar-burger-porn-videos/&#34;&gt;Burger&lt;/a&gt;. Photo by David Walter Banks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Terror management theory - Wikipedia</title>
    <link href="https://mlarson.org/2010/11/27/terror-management-theory-wikipedia/"/>
    <updated>2010-11-27T21:02:18.000Z</updated>
    <id>https://mlarson.org/2010/11/27/terror-management-theory-wikipedia/</id>
    <content type="html">&lt;p&gt;“A theory within psychology that focuses on the implicit emotional reactions of people that occur when confronted with the psychological terror of knowing we will eventually die.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Terror_management_theory&#34;&gt;Terror management theory - Wikipedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Barry Forshaw on Film Noir | FiveBooks</title>
    <link href="https://mlarson.org/2010/11/27/barry-forshaw-on-film-noir-fivebooks/"/>
    <updated>2010-11-27T20:35:38.000Z</updated>
    <id>https://mlarson.org/2010/11/27/barry-forshaw-on-film-noir-fivebooks/</id>
    <content type="html">&lt;p&gt;Five books about &lt;a href=&#34;http://tumblr.mlarson.org/tagged/filmnoir&#34;&gt;one of my favorite genres&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fivebooks.com/interviews/barry-forshaw-on-film-noir&#34;&gt;Barry Forshaw on Film Noir | FiveBooks&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2010</title>
    <link href="https://mlarson.org/2010/11/27/cracked-actor-a-1974-documentary-about-david/"/>
    <updated>2010-11-27T19:45:00.000Z</updated>
    <id>https://mlarson.org/2010/11/27/cracked-actor-a-1974-documentary-about-david/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://video.google.com/googleplayer.swf?docid=-429911856936674075&amp;amp;hl=en&amp;amp;fs=true&#34;&gt;http://video.google.com/googleplayer.swf?docid=-429911856936674075&amp;amp;hl=en&amp;amp;fs=true&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://video.google.com/videoplay?docid=-429911856936674075&#34;&gt;Cracked Actor&lt;/a&gt;, a 1974 documentary about David Bowie, filmed during the &lt;a href=&#34;http://en.wikipedia.org/wiki/Diamond_Dogs&#34;&gt;Diamond Dogs&lt;/a&gt; tour. There’s some really cool performance footage in there. &lt;a href=&#34;http://en.wikipedia.org/wiki/Cracked_Actor&#34;&gt;Wikipedia&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/#!/newinquiry/status/8576850276130816&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://video.google.com/&#34;&gt;http://video.google.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wehr in the World: Fear of death in the workplace</title>
    <link href="https://mlarson.org/2010/11/27/wehr-in-the-world-fear-of-death-in-the-workplace/"/>
    <updated>2010-11-27T19:36:00.000Z</updated>
    <id>https://mlarson.org/2010/11/27/wehr-in-the-world-fear-of-death-in-the-workplace/</id>
    <content type="html">&lt;p&gt;I like that there’s a field of research called “terror management theory”.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/11/fear-of-death-in-workplace.html&#34;&gt;Wehr in the World: Fear of death in the workplace&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Afghanistan&#39;s Wakhan Corridor - Benjamin Rasmussen</title>
    <link href="https://mlarson.org/2010/11/27/afghanistans-wakhan-corridor-benjamin-rasmussen/"/>
    <updated>2010-11-27T19:33:15.000Z</updated>
    <id>https://mlarson.org/2010/11/27/afghanistans-wakhan-corridor-benjamin-rasmussen/</id>
    <content type="html">&lt;p&gt;Nice photos of the isolated northeast section of Afghanistan that hasn’t been much troubled by the ongoing war. (&lt;a href=&#34;http://funkaoshi.com/linklog/link-13233&#34;&gt;via&lt;/a&gt;) It was &lt;a href=&#34;http://www.nytimes.com/2010/10/28/world/asia/28wakhan.html&#34;&gt;recently covered in the NYT&lt;/a&gt; as well.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://benjaminrasmussenphoto.com/#/projects/afghanistans-wakhan-corridor/16452061_01&#34;&gt;Afghanistan&#39;s Wakhan Corridor - Benjamin Rasmussen&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Read to Lead: How to Digest Books Above Your “Level” - RyanHoliday.net</title>
    <link href="https://mlarson.org/2010/11/26/read-to-lead-how-to-digest-books-above-your/"/>
    <updated>2010-11-26T20:14:56.000Z</updated>
    <id>https://mlarson.org/2010/11/26/read-to-lead-how-to-digest-books-above-your/</id>
    <content type="html">&lt;p&gt;Many good ideas on mercenary reading here. Feel free to set aside the “rules” of front-to-back reading. Gotta participate actively and take what you need.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The work is an expression of the message, not the message itself. So forget everything but that message and how to apply it to your life. Dates, names, pronunciations–-they only matter in how they provide context for the lesson at hand.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You ought to ruin the ending–-or find out the basic assertions of the book–-because it frees you up to focus on your two most important tasks: 1) What does it mean? 2) Do you agree with it? The first 50 pages of the book shouldn’t be a discovery process for you; you shouldn’t be wasting your time figuring out what the author is trying to say. Instead, your energy needs to be spent on figuring out if he’s right and how you can benefit from it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ryanholiday.net/read-to-lead-how-to-digest-books-above-your-level/&#34;&gt;Read to Lead: How to Digest Books Above Your “Level” - RyanHoliday.net&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Simple Man</title>
    <link href="https://mlarson.org/2010/11/26/a-single-man-its-okay-heavily-art-directed-in-a/"/>
    <updated>2010-11-26T19:55:53.000Z</updated>
    <id>https://mlarson.org/2010/11/26/a-single-man-its-okay-heavily-art-directed-in-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lcic7gk5sl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Single_Man_%28film%29&#34;&gt;A Single Man&lt;/a&gt;. It’s okay. Heavily art-directed in a &lt;a href=&#34;http://tumblr.mlarson.org/tagged/wesanderson&#34;&gt;Wes Anderson&lt;/a&gt; kind of way that’s both really sharp and a little bit dead. It sometimes feels like a product shoot. Ponderous. Never funny. Both of these things could be conscious choices tied to the main character’s public facade of neat, refined detachment that hides his inner chaos. His lover is dead. I like how Ford plays with the colors and hues in this one. Most of Colin Firth’s daily life is in a muted, greyish-brownish palette. In moments of clarity or lust or novelty, the palette becomes richer, warmer, shades of red and gold. Not at all subtle, but it’s a neat trick.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2010</title>
    <link href="https://mlarson.org/2010/11/23/no-hipster-hats-no-acoustic-guitar-in-the/"/>
    <updated>2010-11-23T23:07:00.000Z</updated>
    <id>https://mlarson.org/2010/11/23/no-hipster-hats-no-acoustic-guitar-in-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lcd1l336nb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;No hipster hats. No acoustic guitar in the studio.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.complex.com/CELEBRITIES/Cover-Story/kanye-west-project-runaway/kanye-west-2010-gallery#13&#34;&gt;Kanye West&lt;/a&gt; during the making of &lt;a href=&#34;http://www.amazon.com/dp/B004BSIJ9Q/&#34;&gt;My Beautiful Dark Twisted Fantasy&lt;/a&gt;. Photo By &lt;a href=&#34;http://www.nabil.com/&#34;&gt;Nabil Elderkin&lt;/a&gt;. (&lt;a href=&#34;http://submittedforyourperusal.com/2010/11/23/focus/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2010</title>
    <link href="https://mlarson.org/2010/11/23/peachtree-street-on-a-rainy-night-atlanta-1951/"/>
    <updated>2010-11-23T18:08:15.000Z</updated>
    <id>https://mlarson.org/2010/11/23/peachtree-street-on-a-rainy-night-atlanta-1951/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lccnpsl59b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://webapp1.dlib.indiana.edu/cushman/results/detail.do?&amp;amp;pnum=P05129&#34;&gt;Peachtree Street on a rainy night&lt;/a&gt;. Atlanta, 1951. Photo by &lt;a href=&#34;http://webapp1.dlib.indiana.edu/cushman/&#34;&gt;Charles Kushman&lt;/a&gt;. I wish &lt;a href=&#34;http://en.wikipedia.org/wiki/Loew%27s_Grand_Theatre&#34;&gt;Loew’s Grand Theatre&lt;/a&gt; were still around.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2010</title>
    <link href="https://mlarson.org/2010/11/23/martin-luther-king-jr-ive-been-to-the/"/>
    <updated>2010-11-23T16:19:13.000Z</updated>
    <id>https://mlarson.org/2010/11/23/martin-luther-king-jr-ive-been-to-the/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;http://174.132.193.190/~eiden/mp3clips/politicalspeeches/mlkmountaintop.mp3?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/1659581881/audio_player_iframe/mlarson/tumblr_lccio1eZr71qzcye0?audio_file=http%3A%2F%2F174.132.193.190%2F%7Eeiden%2Fmp3clips%2Fpoliticalspeeches%2Fmlkmountaintop.mp3&#34;&gt;http://mlarson.tumblr.com/post/1659581881/audio_player_iframe/mlarson/tumblr_lccio1eZr71qzcye0?audio_file=http%3A%2F%2F174.132.193.190%2F%7Eeiden%2Fmp3clips%2Fpoliticalspeeches%2Fmlkmountaintop.mp3&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.americanrhetoric.com/speeches/mlkivebeentothemountaintop.htm&#34;&gt;Martin Luther King, Jr. - I’ve Been to the Mountaintop&lt;/a&gt;, 3 April 1968, Mason Temple (Church of God in Christ Headquarters) in Memphis, Tennessee. &lt;a href=&#34;http://www.americanrhetoric.com/speeches/mlkivebeentothemountaintop.htm&#34;&gt;Transcript&lt;/a&gt;. What an amazing speaker.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2010</title>
    <link href="https://mlarson.org/2010/11/23/i-have-to-look-them-in-the-eye-and-decide-whether/"/>
    <updated>2010-11-23T15:01:24.000Z</updated>
    <id>https://mlarson.org/2010/11/23/i-have-to-look-them-in-the-eye-and-decide-whether/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I have to look them in the eye and decide whether they love the business or they love the money. It’s fine if they love the money, but they have to love the business more. Why do I come in at 7 every morning, can’t wait to get to work? It’s because I get to paint my own painting and I like applause.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt; on choosing good managers.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2010</title>
    <link href="https://mlarson.org/2010/11/23/big-boi-and-andre-3000-1994-with-atlanta-dj-greg/"/>
    <updated>2010-11-23T14:37:58.000Z</updated>
    <id>https://mlarson.org/2010/11/23/big-boi-and-andre-3000-1994-with-atlanta-dj-greg/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lccdzb29ky1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://atlbook.com/archives/835&#34;&gt;Big Boi and André 3000&lt;/a&gt;, 1994, with Atlanta DJ Greg Street.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>James Kibbie - Bach Organ Works</title>
    <link href="https://mlarson.org/2010/11/22/james-kibbie-bach-organ-works/"/>
    <updated>2010-11-22T16:16:00.000Z</updated>
    <id>https://mlarson.org/2010/11/22/james-kibbie-bach-organ-works/</id>
    <content type="html">&lt;p&gt;Internet treasure &lt;a href=&#34;http://twitter.com/alexrossmusic/status/6446315953201152&#34;&gt;via Alex Ross&lt;/a&gt;: free downloads of all of Bach’s organ pieces. I’ve listened to about 2.5 of the 18 hours’ worth. So far so good. The only reason not to get these is if you don’t like Bach or organ or music, and you’d be wrong on all three counts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.blockmrecords.org/bach/index.htm&#34;&gt;James Kibbie - Bach Organ Works&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>La Boulangère de Monceau (The Bakery Girl of Monceau)</title>
    <link href="https://mlarson.org/2010/11/22/la-boulangere-de-monceau-the-bakery-girl-of/"/>
    <updated>2010-11-22T14:19:06.000Z</updated>
    <id>https://mlarson.org/2010/11/22/la-boulangere-de-monceau-the-bakery-girl-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lc9r24m1ql1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Bakery_Girl_of_Monceau&#34;&gt;La Boulangère de Monceau (The Bakery Girl of Monceau)&lt;/a&gt;. Another &lt;a href=&#34;http://en.wikipedia.org/wiki/%C3%89ric_Rohmer&#34;&gt;Éric Rohmer&lt;/a&gt; film (&lt;a href=&#34;http://tumblr.mlarson.org/post/1553181118/la-collectionneuse-one-of-eric-rohmers-six-moral&#34;&gt;previously&lt;/a&gt;), the first of his Six Moral Tales. This is a worthy short one, only 23 minutes. The focus is an everyday occurrence: a guy sees an attractive gal on the street, doesn’t say anything, regrets it, then toys with a bakery girl as a substitute as he tries to find the first. The man’s narration is an out-loud self-analysis, full of his internal churning, hedges and rationalizations about his choices. Here’s a &lt;a href=&#34;http://www.criterion.com/current/posts/433-eric-rohmer-blueprints-for-a-brilliant-oeuvre&#34;&gt;Criterion essay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2010</title>
    <link href="https://mlarson.org/2010/11/22/if-i-could-have-lunch-with-one-person-ive-never/"/>
    <updated>2010-11-22T03:43:22.000Z</updated>
    <id>https://mlarson.org/2010/11/22/if-i-could-have-lunch-with-one-person-ive-never/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lc9opuv2jg1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[If I could have lunch with one person I’ve never met] I would have to say Isaac Newton or Benjamin Franklin. I’ve met a lot of interesting people and some uninteresting ones, too. The two men had a bigger grasp of the world they lived in. But I don’t think I would pass up an opportunity with Sophia Loren.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;-&lt;a href=&#34;http://buffettfaq.com/#p11&#34;&gt;Warren Buffett&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://images.google.com/hosted/life/l?imgurl=2542e506015a97c8&#34;&gt;Sophia Loren&lt;/a&gt;. Rome, June 1961. Photo by &lt;a href=&#34;http://en.wikipedia.org/wiki/Alfred_Eisenstaedt&#34;&gt;Alfred Eisenstaedt&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Paris Review - The Art of Nonfiction No. 3, John McPhee</title>
    <link href="https://mlarson.org/2010/11/22/paris-review-the-art-of-nonfiction-no-3-john/"/>
    <updated>2010-11-22T02:25:49.000Z</updated>
    <id>https://mlarson.org/2010/11/22/paris-review-the-art-of-nonfiction-no-3-john/</id>
    <content type="html">&lt;p&gt;Great interview. McPhee says gathering facts and writing nonfiction (as opposed to more self-generated fiction stuff) is like going from the grocery store to the kitchen:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I always say to my classes that it’s analogous to cooking a dinner. You go to the store and you buy a lot of things. You bring them home and you put them on the kitchen counter, and that’s what you’re going to make your dinner out of. If you’ve got a red pepper over here—it’s not a tomato. You’ve got to deal with what you’ve got. You don’t have an ideal collection of material every time out. […]&lt;/p&gt;
&lt;p&gt;Once I’ve written the lead, I read the notes and then I read them again. I read them until they’re coming out my ears. Ideas occur, but what I’m doing, basically, is looking for logical ways in which to subdivide the material. I’m looking for things that fit together, things that relate. For each of these components, I create a code—it’s like an airport code. If a topic is upstate New York, I’ll write UNY or something in the margin. When I get done, the mass of notes has some tiny code beside each note. And I write each code on an index card.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That’s &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/lay_it_all_out_where_you_can_look_at_it&#34;&gt;laying it all out where he can look at it&lt;/a&gt;. It’s a technique he got from his high school writing teacher. One cool thing he found is that when you get the structure set, you can let the juxtapositions do some storytelling for you. In &lt;em&gt;Encounters with the Archdruid&lt;/em&gt;, for example:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The whole book had thirty-six components. What I ended up with was thirty-six three-by-five cards, each with a code word. Some of these things are absolutely dictated by the story of the journey down the Colorado River. But the choices are interesting where it’s not dictated, like the facts of David Brower’s life.&lt;/p&gt;
&lt;p&gt;I knew where I was going to start, but I didn’t know the body of the thing. I went into a seminar room here at the university, and I laid the thirty-six cards out on the table. I just looked and looked at them. After a while I was looking at two cards: Upset Rapid, which is a big-time rapid in the Colorado River, and Alpinist. In Upset Rapid, Brower doesn’t ride the rapid. Why doesn’t he ride the rapid? His answer to Floyd Dominy is, “Because I’m chicken.” That’s a pretty strong scene. What next? Well, there are more than seventy peaks in the Sierra Nevada that were first ascended by David Brower, hanging by his fingernails on some cliff. “Because I’m chicken”? This juxtaposition is just loaded with irony, and by putting the Alpinist right after Upset Rapid, in the white space between those two sections there’s a hell of a lot of stuff that I don’t have to say. It’s told by the structure. It’s all crackling along between those two things. So I put those two cards side by side. Now there are thirty-four other parts there on the table.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/5997/the-art-of-nonfiction-no-3-john-mcphee&#34;&gt;Paris Review - The Art of Nonfiction No. 3, John McPhee&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Paris Review - The Art of Poetry No. 30, Philip Larkin</title>
    <link href="https://mlarson.org/2010/11/22/paris-review-the-art-of-poetry-no-30-philip/"/>
    <updated>2010-11-22T02:07:07.000Z</updated>
    <id>https://mlarson.org/2010/11/22/paris-review-the-art-of-poetry-no-30-philip/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think a young poet, or an old poet, for that matter, should try to produce something that pleases himself personally, not only when he’s written it but a couple of weeks later. Then he should see if it pleases anyone else, by sending it to the kind of magazine he likes reading. But if it doesn’t, he shouldn’t be discouraged. I mean, in the seventeenth century every educated man could turn a verse and play the lute. Supposing no one played tennis because they wouldn’t make Wimbledon? First and foremost, writing poems should be a pleasure. So should reading them, by God.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You’re probably better off if you can tolerate, or even enjoy, your own mediocrity as long as it takes to get something made. What’s &lt;a href=&#34;http://sivers.org/obvious&#34;&gt;obvious to you could be amazing to others&lt;/a&gt;. And fortunately, whether it’s good or bad, &lt;a href=&#34;http://tumblr.mlarson.org/post/592570782/things-won-are-done-joys-soul-lies-in-the-doing&#34;&gt;joy’s soul lies in the doing&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/3153/the-art-of-poetry-no-30-philip-larkin&#34;&gt;Paris Review - The Art of Poetry No. 30, Philip Larkin&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2010</title>
    <link href="https://mlarson.org/2010/11/22/nowadays-while-literary-men-seem-to-have/"/>
    <updated>2010-11-22T02:00:55.000Z</updated>
    <id>https://mlarson.org/2010/11/22/nowadays-while-literary-men-seem-to-have/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Nowadays, while literary men seem to have neglected their epic duties, the epic has been saved for us, strangely enough, by the Westerns.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/4331/the-art-of-fiction-no-39-jorge-luis-borges&#34;&gt;Jorge Luis Borges&lt;/a&gt; in an otherwise somewhat disappointing Paris Review interview.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 21, 2010</title>
    <link href="https://mlarson.org/2010/11/21/i-bet-we-all-in-this-room-live-about-the-same-we/"/>
    <updated>2010-11-21T21:34:17.000Z</updated>
    <id>https://mlarson.org/2010/11/21/i-bet-we-all-in-this-room-live-about-the-same-we/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I bet we all in this room live about the same. We eat about the same and sleep about the same. We pretty much drive a car for 10 years. All this stuff doesn’t make it any different. I will watch the Super Bowl on a big screen television just like you. We are living the same life. I have two luxuries: I get to do what I want to do every day and I get to travel a lot faster than you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Notorious</title>
    <link href="https://mlarson.org/2010/11/21/notorious-highly-recommended-were-back-in/"/>
    <updated>2010-11-21T21:30:52.000Z</updated>
    <id>https://mlarson.org/2010/11/21/notorious-highly-recommended-were-back-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lc96f3knqu1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Notorious_%281946_film%29&#34;&gt;Notorious&lt;/a&gt;. Highly recommended. We’re back in quality Hitchcock territory after &lt;a href=&#34;http://tumblr.mlarson.org/post/1591622471/north-by-northwest-sorry-folks-i-found-this&#34;&gt;that last fiasco&lt;/a&gt;. Grant recruits the scandalous socialite Bergman as a fellow spy. They go down to Rio and struggle with how far to take their work and their love. The highlight for me was the party/wine cellar scene (which &lt;a href=&#34;http://www.youtube.com/watch?v=B1dc9Y614Ao#t=4m00s&#34;&gt;starts with a famous shot&lt;/a&gt;). The ingenious tension in this comes from the simple issue of whether there is enough champagne, and thus, is there time/cover to sneak into the wine cellar? And there’s the clever screenwriting where &lt;a href=&#34;http://www.youtube.com/watch?v=B1dc9Y614Ao#t=8m55s&#34;&gt;Bergman excuses herself&lt;/a&gt; to request that the band play Brazilian music instead of waltzes, which also refreshes the soundtrack for the subsequent cellar snooping. And I tell you what: Bergman is an incredible actress–maybe my favorite female film star? I like Grant in this one, too. I’ve long been ambivalent about him on screen, but I like that this role seems to have a touch of menace underneath, and a little less confidence. Great movie. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19970817/REVIEWS08/40802008/1023&#34;&gt;Ebert says&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Purloined Letters: Are we too quick to denounce plagiarism?</title>
    <link href="https://mlarson.org/2010/11/21/purloined-letters-are-we-too-quick-to-denounce/"/>
    <updated>2010-11-21T16:57:58.000Z</updated>
    <id>https://mlarson.org/2010/11/21/purloined-letters-are-we-too-quick-to-denounce/</id>
    <content type="html">&lt;p&gt;A brief essay James R. Kincaid in The New Yorker, January 20, 1997. I like this bit, quoting Helen Keller:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is certain that I cannot always distinguish my own thoughts from those I read, because what I read becomes the very substance and text of my mind.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That’s &lt;a href=&#34;http://www.afb.org/mylife/book.asp?ch=P1Ch14&#34;&gt;found in her autobiography&lt;/a&gt;, where she goes on to say:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Consequently, in nearly all that I write, I produce something which very much resembles the crazy patchwork I used to make when I first learned to sew. This patchwork was made of all sorts of odds and ends–pretty bits of silk and velvet; but the coarse pieces that were not pleasant to touch always predominated. Likewise my compositions are made up of crude notions of my own, inlaid with the brighter thoughts and riper opinions of the authors I have read. It seems to me that the great difficulty of writing is to make the language of the educated mind express our confused ideas, half feelings, half thoughts, when we are little more than bundles of instinctive tendencies. Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design. But we keep on trying because we know that others have succeeded, and we are not willing to acknowledge defeat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tnellen.com/cybereng/ethics/purloined.html&#34;&gt;Purloined Letters: Are we too quick to denounce plagiarism?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jodie Foster goes to college :: rogerebert.com</title>
    <link href="https://mlarson.org/2010/11/20/jodie-foster-goes-to-college-rogerebertcom/"/>
    <updated>2010-11-20T19:39:31.000Z</updated>
    <id>https://mlarson.org/2010/11/20/jodie-foster-goes-to-college-rogerebertcom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I don’t see myself getting married much before I’m 26. I won’t have the time, and, besides, I’m not mature enough to be nice to anyone else. I like being alone, without anyone to bother me. What if I got married to someone who wouldn’t let me lock myself in my room for six days and read?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19800413/PEOPLE/4130301&#34;&gt;Jodie Foster goes to college :: rogerebert.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 20, 2010</title>
    <link href="https://mlarson.org/2010/11/20/theres-always-been-a-market-for-people-who/"/>
    <updated>2010-11-20T19:35:33.000Z</updated>
    <id>https://mlarson.org/2010/11/20/theres-always-been-a-market-for-people-who/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s always been a market for people who pretend to know the future. Listening to today’s forecasters is just as crazy as when the king hired the guy to look at the sheep guts. It happens over and over and over.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Charlie Munger&lt;/a&gt; on business forecasting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 20, 2010</title>
    <link href="https://mlarson.org/2010/11/20/the-market-knows-nothing-about-my-feelings-that/"/>
    <updated>2010-11-20T19:34:00.000Z</updated>
    <id>https://mlarson.org/2010/11/20/the-market-knows-nothing-about-my-feelings-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The market knows nothing about my feelings. That is one of the first things you have to learn about a stock. You buy 100 shares of General Motors (GM). Now all of a sudden you have this feeling about GM. It goes down, you may be mad at it. You may say, “Well, if it just goes up for what I paid for it, my life will be wonderful again.” Or if it goes up, you may say how smart you were and how you and GM have this love affair. You have got all these feelings. The stock doesn’t know you own it.&lt;/p&gt;
&lt;p&gt;The stock just sits there; it doesn’t care what you paid or the fact that you own it. Any feeling I have about the market is not reciprocated. I mean it is the ultimate cold shoulder we are talking about here.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warrren Buffett&lt;/a&gt; on the emotional void of the stock market.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Excerpt from Jay-Z&#39;s New Book &#39;Decoded&#39;: Cristal&#39;s Diss of Hip-Hop - TIME</title>
    <link href="https://mlarson.org/2010/11/19/excerpt-from-jay-zs-new-book-decoded-cristals/"/>
    <updated>2010-11-19T21:35:52.000Z</updated>
    <id>https://mlarson.org/2010/11/19/excerpt-from-jay-zs-new-book-decoded-cristals/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The same goes for other brands: Timberland and Courvoisier, Versace and Maybach. We gave those brands a narrative, which is one of the reasons anyone buys anything: not just to own a product, but to become part of a story. […] It wasn’t just a premium champagne anymore — it was a prop in an exciting story, a portal into a whole world. Just by drinking it, we infused their product with our story, an ingredient that they could never bottle on their own.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.time.com/time/arts/article/0,8599,2032217,00.html&#34;&gt;Excerpt from Jay-Z&#39;s New Book &#39;Decoded&#39;: Cristal&#39;s Diss of Hip-Hop - TIME&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Astroturfing - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2010/11/19/astroturfing-wikipedia-the-free-encyclopedia/"/>
    <updated>2010-11-19T17:40:00.000Z</updated>
    <id>https://mlarson.org/2010/11/19/astroturfing-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://en.wikipedia.org/wiki/Brooks_Brothers_riot&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://fivethirtyeight.blogs.nytimes.com/2010/11/18/the-hidden-costs-of-extra-airport-security/&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Astroturfing denotes political, advertising, or public relations campaigns that are formally planned by an organization, but are disguised as spontaneous, popular “grassroots” behavior.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Astroturfing&#34;&gt;Astroturfing - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 19, 2010</title>
    <link href="https://mlarson.org/2010/11/19/avoid-evil-particularly-if-theyre-attractive/"/>
    <updated>2010-11-19T16:03:50.000Z</updated>
    <id>https://mlarson.org/2010/11/19/avoid-evil-particularly-if-theyre-attractive/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Avoid evil, particularly if they’re attractive members of the opposite sex.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Charlie Munger&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Library of Babel - Jorge Luis Borges</title>
    <link href="https://mlarson.org/2010/11/19/the-library-of-babel-jorge-luis-borges/"/>
    <updated>2010-11-19T16:03:27.000Z</updated>
    <id>https://mlarson.org/2010/11/19/the-library-of-babel-jorge-luis-borges/</id>
    <content type="html">&lt;p&gt;Re-read this great story last night. I’ll have to try some other translations.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.acsu.buffalo.edu/%7ejatill/175/libraryf.htm&#34;&gt;The Library of Babel - Jorge Luis Borges&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 19, 2010</title>
    <link href="https://mlarson.org/2010/11/19/it-suffices-that-a-book-be-possible-for-it-to/"/>
    <updated>2010-11-19T15:55:46.000Z</updated>
    <id>https://mlarson.org/2010/11/19/it-suffices-that-a-book-be-possible-for-it-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It suffices that a book be possible for it to exist.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.acsu.buffalo.edu/%7ejatill/175/libraryf.htm&#34;&gt;Jorge Luis Borges&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 19, 2010</title>
    <link href="https://mlarson.org/2010/11/19/warren-buffett-plays-the-ukulele-im-trying-to/"/>
    <updated>2010-11-19T04:27:33.000Z</updated>
    <id>https://mlarson.org/2010/11/19/warren-buffett-plays-the-ukulele-im-trying-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lc471x7caq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/daily/intel/2010/02/more_steaks_less_shakes_for_bu.html&#34;&gt;Warren Buffett plays the ukulele&lt;/a&gt;. I’m trying to stagger all the Buffett stuff I’ve found lately, but sometimes it’s really hard to hold back.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bibliography concerning Warren Buffett</title>
    <link href="https://mlarson.org/2010/11/19/bibliography-concerning-warren-buffett/"/>
    <updated>2010-11-19T02:40:57.000Z</updated>
    <id>https://mlarson.org/2010/11/19/bibliography-concerning-warren-buffett/</id>
    <content type="html">&lt;p&gt;Books and other writings by/recommended by/about Warren Buffett.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://futile.free.fr/wbbiblious.html&#34;&gt;Bibliography concerning Warren Buffett&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2010</title>
    <link href="https://mlarson.org/2010/11/17/hang-around-people-who-are-better-than-you-all-the/"/>
    <updated>2010-11-17T22:57:00.000Z</updated>
    <id>https://mlarson.org/2010/11/17/hang-around-people-who-are-better-than-you-all-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Hang around people who are better than you all the time. You do pick up the behavior of people who are around you. It will make you a better person. Marry upward. That is the person who is going to have the biggest effect on you. A relationship like that over the decades will do nothing but good.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt;. And if you can’t find/identify people who are better than you, you’re probably an asshole.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2010</title>
    <link href="https://mlarson.org/2010/11/17/patpadua-purchased-at-the-antiques-garage-in/"/>
    <updated>2010-11-17T22:53:46.000Z</updated>
    <id>https://mlarson.org/2010/11/17/patpadua-purchased-at-the-antiques-garage-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lc0hkxxiyj1qacumpo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://patpadua.tumblr.com/post/1597305190/purchased-at-the-antiques-garage-in-chelsea-the&#34;&gt;patpadua&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Purchased at the Antiques Garage in Chelsea. The only identifying mark on the back of this print was the handwritten word “Beatles.”&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2010</title>
    <link href="https://mlarson.org/2010/11/17/toni-braxton-another-sad-love-song-insta-reblog/"/>
    <updated>2010-11-17T22:52:01.000Z</updated>
    <id>https://mlarson.org/2010/11/17/toni-braxton-another-sad-love-song-insta-reblog/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/ivRAaqECo_A&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=ivRAaqECo_A&#34;&gt;Toni Braxton - Another Sad Love Song&lt;/a&gt;. Insta-reblog in honor of my &lt;a href=&#34;http://fuckyeahslowjamz.tumblr.com/&#34;&gt;new favorite tumblr&lt;/a&gt; ever of the day.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2010</title>
    <link href="https://mlarson.org/2010/11/17/george-gershwin-self-portrait/"/>
    <updated>2010-11-17T17:40:00.000Z</updated>
    <id>https://mlarson.org/2010/11/17/george-gershwin-self-portrait/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lc1iflem1m1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.loc.gov/rr/perform/guide/spcmus.html&#34;&gt;George Gershwin&lt;/a&gt;. Self-portrait.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2010</title>
    <link href="https://mlarson.org/2010/11/17/self-portrait-by-darius-milhaud-owned-by-dave-and/"/>
    <updated>2010-11-17T17:25:00.000Z</updated>
    <id>https://mlarson.org/2010/11/17/self-portrait-by-darius-milhaud-owned-by-dave-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lc1hq4zhhm1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Self-portrait by &lt;a href=&#34;http://en.wikipedia.org/wiki/Darius_Milhaud&#34;&gt;Darius Milhaud&lt;/a&gt;, owned by Dave and Iola Brubeck. Great story at &lt;a href=&#34;http://www.therestisnoise.com/2010/11/milhaud-comes-home.html&#34;&gt;The Rest Is Noise: Milhaud comes home&lt;/a&gt;. Brubeck named his oldest son Darius, by the way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2010</title>
    <link href="https://mlarson.org/2010/11/16/when-charlie-and-i-disagree-charlie-says-in-the/"/>
    <updated>2010-11-16T16:03:15.000Z</updated>
    <id>https://mlarson.org/2010/11/16/when-charlie-and-i-disagree-charlie-says-in-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When Charlie and I disagree, Charlie says, “In the end you’ll see it my way, because you’re smart and I’m right!”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>North by Northwest</title>
    <link href="https://mlarson.org/2010/11/16/north-by-northwest-sorry-folks-i-found-this/"/>
    <updated>2010-11-16T15:22:28.000Z</updated>
    <id>https://mlarson.org/2010/11/16/north-by-northwest-sorry-folks-i-found-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbzhdhpabe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/North_by_Northwest&#34;&gt;North by Northwest&lt;/a&gt;. Sorry, folks. I found this pretty boring. There are, however, &lt;a href=&#34;http://www.criterion.com/current/posts/910-north-by-northwest&#34;&gt;good reasons to disagree&lt;/a&gt;. My current &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;Hitchcock&lt;/a&gt; rankings:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1159524247/rear-window-good-lord-this-is-a-near-perfect&#34;&gt;Rear Window&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/508261539/to-catch-a-thief-its-a-romance-packaged-in-a&#34;&gt;To Catch a Thief&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/1288217305/vertigo-the-first-hour-was-really-fun-theres&#34;&gt;Vertigo&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/237574118/psycho-had-a-second-viewing-this-weekend-as-good&#34;&gt;Psycho&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/232523211/the-man-who-knew-too-much-1934-dnf-i-get-the&#34;&gt;The Man Who Knew Too Much&lt;/a&gt; and this one tied for last.&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>El Secreto de Sus Ojos (The Secret in Their Eyes)</title>
    <link href="https://mlarson.org/2010/11/15/el-secreto-de-sus-ojos-the-secret-in-their-eyes/"/>
    <updated>2010-11-15T04:51:50.000Z</updated>
    <id>https://mlarson.org/2010/11/15/el-secreto-de-sus-ojos-the-secret-in-their-eyes/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbwtiehcte1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Secret_in_Their_Eyes&#34;&gt;El Secreto de Sus Ojos (The Secret in Their Eyes)&lt;/a&gt;. A retired detective-cum-novelist pursues a cold case and a lost love, and it’s pretty damn good. A few parts here and there feel a bit telenovela, but on the whole it’s a steady, confident story with some really solid side characters–especially &lt;a href=&#34;http://en.wikipedia.org/wiki/Guillermo_Francella&#34;&gt;Guillermo Francella&lt;/a&gt;. Also includes a &lt;a href=&#34;http://features.cgsociety.org/story_custom.php?story_id=5559&#34;&gt;ridiculously good chase&lt;/a&gt; and one of the most electric elevator scenes on film. You just feel your stomach drop. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20100421/REVIEWS/100429994&#34;&gt;Ebert says ★★★★&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2010</title>
    <link href="https://mlarson.org/2010/11/14/we-do-not-bring-in-compensation-consultants-and-we/"/>
    <updated>2010-11-14T14:08:23.000Z</updated>
    <id>https://mlarson.org/2010/11/14/we-do-not-bring-in-compensation-consultants-and-we/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We do not bring in compensation consultants and we don’t have a human resources department, legal department, etc. That makes life way too complicated, and people get vested in going to conferences.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2010</title>
    <link href="https://mlarson.org/2010/11/14/ideas-and-views-that-differ-from-ones-own-should/"/>
    <updated>2010-11-14T14:04:15.000Z</updated>
    <id>https://mlarson.org/2010/11/14/ideas-and-views-that-differ-from-ones-own-should/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Ideas and views that differ from one’s own should not be targets for demolition, but whetstones for sharpening one’s own thoughts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Philip Ball in the preface to his very good book, &lt;a href=&#34;http://www.amazon.com/Music-Instinct-Works-Cant-Without/dp/0199754276&#34;&gt;The Music Instinct&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Shadow Scholar: The man who writes your students&#39; papers tells his story - The Chronicle of Higher Education</title>
    <link href="https://mlarson.org/2010/11/13/the-shadow-scholar-the-man-who-writes-your/"/>
    <updated>2010-11-13T17:16:01.000Z</updated>
    <id>https://mlarson.org/2010/11/13/the-shadow-scholar-the-man-who-writes-your/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;From my experience, three demographic groups seek out my services: the English-as-second-language student; the hopelessly deficient student; and the lazy rich kid.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/article-content/125329/&#34;&gt;The Shadow Scholar: The man who writes your students&#39; papers tells his story - The Chronicle of Higher Education&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2010</title>
    <link href="https://mlarson.org/2010/11/12/of-all-the-duties-required-of-the-professional/"/>
    <updated>2010-11-12T20:44:31.000Z</updated>
    <id>https://mlarson.org/2010/11/12/of-all-the-duties-required-of-the-professional/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Of all the duties required of the professional critic, the least important–certainly the least enduring–is the verdict.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Nobodys-Perfect-Writings-New-Yorker/dp/0375714340&#34;&gt;Anthony Lane&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/colinmarshall/status/3181811756695552&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>La Collectionneuse</title>
    <link href="https://mlarson.org/2010/11/12/la-collectionneuse-one-of-eric-rohmers-six-moral/"/>
    <updated>2010-11-12T16:41:00.000Z</updated>
    <id>https://mlarson.org/2010/11/12/la-collectionneuse-one-of-eric-rohmers-six-moral/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbradqzt2d1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/La_Collectionneuse&#34;&gt;La Collectionneuse&lt;/a&gt;. One of &lt;a href=&#34;http://en.wikipedia.org/wiki/%C3%89ric_Rohmer&#34;&gt;Éric Rohmer&lt;/a&gt;’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Six_Moral_Tales&#34;&gt;Six Moral Tales&lt;/a&gt;. Like &lt;a href=&#34;http://tumblr.mlarson.org/post/204610340/roman-holiday-id-only-seen-bits-and-pieces-of&#34;&gt;Roman Holiday&lt;/a&gt;, this one centers on a question that doesn’t get answered until the last minute. It wasn’t as much pure fun, but I still respect a patient movie. From &lt;a href=&#34;http://www.criterion.com/current/posts/437-la-collectionneuse-marking-time&#34;&gt;Phillip Lopate’s Criterion essay&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here we see one of Rohmer’s most original tropes: the tepid attraction. It flies in the face of all cinematic convention, which dictates that the encounter of a good-­looking man and a good-looking woman must lead to grand narrative passion. […] Rohmer views the problems of indolent, potential-laden, prolonged youth in this film from the perspective of the middle-aged artist, who knows that the clock is ticking.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2010</title>
    <link href="https://mlarson.org/2010/11/10/alton-ellis-what-does-it-take-to-win-your-love/"/>
    <updated>2010-11-10T21:38:44.000Z</updated>
    <id>https://mlarson.org/2010/11/10/alton-ellis-what-does-it-take-to-win-your-love/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=PqDWxub\_nAU
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=PqDWxub_nAU&#34;&gt;Alton Ellis - What Does It Take To Win Your Love&lt;/a&gt;. Those rhythm and lead guitar lines are dope. That riff you recognize is &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=128466919&#34;&gt;Harvey Fuqua’s work&lt;/a&gt;, later &lt;a href=&#34;http://www.youtube.com/watch?v=jKjo-9FybcY&#34;&gt;immortalized by Kenny G&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2010</title>
    <link href="https://mlarson.org/2010/11/10/about-costa-rica-nicaragua-their-mutual-border/"/>
    <updated>2010-11-10T17:52:00.000Z</updated>
    <id>https://mlarson.org/2010/11/10/about-costa-rica-nicaragua-their-mutual-border/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbokbozkz41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ogleearth.com/2010/11/about-costa-rica-nicaragua-their-border-and-google/&#34;&gt;About Costa Rica, Nicaragua, their mutual border, and Google | Ogle Earth&lt;/a&gt;. (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Nicaragua did not mistakenly enter Costa Rican territory because it relied on Google Maps. Ortega’s justification for Nicaragua’s actions appeal to documents from the 19th century; Pastora’s mention of Google Maps is just a taunt.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This whole thing, after going to &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157622833485519/&#34;&gt;Nicaragua last winter&lt;/a&gt;, &lt;a href=&#34;http://twitter.com/mlarson/status/2417258605318144&#34;&gt;makes me wonder&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Is there a (preferably German) word for the residual interest/affection you feel about places you’ve visited only for a short time?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“Nostalgia” is too yearn-y and past-oriented. It’s more like wanting to be in touch with the Now that you’re missing over there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2010</title>
    <link href="https://mlarson.org/2010/11/10/marilyn-monroes-stuffing-recipe-found-in-the-new/"/>
    <updated>2010-11-10T16:55:01.000Z</updated>
    <id>https://mlarson.org/2010/11/10/marilyn-monroes-stuffing-recipe-found-in-the-new/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbohnpxclu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/11/10/dining/10marilyn.html&#34;&gt;Marilyn Monroe’s Stuffing Recipe&lt;/a&gt;. Found in the new book, &lt;a href=&#34;http://www.amazon.com/Fragments-Poems-Intimate-Notes-Letters/dp/0374158355&#34;&gt;Fragments&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2010</title>
    <link href="https://mlarson.org/2010/11/10/iwdrm-yeah-go-on-play-harmonica-play-so/"/>
    <updated>2010-11-10T04:09:45.000Z</updated>
    <id>https://mlarson.org/2010/11/10/iwdrm-yeah-go-on-play-harmonica-play-so/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lasmpzzeeo1qe0eclo1_r2_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://iwdrm.tumblr.com/post/1390110761&#34;&gt;iwdrm&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Yeah, go on. Play Harmonica. Play, so you can’t bullshit.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.imdb.com/title/tt0064116/&#34;&gt;Once Upon a Time in the West (1968)&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.mlarson.org/post/948682233/once-upon-a-time-in-the-west-its-awesome-one-of&#34;&gt;Hell yes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2010</title>
    <link href="https://mlarson.org/2010/11/10/iwdrm-whenever-i-hear-the-word-culture-i/"/>
    <updated>2010-11-10T04:02:09.000Z</updated>
    <id>https://mlarson.org/2010/11/10/iwdrm-whenever-i-hear-the-word-culture-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_laoidoak6k1qe0eclo1_r3_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://iwdrm.tumblr.com/post/1371840245&#34;&gt;iwdrm&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;“Whenever I hear the word ‘culture’, I bring out my checkbook.”&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.imdb.com/title/tt0057345/&#34;&gt;Le mépris (1963)&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Jean-Luc Godard’s crack is a variation on a line from Hanns Johst’s play &lt;a href=&#34;http://en.wikipedia.org/wiki/Hanns_Johst#Schlageter&#34;&gt;Schlageter&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2010</title>
    <link href="https://mlarson.org/2010/11/10/if-you-are-dependent-on-borrowed-money-you-have/"/>
    <updated>2010-11-10T03:55:49.000Z</updated>
    <id>https://mlarson.org/2010/11/10/if-you-are-dependent-on-borrowed-money-you-have/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you are dependent on borrowed money, you have to wake up every day worried about what the world thinks of you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt;. The context for this was the Bear Stearns meltdown, but it applies to so much more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hangin’ Around with Zach Galifianakis :: North Carolina State University</title>
    <link href="https://mlarson.org/2010/11/10/hangin-around-with-zach-galifianakis-north/"/>
    <updated>2010-11-10T03:53:00.000Z</updated>
    <id>https://mlarson.org/2010/11/10/hangin-around-with-zach-galifianakis-north/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;DP: Finally, if you could give one bit of advice to NC State students, what would it be?&lt;/p&gt;
&lt;p&gt;ZG: There is more to life than college. Use your time in college and grow. There are some people who are still playing beer pong in their late 20s. Do not do that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ncsu.edu/features/2010/11/hanging-around-with-zach-galifianakis&#34;&gt;Hangin’ Around with Zach Galifianakis :: North Carolina State University&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2010</title>
    <link href="https://mlarson.org/2010/11/10/6427/"/>
    <updated>2010-11-10T03:50:15.000Z</updated>
    <id>https://mlarson.org/2010/11/10/6427/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbn2w2o7ii1qdhayoo1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Philosophy Bites: Gideon Rosen on Moral Responsibility</title>
    <link href="https://mlarson.org/2010/11/08/philosophy-bites-gideon-rosen-on-moral/"/>
    <updated>2010-11-08T20:01:06.000Z</updated>
    <id>https://mlarson.org/2010/11/08/philosophy-bites-gideon-rosen-on-moral/</id>
    <content type="html">&lt;p&gt;Great episode this week.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://philosophybites.com/2010/11/gideon-rosen-on-moral-responsibility.html&#34;&gt;Philosophy Bites: Gideon Rosen on Moral Responsibility&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Balanced Arguments Are More Persuasive — PsyBlog</title>
    <link href="https://mlarson.org/2010/11/08/balanced-arguments-are-more-persuasive-psyblog/"/>
    <updated>2010-11-08T18:55:05.000Z</updated>
    <id>https://mlarson.org/2010/11/08/balanced-arguments-are-more-persuasive-psyblog/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/11/assorted-links-7.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.spring.org.uk/2010/11/balanced-arguments-are-more-persuasive.php&#34;&gt;Balanced Arguments Are More Persuasive — PsyBlog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Not Your Parents&#39; Audiobook: David Byrne&#39;s &#34;Bicycle Diaries&#34;</title>
    <link href="https://mlarson.org/2010/11/08/not-your-parents-audiobook-david-byrnes/"/>
    <updated>2010-11-08T18:25:25.000Z</updated>
    <id>https://mlarson.org/2010/11/08/not-your-parents-audiobook-david-byrnes/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://utnereader.tumblr.com/post/1517125432/not-your-parents-audiobook-david-byrnes-bicycle&#34;&gt;utnereader&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;David Byrne’s successful book, &lt;em&gt;Bicycle Diaries&lt;/em&gt;, probably would have sold just fine as a traditional audiobook, as well. However, never one for the status quo, Byrne wanted to do &lt;a href=&#34;http://www.utne.com/Media/David-Byrne-Bicycle-Diaries-Audiobook-Podcast.aspx&#34;&gt;something a little more interesting&lt;/a&gt; than simply reading the book in silence and releasing it as a download or cd. Instead, he looked to other successful audio formats for inspiration, namely NPR shows that incorporate scene sounds and &lt;a href=&#34;http://www.utne.com/media/introspective-podcasts-created-by-youth-in-utah-juvenile-corrections-facility.aspx&#34;&gt;podcasts&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I was pretty &lt;a href=&#34;http://www.mlarson.org/2009/12/28/bicycle-diaries-review/&#34;&gt;ambivalent about the book&lt;/a&gt;, but maybe ambient sound would have kicked it up a notch, especially for a work so linked to its geography. Great idea. &lt;a href=&#34;http://davidbyrne.com/art/books/bicycle_diaries/audiobook.php&#34;&gt;Download the intro and hear some samples&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.utne.com/Media/David-Byrne-Bicycle-Diaries-Audiobook-Podcast.aspx&#34;&gt;Not Your Parents&#39; Audiobook: David Byrne&#39;s &amp;quot;Bicycle Diaries&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2010</title>
    <link href="https://mlarson.org/2010/11/08/monty-python-novel-writing-live-broadcast-of/"/>
    <updated>2010-11-08T18:10:00.000Z</updated>
    <id>https://mlarson.org/2010/11/08/monty-python-novel-writing-live-broadcast-of/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/ogPZ5CY9KoM&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=ogPZ5CY9KoM&#34;&gt;Monty Python - Novel Writing&lt;/a&gt;. Live broadcast of Thomas Hardy writing “The Return of the Native”. (&lt;a href=&#34;http://www.goodreads.com/interviews/show/556.Paul_Auster&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He dips the pen… in the ink AND HE’S OFF… it’s the first word BUT IT’S NOT A WORD. Oh no! It’s a doodle way up on the top of the left-hand margin. It’s a piece of meaningless scribble!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 7, 2010</title>
    <link href="https://mlarson.org/2010/11/07/maudnewton-yama-bato-jorge-luis-borges/"/>
    <updated>2010-11-07T22:43:41.000Z</updated>
    <id>https://mlarson.org/2010/11/07/maudnewton-yama-bato-jorge-luis-borges/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbffnncpwa1qahuhjo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://maudnewton.tumblr.com/post/1490246974/yama-bato-jorge-luis-borges-argentinian-1899&#34;&gt;maudnewton&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://yama-bato.tumblr.com/post/1489619421/jorge-luis-borges-argentinian-1899-1986&#34;&gt;yama-bato&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Jorge Luis BORGES (Argentinian, 1899 - 1986)&lt;/strong&gt; Self-portrait. ink on paper&lt;br&gt;
8 3/4 x 6 inches (225 x 150 mm)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ny.bloomsburyauctions.com/detail/NY034/61.0&#34;&gt;&lt;/a&gt;&lt;a href=&#34;http://ny.bloomsburyauctions.com/detail/NY034/61.0&#34;&gt;http://ny.bloomsburyauctions.com/detail/NY034/61.0&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When he drew this, because Burt Britton asked him to, Borges &lt;a href=&#34;http://www.thedailybeast.com/blogs-and-stories/2009-10-01/famous-self-portraits/&#34;&gt;was blind&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Weirdly, Cormac McCarthy also did a self-portrait for Britton. Other writers in &lt;a href=&#34;http://www.thedailybeast.com/galleries/783/1/?redirectURL=http://www.thedailybeast.com/blogs-and-stories/2009-10-01/famous-self-portraits/&#34;&gt;the collection&lt;/a&gt;: Joan Didion, Edward Gorey, Roald Dahl, Margaret Atwood, Saul Bellow, Norman Mailer, Maurice Sendak, John Updike, and Tom Wolfe.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 7, 2010</title>
    <link href="https://mlarson.org/2010/11/07/austinkleon-scene-from-the-1971-george-englund/"/>
    <updated>2010-11-07T22:42:11.000Z</updated>
    <id>https://mlarson.org/2010/11/07/austinkleon-scene-from-the-1971-george-englund/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/74MvcFBLJdY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/1506725019/scene-from-the-1971-george-englund-film&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Scene from the 1971 George Englund film &lt;em&gt;&lt;a href=&#34;http://www.imdb.com/title/tt0068011/&#34;&gt;Zachariah&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://braiker.tumblr.com/post/1501311481/so-elvin-jones-walks-into-a-saloon-shoots-a-dude&#34;&gt;braiker&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;So &lt;a href=&#34;http://en.wikipedia.org/wiki/Elvin_Jones&#34;&gt;Elvin Jones&lt;/a&gt; walks into a saloon, shoots a dude dead and then plays the fuck out of the &lt;a href=&#34;http://en.wikipedia.org/wiki/James_Gang&#34;&gt;James Gang&lt;/a&gt;’s drums, basically fulfilling every fantasy you ever had. Because, yeah. Also? WHAT DIMENSION IS THIS FROM? I DON’T EVEN. I CAN’T. OMGGFNFG&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2010</title>
    <link href="https://mlarson.org/2010/11/05/listening-to-rap-for-the-first-time-with-a-book/"/>
    <updated>2010-11-05T14:48:09.000Z</updated>
    <id>https://mlarson.org/2010/11/05/listening-to-rap-for-the-first-time-with-a-book/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/11/tumblr_lbf2gaqxjm1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=131063935&#34;&gt;Listening To Rap For The First Time, With A Book Critic : NPR&lt;/a&gt;. &lt;a href=&#34;http://nymag.com/arts/popmusic/features/69252/&#34;&gt;See also&lt;/a&gt;. Photo by &lt;a href=&#34;http://catherinemcgann.wordpress.com/&#34;&gt;Catherine McGann&lt;/a&gt;, 1988.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Inquiry - SEO &amp;amp; the Disappearing Self</title>
    <link href="https://mlarson.org/2010/11/05/the-new-inquiry-seo-the-disappearing-self/"/>
    <updated>2010-11-05T13:55:15.000Z</updated>
    <id>https://mlarson.org/2010/11/05/the-new-inquiry-seo-the-disappearing-self/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Social media structures communication between friends so that the responsibility for listening — inescapably built into earlier mediums that structured talk between friends as person-to-person — is modulated into a vaguer injunction to respond if and when you feel like it. Because status updates and the like are not addressed to anyone specific, they don’t generate an obligation in anyone specific to pay attention.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://thenewinquiry.com/post/1479224946/seo-the-disappearing-self&#34;&gt;The New Inquiry - SEO &amp;amp; the Disappearing Self&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Book of Basketball (review: 5/5)</title>
    <link href="https://mlarson.org/2010/11/04/20101104the-book-of-basketball-review/"/>
    <updated>2010-11-04T21:11:27.000Z</updated>
    <id>https://mlarson.org/2010/11/04/20101104the-book-of-basketball-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5146727363/&#34; title=&#34;The Book of Basketball by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4049/5146727363_b54dfdb25c.jpg&#34; alt=&#34;The Book of Basketball&#34;&gt;&lt;/a&gt; It&#39;s a great book, let&#39;s get that out of the way before we proceed. Just know that &lt;a href=&#34;http://en.wikipedia.org/wiki/Bill_Simmons&#34;&gt;Bill Simmons&lt;/a&gt; is a carefree, garrulous writer and it is obsessively focused on basketball. It might not be your thing. One of the best practices when I was reading this one was to keep the iPad nearby so I could do a little backgrounder on legendary players I&#39;d never heard of, and, more importantly, keeping YouTube handy to look up amazing dunks, passes, etc. If you haven&#39;t followed basketball, there is a learning curve. On the upside, &lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/11/nba.html#IDComment107625610&#34;&gt;like I told Justin&lt;/a&gt;, reading this book after the recent playoffs, finals, &lt;a href=&#34;http://en.wikipedia.org/wiki/LeBron_James#2010_free_agency&#34;&gt;The Decision&lt;/a&gt;, etc. has me more interested in basketball than I&#39;ve ever been.&lt;/p&gt;
&lt;p&gt;The biggest parts of the book cover Larry Bird, Russell vs. Wilt, The Secret (e.g. &lt;em&gt;TEAMWORK&lt;/em&gt;), ranking the best players ever, and ranking the best teams ever. All in obsessive detail. You can open a page anywhere in the book, and in short order stumble on a really good argument about something. In a 3-page section on Elvin Hayes, Simmons lists 5 reasons that Hayes stands out. In item #5, there&#39;s a little mini-essay on the fall-away/turnaround shot:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My theory on the fall-away: it&#39;s a passive-aggressive shot that says more about a player than you think. For instance, Jordan, McHale and Hakeem all had tremendous fall-aways---in fact, MJ developed the shot to save his body from undue punishment driving to the basket---but it was one piece of their offensive arsenal, a weapon used to complement the other weapons already in place. Well, five basketball stars in the past sixty years have been famous for either failing miserably in the clutch or lacking the ability to rise to the occasion: Wilt, Hayes, Malone, Ewing and Garnett. All five were famous for their fall-away/turnaround jumpers and took heat because their fall-aways pulled them out of rebounding position. If it missed, almost always it was a one-shot possession. On top of that, it never leads to free throws---either the shot falls or the other team gets it. Could you make the case that the fall-away, fundamentally, is a loser&#39;s shot? For a big man, it&#39;s the dumbest shot you can take---only one good thing can happen and that&#39;s it---as well as a symbol of a larger problem, namely, that a team&#39;s best big man would rather move away from the basket than toward it. [...] So here&#39;s my take: the fall-away says, &amp;quot;I&#39;d rather stay out here.&amp;quot; It says, &amp;quot;I&#39;m afraid to fail.&amp;quot; It says, &amp;quot;I want to win this game, but only on my terms.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Woah, right? Coming up organically in a discussion about a specific player we get a really interesting observation on the game itself, couched in a super-fan/nerd&#39;s historical mastery, with some speculative psychology delivered in the kind of friendly/authoritative tone you&#39;d hear at a bar. A later section on Kobe Bryant looks at his career through the lens of &lt;a href=&#34;http://en.wikipedia.org/wiki/Teen_Wolf&#34;&gt;Teen Wolf&lt;/a&gt;, vacillating between the team-player (Michael J. Fox) and the devastating ball hog/alpha dog (Wolf). Maybe the better movie analogy is thinking of Tim Duncan like Harrison Ford:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you keep banging out first-class seasons with none standing out more than any other, who&#39;s going to notice after a while? There&#39;s a precedent: once upon a time, Harrison Ford pumped out monster hits for fifteen solid years before everyone suddenly noticed, &amp;quot;Wait a second---Harrison Ford is unquestionably the biggest movie star of his generation!&amp;quot; From 1977 to 1992, Ford starred in three &lt;em&gt;Star Wars&lt;/em&gt; movies, three &lt;em&gt;Indiana Jones&lt;/em&gt; movies, &lt;em&gt;Blade Runner&lt;/em&gt;, &lt;em&gt;Working Girl&lt;/em&gt;, &lt;em&gt;Witness&lt;/em&gt;, &lt;em&gt;Presumed Innocent&lt;/em&gt; and &lt;em&gt;Patriot Games&lt;/em&gt;, but it wasn&#39;t until he carried &lt;em&gt;The Fugitive&lt;/em&gt; that everyone realized he was consistently more bankable than Stallone, Reynolds, Eastwood, Cruise, Costner, Schwarzenegger and every other peer. As with Duncan, we knew little about Ford outside of his work. As with Duncan, there wasn&#39;t anything inherently compelling about him. Ford only worried about delivering the goods, and we eventually appreciated him for it. Will the same happen for Duncan one day?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If there is a weakness, it&#39;s that the occasional jokey celeb-bashing comes up really lame and unnecessary. But that&#39;s a small price to pay for 700+ quality pages and a comparable number of entertaining footnotes. Worth a read!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In which I ponder former selves</title>
    <link href="https://mlarson.org/2010/11/04/20101104in-which-i-ponder-former-selves/"/>
    <updated>2010-11-04T20:15:53.000Z</updated>
    <id>https://mlarson.org/2010/11/04/20101104in-which-i-ponder-former-selves/</id>
    <content type="html">&lt;p&gt;How much have I changed? &lt;a href=&#34;http://andymckenzie.blogspot.com/2010/10/your-relationship-with-your-former-self.html&#34;&gt;Andy McKenzie&lt;/a&gt; and &lt;a href=&#34;http://ben.casnocha.com/2010/10/the-wisdom-of-your-former-self.html&#34;&gt;Ben Casnocha&lt;/a&gt; wrote recently about the wisdom of former selves. Their posts reminded me of a note I jotted down the other day:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Things that, while I was in college, I wish I&#39;d had/made more time to learn about: film, psychology, business, economics.&lt;/p&gt;
&lt;p&gt;Things that, since college, I&#39;ve found myself learning more and more about, without applying any special focus: film, psychology, business, economics.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Which relates to another note-to-self from a few weeks ago:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Some careers I considered, ages 5-15: archaeologist, carpenter, National Geographic explorer, SWAT team, writer, conductor.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Plus ça change... I would, for the most part, still have interest in certain aspects of these (maybe even the whole thing). Discovery, craft, research, suspense, mastery, performance. And over the past few weeks I&#39;ve spent some time re-reading my journals from previous long hikes and travel. It&#39;s both amusing and a little frustrating that some of the same ideas that consume me now popped up 1, 3, 5, 10 years ago. Or some of the really funny and observant things I wrote could have been written yesterday. As Andy writes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It&#39;s harder to construct a personal narrative of growth when the sentences showing that you used to be just as sweet remain visible.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Just makes me wonder if I&#39;m really changing that much (do I want to?), or if I&#39;m just becoming more like me. The metaphor that comes to mind is like when you&#39;re downloading a large image file, and it gradually becomes less and less pixelated. Same Mark, more data, more detail.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Kindness (review: 4/5)</title>
    <link href="https://mlarson.org/2010/11/04/20101104on-kindness-review-45/"/>
    <updated>2010-11-04T20:03:49.000Z</updated>
    <id>https://mlarson.org/2010/11/04/20101104on-kindness-review-45/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/5116551286/&#34; title=&#34;On Kindness by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm2.static.flickr.com/1183/5116551286_6d0c7b9832.jpg&#34; alt=&#34;On Kindness&#34;&gt;&lt;/a&gt; While it didn&#39;t finish as awesomely as when &lt;a href=&#34;http://twitter.com/mlarson/status/28507639462&#34;&gt;I first tweeted my excitement&lt;/a&gt; half-way through, &lt;a href=&#34;http://www.amazon.com/Kindness-Adam-Phillips/dp/0374226504&#34;&gt;On Kindness&lt;/a&gt; still ended up being very good, and still among the top nonfiction of the year for me. The goal here is to figure out what happened to kindness: why we have an instinct for it, why religions encourage it, how the ideas of fellow-feeling and sympathy went from being a celebrated part of a well-balanced life to something we see as either suspicious or weak nowadays. &lt;a href=&#34;http://en.wikipedia.org/wiki/Adam_Phillips_%28psychologist%29&#34;&gt;Adam Phillips&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Barbara_Taylor&#34;&gt;Barbara Taylor&lt;/a&gt; put special focus on the experience of kindness as we move from childhood to adulthood. &lt;a href=&#34;http://en.wikipedia.org/wiki/Jean-Jacques_Rousseau&#34;&gt;Rousseau&lt;/a&gt; (e.g. &lt;a href=&#34;http://en.wikipedia.org/wiki/Emile:_or,_On_Education&#34;&gt;Émile&lt;/a&gt;) and of course &lt;a href=&#34;http://en.wikipedia.org/wiki/Sigmund_Freud&#34;&gt;Freud&lt;/a&gt; receive special attention. The idea of the &amp;quot;riskiness&amp;quot; of kindness was really, really novel for me. Here are some favorite quotes, starting with a good summary: ---&lt;/p&gt;
&lt;p&gt;Acts of kindness demonstrate, in the clearest possible way, that we are vulnerable and dependent animals who have no better resource than each other. If kindness previously had to be legitimized by a God or by gods, or located in women and children, it is because it has had to be delegated---and sanctioned, and sacralized, and idealized, and sentimentalized---because it comes from the part of ourselves that we are most disturbed by; the part that knows how much assurance and (genuine) reassurance is required to sustain our sense of viability. Our resistance to kindness is our resistance to encountering what kindness meets in us, and what we meet in other people by being kind to them. And, of course, our resistance to seeing the limits of what kindness can do for us.&lt;/p&gt;
&lt;p&gt;Real kindness is an exchange with essentially unpredictable consequences. It is a risk precisely because it mingles our needs and desires with the needs and desires of others, in a way that so-called self-interest never can.&lt;/p&gt;
&lt;p&gt;Freud: We are never so defenseless against suffering as when we love.&lt;/p&gt;
&lt;p&gt;Childhood has become the last bastion of kindness, the last place where we may find more love in the world than there appears to be. Indeed, the modern obsession with child-rearing may be no more and no less than an obsession about the possibility of kindness in a society that makes it harder and harder to believe in kindness. Talking about child development and about parenting may be one of the only ways we have now of talking about fellow feeling.&lt;/p&gt;
&lt;p&gt;Growing up, if anything, is the imaginative elaboration of fellow feeling: the acknowledgment that other people have what we need and that their well-being matters to us.&lt;/p&gt;
&lt;p&gt;When it comes to appetite, all exposure is experienced as overexposure.&lt;/p&gt;
&lt;p&gt;If people are too kind--too thoughtful, too considerate, too sensitive--sex can be insufficiently exciting; if they are not kind enough, it can be too frightening too enjoy.&lt;/p&gt;
&lt;p&gt;Kindness is a continual temptation in everyday life that we resist. Not a temptation to sacrifice ourselves, but to include ourselves with others. Not a temptation to renounce or ignore the aggressive aspects of ourselves, but to see kindness as being in solidarity with human need, and with the very paradoxical sense of powerlessness and power that human need induces. Acts of kindness involve us in different kinds of conversations; our resistance to these conversations suggest that we may be more interested in them, may in fact want much more from them, than we let ourselves know.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Song of the Sausage Creature - Hunter S. Thompson</title>
    <link href="https://mlarson.org/2010/11/04/song-of-the-sausage-creature-hunter-s-thompson/"/>
    <updated>2010-11-04T14:58:16.000Z</updated>
    <id>https://mlarson.org/2010/11/04/song-of-the-sausage-creature-hunter-s-thompson/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are some things nobody needs in this world, and a bright-red, hunch-back, warp-speed 900cc cafe racer is one of them - but I want one anyway, and on some days I actually believe I need one. That is why they are dangerous.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://trukn.com/sausage.html&#34;&gt;Song of the Sausage Creature - Hunter S. Thompson&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2010</title>
    <link href="https://mlarson.org/2010/11/03/you-dont-have-to-have-perfect-wisdom-to-get-very/"/>
    <updated>2010-11-03T14:05:22.000Z</updated>
    <id>https://mlarson.org/2010/11/03/you-dont-have-to-have-perfect-wisdom-to-get-very/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You don’t have to have perfect wisdom to get very rich – just a bit better than average over a long period of time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Charlie Munger&lt;/a&gt;. Applies to more than investing, of course.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2010</title>
    <link href="https://mlarson.org/2010/11/03/when-people-call-you-with-bad-idea-dont-be/"/>
    <updated>2010-11-03T14:04:45.000Z</updated>
    <id>https://mlarson.org/2010/11/03/when-people-call-you-with-bad-idea-dont-be/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When people call you with bad idea, don’t be polite and waste 10 minutes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Holiday Spirits: A Russian Doctor Describes the Only Correct Way to Drink Vodka - The Barnes &amp;amp; Noble Review</title>
    <link href="https://mlarson.org/2010/11/01/holiday-spirits-a-russian-doctor-describes-the/"/>
    <updated>2010-11-01T19:51:52.000Z</updated>
    <id>https://mlarson.org/2010/11/01/holiday-spirits-a-russian-doctor-describes-the/</id>
    <content type="html">&lt;p&gt;I will have to try this. (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bnreview.barnesandnoble.com/t5/Grin-Tonic/Holiday-Spirits/ba-p/3553&#34;&gt;Holiday Spirits: A Russian Doctor Describes the Only Correct Way to Drink Vodka - The Barnes &amp;amp; Noble Review&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Crash Course in Rap Lyrics Through &#39;The Anthology of Rap&#39; - New York Magazine</title>
    <link href="https://mlarson.org/2010/11/01/a-crash-course-in-rap-lyrics-through-the/"/>
    <updated>2010-11-01T19:51:00.000Z</updated>
    <id>https://mlarson.org/2010/11/01/a-crash-course-in-rap-lyrics-through-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the great paradoxes of rap: The toughest, coolest, most dangerous-seeming MCs are, at heart, basically just enormous language dorks.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/arts/popmusic/features/69252/&#34;&gt;A Crash Course in Rap Lyrics Through &#39;The Anthology of Rap&#39; - New York Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mourning the Analog Phone Call - NYTimes.com</title>
    <link href="https://mlarson.org/2010/11/01/mourning-the-analog-phone-call-nytimescom/"/>
    <updated>2010-11-01T19:49:52.000Z</updated>
    <id>https://mlarson.org/2010/11/01/mourning-the-analog-phone-call-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Long phone calls were supposed to be a girly addiction, but those calls of the ’70s and ’80s were the only way to court girls, so boys learned the art of them, too.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://submittedforyourperusal.com/2010/10/31/10-31-2010-new-york-times-digest/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/10/31/magazine/31fob-medium-t.html&#34;&gt;Mourning the Analog Phone Call - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Classical Fans Tell Stories Of &#39;First Loves&#39; : Deceptive Cadence : NPR</title>
    <link href="https://mlarson.org/2010/10/29/classical-fans-tell-stories-of-first-loves/"/>
    <updated>2010-10-29T15:57:41.000Z</updated>
    <id>https://mlarson.org/2010/10/29/classical-fans-tell-stories-of-first-loves/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I was homeless, and working holding a sandwich board on the side of the road. It was so dull! I saved up for weeks and got a Sony Discman for $50.00. Now I had something to listen to while I worked. The Discman was so expensive that all I could afford was an Excelsior Gold recording of the fourth and sixth symphonies that was lying in a discount bin for a dollar-fifty. When I was playing it for the first time, in my board, pacing up and down the block — because if you stopped moving at anytime, the police would ticket you for loitering — I suddenly burst into tears. I felt like Beethoven was there with me, saying, “I know this sucks. But look— here is the whole world, outside, birds, the sky, the sun, and here you are! You are in it! Buck up!”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/deceptivecadence/2010/09/23/130076390/classical-fans-tell-stories-of-first-loves&#34;&gt;Classical Fans Tell Stories Of &#39;First Loves&#39; : Deceptive Cadence : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 28, 2010</title>
    <link href="https://mlarson.org/2010/10/28/i-never-took-a-business-class-except-accounting/"/>
    <updated>2010-10-28T14:36:41.000Z</updated>
    <id>https://mlarson.org/2010/10/28/i-never-took-a-business-class-except-accounting/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I never took a business class, except accounting. When I was a boy, there was a man who came to the club every day at 10:30am. I asked my dad about him – he had such a good life! My Dad said, “He gathers up and renders dead horses.” I learned from that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Charlie Munger&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 28, 2010</title>
    <link href="https://mlarson.org/2010/10/28/we-also-look-for-three-things-intelligence/"/>
    <updated>2010-10-28T14:35:54.000Z</updated>
    <id>https://mlarson.org/2010/10/28/we-also-look-for-three-things-intelligence/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We also look for three things: intelligence, energy and integrity. If [they] don’t have the latter, then you should hope they don’t have the first two either. If someone doesn’t have integrity, then you want them to be dumb and lazy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Warren Buffett&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2010</title>
    <link href="https://mlarson.org/2010/10/26/ernest-hemingways-guns-age-5-in-this-photo-from/"/>
    <updated>2010-10-26T14:39:34.000Z</updated>
    <id>https://mlarson.org/2010/10/26/ernest-hemingways-guns-age-5-in-this-photo-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lawjdyoqzd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://gardenandgun.com/viewAllPhotos?type=photo_gallery&amp;amp;nid=1964&#34;&gt;Ernest Hemingway’s Guns&lt;/a&gt;. Age 5 in this photo from the &lt;a href=&#34;http://www.jfklibrary.org/Historical+Resources/Hemingway+Archive/&#34;&gt;JFK Library&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 25, 2010</title>
    <link href="https://mlarson.org/2010/10/25/often-the-nicest-thing-to-do-at-an-airport-is-not/"/>
    <updated>2010-10-25T20:19:20.000Z</updated>
    <id>https://mlarson.org/2010/10/25/often-the-nicest-thing-to-do-at-an-airport-is-not/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Often the nicest thing to do at an airport is not to go anywhere but to contemplate that one might go somewhere.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://latimesblogs.latimes.com/jacketcopy/2010/10/alain-de-bottons-music-for-airports.html&#34;&gt;Alain de Botton&lt;/a&gt;. (&lt;a href=&#34;http://ben.casnocha.com/2010/10/airport-departure-boards-and-imagination.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 25, 2010</title>
    <link href="https://mlarson.org/2010/10/25/greg-mankiws-blog-pricing-in-venezuela-precio/"/>
    <updated>2010-10-25T15:02:36.000Z</updated>
    <id>https://mlarson.org/2010/10/25/greg-mankiws-blog-pricing-in-venezuela-precio/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_laupscjemx1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://gregmankiw.blogspot.com/2010/10/pricing-in-venezuela.html&#34;&gt;Greg Mankiw’s Blog: Pricing in Venezuela&lt;/a&gt;. “Precio Capitalista”. I’m thinking about a trip to Venezuela next spring.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The End of the Story - The Believer</title>
    <link href="https://mlarson.org/2010/10/25/the-end-of-the-story-the-believer/"/>
    <updated>2010-10-25T14:32:01.000Z</updated>
    <id>https://mlarson.org/2010/10/25/the-end-of-the-story-the-believer/</id>
    <content type="html">&lt;p&gt;Reading this made me want to pick up the &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Wheel_of_Time&#34;&gt;Wheel of Time&lt;/a&gt; series again, if only for closure’s sake.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Jordan put romance novels to shame: the Wheel of Time without a doubt holds the record for inexplicably extended rhapsodies over brocaded silk, embroidery, hemlines, and necklines.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/201010/?read=article_baron&#34;&gt;The End of the Story - The Believer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Et Dieu… créa la femme (And God Created Woman)</title>
    <link href="https://mlarson.org/2010/10/24/et-dieu-crea-la-femme-and-god-created-woman/"/>
    <updated>2010-10-24T16:22:20.000Z</updated>
    <id>https://mlarson.org/2010/10/24/et-dieu-crea-la-femme-and-god-created-woman/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lasyt9hovn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/And_God_Created_Woman_%281956_film%29&#34;&gt;Et Dieu… créa la femme (And God Created Woman)&lt;/a&gt;. This is the film where Brigitte Bardot first got attention for the sex kitten thing. It’s an okay story, nothing special. I did appreciate many of the shots, lighting, and sets, especially the interiors. Definitely skippable, though. A funny coincidence: both this movie and the one I watched right before it, &lt;a href=&#34;http://tumblr.mlarson.org/post/1389407872/blast-of-silence-a-criterion-essay-cleverly-calls&#34;&gt;Blast of Silence&lt;/a&gt;, feature scenes where the emotional tension is heightened by quick cuts to musicians playing Latin music on hand drums. I assume this is a cliché that appears in other films of the era. See also: &lt;a href=&#34;http://en.wikipedia.org/wiki/Mad_scene&#34;&gt;mad scene&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2010</title>
    <link href="https://mlarson.org/2010/10/24/around-the-clock-at-waffle-house-smothered-and/"/>
    <updated>2010-10-24T14:24:00.000Z</updated>
    <id>https://mlarson.org/2010/10/24/around-the-clock-at-waffle-house-smothered-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lastdgg5pp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/gyrobase/around-the-clock-at-waffle-house/Content?oid=2240427&amp;amp;showFullText=true&#34;&gt;Around the clock at Waffle House: Smothered and covered on Cheshire Bridge Road | Creative Loafing Atlanta&lt;/a&gt;. Photo by &lt;a href=&#34;http://www.jtrav.net/&#34;&gt;Jason Travis&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Every night is different. We get a lot of drunks; you just have to know how to handle them. You gotta have a go-get-them personality. And you’ve gotta pray.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Blast of Silence</title>
    <link href="https://mlarson.org/2010/10/24/blast-of-silence-a-criterion-essay-cleverly-calls/"/>
    <updated>2010-10-24T13:47:00.000Z</updated>
    <id>https://mlarson.org/2010/10/24/blast-of-silence-a-criterion-essay-cleverly-calls/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lasrnd0bae1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Blast_of_Silence&#34;&gt;Blast of Silence&lt;/a&gt;. A &lt;a href=&#34;http://www.criterion.com/current/posts/546-blast-of-silence-bad-trip&#34;&gt;Criterion essay&lt;/a&gt; cleverly calls it “the best movie ever made about a common, important, and unjustly neglected American experience: the really bad business trip”. It’s a great film noir that will only take 77 minutes of your time. It came out near the tail end of the genre’s peak, but in some ways it feels prototypical. Distilled. Lovely shots of New York City as he wanders in a sort of malaise. The hard-boiled voiceover really drives the misery home. Gangsters, dames, old friends-who-aren’t. Loneliness and disaffection. You know the clock is ticking on this guy from the very first moments. Nice appreciation at &lt;a href=&#34;http://www.brightlightsfilm.com/48/blast.php&#34;&gt;Bright Lights&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 22, 2010</title>
    <link href="https://mlarson.org/2010/10/22/oldhollywood-the-rejection-slip-essanay-film/"/>
    <updated>2010-10-22T18:25:00.000Z</updated>
    <id>https://mlarson.org/2010/10/22/oldhollywood-the-rejection-slip-essanay-film/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_laolmtjswx1qzdvhio1_r2_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://oldhollywood.tumblr.com/post/1374666427/the-rejection-slip-essanay-film-manufacturing&#34;&gt;oldhollywood&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The rejection slip Essanay Film Manufacturing Company (1907-1925), a motion picture studio mostly remembered today for its series of Charlie Chaplin films, sent screenwriters whose submissions were found wanting (via &lt;em&gt;Silent Movies: The Birth of Film and the Triumph of Movie Culture&lt;/em&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Oh, The Humanities!: What liberal arts are good for | The New Republic</title>
    <link href="https://mlarson.org/2010/10/22/oh-the-humanities-what-liberal-arts-are-good/"/>
    <updated>2010-10-22T17:36:26.000Z</updated>
    <id>https://mlarson.org/2010/10/22/oh-the-humanities-what-liberal-arts-are-good/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Over the past few years, I have come to suspect that when any practice is praised for its own sake, the speaker is unwittingly confessing to his or her unfamiliarity with its previous uses, thereby making a virtue of his or her literal remoteness, distance, alienation, from it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tnr.com/article/books-and-arts/oh-the-humanities&#34;&gt;Oh, The Humanities!: What liberal arts are good for | The New Republic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 21, 2010</title>
    <link href="https://mlarson.org/2010/10/21/louis-armstrong-mack-the-knife-1959/"/>
    <updated>2010-10-21T18:51:18.000Z</updated>
    <id>https://mlarson.org/2010/10/21/louis-armstrong-mack-the-knife-1959/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=wgYgl4OodeY&#34;&gt;Louis Armstrong - Mack The Knife - 1959&lt;/a&gt;. Remembered this when I was talking about &lt;a href=&#34;http://en.wikipedia.org/wiki/Kurt_Weill&#34;&gt;Kurt Weill&lt;/a&gt; this afternoon. &lt;a href=&#34;http://en.wikipedia.org/wiki/Mack_the_Knife&#34;&gt;Great song&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What Are You Going to Do With That? - The Chronicle Review - The Chronicle of Higher Education</title>
    <link href="https://mlarson.org/2010/10/21/what-are-you-going-to-do-with-that-the/"/>
    <updated>2010-10-21T17:31:00.000Z</updated>
    <id>https://mlarson.org/2010/10/21/what-are-you-going-to-do-with-that-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The world is much larger than you can imagine right now. Which means, you are much larger than you can imagine.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/What-Are-You-Going-to-Do-With/124651/&#34;&gt;What Are You Going to Do With That? - The Chronicle Review - The Chronicle of Higher Education&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Didn’t See It Coming — Crooked Timber</title>
    <link href="https://mlarson.org/2010/10/21/i-didnt-see-it-coming-crooked-timber/"/>
    <updated>2010-10-21T15:01:00.000Z</updated>
    <id>https://mlarson.org/2010/10/21/i-didnt-see-it-coming-crooked-timber/</id>
    <content type="html">&lt;p&gt;Liminality in music!&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;At what point in [Iron Maiden song] “Prodigal Son” does it become metaphysically impossible that this is a Belle and Sebastian song?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I should add that &lt;a href=&#34;http://crookedtimber.org/2010/10/21/i-didnt-see-it-coming/#comment-335381&#34;&gt;comment #2&lt;/a&gt; is remarkably incisive.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://crookedtimber.org/2010/10/21/i-didnt-see-it-coming/&#34;&gt;I Didn’t See It Coming — Crooked Timber&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A good death: Exit strategies - By William T. Vollmann (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/10/21/a-good-death-exit-strategies-by-william-t/"/>
    <updated>2010-10-21T02:34:53.000Z</updated>
    <id>https://mlarson.org/2010/10/21/a-good-death-exit-strategies-by-william-t/</id>
    <content type="html">&lt;p&gt;This nice essay on dying is behind a paywall, unfortunately. It’s the best thing in this month’s issue. Interesting blend of essay/memoir/reporting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.harpers.org/archive/2010/11/0083180&#34;&gt;A good death: Exit strategies - By William T. Vollmann (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 20, 2010</title>
    <link href="https://mlarson.org/2010/10/20/peanuts-march-25-1952-by-charles-schulz-some/"/>
    <updated>2010-10-20T18:43:00.000Z</updated>
    <id>https://mlarson.org/2010/10/20/peanuts-march-25-1952-by-charles-schulz-some/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lalqoq29qt1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://absadmin.users.sonic.net/schulz/pages/page16.html&#34;&gt;Peanuts, March 25, 1952 by Charles Schulz&lt;/a&gt;. Some pieces of music require a running start! Hell yes. From &lt;a href=&#34;http://absadmin.users.sonic.net/schulz/pages/page1.html&#34;&gt;Schulz’s Beethoven: Schroeder’s Muse&lt;/a&gt;, an awesome 150+ page web exhibit from the Charles M. Schulz Museum and the Ira F. Brilliant Center for Beethoven Studies at San José State University. Lots of strips and music samples and biographical details to peruse.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 20, 2010</title>
    <link href="https://mlarson.org/2010/10/20/it-is-such-a-simple-thing-but-since-i-started/"/>
    <updated>2010-10-20T03:00:00.000Z</updated>
    <id>https://mlarson.org/2010/10/20/it-is-such-a-simple-thing-but-since-i-started/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lakelifosr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;It is such a simple thing, but since I started, about three years ago, using Flickr and my top-secret notebooks to keep track of &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157601575033868/&#34;&gt;what I read&lt;/a&gt;, it has brought me a ridiculous amount of satisfaction.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sweatpants in Paradise: The Exciting World of Immersive Retail - The Believer</title>
    <link href="https://mlarson.org/2010/10/19/sweatpants-in-paradise-the-exciting-world-of/"/>
    <updated>2010-10-19T14:35:13.000Z</updated>
    <id>https://mlarson.org/2010/10/19/sweatpants-in-paradise-the-exciting-world-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Engineers of immersive retail must understand that we buy things when we are bored and not when we’re excited, alive, and metaphysically horny—that these feelings are just promises to get us in the door.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/201009/?read=article_young&#34;&gt;Sweatpants in Paradise: The Exciting World of Immersive Retail - The Believer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2010</title>
    <link href="https://mlarson.org/2010/10/19/its-a-poor-fellow-who-cant-take-his-pleasure/"/>
    <updated>2010-10-19T01:49:18.000Z</updated>
    <id>https://mlarson.org/2010/10/19/its-a-poor-fellow-who-cant-take-his-pleasure/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s a poor fellow who can’t take his pleasure without asking other people’s permission.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Steppenwolf_%28novel%29&#34;&gt;Hermann Hesse&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2010</title>
    <link href="https://mlarson.org/2010/10/18/i-ate-this/"/>
    <updated>2010-10-18T14:30:53.000Z</updated>
    <id>https://mlarson.org/2010/10/18/i-ate-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lahpnhjv461qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.yelp.com/biz/han-il-kwan-doraville&#34;&gt;I ate this&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2010</title>
    <link href="https://mlarson.org/2010/10/18/eminem-without-me-ragtime-remix-because-why/"/>
    <updated>2010-10-18T13:31:08.000Z</updated>
    <id>https://mlarson.org/2010/10/18/eminem-without-me-ragtime-remix-because-why/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/icVlW_MdrCA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=icVlW_MdrCA&#34;&gt;Eminem - Without Me (Ragtime Remix)&lt;/a&gt;. Because why not? (&lt;a href=&#34;http://www.aprilwinchell.com/audio/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Play Misty for Me</title>
    <link href="https://mlarson.org/2010/10/18/play-misty-for-me-i-was-trying-to-decide-what-to/"/>
    <updated>2010-10-18T02:55:32.000Z</updated>
    <id>https://mlarson.org/2010/10/18/play-misty-for-me-i-was-trying-to-decide-what-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lagswime8t1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Play_Misty_for_Me&#34;&gt;Play Misty for Me&lt;/a&gt;. I was trying to decide what to watch this evening when I was driving back home. Lo and behold, &lt;a href=&#34;http://www.youtube.com/watch?v=oPnh2sa4Fek&#34;&gt;Misty&lt;/a&gt; comes on the radio. Case closed. This was Eastwood’s first film as director, and for a lead actor known for tough-guy roles, his character is surprisingly passive here. He gets steamrolled by the batshit insane &lt;a href=&#34;http://en.wikipedia.org/wiki/Jessica_Walter&#34;&gt;Jessica Walter&lt;/a&gt;. (I was so glad when I finally realized &lt;a href=&#34;http://en.wikipedia.org/wiki/Arrested_Development_%28TV_series%29&#34;&gt;why she was so familiar&lt;/a&gt;). This one definitely holds its own against, say, &lt;a href=&#34;http://en.wikipedia.org/wiki/Misery_%28film%29&#34;&gt;Misery&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Basic_Instinct&#34;&gt;Basic Instinct&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Fatal_Attraction&#34;&gt;Fatal Attraction&lt;/a&gt;. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19710101/REVIEWS/101010324/1023&#34;&gt;Ebert gives it four stars&lt;/a&gt;. See also &lt;a href=&#34;http://en.wikipedia.org/wiki/Psycho-biddy&#34;&gt;psycho-biddy&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Bunny_boiler&#34;&gt;bunny boiler&lt;/a&gt;, two of my favorite new terms.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Running of the Dead - Christian Thorne | Commonplace Book</title>
    <link href="https://mlarson.org/2010/10/17/the-running-of-the-dead-christian-thorne/"/>
    <updated>2010-10-17T23:35:15.000Z</updated>
    <id>https://mlarson.org/2010/10/17/the-running-of-the-dead-christian-thorne/</id>
    <content type="html">&lt;p&gt;The first of a four-part examination of zombie movies through the lens of &lt;a href=&#34;http://en.wikipedia.org/wiki/Thomas_Hobbes&#34;&gt;Hobbesian&lt;/a&gt; political theory. &lt;a href=&#34;http://people.williams.edu/cthorne/articles/the-running-of-the-dead-part-2/&#34;&gt;Part two&lt;/a&gt;. &lt;a href=&#34;http://people.williams.edu/cthorne/articles/the-running-of-the-dead-part-3/&#34;&gt;Part three&lt;/a&gt;. &lt;a href=&#34;http://people.williams.edu/cthorne/articles/the-running-of-the-dead-part-4-2/&#34;&gt;Part four&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://people.williams.edu/cthorne/articles/the-running-of-the-dead-part-1/&#34;&gt;The Running of the Dead - Christian Thorne | Commonplace Book&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Emotive conjugation - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2010/10/15/emotive-conjugation-wikipedia-the-free/"/>
    <updated>2010-10-15T18:21:00.000Z</updated>
    <id>https://mlarson.org/2010/10/15/emotive-conjugation-wikipedia-the-free/</id>
    <content type="html">&lt;p&gt;“Humans’ tendency to describe their own behavior more charitably than the behavior of others.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Emotive_conjugation&#34;&gt;Emotive conjugation - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Escalation « Cheap Talk</title>
    <link href="https://mlarson.org/2010/10/15/escalation-cheap-talk/"/>
    <updated>2010-10-15T18:18:54.000Z</updated>
    <id>https://mlarson.org/2010/10/15/escalation-cheap-talk/</id>
    <content type="html">&lt;p&gt;“You are invited to extrapolate this idea to all kinds of social interaction where you are being perfectly polite, reasonable, and accomodating, but he is being insensitive, abrasive, and stubborn.” (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/10/assorted-links-12.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cheeptalk.wordpress.com/2010/10/14/escalation/&#34;&gt;Escalation « Cheap Talk&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2010</title>
    <link href="https://mlarson.org/2010/10/15/theatlantic-alexis-madrigal-reflects-on-a-time/"/>
    <updated>2010-10-15T15:09:59.000Z</updated>
    <id>https://mlarson.org/2010/10/15/theatlantic-alexis-madrigal-reflects-on-a-time/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_lac718puzv1qcokc4o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://theatlantic.tumblr.com/post/1320596391/alexis-madrigal-reflects-on-a-time-when&#34;&gt;theatlantic&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/technology/archive/2010/10/hipstamatic-and-the-time-when-photographs-looked-like-paintings/64618/&#34;&gt;Alexis Madrigal&lt;/a&gt; reflects on a time when photographs resembled paintings:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Many works like Edward Steichen’s “Flatiron—Evening Camera Work 14” (above) play with fog and smoke. They hide things in the greyscale and even tend toward a hazy abstraction. Everything becomes a little harder to see and a bit more romantic. I’d long, lazily assumed that turn-of-the-century photos looked like this because of technical reasons, that this was just how cameras made photos at the time. That’s not true. These photographers were skilled enough and their techniques good enough that they could have made razor sharp portraits, but they didn’t. Instead, we have two decades where the best photographs work like memories not recordings.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2010</title>
    <link href="https://mlarson.org/2010/10/14/no-dinner-invitations-made-in-america/"/>
    <updated>2010-10-14T18:48:06.000Z</updated>
    <id>https://mlarson.org/2010/10/14/no-dinner-invitations-made-in-america/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_laamw7udrt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://madeinamericathebook.wordpress.com/2010/09/22/no-dinner-invitations/&#34;&gt;No Dinner Invitations? - Made in America&lt;/a&gt;. Suspected causes: both parents working, more commuting. But our socializing, in general, trends upward: more phone calls, texts, jaunts to restaurants, bars, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2010</title>
    <link href="https://mlarson.org/2010/10/14/genius-within-the-inner-life-of-glenn-gould/"/>
    <updated>2010-10-14T15:18:24.000Z</updated>
    <id>https://mlarson.org/2010/10/14/genius-within-the-inner-life-of-glenn-gould/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/GBYSAiECofA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://glenngouldmovie.com/&#34;&gt;Genius Within: The Inner Life of Glenn Gould&lt;/a&gt;. Coming to Atlanta in November. What a character. I loved this one book about him, &lt;a href=&#34;http://www.mlarson.org/2008/10/05/romance-on-three-legs-review/&#34;&gt;A Romance on Three Legs&lt;/a&gt;, and a buddy at work told me that &lt;a href=&#34;http://en.wikipedia.org/wiki/Thirty_Two_Short_Films_About_Glenn_Gould&#34;&gt;Thirty Two Short Films About Glenn Gould&lt;/a&gt; is also very good.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What Is the Koran? - Magazine - The Atlantic</title>
    <link href="https://mlarson.org/2010/10/14/what-is-the-koran-magazine-the-atlantic/"/>
    <updated>2010-10-14T14:05:05.000Z</updated>
    <id>https://mlarson.org/2010/10/14/what-is-the-koran-magazine-the-atlantic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Researchers with a variety of academic and theological interests are proposing controversial theories about the Koran and Islamic history, and are striving to reinterpret Islam for the modern world. This is, as one scholar puts it, a “sensitive business”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/print/1999/01/what-is-the-koran/4024/&#34;&gt;What Is the Koran? - Magazine - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>T.I. helped save Midtown Atlanta jumper&#39;s life — really | Fresh Loaf | Creative Loafing Atlanta</title>
    <link href="https://mlarson.org/2010/10/14/ti-helped-save-midtown-atlanta-jumpers-life/"/>
    <updated>2010-10-14T02:16:00.000Z</updated>
    <id>https://mlarson.org/2010/10/14/ti-helped-save-midtown-atlanta-jumpers-life/</id>
    <content type="html">&lt;p&gt;The redemptive power of music!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/freshloaf/archives/2010/10/13/ti-helped-save-midtown-atlanta-jumpers-life-really&#34;&gt;T.I. helped save Midtown Atlanta jumper&#39;s life — really | Fresh Loaf | Creative Loafing Atlanta&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2010</title>
    <link href="https://mlarson.org/2010/10/13/ten-ragas-to-a-disco-beat-charanjit/"/>
    <updated>2010-10-13T17:14:09.000Z</updated>
    <id>https://mlarson.org/2010/10/13/ten-ragas-to-a-disco-beat-charanjit/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_la8nvmc15u1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bombay-connection.com/en_GB/site/page/1/releases&#34;&gt;Ten Ragas to a Disco Beat - Charanjit Singh&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Performed on the synths that would later define Acid House, the Roland TB-303 and TR-808, the album sounds light years ahead of its time with its repetitive beats and hypnotic electronic melodies. Its maker, Bollywood session musician Charanjit Singh, set out to translate ancient Indian classical Ragas to the modern synthesizer and in doing so seems to have invented House music along the way.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;More on the album and the culture of ‘80s Indian synthesizer stuff &lt;a href=&#34;http://www.theoriginalsoundtrack.com/2010/04/thoughts-on-10-ragas-to-a-disco-beat/&#34;&gt;here&lt;/a&gt; and &lt;a href=&#34;http://www.theoriginalsoundtrack.com/2010/04/further-thoughts-on-ten-ragas-to-a-disco-beat/&#34;&gt;here&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2010</title>
    <link href="https://mlarson.org/2010/10/12/eric-stoltz-was-the-first-marty-mcfly-so-weird-to/"/>
    <updated>2010-10-12T18:58:00.000Z</updated>
    <id>https://mlarson.org/2010/10/12/eric-stoltz-was-the-first-marty-mcfly-so-weird-to/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.eonline.com/videos/swf/CEGDynamicPlayer.swf&#34;&gt;http://www.eonline.com/videos/swf/CEGDynamicPlayer.swf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.eonline.com/uberblog/b205089_back_future_mystery_why_did_michael_j.html&#34;&gt;Eric Stoltz was the first Marty McFly&lt;/a&gt;. So weird to see the wrong actor in those scenes.&lt;/p&gt;
&lt;p&gt;Here’s a movie idea: two 45-minute films, as identical as possible in setting, costume, lighting, framing, tone, etc. but with a different set of lead actors. Not too many, maybe 1-5 switched out. Film them as contemporaneously as possible. Screen&#39;em back-to-back. Anyone ever done this?&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.eonline.com/&#34;&gt;http://www.eonline.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Permanent style: When style becomes costume</title>
    <link href="https://mlarson.org/2010/10/12/permanent-style-when-style-becomes-costume/"/>
    <updated>2010-10-12T18:41:28.000Z</updated>
    <id>https://mlarson.org/2010/10/12/permanent-style-when-style-becomes-costume/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Men who are very interested in their clothes are part geeky, petty academic and part creative, artistic aesthete. Everyone needs the former to drive them into reading and investigation, to be interested by the history and traditions of men’s attire. But everyone also needs the latter, to have the kind of mind that created these traditions in the first place.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Of course, this applies to more than just fashion.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://permanentstyle.blogspot.com/2008/03/when-style-becomes-costume.html&#34;&gt;Permanent style: When style becomes costume&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2010</title>
    <link href="https://mlarson.org/2010/10/12/amazing-see-also-chicago-on-the-yangtze/"/>
    <updated>2010-10-12T16:17:38.000Z</updated>
    <id>https://mlarson.org/2010/10/12/amazing-see-also-chicago-on-the-yangtze/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_la6mqafjao1qcl7wao1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Amazing. See also &lt;a href=&#34;http://www.foreignpolicy.com/articles/2010/08/16/chicago_on_the_yangtze?page=full&#34;&gt;Chicago on the Yangtze&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2010</title>
    <link href="https://mlarson.org/2010/10/12/robert-mitchum-in-county-jail-photo/"/>
    <updated>2010-10-12T13:31:54.000Z</updated>
    <id>https://mlarson.org/2010/10/12/robert-mitchum-in-county-jail-photo/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_la6ix78o761qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://theselvedgeyard.wordpress.com/2010/10/12/robert-mitchum-pt-i-a-lovehate-relationship-with-hollywood/&#34;&gt;Robert Mitchum in county jail&lt;/a&gt;. Photo ©Bettmann/CORBIS.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2010</title>
    <link href="https://mlarson.org/2010/10/12/it-was-at-a-concert-of-lovely-old-music-after-two/"/>
    <updated>2010-10-12T13:12:18.000Z</updated>
    <id>https://mlarson.org/2010/10/12/it-was-at-a-concert-of-lovely-old-music-after-two/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It was at a concert of lovely old music. After two or three notes of the piano the door was opened of a sudden to the other world. I sped through heaven and saw God at work. I suffered holy pains. I dropped all my defenses and was afraid of nothing in the world. I accepted all things and to all things I gave up my heart. It did not last very long, a quarter of an hour perhaps; but it returned to me in a dream at night, and since, through all the barren days, I caught a glimpse of it now and then.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Herman Hesse’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Steppenwolf_(novel)&#34;&gt;Steppenwolf&lt;/a&gt; on musical ecstasy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Metropolis</title>
    <link href="https://mlarson.org/2010/10/12/metropolis-amazing-i-was-pumped-up-to-see-this/"/>
    <updated>2010-10-12T04:03:56.000Z</updated>
    <id>https://mlarson.org/2010/10/12/metropolis-amazing-i-was-pumped-up-to-see-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_la5smkocdz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Metropolis_%28film%29&#34;&gt;Metropolis&lt;/a&gt;. Amazing. &lt;a href=&#34;http://twitter.com/mlarson/status/27064404046&#34;&gt;I was pumped-up&lt;/a&gt; to see this &lt;a href=&#34;http://www.kino.com/metropolis/&#34;&gt;latest restoration&lt;/a&gt; and it did not disappoint. Fritz Lang went big with this one. So good. So many themes. Solid, archetypal characters (tycoon/forbidding father, sketchy henchman, mad scientist, romantic hero, maiden/whore/messiah, trusty sidekick, etc.) all with their own clear relationships to each other. A pretty amazing soundtrack (with cameos of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Dies_Irae&#34;&gt;Dies Irae&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/La_Marseillaise&#34;&gt;La Marseillaise&lt;/a&gt;). Many of the sets would still look incredible today. It’s old enough to bring out some unintended laughter here and there, but I thought it was pretty gripping most of the way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Vertigo</title>
    <link href="https://mlarson.org/2010/10/11/vertigo-the-first-hour-was-really-fun-theres/"/>
    <updated>2010-10-11T02:29:14.000Z</updated>
    <id>https://mlarson.org/2010/10/11/vertigo-the-first-hour-was-really-fun-theres/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_la3tkq6q9a1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Vertigo_%28film%29&#34;&gt;Vertigo&lt;/a&gt;. The first hour was really fun, there’s emotional anguish in the conclusion that I wasn’t expecting from Hitchcock, and several twists along the way that I totally didn’t see coming. James Stewart rules. The soundtrack was very good and the audio in general–engines, footsteps, city life–seemed really, really sharp. I’d rank it among the better &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;Hitchcock films I’ve seen&lt;/a&gt;, but I think I’d put it in third place behind &lt;a href=&#34;http://tumblr.mlarson.org/post/1159524247/rear-window-good-lord-this-is-a-near-perfect&#34;&gt;Rear Window&lt;/a&gt; and &lt;a href=&#34;http://tumblr.mlarson.org/post/508261539/to-catch-a-thief-its-a-romance-packaged-in-a&#34;&gt;To Catch a Thief&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dickens in Lagos - Lapham’s Quarterly</title>
    <link href="https://mlarson.org/2010/10/09/dickens-in-lagos-laphams-quarterly/"/>
    <updated>2010-10-09T19:36:00.000Z</updated>
    <id>https://mlarson.org/2010/10/09/dickens-in-lagos-laphams-quarterly/</id>
    <content type="html">&lt;p&gt;George Packer argues that “in vast, impoverished cities like Bombay, Cairo, Jakarta, Rio, or Lagos, the plot lines of the nineteenth century proliferate.” And thus, the readers of the developing world can more easily relate.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The concerns of that literature [late 19th-century novels]—the individual caught in an encompassing social web, the sensitive young mind trapped inside an indifferent world, the beguiling journey from countryside to metropolis, the dismal inventiveness with which people survive, the permanent gap between imagination and opportunity, the big families whose problems are lived out in the street, the tragic pregnancies, the ubiquity of corruption, the earnest efforts at self-education, the preciousness of books, the squalid factories and debtor’s prisons, the valuable garbage, the complex rules of patronage and extortion, the sudden turns of fortune, the sidewalk con men and legless beggars, the slum as theater of the grotesque: long after these things dropped out of Western literature, they became the stuff of ordinary life elsewhere, in places where modernity is arriving but hasn’t begun to solve the problems of people thrown together in the urban cauldron.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.laphamsquarterly.org/essays/dickens-in-lagos.php?page=all&#34;&gt;Dickens in Lagos - Lapham’s Quarterly&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2010</title>
    <link href="https://mlarson.org/2010/10/08/when-i-was-young-i-read-the-richest-man-in/"/>
    <updated>2010-10-08T15:43:52.000Z</updated>
    <id>https://mlarson.org/2010/10/08/when-i-was-young-i-read-the-richest-man-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I was young, I read The Richest Man in Babylon, which said to under-spend your income and invest the difference. Lo and behold, I did this and it worked. I got the idea to add a mental compound interest too, so I decided I would sell myself the best hour of the day to improving my own mind, and the world could buy the rest of the time. It sounds selfish, but it worked.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/#i162&#34;&gt;Charlie Munger&lt;/a&gt; on investing in your brain. &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Richest_Man_in_Babylon_(book)&#34;&gt;The Richest Man in Babylon&lt;/a&gt; looks pretty sensible.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Afghan</title>
    <link href="https://mlarson.org/2010/10/08/afghan-written-directed-and-produced-by-pardis/"/>
    <updated>2010-10-08T14:06:00.000Z</updated>
    <id>https://mlarson.org/2010/10/08/afghan-written-directed-and-produced-by-pardis/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/Eg9Y3CXa8jA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=Eg9Y3CXa8jA&#34;&gt;Afghan&lt;/a&gt;. Written, directed, and produced by &lt;a href=&#34;http://www.pardisparker.com/&#34;&gt;Pardis Parker&lt;/a&gt;. This was my favorite film shown at last night’s &lt;a href=&#34;http://atlantathinkfestival.org/&#34;&gt;Atlanta Philosophy Film Festival&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2010</title>
    <link href="https://mlarson.org/2010/10/08/there-is-perhaps-no-psychic-phenomenon-which-has/"/>
    <updated>2010-10-08T13:51:16.000Z</updated>
    <id>https://mlarson.org/2010/10/08/there-is-perhaps-no-psychic-phenomenon-which-has/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There is perhaps no psychic phenomenon which has been so unconditionally reserved to the metropolis as has the blasé attitude.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.laphamsquarterly.org/conversations/pliny-the-younger-georg-simmel.php&#34;&gt;Georg Simmel&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mirrored Las Vegas hotel turns into parabolic solar cooker</title>
    <link href="https://mlarson.org/2010/10/07/mirrored-las-vegas-hotel-turns-into-parabolic/"/>
    <updated>2010-10-07T16:39:31.000Z</updated>
    <id>https://mlarson.org/2010/10/07/mirrored-las-vegas-hotel-turns-into-parabolic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The tall, sleek, curving Vdara Hotel at CityCenter on the Strip is a thing of beauty. But the south-facing tower is also a collector and bouncer of sun rays, which – if you’re at the hotel’s swimming pool at the wrong time of day and season – can singe your hair and melt your plastic drink cups and shopping bags.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I work next to a building like this, except the death rays shine right on the sidewalk. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://www.lvrj.com/news/vdara-visitor---death-ray--scorched-hair-103777559.html&#34;&gt;Mirrored Las Vegas hotel turns into parabolic solar cooker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Buffett FAQ</title>
    <link href="https://mlarson.org/2010/10/07/buffett-faq/"/>
    <updated>2010-10-07T14:06:23.000Z</updated>
    <id>https://mlarson.org/2010/10/07/buffett-faq/</id>
    <content type="html">&lt;p&gt;A treasure trove for Warren Buffett (and Charlie Munger) fans. (&lt;a href=&#34;http://www.bakadesuyo.com/interesting-reads-from-around-the-web&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Goal - To compile and order the teachings of Mr. Buffett to maximise their benefit and usefulness to others. All material below is from question and answer (Q&amp;amp;A) sessions with Mr. Buffett.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://buffettfaq.com/&#34;&gt;Buffett FAQ&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 7, 2010</title>
    <link href="https://mlarson.org/2010/10/07/her-bottom-is-so-beautiful-that-once-as-she/"/>
    <updated>2010-10-07T13:17:41.000Z</updated>
    <id>https://mlarson.org/2010/10/07/her-bottom-is-so-beautiful-that-once-as-she/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Her bottom is so beautiful that once as she crossed the room to the cooler I felt my eyes smart with tears of gratitude.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A selection from &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Moviegoer&#34;&gt;The Moviegoer by Walker Percy&lt;/a&gt;, which so far has been very enjoyable.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 5, 2010</title>
    <link href="https://mlarson.org/2010/10/05/a-depressing-october-poem-for-you-jeff-buckley/"/>
    <updated>2010-10-05T16:43:14.000Z</updated>
    <id>https://mlarson.org/2010/10/05/a-depressing-october-poem-for-you-jeff-buckley/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/JgeaqpmqUT8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;A depressing October poem for you: &lt;a href=&#34;http://www.youtube.com/watch?v=JgeaqpmqUT8&#34;&gt;Jeff Buckley reads&lt;/a&gt; Edgar Allan Poe’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Ulalume&#34;&gt;Ulalume&lt;/a&gt;. &lt;a href=&#34;http://www.bartleby.com/102/90.html&#34;&gt;The text&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>25 most dangerous neighborhoods 2010</title>
    <link href="https://mlarson.org/2010/10/05/25-most-dangerous-neighborhoods-2010/"/>
    <updated>2010-10-05T16:29:58.000Z</updated>
    <id>https://mlarson.org/2010/10/05/25-most-dangerous-neighborhoods-2010/</id>
    <content type="html">&lt;p&gt;Atlanta claims spots #5, 7, 17, and 22: the areas near Vine City/GA Dome, Techwood/Centennial Hill, Mechanicsville/Summerhill, and Adair Park. (&lt;a href=&#34;http://twitter.com/CassandraYoung/status/26469039428&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.walletpop.com/blog/2010/10/04/25-most-dangerous-neighborhoods-2010/&#34;&gt;25 most dangerous neighborhoods 2010&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2010</title>
    <link href="https://mlarson.org/2010/10/04/apple-cider-doughnuts-smitten-kitchen-mental/"/>
    <updated>2010-10-04T20:18:38.000Z</updated>
    <id>https://mlarson.org/2010/10/04/apple-cider-doughnuts-smitten-kitchen-mental/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_l9s8f3tfpt1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://smittenkitchen.com/2009/10/apple-cider-doughnuts/&#34;&gt;Apple cider doughnuts | smitten kitchen&lt;/a&gt;. Mental note.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Clermont Hotel | WMLB 1690 | The Voice of The Arts</title>
    <link href="https://mlarson.org/2010/10/04/the-clermont-hotel-wmlb-1690-the-voice-of-the/"/>
    <updated>2010-10-04T19:10:51.000Z</updated>
    <id>https://mlarson.org/2010/10/04/the-clermont-hotel-wmlb-1690-the-voice-of-the/</id>
    <content type="html">&lt;p&gt;A great episode about the beloved Atlanta landmark built in 1924 and the (in)famous, seedy, must-see &lt;a href=&#34;http://www.clermontlounge.net/&#34;&gt;strip club in the basement&lt;/a&gt; that’s been running since 1965, the &lt;a href=&#34;http://en.wikipedia.org/wiki/Clermont_Lounge&#34;&gt;Clermont Lounge&lt;/a&gt;. One old postcard calls it &lt;a href=&#34;http://www.atlantatimemachine.com/commercialbldgs/clermont.htm&#34;&gt;As Modern as Tomorrow&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Featured on this episode of Sidewalk Radio are guests Boyd Coons, Executive Director of the Atlanta Preservation Center, Mike Gamble, a tenured professor in architecture at Georgia Tech, DJ, the de facto spokesperson and bouncer at the Clermont Lounge at the Clermont Lounge, and Atlanta icon and dancer at the Clermont Lounge, Blondie.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://1690wmlb.com/the-clermont-hotel/&#34;&gt;The Clermont Hotel | WMLB 1690 | The Voice of The Arts&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2010</title>
    <link href="https://mlarson.org/2010/10/04/paul-f-tompkins-the-perfect-beer-it-really-is/"/>
    <updated>2010-10-04T18:39:23.000Z</updated>
    <id>https://mlarson.org/2010/10/04/paul-f-tompkins-the-perfect-beer-it-really-is/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/zlfkudhp3qI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=zlfkudhp3qI&#34;&gt;Paul F. Tompkins - The perfect beer&lt;/a&gt;. It really is great to be an adult.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Akrasia - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2010/10/04/akrasia-wikipedia-the-free-encyclopedia/"/>
    <updated>2010-10-04T17:29:00.000Z</updated>
    <id>https://mlarson.org/2010/10/04/akrasia-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;“The state of acting against one’s better judgment.” See also &lt;a href=&#34;http://en.wikipedia.org/wiki/Phronesis&#34;&gt;phronesis&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Akrasia&#34;&gt;Akrasia - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Leaving Las Vegas (if they can)</title>
    <link href="https://mlarson.org/2010/10/04/marginal-revolution-leaving-las-vegas-if-they/"/>
    <updated>2010-10-04T17:21:00.000Z</updated>
    <id>https://mlarson.org/2010/10/04/marginal-revolution-leaving-las-vegas-if-they/</id>
    <content type="html">&lt;p&gt;Using U-Haul pricing for one-way trips to figure out where people want to move. Very clever idea.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One-Way Trip (August 2005)&lt;br&gt;
Los Angeles to Las Vegas - $454.00&lt;br&gt;
Las Vegas to Los Angeles - $119.00&lt;/p&gt;
&lt;p&gt;One-Way Trip (October 2010)&lt;br&gt;
Los Angeles to Las Vegas - $223.00&lt;br&gt;
Las Vegas to Los Angeles - $234.00&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/10/leaving-las-vegas-if-they-can.html&#34;&gt;Marginal Revolution: Leaving Las Vegas (if they can)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2010</title>
    <link href="https://mlarson.org/2010/10/04/obligatory-birthday-post-scene-from-the-general/"/>
    <updated>2010-10-04T15:49:21.000Z</updated>
    <id>https://mlarson.org/2010/10/04/obligatory-birthday-post-scene-from-the-general/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_l9rvy9dclu1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Buster_Keaton&#34;&gt;Obligatory birthday post&lt;/a&gt;. Scene from &lt;a href=&#34;http://en.wikipedia.org/wiki/The_General_%281927_film%29&#34;&gt;The General&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2010</title>
    <link href="https://mlarson.org/2010/10/04/after-us-theyll-fly-in-hot-air-balloons-coat/"/>
    <updated>2010-10-04T14:39:23.000Z</updated>
    <id>https://mlarson.org/2010/10/04/after-us-theyll-fly-in-hot-air-balloons-coat/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;After us they’ll fly in hot air balloons, coat styles will change, perhaps they’ll discover a sixth sense and cultivate it, but life will remain the same, a hard life full of secrets, but happy. And a thousand years from now man will still be sighing, “Oh! Life is so hard!” and will still, like now, be afraid of death and not want to die.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Anton Chekhov, &lt;em&gt;The Three Sisters,&lt;/em&gt; quoted by &lt;a href=&#34;http://sometimesagreatnotion.tumblr.com/post/1223236227/after-us-theyll-fly-in-hot-air-balloons-coat&#34;&gt;sometimes a great notion&lt;/a&gt;. See &lt;a href=&#34;http://dreaddiary.tumblr.com/post/1223334589/shall-we-never-never-get-rid-of-this-past&#34;&gt;this also&lt;/a&gt;. (&lt;a href=&#34;http://mills.tumblr.com/post/1223342730/after-us-theyll-fly-in-hot-air-balloons-coat&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2010</title>
    <link href="https://mlarson.org/2010/10/04/austinkleon-portrait-of-a-housing-bust/"/>
    <updated>2010-10-04T14:36:48.000Z</updated>
    <id>https://mlarson.org/2010/10/04/austinkleon-portrait-of-a-housing-bust/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_l9m8ld74pa1qz6f4bo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/1222019271/portrait-of-a-housing-bust&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://kottke.org/10/10/portrait-of-a-housing-bust&#34;&gt;Portrait of a housing bust&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reminds me of an excellent trio of recent Florida real estate journalism… In Harper’s, from Paul Reyes, &lt;a href=&#34;http://www.harpers.org/archive/2010/08/0083064&#34;&gt;Paradise swamped: The boom and bust of the middle-class dream&lt;/a&gt; and &lt;a href=&#34;http://www.harpers.org/archive/2008/10/0082199&#34;&gt;Bleak houses: Digging through the ruins of the mortgage crisis&lt;/a&gt;. And from George Packer in the New Yorker we have &lt;a href=&#34;http://www.newyorker.com/reporting/2009/02/09/090209fa_fact_packer&#34;&gt;The Ponzi State: Florida’s foreclosure disaster&lt;/a&gt;. All three are pretty darn good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2010</title>
    <link href="https://mlarson.org/2010/10/01/nyphil-leonard-bernsteins-score-of-former/"/>
    <updated>2010-10-01T17:47:00.000Z</updated>
    <id>https://mlarson.org/2010/10/01/nyphil-leonard-bernsteins-score-of-former/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_l97ko1rlod1qa028to1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nyphil.tumblr.com/post/1174569215/leonard-bernsteins-score-of-former-philharmonic&#34;&gt;nyphil&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Leonard Bernstein’s score of former Philharmonic music director Gustav Mahler’s Symphony No. 6, which Alan Gilbert conducts next week at Avery Fisher Hall on &lt;a href=&#34;http://nyphil.org/attend/season/index.cfm?page=eventDetail&amp;amp;eventNum=2135&amp;amp;seasonNum=10&amp;amp;mI=0&amp;amp;sI=0&#34; title=&#34;Mahler 6 concerts&#34;&gt;September 29, 30, and October 1&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2010</title>
    <link href="https://mlarson.org/2010/10/01/norman-einsteins-sports-rocket-science-monthly/"/>
    <updated>2010-10-01T14:38:34.000Z</updated>
    <id>https://mlarson.org/2010/10/01/norman-einsteins-sports-rocket-science-monthly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/10/tumblr_l9m8obvtxw1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://normaneinsteins.com/17/&#34;&gt;Norman Einstein’s Sports &amp;amp; Rocket Science Monthly #17: October 2010&lt;/a&gt;. “Movies. Music. Media. This month the Einsteins are digging into on our sporting stories, why they are told and how they unfold.” One reason Norman Einstein’s has grown on me is that the monthly gap from issue to issue is kind of a nice change from usual RSS trickle from the rest of the web. *Surely* there is an untapped market for more online periodicals.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2010</title>
    <link href="https://mlarson.org/2010/10/01/coffee-break-a-1958-film-about-lost-time-in-the/"/>
    <updated>2010-10-01T14:19:57.000Z</updated>
    <id>https://mlarson.org/2010/10/01/coffee-break-a-1958-film-about-lost-time-in-the/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf&#34;&gt;http://www.archive.org/flow/flowplayer.commercial-3.2.1.swf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.archive.org/details/CoffeeBreak&#34;&gt;Coffee Break&lt;/a&gt;. A 1958 film about lost time in the workplace. From the &lt;a href=&#34;http://www.archive.org/details/prelinger&#34;&gt;Prelinger Archives&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.archive.org/&#34;&gt;http://www.archive.org/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Steamboat Bill, Jr.</title>
    <link href="https://mlarson.org/2010/09/30/steamboat-bill-jr-brilliantly-funny-movie-i/"/>
    <updated>2010-09-30T04:34:50.000Z</updated>
    <id>https://mlarson.org/2010/09/30/steamboat-bill-jr-brilliantly-funny-movie-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l9jm2aqdye1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Steamboat_Bill_Jr.&#34;&gt;Steamboat Bill, Jr.&lt;/a&gt;. Brilliantly funny movie. I had the great pleasure of seeing it with a happy crowd and live piano accompaniment. It’s easy to &lt;a href=&#34;http://www.archive.org/details/SteamboatBillJr&#34;&gt;find&lt;/a&gt; &lt;a href=&#34;http://video.google.com/videoplay?docid=-8686860457199104828&#34;&gt;online&lt;/a&gt;, though. The &lt;a href=&#34;http://www.youtube.com/watch?v=L_DiaL8ETDw&#34;&gt;hat scene&lt;/a&gt; and the jail scene about 45 minutes in were my favorites. Highly recommended. But then, &lt;a href=&#34;http://tumblr.mlarson.org/tagged/busterkeaton&#34;&gt;I love Buster Keaton&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2010</title>
    <link href="https://mlarson.org/2010/09/29/kind-hearts-and-coronets-decadent-dennis-price/"/>
    <updated>2010-09-29T14:27:03.000Z</updated>
    <id>https://mlarson.org/2010/09/29/kind-hearts-and-coronets-decadent-dennis-price/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l9iit37suv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://clothesonfilm.com/kind-hearts-and-coronets-decadent-dennis-price/14216/&#34;&gt;Kind Hearts and Coronets: Decadent Dennis Price | Clothes on Film&lt;/a&gt;. Storytelling through clothing! Lots of great stills from &lt;a href=&#34;http://en.wikipedia.org/wiki/Kind_Hearts_and_Coronets&#34;&gt;Kind Hearts and Coronets&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As Mazzini slowly murders his way up the social ladder, his manner of dress, starting as a humble store clerk in a lounge coat, becomes increasingly extravagant and dandified, in keeping with the growing hubris of the character.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Shall we talk about the weather? « pecanne log</title>
    <link href="https://mlarson.org/2010/09/29/shall-we-talk-about-the-weather-pecanne-log/"/>
    <updated>2010-09-29T02:34:00.000Z</updated>
    <id>https://mlarson.org/2010/09/29/shall-we-talk-about-the-weather-pecanne-log/</id>
    <content type="html">&lt;p&gt;Truth:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We Southerners get super sensitive about snow and ice in the winter but we LIVE for the first full weekend of zero percent humidity. Everyone breaks out their wool blazers and favorite argyle items as soon as temps dip below 87° – it’s a fact! That’s why it’s so sad when inevitably a three-week humid heat wave comes in October and no one wants to put sensible cotton short-sleeved attire back on. Lots of moist people in sweater vests and Glen plaid dragging themselves through the dying strains of Atlanta summer – it’s just embarrassing for everyone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pecannelog.com/2010/09/28/shall-we-talk-about-the-weather/?utm_source=feedburner&amp;amp;utm_medium=twitter&amp;amp;utm_campaign=Feed%3A+PecanneLog+%28pecanne+log%29&amp;amp;utm_content=Twitter&#34;&gt;Shall we talk about the weather? « pecanne log&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In which I ponder restaurants</title>
    <link href="https://mlarson.org/2010/09/28/20100928in-which-i-ponder-restaurants/"/>
    <updated>2010-09-28T22:58:56.000Z</updated>
    <id>https://mlarson.org/2010/09/28/20100928in-which-i-ponder-restaurants/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4823320695/&#34; title=&#34;Chopped liver by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4138/4823320695_46d904bb38_o.jpg&#34; alt=&#34;Chopped liver&#34;&gt;&lt;/a&gt; Eating out can be incredibly frustrating. Take this dinner at &lt;a href=&#34;http://www.yelp.com/biz/shauns-atlanta&#34;&gt;Shaun&#39;s&lt;/a&gt;. Good chopped liver. Followed by a well-prepared pork dish that I forget. Decent? Yes. Worth the price? Hell no. Like I did when considering &lt;a href=&#34;/mark-larson-1/2010/03/22/finishing-books-vs-finishing-movies&#34;&gt;finishing books vs. finishing movies&lt;/a&gt;, here&#39;s some idle theorizing on why I often walk out of restaurants disappointed:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I choose crappy restaurants vis-à-vis my preferences (strong, spicy flavors in high volume in a casual atmosphere).&lt;/li&gt;
&lt;li&gt;I have absurd expectations.&lt;/li&gt;
&lt;li&gt;I am bad at ordering. (I wouldn&#39;t discount this one.)&lt;/li&gt;
&lt;li&gt;I have shitty taste buds.&lt;/li&gt;
&lt;li&gt;I&#39;m generally not given to extreme opinions, but experience most things as more or less average. Thus, I feel disappointment when my expectations are validated at an high price.&lt;/li&gt;
&lt;li&gt;I don&#39;t have the technical/aesthetic knowledge to appreciate the skill that goes into sourcing, preparing, and serving a fine dish.&lt;/li&gt;
&lt;li&gt;Truly exceptional meals are just as rare for the cooks themselves are they are for us, cooking at home. I like this theory a lot, myself. Nobody can be transcendent on a daily basis. For many folks in the kitchen, it&#39;s just a job. They may absolutely love it, sure, but they do it 40+ hours a week. You can&#39;t expect awesome hundreds of times every month.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I&#39;m open to other theories. In the meanwhile, I should probably just skip out on the bar food and fancy crap, and see what I can find &lt;a href=&#34;http://www.yelp.com/list/buford-highway-a-case-study-atlanta&#34;&gt;eating&lt;/a&gt; &lt;a href=&#34;http://www.yelp.com/list/buford-highway-atlanta&#34;&gt;out&lt;/a&gt; &lt;a href=&#34;http://www.yelp.com/list/buford-highway-atlanta-3&#34;&gt;on&lt;/a&gt; &lt;a href=&#34;http://clatl.com/2004-06-24/cover2.html&#34;&gt;Buford&lt;/a&gt; &lt;a href=&#34;http://eatbufordhighway.com/&#34;&gt;Highway&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What I&#39;ve been reading, vol. iii</title>
    <link href="https://mlarson.org/2010/09/28/20100928what-ive-been-reading-vol-iii/"/>
    <updated>2010-09-28T22:30:50.000Z</updated>
    <id>https://mlarson.org/2010/09/28/20100928what-ive-been-reading-vol-iii/</id>
    <content type="html">&lt;p&gt;Man, my reading of books has taken a nosedive since &lt;a href=&#34;/mark-larson-1/2010/07/13/a-few-weeks-with-my-ipad&#34;&gt;I got an iPad&lt;/a&gt; + &lt;a href=&#34;http://www.instapaper.com/&#34;&gt;Instapaper&lt;/a&gt;. But I&#39;m not sure if I mind that much. The best of that stuff ends up on &lt;a href=&#34;http://tumblr.mlarson.org/&#34;&gt;my tumblr&lt;/a&gt;, anyway. Here&#39;s a rundown of bound volumes: 1. &lt;a href=&#34;http://www.amazon.com/Certain-Je-Ne-Sais-Quoi/dp/1606520571&#34;&gt;A Certain &amp;quot;Je Ne Sais Quoi&amp;quot;&lt;/a&gt;. It&#39;s basically a long list of phrases and where they came from. It&#39;s really good if you care about words and where they come from.&lt;/p&gt;
&lt;p&gt;2. &lt;a href=&#34;http://www.amazon.com/Coltrane-John-Interviews-Cappella-Books/dp/1569762872/&#34;&gt;Coltrane on Coltrane&lt;/a&gt;. What comes up again and again in these profiles and interviews is how kind, humble, and reticent Coltrane is. He seems like a genuinely nice guy. Which makes it not nearly as interesting as &lt;a href=&#34;http://www.amazon.com/Miles-Interviews-Encounters-Davis/dp/1556527063&#34;&gt;Miles on Miles&lt;/a&gt;. Miles Davis is not known for being kind, humble or reticent. He&#39;ll speechify and declaim and accuse and he&#39;s got giant chips on his shoulder. In many of the Coltrane interviews, you see the interviewer&#39;s paragraphs of speech balanced with just a few words from Coltrane. Too bad.&lt;/p&gt;
&lt;p&gt;3. &lt;a href=&#34;http://www.amazon.com/Broom-System-Novel-Penguin-Ink/dp/0143116932/&#34;&gt;The Broom of the System&lt;/a&gt;. I couldn&#39;t finish this one. Wallace&#39;s nonfiction is where it&#39;s at for me, though I&#39;m still holding out hope for &amp;quot;Infinite Jest&amp;quot;.&lt;/p&gt;
&lt;p&gt;4. &lt;a href=&#34;http://www.amazon.com/dp/0465028020&#34;&gt;The Happiness Hypothesis&lt;/a&gt;. Did I mention that you have to read this book? &lt;a href=&#34;/mark-larson-1/2010/07/13/the-happiness-hypothesis-review-55&#34;&gt;Yes I did&lt;/a&gt;. Still standing as my favorite nonfiction of 2010.&lt;/p&gt;
&lt;p&gt;5. &lt;a href=&#34;http://www.amazon.com/Love-Led-Zeppelin-Ellen-Forney/dp/1560977302/&#34;&gt;I Love Led Zeppelin&lt;/a&gt;. Some of it is funny.&lt;/p&gt;
&lt;p&gt;6. &lt;a href=&#34;http://www.amazon.com/Exit-Wounds-Rutu-Modan/dp/1897299834/&#34;&gt;Exit Wounds&lt;/a&gt;. Skip.&lt;/p&gt;
&lt;p&gt;7. &lt;a href=&#34;http://www.amazon.com/Elegant-Man-Construct-Ideal-Wardrobe/dp/0679421017/&#34;&gt;The Elegant Man&lt;/a&gt; was a nice style guide, if only for reasons of vocabulary and attention to detail. The nice thing about being a guy is that if you learn the classics, you&#39;re set for life.&lt;/p&gt;
&lt;p&gt;8. &lt;a href=&#34;http://www.amazon.com/Mr-Bridge-Evan-S-Connell/dp/1593760604/&#34;&gt;Mrs. Bridge&lt;/a&gt;. This is a day-to-day chronicle of suburban broken dreams, etc. Eh.&lt;/p&gt;
&lt;p&gt;9. &lt;a href=&#34;http://www.amazon.com/Finite-Infinite-Games-Vision-Possibility/dp/0345341848/&#34;&gt;Finite &amp;amp; Infinite Games&lt;/a&gt;. Skip.&lt;/p&gt;
&lt;p&gt;10. &lt;a href=&#34;http://www.amazon.com/Then-We-Came-End-Novel/dp/031601639X/&#34;&gt;Then We Came to the End&lt;/a&gt;. &lt;a href=&#34;/mark-larson-1/2010/04/28/then-we-came-to-the-end-review&#34;&gt;I thought&lt;/a&gt; it was a nice chronicle of life in an office.&lt;/p&gt;
&lt;p&gt;11. &lt;a href=&#34;http://www.amazon.com/Once-Runner-John-L-Parker/dp/0915297019&#34;&gt;Once a Runner&lt;/a&gt;. It&#39;s one of the classics about running, and true to its reputation, the best passages are about running and how exhilarating and exhausting it is to take it seriously. The overall plot was merely okay.&lt;/p&gt;
&lt;p&gt;12. &lt;a href=&#34;http://www.amazon.com/Ghost-Wars-Afghanistan-Invasion-September/dp/0143034669/&#34;&gt;Ghost Wars&lt;/a&gt;. I &lt;a href=&#34;/mark-larson-1/2008/12/02/the-bin-ladens-review&#34;&gt;really liked another book of his&lt;/a&gt;, but I didn&#39;t get chance to finish this. What I read was really good.&lt;/p&gt;
&lt;p&gt;13. &lt;a href=&#34;http://www.amazon.com/Places-Between-Rory-Stewart/dp/0156031566/&#34;&gt;The Places in Between&lt;/a&gt;. It&#39;s a great travelogue and has a nice balance with explaining the history and complicated social intricacies of Afghan culture. Great read. I hear author &lt;a href=&#34;http://en.wikipedia.org/wiki/Rory_Stewart&#34;&gt;Rory Stewart&lt;/a&gt; is a potential Prime Minister.&lt;/p&gt;
&lt;p&gt;Here are my &lt;a href=&#34;/mark-larson-1/2010/02/11/what-ive-been-reading&#34;&gt;first&lt;/a&gt; and &lt;a href=&#34;/mark-larson-1/2010/04/13/what-ive-been-reading-vol-ii&#34;&gt;second&lt;/a&gt; reading round-ups.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2010</title>
    <link href="https://mlarson.org/2010/09/28/austinkleon-doorways-in-john-fords-the/"/>
    <updated>2010-09-28T18:08:10.000Z</updated>
    <id>https://mlarson.org/2010/09/28/austinkleon-doorways-in-john-fords-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l9guogrhhk1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/1204998505/doorways-in-john-fords-the-searchers-are-you&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sheilaomalley.com/?p=25214&#34;&gt;Doorways in John Ford’s &lt;em&gt;The Searchers&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Are you going in or are you staying out? In the world of The Searchers you must choose. You can’t have both. In this movie, everyone is on the threshold of that choice. And for some, it isn’t a choice at all, it’s just the way things work. Everything you want, everything you search for, is “out there”, or, on the flipside, everything you want is “in there”. There is a giant gap between in and out. Characters are seen standing a bit away from the house, with people clustered in the doorway, and it seems like anything, anything can happen in that gap.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I was reminded of this by &lt;a href=&#34;http://tumblr.austinkleon.com/post/1204986643/watch-the-trailer-for-the-coen-brothers-true-grit&#34;&gt;the &lt;em&gt;True Grit&lt;/em&gt; shot&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Great, great article. &lt;a href=&#34;http://en.wikipedia.org/wiki/Liminality&#34;&gt;Liminality&lt;/a&gt;, my friends. And while we’re on the topic, I tumbled a doorway shot from &lt;a href=&#34;http://tumblr.mlarson.org/post/975408225/the-outlaw-josey-wales-i-wouldnt-call-this-a&#34;&gt;The Outlaw Josey Wales&lt;/a&gt; after I watched it a month or so ago:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_l7dsgqR9jX1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2010</title>
    <link href="https://mlarson.org/2010/09/27/constraint-in-everyday-life-a-lesson-learned-as-i/"/>
    <updated>2010-09-27T22:56:43.000Z</updated>
    <id>https://mlarson.org/2010/09/27/constraint-in-everyday-life-a-lesson-learned-as-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l9fh2jppjw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/mlarson/status/25724949363&#34;&gt;Constraint in everyday life&lt;/a&gt;. A lesson learned as I spent a couple weeks dog- and house-sitting barely a mile from the office. In theory my time not-on-a-train in the mornings and afternoons could have converted to reading time like usual. &lt;em&gt;In theory&lt;/em&gt;. If I had any discipline. And thus I remind myself that less important than the amount time I have–a shit-ton, if you know where to look (as in, let us say, around lunchtime; before, during and right after breakfast when I’m usually just kind of sighing and limping around the house; and pretty much every day from 6pm to midnight)–is the structure I give it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Condos of the Living Dead | Culture | Vanity Fair</title>
    <link href="https://mlarson.org/2010/09/27/condos-of-the-living-dead-culture-vanity-fair/"/>
    <updated>2010-09-27T17:08:13.000Z</updated>
    <id>https://mlarson.org/2010/09/27/condos-of-the-living-dead-culture-vanity-fair/</id>
    <content type="html">&lt;p&gt;“It’s not that these new Manhattan buildings don’t look very good. It’s that they look lazily derivative, and they’ll make New York look like every other grubbily transparent financial hub in the world.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vanityfair.com/culture/features/2006/10/gill200610?printable=true&amp;amp;currentPage=all&#34;&gt;Condos of the Living Dead | Culture | Vanity Fair&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wildlife filmmaker Chris Palmer shows that animals are often set up to succeed</title>
    <link href="https://mlarson.org/2010/09/27/wildlife-filmmaker-chris-palmer-shows-that-animals/"/>
    <updated>2010-09-27T14:24:00.000Z</updated>
    <id>https://mlarson.org/2010/09/27/wildlife-filmmaker-chris-palmer-shows-that-animals/</id>
    <content type="html">&lt;p&gt;“Palmer’s book underscores the fundamental challenge of wildlife filmmaking: Nature is frequently boring. Wild animals prefer not to be seen.” Fascinating. We’ve been faking the natural world for the sake of narrative and/or efficiency and/or profit. &lt;a href=&#34;http://www.utne.com/Arts/Phony-Wildlife-Photography.aspx&#34;&gt;See also&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/wp-dyn/content/article/2010/09/21/AR2010092105782_pf.html&#34;&gt;Wildlife filmmaker Chris Palmer shows that animals are often set up to succeed&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Palo Duro Canyon - Wikipedia</title>
    <link href="https://mlarson.org/2010/09/27/palo-duro-canyon-wikipedia/"/>
    <updated>2010-09-27T13:49:12.000Z</updated>
    <id>https://mlarson.org/2010/09/27/palo-duro-canyon-wikipedia/</id>
    <content type="html">&lt;p&gt;The second-largest canyon in the United States. I’d never heard of it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Palo_Duro_Canyon&#34;&gt;Palo Duro Canyon - Wikipedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2010</title>
    <link href="https://mlarson.org/2010/09/27/i-aint-that-particular-between-scotch-and/"/>
    <updated>2010-09-27T01:15:54.000Z</updated>
    <id>https://mlarson.org/2010/09/27/i-aint-that-particular-between-scotch-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I ain’t that particular. Between Scotch and nothing, I’ll take Scotch.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/4954/the-art-of-fiction-no-12-william-faulkner&#34;&gt;William Faulkner&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/caitlinroper/status/25509124487&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What&#39;s It Like to Be a Tourist in North Korea? - Foreign Policy</title>
    <link href="https://mlarson.org/2010/09/26/whats-it-like-to-be-a-tourist-in-north-korea/"/>
    <updated>2010-09-26T23:53:14.000Z</updated>
    <id>https://mlarson.org/2010/09/26/whats-it-like-to-be-a-tourist-in-north-korea/</id>
    <content type="html">&lt;p&gt;One of the commenters has some interesting &lt;a href=&#34;http://www.flickr.com/photos/russthecheetah/sets/72157624516829108/&#34;&gt;photos from a North Korea trip&lt;/a&gt; earlier this summer.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.foreignpolicy.com/articles/2010/08/16/a_tourist_in_pyongyang?page=full&#34;&gt;What&#39;s It Like to Be a Tourist in North Korea? - Foreign Policy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Overcoming Bias : Opinion Warning Signs</title>
    <link href="https://mlarson.org/2010/09/26/overcoming-bias-opinion-warning-signs/"/>
    <updated>2010-09-26T17:30:24.000Z</updated>
    <id>https://mlarson.org/2010/09/26/overcoming-bias-opinion-warning-signs/</id>
    <content type="html">&lt;p&gt;“Signs that your opinions function more to signal loyalty and ability than to estimate truth.” (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/09/opinion-warning-signs.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.overcomingbias.com/2010/09/opinion-warning-signs.html&#34;&gt;Overcoming Bias : Opinion Warning Signs&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thirty days as a Cuban: Pinching pesos and dropping pounds in Havana - By Patrick Symmes (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/09/23/thirty-days-as-a-cuban-pinching-pesos-and/"/>
    <updated>2010-09-23T15:14:43.000Z</updated>
    <id>https://mlarson.org/2010/09/23/thirty-days-as-a-cuban-pinching-pesos-and/</id>
    <content type="html">&lt;p&gt;A journalist experiences a month of eating on the official rations and the black market. Probably my favorite from this month’s issue. [$]&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.harpers.org/archive/2010/10/0083149&#34;&gt;Thirty days as a Cuban: Pinching pesos and dropping pounds in Havana - By Patrick Symmes (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Recent juxtapositions</title>
    <link href="https://mlarson.org/2010/09/23/recent-juxtapositions/"/>
    <updated>2010-09-23T13:46:35.000Z</updated>
    <id>https://mlarson.org/2010/09/23/recent-juxtapositions/</id>
    <content type="html">&lt;p&gt;A cluster of articles that came up in life and/or the RSS reader within the span of a couple days, without my looking for them. There are no coincidences:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.thesundaytimes.co.uk/sto/public/magazine/article389697.ece&#34;&gt;Caglia on Gaga&lt;/a&gt;. [sigh]&lt;/li&gt;
&lt;li&gt;A friend was semi-outraged by the &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=129663867&#34;&gt;NPR review of Katy Perry’s “Teenage Dream”&lt;/a&gt;. “Singing in a clear, strong voice about how exhilarating it is be clear and strong about what you want.”&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.harpers.org/archive/2010/10/0083140&#34;&gt;American Electra: Feminism’s ritual matricide - Harper’s Magazine&lt;/a&gt;. [$] The generational divide in the feminist movement(s).&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://latimesblogs.latimes.com/music_blog/2010/09/gaga-sexuality-and-21st-century-pop-speaking-truth-to-camille-paglia.html&#34;&gt;Critic’s Notebook: Lady Gaga, sexuality and 21st century pop&lt;/a&gt;. “Pop is where sex lives most openly in our culture, and that it’s not just a matter of surfaces, […] but of the depth and breadth of desire, frustration, satisfaction.” (&lt;a href=&#34;http://www.thevine.com.au/music/blogs/music-dump-_-beatles-bollywood-hipsterism-in-hanna-montana%27s-epileptic-suburbs20100922.aspx&#34;&gt;via&lt;/a&gt;)&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2010</title>
    <link href="https://mlarson.org/2010/09/22/acting-school-with-will-arnett-his-video-tips-for/"/>
    <updated>2010-09-22T18:25:14.000Z</updated>
    <id>https://mlarson.org/2010/09/22/acting-school-with-will-arnett-his-video-tips-for/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://videos.nymag.com/embed/player/?content=KWN4D022280LSM25&amp;amp;widget_type_cid=svp&amp;amp;title_height=24&#34;&gt;http://videos.nymag.com/embed/player/?content=KWN4D022280LSM25&amp;amp;widget_type_cid=svp&amp;amp;title_height=24&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/daily/entertainment/2010/09/will_arnett_running_wilde_acti.html&#34;&gt;Acting School With Will Arnett: His Video Tips for Playing an Arrogant Idiot&lt;/a&gt;. The Mickey Rourke look-away is brilliant.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://videos.nymag.com/&#34;&gt;http://videos.nymag.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2010</title>
    <link href="https://mlarson.org/2010/09/22/race-and-ethnicity-atlanta-by-eric-fischer-i/"/>
    <updated>2010-09-22T16:04:00.000Z</updated>
    <id>https://mlarson.org/2010/09/22/race-and-ethnicity-atlanta-by-eric-fischer-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l95oo2z8zt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/walkingsf/4981400669/in/set-72157624812674967/&#34;&gt;Race and ethnicity: Atlanta&lt;/a&gt; by &lt;a href=&#34;http://www.flickr.com/photos/walkingsf/&#34;&gt;Eric Fischer&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was astounded by &lt;a href=&#34;http://www.radicalcartography.net/index.html?chicagodots&#34;&gt;Bill Rankin’s map of Chicago’s racial and ethnic divides&lt;/a&gt; and wanted to see what other cities looked like mapped the same way. To match his map, Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Gray is Other, and each dot is 25 people. Data from Census 2000.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2010</title>
    <link href="https://mlarson.org/2010/09/22/at-the-end-of-the-grosse-freiheit-the-beatles-in/"/>
    <updated>2010-09-22T13:42:00.000Z</updated>
    <id>https://mlarson.org/2010/09/22/at-the-end-of-the-grosse-freiheit-the-beatles-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l95i3cobit1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thequietus.com/articles/04982-the-beatles-hamburg&#34;&gt;At The End Of The Grosse Freiheit: The Beatles In Hamburg - The Quietus&lt;/a&gt;. Photo by &lt;a href=&#34;http://en.wikipedia.org/wiki/Astrid_Kirchherr&#34;&gt;Astrid Kirchherr&lt;/a&gt;, I believe, girlfriend of Stuart Sutcliffe.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When I Grow Up: Kids&#39; Dream Jobs - Forbes.com</title>
    <link href="https://mlarson.org/2010/09/21/when-i-grow-up-kids-dream-jobs-forbescom/"/>
    <updated>2010-09-21T20:28:46.000Z</updated>
    <id>https://mlarson.org/2010/09/21/when-i-grow-up-kids-dream-jobs-forbescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The kids we surveyed show very little understanding about how much money different jobs actually pay. Younger children tend to grossly underestimate–on average, the 5-year-olds figure police officers make $29 annually, lawyers make $59, and dancers pull in a comparatively huge $165 a year.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.forbes.com/2009/02/26/starting-second-career-leadership-careers_dream_jobs.html&#34;&gt;When I Grow Up: Kids&#39; Dream Jobs - Forbes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sword-and-sandal - Wikipedia</title>
    <link href="https://mlarson.org/2010/09/21/sword-and-sandal-wikipedia/"/>
    <updated>2010-09-21T20:02:35.000Z</updated>
    <id>https://mlarson.org/2010/09/21/sword-and-sandal-wikipedia/</id>
    <content type="html">&lt;p&gt;Basically, Sword-and-sandal : &lt;a href=&#34;http://en.wikipedia.org/wiki/Epic_film&#34;&gt;Hollywood epic film&lt;/a&gt; :: &lt;a href=&#34;http://en.wikipedia.org/wiki/Spaghetti_Western&#34;&gt;Spaghetti Western&lt;/a&gt; : &lt;a href=&#34;http://en.wikipedia.org/wiki/Western_(genre)#Film&#34;&gt;Hollywood Western&lt;/a&gt;. And this is fascinating: “A number of English-dubbed Italian films that featured the Hercules name in their title were never intended to be Hercules movies by their Italian creators. [List of 8 examples]” Italian imitations of Hollywood that were later twisted and repackaged by the American movie industry. I love it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Sword_and_sandal&#34;&gt;Sword-and-sandal - Wikipedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sergio Leone: Unrealized Projects - Wikipedia</title>
    <link href="https://mlarson.org/2010/09/21/sergio-leone-unrealized-projects-wikipedia/"/>
    <updated>2010-09-21T15:40:38.000Z</updated>
    <id>https://mlarson.org/2010/09/21/sergio-leone-unrealized-projects-wikipedia/</id>
    <content type="html">&lt;p&gt;Working ideas included a “Don Quixote” film starring Clint Eastwood with Eli Wallach as Sancho Panza; a Siege of Leningrad epic with Robert De Niro; and a remake of “Gone With the Wind”. Damn.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Sergio_Leone#Unrealized_projects&#34;&gt;Sergio Leone: Unrealized Projects - Wikipedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Table for One</title>
    <link href="https://mlarson.org/2010/09/21/table-for-one/"/>
    <updated>2010-09-21T15:23:00.000Z</updated>
    <id>https://mlarson.org/2010/09/21/table-for-one/</id>
    <content type="html">&lt;p&gt;Photos of people eating solo. Interesting that when you post things without explanation, the &lt;a href=&#34;http://www.metafilter.com/95761/Loneliness-is-the-most-terrible-poverty&#34;&gt;reactions can be unpredictable&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://table-for-1.tumblr.com/&#34;&gt;Table for One&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rear Window</title>
    <link href="https://mlarson.org/2010/09/21/rear-window-good-lord-this-is-a-near-perfect/"/>
    <updated>2010-09-21T03:18:27.000Z</updated>
    <id>https://mlarson.org/2010/09/21/rear-window-good-lord-this-is-a-near-perfect/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l92uisxiy81qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rear_Window&#34;&gt;Rear Window&lt;/a&gt;. Good Lord. This is a near-perfect movie. Better than &lt;a href=&#34;http://tumblr.mlarson.org/tagged/hitchcock&#34;&gt;any other Hitchcock I’ve watched&lt;/a&gt;, by far. This is in must-see territory.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 20, 2010</title>
    <link href="https://mlarson.org/2010/09/20/at-last-r-gets-down-again-to-his-score-though-he/"/>
    <updated>2010-09-20T20:37:00.000Z</updated>
    <id>https://mlarson.org/2010/09/20/at-last-r-gets-down-again-to-his-score-though-he/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;At last R gets down again to his score, though he still has no pen which he likes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/CosimaWagner/status/24576987508&#34;&gt;Cosima Wagner&lt;/a&gt;. I have no idea who is behind the &lt;a href=&#34;http://twitter.com/CosimaWagner&#34;&gt;tweeted diaries of Richard Wagner’s second wife&lt;/a&gt;, but it’s one of my favorites. It’s a great inside view of a married couple, 19th-century upper-crust German social life, creative struggle, random dreams, etc. Here are a &lt;a href=&#34;http://twitter.com/CosimaWagner/status/22181378960&#34;&gt;few&lt;/a&gt; &lt;a href=&#34;http://twitter.com/CosimaWagner/status/21963249161&#34;&gt;other&lt;/a&gt; &lt;a href=&#34;http://twitter.com/CosimaWagner/status/22527605332&#34;&gt;favorite&lt;/a&gt; &lt;a href=&#34;http://twitter.com/CosimaWagner/status/19044525685&#34;&gt;excerpts&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>All Paris Review Interviews Now Online (!!!)</title>
    <link href="https://mlarson.org/2010/09/20/all-paris-review-interviews-now-online/"/>
    <updated>2010-09-20T18:35:12.000Z</updated>
    <id>https://mlarson.org/2010/09/20/all-paris-review-interviews-now-online/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/1156813967/all-paris-review-interviews-now-online&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is fantastic:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To mark the debut of Lorin Stein’s first issue of The Paris Review, the publication has put its entire interview archives online….Moreover, they’ve replaced the old PDF format with normal HTML pages, meaning that they can be Instapapered or Apple-Fed for those in a rush to find the secrets of good writing (e.g. find all: “ideas,” “where do you get them”).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/3605/the-art-of-fiction-no-64-kurt-vonnegut&#34;&gt;Vonnegut&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/3153/the-art-of-poetry-no-30-philip-larkin&#34;&gt;Larkin&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/4424/the-art-of-fiction-no-36-william-s-burroughs&#34;&gt;Burroughs&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/4486/the-art-of-poetry-no-6-william-carlos-williams&#34;&gt;Williams&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/3772/the-art-of-fiction-no-59-kingsley-amis&#34;&gt;Amis&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/2994/the-art-of-fiction-no-78-james-baldwin&#34;&gt;Baldwin&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/3228/the-art-of-fiction-no-66-donald-barthelme&#34;&gt;Barthelme&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/3138/the-art-of-fiction-no-71-william-maxwell&#34;&gt;Maxwell&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/1550/the-art-of-humor-no-1-woody-allen&#34;&gt;Allen&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/2027/the-art-of-fiction-no-130-italo-calvino&#34;&gt;Calvino&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/1432/the-art-of-screenwriting-no-1-billy-wilder&#34;&gt;Wilder&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/5992/the-art-of-memoir-no-1-mary-karr&#34;&gt;Karr&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/5889/the-art-of-poetry-no-94-kay-ryan&#34;&gt;Ryan&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/5636/the-art-of-poetry-no-92-james-tate&#34;&gt;Tate&lt;/a&gt;, &lt;a href=&#34;http://www.theparisreview.org/interviews/6017/the-art-of-comics-no-1-r-crumb&#34;&gt;Crumb&lt;/a&gt;…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Oh, my stars and garters. Where to begin?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.observer.com/2010/culture/procrastinators-beware-all-paris-review-interviews-now-online&#34;&gt;All Paris Review Interviews Now Online (!!!)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Does the well-off law professor have cause to complain?</title>
    <link href="https://mlarson.org/2010/09/20/marginal-revolution-does-the-well-off-law/"/>
    <updated>2010-09-20T17:42:10.000Z</updated>
    <id>https://mlarson.org/2010/09/20/marginal-revolution-does-the-well-off-law/</id>
    <content type="html">&lt;p&gt;Tyler Cowen: “Doesn’t &lt;em&gt;everyone&lt;/em&gt; who might suffer a loss have a potential claim to complain? At what percentile of wealth does your claim to complain go away or diminish?” And also: “Beware of moral arguments which do not address ‘At which margin?’”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/09/does-the-law-professor-have-a-right-to-complain.html&#34;&gt;Marginal Revolution: Does the well-off law professor have cause to complain?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Suddenly, Last Summer</title>
    <link href="https://mlarson.org/2010/09/20/suddenly-last-summer-good-movie-its-roots-are/"/>
    <updated>2010-09-20T14:36:43.000Z</updated>
    <id>https://mlarson.org/2010/09/20/suddenly-last-summer-good-movie-its-roots-are/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l91v98ztjo1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Suddenly,_Last_Summer_(film)&#34;&gt;Suddenly, Last Summer&lt;/a&gt;. Good movie. Its roots are in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Suddenly,_Last_Summer&#34;&gt;Tennessee Williams play&lt;/a&gt;, so it’s very, very, very mono- and dialogue-heavy. You could probably just listen to this one and get a lot out of it (and so maybe not the best use of the medium?). The cast is why you watch it, though. Katharine Hepburn owns the first half-hour. Elizabeth Taylor owns the last. Montgomery Clift is the stable (and somehow not boring) guy in the middle who gently keeps the story moving forward.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frank Sinatra Has a Cold - Esquire</title>
    <link href="https://mlarson.org/2010/09/20/frank-sinatra-has-a-cold-esquire/"/>
    <updated>2010-09-20T14:06:20.000Z</updated>
    <id>https://mlarson.org/2010/09/20/frank-sinatra-has-a-cold-esquire/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“Ava didn’t want Frank’s men hanging around all the time,” another friend said, “and this got him mad. With Nancy he used to be able to bring the whole band home with him, and Nancy, the good Italian wife, would never complain – she’d just make everybody a plate of spaghetti.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/print-this/ESQ1003-OCT_SINATRA_rev_?page=all&#34;&gt;Frank Sinatra Has a Cold - Esquire&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Have You Ever Tried to Sell a Diamond? - Magazine - The Atlantic</title>
    <link href="https://mlarson.org/2010/09/20/have-you-ever-tried-to-sell-a-diamond-magazine/"/>
    <updated>2010-09-20T14:02:59.000Z</updated>
    <id>https://mlarson.org/2010/09/20/have-you-ever-tried-to-sell-a-diamond-magazine/</id>
    <content type="html">&lt;p&gt;Good article. &lt;a href=&#34;http://www.kk.org/cooltools/the-best-magazi.php&#34;&gt;One of the best ever&lt;/a&gt;, they say.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[An opinion poll on diamond purchases] noted, for example, “A woman can easily feel that diamonds are ‘vulgar’ and still be highly enthusiastic about receiving diamond jewelry.” The element of surprise, even if it is feigned, plays the same role of accommodating dissonance in accepting a diamond gift as it does in prime sexual seductions: it permits the woman to pretend that she has not actively participated in the decision. She thus retains both her innocence—and the diamond.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/print/1982/02/have-you-ever-tried-to-sell-a-diamond/4575/&#34;&gt;Have You Ever Tried to Sell a Diamond? - Magazine - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 20, 2010</title>
    <link href="https://mlarson.org/2010/09/20/theres-always-something-more-interesting-going-on/"/>
    <updated>2010-09-20T13:18:02.000Z</updated>
    <id>https://mlarson.org/2010/09/20/theres-always-something-more-interesting-going-on/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There’s always something more interesting going on than whether I like something or not.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://agrammar.tumblr.com/post/1122718076/some-things-i-do-like&#34;&gt;some things i do like - a grammar&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>À bout de souffle (Breathless)</title>
    <link href="https://mlarson.org/2010/09/19/a-bout-de-souffle-breathless-this-was-jean-luc/"/>
    <updated>2010-09-19T16:52:00.000Z</updated>
    <id>https://mlarson.org/2010/09/19/a-bout-de-souffle-breathless-this-was-jean-luc/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l906vhvh831qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Breathless_(1960_film)&#34;&gt;À bout de souffle (Breathless)&lt;/a&gt;. This was Jean-Luc Godard’s first feature-length film and one of the first of the French New Wave. At least it’s a trim 90 minutes. I didn’t find it all that interesting but &lt;a href=&#34;http://thoughtcatalog.com/2010/&#39;breathless&#39;-jean-luc-godard-movie/&#34;&gt;some&lt;/a&gt; &lt;a href=&#34;http://www.newwavefilm.com/french-new-wave-encyclopedia/breathless.shtml&#34;&gt;viewers&lt;/a&gt; &lt;a href=&#34;http://www.criterion.com/current/posts/526-breathless-then-and-now&#34;&gt;think&lt;/a&gt; &lt;a href=&#34;http://www.criterion.com/current/posts/875-breathless&#34;&gt;otherwise&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 16, 2010</title>
    <link href="https://mlarson.org/2010/09/16/i-always-assume-that-a-good-book-is-more/"/>
    <updated>2010-09-16T18:53:00.000Z</updated>
    <id>https://mlarson.org/2010/09/16/i-always-assume-that-a-good-book-is-more/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I always assume that a good book is more intelligent than its author. It can say things that the writer is not aware of.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theparisreview.org/interviews/5856/the-art-of-fiction-no-197-umberto-eco&#34;&gt;Umberto Eco&lt;/a&gt;. I was super-super-super-impressed when &lt;a href=&#34;http://www.mlarson.org/2008/10/05/umberto-eco-on-how-i-write/&#34;&gt;I went to see Umberto Eco talk about how he writes&lt;/a&gt;. (via &lt;a href=&#34;http://theparisreview.tumblr.com/&#34;&gt;theparisreview&lt;/a&gt;) Cf. &lt;a href=&#34;http://tumblr.mlarson.org/post/9530706767/an-able-reader-often-discovers-in-other-mens&#34;&gt;Montaine&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 16, 2010</title>
    <link href="https://mlarson.org/2010/09/16/texas-poet-twists-newsprint-into-prose-newshour/"/>
    <updated>2010-09-16T14:44:12.000Z</updated>
    <id>https://mlarson.org/2010/09/16/texas-poet-twists-newsprint-into-prose-newshour/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/ipAXNboiwC4&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.poetryfoundation.org/journal/videoitem.html?id=239&#34;&gt;Texas Poet Twists Newsprint Into Prose - NewsHour Poetry Series - The Poetry Foundation&lt;/a&gt;. Hell yeah, &lt;a href=&#34;http://www.austinkleon.com/&#34;&gt;Austin&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 16, 2010</title>
    <link href="https://mlarson.org/2010/09/16/we-need-some-delusions-to-keep-us-going-and-the/"/>
    <updated>2010-09-16T14:09:11.000Z</updated>
    <id>https://mlarson.org/2010/09/16/we-need-some-delusions-to-keep-us-going-and-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We need some delusions to keep us going. And the people who successfully delude themselves seem happier than the people who can’t.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/09/15/movies/15woody.html&#34;&gt;Woody Allen&lt;/a&gt;. (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Forer effect - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2010/09/16/forer-effect-wikipedia-the-free-encyclopedia/"/>
    <updated>2010-09-16T13:56:00.000Z</updated>
    <id>https://mlarson.org/2010/09/16/forer-effect-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;And now I know the name for this. (&lt;a href=&#34;http://www.linkbanana.com/2010/09/15/a-skeptical-look-at-myer-briggs/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The Forer effect (also called the Barnum Effect after P.T. Barnum’s observation that “we’ve got something for everyone”) is the observation that individuals will give high accuracy ratings to descriptions of their personality that supposedly are tailored specifically for them, but are in fact vague and general enough to apply to a wide range of people. This effect can provide a partial explanation for the widespread acceptance of some beliefs and practices, such as astrology, fortune telling, and some types of personality tests.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Forer_effect&#34;&gt;Forer effect - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 15, 2010</title>
    <link href="https://mlarson.org/2010/09/15/portrait-of-madame-x-by-john-singer-sargent-when/"/>
    <updated>2010-09-15T19:00:00.000Z</updated>
    <id>https://mlarson.org/2010/09/15/portrait-of-madame-x-by-john-singer-sargent-when/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8sy55odgq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Portrait_of_Madame_X&#34;&gt;Portrait of Madame X&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/John_Singer_Sargent&#34;&gt;John Singer Sargent&lt;/a&gt;. When the painting debuted, &lt;a href=&#34;http://jssgallery.org/paintings/Madame_X.htm&#34;&gt;the right strap of Mme. Gautreau’s dress was falling off her shoulder&lt;/a&gt;. Scandal!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Doctor Zhivago</title>
    <link href="https://mlarson.org/2010/09/15/doctor-zhivago-beautifully-set-shot-and-acted/"/>
    <updated>2010-09-15T14:18:44.000Z</updated>
    <id>https://mlarson.org/2010/09/15/doctor-zhivago-beautifully-set-shot-and-acted/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8sklf7ta61qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Doctor_Zhivago_(film)&#34;&gt;Doctor Zhivago&lt;/a&gt;. Beautifully set, shot, and acted, but know that this is pure soap opera. That said, after a little warm-up, I was rapt for the first two hours. The last hour is weaker. Just set your skeptic filters low and let yourself get swept away. It’s a great cast of imperfect people. Our hero, Omar Sharif, is a little annoying. The reliable Rod Steiger is a perfect asshole. Julie Christie is tough, and in her role as Lara is maybe the most attractive modestly-dressed character I’ve seen on film. Frumpy Russian winterwear never looked so good. Perfect lighting helps. Anyway, &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19950407/REVIEWS/504070303/1023&#34;&gt;Ebert calls it&lt;/a&gt; “an example of superb old-style craftsmanship at the service of a soppy romantic vision, and although its portentous historical drama evaporates once you return to the fresh air, watching it can be seductive”. I would watch it again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2010</title>
    <link href="https://mlarson.org/2010/09/14/atlanta-banh-mi-guide/"/>
    <updated>2010-09-14T13:30:27.000Z</updated>
    <id>https://mlarson.org/2010/09/14/atlanta-banh-mi-guide/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8qo6rsxmi1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.chowdownatlanta.com/atlanta-banh-mi-guide/&#34;&gt;Atlanta Bánh Mi Guide&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2010</title>
    <link href="https://mlarson.org/2010/09/13/philosophy-bites-cynthia-freeland-on-portraits/"/>
    <updated>2010-09-13T17:53:29.000Z</updated>
    <id>https://mlarson.org/2010/09/13/philosophy-bites-cynthia-freeland-on-portraits/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/cynthia_freeland_on_portraits.mp3&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/1116156258/audio_player_iframe/mlarson/tumblr_l8p5ngdnPt1qzcye0?audio_file=http%3A%2F%2Ftraffic.libsyn.com%2Fphilosophybites%2FCynthia_Freeland_on_Portraits.mp3&#34;&gt;http://mlarson.tumblr.com/post/1116156258/audio_player_iframe/mlarson/tumblr_l8p5ngdnPt1qzcye0?audio_file=http%3A%2F%2Ftraffic.libsyn.com%2Fphilosophybites%2FCynthia_Freeland_on_Portraits.mp3&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://philosophybites.com/2010/09/cynthia-freeland-on-portraits.html&#34;&gt;Philosophy Bites: Cynthia Freeland on Portraits&lt;/a&gt;. This is a really great episode. Art history, portraiture, photography, self-representation, etc. One of the topics that came up was Roland Barthes’ book &lt;a href=&#34;http://en.wikipedia.org/wiki/Camera_Lucida_%28book%29&#34;&gt;Camera Lucida&lt;/a&gt;, a short volume on photography written after his mother’s death. (See also &lt;a href=&#34;http://tumblr.mlarson.org/post/1091786153/a-cruel-country-by-roland-barthes-the-new-yorker&#34;&gt;his journal excerpts from the same time period&lt;/a&gt;.) Given the choice, Freeland would like &lt;a href=&#34;http://en.wikipedia.org/wiki/David_Hockney&#34;&gt;David Hockney&lt;/a&gt; to do her own portrait.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Copacetic - Online Etymology Dictionary</title>
    <link href="https://mlarson.org/2010/09/13/copacetic-online-etymology-dictionary/"/>
    <updated>2010-09-13T16:54:00.000Z</updated>
    <id>https://mlarson.org/2010/09/13/copacetic-online-etymology-dictionary/</id>
    <content type="html">&lt;p&gt;We’re not quite sure where “copacetic” came from.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;1919, but it may have origins in 19c. Amer.Eng. Southern black speech. Origin unknown, suspects include Latin, Yiddish (cf. Heb. &lt;em&gt;kol b&#39;seder&lt;/em&gt;), Italian, Louisiana French (&lt;em&gt;coupe-sétique&lt;/em&gt;), and Native American. None is considered convincing by linguists.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;While I’m on the topic, I should mention that the &lt;a href=&#34;http://www.etymonline.com/index.php&#34;&gt;Online Etymology Dictionary&lt;/a&gt; is one of my favorite sites ever. I usually make a couple visits every day.&lt;br&gt;
&lt;a href=&#34;http://www.etymonline.com/index.php?term=copacetic&#34;&gt;Copacetic - Online Etymology Dictionary&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Forget What You Know About Good Study Habits - NYTimes.com</title>
    <link href="https://mlarson.org/2010/09/12/forget-what-you-know-about-good-study-habits/"/>
    <updated>2010-09-12T16:34:11.000Z</updated>
    <id>https://mlarson.org/2010/09/12/forget-what-you-know-about-good-study-habits/</id>
    <content type="html">&lt;p&gt;Learn in different locations. Mixing related skills in one study session makes them easier to learn. Spread your study sessions and testing/reviews over time for best retention. Highly-focused immersion is not always better than a more eclectic approach. I think the overarching theme here is that making it easier for yourself isn’t always the wisest thing. If you give the brain some variety it will do remarkable job of pulling things together.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/09/07/health/views/07mind.html?pagewanted=all&#34;&gt;Forget What You Know About Good Study Habits - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2010</title>
    <link href="https://mlarson.org/2010/09/12/austinkleon-robert-johnson-king-of-the-delta/"/>
    <updated>2010-09-12T16:25:14.000Z</updated>
    <id>https://mlarson.org/2010/09/12/austinkleon-robert-johnson-king-of-the-delta/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8k5xlegjx1qz6f4bo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/1099753674/robert-johnson-king-of-the-delta-blues-singers&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://globalgroovers.blogspot.com/2010/05/robert-johnson-king-of-delta-blues.html&#34;&gt;Robert Johnson, &lt;em&gt;King of the Delta Blues Singers&lt;/em&gt;, Slower Version, Columbia&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you’ve some means of slowing the LP down - like a direct drive turntable - you’ll suddenly find yourself listening to a sexy young black guy with a cool guitar sound - less of paranoid gabbler, more of a human being&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also: &lt;a href=&#34;http://www.touched.co.uk/press/rjnote.html&#34;&gt;Steady Rollin’ Man: a revolutionary critique of Robert Johnson&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;With the disclaimer that I’m not *supersuper* into old blues, I find these *much* better than the earlier, speedier versions.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2010</title>
    <link href="https://mlarson.org/2010/09/12/murketing-how-to-open-a-new-book-boing/"/>
    <updated>2010-09-12T16:24:53.000Z</updated>
    <id>https://mlarson.org/2010/09/12/murketing-how-to-open-a-new-book-boing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8e2gwx9zb1qzuq4lo1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://murketing.tumblr.com/post/1097658656&#34;&gt;murketing&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.boingboing.net/2010/09/06/how-to-open-a-new-bo.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+boingboing%2FiBag+%28Boing+Boing%29&amp;amp;utm_content=Bloglines&#34;&gt;How to open a new book - Boing Boing&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I first learned this as a speed-reading technique–just a way to warm up the book and make it easier to flip through the pages. I found myself doing it for books for leisure reading, too, just because it makes so much sense.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bird</title>
    <link href="https://mlarson.org/2010/09/12/bird-a-pretty-good-eastwood-directed-biopic-about/"/>
    <updated>2010-09-12T16:24:23.000Z</updated>
    <id>https://mlarson.org/2010/09/12/bird-a-pretty-good-eastwood-directed-biopic-about/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8n4yvxfpg1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Bird_%28film%29&#34;&gt;Bird&lt;/a&gt;. A pretty good Eastwood-directed biopic about Charlie Parker, though I’m not sure it’s that interesting for people who lack at least a mild enthusiasm for jazz. This is not a three-act story of redemption a la &lt;a href=&#34;http://en.wikipedia.org/wiki/Ray_%28film%29&#34;&gt;Ray&lt;/a&gt; or &lt;a href=&#34;http://en.wikipedia.org/wiki/Walk_the_Line&#34;&gt;Walk the Line&lt;/a&gt;. This one seems more of a collage, cutting back and forth. It’s a blur, short of detail, but heavy on mood, aided in that most of the movie’s shots are so dark, murky, noir-ish. Parker–alcoholic, junkie–doesn’t seem a raging, violent, destructive artist, but one more burdened and resigned. I’ve got a new appreciation for &lt;a href=&#34;http://en.wikipedia.org/wiki/Forest_Whitaker&#34;&gt;Forest Whitaker&lt;/a&gt; now that I’ve seen him in a leading role. Makes me curious about &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Last_King_of_Scotland_%28film%29&#34;&gt;The Last King of Scotland&lt;/a&gt;. Here’s a nice bit from &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19881014/REVIEWS/810140302/1023&#34;&gt;Ebert’s review&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Two of the subtler themes running through much of Eastwood’s work - and especially the 14 films he has directed - are a love of music, and a fascination with characters who are lonely, heroic drifters. There is a connection between the Parker of “Bird” and the alcoholic guitar player in “Honkytonk Man.” They are both men who use music as a way of insisting they are alive and can feel joy, in the face of the daily depression and dread they draw around themselves.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 10, 2010</title>
    <link href="https://mlarson.org/2010/09/10/whitney-houston-singing-the-star-spangled-banner/"/>
    <updated>2010-09-10T15:14:59.000Z</updated>
    <id>https://mlarson.org/2010/09/10/whitney-houston-singing-the-star-spangled-banner/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/9DkHs7Kuido&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=9DkHs7Kuido&#34;&gt;Whitney Houston singing the Star Spangled Banner!&lt;/a&gt; (&lt;a href=&#34;http://www.theawl.com/2010/09/who-is-the-greatest-diva-of-the-last-25-years-we-offer-scientific-proof&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 10, 2010</title>
    <link href="https://mlarson.org/2010/09/10/who-is-the-greatest-diva-of-the-last-25-years/"/>
    <updated>2010-09-10T15:11:28.000Z</updated>
    <id>https://mlarson.org/2010/09/10/who-is-the-greatest-diva-of-the-last-25-years/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8je74wcun1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theawl.com/2010/09/who-is-the-greatest-diva-of-the-last-25-years-we-offer-scientific-proof&#34;&gt;Who is the Greatest Diva of the Last 25 Years? - The Awl&lt;/a&gt;. “While Aretha pretty much broke every song she ever performed, leaving it smoking on the stage, never to be touched again, &lt;em&gt;Whitney broke our goddamn National Anthem&lt;/em&gt;.” (&lt;a href=&#34;http://funkaoshi.com/linklog/link-13062&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Scientists identify moves that make men irresistible on the dancefloor</title>
    <link href="https://mlarson.org/2010/09/10/scientists-identify-moves-that-make-men/"/>
    <updated>2010-09-10T02:56:01.000Z</updated>
    <id>https://mlarson.org/2010/09/10/scientists-identify-moves-that-make-men/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://xandra.tumblr.com/post/1089794532/scientists-identify-moves-that-make-men-irresistible-on&#34;&gt;xandra&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s worth clicking this link just to see the video.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“The head, neck and upper body come out as the key features that are important for good dancing and that surprised us.” (&lt;a href=&#34;http://funkaoshi.com/linklog/link-13058&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/science/2010/sep/08/psychologists-killer-dance-moves-men&#34;&gt;Scientists identify moves that make men irresistible on the dancefloor&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2010</title>
    <link href="https://mlarson.org/2010/09/09/try-to-make-things-that-can-become-better-in-other/"/>
    <updated>2010-09-09T14:30:48.000Z</updated>
    <id>https://mlarson.org/2010/09/09/try-to-make-things-that-can-become-better-in-other/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Try to make things that can become better in other people’s minds than they were in yours.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.typepad.com/blog/2008/05/a-year-with-swo.html&#34;&gt;Brian Eno&lt;/a&gt;. (&lt;a href=&#34;http://colinmarshall.typepad.com/blog/2010/09/moments-of-clarity.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Cruel Country by Roland Barthes : The New Yorker</title>
    <link href="https://mlarson.org/2010/09/09/a-cruel-country-by-roland-barthes-the-new-yorker/"/>
    <updated>2010-09-09T14:20:00.000Z</updated>
    <id>https://mlarson.org/2010/09/09/a-cruel-country-by-roland-barthes-the-new-yorker/</id>
    <content type="html">&lt;p&gt;“Journal excerpts by Roland Barthes about mourning his mother, Henriette, who died at eighty-four, in October, 1977.” It’s a real shame this one is behind a paywall. Favorite bits:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What I find utterly terrifying is mourning’s &lt;em&gt;discontinuous&lt;/em&gt; character.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Mourning: not a crushing oppression, a jamming (which would suppose a “refill”), but a painful availability: I am &lt;em&gt;vigilant&lt;/em&gt;, expectant, awaiting the onset of a “sense of life”.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;1st mourning&lt;br&gt;
false liberty&lt;br&gt;
2nd mourning&lt;br&gt;
desolate liberty&lt;br&gt;
deadly, without&lt;br&gt;
worthy occupation&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2010/09/13/100913fa_fact_barthes&#34;&gt;A Cruel Country by Roland Barthes : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Trekking Midtown by Tad Friend : The New Yorker</title>
    <link href="https://mlarson.org/2010/09/09/trekking-midtown-by-tad-friend-the-new-yorker/"/>
    <updated>2010-09-09T14:10:00.000Z</updated>
    <id>https://mlarson.org/2010/09/09/trekking-midtown-by-tad-friend-the-new-yorker/</id>
    <content type="html">&lt;p&gt;This week’s issue has been pretty darn good so far. “The goal: to walk from the Empire State Building, on West Thirty-third Street, to Rockefeller Center, on West Forty-eighth, without ever setting foot on Fifth or Sixth Avenue.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/talk/2010/09/13/100913ta_talk_friend&#34;&gt;Trekking Midtown by Tad Friend : The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 8, 2010</title>
    <link href="https://mlarson.org/2010/09/08/dead-man-walking-pedestrian-fatalities-per/"/>
    <updated>2010-09-08T18:42:00.000Z</updated>
    <id>https://mlarson.org/2010/09/08/dead-man-walking-pedestrian-fatalities-per/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8fyn9jlvb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://awesome.good.is/transparency/web/1008/dead-walking/flat.html&#34;&gt;Dead Man Walking - Pedestrian fatalities per 100,000 residents&lt;/a&gt;. Atlanta wins! (&lt;a href=&#34;http://utnereader.tumblr.com/post/1087330567/our-friends-at-good-magazine-breakdown-which-cities-are&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Vanity sizing for men &amp;lt; PopMatters</title>
    <link href="https://mlarson.org/2010/09/08/vanity-sizing-for-men-popmatters/"/>
    <updated>2010-09-08T17:33:26.000Z</updated>
    <id>https://mlarson.org/2010/09/08/vanity-sizing-for-men-popmatters/</id>
    <content type="html">&lt;p&gt;On the recent &lt;a href=&#34;http://www.esquire.com/blogs/mens-fashion/pants-size-chart-090710&#34;&gt;Esquire pants-size exposé&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Retailers’ facilitating the illusion that we are thinner than we are is a by-product of their chief goal, which is to force us to try on every item of clothing we are considering buying and let the endowment effect work its behavioral magic. Trying something on invests us in completing the purchase to a much greater degree—we’ve gone to all that trouble already and want something to show for our effort—and it also habituates us to the idea that we already own the thing we put on, and to not buy it feels as though we have lost something or had something taken away from us. So the sizes are just very vague guidelines to help us know which items to take to the fitting rooms.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Come to think of it, the &lt;a href=&#34;http://en.wikipedia.org/wiki/Endowment_effect&#34;&gt;endowment effect&lt;/a&gt; is probably another reason smart parents tell kids not to touch anything when they go in the store.&lt;br&gt;
&lt;a href=&#34;http://www.popmatters.com/pm/post/130736-/&#34;&gt;Vanity sizing for men &amp;lt; PopMatters&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 8, 2010</title>
    <link href="https://mlarson.org/2010/09/08/generic-names-for-soft-drinks-by-county-via/"/>
    <updated>2010-09-08T15:28:00.000Z</updated>
    <id>https://mlarson.org/2010/09/08/generic-names-for-soft-drinks-by-county-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8fpnrhtyz1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://popvssoda.com/countystats/total-county.html&#34;&gt;Generic Names for Soft Drinks by County&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/DanielPink/status/23923101225&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2010</title>
    <link href="https://mlarson.org/2010/09/07/on-wikipedia-cultural-patrimony-and/"/>
    <updated>2010-09-07T14:18:26.000Z</updated>
    <id>https://mlarson.org/2010/09/07/on-wikipedia-cultural-patrimony-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8drqqxerh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://booktwo.org/notebook/wikipedia-historiography/&#34;&gt;On Wikipedia, Cultural Patrimony, and Historiography | booktwo.org&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/bookoven/status/23175066644&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This particular book—or rather, set of books—is every edit made to a single Wikipedia article, The Iraq War, during the five years between the article’s inception in December 2004 and November 2009, a total of 12,000 changes and almost 7,000 pages.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2010</title>
    <link href="https://mlarson.org/2010/09/07/chocolate-and-tahini-make-a-delicious-goeey-cake/"/>
    <updated>2010-09-07T14:09:26.000Z</updated>
    <id>https://mlarson.org/2010/09/07/chocolate-and-tahini-make-a-delicious-goeey-cake/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8drbr9dhu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.latartinegourmande.com/2010/04/26/chocolate-tahini-goeey-cake/&#34;&gt;Chocolate and tahini make a delicious goeey cake | La Tartine Gourmande&lt;/a&gt;. A friend made this last week. And it was good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>La Baie des Anges (Bay of Angels)</title>
    <link href="https://mlarson.org/2010/09/07/la-baie-des-anges-bay-of-angels-a-man-new-to/"/>
    <updated>2010-09-07T02:38:07.000Z</updated>
    <id>https://mlarson.org/2010/09/07/la-baie-des-anges-bay-of-angels-a-man-new-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l8cvalmena1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/La_Baie_des_Anges&#34;&gt;La Baie des Anges (Bay of Angels)&lt;/a&gt;. A man, new to the casino world, falls in love with an older, compulsive-gambling veteran. A simple story well-told. I have no idea if he’s seen it or not, but I think some of Woody Allen’s DNA comes from this strand. Also, given the up and down nature of gambler’s luck, you can’t help but wonder if &lt;a href=&#34;http://tumblr.mlarson.org/post/1076022751/happy-endings-in-life-and-in-fiction-too-perhaps&#34;&gt;the ending would be different if the credits rolled a little later&lt;/a&gt;. Such is love. Recommended!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2010</title>
    <link href="https://mlarson.org/2010/09/06/austinkleon-the-story-behind-james-carrs-at/"/>
    <updated>2010-09-06T16:35:22.000Z</updated>
    <id>https://mlarson.org/2010/09/06/austinkleon-the-story-behind-james-carrs-at/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/tzcdNwIkmYA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/1060251807/the-story-behind-james-carrs-at-the-dark-end-of&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The story behind James Carr’s “&lt;a href=&#34;http://en.wikipedia.org/wiki/The_Dark_End_of_the_Street&#34;&gt;At The Dark End Of The Street&lt;/a&gt;”:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://historyofsoul.tumblr.com/post/812510874/it-amazes-me-that-this-is-the-story-behind-one-of&#34;&gt;historyofsoul&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It amazes me that THIS is the story behind one of the best soul songs ever recorded:&lt;/p&gt;
&lt;p&gt;It was the Summer of ‘66, and Memphis was chock full of DJs in town for a convention.  Songwriter Dan Penn and session guitarist Chip Moman were taking advantage of the situation, cheating Florida DJ Don Schroeder out of his money in a card game.&lt;/p&gt;
&lt;p&gt;They wrote the song about two lovers in an illicit affair while on break from the game.  ”We were always wanting to come up with the best cheatin’ song ever,” Penn explained.&lt;/p&gt;
&lt;p&gt;They went to Quentin Claunch, partner in Goldwax Records and a fellow alumnus of the Muscle Shoals music scene, and asked to borrow his hotel room for a half hour.  He agreed, on the condition that whatever song they wrote, they give it to Claunch for his singer, James Carr.  A deal was struck and the rest is history.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Terrific song. A Youtube search will show you &lt;a href=&#34;http://www.youtube.com/results?search_query=%22dark+end+of+the+street%22&amp;amp;aq=f&#34;&gt;all the cover versions out there&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One of my favorite new-to-me songs from earlier this summer.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2010</title>
    <link href="https://mlarson.org/2010/09/06/putthison-adam-and-i-visited-the-wonderful/"/>
    <updated>2010-09-06T16:27:31.000Z</updated>
    <id>https://mlarson.org/2010/09/06/putthison-adam-and-i-visited-the-wonderful/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/moi_put_this_on.mp3&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/1076079432/audio_player_iframe/mlarson/tumblr_l896r4VPFW1qa2j8c?audio_file=http%3A%2F%2Ftraffic.libsyn.com%2Fcolinmarshall%2FMOI_Put_This_On.mp3&#34;&gt;http://mlarson.tumblr.com/post/1076079432/audio_player_iframe/mlarson/tumblr_l896r4VPFW1qa2j8c?audio_file=http%3A%2F%2Ftraffic.libsyn.com%2Fcolinmarshall%2FMOI_Put_This_On.mp3&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://putthison.com/post/1075259795/adam-and-i-visited-the-wonderful-public-radio&#34;&gt;putthison&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.libsyn.com/personal_aesthetics_and_internet_culture_put_this_on_creators_jesse_thorn_and_adam_lisagor&#34;&gt;Adam and I visited the wonderful public radio program (and podcast) The Marketplace of Ideas, and they’ve just posted the show.&lt;/a&gt;  A lot of in-depth talk both about our philosophies of dress and about the behind-the-scenes of Put This On.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;My favorite idea from this interview: style &lt;em&gt;qua&lt;/em&gt; semiotics.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Adam Phillips on the happiness myth | Books | The Guardian</title>
    <link href="https://mlarson.org/2010/09/06/adam-phillips-on-the-happiness-myth-books-the/"/>
    <updated>2010-09-06T16:21:13.000Z</updated>
    <id>https://mlarson.org/2010/09/06/adam-phillips-on-the-happiness-myth-books-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Happiness and the right to pursue it are sometimes wildly unrealistic as ideals; and, because wildly unrealistic, unconsciously self-destructive.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Interesting essay with some good tidbits. This bit on pathologies could also apply, more mildly, to how we react to differing opinions:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We tend to pathologise the forms of happiness we cannot bear.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And on education:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There are, for example, only two reasons for children to go to school – apart, that is, from acquiring the werewithal to earn a living: to make friends, and to see if they can find something of absorbing interest to themselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/books/2010/sep/04/adam-phillips-the-happiness-myth&#34;&gt;Adam Phillips on the happiness myth | Books | The Guardian&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2010</title>
    <link href="https://mlarson.org/2010/09/06/happy-endings-in-life-and-in-fiction-too-perhaps/"/>
    <updated>2010-09-06T16:15:00.000Z</updated>
    <id>https://mlarson.org/2010/09/06/happy-endings-in-life-and-in-fiction-too-perhaps/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Happy endings in life, and in fiction too perhaps, are really about where you decide to roll the credits.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.viceland.com/blogs/en/2010/09/03/william-gibson/&#34;&gt;William Gibson - Viceland Today&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interview with William Gibson - Viceland Today</title>
    <link href="https://mlarson.org/2010/09/06/interview-with-william-gibson-viceland-today/"/>
    <updated>2010-09-06T16:11:00.000Z</updated>
    <id>https://mlarson.org/2010/09/06/interview-with-william-gibson-viceland-today/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What we call terrorism is always asymmetric warfare. You’re a small group with no reputation, and you start covertly blowing up or murdering the people of a big group, like a government or a nation-state or a whole race. And you can’t just do it and then go and do the next one. You have to do it, and then go and do your PR. “We just bombed your mall. It was us.” And then maybe you do it, and some other guys, these upstart assholes across town, are calling up the news and saying, “We did it! We bombed the mall!” So then you have to get your PR guy on the phone and say, “No, they’re full of shit. WE bombed the mall.” So it’s about branding to that extent.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.viceland.com/blogs/en/2010/09/03/william-gibson/&#34;&gt;Interview with William Gibson - Viceland Today&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Urban Legends - By Joel Kotkin | Foreign Policy</title>
    <link href="https://mlarson.org/2010/09/03/urban-legends-by-joel-kotkin-foreign-policy/"/>
    <updated>2010-09-03T13:46:27.000Z</updated>
    <id>https://mlarson.org/2010/09/03/urban-legends-by-joel-kotkin-foreign-policy/</id>
    <content type="html">&lt;p&gt;Why cities grow and why urban planning as we now practice it won’t really help the millions who are moving to mega-cities (read: slums) in other parts of the world.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.foreignpolicy.com/articles/2010/08/16/urban_legends&#34;&gt;Urban Legends - By Joel Kotkin | Foreign Policy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Slaughterhouse 90210: Where high meets low | Jacket Copy | Los Angeles Times</title>
    <link href="https://mlarson.org/2010/09/03/slaughterhouse-90210-where-high-meets-low/"/>
    <updated>2010-09-03T00:19:23.000Z</updated>
    <id>https://mlarson.org/2010/09/03/slaughterhouse-90210-where-high-meets-low/</id>
    <content type="html">&lt;p&gt;An interview with &lt;a href=&#34;http://twitter.com/slaughter90210&#34;&gt;Maris Kreizman&lt;/a&gt; of &lt;a href=&#34;http://slaughterhouse90210.tumblr.com/&#34;&gt;Slaughterhouse 90210&lt;/a&gt;. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://latimesblogs.latimes.com/jacketcopy/2009/09/slaughterhouse-90210-where-high-meets-low.html&#34;&gt;Slaughterhouse 90210: Where high meets low | Jacket Copy | Los Angeles Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2010</title>
    <link href="https://mlarson.org/2010/09/02/apres-garde-is-one-of-my-favorite-tumblogs/"/>
    <updated>2010-09-02T18:45:00.000Z</updated>
    <id>https://mlarson.org/2010/09/02/apres-garde-is-one-of-my-favorite-tumblogs/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l84tnixwhr1qzwdvho1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://buchr.tumblr.com/&#34;&gt;Apres Garde&lt;/a&gt; is one of my favorite tumblogs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2010</title>
    <link href="https://mlarson.org/2010/09/02/hyperbole-and-a-half-the-four-levels-of-social/"/>
    <updated>2010-09-02T16:40:44.000Z</updated>
    <id>https://mlarson.org/2010/09/02/hyperbole-and-a-half-the-four-levels-of-social/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l84ozwahar1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://hyperboleandahalf.blogspot.com/2010/09/four-levels-of-social-entrapment.html&#34;&gt;Hyperbole and a Half: The Four Levels of Social Entrapment&lt;/a&gt;. “There is a special kind of awkwardness between two people who don’t know each other well enough to interact effectively, but are familiar enough that ignoring each other’s presence isn’t really an option.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2010</title>
    <link href="https://mlarson.org/2010/09/02/ars-longa-vita-brevis-occasio-praeceps/"/>
    <updated>2010-09-02T13:36:55.000Z</updated>
    <id>https://mlarson.org/2010/09/02/ars-longa-vita-brevis-occasio-praeceps/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Ars longa, vita brevis, occasio praeceps, experimentum periculosum, iudicium difficile.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Hippocrates&#34;&gt;Hippocrates&lt;/a&gt;. We know it best as the phrase “life is short”, but I didn’t know that was shortened from a longer, more interesting line: “Life is short, the art long, opportunity fleeting, experiment fallible, judgment difficult.” &lt;a href=&#34;http://en.wikipedia.org/wiki/Ars_longa,_vita_brevis&#34;&gt;Ars longa, vita brevis - Wikipedia, the free encyclopedia&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How To Raise A Superstar | Wired Science | Wired.com</title>
    <link href="https://mlarson.org/2010/09/02/how-to-raise-a-superstar-wired-science/"/>
    <updated>2010-09-02T04:34:16.000Z</updated>
    <id>https://mlarson.org/2010/09/02/how-to-raise-a-superstar-wired-science/</id>
    <content type="html">&lt;p&gt;Single-minded focus too soon can be a hindrance. Better to branch out and learn how to practice and fail well.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wired.com/wiredscience/2010/08/how-to-raise-a-superstar/&#34;&gt;How To Raise A Superstar | Wired Science | Wired.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2010</title>
    <link href="https://mlarson.org/2010/09/02/david-grady-the-conference-call/"/>
    <updated>2010-09-02T03:54:42.000Z</updated>
    <id>https://mlarson.org/2010/09/02/david-grady-the-conference-call/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/zbJAJEtNUX0&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=zbJAJEtNUX0&#34;&gt;David Grady: The Conference Call&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2010</title>
    <link href="https://mlarson.org/2010/09/02/the-real-risk-is-in-not-changing-i-have-to-feel/"/>
    <updated>2010-09-02T03:53:00.000Z</updated>
    <id>https://mlarson.org/2010/09/02/the-real-risk-is-in-not-changing-i-have-to-feel/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The real risk is in not changing. I have to feel that I’m after something. If I make money, fine. But I’d rather be striving. It’s the striving, man, it’s that I want.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Coltrane, quoted in Paul D. Zimmerman’s “Death of a Jazz Man”, &lt;em&gt;Newsweek&lt;/em&gt;, July 31, 1967.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 1, 2010</title>
    <link href="https://mlarson.org/2010/09/01/utnereader-phony-wildlife-photography-warps/"/>
    <updated>2010-09-01T17:48:30.000Z</updated>
    <id>https://mlarson.org/2010/09/01/utnereader-phony-wildlife-photography-warps/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l82tzdsfwn1qap6kyo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://utnereader.tumblr.com/post/1048484489/phony-wildlife-photography-warps-nature-and-is&#34;&gt;utnereader&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Phony wildlife photography warps nature and is rarely revealed.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>So much more than the world could offer</title>
    <link href="https://mlarson.org/2010/09/01/so-much-more-than-the-world-could-offer/"/>
    <updated>2010-09-01T17:47:52.000Z</updated>
    <id>https://mlarson.org/2010/09/01/so-much-more-than-the-world-could-offer/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.linedandunlined.com/post/1044593583/so-much-more-than-the-world-could-offer&#34;&gt;linedandunlined&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;From historian Daniel Boorstin’s introduction to &lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0679741801/linedunlin-20/&#34;&gt;The Image&lt;/a&gt;, his book from 1961:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When we pick up our newspaper at breakfast, we expect — we even demand — that it bring us momentous events since the night before. We turn on the car radio as we drive to work and expect “news” to have occurred since the morning newspaper went to press. Returning in the evening, we expect our house to not only shelter us, but to relax us, to dignify us, to encompass us with soft music and interesting hobbies, to be a playground, a theater, and a bar. We expect our two-week vacation to be romantic, exotic, cheap, and effortless. We expect a faraway atmosphere if we go to a nearby place; and we expect everything to be relaxing, sanitary, and Americanized if we go to a faraway place. We expect new heroes every season, a literary masterpiece every month, a dramatic spectacular every week, a rare sensation every night. We expect everybody to feel free to disagree, yet we expect everybody to be loyal, not to rock the boat or to take the Fifth Amendment. We expect everybody to believe deeply in his religion, yet not to think less of others for not believing. We expect our nation to be strong and great and vast and varied and prepared for every challenge; yet we expect our “national purpose” to be clear and simple, something that gives direction to the lives of nearly two hundred million people and yet can be bought in a paperback at the corner drugstore for a dollar.&lt;/p&gt;
&lt;p&gt;We expect anything and everything. We expect the contradictory and the impossible. We expect compact cars which are spacious; luxurious cars which are economical. We expect to be rich and charitable, powerful and merciful, active and reflective, kind and competitive. We expect to be inspired by mediocre appeals for “excellence,” to be made literate by illiterate appeals for literacy. We expect to eat and stay thin, to be constantly on the move and ever more neighborly, to go to a “church of our choice” and yet feel its guiding power over us, to revere God and to be a God.&lt;/p&gt;
&lt;p&gt;Never have people been more the masters of their environment. Yet never have people felt more deceived and disappointed. For never has a people expected so much more than the world could offer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 1, 2010</title>
    <link href="https://mlarson.org/2010/09/01/a-1910-illustration-of-how-atlantas-peachtree/"/>
    <updated>2010-09-01T16:16:29.000Z</updated>
    <id>https://mlarson.org/2010/09/01/a-1910-illustration-of-how-atlantas-peachtree/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/09/tumblr_l82t7htrte1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A 1910 illustration of how Atlanta’s Peachtree Street would look in 2010. &lt;a href=&#34;http://pecannelog.com/2010/08/29/the-future-is-now/&#34;&gt;The future is now! « pecanne log&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The 72-Hour Expert</title>
    <link href="https://mlarson.org/2010/09/01/the-72-hour-expert/"/>
    <updated>2010-09-01T14:39:16.000Z</updated>
    <id>https://mlarson.org/2010/09/01/the-72-hour-expert/</id>
    <content type="html">&lt;p&gt;P.J. O&#39;Rourke goes to Afghanistan.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A Pashtun tribal leader told me that a “problem among Afghan politicians is that they do not tell the truth.” It’s a political system so new that that needed to be said out loud.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://weeklystandard.com/print/articles/72-hour-expert&#34;&gt;The 72-Hour Expert&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 27, 2010</title>
    <link href="https://mlarson.org/2010/08/27/bowie-keaton-photo-by-steve-schapiro-i/"/>
    <updated>2010-08-27T16:12:58.000Z</updated>
    <id>https://mlarson.org/2010/08/27/bowie-keaton-photo-by-steve-schapiro-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7tjpm7v611qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Bowie + Keaton. Photo by &lt;a href=&#34;http://www.steveschapiro.com/&#34;&gt;Steve Schapiro&lt;/a&gt;, I believe.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 27, 2010</title>
    <link href="https://mlarson.org/2010/08/27/newspaperblackout-a-victory-of-sorts-a/"/>
    <updated>2010-08-27T14:36:01.000Z</updated>
    <id>https://mlarson.org/2010/08/27/newspaperblackout-a-victory-of-sorts-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7tem8l7hv1qafoq6o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://newspaperblackout.tumblr.com/post/1019900330/a-victory-of-sorts-a-newspaper-blackout-poem-by&#34;&gt;newspaperblackout&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/2010/08/27/a-victory-of-sorts/&#34;&gt;A VICTORY OF SORTS : a newspaper blackout poem by Austin Kleon&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This was &lt;a href=&#34;http://buchr.tumblr.com/post/1019817980&#34;&gt;nicely juxtaposed&lt;/a&gt; in my tumblr stream.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In The Know: Are Tests Biased Against Students Who Don&#39;t Give A Shit? | The Onion</title>
    <link href="https://mlarson.org/2010/08/26/in-the-know-are-tests-biased-against-students-who/"/>
    <updated>2010-08-26T18:52:00.000Z</updated>
    <id>https://mlarson.org/2010/08/26/in-the-know-are-tests-biased-against-students-who/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://twitter.com/rachelrosenfelt/status/22200401089&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/video/in-the-know-are-tests-biased-against-students-who,17966/&#34;&gt;In The Know: Are Tests Biased Against Students Who Don&#39;t Give A Shit? | The Onion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>TMR: An Interview with George Saunders</title>
    <link href="https://mlarson.org/2010/08/26/tmr-an-interview-with-george-saunders/"/>
    <updated>2010-08-26T18:23:18.000Z</updated>
    <id>https://mlarson.org/2010/08/26/tmr-an-interview-with-george-saunders/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://meaghano.com/post/1014632170/success-is-nice-because-then-you-dont-have-to&#34;&gt;meaghano&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.moreview.org/content/dynamic/view_text.php?text_id=819&#34;&gt;George Saunders in a wonderful, wonderful interview.&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Success is nice because then you don’t have to worry so much about having been unfairly robbed of your very richly deserved success. Success is bad because momentary good fortune can temporarily hide the fact that you are still, despite your success, full of shit.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;So much good stuff here:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Interviewer: So much of your fiction is charged with social import. Given our recent political upheavals, have you ever thought of writing overt political satire?&lt;/p&gt;
&lt;p&gt;Saunders: I’m not very interested in that kind of satire because it works on the assumption that They Are Assholes. Fiction works on the assumption that They Are Us, on a Different Day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Any mastery you can achieve in writing is totally personal and incredibly nuanced. It’s a sort of antimastery, feeling comfortable with being unsure.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the wonderful benefits of energetically pursuing a writing career is that I’ve come to understand the staggering limitations of my abilities. […] So one way I cope with this humbling state of affairs is via a little mantra: If I just stay fully engaged in whatever has presented itself, things will be fine. That is, I try not to think about things like: Next, I begin MY NOVEL!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.moreview.org/content/dynamic/view_text.php?text_id=819&#34;&gt;TMR: An Interview with George Saunders&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2010</title>
    <link href="https://mlarson.org/2010/08/26/chicken-butchering-101-via/"/>
    <updated>2010-08-26T15:08:02.000Z</updated>
    <id>https://mlarson.org/2010/08/26/chicken-butchering-101-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7rm1eiuro1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://richfoodleantimes.wordpress.com/2010/08/24/chicken-butchering-101/&#34;&gt;Chicken Butchering 101&lt;/a&gt;. (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Humpday</title>
    <link href="https://mlarson.org/2010/08/26/humpday-i-thought-this-was-a-really-great-movie/"/>
    <updated>2010-08-26T03:17:00.000Z</updated>
    <id>https://mlarson.org/2010/08/26/humpday-i-thought-this-was-a-really-great-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7qp55pdty1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Humpday&#34;&gt;Humpday&lt;/a&gt;. I thought this was a really great movie. One on level it’s a sort of male bonding tale with a tone that is somewhere between the melancholy, awkward (and excellent) &lt;a href=&#34;http://en.wikipedia.org/wiki/Old_Joy&#34;&gt;Old Joy&lt;/a&gt; and the goofy, chummy &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Love_You,_Man&#34;&gt;I Love You, Man&lt;/a&gt;. There’s bro love and macho one-upsmanship and adventurousness there, to be sure. But one thing that it shows–the wholly improvised dialogue probably helps here–is the halting, roundabout way that caring people make space for each other and test new emotional waters. A refreshing reminder of how surprisingly thoughtful people can be. &lt;a href=&#34;http://en.wikipedia.org/wiki/Alycia_Delmore&#34;&gt;Alycia Delmore&lt;/a&gt; is especially good. And on a whole different level it’s about the call of art and the challenge of performance. “We’re doing this because it scares us more than anything else.” Also, I have a new crush on writer/director/producer &lt;a href=&#34;http://en.wikipedia.org/wiki/Lynn_Shelton&#34;&gt;Lynn Shelton&lt;/a&gt;. Worth seeing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Death on Facebook - Magazine - The Atlantic</title>
    <link href="https://mlarson.org/2010/08/26/a-death-on-facebook-magazine-the-atlantic/"/>
    <updated>2010-08-26T01:17:52.000Z</updated>
    <id>https://mlarson.org/2010/08/26/a-death-on-facebook-magazine-the-atlantic/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2010/09/a-death-on-facebook/8177/&#34;&gt;A Death on Facebook - Magazine - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2010</title>
    <link href="https://mlarson.org/2010/08/26/beware-the-barrenness-of-a-busy-life/"/>
    <updated>2010-08-26T00:45:15.000Z</updated>
    <id>https://mlarson.org/2010/08/26/beware-the-barrenness-of-a-busy-life/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Beware the barrenness of a busy life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That’s attributed to Socrates, but who knows? Nonetheless, mental note. It pays to keep a healthy skepticism of how you spend your time, busy or not.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2010</title>
    <link href="https://mlarson.org/2010/08/26/austinkleon-you-want-a-social-life-with/"/>
    <updated>2010-08-26T00:32:00.000Z</updated>
    <id>https://mlarson.org/2010/08/26/austinkleon-you-want-a-social-life-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7ezvrvbtk1qz6f4bo1_540.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/1010734449/you-want-a-social-life-with-friends-by-kenneth&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“&lt;a href=&#34;http://www.newyorker.com/archive/1998/05/18/1998_05_18_080_TNY_LIBRY_000015575&#34;&gt;You Want a Social Life, With Friends&lt;/a&gt;” by &lt;a href=&#34;http://www.poets.org/kkoch/&#34;&gt;Kenneth Koch&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is pretty much perfect. See also the &lt;a href=&#34;http://tumblr.mlarson.org/post/843389904/family-friends-health-work-pick-any-three&#34;&gt;wisdom of Communicatrix&lt;/a&gt;: “&lt;a href=&#34;http://www.communicatrix.com/2010/07/family-friends-health-work-pick-three.html&#34;&gt;Family. Friends. Health. Work. Pick any three.&lt;/a&gt;”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Women&#39;s Tennis — The Beauty of the Power Game - Video Feature - NYTimes.com</title>
    <link href="https://mlarson.org/2010/08/25/womens-tennis-the-beauty-of-the-power-game/"/>
    <updated>2010-08-25T17:50:42.000Z</updated>
    <id>https://mlarson.org/2010/08/25/womens-tennis-the-beauty-of-the-power-game/</id>
    <content type="html">&lt;p&gt;Gratuitous sports pr0n. Oh, New York Times. What next?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/interactive/2010/08/29/magazine/womens-tennis.html&#34;&gt;Women&#39;s Tennis — The Beauty of the Power Game - Video Feature - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2010</title>
    <link href="https://mlarson.org/2010/08/25/ernest-hemingway-with-his-sons-and-his-wife-martha/"/>
    <updated>2010-08-25T16:22:04.000Z</updated>
    <id>https://mlarson.org/2010/08/25/ernest-hemingway-with-his-sons-and-his-wife-martha/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7pussmbpt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Ernest Hemingway with his sons and his wife Martha Gellhorn. Sun Valley, Idaho, 1941. Photo by Robert Capa. &lt;a href=&#34;http://todayspictures.slate.com/20100713/&#34;&gt;Today’s Pictures: Picknicking&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 24, 2010</title>
    <link href="https://mlarson.org/2010/08/24/where-i-live-is-culturally-neutral-if-i-lived-in/"/>
    <updated>2010-08-24T15:32:00.000Z</updated>
    <id>https://mlarson.org/2010/08/24/where-i-live-is-culturally-neutral-if-i-lived-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Where I live is culturally neutral. If I lived in New Orleans I’d have to embrace the local culture because it’s so good. In California you can be your own person.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;em&gt;Richard Thompson, in the &lt;a href=&#34;http://www.ft.com/cms/s/2/429809c8-abe9-11df-bfa7-00144feabdc0.html&#34;&gt;Financial Times&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://communicatrix.tumblr.com/post/988583159/where-i-live-is-culturally-neutral-if-i-lived-in&#34;&gt;communicatrix&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;After listening to an interesting interview with Richard Florida on the “personal economics” of location, I’m not sure this is 100% why I feel so comfortable in L.A. I suspect it’s more a perfect stew of things—the autonomy/anonymity provided by a large metropolis, the proximity to likeminded souls, the insane cultural diversity and, hey, let’s not forget about the exceptional quality of Western light. But yeah, Chicago? Seattle? Portland? (Which would be a strong contender, except for that pesky light thing.) All distinctive. And maybe a little oppressive, because of it.&lt;/p&gt;
&lt;p&gt;Warrants thought, anyway. Or maybe I’m just nuts, and really like thinking about shit like this.&lt;/p&gt;
&lt;p&gt;[&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/&#34;&gt;via&lt;/a&gt;]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“Cultural neutrality” is just the phrase I’ve been looking for. It’s one of the reasons Atlanta has really grown on me as I’ve been able to compare it to other cities.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 24, 2010</title>
    <link href="https://mlarson.org/2010/08/24/when-i-get-a-little-money-i-buy-books-and-if-any/"/>
    <updated>2010-08-24T15:15:09.000Z</updated>
    <id>https://mlarson.org/2010/08/24/when-i-get-a-little-money-i-buy-books-and-if-any/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I get a little money, I buy books; and if any is left I buy food and clothes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Desiderius_Erasmus&#34;&gt;Erasmus&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Unforgiven</title>
    <link href="https://mlarson.org/2010/08/24/unforgiven-this-is-a-very-very-good-movie/"/>
    <updated>2010-08-24T15:11:16.000Z</updated>
    <id>https://mlarson.org/2010/08/24/unforgiven-this-is-a-very-very-good-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7nwusgmtv1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Unforgiven&#34;&gt;Unforgiven&lt;/a&gt;. This is a very, very good movie. There’s so much psychological fodder here: regret, revenge, greed, vanity. Beautifully shot and edited. A killer starring cast and a deep bench of side characters that round out the town life. My favorite part is the subtext with the biographer W.W. Beauchamp and his parasitic/symbiotic relationship with the narcissistic, murderous men in the film. He’s the everyman, fascinated and terrified of the violence, jotting down every detail while pissing his pants. Eastwood dedicated the movie to &lt;a href=&#34;http://en.wikipedia.org/wiki/Don_Siegel&#34;&gt;Don&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Sergio_Leone&#34;&gt;Sergio&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The war on unhappiness: Goodbye Freud, hello positive thinking - By Gary Greenberg (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/08/23/the-war-on-unhappiness-goodbye-freud-hello/"/>
    <updated>2010-08-23T16:46:58.000Z</updated>
    <id>https://mlarson.org/2010/08/23/the-war-on-unhappiness-goodbye-freud-hello/</id>
    <content type="html">&lt;p&gt;Attributed to Chris Rock: “When you’re talking to someone, you’re not talking to that person, you’re talking to their agent.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2010/09/0083100&#34;&gt;The war on unhappiness: Goodbye Freud, hello positive thinking - By Gary Greenberg (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Outlaw Josey Wales</title>
    <link href="https://mlarson.org/2010/08/19/the-outlaw-josey-wales-i-wouldnt-call-this-a/"/>
    <updated>2010-08-19T04:00:26.000Z</updated>
    <id>https://mlarson.org/2010/08/19/the-outlaw-josey-wales-i-wouldnt-call-this-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7dsgqr9jx1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Outlaw_Josey_Wales&#34;&gt;The Outlaw Josey Wales&lt;/a&gt;. I wouldn’t call this a Great Movie, but it was fun, thoughtful, and I was never bored. The gunplay was the least interesting part. Nice character color. Nice soundtrack. Nice to see a love interest of sorts. And &lt;a href=&#34;http://www.imfdb.org/index.php?title=The_Outlaw_Josey_Wales&#34;&gt;look at all those guns&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Choose a Watermelon - NYTimes.com</title>
    <link href="https://mlarson.org/2010/08/18/how-to-choose-a-watermelon-nytimescom/"/>
    <updated>2010-08-18T15:43:00.000Z</updated>
    <id>https://mlarson.org/2010/08/18/how-to-choose-a-watermelon-nytimescom/</id>
    <content type="html">&lt;p&gt;“Look for a creamy patch. It’s called the field spot — the place where the watermelon rested on the ground. The deeper in color, the longer the fully grown melon was on the vine getting sweet.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/08/18/dining/18melonside.html&#34;&gt;How to Choose a Watermelon - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 18, 2010</title>
    <link href="https://mlarson.org/2010/08/18/gustav-klimt-the-park-1909-1910-via-wnbrgr/"/>
    <updated>2010-08-18T14:46:54.000Z</updated>
    <id>https://mlarson.org/2010/08/18/gustav-klimt-the-park-1909-1910-via-wnbrgr/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_kzixdwvx1p1qa4s0qo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Gustav Klimt - &lt;em&gt;The Park&lt;/em&gt;, 1909 -1910. (via &lt;a href=&#34;http://wnbrgr.tumblr.com/post/914202067&#34;&gt;wnbrgr&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 18, 2010</title>
    <link href="https://mlarson.org/2010/08/18/the-toy-is-the-childs-earliest-initiation-into/"/>
    <updated>2010-08-18T14:21:27.000Z</updated>
    <id>https://mlarson.org/2010/08/18/the-toy-is-the-childs-earliest-initiation-into/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The toy is the child’s earliest initiation into art, or rather for him it is the first concrete example of art…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Charles Baudelaire, “&lt;a href=&#34;http://www.exitmedia.net/prueba/eng/articulo.php?id=198&#34;&gt;A Philosophy of Toys&lt;/a&gt;” (&lt;a href=&#34;http://bibliodyssey.blogspot.com/2010/08/toy-box-ballet.html&#34;&gt;via&lt;/a&gt;) cf. “[Making art is] practicing a physical activity with a certain state of mind. It’s similar to a kid who is absorbed in deep play. A kid with a toy is in a relationship with that toy. The toy is playing with him just as much as he’s playing with the toy.” - &lt;a href=&#34;http://www2.citypaper.com/arts/story.asp?id=17901&#34;&gt;Lynda Barry&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Midnight in the Garden of Good and Evil</title>
    <link href="https://mlarson.org/2010/08/18/midnight-in-the-garden-of-good-and-evil-couldnt/"/>
    <updated>2010-08-18T14:19:39.000Z</updated>
    <id>https://mlarson.org/2010/08/18/midnight-in-the-garden-of-good-and-evil-couldnt/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l7bysocyek1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Midnight_in_the_Garden_of_Good_and_Evil_%28film%29&#34;&gt;Midnight in the Garden of Good and Evil&lt;/a&gt;. Couldn’t talk my friend into a Western, so this was the Eastwood-directed compromise. As I expected, it’s a dud.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>New York Study of Pedestrian Victims Leads to Unexpected Conclusions - NYTimes.com</title>
    <link href="https://mlarson.org/2010/08/17/new-york-study-of-pedestrian-victims-leads-to/"/>
    <updated>2010-08-17T17:48:20.000Z</updated>
    <id>https://mlarson.org/2010/08/17/new-york-study-of-pedestrian-victims-leads-to/</id>
    <content type="html">&lt;p&gt;“Jaywalkers were involved in fewer collisions than their law-abiding counterparts who waited for the &amp;quot;walk” sign, though they were likelier to be killed or seriously hurt by the collision.“&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/08/17/nyregion/17walk.html&#34;&gt;New York Study of Pedestrian Victims Leads to Unexpected Conclusions - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Chicago on the Yangtze - By Christina Larson | Foreign Policy</title>
    <link href="https://mlarson.org/2010/08/17/chicago-on-the-yangtze-by-christina-larson/"/>
    <updated>2010-08-17T14:45:33.000Z</updated>
    <id>https://mlarson.org/2010/08/17/chicago-on-the-yangtze-by-christina-larson/</id>
    <content type="html">&lt;p&gt;“Welcome to Chongqing, the biggest city you’ve never heard of.” (No relation.)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.foreignpolicy.com/articles/2010/08/16/chicago_on_the_yangtze?page=full&#34;&gt;Chicago on the Yangtze - By Christina Larson | Foreign Policy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 15, 2010</title>
    <link href="https://mlarson.org/2010/08/15/new-toy-now-i-can-finally-put-those-tabla-lessons/"/>
    <updated>2010-08-15T13:18:00.000Z</updated>
    <id>https://mlarson.org/2010/08/15/new-toy-now-i-can-finally-put-those-tabla-lessons/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l773mcoyzk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4893312611/&#34;&gt;New toy&lt;/a&gt;. Now I can finally put those &lt;a href=&#34;http://www.youtube.com/watch?v=Vh3DjTbhb6o&#34;&gt;tabla lessons by Venkat&lt;/a&gt; to use. &lt;a href=&#34;http://stuffwhitepeoplelike.com/2008/01/23/20-being-an-expert-on-your-culture/&#34;&gt;Which reminds me&lt;/a&gt;…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Economic View - Why Free Parking Comes at a Price - NYTimes.com</title>
    <link href="https://mlarson.org/2010/08/15/economic-view-why-free-parking-comes-at-a-price/"/>
    <updated>2010-08-15T13:10:55.000Z</updated>
    <id>https://mlarson.org/2010/08/15/economic-view-why-free-parking-comes-at-a-price/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/08/15/business/economy/15view.html&#34;&gt;Economic View - Why Free Parking Comes at a Price - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Once Upon a Time in the West</title>
    <link href="https://mlarson.org/2010/08/13/once-upon-a-time-in-the-west-its-awesome-one-of/"/>
    <updated>2010-08-13T19:58:00.000Z</updated>
    <id>https://mlarson.org/2010/08/13/once-upon-a-time-in-the-west-its-awesome-one-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l73wtlku2t1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Once_Upon_a_Time_in_the_West&#34;&gt;Once Upon a Time in the West&lt;/a&gt;. It’s awesome. One of the most satisfying stories you’ll come across, from the &lt;a href=&#34;http://www.artofthetitle.com/2008/04/10/once-upon-a-time-in-the-west/&#34;&gt;opening title sequence&lt;/a&gt; to the very end. Like &lt;a href=&#34;http://tumblr.mlarson.org/post/211644904/the-good-the-bad-and-the-ugly-id-seen-about-90&#34;&gt;The Good, the Bad and the Ugly&lt;/a&gt;, I’d seen and enjoyed most of this movie before, but this was the first time I’d set aside time for the whole thing in one focused sitting. It’s long, sure, but most definitely &lt;a href=&#34;http://twitter.com/mlarson/status/21063721281&#34;&gt;worth watching a few times&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Taco stands and gun ranges in Houston, TX - Google Maps</title>
    <link href="https://mlarson.org/2010/08/12/taco-stands-and-gun-ranges-in-houston-tx-google/"/>
    <updated>2010-08-12T19:08:00.000Z</updated>
    <id>https://mlarson.org/2010/08/12/taco-stands-and-gun-ranges-in-houston-tx-google/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://maps.google.com/maps/ms?ie=UTF8&amp;amp;hl=en&amp;amp;oe=UTF8&amp;amp;msa=0&amp;amp;msid=110018337493879118082.0004707b267f2e8706b42&amp;amp;ll=29.764973,-95.321503&amp;amp;spn=0.443465,0.886459&amp;amp;source=embed&#34;&gt;Taco stands and gun ranges in Houston, TX - Google Maps&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2010</title>
    <link href="https://mlarson.org/2010/08/12/art-really-saved-my-life-because-art-is-how-i/"/>
    <updated>2010-08-12T19:02:03.000Z</updated>
    <id>https://mlarson.org/2010/08/12/art-really-saved-my-life-because-art-is-how-i/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Art really saved my life because art is how I proved that I wasn’t a malingerer.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.americansuburbx.com/2009/04/interview-interview-with-chuck-close.html&#34;&gt;Interview with Chuck Close&lt;/a&gt;. A long, wonderful discussion of his life and work. Topics include playing to your strengths, supportive parents, taking art classes in a brothel, and much much much more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2010</title>
    <link href="https://mlarson.org/2010/08/12/1-bit-symphony-1-bit-symphony-is-not-a-recording/"/>
    <updated>2010-08-12T18:32:00.000Z</updated>
    <id>https://mlarson.org/2010/08/12/1-bit-symphony-1-bit-symphony-is-not-a-recording/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/12244413&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.1bitsymphony.com/&#34;&gt;1-Bit Symphony&lt;/a&gt;. “1-Bit Symphony is not a recording in the traditional sense; it literally &amp;quot;performs” its music live when turned on.“ This is brilliant. (&lt;a href=&#34;http://www.therestisnoise.com/2010/08/tristan-perich.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2010</title>
    <link href="https://mlarson.org/2010/08/12/everythings-the-perfect-back-drop-for-a-suit/"/>
    <updated>2010-08-12T17:45:14.000Z</updated>
    <id>https://mlarson.org/2010/08/12/everythings-the-perfect-back-drop-for-a-suit/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Everything’s the perfect back drop for a suit.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/kanyewest/status/20991988742&#34;&gt;Kanye West&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2010</title>
    <link href="https://mlarson.org/2010/08/12/restrepo-a-film-by-sebastian-junger-tim/"/>
    <updated>2010-08-12T17:07:00.000Z</updated>
    <id>https://mlarson.org/2010/08/12/restrepo-a-film-by-sebastian-junger-tim/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/zvUdruvbdmI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://restrepothemovie.com/&#34;&gt;Restrepo — A Film by Sebastian Junger &amp;amp; Tim Hetherington&lt;/a&gt;. Good-looking documentary. I hadn’t heard of this one. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20100630/REVIEWS/100639997&#34;&gt;Ebert says ★★★★&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mulholland Drive</title>
    <link href="https://mlarson.org/2010/08/12/mulholland-drive-i-liked-this-one-my-second/"/>
    <updated>2010-08-12T14:55:00.000Z</updated>
    <id>https://mlarson.org/2010/08/12/mulholland-drive-i-liked-this-one-my-second/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l71o3tkvuo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mulholland_Drive_(film)&#34;&gt;Mulholland Drive&lt;/a&gt;. I liked this one. My second David Lynch film. Definitely worth repeat viewings if you’re into solving things and trying to piece together a definitive interpretation (oxymoron?). &lt;a href=&#34;http://www.mulholland-drive.net/studies/10clues.htm&#34;&gt;Lynch himself offers 10 clues&lt;/a&gt; to sort out this episodic, surreal, dreamy thing. But I doubt I’ll see it again. I was just glad to see Lynch redeem himself after &lt;a href=&#34;http://tumblr.mlarson.org/post/340103728/blue-velvet-really-disappointed-with-this-one-i&#34;&gt;the snoozer that was Blue Velvet&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2010</title>
    <link href="https://mlarson.org/2010/08/11/fritz-langs-metropolis-all-new-restoration/"/>
    <updated>2010-08-11T19:09:00.000Z</updated>
    <id>https://mlarson.org/2010/08/11/fritz-langs-metropolis-all-new-restoration/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l70578ifni1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kino.com/metropolis/gallery/gallery/23.jpg&#34;&gt;Fritz Lang’s Metropolis: All New Restoration&lt;/a&gt;. Coming to Atlanta October 1-7!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Elite Shoppers Eschew Logos</title>
    <link href="https://mlarson.org/2010/08/11/why-elite-shoppers-eschew-logos/"/>
    <updated>2010-08-11T16:18:00.000Z</updated>
    <id>https://mlarson.org/2010/08/11/why-elite-shoppers-eschew-logos/</id>
    <content type="html">&lt;p&gt;It’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Signalling_(economics)&#34;&gt;signaling&lt;/a&gt;, folks. Really interesting stuff. Geoffrey Miller talks about this in &lt;a href=&#34;http://www.amazon.com/Spent-Sex-Evolution-Consumer-Behavior/dp/0670020621&#34;&gt;Spent: Sex, Evolution, and Consumer Behavior&lt;/a&gt;, which I recommend highly. In &lt;a href=&#34;http://www.mlarson.org/2009/07/27/spent-review/&#34;&gt;my review&lt;/a&gt; I summarized Miller on the three basic ways we signal through our purchases: conspicuous waste (in this context, perhaps fine fabrics, oversized garments, layering, duplicated accessories), conspicuous precision (luxury watches, perfect cut &amp;amp; fit, subtle hand-stitched details), or conspicuous reputation (recognizable logos, patterns, etc.). Few books have affected my everyday thinking so much. (via &lt;a href=&#34;http://putthison.com/post/928375094/why-elite-shoppers-and-people-with-taste-in-our&#34;&gt;putthison&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/07/26/business/26drill.html?_r=1&#34;&gt;Why Elite Shoppers Eschew Logos&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2010</title>
    <link href="https://mlarson.org/2010/08/11/newlyweds-in-central-park-new-york-city-1992-by/"/>
    <updated>2010-08-11T16:05:13.000Z</updated>
    <id>https://mlarson.org/2010/08/11/newlyweds-in-central-park-new-york-city-1992-by/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6zwopv6ne1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/multimedia/view-photo/1527&#34;&gt;Newlyweds in Central Park, New York City, 1992&lt;/a&gt; by Bruce Davidson. Featured in &lt;a href=&#34;http://www.nybooks.com/articles/archives/2010/aug/19/marrying-kind/?pagination=false&#34;&gt;The Marrying Kind&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Wrong Stuff : Those Three Little Words (&#34;Honey, You&#39;re Right&#34;): Harville Hendrix on Being Wrong</title>
    <link href="https://mlarson.org/2010/08/10/the-wrong-stuff-those-three-little-words/"/>
    <updated>2010-08-10T17:05:00.000Z</updated>
    <id>https://mlarson.org/2010/08/10/the-wrong-stuff-those-three-little-words/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Anger is an attempt to coerce a person into surrendering their reality, so that there’s only one reality in the relationship instead of two. And when the anger triggered by the anxiety doesn’t work, people experience depression. Depression is the experience of the loss of power: “I can’t make my world happen.”&lt;/p&gt;
&lt;p&gt;Once they go into depression, couples—if they stay together—will then enter a bargaining stage. The bargaining goes like this: “Well, OK, I’m different and you’re different, so let’s make a deal about whose reality is going to be in the forefront.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/blogs/blogs/thewrongstuff/archive/2010/08/09/those-three-little-words-honey-you-re-right-harville-hendrix-on-being-wrong.aspx&#34;&gt;The Wrong Stuff : Those Three Little Words (&amp;quot;Honey, You&#39;re Right&amp;quot;): Harville Hendrix on Being Wrong&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2010</title>
    <link href="https://mlarson.org/2010/08/10/dallas-and-los-angeles-represent-two-distinct/"/>
    <updated>2010-08-10T16:36:00.000Z</updated>
    <id>https://mlarson.org/2010/08/10/dallas-and-los-angeles-represent-two-distinct/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Dallas and Los Angeles represent two distinct models for successful American cities, which both reflect and reinforce different cultural and political attitudes. One model fosters a family-oriented, middle-class lifestyle—the proverbial home-centered “balanced life.” The other rewards highly productive, work-driven people with a yen for stimulating public activities, for arts venues, world-class universities, luxury shopping, restaurants that aren’t kid-friendly. One makes room for a wide range of incomes, offering most working people a comfortable life. The other, over time, becomes an enclave for the rich. Since day-to-day experience shapes people’s sense of what is typical and normal, these differences in turn lead to contrasting perceptions of economic and social reality. It’s easy to believe the middle class is vanishing when you live in Los Angeles, much harder in Dallas. These differences also reinforce different norms and values—different ideas of what it means to live a good life. Real estate may be as important as religion in explaining the infamous gap between red and blue states.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Virginia Postrel, &lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2007/11/a-tale-of-two-town-houses/6334&#34;&gt;A Tale of Two Townhouses&lt;/a&gt; (via &lt;a href=&#34;http://christmasgorilla.com/post/929548945/dallas-and-los-angeles-represent-two-distinct&#34;&gt;christmasgorilla&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2010</title>
    <link href="https://mlarson.org/2010/08/10/psychoanalysis-is-about-what-two-people-can-say-to/"/>
    <updated>2010-08-10T16:31:45.000Z</updated>
    <id>https://mlarson.org/2010/08/10/psychoanalysis-is-about-what-two-people-can-say-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Psychoanalysis is about what two people can say to each other if they agree not to have sex.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Adam_Phillips_(psychologist)&#34;&gt;Adam Phillips&lt;/a&gt; quoted in &lt;a href=&#34;http://www.nytimes.com/2010/08/08/magazine/08Psychoanalysis-t.html?pagewanted=all&#34;&gt;My Life in Therapy - NYTimes.com&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2010</title>
    <link href="https://mlarson.org/2010/08/10/oldhollywood-ennio-morricone-once-upon-a-time/"/>
    <updated>2010-08-10T16:08:00.000Z</updated>
    <id>https://mlarson.org/2010/08/10/oldhollywood-ennio-morricone-once-upon-a-time/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/932406630/tumblr_l6wyq7ypq01qzdvhi?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/932406630/audio_player_iframe/mlarson/tumblr_l6wyq7ypq01qzdvhi?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F932406630%2Ftumblr_l6wyq7ypq01qzdvhi&#34;&gt;http://mlarson.tumblr.com/post/932406630/audio_player_iframe/mlarson/tumblr_l6wyq7ypq01qzdvhi?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F932406630%2Ftumblr_l6wyq7ypq01qzdvhi&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://oldhollywood.tumblr.com/post/929668948/ennio-morricone-once-upon-a-time-in-the-west&#34;&gt;oldhollywood&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&#34;http://oldhollywood.tumblr.com/tagged/Ennio_Morricone&#34;&gt;Ennio Morricone&lt;/a&gt; -&lt;/strong&gt;&lt;/strong&gt; &lt;em&gt;Once Upon a Time in the West&lt;/em&gt; (via &lt;em&gt;Once Upon a Time in the West:&lt;/em&gt; Original Motion Picture Soundtrack) (vocals by Edda D’ell Orso)&lt;/p&gt;
&lt;p&gt;“For me the music is fundamental, especially in a Western where the dialogue is purely aphoristic. The films could just as well be silent; one would understand all the same. The music serves to emphasize states of mind, facts and situations more than the dialogue itself does. In short, for me the music functions as dialogue.”&lt;/p&gt;
&lt;p&gt;-Sergio Leone&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2010</title>
    <link href="https://mlarson.org/2010/08/06/oldhollywood-a-wonderful-blooper-reel-featuring/"/>
    <updated>2010-08-06T18:41:00.000Z</updated>
    <id>https://mlarson.org/2010/08/06/oldhollywood-a-wonderful-blooper-reel-featuring/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/2A_xERLt-2U&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://oldhollywood.tumblr.com/post/913496255/a-wonderful-blooper-reel-featuring-footage-of&#34;&gt;oldhollywood&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A wonderful blooper reel featuring footage of Chaplin flubbing his “lines”, pranking his co-stars, &amp;amp; cracking up mid-scene during the making of his late 1910’s-early 1920’s films (most of this footage via the excellent documentary &lt;a href=&#34;http://en.wikipedia.org/wiki/Unknown_Chaplin&#34;&gt;&lt;em&gt;The Unknown Chaplin&lt;/em&gt;&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jonathan Haidt | FiveBooks</title>
    <link href="https://mlarson.org/2010/08/06/jonathan-haidt-fivebooks/"/>
    <updated>2010-08-06T15:29:57.000Z</updated>
    <id>https://mlarson.org/2010/08/06/jonathan-haidt-fivebooks/</id>
    <content type="html">&lt;p&gt;Recommendations from the guy who wrote &lt;a href=&#34;http://www.mlarson.org/2010/07/13/the-happiness-hypothesis-review-55/&#34;&gt;my favorite book so far this year&lt;/a&gt; (okay, &lt;a href=&#34;http://en.wikipedia.org/wiki/Pride_and_Prejudice&#34;&gt;maybe it’s a tie&lt;/a&gt;). Gotta get my hands on these. (via &lt;a href=&#34;http://wehr.tumblr.com/&#34;&gt;wehr&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fivebooks.com/interviews/jonathan-haidt-on-happiness&#34;&gt;Jonathan Haidt | FiveBooks&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2010</title>
    <link href="https://mlarson.org/2010/08/06/filmspool-untitled-by-lukasz-wierzbowski-can/"/>
    <updated>2010-08-06T03:16:00.000Z</updated>
    <id>https://mlarson.org/2010/08/06/filmspool-untitled-by-lukasz-wierzbowski-can/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6opzuzmga1qatev0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://filmspool.funkaoshi.com/post/907920536&#34;&gt;filmspool&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h3&gt;&lt;a href=&#34;http://www.flickr.com/photos/neon_tambourine/4818633913/in/faves-funkaoshi/&#34;&gt;Untitled&lt;/a&gt; by &lt;a href=&#34;http://flickr.com/photos/neon_tambourine&#34;&gt;Lukasz Wierzbowski&lt;/a&gt;&lt;/h3&gt;
&lt;p&gt;Can two pretty girls ever blend in to he background? The ugliness of their surroundings makes the two pretty ladies look out of place, while their strange outfits that match the sofa they are sitting on anchor them in the scene. Their bare legs stand out in particular in this shot. I love all the patterns, in their outfits, the floor, and on the sofas they are sitting on.&lt;/p&gt;
&lt;p&gt;I need to stop neglecting this site.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes. Yes, you do. &lt;a href=&#34;http://filmspool.funkaoshi.com/&#34;&gt;Filmspool&lt;/a&gt; is one of my favorite tumblrs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Last Psychiatrist: The Ultimate Explanation Of Inception</title>
    <link href="https://mlarson.org/2010/08/06/the-last-psychiatrist-the-ultimate-explanation-of/"/>
    <updated>2010-08-06T03:14:00.000Z</updated>
    <id>https://mlarson.org/2010/08/06/the-last-psychiatrist-the-ultimate-explanation-of/</id>
    <content type="html">&lt;p&gt;“What matters isn’t whether the top stopped spinning; what matters is that Cobb didn’t bother to find out.” This was pretty thoughtful. Also, I hate that a merely okay-ish movie still has me thinking about it. The ideas were far better than their vehicle.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thelastpsychiatrist.com/2010/07/the_ultimate_explanation_of_in.html&#34;&gt;The Last Psychiatrist: The Ultimate Explanation Of Inception&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2010</title>
    <link href="https://mlarson.org/2010/08/06/austinkleon-my-two-favorite-things-i-love/"/>
    <updated>2010-08-06T03:11:05.000Z</updated>
    <id>https://mlarson.org/2010/08/06/austinkleon-my-two-favorite-things-i-love/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6p8wneat51qz6f4bo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/909404729/my-two-favorite-things&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My two favorite things!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love the intense facial expression.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dr. Dre To Release Instrumental Hip-Hop Album About The Solar System | Gigwise</title>
    <link href="https://mlarson.org/2010/08/05/dr-dre-to-release-instrumental-hip-hop-album/"/>
    <updated>2010-08-05T16:17:18.000Z</updated>
    <id>https://mlarson.org/2010/08/05/dr-dre-to-release-instrumental-hip-hop-album/</id>
    <content type="html">&lt;p&gt;Oh hell yeah. (&lt;a href=&#34;http://blogs.howstuffworks.com/2010/08/05/dr-dre-space-music/&#34;&gt;via&lt;/a&gt;). À la &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Planets&#34;&gt;Holst&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s just my interpretation of what each planet sounds like… I’m gonna go off on that. Just all instrumental. I’ve been studying the planets and learning the personalities of each planet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.gigwise.com/news/57749/Dr-Dre-To-Release-Instrumental-Hip-Hop-Album-About-The-Solar-System&#34;&gt;Dr. Dre To Release Instrumental Hip-Hop Album About The Solar System | Gigwise&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Drink: Purist Intentions</title>
    <link href="https://mlarson.org/2010/08/05/american-drink-purist-intentions/"/>
    <updated>2010-08-05T15:12:20.000Z</updated>
    <id>https://mlarson.org/2010/08/05/american-drink-purist-intentions/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Not everyone agrees with my No Rules Rule. &lt;em&gt;Siiiiiiigh&lt;/em&gt;. Naturally. After all, this is America, where the only art more popular than the art itself is the art of being a dick about the art. Same as baseball, jazz, porn, and every other invented-for-fun pastime, drinking is rife with fundamentalist nutjobs (see “purists”) who have one way of doing things–by the book. And not that book either. &lt;em&gt;This&lt;/em&gt; book, with the leather binding and 6pt Century Gothic. &lt;em&gt;The old one&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://americandrink.net/post/907881564/purist-intentions&#34;&gt;American Drink: Purist Intentions&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 5, 2010</title>
    <link href="https://mlarson.org/2010/08/05/thebronzemedal-helen-dewitt-chart-2008-the/"/>
    <updated>2010-08-05T00:46:00.000Z</updated>
    <id>https://mlarson.org/2010/08/05/thebronzemedal-helen-dewitt-chart-2008-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6kyb7ok9p1qz7rwmo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thebronzemedal.tumblr.com/post/898173550/helen-dewitt-chart-2008-the-things-that-drive&#34;&gt;thebronzemedal&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Helen DeWitt, &lt;em&gt;Chart 2008&lt;/em&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;The things that drive us crazy don’t do so once a month, or once a week, or even once a day: we have to fight them minute by minute, hour by hour.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In a &lt;a href=&#34;http://incongruousquarterly.com/2010/07/chart-2008/&#34;&gt;fascinating piece&lt;/a&gt; over at Incongruous Quarterly, DeWitt recalls charting her year. The red blocks signify days she didn’t smoke, didn’t drink, or went to the gym. Very Lodwickian.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Painkiller Deathstreak: Adventures in video games</title>
    <link href="https://mlarson.org/2010/08/05/painkiller-deathstreak-adventures-in-video-games/"/>
    <updated>2010-08-05T00:33:37.000Z</updated>
    <id>https://mlarson.org/2010/08/05/painkiller-deathstreak-adventures-in-video-games/</id>
    <content type="html">&lt;p&gt;I like this kind of essay. The dude had never played video games before! I wish he’d chosen a broader variety of games, but it’s nice to have a fresh perspective. You take a lot of this for granted when you grow up with it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The second thing I learned about video games is that they are long. So, so long. Playing one game is not like watching one ninety-minute movie; it’s like watching one whole season of a TV show—and watching it in a state of staring, jaw-clenched concentration. If you’re good, it might take you fifteen hours to play through a typical game. If you’re not good, like me, and you do a fair amount of bumping into walls and jumping place when you’re under attack, it will take more than twice that.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2010/08/09/100809fa_fact_baker&#34;&gt;Painkiller Deathstreak: Adventures in video games&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 5, 2010</title>
    <link href="https://mlarson.org/2010/08/05/if-you-arent-having-no-fun-die-because-youre/"/>
    <updated>2010-08-05T00:27:53.000Z</updated>
    <id>https://mlarson.org/2010/08/05/if-you-arent-having-no-fun-die-because-youre/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you aren’t having no fun, die, because you’re running a worthless program, far as I’m concerned.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2010/08/09/100809fa_fact_wilkinson&#34;&gt;Gil Scott-Heron&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 5, 2010</title>
    <link href="https://mlarson.org/2010/08/05/id-rather-be-reading-flannery-oconnor/"/>
    <updated>2010-08-05T00:25:39.000Z</updated>
    <id>https://mlarson.org/2010/08/05/id-rather-be-reading-flannery-oconnor/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6nl6rm0ng1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4861218035/in/photostream/&#34;&gt;I’D RATHER BE READING FLANNERY O&#39;CONNOR&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>15th Anniversary: The Brian Eno Evolution</title>
    <link href="https://mlarson.org/2010/08/04/15th-anniversary-the-brian-eno-evolution/"/>
    <updated>2010-08-04T02:55:08.000Z</updated>
    <id>https://mlarson.org/2010/08/04/15th-anniversary-the-brian-eno-evolution/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What do people want from Art? I don’t know the full answer, but one thing I’m increasingly sure of is that they want &lt;em&gt;life&lt;/em&gt;. They want the sense that there is something going on, that something real and exciting and of its moment has been captured […]&lt;/p&gt;
&lt;p&gt;In an age of digital perfectibility, it takes quite a lot of courage to say, “Leave it alone” and, if you do decide to make changes, quite a lot of judgment to know at which point you stop. A lot of technology offers you the chance to make everything completely, wonderfully perfect, and thus to take out whatever residue of human life there was in the work to start with. […] It’s a misunderstanding to think that the traces of human activity — brushstrokes, tuning drift, arrhythmia — are not part of the work. They are the fundamental texture of the work, the fine grain of it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wired.com/techbiz/media/magazine/16-06/st_15th_eno?currentPage=all&#34;&gt;15th Anniversary: The Brian Eno Evolution&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Summoned Self - David Brooks - NYTimes.com</title>
    <link href="https://mlarson.org/2010/08/04/the-summoned-self-david-brooks-nytimescom/"/>
    <updated>2010-08-04T02:44:50.000Z</updated>
    <id>https://mlarson.org/2010/08/04/the-summoned-self-david-brooks-nytimescom/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The person leading the Well-Planned Life emphasizes individual agency, and asks, “What should I do?” The person leading the Summoned Life emphasizes the context, and asks, “What are my circumstances asking me to do?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://www.linkbanana.com/2010/08/03/the-summoned-life/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/08/03/opinion/03brooks.html&#34;&gt;The Summoned Self - David Brooks - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Up From Darkness - Book Review: &#34;Brilliant: The Evolution of Artificial Light&#34; by Jane Brox - NYTimes.com</title>
    <link href="https://mlarson.org/2010/08/04/up-from-darkness-book-review-brilliant-the/"/>
    <updated>2010-08-04T02:39:57.000Z</updated>
    <id>https://mlarson.org/2010/08/04/up-from-darkness-book-review-brilliant-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Who had light and who did not? What did different types of people do with their newfound hours? How did street lighting change public behavior? (Once drinkers could move safely between taverns, instead of perching on a single tavern stool all night … the streets became far rowdier; prostitutes previously confined to brothels could now sell their wares al fresco.) With increased mobility and safety, those who could afford lighting stayed up later. Sleeping in became a mark of prestige. Meanwhile, those who lived near the gasworks — never located in a city’s high-rent district — endured foul-smelling and dangerous emissions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://submittedforyourperusal.com/2010/08/01/8-1-2010-new-york-times-digest/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/08/01/books/review/Royte-t.html?pagewanted=all&#34;&gt;Up From Darkness - Book Review: &amp;quot;Brilliant: The Evolution of Artificial Light&amp;quot; by Jane Brox - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 4, 2010</title>
    <link href="https://mlarson.org/2010/08/04/red-eye-abstract-city-blog-nytimescom-a/"/>
    <updated>2010-08-04T02:34:30.000Z</updated>
    <id>https://mlarson.org/2010/08/04/red-eye-abstract-city-blog-nytimescom-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6lwhiwp1g1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://niemann.blogs.nytimes.com/2010/08/03/red-eye/&#34;&gt;Red Eye - Abstract City Blog - NYTimes.com&lt;/a&gt;. “A visual diary documenting a flight from New York to Berlin (with a layover in London).” I, too, ♥ my seat back monitor.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 4, 2010</title>
    <link href="https://mlarson.org/2010/08/04/when-you-think-about-it-rules-for-drinking-are/"/>
    <updated>2010-08-04T00:16:00.000Z</updated>
    <id>https://mlarson.org/2010/08/04/when-you-think-about-it-rules-for-drinking-are/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When you think about it, rules for drinking are not so different from rules for writing. Many of these are so familiar they’ve become truisms: Write what you know. Write every day. Never use a strange, fancy word when a simple one will do. Always finish the day’s writing when you could still do more. With a little adaptation these rules apply just as well for drinking. Drink what you know, drink regularly rather than in binges, avoid needlessly exotic booze, and leave the table while you can still stand.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Geoff Nicholson, &lt;a href=&#34;http://www.nytimes.com/2010/08/01/books/review/Nicholson-t.html&#34;&gt;“Drink What You Know”&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 3, 2010</title>
    <link href="https://mlarson.org/2010/08/03/wnbrgr-jazzcats-crossing-the-hudson-jazzcats/"/>
    <updated>2010-08-03T15:03:23.000Z</updated>
    <id>https://mlarson.org/2010/08/03/wnbrgr-jazzcats-crossing-the-hudson-jazzcats/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6jca50csv1qaedugo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wnbrgr.tumblr.com/post/898206631&#34;&gt;wnbrgr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rappcats.com/hotshit/jazzcats-crossing-the-hudson/&#34;&gt;Jazzcats Crossing the Hudson&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;“&lt;em&gt;Jazzcats Crossing the Hudson&lt;/em&gt; is an 1851 oil-on-canvas painting by German American artist Emanuel Gottlieb Leutze. It pre-emptively commemorates the arrival in New York City of jazz greats Miles Davis, John Coltrane, Sun Ra, Pharoah Sanders, Steve Kuhn and others. The painting is remarkable for the fact that it was created decades before the birth of any of these jazz artists.”&lt;/p&gt;
&lt;p&gt;via &lt;a href=&#34;http://mastertone.tumblr.com/post/893879618&#34;&gt;mastertone&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 3, 2010</title>
    <link href="https://mlarson.org/2010/08/03/newyorker-kanye-wests-tweets-meet-the-new/"/>
    <updated>2010-08-03T15:02:34.000Z</updated>
    <id>https://mlarson.org/2010/08/03/newyorker-kanye-wests-tweets-meet-the-new/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6kz5rtx8d1qav5oho1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://newyorker.tumblr.com/post/898203442/kanye-wests-tweets-meet-the-new-yorkers-cartoon&#34;&gt;newyorker&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Kanye West’s &lt;a href=&#34;http://twitter.com/kanyewest&#34;&gt;tweets&lt;/a&gt; meet &lt;em&gt;The New Yorker&lt;/em&gt;’s &lt;a href=&#34;http://www.newyorker.com/humor/caption/&#34;&gt;Cartoon Caption Contest&lt;/a&gt;. The results are hilarious!&lt;/p&gt;
&lt;p&gt;Thanks Josh A. Cagan (@joshacagan on Twitter) for these &lt;a href=&#34;http://twitpic.com/photos/joshacagan&#34;&gt;amazing mash-ups&lt;/a&gt; - you made our morning!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Bande à part (Band of Outsiders)</title>
    <link href="https://mlarson.org/2010/08/02/bande-a-part-band-of-outsiders-i-didnt-dig/"/>
    <updated>2010-08-02T02:59:07.000Z</updated>
    <id>https://mlarson.org/2010/08/02/bande-a-part-band-of-outsiders-i-didnt-dig/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/08/tumblr_l6i8ajgnv41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Bande_%C3%A0_part&#34;&gt;Bande à part (Band of Outsiders)&lt;/a&gt;. I didn’t dig this one very much, but at least watch &lt;a href=&#34;http://www.youtube.com/watch?v=s3HME4oDPNk&#34;&gt;the dance scene&lt;/a&gt;. I stopped paying full attention about half-way into it. This &lt;a href=&#34;http://www.criterion.com/current/posts/241-band-of-outsiders-get-your-madis-on&#34;&gt;Criterion essay&lt;/a&gt; covers it well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2010</title>
    <link href="https://mlarson.org/2010/07/31/this-is-the-question-charles-darwin-writes-at-the/"/>
    <updated>2010-07-31T15:30:00.000Z</updated>
    <id>https://mlarson.org/2010/07/31/this-is-the-question-charles-darwin-writes-at-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l6fgkmsdgd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://darwin-online.org.uk/content/frameset?viewtype=side&amp;amp;itemID=CUL-DAR210.8.2&amp;amp;pageseq=1&#34;&gt;This is the Question&lt;/a&gt;, Charles Darwin writes at the top of the page. Each half of the page is a list brainstorming his two options with &lt;a href=&#34;http://en.wikipedia.org/wiki/Emma_Darwin&#34;&gt;Emma Wedgewood&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;To Marry…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Children — (if it Please God) — Constant companion, (&amp;amp; friend in old age) who will feel interested in one, — object to be beloved &amp;amp; played with. — —better than a dog anyhow. — Home, &amp;amp; someone to take care of house — Charms of music &amp;amp; female chit-chat. — These things good for one’s health. — Forced to visit &amp;amp; receive relations but terrible loss of time. —&lt;/p&gt;
&lt;p&gt;My God, it is intolerable to think of spending ones whole life, like a neuter bee, working, working, &amp;amp; nothing after all. — No, no won’t do. — Imagine living all one’s day solitarily in smoky dirty London House. — Only picture to yourself a nice soft wife on a sofa with good fire, &amp;amp; books &amp;amp; music perhaps — Compare this vision with the dingy reality of Grt. Marlbro’ St.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;or Not Marry?&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;No children, (no second life), no one to care for one in old age.— What is the use of working without sympathy from near &amp;amp; dear friends—who are near &amp;amp; dear friends to the old, except relatives&lt;/p&gt;
&lt;p&gt;Freedom to go where one liked — choice of Society &amp;amp; little of it. — Conversation of clever men at clubs — Not forced to visit relatives, &amp;amp; to bend in every trifle. — to have the expense &amp;amp; anxiety of children — perhaps quarelling — Loss of time. — cannot read in the Evenings — fatness &amp;amp; idleness — Anxiety &amp;amp; responsibility — less money for books &amp;amp;c — if many children forced to gain one’s bread. — (But then it is very bad for ones health to work too much)&lt;/p&gt;
&lt;p&gt;Perhaps my wife wont like London; then the sentence is banishment &amp;amp; degradation into indolent, idle fool —&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The final result:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Marry — Marry — Marry. Q.E.D.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He also goes on to wrestle with the question of &lt;a href=&#34;http://darwin-online.org.uk/content/frameset?viewtype=side&amp;amp;itemID=CUL-DAR210.8.2&amp;amp;pageseq=2&#34;&gt;marrying sooner vs. later&lt;/a&gt;. (&lt;a href=&#34;http://wanderingstan.com/2010-03-31/musings-on-the-role-of-values-in-a-life&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;See also: &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/lay_it_all_out_where_you_can_look_at_it&#34;&gt;lay it all out where you can look at it&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Immanuel Kant&#39;s Guide to a Good Dinner Party</title>
    <link href="https://mlarson.org/2010/07/30/immanuel-kants-guide-to-a-good-dinner-party/"/>
    <updated>2010-07-30T14:10:00.000Z</updated>
    <id>https://mlarson.org/2010/07/30/immanuel-kants-guide-to-a-good-dinner-party/</id>
    <content type="html">&lt;p&gt;His rules seem reasonable. (&lt;a href=&#34;http://twitter.com/tcarmody/status/19860712787&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;(1) The number of guests should follow Chesterfield’s rule: no fewer than the Graces (i.e., three), no more than the Muses (i.e., nine).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://branemrys.blogspot.com/2010/07/immanuel-kants-guide-to-good-dinner.html&#34;&gt;Immanuel Kant&#39;s Guide to a Good Dinner Party&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2010</title>
    <link href="https://mlarson.org/2010/07/30/funnelthru-xkcd-university-website/"/>
    <updated>2010-07-30T13:47:56.000Z</updated>
    <id>https://mlarson.org/2010/07/30/funnelthru-xkcd-university-website/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l6dew3qh0y1qzg3sgo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.funnelthru.com/post/879529047/xkcd-university-website&#34;&gt;funnelthru&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://xkcd.com/773/&#34;&gt;xkcd: University Website&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 29, 2010</title>
    <link href="https://mlarson.org/2010/07/29/you-have-to-reinvent-reasons-for-playing-and-one/"/>
    <updated>2010-07-29T18:19:12.000Z</updated>
    <id>https://mlarson.org/2010/07/29/you-have-to-reinvent-reasons-for-playing-and-one/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You have to reinvent reasons for playing, and one year’s answer might not do for another.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052748703700904575391520025332364.html&#34;&gt;Yo-Yo Ma&lt;/a&gt; on keeping things fresh. (&lt;a href=&#34;http://thebrowser.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hollywood is squandering one of its greatest comedic resources: Paul Rudd. - Slate Magazine</title>
    <link href="https://mlarson.org/2010/07/29/hollywood-is-squandering-one-of-its-greatest/"/>
    <updated>2010-07-29T16:21:18.000Z</updated>
    <id>https://mlarson.org/2010/07/29/hollywood-is-squandering-one-of-its-greatest/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2260340&#34;&gt;Hollywood is squandering one of its greatest comedic resources: Paul Rudd. - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 29, 2010</title>
    <link href="https://mlarson.org/2010/07/29/austinkleon-work-by-john-engman-from/"/>
    <updated>2010-07-29T02:20:44.000Z</updated>
    <id>https://mlarson.org/2010/07/29/austinkleon-work-by-john-engman-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l6aabqe69w1qz6f4bo1_r1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/871953943/work-by-john-engman-from-temporary-help-i&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Work,” by John Engman, from &lt;em&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0930100824/wwwaustinkleo-20/ref=nosim/&#34;&gt;Temporary Help&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wanted to be a rain salesman…but…I am paid to make the screen of my computer glow&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/wp-dyn/content/article/2008/08/28/AR2008082803017.html&#34;&gt;Mary Karr on John Engman&lt;/a&gt; (she excerpted “Work” in her great memoir, &lt;em&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0060596996/wwwaustinkleo-20/ref=nosim/&#34;&gt;Lit&lt;/a&gt;&lt;/em&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In prosperous America, the poet’s economic reality usually involves working a crap job while scribbling nightly in a cheap apartment. Before my pal John Engman suffered a brain aneurysm in his 40s, he toiled in such obscurity. He lived in Minnesota, bussed tables, did standup comedy for a while, taught a class or two at a local community center, but only published two books. From his long-time job as an aide in an adolescent psych ward came poems rich in pathos, each tinged with his signature irony.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2010</title>
    <link href="https://mlarson.org/2010/07/28/maybe-one-of-the-single-best-things-a-person-can/"/>
    <updated>2010-07-28T13:50:00.000Z</updated>
    <id>https://mlarson.org/2010/07/28/maybe-one-of-the-single-best-things-a-person-can/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Maybe one of the single best things a person can do for themselves is to shift from their default self-worth goals (seeking to prove self-worth and to avoid proof of worthlessness) to learning goals.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/07/squibs_25.html&#34;&gt;Wehr in the World: Squibs&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2010</title>
    <link href="https://mlarson.org/2010/07/28/wehr-if-the-earth-stood-still-this-idea-makes/"/>
    <updated>2010-07-28T12:48:07.000Z</updated>
    <id>https://mlarson.org/2010/07/28/wehr-if-the-earth-stood-still-this-idea-makes/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l68ykd8nbg1qb27qzo1_250.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wehr.tumblr.com/post/868792380&#34;&gt;wehr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esri.com/news/arcuser/0610/nospin.html&#34;&gt;If the Earth Stood Still&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This idea makes me all tingly. Imagine exploring all that new territory…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Will You Measure Your Life? - Harvard Business Review</title>
    <link href="https://mlarson.org/2010/07/28/how-will-you-measure-your-life-harvard-business/"/>
    <updated>2010-07-28T12:41:02.000Z</updated>
    <id>https://mlarson.org/2010/07/28/how-will-you-measure-your-life-harvard-business/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you study the root causes of business disasters, over and over you’ll find this predisposition toward endeavors that offer immediate gratification. If you look at personal lives through that lens, you’ll see the same stunning and sobering pattern: people allocating fewer and fewer resources to the things they would have once said mattered most.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://hbr.org/2010/07/how-will-you-measure-your-life/ar/pr&#34;&gt;How Will You Measure Your Life? - Harvard Business Review&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2010</title>
    <link href="https://mlarson.org/2010/07/28/saying-grace-before-the-barbeque-dinner-at-the-new/"/>
    <updated>2010-07-28T12:36:00.000Z</updated>
    <id>https://mlarson.org/2010/07/28/saying-grace-before-the-barbeque-dinner-at-the-new/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l69ppojvsu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Saying grace before the barbeque dinner at the New Mexico Fair. Pie Town, New Mexico, October 1940. Reproduction from color slide. Photo by Russell Lee. Prints and Photographs Division, Library of Congress. &lt;a href=&#34;http://blogs.denverpost.com/captured/2010/07/26/captured-america-in-color-from-1939-1943/&#34;&gt;Captured: America in Color from 1939-1943&lt;/a&gt;. Amazing how much better off we are, just 70 years later. (&lt;a href=&#34;http://twitter.com/RhysTranter/status/19732196582&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Raging Bull</title>
    <link href="https://mlarson.org/2010/07/27/raging-bull-i-expected-that-boxing-would-be-much/"/>
    <updated>2010-07-27T19:33:24.000Z</updated>
    <id>https://mlarson.org/2010/07/27/raging-bull-i-expected-that-boxing-would-be-much/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l68582bnsq1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Raging_Bull&#34;&gt;Raging Bull&lt;/a&gt;. I expected that boxing would be much more central to this film, but it’s more of a story of jealousy and self-loathing punctuated with fights professional and domestic. Maybe the coolest thing is the use of slow-motion every now and then to emphasize a particular moment or emotional state. Maybe the most annoying thing is Italian-American tough guy/gangster talk – which maybe I’ve &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Godfather&#34;&gt;just&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Godfather_Part_II&#34;&gt;been&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Godfather_Part_III&#34;&gt;saturated&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Goodfellas&#34;&gt;with&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Casino_(film)&#34;&gt;before&lt;/a&gt;. I wasn’t blown away with this movie – but, then again, I’m really curious how I’d feel if I saw it a second time. Make of that what you will.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Moogfest 2010</title>
    <link href="https://mlarson.org/2010/07/26/moogfest-2010/"/>
    <updated>2010-07-26T15:22:54.000Z</updated>
    <id>https://mlarson.org/2010/07/26/moogfest-2010/</id>
    <content type="html">&lt;p&gt;Asheville, NC. October 29-31, 2010.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.moogfest.net/&#34;&gt;Moogfest 2010&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bela Fleck, Edgar Meyer, Zakir Hussain: Tiny Desk Concert : NPR</title>
    <link href="https://mlarson.org/2010/07/26/bela-fleck-edgar-meyer-zakir-hussain-tiny-desk/"/>
    <updated>2010-07-26T14:00:31.000Z</updated>
    <id>https://mlarson.org/2010/07/26/bela-fleck-edgar-meyer-zakir-hussain-tiny-desk/</id>
    <content type="html">&lt;p&gt;Three of the world’s most ridiculously talented musicians.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=128652297&#34;&gt;Bela Fleck, Edgar Meyer, Zakir Hussain: Tiny Desk Concert : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 23, 2010</title>
    <link href="https://mlarson.org/2010/07/23/soul-train-line-dance-to-gladys-knight-the-pips/"/>
    <updated>2010-07-23T15:00:30.000Z</updated>
    <id>https://mlarson.org/2010/07/23/soul-train-line-dance-to-gladys-knight-the-pips/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=qOLQkn0VvPc
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=qOLQkn0VvPc&#34;&gt;Soul Train Line Dance to Gladys Knight &amp;amp; The Pips’ “Daddy Could Swear”&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>RAS syndrome - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2010/07/23/ras-syndrome-wikipedia-the-free-encyclopedia/"/>
    <updated>2010-07-23T13:45:50.000Z</updated>
    <id>https://mlarson.org/2010/07/23/ras-syndrome-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;“RAS syndrome stands for redundant acronym syndrome syndrome.” (&lt;a href=&#34;http://twitter.com/mjhsinclair/status/19333536424&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://twitter.com/tylercowen/status/19333018598&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/RAS_syndrome&#34;&gt;RAS syndrome - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Inception</title>
    <link href="https://mlarson.org/2010/07/23/inception-this-is-a-good-movie-worth-seeing/"/>
    <updated>2010-07-23T03:39:00.000Z</updated>
    <id>https://mlarson.org/2010/07/23/inception-this-is-a-good-movie-worth-seeing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5zqkoixbq1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Inception_%28film%29&#34;&gt;Inception&lt;/a&gt;. This is a good movie. Worth seeing? Sure. Superlative? No. Interesting ideas and there’s enough ambiguity to puzzle over ‘til the End of Days. &lt;a href=&#34;http://www.slate.com/blogs/blogs/browbeat/archive/2010/07/20/five-ways-of-looking-at-inception.aspx&#34;&gt;Five Ways of Looking at Inception&lt;/a&gt; is probably just the tip of the iceberg. The trouble was that I didn’t care much. My &lt;a href=&#34;http://twitter.com/mlarson/status/19306123132&#34;&gt;first reaction&lt;/a&gt; was “Inception: all muscle and nerves, no heart. Interesting but probably at least 48 minutes too long.” It kinda reminded me of the situation where a writer has an awesome essay and then later writes a book on the same topic. This movie was a book where an essay (i.e. short film) might have been a tighter, more engaging experience. Other assorted observations:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I think the dark, corporate angle is legit. The idea of executive-level extraction-resistance training is a nice scifi hypothetical.&lt;/li&gt;
&lt;li&gt;I liked the idea of different levels of dreams operating at different time-speeds. Pretty cool.&lt;/li&gt;
&lt;li&gt;Lots of explanatory dialogue…&lt;/li&gt;
&lt;li&gt;Mediocre score.&lt;/li&gt;
&lt;li&gt;I’d like to see more movies where not everyone is wealthy and skilled.&lt;/li&gt;
&lt;li&gt;I’d like to see action movies with fewer hordes of incompetent gunmen.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/The_Spy_Who_Loved_Me_%28film%29&#34;&gt;Ski chase&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Solaris_%281972_film%29&#34;&gt;Dead wife reappearing&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Matrix&#34;&gt;Zero-gravity fights&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/2001:_A_Space_Odyssey_(film)&#34;&gt;Old man dying in a minimalist room&lt;/a&gt;. I don’t think this is a bad thing, btw.&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2010</title>
    <link href="https://mlarson.org/2010/07/22/yasujiro-ozu-pillow-shot-images-via/"/>
    <updated>2010-07-22T18:44:00.000Z</updated>
    <id>https://mlarson.org/2010/07/22/yasujiro-ozu-pillow-shot-images-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5z2q5sohd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.a2pcinema.com/ozu-san/images/pillowshot.htm&#34;&gt;Yasujirō Ozu Pillow Shot Images&lt;/a&gt;. (&lt;a href=&#34;http://colinmarshall.typepad.com/blog/2010/07/pillow-talk.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2010</title>
    <link href="https://mlarson.org/2010/07/22/family-friends-health-work-pick-any-three/"/>
    <updated>2010-07-22T03:27:00.000Z</updated>
    <id>https://mlarson.org/2010/07/22/family-friends-health-work-pick-any-three/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Family. Friends. Health. Work. Pick any three.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.communicatrix.com/2010/07/family-friends-health-work-pick-three.html&#34;&gt;Communicatrix&lt;/a&gt;. Reminds me of an optimist-realist mantra I either invented or stole sometime around high school, and occasionally have to remind myself: “You can have anything you want. Just not all at the same time.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2010</title>
    <link href="https://mlarson.org/2010/07/22/edgard-varese-does-jazz-cf-the-score-for-poeme/"/>
    <updated>2010-07-22T03:14:00.000Z</updated>
    <id>https://mlarson.org/2010/07/22/edgard-varese-does-jazz-cf-the-score-for-poeme/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5xvoekyb11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/2010/07/var%C3%A8se-does-jazz.html&#34;&gt;Edgard Varèse does jazz&lt;/a&gt;. Cf. the &lt;a href=&#34;http://iceorg.org/varese/?p=200&#34;&gt;score for Poème électronique&lt;/a&gt;. Also, there’s a &lt;a href=&#34;http://iceorg.org/varese/&#34;&gt;Varèse blog&lt;/a&gt; and I didn’t know?!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2010</title>
    <link href="https://mlarson.org/2010/07/22/streetetiquette-bob-marley/"/>
    <updated>2010-07-22T02:43:18.000Z</updated>
    <id>https://mlarson.org/2010/07/22/streetetiquette-bob-marley/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5x0zaos2d1qz9sx7o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://streetetiquette.tumblr.com/post/841146022/bob-marley&#34;&gt;streetetiquette&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Bob Marley&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 21, 2010</title>
    <link href="https://mlarson.org/2010/07/21/halfway-through-questions-and-answers-trans/"/>
    <updated>2010-07-21T17:12:29.000Z</updated>
    <id>https://mlarson.org/2010/07/21/halfway-through-questions-and-answers-trans/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5x3su6l801qzcye0o1_540.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://transworldexpedition.com/?p=1708&#34;&gt;Halfway through, questions and answers | Trans World Expedition&lt;/a&gt;. I’m impressed that he’s still on budget! Seems like it would be very easy to go off-plan.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2010</title>
    <link href="https://mlarson.org/2010/07/20/whisk-away-red-and-blue-velvet-cake-it-was/"/>
    <updated>2010-07-20T14:05:22.000Z</updated>
    <id>https://mlarson.org/2010/07/20/whisk-away-red-and-blue-velvet-cake-it-was/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5v0gy0sj21qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wewhiskaway.blogspot.com/2010/07/red-and-blue-velvet-cake.html&#34;&gt;WHISK AWAY: Red and Blue Velvet Cake&lt;/a&gt;. It was delicious.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2010</title>
    <link href="https://mlarson.org/2010/07/20/killedincars-killedincars-the-grose-fuge/"/>
    <updated>2010-07-20T13:56:00.000Z</updated>
    <id>https://mlarson.org/2010/07/20/killedincars-killedincars-the-grose-fuge/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/uHxukzT31do&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://killedincars.com/post/836373031/the-grosse-fuge-is-an-absolutely-contemporary&#34;&gt;killedincars&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://killedincars.tumblr.com/post/836373031&#34;&gt;killedincars&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[The Große Fuge is] an absolutely contemporary piece of music that will be contemporary forever.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;-Igor Stravinsky&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Nice visualization, too.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 19, 2010</title>
    <link href="https://mlarson.org/2010/07/19/five-reasons-to-drink-sake-eg-to-refuse-the/"/>
    <updated>2010-07-19T03:20:00.000Z</updated>
    <id>https://mlarson.org/2010/07/19/five-reasons-to-drink-sake-eg-to-refuse-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5sbyqrkv11qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://languagelog.ldc.upenn.edu/nll/?p=2462&#34;&gt;Five reasons to drink sake.&lt;/a&gt; E.g. “To refuse the future.” (&lt;a href=&#34;http://twitter.com/felixsalmon/status/18884949984&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Philadelphia Story</title>
    <link href="https://mlarson.org/2010/07/19/the-philadelphia-story-a-very-good-movie-hepburn/"/>
    <updated>2010-07-19T03:14:11.000Z</updated>
    <id>https://mlarson.org/2010/07/19/the-philadelphia-story-a-very-good-movie-hepburn/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5sbnn9z9o1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Philadelphia_Story_%28film%29&#34;&gt;The Philadelphia Story&lt;/a&gt;. A very good movie. Hepburn and Stewart and &lt;a href=&#34;http://en.wikipedia.org/wiki/Virginia_Weidler&#34;&gt;Weidler&lt;/a&gt; steal the show here. I still don’t understand the appeal of Cary Grant.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crystal Boyle — By Robert Boyle (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/07/18/crystal-boyle-by-robert-boyle-harpers/"/>
    <updated>2010-07-18T22:21:16.000Z</updated>
    <id>https://mlarson.org/2010/07/18/crystal-boyle-by-robert-boyle-harpers/</id>
    <content type="html">&lt;p&gt;This is so wonderful. We’re all living even further in the future than other people’s crazy dreams.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;From a wish list of scientific advancements compiled by chemist and inventor Robert Boyle, who in 1662 discovered that the pressure and volume of a gas are inversely proportional, a property now known as Boyle’s Law. The list, which dates from the 1660s, is on display this month at the Royal Society of London, as part of the institution’s 350th anniversary celebration.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The Prolongation of Life&lt;/li&gt;
&lt;li&gt;The Recovery of Youth, or at Least Some of the Marks of It, as New Teeth, New Hair Colour’d as in Youth&lt;/li&gt;
&lt;li&gt;The Art of Flying&lt;/li&gt;
&lt;li&gt;The Art of Continuing Long Under Water, and Exercising Functions Freely There&lt;/li&gt;
&lt;li&gt;The Cure of Wounds at a Distance&lt;/li&gt;
&lt;li&gt;The Cure of Diseases at a Distance or at Least by Transplantation&lt;/li&gt;
&lt;li&gt;The Attaining Gigantick Dimensions&lt;/li&gt;
&lt;li&gt;The Acceleration of the Production of Things out of Seed&lt;/li&gt;
&lt;li&gt;The Transmutation of Metalls&lt;/li&gt;
&lt;li&gt;The Making of Glass Malleable&lt;/li&gt;
&lt;li&gt;The Making Armor Light and Extremely Hard&lt;/li&gt;
&lt;li&gt;The Transmutation of Species in Mineralls, Animals, and Vegetables&lt;/li&gt;
&lt;li&gt;The Emulating of Fish Without Engines by Custome and Education Only&lt;/li&gt;
&lt;li&gt;The Practicable and Certain Way of Finding Longitudes&lt;/li&gt;
&lt;li&gt;The Use of Pendulums at Sea and in Journeys, and the Application of It to Watches&lt;/li&gt;
&lt;li&gt;A Ship to Saile with All Winds, and a Ship Not to Be Sunk&lt;/li&gt;
&lt;li&gt;Freedom from Necessity of Much Sleeping Exemplify’d by the Operations of Tea and What Happens in Mad-men&lt;/li&gt;
&lt;li&gt;Pleasing Dreams and Physicall Exercises Exemplify’d by the Egyptian Electuary and by the Fungus Mentioned by the French Author&lt;/li&gt;
&lt;li&gt;Great Strength and Agility of Body Exemplify’d by That of Frantick Epileptick and Hystericall Persons&lt;/li&gt;
&lt;li&gt;Varnishes Perfumable by Rubbing&lt;/li&gt;
&lt;li&gt;A Perpetuall Light&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2010/08/0083046&#34;&gt;Crystal Boyle — By Robert Boyle (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gran Torino</title>
    <link href="https://mlarson.org/2010/07/18/gran-torino-weaknesses-up-front-theres-some/"/>
    <updated>2010-07-18T14:38:50.000Z</updated>
    <id>https://mlarson.org/2010/07/18/gran-torino-weaknesses-up-front-theres-some/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5qe5dutbv1qzcye0o1_r2_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Gran_Torino_%28film%29&#34;&gt;Gran Torino&lt;/a&gt;. Weaknesses up front: there’s some lazy writing, some bad acting, and Eastwood’s estranged family seems excessively caricatured. BUT, I thought the overall story arc here (themes: growing old; American confronting the Other; reluctantly becoming a better person) was really interesting and I never thought of switching it off. It had some good food-for-thought staying power after it ended. And Clint Eastwood gets a co-writing credit for the &lt;a href=&#34;http://www.youtube.com/watch?v=MItMDkc343M&#34;&gt;movie’s theme song&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Tyranny of Things by Edward Sandford Martin - The Oxford Book of American Essays</title>
    <link href="https://mlarson.org/2010/07/16/the-tyranny-of-things-by-edward-sandford-martin/"/>
    <updated>2010-07-16T18:57:46.000Z</updated>
    <id>https://mlarson.org/2010/07/16/the-tyranny-of-things-by-edward-sandford-martin/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;[$10,000] wouldn’t go so far now, and yet most of the reasonable necessaries of life cost less to-day than they did two generations ago. The difference is that we need so very many comforts that were not invented in our grandfather’s time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is man’s peculiarity that nature has filled him with impulses to do things, and left it to his discretion when to stop. She never tells him when he has finished. And perhaps we ought not to be surprised that in so many cases it happens that he doesn’t know, but just goes ahead as long as the materials last.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bartleby.com/109/28.html&#34;&gt;The Tyranny of Things by Edward Sandford Martin - The Oxford Book of American Essays&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 16, 2010</title>
    <link href="https://mlarson.org/2010/07/16/bad-poets-just-bore-us-but-bad-critics-mislead/"/>
    <updated>2010-07-16T18:26:00.000Z</updated>
    <id>https://mlarson.org/2010/07/16/bad-poets-just-bore-us-but-bad-critics-mislead/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Bad poets just bore us, but bad critics mislead us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/TommyHowells&#34;&gt;Tommy Howells&lt;/a&gt;, a teacher at Whitman College from 1938 through 1987, &lt;a href=&#34;http://twitter.com/TommyHowells/status/17868046860&#34;&gt;on Twitter&lt;/a&gt;. I’ve been favoriting the crap out of that Twitter account, brought to my attention via &lt;a href=&#34;http://tumblr.austinkleon.com/post/820171292/5-recent-reads-with-austin-kleon-of-newspaper-blackout&#34;&gt;Austin&lt;/a&gt;’s &lt;a href=&#34;http://www.imposemagazine.com/bytes/5-best-recent-reads-with-austin-kleon-of-newspaper-blackout&#34;&gt;5 recent reads&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 15, 2010</title>
    <link href="https://mlarson.org/2010/07/15/slaughterhouse90210-flirting-is-a-womans/"/>
    <updated>2010-07-15T14:03:30.000Z</updated>
    <id>https://mlarson.org/2010/07/15/slaughterhouse90210-flirting-is-a-womans/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5jyvedlfz1qzy4ewo1_r1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://slaughterhouse90210.tumblr.com/post/811881625/flirting-is-a-womans-trade-one-must-keep-in&#34;&gt;slaughterhouse90210&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Flirting is a woman’s trade, one must keep in practice.”&lt;br&gt;
— Charlotte Brontë, &lt;em&gt;Jane Eyre&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’m 1/3 of the way into &lt;em&gt;Jane Eyre&lt;/em&gt; at the moment, and I’m pretty sure this is the mental image I’ll have from now on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>All Tarkovsky Films Now Free Online | Open Culture</title>
    <link href="https://mlarson.org/2010/07/14/all-tarkovsky-films-now-free-online-open-culture/"/>
    <updated>2010-07-14T16:18:02.000Z</updated>
    <id>https://mlarson.org/2010/07/14/all-tarkovsky-films-now-free-online-open-culture/</id>
    <content type="html">&lt;p&gt;Oh, holy cow. Awesome. I really liked &lt;a href=&#34;http://tumblr.mlarson.org/post/200698670/solaris-directed-by-andrei-tarkovsky-i-like-this&#34;&gt;Solaris&lt;/a&gt;. Can’t wait to explore the rest. (&lt;a href=&#34;http://kottke.org/10/07/tarkovsky-films-online-for-free-viewing&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.openculture.com/2010/07/tarkovksy.html&#34;&gt;All Tarkovsky Films Now Free Online | Open Culture&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In which I become old and sappy</title>
    <link href="https://mlarson.org/2010/07/13/20100713in-which-i-become-old-and-sappy/"/>
    <updated>2010-07-13T21:46:56.000Z</updated>
    <id>https://mlarson.org/2010/07/13/20100713in-which-i-become-old-and-sappy/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Berlin,_North_Dakota&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4027/4562277532_7600c62ca0.jpg&#34; alt=&#34;Berlin, North Dakota&#34;&gt;&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Berlin,_North_Dakota&#34;&gt;Berlin, North Dakota&lt;/a&gt;. A &lt;a href=&#34;http://maps.google.com/maps?q=Berlin,+North+Dakota&#34;&gt;Google Maps view&lt;/a&gt; of the small town where my father&#39;s father grew up, and where my grandfather&#39;s father is buried. I remember stopping by here on a family road trip out West a couple decades ago. I thought it was cool. Big land, big sky. And it was also awkward. The town had, as I recall, a population of 38 or so. Nothing happening. Dad was getting all sappy and wistful about this place, where he&#39;d never spent much time anyway. It was nice for a bit, seeing Grandpa&#39;s old stomping grounds, the school, the gym where he played basketball. But I eventually I got to thinking, come&#39;on, y&#39;know, let&#39;s get to the Tetons already. At least Mount Rushmore or something. This place is windy and tired. And now I&#39;ve gotten to an age where I want to go back and sort of wander around. Walk through some fields and daydream about where I came from and the generations that got me here.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A few weeks with my iPad</title>
    <link href="https://mlarson.org/2010/07/13/20100713a-few-weeks-with-my-ipad/"/>
    <updated>2010-07-13T21:43:29.000Z</updated>
    <id>https://mlarson.org/2010/07/13/20100713a-few-weeks-with-my-ipad/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4576211997/&#34; title=&#34;To fill the void in my soul, etc. by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4006/4576211997_0f24153563.jpg&#34; alt=&#34;To fill the void in my soul, etc.&#34;&gt;&lt;/a&gt; I wrote this a long time ago, it seems, and never got around to pushing the publish button. Just a few notes I typed while I was using it...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I can position it without worrying about how the page catches the light.&lt;/li&gt;
&lt;li&gt;Very bright. Usually use it at half-brightness or less.&lt;/li&gt;
&lt;li&gt;A pleasure to use at night with brightness dimmed, especially in reverse light-on-dark text.&lt;/li&gt;
&lt;li&gt;Super-awesome to eat with -- no smoothing or holding pages, etc. It just sits there giving me text.&lt;/li&gt;
&lt;li&gt;I use my iMac less often, which also means I&#39;ve been listening to music much less than before.&lt;/li&gt;
&lt;li&gt;RSS browsing is more difficult. It&#39;s not great with Google Reader. The upside is that I&#39;m more picky about what I open and send to &lt;a href=&#34;http://www.instapaper.com/&#34;&gt;Instapaper&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Speaking of which, Instapaper so completely rules. Indispensable.&lt;/li&gt;
&lt;li&gt;Best travel device ever?&lt;/li&gt;
&lt;li&gt;Typing is much easier than I expected, especially with the autofix in place.&lt;/li&gt;
&lt;li&gt;I love being able to email myself my notes really easily. I should have been doing this all along.&lt;/li&gt;
&lt;li&gt;It&#39;s also great for work stuff because it&#39;s a reliable backstop that I *want* to use, unlike the craptop I was assigned.&lt;/li&gt;
&lt;li&gt;It&#39;s not a fixture or a centerpiece. Enter the room and it&#39;s just lying in there with the pile of books or lost in the blankets somewhere. No biggie, very low impact on the surroundings. It doesn&#39;t take over a space like computer or a TV does.&lt;/li&gt;
&lt;li&gt;Everything is a hot zone. I wish there were a way to desensitize it sometimes.&lt;/li&gt;
&lt;li&gt;The iPad has near-silent operation. This is a HUGE plus for me. No fans, no drives spinning. No clicking mouse. No mechanical tap tappity tappa on the keyboard. No paper rustling. This is a very peaceful experience.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I liked these three articles related to the iPad:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.marco.org/608396721&#34;&gt;The iPad doesn’t need to do everything&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.alistapart.com/articles/habit-fields/&#34;&gt;Habit Fields&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://mattgemmell.com/2010/04/26/creative-space-and-ipad&#34;&gt;Creative Space and iPad&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>The Happiness Hypothesis (review: 5/5)</title>
    <link href="https://mlarson.org/2010/07/13/20100713the-happiness-hypothesis-review-55/"/>
    <updated>2010-07-13T21:36:23.000Z</updated>
    <id>https://mlarson.org/2010/07/13/20100713the-happiness-hypothesis-review-55/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4742590475/&#34; title=&#34;The Happiness Hypothesis by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4138/4742590475_21c5bb1306.jpg&#34; alt=&#34;The Happiness Hypothesis&#34;&gt;&lt;/a&gt; Awesome book. I thank &lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/04/best-uses-of-my-time-this-week.html&#34;&gt;Justin&lt;/a&gt; for the recommendation. What you have in &lt;a href=&#34;http://www.amazon.com/dp/0465028020&#34;&gt;The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom&lt;/a&gt; is a perfect balance between nerdy science/philosophy and distilled layman&#39;s explanations. Jonathan Haidt is so efficient with this book. It&#39;s an impressive balance of general theory and immediately useful information. Below lie a bunch of quotes or scraps I found particularly worthwhile. You can find a lot more in &lt;a href=&#34;http://sivers.org/book/HappinessHypothesis&#34;&gt;Derek Sivers&#39; notes for the book&lt;/a&gt;, which I recommend very much for a solid overview. Read this book, y&#39;all. ---&lt;/p&gt;
&lt;p&gt;Scandal is great entertainment because it allows people to feel contempt, a moral emotion that gives feelings of moral superiority while asking nothing in return. With contempt you don&#39;t need to right the wrong (as with anger) or flee the scene (as with fear or disgust). And best of all, contempt is made to share. Stories about the moral failings of others are among the most common kinds of gossip.&lt;/p&gt;
&lt;p&gt;Set for yourself any goal you want. Most of the pleasure will be had along the way, with every step that takes you closer. The final moment of success is often no more thrilling than the relief of taking off a heavy backpack at the end of a long hike. If you went on the hike only to feel that pleasure, you are a fool.***&lt;/p&gt;
&lt;p&gt;&amp;quot;Things won are done; joy&#39;s soul lies in the doing.&amp;quot; -Shakespeare&lt;/p&gt;
&lt;p&gt;The human mind is extraordinarily sensitive to &lt;em&gt;changes&lt;/em&gt; in conditions, but not so sensitive to absolute levels.&lt;/p&gt;
&lt;p&gt;Conditions include facts about your life that you can&#39;t change (race, sex, age, disability) as well as things that you can (wealth, marital status, where you live). Conditions are constant over time, at least during a period in your life, and so they are the sorts of things that you are likely to adapt to. Voluntary activities, on the other hand, are the things that you choose to do, such as meditation, exercise, learning a new skill, or taking a vacation. Because such activities must be chosen, and because most of them take effort and attention, they can&#39;t just disappear from your awareness the way conditions can. Voluntary activities, therefore, offer much greater promise for increasing happiness while avoiding adaptation effects.&lt;/p&gt;
&lt;p&gt;&amp;quot;Happiness formula&amp;quot;: H = S + C + V (set point, conditions, voluntary activities)&lt;/p&gt;
&lt;p&gt;External conditions with significant impact on your happiness, that you can never fully adapt to: Noise. Commuting. Lack of control. Shame. Interpersonal conflict.&lt;/p&gt;
&lt;p&gt;Variety is the spice of life because it is the natural enemy of adaptation.&lt;/p&gt;
&lt;p&gt;The extensive regulation of sex in many cultures, the attempt to link love to God and then to cut away the sex, is part of an elaborate defense against the gnawing fear of mortality.&lt;/p&gt;
&lt;p&gt;Our life is the creation of our minds, and we do much of that creating with metaphor. We see new things in terms of things we already understand: Life is a journey, an argument is a war, the mind is a rider on an elephant. With the wrong metaphor we are deluded; with no metaphor we are blind.&lt;/p&gt;
&lt;p&gt;Religious experiences are real and common, whether or not God exists, and these experiences often make people feel whole and at peace.&lt;/p&gt;
&lt;p&gt;Life is much like a movie we walk into well after its opening scene, and we will have to step out long before most of the story lines reach their conclusions.&lt;/p&gt;
&lt;p&gt;--- ***This reminds me of &lt;a href=&#34;http://cwillett.imathas.com/cdt/leg2.html&#34;&gt;one of Chris Willett&#39;s rules for long-distance hiking&lt;/a&gt;. #1: If you&#39;re not enjoying yourself, you&#39;re doing something wrong. [I construe broadly the term &amp;quot;enjoying&amp;quot; here]. To round out the list, Rule #2: Never leave good trail for bad. Rule #3: Only a great fool leaves a dry place.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Death is Not the End - David Foster Wallace: His Legacy and his Critics - The Point Magazine</title>
    <link href="https://mlarson.org/2010/07/13/death-is-not-the-end-david-foster-wallace-his/"/>
    <updated>2010-07-13T02:24:00.000Z</updated>
    <id>https://mlarson.org/2010/07/13/death-is-not-the-end-david-foster-wallace-his/</id>
    <content type="html">&lt;p&gt;Man, &lt;em&gt;The Point&lt;/em&gt; seems like a fantastic magazine (&lt;a href=&#34;http://tumblr.mlarson.org/post/794146884/love-in-the-age-of-the-pickup-artist-stendhal-among&#34;&gt;see also&lt;/a&gt;). This is one of the better DFW appreciations I’ve read, looking past the form and into the function, his mission, if we may call it that. Special focus is given to &lt;a href=&#34;http://machines.pomona.edu/dfwwiki/index.php/E_Unibus_Pluram:_Television_and_U.S._Fiction&#34;&gt;E Unibus Pluram&lt;/a&gt; and &lt;em&gt;Infinite Jest&lt;/em&gt;. It’s one of those articles that makes me want to read more. Great, great stuff.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thepointmag.com/archive/death-is-not-the-end/&#34;&gt;Death is Not the End - David Foster Wallace: His Legacy and his Critics - The Point Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 10, 2010</title>
    <link href="https://mlarson.org/2010/07/10/stendhals-depiction-of-crystallization-in-the/"/>
    <updated>2010-07-10T16:25:06.000Z</updated>
    <id>https://mlarson.org/2010/07/10/stendhals-depiction-of-crystallization-in-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l5co9umqgp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Crystallization_%28love%29&#34;&gt;Stendhal’s depiction of “crystallization” in the process of falling in love&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 10, 2010</title>
    <link href="https://mlarson.org/2010/07/10/glances-are-the-big-guns-of-the-virtuous-coquette/"/>
    <updated>2010-07-10T16:20:14.000Z</updated>
    <id>https://mlarson.org/2010/07/10/glances-are-the-big-guns-of-the-virtuous-coquette/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Glances are the big guns of the virtuous coquette; everything can be conveyed in a look, and yet that look can always be denied, because it cannot be quoted word for word.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Stendhal&#34;&gt;Stendhal&lt;/a&gt; in his book, &lt;em&gt;On Love&lt;/em&gt;. &lt;a href=&#34;http://www.thepointmag.com/archive/love-in-the-age-of-the-pickup-artist/&#34;&gt;Love in the Age of the Pickup Artist: Stendhal Among the Seducers - The Point Magazine&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Love in the Age of the Pickup Artist: Stendhal Among the Seducers - The Point Magazine</title>
    <link href="https://mlarson.org/2010/07/10/love-in-the-age-of-the-pickup-artist-stendhal/"/>
    <updated>2010-07-10T16:15:59.000Z</updated>
    <id>https://mlarson.org/2010/07/10/love-in-the-age-of-the-pickup-artist-stendhal/</id>
    <content type="html">&lt;p&gt;One of the best things I’ve read this summer. Great writing. Well worth the time. (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/07/assorted-links-7.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The essence of passionate love, what grants it the nobility that the others do not possess, is what Stendhal calls crystallization. Just as the naked branch of a tree will gather diamond-like crystals if it is dropped into a salt mine, a lover will gather perfections about the crooked timber of his beloved.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thepointmag.com/archive/love-in-the-age-of-the-pickup-artist/&#34;&gt;Love in the Age of the Pickup Artist: Stendhal Among the Seducers - The Point Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Wrong Stuff: On Air and On Error: This American Life&#39;s Ira Glass on Being Wrong</title>
    <link href="https://mlarson.org/2010/07/10/the-wrong-stuff-on-air-and-on-error-this/"/>
    <updated>2010-07-10T16:11:00.000Z</updated>
    <id>https://mlarson.org/2010/07/10/the-wrong-stuff-on-air-and-on-error-this/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It kind of gives you hope. If you do creative work, there’s a sense that inspiration is this fairy dust that gets dropped on you, when in fact you can just manufacture inspiration through sheer brute force. You can simply produce enough material that the thing will arrive that seems inspired.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/blogs/blogs/thewrongstuff/archive/2010/06/07/on-air-and-on-error-this-american-life-s-ira-glass-on-being-wrong.aspx&#34;&gt;The Wrong Stuff: On Air and On Error: This American Life&#39;s Ira Glass on Being Wrong&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 8, 2010</title>
    <link href="https://mlarson.org/2010/07/08/the-2010-failed-states-index-see-also-foreign/"/>
    <updated>2010-07-08T15:12:00.000Z</updated>
    <id>https://mlarson.org/2010/07/08/the-2010-failed-states-index-see-also-foreign/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l58vl16sfg1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.fundforpeace.org/web/index.php?option=com_content&amp;amp;task=view&amp;amp;id=452&amp;amp;Itemid=900&#34;&gt;The 2010 Failed States Index&lt;/a&gt;. See also &lt;a href=&#34;http://www.foreignpolicy.com/articles/2010/06/21/2010_failed_states_index_interactive_map_and_rankings&#34;&gt;Foreign Policy magazine&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fallacy Of Success - G. K. Chesterton</title>
    <link href="https://mlarson.org/2010/07/08/the-fallacy-of-success-g-k-chesterton/"/>
    <updated>2010-07-08T14:14:00.000Z</updated>
    <id>https://mlarson.org/2010/07/08/the-fallacy-of-success-g-k-chesterton/</id>
    <content type="html">&lt;p&gt;More specifially, on books about “how to succeed”:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is perfectly obvious that in any decent occupation (such as bricklaying or writing books) there are only two ways (in any special sense) of succeeding. One is by doing very good work, the other is by cheating. Both are much too simple to require any literary explanation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.readbookonline.net/readOnLine/20635/&#34;&gt;The Fallacy Of Success - G. K. Chesterton&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On The Art Of Fiction - Willa Cather</title>
    <link href="https://mlarson.org/2010/07/08/on-the-art-of-fiction-willa-cather/"/>
    <updated>2010-07-08T14:12:13.000Z</updated>
    <id>https://mlarson.org/2010/07/08/on-the-art-of-fiction-willa-cather/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Any first rate novel or story must have in it the strength of a dozen fairly good stories that have been sacrificed to it. A good workman can’t be a cheap workman; he can’t be stingy about wasting material, and he cannot compromise.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.readbookonline.net/readOnLine/8901/&#34;&gt;On The Art Of Fiction - Willa Cather&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>mr youse needn&#39;t be so spry by Edward Estlin Cummings</title>
    <link href="https://mlarson.org/2010/07/08/mr-youse-neednt-be-so-spry-by-edward-estlin/"/>
    <updated>2010-07-08T13:47:05.000Z</updated>
    <id>https://mlarson.org/2010/07/08/mr-youse-neednt-be-so-spry-by-edward-estlin/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;mr youse needn’t be so spry&lt;br&gt;
concernin questions arty&lt;/p&gt;
&lt;p&gt;each has his tastes but as for i&lt;br&gt;
i likes a certain party&lt;/p&gt;
&lt;p&gt;gimme the he-man’s solid bliss&lt;br&gt;
for youse ideas i’ll match youse&lt;/p&gt;
&lt;p&gt;a pretty girl who naked is&lt;br&gt;
is worth a million statues&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://twitter.com/ebertchicago/status/18006672013&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://www.poemhunter.com/poem/mr-youse-needn-t-be-so-spry/&#34;&gt;mr youse needn&#39;t be so spry by Edward Estlin Cummings&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 6, 2010</title>
    <link href="https://mlarson.org/2010/07/06/it-is-pleasant-to-observe-how-free-the-present-age/"/>
    <updated>2010-07-06T01:01:46.000Z</updated>
    <id>https://mlarson.org/2010/07/06/it-is-pleasant-to-observe-how-free-the-present-age/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It is pleasant to observe how free the present age is in laying taxes on the next. FUTURE AGES SHALL TALK OF THIS; THIS SHALL BE FAMOUS TO ALL POSTERITY. Whereas their time and thoughts will be taken up about present things, as ours are now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.readbookonline.net/readOnLine/3366/&#34;&gt;Jonathan Swift - Thoughts on various subjects&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Books Which Have Influenced Me - Robert Louis Stevenson</title>
    <link href="https://mlarson.org/2010/07/06/books-which-have-influenced-me-robert-louis/"/>
    <updated>2010-07-06T00:55:06.000Z</updated>
    <id>https://mlarson.org/2010/07/06/books-which-have-influenced-me-robert-louis/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The most influential books, and the truest in their influence, are works of fiction. They do not pin the reader to a dogma, which he must afterwards discover to be inexact; they do not teach him a lesson, which he must afterwards unlearn. They repeat, they rearrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, not as we can see it for ourselves, but with a singular change—that monstrous, consuming ego of ours being, for the nonce, struck out.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.readbookonline.net/readOnLine/8028/&#34;&gt;Books Which Have Influenced Me - Robert Louis Stevenson&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Wrong Stuff : Hoodoos, Hedge Funds, and Alibis: Victor Niederhoffer on Being Wrong</title>
    <link href="https://mlarson.org/2010/07/05/the-wrong-stuff-hoodoos-hedge-funds-and/"/>
    <updated>2010-07-05T15:25:00.000Z</updated>
    <id>https://mlarson.org/2010/07/05/the-wrong-stuff-hoodoos-hedge-funds-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s terrible to be a bad loser. I like Soros’s proverb that you should never marry a woman you wouldn’t want to divorce.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://slate.com/blogs/blogs/thewrongstuff/archive/2010/06/21/hoodoos-hedge-funds-and-alibis-victor-niederhoffer-on-being-wrong.aspx&#34;&gt;The Wrong Stuff : Hoodoos, Hedge Funds, and Alibis: Victor Niederhoffer on Being Wrong&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bill Simmons: World Cup&#39;s 20 questions - ESPN</title>
    <link href="https://mlarson.org/2010/07/05/bill-simmons-world-cups-20-questions-espn/"/>
    <updated>2010-07-05T15:24:37.000Z</updated>
    <id>https://mlarson.org/2010/07/05/bill-simmons-world-cups-20-questions-espn/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I love the Cup because it stripped away all the things about professional sports that I’ve come to despise. No sideline reporters. No JumboTron. No TV timeouts. No onslaught of replays after every half-decent play. No gimmicky team names like the “Heat” or the “Thunder.” (You know what the announcers call Germany? The Germans. I love this.) No announcers breathlessly overhyping everything or saying crazy things to get noticed. We don’t have to watch 82 mostly half-assed games to get to the playoffs. We don’t have 10 graphics on the screen at all times. We don’t have to sit there for four hours waiting for a winner because pitchers are taking 25 seconds to deliver a baseball.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://sports.espn.go.com/espn/page2/story?page=simmons/100701&#34;&gt;Bill Simmons: World Cup&#39;s 20 questions - ESPN&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 4, 2010</title>
    <link href="https://mlarson.org/2010/07/04/hugh-mortons-famous-image-of-johnny-cash-holding/"/>
    <updated>2010-07-04T16:35:00.000Z</updated>
    <id>https://mlarson.org/2010/07/04/hugh-mortons-famous-image-of-johnny-cash-holding/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l51krr2cnw1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;“Hugh Morton’s famous image of Johnny Cash holding aloft a tattered American flag. –NC, 1974.” &lt;a href=&#34;http://theselvedgeyard.wordpress.com/2010/07/04/happy-birthday-america-god-bless-johnny-cash/&#34;&gt;HAPPY BIRTHDAY, AMERICA &amp;amp; GOD BLESS JOHNNY CASH « The Selvedge Yard&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ben Casnocha: The Blog: How to Get Hired</title>
    <link href="https://mlarson.org/2010/07/02/ben-casnocha-the-blog-how-to-get-hired/"/>
    <updated>2010-07-02T15:28:47.000Z</updated>
    <id>https://mlarson.org/2010/07/02/ben-casnocha-the-blog-how-to-get-hired/</id>
    <content type="html">&lt;p&gt;Ben Casnocha infers two myths from Derek Sivers’ &lt;a href=&#34;http://sivers.org/gethired&#34;&gt;How to Get Hired&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The first is that we all have one or two things we are destined to do. In fact, I think you can become good (and thus) really interested in a range of things. The second is that the way to find what you “really want to do” is through inspection and reflection. In fact, introspection seems never to bear the fruit you’re promised; personal discoveries and self-knowledge seem sooner found via experiments and activity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://ben.casnocha.com/2010/07/how-to-get-hired.html&#34;&gt;Ben Casnocha: The Blog: How to Get Hired&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 1, 2010</title>
    <link href="https://mlarson.org/2010/07/01/because-growth-curves-are-asymptotic-i-am/"/>
    <updated>2010-07-01T15:36:00.000Z</updated>
    <id>https://mlarson.org/2010/07/01/because-growth-curves-are-asymptotic-i-am/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Because growth curves are asymptotic, I am convinced it is better to get pretty good at a lot of things rather than investing your scarce time in becoming marginally better at a couple of things.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/06/squibs_27.html&#34;&gt;Wehr in the World: Squibs&lt;/a&gt;. It may also be easier/more efficient to &lt;em&gt;maintain&lt;/em&gt; a state of pretty-goodness than a state of mastery.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 1, 2010</title>
    <link href="https://mlarson.org/2010/07/01/this-is-a-surprisingly-great-interview-with-jason/"/>
    <updated>2010-07-01T15:34:32.000Z</updated>
    <id>https://mlarson.org/2010/07/01/this-is-a-surprisingly-great-interview-with-jason/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l4lbtso1zn1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;This is a surprisingly great interview with Jason Segel (&lt;a href=&#34;http://tumblr.austinkleon.com/post/735913025&#34;&gt;via Austin&lt;/a&gt;). My favorite bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I had two friends in high school who sort of showed me how a piano works. And I just spent two years being terrible at it until I was good at it. That’s just me. There’s no way I’m actually intrinsically talented at writing, acting, playing music, puppeteering. It’s that I’m willing to be shit at them for a while, until I’m good at them.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 1, 2010</title>
    <link href="https://mlarson.org/2010/07/01/101-fast-recipes-for-grilling-note-to-self/"/>
    <updated>2010-07-01T14:13:24.000Z</updated>
    <id>https://mlarson.org/2010/07/01/101-fast-recipes-for-grilling-note-to-self/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/07/tumblr_l4vu6c7u1p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/06/30/dining/30mini.html?pagewanted=all&#34;&gt;101 Fast Recipes for Grilling&lt;/a&gt;. Note to self.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2010</title>
    <link href="https://mlarson.org/2010/06/30/willie-snoop/"/>
    <updated>2010-06-30T14:37:23.000Z</updated>
    <id>https://mlarson.org/2010/06/30/willie-snoop/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l4u0mc3fl61qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://twitpic.com/209hvf&#34;&gt;Willie &amp;amp; Snoop&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>DOCUMERICA Project by the Environmental Protection Agency</title>
    <link href="https://mlarson.org/2010/06/29/documerica-project-by-the-environmental-protection/"/>
    <updated>2010-06-29T17:55:25.000Z</updated>
    <id>https://mlarson.org/2010/06/29/documerica-project-by-the-environmental-protection/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;For the Documerica Project (1971-1977), the Environmental Protection Agency (EPA) hired freelance photographers to capture images relating to environmental problems, EPA activities, and everyday life in the 1970s.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/usnationalarchives/collections/72157620729903309/&#34;&gt;DOCUMERICA Project by the Environmental Protection Agency&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Reflexiones del Comandante en Jefe</title>
    <link href="https://mlarson.org/2010/06/29/reflexiones-del-comandante-en-jefe/"/>
    <updated>2010-06-29T14:24:00.000Z</updated>
    <id>https://mlarson.org/2010/06/29/reflexiones-del-comandante-en-jefe/</id>
    <content type="html">&lt;p&gt;Fidel Castro has a blog, apparently. Recent posts focus on the World Cup and the coming nuclear war.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.cuba.cu/gobierno/reflexiones/reflexiones.html&#34;&gt;Reflexiones del Comandante en Jefe&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 29, 2010</title>
    <link href="https://mlarson.org/2010/06/29/insooutso-dad-life/"/>
    <updated>2010-06-29T13:47:52.000Z</updated>
    <id>https://mlarson.org/2010/06/29/insooutso-dad-life/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/12714406&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://insooutso.tumblr.com/post/746791193/dad-life-congrats-jim-kubicek&#34;&gt;insooutso&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/12714406&#34;&gt;Dad Life&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 28, 2010</title>
    <link href="https://mlarson.org/2010/06/28/a-modular-bike-for-gettin-groceries-it/"/>
    <updated>2010-06-28T14:52:16.000Z</updated>
    <id>https://mlarson.org/2010/06/28/a-modular-bike-for-gettin-groceries-it/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l4qbz5t7el1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A modular bike for gettin’ groceries. It reattaches to the seat/rear wheel when you hit the road again. &lt;a href=&#34;http://fixedgeargallery.com/contest/grocerygetter/DavidMahan.htm&#34;&gt;Fixed Gear Gallery :: Grogery Getter Contest Submission.&lt;/a&gt; (&lt;a href=&#34;http://twitter.com/bigskyry/status/17230036620&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The War on Mediocrity - Meta-MetaFiltered wisdom</title>
    <link href="https://mlarson.org/2010/06/28/the-war-on-mediocrity-meta-metafiltered-wisdom/"/>
    <updated>2010-06-28T14:28:31.000Z</updated>
    <id>https://mlarson.org/2010/06/28/the-war-on-mediocrity-meta-metafiltered-wisdom/</id>
    <content type="html">&lt;p&gt;A digest of advice from the masses.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.livejournal.com/389211.html&#34;&gt;The War on Mediocrity - Meta-MetaFiltered wisdom&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What&#39;s the relationship between money, ambition, and happiness? - Barking up the wrong tree</title>
    <link href="https://mlarson.org/2010/06/28/whats-the-relationship-between-money-ambition/"/>
    <updated>2010-06-28T14:10:00.000Z</updated>
    <id>https://mlarson.org/2010/06/28/whats-the-relationship-between-money-ambition/</id>
    <content type="html">&lt;p&gt;Peers have an effect on your own ambition. More money acquired → more happiness. More money desired → less happiness. I like Eric Barker’s 3-point takeaway near the end, too.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bakadesuyo.com/whats-the-relationship-between-money-ambition&#34;&gt;What&#39;s the relationship between money, ambition, and happiness? - Barking up the wrong tree&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 28, 2010</title>
    <link href="https://mlarson.org/2010/06/28/its-fine-to-go-through-life-happy-in-other/"/>
    <updated>2010-06-28T00:09:35.000Z</updated>
    <id>https://mlarson.org/2010/06/28/its-fine-to-go-through-life-happy-in-other/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s fine to go through life happy, in other words, but I suspect we also want to go through life without becoming big fat self-absorbed jackasses. Children really help in that regard.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/national/archive/2010/06/the-case-against-happiness/58719/&#34;&gt;The Case Against Happiness - National - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 25, 2010</title>
    <link href="https://mlarson.org/2010/06/25/the-worlds-reaction-to-landon-donovans-game/"/>
    <updated>2010-06-25T16:31:38.000Z</updated>
    <id>https://mlarson.org/2010/06/25/the-worlds-reaction-to-landon-donovans-game/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/jbn3rOPmR9w&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=jbn3rOPmR9w&#34;&gt;The World’s Reaction to Landon Donovan’s Game Winning Goal&lt;/a&gt;. Awesome. That was such a good moment. Goosebumps over and over.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The best vacation ever - The Boston Globe</title>
    <link href="https://mlarson.org/2010/06/23/the-best-vacation-ever-the-boston-globe/"/>
    <updated>2010-06-23T14:47:44.000Z</updated>
    <id>https://mlarson.org/2010/06/23/the-best-vacation-ever-the-boston-globe/</id>
    <content type="html">&lt;p&gt;Lots of good ideas here. Positive psychology seems cooler and cooler every day.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How long we take off probably counts for less than we think, and in the aggregate, taking more short trips leaves us happier than taking a few long ones. We’re often happier planning a trip than actually taking it. And interrupting a vacation — far from being a nuisance — can make us enjoy it more. How a trip ends matters more than how it begins, who you’re with matters as much as where you go, and if you want to remember a vacation vividly, do something during it that you’ve never done before. And though it may feel unnecessary, it’s important to force yourself to actually take the time off in the first place — people, it turns out, are as prone to procrastinate when it comes to pleasurable things like vacations as unpleasant ones like paperwork and visits to the dentist.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.boston.com/bostonglobe/ideas/articles/2010/06/20/the_best_vacation_ever/?page=full&#34;&gt;The best vacation ever - The Boston Globe&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 23, 2010</title>
    <link href="https://mlarson.org/2010/06/23/austinkleon-lonesome-dove-map-here-is-portion/"/>
    <updated>2010-06-23T13:29:58.000Z</updated>
    <id>https://mlarson.org/2010/06/23/austinkleon-lonesome-dove-map-here-is-portion/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l4g2zkfuo21qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/727420436/lonesome-dove-map-here-is-portion-of-a-very-cool&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theillustratedprofessor.com/?p=1379&#34;&gt;Lonesome Dove Map&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here is portion of a very cool map of the path of the main characters in Larry McMurtry’s Lonesome Dove. It’s in &lt;a href=&#34;http://www.texasmonthly.com/2010-07-01/index.php&#34;&gt;the July 2010 edition of Texas Monthly magazine&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;One of my favorite books ever. Usually my first recommendation for people looking for something, anything to read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 23, 2010</title>
    <link href="https://mlarson.org/2010/06/23/the-circle-of-life-southern-style-creative/"/>
    <updated>2010-06-23T01:21:00.000Z</updated>
    <id>https://mlarson.org/2010/06/23/the-circle-of-life-southern-style-creative/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l4g14ej0ru1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://clatl.com/freshloaf/archives/2010/06/22/the-circle-of-life-southern-style&#34;&gt;The circle of life, Southern-style! | Creative Loafing Atlanta&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 22, 2010</title>
    <link href="https://mlarson.org/2010/06/22/the-first-strong-external-revelation-of-the-dry/"/>
    <updated>2010-06-22T23:23:46.000Z</updated>
    <id>https://mlarson.org/2010/06/22/the-first-strong-external-revelation-of-the-dry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The first strong external revelation of the Dry Rot in men, is a tendency to lurk and lounge; to be at street-corners without intelligible reason; to be going anywhere when met; to be about many places rather than at any; to do nothing tangible, but to have an intention of performing a variety of intangible duties to-morrow or the day after.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.readbookonline.net/readOnLine/47773/&#34;&gt;Charles Dickens in his essay, “Night Walks”&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Night Walks&#34; by Charles Dickens</title>
    <link href="https://mlarson.org/2010/06/22/night-walks-by-charles-dickens/"/>
    <updated>2010-06-22T23:19:00.000Z</updated>
    <id>https://mlarson.org/2010/06/22/night-walks-by-charles-dickens/</id>
    <content type="html">&lt;p&gt;For a while there, Charles Dickens was suffering from insomnia, so he took up walking “houseless” around London until the sun came up. A great portrait of a city and state of mind:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The restlessness of a great city, and the way in which it tumbles and tosses before it can get to sleep, formed one of the first entertainments offered to the contemplation of us houseless people. It lasted about two hours. We lost a great deal of companionship when the late public-houses turned their lamps out, and when the potmen thrust the last brawling drunkards into the street; but stray vehicles and stray people were left us, after that. If we were very lucky, a policeman’s rattle sprang and a fray turned up; but, in general, surprisingly little of this diversion was provided. […]&lt;/p&gt;
&lt;p&gt;At length these flickering sparks would die away, worn out–the last veritable sparks of waking life trailed from some late pieman or hot-potato man–and London would sink to rest. And then the yearning of the houseless mind would be for any sign of company, any lighted place, any movement, anything suggestive of any one being up–nay, even so much as awake, for the houseless eye looked out for lights in windows.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.readbookonline.net/readOnLine/47773/&#34;&gt;&amp;quot;Night Walks&amp;quot; by Charles Dickens&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>To Invigorate Literary Mind, Start Moving Literary Feet</title>
    <link href="https://mlarson.org/2010/06/22/to-invigorate-literary-mind-start-moving-literary/"/>
    <updated>2010-06-22T21:17:00.000Z</updated>
    <id>https://mlarson.org/2010/06/22/to-invigorate-literary-mind-start-moving-literary/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Through childhood I hiked, roamed, tirelessly explored the countryside: neighboring farms, a treasure trove of old barns, abandoned houses and forbidden properties of all kinds, some of them presumably dangerous, like cisterns and wells covered with loose boards.&lt;/p&gt;
&lt;p&gt;These activities are intimately bound up with storytelling, for always there’s a ghost-self, a “fictitious” self, in such settings. For this reason I believe that any form of art is a species of exploration and transgression.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/library/books/071999oates-writing.html&#34;&gt;To Invigorate Literary Mind, Start Moving Literary Feet&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interview with Joyce Carol Oates | Arch Literary Journal</title>
    <link href="https://mlarson.org/2010/06/22/interview-with-joyce-carol-oates-arch-literary/"/>
    <updated>2010-06-22T21:12:26.000Z</updated>
    <id>https://mlarson.org/2010/06/22/interview-with-joyce-carol-oates-arch-literary/</id>
    <content type="html">&lt;p&gt;Who knew Joyce Carol Oates was a runner? On how running and dreaming are alike:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I think that when we’re stationary, we have a somewhat thickened sense of the ego or the “I,” and we’re just sort of self-conscious and aware of ourselves. But when we’re in motion, or when we’re in a dream, the “I” entity starts to dissolve. Some people, including myself, and possibly you, are capable of having dreams in which your own personality is really almost dissolved. You know, way, way down in the depths of the ocean there are creatures that are transparent. They’re like jellyfish, a lot of very transparent creatures. And I was thinking it’s almost analogous to the human experience of sleep, where when you’re really, really deep into sleep, your own physical self is often not even there. It’s like you’re transparent. And, it may be a process that we just will never understand, descending somehow deep into the primitive brain - like the brain almost at the brain stem - and away from the consciousness. And, somehow running replicates that, I think. I would think that if you were running very fast, if you were in an instinctive situation where you were terrified - say you were being pursued, and your life was in danger - you would be flooded with adrenaline. I would think probably the “I” or ego was almost gone, that you’re just running like a physical entity, the way a soldier might just start [running], or a boxer, or someone like that. But when you’re writing, there’s … as I say, we have this more thickened or more solid sense of the self, because it’s usually in some stationary situation with social definitions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://archjournal.wustl.edu/node/32&#34;&gt;Interview with Joyce Carol Oates | Arch Literary Journal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2010</title>
    <link href="https://mlarson.org/2010/06/21/afghanistan-through-teenagers-eyes-foreign/"/>
    <updated>2010-06-21T23:42:17.000Z</updated>
    <id>https://mlarson.org/2010/06/21/afghanistan-through-teenagers-eyes-foreign/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l4e1uieaqh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.foreignpolicy.com/articles/2010/06/16/afghanistan_through_teenagers_eyes?page=full&#34;&gt;Afghanistan Through Teenagers’ Eyes | Foreign Policy&lt;/a&gt;. “Last year, a group of teenagers at Afghanistan’s Marefat School were given cameras as part of a photography project with teens at Philadelphia’s Constitution High School. The students snapped away, and what emerged from the Afghan side were images of culture, friends, and daily life.” (&lt;a href=&#34;http://www.linkbanana.com/2010/06/18/the-afghanistan-we-dont-see/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kids Think Food Tastes Better From Cartoon-Decorated Packages</title>
    <link href="https://mlarson.org/2010/06/21/kids-think-food-tastes-better-from/"/>
    <updated>2010-06-21T20:53:53.000Z</updated>
    <id>https://mlarson.org/2010/06/21/kids-think-food-tastes-better-from/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://clatl.com/omnivore/archives/2010/06/21/monday-food-links&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://abcnews.go.com/Health/WellnessNews/kids-food-tastes-cartoon-decorated-packages-study-finds/story?id=10957148&#34;&gt;Kids Think Food Tastes Better From Cartoon-Decorated Packages&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Berlin is ugly</title>
    <link href="https://mlarson.org/2010/06/21/marginal-revolution-berlin-is-ugly/"/>
    <updated>2010-06-21T18:47:14.000Z</updated>
    <id>https://mlarson.org/2010/06/21/marginal-revolution-berlin-is-ugly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I like that it’s ugly, because it keeps the city empty and cheap and it keeps away the non-serious. There are not many (any?) splashy major sights. Even the Wall is mostly gone. The way to see and experience Berlin is to do things. The ugliness selects for people who want to enjoy the city’s musical, theatrical, museum, and literary treasures.&lt;/p&gt;
&lt;p&gt;Berlin is evidence that most tourists don’t actually care so much about history, culture, and museums, as it is not for most people a major tourist destination, despite having world-class offerings in each of those areas. Mostly tourists like large, visually spectacular sites, or family activities, combined with the feeling that they are taking in culture or seeing something important.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/06/berlin-is-ugly.html&#34;&gt;Marginal Revolution: Berlin is ugly&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2010</title>
    <link href="https://mlarson.org/2010/06/21/the-hubbert-peak-theory-of-rock-or-why-were-all/"/>
    <updated>2010-06-21T14:04:11.000Z</updated>
    <id>https://mlarson.org/2010/06/21/the-hubbert-peak-theory-of-rock-or-why-were-all/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l4db307ypk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.overthinkingit.com/2008/09/23/the-hubbert-peak-theory-of-rock-or-why-were-all-out-of-good-songs/&#34;&gt;The Hubbert Peak Theory of Rock, or, Why We’re All Out of Good Songs | Overthinking It&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2010</title>
    <link href="https://mlarson.org/2010/06/21/stay-focused-and-stay-away-from-unknown-females/"/>
    <updated>2010-06-21T13:27:38.000Z</updated>
    <id>https://mlarson.org/2010/06/21/stay-focused-and-stay-away-from-unknown-females/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Stay focused, and stay away from unknown females.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Wisdom from Ron Artest, profiled in &lt;a href=&#34;http://www.sbnation.com/2010/6/18/1524227/say-queensbridge-ron-artest-nba-champion-it-all-makes-sense-now&#34;&gt;Say Queensbridge: Ron Artest Is An NBA Champion, And It All Makes Sense Now&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 19, 2010</title>
    <link href="https://mlarson.org/2010/06/19/the-purpose-is-to-give-yourself-an-opportunity-to/"/>
    <updated>2010-06-19T01:15:58.000Z</updated>
    <id>https://mlarson.org/2010/06/19/the-purpose-is-to-give-yourself-an-opportunity-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The purpose is to give yourself an opportunity to get your best performance. It’s not about winning. There’s a difference. You want your best performance. You want your teammates’ best performance. And if you provide your best performance chances are you will win. But in order to have your best performance, you have to be relaxed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;LA Lakers assistant coach Jim Cleamons on using meditation before games. &lt;a href=&#34;http://espn.go.com/blog/truehoop/post/_/id/16803/the-lakers-mental-preparation-for-game-7&#34;&gt;The Lakers’ mental preparation for Game 7 - TrueHoop Blog - ESPN&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Somewhere a Dog Barked&#34; - By Rosecrans Baldwin - Slate Magazine</title>
    <link href="https://mlarson.org/2010/06/17/somewhere-a-dog-barked-by-rosecrans-baldwin/"/>
    <updated>2010-06-17T15:21:32.000Z</updated>
    <id>https://mlarson.org/2010/06/17/somewhere-a-dog-barked-by-rosecrans-baldwin/</id>
    <content type="html">&lt;p&gt;“Pick up just about any novel and you’ll find a throwaway reference to a dog, barking in the distance.” (&lt;a href=&#34;http://twitter.com/maudnewton/status/16393664018&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2256007/pagenum/all/&#34;&gt;&amp;quot;Somewhere a Dog Barked&amp;quot; - By Rosecrans Baldwin - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 17, 2010</title>
    <link href="https://mlarson.org/2010/06/17/austinkleon-the-matrix-liz-mark-merlin/"/>
    <updated>2010-06-17T13:45:12.000Z</updated>
    <id>https://mlarson.org/2010/06/17/austinkleon-the-matrix-liz-mark-merlin/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l443zabe0z1qz6f4bo1_250.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/704645499/the-matrix-liz-mark-merlin-maris-jen&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The Matrix:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bobulate.com/&#34;&gt;Liz&lt;/a&gt; | &lt;a href=&#34;http://tumblr.mlarson.org/&#34;&gt;Mark&lt;/a&gt; | &lt;a href=&#34;http://www.kungfugrippe.com/&#34;&gt;Merlin&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://slaughterhouse90210.tumblr.com/&#34;&gt;Maris&lt;/a&gt; | &lt;a href=&#34;http://jenbee.tumblr.com/&#34;&gt;Jen&lt;/a&gt; | &lt;a href=&#34;http://blog.frankchimero.com/&#34;&gt;Frank&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://brandonnn.tumblr.com/&#34;&gt;Brandon&lt;/a&gt; | &lt;a href=&#34;http://meaghano.com/&#34;&gt;Meaghan&lt;/a&gt; | &lt;a href=&#34;http://catbird.tumblr.com/&#34;&gt;Ryan&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Find yours &lt;a href=&#34;http://www.tumblr.com/following&#34;&gt;here&lt;/a&gt;. Thanks, &lt;a href=&#34;http://cesart.me/post/703393521/so-true-its-not-even-funny-from-this-page&#34;&gt;Cesar&lt;/a&gt;!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I have no idea how I ended up at the big kids table.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A World Cup Mentality - Opinionator Blog - NYTimes.com</title>
    <link href="https://mlarson.org/2010/06/17/a-world-cup-mentality-opinionator-blog/"/>
    <updated>2010-06-17T13:40:24.000Z</updated>
    <id>https://mlarson.org/2010/06/17/a-world-cup-mentality-opinionator-blog/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Soccer is a sport perfectly designed to reinforce a tragic view of the universe, because basically it is a long series of frustrations leading up to near certain heartbreak.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://opinionator.blogs.nytimes.com/2010/06/16/a-world-cup-mentality/?scp=6&amp;amp;sq=world+cup&amp;amp;st=cse&#34;&gt;A World Cup Mentality - Opinionator Blog - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>An exercise in empathy « Snarkmarket</title>
    <link href="https://mlarson.org/2010/06/17/an-exercise-in-empathy-snarkmarket/"/>
    <updated>2010-06-17T02:31:20.000Z</updated>
    <id>https://mlarson.org/2010/06/17/an-exercise-in-empathy-snarkmarket/</id>
    <content type="html">&lt;p&gt;An interesting mental experiment. “The core of the exer­cise, I think, is that you see your­self as just another per­son in the space—an opaque bag of bones—instead of as, you know, the movie cam­era. The priv­i­leged POV.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2010/5633&#34;&gt;An exercise in empathy « Snarkmarket&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 16, 2010</title>
    <link href="https://mlarson.org/2010/06/16/guardian-football-training-soccer-players/"/>
    <updated>2010-06-16T13:26:04.000Z</updated>
    <id>https://mlarson.org/2010/06/16/guardian-football-training-soccer-players/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/T8YL8Q3h_Zs&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=T8YL8Q3h_Zs&#34;&gt;Guardian - Football training&lt;/a&gt;. Soccer players working on their dives. (&lt;a href=&#34;http://twitter.com/abstractcity/status/16291752347&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 15, 2010</title>
    <link href="https://mlarson.org/2010/06/15/three-chick-disks/"/>
    <updated>2010-06-15T16:13:08.000Z</updated>
    <id>https://mlarson.org/2010/06/15/three-chick-disks/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l42d1w1qiy1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/groups/834461@N22/pool&#34;&gt;Three-Chick Disks&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Target Anxiety: the Penalty Shootout Reconsidered&#34; by Fredorrarci - Norman Einstein&#39;s Magazine, Sports &amp;amp; Rocket Science Monthly</title>
    <link href="https://mlarson.org/2010/06/15/target-anxiety-the-penalty-shootout/"/>
    <updated>2010-06-15T02:48:00.000Z</updated>
    <id>https://mlarson.org/2010/06/15/target-anxiety-the-penalty-shootout/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Nothing that matters comes without dread. It’s the dread of failure. One team will get to cheat death; thirty-one will meet with the end to end all ends. For that damned lot, their tournament will turn out to have been a series of attempts to delay the mortal coil shuffle for just one more round, like someone joining a gym, or praying furiously. The beautiful cruelty of the World Cup is that it is held every four years, and four years is a purgatory of a time to wait for reincarnation. Every game assumes an unreasonable importance, which is what makes it such fun.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://normaneinsteins.com/13/targetanxiety/&#34;&gt;&amp;quot;Target Anxiety: the Penalty Shootout Reconsidered&amp;quot; by Fredorrarci - Norman Einstein&#39;s Magazine, Sports &amp;amp; Rocket Science Monthly&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 15, 2010</title>
    <link href="https://mlarson.org/2010/06/15/whenever-an-artist-has-been-able-to-say-i-came/"/>
    <updated>2010-06-15T02:46:02.000Z</updated>
    <id>https://mlarson.org/2010/06/15/whenever-an-artist-has-been-able-to-say-i-came/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Whenever an artist has been able to say, “I came, I saw, I conquered,” it has been at the end of patient practice. Genius at first is little more than a great capacity for receiving discipline.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=RqQu0uCHi1QC&amp;amp;pg=PA350&amp;amp;dq=Genius+at+first+is+little+more+than+a+great+capacity+for+receiving+discipline&#34;&gt;George Eliot&lt;/a&gt;. Found in a &lt;a href=&#34;http://sportsillustrated.cnn.com/vault/article/magazine/MAG1012689/index.htm&#34;&gt;1998 Sports Illustrated article about Kobe Bryant&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Murder Kroger! - Conan O&#39;Brien - TeamCoco.com</title>
    <link href="https://mlarson.org/2010/06/14/murder-kroger-conan-obrien-teamcococom/"/>
    <updated>2010-06-14T15:54:13.000Z</updated>
    <id>https://mlarson.org/2010/06/14/murder-kroger-conan-obrien-teamcococom/</id>
    <content type="html">&lt;p&gt;Team Coco visited &lt;a href=&#34;http://theplug.net/44/murderkroger.htm&#34;&gt;Murder Kroger&lt;/a&gt; while in Atlanta.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://teamcoco.com/blog/murder-kroger/&#34;&gt;Murder Kroger! - Conan O&#39;Brien - TeamCoco.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>See America First | The New York Review of Books</title>
    <link href="https://mlarson.org/2010/06/14/see-america-first-the-new-york-review-of-books/"/>
    <updated>2010-06-14T14:08:10.000Z</updated>
    <id>https://mlarson.org/2010/06/14/see-america-first-the-new-york-review-of-books/</id>
    <content type="html">&lt;p&gt;Speaking of bohemians, I like this bit from a 1970 review of &lt;em&gt;Easy Rider&lt;/em&gt; and &lt;em&gt;Alice’s Restaurant&lt;/em&gt;. (via I forget who)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The current generation of bohemians and radicals hasn’t decided whether to love or hate America. On a superficial level, the dominant theme has been hate—for the wealth and greed and racism and complacency, the destruction of the land, the bullshit rhetoric of democracy, and the average American’s rejection of aristocratic European standards of the good life in favor of a romance with mass-produced consumer goods. But love is there too, perhaps all the more influential for being largely unadmitted. There is the old left strain of love for the “real” America, the Woody Guthrie-Pete Seeger America of workers-farmers-hoboes, the open road, this-land-is-your-land. And there is the newer pop strain, the consciousness—initiated by Andy Warhol and his cohorts, popularized by the Beatles and their cohorts, evangelized by Tom Wolfe, and made respectable in the bohemian ghettos by Bob Dylan and Ken Kesey—that there is something magical and vital as well as crass about America’s commodity culture, that the romance with consumer goods makes perfect sense if the consumer goods are motorcycles and stereo sets and far-out clothes and Spider Man comics and dope. How can anyone claim to hate America, deep down, and be a rock fan? Rock is America—the black experience, the white experience, technology, commercialism, rebellion, populism, the Hell’s Angels, the horror of old age—as seen by its urban adolescents.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/archives/1970/jan/01/see-america-first/?pagination=false&#34;&gt;See America First | The New York Review of Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On Bohemia | Music &amp;amp; the Entertainment Economy</title>
    <link href="https://mlarson.org/2010/06/14/on-bohemia-music-the-entertainment-economy/"/>
    <updated>2010-06-14T14:01:37.000Z</updated>
    <id>https://mlarson.org/2010/06/14/on-bohemia-music-the-entertainment-economy/</id>
    <content type="html">&lt;p&gt;Arguing that bohemias are temporary, neighborhood-centered, and artists don’t have much to do with it. (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/06/assorted-links-10.html&#34;&gt;via&lt;/a&gt;).&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The problem with restricting self-expressive action to artists is that being an artist requires talent. Bohemias solve this problem by democratizing the expressive life.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://music.martinprosperity.org/2010/06/09/on-bohemia/&#34;&gt;On Bohemia | Music &amp;amp; the Entertainment Economy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Urban Economics: Atlanta, the Rap and R&amp;amp;B Capital of the World | Music &amp;amp; the Entertainment Economy</title>
    <link href="https://mlarson.org/2010/06/14/urban-economics-atlanta-the-rap-and-rb-capital/"/>
    <updated>2010-06-14T13:56:53.000Z</updated>
    <id>https://mlarson.org/2010/06/14/urban-economics-atlanta-the-rap-and-rb-capital/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Young, educated professionals and entrepreneurs in Atlanta and Nashville might be more likely to put their brains and energy into cultural industries over technology start-ups.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://music.martinprosperity.org/2010/03/25/urban-economics-atlanta-the-rap-and-rb-capital-of-the-world/&#34;&gt;Urban Economics: Atlanta, the Rap and R&amp;amp;B Capital of the World | Music &amp;amp; the Entertainment Economy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Explaining Wagner&#39;s Relevance To Soccer | The New Republic</title>
    <link href="https://mlarson.org/2010/06/10/explaining-wagners-relevance-to-soccer-the-new/"/>
    <updated>2010-06-10T15:23:00.000Z</updated>
    <id>https://mlarson.org/2010/06/10/explaining-wagners-relevance-to-soccer-the-new/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A soccer game is a Wagner opera. The narrative sets up, the tension builds, the music ebbs and flows, the strings, the horns, more tension, and suddenly a moment of pure bliss, trumpet-tongued Gabriel sings, and gods descend from Olympus to dance—this peak of ecstasy. During these moments, I no longer am my usual self, no longer human. I am connected to life. Call it bliss, call it ecstasy, call it what you will. In that moment, I not only see God, I am God. I am not only connected to life, I am connected to my TV!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tnr.com/blog/world-cup/75442/friend-mine-explaining-wagners-relevance-soccer&#34;&gt;Explaining Wagner&#39;s Relevance To Soccer | The New Republic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2010</title>
    <link href="https://mlarson.org/2010/06/10/sergio-leone-the-surrealist-western-chasing/"/>
    <updated>2010-06-10T13:42:00.000Z</updated>
    <id>https://mlarson.org/2010/06/10/sergio-leone-the-surrealist-western-chasing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3swrnodfa1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.ricecracker.net/2010/06/10/sergio-leone-the-surrealist-western/&#34;&gt;Sergio Leone | The Surrealist Western « Chasing Light&lt;/a&gt;. A great review of shots and motifs in Leone’s movies.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2010</title>
    <link href="https://mlarson.org/2010/06/10/polaroids-by-andrei-tarkovsky-via/"/>
    <updated>2010-06-10T01:53:38.000Z</updated>
    <id>https://mlarson.org/2010/06/10/polaroids-by-andrei-tarkovsky-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3rzxeukff1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://riowang.blogspot.com/2010/06/tarkovskys-polaroids.html&#34;&gt;Polaroids by Andrei Tarkovsky&lt;/a&gt;. (&lt;a href=&#34;http://colinmarshall.livejournal.com/388001.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gulf of Mexico Spill: Expert Recommends Killing Oil-Soaked Birds</title>
    <link href="https://mlarson.org/2010/06/09/gulf-of-mexico-spill-expert-recommends-killing/"/>
    <updated>2010-06-09T19:57:00.000Z</updated>
    <id>https://mlarson.org/2010/06/09/gulf-of-mexico-spill-expert-recommends-killing/</id>
    <content type="html">&lt;p&gt;I was wondering about this… “Despite the short-term success in cleaning the birds and releasing them back into the wild, few, if any, have a chance of surviving.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.spiegel.de/international/world/0,1518,693359,00.html&#34;&gt;Gulf of Mexico Spill: Expert Recommends Killing Oil-Soaked Birds&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 9, 2010</title>
    <link href="https://mlarson.org/2010/06/09/noiseforairports-a-lovely-little-infographic/"/>
    <updated>2010-06-09T02:32:00.000Z</updated>
    <id>https://mlarson.org/2010/06/09/noiseforairports-a-lovely-little-infographic/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3mq55o6rd1qz50x3o1_r2_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://noiseforairports.com/post/677842720/a-lovely-little-infographic-from-neven-mrgan&#34;&gt;noiseforairports&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A lovely little infographic from Neven &lt;a href=&#34;http://mrgan.tumblr.com/post/676957833/heres-a-little-chart-i-made-glenn-gould-recorded&#34;&gt;Mrgan&lt;/a&gt;, comparing the durations of Gould two major recordings of Bach’s Goldberg Variations:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here’s a little chart I made. Glenn Gould recorded two remarkably different versions of Bach’s ‘&lt;a href=&#34;http://www.amazon.com/gp/product/B00006FI7C?ie=UTF8&amp;amp;tag=nevmrgsblo-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=B00006FI7C&#34;&gt;Goldberg Variations&lt;/a&gt;’. The 1955 version is fast, virtuosic, and energetic (even frenetic). The 1981 version is deliberately paced and elegant. They are both dizzying masterpieces.&lt;/p&gt;
&lt;p&gt;Most people prefer one over the other. On an average day, I will favor the 1981, but only by about 5%. I am very glad that both of them exist.&lt;/p&gt;
&lt;p&gt;(&lt;a href=&#34;http://s3.amazonaws.com/data.tumblr.com/tumblr_l3mq55O6RD1qz50x3o1_r2_1280.png?AWSAccessKeyId=0RYTHV9YYQ4W5Q3HQMG2&amp;amp;Expires=1276099240&amp;amp;Signature=EkaUNA%2F%2BSzi5l6bxzOr%2B3I5RBmI%3D&#34;&gt;Click for full size, please&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/gp/product/B00006FI7C&#34;&gt;A State of Wonder&lt;/a&gt; was one of my &lt;a href=&#34;http://www.mlarson.org/2008/12/05/favorite-albums-of-2008/&#34;&gt;favorite albums of 2008&lt;/a&gt;. I’ve been meaning to go back and listen through again, but alternating between the 1955 and 1981 versions for each variation. I think I also prefer 1981 recording.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wehr in the World: Controlling your emotions</title>
    <link href="https://mlarson.org/2010/06/08/wehr-in-the-world-controlling-your-emotions/"/>
    <updated>2010-06-08T17:55:21.000Z</updated>
    <id>https://mlarson.org/2010/06/08/wehr-in-the-world-controlling-your-emotions/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The important point is this: Evolution seems to have favored inaction over action. E.g., don’t get too close to those people — they might be dangerous! Don’t do that — they might laugh at me! Our limbic system — the emotional center responsible for an embarrassingly high percentage of our behavior — has yet to learn that in the industrial age with market economies and unprecedented levels of absolute wealth, people aren’t so dangerous.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/06/controlling-your-emotions.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+WehrInTheWorld+%28Wehr+in+the+World%29&amp;amp;utm_content=Google+Reader&#34;&gt;Wehr in the World: Controlling your emotions&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Derek Powazek - Why Everything Sucks, Why That’s Awesome, and How It’s Changing Us</title>
    <link href="https://mlarson.org/2010/06/08/derek-powazek-why-everything-sucks-why-thats/"/>
    <updated>2010-06-08T17:51:00.000Z</updated>
    <id>https://mlarson.org/2010/06/08/derek-powazek-why-everything-sucks-why-thats/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We were spared hearing The Beatles when they were new. There’s no record of Shakespeare’s embarrassing early attempts. No MP3s of Bach’s school choir. Maybe if we were more used to seeing people suck before they get good at something, we wouldn’t expect perfection from day one.&lt;/p&gt;
&lt;p&gt;Just think about the millions of people on the internet, each in their own timeline of learning something new. Most people will never get to 2,500 hours. They’ll never not suck. It’s not personal, it’s just math.&lt;/p&gt;
&lt;p&gt;So that’s why the vast majority of everything on the internet sucks. It’s because most of the people doing it, most of the time, just haven’t put in the hours yet. And most of them never will. So only a small percentage of all the people online will ever be vaguely good at whatever it is they’re doing.&lt;/p&gt;
&lt;p&gt;But here’s the thing: &lt;em&gt;I think this is beautiful&lt;/em&gt;. People are out there, trying new things, learning the hard way, and sharing their experience. That gives me hope.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://funkaoshi.com/linklog/link-12768&#34;&gt;via&lt;/a&gt;) This reminds me of the idea for a &lt;a href=&#34;http://tumblr.mlarson.org/post/397171283/andy-mckenzie-the-blog-subsdize-earnestness&#34;&gt;museum of rough drafts&lt;/a&gt;.&lt;br&gt;
&lt;a href=&#34;http://powazek.com/posts/2454&#34;&gt;Derek Powazek - Why Everything Sucks, Why That’s Awesome, and How It’s Changing Us&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2010</title>
    <link href="https://mlarson.org/2010/06/08/noiseforairports-john-cage-sonata-1-for/"/>
    <updated>2010-06-08T17:45:12.000Z</updated>
    <id>https://mlarson.org/2010/06/08/noiseforairports-john-cage-sonata-1-for/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/677203096/tumblr_l3phfdCmFc1qzf8ep?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/677203096/audio_player_iframe/mlarson/tumblr_l3phfdCmFc1qzf8ep?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F677203096%2Ftumblr_l3phfdCmFc1qzf8ep&#34;&gt;http://mlarson.tumblr.com/post/677203096/audio_player_iframe/mlarson/tumblr_l3phfdCmFc1qzf8ep?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F677203096%2Ftumblr_l3phfdCmFc1qzf8ep&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://noiseforairports.com/post/677140301/bieber-sonata&#34;&gt;noiseforairports&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;John Cage: Sonata #1 for Prepared Piano (Bieber edit by Nick Seaver)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Sorry, John.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_l3ph39YWuJ1qa6mq5o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Why not, right?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2010</title>
    <link href="https://mlarson.org/2010/06/08/locals-and-tourists-detail-of-san-francisco-see/"/>
    <updated>2010-06-08T02:37:07.000Z</updated>
    <id>https://mlarson.org/2010/06/08/locals-and-tourists-detail-of-san-francisco-see/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3oclvyxcj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/walkingsf/sets/72157624209158632/&#34;&gt;Locals and Tourists&lt;/a&gt;, detail of San Francisco. &lt;a href=&#34;http://tumblr.mlarson.org/post/629635459/world-map-of-touristyness-via-see-also-the-map&#34;&gt;See also&lt;/a&gt;. (&lt;a href=&#34;http://burritojustice.com/2010/06/05/damn-tourists/&#34;&gt;via&lt;/a&gt; &lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2010</title>
    <link href="https://mlarson.org/2010/06/08/schenkenberg-published-on-the-announcement-of/"/>
    <updated>2010-06-08T02:14:00.000Z</updated>
    <id>https://mlarson.org/2010/06/08/schenkenberg-published-on-the-announcement-of/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://schenkenberg.tumblr.com/post/674715913/published-on-the-announcement-of-facetime-the&#34;&gt;schenkenberg&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[Published on the announcement of FaceTime, the video-calling feature that’s part of iPhone 4.]&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“It turned out that there was something terribly stressful about visual telephone interfaces that hadn’t been stressful at all about voice-only interfaces. Videophone consumers seemed suddenly to realize that they’d been subject to an insidious but wholly marvelous delusion about conventional voice-only telephony. They’d never noticed it before, the delusion — it’s like it was so emotionally complex that it could be countenanced only in the context of its loss. Good old traditional audio-only phone conversations allowed you to presume the person on the other end was paying complete attention to you while also permitting you not to have to pay anything even close to complete attention to her. A traditional aural-only conversation — utilizing a hand-held phone whose earpeice contained only 6 little pinholes but whose mouthpiece (rather significantly, it later seemed) contained […] 36 little pinholes — let you enter a kind of highway-hypnotic semi-attentive fugue: while conversing, you could look around the room, doodle, fine-groom, peel tiny bits of dead skin away from your cuticles, compose phone-pad haiku, stir things on the stove; you could even carry on a whole separate additional sign-language-and- exaggerated-facial expression type of conversation with people right there in the room with you, all while seeming to be right there attending closely to the voice on the phone. And yet — and this was the retrospectively marvelous part — even as you were dividing your attention between the phone call and all sorts of other idle little fuguelike activities, you were somehow never haunted by the suspicion that the person on the other end’s attention might be similarly divided. During a traditional call, e.g., as you let’s say performed a close tactile blemish-scan of your chin, you were in no way oppressed by the thought that your phonemate was perhaps also devoting a good percentage of her attention to a close tactile blemish-scan. It was an illusion, and the illusion was aural and aurally supported: the phone-line’s other end’s voice was dense, tightly compressed, and vectored right into your ear, enabling you to imagine that the voice’s owner’s attention was similarly compressed and focused … even though your own attention was *not*, was the thing. This bilateral illusion of unilateral attention was almost infinitely gratifying from an emotional standpoint: you got to believe you were receiving somebody’s complete attention without having to return it. Regarded with the objectivity of hindsight, the illusion appears arational, almost literally fantastic; it would be like being able both to lie and to trust other people at the same time.&lt;/p&gt;
&lt;p&gt;Video telephony rendered the fantasy insupportable. Callers found they had to compose the same sort of earnest, slightly overintense listener’s expression they had to compose for in-person exchanges. Those callers who out of unconscious habit succumbed to fuguelike doodling or pants-crease-adjustment now came off looking rude, absentminded, or childishly self-absorbed. Callers who even more unconsciously blemish-scanned or nostril-explored looked up to find horrified expressions on the video-faces at the other end. All of which resulted in videophonic stress.&lt;/p&gt;
&lt;p&gt;Even worse, of course, was the traumatic expulsion-from-Eden feeling of looking up from tracing your thumb’s outline on the Reminder Pad or adjusting the old Unit’s angle of repose in your shorts and actually seeing your videophonic interface idly strip a shoelace of its gumlet as she talked to you, and suddenly realizing your whole infantile fantasy of commanding your partner’s attention while you yourself got to fugue-doodle and make little genital-adjustments was deluded and insupportable and that you were actually commanding not one bit more attention than you were paying, here. The whole attention business was monstrously stressful, video callers found.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;—Just one of several brilliant “videophony” passages from David Foster Wallace&#39;s 1996 masterpiece, &lt;a href=&#34;http://www.amazon.com/Infinite-Jest-David-Foster-Wallace/dp/0316920045&#34;&gt;Infinite Jest&lt;/a&gt;. It only gets better from there (complete with “high-def mask-entrepreneurs” and more).&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Detroit arcadia: Exploring the post-American landscape — By Rebecca Solnit (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/06/08/detroit-arcadia-exploring-the-post-american/"/>
    <updated>2010-06-08T02:10:24.000Z</updated>
    <id>https://mlarson.org/2010/06/08/detroit-arcadia-exploring-the-post-american/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Then came the renaissance, but only for those cities reborn into more dematerialized economies. Vacant lots were filled in, old warehouses were turned into lofts or offices or replaced, downtowns became upscale chain outlets, janitors and cops became people who commuted in from downscale suburbs, and the children of that white flight came back to cities that were not exactly cities in the old sense. The new American cities trade in information, entertainment, tourism, software, finance. They are abstract. Even the souvenirs in these new economies often come from a sweatshop in China. The United States can be mapped as two zones now, a high-pressure zone of economic boom times and escalating real estate prices, and a low- pressure zone, where housing might be the only thing that’s easy to come by.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.harpers.org/archive/2007/07/0081594&#34;&gt;Detroit arcadia: Exploring the post-American landscape — By Rebecca Solnit (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Where Good Ideas Come From</title>
    <link href="https://mlarson.org/2010/06/07/where-good-ideas-come-from/"/>
    <updated>2010-06-07T20:12:46.000Z</updated>
    <id>https://mlarson.org/2010/06/07/where-good-ideas-come-from/</id>
    <content type="html">&lt;p&gt;Steven Johnson’s &lt;a href=&#34;http://www.amazon.com/Where-Good-Ideas-Come-Innovation/dp/1594487715/&#34;&gt;new book&lt;/a&gt;. I’ve enjoyed all 4 (5?) of his that I’ve read.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.stevenberlinjohnson.com/2010/06/where-good-ideas-come-from.html&#34;&gt;Where Good Ideas Come From&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Living Dead</title>
    <link href="https://mlarson.org/2010/06/07/the-living-dead/"/>
    <updated>2010-06-07T16:05:19.000Z</updated>
    <id>https://mlarson.org/2010/06/07/the-living-dead/</id>
    <content type="html">&lt;p&gt;“David Foster Wallace speaks to us from beyond the grave in David Lipsky’s &lt;em&gt;Although of Course You End Up Becoming Yourself&lt;/em&gt;—but should we be listening?”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://therumpus.net/2010/06/the-living-dead/&#34;&gt;The Living Dead&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2010</title>
    <link href="https://mlarson.org/2010/06/07/a-drummer-showing-up-at-the-wrong-gig-haha-this/"/>
    <updated>2010-06-07T14:45:39.000Z</updated>
    <id>https://mlarson.org/2010/06/07/a-drummer-showing-up-at-the-wrong-gig-haha-this/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/k4v87aiMM4A&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=k4v87aiMM4A&#34;&gt;A Drummer Showing Up At The Wrong Gig&lt;/a&gt;. Haha. This drummer is ridiculous. (&lt;a href=&#34;http://twitter.com/CKlosterman/status/15630787360&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 6, 2010</title>
    <link href="https://mlarson.org/2010/06/06/be-true-to-yourself-make-each-day-a-masterpiece/"/>
    <updated>2010-06-06T23:50:23.000Z</updated>
    <id>https://mlarson.org/2010/06/06/be-true-to-yourself-make-each-day-a-masterpiece/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Be true to yourself. Make each day a masterpiece. Help others. Drink deeply from good books. Make friendship a fine art. Build a shelter against a rainy day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A message from John Wooden’s father that he always kept with him. &lt;a href=&#34;http://www.nytimes.com/2010/06/05/sports/ncaabasketball/05wooden.html&#34;&gt;John Wooden, 99, Legendary U.C.L.A. Coach, Dies - Obituary (Obit) - NYTimes.com&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pitchfork: Why We Fight #4 - The Trouble With Maya</title>
    <link href="https://mlarson.org/2010/06/04/pitchfork-why-we-fight-4-the-trouble-with-maya/"/>
    <updated>2010-06-04T15:20:00.000Z</updated>
    <id>https://mlarson.org/2010/06/04/pitchfork-why-we-fight-4-the-trouble-with-maya/</id>
    <content type="html">&lt;p&gt;Dang, &lt;a href=&#34;http://agrammar.tumblr.com/&#34;&gt;Nitsuh Abebe&lt;/a&gt; can write the shit out of a pop-culture essay. Every time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/why-we-fight/7813-why-we-fight-4/&#34;&gt;Pitchfork: Why We Fight #4 - The Trouble With Maya&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Transformers: Revenge of the Fallen</title>
    <link href="https://mlarson.org/2010/06/04/transformers-revenge-of-the-fallen-dnf/"/>
    <updated>2010-06-04T14:03:00.000Z</updated>
    <id>https://mlarson.org/2010/06/04/transformers-revenge-of-the-fallen-dnf/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3htqafuww1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Transformers_2&#34;&gt;Transformers: Revenge of the Fallen&lt;/a&gt;. DNF, technically. About what I expected, only louder. I wouldn’t have screened it if it were my choice, but this was part of Atlanta’s &lt;a href=&#34;http://www.peachtreetv.com/screenonthegreen/&#34;&gt;Screen on the Green&lt;/a&gt;, which, this year’s mostly crappy movie selection aside (bring back &lt;a href=&#34;http://www.tcm.com/thismonth/article/?cid=160649&#34;&gt;TCM&lt;/a&gt;!), is usually nice when there are no &lt;a href=&#34;http://www.ajc.com/news/atlanta/screen-on-the-green-541577.html&#34;&gt;real-life fisticuffs&lt;/a&gt;. Come on, Atlanta. Let’s do this right.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Obscure, the Forgotten, and the Unloved: 40 Critically Acclaimed But Little Seen Should-be Classics</title>
    <link href="https://mlarson.org/2010/06/03/the-obscure-the-forgotten-and-the-unloved-40/"/>
    <updated>2010-06-03T17:02:00.000Z</updated>
    <id>https://mlarson.org/2010/06/03/the-obscure-the-forgotten-and-the-unloved-40/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A 2010 poll of committed cinephiles who hope to find, highlight, and promote films that have received a considerable amount of critical acclaim but have yet to find the audience that their evident quality deserves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’ve only seen &lt;a href=&#34;http://tumblr.mlarson.org/post/456695666/il-posto-the-job-i-loved-this-movie-and&#34;&gt;Il Posto&lt;/a&gt;, but based on that alone, I’m inclined to trust these suggestions. With most things cultural, finding good filters is half the battle.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://obscureforgottenunloved.blogspot.com/2010/05/40-critically-acclaimed-but-little-seen.html&#34;&gt;The Obscure, the Forgotten, and the Unloved: 40 Critically Acclaimed But Little Seen Should-be Classics&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2010</title>
    <link href="https://mlarson.org/2010/06/03/the-need-to-diet-which-we-know-so-well-in/"/>
    <updated>2010-06-03T16:53:30.000Z</updated>
    <id>https://mlarson.org/2010/06/03/the-need-to-diet-which-we-know-so-well-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The need to diet, which we know so well in relation to food, and which runs so contrary to our natural impulses, should be brought to bear on what we now have to relearn in relation to knowledge, people, and ideas. Our minds, no less than our bodies, require periods of fasting.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Alain de Botton, “&lt;a href=&#34;http://www.city-journal.org/2010/20_2_snd-concentration.html&#34;&gt;On Distraction&lt;/a&gt;” (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How To Make Cold Brew Coffee</title>
    <link href="https://mlarson.org/2010/06/03/how-to-make-cold-brew-coffee/"/>
    <updated>2010-06-03T16:42:00.000Z</updated>
    <id>https://mlarson.org/2010/06/03/how-to-make-cold-brew-coffee/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/660068068/how-to-make-cold-brew-coffee&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s June in Texas, which means my wife just made me my first mason jar full of cold brew coffee.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Cold-brewed coffee is actually dirt simple to make at home….But you can also bang it out with a Mason jar and a sieve. You just add water to coffee, stir, cover it and leave it out on the counter overnight. A quick two-step filtering the next day (strain the grounds through a sieve, and use a coffee filter to pick up silt), a dilution of the brew one-to-one with water, and you’re done. Except for the time it sits on the kitchen counter, the whole process takes about five minutes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Bonus: recipe for &lt;a href=&#34;http://www.nytimes.com/2007/05/06/style/tmagazine/06ticed.html&#34;&gt;New Orleans Cold Drip coffee&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is also the season for cold-brew iced tea. Same method, folks. Just sayin’.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2007/06/27/dining/27coff.html?_r=1&amp;amp;em&amp;amp;ex=1183262400&amp;amp;en=4256d03a7a4c4c50&amp;amp;ei=5087%0A&#34;&gt;How To Make Cold Brew Coffee&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Salt &amp;amp; Fat: Burgers</title>
    <link href="https://mlarson.org/2010/06/02/salt-fat-burgers/"/>
    <updated>2010-06-02T18:26:54.000Z</updated>
    <id>https://mlarson.org/2010/06/02/salt-fat-burgers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Here’s a trick that will make you the star of the grill — put a dimple in the middle of your patty. Just press your thumb about a quarter of the way into the top of your burgers and reshape as necessary. This will keep your burgers from ending up like little UFOs as they cook.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://saltandfat.com/post/657214062/burgers&#34;&gt;Salt &amp;amp; Fat: Burgers&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2010</title>
    <link href="https://mlarson.org/2010/06/01/jane-fonda-1967-by-dennis-hopper-this-whole-post/"/>
    <updated>2010-06-01T17:48:00.000Z</updated>
    <id>https://mlarson.org/2010/06/01/jane-fonda-1967-by-dennis-hopper-this-whole-post/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3ck49nvaa1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.ricecracker.net/2010/05/31/dennis-hopper-1936-2010/&#34;&gt;Jane Fonda, 1967&lt;/a&gt; by Dennis Hopper. This whole post is really, really great: &lt;a href=&#34;http://blog.ricecracker.net/2010/05/31/dennis-hopper-1936-2010/&#34;&gt;Dennis Hopper, 1936 – 2010 « Chasing Light&lt;/a&gt;. (via &lt;a href=&#34;http://funkaoshi.com/linklog/link-12742&#34;&gt;funkaoshi&lt;/a&gt; again)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2010</title>
    <link href="https://mlarson.org/2010/06/01/movie-directors-or-should-i-say-people-who-create/"/>
    <updated>2010-06-01T17:30:36.000Z</updated>
    <id>https://mlarson.org/2010/06/01/movie-directors-or-should-i-say-people-who-create/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Movie directors, or should I say people who create things, are very greedy and they can never be satisfied, … That’s why they can keep on working. I’ve been able to work for so long because I think next time, I’ll make something good.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.ricecracker.net/2010/05/23/kurosawa-group/&#34;&gt;Akira Kurosawa&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2010</title>
    <link href="https://mlarson.org/2010/06/01/akira-kurosawa-group-compositions-in-seven/"/>
    <updated>2010-06-01T17:28:00.000Z</updated>
    <id>https://mlarson.org/2010/06/01/akira-kurosawa-group-compositions-in-seven/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3cj82m2xv1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.ricecracker.net/2010/05/23/kurosawa-group/&#34;&gt;Akira Kurosawa | Group Compositions in Seven Samurai « Chasing Light&lt;/a&gt;. (&lt;a href=&#34;http://funkaoshi.com/linklog/link-12742&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2010</title>
    <link href="https://mlarson.org/2010/06/01/observations-on-film-art-metropolis-unbound/"/>
    <updated>2010-06-01T14:24:00.000Z</updated>
    <id>https://mlarson.org/2010/06/01/observations-on-film-art-metropolis-unbound/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3caoeecml1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.davidbordwell.net/blog/?p=7652&#34;&gt;Observations on film art : Metropolis unbound&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/ebertchicago/statuses/15068569252&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2010</title>
    <link href="https://mlarson.org/2010/06/01/austinkleon-austin-kleon-sketchbook-july/"/>
    <updated>2010-06-01T14:15:08.000Z</updated>
    <id>https://mlarson.org/2010/06/01/austinkleon-austin-kleon-sketchbook-july/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/06/tumblr_l3azzv4ksk1qz6f4bo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/651106408/austin-kleon-sketchbook-july-2009-may-2010&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/2010/05/31/sketchbook-july-2009-may-2010/&#34;&gt;Austin Kleon : Sketchbook: July 2009 - May 2010&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Best Opening Tracks Ever? : NPR</title>
    <link href="https://mlarson.org/2010/06/01/the-best-opening-tracks-ever-npr/"/>
    <updated>2010-06-01T13:54:44.000Z</updated>
    <id>https://mlarson.org/2010/06/01/the-best-opening-tracks-ever-npr/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=127246022&#34;&gt;The Best Opening Tracks Ever? : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2010</title>
    <link href="https://mlarson.org/2010/05/28/the-journeymen-stackolee-great-song-i-love/"/>
    <updated>2010-05-28T13:57:30.000Z</updated>
    <id>https://mlarson.org/2010/05/28/the-journeymen-stackolee-great-song-i-love/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=abK7j50kJCI&#34;&gt;The Journeymen - Stackolee&lt;/a&gt;. Great song, I love their version.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2010</title>
    <link href="https://mlarson.org/2010/05/27/i-actually-dance-pretty-awkwardly-so-i-would-love/"/>
    <updated>2010-05-27T17:53:38.000Z</updated>
    <id>https://mlarson.org/2010/05/27/i-actually-dance-pretty-awkwardly-so-i-would-love/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I actually dance pretty awkwardly so I would love to be in a sexy dance band that made other people dance in sexy ways – that would be awesome.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Annie Clark. &lt;a href=&#34;http://ilovestvincent.tumblr.com/post/638076367/st-vincent-makes-her-dj-debut-at-gum-bowl-bash&#34;&gt;i love st. vincent&lt;/a&gt;: &lt;a href=&#34;http://www.nbcnewyork.com/blogs/niteside/Miss-St-Vincent-Makes-Her-DJ-Debut-94903454.html&#34;&gt;St. Vincent Makes Her DJ Debut at Gum Bowl Bash&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2010</title>
    <link href="https://mlarson.org/2010/05/27/familiar-music-is-a-convenient-crutch-but-in-the/"/>
    <updated>2010-05-27T03:57:46.000Z</updated>
    <id>https://mlarson.org/2010/05/27/familiar-music-is-a-convenient-crutch-but-in-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Familiar music is a convenient crutch, but, in the end, it covers emotions in a plastic sheen. Unfamiliar music gives the sense that something new is happening before our eyes and ears.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2010/05/17/100517fa_fact_ross&#34;&gt;Alex Ross on original vs. borrowed pop songs in movies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 25, 2010</title>
    <link href="https://mlarson.org/2010/05/25/world-map-of-touristyness-via-see-also-the-map/"/>
    <updated>2010-05-25T00:53:55.000Z</updated>
    <id>https://mlarson.org/2010/05/25/world-map-of-touristyness-via-see-also-the-map/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l2yahwzyxr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.informationisbeautiful.net/2010/world-map-of-touristyness/&#34;&gt;World Map Of Touristyness&lt;/a&gt; (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/05/assorted-links-22.html&#34;&gt;via&lt;/a&gt;). See also the &lt;a href=&#34;http://maps.google.com/maps/mpl?moduleurl=http://www.bluemoon.ee/~ahti/touristiness-map/interesting-remote-places-map.xml&#34;&gt;map of the world’s most interesting remote places&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 24, 2010</title>
    <link href="https://mlarson.org/2010/05/24/law-school-was-a-word-i-kept-lodged-at-the-back-of/"/>
    <updated>2010-05-24T22:08:22.000Z</updated>
    <id>https://mlarson.org/2010/05/24/law-school-was-a-word-i-kept-lodged-at-the-back-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Law school was a word I kept lodged at the back of my mouth, like a cyanide tablet, just in case.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Jonathan Rosen, &lt;em&gt;Eve’s Apple&lt;/em&gt;. (via &lt;a href=&#34;http://fresherhells.tumblr.com/post/603558402/dedicated-to-all-my-favorite-graduating-english&#34;&gt;Fresher Hells&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 24, 2010</title>
    <link href="https://mlarson.org/2010/05/24/the-bechdel-test-sociological-images-the/"/>
    <updated>2010-05-24T20:04:00.000Z</updated>
    <id>https://mlarson.org/2010/05/24/the-bechdel-test-sociological-images-the/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/bLF6sAAMb4s&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://contexts.org/socimages/2010/05/20/the-bechdel-test/&#34;&gt;The Bechdel Test » Sociological Images&lt;/a&gt;. The criteria:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;1. It has to have at least two women in it&lt;br&gt;
2. Who talk to each other&lt;br&gt;
3. About something besides a man&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also the &lt;a href=&#34;http://bechdeltest.com/&#34;&gt;Bechdel Test Movie List&lt;/a&gt; and the &lt;a href=&#34;http://alisonbechdel.blogspot.com/2005/08/rule.html&#34;&gt;origin of the rule&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 24, 2010</title>
    <link href="https://mlarson.org/2010/05/24/the-better-the-singers-voice-the-harder-it-is-to/"/>
    <updated>2010-05-24T17:54:08.000Z</updated>
    <id>https://mlarson.org/2010/05/24/the-better-the-singers-voice-the-harder-it-is-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The better the singer’s voice﻿ the harder it is to believe what they are singing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;David Byrne (&lt;a href=&#34;http://blog.frankchimero.com/&#34;&gt;via&lt;/a&gt; ). I heartily disagree, although it is good food for thought and I don’t necessarily think the opposite is more accurate. What’s more interesting is how/why these kinds of aesthetic details become/remain valuable to us.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>corolla talk: Bill Hicks&#39; Principles of Comedy</title>
    <link href="https://mlarson.org/2010/05/23/corolla-talk-bill-hicks-principles-of-comedy/"/>
    <updated>2010-05-23T17:44:00.000Z</updated>
    <id>https://mlarson.org/2010/05/23/corolla-talk-bill-hicks-principles-of-comedy/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;1. If you can be yourself on stage nobody else can be you and you have the law of supply and demand covered.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://corollatalk.tumblr.com/post/620379757/bill-hicks-principals-of-comedy&#34;&gt;corolla talk: Bill Hicks&#39; Principles of Comedy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 23, 2010</title>
    <link href="https://mlarson.org/2010/05/23/via-sarahbelfort/"/>
    <updated>2010-05-23T16:51:06.000Z</updated>
    <id>https://mlarson.org/2010/05/23/via-sarahbelfort/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l2bu23ocpx1qzxy2ko1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;(via &lt;a href=&#34;http://sarahbelfort.tumblr.com/&#34;&gt;sarahbelfort&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 20, 2010</title>
    <link href="https://mlarson.org/2010/05/20/paramount-studio-map-of-californias-geographical/"/>
    <updated>2010-05-20T02:58:44.000Z</updated>
    <id>https://mlarson.org/2010/05/20/paramount-studio-map-of-californias-geographical/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l2p6xx5t5z1qzcye0o1_540.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/ambrosiavoyeur/4257870797/&#34;&gt;Paramount Studio map of California’s geographical facsimiles, from The Motion Picture Industry as a Basis for Bond Financing, 1927&lt;/a&gt;. (&lt;a href=&#34;http://snarkmarket.com/2010/5592&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 19, 2010</title>
    <link href="https://mlarson.org/2010/05/19/larry-bird-greatest-passer-of-all-time-and-part/"/>
    <updated>2010-05-19T13:50:10.000Z</updated>
    <id>https://mlarson.org/2010/05/19/larry-bird-greatest-passer-of-all-time-and-part/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/EhnRtgBGMl4&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=EhnRtgBGMl4&#34;&gt;Larry Bird: Greatest Passer of All Time&lt;/a&gt;. And &lt;a href=&#34;http://www.youtube.com/watch?v=4mF9xdLyJGA&#34;&gt;part two&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/sportsguy33/status/14061147403&#34;&gt;via&lt;/a&gt;) A lot of these passes don’t seem strictly necessary to me, but 1) I’m not Larry Bird and 2) if you can, why not?&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Own goal: How homeless soccer explains the world - By Wells Tower (Harper&#39;s Magazine)</title>
    <link href="https://mlarson.org/2010/05/19/own-goal-how-homeless-soccer-explains-the-world/"/>
    <updated>2010-05-19T13:39:44.000Z</updated>
    <id>https://mlarson.org/2010/05/19/own-goal-how-homeless-soccer-explains-the-world/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2010/06/0082987&#34;&gt;Own goal: How homeless soccer explains the world - By Wells Tower (Harper&#39;s Magazine)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2010</title>
    <link href="https://mlarson.org/2010/05/12/im-a-typical-american-half-of-me-is-dying-to/"/>
    <updated>2010-05-12T23:57:57.000Z</updated>
    <id>https://mlarson.org/2010/05/12/im-a-typical-american-half-of-me-is-dying-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’m a typical American. Half of me is dying to give myself away, and the other half is continually rebelling.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;David Foster Wallace in the &lt;a href=&#34;http://craigfehrman.com/2010/05/05/details-1996-profile-of-david-foster-wallace/&#34;&gt;1996 profile in &lt;em&gt;Details&lt;/em&gt; magazine&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>For Movie Watching, Pairing a DVD and a Drink Takes Care - NYTimes.com</title>
    <link href="https://mlarson.org/2010/05/12/for-movie-watching-pairing-a-dvd-and-a-drink/"/>
    <updated>2010-05-12T23:53:00.000Z</updated>
    <id>https://mlarson.org/2010/05/12/for-movie-watching-pairing-a-dvd-and-a-drink/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I’ve been matching my drinks to my movies for at least 15 years. I’ve done it with my wife, in groups, or (and I’m not ashamed to say this) alone. It adds a new dimension — Alc-O-Vision? — to the plot, the photography and, especially, the sense of immersion if the film takes place in the same country from which the drink in my hand originated.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes and yes. The article also includes a shout-out to &lt;a href=&#34;http://tumblr.mlarson.org/post/152606956/i-dont-want-to-die-neither-do-i-baby-but&#34;&gt;Out of the Past&lt;/a&gt;, which I rewatched the other night, and which might be my favorite movie of all time. OF ALL TIME!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/05/12/dining/12movies.html&#34;&gt;For Movie Watching, Pairing a DVD and a Drink Takes Care - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2010</title>
    <link href="https://mlarson.org/2010/05/12/things-won-are-done-joys-soul-lies-in-the-doing/"/>
    <updated>2010-05-12T14:43:00.000Z</updated>
    <id>https://mlarson.org/2010/05/12/things-won-are-done-joys-soul-lies-in-the-doing/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Things won are done; joy’s soul lies in the doing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Troilus_and_Cressida&#34;&gt;Shakespeare&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2010</title>
    <link href="https://mlarson.org/2010/05/12/christmasgorilla-alex-webb-people-playing/"/>
    <updated>2010-05-12T03:37:00.000Z</updated>
    <id>https://mlarson.org/2010/05/12/christmasgorilla-alex-webb-people-playing/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l293kf7mvu1qz8guyo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://christmasgorilla.com/post/590379551/alex-webb-people-playing-volleyball-using-the&#34;&gt;christmasgorilla&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Alex Webb, people playing volleyball using the border fence between Arizona and Mexico as the net, 1979&lt;/p&gt;
&lt;p&gt;via &lt;a href=&#34;http://claytoncubitt.tumblr.com/post/589264361&#34;&gt;claytoncubitt&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>How do you talk yourself into something? | Psychology Today</title>
    <link href="https://mlarson.org/2010/05/12/how-do-you-talk-yourself-into-something/"/>
    <updated>2010-05-12T03:33:35.000Z</updated>
    <id>https://mlarson.org/2010/05/12/how-do-you-talk-yourself-into-something/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It seems that when we talk to ourselves or others forcefully about the future, we create an expectation that we now feel that we have to live up to. If we fail to live up to our expectations, then we will feel guilty. So, the forceful “I will” statement motivates use out of guilt. When we ask ourselves a question about the future, “Will I,” then the activity itself becomes the focus. As we commit to this future activity, it becomes intrinsically interesting, and so we are more likely to want to do it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.psychologytoday.com/blog/ulterior-motives/201005/how-do-you-talk-yourself-something&#34;&gt;How do you talk yourself into something? | Psychology Today&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Do Harvard Kids Head to Wall Street? «  The Baseline Scenario</title>
    <link href="https://mlarson.org/2010/05/11/why-do-harvard-kids-head-to-wall-street-the/"/>
    <updated>2010-05-11T03:41:00.000Z</updated>
    <id>https://mlarson.org/2010/05/11/why-do-harvard-kids-head-to-wall-street-the/</id>
    <content type="html">&lt;p&gt;Very interesting article. One good bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The typical Harvard undergraduate is someone who: (a) is very good at school; (b) has been very successful by conventional standards for his entire life; © has little or no experience of the “real world” outside of school or school-like settings; (d) feels either the ambition or the duty to have a positive impact on the world (not well defined); and (e) is driven more by fear of not being a success than by a concrete desire to do anything in particular. (Yes, I know this is a stereotype; that’s why I said “typical.”) Their (our) decisions are motivated by two main decision rules: (1) close down as few options as possible; and (2) only do things that increase the possibility of future overachievement.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And another one:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You internalize the rationalizations for the work you are doing. It’s easier to think that underwriting new debt offerings &lt;em&gt;really is&lt;/em&gt; saving the world than to think that you are underwriting new debt offerings, because of the money, &lt;em&gt;instead of&lt;/em&gt; saving the world. And this goes for many walks of life. It’s easier for college professors to think that, by training the next generation of young minds (or, even more improbably, writing papers on esoteric subjects), they are changing the world than to think that they are teaching and researching &lt;em&gt;instead of&lt;/em&gt; changing the world.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://baselinescenario.com/2010/05/04/why-do-harvard-kids-head-to-wall-street/&#34;&gt;Why Do Harvard Kids Head to Wall Street? « The Baseline Scenario&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Attention Whole Foods Shoppers - By Robert Paarlberg  | Foreign Policy</title>
    <link href="https://mlarson.org/2010/05/11/attention-whole-foods-shoppers-by-robert/"/>
    <updated>2010-05-11T03:35:44.000Z</updated>
    <id>https://mlarson.org/2010/05/11/attention-whole-foods-shoppers-by-robert/</id>
    <content type="html">&lt;p&gt;“Food has become an elite preoccupation in the West, ironically, just as the most effective ways to address hunger in poor countries have fallen out of fashion.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.foreignpolicy.com/articles/2010/04/26/attention_whole_foods_shoppers?print=yes&amp;amp;hidecomments=yes&amp;amp;page=full&#34;&gt;Attention Whole Foods Shoppers - By Robert Paarlberg | Foreign Policy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hurt Locker</title>
    <link href="https://mlarson.org/2010/05/11/the-hurt-locker-im-happy-to-say-that-the-good/"/>
    <updated>2010-05-11T03:23:00.000Z</updated>
    <id>https://mlarson.org/2010/05/11/the-hurt-locker-im-happy-to-say-that-the-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l28k2yvjsc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Hurt_Locker&#34;&gt;The Hurt Locker&lt;/a&gt;. I’m happy to say that the good parts were very, very, very good. Overall? Just okay.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Christian Boltanski Has a Show at the Park Avenue Armory - NYTimes.com</title>
    <link href="https://mlarson.org/2010/05/10/christian-boltanski-has-a-show-at-the-park-avenue/"/>
    <updated>2010-05-10T20:33:59.000Z</updated>
    <id>https://mlarson.org/2010/05/10/christian-boltanski-has-a-show-at-the-park-avenue/</id>
    <content type="html">&lt;p&gt;“You can hold onto the clothes, and even the heartbeats of many, many people. But you can’t keep anybody.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/05/10/arts/design/10boltanski.html&#34;&gt;Christian Boltanski Has a Show at the Park Avenue Armory - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Bruges</title>
    <link href="https://mlarson.org/2010/05/09/in-bruges-plenty-of-dark-humor-presented-in-a/"/>
    <updated>2010-05-09T04:30:26.000Z</updated>
    <id>https://mlarson.org/2010/05/09/in-bruges-plenty-of-dark-humor-presented-in-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l24xurn7tl1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/In_Bruges&#34;&gt;In Bruges&lt;/a&gt;. Plenty of dark humor presented in a carefree manner. You’re never too far from a laugh, but the pace isn’t manic. There’s a willingness to draw a scene out, let a situation linger. I liked it a lot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 8, 2010</title>
    <link href="https://mlarson.org/2010/05/08/money-is-like-gasoline-during-a-road-trip-you/"/>
    <updated>2010-05-08T19:52:04.000Z</updated>
    <id>https://mlarson.org/2010/05/08/money-is-like-gasoline-during-a-road-trip-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Money is like gasoline during a road trip. You don’t want to run out of gas on your trip, but you’re not doing a tour of gas stations. You have to pay attention to money, but it shouldn’t be about the money.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.inc.com/magazine/20100501/the-oracle-of-silicon-valley_Printer_Friendly.html&#34;&gt;Tim O&#39;Reilly: The Oracle of Silicon Valley&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 8, 2010</title>
    <link href="https://mlarson.org/2010/05/08/it-seems-to-me-that-making-escapist-films-might-be/"/>
    <updated>2010-05-08T19:47:00.000Z</updated>
    <id>https://mlarson.org/2010/05/08/it-seems-to-me-that-making-escapist-films-might-be/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don’t touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them—it strengthens them to get through the day. So I feel humor is important for those two reasons: that it is a little bit of refreshment like music, and that women have told me over the years that it is very, very important to them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.commonwealmagazine.org/woody&#34;&gt;Woody Allen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 8, 2010</title>
    <link href="https://mlarson.org/2010/05/08/the-evolution-of-privacy-on-facebook-via/"/>
    <updated>2010-05-08T15:19:10.000Z</updated>
    <id>https://mlarson.org/2010/05/08/the-evolution-of-privacy-on-facebook-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l23x7ziiwu1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mattmckeon.com/facebook-privacy/&#34;&gt;The Evolution of Privacy on Facebook&lt;/a&gt;. (&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/05/evolution-of-facebook-privacy-default.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2010</title>
    <link href="https://mlarson.org/2010/05/06/tim-eric-paul-rudds-computer-i-love-paul/"/>
    <updated>2010-05-06T00:49:09.000Z</updated>
    <id>https://mlarson.org/2010/05/06/tim-eric-paul-rudds-computer-i-love-paul/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=J\_bqAq6GVWQ
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=J_bqAq6GVWQ&#34;&gt;Tim &amp;amp; Eric, Paul Rudd’s Computer&lt;/a&gt;. I love Paul Rudd. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2010</title>
    <link href="https://mlarson.org/2010/05/06/thingsiatethatilove-allhiphopcom-with/"/>
    <updated>2010-05-06T00:46:00.000Z</updated>
    <id>https://mlarson.org/2010/05/06/thingsiatethatilove-allhiphopcom-with/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l1y81adhqp1qz9bjro1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thingsiatethatilove.tumblr.com/post/573500711/allhiphop-com-with-shooters-did-you-hear-the&#34;&gt;thingsiatethatilove&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&#34;http://AllHipHop.com&#34;&gt;AllHipHop.com&lt;/a&gt;:&lt;/strong&gt; With “Shooters,” did you hear the original version by Robin Thicke and just wanted to redo it?&lt;br&gt;
&lt;strong&gt;Lil’ Wayne:&lt;/strong&gt; Yeah, hell yeah. I heard it years ago, on his album.&lt;br&gt;
&lt;strong&gt;&lt;a href=&#34;http://AllHipHop.com&#34;&gt;AllHipHop.com&lt;/a&gt;:&lt;/strong&gt; Do you think that would surprise people, like, “Weezy listens to Thicke?”&lt;br&gt;
&lt;strong&gt;Lil’ Wayne:&lt;/strong&gt; Fuck people.&lt;/p&gt;
&lt;p&gt;(via &lt;a href=&#34;http://www.theawl.com/subscriber-comments.php?user_id=1346&#34;&gt;Leon&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 6, 2010</title>
    <link href="https://mlarson.org/2010/05/06/though-its-unlikely-youll-write-something-nobody/"/>
    <updated>2010-05-06T00:36:14.000Z</updated>
    <id>https://mlarson.org/2010/05/06/though-its-unlikely-youll-write-something-nobody/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Though it’s unlikely you’ll write something nobody has ever heard of, the way you have a chance to compete is in the way you say it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Amy Hempel (via &lt;a href=&#34;http://meaghano.com/post/574041985/though-its-unlikely-youll-write-something-nobody&#34;&gt;meaghano&lt;/a&gt;) (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Atlanta malaise</title>
    <link href="https://mlarson.org/2010/05/06/the-atlanta-malaise/"/>
    <updated>2010-05-06T00:31:41.000Z</updated>
    <id>https://mlarson.org/2010/05/06/the-atlanta-malaise/</id>
    <content type="html">&lt;p&gt;I needed this laugh today:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You know how it’s been around here – no one has jobs, certain people didn’t win certain elected offices so we have to treat them as private citizens, baby animals are dropping dead &lt;a href=&#34;http://www.ajc.com/news/atlanta/3-newborn-warthog-piglets-449916.html&#34;&gt;left&lt;/a&gt; and &lt;a href=&#34;http://www.ajc.com/news/atlanta/newborn-golden-lion-tamarin-397168.html&#34;&gt;right&lt;/a&gt; and the AJC won’t let Mark Davis cover this so we don’t even know how to feel about the whole thing, not a single DJ in Atlanta will play Jermaine Stewart when we ask for it, we had to ride home on buses marked with red Xs a couple of weeks ago, and all the gourmet popsicles in the world can’t make us feel excited about summer because we didn’t even have time to get over spring’s runny allergy eyes before the humidity kicked in.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://pecannelog.com/2010/05/05/the-atlanta-malaise/&#34;&gt;The Atlanta malaise&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Josh Whiton: Cold water alchemy</title>
    <link href="https://mlarson.org/2010/05/04/josh-whiton-cold-water-alchemy/"/>
    <updated>2010-05-04T18:13:14.000Z</updated>
    <id>https://mlarson.org/2010/05/04/josh-whiton-cold-water-alchemy/</id>
    <content type="html">&lt;p&gt;“I sometimes stood in the shower for several minutes staring at the faucet, trying to convince myself to turn it on.” (&lt;a href=&#34;http://twitter.com/sivers/status/13375831314&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://joshwhiton.com/?p=181&#34;&gt;Josh Whiton: Cold water alchemy&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>College and the Art of Life - David Salesin, Convocation Address, 28 September 2003</title>
    <link href="https://mlarson.org/2010/05/04/college-and-the-art-of-life-david-salesin/"/>
    <updated>2010-05-04T04:38:00.000Z</updated>
    <id>https://mlarson.org/2010/05/04/college-and-the-art-of-life-david-salesin/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;College is such an amazing time of freedom. For many of you, this is the first time in your life when it’s completely up to you, and you alone, to decide what you study, what activities you engage in, and how you structure your day. One idea I came up with as an undergrad was to try to maintain balance by making sure I engaged in four different types of activities every single day. These were:&lt;/p&gt;
&lt;p&gt;-something intellectual (not so difficult at school);&lt;br&gt;
-something physical (like running, biking, a team sport);&lt;br&gt;
-something creative (like music, art, or writing); and&lt;br&gt;
-something social (like lunch with a friend).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://salesin.cs.washington.edu/ConvocationAddress.htm&#34;&gt;College and the Art of Life - David Salesin, Convocation Address, 28 September 2003&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Seth&#39;s blog: Optimal Daily Experience</title>
    <link href="https://mlarson.org/2010/05/04/seths-blog-optimal-daily-experience/"/>
    <updated>2010-05-04T04:34:00.000Z</updated>
    <id>https://mlarson.org/2010/05/04/seths-blog-optimal-daily-experience/</id>
    <content type="html">&lt;p&gt;Forgot to share this a while back. (&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/03/best-uses-of-my-time.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.blog.sethroberts.net/2010/03/09/optimal-daily-experience/&#34;&gt;Seth&#39;s blog: Optimal Daily Experience&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 4, 2010</title>
    <link href="https://mlarson.org/2010/05/04/anavalentina-you-said-you-needed-a-guy-whos/"/>
    <updated>2010-05-04T00:46:00.000Z</updated>
    <id>https://mlarson.org/2010/05/04/anavalentina-you-said-you-needed-a-guy-whos/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=mZzFt3nc0yQ
&lt;p&gt;&lt;a href=&#34;http://anavalentina.tumblr.com/post/545535040/fuckyeahfrenchcinema-jean-pierre-leaud&#34;&gt;anavalentina&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;“You said you needed a guy who’s mischievous.” “Are you mischievous?” “Yeah.”&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://fuckyeahfrenchcinema.tumblr.com/post/544696140/jean-pierre-leaud-patrick-auffay-richard&#34;&gt;fuckyeahfrenchcinema&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Jean-Pierre Leaud, Patrick Auffay, Richard Kanayan audition for roles in Francois Truffaut’s 400 Blows.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Connecting some threads: a well-balanced life</title>
    <link href="https://mlarson.org/2010/05/04/20100504connecting-some-threads-living-a-well-balanced-life/"/>
    <updated>2010-05-04T00:32:59.000Z</updated>
    <id>https://mlarson.org/2010/05/04/20100504connecting-some-threads-living-a-well-balanced-life/</id>
    <content type="html">&lt;p&gt;Me, &lt;a href=&#34;http://twitter.com/mlarson/status/13327967204&#34;&gt;tweetin&#39; earlier this evening&lt;/a&gt;: &lt;a href=&#34;http://twitter.com/mlarson/status/13327967204&#34; title=&#34;Well-balanced by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4006/4577270440_4d03c0d7fc.jpg&#34; alt=&#34;Well-balanced&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And I &lt;a href=&#34;http://twitter.com/mlarson/status/13328668513&#34;&gt;went on to remind myself&lt;/a&gt;: &amp;quot;Gotta be constantly tweaking the recipe, right? I kinda know the ingredients but the ratios get out of whack&amp;quot;. I say all this because it reminded me of something that I bookmarked a couple months ago and forgot to share, which is &lt;a href=&#34;http://www.blog.sethroberts.net/2010/03/09/optimal-daily-experience/&#34;&gt;Seth Roberts on Optimal Daily Experience&lt;/a&gt; (via &lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/03/best-uses-of-my-time.html&#34;&gt;Justin Wehr&lt;/a&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Everyone knows about RDAs (Recommended Daily Allowances) of various nutrients. In a &lt;a href=&#34;http://salesin.cs.washington.edu/ConvocationAddress.htm&#34;&gt;speech to new University of Washington students, David Salesin&lt;/a&gt;, a computer scientist, advised them to “maintain balance” by getting certain experiences daily:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;something intellectual [such as a computer science class] (not so hard in college);&lt;/li&gt;
&lt;li&gt;something physical (like running, biking, a team sport);&lt;/li&gt;
&lt;li&gt;something creative (like music, art, or writing); and&lt;/li&gt;
&lt;li&gt;something social (like lunch with a friend).&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This served him well in college, he said, and he continued it after college.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Roberts goes on to propose his own list. This isn&#39;t rocket surgery. Make some basic priorities, try to check them off on a regular basis, re-evaluate every so often. So I think to myself, how simple would it be to take a basic calendar, divide each day into four quadrants for these four, and add a little check marks as appropriate so you can track yourself? Very simple. Done.&lt;/p&gt;
&lt;p&gt;It also kinda ties in with &lt;a href=&#34;http://tumblr.austinkleon.com/post/569021777/the-birth-of-the-pros-and-cons-list-benjamin&#34;&gt;Austin Kleon&#39;s tumble about Ben Franklin and pros and cons lists&lt;/a&gt;. Says Ben:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;And tho’ the Weight of Reasons cannot be taken with the Precision of Algebraic Quantities, yet &lt;strong&gt;when each is thus considered separately and comparatively, and the whole lies before me, I think I can judge better&lt;/strong&gt;, and am less likely to take a rash Step; and in fact I have found great Advantage from this kind of Equation, in what may be called &lt;strong&gt;Moral or Prudential Algebra&lt;/strong&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;First off, I love the phrase &amp;quot;Moral or Prudential Algebra&amp;quot;. It ties in with my general attitude of &lt;a href=&#34;http://books.google.com/books?id=frvKDY0rpToC&amp;amp;lpg=PA66&amp;amp;dq=%22nineteenth-century%20optimist%22&amp;amp;pg=PA66#v=onepage&amp;amp;q=%22nineteenth-century%20optimist%22&amp;amp;f=false&#34;&gt;19th-century optimism&lt;/a&gt; (which phrase I stole for my Twitter bio), the idea that with a little forethought and pluck and some striving, you can make Good Life Decisions. And secondly, there&#39;s that idea that you should &lt;a href=&#34;http://tumblr.austinkleon.com/tagged/lay_it_all_out_where_you_can_look_at_it&#34;&gt;lay it all out where you can look at it&lt;/a&gt;--and this is not just for quote creative unquote stuff. The point is, your life is the Ultimate Creative Project, if you will, so you&#39;d best keep an eye on the how the stuff&#39;s accumulating. Not the details themselves, but the pattern, the trend. To &lt;a href=&#34;http://tumblr.mlarson.org/post/347806167/satisfaction-is-a-product-not-of-where-you-are&#34;&gt;quote Colin Marshall again&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Satisfaction is a product not of where you are, but of where you’re going. To get calculistic, it ain’t about your value, it’s about your first derivative (and maybe your second). In this light, statements like “When x happens, I’ll attain happiness” don’t make sense, but ones like “While x is happening, I’ll be happy” make somewhat more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And a bit later in the evening I was reading &lt;a href=&#34;http://sivers.org/book/HappinessHypothesis&#34;&gt;Derek Sivers&#39; excellent notes on &lt;em&gt;The Happiness Hypothesis&lt;/em&gt;&lt;/a&gt; (in the bookpile now) and I came across a couple quotes that tie in with Roberts, Salesin, and Franklin. First on moral education:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Moral education must also impart tacit knowledge - skills of social perception and social emotion so finely tuned that one automatically feels the right thing in each situation, knows the right thing to do, and then wants to do it. Morality, for the ancients, was a kind of practical wisdom.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;and then on choices vs. conditions:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Voluntary activities, on the other hand, are the things that you choose to do, such as meditation, exercise, learning a new skill, or taking a vacation. Because such activities must be chosen, and because most of them take effort and attention, they can’t just disappear from your awareness the way conditions can. Voluntary activities, therefore, offer much greater promise for increasing happiness while avoiding adaptation effects.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Note to self: moral education (not just ethics stuff, but we&#39;re venturing into &lt;a href=&#34;http://en.wikipedia.org/wiki/Benjamin_Franklin#Thirteen_Virtues&#34;&gt;Franklin&#39;s thirteen virtues&lt;/a&gt; here) involves a set of &lt;em&gt;skills&lt;/em&gt; that you can &lt;em&gt;practice&lt;/em&gt;. Practice and it becomes voluntary, habitual, sustaining. That&#39;s my working theory, in any case. So what have I learned today? Pay attention. Make good choices. Nail the basics, consistently. Basically, the most vague, mundane things ever, but sometimes having a new sense of the gestalt of the whole endeavor can be very refreshing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 3, 2010</title>
    <link href="https://mlarson.org/2010/05/03/map-of-us-census-bureaus-geographical-regions-i/"/>
    <updated>2010-05-03T17:34:55.000Z</updated>
    <id>https://mlarson.org/2010/05/03/map-of-us-census-bureaus-geographical-regions-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/05/tumblr_l1uu67w0zl1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/File:US_Census_geographical_region_map.png&#34;&gt;Map of US Census Bureau’s geographical regions&lt;/a&gt;. I always mix up the north and northeast subdivisions.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Colin Marshall: Openearedness</title>
    <link href="https://mlarson.org/2010/05/02/colin-marshall-openearedness/"/>
    <updated>2010-05-02T14:08:00.000Z</updated>
    <id>https://mlarson.org/2010/05/02/colin-marshall-openearedness/</id>
    <content type="html">&lt;p&gt;I went to &lt;a href=&#34;http://www.cityskies.com/&#34;&gt;City Skies Electronic Music Festival&lt;/a&gt; again last night and it reminded me of Colin Marshall’s post:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Take heed, experimental music-loathers: it’s not that us enthusiasts possess (or believe ourselves to possess) some higher discernment that allows us to draw infinitely more pleasure from the same sound waves you can’t stand. It’s that we enjoy the culture surrounding it.&lt;/p&gt;
&lt;p&gt;Or at least I do; it’s the one live music “scene” whose adherents don’t irk me in some distinctive way. The experimental crowd lacks the pious immortal-worship of jazz fandom, the dried-out shushery of the classical set or the pro forma disenchantment/enchantment of young rockdom, replacing it with a relaxed yet eager openmindedness. Or openearedness. Whatever. The point is that they’re willing to listen seriously and see what sort of an art experience results, pretty much no matter what.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.typepad.com/blog/2010/03/openearedness.html&#34;&gt;Colin Marshall: Openearedness&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 29, 2010</title>
    <link href="https://mlarson.org/2010/04/29/jack-kerouac-essentials-of-spontaneous-prose/"/>
    <updated>2010-04-29T15:28:20.000Z</updated>
    <id>https://mlarson.org/2010/04/29/jack-kerouac-essentials-of-spontaneous-prose/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1n8bwfzcp1qzvsijo1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.elephantjournal.com/2009/04/jack-kerouac-essentials-of-spontaneous-prose/&#34;&gt;Jack Kerouac: Essentials of Spontaneous Prose&lt;/a&gt;. 1958. (via &lt;a href=&#34;http://walkwhilereading.tumblr.com/post/558555096/essentials-of-spontaneous-prose-1958-excerpt&#34;&gt;walkwhilereading&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;CENTER OF INTEREST Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Fifty Twentieth-century Works Most Cited in the Arts &amp;amp; Humanities Citation Index</title>
    <link href="https://mlarson.org/2010/04/29/the-fifty-twentieth-century-works-most-cited-in/"/>
    <updated>2010-04-29T03:03:03.000Z</updated>
    <id>https://mlarson.org/2010/04/29/the-fifty-twentieth-century-works-most-cited-in/</id>
    <content type="html">&lt;p&gt;“In Essays of an Information Scientist (Vol. 10, 1987), Eugene Garfield reported the findings of a quantitative analysis of cited works in the Arts &amp;amp; Humanities index.” See also &lt;a href=&#34;http://www.timeshighereducation.co.uk/story.asp?storyCode=405956&#34;&gt;Most-cited authors of books in the humanities, 2007&lt;/a&gt;, which summarizes my ambivalence nicely: “What this says of modern scholarship is for the reader to decide – and it is imagined that judgments will vary from admiration to despair, depending on one’s view.” My nerd side is excited to see lists like this, my mildly-cynical/skeptical-about-academia side isn’t so sure.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://home.comcast.net/~antaylor1/fiftymostcited.html&#34;&gt;The Fifty Twentieth-century Works Most Cited in the Arts &amp;amp; Humanities Citation Index&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Data-Driven Life - New York Times Magazine</title>
    <link href="https://mlarson.org/2010/04/29/the-data-driven-life-new-york-times-magazine/"/>
    <updated>2010-04-29T02:57:25.000Z</updated>
    <id>https://mlarson.org/2010/04/29/the-data-driven-life-new-york-times-magazine/</id>
    <content type="html">&lt;p&gt;“What happens when technology can analyze every quotidian thing that happened to you today.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/05/02/magazine/02self-measurement-t.html&#34;&gt;The Data-Driven Life - New York Times Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Then We Came to the End (review: 3.5/5)</title>
    <link href="https://mlarson.org/2010/04/28/20100428then-we-came-to-the-end-review/"/>
    <updated>2010-04-28T22:33:29.000Z</updated>
    <id>https://mlarson.org/2010/04/28/20100428then-we-came-to-the-end-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4544817240/&#34; title=&#34;Then We Came to the End by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4025/4544817240_59923615eb.jpg&#34; alt=&#34;Then We Came to the End&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We were delighted to have jobs. We bitched about them constantly. We walked around our new offices with our two minds.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Then-We-Came-End-Novel/dp/0316016381&#34;&gt;Then We Came to the End&lt;/a&gt; was Joshua Ferris&#39; first novel. I knew about it before I read it mostly because it was written in the first-person plural. We did this, then we did that, so-and-so told us about that guy. The cast is a group of employees in an advertising agency on the down-and-out. I think this one could have been chopped down a bit, but what&#39;s there is still pretty good. And it reads so quickly, it&#39;s not a big deal. The setting and tone reminded me a lot of &lt;a href=&#34;http://www.amazon.com/e-Matt-Beaumont/dp/0452281881&#34;&gt;Matt Beaumont&#39;s book, &amp;quot;E&amp;quot;&lt;/a&gt;. The employees gossip, connive, overreact, speculate. Ferris has a great ear and eye for the office, a great observer of office life:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He came by each one of our individual offices, he visited the cubicles and the receptionists. We even saw him talking to one of the building guys. They hardly said anything to anyone, the building guys. Just stood on their ladders handing things up and down to one another, speaking in hushed tones.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And body language:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You didn&#39;t talk about money or job security during a time of layoffs, not in the tone she had taken, and not when you were friends. The silence extended into awkward territory.&lt;/p&gt;
&lt;p&gt;[...]&lt;/p&gt;
&lt;p&gt;&amp;quot;I wasn&#39;t trying to be snide just then,&amp;quot; she said, finally sitting down, reaching out to touch the edge of his desk as if it were a surrogate for his hand.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And this bit about cuts and promotions:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The point was we took this shit very seriously. They had taken away our flowers, our summer days, and our bonuses, we were on a wage freeze and a hiring freeze, and people were flying out the door like so many dismantled dummies. We had one thing still going for us: the prospect of a promotion. A new title: true, it came with no money, the power was almost always illusory, the bestowal a cheap shrewd device concocted by management to keep us from mutiny, but when word circulated that one of us had jumped up an acronym, that person was just a little quieter that day, took a longer lunch than usual, came back with shopping bags, spent the afternoon speaking softly into the telephone, and left whenever they wanted that night, while the rest of us sent e-mails flying back and forth on the lofty topics of Injustice and Uncertainty.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;They all have the ring of truth. Sandwiched between the sillier bits, there&#39;s a pretty amazing little intermezzo chapter, &amp;quot;The Thing to Do and the Place to Be&amp;quot;. That one focuses on one of the characters, a manager, who&#39;s struggling to face an upcoming surgery. It&#39;s quite touching.&lt;/p&gt;
&lt;p&gt;As the book carries on, the loose, manic tone can start to wear a bit thin. But then, the mood does change. Employees are fired or move on. This &amp;quot;we&amp;quot; that you&#39;ve been a part of breaks up. Former co-workers reunite, have a few drinks, and move on. In the end, the most clever part about that narration is that I really related to it, as corny as it might sound. What makes this book worthwhile is not that it pokes fun at office life, but it helps you to value it.&lt;/p&gt;
&lt;p&gt;There is &lt;a href=&#34;http://www.nytimes.com/2007/03/18/books/review/Poniewozik.t.html&#34;&gt;plenty&lt;/a&gt; of &lt;a href=&#34;http://www.avclub.com/search/?q=Then+We+Came+To+The+End&#34;&gt;good discussion&lt;/a&gt; of the book &lt;a href=&#34;http://www.csmonitor.com/2007/0306/p13s02-bogn.html&#34;&gt;elsewhere&lt;/a&gt;. I also thought this &lt;a href=&#34;http://apriltuesday.wordpress.com/2009/01/03/things-they-carried-as-came-to-end/&#34;&gt;comparison of &amp;quot;Then We Came to the End&amp;quot; with Tim O&#39;Brien&#39;s &amp;quot;The Things We Carried&amp;quot;&lt;/a&gt; was really interesting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 28, 2010</title>
    <link href="https://mlarson.org/2010/04/28/bill-stramer-and-son-todd-hazelton-north-dakota/"/>
    <updated>2010-04-28T15:42:00.000Z</updated>
    <id>https://mlarson.org/2010/04/28/bill-stramer-and-son-todd-hazelton-north-dakota/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1lfmdvikl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://beinecke.library.yale.edu/dl_crosscollex/brbldl/oneITEM.asp?pid=2040907&amp;amp;iid=1165562&amp;amp;srchtype=VCG&#34;&gt;Bill Stramer and son Todd&lt;/a&gt;. Hazelton, North Dakota, 1971. Photo from the &lt;a href=&#34;http://beinecke.library.yale.edu/digitallibrary/plowden.html&#34;&gt;David Plowden Archive&lt;/a&gt; in the Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 28, 2010</title>
    <link href="https://mlarson.org/2010/04/28/noiseforairports-from-kirchers-musurgia/"/>
    <updated>2010-04-28T15:35:00.000Z</updated>
    <id>https://mlarson.org/2010/04/28/noiseforairports-from-kirchers-musurgia/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1le4vorqz1qzf8epo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://noiseforairports.com/post/556045282/from-kirchers-musurgia-universalis-birds-via&#34;&gt;noiseforairports&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;From Kircher’s &lt;a href=&#34;http://special.lib.gla.ac.uk/exhibns/month/nov2002.html&#34;&gt;Musurgia Universalis&lt;/a&gt;: Birds!!&lt;/p&gt;
&lt;p&gt;(via &lt;a href=&#34;http://scienceblogs.com/oscillator/&#34;&gt;xtina&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“The book is one of the seminal works of musicology and was hugely influential in the development of Western music – in particular on J.S.Bach (1685-1750) and Beethoven (1770-1827).”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 28, 2010</title>
    <link href="https://mlarson.org/2010/04/28/untitled-photo-by-miroslav-tichy-whos-got-an/"/>
    <updated>2010-04-28T14:24:19.000Z</updated>
    <id>https://mlarson.org/2010/04/28/untitled-photo-by-miroslav-tichy-whos-got-an/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1lc0jdzv81qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Untitled photo by &lt;a href=&#34;http://www.tichyocean.com/&#34;&gt;Miroslav Tichý&lt;/a&gt;, who’s got an &lt;a href=&#34;http://www.icp.org/museum/exhibitions/tichy&#34;&gt;exhibition at the International Center of Photography&lt;/a&gt; going on for a couple more weeks. More in the &lt;a href=&#34;http://www.nytimes.com/2010/02/12/arts/design/12photos.html&#34;&gt;New York Times&lt;/a&gt; and &lt;a href=&#34;http://www.ft.com/cms/s/2/c644b46e-1667-11df-bf44-00144feab49a.html&#34;&gt;Financial Times&lt;/a&gt;. Check out that &lt;a href=&#34;http://www.icp.org/atf/cf/%7BA0B4EE7B-5A90-46AB-AF37-7115A2D48F94%7D/tichy_popup.html?5&amp;amp;tichy_popup&#34;&gt;homemade camera&lt;/a&gt;. (via &lt;a href=&#34;http://www.harpers.org/archive/2010/05/0082930&#34;&gt;this month’s Harper’s&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Brief Encounter</title>
    <link href="https://mlarson.org/2010/04/28/brief-encounter-this-was-pretty-good-i-enjoyed/"/>
    <updated>2010-04-28T04:28:28.000Z</updated>
    <id>https://mlarson.org/2010/04/28/brief-encounter-this-was-pretty-good-i-enjoyed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1kkfgjqz01qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Brief_Encounter&#34;&gt;Brief Encounter&lt;/a&gt;. This was pretty good. I enjoyed it. It’s about an affair between two people, pretty tame by today’s standards. But that was a different era. Here’s a &lt;a href=&#34;http://www.criterion.com/current/posts/88-brief-encounter&#34;&gt;Criterion essay&lt;/a&gt;. And I got a couple semi-related thoughts:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;
&lt;p&gt;One of the most enjoyable things about old/foreign movies is that I often don’t know the cast. It can feel more immediately immersive to see the characters as characters, rather than recognizing actors and trying to set aside that I know they’re &lt;em&gt;portraying&lt;/em&gt; people. There’s no baggage, no expectations, no known quirks or ticks. It all feels very fresh.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;This movie’s soundtrack relies heavily on &lt;a href=&#34;http://en.wikipedia.org/wiki/Piano_Concerto_No._2_%28Rachmaninoff%29&#34;&gt;Rachmaninov’s Piano Concerto No. 2&lt;/a&gt;, a few sections in particular. I wonder what it would be like, instead of scoring a film, to film a score. That is, take some work of music and make a movie such that every bit of imagery fits or bolsters (or undermines, why not?) the music in some way. Like &lt;a href=&#34;http://en.wikipedia.org/wiki/Fantasia_%28film%29&#34;&gt;Fantasia&lt;/a&gt;, I guess, but live-action and only focusing on one piece of music. Is there anything else in that vein? At the least, it would be an interesting constraint on the filming.&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>April 27, 2010</title>
    <link href="https://mlarson.org/2010/04/27/cassidy-had-no-idea-what-made-andrea-so-different/"/>
    <updated>2010-04-27T02:05:13.000Z</updated>
    <id>https://mlarson.org/2010/04/27/cassidy-had-no-idea-what-made-andrea-so-different/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Cassidy had no idea what made Andrea so different, but he could sense that she had somehow survived twenty years as an attractive female in the republic without having had her mind reamed out by mama, the Junior League or Helen Gurley Brown.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The best line from John L. Parker’s otherwise okayish book, &lt;a href=&#34;http://www.amazon.com/gp/product/1416597883/&#34;&gt;Once a Runner&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Getting Their Guns Off - Magazine - The Atlantic</title>
    <link href="https://mlarson.org/2010/04/27/getting-their-guns-off-magazine-the-atlantic/"/>
    <updated>2010-04-27T00:49:36.000Z</updated>
    <id>https://mlarson.org/2010/04/27/getting-their-guns-off-magazine-the-atlantic/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Certainly one of the reasons why World War II came to be called “the Good War,” and those who fought it “the Greatest Generation,” and why Americans have reserved their utmost sentiment for the European theater of that war, is because the 1945 discovery that we’d helped shut down a genocide redeemed that theater’s carnage—ex post facto—and bestowed upon that campaign a narrative, moral, and even aesthetic appeal that is exceptional for any war. &lt;em&gt;Saving Private Ryan&lt;/em&gt; and &lt;em&gt;Band of Brothers&lt;/em&gt; epitomize that theater’s irresistible appeal, with their mix of commendably upsetting, technically brilliant combat scenes and more general uplift. Every mangled limb, every shattered facade, every act of conditioned violence stage-whispers “&lt;em&gt;Sacrifice&lt;/em&gt;” amid the gently weeping soundtrack and the faded–&lt;em&gt;Saturday Evening Post&lt;/em&gt; color palette, with the overall effect evoking stateliness, esteem, even nostalgia—emotional luxuries that only a comfortable remove can give to the hectic, terrifying nature of combat. All of which takes viewers half out of the moment, despite the kinetic you-are-there cinematography.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2010/04/getting-their-guns-off/8030/&#34;&gt;Getting Their Guns Off - Magazine - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>It Might Get Loud</title>
    <link href="https://mlarson.org/2010/04/26/it-might-get-loud-somewhat-disappointed-in-this/"/>
    <updated>2010-04-26T23:52:00.000Z</updated>
    <id>https://mlarson.org/2010/04/26/it-might-get-loud-somewhat-disappointed-in-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1iczvvefw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/It_Might_Get_Loud&#34;&gt;It Might Get Loud&lt;/a&gt;. Somewhat disappointed in this one. A bit slow. More like a set of parallel mini-bios, not enough material with the three of them together.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 26, 2010</title>
    <link href="https://mlarson.org/2010/04/26/i-cannot-walk-through-the-suburbs-in-the-solitude/"/>
    <updated>2010-04-26T19:21:00.000Z</updated>
    <id>https://mlarson.org/2010/04/26/i-cannot-walk-through-the-suburbs-in-the-solitude/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I cannot walk through the suburbs in the solitude of the night without thinking that the night pleases us because it suppresses idle details, just as our memory does.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Jorge Luis Borges. (via &lt;a href=&#34;http://billa.tumblr.com/post/543970191/i-cannot-walk-through-the-suburbs-in-the-solitude-of&#34;&gt;billa&lt;/a&gt; : &lt;a href=&#34;http://rememo.tumblr.com/&#34;&gt;rememo&lt;/a&gt; : &lt;a href=&#34;http://emptythreatsoflittlelord.tumblr.com/&#34;&gt;emptythreatsoflittlelord&lt;/a&gt; : &lt;a href=&#34;http://auralspeech.tumblr.com/&#34;&gt;auralspeech&lt;/a&gt; : &lt;a href=&#34;http://saturnrising.tumblr.com/&#34;&gt;saturnrising&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 26, 2010</title>
    <link href="https://mlarson.org/2010/04/26/rush-yyz-setting-aside-peart-and-lifesons/"/>
    <updated>2010-04-26T16:45:08.000Z</updated>
    <id>https://mlarson.org/2010/04/26/rush-yyz-setting-aside-peart-and-lifesons/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/Sa0C5Uxpd3c&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=Sa0C5Uxpd3c&#34;&gt;Rush - YYZ&lt;/a&gt;. Setting aside Peart and Lifeson’s extended solos, check out Geddy Lee’s amazing hair.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 26, 2010</title>
    <link href="https://mlarson.org/2010/04/26/the-problem-with-cliches-is-not-that-they-contain/"/>
    <updated>2010-04-26T15:16:24.000Z</updated>
    <id>https://mlarson.org/2010/04/26/the-problem-with-cliches-is-not-that-they-contain/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The problem with clichés is not that they contain false ideas, but rather that they are superficial articulations of very good ones. The sun is often on fire at sunset and the moon discreet, but if we keep saying this every time we encounter a sun or a moon, we will end up believing that this is the last rather than the first word to be said on the subject. Clichés are detrimental insofar as they inspire us to believe that they adequately describe a situation while merely grazing its surface. And if this matters, it is because the way we speak is ultimately linked to the way we feel, because how we describe the world must at some level reflect how we first experience it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Alain de Botton. &lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/04/problem-with-cliches.html&#34;&gt;Wehr in the World: The problem with clichés&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Anthony Bourdain, unreserved - chicagotribune.com</title>
    <link href="https://mlarson.org/2010/04/26/anthony-bourdain-unreserved-chicagotribunecom/"/>
    <updated>2010-04-26T14:12:00.000Z</updated>
    <id>https://mlarson.org/2010/04/26/anthony-bourdain-unreserved-chicagotribunecom/</id>
    <content type="html">&lt;p&gt;An excellent interview in many respects. I like this bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How do you avoid cliche when you’ve already done so many shows?&lt;/p&gt;
&lt;p&gt;We try to undermine whatever it was that worked last week. We deliberately set up difficult things to do. Using new lenses, constantly experimenting with new equipment to give it a more cinematic look — letterboxes, widescreen, gyros, cheap do-it-yourself kind of innovation. The editing styles. We think about movies that we loved that have been shot in this area that we might try to rip off. In the case in Rome, we’re going to do the whole thing in black and white, and in letterbox. Can we do really gorgeous food porn in black and white? It’s never been done.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.chicagotribune.com/entertainment/dining/chi-100420-anthony-bourdain-chicago-interview,0,3890876,print.story&#34;&gt;Anthony Bourdain, unreserved - chicagotribune.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2010</title>
    <link href="https://mlarson.org/2010/04/23/interview-with-carol-kaye-wmlb-1690-the-voice/"/>
    <updated>2010-04-23T20:06:00.000Z</updated>
    <id>https://mlarson.org/2010/04/23/interview-with-carol-kaye-wmlb-1690-the-voice/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1cij9m5kt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://1690wmlb.com/carol-kaye/&#34;&gt;Interview with Carol Kaye | WMLB 1690 | The Voice of The Arts&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Scott Glazer speaks with one of music’s most prolific bass players, Carol Kaye. Kaye has played on over 10,000 recordings in her career including her work with the Beach Boys, Frank Zappa and as Phil Spector’s go-to bass player. Scott and Carol talk about her history in recorded music, how it all started and how an accidental session with Sam Cooke changed her life forever.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2010</title>
    <link href="https://mlarson.org/2010/04/23/the-sadhilarious-collection-of-unsatisfied-coffee/"/>
    <updated>2010-04-23T15:45:32.000Z</updated>
    <id>https://mlarson.org/2010/04/23/the-sadhilarious-collection-of-unsatisfied-coffee/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1c6g8nyez1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;The sad/hilarious collection of unsatisfied coffee cups in our office right now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Spinning class, the scarcity heuristic, and me</title>
    <link href="https://mlarson.org/2010/04/23/spinning-class-the-scarcity-heuristic-and-me/"/>
    <updated>2010-04-23T14:07:55.000Z</updated>
    <id>https://mlarson.org/2010/04/23/spinning-class-the-scarcity-heuristic-and-me/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When I really feel like dogging it at spinning class, I engage in some self-talk that goes something like this: This is 45 minutes out of the entire day, and 45 minutes is all you get. In an hour you will be at your desk, where you’ll stay for most of your waking hours. You’ll be envious of the joggers outside in the middle of the day. It’s very unlikely that you’ll get more gym time once this 45-minute opportunity has ended, so treat it like gold.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://trueslant.com/wrayherbert/2010/04/13/spinning-class-the-scarcity-heuristic-and-me/&#34;&gt;Spinning class, the scarcity heuristic, and me&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Trustworthiness of Beards - Percolator - The Chronicle of Higher Education</title>
    <link href="https://mlarson.org/2010/04/23/the-trustworthiness-of-beards-percolator-the/"/>
    <updated>2010-04-23T13:51:00.000Z</updated>
    <id>https://mlarson.org/2010/04/23/the-trustworthiness-of-beards-percolator-the/</id>
    <content type="html">&lt;p&gt;“The way you gain people’s trust is to earn it over time by repeatedly proving that you deserve it. That, or grow a beard.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://chronicle.com/blogPost/The-Trustworthiness-of-Beards/22581/&#34;&gt;The Trustworthiness of Beards - Percolator - The Chronicle of Higher Education&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2010</title>
    <link href="https://mlarson.org/2010/04/23/score-for-piano-etudes-2009-by-jason-freeman/"/>
    <updated>2010-04-23T13:28:18.000Z</updated>
    <id>https://mlarson.org/2010/04/23/score-for-piano-etudes-2009-by-jason-freeman/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l1c037usl11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://opinionator.blogs.nytimes.com/2010/04/22/compose-your-own/&#34;&gt;Score for “Piano Etudes” (2009)&lt;/a&gt; by Jason Freeman. (&lt;a href=&#34;http://www.artscriticatl.com/2010/04/remixing-music-on-the-web-with-atlanta-composer-jason-freeman/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 22, 2010</title>
    <link href="https://mlarson.org/2010/04/22/arndt-margaret-larson-my-dads-fathers/"/>
    <updated>2010-04-22T02:47:00.000Z</updated>
    <id>https://mlarson.org/2010/04/22/arndt-margaret-larson-my-dads-fathers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l19br7q6yq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/371081512/sizes/o/&#34;&gt;Arndt &amp;amp; Margaret Larson&lt;/a&gt;. My dad’s father’s parents. North Dakota or Minnesota, 1910s maybe.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Atlanta bleg</title>
    <link href="https://mlarson.org/2010/04/22/marginal-revolution-atlanta-bleg/"/>
    <updated>2010-04-22T02:25:15.000Z</updated>
    <id>https://mlarson.org/2010/04/22/marginal-revolution-atlanta-bleg/</id>
    <content type="html">&lt;p&gt;Tyler Cowen is going to Atlanta and asks “Where should I eat dinner tomorrow?”. Recommendations are all over the map. I’m surprised by all the recs for The Varsity and Fat Matt’s.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/04/atlanta-bleg.html&#34;&gt;Marginal Revolution: Atlanta bleg&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Embracing the digital book — Craig Mod</title>
    <link href="https://mlarson.org/2010/04/21/embracing-the-digital-book-craig-mod/"/>
    <updated>2010-04-21T14:09:12.000Z</updated>
    <id>https://mlarson.org/2010/04/21/embracing-the-digital-book-craig-mod/</id>
    <content type="html">&lt;p&gt;“Ragged Right Text. I’m going to pretend I don’t even have to mention this. There’s something sociopathic about major e-readers not including this option.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://craigmod.com/journal/ebooks/&#34;&gt;Embracing the digital book — Craig Mod&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sleeping (or Not) by the Wrong Clock - Opinionator Blog - NYTimes.com</title>
    <link href="https://mlarson.org/2010/04/21/sleeping-or-not-by-the-wrong-clock-opinionator/"/>
    <updated>2010-04-21T13:44:00.000Z</updated>
    <id>https://mlarson.org/2010/04/21/sleeping-or-not-by-the-wrong-clock-opinionator/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An unbalanced circadian rhythm can be returned to equilibrium through the application of light to a sleeper’s retina near the end of a person’s “internal night.” Internal night? Yes — it may be night outside, but if your circadian clock is not prepared for sleep, internal night may not start until late and last well into morning. Biologically, it coincides with the secretion of melatonin by the brain’s pineal gland. It is difficult to know where your internal night lies if you artificially force sleep earlier, for example with sleeping pills. You can estimate internal night with a &lt;a href=&#34;http://www.cet.org/en/index.html?/en/Questionnaire.html&#34;&gt;quick chronotype questionnaire&lt;/a&gt; that helps determine when light exposure will be most effective for syncing your circadian rhythm with external reality.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Seems like my natural bedtime is right around midnight. I do notice that I sleep better on days when I spend time outdoors, though maybe that’s tied up with better eating or moderate physical activity, too.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://opinionator.blogs.nytimes.com/2010/04/19/sleeping-or-not-by-the-wrong-clock/&#34;&gt;Sleeping (or Not) by the Wrong Clock - Opinionator Blog - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 21, 2010</title>
    <link href="https://mlarson.org/2010/04/21/no-signal-and-other-cellular-drama-a-montage/"/>
    <updated>2010-04-21T03:42:00.000Z</updated>
    <id>https://mlarson.org/2010/04/21/no-signal-and-other-cellular-drama-a-montage/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/XIZVcRccCx0&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=XIZVcRccCx0&#34;&gt;No Signal (and other cellular drama)&lt;/a&gt;. “A montage of the most overused horror-cinema plot device, post-2000.” (&lt;a href=&#34;http://twitter.com/pomeranian99/status/12551330591&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Borges and I&#34; by Jorge Luis Borges</title>
    <link href="https://mlarson.org/2010/04/20/borges-and-i-by-jorge-luis-borges/"/>
    <updated>2010-04-20T16:35:00.000Z</updated>
    <id>https://mlarson.org/2010/04/20/borges-and-i-by-jorge-luis-borges/</id>
    <content type="html">&lt;p&gt;“I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sccs.swarthmore.edu/users/00/pwillen1/lit/borg&amp;amp;i.htm&#34;&gt;&amp;quot;Borges and I&amp;quot; by Jorge Luis Borges&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2010</title>
    <link href="https://mlarson.org/2010/04/20/asterisks-like-footnotes-can-be-more-distracting/"/>
    <updated>2010-04-20T15:46:42.000Z</updated>
    <id>https://mlarson.org/2010/04/20/asterisks-like-footnotes-can-be-more-distracting/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Asterisks, like footnotes, can be more distracting than clarifying, because they hint at a completeness to the story that a wise reader wouldn’t otherwise think to presume.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/sportingscene/2010/04/baseball-connections.html&#34;&gt;The Sporting Scene: Baseball Connections : The New Yorker&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2010</title>
    <link href="https://mlarson.org/2010/04/20/the-kalahari-persistence-hunt/"/>
    <updated>2010-04-20T14:39:34.000Z</updated>
    <id>https://mlarson.org/2010/04/20/the-kalahari-persistence-hunt/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/fUpo_mA5RP8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://scienceblogs.com/grrlscientist/2010/04/the_kalahari_persistence_hunt.php&#34;&gt;The Kalahari Persistence Hunt&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2010</title>
    <link href="https://mlarson.org/2010/04/20/mikefenton-mfs-my-foolish-heart-bill-evans/"/>
    <updated>2010-04-20T13:59:55.000Z</updated>
    <id>https://mlarson.org/2010/04/20/mikefenton-mfs-my-foolish-heart-bill-evans/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/a2LFVWBmoiw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://mikefenton.tumblr.com/post/535747630/mfs-my-foolish-heart-bill-evans&#34;&gt;mikefenton&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://mfs.tumblr.com/post/535727342/my-foolish-heart-bill-evans&#34;&gt;mfs&lt;/a&gt;: &lt;em&gt;My Foolish Heart - Bill Evans&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2010</title>
    <link href="https://mlarson.org/2010/04/20/burrard-lucas-blog-the-adventures-of-beetlecam/"/>
    <updated>2010-04-20T13:29:52.000Z</updated>
    <id>https://mlarson.org/2010/04/20/burrard-lucas-blog-the-adventures-of-beetlecam/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l16g5tprat1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.burrard-lucas.com/2010/04/adventures-of-beetlecam/&#34;&gt;Burrard-Lucas Blog » The Adventures of BeetleCam&lt;/a&gt;. A DSLR perched on a remote control buggy. This is one of those ideas that seems so obvious in hindsight. Very cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2010</title>
    <link href="https://mlarson.org/2010/04/20/novalee17-theinspirationtree-this-has-my/"/>
    <updated>2010-04-20T01:38:34.000Z</updated>
    <id>https://mlarson.org/2010/04/20/novalee17-theinspirationtree-this-has-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0tasfn0ce1qat01po1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://novalee17.tumblr.com/post/523622182/theinspirationtree-this-has-my-name-written-all&#34;&gt;novalee17&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://theinspirationtree.tumblr.com/post/523607838/this-has-my-name-written-all-over-it&#34;&gt;theinspirationtree&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This has my name written all over it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mumutmuth.tumblr.com/post/523597127/shallowdesires-fudgekisses-najmetender&#34;&gt;mumutmuth&lt;/a&gt; / &lt;a href=&#34;http://shallowdesires.tumblr.com/post/518311853/fudgekisses-najmetender-urbanexperiment&#34;&gt;shallowdesires&lt;/a&gt; / &lt;a href=&#34;http://fudgekisses.tumblr.com/post/518049820/najmetender-urbanexperiment-hehehehehe&#34;&gt;fudgekisses&lt;/a&gt; / &lt;a href=&#34;http://najmetender.tumblr.com/post/518047799/urbanexperiment-hehehehehe&#34;&gt;najmetender&lt;/a&gt; / &lt;a href=&#34;http://urbanexperiment.tumblr.com/post/518042609/hehehehehe&#34;&gt;urbanexperiment&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2010</title>
    <link href="https://mlarson.org/2010/04/20/eminem-got-it-twisted-freestyle-sick/"/>
    <updated>2010-04-20T01:29:10.000Z</updated>
    <id>https://mlarson.org/2010/04/20/eminem-got-it-twisted-freestyle-sick/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;http://media.defsounds.com/uploads/assets/953/959/3426/asset.mp3?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/534597505/audio_player_iframe/mlarson/tumblr_l15ismdROm1qzcye0?audio_file=http%3A%2F%2Fmedia.defsounds.com%2Fuploads%2Fassets%2F953%2F959%2F3426%2Fasset.mp3&#34;&gt;http://mlarson.tumblr.com/post/534597505/audio_player_iframe/mlarson/tumblr_l15ismdROm1qzcye0?audio_file=http%3A%2F%2Fmedia.defsounds.com%2Fuploads%2Fassets%2F953%2F959%2F3426%2Fasset.mp3&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.defsounds.com/editorials/Eminem_the_best_rapper_alive&#34;&gt;Eminem - Got It Twisted Freestyle&lt;/a&gt;. Sick.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why You Should Never Pay For Online Dating « OkTrends</title>
    <link href="https://mlarson.org/2010/04/19/why-you-should-never-pay-for-online-dating/"/>
    <updated>2010-04-19T19:08:31.000Z</updated>
    <id>https://mlarson.org/2010/04/19/why-you-should-never-pay-for-online-dating/</id>
    <content type="html">&lt;p&gt;The economics here are really interesting. Clever stuff.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.okcupid.com/index.php/2010/04/07/why-you-should-never-pay-for-online-dating/&#34;&gt;Why You Should Never Pay For Online Dating « OkTrends&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dinner is the theater as food paparazzi converge - latimes.com</title>
    <link href="https://mlarson.org/2010/04/19/dinner-is-the-theater-as-food-paparazzi-converge/"/>
    <updated>2010-04-19T15:01:54.000Z</updated>
    <id>https://mlarson.org/2010/04/19/dinner-is-the-theater-as-food-paparazzi-converge/</id>
    <content type="html">&lt;p&gt;News to me: “Nikon, Olympus and Sony sell cameras that offer ‘cuisine’ or &#39;food’ settings, which adjust to enhance colors and textures on close-ups.”&lt;/p&gt;
&lt;p&gt;And there’s this: “Lefebvre happily cooked a private dinner for 18 food bloggers. His wife set up a portable light box in a corner of the dining room. Even before the bread plates hit the table, the crowd went nuts. As each new dish arrived, the bloggers rushed over to the light box to get the shot, then returned to their seats.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.latimes.com/business/la-fi-food-paparazzi19-2010apr19,0,4255419,full.story&#34;&gt;Dinner is the theater as food paparazzi converge - latimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Then That&#39;s What They Called Music! | The A.V. Club</title>
    <link href="https://mlarson.org/2010/04/16/then-thats-what-they-called-music-the-av/"/>
    <updated>2010-04-16T19:57:00.000Z</updated>
    <id>https://mlarson.org/2010/04/16/then-thats-what-they-called-music-the-av/</id>
    <content type="html">&lt;p&gt;“We begin a journey through pop’s recent past by examining the bestselling, major-label &lt;em&gt;NOW That’s What I Call Music&lt;/em&gt; compilations.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.avclub.com/features/then-thats-what-they-called-music/&#34;&gt;Then That&#39;s What They Called Music! | The A.V. Club&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 16, 2010</title>
    <link href="https://mlarson.org/2010/04/16/norestingplace-charlie-chaplin-table-ballet/"/>
    <updated>2010-04-16T16:28:40.000Z</updated>
    <id>https://mlarson.org/2010/04/16/norestingplace-charlie-chaplin-table-ballet/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/xoKbDNY0Zwg&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://norestingplace.tumblr.com/post/526033583/charlie-chaplin-table-ballet-via-widjadidja&#34;&gt;norestingplace&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=xoKbDNY0Zwg&#34;&gt;Charlie Chaplin - Table Ballet&lt;/a&gt; (via &lt;a href=&#34;http://youtube.com/user/widjadidja&#34;&gt;widjadidja&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2010</title>
    <link href="https://mlarson.org/2010/04/15/most-culture-is-dark-matter/"/>
    <updated>2010-04-15T16:39:02.000Z</updated>
    <id>https://mlarson.org/2010/04/15/most-culture-is-dark-matter/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most culture is dark matter.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/04/18/arts/18abroad.html&#34;&gt;Abroad - Do-It-Yourself Culture Thrives Despite Globalism - NYTimes.com&lt;/a&gt;. (via &lt;a href=&#34;http://twitter.com/willevans&#34;&gt;@willevans&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2010</title>
    <link href="https://mlarson.org/2010/04/15/britain-closes-airspace-as-volcanic-ash-spreads/"/>
    <updated>2010-04-15T15:28:41.000Z</updated>
    <id>https://mlarson.org/2010/04/15/britain-closes-airspace-as-volcanic-ash-spreads/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0xcbtajfo1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/04/16/world/europe/16ash.html&#34;&gt;Britain Closes Airspace as Volcanic Ash Spreads - NYTimes.com&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Eyjafjallaj%C3%B6kull&#34;&gt;Eyjafjallajökull&lt;/a&gt; is erupting. So strange to remember I hiked by it just a year and a half ago. More &lt;a href=&#34;http://www.flickr.com/photos/yahooeditorspicks/galleries/72157623855495574&#34;&gt;photos on Flickr&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2010</title>
    <link href="https://mlarson.org/2010/04/15/the-ice-balloon-s-a-andrees-north-pole/"/>
    <updated>2010-04-15T13:48:55.000Z</updated>
    <id>https://mlarson.org/2010/04/15/the-ice-balloon-s-a-andrees-north-pole/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0x7pmi5fr1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2010/04/19/100419fa_fact_wilkinson&#34;&gt;The Ice Balloon - S. A. Andrée’s North Pole balloon expedition : The New Yorker&lt;/a&gt;. I wish this weren’t behind a paywall, because non-subscribers are missing out on a wonderful piece of writing. (Photo of the fallen balloon by Nils Strindberg, from the &lt;a href=&#34;http://www.grennamuseum.se&#34;&gt;Grenna Museum&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 14, 2010</title>
    <link href="https://mlarson.org/2010/04/14/the-life-i-have-chosen-gives-me-my-full-hours-of/"/>
    <updated>2010-04-14T14:23:00.000Z</updated>
    <id>https://mlarson.org/2010/04/14/the-life-i-have-chosen-gives-me-my-full-hours-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The life I have chosen gives me my full hours of enjoyment for the balance of my life. The Sun will not rise, or set, without my notice, and thanks.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Winslow_Homer&#34;&gt;Winslow Homer&lt;/a&gt;, in a letter to his family. (&lt;a href=&#34;http://dontpointyourfeet.blogspot.com/2010/04/herring-net-winslow-homer.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>kerouac&#39;s rules for spontaneous prose</title>
    <link href="https://mlarson.org/2010/04/13/kerouacs-rules-for-spontaneous-prose/"/>
    <updated>2010-04-13T17:03:32.000Z</updated>
    <id>https://mlarson.org/2010/04/13/kerouacs-rules-for-spontaneous-prose/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://foyobli.tumblr.com/post/439078117&#34;&gt;foyobli&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy&lt;br&gt;
2. Submissive to everything, open, listening&lt;br&gt;
3. Try never get drunk outside yr own house&lt;br&gt;
4. Be in love with yr life&lt;br&gt;
5. Something that you feel will find its own form&lt;br&gt;
6. Be crazy dumbsaint of the mind&lt;br&gt;
7. Blow as deep as you want to blow&lt;br&gt;
8. Write what you want bottomless from bottom of the mind&lt;br&gt;
9. The unspeakable visions of the individual&lt;br&gt;
10. No time for poetry but exactly what is&lt;br&gt;
11. Visionary tics shivering in the chest&lt;br&gt;
12. In tranced fixation dreaming upon object before you&lt;br&gt;
13. Remove literary, grammatical and syntactical inhibition&lt;br&gt;
14. Like Proust be an old teahead of time&lt;br&gt;
15. Telling the true story of the world in interior monolog&lt;br&gt;
16. The jewel center of interest is the eye within the eye&lt;br&gt;
17. Write in recollection and amazement for yourself&lt;br&gt;
18. Work from pithy middle eye out, swimming in language sea&lt;br&gt;
19. Accept loss forever&lt;br&gt;
20. Believe in the holy contour of life&lt;br&gt;
21. Struggle to sketch the flow that already exists intact in mind&lt;br&gt;
22. Dont think of words when you stop but to see picture better&lt;br&gt;
23. Keep track of every day the date emblazoned in yr morning&lt;br&gt;
24. No fear or shame in the dignity of yr experience, language &amp;amp; knowledge&lt;br&gt;
25. Write for the world to read and see yr exact pictures of it&lt;br&gt;
26. Bookmovie is the movie in words, the visual American form&lt;br&gt;
27. In praise of Character in the Bleak inhuman Loneliness&lt;br&gt;
28. Composing wild, undisciplined, pure, coming in from under, crazier the better&lt;br&gt;
29. You’re a Genius all the time&lt;br&gt;
30. Writer-Director of Earthly movies Sponsored &amp;amp; Angeled in Heaven&lt;/p&gt;
&lt;p&gt;(via &lt;a href=&#34;http://electricityscape.tumblr.com/&#34;&gt;Alabama Arkansas&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 13, 2010</title>
    <link href="https://mlarson.org/2010/04/13/newspaperblackout/"/>
    <updated>2010-04-13T16:43:32.000Z</updated>
    <id>https://mlarson.org/2010/04/13/newspaperblackout/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0tlbabz121qz6f4bo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/518416236/newspaperblackout&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/2010/04/13/newspaper-blackout-is-out-today/&#34;&gt;NEWSPAPER BLACKOUT IS OUT TODAY!&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Hey Tumblr friends — &lt;a href=&#34;http://www.amazon.com/gp/product/0061732974/?tag=newspaperblackout-20&#34;&gt;my new book&lt;/a&gt; is out today! Would love a reblog if you can spare one…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=QB2MT5istU4&#34;&gt;Here’s the trailer&lt;/a&gt;:&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The wait is over, folks! Don’t forget your &lt;a href=&#34;http://www.austinkleon.com/2010/04/06/how-to-get-newspaper-blackout-and-amazon-super-saver-shipping/&#34;&gt;free shipping&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pitchfork: Why We Fight: Why We Fight #1</title>
    <link href="https://mlarson.org/2010/04/13/pitchfork-why-we-fight-why-we-fight-1/"/>
    <updated>2010-04-13T16:31:00.000Z</updated>
    <id>https://mlarson.org/2010/04/13/pitchfork-why-we-fight-why-we-fight-1/</id>
    <content type="html">&lt;p&gt;“Why celebrate pretense and bold gestures in pop music, but get weirdly skeptical of them in the indie world?” See also &lt;a href=&#34;http://pitchfork.com/features/why-we-fight/7787-why-we-fight-2/&#34;&gt;part 2&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pitchfork.com/features/why-we-fight/7773-why-we-fight-1/&#34;&gt;Pitchfork: Why We Fight: Why We Fight #1&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What I&#39;ve been reading, vol. ii</title>
    <link href="https://mlarson.org/2010/04/13/20100413what-ive-been-reading-vol-ii/"/>
    <updated>2010-04-13T00:39:49.000Z</updated>
    <id>https://mlarson.org/2010/04/13/20100413what-ive-been-reading-vol-ii/</id>
    <content type="html">&lt;p&gt;I&#39;m back for a second reading round-up (&lt;a href=&#34;/mark-larson-1/2010/02/11/what-ive-been-reading&#34;&gt;previously&lt;/a&gt;). With these out of the way, I can turn to a nice stack of fiction, and after that, I&#39;m going to do a little overhaul and start prioritizing some of the recommendations I&#39;ve gathered. As for these, I&#39;d say #5, #6, and #8 were the best of the bunch: 1. &lt;a href=&#34;http://www.amazon.com/Jazz-Ear-Conversations-over-Music/dp/080509086X/&#34;&gt;The Jazz Ear&lt;/a&gt;. Ben Ratliff met with jazz musicians and listened to music with them. It sounds like such a great idea, but I think it fails in that people who play music aren&#39;t always good at talking about it. (I should mention that I generally like &lt;a href=&#34;http://topics.nytimes.com/topics/reference/timestopics/people/r/ben_ratliff/index.html&#34;&gt;Ratliff&#39;s writing for the New York Times&lt;/a&gt;.) I thought the most interesting bit on creativity came from the interview with &lt;a href=&#34;http://en.wikipedia.org/wiki/Maria_Schneider_%28musician%29&#34;&gt;Maria Schneider&lt;/a&gt;, who uses one art to understand another:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When she composes, she often plays a sequence into a tape recorder, then gets up to play it back, and moves around the room to the phrases of the music, seeing how it feels when danced. &amp;quot;It helps me figure out where things are, and what needs to be longer.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;2. &lt;a href=&#34;http://www.amazon.com/Maltese-Falcon-Dashiell-Hammett/dp/0679722645/&#34;&gt;The Maltese Falcon&lt;/a&gt;. I &lt;a href=&#34;http://tumblr.mlarson.org/post/338073501/the-maltese-falcon-this-movie-is-really-really&#34;&gt;loved the movie&lt;/a&gt;. I found the book didn&#39;t have the snappy pace I was hoping for. Good story, though.&lt;/p&gt;
&lt;p&gt;3. &lt;a href=&#34;http://www.amazon.com/Year-Living-Biblically-Literally-Possible/dp/0743291484&#34;&gt;The Year of Living Biblically&lt;/a&gt;. Good ol&#39; DNF. I realized I wasn&#39;t that interested, but I hear good things.&lt;/p&gt;
&lt;p&gt;4. &lt;a href=&#34;http://www.amazon.com/But-Beautiful-Book-about-Jazz/dp/0865475083&#34;&gt;But Beautiful&lt;/a&gt;. Author Geoff Dyer calls it &amp;quot;imaginative criticism&amp;quot;. It&#39;s a creative sort of nonfiction where he imagines vignettes based on the facts of some famous jazz people&#39;s lives. More about the personalities and trials than the music. I couldn&#39;t get in to it.&lt;/p&gt;
&lt;p&gt;5. &lt;a href=&#34;http://www.amazon.com/Blues-Chaos-Writing-Robert-Palmer/dp/1416599746/&#34;&gt;Blues &amp;amp; Chaos: The Music Writing of Robert Palmer&lt;/a&gt;. This is a good collection that&#39;s particularly strong in the blues, but covers a really wide range. Many of the pieces are short ones written for newspaper, so you&#39;ll find it easy to flip through. I liked it.&lt;/p&gt;
&lt;p&gt;6. &lt;a href=&#34;http://www.amazon.com/How-Markets-Fail-Economic-Calamities/dp/0374173206&#34;&gt;How Markets Fail: The Logic of Economic Calamities&lt;/a&gt;. The best part, which I do recommend checking out, is the first 1/3, which reviews the historic of economic thought with a special focus on theories of market efficiency and failure (e.g. Smith, Keynes, Hayek, Walras, Pareto, Fama, Arrow, etc). The rest of the book explores some recent thinkers and our current crisis/recession thing. I didn&#39;t find it nearly as interesting as the first part, but maybe that&#39;s because I&#39;ve read so much about the crisis already.&lt;/p&gt;
&lt;p&gt;7. &lt;a href=&#34;http://www.amazon.com/Riders-Purple-Oxford-Worlds-Classics/dp/0199553874/&#34;&gt;Riders of the Purple Sage&lt;/a&gt;. DNF. Didn&#39;t read enough to speak for it. I&#39;m still interested in reading some westerns.&lt;/p&gt;
&lt;p&gt;8. &lt;a href=&#34;http://www.amazon.com/Greek-Poets-Homer-Present/dp/0393060837/&#34;&gt;The Greek Poets: Homer to the Present&lt;/a&gt;. This was nice to read just before bedtime. Sleepiness and inattention kept me from diving into the longer ones, but I bookmarked a bunch of the shorter ones that I liked. Generally, I liked the ancient stuff much more than the old and the modern. Here are a few:&lt;/p&gt;
&lt;p&gt;Written by &lt;a href=&#34;http://en.wikipedia.org/wiki/Anacreon&#34;&gt;Anacreon&lt;/a&gt;, translated by Barbara Hughes Fowler:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I boxed with a harsh opponent, but now I look up, I raise my head, and owe great thanks that I have escaped in every respect the bonds of Love Aphrodite made tough. Let someone bring me wine in a jar and water that bubbles.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Written by &lt;a href=&#34;http://en.wikipedia.org/wiki/Menander&#34;&gt;Menander&lt;/a&gt;, translated by Philip Vellacott:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;By Athene, gentlemen, I can&#39;t find a metaphor To illustrate what has happened---what&#39;s demolishing me All in a moment. I turn things over in my mind. A tornado, now: the time it takes to wind itself up, Get nearer, hit you, then tear off---why, it takes an age. Or a gale at sea; but there, you&#39;ve breathing-space to shout &amp;quot;Zeus save us!&amp;quot; or &amp;quot;Hang on to those ropes!&amp;quot; or to wait For the second monster wave, and then the third, or try To get hold of a bit of wreckage. But with me---oh, no! One touch, one single kiss---I&#39;d had it, I was sunk.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Written by &lt;a href=&#34;http://en.wikipedia.org/wiki/Callimachus&#34;&gt;Callimachus&lt;/a&gt;, translated by Frank Nisetich:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There&#39;s something hidden here, yes, by Pan,    by Dionysos, there&#39;s fire under this ash. Careful, now: don&#39;t get too close! Often a river    eats away at a wall, bit by bit, invisibly. Even so, Menexenos, I fear you&#39;ll slip    under my skin and topple me into love.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I also liked several from &lt;a href=&#34;http://en.wikipedia.org/wiki/Palladas&#34;&gt;Palladas&lt;/a&gt;. One translated by Edmund Keeley:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is all the life there is. It is good enough for me. Worry won&#39;t make another. Or make this one last longer. The flesh of man wastes in time. Today there&#39;s wine and dancing. Today there&#39;s flowers and women. We might as well enjoy them. Tomorrow---nobody knows.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another from Palladas translated by Dudley Fitts:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Praise, of course, is best: plain speech breeds hate. But, ah, the Attic honey Of telling a man exactly what you think of him!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And one last one from &lt;a href=&#34;http://en.wikipedia.org/wiki/Christopher_of_Mytilene&#34;&gt;Christophoros of Mytilene&lt;/a&gt;, translated by Peter Constantine:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How much better if an ox were to sit on your tongue than for your poems to plod like oxen over fields.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;9. &lt;a href=&#34;http://www.amazon.com/Drive-Surprising-Truth-About-Motivates/dp/1594488843/&#34;&gt;Drive: The Surprising Truth About What Motivates Us&lt;/a&gt;. This was okay. It is hard to write a great business book.&lt;/p&gt;
&lt;p&gt;10. &lt;a href=&#34;http://www.amazon.com/Adventures-Johnny-Bunko-Career-Guide/dp/1594482918/&#34;&gt;The Adventures of Johnny Bunko: The Last Career Guide You&#39;ll Ever Need&lt;/a&gt;. I like the efficiency of this one. It&#39;s a nice kick in the pants/attitude adjustment. It doesn&#39;t do much more than get a basic, broad message across in 20 or so minutes, and it that sense, probably is the last career guide you&#39;ll need.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 12, 2010</title>
    <link href="https://mlarson.org/2010/04/12/the-designing-women-game-write-your-own-julia/"/>
    <updated>2010-04-12T18:37:21.000Z</updated>
    <id>https://mlarson.org/2010/04/12/the-designing-women-game-write-your-own-julia/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/9tikaHHRIWM&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/monkeysee/2009/05/a_designing_women_game_write_y.html&#34;&gt;The ‘Designing Women’ Game: Write Your Own Julia Rant - Monkey See Blog - NPR&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why not try a formal picnic for a change? - Miss Manners</title>
    <link href="https://mlarson.org/2010/04/09/why-not-try-a-formal-picnic-for-a-change-miss/"/>
    <updated>2010-04-09T17:07:00.000Z</updated>
    <id>https://mlarson.org/2010/04/09/why-not-try-a-formal-picnic-for-a-change-miss/</id>
    <content type="html">&lt;p&gt;Hear, hear. The fact that this seems novel and exciting is telling:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The motto of informality is: “Let’s do things the easiest, most convenient way and never mind how they seem, because nobody is paying any attention, anyway.”&lt;/p&gt;
&lt;p&gt;Formality says: “Yes, it does matter, and the surrender of individuality to high group standards is a trivial sacrifice to the overall beauty of the thing.”&lt;/p&gt;
&lt;p&gt;At a formal picnic, people do not wear exercise clothes, serve food in packages from the store, eat wandering around whenever they feel like it or treat bits of paper as napkins, cardboard as plates and plastic as flatware.&lt;/p&gt;
&lt;p&gt;Food is served on non-absorbent materials, to be eaten with unbreakable utensils, and the fact that a table cloth, napkins, dishes and cutlery will have to be washed afterward is accepted as one of the burdens of civilization.&lt;/p&gt;
&lt;p&gt;[…]&lt;/p&gt;
&lt;p&gt;Dress does not begin with a surrender to the heat, but the optimistic, if vain, idea that one can rise above it, so to speak. Gradual reactions, such as fanning, forehead mopping and the rolling up of sleeves or baring of feet to dangle in creeks, are considered more exciting than just starting out by sweating into one’s gym suit.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://news.google.com/newspapers?nid=1144&amp;amp;dat=19860706&amp;amp;id=1XMdAAAAIBAJ&amp;amp;sjid=FWMEAAAAIBAJ&amp;amp;pg=7054,1984496&#34;&gt;Why not try a formal picnic for a change? - Miss Manners&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 9, 2010</title>
    <link href="https://mlarson.org/2010/04/09/if-youre-dancing-and-not-within-two-people-of-a/"/>
    <updated>2010-04-09T14:04:00.000Z</updated>
    <id>https://mlarson.org/2010/04/09/if-youre-dancing-and-not-within-two-people-of-a/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you’re dancing and not within two people of a girl, you’re doing it wrong.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.brooklynvegan.com/archives/2010/04/lcd_soundystem_1.html&#34;&gt;Nancy Whang, keyboardist for LCD Soundystem&lt;/a&gt; (via &lt;a href=&#34;http://twitter.com/theBDR/statuses/11880156622&#34;&gt;@theBDR&lt;/a&gt;) (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>To Catch a Thief</title>
    <link href="https://mlarson.org/2010/04/09/to-catch-a-thief-its-a-romance-packaged-in-a/"/>
    <updated>2010-04-09T13:59:58.000Z</updated>
    <id>https://mlarson.org/2010/04/09/to-catch-a-thief-its-a-romance-packaged-in-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0m480r6iq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/To_Catch_a_Thief_(film)&#34;&gt;To Catch a Thief&lt;/a&gt;. It’s a romance packaged in a crime movie, and it’s quite good. Not fantastic, maybe not even great, but thoroughly enjoyable. Definitely feels shorter than it is. I expected the camerawork and direction to be more Hitchcockian (the &lt;a href=&#34;http://www.youtube.com/watch?v=Le-X36HfBGI&#34;&gt;faux diamond scene&lt;/a&gt; is an exception). I still don’t think I get Cary Grant, but I definitely want to see more Grace Kelly films. And I have to mention &lt;a href=&#34;http://www.youtube.com/watch?v=P6rPikqCXss&#34;&gt;that first kiss&lt;/a&gt;. In context, it is absolutely incredible. Just jaw-dropping.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>First Camera, Then Fork: People Who Photograph Food and Display the Pictures Online - NYTimes.com</title>
    <link href="https://mlarson.org/2010/04/08/first-camera-then-fork-people-who-photograph/"/>
    <updated>2010-04-08T18:43:56.000Z</updated>
    <id>https://mlarson.org/2010/04/08/first-camera-then-fork-people-who-photograph/</id>
    <content type="html">&lt;p&gt;“One guy arrived with the wrong lens or something on his camera and left his wife sitting at the table for an hour while he went home to get it.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/04/07/dining/07camera.html&#34;&gt;First Camera, Then Fork: People Who Photograph Food and Display the Pictures Online - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Taipei Story</title>
    <link href="https://mlarson.org/2010/04/08/青梅竹馬-taipei-story-directed-by-edward-yang-who/"/>
    <updated>2010-04-08T02:52:29.000Z</updated>
    <id>https://mlarson.org/2010/04/08/青梅竹馬-taipei-story-directed-by-edward-yang-who/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0jenhnx0s1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Taipei_Story&#34;&gt;青梅竹馬 (Taipei Story)&lt;/a&gt;. Directed by &lt;a href=&#34;http://en.wikipedia.org/wiki/Edward_Yang&#34;&gt;Edward Yang&lt;/a&gt;, who was part of that early &lt;a href=&#34;http://en.wikipedia.org/wiki/Cinema_of_Taiwan&#34;&gt;Taiwanese New Wave&lt;/a&gt; thing. I’ve got a lot of patience for day-to-day slice-of-life movies, but found this a little too fragmented. I also think it suffered from a crummy translation (or, the translation was accurate and the writing was just that awkward). The scenes set at night seemed much better than the daytime ones, but I’m not sure why.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ravi Shankar at 90: The Man and His Music</title>
    <link href="https://mlarson.org/2010/04/07/ravi-shankar-at-90-the-man-and-his-music/"/>
    <updated>2010-04-07T17:17:00.000Z</updated>
    <id>https://mlarson.org/2010/04/07/ravi-shankar-at-90-the-man-and-his-music/</id>
    <content type="html">&lt;p&gt;Nice birthday blowout over at NPR, including &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=125512689&#34;&gt;Indian Classical Music 101&lt;/a&gt;. (&lt;a href=&#34;http://funkaoshi.com/linklog/link-12544&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=125507150&#34;&gt;Ravi Shankar at 90: The Man and His Music&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2010</title>
    <link href="https://mlarson.org/2010/04/07/austinkleon-sydney-australiaan-office-worker/"/>
    <updated>2010-04-07T16:27:57.000Z</updated>
    <id>https://mlarson.org/2010/04/07/austinkleon-sydney-australiaan-office-worker/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0iktzw37g1qz6f4bo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/503458918/sydney-australia-an-office-worker-on-pitt-street&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;SYDNEY, Australia—An office worker on Pitt Street Mall reads a book during lunch hour, 1999.&lt;/p&gt;
&lt;p&gt;From &lt;a href=&#34;http://todayspictures.slate.com/20100405/&#34;&gt;Slate.com: Remember Reading on Paper?&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2010</title>
    <link href="https://mlarson.org/2010/04/07/billa-happy-90th-birthday-ravi-shankar-paul/"/>
    <updated>2010-04-07T14:45:42.000Z</updated>
    <id>https://mlarson.org/2010/04/07/billa-happy-90th-birthday-ravi-shankar-paul/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0idk6yfhh1qz5buqo1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/503184745/happy-90th-birthday-ravi-shankar-paul-schutzer&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Happy 90th birthday, Ravi Shankar!&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;em&gt;Paul Schutzer for&lt;/em&gt; LIFE magazine, December 1956&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Vocabulary and the reading diet</title>
    <link href="https://mlarson.org/2010/04/06/20100406vocabulary-and-the-reading-diet/"/>
    <updated>2010-04-06T20:15:42.000Z</updated>
    <id>https://mlarson.org/2010/04/06/20100406vocabulary-and-the-reading-diet/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/03/why-vocabulary-matters.html&#34;&gt;Justin Wehr&#39;s recent post about vocabulary&lt;/a&gt; highlighted four reasons why vocabulary matters. The final reason:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Linguistic vocabulary is synonymous with thinking vocabulary.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Sort of obvious and also sort of mind-blowing. It also reminded me of a couple things:&lt;/p&gt;
&lt;p&gt;1. Some of the funniest/best storytellers I know are funny because, in part, they employ their vocabulary really well. Maybe I just respond well to wordplay because I am a word nerd, but still, I think there&#39;s relationship between knowing how to describe things well, and making the sometimes oddball verbal connections and metaphors, that&#39;s essential to the funny.&lt;/p&gt;
&lt;p&gt;2. That fourth reason also reminded me of one of my favorite Phrases To Live By:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you write like porridge you will think like it, and the other way around.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That&#39;s from &lt;a href=&#34;http://en.wikipedia.org/wiki/Don_Watson&#34;&gt;Don Watson&lt;/a&gt; in his book, &lt;a href=&#34;http://www.amazon.com/Death-Sentences-Management-Speak-Strangling-Language/dp/1592401406&#34;&gt;Death Sentences&lt;/a&gt;. I read it a few years ago and haven&#39;t forgotten that little bit. It&#39;s also an important reminder about the words (read: ideas) I consume.&lt;/p&gt;
&lt;p&gt;I had the---honestly, pretty disturbing---realization the other day that too much of my reading lately has been a bit content-thin. Not enough for my brain to chew on. My reading diet needs more raw, organic roughage, less HFCS. So to speak. I don&#39;t mean it in a snobby way, or to fetishize difficulty for difficulty&#39;s sake, but I could do a lot better. And it&#39;s not that the stuff I&#39;m reading isn&#39;t &lt;em&gt;interesting&lt;/em&gt;---just that sometimes entertaining ≠ illuminating, delightful ≠ insightful in a long-lasting way. It goes beyond books, too. I&#39;m trying to be more picky about the magazines, essays, blog posts I invest my time in as well.&lt;/p&gt;
&lt;p&gt;Some final reminders to myself:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Primary sources are often awesome.&lt;/li&gt;
&lt;li&gt;The classic texts stick around because they are often awesome.&lt;/li&gt;
&lt;li&gt;The author&#39;s iconic essay is often better than the subsequent book.&lt;/li&gt;
&lt;li&gt;I live minutes away from a kick-ass academic library.&lt;/li&gt;
&lt;li&gt;More intentional book-choosing is good. Aimless browsing for serendipitous library finds doesn&#39;t always work.&lt;/li&gt;
&lt;li&gt;I would do well to curate from like-minded people more often than I do. Ignore recommendations from smart people at my own peril.&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2010</title>
    <link href="https://mlarson.org/2010/04/05/filmspool-untitled-by-james-dodd-this-frame/"/>
    <updated>2010-04-05T18:02:07.000Z</updated>
    <id>https://mlarson.org/2010/04/05/filmspool-untitled-by-james-dodd-this-frame/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_kzj6ijdqya1qatev0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://filmspool.funkaoshi.com/post/481744146&#34;&gt;filmspool&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h3&gt;Untitled by James Dodd&lt;/h3&gt;
&lt;p&gt;This frame looks like the opening shot of a movie I want to watch.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Amen.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2010</title>
    <link href="https://mlarson.org/2010/04/05/each-time-he-took-a-walk-he-felt-as-though-he/"/>
    <updated>2010-04-05T17:58:00.000Z</updated>
    <id>https://mlarson.org/2010/04/05/each-time-he-took-a-walk-he-felt-as-though-he/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within… By wandering aimlessly, all places became equal and it no longer mattered where he was. On his best walks he was able to feel that he was nowhere.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.apieceofmonologue.com/2010/03/paul-auster-new-york-trilogy.html&#34;&gt;Paul Auster on Identity and Urban Spaces | A Piece of Monologue&lt;/a&gt;. Excerpt from &lt;a href=&#34;http://www.amazon.com/City-Glass-New-York-Trilogy/dp/0140097317&#34;&gt;City of Glass&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2010</title>
    <link href="https://mlarson.org/2010/04/05/you-can-afford-to-expose-yourself-to-uncertainties/"/>
    <updated>2010-04-05T17:56:00.000Z</updated>
    <id>https://mlarson.org/2010/04/05/you-can-afford-to-expose-yourself-to-uncertainties/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You can afford to expose yourself to uncertainties in art that you wouldn’t allow yourself in real life. You can allow yourself to get into situations where you are completely lost, and where you are disoriented. You don’t know what’s going on, and you can actually not only allow yourself to do that, you can enjoy it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From a &lt;a href=&#34;http://music.hyperreal.org/artists/brian_eno/interviews/punk76.html&#34;&gt;Punk interview with Brian Eno&lt;/a&gt; circa 1976, via &lt;a href=&#34;http://www.apieceofmonologue.com/2008/12/another-green-world.html&#34;&gt;A Piece of Monologue&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2010</title>
    <link href="https://mlarson.org/2010/04/05/austinkleon-jenbekmanprojects-austin/"/>
    <updated>2010-04-05T17:51:40.000Z</updated>
    <id>https://mlarson.org/2010/04/05/austinkleon-jenbekmanprojects-austin/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0ev5mbu2i1qafox8o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/498408106/jenbekmanprojects-austin-kleons-new-book-of&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://jenbekmanprojects.tumblr.com/post/498396634/austin-kleons-new-book-of-poems-newspaper&#34;&gt;jenbekmanprojects&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.20x200.com/artists/austin-kleon.html&#34;&gt;Austin Kleon&lt;/a&gt;’s new book of poems, &lt;em&gt;Newspaper Blackout&lt;/em&gt;, makes &lt;a href=&#34;http://nymag.com/arts/all/approvalmatrix/65231/&#34;&gt;New York Magazine’s Approval Matrix&lt;/a&gt; somewhere between Highbrow and Brilliant.&lt;/p&gt;
&lt;p&gt;Last week we released &lt;a href=&#34;http://www.20x200.com/artists/austin-kleon.html&#34;&gt;Austin&lt;/a&gt;’s fourth edition on 20x200, &lt;a href=&#34;http://www.20x200.com/art/2010/03/the-travelogue.html&#34;&gt;&lt;em&gt;The Travelogue&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hurrah!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Newspaper-Blackout-Austin-Kleon/dp/0061732974&#34;&gt;Buy this book&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2010</title>
    <link href="https://mlarson.org/2010/04/05/austinkleon-beach-house-soundchecking-at-the/"/>
    <updated>2010-04-05T17:44:00.000Z</updated>
    <id>https://mlarson.org/2010/04/05/austinkleon-beach-house-soundchecking-at-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0eu67m1my1qazdeqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/498388947/beach-house-soundchecking-at-the-pabst-theatre-in&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://beachhouse2010.tumblr.com/post/498357729/soundcheck-at-the-amazing-pabst-theatre-in&#34;&gt;Beach House&lt;/a&gt; soundchecking at the Pabst Theatre in Milwaukee&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I see them live in ATL in 24 days. Can’t wait.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2010</title>
    <link href="https://mlarson.org/2010/04/05/la-is-the-apocalypse-its-you-and-a-bunch-of/"/>
    <updated>2010-04-05T17:03:00.000Z</updated>
    <id>https://mlarson.org/2010/04/05/la-is-the-apocalypse-its-you-and-a-bunch-of/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;L.A. is the apocalypse: it’s you and a bunch of parking lots. No one’s going to save you; no one’s looking out for you. It’s the only city I know where that’s the explicit premise of living there – that’s the deal you make when you move to L.A.&lt;/p&gt;
&lt;p&gt;The city, ironically, is emotionally authentic.&lt;/p&gt;
&lt;p&gt;It says: no one loves you; you’re the least important person in the room; get over it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Geoff Manaugh, &lt;a href=&#34;http://bldgblog.blogspot.com/2007/10/greater-los-angeles.html&#34;&gt;Greater Los Angeles | bldgblog&lt;/a&gt; (via &lt;a href=&#34;http://christmasgorilla.com/&#34;&gt;christmasgorilla&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2010</title>
    <link href="https://mlarson.org/2010/04/05/bing-crosby-sings-moonlight-becomes-you-from-the/"/>
    <updated>2010-04-05T15:21:03.000Z</updated>
    <id>https://mlarson.org/2010/04/05/bing-crosby-sings-moonlight-becomes-you-from-the/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/dUmkz95E7mw&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=dUmkz95E7mw&#34;&gt;Bing Crosby sings “Moonlight Becomes You”&lt;/a&gt; from the &lt;em&gt;Road to Morocco&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Plein Soleil (Purple Noon)</title>
    <link href="https://mlarson.org/2010/04/03/plein-soleil-purple-noon-this-movie-is/"/>
    <updated>2010-04-03T03:40:00.000Z</updated>
    <id>https://mlarson.org/2010/04/03/plein-soleil-purple-noon-this-movie-is/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l0a7iylmog1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Purple_Noon&#34;&gt;Plein Soleil (Purple Noon)&lt;/a&gt;. This movie is wonderful. From 1960, it was the first adaptation of Patricia Highsmith’s 1955 book, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Talented_Mr._Ripley&#34;&gt;The Talented Mr. Ripley&lt;/a&gt;. I really liked the &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Talented_Mr._Ripley_%28film%29&#34;&gt;1999 version&lt;/a&gt; with Damon, Law, Paltrow, etc., and I’d say this one is even a smidge better. Compared to what I remember of the newer one, it seemed like there were fewer vignettes–the thread of the story spools out a bit more naturally. There’s a bit less prologue and a bit more watching the anti-hero trying to save his own ass. Fascinating stuff. In addition, some camerawork that winks its eye at the viewer, some of the best fashion on film and an excellent, unobtrusive soundtrack from Nino Rota. Recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 2, 2010</title>
    <link href="https://mlarson.org/2010/04/02/a-history-of-the-sky-a-grid-of-126-time-lapse/"/>
    <updated>2010-04-02T18:45:04.000Z</updated>
    <id>https://mlarson.org/2010/04/02/a-history-of-the-sky-a-grid-of-126-time-lapse/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/TR0DZRw9IkA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.murphlab.com/hsky/&#34;&gt;A History of the Sky&lt;/a&gt;. A grid of 126 time-lapse movies, each showing the sky on a different day. (&lt;a href=&#34;http://blog.longnow.org/2010/03/10/a-history-of-the-sky/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Catorialist</title>
    <link href="https://mlarson.org/2010/04/01/the-catorialist/"/>
    <updated>2010-04-01T19:07:01.000Z</updated>
    <id>https://mlarson.org/2010/04/01/the-catorialist/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thecatorialist.blogspot.com/&#34;&gt;The Catorialist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2010</title>
    <link href="https://mlarson.org/2010/04/01/sarahbelfort-trivialrecords-tintin-means/"/>
    <updated>2010-04-01T17:47:54.000Z</updated>
    <id>https://mlarson.org/2010/04/01/sarahbelfort-trivialrecords-tintin-means/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l07k1xqu2o1qzxy2ko1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://sarahbelfort.tumblr.com/post/489383617/tintin-means-literally-nothing-his-face&#34;&gt;sarahbelfort&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://trivialrecords.tumblr.com/post/489383617&#34;&gt;trivialrecords&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Tintin means, literally, “Nothing”. His face, round as an O with two pinpricks for eyes, is what Hergé himself described as “the degree zero of typeage” - a typographic vanishing point. Tintin is also the degree zero of personage. He has no past, no sexual identity, no complexities. Like Cocteau’s Orphée, who spends much of the film in the negative space or dead world on the far side of the mirror, he is a writer who does not write.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— Tom McCarthy, &lt;em&gt;Tintin and the Secret of Literature&lt;/em&gt; (excerpted in the &lt;a href=&#34;http://www.guardian.co.uk/books/2006/jul/01/booksforchildrenandteenagers&#34;&gt;Guardian&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2010</title>
    <link href="https://mlarson.org/2010/04/01/austinkleon-no-speed-limit-anymore-go-as-fast/"/>
    <updated>2010-04-01T17:03:19.000Z</updated>
    <id>https://mlarson.org/2010/04/01/austinkleon-no-speed-limit-anymore-go-as-fast/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l07hyc8r2c1qz6f4bo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/489302676/no-speed-limit-anymore-go-as-fast-as-you-want&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“&lt;a href=&#34;http://shop.politecards.com/collections/shrigley/products/david-shrigley-greetings-dsx6&#34;&gt;No Speed Limit anymore&lt;/a&gt;. Go as fast as you want - like in Germany.” - &lt;a href=&#34;http://www.davidshrigley.com/&#34;&gt;David Shrigley&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;(Hanging in my cubicle at work.)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2010</title>
    <link href="https://mlarson.org/2010/04/01/what-writers-have-is-a-license-and-also-the/"/>
    <updated>2010-04-01T15:23:29.000Z</updated>
    <id>https://mlarson.org/2010/04/01/what-writers-have-is-a-license-and-also-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What writers have is a license and also the freedom to sit—to sit, clench their fists, and make themselves be excruciatingly aware of the stuff that we’re mostly aware of only on a certain level. And if the writer does his job right, what he basically does is remind the reader of how smart the reader is. Wake the reader up to stuff that the reader’s been aware of all the time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;David Foster Wallace quoted in &lt;a href=&#34;http://www.thehowlingfantods.com/dfw/news/dfw-biography/fantods-qa-with-david-lipsky.html&#34;&gt;The Howling Fantods Q&amp;amp;A with David Lipsky&lt;/a&gt;. &lt;a href=&#34;http://twitter.com/mlarson/status/11259695470&#34;&gt;Like I said&lt;/a&gt;, I wish Wallace had done stand-up comedy, too, because this attitude seems perfect for it. Isn’t that what many great comedians do? A voice in the wilderness kind of thing, standing apart or going deep and observing and noticing more than you, and pointing out these things in a way that makes you happy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Monster</title>
    <link href="https://mlarson.org/2010/04/01/monster-charlize-theron-is-amazing-in-this-movie/"/>
    <updated>2010-04-01T14:46:21.000Z</updated>
    <id>https://mlarson.org/2010/04/01/monster-charlize-theron-is-amazing-in-this-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/04/tumblr_l07d1a4urz1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Monster_(film)&#34;&gt;Monster&lt;/a&gt;. Charlize Theron is amazing in this movie. But the story is weak. Great craftsman, shoddy materials. It’s worth watching at least a little bit though. On a side note, the use of some pop songs (by Journey, The Searchers, REO Speedwagon, etc.) struck me as kind of weird. I understand their use as a sort of shorthand emotional signifier, but lately I find that a little more jarring. I think I might prefer a made-for-the-occasion original soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>MOON8</title>
    <link href="https://mlarson.org/2010/03/31/moon8/"/>
    <updated>2010-03-31T19:59:00.000Z</updated>
    <id>https://mlarson.org/2010/03/31/moon8/</id>
    <content type="html">&lt;p&gt;“Have you ever wondered what Dark Side of the Moon would sound like if Pink Floyd had written it for NES, instead of for a rock band?” (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;) Interesting to hear which songs remain affecting, and which ones don’t translate so well.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://rainwarrior.thenoos.net/music/moon8.html&#34;&gt;MOON8&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Increasing Number Of Parents Opting To Have Children School-Homed | The Onion</title>
    <link href="https://mlarson.org/2010/03/31/increasing-number-of-parents-opting-to-have/"/>
    <updated>2010-03-31T15:57:48.000Z</updated>
    <id>https://mlarson.org/2010/03/31/increasing-number-of-parents-opting-to-have/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/articles/increasing-number-of-parents-opting-to-have-childr,17159/&#34;&gt;Increasing Number Of Parents Opting To Have Children School-Homed | The Onion&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2010</title>
    <link href="https://mlarson.org/2010/03/29/brian-eno-another-green-world-arena-2010/"/>
    <updated>2010-03-29T17:41:18.000Z</updated>
    <id>https://mlarson.org/2010/03/29/brian-eno-another-green-world-arena-2010/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=SMa1Pt6N2a8&#34;&gt;Brian Eno - Another Green world - Arena 2010 Documentary Part 1/6&lt;/a&gt;. Just aired a few months ago &lt;a href=&#34;http://www.bbc.co.uk/programmes/b00q9xqk&#34;&gt;on BBC Four&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/colinmarshall/status/11260180665&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2010</title>
    <link href="https://mlarson.org/2010/03/29/suicide-has-an-event-gravity-eventually/"/>
    <updated>2010-03-29T15:00:01.000Z</updated>
    <id>https://mlarson.org/2010/03/29/suicide-has-an-event-gravity-eventually/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Suicide has an event gravity; eventually everybody’s impressions get tugged in its direction. It’s such a hard end it reaches back and scrambles the beginning.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://americanfiction.wordpress.com/2010/03/29/qa-david-lipsky/&#34;&gt;Q&amp;amp;A: David Lipsky | Mark Athitakis’ American Fiction Notes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Q&amp;amp;A: David Lipsky | Mark Athitakis’ American Fiction Notes</title>
    <link href="https://mlarson.org/2010/03/29/qa-david-lipsky-mark-athitakis-american/"/>
    <updated>2010-03-29T14:49:44.000Z</updated>
    <id>https://mlarson.org/2010/03/29/qa-david-lipsky-mark-athitakis-american/</id>
    <content type="html">&lt;p&gt;From an interview with David Lipsky (&lt;a href=&#34;http://www.thehowlingfantods.com/dfw/news/dfw-biography/american-fiction-notes-qa-with-david-lipsky.html&#34;&gt;via&lt;/a&gt;), here’s David Foster Wallace on the philosophical depth of country music:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Because that’s like pretty much all there is, when you’re tired of listening to Green Day on the one college station. And these country musics that are just so—you know, “Baby since you’ve left I can’t live, I’m drinking all the time.” And I remember just being real impatient with it. Until I’d been living here about a year. And all of a sudden I realized, what if you just imagined that this absent lover they’re singing to is just a metaphor? And what they’re really singing to is themselves, or to God, you know? “Since you’ve left I’m so empty I can’t live, my life has no meaning.” That in a weird way, they’re incredibly existentialist songs. That have the patina of the absent, of the romantic shit on it, just to make it salable… But that if you cock your ear and listen real close—that it’s deep, you know?… That we find, that art finds a way to take care of you, and take part. Kind of despite itself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://americanfiction.wordpress.com/2010/03/29/qa-david-lipsky/&#34;&gt;Q&amp;amp;A: David Lipsky | Mark Athitakis’ American Fiction Notes&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sunset Boulevard</title>
    <link href="https://mlarson.org/2010/03/29/joe-gillis-youre-norma-desmond-you-used-to-be/"/>
    <updated>2010-03-29T14:17:00.000Z</updated>
    <id>https://mlarson.org/2010/03/29/joe-gillis-youre-norma-desmond-you-used-to-be/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_l01rohhcjj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Joe Gillis: You’re Norma Desmond. You used to be in silent pictures. You used to be big. Norma Desmond: I am big. It’s the pictures that got small.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Sunset_Boulevard_(film)&#34;&gt;Sunset Boulevard&lt;/a&gt;. Not as good as I had hoped, but still interesting beginning to end.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Spying on how we read « Music Machinery</title>
    <link href="https://mlarson.org/2010/03/28/spying-on-how-we-read-music-machinery/"/>
    <updated>2010-03-28T16:20:55.000Z</updated>
    <id>https://mlarson.org/2010/03/28/spying-on-how-we-read-music-machinery/</id>
    <content type="html">&lt;p&gt;“With Whispersync data from millions of Kindle readers Amazon can learn not just what we are reading but how we are reading.” Good ideas for Last.fm-style data slicing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://musicmachinery.com/2010/03/26/spying-on-how-we-read/&#34;&gt;Spying on how we read « Music Machinery&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2010</title>
    <link href="https://mlarson.org/2010/03/27/you-can-still-compare-a-coin-to-the-moonpoets/"/>
    <updated>2010-03-27T17:24:37.000Z</updated>
    <id>https://mlarson.org/2010/03/27/you-can-still-compare-a-coin-to-the-moonpoets/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You can still compare a coin to the moon–poets have done so in days gone by. The coin itself remains one of the few objects of perception continually and immediately surrounding us that, through long-established habits and fantasies, connect us across the millenia to antiquity–like bread and wine, our shoes, the dog, the knife, indeed the moon.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2010/04/0082882&#34;&gt;Pennies to heaven—By Joachim Kalka (Harper’s Magazine)&lt;/a&gt;. Nice reflection on the death of money made of paper &amp;amp; metal. Better than most “death of” pieces. Also includes a nice discussion of Scrooge McDuck.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2010</title>
    <link href="https://mlarson.org/2010/03/27/spaceships-from-captured-by-the-norwegians-a/"/>
    <updated>2010-03-27T15:58:32.000Z</updated>
    <id>https://mlarson.org/2010/03/27/spaceships-from-captured-by-the-norwegians-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzeowiecsa1qzq221o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://spaceships.tumblr.com/post/453592977/from-captured-by-the-norwegians-a-book-of&#34;&gt;spaceships&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;from &lt;em&gt;Captured by the Norwegians&lt;/em&gt;, a book of photographs by Robert Robinson, published in 1958. The whole thing is online!  &lt;a href=&#34;http://www.aicom.no/dan/bok_bob/page_0_frontcover.htm&#34;&gt;Check it.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;gah why am I such a Norway-phile …&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2010</title>
    <link href="https://mlarson.org/2010/03/26/dont-say-you-dont-have-enough-time-you-have/"/>
    <updated>2010-03-26T19:09:58.000Z</updated>
    <id>https://mlarson.org/2010/03/26/dont-say-you-dont-have-enough-time-you-have/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Don’t say you don’t have enough time. You have exactly the same number of hours per day that were given to Helen Keller, Pasteur, Michaelangelo, Mother Teresa, Leonardo da Vinci, Thomas Jefferson, and Albert Einstein.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/H._Jackson_Brown,_Jr.&#34;&gt;H. Jackson Brown, Jr.&lt;/a&gt;, &lt;em&gt;&lt;a href=&#34;http://www.amazon.com/gp/product/1558538356?ie=UTF8&amp;amp;tag=wwwaustinkleo-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=1558538356&#34;&gt;Life’s Little Instruction Book&lt;/a&gt;&lt;/em&gt; (&lt;a href=&#34;http://butyoureagirl.com/2010/03/23/book-review-rework-lacks-homework-by-37signals-jason-fried-and-dhh/&#34;&gt;via&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2010</title>
    <link href="https://mlarson.org/2010/03/26/sarah-bernhardt-by-nadar/"/>
    <updated>2010-03-26T16:56:00.000Z</updated>
    <id>https://mlarson.org/2010/03/26/sarah-bernhardt-by-nadar/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzwf1l4xsw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Sarah_Bernhardt&#34;&gt;Sarah Bernhardt&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Nadar_(photographer)&#34;&gt;Nadar&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2010</title>
    <link href="https://mlarson.org/2010/03/26/if-you-are-feeling-nervous-nervous-is-good-all/"/>
    <updated>2010-03-26T01:10:32.000Z</updated>
    <id>https://mlarson.org/2010/03/26/if-you-are-feeling-nervous-nervous-is-good-all/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you are feeling nervous, nervous is good. All right? It makes us stop thinking about things. It makes us ready to play. If you’re nervous, that’s fine. Feel nervous.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lacrosse coach Trevor Tierney quoted in &lt;a href=&#34;http://www.newyorker.com/reporting/2010/03/22/100322fa_fact_mcphee&#34;&gt;John McPhee’s “Pioneer”&lt;/a&gt;. I like the “stop thinking about things” part–I’ve never been &lt;em&gt;distracted&lt;/em&gt; while nervous. Nerves and focus go hand in hand.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Amazon Filler Item Finder - Get Free Shipping on Amazon.com</title>
    <link href="https://mlarson.org/2010/03/26/amazon-filler-item-finder-get-free-shipping-on/"/>
    <updated>2010-03-26T00:08:27.000Z</updated>
    <id>https://mlarson.org/2010/03/26/amazon-filler-item-finder-get-free-shipping-on/</id>
    <content type="html">&lt;p&gt;“Certain items at &lt;a href=&#34;http://Amazon.com&#34;&gt;Amazon.com&lt;/a&gt; qualify for free shipping, but sometimes the purchase falls short of the minimum $25 needed to receive the free shipping. Enter the amount you need to see a list of products that qualify for free shipping.” (&lt;a href=&#34;http://twitter.com/ebertchicago/status/11058541933&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.filleritem.com/&#34;&gt;Amazon Filler Item Finder - Get Free Shipping on Amazon.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 25, 2010</title>
    <link href="https://mlarson.org/2010/03/25/the-rambo-body-count-art-laphams-quarterly/"/>
    <updated>2010-03-25T18:30:53.000Z</updated>
    <id>https://mlarson.org/2010/03/25/the-rambo-body-count-art-laphams-quarterly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzuoriex9x1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://laphamsquarterly.org/visual/charts-graphs/?page=64&#34;&gt;The Rambo Body Count - Art - Lapham’s Quarterly&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 25, 2010</title>
    <link href="https://mlarson.org/2010/03/25/working-methods-art-laphams-quarterly/"/>
    <updated>2010-03-25T18:25:13.000Z</updated>
    <id>https://mlarson.org/2010/03/25/working-methods-art-laphams-quarterly/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzuoi1debw1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.laphamsquarterly.org/visual/charts-graphs/&#34;&gt;Working Methods - Art - Lapham’s Quarterly&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mother :: rogerebert.com :: Reviews</title>
    <link href="https://mlarson.org/2010/03/25/mother-rogerebertcom-reviews/"/>
    <updated>2010-03-25T17:57:38.000Z</updated>
    <id>https://mlarson.org/2010/03/25/mother-rogerebertcom-reviews/</id>
    <content type="html">&lt;p&gt;Apparently Roger Ebert was posted his review of “Mother” while &lt;a href=&#34;http://tumblr.mlarson.org/post/472579603/mother-eh-a-hyper-protective-mother-defends-an&#34;&gt;I was watching&lt;/a&gt; it. (&lt;a href=&#34;http://twitter.com/colinmarshall/status/11044495030&#34;&gt;via&lt;/a&gt;). I like this conclusion:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Mother” will have you discussing the plot, not entirely to your satisfaction. I would argue: The stories in movies are complete fictions and can be resolved in any way the director chooses. If he actually cheats or lies, we have a case against him. If not, no matter what his strange conclusions, we can be grateful that we remained involved and even fascinated.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20100324/REVIEWS/100329996&#34;&gt;Mother :: rogerebert.com :: Reviews&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mother</title>
    <link href="https://mlarson.org/2010/03/25/mother-eh-a-hyper-protective-mother-defends-an/"/>
    <updated>2010-03-25T14:28:00.000Z</updated>
    <id>https://mlarson.org/2010/03/25/mother-eh-a-hyper-protective-mother-defends-an/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzudj7gagn1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Mother_(2009_film)&#34;&gt;Mother&lt;/a&gt;. Eh. A hyper-protective mother defends an idiot son who’s been accused of a crime he may or may not have done. It waffled between realist slice-of-life and whodunit, and should have stopped at least 15 minutes earlier. I suspect this movie would have been better without the plot. Directed by &lt;a href=&#34;http://en.wikipedia.org/wiki/Bong_Joon-ho&#34;&gt;Bong Joon-ho&lt;/a&gt;. I hear his movie &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Host_(film)&#34;&gt;The Host&lt;/a&gt; is &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20070308/REVIEWS/703080301&#34;&gt;pretty good&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sext by W.H. Auden</title>
    <link href="https://mlarson.org/2010/03/24/sext-by-wh-auden/"/>
    <updated>2010-03-24T17:07:00.000Z</updated>
    <id>https://mlarson.org/2010/03/24/sext-by-wh-auden/</id>
    <content type="html">&lt;p&gt;Stumbled across this in &lt;a href=&#34;http://www.danpink.com/&#34;&gt;Dan Pink&lt;/a&gt;’s book, &lt;a href=&#34;http://www.amazon.com/Drive-Surprising-Truth-About-Motivates/dp/0143145088&#34;&gt;Drive&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You need not see what someone is doing&lt;br&gt;
to know if it is his vocation,&lt;/p&gt;
&lt;p&gt;you have only to watch his eyes:&lt;br&gt;
a cook mixing a sauce, a surgeon&lt;/p&gt;
&lt;p&gt;making a primary incision,&lt;br&gt;
a clerk completing a bill of lading,&lt;/p&gt;
&lt;p&gt;wear the same rapt expression,&lt;br&gt;
forgetting themselves in a function.&lt;/p&gt;
&lt;p&gt;How beautiful it is,&lt;br&gt;
that eye-on-the-object look.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.englishpoetry.xt.pl/auden/sext.html&#34;&gt;Sext by W.H. Auden&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 24, 2010</title>
    <link href="https://mlarson.org/2010/03/24/he-keeps-saying-hes-going-to-erupt-into-some/"/>
    <updated>2010-03-24T17:00:22.000Z</updated>
    <id>https://mlarson.org/2010/03/24/he-keeps-saying-hes-going-to-erupt-into-some/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;He keeps saying he’s going to erupt into some unspeakable atrocity such as waving his dingdong at an Embassy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lettersofnote.com/2010/03/burroughs-has-gone-insane.html&#34;&gt;Letters of Note: Burroughs has gone insane&lt;/a&gt;. Letter from Jack Kerouac re: William Burroughs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 24, 2010</title>
    <link href="https://mlarson.org/2010/03/24/sarahbelfort-well-in-those-days-the-internet/"/>
    <updated>2010-03-24T13:54:00.000Z</updated>
    <id>https://mlarson.org/2010/03/24/sarahbelfort-well-in-those-days-the-internet/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/eqmjWCk36C8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://sarahbelfort.tumblr.com/post/470130538/well-in-those-days-the-internet-was-in-black-and&#34;&gt;sarahbelfort&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Well in those days the internet was in black and white. It was only on for three hours a day. We used to get all dressed up in our Sunday best to log onto it. We’d log onto &lt;a href=&#34;http://letsbuyit.com&#34;&gt;letsbuyit.com&lt;/a&gt; and order a gas mask and a pound of tripe. Then when we’d finished with the computer we’d switch it off and we’d all stand up and sing the national anthem.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 24, 2010</title>
    <link href="https://mlarson.org/2010/03/24/municipal-market-by-boyd-lewis-circa-1970-we/"/>
    <updated>2010-03-24T13:47:00.000Z</updated>
    <id>https://mlarson.org/2010/03/24/municipal-market-by-boyd-lewis-circa-1970-we/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzsgzakugf1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://collections.atlantahistorycenter.com/cdm4/item_viewer.php?CISOROOT=/byd&amp;amp;CISOPTR=2290&amp;amp;CISOBOX=1&amp;amp;REC=12&#34;&gt;Municipal Market&lt;/a&gt; by Boyd Lewis, circa 1970. We know it today as the &lt;a href=&#34;http://www.sweetauburncurbmarket.com/&#34;&gt;Sweet Auburn Curb Market&lt;/a&gt; on Edgewood Avenue. (&lt;a href=&#34;http://pecannelog.com/2010/03/23/feast-your-eyes/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 23, 2010</title>
    <link href="https://mlarson.org/2010/03/23/academy-award-winning-movie-trailer-via/"/>
    <updated>2010-03-23T14:13:00.000Z</updated>
    <id>https://mlarson.org/2010/03/23/academy-award-winning-movie-trailer-via/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=nFicqklGuB0&#34;&gt;Academy Award Winning Movie Trailer&lt;/a&gt;. (&lt;a href=&#34;http://thedailysnowman.blogspot.com/2010/03/everything-is-familiar.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My Year Of Everything: My Year Of Everything Q&amp;amp;A: With Kevin Murphy, Author of &#34;A Year At The Movies&#34;</title>
    <link href="https://mlarson.org/2010/03/23/my-year-of-everything-my-year-of-everything-qa/"/>
    <updated>2010-03-23T00:48:09.000Z</updated>
    <id>https://mlarson.org/2010/03/23/my-year-of-everything-my-year-of-everything-qa/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Personally and emotionally it surprised me that I could actually stay committed to something so consuming without ruining my life. It’s almost axiomatic that people in the arts have to be willing to jettison their friends, marriages, loves, in order to really push through and break out. That is a hefty quantity of bullshit, and is an excuse for not living a full life and integrating work into it. This more than anything was the most positive outcome for me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://myyearofeverything.tumblr.com/post/466637179/my-year-of-everything-q-a-with-kevin-murphy-author-of&#34;&gt;My Year Of Everything: My Year Of Everything Q&amp;amp;A: With Kevin Murphy, Author of &amp;quot;A Year At The Movies&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Unlikely Disciple (review: 4/5)</title>
    <link href="https://mlarson.org/2010/03/22/20100322the-unlikely-disciple-review/"/>
    <updated>2010-03-22T23:38:47.000Z</updated>
    <id>https://mlarson.org/2010/03/22/20100322the-unlikely-disciple-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4400372816/&#34; title=&#34;The Unlikely Disciple by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4072/4400372816_0ca17cda75.jpg&#34; alt=&#34;The Unlikely Disciple&#34;&gt;&lt;/a&gt; The Unlikely Disciple chronicles Kevin Roose&#39;s semester &amp;quot;abroad&amp;quot;--he transfers colleges for a semester, from Brown University to Jerry Falwell&#39;s Liberty University. This is exactly the kind of nonfiction I like: adventurous, curious, open-minded, respectful. You get a sense of his attitude in the Acknowledgements section, where Roose&#39;s final thank-you is to the students, faculty and administration at Liberty: &amp;quot;By experiencing your warmth, your vigorous generosity of spirit, and your deep complexity, I was ultimately convinced---not that you were right, necessarily, but that I had been wrong.&amp;quot; I love that attitude. LOVE.&lt;/p&gt;
&lt;p&gt;Why did he do it? Unfamiliarity, mostly:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One recent study showed that 51 percent of Americans don&#39;t know any evangelical Christians, even casually. And until I visited Thomas Road, that was me. My social circle at Brown included atheists, agnostics, lapsed Catholics, Buddhists, Wiccans, and more non-observant Jews than you can shake a shofar at, but exactly zero born-again Christians. The evangelical world, in my mind, was a cloistered, slightly frightening community whose values and customs I wasn&#39;t supposed to understand. So I ignored it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;m in the half that knows quite a few evangelicals, so it was really refreshing to see them treated sympathetically. It is so easy to dismiss crowds you might not agree with, or that you only know by association with FOX News (shudder). Roose offers a bunch of anthropological observations, which I found to be the best part, because many of them ring so true:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Outside of Jane Austen novels, nowhere is marriage a more frequent topic of conversation than at Christian college.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He also talks a bit about how, even at an evangelical college, everybody doubts... There&#39;s a sort of paranoia about yourself and a concern for others that animates social life. What he first perceives as prying (&amp;quot;Are you saved?&amp;quot;) is actually an expression of genuine concern. And at the same time, this paranoia is balanced with a kind of self-help/empowerment vibe. Sin and salvation are two sides of the same coin:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Of all the people I expected to have a moral awakening this semester, Joey was at the bottom of the list. Liberty does this to you, though. It tempts you with the constant possibility of personal realignment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Later in the book he joins a group for a spring break evangelism trip, down at the wild, sinful beaches of Florida. No success. Part of what cripples this crowd is a language barrier:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Claire&#39;s other problem is total linguistic isolation. She, like many other Liberty students, speaks in long, flowery strings of opaque Christian speak. When a twenty-something guy named Rick tells Claire he doesn&#39;t believe in God, Claire sighs and says, &amp;quot;Listen, Rick. There&#39;s a man named Jesus Christ, and he came into my heart and changed me radically. And there is a God who loves you, and who sent his son to die on the cross for you, to take away your sins and my sins, and God shows himself to me every day. When I don&#39;t have hope for tomorrow, Jesus never fails. His love is never ending.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It&#39;s no surprise that language is one thing that separates particular communities, but I&#39;d never thought about it in a religious context before. Later in the book, when he&#39;s talking about conversion, he echoes the bit about language and community:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Maybe the transition isn&#39;t so smooth when the foreign experiences deal with God. The anthropologist Susan Harding defines a religious conversion as the acquisition of a form of religious language, which happens the same way we acquire any other language--through exposure and repetition. In other words, we don&#39;t necessarily know when we&#39;ve crossed the line into belief.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If there&#39;s a weakness in this book, it&#39;s that I would have liked to read more about the culture that is Liberty University. He says he peppers other people about their history, beliefs, reasons for being at Liberty, etc. (sometimes to the point of raising suspicions of his true purpose there), but it&#39;s mostly about his own experience. This is a fair approach, but there&#39;s still a voyeuristic side of me that would like to dig more into the sociology of the college itself. Anyway, great book. Recommended.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Finishing books vs. finishing movies</title>
    <link href="https://mlarson.org/2010/03/22/20100322finishing-books-vs-finishing-movies/"/>
    <updated>2010-03-22T23:16:31.000Z</updated>
    <id>https://mlarson.org/2010/03/22/20100322finishing-books-vs-finishing-movies/</id>
    <content type="html">&lt;p&gt;Over these past few months I&#39;ve been &lt;a href=&#34;http://tumblr.mlarson.org/tagged/movies&#34;&gt;watching more movies&lt;/a&gt; than ever before, and &lt;a href=&#34;http://twitter.com/krisis/status/10896300308&#34;&gt;Peter&#39;s tweet&lt;/a&gt; got me thinking about movie-patience. I DNF books all the time. Movies, I almost always finish. Why is this? A couple theories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Movies last a specific amount of time. Knowing that I will be done with a mediocre movie in 86 minutes makes it easier to bear. Ambiguity around the time investment works against books.&lt;/li&gt;
&lt;li&gt;Movies require less attention, so I can do other things while I (kinda sorta) watch. Eating, light conversation, light internetting, intermittent texting, etc.&lt;/li&gt;
&lt;li&gt;Because there are fewer produced, movies make better conversation topics. They have better cultural currency. More people are more likely to have seen or at least be familiar with a given movie. So there&#39;s a higher social cost for not being familiar with it.&lt;/li&gt;
&lt;li&gt;Movies have a better entertainment/time ratio.&lt;/li&gt;
&lt;li&gt;My priorities are out of whack.&lt;/li&gt;
&lt;li&gt;I am subconsciously addressing an innate human need for stories. Most of my reading is nonfiction, so I&#39;m using cinema-fiction to make up for the lack of text-fiction.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.flickr.com/photos/38934532@N04/3845736943/&#34;&gt;Eye&lt;/a&gt; &lt;a href=&#34;http://www.flickr.com/photos/38934532@N04/3786201977/&#34;&gt;candy&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Movies involve more people, more money, more compromises, more constraints on time and budget, and thus they are less likely to have nonessential bloat. Though I can easily see this argument going the other way, too.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Other possibilities?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Isogloss - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2010/03/22/isogloss-wikipedia-the-free-encyclopedia/"/>
    <updated>2010-03-22T16:05:39.000Z</updated>
    <id>https://mlarson.org/2010/03/22/isogloss-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;“An isogloss (sometimes called heterogloss) is the geographical boundary of a certain linguistic feature, such as the pronunciation of a vowel, the meaning of a word, or use of some syntactic feature.” (&lt;a href=&#34;http://www.guardian.co.uk/commentisfree/2010/mar/21/language-derbyshire-barnsley-pronunciation-dialect&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Isogloss&#34;&gt;Isogloss - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2010</title>
    <link href="https://mlarson.org/2010/03/22/the-public-does-not-like-bad-literature-the/"/>
    <updated>2010-03-22T15:48:09.000Z</updated>
    <id>https://mlarson.org/2010/03/22/the-public-does-not-like-bad-literature-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The public does not like bad literature. The public likes a certain kind of literature and likes that kind of literature even when it is bad better than another kind of literature even when it is good. Nor is this unreasonable; for the line between different types of literature is as real as the line between tears and laughter; and to tell people who can only get bad comedy that you have some first-class tragedy is as irrational as to offer a man who is shivering over weak warm coffee a really superior sort of ice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;G.K. Chesterton. &lt;a href=&#34;http://thesocietybookclub.wordpress.com/2010/03/10/quote-of-the-day-5/&#34;&gt;Quote of the Day « The Gentlemen’s Society for the Advancement of Mental Cultivation, Erudition, and Letters&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cameraman</title>
    <link href="https://mlarson.org/2010/03/22/the-cameraman-keatons-first-film-with-mgm/"/>
    <updated>2010-03-22T04:08:00.000Z</updated>
    <id>https://mlarson.org/2010/03/22/the-cameraman-keatons-first-film-with-mgm/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzo0tkryzm1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Cameraman&#34;&gt;The Cameraman&lt;/a&gt;. Keaton’s first film with MGM, whereupon he lost creative control and began his decline. In other words, the last of the good ones. Generally, if your movie introduces a monkey companion part of the way through, you are probably not in top form. That said, the best parts are very good: the &lt;a href=&#34;http://www.youtube.com/watch?v=PBIW_hKxILk&#34;&gt;dressing room scene&lt;/a&gt; and the &lt;a href=&#34;http://www.youtube.com/watch?v=bIZKNMF52Jo&#34;&gt;scene at Yankee stadium&lt;/a&gt; (love his pitcher’s mannerisms, also check out the base-running and perfectly-timed slide into home at &lt;a href=&#34;http://www.youtube.com/watch?v=bIZKNMF52Jo#t=2m35s&#34;&gt;2:35&lt;/a&gt;). It’s fun at times, but doesn’t compare with &lt;a href=&#34;http://tumblr.mlarson.org/post/193124871/the-general-ive-grown-to-love-me-some-buster&#34;&gt;The General&lt;/a&gt;, &lt;a href=&#34;http://tumblr.mlarson.org/post/245600058/sherlock-jr-this-is-a-great-movie-watch-the&#34;&gt;Sherlock, Jr.&lt;/a&gt;, or &lt;a href=&#34;http://tumblr.mlarson.org/post/245615275/our-hospitality-starts-pretty-slow-but-it-has&#34;&gt;Our Hospitality&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why books on the iPad just might work « Snarkmarket</title>
    <link href="https://mlarson.org/2010/03/19/why-books-on-the-ipad-just-might-work/"/>
    <updated>2010-03-19T20:56:35.000Z</updated>
    <id>https://mlarson.org/2010/03/19/why-books-on-the-ipad-just-might-work/</id>
    <content type="html">&lt;p&gt;“If you’re play­ing along at home, with the excep­tion of the first, none of these crit­i­cisms are really iPad-specific.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2010/5409?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+snarkmarket+%28Snarkmarket%29&amp;amp;utm_content=Google+Reader&#34;&gt;Why books on the iPad just might work « Snarkmarket&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Enthusiast - The Atlantic</title>
    <link href="https://mlarson.org/2010/03/18/the-enthusiast-the-atlantic/"/>
    <updated>2010-03-18T16:18:03.000Z</updated>
    <id>https://mlarson.org/2010/03/18/the-enthusiast-the-atlantic/</id>
    <content type="html">&lt;p&gt;“Bill Simmons has set a new and unbeatable standard by writing like a fan—just far better.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2010/03/the-enthusiast/7981/&#34;&gt;The Enthusiast - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Il Posto (The Job)</title>
    <link href="https://mlarson.org/2010/03/18/il-posto-the-job-i-loved-this-movie-and/"/>
    <updated>2010-03-18T14:25:00.000Z</updated>
    <id>https://mlarson.org/2010/03/18/il-posto-the-job-i-loved-this-movie-and/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Il_Posto&#34;&gt;Il Posto (The Job)&lt;/a&gt;. I loved this movie and recommend it very, very highly. I would probably put this in my top 5. Here’s a &lt;a href=&#34;http://www.criterion.com/current/posts/287-il-posto-handcrafted-cinema&#34;&gt;Criterion essay&lt;/a&gt;. Basically, a young Italian goes interviewing for his first job at a faceless corporation, and there meets a lovely young woman in the same situation. A few things I loved: 1) The story centers on a reluctant hero you can relate to. He’s tentative, intimidated. You find yourself rooting for him not because there’s some obvious evil to triumph over, but because he seems like a decent guy with decent aspirations. 2) The central love interest is done so well. The tension is really amazing, mostly created with pure body language: fleeting eye contact, reflexive shifting and posture perking up, trying to suppress that rush of exhilaration when they sense potential, (not-so-)subtle ways of giving the other an opening. 3) It’s beautiful. It’s got a feeling of being both very precise and very casual. I found myself thinking “what a beautiful moment” instead of “what a beautiful shot”.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wehr in the World: The best uses of my time</title>
    <link href="https://mlarson.org/2010/03/17/wehr-in-the-world-the-best-uses-of-my-time/"/>
    <updated>2010-03-17T19:58:35.000Z</updated>
    <id>https://mlarson.org/2010/03/17/wehr-in-the-world-the-best-uses-of-my-time/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the things I wish more people (anyone) would blog about is not just the books, movies, blog posts, or magazine articles they liked, but rather what in their estimation were the best uses of their time. Was it a chapter of a book or a particular article from the New York Times? Beyond just the content they consumed, was it maybe a conversation with a friend?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/03/best-uses-of-my-time.html&#34;&gt;Wehr in the World: The best uses of my time&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 17, 2010</title>
    <link href="https://mlarson.org/2010/03/17/austinkleon-day-jobs-of-famous-writers/"/>
    <updated>2010-03-17T14:53:29.000Z</updated>
    <id>https://mlarson.org/2010/03/17/austinkleon-day-jobs-of-famous-writers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kzfkjmkjsj1qz6f4bo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/454504456/day-jobs-of-famous-writers&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.laphamsquarterly.org/visual/charts-graphs/day-jobs.php&#34;&gt;Day jobs of famous writers&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>A Funkaoshi Production :: India 2010</title>
    <link href="https://mlarson.org/2010/03/16/a-funkaoshi-production-india-2010/"/>
    <updated>2010-03-16T02:32:00.000Z</updated>
    <id>https://mlarson.org/2010/03/16/a-funkaoshi-production-india-2010/</id>
    <content type="html">&lt;p&gt;I really loving Ramanan’s posts about his trip to India. Wonderful photos + in-the-moment notes on the iPhone. Great combo.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://funkaoshi.com/category/india-2010/&#34;&gt;A Funkaoshi Production :: India 2010&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When the last recording studio goes, what will go with it? | Word Magazine</title>
    <link href="https://mlarson.org/2010/03/16/when-the-last-recording-studio-goes-what-will-go/"/>
    <updated>2010-03-16T02:23:49.000Z</updated>
    <id>https://mlarson.org/2010/03/16/when-the-last-recording-studio-goes-what-will-go/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://wordmagazine.co.uk/content/studios-piece&#34;&gt;When the last recording studio goes, what will go with it? | Word Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Up in the Air (review: 3/5)</title>
    <link href="https://mlarson.org/2010/03/16/20100316up-in-the-air-revie/"/>
    <updated>2010-03-16T00:09:42.000Z</updated>
    <id>https://mlarson.org/2010/03/16/20100316up-in-the-air-revie/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4399604555/&#34; title=&#34;Up in the Air by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4062/4399604555_bb364fbe73.jpg&#34; alt=&#34;Up in the Air&#34;&gt;&lt;/a&gt; I &lt;a href=&#34;http://tumblr.mlarson.org/post/292397905/up-in-the-air-one-of-the-best-movies-i-saw-this&#34;&gt;saw the movie&lt;/a&gt;, liked it a lot, heard good things about the book and figured I might as well. I liked this one just fine. I don&#39;t think it&#39;s quite great enough to recommend, but most good fiction has some oh-yes-that&#39;s-just-like-real-life moments and general snippets of good writing worth sharing. Surely everyone knows a couple like this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Her husband makes it all possible, a software writer flush with some of the fastest money ever generated by our economy. He hangs pleasantly in the background of Kara&#39;s life, demanding nothing, offering everything. They&#39;re a bountiful, gracious people, here to help, who seem to have sealed some deal with the Creator to spread his balm in return for perfect sanity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;A nice bit of airline paranoia:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I turn on my HandStar and dial up Great West&#39;s customer information site, according to which our flight is still on time. How do they keep their lies straight in this business? They must use deception software, some suite of programs that synchronizes their falsehoods system-wide.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;After a disagreement with his sister during a road-side stop, she walks away and he philosophizes on male-female argument dynamics:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My sister is dwindling. It&#39;s flat and vast here and it takes time to dwindle, but she&#39;s managing to and soon I&#39;ll have to catch her. There are rules for when women desert your car and walk. The man should allow them to dwindle, as is their right, but not beyond the point where if they turn the car is just a speck to them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On childish yet important body-language politics during a business lunch:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He chooses a two-setting table on a platform and takes the wall seat. From his perspective, I&#39;ll blend with the lunch crowd behind me, but from mine he&#39;s all there is, a looming individual. Fine, I&#39;ll play jujitsu. I angle my chair so as to show him the slimmest, one-eyed profile. The look in my other eye he&#39;ll have to guess at.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On Denver and arts scenes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I&#39;ve been told my old city possesses a &amp;quot;thriving arts scene,&amp;quot; whatever that is; personally, I think artists should lie low and stick to their work, not line-dance through the parks.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Notes from Los Angeles</title>
    <link href="https://mlarson.org/2010/03/16/20100316notes-from-los-angeles/"/>
    <updated>2010-03-16T00:03:01.000Z</updated>
    <id>https://mlarson.org/2010/03/16/20100316notes-from-los-angeles/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4436603669/&#34; title=&#34;Griffith Observatory by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2753/4436603669_afcee8981f.jpg&#34; alt=&#34;Griffith Observatory&#34;&gt;&lt;/a&gt; My first-ever trip to L.A. I liked it a lot. I had a feeling I would. I might even like it more than New York, but that&#39;s still to be determined. The weather was perfect. 70° down to 45-50°. Sunny sunny sunny. Great neighborhoods. Some observations not necessarily about Los Angeles:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The pleasing effect of variety in terrain is not to be underestimated. One thing I love about Los Angeles, San Francisco, Reykjavik (and to a lesser extent Portland and some spots in Nicaragua) is the quick changes from coast to city to mountain. It&#39;s nice to feel that even if where you are is cool, something very different is nearby.&lt;/li&gt;
&lt;li&gt;There is a certain joy in seeing stereotypes/archetypes in real life: Homosexual guy walking back from a gym in West Hollywood. Asian tourists with cameras and fanny packs. California girl finishing a coffee on the way to yoga. I think archetype-spotting is a subconscious expectation of travel.&lt;/li&gt;
&lt;li&gt;I am tired of carrying a camera. I&#39;m getting to the point where a crummy cameraphone snap is near-infinitely superior to toting a separate camera. Speaking of me tending to pack light...&lt;/li&gt;
&lt;li&gt;If I am going somewhere with multiple others (esp. females, sorry), transitions always take longer than I expect. I tend to be a quick packer and get-ready-er. But for other folks, there is clothing, hair, makeup to deal with; keys, phones, sunglasses and odds and ends to gather. So I twiddle my thumbs and keep the conversation going while the sartorial I&#39;s are dotted and T&#39;s crossed. I wonder how much time, over the course of my life, I will spend waiting for people to get ready, and if there is a better way to use it.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4437379638/&#34; title=&#34;Classic by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2800/4437379638_96227949ce.jpg&#34; alt=&#34;Classic&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Traffic wasn&#39;t as bad as I expected. I think this is partly because I wasn&#39;t doing a morning or evening commute, and partly because I&#39;m used to trafficky Atlanta. Even so, not that bad.&lt;/li&gt;
&lt;li&gt;Los Angeles looks bigger on a map than it feels in real life. I get the opposite feeling in Manhattan.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.getty.edu/&#34;&gt;The Getty&lt;/a&gt; is really great. That said, here&#39;s a tangent: When I&#39;m in a museum, I prefer to stroll on the quicker side. I&#39;ll glance at everything, but usually while in motion. The ones I like, I&#39;ll linger for a few minutes. This is most definitely a museum burnout-avoidance technique, but also simply could be a way to avoid boredom, the pressure to feel edified. Would I enjoy more the ones I tend skip in a different context? Setting up high filters the way I do, what kind of art has an easier time getting through? What do I like more when I&#39;m alert vs. when I&#39;m tired? Hmm.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4436603587/&#34; title=&#34;Scientology compound by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4048/4436603587_af14008220.jpg&#34; alt=&#34;Scientology compound&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Why do people ask questions at public events?</title>
    <link href="https://mlarson.org/2010/03/10/marginal-revolution-why-do-people-ask-questions/"/>
    <updated>2010-03-10T20:52:00.000Z</updated>
    <id>https://mlarson.org/2010/03/10/marginal-revolution-why-do-people-ask-questions/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It matters a great deal if people have to write out questions in advance, or during the talk, and a moderator then reads out the question. That mechanism improves question quality and cuts down on the first three motives cited. Yet it is rarely used. In part we wish to experience the contrast between the speaker and the erratic questioners and the resulting drama.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I like the second commenter’s suggestion: “Take multiple questions at once. The moderator will take say three questions from three audience members before giving the presenter a chance to answer them one-by-one.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/03/why-do-people-ask-questions-at-public-events.html&#34;&gt;Marginal Revolution: Why do people ask questions at public events?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 10, 2010</title>
    <link href="https://mlarson.org/2010/03/10/forecast-for-los-angeles-hell-yeah/"/>
    <updated>2010-03-10T17:01:49.000Z</updated>
    <id>https://mlarson.org/2010/03/10/forecast-for-los-angeles-hell-yeah/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kz2sn1z3mf1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://weather.unisys.com/forecast.pl?KLAX&#34;&gt;Forecast for Los Angeles&lt;/a&gt;. Hell yeah.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2010</title>
    <link href="https://mlarson.org/2010/03/09/what-you-have-to-find-is-your-own-niche-that-will/"/>
    <updated>2010-03-09T21:22:24.000Z</updated>
    <id>https://mlarson.org/2010/03/09/what-you-have-to-find-is-your-own-niche-that-will/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What you have to find is your own niche that will allow you to keep feeding and clothing and sheltering yourself without getting downtown. (Laughs.) Because that’s death. That’s really where death is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www-rohan.sdsu.edu/faculty/dunnweb/rprnts.terkel-nw.html&#34;&gt;Interview with Nora Watson&lt;/a&gt; in Studs Terkel’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Working_(book)&#34;&gt;Working&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Working: The Graphic Novel - Bryan Caplan | EconLog</title>
    <link href="https://mlarson.org/2010/03/09/working-the-graphic-novel-bryan-caplan/"/>
    <updated>2010-03-09T21:08:32.000Z</updated>
    <id>https://mlarson.org/2010/03/09/working-the-graphic-novel-bryan-caplan/</id>
    <content type="html">&lt;p&gt;Interesting. There’s a &lt;a href=&#34;http://www.amazon.com/Studs-Terkels-Working-Graphic-Adaptation/dp/1595583211&#34;&gt;graphically-novelized version of Studs Terkel’s book&lt;/a&gt; from 1974, &lt;a href=&#34;http://en.wikipedia.org/wiki/Working_(book)&#34;&gt;Working: People Talk About What They Do All Day and How They Feel About What They Do&lt;/a&gt;. Graphic novelizations make me cringe a little, but &lt;a href=&#34;http://en.wikipedia.org/wiki/Harvey_Pekar&#34;&gt;Harvey Pekar&lt;/a&gt; is behind it, so who knows.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://econlog.econlib.org/archives/2010/03/working_the_gra.html&#34;&gt;Working: The Graphic Novel - Bryan Caplan | EconLog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2010</title>
    <link href="https://mlarson.org/2010/03/09/zane-grey-holds-a-koala-during-a-visit-to/"/>
    <updated>2010-03-09T20:37:20.000Z</updated>
    <id>https://mlarson.org/2010/03/09/zane-grey-holds-a-koala-during-a-visit-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kz17y9ikee1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Zane_Grey&#34;&gt;Zane Grey&lt;/a&gt; holds a koala during a visit to Australia. I just started reading &lt;a href=&#34;http://en.wikipedia.org/wiki/Riders_of_the_Purple_Sage&#34;&gt;Riders of the Purple Sage&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Five tips for writing non-fiction | The Undercover Economist | FT.com</title>
    <link href="https://mlarson.org/2010/03/09/five-tips-for-writing-non-fiction-the-undercover/"/>
    <updated>2010-03-09T15:50:11.000Z</updated>
    <id>https://mlarson.org/2010/03/09/five-tips-for-writing-non-fiction-the-undercover/</id>
    <content type="html">&lt;p&gt;I like #2: “Read people whose ideas or research you understand value.”&lt;br&gt;
&lt;a href=&#34;http://blogs.ft.com/undercover/2010/03/five-tips-for-writing-non-fiction/&#34;&gt;Five tips for writing non-fiction | The Undercover Economist | FT.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2010</title>
    <link href="https://mlarson.org/2010/03/09/interracial-divorce-the-matrix-of-sex-race/"/>
    <updated>2010-03-09T15:45:00.000Z</updated>
    <id>https://mlarson.org/2010/03/09/interracial-divorce-the-matrix-of-sex-race/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kz0uf0ud2l1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://scienceblogs.com/gnxp/2010/03/interracial_divorce_the_matrix.php&#34;&gt;Interracial divorce, the matrix of sex &amp;amp; race : Gene Expression&lt;/a&gt;. (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/03/assorted-links-5.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2010</title>
    <link href="https://mlarson.org/2010/03/08/what-people-today-are-beginning-to-realize-is-what/"/>
    <updated>2010-03-08T18:44:00.000Z</updated>
    <id>https://mlarson.org/2010/03/08/what-people-today-are-beginning-to-realize-is-what/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What people today are beginning to realize is what became obvious to us back then—the important correlation is the one between familiarity and value, not scarcity and value.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Perry Barlow, lyricist for The Grateful Dead in &lt;a href=&#34;http://www.theatlantic.com/magazine/archive/2010/03/management-secrets-of-the-grateful-dead/7918/&#34;&gt;Management Secrets of the Grateful Dead - The Atlantic&lt;/a&gt;. See also &lt;a href=&#34;http://www.wired.com/wired/archive/2.03/economy.ideas_pr.html&#34;&gt;John Perry Barlow in Wired, March 1994&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2010</title>
    <link href="https://mlarson.org/2010/03/08/tom-jerry-hungarian-rhapsody-no-2-one-funny/"/>
    <updated>2010-03-08T16:28:51.000Z</updated>
    <id>https://mlarson.org/2010/03/08/tom-jerry-hungarian-rhapsody-no-2-one-funny/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=SWGQaczNL5I&#34;&gt;Tom &amp;amp; Jerry - Hungarian Rhapsody No. 2&lt;/a&gt;. One funny bit of trivia from &lt;a href=&#34;http://tumblr.mlarson.org/post/434844736/note-by-note-the-making-of-steinway-l1037-this&#34;&gt;Note by Note&lt;/a&gt;… the pianist &lt;a href=&#34;http://en.wikipedia.org/wiki/Lang_Lang_(pianist)&#34;&gt;Lang Lang&lt;/a&gt; was inspired to take up the piano after seeing Tom &amp;amp; Jerry’s &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Cat_Concerto&#34;&gt;Cat Concerto episode&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Note by Note: The Making of Steinway L1037</title>
    <link href="https://mlarson.org/2010/03/08/note-by-note-the-making-of-steinway-l1037-this/"/>
    <updated>2010-03-08T16:15:54.000Z</updated>
    <id>https://mlarson.org/2010/03/08/note-by-note-the-making-of-steinway-l1037-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kyz16jwtey1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Note_by_Note:_The_Making_of_Steinway_L1037&#34;&gt;Note by Note: The Making of Steinway L1037&lt;/a&gt;. This was interesting, but not a must-see. You get to know the multi-national cast of employees that put them together up in the &lt;a href=&#34;http://www.steinway.com/factory/&#34;&gt;Steinway factory&lt;/a&gt; in Astoria, Queens, NYC. There are also some scenes from the public showrooms and artist relations (patient employees help sensitive musicians searching for an ineffable something). The scope of the actual construction is impressively broad–there are giant chunks of wood that just get absolutely manhandled, and there are tiny little fiddly bits that get tweaked and retweaked over a span of weeks. I used to work with my Grandpa in his workshop, and if you spend any time with smart carpenters, you catch on to the clever devices or tricks they invent to make the job easier. There’s some cool custom-made-for-the-job timesavers in the movie if you look for them. The downside to all the behind-the-scenes stuff is that while you &lt;em&gt;see&lt;/em&gt; a lot, they don’t &lt;em&gt;explain&lt;/em&gt; a lot. E.g. you see a foreman selecting wood, but you don’t know what kind of wood it is or what kind makes it better than other chunks. I don’t know that I wanted a narrator intoning facts over all the footage, but it’s a shame that so much is kept at arm’s length. Maybe a more probing interviewer could have helped. If you’re really interested in the details, I think you’re better off reading something like the &lt;a href=&#34;http://www.mlarson.org/2008/10/05/romance-on-three-legs-review/&#34;&gt;A Romance on Three Legs: Glenn Gould’s Obsessive Quest for the Perfect Piano&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2010</title>
    <link href="https://mlarson.org/2010/03/08/noiseforairports-papa-sangre-is-a-forthcoming/"/>
    <updated>2010-03-08T15:30:48.000Z</updated>
    <id>https://mlarson.org/2010/03/08/noiseforairports-papa-sangre-is-a-forthcoming/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/9916119&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://noiseforairports.com/post/434775884/papa-sangre-is-a-forthcoming-iphone-game-that-is&#34;&gt;noiseforairports&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.papasangre.com/blog/&#34;&gt;Papa Sangre&lt;/a&gt; is a forthcoming iPhone game that is audio only. Listen to this “video” above on headphones to get an idea of how awesome this game could be. I’m really looking forward to this one!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yeah. Things like this are why I’m probably going to end up with a shiny new iPhone in a few months.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Joanna Newsom, the Changeling - NYTimes.com</title>
    <link href="https://mlarson.org/2010/03/08/joanna-newsom-the-changeling-nytimescom/"/>
    <updated>2010-03-08T15:09:27.000Z</updated>
    <id>https://mlarson.org/2010/03/08/joanna-newsom-the-changeling-nytimescom/</id>
    <content type="html">&lt;p&gt;Okay-ish profile, but I like this bit in particular:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In “Sadie,” a ballad with a distinct Appalachian flavor, Newsom sings lines that could speak for thousands of musicians who’ve drawn on the deep well of American folk music: “This is an old song/These are old blues/This is not my tune/But it’s mine to use.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2010/03/07/magazine/07Newsom-t.html&#34;&gt;Joanna Newsom, the Changeling - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2010</title>
    <link href="https://mlarson.org/2010/03/08/chan-marshall-revisited-a-continuous-lean-god/"/>
    <updated>2010-03-08T15:04:17.000Z</updated>
    <id>https://mlarson.org/2010/03/08/chan-marshall-revisited-a-continuous-lean-god/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kyyxv5tc6q1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.acontinuouslean.com/2010/02/28/chan-marshall-revisited/&#34;&gt;Chan Marshall Revisited « A Continuous Lean&lt;/a&gt;. God bless America.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Being foreign: The others | The Economist</title>
    <link href="https://mlarson.org/2010/03/08/being-foreign-the-others-the-economist/"/>
    <updated>2010-03-08T15:01:18.000Z</updated>
    <id>https://mlarson.org/2010/03/08/being-foreign-the-others-the-economist/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An American child psychologist, Alison Gopnik, when reaching for an analogy to illuminate the world as experienced by a baby, compared it to Paris as experienced for the first time by an adult American: a pageant of novelty, colour, excitement. Reverse the analogy and you see that living in a foreign country can evoke many of the emotions of childhood: novelty, surprise, anxiety, relief, powerlessness, frustration, irresponsibility. It may be this sense of a return to childhood, consciously or not, that gives the pleasure of foreignness its edge of embarrassment.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://www.linkbanana.com/2010/03/05/being-foreign/&#34;&gt;via&lt;/a&gt;).&lt;br&gt;
&lt;a href=&#34;http://www.economist.com/world/international/displaystory.cfm?story_id=15108690&#34;&gt;Being foreign: The others | The Economist&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alice in Wonderland</title>
    <link href="https://mlarson.org/2010/03/06/alice-in-wonderland-mental-note-refuse-further/"/>
    <updated>2010-03-06T23:44:35.000Z</updated>
    <id>https://mlarson.org/2010/03/06/alice-in-wonderland-mental-note-refuse-further/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kyvwmbfalj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Alice_in_Wonderland_%282010_film%29&#34;&gt;Alice in Wonderland&lt;/a&gt;. Mental note: refuse further invitations to see movies for kids. (&lt;a href=&#34;http://tumblr.mlarson.org/post/217711955/where-the-wild-things-are-i-did-not-enjoy-this&#34;&gt;See also&lt;/a&gt;). Too bad, because I like the cast in this one. Anne Hathaway is particularly amusing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Barry White Gets Pissed at the Copywriter During a Recording Session - Adrants</title>
    <link href="https://mlarson.org/2010/03/06/barry-white-gets-pissed-at-the-copywriter-during-a/"/>
    <updated>2010-03-06T00:17:00.000Z</updated>
    <id>https://mlarson.org/2010/03/06/barry-white-gets-pissed-at-the-copywriter-during-a/</id>
    <content type="html">&lt;p&gt;In which &lt;a href=&#34;http://www.adrants.com/images/inviteyoass.mp3&#34;&gt;Barry White “cordially invites yo ass”&lt;/a&gt; to something or other at Paul Quinn College. Archival outtakes ftw.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.adrants.com/2003/04/barry-white-gets-pissed-at-the-copywriter.php&#34;&gt;Barry White Gets Pissed at the Copywriter During a Recording Session - Adrants&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wired for Books : Author interviews on MP3</title>
    <link href="https://mlarson.org/2010/03/04/wired-for-books-author-interviews-on-mp3/"/>
    <updated>2010-03-04T15:41:00.000Z</updated>
    <id>https://mlarson.org/2010/03/04/wired-for-books-author-interviews-on-mp3/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/426320961/wired-for-books-author-interviews-on-mp3&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Amazing archive of interviews with authors from the 80s and 90s. A must-bookmark.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Woah.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wiredforbooks.org/mp3/&#34;&gt;Wired for Books : Author interviews on MP3&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 4, 2010</title>
    <link href="https://mlarson.org/2010/03/04/madison-avenue-new-york-city-1973-by-mitch/"/>
    <updated>2010-03-04T14:53:00.000Z</updated>
    <id>https://mlarson.org/2010/03/04/madison-avenue-new-york-city-1973-by-mitch/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kyripjmf0c1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.jacksonfineart.com/Mitch-Epstein-2668.html&#34;&gt;Madison Avenue, New York City, 1973&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Mitch_Epstein&#34;&gt;Mitch Epstein&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cranes Are Flying</title>
    <link href="https://mlarson.org/2010/03/04/летят-журавли-the-cranes-are-flying-heres-a/"/>
    <updated>2010-03-04T03:56:00.000Z</updated>
    <id>https://mlarson.org/2010/03/04/летят-журавли-the-cranes-are-flying-heres-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kyqoauuvyc1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Cranes_Are_Flying&#34;&gt;Летят журавли (The Cranes Are Flying)&lt;/a&gt;. Here’s a good &lt;a href=&#34;http://www.criterion.com/current/posts/200&#34;&gt;Criterion essay&lt;/a&gt;. It’s odd watching something like this the night after &lt;a href=&#34;http://tumblr.mlarson.org/post/423526147/die-hard-excessive-law-enforcement-buffoonery&#34;&gt;I watched Die Hard&lt;/a&gt;–which is a great movie, sure, but the camerawork is a bit more… utilitarian. This one is a treat for the eyes. It was directed by &lt;a href=&#34;http://en.wikipedia.org/wiki/Mikhail_Kalatozov&#34;&gt;Mikhail Kalatozov&lt;/a&gt; and shot by &lt;a href=&#34;http://en.wikipedia.org/wiki/Sergey_Urusevsky&#34;&gt;Sergei Urusevsky&lt;/a&gt;, who is supposed to be a genius cinematographer. I think this is probably correct. Here are &lt;a href=&#34;http://farm4.static.flickr.com/3208/3078472861_7d58861fc7.jpg&#34;&gt;some&lt;/a&gt; &lt;a href=&#34;http://img147.imageshack.us/img147/1743/vlcsnap1547092ok2ua5.jpg&#34;&gt;more&lt;/a&gt; &lt;a href=&#34;http://16.media.tumblr.com/tumblr_kw3g1dTXx81qz6f9yo1_500.png&#34;&gt;brilliant&lt;/a&gt; &lt;a href=&#34;http://ruskino.ru/film/663/kadr/14147.jpg&#34;&gt;photos&lt;/a&gt; &lt;a href=&#34;http://ruskino.ru/film/663/kadr/14148.jpg&#34;&gt;that&lt;/a&gt; don’t do it justice, because they’re not moving. There’s several dramatic long shots outdoors that are awesome, and many of the indoor takes have some clever tracking and repositioning. All in rich, purposefully-lit black and white. Looks like someone has put &lt;a href=&#34;http://www.youtube.com/watch?v=CrUu6InN5kw&#34;&gt;The Cranes Are Flying on YouTube&lt;/a&gt; so you can investigate. As for the story, it’s lovers-separated-by-war stuff. But if you’re going to get stuck watching a WWII romance that’s not &lt;em&gt;Casablanca&lt;/em&gt;, it’s probably best take charge and pick something that’s visually awesome. And I should mention that the actors are great.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jeff Buckley Live at KCRW on Morning Becomes Eclectic, July 28, 1994</title>
    <link href="https://mlarson.org/2010/03/03/jeff-buckley-live-at-kcrw-on-morning-becomes/"/>
    <updated>2010-03-03T21:32:44.000Z</updated>
    <id>https://mlarson.org/2010/03/03/jeff-buckley-live-at-kcrw-on-morning-becomes/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kcrw.com/music/programs/mb/mb940728jeff_buckley&#34;&gt;Jeff Buckley Live at KCRW on Morning Becomes Eclectic, July 28, 1994&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2010</title>
    <link href="https://mlarson.org/2010/03/03/the-droste-effect-clever-wikipedians-the-effect/"/>
    <updated>2010-03-03T18:42:00.000Z</updated>
    <id>https://mlarson.org/2010/03/03/the-droste-effect-clever-wikipedians-the-effect/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kypym81yfu1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Droste_effect&#34;&gt;The Droste effect&lt;/a&gt;. Clever Wikipedians. “The effect is named after a particular image that appeared, with variations, on the tins and boxes of Droste cocoa powder, one of the main Dutch brands.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why you&#39;ve never really heard the &#34;Moonlight&#34; Sonata. - By Jan Swafford - Slate Magazine</title>
    <link href="https://mlarson.org/2010/03/03/why-youve-never-really-heard-the-moonlight/"/>
    <updated>2010-03-03T16:59:35.000Z</updated>
    <id>https://mlarson.org/2010/03/03/why-youve-never-really-heard-the-moonlight/</id>
    <content type="html">&lt;p&gt;The audio examples are really fascinating. (&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2010/03/chopin-two-hundred.html&#34;&gt;via&lt;/a&gt;).&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When composers wrote for these instruments they sometimes loved them and sometimes chafed at their limitations, but in any case they wrote for those sounds, that touch, those bells and whistles. From old instruments, performers on modern pianos can get important insights into the sound image that Mozart, Schubert, et al., were aiming for. But music from the 18th and 19th centuries doesn’t just sound different now than on the original instruments; some of it can’t even be played as written on modern pianos.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2245891&#34;&gt;Why you&#39;ve never really heard the &amp;quot;Moonlight&amp;quot; Sonata. - By Jan Swafford - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Die Hard</title>
    <link href="https://mlarson.org/2010/03/03/die-hard-excessive-law-enforcement-buffoonery/"/>
    <updated>2010-03-03T04:52:02.000Z</updated>
    <id>https://mlarson.org/2010/03/03/die-hard-excessive-law-enforcement-buffoonery/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kyow6ryvpe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Die_Hard&#34;&gt;Die Hard&lt;/a&gt;. Excessive law enforcement buffoonery aside, it’s fun fun fun. Great movie. I got inspired to watch it after &lt;a href=&#34;http://bldgblog.blogspot.com/&#34;&gt;BLDGBLOG&lt;/a&gt;’s post on &lt;a href=&#34;http://bldgblog.blogspot.com/2010/01/nakatomi-space.html&#34;&gt;Die Hard as an architectural film&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 1, 2010</title>
    <link href="https://mlarson.org/2010/03/01/out-of-the-west-clint-eastwoods-shifting/"/>
    <updated>2010-03-01T19:27:49.000Z</updated>
    <id>https://mlarson.org/2010/03/01/out-of-the-west-clint-eastwoods-shifting/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kymbedhtpo1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2010/03/08/100308fa_fact_denby&#34;&gt;Out of the West: Clint Eastwood’s shifting landscape&lt;/a&gt; by David Denby for The New Yorker. My relatively new Eastwood obsession means of course I dropped everything to read it. Lots of good stuff in this article.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>For a Few Dollars More</title>
    <link href="https://mlarson.org/2010/03/01/for-a-few-dollars-more-ive-finally-finished-the/"/>
    <updated>2010-03-01T05:46:30.000Z</updated>
    <id>https://mlarson.org/2010/03/01/for-a-few-dollars-more-ive-finally-finished-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kyl9djfofq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/For_a_Few_Dollars_More&#34;&gt;For a Few Dollars More&lt;/a&gt;. I’ve finally finished the &lt;a href=&#34;http://en.wikipedia.org/wiki/Man_with_No_Name_Trilogy&#34;&gt;Dollars Trilogy&lt;/a&gt;. This one is great. I found it much better than &lt;a href=&#34;http://tumblr.mlarson.org/post/247723517/a-fistful-of-dollars-apparently-its-heavily&#34;&gt;A Fistful of Dollars&lt;/a&gt; and almost up there with &lt;a href=&#34;http://tumblr.mlarson.org/post/211644904/the-good-the-bad-and-the-ugly-id-seen-about-90&#34;&gt;The Good, The Bad and the Ugly&lt;/a&gt;. The &lt;a href=&#34;http://www.youtube.com/watch?v=-kVF5gwEOzY#t=6m&#34;&gt;first duel&lt;/a&gt; in this movie is either the first or second best in the whole trilogy. I love the way Leone builds from silence to melodramatic swells of music and back to silence and only &lt;em&gt;then&lt;/em&gt; gives you resolution. And nice little details like in the delightful &lt;a href=&#34;http://www.youtube.com/watch?v=SKrTM1gEgeo#t=2m53s&#34;&gt;hat duel&lt;/a&gt; where every time Eastwood shoots the hat it lands in a pool of light. And the &lt;a href=&#34;http://www.youtube.com/watch?v=981RM5wGYCw#t=6m&#34;&gt;repeated appearance of the safe&lt;/a&gt; during the bank robbery scene. You know &lt;em&gt;something&lt;/em&gt; is going to happen with/to/near/around it, but you gotta wait for the moment. Sweet, sweet suspense.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Hungry Metropolis - Saveur.com</title>
    <link href="https://mlarson.org/2010/03/01/the-hungry-metropolis-saveurcom/"/>
    <updated>2010-03-01T04:58:05.000Z</updated>
    <id>https://mlarson.org/2010/03/01/the-hungry-metropolis-saveurcom/</id>
    <content type="html">&lt;p&gt;I’m to make my first trip to Los Angeles in just a couple weeks. I will bring my elastic pants.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Manhattan may boast the highest concentration of high-end restaurants in the world, and Singapore hawker centers may pack more joy into each square inch, but Los Angeles is the best place in the world to eat at the moment, a frieze of fine dining overlaying a huge patchwork of immigrant communities big enough and self-sustaining enough to produce exactly the food that they want to eat.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.saveur.com/article/Travels/The-Hungry-Metropolis&#34;&gt;The Hungry Metropolis - Saveur.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Baffler - A Cottage for Sale</title>
    <link href="https://mlarson.org/2010/03/01/baffler-a-cottage-for-sale/"/>
    <updated>2010-03-01T04:49:33.000Z</updated>
    <id>https://mlarson.org/2010/03/01/baffler-a-cottage-for-sale/</id>
    <content type="html">&lt;p&gt;A piece about painter Thomas Kinkade and the California real estate market.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We have to accept that the violent orange glow that emanates from the interior of nearly every house in a Kinkade painting merely indicates that the house is warm and inviting, not burning to the ground. […] He says that as the son of a single mother who worked late, he often came home to a house that was dark and cold, especially in winter. The “Kinkade glow” represents what he wished was there instead. He tells the story more than once, which raises a question or two: Didn’t he maybe just want to burn the place down? Is his art really a form of arson?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thebaffler.com/viewArticle/122/0/1/&#34;&gt;Baffler - A Cottage for Sale&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Key Largo</title>
    <link href="https://mlarson.org/2010/03/01/key-largo-your-head-says-one-thing-and-your/"/>
    <updated>2010-03-01T01:35:00.000Z</updated>
    <id>https://mlarson.org/2010/03/01/key-largo-your-head-says-one-thing-and-your/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/03/tumblr_kykxqtfwvp1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Key_Largo_%28film%29&#34;&gt;Key Largo&lt;/a&gt;. “Your head says one thing and your whole life says another. Your head always loses.” This was a drawing-room crime/suspense film with relatively low stakes. It turned out to be pretty good, but could use some trimming. &lt;a href=&#34;http://en.wikipedia.org/wiki/Edward_G._Robinson&#34;&gt;Edward G. Robinson&lt;/a&gt; really carries it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Top Ten Glissandos</title>
    <link href="https://mlarson.org/2010/02/26/top-ten-glissandos/"/>
    <updated>2010-02-26T19:22:01.000Z</updated>
    <id>https://mlarson.org/2010/02/26/top-ten-glissandos/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://noiseforairports.com/post/413698756/top-ten-glissandos&#34;&gt;noiseforairports&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Sorry about the couple photo-less posts in a row, but you have to hear this: Alex Ross’s “&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2010/02/top-10-glissandos.html&#34;&gt;Top Ten Glissandos&lt;/a&gt;.”&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For maximum effect, press all the buttons in quick succession.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(via &lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2010/02/top-10-glissandos.html&#34;&gt;Unquiet Thoughts&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is delightful. Might I also suggest The Beatles’ &lt;a href=&#34;http://www.youtube.com/watch?v=AiFYOn1AFms&#34;&gt;A Day In the Life&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2010/02/top-10-glissandos.html&#34;&gt;Top Ten Glissandos&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 26, 2010</title>
    <link href="https://mlarson.org/2010/02/26/alice-in-wonderland-1903-the-first-ever-film/"/>
    <updated>2010-02-26T14:24:00.000Z</updated>
    <id>https://mlarson.org/2010/02/26/alice-in-wonderland-1903-the-first-ever-film/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/zeIXfdogJbA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=zeIXfdogJbA&#34;&gt;Alice in Wonderland (1903)&lt;/a&gt;. “The first-ever film version of Lewis Carroll’s tale has recently been restored by the BFI National Archive from severely damaged materials.” (&lt;a href=&#34;http://twitter.com/ianvisits/status/9673720300&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2010</title>
    <link href="https://mlarson.org/2010/02/25/people-say-you-teach-during-the-day-and-youre/"/>
    <updated>2010-02-25T21:52:10.000Z</updated>
    <id>https://mlarson.org/2010/02/25/people-say-you-teach-during-the-day-and-youre/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People say you teach during the day and you’re free at so-and-so, but there’s a certain energy that goes into teaching people, it seems to me… and if you don’t give them that energy, then you’re immoral. And if you do give them that energy, then you’re wiped out. Because there’s only so much energy anyone has. So I’d rather drive a cab - I had a good time driving the cab, I wasn’t invested in it, you know what I mean? I could think about music, I could bug the cab, I could take time off to play a show – it really fit me. And I was making more money than most assistant professors too!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.factmag.com/2010/02/24/steve-reich-phase-action/&#34;&gt;Steve Reich&lt;/a&gt; on resisting academia and driving a cab back in the early days.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2010</title>
    <link href="https://mlarson.org/2010/02/25/funnelthru-work-hard-play-hardly-variations/"/>
    <updated>2010-02-25T21:37:57.000Z</updated>
    <id>https://mlarson.org/2010/02/25/funnelthru-work-hard-play-hardly-variations/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kyf142b2mx1qzg3sgo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.funnelthru.com/post/411738954/work-hard-play-hardly-variations-on-normal-by&#34;&gt;funnelthru&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://variationsonnormal.com/2010/01/31/work-hard-play-hardly/&#34;&gt;Work hard, play hardly « Variations on normal by Dominic Wilcox&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Cocktail Renaissance</title>
    <link href="https://mlarson.org/2010/02/25/the-cocktail-renaissance/"/>
    <updated>2010-02-25T15:49:00.000Z</updated>
    <id>https://mlarson.org/2010/02/25/the-cocktail-renaissance/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You should be able to anticipate your first drink after the day’s work and use it to refresh your spirit and relax your mind. It should awaken senses dulled at the office and by the speed and distances of contemporary life. It should move you from the determined needs of a workday to a thoughtful consideration of the better and more charming aspects of living and talking and reading. Anticipation should not be underrated as an aspect of any aesthetic experience.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And also: “Drinks that don’t taste of alcohol were developed for coeds and the saps who try to get them drunk.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.weeklystandard.com/print/Content/Public/Articles/000/000/016/772lyldx.asp&#34;&gt;The Cocktail Renaissance&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The 400 Blows</title>
    <link href="https://mlarson.org/2010/02/25/the-400-blows-i-really-liked-this-movie-truffaut/"/>
    <updated>2010-02-25T03:19:00.000Z</updated>
    <id>https://mlarson.org/2010/02/25/the-400-blows-i-really-liked-this-movie-truffaut/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kydnw032rg1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_400_Blows&#34;&gt;The 400 Blows&lt;/a&gt;. I really liked this movie. Truffaut found some great young actors. Good laughs and good music to boot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2010</title>
    <link href="https://mlarson.org/2010/02/24/lately-ive-been-wondering-if-sitting-quietly-in/"/>
    <updated>2010-02-24T20:55:21.000Z</updated>
    <id>https://mlarson.org/2010/02/24/lately-ive-been-wondering-if-sitting-quietly-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Lately, I’ve been wondering if sitting quietly in a café, pretending to read a newspaper, and not writing is the most earnest expression in our age: no echoes of language, nothing to reblog, just pure unmitigated self sitting with self. I might, after a time of blank staring, find myself constructing a sentences in my head, maybe a paragraph, simply letting the words roll around in my mind. I will not. I repeat. I will not write them down. They are my secret sentences, not yours.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.clusterflock.org/2010/02/on-writing-publishing-and-living.html&#34;&gt;On Writing, Publishing, and Living : clusterflock&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Figure Skating Fashion Through The Years</title>
    <link href="https://mlarson.org/2010/02/24/figure-skating-fashion-through-the-years/"/>
    <updated>2010-02-24T17:49:30.000Z</updated>
    <id>https://mlarson.org/2010/02/24/figure-skating-fashion-through-the-years/</id>
    <content type="html">&lt;p&gt;“Today, according to the ISU, figure skating’s governing body, ‘Ladies must wear a skirt. The Ladies dress must not give the effect of excessive nudity inappropriate for an athletic sport. Men must wear full-length trousers: no tights are allowed and the man’s costume may not be sleeveless.’”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/pictureshow/2010/02/figure_skating_fashion_through.html?ft=1&amp;amp;f=97635953&#34;&gt;Figure Skating Fashion Through The Years&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2010</title>
    <link href="https://mlarson.org/2010/02/24/a-flock-of-starlings-on-a-page-from-the-curse-in/"/>
    <updated>2010-02-24T16:02:00.000Z</updated>
    <id>https://mlarson.org/2010/02/24/a-flock-of-starlings-on-a-page-from-the-curse-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kycsl01gyk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A flock of starlings on a page from “The Curse” in &lt;a href=&#34;http://kevinh.blogspot.com/&#34;&gt;Kevin Huizenga&lt;/a&gt;’s &lt;a href=&#34;http://www.amazon.com/Curses-Kevin-Huizenga/dp/1894937864&#34;&gt;Curses&lt;/a&gt;. [&lt;a href=&#34;http://twitter.com/Melanie/status/9580781966&#34;&gt;@melanie&lt;/a&gt; made me think of it.]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2010</title>
    <link href="https://mlarson.org/2010/02/23/joanna-newsom/"/>
    <updated>2010-02-23T15:16:19.000Z</updated>
    <id>https://mlarson.org/2010/02/23/joanna-newsom/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kyavr8kvb31qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.papermag.com/?section=article&amp;amp;parid=2548&#34;&gt;Joanna Newsom&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tasting wine blind | Analysis &amp;amp; Opinion | Reuters</title>
    <link href="https://mlarson.org/2010/02/23/tasting-wine-blind-analysis-opinion-reuters/"/>
    <updated>2010-02-23T15:14:42.000Z</updated>
    <id>https://mlarson.org/2010/02/23/tasting-wine-blind-analysis-opinion-reuters/</id>
    <content type="html">&lt;p&gt;“The kind of wines one loves in blind tastings are not necessarily the kind of wines one actually likes to drink in real life.” See also: Pepsi vs. Coke. I’m wondering how this would apply in a museum, perhaps. Maybe what you like to gawk at for a few moments in a gallery is different from what you’d want in your living room. Is there psychological concept for liking different things depending on the length of exposure?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.reuters.com/felix-salmon/2009/09/12/tasting-wine-blind/&#34;&gt;Tasting wine blind | Analysis &amp;amp; Opinion | Reuters&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>First Listen: Joanna Newsom : NPR</title>
    <link href="https://mlarson.org/2010/02/23/first-listen-joanna-newsom-npr/"/>
    <updated>2010-02-23T14:55:46.000Z</updated>
    <id>https://mlarson.org/2010/02/23/first-listen-joanna-newsom-npr/</id>
    <content type="html">&lt;p&gt;Hear ‘Have One On Me’ In Its Entirety. Finally.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=123981491&#34;&gt;First Listen: Joanna Newsom : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ignoring: There Is Such a Thing As Free Sleep, Bryan Caplan | EconLog</title>
    <link href="https://mlarson.org/2010/02/22/ignoring-there-is-such-a-thing-as-free-sleep/"/>
    <updated>2010-02-22T14:42:06.000Z</updated>
    <id>https://mlarson.org/2010/02/22/ignoring-there-is-such-a-thing-as-free-sleep/</id>
    <content type="html">&lt;p&gt;“A few weeks of ignoring can easily buy parents extra years of good sleep.” Mental note: train my future kids to not expect me to comfort them in the dark of night.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://econlog.econlib.org/archives/2010/02/ignoring_there.html&#34;&gt;Ignoring: There Is Such a Thing As Free Sleep, Bryan Caplan | EconLog&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 22, 2010</title>
    <link href="https://mlarson.org/2010/02/22/hwy-66-new-mexico-2007-5-ft-x-5-ft-archival/"/>
    <updated>2010-02-22T02:49:00.000Z</updated>
    <id>https://mlarson.org/2010/02/22/hwy-66-new-mexico-2007-5-ft-x-5-ft-archival/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_ky82iwucc41qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.chakart.com/boxes20.html&#34;&gt;HWY 66, New Mexico&lt;/a&gt;, 2007, 5 ft x 5 ft, archival digital print by &lt;a href=&#34;http://www.chakart.com/&#34;&gt;Chung Fanky Chak&lt;/a&gt;. I stumbled on his work at &lt;a href=&#34;http://eyedrum.org/&#34;&gt;Eyedrum&lt;/a&gt; this weekend. I also like the five &lt;a href=&#34;http://www.chakart.com/boxes05.html&#34;&gt;Japan prints&lt;/a&gt; in this project.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bottle Rocket</title>
    <link href="https://mlarson.org/2010/02/21/bottle-rocket-eh-id-like-to-see-the-short-film/"/>
    <updated>2010-02-21T20:40:05.000Z</updated>
    <id>https://mlarson.org/2010/02/21/bottle-rocket-eh-id-like-to-see-the-short-film/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_ky7lettd5v1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Bottle_Rocket&#34;&gt;Bottle Rocket&lt;/a&gt;. Eh. I’d like to see the short film that was the germ of this full-length one. My current &lt;a href=&#34;http://tumblr.mlarson.org/tagged/wesanderson&#34;&gt;Wes Anderson&lt;/a&gt; rankings: 1. The Darjeeling Limited 2. The Royal Tenenbaums 3. Bottle Rocket 4. Rushmore. I wonder if I’d like his movies more if I’d seen them as serials? Seems like a more forgiving format for these somewhat aimless stories, but still have some interesting moments sprinkled around.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 19, 2010</title>
    <link href="https://mlarson.org/2010/02/19/confusion-by-gary-taxali/"/>
    <updated>2010-02-19T14:31:52.000Z</updated>
    <id>https://mlarson.org/2010/02/19/confusion-by-gary-taxali/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_ky3f16twne1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.drawger.com/taxman/?article_id=9345&#34;&gt;Confusion&lt;/a&gt; by &lt;a href=&#34;http://www.garytaxali.com/&#34;&gt;Gary Taxali&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Andy McKenzie: The Blog: Subsdize Earnestness</title>
    <link href="https://mlarson.org/2010/02/18/andy-mckenzie-the-blog-subsdize-earnestness/"/>
    <updated>2010-02-18T21:29:57.000Z</updated>
    <id>https://mlarson.org/2010/02/18/andy-mckenzie-the-blog-subsdize-earnestness/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I see two paths towards a more earnest culture:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;
&lt;p&gt;Glorify the revision process. The goal would be to illuminate the messy middle steps that underly successful endeavors. For example, in his &lt;a href=&#34;http://vimeo.com/5089620&#34;&gt;interview&lt;/a&gt; with Ben Casnocha, Colin Marshall suggested a museum of rough drafts that would emphasize how most everyone’s first draft sucks. This applies particularly well to art but generalizes, as we could include first business plans, first lines of code, and first experimental designs. If these messy middle steps are glorified then people will be more willing to share them.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;p&gt;Shun those who act mysteriously. Mysteriousness is cool &lt;a href=&#34;http://andymckenzie.blogspot.com/2009/11/coolness-emphasizes-short-run-over-long.html&#34;&gt;because&lt;/a&gt; it emphasizes the short run over the long run. In the short run your onlookers will think of your success as effortless, which will raise your status. But in the long run, nobody knows how to help you or whether they can offer you advice, because you haven’t made your plans transparent. So we should punish mysteriousness and unabashedly pressure people to open up.&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love the idea of a Museum of Rough Drafts.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://andymckenzie.blogspot.com/2010/02/subsdize-earnestness.html&#34;&gt;Andy McKenzie: The Blog: Subsdize Earnestness&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>can I tell you the one thing that gets me about Lady Gaga?</title>
    <link href="https://mlarson.org/2010/02/18/can-i-tell-you-the-one-thing-that-gets-me-about/"/>
    <updated>2010-02-18T21:23:00.000Z</updated>
    <id>https://mlarson.org/2010/02/18/can-i-tell-you-the-one-thing-that-gets-me-about/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://agrammar.tumblr.com/post/397052742/can-i-tell-you-the-one-thing-that-gets-me-about-lady&#34;&gt;agrammar&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It sometimes feels like there’s not a ton of synergy between the persona and the (generally really good!) songs — I put on the music and enjoy it a lot, but I’m nagged by the feeling that I could engage with Gaga-world a lot more fully by turning the stereo off and logging on to the internet.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;The Greatest Love Story of the 20th Century&#34;</title>
    <link href="https://mlarson.org/2010/02/18/the-greatest-love-story-of-the-20th-century/"/>
    <updated>2010-02-18T21:20:26.000Z</updated>
    <id>https://mlarson.org/2010/02/18/the-greatest-love-story-of-the-20th-century/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/397103424/the-greatest-love-story-of-the-20th-century&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Sarah_Vowell&#34;&gt;Sarah Vowell&lt;/a&gt; on &lt;a href=&#34;http://en.wikipedia.org/wiki/June_Carter_Cash&#34;&gt;June Carter&lt;/a&gt;’s “&lt;a href=&#34;http://en.wikipedia.org/wiki/Ring_of_Fire_%28song%29&#34;&gt;Ring of Fire&lt;/a&gt;,”&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In this song, to compare love to fire isn’t just the music sexy/heat cliche like you give me fever, or, hunka-hunka burnin’ love, or, it’s gettin’ hot in here. This is fire as in brimstone. Old time religion. Written by the daughter of a people who believe in the eternal flames of hell. June Carter was coveting her neighbor’s spouse, which meant she was breaking one of the Ten Commandments. Loving Johnny Cash was a sin. And for her, the wages of sin were death. A death in which the sinner spent all eternity as nothing more than kindling. When June Carter admitted to herself that she loved Johnny Cash, it is, in a small country and western love song way, not unlike the moment Huck Finn resolves to help the slave Jim escape, even though he’s been told that doing so would be wrong. Alright then, he says, I’ll go to hell.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Act Three of &lt;a href=&#34;http://www.thislife.org/Radio_Episode.aspx?sched=994&#34;&gt;This American Life #247&lt;/a&gt;, about 47 minutes into the show.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.thislife.org/Radio_Episode.aspx?sched=994&#34;&gt;&amp;quot;The Greatest Love Story of the 20th Century&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Hard Day&#39;s Night</title>
    <link href="https://mlarson.org/2010/02/18/a-hard-days-night-its-good-harmless-fun-and/"/>
    <updated>2010-02-18T03:11:55.000Z</updated>
    <id>https://mlarson.org/2010/02/18/a-hard-days-night-its-good-harmless-fun-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_ky0ovv2cv11qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Hard_Day%27s_Night_%28film%29&#34;&gt;A Hard Day’s Night&lt;/a&gt;. It’s good, harmless fun. And you get to see the crowds go &lt;em&gt;totally&lt;/em&gt; nuts.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2010</title>
    <link href="https://mlarson.org/2010/02/17/watching-the-maltese-falcon-last-month-inspired-me/"/>
    <updated>2010-02-17T19:55:00.000Z</updated>
    <id>https://mlarson.org/2010/02/17/watching-the-maltese-falcon-last-month-inspired-me/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_ky04nsks021qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Watching &lt;a href=&#34;http://tumblr.mlarson.org/post/338073501/the-maltese-falcon-this-movie-is-really-really&#34;&gt;The Maltese Falcon&lt;/a&gt; last month inspired me to read the original. It’s cool to see the names of streets and places I recognize. When I visited SF last year, my hotel was right in the thick of it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ben Casnocha: The Blog: Why Have I Not Done Drugs? And Should I?</title>
    <link href="https://mlarson.org/2010/02/17/ben-casnocha-the-blog-why-have-i-not-done-drugs/"/>
    <updated>2010-02-17T17:49:32.000Z</updated>
    <id>https://mlarson.org/2010/02/17/ben-casnocha-the-blog-why-have-i-not-done-drugs/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://ben.casnocha.com/2010/02/why-have-i-not-done-drugs-and-should-i.html&#34;&gt;Ben Casnocha: The Blog: Why Have I Not Done Drugs? And Should I?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2010</title>
    <link href="https://mlarson.org/2010/02/16/the-case-for-an-older-woman-oktrends-and/"/>
    <updated>2010-02-16T21:18:40.000Z</updated>
    <id>https://mlarson.org/2010/02/16/the-case-for-an-older-woman-oktrends-and/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxydv46syt1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.okcupid.com/index.php/2010/02/16/the-case-for-an-older-woman/&#34;&gt;The Case For An Older Woman « OkTrends&lt;/a&gt;. And there’s data to back it up, it seems. I thought this was interesting: “Because men’s dating preferences skew so young, and women’s are age-equitable, men peak later, and have a longer plateau of desirability, than women.” The OkTrends blog is of the most consistently interesting out there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Limits of Bioethics: Where the profession ends and politics begins</title>
    <link href="https://mlarson.org/2010/02/16/the-limits-of-bioethics-where-the-profession-ends/"/>
    <updated>2010-02-16T20:44:56.000Z</updated>
    <id>https://mlarson.org/2010/02/16/the-limits-of-bioethics-where-the-profession-ends/</id>
    <content type="html">&lt;p&gt;“What are we to make of their willingness to issue life-and-death pronouncements involving other people?”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.hoover.org/publications/policyreview/82722522.html&#34;&gt;The Limits of Bioethics: Where the profession ends and politics begins&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Music = dye</title>
    <link href="https://mlarson.org/2010/02/16/music-dye/"/>
    <updated>2010-02-16T20:16:00.000Z</updated>
    <id>https://mlarson.org/2010/02/16/music-dye/</id>
    <content type="html">&lt;p&gt;I’ve been listening to more Indian classical music lately, so I was reading about &lt;a href=&#34;http://en.wikipedia.org/wiki/Raga&#34;&gt;ragas&lt;/a&gt;, these traditional musical forms that guide how you play and develop a piece. Instructions for creating a mood, if I can semi-ignorantly generalize. And take a look at the etymology…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.etymonline.com/index.php?term=raga&#34;&gt;Raga&lt;/a&gt;. 1788, from Sanskrit &lt;em&gt;raga-s&lt;/em&gt; “harmony, melody, mode in music,” literally “color, mood,” related to &lt;em&gt;rajyati&lt;/em&gt; “it is dyed.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I like this idea of music as a “dye” for the mind.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2010</title>
    <link href="https://mlarson.org/2010/02/16/detail-from-snow-in-the-countryside-1909-a/"/>
    <updated>2010-02-16T18:53:00.000Z</updated>
    <id>https://mlarson.org/2010/02/16/detail-from-snow-in-the-countryside-1909-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxy750shtc1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Detail from “Snow in the Countryside” (1909), a woodblock print by &lt;a href=&#34;http://en.wikipedia.org/wiki/Kamisaka_Sekka&#34;&gt;Kamisaka Sekka&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Roger Ebert: The Essential Man</title>
    <link href="https://mlarson.org/2010/02/16/roger-ebert-the-essential-man/"/>
    <updated>2010-02-16T16:57:54.000Z</updated>
    <id>https://mlarson.org/2010/02/16/roger-ebert-the-essential-man/</id>
    <content type="html">&lt;p&gt;“When I am writing my problems become invisible and I am the same person I always was. All is well. I am as I should be.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/features/roger-ebert-0310&#34;&gt;Roger Ebert: The Essential Man&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bernstein on the Blues - The New York Times</title>
    <link href="https://mlarson.org/2010/02/15/bernstein-on-the-blues-the-new-york-times/"/>
    <updated>2010-02-15T21:21:28.000Z</updated>
    <id>https://mlarson.org/2010/02/15/bernstein-on-the-blues-the-new-york-times/</id>
    <content type="html">&lt;p&gt;Video of Leonard Bernstein finding iambic pentameter in blues lyrics, then inventing a brief tune out of an excerpt from &lt;em&gt;Macbeth&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://video.nytimes.com/video/2010/02/15/arts/music/1247467034254/bernstein-on-the-blues.html&#34;&gt;Bernstein on the Blues - The New York Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 14, 2010</title>
    <link href="https://mlarson.org/2010/02/14/oscar-levant-daydreams-a-total-performance-of/"/>
    <updated>2010-02-14T23:55:09.000Z</updated>
    <id>https://mlarson.org/2010/02/14/oscar-levant-daydreams-a-total-performance-of/</id>
    <content type="html">&lt;p&gt;Oscar Levant daydreams a total performance of Gershwin’s &lt;em&gt;Concerto in F&lt;/em&gt;. From the film “An American in Paris”.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>An American in Paris</title>
    <link href="https://mlarson.org/2010/02/14/an-american-in-paris-i-didnt-enjoy-this-every/"/>
    <updated>2010-02-14T23:51:00.000Z</updated>
    <id>https://mlarson.org/2010/02/14/an-american-in-paris-i-didnt-enjoy-this-every/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxuvmhwbkx1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/An_American_in_Paris_%28film%29&#34;&gt;An American in Paris&lt;/a&gt;. I didn’t enjoy this every much. Far and away my favorite part was the interlude where the layabout pianist &lt;a href=&#34;http://www.youtube.com/watch?v=HzmsCt3zP8A&#34;&gt;Oscar Levant daydreams playing Gershwin’s Concerto in F&lt;/a&gt;… and conducting it, and backing himself up on violins and timpani and xylophone. Haven’t we all been there?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2010</title>
    <link href="https://mlarson.org/2010/02/12/acme-triple-strength-fortified-leg-muscle/"/>
    <updated>2010-02-12T15:52:27.000Z</updated>
    <id>https://mlarson.org/2010/02/12/acme-triple-strength-fortified-leg-muscle/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxqk3fyuzq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/dystopos/89569033/in/set-72057594048403252/&#34;&gt;Acme Triple-Strength Fortified Leg Muscle Vitamins&lt;/a&gt;. From &lt;a href=&#34;http://www.youtube.com/watch?v=TYTWnjFqTDk&#34;&gt;Stop, Look and Hasten&lt;/a&gt; (dir. Charles M. Jones, 1954). I love the use of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Acme_Corporation&#34;&gt;Acme Corporation&lt;/a&gt; as a go-to, generic component of Looney Tunes. Surely someone’s written a dissertation about this.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What I&#39;ve been reading</title>
    <link href="https://mlarson.org/2010/02/11/20100211what-ive-been-reading/"/>
    <updated>2010-02-11T22:50:24.000Z</updated>
    <id>https://mlarson.org/2010/02/11/20100211what-ive-been-reading/</id>
    <content type="html">&lt;p&gt;Just like it says on the label. I&#39;m going to say a few things about &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157601575033868/&#34;&gt;what I read&lt;/a&gt; more often. I&#39;ll keep the longer &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932be4b06bff88913094/1368232747020/?format=original&#34;&gt;book reviews&lt;/a&gt; for the ones I have a bit more to share from or say about. 1. &lt;a href=&#34;http://www.amazon.com/Too-Big-Fail-Washington-System/dp/0670021253&#34;&gt;Too Big to Fail&lt;/a&gt;. This a great, great book that offers a minute-to-minute, blow-by-blow account of the financial crisis: meetings, phone calls, petty rivalries, bullying, groveling, panic. It&#39;s to be expected that the people at highest levels of any industry will be fairly well-connected to each other. It&#39;s also a little terrifying.&lt;/p&gt;
&lt;p&gt;2. &lt;a href=&#34;http://www.amazon.com/Well-Always-Have-Paris-Stories/dp/0061670146/&#34;&gt;We&#39;ll Always Have Paris&lt;/a&gt;. I think I need to give up on Ray Bradbury. I really liked &lt;em&gt;Something Wicked This Way Comes&lt;/em&gt; and loved &lt;em&gt;The Illustrated Man&lt;/em&gt; back in the day. &lt;em&gt;Dandelion Wine&lt;/em&gt; and &lt;em&gt;The Martian Chronicles&lt;/em&gt; were good, too. But nothing has hit the spot since.&lt;/p&gt;
&lt;p&gt;3. &lt;a href=&#34;http://www.amazon.com/Pride-Prejudice-Signet-Classics-Austen/dp/0451530780&#34;&gt;Pride and Prejudice&lt;/a&gt;. Quite simply one of the best books I&#39;ve ever read. One thing I appreciated was the characterization. When a new character comes in, they usually get some description, a good bit of dialogue to get the shape of their personality, and then the rest of the story assumes you remember that. Like that windbag Mr. Collins. You see his flowery speeches early, but later it&#39;s summarized that Collins praised this and commended that. For all the 19th-century wordiness, it&#39;s a pretty efficient little story. And it&#39;s got all that suspense and miscommunication and false assumptions.&lt;/p&gt;
&lt;p&gt;4. &lt;a href=&#34;http://www.amazon.com/Big-Sleep-Raymond-Chandler/dp/0394758285/&#34;&gt;The Big Sleep&lt;/a&gt;. I expected to enjoy this one a lot, and I did indeed. I didn&#39;t expect Chandler to be such a colorful writer. But there didn&#39;t seem to be many wasted words. It&#39;s all of a certain mood, a certain tone, a certain tightness. Great story.&lt;/p&gt;
&lt;p&gt;5. &lt;a href=&#34;http://www.amazon.com/Self-Made-Man-Womans-Journey-Manhood/dp/0670034665&#34;&gt;Self-Made Man&lt;/a&gt;. Author Norah Vincent spent a year dressing as a man--dating, working, socializing, etc.--and reports on here experience. It&#39;s pretty insightful. Here&#39;s a great bit from when she meets some new guys, on the awesomeness of handshakes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As he extended his arm to shake my hand, I extended mine, too, in a sweeping motion. Our palms met with a soft &lt;em&gt;pop&lt;/em&gt;, and I squeezed assertively the way I&#39;d seen men do at parties when they gathered in someone&#39;s living room to watch a football game. From outside, this ritual had always seemed overdone to me. Why all the macho ceremony? But from the inside it was completely different. There was something so warm and bonded in this handshake. Receiving it was a rush, an instant inclusion in a camaraderie that felt very old and practiced.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Though some of her chosen research venues (bowling team, strip joints, monastery, high-pressure sales team, male retreat) are a little fringe, it&#39;s a pretty sensitive account.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;If women are trapped by the whore/Madonna complex, men are equally trapped by this warrior/minstrel complex.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Every man&#39;s armor is borrowed and ten sizes too big, and beneath it, he&#39;s naked and insecure and hoping you won&#39;t see.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;After he told me the raw story, I said, &#39;Ivan, how many women have you slept with?&#39; &#39;Seventy-four,&#39; he said without hesitation. Again, probably a giant lie, but who knew? Ivan also claimed to have an IQ of 180 and a nine-inch dick. But don&#39;t they all, at least to each other.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And she&#39;s still plenty aware of the issues of sympathizing with The Man. Very thoughtful.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Atlanta Food Carts</title>
    <link href="https://mlarson.org/2010/02/11/atlanta-food-carts/"/>
    <updated>2010-02-11T19:25:40.000Z</updated>
    <id>https://mlarson.org/2010/02/11/atlanta-food-carts/</id>
    <content type="html">&lt;p&gt;The ATL &lt;a href=&#34;http://vimeo.com/9270859&#34;&gt;Pecha Kucha pleading for ATL food carts&lt;/a&gt; was well-received. It’s great to see a local culturo-political movement take shape in front of your eyes.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.atlantafoodcarts.com/&#34;&gt;Atlanta Food Carts&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The September Issue</title>
    <link href="https://mlarson.org/2010/02/11/the-september-issue-this-was-mostly-interesting/"/>
    <updated>2010-02-11T04:38:00.000Z</updated>
    <id>https://mlarson.org/2010/02/11/the-september-issue-this-was-mostly-interesting/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxnu7o7pvd1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_September_Issue&#34;&gt;The September Issue&lt;/a&gt;. This was mostly interesting for the visual spectacle. As a “story” it falls flat. It’s more a series of snapshots. The goal is to produce the Biggest Magazine Ever in the history of anything, but there’s no strong sense of beginnings, endings, middles, challenges. Perhaps there’s no proper place to begin watching a process that happens 12 times a year every year, but you still want some kind of narrative handhold. As for the people… of Vogue editor-in-chief &lt;a href=&#34;http://en.wikipedia.org/wiki/Anna_Wintour&#34;&gt;Anna Wintour&lt;/a&gt;, you don’t learn much directly, but watch her meet and quietly decree. It is pretty amazing how everyone just folds around her. Well, almost everyone. The magazine’s creative director, &lt;a href=&#34;http://en.wikipedia.org/wiki/Grace_Coddington&#34;&gt;Grace Coddington&lt;/a&gt; is presented as the warmer, romantic foil to Wintour’s frosty business demeanor. Perhaps the most interesting bit of process was seeing the storyboarding of the magazine. There’s a separate room where they’d lay out potential photoshoots on a table, then select and sort the miniature 2-page spreads on a big wall, shuffling and reshuffling pages until press time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2010</title>
    <link href="https://mlarson.org/2010/02/11/billa-color-photograph-of-a-set-from/"/>
    <updated>2010-02-11T04:17:57.000Z</updated>
    <id>https://mlarson.org/2010/02/11/billa-color-photograph-of-a-set-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxnamec3op1qz5xgto1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/382628251/color-photograph-of-a-set-from-tarkovskys&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Color photograph of a set from Tarkovsky’s “Nostalghia”, in which the director built a 1/3 scale model of his childhood home within the ruins of a bombed out cathedral.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;via&lt;/em&gt; &lt;a href=&#34;http://judesays.tumblr.com/post/382432586/color-photograph-of-a-set-from-tarkovskys&#34;&gt;&lt;em&gt;judesays&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2010</title>
    <link href="https://mlarson.org/2010/02/10/i-simply-want-to-celebrate-the-fact-that-right/"/>
    <updated>2010-02-10T19:37:44.000Z</updated>
    <id>https://mlarson.org/2010/02/10/i-simply-want-to-celebrate-the-fact-that-right/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I simply want to celebrate the fact that right near your home, year in and year out, a community college is quietly — and with very little financial encouragement — saving lives and minds. I can’t think of a more efficient, hopeful or egalitarian machine, with the possible exception of the bicycle.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://kottke.org/10/02/community-colleges-save-lives&#34;&gt;Kay Ryan&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Men Without Work | Mother Jones</title>
    <link href="https://mlarson.org/2010/02/10/men-without-work-mother-jones/"/>
    <updated>2010-02-10T19:36:50.000Z</updated>
    <id>https://mlarson.org/2010/02/10/men-without-work-mother-jones/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://motherjones.com/kevin-drum/2010/02/men-without-work&#34;&gt;Men Without Work | Mother Jones&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rashomon</title>
    <link href="https://mlarson.org/2010/02/10/rashomon-this-is-my-second-kurosawa-flick-throne/"/>
    <updated>2010-02-10T01:23:10.000Z</updated>
    <id>https://mlarson.org/2010/02/10/rashomon-this-is-my-second-kurosawa-flick-throne/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxlqimxkrg1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rashomon_%28film%29&#34;&gt;Rashomon&lt;/a&gt;. This is my second Kurosawa flick. &lt;a href=&#34;http://tumblr.mlarson.org/post/197994764/throne-of-blood-is-the-first-kurosawa-film-ive&#34;&gt;Throne of Blood&lt;/a&gt; was first. This one I didn’t like as much. Dialogue seemed a bit low on subtlety, but maybe that’s partially a translation thing? And multi-perspective flashback to previous events seems so familiar now–I wonder how I’d react if I saw it with fresh eyes. A couple characters, with their shifts from stonefaced to tears to cackling laughter, got a bit exausting. The first moments of the first swordfight seemed tense with possibility, but then subsequent fights just seem like bumbling. You can’t swing swords that much and not cut someone, can you? Nice framing here and there, interesting use of light filtering through trees, obscuring and revealing. And a mostly good soundtrack, though the section during the victim’s testimony seemed to borrow heavily from Ravel’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Bol%C3%A9ro&#34;&gt;Boléro&lt;/a&gt;. I’ll be glad to see what else Kurosawa has to offer.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 9, 2010</title>
    <link href="https://mlarson.org/2010/02/09/3-legged-bear-walking-on-two-legs-fast-forward-to/"/>
    <updated>2010-02-09T19:39:30.000Z</updated>
    <id>https://mlarson.org/2010/02/09/3-legged-bear-walking-on-two-legs-fast-forward-to/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/6yZ4fktcuNk&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=6yZ4fktcuNk#t=55s&#34;&gt;3-legged bear walking on two legs&lt;/a&gt;. Fast-forward to 0:55 or so. It’s amazing when you can feel your brain seeing something new and adjusting what it knows to be true.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Streatery hot dog carts take foot in Atlanta - Covered Dish - Atlanta Magazine</title>
    <link href="https://mlarson.org/2010/02/09/streatery-hot-dog-carts-take-foot-in-atlanta/"/>
    <updated>2010-02-09T18:08:00.000Z</updated>
    <id>https://mlarson.org/2010/02/09/streatery-hot-dog-carts-take-foot-in-atlanta/</id>
    <content type="html">&lt;p&gt;We’ve got a toehold!&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.atlantamagazine.com/blogs/covereddish/blogentry.aspx?BlogEntryID=10093753&#34;&gt;Streatery hot dog carts take foot in Atlanta - Covered Dish - Atlanta Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 9, 2010</title>
    <link href="https://mlarson.org/2010/02/09/its-friday-night-and-youre-home-alone-making/"/>
    <updated>2010-02-09T15:21:48.000Z</updated>
    <id>https://mlarson.org/2010/02/09/its-friday-night-and-youre-home-alone-making/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s Friday night, and you’re home alone making Nutella. Remind yourself it’s an enviable skill that will add to your dowry and that you will not die alone.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wewhiskaway.blogspot.com/2010/02/homemade-nutella.html&#34;&gt;Whisk Away: Homemade Nutella&lt;/a&gt;. A couple friends of mine have a food blog and a way with words.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>LOVE BEGINS A PICTURE: An Anthology of Google Voice Transcriptions Formatted and Annotated As Poetry</title>
    <link href="https://mlarson.org/2010/02/08/love-begins-a-picture-an-anthology-of-google/"/>
    <updated>2010-02-08T18:28:00.000Z</updated>
    <id>https://mlarson.org/2010/02/08/love-begins-a-picture-an-anthology-of-google/</id>
    <content type="html">&lt;p&gt;“Since the transcript/poem often bears little resemblance to the actual words spoken, who are the real authors - the Voice, the callers, or some synergistic combination of forces beyond our limited understanding?” (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/02/assorted-links-5.html&#34;&gt;via&lt;/a&gt;).&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;WHATEVER THIS IS (Caller: My friend Christina)&lt;/p&gt;
&lt;p&gt;Hey mister&lt;br&gt;
it’s Christina&lt;br&gt;
just left you a message and then&lt;br&gt;
I got your message and realized&lt;br&gt;
you’re stuck out&lt;/p&gt;
&lt;p&gt;but I’ll try you.&lt;/p&gt;
&lt;p&gt;But yeah, just trying to be tomorrow&lt;br&gt;
(if you get the chance)&lt;br&gt;
And if you’re a few Karen in China the next day&lt;br&gt;
Council lot more&lt;br&gt;
eating minnows on the step&lt;br&gt;
and give me a little&lt;/p&gt;
&lt;p&gt;I’ll be hanging around then and I am&lt;br&gt;
well,&lt;br&gt;
whatever this is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also the found poetry of &lt;a href=&#34;http://www.youtube.com/watch?v=YgiqSNNuhQg#t=1m&#34;&gt;Shatner/Palin&lt;/a&gt;, &lt;a href=&#34;http://www.slate.com/id/2081042&#34;&gt;Rumsfeld&lt;/a&gt;, and &lt;a href=&#34;http://www.mlarson.org/2008/09/28/1437/&#34;&gt;Clinton/Lewinsky&lt;/a&gt;.&lt;br&gt;
&lt;a href=&#34;http://www.3quarksdaily.com/3quarksdaily/2010/02/love-begins-a-picture-an-anthology-of-google-voice-transcriptions-formatted-and-annotated-as-poetry.html&#34;&gt;LOVE BEGINS A PICTURE: An Anthology of Google Voice Transcriptions Formatted and Annotated As Poetry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 7, 2010</title>
    <link href="https://mlarson.org/2010/02/07/every-day-the-same-dream-this-is-a-wonderful/"/>
    <updated>2010-02-07T03:12:42.000Z</updated>
    <id>https://mlarson.org/2010/02/07/every-day-the-same-dream-this-is-a-wonderful/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxgbl6oszm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.molleindustria.org/everydaythesamedream/everydaythesamedream.html&#34;&gt;Every Day the Same Dream&lt;/a&gt;. This is a wonderful video game. Or philosophy game, or something. Via Boing Boing’s &lt;a href=&#34;http://boingboing.net/games.html&#34;&gt;Games to Get&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My iPad mockup</title>
    <link href="https://mlarson.org/2010/02/06/20100206my-ipad-mockup/"/>
    <updated>2010-02-06T19:39:57.000Z</updated>
    <id>https://mlarson.org/2010/02/06/20100206my-ipad-mockup/</id>
    <content type="html">&lt;p&gt;I&#39;m really excited about &lt;a href=&#34;http://www.apple.com/ipad/&#34;&gt;this thing&lt;/a&gt;. But I couldn&#39;t quite get a sense of how it might feel. What&#39;s 1.5lbs like in the hands? So I made a mockup: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/4335377419/&#34; title=&#34;iPad mockup by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4041/4335377419_fe8fc7104e.jpg&#34; alt=&#34;iPad mockup&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Obviously it&#39;s not metal and glass, and therefore not as rigid, but I love how this thing feels. Ingredients:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4336097512/&#34; title=&#34;iPad mockup by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2768/4336097512_8ebfd76911.jpg&#34; alt=&#34;iPad mockup&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;1 copy of Ellen Lupton&#39;s &lt;a href=&#34;http://www.amazon.com/Thinking-Type-Critical-Designers-Students/dp/1568984480&#34;&gt;Thinking with Type&lt;/a&gt;, which has about the right dimensions&lt;/li&gt;
&lt;li&gt;2 thin pieces of packing cardboard, cut to &lt;a href=&#34;http://www.apple.com/ipad/specs/&#34;&gt;specs&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;30 quarters for ballast&lt;/li&gt;
&lt;li&gt;tape&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Mine came out to 680 grams, right on par with the wifi-only model. Your results may vary, but that&#39;s what the quarters are for.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4336097430/&#34; title=&#34;iPad mockup by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2753/4336097430_faa309f969.jpg&#34; alt=&#34;iPad mockup&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ben Casnocha: The Blog: The Paradox of Attitudinal Self-Help Books</title>
    <link href="https://mlarson.org/2010/02/05/ben-casnocha-the-blog-the-paradox-of-attitudinal/"/>
    <updated>2010-02-05T20:30:06.000Z</updated>
    <id>https://mlarson.org/2010/02/05/ben-casnocha-the-blog-the-paradox-of-attitudinal/</id>
    <content type="html">&lt;p&gt;“So who &lt;em&gt;is&lt;/em&gt; buying these books? Thesis: Already-motivated people who think just a tiny bit more motivation and inspiration will make the difference. But I’m not so sure it will.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ben.casnocha.com/2010/02/the-paradox-of-attitudinal-self-help-books.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+ItsLikeBensBlog+%28Ben+Casnocha%27s+Blog%29&amp;amp;utm_content=Google+Reader&#34;&gt;Ben Casnocha: The Blog: The Paradox of Attitudinal Self-Help Books&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In which I realize I&#39;m sort of a believer in the Olympic spirit, actually</title>
    <link href="https://mlarson.org/2010/02/05/in-which-i-realize-im-sort-of-a-believer-in-the/"/>
    <updated>2010-02-05T15:04:33.000Z</updated>
    <id>https://mlarson.org/2010/02/05/in-which-i-realize-im-sort-of-a-believer-in-the/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://agrammar.tumblr.com/post/371041140/in-which-i-realize-im-sort-of-a-believer-in-the&#34;&gt;agrammar&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Isn’t this whole Olympic narrative sort of a dream we’ve made up to make ourselves feel better? Well yeah: of course it is. That’s sort of the point. That’s how ideals work, isn’t it? They’re a way of practicing for things we can’t actually do yet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://agrammar.tumblr.com/post/371041140/in-which-i-realize-im-sort-of-a-believer-in-the&#34;&gt;In which I realize I&#39;m sort of a believer in the Olympic spirit, actually&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2010</title>
    <link href="https://mlarson.org/2010/02/05/a-couple-of-other-things-that-you-might-not-have/"/>
    <updated>2010-02-05T05:01:43.000Z</updated>
    <id>https://mlarson.org/2010/02/05/a-couple-of-other-things-that-you-might-not-have/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A couple of other things that you might not have heard yet, because they’re not available: There’s a fantastic compilation of music that was recorded and released originally on 78s, and it’s called Black Mirror: Reflections In Global Musics. I would recommend it to anybody. But anyway, on that album there’s a song, and when I first heard that song, it just completely blew me away, because all the sudden I had heard the greatest note that I’d ever heard anybody make up to that point. The song is called “Smyrneiko Minore,” and it was sung by Marika Papagika, a young woman who emigrated from Greece to the United States, and she recorded it in 1919 in New York. When you listen to that song, you’re totally unprepared. At least I was. I was totally unprepared for her entrance. When she comes in, that first note, it’s unbelievable, the sense of human sorrow and the feeling of that note.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.avclub.com/chicago/articles/kronos-quartets-david-harrington,37804/&#34;&gt;Kronos Quartet’s David Harrington | The A.V. Club Chicago&lt;/a&gt;. The &lt;a href=&#34;http://news.dust-digital.com/post/371340268/marika-papagika-smyrneiko&#34;&gt;song in question&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2010</title>
    <link href="https://mlarson.org/2010/02/04/subtlety-thy-name-is-metro-pcs-medical-arts/"/>
    <updated>2010-02-04T20:07:00.000Z</updated>
    <id>https://mlarson.org/2010/02/04/subtlety-thy-name-is-metro-pcs-medical-arts/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxc2kewhqr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Subtlety, thy name is Metro PCS. &lt;a href=&#34;http://blogs.creativeloafing.com/freshloaf/2010/02/04/medical-arts-building-billboard-rears-ugly-head-%E2%80%94-again/&#34;&gt;Medical Arts Building billboard rears ugly head — again&lt;/a&gt;. “Building advertisements can be no larger than 200 square feet… And yes, it appears it’s just &lt;em&gt;a tad bit&lt;/em&gt; larger than 200 square feet.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2010</title>
    <link href="https://mlarson.org/2010/02/04/the-best-way-to-describe-it-is-im-like-this/"/>
    <updated>2010-02-04T16:20:33.000Z</updated>
    <id>https://mlarson.org/2010/02/04/the-best-way-to-describe-it-is-im-like-this/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The best way to describe it is I’m like this energy-gathering dynamo. I suck in the energy from the crowd and right at the point they’re drained, ready to slump over and fall over and pass out, I bring it to a crescendo and [expletive] shoot it all back at ‘em. And then I’m [expletive] slumped over and ready to pass out and they’re energized and ready for the next artist or end of the party or whatever.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.mndaily.com/2010/01/27/interview-coolio&#34;&gt;Interview with Coolio&lt;/a&gt;, describing what it’s like to perform.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2010</title>
    <link href="https://mlarson.org/2010/02/04/most-intellectual-failures-people-who-are-smart/"/>
    <updated>2010-02-04T15:14:37.000Z</updated>
    <id>https://mlarson.org/2010/02/04/most-intellectual-failures-people-who-are-smart/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Most intellectual failures, people who are smart but still don’t succeed, tend to be underspecialized.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That’s &lt;a href=&#34;http://andymckenzie.blogspot.com/2010/02/eleven-cmrhmoi-thoughts.html&#34;&gt;Andy McKenzie&lt;/a&gt; summarizing 11 main points from &lt;a href=&#34;http://colinmarshall.libsyn.com/index.php?post_id=575821&#34;&gt;Colin Marshall’s interview with Robin Hanson&lt;/a&gt;. This point from their talk struck home for me. No, I don’t consider myself a Failure, but I know very well how endless curiosity doesn’t necessarily make you productive. Constraint is liberating, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2010</title>
    <link href="https://mlarson.org/2010/02/04/consider-david-foster-wallace-book-due-summer/"/>
    <updated>2010-02-04T15:04:52.000Z</updated>
    <id>https://mlarson.org/2010/02/04/consider-david-foster-wallace-book-due-summer/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kxbok5ipcx1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sideshowmediagroup.com/?p=121&#34;&gt;Consider David Foster Wallace&lt;/a&gt;. Book due summer 2010, a collection based on critical essays from last summer’s conference. (&lt;a href=&#34;http://twitter.com/sideshowmedia/status/8622650979&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2010</title>
    <link href="https://mlarson.org/2010/02/04/rcoleman-nuit-blanche-wow-visually-a-very/"/>
    <updated>2010-02-04T14:44:00.000Z</updated>
    <id>https://mlarson.org/2010/02/04/rcoleman-nuit-blanche-wow-visually-a-very/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/9078364&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.ryancoleman.ca/post/370573818/nuit-blanche-wow-visually-a-very&#34;&gt;rcoleman&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/9078364&#34;&gt;Nuit Blanche&lt;/a&gt; - wow - visually, a very interesting short film… worth a watch&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2010</title>
    <link href="https://mlarson.org/2010/02/03/joanna-newsom-good-intentions-paving-company/"/>
    <updated>2010-02-03T21:09:40.000Z</updated>
    <id>https://mlarson.org/2010/02/03/joanna-newsom-good-intentions-paving-company/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/STwVx6ynYjk&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=STwVx6ynYjk&#34;&gt;Joanna Newsom - Good Intentions Paving Company&lt;/a&gt;. This is a great new single.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2010</title>
    <link href="https://mlarson.org/2010/02/03/double-page-spread-of-electrical-towers-2002-by/"/>
    <updated>2010-02-03T15:49:00.000Z</updated>
    <id>https://mlarson.org/2010/02/03/double-page-spread-of-electrical-towers-2002-by/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kx9vxzpz9a1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.adambaumgoldgallery.com/Seth/Aimee_Mann/6_Electrical_Towers_WB.jpg&#34;&gt;Double Page Spread of Electrical Towers, 2002&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Seth_(cartoonist)&#34;&gt;Seth&lt;/a&gt; for Aimee Mann’s “Lost in Space”. Part of the &lt;a href=&#34;http://www.adambaumgoldgallery.com/Seth/Seth2010.htm&#34;&gt;exhibition for George Sprott 1894-1975&lt;/a&gt;. The man has a way with gouache. (&lt;a href=&#34;http://twitter.com/tomgauld/status/8589442149&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wehr in the World: Haiti Paparazzi</title>
    <link href="https://mlarson.org/2010/02/03/wehr-in-the-world-haiti-paparazzi/"/>
    <updated>2010-02-03T14:38:03.000Z</updated>
    <id>https://mlarson.org/2010/02/03/wehr-in-the-world-haiti-paparazzi/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/02/haiti-paparazzi.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+WehrInTheWorld+%28Wehr+in+the+World%29&amp;amp;utm_content=Google+Reader&#34;&gt;Wehr in the World: Haiti Paparazzi&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Royal Tenenbaums</title>
    <link href="https://mlarson.org/2010/02/03/the-royal-tenenbaums-film-3-in-my-wes-anderson/"/>
    <updated>2010-02-03T02:10:49.000Z</updated>
    <id>https://mlarson.org/2010/02/03/the-royal-tenenbaums-film-3-in-my-wes-anderson/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kx8u219mlb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Royal_Tenenbaums&#34;&gt;The Royal Tenenbaums&lt;/a&gt;. Film #3 in my Wes Anderson self-education program. I’d rank this one below The Darjeeling Limited, above Rushmore. Anderson can start a movie with the best of them, but I’m not sure he’s a good finisher. But I can appreciate how he rides the edge between comedy and tragedy. I’m not sure I understand the soundtracks, though. I don’t think it’s simply a bald move for hip points – “Hey, listen to how cool my music collection is. Pretty good taste, eh?” – but I can’t help but find it somewhat annoying.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2010</title>
    <link href="https://mlarson.org/2010/02/02/charlie-brooker-how-to-report-the-news-via/"/>
    <updated>2010-02-02T15:10:22.000Z</updated>
    <id>https://mlarson.org/2010/02/02/charlie-brooker-how-to-report-the-news-via/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=YtGSXMuWMR4&#34;&gt;Charlie Brooker - How To Report The News&lt;/a&gt; (&lt;a href=&#34;http://www.rebeccablood.net/archive/2010/02/how_to_report_the_news.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2010</title>
    <link href="https://mlarson.org/2010/02/01/5793399-music-for-pieces-of-wood-by-steve/"/>
    <updated>2010-02-01T21:25:03.000Z</updated>
    <id>https://mlarson.org/2010/02/01/5793399-music-for-pieces-of-wood-by-steve/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/Mv_8UaP_QRI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://5793399.tumblr.com/post/354090234/music-for-pieces-of-wood-by-steve-reich&#34;&gt;5793399&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Music for Pieces of Wood” by &lt;a href=&#34;http://www.stevereich.com/&#34;&gt;Steve Reich&lt;/a&gt;. Performed by &lt;a href=&#34;http://www.nexuspercussion.com/&#34;&gt;Nexus&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Moon</title>
    <link href="https://mlarson.org/2010/02/01/moon-i-really-liked-this-one-in-the-end-good/"/>
    <updated>2010-02-01T01:35:00.000Z</updated>
    <id>https://mlarson.org/2010/02/01/moon-i-really-liked-this-one-in-the-end-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/02/tumblr_kx532yhwlz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Moon_%28film%29&#34;&gt;Moon&lt;/a&gt;. I really liked this one in the end. Good score, too, aside from a couple piano interludes. I was expecting a psycho-mind-bender kind of thing where we watch Sam Rockwell lose it for an hour. That does happen, for a bit. At first I was skeptical about the twist and the HAL-esque computer friend and the token evil corporation. But then, it turns into a surprisingly effective little deliberation on identity and memory and ethics and such. Recommended!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rushmore</title>
    <link href="https://mlarson.org/2010/01/31/rushmore-this-is-my-second-wes-anderson-film/"/>
    <updated>2010-01-31T17:55:37.000Z</updated>
    <id>https://mlarson.org/2010/01/31/rushmore-this-is-my-second-wes-anderson-film/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kx4hsq9oqy1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rushmore_%28film%29&#34;&gt;Rushmore&lt;/a&gt;. This is my second Wes Anderson film (&lt;a href=&#34;http://tumblr.mlarson.org/post/351012474/the-darjeeling-limited-this-is-the-first-wes&#34;&gt;previously&lt;/a&gt;). I knew next to nothing about it before I started, maybe some prepping would have helped. In the end I say, “not worth it”. I almost didn’t finish. Next up, Royal Tenenbaums.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Rules of the Game: A Fuller Thought on J. Hopper and Vampire Weekend</title>
    <link href="https://mlarson.org/2010/01/31/the-rules-of-the-game-a-fuller-thought-on-j/"/>
    <updated>2010-01-31T15:43:05.000Z</updated>
    <id>https://mlarson.org/2010/01/31/the-rules-of-the-game-a-fuller-thought-on-j/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The critic, ever wary of a band like Vampire Weekend’s likely privilege, doesn’t look very far into what, if anything, they’re saying about class — so sure is she that her take on class issues will be more important and incisive. The critic, ever wary of the band’s interest in African music being dilettantish, doesn’t much ask how that influence is operating — so sure is she that her relationship with African music is deeper, more solemn, more respectful. And at some point we’re barely reading criticism anymore: we’re just watching the refereeing of a game we’re all too familiar with.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(&lt;a href=&#34;http://twitter.com/jonahweiner/status/8454533936&#34;&gt;via&lt;/a&gt;. see &lt;a href=&#34;http://twitter.com/jonahweiner/status/8454574617&#34;&gt;also&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Happiness Project (review: 3/5)</title>
    <link href="https://mlarson.org/2010/01/28/20100128the-happiness-project-review/"/>
    <updated>2010-01-28T22:43:00.000Z</updated>
    <id>https://mlarson.org/2010/01/28/20100128the-happiness-project-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4312203775/&#34; title=&#34;The Happiness Project by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm5.static.flickr.com/4002/4312203775_7ab97997ef.jpg&#34; alt=&#34;The Happiness Project&#34;&gt;&lt;/a&gt; I felt pretty torn about this one. I&#39;d been following &lt;a href=&#34;http://www.happiness-project.com/&#34;&gt;Gretchen Rubin&#39;s blog about the Happiness Project&lt;/a&gt; for a while and wondered what extra stuff would be in &lt;a href=&#34;http://www.amazon.com/Happiness-Project-Morning-Aristotle-Generally/dp/0061583251&#34;&gt;the book&lt;/a&gt;. I got it from the library, so I&#39;m not sure that it matters as the only cost to me was time. Luckily she&#39;s a really fluid writer and it&#39;s a quick read, so it&#39;s not in the &amp;quot;waste of time&amp;quot; category. Good parts:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;One source of inspiration for her: &lt;a href=&#34;http://books.google.com/books?id=7eqrO3lkkwYC&amp;amp;pg=PA185&amp;amp;lpg=PA185&amp;amp;dq=best+is+good+better+is+best&#34;&gt;Best is good. Better is best&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;The idea that &amp;quot;The days are long, but the &lt;a href=&#34;http://www.theyearsareshort.com/&#34;&gt;years are short&lt;/a&gt;&amp;quot;. Love that.&lt;/li&gt;
&lt;li&gt;The #1 contributor to greater happiness: her resolution chart. This is basic, daily tracking on whatever goals you have. It works. See: &lt;a href=&#34;http://kottke.org/09/07/the-steve-ward-diet&#34;&gt;here&lt;/a&gt; &lt;a href=&#34;http://wehrintheworld.blogspot.com/search/label/self-track&#34;&gt;here&lt;/a&gt; &lt;a href=&#34;http://www.43folders.com/2005/09/01/ben-franklin-keeper-of-his-own-permanent-record&#34;&gt;here&lt;/a&gt; &lt;a href=&#34;http://www.quantifiedself.com/&#34;&gt;here&lt;/a&gt; &lt;a href=&#34;http://lifehacker.com/281626/jerry-seinfelds-productivity-secret&#34;&gt;here&lt;/a&gt;, etc.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;If there&#39;s a downside, it&#39;s that I wish she&#39;d shared more of the studies she read up on (surely a ton), and less of the personal anecdotes of how she applied them. But then again, I wonder if I&#39;d say the opposite if the reverse were true? Either way, you can probably get the most bang for your buck by ripping through the &lt;a href=&#34;http://www.happiness-project.com/happiness_project/best-of.html&#34;&gt;best-of section&lt;/a&gt; over on her site. &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/12/gretchen-rubins-the-happiness-project.html&#34;&gt;Tyler Cowen says&lt;/a&gt; &amp;quot;On net, Gretchen&#39;s tips will enhance your happiness.&amp;quot; I suspect this is true.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2010</title>
    <link href="https://mlarson.org/2010/01/28/not-every-end-is-a-goal-the-end-of-a-melody-is/"/>
    <updated>2010-01-28T20:10:00.000Z</updated>
    <id>https://mlarson.org/2010/01/28/not-every-end-is-a-goal-the-end-of-a-melody-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Not every end is a goal. The end of a melody is not its goal; however, if the melody has not reached its end, it would also not have reached its goal. A parable.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=ecDFXfSI8LMC&amp;amp;pg=PA55&amp;amp;dq=&#34;&gt;Nietzsche&lt;/a&gt;. Yeah, I kind of hate to be that Nietzsche-quoting guy, but I read it in Gretchen Rubin’s book &lt;a href=&#34;http://www.happiness-project.com/&#34;&gt;The Happiness Project&lt;/a&gt; this morning and it stuck with me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Postscript: J. D. Salinger - The New Yorker</title>
    <link href="https://mlarson.org/2010/01/28/postscript-j-d-salinger-the-new-yorker/"/>
    <updated>2010-01-28T19:35:00.000Z</updated>
    <id>https://mlarson.org/2010/01/28/postscript-j-d-salinger-the-new-yorker/</id>
    <content type="html">&lt;p&gt;Archive of Salinger’s stories for the New Yorker. (&lt;a href=&#34;http://twitter.com/francesk/status/8335095661&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/backissues/2010/01/postscript-j-d-salinger.html&#34;&gt;Postscript: J. D. Salinger - The New Yorker&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2010</title>
    <link href="https://mlarson.org/2010/01/28/wnbrgr-orchestra-20-inside-the-orchestra/"/>
    <updated>2010-01-28T16:51:08.000Z</updated>
    <id>https://mlarson.org/2010/01/28/wnbrgr-orchestra-20-inside-the-orchestra/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwytdjfsat1qzsy4oo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wnbrgr.tumblr.com/post/358060146&#34;&gt;wnbrgr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blog.jasonweinberger.com/post/358057392/inside-the-orchestra&#34;&gt;orchestra 2.0 → Inside the orchestra&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Inside the instruments of the orchestra. I thought this was a model for concert hall when I first saw it!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>This is the title of a typical incendiary blog post - Coyote Crossing</title>
    <link href="https://mlarson.org/2010/01/28/this-is-the-title-of-a-typical-incendiary-blog/"/>
    <updated>2010-01-28T03:06:16.000Z</updated>
    <id>https://mlarson.org/2010/01/28/this-is-the-title-of-a-typical-incendiary-blog/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://faultline.org/index.php/site/item/incendiary/&#34;&gt;This is the title of a typical incendiary blog post - Coyote Crossing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 27, 2010</title>
    <link href="https://mlarson.org/2010/01/27/the-great-atlanta-fire-of-1917-photographer/"/>
    <updated>2010-01-27T21:24:49.000Z</updated>
    <id>https://mlarson.org/2010/01/27/the-great-atlanta-fire-of-1917-photographer/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwxctdg1yk1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Great_Atlanta_fire_of_1917&#34;&gt;The Great Atlanta Fire of 1917&lt;/a&gt;. Photographer &lt;a href=&#34;http://collections.atlantahistorycenter.com/u?/CamFire,16&#34;&gt;unknown&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 27, 2010</title>
    <link href="https://mlarson.org/2010/01/27/unhappyhipsters-ever-the-realist-he-built-his/"/>
    <updated>2010-01-27T19:09:56.000Z</updated>
    <id>https://mlarson.org/2010/01/27/unhappyhipsters-ever-the-realist-he-built-his/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwv3voqjyn1qam6ylo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://unhappyhipsters.tumblr.com/post/354522904/ever-the-realist-he-built-his-table-for-one&#34;&gt;unhappyhipsters&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ever the realist, he built his table for one.&lt;/p&gt;
&lt;p&gt;(Dwell magazine, February 2010)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Nice satire of current modern/minimalist interior design porn.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2010</title>
    <link href="https://mlarson.org/2010/01/26/carpe-diem-heavy-hitters-top-100-rent-seekers/"/>
    <updated>2010-01-26T21:03:41.000Z</updated>
    <id>https://mlarson.org/2010/01/26/carpe-diem-heavy-hitters-top-100-rent-seekers/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwvh66qyy01qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mjperry.blogspot.com/2010/01/influence-and-lobbying-heavy-hitters.html&#34;&gt;CARPE DIEM: Heavy Hitters: Top 100 Rent Seekers 1989-2010&lt;/a&gt;. Full list at &lt;a href=&#34;http://www.opensecrets.org/orgs/index.php&#34;&gt;Open Secrets&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2010</title>
    <link href="https://mlarson.org/2010/01/26/illustration-for-pride-prejudice-by-ce-brock/"/>
    <updated>2010-01-26T18:22:02.000Z</updated>
    <id>https://mlarson.org/2010/01/26/illustration-for-pride-prejudice-by-ce-brock/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwv9orwuco1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.pemberley.com/janeinfo/ppbrokil.html#thumbn&#34;&gt;Illustration for Pride &amp;amp; Prejudice by C.E. Brock&lt;/a&gt;. From &lt;a href=&#34;http://www.pemberley.com/janeinfo/pridprej.html&#34;&gt;Pride and Prejudice Hypertext&lt;/a&gt;, which has a lot of cross-referencing, genealogy, illustrations, maps, motifs, historical tidbits, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tyson</title>
    <link href="https://mlarson.org/2010/01/26/tyson-its-a-great-movie-tyson-narrates-the/"/>
    <updated>2010-01-26T03:35:00.000Z</updated>
    <id>https://mlarson.org/2010/01/26/tyson-its-a-great-movie-tyson-narrates-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwu4mryjfw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Tyson_%28film%29&#34;&gt;Tyson&lt;/a&gt;. It’s a great movie. Tyson narrates the whole thing, which is interspersed with footage from his entire career. What could be boring talking head scenes are somewhat enlivened with multiple camera angles, split screens, cuts, etc. You can’t help but feel some sympathy for the guy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2010</title>
    <link href="https://mlarson.org/2010/01/25/beethovens-laptop-thats-a-clever-little-desk/"/>
    <updated>2010-01-25T19:43:54.000Z</updated>
    <id>https://mlarson.org/2010/01/25/beethovens-laptop-thats-a-clever-little-desk/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwtit8mscz1qzcye0o1_400.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=41863&amp;amp;template=&amp;amp;_mid=39080&#34;&gt;Beethoven’s laptop&lt;/a&gt;. That’s a clever little desk, no?&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In the last weeks of Beethoven’s life this travel desk was placed right next to his bed. Three days before he died, he wrote a codicil to his will at the desk, in which he named his nephew Karl as his sole heir. Beethoven probably kept his letter to the &lt;a href=&#34;http://en.wikipedia.org/wiki/Immortal_Beloved&#34;&gt;Immortal Beloved&lt;/a&gt; in the open compartment shown here.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2010</title>
    <link href="https://mlarson.org/2010/01/25/heinrich-siegfried-bormann-visual-analysis-of-a/"/>
    <updated>2010-01-25T19:26:00.000Z</updated>
    <id>https://mlarson.org/2010/01/25/heinrich-siegfried-bormann-visual-analysis-of-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw4rh8dv4m1qav3uso1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Heinrich-Siegfried Bormann - Visual analysis of a piece of music from a color-theory class with Vasily Kandinsky. October 21, 1930. (&lt;a href=&#34;http://prostheticknowledge.tumblr.com/post/330375688/heinrich-siegfried-bormann-visual-analysis-of-a&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When The Dragon Swallowed The Sun</title>
    <link href="https://mlarson.org/2010/01/25/when-the-dragon-swallowed-the-sun/"/>
    <updated>2010-01-25T14:42:00.000Z</updated>
    <id>https://mlarson.org/2010/01/25/when-the-dragon-swallowed-the-sun/</id>
    <content type="html">&lt;p&gt;A documentary by Dirk Simon about the current Tibet/China situation. Soundtrack by Philip Glass, Thom Yorke, and Damien Rice.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.whenthedragon.com/index.html&#34;&gt;When The Dragon Swallowed The Sun&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2010</title>
    <link href="https://mlarson.org/2010/01/25/daybreak-in-hoisen-near-gmunden-by-arnold/"/>
    <updated>2010-01-25T00:46:44.000Z</updated>
    <id>https://mlarson.org/2010/01/25/daybreak-in-hoisen-near-gmunden-by-arnold/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kws25xe21b1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.usc.edu/libraries/archives/schoenberg/painting/idportraithtms/ritter115.htm&#34;&gt;Daybreak in Hoisen near Gmunden&lt;/a&gt; by Arnold Schoenberg. Looks like they had a rough weekend. That’s one of many of &lt;a href=&#34;http://www.usc.edu/libraries/archives/schoenberg/painting/painting.htm&#34;&gt;Arnold Schoenberg’s Paintings and Drawings&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 24, 2010</title>
    <link href="https://mlarson.org/2010/01/24/vvvvvv-games-like-this-make-me-want-to-start/"/>
    <updated>2010-01-24T18:38:13.000Z</updated>
    <id>https://mlarson.org/2010/01/24/vvvvvv-games-like-this-make-me-want-to-start/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwrl3qopcu1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thelettervsixtim.es/&#34;&gt;VVVVVV&lt;/a&gt;. Games like this make me want to start playing video games again. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Darjeeling Limited</title>
    <link href="https://mlarson.org/2010/01/24/the-darjeeling-limited-this-is-the-first-wes/"/>
    <updated>2010-01-24T17:38:39.000Z</updated>
    <id>https://mlarson.org/2010/01/24/the-darjeeling-limited-this-is-the-first-wes/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwrichre841qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Darjeeling_Limited&#34;&gt;The Darjeeling Limited&lt;/a&gt;. This is the first Wes Anderson I’ve ever seen. I liked it, but didn’t fall in love with it. Strange feeling to have such a wandering, aimless plot captured with such anal precision.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>This Gun for Hire</title>
    <link href="https://mlarson.org/2010/01/23/this-gun-for-hire-this-is-a-very-average-movie/"/>
    <updated>2010-01-23T21:48:27.000Z</updated>
    <id>https://mlarson.org/2010/01/23/this-gun-for-hire-this-is-a-very-average-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwpz8rl3qw1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/This_Gun_for_Hire&#34;&gt;This Gun for Hire&lt;/a&gt;. This is a very average movie. But it does have Veronica Lake. It’s also fun to see some of the cliches we still use 70 years later: evil paraplegic businessman; tense stand-off in a chemical plant; escaping from police pursuit via jumping on a train from a bridge; poorly aimed gunfire piercing barrels, which then leak; etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sexual Politics of Dancing: The Secrets of Looking Good on the Dance Floor</title>
    <link href="https://mlarson.org/2010/01/23/sexual-politics-of-dancing-the-secrets-of-looking/"/>
    <updated>2010-01-23T16:17:00.000Z</updated>
    <id>https://mlarson.org/2010/01/23/sexual-politics-of-dancing-the-secrets-of-looking/</id>
    <content type="html">&lt;p&gt;This whole article is great. (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/01/how-signals-work-on-the-dance-floor.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The largest degree of satisfaction can be found in girls under the age of 16. “They see dance as something fun, not as part of mating behavior,” says Lovatt. That changes around the age of 16. “Between 16 and 20, dance confidence among girls falls markedly,” says Lovatt. “Girls begin to see dance as a social act rather than a way of expressing themselves. They begin to worry about how they look and start searching for a boyfriend.”&lt;/p&gt;
&lt;p&gt;But once young women have come to terms with their lost dancing innocence, the satisfaction ratings start rising again. From the age of 20 onwards, their opinion of their own dance floor competence starts to improve and keeps increasing until the age of 35. After that it hits a plateau, however, as satisfaction levels stagnate. From 55 onwards, the value even drops. “That coincides with the menopause,” says Lovatt. And it doesn’t get any better: “Dance confidence remains low for the rest of a woman’s life.”&lt;/p&gt;
&lt;p&gt;The pattern is somewhat different among men. Their dance confidence levels keep rising until the mid 30s. It then stagnates before starting to sink from the age of 55 onwards. But then, surprisingly, men get a second wind. From 65 on, they start to once again see themselves as pretty smooth operators on the dance floor.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.spiegel.de/international/zeitgeist/0,1518,673238,00.html&#34;&gt;Sexual Politics of Dancing: The Secrets of Looking Good on the Dance Floor&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2010</title>
    <link href="https://mlarson.org/2010/01/22/satisfaction-is-a-product-not-of-where-you-are/"/>
    <updated>2010-01-22T20:31:04.000Z</updated>
    <id>https://mlarson.org/2010/01/22/satisfaction-is-a-product-not-of-where-you-are/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Satisfaction is a product not of where you are, but of where you’re going. To get calculistic, it ain’t about your value, it’s about your first derivative (and maybe your second). In this light, statements like “When x happens, I’ll attain happiness” don’t make sense, but ones like “While x is happening, I’ll be happy” make somewhat more.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.livejournal.com/368362.html&#34;&gt;Colin Marshall&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>OneMoreLevel.com - Quest for the Crown</title>
    <link href="https://mlarson.org/2010/01/22/onemorelevelcom-quest-for-the-crown/"/>
    <updated>2010-01-22T18:24:47.000Z</updated>
    <id>https://mlarson.org/2010/01/22/onemorelevelcom-quest-for-the-crown/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.onemorelevel.com/game/quest_for_the_crown&#34;&gt;OneMoreLevel.com - Quest for the Crown&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 21, 2010</title>
    <link href="https://mlarson.org/2010/01/21/king-cotton-march-so-apparently-john-philip/"/>
    <updated>2010-01-21T17:08:08.000Z</updated>
    <id>https://mlarson.org/2010/01/21/king-cotton-march-so-apparently-john-philip/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwlwpkrvcd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/King_Cotton_(march)&#34;&gt;King Cotton March&lt;/a&gt;. So apparently John Philip Sousa’s ♫ &lt;a href=&#34;http://www.youtube.com/watch?v=7XQBEr0bHsI&#34;&gt;King Cotton March&lt;/a&gt; premiered in Atlanta. It was written for the the &lt;a href=&#34;http://en.wikipedia.org/wiki/Cotton_States_and_International_Exposition_(1895)&#34;&gt;1895 Cotton States and International Exposition&lt;/a&gt;, one of &lt;a href=&#34;http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-2913&#34;&gt;a few&lt;/a&gt;, which took place where the lovely &lt;a href=&#34;http://www.piedmontpark.org/&#34;&gt;Piedmont Park&lt;/a&gt; now lies. Awesome. (&lt;a href=&#34;http://pecannelog.com/2010/01/20/selling-out/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What&#39;s your greatest personal sports triumph?</title>
    <link href="https://mlarson.org/2010/01/21/whats-your-greatest-personal-sports-triumph/"/>
    <updated>2010-01-21T15:43:00.000Z</updated>
    <id>https://mlarson.org/2010/01/21/whats-your-greatest-personal-sports-triumph/</id>
    <content type="html">&lt;p&gt;You can read my own story, from the &lt;a href=&#34;http://bigpapelbon.blogspot.com/2010/01/whats-your-greatest-personal-sports.html?showComment=1264088275634#c2807484053495832606&#34;&gt;most dramatic round of foursquare of the previous decade&lt;/a&gt;, in the comments section.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bigpapelbon.blogspot.com/2010/01/whats-your-greatest-personal-sports.html&#34;&gt;What&#39;s your greatest personal sports triumph?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 20, 2010</title>
    <link href="https://mlarson.org/2010/01/20/noiseforairports-here-is-a-more-in-depth-video/"/>
    <updated>2010-01-20T23:28:22.000Z</updated>
    <id>https://mlarson.org/2010/01/20/noiseforairports-here-is-a-more-in-depth-video/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/9VymAn8QJNQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://noiseforairports.com/post/344895060/here-is-a-more-in-depth-video-about-pat-methenys&#34;&gt;noiseforairports&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here is a more in-depth video about Pat Metheny’s &lt;a href=&#34;http://noiseforairports.com/tagged/metheny&#34;&gt;Orchestrion Tour&lt;/a&gt;. In it, you can see more of the variety of instruments &lt;a href=&#34;http://www.lemurbots.org/&#34;&gt;LEMUR&lt;/a&gt; has constructed for Metheny, &lt;em&gt;and&lt;/em&gt; you can see the awesome processing that allows him to play a xylophone with his guitar, live. (Yeah, whoa.)&lt;/p&gt;
&lt;p&gt;It’s all really interesting stuff, and exciting for me personally to see this potential resurgence of explicitly “mechanical” music.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I have a love/hate relationship with Pat Metheny’s music but I find this fascinating. So many possibilities!&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2010</title>
    <link href="https://mlarson.org/2010/01/19/the-beatles-authorship-and-collaboration-from/"/>
    <updated>2010-01-19T15:48:00.000Z</updated>
    <id>https://mlarson.org/2010/01/19/the-beatles-authorship-and-collaboration-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwi3wipk2o1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The Beatles: Authorship and Collaboration&lt;/em&gt; from Michael Deal’s &lt;a href=&#34;http://www.mikemake.com/#72772/Charting-the-Beatles&#34;&gt;exploration of Beatles music through infographics&lt;/a&gt;. Looking forward to what comes out of the &lt;a href=&#34;http://www.chartingthebeatles.com/&#34;&gt;Charting the Beatles&lt;/a&gt; project. (via the ever-reliable &lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/01/beatles-song-authorship-infographic.html&#34;&gt;Wehr in the World&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blue Velvet</title>
    <link href="https://mlarson.org/2010/01/18/blue-velvet-really-disappointed-with-this-one-i/"/>
    <updated>2010-01-18T02:30:42.000Z</updated>
    <id>https://mlarson.org/2010/01/18/blue-velvet-really-disappointed-with-this-one-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwf8b6i5im1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Blue_Velvet_%28film%29&#34;&gt;Blue Velvet&lt;/a&gt;. Really disappointed with this one. I love the way that David Lynch framed his shots, used color, and put together some incredibly intense scenes. But, wow, he surrounded them with 1.5 hours of slight, incredibly tedious storyline.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2010</title>
    <link href="https://mlarson.org/2010/01/17/crayon-colors-over-time-via/"/>
    <updated>2010-01-17T22:25:00.000Z</updated>
    <id>https://mlarson.org/2010/01/17/crayon-colors-over-time-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwewyzerav1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.weathersealed.com/2010/01/15/color-me-a-dinosaur/&#34;&gt;Crayon colors over time&lt;/a&gt;. (&lt;a href=&#34;http://wehrintheworld.blogspot.com/2010/01/crayon-colors-over-time-infographic.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2010</title>
    <link href="https://mlarson.org/2010/01/16/austinkleon-the-wild-kingdom-by-kevin/"/>
    <updated>2010-01-16T23:06:15.000Z</updated>
    <id>https://mlarson.org/2010/01/16/austinkleon-the-wild-kingdom-by-kevin/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwczngm6kb1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/337955113/the-wild-kingdom-by-kevin-huizenga-holyshnikes&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://kevinh.blogspot.com/2010/01/wild-kingdom.html&#34;&gt;THE WILD KINGDOM by Kevin Huizenga&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;holyshnikes: a new Kevin H book! This spring!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yeeeeeeeesssssssssssss!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Maltese Falcon</title>
    <link href="https://mlarson.org/2010/01/16/the-maltese-falcon-this-movie-is-really-really/"/>
    <updated>2010-01-16T23:04:00.000Z</updated>
    <id>https://mlarson.org/2010/01/16/the-maltese-falcon-this-movie-is-really-really/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwd431eza41qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Maltese_Falcon_%281941_film%29&#34;&gt;The Maltese Falcon&lt;/a&gt;. This movie is really, really good. Sydney Greenstreet is hilarious. Peter Lorre does the usual vaguely-creepy foreigner bit. Mary Astor is a tricky little devil. Bogart is Bogartian. None of the characters are entirely likeable, or hateable. Thumbs-up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Nanny Diaries</title>
    <link href="https://mlarson.org/2010/01/16/the-nanny-diaries-this-is-not-a-great-movie/"/>
    <updated>2010-01-16T22:58:00.000Z</updated>
    <id>https://mlarson.org/2010/01/16/the-nanny-diaries-this-is-not-a-great-movie/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kwd3t5jiug1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Nanny_Diaries_%28film%29&#34;&gt;The Nanny Diaries&lt;/a&gt;. This is not a great movie. Scarlett Johansson is not a great actress. But Laura Linney is excellent, per usual.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Modern Love - In a Foreign Language, Are the Words ‘I Love You’ Just Sounds? - NYTimes.com</title>
    <link href="https://mlarson.org/2010/01/15/modern-love-in-a-foreign-language-are-the-words/"/>
    <updated>2010-01-15T20:15:50.000Z</updated>
    <id>https://mlarson.org/2010/01/15/modern-love-in-a-foreign-language-are-the-words/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2009/12/06/fashion/06love.html&#34;&gt;Modern Love - In a Foreign Language, Are the Words ‘I Love You’ Just Sounds? - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2010</title>
    <link href="https://mlarson.org/2010/01/15/musicophilia-fuckyeahmahler-chels/"/>
    <updated>2010-01-15T14:55:35.000Z</updated>
    <id>https://mlarson.org/2010/01/15/musicophilia-fuckyeahmahler-chels/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw98v32mng1qz85rvo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://musicophilia.tumblr.com/post/335348039/fuckyeahmahler-chels-movement-of-the-hands&#34;&gt;musicophilia&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://fuckyeahmahler.tumblr.com/post/335345155/chels-movement-of-the-hands-of-conductor&#34;&gt;fuckyeahmahler&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://chels.tumblr.com/post/335023997/movement-of-the-hands-of-conductor-riccardo&#34;&gt;chels&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Movement of the hands of conductor Riccardo Chailly while conducting the Concertgebouw Orchestra in Mahler’s Symphony No 4, first movement. Carnegie Hall, New York City, 10 February 2000. &lt;a href=&#34;http://www.morganohara.com/index.html&#34;&gt;Morgan O’Hara&lt;/a&gt; has more Live Transmissions pieces &lt;a href=&#34;http://www.morganohara.com/drawings/d_01.html&#34;&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 14, 2010</title>
    <link href="https://mlarson.org/2010/01/14/study-for-metastaseis-c-1953-iannis-xenakis/"/>
    <updated>2010-01-14T17:40:00.000Z</updated>
    <id>https://mlarson.org/2010/01/14/study-for-metastaseis-c-1953-iannis-xenakis/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw8zru8lcb1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Study for &lt;em&gt;Metastaseis&lt;/em&gt;, c. 1953. Iannis Xenakis Archives, Bibliothèque nationale de France, Paris. One of the pieces in &lt;a href=&#34;http://www.drawingcenter.org/exh_upcoming.cfm?exh=662&#34;&gt;Iannis Xenakis: Composer, Architect, Visionary&lt;/a&gt;, an exhibition at The Drawing Center. (&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2010/01/miscellany-bach-enters-the-late-night-wars-etc.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sin Nombre</title>
    <link href="https://mlarson.org/2010/01/14/sin-nombre-theres-a-sincerity-of-tone-here-that/"/>
    <updated>2010-01-14T01:18:00.000Z</updated>
    <id>https://mlarson.org/2010/01/14/sin-nombre-theres-a-sincerity-of-tone-here-that/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw7qaup4ax1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Sin_Nombre_%282009_film%29&#34;&gt;Sin Nombre&lt;/a&gt;. There’s a sincerity of tone here (that still steers clear of schmaltz) and the tension finds no release until the very last seconds. Recommended. Very much so.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why I stopped being a sports fan - John Swansburg - Slate Magazine</title>
    <link href="https://mlarson.org/2010/01/13/why-i-stopped-being-a-sports-fan-john-swansburg/"/>
    <updated>2010-01-13T19:01:47.000Z</updated>
    <id>https://mlarson.org/2010/01/13/why-i-stopped-being-a-sports-fan-john-swansburg/</id>
    <content type="html">&lt;p&gt;“At the most basic level, I stopped following sports because being a sports fan took too much time.” That’s pretty much my main reason for half-hearted fandom. (&lt;a href=&#34;http://www.linkbanana.com/2010/01/13/sports-fan-no-longer/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2237640/pagenum/all/&#34;&gt;Why I stopped being a sports fan - John Swansburg - Slate Magazine&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Craig Schuftan: Hey! Nietzsche! Leave Them Kids Alone</title>
    <link href="https://mlarson.org/2010/01/13/craig-schuftan-hey-nietzsche-leave-them-kids/"/>
    <updated>2010-01-13T17:30:58.000Z</updated>
    <id>https://mlarson.org/2010/01/13/craig-schuftan-hey-nietzsche-leave-them-kids/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://fuckyeahphilosophy.tumblr.com/post/332449350/craig-schuftan-hey-nietzsche-leave-them-kids-alone&#34;&gt;fuckyeahphilosophy&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Who knew Lord Byron had something in common with My Chemical Romance? Armed with an encyclopaedic knowledge of pop culture, Craig Schuftan traces the history of romanticism in rock and roll, drawing comparisons between 19th century poetic giants and the heroes of indie, glam and emo music. In this talk with Zan Rowe, Schuftan explores the links between music, philosophy and literature and why nobody wants to own up to being emo.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://fora.tv/2009/04/17/Craig_Schuftan_Hey_Nietzsche_Leave_Them_Kids_Alone&#34;&gt;Craig Schuftan: Hey! Nietzsche! Leave Them Kids Alone&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2010</title>
    <link href="https://mlarson.org/2010/01/13/mikefenton-a-cool-song-made-entirely-of-sounds/"/>
    <updated>2010-01-13T17:26:30.000Z</updated>
    <id>https://mlarson.org/2010/01/13/mikefenton-a-cool-song-made-entirely-of-sounds/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mikefenton.tumblr.com/post/332488239/a-cool-song-made-entirely-of-sounds-from&#34;&gt;mikefenton&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A cool song made entirely of sounds from Terminator 2.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://mikefenton.tumblr.com/&#34;&gt;http://mikefenton.tumblr.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2010</title>
    <link href="https://mlarson.org/2010/01/12/billa-gjon-mili-francoise-gilot-mistress-of/"/>
    <updated>2010-01-12T18:00:21.000Z</updated>
    <id>https://mlarson.org/2010/01/12/billa-gjon-mili-francoise-gilot-mistress-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw1rihppoo1qz5buqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/330835687/gjon-mili-francoise-gilot-mistress-of-artist&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Gjon Mili: Francoise Gilot, mistress of artist Pablo Picasso, with their young son Claude &amp;amp; holding drawings of the boy by Picasso (Vallauris, France / 1949)&lt;/p&gt;
&lt;p&gt;from &lt;a href=&#34;http://images.google.com/hosted/life/l?imgurl=3b2759c9cf371dd6&amp;amp;q=picasso%20francoise%20source:life&amp;amp;prev=/images%3Fq%3Dpicasso%2Bfrancoise%2Bsource:life%26hl%3Den%26safe%3Doff&#34;&gt;LIFE archives&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2010</title>
    <link href="https://mlarson.org/2010/01/12/not-just-a-composer-drawing-from-felix/"/>
    <updated>2010-01-12T17:48:00.000Z</updated>
    <id>https://mlarson.org/2010/01/12/not-just-a-composer-drawing-from-felix/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw5as4cmip1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Not just a composer: &lt;a href=&#34;http://hdl.loc.gov/loc.music/molden.3115&#34;&gt;Drawing from Felix Mendelssohn’s travels to Italy&lt;/a&gt;, the cliffs at Amalfi.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2010</title>
    <link href="https://mlarson.org/2010/01/11/this-waking-dream-we-call-the-internet-also-blurs/"/>
    <updated>2010-01-11T19:57:00.000Z</updated>
    <id>https://mlarson.org/2010/01/11/this-waking-dream-we-call-the-internet-also-blurs/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;This waking dream we call the Internet also blurs the difference between my serious thoughts and my playful thoughts, or to put it more simply: I no longer can tell when I am working and when I am playing online. For some people the disintegration between these two realms marks all that is wrong with the Internet: It is the high-priced waster of time. It breeds trifles. On the contrary, I cherish a good wasting of time as a necessary precondition for creativity, but more importantly I believe the conflation of play and work, of thinking hard and thinking playfully, is one the greatest things the Internet has done.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.edge.org/q2010/q10_1.html#kelly&#34;&gt;An Intermedia with 2 Billion Screens Peering Into It - Kevin Kelly - World Question Center 2009&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2010</title>
    <link href="https://mlarson.org/2010/01/11/good-travel-writing-contends-honestly-and-openly/"/>
    <updated>2010-01-11T16:17:00.000Z</updated>
    <id>https://mlarson.org/2010/01/11/good-travel-writing-contends-honestly-and-openly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Good travel writing contends honestly and openly with presumptions of who is traveling and why… and it does not treat local people as though their lives were just incidental, conveniently or inconveniently producing conditions for others’ escapism.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sepiamutiny.com/sepia/archives/006074.html&#34;&gt;Travel Writing, Annotated - Sepia Mutiny&lt;/a&gt;. (&lt;a href=&#34;http://funkaoshi.com/linklog/link-12349&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2010</title>
    <link href="https://mlarson.org/2010/01/11/atlanta-and-the-wpa-pecanne-log/"/>
    <updated>2010-01-11T14:17:00.000Z</updated>
    <id>https://mlarson.org/2010/01/11/atlanta-and-the-wpa-pecanne-log/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw36dhyist1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pecannelog.com/2010/01/10/atlanta-and-the-wpa/&#34;&gt;Atlanta and the WPA « pecanne log&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Man on Wire</title>
    <link href="https://mlarson.org/2010/01/11/man-on-wire-fantastic-movie-wow-im-glad-the/"/>
    <updated>2010-01-11T00:56:00.000Z</updated>
    <id>https://mlarson.org/2010/01/11/man-on-wire-fantastic-movie-wow-im-glad-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kw25auf9jt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Man_on_Wire&#34;&gt;Man on Wire&lt;/a&gt;. Fantastic movie. Wow. I’m glad the participants had to the foresight to document while they prepared. One thing I love about achievements like this is seeing that they really are &lt;em&gt;projects&lt;/em&gt;, a dream-made-real that took years of work and preparation. A one-off, maybe, but not simply a lucky break. Props to &lt;a href=&#34;http://kottke.org/tag/manonwire&#34;&gt;Kottke&lt;/a&gt; for sharing it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The relative relativity of material and experiential purchases</title>
    <link href="https://mlarson.org/2010/01/09/the-relative-relativity-of-material-and/"/>
    <updated>2010-01-09T16:13:18.000Z</updated>
    <id>https://mlarson.org/2010/01/09/the-relative-relativity-of-material-and/</id>
    <content type="html">&lt;p&gt;Do more, buy less…&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We found that participants were less satisfied with their material purchases because they were more likely to ruminate about unchosen options (Study 1); that participants tended to maximize when selecting material goods and satisfice when selecting experiences (Study 2); that participants examined unchosen material purchases more than unchosen experiential purchases (Study 3); and that, relative to experiences, participants’ satisfaction with their material possessions was undermined more by comparisons to other available options (Studies 4 and 5A), to the same option at a different price (Studies 5B and 6), and to the purchases of other individuals (Study 5C). &lt;strong&gt;Our results suggest that experiential purchase decisions are easier to make and more conducive to well-being&lt;/strong&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;More &lt;a href=&#34;http://cornellpsych.org/people/travis/materials/Carter-Gilovich-Relative%20Relativity-InPress.pdf&#34;&gt;here&lt;/a&gt; [pdf]. (&lt;a href=&#34;http://www.overcomingbias.com/&#34;&gt;via&lt;/a&gt;)&lt;br&gt;
&lt;a href=&#34;http://psycnet.apa.org/index.cfm?fa=buy.optionToBuy&amp;amp;id=2009-24670-006&#34;&gt;The relative relativity of material and experiential purchases&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2010</title>
    <link href="https://mlarson.org/2010/01/08/stevie-nicks-backstage-singing-wild-heart-via/"/>
    <updated>2010-01-08T18:57:00.000Z</updated>
    <id>https://mlarson.org/2010/01/08/stevie-nicks-backstage-singing-wild-heart-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/HguL2bIri1Q&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=HguL2bIri1Q&#34;&gt;Stevie Nicks backstage singing “Wild Heart”&lt;/a&gt;. (&lt;a href=&#34;http://zambonisoundtracks.blogspot.com/2010/01/blog-post_08.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2010</title>
    <link href="https://mlarson.org/2010/01/08/the-magic-flute-todays-snowy-dayworking-from/"/>
    <updated>2010-01-08T17:02:48.000Z</updated>
    <id>https://mlarson.org/2010/01/08/the-magic-flute-todays-snowy-dayworking-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kvxu0oqvvm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/The_Magic_Flute&#34;&gt;The Magic Flute&lt;/a&gt;. Today’s snowy day/working from home soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Tulpan</title>
    <link href="https://mlarson.org/2010/01/08/tulpan-i-liked-it-i-appreciate-patient/"/>
    <updated>2010-01-08T01:54:30.000Z</updated>
    <id>https://mlarson.org/2010/01/08/tulpan-i-liked-it-i-appreciate-patient/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kvwnyvddki1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Tulpan&#34;&gt;Tulpan&lt;/a&gt;. I liked it. I appreciate patient film-making. Lots of long takes, some room to breathe. It doesn’t take you by the hand and carry you along, but it sticks with you afterward.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Argue Effectively - Dave Barry</title>
    <link href="https://mlarson.org/2010/01/07/how-to-argue-effectively-dave-barry/"/>
    <updated>2010-01-07T18:43:26.000Z</updated>
    <id>https://mlarson.org/2010/01/07/how-to-argue-effectively-dave-barry/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Use meaningless but weighty-sounding words and phrases. Memorize this list:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Let me put it this way&lt;/li&gt;
&lt;li&gt;In terms of&lt;/li&gt;
&lt;li&gt;Vis-a-vis&lt;/li&gt;
&lt;li&gt;Per se&lt;/li&gt;
&lt;li&gt;As it were&lt;/li&gt;
&lt;li&gt;Qua&lt;/li&gt;
&lt;li&gt;Ipso facto&lt;/li&gt;
&lt;li&gt;Ergo&lt;/li&gt;
&lt;li&gt;So to speak&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://home.tiac.net/~cri_d/cri/1998/argue.html&#34;&gt;How to Argue Effectively - Dave Barry&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2010</title>
    <link href="https://mlarson.org/2010/01/07/when-people-look-at-my-pictures-i-want-them-to/"/>
    <updated>2010-01-07T04:00:38.000Z</updated>
    <id>https://mlarson.org/2010/01/07/when-people-look-at-my-pictures-i-want-them-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;When people look at my pictures, I want them to feel the way they do when they want to read a line of a poem twice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Robert_Frank&#34;&gt;Robert Frank&lt;/a&gt;. (&lt;a href=&#34;http://www.harpers.org/archive/2010/01/0082794&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2010</title>
    <link href="https://mlarson.org/2010/01/07/s-avalon-park-blvd-union-park-florida-img/"/>
    <updated>2010-01-07T02:21:28.000Z</updated>
    <id>https://mlarson.org/2010/01/07/s-avalon-park-blvd-union-park-florida-img/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kvuujsorci1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;S. Avalon Park Blvd. Union Park, Florida. &lt;a href=&#34;http://www.artfagcity.com/2009/08/12/img-mgmt-the-nine-eyes-of-google-street-view/&#34;&gt;IMG MGMT: The Nine Eyes of Google Street View&lt;/a&gt;. (&lt;a href=&#34;http://snarkmarket.com/2010/4700&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Michael Clayton</title>
    <link href="https://mlarson.org/2010/01/07/michael-clayton-i-was-really-impressed-with-this/"/>
    <updated>2010-01-07T00:52:00.000Z</updated>
    <id>https://mlarson.org/2010/01/07/michael-clayton-i-was-really-impressed-with-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kvuqf76i9m1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Michael_Clayton_%28film%29&#34;&gt;Michael Clayton&lt;/a&gt;. I was really impressed with this movie. Love the mood and pacing. Tom Wilkinson is brilliant. Tilda Swinton is great. Clooney is Clooney.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Volver</title>
    <link href="https://mlarson.org/2010/01/06/volver-im-willing-to-see-a-few-more-from/"/>
    <updated>2010-01-06T04:12:36.000Z</updated>
    <id>https://mlarson.org/2010/01/06/volver-im-willing-to-see-a-few-more-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kvt510ohcl1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Volver&#34;&gt;Volver&lt;/a&gt;. I’m willing to see a few more from Almodóvar. I probably would have loved this one with a few tweaks. Great actresses, but I was hoping for less explanatory dialogue and for more of the dark humor that shows up here and there. Nice to see supernatural fantasy elements taken in stride. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20061121/REVIEWS/611210302/1023&#34;&gt;Ebert says&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cut This Story! - The Atlantic</title>
    <link href="https://mlarson.org/2010/01/05/cut-this-story-the-atlantic/"/>
    <updated>2010-01-05T20:32:00.000Z</updated>
    <id>https://mlarson.org/2010/01/05/cut-this-story-the-atlantic/</id>
    <content type="html">&lt;p&gt;Newspaper articles are too long.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/doc/201001/short-writing&#34;&gt;Cut This Story! - The Atlantic&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2010</title>
    <link href="https://mlarson.org/2010/01/04/the-revolution-will-be-mapped-gis-mapping/"/>
    <updated>2010-01-04T16:22:00.000Z</updated>
    <id>https://mlarson.org/2010/01/04/the-revolution-will-be-mapped-gis-mapping/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kvqdgoboa71qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.miller-mccune.com/culture_society/the-revolution-will-be-mapped-1650?article_page=1&#34;&gt;The Revolution Will Be Mapped&lt;/a&gt;. “GIS mapping technology is helping underprivileged communities get better services — from education and transportation to health care and law enforcement — by showing exactly what discrimination looks like.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2010</title>
    <link href="https://mlarson.org/2010/01/04/the-combinatorial-agility-of-words-the/"/>
    <updated>2010-01-04T15:59:13.000Z</updated>
    <id>https://mlarson.org/2010/01/04/the-combinatorial-agility-of-words-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The combinatorial agility of words, the exponential generation of meaning once they’re allowed to go to bed together, allows the writer to surprise himself, makes art possible, reveals how much of Being we haven’t yet encountered.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Donald Barthelme, quoted in &lt;a href=&#34;http://www.believermag.com/issues/201001/?read=article_bachelder&#34;&gt;Toward a Theory of Surprise&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Believer - O Biblioklepts!</title>
    <link href="https://mlarson.org/2010/01/04/the-believer-o-biblioklepts/"/>
    <updated>2010-01-04T15:38:50.000Z</updated>
    <id>https://mlarson.org/2010/01/04/the-believer-o-biblioklepts/</id>
    <content type="html">&lt;p&gt;An adolescence of book stealing takes the author through the ancient, the modern, and the adult.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/200305/?read=article_atkinson&#34;&gt;The Believer - O Biblioklepts!&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sherlock Holmes</title>
    <link href="https://mlarson.org/2010/01/04/sherlock-holmes-mediocre-too-long-seems-to/"/>
    <updated>2010-01-04T03:27:00.000Z</updated>
    <id>https://mlarson.org/2010/01/04/sherlock-holmes-mediocre-too-long-seems-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2010/01/tumblr_kvpdlemqdc1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Sherlock_Holmes_%282009_film%29&#34;&gt;Sherlock Holmes&lt;/a&gt;. Mediocre. Too long. Seems to exist only to make way for a sequel. It’s frustrating to see so many actors I like stuck in a weak movie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: Advice for your children: 2010-2020</title>
    <link href="https://mlarson.org/2010/01/04/marginal-revolution-advice-for-your-children/"/>
    <updated>2010-01-04T02:15:10.000Z</updated>
    <id>https://mlarson.org/2010/01/04/marginal-revolution-advice-for-your-children/</id>
    <content type="html">&lt;p&gt;My favorite: “Don’t expect to be too happy, that is counterproductive.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/01/advice-for-your-children-20092019.html&#34;&gt;Marginal Revolution: Advice for your children: 2010-2020&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2010</title>
    <link href="https://mlarson.org/2010/01/04/one-result-of-the-internet-i-think-is-that-it/"/>
    <updated>2010-01-04T02:13:00.000Z</updated>
    <id>https://mlarson.org/2010/01/04/one-result-of-the-internet-i-think-is-that-it/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One result of the internet, I think, is that it makes almost everyone smart more eclectic, whether in terms of substance or presentation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2010/01/peter-boettkes-announcement.html&#34;&gt;Tyler Cowen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The End of Solitude</title>
    <link href="https://mlarson.org/2009/12/29/the-end-of-solitude/"/>
    <updated>2009-12-29T18:53:00.000Z</updated>
    <id>https://mlarson.org/2009/12/29/the-end-of-solitude/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://chronicle.com/article/The-End-of-Solitude/3708/&#34;&gt;The End of Solitude&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Decade in Music Genre Hype</title>
    <link href="https://mlarson.org/2009/12/29/the-decade-in-music-genre-hype/"/>
    <updated>2009-12-29T01:31:07.000Z</updated>
    <id>https://mlarson.org/2009/12/29/the-decade-in-music-genre-hype/</id>
    <content type="html">&lt;p&gt;(&lt;a href=&#34;http://twitter.com/dusttodigital/status/7126713455&#34;&gt;via&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.villagevoice.com/2009-12-22/music/the-decade-in-music-genre-hype&#34;&gt;The Decade in Music Genre Hype&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What is good music?</title>
    <link href="https://mlarson.org/2009/12/28/what-is-good-music/"/>
    <updated>2009-12-28T23:50:05.000Z</updated>
    <id>https://mlarson.org/2009/12/28/what-is-good-music/</id>
    <content type="html">&lt;p&gt;A review of Roger Scruton’s new book, &lt;a href=&#34;http://www.amazon.com/Understanding-Music-Interpretation-Roger-Scruton/dp/1847065066&#34;&gt;Understanding Music&lt;/a&gt;. I like this analogy, where he uses Wittgenstein’s idea that music is like a facial expression:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Just as facial expressions do not communicate something that can be understood so much as enjoin us to imagine what it feels like when we ourselves make such an expression, so too, according to Scruton, does some elemental aspect of musical experience enjoin us to engage our imagining in similar fashion. In this way, and because the experience of music is not, at least not typically, heard as a single expression, the imagination is forced to grapple with the musical shapes and forms as they unfold over time, following its movement as it echoes in, or is anticipated by, the movements of our body and rational imagination.&lt;/p&gt;
&lt;p&gt;It is in this aspect of “enjoinment” – of the way we join with the music – that is the key to Scruton’s conception not only of musical understanding but also of its wider cultural and social value. Just as a grimace demands that we imagine the complex of unpleasant feelings and thoughts behind that particular belligerent facial expression, so too music may require us to identify with a world of sensibilities which happens to sit ill with us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article6921677.ece&#34;&gt;What is good music?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bicycle Diaries (review: 3/5)</title>
    <link href="https://mlarson.org/2009/12/28/20091228bicycle-diaries-review/"/>
    <updated>2009-12-28T20:16:51.000Z</updated>
    <id>https://mlarson.org/2009/12/28/20091228bicycle-diaries-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4219580533/&#34; title=&#34;Bicycle Diaries by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2708/4219580533_3c98346719.jpg&#34; alt=&#34;Bicycle Diaries&#34;&gt;&lt;/a&gt; I like &lt;a href=&#34;http://www.davidbyrne.com/&#34;&gt;David Byrne&lt;/a&gt;, but I feel really ambivalent about this book. On the one hand, there are some great gems and little thought-bits that come out of a curious mind. On the other hand, as the title so clearly points out, it&#39;s diaristic. There&#39;s a good amount of day-to-day humdrum &amp;quot;this is what I did here, this is what I did there&amp;quot; stuff to wade through. With that said, here are some parts I especially liked:&lt;/p&gt;
&lt;p&gt;On the meta-ness of ringtones:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Ring tones are &amp;quot;signs&amp;quot; for &amp;quot;real&amp;quot; music. This is music not meant to be actually listened to as music, but to remind you of and refer to other, real music... A modern symphony of music that is not music but asks that you remember music.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Although he praises Europe&#39;s cultivated, park-like landscape, in particular the &amp;quot;manicured&amp;quot; blend of man and nature in Berlin, he finds it&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;a bit sad, I think, that my visual reference for an unmediated forest derives from images in fiction and movies. Sad too that the forest in this preserved area was once quite common, but now lives on mainly in our collective imaginations.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Early in the book he talks about a number of American cities in brief. On the town of Sweetwater, Texas:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I enjoy not being in New York. I am under no illusion that my world is in any better than this world, but still I wonder at how some of the Puritanical restrictions have lingered---the encouragement to go to bed early and the injunction against enjoying a drink with one&#39;s meal. I suspect that drinking, even a glass of wine or two with dinner, is, like drug use, probably considered a sign of moral weakness. The assumption is that there lurks within us a secret desire for pure, sensuous, all-hell-breaking-loose pleasure, which is something to be nipped in the bud, for pragmatic reasons.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And I liked this back-of-the-envelope theory on mating and signaling in Los Angeles:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don&#39;t know what the male-female balance is in L.A., but I suspect that because people in that town come into close contact with one another relatively infrequently---they are usually physicall isolated at work, at home, or in their cars---they have to make an immediate and profound impression on the opposite sex and on their rivals whenever a chance presents itself. Subtlety will get you nowhere in this context.&lt;/p&gt;
&lt;p&gt;This applies particularly in L.A. but also in much of the United States, where chances and opportunities to be seen and noticed by the oppsite sex sometimes occur not just infrequently but also at some distance---across a parking lot, as one walks from car to building, or in a crowded mall. Therefore the signal that I am sexy, powerful, and desirable has to be broadcast at a slightly &amp;quot;louder&amp;quot; volume than in other towns where people actually come into closer contact and don&#39;t need to &amp;quot;shout&amp;quot;. In L.A. one has to be one&#39;s own billboard.&lt;/p&gt;
&lt;p&gt;Consequently in L.A. the women, on the face of it, must feel a greater need to get physically augmented, tanned, and have flowing manes of hair that can be seen from a considerable distance.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Summarizing a conversation he had about the creative impulse:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;People tend to think that creative work is an expression of a preexisting desire or passion, a feeling made manifest, and in a way it is. As if an overwhelming anger, love, pain, or longing fills the artist or composer, as it might with any of us---the difference being that the creative artist then has no choice but to express those feelings through his or her given creative medium. I proposed that more often the work is a kind of tool that discovers and brings to light that emotional muck. Singers (and possibly listeners of music too) when they write or perform a song don&#39;t so much bring to the work already formed emotions, ideas, and feelings as much as they use the act of singing as a device that reproduces and dredges them up.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In a later part, in the London section, he talks about a new wave of appreciation for the late artist Alice Neel, and touches on the convoluted ways we evaluate and reflect on creative works new and old:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Maybe the work looks prescient? Maybe it looks prescient every decade or so, whenever a slew of younger artists do work that is vaguely similar to hers? In that way maybe she&#39;s being used to validate the present, and in turn the present is being used to validate the past?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And lastly, on PowerPoint:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A slide talk, the context in which this software is used, is a form of contemporary theater---a kind of ritual theater that has developed in boardrooms and academia rather than on the Broadway stage. No one can deny that a talk is a performance, but again there is a pervasive myth of objectivity and neutrality to deal with. There is an unspoken prejudice at work in those corporate and academic &amp;quot;performance spaces&amp;quot;---that performing is acting and therefore it&#39;s not &amp;quot;real&amp;quot;. Acknowledging a talk as a performance is therefore anathema.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2009</title>
    <link href="https://mlarson.org/2009/12/28/the-central-failure-of-these-interviews-like-so/"/>
    <updated>2009-12-28T16:51:00.000Z</updated>
    <id>https://mlarson.org/2009/12/28/the-central-failure-of-these-interviews-like-so/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The central failure of these interviews, like so many, is that they operate from the proposition, “what would my readers find interesting?” instead of “what does my subject find interesting?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.chessninja.com/dailydirt/2009/12/time-for-magnus-carlsen.htm&#34;&gt;TIME for Magnus Carlsen - The Daily Dirt Chess News Blog&lt;/a&gt;. I don’t care about chess much at all, but that line is good. (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/12/assorted-links-24.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2009</title>
    <link href="https://mlarson.org/2009/12/28/kidcrochet-elephant-panda-shadowbox-these/"/>
    <updated>2009-12-28T15:59:33.000Z</updated>
    <id>https://mlarson.org/2009/12/28/kidcrochet-elephant-panda-shadowbox-these/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kus3cczkpn1qzrykvo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kidcrochet.tumblr.com/post/304533777/elephant-panda-shadowbox-these-little-dudes&#34;&gt;kidcrochet&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;elephant + panda shadowbox&lt;/p&gt;
&lt;p&gt;these little dudes turned out to be some of my favorites!  i crocheted them almost entirely on airplanes.&lt;/p&gt;
&lt;p&gt;crocheted and hand felted&lt;/p&gt;
&lt;p&gt;materials: wool yarn, eyeballs, stuffing, pastel paper, shadowbox, &amp;lt;3&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I don’t know if we’re allowed to do anything crafty on airplanes anymore. Come on TSA! We need more shadowboxes!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2009</title>
    <link href="https://mlarson.org/2009/12/28/and-sud-denly-every-thing-he-had-been-doing-stood/"/>
    <updated>2009-12-28T03:57:30.000Z</updated>
    <id>https://mlarson.org/2009/12/28/and-sud-denly-every-thing-he-had-been-doing-stood/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;And sud­denly every­thing he had been doing stood up…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2009/4593&#34;&gt;The five texts « Snarkmarket&lt;/a&gt;. Great line.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>On the Waterfront</title>
    <link href="https://mlarson.org/2009/12/27/on-the-waterfront-so-good/"/>
    <updated>2009-12-27T21:14:00.000Z</updated>
    <id>https://mlarson.org/2009/12/27/on-the-waterfront-so-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kvbxp0u59t1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/On_the_Waterfront&#34;&gt;On the Waterfront&lt;/a&gt;. So good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2009</title>
    <link href="https://mlarson.org/2009/12/23/amazing-bird-sounds-from-the-lyre-bird-david/"/>
    <updated>2009-12-23T18:40:32.000Z</updated>
    <id>https://mlarson.org/2009/12/23/amazing-bird-sounds-from-the-lyre-bird-david/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/VjE0Kdfos4Y&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=VjE0Kdfos4Y&#34;&gt;Amazing! Bird sounds from the lyre bird - David Attenborough - BBC Wildlife&lt;/a&gt;. When the lyre bird sings, it copies other birds like kookaburras, and even human things it hears like camera shutters, car alarms, and chainsaws (!!!).&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2009</title>
    <link href="https://mlarson.org/2009/12/22/billa-a-soul-train-line-dance-from-1973/"/>
    <updated>2009-12-22T15:51:15.000Z</updated>
    <id>https://mlarson.org/2009/12/22/billa-a-soul-train-line-dance-from-1973/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/287679083/a-soul-train-line-dance-from-1973-theyre&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A Soul Train line dance from 1973 — they’re dancing to Fred Wesley &amp;amp; The J.B.’s &lt;em&gt;Doing It To Death&lt;/em&gt;. So good.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://billa.tumblr.com/&#34;&gt;http://billa.tumblr.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2009</title>
    <link href="https://mlarson.org/2009/12/22/i-volunteered-to-serve-food-to-the-workers-at/"/>
    <updated>2009-12-22T15:46:08.000Z</updated>
    <id>https://mlarson.org/2009/12/22/i-volunteered-to-serve-food-to-the-workers-at/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I volunteered to serve food to the workers at Ground Zero after 9/11. There were dogs trained to find living people. The people who worked with the dogs became worried because the day after day of not finding anyone was beginning to depress the animals. So the people took turns hiding in the rubble so that every now and then a dog could find one of them to be able to carry on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/features/what-ive-learned/sigourney-weaver-interview-0110&#34;&gt;Sigourney Weaver&lt;/a&gt;. (&lt;a href=&#34;http://www.newmarksdoor.com/mainblog/2009/12/something-you-didnt-know-about-911.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2009</title>
    <link href="https://mlarson.org/2009/12/21/winter-albert-gumble-sheet-music-library-of/"/>
    <updated>2009-12-21T21:56:57.000Z</updated>
    <id>https://mlarson.org/2009/12/21/winter-albert-gumble-sheet-music-library-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kv0vmzjixt1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://lcweb2.loc.gov/diglib/ihas/loc.natlib.ihas.100005536/pageturner.html?page=1&amp;amp;from=contactsheet&#34;&gt;Winter / Albert Gumble [sheet music] - Library of Congress&lt;/a&gt;. (&lt;a href=&#34;http://blogs.loc.gov/music/2009/12/songs-for-the-solstice/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite Albums of 2009</title>
    <link href="https://mlarson.org/2009/12/21/20091221favorite-albums-of-2009/"/>
    <updated>2009-12-21T01:36:37.000Z</updated>
    <id>https://mlarson.org/2009/12/21/20091221favorite-albums-of-2009/</id>
    <content type="html">&lt;p&gt;Like &lt;a href=&#34;/mark-larson-1/2008/12/05/favorite-albums-of-2008&#34;&gt;last year&lt;/a&gt;, I spent (way too much?) time going through iTunes to pick some stand-outs for my year in music. Like the previous list, most of these didn&#39;t actually come out this year, but 2009 was the first time I gave them a serious listen. I&#39;ll go month-by-month again, and holy cow January was amazing... &lt;strong&gt;January&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f01/1261354306000/only-the-lonely.jpg?format=original&#34; alt=&#34;frank sinatra sings for only the lonely&#34; title=&#34;only the lonely&#34;&gt;&lt;/p&gt;
&lt;p&gt;Two fantastic albums from Frank Sinatra: both &lt;a href=&#34;http://www.amazon.com/Frank-Sinatra-Sings-Only-Lonely/dp/B000006OHF/&#34;&gt;Only the Lonely&lt;/a&gt; and the earlier &lt;a href=&#34;http://www.amazon.com/Wee-Small-Hours-Frank-Sinatra/dp/B000006OHD&#34;&gt;In the Wee Small Hours&lt;/a&gt; deal with the same sort of late-night streetlight melancholy.&lt;/p&gt;
&lt;p&gt;Rush, &lt;a href=&#34;http://www.amazon.com/Permanent-Waves-Rush/dp/B000001ESN/&#34;&gt;Permanent Waves&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=5Tq-UsaRchI&#34;&gt;The Spirit of Radio&lt;/a&gt; is a great way to start the year, no?&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Nashville-Memphis-Essential-60s-Masters/dp/B000002WNP&#34;&gt;From Nashville to Memphis&lt;/a&gt; is a great Elvis collection. It&#39;s got most of the hits you expect, some lesser-knowns and some good covers.&lt;/p&gt;
&lt;p&gt;And another crooner: &lt;a href=&#34;http://www.amazon.com/Cool-Spring-Chet-Baker/dp/B000056ZWK&#34;&gt;Cool Spring&lt;/a&gt; collects a couple Chet Baker sessions over in Italy. &lt;a href=&#34;http://www.youtube.com/watch?v=sHXuCBMItOo&#34;&gt;When I Fall in Love&lt;/a&gt; is one of my favorites.&lt;/p&gt;
&lt;p&gt;Ali Farka Touré. I listened to the &lt;a href=&#34;http://www.amazon.com/Red-Green-Ali-Farka-Tour%C3%A9/dp/B0007PLKZC&#34;&gt;Red and Green&lt;/a&gt; albums and the &lt;a href=&#34;http://www.amazon.com/Ali-Farka-Toure-Tour%C3%A9/dp/B000003QJE&#34;&gt;self-titled&lt;/a&gt; album later this year, but this month&#39;s &lt;a href=&#34;http://www.amazon.com/Niafunke-Ali-Farka-Tour%C3%A9/dp/B00000JFRN&#34;&gt;Niafunke&lt;/a&gt; was the best of all. I like the richer sound and more varied instrumentation here.&lt;/p&gt;
&lt;p&gt;Nusrat Fateh Ali Khan, &lt;a href=&#34;http://www.amazon.com/Dust-Gold-Nusrat-Fateh-Party/dp/B00004S5ZV&#34;&gt;Dust to Gold&lt;/a&gt;. This is the only thing from him that I&#39;ve heard. I wonder if it&#39;s just the novelty that keeps me coming back, but I don&#39;t regret it. &lt;a href=&#34;http://www.youtube.com/watch?v=Cok3y71l_xI&#34;&gt;Khawaja Tum Hi Ho (Master It Is Only You)&lt;/a&gt; is a good one.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt; My friend Kat Edmonson released &lt;a href=&#34;http://www.amazon.com/Take-Sky-Kat-Edmonson/dp/B002R8Z2CY/&#34;&gt;Take to the Sky&lt;/a&gt;. w00t. Incredible voice and smart arrangements.&lt;/p&gt;
&lt;p&gt;Eva Cassidy&#39;s posthumous &lt;a href=&#34;http://www.amazon.com/Somewhere-Eva-Cassidy/dp/B001B94K46/&#34;&gt;Somewhere&lt;/a&gt; is full of great covers. Some are folky, some are blues-rocky-y, and there&#39;s the old ballad that just kills me every time, &lt;a href=&#34;http://www.youtube.com/watch?v=arCs2Lw1Nu8&#34;&gt;My Love Is Like A Red, Red Rose&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f07/1261354308000/works-of-stravinsky.jpg?format=original&#34; alt=&#34;works of igor stravinsky&#34; title=&#34;works of igor stravinsky&#34;&gt;&lt;/p&gt;
&lt;p&gt;March was Igor Stravinsky Month around here. Thanks to &lt;a href=&#34;http://www.therestisnoise.com/2009/01/bargain-of-the-week.html&#34;&gt;Alex Ross&#39; tip&lt;/a&gt;, I picked up that 22-disc &lt;a href=&#34;http://www.amazon.com/Works-Igor-Stravinsky-Box-Set/dp/B000PTYUQG&#34;&gt;Works of Igor Stravinsky&lt;/a&gt;. When you&#39;re exposed to a full life&#39;s work, you may hear as much that&#39;s mediocre as is brilliant, but you also get a sense of all the labor that goes into it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.swanfungus.com/2008/02/the-wind-harp-song-from-the-hill.html&#34;&gt;The Song from the Hill&lt;/a&gt; is a set of recordings of the &lt;a href=&#34;http://www.wardmccain.com/harp.html&#34;&gt;Wind Harp&lt;/a&gt;, this giant sound sculpture on a hilltop in Vermont. Spooky, droning ambient-type stuff.&lt;/p&gt;
&lt;p&gt;The Byrds. &lt;a href=&#34;http://www.amazon.com/Mr-Tambourine-Man-Byrds/dp/B000002ACO&#34;&gt;Mr. Tambourine Man&lt;/a&gt;. This is one of those albums that&#39;s just unbelievably chock full of fantastic songs. I had no idea.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt; Kind of a weak month compared to the first three, but I did enjoy Diana Krall&#39;s &lt;a href=&#34;http://www.amazon.com/Quiet-Nights-Diana-Krall/dp/B001K3JF7K/&#34;&gt;Quiet Nights&lt;/a&gt; and a collection of Richard Strauss&#39; work for voice and orchestra, &lt;a href=&#34;http://www.amazon.com/Four-Last-Songs-Richard-Strauss/dp/B001D27GJM&#34;&gt;Four Last Songs&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f04/1261354307000/lady-in-satin.jpg?format=original&#34; alt=&#34;lady in satin&#34; title=&#34;lady in satin&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Lady-Satin-Billie-Holiday/dp/B000002AH9/&#34;&gt;Lady in Satin&lt;/a&gt;, my friends. It was one of Billie Holiday&#39;s last albums. You&#39;ve got her aging voice taking on all-new material, backed (atypically) with a string orchestra. It is so good. &lt;a href=&#34;http://www.youtube.com/watch?v=Z5L9WLDKNVw&#34;&gt;For Heaven&#39;s Sake&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=Xs9P-pfqF6Y&#34;&gt;I&#39;m a Fool to Want You&lt;/a&gt; are the stand-outs for me.&lt;/p&gt;
&lt;p&gt;A lot of John Coltrane&#39;s stuff leaves me feeling &amp;quot;eh&amp;quot;, but I thought &lt;a href=&#34;http://www.amazon.com/Dear-Old-Stockholm-John-Coltrane/dp/B000003N6J&#34;&gt;Dear Old Stockholm&lt;/a&gt; was really nice. &lt;a href=&#34;http://www.youtube.com/watch?v=FpoyOwKJ1A0&#34;&gt;Dear Lord&lt;/a&gt; is my pick.&lt;/p&gt;
&lt;p&gt;This was my first exposure to Beach House. Treat yourself to their &lt;a href=&#34;http://www.amazon.com/Beach-House/dp/B000I0QKN8&#34;&gt;self-titled album&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/gp/product/B00126WY00/&#34;&gt;Devotion&lt;/a&gt;, and you will be in a happier place. &lt;a href=&#34;http://www.amazon.com/Teen-Dream-DVD-Beach-House/dp/B002ZIAC26&#34;&gt;Teen Dream&lt;/a&gt; will also rock you, no doubt.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt; I came across Miles Davis&#39; &lt;a href=&#34;http://www.amazon.com/Legendary-Prestige-Quintet-Sessions/dp/B000F5GNXS&#34;&gt;Legendary Prestige Quintet Sessions&lt;/a&gt; late in the month. Lots of good stuff there, collecting tracks from the same sessions that were released separately back in the mid-50s.&lt;/p&gt;
&lt;p&gt;Back in college when I was in the orchestra, we did Ravi Shankar&#39;s concerto featured on &lt;a href=&#34;http://www.amazon.com/Sitar-Concertos-Other-Works-Shankar/dp/B0007RO598&#34;&gt;Sitar Concerto &amp;amp; Other Works&lt;/a&gt;. Perhaps the nostalgia influences this choice, but the other pieces are interesting in their own right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f0a/1261354309000/heaven-or-las-vegas.jpg?format=original&#34; alt=&#34;heaven or las vegas&#34; title=&#34;heaven or las vegas&#34;&gt;&lt;/p&gt;
&lt;p&gt;Cocteau Twins were totally new to me. &lt;a href=&#34;http://www.amazon.com/Heaven-Las-Vegas-Cocteau-Twins/dp/B00000DRAX&#34;&gt;Heaven or Las Vegas&lt;/a&gt; is really excellent. See also &lt;a href=&#34;http://www.amazon.com/Treasure-Cocteau-Twins/dp/B000007PSV/&#34;&gt;Treasure&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Garlands-Cocteau-Twins/dp/B00000DRCP/&#34;&gt;Garlands&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Maybe it&#39;s not really summer music, but I finally gave Elliott Smith some attention. I think &lt;a href=&#34;http://www.amazon.com/Figure-8-Elliott-Smith/dp/B00004S6GL&#34;&gt;Figure 8&lt;/a&gt; narrowly wins over &lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/B00000AEF9/&#34;&gt;XO&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Either-Elliott-Smith/dp/B00000373U/&#34;&gt;Either/Or&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I might be including Dr. Dre&#39;s &lt;a href=&#34;http://www.amazon.com/2001-Dr-Dre/dp/B000023VR6/&#34;&gt;2001&lt;/a&gt; simply on the strength of its opening tune, &lt;a href=&#34;http://www.youtube.com/watch?v=SX63YQOWULA&#34;&gt;The Watcher&lt;/a&gt;. Makes me wish he&#39;d spent more time on the mic these past couple decades. Nice new take on the familiar G-funk sound.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910efe/1261354303000/bringing-it-all-back-home.jpg?format=original&#34; alt=&#34;bringing it all back home&#34; title=&#34;bringing it all back home&#34;&gt;&lt;/p&gt;
&lt;p&gt;A weak month, but I sat with another album it took me a while to catch up on: Bob Dylan, &lt;a href=&#34;http://www.amazon.com/Bringing-All-Back-Home-Dylan/dp/B00026WU9Q&#34;&gt;Bringing It All Back Home&lt;/a&gt;. It&#39;s really good, y&#39;all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;September&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f0d/1261354311000/younger-than-yesterday.jpg?format=original&#34; alt=&#34;younger than yesterday&#34; title=&#34;younger than yesterday&#34;&gt;&lt;/p&gt;
&lt;p&gt;Another excellent month. Another round of success with The Byrds. This time it was &lt;a href=&#34;http://www.amazon.com/Younger-Than-Yesterday-Byrds/dp/B000002ACR&#34;&gt;Younger Than Yesterday&lt;/a&gt; and yet again, it&#39;s another kind of ridiculously saturated-with-goodness album.&lt;/p&gt;
&lt;p&gt;Follow that with &lt;a href=&#34;http://www.amazon.com/Intimate-Voices-Edvard-Grieg/dp/B000E6UMKI&#34;&gt;Intimate Voices&lt;/a&gt;, with the Emerson Quartet playing works by Carl Nielsen, Edvard Grieg and my beloved Jean Sibelius.&lt;/p&gt;
&lt;p&gt;This month was also the first time I&#39;d heard &lt;a href=&#34;http://www.amazon.com/Mahler-Symphony-No-9-Gustav/dp/B000Y0UYC0&#34;&gt;Mahler&#39;s 9th Symphony&lt;/a&gt; all the way through, so I can&#39;t really compare this recording to interpretations. This piece is exhausting. In a good way, I think.&lt;/p&gt;
&lt;p&gt;If you only know Erik Satie for his Trois Gymnopédies, then you are cheating yourself. His &lt;a href=&#34;http://www.amazon.com/Satie-Gymnop%C3%A9dies-Other-Piano-Works/dp/B000E6EGZU/&#34;&gt;other piano works&lt;/a&gt; deserve your attention. The Gnossiennes are great.&lt;/p&gt;
&lt;p&gt;I learned about &lt;a href=&#34;http://www.amazon.com/Symphonies-Planets-NASA-Voyager-Recordings/dp/B000001VWG/&#34;&gt;Symphonies of the Planets&lt;/a&gt; from a &lt;a href=&#34;http://blogs.howstuffworks.com/2009/09/15/symphonies-of-the-planets/&#34;&gt;friend at work&lt;/a&gt;. It&#39;s ambient space music based on the NASA Voyager Recordings. Great stuff, if you can track it down.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f13/1261355136000/walnut-whales.jpg?format=original&#34; alt=&#34;walnut whales&#34; title=&#34;walnut whales&#34;&gt;&lt;/p&gt;
&lt;p&gt;I love Joanna Newsom, but had never heard her early, self-distributed &lt;a href=&#34;http://en.wikipedia.org/wiki/Walnut_Whales&#34;&gt;Walnut Whales&lt;/a&gt; EP. That early organ version of &lt;a href=&#34;http://listen.grooveshark.com/#/song/Peach+Plum+Pear/7483282&#34;&gt;Peach Plum Pear&lt;/a&gt; is so good.&lt;/p&gt;
&lt;p&gt;I closed out the month with another epic box set: &lt;a href=&#34;http://www.amazon.com/Rostropovich-Russian-Years-1950-1974/dp/B000002SHY&#34;&gt;Rostropovich: The Russian Years, 1950-1974&lt;/a&gt;. Many of the recordings are premieres. And there&#39;s even a few recordings with the composers (e.g. Shostakovich) accompanying on piano. I think that kind of personal, of-the-moment touch adds some life to the listening experience.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;October&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910f10/1261354312000/coltrane-hartman.jpg?format=original&#34; alt=&#34;john coltrane and johnny hartman&#34; title=&#34;john coltrane and johnny hartman&#34;&gt;&lt;/p&gt;
&lt;p&gt;The 1st of the month brought &lt;a href=&#34;http://www.amazon.com/John-Coltrane-Johnny-Hartman/dp/B000003N7K/&#34;&gt;John Coltrane &amp;amp; Johnny Hartman&lt;/a&gt; into my life. It&#39;s barely a half-hour, but man, it is fantastic. &lt;a href=&#34;http://www.youtube.com/watch?v=ecrE80rnjhw&#34;&gt;My One And Only Love&lt;/a&gt; is the clincher.&lt;/p&gt;
&lt;p&gt;October also turned into Leonard Cohen Month. &lt;a href=&#34;http://www.amazon.com/Death-Ladies-Man-Leonard-Cohen/dp/B0012GMVY4/&#34;&gt;Death of a Ladies&#39; Man&lt;/a&gt; might be the favorite, but &lt;a href=&#34;http://www.amazon.com/Im-Your-Man-Leonard-Cohen/dp/B0012GMVXU/&#34;&gt;I&#39;m Your Man&lt;/a&gt; is close behind. See also: every other album. They&#39;re all good.&lt;/p&gt;
&lt;p&gt;St. Vincent. &lt;a href=&#34;http://www.amazon.com/Actor-St-Vincent/dp/B001W63DQ4/&#34;&gt;Actor&lt;/a&gt;. Go get it. When I blipped &lt;a href=&#34;http://blip.fm/profile/mlarson/blip/25863134/&#34;&gt;Human Racing&lt;/a&gt;, I mentioned that the album gets stronger as it goes on. I stand by that statement and also can&#39;t help but recommend &lt;a href=&#34;http://www.amazon.com/Marry-Me-St-Vincent/dp/B000RGSOR8/&#34;&gt;Marry Me&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I closed out the month with some great soul. Sam Cooke&#39;s &lt;a href=&#34;http://www.amazon.com/Night-Beat-Sam-Cooke/dp/B000AO4NJK/&#34;&gt;Night Beat&lt;/a&gt; will make you really depressed that he died so soon after. And Marvin Gaye might have stretched himself a bit thin on &lt;a href=&#34;http://www.amazon.com/Here-My-Dear-Marvin-Gaye/dp/B000001AKC/&#34;&gt;Here, My Dear&lt;/a&gt;, but I love some of the anger and frustration there. Check out &lt;a href=&#34;http://www.youtube.com/watch?v=YQ74DQ-HWxQ&#34;&gt;When Did You Stop Loving Me, When Did I Stop Loving You&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910efb/1261354302000/ralf-and-florian.jpg?format=original&#34; alt=&#34;ralf and florian&#34; title=&#34;ralf and florian&#34;&gt;&lt;/p&gt;
&lt;p&gt;November was Kraftwerk Month. I was familiar with the standard post-Autobahn Kraftwerk canon, but the early ones were nothing like I expected and also very good. &lt;a href=&#34;http://www.amazon.com/Tone-Float-1-Kraftwerk-Organisation/dp/B000046PRM&#34;&gt;Tone Float&lt;/a&gt; is trippy psychedelic-jam stuff from before they were Kraftwerk. And the &lt;a href=&#34;http://www.amazon.com/Kraftwerk-1-2/dp/B001H85JF0/&#34;&gt;self-titled albums&lt;/a&gt; are nice, but &lt;a href=&#34;http://en.wikipedia.org/wiki/Ralf_und_Florian&#34;&gt;Ralf and Florian&lt;/a&gt; is probably my favorite from this era.&lt;/p&gt;
&lt;p&gt;I&#39;m not much of a Moby fan, but I was quite surprised with &lt;a href=&#34;http://www.amazon.com/Wait-Me-Moby/dp/B0027G783W&#34;&gt;Wait for Me&lt;/a&gt;. The pace is more chill, the sound more personal. Really good.&lt;/p&gt;
&lt;p&gt;In the same vein, a lot of Velvet Underground leaves me feeling &amp;quot;eh&amp;quot;, but &lt;a href=&#34;http://www.amazon.com/Loaded-Velvet-Underground/dp/B000002LVB/&#34;&gt;Loaded&lt;/a&gt;, like the stuff from The Byrds earlier this year, is just packed with goodness. Though I hear it&#39;s a somewhat divisive album...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt; It may be too early to tell, but right now I think the best has been the &lt;a href=&#34;http://www.amazon.com/Ambient-Harold-Budd-Brian-Eno/dp/B0002PZVHA/&#34;&gt;last&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Ambient-3-Day-Radiance-Laraaji/dp/B000003S2N/&#34;&gt;three&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Ambient-4-Land-Brian-Eno/dp/B001AI1QAO/&#34;&gt;albums&lt;/a&gt; in Brian Eno&#39;s Ambient series, Paul &amp;amp; Linda McCartney&#39;s &lt;a href=&#34;http://www.amazon.com/Ram-Paul-Linda-McCartney/dp/B000002UC7/&#34;&gt;Ram&lt;/a&gt;, and, out of nowhere, Wulomei&#39;s album &lt;a href=&#34;http://awesometapesfromafrica.blogspot.com/2009/11/wulomei-kpabi-side-kpabi-aashola-ataa.html&#34;&gt;Kpabi&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Up in the Air</title>
    <link href="https://mlarson.org/2009/12/20/up-in-the-air-one-of-the-best-movies-i-saw-this/"/>
    <updated>2009-12-20T23:40:15.000Z</updated>
    <id>https://mlarson.org/2009/12/20/up-in-the-air-one-of-the-best-movies-i-saw-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kuz5r41xrh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Up_in_the_Air_%28film%29&#34;&gt;Up in the Air&lt;/a&gt;. One of the best movies I saw this year. Left the theater feeling quite satisfied.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The best films of 2009 - Roger Ebert&#39;s Journal</title>
    <link href="https://mlarson.org/2009/12/20/the-best-films-of-2009-roger-eberts-journal/"/>
    <updated>2009-12-20T04:08:00.000Z</updated>
    <id>https://mlarson.org/2009/12/20/the-best-films-of-2009-roger-eberts-journal/</id>
    <content type="html">&lt;p&gt;“There was hell to pay last year when I published my list of Twenty Best. You’d have thought I belched at a funeral. So this year I have devoutly limited myself to exactly ten films.&lt;/p&gt;
&lt;p&gt;On each of two lists.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/ebert/2009/12/the_best_films_of_2009.html&#34;&gt;The best films of 2009 - Roger Ebert&#39;s Journal&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2009</title>
    <link href="https://mlarson.org/2009/12/18/i12bent-from-margaret-bourke-white-photo/"/>
    <updated>2009-12-18T15:05:32.000Z</updated>
    <id>https://mlarson.org/2009/12/18/i12bent-from-margaret-bourke-white-photo/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kutf16plpx1qzn0deo1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://i12bent.tumblr.com/post/287908563/from-margaret-bourke-white-photo-erskine&#34;&gt;i12bent&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;- from Margaret Bourke-White (photo) &amp;amp; Erskine Caldwell (text): &lt;em&gt;You Have Seen Their Faces&lt;/em&gt;, Viking Press 1937. (&lt;a href=&#34;http://xroads.virginia.edu/~CLASS/am485_98/coe/blackfolk.html&#34;&gt;Source&lt;/a&gt;).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“Everybody likes to fish, but nobody likes to rustle up bait.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2009</title>
    <link href="https://mlarson.org/2009/12/17/copying-is-not-theft-via/"/>
    <updated>2009-12-17T18:37:44.000Z</updated>
    <id>https://mlarson.org/2009/12/17/copying-is-not-theft-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/djVaJN0f0VQ&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=djVaJN0f0VQ&#34;&gt;Copying Is Not Theft&lt;/a&gt;. (&lt;a href=&#34;http://nightofthepurplemoon.blogspot.com/2009/12/copying-is-not-theft.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2009</title>
    <link href="https://mlarson.org/2009/12/17/an-eroica-project-this-site-uses-the-eroica-as/"/>
    <updated>2009-12-17T18:02:04.000Z</updated>
    <id>https://mlarson.org/2009/12/17/an-eroica-project-this-site-uses-the-eroica-as/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kut63gj3bs1qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.grunin.com/eroica/index.htm&#34;&gt;An Eroica Project&lt;/a&gt;. “This site uses the &lt;em&gt;Eroica&lt;/em&gt; as the starting point for several different kinds of exploration.” (&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2009/12/decoding-the-eroica.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>FreeHarvardEducation.com - The Boston Globe</title>
    <link href="https://mlarson.org/2009/12/17/freeharvardeducationcom-the-boston-globe/"/>
    <updated>2009-12-17T17:45:12.000Z</updated>
    <id>https://mlarson.org/2009/12/17/freeharvardeducationcom-the-boston-globe/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.boston.com/bostonglobe/ideas/articles/2009/12/13/freeharvardeducationcom/?page=full&#34;&gt;FreeHarvardEducation.com - The Boston Globe&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2009</title>
    <link href="https://mlarson.org/2009/12/17/the-map-that-changed-the-world/"/>
    <updated>2009-12-17T17:25:43.000Z</updated>
    <id>https://mlarson.org/2009/12/17/the-map-that-changed-the-world/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kut4ewhxxy1qzcye0o1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/2/hi/uk_news/magazine/8328878.stm&#34;&gt;The map that changed the world&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2009</title>
    <link href="https://mlarson.org/2009/12/17/the-crisis-in-performance-is-i-believe-based-on/"/>
    <updated>2009-12-17T17:15:00.000Z</updated>
    <id>https://mlarson.org/2009/12/17/the-crisis-in-performance-is-i-believe-based-on/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The crisis in performance is, I believe, based on one simple fact. When it started, rock n roll was dance music. One day we stopped dancing to it and started listening to it and it’s been downhill ever since. We had a purpose, had a specific goal, an intention, a mandate, we made people dance or we did not work, we didn’t not get paid, we were fired, we were homeless. That requires a very different energy. To compel people to get out of their chairs and dance, it’s a working-class energy, not an artistic, intellectual, waiting-around-for-inspiration energy. It’s a get-up, go-to-work-and-kill energy. Rip it up, or die trying.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.mercurynews.com/aei/2009/03/22/sxsw-day-three-little-steven-and-rocks-crisis-in-craft/&#34;&gt;Little Steven&lt;/a&gt; (via &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;austinkleon&lt;/a&gt;). There’s some good discussion of this in &lt;a href=&#34;http://www.amazon.com/How-Beatles-Destroyed-Rock-Roll/dp/0195341546&#34;&gt;How the Beatles Destroyed Rock ‘n’ Roll&lt;/a&gt;. A while back I tumbled one of the good quotes &lt;a href=&#34;http://tumblr.mlarson.org/post/166880512/reading-through-the-histories-of-both-jazz-and&#34;&gt;about music critics versus those who dance&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Having Fun With Elvis On Stage (1974)</title>
    <link href="https://mlarson.org/2009/12/17/having-fun-with-elvis-on-stage-1974/"/>
    <updated>2009-12-17T17:09:59.000Z</updated>
    <id>https://mlarson.org/2009/12/17/having-fun-with-elvis-on-stage-1974/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/287555374/having-fun-with-elvis-on-stage-1974&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Having Fun With Elvis on Stage is considered by many critics to be the worst live album Elvis or anyone else has ever put out. This is because there were no song performances on it, only tape byplay recorded between songs - Elvis telling jokes, requesting a drink of water, and demonstrating eleven different ways to pronounce “Memphis.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;Gotta have it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bruunski.blogspot.com/2007/04/elvis-presley-having-fun-with-elvis-on.html&#34;&gt;Having Fun With Elvis On Stage (1974)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2009</title>
    <link href="https://mlarson.org/2009/12/17/billa-edward-pfizenmaier-b-1926-wollman/"/>
    <updated>2009-12-17T03:51:58.000Z</updated>
    <id>https://mlarson.org/2009/12/17/billa-edward-pfizenmaier-b-1926-wollman/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_ku7s8tjckz1qz5buqo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://billa.tumblr.com/post/271255523/edward-pfizenmaier-b-1926-wollman-rink-central&#34;&gt;billa&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;EDWARD PFIZENMAIER (B. 1926)&lt;br&gt;
&lt;a href=&#34;http://www.christies.com/LotFinder/lot_details.aspx?from=salesummary&amp;amp;intObjectID=5276035&#34;&gt;Wollman Rink, Central Park, New York, 1954&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2009</title>
    <link href="https://mlarson.org/2009/12/16/james-brown-luciano-pavarotti-its-a-mans/"/>
    <updated>2009-12-16T16:41:54.000Z</updated>
    <id>https://mlarson.org/2009/12/16/james-brown-luciano-pavarotti-its-a-mans/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/Febr_t_qa9U&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=Febr_t_qa9U&#34;&gt;James Brown &amp;amp; Luciano Pavarotti - It’s a Man’s World&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kirby dots - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2009/12/16/kirby-dots-wikipedia-the-free-encyclopedia/"/>
    <updated>2009-12-16T16:05:12.000Z</updated>
    <id>https://mlarson.org/2009/12/16/kirby-dots-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Kirby_dots&#34;&gt;Kirby dots - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Yeasayer at Masquerade (Atlanta) on 6 Apr 2010 – Last.fm</title>
    <link href="https://mlarson.org/2009/12/15/yeasayer-at-masquerade-atlanta-on-6-apr-2010/"/>
    <updated>2009-12-15T17:10:00.000Z</updated>
    <id>https://mlarson.org/2009/12/15/yeasayer-at-masquerade-atlanta-on-6-apr-2010/</id>
    <content type="html">&lt;p&gt;Score. I’ve been wanting to see &lt;a href=&#34;http://en.wikipedia.org/wiki/Yeasayer&#34;&gt;Yeasayer&lt;/a&gt; for a while now.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.last.fm/event/1335898&#34;&gt;Yeasayer at Masquerade (Atlanta) on 6 Apr 2010 – Last.fm&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bob Ross: Teacher, Painter, Optimist - PopMatters</title>
    <link href="https://mlarson.org/2009/12/14/bob-ross-teacher-painter-optimist-popmatters/"/>
    <updated>2009-12-14T20:46:29.000Z</updated>
    <id>https://mlarson.org/2009/12/14/bob-ross-teacher-painter-optimist-popmatters/</id>
    <content type="html">&lt;p&gt;An appreciation of the great public television painter. I loved this guy. “This was a man palpably at peace with himself, doing something he loved, wanting nothing more than to include you.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.popmatters.com/pm/feature/111695-bob-norman-ross-teacher-painter-optimist-october-29-1942-july-4-1995&#34;&gt;Bob Ross: Teacher, Painter, Optimist - PopMatters&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 14, 2009</title>
    <link href="https://mlarson.org/2009/12/14/someone-from-rem-was-saying-to-me-the-other/"/>
    <updated>2009-12-14T04:51:43.000Z</updated>
    <id>https://mlarson.org/2009/12/14/someone-from-rem-was-saying-to-me-the-other/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Someone from R.E.M. was saying to me the other night, ‘Get nervous when you realize you can do it. When you can go through a whole evening having talked to 50 people and not remember a fucking word of any of it. Then you really are in trouble.’&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Thom Yorke on the perils of fame. &lt;a href=&#34;http://thequietus.com/articles/01343-from-the-archives-1996-radiohead-interviewed-between-the-bends-and-ok-computer&#34;&gt;Addicted to Noise interview&lt;/a&gt;, 1996.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 14, 2009</title>
    <link href="https://mlarson.org/2009/12/14/although-i-have-felt-compelled-to-write-things/"/>
    <updated>2009-12-14T04:22:00.000Z</updated>
    <id>https://mlarson.org/2009/12/14/although-i-have-felt-compelled-to-write-things/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Joan Didion, &lt;a href=&#34;http://www.ranablog.com/pdfs/didion.pdf&#34;&gt;On Keeping a Notebook&lt;/a&gt; [pdf].&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 13, 2009</title>
    <link href="https://mlarson.org/2009/12/13/hartsfieldjackson-atlanta-international-airport/"/>
    <updated>2009-12-13T21:58:00.000Z</updated>
    <id>https://mlarson.org/2009/12/13/hartsfieldjackson-atlanta-international-airport/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kum2eakwjp1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Hartsfield%E2%80%93Jackson_Atlanta_International_Airport#North_Terminal&#34;&gt;Hartsfield–Jackson Atlanta International Airport&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 11, 2009</title>
    <link href="https://mlarson.org/2009/12/11/before-he-was-king/"/>
    <updated>2009-12-11T19:35:00.000Z</updated>
    <id>https://mlarson.org/2009/12/11/before-he-was-king/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kui6eqsgpk1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vanityfair.com/culture/features/2010/01/elvis-at-21-slideshow-201001&#34;&gt;Before He Was King&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 11, 2009</title>
    <link href="https://mlarson.org/2009/12/11/thebarstoolromantic-cuno-amiet-paysage-de/"/>
    <updated>2009-12-11T15:17:00.000Z</updated>
    <id>https://mlarson.org/2009/12/11/thebarstoolromantic-cuno-amiet-paysage-de/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/e9lwpl6ugnvquzjupdmtwdnko1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://thebarstoolromantic.tumblr.com/post/278710320/cuno-amiet-paysage-de-neige&#34;&gt;thebarstoolromantic&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Cuno_Amiet&#34;&gt;Cuno Amiet&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/File:Cuno_Amiet,_Paysage_de_neige.jpg&#34;&gt;Paysage de neige&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The War on Mediocrity - Heuristic roundup &#39;09</title>
    <link href="https://mlarson.org/2009/12/10/the-war-on-mediocrity-heuristic-roundup-09/"/>
    <updated>2009-12-10T16:32:59.000Z</updated>
    <id>https://mlarson.org/2009/12/10/the-war-on-mediocrity-heuristic-roundup-09/</id>
    <content type="html">&lt;p&gt;“The heuristics on this list are easily memorable and implementable life problem-solving strategies — &amp;quot;quick and dirty” ones, if you like — that I’ve drawn from experience which, even if they prove shaky in border cases, still work most of the time.“&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.livejournal.com/361966.html&#34;&gt;The War on Mediocrity - Heuristic roundup &#39;09&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Nicaragua</title>
    <link href="https://mlarson.org/2009/12/09/20091209in-nicaragua/"/>
    <updated>2009-12-09T22:56:43.000Z</updated>
    <id>https://mlarson.org/2009/12/09/20091209in-nicaragua/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4171130374/&#34; title=&#34;View from Iglesia La Merced by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2573/4171130374_390a2646db.jpg&#34; alt=&#34;View from Iglesia La Merced&#34;&gt;&lt;/a&gt; I kept a regular journal on this recent vacation, as I did so diligently on previous &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157594498835896/&#34;&gt;long&lt;/a&gt; &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600553114109/&#34;&gt;hikes&lt;/a&gt; and last year&#39;s &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157607436891752/&#34;&gt;trip&lt;/a&gt; &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157607869954615/&#34;&gt;to&lt;/a&gt; &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157607352156691/&#34;&gt;Iceland&lt;/a&gt;. This was a lazier trip than I&#39;d ever done, so I wrote more than ever before. I may have have more to say about travel in general and and some Nicaraguan sites I saw in later posts, but here are some things that struck me...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Irish pubs seem to act as a sort of international safehouse for gringos/foreigners in general.&lt;/li&gt;
&lt;li&gt;A lot of unions give away labeled promotional goods: caps, shirts, etc. One of my taxi drivers was a member of the local taxi union in León. His union gave its members long sleeves, but without the shirt part. The purpose? Well, it&#39;s usually hot, and a/c can be either non-existent or a waste, so you drive with the window open. You put the sleeve on your left arm so you don&#39;t get sunburn when you have it propped on the window. Brilliant.&lt;/li&gt;
&lt;li&gt;I like how the environment, architecture, and community interrelate. Warm temperature year-round means that many homes feature some sort of open-air courtyard in the middle. And doors and windows often have some sort of iron fencework, so you can open your door for breezes but still keep folks from wandering in. In the afternoons, folks would throw the doors wide and pull out chairs and sit with neighbors. It reminded me of Southern front porch culture. On a similar note, lots of sunlight meant that interior lights were almost never on during the daytime. There was plenty of light coming in through the doors and reflected off tile floors, and you probably want something a bit dimmer after walking in the sun anyway.&lt;/li&gt;
&lt;li&gt;Food service was slow almost everywhere. I got to be okay with this.&lt;/li&gt;
&lt;li&gt;I&#39;ve become less interested in trying to take &amp;quot;good&amp;quot; pictures of things. At home I take much more with my crappy &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157606254419042/&#34;&gt;cameraphone&lt;/a&gt;. A quick snap and move on. Whatever happens to be in the frame, no problem. For most travel landmarks I can usually google a better photo if I really need the aesthetic jolt. For &amp;quot;memories,&amp;quot; I&#39;m better served by taking some time to draw it, or just grabbing what&#39;s there in a snapshot. There&#39;s something to be said for good framing, lighting, and so on, but I think it can over-sanitize the moment in a way that doesn&#39;t really do justice to the experience. Amiright?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And a few other amusing events:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;One of those quintessential juxtapositions of old and new: a woman who hawks flowers from a basket balanced on her head takes a break to chat on her cellphone. Cliché, yes. But sense of surprise and delight in seeing it probably says something about the assumptions I&#39;d made.&lt;/li&gt;
&lt;li&gt;Similar juxtaposition seen on a daily basis: carts being pulled by donkeys down 4-lane highways, narrow alleys, and everything in between.&lt;/li&gt;
&lt;li&gt;Seeing lizards scaling the walls and ceiling of a restaurant. To be expected when you&#39;re seated next to an open courtyard.&lt;/li&gt;
&lt;li&gt;Over dinner, hearing a Spanish version of Bryan Adams&#39; &amp;quot;(Everything I Do) I Do It For You&amp;quot; playing on the radio, followed by Kansas&#39; &amp;quot;Dust in the Wind&amp;quot;.&lt;/li&gt;
&lt;li&gt;And a Nicaraguan cover band tearing it up on a Friday night: Pink Floyd, CCR, The Beatles, etc. One of those moments you&#39;re really glad for mass culture.&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2009</title>
    <link href="https://mlarson.org/2009/12/09/to-shift-the-structure-of-a-sentence-alters-the/"/>
    <updated>2009-12-09T15:44:36.000Z</updated>
    <id>https://mlarson.org/2009/12/09/to-shift-the-structure-of-a-sentence-alters-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. …. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. …. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://static.guim.co.uk/sys-images/Books/Pix/pictures/2009/11/18/1258560568547/Writer-Didion-At-Hippie-H-001.jpg&#34; title=&#34;Joan Didion - The Guardian&#34;&gt;Joan Didion&lt;/a&gt; (via &lt;a href=&#34;http://bobulate.com/&#34;&gt;bobulate&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2009</title>
    <link href="https://mlarson.org/2009/12/09/200912092307/"/>
    <updated>2009-12-09T01:16:34.000Z</updated>
    <id>https://mlarson.org/2009/12/09/200912092307/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4170377061/&#34; title=&#34;View from Iglesia La Merced by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2625/4170377061_a3b8c9240a.jpg&#34; alt=&#34;View from Iglesia La Merced&#34;&gt;&lt;/a&gt; A scene from &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157622833485519/&#34;&gt;my recent vacation&lt;/a&gt;: Volcán Mombacho, as seen from the belltower at Iglesia La Merced. I did a bunch of journaling and drawing, so more thoughtful Nicaraguan posts are on the way...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 8, 2009</title>
    <link href="https://mlarson.org/2009/12/08/division-of-labour-higher-education-in-the-21st/"/>
    <updated>2009-12-08T14:47:47.000Z</updated>
    <id>https://mlarson.org/2009/12/08/division-of-labour-higher-education-in-the-21st/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_kuc93ozzhm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://divisionoflabour.com/archives/006572.php&#34;&gt;Division of Labour: Higher education in the 21st Century in a single picture&lt;/a&gt;. I don’t necessarily see this as a bad thing… (&lt;a href=&#34;http://www.newmarksdoor.com/mainblog/2009/12/final-exams-start-at-my-university-this-week-.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 7, 2009</title>
    <link href="https://mlarson.org/2009/12/07/soup-of-the-day-via/"/>
    <updated>2009-12-07T03:53:46.000Z</updated>
    <id>https://mlarson.org/2009/12/07/soup-of-the-day-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/12/tumblr_ku9k5mjet61qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://riotclitshave.livejournal.com/1668366.html&#34;&gt;Soup of the Day&lt;/a&gt;. (&lt;a href=&#34;http://riotclitshave.livejournal.com/1668366.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 7, 2009</title>
    <link href="https://mlarson.org/2009/12/07/passacaglia-in-c-minor-aleksandr-hrustevich-on/"/>
    <updated>2009-12-07T03:06:00.000Z</updated>
    <id>https://mlarson.org/2009/12/07/passacaglia-in-c-minor-aleksandr-hrustevich-on/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/r8-RkPNUSVY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=r8-RkPNUSVY&#34;&gt;Passacaglia in C Minor&lt;/a&gt;. Aleksandr Hrustevich on the accordion playing one of Bach’s best. That’s just incredible. (&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2009/12/bach-on-the-bayan.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 26, 2009</title>
    <link href="https://mlarson.org/2009/11/26/organisation-tone-float-1970-before-they-were/"/>
    <updated>2009-11-26T06:12:21.000Z</updated>
    <id>https://mlarson.org/2009/11/26/organisation-tone-float-1970-before-they-were/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=0tjXO7yJThI&#34;&gt;Organisation - Tone Float&lt;/a&gt;. 1970. Before they were Kraftwerk.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 26, 2009</title>
    <link href="https://mlarson.org/2009/11/26/thebarstoolromantic-john-divola-dogs-chasing-my/"/>
    <updated>2009-11-26T05:24:49.000Z</updated>
    <id>https://mlarson.org/2009/11/26/thebarstoolromantic-john-divola-dogs-chasing-my/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thebarstoolromantic.tumblr.com/post/257170229/john-divola-dogs-chasing-my-car-in-the-desert-series&#34;&gt;thebarstoolromantic&lt;/a&gt;: John Divola, &lt;em&gt;Dogs Chasing My Car in the Desert series&lt;/em&gt;, 1996-2000.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.faculty.ucr.edu/~divola/WEB%20Pages%20Grey/2000%27s/Dogs%20Chasing%20My%20Car/Dogs%20Chasing%20My%20Car%20Hi%20Res/FrameSet.htm&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_ktognlngUI1qzsind.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.faculty.ucr.edu/~divola/WEB%20Pages%20Grey/2000%27s/Dogs%20Chasing%20My%20Car/Dogs%20Chasing%20My%20Car%20Hi%20Res/FrameSet.htm&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_ktognxAoM81qzsind.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.faculty.ucr.edu/~divola/WEB%20Pages%20Grey/2000%27s/Dogs%20Chasing%20My%20Car/Dogs%20Chasing%20My%20Car%20Hi%20Res/FrameSet.htm&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_ktogo9mRId1qzsind.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.faculty.ucr.edu/~divola/WEB%20Pages%20Grey/2000%27s/Dogs%20Chasing%20My%20Car/Dogs%20Chasing%20My%20Car%20Hi%20Res/FrameSet.htm&#34;&gt;&lt;img src=&#34;https://78.media.tumblr.com/tumblr_ktogoiBETu1qzsind.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wall Street conspiracy theories dissected, defined</title>
    <link href="https://mlarson.org/2009/11/26/wall-street-conspiracy-theories-dissected-defined/"/>
    <updated>2009-11-26T05:13:00.000Z</updated>
    <id>https://mlarson.org/2009/11/26/wall-street-conspiracy-theories-dissected-defined/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.washingtonpost.com/wp-dyn/content/article/2009/11/21/AR2009112100010.html&#34;&gt;Wall Street conspiracy theories dissected, defined&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Is it Monday now?</title>
    <link href="https://mlarson.org/2009/11/23/is-it-monday-now/"/>
    <updated>2009-11-23T17:34:00.000Z</updated>
    <id>https://mlarson.org/2009/11/23/is-it-monday-now/</id>
    <content type="html">&lt;p&gt;A new &lt;a href=&#34;http://kottke.org/08/02/single-serving-sites&#34;&gt;single-serving site&lt;/a&gt; from the gentlemen of &lt;a href=&#34;http://mondaynightbrewery.com/&#34;&gt;Monday Night Brewery&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://isitmondaynow.com&#34;&gt;Is it Monday now?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2009</title>
    <link href="https://mlarson.org/2009/11/23/a-book-neednt-be-an-authors-life-work-a-squib/"/>
    <updated>2009-11-23T14:41:00.000Z</updated>
    <id>https://mlarson.org/2009/11/23/a-book-neednt-be-an-authors-life-work-a-squib/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;A book needn’t be an author’s life work; a squib of novel insight with supporting evidence is sufficient. If you are going to have something be your life’s work, let it be a book of your life’s wisdom. Some people have 300 page books devoted to trivial topics and blog posts devoted to their life’s wisdom; that seems ironic to me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://wehrintheworld.blogspot.com/2009/11/things-id-like-to-blog-about-part-ii.html&#34;&gt;Justin Wehr&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jeanne-Claude, Christo’s Collaborator on Environmental Canvas, Is Dead at 74 - Obituary - NYTimes.com</title>
    <link href="https://mlarson.org/2009/11/20/jeanne-claude-christos-collaborator-on/"/>
    <updated>2009-11-20T20:19:17.000Z</updated>
    <id>https://mlarson.org/2009/11/20/jeanne-claude-christos-collaborator-on/</id>
    <content type="html">&lt;p&gt;This is a real downer. (via &lt;a href=&#34;http://kottke.org/09/11/jeanne-claude-rip&#34;&gt;kottke&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2009/11/20/arts/design/20jeanne-claude.html&#34;&gt;Jeanne-Claude, Christo’s Collaborator on Environmental Canvas, Is Dead at 74 - Obituary - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 20, 2009</title>
    <link href="https://mlarson.org/2009/11/20/doc-watson-age-16/"/>
    <updated>2009-11-20T17:30:23.000Z</updated>
    <id>https://mlarson.org/2009/11/20/doc-watson-age-16/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_ktf4mndszj1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Doc_Watson&#34;&gt;Doc Watson&lt;/a&gt;, age 16.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2009</title>
    <link href="https://mlarson.org/2009/11/18/we-have-to-start-the-concert-at-800-and-we-have/"/>
    <updated>2009-11-18T18:08:00.000Z</updated>
    <id>https://mlarson.org/2009/11/18/we-have-to-start-the-concert-at-800-and-we-have/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We have to start the concert at 8:00 and we have to stop sometime because the halls are rented for a certain time but the music goes on in your mind before and after you play. It’s really just an agreement you make to stop at a certain time. On record, it goes for 40 minutes because an album has these dimensions. It’s just an agreement. But really the music goes on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://kraftwerk.technopop.com.br/interview_106.php&#34;&gt;Interview with Kraftwerk&lt;/a&gt;. Ralf Hütter and Florian Schneider talking with Synapse Magazine. September, 1976. On a side note, &lt;a href=&#34;http://en.wikipedia.org/wiki/Ralf_und_Florian&#34;&gt;Ralf und Florian&lt;/a&gt; is a fantastic album.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>John Adams Re-Imagines the Hymn : NPR</title>
    <link href="https://mlarson.org/2009/11/18/john-adams-re-imagines-the-hymn-npr/"/>
    <updated>2009-11-18T00:24:50.000Z</updated>
    <id>https://mlarson.org/2009/11/18/john-adams-re-imagines-the-hymn-npr/</id>
    <content type="html">&lt;p&gt;I’m not particularly religious, but &lt;em&gt;Christian Zeal and Activity&lt;/em&gt; has become one of my favorite bits of classical music. See also the &lt;a href=&#34;http://www.youtube.com/watch?v=OMsK4AgKe4I&#34;&gt;Lego version&lt;/a&gt; that focuses on the preacher segments.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=89145711&#34;&gt;John Adams Re-Imagines the Hymn : NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2009</title>
    <link href="https://mlarson.org/2009/11/18/i-ended-up-in-the-southwest-because-i-knew-that/"/>
    <updated>2009-11-18T00:15:08.000Z</updated>
    <id>https://mlarson.org/2009/11/18/i-ended-up-in-the-southwest-because-i-knew-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I ended up in the Southwest because I knew that nobody had ever written about it. Besides Coca-Cola, the other thing that is universally known is cowboys and Indians. You can go to a mountain village in Mongolia and they’ll know about cowboys. But nobody had taken it seriously, not in 200 years. I thought, here’s a good subject. And it was.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/article/SB10001424052748704576204574529703577274572.html&#34;&gt;Cormac McCarthy on The Road - WSJ.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Fistful of Dollars</title>
    <link href="https://mlarson.org/2009/11/17/a-fistful-of-dollars-apparently-its-heavily/"/>
    <updated>2009-11-17T23:47:00.000Z</updated>
    <id>https://mlarson.org/2009/11/17/a-fistful-of-dollars-apparently-its-heavily/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kta234nxwm1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Fistful_of_Dollars&#34;&gt;A Fistful of Dollars&lt;/a&gt;. Apparently it’s heavily influenced by / a remake of &lt;a href=&#34;http://en.wikipedia.org/wiki/Yojimbo_%28film%29&#34;&gt;Yojimbo&lt;/a&gt;, which I’ve yet to see. It’s shorter and more amusing than the prequel, but &lt;a href=&#34;http://tumblr.mlarson.org/post/211644904/the-good-the-bad-and-the-ugly-id-seen-about-90&#34;&gt;I enjoyed The Good, the Bad, and the Ugly&lt;/a&gt; much more. It needed a good villain.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>new Beach House MP3, &#34;norway&#34;</title>
    <link href="https://mlarson.org/2009/11/17/new-beach-house-mp3-norway/"/>
    <updated>2009-11-17T17:53:08.000Z</updated>
    <id>https://mlarson.org/2009/11/17/new-beach-house-mp3-norway/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/247379168/new-beach-house-mp3-norway&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;so excited for this album.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Easily my favorite song when I saw them in concert a few weeks ago.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://gorillavsbear.blogspot.com/2009/11/mp3-new-beach-house-norway.html&#34;&gt;new Beach House MP3, &amp;quot;norway&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2009</title>
    <link href="https://mlarson.org/2009/11/17/overcoming-bias-key-disputed-values-im-tempted/"/>
    <updated>2009-11-17T14:37:00.000Z</updated>
    <id>https://mlarson.org/2009/11/17/overcoming-bias-key-disputed-values-im-tempted/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kt9cn7a9c61qzcye0o1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.overcomingbias.com/2009/11/key-disputed-values.html&#34;&gt;Overcoming Bias : Key Disputed Values&lt;/a&gt;. I’m tempted to look at extremes (would I rather be in the Zimbabwe corner or the Sweden corner?) but I’m even more curious about life near the moderate middle: Spain, Croatia, Uruguay, Israel.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Our Hospitality</title>
    <link href="https://mlarson.org/2009/11/16/our-hospitality-starts-pretty-slow-but-it-has/"/>
    <updated>2009-11-16T04:33:00.000Z</updated>
    <id>https://mlarson.org/2009/11/16/our-hospitality-starts-pretty-slow-but-it-has/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kt6pztavyd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Our_Hospitality&#34;&gt;Our Hospitality&lt;/a&gt;. Starts pretty slow, but it has good moments. The &lt;a href=&#34;http://www.veoh.com/browse/videos/category/comedy/watch/v7034667f3fHfn7n&#34;&gt;waterfall scene&lt;/a&gt; near the end [9 minutes into the clip] is genuinely amazing. At the core is a family fued: Canfields vs. McKays. McKay falls in love with the Canfield daughter. Daughter invites him over for supper. Southern code of honor means Canfields can’t kill him inside the house. Comedy ensues.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sherlock, Jr.</title>
    <link href="https://mlarson.org/2009/11/16/sherlock-jr-this-is-a-great-movie-watch-the/"/>
    <updated>2009-11-16T04:19:00.000Z</updated>
    <id>https://mlarson.org/2009/11/16/sherlock-jr-this-is-a-great-movie-watch-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kt6pcihoku1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Sherlock,_Jr.&#34;&gt;Sherlock, Jr.&lt;/a&gt;. This is a great movie. &lt;a href=&#34;http://video.google.com/videoplay?docid=-8074699069179823154&#34;&gt;Watch the whole thing&lt;/a&gt; .&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2009</title>
    <link href="https://mlarson.org/2009/11/13/the-wu-note-project-as-if-the-wu-tang-clan-had/"/>
    <updated>2009-11-13T21:58:37.000Z</updated>
    <id>https://mlarson.org/2009/11/13/the-wu-note-project-as-if-the-wu-tang-clan-had/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kt2idrcm6c1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/loganmills/sets/72157617640418633/&#34;&gt;The Wu-Note Project&lt;/a&gt;, as if the &lt;a href=&#34;http://en.wikipedia.org/wiki/Wu-Tang_Clan&#34;&gt;Wu-Tang Clan&lt;/a&gt; had appeared on &lt;a href=&#34;http://en.wikipedia.org/wiki/Blue_Note_Records&#34;&gt;Blue Note Records&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2009</title>
    <link href="https://mlarson.org/2009/11/13/its-the-lyric-that-makes-a-song-a-hit-although/"/>
    <updated>2009-11-13T05:25:35.000Z</updated>
    <id>https://mlarson.org/2009/11/13/its-the-lyric-that-makes-a-song-a-hit-although/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It’s the lyric that makes a song a hit, although the tune, of course, is what makes it last.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Irving_Berlin#Songwriting_methods&#34;&gt;Irving Berlin&lt;/a&gt;. This applies to many things besides songwriting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2009</title>
    <link href="https://mlarson.org/2009/11/12/raspberries-go-all-the-wayi-wanna-be-with-you/"/>
    <updated>2009-11-12T21:15:13.000Z</updated>
    <id>https://mlarson.org/2009/11/12/raspberries-go-all-the-wayi-wanna-be-with-you/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=MpWEUQh1IqU&#34;&gt;Raspberries- Go All The Way/I Wanna Be With You&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2009</title>
    <link href="https://mlarson.org/2009/11/12/refined-an-art-quilt-by-linda-gass-via/"/>
    <updated>2009-11-12T15:01:54.000Z</updated>
    <id>https://mlarson.org/2009/11/12/refined-an-art-quilt-by-linda-gass-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kt04f7zw2h1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lindagass.com/Refined.html&#34;&gt;Refined?&lt;/a&gt;, an art quilt by &lt;a href=&#34;http://www.lindagass.com/&#34;&gt;Linda Gass&lt;/a&gt;. (via &lt;a href=&#34;http://artsatl.typepad.com/artscriticatl/2009/11/by-catherine-fox--atlantas-drought-is-overas-still-water-an-ambitiousexhibition-agnes-scott-colleges-dalton-gallery-remi.html&#34;&gt;artscriticATL&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Manhood for Amateurs (review: 4/5)</title>
    <link href="https://mlarson.org/2009/11/12/20091112manhood-for-amateurs-review/"/>
    <updated>2009-11-12T00:04:21.000Z</updated>
    <id>https://mlarson.org/2009/11/12/20091112manhood-for-amateurs-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4096653185/&#34; title=&#34;Manhood for Amateurs by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2711/4096653185_f028a3dd46.jpg&#34; alt=&#34;Manhood for Amateurs&#34;&gt;&lt;/a&gt; I became impatient with the few &lt;a href=&#34;http://en.wikipedia.org/wiki/Michael_Chabon&#34;&gt;Michael Chabon&lt;/a&gt; books I&#39;ve tried, never finished one. And historically I have had little patience with memoir. So what do I do? I go pick up Michael Chabon&#39;s new memoir, &lt;a href=&#34;http://www.amazon.com/Manhood-Amateurs-Pleasures-Regrets-Husband/dp/0061490180&#34;&gt;Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son&lt;/a&gt;. Good decision, it turns out.&lt;/p&gt;
&lt;p&gt;On the title page there&#39;s a spinner-type illustration like you&#39;d see on a game board, with possible landing spots marked Hypocrisy, Sexuality, Innocence, Regret, Sincerity, Nostalgia, Experience, and Play. If I could oversimplify, it&#39;s about the awesomeness and awkwardness of being a guy. Not &amp;quot;awesome&amp;quot; as in &amp;quot;cool&amp;quot; but &amp;quot;awesome&amp;quot; in the sense of &lt;em&gt;actual awe&lt;/em&gt;, realizing as you grow older that you are part of a tradition that our entire half of the population all experiences. Luckily he&#39;s not too cliché with the whole thing, in one section even going so far as to meditate on the clichédness of feeling like a cliché and turn it into something worthwhile.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Cup size, wires, padding, straps, clasps, the little flowers between the cups: You need a degree, a spec sheet. You need breasts. I don’t know what you need to truly understand brassieres, and what’s more, I don’t want to know. I’m sorry. Go ask your mother.&lt;/p&gt;
&lt;p&gt;There you have it: the most flagrant cliché imaginable. As I utter it, I might as well reach for a trout lure, a socket wrench, the switch on my model train transformer. This may be the fundamental truth of parenthood: No matter how enlightened or well prepared you are by theory, principle, and the imperative not to repeat the mistakes of your own parents, you are no better a father or mother than the set of your own limitations permits you to be.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The essays cover things like being a brother, cooking, the man-purse, faking it when you&#39;re in over your head, best friends, Jose Canseco, first love, failed love, fatherhood and more. Here&#39;s a bit on marriage, from the excellent story &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=113544878#113379661&#34;&gt;The Hand on My Shoulder&lt;/a&gt; (which link takes you to Chabon reading it on NPR):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The meaning of divorce will elude us as long as we are blind to the meaning of marriage, as I think at the start we must all be. Marriage seems---at least it seemed to an absurdly young man in the summer of 1987, standing on the sun-drenched patio of an elegant house on Lake Washington---to be an activity, like chess or tennis or a rumba contest, that we embark upon in tandem while everyone who loves us stands around and hopes for the best. We have no inkling of the fervor of their hope, nor of the ways in which our marriage, that collective endeavor, will be constructed from and burdened with their love.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yesterday I &lt;a href=&#34;http://tumblr.mlarson.org/post/239759939/childhood-is-a-branch-of-cartography&#34;&gt;tumbled a great quote&lt;/a&gt; from his essay on the &lt;a href=&#34;http://www.nybooks.com/articles/22891&#34;&gt;The Wilderness of Childhood&lt;/a&gt;. Here&#39;s another:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We have this idea of armchair traveling, of the reader who seeks in the pages of a ripping yarn or a memoir of polar exploration the kind of heroism and danger, in unknown, half-legendary lands, that he or she could never hope to find in life.&lt;/p&gt;
&lt;p&gt;This is a mistaken notion, in my view. People read stories of adventure---and write them---because they have themselves been adventurers. Childhood is, or has been, or ought to be, the great original adventure, a tale of privation, courage, constant vigilance, danger, and sometimes calamity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In &amp;quot;Cosmodemonic&amp;quot; he talks about being a &amp;quot;little shit&amp;quot; and basically, growing up:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We are accustomed to repeating the cliché, and to believing, that &amp;quot;our most precious resource is our children.&amp;quot; But we have plenty of children to go around, God knows, and as with Doritos, we can always make more. The true scarcity we face is of practicing adults, of people who know how marginal, how fragile, how finite their lives and their stories and their ambitions really are but who find value in this knowledge, even a sense of strange comfort, because they know their condition is universal, is shared.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Tyler Cowen &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/10/what-ive-been-reading-2.html&#34;&gt;said&lt;/a&gt; &amp;quot;This supposed paean to family life collapses quickly into narcissism, but that&#39;s in fact what makes it work.&amp;quot; Much better than I&#39;d expected.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2009</title>
    <link href="https://mlarson.org/2009/11/11/christmasgorilla-yeasayer-ambling-alp-new/"/>
    <updated>2009-11-11T15:43:34.000Z</updated>
    <id>https://mlarson.org/2009/11/11/christmasgorilla-yeasayer-ambling-alp-new/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/240363827/tumblr_ksc535NlEg1qz4ax2?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/240363827/audio_player_iframe/mlarson/tumblr_ksc535NlEg1qz4ax2?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F240363827%2Ftumblr_ksc535NlEg1qz4ax2&#34;&gt;http://mlarson.tumblr.com/post/240363827/audio_player_iframe/mlarson/tumblr_ksc535NlEg1qz4ax2?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F240363827%2Ftumblr_ksc535NlEg1qz4ax2&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://christmasgorilla.com/post/228031820/yeasayer-ambling-alp-new-single-released&#34;&gt;christmasgorilla&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Yeasayer - &lt;em&gt;Ambling Alp&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;New single released today, available at &lt;a href=&#34;http://amblingalp.com&#34;&gt;amblingalp.com&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Niiiice. Can’t believe I missed this. Got an ‘80s vibe in this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2009</title>
    <link href="https://mlarson.org/2009/11/11/in-search-of-eustace-great-photos-from-a/"/>
    <updated>2009-11-11T15:26:13.000Z</updated>
    <id>https://mlarson.org/2009/11/11/in-search-of-eustace-great-photos-from-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_ksyavppxgz1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.theanthropologist.net/#/DavidEustace/InSearchOfEustace&#34;&gt;In Search of Eustace&lt;/a&gt;. Great photos from a father-daughter road trip in the American West. (&lt;a href=&#34;http://twitter.com/impossiblecool/status/5619751499&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2009</title>
    <link href="https://mlarson.org/2009/11/11/childhood-is-a-branch-of-cartography/"/>
    <updated>2009-11-11T02:26:41.000Z</updated>
    <id>https://mlarson.org/2009/11/11/childhood-is-a-branch-of-cartography/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Childhood is a branch of cartography.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;from Michael Chabon’s &lt;a href=&#34;http://www.nybooks.com/articles/22891&#34;&gt;The Wilderness of Childhood&lt;/a&gt; in &lt;a href=&#34;http://www.amazon.com/Manhood-Amateurs-Pleasures-Regrets-Husband/dp/0061490180&#34;&gt;Manhood for Amateurs&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2009</title>
    <link href="https://mlarson.org/2009/11/11/woman-drinking-from-a-whiskey-bottle/"/>
    <updated>2009-11-11T02:23:09.000Z</updated>
    <id>https://mlarson.org/2009/11/11/woman-drinking-from-a-whiskey-bottle/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_ksxamlbttu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/nyctreeman/2678500612/&#34;&gt;Woman drinking from a whiskey bottle&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2009</title>
    <link href="https://mlarson.org/2009/11/09/i-am-frankly-embarrassed-that-most-of-my-musical/"/>
    <updated>2009-11-09T17:58:00.000Z</updated>
    <id>https://mlarson.org/2009/11/09/i-am-frankly-embarrassed-that-most-of-my-musical/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I am frankly embarrassed that most of my musical life has been spent in the search for new materials. The significance of new materials is that they represent, I believe, the incessant desire in our culture to explore the unknown. Before we know the unknown, it inflames our hearts. When we know it, the flame dies down, only to burst forth again at the thought of a new unknown. This desire has found expression in our culture in new materials, because our culture has its faith not in the peaceful center of the spirit but in an ever-hopeful projection onto things of our own desire for completion.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John Cage. &lt;a href=&#34;http://www.rosewhitemusic.com/cage/texts/WhatSilenceTaughtCage.html&#34;&gt;What silence taught John Cage: The story of 4&#39;33&amp;quot;&lt;/a&gt; by James Pritchett. (&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/2009/11/cage-in-barcelona.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2009</title>
    <link href="https://mlarson.org/2009/11/09/nobody-has-any-business-to-destroy-a-social/"/>
    <updated>2009-11-09T02:18:51.000Z</updated>
    <id>https://mlarson.org/2009/11/09/nobody-has-any-business-to-destroy-a-social/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Nobody has any business to destroy a social institution until he has really seen it as an historical institution. If he knows how it arose, and what purposes it was supposed to serve, he may really be able to say that they were bad purposes, that they have since become bad purposes, or that they are purposes which are no longer served. But if he simply stares at the thing as a senseless monstrosity that has somehow sprung up in his path, it is he and not the traditionalist who is suffering from an illusion.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://meteuphoric.wordpress.com/2009/11/08/protect-seemingly-useless/&#34;&gt;G.K. Chesterton&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Rosemary&#39;s Baby</title>
    <link href="https://mlarson.org/2009/11/09/rosemarys-baby-this-is-one-creepy-movie-its/"/>
    <updated>2009-11-09T02:11:00.000Z</updated>
    <id>https://mlarson.org/2009/11/09/rosemarys-baby-this-is-one-creepy-movie-its/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kstkr4art71qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Rosemary%27s_Baby_%28film%29&#34;&gt;Rosemary’s Baby&lt;/a&gt;. This is one creepy movie. It’s mostly a nice, slow tiptoeing towards a dreadful end rather than occasional surprise-attack horror nonsense. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19680729/REVIEWS/807290301/1023&#34;&gt;Ebert says&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is why the movie is so good. The characters and the story transcend the plot. In most horror films, and indeed in most suspense films of the Alfred Hitchcock tradition, the characters are at the mercy of the plot. In this one, they emerge as human beings actually doing these things.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Psycho</title>
    <link href="https://mlarson.org/2009/11/09/psycho-had-a-second-viewing-this-weekend-as-good/"/>
    <updated>2009-11-09T02:00:03.000Z</updated>
    <id>https://mlarson.org/2009/11/09/psycho-had-a-second-viewing-this-weekend-as-good/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kstk86dk2i1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Psycho_%281960_film%29&#34;&gt;Psycho&lt;/a&gt;. Had a second viewing this weekend, as good as the first time around. Fun fact: &lt;a href=&#34;http://en.wikipedia.org/wiki/Anthony_Perkins&#34;&gt;Anthony Perkins&lt;/a&gt;, the actor who plays Norman Bates in this film, is the father of &lt;a href=&#34;http://en.wikipedia.org/wiki/Elvis_Perkins&#34;&gt;Elvis Perkins&lt;/a&gt;, the leader of the awesome band I saw a few days ago, also for the second time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2009</title>
    <link href="https://mlarson.org/2009/11/06/merlin-how-to-play-piano-like-philip-glass-i/"/>
    <updated>2009-11-06T23:28:36.000Z</updated>
    <id>https://mlarson.org/2009/11/06/merlin-how-to-play-piano-like-philip-glass-i/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/nNiOqa1nWgI&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kungfugrippe.com/post/235354627/how-to-play-piano-like-philip-glass-i-so-love&#34;&gt;merlin&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=nNiOqa1nWgI&#34; title=&#34;How to play piano like Philip Glass&#34;&gt;&lt;strong&gt;How to play piano like Philip Glass&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I so love this guy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Nothing so refreshing as naked enthusiasm.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2009</title>
    <link href="https://mlarson.org/2009/11/06/ann-margret-and-elvis-circa-viva-las-vegas/"/>
    <updated>2009-11-06T19:49:40.000Z</updated>
    <id>https://mlarson.org/2009/11/06/ann-margret-and-elvis-circa-viva-las-vegas/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kspdqs1ymi1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Ann Margret and Elvis circa &lt;a href=&#34;http://en.wikipedia.org/wiki/Viva_Las_Vegas&#34;&gt;Viva Las Vegas&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Live | TEDxMidAtlantic: Tyler Cowen on Stories</title>
    <link href="https://mlarson.org/2009/11/06/live-tedxmidatlantic-tyler-cowen-on-stories/"/>
    <updated>2009-11-06T19:47:00.000Z</updated>
    <id>https://mlarson.org/2009/11/06/live-tedxmidatlantic-tyler-cowen-on-stories/</id>
    <content type="html">&lt;p&gt;Economist &lt;a href=&#34;http://www.marginalrevolution.com/&#34;&gt;Tyler Cowen&lt;/a&gt; on stories and the risks of narrative-influenced thinking. Embrace the messiness of life.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tedxmidatlantic.com/2009-video/#TylerCowen&#34;&gt;Live | TEDxMidAtlantic: Tyler Cowen on Stories&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2009</title>
    <link href="https://mlarson.org/2009/11/05/a-good-friend-of-mine-edited-wikipedia-for-my/"/>
    <updated>2009-11-05T15:46:27.000Z</updated>
    <id>https://mlarson.org/2009/11/05/a-good-friend-of-mine-edited-wikipedia-for-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_ksn7tf3vtt1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A good friend of mine &lt;a href=&#34;http://en.wikipedia.org/wiki/Flavored_liquor&#34;&gt;edited Wikipedia for my birthday&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Flavored liquors (also called infused liquors)[1] are distilled alcoholic beverages with added flavoring and, in some cases, with a small amount of added sugar. They are distinct from liqueurs in that liqueurs have a large sugar content and may also contain glycerine. Flavored liquors may have a base of vodka or white rum, both of which have little taste of their own, or they may have a tequila or brandy base. One of the great vodka distillers of his generation, Mark Larson, lives in Decatur, Ga.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Birdhouse for Your Soul</title>
    <link href="https://mlarson.org/2009/11/05/birdhouse-for-your-soul/"/>
    <updated>2009-11-05T15:11:49.000Z</updated>
    <id>https://mlarson.org/2009/11/05/birdhouse-for-your-soul/</id>
    <content type="html">&lt;p&gt;(via &lt;a href=&#34;http://notes.torrez.org/2009/11/birdhouse-for-your-soul.html&#34;&gt;torrez&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.eod.com/blog/2009/11/birdhouse-for-your-soul/&#34;&gt;Birdhouse for Your Soul&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2009</title>
    <link href="https://mlarson.org/2009/11/05/people-like-to-be-educated-about-tragedies-that/"/>
    <updated>2009-11-05T14:57:14.000Z</updated>
    <id>https://mlarson.org/2009/11/05/people-like-to-be-educated-about-tragedies-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;People like to be educated about tragedies that they’ve never shaken their heads sadly over before.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2009/11/01/books/review/Whitehead-t.htm&#34;&gt;What to Write Next: Picking a Genre for Your Next Novel by Colson Whitehead - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Man Who Knew Too Much (1934)</title>
    <link href="https://mlarson.org/2009/11/04/the-man-who-knew-too-much-1934-dnf-i-get-the/"/>
    <updated>2009-11-04T04:08:56.000Z</updated>
    <id>https://mlarson.org/2009/11/04/the-man-who-knew-too-much-1934-dnf-i-get-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kskgux3gqt1qzcye0o1_400.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Man_Who_Knew_Too_Much_%281934_film%29&#34;&gt;The Man Who Knew Too Much (1934)&lt;/a&gt;. DNF. I get the sense that Hitchcock made some mediocre films here and there. This might be one of them. I think if I’m going to watch a cold technician-type director, I might as well focus on his better stuff from here on out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 4, 2009</title>
    <link href="https://mlarson.org/2009/11/04/more-like-this-please/"/>
    <updated>2009-11-04T02:01:35.000Z</updated>
    <id>https://mlarson.org/2009/11/04/more-like-this-please/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kskayoutin1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;More like this, please.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2009</title>
    <link href="https://mlarson.org/2009/11/03/trevor-clark-trevorclark-a-guy-i-knew-back-in/"/>
    <updated>2009-11-03T23:27:39.000Z</updated>
    <id>https://mlarson.org/2009/11/03/trevor-clark-trevorclark-a-guy-i-knew-back-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_ksk3u4dfhh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;a href=&#34;http://www.trevorclarkphoto.com/&#34;&gt;Trevor Clark&lt;/a&gt; (&lt;a href=&#34;http://twitter.com/trevorclark&#34;&gt;@trevorclark&lt;/a&gt;), a guy I knew back in the old high school days of yore, recently did a &lt;a href=&#34;http://www.livecollarfree.com/trevor-clark-1/&#34;&gt;two-part&lt;/a&gt; &lt;a href=&#34;http://www.livecollarfree.com/trevor-clark-2/&#34;&gt;interview&lt;/a&gt; about his life as an adventure photographer.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The main thing I need for any deadline is a fast and reliable Internet source. Working away from my van, I just make sure I have a plan and if all else fails, I do the old-fashioned journalistic thing and find Internet, no matter what.&lt;/p&gt;
&lt;p&gt;One time I even ended up in a couple’s bedroom (absolute strangers) at midnight, fixing their router so that I could use their internet to upload a set of images that needed to be ready for Italian distribution within the hour.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Badass.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2009</title>
    <link href="https://mlarson.org/2009/11/03/stevie-wonder-drum-solo/"/>
    <updated>2009-11-03T18:21:02.000Z</updated>
    <id>https://mlarson.org/2009/11/03/stevie-wonder-drum-solo/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/iBA4vWQRBA0&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=iBA4vWQRBA0&#34;&gt;Stevie Wonder drum solo&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2009</title>
    <link href="https://mlarson.org/2009/11/03/karen-carpenter-the-drummer/"/>
    <updated>2009-11-03T18:16:45.000Z</updated>
    <id>https://mlarson.org/2009/11/03/karen-carpenter-the-drummer/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/6dJUnh6N8-U&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=6dJUnh6N8-U&#34;&gt;Karen Carpenter - The Drummer&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2009</title>
    <link href="https://mlarson.org/2009/11/03/chris-willett-keeps-pretty-much-the-best-hiking/"/>
    <updated>2009-11-03T17:36:34.000Z</updated>
    <id>https://mlarson.org/2009/11/03/chris-willett-keeps-pretty-much-the-best-hiking/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_ksjnkz1hdd1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cwillett.imathas.com/&#34;&gt;Chris Willett&lt;/a&gt; keeps pretty much the best hiking journal on the internet. Great writing, great photography. I remembered that &lt;a href=&#34;http://cwillett.imathas.com/central/nic.html&#34;&gt;he went to Nicaragua&lt;/a&gt; a while back, so I’ve been re-reading his travels in anticipation of my own in just a few weeks. w00t.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Saudade</title>
    <link href="https://mlarson.org/2009/11/03/saudade/"/>
    <updated>2009-11-03T16:51:00.000Z</updated>
    <id>https://mlarson.org/2009/11/03/saudade/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/231938400/saudade&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;The famous saudade of the Portuguese is a vague and constant desire for something that does not and probably cannot exist, for something other than the present, a turning towards the past or towards the future; not an active discontent or poignant sadness but an indolent dreaming wistfulness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(via &lt;a href=&#34;http://thisrecording.com/today/2009/11/3/in-which-i-hope-it-was-a-hard-decision.html&#34;&gt;molly lambert&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Which reminds me of &lt;a href=&#34;http://www.youtube.com/watch?v=f-8UjONoaI4&#34;&gt;Chega de Saudade&lt;/a&gt;, which some say is &lt;a href=&#34;http://en.wikipedia.org/wiki/Chega_de_Saudade&#34;&gt;the first bossa nova song&lt;/a&gt;, which makes perfect sense.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Saudade&#34;&gt;Saudade&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2009</title>
    <link href="https://mlarson.org/2009/11/03/the-great-enemy-of-the-truth-is-very-often-not-the/"/>
    <updated>2009-11-03T14:52:00.000Z</updated>
    <id>https://mlarson.org/2009/11/03/the-great-enemy-of-the-truth-is-very-often-not-the/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The great enemy of the truth is very often not the lie — deliberate, contrived and dishonest, but the myth, persistent, persuasive, and unrealistic. Belief in myths allows the comfort of opinion without the discomfort of thought.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;John F. Kennedy (via &lt;a href=&#34;http://mihirai.tumblr.com/&#34;&gt;mihirai&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2009</title>
    <link href="https://mlarson.org/2009/11/02/the-art-of-persuasive-writing-highlighting/"/>
    <updated>2009-11-02T18:33:51.000Z</updated>
    <id>https://mlarson.org/2009/11/02/the-art-of-persuasive-writing-highlighting/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/11/tumblr_kshvkhqb851qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.creativereview.co.uk/cr-blog/2009/october/persuasive-writing&#34;&gt;The Art of Persuasive Writing&lt;/a&gt; highlighting selections from &lt;a href=&#34;http://www.banknotes365.com/&#34;&gt;Bank Notes&lt;/a&gt;. (&lt;a href=&#34;http://linedandunlined.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 30, 2009</title>
    <link href="https://mlarson.org/2009/10/30/mixed-company-moderates-like-minded-company/"/>
    <updated>2009-10-30T00:28:39.000Z</updated>
    <id>https://mlarson.org/2009/10/30/mixed-company-moderates-like-minded-company/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Mixed company moderates; like-minded company polarizes. Heterogeneous communities restrain group excesses; homogeneous communities march toward the extremes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The best lines from and in-a-nutshell gist of &lt;a href=&#34;http://www.amazon.com/Big-Sort-Clustering-Like-Minded-America/dp/0618689354&#34;&gt;The Big Sort&lt;/a&gt; by &lt;a href=&#34;http://www.thebigsort.com/home.php&#34;&gt;Bill Bishop&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 29, 2009</title>
    <link href="https://mlarson.org/2009/10/29/downtown-atlanta-at-decatur-street-and-peachtree/"/>
    <updated>2009-10-29T19:17:00.000Z</updated>
    <id>https://mlarson.org/2009/10/29/downtown-atlanta-at-decatur-street-and-peachtree/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_ksaiwxpib11qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Downtown Atlanta at Decatur Street and Peachtree – April 12, 1948. I wish downtown still had this vibe. (from the &lt;a href=&#34;http://www.library.gsu.edu/spcoll/pages/pages.asp?ldID=105&amp;amp;guideID=552&amp;amp;ID=3961&#34;&gt;Lane Brothers and Tracy O&#39;Neal Collections&lt;/a&gt; at Georgia State University, via &lt;a href=&#34;http://www.decaturmetro.com/2009/10/29/downtown-traffic-jam/&#34;&gt;Decatur Metro&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Big Sleep</title>
    <link href="https://mlarson.org/2009/10/29/the-big-sleep-its-got-a-twisty-turny-plot-where/"/>
    <updated>2009-10-29T02:18:00.000Z</updated>
    <id>https://mlarson.org/2009/10/29/the-big-sleep-its-got-a-twisty-turny-plot-where/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_ks97q9aqhw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Big_Sleep_%281946_film%29&#34;&gt;The Big Sleep&lt;/a&gt;. It’s got a twisty-turny plot where every encounter turns up some new intrigue. Not bad, but I didn’t fall in love with this one. &lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_the_Past&#34;&gt;Out of the Past&lt;/a&gt; is still the reigning film noir champion for me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 28, 2009</title>
    <link href="https://mlarson.org/2009/10/28/injun-summer-by-john-t-mccutcheon-1907-via/"/>
    <updated>2009-10-28T19:24:00.000Z</updated>
    <id>https://mlarson.org/2009/10/28/injun-summer-by-john-t-mccutcheon-1907-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_ks8olcdg0q1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;“Injun Summer,” by &lt;a href=&#34;http://en.wikipedia.org/wiki/John_T._McCutcheon&#34;&gt;John T. McCutcheon&lt;/a&gt;, 1907. (via the afore-loved &lt;a href=&#34;http://blogs.suntimes.com/ebert/2009/10/when_autumn_leaves_start_to_fa.html&#34;&gt;Roger Ebert&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Roger Ebert&#39;s Journal: The autumn leaves of red and gold</title>
    <link href="https://mlarson.org/2009/10/28/roger-eberts-journal-the-autumn-leaves-of-red/"/>
    <updated>2009-10-28T19:15:56.000Z</updated>
    <id>https://mlarson.org/2009/10/28/roger-eberts-journal-the-autumn-leaves-of-red/</id>
    <content type="html">&lt;p&gt;I love Roger Ebert.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/ebert/2009/10/when_autumn_leaves_start_to_fa.html&#34;&gt;Roger Ebert&#39;s Journal: The autumn leaves of red and gold&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Mondegreen - Wikipedia, the free encyclopedia</title>
    <link href="https://mlarson.org/2009/10/28/mondegreen-wikipedia-the-free-encyclopedia/"/>
    <updated>2009-10-28T13:58:07.000Z</updated>
    <id>https://mlarson.org/2009/10/28/mondegreen-wikipedia-the-free-encyclopedia/</id>
    <content type="html">&lt;p&gt;I didn’t know there was a word for this: “A mondegreen is the mishearing or misinterpretation of a phrase, typically a standardized phrase such as a line in a poem or a lyric in a song.” For example, CCR’s “There’s a bathroom on the right” and Hendrix’s “‘Scuse me while I kiss this guy”.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Mondegreen&#34;&gt;Mondegreen - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 27, 2009</title>
    <link href="https://mlarson.org/2009/10/27/todays-pictures-remember-the-record-shop-james/"/>
    <updated>2009-10-27T18:28:28.000Z</updated>
    <id>https://mlarson.org/2009/10/27/todays-pictures-remember-the-record-shop-james/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_ks6rbhuwao1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://todayspictures.slate.com/20091023/&#34;&gt;Today’s Pictures: Remember the Record Shop?&lt;/a&gt; James Dean, 1955.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 27, 2009</title>
    <link href="https://mlarson.org/2009/10/27/i-think-jones-suffers-from-a-common-problem-some/"/>
    <updated>2009-10-27T16:57:00.000Z</updated>
    <id>https://mlarson.org/2009/10/27/i-think-jones-suffers-from-a-common-problem-some/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I think Jones suffers from a common problem some good actors have: the character she has created is so individual that you don’t really realize it &lt;em&gt;isn’t&lt;/em&gt; a cliche. You know her, so you feel like she’s a type, even though she’s not. If this is a cliche, who was the last Betty Draper before Betty Draper? I’m not sure there was one.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/monkeysee/2009/10/complexity_beauty_and_the_unde.html&#34;&gt;Complexity, Beauty, and the Underappreciated January Jones&lt;/a&gt;. Most interesting character on the show so far, but then I’m only halfway through the second season.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2009</title>
    <link href="https://mlarson.org/2009/10/26/austinkleon-kevin-huizenga-postcard-from/"/>
    <updated>2009-10-26T17:39:54.000Z</updated>
    <id>https://mlarson.org/2009/10/26/austinkleon-kevin-huizenga-postcard-from/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_ks4ofx4wpz1qz6f4bo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/223896066/kevin-huizenga-postcard-from-fielder-weather&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://kevinh.blogspot.com/2009/10/postcard-from-fielder.html&#34;&gt;Kevin Huizenga, “Postcard from Fielder”&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Weather reports and Google maps! So awesome. What a cartoonist.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Bob Sutton: Selecting Talent: The Upshot from 85 Years of Research</title>
    <link href="https://mlarson.org/2009/10/26/bob-sutton-selecting-talent-the-upshot-from-85/"/>
    <updated>2009-10-26T17:36:36.000Z</updated>
    <id>https://mlarson.org/2009/10/26/bob-sutton-selecting-talent-the-upshot-from-85/</id>
    <content type="html">&lt;p&gt;Rankings of 19 predictors of work performance. At the top of the list are “general mental ability” (as in IQ and related measures) and “work sample tests” (e.g., Can you type?).&lt;/p&gt;
&lt;p&gt;I agree with &lt;a href=&#34;http://econlog.econlib.org/archives/2009/10/data_and_dogma.html&#34;&gt;Arnold Kling&lt;/a&gt;: “I love it that ‘years of education’ just barely beats out handwriting analysis.” Age is the worst predictor.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bobsutton.typepad.com/my_weblog/2009/10/selecting-talent-the-upshot-from-85-years-of-research.html&#34;&gt;Bob Sutton: Selecting Talent: The Upshot from 85 Years of Research&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 25, 2009</title>
    <link href="https://mlarson.org/2009/10/25/photo-by-vivian-maier/"/>
    <updated>2009-10-25T22:01:00.000Z</updated>
    <id>https://mlarson.org/2009/10/25/photo-by-vivian-maier/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_ks3bu2qlzw1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Photo by &lt;a href=&#34;http://vivianmaier.blogspot.com/2009/08/blog-post_24.html&#34;&gt;Vivian Maier&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Brook Farm group was among the first to hear Beethoven’s brilliance - The Boston Globe</title>
    <link href="https://mlarson.org/2009/10/25/brook-farm-group-was-among-the-first-to-hear/"/>
    <updated>2009-10-25T16:34:34.000Z</updated>
    <id>https://mlarson.org/2009/10/25/brook-farm-group-was-among-the-first-to-hear/</id>
    <content type="html">&lt;p&gt;“If Beethoven is standard American orchestral fare today, it’s because a group of Bostonians in the 1830s and ’40s decided he was the next big thing.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.boston.com/ae/music/articles/2009/10/25/brook_farm_group_was_among_the_first_to_hear_beethovens_brilliance/&#34;&gt;Brook Farm group was among the first to hear Beethoven’s brilliance - The Boston Globe&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gentlemen Prefer Blondes</title>
    <link href="https://mlarson.org/2009/10/24/gentlemen-prefer-blondes-its-hard-to-adjust-to/"/>
    <updated>2009-10-24T03:48:00.000Z</updated>
    <id>https://mlarson.org/2009/10/24/gentlemen-prefer-blondes-its-hard-to-adjust-to/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_ks02kpz1ny1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Gentlemen_Prefer_Blondes_%28film%29&#34;&gt;Gentlemen Prefer Blondes&lt;/a&gt;. It’s hard to adjust to the slower pacing of some of these old films, but it usually pays off. They really had a way with the dialogue. Also, I usually don’t like musicals, but I enjoyed the numbers in this one much more than I thought I would.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 23, 2009</title>
    <link href="https://mlarson.org/2009/10/23/paul-mccartney-wake-up-call-in-november-2005/"/>
    <updated>2009-10-23T16:02:00.000Z</updated>
    <id>https://mlarson.org/2009/10/23/paul-mccartney-wake-up-call-in-november-2005/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/139647main_mccartney_concert.mp3&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/221015272/audio_player_iframe/mlarson/tumblr_krz5wrpOIK1qzcye0?audio_file=http%3A%2F%2Fwww.nasa.gov%2Fmp3%2F139647main_McCartney_Concert.mp3&#34;&gt;http://mlarson.tumblr.com/post/221015272/audio_player_iframe/mlarson/tumblr_krz5wrpOIK1qzcye0?audio_file=http%3A%2F%2Fwww.nasa.gov%2Fmp3%2F139647main_McCartney_Concert.mp3&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nasa.gov/multimedia/podcasting/mccartney_concert_transcript.html&#34;&gt;Paul McCartney Wake Up Call&lt;/a&gt;. In November 2005, Paul McCartney and 15,000 fans in Anaheim, California broadcasted a few songs to the International Space Station, part of the grand tradition of &lt;a href=&#34;http://history.nasa.gov/wakeup%20calls.pdf&#34;&gt;NASA wake-up calls&lt;/a&gt; [pdf]. He opens with “English Tea” and closes with “Good Day Sunshine”. Pretty neat moment.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Extremists More Willing To Share Their Opinions, Study Finds</title>
    <link href="https://mlarson.org/2009/10/22/extremists-more-willing-to-share-their-opinions/"/>
    <updated>2009-10-22T14:55:56.000Z</updated>
    <id>https://mlarson.org/2009/10/22/extremists-more-willing-to-share-their-opinions/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://researchnews.osu.edu/archive/majopinion.htm&#34;&gt;Extremists More Willing To Share Their Opinions, Study Finds&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 21, 2009</title>
    <link href="https://mlarson.org/2009/10/21/opening-credits-to-anatomy-of-a-murder-music-by/"/>
    <updated>2009-10-21T20:54:00.000Z</updated>
    <id>https://mlarson.org/2009/10/21/opening-credits-to-anatomy-of-a-murder-music-by/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/nt7keunWkt8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=nt7keunWkt8&#34;&gt;Opening Credits to “Anatomy of a Murder”&lt;/a&gt;. Music by Duke Ellington.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Where the Wild Things Are</title>
    <link href="https://mlarson.org/2009/10/20/where-the-wild-things-are-i-did-not-enjoy-this/"/>
    <updated>2009-10-20T02:28:00.000Z</updated>
    <id>https://mlarson.org/2009/10/20/where-the-wild-things-are-i-did-not-enjoy-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krsk8bytdh1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Where_the_Wild_Things_Are_%28film%29&#34;&gt;Where the Wild Things Are&lt;/a&gt;. I did not enjoy this movie very much. It was kind of tedious, no tremendous highs or lows. The best parts for me were in the few minutes of real-life bookends. I did love the book when I was younger, but don’t have much memory of it now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2009</title>
    <link href="https://mlarson.org/2009/10/19/everyday-tastes-from-high-brow-to-low-brow-life/"/>
    <updated>2009-10-19T19:38:00.000Z</updated>
    <id>https://mlarson.org/2009/10/19/everyday-tastes-from-high-brow-to-low-brow-life/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krs18nnkfa1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kieranhealy.org/blog/archives/2009/10/19/bach-and-before-ives-and-after/&#34;&gt;Everyday Tastes from High-brow to Low-brow&lt;/a&gt;. Life Magazine, 1949.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2009</title>
    <link href="https://mlarson.org/2009/10/19/kraftwerk-radioactivity/"/>
    <updated>2009-10-19T16:52:18.000Z</updated>
    <id>https://mlarson.org/2009/10/19/kraftwerk-radioactivity/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/eaScyfSHc-Y&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=eaScyfSHc-Y&amp;amp;fmt=18&#34;&gt;Kraftwerk - Radioactivity&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2009</title>
    <link href="https://mlarson.org/2009/10/19/the-van-gogh-letter-sketches-another-great/"/>
    <updated>2009-10-19T14:38:28.000Z</updated>
    <id>https://mlarson.org/2009/10/19/the-van-gogh-letter-sketches-another-great/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krrnc5ajed1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://bibliodyssey.blogspot.com/2009/10/handshakes-in-thought.html&#34;&gt;The Van Gogh Letter Sketches&lt;/a&gt;. Another great collection from BiblioOdyssey.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2009</title>
    <link href="https://mlarson.org/2009/10/15/score-for-belle-bonne-sage-lyrics-a-song/"/>
    <updated>2009-10-15T18:58:00.000Z</updated>
    <id>https://mlarson.org/2009/10/15/score-for-belle-bonne-sage-lyrics-a-song/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krkkpr5m581qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Score for “Belle, Bonne, Sage” (&lt;a href=&#34;http://www.cpdl.org/wiki/index.php/Belle,_bonne,_sage_%28Baude_Cordier%29&#34;&gt;lyrics&lt;/a&gt;), a song with &lt;a href=&#34;http://en.wikipedia.org/wiki/Eye_music&#34;&gt;eye music&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Baude_Cordier&#34;&gt;Baude Cordier&lt;/a&gt; included in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Chantilly_Codex&#34;&gt;Chantilly Codex&lt;/a&gt;. Part of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Ars_subtilior&#34;&gt;ars subtilior&lt;/a&gt; music tradition of the early Renaissance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Unquiet Thoughts</title>
    <link href="https://mlarson.org/2009/10/15/unquiet-thoughts/"/>
    <updated>2009-10-15T03:57:51.000Z</updated>
    <id>https://mlarson.org/2009/10/15/unquiet-thoughts/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://therestisnoise.com/&#34;&gt;Alex Ross&lt;/a&gt;’ new music blog on the New Yorker website. Nice counterweight to the &lt;a href=&#34;http://www.newyorker.com/online/blogs/sashafrerejones/&#34;&gt;blog&lt;/a&gt; of &lt;a href=&#34;http://sashafrerejones.com/&#34;&gt;Sasha Frere-Jones&lt;/a&gt; .&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/alexross/&#34;&gt;Unquiet Thoughts&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>One Day in the Life of Ivan Denisovich (review: 5/5)</title>
    <link href="https://mlarson.org/2009/10/14/20091014one-day-in-the-life-of-ivan-denisovich-review/"/>
    <updated>2009-10-14T23:38:24.000Z</updated>
    <id>https://mlarson.org/2009/10/14/20091014one-day-in-the-life-of-ivan-denisovich-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/4012546677/&#34; title=&#34;One Day in the Life of Ivan Denisovich by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2484/4012546677_99ea7e6ee9.jpg&#34; alt=&#34;One Day in the Life of Ivan Denisovich&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This Sotsgorodok was a bare field knee-deep in snow, and for a start you&#39;d be digging holes, knocking in fence posts, and stringing barbed wire around them to stop yourself from running away. After that---get building.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I knew I would love this book when I came across those lines, about five pages in. &lt;a href=&#34;http://en.wikipedia.org/wiki/Aleksandr_Solzhenitsyn&#34;&gt;Aleksandr Solzhenitsyn&lt;/a&gt; writes about a labor-camp worker/political prisoner named Shukhov. It&#39;s only one full day, from just before sunrise until lights-out. I love the restraint to focus on one day, one character, one setting. That aside, I think my favorite part of the book was a sort of underlying optimism. There&#39;s plenty of bold, revolutionary exposé-type stuff about injustice, deprivation, dehumanizing treatment, etc. (It&#39;s probably because I grew up after this devastating period that I can write it off with an &amp;quot;etc&amp;quot;...) But more interesting to me were the little glimmers of endurance and good humor in truly awful conditions.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;Call the gang.&amp;quot;&lt;/p&gt;
&lt;p&gt;Gopchik ran off.&lt;/p&gt;
&lt;p&gt;The great news was that the gruel was good today, the very best, oatmeal gruel. You don&#39;t often get that. It&#39;s usually &lt;em&gt;magara&lt;/em&gt; or grits twice a day. The mushy stuff around the grains of oatmeal is filling, it&#39;s precious.&lt;/p&gt;
&lt;p&gt;Shukhov had fed any amount of oats to horses as a youngster and never thought that one day he&#39;d be breaking his heart for a handful of the stuff.&lt;/p&gt;
&lt;p&gt;&amp;quot;Bowls! Bowls!&amp;quot; came a shout from the serving hatch.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another favorite bit is a sort of emotional shift that I found pretty remarkable. The oppression became sort of a background feature for me. With all that given, conscious sympathy sort of fades until you get about 90% finished...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Fetyukov passed down the hut, sobbing. He was bent double. His lips were smeared with blood. He must have been beaten up again for licking out bowls. He walked past the whole team without looking at anybody, not trying to hide his tears, climbed onto his bunk, and buried his face in his mattress.&lt;/p&gt;
&lt;p&gt;You felt sorry for him, really. He wouldn&#39;t see his time out. He didn&#39;t know how to look after himself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Very much a Literary Wow Moment for me. Our hero still manages feelings of pity for his fellow slave-laborer, while the reader has gotten kind of worn out. Just when you&#39;ve gotten numb from reading about a full day of hardship, you feel the pang again because this one guy probably won&#39;t make it. One last cool thing, also evident in the paragraph above, is that the third-person omniscient narration is peppered with asides and reactions from Shukhov himself:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The bosses were afraid the zeks would scatter and waste time in warming sheds. A zek&#39;s day is a long one, though, and he can find time for everything. Every man entering the compound stooped to pick up a wood chip or two. Do nicely for our stove. Then quick as a flash into their shelters.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It&#39;s a fairly short read. Totally worth it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2009</title>
    <link href="https://mlarson.org/2009/10/14/trois-gnossiennes-a-visual-interpretation-of-erik/"/>
    <updated>2009-10-14T17:34:48.000Z</updated>
    <id>https://mlarson.org/2009/10/14/trois-gnossiennes-a-visual-interpretation-of-erik/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=1rgE7n60-4w&amp;amp;fmt=18&#34;&gt;Trois Gnossiennes&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A visual interpretation of Erik Satie’s famous piano suite… The movement of each column maps the physical activity of each the pianist’s fingers respectively. The pitch of each key struck is represented by an assigned colour.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2009</title>
    <link href="https://mlarson.org/2009/10/13/serious-eats-food-lab-perfect-boiled-eggs-via/"/>
    <updated>2009-10-13T14:08:32.000Z</updated>
    <id>https://mlarson.org/2009/10/13/serious-eats-food-lab-perfect-boiled-eggs-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krghy9fjfz1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.seriouseats.com/2009/10/the-food-lab-science-of-how-to-cook-perfect-boiled-eggs.html&#34;&gt;Serious Eats Food Lab: Perfect Boiled Eggs&lt;/a&gt;. (&lt;a href=&#34;http://www.marginalrevolution.com/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Good, the Bad, and the Ugly</title>
    <link href="https://mlarson.org/2009/10/13/the-good-the-bad-and-the-ugly-id-seen-about-90/"/>
    <updated>2009-10-13T03:39:00.000Z</updated>
    <id>https://mlarson.org/2009/10/13/the-good-the-bad-and-the-ugly-id-seen-about-90/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krfotnf7se1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Good,_the_Bad_and_the_Ugly&#34;&gt;The Good, the Bad and the Ugly&lt;/a&gt;. I’d seen about 90% of this one, but never before in one uninterrupted stretch. Every bit as good as they say.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Storytime: Children tell their own tales</title>
    <link href="https://mlarson.org/2009/10/12/storytime-children-tell-their-own-tales/"/>
    <updated>2009-10-12T19:54:00.000Z</updated>
    <id>https://mlarson.org/2009/10/12/storytime-children-tell-their-own-tales/</id>
    <content type="html">&lt;p&gt;“Want to hear a really good story? Turn off your TV and turn toward the nearest 4-year-old.”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.salon.com/mwt/feature/2009/10/12/storytime/&#34;&gt;Storytime: Children tell their own tales&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2009</title>
    <link href="https://mlarson.org/2009/10/12/tom-phillips-paintings-and-drawings/"/>
    <updated>2009-10-12T19:43:00.000Z</updated>
    <id>https://mlarson.org/2009/10/12/tom-phillips-paintings-and-drawings/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krf2rxi9de1qzcye0o1_r1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tomphillips.co.uk/painting/termgrey/index.html&#34;&gt;Tom Phillips: Paintings and Drawings: Oh Those Reds&lt;/a&gt;. Acrylic on canvas, 122 x 25.5 cm, 1969-72.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2009</title>
    <link href="https://mlarson.org/2009/10/12/the-album-covers-of-brian-eno-the-albums/"/>
    <updated>2009-10-12T18:32:00.000Z</updated>
    <id>https://mlarson.org/2009/10/12/the-album-covers-of-brian-eno-the-albums/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krezhov7bk1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.printmag.com/Article/The-Album-Covers-of-Brian-Eno&#34;&gt;The Album Covers of Brian Eno&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The album’s pastoral cover art is a detail from &lt;a href=&#34;http://www.tomphillips.co.uk/painting/gose/index.html&#34;&gt;After Raphael&lt;/a&gt;, a painting by Tom Phillips, Eno’s mentor during his days at Ipswich Art College. (Some believe that the boy in the foreground, with the blond hair and the red beanie, is meant to be Eno.) The back cover depicts the decidedly un-rocking image of Eno sitting up in bed, reading a book – underlining the album’s general vibe of stillness, solitude, and quiet reflection.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 11, 2009</title>
    <link href="https://mlarson.org/2009/10/11/lunch-at-the-dutch-haus-in-montebello-virginia/"/>
    <updated>2009-10-11T14:49:04.000Z</updated>
    <id>https://mlarson.org/2009/10/11/lunch-at-the-dutch-haus-in-montebello-virginia/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_krcuhtww4j1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/661232127/in/set-72157600553114109/&#34;&gt;Lunch at the Dutch Haus in Montebello, Virginia&lt;/a&gt;. May 14, 2007. One of my favorite meals of all time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>To the Audience</title>
    <link href="https://mlarson.org/2009/10/09/to-the-audience/"/>
    <updated>2009-10-09T17:25:03.000Z</updated>
    <id>https://mlarson.org/2009/10/09/to-the-audience/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://stephthirion.tumblr.com/post/102601438/to-the-audience&#34;&gt;stephthirion&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Often insomnia would strike in, and I would ask aloud, to the darkness of the room, “will anyone appreciate this”? (My girlfriend had by that time developed the habit of using earplugs). And then in a spectacle of light rays and stars, the Fairy of Reason would appear to me and speak tenderly: “good hearted child, if you love it, some people, who have things in common with you, will too”. And then, on my knees, holding my hands together, tears shaking on the corners of my begging eyes, I would ask, “what if I’m just a freak and no one is like me?”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;via &lt;a href=&#34;http://snarkmarket.com/2009/3652&#34;&gt;snarkmarket&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2009</title>
    <link href="https://mlarson.org/2009/10/09/brigitte-bardot-st-tropez-france-1958/"/>
    <updated>2009-10-09T16:51:43.000Z</updated>
    <id>https://mlarson.org/2009/10/09/brigitte-bardot-st-tropez-france-1958/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_kr9au8jt8y1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://todayspictures.slate.com/20090928/&#34;&gt;Brigitte Bardot - St. Tropez, France, 1958&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 7, 2009</title>
    <link href="https://mlarson.org/2009/10/07/mad-men-have-you-ever-been-hunting-im-a/"/>
    <updated>2009-10-07T04:07:00.000Z</updated>
    <id>https://mlarson.org/2009/10/07/mad-men-have-you-ever-been-hunting-im-a/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/-p6KC0Yd6TY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=-p6KC0Yd6TY&#34;&gt;MAD MEN - “Have you ever been hunting?”&lt;/a&gt; I’m a latecomer to the &lt;a href=&#34;http://en.wikipedia.org/wiki/Mad_Men&#34;&gt;best television show I’ve ever seen&lt;/a&gt;, only about 75% through with the first season. This is the best scene so far.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 6, 2009</title>
    <link href="https://mlarson.org/2009/10/06/ice-cube-then-and-now-today-i-didnt-even-have/"/>
    <updated>2009-10-06T16:03:00.000Z</updated>
    <id>https://mlarson.org/2009/10/06/ice-cube-then-and-now-today-i-didnt-even-have/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_kr3om8oefn1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.blameitonthevoices.com/2009/10/ice-cube-then-and-now.html&#34;&gt;Ice Cube - then and now&lt;/a&gt;. “Today I didn’t even have to use my A.K. / I got to say it was a good day.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 6, 2009</title>
    <link href="https://mlarson.org/2009/10/06/joshua-blankenship-an-accounting-of-joy-vs-cost/"/>
    <updated>2009-10-06T14:59:40.000Z</updated>
    <id>https://mlarson.org/2009/10/06/joshua-blankenship-an-accounting-of-joy-vs-cost/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_kr3lnhiwfe1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://joshuablankenship.com/blog/2009/10/06/an-accounting-of-joy-vs-cost-while-vacationing/&#34;&gt;Joshua Blankenship | An Accounting of Joy vs. Cost while Vacationing&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Writing as real-time performance « Snarkmarket</title>
    <link href="https://mlarson.org/2009/10/06/writing-as-real-time-performance-snarkmarket/"/>
    <updated>2009-10-06T04:25:27.000Z</updated>
    <id>https://mlarson.org/2009/10/06/writing-as-real-time-performance-snarkmarket/</id>
    <content type="html">&lt;p&gt;This is very interesting.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Think instead of a short story writ­ten with play­back in mind. Writ­ten for play­back. Typ­ing speed and rhythm are part of the expe­ri­ence. Dra­matic dele­tions are part of the story. The text at 2:20 tells you some­thing about the text at 11:13, and vice versa. What appear at first to be tiny, ten­ta­tive revi­sions turn out to be precisely-engineered sig­nals. At 5:15 and para­graph five, the author switches a character’s gen­der, trig­ger­ing a chain reac­tion of edits in the pre­ced­ing grafs, some of which have inter­est­ing (and pre-planned?) side effects.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://snarkmarket.com/2009/3605&#34;&gt;Writing as real-time performance « Snarkmarket&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Newspaper blackout gratuitous unboxing</title>
    <link href="https://mlarson.org/2009/10/06/20091006newspaper-blackout-gratuitous-unboxing/"/>
    <updated>2009-10-06T00:15:31.000Z</updated>
    <id>https://mlarson.org/2009/10/06/20091006newspaper-blackout-gratuitous-unboxing/</id>
    <content type="html">&lt;p&gt;As a long-time reader and would-be patron of &lt;a href=&#34;http://www.austinkleon.com/&#34;&gt;Austin Kleon&lt;/a&gt; and his &lt;a href=&#34;http://www.austinkleon.com/category/newspaper-blackout-poems/&#34;&gt;blackout poems&lt;/a&gt;, I was glad to see &lt;a href=&#34;http://www.20x200.com/artists/austin-kleon.html&#34;&gt;his work featured on Jen Bekman&#39;s 20x200&lt;/a&gt;. I bought &lt;a href=&#34;http://www.20x200.com/art/2009/09/how-it-works.html&#34;&gt;How It Works&lt;/a&gt; last week. This afternoon I came home and saw that I had received a parcel. &lt;a href=&#34;http://www.flickr.com/photos/marklarson/3986275250/&#34; title=&#34;I&#39;ve got mail by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2512/3986275250_cd73679b47.jpg&#34; alt=&#34;I&#39;ve got mail&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I made my way inside for a better camera and a better view of its labeled glory.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3985520363/&#34; title=&#34;20x200 by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2444/3985520363_34e9d8efec.jpg&#34; alt=&#34;20x200&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The envelope, constructed of a firm cardboard, features a well-designed exhortation to avoid bending it. One can open it by pulling a strip along the top edge of the reverse side.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3985520429/&#34; title=&#34;Method for to open by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2657/3985520429_ecc0db02ec.jpg&#34; alt=&#34;Method for to open&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Inside, in between two protective boards is a plastic sleeve containing 1) a certificate of authenticity with the artist&#39;s signature and 2) a short document with bio, statement, and information about the print and 3) the print in question.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3986275528/&#34; title=&#34;Certified by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2535/3986275528_c0b1bc2349.jpg&#34; alt=&#34;Certified&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Aforementioned print uses archival pigment inks on 100% cotton rag paper with a matte finish, and will look rather fetching when I find a frame (Austin &lt;a href=&#34;http://twitter.com/austinkleon/status/4638559337&#34;&gt;recommends&lt;/a&gt; &lt;a href=&#34;http://www.ikea.com/us/en/catalog/products/50161849&#34;&gt;this one&lt;/a&gt;):&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3986275896/&#34; title=&#34;I bought art by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3454/3986275896_10a79c45d6.jpg&#34; alt=&#34;I bought art&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Roman Holiday</title>
    <link href="https://mlarson.org/2009/10/05/roman-holiday-id-only-seen-bits-and-pieces-of/"/>
    <updated>2009-10-05T00:19:56.000Z</updated>
    <id>https://mlarson.org/2009/10/05/roman-holiday-id-only-seen-bits-and-pieces-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_kr0m99klfm1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Roman_Holiday&#34;&gt;Roman Holiday&lt;/a&gt;. I’d only seen bits and pieces of this one before. A nice build-up, a romp, and then some romantic tension that last until literally the very last second. Classic.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 2, 2009</title>
    <link href="https://mlarson.org/2009/10/02/austinkleon-peanuts-november-25-1951-first/"/>
    <updated>2009-10-02T20:48:39.000Z</updated>
    <id>https://mlarson.org/2009/10/02/austinkleon-peanuts-november-25-1951-first/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/10/tumblr_kqwkywj3my1qz6f4bo1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/202800102/peanuts-november-25-1951-first-appearance-of-the&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://peanutsroasted.blogspot.com/2009/10/november-25-1951-let-play-fanfare.html&#34;&gt;&lt;em&gt;Peanuts&lt;/em&gt;, November 25, 1951&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;First appearance of the Beethoven bust.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Believer - The Codex Seraphinianus</title>
    <link href="https://mlarson.org/2009/10/01/the-believer-the-codex-seraphinianus/"/>
    <updated>2009-10-01T13:48:20.000Z</updated>
    <id>https://mlarson.org/2009/10/01/the-believer-the-codex-seraphinianus/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/200705/?read=article_taylor&#34;&gt;The Believer - The Codex Seraphinianus&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 30, 2009</title>
    <link href="https://mlarson.org/2009/09/30/sarahbelfort-sydney-police-mugshots-1912-1930/"/>
    <updated>2009-09-30T12:26:34.000Z</updated>
    <id>https://mlarson.org/2009/09/30/sarahbelfort-sydney-police-mugshots-1912-1930/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqhvlvzde31qzxy2ko1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://sarahbelfort.tumblr.com/post/196071061/sydney-police-mugshots-1912-1930&#34;&gt;sarahbelfort&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://scan.net.au/scan/journal/display.php?journal_id=67&#34;&gt;Sydney police mugshots, 1912-1930&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Solaris (1972)</title>
    <link href="https://mlarson.org/2009/09/30/solaris-directed-by-andrei-tarkovsky-i-like-this/"/>
    <updated>2009-09-30T05:17:00.000Z</updated>
    <id>https://mlarson.org/2009/09/30/solaris-directed-by-andrei-tarkovsky-i-like-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqrqpw5cep1qzcye0o1_1280.png&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Solaris_%281972_film%29&#34;&gt;Solaris&lt;/a&gt;, directed by &lt;a href=&#34;http://en.wikipedia.org/wiki/Andrei_Tarkovsky&#34;&gt;Andrei Tarkovsky&lt;/a&gt;. I like this one much more in hindsight than when I was actually watching it. But I have to say it’s given much more post-viewing food-for-thought than its cousin, 2001: A Space Odyssey. Now that it’s over, I kind of want to watch it again. It’s much more introspective than the Kubrick, and it’s beautifully shot with some truly “wow” moments. I give it a thumbs-up for when you’ve got some patience to let it linger. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20030119/REVIEWS08/301190301/1023&#34;&gt;Roger Ebert on Solaris&lt;/a&gt;. &lt;a href=&#34;http://www.criterion.com/current/posts/239&#34;&gt;Phillip Lopate on Solaris&lt;/a&gt; (“Watching this 169-minute work is like catching a fever, with night sweats and eventual cooling brow”).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Being Individuals in an Increasingly Individualistic Culture</title>
    <link href="https://mlarson.org/2009/09/29/being-individuals-in-an-increasingly/"/>
    <updated>2009-09-29T00:11:16.000Z</updated>
    <id>https://mlarson.org/2009/09/29/being-individuals-in-an-increasingly/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It would be nice… if the career advice industry would frame their obsession with passion in larger sociological context, and reinforce how new a concept it really is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://ben.casnocha.com/2009/09/being-individuals-in-an-increasingly-individualistic-culture.html&#34;&gt;Being Individuals in an Increasingly Individualistic Culture&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2009</title>
    <link href="https://mlarson.org/2009/09/28/at-least-1500-years-old-a-300-foot-titan-in/"/>
    <updated>2009-09-28T20:24:26.000Z</updated>
    <id>https://mlarson.org/2009/09/28/at-least-1500-years-old-a-300-foot-titan-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqp7ctzupm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;“At least 1,500 years old, a &lt;a href=&#34;http://ngm.nationalgeographic.com/redwoods/gatefold-image&#34;&gt;300-foot titan in California’s Prairie Creek Redwoods State Park&lt;/a&gt; has the most complex crown scientists have mapped. This photo, taken by Michael Nichols, is a mosaic composed of 84 images.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2009</title>
    <link href="https://mlarson.org/2009/09/28/4-freehand-watermark-tracings-no-1-i-never-knew/"/>
    <updated>2009-09-28T03:01:00.000Z</updated>
    <id>https://mlarson.org/2009/09/28/4-freehand-watermark-tracings-no-1-i-never-knew/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqnv2vmrxy1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.crownpoint.com/prints/189/4-freehand-watermark-tracings-no-1&#34;&gt;4 Freehand Watermark Tracings, No. 1&lt;/a&gt;. I never knew that &lt;a href=&#34;http://www.crownpoint.com/artists/reich&#34;&gt;Steve Reich did some visual art&lt;/a&gt; stuff, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2009</title>
    <link href="https://mlarson.org/2009/09/28/japanese-drum-notation-for-dienst-mars-service/"/>
    <updated>2009-09-28T02:18:00.000Z</updated>
    <id>https://mlarson.org/2009/09/28/japanese-drum-notation-for-dienst-mars-service/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqnt3mwysr1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Japanese drum notation for “Dienst Mars” (Service March) by Inukai Kiyonobu, 1865. &lt;a href=&#34;http://www.nexuspercussion.com/2009/09/western-military-drums-in-japan/&#34;&gt;Western Military Drums in Japan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2009</title>
    <link href="https://mlarson.org/2009/09/28/score-for-clapping-music-by-steve-reich-video-of/"/>
    <updated>2009-09-28T02:12:00.000Z</updated>
    <id>https://mlarson.org/2009/09/28/score-for-clapping-music-by-steve-reich-video-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqnstlmosz1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Score for &lt;a href=&#34;http://en.wikipedia.org/wiki/Clapping_Music&#34;&gt;Clapping Music&lt;/a&gt; by Steve Reich. Video of &lt;a href=&#34;http://www.stevereich.com/multimedia/clappingMedProg.html&#34;&gt;Reich playing it with Russell Hartenberger&lt;/a&gt;, I think. See also the &lt;a href=&#34;http://catandgirl.com/?p=1992&#34;&gt;Rise and Fall of Steve Reich&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Throne of Blood</title>
    <link href="https://mlarson.org/2009/09/27/throne-of-blood-is-the-first-kurosawa-film-ive/"/>
    <updated>2009-09-27T04:08:00.000Z</updated>
    <id>https://mlarson.org/2009/09/27/throne-of-blood-is-the-first-kurosawa-film-ive/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqm3hxgyoc1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Throne_of_Blood&#34;&gt;Throne of Blood&lt;/a&gt; is the first &lt;a href=&#34;http://en.wikipedia.org/wiki/Akira_Kurosawa&#34;&gt;Kurosawa&lt;/a&gt; film I’ve seen. It’s very Macbeth-ian, but set in old Japan. That dude’s wife is super-creepy and awesome. I loved the minimal soundtrack and the patience with some of the scenes, especially during the first half. Seemed like the last half-hour dragged a bit.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Publish a Magazine in a Day and a Half</title>
    <link href="https://mlarson.org/2009/09/26/how-to-publish-a-magazine-in-a-day-and-a-half/"/>
    <updated>2009-09-26T04:17:41.000Z</updated>
    <id>https://mlarson.org/2009/09/26/how-to-publish-a-magazine-in-a-day-and-a-half/</id>
    <content type="html">&lt;p&gt;Derek Powazek talks about gathering and publishing &lt;a href=&#34;http://magcloud.com/browse/Issue/36247&#34;&gt;Photos from the Great Australian Dust Storm&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://powazek.com/posts/2063&#34;&gt;How to Publish a Magazine in a Day and a Half&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2009</title>
    <link href="https://mlarson.org/2009/09/26/wnbrgr-i12bent-certified-genius-day-today/"/>
    <updated>2009-09-26T00:33:00.000Z</updated>
    <id>https://mlarson.org/2009/09/26/wnbrgr-i12bent-certified-genius-day-today/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqirtk1do01qzn0deo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wnbrgr.tumblr.com/post/196959592&#34;&gt;wnbrgr&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://i12bent.tumblr.com/post/196495619/certified-genius-day-today-birthdays-of-glenn&#34;&gt;i12bent&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Certified genius day, today:&lt;/p&gt;
&lt;p&gt;Birthdays of Glenn Gould, William Faulkner and Mark Rothko!&lt;/p&gt;
&lt;p&gt;Glenn Gould, a pianist like no other, and a personality whose talent exceeded the narrow arena of the performing artist: Sep. 25, 1932 - 1982&lt;/p&gt;
&lt;p&gt;Photo by Gordon Parks, NYC, March 1956 - &lt;em&gt;LIFE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Caption: &lt;em&gt;Brilliant young Canadian pianist Glenn Gould laughing as engineers let him hear how his singing spoiled his recording of the Bach Goldberg Variations after which he offered to wear a gas mask to muffle his songs, at a Columbia recordling studio.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2009</title>
    <link href="https://mlarson.org/2009/09/25/if-people-have-even-a-little-understanding-it-is/"/>
    <updated>2009-09-25T16:39:27.000Z</updated>
    <id>https://mlarson.org/2009/09/25/if-people-have-even-a-little-understanding-it-is/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If people have even a little understanding, it is better to move them than to amaze them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Andr%C3%A9s_Segovia&#34;&gt;Andrés Segovia&lt;/a&gt;. Inspire vs. impress.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2009</title>
    <link href="https://mlarson.org/2009/09/25/flag-of-the-former-benin-empire-via-torrez/"/>
    <updated>2009-09-25T03:03:00.000Z</updated>
    <id>https://mlarson.org/2009/09/25/flag-of-the-former-benin-empire-via-torrez/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqib57cg4q1qzcye0o1_540.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Flag of the former &lt;a href=&#34;http://en.wikipedia.org/wiki/Benin_Empire&#34;&gt;Benin Empire&lt;/a&gt;. (via &lt;a href=&#34;http://notes.torrez.org/&#34;&gt;torrez&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2009</title>
    <link href="https://mlarson.org/2009/09/23/waves-of-nostalgia-brought-on-by-the-artful-gamer/"/>
    <updated>2009-09-23T22:36:43.000Z</updated>
    <id>https://mlarson.org/2009/09/23/waves-of-nostalgia-brought-on-by-the-artful-gamer/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/vloYvK2sK1g&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Waves of nostalgia brought on by The Artful Gamer: &lt;a href=&#34;http://www.artfulgamer.com/2009/09/23/an-expedition-into-the-lost-world-of-exploration-toejam-earl/&#34;&gt;An Expedition into the Lost World of Exploration: ToeJam &amp;amp; Earl&lt;/a&gt;. ToeJam &amp;amp; Earl is one of the best games I’ve ever played. He points out a highlight of the co-op mode: sabotaging your teammate (e.g. your brother) every now and then. Like capping your partner in &lt;a href=&#34;http://en.wikipedia.org/wiki/GoldenEye_007&#34;&gt;GoldenEye 007&lt;/a&gt;. Oh, memories.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Awesome Tapes from Africa</title>
    <link href="https://mlarson.org/2009/09/23/awesome-tapes-from-africa/"/>
    <updated>2009-09-23T15:00:18.000Z</updated>
    <id>https://mlarson.org/2009/09/23/awesome-tapes-from-africa/</id>
    <content type="html">&lt;p&gt;I’m not trying to be an exoticist here, but it’s often easier to find pleasant surprises in things that are totally unfamiliar. Also, there’s no fear of a nice groove being ruined by crap lyrics, because I don’t understand any of it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://awesometapesfromafrica.blogspot.com/&#34;&gt;Awesome Tapes from Africa&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Late Night Thoughts on Listening to Mahler&#39;s Ninth Symphony</title>
    <link href="https://mlarson.org/2009/09/22/late-night-thoughts-on-listening-to-mahlers-ninth/"/>
    <updated>2009-09-22T15:03:00.000Z</updated>
    <id>https://mlarson.org/2009/09/22/late-night-thoughts-on-listening-to-mahlers-ninth/</id>
    <content type="html">&lt;p&gt;by &lt;a href=&#34;http://en.wikipedia.org/wiki/Lewis_Thomas&#34;&gt;Lewis Thomas&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://cscs.umich.edu/~crshalizi/Thomas/mahlers-ninth.html&#34;&gt;Late Night Thoughts on Listening to Mahler&#39;s Ninth Symphony&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2009</title>
    <link href="https://mlarson.org/2009/09/22/remember-too-on-every-occasion-which-leads-thee-to/"/>
    <updated>2009-09-22T14:54:00.000Z</updated>
    <id>https://mlarson.org/2009/09/22/remember-too-on-every-occasion-which-leads-thee-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Remember too on every occasion which leads thee to vexation to apply this principle: not that this is a misfortune, but that to bear it nobly is good fortune.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://classics.mit.edu/Antoninus/meditations.html&#34;&gt;The Meditations by Marcus Aurelius - The Internet Classics Archive&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2009</title>
    <link href="https://mlarson.org/2009/09/22/women-never-leave-you-more-of-austin-kleons/"/>
    <updated>2009-09-22T14:51:53.000Z</updated>
    <id>https://mlarson.org/2009/09/22/women-never-leave-you-more-of-austin-kleons/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqdnyhgyub1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/2009/09/18/women-never-leave-you/&#34;&gt;WOMEN NEVER LEAVE YOU&lt;/a&gt;. More of &lt;a href=&#34;http://www.austinkleon.com/category/de-signs/&#34;&gt;Austin Kleon’s de-signs&lt;/a&gt;. And &lt;a href=&#34;http://www.flickr.com/photos/deathtogutenberg/sets/72157622389152144/&#34;&gt;more&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 21, 2009</title>
    <link href="https://mlarson.org/2009/09/21/my-heart-goes-is-going-ba-bump-ba-bump-ba-bump/"/>
    <updated>2009-09-21T18:53:44.000Z</updated>
    <id>https://mlarson.org/2009/09/21/my-heart-goes-is-going-ba-bump-ba-bump-ba-bump/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;My heart goes is going ba bump ba bump ba bump.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2009/09/20/opinion/20cameron.html&#34;&gt;Last Words - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 21, 2009</title>
    <link href="https://mlarson.org/2009/09/21/buster-keaton-and-the-railroad-ties-in-the/"/>
    <updated>2009-09-21T05:43:00.000Z</updated>
    <id>https://mlarson.org/2009/09/21/buster-keaton-and-the-railroad-ties-in-the/</id>
    <content type="html">&lt;p&gt;Buster Keaton and the railroad ties in “The General”. &lt;a href=&#34;http://www.youtube.com/watch?v=RJvKG_qVwG8#t=1m10s&#34;&gt;Fast-forward to 1m10s&lt;/a&gt; for one of my new favorite movie stunts.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The General</title>
    <link href="https://mlarson.org/2009/09/21/the-general-ive-grown-to-love-me-some-buster/"/>
    <updated>2009-09-21T05:32:00.000Z</updated>
    <id>https://mlarson.org/2009/09/21/the-general-ive-grown-to-love-me-some-buster/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kqb3evfjve1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/The_General_%281927_film%29&#34;&gt;The General&lt;/a&gt;. I’ve grown to love me some &lt;a href=&#34;http://en.wikipedia.org/wiki/Buster_Keaton&#34;&gt;Buster Keaton&lt;/a&gt;. Seems like every scene in this movie has a laugh built-in. But it’s not just a gag to hold you over until something happens. They’re all connected with the chase or to at least show you what the hero is like. And I love the efficiency of the stunts. Everything seems so cleanly done. Great stuff. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19970531/REVIEWS08/401010365/1023&#34;&gt;Roger Ebert on The General&lt;/a&gt;. &lt;strong&gt;Update&lt;/strong&gt;: This movie is also set in my home state of Georgia. Just sayin’…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In the Heat of the Night</title>
    <link href="https://mlarson.org/2009/09/19/in-the-heat-of-the-night-pretty-good-i-didnt/"/>
    <updated>2009-09-19T19:39:00.000Z</updated>
    <id>https://mlarson.org/2009/09/19/in-the-heat-of-the-night-pretty-good-i-didnt/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kq8ha2zns91qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/In_the_Heat_of_the_Night_%28film%29&#34;&gt;In the Heat of the Night&lt;/a&gt;. Pretty good. I didn’t realize this movie was so old. 1967!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2009</title>
    <link href="https://mlarson.org/2009/09/17/elvis-presley-family-photo-album/"/>
    <updated>2009-09-17T14:05:10.000Z</updated>
    <id>https://mlarson.org/2009/09/17/elvis-presley-family-photo-album/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kq4cgn3ihu1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.morethings.com/music/elvis/pictures/elvis_presley_family_photos08.html&#34;&gt;Elvis Presley Family Photo Album&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I&#39;mma Let You Finish</title>
    <link href="https://mlarson.org/2009/09/15/imma-let-you-finish/"/>
    <updated>2009-09-15T17:56:22.000Z</updated>
    <id>https://mlarson.org/2009/09/15/imma-let-you-finish/</id>
    <content type="html">&lt;p&gt;…but…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://kanyegate.tumblr.com/&#34;&gt;I&#39;mma Let You Finish&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 15, 2009</title>
    <link href="https://mlarson.org/2009/09/15/there-are-three-kinds-of-critics-those-who-have/"/>
    <updated>2009-09-15T14:45:00.000Z</updated>
    <id>https://mlarson.org/2009/09/15/there-are-three-kinds-of-critics-those-who-have/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;There are three kinds of critics: those who have importance; those who have less importance; those who have no importance at all. The last two kinds do not exist: all critics have IMPORTANCE.&lt;/p&gt;
&lt;p&gt;[…]&lt;/p&gt;
&lt;p&gt;How could one imitate a Critic? I ask myself that. Well, at any rate, the interest in doing so would be rather thin–very thin: we have the original–HE IS SUFFICIENT.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.oldmagazinearticles.com/pdf/MUSIC%20critic%20slam.pdf&#34;&gt;A Hymn in Praise of the Critics: Those Whistling Bell-Buoys Who Indicate the Reefs on the Shores of the Human Spirit&lt;/a&gt;, by composer &lt;a href=&#34;http://en.wikipedia.org/wiki/Erik_Satie&#34;&gt;Erik Satie&lt;/a&gt;. Vanity Fair, September 1921 [pdf]. If you only know him via his &lt;a href=&#34;http://en.wikipedia.org/wiki/Gymnop%C3%A9die&#34;&gt;Gymnopédies&lt;/a&gt;, you might not expect him to be such a goofball.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 15, 2009</title>
    <link href="https://mlarson.org/2009/09/15/q-does-president-obama-make-for-a-good/"/>
    <updated>2009-09-15T13:25:00.000Z</updated>
    <id>https://mlarson.org/2009/09/15/q-does-president-obama-make-for-a-good/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Q. Does President Obama make for a good Auto-Tune?&lt;/p&gt;
&lt;p&gt;A. You know, what was great from Obama was the campaign speeches. His campaign speeches were excellent, because he was sort of using that almost gospel-preacher rhetorical style.&lt;/p&gt;
&lt;p&gt;Since he’s been president, he’s been so relaxed and sort of so laid back and cerebral and sort of intellectual. He’s not been quite as excellent for Auto-Tuning because there’s a lot more of a mumbly tone about him. A lot less of the “Yes we can!” and a lot more of the “Weeeeell, as we see …”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.cnn.com/2009/TECH/09/15/auto.tune.news.iphone/index.html&#34;&gt;Interview with the Gregory Brothers&lt;/a&gt; of “Auto-Tune the News” fame.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 15, 2009</title>
    <link href="https://mlarson.org/2009/09/15/as-a-former-ish-introvert-i-think-most-of-this/"/>
    <updated>2009-09-15T01:13:00.000Z</updated>
    <id>https://mlarson.org/2009/09/15/as-a-former-ish-introvert-i-think-most-of-this/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kpznew4irb1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;As a former(-ish) introvert, I think most of this is pretty spot-on. [via &lt;a href=&#34;http://twitter.com/sheatsb/status/3993320363&#34;&gt;@sheatsb&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;Update &lt;a href=&#34;http://tumblr.austinkleon.com/post/188160782&#34;&gt;from Austin&lt;/a&gt;, which I should have researched in the first place: “this is a list by &lt;a href=&#34;http://www.terra.es/personal/asstib/articulos/perso/perso2.htm&#34;&gt;Linda Kreger Silverman&lt;/a&gt;, most probably from the chapter “How To Care For An Introvert,” in her book, &lt;em&gt;&lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/193218600X/wwwaustinkleo-20/ref=nosim/&#34;&gt;Upside-Down Brilliance: The Visual Spatial Learner&lt;/a&gt;&lt;/em&gt;.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2009</title>
    <link href="https://mlarson.org/2009/09/14/in-1973-toni-and-ria-harting-spent-a-small/"/>
    <updated>2009-09-14T17:41:00.000Z</updated>
    <id>https://mlarson.org/2009/09/14/in-1973-toni-and-ria-harting-spent-a-small/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kpz2gtxvsq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;In 1973, Toni and Ria Harting spent a small inheritance on &lt;a href=&#34;http://torontoist.com/2009/09/oh_lamour.php&#34;&gt;three weeks enjoying 10 three-star restaurants in France&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“My mother was as adventurous as I am. She said to me, just before she died, ‘I don’t want you to put it in the bank. Use it for something nice…something that you enjoy.’ So I thought, &#39;I enjoy France, I enjoy food, I enjoy travel, and I enjoy my wife.’”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://funkaoshi.com/&#34;&gt;funkaoshi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2009</title>
    <link href="https://mlarson.org/2009/09/14/bittersweet-chocolate-bourbon-pops-i-made-these/"/>
    <updated>2009-09-14T13:43:00.000Z</updated>
    <id>https://mlarson.org/2009/09/14/bittersweet-chocolate-bourbon-pops-i-made-these/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kpyrgmzl6i1qzcye0o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.finecooking.com/recipes/bittersweet-chocolate-bourbon-pops.aspx&#34;&gt;Bittersweet Chocolate-Bourbon Pops&lt;/a&gt;. I made these this weekend and they are delicious.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: What is conservatism?</title>
    <link href="https://mlarson.org/2009/09/12/marginal-revolution-what-is-conservatism/"/>
    <updated>2009-09-12T21:22:28.000Z</updated>
    <id>https://mlarson.org/2009/09/12/marginal-revolution-what-is-conservatism/</id>
    <content type="html">&lt;p&gt;Another attempt at a fair summary. Great stuff. See also &lt;a href=&#34;http://www.juliansanchez.com/2009/08/18/pareto-ideologies/&#34;&gt;commentary from Julian Sanchez&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/09/what-is-conservatism.html&#34;&gt;Marginal Revolution: What is conservatism?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: What is progressivism?</title>
    <link href="https://mlarson.org/2009/09/12/marginal-revolution-what-is-progressivism/"/>
    <updated>2009-09-12T21:18:57.000Z</updated>
    <id>https://mlarson.org/2009/09/12/marginal-revolution-what-is-progressivism/</id>
    <content type="html">&lt;p&gt;An attempt at a fair summary.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/08/what-is-progressivism-1.html&#34;&gt;Marginal Revolution: What is progressivism?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 11, 2009</title>
    <link href="https://mlarson.org/2009/09/11/men-playing-instruments-pensacola-beach/"/>
    <updated>2009-09-11T17:15:00.000Z</updated>
    <id>https://mlarson.org/2009/09/11/men-playing-instruments-pensacola-beach/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kpth9m1llm1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/floridamemory/3360662474/&#34;&gt;Men playing instruments, Pensacola Beach&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 11, 2009</title>
    <link href="https://mlarson.org/2009/09/11/people-who-shopped-for-baseball-bats/"/>
    <updated>2009-09-11T16:12:33.000Z</updated>
    <id>https://mlarson.org/2009/09/11/people-who-shopped-for-baseball-bats/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kptecyrvu61qzcye0o1_500.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://musicmachinery.com/2009/09/11/people-who-shopped-for-baseball-bats/&#34;&gt;People who shopped for baseball bats…&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2009</title>
    <link href="https://mlarson.org/2009/09/09/les-pauls-early-solid-body-electric-the-log/"/>
    <updated>2009-09-09T15:03:00.000Z</updated>
    <id>https://mlarson.org/2009/09/09/les-pauls-early-solid-body-electric-the-log/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kpplu4okoh1qzcye0o1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Les_Paul#Guitar_builder&#34;&gt;Les Paul&lt;/a&gt;’s early solid-body electric, “The Log”.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2009</title>
    <link href="https://mlarson.org/2009/09/09/guy-dupuys-ridiculous-new-dunk-off-the-bounce/"/>
    <updated>2009-09-09T13:12:00.000Z</updated>
    <id>https://mlarson.org/2009/09/09/guy-dupuys-ridiculous-new-dunk-off-the-bounce/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.viddler.com/player/8a7db6a5/&#34;&gt;http://www.viddler.com/player/8a7db6a5/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://sports.yahoo.com/nba/blog/ball_dont_lie/post/Video-Guy-Dupuy-s-ridiculous-new-dunk?urn=nba,187926&#34;&gt;Guy Dupuy’s ridiculous new dunk&lt;/a&gt;. Off the bounce, over someone standing, between the legs. I like seeing the whole crowd flip out afterward.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.viddler.com/&#34;&gt;http://www.viddler.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 8, 2009</title>
    <link href="https://mlarson.org/2009/09/08/birds-on-the-wires-on-vimeo-this-is-fantastic/"/>
    <updated>2009-09-08T22:34:10.000Z</updated>
    <id>https://mlarson.org/2009/09/08/birds-on-the-wires-on-vimeo-this-is-fantastic/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/6428069&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/6428069&#34;&gt;Birds on the Wires&lt;/a&gt; on Vimeo. This is fantastic. &lt;a href=&#34;http://en.wikipedia.org/wiki/Olivier_Messiaen&#34;&gt;Messiaen&lt;/a&gt; would be proud. (via &lt;a href=&#34;http://waxy.org/links/&#34;&gt;waxy&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>An Occurrence at Owl Creek Bridge</title>
    <link href="https://mlarson.org/2009/09/07/an-occurrence-at-owl-creek-bridge/"/>
    <updated>2009-09-07T13:57:00.000Z</updated>
    <id>https://mlarson.org/2009/09/07/an-occurrence-at-owl-creek-bridge/</id>
    <content type="html">&lt;p&gt;Classic short story by &lt;a href=&#34;http://en.wikipedia.org/wiki/Ambrose_Bierce&#34;&gt;Ambrose Bierce&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://fiction.eserver.org/short/occurrence_at_owl_creek.html&#34;&gt;An Occurrence at Owl Creek Bridge&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2009</title>
    <link href="https://mlarson.org/2009/09/07/the-general-glut-of-information-and-opinion-makes/"/>
    <updated>2009-09-07T13:16:41.000Z</updated>
    <id>https://mlarson.org/2009/09/07/the-general-glut-of-information-and-opinion-makes/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The general glut of information and opinion makes it disconcertingly easy to kid yourself about how well you understand a particular topic.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.juliansanchez.com/2009/06/01/perils-of-pop-philosophy/&#34;&gt;Perils of pop philosophy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 4, 2009</title>
    <link href="https://mlarson.org/2009/09/04/a-case-of-the-mondays-jonathan-baker/"/>
    <updated>2009-09-04T15:49:01.000Z</updated>
    <id>https://mlarson.org/2009/09/04/a-case-of-the-mondays-jonathan-baker/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/ghrihsHi-4Q&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=ghrihsHi-4Q&#34;&gt;A Case of the Mondays&lt;/a&gt;. Jonathan Baker (&lt;a href=&#34;http://twitter.com/mondaynight&#34;&gt;@mondaynight&lt;/a&gt;) makes the case for &lt;a href=&#34;http://mondaynightbrewery.com/&#34;&gt;Monday Night Brewery&lt;/a&gt; at &lt;a href=&#34;http://www.ignite-atlanta.com/&#34;&gt;IgniteATL&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 3, 2009</title>
    <link href="https://mlarson.org/2009/09/03/we-had-a-few-complaints-that-the-mp3s-of-our-last/"/>
    <updated>2009-09-03T02:02:00.000Z</updated>
    <id>https://mlarson.org/2009/09/03/we-had-a-few-complaints-that-the-mp3s-of-our-last/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We had a few complaints that the MP3s of our last record wasn’t encoded at a high enough rate. Some even suggested we should have used FLACs, but if you even know what one of those is, and have strong opinions on them, you’re already lost to the world of high fidelity and have probably spent far too much money on your speaker-stands.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/blogs/sashafrerejones/2009/09/dithering-jonny-greenwood.html&#34;&gt;Jonny Greenwood on digital music&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 3, 2009</title>
    <link href="https://mlarson.org/2009/09/03/a-walk-in-wintry-woods-stockholm-sweden/"/>
    <updated>2009-09-03T01:56:00.000Z</updated>
    <id>https://mlarson.org/2009/09/03/a-walk-in-wintry-woods-stockholm-sweden/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/09/tumblr_kpdhdszp0p1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;http://www.flickr.com/photos/swedish_heritage_board/3584239219/&#34;&gt;walk in wintry woods&lt;/a&gt;, Stockholm, Sweden.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Nancy Pearl&#39;s The Rule of 50</title>
    <link href="https://mlarson.org/2009/09/03/nancy-pearls-the-rule-of-50/"/>
    <updated>2009-09-03T01:48:12.000Z</updated>
    <id>https://mlarson.org/2009/09/03/nancy-pearls-the-rule-of-50/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/178273167/nancy-pearls-the-rule-of-50&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When to give up on a book (from &lt;em&gt;&lt;a href=&#34;https://www.amazon.com/dp/1570613818?tag=wwwaustinkleo-20&amp;amp;camp=213381&amp;amp;creative=390973&amp;amp;linkCode=as4&amp;amp;creativeASIN=1570613818&amp;amp;adid=01KSY62GYJMEMERS92YW&amp;amp;&#34;&gt;Book Lust&lt;/a&gt;&lt;/em&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Believe me, nobody is going to get any points in heaven by slogging their way through a book they aren’t enjoying but think they ought to read. I live by what I call ‘the rule of fifty,’ which acknowledges that time is short and the world of books is immense. If you’re fifty years old or younger, give every book about fifty pages before you decide to commit yourself to reading it, or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100. The result is the number of pages you should read before deciding.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;p&gt;Heartily agree. This is &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157601575033868/detail/&#34;&gt;why my reading log has so many DNFs&lt;/a&gt;. I still think I need to raise my standards, though.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://booklust.wetpaint.com/page/The+Rule+of+50&#34;&gt;Nancy Pearl&#39;s The Rule of 50&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Exclusive First Listen: Yo La Tengo on NPR</title>
    <link href="https://mlarson.org/2009/09/02/exclusive-first-listen-yo-la-tengo-on-npr/"/>
    <updated>2009-09-02T15:01:00.000Z</updated>
    <id>https://mlarson.org/2009/09/02/exclusive-first-listen-yo-la-tengo-on-npr/</id>
    <content type="html">&lt;p&gt;Hear the band’s 16th album, ‘Popular Songs’ in its entirety.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=112333045&#34;&gt;Exclusive First Listen: Yo La Tengo on NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>CANABALT</title>
    <link href="https://mlarson.org/2009/09/02/canabalt/"/>
    <updated>2009-09-02T03:56:10.000Z</updated>
    <id>https://mlarson.org/2009/09/02/canabalt/</id>
    <content type="html">&lt;p&gt;I don’t much follow the Flash games scene, but this one-button jumping game is great. (via &lt;a href=&#34;http://snarkmarket.com/blog/snarkives/briefly_noted/run_run_run_run_jump/&#34;&gt;snarkmarket&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://adamatomic.com/canabalt/&#34;&gt;CANABALT&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2009</title>
    <link href="https://mlarson.org/2009/08/28/success-guide-1-cultivate-risk-tolerance-2/"/>
    <updated>2009-08-28T20:41:35.000Z</updated>
    <id>https://mlarson.org/2009/08/28/success-guide-1-cultivate-risk-tolerance-2/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Success guide: 1. Cultivate risk tolerance. 2. Cultivate endurance.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/colinmarshall/statuses/3350636491&#34;&gt;Colin Marshall&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2009</title>
    <link href="https://mlarson.org/2009/08/28/if-you-pan-scan-lawrence-of-arabia-you-lose/"/>
    <updated>2009-08-28T16:10:00.000Z</updated>
    <id>https://mlarson.org/2009/08/28/if-you-pan-scan-lawrence-of-arabia-you-lose/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/GMJhM3So4y8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;“If you pan &amp;amp; scan Lawrence of Arabia, you lose the desert.” (via &lt;a href=&#34;http://kottke.org/09/08/widescreen-vs-pan-and-scan&#34;&gt;kottke&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2009</title>
    <link href="https://mlarson.org/2009/08/28/the-state-of-new-orleans-by-nigel-holmes-for-the/"/>
    <updated>2009-08-28T13:48:40.000Z</updated>
    <id>https://mlarson.org/2009/08/28/the-state-of-new-orleans-by-nigel-holmes-for-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/tumblr_kp3ad4krdq1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/imagepages/2009/08/28/opinion/20090828opchart.html&#34;&gt;The State of New Orleans&lt;/a&gt; by &lt;a href=&#34;http://www.nigelholmes.com/&#34;&gt;Nigel Holmes&lt;/a&gt; for the New York Times.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Some wisdom before school starts</title>
    <link href="https://mlarson.org/2009/08/27/some-wisdom-before-school-starts/"/>
    <updated>2009-08-27T15:28:00.000Z</updated>
    <id>https://mlarson.org/2009/08/27/some-wisdom-before-school-starts/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://davidfosterwallace.tumblr.com/post/172531712/some-wisdom-before-school-starts&#34;&gt;davidfosterwallace&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://nickzed.tumblr.com/post/169547013/some-wisdom-before-school-starts&#34;&gt;nickzed&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;img src=&#34;http://images.businessweek.com/ss/08/02/0204_financial_aid/image/amherst.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Q:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;“How do you remember Amherst? What are the experiences—in and out of the classroom—that shape those memories? Similarly, what aspects of your Amherst education served you best? And what are the things about Amherst that, in hindsight, disappoint you?”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;A:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;“I don’t know that many would remember me at all… I was cripplingly shy at Amherst. I wasn’t in a fraternity and didn’t go to parties and didn’t have much to do with the life of the College. I had a few very close friends and that was it. I studied all the time. I mean literally all the time…&lt;/p&gt;
&lt;p&gt;So ‘the things about Amherst that, in hindsight, disappoint [me]’ are things not about Amherst but about who I was when I was there. I let almost no one know me, and I lost the chance to know and learn from most of my peers. It took years after I’d graduated from Amherst to &lt;strong&gt;realize that people were actually far more complicated and interesting than books&lt;/strong&gt;, that almost everyone else suffered the same secret fears and inadequacies as I, and that feeling alone and inferior was actually the great valent bond between us all. I wish I’d been smart enough to understand that when I was an adolescent.”&lt;/p&gt;
&lt;p&gt;— David Foster Wallace &lt;a href=&#34;https://www.amherst.edu/aboutamherst/magazine/extra/node/66410&#34;&gt;interviewed&lt;/a&gt; by &lt;em&gt;Amherst&lt;/em&gt; magazine&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>New Orleans</title>
    <link href="https://mlarson.org/2009/08/27/20090827new-orleans/"/>
    <updated>2009-08-27T01:38:44.000Z</updated>
    <id>https://mlarson.org/2009/08/27/20090827new-orleans/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3863670430/&#34; title=&#34;Atlanta → New Orleans by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2671/3863670430_c51df7c4f7.jpg&#34; alt=&#34;Atlanta → New Orleans&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I went to New Orleans this past weekend. Great trip, my opinion of the city definitely went up (which makes sense, because there wasn’t much lower to go before). Though I’ve been a couple dozen times, this was my first trip out and about as an adult, sampling nightlife-y kinds of things. Friday we were out in the French Quarter wandering around. The &lt;a href=&#34;http://www.acmeoyster.com/&#34;&gt;Acme Oyster House&lt;/a&gt; is okay, nothing special. Oysters are inherently good, but the rice in my mediocre gumbo was kinda crunchy. &lt;a href=&#34;http://www.drinkgoodstuff.com/&#34;&gt;D.B.A.&lt;/a&gt; is a very cool spot with a great drink list. The rest of Frenchmen Street was good, too. There was also a cool spot on a street that I don’t remember that had really nice neighborhoody people who gave us directions. I’d love to find it again. Saturday was a little time in the Warehouse District and on Magazine Street. &lt;a href=&#34;http://www.republicnola.com/&#34;&gt;Republic&lt;/a&gt; reminded me of &lt;a href=&#34;http://www.operaatlanta.com/&#34;&gt;Opera&lt;/a&gt; here in Atlanta, so naturally I didn’t go in. I give my highest recommendation to &lt;a href=&#34;http://bulldog.draftfreak.com/&#34;&gt;The Bulldog&lt;/a&gt; on Magazine Street, which has a great selection and a sweet, sweet patio.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When I gave to a beggar</title>
    <link href="https://mlarson.org/2009/08/27/20090827when-i-gave-to-a-beggar/"/>
    <updated>2009-08-27T01:30:55.000Z</updated>
    <id>https://mlarson.org/2009/08/27/20090827when-i-gave-to-a-beggar/</id>
    <content type="html">&lt;p&gt;Yesterday on the way back home I came across a rough-looking guy. Sweating, dirty, walking with a cane. When he started talking to me I stopped. He told me he was from Metairie, and then told me he had diabetes and something else wrong that I didn’t really hear because I wasn’t really listening. He asked me for some money to help him out and I said “sorry” and walked away. Then he said, “F*** you, man.” I kept walking as he continued to rant, but I could still hear it and eventually I was so pissed I turned and said something not very nice, and then went on my way, now fuming to myself about what a jerk he was. Then I went into a store and perused shelves of high-end imported Belgian ales to bring to a dinner party. And now we’re firmly in “Man Struggles With Affluence/Guilt” territory. But it’s more complicated than that, right?&lt;/p&gt;
&lt;p&gt;I left the store and started to look for this guy. I spiraled out and did loops around town, trying to track him down. After a while, when I’d pretty much given up and was headed home, I saw him again. I walked up, told him I was sorry about our last exchange and I handed him a bill. He gave me a handshake. He explained his story again in more detail, but I mostly didn’t listen this time, either. I told him I had some family back in Louisiana near him. He told me he understood why it’s so hard to trust someone asking for a handout. We shared a fist bump and we went our separate ways. It was hot and I wanted to go home. I realized walking back that I hoped I didn’t see him again. I’m not sure how to feel about that. And I’m not sure, never been sure, whether I should give or just move on. If I gave to every beggar that asked me, worst case scenario? We’re talking like $100/year, maybe. But still you wonder if it does any good, but then again does it really matter because it doesn’t affect me that much, anyway, and then you start spiraling out again. There’s never an easy answer, which is both depressing and a kind of relief. It’s nice to have something unsettle you every now and then.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2009</title>
    <link href="https://mlarson.org/2009/08/26/the-first-movement-of-bachs-violin-sonata-no-1/"/>
    <updated>2009-08-26T19:13:00.000Z</updated>
    <id>https://mlarson.org/2009/08/26/the-first-movement-of-bachs-violin-sonata-no-1/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/tumblr_kp002hwdoa1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;The first movement of Bach’s &lt;a href=&#34;http://en.wikipedia.org/wiki/Sonatas_and_partitas_for_solo_violin_%28Bach%29&#34;&gt;Violin Sonata No. 1 in G minor (BWV 1001)&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=V_VBtfK79kQ&#34;&gt;Listen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2009</title>
    <link href="https://mlarson.org/2009/08/26/dan-pinks-ted-talk-about-motivation-and-the/"/>
    <updated>2009-08-26T15:07:00.000Z</updated>
    <id>https://mlarson.org/2009/08/26/dan-pinks-ted-talk-about-motivation-and-the/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://video.ted.com/assets/player/swf/EmbedPlayer.swf&#34;&gt;http://video.ted.com/assets/player/swf/EmbedPlayer.swf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ted.com/talks/dan_pink_on_motivation.html&#34;&gt;Dan Pink’s TED Talk&lt;/a&gt; about motivation and the ineffectiveness of extrinsic rewards and incentives in the workplace. Intrinsic is where it’s at.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://video.ted.com/&#34;&gt;http://video.ted.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Edge: What makes people vote Republican?</title>
    <link href="https://mlarson.org/2009/08/25/edge-what-makes-people-vote-republican/"/>
    <updated>2009-08-25T19:30:15.000Z</updated>
    <id>https://mlarson.org/2009/08/25/edge-what-makes-people-vote-republican/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.edge.org/3rd_culture/haidt08/haidt08_index.html&#34;&gt;Edge: What makes people vote Republican?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Making the Clackity Noise</title>
    <link href="https://mlarson.org/2009/08/25/making-the-clackity-noise/"/>
    <updated>2009-08-25T19:28:14.000Z</updated>
    <id>https://mlarson.org/2009/08/25/making-the-clackity-noise/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kungfugrippe.com/post/169873399/clackity-noise&#34;&gt;Making the Clackity Noise&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2009</title>
    <link href="https://mlarson.org/2009/08/25/cud-a-documentary-about-white-oak-pastures-via/"/>
    <updated>2009-08-25T04:07:00.000Z</updated>
    <id>https://mlarson.org/2009/08/25/cud-a-documentary-about-white-oak-pastures-via/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/6177004&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/6177004&#34;&gt;CUD&lt;/a&gt;, a documentary about &lt;a href=&#34;http://www.whiteoakpastures.com/&#34;&gt;White Oak Pastures&lt;/a&gt;. (&lt;a href=&#34;http://twitter.com/boutte/status/3519047637&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2009</title>
    <link href="https://mlarson.org/2009/08/20/reading-through-the-histories-of-both-jazz-and/"/>
    <updated>2009-08-20T00:04:00.000Z</updated>
    <id>https://mlarson.org/2009/08/20/reading-through-the-histories-of-both-jazz-and/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Reading through the histories of both jazz and rock, I am struck again and again by the fact that although women and girls were the primary consumers of popular styles, the critics were consistently male–and, more specifically, that they tended to be the sort of men who collected and discussed music rather than dancing to it. Again, that is not necessarily a bad thing (some of my best friends…), but it is relevant when one is trying to understand why they loved the music they loved and hated the music they hated.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another selection from &lt;a href=&#34;http://www.amazon.com/How-Beatles-Destroyed-Rock-Roll/dp/0195341546&#34;&gt;How the Beatles Destroyed Rock ‘n’ Roll&lt;/a&gt;. Over the past year or so, I find I’m more and more reluctant to condemn music I don’t like, maybe partly because I’m more willing to dance than I used to be.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 19, 2009</title>
    <link href="https://mlarson.org/2009/08/19/7866/"/>
    <updated>2009-08-19T20:42:28.000Z</updated>
    <id>https://mlarson.org/2009/08/19/7866/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/tumblr_kon5iswqol1qzcye0o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Exclusive First Listen - Tim Buckley - NPR</title>
    <link href="https://mlarson.org/2009/08/18/exclusive-first-listen-tim-buckley-npr/"/>
    <updated>2009-08-18T14:38:00.000Z</updated>
    <id>https://mlarson.org/2009/08/18/exclusive-first-listen-tim-buckley-npr/</id>
    <content type="html">&lt;p&gt;Live at The Folklore Center, NYC. March 6, 1967.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=111966379&#34;&gt;Exclusive First Listen - Tim Buckley - NPR&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 15, 2009</title>
    <link href="https://mlarson.org/2009/08/15/tickets-for-the-great-decatur-craft-beer-festival/"/>
    <updated>2009-08-15T17:16:00.000Z</updated>
    <id>https://mlarson.org/2009/08/15/tickets-for-the-great-decatur-craft-beer-festival/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/tumblr_kofhbnl8qe1qzcye0o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Tickets for the &lt;a href=&#34;http://www.decaturbeerfestival.com/&#34;&gt;Great Decatur Craft Beer Festival&lt;/a&gt; go on sale soon. I am glad to be within walking distance. (via &lt;a href=&#34;http://www.decaturmetro.com/2009/08/14/decatur-beer-festival-tickets-go-on-sale-august-24th/&#34;&gt;decatur metro&lt;/a&gt;, my favorite neighborhood blog.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2009</title>
    <link href="https://mlarson.org/2009/08/13/newsboys-strike-of-1899-via-one-of-the-cool/"/>
    <updated>2009-08-13T14:42:00.000Z</updated>
    <id>https://mlarson.org/2009/08/13/newsboys-strike-of-1899-via-one-of-the-cool/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/vix1loqvtr359st2ankw6sjlo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Newsboys_Strike_of_1899&#34;&gt;Newsboys Strike of 1899&lt;/a&gt;, via one of the cool people I work with.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2009</title>
    <link href="https://mlarson.org/2009/08/12/dinner-at-el-bulli-the-greatest-restaurant-in-the/"/>
    <updated>2009-08-12T22:13:00.000Z</updated>
    <id>https://mlarson.org/2009/08/12/dinner-at-el-bulli-the-greatest-restaurant-in-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/vix1loqvtr25wwa0yhqovke5o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amateurgourmet.com/2009/08/dinner_at_el_bu.html&#34;&gt;Dinner at El Bulli: The Greatest Restaurant in the World&lt;/a&gt;. I love the way photos and captions and videos are all blended together here, capturing a 30-course meal at &lt;a href=&#34;http://en.wikipedia.org/wiki/El_Bulli&#34;&gt;El Bulli&lt;/a&gt;. It’s great storytelling + food porn.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2009</title>
    <link href="https://mlarson.org/2009/08/12/respect-the-dance-floor-because-the-dance-floor/"/>
    <updated>2009-08-12T17:07:16.000Z</updated>
    <id>https://mlarson.org/2009/08/12/respect-the-dance-floor-because-the-dance-floor/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Respect the dance floor because the dance floor never lies. The DJ is not the star.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Ben_Watt&#34;&gt;Ben Watt&lt;/a&gt;, via one of my old PoliSci professors.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2009</title>
    <link href="https://mlarson.org/2009/08/12/seville-spainferia-festival-1986-kind-of-like/"/>
    <updated>2009-08-12T15:38:00.000Z</updated>
    <id>https://mlarson.org/2009/08/12/seville-spainferia-festival-1986-kind-of-like/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/vix1loqvtr1rswnyr3fkwa8co1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://todayspictures.slate.com/20090803/&#34;&gt;SEVILLE, Spain—Feria Festival, 1986.&lt;/a&gt; Kind of like that &lt;a href=&#34;http://tumblr.mlarson.org/post/129469470/balloon-land-1935-ub-iwerks-comicolor-cartoon&#34;&gt;old cartoon&lt;/a&gt; I stumbled upon a while back, I hadn’t seen this photo in years, but I remember seeing it in an issue of National Geographic back in the ‘80s.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2009</title>
    <link href="https://mlarson.org/2009/08/11/kseniya-simonova-sand-animation-on-ukraines-got/"/>
    <updated>2009-08-11T17:44:22.000Z</updated>
    <id>https://mlarson.org/2009/08/11/kseniya-simonova-sand-animation-on-ukraines-got/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/518XP8prwZo&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=518XP8prwZo&#34;&gt;Kseniya Simonova - Sand Animation&lt;/a&gt; on Ukraine’s Got Talent. (via &lt;a href=&#34;http://www.vqronline.org/blog/2009/08/11/award-you-no-points/&#34;&gt;vqr&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2009</title>
    <link href="https://mlarson.org/2009/08/11/art-tatum-goofs-around-with-dvoraks-humoresque/"/>
    <updated>2009-08-11T14:46:55.000Z</updated>
    <id>https://mlarson.org/2009/08/11/art-tatum-goofs-around-with-dvoraks-humoresque/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/qYcZGPLAnHA&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=qYcZGPLAnHA&#34;&gt;Art Tatum goofs around&lt;/a&gt; with Dvorak’s Humoresque No. 7 in G flat major. Here’s a &lt;a href=&#34;http://www.youtube.com/watch?v=WmAZoexenx8&#34;&gt;more traditional version&lt;/a&gt;. (via &lt;a href=&#34;http://www.twitter.com/danlevitin&#34;&gt;@danlevitin&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2009</title>
    <link href="https://mlarson.org/2009/08/11/the-perseid-meteor-shower-is-gonna-peak/"/>
    <updated>2009-08-11T13:03:34.000Z</updated>
    <id>https://mlarson.org/2009/08/11/the-perseid-meteor-shower-is-gonna-peak/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/vix1loqvtr06ubgwnsyeo1vpo1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;http://science.nasa.gov/headlines/y2009/31jul_perseids2009.htm&#34;&gt;Perseid Meteor Shower&lt;/a&gt; is gonna peak tonight/tomorrow. I’ve got fond memories of previous years, hope the moon doesn’t spoil things in 2009.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2009</title>
    <link href="https://mlarson.org/2009/08/06/if-its-a-good-idea-and-it-gets-you-excited-try/"/>
    <updated>2009-08-06T16:45:00.000Z</updated>
    <id>https://mlarson.org/2009/08/06/if-its-a-good-idea-and-it-gets-you-excited-try/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If it’s a good idea and it gets you excited, try it, and if it bursts into flames, that’s going to be exciting too. People always ask, “What is your greatest failure?” I always have the same answer – We’re working on it right now, it’s gonna be awesome!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.designglut.com/2009/08/jim-coudal-of-coudal-partners/&#34;&gt;Interview with Jim Coudal of Coudal Partners&lt;/a&gt;. (via &lt;a href=&#34;http://linedandunlined.com/&#34;&gt;rob giampietro&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 5, 2009</title>
    <link href="https://mlarson.org/2009/08/05/thom-and-jonny-and-im-guessing-colin-in-the/"/>
    <updated>2009-08-05T15:43:00.000Z</updated>
    <id>https://mlarson.org/2009/08/05/thom-and-jonny-and-im-guessing-colin-in-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/vix1loqvtqrrx0zbr7mmai09o1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.radiohead.com/deadairspace/&#34;&gt;Thom and Jonny&lt;/a&gt; and I’m guessing Colin in the background. Looks like they’re on a spaceship.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 5, 2009</title>
    <link href="https://mlarson.org/2009/08/05/pachelbel-rant-about-being-bored-out-of-your-mind/"/>
    <updated>2009-08-05T15:37:00.000Z</updated>
    <id>https://mlarson.org/2009/08/05/pachelbel-rant-about-being-bored-out-of-your-mind/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/JdxkVQy7QLM&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=JdxkVQy7QLM&#34;&gt;Pachelbel Rant&lt;/a&gt;, about being bored out of your mind on cello + the chord progression showing up everywhere.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Radiohead: Harry Patch (In memory of)</title>
    <link href="https://mlarson.org/2009/08/05/radiohead-harry-patch-in-memory-of/"/>
    <updated>2009-08-05T13:58:59.000Z</updated>
    <id>https://mlarson.org/2009/08/05/radiohead-harry-patch-in-memory-of/</id>
    <content type="html">&lt;p&gt;When I first read this, I thought they meant &lt;a href=&#34;http://en.wikipedia.org/wiki/Harry_Partch&#34;&gt;Harry Partch&lt;/a&gt;, which would have been cool, too. Nice tune.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/today/hi/today/newsid_8184000/8184802.stm&#34;&gt;Radiohead: Harry Patch (In memory of)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Can a coffee really have as many calories as a Big Mac?</title>
    <link href="https://mlarson.org/2009/08/04/can-a-coffee-really-have-as-many-calories-as-a-big/"/>
    <updated>2009-08-04T17:39:00.000Z</updated>
    <id>https://mlarson.org/2009/08/04/can-a-coffee-really-have-as-many-calories-as-a-big/</id>
    <content type="html">&lt;p&gt;The answer is “yes”, if you make it no longer “coffee” but rather some strange liquid dessert/hot smoothie beverage.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/news/datablog/2009/jul/27/health-health-and-wellbeing&#34;&gt;Can a coffee really have as many calories as a Big Mac?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 4, 2009</title>
    <link href="https://mlarson.org/2009/08/04/a-graph-showing-various-vacation-allotments-and-an/"/>
    <updated>2009-08-04T17:19:45.000Z</updated>
    <id>https://mlarson.org/2009/08/04/a-graph-showing-various-vacation-allotments-and-an/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/08/vix1loqvtqqfwspmehoyiypco1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A &lt;a href=&#34;http://yglesias.thinkprogress.org/archives/2009/08/tyler-cowens-european-vacation.php&#34;&gt;graph showing various vacation allotments&lt;/a&gt; and an interesting discussion of &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/08/which-vacation-model-is-best.html&#34;&gt;which vacation model is best&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Out of the Past</title>
    <link href="https://mlarson.org/2009/07/31/i-dont-want-to-die-neither-do-i-baby-but/"/>
    <updated>2009-07-31T01:20:00.000Z</updated>
    <id>https://mlarson.org/2009/07/31/i-dont-want-to-die-neither-do-i-baby-but/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtqjrv9zp2wk9bztxo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“I don’t want to die.” “Neither do I, baby, but if I have to, I’m gonna die last.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Out_of_the_Past&#34;&gt;Out of the Past&lt;/a&gt; is a wonderful, wonderful movie. Great shots, some really snappy dialogue, a perfect villain, a dame that can’t do right, a guy who tries to convince himself he can. The best I’ve seen in a while. &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040718/REVIEWS08/407180301/1023&#34;&gt;Roger Ebert’s review&lt;/a&gt; .&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2009</title>
    <link href="https://mlarson.org/2009/07/30/it-seems-like-the-big-distinction-between-good-art/"/>
    <updated>2009-07-30T20:23:00.000Z</updated>
    <id>https://mlarson.org/2009/07/30/it-seems-like-the-big-distinction-between-good-art/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It seems like the big distinction between good art and so-so art lies somewhere in the art’s heart’s purpose, the agenda of the consciousness behind the text. It’s got something to do with love. With having the discipline to talk out of the part of yourself that can love instead of the part that just wants to be loved.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;David Foster Wallace, quoted in &lt;a href=&#34;http://www.sideshowmediagroup.com/?page_id=2&#34;&gt;Greg Carlisle’s Liverpool Keynote Address on David Foster Wallace&lt;/a&gt; - Consider David Foster Wallace Conference, University of Liverpool, July 29-30, 2009&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fifty Books for Our Times | Newsweek.com</title>
    <link href="https://mlarson.org/2009/07/30/fifty-books-for-our-times-newsweekcom/"/>
    <updated>2009-07-30T18:08:38.000Z</updated>
    <id>https://mlarson.org/2009/07/30/fifty-books-for-our-times-newsweekcom/</id>
    <content type="html">&lt;p&gt;I like the eclecticism here. Nice to see quite a few I hadn’t heard of, and interesting justification for some old-school books. (via my old library colleague and cool guy &lt;a href=&#34;http://twitter.com/cswarren&#34;&gt;@cswarren&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newsweek.com/id/204300&#34;&gt;Fifty Books for Our Times | Newsweek.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2009</title>
    <link href="https://mlarson.org/2009/07/30/vanity-fair-sheer-gown-gelatin-silver-print-by/"/>
    <updated>2009-07-30T17:22:08.000Z</updated>
    <id>https://mlarson.org/2009/07/30/vanity-fair-sheer-gown-gelatin-silver-print-by/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtqjasm8tncwjbuojo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.monroegallery.com/detail.cfm?id=620&#34;&gt;Vanity Fair Sheer Gown&lt;/a&gt;. Gelatin silver print by &lt;a href=&#34;http://markshawphoto.com/&#34;&gt;Mark Shaw&lt;/a&gt; in the &lt;a href=&#34;http://www.monroegallery.com/index.html&#34;&gt;Monroe Gallery&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2009</title>
    <link href="https://mlarson.org/2009/07/28/rcoleman-william-shatner-reads-palins-speech-as/"/>
    <updated>2009-07-28T15:37:00.000Z</updated>
    <id>https://mlarson.org/2009/07/28/rcoleman-william-shatner-reads-palins-speech-as/</id>
    <content type="html">&lt;param name=&#34;movie&#34; value=&#34;http://www.youtube.com/watch?v=JCdqRbWYWbU
&lt;p&gt;&lt;a href=&#34;http://tumblr.ryancoleman.ca/post/150894547/william-shatner-reads-palins-speech-as-poetry&#34;&gt;rcoleman&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;William Shatner reads &lt;a href=&#34;http://www.ibtimes.com/articles/20090727/palins-farewell-speech-transcript.htm&#34;&gt;Palin’s speech&lt;/a&gt; as poetry (via &lt;a href=&#34;http://davehyndman.tumblr.com/post/150876530/william-shatner-reads-palins-speech-as-poetry&#34;&gt;@davehyndman&lt;/a&gt;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;And getting up here I say it is the best road trip in America soaring through nature’s finest show. Denali, the great one, soaring under the midnight sun. And then the extremes. In the winter time it’s the frozen road that is competing with the view of ice fogged frigid beauty, the cold though, doesn’t it split the Cheechakos from the Sourdoughs?&lt;/em&gt;&lt;br&gt;
&lt;em&gt;And then in the summertime such extreme summertime about a hundred and fifty degrees hotter than just some months ago, than just some months from now, with fireweed blooming along the frost heaves and merciless rivers that are rushing and carving and reminding us that here, Mother Nature wins. It is as throughout all Alaska that big wild good life teeming along the road that is north to the future.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;See also the &lt;a href=&#34;http://www.slate.com/id/2081042&#34;&gt;poetry of Donald Rumsfeld&lt;/a&gt; and the &lt;a href=&#34;http://www.mlarson.org/2008/09/28/1437/&#34;&gt;Clinton/Lewinsky Poetry Under Oath&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2009</title>
    <link href="https://mlarson.org/2009/07/28/all-these-different-kinds-of-fantastic-music-you/"/>
    <updated>2009-07-28T13:59:00.000Z</updated>
    <id>https://mlarson.org/2009/07/28/all-these-different-kinds-of-fantastic-music-you/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;All these different kinds of fantastic music you hear today - course it’s all guitars now - used to hear that way back in the old sanctified churches where the sisters used to shout till their petticoats fell down. There ain’t nothing new. Old soup used over.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The primary source is the book &lt;a href=&#34;http://www.eakinspress.com/books/laselfportraitse.html&#34;&gt;Louis Armstrong: A Self Portrait&lt;/a&gt;, but I first read it yesterday in the excellent-so-far &lt;a href=&#34;http://www.amazon.com/How-Beatles-Destroyed-Rock-Roll/dp/0195341546&#34;&gt;How the Beatles Destroyed Rock n Roll: An Alternative History of American Popular Music&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Talking Head: Monday Night Brewery | Omnivore Atlanta</title>
    <link href="https://mlarson.org/2009/07/28/talking-head-monday-night-brewery-omnivore/"/>
    <updated>2009-07-28T03:37:00.000Z</updated>
    <id>https://mlarson.org/2009/07/28/talking-head-monday-night-brewery-omnivore/</id>
    <content type="html">&lt;p&gt;My enterprising friends at &lt;a href=&#34;http://www.mondaynightbrewery.com/&#34;&gt;Monday Night Brewery&lt;/a&gt; (&lt;a href=&#34;http://twitter.com/mondaynight&#34;&gt;@mondaynight&lt;/a&gt;) got featured on Creative Loafing’s foodie blog. Good people and good brews deserve the attention. Can’t wait for the official launch.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.creativeloafing.com/omnivore/2009/07/27/talking-head-monday-night-brewery/&#34;&gt;Talking Head: Monday Night Brewery | Omnivore Atlanta&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2009</title>
    <link href="https://mlarson.org/2009/07/28/lunch-doodles-how-to-draw-faces-the-kleon-media/"/>
    <updated>2009-07-28T03:32:50.000Z</updated>
    <id>https://mlarson.org/2009/07/28/lunch-doodles-how-to-draw-faces-the-kleon-media/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/vm5IIBVu2bU&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/2009/07/27/how-to-draw-faces/&#34;&gt;Lunch Doodles: How To Draw Faces&lt;/a&gt;. The Kleon Media Empire expands! &lt;a href=&#34;http://www.austinkleon.com/blog/&#34;&gt;Blogs&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/dp/0061732974/ref=nosim/wwwaustinkleo-20&#34;&gt;books&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/user/deathtogutenberg&#34;&gt;videos&lt;/a&gt;, &lt;a href=&#34;http://vizthink.com/index.php?option=com_content&amp;amp;task=view&amp;amp;id=434&#34;&gt;webinars&lt;/a&gt;. Waiting for the action figure.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Spent: Sex, Evolution, and Consumer Behavior (review: 4/5)</title>
    <link href="https://mlarson.org/2009/07/27/20090727spent-review/"/>
    <updated>2009-07-27T23:15:14.000Z</updated>
    <id>https://mlarson.org/2009/07/27/20090727spent-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3764576342/&#34; title=&#34;Spent by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3461/3764576342_ceb2742a02.jpg&#34; alt=&#34;Spent: Sex, Evolution, and Consumer Behavior&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;By now it should be clear that you&#39;ll be most comfortable with my arguments if you fully accept yourself as a fitness-flaunting consumer narcissist who has been deluded, throughout your whole life, into irrational spending habits by advertising euphemisms and peer pressure. In other words, you&#39;ll probably feel uneasy for much of the time you&#39;re reading it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That line comes about 100 pages into the book. I stumbled on it when I was flipping through and it&#39;s the passage that convinced me to take it from the library. Geoffrey Miller&#39;s book, &lt;a href=&#34;http://www.amazon.com/Spent-Sex-Evolution-Consumer-Behavior/dp/0670020621&#34;&gt;Spent: Sex, Evolution, and Consumer Behavior&lt;/a&gt; turned out to be very good. If I could just block-quote the entire thing right here, I probably would.&lt;/p&gt;
&lt;p&gt;You get a sense of the tone from the quote above. It&#39;s fairly conversational. There&#39;s a counter-cultural bent to it that comes across as more detached and bemused, rather than left-wing-ish panic or conservative haughtiness. He picks on both perspectives fairly evenly. Some of it I found genuinely funny, some was awkward funny (&amp;quot;Mobile phones are already becoming too Lilliputian for adult males to use without feeling like a palsy-pawed giant ground sloth.&amp;quot;). Most of it offered plenty of brain-tweaking &amp;quot;I hadn&#39;t thought of it that way&amp;quot; moments. The book got quite a collection of dog-ears by the time I got through with it.&lt;/p&gt;
&lt;p&gt;He starts out with a discussion of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Big_Five_personality_traits&#34;&gt;&amp;quot;Big Five&amp;quot; personality traits&lt;/a&gt;, explaining what they are and how he&#39;ll be using them to guide the discussion. The discussion at hand hinges around the idea of &lt;a href=&#34;http://en.wikipedia.org/wiki/Signalling_%28economics%29&#34;&gt;signaling&lt;/a&gt;: basically, how we inform others (and exaggerate) our worthy traits and minimize the appearance of less worthy traits. We signal in really primitive ways based on evolutionary learning (e.g. nice, white teeth = healthy) and in really modern ways, such as conspicuous consumption (e.g. nice, white teeth covered with a &lt;a href=&#34;http://en.wikipedia.org/wiki/Grill_%28jewelry%29&#34;&gt;grill&lt;/a&gt; = wealthy).&lt;/p&gt;
&lt;p&gt;Anyway, as you make it to page 75, he lists a few reasonable assumptions for the rest of the book:&lt;/p&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;We are social primates who survive and reproduce largely through attracting practical support from kin, friends, and mates.&lt;/li&gt;
&lt;li&gt;We get that support insofar as others view us as offering desirable traits that fit their needs.&lt;/li&gt;
&lt;li&gt;Over the past few million years, we have evolved many mental and moral capacities to display those desirable traits.&lt;/li&gt;
&lt;li&gt;Over the past few thousand years, we have learned that these desirable traits can also be displayed through buying and displaying various goods and services in market economies.&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;And a few pages later, he brings the connection with consumerism and marketing, and hints and hints at the anti-consumerist arguments that he&#39;ll get into later in the book:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Consumerism depends on forgetting a truth and believing a falsehood. The truth that must be forgotten is that we humans have already spent millions of years evolving awesomely effective ways to display our mental and moral traits to one another through natural social behaviors such as language, art, music, generosity, creativity, and ideology. We can all do so without credentials, careers, credit ratings, or crateloads of product.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The next bit ranges into a really interesting discussion on the three basic ways we signal: conspicuous waste, conspicuous precision, or conspicuous reputation. Conspicuous waste is fairly self-explanatory: gigantic cars, 30oz steaks, liquid-cooled gaming PCs. Conspicuously precise products rely on refinement, intricacy, low tolerances for error: luxury cars, fine sushi, Apple products. Conspicuous reputation is about envy or facade. Miller mentions BMWs and well-regarded postal codes in this category. Those aren&#39;t perfect examples, and the categories can bleed, but you get the idea.&lt;/p&gt;
&lt;p&gt;In one great leveling passage, he writes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Each signaling principle has its distinctive pros and cons from the viewpoint of the signaler, the audience, and the population and ecology at large. These distinctions are significant but often overlooked. For example, socialist and environmentalist critiques of runaway consumerism apply most forcibly to cruder forms of conspicuous waste, which sequester matter and energy for the rich at the expense of the poor, and which impose the largest ecological footprint (resource and energy requirements). It is much harder to raise socioecological objections to an iPod nano than to an H1 Hummer. Aristocrats differ from the nouveaux riches not in their freedom from consumerism, but in their preference for conspicuous precision and reputation (&amp;quot;the finer things in life&amp;quot;) over conspicuous waste (&amp;quot;the crass and the vulgar&amp;quot;).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Later parts brought to mind the idea of &lt;a href=&#34;http://www.gapingvoid.com/Moveable_Type/archives/004265.html&#34;&gt;social objects&lt;/a&gt;: &amp;quot;As a self-display strategy, it is very inefficient to buy new, branded, mass-produced products from stores at the full manufacturer&#39;s suggested retail price. The product comes into one&#39;s life naked and mute, without any social context, memorable circumstances, or narrative value.&amp;quot; It&#39;s not just what you have, but how you earned it and how it brings you closer to those you love.&lt;/p&gt;
&lt;p&gt;And I just love this one bit, about 3/4 through the book. He&#39;s spent a couple sentences talking about buying a Toyota Camry or a comparable Lexus. Both are made by the same mother company to similar quality levels:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you must have the Lexus, that&#39;s OK, as long as you consciously accept two things: (1) apart from its higher mass, you are paying an extra $40,000 for the Lexus badge, and (2) everyone who sees you driving the Lexus, and who has read this book, will assume that you could think of nothing in the world more creative, kind, or conscientious to do with $40,000.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Zing! Boom! That&#39;s something to think on.&lt;/p&gt;
&lt;p&gt;The last 10% or so of the book wasn&#39;t as good the beginning. It got more prescriptive than descriptive, and it just wasn&#39;t as interesting. But man, that first 90% was so worth it.&lt;/p&gt;
&lt;p&gt;More elsewhere:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.overcomingbias.com/&#34;&gt;Robin Hanson of Overcoming Bias&lt;/a&gt; is obsessed with signaling, and he has a &lt;a href=&#34;http://www.overcomingbias.com/2009/05/spents-main-argument.html&#34;&gt;nice&lt;/a&gt; &lt;a href=&#34;http://www.overcomingbias.com/2009/05/spent-gold-schlock.html&#34;&gt;series&lt;/a&gt; of &lt;a href=&#34;http://www.overcomingbias.com/2009/05/the-reflexive-gottschall.html&#34;&gt;posts&lt;/a&gt; about the book.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://econlog.econlib.org/&#34;&gt;Bryan Caplan at EconLog&lt;/a&gt; has a &lt;a href=&#34;http://econlog.econlib.org/archives/2009/07/how_id_sell_civ.html&#34;&gt;couple&lt;/a&gt; &lt;a href=&#34;http://econlog.econlib.org/archives/2009/07/geoffrey_miller_2.html&#34;&gt;posts&lt;/a&gt; and criticism of the book.&lt;/li&gt;
&lt;li&gt;A &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/04/spent-sex-evolution-and-consumer-behavior/&#34;&gt;couple&lt;/a&gt; &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/05/more-on-the-new-geoffrey-miller-book.html&#34;&gt;bits&lt;/a&gt; from &lt;a href=&#34;http://www.marginalrevolution.com/&#34;&gt;Tyler Cowen at Marginal Revolution&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;Steve Sailer quotes Geoffrey Miller&#39;s &lt;a href=&#34;http://isteve.blogspot.com/2009/05/geoffrey-miller-on-iq.html&#34;&gt;long passage on IQ and hypocrisy in academia&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>Fun fact: I have a podcast</title>
    <link href="https://mlarson.org/2009/07/27/20090727fun-fact-i-have-a-podcast/"/>
    <updated>2009-07-27T23:01:12.000Z</updated>
    <id>https://mlarson.org/2009/07/27/20090727fun-fact-i-have-a-podcast/</id>
    <content type="html">&lt;p&gt;I haven&#39;t talked about work much in the 3 or so years I&#39;ve been running this site, but I thought it was time to share a side project I&#39;ve been involved in. I&#39;m a co-host of &lt;a href=&#34;http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=300102162&#34;&gt;Stuff from the B-Side&lt;/a&gt; [iTunes link], wherein, twice a week, my friend John and I have a conversation about some aspect of the musical world. John knows about 38 times as much as I do and we always a good, low-key time. I was looking back through the &lt;a href=&#34;http://www.howstuffworks.com/podcasts/stuff-from-the-b-side.rss&#34;&gt;RSS file for our episodes&lt;/a&gt; and realized I&#39;d been doing recordings for a half-year-ish now. The first couple (dozen) episodes I was in were pretty rough. But I always listen every week and it&#39;s nice to hear (what I think somewhat resembles) progress. It&#39;s certainly feels more comfortable in front of the microphones. It&#39;s not nearly as strange to listen to my own voice anymore.&lt;/p&gt;
&lt;p&gt;It&#39;s nice that we get a lot of freedom to be the curious people that we are, exploring topics as we get fascinated by them or as listeners request them. Favorite episodes? I&#39;m partial to the ones in which we talk about:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Musicians who use alter egos (including a discussion about the post-modern meta-cultural qualities of Hannah Montana and Eminem)&lt;/li&gt;
&lt;li&gt;How to decipher classical music titles&lt;/li&gt;
&lt;li&gt;The 1980s cassette version of iTunes&lt;/li&gt;
&lt;li&gt;Guilty pleasures and what makes music &amp;quot;cool&amp;quot;&lt;/li&gt;
&lt;li&gt;Brian Eno&#39;s &lt;em&gt;Music for Airports&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;Narcocorridos&lt;/li&gt;
&lt;li&gt;The life and times of Billie Holiday&lt;/li&gt;
&lt;li&gt;Terry Riley&#39;s &lt;em&gt;In C&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;Wizard Rock&lt;/li&gt;
&lt;li&gt;Leonard Cohen&lt;/li&gt;
&lt;li&gt;The West Coast/East Coast rivalry&lt;/li&gt;
&lt;li&gt;The Dies Irae melody&lt;/li&gt;
&lt;li&gt;Etc.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Also, I&#39;d be silly not to mention that I&#39;ve got smarter, even more well-spoken colleagues that do &lt;a href=&#34;http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=284341002&amp;amp;mt=2&amp;amp;s=143441&#34;&gt;many other podcasts&lt;/a&gt; [iTunes] that are even better.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2009</title>
    <link href="https://mlarson.org/2009/07/27/explanatory-illustration-in-the-march-1878-article/"/>
    <updated>2009-07-27T18:10:08.000Z</updated>
    <id>https://mlarson.org/2009/07/27/explanatory-illustration-in-the-march-1878-article/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtqf26v0vfitxjnwxo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tinfoil.com/harpers.htm&#34;&gt;Explanatory illustration&lt;/a&gt; in the &lt;a href=&#34;http://www.phonozoic.net/n0013.htm&#34;&gt;March 1878 article in Harper’s Weekly about Edison’s phonograph&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2009</title>
    <link href="https://mlarson.org/2009/07/27/please-dont-repeat-that-tired-old-meme-about-how/"/>
    <updated>2009-07-27T16:41:48.000Z</updated>
    <id>https://mlarson.org/2009/07/27/please-dont-repeat-that-tired-old-meme-about-how/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Please don’t repeat that tired old meme about how I shouldn’t believe everything I read on Wikipedia. It knows a damned sight more than I do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/ebert/2009/07/everymans_guide_to_quantum_the.html&#34;&gt;Roger Ebert’s Journal: The quantum theory of reincarnation&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Jay-Z vs the Game: Lessons for the American Primacy Debate</title>
    <link href="https://mlarson.org/2009/07/27/jay-z-vs-the-game-lessons-for-the-american/"/>
    <updated>2009-07-27T15:34:30.000Z</updated>
    <id>https://mlarson.org/2009/07/27/jay-z-vs-the-game-lessons-for-the-american/</id>
    <content type="html">&lt;p&gt;Foreign Policy magazine discusses hip-hop and realpolitik. (via &lt;a href=&#34;http://www.noahbrier.com/quickies/2009/07/jay-z_a_study_in_international_relations.php&#34;&gt;noah brier&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://lynch.foreignpolicy.com/posts/2009/07/13/jay_z_vs_the_game_lessons_for_the_american_primacy_debate&#34;&gt;Jay-Z vs the Game: Lessons for the American Primacy Debate&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 24, 2009</title>
    <link href="https://mlarson.org/2009/07/24/a-bryan-blog-jimmy-carter/"/>
    <updated>2009-07-24T16:46:00.000Z</updated>
    <id>https://mlarson.org/2009/07/24/a-bryan-blog-jimmy-carter/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtqaovcetsejxtwpao1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://abryanphoto.blogspot.com/2008/05/jimmy-carter.html&#34;&gt;A Bryan Blog: Jimmy Carter&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Wake Up Screaming</title>
    <link href="https://mlarson.org/2009/07/22/with-a-title-like-i-wake-up-screaming-it-should/"/>
    <updated>2009-07-22T03:36:14.000Z</updated>
    <id>https://mlarson.org/2009/07/22/with-a-title-like-i-wake-up-screaming-it-should/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtq71ro11ofmzjbb0o1_1280.jpg&#34; alt=&#34;&#34;&gt; With a title like &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Wake_Up_Screaming&#34;&gt;I Wake Up Screaming&lt;/a&gt;, it should have been so much better. I’ve noticed that a lot of these old soundtracks tend to loop and repeat and reprise the same melody over and over. In this case it’s “Somewhere Over the Rainbow”. But there were some nice shots: &lt;img src=&#34;http://thesnoozebutton.files.wordpress.com/2009/03/i-wake-up-screening-2.jpg&#34; alt=&#34;&#34;&gt; &lt;img src=&#34;http://robie2008.files.wordpress.com/2008/09/iwakeup1.jpg&#34; alt=&#34;&#34;&gt; I also have a new crush on &lt;a href=&#34;http://en.wikipedia.org/wiki/Carole_Landis&#34;&gt;Carole Landis&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>David Foster Wallace, on success</title>
    <link href="https://mlarson.org/2009/07/22/david-foster-wallace-on-success/"/>
    <updated>2009-07-22T03:16:12.000Z</updated>
    <id>https://mlarson.org/2009/07/22/david-foster-wallace-on-success/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://davidfosterwallace.tumblr.com/post/146498702/david-foster-wallace-on-success&#34;&gt;davidfosterwallace&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Bookselling This Week: What has been the most satisfying part about all your success?&lt;/p&gt;
&lt;p&gt;David Foster Wallace: What do you mean by success?&lt;/p&gt;
&lt;p&gt;BTW: Being accepted by a major publisher, all the acclaim.&lt;/p&gt;
&lt;p&gt;DFW: Well there’s no better feeling than working hard at something and having it come out good, even before you put the stamp on it. But with all the public stuff… it’s sort of how you like people to be nice to your child. There’s so much bullshit to trying to get accepted – reading a mean letter from someone you don’t even know, getting rejected. I think you need to invest way more into how it feels when you are in a room writing by yourself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ptwi.com/~bobkat/aba.html&#34;&gt;Full DFW interview with American Booksellers Association&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2009</title>
    <link href="https://mlarson.org/2009/07/20/synesthesia-on-vimeo-via-wehr-in-the-world/"/>
    <updated>2009-07-20T23:12:34.000Z</updated>
    <id>https://mlarson.org/2009/07/20/synesthesia-on-vimeo-via-wehr-in-the-world/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://player.vimeo.com/video/5297531&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://vimeo.com/5297531&#34;&gt;Synesthesia&lt;/a&gt; on Vimeo. (via &lt;a href=&#34;http://wehrintheworld.blogspot.com/2009/07/synesthesia-video.html&#34;&gt;wehr in the world&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://player.vimeo.com/&#34;&gt;https://player.vimeo.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Before College, Costly Advice Just on Getting In - NYTimes.com</title>
    <link href="https://mlarson.org/2009/07/19/before-college-costly-advice-just-on-getting-in/"/>
    <updated>2009-07-19T19:29:58.000Z</updated>
    <id>https://mlarson.org/2009/07/19/before-college-costly-advice-just-on-getting-in/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Shannon Duff, the independent college counselor… says she ordinarily charges families “in the range of” $15,000 for guidance about the application process. […] While the going national rate for such work is about $185 an hour, a counselor in Vermont and another in New York City are among those who charge some families more than $40,000. Their packages might begin when a child is in eighth grade.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Someone please tell me this isn’t real.&lt;br&gt;
&lt;a href=&#34;http://www.nytimes.com/2009/07/19/education/19counselor.html&#34;&gt;Before College, Costly Advice Just on Getting In - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gun Crazy</title>
    <link href="https://mlarson.org/2009/07/16/a-recent-screening-gun-crazy-continuing-my/"/>
    <updated>2009-07-16T03:07:00.000Z</updated>
    <id>https://mlarson.org/2009/07/16/a-recent-screening-gun-crazy-continuing-my/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtpyg33x7xwphzyqqo1_r1_1280.jpg&#34; alt=&#34;&#34;&gt; A recent screening: &lt;a href=&#34;http://en.wikipedia.org/wiki/Gun_Crazy&#34;&gt;Gun Crazy&lt;/a&gt;, continuing my old-school kick after watching &lt;a href=&#34;http://en.wikipedia.org/wiki/Laura_%281944_film%29&#34;&gt;Laura&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/The_39_Steps_%281935_film%29&#34;&gt;The 39 Steps&lt;/a&gt; a while ago. I didn’t like the female lead character in this one much, but the guy was cool. Some of these old movies still feel so weird in how they just END. There’s not a lot of the modern-day closure process that I’m used to.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 15, 2009</title>
    <link href="https://mlarson.org/2009/07/15/the-hollow-mask-illusion-my-mind-is-blown/"/>
    <updated>2009-07-15T14:30:45.000Z</updated>
    <id>https://mlarson.org/2009/07/15/the-hollow-mask-illusion-my-mind-is-blown/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/G_Qwp2GdB1M&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;The &lt;a href=&#34;http://en.wikipedia.org/wiki/Hollow-Face_illusion&#34;&gt;hollow mask illusion&lt;/a&gt;. My mind is blown.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 14, 2009</title>
    <link href="https://mlarson.org/2009/07/14/old-photos-from-the-festival-of-san-fermin-lately/"/>
    <updated>2009-07-14T18:27:00.000Z</updated>
    <id>https://mlarson.org/2009/07/14/old-photos-from-the-festival-of-san-fermin-lately/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtpwi2qn37qxt3gpko1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Old photos from the &lt;a href=&#34;http://todayspictures.slate.com/20090707/&#34;&gt;Festival of San Fermín&lt;/a&gt;. Lately I’m enjoying the Slate/Magnum galleries more than &lt;a href=&#34;http://www.boston.com/bigpicture/&#34;&gt;The Big Picture&lt;/a&gt; (which also has some nice photos from &lt;a href=&#34;http://www.boston.com/bigpicture/2009/07/the_festival_of_san_fermin_200.html&#34;&gt;San Fermín this year&lt;/a&gt;). It’s a little less newsy, more old-school and artsy, I guess.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 14, 2009</title>
    <link href="https://mlarson.org/2009/07/14/david-foster-wallace-reads-laughing-with-kafka/"/>
    <updated>2009-07-14T14:36:35.000Z</updated>
    <id>https://mlarson.org/2009/07/14/david-foster-wallace-reads-laughing-with-kafka/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://www.tumblr.com/audio_file/mlarson/141479490/viX1Loqvtpw9u2o185vQT0qs?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/141479490/audio_player_iframe/mlarson/viX1Loqvtpw9u2o185vQT0qs?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F141479490%2FviX1Loqvtpw9u2o185vQT0qs&#34;&gt;http://mlarson.tumblr.com/post/141479490/audio_player_iframe/mlarson/viX1Loqvtpw9u2o185vQT0qs?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fmlarson%2F141479490%2FviX1Loqvtpw9u2o185vQT0qs&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;David Foster Wallace reads &lt;a href=&#34;http://www.badgerinternet.com/~bobkat/kafka.html&#34;&gt;Laughing with Kafka&lt;/a&gt;, which was later published in &lt;em&gt;Consider the Lobster&lt;/em&gt;. Other speakers at the &lt;a href=&#34;http://www.nytimes.com/books/98/07/19/specials/kafka.html&#34;&gt;Metamorphosis: A New Kafka&lt;/a&gt; symposium included Paul Auster, E.L. Doctorow, Susan Sontag, and David Remnick. (via &lt;a href=&#34;http://biblioklept.org/2008/09/14/david-foster-wallace-mp3s/&#34;&gt;bibliokept&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 14, 2009</title>
    <link href="https://mlarson.org/2009/07/14/love-the-camera-and-the-microphone-jay-smooth/"/>
    <updated>2009-07-14T14:22:17.000Z</updated>
    <id>https://mlarson.org/2009/07/14/love-the-camera-and-the-microphone-jay-smooth/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/niZL_jPgGTY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Love, the camera, and the microphone. &lt;a href=&#34;http://www.illdoctrine.com/&#34;&gt;Jay Smooth&lt;/a&gt; is one of my favorite thinkers.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 13, 2009</title>
    <link href="https://mlarson.org/2009/07/13/poets-put-lovers-under-trees-and-nobody-asks/"/>
    <updated>2009-07-13T17:07:00.000Z</updated>
    <id>https://mlarson.org/2009/07/13/poets-put-lovers-under-trees-and-nobody-asks/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Poets put lovers under trees, and nobody asks where that tree came from. Why can’t Kubrick put his aging man in a bedroom?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19680421/COMMENTARY/40312115&#34;&gt;‘2001’ - The Monolith and the Message - Roger Ebert&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 10, 2009</title>
    <link href="https://mlarson.org/2009/07/10/a-brief-history-of-cool-fast-company/"/>
    <updated>2009-07-10T15:59:51.000Z</updated>
    <id>https://mlarson.org/2009/07/10/a-brief-history-of-cool-fast-company/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtpqn1qswq125vrbvo1_500.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.fastcompany.com/magazine/107/next-essay-sidebar.html&#34;&gt;A Brief History of “Cool” | Fast Company&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 8, 2009</title>
    <link href="https://mlarson.org/2009/07/08/hazmat-team-removes-suspicious-package-ajccom/"/>
    <updated>2009-07-08T02:44:00.000Z</updated>
    <id>https://mlarson.org/2009/07/08/hazmat-team-removes-suspicious-package-ajccom/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtpmzrdaacxujqihxo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://projects.ajc.com/gallery/view/metro/atlanta/package-bank0707/&#34;&gt;Hazmat team removes suspicious package | ajc.com&lt;/a&gt;. This looks like something from a music video.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Love Is a Mixtape (review: 4/5)</title>
    <link href="https://mlarson.org/2009/07/07/20090707love-is-a-mixtape-review/"/>
    <updated>2009-07-07T21:57:44.000Z</updated>
    <id>https://mlarson.org/2009/07/07/20090707love-is-a-mixtape-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3661874184/&#34; title=&#34;Love Is a Mixtape by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3358/3661874184_cc49f3cd5c.jpg&#34; alt=&#34;Love Is a Mixtape&#34;&gt;&lt;/a&gt; If you like love and/or music, I think you will like &lt;a href=&#34;http://www.amazon.com/Love-Mix-Tape-Life-Loss/dp/1400083028&#34;&gt;Love Is a Mixtape: Life and Loss, One Song at a Time&lt;/a&gt;. Rob Sheffield wrote the book after the unexpected death of his wife of five years, Reneee. He didn&#39;t write it right away---the story came welling up again as he was moving to a new apartment, unpacking some old tapes of theirs. The book&#39;s 15 chapters each touch on a different mixtape and a different time. It explores the music and life and love they shared. It captures part of the Charlottesville music scene (they were both DJs) and the bigger stuff in the &#39;90s: Nirvana, Pavement, R.E.M., etc.&lt;/p&gt;
&lt;p&gt;I liked Sheffield&#39;s writing. The passage of time helps to bring out this sort of humorous self-awareness, like when he describes a moment shortly after they were married:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Now we were alone with each other.&lt;/p&gt;
&lt;p&gt;Which meant we had all these neighbors to deal with. The old lady next door dropped by with a plate of muffins one Sunday afternoon, right in the middle of &lt;em&gt;Studs&lt;/em&gt;. Renee explained that in the South, this is normal---you just drop in on your married neighbors. I was aghast. I was a husband in the South now. We had married into this alien landscape with its strange customs.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Or when he talks about his love as a supporting role, after a moment when he was driving and singing back-up on &amp;quot;Midnight Train to Georgia&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When we got to the final fade-out with Gladys on board the train and the Pips choo-chooing their goodbyes, Reneee cocked an eyebrow and said, &#39;You make a good Pip.&#39; That&#39;s all I ever wanted to hear a girl tell me. That&#39;s all I ever dreamed of being. Some of us are born Gladys Knights, and some of us are born Pips. I marveled unto my Pip soul how lucky I was to choo-choo and woo-woo behind a real Gladys girl.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And everywhere it&#39;s saturated with pop-culture references, so the time comes alive. And that&#39;s what makes it (and other good memoirs?) special: that the story is so specific. It&#39;s not just a love story, but a story about what it&#39;s like to be a music-lover in love with a music-lover mostly in Charlottesville in the early and mid-&#39;90s. And when you read his enthusiasm (&amp;quot;how lucky I was to choo-choo&amp;quot;), you can&#39;t help be a bit jealous/understanding of what he has, and you feel the loss more acutely than in a story that seems like it could be set anywhere (The Notebook, maybe, or how about Romeo and Juliet?). I think you should read it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 7, 2009</title>
    <link href="https://mlarson.org/2009/07/07/carter-corsets-woman-with-stars-and-stripes/"/>
    <updated>2009-07-07T19:00:20.000Z</updated>
    <id>https://mlarson.org/2009/07/07/carter-corsets-woman-with-stars-and-stripes/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtpmj6beild9eqfvso1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/george_eastman_house/3334095964/&#34;&gt;Carter Corsets, woman with stars and stripes background&lt;/a&gt;, by &lt;a href=&#34;http://en.wikipedia.org/wiki/Victor_Keppler&#34;&gt;Victor Keppler&lt;/a&gt;. I love this photo.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 7, 2009</title>
    <link href="https://mlarson.org/2009/07/07/james-brown-mother-popcorn-1969/"/>
    <updated>2009-07-07T16:42:20.000Z</updated>
    <id>https://mlarson.org/2009/07/07/james-brown-mother-popcorn-1969/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=j2OrJWCoonM&#34;&gt;James Brown - Mother Popcorn (1969)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Surviving the Death Race - Video Library - The New York Times</title>
    <link href="https://mlarson.org/2009/07/07/surviving-the-death-race-video-library-the-new/"/>
    <updated>2009-07-07T15:53:57.000Z</updated>
    <id>https://mlarson.org/2009/07/07/surviving-the-death-race-video-library-the-new/</id>
    <content type="html">&lt;p&gt;One of those amazing/idiotic events with running, crawling through mud, navigating barbed wire, chopping wood, boiling eggs, trivia, brain puzzles, etc. I’m intrigued…&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://video.nytimes.com/video/2009/07/06/sports/1194841322337/surviving-the-death-race.html&#34;&gt;Surviving the Death Race - Video Library - The New York Times&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Coolness Index</title>
    <link href="https://mlarson.org/2009/07/06/the-coolness-index/"/>
    <updated>2009-07-06T22:48:32.000Z</updated>
    <id>https://mlarson.org/2009/07/06/the-coolness-index/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://Last.fm&#34;&gt;Last.fm&lt;/a&gt; tracking deleted scrobbles and “guilty pleasure” tags to figure out which musicians are the least cool. (&lt;a href=&#34;http://waxy.org/links/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://musicmachinery.com/2009/07/01/the-coolness-index/&#34;&gt;The Coolness Index&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 6, 2009</title>
    <link href="https://mlarson.org/2009/07/06/back-cover-of-cant-slow-down-richie-was-ahead-of/"/>
    <updated>2009-07-06T22:44:53.000Z</updated>
    <id>https://mlarson.org/2009/07/06/back-cover-of-cant-slow-down-richie-was-ahead-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtplbr7q4qsfhnweso1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Back cover of &lt;a href=&#34;http://en.wikipedia.org/wiki/Can%27t_Slow_Down_%28Lionel_Richie_album%29&#34;&gt;Can’t Slow Down&lt;/a&gt;. Richie was ahead of his time, fashion-wise.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 6, 2009</title>
    <link href="https://mlarson.org/2009/07/06/once-the-music-plays-it-creates-me/"/>
    <updated>2009-07-06T17:29:00.000Z</updated>
    <id>https://mlarson.org/2009/07/06/once-the-music-plays-it-creates-me/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Once the music plays, it creates me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/music/2009/jun/28/michael-jackson-interview&#34;&gt;An interview with Michael Jackson from 1983 | Music | The Observer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 4, 2009</title>
    <link href="https://mlarson.org/2009/07/04/i-am-certain-that-underneath-their-topmost-layers/"/>
    <updated>2009-07-04T17:55:00.000Z</updated>
    <id>https://mlarson.org/2009/07/04/i-am-certain-that-underneath-their-topmost-layers/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://joshuablankenship.com/blog/2009/06/27/on-30-aging-good-evil-steinbeck-and-life/&#34;&gt;Joshua Blankenship | Blog » On 30, Aging, Good, Evil, Steinbeck, and Life&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 4, 2009</title>
    <link href="https://mlarson.org/2009/07/04/will-smith-the-keys-to-life-running-reading/"/>
    <updated>2009-07-04T17:29:00.000Z</updated>
    <id>https://mlarson.org/2009/07/04/will-smith-the-keys-to-life-running-reading/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/KEMEBBwO6J8&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=KEMEBBwO6J8&#34;&gt;Will Smith: The Keys to Life = Running &amp;amp; Reading&lt;/a&gt;. I’m totally set! (&lt;a href=&#34;http://ben.casnocha.com/2009/07/the-keys-to-life-running-and-reading.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 4, 2009</title>
    <link href="https://mlarson.org/2009/07/04/moma-jasper-johns-flag-1954-55-dated-on/"/>
    <updated>2009-07-04T17:06:00.000Z</updated>
    <id>https://mlarson.org/2009/07/04/moma-jasper-johns-flag-1954-55-dated-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtpi4sxq14lnkws8go1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.moma.org/collection/object.php?object_id=78805&#34;&gt;MoMA | Jasper Johns. Flag. 1954-55 (dated on reverse 1954)&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 2, 2009</title>
    <link href="https://mlarson.org/2009/07/02/scott-weaver-creates-a-san-francisco-toothpick/"/>
    <updated>2009-07-02T15:18:00.000Z</updated>
    <id>https://mlarson.org/2009/07/02/scott-weaver-creates-a-san-francisco-toothpick/</id>
    <content type="html">&lt;p&gt;Scott Weaver creates a &lt;a href=&#34;http://www.youtube.com/watch?v=S5ZwNipdnWU&#34;&gt;San Francisco toothpick city&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The lesson in this is, ‘What do we do with our time?’. And I love to create. I love to show people what can be done in life if you spend time to create. Use your imagination.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 1, 2009</title>
    <link href="https://mlarson.org/2009/07/01/map-of-the-original-1854-atlanta-ward-system/"/>
    <updated>2009-07-01T13:34:54.000Z</updated>
    <id>https://mlarson.org/2009/07/01/map-of-the-original-1854-atlanta-ward-system/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/07/vix1loqvtpdmwoi4aa1odgu6o1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Map of the original 1854 &lt;a href=&#34;http://en.wikipedia.org/wiki/Atlanta_ward_system&#34;&gt;Atlanta Ward System&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Breaking news! Atlanta’s seedy past!</title>
    <link href="https://mlarson.org/2009/07/01/breaking-news-atlantas-seedy-past/"/>
    <updated>2009-07-01T13:31:07.000Z</updated>
    <id>https://mlarson.org/2009/07/01/breaking-news-atlantas-seedy-past/</id>
    <content type="html">&lt;p&gt;Really awesome background on two of Atlanta’s 19th-century sketchy neighborhoods: Snake Nation (now Castleberry Hill) and Murrell’s Row (in today’s Old Fourth Ward/Five Points area). I’d never heard of them before.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://pecannelog.com/2009/07/01/breaking-news-atlantas-seedy-past-2/&#34;&gt;Breaking news! Atlanta’s seedy past!&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 29, 2009</title>
    <link href="https://mlarson.org/2009/06/29/stevenf-my-loving-homage-to-every-breathless/"/>
    <updated>2009-06-29T19:27:27.000Z</updated>
    <id>https://mlarson.org/2009/06/29/stevenf-my-loving-homage-to-every-breathless/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://stevenf.tumblr.com/post/129159119/my-loving-homage-to-every-breathless-unboxing&#34;&gt;stevenf&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My loving homage to every breathless unboxing video ever made.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(via &lt;a href=&#34;http://funkaoshi.com/linklog/link-11655&#34;&gt;funkaoshi&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://stevenf.tumblr.com/&#34;&gt;http://stevenf.tumblr.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 28, 2009</title>
    <link href="https://mlarson.org/2009/06/28/i-saw-my-first-buster-keaton-film-yesterday-one/"/>
    <updated>2009-06-28T15:40:07.000Z</updated>
    <id>https://mlarson.org/2009/06/28/i-saw-my-first-buster-keaton-film-yesterday-one/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://video.google.com/videoplay?docid=3147358394537366471&#34;&gt;http://video.google.com/videoplay?docid=3147358394537366471&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I saw my first Buster Keaton film yesterday: &lt;a href=&#34;http://video.google.com/videoplay?docid=3147358394537366471&#34;&gt;One Week&lt;/a&gt;, a 20-minute short on the joys of home ownership. It’s not always super ha-ha funny, but I love how the directing, acting, stunts, transitions, etc. are so tight and snappy. There are some genuine surprises in there, too.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://video.google.com/&#34;&gt;http://video.google.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 27, 2009</title>
    <link href="https://mlarson.org/2009/06/27/you-know-how-you-scratch-away-at-a-lottery-ticket/"/>
    <updated>2009-06-27T15:31:00.000Z</updated>
    <id>https://mlarson.org/2009/06/27/you-know-how-you-scratch-away-at-a-lottery-ticket/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You know how you scratch away at a lottery ticket to see if you’ve won? That’s what I’m doing when I begin a piece. I’m digging through everything to find something.&lt;br&gt;
[…]&lt;br&gt;
Scratching can look like borrowing or appropriating, but it’s an essential part of creativity. It’s primal, and very private. It’s a way of saying to the gods, “Oh, don’t mind me, I’ll just wander around in these back hallways…” and then grabbing that piece of fire and running like hell.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Creative-Habit-Learn-Use-Life/dp/0743235266&#34;&gt;Twyla Tharp&lt;/a&gt; on hunting for ideas.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 25, 2009</title>
    <link href="https://mlarson.org/2009/06/25/louis-armstrong-takin-care-of-business-without-a/"/>
    <updated>2009-06-25T13:43:04.000Z</updated>
    <id>https://mlarson.org/2009/06/25/louis-armstrong-takin-care-of-business-without-a/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtp52k21fvht5rrfoo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://grapewrath.blogspot.com/2009/06/louis-armstrong-hot-fives-hot-sevens.html&#34;&gt;Louis Armstrong&lt;/a&gt;, takin’ care of business without a shirt. I wish I knew some background on this photo.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2009</title>
    <link href="https://mlarson.org/2009/06/24/balloon-land-1935-ub-iwerks-comicolor-cartoon/"/>
    <updated>2009-06-24T17:44:00.000Z</updated>
    <id>https://mlarson.org/2009/06/24/balloon-land-1935-ub-iwerks-comicolor-cartoon/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=OKp7akCjiF4&#34;&gt;Balloon Land&lt;/a&gt; (1935) &lt;a href=&#34;http://en.wikipedia.org/wiki/Ub_Iwerks&#34;&gt;Ub Iwerks&lt;/a&gt;’ ComiColor cartoon. I remember seeing this exactly once, about 20 years ago, and it’s stuck with me ever since. So glad to stumble on it again today.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.youtube.com/&#34;&gt;http://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2009</title>
    <link href="https://mlarson.org/2009/06/24/i-like-the-idea-that-you-let-culture-use-you-as/"/>
    <updated>2009-06-24T03:40:00.000Z</updated>
    <id>https://mlarson.org/2009/06/24/i-like-the-idea-that-you-let-culture-use-you-as/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I like the idea that you let culture use you as its instrument. What gets in the way is being too clever, or worrying about how something is going to function, or where it’s going to be. When you start thinking of something as art, you’re fucked: you’re never going to advance.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/artanddesign/2008/dec/03/mark-leckey-turnerprize&#34;&gt;Turner prize winner Mark Leckey talks frankly about the whole competition experience | Art and design | The Guardian&lt;/a&gt; (&lt;a href=&#34;http://colinmarshall.livejournal.com/328760.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 24, 2009</title>
    <link href="https://mlarson.org/2009/06/24/chris-andersons-free-contains-apparent/"/>
    <updated>2009-06-24T00:29:56.000Z</updated>
    <id>https://mlarson.org/2009/06/24/chris-andersons-free-contains-apparent/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtp2us8mjazkayisno1_1280.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.vqronline.org/blog/2009/06/23/chris-anderson-free/&#34;&gt;Chris Anderson’s Free Contains Apparent Plagiarism&lt;/a&gt;. Not sure what to make of the copying, but I like the presentation from the folks at VQR. Side-by-side comparison FTW!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marginal Revolution: *Create Your Own Economy*, standing on one foot</title>
    <link href="https://mlarson.org/2009/06/23/marginal-revolution-create-your-own-economy/"/>
    <updated>2009-06-23T14:02:00.000Z</updated>
    <id>https://mlarson.org/2009/06/23/marginal-revolution-create-your-own-economy/</id>
    <content type="html">&lt;p&gt;Tyler Cowen summarizes some of the contents of his new book. Some bits I’m curious about:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;2. A new vision for how “autistic cognitive strengths” are a major dynamic element in human history and that includes a revisionist view of the autism spectrum.&lt;br&gt;
3. New ways of thinking about what you’re really good at (and not so good at).&lt;br&gt;
4. A view of why education is much more than just signaling, but why you should be cynical about most education nonetheless.&lt;br&gt;
7. Why the Sherlock Holmes stories are a lot more interesting than most people think.&lt;br&gt;
10. The importance of neurology for unpacking debates about aesthetics, especially when it comes to music.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I finished his &lt;a href=&#34;http://www.amazon.com/Discover-Your-Inner-Economist-Incentives/dp/0525950257&#34;&gt;Discover Your Inner Economist&lt;/a&gt; last week, which was wide-ranging and breezy and smart, just like the blog he co-writes. Looking forward to this new book.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/06/create-your-own-economy-standing-on-one-foot.html&#34;&gt;Marginal Revolution: *Create Your Own Economy*, standing on one foot&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 23, 2009</title>
    <link href="https://mlarson.org/2009/06/23/an-economy-that-is-more-entrepreneurial-less/"/>
    <updated>2009-06-23T04:01:00.000Z</updated>
    <id>https://mlarson.org/2009/06/23/an-economy-that-is-more-entrepreneurial-less/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;An economy that is more entrepreneurial, less managerial, would be less subject to the kind of distortions that occur when corporate managers’ compensation is tied to the short-term profit of distant shareholders. For most entrepreneurs, profit is at once a more capacious and a more concrete thing than this. It is a calculation in which the intrinsic satisfactions of work count.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Matthew B. Crawford, &lt;a href=&#34;http://www.nytimes.com/2009/05/24/magazine/24labor-t.html&#34;&gt;The Case for Working With Your Hands&lt;/a&gt;. NYT Magazine, 5.24.09. That last sentence is such a winner. (&lt;a href=&#34;http://www.danpink.com/archives/2009/05/quote-of-the-day-entrepreneurs-own-rewards&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 22, 2009</title>
    <link href="https://mlarson.org/2009/06/22/the-trift-bridge-in-switzerland-is-the-longest/"/>
    <updated>2009-06-22T13:57:18.000Z</updated>
    <id>https://mlarson.org/2009/06/22/the-trift-bridge-in-switzerland-is-the-longest/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtp0sqtj1omcf74fyo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;http://www.trift.ch/bruecke2009/&#34;&gt;Trift Bridge&lt;/a&gt; in Switzerland is the longest pedestrian suspension bridge in the world. &lt;a href=&#34;http://maps.google.com/maps?&amp;amp;ll=46.693889,8.3575&amp;amp;spn=0.003032,0.00633&amp;amp;t=h&amp;amp;z=17&#34;&gt;46°41&#39;38&amp;quot;N 8°21&#39;27&amp;quot;E&lt;/a&gt;. (&lt;a href=&#34;http://blogs.wsj.com/photojournal/2009/06/12/pictures-of-the-day-197/&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 19, 2009</title>
    <link href="https://mlarson.org/2009/06/19/personics-commercial-im-not-sure-how-big-it/"/>
    <updated>2009-06-19T04:18:00.000Z</updated>
    <id>https://mlarson.org/2009/06/19/personics-commercial-im-not-sure-how-big-it/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/NPJemnDK3FY&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=NPJemnDK3FY&#34;&gt;Personics Commercial&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I’m not sure how big it got, but I know I missed this growing up in rural north Georgia. Apparently, for a time in the late ‘80s and early &#39;90s (as LPs and 45s were fading but before CDs made a big splash, way before our idyllic days of mp3 ubiquity), you could buy singles for $0.50-$1.50 or so, and have them recorded on a custom-labeled mixtape. (via &lt;a href=&#34;http://www.retrothing.com/2008/11/personics---itu.html&#34;&gt;retro thing&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2009</title>
    <link href="https://mlarson.org/2009/06/18/i-really-want-to-see-some-buster-keaton-films/"/>
    <updated>2009-06-18T20:38:00.000Z</updated>
    <id>https://mlarson.org/2009/06/18/i-really-want-to-see-some-buster-keaton-films/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtovhav11mwedbedpo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;I really want to see some Buster Keaton films after reading about him in Walter Kerr’s essay “The Keaton Quiet”. I haven’t been able to find it online, but it’s in Kerr’s book &lt;a href=&#34;http://www.amazon.com/Silent-Clowns-Walter-Kerr/dp/0306803879&#34;&gt;The Silent Clowns&lt;/a&gt; and in the &lt;a href=&#34;http://www.amazon.com/American-Movie-Critics-Silents-Until/dp/1931082928&#34;&gt;movie critic anthology&lt;/a&gt; I’ve been reading. Here’s &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20021110/REVIEWS08/40802001/1023&#34;&gt;Rogert Ebert on Buster Keaton&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2009</title>
    <link href="https://mlarson.org/2009/06/18/as-if-lugging-around-a-book-the-size-of-a-2-br-1¼/"/>
    <updated>2009-06-18T20:13:11.000Z</updated>
    <id>https://mlarson.org/2009/06/18/as-if-lugging-around-a-book-the-size-of-a-2-br-1¼/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;As if lugging around a book the size of a 2 br. 1¼ bath apartment isn’t enough, you may want to carry a notebook as well. You won’t always have the requisite Oxford English Dictionary within arm’s reach, you know.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://infinitesummer.org/archives/215&#34;&gt;How to Read Infinite Jest&lt;/a&gt;. (via &lt;a href=&#34;http://infinitetumblr.tumblr.com/&#34;&gt;infinitetumblr&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;I checked this out from the library a while ago. Unfortunately, some guy had it requested before I could break into triple-digit pages. Now that I’m armed with my very own shiny new copy, I’m ready to dive back in.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2009</title>
    <link href="https://mlarson.org/2009/06/18/austinkleon-marilyn-monroe-reading-ulysses/"/>
    <updated>2009-06-18T20:01:25.000Z</updated>
    <id>https://mlarson.org/2009/06/18/austinkleon-marilyn-monroe-reading-ulysses/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/wxcaptl7fov6ulezeyhz8uzoo1_r1_540.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/125887067/marilyn-monroe-reading-ulysses&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.cupblog.org/?p=651&#34;&gt;Marilyn Monroe reading ULYSSES&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2009</title>
    <link href="https://mlarson.org/2009/06/18/just-learned-a-new-word-walla-is-a-sound-effect/"/>
    <updated>2009-06-18T14:00:26.000Z</updated>
    <id>https://mlarson.org/2009/06/18/just-learned-a-new-word-walla-is-a-sound-effect/</id>
    <content type="html">&lt;p&gt;Just learned a new word: “&lt;a href=&#34;http://walla%20is%20a%20sound%20effect%20imitating%20the%20murmur%20of%20a%20crowd%20in%20the%20background.%20&#34;&gt;Walla&lt;/a&gt; is a sound effect imitating the murmur of a crowd in the background.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2009</title>
    <link href="https://mlarson.org/2009/06/18/oliver-sacks-desk-i-like-this-workspace-a-few/"/>
    <updated>2009-06-18T13:40:09.000Z</updated>
    <id>https://mlarson.org/2009/06/18/oliver-sacks-desk-i-like-this-workspace-a-few/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtov2dcddhqmlmyzho1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://seedmagazine.com/interactive/workbench/oliver_sacks/&#34;&gt;Oliver Sacks’ desk&lt;/a&gt;. I like this workspace: a few books, paper, pencil, some raw metals, and a few photos of friends. [via &lt;a href=&#34;http://twitter.com/thebookslut&#34;&gt;@thebookslut&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 17, 2009</title>
    <link href="https://mlarson.org/2009/06/17/one-of-the-tasks-of-the-film-critic-of-tomorrow/"/>
    <updated>2009-06-17T19:34:00.000Z</updated>
    <id>https://mlarson.org/2009/06/17/one-of-the-tasks-of-the-film-critic-of-tomorrow/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One of the tasks of the film critic of tomorrow - perhaps he will even be called a “television critic” - will be to rid the world of the comic figure the average film critic and film theorist of today represents: he lives from the glory of his memories like the seventy-year-old ex-court actresses, rummages about as they do in yellowing photographs, speaks of names that are long gone. He discusses films no one has been able to see for ten years or more (and about which they can therefore say everything and nothing) with people of his own ilk; he argues about montage like medieval scholars discussed the existence of God, believing all these things could still exist today. In the evening, he sits with rapt attention in the cinema, a critical art lover, as though we still lived in the days of Griffith, Stroheim, Murnau, and Eisenstein. He thinks he is seeing bad films instead of understanding that what he sees is no longer film at all.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://books.google.com/books?id=QblxFody490C&amp;amp;pg=PA105&amp;amp;dq=%22the+film+critic+of+tomorrow%22&#34;&gt;The Film Critic of Tomorrow&lt;/a&gt;. Rudolf Arnheim, 1935. Ah, the troubles of understanding and reconciling The New with the vast collection of Things We Already Love.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 17, 2009</title>
    <link href="https://mlarson.org/2009/06/17/97-harpsichord-plus-ca-change/"/>
    <updated>2009-06-17T19:21:55.000Z</updated>
    <id>https://mlarson.org/2009/06/17/97-harpsichord-plus-ca-change/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtotz50vrg8qk1jcgo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/tomgauld/3294275929/&#34;&gt;97. Harpsichord&lt;/a&gt;. Plus ça change…&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 17, 2009</title>
    <link href="https://mlarson.org/2009/06/17/mashup-dj-girl-talk-deconstructs-samples-from-feed/"/>
    <updated>2009-06-17T18:36:00.000Z</updated>
    <id>https://mlarson.org/2009/06/17/mashup-dj-girl-talk-deconstructs-samples-from-feed/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtotxihtihr5myuugo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.wired.com/special_multimedia/2008/pl_music_1609&#34;&gt;Mashup DJ Girl Talk Deconstructs Samples From Feed the Animals&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 14, 2009</title>
    <link href="https://mlarson.org/2009/06/14/sheatsb-found-this-in-the-metropolis-parking/"/>
    <updated>2009-06-14T04:51:20.000Z</updated>
    <id>https://mlarson.org/2009/06/14/sheatsb-found-this-in-the-metropolis-parking/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/szvupfdqkooq5mojrjjcnxmuo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumble.sheatsb.com/post/123192686/found-this-in-the-metropolis-parking-deck-in-a&#34;&gt;sheatsb&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Found this in the Metropolis parking deck in a handicap spot of all places. plate says “11MPG”.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2009</title>
    <link href="https://mlarson.org/2009/06/10/shaq-vs-bynum-the-little-tussle-at-the-end-is/"/>
    <updated>2009-06-10T16:28:00.000Z</updated>
    <id>https://mlarson.org/2009/06/10/shaq-vs-bynum-the-little-tussle-at-the-end-is/</id>
    <content type="html">&lt;p&gt;Shaq vs. Bynum. The little tussle at the end is stupid; but you gotta love seeing Shaq embarrass someone with a huge dunk, and then seeing him get shown up seconds later. I don’t even care about basketball, but Bynum’s rebuttal got me fired up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Trash, Art, and the Movies</title>
    <link href="https://mlarson.org/2009/06/10/trash-art-and-the-movies/"/>
    <updated>2009-06-10T04:53:00.000Z</updated>
    <id>https://mlarson.org/2009/06/10/trash-art-and-the-movies/</id>
    <content type="html">&lt;p&gt;Your required reading of the week: &lt;a href=&#34;http://www.paulrossen.com/paulinekael/trashartandthemovies.html&#34;&gt;Trash, Art, and the Movies&lt;/a&gt;. This piece from Pauline Kael appeared in &lt;a href=&#34;http://www.harpers.org/archive/1969/02/0015651&#34;&gt;Harper’s, February 1969&lt;/a&gt;. I found it in the &lt;a href=&#34;http://www.amazon.com/American-Movie-Critics-Silents-Until/dp/1931082928&#34;&gt;American Movie Critics&lt;/a&gt; anthology and couldn’t put it down. It’s a fantastic essay about high art and low art, what makes movies fun and what makes them tedious. Some good bits…&lt;/p&gt;
&lt;p&gt;On connecting with like-minded people (It’s more fun to meet someone who also likes &lt;em&gt;Footloose&lt;/em&gt; than to meet someone who also likes, I don’t know, &lt;em&gt;Lawrence of Arabia&lt;/em&gt;.):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On schooling and aesthetic development (being taught vs. learning to discern):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Perhaps the single most intense pleasure of moviegoing is this non-aesthetic one of escaping from the responsibilities of having the proper responses required of us in our official (school) culture. And yet this is probably the best and most common basis for developing an aesthetic sense because responsibility to pay attention and to appreciate is anti-art, it makes us too anxious for pleasure, too bored for response. Far from supervision and official culture, in the darkness at the movies where nothing is asked of us and we are left alone, the liberation from duty and constraint allows us to develop our own aesthetic responses. Unsupervised enjoyment is probably not the only kind there is but it may feel like the only kind. Irresponsibility is part of the pleasure of all art; it is the part the schools cannot recognize.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On “redeeming” pop trash with academic jargon (just enjoy it, folks!):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We shouldn’t convert what we enjoy it for into false terms derived from our study of the other arts. That’s being false to what we enjoy. If it was priggish for an older generation of reviewers to be ashamed of what they enjoyed and to feel they had to be contemptuous of popular entertainment, it’s even more priggish for a new movie generation to be so proud of what they enjoy that they use their education to try to place trash within the acceptable academic tradition. […] We are now told in respectable museum publications that in 1932 a movie like &lt;em&gt;Shanghai Express&lt;/em&gt; “was completely misunderstood as a mindless adventure” when indeed it was completely &lt;strong&gt;understood&lt;/strong&gt; as a mindless adventure. And enjoyed as a mindless adventure. It’s a peculiar form of movie madness crossed with academicism, this lowbrowism masquerading as highbrowism, eating a candy bar and cleaning an “allegorical problem of human faith” out of your teeth.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Birmingham</title>
    <link href="https://mlarson.org/2009/06/09/20090609birmingham/"/>
    <updated>2009-06-09T18:46:01.000Z</updated>
    <id>https://mlarson.org/2009/06/09/20090609birmingham/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3597207182/&#34; title=&#34;Atlanta Üí Birmingham by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3561/3597207182_f0d6400084.jpg&#34; alt=&#34;Atlanta Üí Birmingham&#34;&gt;&lt;/a&gt; Last weekend was a little road trip out to Birmingham. So nice to catch up with a friend that I hadn&#39;t seen for an absurd amount of time, and also make some new ones. I ate at &lt;a href=&#34;http://www.cantinabirmingham.com/&#34;&gt;Cantina&lt;/a&gt;, where the fishburgers and garlic fries get my hearty recommendation. Also saw Bon Iver (good performance) and Elvis Perkins (really, really good performance) in concert at &lt;a href=&#34;http://www.workplay.com/&#34;&gt;Workplay&lt;/a&gt;. Workplay is a nice open venue that&#39;ll fit a couple hundred comfortably. Wallflowers and concert snobs will enjoy the options: an elevated perimeter of tables that surrounds the main floor and the stage, and then above that there&#39;s an &lt;a href=&#34;http://www.flickr.com/photos/stephendevriesphotography/1803118432/&#34;&gt;upper deck&lt;/a&gt; with more tables and chairs and waiters at your beck and call. Nice. We also stumbled upon the &lt;a href=&#34;http://www.mcwane.org/&#34;&gt;McWane Science Center&lt;/a&gt; downtown whilst in search of a bathroom. Looked like there was a &amp;quot;Night at the Imax&amp;quot; sort of event going on for the kids.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 9, 2009</title>
    <link href="https://mlarson.org/2009/06/09/designnotes-by-michael-surtees-walking-on-top-of/"/>
    <updated>2009-06-09T13:33:17.000Z</updated>
    <id>https://mlarson.org/2009/06/09/designnotes-by-michael-surtees-walking-on-top-of/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtoi75v5srj2hzx7ro1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://designnotes.info/?p=1801&#34;&gt;DesignNotes by Michael Surtees » Walking on Top of the High Line&lt;/a&gt;. Jealous! I wish we had something like that in Atlanta. That’s going to be a cool spot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 9, 2009</title>
    <link href="https://mlarson.org/2009/06/09/via-alex-ross/"/>
    <updated>2009-06-09T03:40:00.000Z</updated>
    <id>https://mlarson.org/2009/06/09/via-alex-ross/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtohlzjgob4w4cwnao1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;via &lt;a href=&#34;http://www.therestisnoise.com/2009/06/mahler-trinkets.html&#34;&gt;alex ross&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 9, 2009</title>
    <link href="https://mlarson.org/2009/06/09/mahler-grooves-via-alex-ross/"/>
    <updated>2009-06-09T03:38:45.000Z</updated>
    <id>https://mlarson.org/2009/06/09/mahler-grooves-via-alex-ross/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtohlxatwpuufwcfvo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://jasonweinberger.com/2008/10/mahler_grooves.html&#34;&gt;Mahler Grooves&lt;/a&gt; [via &lt;a href=&#34;http://www.therestisnoise.com/2009/06/mahler-trinkets.html&#34;&gt;alex ross&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2009</title>
    <link href="https://mlarson.org/2009/06/08/life-atlanta-in-springtime/"/>
    <updated>2009-06-08T15:01:19.000Z</updated>
    <id>https://mlarson.org/2009/06/08/life-atlanta-in-springtime/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtoguv7tpqsynte3co1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://images.google.com/hosted/life/l?imgurl=54866c74dd48bce5&#34;&gt;LIFE: Atlanta In Springtime&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;The Gangster as Tragic Hero&#34; - Robert Warshow on the Gangster Film</title>
    <link href="https://mlarson.org/2009/06/08/the-gangster-as-tragic-hero-robert-warshow-on/"/>
    <updated>2009-06-08T02:14:00.000Z</updated>
    <id>https://mlarson.org/2009/06/08/the-gangster-as-tragic-hero-robert-warshow-on/</id>
    <content type="html">&lt;p&gt;A notable selection from &lt;a href=&#34;http://www.amazon.com/American-Movie-Critics-Silents-Until/dp/1931082928&#34;&gt;American Movie Critics: From the Silents Until Now&lt;/a&gt;, which I’m working my way through this week.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mtsu32.mtsu.edu:11072/Courses/Gangster/warshow.htm&#34;&gt;&amp;quot;The Gangster as Tragic Hero&amp;quot; - Robert Warshow on the Gangster Film&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 5, 2009</title>
    <link href="https://mlarson.org/2009/06/05/you-care-about-things-that-you-make-and-that/"/>
    <updated>2009-06-05T22:45:39.000Z</updated>
    <id>https://mlarson.org/2009/06/05/you-care-about-things-that-you-make-and-that/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;You care about things that you make, and that makes it easier to care about things that other people make.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ya gotta make stuff. That’s &lt;a href=&#34;http://www.newyorker.com/arts/critics/atlarge/2009/06/08/090608crat_atlarge_menand?currentPage=all&#34;&gt;Louis Menand talking about Creative Writing programs&lt;/a&gt;, but I think it applies to the life outside just as well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 5, 2009</title>
    <link href="https://mlarson.org/2009/06/05/if-you-ever-get-stuck-on-that-next-notechord-try/"/>
    <updated>2009-06-05T22:21:12.000Z</updated>
    <id>https://mlarson.org/2009/06/05/if-you-ever-get-stuck-on-that-next-notechord-try/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtod09cpsdsgh2rs9o1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;If you ever get stuck on that next note/chord, try &lt;a href=&#34;http://www.musiciansdice.com/&#34;&gt;Musician’s Dice&lt;/a&gt;. [via &lt;a href=&#34;http://classicalconvert.com/2009/06/getting-dicey/&#34;&gt;classicalconvert&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 5, 2009</title>
    <link href="https://mlarson.org/2009/06/05/plaque-with-medeas-murder-of-absyrtus-by-martin/"/>
    <updated>2009-06-05T03:51:17.000Z</updated>
    <id>https://mlarson.org/2009/06/05/plaque-with-medeas-murder-of-absyrtus-by-martin/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvtobwlzvehnk8f6wco1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art.thewalters.org/viewwoa.aspx?id=2444&#34;&gt;Plaque with Medea’s Murder of Absyrtus by Martin Didier Pape&lt;/a&gt;. I think this will be my last selection from the Walters Art Museum. I love the odd body parts floating in the ocean. Such gore for the late 1500s.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 4, 2009</title>
    <link href="https://mlarson.org/2009/06/04/i-never-think-of-anything-as-finished-until-its/"/>
    <updated>2009-06-04T20:44:00.000Z</updated>
    <id>https://mlarson.org/2009/06/04/i-never-think-of-anything-as-finished-until-its/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I never think of anything as finished until it’s released. If you came round to my house one day and I said, “This is something I haven’t finished yet, but it’s going to be much better when I’ve mixed it,” and blah blah blah – all these defenses – and then I played it for you, that’s one thing. But if you pick up my album at a shop and take it home and put it on your record player and I’m not there to give you all those excuses, that’s quite a different thing. A work is finished for me when it’s no longer in the domain of my excuses about it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://music.hyperreal.org/artists/brian_eno/interviews/int90a.html&#34;&gt;Brian Eno in Interview magazine, 1990&lt;/a&gt;. By the way, there is a massive &lt;a href=&#34;http://music.hyperreal.org/artists/brian_eno/interviews/&#34;&gt;archive of interviews with Brian Eno&lt;/a&gt;, which I am wont to plunder when I need a little something to think on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>SimplyNoise.com - The best free white noise generator on the Internet.</title>
    <link href="https://mlarson.org/2009/06/04/simplynoisecom-the-best-free-white-noise/"/>
    <updated>2009-06-04T20:25:00.000Z</updated>
    <id>https://mlarson.org/2009/06/04/simplynoisecom-the-best-free-white-noise/</id>
    <content type="html">&lt;p&gt;I prefer the pink and the brown/red noise. They’re all great for the office.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.simplynoise.com&#34;&gt;SimplyNoise.com - The best free white noise generator on the Internet.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 4, 2009</title>
    <link href="https://mlarson.org/2009/06/04/austinkleon-my-freedom-thus-consists-in-my/"/>
    <updated>2009-06-04T18:45:00.000Z</updated>
    <id>https://mlarson.org/2009/06/04/austinkleon-my-freedom-thus-consists-in-my/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/117955552/my-freedom-thus-consists-in-my-moving-about-within&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;“My freedom thus consists in my moving about within the narrow frame that I have assigned to myself for each one of my undertakings. I shall go even further: my freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint diminishes strength. The more constraints one imposes, the more one frees oneself of the claims that shackle the spirit.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— Igor Stravinsky, &lt;em&gt;The Poetics of Music&lt;/em&gt; (&lt;a href=&#34;http://designobserver.com/archives/entry.html?id=39717&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Picking Up Girls Made Easy!</title>
    <link href="https://mlarson.org/2009/06/04/picking-up-girls-made-easy/"/>
    <updated>2009-06-04T18:36:21.000Z</updated>
    <id>https://mlarson.org/2009/06/04/picking-up-girls-made-easy/</id>
    <content type="html">&lt;p&gt;“There are a few basic principles that you have to master before you can move on to wild, uninhibited streetplay.” Hilarious. Creepy.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://ubuweb.tumblr.com/post/118008634/picking-up-girls-made-easy-1975-mp3&#34;&gt;ubuweb&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“PICKING UP GIRLS MADE EASY will teach you a whole new system for picking up girls — a system that is so complete and so absolutely foolproof you’ll soon be picking up girls automaticallly!!! Absolutely everything is spelled out for you… Picking up girls can be as easy as opening a beer! And the more you listen to the album, the better you’ll get. It’s INCREDIBLE!”&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_01_Picking_Up_Girls_Made_Easy_-_The_Street_Pick_Up.mp3&#34;&gt;The Street Pick Up&lt;/a&gt; (6:00)&lt;br&gt;
&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_02_Picking_Up_Girls_Made_Easy_-_Love_In_The_Library.mp3&#34;&gt;Love In The Library&lt;/a&gt; (5:11)&lt;br&gt;
&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_03_Picking_Up_Girls_Made_Easy_-_Singles_Bar_Action.mp3&#34;&gt;Single’s Bar Action&lt;/a&gt; (6:12)&lt;br&gt;
&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_04_Picking_Up_Girls_Made_Easy_-_Womens_Clothing_Store_Pick_Up.mp3&#34;&gt;Women’s Clothing Store Pick Up&lt;/a&gt; (6:39)&lt;br&gt;
&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_05_Picking_Up_Girls_Made_Easy_-_The_Ballet_Is_A_Ball.mp3&#34;&gt;The Ballet Is A Ball&lt;/a&gt; (4:08)&lt;br&gt;
&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_06_Picking_Up_Girls_Made_Easy_-_Museum_Pick_Up.mp3&#34;&gt;Museum Pick Up&lt;/a&gt; (5:42)&lt;br&gt;
&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_07_Picking_Up_Girls_Made_Easy_-_Walking_The_Dog.mp3&#34;&gt;Walking The Dog&lt;/a&gt; (5:53)&lt;br&gt;
&lt;a href=&#34;http://blogfiles.wfmu.org/DP/2007/11/307_08_Picking_Up_Girls_Made_Easy_-_Pick_Up_At_The_Beach.mp3&#34;&gt;Pick Up At The Beach&lt;/a&gt; (5:46)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;From UbuWeb’s &lt;a href=&#34;http://www.ubu.com/outsiders/365/index.shtml&#34;&gt;365 Days Project&lt;/a&gt;:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.ubu.com/outsiders/365/2007/307.shtml&#34;&gt;http://www.ubu.com/outsiders/365/2007/307.shtml&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2009</title>
    <link href="https://mlarson.org/2009/06/03/profile-head-of-a-young-woman-by-leopold-carl/"/>
    <updated>2009-06-03T12:17:11.000Z</updated>
    <id>https://mlarson.org/2009/06/03/profile-head-of-a-young-woman-by-leopold-carl/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvto9jsvqsb78rtazko1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art.thewalters.org/viewwoa.aspx?id=25642&#34;&gt;Profile Head of a Young Woman by Leopold Carl Müller&lt;/a&gt;. The other half of the pair.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2009</title>
    <link href="https://mlarson.org/2009/06/03/profile-head-of-a-young-woman-by-leopold-carl-2/"/>
    <updated>2009-06-03T12:14:54.000Z</updated>
    <id>https://mlarson.org/2009/06/03/profile-head-of-a-young-woman-by-leopold-carl-2/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvto9jpy8x2vwkxjzyo1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art.thewalters.org/viewwoa.aspx?id=9080&#34;&gt;Profile Head of a Young Woman by Leopold Carl Müller&lt;/a&gt;. One of a pair, another selection from the Walters Museum that I really liked.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Charleston</title>
    <link href="https://mlarson.org/2009/06/03/20090603charleston/"/>
    <updated>2009-06-03T03:04:54.000Z</updated>
    <id>https://mlarson.org/2009/06/03/20090603charleston/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3552378891/&#34; title=&#34;Atlanta Üí Charleston by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3335/3552378891_2315274f53.jpg&#34; alt=&#34;Atlanta Üí Charleston&#34;&gt;&lt;/a&gt; I drove over to Charleston, SC for Memorial Day weekend. It was Spoleto Festival season, I finally got to see the &lt;a href=&#34;http://www.alvinailey.org/&#34;&gt;Alvin Ailey Dance Company&lt;/a&gt; (after a mad dash from the parking deck to arrive in our seats *just* before it started). My favorite piece was &lt;a href=&#34;http://www.alvinailey.org/page.php?p=bal_d&amp;amp;v=168&#34;&gt;Suite Otis&lt;/a&gt;, a tribute to the awesome (Georgia-born!) Otis Redding. Later the same day we stumbled upon &lt;a href=&#34;http://www.theatre99.com/&#34;&gt;Theatre 99&lt;/a&gt;, where we saw a good improv show by a group whose name I can&#39;t recall. Moving on to food...&lt;/p&gt;
&lt;p&gt;There&#39;s good pizza at &lt;a href=&#34;http://www.socialwinebar.com/&#34;&gt;Social&lt;/a&gt;. But the drink (read: beer) list was uninspired (I&#39;m spoiled by living a few steps away from &lt;a href=&#34;http://www.brickstorepub.com/home/&#34;&gt;Brick Store&lt;/a&gt;) and I didn&#39;t quite fit with the crowd. Ditto &lt;a href=&#34;http://www.vendueinn.com/&#34;&gt;Rooftop Bar&lt;/a&gt; at the Vendue Inn, but the views are nice. I did like the vibe and the jukebox at &lt;a href=&#34;http://www.recoveryroomtavern.com/&#34;&gt;Recovery Room&lt;/a&gt;. The people at &lt;a href=&#34;http://www.joepasta.com/&#34;&gt;Joe Pasta&lt;/a&gt; were very kind and I also liked &lt;a href=&#34;http://www.monzapizza.com/&#34;&gt;Monza&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;We went to the renowned &lt;a href=&#34;http://www.hominygrill.com/&#34;&gt;Hominy Grill&lt;/a&gt; but the Sunday brunch line was absurd so we went across the street to &lt;a href=&#34;http://www.fuelcharleston.com/index.php&#34;&gt;Fuel&lt;/a&gt;, which has great plantains and an enormous serving of chicken &amp;amp; waffles. If I&#39;m ever there again, I&#39;d like to check out &lt;a href=&#34;http://www.yelp.com/biz/pane-e-vino-charleston&#34;&gt;Pano e Vino&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Out on Folly Beach, I recommend &lt;a href=&#34;http://www.tacoboy.net/&#34;&gt;Taco Boy&lt;/a&gt; and maybe Lil&#39; Mama&#39;s if you don&#39;t mind a little waiting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Marshmallows and time preference</title>
    <link href="https://mlarson.org/2009/06/03/20090603marshmallows-and-time-preference/"/>
    <updated>2009-06-03T02:17:20.000Z</updated>
    <id>https://mlarson.org/2009/06/03/20090603marshmallows-and-time-preference/</id>
    <content type="html">&lt;p&gt;You probably recall &lt;a href=&#34;http://www.newyorker.com/reporting/2009/05/18/090518fa_fact_lehrer&#34;&gt;Jonah Lehrer&#39;s New Yorker article about the kids who were told not to eat the marshmallow&lt;/a&gt;. Those who were able to hold out were better behaved, higher achievers later in life.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Low delayers, the children who rang the bell quickly, seemed more likely to have behavioral problems, both in school and at home. They got lower S.A.T. scores. They struggled in stressful situations, often had trouble paying attention, and found it difficult to maintain friendships. The child who could wait fifteen minutes had an S.A.T. score that was, on average, two hundred and ten points higher than that of the kid who could wait only thirty seconds.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When I was reading it, it reminded me of some ideas that have been around for in economics for a couple centuries or so: &lt;a href=&#34;http://en.wikipedia.org/wiki/Time_preference&#34;&gt;time preference&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Intertemporal_choice&#34;&gt;intertemporal choice&lt;/a&gt;. Someone with high time preference will tend to consume sooner rather than later. People with low time preference are the savers---the ones who can hold out. The same applies to social groups or societies. For example, married folks or people who have children (or expect them) tend to have lower time preference and set aside more for the future. And they tend to display fewer risky behaviors, so they can actually see the eventual benefits of their saving. It&#39;s the opposite for the single, childless, young. This relates to why single males in their 20s tend to have high car insurance, lots of cool electronics stuff, and little in their IRAs. Consume more now, have less later.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2009</title>
    <link href="https://mlarson.org/2009/06/02/as-a-kid-i-imagined-that-going-on-a-trip-meant/"/>
    <updated>2009-06-02T19:16:57.000Z</updated>
    <id>https://mlarson.org/2009/06/02/as-a-kid-i-imagined-that-going-on-a-trip-meant/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;As a kid, I imagined that going on a trip meant either (a) decamping for two weeks to some sun-drenched “paradise” like Hawaii (I don’t like the sun or anything it nourishes), (b) staring at a series of post card-y landmarks and feigning engagement, © roughing it like some Rick Stevesite through narrow cobblestone streets in a pair of underpants you washed in the sink, desperately dodging swarms of filthy urchins, their dozens of tiny hands grabbing tirelessly for your dorky, inconvenient money belt or (d) a truly unpalatable cocktail of all three. Only relatively recently has it occurred to me that you can do whatever you want with your time abroad, like exploring cities and whatnot.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://colinmarshall.livejournal.com/270325.html&#34;&gt;The War on Mediocrity - Trav&#39;lin man&lt;/a&gt;. (&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/06/assorted-links-1.html&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2009</title>
    <link href="https://mlarson.org/2009/06/02/benny-goodman-1958/"/>
    <updated>2009-06-02T14:49:18.000Z</updated>
    <id>https://mlarson.org/2009/06/02/benny-goodman-1958/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/06/vix1loqvto89snweetyvmhkio1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://todayspictures.slate.com/20090430/&#34;&gt;Benny Goodman, 1958&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2009</title>
    <link href="https://mlarson.org/2009/06/01/i-find-that-more-and-more-nonfiction-authors-are/"/>
    <updated>2009-06-01T14:11:37.000Z</updated>
    <id>https://mlarson.org/2009/06/01/i-find-that-more-and-more-nonfiction-authors-are/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I find that more and more nonfiction authors are confusing Book Idea with Long Magazine Article Idea.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/thebookslut/statuses/1991482894&#34;&gt;@bookslut&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2009</title>
    <link href="https://mlarson.org/2009/05/29/brian-eno-music-for-airports-interviewi-thought/"/>
    <updated>2009-05-29T16:29:08.000Z</updated>
    <id>https://mlarson.org/2009/05/29/brian-eno-music-for-airports-interviewi-thought/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/ykJg-vE3k-E&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href=&#34;http://youtube.com/user/nathanidiothend&#34;&gt;Brian Eno - Music For Airports Interview&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I thought that it would be much better to have music that said, “Well, if you die, it doesn’t really matter.”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2009</title>
    <link href="https://mlarson.org/2009/05/29/furnishing-music-completes-ones-property/"/>
    <updated>2009-05-29T16:11:55.000Z</updated>
    <id>https://mlarson.org/2009/05/29/furnishing-music-completes-ones-property/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Furnishing music completes one’s property.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Erik Satie. &lt;a href=&#34;http://en.wikipedia.org/wiki/Furniture_music&#34;&gt;Furniture music&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2009</title>
    <link href="https://mlarson.org/2009/05/29/an-accident-by-pascal-adolphe-jean/"/>
    <updated>2009-05-29T03:52:00.000Z</updated>
    <id>https://mlarson.org/2009/05/29/an-accident-by-pascal-adolphe-jean/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvto1wkgw8k73sjtmgo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art.thewalters.org/viewwoa.aspx?id=17015&#34;&gt;An Accident by Pascal Adolphe Jean Dagnan-Bouveret&lt;/a&gt;. “In this scene, a country doctor bandages a boy’s injured hand, while his family looks on with varying degrees of concern.”&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2009</title>
    <link href="https://mlarson.org/2009/05/28/double-suicide-by-alan-cedeno-via/"/>
    <updated>2009-05-28T14:34:08.000Z</updated>
    <id>https://mlarson.org/2009/05/28/double-suicide-by-alan-cedeno-via/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvto141w10dxhy2mxbo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Double Suicide by &lt;a href=&#34;http://allanced.deviantart.com/&#34;&gt;Alan Cedeno&lt;/a&gt;. &lt;a href=&#34;http://www.sparehed.com/2009/05/23/double-suicide/&#34;&gt;via&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2009</title>
    <link href="https://mlarson.org/2009/05/28/springtime-by-claude-monet-that-dappled-sunlight/"/>
    <updated>2009-05-28T02:18:16.000Z</updated>
    <id>https://mlarson.org/2009/05/28/springtime-by-claude-monet-that-dappled-sunlight/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvto0drk5wstygxnewo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art.thewalters.org/viewwoa.aspx?id=10078&#34;&gt;Springtime by Claude Monet&lt;/a&gt;. That dappled sunlight!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2009</title>
    <link href="https://mlarson.org/2009/05/28/paris-kiosk-by-jean-beraud-if-you-find-yourself/"/>
    <updated>2009-05-28T02:16:21.000Z</updated>
    <id>https://mlarson.org/2009/05/28/paris-kiosk-by-jean-beraud-if-you-find-yourself/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvto0dp3pcwbvdih0fo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://art.thewalters.org/viewwoa.aspx?id=27564&#34;&gt;Paris Kiosk by Jean Béraud&lt;/a&gt;. If you find yourself in Baltimore like I did a few weeks ago, I suggest you visit the &lt;a href=&#34;http://thewalters.org/&#34;&gt;Walters Art Museum&lt;/a&gt;. Not only is it cheap, but they’ve got cool stuff AND they’ve got a &lt;a href=&#34;http://art.thewalters.org/&#34;&gt;spectacular online collection&lt;/a&gt; so you can re-visit the ones you loved. I’ll be sharing a few of mine over the next few days.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2009</title>
    <link href="https://mlarson.org/2009/05/28/i-taught-briefly-in-a-public-high-school-and-would/"/>
    <updated>2009-05-28T01:40:10.000Z</updated>
    <id>https://mlarson.org/2009/05/28/i-taught-briefly-in-a-public-high-school-and-would/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I taught briefly in a public high school and would have loved to have set up a Ritalin fogger in my classroom. It is a rare person, male or female, who is naturally inclined to sit still for 17 years in school, and then indefinitely at work.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2009/05/24/magazine/24labor-t.html?_r=1&#34;&gt;The Case for Working With Your Hands - NYTimes.com&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2009</title>
    <link href="https://mlarson.org/2009/05/28/the-people-i-love-the-best-jump-into-work-head/"/>
    <updated>2009-05-28T01:40:00.000Z</updated>
    <id>https://mlarson.org/2009/05/28/the-people-i-love-the-best-jump-into-work-head/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The people I love the best&lt;br&gt;
jump into work head first&lt;br&gt;
without dallying in the shallows&lt;br&gt;
and swim off with sure strokes almost out of sight.&lt;br&gt;
They seem to become natives of that element,&lt;br&gt;
the black sleek heads of seals&lt;br&gt;
bouncing like half-submerged balls.&lt;/p&gt;
&lt;p&gt;I love people who harness themselves, an ox to a heavy cart,&lt;br&gt;
who pull like water buffalo, with massive patience,&lt;br&gt;
who strain in the mud and the muck to move things forward,&lt;br&gt;
who do what has to be done, again and again.&lt;/p&gt;
&lt;p&gt;I want to be with people who submerge&lt;br&gt;
in the task, who go into the fields to harvest&lt;br&gt;
and work in a row and pass the bags along,&lt;br&gt;
who are not parlor generals and field deserters&lt;br&gt;
but move in a common rhythm&lt;br&gt;
when the food must come in or the fire be put out.&lt;/p&gt;
&lt;p&gt;The work of the world is common as mud.&lt;br&gt;
Botched, it smears the hands, crumbles to dust.&lt;br&gt;
But the thing worth doing well done&lt;br&gt;
has a shape that satisfies, clean and evident.&lt;br&gt;
Greek amphoras for wine or oil,&lt;br&gt;
Hopi vases that held corn, are put in museums&lt;br&gt;
but you know they were made to be used.&lt;br&gt;
The pitcher cries for water to carry&lt;br&gt;
and a person for work that is real.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.poemhunter.com/poem/to-be-of-use/&#34;&gt;To Be of Use by Marge Piercy&lt;/a&gt; (&lt;a href=&#34;http://www.nytimes.com/2009/05/24/magazine/24labor-t.html?_r=1&#34;&gt;via&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2009</title>
    <link href="https://mlarson.org/2009/05/28/the-dewey-decimal-rap-yes-this-is-disturbing/"/>
    <updated>2009-05-28T01:14:39.000Z</updated>
    <id>https://mlarson.org/2009/05/28/the-dewey-decimal-rap-yes-this-is-disturbing/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/NHiUQb5xg7A&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;The Dewey Decimal Rap. Yes, this is disturbing. (via &lt;a href=&#34;http://twitter.com/hblowers&#34;&gt;@hblowers&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ishkur&#39;s Guide to Electronic Music v.2.5</title>
    <link href="https://mlarson.org/2009/05/27/ishkurs-guide-to-electronic-music-v25/"/>
    <updated>2009-05-27T19:56:09.000Z</updated>
    <id>https://mlarson.org/2009/05/27/ishkurs-guide-to-electronic-music-v25/</id>
    <content type="html">&lt;p&gt;There are so many subsubgenres. Lord. (via &lt;a href=&#34;http://funkaoshi.com/linklog/link-11462&#34;&gt;funkaoshi&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://techno.org/electronic-music-guide/&#34;&gt;Ishkur&#39;s Guide to Electronic Music v.2.5&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2009</title>
    <link href="https://mlarson.org/2009/05/27/austinkleon-kanye-west-dont-read-poster-i/"/>
    <updated>2009-05-27T19:21:00.000Z</updated>
    <id>https://mlarson.org/2009/05/27/austinkleon-kanye-west-dont-read-poster-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/wxcaptl7fnyokhdlp0h4iobdo1_r1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://tumblr.austinkleon.com/post/113424654/kanye-west-dont-read-poster-i-just-had-to-make&#34;&gt;austinkleon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Kanye West, “Don’t Read” poster&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://news.yahoo.com/s/nm/20090526/music_nm/us_kanyewest&#34;&gt;I just had to make this.&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2009</title>
    <link href="https://mlarson.org/2009/05/27/they-skipped-a-few-minutes-worth-of-the-opening/"/>
    <updated>2009-05-27T19:19:00.000Z</updated>
    <id>https://mlarson.org/2009/05/27/they-skipped-a-few-minutes-worth-of-the-opening/</id>
    <content type="html">&lt;p&gt;They skipped a few minutes’ worth of the opening toccata section, but man, how cool. That footwork! (via &lt;a href=&#34;http://www.kottke.org/09/05/bach-bach-revolution&#34;&gt;kottke&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;I’m wondering what someone could do if they spent their life practicing an instrument like this one. Or what could a group of players (dancers?) make of it? One of the things that can make percussion ensembles (or say, a drummer in a band) more interesting than other chamber groups is all the movement. It can be really visual and just plain fun to watch, which you don’t always get from a pianist or string quartet or whatever.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;http://www.kottke.org/&#34;&gt;http://www.kottke.org/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2009</title>
    <link href="https://mlarson.org/2009/05/27/from-home-away-from-home-heather-champs-flickr/"/>
    <updated>2009-05-27T17:08:09.000Z</updated>
    <id>https://mlarson.org/2009/05/27/from-home-away-from-home-heather-champs-flickr/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnzu43psa8e9wuflo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;From &lt;a href=&#34;http://www.flickr.com/photos/heather/sets/72157604843239748/&#34;&gt;home (away from home)&lt;/a&gt;, Heather Champ’s Flickr set of travel lodging panoramas. I like these kind of self-documentary traditions. (via &lt;a href=&#34;http://joshuablankenship.com/blog/2009/05/27/home-away-from-home/&#34;&gt;joshua blankenship&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 27, 2009</title>
    <link href="https://mlarson.org/2009/05/27/ihle-schottenring-car-featured-in-the-microcar/"/>
    <updated>2009-05-27T16:11:00.000Z</updated>
    <id>https://mlarson.org/2009/05/27/ihle-schottenring-car-featured-in-the-microcar/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnzs2xqs4cnnykpbo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://microcarmuseum.com/tour/ihle.html&#34;&gt;IHLE Schottenring Car&lt;/a&gt;, featured in the &lt;a href=&#34;http://microcarmuseum.com&#34;&gt;Microcar Museum&lt;/a&gt; in nearby &lt;a href=&#34;http://maps.google.com/maps?&amp;amp;q=Madison+Georgia&#34;&gt;Madison, GA&lt;/a&gt;. (via my colleagues’ excellent &lt;a href=&#34;http://www.howstuffworks.com/hsw-high-speed-stuff-podcast.htm&#34;&gt;High Speed Stuff podcast&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Hindugrass — North Carolina Public Radio WUNC</title>
    <link href="https://mlarson.org/2009/05/22/hindugrass-north-carolina-public-radio-wunc/"/>
    <updated>2009-05-22T14:04:00.000Z</updated>
    <id>https://mlarson.org/2009/05/22/hindugrass-north-carolina-public-radio-wunc/</id>
    <content type="html">&lt;p&gt;“Musician John Heitzenrater fuses the ragas of classical Indian music with the twang of down home bluegrass.” (via &lt;a href=&#34;http://wehrintheworld.blogspot.com/2009/05/hindugrass.html&#34;&gt;Wehr in the World&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://wunc.org/tsot/archive/sot0515c09.mp3/view&#34;&gt;Hindugrass — North Carolina Public Radio WUNC&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Infinite Summer</title>
    <link href="https://mlarson.org/2009/05/21/infinite-summer/"/>
    <updated>2009-05-21T19:18:17.000Z</updated>
    <id>https://mlarson.org/2009/05/21/infinite-summer/</id>
    <content type="html">&lt;p&gt;“Join endurance bibliophiles from around the web as we tackle and comment upon David Foster Wallace’s masterwork, June 21st to September 22nd.”&lt;/p&gt;
&lt;p&gt;This could be good.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.infinitesummer.org/&#34;&gt;Infinite Summer&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 20, 2009</title>
    <link href="https://mlarson.org/2009/05/20/shop-class-surveys-an-economic-landscape-where/"/>
    <updated>2009-05-20T14:23:00.000Z</updated>
    <id>https://mlarson.org/2009/05/20/shop-class-surveys-an-economic-landscape-where/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;“&lt;a href=&#34;http://www.amazon.com/Shop-Class-Soulcraft-Inquiry-Value/dp/1594202230&#34;&gt;Shop Class&lt;/a&gt; surveys an economic landscape where everyone must go to college or else be viewed as suspect, stupid, and/or unemployable. The massification of higher education has also created a new vocational pitfall: I’ve got a degree; therefore, I should be doing smart, clean, fun, and well-paid work. Except for clean, these adjectives can be scarce in cubicle alley.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2218650/&#34;&gt;Matthew Crawford’s Shop Class as Soul Craft. - review by Michael Agger - Slate Magazine&lt;/a&gt;. Looks like another one for the reading list.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 20, 2009</title>
    <link href="https://mlarson.org/2009/05/20/it-kind-of-puzzles-me-that-people-seem-so-keen-on/"/>
    <updated>2009-05-20T14:12:00.000Z</updated>
    <id>https://mlarson.org/2009/05/20/it-kind-of-puzzles-me-that-people-seem-so-keen-on/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It kind of puzzles me that people seem so keen on asking fiction writers straightforward interview-type questions, since if the fiction writers really thought interesting stuff could be talked about straightforwardly they probably wouldn’t have become fiction writers.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From an &lt;a href=&#34;https://www.amherst.edu/aboutamherst/magazine/extra/node/66410&#34;&gt;interview with David Foster Wallace&lt;/a&gt;. (via &lt;a href=&#34;http://www.kottke.org/09/05/dfw-interview&#34;&gt;kottke&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 20, 2009</title>
    <link href="https://mlarson.org/2009/05/20/san-francisco-1906-high-resolution-panorama/"/>
    <updated>2009-05-20T13:41:00.000Z</updated>
    <id>https://mlarson.org/2009/05/20/san-francisco-1906-high-resolution-panorama/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnpmnq1flzivzguro1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;San Francisco, 1906. &lt;a href=&#34;http://www.strangecosmos.com/images/content/148182.jpg&#34;&gt;High resolution panorama&lt;/a&gt; taken after the earthquake. Incredible. (via &lt;a href=&#34;http://wehrintheworld.blogspot.com/2009/05/san-francisco-1906-and-2006.html&#34;&gt;Wehr in the World&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Percussive Arts Society: Library of Cylinder Recordings</title>
    <link href="https://mlarson.org/2009/05/20/percussive-arts-society-library-of-cylinder/"/>
    <updated>2009-05-20T11:49:00.000Z</updated>
    <id>https://mlarson.org/2009/05/20/percussive-arts-society-library-of-cylinder/</id>
    <content type="html">&lt;p&gt;When you learn from the &lt;a href=&#34;http://www.amazon.com/George-Hamilton-Greens-Instruction-Xylophone/dp/1574630016&#34;&gt;awesome 80-year-old instruction book&lt;/a&gt; written by dudes like &lt;a href=&#34;http://www.pas.org/About/HOF/ghgreen.cfm&#34;&gt;George Hamilton Green&lt;/a&gt;, it’s nice to &lt;a href=&#34;http://www.pas.org/Museum/Gerhardt/MP3/triplets.mp3&#34;&gt;hear him play&lt;/a&gt;, too.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.pas.org/Museum/Gerhardt/cylinderlist.cfm&#34;&gt;Percussive Arts Society: Library of Cylinder Recordings&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 18, 2009</title>
    <link href="https://mlarson.org/2009/05/18/tv-is-the-epitome-of-low-art-in-its-desire-to/"/>
    <updated>2009-05-18T23:53:45.000Z</updated>
    <id>https://mlarson.org/2009/05/18/tv-is-the-epitome-of-low-art-in-its-desire-to/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;TV is the epitome of Low Art in its desire to appeal to and enjoy the attention of unprecedented numbers of people. But it is not Low because it is vulgar or prurient or dumb. Television is often all these things, but this is a logical function of its need to attract and please Audience. And I’m not saying that television is vulgar and dumb because the people who compose Audience are vulgar and dumb. Television is the way it is simple because people tend to be extremely similar in their vulgar and prurient and dumb interests and wildly different in their refined and aesthetic and noble interests. It’s all about syncretic diversity: neither medium nor Audience is faultable for quality.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;…David Foster Wallace in his essay &lt;a href=&#34;http://jsomers.net/DFW_TV.pdf&#34;&gt;E Unibus Pluram: Television and U.S. Fiction&lt;/a&gt; [pdf], collected in &lt;a href=&#34;http://www.amazon.com/Supposedly-Fun-Thing-Never-Again/dp/0316925284&#34;&gt;A Supposedly Fun Thing I’ll Never Do Again&lt;/a&gt;, which I am loving so far.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 18, 2009</title>
    <link href="https://mlarson.org/2009/05/18/suzy-parker-and-robin-tattersall-dress-by-dior/"/>
    <updated>2009-05-18T19:53:08.000Z</updated>
    <id>https://mlarson.org/2009/05/18/suzy-parker-and-robin-tattersall-dress-by-dior/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnn51lrihc5egtdko1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/daily/fashion/2009/05/avedon_fashion1944-2000.html#photo=3&#34;&gt;Suzy Parker and Robin Tattersall. Dress by Dior, Place de la Concorde, Paris, August 1956. Photo: Richard Avedon.&lt;/a&gt; I hope to go to Paris this fall.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 17, 2009</title>
    <link href="https://mlarson.org/2009/05/17/cursivebuildings-cooking-is-a-blast-when-your/"/>
    <updated>2009-05-17T15:03:56.000Z</updated>
    <id>https://mlarson.org/2009/05/17/cursivebuildings-cooking-is-a-blast-when-your/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/mrcxpq0mrnkgzoyck3coe9i7o1_400.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://lala.cursivebuildings.com/post/108779817/cooking-is-a-blast-when-your-fifties-stovetop-goes&#34;&gt;cursivebuildings&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;COOKING IS A BLAST WHEN YOUR FIFTIES STOVETOP GOES TO INFINITE&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;At one point back in college I had a numbered kitchen dial like this, except it was on the &lt;em&gt;oven&lt;/em&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>DAVIDLYNCH.COM presents INTERVIEW PROJECT</title>
    <link href="https://mlarson.org/2009/05/16/davidlynchcom-presents-interview-project/"/>
    <updated>2009-05-16T18:43:00.000Z</updated>
    <id>https://mlarson.org/2009/05/16/davidlynchcom-presents-interview-project/</id>
    <content type="html">&lt;p&gt;20,000-mile road trip + interviews with folks. Launching on June 1.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://interviewproject.davidlynch.com/&#34;&gt;DAVIDLYNCH.COM presents INTERVIEW PROJECT&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 16, 2009</title>
    <link href="https://mlarson.org/2009/05/16/a-view-of-the-bombardment-of-ft-mchenry-i-was-in/"/>
    <updated>2009-05-16T16:16:00.000Z</updated>
    <id>https://mlarson.org/2009/05/16/a-view-of-the-bombardment-of-ft-mchenry-i-was-in/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnk2fnvfiztpzkyso1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://commons.wikimedia.org/wiki/File:Ft._Henry_bombardement_1814.jpg&#34;&gt;A View of the Bombardment of Ft. McHenry&lt;/a&gt;. I was in Baltimore a few weeks ago and stopped by Fort McHenry (Star-Spangled Banner, etc.). This painting was one of my favorites, if only for the trails on the bombs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 15, 2009</title>
    <link href="https://mlarson.org/2009/05/15/prison-treadmills-treadmills-came-into-english/"/>
    <updated>2009-05-15T22:42:12.000Z</updated>
    <id>https://mlarson.org/2009/05/15/prison-treadmills-treadmills-came-into-english/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnj0rgt1vcjqcuk2o1_400.gif&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.uh.edu/engines/epi374.htm&#34;&gt;Prison Treadmills&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Treadmills came into English jails following a 1779 prison reform act. That act said that prisoners should be given “…labor of the hardest and most servile kind in which drudgery is chiefly required and where the work is little liable to be spoiled by ignorance, neglect, or obstinacy…”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Maybe, subconsciously, this is why I’m not able to run on treadmills for any length of time.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 15, 2009</title>
    <link href="https://mlarson.org/2009/05/15/space-shuttle-atlantis-and-hubble-space-telescope/"/>
    <updated>2009-05-15T02:50:05.000Z</updated>
    <id>https://mlarson.org/2009/05/15/space-shuttle-atlantis-and-hubble-space-telescope/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnhu6egu8f0oa6qto1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;Space Shuttle Atlantis and Hubble Space Telescope silhouetted against the sun. See it &lt;a href=&#34;http://www.flickr.com/photos/nasahqphoto/3532145692/sizes/o/&#34;&gt;really large&lt;/a&gt;. (via &lt;a href=&#34;http://flickr.com/photos/nasahqphoto&#34;&gt;nasa hq photo&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 14, 2009</title>
    <link href="https://mlarson.org/2009/05/14/a-favorite-from-cliff-roberts-book-of-jazz-the/"/>
    <updated>2009-05-14T22:51:00.000Z</updated>
    <id>https://mlarson.org/2009/05/14/a-favorite-from-cliff-roberts-book-of-jazz-the/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnhlo4mfrwstkwapo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;A favorite from &lt;a href=&#34;http://todaysinspiration.blogspot.com/2009/05/cliff-roberts-das-buch-von-jazz.html&#34;&gt;Cliff Robert’s Book of Jazz&lt;/a&gt;. The &lt;a href=&#34;http://farm3.static.flickr.com/2447/3529256918_06549a0ac4_o.jpg&#34;&gt;St. Louis Blues&lt;/a&gt; is really nice, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Simmons + Gladwell</title>
    <link href="https://mlarson.org/2009/05/14/simmons-gladwell/"/>
    <updated>2009-05-14T22:42:33.000Z</updated>
    <id>https://mlarson.org/2009/05/14/simmons-gladwell/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://sports.espn.go.com/espn/page2/story?page=simmons/090513/part1&#34;&gt;Bill Simmons and Malcolm Gladwell talk about sports and such&lt;/a&gt;. My favorite bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We had lunch a few weeks ago and discussed the parallels between music and basketball. The structure is fundamentally the same: You have a lead singer (the NBA alpha dog, like LeBron or Kobe), the lead guitarist (the sidekick, like Pippen or McHale), the drummer (an unsung third wheel, like Parish or Worthy), the bassist (a solid, reliable and ultimately disposable role player: like Byron Scott or Anderson Varejao); and then everyone else (the other rotation guys). Bands can go different ways just like successful basketball teams. McCartney and Lennon were two geniuses who ultimately needed one another (like Young Magic and Older Kareem, or Shaq and Young Kobe), whereas MJ and LeBron were more like Sting or Springsteen (someone who could carry the band by themselves). And if you want to drag hip-hop or rap into it, the best parallel would obviously be Jordan’s post-baseball Bulls: MJ was Chuck D, Pippen was Terminator X, and there is no effing doubt that Rodman was Flavor Flav.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>I&#39;ll tumble for ya</title>
    <link href="https://mlarson.org/2009/05/14/20090514ill-tumble-for-ya/"/>
    <updated>2009-05-14T19:23:10.000Z</updated>
    <id>https://mlarson.org/2009/05/14/20090514ill-tumble-for-ya/</id>
    <content type="html">&lt;p&gt;I set up a &lt;a href=&#34;http://tumblr.mlarson.org/&#34;&gt;separate tumbly thing&lt;/a&gt; on this domain. Here&#39;s the &lt;a href=&#34;http://tumblr.mlarson.org/rss&#34;&gt;feed for the tumbly thing&lt;/a&gt;. This whole operation was no doubt inspired by the blog/tumblr separation that &lt;a href=&#34;http://www.austinkleon.com/blog/&#34;&gt;Austin&lt;/a&gt; &lt;a href=&#34;http://tumblr.austinkleon.com/&#34;&gt;Kleon&lt;/a&gt; and &lt;a href=&#34;http://ryancoleman.ca/&#34;&gt;Ryan&lt;/a&gt; &lt;a href=&#34;http://tumblr.ryancoleman.ca/&#34;&gt;Coleman&lt;/a&gt; have been doing for a while. Not too long ago Ryan also shared some &lt;a href=&#34;http://ryancoleman.ca/2009/05/which-way-do-you-your-roll-your-content.html&#34;&gt;thoughts on rolling up your content&lt;/a&gt; that helped decide the matter. The tumblr will be a nice place to gather bits of influence and inspiration---hopefully both more frequent for you and less time-consuming for me; I&#39;ll reserve the home page here for personal stuff and bigger projects TBD. I might clean up the tumblr styling later, and will probably break things in the process, but it&#39;s up and running and good enough for now. Enjoy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>in Bb 2.0 - a collaborative music/spoken word project</title>
    <link href="https://mlarson.org/2009/05/14/in-bb-20-a-collaborative-musicspoken-word/"/>
    <updated>2009-05-14T03:41:37.000Z</updated>
    <id>https://mlarson.org/2009/05/14/in-bb-20-a-collaborative-musicspoken-word/</id>
    <content type="html">&lt;p&gt;Terry Riley’s &lt;a href=&#34;http://en.wikipedia.org/wiki/In_C&#34;&gt;In C&lt;/a&gt; meets Kutiman’s &lt;a href=&#34;http://www.youtube.com/watch?v=tprMEs-zfQA&#34;&gt;Mother of All Funk Chords&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.inbflat.net/&#34;&gt;in Bb 2.0 - a collaborative music/spoken word project&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 13, 2009</title>
    <link href="https://mlarson.org/2009/05/13/kind-of-bloop-an-8-bit-tribute-to-miles-davis-i/"/>
    <updated>2009-05-13T03:14:00.000Z</updated>
    <id>https://mlarson.org/2009/05/13/kind-of-bloop-an-8-bit-tribute-to-miles-davis-i/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnf06b9wwprvmx1bo1_1280.png&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.kickstarter.com/projects/waxpancake/kind-of-bloop-an-8-bit-tribute-to-miles-davis&#34;&gt;Kind of Bloop: An 8-Bit Tribute to Miles Davis&lt;/a&gt;. I really want to hear &lt;a href=&#34;http://waxy.org/&#34;&gt;Andy Baio&lt;/a&gt;’s latest project.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 10, 2009</title>
    <link href="https://mlarson.org/2009/05/10/old-american-road-maps-like-this-one-were/"/>
    <updated>2009-05-10T23:24:00.000Z</updated>
    <id>https://mlarson.org/2009/05/10/old-american-road-maps-like-this-one-were/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtnbx2mu8makkpvhdo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://usm.maine.edu/maps/exhibit9/&#34;&gt;Old American road maps&lt;/a&gt; like this one were mentioned as &lt;a href=&#34;http://schulzeandwebb.com/blog/2009/05/04/here-there-influences/&#34;&gt;one of the many influences&lt;/a&gt; on the &lt;a href=&#34;http://schulzeandwebb.com/hat/&#34;&gt;Here &amp;amp; There horizon-less maps of Manhattan&lt;/a&gt;. Looks like a decades-old predecessor of Google Street View!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 9, 2009</title>
    <link href="https://mlarson.org/2009/05/09/a-late-night-style-infomercial-for-an-imaginary/"/>
    <updated>2009-05-09T18:16:00.000Z</updated>
    <id>https://mlarson.org/2009/05/09/a-late-night-style-infomercial-for-an-imaginary/</id>
    <content type="html">&lt;p&gt;&lt;audio controls=&#34;&#34;&gt;&lt;source src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/04_arnie_schoenbergs_second_viennese_school.mp3&#34;&gt;&lt;/audio&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://mlarson.tumblr.com/post/105519097/audio_player_iframe/mlarson/viX1Loqvtna6n7flyZvjV54u?audio_file=http%3A%2F%2Fwww.therestisnoise.com%2Ffiles%2F04_arnie_schoenbergs_second_viennese_school.mp3&#34;&gt;http://mlarson.tumblr.com/post/105519097/audio_player_iframe/mlarson/viX1Loqvtna6n7flyZvjV54u?audio_file=http%3A%2F%2Fwww.therestisnoise.com%2Ffiles%2F04_arnie_schoenbergs_second_viennese_school.mp3&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;a &lt;a href=&#34;http://www.therestisnoise.com/2006/02/you_vill_enjoy_.html&#34;&gt;late-night-style infomercial&lt;/a&gt; for an imaginary compilation of Twelve-Tone Greatest Hits&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 8, 2009</title>
    <link href="https://mlarson.org/2009/05/08/steve-reich-city-life-part-1-check-it-out/"/>
    <updated>2009-05-08T04:55:00.000Z</updated>
    <id>https://mlarson.org/2009/05/08/steve-reich-city-life-part-1-check-it-out/</id>
    <content type="html">&lt;div class=&#34;embed-video&#34;&gt;&lt;iframe width=&#34;560&#34; height=&#34;315&#34; src=&#34;https://www.youtube-nocookie.com/embed/OY5_cwN1i74&#34; frameborder=&#34;0&#34; allowfullscreen=&#34;&#34; loading=&#34;lazy&#34;&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p&gt;Steve Reich: &lt;a href=&#34;http://en.wikipedia.org/wiki/City_Life_(Reich)&#34;&gt;City Life&lt;/a&gt; - Part 1 “Check it out”.&lt;/p&gt;
&lt;p&gt;One of my favorite bits of music in any genre, period. All 5 parts are worth a listen.&lt;/p&gt;
&lt;p&gt;(Source: &lt;a href=&#34;https://www.youtube.com/&#34;&gt;https://www.youtube.com/&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 8, 2009</title>
    <link href="https://mlarson.org/2009/05/08/8124/"/>
    <updated>2009-05-08T04:24:00.000Z</updated>
    <id>https://mlarson.org/2009/05/08/8124/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtn7xgtzql6k70dnfo1_1280.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 7, 2009</title>
    <link href="https://mlarson.org/2009/05/07/its-official-the-worlds-most-remote-place-is-on/"/>
    <updated>2009-05-07T04:10:00.000Z</updated>
    <id>https://mlarson.org/2009/05/07/its-official-the-worlds-most-remote-place-is-on/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtn6hjfy26jvmkhpto1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s official, the world’s most remote place is on the Tibetan plateau (34.7°N, 85.7°E).&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 7, 2009</title>
    <link href="https://mlarson.org/2009/05/07/audrey-hepburn-sings-moon-river-swoon/"/>
    <updated>2009-05-07T04:00:00.000Z</updated>
    <id>https://mlarson.org/2009/05/07/audrey-hepburn-sings-moon-river-swoon/</id>
    <content type="html">&lt;p&gt;Audrey Hepburn sings “Moon River.” Swoon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 7, 2009</title>
    <link href="https://mlarson.org/2009/05/07/a-cloudy-day-at-biltmore-last-weekend/"/>
    <updated>2009-05-07T03:57:00.000Z</updated>
    <id>https://mlarson.org/2009/05/07/a-cloudy-day-at-biltmore-last-weekend/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2009/05/vix1loqvtn6h2v6o0xasokkuo1_500.jpg&#34; alt=&#34;&#34;&gt;&lt;/p&gt;
&lt;p&gt;a cloudy day at Biltmore last weekend&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 30, 2009</title>
    <link href="https://mlarson.org/2009/04/30/200904302082/"/>
    <updated>2009-04-30T22:23:58.000Z</updated>
    <id>https://mlarson.org/2009/04/30/200904302082/</id>
    <content type="html">&lt;p&gt;What Johnny Cash likes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak, and love. And Mother. And God.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2009</title>
    <link href="https://mlarson.org/2009/04/23/200904232078/"/>
    <updated>2009-04-23T23:43:57.000Z</updated>
    <id>https://mlarson.org/2009/04/23/200904232078/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3470164454/&#34; title=&#34;ATL Üí BWI by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3514/3470164454_76eebf2fe6.jpg&#34; alt=&#34;ATL Üí BWI&#34;&gt;&lt;/a&gt; I&#39;ll be spending the weekend in Baltimore. No big plans except for a visit to &lt;a href=&#34;http://www.nps.gov/fomc/&#34;&gt;Fort McHenry&lt;/a&gt; and catching the Sunday afternoon game at &lt;a href=&#34;http://en.wikipedia.org/wiki/Oriole_Park_at_Camden_Yards&#34;&gt;Camden Yards&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2009</title>
    <link href="https://mlarson.org/2009/04/23/200904232074/"/>
    <updated>2009-04-23T22:46:51.000Z</updated>
    <id>https://mlarson.org/2009/04/23/200904232074/</id>
    <content type="html">&lt;p&gt;A couple years ago, Stanford hosted &lt;a href=&#34;http://auroraforum.stanford.edu/event/an-evening-with-leonard-cohen-and-philip-glass&#34;&gt;an evening with Leonard Cohen and Philip Glass&lt;/a&gt;. Over an hour of conversation (&lt;a href=&#34;http://auroraforum.stanford.edu/files/transcripts/Aurora_Forum_Transcript_Leonard_Cohen_and_Philip_Glass.10.08.07.pdf&#34;&gt;pdf transcript&lt;/a&gt;), AND they made the audience submit questions via notecards! A good bit from Glass:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Someone recently was showing me a book that this person was writing and she said, do you have any advice? I said, Yes, my advice is: Don&#39;t stop working before the book is finished. And I quickly added: Because it&#39;s in the last moments of the work that the quality appears. It doesn&#39;t happen at the beginning; it happens at the end.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2009</title>
    <link href="https://mlarson.org/2009/04/23/200904232072/"/>
    <updated>2009-04-23T22:31:20.000Z</updated>
    <id>https://mlarson.org/2009/04/23/200904232072/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.apple.com/trailers/lions_gate/facingali/&#34;&gt;Facing Ali&lt;/a&gt; could be a really cool documentary. (It&#39;s taken me a while to realize I kind of like boxing, for better or worse.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2009</title>
    <link href="https://mlarson.org/2009/04/23/200904232068/"/>
    <updated>2009-04-23T01:17:52.000Z</updated>
    <id>https://mlarson.org/2009/04/23/200904232068/</id>
    <content type="html">&lt;p&gt;This nice &lt;a href=&#34;http://www.huffingtonpost.com/mark-blankenship/two-reasons-susan-boyle-m_b_187901.html&#34;&gt;appreciation of Susan Boyle&lt;/a&gt; reminded me of the &lt;a href=&#34;/mark-larson-1/2009/01/15/1589&#34;&gt;hip vs earnest bit from Randy Pausch&#39;s book&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;No matter how much we mock those we consider beneath us, it&#39;s much more satisfying to be reminded that everyone has dignity...&lt;/p&gt;
&lt;p&gt;Eventually, we&#39;ll all feel like outcasts, and none of us wants to be laughed at. The Susan Boyle Story suggests we won&#39;t be...&lt;/p&gt;
&lt;p&gt;Whether or not that moral is true in the real world, it&#39;s alluringly true in the Susan Boyle Story. By participating in the narrative that television has constructed for her, by cheering her on and watching her video over and over, we can not only feel good about graciously welcoming an outsider, but also feel relief for helping create a world that will someday welcome us.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/04/why-susan-boyle-is-so-popular.html&#34;&gt;marginal revolution&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2009</title>
    <link href="https://mlarson.org/2009/04/23/200904232063/"/>
    <updated>2009-04-23T01:05:43.000Z</updated>
    <id>https://mlarson.org/2009/04/23/200904232063/</id>
    <content type="html">&lt;p&gt;My homeboy &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=103304036&#34;&gt;Steve Reich won a Pulitzer&lt;/a&gt;. So did Atlanta author Douglas Blackmon, for his awesome book (judging by what I read when I borrowed it from Mom between holiday meals last winter), &lt;a href=&#34;http://www.slaverybyanothername.com/&#34;&gt;Slavery by Another Name&lt;/a&gt;. Need to move that one back on the list.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2009</title>
    <link href="https://mlarson.org/2009/04/23/200904232058/"/>
    <updated>2009-04-23T01:01:09.000Z</updated>
    <id>https://mlarson.org/2009/04/23/200904232058/</id>
    <content type="html">&lt;p&gt;This past weekend I did the &lt;a href=&#34;/mark-larson-1/2009/03/24/some-plans-for-2009&#34;&gt;40-mile hike I&#39;d been pondering&lt;/a&gt; for a while. It was hard. It was worth it. I will do it again. I hadn&#39;t done proper hiking since early January, so I was feeling a bit like Dickens:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Restlessness&lt;/em&gt;, you will say. Whatever it is, it is always driving me, and I cannot help it. I have rested nine or ten weeks, and sometimes feel as if it had been a year---though I had the strangest nervous miseries before I stopped. &lt;a href=&#34;http://books.google.com/books?id=_EXN_rH27G8C&amp;amp;pg=PA141&amp;amp;dq=explode+and+perish#PPA142,M1&#34;&gt;If I couldn&#39;t walk fast and far I should just explode and perish&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2009</title>
    <link href="https://mlarson.org/2009/04/15/200904152054/"/>
    <updated>2009-04-15T22:50:11.000Z</updated>
    <id>https://mlarson.org/2009/04/15/200904152054/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.elhombrequecomiadiccionarios.com/35-variations-on-a-theme-from-shakespeare&#34;&gt;35 Variations on a Theme from Shakespeare&lt;/a&gt;. Via &lt;a href=&#34;http://linedandunlined.com/2009/04/14/575/&#34;&gt;Lined and Unlined&lt;/a&gt;, where you&#39;ll find several cool pointers about the &lt;a href=&#34;http://en.wikipedia.org/wiki/Oulipo&#34;&gt;Oulipo&lt;/a&gt; literary group.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2009</title>
    <link href="https://mlarson.org/2009/04/15/200904152039/"/>
    <updated>2009-04-15T22:44:29.000Z</updated>
    <id>https://mlarson.org/2009/04/15/200904152039/</id>
    <content type="html">&lt;p&gt;I love this post about &lt;a href=&#34;http://www.gnxp.com/blog/2009/04/measuring-whether-artist-is-under-or.php&#34;&gt;measuring whether an artist is under- or over-valued&lt;/a&gt;. The method is pretty cool, basically comparing the &lt;a href=&#34;http://www.amazon.com/Human-Accomplishment-Pursuit-Excellence-Sciences/dp/006019247X&#34;&gt;Human Accomplishment&lt;/a&gt; ranking and the available Amazon music inventory, and making a rough &lt;a href=&#34;http://en.wikipedia.org/wiki/Price-to-earnings_ratio&#34;&gt;P/E ratio&lt;/a&gt;. This post focuses on notable composers and it looks like Medieval, Renaissance, and Baroque composers get shorted, while late Romantics (especially opera dudes) get more hype than they deserve. And you see the same sort of bias in the season programming of most major orchestras. Anyway, two cool things this brings to mind. One, I like this idea of bubbles in culture. Reminds me of the &lt;a href=&#34;http://backspace.com/notes/2009/02/congo-vs-darfur.php&#34;&gt;vast difference in New York Times coverage of conflicts in Darfur vs. the Congo&lt;/a&gt;, though one area has been about 10 times as deadly. There are all kinds of interesting feedback loops that affect how we perceive and respond to our world. And two, realizing that there&#39;s so much rough-and-ready data out there that we&#39;ve unwittingly created, just waiting to be mined.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2009</title>
    <link href="https://mlarson.org/2009/04/15/200904152037/"/>
    <updated>2009-04-15T21:58:53.000Z</updated>
    <id>https://mlarson.org/2009/04/15/200904152037/</id>
    <content type="html">&lt;p&gt;I&#39;ve had &lt;a href=&#34;http://thenonist.com/index.php/weblog/permalink/a_nonist_public_service_pamphlet/&#34;&gt;blogger&#39;s depression&lt;/a&gt; lately, but I&#39;m working my way back out of it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2009</title>
    <link href="https://mlarson.org/2009/04/15/200904152029/"/>
    <updated>2009-04-15T00:52:23.000Z</updated>
    <id>https://mlarson.org/2009/04/15/200904152029/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://projects.accessatlanta.com/gallery/view/movies/gwtw-premiere/&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ef8/1239756392000/slideshow_873830_gone-with-the-wind.jpg?format=original&#34; alt=&#34;Vivien Leigh from Gone With the Wind, 1939&#34; title=&#34;Vivien Leigh from Gone with the Wind, 1939&#34;&gt;&lt;/a&gt; The AJC has some really nice &lt;a href=&#34;http://projects.accessatlanta.com/gallery/view/movies/gwtw-premiere/&#34;&gt;photos from the premiere of Gone with the Wind&lt;/a&gt;. I never knew there was a motorcade, teeming crowds, etc. Even has a nice playbill.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Oblivion (review: 4/5)</title>
    <link href="https://mlarson.org/2009/03/31/20090331oblivion-review/"/>
    <updated>2009-03-31T23:43:31.000Z</updated>
    <id>https://mlarson.org/2009/03/31/20090331oblivion-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3388275501/&#34; title=&#34;Oblivion by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3581/3388275501_8036d3ef38.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt; James Tanner&#39;s &lt;a href=&#34;http://www.kottke.org/09/03/growing-sentences-with-david-foster-wallace&#34;&gt;Growing Sentences with David Foster Wallace&lt;/a&gt; is a nice parody of the writer&#39;s style. A little absurd but kind of spot-on. Amusing for a little while, just like it always is when you&#39;re watching someone else work. But if you get a chance to read a bit of Wallace (granted, I&#39;m no expert---I&#39;ve only got maybe 3-400 pages under my belt, but more is on the way), you get a sense of how crazy inventive this guy was, whether you like the stories or not.&lt;/p&gt;
&lt;p&gt;In the stories in &lt;a href=&#34;http://www.amazon.com/Oblivion-Stories-David-Foster-Wallace/dp/0316919810&#34;&gt;Oblivion&lt;/a&gt;, all these layers of ambiguity or inexactness juxtapose with excessive detail. I like the way the narrators/protagonists/Wallace zip around making associations and adjustments and corrections, sentences accumulating detail as you read. At its best it&#39;s kind of like a mural with words. Everything, large, all at once.&lt;/p&gt;
&lt;p&gt;Let me get fetishy with a couple sentences. My favorite bit in recent memory, from &lt;a href=&#34;http://books.google.com/books?id=x-QH9K0y4F8C&amp;amp;pg=PA67&#34;&gt;The Soul Is Not a Smithy&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was often the first to register the sound of my father&#39;s key in the front door. It took only four steps and a brief sockslide into the foyer to be able to see him first as he entered on a wave of outside air.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Four steps and a sockslide and a wave of outside air. Lord, that&#39;s perfect. I&#39;m willing to grant that I especially like that one because it makes me think of Dad, but I haven&#39;t read something so compact but evocative in a long time. Here&#39;s a funny bit from the opening story, &lt;a href=&#34;http://books.google.com/books?id=x-QH9K0y4F8C&amp;amp;pg=PA3&#34;&gt;Mister Squishy&lt;/a&gt;, mostly set in a market research office:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Attached to the breast pocket on the same side of his shirt as his nametag was also a large pin or button emblazoned with the familiar Mister Squishy brand icon, which was a plump and childlike cartoon face of indeterminate ethnicity with its eyes squeezed parly shut in an expression that somehow connoted delight, satiation, and rapacious desire all at the same time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You can certainly read the verbosity as annoying and peacockish, but I can&#39;t help but love seeing the product of a mind at work, like he&#39;s been doing some serious &lt;em&gt;thinking&lt;/em&gt; and &lt;em&gt;noticing&lt;/em&gt;. Likewise, a couple dozen pages further into the story, some clever meeting room cynicism:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All that ever changed were the jargon and mechanisms and gilt rococo with which everyone in the whole huge blind grinding mechanism conspired to convince each other that they could figure out how to give the paying customer what they could prove he could be persuaded to believe he wanted...&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;d say &lt;a href=&#34;http://books.google.com/books?id=x-QH9K0y4F8C&amp;amp;pg=PA141&#34;&gt;Good Old Neon&lt;/a&gt; was the highlight for me, but the title story &lt;a href=&#34;http://books.google.com/books?id=x-QH9K0y4F8C&amp;amp;pg=PA190&#34;&gt;Oblivion&lt;/a&gt; gives it good competition. The first is imagined reflections before a suicide. The second a husband&#39;s retelling of an ongoing dispute with his wife about his alleged snoring. Neither of those summaries do them justice. Read those two at least.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2009</title>
    <link href="https://mlarson.org/2009/03/31/200903311989/"/>
    <updated>2009-03-31T21:59:00.000Z</updated>
    <id>https://mlarson.org/2009/03/31/200903311989/</id>
    <content type="html">&lt;p&gt;Of course you can substitute for the word &amp;quot;travel&amp;quot; any number of things you enjoy:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Last week the question arose as to &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2005/07/lunch_matters.html&#34;&gt;what we would do differently if we were immortal&lt;/a&gt;... I answered that I would travel more.&lt;/p&gt;
&lt;p&gt;Later the question was asked, what would you do differently if you found out you had only a short time to live. I answered again that I would travel more. Click, buzz, whirr...does not compute, does not compute... Given that I would travel more if I was to live either less or more the probability that I was at just that level of mortality that I should not be traveling now must be vanishingly small.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2009</title>
    <link href="https://mlarson.org/2009/03/31/200903311984/"/>
    <updated>2009-03-31T21:52:16.000Z</updated>
    <id>https://mlarson.org/2009/03/31/200903311984/</id>
    <content type="html">&lt;p&gt;An interesting bit from a &lt;a href=&#34;http://www.stim.com/Stim-x/0596May/Verbal/dfwread.html&#34;&gt;David Foster Wallace reading&lt;/a&gt; circa Infinite Jest:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I would go to halfway houses and just sit there. I lurked a lot. Nice thing about halfway houses is they are real run-down and real sloppy and you can just sit around. And the more you sit around looking uncomfortable and out of place, the more it looks like you belong there. Some of the people knew this [breaking and entering] stuff very well and they loved to talk about it. And nobody is as talkative as a drug addict who just had his drugs taken away.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It&#39;s paired with a &lt;a href=&#34;http://www.stim.com/Stim-x/0596May/Verbal/dfwtalk.html&#34;&gt;decent interview&lt;/a&gt; where he predicts the rise of curators and filters in internetland, and also mentions how important an editor is...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I, of course, get all wrapped up. &#39;&#39;I know. I&#39;ll have an allusion to a Russian thing that&#39;s half true and only people who speak Russian will know.&#39;&#39; Great, you are now talking to exactly one person on the planet earth.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2009</title>
    <link href="https://mlarson.org/2009/03/31/200903311978/"/>
    <updated>2009-03-31T21:38:49.000Z</updated>
    <id>https://mlarson.org/2009/03/31/200903311978/</id>
    <content type="html">&lt;p&gt;Is it truly so hard to keep sidewalks open and walkable? &lt;a href=&#34;http://spacing.ca/wire/2009/03/31/how-not-to-place-a-garbage-can/&#34;&gt;Recent problems in Toronto&lt;/a&gt; [via &lt;a href=&#34;http://funkaoshi.com/&#34;&gt;funkaoshi&lt;/a&gt;] remind me of &lt;a href=&#34;/mark-larson-1/2008/06/10/1296&#34;&gt;my local gripes last year&lt;/a&gt;. That spot in my &#39;hood recently patched up those threadbare spots with new paving stones. Need to get a photo.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 30, 2009</title>
    <link href="https://mlarson.org/2009/03/30/200903301969/"/>
    <updated>2009-03-30T22:35:20.000Z</updated>
    <id>https://mlarson.org/2009/03/30/200903301969/</id>
    <content type="html">&lt;p&gt;I&#39;ve been enjoying &lt;a href=&#34;http://www.danpink.com/archives/category/travel-tips&#34;&gt;Daniel Pink&#39;s travel tips&lt;/a&gt; series, but one bit from &lt;a href=&#34;http://www.danpink.com/archives/2009/03/pinks-travel-tip-7-zip-through-security&#34;&gt;tip number 7 about how to zip through airport security&lt;/a&gt; really spoke to me. I&#39;m both ashamed and proud to see myself here:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Men are crazy. We are hyper-competitive. So, every opportunity we have to best someone else, we will take it. What this means is when men get in a security line, they do not want to move more slowly than the guy behind them because that would compromise their masculinity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And that is why you should get in the line with the male business travelers. Our tacit competition will keep things moving quickly.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 30, 2009</title>
    <link href="https://mlarson.org/2009/03/30/200903301963/"/>
    <updated>2009-03-30T18:15:48.000Z</updated>
    <id>https://mlarson.org/2009/03/30/200903301963/</id>
    <content type="html">&lt;p&gt;A collection of &lt;a href=&#34;http://theomniscientmussel.com/2009/03/twitter-opera-synopsis-results/&#34;&gt;tweet-length opera synopses&lt;/a&gt;. A few favorites: &lt;a href=&#34;http://twitter.com/ogiovetti/status/1414573441&#34;&gt;The Flying Dutchman&lt;/a&gt;: &amp;quot;Any port in a storm. Tall dark and mysterious wants my daughter. She wants to save him, but can she be faithful? Splashy splashy.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/arbakr/status/1414529590&#34;&gt;Salome&lt;/a&gt;: &amp;quot;Out of control teen uses stepdad to get back at would-be boyfriend, learns some confusing lessons about love&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 24, 2009</title>
    <link href="https://mlarson.org/2009/03/24/200903241958/"/>
    <updated>2009-03-24T00:39:14.000Z</updated>
    <id>https://mlarson.org/2009/03/24/200903241958/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The present epoch will perhaps be above all the epoch of space. We are in the epoch of simultaneity: we are in the epoch of juxtaposition, the epoch of the near and far, of the side-by-side, of the dispersed. We are at a moment, I believe, when our experience of the world is less that of a long life developing through time than that of a network that connects points and intersects with its own skein.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---&lt;a href=&#34;http://www.foucault.info/documents/heteroTopia/foucault.heteroTopia.en.html&#34;&gt;Michel Foucault&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Some plans for 2009</title>
    <link href="https://mlarson.org/2009/03/24/20090324some-plans-for-2009/"/>
    <updated>2009-03-24T00:32:22.000Z</updated>
    <id>https://mlarson.org/2009/03/24/20090324some-plans-for-2009/</id>
    <content type="html">&lt;p&gt;Things I intend to do:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Travel outside my home state of Georgia at least once every month. This was my official New Year&#39;s Resolution, probably the first year I&#39;ve ever taken the resolution thing seriously. So far I&#39;m 3 for 3 (&lt;a href=&#34;/mark-larson-1/2009/01/20/1829&#34;&gt;January&lt;/a&gt; &lt;a href=&#34;/mark-larson-1/2009/02/12/1722&#34;&gt;February&lt;/a&gt; &lt;a href=&#34;/mark-larson-1/2009/03/11/1843&#34;&gt;March&lt;/a&gt;), and I&#39;ve got &lt;a href=&#34;http://en.wikipedia.org/wiki/Baltimore,_Maryland&#34;&gt;#4&lt;/a&gt; lined up for April, and a &lt;a href=&#34;http://en.wikipedia.org/wiki/Vancouver&#34;&gt;few&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/San_Juan,_Puerto_Rico&#34;&gt;other&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Austin,_Texas&#34;&gt;flights&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Madrid&#34;&gt;under&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/New_York_City&#34;&gt;consideration&lt;/a&gt;, along with the obligatory driving+hiking trips just over the border.&lt;/li&gt;
&lt;li&gt;Run an &lt;a href=&#34;http://en.wikipedia.org/wiki/Ultramarathon&#34;&gt;ultramarathon&lt;/a&gt;, i.e. any distance greater than the standard 26.2-mile marathon. I&#39;ve been thinking about this for a good while, and I&#39;ll be keeping an eye out for a decent 50K or 50M this year. I doubt I&#39;ll be in shape to run the whole distance, but walking a bit is normal for these things. Or I might ignore the official races and tie this goal in with...&lt;/li&gt;
&lt;li&gt;Hiking from &lt;a href=&#34;http://maps.google.com/maps?q=34%C2%B044%2723%22N%2083%C2%B056%2714%22W&#34;&gt;Blood Mountain&lt;/a&gt; to &lt;a href=&#34;http://maps.google.com/maps?q=34%C2%B033%2757.78%22%2C%20-84%C2%B014%2743.02%22&#34;&gt;Amicalola Falls&lt;/a&gt;. I&#39;ve been talking about this one for probably 6-7 years. It&#39;s the southernmost stretch of the Appalachian Trail and the AT Approach Trail, about 40 miles. I&#39;ve done comparable mileage on somewhat more forgiving terrain, so I know it&#39;s doable. I just want to get it out of the way. I gave it a shot with a friend of mine last year (I think? or the year before?), but had to pull up short. Since then, I can&#39;t help thinking, if only I&#39;d done X and Y and Z differently. Failure always brings up a new strategy.&lt;/li&gt;
&lt;li&gt;Buy a house. Actually, let&#39;s put this down as a &amp;quot;maybe.&amp;quot; I do want a porch, though.&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>March 24, 2009</title>
    <link href="https://mlarson.org/2009/03/24/200903241950/"/>
    <updated>2009-03-24T00:15:31.000Z</updated>
    <id>https://mlarson.org/2009/03/24/200903241950/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://whimsley.typepad.com/whimsley/2009/03/online-monoculture-and-the-end-of-the-niche.html&#34;&gt;Online monoculture and the end of the niche&lt;/a&gt;. In summary: online recommendation systems tend to offer a more diverse selection, but tends to reward fewer products more greatly than others:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In Internet World the customers see further, but they are all looking out from the same tall hilltop. In Offline World individual customers are standing on different, lower, hilltops. They may not see as far individually, but more of the ground is visible to someone. In Internet World, a lot of the ground cannot be seen by anyone because they are all standing on the same big hilltop.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I wish I followed the math better. Interesting stuff in the comments, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In which a metaphor is discerned</title>
    <link href="https://mlarson.org/2009/03/24/20090324in-which-a-metaphor-is-discerned/"/>
    <updated>2009-03-24T00:09:01.000Z</updated>
    <id>https://mlarson.org/2009/03/24/20090324in-which-a-metaphor-is-discerned/</id>
    <content type="html">&lt;p&gt;I&#39;ve just started reading the so-far excellent &lt;a href=&#34;http://www.amazon.com/Lost-City-Deadly-Obsession-Amazon/dp/0385513534&#34;&gt;The Lost City of Z&lt;/a&gt;, about exploration in the Amazon jungle. The central character was a member of the Royal Geographic Society, and the author goes to the London headquarters to do some research...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In a corridor of the Royal Geographic Society&#39;s building, I noticed on the wall a gigantic seventeenth-century map of the globe. On the margins were sea monsters and dragons. For ages, cartographers had no means of knowing what existed on most of the earth. And more often than not these gaps were filled in with fantastical kingdoms and beasts, as if the make-believe, no matter how terrifying, were less frightening than the truly unknown.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;As in maps, so in life.&lt;/p&gt;
&lt;p&gt;In a section later in the book (that I also interpret more broadly to relate to bold striking-forth and unknown futures in Life), another explorer describes the typical reactions he got to his plans:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There were the Prudent, who said: &amp;quot;This is an extraordinarily foolish thing to do.&amp;quot; There were the Wise, who said: &amp;quot;This is an extraordinarily foolish thing to do; but at least you will know better next time.&amp;quot; There were the Very Wise, who said: &amp;quot;This is a foolish thing to do, but not nearly so foolish as it sounds.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2009</title>
    <link href="https://mlarson.org/2009/03/22/200903221935/"/>
    <updated>2009-03-22T22:50:35.000Z</updated>
    <id>https://mlarson.org/2009/03/22/200903221935/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://joshuablankenship.com/blog/2009/03/22/warhol-on-good-vs-bad-art/&#34;&gt;Warhol on good art vs bad art&lt;/a&gt;. Brilliant.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 17, 2009</title>
    <link href="https://mlarson.org/2009/03/17/200903171920/"/>
    <updated>2009-03-17T20:42:16.000Z</updated>
    <id>https://mlarson.org/2009/03/17/200903171920/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I can&#39;t believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit home under the most comfortable and stimulating circumstances and hear it as they want to hear it. I can&#39;t imagine what would happen to literature today if one were obliged to congregate in an unpleasant hall and read novels projected on a screen.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---&lt;a href=&#34;http://en.wikipedia.org/wiki/Milton_Babbitt&#34;&gt;Milton Babbitt&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2009</title>
    <link href="https://mlarson.org/2009/03/15/200903151914/"/>
    <updated>2009-03-15T23:23:50.000Z</updated>
    <id>https://mlarson.org/2009/03/15/200903151914/</id>
    <content type="html">&lt;p&gt;The last bit from a &lt;a href=&#34;http://www.thehowlingfantods.com/dfwstuff/Whiskey%20Island%20DFW%20Interview%20Looking%20for%20a%20Garde%20of%20Which%20to%20be%20Avant.pdf&#34;&gt;1993 interview with David Foster Wallace&lt;/a&gt; [pdf] in &lt;a href=&#34;http://www.csuohio.edu/class/english/whiskeyisland/&#34;&gt;Whiskey Island Magazine&lt;/a&gt;, some advice for young writers:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is a long haul. Writing is a long haul. I&#39;m hoping that none of the stuff that I&#39;ve done so far is anywhere close to the best stuff I can do. Let&#39;s hope we&#39;re not fifty-five and doing the same thing. I&#39;d say avoid burning out. You can burn out by struggling in privation and neglect for many years, but you can also bum out if you&#39;re given a&#39; little bit of attention. People come to your hotel room and think you have interesting things to say. You can allow that to make you start to think that you can&#39;t say anything unless it&#39;s interesting. For me, 50% of the stuff I do is bad, and that&#39;s just going to be the way it is, and if I can&#39;t accept that then I&#39;m not cut out for this. The trick is to know what&#39;s bad and not let other people see it.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Stravinsky on remix and love</title>
    <link href="https://mlarson.org/2009/03/15/20090315stravinsky-on-remix-and-love/"/>
    <updated>2009-03-15T23:08:47.000Z</updated>
    <id>https://mlarson.org/2009/03/15/20090315stravinsky-on-remix-and-love/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://images.google.com/hosted/life/l?imgurl=cd025de34fb19ffb&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ef5/1237155414000/stravinsky.jpg?format=original&#34; alt=&#34;igor stravinsky&#34; title=&#34;stravinsky&#34;&gt;&lt;/a&gt;Igor Stravinsky (↑, one of my favorite composers) is probably best known for his collaboration with &lt;a href=&#34;http://en.wikipedia.org/wiki/Serge_Diaghilev&#34;&gt;Serge Diaghilev&lt;/a&gt; on the &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Rite_of_Spring&#34;&gt;The Rite of Spring&lt;/a&gt; ballet and its scandalous premiere. But a few years after that, with Diaghilev&#39;s prodding, he brought out another ballet score with older, more conservative roots, &lt;a href=&#34;http://en.wikipedia.org/wiki/Pulcinella_(ballet)&#34;&gt;Pulcinella&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;What made Pulcinella different was that Stravinsky took most of the music from lesser-known classical-era composers like &lt;a href=&#34;http://en.wikipedia.org/wiki/Giovanni_Battista_Pergolesi&#34;&gt;Pergolesi&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Domenico_Gallo&#34;&gt;Gallo&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Carlo_Ignazio_Monza&#34;&gt;Monza&lt;/a&gt;, et al. &amp;quot;&lt;a href=&#34;http://www.cso.org/main.taf?p=5,5,7,55&#34;&gt;It was a backward glance, of course, but it was a look in the mirror, too&lt;/a&gt;.&amp;quot; Stravinsky took whole melodies and bass lines from the old stuff, and within that framework he rejiggered the harmonies, rhythms, and orchestration.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I began by composing on the Pergolesi manuscripts themselves, as though I were correcting an old work of my own. I knew that I could not produce a &#39;forgery&#39; of Pergolesi because my motor habits are so different; at best, I could repeat him in my own accent.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The reception of the new work wasn&#39;t all positive...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I was... attacked for being a &lt;em&gt;pasticheur&lt;/em&gt;, chided for composing &#39;simple&#39; music, blamed for deserting &#39;modernism,&#39; accused of renouncing my &#39;true Russian heritage.&#39; People who had never heard of, or cared about, the originals cried &#39;sacrilege&#39;: &amp;quot;The classics are ours. Leave the classics alone.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;... but he had his reasons...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To them all my answer was and is the same: You &amp;quot;respect,&amp;quot; but I love.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2009</title>
    <link href="https://mlarson.org/2009/03/15/200903151887/"/>
    <updated>2009-03-15T22:05:01.000Z</updated>
    <id>https://mlarson.org/2009/03/15/200903151887/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://lala.cursivebuildings.com/post/86340151/ahhhhh-mega-zine-no-5&#34;&gt;fifth issue of Ahhhhh Mega-Zine&lt;/a&gt; is ready for your enjoyment. I really liked &lt;a href=&#34;http://javan.us/&#34;&gt;Javan Makhmali&#39;s&lt;/a&gt; photos in this one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2009</title>
    <link href="https://mlarson.org/2009/03/11/200903111859/"/>
    <updated>2009-03-11T22:55:20.000Z</updated>
    <id>https://mlarson.org/2009/03/11/200903111859/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.trizle.com/topics/1168-why-work-more-hours&#34;&gt;Why work more hours&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2009</title>
    <link href="https://mlarson.org/2009/03/11/200903111854/"/>
    <updated>2009-03-11T22:34:57.000Z</updated>
    <id>https://mlarson.org/2009/03/11/200903111854/</id>
    <content type="html">&lt;p&gt;From an &lt;a href=&#34;http://tcj.com/index.php?option=com_content&amp;amp;task=view&amp;amp;id=999&amp;amp;Itemid=48&#34;&gt;interview with Lynda Barry&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There isn&#39;t much of a difference in the experience of painting a picture, writing a novel, making a comic strip, reading a poem or listening to a song. The containers are different, but the lively thing at the center is what I&#39;m interested in.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://www.austinkleon.com/blog/&#34;&gt;austin kleon&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2009</title>
    <link href="https://mlarson.org/2009/03/11/200903111850/"/>
    <updated>2009-03-11T22:06:16.000Z</updated>
    <id>https://mlarson.org/2009/03/11/200903111850/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=zrdEHvREfdI&#34;&gt;Electric Purgatory&lt;/a&gt; is a cool documentary about black musicians in rock. [via &lt;a href=&#34;http://joshuablankenship.com/blog/&#34;&gt;joshua blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2009</title>
    <link href="https://mlarson.org/2009/03/11/200903111843/"/>
    <updated>2009-03-11T22:01:23.000Z</updated>
    <id>https://mlarson.org/2009/03/11/200903111843/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3340626602/&#34; title=&#34;Atlanta Üí Winston-Salem by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3379/3340626602_abe6926c8f.jpg&#34; alt=&#34;Atlanta Üí Winston-Salem&#34;&gt;&lt;/a&gt; Last weekend I enjoyed a little trip from Atlanta to Winston-Salem. If you find yourself in the area, I recommend a stop in &lt;a href=&#34;http://www.reynoldagardens.org/&#34;&gt;Reynolda Gardens&lt;/a&gt; and maybe &lt;a href=&#34;http://www.marysofcourse.com/&#34;&gt;Mary&#39;s Of Course Cafe&lt;/a&gt;. &lt;a href=&#34;http://www.oldsalem.org/&#34;&gt;Old Salem&lt;/a&gt; was neat, but I&#39;m glad we didn&#39;t linger too long.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 4, 2009</title>
    <link href="https://mlarson.org/2009/03/04/200903041818/"/>
    <updated>2009-03-04T23:37:10.000Z</updated>
    <id>https://mlarson.org/2009/03/04/200903041818/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.vanityfair.com/politics/features/2009/04/iceland200904&#34;&gt;Michael Lewis writes about Iceland&lt;/a&gt; and the recent financial meltdown. Man, I&#39;d love to go back there. [via &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2009/03/assorted-links-2.html&#34;&gt;marginal revolution&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Theory of Capitalism &amp;amp; Socialism (review: 4.5/5)</title>
    <link href="https://mlarson.org/2009/03/04/20090304theory-of-capitalism-socialism-review/"/>
    <updated>2009-03-04T23:20:28.000Z</updated>
    <id>https://mlarson.org/2009/03/04/20090304theory-of-capitalism-socialism-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2388668096/&#34; title=&#34;A Theory of Socialism &amp;amp; Capitalism: Economics, Politics, and Ethics by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3103/2388668096_587fb0ee1d.jpg&#34; alt=&#34;A Theory of Socialism &amp;amp; Capitalism: Economics, Politics, and Ethics&#34;&gt;&lt;/a&gt; The first book by &lt;a href=&#34;http://en.wikipedia.org/wiki/Hans-Hermann_Hoppe&#34;&gt;Hans-Hermann Hoppe&lt;/a&gt; that I read was the most excellent &lt;a href=&#34;http://en.wikipedia.org/wiki/Democracy:_The_God_That_Failed&#34;&gt;Democracy: The God That Failed&lt;/a&gt;. In the &lt;a href=&#34;http://www.mises.org/hoppeintro.asp&#34;&gt;introduction&lt;/a&gt; to that book, Hoppe talks about competing social theories and, in face of conflicting arguments about society or politics or economics, how we can decide between them:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The data of history are logically compatible with... rival interpretations, and historians, insofar as they are just historians, have no way of deciding in favor of one or the other. If one is to make a rational choice among such rival and incompatible interpretations, this is only possible if one has a theory at one&#39;s disposal, or at least a theoretical proposition, whose validity does not depend on historical experience but can be established a priori, i.e. once and for all by means of the intellectual apprehension or comprehension of the nature of things.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In other words, disagreements can&#39;t be solved only by appealing to historical data. In the end &amp;quot;a priori theory trumps and corrects experience (and logic overrules observation), and not vice-versa.&amp;quot; &lt;a href=&#34;http://www.hanshoppe.com/publications/Soc&amp;amp;Cap.pdf&#34;&gt;A Theory of Capitalism &amp;amp; Socialism: Economics, Politics, Ethics&lt;/a&gt; [full text, pdf] takes this deductive approach. Hoppe starts by building a theory of property. We only need property because things are &lt;em&gt;scarce&lt;/em&gt;; where there is no scarcity (e.g. ideas) there is no property...&lt;/p&gt;
&lt;p&gt;And the rest flows from that. Sorry I don&#39;t remember much more than that off-hand, because I &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2388668096/&#34;&gt;finished the book almost a year ago&lt;/a&gt;. This draft has been sitting neglected for months and months. Just wanted to clear out the archives. Highly recommended, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 4, 2009</title>
    <link href="https://mlarson.org/2009/03/04/200903041801/"/>
    <updated>2009-03-04T23:11:58.000Z</updated>
    <id>https://mlarson.org/2009/03/04/200903041801/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://odd-blood.blogspot.com/&#34;&gt;Yeasayer has a blog&lt;/a&gt; while they work on the new album.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I notice that the rest of the band decided to get super organized while I was back in New York. They got a Dry Erase board and started to write ideas for song titles and album titles on it. Great idea guys! Every song should definitely have a title. So I thought to catch up I should start brainstorming some ideas after I ate breakfast. Here are the titles I thought of:&lt;/p&gt;
&lt;p&gt;Sugar in the Raw Recycling Ain&#39;t Easy Stove Won&#39;t Light I (Like my Cereal Hot)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2009</title>
    <link href="https://mlarson.org/2009/03/03/200903031784/"/>
    <updated>2009-03-03T00:52:30.000Z</updated>
    <id>https://mlarson.org/2009/03/03/200903031784/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://crushingkrisis.com/?p=3479&#34;&gt;I love planning and organizing things so much that sometimes IÄôd rather not ever do the actual thing&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(This is actually a running theme in my life. See also: song database but no new recordings, exercise plan but no new muscles. The only time it works in my favor is when having a plan inherently leads to the plan being success, as with a budget.&lt;/p&gt;
&lt;p&gt;AnywhoÄ¶)&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 1, 2009</title>
    <link href="https://mlarson.org/2009/03/01/200903011777/"/>
    <updated>2009-03-01T21:35:01.000Z</updated>
    <id>https://mlarson.org/2009/03/01/200903011777/</id>
    <content type="html">&lt;p&gt;About a dozen years ago, &lt;a href=&#34;http://www.youtube.com/watch?v=2pDjT1UNT3s&#34;&gt;Bj??rk interviewed composer Arvo P?§rt&lt;/a&gt;. P?§rt has written a number of things I like... &lt;a href=&#34;http://www.youtube.com/watch?v=QtFPdBUl7XQ&#34;&gt;Spiegel im Spiegel&lt;/a&gt;; &lt;a href=&#34;http://www.youtube.com/watch?v=2Bvfr5JzClI&#34;&gt;Silouans Song&lt;/a&gt;; &lt;a href=&#34;http://www.youtube.com/watch?v=bnD_B51hQJI&#34;&gt;Credo&lt;/a&gt;; &lt;a href=&#34;http://www.youtube.com/watch?v=pQJGi9ZLpHE&#34;&gt;F?ºr Alina&lt;/a&gt;, etc. [via &lt;a href=&#34;http://atlantacomposers.blogspot.com/&#34;&gt;atlanta composers&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 1, 2009</title>
    <link href="https://mlarson.org/2009/03/01/200903011771/"/>
    <updated>2009-03-01T21:12:25.000Z</updated>
    <id>https://mlarson.org/2009/03/01/200903011771/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gregmankiw.blogspot.com/2009/02/tax-rates-for-rich-and-poor.html&#34;&gt;Tax rates of the rich and poor&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Lowest quintile: 4.3 percent Second quintile: 9.9 percent Middle quintile: 14.2 percent Fourth quintile: 17.4 percent Percentiles 81-90: 20.3 percent Percentiles 91-95: 22.4 percent Percentiles 96-99: 25.7 percent Percentiles 99.0-99.5: 29.7 percent Percentiles 99.5-99.9: 31.2 percent Percentiles 99.9-99.99: 32.1 percent Top 0.01 Percentile: 31.5 percent&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 1, 2009</title>
    <link href="https://mlarson.org/2009/03/01/200903011767/"/>
    <updated>2009-03-01T21:09:47.000Z</updated>
    <id>https://mlarson.org/2009/03/01/200903011767/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/1/hi/health/7912671.stm&#34;&gt;Doodling &amp;quot;may help memory recall&amp;quot;&lt;/a&gt;. I almost always do a little aimless doodling during meetings at work. Now I&#39;ve got some science to back it up. [via &lt;a href=&#34;http://www.austinkleon.com/blog/&#34;&gt;austin kleon&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 26, 2009</title>
    <link href="https://mlarson.org/2009/02/26/200902261759/"/>
    <updated>2009-02-26T01:43:27.000Z</updated>
    <id>https://mlarson.org/2009/02/26/200902261759/</id>
    <content type="html">&lt;p&gt;In an otherwise &lt;a href=&#34;http://en.wikipedia.org/wiki/L%C3%A9on_Theremin&#34;&gt;unremarkable interview with its inventor&lt;/a&gt;, I learned that Lenin played the &lt;a href=&#34;http://en.wikipedia.org/wiki/Theremin&#34;&gt;Theremin&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I brought my apparatus and set it up in his large office in the Kremlin. He was not yet there because he was in a meeting. I waited with Fotiva, his secretary, who was a good pianist, a graduate of the conservatory. She said that a little piano would be brought into the office, and that she would accompany me on the music that I would play. So we prepared, and about an hour and a half later Vladimir Il&#39;yich Lenin came with those people with whom he had been in conference in the Kremlin. He was very gracious; I was very pleased to meet him, and then I showed him the signaling system of my instrument, which I played by moving my hands in the air, and which was called at that time the thereminvox. I played a piece [of music].&lt;/p&gt;
&lt;p&gt;After I played the piece they applauded, including Vladimir Il&#39;yich [Lenin], who had been watching very attentively during my playing. I played Glinka&#39;s &amp;quot;Skylark&amp;quot;, which he loved very much, and Vladimir Il&#39;yich said, after all this applause, that I should show him, and he would try himself to play it. He stood up, moved to the instrument, stretched his hands out, left and right: right to the pitch and left to the volume. I took his hands from behind and helped him. He started to play &amp;quot;Skylark&amp;quot;. He had a very good ear, and he felt where to move his hands to get the sound: to lower them or to raise them. In the middle of this piece I thought that he could himself, independently, move his hands. So I took my hands off of his, and he completed the whole thing independently, by himself, with great success and with great applause following. He was very happy that he could play on this instrument all by himself.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 26, 2009</title>
    <link href="https://mlarson.org/2009/02/26/200902261749/"/>
    <updated>2009-02-26T01:20:39.000Z</updated>
    <id>https://mlarson.org/2009/02/26/200902261749/</id>
    <content type="html">&lt;p&gt;I wish I could find online Gerald Early&#39;s essay, &amp;quot;Dancing in the Dark: Race, Sex, The South, and Exploitative Cinema&amp;quot;. It was far and away the best thing I read in &lt;a href=&#34;http://www.amazon.com/Best-African-American-Essays-2009/dp/0553385364&#34;&gt;Best African American Essays: 2009&lt;/a&gt;, but it looks like it&#39;s hidden away in &lt;a href=&#34;http://www.oxfordamericanmag.com/oastoreview.cfm?StyleID=428&amp;amp;Style=SPECIAL&amp;amp;VendorCode=OA&amp;amp;Entry=Store&amp;amp;EntryCat=Back%20Issues%2036-70&amp;amp;EntryVend=OA&#34;&gt;Issue 57 of the Oxford American&lt;/a&gt;, subscribers only. In any case, Early talks about self-mythologizing Southern culture, &lt;a href=&#34;http://en.wikipedia.org/wiki/Dark_romanticism&#34;&gt;American gothic&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Blaxploitation&#34;&gt;blaxploitation&lt;/a&gt; and sexual taboo. Case studies include D.W. Griffith films like &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Birth_of_a_Nation&#34;&gt;The Birth of the Nation&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/His_Trust&#34;&gt;His Trust&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/His_Trust_Fulfilled&#34;&gt;His Trust Fulfilled&lt;/a&gt;; &lt;a href=&#34;http://en.wikipedia.org/wiki/Gone_with_the_Wind_(film)&#34;&gt;Gone with the Wind&lt;/a&gt;; &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Spit_on_Your_Grave&#34;&gt;I Spit on Your Grave&lt;/a&gt;; &lt;a href=&#34;http://en.wikipedia.org/wiki/Free,_White_and_21&#34;&gt;Free, White, and 21&lt;/a&gt;; &lt;a href=&#34;http://en.wikipedia.org/wiki/Murder_in_Mississippi&#34;&gt;Murder in Missippi&lt;/a&gt;; &lt;a href=&#34;http://en.wikipedia.org/wiki/Black_Like_Me&#34;&gt;Black Like Me&lt;/a&gt;; and &lt;a href=&#34;http://en.wikipedia.org/wiki/To_Kill_a_Mockingbird_(film)&#34;&gt;To Kill a Mockingbird&lt;/a&gt;. Read it if you can find it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 26, 2009</title>
    <link href="https://mlarson.org/2009/02/26/200902261747/"/>
    <updated>2009-02-26T00:46:31.000Z</updated>
    <id>https://mlarson.org/2009/02/26/200902261747/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bitchmagazine.org/article/when-tyra-met-naomi&#34;&gt;When Tyra Met Naomi&lt;/a&gt;, a look at racism in the fashion industry.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2009</title>
    <link href="https://mlarson.org/2009/02/24/200902241745/"/>
    <updated>2009-02-24T20:41:31.000Z</updated>
    <id>https://mlarson.org/2009/02/24/200902241745/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.eskimo.com/~jessamyn/barth/kennedy.html&#34;&gt;Robert Kennedy Saved from Drowning&lt;/a&gt;, a short story by Donald Barthelme.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2009</title>
    <link href="https://mlarson.org/2009/02/24/200902241740/"/>
    <updated>2009-02-24T20:38:13.000Z</updated>
    <id>https://mlarson.org/2009/02/24/200902241740/</id>
    <content type="html">&lt;p&gt;&amp;quot;It&#39;s worth knowing about ten times as much as you ever use, so you can move freely.&amp;quot;---&lt;a href=&#34;http://www.newyorker.com/reporting/2009/02/23/090223fa_fact_zalewski&#34;&gt;Ian McEwan&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2009</title>
    <link href="https://mlarson.org/2009/02/24/200902241738/"/>
    <updated>2009-02-24T14:13:07.000Z</updated>
    <id>https://mlarson.org/2009/02/24/200902241738/</id>
    <content type="html">&lt;p&gt;From an &lt;a href=&#34;http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/02/08/RV0D15LNCV.DTL&#34;&gt;interview with Jimmy Carter&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Q: You&#39;ve written memoirs, a historical novel, a children&#39;s book, poetry---all while running the Carter Center. How many cups of coffee do you drink a day?&lt;/p&gt;
&lt;p&gt;A: Well, I get up early. (Laughs.) I&#39;m a farmer, still. I get up around 5 o&#39;clock in the morning when I&#39;m home, so I have three hours of good time to think and write before the normal events start happening in Atlanta at the Carter Center.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2009</title>
    <link href="https://mlarson.org/2009/02/24/200902241733/"/>
    <updated>2009-02-24T02:11:22.000Z</updated>
    <id>https://mlarson.org/2009/02/24/200902241733/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://urbanspectacles.com/index.htm&#34;&gt;Urban Spectacles&lt;/a&gt; makes handmade eyeglasses from exotic woods and other materials. I&#39;m due for a new pair. Though I hate to get all fetishy about fashion, if I don&#39;t go the &lt;a href=&#34;http://www.43folders.com/2007/11/29/adventures-40-eyeglasses&#34;&gt;$40 eyeglasses&lt;/a&gt; route, I might give this guy a look. I&#39;ve had my current pair for about 8-9 years now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2009</title>
    <link href="https://mlarson.org/2009/02/24/200902241730/"/>
    <updated>2009-02-24T01:58:30.000Z</updated>
    <id>https://mlarson.org/2009/02/24/200902241730/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=LoGYx35ypus&#34;&gt;Everything&#39;s amazing, nobody&#39;s happy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2009</title>
    <link href="https://mlarson.org/2009/02/23/200902231727/"/>
    <updated>2009-02-23T17:49:05.000Z</updated>
    <id>https://mlarson.org/2009/02/23/200902231727/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://daringfireball.net/2009/02/best_picture&#34;&gt;John Gruber on the Best Picture&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Putting WALL-E up against Bolt and Kung Fu Panda rather than letting it compete against Slumdog Millionaire and Benjamin Button is like requiring a 13-year-old chess prodigy to compete only against other children, regardless whether he could stand his own against adult grandmasters.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2009</title>
    <link href="https://mlarson.org/2009/02/18/200902181725/"/>
    <updated>2009-02-18T22:29:31.000Z</updated>
    <id>https://mlarson.org/2009/02/18/200902181725/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://dashes.com/anil/2009/02/you-didnt-miss-anything.html&#34;&gt;You didn&#39;t miss anything&lt;/a&gt;. I was only gone for a long weekend, but felt the same way. It&#39;s a nice reminder.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2009</title>
    <link href="https://mlarson.org/2009/02/12/200902121722/"/>
    <updated>2009-02-12T00:29:53.000Z</updated>
    <id>https://mlarson.org/2009/02/12/200902121722/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3273732788/&#34; title=&#34;ATL Üí SFO&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3497/3273732788_f0fa28fc5d_o.jpg&#34; alt=&#34;ATL Üí SFO&#34;&gt;&lt;/a&gt; And now for a long weekend on the other side of the States.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2009</title>
    <link href="https://mlarson.org/2009/02/11/200902111714/"/>
    <updated>2009-02-11T00:39:32.000Z</updated>
    <id>https://mlarson.org/2009/02/11/200902111714/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ef2/1234312694000/clock-drawing-hemineglect.jpg?format=original&#34; alt=&#34;hemineglect&#34;&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Hemispatial_neglect&#34;&gt;Hemispacial neglect&lt;/a&gt;, or &lt;a href=&#34;http://www.scholarpedia.org/article/Hemineglect&#34;&gt;hemineglect&lt;/a&gt;, is a &amp;quot;condition following brain damage in which patients fail to be aware of items to one side of space.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2009</title>
    <link href="https://mlarson.org/2009/02/11/200902111704/"/>
    <updated>2009-02-11T00:27:29.000Z</updated>
    <id>https://mlarson.org/2009/02/11/200902111704/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.killersofeden.com/index.htm&#34;&gt;Killers of Eden&lt;/a&gt; was a group of orcas off the coast of Australia that helped the local whalers, the Davidson family in particular. The orcas would go out and round up baleen whales. The orcas would even invite the Davidsons out to join them---they&#39;d swim up the bay and splash their tails when they were ready to go on the chase. The orcas worked a lot like dogs round up sheep or corner foxes. After the baleens were killed, whether by teeth or harpoon, the orcas would eat the lips and tongue and the rest would go to the whalers. The relationship continued for decades up until 1930, when Old Tom died. &lt;a href=&#34;http://en.wikipedia.org/wiki/Old_Tom&#34;&gt;Old Tom&lt;/a&gt; was the most celebrated orca in the pod, the one the Davidsons were probably closest with. He seemed to have a sense of humor about him, and he was also known for grabbing a rope on the boats and taking the whalers for a joyride. If you find this all as mind-blowing as I do, you might like to see the names and photos of some of &lt;a href=&#34;http://www.killerwhalemuseum.com.au/Killers.htm&#34;&gt;Eden&#39;s killer whales&lt;/a&gt; or read more about &lt;a href=&#34;http://www.killersofeden.com/Export7.htm&#34;&gt;Eden&#39;s whaling history&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;This bit of trivia and more can be found in the surprisingly excellent book I recently finished, &lt;a href=&#34;http://www.amazon.com/Thousand-Mile-Song-Whale-Music/dp/0465071287&#34;&gt;Thousand Mile Song&lt;/a&gt;. These animals are smart.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>American Nerd (review: 3/5)</title>
    <link href="https://mlarson.org/2009/02/10/20090210american-nerd-review/"/>
    <updated>2009-02-10T00:19:54.000Z</updated>
    <id>https://mlarson.org/2009/02/10/20090210american-nerd-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3192526625/&#34; title=&#34;American Nerd: The Story of My People&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3259/3192526625_0a909f72ee_b.jpg&#34; alt=&#34;American Nerd: The Story of My People&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In the imagination of the fake nerd, the nerd is attractive because he is unaffected, untrendy to the point of primitivism, a kind of inert noble savage.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/American-Nerd-Story-My-People/dp/0743288017&#34;&gt;American Nerd: The Story of My People&lt;/a&gt; covers a pretty good range of history and culture, tying together various forms of the outcast and how this one particular version came together: the unathletic, socially dysfunctional, mathlete type (did I mention I was captain of my HS academic team?). It starts to get really good a few chapters into the book, when &lt;a href=&#34;http://en.wikipedia.org/wiki/Benjamin_Nugent&#34;&gt;Benjamin Nugent&lt;/a&gt; dives into historical/literary precedent for today&#39;s nerds and normals, e.g. Mary Bennet vs. Elizabeth in Pride &amp;amp; Prejudice, Tibby in Howard&#39;s End, Victor Frankenstein. He also has a great section on the history of sport and the beginnings of the nerd/jock split, and why it became so important for young men to be strapping and not Jewish (see: &lt;a href=&#34;http://en.wikipedia.org/wiki/Muscular_Christianity&#34;&gt;Muscular Christianity&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;Drawing on T.S. Eliot&#39;s essay, &lt;a href=&#34;http://personal.centenary.edu/~dhavird/TSEMetaPoets.html&#34;&gt;The Metaphysical Poets&lt;/a&gt;, he also delves into a split between feeling and thinking, the intellectual and the reflective. The works of Donne and his comrades were a sort of pinnacle of heart/brain unity; later writers like Tennyson, rebelling against the &amp;quot;rationative,&amp;quot; not so much. Eliot:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The difference is not a simple difference of degree between poets... Tennyson and Browning are poets, and they think; but they do not feel their thought as immediately as the odour of a rose. A thought to Donne was an experience; it modified his sensibility. When a poet&#39;s mind is perfectly equipped for its work, it is constantly amalgamating disparate experience; the ordinary man&#39;s experience is chaotic, irregular, fragmentary. The latter falls in love, or reads Spinoza, and these two experiences have nothing to do with each other, or with the noise of the typewriter or the smell of cooking; in the mind of the poet these experiences are always forming new wholes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Quality of the poetry aside, the split between feeling and thinking anticipates a social divide. Nugent:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Since the Romantic era, we have been in an age in which machines have the capacity for some minimal semblance of rational thought, performing tasks that once would have been the exclusive domain of humans. Reason is no longer quintessentially human; spontaneity is. People more inclined toward logical deliberation than spontaneous expression have started to become somehow less totally human...&lt;/p&gt;
&lt;p&gt;The pathos of being a nerd is to feel that because you are comfortable with rational thought, you are cut off from the experiences of spontaneous feelings, of romance, of nonrational connection to other people. A nerd is so often self-loathing because he accepts the thinking/feeling rift, and he knows and cares that other people accept it, too. To be a nerd is often to live with a nagging feeling of one&#39;s own incurable heartlessness.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The first half is great, but the book goes astray in the second. The second used more case studies and memoir. It had an anthropological observation sort of bent that doesn&#39;t hold up nearly as well compared with the earlier chapters. I preferred Nugent&#39;s wide reinterpretation of culture and history and literature.&lt;/p&gt;
&lt;p&gt;But the second half does have a nice section on hipsters and the contemporary appeal of the nerd aesthetic, where I got the opening quote from. He ties it in with Norman Mailer&#39;s essay &lt;a href=&#34;http://en.wikipedia.org/wiki/The_White_Negro&#34;&gt;The White Negro&lt;/a&gt;. There&#39;s a nice connection between hipsterdom and the creative professions...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;... a choice on the part of the privileged to identify with the outsider. The outsider in this case is the nerd, because nerds are people incapable of, or at least averse to, riding cultural trends. When your greatest fear is that you will become a loser because your intuition will fail to keep up with tastes, you embrace the nerd...&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There&#39;s also a nice bit on the connection between nerdiness and autism:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The idea that having a capacity for empathy, for expressing and understanding emotion, is part of being a normal male is fundamentally contemporary and a way of asking that men learn a traditionally feminine virtue. When men were in an unquestioned position of control in the economy---when the bedrock of the nuclear family was a single male wage, a flow of income largely unavailable to women---there was less force compelling men to make themselves attractive mates through understanding the feelings of others and expressing affection. The Asperger&#39;s population is 90 percent male; it&#39;s likely that one reason Asperger&#39;s got &amp;quot;discovered&amp;quot; and then &amp;quot;boomed&amp;quot; is that the rest of us have slowly been revising our expectations of men.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2009</title>
    <link href="https://mlarson.org/2009/02/10/200902101698/"/>
    <updated>2009-02-10T00:19:39.000Z</updated>
    <id>https://mlarson.org/2009/02/10/200902101698/</id>
    <content type="html">&lt;p&gt;I like this idea of working up &lt;a href=&#34;http://notes.torrez.org/2009/02/drumbo-the-drum-machine.html&#34;&gt;drum patterns via text editor&lt;/a&gt;. It&#39;s disorienting to see the instruments listed that way (bass on top and the hats on the bottom), but looks cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2009</title>
    <link href="https://mlarson.org/2009/02/10/200902101692/"/>
    <updated>2009-02-10T00:14:41.000Z</updated>
    <id>https://mlarson.org/2009/02/10/200902101692/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.slate.com/id/2132576&#34;&gt;I opened a charming neighborhood coffee shop. Then it destroyed my life&lt;/a&gt;.&amp;quot; I can understand the surface appeal, but this always seemed like a very bad idea to me. [via &lt;a href=&#34;http://www.linkbanana.com/2009/02/08/on-running-a-charming-cafe/&#34;&gt;link banana&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Miles on Miles (review: 4/5)</title>
    <link href="https://mlarson.org/2009/02/03/20090203miles-on-miles-review/"/>
    <updated>2009-02-03T00:59:05.000Z</updated>
    <id>https://mlarson.org/2009/02/03/20090203miles-on-miles-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3248938785/&#34; title=&#34;Miles on Miles&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3447/3248938785_1e2a6e6bf7_b.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You don&#39;t know how to play better just because you&#39;ve suffered. The blues don&#39;t come from picking cotton.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;ve never read anything quite like &lt;a href=&#34;http://www.amazon.com/Miles-Interviews-Encounters-Davis/dp/1556527063&#34;&gt;Miles on Miles: Interviews and Encounters with Miles Davis&lt;/a&gt;. The book collects about four decades&#39; worth of his life, broken up across a couple dozen interviews that were published in small jazz magazines all the way up to big serials like Newsweek and Rolling Stone. Some were with notable music journalists, a few with overmatched college radio station DJs.&lt;/p&gt;
&lt;p&gt;The interviews start up in the late 1950s, about 10 years after he got his start with Charlie Parker and Dizzy Gillespie, and a couple years after he kicked his heroin habit. The general consensus, even back then: he was bleeping brilliant, charismatic, deeply flawed. Behind the gruff, badass facade was a sensitive, needy man. As the book goes on, it&#39;s cool to see how the different interviewers sum up the career to date, through the shifting bands, radical changes in style, divorces, illness, new addictions. At some points in his life, he&#39;s gregarious, absurdly fit from boxing, full of ideas. Later, for several years, he pretty much didn&#39;t do much aside from drugs, rarely even leaving his house.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don&#39;t like to lay back. I don&#39;t like to relax. Show me a motherfucker that&#39;s relaxed, and I&#39;ll show you a motherfucker that&#39;s afraid of success.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You might have to like Miles to make it through his harangues. There weren&#39;t a whole lot of brilliant comments or analysis of music. He usually avoided commenting on his own music, insistent that the past is dead, and I didn&#39;t see a whole lot of criticism of other artists.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I usually don&#39;t buy jazz records. They make me tired and depressed.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;But I loved seeing how he phrased things, how he responds to similar questions over the years, and how he remembers and retells things differently. And there are occasional asides that I never would have expected:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I don&#39;t know where I want to live. But the best time I ever had in my life, other than playing trumpet, was when I was out in the country riding horses.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2009</title>
    <link href="https://mlarson.org/2009/02/02/200902021636/"/>
    <updated>2009-02-02T23:43:00.000Z</updated>
    <id>https://mlarson.org/2009/02/02/200902021636/</id>
    <content type="html">&lt;p&gt;Brian Eno, &lt;a href=&#34;http://www.moredarkthanshark.org/eno_int_wire-jan93.html&#34;&gt;Thinking about Miles Davis in an un-Miles Davis like way&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Miles was an intelligent man, by all accounts, and must have become increasingly aware of the power of his personal charisma, especially in the later years as he watched his reputation grow over his declining trumpeting skills. Perhaps he said to himself: These people are hearing a lot more context than music, so perhaps I accept that I am now primarily a context maker. My art is not just what comes out of the end of my trumpet or appears on a record, but a larger experience which is intimately connected to who I appear to be, to my life and charisma, to the Miles Davis story. In that scenario, the &#39;music&#39;, the sonic bit, could end up being quite a small part of the whole experience. Developing the context---the package, the delivery system, the buzz, the spin, the story---might itself become the art. Like perfume...&lt;/p&gt;
&lt;p&gt;Professional critics in particular find such suggestions objectionable. They have invested heavily in the idea that music itself offers intrinsic, objective, self-contained criteria that allow you to make judgments of worthiness. In the pursuit of True Value and other things with capital letters, they reject as immoral the idea that an artist could be &#39;manipulative&#39; in this way. It seems to them cynical: they want to believe, to be certain that this was The Truth, a pure expression of spirit wrought in sound. They want it to be &#39;out there&#39;, &#39;real&#39;, but now they&#39;re getting the message that what it&#39;s worth is sort of connected with how much they&#39;re prepared to take part in the fabrication of a story about it. Awful! To discover that you&#39;re actually a co-conspirator in the creation of value, caught in the act of make-believe.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2009</title>
    <link href="https://mlarson.org/2009/02/02/200902021629/"/>
    <updated>2009-02-02T23:33:26.000Z</updated>
    <id>https://mlarson.org/2009/02/02/200902021629/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Brion_Gysin&#34;&gt;Brion Gysin&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Ian_Sommerville_(disambiguation)&#34;&gt;Ian Sommerville&lt;/a&gt; invented the &lt;a href=&#34;http://en.wikipedia.org/wiki/Dreamachine&#34;&gt;Dreamachine&lt;/a&gt;, which I first heard about at last week&#39;s &lt;a href=&#34;http://andel.home.mindspring.com/burroughsgysin.htm&#34;&gt;Film Love at Eyedrum&lt;/a&gt;. It uses a record player to spin a cylinder with patterns cut in it. With a light inside, it makes a strobe for drug-free psychedelia. I found an &lt;a href=&#34;http://www.netliberty.net/dreamachine.html&#34;&gt;online Dreamachine&lt;/a&gt; that makes a similar effect. Move close to the monitor, close your eyes, and it&#39;s good for a few seconds of trippy colors. Mind your epilepsy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2009</title>
    <link href="https://mlarson.org/2009/01/28/200901281620/"/>
    <updated>2009-01-28T22:55:05.000Z</updated>
    <id>https://mlarson.org/2009/01/28/200901281620/</id>
    <content type="html">&lt;p&gt;Over the course of more than a decade, &lt;a href=&#34;http://www.icce.rug.nl/~soundscapes/DATABASES/AWP/awp-notes_on.shtml&#34;&gt;Alan Pollack analyzed every Beatles song&lt;/a&gt;. Lyrics, form, melody, harmony, arrangement, performance. Wow.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2009</title>
    <link href="https://mlarson.org/2009/01/28/200901281616/"/>
    <updated>2009-01-28T22:38:57.000Z</updated>
    <id>https://mlarson.org/2009/01/28/200901281616/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kungfugrippe.com/post/72853946/14-second-work-year&#34;&gt;The 14-Second Work Year&lt;/a&gt;. &lt;a href=&#34;/mark-larson-1/2009/01/15/1589&#34;&gt;Parody may not be timeless&lt;/a&gt;, but it can be very satisfying.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2009</title>
    <link href="https://mlarson.org/2009/01/26/200901261611/"/>
    <updated>2009-01-26T08:52:03.000Z</updated>
    <id>https://mlarson.org/2009/01/26/200901261611/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Miles-Interviews-Encounters-Davis/dp/1556527063&#34;&gt;Miles Davis on drawing as therapy&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Yeah, you know, I stopped for a while. I really started to sketch again after I married Cicely. Because she takes so long. You know how actresses are. They take so long to get ready for anything, you know. Rather than scream at her, I just started sketching.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2009</title>
    <link href="https://mlarson.org/2009/01/26/200901261609/"/>
    <updated>2009-01-26T08:46:38.000Z</updated>
    <id>https://mlarson.org/2009/01/26/200901261609/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.esquire.com/features/what-ive-learned/philip-glass-quotes-0109&#34;&gt;You practice and you get better&lt;/a&gt;. It&#39;s very simple.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2009</title>
    <link href="https://mlarson.org/2009/01/25/200901251602/"/>
    <updated>2009-01-25T23:03:46.000Z</updated>
    <id>https://mlarson.org/2009/01/25/200901251602/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://blog.thoughtwax.com/2009/01/burn-your-cds&#34;&gt;ConnollyÄôs Number&lt;/a&gt;, the largest number of songs that you can realistically maintain a meaningful relationship with: 1,000.&amp;quot;---from a footnote to a thoughtful essay. Thankfully I hate clutter enough that I never amassed much of a cd or vinyl collection.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>DCPD Bangerz, Vol. 1</title>
    <link href="https://mlarson.org/2009/01/25/20090125dcpd-bangerz-vol-1/"/>
    <updated>2009-01-25T20:13:09.000Z</updated>
    <id>https://mlarson.org/2009/01/25/20090125dcpd-bangerz-vol-1/</id>
    <content type="html">&lt;p&gt;I get a kick out of nerdcore rapper &lt;a href=&#34;http://ytcracker.com&#34;&gt;ytcracker&lt;/a&gt;&#39;s album &lt;a href=&#34;http://ytcracker.com/dcpd/&#34;&gt;DCPD Bangerz&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;my friend mikey pasted me a link in skype to this police departmentÄôs site -&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.dekalbpolice.com/&#34;&gt;http://www.dekalbpolice.com/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;EVERY page on this website was filled with the most banging beats i had ever heard. whoever picked these beats for this website seriously needs to be an a&amp;amp;r for a major record label.&lt;/p&gt;
&lt;p&gt;i decided to make a concept album using some of the hot beats on these pages and creating a backstory for the song based on what information was on the page. the songs are all named after the .html you can find the beat and story on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I live in DeKalb, so it was a nice surprise to come across this. I think &lt;a href=&#34;http://ytcracker.com/dcpd/01%20-%20ytcracker%20of%20the%20dcpd%20-%20index_home.html.mp3&#34;&gt;index_home.html&lt;/a&gt; [mp3] is my favorite, but &lt;a href=&#34;http://ytcracker.com/dcpd/04%20-%20ytcracker%20and%20mikey%20of%20the%20dcpd%20-%20executive_command.html.mp3&#34;&gt;executive_command.html&lt;/a&gt; is a very close second. [via &lt;a href=&#34;http://decaturmetro.com/2009/01/23/dekalb-police-funkified/&#34;&gt;decatur metro&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 20, 2009</title>
    <link href="https://mlarson.org/2009/01/20/200901201829/"/>
    <updated>2009-01-20T00:44:55.000Z</updated>
    <id>https://mlarson.org/2009/01/20/200901201829/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3210799217/&#34; title=&#34;Decatur to Baton Rouge to Lafayette to Decatur by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3257/3210799217_51450c44fd_o.jpg&#34; alt=&#34;Decatur to Baton Rouge to Lafayette to Decatur&#34;&gt;&lt;/a&gt; A road trip to hang out with my grandparents, with a friend en route.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2009</title>
    <link href="https://mlarson.org/2009/01/19/200901191593/"/>
    <updated>2009-01-19T19:32:44.000Z</updated>
    <id>https://mlarson.org/2009/01/19/200901191593/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;It&#39;s just so damn easy to look upon someone else and jealously think, &amp;quot;Wow, he sure got lucky.&amp;quot; Real people did not have great opportunities fall in their lap. Mostly, crappy opportunities come along, and in the meantime, you make the best of them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---&lt;a href=&#34;http://www.fastcompany.com/node/1130055/print&#34;&gt;Po Bronson&lt;/a&gt; [via &lt;a href=&#34;http://powazek.com&#34;&gt;powazek&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2009</title>
    <link href="https://mlarson.org/2009/01/15/200901151589/"/>
    <updated>2009-01-15T00:19:57.000Z</updated>
    <id>https://mlarson.org/2009/01/15/200901151589/</id>
    <content type="html">&lt;p&gt;My favorite part from &lt;a href=&#34;http://www.cs.cmu.edu/~pausch/&#34;&gt;Randy Pausch&lt;/a&gt;&#39;s book, &lt;a href=&#34;http://www.thelastlecture.com&#34;&gt;The Last Lecture&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I&#39;ll take an earnest person over a hip person every time, because hip is short-term. Earnest is long-term.&lt;/p&gt;
&lt;p&gt;Earnestness is highly underestimated. It comes from the core, while hip is trying to impress you with the surface.&lt;/p&gt;
&lt;p&gt;&amp;quot;Hip&amp;quot; people love parodies. But there&#39;s no such thing as a timeless parody, is there? I have more respect for the earnest guy who does something that can last for generations, and that hip people feel the &lt;em&gt;need&lt;/em&gt; to parody.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2009</title>
    <link href="https://mlarson.org/2009/01/13/200901131587/"/>
    <updated>2009-01-13T23:31:37.000Z</updated>
    <id>https://mlarson.org/2009/01/13/200901131587/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://atlantacomposers.blogspot.com/2009/01/akhnaten-philip-glass-and-atlanta-opera.html&#34;&gt;Philip Glass is coming to Atlanta&lt;/a&gt;, and giving a couple talks just a few miles down the road from me. Awesome.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2009</title>
    <link href="https://mlarson.org/2009/01/12/200901121586/"/>
    <updated>2009-01-12T23:34:44.000Z</updated>
    <id>https://mlarson.org/2009/01/12/200901121586/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.boston.com/bostonglobe/ideas/articles/2009/01/04/how_the_city_hurts_your_brain/?page=full&#34;&gt;How the city hurts your brain&lt;/a&gt;. [via &lt;a href=&#34;http://www.magnetbox.com/&#34;&gt;magnetbox&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2009</title>
    <link href="https://mlarson.org/2009/01/04/200901041582/"/>
    <updated>2009-01-04T21:57:02.000Z</updated>
    <id>https://mlarson.org/2009/01/04/200901041582/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.oxfordamericanmag.com/content.cfm?ArticleID=390&#34;&gt;How Lil Wayne helped me survive my first year teaching in New Orleans&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2009</title>
    <link href="https://mlarson.org/2009/01/03/200901031580/"/>
    <updated>2009-01-03T00:15:26.000Z</updated>
    <id>https://mlarson.org/2009/01/03/200901031580/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://jnewproject.110mb.com/&#34;&gt;Joanna Newsom Transcription Project&lt;/a&gt; is pretty awesome. Lots of sheet music pdfs for harp and piano.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The last sunset of 2008</title>
    <link href="https://mlarson.org/2009/01/01/20090101the-last-sunset-of-2008/"/>
    <updated>2009-01-01T18:14:47.000Z</updated>
    <id>https://mlarson.org/2009/01/01/20090101the-last-sunset-of-2008/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3157673620/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3221/3157673620_fb81545182_b.jpg&#34; alt=&#34;last sunset of 2008&#34;&gt;&lt;/a&gt; 2009 is going to be awesome, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 1, 2009</title>
    <link href="https://mlarson.org/2009/01/01/200901011571/"/>
    <updated>2009-01-01T17:30:45.000Z</updated>
    <id>https://mlarson.org/2009/01/01/200901011571/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2009/01/05/090105fa_fact_sanneh?currentPage=all&#34;&gt;New Yorker profile of Will Oldham&lt;/a&gt;, whose music I&#39;ve grown to love love love over the past year or so.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 1, 2009</title>
    <link href="https://mlarson.org/2009/01/01/200901011566/"/>
    <updated>2009-01-01T16:07:46.000Z</updated>
    <id>https://mlarson.org/2009/01/01/200901011566/</id>
    <content type="html">&lt;p&gt;Good news: back in October I wrote up &lt;a href=&#34;/mark-larson-1/2008/10/05/umberto-eco-on-how-i-write&#34;&gt;my notes from Umberto Eco&#39;s lecture on &amp;quot;How I Write&amp;quot;&lt;/a&gt;. That one and his other 3 Ellmann Lectures are now &lt;a href=&#34;http://deimos3.apple.com/WebObjects/Core.woa/Browse/emory-public.1764839221?i=1312208387&#34;&gt;available on iTunesU&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2008</title>
    <link href="https://mlarson.org/2008/12/28/200812281560/"/>
    <updated>2008-12-28T23:15:36.000Z</updated>
    <id>https://mlarson.org/2008/12/28/200812281560/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/88236230@N00/2651233037/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3159/2651233037_40afbc565b_o.jpg&#34; alt=&#34;description&#34;&gt;&lt;/a&gt; Renoir: &lt;a href=&#34;http://en.wikipedia.org/wiki/Bal_au_moulin_de_la_Galette,_Montmartre&#34;&gt;Bal au moulin de la Galette, Montmartre&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2008</title>
    <link href="https://mlarson.org/2008/12/28/200812281555/"/>
    <updated>2008-12-28T22:25:07.000Z</updated>
    <id>https://mlarson.org/2008/12/28/200812281555/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/&#34;&gt;Alex Ross&lt;/a&gt; is &lt;a href=&#34;http://atlantacomposers.blogspot.com/2008/12/alex-ross-and-eigth-blackbird-at-ksu-in.html&#34;&gt;coming to speak at Kennesaw State University&lt;/a&gt; before an &lt;a href=&#34;http://www.eighthblackbird.com/&#34;&gt;eighth blackbird&lt;/a&gt; concert, just a short drive away. OMG. This might be the first time I get to be that guy that shows up to get his book signed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2008</title>
    <link href="https://mlarson.org/2008/12/28/200812281551/"/>
    <updated>2008-12-28T22:20:03.000Z</updated>
    <id>https://mlarson.org/2008/12/28/200812281551/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.lrb.co.uk/v31/n01/lanc01_.html&#34;&gt;Is it Art?&lt;/a&gt;, an essay on videogames.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A common criticism of video games made by non-gamers is that they are pointless and escapist, but a more valid observation might be that the bulk of games are nowhere near escapist enough. A persuasive &lt;a href=&#34;http://stevenpoole.net/trigger-happy/working-for-the-man/&#34;&gt;recent essay by the games theorist Steven Poole&lt;/a&gt; made the strong argument that the majority of games offer a model of play which is oppressively close to work.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2008</title>
    <link href="https://mlarson.org/2008/12/28/200812281547/"/>
    <updated>2008-12-28T22:04:41.000Z</updated>
    <id>https://mlarson.org/2008/12/28/200812281547/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;One day backstage in the &#39;30s, Larry, Shemp, and Moe were playing cards. Shemp accused Larry of cheating. After a heated argument, Shemp reached over and stuck his fingers in Larry&#39;s eyes. Moe, watching, thought it was hilarious ... and that&#39;s how the famous poke-in-the-eyes routine was born.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.neatorama.com/2008/10/09/the-origin-of-the-three-stooges/&#34;&gt;The origin of the Three Stooges&lt;/a&gt;. [via &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/&#34;&gt;marginal revolution&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2008</title>
    <link href="https://mlarson.org/2008/12/22/200812221530/"/>
    <updated>2008-12-22T00:07:29.000Z</updated>
    <id>https://mlarson.org/2008/12/22/200812221530/</id>
    <content type="html">&lt;p&gt;Tonight I was thinking I&#39;d love to hear hip hop that samples bluegrass music. I looked around and came across &lt;a href=&#34;http://www.gangstagrass.com&#34;&gt;Gangstagrass&lt;/a&gt;. So far, so good. (Also reminds me of &lt;a href=&#34;http://uk.youtube.com/watch?v=wCAM3C3dpIA&#34;&gt;The Gourds&#39; cover of Snoop&#39;s &amp;quot;Gin and Juice&amp;quot;&lt;/a&gt;.)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2008</title>
    <link href="https://mlarson.org/2008/12/18/200812181526/"/>
    <updated>2008-12-18T01:35:16.000Z</updated>
    <id>https://mlarson.org/2008/12/18/200812181526/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://strobist.blogspot.com/2006/07/how-to-diy-10-macro-photo-studio.html&#34;&gt;How to make a $10 macro photo studio&lt;/a&gt; light tent thing. I don&#39;t really need one, but I could probably think of reasons after I make it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2008</title>
    <link href="https://mlarson.org/2008/12/18/200812181522/"/>
    <updated>2008-12-18T01:29:26.000Z</updated>
    <id>https://mlarson.org/2008/12/18/200812181522/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://georgiabankrobbery.com/&#34;&gt;GeorgiaBankRobbery.com&lt;/a&gt; features images of persons who may be involved in criminal activity or wanted for questioning.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2008</title>
    <link href="https://mlarson.org/2008/12/18/200812181518/"/>
    <updated>2008-12-18T01:27:05.000Z</updated>
    <id>https://mlarson.org/2008/12/18/200812181518/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.deepglamour.net/deep_glamour/2008/12/dg-you-frequently-write-about-science-fiction--what-is-it-about-the-world-of-the-future-that-make-it-so-seductive--jmcn-sc.html&#34;&gt;Science fiction lovers tend to be closet romantics&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2008</title>
    <link href="https://mlarson.org/2008/12/15/200812151510/"/>
    <updated>2008-12-15T01:17:45.000Z</updated>
    <id>https://mlarson.org/2008/12/15/200812151510/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910eef/1229303621000/mahler-schliessmann.jpg?format=original&#34; alt=&#34;illustration of Gustav Mahler conducting, by Hans Schliessmann&#34;&gt; Illustrations of &lt;a href=&#34;http://en.wikipedia.org/wiki/Gustav_Mahler&#34;&gt;Gustav Mahler&lt;/a&gt; conducting, by Hans Schliessmann.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 14, 2008</title>
    <link href="https://mlarson.org/2008/12/14/200812141507/"/>
    <updated>2008-12-14T21:07:41.000Z</updated>
    <id>https://mlarson.org/2008/12/14/200812141507/</id>
    <content type="html">&lt;p&gt;&amp;quot;The trouble with a cheap, specialized education is that you never stop paying for it.&amp;quot;---from a &lt;a href=&#34;http://www.marshallmcluhan.com/poster.html&#34;&gt;collection of McLuhanisms&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2008</title>
    <link href="https://mlarson.org/2008/12/10/200812101505/"/>
    <updated>2008-12-10T00:14:15.000Z</updated>
    <id>https://mlarson.org/2008/12/10/200812101505/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/2008/12/great-moments-i.html&#34;&gt;Peter Sellers gives a rendition of &amp;quot;Hard Day&#39;s Night&amp;quot;&lt;/a&gt; in high Shakespearean style.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2008</title>
    <link href="https://mlarson.org/2008/12/09/200812091504/"/>
    <updated>2008-12-09T23:51:49.000Z</updated>
    <id>https://mlarson.org/2008/12/09/200812091504/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=zmxvRPt_F38&#34;&gt;The twelve composers of Christmas&lt;/a&gt;. I love the Stravinsky and Beethoven bits. [via &lt;a href=&#34;http://mmmusing.blogspot.com/2008/12/theyre-back.html&#34;&gt;mmmusing&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2008</title>
    <link href="https://mlarson.org/2008/12/09/200812091503/"/>
    <updated>2008-12-09T23:33:18.000Z</updated>
    <id>https://mlarson.org/2008/12/09/200812091503/</id>
    <content type="html">&lt;p&gt;&amp;quot;A tip is likeÄ¶what? &lt;a href=&#34;http://www.43folders.com/2008/12/03/real-advice-hurts&#34;&gt;A little scrap of a map&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Favorite Albums of 2008</title>
    <link href="https://mlarson.org/2008/12/05/20081205favorite-albums-of-2008/"/>
    <updated>2008-12-05T02:30:44.000Z</updated>
    <id>https://mlarson.org/2008/12/05/20081205favorite-albums-of-2008/</id>
    <content type="html">&lt;p&gt;I&#39;m not limiting myself to 2008---I&#39;m never that up-to-date, and you already know about Fleet Foxes and Bon Iver without my telling you. I spent some time sorting through my iTunes and came up with albums that I bought or first gave a serious listen to this year. I made selections month-by-month: &lt;strong&gt;January&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ee0/1228441113000/stardust.jpg?format=original&#34; alt=&#34;stardust willie nelson&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Stardust-Willie-Nelson/dp/B0000296J3&#34;&gt;Stardust&lt;/a&gt; is a Willie Nelson album from 1978. It&#39;s a collection of old standards, like &lt;a href=&#34;http://www.youtube.com/watch?v=4mzXUZyrYiA&#34;&gt;Stardust&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=D5jRkqia5tI&#34;&gt;All of Me&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=6M52UCChnME&#34;&gt;Moonlight in Vermont&lt;/a&gt;. I love those good songs that have such a rich history. Some of them are 60, 70, 80 years old, and they&#39;re still good, and there&#39;s probably many more good covers to come.&lt;/p&gt;
&lt;p&gt;I had a 4-way tie for favorite Radiohead album until &lt;a href=&#34;http://www.amazon.com/Rainbows-Radiohead/dp/B000YXMMAE/&#34;&gt;In Rainbows&lt;/a&gt; came along. Easily my most-played album this year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;February&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ec2/1228441080000/ainadamar.jpg?format=original&#34; alt=&#34;ainadamar&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://twitter.com/mlarson/status/670387812&#34;&gt;I pretty much flipped out&lt;/a&gt; when I first listened to &lt;a href=&#34;http://www.amazon.com/Osvaldo-Golijov-Ainadamar/dp/B000F2CANS/&#34;&gt;Ainadamar&lt;/a&gt;. I spent a nice Saturday afternoon playing it very, very loudly following along with the Spanish libretto. The music has a cool mix of Cuban and Moorish influences.&lt;/p&gt;
&lt;p&gt;Jeff Buckley, Live at Mercury Lounge. Hard to find, google it. Lots of goofy stage banter. He plays Buckley standbys and also the childhood classic &lt;a href=&#34;http://www.youtube.com/watch?v=kwyHG_St1xU&#34;&gt;3 Is a Magic Number&lt;/a&gt;, Nina Simone&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=8Lh9mwgqb-A&#34;&gt;The Other Woman&lt;/a&gt;, and the old folk tune &lt;a href=&#34;http://en.wikipedia.org/wiki/Dink%27s_Song&#34;&gt;Dink&#39;s Song&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Moon-Pix-Cat-Power/dp/B000009VOL&#34;&gt;Moon Pix&lt;/a&gt; is one of the early Cat Power records. I love the loose, sliding feel to the whole album.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;March&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ed7/1228441103000/at-san-quentin.jpg?format=original&#34; alt=&#34;johnny cash at san quentin&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/San-Quentin-Legacy-Johnny-Cash/dp/B000IJ7RE0&#34;&gt;Johnny Cash at San Quentin&lt;/a&gt;. I&#39;d rank this over the Folsom Prison recordings. It&#39;s a barn-burner. The audience is so fired up.&lt;/p&gt;
&lt;p&gt;Saxophonists Paul Desmond &amp;amp; Gerry Mulligan have some lovely things to say on &lt;a href=&#34;http://www.amazon.com/Mind-Paul-Desmond-Gerry-Mulligan/dp/B000003G3J&#34;&gt;Two of a Mind&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;April&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ed4/1228441100000/state-of-wonder.jpg?format=original&#34; alt=&#34;glenn gould a state of wonder&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/State-Wonder-Complete-Goldberg-Variations/dp/B00006FI7C&#34;&gt;Glenn Gould: A State of Wonder&lt;/a&gt; collects Gould&#39;s famous recordings of the Goldberg Variations---the 1955 recording that helped make his name and the 1981 recording shortly before he died. Great stuff.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/ELVIS-2ND-NONE-Elvis-Presley/dp/B0000AUHOX&#34;&gt;Elvis: 2nd to None&lt;/a&gt;. A nice compilation. I have such fun with this one, I just wanna dance and swagger all Elvis-y. Listen to &lt;a href=&#34;http://www.youtube.com/watch?v=W-yZifpgCR0&#34;&gt;Bossa Nova Baby&lt;/a&gt;. And come on, &lt;a href=&#34;http://www.youtube.com/watch?v=pC85FBgJNL0&#34;&gt;If I Can Dream&lt;/a&gt;? Goose bumps every time.&lt;/p&gt;
&lt;p&gt;I was too cool for Fiona Apple&#39;s debut when it first came out. Now that I&#39;m older and wiser &lt;a href=&#34;http://www.amazon.com/Tidal-Fiona-Apple/dp/B000002BE9&#34;&gt;Tidal&lt;/a&gt; has gotten a good bit of play.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;May&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ece/1228441096000/speaking_for_trees.jpg?format=original&#34; alt=&#34;speaking for trees cat power&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Speaking-Trees-Film-Mark-Borthwick/dp/B0003JAJ9U&#34;&gt;Speaking for Trees&lt;/a&gt;. I&#39;ve never seen the movie that goes along with it, but the sounds are great. There&#39;s some guitar noodling, crickets and bugs buzzing in the background, Chan Marshall&#39;s singing. That&#39;s about it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Bach-Suiten-f%C3%BCr-Violoncello-solo/dp/B000001GRZ/&#34;&gt;Bach: Cello Suites&lt;/a&gt;. Pierre Fournier performs. Great music for background, deep listening, or dancing if you know your gigues, menuets, courantes, gavottes, etc.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Shostakovich-The-String-Quartets/dp/B0000042HV&#34;&gt;Shostakovich: The String Quartets&lt;/a&gt;. The Fitzwilliam String Quartet plays the 15 quartets. It&#39;s a lot to take in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;June&lt;/strong&gt; A bit of a weak month, but I liked &lt;a href=&#34;http://www.amazon.com/Janacek-Ravel-String-Quartets/dp/B00000I16U/&#34;&gt;string quartets of Leoš Janáček and Maurice Ravel&lt;/a&gt;. The first time I heard &lt;a href=&#34;http://en.wikipedia.org/wiki/String_Quartet_No._2_(Jan%C3%A1%C4%8Dek)&#34;&gt;Janáček&#39;s String Quartet No. 2, &amp;quot;Intimate Letters&amp;quot;&lt;/a&gt; was on NPR while I was driving. One of those tunes where you have to stay in the car until it&#39;s over.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;July&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ec8/1228441087000/somewhere-in-time.jpg?format=original&#34; alt=&#34;somewhere in time iron maiden&#34;&gt;&lt;/p&gt;
&lt;p&gt;Iron Maiden - &lt;a href=&#34;http://www.amazon.com/Somewhere-Time-Iron-Maiden/dp/B000063DHL&#34;&gt;Somewhere in Time&lt;/a&gt;. A nostalgic pick. I hadn&#39;t listened to this album since elementary school, but I stumbled across it in our office iTunes network. It still sends me off to air guitar land. See: &lt;a href=&#34;http://www.youtube.com/watch?v=SwB9zg7Tbx8&#34;&gt;Wasted Years&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=ukVNqJztsDo&#34;&gt;The Loneliness of the Long Distance Runner&lt;/a&gt; and the mini-history lesson in &lt;a href=&#34;http://www.youtube.com/watch?v=qqfhfnOAIgQ&#34;&gt;Alexander the Great&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Rush - &lt;a href=&#34;http://www.amazon.com/2112-Rush/dp/B000001ESF&#34;&gt;2112&lt;/a&gt;. Sucker for prog rock.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;August&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ed1/1228441098000/buenos-hermanos.jpg?format=original&#34; alt=&#34;ibrahim ferrer buenos hermanos&#34;&gt;&lt;/p&gt;
&lt;p&gt;Ibrahim Ferrer - &lt;a href=&#34;http://www.amazon.com/Buenos-Hermanos-Ibrahim-Ferrer/dp/B00008BG2G&#34;&gt;Buenos Hermanos&lt;/a&gt;. I&#39;m convinced one of the best reasons to work with other people is for the intra-office music sharing. A co-worker introduced this album to me. My favorite pick by far is &lt;a href=&#34;http://www.youtube.com/watch?v=aM0LuUZo0JI&#34;&gt;Boliviana&lt;/a&gt;, I emailed her: &amp;quot;The last minute of the song makes me want to be on the patio of a little coastal villa somewhere in Central America, dancing with all my friends while the sun sets.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Soul-Tango-Music-Astor-Piazzolla/dp/B0000029XQ&#34;&gt;Soul of the Tango: The Music of Ástor Piazzolla&lt;/a&gt;. Yo-Yo Ma plays passionate Argentinian dance music.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;September&lt;/strong&gt; Went on vacation and didn&#39;t listen much. Didn&#39;t find anything fantastic when I got back home.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;October&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910edd/1228441111000/ask-forgiveness.jpg?format=original&#34; alt=&#34;bonnie prince billy ask forgiveness&#34;&gt;&lt;/p&gt;
&lt;p&gt;Bonnie &#39;Prince&#39; Billy&#39;s &lt;a href=&#34;http://www.amazon.com/Ask-Forgiveness-Bonnie-Prince-Billy/dp/B000XFZSD6&#34;&gt;Ask Forgiveness&lt;/a&gt; is a really great, much-too-short album of covers, including Bj??rk and &lt;a href=&#34;http://www.youtube.com/watch?v=dEZzLvtqAGM&#34;&gt;R. Kelly&lt;/a&gt;. His cover of Sinatra&#39;s &lt;a href=&#34;http://www.imeem.com/rachelharkai/music/Web_5C2a/bonnie_prince_billy_cycles/&#34;&gt;Cycles&lt;/a&gt; might be my favorite song this year...&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Almost-Alone-Chet-Atkins/dp/B000002BFU&#34;&gt;Almost Alone&lt;/a&gt;. A late Chet Atkins collection of mostly solo country guitar. Listen to &lt;a href=&#34;http://www.youtube.com/watch?v=UuYwvolnBm0&#34;&gt;Jam Man&lt;/a&gt; or &lt;a href=&#34;http://www.youtube.com/watch?v=dcLI1b94ZPc&#34;&gt;Big Foot&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Southern-Country-Gospel-Various-Artists/dp/B000000EO7&#34;&gt;Southern Country Gospel&lt;/a&gt;. I love albums like this that make you remember how much that gospel, bluegrass, blues, country, and folk are so intertwined. And I love the common emotional elements: love, struggle, desire, hope, etc.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;November&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ecb/1228441093000/ella-and-louis.jpg?format=original&#34; alt=&#34;ella and louis&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Ella-Louis-Fitzgerald/dp/B00004RD5E&#34;&gt;Ella and Louis&lt;/a&gt;. Fitzgerald and Armstrong. A great collection of duets that was a long time coming. Give a listen to &lt;a href=&#34;http://www.youtube.com/watch?v=ZOpl-glNGiA&#34;&gt;They Can&#39;t Take That Away from Me&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/watch?v=J_Zzhjtp3P4&#34;&gt;Cheek to Cheek&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Blood-Tracks-Bob-Dylan/dp/B00000253N&#34;&gt;Blood on the Tracks&lt;/a&gt;. I&#39;m a latecomer to Bob Dylan. I&#39;ve forgiven myself and I&#39;m working on it.&lt;/p&gt;
&lt;p&gt;Charles Mingus wrote &lt;a href=&#34;http://www.amazon.com/Black-Saint-Sinner-Lady/dp/B000003N81&#34;&gt;The Black Saint and the Sinner Lady&lt;/a&gt; as a ballet, set to jazz suite in six parts.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;December&lt;/strong&gt; &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910eda/1228441106000/talking-timbuktu.jpg?format=original&#34; alt=&#34;talking timbuktu ry cooder ali farka toure&#34;&gt;&lt;/p&gt;
&lt;p&gt;The month is still young, but this one is great. &lt;a href=&#34;http://www.amazon.com/Talking-Timbuktu-Ali-Farka-Tour%C3%A9/dp/B00000062H&#34;&gt;Talking Timbuktu&lt;/a&gt; brings together Ry Cooder and Ali Farka Touré for an African blues jam. Good stuff. Check out &lt;a href=&#34;http://www.youtube.com/watch?v=i2U5rqLIOWg&#34;&gt;Ai Du&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2008</title>
    <link href="https://mlarson.org/2008/12/04/200812041482/"/>
    <updated>2008-12-04T22:55:09.000Z</updated>
    <id>https://mlarson.org/2008/12/04/200812041482/</id>
    <content type="html">&lt;p&gt;I love this &lt;a href=&#34;http://images.google.com/hosted/life/l?imgurl=b37ed7e2d64e431b&#34;&gt;photo of Stravinsky&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2008</title>
    <link href="https://mlarson.org/2008/12/03/200812031490/"/>
    <updated>2008-12-03T00:44:33.000Z</updated>
    <id>https://mlarson.org/2008/12/03/200812031490/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.charlierose.com/view/interview/9026&#34;&gt;Charlie Rose talks with Steve Coll&lt;/a&gt; about &lt;a href=&#34;/mark-larson-1/2008/12/02/the-bin-ladens-review&#34;&gt;The Bin Ladens&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2008</title>
    <link href="https://mlarson.org/2008/12/03/200812031489/"/>
    <updated>2008-12-03T00:23:42.000Z</updated>
    <id>https://mlarson.org/2008/12/03/200812031489/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://uk.youtube.com/watch?v=pXOK-ZVJMaU&#34;&gt;Patrick Stewart talks about baldness&lt;/a&gt;. [via &lt;a href=&#34;http://funkaoshi.com/&#34;&gt;funkaoshi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Bin Ladens (review: 5/5)</title>
    <link href="https://mlarson.org/2008/12/02/20081202the-bin-ladens-review/"/>
    <updated>2008-12-02T02:02:29.000Z</updated>
    <id>https://mlarson.org/2008/12/02/20081202the-bin-ladens-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3075558483/&#34; title=&#34;The Bin Ladens by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3048/3075558483_11daa5a1b3.jpg&#34; alt=&#34;The Bin Ladens&#34;&gt;&lt;/a&gt; Before 9/11, I don&#39;t think I could have named one living person from Saudi Arabia. Afterward, I could name &lt;a href=&#34;http://en.wikipedia.org/wiki/Osama_bin_Laden&#34;&gt;one&lt;/a&gt;. So I didn&#39;t know much going into &lt;a href=&#34;http://en.wikipedia.org/wiki/Steve_Coll&#34;&gt;Steve Coll&lt;/a&gt;&#39;s book.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Bin-Ladens-Arabian-American-Century/dp/1594201641&#34;&gt;The Bin Ladens: An Arabian Family in the American Century&lt;/a&gt; starts near the turn of the century, with Awadh Bin Laden&#39;s beginnings in Yemen. His sons &lt;a href=&#34;http://en.wikipedia.org/wiki/Mohammed_bin_Laden&#34;&gt;Mohamed&lt;/a&gt; and Abdullah would leave for Saudi Arabia and begin the Bin Laden Construction Company. The close ties that Mohamed managed to develop with the &lt;a href=&#34;http://en.wikipedia.org/wiki/Ibn_Saud_of_Saudi_Arabia&#34;&gt;first king of Saudi Arabia&lt;/a&gt; helped cement his fortunes, earned with a combination of pluck, overwhelming work ethic, and obsequiousness. He and his kids would become involved in construction projects in Riyadh, Medina, Mecca, and other spots in Saudi Arabia. The Bin Ladens were in on a pretty incredible list of projects: lots royal palaces and getaways, highways, telecommunications, infrastructure, renovations on the &lt;a href=&#34;http://en.wikipedia.org/wiki/Al-Masjid_al-Nabawi&#34;&gt;Prophet&#39;s Mosque&lt;/a&gt; and the &lt;a href=&#34;http://en.wikipedia.org/wiki/Masjid_al-Haram&#34;&gt;Grand Mosque&lt;/a&gt;, and some semi-suspicious military-related projects near the Yemeni border. The Bin Laden family relied on the royal family.&lt;/p&gt;
&lt;p&gt;Mohamed had at least 54 children. His oldest son &lt;a href=&#34;http://en.wikipedia.org/wiki/Salem_bin_Laden&#34;&gt;Salem&lt;/a&gt; became the new family patriarch after Mohamed&#39;s death and continued the ties with the royal family and launched a new wave of international investments. The family businesses and the family itself spread across the globe. Miami, California, D.C., Boston, London, Geneva, Egypt, Syria, everywhere. His brother &lt;a href=&#34;http://en.wikipedia.org/wiki/Bakr_bin_Laden&#34;&gt;Bakr&lt;/a&gt; rose to leadership when Salem died.&lt;/p&gt;
&lt;p&gt;Osama was the 17th son of the family. His story, like the rest of the family, seems to get a pretty fair treatment. It&#39;s easy to paint a one-dimensional villain as we now see him, but the whole story is told. There&#39;s a sense of appreciation for some of the energy and courage of Mohamed, the ineluctable cheer of Salem, the maturation of &lt;a href=&#34;http://en.wikipedia.org/wiki/Bakr_bin_Laden&#34;&gt;Bakr&lt;/a&gt;. Coll doesn&#39;t hesitate to point out contradictions or hypocritical behavior of anyone in the family. He&#39;s also quick to qualify when his research is incomplete (&amp;quot;the best evidence suggests that...&amp;quot;).&lt;/p&gt;
&lt;p&gt;I could have done with fewer anecdotes about shopping sprees for planes and jewelry. Otherwise, a great read and a surprising page-turner for its heft.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 2, 2008</title>
    <link href="https://mlarson.org/2008/12/02/200812021485/"/>
    <updated>2008-12-02T00:37:36.000Z</updated>
    <id>https://mlarson.org/2008/12/02/200812021485/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.thoughtwax.com/2008/10/eno&#34;&gt;Emmet Connolly collected a bunch of worthy quotes&lt;/a&gt; from reading Brian Eno&#39;s book, &lt;a href=&#34;http://www.amazon.com/Year-Swollen-Appendices-Diary-Brian/dp/0571179959&#34;&gt;A Year with Swollen Appendices&lt;/a&gt;. I didn&#39;t figure him to be so cantankerous. My two favorites:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I gave a talk about self-generating systems and the end of the era of reproduction Äî imagining a time in the future when kids say to their grandparents, &amp;quot;So you mean you actually listened to exactly the same thing over and over again?&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;and&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Once we get used to the idea that we are no longer consumers of &amp;quot;finished&amp;quot; works, but that we are people who engage in conversations and interactions with things, we find ourselves leaving a world of &amp;quot;know you own station&amp;quot; passivity and we start to develop a taste for active engagement. We stop regarding things as fixed and unchangeable, as preordained, and we increasingly find ourselves practicing the idea that we have some control.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 2, 2008</title>
    <link href="https://mlarson.org/2008/12/02/200812021484/"/>
    <updated>2008-12-02T00:06:26.000Z</updated>
    <id>https://mlarson.org/2008/12/02/200812021484/</id>
    <content type="html">&lt;p&gt;&amp;quot;I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.&amp;quot; ---&lt;a href=&#34;http://en.wikipedia.org/wiki/Igor_Stravinsky&#34;&gt;Stravinsky&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Crisis &amp;amp; Leviathan (review: 5/5)</title>
    <link href="https://mlarson.org/2008/11/26/20081126crisis-leviathan-review/"/>
    <updated>2008-11-26T00:10:37.000Z</updated>
    <id>https://mlarson.org/2008/11/26/20081126crisis-leviathan-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3025611269/&#34; title=&#34;Crisis &amp;amp; Leviathan by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3024/3025611269_08a4c2b9c8.jpg&#34; alt=&#34;Crisis &amp;amp; Leviathan&#34;&gt;&lt;/a&gt; I had been meaning to read &lt;a href=&#34;http://en.wikipedia.org/wiki/Robert_Higgs&#34;&gt;Robert Higgs&lt;/a&gt;Äô book for years and I&#39;m very glad I got to it. And I&#39;ve been sitting on my review for a while because I always fear sounding like a shrill, libertarian paranoid.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Crisis-Leviathan-Critical-Government-Institute/dp/019505900X&#34;&gt;Crisis &amp;amp; Leviathan: Critical Episodes in the Growth of American Government&lt;/a&gt; explores the past century of American history, the national response to the nation&#39;s worst crises (whether genuine or contrived), and the aftermath of each. The government&#39;s scope and power exploded in response to World War I, the Great Depression, and World War II. And after each, the powers were mostly disassembled.&lt;/p&gt;
&lt;p&gt;Mostly. The so-called &lt;a href=&#34;http://en.wikipedia.org/wiki/Ratchet_effect&#34;&gt;ratchet effect&lt;/a&gt; meant that after each event, the government never fully relinquished all its powers. Some of that was due to bureaucratic inertia or cronyism---some agencies never disappeared, but continued or assumed new roles in the aftermath. And a large part was of course due to changing ideology and public support for the government&#39;s new roles. There were the lingering effects of decades of propaganda and new generations raised in those times. We grew comfortable with the new role, learning that it &amp;quot;wasn&#39;t all that bad&amp;quot;---we could still worship as we pleased, and the news wasn&#39;t yet nationalized. We looked to the progressive examples of the European states. The costs of the larger government were hidden with clever schemes like income tax withholding---you never miss what you never had---and the ever-growing number of people included in the tax base. Mind-blowing trivia: in 1913, the highest income tax bracket was 7% and 98% of the population owed no income tax. Times change.&lt;/p&gt;
&lt;p&gt;One of the big assumptions in the book, one that makes me uncomfortable for our present, is that &amp;quot;government has substantial autonomy in its policy-making&amp;quot;. Like we saw recently, even with widespread opposition to the first bailout, we got one anyway. And the strategy seems to change with every day. We probably have even more on the way. Especially in these crisis situations,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Few people outside the government have enough information to identify the precise contours of the emergency or to formulate comprehensive plans for dealing with it. Citizens tend simultaneously to demand (a) more governmental action and (b) less research, public consultation, debate of alternative, and general &amp;quot;due process&amp;quot; in governmental decision-making.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Higgs&#39; study of each era ranges through the socionomic and political conditions before, during and after; the prevailing ideologies; the leading elites and interest groups; emergency orders and agencies; court challenges and decisions; and the institutional fallout---what society learned. He ranges through statistical analyses, Supreme Court decisions, legislative studies, executive backroom dealing and more. While there is a clear growth trend, Higgs makes the distinction between big government and Big Government. The first is an issue of size, the second has more to do with intrusion in peaceful affairs. We&#39;ve had increase in both. I find it astounding that, during World War II for example, we so easily accepted conscription and price controls---even the courts went along with it. And once you give in to those, what are a few other small sacrifices here and there?&lt;/p&gt;
&lt;p&gt;The book was published in the late 1980s, but you can see the same patterns repeated in the wake of 9/11 and our current financial awkwardness. This does not bode well.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;By the second week of March 1933 an extraordinary conjuncture had developed: 1) a genuine economic crisis, especially the massive unemployment and the pitifully depressed production and consumption; 2) and artificial economic crisis produced by the nationwide banking shutdown; 3) a widespread sense of crisis and a feeling that only extraordinary measures could prevent an even greater catastrophe, sentiments manifested in the numerous and diverse calls to &amp;quot;do something&amp;quot; even if dictatorial powers were required to do it; and 4) a new administration taking office unencumbered by perceived responsibility for past ill fortunes and unchecked by opposition from a partisan Congress eager to obstruct and embarrass the President.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 25, 2008</title>
    <link href="https://mlarson.org/2008/11/25/200811251481/"/>
    <updated>2008-11-25T23:54:40.000Z</updated>
    <id>https://mlarson.org/2008/11/25/200811251481/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/22117&#34;&gt;Scandal is our growth industry&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 24, 2008</title>
    <link href="https://mlarson.org/2008/11/24/200811241480/"/>
    <updated>2008-11-24T23:43:39.000Z</updated>
    <id>https://mlarson.org/2008/11/24/200811241480/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Batter my heart, three-person&#39;d God, for youAs yet but knock, breathe, shine, and seek to mend; That I may rise and stand, o&#39;erthrow me, and bend Your force to break, blow, burn, and make me new. I, like an usurp&#39;d town to&#39;another due, Labor to&#39;admit you, but oh, to no end; Reason, your viceroy in me, me should defend, But is captiv&#39;d, and proves weak or untrue. Yet dearly&#39;I love you, and would be lov&#39;d fain, But am betroth&#39;d unto your enemy; Divorce me,&#39;untie or break that knot again, Take me to you, imprison me, for I, Except you&#39;enthrall me, never shall be free, Nor ever chaste, except you ravish me.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---&lt;a href=&#34;http://en.wikipedia.org/wiki/John_Donne&#34;&gt;John Donne&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Doctor Atomic at the Atlanta Symphony Orchestra</title>
    <link href="https://mlarson.org/2008/11/24/20081124doctor-atomic-at-the-atlanta-symphony-orchestra/"/>
    <updated>2008-11-24T23:37:57.000Z</updated>
    <id>https://mlarson.org/2008/11/24/20081124doctor-atomic-at-the-atlanta-symphony-orchestra/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/3050789308/&#34; title=&#34;Doctor Atomic by marklarson, on Flickr&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3281/3050789308_d5ea5dbe84_o.jpg&#34; alt=&#34;Doctor Atomic&#34;&gt;&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Doctor_Atomic&#34;&gt;Doctor Atomic&lt;/a&gt; is a new-ish opera about Dr. Oppenheimer, his team, and the &lt;a href=&#34;http://en.wikipedia.org/wiki/Trinity_test&#34;&gt;first test of the atomic bomb&lt;/a&gt; at Los Alamos. I saw the Atlanta Symphony Orchestra&#39;s semi-staged version on Friday night. It was all played and sung well enough. Parts of it were good. Some parts were outstanding---Oppenheimer&#39;s aria on John Donne&#39;s &lt;a href=&#34;http://www.bartleby.com/105/74.html&#34;&gt;Batter my heart, three-person&#39;d God&lt;/a&gt; was an incredible piece of music, if not storytelling (here&#39;s a &lt;a href=&#34;http://www.youtube.com/watch?v=uYiokai3FW4&#34;&gt;recording&lt;/a&gt; and a &lt;a href=&#34;http://www.youtube.com/watch?v=Yq6uI-IRa9A&#34;&gt;video&lt;/a&gt; of the solo). And the gut-wrenching countdown carried by the orchestra in the second act was a ton of fun. What suspense!&lt;/p&gt;
&lt;p&gt;But some parts on the journey were just dreadfully boring. People sing about the weather and scientific devices and stand around and smoke. There&#39;s no real look inside their head and they don&#39;t seem to have motivations. The final seconds of the ending---recorded voices of a victim asking for help coupled with the image of a Japanese mother and child projected against the backdrop---just seemed plain old tacky and self-congratulatory in a dangerous way. When you omit the few weeks that happened between the first test and the first bombings, the ambiguity and the wonderful moral dilemma of the time gets washed out.&lt;/p&gt;
&lt;p&gt;Awesome? No. Worth seeing? Mostly. Read &lt;a href=&#34;http://www.artsjournal.com/sandow/2008/11/must_reading.html&#34;&gt;Greg Sandow&#39;s comments on Doctor Atomic&lt;/a&gt; and &lt;a href=&#34;http://www.slate.com/id/2202878/pagenum/all/&#34;&gt;Ron Rosenbaum on why he walked out&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 24, 2008</title>
    <link href="https://mlarson.org/2008/11/24/200811241478/"/>
    <updated>2008-11-24T22:47:44.000Z</updated>
    <id>https://mlarson.org/2008/11/24/200811241478/</id>
    <content type="html">&lt;p&gt;Though I&#39;ve been a percussion player/enthusiast for a number of years, I&#39;d never heard of a &lt;a href=&#34;http://en.wikipedia.org/wiki/Hang_(musical_instrument)&#34;&gt;hang drum&lt;/a&gt; until I got clued in at &lt;a href=&#34;http://crushingkrisis.com/?p=3406&#34;&gt;Crushing Krisis&lt;/a&gt; last week. Hang is like a hybrid of a &lt;a href=&#34;http://en.wikipedia.org/wiki/Steel_drum&#34;&gt;steel drum&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Gamelan&#34;&gt;gamelan&lt;/a&gt;, and an &lt;a href=&#34;http://en.wikipedia.org/wiki/Udu&#34;&gt;udu&lt;/a&gt;. Here&#39;s a &lt;a href=&#34;http://www.youtube.com/watch?v=UNJswfXKJ3s&#34;&gt;video of some hang playing&lt;/a&gt;. It&#39;s a pretty sweet instrument and it&#39;s too bad that the only manufacturer is on hiatus right now. Can&#39;t find the thing anywhere.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2008</title>
    <link href="https://mlarson.org/2008/11/18/200811181476/"/>
    <updated>2008-11-18T10:54:13.000Z</updated>
    <id>https://mlarson.org/2008/11/18/200811181476/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://commons.wikimedia.org/wiki/Image:Carp_leaping_up_a_cascade.jpg&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ee4b06bff88910ebf/1227005448000/carp_leaping_up_a_cascade1.jpg?format=original&#34; alt=&#34;&#34; title=&#34;carp_leaping_up_a_cascade&#34;&gt;&lt;/a&gt; &lt;a href=&#34;http://commons.wikimedia.org/wiki/Image:Carp_leaping_up_a_cascade.jpg&#34;&gt;Carp Leaping Up a Cascade&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Hokusai&#34;&gt;Katsushika Hokusai&lt;/a&gt;. I find this rather breathtaking.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2008</title>
    <link href="https://mlarson.org/2008/11/17/200811171474/"/>
    <updated>2008-11-17T22:14:24.000Z</updated>
    <id>https://mlarson.org/2008/11/17/200811171474/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.icc-ccs.org/index.php?option=com_fabrik&amp;amp;view=visualization&amp;amp;controller=visualization.googlemap&amp;amp;Itemid=89&#34;&gt;map of the world showing the most recent piracy incidents at sea&lt;/a&gt;. The hottest spot is the &lt;a href=&#34;http://en.wikipedia.org/wiki/Gulf_of_Aden&#34;&gt;Gulf of Arden&lt;/a&gt;, between Yemen and Somalia (surprised?). The next worst are the West African coast and the areas around Singapore.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2008</title>
    <link href="https://mlarson.org/2008/11/17/200811171473/"/>
    <updated>2008-11-17T20:33:53.000Z</updated>
    <id>https://mlarson.org/2008/11/17/200811171473/</id>
    <content type="html">&lt;p&gt;The New York Times has a rather &lt;a href=&#34;http://www.nytimes.com/2008/11/18/books/18kaku.html&#34;&gt;negative review of Malcolm Gladwell&#39;s newest book, Outliers&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2008</title>
    <link href="https://mlarson.org/2008/11/16/200811161472/"/>
    <updated>2008-11-16T22:39:03.000Z</updated>
    <id>https://mlarson.org/2008/11/16/200811161472/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.nytimes.com/2008/11/16/books/review/Shafer-t.html&#34;&gt;All language, at some level, is body language&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2008</title>
    <link href="https://mlarson.org/2008/11/16/200811161461/"/>
    <updated>2008-11-16T21:02:28.000Z</updated>
    <id>https://mlarson.org/2008/11/16/200811161461/</id>
    <content type="html">&lt;p&gt;Advice from Hal Varian&#39;s monograph, &lt;a href=&#34;http://people.ischool.berkeley.edu/%7Ehal/Papers/how.pdf&#34;&gt;How to Build an Economic Model in Your Spare Time&lt;/a&gt; [pdf], most of which applies to things not related to economics:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Look for ideas in the world, not in the journals.&lt;/li&gt;
&lt;li&gt;First make your model as simple as possible, then generalize it.&lt;/li&gt;
&lt;li&gt;Look at the literature later, not sooner.&lt;/li&gt;
&lt;li&gt;Model your paper after your seminar.&lt;/li&gt;
&lt;li&gt;Stop when youÄôve made your point.&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2008</title>
    <link href="https://mlarson.org/2008/11/16/200811161470/"/>
    <updated>2008-11-16T19:57:19.000Z</updated>
    <id>https://mlarson.org/2008/11/16/200811161470/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newstatesman.com/africa/2008/07/wrong-rwanda-life-british&#34;&gt;If, as a westerner, you are going to visit Africa, the earlier in your life you do it, the better&lt;/a&gt;. The writer also brings up the paradox of service missions:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I suspect my earnest young woman felt that the only &amp;quot;appropriate&amp;quot; way to interact with Africa was to roll her sleeves up and start hammering a wall into place or digging a latrine. That is certainly what most British politicians do when they go to Africa. The charities that organise student gap years also seem to regard building schools in Vietnam and digging wells in Malawi as the best use of their volunteers&#39; time. It&#39;s bizarre, when you think about it. The one thing the developing world has a surplus of is physical labour.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2008</title>
    <link href="https://mlarson.org/2008/11/14/200811141469/"/>
    <updated>2008-11-14T00:51:00.000Z</updated>
    <id>https://mlarson.org/2008/11/14/200811141469/</id>
    <content type="html">&lt;p&gt;&amp;quot;Most normal persons are now taught to neglect far too much the sort of excitement which the mind itself manufactures out of unexciting things.&amp;quot; ---G.K. Chesterton on the &lt;a href=&#34;http://books.google.com/books?id=a1wu4bVrBIAC&amp;amp;pg=PA299&amp;amp;lpg=PA299&amp;amp;dq=the+joy+of+dullness&amp;amp;source=bl&amp;amp;ots=iPEXZ4bBQn&amp;amp;sig=DGKR1dvXJYUhHz7iUEzMY9G1y_U&#34;&gt;Joy of Dullness&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2008</title>
    <link href="https://mlarson.org/2008/11/13/200811131468/"/>
    <updated>2008-11-13T01:10:32.000Z</updated>
    <id>https://mlarson.org/2008/11/13/200811131468/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/issues/91aug/rybczynski-p1.htm&#34;&gt;The history of the weekend&lt;/a&gt; and how it&#39;s changed our culture of leisure:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For many people weekend free time has become not a chance to escape work but a chance to create work that is more meaningful---to work at recreation---in order to realize the personal satisfactions that the workplace no longer offers.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://www.linkbanana.com&#34;&gt;link banana&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2008</title>
    <link href="https://mlarson.org/2008/11/13/200811131467/"/>
    <updated>2008-11-13T00:39:58.000Z</updated>
    <id>https://mlarson.org/2008/11/13/200811131467/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.loc.gov/poetry/180/083.html&#34;&gt;Turtle&lt;/a&gt;, by Kay Ryan:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Who would be a turtle who could help it? A barely mobile hard roll, a four-oared helmet, She can ill afford the chances she must take In rowing toward the grasses that she eats. Her track is graceless, like dragging A packing-case places, and almost any slope Defeats her modest hopes. Even being practical, SheÄôs often stuck up to the axle on her way To something edible. With everything optimal, She skirts the ditch which would convert Her shell into a serving dish. She lives Below luck-level, never imagining some lottery Will change her load of pottery to wings. Her only levity is patience, The sport of truly chastened things.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2008</title>
    <link href="https://mlarson.org/2008/11/13/200811131466/"/>
    <updated>2008-11-13T00:36:48.000Z</updated>
    <id>https://mlarson.org/2008/11/13/200811131466/</id>
    <content type="html">&lt;p&gt;&amp;quot;How did you become a poet?&amp;quot;&amp;quot;Reluctantly.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.charlierose.com/view/interview/9342&#34;&gt;Charlie Rose interviews U.S. Poet Laureate Kay Ryan and James Billington of the Librarian of Congress&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I&#39;ve written this written this properly, it&#39;s like condensed soup... it should be reconstitutable in the mind of the reader and it should come out just about right if you&#39;ve had a chance to read it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I mistrust inspiration... I find it necessary to begin before I have any inspiration.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2008</title>
    <link href="https://mlarson.org/2008/11/11/200811111464/"/>
    <updated>2008-11-11T23:36:44.000Z</updated>
    <id>https://mlarson.org/2008/11/11/200811111464/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.citrinitas.com/history_of_viscom/index.html&#34;&gt;The History of Visual Communication&lt;/a&gt;. Plenty of good stuff here. I like the care taken in the further readings &amp;amp; references at the bottom of each section.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2008</title>
    <link href="https://mlarson.org/2008/11/11/200811111462/"/>
    <updated>2008-11-11T00:01:59.000Z</updated>
    <id>https://mlarson.org/2008/11/11/200811111462/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://memory.loc.gov/cgi-bin/query/I?ils:18:./temp/~pp_AOsU::displayType=1:m856sd=ppmsca:m856sf=09996:@@@&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910eb9/1226361830000/cathedralrock.jpg?format=original&#34; alt=&#34;Cathedral Rock, Yosemite Valley, California&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The old man will be home as soon as he can, and we will take a walk. That&#39;s poor folk&#39;s luxury.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That&#39;s a quote from &lt;a href=&#34;http://en.wikipedia.org/wiki/Carleton_Watkins&#34;&gt;Carleton Watkins&lt;/a&gt;, an early American landscape photographer who hauled thousands of pounds of equipment around the American West. His photos of the Yosemite area appeared in &lt;a href=&#34;http://www.yosemite.ca.us/library/the_yosemite_book/&#34;&gt;The Yosemite Book&lt;/a&gt; that helped make it a protected area, and had a big influence in creating national parks. He was great with the lens, but not so good with money. Sad story of failing health, failing eyesight, then insanity. He lost his life&#39;s work when the San Francisco earthquake struck and his studio burned.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2008</title>
    <link href="https://mlarson.org/2008/11/03/200811031460/"/>
    <updated>2008-11-03T20:06:22.000Z</updated>
    <id>https://mlarson.org/2008/11/03/200811031460/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://camberwelldesign.blogspot.com/2008/10/deep-play.html&#34;&gt;Play creates order, is order&lt;/a&gt;. Into an imperfect world and into the confusion of life it brings a temporary, a limited perfection.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Johan_Huizinga&#34;&gt;Johan Huizinga&lt;/a&gt; in his book &lt;a href=&#34;http://en.wikipedia.org/wiki/Homo_Ludens&#34;&gt;Homo Ludens&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2008</title>
    <link href="https://mlarson.org/2008/11/03/200811031459/"/>
    <updated>2008-11-03T19:53:03.000Z</updated>
    <id>https://mlarson.org/2008/11/03/200811031459/</id>
    <content type="html">&lt;p&gt;An interesting aside from photographer Michael David Murphy&#39;s &lt;a href=&#34;http://2point8.whileseated.org/2008/08/21/against_ease/&#34;&gt;Against Ease: or How the Inifinitely Reproduceable Pushes Us Further From the Source&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In some ways, the pricing of digital fine art prints seems to be a shift-away from paying for &lt;em&gt;an actual print&lt;/em&gt; to paying for &lt;em&gt;all the expense that went into creating the work that led to this actual print&lt;/em&gt;, because making the actual print is relatively cheap. And thereÄôs something a lot less seductive in that, to me, as someone who might like to buy a print. I want to pay for the worth of the thing itself, not the artistÄôs overhead.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2008</title>
    <link href="https://mlarson.org/2008/11/03/200811031458/"/>
    <updated>2008-11-03T19:48:08.000Z</updated>
    <id>https://mlarson.org/2008/11/03/200811031458/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/2008/10/31/the-new-house/&#34;&gt;Austin&#39;s post about the new house has some of the more poignant, sweet, mind-blowing ideas&lt;/a&gt; that I&#39;ve read lately:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wonder about this proximity of bodies. I wonder how we will grow in a bigger space, with an upstairs and downstairs. How our changing spatial relationships might alter our storyÄ¶&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2008</title>
    <link href="https://mlarson.org/2008/11/03/200811031457/"/>
    <updated>2008-11-03T19:32:51.000Z</updated>
    <id>https://mlarson.org/2008/11/03/200811031457/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.gutenberg.org/files/12962/12962-h/12962-h.htm&#34;&gt;Hand Shadows to Be Thrown upon the Wall&lt;/a&gt; by Henry Bursill.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 29, 2008</title>
    <link href="https://mlarson.org/2008/10/29/200810291456/"/>
    <updated>2008-10-29T19:40:39.000Z</updated>
    <id>https://mlarson.org/2008/10/29/200810291456/</id>
    <content type="html">&lt;p&gt;I recommend Wieland Samolak&#39;s 1993 album, &lt;a href=&#34;http://www.monolake.de/downloads/steady_state_music.html&#34;&gt;Steady State Music&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When I was a teenager I used to sit on an empty field listening for hours to the sounds of distant cars, railroads, helicopters, and other motorized objects. These sounds, which are very rough and noisy when they are near, attracted me from the distance because they had merged and diffused into a continuum when they reached my ears. By this experience it came to my mind that it is more satisfying for me to listen to continuous changes within one sound than to the combinations of discreet sonic events usually found in music.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 27, 2008</title>
    <link href="https://mlarson.org/2008/10/27/200810271454/"/>
    <updated>2008-10-27T23:33:09.000Z</updated>
    <id>https://mlarson.org/2008/10/27/200810271454/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://rjdj.me/&#34;&gt;RjDj&lt;/a&gt; uses your iPhone and the environment you&#39;re in to make soundscapes, etc. It&#39;s some sort of sampler with echo and reverb or other scenes that makes life more like you&#39;re on something. There&#39;s a couple good &lt;a href=&#34;http://geobloggers.com/2008/10/24/where-im-actually-living-in-augmented-reality-jefferson-airplane-and-what-does-this-mean-for-photos/&#34;&gt;videos of RjDj on geobloggers&lt;/a&gt;. [via &lt;a href=&#34;http://funkaoshi.com/&#34;&gt;funkaoshi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 27, 2008</title>
    <link href="https://mlarson.org/2008/10/27/200810271453/"/>
    <updated>2008-10-27T23:25:50.000Z</updated>
    <id>https://mlarson.org/2008/10/27/200810271453/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://maria-sputnik.livejournal.com/185350.html&#34;&gt;Forty Four Presidents&lt;/a&gt;, a minicomic. My favorite page is &lt;a href=&#34;http://www.flickr.com/photos/monstertreasure/2931432468/&#34;&gt;the one with John Tyler and James K. Polk&lt;/a&gt;. [via &lt;a href=&#34;http://brookehatfield.tumblr.com/&#34;&gt;things that make my dookie twinkle&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>E.O. Wilson on &#34;Darwin and the Future of Biology&#34;</title>
    <link href="https://mlarson.org/2008/10/24/20081024eo-wilson-darwin-future-biology/"/>
    <updated>2008-10-24T00:10:24.000Z</updated>
    <id>https://mlarson.org/2008/10/24/20081024eo-wilson-darwin-future-biology/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2968548414/&#34; title=&#34;E.O. Wilson at Emory University&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3004/2968548414_482d8f6045.jpg&#34; alt=&#34;E.O. Wilson at Emory University&#34;&gt;&lt;/a&gt; Tonight I went to listen to &lt;a href=&#34;http://en.wikipedia.org/wiki/Edward_Osborne_Wilson&#34;&gt;E.O. Wilson&lt;/a&gt; talk about ÄùDarwin and the Future of BiologyÄù. Biology is most definitely not a strong interest of mine, but it was cool. It also reminded me that I&#39;ve been meaning to read his book, &lt;a href=&#34;http://en.wikipedia.org/wiki/Consilience:_The_Unity_of_Knowledge&#34;&gt;Consilience: The Unity of Knowledge&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;He opened with what seemed like an elementary review of Darwin, his books, his journeys, and his influence; then on to biology as it is today and the two major approaches to biology: functional versus evolutionary, the how versus the why, the lab versus the field, the problem solvers versus the naturalists. (He wasn&#39;t trying to paint them as warring factions, just equally valid methods that serve scientists with different interests and temperaments.) He also talked a bit about &lt;a href=&#34;http://en.wikipedia.org/wiki/Intelligent_design&#34;&gt;intelligent design&lt;/a&gt; and made the most basic, pragmatic, friendly critique I&#39;ve heard yet: we just don&#39;t need it. It&#39;s a solution in search of a problem. He also did a good job of saying there&#39;s no point in antagonizing or mounting a heavy offense against ID advocates.&lt;/p&gt;
&lt;p&gt;Lastly, the dreaded Q&amp;amp;A afterwards. This one wasn&#39;t too painful, but I recommend this as general advice: if you&#39;re going to quote the speaker, at least *listen* and quote the speaker accurately. There is such a thing as a stupid question. I suppose when you get to be as old and wise as Wilson, you learn to be as generous and polite as he was tonight.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 23, 2008</title>
    <link href="https://mlarson.org/2008/10/23/200810231451/"/>
    <updated>2008-10-23T23:48:24.000Z</updated>
    <id>https://mlarson.org/2008/10/23/200810231451/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nigelholmes.com&#34;&gt;Nigel Holmes&lt;/a&gt; and Good magazine partnered to make &lt;a href=&#34;http://www.good.is/?p=12658&#34;&gt;It&#39;s the Economy, Stupid!&lt;/a&gt;, an infodesigny look at the American economy of the past 90-ish years.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 23, 2008</title>
    <link href="https://mlarson.org/2008/10/23/200810231450/"/>
    <updated>2008-10-23T23:44:10.000Z</updated>
    <id>https://mlarson.org/2008/10/23/200810231450/</id>
    <content type="html">&lt;p&gt;&amp;quot;As the parent of a four-year-old and a four-year-old who just inherited an additional $540 billion in bailout this week (on top of the $840 billion that everyone already knew about), I felt the need to write a primer that speaks to them.&amp;quot; A &lt;a href=&#34;http://occamsrazr.com/2008/10/22/the-sub-prime-primer/&#34;&gt;primer on the subprime mortgage crisis&lt;/a&gt;, written for the young ones. [via &lt;a href=&#34;http://www.hooversbiz.com/&#34;&gt;hoovers biz&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How Beautiful It Is and How Easily It Can Be Broken (review: 3.5/5)</title>
    <link href="https://mlarson.org/2008/10/23/20081023how-beautiful-it-is-review/"/>
    <updated>2008-10-23T23:40:01.000Z</updated>
    <id>https://mlarson.org/2008/10/23/20081023how-beautiful-it-is-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2156/2955268635_50ccb3edba.jpg&#34; alt=&#34;how beautiful it is and how easily it can be broken&#34;&gt; &lt;a href=&#34;http://www.amazon.com/How-Beautiful-Easily-Can-Broken/dp/0061456438&#34;&gt;How Beautiful It Is And How Easily It Can Be Broken&lt;/a&gt; collects some of the criticism of &lt;a href=&#34;http://en.wikipedia.org/wiki/Daniel_Mendelsohn&#34;&gt;Daniel Mendelsohn&lt;/a&gt;. Books, movies, theatre. Mendelsohn is a Classics scholar so his work is constantly making connections with the old Greek and Roman tragedies and epics.&lt;/p&gt;
&lt;p&gt;I didn&#39;t read all the essays because sometimes I just wasn&#39;t familiar with what he was criticizing. But among the ones I liked were:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;his wonderful critique of &lt;a href=&#34;http://en.wikipedia.org/wiki/Brokeback_Mountain&#34;&gt;Brokeback Mountain&lt;/a&gt;, or rather, a critique of how the critical reception washed out what makes it special (&lt;a href=&#34;http://www.nybooks.com/articles/article-preview?article_id=18712&#34;&gt;An Affair to Remember&lt;/a&gt;);&lt;/li&gt;
&lt;li&gt;his pondering why &lt;a href=&#34;http://en.wikipedia.org/wiki/Quentin_Tarantino&#34;&gt;Tarantino&lt;/a&gt; movies, &lt;a href=&#34;http://en.wikipedia.org/wiki/Kill_Bill&#34;&gt;Kill Bill&lt;/a&gt; in particular, can be so boring and lifeless (&lt;a href=&#34;http://www.nybooks.com/articles/16836&#34;&gt;It&#39;s Only a Movie&lt;/a&gt;);&lt;/li&gt;
&lt;li&gt;his thinking about &amp;quot;the way in which what happens becomes the story of what happens... the way in which history becomes drama&amp;quot; in a review of the movies &lt;a href=&#34;http://en.wikipedia.org/wiki/United_93_Awards&#34;&gt;United 93&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/World_Trade_Center_(film)&#34;&gt;World Trade Center&lt;/a&gt; (&lt;a href=&#34;http://www.nybooks.com/articles/article-preview?article_id=19292&#34;&gt;September 11 at the Movies&lt;/a&gt;)&lt;/li&gt;
&lt;li&gt;his studies of productions of &lt;a href=&#34;http://en.wikipedia.org/wiki/Tennessee_Williams&#34;&gt;Tennesee Williams&lt;/a&gt;&#39; plays (&lt;a href=&#34;http://www.nybooks.com/articles/17996&#34;&gt;Victims of Broadway I&lt;/a&gt; and &lt;a href=&#34;http://www.nybooks.com/articles/18039&#34;&gt;Victims of Broadway II&lt;/a&gt;)&lt;/li&gt;
&lt;li&gt;his takedown of &lt;a href=&#34;http://en.wikipedia.org/wiki/Alice_Sebold&#34;&gt;Alice Sebold&lt;/a&gt;&#39;s sappy &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Lovely_Bones&#34;&gt;The Lovely Bones&lt;/a&gt; (&lt;a href=&#34;http://www.nybooks.com/articles/15970&#34;&gt;Novel of the Year&lt;/a&gt;)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=94569671&#34;&gt;Daniel Mendelsohn had a good interview on NPR&lt;/a&gt; last month.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 21, 2008</title>
    <link href="https://mlarson.org/2008/10/21/200810211448/"/>
    <updated>2008-10-21T22:09:36.000Z</updated>
    <id>https://mlarson.org/2008/10/21/200810211448/</id>
    <content type="html">&lt;p&gt;There are small &lt;a href=&#34;http://bread-and-honey.blogspot.com/2008/10/wtf-broccoli.html&#34;&gt;human heads in these heads of broccoli&lt;/a&gt;. [via &lt;a href=&#34;http://waxy.org&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 21, 2008</title>
    <link href="https://mlarson.org/2008/10/21/200810211447/"/>
    <updated>2008-10-21T21:50:15.000Z</updated>
    <id>https://mlarson.org/2008/10/21/200810211447/</id>
    <content type="html">&lt;p&gt;To celebrate its 120th anniversary, &lt;a href=&#34;http://kco.radio4.nl/index.php?lang=en&#34;&gt;the Royal Concertgebouw Orchestra is giving away a symphony every day&lt;/a&gt;. Yes, please. Here&#39;s the selection:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Franz Schubert - Symphony no. 8 &#39;Unfinished&#39; Ludwig van Beethoven - Symphony no. 2 Felix Mendelssohn - Symphony no. 4 &#39;Italian&#39; C?©sar Franck - Symphony in D minor Gustav Mahler - Symphony no. 1 Anton??n Dvo?ô?°k - Symphony no. 8 Camille Saint-Sa?´ns - Symphony no. 3 &#39;Organ&#39; Jean Sibelius - Symphony no. 2 Anton Bruckner - Symphony no. 8 Johannes Brahms - Symphony no. 2&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;What a nice surprise. Since you asked my opinion, I&#39;d download the Schubert, the Dvo?ô?°k, and definitely grab the Sibelius---one of my favorites, period. Mahler, Bruckner, and Saint-Sa?´ns would be next if I had to choose. And if you get 6, you might as well get the rest... [via &lt;a href=&#34;http://classicalconvert.com/&#34;&gt;classical convert&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2008</title>
    <link href="https://mlarson.org/2008/10/19/200810191445/"/>
    <updated>2008-10-19T17:20:04.000Z</updated>
    <id>https://mlarson.org/2008/10/19/200810191445/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Strange as it may sound to many people, who tend to think of critics as being motivated by the lower emotions: envy, disdain, contempt even... Critics are, above all, people who are in love with beautiful things, and who worry that those things will get broken.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---&lt;a href=&#34;http://en.wikipedia.org/wiki/Daniel_Mendelsohn&#34;&gt;Daniel Mendolsohn&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Best American Crime Reporting 2007 (review: 3/5)</title>
    <link href="https://mlarson.org/2008/10/19/20081019best-american-crime-reporting-2007-review/"/>
    <updated>2008-10-19T17:05:25.000Z</updated>
    <id>https://mlarson.org/2008/10/19/20081019best-american-crime-reporting-2007-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3225/2955267119_1204534cd3.jpg&#34; alt=&#34;best american crime reporting 2007&#34;&gt; There are a couple real standouts here, though this collection wasn&#39;t as sharp as some of the others in the Best American series that I&#39;ve read (&lt;a href=&#34;/mark-larson-1/2008/08/15/best-american-science-writing-2007-review&#34;&gt;Science 2007&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2008/04/18/best-american-science-nature-writing-2007-review&#34;&gt;Science &amp;amp; Nature 2007&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2007/10/14/the-best-american-comics-2006-review-45&#34;&gt;Comics 2006&lt;/a&gt;). As is tradition, here are my picks:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/features/ESQ0906NEWORLEANS_216&#34;&gt;The Loved Ones&lt;/a&gt; is the must-read of the bunch. Tom Junod&#39;s awesome reporting starts with Sal and Mabel Mangano. The two New Orleans nursing home operators were accused of negligent homicide when many in their care died in post-Katrina flooding (the couple was later acquitted). Along the way he hits on broader themes of journalist ethics, family, love, blame, and responsibility. One of the best pieces I&#39;ve come across this year.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.esquire.com/features/ESQ0606BESLAN_140&#34;&gt;The School&lt;/a&gt; is another great one. C.J. Chivers narrates the horrifying &lt;a href=&#34;http://en.wikipedia.org/wiki/Beslan_school_hostage_crisis&#34;&gt;Beslan school hostage crisis&lt;/a&gt;, when Chechen rebels took 1000+ kids and adults hostage, using them as leverage against the Russian government. It&#39;s dramatic, troubling stuff.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://nymag.com/news/features/15590/&#34;&gt;My Roommate, the Diamond Thief&lt;/a&gt; is pretty much what it sounds like.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.boston.com/news/globe/magazine/articles/2006/09/17/the_inside_job/&#34;&gt;The Inside Job&lt;/a&gt; is Neil Swidey&#39;s reporting how an employee of John Ferreira embezzled about $7 million dollars over a couple years, without his knowledge.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2008</title>
    <link href="https://mlarson.org/2008/10/16/200810161443/"/>
    <updated>2008-10-16T00:00:41.000Z</updated>
    <id>https://mlarson.org/2008/10/16/200810161443/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.npr.org/programs/specials/vote/list100.html&#34;&gt;NPR&#39;s 100 most important American musical works of the 20th century&lt;/a&gt;, with excerpts from each.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>RogueApron soup line</title>
    <link href="https://mlarson.org/2008/10/12/20081012rogueapron-soup-line/"/>
    <updated>2008-10-12T23:42:47.000Z</updated>
    <id>https://mlarson.org/2008/10/12/20081012rogueapron-soup-line/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/groups/rogueapron/pool/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3020/2932953134_672be6285d.jpg&#34; alt=&#34;bowl of soup&#34;&gt;&lt;/a&gt; I joined &lt;a href=&#34;http://rogueapron.wordpress.com/&#34;&gt;rogueApron&lt;/a&gt; this past weekend for the soup line. Good stuff all around: welcomed with pumpkiny spirits, fed with a trio of soups and &lt;a href=&#34;http://www.eastatlantabrewery.com/&#34;&gt;East Atlanta Brewery&lt;/a&gt; concoctions, topped off with cupcakes and whiffle ball. More pictures in the &lt;a href=&#34;http://www.flickr.com/groups/rogueapron/pool/&#34;&gt;rogueApron photo pool&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Umberto Eco on &#34;How I Write&#34;</title>
    <link href="https://mlarson.org/2008/10/05/20081005umberto-eco-on-how-i-write/"/>
    <updated>2008-10-05T22:56:03.000Z</updated>
    <id>https://mlarson.org/2008/10/05/20081005umberto-eco-on-how-i-write/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2917568988&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3138/2917568988_63bee92cd6.jpg&#34; alt=&#34;umberto at emory university&#34;&gt;&lt;/a&gt; This year, Emory University&#39;s &lt;a href=&#34;http://www.emory.edu/ellmann/&#34;&gt;Ellmann Lectures in Modern Literature&lt;/a&gt; are delivered by &lt;a href=&#34;http://en.wikipedia.org/wiki/Umberto_Eco&#34;&gt;Umberto Eco&lt;/a&gt;. I didn&#39;t know much about him before, but he kind of blew my mind. This afternoon I stopped by to hear him talk about &amp;quot;How I Write&amp;quot;. I was *really* impressed with how much he plans out his worlds beforehand, even making maps, blueprints, and sketches of his characters. I would love to see some of his doodles. These are mine:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2916727323/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3016/2916727323_10fdc55338.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Here are some notes deciphered from my handwriting:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;He describes himself at age 76 as &amp;quot;a young and promising novelist&amp;quot;---he&#39;s only been doing novels for 30 years or so.&lt;/li&gt;
&lt;li&gt;When he was a kid, he would start with an image. He drew his stories from end to end, only later going back to put the text in juvenile block letters.&lt;/li&gt;
&lt;li&gt;&amp;quot;At 16 I started to write poems like everybody else.&amp;quot;&lt;/li&gt;
&lt;li&gt;Most of his fictional works start with an image: &amp;quot;I wanted to poison a monk in his study,&amp;quot; a pendulum, a trumpet, Constantinople in flames.&lt;/li&gt;
&lt;li&gt;When he first does research he starts with collecting documents, travel, drawing maps, and even sketching the faces of his characters. When doing the travel research, he walks around with a recorder to describe everything he sees, hears, smells, street names, etc.&lt;/li&gt;
&lt;li&gt;&amp;quot;The structure of the world is fundamental to the writing.&amp;quot; Though the writer may choose to withhold information about the fictional world and bamboozle the reader, &amp;quot;You have to take account of the reaction and collaboration of the reader.&amp;quot;&lt;/li&gt;
&lt;li&gt;One *very* cool anecdote: a movie director loved the dialogue Eco wrote in &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Name_of_the_Rose&#34;&gt;The Name of the Rose&lt;/a&gt;, saying that it was the perfect length. Eco knew it was the perfect length because he had mapped out the monastery so completely that he knew the length of time it would take his characters to walk from one place to another. (!!!)&lt;/li&gt;
&lt;li&gt;Connected with this idea of world-building is the ancient practice of &lt;a href=&#34;http://en.wikipedia.org/wiki/Ecphrasis&#34;&gt;ecphrasis&lt;/a&gt;. Ecphrasis is the genre of &amp;quot;complete description&amp;quot;---retelling another work so vividly that the audience can know it without directly experiencing it. Eco says it&#39;s a good tool for writers because it &amp;quot;gives us more ideas than actually witnessing the thing itself.&amp;quot;&lt;/li&gt;
&lt;li&gt;Some &amp;quot;postmodern&amp;quot; characteristics of his writing: intertextual irony (e.g. quoting real-life works in works of fiction), &lt;a href=&#34;http://en.wikipedia.org/wiki/Grand_narrative&#34;&gt;metanarrative&lt;/a&gt; (commentary on the tale in progress) and double-coding (speaking to multiple audiences, like a Pixar movie). It &amp;quot;establishes a smart complicity with some readers, and also provokes other readers to read twice.&amp;quot;&lt;/li&gt;
&lt;li&gt;These postmodern intricacies &amp;quot;are not an aristocratic tic, but a way of respecting the brightness and curiosity of the audience.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And some aphorisms:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;Constraints are fundamental to any artistic endeavor.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;For novels, stick to the subject, and the words will follow. For poetry, stick to the words, and the subject will follow.&amp;quot;&lt;/li&gt;
&lt;li&gt;He has an interesting take on making engaging academic work: &amp;quot;Literary research must be narrated. Scientific papers should be written like a whodunit.&amp;quot; (Scott McCloud made a parallel comment when I heard him a couple weeks ago. His statement was about the shared challenge of teaching and writing non-fiction: &amp;quot;After you explain it, is it still interesting?&amp;quot;)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The event was followed by a reception with wine and cookies (and some other things, but I had my priorities).&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2916729723/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3001/2916729723_8c1403c5f5.jpg&#34; alt=&#34;notes on umberto eco&#39;s lecture&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Romance on Three Legs (review: 4/5)</title>
    <link href="https://mlarson.org/2008/10/05/20081005romance-on-three-legs-review/"/>
    <updated>2008-10-05T22:01:03.000Z</updated>
    <id>https://mlarson.org/2008/10/05/20081005romance-on-three-legs-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3173/2917244830_84ecdf5742.jpg&#34; alt=&#34;a romance on three legs by katie hafner&#34;&gt; Spoiler: &lt;a href=&#34;http://en.wikipedia.org/wiki/Katie_Hafner&#34;&gt;Katie Hafner&lt;/a&gt;&#39;s book, &lt;a href=&#34;http://www.amazon.com/Romance-Three-Legs-Obsessive-Perfect/dp/1596915242&#34;&gt;A Romance on Three Legs: Glenn Gould&#39;s Obsessive Quest for the Perfect Piano&lt;/a&gt;, is one of the most enjoyable I&#39;ve read this year, a really nice little page-turner.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Glenn_Gould&#34;&gt;Glenn Gould&lt;/a&gt; was one of the great pianists of the 20th century, known as much for his personal quirks as for his musicianship. &lt;a href=&#34;http://en.wikipedia.org/wiki/Glenn_Gould#Eccentricities&#34;&gt;Gould&#39;s eccentricities&lt;/a&gt; are pretty well documented. His increasingly reclusive, kind of paranoid personality led him to eventually abandon the concert stage in favor of the recording studio:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Gould had come to hate the risk-taking associated with live performances and grew tired of what he called the &amp;quot;non-take-two-ness&amp;quot; of the concert experience. He believed that people were just waiting for him to mess up, and he resented it. &#39;To me this is heartless and ruthless and senseless. It is exactly what prompts savages like Latin Americans to go to bullfights.&#39;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The new-to-me, perhaps even more interesting character in this book is Verne Edquist. Edquist got cataracts as a child. Surgery didn&#39;t work and he lost most of his sight. He was sent to a school for the blind to learn a trade, where he took up piano tuning. His ears were very good, and he gradually worked his way up the ranks from basic tuning, to regulating the piano action (tweaking the mechanics), to tone regulating (tweaking the timbre and tone color across the full range of the instrument).&lt;/p&gt;
&lt;p&gt;The third character in this book is CD 318, a Steinway concert grand piano. Gould was an extremely sensitive musician. His enviable technique and his own neuroses made it especially hard to find a decent piano. After flirting with a couple other pianos, the light, fast touch of CD 318 won him over. Edquist would become the primary tuner to understand Gould&#39;s needs and service his instrument. The book tells their story.&lt;/p&gt;
&lt;p&gt;Along the way, there are a couple nice digressions that lead into how pianos are made, how piano tuners work, the origins of sponsored musicians with exclusive company endorsements, and the history of Steinway &amp;amp; Sons (during wartime they were forced into making coffins and airplanes, among other things). And there are a couple nice tidbits like, &amp;quot;in the early twentieth century, piano tuners outnumbered members of any other trade in English insane asylums.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2008</title>
    <link href="https://mlarson.org/2008/10/01/200810011439/"/>
    <updated>2008-10-01T00:48:19.000Z</updated>
    <id>https://mlarson.org/2008/10/01/200810011439/</id>
    <content type="html">&lt;p&gt;From an &lt;a href=&#34;http://www.bookslut.com/features/2006_06_009085.php&#34;&gt;interview with Anthony Bourdain&lt;/a&gt;, a passage on those beautiful moments and how they feel kind of sucky at the same time:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;IÄôve talked elsewhere about there are times in your life... IÄôll use the example of youÄôre standing alone in the desert, and you see the most incredible sunset youÄôve ever seen and your first instinct is to turn to your left or right and say, ÄúWow, do you see that?Äù Okay, thereÄôs no one there, what do you do? Next, whereÄôs the camera? Look through the viewfinder and you realize you know, what you see through that little box is not what youÄôre experiencing. There comes this terrible moment when you realize well, this is for me. There is no sharing this. Worse: if you try to share it with old friends or someone you love itÄôs almost an insult. &amp;quot;How was your day?&amp;quot; &amp;quot;Well, we did three hundred covers tonight, somebody sent back a steak...&amp;quot; &amp;quot;Well, in the Sahara there was this sunset and you wouldnÄôt believe it.&amp;quot; You know?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>A place called Sandar</title>
    <link href="https://mlarson.org/2008/10/01/20081001a-place-called-sandar/"/>
    <updated>2008-10-01T00:41:48.000Z</updated>
    <id>https://mlarson.org/2008/10/01/20081001a-place-called-sandar/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2903176277/in/set-72157607436891752/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3094/2903176277_aa09a6a713_b.jpg&#34; alt=&#34;the sandar area on the laugavegur in iceland&#34;&gt;&lt;/a&gt; A small glacial outwash plain near the Entuj??kull glacier.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2008</title>
    <link href="https://mlarson.org/2008/09/28/200809281437/"/>
    <updated>2008-09-28T23:18:19.000Z</updated>
    <id>https://mlarson.org/2008/09/28/200809281437/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2081042&#34;&gt;The poetry of Donald Rumsfeld&lt;/a&gt;, via &lt;a href=&#34;http://www.austinkleon.com/blog/&#34;&gt;Austin Kleon&lt;/a&gt;. That stuff is so good. I remember a couple years ago, at a thrift store, I saw a copy of &lt;a href=&#34;http://www.amazon.com/Poetry-Under-Oath-Testimony-Jefferson/dp/0761116206&#34;&gt;Poetry Under Oath: From the Testimony of William Jefferson Clinton and Monica S. Lewinsky&lt;/a&gt;. I wish I&#39;d bought it. This &lt;a href=&#34;http://brothersjudd.com/index.cfm/fuseaction/reviews.detail/book_id/309/Poetry%20Under.htm&#34;&gt;review of Poetry Under Oath&lt;/a&gt; has quite a few excerpts and some of them are pure gold. &amp;quot;The Word &#39;Is&#39;&amp;quot; is a classic:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It depends on what the meaning of the word &#39;is&#39; is&lt;/p&gt;
&lt;p&gt;If the--- if he--- if &#39;is&#39; means is and never has been that is not---&lt;/p&gt;
&lt;p&gt;that is one thing&lt;/p&gt;
&lt;p&gt;If it means there is none that was a&lt;/p&gt;
&lt;p&gt;completely true statement&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>A little plant</title>
    <link href="https://mlarson.org/2008/09/28/20080928a-little-plant/"/>
    <updated>2008-09-28T21:17:50.000Z</updated>
    <id>https://mlarson.org/2008/09/28/20080928a-little-plant/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2897359200/in/set-72157607436891752/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3070/2897359200_13da342f6a.jpg&#34; alt=&#34;little plant in iceland on the laugavegur&#34;&gt;&lt;/a&gt; In the middle of a volcanic wasteland in Iceland.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Super Spy (review: 3.5/5)</title>
    <link href="https://mlarson.org/2008/09/25/20080925super-spy-review/"/>
    <updated>2008-09-25T23:52:01.000Z</updated>
    <id>https://mlarson.org/2008/09/25/20080925super-spy-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3243/2889335410_d57d3bbf10.jpg&#34; alt=&#34;Super Spy&#34;&gt; I picked up &lt;a href=&#34;http://www.amazon.com/Super-Spy-Matt-Kindt/dp/1891830961&#34;&gt;Super Spy&lt;/a&gt; at the &lt;a href=&#34;http://www.decaturbookfestival.com/&#34;&gt;Decatur Book Festival&lt;/a&gt; last month. I was talking with the guys at the &lt;a href=&#34;http://www.topshelfcomix.com/&#34;&gt;Top Shelf Comics&lt;/a&gt; booth, asking them to steer me away from ennui and towards something a bit more exciting. This was their pick of the pile, on the genre fiction side of the spectrum. &lt;a href=&#34;http://mattkindt.blogspot.com/&#34;&gt;Matt Kindt&lt;/a&gt;&#39;s book is a spy novel.&lt;/p&gt;
&lt;p&gt;It story starts off really well, and then settled down to a comfortable &amp;quot;good.&amp;quot; The different chapters jump around in time, changing focus among a cast of characters whose stories intertwine. The pace of the storytelling is very quick. People you get to know in 4 or 5 panels are dispatched a page or two later. I don&#39;t think I spoil much by saying it happens a lot. Lots of dispatching. Or that&#39;s how it seemed when I was reading.&lt;/p&gt;
&lt;p&gt;The art gave me pause for a second, but grew on me. It&#39;s not super-realistic or refined, but more slashy and dramatic, lots of contrast and rough edges and changes in perspective. It&#39;s a muted palette throughout. The design of the book is pretty cool. Each chapter is a dossier and the space behind the panels is colored to look like a worn folder. In one scene, a death in the panels is underscored with blood spatter in the gutters:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3277/2889340190_62bdc7839a.jpg&#34; alt=&#34;excerpt from Matt Kindt&#39;s book, Super Spy&#34;&gt;&lt;/p&gt;
&lt;p&gt;Nice detail there. The whole thing is worth a look. Here are some &lt;a href=&#34;http://www.topshelfcomix.com/ts2.0/thesuperspy/1&#34;&gt;sample pages from Super Spy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2008</title>
    <link href="https://mlarson.org/2008/09/25/200809251433/"/>
    <updated>2008-09-25T23:24:29.000Z</updated>
    <id>https://mlarson.org/2008/09/25/200809251433/</id>
    <content type="html">&lt;p&gt;&amp;quot;I don&#39;t avoid repeating myself. I rip myself off all the time.&amp;quot; -&lt;a href=&#34;http://bcs.bedfordstmartins.com/seeingandwriting3/interviews/interview6.asp&#34;&gt;Chip Kidd&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2008</title>
    <link href="https://mlarson.org/2008/09/25/200809251432/"/>
    <updated>2008-09-25T23:15:21.000Z</updated>
    <id>https://mlarson.org/2008/09/25/200809251432/</id>
    <content type="html">&lt;p&gt;Here are &lt;a href=&#34;http://www.speakingaboutpresenting.com/delivery/9-ways-space-presentation/&#34;&gt;9 ways to use space in your presentation&lt;/a&gt;, basically ways to use your body on stage while you&#39;re speaking. This reminds me of Scott McCloud&#39;s presentation here in Atlanta a couple weeks ago, when he said something along the lines of, &amp;quot;Any way you can describe a story has a spatial/visual equivalent.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2008</title>
    <link href="https://mlarson.org/2008/09/25/200809251429/"/>
    <updated>2008-09-25T18:49:40.000Z</updated>
    <id>https://mlarson.org/2008/09/25/200809251429/</id>
    <content type="html">&lt;p&gt;&amp;quot;After hearing Matt DamonÄôs brilliant comparison of a Sarah Palin presidency to a bad Disney movie, I called up Sam and said &#39;&lt;a href=&#34;http://rickyvanveen.com/post/51748798/after-hearing-matt-damons-brilliant-comparison-of&#34;&gt;LetÄôs make a trailer for what that movie would look like&lt;/a&gt;.&#39;&amp;quot; [via &lt;a href=&#34;http://daringfireball.net/&#34;&gt;daring fireball&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2008</title>
    <link href="https://mlarson.org/2008/09/25/200809251428/"/>
    <updated>2008-09-25T13:03:26.000Z</updated>
    <id>https://mlarson.org/2008/09/25/200809251428/</id>
    <content type="html">&lt;p&gt;Reason Magazine has a &lt;a href=&#34;http://www.reason.com/blog/show/128999.html&#34;&gt;great illustrated flowchart showing how hard it is to immigrate to the United States&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2008</title>
    <link href="https://mlarson.org/2008/09/23/200809231426/"/>
    <updated>2008-09-23T23:15:39.000Z</updated>
    <id>https://mlarson.org/2008/09/23/200809231426/</id>
    <content type="html">&lt;p&gt;Looks like a couple people already wrote the book I was thinking about creating: &lt;a href=&#34;http://www.appalachianpages.com/&#34;&gt;Appalachian Pages&lt;/a&gt;, a thru-hikers&#39; guide for the Appalachian Trail. The real winning idea here, the one that I wanted to see, was having the elevation profile watermarked on each page so you can sneak a peek at the day&#39;s challenges in a glance: &lt;a href=&#34;http://www.appalachianpages.com/pages/images/3-page-profile.jpg&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910eb6/1222211525000/appalachian-pages.jpg?format=original&#34; alt=&#34;sample page from Appalachian Pages&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Thank God they saved me the work. It looks great. If I ever end up on the AT again, I wouldn&#39;t be surprised if I carried this book instead of the classic &lt;a href=&#34;http://www.amazon.com/Appalachian-Trail-Data-Book-2008/dp/1889386545&#34;&gt;AT Data Book&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2008</title>
    <link href="https://mlarson.org/2008/09/23/200809231425/"/>
    <updated>2008-09-23T08:08:29.000Z</updated>
    <id>https://mlarson.org/2008/09/23/200809231425/</id>
    <content type="html">&lt;p&gt;The latest &lt;a href=&#34;http://www.macfound.org/site/c.lkLXJ8MQKrH/b.4536877/&#34;&gt;MacArthur Fellows got their genius grants&lt;/a&gt; today. Among them is one of my favorite writers, &lt;a href=&#34;http://www.therestisnoise.com/&#34;&gt;Alex Ross&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2008</title>
    <link href="https://mlarson.org/2008/09/22/200809221421/"/>
    <updated>2008-09-22T21:19:58.000Z</updated>
    <id>https://mlarson.org/2008/09/22/200809221421/</id>
    <content type="html">&lt;p&gt;Mike Clelland&#39;s illustrations are relentlessly cheerful. The lines are so relaxed but precise and I love the heavy use of arrows and labels: &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910ead/1222118050000/mike-clelland-snow-cave.jpg?format=original&#34; alt=&#34;mike clelland&#39;s illustration of a snow cave&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910eb3/1222118054000/mike-clelland-pulley.jpg?format=original&#34; alt=&#34;mike clelland&#39;s illustration of a pulley system&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910eb0/1222118052000/mike-clelland-big-tree.jpg?format=original&#34; alt=&#34;mike clelland&#39;s climbing illustration&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2008</title>
    <link href="https://mlarson.org/2008/09/22/200809221419/"/>
    <updated>2008-09-22T21:11:17.000Z</updated>
    <id>https://mlarson.org/2008/09/22/200809221419/</id>
    <content type="html">&lt;p&gt;In this video &lt;a href=&#34;http://www.youtube.com/watch?v=zwmwxkD86Ec&#34;&gt;Mike Clelland and another NOLS instructor demonstrate proper backcountry poopin&#39;&lt;/a&gt;. Classic squat, telemark pose, one-bunning. Hiker humor. May not be universal? Mike Clelland is a great illustrator, too---I&#39;ve liked his work in books like &lt;a href=&#34;http://www.amazon.com/Lighten-Up-Complete-Ultralight-Backpacking/dp/0762737344/&#34;&gt;Lighten Up!: A Complete Handbook for Light and Ultralight Backpacking&lt;/a&gt; and in &lt;a href=&#34;http://www.amazon.com/Allen-Mikes-Really-Cool-Backpackin/dp/1560449128/&#34;&gt;Allen and Mike&#39;s Really Cool Backpackin&#39; Book: Traveling &amp;amp; Camping Skills for a Wilderness Environment&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2008</title>
    <link href="https://mlarson.org/2008/09/22/200809221420/"/>
    <updated>2008-09-22T20:14:30.000Z</updated>
    <id>https://mlarson.org/2008/09/22/200809221420/</id>
    <content type="html">&lt;p&gt;It&#39;s been really wonderful to keep an eye on &lt;a href=&#34;http://www.ahousebythepark.com/journal/&#34;&gt;A House by the Park&lt;/a&gt;, &amp;quot;a first-hand chronology of the design, planning, and construction of a modern home in Seattle.&amp;quot; I&#39;m not in the market now, nor do I plan to be in the near future, but it&#39;s cool to watch and learn from a safe distance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A waterfall called Gullfoss</title>
    <link href="https://mlarson.org/2008/09/20/20080920a-waterfall-called-gullfoss/"/>
    <updated>2008-09-20T09:47:26.000Z</updated>
    <id>https://mlarson.org/2008/09/20/20080920a-waterfall-called-gullfoss/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2871860825/in/set-72157607352156691/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3222/2871860825_895bfb4043.jpg&#34; alt=&#34;gullfoss&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A street called Njarðagata</title>
    <link href="https://mlarson.org/2008/09/17/20080917a-street-called-njarthagata-2/"/>
    <updated>2008-09-17T22:14:55.000Z</updated>
    <id>https://mlarson.org/2008/09/17/20080917a-street-called-njarthagata-2/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2866918970/in/set-72157607352156691/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3051/2866918970_2a458b5818.jpg&#34; alt=&#34;asdfasdfasdf&#34;&gt;&lt;/a&gt; I&#39;m still sorting through my &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157607352156691/&#34;&gt;photos from Iceland&lt;/a&gt;, sifting out the worthwhile from the not-so-great. I plan to take my time and upload them over the next week or so. This is from my first morning in Reykjavik. More to come.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A street called Njar??agata</title>
    <link href="https://mlarson.org/2008/09/17/20080917a-street-called-njarthagata/"/>
    <updated>2008-09-17T22:14:55.000Z</updated>
    <id>https://mlarson.org/2008/09/17/20080917a-street-called-njarthagata/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2866918970/in/set-72157607352156691/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3051/2866918970_2a458b5818.jpg&#34; alt=&#34;asdfasdfasdf&#34;&gt;&lt;/a&gt; I&#39;m still sorting through my &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157607352156691/&#34;&gt;photos from Iceland&lt;/a&gt;, sifting out the worthwhile from the not-so-great. I plan to take my time and upload them over the next week or so. This is from my first morning in Reykjavik. More to come.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Vacation</title>
    <link href="https://mlarson.org/2008/09/07/20080907vacation-2/"/>
    <updated>2008-09-07T10:36:48.000Z</updated>
    <id>https://mlarson.org/2008/09/07/20080907vacation-2/</id>
    <content type="html">&lt;p&gt;I&#39;ll be back next week. Iceland beckons.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 3, 2008</title>
    <link href="https://mlarson.org/2008/09/03/200809031414/"/>
    <updated>2008-09-03T21:57:38.000Z</updated>
    <id>https://mlarson.org/2008/09/03/200809031414/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2825493108/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3179/2825493108_591ba21174.jpg&#34; alt=&#34;johann sebastian bach is on tour&#34;&gt;&lt;/a&gt; I was listening to &lt;a href=&#34;http://www.last.fm/listen/user/markdlarson/personal&#34;&gt;my last.fm library&lt;/a&gt; this afternoon and noticed that &lt;a href=&#34;http://en.wikipedia.org/wiki/Johann_Sebastian_Bach&#34;&gt;Johann Sebastian Bach&lt;/a&gt; is on tour, 300+ years and still going strong.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Trouble the Water</title>
    <link href="https://mlarson.org/2008/09/03/20080903trouble-the-water/"/>
    <updated>2008-09-03T21:53:57.000Z</updated>
    <id>https://mlarson.org/2008/09/03/20080903trouble-the-water/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.troublethewaterfilm.com/&#34;&gt;Trouble the Water&lt;/a&gt; is the second Katrina documentary I&#39;ve seen this year. &lt;a href=&#34;http://www.theaxeintheattic.com/&#34;&gt;The Axe in the Attic&lt;/a&gt; was not nearly as good as this one. I was a bit reluctant to go because I&#39;ve had hurricane burnout lately, but this was worth seeing. &lt;em&gt;Trouble the Water&lt;/em&gt; starts out with some homemade videos of a stranded couple that couldn&#39;t make it out. They were stuck in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Ninth_Ward_of_New_Orleans&#34;&gt;9th Ward&lt;/a&gt;. You see them getting ready, then holing up in the house, then moving to the attic when the levee breaks a few blocks away from their home and their house fills with water, then escaping to even higher ground, then finally leaving New Orleans, and coming back years later. It goes astray with some too-obvious, too-easy critiques of the political bumbling toward the end. The criticism is well-deserved, of course, but not nearly as interesting as seeing their stories unfold, seeing them meet strangers and help each other out, and how they find strength in each other and in their faith. The protagonists are pretty lovable. &lt;a href=&#34;http://www.zeitgeistfilms.com/playdates_new.php?directoryname=troublethewater&#34;&gt;Go see it in your neighborhood&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2008</title>
    <link href="https://mlarson.org/2008/09/02/200809021412/"/>
    <updated>2008-09-02T23:12:46.000Z</updated>
    <id>https://mlarson.org/2008/09/02/200809021412/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blogs.psychologytoday.com/blog/brainstorm/200806/george-carlins-last-interview&#34;&gt;George Carlin&#39;s last interview&lt;/a&gt; is really good. He talks about language, writing, drugs, religion, life, the whole deal.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2008</title>
    <link href="https://mlarson.org/2008/09/02/200809021411/"/>
    <updated>2008-09-02T23:02:53.000Z</updated>
    <id>https://mlarson.org/2008/09/02/200809021411/</id>
    <content type="html">&lt;p&gt;Perfume is the art for your sense of smell, just as music is for hearing and art for your eyes and cuisine is for taste. This past weekend at the Decatur Book Festival, my favorite author to hear, by far, was &lt;a href=&#34;http://www.chandlerburr.com/&#34;&gt;Chandler Burr&lt;/a&gt;. &lt;a href=&#34;http://themoment.blogs.nytimes.com/author/nytburr/?scp=1&amp;amp;sq=chandler%20burr&amp;amp;st=cse&#34;&gt;Chandler Burr currently writes about perfume for the New York Times&lt;/a&gt;. He talked a bit about his book &lt;a href=&#34;http://www.amazon.com/Perfect-Scent-Inside-Perfume-Industry/dp/0805080376/&#34;&gt;The Perfect Scent&lt;/a&gt; and led us through a bunch of perfumes, often drawing analogies with the art world. One fragrance was like &lt;a href=&#34;http://en.wikipedia.org/wiki/Francis_Bacon_(painter)&#34;&gt;Francis Bacon&lt;/a&gt;. Another with &amp;quot;a broad wash of abstract fruit&amp;quot; brought &lt;a href=&#34;http://en.wikipedia.org/wiki/Mark_Rothko&#34;&gt;Mark Rothko&lt;/a&gt; to mind. I&#39;d never given perfume a second thought before but it was really mind-opening to hear about the experimentation and the science and the perfumers cooking it all up. Crazy stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2008</title>
    <link href="https://mlarson.org/2008/09/02/200809021410/"/>
    <updated>2008-09-02T22:01:18.000Z</updated>
    <id>https://mlarson.org/2008/09/02/200809021410/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.loc.gov/poetry/180/p180-list.html&#34;&gt;Poetry 180&lt;/a&gt; is Billy Collins&#39; poem-a-day selections for high schoolers. It starts off with his poem, &lt;a href=&#34;http://www.loc.gov/poetry/180/001.html&#34;&gt;Introduction to Poetry&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I want them to waterski across the surface of a poem waving at the author&#39;s name on the shore.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Noticing... curating... caring</title>
    <link href="https://mlarson.org/2008/08/27/20080827noticing-curating-caring/"/>
    <updated>2008-08-27T23:59:12.000Z</updated>
    <id>https://mlarson.org/2008/08/27/20080827noticing-curating-caring/</id>
    <content type="html">&lt;p&gt;This cool &lt;a href=&#34;http://www.aiga.org/content.cfm/ever-notice&#34;&gt;dialogue about noticing&lt;/a&gt; made me think of three connections. The first one came before I read it. The idea of noticing reminded me of a passage in Anne Fadiman&#39;s book, &lt;a href=&#34;http://www.amazon.com/Ex-Libris-Confessions-Common-Reader/dp/0374527229&#34;&gt;Ex Libris&lt;/a&gt;, that I quoted in my &lt;a href=&#34;/mark-larson-1/2007/11/18/ex-libris-confessions-of-a-common-reader-55&#34;&gt;review&lt;/a&gt; and will quote again because it&#39;s funny:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The proofreading temperament is part of a larger syndrome with several interrelated symptoms, one of which is the spotting mania. When my friend Brian Miller, also a copy editor, was a boy, he used to sit in the woods for long stretches, watching for subtle animal movements in the distance. The young John Bethell was a whiz at figuring out What&#39;s Wrong with This Picture? Proofreaders tend to be good at distinguishing the anomalous figure--the rare butterfly, the precious seashell--from the ordinary ground, but unlike collectors, we wish to discard rather than hoard. Although not all of us are tidy, we savor certain cleaning tasks: removing the lint from the clothes dryer, skimming the drowned bee from the pool. My father&#39;s most treasured possession is an enormous brass wastebasket. He is happiest when his desktop is empty and the basket is full. One of my brother&#39;s first sentences, a psychologically brilliant piece of advice offered from his high chair one morning when my father came downstairs in a grouchy mood, was &amp;quot;Throw everything out, Daddy!&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The second thing it made me think of was Dale Carnegie&#39;s book &lt;a href=&#34;http://en.wikipedia.org/wiki/How_to_Win_Friends_and_Influence_People&#34;&gt;How to Win Friends and Influence People&lt;/a&gt;. In the book, the first way to make people like you is to &amp;quot;become genuinely interested in other people.&amp;quot; Authentically give a shit. It&#39;s so simple. That&#39;s seconded here in the noticing interview:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Portigal: Super-noticing power really is a strong cultural idea. The enhanced human with awesome noticing and synthesizing powers crops up regularly in science fiction...&lt;/p&gt;
&lt;p&gt;Soltzberg: Right, sort of like a super-charged version of William Gibson&#39;s Cayce Pollard character in Pattern Recognition. Noticing definitely draws on a set of skills that these kinds of characters embody and amplify, but at the heart of it you have to genuinely be interested in the world around you and in other people.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The last thing is the idea of curating, just being open and attentive to &lt;a href=&#34;http://www.harpers.org/archive/2007/02/0081387&#34;&gt;influence&lt;/a&gt; and where it leads you. &lt;a href=&#34;http://www.etymonline.com/index.php?term=curious&#34;&gt;Curiosity&lt;/a&gt; and &lt;a href=&#34;http://www.etymonline.com/index.php?term=curate&#34;&gt;curating&lt;/a&gt; share a common root, which is... CARING.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 27, 2008</title>
    <link href="https://mlarson.org/2008/08/27/200808271407/"/>
    <updated>2008-08-27T23:29:32.000Z</updated>
    <id>https://mlarson.org/2008/08/27/200808271407/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://rogueapron.wordpress.com/&#34;&gt;RogueApron is Atlanta&#39;s independent speakeasy and supperclub&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Food that&#39;s been cooked with love, for people who are soon to be your friends, in a relaxed atmosphere where your drunken sated contentment is our only goal.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I just heard about it this morning and I think it could be really cool. I hope it can make it to the next dinner. This pairs well with today&#39;s &lt;a href=&#34;http://www.nytimes.com/2008/08/27/dining/27boar.html&#34;&gt;New York Times feature on anti-restaurants&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 27, 2008</title>
    <link href="https://mlarson.org/2008/08/27/200808271406/"/>
    <updated>2008-08-27T23:25:39.000Z</updated>
    <id>https://mlarson.org/2008/08/27/200808271406/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.43folders.com/2008/08/27/book-heuristics&#34;&gt;Deciding whether to read a book&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A fisherman at home</title>
    <link href="https://mlarson.org/2008/08/27/20080827a-fisherman-at-home/"/>
    <updated>2008-08-27T23:23:25.000Z</updated>
    <id>https://mlarson.org/2008/08/27/20080827a-fisherman-at-home/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/nationalmediamuseum/2780979094/in/set-72157606886750595/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3188/2780979094_ce813df739.jpg&#34; alt=&#34;a fisherman at home&#34;&gt;&lt;/a&gt; Bucket hat? Check. Knit woolen sweater? Check. Pipe? Check. I love it when stereotypes match with reality.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 27, 2008</title>
    <link href="https://mlarson.org/2008/08/27/200808271404/"/>
    <updated>2008-08-27T00:37:21.000Z</updated>
    <id>https://mlarson.org/2008/08/27/200808271404/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.expertvillage.com/video-series/2076_iceland-speak.htm&#34;&gt;Common phrases in Icelandic&lt;/a&gt;, a collection of videos and another cool resource I&#39;ve found getting ready for vacation. Not too long ago, you wouldn&#39;t be able to hear a native speaker until you got there. In the same way, when look on Flickr I can see &lt;a href=&#34;http://www.flickr.com/search/?q=reykjavik&amp;amp;ss=2&amp;amp;ct=6&amp;amp;s=rec&#34;&gt;recent photos in Reykjavik&lt;/a&gt;, see what folks are wearing, get a feel for the street. It&#39;s be easy to go overboard with this pre-immersion stuff and dampen all the surprises, but it&#39;s really cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Pocket Poem</title>
    <link href="https://mlarson.org/2008/08/27/20080827pocket-poem/"/>
    <updated>2008-08-27T00:14:21.000Z</updated>
    <id>https://mlarson.org/2008/08/27/20080827pocket-poem/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If this comes creased and creased again and soiledas if I&#39;d opened it a thousand times to see if what I&#39;d written here was right, it&#39;s all because I looked too long for you to put in your pocket. Midnight says the little gifts of loneliness come wrapped by nervous fingers. What I wanted this to say was that I want to be so close that when you find it, it is warm from me&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That&#39;s from &lt;a href=&#34;http://www.tedkooser.com/&#34;&gt;Ted Kooser&lt;/a&gt;&#39;s book &lt;a href=&#34;http://www.amazon.com/Valentines-Ted-Kooser/dp/0803217706&#34;&gt;Valentines&lt;/a&gt;, which I flipped through the other day. The book collects the annual poems he&#39;s been sending out for the past 20-odd years. &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=18990762&#34;&gt;Kooser read some of the valentines on NPR&lt;/a&gt; earlier this year. Most are a bit too ponderous for my taste but there&#39;s some good images and quirky personification in some of them.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2008</title>
    <link href="https://mlarson.org/2008/08/25/200808251402/"/>
    <updated>2008-08-25T18:16:48.000Z</updated>
    <id>https://mlarson.org/2008/08/25/200808251402/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://video.google.com/videoplay?docid=8095362905463165204&#34;&gt;Hands on a Hard Body&lt;/a&gt; documents a contest where competitors try to win a truck by keeping their hand on it for the longest period of time. The contest in the film lasted 77 hours. I&#39;ve heard about this movie for a while, and now I&#39;ve finally got a chance to see it. [via &lt;a href=&#34;http://waxy.org/links/&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Vacation</title>
    <link href="https://mlarson.org/2008/08/24/20080824vacation/"/>
    <updated>2008-08-24T11:24:16.000Z</updated>
    <id>https://mlarson.org/2008/08/24/20080824vacation/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3101/2793003180_8baa7e6429.jpg&#34; alt=&#34;sketch of iceland&#34;&gt; I&#39;ve got about two weeks and 3 hours to get my act together.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2008</title>
    <link href="https://mlarson.org/2008/08/20/200808201399/"/>
    <updated>2008-08-20T21:48:23.000Z</updated>
    <id>https://mlarson.org/2008/08/20/200808201399/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.ubu.com/papers/satie_day.html&#34;&gt;A Day in the Life of a Musician&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Erik_Satie&#34;&gt;Erik Satie&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An artist must regulate his life.&lt;/p&gt;
&lt;p&gt;Here is a time-table of my daily acts. I rise at 7.18; am inspired from 10.23 to 11.47. I lunch at 12.11 and leave the table at 12.14. A healthy ride on horse-back round my domain follows from 1.19 pm to 2.53 pm. Another bout of inspiration from 3.12 to 4.7 pm. From 5 to 6.47 pm various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, natation, etc.)&lt;/p&gt;
&lt;p&gt;Dinner is served at 7.16 and finished at 7.20 pm. From 8.9 to 9.59 pm symphonic readings (out loud). I go to bed regularly at 10.37 pm. Once a week (on Tuesdays) I awake with a start at 3.14 am.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 19, 2008</title>
    <link href="https://mlarson.org/2008/08/19/200808191397/"/>
    <updated>2008-08-19T20:08:57.000Z</updated>
    <id>https://mlarson.org/2008/08/19/200808191397/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.gokudo.co.jp/Record/BlueNote1/index.htm&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910eaa/1219176379000/stanleyturrentinebluenote.jpg?format=original&#34; alt=&#34;stanley turrentine blue note record cover&#34;&gt;&lt;/a&gt; An archive of &lt;a href=&#34;http://www.gokudo.co.jp/Record/BlueNote1/index.htm&#34;&gt;record covers from Blue Note Records&lt;/a&gt;. [via &lt;a href=&#34;http://musicology.typepad.com/dialm/&#34;&gt;dial &amp;quot;m&amp;quot; for musicology&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekly muxtape, heartbeat edition</title>
    <link href="https://mlarson.org/2008/08/18/20080818weekly-muxtape-heartbeat-edition/"/>
    <updated>2008-08-18T01:00:10.000Z</updated>
    <id>https://mlarson.org/2008/08/18/20080818weekly-muxtape-heartbeat-edition/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3267/2773816364_33e5939b01.jpg&#34; alt=&#34;muxtape, heartbeat edition&#34;&gt;&lt;/a&gt; I&#39;m not as thrilled with this one as I was with the &lt;a href=&#34;/mark-larson-1/2008/08/11/weekly-muxtape-unusual-edition&#34;&gt;unusual editon&lt;/a&gt; last week, but it&#39;ll do. You might recognize the opener from the &lt;a href=&#34;http://en.wikipedia.org/wiki/28_Days_Later&#34;&gt;28 Days Later&lt;/a&gt; soundtrack.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blackberries</title>
    <link href="https://mlarson.org/2008/08/17/20080817blackberries/"/>
    <updated>2008-08-17T20:49:54.000Z</updated>
    <id>https://mlarson.org/2008/08/17/20080817blackberries/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3225/2772937024_e4b8edee26.jpg&#34; alt=&#34;blackberries&#34;&gt; I spent Saturday night in the woods. On Sunday morning I walked back through a nice stretch of trail with blackberries growing along the sides, just turning ripe. Hiking pace went from 4mph to 0mph. I ate pretty much anything I could reach without having to go into the brambles.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 15, 2008</title>
    <link href="https://mlarson.org/2008/08/15/200808151386/"/>
    <updated>2008-08-15T20:03:16.000Z</updated>
    <id>https://mlarson.org/2008/08/15/200808151386/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://ta-nehisicoates.theatlantic.com/archives/2008/08/is_it_harder_to_write_a_great_sonnet_than_a_great_hiphop_verse.php&#34;&gt;Is it harder to write a sonnet than a great hip-hop verse?&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The literal rules for writing sonnets, tankas, haikus etc. aren&#39;t particularly hard to follow. It&#39;s following the rules and &lt;em&gt;actually saying something&lt;/em&gt; that&#39;s hard. You can write a sonnet that makes no sense, and has no real power in the words. Likewise, you could write a rhyme that&#39;s technically on beat and say nothing at all.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Nice sample at the end. Puff is much, much worse than Biggie.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Best American Science Writing 2007 (review: 3/5)</title>
    <link href="https://mlarson.org/2008/08/15/20080815best-american-science-writing-2007-review/"/>
    <updated>2008-08-15T00:49:51.000Z</updated>
    <id>https://mlarson.org/2008/08/15/20080815best-american-science-writing-2007-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3110/2763974311_89c8cb3992.jpg&#34; alt=&#34;best american science writing 2007&#34;&gt; I usually like these annual collections because I can sample a bunch of authors I don&#39;t know writing about topics I&#39;m not too familiar with in periodicals I haven&#39;t read much. &lt;a href=&#34;http://www.amazon.com/Best-American-Science-Writing-2007/dp/0061345776&#34;&gt;The Best American Science Writing 2007&lt;/a&gt; comes up a bit short on all counts, but here are the ones I liked...&lt;/p&gt;
&lt;p&gt;A clear favorite for me is &lt;a href=&#34;http://www.gawande.com/&#34;&gt;Atul Gawande&lt;/a&gt;&#39;s article about the childbirth industry, &lt;a href=&#34;http://www.newyorker.com/archive/2006/10/09/061009fa_fact&#34;&gt;The Score&lt;/a&gt;. Women used to die in labor at amazing rates. Even in the 1930s about 1 of every 150 mothers died. But ever since Virginia Apgar invented what&#39;s now known as the Apgar score---basically a 0-10 rating on how healthy a baby comes out, based on the first 5 minutes of observation---mortality rates for parent and child have dropped steadily. Gawande talks in kind of squeamish, horrifying detail about how delivering babies has changed and the different technologies (prayer, forceps, C-sections) and maneuvers that we&#39;ve developed. It&#39;s really great. I almost never like writing about biology or medicine, but looking at &lt;a href=&#34;http://www.gawande.com/articles.htm&#34;&gt;list of Gawande&#39;s writing on his website&lt;/a&gt;, it turns out I&#39;ve enjoyed just about all of his that I read.&lt;/p&gt;
&lt;p&gt;My next favorite is &lt;a href=&#34;http://www.jeromegroopman.com/articles/being-there.html&#34;&gt;Being There&lt;/a&gt;. Imagine for a second your spouse or parent or sibling or friend were dying. Like right now. In the emergency room. Would you want to be there as doctors tried to resuscitate him? And should the hospital allow you to watch what is usually a stressful, brutal, and unsuccessful effort? &lt;a href=&#34;http://www.jeromegroopman.com/&#34;&gt;Jerome Groopman&lt;/a&gt; writes about the dilemma of &amp;quot;family presence,&amp;quot; and it&#39;s one of those things that&#39;s just cool to read about because I&#39;d never thought much about it before.&lt;/p&gt;
&lt;p&gt;Yes, that&#39;s 2 (two) medicine-related articles that I enjoyed.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/printables/fact/060828fa_fact2&#34;&gt;Manifold Destiny&lt;/a&gt; was a cool article about the reclusive &lt;a href=&#34;http://en.wikipedia.org/wiki/Grigori_Perelman&#34;&gt;Grigori Perlman&lt;/a&gt;, the guy who proved the &lt;a href=&#34;http://en.wikipedia.org/wiki/Poincar%C3%A9_conjecture&#34;&gt;Poincar?© conjecture&lt;/a&gt; and thereby dismissed a problem that mainstream mathematicians had been working on for a century. There&#39;s some cool personalities and professional intrigue here, and it was a nice break from the bio/ medicine/ health/ human interest articles in the rest of the book. Written by &lt;a href=&#34;http://en.wikipedia.org/wiki/Sylvia_Nasar&#34;&gt;Sylvia Nasar&lt;/a&gt; and David Gruber.&lt;/p&gt;
&lt;p&gt;Lastly, &lt;a href=&#34;http://www.oliversacks.com/&#34;&gt;Oliver Sacks&lt;/a&gt; wrote &lt;a href=&#34;http://www.newyorker.com/archive/2006/06/19/060619fa_fact_sacks&#34;&gt;Stereo Sue&lt;/a&gt;, a woman who didn&#39;t have binocular vision, so everything looked flat. After surgery and some long-term eye therapy, she finally started to see fully in three dimensions:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I went back to my car and happened to glance at the steering wheel. It had &#39;popped out&#39; from the dashboard. I closed one eye, then the other, then looked with both eyes again, and the steering wheel looked different. I decided that the light from the setting sun was playing tricks on me and drove home. But the next day I got up, did the eye exercises, and got into the car to drive to work. When I looked at the rear-view mirror, it had popped out from the windshield.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Crazy!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 14, 2008</title>
    <link href="https://mlarson.org/2008/08/14/200808141384/"/>
    <updated>2008-08-14T23:34:51.000Z</updated>
    <id>https://mlarson.org/2008/08/14/200808141384/</id>
    <content type="html">&lt;p&gt;Sculptor &lt;a href=&#34;http://www.williams.edu/home/commencement/2008/serra.php&#34;&gt;Richard Serra gave the 2008 commencement speech at Williams College&lt;/a&gt;. I like his comments about thinking, obsession, and play:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If itÄôs not broken, break it. One way of coming to terms with the prevailing language of a cultural orthodoxy is to reject it. It may be necessary to invent tools and methods about which you know nothing, to act in ways that allow you to utilize the content of your personal experience, to form an obsession and to cut through the weight of your education. Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. DonÄôt confuse the obsession of repetition with learning by rote. I am suggesting a form of inquiry, a procedure to jumpstart the indecision of beginning.&lt;/p&gt;
&lt;p&gt;The solution to a given problem often occurs through repetition, a continual probing. The accumulation of solutions invariably alters the original problem demanding new solutions to a different set of problems. In effect, as solutions evolve, new problems emerge. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work.&lt;/p&gt;
&lt;p&gt;But solutions need not only be the result of constant repetition. There is another route, not so structured but rather free-floating and more experimental but no less obsessive. It is to be found in the activity of play. I cannot overemphasize the importance of play. The freedom of play and its transitional character encourage the suspension of beliefs whereby a shift in direction is possible; play ought to be part of the working process. Free from skepticism and self-criticism play allows you to relinquish control. Playful activity provides an alternative way to see, to imagine, to do, to make, to think otherwise. In play there are no ends, there are only means, however, means inadvertently can lead to ends. Rules can be made up as you go along or even in hindsight.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://designnotes.info&#34;&gt;michael surtees&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2008</title>
    <link href="https://mlarson.org/2008/08/13/200808131383/"/>
    <updated>2008-08-13T23:24:32.000Z</updated>
    <id>https://mlarson.org/2008/08/13/200808131383/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.truemirror.com/hp/hpttmc2008.pdf&#34;&gt;The effects of hair parts on the 2008 Presidential race&lt;/a&gt;. [pdf]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2008</title>
    <link href="https://mlarson.org/2008/08/13/200808131382/"/>
    <updated>2008-08-13T23:04:46.000Z</updated>
    <id>https://mlarson.org/2008/08/13/200808131382/</id>
    <content type="html">&lt;p&gt;First there was &lt;a href=&#34;http://en.wikipedia.org/wiki/Easy_Cheese&#34;&gt;Easy Cheese&lt;/a&gt; and now there&#39;s &lt;a href=&#34;http://flickr.com/photos/megwilsonsphotos/2754677461/&#34;&gt;spray dog food&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2008</title>
    <link href="https://mlarson.org/2008/08/12/200808121381/"/>
    <updated>2008-08-12T23:48:56.000Z</updated>
    <id>https://mlarson.org/2008/08/12/200808121381/</id>
    <content type="html">&lt;p&gt;Something to shoot for:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://madinkbeard.com/blog/archives/auden-on-critics&#34;&gt;What is the function of a critic?&lt;/a&gt; So far as I am concerned, he can do me one or more of the following services:&lt;/p&gt;
&lt;p&gt;1. Introduce me to authors or works of which I was hitherto unaware. 2. Convince me that I have undervalued an author or a work because I had not read them carefully enough. 3. Show me relations between works of different ages and cultures which I could never have seen for myself because I do not know enough and never shall. 4. Give a ÄúreadingÄù of a work which increases my understanding of it. 5. Throw light upon the process of artistic Äúmaking.Äù 6. Throw light upon the relation of art to life, to science, economics, ethics, religion, etc.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This reminds me of Auden&#39;s &lt;a href=&#34;http://harpers.org/archive/1948/05/0033206&#34;&gt;Notes on the Detective Story, by an Addict&lt;/a&gt; that was featured at Harper&#39;s recently, wherein he dissects whodunits and argues for why they&#39;re escape and not art... &amp;quot;The most curious fact about the detective story is that it makes its greatest appeal precisely to those classes of people who are most immune to other forms of daydream literature.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2008</title>
    <link href="https://mlarson.org/2008/08/11/200808111380/"/>
    <updated>2008-08-11T23:10:05.000Z</updated>
    <id>https://mlarson.org/2008/08/11/200808111380/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;I divide this world into two classes---&lt;a href=&#34;http://www.cynical-c.com/?p=10863&#34;&gt;the cruel and the kind&lt;/a&gt;; and I think a thousand times more of a kind man than I do of an intelligent man. I think more of kindness than I do of genius, I think more of real, good, human nature in that way---of one who is willing to lend a helping hand and who goes through the world with a face that looks as if its owner were willing to answer a decent question---I think a thousand times more of that than I do of being theologically right; because I do not care whether I am theologically right or not. It is something that is not worth talking about, because it is something that I never, never, never shall understand; and every one of you will die and you wonÄôt understand it either---until after you die at any rate. I do not know what will happen then.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 11, 2008</title>
    <link href="https://mlarson.org/2008/08/11/200808111379/"/>
    <updated>2008-08-11T22:37:05.000Z</updated>
    <id>https://mlarson.org/2008/08/11/200808111379/</id>
    <content type="html">&lt;p&gt;At &lt;a href=&#34;http://thepublicschool.org/&#34;&gt;The Public School&lt;/a&gt; anyone can propose a course, anyone can sign up for courses, and if there&#39;s enough money to fund it, the course is offered (&lt;a href=&#34;http://thepublicschool.org/wordpress/wp-content/uploads/2008/01/statediagram_11.gif&#34;&gt;flowchart&lt;/a&gt;). How hard is that? Take a look at the &lt;a href=&#34;http://thepublicschool.org/offerings/&#34;&gt;current offerings&lt;/a&gt;, or if you have expertise, the &lt;a href=&#34;http://thepublicschool.org/classes-that-need-teachers/&#34;&gt;classes that need teachers&lt;/a&gt;. [via &lt;a href=&#34;http://linedandunlined.com/&#34;&gt;lined &amp;amp; unlined&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekly muxtape, unusual edition</title>
    <link href="https://mlarson.org/2008/08/11/20080811weekly-muxtape-unusual-edition/"/>
    <updated>2008-08-11T00:50:17.000Z</updated>
    <id>https://mlarson.org/2008/08/11/20080811weekly-muxtape-unusual-edition/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3041/2751739739_7476f921a5.jpg&#34; alt=&#34;muxtape, unusal edition&#34;&gt;&lt;/a&gt; The only reason I put together the &lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;unusual edition&lt;/a&gt; is because of the first track &amp;quot;Strange Overtones&amp;quot;. I&#39;ve been repeating that religiously since I heard it earlier this weekend. I haven&#39;t had a track get such heavy play since &amp;quot;Weird Fishes&amp;quot;. Other highlights include Victor Wooten&#39;s sick bass solo around the 2-minute mark in &amp;quot;Oddity,&amp;quot; and Paul Desmond&#39;s saxophone work in &amp;quot;Strange Meadow Lark,&amp;quot; which has some unusual 10-bar phrases.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 7, 2008</title>
    <link href="https://mlarson.org/2008/08/07/200808071377/"/>
    <updated>2008-08-07T18:28:45.000Z</updated>
    <id>https://mlarson.org/2008/08/07/200808071377/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.nytimes.com/2008/08/05/health/research/05mind.html&#34;&gt;New York Times article about boredom&lt;/a&gt; reframes it as an opportunity rather than an unavoidable state:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The brain is highly active when disengaged, consuming only about 5 percent less energy in its resting Äúdefault stateÄù than when involved in routine tasks... That slight reduction can make a big difference in terms of time perception. The seconds usually seem to pass more slowly when the brain is idling than when it is absorbed. And those stretched seconds are not the live-in-the-moment, meditative variety, either. They are frustrated, restless moments. That combination, psychologists argue, makes boredom a state that demands relief---if not from a catnap or a conversation, then from some mental game.&lt;/p&gt;
&lt;p&gt;Some evidence for this can be seen in semiconscious behaviors, like doodling during a dull class, braiding strands of hair, folding notebook paper into odd shapes. Daydreaming too can be a kind of constructive self-entertainment, psychologists say, especially if the mind is turning over a problem. In experiments in the 1970s, psychiatrists showed that participants completing word-association tasks quickly tired of the job once obvious answers were given; granted more time, they began trying much more creative solutions, as if the boredom Äúhad the power to exert pressure on individuals to stretch their inventive capacity.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2008</title>
    <link href="https://mlarson.org/2008/08/06/200808061376/"/>
    <updated>2008-08-06T18:28:33.000Z</updated>
    <id>https://mlarson.org/2008/08/06/200808061376/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mcsweeneys.net/2008/7/30schmelling.html&#34;&gt;Hamlet, the Facebook News Feed Edition&lt;/a&gt;. My favorite part: &amp;quot;Hamlet became a fan of daggers.&amp;quot; [via &lt;a href=&#34;http://funkaoshi.com/&#34;&gt;funkaoshi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 5, 2008</title>
    <link href="https://mlarson.org/2008/08/05/200808051375/"/>
    <updated>2008-08-05T18:46:44.000Z</updated>
    <id>https://mlarson.org/2008/08/05/200808051375/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sciam.com/article.cfm?id=the-secrets-of-storytelling&#34;&gt;Why we love a good yarn&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekly muxtape, daybreak edition</title>
    <link href="https://mlarson.org/2008/08/04/20080804weekly-muxtape-daybreak-edition/"/>
    <updated>2008-08-04T00:10:32.000Z</updated>
    <id>https://mlarson.org/2008/08/04/20080804weekly-muxtape-daybreak-edition/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3209/2730139505_306a5faf3a.jpg&#34; alt=&#34;weekly muxtape, daybreak edition&#34;&gt;&lt;/a&gt; Highlights in my &lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;fifth Monday muxtape&lt;/a&gt; include a more relaxed, non-heavy-metallic Judas Priest; my good friend and brilliant jazz vocalist &lt;a href=&#34;http://www.myspace.com/katedmonson&#34;&gt;Kat Edmonson&lt;/a&gt;; an obscenely catchy tune from Peter, Paul &amp;amp; Mary; a quiet little number for percussion ensemble; and some Yeasayer---the bass just kills me. Can&#39;t sit still when that one comes up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 3, 2008</title>
    <link href="https://mlarson.org/2008/08/03/200808031373/"/>
    <updated>2008-08-03T23:36:01.000Z</updated>
    <id>https://mlarson.org/2008/08/03/200808031373/</id>
    <content type="html">&lt;p&gt;That last post was my 100th &lt;a href=&#34;https:www.mlarson.org/tag/bookreviews&#34;&gt;book review&lt;/a&gt;. The first one I did here was July 30, 2006, which works averages out to about one every week. Though their quality varies widely, I&#39;m glad I&#39;ve put them up consistently.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Liar&#39;s Poker: Rising Through the Wreckage on Wall Street (review: 4/5)</title>
    <link href="https://mlarson.org/2008/08/03/20080803liars-poker-review/"/>
    <updated>2008-08-03T23:22:33.000Z</updated>
    <id>https://mlarson.org/2008/08/03/20080803liars-poker-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3047/2729862475_9c56f620ed.jpg&#34; alt=&#34;Liar&#39;s Poker by Michael Lewis&#34;&gt; This makes the third &lt;a href=&#34;http://en.wikipedia.org/wiki/Michael_Lewis_(author)&#34;&gt;Michael Lewis&lt;/a&gt; book I&#39;ve read (see also my take on &lt;a href=&#34;/mark-larson-1/2007/10/02/moneyball-the-art-of-winning-an-unfair-game-review355&#34;&gt;Moneyball&lt;/a&gt; and &lt;a href=&#34;/mark-larson-1/2007/09/22/the-blind-side-evolution-of-a-game-review-45&#34;&gt;The Blind Side&lt;/a&gt; from last fall). It&#39;s another good one. &lt;a href=&#34;http://www.amazon.com/Liars-Poker-Rising-Through-Wreckage/dp/0140143459&#34;&gt;Liar&#39;s Poker&lt;/a&gt; is Lewis&#39; first book. He writes about his years on Wall Street working with the &lt;a href=&#34;http://en.wikipedia.org/wiki/Salomon_Brothers&#34;&gt;Salomon Brothers&lt;/a&gt; investment firm during the heady 1980s. It&#39;s a biography of the company&#39;s internal breakdown and the revolutions that swept through the investment banking industry (like &lt;a href=&#34;http://en.wikipedia.org/wiki/Mortgage-backed_security&#34;&gt;mortgage-backed securities&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/High-yield_debt&#34;&gt;junk bonds&lt;/a&gt;) that made some people piles and piles of money.&lt;/p&gt;
&lt;p&gt;Lewis&#39; writing is good and often funny:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The greatest of absurdity of the college investment banking interview was the people the investment banks sent to conduct them. Many of them hadn&#39;t worked on Wall Street for more than a year, but they had acquired Wall Street personas. One of their favorites words was &lt;em&gt;professional&lt;/em&gt;. Sitting stiffly, shaking firmly, speaking crisply, and sipping a glass of ice water are professional. Laughing and scratching your armpits are not...&lt;/p&gt;
&lt;p&gt;I did not learn much from my stack of Wall Street rejection letters except that investment bankers were not in the market for either honesty or my services (not that the two were otherwise related). Set questions were posed to which set answers were expected. A successful undergraduate investment banking interview sounded like a monastic chant.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lewis manages to get in to Salomon Brothers through some lucky connections, makes it through the months of lectures and hazing of the training program, and finally gets to the trading floor that&#39;s dominated by a law-of-the-jungle ethos. Some of the best parts are these antics among the workers. People throwing phones at trainees, office pranks, verbal abuse, gluttony (&amp;quot;We&#39;d order four hundred dollars of Mexican food,&amp;quot; says a former trader. &amp;quot;&lt;em&gt;You can&#39;t buy four hundred dollars of Mexican food&lt;/em&gt;. But we&#39;d try---guacamole in five-gallon drums, for a start.&amp;quot;). It&#39;s wonderfully disturbing.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you are a self-possessed man with a healthy sense of detachment from your bank account and someone writes you a check for tens of millions of dollars, you probably behave as if you have won a sweepstakes, kicking your feet in the air and laughing yourself to sleep at night at the miracle of your good fortune. But if your sense of self-worth is morbidly wrapped up in your financial success, you probably believe you deserve everything you get. You take it as a reflection of something grand inside you. You acquire &lt;em&gt;gravitas&lt;/em&gt; and project it like a cologne.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lewis nails both the bizarre sociology inside the firm and the broader industry shifts. A lot of the stuff about mortgage bonds and junk bonds gives a good background on what&#39;s happening on the market right now. Definitely worth reading.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Collapse of This City&#39;s Community</title>
    <link href="https://mlarson.org/2008/07/31/20080731collapse-of-this-citys-community/"/>
    <updated>2008-07-31T21:08:02.000Z</updated>
    <id>https://mlarson.org/2008/07/31/20080731collapse-of-this-citys-community/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2720504319/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3121/2720504319_2560569ce6_b.jpg&#34; alt=&#34;blackout poem&#34;&gt;&lt;/a&gt; Did this one on the train from work---warming up for the &lt;a href=&#34;http://www.austinkleon.com/2008/08/01/august-newspaper-blackout-poems-contest/&#34;&gt;Newspaper Blackout Contest&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>It All Ends</title>
    <link href="https://mlarson.org/2008/07/31/20080731it-all-ends/"/>
    <updated>2008-07-31T21:05:55.000Z</updated>
    <id>https://mlarson.org/2008/07/31/20080731it-all-ends/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2721330148/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3117/2721330148_87e00bca06_b.jpg&#34; alt=&#34;blackout poem&#34;&gt;&lt;/a&gt; Working from a Wall Street Journal I took from the office this afternoon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2008</title>
    <link href="https://mlarson.org/2008/07/31/200807311369/"/>
    <updated>2008-07-31T00:40:08.000Z</updated>
    <id>https://mlarson.org/2008/07/31/200807311369/</id>
    <content type="html">&lt;p&gt;&amp;quot;And, anyway, money is not the only ingredient; to have subsidized a Bach, or Fulbrighted a Beethoven would have done no good at all. Money may kindle but it cannot by itself, for very long, burn.&amp;quot; ---&lt;a href=&#34;http://harpers.org/archive/1968/02/0015428&#34;&gt;Igor Stravinsky&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2008</title>
    <link href="https://mlarson.org/2008/07/31/200807311368/"/>
    <updated>2008-07-31T00:02:13.000Z</updated>
    <id>https://mlarson.org/2008/07/31/200807311368/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mises.org/books/against.pdf&#34;&gt;Against Intellectual Property&lt;/a&gt; is a worthwhile paper summarizing IP law, some libertarian arguments for and against, and why IP can&#39;t be justified.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2008</title>
    <link href="https://mlarson.org/2008/07/30/200807301367/"/>
    <updated>2008-07-30T23:37:08.000Z</updated>
    <id>https://mlarson.org/2008/07/30/200807301367/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2196009&#34;&gt;Remembering the genius whom Stanley Kubrick stole music from&lt;/a&gt;, a nice remembrance of the life and music of Gy??rgy Ligeti. Ligeti is well-known for &lt;a href=&#34;http://www.youtube.com/watch?v=05OcTzSfiY8&#34;&gt;Po?®me Symphonique For 100 Metronomes&lt;/a&gt; and his piano etudes like &lt;a href=&#34;http://www.youtube.com/watch?v=TkaZ0bpnZPA&#34;&gt;Devil&#39;s Staircase&lt;/a&gt;. And lots of other good stuff. I also came across an interesting video of a &lt;a href=&#34;http://www.youtube.com/watch?v=71hNl_skTZQ&#34;&gt;visual listening score for Artikulation&lt;/a&gt;, one of Ligeti&#39;s electronic works.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2008</title>
    <link href="https://mlarson.org/2008/07/30/200807301366/"/>
    <updated>2008-07-30T00:37:40.000Z</updated>
    <id>https://mlarson.org/2008/07/30/200807301366/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://orwelldiaries.wordpress.com/&#34;&gt;George Orwell has a blog&lt;/a&gt;, or will starting on August 9, when each entry of the &lt;a href=&#34;http://www.theorwellprize.co.uk/life-and-work/orwelldiaries.aspx&#34;&gt;Orwell diaries&lt;/a&gt; will be put online 70 years later to the day. I think this will be awesome. [via &lt;a href=&#34;http://www.maudnewton.com/&#34;&gt;maud newton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2008</title>
    <link href="https://mlarson.org/2008/07/30/200807301365/"/>
    <updated>2008-07-30T00:08:20.000Z</updated>
    <id>https://mlarson.org/2008/07/30/200807301365/</id>
    <content type="html">&lt;p&gt;A worthy bit from &lt;a href=&#34;http://www.theamericanscholar.org/su08/elite-deresiewicz.html&#34;&gt;The Disadvantages of an Elite Education&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The opportunity not to be rich is one of the greatest opportunities with which young Americans have been blessed. We live in a society that is itself so wealthy that it can afford to provide a decent living to whole classes of people who in other countries exist (or in earlier times existed) on the brink of poverty or, at least, of indignity. You can live comfortably in the United States as a schoolteacher, or a community organizer, or a civil rights lawyer, or an artistÄîthat is, by any reasonable definition of comfort. You have to live in an ordinary house instead of an apartment in Manhattan or a mansion in L.A.; you have to drive a Honda instead of a BMW or a Hummer; you have to vacation in Florida instead of Barbados or Paris, but what are such losses when set against the opportunity to do work you believe in, work youÄôre suited for, work you love, every day of your life?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 28, 2008</title>
    <link href="https://mlarson.org/2008/07/28/200807281364/"/>
    <updated>2008-07-28T23:05:24.000Z</updated>
    <id>https://mlarson.org/2008/07/28/200807281364/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.stefanhayden.com/blog/2008/07/28/innocent-people-should-never-talk-to-the-police/&#34;&gt;Innocent people should never talk to the police&lt;/a&gt;. Take the 5th. Very good advice from a couple of law school lectures. [via &lt;a href=&#34;http://www.waxy.org&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekly muxtape, inclement weather edition</title>
    <link href="https://mlarson.org/2008/07/27/20080727weekly-muxtape-inclement-weather-edition/"/>
    <updated>2008-07-27T23:55:33.000Z</updated>
    <id>https://mlarson.org/2008/07/27/20080727weekly-muxtape-inclement-weather-edition/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3034/2709323436_50f4597ba2.jpg&#34; alt=&#34;muxtape, inclement weather edition&#34;&gt;&lt;/a&gt; My &lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;fourth muxtape&lt;/a&gt; is ready for your aural pleasure.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2008</title>
    <link href="https://mlarson.org/2008/07/27/200807271362/"/>
    <updated>2008-07-27T14:58:36.000Z</updated>
    <id>https://mlarson.org/2008/07/27/200807271362/</id>
    <content type="html">&lt;p&gt;These &lt;a href=&#34;http://www.telegraph.co.uk/earth/main.jhtml?xml=/earth/2008/07/18/ealeopard118.xml&#34;&gt;photos of a leopard killing a crocodile&lt;/a&gt; are amazing. Apparently it&#39;s the first time this has been witnessed or recorded.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 24, 2008</title>
    <link href="https://mlarson.org/2008/07/24/200807241361/"/>
    <updated>2008-07-24T23:52:00.000Z</updated>
    <id>https://mlarson.org/2008/07/24/200807241361/</id>
    <content type="html">&lt;p&gt;Some nice &lt;a href=&#34;http://www.frankejames.com/debate/?p=98&#34;&gt;visual storytelling by the woman who fought the system in Toronto and unpaved her driveway&lt;/a&gt;. Lovely results one year later.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>More bad parking/driving</title>
    <link href="https://mlarson.org/2008/07/23/20080723more-bad-parkingdriving/"/>
    <updated>2008-07-23T20:49:58.000Z</updated>
    <id>https://mlarson.org/2008/07/23/20080723more-bad-parkingdriving/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2697442850/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3286/2697442850_e73f66b467_o.jpg&#34; alt=&#34;bad parking at CVS drive-thru&#34;&gt;&lt;/a&gt; I couldn&#39;t make it up if I tried. I saw this tonight. Only about 30 feet separates this from the &lt;a href=&#34;/mark-larson-1/2008/02/18/the-worst-parking-ive-ever-seen&#34;&gt;worst parking I&#39;ve ever seen&lt;/a&gt; incident earlier this year. There must be some sort of psycho-electro-magnetic field in this parking lot that disrupts human motor functions.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 23, 2008</title>
    <link href="https://mlarson.org/2008/07/23/200807231359/"/>
    <updated>2008-07-23T08:11:37.000Z</updated>
    <id>https://mlarson.org/2008/07/23/200807231359/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://simplynoise.com/&#34;&gt;Simply Noise&lt;/a&gt; generates white noise and pink noise. I was surprised by how nice it is.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2008</title>
    <link href="https://mlarson.org/2008/07/22/200807221358/"/>
    <updated>2008-07-22T23:31:40.000Z</updated>
    <id>https://mlarson.org/2008/07/22/200807221358/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;We often buy Äú&lt;a href=&#34;http://www.hyperorg.com/blogger/2008/07/19/daily-intermittent-open-ended-puzzel-doep-the-triple-negation-of-butter/&#34;&gt;I CanÄôt Believe ItÄôs Not Butter&lt;/a&gt;Äù despite its awful name and soul-withering chemical composition. Even the productÄôs faux-entertaining site refers to it as a Äúnutritious blend of oils.Äù... In fact, we just bought the ÄúlightÄù version of it, which is therefore some sort of simulacrum of the original.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There&#39;s some great naming suggestions in the comments.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 22, 2008</title>
    <link href="https://mlarson.org/2008/07/22/200807221357/"/>
    <updated>2008-07-22T23:28:30.000Z</updated>
    <id>https://mlarson.org/2008/07/22/200807221357/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.boston.com/ae/theater_arts/articles/2008/07/20/monet_gauguin_using_art_to_make_better_doctors/&#34;&gt;Medical students who study art develop better observation skills and make better diagnoses&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Robert Frost on creative growth</title>
    <link href="https://mlarson.org/2008/07/21/20080721robert-frost-on-creative-growth/"/>
    <updated>2008-07-21T21:06:07.000Z</updated>
    <id>https://mlarson.org/2008/07/21/20080721robert-frost-on-creative-growth/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3205/2691223518_311ca45668.jpg&#34; alt=&#34;influence + experience = the waterspout&#34;&gt; I&#39;ve been flipping through &lt;a href=&#34;http://www.amazon.com/Collected-Prose-Robert-Frost/dp/067402463X&#34;&gt;The Collected Prose of Robert Frost&lt;/a&gt; and came across this marvelous bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;No one given to looking under-ground in spring can have failed to notice how a bean starts its growth from the seed. Now the manner of a poet&#39;s germination is less like that of a bean in the ground than of a waterspout at sea. He has to begin as a cloud of all the other poets he ever read. That can&#39;t be helped. And first the cloud reaches down toward the water from above and then the water reaches up toward the cloud from below and finally cloud and water join together to roll as one pillar between heaven and earth. The base of water he picks up from below is of course all the life he ever lived outside of books.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Frost speaks elsewhere of &amp;quot;&lt;a href=&#34;http://books.google.com/books?id=zhms7au8EwMC&amp;amp;pg=PA3&amp;amp;dq=%22the+person+who+writes+out+of+the+eddy+in+his+mind%22&amp;amp;sig=ACfU3U3FtIc8BxDAMbJctJKzWUTjqzDyXw#PPA3,M1&#34;&gt;the person who writes out of the eddy in his mind&lt;/a&gt;.&amp;quot; Great images.&lt;/p&gt;
&lt;p&gt;As an aside, not only is this a really great metaphor, but it also strikes me as a killer opening paragraph. It starts with a kind of odd idea, but not too uncomfortable (I mean, I know what a bean is, but I haven&#39;t looked at one in the ground in decades). Then the contrast of beans with what he really wants to talk about, poets. And waterspouts. What? Then a couple short prep sentences. Then the rolling polysyndetonic waterspout of a sentence to flesh out the metaphor and to be a sort of pillar in itself connecting the odd ideas at the opening with real-world experience down at the bottom of the paragraph. The language here mirrors the concepts in a very cool way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2008</title>
    <link href="https://mlarson.org/2008/07/20/200807201355/"/>
    <updated>2008-07-20T22:26:51.000Z</updated>
    <id>https://mlarson.org/2008/07/20/200807201355/</id>
    <content type="html">&lt;p&gt;Going &lt;a href=&#34;http://babyslime.livejournal.com/174054.html&#34;&gt;shampoo-free&lt;/a&gt; sounds kind of cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2008</title>
    <link href="https://mlarson.org/2008/07/20/200807201354/"/>
    <updated>2008-07-20T22:08:26.000Z</updated>
    <id>https://mlarson.org/2008/07/20/200807201354/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://youtube.com/watch?v=DZ2vtQCESpk&#34;&gt;Garr Reynolds talking about presentation design &amp;amp; delivery&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2008</title>
    <link href="https://mlarson.org/2008/07/20/200807201353/"/>
    <updated>2008-07-20T22:04:49.000Z</updated>
    <id>https://mlarson.org/2008/07/20/200807201353/</id>
    <content type="html">&lt;p&gt;I stumbled on a &lt;a href=&#34;http://www.youtube.com/watch?v=QAAR1Db5e1U&#34;&gt;video of Glen Velez playing a frame drum&lt;/a&gt;. I saw him in a workshop a while back when I was in college. Insane skills. We also did some &lt;a href=&#34;http://en.wikipedia.org/wiki/Throat_singing&#34;&gt;overtone singing&lt;/a&gt;, but one of the coolest things I remember was him improvising a little &lt;a href=&#34;http://www.youtube.com/watch?v=GYXjmw64ytw&#34;&gt;solo with shakers&lt;/a&gt;, with all kinds of mind-bending &lt;a href=&#34;http://en.wikipedia.org/wiki/Polyrhythm&#34;&gt;polyrhythms&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekly muxtape, never edition</title>
    <link href="https://mlarson.org/2008/07/20/20080720weekly-muxtape-never-edition/"/>
    <updated>2008-07-20T21:25:58.000Z</updated>
    <id>https://mlarson.org/2008/07/20/20080720weekly-muxtape-never-edition/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3063/2687633368_43bc615c3d.jpg&#34; alt=&#34;weekly muxtape, never edition&#34;&gt;&lt;/a&gt; This week&#39;s installment at &lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;mlarson.muxtape.com&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 16, 2008</title>
    <link href="https://mlarson.org/2008/07/16/200807161351/"/>
    <updated>2008-07-16T22:53:07.000Z</updated>
    <id>https://mlarson.org/2008/07/16/200807161351/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://theferrett.livejournal.com/1060599.html&#34;&gt;How to be a snob when drinking alcohol&lt;/a&gt;: &amp;quot;There are guidelines. First, if you&#39;re faking it, everything is faint---you want to talk in terms of hints, notes, and shades. Give the impression that you only barely caught this delicate wisp of a flavor because you were concentrating &lt;em&gt;so&lt;/em&gt; intensely back in Step 2.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 16, 2008</title>
    <link href="https://mlarson.org/2008/07/16/200807161349/"/>
    <updated>2008-07-16T22:32:02.000Z</updated>
    <id>https://mlarson.org/2008/07/16/200807161349/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://trshepard.com/jefferson_bible.jpg&#34;&gt;A picture of the Jefferson Bible&lt;/a&gt;. This is the kind of awesome thing that people did before electricity/tv/internet (&lt;a href=&#34;http://en.wikipedia.org/wiki/Jefferson_Bible&#34;&gt;Jefferson Bible on Wikipedia&lt;/a&gt;). The &lt;a href=&#34;http://etext.lib.virginia.edu/etcbin/toccer-new2?id=JefJesu.sgm&amp;amp;images=images/modeng&amp;amp;data=/texts/english/modeng/parsed&amp;amp;tag=public&amp;amp;part=17&amp;amp;division=div1&#34;&gt;last chapter&lt;/a&gt; in &lt;a href=&#34;http://etext.lib.virginia.edu/toc/modeng/public/JefJesu.html&#34;&gt;the Jefferson version&lt;/a&gt; has such a great ending.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 16, 2008</title>
    <link href="https://mlarson.org/2008/07/16/200807161342/"/>
    <updated>2008-07-16T22:18:23.000Z</updated>
    <id>https://mlarson.org/2008/07/16/200807161342/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2636921013/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3137/2636921013_33a000b715.jpg&#34; alt=&#34;drawing on Cowrock Mountain&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When you are outside drawing a tree, YOU are choosing what is in focus, what is not---there is an exchange between subject and viewer. That is the art. &lt;a href=&#34;http://comicscomicsmag.blogspot.com/2008/07/craft-in-comics-20-finale.html&#34;&gt;To be present in that moment&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[thanks, &lt;a href=&#34;http://tumblr.austinkleon.com/post/41750588/when-one-draws-from-direct-observation-one-is&#34;&gt;austin&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 16, 2008</title>
    <link href="https://mlarson.org/2008/07/16/200807161350/"/>
    <updated>2008-07-16T22:17:08.000Z</updated>
    <id>https://mlarson.org/2008/07/16/200807161350/</id>
    <content type="html">&lt;p&gt;Some are saying &lt;a href=&#34;http://www.youtube.com/watch?v=7TPANByjqh8&#34;&gt;Halo Kid&lt;/a&gt; is the new &lt;a href=&#34;http://www.youtube.com/watch?v=HPPj6viIBmU&#34;&gt;Star Wars Kid&lt;/a&gt; (already &lt;a href=&#34;http://www.youtube.com/watch?v=5jMzI5M5rzg&#34;&gt;some remixes&lt;/a&gt; out there). What I find so fun and lovable about these videos isn&#39;t the mocking, but just seeing someone so completely, enthusiastically lost in their own creativity and imagination. Give Halo Kid&#39;s cardboard weapons a look (&lt;em&gt;they&#39;ve even got working reload functions&lt;/em&gt;). What a treat.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 15, 2008</title>
    <link href="https://mlarson.org/2008/07/15/200807151348/"/>
    <updated>2008-07-15T23:46:18.000Z</updated>
    <id>https://mlarson.org/2008/07/15/200807151348/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://music.guardian.co.uk/classical/page/0,,1943867,00.html&#34;&gt;Andr?°s Schiff did an 8-part series of lectures on all of Beethoven&#39;s piano sonatas&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekly muxtape, citrus edition</title>
    <link href="https://mlarson.org/2008/07/13/20080713weekly-muxtape-citrus-edition/"/>
    <updated>2008-07-13T23:34:08.000Z</updated>
    <id>https://mlarson.org/2008/07/13/20080713weekly-muxtape-citrus-edition/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3225/2666707266_0b3733bd20.jpg&#34; alt=&#34;muxtape, citrus edition. mlarson.muxtape.com&#34;&gt;&lt;/a&gt; My &lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;second muxtape&lt;/a&gt; in an ongoing series of indeterminate length. Some static hiss on the last track, but it&#39;s a hot performance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 13, 2008</title>
    <link href="https://mlarson.org/2008/07/13/200807131347/"/>
    <updated>2008-07-13T23:30:08.000Z</updated>
    <id>https://mlarson.org/2008/07/13/200807131347/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.artsjournal.com/sandow/2008/07/classical_and_pop_reviews_2.html&#34;&gt;Classical and pop reviews 2&lt;/a&gt;, Greg Sandow&#39;s follow-up to &lt;a href=&#34;http://www.artsjournal.com/sandow/2008/06/classical_vs_pop_reviews_june.html&#34;&gt;his previous post on the topic&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Certainly we&#39;re not immersed in classical music because we want to check whether the latest pianist to come along really knows what to do with Beethoven -- whether her tempo in the slow movement of some sonata really is correct or not. And probably we&#39;re not so deeply tied to this art because some work can be called &amp;quot;magnificent,&amp;quot; or because we identify a particular emotion inside some classical piece. We can go to the movies and get emotional. I think we&#39;d say that the rewards we get from classical music go pretty deep. But I&#39;m not sure we could say that reviews of classical concerts normally convey how deep and powerful those rewards can be. Whereas pop reviews pretty accurately convey what we get from pop, which among other things might mean -- I think it does mean this, actually -- that pop reviewing is easier. My own experience, writing both pop and classical reviews, is that I&#39;ve had to work much harder to say what&#39;s powerful in classical music.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 13, 2008</title>
    <link href="https://mlarson.org/2008/07/13/200807131345/"/>
    <updated>2008-07-13T17:15:24.000Z</updated>
    <id>https://mlarson.org/2008/07/13/200807131345/</id>
    <content type="html">&lt;p&gt;The origin of &lt;a href=&#34;http://www.artsjournal.com/quickstudy/2008/06/the_creative_juices.html&#34;&gt;creative juices&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekly muxtape, dream edition</title>
    <link href="https://mlarson.org/2008/07/12/20080712weekly-muxtape-dream-edition/"/>
    <updated>2008-07-12T17:56:07.000Z</updated>
    <id>https://mlarson.org/2008/07/12/20080712weekly-muxtape-dream-edition/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3205/2662391956_3ffee15cc2.jpg&#34; alt=&#34;muxtape, dream edition. mlarson.muxtape.com&#34;&gt;&lt;/a&gt; The first in a series of themed weekly amusements. Get your fix while you can at &lt;a href=&#34;http://mlarson.muxtape.com/&#34;&gt;mlarson.muxtape.com&lt;/a&gt;; I forgot to post earlier this week and I&#39;ve got a new edition coming in a few days.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 11, 2008</title>
    <link href="https://mlarson.org/2008/07/11/200807111344/"/>
    <updated>2008-07-11T00:36:53.000Z</updated>
    <id>https://mlarson.org/2008/07/11/200807111344/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/markusschoepke/120309524/&#34;&gt;&lt;img src=&#34;http://farm1.static.flickr.com/55/120309524_66ed7c0d73.jpg&#34; alt=&#34;sibelius monument photo by markus sch??pke&#34;&gt;&lt;/a&gt; Public sculpture can be hit or miss, but I think the &lt;a href=&#34;http://www.flickr.com/search/?s=int&amp;amp;ss=2&amp;amp;ct=6&amp;amp;w=all&amp;amp;q=sibelius+monument&amp;amp;m=tags&#34;&gt;Sibelius Monument&lt;/a&gt; is pretty sweet.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 11, 2008</title>
    <link href="https://mlarson.org/2008/07/11/200807111343/"/>
    <updated>2008-07-11T00:23:34.000Z</updated>
    <id>https://mlarson.org/2008/07/11/200807111343/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Schr%C3%B6dinger%27s_cat&#34;&gt;Schr??dinger&#39;s cat&lt;/a&gt; found its way into &lt;a href=&#34;http://monstro-draw.livejournal.com/9197.html&#34;&gt;a comic with five randomly generated endings&lt;/a&gt;. [via &lt;a href=&#34;http://waxy.org/&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 10, 2008</title>
    <link href="https://mlarson.org/2008/07/10/200807101341/"/>
    <updated>2008-07-10T00:23:00.000Z</updated>
    <id>https://mlarson.org/2008/07/10/200807101341/</id>
    <content type="html">&lt;p&gt;This fall, I&#39;m thinking about running in the &lt;a href=&#34;http://www.ultrasontrails.com/fatsforty.html&#34;&gt;FATS Forty 40-Mile Ultra Trail Run&lt;/a&gt; or the &lt;a href=&#34;http://www.getguts.com/e-pm40.shtml&#34;&gt;Pine Mountain 40-Mile Ultra Trail Run&lt;/a&gt;. The most I&#39;ve ever run in one stretch is about 17-18 miles, and that was a couple years ago. I have done day-hikes in the 30-35 mile range several times, though. I figure, why not give it a shot?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 10, 2008</title>
    <link href="https://mlarson.org/2008/07/10/200807101340/"/>
    <updated>2008-07-10T00:14:39.000Z</updated>
    <id>https://mlarson.org/2008/07/10/200807101340/</id>
    <content type="html">&lt;p&gt;I don&#39;t remember how I came across these &lt;a href=&#34;http://www.collthings.co.uk/2008/06/10-very-rare-clouds.html&#34;&gt;pictures of rare clouds&lt;/a&gt;, but they&#39;re really cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Standard Operating Procedure (review: 4/5)</title>
    <link href="https://mlarson.org/2008/07/10/20080710standard-operating-procedure-review/"/>
    <updated>2008-07-10T00:11:57.000Z</updated>
    <id>https://mlarson.org/2008/07/10/20080710standard-operating-procedure-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2653995995/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3223/2653995995_f0269e65f8.jpg&#34; alt=&#34;standard operating procedure&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you fight terror with terror, how do you tell which is which?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;By choice, I stayed ignorant of the scandals at Abu Ghraib when the news first broke. Too disgusted. Too disheartened. I didn&#39;t want to see it or hear about it, though it seemed the photos were everywhere. I finally came around.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Philip_Gourevitch&#34;&gt;Philip Gourevitch&lt;/a&gt; wrote &lt;a href=&#34;http://www.amazon.com/Standard-Operating-Procedure-Philip-Gourevitch/dp/1594201323&#34;&gt;Standard Operating Procedure&lt;/a&gt; by drawing on the hundreds of hours of interviews that &lt;a href=&#34;http://en.wikipedia.org/wiki/Errol_Morris&#34;&gt;Errol Morris&lt;/a&gt; used to make his documentary film of the same name. There&#39;s some commentary on the mind-bogglingly poor management and bureaucratic indifference (e.g. &amp;quot;In the course of a month five different versions of the interrogation rules had been put into circulation at Abu Ghraib,&amp;quot; or the topsy-turvy relationship of Military Intelligence and Military Police, or the secrecy of the International Committee of the Red Cross even after its investigation found conditions &amp;quot;tantamount to torture,&amp;quot; or the willingness of people up and down the chain of command to look the other way when they saw the photos, or even saw it in person. This stuff is &lt;em&gt;insane&lt;/em&gt;.).&lt;/p&gt;
&lt;p&gt;But the photographs are the centerpiece. Most of the book details the incidents around the photos with lots of recollection from the military personnel involved, and talks more broadly about the nature of the photograph. It&#39;s the iconography, how they encourage us to interpret the scene even though we have only that slice of time to judge---I&#39;m glad the photos don&#39;t appear in the book.&lt;/p&gt;
&lt;p&gt;Were there a scale for jaded political cynicism, I&#39;d probably rank in the 90th percentile, and I still find these stories really upsetting. But I&#39;m glad I read it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 8, 2008</title>
    <link href="https://mlarson.org/2008/07/08/200807081338/"/>
    <updated>2008-07-08T22:41:05.000Z</updated>
    <id>https://mlarson.org/2008/07/08/200807081338/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/85009674@N00/2645532062/in/photostream/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3164/2645532062_0cef9e22e2.jpg&#34; alt=&#34;Smithfield Market, 1967 Lithograph after linocut from the series &#39;Six London Markets&#39;&#34;&gt;&lt;/a&gt; &lt;a href=&#34;http://www.flickr.com/photos/85009674@N00/2644707151/in/photostream/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3065/2644707151_c5c18355d4.jpg&#34; alt=&#34;Nine London Monuments series 1966&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Really impressive linocuts + lithographs. See more of &lt;a href=&#34;http://bibliodyssey.blogspot.com/2008/07/edward-bawden.html&#34;&gt;Edward Bawden&#39;s artwork at BiblioOdyssey&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 8, 2008</title>
    <link href="https://mlarson.org/2008/07/08/200807081337/"/>
    <updated>2008-07-08T20:35:41.000Z</updated>
    <id>https://mlarson.org/2008/07/08/200807081337/</id>
    <content type="html">&lt;p&gt;And I quote, &lt;a href=&#34;http://www.austinkleon.com/2008/07/08/harpercollins-to-publish-collection-of-newspaper-blackout-poems/&#34;&gt;HARPERCOLLINS TO PUBLISH COLLECTION OF NEWSPAPER BLACKOUT POEMS!&lt;/a&gt;, end quote.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 7, 2008</title>
    <link href="https://mlarson.org/2008/07/07/200807071335/"/>
    <updated>2008-07-07T19:16:21.000Z</updated>
    <id>https://mlarson.org/2008/07/07/200807071335/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://digitalroam.typepad.com/digital_roam/2008/07/napkin-tools-no.html&#34;&gt;Dan Roam has shared the &amp;quot;Napkin Tools&amp;quot;&lt;/a&gt; from his book. (I wrote a wee &lt;a href=&#34;/mark-larson-1/2008/05/19/the-back-of-the-napkin-review&#34;&gt;review of The Back of the Napkin&lt;/a&gt; a while ago). New offerings in PDF format include the &lt;a href=&#34;http://www.thebackofthenapkin.com/downloads/TBOTN_codex.pdf&#34;&gt;Visual Thinking Codex&lt;/a&gt;, the &lt;a href=&#34;http://www.thebackofthenapkin.com/downloads/TBOTN_sqvid.pdf&#34;&gt;SQVID&lt;/a&gt;, and the &lt;a href=&#34;http://www.thebackofthenapkin.com/downloads/TBOTN_6x6.pdf&#34;&gt;Rule&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 6, 2008</title>
    <link href="https://mlarson.org/2008/07/06/200807061334/"/>
    <updated>2008-07-06T11:52:25.000Z</updated>
    <id>https://mlarson.org/2008/07/06/200807061334/</id>
    <content type="html">&lt;p&gt;I stumbled on a couple music reading lists on Amazon. &lt;a href=&#34;http://www.amazon.com/gp/richpub/syltguides/fullview/RTHQTNKRCFPJO/&#34;&gt;Daniel Levitin suggests 11 books to read on music&lt;/a&gt;. &lt;a href=&#34;http://www.amazon.com/Songwriters-Songwriting-Expanded-Paul-Zollo/dp/0306812657/&#34;&gt;Songwriters on Songwriting&lt;/a&gt; could be good and I&#39;m especially curious about &lt;a href=&#34;http://www.amazon.com/Art-Practicing-Guide-Making-Music/dp/0609801775/&#34;&gt;The Art of Practicing&lt;/a&gt;. And &lt;a href=&#34;http://www.amazon.com/gp/richpub/syltguides/fullview/R178VDA249LQJ/&#34;&gt;Alex Ross wrote a top twenty guide for 20th-century music&lt;/a&gt;, both books and recordings. I&#39;m curious about John Cage&#39;s &lt;a href=&#34;http://www.amazon.com/Silence-Lectures-Writings-John-Cage/dp/0819560286/&#34;&gt;Silence&lt;/a&gt; and &lt;a href=&#34;http://www.amazon.com/Cant-Stop-Wont-History-Generation/dp/0312425791/&#34;&gt;Can&#39;t Stop Won&#39;t Stop: A History of the Hip-Hop Generation&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 6, 2008</title>
    <link href="https://mlarson.org/2008/07/06/200807061333/"/>
    <updated>2008-07-06T11:24:15.000Z</updated>
    <id>https://mlarson.org/2008/07/06/200807061333/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.youtube.com/watch?v=_rhuFGvXARA&#34;&gt;Singing, Ringing Tree&lt;/a&gt; is a sculpture in Lancashire, England that makes wooooing and oooooohhhhing sounds as the wind blows over the hilltop.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 5, 2008</title>
    <link href="https://mlarson.org/2008/07/05/200807051331/"/>
    <updated>2008-07-05T09:47:19.000Z</updated>
    <id>https://mlarson.org/2008/07/05/200807051331/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Tsar_Bomba&#34;&gt;Tsar Bomba&lt;/a&gt; was the biggest man-made explosion we&#39;ve ever had, back in 1961. The mushroom cloud in the &lt;a href=&#34;http://sonicbomb.com/modules.php?name=Content&amp;amp;pa=showpage&amp;amp;pid=90&#34;&gt;video of the Tsar Bomba explosion&lt;/a&gt; went almost 40 miles up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 2, 2008</title>
    <link href="https://mlarson.org/2008/07/02/200807021329/"/>
    <updated>2008-07-02T23:14:51.000Z</updated>
    <id>https://mlarson.org/2008/07/02/200807021329/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.gmu.edu/departments/economics/bcaplan/college&#34;&gt;Dave Barry on college&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;After you&#39;ve been in college for a year or so, you&#39;re supposed to choose a major, which is the subject you intend to memorize and forget the most things about. Here is a very important piece of advice: Be sure to choose a major that does not involve Known Facts and Right Answers. This means you must *not* major in mathematics, physics, biology, or chemistry, because these subjects involve actual facts.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 2, 2008</title>
    <link href="https://mlarson.org/2008/07/02/200807021328/"/>
    <updated>2008-07-02T23:11:59.000Z</updated>
    <id>https://mlarson.org/2008/07/02/200807021328/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.gmu.edu/departments/economics/bcaplan/anarfaq.htm&#34;&gt;Anarchist Theory FAQ&lt;/a&gt;. This is really good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 1, 2008</title>
    <link href="https://mlarson.org/2008/07/01/200807011327/"/>
    <updated>2008-07-01T00:03:03.000Z</updated>
    <id>https://mlarson.org/2008/07/01/200807011327/</id>
    <content type="html">&lt;p&gt;A 10-minute &lt;a href=&#34;http://www.youtube.com/watch?v=3-vyUQx5Yss&#34;&gt;film based on Flannery O&#39;Connor&#39;s story &amp;quot;Good Country People&amp;quot;&lt;/a&gt;, shot in the 1960s. [via &lt;a href=&#34;http://maudnewton.com/blog/?p=8716&#34;&gt;maud newton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2008</title>
    <link href="https://mlarson.org/2008/06/30/200806301326/"/>
    <updated>2008-06-30T23:07:55.000Z</updated>
    <id>https://mlarson.org/2008/06/30/200806301326/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.ti360.org/blog/index.php?entry=entry080629-134027&#34;&gt;Luzzone dam in Switzerland has been made into a climbing wall&lt;/a&gt;. Here&#39;s a &lt;a href=&#34;http://www.ti360.org/panorama/blenio/luzzone/diga_luzzone_flash.php&#34;&gt;panoramic image at the base of the dam&lt;/a&gt; where you can look up and see the 700ft man-made route.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2008</title>
    <link href="https://mlarson.org/2008/06/30/200806301325/"/>
    <updated>2008-06-30T22:52:08.000Z</updated>
    <id>https://mlarson.org/2008/06/30/200806301325/</id>
    <content type="html">&lt;p&gt;The LA Times has a nice &lt;a href=&#34;http://www.latimes.com/news/local/la-me-billygoat25-2008jun25,0,4753131.story&#34;&gt;profile of Billy Goat&lt;/a&gt;, a hiker who has finished off 32,000+ miles of hiking, including the Appalachian Trail, Continental Divide Trail, and where he&#39;s best known, the Pacific Crest Trail. I&#39;m thinking about heading for the PCT next summer, so I found this bit pretty interesting: &amp;quot;Each year about 300 people attempt to hike the PCT in one season, generally April to September. Of those, about 60% make it -- fewer people than scale Mt. Everest in a year.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 30, 2008</title>
    <link href="https://mlarson.org/2008/06/30/200806301324/"/>
    <updated>2008-06-30T22:43:30.000Z</updated>
    <id>https://mlarson.org/2008/06/30/200806301324/</id>
    <content type="html">&lt;p&gt;When I heard that &lt;a href=&#34;http://www.nytimes.com/2008/06/30/business/30milk.html&#34;&gt;milk jugs are being redesigned for better efficiency&lt;/a&gt;, I felt a sort of witless glee. Part of that is my usual response to efficiency. And also because most of my high school employment was in the local Kroger, stores #&lt;a href=&#34;http://services.kroger.com/mapquest/storedetails.aspx?recordId=01100444&#34;&gt;444&lt;/a&gt; and #&lt;a href=&#34;http://services.kroger.com/mapquest/storedetails.aspx?recordId=01100432&#34;&gt;432&lt;/a&gt; (I still remember that...?). I mostly did night stock, but also spent one summer in the Dairy section. Although throwing crates around in the heat of the shelving moment &lt;em&gt;is&lt;/em&gt; really fun,1 dealing with crates is a chore, every single day. Some days I would have killed for a nice waist-level pallet of jugs, rather than a 7-foot tower of crates. There&#39;s also a good &lt;a href=&#34;http://www.nytimes.com/interactive/2008/06/29/business/milk-jug3/index.html&#34;&gt;audio slideshow about the square milk jugs&lt;/a&gt; and some of the problems the customers are having. [via &lt;a href=&#34;http://www.austinkleon.com/&#34;&gt;austin kleon&lt;/a&gt;] ---&lt;/p&gt;
&lt;p&gt;1. Plenty of reasons I really liked stock work (lots of trade-offs, but still noteworthy): I got to work alone, but plenty of joking and yelling back and forth. I could yell or sing when I wanted. I got to walk around. There were very few irate customers at 3am, unlike a Saturday afternoon bagging groceries. There&#39;s also a good bit of healthy destruction involved (wielding a box cutter, breaking down cardboard, tossing damaged product out in the aisles, etc.). And on most nights, things looked &lt;em&gt;perfect&lt;/em&gt; when I&#39;d leave in the early morning. I love that severe contrast. Make an absolute mess when I&#39;m working, and then polish it to something where no one can tell it was any different.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 29, 2008</title>
    <link href="https://mlarson.org/2008/06/29/200806291323/"/>
    <updated>2008-06-29T23:57:49.000Z</updated>
    <id>https://mlarson.org/2008/06/29/200806291323/</id>
    <content type="html">&lt;p&gt;Selections from a few &lt;a href=&#34;http://benandalice.com/2008/06/new-york-review-of-books-no-other.html&#34;&gt;personal ads in the New York Review of Books&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 29, 2008</title>
    <link href="https://mlarson.org/2008/06/29/200806291322/"/>
    <updated>2008-06-29T23:52:46.000Z</updated>
    <id>https://mlarson.org/2008/06/29/200806291322/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.artsjournal.com/sandow/2008/06/classical_vs_pop_reviews_june.html&#34;&gt;Classical vs. pop music reviews&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>King Corn</title>
    <link href="https://mlarson.org/2008/06/25/20080625king-corn/"/>
    <updated>2008-06-25T23:53:54.000Z</updated>
    <id>https://mlarson.org/2008/06/25/20080625king-corn/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kingcorn.net/&#34;&gt;King Corn&lt;/a&gt; is a documentary about 2 guys that move to Iowa to grow an acre of corn. With today&#39;s agro-tech, the actual farming takes just a few minutes. The bulk of it is their interviews and exploration of the food chain from seed to cobs to cattle to what we get in stores and restaurants. Highlights include some fun stop-motion animated interludes, their really funny interview with a PR flack at a high fructose corn syrup factory (and their attempts to make HFCS at home), and the generally straight-shooting commentary from the local Iowans. Here&#39;s the trailer for &lt;a href=&#34;http://www.youtube.com/watch?v=UiCRwMMh9k8&#34;&gt;King Corn&lt;/a&gt;, and an &lt;a href=&#34;http://tv.boingboing.net/2007/10/22/king-cornpurikura.html&#34;&gt;Boing Boing interview with Ian Cheney and Curt Ellis&lt;/a&gt;, the filmmakers.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>In Defense of Food: An Eater&#39;s Manifesto (review: 2.5/5)</title>
    <link href="https://mlarson.org/2008/06/24/20080624in-defense-of-food-review/"/>
    <updated>2008-06-24T21:49:53.000Z</updated>
    <id>https://mlarson.org/2008/06/24/20080624in-defense-of-food-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3166/2609495840_b22f5325e2.jpg&#34; alt=&#34;in defense of food&#34;&gt; By now you&#39;ve probably heard &lt;a href=&#34;http://www.michaelpollan.com/&#34;&gt;Michael Pollan&lt;/a&gt;&#39;s seven words of advice from &lt;a href=&#34;http://www.amazon.com/Defense-Food-Eaters-Manifesto/dp/1594201455&#34;&gt;In Defense of Food: An Eater&#39;s Manifesto&lt;/a&gt;: &amp;quot;Eat food. Not too much. Mostly plants.&amp;quot; In the book he spends 150 pages talking about &lt;a href=&#34;http://en.wikipedia.org/wiki/Nutritionism&#34;&gt;nutritionism&lt;/a&gt;, reductionist food science, and the negative health effects of the Western diet. In the last 50 pages he finally gets around to expanding just a little bit on those opening words.&lt;/p&gt;
&lt;p&gt;If I may do my broken record routine, there are some books that are/would be much better as a long article. This is one---Pollan wrote it a year and a half ago in his New York Times Magazine article &lt;a href=&#34;http://www.nytimes.com/2007/01/28/magazine/28nutritionism.t.html&#34;&gt;Unhappy Meals&lt;/a&gt;. Or you can get the gist from &lt;a href=&#34;http://www.youtube.com/watch?v=I-t-7lTw6mA&#34;&gt;Pollan&#39;s entertaining talk at Google&lt;/a&gt;. In making an excellent 12-page article 20 times longer, he retreads a lot of the same ground.&lt;/p&gt;
&lt;p&gt;One prime example is this bit of repetition, within the space of 2 pages, when he&#39;s writing about farmer&#39;s markets and locally grown produce: &amp;quot;What you will find are fresh whole foods picked at the peak of their taste and nutritional quality.&amp;quot; And one paragraph later: &amp;quot;When you eat from a farmer&#39;s market, you automatically eat food that is in season, which is usually when it is most nutritious.&amp;quot; And in the very next paragraph: &amp;quot;Local produce is typically picked ripe and is fresher than supermarket produce, and for those reasons it should be tastier and more nutritious.&amp;quot;&lt;/p&gt;
&lt;p&gt;It kills me.&lt;/p&gt;
&lt;p&gt;Not to say he&#39;s a bad writer. He isn&#39;t. (I did enjoy &lt;a href=&#34;/mark-larson-1/2006/07/30/the-botany-of-desire-review-355&#34;&gt;The Botany of Desire&lt;/a&gt;.) This one comes up a bit thin and repetitive. Maybe he wrote it to turn a buck. Maybe just because he&#39;s fascinated and loves to write about it. Maybe he did it to have good ideas spread even wider and with a longer lifespan (and these &lt;em&gt;are&lt;/em&gt; good ideas). But it&#39;s frustrating to read.&lt;/p&gt;
&lt;p&gt;On the upside, I like his mention of parking lot science:&lt;/p&gt;
&lt;p&gt;&amp;quot;...for a long time cholesterol was the only factor linked to heart disease that we had to the tools to measure. (This is sometimes called parking-lot science, after the legendary fellow who loses his keys in a parking lot and goes looking for them under the streetlight---not because that&#39;s where he lost them but because that&#39;s where it&#39;s easiest to see.)&amp;quot;&lt;/p&gt;
&lt;p&gt;And I really liked his suggestion that Wonder Bread &amp;quot;scarcely waits to be chewed before transforming itself into glucose&amp;quot;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 23, 2008</title>
    <link href="https://mlarson.org/2008/06/23/200806231318/"/>
    <updated>2008-06-23T23:28:34.000Z</updated>
    <id>https://mlarson.org/2008/06/23/200806231318/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://lonelysandwich.com/post/39478066/carlin-quote&#34;&gt;George Carlin on living life in reverse&lt;/a&gt;. Sounds nice.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 22, 2008</title>
    <link href="https://mlarson.org/2008/06/22/200806221317/"/>
    <updated>2008-06-22T00:24:36.000Z</updated>
    <id>https://mlarson.org/2008/06/22/200806221317/</id>
    <content type="html">&lt;p&gt;Indeed, this is the &lt;a href=&#34;http://listofnow.com/2008/06/15/cutest-thing-youve-seen-today-guarenteed/&#34;&gt;cutest thing I&#39;ve seen today&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 21, 2008</title>
    <link href="https://mlarson.org/2008/06/21/200806211316/"/>
    <updated>2008-06-21T19:47:15.000Z</updated>
    <id>https://mlarson.org/2008/06/21/200806211316/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://linedandunlined.com/2008/06/19/new-yorker-fiction-pages/&#34;&gt;Rob Giampietro started a collection&lt;/a&gt; of &lt;a href=&#34;http://www.flickr.com/groups/nyerfictionpages/pool/&#34;&gt;imagery from the New Yorker fiction pages&lt;/a&gt;, 48 so far. Lots of good stuff there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2008</title>
    <link href="https://mlarson.org/2008/06/18/200806181315/"/>
    <updated>2008-06-18T23:27:21.000Z</updated>
    <id>https://mlarson.org/2008/06/18/200806181315/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://deoxy.org/pkd_how2build.htm&#34;&gt;How to Build a Universe That Doesn&#39;t Fall Apart Two Days Later&lt;/a&gt;, by Philip K. Dick:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The strange thing is, in some way, some real way, much of what appears under the title &amp;quot;science fiction&amp;quot; is true. It may not be literally true, I suppose. We have not really been invaded by creatures from another star system, as depicted in Close Encounters of the Third Kind. The producers of that film never intended for us to believe it. Or did they?&lt;/p&gt;
&lt;p&gt;And, more important, if they did intend to state this, is it actually true? That is the issue: not, Does the author or producer believe it, butÄîIs it true? Because, quite by accident, in the pursuit of a good yarn, a science fiction author or producer or scriptwriter might stumble onto the truth... and only later on realize it.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 18, 2008</title>
    <link href="https://mlarson.org/2008/06/18/200806181314/"/>
    <updated>2008-06-18T21:52:28.000Z</updated>
    <id>https://mlarson.org/2008/06/18/200806181314/</id>
    <content type="html">&lt;p&gt;I&#39;m joining the group working up to &lt;a href=&#34;http://hundredpushups.com/index.html&#34;&gt;100 push-ups&lt;/a&gt; over the next few weeks. Seems like a fun arbitrary goal. Should be cool. [via &lt;a href=&#34;http://www.getfitslowly.com/2008/06/12/one-hundred-push-ups/&#34;&gt;Get Fit Slowly&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Things I&#39;ve Learned from Women Who&#39;ve Dumped Me (review: 2/5)</title>
    <link href="https://mlarson.org/2008/06/17/20080617things-ive-learned-from-women-whove-dumped-me-review/"/>
    <updated>2008-06-17T23:12:46.000Z</updated>
    <id>https://mlarson.org/2008/06/17/20080617things-ive-learned-from-women-whove-dumped-me-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3140/2588345161_490ebd640b.jpg&#34; alt=&#34;things i&#39;ve learned from women who&#39;ve dumped me&#34;&gt; I wanted this to be better. It starts off well, introduced by &lt;a href=&#34;http://en.wikipedia.org/wiki/Nick_Hornby&#34;&gt;Nick Hornby&lt;/a&gt;. With a few exceptions, most of the other 40-something essays in the book didn&#39;t do much for me.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.rodneyrothman.com/&#34;&gt;Rodney Rothman&lt;/a&gt;&#39;s piece---&amp;quot;I Still Like Jessica&amp;quot;---is probably my favorite. It&#39;s a transcript of an interview with an old sweetheart (&lt;a href=&#34;http://www.postitnotestories.com/rodney_2.mov&#34;&gt;hear the interview and see an animated version of &amp;quot;I Still Like Jessica&amp;quot;&lt;/a&gt;!). Perhaps I liked it because it&#39;s the most real and clumsy, and makes the fewest overt, Sedarian attempts at being funny, and is therefore actually funny. (Disclaimer: my struggles with humorous writing are well-documented.)&lt;/p&gt;
&lt;p&gt;I really liked one of David Rees&#39; lessons about life and love in &amp;quot;Get Dumped Before It Matters&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;1. The fact that you mope around your &amp;quot;home office,&amp;quot; sighing and scratching the five o&#39;clock shadow spilling down your neck, while you &amp;quot;work on your screenplay in your mind,&amp;quot; wearing sweatpants on a Wednesday afternoon, does not mean you are a tortured creative genius. It means you are a LOSER. If you&#39;re old enough to drive, you may no longer wear pants with drawstrings---even if they are your &amp;quot;dressy sweatpants.&amp;quot; Look respectable for your woman, even while she&#39;s at work. It will comfort her to know you are wearing a belt.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.imdb.com/name/nm0891551/&#34;&gt;Dan Vebber&lt;/a&gt;&#39;s &amp;quot;Sex Is the Most Stressful Thing in the History of the Universe&amp;quot; is good, as is Andy Richter&#39;s &amp;quot;Girls Don&#39;t Make Passes at Boys with Fat Asses.&amp;quot; The context isn&#39;t that relevant, but I can relate to Richter here:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There were moments in my childhood where a preternatural maturity rose up in me, where the Future Me would seem to pop through to the surface and say, &amp;quot;Hold on, wait a minute, what&#39;s going on here is fucked up.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.tomshillue.com/&#34;&gt;Tom Shillue&lt;/a&gt; ponders the benefits of the ambiguous relationship in &amp;quot;Eggs Must Be Broken...&amp;quot;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Happy Fake Marriage -&amp;gt; Callous Behavior -&amp;gt; Half Apology -&amp;gt; D?©tente&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And &lt;a href=&#34;http://en.wikipedia.org/wiki/Paul_Simms&#34;&gt;Paul Simms&lt;/a&gt;&#39; &amp;quot;I&#39;m Easy&amp;quot; is a funny and all-too-familiar look at crushing at first sight. And how it elevates and and destroys your hopes and dreams over and over again.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.marcellushall.com/&#34;&gt;Marcellus Hall&lt;/a&gt;&#39;s &amp;quot;The Sorrows of Young Walter, or The Lessons of a Cyclical Heart&amp;quot; is also good:&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910ea7/1213744028000/the-sorrows-of-young-walter.jpg?format=original&#34; alt=&#34;the sorrows of young walter by marcellus hall&#34;&gt;&lt;/p&gt;
&lt;p&gt;I&#39;ve picked the best parts of the book for you. Skip the rest.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 17, 2008</title>
    <link href="https://mlarson.org/2008/06/17/200806171310/"/>
    <updated>2008-06-17T22:33:35.000Z</updated>
    <id>https://mlarson.org/2008/06/17/200806171310/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://movies.about.com/od/nocountryforoldmen/a/countryjb111307.htm&#34;&gt;Josh Brolin on working with the skimpy dialogue&lt;/a&gt; in &lt;a href=&#34;http://en.wikipedia.org/wiki/No_Country_for_Old_Men_(film)&#34;&gt;No Country for Old Men&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You have to figure out different ways to convey ideas. You donÄôt want to over-compensate because the fear is that youÄôre going to be boring if nothingÄôs going on. You start doing this and this and taking off your hat and putting it on again or some bullshit that doesnÄôt need to be there.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>No Country for Old Men (review: 4/5)</title>
    <link href="https://mlarson.org/2008/06/17/20080617no-country-for-old-men-review/"/>
    <updated>2008-06-17T22:31:19.000Z</updated>
    <id>https://mlarson.org/2008/06/17/20080617no-country-for-old-men-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3018/2588345497_96b2290d5c.jpg&#34; alt=&#34;no country for old men&#34;&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Llewelyn, I dont even want the money. I just want us to be back like we was. We will be. No we wont. I&#39;ve thought about it. It&#39;s a false god. Yeah. But it&#39;s real money.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I don&#39;t have much to say about &lt;a href=&#34;http://www.amazon.com/Country-Old-Men-Cormac-McCarthy/dp/0375406778&#34;&gt;No Country for Old Men&lt;/a&gt; other than that it&#39;s every bit as good as the excellent movie it inspired. The movie is more intense and more suspenseful. The landscape plays a larger role along with the Anton Chigurh character. In the book, I think Chigurh is one of the least interesting people. The book is more explicit in following the stories of Sheriff Bell and Llewelyn Moss, heavier on the Western philosophy (as in earthy wisdom and reminiscing, not as in Kant and Heidegger) and the struggle of knowing when to give up, or at least knowing when it&#39;s over. And it&#39;s about the mysteries of Death and Life and Love and everything else that is worthy. Wonderful storytelling.&lt;/p&gt;
&lt;p&gt;I also like these lines:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You sign on for the ride you probably think you got at least the notion of where the ride&#39;s goin. But you might not. Or you might of been lied to. Probably nobody would blame you then. If you quit. But if it&#39;s just that it turned out to be a little roughern what you had in mind. Well. That&#39;s something else.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 16, 2008</title>
    <link href="https://mlarson.org/2008/06/16/200806161309/"/>
    <updated>2008-06-16T23:51:03.000Z</updated>
    <id>https://mlarson.org/2008/06/16/200806161309/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://magcloud.com/Home&#34;&gt;MagCloud&lt;/a&gt; is a new print-on-demand service just for magazines. I&#39;m surprised this didn&#39;t exist already.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Poem That Took The Place Of A Mountain</title>
    <link href="https://mlarson.org/2008/06/16/20080616the-poem-that-took-the-place-of-a-mountain/"/>
    <updated>2008-06-16T23:24:17.000Z</updated>
    <id>https://mlarson.org/2008/06/16/20080616the-poem-that-took-the-place-of-a-mountain/</id>
    <content type="html">&lt;p&gt;I&#39;ll call an end to the Stevens binge with this one. It&#39;s been fun, especially for something that I took up on impulse. Sometimes it&#39;s best to just pick something and start it and see where it leads.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There it was, word for word, The poem that took the place of a mountain.&lt;/p&gt;
&lt;p&gt;He breathed its oxygen, Even when the book lay turned in the dust of his table.&lt;/p&gt;
&lt;p&gt;It reminded him how he had needed A place to go to in his own direction,&lt;/p&gt;
&lt;p&gt;How he had recomposed the pines, Shifted the rocks and picked his way among clouds,&lt;/p&gt;
&lt;p&gt;For the outlook that would be right, Where he would be complete in an unexplained completion:&lt;/p&gt;
&lt;p&gt;The exact rock where his inexactness Would discover, at last, the view toward which they had edged,&lt;/p&gt;
&lt;p&gt;Where he could lie and, gazing down at the sea, Recognize his unique and solitary home.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 16, 2008</title>
    <link href="https://mlarson.org/2008/06/16/200806161308/"/>
    <updated>2008-06-16T22:47:05.000Z</updated>
    <id>https://mlarson.org/2008/06/16/200806161308/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;Drivers of cars with bumper stickers, window decals, personalized license plates and other &amp;quot;territorial markers&amp;quot; not only get mad when someone cuts in their lane or is slow to respond to a changed traffic light, but &lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2008/06/who-are-the-agg.html&#34;&gt;they are far more likely than those who do not personalize their cars to use their vehicles to express rage&lt;/a&gt; -- by honking, tailgating and other aggressive behavior.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Dallas, TX</title>
    <link href="https://mlarson.org/2008/06/13/20080613dallas-tx/"/>
    <updated>2008-06-13T11:00:38.000Z</updated>
    <id>https://mlarson.org/2008/06/13/20080613dallas-tx/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3141/2574918837_48605a967d.jpg&#34; alt=&#34;texas doodle&#34;&gt; The last time I was in Texas I was maybe 1 or 2 or 3 years old. It&#39;s going to be an awesome weekend with friends, without computers.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Restatement of Romance</title>
    <link href="https://mlarson.org/2008/06/13/20080613restatement-of-romance/"/>
    <updated>2008-06-13T10:58:36.000Z</updated>
    <id>https://mlarson.org/2008/06/13/20080613restatement-of-romance/</id>
    <content type="html">&lt;p&gt;Going to a wedding this weekend.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The night knows nothing of the chants of night. It is what it is as I am what I am: And in perceiving this I best perceive myself&lt;/p&gt;
&lt;p&gt;And you. Only we two may interchange Each in the other what each has to give. Only we two are one, not you and night,&lt;/p&gt;
&lt;p&gt;Nor night and I, but you and I, alone, So much alone, so deeply by ourselves, So far beyond the casual solitudes,&lt;/p&gt;
&lt;p&gt;That night is only the background of our selves, Supremely true each to its separate self, In the pale light that each upon the other throws.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---Wallace Stevens&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The &#34;thirteen ways&#34; meme</title>
    <link href="https://mlarson.org/2008/06/12/20080612the-thirteen-ways-meme/"/>
    <updated>2008-06-12T08:00:33.000Z</updated>
    <id>https://mlarson.org/2008/06/12/20080612the-thirteen-ways-meme/</id>
    <content type="html">&lt;p&gt;Selections from a couple dozen pages of Googling...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.yankeepotroast.org/archives/2008/05/thirteen_ways_o.html&#34;&gt;Thirteen Ways of Looking at Super Mario Bros.&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.believermag.com/issues/200604/?read=article_price&#34;&gt;Thirteen Ways of Seeing Nature in L.A.&lt;/a&gt; I linked this a while back (almost &lt;a href=&#34;/mark-larson-1/2006/08/16/36&#34;&gt;2 years ago&lt;/a&gt;!). Very good essay.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://glennkenny.premiere.com/blog/2007/07/thirteen-ways-o.html&#34;&gt;Thirteen Ways of Looking at Ingmar Bergman&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.awpwriter.org/careers/jlevine01.htm&#34;&gt;Thirteen Ways of Looking at the Poetry Manuscript&lt;/a&gt;, some tips before you submit yours for publication.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://pbskids.org/cyberchase/games/fractions/index.html&#34;&gt;Thirteen Ways of Looking at 1/2&lt;/a&gt;, a game on the PBS Kids website that will help you learn fractions and spatial thinking.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.designobserver.com/archives/025212.html&#34;&gt;Thirteen Ways of Looking at a Typeface&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://findarticles.com/p/articles/mi_m1134/is_n6_v107/ai_21031853&#34;&gt;Thirteen Ways of Looking at a Hedgehog&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://velveteenrabbi.blogs.com/blog/2007/09/thirteen-ways-o.html&#34;&gt;Thirteen Ways of Looking at Yom Kippur&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.nytimes.com/2006/05/07/magazine/07woodpecker.html&#34;&gt;Thirteen Ways of Looking at an Ivory-Billed Woodpecker&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://web.ics.purdue.edu/~njp/237topics.html&#34;&gt;Thirteen Ways of Looking at a Tortilla&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.poundy.com/2004/11/04/thirteen-ways-of-reacting-to-an-election/&#34;&gt;Thirteen Ways of Reacting to an Election&lt;/a&gt; (November, 2004: &amp;quot;I bet if I keep clicking &#39;refresh&#39; on &lt;a href=&#34;http://CNN.com&#34;&gt;CNN.com&lt;/a&gt; it&#39;s gonna load the &lt;em&gt;real&lt;/em&gt; poll results.&amp;quot;)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.lowenkopf.com/2007/07/thirteen-ways-of-looking-at-dialogue.html&#34;&gt;Thirteen Ways of Looking at Dialogue&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://rss.furl.net/forward.jsp?id=2582544&#34;&gt;Thirteen Ways of Looking at Clapotis&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>Thirteen Ways of Looking at a Blackbird</title>
    <link href="https://mlarson.org/2008/06/12/20080612thirteen-ways-of-looking-at-a-blackbird/"/>
    <updated>2008-06-12T08:00:16.000Z</updated>
    <id>https://mlarson.org/2008/06/12/20080612thirteen-ways-of-looking-at-a-blackbird/</id>
    <content type="html">&lt;p&gt;I haven&#39;t shared any of Wallace Stevens&#39; longer works that I like because it doesn&#39;t seem like a good context for it. But I can&#39;t overlook this one. &lt;a href=&#34;http://en.wikipedia.org/wiki/Thirteen_Ways_of_Looking_at_a_Blackbird&#34;&gt;Thirteen Ways of Looking at a Blackbird&lt;/a&gt; was the focus of one of my research papers back in college. I remember finding it when class was looking at another poem in the book, &lt;a href=&#34;http://en.wikipedia.org/wiki/Peter_Quince_at_the_Clavier&#34;&gt;Peter Quince at the Clavier&lt;/a&gt;, and I got bored and flipped around to find something more interesting. I looked at the musical side of &amp;quot;Thirteen Ways,&amp;quot; aided by listening to &lt;a href=&#34;http://en.wikipedia.org/wiki/Lukas_Foss&#34;&gt;Lukas Foss&lt;/a&gt;&#39; composition of the same name that set the text of the poem for vocals and chamber ensemble. I got to blend my love of music and my love of making my schoolwork easier---I even managed to cite, in one fell swoop, nearly 100 pages of a music history textbook I was using that semester: &amp;quot;(Grout 676-764)&amp;quot;. Ha!&lt;/p&gt;
&lt;p&gt;I like the individual moments here. One analogy I had going in the paper was that many poems are like melodies, they develop over time as the words flow by and develop and interact. These stanzas work more like a series of chords, frozen moments with each their own mood and texture. I made the deadline, anyway.&lt;/p&gt;
&lt;p&gt;---&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I Among twenty snowy mountains, The only moving thing Was the eye of the blackbird.&lt;/p&gt;
&lt;p&gt;II I was of three minds, Like a tree In which there are three blackbirds.&lt;/p&gt;
&lt;p&gt;III The blackbird whirled in the autumn winds. It was a small part of the pantomime.&lt;/p&gt;
&lt;p&gt;IV A man and a woman Are one. A man and a woman and a blackbird Are one.&lt;/p&gt;
&lt;p&gt;V I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after.&lt;/p&gt;
&lt;p&gt;VI Icicles filled the long window With barbaric glass. The shadow of the blackbird Crossed it, to and fro. The mood Traced in the shadow An indecipherable cause.&lt;/p&gt;
&lt;p&gt;VII O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you?&lt;/p&gt;
&lt;p&gt;VIII I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know.&lt;/p&gt;
&lt;p&gt;IX When the blackbird flew out of sight, It marked the edge Of one of many circles.&lt;/p&gt;
&lt;p&gt;X At the sight of blackbirds Flying in a green light, Even the bawds of euphony Would cry out sharply.&lt;/p&gt;
&lt;p&gt;XI He rode over Connecticut In a glass coach. Once, a fear pierced him, In that he mistook The shadow of his equipage For blackbirds.&lt;/p&gt;
&lt;p&gt;XII The river is moving. The blackbird must be flying.&lt;/p&gt;
&lt;p&gt;XIII It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Snow Man</title>
    <link href="https://mlarson.org/2008/06/11/20080611the-snow-man/"/>
    <updated>2008-06-11T23:14:39.000Z</updated>
    <id>https://mlarson.org/2008/06/11/20080611the-snow-man/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://youtube.com/watch?v=MM7LrsIhWqc&#34;&gt;Wallace Stevens reads The Snow Man&lt;/a&gt;. &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=5031535&#34;&gt;Jay Keyser reads it on NPR&lt;/a&gt; (less dreary, more enthusiasm) and praises it highly before dissecting a little bit. Keyser also has this crazy idea of writing the poem out on notecards and making a &lt;a href=&#34;http://calder.org/work/category/hangingmobile.html&#34;&gt;hanging mobile&lt;/a&gt; out of it a la &lt;a href=&#34;http://en.wikipedia.org/wiki/Alexander_Calder&#34;&gt;Alexander Calder&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow;&lt;/p&gt;
&lt;p&gt;And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter&lt;/p&gt;
&lt;p&gt;Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves,&lt;/p&gt;
&lt;p&gt;Which is the sound of the land Full of the same wind That is blowing in the same bare place&lt;/p&gt;
&lt;p&gt;For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 11, 2008</title>
    <link href="https://mlarson.org/2008/06/11/200806111304/"/>
    <updated>2008-06-11T22:48:09.000Z</updated>
    <id>https://mlarson.org/2008/06/11/200806111304/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://lala.cursivebuildings.com/&#34;&gt;Joshua Heineman&lt;/a&gt; has a cool little project going where he takes &lt;a href=&#34;http://lala.cursivebuildings.com/tagged/reaching&#34;&gt;old photos and makes them wiggle&lt;/a&gt;* so they look 3D. [*this is the preferred technical term]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>This Is Just to Say</title>
    <link href="https://mlarson.org/2008/06/11/20080611this-is-just-to-say/"/>
    <updated>2008-06-11T22:42:30.000Z</updated>
    <id>https://mlarson.org/2008/06/11/20080611this-is-just-to-say/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.writing.upenn.edu/~afilreis/88v/variations.html&#34;&gt;I have stolenthe idea that I saw in RSS&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;and which you maybe have already seen today.&lt;/p&gt;
&lt;p&gt;Forgive me it is hilarious and I can&#39;t help it.&lt;/p&gt;
&lt;p&gt;[via &lt;a href=&#34;http://www.austinkleon.com/blog/&#34;&gt;austin kleon&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2008</title>
    <link href="https://mlarson.org/2008/06/10/200806101298/"/>
    <updated>2008-06-10T21:40:06.000Z</updated>
    <id>https://mlarson.org/2008/06/10/200806101298/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.wesleyan.edu/wstevens/&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917de4b06bff88910e9e/1213133753000/miketwohy-wallacestevens.jpg?format=original&#34; alt=&#34;1995 New Yorker cartoon by Mike Twohy that references Wallace Stevens&#34;&gt;&lt;/a&gt; &amp;quot;&lt;a href=&#34;http://www.wesleyan.edu/wstevens/&#34;&gt;I lied in my ad. I hate Wallace Stevens.&lt;/a&gt;&amp;quot; Mike Twohy, New Yorker, 1995.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2008</title>
    <link href="https://mlarson.org/2008/06/10/200806101295/"/>
    <updated>2008-06-10T21:33:47.000Z</updated>
    <id>https://mlarson.org/2008/06/10/200806101295/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/2004/04/more_to_come.html&#34;&gt;Alex Ross on Wallace Stevens&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Stevens&#39; grandeur is an inch away from absurdity, if not in the thick of it. This is by intention. He liked to deflate solemnity with silliness. His humor is his least noticed attribute, probably because it is so widespread. Even his titles---&amp;quot;The Revolutionists Stop for Orangeade,&amp;quot; &amp;quot;The Emperor of Ice-Cream&amp;quot;---undercut their own pomposity. Sometimes I think Stevens was a collegiate prankster who never gave away the joke he played on literature.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 10, 2008</title>
    <link href="https://mlarson.org/2008/06/10/200806101296/"/>
    <updated>2008-06-10T20:43:20.000Z</updated>
    <id>https://mlarson.org/2008/06/10/200806101296/</id>
    <content type="html">&lt;p&gt;This bothers me more than it should: &lt;img src=&#34;http://farm3.static.flickr.com/2293/2569316434_011c5e42f5_o.jpg&#34; alt=&#34;parking meters force people off the sidewalk&#34;&gt;&lt;/p&gt;
&lt;p&gt;The parking meters reduce the walking width of the sidewalk. Without room for two people to pass comfortably, someone gets forced off onto the grass. Thus, long dead streaks of dirt. It&#39;s a car&#39;s world.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Brave Man</title>
    <link href="https://mlarson.org/2008/06/10/20080610the-brave-man/"/>
    <updated>2008-06-10T06:04:45.000Z</updated>
    <id>https://mlarson.org/2008/06/10/20080610the-brave-man/</id>
    <content type="html">&lt;p&gt;A good wake-up poem from &lt;a href=&#34;http://en.wikipedia.org/wiki/Wallace_Stevens&#34;&gt;Wallace Stevens&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The sun, that brave man, Comes through boughs that lie in wait, That brave man.&lt;/p&gt;
&lt;p&gt;Green and gloomy eyes In dark forms of the grass Run away.&lt;/p&gt;
&lt;p&gt;The good stars, Pale helms and spiky spurs, Run away.&lt;/p&gt;
&lt;p&gt;Fears of my bed, Fears of life and fears of death, Run away.&lt;/p&gt;
&lt;p&gt;That brave man comes up From below and walks without meditation, That brave man.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I think this pairs nicely with one from &lt;a href=&#34;http://en.wikipedia.org/wiki/William_Carlos_Williams&#34;&gt;William Carlos Williams&lt;/a&gt;, &amp;quot;El Hombre&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It&#39;s a strange courage you give me ancient star:&lt;/p&gt;
&lt;p&gt;Shine alone in the sunrise toward which you lend no part!&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Bring on the Wallace Stevens</title>
    <link href="https://mlarson.org/2008/06/09/20080609bring-on-the-wallace-stevens/"/>
    <updated>2008-06-09T23:24:54.000Z</updated>
    <id>https://mlarson.org/2008/06/09/20080609bring-on-the-wallace-stevens/</id>
    <content type="html">&lt;p&gt;I&#39;ve been going back and reading &lt;a href=&#34;http://en.wikipedia.org/wiki/Wallace_Stevens&#34;&gt;Wallace Stevens&lt;/a&gt; lately. I first came across his poetry a while back in a college modernist lit class, and keep coming back every so often. For the next couple days I&#39;m going to go on a little Stevens bender around here, sort of like my &lt;a href=&#34;/mark-larson-1/2008/03/30/der-weg-der-menschen-review-35&#34;&gt;Frans Masereel festival&lt;/a&gt; a while back (which was ruined by pesky lawyer-types, but that&#39;s another story). To start things off, a bit from a &lt;a href=&#34;http://www.nytimes.com/books/97/12/21/home/stevens-talk.html&#34;&gt;New York Times interview with Wallace Stevens&lt;/a&gt;. Stevens worked a regular day job in insurance while writing his poetry in the evenings.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Regarding the inevitable work-by-day, muse-by-night question which he has been asked for upward of forty years: &amp;quot;I&#39;ve always skipped answering that. I prefer to think I&#39;m just a man, not a poet part time, business man the rest. This is a fortunate thing, considering how inconsiderate the ravens are. I don&#39;t divide my life, just go on living.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Later in life Stevens even turned down a gig at Harvard because he didn&#39;t want to leave his insurance job. There&#39;s a refreshing lack of self-pity. Selling insurance is fine. Writing poetry is nice, too. Just a guy doing things he likes.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I&#39;m no different from anyone else, just a run of the mine person. I like painting, books, poems. In my younger days I liked girls. But let&#39;s not stress that. I have a wife.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2008</title>
    <link href="https://mlarson.org/2008/06/08/200806081292/"/>
    <updated>2008-06-08T22:40:08.000Z</updated>
    <id>https://mlarson.org/2008/06/08/200806081292/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/content/video/new_wearable_feedbags_let&#34;&gt;New Wearable Feedbags Let Americans Eat More, Move Less&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Old photos from the Brooklyn Museum</title>
    <link href="https://mlarson.org/2008/06/08/20080608old-photos-from-the-brooklyn-museum/"/>
    <updated>2008-06-08T13:39:32.000Z</updated>
    <id>https://mlarson.org/2008/06/08/20080608old-photos-from-the-brooklyn-museum/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/brooklyn_museum/2486871985/in/set-72157605038624179/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3027/2486871985_eb08a031ca.jpg&#34; alt=&#34;Egypt, Abu Simbel&#34;&gt;&lt;/a&gt; The &lt;a href=&#34;http://www.brooklynmuseum.org/&#34;&gt;Brooklyn Museum&lt;/a&gt; has some great photos on Flickr. Currently in the commons are a great &lt;a href=&#34;http://www.flickr.com/photos/brooklyn_museum/sets/72157605038624179/&#34;&gt;set of old lantern slides in Egypt&lt;/a&gt;, and a lot of &lt;a href=&#34;http://www.flickr.com/photos/brooklyn_museum/sets/72157604656089762/&#34;&gt;images from the 1900 Paris Exposition&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/brooklyn_museum/2486040187/in/set-72157604656089762/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3148/2486040187_ec1346196b.jpg&#34; alt=&#34;night view of Paris&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;In the Paris set, it&#39;s cool how the primitive coloring job kind of flattens the images. They look almost like paper cut-outs or watercolor:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/brooklyn_museum/2486858218/in/set-72157604656089762/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3180/2486858218_a6a3429270.jpg&#34; alt=&#34;moving sidewalk, Paris, France, 1900&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/brooklyn_museum/2485991065/in/set-72157604656089762/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3118/2485991065_3b75e2422a.jpg&#34; alt=&#34;street scene, unidentified, Paris, France, 1900&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 8, 2008</title>
    <link href="https://mlarson.org/2008/06/08/200806081290/"/>
    <updated>2008-06-08T13:22:21.000Z</updated>
    <id>https://mlarson.org/2008/06/08/200806081290/</id>
    <content type="html">&lt;p&gt;New York Times Magazine has a feature on &lt;a href=&#34;http://www.nytimes.com/2008/06/08/magazine/08guerrilla-t.html&#34;&gt;guerrilla gardening&lt;/a&gt;. The Guardian has a short &lt;a href=&#34;http://www.guardian.co.uk/environment/video/2008/apr/25/guerrilla.gardening&#34;&gt;video of the gardening guerrillas&lt;/a&gt; in action before a little confrontation with the police.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2008</title>
    <link href="https://mlarson.org/2008/06/07/200806071289/"/>
    <updated>2008-06-07T11:51:54.000Z</updated>
    <id>https://mlarson.org/2008/06/07/200806071289/</id>
    <content type="html">&lt;p&gt;I&#39;ve really been loving &lt;a href=&#34;http://www.boston.com/bigpicture/&#34;&gt;The Big Picture&lt;/a&gt;, the Boston Globe&#39;s photojournalism blog.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 7, 2008</title>
    <link href="https://mlarson.org/2008/06/07/200806071288/"/>
    <updated>2008-06-07T11:47:44.000Z</updated>
    <id>https://mlarson.org/2008/06/07/200806071288/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;The existence of welfare state is one of the main rationalizations for undercutting &lt;a href=&#34;http://econlog.econlib.org/archives/2008/06/libertarians_an_1.html&#34;&gt;the greatest anti-poverty campaign the world has ever known&lt;/a&gt;: immigration. ...And unlike the welfare state, immigration has and continues to help absolutely poor people, not relatively poor Americans who are already at the 90th percentile of the world income distribution.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Travels with Herodotus (review: 3.5/5)</title>
    <link href="https://mlarson.org/2008/06/03/20080603travels-with-herodotus-review/"/>
    <updated>2008-06-03T22:35:59.000Z</updated>
    <id>https://mlarson.org/2008/06/03/20080603travels-with-herodotus-review/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3005/2549343469_b759a9a227.jpg&#34; alt=&#34;travels with herodotus&#34;&gt; &amp;quot;If reason ruled the world, would history even exist?&amp;quot;&lt;/p&gt;
&lt;p&gt;On his first trip outside of Poland, an editor gave &lt;a href=&#34;http://en.wikipedia.org/wiki/Ryszard_Kapu%C5%9Bci%C5%84ski&#34;&gt;Ryszard Kapuściński&lt;/a&gt; a copy of &lt;a href=&#34;http://en.wikipedia.org/wiki/Herodotus&#34;&gt;Herodotus&lt;/a&gt;&#39; &lt;a href=&#34;http://en.wikipedia.org/wiki/Histories_(Herodotus)&#34;&gt;The Histories&lt;/a&gt; (which I&#39;ve never read or read much about, besides this &lt;a href=&#34;http://www.newyorker.com/arts/critics/books/2008/04/28/080428crbo_books_mendelsohn&#34;&gt;recent New Yorker article&lt;/a&gt;). The book became his off-and-on companion for the rest of his career in journalism. Kapuściński re-narrates Herodotus journeys talking all the while about what it is to travel, to know the world, to try to learn and understand it all.&lt;/p&gt;
&lt;p&gt;The book makes for a scattered memoir, but the sections about Herodotus&#39; work are pretty good. I really liked his way of humanizing all these long-dead people:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What sort of child is Herodotus?... Is he obedient and polite, or does he torture everyone with questions: Where does the sun come from? Why is it so high up that no one can reach it? Why does it hide beneath the sea? Isn&#39;t it afraid of drowning?&lt;/p&gt;
&lt;p&gt;And in school? With whom does he share a bench? Did they seat him as punishment, next to some unruly boy? Or, the gods forbid, a girl? Did he learn quickly to write on the clay tablet? Is he often late? Does he squirm during lessons? Does he slip others the answers? Is he a tattletale?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;and later:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I imagined him approaching me as I stood at the edge of the sea, putting down his cane, shaking the sand out of his sandals, and falling at once into conversation. He was probably one of those chatterboxes who prey upon helpless listeners, who must have them, who indeed wither and cannot live without them; one of those unwearying and perpetually excited intermediaries, who see something, hear something, and must immediately pass it on to others, constitutionally incapable of keeping things even briefly to themselves.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And again, in writing about Xerxes after he flees the battle of Thermopylae:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;And flee he does, abandoning the theater of war before the war&#39;s end. He returns to Susa. He is thirty-something years old. He will be king of the Persians for another fifteen years, during which time he will occupy himself with expanding his palace in Persepolis. Perhaps he felt internally spent? Perhaps he suffered from depression? In any event, insofar as the world was concerned, he disappeared. The dreams of might, of ruling over everything and everyone, faded away.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Kapuściński went to some rough places (e.g. Maoist China, the heart of Africa at mid-century, etc.). Parallel to Herodotus, he has the occasional wondering digression into modern political absurdities. Here&#39;s a bit about dictators and mobs and ruling over a populace without focus:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is an interesting subject: superfluous people in the service of brute power... Their neighborhoods are populated in large part by an unformed, fluid element, lacking precise classification, without position, place or purpose. At any moment and for whatever reason, these people, to whom no one past attention, whom no one needs, can form into a crowd, a throng, a mob, which has an opinion about everything, has time for everything, and would like to participate in something, mean something.&lt;/p&gt;
&lt;p&gt;All dictatorships take advantage of this idle magma. They don&#39;t even need to maintain an expensive army of full-time policemen. It suffices to reach out to these people searching for some significance in life. Give them the sense that they can be of use, that someone is counting on them for something, that they have been noticed, that they have a purpose.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes we can? Then again, power makes for paranoia (interesting parallels here with &amp;quot;&lt;a href=&#34;http://www.theatlantic.com/doc/200205/bowden&#34;&gt;Tales of the Tyrant&lt;/a&gt;&amp;quot;):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What animated Xerxes: he wanted to have everything. No one opposed him, because one would have had to pay with one&#39;s head for doing so. But in such an atmosphere of acquiescence, it takes only one dissenting voice for the ruler to feel anxiety, to hesitate.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There&#39;s a lot to like here. I ended up skimming most of Kapuściński&#39;s reminiscing, but it all moves pretty quickly and the Herodotus sections are worth it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2008</title>
    <link href="https://mlarson.org/2008/06/03/200806031285/"/>
    <updated>2008-06-03T22:08:18.000Z</updated>
    <id>https://mlarson.org/2008/06/03/200806031285/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.larrytt.com/celebrities_playing_tt/&#34;&gt;Photos of celebrities playing table tennis&lt;/a&gt;. There are nine of &lt;a href=&#34;http://www.larrytt.com/celebrities_playing_tt/fidel_castro1.jpg&#34;&gt;Fidel Castro&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2008</title>
    <link href="https://mlarson.org/2008/06/03/200806031282/"/>
    <updated>2008-06-03T22:07:57.000Z</updated>
    <id>https://mlarson.org/2008/06/03/200806031282/</id>
    <content type="html">&lt;p&gt;A wiki with a &lt;a href=&#34;http://www.academicblogs.net/wiki/index.php/Main_Page&#34;&gt;list of academic blogs&lt;/a&gt; divided by field. I love the category for &amp;quot;Professions and Useful Arts.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Men Made Out of Words</title>
    <link href="https://mlarson.org/2008/06/03/20080603men-made-out-of-words/"/>
    <updated>2008-06-03T07:57:16.000Z</updated>
    <id>https://mlarson.org/2008/06/03/20080603men-made-out-of-words/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;What should we be without the sexual myth,The human revery or poem of death?&lt;/p&gt;
&lt;p&gt;Castratos of moon-mash---Life consists Of propositions about life. The human&lt;/p&gt;
&lt;p&gt;Revery is a solitude in which We compose these propositions, torn by dreams,&lt;/p&gt;
&lt;p&gt;By the terrible incantations of defeats And by the fear that defeats and dreams are one.&lt;/p&gt;
&lt;p&gt;The whole race is a poet that writes down The eccentric propositions of its fate.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---&lt;a href=&#34;http://en.wikipedia.org/wiki/Wallace_Stevens&#34;&gt;Wallace Stevens&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 3, 2008</title>
    <link href="https://mlarson.org/2008/06/03/200806031286/"/>
    <updated>2008-06-03T00:14:48.000Z</updated>
    <id>https://mlarson.org/2008/06/03/200806031286/</id>
    <content type="html">&lt;p&gt;I like the idea of a &lt;a href=&#34;http://www.ironicsans.com/2008/06/idea_corporate_artist_residenc.html&#34;&gt;corporate artist in residence&lt;/a&gt;. Surely a few companies would buy into it?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2008</title>
    <link href="https://mlarson.org/2008/06/02/200806021284/"/>
    <updated>2008-06-02T23:01:36.000Z</updated>
    <id>https://mlarson.org/2008/06/02/200806021284/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://iamsittinginaroom.blogspot.com/2008/05/smetana-urquell.html&#34;&gt;Bed?ôich Smetana in an commercial for a Czech beer&lt;/a&gt; which inspires &lt;a href=&#34;http://www.last.fm/music/Bed%C5%99ich+Smetana/_/Vltava+(Moldau)&#34;&gt;The Moldau&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 2, 2008</title>
    <link href="https://mlarson.org/2008/06/02/200806021283/"/>
    <updated>2008-06-02T22:42:23.000Z</updated>
    <id>https://mlarson.org/2008/06/02/200806021283/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blogs.wsj.com/washwire/2008/05/29/al-gore-another-high-note/&#34;&gt;La Scala is going to stage an operatic version of An Inconvenient Truth&lt;/a&gt;. Hmmm.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2008</title>
    <link href="https://mlarson.org/2008/06/01/200806011281/"/>
    <updated>2008-06-01T22:40:29.000Z</updated>
    <id>https://mlarson.org/2008/06/01/200806011281/</id>
    <content type="html">&lt;p&gt;I like this brief &lt;a href=&#34;http://howardwho.com/blog/2008/04/12/taking-the-fifth/&#34;&gt;survey of conducting styles&lt;/a&gt;, comparing their approaches to a &lt;a href=&#34;http://en.wikipedia.org/wiki/Symphony_No._5_(Beethoven)&#34;&gt;work that everyone has heard&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>June 1, 2008</title>
    <link href="https://mlarson.org/2008/06/01/200806011280/"/>
    <updated>2008-06-01T22:20:21.000Z</updated>
    <id>https://mlarson.org/2008/06/01/200806011280/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.boston.com/bostonglobe/magazine/missconduct/2008/05/best_paper_ever.html&#34;&gt;It is upsetting when we have to conclude that someone is &amp;quot;simply a bastard.&amp;quot;&lt;/a&gt; Partly, we are upset because of the initial offense that led us to conclude that. But we are also upset because, as tolerant, educated, broad-minded, empathetic people, we want to have a better explanation. We want to be able to attribute people&#39;s behavior to legitimate differences in philosophies, perspectives, cultures, priorities. When we cannot, we feel that we have failed, and we are angry at having been put into such a narrow-minded, thoughtlessly reactive position.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The New Kings of Nonfiction (review: 3/5)</title>
    <link href="https://mlarson.org/2008/06/01/20080601new-kings-of-nonfiction-review/"/>
    <updated>2008-06-01T22:02:28.000Z</updated>
    <id>https://mlarson.org/2008/06/01/20080601new-kings-of-nonfiction-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2542964221/in/set-72157601575033868/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3072/2542964221_e0396a683b.jpg&#34; alt=&#34;new kings of nonfiction&#34;&gt;&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Ira_Glass&#34;&gt;Ira Glass&lt;/a&gt; curated this collection of nonfiction. &lt;a href=&#34;http://www.amazon.com/New-Kings-Nonfiction-Ira-Glass/dp/1594482675&#34;&gt;The New Kings of Nonfiction&lt;/a&gt; is a selection of favorites that he&#39;s had filed away for a while, articles that he keeps passing along to others. The focus is on good storytelling found in original reporting:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I wish there were a catchy name for stories like this. For one thing it would&#39;ve made titling this collection a lot easier. Sometimes people use the phrase &amp;quot;literary nonfictioni&amp;quot; for work like this, but I&#39;m a snob when it comes to that phrase. I think it&#39;s for losers. It&#39;s pretentious, for one thing, and it&#39;s a bore. Which is to say, it&#39;s exactly the opposite of the writing it&#39;s trying to describe. Calling a piece of writing &amp;quot;literary nonfiction&amp;quot; is like daring you to read it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Not only is it a pretty good collection, but almost all of them are available online, in their entirety. Someone is listening to my prayers. My comments on each, roughly listed from Must Read to Don&#39;t Bother...&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.leesandlin.com/articles/LosingTheWar.htm&#34;&gt;Losing the War&lt;/a&gt;&amp;quot; is easily my favorite work in the book (made obvious by the dog-ears). And I tend to have severe World War II nausea, so I was surprised to like it so much. Lee Sandlin explores the &amp;quot;collective anxiety attack&amp;quot; of the war, the impressions of the war that Americans got through the weak, cheerful reporting from the frontlines, and how we remember and how we forget. Highly recommended.&lt;/p&gt;
&lt;p&gt;In one of the better tales in the book, &lt;a href=&#34;http://en.wikipedia.org/wiki/Michael_Lewis_(author)&#34;&gt;Michael Lewis&lt;/a&gt; wrote about &amp;quot;&lt;a href=&#34;http://query.nytimes.com/gst/fullpage.html?res=9D04EED61F30F936A15751C0A9679C8B63&#34;&gt;Jonathan Lebed&#39;s Extracurricular Activities&lt;/a&gt;.&amp;quot; Lebed, at 15 years old, was called out by the &lt;a href=&#34;http://www.sec.gov/&#34;&gt;Securities and Exchange Commission&lt;/a&gt; for stock market manipulation and doesn&#39;t seem very much phased by it. Fun story.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Jack_Hitt&#34;&gt;Jack Hitt&lt;/a&gt;&#39;s &amp;quot;&lt;a href=&#34;http://harpers.org/archive/1995/07/0002121&#34;&gt;Toxic Dreams: A California Town Finds Meaning in an Acid Pit&lt;/a&gt;&amp;quot; is another good one that covers ballooning litigation over the Stringfellow Acid Pit, a local dumping ground made to spur business. Naturally, with a name like that, you&#39;re going to end up with a lawsuit. This one has 4,000 plaintiffs and doesn&#39;t look to end anytime soon. Recommended.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Susan_Orlean&#34;&gt;Susan Orlean&lt;/a&gt; profiles a ten-year-old in &amp;quot;&lt;a href=&#34;http://www.courses.vcu.edu/ENG200-dwc/orlean.htm&#34;&gt;The American Man, Age Ten&lt;/a&gt;.&amp;quot; Interesting voice in this one.&lt;/p&gt;
&lt;p&gt;Michael Pollan bought a cow and writes about its journey from birth to beef in &amp;quot;&lt;a href=&#34;http://www.michaelpollan.com/article.php?id=14&#34;&gt;Power Steer&lt;/a&gt;.&amp;quot; And he touches on how our food chain all interconnects and the twin scourges of oil and cheap corn.&lt;/p&gt;
&lt;p&gt;Though I&#39;m not much for card games, I did like &lt;a href=&#34;http://en.wikipedia.org/wiki/James_McManus&#34;&gt;James McManus&lt;/a&gt;&#39; story in &amp;quot;&lt;a href=&#34;http://harpers.org/archive/2000/12/0069002&#34;&gt;Fortune&#39;s Smile&lt;/a&gt;.&amp;quot; McManus learns the ins and outs of no-limit hold&#39;em and enters the World Series of Poker, and walks out with $250,000. A lot of the lingo flew over my head, but the spirit is right and the story is good.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.theatlantic.com/doc/200205/bowden&#34;&gt;Tales of the Tyrant&lt;/a&gt;&amp;quot; is &lt;a href=&#34;http://en.wikipedia.org/wiki/Mark_Bowden&#34;&gt;Mark Bowden&lt;/a&gt;&#39;s profile of Saddam Hussein. The scale of the vanity and self-delusion are incredible. It makes the guy a lot more human and a lot more disgusting. Pretty good read.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.esquire.com/features/ESQ0705VALKILMER_120&#34;&gt;Crazy Things Seem Normal, Normal Things Seem Crazy&lt;/a&gt;&amp;quot; is &lt;a href=&#34;http://en.wikipedia.org/wiki/Chuck_Klosterman&#34;&gt;Chuck Klosterman&lt;/a&gt;&#39;s profile of Val Kilmer. I&#39;d recommend it, keeping in mind what Ira Glass says about Klosterman in the introduction: When Klosterman does reporting, the superstructure of ideas and the aggressiveness with which he states those ideas are a big part of what makes the stories stand out.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.nytimes.com/books/first/w/weschler-city.html&#34;&gt;Shapinsky&#39;s Karma&lt;/a&gt;&amp;quot; [excerpt] by &lt;a href=&#34;http://en.wikipedia.org/wiki/Lawrence_Weschler&#34;&gt;Lawrence Weschler&lt;/a&gt; follows an improbably cheerful, persistent Indian man who has found his calling in promoting the artwork of &lt;a href=&#34;http://en.wikipedia.org/wiki/Harold_Shapinsky&#34;&gt;Harold Shapinksy&lt;/a&gt;, an undiscovered peer of Jackson Pollock, Mark Rothko, and others, who is in his 80s at the time.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Bill_Buford&#34;&gt;Bill Buford&lt;/a&gt; reports on hanging out with a bunch of rowdy Manchester United loyalists in &amp;quot;&lt;a href=&#34;http://en.wikipedia.org/wiki/Among_the_Thugs&#34;&gt;Among the Thugs&lt;/a&gt;.&amp;quot; It takes a while to warm up, but the later bits about group psychology and inevitable soccer mob violence are good (and downright scary).&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.theatlantic.com/doc/200504/wallace&#34;&gt;Host&lt;/a&gt;,&amp;quot; by &lt;a href=&#34;http://en.wikipedia.org/wiki/David_Foster_Wallace&#34;&gt;David Foster Wallace&lt;/a&gt;, is the longest in the book (surprise!). It&#39;s a profile of a conservative radio personality in California. I couldn&#39;t get much into it, but I do like this bit from one of the many sidebars:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It&#39;s hard to understand Fox News tags like &amp;quot;Fair and Balanced,&amp;quot; &amp;quot;No-Spin Zone,&amp;quot; and &amp;quot;We Report, You Decide&amp;quot; as anything but dark jokes, ones that delight the channel&#39;s conservative audience precisely because their claims to objectivity so totally enrage liberals, whose own literal interpretation of the tag lines makes the left seems dim, humorless, and stodgy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Dan_Savage&#34;&gt;Dan Savage&lt;/a&gt;&#39;s &amp;quot;My Republican Journey&amp;quot; is about being homosexual and infiltrating a local Republican group. Eh.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.gladwell.com/1999/1999_01_11_a_weisberg.htm&#34;&gt;Six Degrees of Lois Weinberg&lt;/a&gt;&amp;quot; is Malcolm Gladwell&#39;s exploration of one woman&#39;s social network. Not recommended.&lt;/p&gt;
&lt;p&gt;&amp;quot;&lt;a href=&#34;http://query.nytimes.com/gst/fullpage.html?res=9806E4D7133BF932A25754C0A9629C8B63&#34;&gt;The Hostess Diaries: My Year at a Hot Spot&lt;/a&gt;&amp;quot; by Coco Henson Scales is okay, but feels out of place here and doesn&#39;t measure up to the other writing in the book.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 29, 2008</title>
    <link href="https://mlarson.org/2008/05/29/200805291278/"/>
    <updated>2008-05-29T07:05:42.000Z</updated>
    <id>https://mlarson.org/2008/05/29/200805291278/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.radiohead-notforprofit.com/&#34;&gt;Radiohead Not for Profit&lt;/a&gt; gathers live recordings, concert bootlegs, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2008</title>
    <link href="https://mlarson.org/2008/05/28/200805281277/"/>
    <updated>2008-05-28T22:56:48.000Z</updated>
    <id>https://mlarson.org/2008/05/28/200805281277/</id>
    <content type="html">&lt;p&gt;I watched &lt;a href=&#34;http://www.kino.com/oldjoy/&#34;&gt;Old Joy&lt;/a&gt; last week (&lt;a href=&#34;http://www.apple.com/trailers/independent/oldjoy/trailer/&#34;&gt;trailer&lt;/a&gt;, &lt;a href=&#34;http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20061102/REVIEWS/611020303&#34;&gt;Ebert&lt;/a&gt;) and recommend that you do the same. It&#39;s based on a short story by &lt;a href=&#34;http://en.wikipedia.org/wiki/Jonathan_Raymond&#34;&gt;Jonathan Raymond&lt;/a&gt; and uses its 70-something minutes very well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2008</title>
    <link href="https://mlarson.org/2008/05/28/200805281276/"/>
    <updated>2008-05-28T22:47:32.000Z</updated>
    <id>https://mlarson.org/2008/05/28/200805281276/</id>
    <content type="html">&lt;p&gt;Haven&#39;t seen the movie and don&#39;t plan to, but I like Roger Ebert&#39;s assessment here: &amp;quot;Some superheroes speak in a kind of heightened, semi-formal prose, as if dictating to &lt;em&gt;Bartlett&#39;s Familiar Quotations&lt;/em&gt;... &lt;a href=&#34;http://blogs.suntimes.com/ebert/2008/05/iron_man_and_robert_downey_jrs.html&#34;&gt;&#39;Iron Man&#39; doesn&#39;t seem to know how seriously most superhero movies take themselves.&lt;/a&gt;&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 28, 2008</title>
    <link href="https://mlarson.org/2008/05/28/200805281275/"/>
    <updated>2008-05-28T22:42:50.000Z</updated>
    <id>https://mlarson.org/2008/05/28/200805281275/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.washingtonpost.com/wp-srv/photo/gallery/070420/GAL-07Apr20-71745/index.html&#34;&gt;audio slideshow about competing in the Barkley Marathon&lt;/a&gt;. Over the 22 years of the 100-mile race, only 7 have finished. It&#39;s fondly called &amp;quot;the race that eats its young.&amp;quot; [via &lt;a href=&#34;http://www.trailsandtribulations.com/&#34;&gt;trails and tribulations&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 26, 2008</title>
    <link href="https://mlarson.org/2008/05/26/200805261274/"/>
    <updated>2008-05-26T13:44:17.000Z</updated>
    <id>https://mlarson.org/2008/05/26/200805261274/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://etext.library.adelaide.edu.au/w/woolf/virginia/w91r/chapter4.html&#34;&gt;Masterpieces are not single and solitary births&lt;/a&gt;; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 24, 2008</title>
    <link href="https://mlarson.org/2008/05/24/200805241272/"/>
    <updated>2008-05-24T23:45:04.000Z</updated>
    <id>https://mlarson.org/2008/05/24/200805241272/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.baseball-almanac.com/quotes/quogiam.shtml&#34;&gt;Baseball is poetic&lt;/a&gt;. It breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall alone.&amp;quot; [via &lt;a href=&#34;http://www.firejoemorgan.com/2008/05/1-reason-i-am-willing-to-be-baited.html&#34;&gt;fjm&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 22, 2008</title>
    <link href="https://mlarson.org/2008/05/22/200805221271/"/>
    <updated>2008-05-22T21:35:16.000Z</updated>
    <id>https://mlarson.org/2008/05/22/200805221271/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.fringeatlanta.org/&#34;&gt;Fringe&lt;/a&gt; just finished up their first season:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The concerts will look something like this: chamber music (classical music played by small groups of musicians) will be the focus of each evening, with performances of some of the most virtuosic music compositions ever written, performed by the best musicians in Atlanta and throughout the country. Unlike the iconic classical music experience of sitting, listening, yawning, and then leaving, each interactive performance will be a swift blend of live music performances, a DJ spinning ambient and electronica, documentary-style videos of the performers and finally, an independent, jury-selected short film.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Atlanta music critic &lt;a href=&#34;http://www.ajc.com/blogs/content/shared-blogs/accessatlanta/atlarts/entries/2008/05/18/fringe_finishes_its_debut_seas.html&#34;&gt;Pierre Ruhe writes&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The most radical shift in all this is how Fringe empowers its audience. People applauded after every movement of a work, no one shushed the occasional whisperer, beer and wine helped take the edge off, and no one gave bathroom visits during the performance a second thought. Also, the music was available for free download the next morning.&lt;/p&gt;
&lt;p&gt;In recent decades, when concert rites ossified and the repertoire rarely included music composed after the early 20th century, the performers, by default, held a dominant position. Among other complications, this led to passive audiences who sat quietly, applauded at prescribed times and knew their role as a paying support group for the folks up on stage. This is a bit of a generalization, but I think not so far off the mark.&lt;/p&gt;
&lt;p&gt;FringeÄôs casual scene means that it is incumbent on the musicians, moment by moment, to earn your rapt attention.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Those ideas came up a lot in my review of the excellent book &lt;a href=&#34;/mark-larson-1/2008/05/12/highbrow-lowbrow-review&#34;&gt;Highbrow/Lowbrow&lt;/a&gt;. Great stuff. Makes me wish I&#39;d heard of Fringe *before* the last concert of the season. Damn. [via &lt;a href=&#34;http://therestisnoise.com/&#34;&gt;alex ross&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 20, 2008</title>
    <link href="https://mlarson.org/2008/05/20/200805201270/"/>
    <updated>2008-05-20T23:36:09.000Z</updated>
    <id>https://mlarson.org/2008/05/20/200805201270/</id>
    <content type="html">&lt;p&gt;George Orwell&#39;s essay &lt;a href=&#34;http://www.netcharles.com/orwell/essays/poetry-and-microphone.htm&#34;&gt;Poetry and the Microphone&lt;/a&gt; talks about broadcasting verse over the radio, but I think there are some internet parallels here, another way to cross distances. People who are interested can find and enjoy just as easily as those who aren&#39;t interested can move along. That combination of distance and intimacy affects how you perceive your own work:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is reasonable to assume that your audience is sympathetic, or at least interested, for anyone who is bored can promptly switch you off by turning a knob. But though presumably sympathetic, the audience has no power over you. It is just here that a broadcast differs from a speech or a lecture. On the platform, as anyone used to public speaking knows, it is almost impossible not to take your tone from the audience. It is always obvious within a few minutes what they will respond to and what they will not, and in practice you are almost compelled to speak for the benefit of what you estimate as the stupidest person present, and also to ingratiate yourself by means of the ballyhoo known as ÄúpersonalityÄù. If you donÄôt do so, the result is always an atmosphere of frigid embarrassment. That grisly thing, a Äúpoetry readingÄù, is what it is because there will always be some among the audience who are bored or all but frankly hostile and who canÄôt remove themselves by the simple act of turning a knob...&lt;/p&gt;
&lt;p&gt;The poet feels that he is addressing people to whom poetry means something, and it is a fact that poets who are used to broadcasting can read into the microphone with a virtuosity they would not equal if they had a visible audience in front of them. The element of make-believe that enters here does not greatly matter. The point is that in the only way now possible the poet has been brought into a situation in which reading verse aloud seems a natural unembarrassing thing, a normal exchange between man and man: also he has been led to think of his work as sound rather than as a pattern on paper. By that much the reconciliation between poetry and the common man is nearer. It already exists at the poetÄôs end of the ether-waves, whatever may be happening at the other end.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Back of the Napkin (review: 3.5/5)</title>
    <link href="https://mlarson.org/2008/05/19/20080519the-back-of-the-napkin-review/"/>
    <updated>2008-05-19T22:22:02.000Z</updated>
    <id>https://mlarson.org/2008/05/19/20080519the-back-of-the-napkin-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2507386278/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3170/2507386278_1f58bde8dc.jpg&#34; alt=&#34;The Back of the Napkin&#34;&gt;&lt;/a&gt; &lt;a href=&#34;http://digitalroam.typepad.com/&#34;&gt;Dan Roam&lt;/a&gt; does a pretty good job with this one: &lt;a href=&#34;http://www.thebackofthenapkin.com/&#34;&gt;The Back of the Napkin: Solving Problems and Selling Ideas with Pictures&lt;/a&gt;. One of Roam&#39;s main arguments (sometimes belabored) is that we were all comfortable drawing when we were in kindergarten. Somehow we got frigid. We play visually dumb. We don&#39;t need to.&lt;/p&gt;
&lt;p&gt;Visual thinking is neglected, but luckily we&#39;re hard-wired for it. When we see things, we instinctively begin to sort out the essentials and answer a few questions. We can&#39;t help it:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;who/what?&lt;/li&gt;
&lt;li&gt;how much/many?&lt;/li&gt;
&lt;li&gt;when?&lt;/li&gt;
&lt;li&gt;where?&lt;/li&gt;
&lt;li&gt;how?&lt;/li&gt;
&lt;li&gt;why?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Visual thinking borrows from that natural process a bit more intentionally. It starts with looking (collecting &amp;amp; screening data), seeing (selecting &amp;amp; grouping), then imagining (reconfiguring, manipulating, analogizing), and finally showing (cleaning up, putting it all together). And, hey, what do you know... according to Roam&#39;s model, the ways we see things and the questions we need to answer match up directly with the tools we have to show things:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;who/what? = portraits&lt;/li&gt;
&lt;li&gt;how much/many? = charts&lt;/li&gt;
&lt;li&gt;when? = timelines&lt;/li&gt;
&lt;li&gt;where? = maps&lt;/li&gt;
&lt;li&gt;how? = flowcharts&lt;/li&gt;
&lt;li&gt;why? = multi-variable plots&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;That&#39;s one of the basic insights that&#39;s really nice to be reminded of. &lt;em&gt;We have specific tools to answer specific questions&lt;/em&gt;. Roam also has the SQVID, a framework that helps you figure out how to present the information in the most appropriate way for the intended audience, tracing your way through 5 choices:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Simple vs. elaborate Quality vs. quantity Vision vs. execution Individual attributes vs. comparison Delta (change) vs. status quo&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And when you cross-reference the SQVID with the model, you get a codex that guides you to whatever pictures you need to make for the problems you need to solve. The acronyms and frameworks sound a bit confusing outside of the book, but Roam ties it together pretty nicely with lots of visuals throughout. And it&#39;s actually kind of... practical. That doesn&#39;t mean that the products of visual thinking are guaranteed to be easy or simple, no more than writing or talking about the ideas would be:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the most important virtues of visual thinking is its ability to clarify things so that the complex can be better understood, but that does not mean that all good visual thinking is about simplification. &lt;em&gt;The real goal of visual thinking is to make the complex understandable by making it visible---not by making it simple&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;An obvious weakness for the book: it&#39;s really hard to learn something like this from a book. You can learn about it. But it&#39;s one of those things that you have to DO, and more examples are always helpful. The long case study that takes up the last 40% of the book lets you see the different frameworks in action, but it&#39;s also kind of boring to read about the same fictional software company and its fictional competitors and fictional customers for 100 pages. I imagine this was a tough part of the book to write as well.&lt;/p&gt;
&lt;p&gt;I&#39;d still recommend it. Heaven knows it&#39;s refreshingly different from most of the other books in the business section, and there&#39;s some real meat in there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 19, 2008</title>
    <link href="https://mlarson.org/2008/05/19/200805191268/"/>
    <updated>2008-05-19T19:48:33.000Z</updated>
    <id>https://mlarson.org/2008/05/19/200805191268/</id>
    <content type="html">&lt;p&gt;&amp;quot;The &lt;a href=&#34;http://www.alex-vf.com/portfolio/rca/time.html&#34;&gt;Birth Clock&lt;/a&gt; is a fragile glass object containing a digital clock that is not working; it is designed to help you to come to a decision when you&#39;re stuck at a specific point in life. Smash the glass, and the clock will start to work, leaving you with the broken object as a reminder of your dramatic decision. Leave the object as it is, and you remain out of time, having the beautiful object as a reminder of your resistance to change.&amp;quot; Cool idea. I can feel the anticipation just thinking about having one. Not sure what I&#39;d use it for, though.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 19, 2008</title>
    <link href="https://mlarson.org/2008/05/19/200805191267/"/>
    <updated>2008-05-19T19:45:03.000Z</updated>
    <id>https://mlarson.org/2008/05/19/200805191267/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;For one year I worked at a regular nine to five job, and I remember well the strange, cozy feeling that comes over one during meetings. I was very aware, because of the novelty, that I was being paid for programming. It seemed just amazing, as if there was a machine on my desk that spat out a dollar bill every two minutes no matter what I did. Even while I was in the bathroom! But because the imaginary machine was always running, I felt I always ought to be working. And so meetings felt wonderfully relaxing. They counted as work, just like programming, but they were so much easier. All you had to do was sit and look attentive. &lt;a href=&#34;http://www.paulgraham.com/opensource.html&#34;&gt;Meetings are like an opiate with a network effect&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 18, 2008</title>
    <link href="https://mlarson.org/2008/05/18/200805181266/"/>
    <updated>2008-05-18T14:27:21.000Z</updated>
    <id>https://mlarson.org/2008/05/18/200805181266/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://education.guardian.co.uk/higher/research/improbable/story/0,,2266121,00.html&#34;&gt;Writers really do die young&lt;/a&gt;, especially poets, based on research in &lt;a href=&#34;http://www.ingentaconnect.com/content/routledg/udst/2003/00000027/00000009/art00003&#34;&gt;The Cost of the Muse&lt;/a&gt; [$, or use your library&#39;s access]. [via &lt;a href=&#34;http://maudnewton.com/blog/index.php&#34;&gt;maud newton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 18, 2008</title>
    <link href="https://mlarson.org/2008/05/18/200805181265/"/>
    <updated>2008-05-18T14:13:40.000Z</updated>
    <id>https://mlarson.org/2008/05/18/200805181265/</id>
    <content type="html">&lt;p&gt;&amp;quot;David Rakoff, who swore off TV in college, returns to it in dramatic fashion: he &lt;a href=&#34;http://thislife.org/Radio_Episode.aspx?sched=1241&#34;&gt;attempts to watch the same amount of television as the average American---29 hours in one week.&lt;/a&gt;&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 15, 2008</title>
    <link href="https://mlarson.org/2008/05/15/200805151264/"/>
    <updated>2008-05-15T18:45:35.000Z</updated>
    <id>https://mlarson.org/2008/05/15/200805151264/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com/blog/&#34;&gt;Austin Kleon&lt;/a&gt; &lt;a href=&#34;http://tumblr.austinkleon.com/post/34935344&#34;&gt;found&lt;/a&gt; the &lt;a href=&#34;http://www.gerdarntz.org/home&#34;&gt;Gerd Arntz Web Archive&lt;/a&gt;, dedicated to the work of the German designer:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Otto_Neurath&#34;&gt;Otto Neurath&lt;/a&gt; had developed a method to communicate complex information on society, economy and politics in simple images. For his ÄòVienna method of visual statisticsÄô, he needed a designer who could make elementary signs, pictograms that could summarize a subject at a glance.&lt;/p&gt;
&lt;p&gt;ArntzÄôs clear-cut style suited NeurathÄôs goals perfectly, and so he invited the young artist to come to Vienna in 1928, and work on further developing his method, later known as &lt;a href=&#34;http://en.wikipedia.org/wiki/Isotype_(pictograms)&#34;&gt;ISOTYPE&lt;/a&gt;, International System Of TYpographic Picture Education. During his career, Arntz designed around 4000 different pictograms and abstracted illustrations for this system.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&amp;quot;Holy crap!&amp;quot; indeed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 15, 2008</title>
    <link href="https://mlarson.org/2008/05/15/200805151263/"/>
    <updated>2008-05-15T18:31:36.000Z</updated>
    <id>https://mlarson.org/2008/05/15/200805151263/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.linedandunlined.com&#34;&gt;Rob Giampietro&lt;/a&gt; is &lt;a href=&#34;http://linedandunlined.com/2008/04/18/posts-by-post/&#34;&gt;blogging via postcard&lt;/a&gt; this week. I got my first one this afternoon: &lt;a href=&#34;http://flickr.com/photos/marklarson/2495084937/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2207/2495084937_6837ac8ba9.jpg&#34; alt=&#34;blogging by postcard from linedandunlined.com&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 13, 2008</title>
    <link href="https://mlarson.org/2008/05/13/200805131262/"/>
    <updated>2008-05-13T07:57:16.000Z</updated>
    <id>https://mlarson.org/2008/05/13/200805131262/</id>
    <content type="html">&lt;p&gt;If &lt;a href=&#34;http://en.wikipedia.org/wiki/Charles_Joseph_Minard&#34;&gt;Charles Joseph Minard&lt;/a&gt; were &lt;a href=&#34;http://1000timesno.net/?p=403&#34;&gt;following the Clinton/Obama superdelegate battle&lt;/a&gt;. Nice connection.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (review: 5/5)</title>
    <link href="https://mlarson.org/2008/05/12/20080512highbrow-lowbrow-review/"/>
    <updated>2008-05-12T23:14:59.000Z</updated>
    <id>https://mlarson.org/2008/05/12/20080512highbrow-lowbrow-review/</id>
    <content type="html">&lt;p&gt;In 1800s America, Shakespeare productions had juggling and singing amidst the acts, and theatergoers would cheer the heroes, boo the villains, shout out lines along with the actors, even walk about on the stage. Opera divas would sing &amp;quot;Yankee Doodle,&amp;quot; &amp;quot;Home Sweet Home,&amp;quot; Irish ballads and other folk songs, and take requests from the audience. Orchestras would choose a few excerpts from Beethoven, Mozart, Bach, and mix them in with popular reels, jigs, and other dance tunes. It was a different world:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;GRAND CONCERT OF MUSIC... An African Monkey and several CHINESE DOGS Come One Come All&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I dog-eared &lt;a href=&#34;http://www.amazon.com/Highbrow-Lowbrow-Emergence-Hierarchy-Civilization/dp/0674390776&#34;&gt;Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America&lt;/a&gt; more heavily than any book in recent memory. Lawrence Levine doesn&#39;t argue that the old ways of interacting with art were necessarily better. But it is important to know that it was different. The book gives a whole different history and perspective on our inherited rituals, kind of like hearing a whole new arrangement of a familiar melody.&lt;/p&gt;
&lt;p&gt;Levine opens the book with a focus on Shakespeare in American cultural life. Shakespeare was really popular. At home, in books (like Mark Twain&#39;s parodies in &lt;em&gt;Huckleberry Finn&lt;/em&gt;), on the road, in the theaters. Even the illiterate mountain man &lt;a href=&#34;http://en.wikipedia.org/wiki/Jim_Bridger&#34;&gt;Jim Bridger&lt;/a&gt; knew it was worth hiring someone to read it to him enough that he could recite long passages.&lt;/p&gt;
&lt;p&gt;In performance, this popularity and relevance made it fairly common for the actors to shorten or lengthen the monologues as they saw fit, and companies would commonly rewrite the endings. In a typical account from a local newspaper, when the audience disapproved, &amp;quot;Cabbages, carrots, pumpkins, potatoes, a wreath of vegetables, a sack of flour and one of soot, and a dead goose, with other articles, simultaneously fell upon the stage.&amp;quot; What&#39;s cool is not only that the audience was carrying vegetables to the show, but also that they knew Shakespeare well enough to know the difference when changes were made to voice their opinion. And audience and performers alike weren&#39;t just mutely receiving the Greatness of Shakespeare, but participating and engaging with it.&lt;/p&gt;
&lt;p&gt;Events like the &lt;a href=&#34;http://en.wikipedia.org/wiki/Astor_Place_Riot&#34;&gt;Astor Place Riot&lt;/a&gt; in 1849 helped mark the growing division between the audiences for art (the Cultured and the Masses), and the &amp;quot;sacralization&amp;quot; of the works themselves. A lot of it was tied to the economics of the art industry. Amateur actors and musicians were gradually replaced with professional payrolls. Wealthy patrons became the primary financial support for the organizations, so the programming was less reliant on popular approval and ticket sales at the door. With the Masses weeded out, the new superstar conductors began to program entire works, instead of just excerpts.&lt;/p&gt;
&lt;p&gt;And along with that came programs of behavioral control (dimming the lights, refusal to encore, &lt;a href=&#34;http://www.therestisnoise.com/2005/02/applause_a_rest.html&#34;&gt;training audiences in when to clap&lt;/a&gt;, etc.). Levine ties in &amp;quot;the taming of the audience&amp;quot; to a broader cultural change that separated public and private space, and public and private behavior. As art became more hierarchical, the classes weren&#39;t attending the same types of performances or sharing the same spaces. The cultural institutions were active in &amp;quot;teaching their audiences to adjust to the new social imperatives, in urging them to separate public behavior from private feelings.&amp;quot; By the early 1900s,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;the masterworks of the classic composers were to be performed in their entirety by highly trained musicians on programs free from the contamination of lesser works or lesser genres, free from the interference of audience or performer, free from the distractions of the mundane; audiences were to approach the masters and their works with proper respect and proper seriousness, for aesthetic and spiritual elevation rather than mere entertainment was the goal.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In other words, it changed to the modern, frosty atmosphere that lingers in performance halls and museums today. No more audience outrage, no more spontaneous celebrations. The groups were transformed &amp;quot;strove to concentrate on the &lt;em&gt;music&lt;/em&gt; rather than the &lt;em&gt;performance&lt;/em&gt;.&amp;quot; The orchestra plays, the audience receives. You see a similar transformation in museums and libraries at the same time. They change from the fantastic freak shows and &lt;a href=&#34;http://en.wikipedia.org/wiki/Cabinet_of_curiosities&#34;&gt;cabinets of curiosity&lt;/a&gt; to sacred archives, filled with carefully curated items for preservation or quiet contemplation.&lt;/p&gt;
&lt;p&gt;One really interesting bit that Levine touches on is how knowledge of these cultural manners (like knowing when to clap) helps classes distinguish themselves. In this way, knowledge becomes both a status symbol and a barrier to entry:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Thorstein_Veblen&#34;&gt;Thorsten Veblen&lt;/a&gt; constructed his concept of conspicuous consumption, he included not only the obvious material possessions but also the &amp;quot;immaterial&amp;quot; goods---&amp;quot;the knowledge of dead languages and the occult sciences; of correct spelling; of syntax and prosody; of the various forms of domestic music... of the latest proprieties of dress, furniture, and equipage&amp;quot;; of the ancient &amp;quot;classics&amp;quot;---all of which constituted a conspicuous culture that helped confer legitimacy on the newly emergent groups. This helps explain the vogue during this period of manuals of etiquette, of private libraries and rare books, of European art and music displayed and performed in ornate---often neoclassical---museums and concert halls.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It&#39;s a really fantastic book. Levine to close it out:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When the art forms that had constituted a shared culture for much of the nineteenth century became less accessible to large segments of the American people, millions of them satisfied their aesthetic cravings through a number of the new forms of expressive culture that were barred from high culture by the the very fact of their accessibility to the masses: the blues, jazz or jazz-derived music, musical comedy, photography, comic strips, movies, radio, popular comedians, all of which though relegated to the nether world culturally, in fact frequently contained much that was fresh, exciting, innovative, intellectually challenging, and highly imaginative. If there is a tragedy in this development, it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven, and Verdi, whom they had enjoyed in various formats for much of the nineteenth century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value and importance of the popular art forms that were all around them.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 12, 2008</title>
    <link href="https://mlarson.org/2008/05/12/200805121260/"/>
    <updated>2008-05-12T18:24:15.000Z</updated>
    <id>https://mlarson.org/2008/05/12/200805121260/</id>
    <content type="html">&lt;p&gt;I tracked down John Haines&#39; poem, &lt;a href=&#34;http://www.limberlostpress.com/sample/rtrntorchrdsn.htm&#34;&gt;Return to Richardson, Spring 1981&lt;/a&gt;, which I first came across in the recent &lt;a href=&#34;http://www.newyorker.com/reporting/2008/05/12/080512fa_fact_ross&#34;&gt;profile of composer John Luther Adams&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 11, 2008</title>
    <link href="https://mlarson.org/2008/05/11/200805111259/"/>
    <updated>2008-05-11T17:09:54.000Z</updated>
    <id>https://mlarson.org/2008/05/11/200805111259/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=I-t-7lTw6mA&#34;&gt;Michael Pollan talked with Google last month&lt;/a&gt; about his latest book, &lt;a href=&#34;http://www.michaelpollan.com/indefense.php&#34;&gt;In Defense of Food&lt;/a&gt;. He&#39;s funnier than I expected. My doodles: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2483618931/sizes/l/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2149/2483618931_54d9ed4f4e.jpg&#34; alt=&#34;michael pollan at google&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 11, 2008</title>
    <link href="https://mlarson.org/2008/05/11/200805111258/"/>
    <updated>2008-05-11T15:39:22.000Z</updated>
    <id>https://mlarson.org/2008/05/11/200805111258/</id>
    <content type="html">&lt;p&gt;David Byrne has a new art installation that connects an organ keyboard to various parts of a large building. &lt;a href=&#34;http://www.davidbyrne.com/art/art_projects/playing_the_building/index.php&#34;&gt;Playing the Building&lt;/a&gt; makes a giant musical instrument out of the structure of columns, walls, pipes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I&#39;d like to say that in a small way it turns consumers into creative producers, but that might be a bit too much to claim. However, even if one doesn&#39;t play the thing, it points toward a less mediated kind of cultural experience. It might be an experience in which one begins to reexamine one&#39;s surroundings and to realize that cultureÄîof which sound and music are partsÄîdoesn&#39;t always have to be produced by professionals and packaged in a consumable form.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 11, 2008</title>
    <link href="https://mlarson.org/2008/05/11/200805111257/"/>
    <updated>2008-05-11T15:32:56.000Z</updated>
    <id>https://mlarson.org/2008/05/11/200805111257/</id>
    <content type="html">&lt;p&gt;Also via &lt;a href=&#34;http://designnotes.info&#34;&gt;DesignNotes&lt;/a&gt;, a new &lt;a href=&#34;http://www.flickr.com/groups/contents/pool/&#34;&gt;Flickr group for Tables of Contents&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 11, 2008</title>
    <link href="https://mlarson.org/2008/05/11/200805111256/"/>
    <updated>2008-05-11T15:30:54.000Z</updated>
    <id>https://mlarson.org/2008/05/11/200805111256/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://designnotes.info/?p=1378&#34;&gt;Nothing happened today&lt;/a&gt;. Sometimes I wish news were like that every day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Then!</title>
    <link href="https://mlarson.org/2008/05/07/20080507then/"/>
    <updated>2008-05-07T19:48:42.000Z</updated>
    <id>https://mlarson.org/2008/05/07/20080507then/</id>
    <content type="html">&lt;p&gt;A short story written by the 6-year-old brother of one of my co-workers:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One day I woke up. I was haf chipmunk and bus. Then! I stareted to driv bep bep. Then I stareted to run wee. Thes is fun driving and runing. Then I crasht in to a treey. Ach&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The third sentence is one of the best bits of writing I&#39;ve seen in a while.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 5, 2008</title>
    <link href="https://mlarson.org/2008/05/05/200805051253/"/>
    <updated>2008-05-05T23:49:43.000Z</updated>
    <id>https://mlarson.org/2008/05/05/200805051253/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/reporting/2008/05/12/080512fa_fact_ross&#34;&gt;Alex Ross writes about the life and music of John Luther Adams&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Adams is an avid art-viewer, and is particularly keen on the second generation of American abstract painters: Frank Stella, Ellsworth Kelly, Jasper Johns, and Joan Mitchell. There are more art books than music books on the shelves of his studio, a neat one-room cabin that faces south, toward the Alaska Range.&lt;/p&gt;
&lt;p&gt;Adams says, ÄúI remember thinking, To hell with classical music. IÄôm going into the art world; IÄôm going to do installations. But I was really just interested in working with new media. And it doesnÄôt matter what I think IÄôm doing. The work has a life of its own, and IÄôm just along for the ride. Richard Serra talks about the point at which all your influences are assimilated and then your work can come out of the work.Äù&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One of Adams&#39; experimental works is a room that generates the music based on external happenings.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The mechanism of ÄúThe PlaceÄù translates raw data into music: information from seismological, meteorological, and geomagnetic stations in various parts of Alaska is fed into a computer and transformed into an intricate, vibrantly colored field of electronic sound.&lt;/p&gt;
&lt;p&gt;ÄúThe PlaceÄù occupies a small white-walled room on the museumÄôs second floor. You sit on a bench before five glass panels, which change color according to the time of day and the season. What you notice first is a dense, organlike sonority, which Adams has named the Day Choir. Its notes follow the contour of the natural harmonic seriesÄîthe rainbow of overtones that emanate from a vibrating stringÄîand have the brightness of music in a major key. In overcast weather, the harmonies are relatively narrow in range; when the sun comes out, they stretch across four octaves. After the sun goes down, a darker, moodier set of chords, the Night Choir, moves to the forefront. The moon is audible as a narrow sliver of noise. Pulsating patterns in the bass, which Adams calls Earth Drums, are activated by small earthquakes and other seismic events around Alaska. And shimmering sounds in the extreme registers---the Aurora Bells---are tied to the fluctuations in the magnetic field that cause the Northern Lights.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;d love to check that out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 5, 2008</title>
    <link href="https://mlarson.org/2008/05/05/200805051252/"/>
    <updated>2008-05-05T22:07:29.000Z</updated>
    <id>https://mlarson.org/2008/05/05/200805051252/</id>
    <content type="html">&lt;p&gt;This &lt;a href=&#34;http://www.texasmonthly.com/2008-05-01/webextra2.php&#34;&gt;interview with Bill Bishop&lt;/a&gt;, about the increasing social segmentation in America, has some cool tie-ins with a book I&#39;ve been loving lately, Lawrence Levine&#39;s &lt;a href=&#34;http://www.amazon.com/Highbrow-Lowbrow-Emergence-Hierarchy-Civilization/dp/0674390776&#34;&gt;Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America&lt;/a&gt;. Levine touches on the changing use of public space in the early 1900s as &amp;quot;Culture&amp;quot; was increasingly associated with the wealthy, and patrons and directors exerted more control over how we experience art:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The relative taming of the audience at the turn of the century was part of a larger development that witnessed a growing bifurcation between the private and public spheres of life. Through the cult of etiquette, which was so popular in this period, individuals were taught to keep all private matters strictly to themselves and to remain publicly as inconspicuous as possible... People were similarly taught to remove from the public to the private universe an entire range of personal reactions... The individual mirrored the increasing segmentation of society in a segmentation of self.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Bishop mentions in the interview that &amp;quot;The best-educated citizens are the least likely to have a political discussion with someone with a different opinion.&amp;quot; Public spaces and self-selection. Two interesting ideas that I hope Bishop talks about in his upcoming book, &lt;a href=&#34;http://www.amazon.com/Big-Sort-Clustering-Like-Minded-America/dp/0618689354&#34;&gt;The Big Sort: Why the Clustering of Like-Minded America Is Tearing Us Apart&lt;/a&gt;. It&#39;s on my reading list. [via &lt;a href=&#34;http://nytimesbooks.blogspot.com/2008/05/big-sort-why-clustering-of-like-minded.html&#34;&gt;book design review&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>May 4, 2008</title>
    <link href="https://mlarson.org/2008/05/04/200805041251/"/>
    <updated>2008-05-04T22:38:54.000Z</updated>
    <id>https://mlarson.org/2008/05/04/200805041251/</id>
    <content type="html">&lt;p&gt;There&#39;s a really good, really funny &lt;a href=&#34;http://www.believermag.com/issues/200805/?read=interview_price&#34;&gt;interview with Richard Price in the Believer&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I have to be a little intimidated by what IÄôm writing about. I have to feel a little bit like I donÄôt think I can do this, I donÄôt think I can master this, I donÄôt think I can get under the skin of this, because when youÄôre a little scared, youÄôre bringing everything to the table because youÄôre not sure you can do it unless you bust your balls and really, really get into it. Terror keeps you slender. I need a sense of awe. Oh, shit! I canÄôt believe I just saw that! But then what do you do with what you saw? ThatÄôs the bottom line. ThatÄôs the novel.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;On writing novels vs screenplays:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;BLVR: Do you wake up every morning and write right away?&lt;/p&gt;
&lt;p&gt;RP: It depends. It depends if thereÄôs anybody waiting for it. If thereÄôs not anybody waiting for it, I can get slack. ThatÄôs also the good thing about screenwriting, is that there are other people involved. If youÄôre writing a novel, once you sign a contract and have a couple years to write it, thatÄôs it. YouÄôre on your own. You can have cobwebs, you can look like Miss HavershamÄôs wedding cake before anybody gives a shit.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>May 4, 2008</title>
    <link href="https://mlarson.org/2008/05/04/200805041250/"/>
    <updated>2008-05-04T22:22:27.000Z</updated>
    <id>https://mlarson.org/2008/05/04/200805041250/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/simmermon/782700172/sizes/o/&#34;&gt;Comic strip instructions for anarchic overthrow of the office&lt;/a&gt;. [via &lt;a href=&#34;http://musicology.typepad.com/dialm/2008/05/anarcho-primiti.html&#34;&gt;dial m for musicology&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>PLEASE STOP MOWEING YOUR LAWN SO EARLY</title>
    <link href="https://mlarson.org/2008/05/04/20080504please-stop-moweing-your-lawn-so-early/"/>
    <updated>2008-05-04T21:26:42.000Z</updated>
    <id>https://mlarson.org/2008/05/04/20080504please-stop-moweing-your-lawn-so-early/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2464761763/in/photostream/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2282/2464761763_99f3a3506d.jpg&#34; alt=&#34;passive-aggressive letter&#34;&gt;&lt;/a&gt;Today I spent some time sorting through a bunch of old documents, notes, letters, tickets, playbills, etc. I came across an old letter placed in the mailbox back home when I was away at college. A summer of cutting the grass earned me a bad reputation that Dad must have continued into the fall that year.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gemma Bovery (review: 4/5)</title>
    <link href="https://mlarson.org/2008/04/30/20080430gemma-bovery-review/"/>
    <updated>2008-04-30T22:56:26.000Z</updated>
    <id>https://mlarson.org/2008/04/30/20080430gemma-bovery-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Posy_Simmonds&#34;&gt;Posy Simmonds&lt;/a&gt; originally wrote Gemma Bovery as a 100+ episode serial in &lt;a href=&#34;http://www.guardian.co.uk/&#34;&gt;The Guardian&lt;/a&gt;. The story is told with a cool mix of comics panels, splash illustrations, big chunks of text. It all mixes in together. &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ce4b06bff88910e9b/1209596000000/gemmabovery.jpg?format=original&#34; alt=&#34;excerpt from Gemma Bovery&#34;&gt;&lt;/p&gt;
&lt;p&gt;The narrator is a baker living in Normandy, who becomes obsessed with Gemma&#39;s adultery as it happens and as it&#39;s later revealed in her diaries. The story pokes a lot of fun at the stereotypes of the English and the French, and the absurdities of middle-class escapism. It&#39;s dark, but not cynical. A lot of fun even though the impending doom is spelled out in the first page (and in its inspiration, &lt;a href=&#34;http://en.wikipedia.org/wiki/Madame_Bovary&#34;&gt;Madame Bovary&lt;/a&gt;). There are some more &lt;a href=&#34;http://www.randomhouse.com/pantheon/graphicnovels/gemma.html&#34;&gt;samples on the publisher&#39;s website&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Here&#39;s a funny bit from an &lt;a href=&#34;http://www.tcj.com/index.php?option=com_content&amp;amp;task=view&amp;amp;id=722&amp;amp;Itemid=48&#34;&gt;interview with Simmonds in the Comics Journal&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I would ask lots of French people, &amp;quot;Tell me the eight or 10 best things about France and then the things you like best about England.&amp;quot; They&#39;d enthuse about &lt;em&gt;le vin&lt;/em&gt; [wine], &lt;em&gt;le fromage&lt;/em&gt; [cheese], &lt;em&gt;le paysage&lt;/em&gt; [landscape], the fashion, the food, the roads, the culture, etc. in France... and when they got to England they would go, &amp;quot;Err, whiskey,&amp;quot; and they&#39;d think very hard and go, &amp;quot;Harrods,&amp;quot; or they&#39;d go, &amp;quot;London taxis,&amp;quot; and someone said, &amp;quot;Scaffolding, your scaffolding&#39;s very good.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 30, 2008</title>
    <link href="https://mlarson.org/2008/04/30/200804301247/"/>
    <updated>2008-04-30T22:21:44.000Z</updated>
    <id>https://mlarson.org/2008/04/30/200804301247/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.damienjay.com/page.php?id=62&#34;&gt;Opolis is a comic made from photographs of paper cut-outs in a 3-dimensional office building&lt;/a&gt;. I&#39;d have a hard time thinking of something more exhausting. Cool results, though. [via &lt;a href=&#34;http://waxy.org&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Against Happiness (review: 2.5/5)</title>
    <link href="https://mlarson.org/2008/04/28/20080428against-happiness-review/"/>
    <updated>2008-04-28T21:03:59.000Z</updated>
    <id>https://mlarson.org/2008/04/28/20080428against-happiness-review/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.wfu.edu/~wilsoneg/&#34;&gt;Eric Wilson&lt;/a&gt;&#39;s book &lt;a href=&#34;http://www.amazon.com/Against-Happiness-Melancholy-Eric-Wilson/dp/0374240663&#34;&gt;Against Happiness: In Praise of Melancholy&lt;/a&gt; &amp;quot;challenges the recent happiness trend and celebrates the meditative virtues of melancholy.&amp;quot; He&#39;s most successful when talking about the meditative virtues. The argument is simple: acknowledging the tragic, the struggle, the rain, and the inevitable decline of all things makes joy, success, the sun, and livelihood all the richer in the here and now. Our manic urge to avoid mere discomfort keeps us from exploring these fuzzy edges, keeps us from knowing the whole. At our most important and emotional events like birth, death, and marriage, these edges become painfully, joyfully clear:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The tiny body quickly follows the head. A baby appears. You who have been watching are torn between weeping and laughing. You lament this infant&#39;s tragic fall into the pain of time; you celebrate new life. While the baby cries in lamentation and celebration, you join it, with your tears washing over your ridiculous grin. You at this moment are two and one at once, melancholy and joyful, sorrowful and ebullient. You realize that the riches moments in life are these junctures where we realize, in our sinews, what is true all the time: the cosmos is a danced of joggled opposites, a jolted waltz.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The first quarter of the book, on challenging the happiness trend, should have been either much abridged or much expanded. It falls back on some tired excoriations of modern America (hitting all the right buzzwords: SUV, suburbs, McDonald&#39;s, Botox, etc.), and ends up a little too thin and editorial. But later he does have some pretty interesting discussions of specific people, talking about the struggles of Colerige, Beethoven, and Keats, among others. On Beethoven:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Even though he clearly hates his inherited troubles---his melancholia, his gastric disorders, his hearing loss---he also acknowledges, though indirectly, that these very constraints are his muse. In rebelling against his &amp;quot;fate&amp;quot; by creating vital music, he actually transforms this same fate into an inspiration.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There are some funny parts, too, like talking about the strangeness of American Protestantism as a feel-good &amp;quot;happiness companies,&amp;quot; with &amp;quot;Jesus as some sort of blissed-out savior&amp;quot;.&lt;/p&gt;
&lt;p&gt;Lastly, here are some works that Wilson referenced in his book that I also liked:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Emily Dickinson&#39;s poem &amp;quot;&lt;a href=&#34;http://www.bartleby.com/113/4065.html&#34;&gt;Essential oils are wrung&lt;/a&gt;&amp;quot;&lt;/li&gt;
&lt;li&gt;Walker Percy&#39;s essay &lt;a href=&#34;http://www.udel.edu/anthro/ackerman/loss_creature.pdf&#34;&gt;The Loss of the Creature&lt;/a&gt; [pdf] [&lt;a href=&#34;http://en.wikipedia.org/wiki/The_Message_in_the_Bottle#.22The_Loss_of_the_Creature.22&#34;&gt;wikipedia summary&lt;/a&gt;]&lt;/li&gt;
&lt;li&gt;Beethoven&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Heiligenstadt_Testament&#34;&gt;Heiligenstadt Testament&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>Mine Rescuer</title>
    <link href="https://mlarson.org/2008/04/28/20080428mine-rescuer/"/>
    <updated>2008-04-28T18:09:29.000Z</updated>
    <id>https://mlarson.org/2008/04/28/20080428mine-rescuer/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/library_of_congress/2405656134/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2132/2405656134_ce5735b669.jpg&#34; alt=&#34;mine rescuer, LOC archives&#34;&gt;&lt;/a&gt;From the &lt;a href=&#34;http://www.flickr.com/photos/library_of_congress/&#34;&gt;Library of Congress&#39; Flickr photostream&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 27, 2008</title>
    <link href="https://mlarson.org/2008/04/27/200804271244/"/>
    <updated>2008-04-27T14:34:17.000Z</updated>
    <id>https://mlarson.org/2008/04/27/200804271244/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.apple.com/trailers/independent/glassaportraitofphilipin12parts/trailer/&#34;&gt;There&#39;s a lot of music in the world. You don&#39;t have to listen to mine&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Scenes from the Inman Park Festival parade</title>
    <link href="https://mlarson.org/2008/04/27/20080427scenes-from-the-inman-park-festival-parade/"/>
    <updated>2008-04-27T14:18:33.000Z</updated>
    <id>https://mlarson.org/2008/04/27/20080427scenes-from-the-inman-park-festival-parade/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157604760395037/&#34;&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3279/2446159778_2c7fd0c683.jpg&#34; alt=&#34;bagpiper shaking hands&#34;&gt;&lt;/a&gt; &lt;img src=&#34;http://farm3.static.flickr.com/2173/2445384955_bcb3751cce.jpg&#34; alt=&#34;woman in pink&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3065/2446172552_bacb192ae9.jpg&#34; alt=&#34;men on float&#34;&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://farm4.static.flickr.com/3012/2445216163_84d6088a60.jpg&#34; alt=&#34;chicken man&#34;&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Graphing the accepted spelling of &#34;ThunderCats, ho!&#34;</title>
    <link href="https://mlarson.org/2008/04/23/20080423graphing-thundercats/"/>
    <updated>2008-04-23T22:31:15.000Z</updated>
    <id>https://mlarson.org/2008/04/23/20080423graphing-thundercats/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2437224887/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2236/2437224887_b21e5dc4fc_o.gif&#34; alt=&#34;ThunderCats, H--?&#34;&gt;&lt;/a&gt; Based on some keyword research I did this afternoon. &amp;quot;ThunderCats, ho!&amp;quot; is a natural winner in Google search results. The long tail of enthusiasm extends to over 35 o&#39;s, after which point I gave up.&lt;/p&gt;
&lt;p&gt;The most interesting part is that HUGE drop in hits for the 3-o version. Among its neighboring easy-to-type competitors, &amp;quot;ThunderCats, hooo!&amp;quot; is a clear loser. If you want to stay in the safe, accepted, comfortable range, stick with the 1-, 2-, 4-, 5-, or 7-o versions. I&#39;m drawn to the 10+ range for sheer exuberance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 23, 2008</title>
    <link href="https://mlarson.org/2008/04/23/200804231240/"/>
    <updated>2008-04-23T21:56:59.000Z</updated>
    <id>https://mlarson.org/2008/04/23/200804231240/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://nymag.com/health/features/46213/&#34;&gt;How We&#39;re Wrecking Our Feet&lt;/a&gt;. It&#39;s the shoes. Old news, but worth hearing again and again. Foot freedom is a movement in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Ultralight_backpacking&#34;&gt;ultralight hiking&lt;/a&gt; community as well. Once you realize that you don&#39;t need to carry 50lbs for a weekend trip, you realize that you can ditch the leather boots and hike with shoes. And after that, for me at least, it&#39;s been an ongoing search for the lightest, most flexible shoes I can find. I really like &lt;a href=&#34;http://www.inov-8.com/Products.asp?PG=PG1&amp;amp;L=27&#34;&gt;Inov8&lt;/a&gt;&#39;s line of &amp;quot;trail slippers&amp;quot;. The &lt;a href=&#34;http://www.vibramfivefingers.com/&#34;&gt;Vibram Five Fingers&lt;/a&gt; models were mentioned in the article. Shoes from &lt;a href=&#34;http://www.terraplana.com/vivobarefoot.php&#34;&gt;Vivo Barefoot&lt;/a&gt; were also mentioned but I have no idea why even their cheapest models cost over $120. [via &lt;a href=&#34;http://www.linkbanana.com/2008/04/23/the-case-for-bare-feet/&#34;&gt;link banana&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 22, 2008</title>
    <link href="https://mlarson.org/2008/04/22/200804221239/"/>
    <updated>2008-04-22T18:29:40.000Z</updated>
    <id>https://mlarson.org/2008/04/22/200804221239/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.ubu.com/sound/komar.html&#34;&gt;The Most Wanted Song and the Most Unwanted Song&lt;/a&gt; were written in response to survey results, just like the earlier creation of the world&#39;s &lt;a href=&#34;http://www.diacenter.org/km/painting.html&#34;&gt;Most Wanted Paintings&lt;/a&gt;. The Most Unwanted Song features an operatic, rapping soprano and children singing a holiday polka:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The most unwanted music is over 25 minutes long, veers wildly between loud and quiet sections, between fast and slow tempos, and features timbres of extremely high and low pitch, with each dichotomy presented in abrupt transition. The most unwanted orchestra was determined to be large, and features the accordion and bagpipe (which tie at 13% as the most unwanted instrument), banjo, flute, tuba, harp, organ, synthesizer (the only instrument that appears in both the most wanted and most unwanted ensembles). An operatic soprano raps and sings atonal music, advertising jingles, political slogans, and &amp;quot;elevator&amp;quot; music, and a children&#39;s choir sings jingles and holiday songs. The most unwanted subjects for lyrics are cowboys and holidays, and the most unwanted listening circumstances are involuntary exposure to commericals and elevator music. Therefore, it can be shown that if there is no covarianceÄîsomeone who dislikes bagpipes is as likely to hate elevator music as someone who despises the organ, for exampleÄîfewer than 200 individuals of the world&#39;s total population would enjoy this piece.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 21, 2008</title>
    <link href="https://mlarson.org/2008/04/21/200804211238/"/>
    <updated>2008-04-21T21:45:38.000Z</updated>
    <id>https://mlarson.org/2008/04/21/200804211238/</id>
    <content type="html">&lt;p&gt;A collection of &lt;a href=&#34;http://americanbookreview.org/100BestLines.asp&#34;&gt;100 great opening lines&lt;/a&gt;. I wonder, for comics, what a collection of great opening panels would look like...? [via &lt;a href=&#34;http://www.heberts.net/~stephen/&#34;&gt;sbh&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 21, 2008</title>
    <link href="https://mlarson.org/2008/04/21/200804211237/"/>
    <updated>2008-04-21T21:31:16.000Z</updated>
    <id>https://mlarson.org/2008/04/21/200804211237/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.repeatafterus.com/print.php?i=7069&#34;&gt;The Well-Dressed Man With A Beard&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;After the final no there comes a yes And on that yes the future world depends. No was the night. Yes is this present sun. If the rejected things, the things denied, Slid over the western cataract, yet one, One only, one thing that was firm, even No greater than a cricket&#39;s horn, no more Than a thought to be rehearsed all day, a speech Of the self that must sustain itself on speech, One thing remaining, infallible, would be Enough. Ah! douce campagna of that thing! Ah! douce campagna, honey in the heart, Green in the body, out of a petty phrase, Out of a thing believed, a thing affirmed: The form on the pillow humming while one sleeps, The aureole above the humming house... It can never be satisfied, the mind, never.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Man, I really like &lt;a href=&#34;http://en.wikipedia.org/wiki/Wallace_Stevens&#34;&gt;Wallace Stevens&lt;/a&gt;. [via &lt;a href=&#34;http://1000timesno.net/&#34;&gt;1000timesno&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Best American Science &amp;amp; Nature Writing 2007 (review: 3.5/5)</title>
    <link href="https://mlarson.org/2008/04/18/20080418best-american-science-nature-writing-2007-review/"/>
    <updated>2008-04-18T00:24:28.000Z</updated>
    <id>https://mlarson.org/2008/04/18/20080418best-american-science-nature-writing-2007-review/</id>
    <content type="html">&lt;p&gt;I found &lt;a href=&#34;http://www.amazon.com/Best-American-Science-Nature-Writing/dp/0618722319&#34;&gt;The Best American Science &amp;amp; Nature Writing 2007&lt;/a&gt; when I was out hiking a couple few weeks ago. An Appalachian Trail hiker left it behind, recommending to whoever came by. I snagged it. Any anthology will have some hits and misses. At least, in contrast with my frustrating experience with &lt;a href=&#34;/mark-larson-1/2007/12/16/flash-fiction-forward-80-very-short-stories-review-355&#34;&gt;Flash Fiction Forward&lt;/a&gt;, all of my favorites from this book are available online, and only two of those are behind paywalls. Score. These were the ones I especially liked:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://ngm.nationalgeographic.com/ngm/0607/feature3/index.html&#34;&gt;In Rome&#39;s Basement&lt;/a&gt; by Paul Bennett&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.hcn.org/servlets/hcn.Article?article_id=16163&#34;&gt;Fishering&lt;/a&gt; by Brian Doyle (my top pick)&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://discovermagazine.com/2006/feb/cooking-for-eggheads&#34;&gt;Cooking for Eggheads&lt;/a&gt; by Patricia Gadsby&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.nytimes.com/2006/11/05/magazine/05cyber.html&#34;&gt;Cyber-Neologoliferation&lt;/a&gt; by James Gleick&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://discovermagazine.com/2006/oct/cover&#34;&gt;The Final Frontier&lt;/a&gt; by John Horgan&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.theatlantic.com/doc/200612/langewiesche-nukes&#34;&gt;How to Get a Nuclear Bomb&lt;/a&gt; by William Langewiesche&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.smithsonianmag.com/science-nature/flu.html&#34;&gt;The Flu Hunter&lt;/a&gt; by Michael Rosenwald&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.newyorker.com/archive/2006/05/29/060529fa_fact_seabrook&#34;&gt;Ruffled Feathers&lt;/a&gt; by John Seabrook&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.vanityfair.com/politics/features/2006/05/appalachia200605&#34;&gt;The Rape of Appalachia&lt;/a&gt; by Michael Shnayerson&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://research.amnh.org/~tyson/18magazines_spacedelusions.php&#34;&gt;Delusions of Space Enthusiasts&lt;/a&gt; by Neil deGrasse Tyson&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>April 16, 2008</title>
    <link href="https://mlarson.org/2008/04/16/200804161234/"/>
    <updated>2008-04-16T22:13:03.000Z</updated>
    <id>https://mlarson.org/2008/04/16/200804161234/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://johnmarkpiano.com&#34;&gt;John Mark Harris&lt;/a&gt; arranged a piece for piano by &lt;a href=&#34;http://en.wikipedia.org/wiki/Iannis_Xenakis&#34;&gt;Iannis Xenakis&lt;/a&gt; to make it, y&#39;know, playable by a human. You can &lt;a href=&#34;http://johnmarkpiano.com/evryali/evryaliscroller.html&#34;&gt;see and hear the graph for Evryali&lt;/a&gt;. Harris comments:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The title refers to the &amp;quot;Medusa, with head of writing snakes&amp;quot;, as well as &amp;quot;the open sea&amp;quot;. Both allusions have clear meanings upon hearing the piece...&lt;/p&gt;
&lt;p&gt;Evryali was composed without regard to the limitations of the human anatomy, as the branching often expands beyond the range of two human hands. In more than one instance, the branching has caused bushed to appear at the extreme right and left of the keyboard, yet there are also bushes in the center of the piano. The performer must obviously edit the score. The graph I made became a tool for determining what I would leave out...&lt;/p&gt;
&lt;p&gt;The music that remains, after editing, is anatomically possible. Yet the performer is left with an undertaking that can not be thought of as reasonable. The relentless repetitive motions, wide leaps, and awkward streams of chords directly challenge the pianist&#39;s need for fluid fingers and free arms. The pianist runs the risk of gazing into Medusa and freezing solid. Brute force and physical endurance are not enough to solve the difficulty. Only through the same imagination that one finds the music &amp;quot;possible&amp;quot; can one find the answer to its realization.&lt;/p&gt;
&lt;p&gt;As one can never view Medusa directly, without cheating in the manner of Perseus, one can never hear the piece performed exactly as composed. The audience is not granted a true image of Evryali, but must, like Perseus, experience only a reflection of the monstrosity.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Further &lt;a href=&#34;http://pages.infinit.net/kore/xenakistamingfull.html&#34;&gt;commentary from Marc Couroux&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Evryali is not virtuosic, nor is it anti-virtuosic. It is highly unlikely that this state could have come about as a result of the composer&#39;s insufficient command of pianistic technique. The gauntlet is so clearly thrown down that the difficulties cannot be anything other than premeditated... The fact that one cannot physically realize the totality of Evryali makes it seem unnecessarily utopian. The task of any performer is to strive, regardless of difficulty, to achieve every detail and to project them into a broader context.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://philharnish.tumblr.com/&#34;&gt;phil harnish&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 16, 2008</title>
    <link href="https://mlarson.org/2008/04/16/200804161232/"/>
    <updated>2008-04-16T21:54:48.000Z</updated>
    <id>https://mlarson.org/2008/04/16/200804161232/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/groups/rothko-esque/pool/&#34;&gt;ROTHKOesque&lt;/a&gt;, a group of photos with Mark Rothko-ish qualities.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 16, 2008</title>
    <link href="https://mlarson.org/2008/04/16/200804161231/"/>
    <updated>2008-04-16T21:53:49.000Z</updated>
    <id>https://mlarson.org/2008/04/16/200804161231/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=m4L94Kw8ZoA&#34;&gt;A video of Bob Becker playing some novelty xylophone tunes&lt;/a&gt; with a college group. I saw Becker playing with &lt;a href=&#34;http://www.nexuspercussion.com/&#34;&gt;Nexus&lt;/a&gt; a few years back. He&#39;s insanely skilled.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 15, 2008</title>
    <link href="https://mlarson.org/2008/04/15/200804151230/"/>
    <updated>2008-04-15T21:55:17.000Z</updated>
    <id>https://mlarson.org/2008/04/15/200804151230/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.writing.upenn.edu/~afilreis/88/not-ideas.html&#34;&gt;Not Ideas about the Thing but the Thing Itself&lt;/a&gt; by Wallace Stevens.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2008</title>
    <link href="https://mlarson.org/2008/04/10/200804101229/"/>
    <updated>2008-04-10T23:21:51.000Z</updated>
    <id>https://mlarson.org/2008/04/10/200804101229/</id>
    <content type="html">&lt;p&gt;Audio and video from the &lt;a href=&#34;http://deimos.apple.com/WebObjects/Core.woa/Browse/nypl.org&#34;&gt;New York Public Library is now on iTunes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2008</title>
    <link href="https://mlarson.org/2008/04/10/200804101228/"/>
    <updated>2008-04-10T23:11:46.000Z</updated>
    <id>https://mlarson.org/2008/04/10/200804101228/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.avclub.com/content/interview/mythbusters_jamie_hyneman_and&#34;&gt;An interview with Mythbusters&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We&#39;re just trying to see what happens. And we have relatively little time and a whole lot of curiosity, so the most efficient way to get there is what we do, and that often happens to be some form of science... That being said, the fact that we don&#39;t have formal training, that makes what we&#39;re experiencing a little bit more accessible to the viewers. If we actually knew what we were doing ahead of time, it would just be like talking at you, instead of experiencing the situation with you.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2008</title>
    <link href="https://mlarson.org/2008/04/10/200804101227/"/>
    <updated>2008-04-10T23:01:07.000Z</updated>
    <id>https://mlarson.org/2008/04/10/200804101227/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.davegray.info/2008/04/03/how-to-draw-a-stick-figure/&#34;&gt;Dave Gray teaches how to draw a stick figure&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2008</title>
    <link href="https://mlarson.org/2008/04/10/200804101226/"/>
    <updated>2008-04-10T08:00:14.000Z</updated>
    <id>https://mlarson.org/2008/04/10/200804101226/</id>
    <content type="html">&lt;p&gt;&amp;quot;As unseemly as it is for America&#39;s wealthiest people to strive for more money, &lt;a href=&#34;http://www.tcsdaily.com/article.aspx?id=040708A&#34;&gt;America&#39;s political class is far worse&lt;/a&gt;. They have a ridiculous excess of power, and yet they only want more.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2008</title>
    <link href="https://mlarson.org/2008/04/10/200804101225/"/>
    <updated>2008-04-10T07:57:38.000Z</updated>
    <id>https://mlarson.org/2008/04/10/200804101225/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.miltonglaser.com/pages/milton/essays/es3.html&#34;&gt;10 Things I Have Learned&lt;/a&gt;, Milton Glaser&#39;s life lessons.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 9, 2008</title>
    <link href="https://mlarson.org/2008/04/09/200804091224/"/>
    <updated>2008-04-09T18:16:52.000Z</updated>
    <id>https://mlarson.org/2008/04/09/200804091224/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=rvoBCr7E5qo&#34;&gt;Eddie Murphy riffs on wanting McDonald&#39;s food when you were a kid&lt;/a&gt;. &amp;quot;I had one of those mothers, no matter what you want, she has the ingredients at home.&amp;quot; It&#39;s Eddie Murphy so, nsfw.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Talk About Books You Haven&#39;t Read (review: 3/5)</title>
    <link href="https://mlarson.org/2008/04/09/20080409how-to-talk-about-books-you-havent-read-review-35/"/>
    <updated>2008-04-09T00:13:40.000Z</updated>
    <id>https://mlarson.org/2008/04/09/20080409how-to-talk-about-books-you-havent-read-review-35/</id>
    <content type="html">&lt;p&gt;The title of &lt;a href=&#34;http://en.wikipedia.org/wiki/Pierre_Bayard&#34;&gt;Pierre Bayard&lt;/a&gt;&#39;s book &lt;a href=&#34;http://www.amazon.com/Talk-About-Books-Havent-Read/dp/1596914696&#34;&gt;How to Talk About Books You Haven&#39;t Read&lt;/a&gt; is a bit misleading. Don&#39;t get your hopes up for any on-the-ground tactics for escaping awkward conversation. Bayard spends a couple hundred pages, illustrated mostly with stories and examples from his specialty in French literature, talking about why you shouldn&#39;t feel awkward in the first place. Assuming &amp;quot;cultivation&amp;quot; is a worthy goal, you have to remember that &amp;quot;being cultivated is a matter not of having read any book in particular, but of being able to find your bearings within books as a system, which requires you to know that they form a system and to be able to locate each element in relation to the others.&amp;quot;&lt;/p&gt;
&lt;p&gt;It boils down like this: There are a lot of books out there. You can&#39;t read them all. As soon as you begin to read, you begin to forget what you&#39;re reading. What you actually remember is incomplete, anyway, and the way you remember it changes. Lastly, the way we actually use our incomplete, mutable memories of books varies from time to time, place to place, person to person, conversation to conversation.&lt;/p&gt;
&lt;p&gt;In the end, Bayard says, &amp;quot;what we talk about is not the books themselves, but the substitute objects we create for the occasion.&amp;quot; This makes me think of the idea of social objects in marketing.&lt;/p&gt;
&lt;p&gt;Hugh MacLeod: &amp;quot;The interesting thing about the &lt;a href=&#34;http://www.gapingvoid.com/Moveable_Type/archives/004265.html&#34;&gt;Social Object&lt;/a&gt; is the not the object itself, but the conversations that happen around them.&amp;quot;&lt;/p&gt;
&lt;p&gt;Compare Bayard: &amp;quot;The books themselves are not at stake; they have been replaced by other intermediary objects that have no content in themselves, and which are defined solely by the unstable social and psychological forces that bombard them.&amp;quot;&lt;/p&gt;
&lt;p&gt;There&#39;s also the interesting idea of ambiguity when these discussions come up:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Like words, books, in representing us, also deform what we are. In talking about books, we find ourselves exchanging not so much cultural objects as the very parts of ourselves we need to shore up our coherence during these threats to our narcissistic selves. Our feelings of shame arise because our very identity is imperiled by these exchanges, whence the imperative that the virtual space in which we stage them remain marked by ambiguity and play.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Ambiguity and play comes out because most of our conversation isn&#39;t about books per se, it&#39;s about situating ourselves to each other. It&#39;s about relating. This brings to mind a &lt;a href=&#34;http://www.esquire.com/features/chuck-klostermans-america/klosterman1207&#34;&gt;Chuck Klosterman essay on why we like the music we like&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When someone asks me what kind of music I like, he is (usually) attempting to use this information to deduce things about my personality... But here&#39;s the problem: This premise is founded on the belief that the person you&#39;re talking with consciously knows why he appreciates those specific things or harbors those specific feelings. It&#39;s also predicated on the principle that you know why you like certain sounds or certain images, because that self-awareness is how we establish the internal relationship between a) what someone loves and b) who someone is.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 8, 2008</title>
    <link href="https://mlarson.org/2008/04/08/200804081222/"/>
    <updated>2008-04-08T22:21:30.000Z</updated>
    <id>https://mlarson.org/2008/04/08/200804081222/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.naturalhistorymag.com/editors_pick/1966_08-09_pick.html&#34;&gt;Shakespeare in the Bush&lt;/a&gt;. &amp;quot;An American anthropologist set out to study the Tiv of West Africa and was taught the true meaning of Hamlet.&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I decided to skip the soliloquy. Even if Claudius was here thought quite right to marry his brotherÄôs widow, there remained the poison motif, and I knew they would disapprove of fratricide. More hopefully I resumed, ÄúThat night Hamlet kept watch with the three who had seen his dead father. The dead chief again appeared, and although the others were afraid, Hamlet followed his dead father off to one side. When they were alone, HamletÄôs dead father spoke.Äù&lt;/p&gt;
&lt;p&gt;ÄúOmens canÄôt talk!Äù The old man was emphatic.&lt;/p&gt;
&lt;p&gt;ÄúHamletÄôs dead father wasnÄôt an omen. Seeing him might have been an omen, but he was not.Äù My audience looked as confused as I sounded. ÄúIt was HamletÄôs dead father. It was a thing we call a Äòghost.ÄôÄù I had to use the English word, for unlike many of the neighboring tribes, these people didnÄôt believe in the survival after death of any individuating part of the personality.&lt;/p&gt;
&lt;p&gt;ÄúWhat is a Äòghost?Äô An omen?Äù&lt;/p&gt;
&lt;p&gt;ÄúNo, a ÄòghostÄô is someone who is dead but who walks around and can talk, and people can hear him and see him but not touch him.Äù&lt;/p&gt;
&lt;p&gt;They objected. ÄúOne can touch zombis.Äù&lt;/p&gt;
&lt;p&gt;ÄúNo, no! It was not a dead body the witches had animated to sacrifice and eat. No one else made HamletÄôs dead father walk. He did it himself.Äù&lt;/p&gt;
&lt;p&gt;ÄúDead men canÄôt walk,Äù protested my audience as one man.&lt;/p&gt;
&lt;p&gt;I was quite willing to compromise.&lt;/p&gt;
&lt;p&gt;ÄúA ÄòghostÄô is the dead manÄôs shadow.Äù&lt;/p&gt;
&lt;p&gt;But again they objected. ÄúDead men cast no shadows.Äù&lt;/p&gt;
&lt;p&gt;ÄúThey do in my country,Äù I snapped.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 7, 2008</title>
    <link href="https://mlarson.org/2008/04/07/200804071220/"/>
    <updated>2008-04-07T22:13:37.000Z</updated>
    <id>https://mlarson.org/2008/04/07/200804071220/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.nytimes.com/2008/04/06/arts/dance/06laro.html&#34;&gt;New York Times writes about the upcoming collaboration between Big Boi and the Atlanta Ballet&lt;/a&gt;. [via &lt;a href=&#34;http://aroundmidtown.com/?p=160&#34;&gt;around midtown&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 6, 2008</title>
    <link href="https://mlarson.org/2008/04/06/200804061219/"/>
    <updated>2008-04-06T21:44:59.000Z</updated>
    <id>https://mlarson.org/2008/04/06/200804061219/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.stefanieposavec.com/&#34;&gt;Stefanie Posavec&lt;/a&gt; made a &lt;a href=&#34;http://www.notcot.com/images/2008/04/Sentence-Length-poster.jpg&#34;&gt;diagram of every sentence in On the Road&lt;/a&gt; organized by words per sentence. Here are &lt;a href=&#34;http://www.notcot.com/archives/2008/04/stefanie_posave.php&#34;&gt;more literary diagrams&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 6, 2008</title>
    <link href="https://mlarson.org/2008/04/06/200804061218/"/>
    <updated>2008-04-06T21:00:22.000Z</updated>
    <id>https://mlarson.org/2008/04/06/200804061218/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://pecha-kucha.org&#34;&gt;Pecha Kucha Night&lt;/a&gt; is an informal gathering of presenters who are limited to 20 slides of 20 seconds each. So, theoretically, it&#39;s a forum with less rambling and more variety in the course of an evening. &lt;a href=&#34;http://pecha-kucha.org/cities/&#34;&gt;Lots of cities&lt;/a&gt; are having them now. Could be cool. The next &lt;a href=&#34;http://www.atlantapechakucha.com/&#34;&gt;Atlanta Pecha Kucha&lt;/a&gt; will be next Sunday at &lt;a href=&#34;http://www.octanecoffee.com/&#34;&gt;Octane Coffee&lt;/a&gt;. The Atlanta Pecha Kucha also has the &lt;a href=&#34;http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=268813810&#34;&gt;previous podcasts available on iTunes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 4, 2008</title>
    <link href="https://mlarson.org/2008/04/04/200804041217/"/>
    <updated>2008-04-04T19:35:08.000Z</updated>
    <id>https://mlarson.org/2008/04/04/200804041217/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.ironicsans.com/2008/04/eyeglasses_and_the_pushing_up.html&#34;&gt;Eyeglasses and the pushing up thereof&lt;/a&gt;, an analysis of optical adjustment techniques. Good commentary from the audience.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 4, 2008</title>
    <link href="https://mlarson.org/2008/04/04/200804041216/"/>
    <updated>2008-04-04T00:09:02.000Z</updated>
    <id>https://mlarson.org/2008/04/04/200804041216/</id>
    <content type="html">&lt;p&gt;This &lt;a href=&#34;http://www.blackbookmag.com/features/comments/philip-gourevitch/&#34;&gt;interview with Philip Gourevitch&lt;/a&gt; is mostly about interviewing, but I like this, too:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My guilty pleasure reads are things that are just fabulously written. I donÄôt know how to say it without it being pretentious---IÄôll read a chapter from Moby Dick or Adventures of Huckleberry Finn at random, where the language is just rocketing around, where thereÄôs absolutely no urgency to read it. ItÄôs like putting on one of your great anthem songs. ItÄôs like cranking the stereo.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2008</title>
    <link href="https://mlarson.org/2008/04/01/200804011215/"/>
    <updated>2008-04-01T00:11:29.000Z</updated>
    <id>https://mlarson.org/2008/04/01/200804011215/</id>
    <content type="html">&lt;p&gt;This &lt;a href=&#34;http://www.omnivoracious.com/2008/03/the-art-of-fake.html&#34;&gt;fictional Paris Review Interview with &amp;quot;Constance Eakins&amp;quot;&lt;/a&gt; is a clever bit of promotion for &lt;a href=&#34;http://www.nathanielrich.com/&#34;&gt;The Mayor&#39;s Tongue&lt;/a&gt;. Here&#39;s a &lt;a href=&#34;http://www.nathanielrich.com/art/preakins.pdf&#34;&gt;pdf of the interview&lt;/a&gt; [1.5mb]. Eakins started with comics:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Interviewer: Was it when you ran away from home that you began to feel that you were going to be a writer?&lt;/p&gt;
&lt;p&gt;Eakins: No, I always wanted to be a writer, even before I was born. My first story was what I like to call an image-story. When I hadn&#39;t yet learned how to speak, my dear mother would give me a parcel of rusty nails, which I used to draw abstract shapes on the walls of our home.&lt;/p&gt;
&lt;p&gt;I: How do you know that these were stories? I mean, doesn&#39;t every child make drawings if given some sort of writing implement?&lt;/p&gt;
&lt;p&gt;E: They were image-stories and if you went to look at them now they would make you weep from the beauty of their narrative swoop.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The classic nuts and bolts...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I: When do you begin writing each day? As soon as you wake up?&lt;/p&gt;
&lt;p&gt;E: Yes, when I wake up in the morning I always have the desire to sit down to write. The first thing I do is write down my dreams, then I get to my fiction, poetry, theater, film scripts, monographs, critical essays, and journalism---in that order. But then I constantly am receiving telephone calls, gawking fans come up to my house, friends try to visit, and I am all the time interrupted. Somehow I manage to keep on writing.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://maudnewton.com/blog/index.php&#34;&gt;maud newton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 31, 2008</title>
    <link href="https://mlarson.org/2008/03/31/200803311214/"/>
    <updated>2008-03-31T22:28:58.000Z</updated>
    <id>https://mlarson.org/2008/03/31/200803311214/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.atlantafilmfestival.com/&#34;&gt;Atlanta Film Festival&lt;/a&gt; starts next week. Here&#39;s the &lt;a href=&#34;http://atlanta.bside.com/2008/schedule&#34;&gt;festival schedule&lt;/a&gt;. The big opener is &lt;a href=&#34;http://atlanta.bside.com/2008/films/thelenabakerstory_atlanta2008&#34;&gt;The Lena Baker Story&lt;/a&gt;, which &amp;quot;recounts the tragic true story of the first and only woman sentenced to die in the electric chair in the state of Georgia.&amp;quot; She was &lt;a href=&#34;http://en.wikipedia.org/wiki/Lena_Baker&#34;&gt;pardoned just a few years ago&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Der Weg der Menschen (review: 3/5)</title>
    <link href="https://mlarson.org/2008/03/30/20080330der-weg-der-menschen-review-35/"/>
    <updated>2008-03-30T15:30:08.000Z</updated>
    <id>https://mlarson.org/2008/03/30/20080330der-weg-der-menschen-review-35/</id>
    <content type="html">&lt;p&gt;Frans Masereel&#39;s book first appeared in 1964 under the title &amp;quot;Route des Hommes.&amp;quot; The 60 woodcuts in this book came forty years after the others I reviewed. From what I can piece together from the French and German sources that I can&#39;t read, I think maybe it was connected with of some kind of exhibition or retrospective. Who knows. The style is much more loose and slashing, not quite as tidy as the earlier works. Taking on a larger, broader story, the panels also become more thematic. There&#39;s a lot more abstract icons embedded in the pictures. Panels are less explicitly connected to the ones on the previous pages. Characters don&#39;t really carry over from scene to scene, but the ideas accrete and overlap over a series of page turns.&lt;/p&gt;
&lt;p&gt;[update: images removed for copyright complaint from &lt;a href=&#34;http://www.bildkunst.de/html/index_e.html&#34;&gt;Verwertungsgesellschaft Bild-Kunst&lt;/a&gt;. so it goes.]&lt;/p&gt;
&lt;p&gt;Here&#39;s the opening, with its huddled masses: Later we get to the expressionist bits. Sturm und drang. I love this one. Masereel&#39;s omnipresent, beckoning sun. A rare pastoral scene. The space age.&lt;/p&gt;
&lt;p&gt;I&#39;m out of Masereel books now, so this is the end of the Masereel Appreciation Festival. Previous installments included a &lt;a href=&#34;/mark-larson-1/2008/03/29/1209&#34;&gt;tidbit from L&#39;Idee&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2008/03/25/frans-masereel-in-film&#34;&gt;Masereel in Film&lt;/a&gt;, and selections from &lt;a href=&#34;/mark-larson-1/2008/03/25/die-stadt-review-355&#34;&gt;Die Stadt&lt;/a&gt; and &lt;a href=&#34;/mark-larson-1/2008/03/21/die-sonne-review-45&#34;&gt;Die Sonne&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 30, 2008</title>
    <link href="https://mlarson.org/2008/03/30/200803301212/"/>
    <updated>2008-03-30T13:07:02.000Z</updated>
    <id>https://mlarson.org/2008/03/30/200803301212/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://en.wikipedia.org/wiki/James_Thurber&#34;&gt;Thurber&lt;/a&gt; &amp;amp; &lt;a href=&#34;http://en.wikipedia.org/wiki/E._B._White&#34;&gt;White&lt;/a&gt; send-up on the &lt;a href=&#34;http://www.amazon.com/Sex-Necessary-Why-You-Feel/dp/0060733144&#34;&gt;knee phenomenon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Simply stated, the knee phenomenon is this: occasions arise sometimes when a girl presses her knee, ever so gently, against the knee of the young man she is out with... Often the topic of conversation has something to do with it: the young people, talking along pleasantly, will suddenly experience a sensation of compatibility, or of friendliness, or of pity, or of community-of-interests. One of them will make a remark singularly agreeable to the other person---a chance word or phrase that seems to establish a bond between them. Such a remark can cause the knee of the girl to be placed against the knee of the young man. Or, if the two people are in a cab, the turning of a sharp corner will do it. In canoes, the wash from a larger vessel will bring it about. In restaurants and dining-rooms it often takes place under the table, as though by accident. On divans, sofas, settees, couches, davenports, and the like, the slight twist of the young lady&#39;s body incident to receiving a light for her cigarette will cause it... Now, a normal male in whom there are no traces of frigidity will allow his knee to retain its original position, sometimes even exerting a very slight counter-pressure. A frigid male, however, will move is knee away at the first suggestion of contact, denying himself the electric stimulus of love&#39;s first stirring.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Cadillac Desert: The American West and Its Disappearing Water (review: 5/5)</title>
    <link href="https://mlarson.org/2008/03/30/20080330cadillac-desert-the-american-west-and-its-disappearing-water-review-55/"/>
    <updated>2008-03-30T11:51:23.000Z</updated>
    <id>https://mlarson.org/2008/03/30/20080330cadillac-desert-the-american-west-and-its-disappearing-water-review-55/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Cadillac-Desert-American-Disappearing-Revised/dp/0140178244&#34;&gt;Cadillac Desert&lt;/a&gt; was pretty awesome. Marc Reisner tells a story (in sometimes overwhelming detail) of the American West, and how we have explored, settled, and altered it. And how it was maybe a little idiotic to do it the way we have. The Mormons were the first to understand and refine large-scale irrigation projects. Later we get into the geographic discoveries of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Powell_Geographic_Expedition_of_1869&#34;&gt;Powell expedition&lt;/a&gt;, the explosion of Los Angeles and California farming during the &lt;a href=&#34;http://en.wikipedia.org/wiki/William_Mulholland&#34;&gt;Mulholland&lt;/a&gt; era, the massive federal projects of the Depression and World War decades, and the competition between two federal agencies that LOVE to build: the &lt;a href=&#34;http://en.wikipedia.org/wiki/United_States_Bureau_of_Reclamation&#34;&gt;Bureau of Reclamation&lt;/a&gt; and the &lt;a href=&#34;http://en.wikipedia.org/wiki/United_States_Army_Corps_of_Engineers&#34;&gt;Army Corps of Engineers&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Where great rivers ran we now have dams and reservoirs---&lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_reservoirs_and_dams_in_the_United_States&#34;&gt;around 75,000&lt;/a&gt;. Not to mention canals and levees and aqueducts. They&#39;re a mixed blessing at best. Aside from the environmental impact, the amount of political maneuvering, folly, thuggery, and outright deceit that has gone into some of these projects is just incredible. Very few of the projects would have been possible without Federal involvement (read: subsidized by Eastern tax dollars). I don&#39;t even consider myself &amp;quot;environmentalist&amp;quot; but still found it all pretty outrageous. Great book.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A list of people who worked while standing</title>
    <link href="https://mlarson.org/2008/03/30/20080330a-list-of-people-who-worked-while-standing/"/>
    <updated>2008-03-30T00:41:58.000Z</updated>
    <id>https://mlarson.org/2008/03/30/20080330a-list-of-people-who-worked-while-standing/</id>
    <content type="html">&lt;p&gt;Maybe a bit of an alpha-male slant here.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Ernest Hemingway&lt;/li&gt;
&lt;li&gt;Donald Rumsfeld &amp;quot;&lt;a href=&#34;http://www.defenselink.mil/transcripts/transcript.aspx?transcriptid=2540&#34;&gt;I like to use a chainsaw and cut wood and chop wood&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;li&gt;Thomas Jefferson&lt;/li&gt;
&lt;li&gt;Winston Churchill&lt;/li&gt;
&lt;li&gt;Thomas Wolfe&lt;/li&gt;
&lt;li&gt;Vladimir Nabokov&lt;/li&gt;
&lt;li&gt;John Dos Passos&lt;/li&gt;
&lt;li&gt;John Adams&lt;/li&gt;
&lt;li&gt;Douglas MacArthur&lt;/li&gt;
&lt;li&gt;Virginia Woolf&lt;/li&gt;
&lt;li&gt;Leonardo Da Vinci&lt;/li&gt;
&lt;li&gt;Benjamin Franklin&lt;/li&gt;
&lt;li&gt;Napoleon Bonaparte&lt;/li&gt;
&lt;li&gt;William Gladstone&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2008</title>
    <link href="https://mlarson.org/2008/03/29/200803291210/"/>
    <updated>2008-03-29T18:28:42.000Z</updated>
    <id>https://mlarson.org/2008/03/29/200803291210/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://papercuts.blogs.nytimes.com/2008/03/25/seven-deadly-words-of-book-reviewing/&#34;&gt;seven deadly words of book reviewing&lt;/a&gt;. There are over 200 comments now that add to the list, most of them very good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2008</title>
    <link href="https://mlarson.org/2008/03/29/200803291209/"/>
    <updated>2008-03-29T17:36:41.000Z</updated>
    <id>https://mlarson.org/2008/03/29/200803291209/</id>
    <content type="html">&lt;p&gt;Probably a parallel here with the &lt;a href=&#34;http://en.wikipedia.org/wiki/Athena#Birth_of_Athena&#34;&gt;birth of Athena&lt;/a&gt;: [update: photo of a really awesome woodcut removed due to copyright complaint from &lt;a href=&#34;http://www.bildkunst.de/html/index_e.html&#34;&gt;Verwertungsgesellschaft Bild-Kunst&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;From &lt;a href=&#34;http://www.amazon.com/Idea-Story-Without-Words/dp/1570625859&#34;&gt;L&#39;Idee&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Frans_Masereel&#34;&gt;Frans Masereel&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2008</title>
    <link href="https://mlarson.org/2008/03/27/200803271208/"/>
    <updated>2008-03-27T23:32:18.000Z</updated>
    <id>https://mlarson.org/2008/03/27/200803271208/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2008/03/27/health/nutrition/27best.html&#34;&gt;Science confirms the runner&#39;s high&lt;/a&gt;, which used to be just folk wisdom. It&#39;s connected not only with better mood, but also with tolerance for pain.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2008</title>
    <link href="https://mlarson.org/2008/03/27/200803271207/"/>
    <updated>2008-03-27T23:03:25.000Z</updated>
    <id>https://mlarson.org/2008/03/27/200803271207/</id>
    <content type="html">&lt;p&gt;Really enjoyed the Frontline feature &lt;a href=&#34;http://www.pbs.org/wgbh/pages/frontline/bushswar/&#34;&gt;Bush&#39;s War&lt;/a&gt;. Well worth a few hours.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2008</title>
    <link href="https://mlarson.org/2008/03/27/200803271206/"/>
    <updated>2008-03-27T22:30:15.000Z</updated>
    <id>https://mlarson.org/2008/03/27/200803271206/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.metropolismag.com/cda/story.php?artid=3182&#34;&gt;interview with Dan Roam&lt;/a&gt;, author of &lt;a href=&#34;http://www.amazon.com/Back-Napkin-Solving-Problems-Pictures/dp/1591841992&#34;&gt;The Back of the Napkin: Solving Problems and Selling Ideas with Pictures&lt;/a&gt;, which I need to remember to buy:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Today there are great drawing tools in a lot of software packages, and many business people, bless their hearts, are getting better at using them. The problem is the pictures look perfect when theyÄôre done. And by virtue of looking finished, they actually turn off peopleÄôs desire to constructively comment on them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://www.austinkleon.com/&#34;&gt;austin kleon&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Frans Masereel in Film</title>
    <link href="https://mlarson.org/2008/03/25/20080325frans-masereel-in-film/"/>
    <updated>2008-03-25T23:10:11.000Z</updated>
    <id>https://mlarson.org/2008/03/25/20080325frans-masereel-in-film/</id>
    <content type="html">&lt;p&gt;As I continue the &lt;a href=&#34;http://en.wikipedia.org/wiki/Frans_Masereel&#34;&gt;Frans Masereel&lt;/a&gt; Appreciation Week Festival, here&#39;s an &lt;a href=&#34;http://brightlightsfilm.blogspot.com/2006/09/big-ide-of-berthold-bartosch.html&#34;&gt;animated film adaptation of L&#39;Idee&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Berthold_Bartosch&#34;&gt;Berthold Bartosch&lt;/a&gt; had Frans Masereel&#39;s help on the film for some of the two years he spent working on it. The end result is almost a half-hour long, and though it starts a bit slowly, there are some legitimately cool effects considering the crude tools available in 1930. A couple other bonus points: the movie was scored by &lt;a href=&#34;http://en.wikipedia.org/wiki/Arthur_Honegger&#34;&gt;Arthur Honegger&lt;/a&gt; (who&#39;s best known for &lt;a href=&#34;http://www.youtube.com/watch?v=xp80cHYVh2Q&#34;&gt;Pacific 231&lt;/a&gt;), and the soundtrack features an &lt;a href=&#34;http://en.wikipedia.org/wiki/Ondes_Martenot&#34;&gt;ondes martenot&lt;/a&gt;---possibly the first-ever use of an electronic instrument in film.&lt;/p&gt;
&lt;p&gt;According to that first link, &lt;a href=&#34;http://brightlightsfilm.blogspot.com/&#34;&gt;Bright Lights After Dark&lt;/a&gt;, Masereel&#39;s work in &lt;a href=&#34;http://www.graphicwitness.org/historic/st.htm&#34;&gt;Die Stadt&lt;/a&gt; (my brief &lt;a href=&#34;/mark-larson-1/2008/03/25/die-stadt-review-355&#34;&gt;review of Die Stadt&lt;/a&gt;) was also a big influence on &lt;a href=&#34;http://en.wikipedia.org/wiki/Walter_Ruttmann&#34;&gt;Walter Ruttmann&lt;/a&gt;&#39;s hour-long silent film &lt;a href=&#34;http://www.archive.org/details/BerlinSymphonyofaGreatCity&#34;&gt;Berlin: Die Sinfonie der Gro?üstadt&lt;/a&gt;. More about &lt;a href=&#34;http://en.wikipedia.org/wiki/Berlin:_Symphony_of_a_Great_City&#34;&gt;Die Sinfonie at Wikipedia&lt;/a&gt; and &lt;a href=&#34;http://www.youtube.com/results?search_query=berlin+symphony+of+a+great+city&#34;&gt;shorter clips available on YouTube&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 25, 2008</title>
    <link href="https://mlarson.org/2008/03/25/200803251204/"/>
    <updated>2008-03-25T00:35:07.000Z</updated>
    <id>https://mlarson.org/2008/03/25/200803251204/</id>
    <content type="html">&lt;p&gt;Some behind-the-scenes &lt;a href=&#34;http://www.vbs.tv/video.php?id=1438428757&#34;&gt;video journalism from North Korea&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 25, 2008</title>
    <link href="https://mlarson.org/2008/03/25/200803251203/"/>
    <updated>2008-03-25T00:34:00.000Z</updated>
    <id>https://mlarson.org/2008/03/25/200803251203/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/eoshinsky/2358662136/in/set-72157602023995391/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2115/2358662136_9c530a8f02.jpg&#34; alt=&#34;Adelbert Ames&#34;&gt;&lt;/a&gt;&lt;a href=&#34;http://www.flickr.com/photos/eoshinsky/sets/72157602023995391/&#34;&gt;One of a few linocuts of Confederate &amp;amp; Union officers&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Die Stadt (review: 3.5/5)</title>
    <link href="https://mlarson.org/2008/03/25/20080325die-stadt-review-355/"/>
    <updated>2008-03-25T00:06:50.000Z</updated>
    <id>https://mlarson.org/2008/03/25/20080325die-stadt-review-355/</id>
    <content type="html">&lt;p&gt;Another set of woodcuts from Frans Masereel (last Friday I took a look at &lt;a href=&#34;/mark-larson-1/2008/03/21/die-sonne-review-45&#34;&gt;Die Sonne&lt;/a&gt;). &lt;a href=&#34;http://www.amazon.com/gp/product/0486447316/&#34;&gt;Die Stadt&lt;/a&gt; was first published in 1925. The impressions of war-torn Europe cover the range of everyday life: the birth of a child, a man with a prostitute, parents with their children, medical students at the morgue, street scenes both peaceful and violent. They are almost all dense with the detail and distractions that cities offer. You can see the full set of images from &lt;a href=&#34;http://www.graphicwitness.org/historic/st.htm&#34;&gt;Die Stadt at Graphic Witness&lt;/a&gt;. These are some of the woodcuts that I particularly enjoyed... [update: images removed due to copyright complaint from from &lt;a href=&#34;http://www.bildkunst.de/html/index_e.html&#34;&gt;Verwertungsgesellschaft Bild-Kunst&lt;/a&gt;. no more free publicity---good luck finding it]&lt;/p&gt;
&lt;p&gt;If you look at this image in the original size, you can see the faces of the men walking about. With just a few cuts here and there, he managed to make them unique with mustaches, beards, long noses, weak chins. Most of them are in profile, which probably helps.&lt;/p&gt;
&lt;p&gt;I like the perspective in this one, monstrous city receding but growing taller.&lt;/p&gt;
&lt;p&gt;Different architecture for each walk-up. Sunlight filtering through the trees.&lt;/p&gt;
&lt;p&gt;This one is probably my favorite overall. A slight curve in the edges gives this incredible softness to her skin and clothing. Really amazing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2008</title>
    <link href="https://mlarson.org/2008/03/21/200803211201/"/>
    <updated>2008-03-21T18:05:07.000Z</updated>
    <id>https://mlarson.org/2008/03/21/200803211201/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=HflLVEWbigI&#34;&gt;There Will Be Vader&lt;/a&gt; made my morning today.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Die Sonne (review: 4/5)</title>
    <link href="https://mlarson.org/2008/03/21/20080321die-sonne-review-45/"/>
    <updated>2008-03-21T00:58:15.000Z</updated>
    <id>https://mlarson.org/2008/03/21/20080321die-sonne-review-45/</id>
    <content type="html">&lt;p&gt;A man chases the sun through city, sky, and sea in this wordless story by &lt;a href=&#34;http://en.wikipedia.org/wiki/Frans_Masereel&#34;&gt;Frans Masereel&lt;/a&gt;. Here&#39;s my favorite sequence from &lt;a href=&#34;http://www.amazon.com/Sun-Novel-Told-63-Woodcuts/dp/1570627185/&#34;&gt;Die Sonne&lt;/a&gt;: [update: images removed due to copyright complaint from &lt;a href=&#34;http://www.bildkunst.de/html/index_e.html&#34;&gt;Verwertungsgesellschaft Bild-Kunst&lt;/a&gt;. no more free publicity---you&#39;ll have to trust me that it&#39;s worth your time]&lt;/p&gt;
&lt;p&gt;Take a look at some other &lt;a href=&#34;http://flickr.com/photos/marklarson/sets/72157604184678647/&#34;&gt;woodcuts from Die Sonne&lt;/a&gt;. This is the first of four Masereel books that I recently picked up at the &lt;a href=&#34;http://web.library.emory.edu/&#34;&gt;Emory library&lt;/a&gt;. I&#39;m sure I&#39;ll enjoy the others over the next week or two.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2008</title>
    <link href="https://mlarson.org/2008/03/21/200803211199/"/>
    <updated>2008-03-21T00:39:54.000Z</updated>
    <id>https://mlarson.org/2008/03/21/200803211199/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.thenewatlantis.com/archive/13/crawford.htm&#34;&gt;Shop Class as Soulcraft&lt;/a&gt;, an article about the value of working with your hands and the increasing assembly-line nature of knowledge work:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Much of the Äújobs of the futureÄù rhetoric surrounding the eagerness to end shop class and get every warm body into college, thence into a cubicle, implicitly assumes that we are heading to a Äúpost-industrialÄù economy in which everyone will deal only in abstractions. Yet trafficking in abstractions is not the same as thinking. White collar professions, too, are subject to routinization and degradation, proceeding by the same process as befell manual fabrication a hundred years ago: the cognitive elements of the job are appropriated from professionals, instantiated in a system or process, and then handed back to a new class of worker---clerks---who replace the professionals. If genuine knowledge work is not growing but actually shrinking, because it is coming to be concentrated in an ever-smaller elite, this has implications for the vocational advice that students ought to receive...&lt;/p&gt;
&lt;p&gt;The trades are then a natural home for anyone who would live by his own powers, free not only of deadening abstraction, but also of the insidious hopes and rising insecurities that seem to be endemic in our current economic life. This is the stoic ideal.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 20, 2008</title>
    <link href="https://mlarson.org/2008/03/20/200803201198/"/>
    <updated>2008-03-20T22:16:45.000Z</updated>
    <id>https://mlarson.org/2008/03/20/200803201198/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.fakeproject.com/you_are_not_dead/#&#34;&gt;You Are Not Dead: A Guide to Modern Living&lt;/a&gt;, an online essay + soundtrack, &amp;quot;was born out of fraughtful observations of the state of our States and the repetitive, empty monotony of consumer culture and electronic music.&amp;quot; [via &lt;a href=&#34;http://waxy.org/links/&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2008</title>
    <link href="https://mlarson.org/2008/03/19/200803191196/"/>
    <updated>2008-03-19T22:11:48.000Z</updated>
    <id>https://mlarson.org/2008/03/19/200803191196/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.firebox.com/product/1902&#34;&gt;Stylophone&lt;/a&gt; is a pocket-sized organ you play with a stylus. Here&#39;s a &lt;a href=&#34;http://www.firebox.com/video/1402&#34;&gt;medley of Survivor, Final Countdown, and some other 80s hits&lt;/a&gt;. I love how the stylophonist leans back around the 45-second mark to kick out the full rock climax effect.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2008</title>
    <link href="https://mlarson.org/2008/03/19/200803191195/"/>
    <updated>2008-03-19T22:01:39.000Z</updated>
    <id>https://mlarson.org/2008/03/19/200803191195/</id>
    <content type="html">&lt;p&gt;In the wake of our tornados last weekend, a fellow Atlantan has invented the &lt;a href=&#34;http://liveapartmentfire.wordpress.com/2008/03/15/tornado-drinking-game/&#34;&gt;tornado drinking game&lt;/a&gt;, which I&#39;m assuming you could apply to your own regional weather concerns. &amp;quot;When you hear a TV reporter or anchor say &#39;war zone,&#39; &#39;epicenter,&#39; &#39;path of destruction&#39; or &#39;ground zero&#39;...&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2008</title>
    <link href="https://mlarson.org/2008/03/19/200803191194/"/>
    <updated>2008-03-19T21:55:09.000Z</updated>
    <id>https://mlarson.org/2008/03/19/200803191194/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.atlantaballet.com/whatsnew/0809Season.pdf&#34;&gt;Atlanta Ballet announced the 2008-2009 season&lt;/a&gt; [pdf], which is looking pretty damn good. If only they still had the &lt;a href=&#34;/mark-larson-1/2006/07/22/atlanta-ballet-orchestra-given-the-pink-slip&#34;&gt;orchestra&lt;/a&gt;. Dracula was pretty cool when I saw it a couple years ago. They do this great opening in pitch black, then the ghoulish red letters of the title project on the rippling stage curtains before they open on a dark, foggy, spiderwebby set. The dancing wasn&#39;t as exciting, but it&#39;s a cool spectacle. It&#39;s a Valentine&#39;s production this year.&lt;/p&gt;
&lt;p&gt;I love the music for &lt;a href=&#34;http://en.wikipedia.org/wiki/Swan_Lake&#34;&gt;Swan Lake&lt;/a&gt;, which opens the season, and for &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Firebird&#34;&gt;The Firebird&lt;/a&gt;, which will be coupled with some kind of world premiere. &lt;a href=&#34;http://en.wikipedia.org/wiki/Don_Quixote_(ballet)&#34;&gt;Don Quixote&lt;/a&gt; is new to me as a ballet. Never heard the score.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2008</title>
    <link href="https://mlarson.org/2008/03/18/200803181193/"/>
    <updated>2008-03-18T20:53:41.000Z</updated>
    <id>https://mlarson.org/2008/03/18/200803181193/</id>
    <content type="html">&lt;p&gt;I stumbled on these &lt;a href=&#34;http://www.youtube.com/watch?v=Vh3DjTbhb6o&#34;&gt;tabla lessons by Venkat&lt;/a&gt; last night and I am sorely tempted to buy a set. &lt;a href=&#34;http://www.youtube.com/watch?v=P_NSFcGdFS0&#34;&gt;So cool&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2008</title>
    <link href="https://mlarson.org/2008/03/18/200803181192/"/>
    <updated>2008-03-18T20:36:50.000Z</updated>
    <id>https://mlarson.org/2008/03/18/200803181192/</id>
    <content type="html">&lt;p&gt;I like this idea of &lt;a href=&#34;http://rooreynolds.com/2008/03/12/ambient-skype/&#34;&gt;ambient Skype&lt;/a&gt;, just keeping the line open.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 16, 2008</title>
    <link href="https://mlarson.org/2008/03/16/200803161191/"/>
    <updated>2008-03-16T16:27:41.000Z</updated>
    <id>https://mlarson.org/2008/03/16/200803161191/</id>
    <content type="html">&lt;p&gt;In a New York Times article about the death of encyclopedias, a Britannica guy talks about well-designed books as a luxury item. Content might be everywhere, but good design can still expect an appreciative audience:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He envisioned the print volumes living on as a niche, luxury item, with high-quality paper and glossy photographs---similar to the way some audiophiles still swear by vinyl LPs and turntables. ÄúWhat you need people to understand,Äù he said, Äúis that it is a luxury experience. &lt;a href=&#34;http://www.nytimes.com/2008/03/16/weekinreview/16ncohen.html&#34;&gt;You want to be able to produce a lot of joy, a paper joy&lt;/a&gt;.Äù&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://www.designnotes.info/?p=1289&#34;&gt;michael surtees&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 16, 2008</title>
    <link href="https://mlarson.org/2008/03/16/200803161190/"/>
    <updated>2008-03-16T15:59:12.000Z</updated>
    <id>https://mlarson.org/2008/03/16/200803161190/</id>
    <content type="html">&lt;p&gt;From an &lt;a href=&#34;http://torontoist.com/2008/03/stuff_white_peo.php&#34;&gt;interview with Christian Landers&lt;/a&gt;, he of &lt;a href=&#34;http://stuffwhitepeoplelike.wordpress.com/&#34;&gt;Stuff White People Like&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We have a generation of white people who want nothing more than to distance themselves from being white. They need to believe that the earth is being destroyed by evil white people, culture is ruined by the wrong kind of white people, and that history&#39;s sins were committed by distant relatives. And so by eating at ethnic restaurants, travelling, trying to save the world, you can say that &amp;quot;I&#39;m part of the solution, if everyone were like me, the world would be so much better.&amp;quot; I think that attitude lends itself to pretty easy satire.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Koyaanisqatsi</title>
    <link href="https://mlarson.org/2008/03/16/20080316koyaanisqatsi/"/>
    <updated>2008-03-16T15:55:26.000Z</updated>
    <id>https://mlarson.org/2008/03/16/20080316koyaanisqatsi/</id>
    <content type="html">&lt;p&gt;I watched &lt;a href=&#34;http://en.wikipedia.org/wiki/Koyaanisqatsi&#34;&gt;Koyaanisqatsi&lt;/a&gt; this weekend. It&#39;s got a lot of cool footage and overall it was worth watching. But part of the problem with the message (that we live a &amp;quot;crazy life,&amp;quot; a &amp;quot;life out of balance&amp;quot;) is that it&#39;s so dependent on the soundtrack. A lot of it made me think of those time-lapse videos I saw on kids TV when I was little. Seeing a factory in fast motion was &lt;em&gt;cool&lt;/em&gt;, not cause for worry. I was glad I found this &lt;a href=&#34;http://www.youtube.com/watch?v=dHzpLeuXhc4&#34;&gt;Koyaanisqatsi: Redux&lt;/a&gt; which matches a portion of the film to a goofy, upbeat soundtrack, and contrasts it with a more dramatic string arrangement in the middle (musical transitions are around the 2-minute and 4-minute marks). I like parts of &lt;a href=&#34;http://www.philipglass.com/&#34;&gt;Philip Glass&lt;/a&gt;&#39; original soundtrack for the film, and I think it&#39;s kind of spooky-cool how the soundtrack can direct your response to what you&#39;re seeing. But it&#39;s too much of an emotional shortcut.&lt;/p&gt;
&lt;p&gt;There are a lot of excerpts from the film on YouTube, like the &lt;a href=&#34;http://www.youtube.com/watch?v=I6pVLQAY1HM&#34;&gt;original trailer&lt;/a&gt;, the demolition of the &lt;a href=&#34;http://www.youtube.com/watch?v=C4qxk7KhnHs&#34;&gt;Pruitt-Igoe public housing in St. Louis&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=KEwM3n9breM&#34;&gt;scenes from New York&lt;/a&gt;, and the famous &lt;a href=&#34;http://www.youtube.com/watch?v=oWsTIW3dKuU&#34;&gt;closing scene&lt;/a&gt; that reprises the opening.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 15, 2008</title>
    <link href="https://mlarson.org/2008/03/15/200803151188/"/>
    <updated>2008-03-15T13:32:03.000Z</updated>
    <id>https://mlarson.org/2008/03/15/200803151188/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/search/?q=atlanta+tornado&amp;amp;d=taken-20080313-&amp;amp;ss=2&amp;amp;ct=6&amp;amp;s=rec&#34;&gt;Recent photos of the Atlanta tornado&lt;/a&gt;. I was totally oblivious to the whole thing. I noticed a thunderstorm earlier in the evening, but late at night I was strolling around, returning some overdue library books while other people were picking up the pieces. Crazy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 12, 2008</title>
    <link href="https://mlarson.org/2008/03/12/200803121187/"/>
    <updated>2008-03-12T22:00:17.000Z</updated>
    <id>https://mlarson.org/2008/03/12/200803121187/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://carmina.ytmnd.com/&#34;&gt;farcical English translation, with soundtrack, of O Fortuna&lt;/a&gt; from &lt;a href=&#34;http://en.wikipedia.org/wiki/Carmina_Burana_(Orff)&#34;&gt;Carmina Burana&lt;/a&gt;. This made my day. [via &lt;a href=&#34;http://www.therestisnoise.com/2008/03/salsa-cookies.html&#34;&gt;alex ross&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Definitive Drucker (review: 2.5/5)</title>
    <link href="https://mlarson.org/2008/03/11/20080311the-definitive-drucker-review-255/"/>
    <updated>2008-03-11T01:22:52.000Z</updated>
    <id>https://mlarson.org/2008/03/11/20080311the-definitive-drucker-review-255/</id>
    <content type="html">&lt;p&gt;It&#39;s almost always the anecdotes that bore me in business books. &lt;a href=&#34;http://www.definitivedrucker.com/default.aspx&#34;&gt;The Definite Drucker&lt;/a&gt; is a sort biography of the ideas of &lt;a href=&#34;http://en.wikipedia.org/wiki/Peter_Drucker&#34;&gt;Peter Drucker&lt;/a&gt;, the late consultant and management guru. I like a lot of the theory and philosophy, but when we get to the struggles of Motorola&#39;s supply chain or decreasing overhead at Colgate-Palmolive, I tune out a little bit. But it&#39;s not at all hard to cherry-pick some good stuff, and Drucker is full of good ideas. Here&#39;s one line in particular that I&#39;d really like to bust out in a meeting: &amp;quot;What would it take for us to seriously consider this idea?&amp;quot;&lt;/p&gt;
&lt;p&gt;There&#39;s another interesting bit about specializing in what you&#39;re good in, &amp;quot;core competencies&amp;quot; if you must. The analogy is to distinguish between your &amp;quot;front room&amp;quot; and &amp;quot;back room&amp;quot;. The last line is great:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The first step in structuring a collaboration is to identify your company&#39;s &#39;front room,&#39; which Peter defiined as your strengths, or the activity that is most important for you to do---that which stirs your passion and shows off your excellence. Everything else is your backroom, and it can be almost everything. One of Peter&#39;s famous quotes is, &#39;the only thing you have to do is marketing and innovation.&#39;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If you&#39;re sufficiently focused, &amp;quot;the only thing you have to do is marketing and innovation.&amp;quot; What a great goal.&lt;/p&gt;
&lt;p&gt;The last little tidbit I really liked is about management style, bureaucracy, and decision-making. Again, the last line is fantastic:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is part of our basic strategy to maintain the kind of working atmosphere that is attractive to the high-talent people we need to serve our clients well. Such an approach should include a philosophy of relying on autonomy and responsible self-government by the individual just as far as we can. Operationally, this means that &lt;em&gt;the burden of proof should always rest with the proponent of centralized control and bureaucratic rules&lt;/em&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;em&gt;Update&lt;/em&gt;: Oh, and one more line that &lt;a href=&#34;http://twitter.com/mlarson/statuses/768547355&#34;&gt;I twittered the other day&lt;/a&gt;: &amp;quot;It is good to do one thing right. Don&#39;t do too much.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2008</title>
    <link href="https://mlarson.org/2008/03/11/200803111185/"/>
    <updated>2008-03-11T00:55:31.000Z</updated>
    <id>https://mlarson.org/2008/03/11/200803111185/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.youtube.com/watch?v=DggRRCqEiKw&#34;&gt;slideshow of the dented, crumpled, and/or burning wreckage of expensive/exotic cars&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2008</title>
    <link href="https://mlarson.org/2008/03/11/200803111186/"/>
    <updated>2008-03-11T00:55:15.000Z</updated>
    <id>https://mlarson.org/2008/03/11/200803111186/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.aclu.org/safefree/general/34298prs20080227.html&#34;&gt;U.S. terrorist watch list now has over 900,000 people on it&lt;/a&gt;. [via &lt;a href=&#34;http://funkaoshi.com&#34;&gt;funkaoshi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 10, 2008</title>
    <link href="https://mlarson.org/2008/03/10/200803101184/"/>
    <updated>2008-03-10T01:01:00.000Z</updated>
    <id>https://mlarson.org/2008/03/10/200803101184/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://news.nationalgeographic.com/news/2008/03/photogalleries/wip-week71/photo3.html&#34;&gt;earliest known photo of Helen Keller&lt;/a&gt;, pictured in 1888 with Anne Sullivan. Things like this remind me that they were actually real people, not just nice little characters in a story.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 6, 2008</title>
    <link href="https://mlarson.org/2008/03/06/200803061182/"/>
    <updated>2008-03-06T19:45:36.000Z</updated>
    <id>https://mlarson.org/2008/03/06/200803061182/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://incompetech.com/graphpaper/&#34;&gt;Customizable graph paper&lt;/a&gt;---modify the pattern to your liking, and then it makes a PDF for you to print.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2008</title>
    <link href="https://mlarson.org/2008/03/05/200803051181/"/>
    <updated>2008-03-05T23:44:12.000Z</updated>
    <id>https://mlarson.org/2008/03/05/200803051181/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=SbRvsWuWNUM&#34;&gt;A tour of a 100-square-foot house&lt;/a&gt; owned by Jay of the &lt;a href=&#34;http://www.tumbleweedhouses.com/home.htm&#34;&gt;Tumbleweed Tiny House Company&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sleeper.</title>
    <link href="https://mlarson.org/2008/03/04/200803041180/"/>
    <updated>2008-03-04T09:02:54.000Z</updated>
    <id>https://mlarson.org/2008/03/04/200803041180/</id>
    <content type="html">&lt;p&gt;I watched the &lt;a href=&#34;http://en.wikipedia.org/wiki/Woody_Allen&#34;&gt;Woody Allen&lt;/a&gt; film &lt;a href=&#34;http://en.wikipedia.org/wiki/Sleeper_(film)&#34;&gt;Sleeper&lt;/a&gt; this past weekend and still can&#39;t get over the &lt;a href=&#34;http://www.youtube.com/watch?v=VfrShu_Lp2A&#34;&gt;scene with the giant food&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 4, 2008</title>
    <link href="https://mlarson.org/2008/03/04/200803041179/"/>
    <updated>2008-03-04T09:02:40.000Z</updated>
    <id>https://mlarson.org/2008/03/04/200803041179/</id>
    <content type="html">&lt;p&gt;About 20 years ago, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Orb&#34;&gt;The Orb&lt;/a&gt; released &amp;quot;&lt;a href=&#34;http://www.youtube.com/watch?v=oWMIXgCaJPQ&#34;&gt;Little Fluffy Clouds&lt;/a&gt;,&amp;quot; a great tune that samples a hilarious interview with &lt;a href=&#34;http://en.wikipedia.org/wiki/Rickie_Lee_Jones&#34;&gt;Rickie Lee Jones&lt;/a&gt; and the music of &lt;a href=&#34;http://en.wikipedia.org/wiki/Steve_Reich&#34;&gt;Steve Reich&lt;/a&gt;. A friend of mine shared a worthy parody, &amp;quot;&lt;a href=&#34;http://www.youtube.com/watch?v=VE8ifbFYAWg&#34;&gt;Grey Clouds&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2008</title>
    <link href="https://mlarson.org/2008/03/03/200803031178/"/>
    <updated>2008-03-03T22:15:39.000Z</updated>
    <id>https://mlarson.org/2008/03/03/200803031178/</id>
    <content type="html">&lt;p&gt;The offices of &lt;a href=&#34;http://bldgs.org/&#34;&gt;bldgs&lt;/a&gt;, a pair of Atlanta architects, was &lt;a href=&#34;http://www.nytimes.com/slideshow/2008/02/29/magazine/0302-STYLE_index.html&#34;&gt;featured in a New York Times slideshow&lt;/a&gt; and &lt;a href=&#34;http://www.nytimes.com/2008/03/02/magazine/02Style-t.html&#34;&gt;article&lt;/a&gt;. It&#39;s a pretty cool space, even though it looks like a bit of a disaster from the outside.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Every season, more paint falls off the walls and more rust develops. ItÄôs like an art installation in there---a slow-motion show.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I was just on their website the other day looking at their work on the &lt;a href=&#34;http://bldgs.org/projects/florianhart/index.html&#34;&gt;Florian-Hart residence&lt;/a&gt;. [via &lt;a href=&#34;http://www.magnetbox.com/?p=2835&#34;&gt;magnetbox&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2008</title>
    <link href="https://mlarson.org/2008/03/03/200803031177/"/>
    <updated>2008-03-03T21:59:02.000Z</updated>
    <id>https://mlarson.org/2008/03/03/200803031177/</id>
    <content type="html">&lt;p&gt;Ozge Samanci&#39;s daily comics, &lt;a href=&#34;http://www.ordinarycomics.com/&#34;&gt;ordinary things&lt;/a&gt;, are a cool mix of illustration and collage.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2008</title>
    <link href="https://mlarson.org/2008/03/03/200803031176/"/>
    <updated>2008-03-03T21:55:31.000Z</updated>
    <id>https://mlarson.org/2008/03/03/200803031176/</id>
    <content type="html">&lt;p&gt;In my neighborhood, &lt;a href=&#34;http://decaturmetro.com/2008/01/16/winonna-park-is-decaturs-wealthiest-neighborhood/&#34;&gt;two areas have a 1000% difference in household income levels&lt;/a&gt;. They&#39;re barely a mile apart. I think I subconsciously intuited the differences while out on my runs, but seeing the numbers mapped like that is still pretty amazing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2008</title>
    <link href="https://mlarson.org/2008/03/03/200803031175/"/>
    <updated>2008-03-03T09:11:11.000Z</updated>
    <id>https://mlarson.org/2008/03/03/200803031175/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.youtube.com/watch?v=IVkkCVh5t0E&#34;&gt;video of the total lunar eclipse&lt;/a&gt; we had a while back.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 29, 2008</title>
    <link href="https://mlarson.org/2008/02/29/200802291174/"/>
    <updated>2008-02-29T01:06:48.000Z</updated>
    <id>https://mlarson.org/2008/02/29/200802291174/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://us.penguingroup.com/static/html/podcast/penguinpodcast08.mp3&#34;&gt;recording of Tony Danza reading &amp;quot;The Barber&#39;s Unhappiness,&amp;quot;&lt;/a&gt; a funny story from &lt;a href=&#34;http://en.wikipedia.org/wiki/George_Saunders&#34;&gt;George Saunders&lt;/a&gt;&#39; collection in &lt;a href=&#34;http://www.amazon.com/Pastoralia-George-Saunders/dp/1573228729&#34;&gt;Pastoralia&lt;/a&gt;. The book was quite good, but hearing a story like this makes it even better. [thanks, &lt;a href=&#34;http://www.austinkleon.com/&#34;&gt;austin&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2008</title>
    <link href="https://mlarson.org/2008/02/25/200802251173/"/>
    <updated>2008-02-25T23:24:05.000Z</updated>
    <id>https://mlarson.org/2008/02/25/200802251173/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://images.businessweek.com/ss/08/02/0225_doodles/index_01.htm&#34;&gt;Business on the back of the napkin&lt;/a&gt;, a slideshow of basic doodling frameworks: portraits, charts, maps &amp;amp; timelines.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2008</title>
    <link href="https://mlarson.org/2008/02/25/200802251172/"/>
    <updated>2008-02-25T21:44:55.000Z</updated>
    <id>https://mlarson.org/2008/02/25/200802251172/</id>
    <content type="html">&lt;p&gt;A list of &lt;a href=&#34;http://obsoleteskills.com/Skills/Skills&#34;&gt;obsolete skills&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2008</title>
    <link href="https://mlarson.org/2008/02/25/200802251171/"/>
    <updated>2008-02-25T21:43:27.000Z</updated>
    <id>https://mlarson.org/2008/02/25/200802251171/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.storyofstuff.com/&#34;&gt;The Story of Stuff&lt;/a&gt;, a big-picture overview of consumption. The animation is surprisingly good at times and there&#39;s some clever sound, too (shaky economics and eco-paranoia aside). &amp;quot;You cannot run a linear system on a finite planet indefinitely.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2008</title>
    <link href="https://mlarson.org/2008/02/25/200802251170/"/>
    <updated>2008-02-25T20:50:54.000Z</updated>
    <id>https://mlarson.org/2008/02/25/200802251170/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.wordyard.com/2008/02/25/free-paperbacks/&#34;&gt;Scott Rosenberg is giving away paperback editions of his book, &lt;em&gt;Dreaming in Code&lt;/em&gt;&lt;/a&gt;. &lt;a href=&#34;/mark-larson-1/2007/03/13/dreaming-in-code-review-455&#34;&gt;I liked it&lt;/a&gt;---no reason not to snag a copy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2008</title>
    <link href="https://mlarson.org/2008/02/24/200802241169/"/>
    <updated>2008-02-24T19:35:07.000Z</updated>
    <id>https://mlarson.org/2008/02/24/200802241169/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.npr.org/blogs/bryantpark/2008/02/the_cutest_thing_on_the_interw.html&#34;&gt;A three-year-old summarizes the original Star Wars movie&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 22, 2008</title>
    <link href="https://mlarson.org/2008/02/22/200802221168/"/>
    <updated>2008-02-22T01:31:37.000Z</updated>
    <id>https://mlarson.org/2008/02/22/200802221168/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://radar.oreilly.com/archives/2008/02/diagnosis-email-apnea.html&#34;&gt;Email apnea&lt;/a&gt; is temporary absence or suspension of breathing, or shallow breathing, while doing email.&amp;quot; [via &lt;a href=&#34;http://www.collisiondetection.net/mt/archives/2008/02/a_possible_expl.html&#34;&gt;collision detection&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 22, 2008</title>
    <link href="https://mlarson.org/2008/02/22/200802221167/"/>
    <updated>2008-02-22T01:28:00.000Z</updated>
    <id>https://mlarson.org/2008/02/22/200802221167/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://youtube.com/watch?v=hlAgwd5JGPo&#34;&gt;Bill Withers explains the origin of &amp;quot;Ain&#39;t No Sunshine&amp;quot;&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Women can say stuff like, &amp;quot;I loved him, I really, really loved him. But he just left. Why&#39;d he leave like that?&amp;quot;&lt;/p&gt;
&lt;p&gt;Men, given the same situation, usually say something like, &amp;quot;I&#39;m glad the old jive broad split, man,&amp;quot; knowing all the time that it&#39;s really killing them inside.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The drummer is probably having too much fun. The guy on bass is like, &amp;quot;I&#39;m not getting up.&amp;quot; [via &lt;a href=&#34;http://megfowler.com/&#34;&gt;megfowler&lt;/a&gt; &lt;a href=&#34;http://twitter.com/megfowler&#34;&gt;on twitter&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 21, 2008</title>
    <link href="https://mlarson.org/2008/02/21/200802211166/"/>
    <updated>2008-02-21T00:53:31.000Z</updated>
    <id>https://mlarson.org/2008/02/21/200802211166/</id>
    <content type="html">&lt;p&gt;I rediscovered &lt;a href=&#34;http://en.wikipedia.org/wiki/Chuck_Klosterman&#34;&gt;Chuck Klosterman&lt;/a&gt; this week. Even when I don&#39;t buy a word he writes, it&#39;s usually just plain fun to read. From &lt;a href=&#34;http://www.thesimon.com/magazine/articles/between_the_covers/01252_chuck_klosterman_own_worst_metaphor.html&#34;&gt;a good review&lt;/a&gt; of his book I&#39;m reading now, &lt;a href=&#34;http://www.amazon.com/Chuck-Klosterman-IV-Curious-Dangerous/dp/0743284887&#34;&gt;Chuck Klosterman IV&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Younger generations of Americans urgently need to learn to refuse their culture at face value, lest the stories sold by media conglomerates and advertising firms come to define them individually (more than they already do). IÄôm not arguing that a North Dakotan with a stack of KISS albums and a bong is going to single-handedly change the country. But he might be an enzyme for some sort of progression...&lt;/p&gt;
&lt;p&gt;One interesting twist to all this may be KlostermanÄôs own melee with celebrity. &lt;em&gt;Chuck Klosterman IV&lt;/em&gt; will serve as a benchmark on KlostermanÄôs own celebrity arc---heÄôs that much closer to the falling action on this ride to success. What personal crisis must follow? What could becoming a celebrity mean to someone whose purpose is to decipher the spaces inhabited by celebrities and their metaphors?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Free for All: Oddballs, Geeks, and Gangstas in the Public Library (review: 3/5)</title>
    <link href="https://mlarson.org/2008/02/21/20080221free-for-all-oddballs-geeks-and-gangstas-in-the-public-library-review-35/"/>
    <updated>2008-02-21T00:43:51.000Z</updated>
    <id>https://mlarson.org/2008/02/21/20080221free-for-all-oddballs-geeks-and-gangstas-in-the-public-library-review-35/</id>
    <content type="html">&lt;p&gt;If you&#39;ve ever worked in a library (I&#39;ve put in a couple years), or if you just like libraries and spend inordinate amounts of time there (I&#39;ve put in a couple dozen years), Don Borchert&#39;s book may give you a bit of d?©j? vu. Somehow he got the same customers I got, even though he works in Los Angeles and I worked in suburban Georgia. One of my favorite lines in the book appears when he&#39;s talking about a custodian in his branch. Mr. Weams is hard-working, old, ornery, given to speeches about the injustice of the whole system. One night he was called in to do some emergency cleaning and shared some rants with Borchert the next day:&lt;/p&gt;
&lt;p&gt;&amp;quot;Mr. Weams is so close to retirement that it makes absolute sense to him that the city deliberately puts him in harm&#39;s way. His anger is like a big multivitamin for his immune system.&amp;quot;&lt;/p&gt;
&lt;p&gt;His anger is a multivitamin. Ha! Love that. Borchert is a hardened librarian, beleaguered but still feisty. As he describes himself, &amp;quot;I know I could be a better human being, but I am an old dog content with my many shortcomings. I do not automatically try to cheer up small children because they are pouting, nor do I pander to adults because they are petulant and acting like small children.&amp;quot;&lt;/p&gt;
&lt;p&gt;But he&#39;s able to share the absurdities of modern public libraries with some heart. Not all of the stories are disaster scenarios. In one story he finally gets to know a little bit more about a regular troublemaker. Turns out the kid is from a crappy home situation. &amp;quot;Damn this stupid kid, I thought. He is no longer two-dimensional.&amp;quot;&lt;/p&gt;
&lt;p&gt;Quick read. Good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 19, 2008</title>
    <link href="https://mlarson.org/2008/02/19/200802191165/"/>
    <updated>2008-02-19T23:42:19.000Z</updated>
    <id>https://mlarson.org/2008/02/19/200802191165/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://monolake.de/interviews/supercomputing.html&#34;&gt;Live performance in the age of supercomputing&lt;/a&gt;, a good essay on the past &amp;amp; present of electronic music, and how we make it happen:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The more operations that a computer in the bedroom studio was able to carry out, the more complex the musical output could be, and the less possible it was to re-create the results live. A straight techno piece made with an Roland TR-808 and some effects and synth washes can be performed as an endlessly varying track for hours. A mid 90s drum&amp;amp;bass track, with all its timestretches, sampling tricks and carefully engineered and well-composed breaks is much harder to produce live, and marks pretty much the end of real live performance in most cases. To reproduce such a complex work one needs a lot of players, unless most parts are pre-recorded. As a result, most live performances became more tape concert-like again, with whole pieces played back triggered by one mouse click and the performer watching the computer doing the work...&lt;/p&gt;
&lt;p&gt;Fame puts the performer on stage, away from the audience. Miniaturisation puts the orchestra inside the laptop. Fame plus miniaturisation works very effectively as a performance killer.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Faint Praise: The Plight of Book Reviewing in America (3.5/5)</title>
    <link href="https://mlarson.org/2008/02/19/20080219faint-praise-the-plight-of-book-reviewing-in-america-355/"/>
    <updated>2008-02-19T22:50:07.000Z</updated>
    <id>https://mlarson.org/2008/02/19/20080219faint-praise-the-plight-of-book-reviewing-in-america-355/</id>
    <content type="html">&lt;p&gt;Each chapter of &lt;a href=&#34;http://www.amazon.com/Faint-Praise-Plight-Reviewing-America/dp/0826217281&#34;&gt;Faint Praise&lt;/a&gt; features a measured, workmanlike argument about topics like book selection, or matching reviewers and books, or the ethical minefields of the industry. Surprisingly thoughtful but not exciting. Gail Pool doesn&#39;t work up much outrage or seem very enthusiastic about the status of the book reviewing trade. She doesn&#39;t spend a lot of time critiquing (or celebrating) review per se; the focus is more on the industrial machinery and how book reviews get squeezed. But occasionally in this &amp;quot;&lt;em&gt;towering achievement&lt;/em&gt;&amp;quot; she does offer &amp;quot;&lt;em&gt;compelling&lt;/em&gt;&amp;quot; indictments of modern reviewing crutches, rendered in &amp;quot;&lt;em&gt;luminous prose&lt;/em&gt;&amp;quot; that &amp;quot;&lt;em&gt;leaves the reader breathless&lt;/em&gt;&amp;quot; (for example). The final verdict is that book reviewing is important, it&#39;s needed, and it&#39;s under-valued, but that won&#39;t change until... uh, things change.&lt;/p&gt;
&lt;p&gt;Read more in &lt;a href=&#34;http://www.tnr.com/politics/story.html?id=69e34cc4-6eb7-4c69-a5a7-24681dfac7c4&amp;amp;p=1&#34;&gt;James Wolcott&#39;s better review&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If &lt;em&gt;Faint Praise&lt;/em&gt; has a virtuous flaw, it&#39;s that it thinks too small, is too practical-minded, and doesn&#39;t make ample room for the occasional healthy rampage. It lays so much stress on the stringencies of book reviewing, the shortfalls and iron deficiencies of the form, that it is hard to understand why anyone other than a masochist, a worker drone, or an antennae-quivering opportunist would take it up except to notch a byline. Its funky sense of battle fatigue reflects the mood in the editorial trenches, where nothing beckons on the horizon except more bad news. Even the title, &lt;em&gt;Faint Praise&lt;/em&gt;, sounds wan and droopy, as if the most that reviews can achieve now is to rack up small yardage, provide a useful service. We&#39;re going to have to make do with making do, is the book&#39;s sober message.&lt;/p&gt;
&lt;p&gt;It&#39;s sober, all right. Where is the swashbuckling fun, the exploding scoreboard, the whisking pirouettes? So focused is Faint Praise on institutional woes, incremental change, and improvements in quality control that it scants the virtuoso individuality that makes book reviewing a more interesting activity than, say, raking leaves.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The worst parking I&#39;ve ever seen</title>
    <link href="https://mlarson.org/2008/02/18/20080218the-worst-parking-ive-ever-seen/"/>
    <updated>2008-02-18T19:10:30.000Z</updated>
    <id>https://mlarson.org/2008/02/18/20080218the-worst-parking-ive-ever-seen/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/marklarson/2275008725/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2042/2275008725_8a1f944cee_o.jpg&#34; alt=&#34;car taking four spots AND a curb island&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2008</title>
    <link href="https://mlarson.org/2008/02/17/200802171162/"/>
    <updated>2008-02-17T13:02:10.000Z</updated>
    <id>https://mlarson.org/2008/02/17/200802171162/</id>
    <content type="html">&lt;p&gt;&amp;quot;The reality is that &lt;a href=&#34;http://www.nytimes.com/2008/02/17/business/17view.html&#34;&gt;democracy is a very blunt instrument&lt;/a&gt;, and in todayÄôs environment we are choosing between ways of muddling through. We may hear that the election is about different visions for AmericaÄôs future, but the pitches may be more akin to selling different brands of soap.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2008</title>
    <link href="https://mlarson.org/2008/02/16/200802161160/"/>
    <updated>2008-02-16T16:44:33.000Z</updated>
    <id>https://mlarson.org/2008/02/16/200802161160/</id>
    <content type="html">&lt;p&gt;When characters in books get hit, &lt;a href=&#34;http://www.bookgasm.com/solar-plexus-watch/&#34;&gt;they tend to get hit in the solar plexus&lt;/a&gt;. [via &lt;a href=&#34;http://www.vqronline.org/blog/2008/02/15/solar-plexus/&#34;&gt;vqr&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Party of the First Part: The Curious World of Legalese (review: 3/5)</title>
    <link href="https://mlarson.org/2008/02/16/20080216the-party-of-the-first-part-the-curious-world-of-legalese-review-35/"/>
    <updated>2008-02-16T16:40:14.000Z</updated>
    <id>https://mlarson.org/2008/02/16/20080216the-party-of-the-first-part-the-curious-world-of-legalese-review-35/</id>
    <content type="html">&lt;p&gt;Each chapter of &lt;a href=&#34;http://www.partyofthefirstpart.com/index.html&#34;&gt;The Party of the First Part: The Curious World of Legalese&lt;/a&gt; takes on a broad topic, like criminal law, tort, money, or sex. Author &lt;a href=&#34;http://www.adamfreedman.net/&#34;&gt;Adam Freedman&lt;/a&gt; brings up the main vocabulary (habeas corpus, misdemeanor, legal tender) and some of the more obscure ideas (per stirpes, res ipsa loquitur), exploring their roots along the way, and most importantly, grappling with why in the world we accept such tortured language.&lt;/p&gt;
&lt;p&gt;The legal system and lawyers are convenient punching bags (I would be more surprised if Freedman had a difficulty finding things to puzzle over), but I didn&#39;t expect the book to be quite so funny. He often seems like a stand-up comic: introduction, development, punchline. It seems like every paragraph had some bit of goofiness. Plenty of the jokes were just corny, but much of it was good. I also like that Freedman keeps a few running gags across sections and chapters of the book, like the recurring &amp;quot;four-hour erections&amp;quot; bit from an early chapter on legal disclaimers.&lt;/p&gt;
&lt;p&gt;I don&#39;t expect to buy it or ever read it again, but it was perfect for a few mornings on the train to work. You can read an &lt;a href=&#34;http://www.partyofthefirstpart.com/excerpt.html&#34;&gt;excerpt from the first chapter&lt;/a&gt; to get a feel for it, or take a look at Freedman&#39;s blog of the same title, &lt;a href=&#34;http://thepartyofthefirstpart.blogspot.com/&#34;&gt;The Party of the First Part&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2008</title>
    <link href="https://mlarson.org/2008/02/16/200802161159/"/>
    <updated>2008-02-16T16:29:07.000Z</updated>
    <id>https://mlarson.org/2008/02/16/200802161159/</id>
    <content type="html">&lt;p&gt;Selections from the &lt;a href=&#34;http://www.flickr.com/photos/telstar/sets/72157603530731857/&#34;&gt;1962 Sears Christmas catalog&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2008</title>
    <link href="https://mlarson.org/2008/02/13/200802131158/"/>
    <updated>2008-02-13T19:37:15.000Z</updated>
    <id>https://mlarson.org/2008/02/13/200802131158/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://stuffwhitepeoplelike.org/&#34;&gt;Stuff White People Like&lt;/a&gt;---I find this highly amusing. [via &lt;a href=&#34;http://funkaoshi.com&#34;&gt;funkaoshi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2008</title>
    <link href="https://mlarson.org/2008/02/13/200802131157/"/>
    <updated>2008-02-13T01:02:41.000Z</updated>
    <id>https://mlarson.org/2008/02/13/200802131157/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blogs.suntimes.com/scanners/2008/02/alien_vs_predator_chigurh_vs_p.html&#34;&gt;Chigurh vs. Plainview&lt;/a&gt;. I like Javier Bardem&#39;s comments about letting go of the backstory for his role:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Maybe the character&#39;s mother didn&#39;t feed him when he was 5 years old, or something like that.... I started to do that [imagining a &amp;quot;backstory&amp;quot; for Chigurh], but then I realized... in this case, it would be much more helpful if I didn&#39;t know where he was coming from. The challenge was to embrace a symbolic idea and give it human behavior. It wasn&#39;t about how his mother didn&#39;t feed him.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That reminds me of Rebecca Mead writing on &lt;a href=&#34;http://www.newyorker.com/reporting/2008/02/11/080211fa_fact_mead?currentPage=all&#34;&gt;Nico Muhly&#39;s recent comments about new music&lt;/a&gt; in last week&#39;s New Yorker:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He devises an emotional scheme for the pieceÄîthe journey on which he intends to lead his listener. Muhly believes that some composers of new music rely too heavily on program notes to give their work a coherence that it might lack in the actual listening. &amp;quot;This stupid conceptual stuff where it&#39;s like, &#39;I was really inspired by like, Morse Code and the AIDS crisis.&#39;&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You can lose a lot of creative punch when trying to over-think and over-explain the roots. Embrace an idea and give it behavior. See if it sticks. I like that a lot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2008</title>
    <link href="https://mlarson.org/2008/02/11/200802111155/"/>
    <updated>2008-02-11T22:39:51.000Z</updated>
    <id>https://mlarson.org/2008/02/11/200802111155/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/2005/02/applause_a_rest.html&#34;&gt;A couple years ago, Alex Ross rounded up some literature on applause during concerts&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Up until the beginning of the twentieth century, applause between movements and even during movements was the sign of a knowledgeable, appreciative audience, not of an ignorant one. The biographies of major composers are full of happy reports of what would now be seen as wildly inappropriate applause.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Blame for the move to silence eventually falls on the conductors, beginning especially with &lt;a href=&#34;http://en.wikipedia.org/wiki/Leopold_Stokowski&#34;&gt;Leopold Stokowski&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To refrain from applause heightens focus on the personality of the conductor. Silence is the measure of the unbreakable spell that Maestro is supposedly casting on us. A big ovation at the end salutes his mastery of the architecture of the work, or whatever... By the way, IÄôve noticed a new trend ÄîThoughtful Celebrity Conductors holding their arms motionless for ten or fifteen seconds after the end of some vast construction by Bruckner or Mahler. ÄúDo not yet applaud!Äù those frozen arms say. ÄúDo not profane the moment!Äù&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;He goes on further to touch on the &lt;a href=&#34;http://www.therestisnoise.com/2005/05/music_and_machi.html&#34;&gt;influence of recording technology&lt;/a&gt; on the individual &amp;amp; concert listening experience, the rise of classical performance as a high-brow cultural event, and the communal aspect of concert attendance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 11, 2008</title>
    <link href="https://mlarson.org/2008/02/11/200802111154/"/>
    <updated>2008-02-11T22:26:18.000Z</updated>
    <id>https://mlarson.org/2008/02/11/200802111154/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nationalpost.com/loveandsex/story.html?id=296085&#34;&gt;An economic perspective on long-distance relationships&lt;/a&gt;. In addition to the financial side, economist &lt;a href=&#34;http://www.marginalrevolution.com&#34;&gt;Tyler Cowen&lt;/a&gt; says &amp;quot;There&#39;s also the problem of pressure. You get on a flight or you drive for a few hours, and then it&#39;s like, &#39;Gee, we need to have a lot of fun right now.&#39; You don&#39;t get to experience much down time.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why Mars &amp;amp; Venus Collide (review: 3/5)</title>
    <link href="https://mlarson.org/2008/02/11/20080211why-mars-venus-collide-review-35/"/>
    <updated>2008-02-11T22:20:16.000Z</updated>
    <id>https://mlarson.org/2008/02/11/20080211why-mars-venus-collide-review-35/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Mars-Venus-Collide-Relationships-Understanding/dp/0061242969&#34;&gt;Why Mars &amp;amp; Venus Colllide&lt;/a&gt; is about stress and communication between men and women. Our modern lifestyle is breakneck-paced, relationship roles have changed, our responsibilities and stress levels grow as our time to deal with them decreases. Welcome to today, nothing new. So what do you do? According to &lt;a href=&#34;http://www.marsvenus.com/&#34;&gt;John Gray&lt;/a&gt;, the first step is to wake up and realize that men and women have different biochemistry going on, stress affects our chemicals in different ways, and we recover from stress and replenish ourselves in different ways. But we&#39;re clueless: &amp;quot;Women mistakenly expect men to react and behave the way women do, while men continue to misunderstand what women really need.&amp;quot;&lt;/p&gt;
&lt;p&gt;We each feel better when our personal chemical stockpiles are filled up. This is how it works: in a nutshell, women de-stress by talking, connecting, processing, sharing their ills---which restores oxytocin. Men de-stress by zoning out, shifting gears, detaching from the day&#39;s troubles---which allows testosterone reserves to fill up again. These seem like competing solutions.&lt;/p&gt;
&lt;p&gt;Women can&#39;t just shut down and forget about it for a little while like men. Going ninja and crossing more items off the to-do list doesn&#39;t work, either, because &amp;quot;in a woman&#39;s brain there will always be more to do.&amp;quot; They need to talk---it&#39;s biological. They&#39;re wired to process and men need to respond:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Without understanding this, a man&#39;s testosterone levels would drop when he passively listens to his partner&#39;s feelings or her resistance to his action plans. Just listening to her feelings seems a no-win situation. When women talk about problems, men start to become restless, irritable, and then depressed... Men need to learn the art of listening without interrupting to solve her problems.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And when men convert to seeing &lt;em&gt;attentive listening as a problem-solver in itself&lt;/em&gt;... then we&#39;re on to something. Man gets the satisfaction of &amp;quot;doing something,&amp;quot; woman gets the satisfaction of being heard.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A man&#39;s desire to make a woman happy is greatly underestimated by women, because women have such different motivations.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The rest of the book is about exploring these differences and finding sensible compromises that allow each partner to relax and emote in healthy ways. Gray paints with a pretty broad brush, but anecdotally, most of it squares with experience. I like this bit on the relationship scoreboard:&lt;/p&gt;
&lt;p&gt;&amp;quot;At a subconscious level, a woman is always keeping track of how much she gives in contrast to how much she receives. When he gives to her, she gives him a point, and when she gives to him, she gives herself a point.&amp;quot; And this begins an extended and probably-not-intentionally hilarious section on how to &amp;quot;rack up the points on Venus,&amp;quot; even providing a &amp;quot;One Hundred Ways...&amp;quot; list that would be at home here on the internet.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2008</title>
    <link href="https://mlarson.org/2008/02/10/200802101152/"/>
    <updated>2008-02-10T18:55:12.000Z</updated>
    <id>https://mlarson.org/2008/02/10/200802101152/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.michaelpollan.com/&#34;&gt;Michael Pollan&lt;/a&gt; has condensed his writing into a little &lt;a href=&#34;http://changethis.com/43.01.EatersManifesto&#34;&gt;manifesto on eatin&#39; right&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2008</title>
    <link href="https://mlarson.org/2008/02/10/200802101151/"/>
    <updated>2008-02-10T18:38:38.000Z</updated>
    <id>https://mlarson.org/2008/02/10/200802101151/</id>
    <content type="html">&lt;p&gt;I like these &lt;a href=&#34;http://swissmiss.typepad.com/weblog/2008/01/clothes-rack-po.html&#34;&gt;clothes hangers&lt;/a&gt;, simple leather balls tethered to the wall. They couldn&#39;t be that hard to make on my own.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2008</title>
    <link href="https://mlarson.org/2008/02/06/200802061150/"/>
    <updated>2008-02-06T19:49:13.000Z</updated>
    <id>https://mlarson.org/2008/02/06/200802061150/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://discovermagazine.com/2008/feb/if-osama.s-only-6-degrees-away-why-can.t-we-find-him&#34;&gt;If Osama is only 6 degrees away, why can&#39;t we find him&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2008</title>
    <link href="https://mlarson.org/2008/02/05/200802051149/"/>
    <updated>2008-02-05T09:02:58.000Z</updated>
    <id>https://mlarson.org/2008/02/05/200802051149/</id>
    <content type="html">&lt;p&gt;A strong &lt;a href=&#34;http://ascii.textfiles.com/archives/000574.html&#34;&gt;critique of The King of Kong&lt;/a&gt;. Interesting bit of controversy there. I still loved it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>(What I learned about craftsmanship in) The Violin Maker (review: 4/5)</title>
    <link href="https://mlarson.org/2008/02/04/20080204what-i-learned-about-craftsmanship-in-the-violin-maker-review-45/"/>
    <updated>2008-02-04T21:49:06.000Z</updated>
    <id>https://mlarson.org/2008/02/04/20080204what-i-learned-about-craftsmanship-in-the-violin-maker-review-45/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Stradivarius&#34;&gt;Stradivarius&lt;/a&gt;: legendary quality, mystery. It&#39;s upper-crust and exotic. How did &lt;a href=&#34;http://en.wikipedia.org/wiki/Antonio_Stradivari&#34;&gt;Stradivari&lt;/a&gt; make such wonderful instruments? What sort of alchemy was involved, and why haven&#39;t we solved it yet? John Marchese&#39;s book &lt;a href=&#34;http://www.amazon.com/Violin-Maker-Centuries-Old-Tradition-Brooklyn/dp/0060012676&#34;&gt;The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop&lt;/a&gt; talks about the mysteries and realities of violin-making. His book follows the work of violin maker &lt;a href=&#34;http://en.wikipedia.org/wiki/Samuel_Zygmuntowicz&#34;&gt;Sam Zygmuntowicz&lt;/a&gt; as he works on a violin for Gene Drucker of the &lt;a href=&#34;http://www.emersonquartet.com/&#34;&gt;Emerson String Quartet&lt;/a&gt;. There&#39;s a good bit about the history of violin making, and the experience of playing and hearing a fine instrument, but the bulk of the book is about &lt;a href=&#34;http://homepages.pavilion.co.uk/users/tartarus/eha.html&#34;&gt;Edward Heron-Allen&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.amazon.com/Violin-Making-Was-Theoretical-Violin-Making/dp/0706310454&#34;&gt;challenge&lt;/a&gt;: &amp;quot;Given: A log of wood. Make a violin.&amp;quot;&lt;/p&gt;
&lt;p&gt;It&#39;s those bits about craftsmanship really got my attention. For all the magic and mythology about great violins, it boils down pretty easily. Zygmuntowicz:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It&#39;s a very foreign idea that violin making is not all that mysterious, but it is one of those things where the basic way it works best was stumbled onto a long time ago. The requirements haven&#39;t changed, and therefore the results haven&#39;t changed and therefore it&#39;s a very complex custom that is only learned through long application and a great deal of knowledge. It&#39;s not arcane knowledge; it&#39;s something any guy can learn---&lt;em&gt;if you spend thirty years doing it.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;You could probably say the same for writing, drawing, sculpting, cooking, building relationships, any number of things. The not-so-secret is good old-fashioned hard work, deliberate attention. If only there were shortcuts! In one passage Marchese talks about a day with Zygmuntowicz near the end of the violin making process:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I spent a whole afternoon watching him work on the final thickness graduation of the violin top with a scraper that removed wood not in pieces, not even in shavings, but in grains. He&#39;d weighed the piece before he started, scraped and scraped for several hours and weighed it again when he was finished. The sum difference in his day&#39;s work was three grams.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Three grams! For reference, 3 grams, give or take a few tenths, is about the weight of a U.S. penny. Metaphorically speaking, I don&#39;t know that I&#39;ve ever paid 3 grams/day worth of attention to any one thing. But the heart of craftsmanship is right there in the attention to detail. Quoting Zygmuntowicz again:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If there&#39;s anything I can measure, I measure it, on the theory that it will become interesting in later years. I&#39;ll make some varnish notes, and some evaluations of the sound, and if I can I&#39;ll follow up and see how the sound might have changed over time... Some guys take two measurements and that&#39;s it. I think I&#39;m kind of a maniac.&lt;/p&gt;
&lt;p&gt;It&#39;s a work technique. Not a particularly efficient one, but we&#39;re not judged on high efficiency---which is a very good thing. I wouldn&#39;t survive, or I&#39;d certainly have to alter my work style, if I had to be more efficient.&lt;/p&gt;
&lt;p&gt;But it&#39;s all part of a process of becoming---I don&#39;t know what you call it---I guess a more &lt;em&gt;subtle&lt;/em&gt; worker. The thing is that you start to care more and more about less and less.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another spot I loved was Marchese quoting &lt;a href=&#34;http://findarticles.com/p/articles/mi_qn4158/is_20050318/ai_n13245493&#34;&gt;Sir James Beament&lt;/a&gt; discussing rare, expensive violins versus work-a-day models: &amp;quot;They do not make any different sound, and no audience can tell what instrument is being played. But if a player thinks he plays better on such an instrument, he will... Audiences are even more susceptible to suggestion than players.&amp;quot;&lt;/p&gt;
&lt;p&gt;I went to a photography lecture a couple weeks ago, and in the Q&amp;amp;A session were the inevitable questions about gear. What camera? What lense? What film? What paper? There&#39;s no shame in wanting to use better equipment so you can work better, but it&#39;s dangerous to give in to the lazy thought that equipment trumps the process of attentive labor and the work ethic that drives it (rolls of film shot, hours in the studio, drafts revised, face-time with customers).&lt;/p&gt;
&lt;p&gt;Lastly, I liked Zygmuntowicz&#39; comments on how originality and style develop over time: &amp;quot;When people talk about personal style a lot of what they&#39;re talking about is slipping away from the original---people were trying to do it just like the original but they didn&#39;t.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2008</title>
    <link href="https://mlarson.org/2008/02/04/200802041148/"/>
    <updated>2008-02-04T19:50:29.000Z</updated>
    <id>https://mlarson.org/2008/02/04/200802041148/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://en.wikipedia.org/wiki/Brown_note&#34;&gt;brown note&lt;/a&gt; is (supposedly) the ultra-low frequency at which humans lose control of their bowels.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2008</title>
    <link href="https://mlarson.org/2008/02/04/200802041147/"/>
    <updated>2008-02-04T19:48:11.000Z</updated>
    <id>https://mlarson.org/2008/02/04/200802041147/</id>
    <content type="html">&lt;p&gt;Video mash-up of &lt;a href=&#34;http://blog.wfmu.org/freeform/2008/02/2008-changes-ar.html&#34;&gt;political candidates talking about &amp;quot;Change&amp;quot;&lt;/a&gt; (ugh) + David Bowie&#39;s song, &amp;quot;Changes.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2008</title>
    <link href="https://mlarson.org/2008/02/04/200802041146/"/>
    <updated>2008-02-04T09:05:29.000Z</updated>
    <id>https://mlarson.org/2008/02/04/200802041146/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://nytimesbooks.blogspot.com/2008/02/paul-rand-conversations-with-students.html&#34;&gt;It is important to use your hands&lt;/a&gt;, this is what distinguishes you from a cow or a computer operator.&amp;quot; -&lt;a href=&#34;http://en.wikipedia.org/wiki/Paul_Rand&#34;&gt;Paul Rand&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Braindead Megaphone (review: 4.5/5)</title>
    <link href="https://mlarson.org/2008/01/31/20080131the-braindead-megaphone-review-455/"/>
    <updated>2008-01-31T20:09:23.000Z</updated>
    <id>https://mlarson.org/2008/01/31/20080131the-braindead-megaphone-review-455/</id>
    <content type="html">&lt;p&gt;There&#39;s potential for a doctoral dissertation about The Rhetorical Use of Capital Letters in the Writing Of &lt;a href=&#34;http://en.wikipedia.org/wiki/George_Saunders&#34;&gt;George Saunders&lt;/a&gt;. The usage comes in a couple flavors. There are the ineffable concepts, like Freedom and Humility. There&#39;s the personalization of general categories, like Writers and the Little Guy. There&#39;s the tongue-in-cheek categorization of human sub-groups, like, oh, People Who Analyze Capitalization. And it also appears when it&#39;s simply more amusing, e.g. &amp;quot;Oversize Bright-Colored Toy Ships and Trucks.&amp;quot; This was only my second try at Saunders. I aborted my attempt of &lt;a href=&#34;http://www.inpersuasionnation.com/&#34;&gt;In Persuasion Nation&lt;/a&gt;. Maybe it&#39;s good. (I think I read so much non-fiction that I have trouble turning the switch every now and then.) And it wasn&#39;t funny. But &lt;a href=&#34;http://www.amazon.com/Braindead-Megaphone-George-Saunders/dp/159448256X&#34;&gt;The Braindead Megaphone&lt;/a&gt; is funny. And it stays funny even though he writes about Serious Things and has a really earnest style.&lt;/p&gt;
&lt;p&gt;To wander my way back to the Capitalization Issue, it reminds me of what &lt;a href=&#34;http://online.wsj.com/article/SB120105413744408621.html&#34;&gt;Daniel Day Lewis said in a recent interview&lt;/a&gt;: &amp;quot;Perhaps I&#39;m particularly serious because I&#39;m not unaware of the potential absurdity of what I&#39;m doing.&amp;quot; I think satirists like Saunders might agree. While the writing isn&#39;t always serious, it is sincere, and I get the sense that he really kicks his own ass to come up with this stuff. Most of it is really, really good.&lt;/p&gt;
&lt;p&gt;As for the meat of the book, the titular essay is a brilliant take on banal popular media. What&#39;s really wonderful is the way he hedges and offers concessions along the way through his thought experiments. What could be a canned, all-too-familiar diatribe becomes a nice little Journey with George.&lt;/p&gt;
&lt;p&gt;Another essay that I liked was about &lt;a href=&#34;http://en.wikipedia.org/wiki/Kurt_Vonnegut&#34;&gt;Kurt Vonnegut&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Slaughterhouse-Five&#34;&gt;Slaughterhouse-Five&lt;/a&gt;. In one part he talks about how Vonnegut gives up on detail:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;Vonnegut was skipping the lush physical details he had presumably put himself into so much danger to obtain. He was assuming these physical details; that is, he was assuming that I was supplying them. A forest was a forest, he seemed to be saying, let&#39;s not get all flaky about it. He did not seem to believe, as I had read Tolstoy did, that his purpose as a writer was to use words to replicate his experience, to make you feel and think and see what he had felt. This book was not a recounting of Vonnegut&#39;s actual war experience, but a &lt;em&gt;usage&lt;/em&gt; of it.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Later, in an essay on &lt;a href=&#34;http://en.wikipedia.org/wiki/Donald_Barthelme&#34;&gt;Barthelme&lt;/a&gt;&#39;s short story, &amp;quot;&lt;a href=&#34;http://www.npr.org/programs/death/readings/stories/bart.html&#34;&gt;The School&lt;/a&gt;,&amp;quot; Saunders offers his own thoughts on the writer-reader relationship:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;The writer is right there with us---he knows where we are, and who we are, and is involved in an intimate and respectful game with us. I think of this as the motorcycle-sidecar model of reading: writer and reader right next to one another, leaning as they corner, the pleasure coming from the mutuality and simultaneity of the experience.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In addition to those gems, there&#39;s some great writing on patriotism in a mock-academic &amp;quot;survey of the literature&amp;quot;; a welcome twist on the tired Letters To &amp;amp; From An Advice Columnist genre; reporting on Minutemen and border patrol; and probably my favorite of a bunch, an awesome essay on what&#39;s so difficult and wonderful about &lt;a href=&#34;http://en.wikipedia.org/wiki/Huckleberry_Finn&#34;&gt;Huckleberry Finn&lt;/a&gt;. The only real duds for me were the foreign reporting essays in Dubai and in Tibet. Skip those, and read everything else.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2008</title>
    <link href="https://mlarson.org/2008/01/30/200801301144/"/>
    <updated>2008-01-30T22:32:19.000Z</updated>
    <id>https://mlarson.org/2008/01/30/200801301144/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/arts/critics/musical/2008/02/04/080204crmu_music_ross&#34;&gt;Alex Ross writes about Johnny Greenwood&#39;s soundtrack for There Will Be Blood&lt;/a&gt;. STILL haven&#39;t seen the movie. Need to fix that this weekend.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2008</title>
    <link href="https://mlarson.org/2008/01/30/200801301143/"/>
    <updated>2008-01-30T22:19:34.000Z</updated>
    <id>https://mlarson.org/2008/01/30/200801301143/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dooce.com/2008/01/30/upcoming&#34;&gt;Heather Armstrong has a book coming out in a few months&lt;/a&gt;: &lt;a href=&#34;http://www.amazon.com/Things-Learned-About-Dad-ofwww-dooce-com/dp/0758216599/&#34;&gt;Things I Learned about My Dad (In Therapy)&lt;/a&gt;. Her writing is a daily joy. Pre-order it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2008</title>
    <link href="https://mlarson.org/2008/01/29/200801291142/"/>
    <updated>2008-01-29T20:01:29.000Z</updated>
    <id>https://mlarson.org/2008/01/29/200801291142/</id>
    <content type="html">&lt;p&gt;I grow to love &lt;a href=&#34;http://www.illdoctrine.com/&#34;&gt;Ill Doctrine&lt;/a&gt; more with every post, like his take on the &lt;a href=&#34;http://www.illdoctrine.com/2008/01/the_clintonobama_nonhandshake.html&#34;&gt;Clinton/Obama handshake controversy&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 27, 2008</title>
    <link href="https://mlarson.org/2008/01/27/200801271140/"/>
    <updated>2008-01-27T00:10:29.000Z</updated>
    <id>https://mlarson.org/2008/01/27/200801271140/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kentrogowski.com/index.html&#34;&gt;Photos of stuffed animals turned inside out&lt;/a&gt;. I think these inverted bears have more personality than the ones you see on the shelf. They should sell them like this. [via &lt;a href=&#34;http://designnotes.info/?p=1238&#34;&gt;michael surtees&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 21, 2008</title>
    <link href="https://mlarson.org/2008/01/21/200801211139/"/>
    <updated>2008-01-21T21:51:38.000Z</updated>
    <id>https://mlarson.org/2008/01/21/200801211139/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://jimmycarterlibrary.org/events/&#34;&gt;Carter Center is hosting a photography exhibit&lt;/a&gt; by &lt;a href=&#34;http://www.robertglennketchum.com/&#34;&gt;Robert Glenn Ketchum&lt;/a&gt;. Several dozen of his large-format prints are on display, and Mr. Ketchum himself will be at the Carter Center this Thursday night to talk about his &lt;a href=&#34;http://www.robertglennketchum.com/#mi=2&amp;amp;pt=1&amp;amp;pi=10000&amp;amp;s=7&amp;amp;p=4&amp;amp;a=0&amp;amp;at=0&#34;&gt;photography of southwest Alaska&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 21, 2008</title>
    <link href="https://mlarson.org/2008/01/21/200801211138/"/>
    <updated>2008-01-21T00:41:20.000Z</updated>
    <id>https://mlarson.org/2008/01/21/200801211138/</id>
    <content type="html">&lt;p&gt;On NPR, &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=18225406&#34;&gt;a conversation about Holden Caulfield&lt;/a&gt;, protagonist of &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Catcher_in_the_Rye&#34;&gt;The Catcher in the Rye&lt;/a&gt;. The literary remembrance has some interesting segues into how you read the book differently as you grow older, the beginnings of a teenage culture in the &#39;50s, and whether or not you can imagine Holden as an adult.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 20, 2008</title>
    <link href="https://mlarson.org/2008/01/20/200801201137/"/>
    <updated>2008-01-20T19:21:20.000Z</updated>
    <id>https://mlarson.org/2008/01/20/200801201137/</id>
    <content type="html">&lt;p&gt;This page has some awesome ideas on &lt;a href=&#34;http://oakroadsystems.com/genl/itunes.htm&#34;&gt;taming iTunes for classical music&lt;/a&gt;. I don&#39;t think I need to go quite so granular with the tagging, but the article nails one issue right off the bat: the Gracenote CDDB is a HUGE thorn in the side when it comes to classical works.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 20, 2008</title>
    <link href="https://mlarson.org/2008/01/20/200801201136/"/>
    <updated>2008-01-20T16:48:15.000Z</updated>
    <id>https://mlarson.org/2008/01/20/200801201136/</id>
    <content type="html">&lt;p&gt;An essay on the past and &lt;a href=&#34;http://www.cato-unbound.org/2008/01/14/stephanie-coontz/the-future-of-marriage/&#34;&gt;the future of marriage&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 20, 2008</title>
    <link href="https://mlarson.org/2008/01/20/200801201135/"/>
    <updated>2008-01-20T16:32:51.000Z</updated>
    <id>https://mlarson.org/2008/01/20/200801201135/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.uncountedthemovie.com/&#34;&gt;Uncounted: The New Math of American Elections&lt;/a&gt; is a new documentary about voting manipulation and the disastrous state of our polling systems. The &lt;a href=&#34;http://www.uncountedthemovie.com/trailer.html&#34;&gt;trailer&lt;/a&gt; strikes a balance of citizen activism and paranoia that I usually get a kick out of.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Memery</title>
    <link href="https://mlarson.org/2008/01/16/20080116memery/"/>
    <updated>2008-01-16T21:53:22.000Z</updated>
    <id>https://mlarson.org/2008/01/16/20080116memery/</id>
    <content type="html">&lt;p&gt;Against his better judgment, &lt;a href=&#34;http://www.austinkleon.com/2008/01/14/favorite-posts-i-done-been-tagged/&#34;&gt;Austin&lt;/a&gt; dragged me in to a meme thingy. My instructions read as follows:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Go back through your archives and post the links to your five favorite blog posts that youÄôve written. But there is a catch: Link 1 must be about family. Link 2 must be about friends. Link 3 must be about yourself, who you areÄ¶ what youÄôre all about. Link 4 must be about something you love. Link 5 can be about anything you choose.&lt;/p&gt;
&lt;p&gt;Post your five links and then tag five other people.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;1. Hmm. Don&#39;t think I have any. 2. Maybe don&#39;t have any of those, either. Starting to feel deficient. 3. &lt;a href=&#34;/mark-larson-1/2007/09/27/flannery-oconnors-androgynous-prayer&#34;&gt;Flannery O&#39;Connor&#39;s androgynous prayer&lt;/a&gt; sums up nicely. 4. I love hiking. On April 21 last year &lt;a href=&#34;/mark-larson-1/2007/04/21/and-im-gone&#34;&gt;I said my farewell&lt;/a&gt; and spent a couple months on the &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600553114109/&#34;&gt;Appalachian Trail&lt;/a&gt;. It didn&#39;t turn out as I expected, in ways both good and bad, but I wouldn&#39;t have it any other way. 5. I liked writing about this &lt;a href=&#34;/mark-larson-1/2006/11/29/285&#34;&gt;old guy in the library&lt;/a&gt;. May my own interests remain as wide-ranging.&lt;/p&gt;
&lt;p&gt;I hate to perpetuate the chain, but I&#39;m glad to give recognition to some of those who were sporting enough to participate, and place further peer pressure on those who have already been tagged but not yet responded. I&#39;m talking to you, &lt;a href=&#34;http://thefairymum.blogspot.com/&#34;&gt;Fairy Mum&lt;/a&gt;, &lt;a href=&#34;http://paradisefound.homeschooljournal.net/&#34;&gt;Kris&lt;/a&gt;, &lt;a href=&#34;http://redneckmother.blogspot.com/&#34;&gt;Redneck Mother&lt;/a&gt;, &lt;a href=&#34;http://chilipowder.typepad.com/activities/&#34;&gt;Zack&lt;/a&gt;, &lt;a href=&#34;http://www.martinimade.com/martinimade/2008/01/from-ms-vs.html&#34;&gt;MartiniMade&lt;/a&gt;, &lt;a href=&#34;http://stitchbitch.blogspot.com/2008/01/meme-of-me-me-me-me-me.html&#34;&gt;Stitch Bitch&lt;/a&gt;, &lt;a href=&#34;http://maureenmcq.blogspot.com/&#34;&gt;Maureen&lt;/a&gt;, &lt;a href=&#34;http://www.thegrue.org/tdaoc/&#34;&gt;Darby&lt;/a&gt;, &lt;a href=&#34;http://candycanesammy.blogspot.com/&#34;&gt;James&lt;/a&gt;, &lt;a href=&#34;http://lakestitcher.blogspot.com/&#34;&gt;Lee&lt;/a&gt;, &lt;a href=&#34;http://gulfskye.blogspot.com/&#34;&gt;Melissa&lt;/a&gt;, &lt;a href=&#34;http://blacksheepsite.blogspot.com/&#34;&gt;Edgar&lt;/a&gt;, &lt;a href=&#34;http://www.crafterbynight.com/&#34;&gt;Miriam&lt;/a&gt;, &lt;a href=&#34;http://beebarfsblog.blogspot.com/&#34;&gt;Nic&lt;/a&gt;, &lt;a href=&#34;http://sweetpeastitching.blogspot.com/&#34;&gt;Jennifer&lt;/a&gt;, &lt;a href=&#34;http://diadsie.wordpress.com/&#34;&gt;Dianne&lt;/a&gt;, &lt;a href=&#34;http://nevillen.blogspot.com/&#34;&gt;Nicole&lt;/a&gt;, &lt;a href=&#34;http://wackywanderings.blogspot.com/&#34;&gt;AnneMarie&lt;/a&gt;, &lt;a href=&#34;http://www.aclipscomb.blogspot.com/&#34;&gt;Adam&lt;/a&gt;, &lt;a href=&#34;http://alleghator.blogspot.com/&#34;&gt;Heidi&lt;/a&gt;, &lt;a href=&#34;http://snarkapuss.blogspot.com/&#34;&gt;SnarkaP&lt;/a&gt;, &lt;a href=&#34;http://tewalkerjr.com/blog/&#34;&gt;Tim&lt;/a&gt;, &lt;a href=&#34;http://enchantingjuno.typepad.com/knit/&#34;&gt;Juno&lt;/a&gt;, &lt;a href=&#34;http://corgipants.blogspot.com/&#34;&gt;Corgipants&lt;/a&gt;, &lt;a href=&#34;http://suburose.wordpress.com/category/crafty-giveaway/&#34;&gt;Subu&lt;/a&gt;, &lt;a href=&#34;http://patriotgoose.com/&#34;&gt;Patriot Goose&lt;/a&gt;, &lt;a href=&#34;http://mushroomvillagers.wordpress.com/&#34;&gt;Mushroom Villagers&lt;/a&gt;, &lt;a href=&#34;http://www.daciaray.com/&#34;&gt;Dacia Ray&lt;/a&gt;, and &lt;a href=&#34;http://www.asnorwood.com/&#34;&gt;Adam&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2008</title>
    <link href="https://mlarson.org/2008/01/16/200801161134/"/>
    <updated>2008-01-16T21:17:19.000Z</updated>
    <id>https://mlarson.org/2008/01/16/200801161134/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://quotation-marks.blogspot.com/2008/01/or-pretend.html&#34;&gt;One of the more cringe-inducing uses of quotation marks&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2008</title>
    <link href="https://mlarson.org/2008/01/16/200801161133/"/>
    <updated>2008-01-16T21:15:46.000Z</updated>
    <id>https://mlarson.org/2008/01/16/200801161133/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.foodnotebook.com/blog/2006/04/dining_with_notebook_1_declari.html&#34;&gt;Dining with Notebook Manifesto&lt;/a&gt; outlines an ingenious way to get a better dining experience, with some effort and preparation:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Because IÄôm a bit of a food-geek, I always had a notebook to take down my observations in text and drawings. I semi-noticed that the chefs and staff would become aware of my scribbling in the notebook and that the level of dialogue and service would go up Äì but it never quite surfaced in my mind why this was happening. It was not until one chef finally asked me what magazine I wrote for that the light bulb clicked on Äì they thought I was a critic. Cool.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2008</title>
    <link href="https://mlarson.org/2008/01/16/200801161132/"/>
    <updated>2008-01-16T21:13:14.000Z</updated>
    <id>https://mlarson.org/2008/01/16/200801161132/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.charlierose.com/shows/2008/01/15/1/a-conversation-with-author-alex-ross&#34;&gt;Charlie Rose talks with Alex Ross&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2008</title>
    <link href="https://mlarson.org/2008/01/13/200801131130/"/>
    <updated>2008-01-13T16:30:21.000Z</updated>
    <id>https://mlarson.org/2008/01/13/200801131130/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.panoramas.dk/fullscreen2/full22.html&#34;&gt;A 360-degree view from the top of Mount Everest&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2008</title>
    <link href="https://mlarson.org/2008/01/13/200801131129/"/>
    <updated>2008-01-13T16:26:46.000Z</updated>
    <id>https://mlarson.org/2008/01/13/200801131129/</id>
    <content type="html">&lt;p&gt;I like this bit from an &lt;a href=&#34;http://ilovetypography.com/2008/01/10/type-faces-ellen-lupton-interview/&#34;&gt;interview with Ellen Lupton&lt;/a&gt;, talking about common design pitfalls: &amp;quot;My students avoid printing out their work, to save time and money, but then they are disappointed that it doesnÄôt look good. I explain to them that everything looks good on the screen, because of the glowing light and the way we are constantly adjusting the scale of the image to suit ourselves. The same layout may die on the printed page.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 13, 2008</title>
    <link href="https://mlarson.org/2008/01/13/200801131128/"/>
    <updated>2008-01-13T16:15:20.000Z</updated>
    <id>https://mlarson.org/2008/01/13/200801131128/</id>
    <content type="html">&lt;p&gt;When Bela Fleck gets an idea for a song that he can&#39;t develop completely at the time, &lt;a href=&#34;http://www.youtube.com/watch?v=FXHOyqHzupk&#34;&gt;he calls himself and leaves a voice mail&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2008</title>
    <link href="https://mlarson.org/2008/01/11/200801111127/"/>
    <updated>2008-01-11T19:50:15.000Z</updated>
    <id>https://mlarson.org/2008/01/11/200801111127/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=1748083&#34;&gt;Terry Gross interviewed Chuck Close&lt;/a&gt; a couple years ago. &lt;a href=&#34;http://en.wikipedia.org/wiki/Chuck_Close&#34;&gt;Chuck Close&lt;/a&gt; is known for his super-large portraits built up from smaller bits. For some reason I just really liked his interviewing style. [via &lt;a href=&#34;http://www.43folders.com/2008/01/11/working-close&#34;&gt;43 folders&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2008</title>
    <link href="https://mlarson.org/2008/01/10/200801101125/"/>
    <updated>2008-01-10T00:53:54.000Z</updated>
    <id>https://mlarson.org/2008/01/10/200801101125/</id>
    <content type="html">&lt;p&gt;&amp;quot;There are only two kinds of reform that have any chance of actually &lt;a href=&#34;http://www.slate.com/id/7103&#34;&gt;reducing total expenditure on presidential elections&lt;/a&gt;. The first is to reduce the value of the presidency itself... The second is to reduce the uncertainty about who&#39;s going to win.&amp;quot; I vote for the former.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2008</title>
    <link href="https://mlarson.org/2008/01/10/200801101124/"/>
    <updated>2008-01-10T00:50:19.000Z</updated>
    <id>https://mlarson.org/2008/01/10/200801101124/</id>
    <content type="html">&lt;p&gt;Arnold Kling on &lt;a href=&#34;http://www.tcsdaily.com/article.aspx?id=010908A&#34;&gt;politics and cults&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I do not know Ron Paul. He may be wise. He may be decent. But to dismiss all doubts about his judgment and his character would be to succumb to a cult.&lt;/p&gt;
&lt;p&gt;Let me hasten to add that I do not think of the Paul cult as unique. I am equally loathe to join the Clinton cult, the Obama cult, the Guiliani cult...you name it.&lt;/p&gt;
&lt;p&gt;For me, democratic politics is a &amp;quot;lesser of evils&amp;quot; game, and I&#39;m never sure how best to play it. But I have to say that when I read that this year&#39;s New Hampshire primary had a record turnout, it made my heart sink rather than warm. Not that I&#39;m against voting, but I hate to think of people as buying into anyone&#39;s political campaign.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2008</title>
    <link href="https://mlarson.org/2008/01/10/200801101123/"/>
    <updated>2008-01-10T00:45:59.000Z</updated>
    <id>https://mlarson.org/2008/01/10/200801101123/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.flickr.com/photos/secondscout/2179215293/&#34;&gt;The electromagnetic field surrounding the power lines is enough to make fluorescent tubes glow.&lt;/a&gt;&amp;quot; [via &lt;a href=&#34;http://joshuablankenship.com/blog&#34;&gt;jb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2008</title>
    <link href="https://mlarson.org/2008/01/08/200801081122/"/>
    <updated>2008-01-08T20:40:59.000Z</updated>
    <id>https://mlarson.org/2008/01/08/200801081122/</id>
    <content type="html">&lt;p&gt;Over the past 5 years, &lt;a href=&#34;http://www.themillionsblog.com/2008/01/new-yorker-fiction-from-2003-2007.html&#34;&gt;32% of the New Yorker&#39;s fiction came from 14 different authors&lt;/a&gt;. [via &lt;a href=&#34;http://www.petelit.com/&#34;&gt;Pete Lit&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2008</title>
    <link href="https://mlarson.org/2008/01/07/200801071120/"/>
    <updated>2008-01-07T23:49:03.000Z</updated>
    <id>https://mlarson.org/2008/01/07/200801071120/</id>
    <content type="html">&lt;p&gt;Over the next year, Get Rich Slowly is &lt;a href=&#34;http://www.getrichslowly.org/blog/2008/01/06/year-long-grs-project-how-much-does-a-garden-really-save/&#34;&gt;tracking how much money a garden will save&lt;/a&gt;. The monthly reports should be worthwhile.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2008</title>
    <link href="https://mlarson.org/2008/01/07/200801071119/"/>
    <updated>2008-01-07T23:46:39.000Z</updated>
    <id>https://mlarson.org/2008/01/07/200801071119/</id>
    <content type="html">&lt;p&gt;On January 28 is &lt;a href=&#34;http://curiomusic.com/acg/concerts/200801/&#34;&gt;Unseen Forces: Electronic Music by Atlanta Composers&lt;/a&gt; at &lt;a href=&#34;http://www.eyedrum.org/&#34;&gt;Eyedrum&lt;/a&gt;, presented by the &lt;a href=&#34;http://www.atlantacomposers.com/&#34;&gt;Atlanta Composers Group&lt;/a&gt;. Here&#39;s the &lt;a href=&#34;http://curiomusic.com/acg/concerts/200801/AtlantaComposersGroup_UnseenForcesProgram.pdf&#34;&gt;program&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2008</title>
    <link href="https://mlarson.org/2008/01/06/200801061118/"/>
    <updated>2008-01-06T00:28:27.000Z</updated>
    <id>https://mlarson.org/2008/01/06/200801061118/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/200708/?read=interview_simon&#34;&gt;Nick Hornby interviews David Simon&lt;/a&gt;, of &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Wire_(TV_series)&#34;&gt;The Wire&lt;/a&gt; fame:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There are two ways of traveling. One is with a tour guide, who takes you to the crap everyone sees. You take a snapshot and move on, experiencing nothing beyond a crude visual and the retention of a few facts. The other way to travel requires more timeÄîhence the need for this kind of viewing to be a long-form series or miniseries, in this bad metaphorÄîbut if you stay in one place, say, if you put up your bag and go down to the local pub or shebeen and you play the fool a bit and make some friends and open yourself up to a new place and new time and new people, soon you have a sense of another world entirely. WeÄôre after this: Making television into that kind of travel, intellectually.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2008</title>
    <link href="https://mlarson.org/2008/01/06/200801061117/"/>
    <updated>2008-01-06T00:22:27.000Z</updated>
    <id>https://mlarson.org/2008/01/06/200801061117/</id>
    <content type="html">&lt;p&gt;Paul Festa left a &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9331e4b06bff889130cf/1368232753053/?format=original&#34;&gt;comment&lt;/a&gt; that his film, &lt;a href=&#34;http://apparitionfilm.com/&#34;&gt;Apparition of the Eternal Church&lt;/a&gt; (&lt;a href=&#34;http://www.youtube.com/watch?v=LlYdfLm69dA&#34;&gt;trailer&lt;/a&gt;), will be &lt;a href=&#34;http://www.southarts.org/site/c.guIYLaMRJxE/b.2845403/k.C261/JanuaryFebruary_2008__Paul_Festa.htm&#34;&gt;playing in Athens, Georgia on January 30&lt;/a&gt;, and showing across the south in the following week. I&#39;ve got it on my calendar.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 5, 2008</title>
    <link href="https://mlarson.org/2008/01/05/200801051116/"/>
    <updated>2008-01-05T00:40:39.000Z</updated>
    <id>https://mlarson.org/2008/01/05/200801051116/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=arL04K3HLMw&#34;&gt;A video montage of almost all the uses of Turbo Boost&lt;/a&gt; in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Knight_Rider&#34;&gt;Knight Rider&lt;/a&gt; television show. I used to watch Knight Rider religiously. [via &lt;a href=&#34;http://www.waxy.org&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Clyde Fans: Book One (review: 5/5)</title>
    <link href="https://mlarson.org/2008/01/03/20080103clyde-fans-book-one-review-55/"/>
    <updated>2008-01-03T00:18:01.000Z</updated>
    <id>https://mlarson.org/2008/01/03/20080103clyde-fans-book-one-review-55/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Clyde-Fans-Book-1-Seth/dp/189659784X&#34;&gt;Clyde Fans: Book One&lt;/a&gt;, by the cartoonist &lt;a href=&#34;http://en.wikipedia.org/wiki/Seth_(cartoonist)&#34;&gt;Seth&lt;/a&gt;, is split into two halves. Each half tracks the memories and relationship between two brothers, both of whom worked for the family business, the Clyde Fans Company. In the first section, set in 1997, we see the older Abraham walks from room to room in the old Clyde Fans storefront. Abraham keeps a constant monologue. As the only speaker in the first section, and perhaps the only family member remaining, he&#39;s both narrator and the only repository of family history. Abraham reminisces as he wanders throughout the old building telling old jokes or digging up old stories---as you might daydream through your own past, stopping every now and then to pick up a memory and turn it in the light before you move on to another. Although he controls the story, he leaves the building only briefly.&lt;/p&gt;
&lt;p&gt;Like Abraham&#39;s nostalgia, Simon&#39;s memory has him trapped, too. The second section rolls back 40 years to follow an anxious Simon, finally given a chance as a company salesman. His narrative, following him as he hoofs it from place to place with display sample in tow, always circles back to his memories: the high expectations of his brother, brush-offs from failed sales calls. The combination of his recurring flashbacks, his obsessive recall of failure, and his own expectations cripple him.&lt;/p&gt;
&lt;p&gt;Beyond Seth&#39;s good writing is the attention to detail that helps you trust his writing in the first place. It&#39;s the subtle attention that wins you over. Take a look at this image from the first page. You can see the stars high up in the sky, and as in real life, the lights from the street make it hard to see stars closer to the horizon. There&#39;s that band of darkness that shifts into a field of stars:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2160362941/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2388/2160362941_19980dd9ba_b.jpg&#34; alt=&#34;night city scene from Clyde Fans: Book One&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And further into the first part of the book, there&#39;s a stream of water from a faucet. Seth illustrates that sweet spot of water flow. At a certain water pressure, the flow is slow enough to not be forceful and straight, but fast enough that it escapes from the thin trickle. Seth draws that exact moment that makes the cool spiraling, helical column:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/2161160796/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2144/2161160796_21b829fd49_b.jpg&#34; alt=&#34;bathroom scene from Clyde Fans: Book One&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And the faucet handles even have shadows playing on the tub. Seth drafts some great architecture throughout the book. There are the cityscapes and building snapshots to make the setting, of course. But like the faucet shadows, in the interior scenes you can find all sorts of little details that make the time and place come alive, like molding at the joins of floor and ceiling, or wainscoting, or the floor tiles that aren&#39;t standard squares, but octagons with little diamonds between them. And shadows, always wonderful soft shadows falling and bending together.&lt;/p&gt;
&lt;p&gt;The worthy detail makes it happen. When you can trust the writer as an observer, you can trust them as a storyteller that much more. You don&#39;t have to draw or write every detail---Seth leaves out a lot---but a few well-chosen particulars make the rest of the story that much more compelling.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ah, privilege</title>
    <link href="https://mlarson.org/2008/01/02/20080102ah-privilege/"/>
    <updated>2008-01-02T22:46:25.000Z</updated>
    <id>https://mlarson.org/2008/01/02/20080102ah-privilege/</id>
    <content type="html">&lt;p&gt;It&#39;s 23 degrees outside, and I catch myself silently complaining that the &lt;em&gt;shower is too hot&lt;/em&gt;. One 2008 goal among many: complain less. There are bigger problems on this planet.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2008</title>
    <link href="https://mlarson.org/2008/01/02/200801021114/"/>
    <updated>2008-01-02T01:12:08.000Z</updated>
    <id>https://mlarson.org/2008/01/02/200801021114/</id>
    <content type="html">&lt;p&gt;A panel &lt;a href=&#34;http://www.strippedbooks.com/comics/stripped07/comics-00.html&#34;&gt;interview with Seth and Chris Ware conducted by Ivan Brunetti&lt;/a&gt;, told in comics form. I love the way that Gordon McAlpin, the cartoonist, mimicked each of their styles when they had the floor.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2008</title>
    <link href="https://mlarson.org/2008/01/02/200801021113/"/>
    <updated>2008-01-02T00:36:34.000Z</updated>
    <id>https://mlarson.org/2008/01/02/200801021113/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/200309/?read=interview_glaser&#34;&gt;Chip Kidd interviews Milton Glaser&lt;/a&gt;: &amp;quot;My father was a kind of a metaphor for the world, because if you canÄôt overcome a fatherÄôs resistance youÄôre never going to be able to overcome the worldÄôs resistance.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2008</title>
    <link href="https://mlarson.org/2008/01/02/200801021112/"/>
    <updated>2008-01-02T00:19:42.000Z</updated>
    <id>https://mlarson.org/2008/01/02/200801021112/</id>
    <content type="html">&lt;p&gt;This year&#39;s question from &lt;a href=&#34;http://edge.org&#34;&gt;edge.org&lt;/a&gt;: &amp;quot;&lt;a href=&#34;http://www.edge.org/q2008/q08_index.html&#34;&gt;What have you changed your mind about? Why?&lt;/a&gt;&amp;quot; Dozens of scientists, researchers, philosophers, writers, and thinkers respond.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Top Books for 2007</title>
    <link href="https://mlarson.org/2007/12/31/20071231top-books-for-2007/"/>
    <updated>2007-12-31T16:33:20.000Z</updated>
    <id>https://mlarson.org/2007/12/31/20071231top-books-for-2007/</id>
    <content type="html">&lt;p&gt;Let&#39;s see... glancing back through the year, here&#39;s what I&#39;m most glad to have read. I wrote about most of these... Fiction: &lt;a href=&#34;/mark-larson-1/2007/12/30/the-road-review-55&#34;&gt;The Road&lt;/a&gt; by Cormac McCarthy &lt;a href=&#34;/mark-larson-1/2007/07/17/dr-jekyll-mr-hyde-review-45&#34;&gt;The Strange Case of Dr. Jekyll &amp;amp; Mr. Hyde&lt;/a&gt; by Robert Louis Stevenson &lt;a href=&#34;/mark-larson-1/2007/02/09/down-and-out-in-the-magic-kingdom-review-55&#34;&gt;Down and Out in the Magic Kingdom&lt;/a&gt; by Cory Doctorow &lt;a href=&#34;http://www.voidspace.org.uk/cyberpunk/burning_chrome.shtml&#34;&gt;Burning Chrome&lt;/a&gt; by William Gibson&lt;/p&gt;
&lt;p&gt;Non-Fiction: &lt;a href=&#34;/mark-larson-1/2007/11/29/the-rest-is-noise-listening-to-the-twentieth-century-review-55&#34;&gt;The Rest Is Noise: Listening to the Twentieth Century&lt;/a&gt; by Alex Ross &lt;a href=&#34;/mark-larson-1/2007/11/18/ex-libris-confessions-of-a-common-reader-55&#34;&gt;Ex Libris: Confessions of a Common Reader&lt;/a&gt; by Anne Fadiman &lt;a href=&#34;/mark-larson-1/2007/11/11/reading-comics-how-graphic-novels-work-and-what-they-mean-review-45&#34;&gt;Reading Comics: How Graphic Novels Work and What They Mean&lt;/a&gt; by Douglas Wolk &lt;a href=&#34;/mark-larson-1/2007/10/21/hes-just-not-that-into-you-review-45&#34;&gt;He&#39;s Just Not That Into You&lt;/a&gt; by Greg Behrendt and Liz Tuccillo &lt;a href=&#34;/mark-larson-1/2007/09/22/the-blind-side-evolution-of-a-game-review-45&#34;&gt;The Blind Side: Evolution of a Game&lt;/a&gt; by Michael Lewis &lt;a href=&#34;/mark-larson-1/2007/03/27/interaction-of-color-review-455&#34;&gt;Interaction of Color&lt;/a&gt; by Josef Albers &lt;a href=&#34;http://www.mises.org/th.asp&#34;&gt;Theory and History&lt;/a&gt; by Ludwig von Mises &lt;a href=&#34;http://www.amazon.com/Style-Clarity-Joseph-M-Williams/dp/0321112520&#34;&gt;Style: The Basics of Clarity and Grace&lt;/a&gt; by Joseph Williams&lt;/p&gt;
&lt;p&gt;Comics: &lt;a href=&#34;/mark-larson-1/2007/02/09/curses-review-55&#34;&gt;Curses&lt;/a&gt; by Kevin Huizenga &lt;a href=&#34;http://www.topshelfcomix.com/catalog.php?type=12&amp;amp;title=524&#34;&gt;Tales of Woodsman Pete&lt;/a&gt; by Lilli Carr?© &lt;a href=&#34;/mark-larson-1/2007/08/01/plastic-man-rubber-bandits-review-55&#34;&gt;Plastic Man: Rubber Bandits&lt;/a&gt; by Kyle Baker &lt;a href=&#34;/mark-larson-1/2007/03/19/the-surrogates-review-45&#34;&gt;The Surrogates&lt;/a&gt; by Robert Venditti&lt;/p&gt;
&lt;p&gt;Too bad I don&#39;t have a better remembrance of what I read but didn&#39;t review. Need to keep better track of that.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Top Music for 2007</title>
    <link href="https://mlarson.org/2007/12/31/20071231top-music-for-2007/"/>
    <updated>2007-12-31T15:41:47.000Z</updated>
    <id>https://mlarson.org/2007/12/31/20071231top-music-for-2007/</id>
    <content type="html">&lt;p&gt;My top artists for 2007, according to &lt;a href=&#34;http://www.last.fm/user/markdlarson&#34;&gt;last.fm&lt;/a&gt;. Not the most representative collection, because the long tail of my listening habits is, well, really long. But aside from a few surprises, it&#39;s pretty fair. One thing that&#39;s not a surprise: I am decidedly out-of-date. I think only a few of these folks came out with an album this year. And a lot of them are dead. I almost never know what&#39;s going on in the music world, but I&#39;m okay with that. On with the list...&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Jeff_Buckley&#34;&gt;Jeff Buckley&lt;/a&gt; - No surprise here. Pretty sure I&#39;ve got more of his music than any other person in my collection. &lt;a href=&#34;http://en.wikipedia.org/wiki/King_Crimson&#34;&gt;King Crimson&lt;/a&gt; - Big surge in the second half of the year. &lt;a href=&#34;http://en.wikipedia.org/wiki/In_the_Court_of_the_Crimson_King&#34;&gt;In the Court of the Crimson King&lt;/a&gt; quickly became one of my favorite albums, ever. And &lt;a href=&#34;http://en.wikipedia.org/wiki/Beat_(King_Crimson_album)&#34;&gt;Beat&lt;/a&gt; is a lot of fun. &lt;a href=&#34;http://en.wikipedia.org/wiki/Pink_Floyd&#34;&gt;Pink Floyd&lt;/a&gt; - Old standby. &lt;a href=&#34;http://en.wikipedia.org/wiki/Tijs_Verwest&#34;&gt;DJ Ti?´sto&lt;/a&gt; - This was a bit of a surprise, but &lt;a href=&#34;http://en.wikipedia.org/wiki/In_Search_of_Sunrise_1&#34;&gt;In Search of Sunrise&lt;/a&gt; has gotten a lot of play. Like today, for example. &lt;a href=&#34;http://en.wikipedia.org/wiki/Claude_Debussy&#34;&gt;Claude Debussy&lt;/a&gt; - Heavy play of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Nocturnes_%28Debussy%29&#34;&gt;Nocturnes&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Children%27s_Corner&#34;&gt;Children&#39;s Corner&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Dave_Brubeck&#34;&gt;Dave Brubeck&lt;/a&gt; - Didn&#39;t expect him so high, but he got featured in a couple of playlists. &lt;a href=&#34;http://en.wikipedia.org/wiki/Radiohead&#34;&gt;Radiohead&lt;/a&gt; - No surprise. &lt;a href=&#34;http://en.wikipedia.org/wiki/Jean_Sibelius&#34;&gt;Jean Sibelius&lt;/a&gt; - Huge surge this winter, after reading &lt;a href=&#34;/mark-larson-1/2007/11/29/the-rest-is-noise-listening-to-the-twentieth-century-review-55&#34;&gt;The Rest Is Noise&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Philip_Glass&#34;&gt;Philip Glass&lt;/a&gt; - I went on a Glass-collecting spree this fall. Still have something of love/hate relationship with his music. &lt;a href=&#34;http://en.wikipedia.org/wiki/Leslie_Feist&#34;&gt;Feist&lt;/a&gt; - We had a good year together, except for when she released an album when I was out hiking for a couple months. &lt;a href=&#34;http://en.wikipedia.org/wiki/Sergei_Rachmaninoff&#34;&gt;Sergei Rachmaninoff&lt;/a&gt; - Pretty balanced play from an old favorite, across the spectrum of symphonies, concertos, choral works and chamber stuff. &lt;a href=&#34;http://en.wikipedia.org/wiki/Madonna_(entertainer)&#34;&gt;Madonna&lt;/a&gt; - Never really listened to her until this year. Big fan. &lt;a href=&#34;http://en.wikipedia.org/wiki/B%C3%A9la_Fleck_and_the_Flecktones&#34;&gt;Bela Fleck &amp;amp; the Flecktones&lt;/a&gt; - Another surprise here. Didn&#39;t think I was listening to them so much, but I got addicted to &amp;quot;&lt;a href=&#34;http://www.youtube.com/watch?v=FXHOyqHzupk&#34;&gt;Big Country&lt;/a&gt;&amp;quot; for a while. &lt;a href=&#34;http://en.wikipedia.org/wiki/Pat_Metheny&#34;&gt;Pat Metheny&lt;/a&gt; - Probably would have ranked higher if &lt;a href=&#34;http://last.fm&#34;&gt;last.fm&lt;/a&gt; kept track of all the play on road trips. &lt;a href=&#34;http://en.wikipedia.org/wiki/Henry_Purcell&#34;&gt;Henry Purcell&lt;/a&gt; - I sat through &lt;a href=&#34;http://en.wikipedia.org/wiki/Dido_and_Aeneas&#34;&gt;Dido &amp;amp; Aeneas&lt;/a&gt; a bunch of times so I could hear the final aria and chorus in context. &lt;a href=&#34;http://en.wikipedia.org/wiki/Johnny_Cash&#34;&gt;Johnny Cash&lt;/a&gt; - A good bit of the older stuff, but especially &lt;a href=&#34;http://en.wikipedia.org/wiki/American_IV:_The_Man_Comes_Around&#34;&gt;American IV&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Duran_Duran&#34;&gt;Duran Duran&lt;/a&gt; - &lt;a href=&#34;http://en.wikipedia.org/wiki/Rio_%28album%29&#34;&gt;Rio&lt;/a&gt;, mostly. Especially &amp;quot;&lt;a href=&#34;http://www.youtube.com/watch?v=ttLDl0aDrJc&#34;&gt;New Religion&lt;/a&gt;&amp;quot;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Daft_Punk&#34;&gt;Daft Punk&lt;/a&gt; - Eh. Need to play this less, I think. &lt;a href=&#34;http://en.wikipedia.org/wiki/Al_Jarreau&#34;&gt;Al Jarreau&lt;/a&gt; - Mostly the live album, Look to the Rainbow. &lt;a href=&#34;http://en.wikipedia.org/wiki/Carly_Simon&#34;&gt;Carly Simon&lt;/a&gt; - Almost all from &lt;a href=&#34;http://en.wikipedia.org/wiki/Anticipation_%28album%29&#34;&gt;Anticipation&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Erik_Satie&#34;&gt;Erik Satie&lt;/a&gt; - Almost exclusively due to the &lt;a href=&#34;http://en.wikipedia.org/wiki/Gymnop%C3%A9die&#34;&gt;Gymnopedies&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/April_March&#34;&gt;April March&lt;/a&gt; - For some reason, the fact that she&#39;s over 40 really boggles me. &lt;a href=&#34;http://willscruggs.com/&#34;&gt;Will Scruggs&lt;/a&gt; - A good friend and brilliant jazz saxophonist. &lt;a href=&#34;http://en.wikipedia.org/wiki/Joanna_Newsom&#34;&gt;Joanna Newsom&lt;/a&gt; - Surprised she wasn&#39;t higher on my list. Probably would be if her songs weren&#39;t so epic and awesome. Still feel like an idiot for not going to her Atlanta show this past November. &lt;a href=&#34;http://en.wikipedia.org/wiki/Machito&#34;&gt;Machito&lt;/a&gt; - The Afro-Cuban Jazz Suite got into a couple playlists.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Road (review: 5/5)</title>
    <link href="https://mlarson.org/2007/12/30/20071230the-road-review-55/"/>
    <updated>2007-12-30T15:48:50.000Z</updated>
    <id>https://mlarson.org/2007/12/30/20071230the-road-review-55/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Cormac_McCarthy&#34;&gt;Cormac McCarthy&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.amazon.com/Road-Cormac-McCarthy/dp/0307265439&#34;&gt;The Road&lt;/a&gt; takes place in a post-apocalyptic America. The novel centers on a father and son who, realizing they can&#39;t survive another winter, start moving through the southeast towards the coast, trudging through snow and ash with their belongings in a scavenged shopping cart. Where they leave from, where exactly they are going, and what they hope to find are never made completely clear, just as the cause of society&#39;s downfall is unexplained. But the beauty of the story is in everyday purpose they find in each other despite the struggle. There are a few tense moments avoiding bands of thieves and cannibals or other desperate nomads, but most of the book is a catalog of daily trials and conversations, simply and lovingly told. McCarthy&#39;s language is surprisingly simple and repetitive. It often called to mind a bit of the last stanza of &amp;quot;&lt;a href=&#34;http://www.writing.upenn.edu/~afilreis/88/stevens-13ways.html&#34;&gt;Thirteen Ways of Looking at a Blackbird&lt;/a&gt;&amp;quot;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It was evening all afternoon. It was snowing And it was going to snow.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Like Wallace Stevens&#39; poetry, McCarthy&#39;s book has something of music in it. At times, since the book has no chapters or divisions larger than a few paragraphs, it reads like a very long unbroken poem or chant or something you might read aloud. McCarthy occasionally disrupts this flow with some whiz-bang vocabulary (e.g. gryke, chary, kerf), but for the most part it&#39;s just really wonderful.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2007</title>
    <link href="https://mlarson.org/2007/12/29/200712291107/"/>
    <updated>2007-12-29T16:20:57.000Z</updated>
    <id>https://mlarson.org/2007/12/29/200712291107/</id>
    <content type="html">&lt;p&gt;H.G. Wells: &amp;quot;Every time I see an adult on a bicycle, I no longer despair for the future of mankind.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Cloze, reading, learning, life</title>
    <link href="https://mlarson.org/2007/12/29/20071229cloze-reading-learning-life/"/>
    <updated>2007-12-29T13:30:17.000Z</updated>
    <id>https://mlarson.org/2007/12/29/20071229cloze-reading-learning-life/</id>
    <content type="html">&lt;p&gt;While working on a little research paper a couple weeks ago, I came across &lt;a href=&#34;http://en.wikipedia.org/wiki/Cloze&#34;&gt;cloze procedure&lt;/a&gt;. A cloze test is used to measure the difficulty of a text. In a cloze test, you take a text and replace every fifth word with a blank space. The reader, who has never seen the passage before, reads it and fills in the blanks. It&#39;s kind of like &lt;a href=&#34;http://en.wikipedia.org/wiki/Mad_Libs&#34;&gt;mad libs&lt;/a&gt;, but the goal is to choose the correct words instead of just having fun with it. What&#39;s cool about cloze tests is what they can tell you about learning. By comparing how well readers complete the passage vs. how well they answer questions given a complete text, you can find where the optimal difficulty is. It turns out that there is an optimal difficulty level if you&#39;re looking to maximize information gain. Right around a 35-40% cloze success rate is best if you&#39;ve got an instructor available when needed, and around 50-60% if you&#39;re learning independently.&lt;/p&gt;
&lt;p&gt;You tend to acquire the most information with texts at those particular difficulty levels. You bring enough context and prior knowledge, but just enough to get a handle on the new stuff. What&#39;s crazy, if I can stretch it a bit, is that the &lt;strong&gt;most efficient learning takes place when you&#39;re stumbling roughly 40-60% of the time&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;So it kind of woke me up to thinking, if the goal is to learn and grow, how can I pick and choose the best experiences? I don&#39;t mean it in a snobby sense---&amp;quot;that is below me&amp;quot;---but in the sense of growth and challenge---&amp;quot;this is difficult &lt;strong&gt;and&lt;/strong&gt; worth it.&amp;quot; If you&#39;ve got &lt;a href=&#34;http://tewalkerjr.com/blog/?p=990&#34;&gt;perfectionism issues&lt;/a&gt; (like I do sometimes), sometimes you get stuck doing things you&#39;re great at, because you&#39;re great and being great feels good. But there&#39;s no growth there. So the cloze thing comes into play. Try something where you know you&#39;ll only be partially successful. See what happens.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fun with Flickr stats</title>
    <link href="https://mlarson.org/2007/12/27/20071227fun-with-flickr-stats/"/>
    <updated>2007-12-27T23:13:14.000Z</updated>
    <id>https://mlarson.org/2007/12/27/20071227fun-with-flickr-stats/</id>
    <content type="html">&lt;p&gt;Spent some time playing with &lt;a href=&#34;http://blog.flickr.com/en/2007/12/13/stats-stats-baby/&#34;&gt;Flickr stats&lt;/a&gt; the other day. I&#39;m not really looking to be known for my photographs, but I am a sucker for data. As expected, my stats don&#39;t demonstrate that internet users worldwide have come to appreciate my uncanny eye for composition and form, but rather that one can leverage Flickr&#39;s hard-won Google ranking and search relevance to own some obscure keywords.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I was happy to see that &lt;a href=&#34;http://flickr.com/photos/30792886@N00/662339536&#34;&gt;two&lt;/a&gt; &lt;a href=&#34;http://flickr.com/photos/marklarson/662332874/in/set-72157600553114109/&#34;&gt;photos&lt;/a&gt; of mine are being used in the Wikipedia article on &lt;a href=&#34;http://en.wikipedia.org/wiki/Pine_Grove_Furnace_State_Park&#34;&gt;Pine Grove Furnace State Park&lt;/a&gt;, from my earlier &lt;a href=&#34;http://flickr.com/photos/marklarson/sets/72157600553114109/&#34;&gt;hike this summer&lt;/a&gt;. I think that makes me some kind of expert.&lt;/li&gt;
&lt;li&gt;Another photo from my hike is at some random &lt;a href=&#34;http://www.snoringguides.com/news/snoring/the-seriousness-of-sleep-apnea.html&#34;&gt;$noring-related blog&lt;/a&gt;, of the dedicated &lt;a href=&#34;http://www.flickr.com/photos/marklarson/662315000/&#34;&gt;snoring shelter at Tumbling Run&lt;/a&gt;, Pennsylvania. Of course, next door there&#39;s the &lt;a href=&#34;http://www.flickr.com/photos/marklarson/662317554/in/set-72157600553114109/&#34;&gt;non-snoring shelter&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;If you happen to Google for &amp;quot;big hanging balls,&amp;quot; (I recommend you don&#39;t) my photo of a &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2039940201/&#34;&gt;big hanging ball&lt;/a&gt; sculpture in the High Museum comes up on the first page.&lt;/li&gt;
&lt;li&gt;My photos also come up for &lt;a href=&#34;http://www.flickr.com/photos/marklarson/2078099461/&#34;&gt;Schatten Gallery&lt;/a&gt; and &lt;a href=&#34;http://flickr.com/photos/marklarson/1449959581/in/set-72157602187945629/&#34;&gt;El Toro Ferocio&lt;/a&gt;, both parts of recent exhibitions at Emory University.&lt;/li&gt;
&lt;li&gt;Lastly, one of my favorites: I&#39;m the number 2 result for &lt;a href=&#34;http://www.flickr.com/photos/marklarson/1484924346/&#34;&gt;65536 iv&lt;/a&gt;, a screenshot from when I ventured to the very end of an Excel spreadsheet.&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>December 27, 2007</title>
    <link href="https://mlarson.org/2007/12/27/200712271106/"/>
    <updated>2007-12-27T22:47:23.000Z</updated>
    <id>https://mlarson.org/2007/12/27/200712271106/</id>
    <content type="html">&lt;p&gt;A long essay on &lt;a href=&#34;http://www.igda.org/articles/erobinson_crunch.php&#34;&gt;why crunch mode doesn&#39;t work&lt;/a&gt;. The gist is that productivity peaks within the first 4, 5, or 6 hours of the day, then starts dropping. Eventually it dissolves completely. In the long run, that continuous overtime isn&#39;t helping you or your company.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 27, 2007</title>
    <link href="https://mlarson.org/2007/12/27/200712271105/"/>
    <updated>2007-12-27T21:25:51.000Z</updated>
    <id>https://mlarson.org/2007/12/27/200712271105/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newscientist.com/article/mg19626351.800-how-to-create-an-extreme-overhang-with-toy-bricks.html&#34;&gt;How to create an extreme overhang with toy bricks&lt;/a&gt; [$]. Via BLDGBLOG, where you&#39;ll find some great &lt;a href=&#34;http://bldgblog.blogspot.com/2007/12/adventures-in-stacking.html&#34;&gt;images of the crazy stacking&lt;/a&gt; and some architectural speculation. I&#39;d love to see some crazy buildings tilting over like that.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2007</title>
    <link href="https://mlarson.org/2007/12/26/200712261104/"/>
    <updated>2007-12-26T21:19:53.000Z</updated>
    <id>https://mlarson.org/2007/12/26/200712261104/</id>
    <content type="html">&lt;p&gt;&amp;quot;After Darwin, after Einstein---just as after Galileo and Copernicus---we can&#39;t have the same theological ideas about God as we did before.&amp;quot; &lt;a href=&#34;http://www.salon.com/books/feature/2007/12/18/john_haught/&#34;&gt;An interview with theologian John Haught&lt;/a&gt; on science, faith, and the troubles of the new atheism.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2007</title>
    <link href="https://mlarson.org/2007/12/26/200712261103/"/>
    <updated>2007-12-26T20:53:58.000Z</updated>
    <id>https://mlarson.org/2007/12/26/200712261103/</id>
    <content type="html">&lt;p&gt;I did not know that &lt;a href=&#34;http://en.wikipedia.org/wiki/Wikipedia:Reference_desk&#34;&gt;Wikipedia has a reference desk&lt;/a&gt;. Sort of like the super-helpful &lt;a href=&#34;http://ask.metafilter.com/&#34;&gt;Ask MetaFilter&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2007</title>
    <link href="https://mlarson.org/2007/12/26/200712261102/"/>
    <updated>2007-12-26T20:40:26.000Z</updated>
    <id>https://mlarson.org/2007/12/26/200712261102/</id>
    <content type="html">&lt;p&gt;From the &lt;a href=&#34;http://www.ropeswingmanifesto.com/body.htm&#34;&gt;Rope Swing Manifesto&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The absolutely best rope swing is one currently in use by your friends. If you approach a rope swing in use by persons not known to you, realize that you may get a cool reception or worse. As weÄôve seen, rope swings usually occur on private land. The swings themselves, however, are private in a way more profound than matters of real estate, surveying, probate, and taxes. Prior use conveys ownership. While the other rope swing users are no doubt trespassers just like you, they may feel that they are the true keepers of the swing, and you are an interloper. They are right. As holders of local knowledge, and as people who have used the swing without getting caught in the past, they have every right to resent you, who by your very presence may call just enough attention to the swing to get it cut down.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 25, 2007</title>
    <link href="https://mlarson.org/2007/12/25/200712251101/"/>
    <updated>2007-12-25T22:59:24.000Z</updated>
    <id>https://mlarson.org/2007/12/25/200712251101/</id>
    <content type="html">&lt;p&gt;&amp;quot;I don&#39;t know how anyone can &lt;em&gt;try&lt;/em&gt; to be universal. The way you really do it is to take care in your own work, do the best job you can, be as truthful as possible about the things right under your nose.&amp;quot; -&lt;a href=&#34;http://en.wikipedia.org/wiki/Steve_Reich&#34;&gt;Steve Reich&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2007</title>
    <link href="https://mlarson.org/2007/12/23/200712231099/"/>
    <updated>2007-12-23T16:45:18.000Z</updated>
    <id>https://mlarson.org/2007/12/23/200712231099/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.obereed.net/hh/correlation.html&#34;&gt;New poll shows correlation is causation&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 20, 2007</title>
    <link href="https://mlarson.org/2007/12/20/200712201098/"/>
    <updated>2007-12-20T00:36:23.000Z</updated>
    <id>https://mlarson.org/2007/12/20/200712201098/</id>
    <content type="html">&lt;p&gt;PhD trivia: &amp;quot;Only 36.7 percent of humanities students have finished their dissertations by year 8, and only 49.1 percent have done so by year 10.&amp;quot; That sounds completely insane to me. Granted, I&#39;ve never been in a PhD program, but... wow. Just wow. Some schools are implementing &lt;a href=&#34;http://www.insidehighered.com/news/2007/12/17/phd&#34;&gt;policies to encourage professors to help students complete the dissertation&lt;/a&gt;, on pain of the department losing admissions slots.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 19, 2007</title>
    <link href="https://mlarson.org/2007/12/19/200712191097/"/>
    <updated>2007-12-19T00:59:53.000Z</updated>
    <id>https://mlarson.org/2007/12/19/200712191097/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.laphamsquarterly.com/&#34;&gt;Lapham&#39;s Quarterly&lt;/a&gt; looks like a worthy new periodical. Each volume covers a specific theme and the essays come from a wide range of historical texts. The current issue, &amp;quot;States of War,&amp;quot; draws on Patton, Ruskin, Lenin, Goebbels, bin Laden, Virgil, Tim O&#39;Brien, Whitman, Vonnegut, Tolstoy...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2007</title>
    <link href="https://mlarson.org/2007/12/18/200712181096/"/>
    <updated>2007-12-18T03:11:41.000Z</updated>
    <id>https://mlarson.org/2007/12/18/200712181096/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.merriam-webster.com/info/07words.htm&#34;&gt;Merriam-Webster&#39;s words of the year&lt;/a&gt;, with the lovable &lt;a href=&#34;http://www.newsweek.com/id/77954&#34;&gt;&amp;quot;w00t&amp;quot; winning the number one spot&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2007</title>
    <link href="https://mlarson.org/2007/12/18/200712181095/"/>
    <updated>2007-12-18T03:04:36.000Z</updated>
    <id>https://mlarson.org/2007/12/18/200712181095/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.reuters.com/news/pictures/slideshow?collectionId=1067&#34;&gt;Reuters Pictures of the Year for 2007&lt;/a&gt;. Not sure how to link to each, but I like photos number 2, 16, 22, 45, 63, 86, 92, and 98. [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2007</title>
    <link href="https://mlarson.org/2007/12/18/200712181094/"/>
    <updated>2007-12-18T02:54:33.000Z</updated>
    <id>https://mlarson.org/2007/12/18/200712181094/</id>
    <content type="html">&lt;p&gt;Tumblr and tumblogs are great, but the attribution can be shoddy. I had to click my way back through 4 or 5 websites to to get to the primary source for these really cool illustrations, &lt;a href=&#34;http://blog.blogwhy.com/thunderlittle/e_20953.html&#34;&gt;No Hugging Is So Hard&lt;/a&gt;. [sorry, I lost track of the vias, but the next-to-last was &lt;a href=&#34;http://www.startdrawing.org/&#34;&gt;startdrawing&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Flash Fiction Forward: 80 Very Short Stories (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/12/16/20071216flash-fiction-forward-80-very-short-stories-review-355/"/>
    <updated>2007-12-16T17:08:12.000Z</updated>
    <id>https://mlarson.org/2007/12/16/20071216flash-fiction-forward-80-very-short-stories-review-355/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Flash-Fiction-Forward-Short-Stories/dp/0393328023&#34;&gt;Flash Fiction Forward&lt;/a&gt; collects a bunch of stories that only take a couple of page turns to finish. One thing I thought was odd is how none of the stories take on a particular genre, and how many of them seem to have a contemporary setting. Why not a tight little detective story, or a scene from a Civil War battle field, or a nice little 13th century abbey? I&#39;m all for penetrating meditations on modern relationships and culture and stuff, but it&#39;s a shame to see such talent spent in a narrow range. In any case, many of these stories are quite good, and the low cost of reading means you should take a glance. Some of the stories I particularly liked are:&lt;/p&gt;
&lt;p&gt;&amp;quot;Before the Bath&amp;quot; by Ismail Kadare &amp;quot;The Great Open Mouth Anti-Sadness&amp;quot; by Ron Carlson &lt;a href=&#34;http://www.randomhouse.com/boldtype/ohenry/0900/biguenet.1.html&#34;&gt;&amp;quot;Rose&amp;quot; by John Biguenet&lt;/a&gt; &amp;quot;The Old Truth in Costa Rica&amp;quot; by Lon Otto &amp;quot;I Never Looked&amp;quot; by Donald Hall &amp;quot;Fab 4&amp;quot; by Jenny Hall &lt;a href=&#34;http://www.jamccaffrey.com/Words.html&#34;&gt;&amp;quot;Words&amp;quot; by John A. McCaffrey&lt;/a&gt; &amp;quot;21&amp;quot; by Jim Crace &lt;a href=&#34;http://www.benjaminrosenbaum.com/stories/orange.html&#34;&gt;&amp;quot;The Orange&amp;quot; by Benjamin Rosenbaum&lt;/a&gt; &amp;quot;Geometry Can Fail Us&amp;quot; by Barbara Jacksha &amp;quot;Bill&amp;quot; by Dan Kaplan &amp;quot;00:02:36:58&amp;quot; by Bayard Godsave &amp;quot;Traveling Alone&amp;quot; by Rob Carney &amp;quot;The Death of the Short Story&amp;quot; by J. David Stevens&lt;/p&gt;
&lt;p&gt;One final note: it&#39;s incredibly disappointing how many of these stories are &lt;em&gt;not&lt;/em&gt; (easily) available online.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2007</title>
    <link href="https://mlarson.org/2007/12/16/200712161092/"/>
    <updated>2007-12-16T15:34:00.000Z</updated>
    <id>https://mlarson.org/2007/12/16/200712161092/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.cig.ensmp.fr/~hydro/PHO/1910/1910.htm&#34;&gt;Photos of Paris during the floods of 1910&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2007</title>
    <link href="https://mlarson.org/2007/12/16/200712161091/"/>
    <updated>2007-12-16T15:28:28.000Z</updated>
    <id>https://mlarson.org/2007/12/16/200712161091/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;https://pub-62a2f3d9aa874cbd9a4dc3bd36c88dd3.r2.dev/uploads/2007/12/3547c-twittercurve.jpg&#34;&gt;The Twitter Curve&lt;/a&gt;. I have a love/hate relationship with Twitter. It&#39;s one of the best things distractions going, but I have to be really careful to keep my signal/noise ratio in balance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2007</title>
    <link href="https://mlarson.org/2007/12/16/200712161090/"/>
    <updated>2007-12-16T15:26:06.000Z</updated>
    <id>https://mlarson.org/2007/12/16/200712161090/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://diveabout.multiply.com/journal/item/13/The_Proposal_co_Neil_Gaiman&#34;&gt;Neil Gaiman helped one of his fans propose at a book signing&lt;/a&gt;. Read the story, and &lt;a href=&#34;http://diveabout.multiply.com/video/item/3/Proposal_Video&#34;&gt;someone caught it on video&lt;/a&gt; as well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 12, 2007</title>
    <link href="https://mlarson.org/2007/12/12/200712121089/"/>
    <updated>2007-12-12T23:04:08.000Z</updated>
    <id>https://mlarson.org/2007/12/12/200712121089/</id>
    <content type="html">&lt;p&gt;This Saturday in Atlanta, &lt;a href=&#34;http://www.thehappenstance.com/&#34;&gt;The Happenstance&lt;/a&gt; at &lt;a href=&#34;http://www.badearl.com/&#34;&gt;The Earl&lt;/a&gt;: &amp;quot;We select 30 musicians, make them meet us early in the morning at a local rock club, randomly divide them into 5 piece bands, and send them off to create a 20 minute set of music which they will perform that evening.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 11, 2007</title>
    <link href="https://mlarson.org/2007/12/11/200712111088/"/>
    <updated>2007-12-11T07:08:07.000Z</updated>
    <id>https://mlarson.org/2007/12/11/200712111088/</id>
    <content type="html">&lt;p&gt;&amp;quot;History looks more and more like a science fiction novel in which mutants repeatedly arose and displaced normal humans Äì sometimes quietly, by surviving starvation and disease better, sometimes as a conquering horde. And we are those mutants.&amp;quot; &lt;a href=&#34;http://www.physorg.com/news116529402.html&#34;&gt;Humans are evolving&lt;/a&gt;, and there&#39;s a difference even over the small time frame of the past 1000-10,000 years. Two big causes are the huge increases population growth, which means more mutant genetic strains, and our geographic spread, which makes for environmental adaptation.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2007</title>
    <link href="https://mlarson.org/2007/12/10/200712101087/"/>
    <updated>2007-12-10T21:48:28.000Z</updated>
    <id>https://mlarson.org/2007/12/10/200712101087/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://quotation-marks.blogspot.com/&#34;&gt;The &amp;quot;Blog&amp;quot; of &amp;quot;Unnecessary&amp;quot; Quotation Marks&lt;/a&gt; is one of my favorite regular reads. It just never gets old for me. I&#39;ve also previously recommended the photo group for &lt;a href=&#34;http://www.flickr.com/groups/quoteabuse/pool/&#34;&gt;&amp;quot;Quotation Mark&amp;quot; Abuse&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2007</title>
    <link href="https://mlarson.org/2007/12/10/200712101084/"/>
    <updated>2007-12-10T21:39:53.000Z</updated>
    <id>https://mlarson.org/2007/12/10/200712101084/</id>
    <content type="html">&lt;p&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2335/2102372808_0e0e045ae0_o.jpg&#34; alt=&#34;Groan&#34;&gt; I don&#39;t know where &lt;a href=&#34;http://thenonist.com/index.php/thenonist/permalink/groan/&#34;&gt;the nonist found this image&lt;/a&gt;. I love it. Maybe he will tell if you ask nicely.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2007</title>
    <link href="https://mlarson.org/2007/12/10/200712101083/"/>
    <updated>2007-12-10T21:31:16.000Z</updated>
    <id>https://mlarson.org/2007/12/10/200712101083/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://muppet.wikia.com/wiki/Geometry_of_Circles&#34;&gt;Geometry of Circles&lt;/a&gt; is a series of animated shorts that appeared on Sesame street in the late 1970s, with music by &lt;a href=&#34;http://www.philipglass.com/&#34;&gt;Philip Glass&lt;/a&gt;. Someone put together &lt;a href=&#34;http://youtube.com/watch?v=mV9CjHmcEEI&#34;&gt;four of the Geometry of Circles videos&lt;/a&gt; for your enjoyment on YouTube. [via &lt;a href=&#34;http://linedandunlined.com/&#34;&gt;lined &amp;amp; unlined&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2007</title>
    <link href="https://mlarson.org/2007/12/09/200712091082/"/>
    <updated>2007-12-09T11:30:32.000Z</updated>
    <id>https://mlarson.org/2007/12/09/200712091082/</id>
    <content type="html">&lt;p&gt;Yesterday I stumbled on the &lt;a href=&#34;http://podcast.iwanttoseethat.com/&#34;&gt;I Want to See That! podcast&lt;/a&gt;---wherein &lt;a href=&#34;http://benbrown.com/&#34;&gt;Ben Brown&lt;/a&gt; and &lt;a href=&#34;http://yournewfavorite.com/&#34;&gt;Katie Spence&lt;/a&gt; review upcoming movies they haven&#39;t seen. Ill-rehearsed and delightful to watch.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>You Don&#39;t Love Me Yet (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/12/07/20071207you-dont-love-me-yet-review-355/"/>
    <updated>2007-12-07T01:50:42.000Z</updated>
    <id>https://mlarson.org/2007/12/07/20071207you-dont-love-me-yet-review-355/</id>
    <content type="html">&lt;p&gt;At the heart of &lt;a href=&#34;http://www.amazon.com/You-Dont-Love-Me-Yet/dp/038551218X&#34;&gt;You Don&#39;t Love Me Yet&lt;/a&gt; is a band. Well, a band without a name that hasn&#39;t had a gig yet. The story follows Lucinda, the bassist, as she navigates the post-break-up phase with Matthew, the lead singer. The whole book is about process, creation, becoming, limbo, liminal states. The book starts after Matthew and Lucinda split, before the band ever makes it big, and each, in a way, has a new beginning that we don&#39;t get to see. We get to see the shifting in between. The band finally gets a little bit of traction when Lucinda steals ideas for lyrics from the Complainer, a guy who calls the complaint line where Lucinda works. The Complainer later insists on joining the band, which makes everything awkward because Lucinda has been dating him... and no one else knows that&#39;s where the lyrics came from. (And Matthew abducted a kangaroo from the zoo, by the way.) Denise is the drummer, appropriately, the one trying to hold things together.&lt;/p&gt;
&lt;p&gt;In one scene, Bedwin, the chief lyricist and creative, confesses that he&#39;s struggling:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;I&#39;ve been trying. I&#39;m having a sort of problem with language.&amp;quot; &amp;quot;What do you mean?&amp;quot; &amp;quot;With sentences... words.&amp;quot; &amp;quot;We know what language is, Bedwin,&amp;quot; said Denise, not unkindly. The three had turned to Bedwin now, half consciously, as though reaching out to support someone freshly released from a hospital, a man tapping down a ramp on crutches.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love those analogies that &lt;a href=&#34;http://www.jonathanlethem.com&#34;&gt;Jonathan Lethem&lt;/a&gt; comes up with. Throughout the book there are these really wonderful, roundabout, visual ways of describing how people act or move or gesture. Here&#39;s a vivid fashion description: &amp;quot;his white shirts were uniformly crisp and bright, as if pulled from a dispenser like tissues.&amp;quot; Another scene describes returning to an apartment after a long absence, with the answering machine blinking and &amp;quot;the slaw of mail beneath the door slot.&amp;quot;&lt;/p&gt;
&lt;p&gt;One other great moment worthy of mention is at the band&#39;s brief climax, their big moment. The whole 8 or 10 page sequence is really sharp. Lethem switches narrative voice, and the musicians all lose their proper names. They become &amp;quot;the singer,&amp;quot; &amp;quot;the drummer,&amp;quot; &amp;quot;the women,&amp;quot; &amp;quot;the men,&amp;quot; &amp;quot;the band.&amp;quot; And it&#39;s during that concert when the band finally achieves its own name. But while the band blossoms, their relationships start to fray.&lt;/p&gt;
&lt;p&gt;You can hear &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=10377798&#34;&gt;Lethem reading a portion from the beginning of his book on NPR&lt;/a&gt;. Lethem also has a interesting &lt;a href=&#34;http://www.jonathanlethem.com/freelove.html&#34;&gt;film option for this book&lt;/a&gt;, surrendering rights for derivative works after a short waiting period:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;IÄôll give away a free option on the film rights to my novel &lt;em&gt;You DonÄôt Love Me Yet&lt;/em&gt; to a selected filmmaker. In return for the free option, IÄôll ask two things:&lt;/p&gt;
&lt;p&gt;1. IÄôd like the filmmaker to pay (something) for the purchase of the rights if they actually make a film: two percent of the budget, paid when the completed film gets a distribution deal. (IÄôll wait until distribution to get paid so a filmmaker without many funds can work without having to spend their own money paying me). 2. The filmmaker and I will make an agreement to release all ancillary rights to the film (and its source material, the novel), five years after the filmÄôs debut. In other words, after a waiting period during which those rights would still be restricted, anyone who cared to could make any number of other kinds of artwork based on the novelÄôs story and characters, or the filmÄôs: a play, a television series, a comic book, a theme park ride, an opera Äì or even a sequel film or novel featuring the same characters. For that matter, they can remake the film with another script and new actors. In my agreement with the filmmaker, those ancillary rights will be launched into the public domain.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;m curious to see what comes of it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2007</title>
    <link href="https://mlarson.org/2007/12/04/200712041080/"/>
    <updated>2007-12-04T23:28:08.000Z</updated>
    <id>https://mlarson.org/2007/12/04/200712041080/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://strangemaps.wordpress.com/2007/12/04/214-the-blonde-map-of-europe/&#34;&gt;A map of where all the blondes are in Europe&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2007</title>
    <link href="https://mlarson.org/2007/12/04/200712041079/"/>
    <updated>2007-12-04T23:22:14.000Z</updated>
    <id>https://mlarson.org/2007/12/04/200712041079/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.tnr.com/politics/story.html?id=69e34cc4-6eb7-4c69-a5a7-24681dfac7c4&amp;amp;p=1&#34;&gt;James Wolcott on book reviewing&lt;/a&gt; and Gail Pool&#39;s &lt;a href=&#34;http://www.amazon.com/Faint-Praise-Plight-Reviewing-America/dp/0826217281/&#34;&gt;Faint Praise: The Plight of Book Reviewing in America&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2007</title>
    <link href="https://mlarson.org/2007/12/04/200712041078/"/>
    <updated>2007-12-04T23:18:53.000Z</updated>
    <id>https://mlarson.org/2007/12/04/200712041078/</id>
    <content type="html">&lt;p&gt;Today I learned the word &lt;a href=&#34;http://www.lifeclever.com/forge-ten-great-habits-for-the-new-year-but-start-today-and-stop-calling-them-habits/&#34;&gt;&amp;quot;musterbation&amp;quot; at LifeClever&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2007</title>
    <link href="https://mlarson.org/2007/12/03/200712031077/"/>
    <updated>2007-12-03T22:16:36.000Z</updated>
    <id>https://mlarson.org/2007/12/03/200712031077/</id>
    <content type="html">&lt;p&gt;I learned about &lt;a href=&#34;http://en.wikipedia.org/wiki/Parkinson%27s_law&#34;&gt;Parkinson&#39;s Law&lt;/a&gt; while &lt;a href=&#34;http://twitter.com/mlarson&#34;&gt;twittering&lt;/a&gt; today: &amp;quot;work expands so as to fill the time available for its completion.&amp;quot; Here are some other &lt;a href=&#34;http://en.wikipedia.org/wiki/Adages_named_after_people&#34;&gt;eponymous laws&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2007</title>
    <link href="https://mlarson.org/2007/12/03/200712031075/"/>
    <updated>2007-12-03T19:57:41.000Z</updated>
    <id>https://mlarson.org/2007/12/03/200712031075/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sciam.com/article.cfm?id=the-secret-to-raising-smart-kids&amp;amp;print=true&#34;&gt;The secret to raising smart kids&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2007</title>
    <link href="https://mlarson.org/2007/12/03/200712031074/"/>
    <updated>2007-12-03T19:53:27.000Z</updated>
    <id>https://mlarson.org/2007/12/03/200712031074/</id>
    <content type="html">&lt;p&gt;Art has no shortcuts, folks:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In the course of many centuries a few labor-saving devices have been introduced into the mental kitchen---alcohol, coffee, tobacco, Bezedrine, etc.---but these mechanisms are very crude, liable to affect the health of the cook, and constantly breaking down. Artistic composition in the twentieth century A.D. is pretty much the same as it was in the twentieth century B.C.: nearly everything has still to be done by hand.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/W._H._Auden&#34;&gt;W.H. Auden&lt;/a&gt;, &lt;a href=&#34;http://www.harpers.org/archive/2007/12/0081807&#34;&gt;The Mental Kitchen&lt;/a&gt; [$]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 3, 2007</title>
    <link href="https://mlarson.org/2007/12/03/200712031073/"/>
    <updated>2007-12-03T02:03:55.000Z</updated>
    <id>https://mlarson.org/2007/12/03/200712031073/</id>
    <content type="html">&lt;p&gt;A few impressive &lt;a href=&#34;http://www.fulltable.com/VTS/aoi/n/nuckel/d.htm&#34;&gt;woodcuts from the Otto N?ºckel book, &lt;em&gt;Destiny: A Novel in Pictures&lt;/em&gt;&lt;/a&gt;. Really cool work. I haven&#39;t been able to find much other information about him, aside from a &lt;a href=&#34;http://de.wikipedia.org/wiki/Otto_N%C3%BCckel&#34;&gt;Wikipedia entry in German&lt;/a&gt; and his being an inspiration for &lt;a href=&#34;http://en.wikipedia.org/wiki/Lynd_Ward&#34;&gt;Lynd Ward&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Art_Spiegelman&#34;&gt;Art Spiegelman&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2007</title>
    <link href="https://mlarson.org/2007/12/01/200712011072/"/>
    <updated>2007-12-01T08:33:38.000Z</updated>
    <id>https://mlarson.org/2007/12/01/200712011072/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=72nfrhXroo8&#34;&gt;The Web that Wasn&#39;t&lt;/a&gt;: Alex Wright talks about precursors and alternatives to the web we know.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Rest Is Noise: Listening to the Twentieth Century (review: 5/5)</title>
    <link href="https://mlarson.org/2007/11/29/20071129the-rest-is-noise-listening-to-the-twentieth-century-review-55/"/>
    <updated>2007-11-29T22:16:46.000Z</updated>
    <id>https://mlarson.org/2007/11/29/20071129the-rest-is-noise-listening-to-the-twentieth-century-review-55/</id>
    <content type="html">&lt;p&gt;Early on in his new book, &lt;a href=&#34;http://www.therestisnoise.com&#34;&gt;Alex Ross&lt;/a&gt; identifies one thing that separates music from other arts: &amp;quot;At a performance, listeners experience a new work collectively, at the same rate and approximately from the same distance. They cannot stop to consider the implications of a half-lovely chord or concealed waltz rhythm. They are a crowd, and crowds tend to align themselves as one mind.&amp;quot; Though Ross doesn&#39;t say it outright, that also applies to crowds of composers. Much of his new book, &lt;a href=&#34;http://www.amazon.com/Rest-Noise-Listening-Twentieth-Century/dp/0374249393&#34;&gt;The Rest Is Noise: Listening to the Twentieth Century&lt;/a&gt;, is spent wrestling with the idea of the push and pull of the crowd and the &amp;quot;split between modernist and populist conceptions of the composer&#39;s role.&amp;quot; There&#39;s that clever insinuation in the title. Though the book brings up a lot of music, yes, but it&#39;s also about listening to the era, the shifting alliances and rivalries among composers, the feedback loop of popular culture, ethnicity, politics, war.&lt;/p&gt;
&lt;p&gt;And the buildup to and endurance of wartime dominates the much of the book. His description of the Teens and Twenties has some eerie parallels with today:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For anyone who cherishes the notion that there is some inherent spiritual goodness in artists of great talent, the era of Stalin and Hitler is disillusioning. Not only did composers fail to rise up en masse against totalitarianism, but many actively welcomed it. In the capitalist free-for-all of the twenties, they had contended with technologically enhanced mass culture, which introduced a new aristocracy of movie stars, pop musicians, and celebrities without portfolio. Having long depended on the largesse of the Church, the upper classes, and high bourgeoisie, composers suddenly found themselves, in the Jazz Age, without obvious means of support. Some fell to dreaming of a political knight in shining armor who would come to their aid.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Two recurring characters appear in the first half of the book. The first is &lt;a href=&#34;http://en.wikipedia.org/wiki/Thomas_Mann&#34;&gt;Thomas Mann&lt;/a&gt;&#39;s book &lt;a href=&#34;http://en.wikipedia.org/wiki/Doktor_Faustus&#34;&gt;Doctor Faustus&lt;/a&gt;, about a composer who makes a bargain with the devil and whose fictional music owes a lot to the real music of &lt;a href=&#34;http://en.wikipedia.org/wiki/Arnold_Schoenberg&#34;&gt;Arnold Schoenberg&lt;/a&gt;. The second is the opera &lt;a href=&#34;http://en.wikipedia.org/wiki/Salome_(opera)&#34;&gt;Salome&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Richard_Strauss&#34;&gt;Richard Strauss&lt;/a&gt;, a scandalous early 20th-century opera. Opera comes up quite often. It&#39;s easier to talk about the music with an explicit emotional narrative. Ross can let the libretto tell the story rather than relying exclusively on musical description or intuition. There are also long treatments of the operas &lt;a href=&#34;http://en.wikipedia.org/wiki/Wozzeck&#34;&gt;Wozzeck&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Threepenny_Opera&#34;&gt;The Threepenny Opera&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Peter_Grimes&#34;&gt;Peter Grimes&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Nixon_in_China_(opera)&#34;&gt;Nixon in China&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;It makes sense to talk about the big works, the standbys, the headlines. I don&#39;t think he meant to create a comprehensive book, so of course there are some unfortunate absences. Ross mentioned that he regrets he could have spent more time writing about &lt;a href=&#34;http://www.therestisnoise.com/2004/05/composer_links.html&#34;&gt;&amp;quot;conservative&amp;quot; composers&lt;/a&gt;. Rachmaninov, for example, only gets a few mentions. Though he&#39;s a modern-day orchestral standby (and one of my personal favorites), he didn&#39;t shake things up enough to make it to the book. Carl Nielsen and a bunch of the British also get passed over. Nonetheless, the depth and breadth of research that went into the book is consistently amazing, in part because it flows so well. I don&#39;t think I&#39;ve read non-fiction this enjoyable in a couple years.&lt;/p&gt;
&lt;p&gt;Be sure to stop by his website. Ross has &lt;a href=&#34;http://www.therestisnoise.com/2007/01/book-audiofiles.html&#34;&gt;audiofiles for &lt;em&gt;The Rest Is Noise&lt;/em&gt;&lt;/a&gt; on his website, as well as a &lt;a href=&#34;http://www.therestisnoise.com/2004/05/what_is_this.html&#34;&gt;video introduction&lt;/a&gt;. If you&#39;re looking for a great sample, there&#39;s an &lt;a href=&#34;http://www.therestisnoise.com/2007/07/sibelius-chapte.html&#34;&gt;excerpt from the chapter on Sibelius&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2007</title>
    <link href="https://mlarson.org/2007/11/29/200711291071/"/>
    <updated>2007-11-29T20:49:27.000Z</updated>
    <id>https://mlarson.org/2007/11/29/200711291071/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nerve.com/personalessays/stegall/personalinventory/&#34;&gt;The erotic appeal of the Land&#39;s End catalog&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2007</title>
    <link href="https://mlarson.org/2007/11/29/200711291070/"/>
    <updated>2007-11-29T20:42:33.000Z</updated>
    <id>https://mlarson.org/2007/11/29/200711291070/</id>
    <content type="html">&lt;p&gt;&amp;quot;I remember saying once, I canÄôt understand these chaps who go round American universities explaining how they write poems; itÄôs like going round explaining how you sleep with your wife. Whoever I was talking to said, TheyÄôd do that too, if their agents could fix it.&amp;quot; &lt;a href=&#34;http://www.parisreview.org/viewinterview.php/prmMID/3153&#34;&gt;Phillip Larkin in the Paris Review&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2007</title>
    <link href="https://mlarson.org/2007/11/29/200711291069/"/>
    <updated>2007-11-29T20:41:12.000Z</updated>
    <id>https://mlarson.org/2007/11/29/200711291069/</id>
    <content type="html">&lt;p&gt;From Nathan Ihara&#39;s &lt;a href=&#34;http://www.laweekly.com/art+books/books/who-needs-dreams/17719/&#34;&gt;review of the Paris Review Interviews, II&lt;/a&gt;: &amp;quot;the art of the interview requires something very different from a mere investigation of the mechanics of fiction. Leave theory and technique to the essay or manual. An interview is a wonderful art form, similar to a one-act play, with an unswerving goal: to expose a human being.&amp;quot; I really enjoyed &lt;a href=&#34;/mark-larson-1/2007/07/31/the-paris-review-interviews-volume-i-review-455&#34;&gt;Paris Review Interviews, I&lt;/a&gt;. I&#39;ll see if I can get my hands on this latest one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2007</title>
    <link href="https://mlarson.org/2007/11/29/200711291068/"/>
    <updated>2007-11-29T20:28:02.000Z</updated>
    <id>https://mlarson.org/2007/11/29/200711291068/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.marginalrevolution.com/marginalrevolution/2007/11/a-plea-for-ideo.html&#34;&gt;A plea for more anthropology of ideology&lt;/a&gt;: &amp;quot;I&#39;d like to propose a new research convention. Anytime a writer or blogger talks about what The Right or The Left (or some subset thereof) really wants or means, I&#39;d like them to list their personal anthropological experience with the subjects under consideration.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2007</title>
    <link href="https://mlarson.org/2007/11/29/200711291067/"/>
    <updated>2007-11-29T01:51:34.000Z</updated>
    <id>https://mlarson.org/2007/11/29/200711291067/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/11/25/CMSBT6SE8.DTL&#34;&gt;A profile of William Langewiesche&lt;/a&gt;. I&#39;d never heard of him before today, but now I&#39;m curious to see what he&#39;s been writing. &amp;quot;This is the golden age of nonfiction, now. It&#39;s not in the future sometime. It&#39;s not in the past. It&#39;s better now. This is the time.&amp;quot; [via &lt;a href=&#34;http://www.bookslut.com/blog/&#34;&gt;bookslut&lt;/a&gt; and &lt;a href=&#34;http://www.vqronline.org/blog/2007/11/28/william-langewiesche-profiled/&#34;&gt;vqr&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2007</title>
    <link href="https://mlarson.org/2007/11/29/200711291066/"/>
    <updated>2007-11-29T01:39:54.000Z</updated>
    <id>https://mlarson.org/2007/11/29/200711291066/</id>
    <content type="html">&lt;p&gt;Here&#39;s an interesting idea: &lt;a href=&#34;http://slowreading.wordpress.com/2007/11/28/have-you-set-an-end-date-for-your-blog/&#34;&gt;setting an end-date for your blog&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2007</title>
    <link href="https://mlarson.org/2007/11/29/200711291065/"/>
    <updated>2007-11-29T01:35:56.000Z</updated>
    <id>https://mlarson.org/2007/11/29/200711291065/</id>
    <content type="html">&lt;p&gt;In the NYT, a &lt;a href=&#34;http://www.nytimes.com/2007/11/28/opinion/28wed4.html&#34;&gt;reflection&lt;/a&gt; on the &lt;a href=&#34;http://www.civilwarphotography.org/lincolngettysburg.html&#34;&gt;newly-discovered photos of Abraham Lincoln at Gettysburg&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What would the photographic record show if it reached back, say 500 years, instead of 180?&lt;/p&gt;
&lt;p&gt;One answer is that it would show us this same structure over and over again: a fiercely concentrated knot of people hanging on the words of someone at the center of the crowd. And around them? People standing in looser and looser concentrations, until finally Äî far enough from the epicenter Äî their attention turns away from history and focuses on the abiding interest of almost anything else. And this is somehow the inherent bias of the camera. It always directs us toward the center of attention, never away to the periphery, even though that is where our attention eventually wanders.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://www.librarycrunch.com&#34;&gt;librarycrunch&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2007</title>
    <link href="https://mlarson.org/2007/11/28/200711281064/"/>
    <updated>2007-11-28T23:26:54.000Z</updated>
    <id>https://mlarson.org/2007/11/28/200711281064/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://ciclops.org/view_event.php?id=71&#34;&gt;The Cassini spacecraft has recently taken some fantastic photographs of Saturn&lt;/a&gt;. [via &lt;a href=&#34;http://alanlnelson.typepad.com/seat_1a/2007/11/new-views-of-sa.html&#34;&gt;seat 1a&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2007</title>
    <link href="https://mlarson.org/2007/11/27/200711271063/"/>
    <updated>2007-11-27T00:27:27.000Z</updated>
    <id>https://mlarson.org/2007/11/27/200711271063/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.zefrank.com/zesblog/archives/2007/11/on_feeling_unin.html&#34;&gt;Ze Frank on feeling uninspired&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2007</title>
    <link href="https://mlarson.org/2007/11/27/200711271062/"/>
    <updated>2007-11-27T00:09:47.000Z</updated>
    <id>https://mlarson.org/2007/11/27/200711271062/</id>
    <content type="html">&lt;p&gt;An excellent &lt;a href=&#34;http://www.harpers.org/archive/2007/12/0081837&#34;&gt;essay on John Updike and the work of book reviewing&lt;/a&gt;. [via &lt;a href=&#34;http://www.tewalkerjr.com/blog&#34;&gt;tim walker&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 25, 2007</title>
    <link href="https://mlarson.org/2007/11/25/200711251061/"/>
    <updated>2007-11-25T21:17:29.000Z</updated>
    <id>https://mlarson.org/2007/11/25/200711251061/</id>
    <content type="html">&lt;p&gt;I&#39;d never thought to look for it before, but I wish I had: &lt;a href=&#34;http://www.charlierose.com/search/&#34;&gt;interviewer Charlie Rose has an amazing online archive&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>My awesome run the other night</title>
    <link href="https://mlarson.org/2007/11/25/20071125my-awesome-run-the-other-night/"/>
    <updated>2007-11-25T16:18:00.000Z</updated>
    <id>https://mlarson.org/2007/11/25/20071125my-awesome-run-the-other-night/</id>
    <content type="html">&lt;p&gt;I have a small area map that I keep handy for plotting new running routes. My ongoing arbitrary goal is to run every road on the map, interstate excepted. So I was out in some new neighborhoods the other night (I run almost exclusively after dark), and some areas were a little sketchy. Graffiti, trash, railroad tracks, a few abandoned buildings, etc. All of this spookiness abetted by the late hour and the old guy I passed early on, who says to me, &amp;quot;Watch out, man. &lt;em&gt;Watch out&lt;/em&gt;. Ha!&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Whole New Mind (review: 2.5/5)</title>
    <link href="https://mlarson.org/2007/11/24/20071124a-whole-new-mind-review-255/"/>
    <updated>2007-11-24T18:29:01.000Z</updated>
    <id>https://mlarson.org/2007/11/24/20071124a-whole-new-mind-review-255/</id>
    <content type="html">&lt;p&gt;I first heard about &lt;a href=&#34;http://www.amazon.com/Whole-New-Mind-Information-Conceptual/dp/1573223085&#34;&gt;A Whole New Mind: Moving from the Information Age to the Conceptual Age&lt;/a&gt; when &lt;a href=&#34;http://joshuablankenship.com/blog/2007/11/06/why-your-programming-job-is-getting-outsourced-to-india/&#34;&gt;Joshua Blankenship posted this excellent quote&lt;/a&gt; from author &lt;a href=&#34;http://www.danpink.com/&#34;&gt;Daniel Pink&lt;/a&gt;. Great stuff, so I found the book, which isn&#39;t as great. The premise is that the Information Age was led by left-brained, linear-thinkers. Now, as we enter the Conceptual Age, the balance is shifting such that right-directed, sympathetic, synthetic thinkers are more and more valuable.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To survive in this age, individuals and organizations must examine what they&#39;re doing to earn a living and ask themselves three questions:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Can someone overseas do it cheaper?&lt;/li&gt;
&lt;li&gt;Can a computers do it faster?&lt;/li&gt;
&lt;li&gt;Is what I&#39;m offering in demand in an age of abundance?&lt;/li&gt;
&lt;/ol&gt;
&lt;/blockquote&gt;
&lt;p&gt;Luckily the book isn&#39;t about outsourcing paranoia, but about some soft skills and sensibilities you&#39;ll need: Design, Story, Symphony, Empathy, Play, and Meaning. The book is heavy on the anecdote, and generally light-hearted, but not particularly gripping. Like some other pop-business books I&#39;ve read like &lt;a href=&#34;http://www.amazon.com/Long-Tail-Future-Business-Selling/dp/1401302378&#34;&gt;The Long Tail&lt;/a&gt; and &lt;a href=&#34;/mark-larson-1/2006/08/23/the-tipping-point-review-25&#34;&gt;The Tipping Point&lt;/a&gt;, I think it would have been great as a long essay. As a book it feels a bit thin. I&#39;ve heard excellent things about Pink&#39;s other book &lt;a href=&#34;http://www.amazon.com/Free-Agent-Nation-Working-Yourself/dp/0446678791&#34;&gt;Free Agent Nation&lt;/a&gt;, so maybe that&#39;s worth a look.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 24, 2007</title>
    <link href="https://mlarson.org/2007/11/24/200711241060/"/>
    <updated>2007-11-24T18:10:25.000Z</updated>
    <id>https://mlarson.org/2007/11/24/200711241060/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/E._M._Forster&#34;&gt;E.M. Forster&lt;/a&gt;: &amp;quot;&#39;The king died and then the queen died&#39; is a story. &#39;The king died, and then queen died of grief&#39; is a plot.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Now and Forever: Somewhere a Band Is Playing &amp;amp; Leviathan 99 (review: 3/5)</title>
    <link href="https://mlarson.org/2007/11/23/20071123now-and-forever-somewhere-a-band-is-playing-leviathan-99-review-35/"/>
    <updated>2007-11-23T16:19:09.000Z</updated>
    <id>https://mlarson.org/2007/11/23/20071123now-and-forever-somewhere-a-band-is-playing-leviathan-99-review-35/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.raybradbury.com/&#34;&gt;Ray Bradbury&lt;/a&gt;&#39;s latest, &lt;a href=&#34;http://www.amazon.com/Now-Forever-Somewhere-Playing-Leviathan/dp/0061131563&#34;&gt;Now and Forever: Somewhere a Band Is Playing &amp;amp; Leviathan &#39;99&lt;/a&gt;, gathers a pair of unpublished novellas that he&#39;s been brewing for a couple decades. The first story, &amp;quot;Somewhere a Band Is Playing,&amp;quot; revisits the usual Bradburyan perfect-yet-eery small-town America, in the form of a writer&#39;s colony where there are no children. &amp;quot;Leviathan &#39;99&amp;quot; is a sci-fi reimagining of Moby Dick, with fanatics chasing a comet instead of a whale. They&#39;re good stories if you can snag it from a library and just want to burn an hour or two. He&#39;ll always give you a few great sentences, and he can pack some dense ideas in light prose. But there is no way I&#39;d buy it at the $24.95 sticker price. It seems absurdly high for an 8x6 hardback that barely makes 200 pages. Like I noticed in his previous &lt;a href=&#34;/mark-larson-1/2006/12/09/farewell-summer-review-25&#34;&gt;Farewell Summer&lt;/a&gt;, the publisher beefs up a fairly thin book with extra line-spacing, which probably annoys me more than it should.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2007</title>
    <link href="https://mlarson.org/2007/11/23/200711231057/"/>
    <updated>2007-11-23T13:45:17.000Z</updated>
    <id>https://mlarson.org/2007/11/23/200711231057/</id>
    <content type="html">&lt;p&gt;&amp;quot;Reader and writer are in jail together. And the more they cooperate, the more easily they can move together through the complex masses of verbal symbols and levels of grammar that we call writing.&amp;quot; Arn Tibbetts, &lt;a href=&#34;http://public.lanl.gov/kmh/pc-25-10-tibbetts.pdf&#34;&gt;Ten Rules for Writing Readably&lt;/a&gt; (pdf)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2007</title>
    <link href="https://mlarson.org/2007/11/23/200711231056/"/>
    <updated>2007-11-23T00:36:21.000Z</updated>
    <id>https://mlarson.org/2007/11/23/200711231056/</id>
    <content type="html">&lt;p&gt;Holy crap. I just noticed that there&#39;s a &lt;a href=&#34;http://www.library.emory.edu/libx/&#34;&gt;LibX plug-in for Emory University libraries&lt;/a&gt;. There are a couple hundred other schools that use &lt;a href=&#34;http://www.libx.org/&#34;&gt;LibX&lt;/a&gt;. From the comfort of my own Firefox toolbar, I can search Emory&#39;s catalog, journals, and databases, as well as &lt;a href=&#34;http://scholar.google.com/&#34;&gt;Google Scholar&lt;/a&gt; and &lt;a href=&#34;http://www.worldcat.org/&#34;&gt;WorldCat&lt;/a&gt;. This makes me unreasonably happy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2007</title>
    <link href="https://mlarson.org/2007/11/22/200711221055/"/>
    <updated>2007-11-22T00:08:23.000Z</updated>
    <id>https://mlarson.org/2007/11/22/200711221055/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=LU8DDYz68kM&#34;&gt;A video of lions vs. crocodile vs. water buffalo&lt;/a&gt;. Really cool multi-species rivalry. [via &lt;a href=&#34;http://www.dooce.com&#34;&gt;dooce&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2007</title>
    <link href="https://mlarson.org/2007/11/22/200711221052/"/>
    <updated>2007-11-22T00:07:34.000Z</updated>
    <id>https://mlarson.org/2007/11/22/200711221052/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://epa.gov/cleanenergy/powerprofiler.htm&#34;&gt;How clean is the electricity I use&lt;/a&gt;? Mine is about 64% coal, 20% nuclear, 10% natural gas, and a smattering of renewable and non-renewable sources. Yeah, that coal bad news.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Baseball Economist: The Real Game Exposed (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/11/21/20071121the-baseball-economist-the-real-game-exposed-review-355/"/>
    <updated>2007-11-21T18:57:03.000Z</updated>
    <id>https://mlarson.org/2007/11/21/20071121the-baseball-economist-the-real-game-exposed-review-355/</id>
    <content type="html">&lt;p&gt;I enjoyed reading &lt;a href=&#34;/mark-larson-1/2007/10/02/moneyball-the-art-of-winning-an-unfair-game-review355&#34;&gt;Moneyball&lt;/a&gt; last month, so I got the notion to explore some other baseball books. &lt;a href=&#34;http://www.amazon.com/gp/product/0525949933&#34;&gt;The Baseball Economist: The Real Game Exposed&lt;/a&gt; is pretty good, and a surprisingly quick read. The author/ economist JC Bradbury runs &lt;a href=&#34;http://www.sabernomics.com/&#34;&gt;Sabernomics&lt;/a&gt;, a baseball nerd blog that&#39;s well worth your time. As you might expect, Bradbury applies some statistical tools and good old-fashioned open-minded economic reasoning to various aspects of baseball. Topics for discussion range from why batters get hit by pitches in the AL more than the NL, the best ways to measure hitting and pitching, manager ejection theory, salary negotiations, whether MLB is a monopoly, etc. I have to say Bradbury does a pretty darn good job of breaking down the statistics and economics jargon he introduces. &lt;a href=&#34;http://en.wikipedia.org/wiki/Marginal_productivity&#34;&gt;Marginal revenue product&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Regression_analysis&#34;&gt;regression analysis&lt;/a&gt; exist happily along with &lt;a href=&#34;http://en.wikipedia.org/wiki/Left-handed_specialist&#34;&gt;LOOGYs&lt;/a&gt; and the &lt;a href=&#34;http://en.wikipedia.org/wiki/Cup_of_coffee&#34;&gt;cup of coffee&lt;/a&gt;. The thought process behind the studies he&#39;s developed is fascinating in its own right---sometimes it&#39;s just cool to read how someone thought through an intricate project, accounting for variables and dealing with potential bias. I also give Bradbury bonus points for quoting from one of my favorite thinkers, &lt;a href=&#34;http://www.mises.org/about/3227&#34;&gt;Frederic Bastiat&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;One last thing that amuses and delights me to no end: almost a full third of the book is dedicated to the most extensive back matter I&#39;ve ever seen outside of purely academic texts. There&#39;s an epilogue, acknowledgements, one two three four appendices, an endnotes section, a bibliography, and an index.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 20, 2007</title>
    <link href="https://mlarson.org/2007/11/20/200711201053/"/>
    <updated>2007-11-20T00:20:39.000Z</updated>
    <id>https://mlarson.org/2007/11/20/200711201053/</id>
    <content type="html">&lt;p&gt;There&#39;s going to be a &lt;a href=&#34;http://www.variety.com/VR1117976216.html&#34;&gt;movie version of The Surrogates&lt;/a&gt;, starring Bruce Willis (see my &lt;a href=&#34;/mark-larson-1/2007/03/19/the-surrogates-review-45&#34;&gt;review of The Surrogates&lt;/a&gt;). I really, really liked the comics, especially because I haven&#39;t found a lot of decent scifi. Very cool book---I hope those Hollywood folks treat it kindly. By the by, the publishers of &lt;a href=&#34;http://www.topshelfcomix.com/catalog.php?type=3&amp;amp;title=528&#34;&gt;The Surrogates&lt;/a&gt;, &lt;a href=&#34;http://www.topshelfcomix.com&#34;&gt;Top Shelf Productions&lt;/a&gt;, is having a nice little &lt;a href=&#34;http://www.topshelfcomix.com/catalog.php?section=specialdeals&#34;&gt;seasonal sale&lt;/a&gt; until the end of this month.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 19, 2007</title>
    <link href="https://mlarson.org/2007/11/19/200711191051/"/>
    <updated>2007-11-19T23:54:52.000Z</updated>
    <id>https://mlarson.org/2007/11/19/200711191051/</id>
    <content type="html">&lt;p&gt;I&#39;m really fascinated with this idea of &lt;a href=&#34;http://en.wikipedia.org/wiki/Coworking&#34;&gt;coworking&lt;/a&gt;. The trend has gotten some press in &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=14341792&#34;&gt;NPR&lt;/a&gt;, &lt;a href=&#34;http://www.businessweek.com/smallbiz/content/feb2007/sb20070226_761145.htm&#34;&gt;Business Week&lt;/a&gt;, &lt;a href=&#34;http://www.wired.com/techbiz/people/news/2007/07/coworking&#34;&gt;Wired&lt;/a&gt;, and the &lt;a href=&#34;http://www.nypost.com/seven/05212007/atwork/creating_a_wireless_hub_atwork_kiera_butler.htm&#34;&gt;New York Post&lt;/a&gt;, among others. Folks like &lt;a href=&#34;http://www.workatjelly.com/&#34;&gt;Jelly&lt;/a&gt;, &lt;a href=&#34;http://citizenspace.us/&#34;&gt;Citizen Space&lt;/a&gt;, and &lt;a href=&#34;http://www.indyhall.org/&#34;&gt;Independents Hall&lt;/a&gt; are all doing really cool things, making a business of it. Looks like there&#39;s a &lt;a href=&#34;http://wiki.workatjelly.com/JellyInAtlanta&#34;&gt;coworking group just getting started in Atlanta&lt;/a&gt;, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 19, 2007</title>
    <link href="https://mlarson.org/2007/11/19/200711191050/"/>
    <updated>2007-11-19T23:41:22.000Z</updated>
    <id>https://mlarson.org/2007/11/19/200711191050/</id>
    <content type="html">&lt;p&gt;&amp;quot;I&#39;ve never found a girl at a museum... but I do look because the kind of girls I like theoretically should show up there.&amp;quot; -&lt;a href=&#34;http://www.nytimes.com/2007/11/18/books/review/Kamp-t.html&#34;&gt;Woody Allen&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 19, 2007</title>
    <link href="https://mlarson.org/2007/11/19/200711191049/"/>
    <updated>2007-11-19T23:23:10.000Z</updated>
    <id>https://mlarson.org/2007/11/19/200711191049/</id>
    <content type="html">&lt;p&gt;Is it me, or is there subversive body language in this Apple promo video? I was watching the &lt;a href=&#34;http://www.apple.com/ipodtouch/guidedtour/medium.html&#34;&gt;iPod Touch guided tour&lt;/a&gt;, and I noticed that our friendly host keeps moving his head left and right, as if to express disagreement. It&#39;s incredibly distracting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2007</title>
    <link href="https://mlarson.org/2007/11/18/200711181047/"/>
    <updated>2007-11-18T22:37:16.000Z</updated>
    <id>https://mlarson.org/2007/11/18/200711181047/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.oboiler.com/picket/picket.html&#34;&gt;Oboiler has a little picket fence for your baseboards to hide wires and cords&lt;/a&gt;. A picket fence isn&#39;t really in my aesthetic, but I like the concept. I might go for something that looked like a bridge or an aqueduct or something. [via &lt;a href=&#34;http://unclutterer.com&#34;&gt;unclutterer&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ex Libris: Confessions of a Common Reader (5/5)</title>
    <link href="https://mlarson.org/2007/11/18/20071118ex-libris-confessions-of-a-common-reader-55/"/>
    <updated>2007-11-18T14:09:53.000Z</updated>
    <id>https://mlarson.org/2007/11/18/20071118ex-libris-confessions-of-a-common-reader-55/</id>
    <content type="html">&lt;p&gt;I like books, and therefore tend to like books about books and the bookly experience. Enter &lt;a href=&#34;http://www.spiritcatchesyou.com/authorbio.htm&#34;&gt;Anne Fadiman&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.amazon.com/Ex-Libris-Confessions-Common-Reader/dp/0374527229&#34;&gt;Ex Libris: Confessions of a Common Reader&lt;/a&gt;. An excerpt from the first chapter from the book, &amp;quot;&lt;a href=&#34;http://www.spiritcatchesyou.com/exlibrisexcerpt.htm&#34;&gt;Marrying Libraries&lt;/a&gt;,&amp;quot; is available online. Fadiman has a somewhat unique experience, growing up in a family that is pretty much insane when it comes to the written word (as evidenced by proofreading restaurant menus together, weekly quiz shows, keeping logs of book &amp;amp; newspaper errors, and so on), and marrying another booknut husband. All of the essays are couched in this experience. Despite her... interesting family, the undeniable pleasure of books like this is the experience of seeing myself. It&#39;s like when you identify with a character in a movie, or when you read those silly descriptions about personality traits of your Zodiac symbol but you find yourself nodding your head, or just the simple joy of having a friend describe you accurately.&lt;/p&gt;
&lt;p&gt;The essay that really got me was about compulsive proofreading. One of her editor&#39;s daughters &amp;quot;manifested the gene at an early age by stopping at dammed-up streams during family hikes and removing all the dead leaves.&amp;quot; Oh, yes, that&#39;s definitely me when I was a toddler. And I was still doing it when I went &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600553114109/&#34;&gt;hiking on the Appalachian Trail this summer&lt;/a&gt;. Fadiman goes on, still talking about me in a roundabout way:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The proofreading temperament is part of a larger syndrome with several interrelated symptoms, one of which is the spotting mania. When my friend Brian Miller, also a copy editor, was a boy, he used to sit in the woods for long stretches, watching for subtle animal movements in the distance... Proofreaders tend to be good at distinguishing the anomalous figure---the rare butterfly, the precious seashell---from the ordinary ground, but unlike collectors, we wish to discard rather than hoard. Although not all of us are tidy, we savor certain cleaning tasks: removing the lint from the clothes dryer, skimming the drowned bee from the pool. My father&#39;s most treasured possession is an enormous brass wastebasket. He is happiest when his desktop is empty and the basket is full. One of my brother&#39;s first sentences, a psychologically brilliant piece of advice offered from his high chair one morning when my father came downstairs in a grouchy mood, was &amp;quot;Throw everything out, Daddy!&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Spotting, check. Dryer-lint cleaning, check. Throwing things away, check. Fadiman is singing my tune.&lt;/p&gt;
&lt;p&gt;There&#39;s another essay about sonnets and the struggle to write. In one passage, Fadiman looks over some of her sonnets and realizes that she &amp;quot;had mistaken for lyric genius what was in fact merely the genetic facility for verbal problem-solving that enabled everyone in my family to excel at crossword puzzles, anagrams, and Scrabble.&amp;quot; Been there!&lt;/p&gt;
&lt;p&gt;The fifth chapter offers a disquisition on the care of books. Fadiman posits two schools of thought. There are the courtly lovers, who argue &amp;quot;a book&#39;s physical self was sacrosanct, its form inseparable from its content; her duty as a lover was Platonic adoration, a noble but doomed attempt to conserve forever the state of perfect chastity in which it had left the bookseller.&amp;quot; And then there are carnal lovers: &amp;quot;a book&#39;s &lt;em&gt;words&lt;/em&gt; were holy, but the paper, cloth, cardboard, glue, thread, and ink that contained them were a mere vessel, and it was no sacrilege to treat them as wantonly as desire and pragmatism dictated. Hard use was a sign not of disrespect but of intimacy.&amp;quot; I used to be strictly courtly, but I&#39;m loosening up a bit these days. Just a bit.&lt;/p&gt;
&lt;p&gt;Some of my other favorites were a heavily-footnoted essay on plagiarism (quoting Robert Merton: &amp;quot;Anticipatory plagiarism occurs when someone steals your original idea and publishes it a hundred years before you were born.&amp;quot;), and another one on the joys of reading aloud. So Fadiman is really brainy, but most of the book had me laughing, too. In an extended disquisition on reading catalogs, she mentions &amp;quot;although it is tempting to conclude that our mailbox hatches them by spontaneous generation, I know they are really the offspring of promiscuous mailing lists, which copulate in secret and for money.&amp;quot; I&#39;m sure that imagery will stick with me for a long time. It&#39;s one of those books that leaves you smiling at the end. When I put it on my shelf, there&#39;s that little tingle of joy knowing it was mine to take back down again. Sometime soon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2007</title>
    <link href="https://mlarson.org/2007/11/16/200711161045/"/>
    <updated>2007-11-16T01:24:12.000Z</updated>
    <id>https://mlarson.org/2007/11/16/200711161045/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sciencedaily.com/releases/2007/11/071112133809.htm&#34;&gt;In children and adolescents, low self-esteem increases materialism&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2007</title>
    <link href="https://mlarson.org/2007/11/15/200711151044/"/>
    <updated>2007-11-15T20:34:01.000Z</updated>
    <id>https://mlarson.org/2007/11/15/200711151044/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://crushingkrisis.com/?p=3291&#34;&gt;Advice to keep in mind while ring-shopping&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Just be aware that - much like kisses and ÄúI love yousÄù - you canÄôt take ring shopping back. It can mean as little or as much as either of those things can, but it canÄôt ever be meaningless.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2007</title>
    <link href="https://mlarson.org/2007/11/15/200711151043/"/>
    <updated>2007-11-15T20:30:48.000Z</updated>
    <id>https://mlarson.org/2007/11/15/200711151043/</id>
    <content type="html">&lt;p&gt;Man, &lt;a href=&#34;http://www.amazon.com/Rest-Noise-Listening-Twentieth-Century/dp/0374249393&#34;&gt;The Rest Is Noise&lt;/a&gt; was a great book. Review coming soon-ish, after I go through all my dog-ears.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2007</title>
    <link href="https://mlarson.org/2007/11/13/200711131042/"/>
    <updated>2007-11-13T22:26:57.000Z</updated>
    <id>https://mlarson.org/2007/11/13/200711131042/</id>
    <content type="html">&lt;p&gt;I, too, wonder &lt;a href=&#34;http://www.penmachine.com/2007/11/why-dont-famous-musicians-release-as&#34;&gt;why famous musicians don&#39;t put out as much music&lt;/a&gt;. &amp;quot;I&#39;d feel a bit cheated if they couldn&#39;t put together more than three or four decent new tunes a year. These people are musicians, this is their job. In the mid-&#39;60s, Bob Dylan was probably putting down three or four great new songs &lt;em&gt;before lunch&lt;/em&gt; some days.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2007</title>
    <link href="https://mlarson.org/2007/11/13/200711131041/"/>
    <updated>2007-11-13T22:18:28.000Z</updated>
    <id>https://mlarson.org/2007/11/13/200711131041/</id>
    <content type="html">&lt;p&gt;A couple weeks ago, &lt;a href=&#34;http://www.npr.org/blogs/bryantpark/2007/10/when_good_interviews_go_bad.html&#34;&gt;NPR hosted an awful interview with Sigur Ros&lt;/a&gt;. Incredibly painful to watch. They recently followed up, bringing in music writer Jancee Dunn to help with a &lt;a href=&#34;http://www.npr.org/blogs/bryantpark/2007/10/anatomy_of_an_interview_gone_w.html&#34;&gt;director&#39;s commentary to find out where all the suckage came from&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Reading Comics: How Graphic Novels Work and What They Mean (review: 4/5)</title>
    <link href="https://mlarson.org/2007/11/11/20071111reading-comics-how-graphic-novels-work-and-what-they-mean-review-45/"/>
    <updated>2007-11-11T13:34:09.000Z</updated>
    <id>https://mlarson.org/2007/11/11/20071111reading-comics-how-graphic-novels-work-and-what-they-mean-review-45/</id>
    <content type="html">&lt;p&gt;I finished this one a couple weeks ago, but never wrote anything. In &lt;a href=&#34;http://www.amazon.com/Reading-Comics-Graphic-Novels-Work/dp/0306815095&#34;&gt;Reading Comics&lt;/a&gt;, &lt;a href=&#34;http://www.lacunae.com/&#34;&gt;Douglas Wolk&lt;/a&gt; writes with an eye to the reader&#39;s experience of comics. He avoids a lot of comics theory (&amp;quot;You already pretty much know what they are, and &#39;pretty much&#39; is good enough&amp;quot;), focusing instead on loving criticism. It was really good. Some of his criticism was lost on me simply because I didn&#39;t know the comics he was writing about, but it was worth reading anyway. I don&#39;t remember the book well enough to write a lot. Nevertheless, I wanted to make sure I shared some quotes I enjoyed:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;Anytime a French word comes into play in an English-language discussion, you can be sure there are some class dynamics going on.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;The meta-pleasure of enjoying experiences that would repel most people is, effectively, the experience of being a bohemian or counterculturalist.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;There&#39;s a certain kind of rain that falls only in comics, a thick, persistent drizzle, much heavier than normal water, that bounces off whatever it hits, dripping from fedoras, running slowly down windowpanes and reflecting the doom in bad men&#39;s hearts.&amp;quot; (aka &lt;em&gt;eisenshpritz&lt;/em&gt;)&lt;/li&gt;
&lt;li&gt;Following &lt;a href=&#34;http://en.wikipedia.org/wiki/Batman:_The_Dark_Knight_Returns&#34;&gt;The Dark Knight Returns&lt;/a&gt;, &amp;quot;a sense of eschatology crept into superhero stories, as their battles became battles for the soul of modernity.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;There are two kinds of horrors stories. One is matin?©e horror, in which some kind of monster or grotesquerie rages across a landscape of innocence until it&#39;s finally destroyed and the natural order of things is restored. Its threat is neatly defined---it&#39;s Frankenstein, a vampire, a werewolf, a plague of zombies, a serial killer in a mask; there are always specific rules for how it can be beaten. The pleasure of reading the story is the pleasure of seeing justice done and the formula cleanly executed.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And that last one is broadly applicable to any genre. That&#39;s why action movies and romantic comedies work. I like that idea of the pleasure of seeing it executed. Aside from any literary merits of the work, that is the reader&#39;s experience. They generally know the expectations of the genre, the wonder comes from seeing how the author meets or betrays them.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2007</title>
    <link href="https://mlarson.org/2007/11/11/200711111039/"/>
    <updated>2007-11-11T13:00:56.000Z</updated>
    <id>https://mlarson.org/2007/11/11/200711111039/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flakmag.com/opinion/hipsterbush.html&#34;&gt;George W. Bush is a hipster&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2007</title>
    <link href="https://mlarson.org/2007/11/11/200711111038/"/>
    <updated>2007-11-11T00:15:48.000Z</updated>
    <id>https://mlarson.org/2007/11/11/200711111038/</id>
    <content type="html">&lt;p&gt;Brian Sacawa on &lt;a href=&#34;http://briansacawa.com/blog/2007/10/18/playing-unfettered/&#34;&gt;playing unfettered&lt;/a&gt;, taking classical music out of the grand halls and into alternative venues. A lot of the talk focuses on music groups reaching new audiences, but like he says, it can be great for the performers, too. It&#39;s liberating.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2007</title>
    <link href="https://mlarson.org/2007/11/11/200711111037/"/>
    <updated>2007-11-11T00:07:43.000Z</updated>
    <id>https://mlarson.org/2007/11/11/200711111037/</id>
    <content type="html">&lt;p&gt;Since I moved a couple weeks ago from sub-suburban Atlanta to closer to the heart of town, my &lt;a href=&#34;http://www.walkscore.com/&#34;&gt;walk score&lt;/a&gt; went from 3 to 77. And what&#39;s more, there&#39;s the x-factor of actually having sidewalks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Helvetica, the film</title>
    <link href="https://mlarson.org/2007/11/09/20071109helvetica-the-film/"/>
    <updated>2007-11-09T00:30:42.000Z</updated>
    <id>https://mlarson.org/2007/11/09/20071109helvetica-the-film/</id>
    <content type="html">&lt;p&gt;Just got back from the local &lt;a href=&#34;http://www.helveticafilm.com/&#34;&gt;Helvetica&lt;/a&gt; screening (presented by &lt;a href=&#34;http://www.aiga-atl.org/&#34;&gt;AIGA-Atlanta&lt;/a&gt;, sponsored by the &lt;a href=&#34;http://www.artinstitutes.edu/atlanta&#34;&gt;Art Institute of Atlanta&lt;/a&gt;). It was good, but not great. Pretty cool for a relative noob like myself to see Helvetica&#39;s role in design over the past half-century. But I wish there was a little more nitty-gritty talk about how it came about, and less personal testimony and philosophizing about its ubiquity. One nice bonus was the post-film Q&amp;amp;A with director &lt;a href=&#34;http://www.helveticafilm.com/director.html&#34;&gt;Gary Hustwit&lt;/a&gt; and type designer &lt;a href=&#34;http://en.wikipedia.org/wiki/Matthew_Carter&#34;&gt;Matthew Carter&lt;/a&gt;. I didn&#39;t take a whole lot of notes, so you&#39;ll have to trust me on its overall worthwhility. But I do remember the three books that Carter most highly recommended: Letters of Credit by Walter Tracy, &lt;a href=&#34;http://www.amazon.com/Modern-Typography-2nd-Robin-Kinross/dp/sitb-next/0907259189&#34;&gt;Modern Typography&lt;/a&gt; by Robin Kinross, and Robert Bringhurst&#39;s &lt;a href=&#34;http://www.amazon.com/Elements-Typographic-Style-Robert-Bringhurst/dp/0881792063/&#34;&gt;Elements of Typographic Style&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>1003</title>
    <link href="https://mlarson.org/2007/11/09/200711091003-2/"/>
    <updated>2007-11-09T00:04:12.000Z</updated>
    <id>https://mlarson.org/2007/11/09/200711091003-2/</id>
    <content type="html">&lt;p&gt;Oh, I just noticed that after a year and a half or so, my number of posts broke into 4 digits. This is number 1003. The number itself isn&#39;t that important, it&#39;s that I&#39;m enjoying it enough to reach it and keep going. Time flies when you&#39;re having fun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2007</title>
    <link href="https://mlarson.org/2007/11/08/200711081034/"/>
    <updated>2007-11-08T01:10:13.000Z</updated>
    <id>https://mlarson.org/2007/11/08/200711081034/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://harpers.org/archive/2007/08/0081648&#34;&gt;A long and awesome article about the Self-Transcendence 3100&lt;/a&gt;, a 3100-mile race run on a half-mile loop. In Queens, of all places.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Here was a kind of living koan, a race of invisible miles across a phantom plain wider than the continental United States. For fifty days, breathing miasmal exhaust from the Grand Central Parkway, the runner traversed a wilderness of knapsack-toting teenagers, beat cops, and ladies piloting strollers. Temperatures spiked. Power grids crashed. Cars also crashed---into the chain-link fence around Joe Austin park or into other cars. There was occasional street crime. One summer a student was knifed in the head. The runner endured. He crossed the finish line changed.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2007</title>
    <link href="https://mlarson.org/2007/11/08/200711081033/"/>
    <updated>2007-11-08T00:59:44.000Z</updated>
    <id>https://mlarson.org/2007/11/08/200711081033/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.nygirlofmydreams.com/&#34;&gt;I saw the girl of my dreams on the subway tonight&lt;/a&gt;.&amp;quot; A New York success story. Well, maybe not a success yet, but they&#39;re off to a good start through the miracle of interwebbedness. [via &lt;a href=&#34;http://funkaoshi.com/&#34;&gt;funkaoshi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2007</title>
    <link href="https://mlarson.org/2007/11/08/200711081032/"/>
    <updated>2007-11-08T00:49:45.000Z</updated>
    <id>https://mlarson.org/2007/11/08/200711081032/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sonyclassics.com/jimmycartermanfromplains/&#34;&gt;Jimmy Carter: Man from Plains&lt;/a&gt;. I like Jimmy (I got my picture taken with him down in Plains, like thousands of others). But from the trailer, I&#39;m not sure if that movie will be really interesting or dreadfully boring.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2007</title>
    <link href="https://mlarson.org/2007/11/08/200711081031/"/>
    <updated>2007-11-08T00:32:17.000Z</updated>
    <id>https://mlarson.org/2007/11/08/200711081031/</id>
    <content type="html">&lt;p&gt;&amp;quot;In ninth grade I looked like Gollum. Not much has changed, really, but in ninth grade it was more like fetal Gollum.&amp;quot; In Salon, a few &lt;a href=&#34;http://www.salon.com/mwt/feature/2007/11/07/teen_girls/index.html&#34;&gt;stories by teenage girls&lt;/a&gt; from the book &lt;a href=&#34;http://www.amazon.com/Red-Generation-Writers-Teenage-Girls-TheirLives/dp/1594630402&#34;&gt;Red: The Next Generation of American Writers---Teenage Girls---on What Fires Up Their Lives Today&lt;/a&gt;. It runs the gamut from funny to sad to disturbing to touching. I wonder what the guys would write (are writing?). [thanks, kevin]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2007</title>
    <link href="https://mlarson.org/2007/11/06/200711061030/"/>
    <updated>2007-11-06T23:23:51.000Z</updated>
    <id>https://mlarson.org/2007/11/06/200711061030/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.airguitarnation.com/new/&#34;&gt;Air Guitar Nation&lt;/a&gt; is a recent film about the U.S. Air Guitar Championships. Could be a lot of fun. Reminds me a bit of &lt;a href=&#34;/mark-larson-1/2007/09/07/the-king-of-kong&#34;&gt;The King of Kong&lt;/a&gt;, what with the whole rivalry-within-a-niche-culture thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2007</title>
    <link href="https://mlarson.org/2007/11/05/200711051029/"/>
    <updated>2007-11-05T13:41:56.000Z</updated>
    <id>https://mlarson.org/2007/11/05/200711051029/</id>
    <content type="html">&lt;p&gt;Liz Danzico analyzes the &lt;a href=&#34;http://bobulate.com/2007/11/02/second-chance-for-a-last-impression/&#34;&gt;closing phrases we use in e-mail&lt;/a&gt;. My most common reflex closings: Thanks, Later, Rock and roll, Don&#39;t stop believin&#39;, Heh, See you soon, Etc., Ciao, Yours. I do like to mix it up every now and then with a tongue-in-cheek rendition of the earnest and baroque.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2007</title>
    <link href="https://mlarson.org/2007/11/05/200711051027/"/>
    <updated>2007-11-05T02:38:24.000Z</updated>
    <id>https://mlarson.org/2007/11/05/200711051027/</id>
    <content type="html">&lt;p&gt;&amp;quot;Before a game of tournament Scrabble, the tiles being used that game are set out on the board, so that people can make sure that none are missing. One typical way of doing this is to make four 5x5 groups of tiles in the corners of the board... Dan Stock has recently determined that &lt;a href=&#34;http://qaqaq.livejournal.com/66313.html&#34;&gt;it&#39;s possible to use the 100 tiles in a Scrabble set to form four 5x5 word squares where all the entries are Scrabble-legal&lt;/a&gt;.&amp;quot; [via &lt;a href=&#34;http://librarian.net/&#34;&gt;jessamyn&lt;/a&gt; &lt;a href=&#34;http://twitter.com/jessamyn/statuses/388824362&#34;&gt;on twitter&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2007</title>
    <link href="https://mlarson.org/2007/11/05/200711051028/"/>
    <updated>2007-11-05T00:59:56.000Z</updated>
    <id>https://mlarson.org/2007/11/05/200711051028/</id>
    <content type="html">&lt;p&gt;Here&#39;s a nice bit of birthday motivation: &lt;a href=&#34;http://www.museumofconceptualart.com/accomplished/&#34;&gt;things other people accomplished when they were your age&lt;/a&gt;. Other 25-year-olds have &lt;a href=&#34;http://en.wikipedia.org/wiki/Charles_Lindbergh&#34;&gt;flown across the Atlantic&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Orson_Welles&#34;&gt;starred in Citizen Kane&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Roger_Bannister&#34;&gt;broken the 4-minute mile&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A note from Management</title>
    <link href="https://mlarson.org/2007/11/05/20071105a-note-from-management/"/>
    <updated>2007-11-05T00:50:25.000Z</updated>
    <id>https://mlarson.org/2007/11/05/20071105a-note-from-management/</id>
    <content type="html">&lt;p&gt;Did a little housekeeping around here...&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;I restored the link to &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932fe4b06bff889130c1/1368232751807/feed?format=original&#34;&gt;subscribe to the RSS feed&lt;/a&gt; for this site, which I took away some time ago in an inexplicable fit of madness.&lt;/li&gt;
&lt;li&gt;The sidebar now reatures a running list of what&#39;s playing in my iTunes, updated every 10 minutes or so. I suppose you can get the &lt;a href=&#34;http://ws.audioscrobbler.com/1.0/user/markdlarson/recenttracks.rss&#34;&gt;feed for the music&lt;/a&gt;, too, if you need immediate and comprehensive information.&lt;/li&gt;
&lt;li&gt;I refreshed the &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932fe4b06bff889130c4/1368232751827/?format=original&#34;&gt;about&lt;/a&gt; page with better copy, linkage, and a handsome photo.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And I did some screw-tightening here and there in the background. Then again, I&#39;d not be surprised if I simply screwed something up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Rothko book</title>
    <link href="https://mlarson.org/2007/11/04/20071104a-rothko-book/"/>
    <updated>2007-11-04T11:19:21.000Z</updated>
    <id>https://mlarson.org/2007/11/04/20071104a-rothko-book/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1849873664/&#34; title=&#34;rothkobook.jpg&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ce4b06bff88910e92/1194174025000/rothkobook.jpg?format=original&#34; alt=&#34;rothkobook.jpg&#34;&gt;&lt;/a&gt; I screwed up another book I was making, so I just swapped the text block into a perfect-bound cover (with French flaps, to boot). The cover art comes from &lt;a href=&#34;http://en.wikipedia.org/wiki/Mark_Rothko&#34;&gt;Mark Rothko&lt;/a&gt;&#39;s 1951 &amp;quot;Violet, Green, &amp;amp; Red.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2007</title>
    <link href="https://mlarson.org/2007/11/03/200711031021/"/>
    <updated>2007-11-03T19:59:27.000Z</updated>
    <id>https://mlarson.org/2007/11/03/200711031021/</id>
    <content type="html">&lt;p&gt;A friend at work got a &lt;a href=&#34;http://www.ripstikusa.com/&#34;&gt;RipStik&lt;/a&gt;. They&#39;re like skateboards, except they&#39;ve got two wheels and you can take really tight turns and you don&#39;t have to keep doing that annoying foot push-off thing to keep moving. Watch some of the &lt;a href=&#34;http://www.ripstikusa.com/videos/&#34;&gt;videos&lt;/a&gt;. Might be a good Christmas gift.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2007</title>
    <link href="https://mlarson.org/2007/11/03/200711031020/"/>
    <updated>2007-11-03T19:26:55.000Z</updated>
    <id>https://mlarson.org/2007/11/03/200711031020/</id>
    <content type="html">&lt;p&gt;I&#39;ve never watched the show before, but after reading this &lt;a href=&#34;http://www.newyorker.com/reporting/2007/10/22/071022fa_fact_talbot&#34;&gt;article about The Wire&lt;/a&gt;, I think I need to track down a few episodes. [via &lt;a href=&#34;http://www.andreaharner.com/&#34;&gt;andrea harner&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Making Memes</title>
    <link href="https://mlarson.org/2007/11/03/20071103making-memes/"/>
    <updated>2007-11-03T14:47:46.000Z</updated>
    <id>https://mlarson.org/2007/11/03/20071103making-memes/</id>
    <content type="html">&lt;p&gt;Tim Walker writes about &lt;a href=&#34;http://tewalkerjr.com/blog/?p=845&#34;&gt;meme entrepreneurship&lt;/a&gt;. I love it. Go read it. Unless I misunderstand the point, it seems like a lot of folks are already working in that vein---writers. Just glancing at my bookshelf, there&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Richard_Florida&#34;&gt;Florida&lt;/a&gt; and his &lt;a href=&#34;http://en.wikipedia.org/wiki/Creative_class&#34;&gt;Creative Class&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Thomas_Friedman&#34;&gt;Friedman&lt;/a&gt; and his &lt;a href=&#34;http://en.wikipedia.org/wiki/The_World_is_Flat&#34;&gt;Flat World&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/David_Weinberger&#34;&gt;Weinberger&lt;/a&gt;&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Everything_is_Miscellaneous:_The_Power_of_the_New_Digital_Disorder&#34;&gt;Miscellany&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Chris_Anderson_%28The_Long_Tail%29&#34;&gt;Anderson&lt;/a&gt;&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Long_Tail&#34;&gt;Long Tail&lt;/a&gt;. I don&#39;t mean that to sound flip, because I think these all occupy an interesting middle ground. The ideas aren&#39;t quite as heady and broad as, let us say, &lt;a href=&#34;http://praxeology.net/praxeo.htm&#34;&gt;praxeology&lt;/a&gt; (brilliant though it is). But they&#39;re a step up from the mundanities of something like &lt;a href=&#34;http://en.wikipedia.org/wiki/Six_Sigma&#34;&gt;Six Sigma&lt;/a&gt;. For the most part, the far ends of that bell curve can be safely ignored, unless it happens to be your pet interest. But if you&#39;re paying attention, strong arguments in that middle ground can &lt;em&gt;force a conversation&lt;/em&gt;. That is what great memepreneurs do well.&lt;/p&gt;
&lt;p&gt;Tim brings out a political example to contrast bad memes with fruitful memes. &amp;quot;Bush is stupid&amp;quot; vs. ÄúBush pursues dangerous ideas---expensive dangerous ideas.Äù The latter is more effective because it comes across as not a simple couched argument or opinion, but an invitation to explore. Provocative, sure. Good memes usually are. But more than that, it&#39;s actually a functional starting point. The best memes are forward-looking.1 That&#39;s one reason I always liked political theory more than any other field of political science. I get to escape those messy details of policy and history and think about what could be.&lt;/p&gt;
&lt;p&gt;I&#39;ll let Tim close it out:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We need better memes in the world to counter all the stupid ones that drive so much of our behavior. I would say Äúthat drive so much of our thinking,Äù but in fact the purpose of many of these memes is to relieve us from thinking, so that we reflexively reach for the products weÄôve had marketed to us, or reflexively reach for the attitudes that favor certain special interests within the society. (Note that these special interests can be political, commercial, religious, or what have you. I take the broad view here.) But those of us who are awake to these tendencies can work to shape them in other, better directions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;--- 1. Bureaucrats and pundits are not. Though I&#39;m willfully ignorant talking-head culture, I&#39;ve seen enough to convince me that they tend to be far more concerned with digging up old grievances and winning now than actually caring about the future. It&#39;s the nature of the gig. See &amp;quot;&lt;a href=&#34;http://www.mises.org/journals/qjae/pdf/qjae10_1_2.pdf&#34;&gt;Property Rights and Time Preference&lt;/a&gt;&amp;quot; [pdf]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2007</title>
    <link href="https://mlarson.org/2007/11/02/200711021018/"/>
    <updated>2007-11-02T23:58:13.000Z</updated>
    <id>https://mlarson.org/2007/11/02/200711021018/</id>
    <content type="html">&lt;p&gt;&amp;quot;I just want you to know that, &lt;a href=&#34;http://www.hud.gov/news/speeches/presremarks.cfm&#34;&gt;when we talk about war, we&#39;re really talking about peace&lt;/a&gt;.&amp;quot; ...&lt;a href=&#34;http://en.wikipedia.org/wiki/Nineteen_Eighty-Four&#34;&gt;umm&lt;/a&gt;... [via &lt;a href=&#34;http://waldo.jaquith.org/&#34;&gt;jaquith&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2007</title>
    <link href="https://mlarson.org/2007/11/02/200711021017/"/>
    <updated>2007-11-02T21:20:00.000Z</updated>
    <id>https://mlarson.org/2007/11/02/200711021017/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.slate.com/id/2177156/&#34;&gt;A long essay&lt;/a&gt; on &lt;a href=&#34;http://morris.blogs.nytimes.com/2007/09/25/which-came-first-the-chicken-or-the-egg-part-one/&#34;&gt;Errol Morris&#39; long, three-part investigation of a Roger Fenton photograph&lt;/a&gt;: &amp;quot;Fenton&#39;s mild rearranging of some cannonballs presumably went unremarked because no one at the time would have thought it worth remarking on. To subject him to the standards of our own time is otiose; it&#39;s like complaining that Wagner&#39;s Ring cycle is missing a backbeat.&amp;quot; But, then again, that&#39;s rather beside the point: &amp;quot;I don&#39;t care why he chose to pursue this particular topic at such fantastic and disorderly length. It&#39;s a great thing to find in a newspaper.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2007</title>
    <link href="https://mlarson.org/2007/11/02/200711021016/"/>
    <updated>2007-11-02T21:11:51.000Z</updated>
    <id>https://mlarson.org/2007/11/02/200711021016/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.passiveaggressivenotes.com/&#34;&gt;Passive-aggressive notes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 1, 2007</title>
    <link href="https://mlarson.org/2007/11/01/200711011015/"/>
    <updated>2007-11-01T23:40:12.000Z</updated>
    <id>https://mlarson.org/2007/11/01/200711011015/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.inklingmagazine.com/articles/the-calculus-of-saying-i-love-you/&#34;&gt;The calculus of saying &amp;quot;I love you.&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Undisciplined reading</title>
    <link href="https://mlarson.org/2007/11/01/20071101undisciplined-reading/"/>
    <updated>2007-11-01T00:28:58.000Z</updated>
    <id>https://mlarson.org/2007/11/01/20071101undisciplined-reading/</id>
    <content type="html">&lt;p&gt;Matthew Brown has a wonderful and wide-ranging &lt;a href=&#34;http://www.common-place.org/vol-08/no-01/reading/&#34;&gt;essay on reading&lt;/a&gt;. His topic is &amp;quot;undisciplined reading&amp;quot; in particular, reading that is non-linear, fragmented, discursive. This essay matches well with a couple other essays by &lt;a href=&#34;http://www.harpers.org/archive/2007/02/0081387&#34;&gt;Lethem&lt;/a&gt; and &lt;a href=&#34;http://www.prospect-magazine.co.uk/article_details.php?id=9276&#34;&gt;Gough&lt;/a&gt; that I&#39;ve enjoyed this year. They all touch on or orbit the same ideas of influence and remix and pastiche and story-telling. There&#39;s also a bit on &lt;a href=&#34;/mark-larson-1/2007/09/09/constrained-writing&#34;&gt;constrained writing&lt;/a&gt; towards the end. Brown offers the perspective of an active, creative reader. In contrast with the fairly recent tradition of following an unbroken narrative in a novel, Brown writes,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A more enduring practice and one equally generative of surprise might be called collative reading. Early New England clerics would collate passages from various tomes in their libraries to compose sermons. Yet it wasn&#39;t only the learned who would follow such nonlinear reading methods. Typology, where readers traced Old Testament foreshadowings of New Testament events, is profoundly collative, and the comparing of Hebrew Bible and Christian Gospels was at the heart of practical piety. If you think those prescribed schedules that allowed the devout to complete the bible in a continuous read over the year were the norm, think again: Cotton Mather recommended in his 1683 almanac that readers spend each day discontinuously sorting through the Old Testament, the New Testament, and the Psalms. CommonplacingÄîthe collection and transcription of discrete passages from one&#39;s reading under alphabetical or topical heads within personal miscellaniesÄîwas as important to Reformation pietists as it was to Erasmian humanists. Each of these nonlinear methods was a source of fresh insight, which would help the reader create oratory, apply scripture, or deepen faith.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Now there is a connection I&#39;d never made before. Along with thousands of others, I do a modern variation on &lt;a href=&#34;http://www.assumption.edu/users/lknoles/commonplacebook.html&#34;&gt;commonplacing&lt;/a&gt; pretty much every day---on &lt;a href=&#34;http://del.icio.us/markdlarson&#34;&gt;del.icio.us&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Brown goes on to quote another great line (&amp;quot;a book was an outdated means of communication between two boxes of index cards&amp;quot;) before talking about the effects of mass printing... synergy!&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Put less dismissively, the intellectual historian James Burke explains collative reading in terms of the equation 1+1=3. For the active reader, two disparate pieces of informationÄîfound in separate items across the shelves of a library or even across the leaves of a single reference workÄîadd up to a third, unknown category of thought. The real thrust of the Gutenberg revolution lies here rather than in movable type, mechanical reproduction, or standardized knowledge. The product of the printing press meant there were radically expanded opportunities for nonlinear access to written ideas.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2007</title>
    <link href="https://mlarson.org/2007/10/31/200710311013/"/>
    <updated>2007-10-31T23:41:40.000Z</updated>
    <id>https://mlarson.org/2007/10/31/200710311013/</id>
    <content type="html">&lt;p&gt;A Toyota factory in Georgetown, Kentucky, has a fairly relentless culture of improvement: &amp;quot;&lt;a href=&#34;http://www.fastcompany.com/magazine/111/open_no-satisfaction.html&#34;&gt;Doing the task and doing the task better become one and the same thing&lt;/a&gt;. This is what it means to come to work.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Why It&#39;s Hard to Get Ready for Work</title>
    <link href="https://mlarson.org/2007/10/31/20071031why-its-hard-to-get-ready-for-work/"/>
    <updated>2007-10-31T23:28:40.000Z</updated>
    <id>https://mlarson.org/2007/10/31/20071031why-its-hard-to-get-ready-for-work/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1811703151/&#34; title=&#34;getting dressed&#34;&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d917ce4b06bff88910e8f/1193872973000/gettingdressed.JPG?format=original&#34; alt=&#34;getting dressed&#34;&gt;&lt;/a&gt; I&#39;m a pretty good morning person, but I save at least 3 hours of staring into the closet by choosing a shirt the night before.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>La Jetée</title>
    <link href="https://mlarson.org/2007/10/30/200710301008/"/>
    <updated>2007-10-30T21:07:24.000Z</updated>
    <id>https://mlarson.org/2007/10/30/200710301008/</id>
    <content type="html">&lt;p&gt;A few days ago I watched &lt;a href=&#34;http://en.wikipedia.org/wiki/La_Jet%C3%A9e&#34;&gt;La Jetée&lt;/a&gt; (&lt;a href=&#34;http://video.google.com/videoplay?docid=-8796749344506734237&#34;&gt;on Google Video&lt;/a&gt;). It&#39;s almost entirely composed of still photographs, just a half-hour science fiction montage with narration. Not bad.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Projects.txt</title>
    <link href="https://mlarson.org/2007/10/28/20071028projectstxt/"/>
    <updated>2007-10-28T21:01:16.000Z</updated>
    <id>https://mlarson.org/2007/10/28/20071028projectstxt/</id>
    <content type="html">&lt;p&gt;It&#39;s amazing what a 9k text file will do for your peace of mind. I finally got around to making a list of Projects like I&#39;ve been &lt;a href=&#34;http://tewalkerjr.com/blog/?p=832&#34;&gt;meaning to&lt;/a&gt;. While I&#39;m nearly religious about keeping a task list, I&#39;ve never bothered to capture those multi-step projects in one place. What bothers me is why I waited so long. For one, it&#39;s not as fun. Friends see me all the time whipping out my notepad to jot a little tidbit down. I admit, there&#39;s an addictive element to it. I&#39;m writing shit down. Then I go and check them off. It&#39;s enjoyable. I&#39;m on top of things. But when I&#39;m faced with all my Great Ideas that I &lt;em&gt;can&#39;t&lt;/em&gt; do in 2 minutes... Eek. I&#39;m basically procrastinating on a larger scale. I&#39;m choosing &lt;a href=&#34;http://tewalkerjr.com/blog/?p=820&#34;&gt;workiness&lt;/a&gt; over fulfillment.&lt;/p&gt;
&lt;p&gt;David Allen talks about this in &lt;a href=&#34;http://www.43folders.com/2006/10/10/productive-talk-procrastination&#34;&gt;Productive Talk on procrastination&lt;/a&gt; that he recorded with Merlin Mann. Allen paraphrases some ideas from the book &lt;a href=&#34;http://www.amazon.com/War-Art-Through-Creative-Battles/dp/0446691437&#34;&gt;The War of Art&lt;/a&gt;. Listen to it, right around the 2:30 mark:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The thing that is closest to your soul is the thing you&#39;re going to avoid the most. The thing that will tap into the part of you that has not yet come to the fore but wants to be expressed but you&#39;re so afraid of it: you will absolutely find every single thing in your life to avoid doing that... You might actually have to show up.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It&#39;s just plain embarrassing to see what I&#39;ve neglected. About 85% of what I have on my Projects list is over 2 weeks old. Ouch. While none of it has blown up, it&#39;s still broken promises to myself. It&#39;s just me and Projects.txt and the &lt;a href=&#34;http://tewalkerjr.com/blog/?p=827&#34;&gt;Deep Truths&lt;/a&gt;™ of my existence.&lt;/p&gt;
&lt;p&gt;The upside is, while Projects.txt is currently a chronicle of failure-to-date, it can also be a manifesto. Onward and upward.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2007</title>
    <link href="https://mlarson.org/2007/10/26/200710261005/"/>
    <updated>2007-10-26T18:44:20.000Z</updated>
    <id>https://mlarson.org/2007/10/26/200710261005/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1765995458/in/set-72157601575033868/&#34;&gt;&lt;img src=&#34;http://farm3.static.flickr.com/2103/1765995458_d3e0527db5.jpg&#34; alt=&#34;The Rest Is Noise by Alex Ross&#34;&gt;&lt;/a&gt; I&#39;ve been pining for &lt;a href=&#34;http://www.amazon.com/Rest-Noise-Listening-Twentieth-Century/dp/0374249393&#34;&gt;this book&lt;/a&gt; &lt;a href=&#34;/mark-larson-1/2007/03/21/704&#34;&gt;since March&lt;/a&gt;. At long last, the Amazon Fairy turned a pretty crappy day into... well... Friday!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2007</title>
    <link href="https://mlarson.org/2007/10/24/200710241004/"/>
    <updated>2007-10-24T22:36:50.000Z</updated>
    <id>https://mlarson.org/2007/10/24/200710241004/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Fancy-Coffins-Make-Yourself-Power/dp/0764312499&#34;&gt;Fancy Coffins to Make Yourself&lt;/a&gt;, a woodworking guide by Dale Power. People who bought that book also bought &lt;a href=&#34;http://www.amazon.com/Animatronics-Holiday-Displays-Edwin-Wise/dp/0790612194&#34;&gt;Animatronics: Guide to Holiday Displays&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2007</title>
    <link href="https://mlarson.org/2007/10/24/200710241003/"/>
    <updated>2007-10-24T21:39:17.000Z</updated>
    <id>https://mlarson.org/2007/10/24/200710241003/</id>
    <content type="html">&lt;p&gt;&amp;quot;Theatre directors don&#39;t review plays. And film stars don&#39;t review the new releases. &lt;a href=&#34;http://arts.independent.co.uk/books/features/article3073461.ece&#34;&gt;So why are so many novelists allowed to pass judgement on the literary efforts of their friends&lt;/a&gt;?&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2007</title>
    <link href="https://mlarson.org/2007/10/24/200710241002/"/>
    <updated>2007-10-24T21:24:22.000Z</updated>
    <id>https://mlarson.org/2007/10/24/200710241002/</id>
    <content type="html">&lt;p&gt;Most of the online designeurotic t-shirt selling craze gives me nausea, but I like &lt;a href=&#34;http://www.inkfinger.us/my_weblog/2007/10/typestag-shirt-.html&#34;&gt;this one&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2007</title>
    <link href="https://mlarson.org/2007/10/24/200710241001/"/>
    <updated>2007-10-24T21:20:30.000Z</updated>
    <id>https://mlarson.org/2007/10/24/200710241001/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thesuperest.com/&#34;&gt;The Superest&lt;/a&gt; is a never-ending game of one-upmanship illustration. &amp;quot;Player 1 draws a character with a power. Player 2 then draws a character whose power cancels the power of that previous character. Repeat.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2007</title>
    <link href="https://mlarson.org/2007/10/24/200710241000/"/>
    <updated>2007-10-24T21:12:38.000Z</updated>
    <id>https://mlarson.org/2007/10/24/200710241000/</id>
    <content type="html">&lt;p&gt;Lately I&#39;ve been thinking about David Brooks&#39; essay from six years ago, &lt;a href=&#34;http://www.theatlantic.com/doc/200104/brooks&#34;&gt;The Organization Kid&lt;/a&gt;. &amp;quot;When I asked a group of them if they ever felt like workaholics, their faces lit up and they all started talking at once.&amp;quot; Definitely worth a re-read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 23, 2007</title>
    <link href="https://mlarson.org/2007/10/23/20071023999/"/>
    <updated>2007-10-23T00:00:54.000Z</updated>
    <id>https://mlarson.org/2007/10/23/20071023999/</id>
    <content type="html">&lt;p&gt;&amp;quot;Minimalism in interior design has become a caricature. Everywhere you find shops or hotels with an ambience that makes you feel like you are in a refrigerator.&amp;quot; Ha! [via &lt;a href=&#34;http://joshuablankenship.com/blog/2007/10/20/andree-putman-on-minimalism/&#34;&gt;jb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 22, 2007</title>
    <link href="https://mlarson.org/2007/10/22/20071022998/"/>
    <updated>2007-10-22T23:46:31.000Z</updated>
    <id>https://mlarson.org/2007/10/22/20071022998/</id>
    <content type="html">&lt;p&gt;A short &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=830708&#34;&gt;NPR story on the names on paper bags&lt;/a&gt; by Barbara Klein: &amp;quot;One of the names, &#39;Alan Rumbo,&#39; intrigues her. She traces the bag back to its maker, and actually gets to talk to the line worker at the paper bag plant, Rumbo himself, who explains how the name on the millions of bags he makes propelled him to hero status with his kids.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 22, 2007</title>
    <link href="https://mlarson.org/2007/10/22/20071022997/"/>
    <updated>2007-10-22T23:42:08.000Z</updated>
    <id>https://mlarson.org/2007/10/22/20071022997/</id>
    <content type="html">&lt;p&gt;I like Twain in small doses. On &lt;a href=&#34;http://ccat.sas.upenn.edu/jod/texts/twain.german.html&#34;&gt;The Awful German Language&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An average sentence, in a German newspaper, is a sublime and impressive curiosity; it occupies a quarter of a column; it contains all the ten parts of speech--not in regular order, but mixed; it is built mainly of compound words constructed by the writer on the spot, and not to be found in any dictionary--six or seven words compacted into one, without joint or seam--that is, without hyphens; it treats of fourteen or fifteen different subjects, each enclosed in a parenthesis of its own, with here and there extra parentheses, making pens with pens: finally, all the parentheses and reparentheses are massed together between a couple of king-parentheses, one of which is placed in the first line of the majestic sentence and the other in the middle of the last line of it--AFTER WHICH COMES THE VERB, and you find out for the first time what the man has been talking about; and after the verb--merely by way of ornament, as far as I can make out--the writer shovels in &amp;quot;HABEN SIND GEWESEN GEHABT HAVEN GEWORDEN SEIN,&amp;quot; or words to that effect, and the monument is finished.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 21, 2007</title>
    <link href="https://mlarson.org/2007/10/21/20071021996/"/>
    <updated>2007-10-21T16:00:09.000Z</updated>
    <id>https://mlarson.org/2007/10/21/20071021996/</id>
    <content type="html">&lt;p&gt;Now here&#39;s some graffitti I can appreciate: &lt;a href=&#34;http://www.flickr.com/photos/sao/sets/72157601458813225/&#34;&gt;roadside storm drains made into little cartoons&lt;/a&gt;. Highlights include a &lt;a href=&#34;http://www.flickr.com/photos/sao/435019658/in/set-72157601458813225/&#34;&gt;mouse eating cheese&lt;/a&gt;, an &lt;a href=&#34;http://www.flickr.com/photos/sao/1257841088/in/set-72157601458813225/&#34;&gt;illustration of a smoking guy&lt;/a&gt;, and a &lt;a href=&#34;http://www.flickr.com/photos/sao/1396952702/in/set-72157601458813225/&#34;&gt;tv and vcr&lt;/a&gt;. If I&#39;m reading the Portugeuse right, it&#39;s the work of &lt;a href=&#34;http://www.6emeia.com/index.php&#34;&gt;Leonardo Delafuente and Anderson Augusto&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>He&#39;s Just Not That Into You (review: 4/5)</title>
    <link href="https://mlarson.org/2007/10/21/20071021hes-just-not-that-into-you-review-45/"/>
    <updated>2007-10-21T15:47:48.000Z</updated>
    <id>https://mlarson.org/2007/10/21/20071021hes-just-not-that-into-you-review-45/</id>
    <content type="html">&lt;p&gt;I&#39;m fairly open to reading &#39;girly&#39; books every now and then (see my reviews of &lt;a href=&#34;/mark-larson-1/2006/08/15/heidi-klums-body-of-knowledge-review-35&#34;&gt;Heidi Klum&#39;s Body of Knowledge&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2007/02/16/how-to-walk-in-high-heels-review-155&#34;&gt;How to Walk in High Heels&lt;/a&gt;, and &lt;a href=&#34;/mark-larson-1/2007/03/07/a-practical-handbook-for-the-boyfriend-review-55&#34;&gt;The Practical Handbook for the Boyfriend&lt;/a&gt;). A friend of mine got me to read &lt;a href=&#34;http://www.amazon.com/Hes-Just-That-Into-Understanding/dp/068987474X&#34;&gt;He&#39;s Just Not That Into You: The No Excuses Truth to Understanding Guys&lt;/a&gt;. It&#39;s a quick, fun read, and I think both sexes could benefit from it. Perhaps there are limits to the no-nonsense approach. Co-author &lt;a href=&#34;http://www.gregbehrendt.com/&#34;&gt;Greg Behrendt&lt;/a&gt; (writing with &lt;a href=&#34;http://en.wikipedia.org/wiki/Liz_Tuccillo&#34;&gt;Liz Tuccillo&lt;/a&gt;) doesn&#39;t have a whole lot of room for forgiveness, but you have to admire that he takes happiness so seriously. If you don&#39;t set your own rules, then you&#39;re setting yourself up for disappointment. There&#39;s a lot of motivational talk (you are beautiful, you deserve the best, etc.). But while the message is insistent, the book doesn&#39;t take itself too seriously. The end-of-chapter &amp;quot;worksheets&amp;quot; are delightful parodies of the usual junk in self-help books.&lt;/p&gt;
&lt;p&gt;Here&#39;s a good bit on drug-addled relationships: &amp;quot;So, he&#39;s always stoned when he&#39;s with you... You&#39;re going out with someone that doesn&#39;t enjoy you at your full levels. That&#39;s tantamount to him liking you better when you&#39;re in the other room.&amp;quot;&lt;/p&gt;
&lt;p&gt;So maybe he&#39;s super busy with work and school and gets a little tense and lashes out: &amp;quot;I don&#39;t care if he&#39;s studying to become the next Messiah. There is no reason to yell at anyone ever, unless you are screaming &#39;Look out for that bus!&#39;&amp;quot;&lt;/p&gt;
&lt;p&gt;On breaking up and futile waiting &amp;amp; wishing: &amp;quot;100% of men polled said that when they broke up with someone, it always meant that they didn&#39;t want to go out with them anymore.&amp;quot; Cold, hard truth.&lt;/p&gt;
&lt;p&gt;On resistance to marriage: &amp;quot;You are allowed to have aspirations for your future and to know whether the relationship you&#39;re in is going to take you closer to those aspirations or be the demise of them.&amp;quot; And that&#39;s just generally good life advice.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018994/"/>
    <updated>2007-10-18T22:16:50.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018994/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.randsinrepose.com/archives/2007/10/16/the_gel_dilemma.html&#34;&gt;Rands tested some pens&lt;/a&gt; to try to find that perfect feel. I love how he parried the crucial topic of paper choice: &amp;quot;IÄôm going to avoid this entire debate and just use a Moleskine simply because if youÄôre going to have an argument about pens with anyone, chances are thereÄôs a Moleskine nearby.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Pinball Theory of Apocalypse (review: 1.5/5)</title>
    <link href="https://mlarson.org/2007/10/18/20071018the-pinball-theory-of-apocalypse-review-155/"/>
    <updated>2007-10-18T22:03:18.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018the-pinball-theory-of-apocalypse-review-155/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Pinball-Theory-Apocalypse-Novel-P-S/dp/0061173878&#34;&gt;The Pinball Theory of Apocalypse&lt;/a&gt; is a book by &lt;a href=&#34;http://www.jonathanselwood.com/&#34;&gt;Jonathan Selwood&lt;/a&gt;. Maybe I have a basic malfunction, but a lot of books that aim for humor are just kind of exhausting. There&#39;s some interesting goofy personalities in the book, but they just sort of drift between skits. Ehhhh... I don&#39;t like whining about books all that much, so why don&#39;t you read the &lt;a href=&#34;http://www.latimes.com/features/books/la-et-book28aug28,1,5845448.story?&#34;&gt;LA Times review&lt;/a&gt; instead. I think it&#39;s pretty fair.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018992/"/>
    <updated>2007-10-18T20:52:14.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018992/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nanowrimo.org/&#34;&gt;National Novel Writing Month&lt;/a&gt; starts in less than two weeks. Thirty days to churn out 50,000 words. Last year I said, &amp;quot;Maybe next year.&amp;quot; I&#39;m not sure what I&#39;m saying this year...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018991/"/>
    <updated>2007-10-18T20:30:54.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018991/</id>
    <content type="html">&lt;p&gt;&amp;quot;With pre-production topping out at somewhere over 500 years, &lt;a href=&#34;http://bibliodyssey.blogspot.com/2007/10/bibliodyssey-book.html&#34;&gt;BibliOdyssey&lt;/a&gt; might well be the slowest book ever published.&amp;quot; Looks like a winner.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018990/"/>
    <updated>2007-10-18T20:26:11.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018990/</id>
    <content type="html">&lt;p&gt;David Lee King used the new &lt;a href=&#34;http://twitter.com/blog/2007/09/tracking-twitter.html&#34;&gt;Twitter Tracking&lt;/a&gt; thingy to &lt;a href=&#34;http://www.davidleeking.com/2007/10/10/tracking-words-with-twitter/&#34;&gt;track what people are saying about libraries&lt;/a&gt;. That&#39;s a pretty cool feature.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018989/"/>
    <updated>2007-10-18T20:23:12.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018989/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.moby.com/journal/2007-10-18/hipster_olympics.html&#34;&gt;Hipster olympics&lt;/a&gt;, complete with ironic t-shirt competition. &amp;quot;---and they&#39;ve gone back to the mirror!&amp;quot; [via &lt;a href=&#34;http://www.moby.com/journal&#34;&gt;moby&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018988/"/>
    <updated>2007-10-18T20:03:25.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018988/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bertc.com/english.htm&#34;&gt;A poem lamenting (and embodying) the quirks of English pronunciation&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018987/"/>
    <updated>2007-10-18T19:59:43.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018987/</id>
    <content type="html">&lt;p&gt;So if the worst came to pass, &lt;a href=&#34;http://www.nytimes.com/2007/10/16/us/16drought.html&#34;&gt;Atlanta could be without water 4 months from now&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 18, 2007</title>
    <link href="https://mlarson.org/2007/10/18/20071018986/"/>
    <updated>2007-10-18T07:23:39.000Z</updated>
    <id>https://mlarson.org/2007/10/18/20071018986/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/60585948@N00/sets/1499962/&#34;&gt;Photos of vintage cereal box packaging&lt;/a&gt;! [via &lt;a href=&#34;http://www.themachinedistrict.com/blog/?p=68&#34;&gt;thmchndstrct&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 17, 2007</title>
    <link href="https://mlarson.org/2007/10/17/20071017985/"/>
    <updated>2007-10-17T21:54:47.000Z</updated>
    <id>https://mlarson.org/2007/10/17/20071017985/</id>
    <content type="html">&lt;p&gt;Andrew Blum has a great article on urbanism, environment, and change: &lt;a href=&#34;http://www.andrewblum.net/typepad/2007/10/local-cities-gl.html&#34;&gt;Local Cities, Global Problems: Jane Jacobs in an Age of Global Change&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We are wedging ourselves between a rock and a hard place: between the pleasures of medium-density living (Greenwich Village, Park Slope, TorontoÄôs Annex) and the ecological necessity of even more density. When it comes to our homes, we are all justifiably afraid of change, especially when it feels like (or is) destruction. But we donÄôt often pair that truth with another oft-repeated one: Our way of life is unsustainable. In North AmericaÄôs most beautiful urban places, we unfailingly fight every new tall building in the name of Äúquality of lifeÄù and the Äúcharacter of the neighborhood.Äù We claim to have internalized the idea that itÄôs all connected, that slowing the warming of the planet is a global project, but the nature in our backyards remains sacredÄîoften to the point, perhaps, of self-destruction.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2007</title>
    <link href="https://mlarson.org/2007/10/16/20071016984/"/>
    <updated>2007-10-16T22:12:14.000Z</updated>
    <id>https://mlarson.org/2007/10/16/20071016984/</id>
    <content type="html">&lt;p&gt;Photographer &lt;a href=&#34;http://www.michaeldavidmurphy.com/&#34;&gt;Michael David Murphy&lt;/a&gt; had a &lt;a href=&#34;http://2point8.whileseated.org/?p=269&#34;&gt;video interview with Alec Soth&lt;/a&gt; a little while before &lt;a href=&#34;/mark-larson-1/2007/10/11/alec-soth-lecture-at-the-high-museum&#34;&gt;Soth&#39;s lecture for Atlanta Celebrates Photography&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2007</title>
    <link href="https://mlarson.org/2007/10/16/20071016983/"/>
    <updated>2007-10-16T21:52:53.000Z</updated>
    <id>https://mlarson.org/2007/10/16/20071016983/</id>
    <content type="html">&lt;p&gt;Sasha Frere-Jones discusses &lt;a href=&#34;http://www.newyorker.com/arts/critics/musical/2007/10/22/071022crmu_music_frerejones&#34;&gt;how indie rock lost its soul&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2007</title>
    <link href="https://mlarson.org/2007/10/16/20071016982/"/>
    <updated>2007-10-16T21:52:17.000Z</updated>
    <id>https://mlarson.org/2007/10/16/20071016982/</id>
    <content type="html">&lt;p&gt;A very cool article on how the &lt;a href=&#34;http://www.shadedrelief.com/realism/&#34;&gt;National Parks Service is making more realistic maps&lt;/a&gt;. [via &lt;a href=&#34;http://dashes.com/anil/&#34;&gt;anil dash&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2007</title>
    <link href="https://mlarson.org/2007/10/16/20071016981/"/>
    <updated>2007-10-16T21:43:42.000Z</updated>
    <id>https://mlarson.org/2007/10/16/20071016981/</id>
    <content type="html">&lt;p&gt;This &lt;a href=&#34;http://strangemaps.wordpress.com/2007/10/17/182-sarajevo-siege-map/&#34;&gt;Sarajevo Siege Map&lt;/a&gt; literally took my breath. Spectacular.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2007</title>
    <link href="https://mlarson.org/2007/10/16/20071016980/"/>
    <updated>2007-10-16T21:29:57.000Z</updated>
    <id>https://mlarson.org/2007/10/16/20071016980/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://jonhuck.com/breakfast/index.htm&#34;&gt;Photos of people and their breakfast&lt;/a&gt;. Some of them are just perfect. [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2007</title>
    <link href="https://mlarson.org/2007/10/16/20071016979/"/>
    <updated>2007-10-16T00:09:33.000Z</updated>
    <id>https://mlarson.org/2007/10/16/20071016979/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.newmusicbox.org/article.nmbx?id=5271&#34;&gt;interview with Alex Ross&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I thought I had no choice but to write about the 20th century; it&#39;s such an extraordinary body of work that is relatively little known, especially in terms of your average educated person who can tell a Picasso from a Jackson Pollack and has read widely in contemporary literature and knows the great books of the 20th century, but will freeze up when you mention Schoenberg and Stravinsky. The thing is, they know the music, they know the sound of the musicÄîthey&#39;ve been exposed to it in one form or another on film soundtracks, in concerts, or on CDsÄîbut they don&#39;t necessarily know where this music came from, and how it all fits together, and how one composer affects another or reacts to another.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2007</title>
    <link href="https://mlarson.org/2007/10/15/20071015978/"/>
    <updated>2007-10-15T18:27:51.000Z</updated>
    <id>https://mlarson.org/2007/10/15/20071015978/</id>
    <content type="html">&lt;p&gt;Seattle is an open and friendly place, but it&#39;s apparently hard to form genuine relationships. The so-called &lt;a href=&#34;http://seattletimes.nwsource.com/pacificnw/2005/0213/cover.html&#34;&gt;Seattle Freeze&lt;/a&gt; is &amp;quot;the flip side of Seattle Nice... The dichotomy most fundamental to our collective civic character is this: Polite but distant.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2007</title>
    <link href="https://mlarson.org/2007/10/15/20071015977/"/>
    <updated>2007-10-15T18:14:12.000Z</updated>
    <id>https://mlarson.org/2007/10/15/20071015977/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://hipstersinc.com/blog/2007/5/22/song_cycles/&#34;&gt;Music visualization designs made from spiral spectrograms&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2007</title>
    <link href="https://mlarson.org/2007/10/15/20071015976/"/>
    <updated>2007-10-15T17:48:05.000Z</updated>
    <id>https://mlarson.org/2007/10/15/20071015976/</id>
    <content type="html">&lt;p&gt;Albert Jay Nock, &lt;a href=&#34;http://www.mises.org/story/2714&#34;&gt;Anarchist&#39;s Progress&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The State claims and exercises the monopoly of crime that I spoke of a moment ago, and that it makes this monopoly as strict as it can. It forbids private murder, but itself organizes murder on a colossal scale. It punishes private theft, but itself lays unscrupulous hands on anything it wants, whether the property of citizen or of alien. There is, for example, no human right, natural or constitutional, that we have not seen nullified by the United States government. Of all the crimes that are committed for gain or revenge, there is not one that we have not seen it commit Äî murder, mayhem, arson, robbery, fraud, criminal collusion, and connivance. On the other hand, we have all remarked the enormous relative difficulty of getting the State to effect any measure for the general welfare.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2007</title>
    <link href="https://mlarson.org/2007/10/15/20071015975/"/>
    <updated>2007-10-15T17:43:23.000Z</updated>
    <id>https://mlarson.org/2007/10/15/20071015975/</id>
    <content type="html">&lt;p&gt;A couple artists are selling &lt;a href=&#34;http://www.wantsforsale.com/wants.html&#34;&gt;paintings of things they want&lt;/a&gt;. The price of the painting is the same as the item itself. The Wii painting cost $270.92.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 15, 2007</title>
    <link href="https://mlarson.org/2007/10/15/20071015974/"/>
    <updated>2007-10-15T17:34:19.000Z</updated>
    <id>https://mlarson.org/2007/10/15/20071015974/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.nowandnext.com/PDF/extinction_timeline.pdf&#34;&gt;timeline of things that have gone or will go extinct&lt;/a&gt; from 1950-2050. [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Best American Comics 2006 (review: 4/5)</title>
    <link href="https://mlarson.org/2007/10/14/20071014the-best-american-comics-2006-review-45/"/>
    <updated>2007-10-14T22:58:26.000Z</updated>
    <id>https://mlarson.org/2007/10/14/20071014the-best-american-comics-2006-review-45/</id>
    <content type="html">&lt;p&gt;A little slow getting to this one, but it was worth the wait. &lt;a href=&#34;http://www.amazon.com/Best-American-Comics-2006/dp/0618718745&#34;&gt;The Best American Comics 2006&lt;/a&gt;. There&#39;s a lot to cover in the collection, so I&#39;ll just highlight the authors and stories I enjoyed the most. &lt;a href=&#34;http://www.pulpatoon.com/&#34;&gt;Joel Priddy&lt;/a&gt;, &amp;quot;The Amazing Life of Onion Jack&amp;quot;: a short bio of an aging superhero who really wanted to be a chef. I liked the clean stick figure styling in this one. Charming humor and great timing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.lillicarre.com/&#34;&gt;Lilli Carr?©&lt;/a&gt;, &amp;quot;Adventures of Paul Bunyan &amp;amp; His Ox, Babe&amp;quot;: the classic folk hero, re-imagined. Paul is a sensitive, Proust-reading guy with real-world difficulties. His well-paced dialogue with Babe is reinforced by this really clear, powerful sense of setting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.katchor.com/&#34;&gt;Ben Katchor&lt;/a&gt;, &amp;quot;Goner Pillow Company&amp;quot;: about pillows designed for sitting at windows. I like the basic concept here, briefly fantasizing about a world where people look out of windows instead of into our electronic boxes.&lt;/p&gt;
&lt;p&gt;Jonathan Bennett, &amp;quot;Dance with the Ventures&amp;quot;: early morning, a guy goes scavenging for old records in the trash. I love the dramatic inner dialogue. You can instantly relate to it.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.king-cat.net/&#34;&gt;John Porcellino&lt;/a&gt;, &amp;quot;Chemical Plant/ Another World&amp;quot;: driving through a factory at night. I don&#39;t know how, but he captures a spooky night-time scene in panels that are really white-heavy.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.davidheatley.com/&#34;&gt;David Heatley&lt;/a&gt;, &amp;quot;Portrait of My Dad&amp;quot;: short vignettes about his father. I love the color and density of the pages. Here&#39;s the &lt;a href=&#34;http://www.davidheatley.com/portofdad.jpg&#34;&gt;first page&lt;/a&gt;. Just an all-around beautiful chronicle of the relationship.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://jessicaabel.com/&#34;&gt;Jessica Abel&lt;/a&gt;, &amp;quot;Missing&amp;quot;: an argument with a mirror, and an argument with a friend. The body language is wonderful in this excerpt from &lt;a href=&#34;http://jessicaabel.com/laperdida/&#34;&gt;La Perdida&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.comicartcollective.com/wolfgang/&#34;&gt;Kurt Wolfgang&lt;/a&gt;, &amp;quot;Passing Before Life&#39;s Very Eyes&amp;quot;: an old man dies, floats around, learns the truth. The dialogue borders on the preachy-casual, but the final panels are really satisfying.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.slowwave.com/&#34;&gt;Jesse Reklaw&lt;/a&gt;, &amp;quot;Thirteen Cats of My Childhood&amp;quot;: a memoir of family and feline relationships. I had expected to hate this one, but I loved it. It was more text-heavy than many of the others, so you can really dig in to the story.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2007</title>
    <link href="https://mlarson.org/2007/10/14/20071014973/"/>
    <updated>2007-10-14T22:23:59.000Z</updated>
    <id>https://mlarson.org/2007/10/14/20071014973/</id>
    <content type="html">&lt;p&gt;I really like this &lt;a href=&#34;http://upload.wikimedia.org/wikipedia/commons/5/55/Vasnetsov_samolet.jpg&#34;&gt;painting of Ivan Tsarevich and the Firebird&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Viktor_Vasnetsov&#34;&gt;Viktor Vasnetsov&lt;/a&gt;. It&#39;s the carpet that really got my attention. You can see that it&#39;s floating and rippling in the air currents, but it still looks thick and heavy like a rug should. It looks like something you&#39;d actually use on your floor. &lt;a href=&#34;http://en.wikipedia.org/wiki/Ivan_Tsarevich&#34;&gt;Ivan Tsarevich&lt;/a&gt; and the &lt;a href=&#34;http://en.wikipedia.org/wiki/Firebird_%28Russian_folklore%29&#34;&gt;Firebird&lt;/a&gt; are Russian folklore characters. I don&#39;t usually explore Russian art, but I found my way over there because lately I&#39;ve been listening to &lt;a href=&#34;http://en.wikipedia.org/wiki/Igor_Stravinsky&#34;&gt;Stravinsky&lt;/a&gt;&#39;s ballet, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Firebird&#34;&gt;The Firebird&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2007</title>
    <link href="https://mlarson.org/2007/10/14/20071014972/"/>
    <updated>2007-10-14T22:03:49.000Z</updated>
    <id>https://mlarson.org/2007/10/14/20071014972/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Buckminster_Fuller&#34;&gt;Buckminster Fuller&lt;/a&gt; invented the &lt;a href=&#34;http://en.wikipedia.org/wiki/Dymaxion_map&#34;&gt;Dymaxion map&lt;/a&gt;, which folds and unfolds the Earth in all kinds of ways, so you can arrange the map without any hemispherical hegemony. Here&#39;s a larger &lt;a href=&#34;http://www.odt.org/Pictures/dymaxion.jpg&#34;&gt;image of the Dymaxion map&lt;/a&gt;. It&#39;s kind of mind-bending. This version with &lt;a href=&#34;http://upload.wikimedia.org/wikipedia/commons/e/ee/Dymaxion_map_ocean2.png&#34;&gt;Antartica and its ocean at the center&lt;/a&gt; is particularly cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Elements of Style (review: 3/5)</title>
    <link href="https://mlarson.org/2007/10/13/20071013the-elements-of-style-review-35/"/>
    <updated>2007-10-13T23:07:48.000Z</updated>
    <id>https://mlarson.org/2007/10/13/20071013the-elements-of-style-review-35/</id>
    <content type="html">&lt;p&gt;I&#39;m not sure what all the fuss is about. &lt;a href=&#34;http://www.amazon.com/Elements-Style-Illustrated-William-Strunk/dp/1594200696/&#34;&gt;The Elements of Style&lt;/a&gt; is a handy little guide, sure. Brief, pithy. I suppose I&#39;ve just heard it mentioned so many times that I was expecting a bit more. Honestly the best part of this particular edition of &lt;em&gt;Elements&lt;/em&gt; was the &lt;a href=&#34;http://www.mairakalman.com/elements.html&#34;&gt;illustrations by Maira Kalman&lt;/a&gt;. (Kalman has done a &lt;a href=&#34;http://kalman.blogs.nytimes.com/&#34;&gt;year-long illustrated story in the New York Times&lt;/a&gt;, which will soon be released in her book &lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/159420134X/&#34;&gt;The Principles of Uncertainty&lt;/a&gt;.) &lt;em&gt;Elements&lt;/em&gt; didn&#39;t earn a place on my shelf. It touches on some of the nuts and bolts of writing, and some of the philosophy, but none of the sections really feel complete. If you&#39;re looking for clinical advice on commas and grammar, you&#39;re probably better off with a dedicated grammar book or style guide. And if you&#39;re looking to seriously clean up your text, and to apply some thought and reason to your writing, for my money the better choice is something like Joseph Williams&#39; &lt;a href=&#34;http://www.amazon.com/Style-Basics-Clarity-Grace-2nd/dp/0321330854/&#34;&gt;Style: The Basics of Clarity and Grace&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2007</title>
    <link href="https://mlarson.org/2007/10/13/20071013970/"/>
    <updated>2007-10-13T22:33:06.000Z</updated>
    <id>https://mlarson.org/2007/10/13/20071013970/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=14947215&#34;&gt;Alex Ross talks with Robert Siegel on NPR&lt;/a&gt; about 20th century music. Ross&#39; new book, &lt;a href=&#34;http://www.amazon.com/Rest-Noise-Listening-Twentieth-Century/dp/0374249393&#34;&gt;The Rest Is Noise&lt;/a&gt;, is coming in a few days---looking forward to 640 pages of music history goodness!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2007</title>
    <link href="https://mlarson.org/2007/10/13/20071013965/"/>
    <updated>2007-10-13T22:12:11.000Z</updated>
    <id>https://mlarson.org/2007/10/13/20071013965/</id>
    <content type="html">&lt;p&gt;In a pretty thrilling &lt;a href=&#34;http://www.prospect-magazine.co.uk/article_details.php?id=9276&#34;&gt;essay on tragedy, comedy, and the modern novel&lt;/a&gt;, Julian Gough asks and answers: &amp;quot;What is wrong with the modern literary novel? Why is it so worthy and dull? Why is it so anxious? Why is it so bloody boring?&amp;quot; One of the best essays I&#39;ve read this year---I had to try really hard not to go ahead and block quote the entire thing. [via &lt;a href=&#34;http://www.austinkleon.com/&#34;&gt;austin&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2007</title>
    <link href="https://mlarson.org/2007/10/13/20071013969/"/>
    <updated>2007-10-13T21:11:08.000Z</updated>
    <id>https://mlarson.org/2007/10/13/20071013969/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bldgblog.blogspot.com/2007/10/greater-los-angeles.html&#34;&gt;In praise of Los Angeles&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2007</title>
    <link href="https://mlarson.org/2007/10/13/20071013968/"/>
    <updated>2007-10-13T20:57:27.000Z</updated>
    <id>https://mlarson.org/2007/10/13/20071013968/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.hicksdesign.co.uk/journal/cover-art-for-in-rainbows&#34;&gt;Reader submissions for album covers for Radiohead&#39;s album, &lt;em&gt;In Rainbows&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Alec Soth Lecture at the High Museum</title>
    <link href="https://mlarson.org/2007/10/11/20071011alec-soth-lecture-at-the-high-museum/"/>
    <updated>2007-10-11T22:48:16.000Z</updated>
    <id>https://mlarson.org/2007/10/11/20071011alec-soth-lecture-at-the-high-museum/</id>
    <content type="html">&lt;p&gt;Tonight I heard photographer &lt;a href=&#34;http://www.alecsoth.com/&#34;&gt;Alec Soth&lt;/a&gt; speak at the &lt;a href=&#34;http://www.high.org/&#34;&gt;High Museum&lt;/a&gt;, a guest of this month&#39;s &lt;a href=&#34;http://www.acpinfo.org/&#34;&gt;Atlanta Celebrates Photography&lt;/a&gt; events. It was incredibly cool. It was a walk through his career so far, his major projects and commissioned work, and what he&#39;s been learning. I took several pages of notes in the Moleskine... and now to decipher my handwriting and share a bit. I don&#39;t want to make a transcript, so I&#39;m skipping around and weaving together some of the things he talked about. Take a look at his big projects: &lt;a href=&#34;http://www.alecsoth.com/portrait/pages/frameset.html&#34;&gt;Portraits&lt;/a&gt;, &lt;a href=&#34;http://www.alecsoth.com/Mississippi-new/pages/frameset.html&#34;&gt;Sleeping by the Mississippi&lt;/a&gt; (&amp;quot;the 3rd coast&amp;quot;), &lt;a href=&#34;http://www.alecsoth.com/niagara/pages/frameset.html&#34;&gt;Niagara&lt;/a&gt;, &lt;a href=&#34;http://www.alecsoth.com/fashion/pages/frameset.html&#34;&gt;Fashion Magazine&lt;/a&gt;, and &lt;a href=&#34;http://www.alecsoth.com/Bogota/pages/frameset.html&#34;&gt;Dog Days, Bogot?°&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Here are a few of my favorite photographs, matched with Soth&#39;s words that may or may not have been uttered around the time the slide was up:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;In Europe a lot of the Mississippi photographs are thought of as a critique of America. For him, it was about the excitement of travel and discovery. &amp;quot;For me, it&#39;s &lt;a href=&#34;http://www.alecsoth.com/Mississippi-new/pages/Mississippi19.html&#34;&gt;Huck Finn&#39;s raft&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;I&#39;m not good at &lt;a href=&#34;http://www.alecsoth.com/Bogota/pages/Bogota24.html&#34;&gt;photographing a contained thing&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;&lt;a href=&#34;http://www.alecsoth.com/Mississippi-new/pages/Mississippi26.html&#34;&gt;I really aim to be empathetic&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Simple &lt;a href=&#34;http://www.alecsoth.com/portrait/pages/Portrait15.html&#34;&gt;often makes a better picture&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;&lt;a href=&#34;http://www.alecsoth.com/niagara/pages/Niagara35.html&#34;&gt;You can&#39;t trust new passion&lt;/a&gt;.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Back in his high school days, Soth was a painter, but &amp;quot;wasn&#39;t comfortable in the studio.&amp;quot; Too antsy, too fidgety. It was a &lt;a href=&#34;http://en.wikipedia.org/wiki/Joel_Sternfeld&#34;&gt;Joel Sternfeld&lt;/a&gt; photo in particular that turned him to photography, one that showed the photographer&#39;s own car in the distance as just another part of the scenery. Like Sternfeld, Soth &amp;quot;wanted to be out in the world.&amp;quot; He was painfully shy when he first got started (&amp;quot;I was shaking, sweating&amp;quot;), but yet he was drawn to portraiture. And the portraits aren&#39;t just snapshot candids---they often take some awkward negotiation with a stranger and time to fiddle with gear and set up the shot. So the photo is not only about the person but also about &amp;quot;&lt;a href=&#34;http://www.alecsoth.com/Mississippi-new/pages/Mississippi34.html&#34;&gt;the space between us&lt;/a&gt;.&amp;quot; The irony is that Soth wanted to be out in the world, drawing on the passion and energy and intimacy, but a lot of his work touches on the desire for withdrawal and evasion and anger and disconnection and decline and violence. So there&#39;s this internal artistic tension.&lt;/p&gt;
&lt;p&gt;Soth said, &amp;quot;One of the frustrating things when I show my pieces is people searching for little clues.&amp;quot; So he started taking on specific project themes for his work, one of the first of these was the Mississippi project. In a way, the theme serves as another sort of evasive maneuver---it relieves some of the artistic pressure, the self-consciousness. &amp;quot;I don&#39;t always know what I&#39;m doing at the beginning... it evolves over time.&amp;quot;&lt;/p&gt;
&lt;p&gt;Some interesting quotes on his craft, out of context:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;For me, photography is not like storytelling... It&#39;s evocative, you make these connections... That&#39;s the poetic model: people respond in their own way.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;A list gets you focused, and then it leads to something else.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;Because I&#39;m a stranger, I can ask a question and get an intimate response.&amp;quot;&lt;/li&gt;
&lt;li&gt;&amp;quot;I&#39;m trying to please myself... my audience is me.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And, lastly, Soth&#39;s three levels of artistic achievement:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Entertainment&lt;/li&gt;
&lt;li&gt;Information&lt;/li&gt;
&lt;li&gt;When the work causes the audience to reconsider their life&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>October 10, 2007</title>
    <link href="https://mlarson.org/2007/10/10/20071010964/"/>
    <updated>2007-10-10T17:25:27.000Z</updated>
    <id>https://mlarson.org/2007/10/10/20071010964/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.43folders.com/2007/10/08/merlin-ideo-talk&#34;&gt;Scott Underwood and Merlin Mann talk about productivity stuff&lt;/a&gt;. I&#39;m not really a huge fan of instant messaging in the workplace, so I enjoyed this brief exchange:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Scott: IM to me combines the worst aspects of the telephone and e-mail---&lt;/p&gt;
&lt;p&gt;Merlin:---and being a teenager.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2007</title>
    <link href="https://mlarson.org/2007/10/09/20071009963/"/>
    <updated>2007-10-09T22:29:05.000Z</updated>
    <id>https://mlarson.org/2007/10/09/20071009963/</id>
    <content type="html">&lt;p&gt;These &lt;a href=&#34;http://pruned.blogspot.com/2007/10/pure-geography.html&#34;&gt;photos of an oceanside cliffwalk in Chile&lt;/a&gt; make me swoon. What a lovely path, beautiful stonework. More photos &lt;a href=&#34;http://www.subercaseauxpropiedades.cl/?page_id=264&#34;&gt;here&lt;/a&gt; in the &amp;quot;recorrido&amp;quot; section.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2007</title>
    <link href="https://mlarson.org/2007/10/09/20071009962/"/>
    <updated>2007-10-09T22:23:43.000Z</updated>
    <id>https://mlarson.org/2007/10/09/20071009962/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/2/hi/uk_news/magazine/7004661.stm&#34;&gt;The use of the hyphen is on the decline&lt;/a&gt;. Under-appreciated, I think.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2007</title>
    <link href="https://mlarson.org/2007/10/09/20071009961/"/>
    <updated>2007-10-09T22:22:36.000Z</updated>
    <id>https://mlarson.org/2007/10/09/20071009961/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.granta.com/extracts/2615&#34;&gt;How to write about Africa&lt;/a&gt;. [via &lt;a href=&#34;http://waldo.jaquith.org/&#34;&gt;waldo jaquith&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2007</title>
    <link href="https://mlarson.org/2007/10/08/20071008960/"/>
    <updated>2007-10-08T21:56:02.000Z</updated>
    <id>https://mlarson.org/2007/10/08/20071008960/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.flickr.com/photos/wardomatic/sets/72157602256271659/&#34;&gt;photo collection of the Space Alphabet&lt;/a&gt;, a children&#39;s book from the 1960s. &amp;quot;&lt;a href=&#34;http://www.flickr.com/photos/wardomatic/1478867777/in/set-72157602256271659/&#34;&gt;M is for the moon&lt;/a&gt;, a dead, dead world.&amp;quot; [via &lt;a href=&#34;http://www.coudal.com&#34;&gt;coudal&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2007</title>
    <link href="https://mlarson.org/2007/10/08/20071008959/"/>
    <updated>2007-10-08T21:12:42.000Z</updated>
    <id>https://mlarson.org/2007/10/08/20071008959/</id>
    <content type="html">&lt;p&gt;These &lt;a href=&#34;http://en.wikipedia.org/wiki/Category:Wikipedia_essays&#34;&gt;Wikipedia essays&lt;/a&gt; are tremendous. They&#39;re basically internal memos, where the philosophy and culture is hashed out in the same collective fashion as the primary content. A few that I really like:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Wikipedia:Arguments_to_avoid_in_deletion_discussions&#34;&gt;Arguments to avoid in deletion discussions&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Wikipedia:Coatrack&#34;&gt;Coatrack&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Wikipedia:Humor&#34;&gt;Humor&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Wikipedia:Sarcasm_is_really_helpful&#34;&gt;Sarcasm is really helpful&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2007</title>
    <link href="https://mlarson.org/2007/10/08/20071008958/"/>
    <updated>2007-10-08T20:57:35.000Z</updated>
    <id>https://mlarson.org/2007/10/08/20071008958/</id>
    <content type="html">&lt;p&gt;Something I learned today: I was reading this &lt;a href=&#34;http://www.nytimes.com/2007/09/02/fashion/shows/02fash.html&#34;&gt;NYT article about fashion&lt;/a&gt;, and I discovered that if you double-click a word in an NYT article, it will make a pop-up with a little dictionary/ reference search for you. Doesn&#39;t look like it works on the home page, but that&#39;s pretty cool. Am I the last person to learn about this?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2007</title>
    <link href="https://mlarson.org/2007/10/08/20071008957/"/>
    <updated>2007-10-08T16:55:52.000Z</updated>
    <id>https://mlarson.org/2007/10/08/20071008957/</id>
    <content type="html">&lt;p&gt;The new book &lt;a href=&#34;http://www.amazon.com/Microtrends-Forces-Behind-Tomorrows-Changes/dp/0446580961&#34;&gt;Microtrends: The Small Forces Behind Tomorrow&#39;s Big Changes&lt;/a&gt; looks like it could be a good one. &lt;a href=&#34;http://www.msnbc.msn.com/id/20630522/site/newsweek/page/0/&#34;&gt;More at MSNBC&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2007</title>
    <link href="https://mlarson.org/2007/10/08/20071008956/"/>
    <updated>2007-10-08T16:42:49.000Z</updated>
    <id>https://mlarson.org/2007/10/08/20071008956/</id>
    <content type="html">&lt;p&gt;The Museum of Reading has the entire &lt;a href=&#34;http://www.bayeuxtapestry.org.uk/BayeuxContents.htm&#34;&gt;Bayeux Tapestry online with explanatory notes&lt;/a&gt;. And on YouTube there&#39;s a pretty sweet &lt;a href=&#34;http://www.youtube.com/watch?v=bDaB-NNyM8o&#34;&gt;semi-animated version&lt;/a&gt; that scrolls across the latter half of the 230-foot tapestry.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 8, 2007</title>
    <link href="https://mlarson.org/2007/10/08/20071008955/"/>
    <updated>2007-10-08T06:28:29.000Z</updated>
    <id>https://mlarson.org/2007/10/08/20071008955/</id>
    <content type="html">&lt;p&gt;A slideshow essay on Slate asks, &lt;a href=&#34;http://www.slate.com/id/2174615/&#34;&gt;What&#39;s the point of public sculpture&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Devil in the White City (review: dnf)</title>
    <link href="https://mlarson.org/2007/10/07/20071007the-devil-in-the-white-city-review-dnf/"/>
    <updated>2007-10-07T17:55:07.000Z</updated>
    <id>https://mlarson.org/2007/10/07/20071007the-devil-in-the-white-city-review-dnf/</id>
    <content type="html">&lt;p&gt;It hurts so much when you want a book to be fantastic, but it&#39;s not. Before I go there, I&#39;ll mention a couple saving graces for &lt;a href=&#34;http://www.amazon.com/Devil-White-City-Madness-Changed/dp/0375725601&#34;&gt;The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America&lt;/a&gt;. There&#39;s a great quote from one of the main characters, architect &lt;a href=&#34;http://en.wikipedia.org/wiki/Daniel_Burnham&#34;&gt;Daniel Burnham&lt;/a&gt;: &amp;quot;Make no little plans; they have no magic to stir men&#39;s blood.&amp;quot; And there&#39;s a cool literary connection. The book takes place during the &lt;a href=&#34;http://en.wikipedia.org/wiki/World&#39;s_Columbian_Exposition&#34;&gt;1893 Chicago World&#39;s Fair&lt;/a&gt;. The main grounds were known as the &amp;quot;White City&amp;quot; for the use of pale stucco on the buildings, and the first widespread use of streetlights. If you&#39;ll recall, there are a bunch of flashback narratives in &lt;a href=&#34;http://en.wikipedia.org/wiki/Jimmy_Corrigan%2C_the_Smartest_Kid_on_Earth&#34;&gt;Jimmy Corrigan, the Smartest Kid on Earth&lt;/a&gt; that also take place during the Chicago exposition. So it was cool to read &lt;em&gt;Devil&lt;/em&gt; with some of the sense of wonder and awe and hardship in &lt;a href=&#34;http://en.wikipedia.org/wiki/Chris_Ware&#34;&gt;Chris Ware&lt;/a&gt;&#39;s comic.&lt;/p&gt;
&lt;p&gt;I couldn&#39;t finish the book, though.&lt;/p&gt;
&lt;p&gt;I &lt;em&gt;hate&lt;/em&gt; it when authors don&#39;t trust the story or trust the audience to follow along without prodding. One example I&#39;ll never forget is in the film &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Lord_of_the_Rings:_The_Two_Towers_(film)&#34;&gt;The Lord of the Rings: The Two Towers&lt;/a&gt;. Evil armies are on the march, folks are going to take refuge in Helm&#39;s Deep. Gandalf has to run an errand, but he says to Aragorn, &amp;quot;Look to my coming, at first light, on the fifth day. &lt;a href=&#34;http://www.tk421.net/lotr/film/ttt/14.html&#34;&gt;At dawn, look to the East.&lt;/a&gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;And what do you know, a &lt;a href=&#34;http://www.tk421.net/lotr/film/ttt/29.html&#34;&gt;couple dozen scenes later&lt;/a&gt;, evil is at the door and prospects are bleak. But then Aragorn looks at a window with the morning sun shining in, and you get this ham-handed, idiotic Gandalf voiceover... &amp;quot;Look to my coming at first light on the fifth day. At dawn, look to the East.&amp;quot; Uggghhh. Easily one of the worst parts of the whole trilogy. No trust in the audience to remember a great line, no subtlety.&lt;/p&gt;
&lt;p&gt;In that vein, &lt;em&gt;Devil&lt;/em&gt; author Erik Larson (no relation) does two things that drove me nuts. For one, he subdivides chapters into even smaller chunks. That doesn&#39;t normally bother so much, but his mini-sections get as small as a paragraph or two, or even a lone sentence. Too choppy. The second nuisance---and this is what killed me---is the frequent use of a teaser phrase at the ends of these mini-sections.&lt;/p&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;Why anyone would even want a soundproof vault was a question that apparently did not occur to him.&lt;/li&gt;
&lt;li&gt;But even he did not, and could not, grasp what truly lay ahead.&lt;/li&gt;
&lt;li&gt;But again, that was later.&lt;/li&gt;
&lt;li&gt;It was one more sign of a gathering panic.&lt;/li&gt;
&lt;li&gt;Which terrified her.&lt;/li&gt;
&lt;li&gt;Hays grew suspicious and watched Mudgett closely---albeit not closely enough.&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;Come on. The book&#39;s jacket tells me there&#39;s a &lt;em&gt;serial killer&lt;/em&gt; in there. Foreboding is already built-in, no need to pile it on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 7, 2007</title>
    <link href="https://mlarson.org/2007/10/07/20071007954/"/>
    <updated>2007-10-07T17:49:44.000Z</updated>
    <id>https://mlarson.org/2007/10/07/20071007954/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.paulfesta.com/&#34;&gt;Paul Festa&lt;/a&gt; made a film called &lt;a href=&#34;http://apparitionfilm.com/&#34;&gt;Apparition of the Eternal Church&lt;/a&gt;, which looks really cool. Here&#39;s &lt;a href=&#34;http://apparitionfilm.com/assets/ApparitionTrailer20070209QTb.mov&#34;&gt;the trailer&lt;/a&gt;. It documents 10 people&#39;s reactions to hearing &lt;a href=&#34;http://en.wikipedia.org/wiki/Olivier_Messiaen&#34;&gt;Oliver Messiaen&lt;/a&gt;&#39;s work for organ, &lt;em&gt;Apparition of the Eternal Church&lt;/em&gt;. I hope it will come down to Atlanta for a showing. I definitely need to chase down a decent recording in the meantime.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 7, 2007</title>
    <link href="https://mlarson.org/2007/10/07/20071007953/"/>
    <updated>2007-10-07T17:21:52.000Z</updated>
    <id>https://mlarson.org/2007/10/07/20071007953/</id>
    <content type="html">&lt;p&gt;Cartoonist Adrian Tomine, creator of &lt;a href=&#34;http://www.amazon.com/Summer-Blonde-Adrian-Tomine/dp/1896597572&#34;&gt;Summer Blonde&lt;/a&gt; among other things, &lt;a href=&#34;http://gothamist.com/2007/10/02/adrian_tomine_c.php&#34;&gt;shares a New York City moment&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I went out to dinner with my wife at a sushi place in Brooklyn. Right as we were seated at our table, the couple at the adjacent table begins the following exchange:&lt;/p&gt;
&lt;p&gt;WOMAN: So, did you read that book I gave you?&lt;/p&gt;
&lt;p&gt;MAN: Which one?&lt;/p&gt;
&lt;p&gt;WOMAN: The comic. Summer Blonde.&lt;/p&gt;
&lt;p&gt;MAN: Oh, yeah. I hated it.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 7, 2007</title>
    <link href="https://mlarson.org/2007/10/07/20071007952/"/>
    <updated>2007-10-07T13:20:06.000Z</updated>
    <id>https://mlarson.org/2007/10/07/20071007952/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://images.salon.com/comics/boll/2007/10/04/boll/story.jpg&#34;&gt;Evolution of a Hip, Ironic Catchphrase: &amp;quot;Don&#39;t tase me, bro!&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Everybody Hurts: An Essential Guide to Emo Culture (review: 2/5)</title>
    <link href="https://mlarson.org/2007/10/07/20071007everybody-hurts-an-essential-guide-to-emo-culture-review-25/"/>
    <updated>2007-10-07T13:15:46.000Z</updated>
    <id>https://mlarson.org/2007/10/07/20071007everybody-hurts-an-essential-guide-to-emo-culture-review-25/</id>
    <content type="html">&lt;p&gt;I heard about &lt;a href=&#34;http://www.amazon.com/Everybody-Hurts-Essential-Guide-Culture/dp/0061195391&#34;&gt;Everybody Hurts: An Essential Guide to Emo Culture&lt;/a&gt; in &lt;a href=&#34;http://www.believermag.com/issues/200708/?read=article_selsberg&#34;&gt;Believer Magazine&lt;/a&gt; a while back. It&#39;s funny at times, with some good illustrations. I enjoyed being able to point to parts of the emo taxonomy and say &amp;quot;I know someone like that... and that guy... and that one...&amp;quot; And for the emo consumer, there&#39;s a pretty good round-up of what you should be listening to, where you should buy your clothes, etc. The writing is really chatty, though, and I couldn&#39;t help but feel that they were stretching to make a target word count.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2007</title>
    <link href="https://mlarson.org/2007/10/04/20071004949/"/>
    <updated>2007-10-04T21:47:25.000Z</updated>
    <id>https://mlarson.org/2007/10/04/20071004949/</id>
    <content type="html">&lt;p&gt;Michael Surtees has shared a &lt;a href=&#34;http://designnotes.info/?p=1142&#34;&gt;short recap&lt;/a&gt; and a great &lt;a href=&#34;http://www.flickr.com/photos/michaelsurtees/sets/72157602237414901/&#34;&gt;collection of photos of Alphabet/City&lt;/a&gt;, a &lt;a href=&#34;http://www.typography.com/ask/showBlog.php?blogID=10&#34;&gt;typographical tour of New York City&lt;/a&gt; led by &lt;a href=&#34;http://www.typography.com/&#34;&gt;Tobias Frere-Jones&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2007</title>
    <link href="https://mlarson.org/2007/10/04/20071004948/"/>
    <updated>2007-10-04T21:41:33.000Z</updated>
    <id>https://mlarson.org/2007/10/04/20071004948/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.streetmattress.com/sm.php&#34;&gt;Street Mattress collects photos of abandoned mattresses&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2007</title>
    <link href="https://mlarson.org/2007/10/04/20071004947/"/>
    <updated>2007-10-04T21:39:57.000Z</updated>
    <id>https://mlarson.org/2007/10/04/20071004947/</id>
    <content type="html">&lt;p&gt;Mozart once wrote a little party song titled &lt;a href=&#34;http://en.wikipedia.org/wiki/Lick_Me_in_the_Ass&#34;&gt;Leck mick im Arsch&lt;/a&gt;. Here&#39;s the &lt;a href=&#34;http://dme.mozarteum.at/DME/nma/nma_cont.php?vsep=93&amp;amp;gen=edition&amp;amp;p1=11&amp;amp;l=1&#34;&gt;score&lt;/a&gt;. [via &lt;a href=&#34;http://www.passionategeek.com/&#34;&gt;passionate geek&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 3, 2007</title>
    <link href="https://mlarson.org/2007/10/03/20071003946/"/>
    <updated>2007-10-03T19:47:10.000Z</updated>
    <id>https://mlarson.org/2007/10/03/20071003946/</id>
    <content type="html">&lt;p&gt;One of the latest &lt;a href=&#34;http://www.arthousecoop.com&#34;&gt;Art House&lt;/a&gt; projects is the &lt;a href=&#34;http://www.penpalpaintingexchange.com&#34;&gt;Pen Pal Painting Exchange&lt;/a&gt;. Six bucks lets you swap a canvas with ten other people (brush buddies?).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 3, 2007</title>
    <link href="https://mlarson.org/2007/10/03/20071003945/"/>
    <updated>2007-10-03T19:37:04.000Z</updated>
    <id>https://mlarson.org/2007/10/03/20071003945/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Haile_Gebrselassie&#34;&gt;Haile Gebrselassie&lt;/a&gt; set a new &lt;a href=&#34;http://en.wikipedia.org/wiki/Marathon_world_best_progression&#34;&gt;marathon record&lt;/a&gt; a couple days ago: 2:04:26. That&#39;s almost 13 miles an hour. &lt;strong&gt;Update:&lt;/strong&gt; Just to put this in perspective, the world&#39;s best sprinters average about 23-24 miles an hour during their few seconds of exertion. Gebrselassie was going half as fast, but 400 times the distance, and 700 times the duration. It blows my mind.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 3, 2007</title>
    <link href="https://mlarson.org/2007/10/03/20071003944/"/>
    <updated>2007-10-03T00:20:37.000Z</updated>
    <id>https://mlarson.org/2007/10/03/20071003944/</id>
    <content type="html">&lt;p&gt;Peter has written a &lt;a href=&#34;http://crushingkrisis.com/?p=3256&#34;&gt;lovely little piece about Radiohead&#39;s new album&lt;/a&gt;, &lt;a href=&#34;http://www.inrainbows.com/Store/Quickindex.html&#34;&gt;In Rainbows&lt;/a&gt;. Everybody and their mom has touched on the overthrow of the big labels and the utopian arrival of direct-to-ear music subscription, but I thought this was really perceptive:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;They can independently master their disc and shuttle straight to their service provider, with no studio interns to smuggle a pre-master or studio reps to swipe a final copy.&lt;/p&gt;
&lt;p&gt;Furthermore, fans get the music on RadioheadÄôs terms---not some nth generation digital-to-analog-to-digital transfer encoded to an MP3, but a direct-from-source version engineered to the bandÄôs specifications.&lt;/p&gt;
&lt;p&gt;It is, in a sense, the best possible leak.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>October 3, 2007</title>
    <link href="https://mlarson.org/2007/10/03/20071003943/"/>
    <updated>2007-10-03T00:05:39.000Z</updated>
    <id>https://mlarson.org/2007/10/03/20071003943/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://waldo.jaquith.org/blog/2007/09/nuclear-arsenal/&#34;&gt;Waldo Jaquith illustrates the size of our nuclear arsenal&lt;/a&gt;. Totally excessive. But it&#39;s great to see those numbers in a form that&#39;s more easy grok---like the links in my &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932ce4b06bff889130a6/1368232748739/?format=original&#34;&gt;sense of scale&lt;/a&gt; category.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 3, 2007</title>
    <link href="https://mlarson.org/2007/10/03/20071003942/"/>
    <updated>2007-10-03T00:01:14.000Z</updated>
    <id>https://mlarson.org/2007/10/03/20071003942/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://alanlnelson.typepad.com/seat_1a/2007/09/stephen-hawking.html&#34;&gt;Alan Nelson&lt;/a&gt; links to a &lt;a href=&#34;http://www.hawking.org.uk/lectures/lindex.html&#34;&gt;collection of Stephen Hawking&#39;s lectures and colloquia&lt;/a&gt;. Cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Moneyball: The Art of Winning an Unfair Game (review:3.5/5)</title>
    <link href="https://mlarson.org/2007/10/02/20071002moneyball-the-art-of-winning-an-unfair-game-review355/"/>
    <updated>2007-10-02T23:58:08.000Z</updated>
    <id>https://mlarson.org/2007/10/02/20071002moneyball-the-art-of-winning-an-unfair-game-review355/</id>
    <content type="html">&lt;p&gt;I&#39;m prone to reading phases, veering off on thematic streaks. Do other people do this? For example, in the past year I read through the Edward Tufte corpus pretty much back-to-back (reviewed &lt;a href=&#34;/mark-larson-1/2006/10/10/beautiful-evidence-review-455&#34;&gt;Beautiful Evidence&lt;/a&gt; and &lt;a href=&#34;/mark-larson-1/2006/10/19/envisioning-information-review-45&#34;&gt;Envisioning Information&lt;/a&gt;), all but one of Steven Johnson&#39;s (reviewed &lt;a href=&#34;/mark-larson-1/2006/11/27/the-ghost-map-review-45&#34;&gt;The Ghost Map&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2006/08/10/everything-bad-is-good-for-you-review-45&#34;&gt;Everything Bad Is Good for You&lt;/a&gt;), the Scott McCloud comics trilogy (&lt;a href=&#34;/mark-larson-1/2006/10/22/understanding-comics-review-455&#34;&gt;Understanding Comics&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2006/11/04/making-comics-review-455&#34;&gt;Making Comics&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2006/11/13/reinventing-comics-review-35&#34;&gt;Reinventing Comics&lt;/a&gt;), etc. I&#39;ve also had a religion/science kick and a language/grammar phase within the past year. So after wrapping up &lt;a href=&#34;http://en.wikipedia.org/wiki/Michael_Lewis_(author)&#34;&gt;Michael Lewis&lt;/a&gt;&#39; &lt;a href=&#34;/mark-larson-1/2007/09/22/the-blind-side-evolution-of-a-game-review-45&#34;&gt;The Blind Side&lt;/a&gt;, this weekend I finished his earlier book, &lt;a href=&#34;http://www.amazon.com/Moneyball-Art-Winning-Unfair-Game/dp/0393057658&#34;&gt;Moneyball: The Art of Winning an Unfair Game&lt;/a&gt;. The question at hand: &amp;quot;What is the most efficient way to spend money on baseball players?&amp;quot;&lt;/p&gt;
&lt;p&gt;The central character is the hands-on Oakland A&#39;s General Manager Billy Beane. His story---that of the gifted athlete adored by scouts who crumbles in the majors---sours him on old-school baseball scouting and management. Beane discards baseball&#39;s long heritage of subjectivity and gut instinct (e.g. &amp;quot;the &lt;a href=&#34;http://findarticles.com/p/articles/mi_m1208/is_n42_v219/ai_17603495&#34;&gt;good face&lt;/a&gt;&amp;quot;), and tries the objective, stat-crunching approach.&lt;/p&gt;
&lt;p&gt;Winding in and out of this story, Lewis explores the work of baseball writer &lt;a href=&#34;http://en.wikipedia.org/wiki/Bill_James&#34;&gt;Bill James&lt;/a&gt;, the roots of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Society_for_American_Baseball_Research&#34;&gt;Society for American Baseball Research&lt;/a&gt;, and touches on &lt;a href=&#34;http://en.wikipedia.org/wiki/Sabermetrics&#34;&gt;sabermetrics&lt;/a&gt;. If anything, I wish there were more numbers in this book. I would have loved to dig in to some tables and really follow the statistical arguments. But at its heart, Lewis&#39; book is not a peer-reviewed research article, but a story. A pretty good one.&lt;/p&gt;
&lt;p&gt;And as a tangential bonus, Lewis gives an little off-hand bit of writing wisdom: &amp;quot;If you write well enough about a single subject, even a subject seemingly as trivial as baseball statistics, you needn&#39;t write about anything else.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2007</title>
    <link href="https://mlarson.org/2007/10/01/20071001941/"/>
    <updated>2007-10-01T23:28:11.000Z</updated>
    <id>https://mlarson.org/2007/10/01/20071001941/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.vqronline.org/&#34;&gt;Virginia Quarterly Review&lt;/a&gt; probably gets about 10 billion submissions every year. On the VQR blog recently, they listed the &lt;a href=&#34;http://www.vqronline.org/blog/2007/09/17/top-ten-titles/&#34;&gt;most common titles&lt;/a&gt; among submissions they receive:&lt;/p&gt;
&lt;blockquote&gt;
&lt;ol&gt;
&lt;li&gt;Remember&lt;/li&gt;
&lt;li&gt;Smoke&lt;/li&gt;
&lt;li&gt;Revelation&lt;/li&gt;
&lt;li&gt;Work&lt;/li&gt;
&lt;li&gt;Grace&lt;/li&gt;
&lt;li&gt;Waiting&lt;/li&gt;
&lt;li&gt;Insomnia&lt;/li&gt;
&lt;li&gt;Voyeur&lt;/li&gt;
&lt;li&gt;Butterfly&lt;/li&gt;
&lt;li&gt;Reunion&lt;/li&gt;
&lt;/ol&gt;
&lt;/blockquote&gt;
&lt;p&gt;Remember, Grace, and Imsomnia are pretty standard (read:boring), I think, but the popularity of Voyeur and Butterfly took me by surprise. I wonder what percent of the total volume of submissions uses one of these titles, and I&#39;m curious about the distribution curve for words per title. Is the one-word title really that popular? What&#39;s the fixation?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2007</title>
    <link href="https://mlarson.org/2007/10/01/20071001940/"/>
    <updated>2007-10-01T23:14:46.000Z</updated>
    <id>https://mlarson.org/2007/10/01/20071001940/</id>
    <content type="html">&lt;p&gt;It&#39;s October, which means it&#39;s time for &lt;a href=&#34;http://www.acpinfo.org/&#34;&gt;Atlanta Celebrates Photography&lt;/a&gt;. Of particular interest to me is the &lt;a href=&#34;http://www.alecsoth.com/&#34;&gt;Alec Soth&lt;/a&gt; &lt;a href=&#34;http://www.acpinfo.org/?sec=11&amp;amp;sub=3&#34;&gt;lecture at the High Museum&lt;/a&gt; and the &lt;a href=&#34;http://www.acpinfo.org/?sec=11&amp;amp;sub=5&#34;&gt;film series&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2007</title>
    <link href="https://mlarson.org/2007/10/01/20071001939/"/>
    <updated>2007-10-01T18:02:48.000Z</updated>
    <id>https://mlarson.org/2007/10/01/20071001939/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=3CM6tNGd9Og&#34;&gt;An old commercial with the Flintstones advertising Winston cigarettes&lt;/a&gt;---&amp;quot;delivers flavor 20 times a pack!&amp;quot; Another good smokes commercial: &lt;a href=&#34;http://www.youtube.com/watch?v=gCMzjJjuxQI&#34;&gt;more doctors smoke camel than any other cigarette&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 30, 2007</title>
    <link href="https://mlarson.org/2007/09/30/20070930938/"/>
    <updated>2007-09-30T21:17:32.000Z</updated>
    <id>https://mlarson.org/2007/09/30/20070930938/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.wired.com/entertainment/hollywood/magazine/15-10/ff_bladerunner?currentPage=all&#34;&gt;interview with Ridley Scott&lt;/a&gt;, who has finally created the be-all, end-all cut of &lt;a href=&#34;http://en.wikipedia.org/wiki/Blade_Runner&#34;&gt;Blade Runner&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 30, 2007</title>
    <link href="https://mlarson.org/2007/09/30/20070930937/"/>
    <updated>2007-09-30T21:06:14.000Z</updated>
    <id>https://mlarson.org/2007/09/30/20070930937/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Robert_Jordan&#34;&gt;Robert Jordan&lt;/a&gt; died a couple weeks ago, which confirmed suspicions that he never was going to wrap up the &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Wheel_of_Time&#34;&gt;Wheel of Time&lt;/a&gt; saga. But apparently his family knows the details of the 12th and final book, &lt;a href=&#34;http://en.wikipedia.org/wiki/A_Memory_of_Light&#34;&gt;A Memory of Light&lt;/a&gt;, so we just might get some posthumous closure one of these days.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2007</title>
    <link href="https://mlarson.org/2007/09/28/20070928935/"/>
    <updated>2007-09-28T18:04:20.000Z</updated>
    <id>https://mlarson.org/2007/09/28/20070928935/</id>
    <content type="html">&lt;p&gt;Today&#39;s &lt;a href=&#34;http://layertennis.com/070928/&#34;&gt;Layer Tennis&lt;/a&gt; match between &lt;a href=&#34;http://bearskinrug.co.uk/&#34;&gt;Kevin Cornell&lt;/a&gt; and &lt;a href=&#34;http://www.shauninman.com/&#34;&gt;Shaun Inman&lt;/a&gt; has been a ton of fun. Volley 9 just went up, I&#39;d say Kevin has the upper hand. Can&#39;t wait to see how it ends. And I wonder if Kevin and Shaun have had any offline trash-talking in the background...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Flannery O&#39;Connor&#39;s androgynous prayer</title>
    <link href="https://mlarson.org/2007/09/27/20070927flannery-oconnors-androgynous-prayer/"/>
    <updated>2007-09-27T22:58:49.000Z</updated>
    <id>https://mlarson.org/2007/09/27/20070927flannery-oconnors-androgynous-prayer/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1450830422/&#34;&gt;&lt;img src=&#34;http://farm2.static.flickr.com/1316/1450830422_a93d96c1d6.jpg&#34; alt=&#34;&#34;&gt;&lt;/a&gt; Written on the back of a credit card slip:&lt;/p&gt;
&lt;p&gt;&amp;quot;Oh universe which is the all of being---reverence to you---your rule be known---and acceded to in darkness as in light. Feed us by the truth of our need. Let us not be deluded that we may transgress or be transgressed upon. Deliver us from the violence of the false. Amen.&amp;quot;&lt;/p&gt;
&lt;p&gt;Sounds good to me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2007</title>
    <link href="https://mlarson.org/2007/09/27/20070927934/"/>
    <updated>2007-09-27T22:50:18.000Z</updated>
    <id>https://mlarson.org/2007/09/27/20070927934/</id>
    <content type="html">&lt;p&gt;&amp;quot;Last year, at dinner with a spitzer of art-history graduates, I suggestedÄîperhaps that is too polite a wordÄîthat &lt;a href=&#34;http://vunex.blogspot.com/2007/09/humanism-and-virtue-of-anxiety.html&#34;&gt;art-history, and in fact the rest of the humanities, were useless disciplines&lt;/a&gt;. (I was bored!)&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The letters of Flannery O&#39;Connor and Betty Hester</title>
    <link href="https://mlarson.org/2007/09/27/20070927letters-flannery-oconnor-betty-hester/"/>
    <updated>2007-09-27T22:45:31.000Z</updated>
    <id>https://mlarson.org/2007/09/27/20070927letters-flannery-oconnor-betty-hester/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://web.library.emory.edu/inquiry/oconnor/&#34;&gt;Emory University held a Flannery O&#39;Connor celebration&lt;/a&gt; this week. The highlight was the first public exhibition of the nearly 300 letters between &lt;a href=&#34;http://en.wikipedia.org/wiki/Flannery_O&#39;Connor&#34;&gt;Flannery O&#39;Connor&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Betty_Hester&#34;&gt;Betty Hester&lt;/a&gt;, which had been under seal for the past 20 years. &lt;a href=&#34;http://www.pba.org/programming/programs/lexusleader/512/&#34;&gt;Brenda Bynum&lt;/a&gt; gave a dramatic reading of O&#39;Connor&#39;s letters. I was late for it, unfortunately, but what I saw was fantastic. In addition, lots of good material from her life is on display at Woodruff Library. Letters, notes, photographs, and things like &lt;a href=&#34;http://www.flickr.com/photos/marklarson/1449969021/&#34;&gt;her complaints about the cover&lt;/a&gt; chosen for &lt;a href=&#34;http://www.amazon.com/Good-Hard-Find-Other-Stories/dp/0156364654&#34;&gt;A Good Man Is Hard to Find&lt;/a&gt;. I love it when schools do things well. Bonus: Georgia Public Broadcasting had a &lt;a href=&#34;http://www.gpb.org/sota/watch.html&#34;&gt;show about O&#39;Connor&lt;/a&gt; in August. And earlier this year &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=10154699&#34;&gt;NPR talked with Steve Enniss&lt;/a&gt;, the director of the Manuscript, Archives, and Rare Book Library, about the O&#39;Connor--Hester relationship.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2007</title>
    <link href="https://mlarson.org/2007/09/27/20070927931/"/>
    <updated>2007-09-27T19:25:20.000Z</updated>
    <id>https://mlarson.org/2007/09/27/20070927931/</id>
    <content type="html">&lt;p&gt;I love me a good &lt;a href=&#34;http://www.urbandictionary.com/define.php?term=disco+nap&#34;&gt;disco nap&lt;/a&gt;. [via &lt;a href=&#34;http://www.43folders.com/&#34;&gt;43folders&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 27, 2007</title>
    <link href="https://mlarson.org/2007/09/27/20070927930/"/>
    <updated>2007-09-27T19:23:31.000Z</updated>
    <id>https://mlarson.org/2007/09/27/20070927930/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Bonobo&#34;&gt;Bonobos&lt;/a&gt; are in the &lt;a href=&#34;http://news.google.com/news?&amp;amp;q=bonobos&#34;&gt;news&lt;/a&gt; again. A while back there was a an article about &lt;a href=&#34;http://www.newyorker.com/reporting/2007/07/30/070730fa_fact_parker&#34;&gt;bonobos in the New Yorker&lt;/a&gt;. And in the current issue of The Believer, an &lt;a href=&#34;http://www.believermag.com/issues/200709/?read=interview_dewaal&#34;&gt;interview with primatologist Frans de Waal&lt;/a&gt;, who is gently criticized in the New Yorker article. It&#39;s a good read, aside from lousy economics in the third section. The best part of the interview touches on moral emotions, and what we misconceive about morality &amp;amp; Darwinism. De Waal makes the distinction:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;WeÄôve been fed a bogus ÄúDarwinianÄù position for thirty years, one that confuses the way evolution works with the things that evolution produces. Because the way evolution works, yesÄîitÄôs a nasty process. Evolution works by eliminating those who are not successful. Natural selection is a process that cares only about your own reproduction, or gene replication, and everything else is irrelevant. But then what natural selection produces is extremely variable. Natural selection can produce the social indifference you find in many solitary animals. But it can also produce extremely cooperative, friendly, and empathic characteristics.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2007</title>
    <link href="https://mlarson.org/2007/09/26/20070926929/"/>
    <updated>2007-09-26T22:18:36.000Z</updated>
    <id>https://mlarson.org/2007/09/26/20070926929/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://speakingoffaith.publicradio.org/programs/play/audiogallery/soundseen.shtml#slideshow&#34;&gt;A polar bear plays with a husky&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2007</title>
    <link href="https://mlarson.org/2007/09/26/20070926928/"/>
    <updated>2007-09-26T22:16:38.000Z</updated>
    <id>https://mlarson.org/2007/09/26/20070926928/</id>
    <content type="html">&lt;p&gt;H.L. Mencken: &amp;quot;&lt;a href=&#34;http://www.thesmartset.com/article/article09190704.aspx&#34;&gt;I never lecture, not because I am shy or a bad speaker, but simply because I detest the sort of people who go to lectures and donÄôt want to meet them&lt;/a&gt;.Äù&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2007</title>
    <link href="https://mlarson.org/2007/09/26/20070926927/"/>
    <updated>2007-09-26T22:02:51.000Z</updated>
    <id>https://mlarson.org/2007/09/26/20070926927/</id>
    <content type="html">&lt;p&gt;We&#39;ve got a new batch of &lt;a href=&#34;http://www.macfound.org/site/c.lkLXJ8MQKrH/b.2913817/k.3EC5/2007_Overview.htm&#34;&gt;MacArthur Fellows&lt;/a&gt;. I&#39;d never heard of most of the fellows, which is great. But I am familiar with two of them. &lt;a href=&#34;http://en.wikipedia.org/wiki/Stuart_Dybek&#34;&gt;Stuart Dybek&lt;/a&gt; bowled me over with his short story that I&#39;ve probably mentioned a million times, &lt;a href=&#34;http://www.newyorker.com/fiction/features/2007/07/09/070709fi_fiction_dybek&#34;&gt;If I Vanished&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Dawn_Upshaw&#34;&gt;Dawn Upshaw&lt;/a&gt; is a very good soprano. She sang in Atlanta last year in &lt;a href=&#34;http://en.wikipedia.org/wiki/Ainadamar&#34;&gt;Ainadamar&lt;/a&gt;, an opera &lt;a href=&#34;http://www.accessatlanta.com/blogs/content/shared-blogs/accessatlanta/reviews/entries/2005/11/10/aso_performs_go.html&#34;&gt;performed with the Atlanta Symphony Orchestra&lt;/a&gt; in 2006. Alex Ross wrote a &lt;a href=&#34;http://www.therestisnoise.com/2004/04/osvaldo_golijov.html&#34;&gt;review of the 2003 premiere&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2007</title>
    <link href="https://mlarson.org/2007/09/26/20070926926/"/>
    <updated>2007-09-26T18:40:26.000Z</updated>
    <id>https://mlarson.org/2007/09/26/20070926926/</id>
    <content type="html">&lt;p&gt;I&#39;d never heard of &lt;a href=&#34;http://en.wikipedia.org/wiki/Gustave_Caillebotte&#34;&gt;Gustave Caillebotte&lt;/a&gt; until a couple days ago, when I was floored by &lt;a href=&#34;http://www.culturevulture.net/ArtAndArch/images/parisfloorscrapers.jpg&#34;&gt;The Floor Scrapers&lt;/a&gt;. That painting has some wonderful attention to light and texture.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2007</title>
    <link href="https://mlarson.org/2007/09/25/20070925925/"/>
    <updated>2007-09-25T06:35:13.000Z</updated>
    <id>https://mlarson.org/2007/09/25/20070925925/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.wikimindmap.org/&#34;&gt;Wikimindmap&lt;/a&gt; maps out the subtopics and links in Wikipedia articles. A little slow, but very cool. [via &lt;a href=&#34;http://dd.dynamicdiagrams.com/&#34;&gt;idw&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2007</title>
    <link href="https://mlarson.org/2007/09/24/20070924924/"/>
    <updated>2007-09-24T22:45:16.000Z</updated>
    <id>https://mlarson.org/2007/09/24/20070924924/</id>
    <content type="html">&lt;p&gt;These &lt;a href=&#34;http://www.experimentadesign.pt/designwise/eng/colec/couple.htm&#34;&gt;bed sheets&lt;/a&gt; have markings to let couples know who is hogging.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Bloodletting &amp;amp; Miraculous Cures (review: dnf)</title>
    <link href="https://mlarson.org/2007/09/24/20070924bloodletting-miraculous-cures-review-dnf/"/>
    <updated>2007-09-24T22:34:14.000Z</updated>
    <id>https://mlarson.org/2007/09/24/20070924bloodletting-miraculous-cures-review-dnf/</id>
    <content type="html">&lt;p&gt;I love the cover of &lt;a href=&#34;http://www.amazon.com/Bloodletting-Miraculous-Cures-Vincent-Lam/dp/1602860009/&#34;&gt;Bloodletting &amp;amp; Miraculous Cures: Stories&lt;/a&gt;. That&#39;s what made me pick it up, and that&#39;s what I&#39;ll remember best about this book. As for the contents, I pushed beyond the first couple of awkward and disappointing pages, enjoyed myself off and on past the half-way point, and then just didn&#39;t want to read it anymore. The stories were kind of interesting, the writing wasn&#39;t.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2007</title>
    <link href="https://mlarson.org/2007/09/24/20070924922/"/>
    <updated>2007-09-24T18:59:00.000Z</updated>
    <id>https://mlarson.org/2007/09/24/20070924922/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.philly.com/inquirer/magazine/20070919_The___-__is_25__inventor_tells_how_it_was_born.html&#34;&gt;The :-) emoticon is now 25 years old&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2007</title>
    <link href="https://mlarson.org/2007/09/24/20070924921/"/>
    <updated>2007-09-24T18:41:40.000Z</updated>
    <id>https://mlarson.org/2007/09/24/20070924921/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://a.wholelottanothing.org/2007/09/14/word-of-the-day-that-i-made-up/&#34;&gt;Clothundrum&lt;/a&gt;, noun.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2007</title>
    <link href="https://mlarson.org/2007/09/24/20070924920/"/>
    <updated>2007-09-24T18:21:48.000Z</updated>
    <id>https://mlarson.org/2007/09/24/20070924920/</id>
    <content type="html">&lt;p&gt;BBC has a set of &lt;a href=&#34;http://www.bbc.co.uk/bbcfour/audiointerviews/profilepages/adamsa1.shtml&#34;&gt;recordings of Ansel Adams talking about his work&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2007</title>
    <link href="https://mlarson.org/2007/09/23/20070923919/"/>
    <updated>2007-09-23T01:28:48.000Z</updated>
    <id>https://mlarson.org/2007/09/23/20070923919/</id>
    <content type="html">&lt;p&gt;The Guardian has collected some of the &lt;a href=&#34;http://www.guardian.co.uk/greatinterviews&#34;&gt;great interviews of the 20th century&lt;/a&gt;, featuring &lt;a href=&#34;http://www.guardian.co.uk/greatinterviews/story/0,,2155560,00.html&#34;&gt;Fidel Castro&lt;/a&gt;, &lt;a href=&#34;http://www.guardian.co.uk/greatinterviews/story/0,,2155615,00.html&#34;&gt;Marilyn Monroe&lt;/a&gt;, the &lt;a href=&#34;http://www.guardian.co.uk/greatinterviews/story/0,,2155028,00.html&#34;&gt;Sex Pistols&lt;/a&gt;, &lt;a href=&#34;http://www.unix-ag.uni-kl.de/~moritz/Archive/malcolmx/malcolmx.playboy.pdf&#34;&gt;Malcolm X&lt;/a&gt; (pdf), &lt;a href=&#34;http://www.guardian.co.uk/greatinterviews/story/0,,2154887,00.html&#34;&gt;Marlon Brando&lt;/a&gt;, and more. Each of the interviews also has an accompanying essay to explain the context and historical significance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2007</title>
    <link href="https://mlarson.org/2007/09/23/20070923918/"/>
    <updated>2007-09-23T01:17:27.000Z</updated>
    <id>https://mlarson.org/2007/09/23/20070923918/</id>
    <content type="html">&lt;p&gt;Someone took fantastic &lt;a href=&#34;http://docs.google.com/View?docid=djh5nsv_7g4bhzr&amp;amp;pli=1&#34;&gt;notes from an Edward Tufte seminar&lt;/a&gt; last month in Chicago.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2007</title>
    <link href="https://mlarson.org/2007/09/23/20070923917/"/>
    <updated>2007-09-23T00:49:55.000Z</updated>
    <id>https://mlarson.org/2007/09/23/20070923917/</id>
    <content type="html">&lt;p&gt;There is a ton of &lt;a href=&#34;http://www.singinst.org/media/singularitysummit2007&#34;&gt;recordings from the 2007 Singularity Summit&lt;/a&gt;, featuring all the speakers and panels. [via &lt;a href=&#34;http://justinblanton.com/&#34;&gt;justin&lt;/a&gt;, of course]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 23, 2007</title>
    <link href="https://mlarson.org/2007/09/23/20070923916/"/>
    <updated>2007-09-23T00:43:13.000Z</updated>
    <id>https://mlarson.org/2007/09/23/20070923916/</id>
    <content type="html">&lt;p&gt;Khoi Vinh made a &lt;a href=&#34;http://www.subtraction.com/archives/2007/0918_think_like_a.php&#34;&gt;flowchart for how his dog thinks&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Blind Side: Evolution of a Game (review: 4/5)</title>
    <link href="https://mlarson.org/2007/09/22/20070922the-blind-side-evolution-of-a-game-review-45/"/>
    <updated>2007-09-22T11:37:58.000Z</updated>
    <id>https://mlarson.org/2007/09/22/20070922the-blind-side-evolution-of-a-game-review-45/</id>
    <content type="html">&lt;p&gt;I have never cared that much about football. Playing can be a blast, but I never watch it and I have only a vague sense of when the college &amp;amp; pro seasons begin. So, I was surprised that I enjoyed this book so much. &lt;a href=&#34;http://www.amazon.com/Blind-Side-Evolution-Game/dp/039306123X&#34;&gt;The Blind Side: Evolution of a Game&lt;/a&gt; has a couple of stories going on. One, it&#39;s about the evolution of football. And it&#39;s also about race and class in America. &lt;a href=&#34;http://en.wikipedia.org/wiki/Michael_Lewis_(author)&#34;&gt;Michael Lewis&lt;/a&gt; starts with the evolution of the NFL strategy and the market for players. The NFL has roots as a rushing game, but later changes in official rules and informal bias led to the rise of passing and the notable &lt;a href=&#34;http://en.wikipedia.org/wiki/West_Coast_offense&#34;&gt;West Coast offense&lt;/a&gt;. The new passing offense of the NFL befuddled some observers---quarterbacks thought to be below-average were able to perform well beyond expectations. And great quarterbacks, even better. It was the system, with all the right parts in place, that made it all work.&lt;/p&gt;
&lt;p&gt;With passing as the preeminent strategy, you need premium quarterbacks. And with high-value quarterbacks, the opposition fields players (e.g. &lt;a href=&#34;http://en.wikipedia.org/wiki/Lawrence_Taylor&#34;&gt;Lawrence Taylor&lt;/a&gt;) who want to destroy those quarterbacks. Which means that the formerly hum-drum role of &lt;a href=&#34;http://en.wikipedia.org/wiki/Tackle_(American_football_position)&#34;&gt;left tackle&lt;/a&gt; becomes essential, as the protector of the quarterback&#39;s blind side. And the demand in the NFL trickles down through college and into the high school level.&lt;/p&gt;
&lt;p&gt;Enter &lt;a href=&#34;http://en.wikipedia.org/wiki/Michael_Oher&#34;&gt;Michael Oher&lt;/a&gt;, one of the top left tackle prospects in years. Explosive, nimble, flexible. Oh, and also 6&#39;6&amp;quot; and 322lbs. But he could have been stereotypical fall-out of inner city neglect. He was one of 13 kids with no father raised by a junkie mother in a blighted, predominantly black area of Memphis. Not good, all too common. But, through happenstance he got connected with a white family with money, social connections, high expectations, and a deep, abiding love---a social version of the West Coast offense. A potential statistic becomes a potential star.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Book on the Bookshelf (review: 4/5)</title>
    <link href="https://mlarson.org/2007/09/21/20070921the-book-on-the-bookshelf-review-45/"/>
    <updated>2007-09-21T06:21:45.000Z</updated>
    <id>https://mlarson.org/2007/09/21/20070921the-book-on-the-bookshelf-review-45/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Book-Bookshelf-Henry-Petroski/dp/0375406492&#34;&gt;The Book on the Bookshelf&lt;/a&gt; is a book about books... and shelving. If that doesn&#39;t catch your attention, then there&#39;s no hope. I&#39;ve lost you already. It&#39;s a study of part of our relationship with books, the ways we created, studied, shared, and stored them. &lt;a href=&#34;http://en.wikipedia.org/wiki/Henry_Petroski&#34;&gt;Henry Petroski&lt;/a&gt; touches on developments in bookbinding, the evolution of outward-facing spines, and the history &lt;a href=&#34;http://en.wikipedia.org/wiki/Chained_library&#34;&gt;chained books&lt;/a&gt;, among other things.&lt;/p&gt;
&lt;p&gt;I love the research that Petroski did. In many of the chapters scrutinizes old photographs, architecture, and especially the illustrations that can be found in old books---Renaissance scholars in their studies, Medieval monks in their libraries, etc.. How big are the books? How are they bound? How are they physically organized? How do they lay? A book is both a container of information and itself a piece of historical evidence. Pretty cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 21, 2007</title>
    <link href="https://mlarson.org/2007/09/21/20070921914/"/>
    <updated>2007-09-21T06:21:23.000Z</updated>
    <id>https://mlarson.org/2007/09/21/20070921914/</id>
    <content type="html">&lt;p&gt;Meredith Gran, creator of the &lt;a href=&#34;http://www.octopuspie.com/&#34;&gt;Octopus Pie&lt;/a&gt; webcomic, has a &lt;a href=&#34;http://www.youtube.com/watch?v=JTlB-KVkqM4&#34;&gt;time-lapse video of her cartooning process&lt;/a&gt;. [via &lt;a href=&#34;http://crushingkrisis.com/&#34;&gt;crushing krisis&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 20, 2007</title>
    <link href="https://mlarson.org/2007/09/20/20070920913/"/>
    <updated>2007-09-20T06:33:34.000Z</updated>
    <id>https://mlarson.org/2007/09/20/20070920913/</id>
    <content type="html">&lt;p&gt;Over in &lt;a href=&#34;http://en.wikipedia.org/wiki/Athens,_Georgia&#34;&gt;Athens, Georgia&lt;/a&gt; you can find the &lt;a href=&#34;http://en.wikipedia.org/wiki/Tree_That_Owns_Itself&#34;&gt;Tree That Owns Itself&lt;/a&gt; [via &lt;a href=&#34;http://www.armstrongcircus.com/&#34;&gt;paul armstrong&lt;/a&gt;]. See also the &lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_famous_trees&#34;&gt;list of famous trees&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2007</title>
    <link href="https://mlarson.org/2007/09/19/20070919912/"/>
    <updated>2007-09-19T23:09:00.000Z</updated>
    <id>https://mlarson.org/2007/09/19/20070919912/</id>
    <content type="html">&lt;p&gt;Joe Clark has written an impressive, in-depth article that explores of the &lt;a href=&#34;http://joeclark.org/appearances/atypi/2007/TTC/inscribed/&#34;&gt;(mis)use of typography in the Toronto subway system&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2007</title>
    <link href="https://mlarson.org/2007/09/19/20070919911/"/>
    <updated>2007-09-19T22:45:57.000Z</updated>
    <id>https://mlarson.org/2007/09/19/20070919911/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/jimbo_wales/906624219/&#34;&gt;You have been warned that you will not be warned&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2007</title>
    <link href="https://mlarson.org/2007/09/19/20070919910/"/>
    <updated>2007-09-19T22:44:45.000Z</updated>
    <id>https://mlarson.org/2007/09/19/20070919910/</id>
    <content type="html">&lt;p&gt;A cool project from the mind of &lt;a href=&#34;http://www.personism.com/&#34;&gt;Jen Bekman&lt;/a&gt;: &lt;a href=&#34;http://www.20x200.com/&#34;&gt;20x200&lt;/a&gt; is &amp;quot;a place to buy editioned prints and photos at ridiculously affordable prices.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 18, 2007</title>
    <link href="https://mlarson.org/2007/09/18/20070918909/"/>
    <updated>2007-09-18T18:56:29.000Z</updated>
    <id>https://mlarson.org/2007/09/18/20070918909/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Brian_Dettmer&#34;&gt;Brian Dettmer&lt;/a&gt; dissects books, as you can see in this &lt;a href=&#34;http://www.aronpacker.com/dettmer/dettmer.html&#34;&gt;gallery&lt;/a&gt; and &lt;a href=&#34;http://www.haydeerovirosa.com/index.php?modus_id=1&amp;amp;page_id=44&amp;amp;type_id=1&#34;&gt;another gallery&lt;/a&gt;. Pretty cool work. The technique is all scalpels and tweezers, only removing and digging deeper, never re-arranging. [via &lt;a href=&#34;http://deeplinking.net/&#34;&gt;deeplinking&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 18, 2007</title>
    <link href="https://mlarson.org/2007/09/18/20070918908/"/>
    <updated>2007-09-18T18:48:04.000Z</updated>
    <id>https://mlarson.org/2007/09/18/20070918908/</id>
    <content type="html">&lt;p&gt;Todd Klein has written a 5-part series on the evolution of the Batman logo: &lt;a href=&#34;http://kleinletters.com/Blog/?p=237&#34;&gt;one&lt;/a&gt; &lt;a href=&#34;http://kleinletters.com/Blog/?p=250&#34;&gt;two&lt;/a&gt; &lt;a href=&#34;http://kleinletters.com/Blog/?p=267&#34;&gt;three&lt;/a&gt; &lt;a href=&#34;http://kleinletters.com/Blog/?p=277&#34;&gt;four&lt;/a&gt; &lt;a href=&#34;http://kleinletters.com/Blog/?p=288&#34;&gt;five&lt;/a&gt;. [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The 4 Hour Workweek (review: 3/5)</title>
    <link href="https://mlarson.org/2007/09/18/20070918the-4-hour-workweek-review-35/"/>
    <updated>2007-09-18T18:43:05.000Z</updated>
    <id>https://mlarson.org/2007/09/18/20070918the-4-hour-workweek-review-35/</id>
    <content type="html">&lt;p&gt;Good book. I &lt;a href=&#34;/mark-larson-1/2007/08/22/854&#34;&gt;posted a while ago&lt;/a&gt; about my initial doubts and then how excited I became about this book as I began to read it. It all turned out fairly well, though I think the glow is gone. Despite the hokey title, &lt;a href=&#34;http://www.amazon.com/4-Hour-Workweek-Escape-Live-Anywhere/dp/0307353133&#34;&gt;4-Hour Workweek: Escape 9-5, Live Anywhere, and Join the New Rich&lt;/a&gt; seems to be pretty well grounded. It isn&#39;t so much about the nuts and bolts of financial managment---you won&#39;t find a lot of financial info about IRAs or 529 plans or whatever. It&#39;s more about what author &lt;a href=&#34;http://www.fourhourworkweek.com/&#34;&gt;Tim Ferriss&lt;/a&gt; calls lifestyle design. Here&#39;s how it boils down:&lt;/p&gt;
&lt;p&gt;Find ways to minimize interruptions and maximize time for what you want. Don&#39;t stay in a crappy job. Don&#39;t wait to retire---take mini-retirements along the way. Start a business selling products online. Outsource or automate most of the business. Use currency arbitrage to live well elsewhere.&lt;/p&gt;
&lt;p&gt;The business side all sounds easy enough---and he lays out the steps pretty clearly---but as with most of these schemes, the magic doesn&#39;t happen until you... y&#39;know... actually do the work. The sections on respecting and maximizing your productive time are solid, though. Those are the parts that got me the most excited, and probably the most worth re-visiting.&lt;/p&gt;
&lt;p&gt;If I have one reservation, it&#39;s Ferriss&#39; nonchalance about lying. It has to be at least a half-dozen times that he suggests prevaricating to some degree, whether it&#39;s used to avoid interruptions, to work from home or elsewhere, or to take some other step towards the long-term goal in lifestyle design. I don&#39;t mean to taint his character---I don&#39;t think he&#39;s dishonest---but to someone like me who prefers to just shoot straight, it seems like careless advice.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 18, 2007</title>
    <link href="https://mlarson.org/2007/09/18/20070918907/"/>
    <updated>2007-09-18T18:33:29.000Z</updated>
    <id>https://mlarson.org/2007/09/18/20070918907/</id>
    <content type="html">&lt;p&gt;I like these &lt;a href=&#34;http://www.flickr.com/photos/kmasback/sets/72157600095411790/&#34;&gt;etymology drawings&lt;/a&gt;---personal, visual explorations of where the words came from. I think &lt;a href=&#34;http://www.flickr.com/photos/kmasback/475865305/&#34;&gt;idiom&lt;/a&gt; is my favorite.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 18, 2007</title>
    <link href="https://mlarson.org/2007/09/18/20070918906/"/>
    <updated>2007-09-18T18:28:50.000Z</updated>
    <id>https://mlarson.org/2007/09/18/20070918906/</id>
    <content type="html">&lt;p&gt;I wish I was going to &lt;a href=&#34;http://www.vizthink.com/&#34;&gt;VizThink &#39;08&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2007</title>
    <link href="https://mlarson.org/2007/09/17/20070917905/"/>
    <updated>2007-09-17T06:24:54.000Z</updated>
    <id>https://mlarson.org/2007/09/17/20070917905/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://coudal.com/tennis/&#34;&gt;Layer Tennis&lt;/a&gt; is coming: &amp;quot;Two artists (or two small teams of artists) will swap a file back and forth in real-time, adding to and embellishing the work. Each artist gets fifteen minutes to complete a &amp;quot;volley&amp;quot; and then we post that to the site. A third participant, a writer, provides play-by-play commentary on the action, as it happens. The matches last for ten volleys and when it&#39;s complete, everyone visiting the site votes for a winner.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2007</title>
    <link href="https://mlarson.org/2007/09/17/20070917904/"/>
    <updated>2007-09-17T06:21:33.000Z</updated>
    <id>https://mlarson.org/2007/09/17/20070917904/</id>
    <content type="html">&lt;p&gt;For some reason I got to thinking about one of my favorite Seinfeld dialogues this morning. From the &lt;a href=&#34;http://www.seinfeldscripts.com/MaleUnbonding.htm&#34;&gt;Male Unbonding&lt;/a&gt; episode:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;ELAINE: Come on, let&#39;s go do something. I don&#39;t want to just sit around here.&lt;/p&gt;
&lt;p&gt;JERRY: Okay.&lt;/p&gt;
&lt;p&gt;ELAINE: Want to go get something to eat?&lt;/p&gt;
&lt;p&gt;JERRY: Where do you want to go?&lt;/p&gt;
&lt;p&gt;ELAINE: I don&#39;t care, I&#39;m not hungry.&lt;/p&gt;
&lt;p&gt;JERRY: We could go to one of those cappuccino places. They let you just sit there.&lt;/p&gt;
&lt;p&gt;ELAINE: What are we gonna do there? Talk?&lt;/p&gt;
&lt;p&gt;JERRY: We can talk.&lt;/p&gt;
&lt;p&gt;ELAINE: I&#39;ll go if I don&#39;t have to talk.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2007</title>
    <link href="https://mlarson.org/2007/09/14/20070914903/"/>
    <updated>2007-09-14T06:31:17.000Z</updated>
    <id>https://mlarson.org/2007/09/14/20070914903/</id>
    <content type="html">&lt;p&gt;A pretty good &lt;a href=&#34;http://www.adlininc.com/uxpioneers/home_feature/interview_seth_godin&#34;&gt;interview with Seth Godin&lt;/a&gt;. &amp;quot;The thing is, the stuff that&#39;s for everybody is already sold to everybody. So you can&#39;t win by being more average than average, because that slot&#39;s taken.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 14, 2007</title>
    <link href="https://mlarson.org/2007/09/14/20070914902/"/>
    <updated>2007-09-14T06:26:49.000Z</updated>
    <id>https://mlarson.org/2007/09/14/20070914902/</id>
    <content type="html">&lt;p&gt;You can now buy the &lt;a href=&#34;http://personalmba.com/recommended-business-books/&#34;&gt;Personal MBA Recommended Reading List&lt;/a&gt; in one &lt;a href=&#34;http://personalmba.com/recommended-business-books/#motherlode&#34;&gt;motherlode&lt;/a&gt; from Amazon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2007</title>
    <link href="https://mlarson.org/2007/09/13/20070913901/"/>
    <updated>2007-09-13T06:23:35.000Z</updated>
    <id>https://mlarson.org/2007/09/13/20070913901/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.guardian.co.uk/weekend/story/0,3605,663391,00.html&#34;&gt;Ian Belcher writes about a week at a colonic spa&lt;/a&gt;, with a daily regimen of herbal pills and self-administered enemas. [via &lt;a href=&#34;http://tewalkerjr.com/blog/&#34;&gt;tim walker&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 11, 2007</title>
    <link href="https://mlarson.org/2007/09/11/20070911900/"/>
    <updated>2007-09-11T22:22:54.000Z</updated>
    <id>https://mlarson.org/2007/09/11/20070911900/</id>
    <content type="html">&lt;p&gt;I was doing a little reading on &lt;a href=&#34;http://en.wikipedia.org/wiki/William_Carlos_Williams&#34;&gt;William Carlos Williams&lt;/a&gt; and stumbled on the &lt;a href=&#34;http://www.writing.upenn.edu/pennsound/&#34;&gt;PennSound&lt;/a&gt; archives. They feature a page full of &lt;a href=&#34;http://www.writing.upenn.edu/pennsound/x/Williams-WC.html&#34;&gt;recordings from Williams&#39; poetry readings&lt;/a&gt;, as well as many other writers. I don&#39;t claim to recognize more than a handful of the names, but they&#39;ve got volume. At the very least, their &lt;a href=&#34;http://writing.upenn.edu/pennsound/manifesto.html&#34;&gt;manifesto&lt;/a&gt; is pretty great.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 11, 2007</title>
    <link href="https://mlarson.org/2007/09/11/20070911899/"/>
    <updated>2007-09-11T22:11:59.000Z</updated>
    <id>https://mlarson.org/2007/09/11/20070911899/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.helveticafilm.com/&#34;&gt;Helvetica&lt;/a&gt; is finally coming to Atlanta in November, courtesy of &lt;a href=&#34;http://www.aiga-atl.org/event.jsp?navigation=13&amp;amp;content=327&#34;&gt;AIGA-Atlanta&lt;/a&gt;. The screening will be at the Rich Theatre in the Woodruff Arts Center, followed by a conversation with &lt;a href=&#34;http://www.helveticafilm.com/director.html&#34;&gt;director Gary Hustwit&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Galileo&#39;s sunspot illustrations</title>
    <link href="https://mlarson.org/2007/09/10/20070910galileos-sunspot-illustrations/"/>
    <updated>2007-09-10T21:40:12.000Z</updated>
    <id>https://mlarson.org/2007/09/10/20070910galileos-sunspot-illustrations/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1357774720/&#34;&gt;&lt;img src=&#34;http://farm2.static.flickr.com/1284/1357774720_e25d226c22.jpg&#34; alt=&#34;Galileo&#39;s sunspot illustrations in a 6x6 mosaic&#34;&gt;&lt;/a&gt; Back in the summer of 1612, &lt;a href=&#34;http://en.wikipedia.org/wiki/Galileo_Galilei&#34;&gt;Galileo&lt;/a&gt; did a series of daily observations of the sun. His illustrations were reproduced in his &lt;a href=&#34;http://rarebookroom.org/Control/galsol/index.html&#34;&gt;Letters on Sunspots&lt;/a&gt; of 1613. The work, part of an ongoing scientific battle with &lt;a href=&#34;http://en.wikipedia.org/wiki/Christoph_Scheiner&#34;&gt;Christoph Scheiner&lt;/a&gt;, settled a lot of the &lt;a href=&#34;http://galileo.rice.edu/sci/observations/sunspots.html&#34;&gt;contemporary debate on sunspots&lt;/a&gt;, killing the idea that the sun had minor satellites and proving our universe just a bit more imperfect.&lt;/p&gt;
&lt;p&gt;My weekend project: I took those 35 drawings and put them into a big &lt;a href=&#34;http://www.flickr.com/photos/marklarson/1357774720/&#34;&gt;mosaic of sunspots&lt;/a&gt;.1 Sort of a comic strip approach. Not as dynamic as a movie, but then again I can&#39;t frame a movie and mount it on my wall. If you&#39;re so inclined, I also have a giant sunspot mosaic PDF to share with you---20 inches on a side. I had a ton of fun with this thing.&lt;/p&gt;
&lt;p&gt;--------- 1. The original scans came from the rare book collection of &lt;a href=&#34;http://en.wikipedia.org/wiki/Owen_Gingerich&#34;&gt;Owen Gingerich&lt;/a&gt; via &lt;a href=&#34;http://galileo.rice.edu/sci/observations/sunspot_drawings.html&#34;&gt;The Galileo Project&lt;/a&gt;. Dr. Gingerich was also kind enough to spare a few minutes on the telephone. Great guy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 10, 2007</title>
    <link href="https://mlarson.org/2007/09/10/20070910897/"/>
    <updated>2007-09-10T06:26:17.000Z</updated>
    <id>https://mlarson.org/2007/09/10/20070910897/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.gapingvoid.com/Moveable_Type/archives/000932.html&#34;&gt;How to Be Creative&lt;/a&gt;, &lt;a href=&#34;http://www.gapingvoid.com/&#34;&gt;Gaping Void&lt;/a&gt;&#39;s long philosophical article on life, money, art, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Constrained writing</title>
    <link href="https://mlarson.org/2007/09/09/20070909constrained-writing/"/>
    <updated>2007-09-09T08:38:02.000Z</updated>
    <id>https://mlarson.org/2007/09/09/20070909constrained-writing/</id>
    <content type="html">&lt;p&gt;The other day I hacked &lt;a href=&#34;/mark-larson-1/2007/09/09/fibonacci-skit&#34;&gt;a little skit&lt;/a&gt; based on &lt;a href=&#34;http://www.austinkleon.com/2007/08/30/writing-the-fibonacci-sonnet-reposted/&#34;&gt;Austin&#39;s mini-comic about writing with the Fibonacci sequence&lt;/a&gt;. So then I got to thinking about other arbitrary limits. What else could I do, just to get the brain wiggling? Still in math mode, my first thought was to do some writing based on &lt;a href=&#34;http://en.wikipedia.org/wiki/Pi&#34;&gt;pi&lt;/a&gt;. Each word would use a digit&#39;s worth of letters. A bit random, but it could be fun. As happens so often in Wikipedia, I found another cool thing---an article about &lt;a href=&#34;http://en.wikipedia.org/wiki/Piphilology&#34;&gt;piphilology&lt;/a&gt;, techniques and devices used to memorize pi. But even better...&lt;/p&gt;
&lt;p&gt;That led me to the &lt;a href=&#34;http://en.wikipedia.org/wiki/Cadaeic_Cadenza&#34;&gt;Cadaeic Cadenza&lt;/a&gt;. Mike Keith wrote the &lt;a href=&#34;http://users.aol.com/s6sj7gt/cadtext.htm&#34;&gt;full text of the Cadaeic Cadenza&lt;/a&gt; with the restriction that each word would have as many letters as its corresponding digit of pi. It&#39;s a full 4000 words, and along the way he mimics some other poems like &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Love_Song_of_J._Alfred_Prufrock&#34;&gt;The Love Song of J. Alfred Prufrock&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Jabberwocky&#34;&gt;Jabberwocky&lt;/a&gt;. The opening of the book borrows from &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Raven&#34;&gt;The Raven&lt;/a&gt;. Keith&#39;s rendition:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One A Poem&lt;/p&gt;
&lt;p&gt;A Raven&lt;/p&gt;
&lt;p&gt;Midnights so dreary, tired and weary, Silently pondering volumes extolling all by-now obsolete lore. During my rather long nap - the weirdest tap! An ominous vibrating sound disturbing my chamber&#39;s antedoor. &amp;quot;This&amp;quot;, I whispered quietly, &amp;quot;I ignore&amp;quot;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Check out &lt;a href=&#34;http://users.aol.com/s6sj7gt/&#34;&gt;Mike Keith&lt;/a&gt;&#39;s page for more (like &lt;a href=&#34;http://users.aol.com/s6sj7gt/anabible.htm&#34;&gt;The Anagrammed Bible&lt;/a&gt;). And the Wikipedia entry for &lt;a href=&#34;http://en.wikipedia.org/wiki/Constrained_writing&#34;&gt;constrained writing&lt;/a&gt; has a bunch of other great stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Fibonacci skit</title>
    <link href="https://mlarson.org/2007/09/09/20070909fibonacci-skit/"/>
    <updated>2007-09-09T08:34:33.000Z</updated>
    <id>https://mlarson.org/2007/09/09/20070909fibonacci-skit/</id>
    <content type="html">&lt;p&gt;Ready? Um. Well...&lt;/p&gt;
&lt;p&gt;Well, um, what?&lt;/p&gt;
&lt;p&gt;I can&#39;t find the tickets.&lt;/p&gt;
&lt;p&gt;But they won&#39;t let us &lt;em&gt;in&lt;/em&gt; without &lt;em&gt;tickets&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;I know, I know. I put them on the dresser and the next---&lt;/p&gt;
&lt;p&gt;The next thing you know you LOST them.&lt;/p&gt;
&lt;p&gt;I swear I looked everywhere.&lt;/p&gt;
&lt;p&gt;In my pocket?&lt;/p&gt;
&lt;p&gt;You asshole.&lt;/p&gt;
&lt;p&gt;Heh.&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;exeunt&lt;/em&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 9, 2007</title>
    <link href="https://mlarson.org/2007/09/09/20070909894/"/>
    <updated>2007-09-09T07:38:31.000Z</updated>
    <id>https://mlarson.org/2007/09/09/20070909894/</id>
    <content type="html">&lt;p&gt;One of my weekend projects: a &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157601915861410/&#34;&gt;dress shirt photo collection&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2007</title>
    <link href="https://mlarson.org/2007/09/07/20070907893/"/>
    <updated>2007-09-07T22:35:34.000Z</updated>
    <id>https://mlarson.org/2007/09/07/20070907893/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.13pt.com/corum/&#34;&gt;Jonathan Corum&lt;/a&gt; created a &lt;a href=&#34;http://www.piws.org/&#34;&gt;Personal Injury Warning System&lt;/a&gt;: &amp;quot;Each symbol is based on an injury I have received, and indexed by the date that I would have benefitted from such a warning.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The King of Kong</title>
    <link href="https://mlarson.org/2007/09/07/20070907the-king-of-kong/"/>
    <updated>2007-09-07T22:25:23.000Z</updated>
    <id>https://mlarson.org/2007/09/07/20070907the-king-of-kong/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1344810370/&#34;&gt;&lt;img src=&#34;http://farm2.static.flickr.com/1183/1344810370_41aee821f5_m.jpg&#34; alt=&#34;The King of Kong&#34;&gt;&lt;/a&gt; I saw &lt;a href=&#34;http://billyvssteve.com/&#34;&gt;The King of Kong&lt;/a&gt; tonight---easily the most fun I&#39;ve had at a movie theater in a couple years. I implore you to see it if it comes to your town.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2007</title>
    <link href="https://mlarson.org/2007/09/07/20070907891/"/>
    <updated>2007-09-07T00:09:39.000Z</updated>
    <id>https://mlarson.org/2007/09/07/20070907891/</id>
    <content type="html">&lt;p&gt;&lt;code&gt;&amp;lt;irony&amp;gt;&lt;/code&gt;&lt;a href=&#34;http://crushingkrisis.com/?p=3219&#34;&gt;Links aren&#39;t life&lt;/a&gt;.&lt;code&gt;&amp;lt;/irony&amp;gt;&lt;/code&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2007</title>
    <link href="https://mlarson.org/2007/09/06/20070906890/"/>
    <updated>2007-09-06T23:30:38.000Z</updated>
    <id>https://mlarson.org/2007/09/06/20070906890/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kottke.org/&#34;&gt;Jason Kottke has come back to work&lt;/a&gt;. And he&#39;s still really good at it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2007</title>
    <link href="https://mlarson.org/2007/09/06/20070906889/"/>
    <updated>2007-09-06T23:28:17.000Z</updated>
    <id>https://mlarson.org/2007/09/06/20070906889/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.theatlantic.com/doc/200709/quirk/&#34;&gt;critical analysis of quirk&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Like the proliferation of meta-humor that followed David Letterman and Jerry Seinfeld in the Äô90s, quirk is everywhere because quirkiness is so easy to achieve: Just be odd Ä¶ but endearing.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2007</title>
    <link href="https://mlarson.org/2007/09/06/20070906888/"/>
    <updated>2007-09-06T23:17:22.000Z</updated>
    <id>https://mlarson.org/2007/09/06/20070906888/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://typography.com/ask/recentTopic.php?rtID=86&#34;&gt;An introduction to OpenType&lt;/a&gt;. And now I understand.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I love writing letters</title>
    <link href="https://mlarson.org/2007/09/06/20070906i-love-writing-letters/"/>
    <updated>2007-09-06T22:56:18.000Z</updated>
    <id>https://mlarson.org/2007/09/06/20070906i-love-writing-letters/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1339004465/&#34;&gt;&lt;img src=&#34;http://farm2.static.flickr.com/1194/1339004465_7094ae1eef.jpg&#34; alt=&#34;A letter I wrote late last night&#34;&gt;&lt;/a&gt;That&#39;s a scribble I did over an hour or so late last night. In my letters I usually play in some way with the grid, or collage with stuff that I cut out form old magazines or textiles or whatever else I have in my files. This time, it was &lt;a href=&#34;http://en.wikipedia.org/wiki/Stick_figure&#34;&gt;stick figures&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I really wish I&#39;d kept track of my letters better. I know I&#39;ve done some cool things, but they&#39;re with the owners now (as they should be). But I&#39;d love to be able to look back at them later.&lt;/p&gt;
&lt;p&gt;So, I&#39;m in the market for a new scanner. Color. Big-ish. Recommendations?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 5, 2007</title>
    <link href="https://mlarson.org/2007/09/05/20070905886/"/>
    <updated>2007-09-05T21:25:45.000Z</updated>
    <id>https://mlarson.org/2007/09/05/20070905886/</id>
    <content type="html">&lt;p&gt;Matthew Stibbe suggested some &lt;a href=&#34;http://www.badlanguage.net/ten-essential-reference-sites-for-writers&#34;&gt;writer&#39;s reference sites&lt;/a&gt;. My suggestions: The &lt;a href=&#34;http://www.etymonline.com/&#34;&gt;Online Etymology Dictionary&lt;/a&gt; offers a brief history of words. You&#39;ll enjoy it if you&#39;re just reflexively curious like me. And maybe you don&#39;t need to bookmark it, but I like the &lt;a href=&#34;http://www.plainenglish.co.uk/&#34;&gt;Plain English Campaign&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.plainenglish.co.uk/alternative.pdf&#34;&gt;A to Z of Alternative Words&lt;/a&gt; [pdf]. From Matthew&#39;s list, I like love want to marry the &lt;a href=&#34;http://www.virtualsalt.com/rhetoric.htm&#34;&gt;Handbook of Rhetorical Devices&lt;/a&gt;. [that&#39;s sort of modern-day &lt;a href=&#34;http://www.virtualsalt.com/rhetoric.htm#Metanoia&#34;&gt;metanoia&lt;/a&gt;, btw]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 5, 2007</title>
    <link href="https://mlarson.org/2007/09/05/20070905885/"/>
    <updated>2007-09-05T20:50:56.000Z</updated>
    <id>https://mlarson.org/2007/09/05/20070905885/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://zenhabits.net/2007/09/simple-living-manifesto-72-ideas-to-simplify-your-life/&#34;&gt;72 ideas to simplify your life&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 5, 2007</title>
    <link href="https://mlarson.org/2007/09/05/20070905884/"/>
    <updated>2007-09-05T06:27:08.000Z</updated>
    <id>https://mlarson.org/2007/09/05/20070905884/</id>
    <content type="html">&lt;p&gt;I would very much like to own a &lt;a href=&#34;http://monome.org/&#34;&gt;Monome 256&lt;/a&gt;. It looks like just the kind of wonderful toy I need* these days. They mentioned the beautiful woodwork was from Atlanta---I wonder if that&#39;s &lt;a href=&#34;http://www.soorikian.com/&#34;&gt;Matt Soorikian&lt;/a&gt;&#39;s craftmanship? *i.e., want&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 4, 2007</title>
    <link href="https://mlarson.org/2007/09/04/20070904883/"/>
    <updated>2007-09-04T06:30:45.000Z</updated>
    <id>https://mlarson.org/2007/09/04/20070904883/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bldgblog.blogspot.com/2007/08/drains-of-canada-interview-with-michael.html&#34;&gt;An interview with Michael Cook&lt;/a&gt;, who explores municipal drain systems and other subterranean infrastructure.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Even people I know who self-identify as urban explorers arenÄôt at all that interested in undergrounding Äì especially not in storm drains. A lot of them just donÄôt see the actual interest. ItÄôs not a detail-rich environment. You can walk six kilometers underground through nearly featureless pipe---and thereÄôs not something to see and photograph every five feet.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Cook has plenty of wonderful photographs and logs of his trips at &lt;a href=&#34;http://vanishingpoint.ca/&#34;&gt;Vanishing Point&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 3, 2007</title>
    <link href="https://mlarson.org/2007/09/03/20070903882/"/>
    <updated>2007-09-03T21:01:12.000Z</updated>
    <id>https://mlarson.org/2007/09/03/20070903882/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://shtikl.com/2007/you-dont-need-a-plan-you-need-skills-and-a-problem/&#34;&gt;You don&#39;t need a plan, you need skills and a problem&lt;/a&gt;. Good stuff. [via &lt;a href=&#34;http://www.37signals.com/svn/&#34;&gt;svn&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 3, 2007</title>
    <link href="https://mlarson.org/2007/09/03/20070903881/"/>
    <updated>2007-09-03T20:57:44.000Z</updated>
    <id>https://mlarson.org/2007/09/03/20070903881/</id>
    <content type="html">&lt;p&gt;We&#39;re making great progress in information design for coffee lovers. There&#39;s those &lt;a href=&#34;http://www.suck.uk.com/product.php?rangeID=76&#34;&gt;mugs that help you match colors&lt;/a&gt;, and the &lt;a href=&#34;http://www.lokeshdhakar.com/2007/08/20/an-illustrated-coffee-guide/&#34;&gt;illustrated guide to coffee drinks&lt;/a&gt; to help you brew.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2007</title>
    <link href="https://mlarson.org/2007/09/02/20070902878/"/>
    <updated>2007-09-02T22:52:56.000Z</updated>
    <id>https://mlarson.org/2007/09/02/20070902878/</id>
    <content type="html">&lt;p&gt;I&#39;ve often felt this way: &amp;quot;Lying in bed would be an altogether perfect and supreme experience if only one had a colored pencil long enough to draw on the ceiling.&amp;quot; &lt;a href=&#34;http://en.wikipedia.org/wiki/G._K._Chesterton&#34;&gt;G.K. Chesterton&lt;/a&gt;, &lt;a href=&#34;http://www.cse.dmu.ac.uk/~mward/gkc/books/On_Lying_In_Bed.html&#34;&gt;On Lying in Bed&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2007</title>
    <link href="https://mlarson.org/2007/09/02/20070902877/"/>
    <updated>2007-09-02T11:18:46.000Z</updated>
    <id>https://mlarson.org/2007/09/02/20070902877/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/groups/intheyear2000/&#34;&gt;In the Year 2000&lt;/a&gt; is a photo collection about &amp;quot;past visions of the future,&amp;quot; like &lt;a href=&#34;http://flickr.com/photos/japenet/1295360201/in/pool-intheyear2000/&#34;&gt;picnicking with your hover station wagon&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2007</title>
    <link href="https://mlarson.org/2007/09/02/20070902876/"/>
    <updated>2007-09-02T11:12:39.000Z</updated>
    <id>https://mlarson.org/2007/09/02/20070902876/</id>
    <content type="html">&lt;p&gt;Those mechanical models of the solar system are called &lt;a href=&#34;http://en.wikipedia.org/wiki/Orrery&#34;&gt;orreries&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2007</title>
    <link href="https://mlarson.org/2007/09/02/20070902875/"/>
    <updated>2007-09-02T11:05:02.000Z</updated>
    <id>https://mlarson.org/2007/09/02/20070902875/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://toomanytristans.blogspot.com/2007/08/greatest-classical-cd-covers-ever.html&#34;&gt;The greatest classical cd album covers ever&lt;/a&gt;. Here&#39;s &lt;a href=&#34;http://toomanytristans.blogspot.com/2007/08/greatest-classical-cd-covers-ever-ii.html&#34;&gt;part two&lt;/a&gt;. [via &lt;a href=&#34;http://www.therestisnoise.com&#34;&gt;alex ross&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I love the library</title>
    <link href="https://mlarson.org/2007/09/02/20070902i-love-the-library/"/>
    <updated>2007-09-02T11:01:45.000Z</updated>
    <id>https://mlarson.org/2007/09/02/20070902i-love-the-library/</id>
    <content type="html">&lt;p&gt;Part of my typical weekend routine is to go to the local library to get my fix. Great trip yesterday: aside from picking up a couple dozen cds and some promising fiction, I completely scored in the magazine section. Yesterday when I stopped by I found the latest issues of the New Yorker, National Geographic, Wired, Business Week, Economist, and Real Simple... all of them waiting there, as if they had been set aside just for me to take home. I&#39;ve never had such luck.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Stripping down, cleaning up</title>
    <link href="https://mlarson.org/2007/08/31/20070831stripping-down-cleaning-up/"/>
    <updated>2007-08-31T23:22:13.000Z</updated>
    <id>https://mlarson.org/2007/08/31/20070831stripping-down-cleaning-up/</id>
    <content type="html">&lt;p&gt;Doing a little housekeeping around here. If this were 1996, I&#39;d be displaying one of those &lt;a href=&#34;http://www.cs.utah.edu/~gk/atwork/&#34;&gt;&amp;quot;under construction&amp;quot; gifs&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 31, 2007</title>
    <link href="https://mlarson.org/2007/08/31/20070831870/"/>
    <updated>2007-08-31T21:45:44.000Z</updated>
    <id>https://mlarson.org/2007/08/31/20070831870/</id>
    <content type="html">&lt;p&gt;I like the watercolors of &lt;a href=&#34;http://www.stinapersson.com/girls_portfolio.html&#34;&gt;Stina Persson&lt;/a&gt; and the way she works in cut papers, &lt;a href=&#34;http://images.google.com/images?q=Papel+picado&#34;&gt;papel picado&lt;/a&gt;. (And who knew there was a &lt;a href=&#34;http://www.papercutters.org/portal/&#34;&gt;Guild of American Papercutters&lt;/a&gt;?)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 31, 2007</title>
    <link href="https://mlarson.org/2007/08/31/20070831869/"/>
    <updated>2007-08-31T21:28:30.000Z</updated>
    <id>https://mlarson.org/2007/08/31/20070831869/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://indexed.blogspot.com&#34;&gt;Indexed&lt;/a&gt; analysis of &lt;a href=&#34;http://indexed.blogspot.com/2007/08/i-hated-gym.html&#34;&gt;gym class&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2007</title>
    <link href="https://mlarson.org/2007/08/30/20070830868/"/>
    <updated>2007-08-30T17:59:41.000Z</updated>
    <id>https://mlarson.org/2007/08/30/20070830868/</id>
    <content type="html">&lt;p&gt;I&#39;d never heard of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Georgia_Guidestones&#34;&gt;Georgia Guidestones&lt;/a&gt;, a monument with six 20-foot slabs of granite standing upright, 100 tons of roadside attraction. Inscribed in 8 languages are 10 edicts:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Maintain humanity under 500,000,000 in perpetual balance with nature.&lt;/li&gt;
&lt;li&gt;Guide reproduction wisely - improving fitness and diversity.&lt;/li&gt;
&lt;li&gt;Unite humanity with a living new language.&lt;/li&gt;
&lt;li&gt;Rule passion - faith - tradition - and all things with tempered reason.&lt;/li&gt;
&lt;li&gt;Protect people and nations with fair laws and just courts.&lt;/li&gt;
&lt;li&gt;Let all nations rule internally resolving external disputes in a world court.&lt;/li&gt;
&lt;li&gt;Avoid petty laws and useless officials.&lt;/li&gt;
&lt;li&gt;Balance personal rights with social duties.&lt;/li&gt;
&lt;li&gt;Prize truth - beauty - love - seeking harmony with the infinite.&lt;/li&gt;
&lt;li&gt;Be not a cancer on the earth - Leave room for nature - Leave room for nature&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The monument is out near the city of &lt;a href=&#34;http://www.cityofelberton.net/&#34;&gt;Elberton, Georgia&lt;/a&gt;. Time for a road trip, I think.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2007</title>
    <link href="https://mlarson.org/2007/08/30/20070830867/"/>
    <updated>2007-08-30T06:25:37.000Z</updated>
    <id>https://mlarson.org/2007/08/30/20070830867/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://communicationnation.blogspot.com/2007/08/generalist-and-specialist-approaches.html&#34;&gt;graphic exploring the connected approaches of the Specialist and the Generalist&lt;/a&gt;. [via &lt;a href=&#34;http://designnotes.info/&#34;&gt;michael surtees&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2007</title>
    <link href="https://mlarson.org/2007/08/29/20070829866/"/>
    <updated>2007-08-29T20:10:14.000Z</updated>
    <id>https://mlarson.org/2007/08/29/20070829866/</id>
    <content type="html">&lt;p&gt;I finally saw &lt;a href=&#34;http://en.wikipedia.org/wiki/Paris,_je_t&#39;aime&#34;&gt;Paris, je t&#39;aime&lt;/a&gt; last night, and loved it. (The &lt;a href=&#34;http://www.flickr.com/photos/marklarson/1131759167/&#34;&gt;first time I tried&lt;/a&gt;, the theater had a bizarre emergency closing.) Anyway, be sure to check it out if it comes to your neighborhood, and buy the DVD in November.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2007</title>
    <link href="https://mlarson.org/2007/08/29/20070829865/"/>
    <updated>2007-08-29T19:19:31.000Z</updated>
    <id>https://mlarson.org/2007/08/29/20070829865/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.atlcreatives.com/about/&#34;&gt;ATL Creatives&lt;/a&gt; is all about what creative people are up to in Atlanta. It&#39;s the brainchild of &lt;a href=&#34;http://ericshoemaker.com/&#34;&gt;Eric Shoemaker&lt;/a&gt; and &lt;a href=&#34;http://www.rick-hill.com/&#34;&gt;Rick Hill&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2007</title>
    <link href="https://mlarson.org/2007/08/26/20070826864/"/>
    <updated>2007-08-26T13:38:19.000Z</updated>
    <id>https://mlarson.org/2007/08/26/20070826864/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.aiga.org/content.cfm/the-hand-is-mightier-than-the-font-bernard-maisner&#34;&gt;interview with expert calligrapher Bernard Maisner&lt;/a&gt;, who does the usual wedding invitations, window signs, but has also had cameos in major films:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I did writing on-camera for a documentary film about the Oswald/Kennedy assassination by famed German filmmaker Willi Huismann. I had to write like Lee Harvey Oswald live on camera. Writing samples of Oswald were provided to me from the U.S. National Archive and Records Administration. I studied the writing, analyzed and made U&amp;amp;LC alphabet charts from OswaldÄôs writing, traced and memorized every letter, as well as his combinations of letters, and studied other characteristics of his writing so that I could write the way Oswald didÄîimmediately and without thinking.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Cosmopolis (review: 1/5)</title>
    <link href="https://mlarson.org/2007/08/26/20070826cosmopolis-review-15/"/>
    <updated>2007-08-26T13:27:51.000Z</updated>
    <id>https://mlarson.org/2007/08/26/20070826cosmopolis-review-15/</id>
    <content type="html">&lt;p&gt;The only other book by &lt;a href=&#34;http://en.wikipedia.org/wiki/Don_DeLillo&#34;&gt;Don DeLillo&lt;/a&gt; that I&#39;ve read is &lt;a href=&#34;http://en.wikipedia.org/wiki/White_Noise_(novel)&#34;&gt;White Noise&lt;/a&gt;, which I thought was rather fantastic. &lt;a href=&#34;http://en.wikipedia.org/wiki/Cosmopolis&#34;&gt;Cosmopolis&lt;/a&gt;, on the other hand, I didn&#39;t like very much at all. From the &lt;a href=&#34;http://books.guardian.co.uk/reviews/generalfiction/0,6121,957512,00.html&#34;&gt;review in the Guardian&lt;/a&gt;: &amp;quot;Overall, there&#39;s a sense of gridlock. Which is apt thematically, but tough on the reader.&amp;quot; Have to agree.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 25, 2007</title>
    <link href="https://mlarson.org/2007/08/25/20070825862/"/>
    <updated>2007-08-25T16:01:43.000Z</updated>
    <id>https://mlarson.org/2007/08/25/20070825862/</id>
    <content type="html">&lt;p&gt;Something to listen to this weekend: &lt;a href=&#34;http://thisamericanlife.org/Radio_Episode.aspx?episode=73&#34;&gt;This American Life, &amp;quot;Blame It on Art&amp;quot;&lt;/a&gt;. &amp;quot;The darker side of the art world: petty jealousies, competitiveness, failure.&amp;quot; Listen also: every other episode. I&#39;m not sure how they keep the show so consistently good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 24, 2007</title>
    <link href="https://mlarson.org/2007/08/24/20070824861/"/>
    <updated>2007-08-24T19:54:30.000Z</updated>
    <id>https://mlarson.org/2007/08/24/20070824861/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.billyvssteve.com/&#34;&gt;The King of Kong: A Fistful of Quarters&lt;/a&gt; is coming to Atlanta on September 7. &amp;quot;These two great gamers, one Salieri, the other Mozart, have grown to despise and fear each other and in so doing alienate the only person truly capable of appreciating their own achievement and greatness.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 24, 2007</title>
    <link href="https://mlarson.org/2007/08/24/20070824860/"/>
    <updated>2007-08-24T19:18:55.000Z</updated>
    <id>https://mlarson.org/2007/08/24/20070824860/</id>
    <content type="html">&lt;p&gt;Alright, here&#39;s a rendition of my own personal info-designer chart:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;20% easy access to both sides of the brain&lt;/li&gt;
&lt;li&gt;30% curiosity about pretty much everything&lt;/li&gt;
&lt;li&gt;10% drawing and writing treated as equals&lt;/li&gt;
&lt;li&gt;15% a wee bit of perfectionism&lt;/li&gt;
&lt;li&gt;10% tech savvy&lt;/li&gt;
&lt;li&gt;15% sense of humor aka sense of proportion/balance&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;For those of you just tuning in, I&#39;m talking about how &lt;a href=&#34;http://www.austinkleon.com/2007/08/24/what-it-takes-to-be-an-information-designer/&#34;&gt;Austin described his self-portrait&lt;/a&gt; in response to my &lt;a href=&#34;/mark-larson-1/2007/08/23/858&#34;&gt;snippet&lt;/a&gt; referencing &lt;a href=&#34;http://designnotes.info/?p=858&#34;&gt;Michael Surtees&#39; post&lt;/a&gt; about &lt;a href=&#34;http://www.flickr.com/photos/michaelsurtees/346676666/&#34;&gt;an image&lt;/a&gt; from &lt;a href=&#34;http://www.hellerbooks.com/&#34;&gt;Steven Heller&#39;s&lt;/a&gt; book, &lt;a href=&#34;http://www.amazon.com/Holmes-Information-Design-Steven-Heller/dp/097747240X/&#34;&gt;Nigel Holmes on Information Design&lt;/a&gt;, which I probably ought to buy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 23, 2007</title>
    <link href="https://mlarson.org/2007/08/23/20070823859/"/>
    <updated>2007-08-23T20:13:16.000Z</updated>
    <id>https://mlarson.org/2007/08/23/20070823859/</id>
    <content type="html">&lt;p&gt;In Believer Magazine, &lt;a href=&#34;http://www.believermag.com/issues/200708/?read=article_selsberg&#34;&gt;The Official Guide to Official Handbooks: The Rich Legacy of Putting Others in Their Cultural Place&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Americans love to believe that with the right wardrobe and vocabulary, anyone can become anything. We also love the righteousness and special insight that come with being an outsider, from being turned away from the clubs that matter. People donÄôt make their mark by writing books about how swimmingly they fit in at boarding school, or about how their blue-blooded family isnÄôt stocked with alcoholic lunatics. &lt;em&gt;The Official Preppy Handbook&lt;/em&gt; (1980), along with lesser followers like &lt;em&gt;The Official Slacker Handbook&lt;/em&gt; (1994) and &lt;em&gt;The Hipster Handbook&lt;/em&gt; (2002), capitalizes on our ambivalence about exclusivity.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Seven Types of Ambiguity (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/08/23/20070823seven-types-of-ambiguity-review-355/"/>
    <updated>2007-08-23T19:58:40.000Z</updated>
    <id>https://mlarson.org/2007/08/23/20070823seven-types-of-ambiguity-review-355/</id>
    <content type="html">&lt;p&gt;Elliot Perlman&#39;s &lt;a href=&#34;http://www.reviewsofbooks.com/seven_types_of_ambiguity/&#34;&gt;Seven Types of Ambiguity&lt;/a&gt; is a rolling, interminable voyage through a literary version of modern life. Long, but worth seeing it through. The story is told from seven points of view, events mainly surrounding a character named Simon, who, depressed and still obsessed with a college ex-sweetheart, kidnaps her child while absently maintaining a lop-sided relationship with a hooker who&#39;s been servicing the ex-sweetheart&#39;s current husband for the past two years. Et cetera. But for all the antics, it isn&#39;t soap opera. It&#39;s built from a slow, discursive, minutely detailed remembrance. There are also extended tangents into topics like health care, poetry, and the science of &lt;a href=&#34;http://en.wikipedia.org/wiki/Blackjack&#34;&gt;blackjack&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 23, 2007</title>
    <link href="https://mlarson.org/2007/08/23/20070823858/"/>
    <updated>2007-08-23T19:47:49.000Z</updated>
    <id>https://mlarson.org/2007/08/23/20070823858/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/michaelsurtees/346676666/&#34;&gt;What it takes to be an information designer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Kurt Vonnegut on where the writers are:</title>
    <link href="https://mlarson.org/2007/08/22/20070822kurt-vonnegut-on-where-the-writers-are/"/>
    <updated>2007-08-22T20:07:31.000Z</updated>
    <id>https://mlarson.org/2007/08/22/20070822kurt-vonnegut-on-where-the-writers-are/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;&amp;quot;I&#39;m on the New York State Council for the Arts now, and every so often some other member talks about sending notices to college English departments about some literary opportunity, and I say, Send them to the chemistry departments, send them to the zoology departments, send them to the anthropology departments and the astronomy departments and physics departments, and all the medical and law schools. That&#39;s where the writers are most likely to be... I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From &lt;a href=&#34;http://www.amazon.com/Paris-Review-Interviews-I/dp/0312361750&#34;&gt;The Paris Review Interviews, Volume I&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2007</title>
    <link href="https://mlarson.org/2007/08/22/20070822856/"/>
    <updated>2007-08-22T19:56:09.000Z</updated>
    <id>https://mlarson.org/2007/08/22/20070822856/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.del.icio.us/blog/2007/08/limited-time-of.html&#34;&gt;Del.icio.us is giving away free stuff&lt;/a&gt;, stickers and bookmarks and what-not. You have to snail mail them, so I&#39;m all over it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2007</title>
    <link href="https://mlarson.org/2007/08/22/20070822855/"/>
    <updated>2007-08-22T19:54:07.000Z</updated>
    <id>https://mlarson.org/2007/08/22/20070822855/</id>
    <content type="html">&lt;p&gt;My employer has a new blog, &lt;a href=&#34;http://brainstuff.howstuffworks.com/&#34;&gt;BrainStuff&lt;/a&gt;. Time will tell.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2007</title>
    <link href="https://mlarson.org/2007/08/22/20070822854/"/>
    <updated>2007-08-22T19:47:36.000Z</updated>
    <id>https://mlarson.org/2007/08/22/20070822854/</id>
    <content type="html">&lt;p&gt;I just started reading &lt;a href=&#34;http://www.amazon.com/4-Hour-Workweek-Escape-Live-Anywhere/dp/0307353133&#34;&gt;The 4-Hour Work Week&lt;/a&gt;. I admit, in the beginning, I didn&#39;t want to like it. Part of me wanted Tim Ferriss to be some shallow, cocky blowhard with a couple hundred pages of motivational fluff. But... he won me over by page 11 with a passing reference to &lt;a href=&#34;http://www.mises.org/about/3242&#34;&gt;J.B. Say&lt;/a&gt;, and it&#39;s been all good ever since. This book has me fired up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 21, 2007</title>
    <link href="https://mlarson.org/2007/08/21/20070821852/"/>
    <updated>2007-08-21T21:09:19.000Z</updated>
    <id>https://mlarson.org/2007/08/21/20070821852/</id>
    <content type="html">&lt;p&gt;A brief little comedy routine about &lt;a href=&#34;http://www.davidairey.com/how-not-to-use-powerpoint/&#34;&gt;how not to use Powerpoint&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 21, 2007</title>
    <link href="https://mlarson.org/2007/08/21/20070821853/"/>
    <updated>2007-08-21T21:06:34.000Z</updated>
    <id>https://mlarson.org/2007/08/21/20070821853/</id>
    <content type="html">&lt;p&gt;Bruce Schneier interviews the head of the TSA, &lt;a href=&#34;http://www.tsa.gov/who_we_are/people/bios/kip_hawley_bio.shtm&#34;&gt;Kip Hawley&lt;/a&gt;. It&#39;s a really good exchange. I like this bit about a kind of intentional internal sabotage that TSA conducts:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We also do extensive and very sophisticated Red Team testing, and one of their jobs is to observe checkpoints and go back and figure outÄîbased on inside knowledge of what we doÄîways to beat the system. They isolate one particular thing: for example, a particular explosive, made and placed in a way that exploits a particular weakness in technology; our procedures; or the way TSOs do things in practice. Then they will test that particular thing over and over until they identify what corrective action is needed. We then change technology or procedure, or plain old focus on execution. And we repeat the processÄîforever.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Sounds like a cool job. [via &lt;a href=&#34;http://www.joshuablankenship.com/blog&#34;&gt;blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 21, 2007</title>
    <link href="https://mlarson.org/2007/08/21/20070821851/"/>
    <updated>2007-08-21T20:33:39.000Z</updated>
    <id>https://mlarson.org/2007/08/21/20070821851/</id>
    <content type="html">&lt;p&gt;One of my ongoing fascinations is with &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932ce4b06bff889130a6/1368232748739/?format=original&#34;&gt;sense of scale&lt;/a&gt;. Here&#39;s a couple other interesting &lt;a href=&#34;http://www.astrosurf.com/benschop/Scale.htm&#34;&gt;thought experiments to understand the immensity of our universe&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Suppose that our Earth is the ball in the tip of a ball-point pen. How big would the Sun be, and how far away from the pen tip? First, Hold the ball-point pen up in the air. Now hold a ping-pong ball about 15 feet away from the pen tip. This is approximately a size and distance scale model of the Sun and Earth. The moon would be the size of a dust speck beside the ball in the pen.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2007</title>
    <link href="https://mlarson.org/2007/08/20/20070820850/"/>
    <updated>2007-08-20T18:02:16.000Z</updated>
    <id>https://mlarson.org/2007/08/20/20070820850/</id>
    <content type="html">&lt;p&gt;These cool &lt;a href=&#34;http://www.library.northwestern.edu/govinfo/collections/wwii-posters/&#34;&gt;American propaganda posters from World War II&lt;/a&gt; are at once hilarious and frightening. I kept telling myself I was going to liberate them from from the Northwestern University database and put them on Flickr, but I just haven&#39;t gotten it done (yet). You&#39;re on your own (for now).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2007</title>
    <link href="https://mlarson.org/2007/08/20/20070820849/"/>
    <updated>2007-08-20T17:58:35.000Z</updated>
    <id>https://mlarson.org/2007/08/20/20070820849/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2007/08/19/magazine/19wwln-q4-t.html?_r=1&amp;amp;oref=slogin&#34;&gt;A brief interview with William Gibson&lt;/a&gt;. Not a lot of new material, but I love this: &amp;quot;IÄôm a very pro-art kind of guy, but IÄôm not that visually literate. My inner redneck looks at something and says, &#39;Oh, thatÄôs so cool.&#39;&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2007</title>
    <link href="https://mlarson.org/2007/08/20/20070820848/"/>
    <updated>2007-08-20T17:53:59.000Z</updated>
    <id>https://mlarson.org/2007/08/20/20070820848/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://portablefilmfestival.com/index.php&#34;&gt;2007 Portable Film Festival&lt;/a&gt; is in progress. &amp;quot;Everything in our programme is curated, free and portable thanks to our loyal community of film and mediamakers who submit their work to us from around the world.&amp;quot; That&#39;s what I like to hear.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2007</title>
    <link href="https://mlarson.org/2007/08/20/20070820847/"/>
    <updated>2007-08-20T17:48:14.000Z</updated>
    <id>https://mlarson.org/2007/08/20/20070820847/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/online/video/2006/10/09/comicturn&#34;&gt;Steve Martin interviews Roz Chast&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2007</title>
    <link href="https://mlarson.org/2007/08/20/20070820846/"/>
    <updated>2007-08-20T17:44:18.000Z</updated>
    <id>https://mlarson.org/2007/08/20/20070820846/</id>
    <content type="html">&lt;p&gt;A very cool bit of wisdom from &lt;a href=&#34;http://www.gapingvoid.com/Moveable_Type/archives/004077.html&#34;&gt;Hugh MacLeod&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I remember Robert Hughes, the great art critic saying in his wonderful book, &amp;quot;The Shock Of The New&amp;quot; that the Conceptual Art scene that emerged in the 1960s-1970s was actually good for &amp;quot;Painting&amp;quot;.&lt;/p&gt;
&lt;p&gt;Why? Because with everybody else scattering bits of string around gallery floors and calling it ÄúArtÄù, or covering themselves with butter, rolling themselves in the grass and calling it &amp;quot;Art&amp;quot;, the only people left painting were those, as Hughes put it, &amp;quot;who still actually wanted to paint&amp;quot;.&lt;/p&gt;
&lt;p&gt;And paint they did. Hence the big painting revival in the early 1980s. Artists like Julian Schnabel, Francisco Clemente, Basquiat, Keith Haring etc.&lt;/p&gt;
&lt;p&gt;I feel similarly about blogs. With new tools like Facebook and Twitter springing up, there&#39;s no need to have a blog unless you really want to, unless you really want to devote that kind of time and effort to it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via &lt;a href=&#34;http://joshuablankenship.com/blog/2007/08/17/theres-no-need-to-blog-anymore-so-why-do-it/&#34;&gt;blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2007</title>
    <link href="https://mlarson.org/2007/08/20/20070820845/"/>
    <updated>2007-08-20T17:24:57.000Z</updated>
    <id>https://mlarson.org/2007/08/20/20070820845/</id>
    <content type="html">&lt;p&gt;There&#39;s an &lt;a href=&#34;http://www.amazon.com/gp/blog/post/PLNK2S9Z90L6JSHCI&#34;&gt;Amazon interview with Douglas Wolk&lt;/a&gt; about his new book, &lt;a href=&#34;http://www.amazon.com/gp/product/0306815095&#34;&gt;Reading Comics&lt;/a&gt;, and another recent &lt;a href=&#34;http://blog.newsarama.com/?p=5045&#34;&gt;interview with Newsarama&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2007</title>
    <link href="https://mlarson.org/2007/08/20/20070820844/"/>
    <updated>2007-08-20T17:15:19.000Z</updated>
    <id>https://mlarson.org/2007/08/20/20070820844/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.octavo.com/index.html&#34;&gt;Octavo publishes old, significant books in digital form&lt;/a&gt;. I love me some rare books.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 16, 2007</title>
    <link href="https://mlarson.org/2007/08/16/20070816843/"/>
    <updated>2007-08-16T19:49:53.000Z</updated>
    <id>https://mlarson.org/2007/08/16/20070816843/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dvzine.org/zine/index.html&#34;&gt;The Dvorak Zine&lt;/a&gt; is a 24-page web comic about the &lt;a href=&#34;http://en.wikipedia.org/wiki/Dvorak_Simplified_Keyboard&#34;&gt;Dvorak Simplified Keyboard&lt;/a&gt;. Pretty cool. [via &lt;a href=&#34;http://www.comicspundit.com/&#34;&gt;comics pundit&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 16, 2007</title>
    <link href="https://mlarson.org/2007/08/16/20070816842/"/>
    <updated>2007-08-16T19:42:59.000Z</updated>
    <id>https://mlarson.org/2007/08/16/20070816842/</id>
    <content type="html">&lt;p&gt;Like my passing comment last week, &lt;a href=&#34;http://www.publishersweekly.com/article/CA6468827.html&#34;&gt;David Lewis bemoans the comics memoir&lt;/a&gt;: &amp;quot;We know thereÄôs a power to autobiography in comicsÄîis it deniable?Äîbut why are so many of You susceptible to it?&amp;quot; Tom Spurgeon offers a &lt;a href=&#34;http://www.comicsreporter.com/index.php/my_pet_peeve_2329_whining_about_bad_autobio_refusing_to_name_any/&#34;&gt;snappy, but thoughtful response&lt;/a&gt;, of course. I still think that non-fiction comics could use some more variety. Fiction, we&#39;ve got covered.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 16, 2007</title>
    <link href="https://mlarson.org/2007/08/16/20070816841/"/>
    <updated>2007-08-16T19:15:01.000Z</updated>
    <id>https://mlarson.org/2007/08/16/20070816841/</id>
    <content type="html">&lt;p&gt;Lots of good stuff for sale at Coudal&#39;s &lt;a href=&#34;http://coudal.com/swapmeat/swapped.php&#34;&gt;Swap Meat&lt;/a&gt;. I&#39;m partial to the &lt;a href=&#34;http://coudal.com/archives/swapmeat/2007/08/ghost_prints.php&#34;&gt;Ghost Prints&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 15, 2007</title>
    <link href="https://mlarson.org/2007/08/15/20070815840/"/>
    <updated>2007-08-15T06:26:46.000Z</updated>
    <id>https://mlarson.org/2007/08/15/20070815840/</id>
    <content type="html">&lt;p&gt;TMN has a great photo gallery up: &lt;a href=&#34;http://www.themorningnews.org/archives/galleries/still_life/&#34;&gt;Still Life&lt;/a&gt; by &lt;a href=&#34;http://www.martin-klimas.de/&#34;&gt;Martin Klimas&lt;/a&gt;. They&#39;re wonderful photos of statues in the midst of shattering. The martial arts figurines are particularly enjoyable.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 14, 2007</title>
    <link href="https://mlarson.org/2007/08/14/20070814839/"/>
    <updated>2007-08-14T22:28:01.000Z</updated>
    <id>https://mlarson.org/2007/08/14/20070814839/</id>
    <content type="html">&lt;p&gt;This is one of the better &lt;a href=&#34;http://www.photofriday.com/calibrate.php&#34;&gt;monitor calibration&lt;/a&gt; images I&#39;ve found.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 14, 2007</title>
    <link href="https://mlarson.org/2007/08/14/20070814838/"/>
    <updated>2007-08-14T22:26:35.000Z</updated>
    <id>https://mlarson.org/2007/08/14/20070814838/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/danmcp/sets/72157594294355299/detail/&#34;&gt;A photo collection of handmade, miniaturized synthesizers from yesteryear&lt;/a&gt;. Those are some incredibly detailed models.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A little splash of color</title>
    <link href="https://mlarson.org/2007/08/13/20070813a-little-splash-of-color/"/>
    <updated>2007-08-13T22:47:46.000Z</updated>
    <id>https://mlarson.org/2007/08/13/20070813a-little-splash-of-color/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/1097442015/&#34;&gt;&lt;img src=&#34;http://farm2.static.flickr.com/1072/1097442015_2d23c61f3e.jpg?v=0&#34; alt=&#34;red flower&#34;&gt;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2007</title>
    <link href="https://mlarson.org/2007/08/13/20070813836/"/>
    <updated>2007-08-13T22:35:29.000Z</updated>
    <id>https://mlarson.org/2007/08/13/20070813836/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2007/08/12/magazine/12fonts-t.html?ex=1344571200&amp;amp;en=86b63388e4ee637c&amp;amp;ei=5124&amp;amp;partner=permalink&amp;amp;exprod=permalink&#34;&gt;The story of Clearview&lt;/a&gt;, a new-ish typeface designed especially for roadway signs. The &lt;a href=&#34;http://www.nytimes.com/slideshow/2007/08/12/magazine/20070812_CLEARVIEW_index.html&#34;&gt;slideshow&lt;/a&gt; is worth a visit as well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 13, 2007</title>
    <link href="https://mlarson.org/2007/08/13/20070813835/"/>
    <updated>2007-08-13T22:27:40.000Z</updated>
    <id>https://mlarson.org/2007/08/13/20070813835/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://mtg.upf.edu/reactable/&#34;&gt;The reactable is a collaborative electronic music instrument with a tabletop tangible multi-touch interface&lt;/a&gt;. And I want one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2007</title>
    <link href="https://mlarson.org/2007/08/10/20070810834/"/>
    <updated>2007-08-10T18:26:43.000Z</updated>
    <id>https://mlarson.org/2007/08/10/20070810834/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://homokaasu.org/rasterbator/&#34;&gt;The Rasterbator creates huge, rasterized images from any picture&lt;/a&gt;. Man, I&#39;d love to make some gigantic wallpaper. Where to begin... [via &lt;a href=&#34;http://www.notmartha.org/&#34;&gt;not martha&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2007</title>
    <link href="https://mlarson.org/2007/08/10/20070810833/"/>
    <updated>2007-08-10T18:22:20.000Z</updated>
    <id>https://mlarson.org/2007/08/10/20070810833/</id>
    <content type="html">&lt;p&gt;Mental Note: Imitate &lt;a href=&#34;http://www.acejet170.typepad.com/&#34;&gt;Richard Weston&lt;/a&gt; and make a &lt;a href=&#34;http://www.flickr.com/photos/acejet170/sets/72157601167495938/&#34;&gt;sky collection&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Plot: The Secret Story of the The Protocols of the Elders of Zion (review:3/5)</title>
    <link href="https://mlarson.org/2007/08/09/20070809the-plot-the-secret-story-of-the-the-protocols-of-the-elders-of-zion-review35/"/>
    <updated>2007-08-09T20:07:04.000Z</updated>
    <id>https://mlarson.org/2007/08/09/20070809the-plot-the-secret-story-of-the-the-protocols-of-the-elders-of-zion-review35/</id>
    <content type="html">&lt;p&gt;A couple weeks ago I flipped through &lt;a href=&#34;http://www.amazon.com/Plot-Secret-Story-Protocols-Elders/dp/0393060454&#34;&gt;The Plot: The Secret Story of the The Protocols of the Elders of Zion&lt;/a&gt;, the last graphic novel that &lt;a href=&#34;http://www.willeisner.com/&#34;&gt;Will Eisner&lt;/a&gt; created. This one covers a curious bit of history that I never knew. The topic of Eisner&#39;s book is another book, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Protocols_of_the_Elders_of_Zion&#34;&gt;The Protocols of the Elders of Zion&lt;/a&gt;: a forgery, a book created ex nihilo and printed to promote antisemitic values. Eisner presents a historical account of its origins. Eisner&#39;s artwork was steady and lively, not too different from any of his other work (but that&#39;s not a bad thing). The story itself isn&#39;t very dramatic or moving, but the facts are still compelling. Perhaps the best part of this book is that it exists. Yes, it&#39;s wonderful to root out antisemitism, but mostly, I just thought it was refreshing to see a non-fiction graphic novel that isn&#39;t a memoir of some sort.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 9, 2007</title>
    <link href="https://mlarson.org/2007/08/09/20070809832/"/>
    <updated>2007-08-09T19:52:57.000Z</updated>
    <id>https://mlarson.org/2007/08/09/20070809832/</id>
    <content type="html">&lt;p&gt;Alex Ross noticed that &lt;a href=&#34;http://www.therestisnoise.com/2007/08/dead-dead-dead.html&#34;&gt;everything is dead&lt;/a&gt;. What a downer.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 9, 2007</title>
    <link href="https://mlarson.org/2007/08/09/20070809831/"/>
    <updated>2007-08-09T19:52:14.000Z</updated>
    <id>https://mlarson.org/2007/08/09/20070809831/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.catandgirl.com/&#34;&gt;Dorothy Gambrell&lt;/a&gt; has done some &lt;a href=&#34;http://www.verysmallarray.com/?cat=17&#34;&gt;excellent illustrations&lt;/a&gt; based on the &lt;a href=&#34;http://www.irs.gov/pub/irs-pdf/i1040sc.pdf&#34;&gt;Schedule C table of Principal Business or Professional Activity Codes&lt;/a&gt; [p. 8-10, pdf].&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 7, 2007</title>
    <link href="https://mlarson.org/2007/08/07/20070807830/"/>
    <updated>2007-08-07T19:58:43.000Z</updated>
    <id>https://mlarson.org/2007/08/07/20070807830/</id>
    <content type="html">&lt;p&gt;I&#39;m really enjoying the &lt;a href=&#34;http://www.atlantatimemachine.com/&#34;&gt;Atlanta Time Machine&lt;/a&gt;, a collection of juxtaposed old &amp;amp; new photos of Atlanta houses, neighborhoods, and skyscrapers, along with postcards, ephemera, etc. I just learned that the &lt;a href=&#34;http://www.atlantatimemachine.com/commercialbldgs/waffle.htm&#34;&gt;first Waffle House ever built&lt;/a&gt; is now occupied by the familiar Hunan Express.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 7, 2007</title>
    <link href="https://mlarson.org/2007/08/07/20070807829/"/>
    <updated>2007-08-07T19:44:02.000Z</updated>
    <id>https://mlarson.org/2007/08/07/20070807829/</id>
    <content type="html">&lt;p&gt;Video excerpts from &lt;a href=&#34;http://www.youtube.com/watch?v=B9VHqPvsoGs&#34;&gt;One Man Star Wars&lt;/a&gt;, Charles Ross&#39; dramatically condensed version of the trilogy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2007</title>
    <link href="https://mlarson.org/2007/08/06/20070806828/"/>
    <updated>2007-08-06T20:35:53.000Z</updated>
    <id>https://mlarson.org/2007/08/06/20070806828/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.saumadesign.net/EAalto.htm&#34;&gt;I want these curtains&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2007</title>
    <link href="https://mlarson.org/2007/08/06/20070806827/"/>
    <updated>2007-08-06T20:23:11.000Z</updated>
    <id>https://mlarson.org/2007/08/06/20070806827/</id>
    <content type="html">&lt;p&gt;I don&#39;t like &lt;a href=&#34;http://en.wikipedia.org/wiki/Billy_Collins&#34;&gt;Billy Collins&lt;/a&gt;&#39; poems that much, but these &lt;a href=&#34;http://bcactionpoet.org/index.html&#34;&gt;animated interpretations&lt;/a&gt; are pretty good. [via &lt;a href=&#34;http://www.practicalist.com/mt/&#34;&gt;practicalist&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2007</title>
    <link href="https://mlarson.org/2007/08/06/20070806826/"/>
    <updated>2007-08-06T20:13:46.000Z</updated>
    <id>https://mlarson.org/2007/08/06/20070806826/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dailymotion.com/video/x2oj39_james-brown-danse-pcp-hate-potato_parties&#34;&gt;James Brown does a short dance demonstration&lt;/a&gt;. Funky chicken, boogaloo, robot, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 6, 2007</title>
    <link href="https://mlarson.org/2007/08/06/20070806825/"/>
    <updated>2007-08-06T20:11:55.000Z</updated>
    <id>https://mlarson.org/2007/08/06/20070806825/</id>
    <content type="html">&lt;p&gt;If you&#39;re pressed for time, check out the &lt;a href=&#34;http://www.rinkworks.com/bookaminute/b/anon.beowulf.shtml&#34;&gt;ultra-condensed summary of Beowulf&lt;/a&gt; and other books.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Beowulf (review: 2/5)</title>
    <link href="https://mlarson.org/2007/08/06/20070806beowulf-review-25/"/>
    <updated>2007-08-06T20:10:21.000Z</updated>
    <id>https://mlarson.org/2007/08/06/20070806beowulf-review-25/</id>
    <content type="html">&lt;p&gt;I haven&#39;t yet summoned the courage to tackle Beowulf in one of those authoritative translations yet, but I figured a graphic novel could do the trick. I tried &lt;a href=&#34;http://www.amazon.com/Collected-Beowulf-Gareth-Hinds/dp/1893131041&#34;&gt;Gareth Hinds&#39; graphic adaptation of Beowulf&lt;/a&gt;. The text is in a fresh translation, so it&#39;s an easy read, but still has a noble, epic quality. I really wanted to like this one, but things didn&#39;t work out. Some weird inconsistencies threw off the whole package for me. It seemed like the art direction and illustrations took on a couple different styles over the course of the book. Some parts look hand-drawn and colored on computer, other parts look wholly of ink and watercolor. I think the paneling was a bit ad-lib, jagged, frantic--too excited for its own good. Especially in the early portions of the book, the poem is broken up into large chunks that are interspersed throughout the narrative. So, you end up with a couple of wordy pages and then a bunch of pages of pure illustration. I was a bit bothered that the action scenes were completely silent---I&#39;m not looking for &amp;quot;POW&amp;quot; and &amp;quot;AARRRGGH&amp;quot; and &amp;quot;KER-THWAM&amp;quot;... I&#39;m just not sure if the silence is because the original text glosses over the battles, or if it was the artist&#39;s discretion. I have to admit that one very nice touch is the latter portion of the book, dealing with Beowulf&#39;s final years. That final section is in a washed-out palette of grays, and the story has a sense of inevitability and confidence that I didn&#39;t find in the rest of the book.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2007</title>
    <link href="https://mlarson.org/2007/08/02/20070802824/"/>
    <updated>2007-08-02T18:38:08.000Z</updated>
    <id>https://mlarson.org/2007/08/02/20070802824/</id>
    <content type="html">&lt;p&gt;Here&#39;s an &lt;a href=&#34;http://mises.org/story/2640&#34;&gt;analysis of the economy of Second Life&lt;/a&gt;. Rapid, artificial inflation of the Linden dollar means a recession is due at some point. It&#39;s hard to predict when they&#39;ll reach it, but it seems pretty much unavoidable.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 2, 2007</title>
    <link href="https://mlarson.org/2007/08/02/20070802823/"/>
    <updated>2007-08-02T06:43:29.000Z</updated>
    <id>https://mlarson.org/2007/08/02/20070802823/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://emdashes.com/2007/07/women-filmgoers-and-women-film.php&#34;&gt;Emily Gordon responds&lt;/a&gt; to David Denby&#39;s &lt;a href=&#34;http://www.newyorker.com/reporting/2007/07/23/070723fa_fact_denby&#34;&gt;essay on modern film romance&lt;/a&gt;. Both are worth a good read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 1, 2007</title>
    <link href="https://mlarson.org/2007/08/01/20070801822/"/>
    <updated>2007-08-01T19:56:44.000Z</updated>
    <id>https://mlarson.org/2007/08/01/20070801822/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/arts/critics/skyline/2007/08/06/070806crsk_skyline_goldberger?printable=true&#34;&gt;The New York Times has a new tower to work in&lt;/a&gt;. &amp;quot;Ultimately, itÄôs hard not to sense that the Times, so determined to have a building that makes a mark on the sky line, had a failure of nerve when it came to the interior.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 1, 2007</title>
    <link href="https://mlarson.org/2007/08/01/20070801821/"/>
    <updated>2007-08-01T19:40:16.000Z</updated>
    <id>https://mlarson.org/2007/08/01/20070801821/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.subtraction.com/archives/2007/0726_one_book_to_.php&#34;&gt;Khoi Vinh posted a brief interview with Stephen Coles&lt;/a&gt;, one of the fellows who worked on the massive reference, &lt;a href=&#34;http://www.fontshop.com/products/fontbook/&#34;&gt;FontBook&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 1, 2007</title>
    <link href="https://mlarson.org/2007/08/01/20070801820/"/>
    <updated>2007-08-01T19:26:18.000Z</updated>
    <id>https://mlarson.org/2007/08/01/20070801820/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://csac.buffalo.edu/mirrors/mirrorsimages.html&#34;&gt;Photographs from the Arkansas State Prison, 1915-1937&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 1, 2007</title>
    <link href="https://mlarson.org/2007/08/01/20070801819/"/>
    <updated>2007-08-01T19:24:07.000Z</updated>
    <id>https://mlarson.org/2007/08/01/20070801819/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dashes.com/anil/2007/07/pixels-are-the-new-pies.html&#34;&gt;Anil Dash noticed the recent popularity of pixel graphs&lt;/a&gt;, citing an awful &lt;a href=&#34;http://www.nytimes.com/2007/07/29/magazine/29wwln-lede-t.html?ref=magazine&#34;&gt;example in the New York Times&lt;/a&gt; and a not-as-bad &lt;a href=&#34;http://www.wired.com/techbiz/it/magazine/15-08/st_infoporn&#34;&gt;one in Wired Magazine&lt;/a&gt;. I also recall &lt;a href=&#34;http://www.businessweek.com/magazine/content/07_24/b4038405.htm&#34;&gt;this one from Business Week&lt;/a&gt; a while back, and another commenter mentioned &lt;a href=&#34;http://curbed.com/archives/2007/08/01/graphmania_charting_construction_in_downtown_manhattan.php&#34;&gt;one at Curbed&lt;/a&gt; today. It&#39;ll take some time and trial &amp;amp; error to figure out what kind of data sets works best with the technique. I can appreciate the trend, but the only example I really like is the one from Business Week. Looks like a happy marriage of table and graph.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Plastic Man: Rubber Bandits (review: 5/5)</title>
    <link href="https://mlarson.org/2007/08/01/20070801plastic-man-rubber-bandits-review-55/"/>
    <updated>2007-08-01T19:12:48.000Z</updated>
    <id>https://mlarson.org/2007/08/01/20070801plastic-man-rubber-bandits-review-55/</id>
    <content type="html">&lt;p&gt;Kyle Baker&#39;s &lt;a href=&#34;http://www.amazon.com/Plastic-Man-Bandits-Kyle-Baker/dp/1401207294&#34;&gt;Plastic Man: Rubber Bandits&lt;/a&gt; is absolutely hilarious. Pure entertainment, like watching a good Saturday morning cartoon (as in the Fox Kids era of Eek the Cat, the Tick, X-Men, Tiny Toons, Terrible Thunder Lizards, Batman: The Animated Series, etc.). This book, along with Baker&#39;s other one, &lt;a href=&#34;http://www.amazon.com/Plastic-Man-Lam-Kyle-Baker/dp/1401203434/&#34;&gt;Plastic Man: On the Lam&lt;/a&gt;, has some of the best comedic writing I&#39;ve seen. Plenty of sight gags---it seems like every panel has a little something extra. I love the snappy dialogue and self-aware parody: &amp;quot;Blast you, Trapper! My complex personal ethics force me to allow you to endanger the very fabric of reality to save a single human life!&amp;quot; Interestingly, although the silliness of the characters lend themselves to over-the-top illustration, most of the paneling maintains fairly traditional layouts with hard frames. It&#39;s admirable restraint, allowing the colorful, sharp drawings and great characters to keep things exciting. This one and &lt;em&gt;On the Lam&lt;/em&gt; are definitely worth a purchase. I just love it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2007</title>
    <link href="https://mlarson.org/2007/07/31/20070731815/"/>
    <updated>2007-07-31T14:55:33.000Z</updated>
    <id>https://mlarson.org/2007/07/31/20070731815/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.lmaweb.com/wlacpast.html&#34;&gt;Recordings from the World Livestock Auctioneer Championships&lt;/a&gt;. Amazing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2007</title>
    <link href="https://mlarson.org/2007/07/31/20070731814/"/>
    <updated>2007-07-31T14:48:59.000Z</updated>
    <id>https://mlarson.org/2007/07/31/20070731814/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kirkbridebuildings.com/buildings/index.html&#34;&gt;Photos of abandoned asylums&lt;/a&gt;. These in particular were from the &lt;a href=&#34;http://en.wikipedia.org/wiki/Kirkbride_Plan&#34;&gt;Kirkbride&lt;/a&gt; era of hospital design, to go along with rehabilitative theories of &lt;a href=&#34;http://en.wikipedia.org/wiki/Moral_Treatment&#34;&gt;moral treatment&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2007</title>
    <link href="https://mlarson.org/2007/07/31/20070731812/"/>
    <updated>2007-07-31T10:38:43.000Z</updated>
    <id>https://mlarson.org/2007/07/31/20070731812/</id>
    <content type="html">&lt;p&gt;Alphabetical artwork emphasizing the &lt;a href=&#34;http://www.logolalia.com/abcdefghijklmnopqrstuvwxyz/archives/cat_alphabits.html&#34;&gt;spaces between&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2007</title>
    <link href="https://mlarson.org/2007/07/31/20070731811/"/>
    <updated>2007-07-31T10:33:00.000Z</updated>
    <id>https://mlarson.org/2007/07/31/20070731811/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thethingquarterly.com/&#34;&gt;The Thing Quarterly&lt;/a&gt;: &amp;quot;Each year four artists, writers, filmmakers or musicians are invited to create a household object that somehow incorporates text. Every three months a new object will be hand wrapped in brown paper and string by the editors and mailed to subscribers.&amp;quot;[via &lt;a href=&#34;http://www.joshuablankenship.com&#34;&gt;jb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2007</title>
    <link href="https://mlarson.org/2007/07/31/20070731813/"/>
    <updated>2007-07-31T00:18:44.000Z</updated>
    <id>https://mlarson.org/2007/07/31/20070731813/</id>
    <content type="html">&lt;p&gt;Steven Pinker writes &lt;a href=&#34;http://www.suntimes.com/news/otherviews/469317,CST-CONT-danger15.article&#34;&gt;in defense of dangerous ideas&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Paris Review Interviews, Volume I (review: 4.5/5)</title>
    <link href="https://mlarson.org/2007/07/31/20070731the-paris-review-interviews-volume-i-review-455/"/>
    <updated>2007-07-31T00:05:37.000Z</updated>
    <id>https://mlarson.org/2007/07/31/20070731the-paris-review-interviews-volume-i-review-455/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.parisreview.com/&#34;&gt;Paris Review&lt;/a&gt; has been popular for years for its interviews with writers, focusing more on the authors&#39; methods and craft, rather than their products. &lt;a href=&#34;http://www.amazon.com/Paris-Review-Interviews-I/dp/0312361750&#34;&gt;The Paris Review Interviews, Volume I&lt;/a&gt; collects 16 of those interviews over the last half-century, a selection of novelists, poets, screenwriters, and even an editor. One of the unique aspects of the Review&#39;s approach is that the interviewers review and refine and reconstruct the text in concert with the writers. There&#39;s plenty of back-and-forth communication along the way from inception to print. I&#39;ve never read a book full of interviews before, so one of the best parts was to be an observer of that proceess. I learned bit more about the difference between good interviewing (e.g. Borges &amp;amp; Christ) and bad interviewing (Hemingway vs. Plimpton). Of course, the more obvious privilege is learning from the writers themselves---reading about the ideas of really smart people who do really, really difficult work. You&#39;ll find a lot of great moments in this book. To pick just a few...&lt;/p&gt;
&lt;p&gt;Robert Stone on the state of American fiction: &amp;quot;You have famous writers, but there&#39;s no center. There are the best-seller writers, who are anonymous, almost industrial figures...&amp;quot; I love that! Nora Roberts is like GM, James Patterson is PepsiCo, Danielle Steele like Kraft; I can imagine them and their counterparts hulking along churning out self-similar merchandise.&lt;/p&gt;
&lt;p&gt;Saul Bellow was interesting for his occupational humility:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is such a thing as overcapitalizing the A in artist. Certain writers and musicians understand this. Stravinsky says the composer should practice his trade exactly as a shoemaker does. Mozart and Haydn accepted commissions--wrote to order. In the nineteenth century, the artist loftily waited for &lt;em&gt;inspiration&lt;/em&gt;. Once you elevate yourself to the rank of a cultural institution, you&#39;re in for a lot of trouble.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Kurt Vonnegut mirrors this attitude: &amp;quot;Trade. Carpenters build houses. Storytellers use a reader&#39;s leisure time in such a way that the reader will not feel that his time has been wasted. Mechanics fix automobiles.&amp;quot;&lt;/p&gt;
&lt;p&gt;Jorge Luis Borges is brilliant and his interviewer, Ronald Christ, seemed to be right up there with him. I expect conducting an interview is a lot easier with such a responsive subject, but I love how he was able to ask, prompt, suggest, hint... and just let Borges carry on. The result is the longest and probably the most engaging transcript in the entire book.&lt;/p&gt;
&lt;p&gt;On the other hand, George Plimpton&#39;s interview with Ernest Hemingway was simply awful, but in an interesting way. Hemingway comes off as a real jerk. Intelligent, serious, dedicated, but a jerk. For the most part, Plimpton rolls belly-up, yielding ground and changing the subject. It seems like he never really pressed or pursued or challenged. Then again, I wonder how literally accurate the transcription is, after the back-and-forth editing between writer and interview. There has to be some background story there.&lt;/p&gt;
&lt;p&gt;I find a certain perfectionist kinship with editor Robert Gottlieb. His perspective:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What is it that impels this act of editing? I know that in my case it&#39;s not merely about words. Whatever I look at, whatever I encounter, I want it to be good---whether it&#39;s what you&#39;re wearing, or how the restaurant has laid the table, or what&#39;s going on on stage, or what the president said last night, or how two people are talking to each other at a bus stop. I don&#39;t want to interfere with it or control it, exactly---I want it to &lt;em&gt;work&lt;/em&gt;, I want it to be happy, I want it to come out right.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There&#39;s some other good folks in there: T.S. Eliot, Truman Capote, Joan Didion, Billy Wilder, among others. This book probably has the highest educational-value to difficulty-of-reading ratio that I&#39;ve come across in the past couple years. I would have blown through it in a couple of hours if I didn&#39;t have to stop so often to bookmark a worthy exchange or ponder a claim. I hope the rest of the series holds up as well as this volume.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2007</title>
    <link href="https://mlarson.org/2007/07/30/20070730810/"/>
    <updated>2007-07-30T10:11:58.000Z</updated>
    <id>https://mlarson.org/2007/07/30/20070730810/</id>
    <content type="html">&lt;p&gt;I don&#39;t read all that many short stories or claim to be a huge fan of the form... but &lt;a href=&#34;http://www.newyorker.com/fiction/features/2007/07/09/070709fi_fiction_dybek?printable=true&#34;&gt;If I Vanished&lt;/a&gt; is one of the best I&#39;ve read in a couple years. I need to find some more writing by this &lt;a href=&#34;http://en.wikipedia.org/wiki/Stuart_Dybek&#34;&gt;Stuart Dybek&lt;/a&gt; guy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2007</title>
    <link href="https://mlarson.org/2007/07/30/20070730809/"/>
    <updated>2007-07-30T10:06:40.000Z</updated>
    <id>https://mlarson.org/2007/07/30/20070730809/</id>
    <content type="html">&lt;p&gt;&amp;quot;Oaxaca. Filming a street demonstration during the teachersÄô strike down there. Twice in the chest. Never made it to the hospital. &lt;a href=&#34;http://www.vqronline.org/articles/2007/summer/power-one-more-martyr/&#34;&gt;He filmed his own assassination&lt;/a&gt;.&amp;quot; The print version of the article in VQR also features illustrations from &lt;a href=&#34;http://www.peterkuper.com/&#34;&gt;Peter Kuper&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.vqronline.org/articles/2007/summer/kuper-oaxaca-sketchbook/&#34;&gt;Oaxaca Sketchbook&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 30, 2007</title>
    <link href="https://mlarson.org/2007/07/30/20070730808/"/>
    <updated>2007-07-30T09:49:33.000Z</updated>
    <id>https://mlarson.org/2007/07/30/20070730808/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.mises.org/upcomingstory.aspx?control=94&#34;&gt;Mises University&lt;/a&gt; is happening this week at the Ludwig von Mises Institute. &lt;a href=&#34;http://www.mises.org/content/webcasts.aspx&#34;&gt;Tune in to the webcasts&lt;/a&gt; for some of the best economics learnin&#39; you&#39;ll find anywhere.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 29, 2007</title>
    <link href="https://mlarson.org/2007/07/29/20070729807/"/>
    <updated>2007-07-29T18:25:57.000Z</updated>
    <id>https://mlarson.org/2007/07/29/20070729807/</id>
    <content type="html">&lt;p&gt;New York Magazine has a &lt;a href=&#34;http://nymag.com/arts/books/reviews/34981/&#34;&gt;good profile&lt;/a&gt; of economist &lt;a href=&#34;http://www.marginalrevolution.com/&#34;&gt;Tyler Cowen&lt;/a&gt; and his new book, &lt;a href=&#34;http://www.amazon.com/Discover-Your-Inner-Economist-Incentives/dp/0525950257&#34;&gt;Discover Your Inner Economist: Use Incentives to Fall in Love, Survive Your Next Meeting, and Motivate Your Dentist&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 29, 2007</title>
    <link href="https://mlarson.org/2007/07/29/20070729806/"/>
    <updated>2007-07-29T18:19:20.000Z</updated>
    <id>https://mlarson.org/2007/07/29/20070729806/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://discovermagazine.com/2007/jun/in-no-time/&#34;&gt;Time may not exist&lt;/a&gt;. What will they think of next? It&#39;s a really cool article. I&#39;m always glad to hear of interesting theoretical physics outside of stri-*yawn* string theory.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 29, 2007</title>
    <link href="https://mlarson.org/2007/07/29/20070729805/"/>
    <updated>2007-07-29T18:16:47.000Z</updated>
    <id>https://mlarson.org/2007/07/29/20070729805/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.toothpastefordinner.com/071407/spreadsheet-attack.gif&#34;&gt;Your spreadsheet has been attacked&lt;/a&gt;. Modern office life can be a little like &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Oregon_Trail_(computer_game)&#34;&gt;The Oregon Trail&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2007</title>
    <link href="https://mlarson.org/2007/07/27/20070727804/"/>
    <updated>2007-07-27T11:55:39.000Z</updated>
    <id>https://mlarson.org/2007/07/27/20070727804/</id>
    <content type="html">&lt;p&gt;The enterprising folks at &lt;a href=&#34;http://www.arthousecoop.com/site/&#34;&gt;Art House Co-op&lt;/a&gt; have launched &lt;a href=&#34;http://www.thesketchbookproject.com/&#34;&gt;The Sketchbook Project&lt;/a&gt;. Get a sketchbook, fill it up, send it back, and those of us in Atlanta in October can stop by and flip through them all. Proceeds are for a damn good cause, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2007</title>
    <link href="https://mlarson.org/2007/07/27/20070727803/"/>
    <updated>2007-07-27T11:51:41.000Z</updated>
    <id>https://mlarson.org/2007/07/27/20070727803/</id>
    <content type="html">&lt;p&gt;I love this &lt;a href=&#34;http://www.fallacyfiles.org/taxonomy.html&#34;&gt;taxonomy of logical fallacies&lt;/a&gt;. Learn those, and you&#39;ll be well on your way to... something. Probably something good. [via &lt;a href=&#34;http://tewalkerjr.com/blog/&#34;&gt;tim walker&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2007</title>
    <link href="https://mlarson.org/2007/07/27/20070727802/"/>
    <updated>2007-07-27T11:48:44.000Z</updated>
    <id>https://mlarson.org/2007/07/27/20070727802/</id>
    <content type="html">&lt;p&gt;There&#39;s a &lt;a href=&#34;http://memory-alpha.org/en/wiki/Portal:Main&#34;&gt;Star Trek wiki&lt;/a&gt;, almost 26,000 articles.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2007</title>
    <link href="https://mlarson.org/2007/07/26/20070726801/"/>
    <updated>2007-07-26T11:35:49.000Z</updated>
    <id>https://mlarson.org/2007/07/26/20070726801/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.thesoccerproject.com/&#34;&gt;Four filmmakers are traveling the world in search of pick-up soccer/football games&lt;/a&gt;, aiming to produce a documentary.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2007</title>
    <link href="https://mlarson.org/2007/07/26/20070726800/"/>
    <updated>2007-07-26T11:22:48.000Z</updated>
    <id>https://mlarson.org/2007/07/26/20070726800/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.walkscore.com/index.shtml&#34;&gt;Walk Score rates where you live&lt;/a&gt; based on how easy it is to walk to what you need. Unfortunately, it doesn&#39;t seem to take the presence of sidewalks into account, but it&#39;s still interesting.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2007</title>
    <link href="https://mlarson.org/2007/07/26/20070726799/"/>
    <updated>2007-07-26T11:20:17.000Z</updated>
    <id>https://mlarson.org/2007/07/26/20070726799/</id>
    <content type="html">&lt;p&gt;Sofa Free is a &lt;a href=&#34;http://www.flickr.com/groups/sofafree/pool/&#34;&gt;photo collection of sofas&lt;/a&gt; left up for grabs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 26, 2007</title>
    <link href="https://mlarson.org/2007/07/26/20070726798/"/>
    <updated>2007-07-26T11:17:35.000Z</updated>
    <id>https://mlarson.org/2007/07/26/20070726798/</id>
    <content type="html">&lt;p&gt;A video of &lt;a href=&#34;http://video.google.com/videoplay?docid=973149761529535925&#34;&gt;Merlin Mann talking to Google employees about Inbox Zero&lt;/a&gt;, e-mail management philosophy and technique. &amp;quot;Before you get good, you have to stop sucking.&amp;quot; For the past two weeks, I&#39;ve gone to bed with an empty inbox. It feels great. And now that I&#39;ve got a good &lt;a href=&#34;http://lifehacker.com/software/motivation/jerry-seinfelds-productivity-secret-281626.php&#34;&gt;Seinfeld streak&lt;/a&gt; going (thx, &lt;a href=&#34;http://www.austinkleon.com&#34;&gt;Austin&lt;/a&gt;), I don&#39;t want to break it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 25, 2007</title>
    <link href="https://mlarson.org/2007/07/25/20070725797/"/>
    <updated>2007-07-25T13:55:52.000Z</updated>
    <id>https://mlarson.org/2007/07/25/20070725797/</id>
    <content type="html">&lt;p&gt;Lately there have been a couple good interviews with William Gibson in anticipation of his book, &lt;a href=&#34;http://www.amazon.com/Spook-Country-William-Gibson/dp/0399154302/&#34;&gt;Spook Country&lt;/a&gt;. From &lt;a href=&#34;http://www.collegecrier.com/interviews/int-0040.asp&#34;&gt;his talk with the College Crier&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the assumptions that I had was that science fiction is necessarily always about the day in which it was written. And that was my conviction from having read a lot of old science fiction. 19th century science fiction obviously expresses all of the concerns and the neuroses of the 19th century and science fiction from the 1940&#39;s is the 1940&#39;s. George Orwell&#39;s 1984 is really 1948, the year in which he wrote it. It can&#39;t be about the future. It&#39;s about where the person who wrote it thought their present was, because you can&#39;t envision a future without having some sort of conviction, whether you express it or not in the text, about where your present is.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And &lt;a href=&#34;http://www.amazon.com/gp/feature.html?docId=1000112701&#34;&gt;recently on Amazon&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The thing that limits you with Google is what you can think of to google, really. There&#39;s some kind of personal best limitation on it, unless you get lucky and something you google throws up something you&#39;ve never seen before. You&#39;re still really inside some annotated version of your own head.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>July 25, 2007</title>
    <link href="https://mlarson.org/2007/07/25/20070725796/"/>
    <updated>2007-07-25T13:38:47.000Z</updated>
    <id>https://mlarson.org/2007/07/25/20070725796/</id>
    <content type="html">&lt;p&gt;Low-res pictures of fine jewelry distilled down to their fundamental brilliance, made into custom printed leather accessories: &lt;a href=&#34;http://www.mikeandmaaike.com/stolen_jewels.html&#34;&gt;pixelated jewelry&lt;/a&gt;. [via &lt;a href=&#34;http://www.userslib.com/&#34;&gt;userslib&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 24, 2007</title>
    <link href="https://mlarson.org/2007/07/24/20070724795/"/>
    <updated>2007-07-24T19:19:13.000Z</updated>
    <id>https://mlarson.org/2007/07/24/20070724795/</id>
    <content type="html">&lt;p&gt;I was browsing through the &lt;a href=&#34;http://www.loc.gov/&#34;&gt;Library of Congress&lt;/a&gt; website and came upon some &lt;a href=&#34;http://memory.loc.gov/ammem/wpaposters/about.html&#34;&gt;cool posters from the Works Progress Administration&lt;/a&gt;. From that, I put together a little &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600988703548/&#34;&gt;collection of library propaganda&lt;/a&gt;, lovely pro-literacy silkscreens and lithographs from our government.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 24, 2007</title>
    <link href="https://mlarson.org/2007/07/24/20070724794/"/>
    <updated>2007-07-24T14:58:27.000Z</updated>
    <id>https://mlarson.org/2007/07/24/20070724794/</id>
    <content type="html">&lt;p&gt;Recent Flickr groups I like: &lt;a href=&#34;http://www.flickr.com/groups/teasketches/pool/&#34;&gt;Tea Sketches&lt;/a&gt; is tea stains + illustration, and &lt;a href=&#34;http://www.flickr.com/groups/theitemswecarry/pool/&#34;&gt;Items We Carry&lt;/a&gt; is what people bring along in their pockets. Here&#39;s &lt;a href=&#34;http://www.flickr.com/photos/marklarson/887116482/in/pool-theitemswecarry/&#34;&gt;what I carry&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 24, 2007</title>
    <link href="https://mlarson.org/2007/07/24/20070724793/"/>
    <updated>2007-07-24T14:54:46.000Z</updated>
    <id>https://mlarson.org/2007/07/24/20070724793/</id>
    <content type="html">&lt;p&gt;Holy smokes, I forgot my anniversary. It was about a year and a week ago that I offered the Web &lt;a href=&#34;/mark-larson-1/2006/07/19/4&#34;&gt;my first post&lt;/a&gt;. Here&#39;s to many more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 23, 2007</title>
    <link href="https://mlarson.org/2007/07/23/20070723792/"/>
    <updated>2007-07-23T21:07:43.000Z</updated>
    <id>https://mlarson.org/2007/07/23/20070723792/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.goodexperience.com/&#34;&gt;Mark Hurst&lt;/a&gt; just published &lt;a href=&#34;http://bitliteracy.com/&#34;&gt;a book&lt;/a&gt; to get you back on track: &lt;a href=&#34;http://www.amazon.com/Bit-Literacy-Productivity-Information-Overload/dp/0979368103&#34;&gt;Bit Literacy: Productivity in the Age of Information and E-mail Overload&lt;/a&gt;. Could be a good one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 23, 2007</title>
    <link href="https://mlarson.org/2007/07/23/20070723791/"/>
    <updated>2007-07-23T18:57:40.000Z</updated>
    <id>https://mlarson.org/2007/07/23/20070723791/</id>
    <content type="html">&lt;p&gt;Here&#39;s 1500 or so &lt;a href=&#34;http://www.youtube.com/watch?v=hMnk7lh9M3o&#34;&gt;prisoners dancing to Michael Jackson&#39;s Thriller&lt;/a&gt;. I love it. [via &lt;a href=&#34;http://thoughtbucket.tumblr.com/&#34;&gt;thought bucket&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 23, 2007</title>
    <link href="https://mlarson.org/2007/07/23/20070723790/"/>
    <updated>2007-07-23T16:49:42.000Z</updated>
    <id>https://mlarson.org/2007/07/23/20070723790/</id>
    <content type="html">&lt;p&gt;Plates from George Catlin&#39;s 1844 &lt;a href=&#34;http://www.lindahall.org/services/digital/ebooks/catlin/thumbnails.shtml&#34;&gt;North American Indian Portfolio&lt;/a&gt;. And I&#39;m a sucker for celestial atlases, like Johann Rost&#39;s 1723 &lt;a href=&#34;http://www.lindahall.org/services/digital/ebooks/rost/thumbs.shtml&#34;&gt;Atlas Portatilis Coelestis&lt;/a&gt;---note the fold-out pages for color illustrations. The &lt;a href=&#34;http://www.lindahall.org/services/digital/index.shtml&#34;&gt;Linda Hall Library&lt;/a&gt; has a number of other cool digital collections.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 23, 2007</title>
    <link href="https://mlarson.org/2007/07/23/20070723789/"/>
    <updated>2007-07-23T16:09:36.000Z</updated>
    <id>https://mlarson.org/2007/07/23/20070723789/</id>
    <content type="html">&lt;p&gt;Janice Harayda pulled a very interesting quote from poet Philip Larkin---&lt;a href=&#34;http://oneminutebookreviews.wordpress.com/2007/07/19/the-case-against-poetry-readings-quote-of-the-day-philip-larkin/&#34;&gt;he isn&#39;t a big fan of poetry readings&lt;/a&gt;. The quote comes from an old interview in the &lt;a href=&#34;http://www.parisreview.com/&#34;&gt;Paris Review&lt;/a&gt;. I just finished the anthology &lt;a href=&#34;http://www.amazon.com/Paris-Review-Interviews-I/dp/0312361750&#34;&gt;Paris Review Interviews, Volume I&lt;/a&gt;, by the way. Very, very good reading. [via &lt;a href=&#34;http://www.bookslut.com/blog/&#34;&gt;bookslut&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 21, 2007</title>
    <link href="https://mlarson.org/2007/07/21/20070721788/"/>
    <updated>2007-07-21T21:31:39.000Z</updated>
    <id>https://mlarson.org/2007/07/21/20070721788/</id>
    <content type="html">&lt;p&gt;A simple &lt;a href=&#34;http://www.kungfugrippe.com/post/6245402&#34;&gt;infographic about Snape&#39;s cultural/emotional heritage&lt;/a&gt;. [via &lt;a href=&#34;http://www.rebeccablood.net&#34;&gt;rebecca blood&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 21, 2007</title>
    <link href="https://mlarson.org/2007/07/21/20070721787/"/>
    <updated>2007-07-21T21:21:55.000Z</updated>
    <id>https://mlarson.org/2007/07/21/20070721787/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://se4n.org/2007/07/20/the-potterdammerung-is-upon-us/&#34;&gt;Sean calls it Pötterdämmerung&lt;/a&gt;. Just for that, Sean, I promise I&#39;ll get around to finishing book #3.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2007</title>
    <link href="https://mlarson.org/2007/07/20/20070720786/"/>
    <updated>2007-07-20T09:50:52.000Z</updated>
    <id>https://mlarson.org/2007/07/20/20070720786/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.lefthandedtoons.com/?c=77&#34;&gt;open letter to Subway&lt;/a&gt; regarding cheese placement. Couldn&#39;t agree more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2007</title>
    <link href="https://mlarson.org/2007/07/20/20070720785/"/>
    <updated>2007-07-20T09:49:38.000Z</updated>
    <id>https://mlarson.org/2007/07/20/20070720785/</id>
    <content type="html">&lt;p&gt;On Flickr, &lt;a href=&#34;http://en.wikipedia.org/wiki/Milo_Manara&#34;&gt;Milo Manara&lt;/a&gt;&#39;s very graphic &lt;a href=&#34;http://flickr.com/photos/mlsj_photos/451632975/in/set-72157594325365981/&#34;&gt;cartoon timeline of mankind&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 20, 2007</title>
    <link href="https://mlarson.org/2007/07/20/20070720784/"/>
    <updated>2007-07-20T09:46:57.000Z</updated>
    <id>https://mlarson.org/2007/07/20/20070720784/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=469342&amp;amp;in_page_id=1770&#34;&gt;Jane Austen enthusiast ripped a few chapters from her books&lt;/a&gt;, changed the names, and submitted them to publishers. [via &lt;a href=&#34;http://blog.mises.org&#34;&gt;Mises&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 19, 2007</title>
    <link href="https://mlarson.org/2007/07/19/20070719783/"/>
    <updated>2007-07-19T13:01:14.000Z</updated>
    <id>https://mlarson.org/2007/07/19/20070719783/</id>
    <content type="html">&lt;p&gt;I like Andy Rutledge&#39;s little essay on &lt;a href=&#34;http://www.andyrutledge.com/quiet-structure.php&#34;&gt;quiet structure&lt;/a&gt;: &amp;quot;Quiet structure is achieved when you deÄìemphasize the structural elements; the containing boxes, structural lines, bullets, structural color elements, etcÄ¶ and bring a rhythmical consistency to the layout.&amp;quot; A good grid is a powerful thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 19, 2007</title>
    <link href="https://mlarson.org/2007/07/19/20070719782/"/>
    <updated>2007-07-19T00:55:52.000Z</updated>
    <id>https://mlarson.org/2007/07/19/20070719782/</id>
    <content type="html">&lt;blockquote&gt;
&lt;p&gt;If you cut up a large diamond into little bits, it will entirely lose the value it had as a whole; and an army divided up into small bodies of soldiers, loses all its strength. So a great intellect sinks to the level of an ordinary one, as soon as it is interrupted and disturbed, its attention distracted and drawn off from the matter in hand; for its superiority depends upon its power of concentration---of bringing all its strength to bear upon one theme, in the same way as a concave mirror collects into one point all the rays of light that strike upon it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From Arthur Schopenhauer&#39;s essay &lt;a href=&#34;http://etext.library.adelaide.edu.au/s/schopenhauer/arthur/essays/chapter4.html&#34;&gt;On Noise&lt;/a&gt;. I think maybe he might have appreciated GTD, were it around in his day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 19, 2007</title>
    <link href="https://mlarson.org/2007/07/19/20070719781/"/>
    <updated>2007-07-19T00:33:27.000Z</updated>
    <id>https://mlarson.org/2007/07/19/20070719781/</id>
    <content type="html">&lt;p&gt;Kind of a &lt;a href=&#34;http://www.aiga.org/content.cfm/is-there-a-doctor-of-design-in-the-house&#34;&gt;brain-stretching discussion&lt;/a&gt; about PhDs in Design and design research &amp;amp; scholarship. Lots of good feedback in the comments.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 18, 2007</title>
    <link href="https://mlarson.org/2007/07/18/20070718780/"/>
    <updated>2007-07-18T23:45:50.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718780/</id>
    <content type="html">&lt;p&gt;What if... &lt;a href=&#34;http://strangemaps.wordpress.com/2007/07/15/148-oh-inverted-world/&#34;&gt;Earth&#39;s topography was reversed&lt;/a&gt; so that continents were oceans and the oceans were continents? Pretty cool. I&#39;m trying to imagine the societies that would spring up and the new planetary politics.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 18, 2007</title>
    <link href="https://mlarson.org/2007/07/18/20070718779/"/>
    <updated>2007-07-18T23:40:45.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718779/</id>
    <content type="html">&lt;p&gt;There&#39;s an interesting series on homosexuality in comics in &lt;a href=&#34;http://www.comicbookresources.com/news/newsitem.cgi?id=11165&#34;&gt;one&lt;/a&gt;, &lt;a href=&#34;http://www.comicbookresources.com/news/newsitem.cgi?id=11179&#34;&gt;two&lt;/a&gt;, &lt;a href=&#34;http://www.comicbookresources.com/news/newsitem.cgi?id=11190&#34;&gt;three&lt;/a&gt; parts so far. The fourth and final part is on the way &lt;a href=&#34;http://www.comicbookresources.com/news/newsitem.cgi?id=11201&#34;&gt;here&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 18, 2007</title>
    <link href="https://mlarson.org/2007/07/18/20070718778/"/>
    <updated>2007-07-18T18:56:24.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718778/</id>
    <content type="html">&lt;p&gt;Whither our literary arbiters? On NPR, a story about how &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=12026430&#34;&gt;newspapers are dedicating less space for book reviews&lt;/a&gt; than in the past. Goes along with the general decline in newsprint circulation &amp;amp; advertising dollars.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 18, 2007</title>
    <link href="https://mlarson.org/2007/07/18/20070718775/"/>
    <updated>2007-07-18T18:29:11.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718775/</id>
    <content type="html">&lt;p&gt;I had a chance to see the big &lt;a href=&#34;http://moma.org/exhibitions/2007/serra/&#34;&gt;Richard Serra exhibition at the MoMA&lt;/a&gt; this summer. The New Yorker has a &lt;a href=&#34;http://www.newyorker.com/arts/critics/artworld/2007/06/11/070611craw_artworld_schjeldahl?printable=true&#34;&gt;gushing review of the show&lt;/a&gt; and the sculptor&#39;s career.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Animal Farm (review: 0/5)</title>
    <link href="https://mlarson.org/2007/07/18/20070718animal-farm-review-05/"/>
    <updated>2007-07-18T18:26:54.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718animal-farm-review-05/</id>
    <content type="html">&lt;p&gt;This was the second book I read on the Appalachian Trail this summer. Unfortunately it was the only book I had available at the time, but I pushed through it. I was surprised how bad this book was. I just loved 1984, and I for the most part I&#39;ve enjoyed Orwell&#39;s essays and stories... but wow, what a disappointment. I guess the storyline was a too much of a bludgeon for my tastes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 18, 2007</title>
    <link href="https://mlarson.org/2007/07/18/20070718773/"/>
    <updated>2007-07-18T16:52:08.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718773/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.flickr.com/photos/9793231@N05/sets/72157600706628117/&#34;&gt;choose-your-own-adventure story artfully stenciled on the sidewalks&lt;/a&gt; of San Francisco. I&#39;d love to see illustrated comics on this kind of scale. I&#39;m imagining entire sidewalk squares as panels wending around some plaza or across town. [via &lt;a href=&#34;http://notes.torrez.org/&#34;&gt;torrez&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 18, 2007</title>
    <link href="https://mlarson.org/2007/07/18/20070718772/"/>
    <updated>2007-07-18T13:00:27.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718772/</id>
    <content type="html">&lt;p&gt;Mickey Smith&#39;s &lt;a href=&#34;http://www.mickeysmithart.com/volume.htm&#34;&gt;photographs of bound journals&lt;/a&gt;. I like the installations, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 18, 2007</title>
    <link href="https://mlarson.org/2007/07/18/20070718771/"/>
    <updated>2007-07-18T00:02:28.000Z</updated>
    <id>https://mlarson.org/2007/07/18/20070718771/</id>
    <content type="html">&lt;p&gt;Mike Davidson has a simple solution to spend less time dealing with e-mail overload: &amp;quot;Every e-mail I send to anyone, regardless of subject or recipient, will be &lt;a href=&#34;http://www.mikeindustries.com/blog/archive/2007/07/fight-email-overload-with-sentences&#34;&gt;five sentences or less&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 17, 2007</title>
    <link href="https://mlarson.org/2007/07/17/20070717770/"/>
    <updated>2007-07-17T21:47:18.000Z</updated>
    <id>https://mlarson.org/2007/07/17/20070717770/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.billyvssteve.com/&#34;&gt;The King of Kong: A Fistful of Quarters&lt;/a&gt;. I really, really want to see this movie. Let&#39;s hope they bring it by Atlanta soon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 17, 2007</title>
    <link href="https://mlarson.org/2007/07/17/20070717769/"/>
    <updated>2007-07-17T21:42:01.000Z</updated>
    <id>https://mlarson.org/2007/07/17/20070717769/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/several_bees/529448560/&#34;&gt;A taxonomical study of desserts&lt;/a&gt;. I love the use of good-old-fashioned markers &amp;amp; posterboard.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Strange Case of Dr. Jekyll &amp;amp; Mr. Hyde (review: 4/5)</title>
    <link href="https://mlarson.org/2007/07/17/20070717dr-jekyll-mr-hyde-review-45/"/>
    <updated>2007-07-17T21:39:12.000Z</updated>
    <id>https://mlarson.org/2007/07/17/20070717dr-jekyll-mr-hyde-review-45/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Dr-Jekyll-Hyde-Signet-Classics/dp/0451528956/&#34;&gt;Dr. Jekyll &amp;amp; Mr. Hyde&lt;/a&gt; was the first book I brought to read during &lt;a href=&#34;http://&#34;&gt;my hike this summer&lt;/a&gt;, and also the first time I&#39;d ever brought a book on a hiking trip. Loved it. I especially appreciate the roundabout style narration. You rarely get information first-hand, it&#39;s almost all reported within the dialogue or letters from the characters. I think what I&#39;ll most remember from this book is just the simple pleasure of reading it. When I was out hiking, sunset came around 8:30pm and darkness soon after. This was my last waking pleasure each night, just a few pages after dinner, reading until I got sleepy or just couldn&#39;t see anymore.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 17, 2007</title>
    <link href="https://mlarson.org/2007/07/17/20070717767/"/>
    <updated>2007-07-17T21:24:55.000Z</updated>
    <id>https://mlarson.org/2007/07/17/20070717767/</id>
    <content type="html">&lt;p&gt;&amp;quot;The typological arrayÄôs inherent ability to depict prevalence and repetition make it the &lt;a href=&#34;http://www.markluthringer.com/RidgemontTypologies/taillights.html&#34;&gt;perfect technique for examining the excess, redundancy, and meaningless freedom of our current age of consumption&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 17, 2007</title>
    <link href="https://mlarson.org/2007/07/17/20070717766/"/>
    <updated>2007-07-17T21:20:51.000Z</updated>
    <id>https://mlarson.org/2007/07/17/20070717766/</id>
    <content type="html">&lt;p&gt;I love this set of prints: &lt;a href=&#34;http://www.flickr.com/photos/ashleyg/sets/72157600806777212/&#34;&gt;illustrations of bearded guys&lt;/a&gt;. [via &lt;a href=&#34;http://www.dooce.com&#34;&gt;dooce&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>And I&#39;m back</title>
    <link href="https://mlarson.org/2007/07/02/20070702im-back/"/>
    <updated>2007-07-02T09:30:28.000Z</updated>
    <id>https://mlarson.org/2007/07/02/20070702im-back/</id>
    <content type="html">&lt;p&gt;I&#39;m back from hiking on the Appalachian Trail. Go &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600553114109/&#34;&gt;look at my photos&lt;/a&gt; from the past 2 months and 1000 miles. I&#39;ll be easing back into regular duty here over the next couple weeks, as I mull over what new directions I&#39;d like to take the website and my life in general. It&#39;s good to be home.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>And I&#39;m gone...</title>
    <link href="https://mlarson.org/2007/04/21/20070421and-im-gone/"/>
    <updated>2007-04-21T21:31:55.000Z</updated>
    <id>https://mlarson.org/2007/04/21/20070421and-im-gone/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;/mark-larson-1/2007/04/05/time-for-a-vacation&#34;&gt;Like I mentioned&lt;/a&gt;, this summer I will be &lt;a href=&#34;http://en.wikipedia.org/wiki/Thru-hiking&#34;&gt;thru-hiking&lt;/a&gt; the &lt;a href=&#34;http://en.wikipedia.org/wiki/Appalachian_Trail&#34;&gt;Appalachian Trail&lt;/a&gt;, which &lt;a href=&#34;http://www.trailquest.net/bigatmap.gif&#34;&gt;runs from north Georgia to central Maine&lt;/a&gt; along the crest of the Appalachian Mountains. After a minor post-ponement I&#39;ll be starting Sunday morning, April 22---things will be mighty slow around these parts until I get back. I had a &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157594498835896/&#34;&gt;mostly incredible time back in 2005&lt;/a&gt;, and I&#39;ve got a &lt;a href=&#34;http://invictory.us/wp-content/images/333.pic.jpg&#34;&gt;pretty wild mix of emotions&lt;/a&gt; about my trip this summer. I&#39;ll probably be hiking around the same daily distance I did last time, aiming to finish in about 100 days, give or take a week. And like last time, this year I&#39;ll be hiking under my trail name of &amp;quot;Whistler.&amp;quot; (&lt;a href=&#34;http://gorp.away.com/gorp/books/excerpts/thruhike2.htm&#34;&gt;Trail names&lt;/a&gt; are little nicknames that thru-hikers often assume.)&lt;/p&gt;
&lt;p&gt;This year I&#39;m leaving about a month earlier than I did in 2005. This should be interesting in a couple ways. For one, most thru-hikers start in March or April, so this time I&#39;ll be starting with the crowd rather than catching up to them, for better or worse. The weather will also be a good bit colder at the beginning--I&#39;ve even heard of freak snow in the Virginia mountains in May. It could happen. At least it looks like the weather for my first week will be pretty good. An April start will also let me see more of the peak of wildflower season that I missed last time.&lt;/p&gt;
&lt;p&gt;Anyway. Tomorrow morning in about 10 hours my parents will drop me off at &lt;a href=&#34;http://en.wikipedia.org/wiki/Amicalola_Falls_State_Park&#34;&gt;Amicalola Falls State Park&lt;/a&gt; and from there I&#39;ll walk a 9-mile approach trail to &lt;a href=&#34;http://en.wikipedia.org/wiki/Springer_Mountain&#34;&gt;Springer Mountain&lt;/a&gt;, where the AT officially starts. After that... a 2200-mile summer.&lt;/p&gt;
&lt;p&gt;See y&#39;all in August.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2007</title>
    <link href="https://mlarson.org/2007/04/20/20070420763/"/>
    <updated>2007-04-20T13:26:17.000Z</updated>
    <id>https://mlarson.org/2007/04/20/20070420763/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.everyoneforever.com/content/2002-04-30/arirang_festival/&#34;&gt;Videos of mass human choreography&lt;/a&gt; at the &lt;a href=&#34;http://en.wikipedia.org/wiki/Arirang_Festival&#34;&gt;Arirang Festival&lt;/a&gt; in North Korea. Here&#39;s the &lt;a href=&#34;http://www.youtube.com/watch?v=Sg4h2sl-zFU&#34;&gt;Children&#39;s Parade&lt;/a&gt;. It would be kind of cool if it weren&#39;t taking place in a hopelessly poor, totalitarian state.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2007</title>
    <link href="https://mlarson.org/2007/04/20/20070420762/"/>
    <updated>2007-04-20T13:10:32.000Z</updated>
    <id>https://mlarson.org/2007/04/20/20070420762/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.pbs.org/pov/pov2006/tintinandi/sfartists_ware.html&#34;&gt;An interview with Chris Ware&lt;/a&gt;. &amp;quot;I think storytelling is one of comics&#39; aesthetic hurdles at the moment, which was the novelist&#39;s problem 150 years ago: namely, to take comics from storytelling into that of &amp;quot;writing,&amp;quot; the major distinction between the two to me being that the former gives one the facts, but the latter tries to recreate the sensation and complexities of life within the fluidity of consciousness and experience.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2007</title>
    <link href="https://mlarson.org/2007/04/20/20070420761/"/>
    <updated>2007-04-20T13:04:31.000Z</updated>
    <id>https://mlarson.org/2007/04/20/20070420761/</id>
    <content type="html">&lt;p&gt;I quite enjoy &lt;a href=&#34;http://www.flickr.com/photos/marklarson/380204310/&#34;&gt;meat cookies&lt;/a&gt;... maybe I need to try &lt;a href=&#34;http://www.blackwidowbakery.com/demo/meatcake/&#34;&gt;meat cake&lt;/a&gt; as well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2007</title>
    <link href="https://mlarson.org/2007/04/20/20070420760/"/>
    <updated>2007-04-20T00:56:30.000Z</updated>
    <id>https://mlarson.org/2007/04/20/20070420760/</id>
    <content type="html">&lt;p&gt;Might need this one day: &lt;a href=&#34;http://freelanceswitch.com/general/101-essential-freelancing-resources/&#34;&gt;101 essential freelancing resources&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 20, 2007</title>
    <link href="https://mlarson.org/2007/04/20/20070420759/"/>
    <updated>2007-04-20T00:54:59.000Z</updated>
    <id>https://mlarson.org/2007/04/20/20070420759/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.pitchforkmedia.com/article/feature/39700/Interview_Interview_Joanna_Newsom&#34;&gt;An interview with Joanna Newsom&lt;/a&gt;. On her time studying composition at Mills College:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;My music generally retains an interest in melody and harmony and some sort of meter-- it might be a polymeter, but some sort of meter that repeats for more than one bar. But a lot of these ideas that I was interested in seemed to be considered pass?©, like they were unworthy of discussion and unworthy of listening. I wouldn&#39;t necessarily say that would be true of the professors at that school, but the climate was dictated by what the students were interested in, and most of them were writing incredibly dissonant music on their laptop computers and didn&#39;t play instruments [or] know how to write notation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Sad and hilarious.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 11, 2007</title>
    <link href="https://mlarson.org/2007/04/11/20070411758/"/>
    <updated>2007-04-11T09:45:44.000Z</updated>
    <id>https://mlarson.org/2007/04/11/20070411758/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.francistapon.com/cdt/index.htm&#34;&gt;Francis Tapon is going to attempt to yo-yo the Continental Divide Trail&lt;/a&gt;---2800 miles north and 2800 miles back south through New Mexico, Colorado, Wyoming, and Montana. I think it&#39;s pretty amazing to even consider it, but it seems like the next &amp;quot;logical&amp;quot; step since the AT and PCT have been yo-yo&#39;ed. I&#39;ll be keeping tabs on him.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 11, 2007</title>
    <link href="https://mlarson.org/2007/04/11/20070411757/"/>
    <updated>2007-04-11T09:34:50.000Z</updated>
    <id>https://mlarson.org/2007/04/11/20070411757/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.popmatters.com/pm/features/article/32360/long-zoom-interview-with-steven-johnson/&#34;&gt;A long, excellent interview with Steven Johnson&lt;/a&gt;. A smart, knowledgeable interviewer can make such a huge difference.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2007</title>
    <link href="https://mlarson.org/2007/04/10/20070410756/"/>
    <updated>2007-04-10T10:08:37.000Z</updated>
    <id>https://mlarson.org/2007/04/10/20070410756/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.oregonlive.com/&#34;&gt;The Oregonian&lt;/a&gt; newspaper is &lt;a href=&#34;http://www.flickr.com/photos/theoregonian/&#34;&gt;publishing its daily photos on Flickr&lt;/a&gt;. It&#39;s looks like they&#39;re consistently geotagging them, too. I absolutely love it. [via &lt;a href=&#34;http://a.wholelottanothing.org/&#34;&gt;matt&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2007</title>
    <link href="https://mlarson.org/2007/04/10/20070410755/"/>
    <updated>2007-04-10T10:04:04.000Z</updated>
    <id>https://mlarson.org/2007/04/10/20070410755/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://diglib.lib.utk.edu/cgi/i/image/image-idx?q1=Structures%20--%20Shelters;rgn1=Subject%20Headings;type=boolean;view=thumbnail;g=gsmc;corig=rth;sid=51ff51eb4ab884ab8817b06f21c2e817;size=20;c=rth&amp;amp;start=1&#34;&gt;Some old photos of shelters in Great Smoky Mountains National Park&lt;/a&gt;. I was surprised by how much younger and newer everything looks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2007</title>
    <link href="https://mlarson.org/2007/04/10/20070410754/"/>
    <updated>2007-04-10T10:00:36.000Z</updated>
    <id>https://mlarson.org/2007/04/10/20070410754/</id>
    <content type="html">&lt;p&gt;I like David Seah&#39;s idea of &lt;a href=&#34;http://davidseah.com/archives/2004/09/21/picklejar/&#34;&gt;using a pickle jar to tame distractions&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 10, 2007</title>
    <link href="https://mlarson.org/2007/04/10/20070410753/"/>
    <updated>2007-04-10T09:59:49.000Z</updated>
    <id>https://mlarson.org/2007/04/10/20070410753/</id>
    <content type="html">&lt;p&gt;There&#39;s a cool &lt;a href=&#34;http://www.newyorker.com/reporting/2007/04/16/070416fa_fact_wilkinson?currentPage=all&#34;&gt;New Yorker article about Parkour&lt;/a&gt;, the cool urban running/ jumping/ climbing/ leaping thing. By no means am I as bold as the pros, but man it&#39;s fun. [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2007</title>
    <link href="https://mlarson.org/2007/04/05/20070405752/"/>
    <updated>2007-04-05T19:08:40.000Z</updated>
    <id>https://mlarson.org/2007/04/05/20070405752/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.oclc.org/research/top1000/factoids.htm&#34;&gt;Fun facts&lt;/a&gt; about the &lt;a href=&#34;http://www.oclc.org/research/top1000/complete.htm&#34;&gt;OCLC Top 1000&lt;/a&gt; books owned by library systems worldwide. &amp;quot;How far down the list do you have to go to get to a live author? Jim Davis&#39; Garfield is number 15 on the list. (Four of the 5 top works by living authors are cartoons!)&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2007</title>
    <link href="https://mlarson.org/2007/04/05/20070405751/"/>
    <updated>2007-04-05T19:03:35.000Z</updated>
    <id>https://mlarson.org/2007/04/05/20070405751/</id>
    <content type="html">&lt;p&gt;A long essay exploring &lt;a href=&#34;http://w5.cs.uni-sb.de/~butz/teaching/ie-ss03/papers/HCIinSF/&#34;&gt;Human Computer Interaction in Science Fiction Movies&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2007</title>
    <link href="https://mlarson.org/2007/04/05/20070405750/"/>
    <updated>2007-04-05T18:56:06.000Z</updated>
    <id>https://mlarson.org/2007/04/05/20070405750/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.believermag.com/issues/200704/?read=interview_mccloud&#34;&gt;An interview with Scott McCloud&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the eternal tensions of comics might be this dual aspiration that we have, on the one hand, to ensure that words and pictures are integrated. That they feel as if they were drawn by the same hand, feel as if they belong togetherÄîthat theyÄôre flip sides to the same coin. And, on the other hand, to take advantage of the unique potential of words, and the unique potential of pictures, which often sends them in opposite directions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In the course of the interview, he also mentions Dylan Horrock&#39;s critical essay &amp;quot;&lt;a href=&#34;http://www.hicksville.co.nz/Inventing%20Comics.htm&#34;&gt;Inventing Comics&lt;/a&gt;,&amp;quot; which is worth a read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2007</title>
    <link href="https://mlarson.org/2007/04/05/20070405749/"/>
    <updated>2007-04-05T18:35:59.000Z</updated>
    <id>https://mlarson.org/2007/04/05/20070405749/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.iht.com/articles/2007/03/30/arts/design2.php&#34;&gt;A nice little article about Helvetica in the IHT&lt;/a&gt;. Now that people who normally wouldn&#39;t care about type are noticing, it&#39;s even &lt;em&gt;more&lt;/em&gt; ubiquitous.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Time for a Vacation</title>
    <link href="https://mlarson.org/2007/04/05/20070405time-for-a-vacation/"/>
    <updated>2007-04-05T18:25:09.000Z</updated>
    <id>https://mlarson.org/2007/04/05/20070405time-for-a-vacation/</id>
    <content type="html">&lt;p&gt;Several months ago, I decided to attempt a &lt;a href=&#34;http://en.wikipedia.org/wiki/Thru-hiking&#34;&gt;thru-hike&lt;/a&gt; of the &lt;a href=&#34;http://www.appalachiantrail.org/&#34;&gt;Appalachian Trail&lt;/a&gt; this summer. In 2005 I was fortunate enough to &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157594498835896/&#34;&gt;hike the southern 1/3 of the trail&lt;/a&gt;, about 730 miles from Georgia to mid-Virginia. I&#39;ve had a hankering to get out there again. A while ago I gave notice at the library where I work. My last day there is the 10th, and I&#39;ll be hitting the trail on the 15th. (!) So, you can expect things to get a little sluggish here between now and the 15th as I put final touches on my preparation. And after that, &lt;a href=&#34;http://mlarson.org&#34;&gt;mlarson.org&lt;/a&gt; will be on a little hiatus. With health, patience, and a bit of luck, I should be back sometime in late July or early August with a photo of me smiling on &lt;a href=&#34;http://en.wikipedia.org/wiki/Mount_Katahdin&#34;&gt;Katahdin&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I&#39;ll miss you.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2007</title>
    <link href="https://mlarson.org/2007/04/05/20070405747/"/>
    <updated>2007-04-05T00:32:59.000Z</updated>
    <id>https://mlarson.org/2007/04/05/20070405747/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.randsinrepose.com/archives/2007/03/16/writers_and_editors.html&#34;&gt;Writers need editors&lt;/a&gt;: &amp;quot;They remind you that your writing is not fragile&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 5, 2007</title>
    <link href="https://mlarson.org/2007/04/05/20070405746/"/>
    <updated>2007-04-05T00:28:43.000Z</updated>
    <id>https://mlarson.org/2007/04/05/20070405746/</id>
    <content type="html">&lt;p&gt;Right now &lt;a href=&#34;http://video.google.com/videoplay?docid=-4417330245501589186&#34;&gt;I&#39;m enjoying Riding Giants&lt;/a&gt;, a documentary about the history of surfing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403745/"/>
    <updated>2007-04-03T22:07:38.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403745/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.nikon.co.jp/main/eng/feelnikon/discovery/universcale/index_f.htm&#34;&gt;Universcale&lt;/a&gt; guides you from cosmic size all the way down to the immeasurable sub-atomic scale. Kind of like the &lt;a href=&#34;http://video.google.com/videoplay?docid=1172643527768412929&#34;&gt;Powers of Ten film&lt;/a&gt;, but this one has chill &lt;a href=&#34;http://en.wikipedia.org/wiki/Muzak&#34;&gt;Musak&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403744/"/>
    <updated>2007-04-03T09:43:41.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403744/</id>
    <content type="html">&lt;p&gt;Next time I&#39;m in Seattle, &lt;a href=&#34;http://www.wallstreetfighter.com/2007/03/seattle-wall-of-gum.html&#34;&gt;I&#39;ll have to remember to stop by the Wall of Gum&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403743/"/>
    <updated>2007-04-03T09:12:18.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403743/</id>
    <content type="html">&lt;p&gt;I was reading this &lt;a href=&#34;http://www.newyorker.com/arts/critics/books/2007/04/02/070402crbo_books_updike&#34;&gt;profile of Albert Einstein&lt;/a&gt; yesterday and came across this mind-blowing bit of trivia. Einstein &amp;quot;calculated how many water molecules existed in 22.4 litres.&amp;quot; That&#39;s pretty cool in and of itself. But going further, Äúthat many unpopped popcorn kernels when spread across the United States would cover the country nine miles deepÄù.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403742/"/>
    <updated>2007-04-03T09:07:47.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403742/</id>
    <content type="html">&lt;p&gt;I just found &lt;a href=&#34;http://mooonriver.blogspot.com/index.html&#34;&gt;Moon River&lt;/a&gt; a few days ago. A blog with lots of old books, maps, design stuff. Right up my alley.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403741/"/>
    <updated>2007-04-03T09:05:14.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403741/</id>
    <content type="html">&lt;p&gt;Doc Searls talks about &lt;a href=&#34;http://doc.weblogs.com/2007/03/24&#34;&gt;how to save newspapers&lt;/a&gt;. Nice tips there. The sad part is that readers (i.e. customers) have been complaining about many of these features for years [e.g. archive paywalls, complicated websites, lack of linking, etc.]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403740/"/>
    <updated>2007-04-03T09:02:21.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403740/</id>
    <content type="html">&lt;p&gt;Some &lt;a href=&#34;http://www.formatmag.com/art/inspired-hip-hop-album-covers/&#34;&gt;tribute/rip-off album covers&lt;/a&gt; from the world of hip-hop.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403739/"/>
    <updated>2007-04-03T09:01:08.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403739/</id>
    <content type="html">&lt;p&gt;I&#39;m glad that someone has &lt;a href=&#34;http://www.salon.com/mwt/feature/2007/03/05/the_secret/&#34;&gt;called out Oprah Winfrey&lt;/a&gt; for featuring &lt;a href=&#34;http://www.amazon.com/Secret-Rhonda-Byrne/dp/1582701709&#34;&gt;The Secret&lt;/a&gt; on her show. I was pretty stunned that she&#39;d pick a crap book like that.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 3, 2007</title>
    <link href="https://mlarson.org/2007/04/03/20070403738/"/>
    <updated>2007-04-03T08:58:38.000Z</updated>
    <id>https://mlarson.org/2007/04/03/20070403738/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://windowseat.ca/collective/&#34;&gt;Collective Type Project&lt;/a&gt; gets volunteers to write individual letters, then mashes them all together to create a united typeface. There&#39;s only a couple characters still open for contribution, so act fast.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Batman: Year 100 (review: 2/5)</title>
    <link href="https://mlarson.org/2007/04/02/20070402batman-year-100-review-25/"/>
    <updated>2007-04-02T17:56:46.000Z</updated>
    <id>https://mlarson.org/2007/04/02/20070402batman-year-100-review-25/</id>
    <content type="html">&lt;p&gt;So in &lt;a href=&#34;http://www.amazon.com/Batman-Year-Hundred-Paul-Pope/dp/1401211925/&#34;&gt;Batman: Year 100&lt;/a&gt; we have the typical gritty Gotham set in a climate of heavy-hand police state dystopia, etc etc. The year is 2039. Not too distant, but plenty of time for the world to go to crap. Enough time for the old Batman to die off and a new one to take his place. Or maybe it&#39;s the same man...? The mystery of the new Dark Knight is unfortunately one that never gets resolved. He just sort of is, and does the usual foiling of nefarious plots. On the upside, there&#39;s interesting artwork from Paul Pope and Jose Villarrubia, and I liked seeing Batman as a bit more of a ramshackle outsider, coming across as unexperienced and a bit clumsy and improvisational. One of the better surprises was the little mini-comic stashed in the back of the book: &lt;em&gt;Berlin Batman&lt;/em&gt;. This one revolves around the (true) story of &lt;a href=&#34;http://www.mises.org/content/mises.asp&#34;&gt;Ludwig von Mises&lt;/a&gt;, a brilliant and outspoken economist who fled the Nazis at the cost of having his home ransacked and all his papers confiscated. Batman tries to stop it. It&#39;s a cool little yarn, with a hilariously &lt;a href=&#34;http://en.wikipedia.org/wiki/Bobos_in_Paradise&#34;&gt;bourgeois/bohemian&lt;/a&gt; Bruce Wayne. It was great to see two of my personal thrills (&lt;a href=&#34;http://en.wikipedia.org/wiki/Batman&#34;&gt;Batman&lt;/a&gt; and &lt;a href=&#34;http://www.mises.org/etexts/why_ae.asp&#34;&gt;Austrian economics&lt;/a&gt;) collide so unexpectedly.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2007</title>
    <link href="https://mlarson.org/2007/04/01/20070401737/"/>
    <updated>2007-04-01T21:45:38.000Z</updated>
    <id>https://mlarson.org/2007/04/01/20070401737/</id>
    <content type="html">&lt;p&gt;I think the anthology of &lt;a href=&#34;http://www.missedconnectioncomics.blogspot.com/&#34;&gt;Missed Connection Comics&lt;/a&gt; could be pretty cool. The concept is to take a &lt;a href=&#34;http://atlanta.craigslist.org/mis/&#34;&gt;missed connection post from Craigslist&lt;/a&gt; and comic-ize it. You&#39;ll &lt;a href=&#34;http://www.flickr.com/photos/isawyou/&#34;&gt;find some samples here&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2007</title>
    <link href="https://mlarson.org/2007/04/01/20070401736/"/>
    <updated>2007-04-01T21:39:30.000Z</updated>
    <id>https://mlarson.org/2007/04/01/20070401736/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theonion.com/content/news/heroic_secret_service_agent_takes&#34;&gt;Heroic secret service agent takes question intended for Bush&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Trouble with Physics (review: dnf)</title>
    <link href="https://mlarson.org/2007/04/01/20070401the-trouble-with-physics-review-dnf/"/>
    <updated>2007-04-01T21:05:30.000Z</updated>
    <id>https://mlarson.org/2007/04/01/20070401the-trouble-with-physics-review-dnf/</id>
    <content type="html">&lt;p&gt;I learned a lot from this book. But at this point, I have neither the time nor the brainpower to finish it off. The half that I read is quite good, though, so I&#39;ll share a bit from that. The title of &lt;a href=&#34;http://en.wikipedia.org/wiki/Lee_Smolin&#34;&gt;Lee Smolin&lt;/a&gt;&#39;s book foretells much: &lt;a href=&#34;http://www.amazon.com/Trouble-Physics-String-Theory-Science/dp/0618551050&#34;&gt;The Trouble with Physics: The Rise of String Theory, the Fall of Science, and What Comes Next&lt;/a&gt;. Smolin starts off with a an overview of science---what it is and ought to be, the greatest remaining puzzles in physics, what it means to truly solve them, the nature and power of theory, and a history of the major advances in physics since around the Renaissance. Smolin does a great job here. He really takes his time, assumes little, and has a clever way with analogies. Next comes the early development of string theory in the 70s and 80s, its rapid progress in the following decades, and current stagnation. Which brought to the part where he starts talking about &lt;a href=&#34;http://en.wikipedia.org/wiki/Brane&#34;&gt;branes&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/M-theory&#34;&gt;M-theory&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Supersymmetry&#34;&gt;super-symmetry&lt;/a&gt; and... I realized I would never make it. I would need a bit more focus and fewer compelling distractions tapping their foot impatiently in my To-Read queue.&lt;/p&gt;
&lt;p&gt;Anyway, here&#39;s a good riff from Smolin on the human side of science:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It seems to me more and more that career decisions hinge on character. Some people will happily jump on the next big thing, give it all they&#39;ve got, and in this way make important contributions to fast-moving fields. Others just don&#39;t have the temperament to do this. Some people need to think through everything very carefully, and this takes time, as they get easily confused. It&#39;s not hard to feel superior to such people, until you remember that Einstein was one of them. In my experience, the truly shocking new ideas and innovations tend to come from such people. Still others---and I belong to this third group---just have to go their own way, and will flee fields for no better reason than that it offends them that people are joining in because it feels good to be on the winning side... Luckily for science, the contributions of the whole range of types are needed. Those who do good science, I&#39;ve come to think, do so because they choose problems that are suited to them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;m pretty sure I&#39;ll come back to this book maybe a couples months down the road. See also &lt;a href=&#34;/mark-larson-1/2006/09/26/111&#34;&gt;my post from last September&lt;/a&gt; with &lt;a href=&#34;http://www.newyorker.com/printables/critics/061002crat_atlarge&#34;&gt;some&lt;/a&gt; &lt;a href=&#34;http://www.wired.com/wired/archive/14.09/stringtheory.html&#34;&gt;stringy&lt;/a&gt; &lt;a href=&#34;http://www.tenthdimension.com/&#34;&gt;links&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>April 1, 2007</title>
    <link href="https://mlarson.org/2007/04/01/20070401698/"/>
    <updated>2007-04-01T20:33:37.000Z</updated>
    <id>https://mlarson.org/2007/04/01/20070401698/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Turk&#34;&gt;Turk&lt;/a&gt; was a novelty chess-playing machine hoax. It first debuted in 1770 and toured for almost a century. I was surprised it had such a rich history.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 30, 2007</title>
    <link href="https://mlarson.org/2007/03/30/20070330733/"/>
    <updated>2007-03-30T13:46:41.000Z</updated>
    <id>https://mlarson.org/2007/03/30/20070330733/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.knockoffproject.com/&#34;&gt;Knockoff Project&lt;/a&gt; tracks album cover spoofs, tributes, &amp;amp; rip-offs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 30, 2007</title>
    <link href="https://mlarson.org/2007/03/30/20070330732/"/>
    <updated>2007-03-30T13:41:43.000Z</updated>
    <id>https://mlarson.org/2007/03/30/20070330732/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Category:Falsettos&#34;&gt;A list of male singers known for using the falsetto range&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2007</title>
    <link href="https://mlarson.org/2007/03/29/20070329731/"/>
    <updated>2007-03-29T19:51:34.000Z</updated>
    <id>https://mlarson.org/2007/03/29/20070329731/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kokogiak.com/gedankengang/2007/03/all-known-bodies-in-solar-system.html&#34;&gt;An image of all the objects in our solar system larger than 200 miles in diameter&lt;/a&gt;. This is a nice addition to my other links about &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932ce4b06bff889130a6/1368232748739/?format=original&#34;&gt;sense of scale&lt;/a&gt; and projects that try to make sense of Really Big Ideas. [via &lt;a href=&#34;http://www.waxy.org/links&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2007</title>
    <link href="https://mlarson.org/2007/03/29/20070329730/"/>
    <updated>2007-03-29T19:37:22.000Z</updated>
    <id>https://mlarson.org/2007/03/29/20070329730/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=nYWNsqwSRYo&amp;amp;eurl=&#34;&gt;A video of photos of circular things&lt;/a&gt;. Tires, letters, signs, holes, dials, etc. Great soundtrack to boot. [via &lt;a href=&#34;http://www.krazydad.com&#34;&gt;krazydad&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2007</title>
    <link href="https://mlarson.org/2007/03/29/20070329729/"/>
    <updated>2007-03-29T19:30:24.000Z</updated>
    <id>https://mlarson.org/2007/03/29/20070329729/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/41969054@N00/sets/72157594240725240&#34;&gt;A pretty cool collection of experimental thumb pianos&lt;/a&gt;. I always wanted to make an &lt;a href=&#34;http://en.wikipedia.org/wiki/Mbira&#34;&gt;mbira&lt;/a&gt; (aka thumb piano aka kalimba) since I found out they existed. Just one of those projects I forgot about that I need to re-add to my list. I saw &lt;a href=&#34;http://www.nexuspercussion.com/Nexus26.html&#34;&gt;Bob Becker&lt;/a&gt; play one in concert at &lt;a href=&#34;http://www.pasic.org/&#34;&gt;PASIC&lt;/a&gt; one year, I think back in 2001. Of course, because Bob Becker is who he is, it was amazing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2007</title>
    <link href="https://mlarson.org/2007/03/29/20070329728/"/>
    <updated>2007-03-29T19:23:23.000Z</updated>
    <id>https://mlarson.org/2007/03/29/20070329728/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.adena.com/adena/mo/mo20.htm&#34;&gt;A few illustrations from early version of the Monopoly board game&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2007</title>
    <link href="https://mlarson.org/2007/03/29/20070329727/"/>
    <updated>2007-03-29T06:17:14.000Z</updated>
    <id>https://mlarson.org/2007/03/29/20070329727/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.justin.tv/&#34;&gt;Justin wears the camera 24 hours a day, 7 days a week&lt;/a&gt;. Even in the bathroom. Even on a date.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 29, 2007</title>
    <link href="https://mlarson.org/2007/03/29/20070329726/"/>
    <updated>2007-03-29T06:15:27.000Z</updated>
    <id>https://mlarson.org/2007/03/29/20070329726/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://ww1.salon.com/books/feature/2007/03/25/lethem_interview/&#34;&gt;An interview with Jonathan Lethem&lt;/a&gt;. He talks about copyright and some of the ideas in his &lt;a href=&#34;http://www.harpers.org/TheEcstasyOfInfluence.html&#34;&gt;Harper&#39;s article&lt;/a&gt; a couple months ago.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2007</title>
    <link href="https://mlarson.org/2007/03/28/20070328725/"/>
    <updated>2007-03-28T09:34:06.000Z</updated>
    <id>https://mlarson.org/2007/03/28/20070328725/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.michaluk.co.uk/a0_page.html&#34;&gt;A0 magazine is a photojournal&lt;/a&gt; printed on 5 sheets of gigantic &lt;a href=&#34;http://en.wikipedia.org/wiki/Image:A_size_illustration.svg&#34;&gt;A0 paper&lt;/a&gt;, with stitching down the spine. I love it. [via &lt;a href=&#34;http://typeforyou.blogspot.com/&#34;&gt;typeforyou&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Starfish &amp;amp; the Spider (review: 3/5)</title>
    <link href="https://mlarson.org/2007/03/28/20070328the-starfish-the-spider-review-35/"/>
    <updated>2007-03-28T09:26:36.000Z</updated>
    <id>https://mlarson.org/2007/03/28/20070328the-starfish-the-spider-review-35/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Starfish-Spider-Unstoppable-Leaderless-Organizations/dp/1591841437&#34;&gt;The Starfish &amp;amp; the Spider: The Unstoppable Power of Leaderless Organizations&lt;/a&gt; is another book along the lines of &lt;a href=&#34;/mark-larson-1/2007/02/28/wikinomics-how-mass-collaboration-changes-everything-review-255&#34;&gt;Wikinomics&lt;/a&gt;. This book has the typical anecdotes punctuated with bullet points that you&#39;ll see in other business books. It&#39;s breezy and well-paced. It covers the principles of decentralization (e.g. &amp;quot;when attached, a decentralized organization tends to become even more open and decentralized,&amp;quot; or &amp;quot;it&#39;s easy to mistake starfish for spiders,&amp;quot; and &amp;quot;an open system doesn&#39;t have central intelligence; the intelligence is spread throughout the system.&amp;quot;), and their implications for the business world. While this one isn&#39;t nearly as tedious as &lt;em&gt;Wikinomics&lt;/em&gt;, it&#39;s also not as wide-ranging or historical. In this case, I think that&#39;s a good thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2007</title>
    <link href="https://mlarson.org/2007/03/28/20070328724/"/>
    <updated>2007-03-28T09:02:10.000Z</updated>
    <id>https://mlarson.org/2007/03/28/20070328724/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.92y.org/index.php/weblog/item/y_music_talk_alex_ross/&#34;&gt;A brief interview with Alex Ross&lt;/a&gt;. He&#39;s got a &lt;a href=&#34;http://www.amazon.com/Rest-Noise-Listening-Twentieth-Century/dp/0374249393/&#34;&gt;new book&lt;/a&gt; on the way this fall, which I predict that I will enjoy immensely.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What I want to do is to provide an intelligent introduction to this fabulous, labyrinthine world: not just the music itself, from Schoenberg and Stravinsky onward, but the entire cultural and social tumult around it: the Rite of Spring riot, the interaction of composers and jazz people in the twenties, the entanglement of composers in totalitarian regimes, the weird intersections of post-WWII avant-garde composers and Cold War politics, the origins of minimalism in the alternative philosophies of the West Coast. ItÄôs not so much a history of twentieth-century music as a history of the twentieth century told through music.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 28, 2007</title>
    <link href="https://mlarson.org/2007/03/28/20070328723/"/>
    <updated>2007-03-28T08:52:59.000Z</updated>
    <id>https://mlarson.org/2007/03/28/20070328723/</id>
    <content type="html">&lt;p&gt;Some friends of mine &lt;a href=&#34;http://www.patrickcentral.com/cheese/&#34;&gt;started a cheese blog&lt;/a&gt;. Which is great for at least two reasons:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Lately, I&#39;ve become more and more fond of food blogs.&lt;/li&gt;
&lt;li&gt;The thought of starting a cheese blog would &lt;em&gt;never&lt;/em&gt; occur to me.&lt;/li&gt;
&lt;/ol&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2007</title>
    <link href="https://mlarson.org/2007/03/27/20070327722/"/>
    <updated>2007-03-27T09:07:43.000Z</updated>
    <id>https://mlarson.org/2007/03/27/20070327722/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=uIwMGkqa6Sw&#34;&gt;Here&#39;s the bike-dancing scene from the Kevin Bacon movie Quicksilver&lt;/a&gt;. Really, why did we ever leave the 80s?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2007</title>
    <link href="https://mlarson.org/2007/03/27/20070327721/"/>
    <updated>2007-03-27T09:05:14.000Z</updated>
    <id>https://mlarson.org/2007/03/27/20070327721/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://en.wikipedia.org/wiki/Dunbar&#39;s_number&#34;&gt;Dunbar&#39;s number&lt;/a&gt;, which is 150, represents the maximum number of individuals with whom a set of people can maintain a social relationship, the kind of relationship that goes with knowing who each person is and how each person relates socially to every other person.&amp;quot; [via intriguing social network discussion on &lt;a href=&#34;http://www.kottke.org/07/03/one-degree-group&#34;&gt;kottke.org&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2007</title>
    <link href="https://mlarson.org/2007/03/27/20070327720/"/>
    <updated>2007-03-27T09:00:09.000Z</updated>
    <id>https://mlarson.org/2007/03/27/20070327720/</id>
    <content type="html">&lt;p&gt;Cathrine Kullberg &lt;a href=&#34;http://www.cathrinekullberg.com/index.php&#34;&gt;makes these sweet lamps from thin birch wood&lt;/a&gt;, and carves them with natural scenery.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 27, 2007</title>
    <link href="https://mlarson.org/2007/03/27/20070327719/"/>
    <updated>2007-03-27T08:56:39.000Z</updated>
    <id>https://mlarson.org/2007/03/27/20070327719/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.totse.com/en/fringe/fringe_science/effectsofsleep173704.html&#34;&gt;havent slept in 105 hrs&lt;/a&gt;. my eyes are burnng horribly an seem to be bloodshot. as far as reaction time goes, its almost nonexistant. i had friend throw something at me, and didnt even bother flinching.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Interaction of Color (review: 4.5/5)</title>
    <link href="https://mlarson.org/2007/03/27/20070327interaction-of-color-review-455/"/>
    <updated>2007-03-27T08:53:39.000Z</updated>
    <id>https://mlarson.org/2007/03/27/20070327interaction-of-color-review-455/</id>
    <content type="html">&lt;p&gt;The Yale University Press recently reprinted an expanded version of &lt;a href=&#34;http://en.wikipedia.org/wiki/Josef_Albers&#34;&gt;Josef Albers&lt;/a&gt;&#39; classic book &lt;a href=&#34;http://yalepress.yale.edu/yupbooks/book.asp?isbn=0300115954&#34;&gt;Interaction of Color&lt;/a&gt;. Unlike many books about color, this one eschews most discussion of optics and wavelengths and the physics of light. It&#39;s not about theory and systems. Instead, this one is meant to be a very hands-on book---experiment and observation. Each small chapter is dedicated to a particular color concept, a sort of visual &lt;a href=&#34;http://en.wikipedia.org/wiki/Consciousness_raising&#34;&gt;consciousness-raising&lt;/a&gt;, if you will. Though it only takes an hour or two to read the book and ponder the examples, actually following through with the projects takes hours and hours of cutting out paper samples and ceaselessly arranging and rearranging.&lt;/p&gt;
&lt;p&gt;To offer one tiny quibble, the layout of the text really threw me for a loop. The sentences are arranged in such a way that they don&#39;t continue to the true margin on the side of the page, neither making a justified block of text or a comfortable right-ragged edge. I&#39;m not sure of the reasoning for this decision. But it really made the whole thing harder to read.&lt;/p&gt;
&lt;p&gt;That aside, it&#39;s a fantastic book.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2007</title>
    <link href="https://mlarson.org/2007/03/26/20070326717/"/>
    <updated>2007-03-26T14:02:24.000Z</updated>
    <id>https://mlarson.org/2007/03/26/20070326717/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.paperheart.org/imtoosad/&#34;&gt;I&#39;m Too Sad to Tell You&lt;/a&gt;, a collection of self-portraits of people in tears. [via &lt;a href=&#34;http://port2port.visualblogging.com/&#34;&gt;port2port&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2007</title>
    <link href="https://mlarson.org/2007/03/26/20070326716/"/>
    <updated>2007-03-26T08:31:20.000Z</updated>
    <id>https://mlarson.org/2007/03/26/20070326716/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.rtoddking.com/chinawin2007_hb_if.htm&#34;&gt;Photos from the Eighth Annual Harbin Ice and Snow World&lt;/a&gt; in Harbin, China. The photographer was also there in &lt;a href=&#34;http://www.rtoddking.com/chinawin2003_hb_if.htm&#34;&gt;2003&lt;/a&gt; and &lt;a href=&#34;http://www.rtoddking.com/chinawin2005_hb_if.htm&#34;&gt;2005&lt;/a&gt;. [via &lt;a href=&#34;http://blog.veer.com/archives/001411.html&#34;&gt;veer&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2007</title>
    <link href="https://mlarson.org/2007/03/26/20070326715/"/>
    <updated>2007-03-26T08:17:03.000Z</updated>
    <id>https://mlarson.org/2007/03/26/20070326715/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.veer.com/ideas/etched/&#34;&gt;Etched in Stone&lt;/a&gt; is an animated short film, a murder-mystery revolving around typefaces, specifically &lt;a href=&#34;http://en.wikipedia.org/wiki/Trajan_(typeface)&#34;&gt;Trajan&lt;/a&gt;. Watch the &lt;a href=&#34;http://www.veer.com/ideas/etched/trailer/&#34;&gt;trailer&lt;/a&gt; first.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2007</title>
    <link href="https://mlarson.org/2007/03/26/20070326714/"/>
    <updated>2007-03-26T06:34:51.000Z</updated>
    <id>https://mlarson.org/2007/03/26/20070326714/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nobodyandco.it/sito/inglese/the%20bibliochaise.html&#34;&gt;The Bibliochase is both a chair and a bookshelf&lt;/a&gt;. I love it. The armrests look a bit small, but I love it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2007</title>
    <link href="https://mlarson.org/2007/03/26/20070326712/"/>
    <updated>2007-03-26T06:29:08.000Z</updated>
    <id>https://mlarson.org/2007/03/26/20070326712/</id>
    <content type="html">&lt;p&gt;David Friedman did these &lt;a href=&#34;http://finkelsteinlibrary.org/Friedman_Drawings/index.html&#34;&gt;sketches of people enjoying libraries&lt;/a&gt;. It was back in the 1960s and 70s, so there&#39;s not a computer in sight. Kind of weird, in a way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 26, 2007</title>
    <link href="https://mlarson.org/2007/03/26/20070326711/"/>
    <updated>2007-03-26T06:21:34.000Z</updated>
    <id>https://mlarson.org/2007/03/26/20070326711/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://en.wikipedia.org/wiki/Codex_Seraphinianus&#34;&gt;Codex Seraphinianus&lt;/a&gt; is an encyclopedia of a fantasy world written in a fictional language. There&#39;s a &lt;a href=&#34;http://www.flickr.com/photos/cottoncandyhammer/sets/72157594263968563/?page=3&#34;&gt;full set of scans from the book on Flickr&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 23, 2007</title>
    <link href="https://mlarson.org/2007/03/23/20070323710/"/>
    <updated>2007-03-23T23:08:19.000Z</updated>
    <id>https://mlarson.org/2007/03/23/20070323710/</id>
    <content type="html">&lt;p&gt;I just picked up &lt;a href=&#34;http://www.amazon.com/Enlightened-Bracketologist-Final-Four-Everything/dp/159691310X&#34;&gt;The Enlightened Bracketologist: The Final Four of Everything&lt;/a&gt; today. Pretty dern good so far.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 23, 2007</title>
    <link href="https://mlarson.org/2007/03/23/20070323709/"/>
    <updated>2007-03-23T23:02:54.000Z</updated>
    <id>https://mlarson.org/2007/03/23/20070323709/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.sustainableisgood.com/blog/2007/03/image_is_everyt.html&#34;&gt;makers of Splenda have bought off hundreds of negative domain names&lt;/a&gt;, like &lt;a href=&#34;http://splendakills.com&#34;&gt;splendakills.com&lt;/a&gt;. Is it just their paranoia or should I be concerned? [via &lt;a href=&#34;http://notes.torrez.org/&#34;&gt;torrez&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 23, 2007</title>
    <link href="https://mlarson.org/2007/03/23/20070323708/"/>
    <updated>2007-03-23T22:56:54.000Z</updated>
    <id>https://mlarson.org/2007/03/23/20070323708/</id>
    <content type="html">&lt;p&gt;Due out next month is &lt;a href=&#34;http://www.amazon.com/Politically-Incorrect-Guide-Capitalism/dp/1596985046&#34;&gt;The Politically Incorrect Guide to Capitalism&lt;/a&gt;, written by Robert Murphy. I think Murphy is pretty sharp. I liked his market-anarchist speculation/philosophizing in &lt;a href=&#34;http://www.mises.org/store/Chaos-Theory-P190C0.aspx&#34;&gt;Chaos Theory&lt;/a&gt;. And he also wrote a &lt;a href=&#34;http://www.mises.org/store/Man-Economy-and-State---Study-Guide-P304C0.aspx&#34;&gt;study guide&lt;/a&gt; for Murray Rothbard&#39;s 1400-page economics treatise &lt;a href=&#34;http://www.mises.org/store/Man-Economy-and-State-with-Power-and-Market-The-Scholars-Edition-P177C0.aspx&#34;&gt;Man, Economy, and State&lt;/a&gt;. I&#39;m looking forward to this latest one---it could pair nicely with &lt;a href=&#34;http://www.amazon.com/Economics-Real-People-Gene-Callahan/dp/0945466412&#34;&gt;Economics for Real People&lt;/a&gt; for a sort of friendly intro to libertarianism. Save the &lt;a href=&#34;http://www.walterblock.com/&#34;&gt;Block&lt;/a&gt; and &lt;a href=&#34;http://www.hanshoppe.com/&#34;&gt;Hoppe&lt;/a&gt; for later.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2007</title>
    <link href="https://mlarson.org/2007/03/22/20070322706/"/>
    <updated>2007-03-22T06:14:47.000Z</updated>
    <id>https://mlarson.org/2007/03/22/20070322706/</id>
    <content type="html">&lt;p&gt;Check out the a &lt;a href=&#34;http://mitpress.mit.edu/e-books/HP/hyp000.htm&#34;&gt;full reproduction&lt;/a&gt; of the &lt;a href=&#34;http://mitpress.mit.edu/e-books/HP/hyptext0.htm&#34;&gt;Hypnerotomachia Poliphili&lt;/a&gt;, one of the most famous early printed books. It was probably written by &lt;a href=&#34;http://en.wikipedia.org/wiki/Francesco_Colonna&#34;&gt;Francesco Colonna&lt;/a&gt; in the mid-15th century and beautifully printed by &lt;a href=&#34;http://en.wikipedia.org/wiki/Aldus_Manutius&#34;&gt;Aldus Manutius&lt;/a&gt; in 1499. There&#39;s also a copy of &lt;a href=&#34;http://www.archive.org/details/hypnerot00colluoft&#34;&gt;the 1592 English translation&lt;/a&gt; (&lt;em&gt;Poliphilo&#39;s Strife of Love in a Dream&lt;/em&gt;), which attempts to preserve the typography of the original. And of course, Project Gutenberg has a &lt;a href=&#34;http://www.gutenberg.org/files/18459/18459-8.txt&#34;&gt;plain text&lt;/a&gt; English translation.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 22, 2007</title>
    <link href="https://mlarson.org/2007/03/22/20070322707/"/>
    <updated>2007-03-22T06:13:39.000Z</updated>
    <id>https://mlarson.org/2007/03/22/20070322707/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.thestranger.com/blog/2007/03/post_135&#34;&gt;Hot dogs, filled with cheese, wrapped in bacon, deep fried&lt;/a&gt;.[via &lt;a href=&#34;http://www.notmartha.org&#34;&gt;not martha&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2007</title>
    <link href="https://mlarson.org/2007/03/21/20070321705/"/>
    <updated>2007-03-21T10:43:49.000Z</updated>
    <id>https://mlarson.org/2007/03/21/20070321705/</id>
    <content type="html">&lt;p&gt;Here&#39;s a &lt;a href=&#34;http://www.flickr.com/photos/oldtasty/sets/13655/&#34;&gt;collection of newspaper masthead clip art from the time of China&#39;s Cultural Revolution&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2007</title>
    <link href="https://mlarson.org/2007/03/21/20070321704/"/>
    <updated>2007-03-21T10:41:41.000Z</updated>
    <id>https://mlarson.org/2007/03/21/20070321704/</id>
    <content type="html">&lt;p&gt;New Yorker music critic &lt;a href=&#34;http://www.therestisnoise.com/2007/03/no_turning_back.html&#34;&gt;Alex Ross has a book coming out this fall&lt;/a&gt;, a history of 20th-century music.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2007</title>
    <link href="https://mlarson.org/2007/03/21/20070321703/"/>
    <updated>2007-03-21T10:39:22.000Z</updated>
    <id>https://mlarson.org/2007/03/21/20070321703/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.on-my-desk.blogspot.com/&#34;&gt;Artists, illustrators, designers, and creative folk share the stuff on their desks&lt;/a&gt;. I like this voyeuristic peering into other people&#39;s minds sort of thing. Reminds me of the Flickr tags &lt;a href=&#34;http://www.flickr.com/search/?w=all&amp;amp;q=whatsinmybag&amp;amp;m=text&#34;&gt;whatsinmybag&lt;/a&gt;/&lt;a href=&#34;http://www.flickr.com/search/?w=all&amp;amp;q=whatsinyourbag&amp;amp;m=text&#34;&gt;whatsinyourbag&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 21, 2007</title>
    <link href="https://mlarson.org/2007/03/21/20070321702/"/>
    <updated>2007-03-21T10:34:17.000Z</updated>
    <id>https://mlarson.org/2007/03/21/20070321702/</id>
    <content type="html">&lt;p&gt;Some interesting &lt;a href=&#34;http://www.cato-unbound.org/2007/03/18/virginia-postrel/an-18th-century-brain-in-a-21st-century-head/&#34;&gt;thoughts on the future of libertarianism&lt;/a&gt; from Virginia Postrel:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;While the last centuryÄôs greatest threats to liberty, prosperity, and peace came from totalitarian nation-states, todayÄôs come from transnational organizationsÄîranging from imperialistic regulators (the European Union) to violent religious crusadersÄîand from Äúfailed statesÄù where warring gangs have superseded governments. Focusing on the nation-state as the source of all threats to liberty is anachronistic... Against these ideological and institutional challenges, liberal society will need the practical lessons of libertarian scholarship on decentralized order and knowledge sharing. It will need the cultural libertarianism that knows liberal society is not just familiar but good. And it will need the 18th-century wisdom that lets skepticism happily coexist with civility and reason. Surviving the 21st century with our sanity and civilization intact will require less Nietzsche and more Hume.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 20, 2007</title>
    <link href="https://mlarson.org/2007/03/20/20070320701/"/>
    <updated>2007-03-20T10:06:31.000Z</updated>
    <id>https://mlarson.org/2007/03/20/20070320701/</id>
    <content type="html">&lt;p&gt;LifeClever compiled &lt;a href=&#34;http://www.lifeclever.com/roundup-17-interviews-with-gtd-master-david-allen/&#34;&gt;17 interviews with David Allen&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 20, 2007</title>
    <link href="https://mlarson.org/2007/03/20/20070320700/"/>
    <updated>2007-03-20T10:04:43.000Z</updated>
    <id>https://mlarson.org/2007/03/20/20070320700/</id>
    <content type="html">&lt;p&gt;I&#39;m pretty much fascinated with the &lt;a href=&#34;http://www.coverpop.com/whitney/index.php&#34;&gt;Whitney Music Box&lt;/a&gt;, which explores some of the ideas in John Whitney&#39;s 1959 book &lt;a href=&#34;http://www.amazon.com/Digital-Harmony-Complementarity-Music-Visual/dp/007070015X&#34;&gt;Digital Harmony&lt;/a&gt;. I like the &lt;a href=&#34;http://www.coverpop.com/whitney/index.php?var=v6&#34;&gt;microtonal variation&lt;/a&gt;, and the &lt;a href=&#34;http://www.coverpop.com/whitney/index.php?var=v7&#34;&gt;sine wave harmonics&lt;/a&gt; are cool because &lt;a href=&#34;http://en.wikipedia.org/wiki/Harmonic&#34;&gt;harmonics&lt;/a&gt; are inherently cool. Jim Bumgardner wrote more about &lt;a href=&#34;http://www.krazydad.com/blog/2006/04/23/visual-harmony/&#34;&gt;this project&lt;/a&gt; and some of the &lt;a href=&#34;http://www.krazydad.com/blog/2006/05/02/a-fractal/&#34;&gt;mathematics of the patterns&lt;/a&gt; in his blog.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 20, 2007</title>
    <link href="https://mlarson.org/2007/03/20/20070320699/"/>
    <updated>2007-03-20T09:44:59.000Z</updated>
    <id>https://mlarson.org/2007/03/20/20070320699/</id>
    <content type="html">&lt;p&gt;&amp;quot;The &lt;a href=&#34;http://www.brendandawes.com/sketches/redux/project.html&#34;&gt;Cinema Redux&lt;/a&gt; project explores the idea of distilling a whole film down to one single image. Using eight of my favourite films from eight of my most admired directors including Sidney Lumet, Francis Ford Coppola and John Boorman, each film is processed through a Java program written with the processing environment. This small piece of software samples a movie every second and generates an 8 x 6 pixel image of the frame at that moment in time. It does this for the entire film, with each row representing one minute of film time. The end result is a kind of unique fingerprint for that film. A sort of movie DNA showing the colour hues as well as the rhythm of the editing process.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 20, 2007</title>
    <link href="https://mlarson.org/2007/03/20/20070320697/"/>
    <updated>2007-03-20T09:16:55.000Z</updated>
    <id>https://mlarson.org/2007/03/20/20070320697/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://orpheus.ucsd.edu/speccoll/dspolitic/Frame.htm&#34;&gt;The political cartoons of Dr. Seuss&lt;/a&gt;, who created around 400 editorial cartoons during the first part of World War II. See also the book &lt;a href=&#34;http://www.amazon.com/Dr-Seuss-Goes-War-Editorial/dp/156584565X&#34;&gt;Dr. Seuss Goes to War&lt;/a&gt;, which shows about half the collection.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319696/"/>
    <updated>2007-03-19T21:56:03.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319696/</id>
    <content type="html">&lt;p&gt;Wow, &lt;a href=&#34;http://blog.wfmu.org/freeform/2006/05/stairways_to_he.html&#34;&gt;101 versions of &amp;quot;Stairway to Heaven&amp;quot;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319695/"/>
    <updated>2007-03-19T21:54:54.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319695/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/leifpeng/sets/72057594053252347/&#34;&gt;A collection of old comic-strip style advertising&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319694/"/>
    <updated>2007-03-19T15:21:57.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319694/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://openarchitecturenetwork.org/&#34;&gt;Open Architecture Network&lt;/a&gt; is an online, open source community dedicated to improving living conditions through innovative and sustainable design. [via &lt;a href=&#34;http://a.wholelottanothing.org/&#34;&gt;awln&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Surrogates (review: 4/5)</title>
    <link href="https://mlarson.org/2007/03/19/20070319the-surrogates-review-45/"/>
    <updated>2007-03-19T15:05:23.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319the-surrogates-review-45/</id>
    <content type="html">&lt;p&gt;There are a couple little perks that made me like this book right off the bat. &lt;a href=&#34;http://www.amazon.com/Surrogates-Graphic-Novels/dp/1891830872&#34;&gt;The Surrogates&lt;/a&gt; is set in Atlanta. It was written by a local named Robert Venditti, and it&#39;s published in nearby Marietta over at &lt;a href=&#34;http://www.topshelfcomix.com/index.php&#34;&gt;Top Shelf Productions&lt;/a&gt;. Cool. AND it&#39;s a really cool story. I haven&#39;t seen a lot of sci-fi comics, but this one makes up for the absence. &lt;em&gt;The Surrogates&lt;/em&gt; is set about 50 years from now. Technology has advanced such that humans can stay home safe and sound, while remotely controlling their electronic replacements, their surrogates, to take care of work... and play. Some folks don&#39;t like it. So there&#39;s some terrorism, some politics, and a good bit of gumshoe detective work. Luckily, Venditti&#39;s writing doesn&#39;t dwell too much on the heavyhanded dystopian riff, and the best meditative moments come out naturally in the characters&#39; conversations and interactions. Mixed between the chapters are &lt;a href=&#34;http://en.wikipedia.org/wiki/Watchmen&#34;&gt;Watchmen&lt;/a&gt;-like interludes, &amp;quot;primary documents&amp;quot; that help to flesh out the story, including sales brochures, editorials, news articles, and television transcripts.&lt;/p&gt;
&lt;p&gt;I love Brett Weldele&#39;s artwork in this book. Besides the sensitive work the the lettering, speech bubbles, and very spare sound effects, the coloring is especially good. It reminded me a bit of Dean Motter&#39;s book, &lt;a href=&#34;http://www.amazon.com/Batman-Nine-Lives-Dean-Motter/dp/1563899795&#34;&gt;Batman: Nine Lives&lt;/a&gt;, with its restrained palette. One great set of panels show a crime scene inside a major industry lab. The lights have been tampered with, so the lab is drawn in a wash of a dark blue and grey, except for flashlight glare as the investigation goes on. A couple dozen panels later, the lights have gotten fixed, and the wash turns to a warm yellow. It&#39;s a simple, but very cool effect. I read it all the way through the first time I started it. I predict that will happen again and again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319692/"/>
    <updated>2007-03-19T14:39:52.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319692/</id>
    <content type="html">&lt;p&gt;A fascinating story of &lt;a href=&#34;http://www.zug.com/pranks/super/index01.html&#34;&gt;pranking the 2007 Super Bowl half-time show&lt;/a&gt;. Sometimes security really is only &lt;a href=&#34;http://en.wikipedia.org/wiki/Security_theater&#34;&gt;theater&lt;/a&gt;. Hilarious and frightening.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319691/"/>
    <updated>2007-03-19T08:45:23.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319691/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/gadl/sets/72157594279945875/&#34;&gt;I like this collection of photographs called Wee Planets&lt;/a&gt;. Each photo is a panorama stitched and warped in a way that makes the scene look like a little globe floating in the void. Some of my favorites are the &lt;a href=&#34;http://www.flickr.com/photos/gadl/237122671/in/set-72157594279945875/&#34;&gt;Eiffel planet&lt;/a&gt;, &lt;a href=&#34;http://www.flickr.com/photos/gadl/251191636/in/set-72157594279945875/&#34;&gt;glass building planet&lt;/a&gt;, &lt;a href=&#34;http://www.flickr.com/photos/gadl/406108919/in/set-72157594279945875/&#34;&gt;Louvre planet&lt;/a&gt;, and the &lt;a href=&#34;http://www.flickr.com/photos/gadl/414906241/in/set-72157594279945875/&#34;&gt;Luxor obelisk&lt;/a&gt; planet. [via &lt;a href=&#34;http://www.dooce.com&#34;&gt;dooce&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319690/"/>
    <updated>2007-03-19T08:37:41.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319690/</id>
    <content type="html">&lt;p&gt;Last October in London the &lt;a href=&#34;http://www.moleskine.it/eng/_interni/city/exhibition.htm&#34;&gt;Detour Exhibition&lt;/a&gt; was held to showcase how creatives use their Moleskine notebooks. There&#39;s &lt;a href=&#34;http://www.youtube.com/results?search_type=search_videos&amp;amp;search_query=moleskine%20detour&amp;amp;search_sort=relevance&amp;amp;search_category=0&amp;amp;page=1&#34;&gt;more than 70 videos&lt;/a&gt; flipping through the work of illustrators, designers, architects, writers, and other Moleskine afficionados.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319689/"/>
    <updated>2007-03-19T01:13:51.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319689/</id>
    <content type="html">&lt;p&gt;There&#39;s a fairly good &lt;a href=&#34;http://www.stanfordalumni.org/news/magazine/2007/marapr/features/tufte.html&#34;&gt;profile of Edward Tufte&lt;/a&gt; in the current Stanford Magazine.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 19, 2007</title>
    <link href="https://mlarson.org/2007/03/19/20070319688/"/>
    <updated>2007-03-19T00:01:56.000Z</updated>
    <id>https://mlarson.org/2007/03/19/20070319688/</id>
    <content type="html">&lt;p&gt;Hugh MacLeod of &lt;a href=&#34;http://gapingvoid.com/&#34;&gt;Gaping Void&lt;/a&gt; wrote a &lt;a href=&#34;http://www.changethis.com/6.HowToBeCreative&#34;&gt;manifesto on creativity&lt;/a&gt; over at ChangeThis.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2007</title>
    <link href="https://mlarson.org/2007/03/18/20070318687/"/>
    <updated>2007-03-18T23:46:32.000Z</updated>
    <id>https://mlarson.org/2007/03/18/20070318687/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://twittermap.com/twittervision&#34;&gt;Twittervision lets me act like Big Brother&lt;/a&gt;, and other people do all the work. I just absorb the data.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2007</title>
    <link href="https://mlarson.org/2007/03/18/20070318686/"/>
    <updated>2007-03-18T23:38:25.000Z</updated>
    <id>https://mlarson.org/2007/03/18/20070318686/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.underconsideration.com/speakup/archives/003092.html&#34;&gt;An essay on student expenses in graphic design schools&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 18, 2007</title>
    <link href="https://mlarson.org/2007/03/18/20070318685/"/>
    <updated>2007-03-18T23:29:00.000Z</updated>
    <id>https://mlarson.org/2007/03/18/20070318685/</id>
    <content type="html">&lt;p&gt;A nice little writing kick-in-the-pants in the form of &lt;a href=&#34;http://www.tennscreen.com/plots.htm&#34;&gt;twenty basic plots&lt;/a&gt;: quest, adventure, pursuit, rescue, escape, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 17, 2007</title>
    <link href="https://mlarson.org/2007/03/17/20070317684/"/>
    <updated>2007-03-17T13:13:38.000Z</updated>
    <id>https://mlarson.org/2007/03/17/20070317684/</id>
    <content type="html">&lt;p&gt;From an excellent &lt;a href=&#34;http://www.newyorker.com/arts/critics/books/2007/03/12/070312crbo_books_krystal?printable=true&#34;&gt;New Yorker article on the history of dueling&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Whatever else ÄúhonorÄù may be, it is the knowledge that every impertinence carries with it the seed of a greater, more fundamental insult: the suggestion that a person can get away with it---which is, after all, where humiliation really begins. Somewhere in our molecular makeup a sword-bearing protein squalls to have its day. But that doesnÄôt mean we have to listen... Ultimately, the duel was sustained not by a failure of communication but by a failure of imagination.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 16, 2007</title>
    <link href="https://mlarson.org/2007/03/16/20070316683/"/>
    <updated>2007-03-16T06:19:06.000Z</updated>
    <id>https://mlarson.org/2007/03/16/20070316683/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://en.wikipedia.org/wiki/Tom_Swifty&#34;&gt;Tom Swifty is a kind of wordplay&lt;/a&gt; that plays a pun on the content of the quoted sentence. They&#39;re delightfully awful. E.g.&amp;quot;&#39;You have the right to remain silent,&#39; said Tom arrestingly.&amp;quot; They came originally from the &lt;a href=&#34;http://en.wikipedia.org/wiki/Tom_Swift&#34;&gt;Tom Swift&lt;/a&gt; series of books, whose writers tried to avoid repetition of the word &amp;quot;said&amp;quot; without any decoration, so they kept looking for adverbial additions. Here are a couple &lt;a href=&#34;http://www.fun-with-words.com/tom_swifties_a-e.html&#34;&gt;lists&lt;/a&gt; of &lt;a href=&#34;http://www.metafilter.com/27495/Fun-with-Puns&#34;&gt;Tom&lt;/a&gt; &lt;a href=&#34;http://thinks.com/words/tomswift.htm&#34;&gt;Swifties&lt;/a&gt; and an &lt;a href=&#34;http://www.duntemann.com/tomswift.htm&#34;&gt;essay in appreciation of the books&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 16, 2007</title>
    <link href="https://mlarson.org/2007/03/16/20070316682/"/>
    <updated>2007-03-16T06:10:47.000Z</updated>
    <id>https://mlarson.org/2007/03/16/20070316682/</id>
    <content type="html">&lt;p&gt;The California Milk Processor Board collects the &lt;a href=&#34;http://www.gotmilk.com/fun/got_ripped_off.html&#34;&gt;top 100 rip-offs of their &amp;quot;Got Milk?&amp;quot; advertising campaign&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>When You Catch an Adjective, Kill It (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/03/15/20070315when-you-catch-an-adjective-kill-it-review-355/"/>
    <updated>2007-03-15T22:30:32.000Z</updated>
    <id>https://mlarson.org/2007/03/15/20070315when-you-catch-an-adjective-kill-it-review-355/</id>
    <content type="html">&lt;p&gt;Reading &lt;a href=&#34;http://www.english.udel.edu/byagoda/&#34;&gt;Ben Yagoda&lt;/a&gt;&#39;s latest book is like having a good friend analyze every word that comes out of your mouth. But it&#39;s not a book about Grammar Rules and Policies. I was relieved to find this sentence in the first dozen pages: &amp;quot;Ultimately, the issue of correctness just isn&#39;t very interesting.&amp;quot; &lt;a href=&#34;http://www.amazon.com/When-You-Catch-Adjective-Kill/dp/0767920775&#34;&gt;When You Catch an Adjective, Kill It: The Parts of Speech for Better and/or Worse&lt;/a&gt; is more of a progress report on our English language. Each chapter covers a part of speech: Adjective, Adverb, Article, Conjunction, Interjection, Noun, Preposition, Pronoun, Verb. Yagoda spends an enjoyable 30 pages on just &lt;em&gt;a&lt;/em&gt;, &lt;em&gt;an&lt;/em&gt;, and &lt;em&gt;the&lt;/em&gt;. I think of it as sort of reverse dissection, where the language becomes more alive as you pick at it.&lt;/p&gt;
&lt;p&gt;Yagoda is not a real stickler for rules, per se, but certainly has a strong sense of taste. More than that, he shows a real appreciation for how we actually use our words. He pulls from a number of resources: famous authors, The New Yorker (particularly the &lt;a href=&#34;http://en.wikipedia.org/wiki/Harold_Ross&#34;&gt;Harold Ross&lt;/a&gt; era), Buffy the Vampire Slayer, the Bible, sports television, a variety of dictionaries &amp;amp; style guides both old and new, popular music, advertising, film, etc. I love the variety of research material. One chapter begins, &amp;quot;Any unified theory of interjections---the words that, all by themselves, express reactions or emotions or serve other purposes in discourse---would have to start, like much else, with &lt;em&gt;The Simpsons&lt;/em&gt;.&amp;quot;&lt;/p&gt;
&lt;p&gt;Some miscellaneous trivia I enjoyed:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The &amp;quot;&amp;amp;&amp;quot; symbol comes from the &lt;a href=&#34;http://en.wikipedia.org/wiki/Ligature_(typography)&#34;&gt;ligature&lt;/a&gt; of letters e and t in the Latin word &amp;quot;et&amp;quot; (&amp;quot;and&amp;quot;). That&#39;s not a huge surprise. But as recently as the 1800s, &amp;amp; was also the 27th letter of the alphabet!&lt;/li&gt;
&lt;/ul&gt;
&lt;blockquote&gt;
&lt;p&gt;When schoolchildren recited their ABCs, they concluded with the words &amp;quot;and, per se [i.e., by itself], &#39;and&#39;.&amp;quot; This eventually became corrupted to &amp;quot;ampersand.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;ul&gt;
&lt;li&gt;The TV show Buffy the Vampire Slayer coined at least 55 -&lt;em&gt;age&lt;/em&gt; words, such as &amp;quot;agreeage, kissage, and weirdage.&amp;quot; Who knew there was one source for all that appendagage?&lt;/li&gt;
&lt;li&gt;Quoting some good advice from C.S. Lewis: &amp;quot;Keep a strict eye on eulogistic &amp;amp; dyslogistic adjectives---they should &lt;em&gt;diagnose&lt;/em&gt; (not merely blame) &amp;amp; &lt;em&gt;distinguish&lt;/em&gt; (not merely praise).&amp;quot;&lt;/li&gt;
&lt;li&gt;The word &lt;em&gt;ye&lt;/em&gt; comes from a misprinting of the word &lt;em&gt;?æe&lt;/em&gt;. The þ character is called &lt;a href=&#34;http://en.wikipedia.org/wiki/%C3%9E&#34;&gt;thorn&lt;/a&gt;, and used for &lt;em&gt;th&lt;/em&gt; sounds. Back in the day, when printers typically didn&#39;t always have the &lt;a href=&#34;http://en.wikipedia.org/wiki/Sort_%28typesetting%29&#34;&gt;sorts&lt;/a&gt; for every symbol, &amp;quot;it was usually replaced by putting the letters &lt;em&gt;t&lt;/em&gt; and &lt;em&gt;h&lt;/em&gt; together, but sometimes &lt;em&gt;y&lt;/em&gt; was used because it was felt to look similar.&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Great book. I&#39;ve really had fantastic luck with my &lt;a href=&#34;/mark-larson-1/2007/03/07/a-practical-handbook-for-the-boyfriend-review-55&#34;&gt;recent&lt;/a&gt; &lt;a href=&#34;/mark-larson-1/2007/03/13/dreaming-in-code-review-455&#34;&gt;readings&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I Went to a Bookbinding Workshop!</title>
    <link href="https://mlarson.org/2007/03/14/20070314march07-bookbinding-workshop/"/>
    <updated>2007-03-14T23:16:36.000Z</updated>
    <id>https://mlarson.org/2007/03/14/20070314march07-bookbinding-workshop/</id>
    <content type="html">&lt;p&gt;This past weekend I went to a leatherbound bookbinding workshop. I spent 4 hours learning from the wise and affable Berwyn Hung of &lt;a href=&#34;http://www.praxiumpress.com&#34;&gt;Praxium Press&lt;/a&gt;, which is just outside of Atlanta. Berwyn does workshops for a bunch of other book forms, as well as teaching letterpress and boxmaking. I&#39;m absolutely going back as soon as I can fit it in. Here&#39;s a look at my finished product. It&#39;s about 6 inches on either side, bound in pigskin: &lt;a href=&#34;http://www.flickr.com/photos/marklarson/421731947/&#34;&gt;&lt;img src=&#34;http://farm1.static.flickr.com/130/421731947_ff893cf8a6.jpg?v=0&#34; alt=&#34;photo of the pigskin cover of my book&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Here&#39;s a glimpse of the nifty blue endpapers:&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/marklarson/421731108/&#34;&gt;&lt;img src=&#34;http://farm1.static.flickr.com/178/421731108_40d580e03c.jpg?v=0&#34; alt=&#34;photo looking down the spine of my book, with pretty blue endpapers&#34;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;So yeah, I had a blast. You can see the full documentary of the workshop process in my &lt;a href=&#34;http://www.flickr.com/photos/marklarson/sets/72157600000489125/&#34;&gt;Flickr photo set&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2007</title>
    <link href="https://mlarson.org/2007/03/14/20070314679/"/>
    <updated>2007-03-14T22:44:48.000Z</updated>
    <id>https://mlarson.org/2007/03/14/20070314679/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theregister.co.uk/2007/03/14/sterling_sxsw/&#34;&gt;Bruce Sterling thinks blogs will die out in another decade or so&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2007</title>
    <link href="https://mlarson.org/2007/03/14/20070314678/"/>
    <updated>2007-03-14T10:38:56.000Z</updated>
    <id>https://mlarson.org/2007/03/14/20070314678/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://webtypography.net/sxsw2007/&#34;&gt;Web Typography Sucks&lt;/a&gt;, a pretty cool presentation at &lt;a href=&#34;http://2007.sxsw.com/interactive/&#34;&gt;SXSW Interactive&lt;/a&gt; this week.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2007</title>
    <link href="https://mlarson.org/2007/03/14/20070314675/"/>
    <updated>2007-03-14T10:02:24.000Z</updated>
    <id>https://mlarson.org/2007/03/14/20070314675/</id>
    <content type="html">&lt;p&gt;An essay on &lt;a href=&#34;http://www.typotheque.com/articles/microtypography_designing_the_new_collins_dictionaries/&#34;&gt;microtypography and dictionary design&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 14, 2007</title>
    <link href="https://mlarson.org/2007/03/14/20070314677/"/>
    <updated>2007-03-14T10:01:48.000Z</updated>
    <id>https://mlarson.org/2007/03/14/20070314677/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thedailycrosshatch.com/2007/03/12/interview-jeff-smith-pt-1-of-2/&#34;&gt;An interview with Jeff Smith&lt;/a&gt;, part one. Part two is coming soon, I hope. Smith is known best for his epic series of &lt;a href=&#34;http://en.wikipedia.org/wiki/Bone_(comics)&#34;&gt;Bone&lt;/a&gt; comics:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Part of the plan was that I was going to reprint the collection in books, to always keep the story available. I always wanted to do the big one volume edition, too. One of the things that I wanted to do was change the model of comics and make them restockable, instead of comics just being up on stands for a month and then coming down and going back into the longbox, after getting marked up a bit.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 13, 2007</title>
    <link href="https://mlarson.org/2007/03/13/20070313676/"/>
    <updated>2007-03-13T21:50:39.000Z</updated>
    <id>https://mlarson.org/2007/03/13/20070313676/</id>
    <content type="html">&lt;p&gt;A Flickr set &lt;a href=&#34;http://www.flickr.com/photos/solaceincinema/sets/72157594312246529/&#34;&gt;comparing scenes from the movie 300 to the panels in the original book&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 13, 2007</title>
    <link href="https://mlarson.org/2007/03/13/20070313672/"/>
    <updated>2007-03-13T10:08:15.000Z</updated>
    <id>https://mlarson.org/2007/03/13/20070313672/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.salon.com/books/feature/2007/03/08/reading/print.html&#34;&gt;Tom Lutz reviews books about how to read&lt;/a&gt;, and inevitably, what to read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 13, 2007</title>
    <link href="https://mlarson.org/2007/03/13/20070313674/"/>
    <updated>2007-03-13T10:01:29.000Z</updated>
    <id>https://mlarson.org/2007/03/13/20070313674/</id>
    <content type="html">&lt;p&gt;Lots of good stuff in the &lt;a href=&#34;http://www.rarebookroom.org/&#34;&gt;Rare Book Room&lt;/a&gt;, with high-res photos of the old classics from Copernicus, Mercator, Galileo (like the &lt;a href=&#34;http://www.rarebookroom.org/Control/galsid/index.html&#34;&gt;Sidereus Nuncius&lt;/a&gt; that Edward Tufte gushes over), Bodoni&#39;s &lt;a href=&#34;http://www.rarebookroom.org/Control/bodtip/index.html&#34;&gt;Manuale Tipografico&lt;/a&gt;, scores from Beethoven and Mozart, and a whole gaggle of Shakespeare.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Dreaming in Code (review: 4.5/5)</title>
    <link href="https://mlarson.org/2007/03/13/20070313dreaming-in-code-review-455/"/>
    <updated>2007-03-13T01:08:12.000Z</updated>
    <id>https://mlarson.org/2007/03/13/20070313dreaming-in-code-review-455/</id>
    <content type="html">&lt;p&gt;&amp;quot;Software is a heap of trouble&amp;quot;. That&#39;s the abridged version of this book. You&#39;ll find the full story in &lt;a href=&#34;http://www.wordyard.com/&#34;&gt;Scott Rosenberg&lt;/a&gt;&#39;s fantastic &lt;a href=&#34;http://www.amazon.com/Dreaming-Code-Programmers-Transcendent-Software/dp/1400082463&#34;&gt;Dreaming in Code: Two Dozen Programmers, Three Years, 4,732 Bugs, and One Quest for Transcendent Software&lt;/a&gt;. One part of the tale follows the progress of the &lt;a href=&#34;http://www.osafoundation.org/mission_statement.htm&#34;&gt;Open Source Applications Foundation&lt;/a&gt; project called &lt;a href=&#34;http://chandler.osafoundation.org/&#34;&gt;Chandler&lt;/a&gt;; the other wends back through the history of computer science and software development. The story takes a good chunk of paper, around 350 pages + notes. None of it is terribly technical.&lt;/p&gt;
&lt;p&gt;Chandler started with &lt;a href=&#34;http://www.kapor.com/&#34;&gt;Mitch Kapor&lt;/a&gt; (known for Lotus 1-2-3, among other things) and the dream of the ultimate personal information organizer. E-mail, scheduling, calendars, notes, workgroup sharing &amp;amp; more, all in one cohesive and flexible system. In light of Rosenberg&#39;s Law and its corollary (&amp;quot;Software is easy to make, except when you want it to do something new. And the only software that&#39;s worth making is software that does something new.&amp;quot;), Chandler has proven a daunting task. It&#39;s been over 4 years since Rosenberg started observing the OSAF team. As of this writing, Chandler is currently still only in version 0.7alpha4.&lt;/p&gt;
&lt;p&gt;That creeping glacier of code raises the question: is it the team or just the nature of the job? Probably both. Rosenberg uses the hiccups and foibles of the OSAF team to explore some of the recurring issues of software development: the inherent mental difficulty of abstraction on a mass scale, the programmer&#39;s tendency to &amp;quot;glance at existing code and declare authoritatively that they could do it themselves, faster, easier, and better,&amp;quot; the &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Mythical_Man-Month&#34;&gt;mythical man month&lt;/a&gt;, attempting progress without planning, the discouraging truth of &lt;a href=&#34;http://en.wikipedia.org/wiki/Hofstadter&#39;s_law&#34;&gt;Hofstadter&#39;s Law&lt;/a&gt;, and the need to reinvent the wheel (and fire and stonecutting and agriculture, etc.). Luckily, Rosenberg doesn&#39;t pose the Chandler team so much as the butt of the joke but the foil for the argument: software is hard.&lt;/p&gt;
&lt;p&gt;One interesting thread in this book is the idea of programming as creative writing. Quoting &lt;a href=&#34;http://en.wikipedia.org/wiki/Richard_P._Gabriel&#34;&gt;Richard Gabriel&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We should train developers the way we train creative people like poets and artisits... What do people do when they&#39;re being trained, for example, to get a master of fine arts in poetry? They study great works of poetry. Do we do that in our software engineering disciplines? No. You don&#39;t look at the source code for great pieces of software. Or look at the architecture of great pieces of software. You don&#39;t look at their design. You don&#39;t study the lives of great software designers. So you don&#39;t study the literature of the thing you&#39;re trying to build.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The software industry doesn&#39;t have a strong sense of history. Part of that lack is cultural---many just don&#39;t care that much---and part of that is a necessary commercial evil whereby code is protected to protect profits. But I love that idea of the literature of software, the somewhat hidden heritage. This brings to mind the idea of artist &lt;em&gt;qua&lt;/em&gt; collector and the idea of &lt;a href=&#34;http://www.austinkleon.com/?p=867&#34;&gt;amassing influence&lt;/a&gt;. But for better or worse, there&#39;s already way too much to learn just to keep up with the present. So the programmers plug on &amp;quot;borne back ceaselessly into the past,&amp;quot; if you&#39;ll pardon the drama.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 12, 2007</title>
    <link href="https://mlarson.org/2007/03/12/20070312671/"/>
    <updated>2007-03-12T23:23:57.000Z</updated>
    <id>https://mlarson.org/2007/03/12/20070312671/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.macworld.com/news/2007/03/09/flickr/index.php&#34;&gt;Interview with Flickr co-founder Stewart Butterfield&lt;/a&gt;. Interesting ideas there about being at the forefront of photojournalism, as the Flickr community can be much more agile than the press.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 11, 2007</title>
    <link href="https://mlarson.org/2007/03/11/20070311670/"/>
    <updated>2007-03-11T00:39:22.000Z</updated>
    <id>https://mlarson.org/2007/03/11/20070311670/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_teetotalers&#34;&gt;A list of famous teetotalers&lt;/a&gt;. I&#39;m in good company: Gandhi, John Coltrane, Isaac Asimov, Richard Feynman, Henry David Thoreau, Samuel L. Jackson, Xeni Jardin, Penn Jillette, David Letterman, Donald Trump, H.P. Lovecraft, Frank Zappa, and Prince, among others. Fictional teetotalers include Batman and MacGyver. Um... Heinrich Himmler, Hitler, and Osama bin Laden are also on the list, but let&#39;s not get bogged down in details, okay?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 10, 2007</title>
    <link href="https://mlarson.org/2007/03/10/20070310669/"/>
    <updated>2007-03-10T20:24:25.000Z</updated>
    <id>https://mlarson.org/2007/03/10/20070310669/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://digitalfury.popmartian.com/images/20070202/paranoia.jpg&#34;&gt;January 31, 2007. Never forget&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 10, 2007</title>
    <link href="https://mlarson.org/2007/03/10/20070310668/"/>
    <updated>2007-03-10T01:37:26.000Z</updated>
    <id>https://mlarson.org/2007/03/10/20070310668/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.tutorialblog.org/grid-systems-in-web-design&#34;&gt;Grid systems in web design&lt;/a&gt; is a pretty sweet collection of tools and and resources. I think this background &lt;a href=&#34;http://www.smileycat.com/miaow/archives/layout_grid.html&#34;&gt;grid image&lt;/a&gt; is really cool. [via &lt;a href=&#34;http://www.joshuablankenship.com/blog&#34;&gt;joshua blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 10, 2007</title>
    <link href="https://mlarson.org/2007/03/10/20070310667/"/>
    <updated>2007-03-10T01:33:18.000Z</updated>
    <id>https://mlarson.org/2007/03/10/20070310667/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thrillingwonder.blogspot.com/2007/02/we-dare-you-to-play-these-scores.html&#34;&gt;Scans of some absurdly complicated musical scores&lt;/a&gt;. Those bring back memories of a few marimba solos I&#39;ve attempted. Composers can get a little carried away sometimes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2007</title>
    <link href="https://mlarson.org/2007/03/09/20070309666/"/>
    <updated>2007-03-09T20:40:14.000Z</updated>
    <id>https://mlarson.org/2007/03/09/20070309666/</id>
    <content type="html">&lt;p&gt;Here&#39;s the not-horrible music video for Midlake&#39;s song &lt;a href=&#34;http://youtube.com/watch?v=kggVH8O9ynU&#34;&gt;Roscoe&lt;/a&gt;, perhaps one of the most catchy tunes I&#39;ve heard in a couple years.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 9, 2007</title>
    <link href="https://mlarson.org/2007/03/09/20070309665/"/>
    <updated>2007-03-09T20:33:15.000Z</updated>
    <id>https://mlarson.org/2007/03/09/20070309665/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.spreeder.com/&#34;&gt;Spreeder is another web speed-reading application&lt;/a&gt;. There&#39;s also &lt;a href=&#34;http://www.zapreader.com/&#34;&gt;ZAP Reader&lt;/a&gt; and the &lt;a href=&#34;https://addons.mozilla.org/firefox/2149/&#34;&gt;RSVP Reader&lt;/a&gt; extension for Firefox, which is pretty cool. I like that RSVP Reader works with what I already have on-screen. That way, I can still see the full body of text, rather than having to do a cut-and-paste maneuver and having the text come up from the depths and disappear again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2007</title>
    <link href="https://mlarson.org/2007/03/08/20070308662/"/>
    <updated>2007-03-08T21:04:52.000Z</updated>
    <id>https://mlarson.org/2007/03/08/20070308662/</id>
    <content type="html">&lt;p&gt;After Dolce &amp;amp; Gabbana decided to pull one of their recent ads, &lt;a href=&#34;http://www.mikeindustries.com/blog/archive/2007/03/dolce-and-gabbana-ad-campaign&#34;&gt;Mike Davidson tries to pinpoint precisely what elements make it offensive&lt;/a&gt;. Setting aside the inevitable offended reaction, there are some pretty good comments on the whole visual rhetoric. I think it&#39;s interesting that you can change the whole tone of the work by adjusting or tweaking a few parts of the whole.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2007</title>
    <link href="https://mlarson.org/2007/03/08/20070308661/"/>
    <updated>2007-03-08T10:20:25.000Z</updated>
    <id>https://mlarson.org/2007/03/08/20070308661/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.phys.uu.nl/~vgent/celestia/celestia.htm&#34;&gt;archive of celestial atlases&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2007</title>
    <link href="https://mlarson.org/2007/03/08/20070308660/"/>
    <updated>2007-03-08T10:16:04.000Z</updated>
    <id>https://mlarson.org/2007/03/08/20070308660/</id>
    <content type="html">&lt;p&gt;A video with &lt;a href=&#34;http://www.youtube.com/watch?v=KAvPRbh0jmE&amp;amp;eurl=http%3A%2F%2Fwww%2Ekirchersociety%2Eorg%2Fblog%2F%3Fp%3D1257&#34;&gt;animated mechanical devices playing jazz/funk&lt;/a&gt;. I&#39;d love to have a circular vibraphone or a conveyor marimba.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 8, 2007</title>
    <link href="https://mlarson.org/2007/03/08/20070308659/"/>
    <updated>2007-03-08T00:33:13.000Z</updated>
    <id>https://mlarson.org/2007/03/08/20070308659/</id>
    <content type="html">&lt;p&gt;Damn, &lt;a href=&#34;http://www.dooce.com/archives/daily/03_06_2007.html&#34;&gt;Heather Armstrong is a great writer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307658/"/>
    <updated>2007-03-07T23:57:34.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307658/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://2point8.whileseated.org/?page_id=8&#34;&gt;Ways of Working&lt;/a&gt; is a cool set of lessons and musings on street photography.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307657/"/>
    <updated>2007-03-07T23:45:43.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307657/</id>
    <content type="html">&lt;p&gt;A nice roundup of &lt;a href=&#34;http://oedb.org/library/college-basics/hacking-knowledge&#34;&gt;77 tips to amp your learning&lt;/a&gt;. Lots of good links there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307656/"/>
    <updated>2007-03-07T23:35:50.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307656/</id>
    <content type="html">&lt;p&gt;I didn&#39;t know the &lt;a href=&#34;http://www.worldalmanac.com/wa-newsletter.htm&#34;&gt;World Almanac publishes a monthly newsletter&lt;/a&gt;. Cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Practical Handbook for the Boyfriend (review: 4/5)</title>
    <link href="https://mlarson.org/2007/03/07/20070307a-practical-handbook-for-the-boyfriend-review-55/"/>
    <updated>2007-03-07T23:13:49.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307a-practical-handbook-for-the-boyfriend-review-55/</id>
    <content type="html">&lt;p&gt;The subtitle says it all, really: &lt;a href=&#34;http://www.amazon.com/Practical-Handbook-Boyfriend-Every-Wants/dp/1401302912&#34;&gt;For Every Guy Who Wants to Be One/For Every Girl Who Wants to Build One&lt;/a&gt;. If you&#39;ve ever been confused or frustrated by a female, you&#39;ll probably find some help here. I was surprised by how much I liked this one. Felicity Huffman and Patricia Wolff managed to put together a book that&#39;s both informative and legitimately hilarious. I can&#39;t think of very many books that I&#39;ve dog-eared more than this one. There are great lines throughout. For example...&lt;/p&gt;
&lt;blockquote&gt;
&lt;ul&gt;
&lt;li&gt;A woman&#39;s emotional checklist reads more like a Russian novel.&lt;/li&gt;
&lt;li&gt;Love up her body the way you find it, or find a body that you can love up.&lt;/li&gt;
&lt;li&gt;Any flat surface where people might perch, she will want to &#39;pillowize&#39;.&lt;/li&gt;
&lt;li&gt;Can we please discuss that apr?®s-pee shaking?&lt;/li&gt;
&lt;li&gt;The thing you do isn&#39;t only the thing you do; it represents something else.&lt;/li&gt;
&lt;li&gt;Guys seems able to carry a bigger load of irritants than we can... The BF shrugs, shakes his head, and files it under &#39;Oh Well,&#39; that big category made up of a lot of manila folders, all of which are bulging and ripping at the seams.&lt;/li&gt;
&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;p&gt;The whole thing is written in this conversational tone, and it&#39;s all pretty straightforward. I daresay females could learn a good bit as well. The authors don&#39;t claim to have all the answers, and they don&#39;t make a lot of apologies either. The whole book seems to square with real life. I had plenty of head-nodding, plenty of Aha! moments, and quite a bit of fun. Read this!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307655/"/>
    <updated>2007-03-07T22:52:44.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307655/</id>
    <content type="html">&lt;p&gt;The pages of the &lt;a href=&#34;http://www.typogabor.com/manuale-hermann-zapf/&#34;&gt;Manuale Typographicum&lt;/a&gt; by &lt;a href=&#34;http://en.wikipedia.org/wiki/Hermann_Zapf&#34;&gt;Hermann Zapf&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307654/"/>
    <updated>2007-03-07T22:51:20.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307654/</id>
    <content type="html">&lt;p&gt;Some intriguing design-writ-large ideas about &lt;a href=&#34;http://www.subtraction.com/archives/2007/0227_cities_as_ap.php&#34;&gt;cities &lt;em&gt;qua&lt;/em&gt; applications&lt;/a&gt;. Cities, like other things we come upon in daily life, should just work:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Given any new city, there are certain things that should be easy for tourists to comprehend without assistance. These things might include: how and when to use the subway or bus, how and where to buy fares for public transportation, how to make a call at a public telephone, how and where to flag a taxi, what to expect upon entering and leaving the airport, how and where to find postal services, how and where to find a police station, et cetera.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307653/"/>
    <updated>2007-03-07T22:38:37.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307653/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://brainmaps.org/&#34;&gt;Lots and lots of maps of the brain&lt;/a&gt;. Kind of gross, all lumpy and pale.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307652/"/>
    <updated>2007-03-07T22:36:45.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307652/</id>
    <content type="html">&lt;p&gt;Gawker analyzes &lt;a href=&#34;http://gawker.com/news/new-york-times/why-your-new-york-times-mag-always-falls-apart-239404.php&#34;&gt;why your New York Times Magazine always falls apart&lt;/a&gt;. The problem lies in the staple/area ratio.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307651/"/>
    <updated>2007-03-07T22:33:02.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307651/</id>
    <content type="html">&lt;p&gt;Interesting article in the New Yorker about &lt;a href=&#34;http://www.newyorker.com/critics/atlarge/articles/070305crat_atlarge_denby&#34;&gt;movies that chop up and mix the chronology&lt;/a&gt;, which has been called &lt;a href=&#34;http://www.kottke.org/06/02/syriana&#34;&gt;hypertext film&lt;/a&gt;. And it has this line, which I just loved: &amp;quot;&#39;Babel&#39; feels like the first example of a new genreÄîthe highbrow globalist tearjerker.&amp;quot; I suppose you could add &amp;quot;The Constant Gardener&amp;quot; to that category, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307650/"/>
    <updated>2007-03-07T21:59:15.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307650/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.bookslut.com/features/2007_03_010764.php&#34;&gt;An interview with Alison Bechdel&lt;/a&gt;, author of &lt;a href=&#34;http://www.amazon.com/Fun-Home-Tragicomic-Alison-Bechdel/dp/0618477942&#34;&gt;Fun Home: A Family Tragicomic&lt;/a&gt; and the 24-year-old comics series &lt;a href=&#34;http://www.dykestowatchoutfor.com/index.php&#34;&gt;Dykes to Watch Out For&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307649/"/>
    <updated>2007-03-07T02:34:09.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307649/</id>
    <content type="html">&lt;p&gt;Tom Edwards makes &lt;a href=&#34;http://www.wallyware.biz/pots.htm&#34;&gt;comics on ceramics&lt;/a&gt;/ panels on pottery.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307648/"/>
    <updated>2007-03-07T02:27:05.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307648/</id>
    <content type="html">&lt;p&gt;I love the Onion: &lt;a href=&#34;http://www.theonion.com/content/node/59345&#34;&gt;Apple Unveils New Product-Unveiling Product&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 7, 2007</title>
    <link href="https://mlarson.org/2007/03/07/20070307647/"/>
    <updated>2007-03-07T02:24:20.000Z</updated>
    <id>https://mlarson.org/2007/03/07/20070307647/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.msnbc.msn.com/id/17437334&#34;&gt;Whose art is it?&lt;/a&gt; Interesting essay in Newsweek about museum acquisition and returning artworks to their countries of origin:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Why should objects from ancient civilizations go back to modern nations that didn&#39;t exist when the art was created? Yes, the law &amp;quot;must be obeyed,&amp;quot; he said, but antiquities &amp;quot;are the patrimony of all mankind.&amp;quot; In other words, who really owns the past?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 6, 2007</title>
    <link href="https://mlarson.org/2007/03/06/20070306646/"/>
    <updated>2007-03-06T11:18:54.000Z</updated>
    <id>https://mlarson.org/2007/03/06/20070306646/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Cousin#Chart&#34;&gt;Wikipedia chart explaining cousin relationships&lt;/a&gt;. [via &lt;a href=&#34;http://a.wholelottanothing.org/&#34;&gt;awln&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 6, 2007</title>
    <link href="https://mlarson.org/2007/03/06/20070306645/"/>
    <updated>2007-03-06T11:17:18.000Z</updated>
    <id>https://mlarson.org/2007/03/06/20070306645/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.airchive.com/&#34;&gt;Airchive&lt;/a&gt; is a huge repository of old airline ephemera. I like the old timetables and route maps, like &lt;a href=&#34;http://www.airchive.com/SITE%20PAGES/TIMETABLES-DELTA.html&#34;&gt;these brochures from Delta&lt;/a&gt;. This &lt;a href=&#34;http://www.airchive.com/Memorabilia/Delta/DL%20Beverage%20Ticket.jpg&#34;&gt;Delta beverage ticket&lt;/a&gt; from makes me think of the Jetsons.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 6, 2007</title>
    <link href="https://mlarson.org/2007/03/06/20070306644/"/>
    <updated>2007-03-06T11:13:24.000Z</updated>
    <id>https://mlarson.org/2007/03/06/20070306644/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://bestiary.ca/beasts/beastalpha.htm&#34;&gt;medieval bestiary&lt;/a&gt; with some good links to old manuscript illustrations, engravings, woodcuts, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305643/"/>
    <updated>2007-03-05T22:10:38.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305643/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.motherjones.com/news/feature/2007/01/king_of_the_hypermilers.html&#34;&gt;Wayne Gerdes can get 59 miles per gallon of gas out of a 2005 Honda Accord&lt;/a&gt;... and he&#39;s recorded 181mpg in a Honda Insight.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305642/"/>
    <updated>2007-03-05T20:20:47.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305642/</id>
    <content type="html">&lt;p&gt;I like these &lt;a href=&#34;http://www.urbanworkshop.us/furniture/pogolibrary.html&#34;&gt;spindly bookshelves from pogoHome&lt;/a&gt;. You can place them wherever you want because the supports wedge between floor and ceiling.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305641/"/>
    <updated>2007-03-05T20:14:51.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305641/</id>
    <content type="html">&lt;p&gt;Jen Stark makes &lt;a href=&#34;http://www.jenstark.com/sculpture_01.html&#34;&gt;incredible sculptures from hand-cut stacks of construction paper&lt;/a&gt;. [via &lt;a href=&#34;http://www.dooce.com&#34;&gt;dooce&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305640/"/>
    <updated>2007-03-05T14:08:43.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305640/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://3quarksdaily.blogs.com/3quarksdaily/2007/01/web_of_lies.html&#34;&gt;A person in California tried to rent out Beth Ann Bovino&#39;s New York apartment&lt;/a&gt; through Craigslist. A classic &lt;a href=&#34;http://en.wikipedia.org/wiki/Advance_fee_fraud&#34;&gt;419 fraud&lt;/a&gt;. Although things didn&#39;t turn out so bad, I hope I never get &lt;a href=&#34;http://3quarksdaily.blogs.com/3quarksdaily/2007/03/spreading_the_n.html&#34;&gt;sucked into a news frenzy&lt;/a&gt; like Bovino did.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305639/"/>
    <updated>2007-03-05T13:32:47.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305639/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://photos15.flickr.com/20998300_308a2a56e7_o.jpg&#34;&gt;A 32-slot bracket for a film supervillain showdown&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305638/"/>
    <updated>2007-03-05T13:11:10.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305638/</id>
    <content type="html">&lt;p&gt;The Cassini spacecraft has sent back some &lt;a href=&#34;http://www.nasa.gov/mission_pages/cassini/media/20070301.html&#34;&gt;new images of Saturn&lt;/a&gt;. There&#39;s a &lt;a href=&#34;http://www.nasa.gov/mpg/170640main_pia08356-movie.mpg&#34;&gt;cool time-lapse video&lt;/a&gt; of making an orbit around the rings, with the moons zipping by in the background.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305637/"/>
    <updated>2007-03-05T01:08:17.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305637/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dailymail.co.uk/pages/live/articles/news/worldnews.html?in_article_id=439315&amp;amp;in_page_id=1811&#34;&gt;Distorted maps of the earth&lt;/a&gt;, redrawn to be proportionate to wealth, disease, toy imports, war &amp;amp; death, etc. Plenty more over at &lt;a href=&#34;http://www.worldmapper.org/&#34;&gt;Worldmapper&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305636/"/>
    <updated>2007-03-05T00:55:03.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305636/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.defectiveyeti.com/archives/001881.html&#34;&gt;Results from the Clich?© Rotation Project&lt;/a&gt;, where old idioms are retired and replaced with submissions from readers.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 5, 2007</title>
    <link href="https://mlarson.org/2007/03/05/20070305635/"/>
    <updated>2007-03-05T00:31:18.000Z</updated>
    <id>https://mlarson.org/2007/03/05/20070305635/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.coudal.com/bookingbands.php&#34;&gt;A list of names of books combined with names of bands&lt;/a&gt;, like &amp;quot;Jane Eyre&#39;s Addiction&amp;quot; and &amp;quot;The Cat Power in the Hat&amp;quot; and &amp;quot;My Friend Lynrd Skynrd.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2007</title>
    <link href="https://mlarson.org/2007/03/03/20070303633/"/>
    <updated>2007-03-03T19:32:39.000Z</updated>
    <id>https://mlarson.org/2007/03/03/20070303633/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Ira_Glass&#34;&gt;Ira Glass&lt;/a&gt;, host of the NPR show &lt;a href=&#34;http://www.thislife.org/&#34;&gt;This American Life&lt;/a&gt;, &lt;a href=&#34;http://www.yourdailyawesome.com/2007/03/02/ira-glass-on-storytelling/&#34;&gt;talks about storytelling in 4 short films&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 3, 2007</title>
    <link href="https://mlarson.org/2007/03/03/20070303632/"/>
    <updated>2007-03-03T18:09:38.000Z</updated>
    <id>https://mlarson.org/2007/03/03/20070303632/</id>
    <content type="html">&lt;p&gt;I&#39;m going to have to take a look at Matt Madden&#39;s &lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/1596090782/boingboing/&#34;&gt;99 Ways to Tell a Story: Exercises in Style&lt;/a&gt;. It&#39;s a one-page comic told with 98 variations, inspired by &lt;a href=&#34;http://en.wikipedia.org/wiki/Raymond_Queneau&#34;&gt;Raymond Queneau&lt;/a&gt;&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Exercises_in_Style&#34;&gt;prose book&lt;/a&gt; by the same title. There are some &lt;a href=&#34;http://www.exercisesinstyle.com/&#34;&gt;sample pages&lt;/a&gt; on the book&#39;s website.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2007</title>
    <link href="https://mlarson.org/2007/03/02/20070302631/"/>
    <updated>2007-03-02T23:19:34.000Z</updated>
    <id>https://mlarson.org/2007/03/02/20070302631/</id>
    <content type="html">&lt;p&gt;Well said:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This is not meant to put down anyone elseÄôs musical taste, or point out how cool I am. I could (and have) walk into any college radio station and get that attitude aimed at me by some DJ with a crate of out-of-print Lithuanian ska-tech remix 12Ä?s. ThatÄôs no fun! If you want to club people with Äòtude, explain to them why their favorite API sucks. &lt;a href=&#34;http://mooseyard.com/Jens/2007/02/music-prologue/&#34;&gt;You talk about music to share it, make friends, and find more of it, not to alienate people&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Mental note: be nicer when talking about music.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2007</title>
    <link href="https://mlarson.org/2007/03/02/20070302630/"/>
    <updated>2007-03-02T23:13:44.000Z</updated>
    <id>https://mlarson.org/2007/03/02/20070302630/</id>
    <content type="html">&lt;p&gt;A somewhat goofy interview with comics writer James Kochalka in &lt;a href=&#34;http://thedailycrosshatch.com/2007/02/19/interview-james-kochalka-pt-1-of-3/&#34;&gt;one&lt;/a&gt; &lt;a href=&#34;http://thedailycrosshatch.com/2007/02/22/interview-james-kochalka-pt-2-of-3/&#34;&gt;two&lt;/a&gt; &lt;a href=&#34;http://thedailycrosshatch.com/2007/02/28/interview-james-kochalka-pt-3-of-3/&#34;&gt;three&lt;/a&gt; parts. &amp;quot;There have been occasions where IÄôve said things to people, just to get reactions from them, so I could draw a strip about it. IÄôve done that to my wife before. ItÄôs kind of a mean trick.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2007</title>
    <link href="https://mlarson.org/2007/03/02/20070302629/"/>
    <updated>2007-03-02T23:03:07.000Z</updated>
    <id>https://mlarson.org/2007/03/02/20070302629/</id>
    <content type="html">&lt;p&gt;Square America is a &lt;a href=&#34;http://squareamerica.com/&#34;&gt;gallery of vintage snapshots and vernacular photography&lt;/a&gt;. I like the &lt;a href=&#34;http://squareamerica.com/sl1.htm&#34;&gt;photos of people asleep&lt;/a&gt;, and the &lt;a href=&#34;http://squareamerica.com/de1.htm&#34;&gt;defacings&lt;/a&gt; are kind of interesting, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2007</title>
    <link href="https://mlarson.org/2007/03/02/20070302628/"/>
    <updated>2007-03-02T22:58:27.000Z</updated>
    <id>https://mlarson.org/2007/03/02/20070302628/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.symbols.net/&#34;&gt;A directory of signs, glyphs, and symbols&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2007</title>
    <link href="https://mlarson.org/2007/03/02/20070302627/"/>
    <updated>2007-03-02T22:51:23.000Z</updated>
    <id>https://mlarson.org/2007/03/02/20070302627/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://bp3.blogger.com/_kZREEb7YA8E/RbdLHsAoWPI/AAAAAAAAAJI/7YcEKbNhlSM/s1600-h/attractivenesScale-782459.jpg&#34;&gt;Interesting graph charting relationships&lt;/a&gt;, potentially useful as a guide for &lt;a href=&#34;http://mysterymanonfilm.blogspot.com/2007/01/day-of-kudos.html&#34;&gt;writing screenplays&lt;/a&gt;. I love the &amp;quot;null set&amp;quot; portion.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2007</title>
    <link href="https://mlarson.org/2007/03/02/20070302626/"/>
    <updated>2007-03-02T22:48:15.000Z</updated>
    <id>https://mlarson.org/2007/03/02/20070302626/</id>
    <content type="html">&lt;p&gt;The Telegraph has a couple articles on the &lt;a href=&#34;http://www.telegraph.co.uk/global/main.jhtml;jsessionid=OBMY0VVPL1X3DQFIQMGSFFWAVCBQWIV0?xml=/global/2007/01/16/ftwives116.xml&#34;&gt;toxic&lt;/a&gt; &lt;a href=&#34;http://www.telegraph.co.uk/portal/main.jhtml;jsessionid=USYRTXIROYDOHQFIQMGSFFWAVCBQWIV0?xml=/portal/2007/03/02/nosplit/fttoxic102.xml&#34;&gt;wife&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I have every admiration for women who choose the selfless task of caring and nurturing the next generation. No, the toxic wife is a completely different species. She is the woman who gives up work as soon as she marries, ostensibly to create a stable home environment for any children that might come along, but who then employs large numbers of staff to do all the domestic work she promised to undertake, leaving her with little to do all day except shop, lunch, luxuriate. Believe me, there is no shortage of the breed and I&#39;ve been inundated with horror tales about them.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>March 2, 2007</title>
    <link href="https://mlarson.org/2007/03/02/20070302625/"/>
    <updated>2007-03-02T00:00:12.000Z</updated>
    <id>https://mlarson.org/2007/03/02/20070302625/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/tags/cameratoss/interesting/&#34;&gt;Photos taken with a thrown camera&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2007</title>
    <link href="https://mlarson.org/2007/02/28/20070228624/"/>
    <updated>2007-02-28T23:40:24.000Z</updated>
    <id>https://mlarson.org/2007/02/28/20070228624/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.photomann.com/japan/machines/&#34;&gt;Photos of vending machines in Japan&lt;/a&gt;. Newspapers, underwear, beetles, fried foods. Oh, and drinks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2007</title>
    <link href="https://mlarson.org/2007/02/28/20070228623/"/>
    <updated>2007-02-28T23:38:30.000Z</updated>
    <id>https://mlarson.org/2007/02/28/20070228623/</id>
    <content type="html">&lt;p&gt;I like the &lt;a href=&#34;http://www.theofficelife.com/business-jargon-dictionary-A.html&#34;&gt;Ridiculous Business Jargon Dictionary&lt;/a&gt;. A new personal favorite is &amp;quot;acluistic: the state of being completely without a clue.&amp;quot; And &lt;a href=&#34;http://www.theofficelife.com/business-jargon-dictionary-P.html&#34;&gt;percussive maintenance&lt;/a&gt; is good, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2007</title>
    <link href="https://mlarson.org/2007/02/28/20070228622/"/>
    <updated>2007-02-28T23:32:36.000Z</updated>
    <id>https://mlarson.org/2007/02/28/20070228622/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.austinkleon.com&#34;&gt;Austin Kleon&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.austinkleon.com/?cat=31&#34;&gt;blackout poem&lt;/a&gt; vertical is spinning out into &lt;a href=&#34;http://newspaperblackoutpoems.blogspot.com/&#34;&gt;a blog dedicated to the form&lt;/a&gt;. It begins with &lt;a href=&#34;http://newspaperblackoutpoems.blogspot.com/2007/02/challenge-of-week.html&#34;&gt;a contest&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2007</title>
    <link href="https://mlarson.org/2007/02/28/20070228621/"/>
    <updated>2007-02-28T23:01:11.000Z</updated>
    <id>https://mlarson.org/2007/02/28/20070228621/</id>
    <content type="html">&lt;p&gt;Some cool &lt;a href=&#34;http://www.chrisjordan.com/current_set2.php?id=7&#34;&gt;infographics drawing on aspects of American culture&lt;/a&gt;, using pictures of 2 million prison uniforms, or 15 million sheets of paper, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Wikinomics: How Mass Collaboration Changes Everything (review: 2.5/5)</title>
    <link href="https://mlarson.org/2007/02/28/20070228wikinomics-how-mass-collaboration-changes-everything-review-255/"/>
    <updated>2007-02-28T15:16:43.000Z</updated>
    <id>https://mlarson.org/2007/02/28/20070228wikinomics-how-mass-collaboration-changes-everything-review-255/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.co.uk/Wikinomics-Mass-Collaboration-Changes-Everything/dp/1591841380&#34;&gt;Wikinomics: How Mass Collaboration Changes Everything&lt;/a&gt; was pretty much a disappointment. I wouldn&#39;t go so far as to call it bad. I was just hoping for a less history and a more speculation. Unfortunately, if you&#39;ve been paying a moderate amount of attention to the internet/ social software/ business world for the past few years, you won&#39;t find much new information. Don Tapscott and Anthony Williams have done a good job of rounding up the big trends, their so-called Principles of Wikinomics: openness, peering, sharing, and acting globally. Much of the work is a sort of biography of these paradigms and the companies &amp;amp; products that embody them. You probably know their names: Linux, Wikipedia, Google, Flickr, IBM, BMW, Best Buy, etc.&lt;/p&gt;
&lt;p&gt;Each chapter reviews a new trend, fleshes out the history and summarizes by way of canned, italicized guidelines for business. I wish I hadn&#39;t returned the book to the library already or I&#39;d quote a few. Anyway, they also mix in a few &lt;a href=&#34;http://www.trendwatching.com/&#34;&gt;Trendwatching&lt;/a&gt;-like neologisms, like &amp;quot;Ideagoras&amp;quot; and &amp;quot;New Alexandrians&amp;quot;. By far the most intriguing part of the book was Chapter 9, discussing the &amp;quot;wiki workplace.&amp;quot; Perhaps that&#39;s because the idea is still the most nebulous and little-tested: &amp;quot;We are shifting from closed and hierarchical workplaces with rigid employment relationships increasingly self-organized, distributed, and collaborative human capital networks that draw knowledge and resources from inside and outside the firm&amp;quot; That&#39;ll be an interesting process to see over the next few years. I think free agent/ consultant/ collaborative culture will become more and more popular.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2007</title>
    <link href="https://mlarson.org/2007/02/28/20070228620/"/>
    <updated>2007-02-28T11:46:06.000Z</updated>
    <id>https://mlarson.org/2007/02/28/20070228620/</id>
    <content type="html">&lt;p&gt;Here&#39;s a great parody video, a &lt;a href=&#34;http://www.igudesmanandjoo.com/video/igujoo_rachmaninov.htm&#34;&gt;performance of Rachmaninov&#39;s Prelude in C# minor&lt;/a&gt; (&lt;a href=&#34;http://www.sheetmusicarchive.net/compositions_b/racprelc.pdf&#34;&gt;pdf&lt;/a&gt;). An assistant brings out a specially-cut chunk of wood to help play those huge chords.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 28, 2007</title>
    <link href="https://mlarson.org/2007/02/28/20070228619/"/>
    <updated>2007-02-28T11:21:39.000Z</updated>
    <id>https://mlarson.org/2007/02/28/20070228619/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://www.american.com/archive/2007/february-0207/the-invisible-paintbrush&#34;&gt;The problem with kitsch is deeper than its appeal to the mob&lt;/a&gt;. Kitsch is an insult to the purposes of art.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 27, 2007</title>
    <link href="https://mlarson.org/2007/02/27/20070227618/"/>
    <updated>2007-02-27T23:10:42.000Z</updated>
    <id>https://mlarson.org/2007/02/27/20070227618/</id>
    <content type="html">&lt;p&gt;Starbucks Chairman Howard Schultz has some &lt;a href=&#34;http://starbucksgossip.typepad.com/_/2007/02/starbucks_chair_2.html&#34;&gt;interesting comments on what Starbucks has become, and what it should be&lt;/a&gt;. &amp;quot;Some people even call our stores sterile, cookie cutter, no longer reflecting the passion our partners feel about our coffee. In fact, I am not sure people today even know we are roasting coffee.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 27, 2007</title>
    <link href="https://mlarson.org/2007/02/27/20070227617/"/>
    <updated>2007-02-27T22:46:22.000Z</updated>
    <id>https://mlarson.org/2007/02/27/20070227617/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/josephking/sets/72157594547931731&#34;&gt;A collection of patterns from the inside of security envelopes.&lt;/a&gt; [via &lt;a href=&#34;http://www.joshuablankenship.com&#34;&gt;blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 27, 2007</title>
    <link href="https://mlarson.org/2007/02/27/20070227613/"/>
    <updated>2007-02-27T11:03:28.000Z</updated>
    <id>https://mlarson.org/2007/02/27/20070227613/</id>
    <content type="html">&lt;p&gt;I love these renditions of the &lt;a href=&#34;http://mises.org/images4/GOPlogos.gif&#34;&gt;Republican elephant logo&lt;/a&gt;. I wonder if there are any good ones for the Democrat donkey, too?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 27, 2007</title>
    <link href="https://mlarson.org/2007/02/27/20070227615/"/>
    <updated>2007-02-27T11:02:09.000Z</updated>
    <id>https://mlarson.org/2007/02/27/20070227615/</id>
    <content type="html">&lt;p&gt;The video for Daft Punk&#39;s song, &lt;a href=&#34;http://www.youtube.com/watch?v=FMpsnDxNbqQ&#34;&gt;Around the World&lt;/a&gt;. I hadn&#39;t seen that in about 10 years. &lt;a href=&#34;http://en.wikipedia.org/wiki/Michel_Gondry&#34;&gt;Michael Gondry&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Around_the_World_(Daft_Punk_song)&#34;&gt;says&lt;/a&gt; about directing the video: &amp;quot;I was sick to see choreography being mistreated in videos like filler with fast cutting and fast editing, really shallow. I don&#39;t think choreography should be shot in close-ups.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 26, 2007</title>
    <link href="https://mlarson.org/2007/02/26/20070226614/"/>
    <updated>2007-02-26T11:42:41.000Z</updated>
    <id>https://mlarson.org/2007/02/26/20070226614/</id>
    <content type="html">&lt;p&gt;&amp;quot;My name is &lt;a href=&#34;http://en.wikipedia.org/wiki/Sherlock_Holmes&#34;&gt;Sherlock Holmes&lt;/a&gt;. It is my business to know what other people don&#39;t know.&amp;quot; I was obsessed with Sherlock Holmes stories when I was a kid.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2007</title>
    <link href="https://mlarson.org/2007/02/25/20070225612/"/>
    <updated>2007-02-25T22:57:50.000Z</updated>
    <id>https://mlarson.org/2007/02/25/20070225612/</id>
    <content type="html">&lt;p&gt;Tiny Showcase is releasing a &lt;a href=&#34;http://www.tinyshowcase.com/beasts/&#34;&gt;cool limited-edition set of letterpress artwork&lt;/a&gt; to accompany the release of &lt;a href=&#34;http://www.amazon.com/gp/product/156097768X&#34;&gt;Beasts!&lt;/a&gt;, an illustrated, collaborative bestiary of old supernatural creatures.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2007</title>
    <link href="https://mlarson.org/2007/02/25/20070225610/"/>
    <updated>2007-02-25T22:49:04.000Z</updated>
    <id>https://mlarson.org/2007/02/25/20070225610/</id>
    <content type="html">&lt;p&gt;Chimpanzees are &lt;a href=&#34;http://www.washingtonpost.com/wp-dyn/content/article/2007/02/22/AR2007022201007.html&#34;&gt;making weapons&lt;/a&gt;. [via &lt;a href=&#34;http://www.justinblanton.com&#34;&gt;justin blanton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 25, 2007</title>
    <link href="https://mlarson.org/2007/02/25/20070225611/"/>
    <updated>2007-02-25T22:47:38.000Z</updated>
    <id>https://mlarson.org/2007/02/25/20070225611/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.authentichistory.com/images/1960s/treasure_chest/godless_communism.html&#34;&gt;This Godless Communism&lt;/a&gt; was a multi-issue comics series published by the Catholic Guild beginning in 1961. It even has a &lt;a href=&#34;http://www.authentichistory.com/images/1960s/treasure_chest/cover_02.html&#34;&gt;foreword by J. Edgar Hoover&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2007</title>
    <link href="https://mlarson.org/2007/02/24/20070224608/"/>
    <updated>2007-02-24T14:14:44.000Z</updated>
    <id>https://mlarson.org/2007/02/24/20070224608/</id>
    <content type="html">&lt;p&gt;Jonathan Safran Foer&#39;s essay on &lt;a href=&#34;http://www.etherealblue.net/joshua/emptiness.html&#34;&gt;emptiness and his collection of empty sheets of paper&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 24, 2007</title>
    <link href="https://mlarson.org/2007/02/24/20070224609/"/>
    <updated>2007-02-24T09:21:00.000Z</updated>
    <id>https://mlarson.org/2007/02/24/20070224609/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.43folders.com/2007/02/23/the-merlin-show/&#34;&gt;Merlin Mann is starting a little video show&lt;/a&gt;. Widescreen, to boot. I hope they&#39;re all that way---GTD is all about peripheral vision.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2007</title>
    <link href="https://mlarson.org/2007/02/23/20070223607/"/>
    <updated>2007-02-23T23:35:25.000Z</updated>
    <id>https://mlarson.org/2007/02/23/20070223607/</id>
    <content type="html">&lt;p&gt;I&#39;d like to &lt;a href=&#34;http://dethroner.com/2007/02/22/morning-tonic-walts-jag-vs-post-its/&#34;&gt;cover a friend&#39;s car in post-it notes&lt;/a&gt;, but I haven&#39;t decided which one yet.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 23, 2007</title>
    <link href="https://mlarson.org/2007/02/23/20070223606/"/>
    <updated>2007-02-23T23:34:01.000Z</updated>
    <id>https://mlarson.org/2007/02/23/20070223606/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.space-invaders.com/rubikubism.html&#34;&gt;Artwork made out of Rubik&#39;s cubes&lt;/a&gt;. [via &lt;a href=&#34;http://www.37signals.com/svn/&#34;&gt;svn&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 21, 2007</title>
    <link href="https://mlarson.org/2007/02/21/20070221604/"/>
    <updated>2007-02-21T22:49:30.000Z</updated>
    <id>https://mlarson.org/2007/02/21/20070221604/</id>
    <content type="html">&lt;p&gt;Kottke &lt;a href=&#34;http://www.kottke.org/07/02/recent-chris-ware-talk&#34;&gt;points to the audio and video&lt;/a&gt; for a talk that &lt;a href=&#34;http://en.wikipedia.org/wiki/Chris_Ware&#34;&gt;Chris Ware&lt;/a&gt; recently gave at the University of Nebraska-Lincoln.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 21, 2007</title>
    <link href="https://mlarson.org/2007/02/21/20070221603/"/>
    <updated>2007-02-21T22:46:54.000Z</updated>
    <id>https://mlarson.org/2007/02/21/20070221603/</id>
    <content type="html">&lt;p&gt;BackpackingLight has a &lt;a href=&#34;http://www.backpackinglight.com/cgi-bin/backpackinglight/podcast_2007_scott_williamson.html&#34;&gt;podcast with Scott Williamson&lt;/a&gt;, who was the first hiker to yo-yo the Pacific Crest Trail. A PCT yo-yo entails walking from the Mexico-California border northward to the Washington-Canada border, and back south to Mexico again, 2650 miles each way. He was also the first to yo-yo the PCT a second time---that one only took 191 days. Last fall I &lt;a href=&#34;/mark-larson-1/2006/08/20/47&#34;&gt;linked&lt;/a&gt; to an &lt;a href=&#34;http://stevefriedman.net/articles/lightness.html&#34;&gt;interesting, melodramatic essay&lt;/a&gt; on his several unsuccessful attempts before completing his first yo-yo. He has now hiked the PCT 9 times. I wish the words &amp;quot;truly inspirational&amp;quot; didn&#39;t sound so clich?©, because those are the best ones I can think of right now. Amazing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 21, 2007</title>
    <link href="https://mlarson.org/2007/02/21/20070221602/"/>
    <updated>2007-02-21T00:50:20.000Z</updated>
    <id>https://mlarson.org/2007/02/21/20070221602/</id>
    <content type="html">&lt;p&gt;South by Southwest Festival has &lt;a href=&#34;http://2007.sxsw.com/blogs/plat.php/2007/02/19/don_t_miss_the_sxsw_toolbox&#34;&gt;released a ginormous .torrent file&lt;/a&gt; for our enjoyment. It&#39;s 3 gigs: 739 songs by 739 showcase groups. Surely there will be at least a couple songs that I&#39;ll like. [via &lt;a href=&#34;http://waxy.org/links/&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 21, 2007</title>
    <link href="https://mlarson.org/2007/02/21/20070221601/"/>
    <updated>2007-02-21T00:37:51.000Z</updated>
    <id>https://mlarson.org/2007/02/21/20070221601/</id>
    <content type="html">&lt;p&gt;Economist Henry Hazlitt wrote an &lt;a href=&#34;http://mises.org/story/2480&#34;&gt;interesting critique of Marxist literary criticism&lt;/a&gt;: &amp;quot;There is in most of the new American &amp;quot;Marxist&amp;quot; critics a deplorable mental confusion, and this mental confusion, as I have hinted, is not necessarily connected with Marxism.&amp;quot; This essay came in one of his books from the 1930s when Marxism in academia was just catching on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 21, 2007</title>
    <link href="https://mlarson.org/2007/02/21/20070221600/"/>
    <updated>2007-02-21T00:25:30.000Z</updated>
    <id>https://mlarson.org/2007/02/21/20070221600/</id>
    <content type="html">&lt;p&gt;Last fall the Guardian got a rare &lt;a href=&#34;http://observer.guardian.co.uk/review/story/0,,1951397,00.html&#34;&gt;interview with Robert Pirsig&lt;/a&gt;, best known for his best-selling book from back in the 1970s, &lt;a href=&#34;http://www.amazon.com/Zen-Art-Motorcycle-Maintenance-Inquiry/dp/0553277472&#34;&gt;Zen and the Art of Motorcycle Maintenance: An Inquiry into Values&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2007</title>
    <link href="https://mlarson.org/2007/02/20/20070220599/"/>
    <updated>2007-02-20T11:44:36.000Z</updated>
    <id>https://mlarson.org/2007/02/20/20070220599/</id>
    <content type="html">&lt;p&gt;Mental note: I need to check out &lt;a href=&#34;http://www.arthousecoop.com&#34;&gt;Art House&lt;/a&gt; in Decatur. In the meanwhile, I think I&#39;ll sign up for this &lt;a href=&#34;http://www.arthousecoop.com/site/getinvolved/amillionlittlepictures&#34;&gt;Million Little Pictures&lt;/a&gt; interactive exhibit thing they&#39;re doing: &amp;quot;We&#39;re sending out disposable cameras to hundreds of people and then we&#39;re going to plaster our walls with the photos.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What I&#39;ve Learned by Reviewing Books</title>
    <link href="https://mlarson.org/2007/02/20/20070220what-ive-learned-by-reviewing-books/"/>
    <updated>2007-02-20T11:33:15.000Z</updated>
    <id>https://mlarson.org/2007/02/20/20070220what-ive-learned-by-reviewing-books/</id>
    <content type="html">&lt;p&gt;I noticed something the other day. For all of &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932be4b06bff88913094/1368232747020/?format=original&#34;&gt;my book reviews&lt;/a&gt;, I&#39;ll give a capsule rating with scores ranging from 0-5. I put a pretty good bit of time into each one, flipping back through my notes, looking over the dog-eared pages, tracking down links online, etc. When I first start writing the review, I&#39;ll go ahead and write the draft title in the usual format: Title (review: rating). What I&#39;ve found is about ¾ of the time, my rating for the book will creep upwards as I write my review for it. I read this good advice about learning the other day: &amp;quot;If you don&#39;t understand something, try to explain it out loud, then listen to yourself.&amp;quot; It&#39;s a challenge to look over a book try to sniff out the big ideas, highlight what is interesting, and articulate what I learned---and to figure out how to share that without rambling on for 5,000 words (which isn&#39;t bad, but this blog is the wrong context). It brings to mind that old quip: &amp;quot;Learn to pause... or nothing worthwhile will catch up with you.&amp;quot;&lt;/p&gt;
&lt;p&gt;There&#39;s something about the process of looking over the book again and taking a while to reflect on everything, letting ideas and impressions gel together, that increases my evaluation of it. It&#39;s no accident that &amp;quot;appraise&amp;quot; (to evaluate) and &amp;quot;appreciate&amp;quot; (to recognize quality) &lt;a href=&#34;http://www.amazon.com/Oxford-Dictionary-English-Etymology/dp/0198611129&#34;&gt;share the same etymological roots&lt;/a&gt;. It takes some time, but the result is worth it: I think more highly of what I understand more clearly.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2007</title>
    <link href="https://mlarson.org/2007/02/20/20070220598/"/>
    <updated>2007-02-20T11:28:44.000Z</updated>
    <id>https://mlarson.org/2007/02/20/20070220598/</id>
    <content type="html">&lt;p&gt;This is a cool set of photos of &lt;a href=&#34;http://www.flickr.com/photos/shashachu/258302532/&#34;&gt;sunset on Uluru&lt;/a&gt;, aka &lt;a href=&#34;http://en.wikipedia.org/wiki/Uluru&#34;&gt;Ayer&#39;s Rock&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2007</title>
    <link href="https://mlarson.org/2007/02/20/20070220597/"/>
    <updated>2007-02-20T01:36:10.000Z</updated>
    <id>https://mlarson.org/2007/02/20/20070220597/</id>
    <content type="html">&lt;p&gt;&amp;quot;We ended up at one point lying on the snow, looking up at the sky and talking about the food chain and how the sun indirectly supplies energy for our bodies. &lt;a href=&#34;http://www.stevenberlinjohnson.com/2007/02/winter_in_the_c.html&#34;&gt;It was pretty idyllic all around&lt;/a&gt;.&amp;quot; I love it. That&#39;s the mix of blissful goofing off + learning that I loved when I was a kid. Playing, learning, creating, it&#39;s all the same. I hope I&#39;ll get to share that one day with kids of my own. Sledding, &lt;a href=&#34;http://en.wikipedia.org/wiki/Photosynthesis&#34;&gt;photosynthesis&lt;/a&gt;, snowball fight, maybe a little &lt;a href=&#34;http://en.wikipedia.org/wiki/Praxeology&#34;&gt;praxeology&lt;/a&gt; with the afternoon snack...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 20, 2007</title>
    <link href="https://mlarson.org/2007/02/20/20070220595/"/>
    <updated>2007-02-20T00:26:30.000Z</updated>
    <id>https://mlarson.org/2007/02/20/20070220595/</id>
    <content type="html">&lt;p&gt;In &lt;a href=&#34;/mark-larson-1/2007/02/20/the-little-book-of-plagiarism-review-355&#34;&gt;The Little Book of Plagiarism&lt;/a&gt;, Richard Posner excerpted T.S. Eliot&#39;s famous comment about poetic imitation. I tracked it down and give a bit more of the context here. From Eliot&#39;s essay &lt;a href=&#34;http://www.bartleby.com/200/sw11.html&#34;&gt;&amp;quot;Phillip Massinger&amp;quot;&lt;/a&gt; in &lt;a href=&#34;http://www.bartleby.com/200/&#34;&gt;The Sacred Wood: Essays on Poetry and Criticism&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Reading Shakespeare and several of his contemporaries is pleasure enough, perhaps all the pleasure possible, for most. But if we wish to consummate and refine this pleasure by understanding it, to distill the last drop of it, to press and press the essence of each author, to apply exact measurement to our own sensations, then we must compare; and we cannot compare without parceling the threads of authorship and influence...&lt;/p&gt;
&lt;p&gt;One of the surest of tests is the way in which a poet borrows. Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>The Little Book of Plagiarism (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/02/20/20070220the-little-book-of-plagiarism-review-355/"/>
    <updated>2007-02-20T00:14:46.000Z</updated>
    <id>https://mlarson.org/2007/02/20/20070220the-little-book-of-plagiarism-review-355/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://home.uchicago.edu/~rposner/&#34;&gt;Richard Posner&lt;/a&gt; is an appellate judge and also a lecturer at the University of Chicago. In &lt;a href=&#34;http://www.amazon.com/Little-Book-Plagiarism-Richard-Posner/dp/037542475X&#34;&gt;The Little Book of Plagiarism&lt;/a&gt; gives a quick 100-page tour of the historical and legal aspects of an issue that was more complicated than I thought: plagiarism. Coming from the legal world, there&#39;s plenty of critical wordplay here, defining and refining what exactly plagiarism is and how it relates to copyright infringement, in particular. The definition that Posner works towards in the first half of the book is most simply described as &amp;quot;fraudulent copying,&amp;quot; which he supposes isn&#39;t always a legal misstep (or shouldn&#39;t always be, anyway). But it&#39;s certainly a grievous ethical lapse. One interesting aspect of plagiarism that I hadn&#39;t thought about is trying to suss out exactly who the &amp;quot;victim&amp;quot; is. With copyright violations, the victim is simply the author whose words were stolen and who lost recognition for or control their work. With plagiarism, the works of competing, legitimate authors are put at a disadvantage, and the reader is also misled. The plagiarist gets an unfair leg up on the competition and fools the audience.&lt;/p&gt;
&lt;p&gt;A couple other items of note are Posner&#39;s tangential comments on universities and scholarship: &amp;quot;Scholars are self-selected into an activity that requires them to write, although not to write well (which means, however, that good writing is not highly valued in most scholarly fields).&amp;quot; Just like any other humans, it&#39;s plausible that some professors don&#39;t particularly worry about writing really, really well. I hadn&#39;t thought about that before, though I&#39;ve certainly read my share of bad scholarly writing. (And written it as well, I&#39;m sure... but I tried).&lt;/p&gt;
&lt;p&gt;History offers us a few obvious examples of flagrant, unapologetic borrowers: Shakespeare, Martin Luther King Jr., T.S. Eliot, etc. Posner&#39;s take on the issue: &amp;quot;We need to distinguish between &amp;quot;originality&amp;quot; and &amp;quot;creativity,&amp;quot; stripping the former of the normative overtones that rightly attend the latter.&amp;quot; The source material may be old, but it&#39;s what you can do with it that counts. There&#39;s an object lesson here, I think. One that relieves a bit of the creative&#39;s burden. You don&#39;t have to be the first, just do it well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 19, 2007</title>
    <link href="https://mlarson.org/2007/02/19/20070219594/"/>
    <updated>2007-02-19T23:26:43.000Z</updated>
    <id>https://mlarson.org/2007/02/19/20070219594/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://q.queso.com/archives/002070&#34;&gt;ode to the petri dish&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 19, 2007</title>
    <link href="https://mlarson.org/2007/02/19/20070219593/"/>
    <updated>2007-02-19T23:08:17.000Z</updated>
    <id>https://mlarson.org/2007/02/19/20070219593/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://nymag.com/news/features/27840/index.html&#34;&gt;The Power (and Peril) of Praising Your Kids&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Scholars from Reed College and Stanford reviewed over 150 praise studies. Their meta-analysis determined that praised students become risk-averse and lack perceived autonomy. The scholars found consistent correlations between a liberal use of praise and studentsÄô Äúshorter task persistence, more eye-checking with the teacher, and inflected speech such that answers have the intonation of questions.Äù DweckÄôs research on overpraised kids strongly suggests that image maintenance becomes their primary concernÄîthey are more competitive and more interested in tearing others down. A raft of very alarming studies illustrates this...&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 19, 2007</title>
    <link href="https://mlarson.org/2007/02/19/20070219592/"/>
    <updated>2007-02-19T22:58:47.000Z</updated>
    <id>https://mlarson.org/2007/02/19/20070219592/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.e-cr.co.uk/crblog/the-money-maker/&#34;&gt;interview with Ootje Oxenaar&lt;/a&gt;, designer of Dutch currency. [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2007</title>
    <link href="https://mlarson.org/2007/02/18/20070218590/"/>
    <updated>2007-02-18T13:17:02.000Z</updated>
    <id>https://mlarson.org/2007/02/18/20070218590/</id>
    <content type="html">&lt;p&gt;An archive of &lt;a href=&#34;http://www.iampeth.com/books.htm&#34;&gt;rare books on calligraphy, penmanship, and pen art&lt;/a&gt;; they&#39;re all out of print, but still available as PDF and image files. I can&#39;t believe how clean some of the illustrations are, like &lt;a href=&#34;http://www.iampeth.com/books/dennis_pen_art/dennis_pen_art_page61.html&#34;&gt;this deer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2007</title>
    <link href="https://mlarson.org/2007/02/18/20070218589/"/>
    <updated>2007-02-18T00:58:35.000Z</updated>
    <id>https://mlarson.org/2007/02/18/20070218589/</id>
    <content type="html">&lt;p&gt;Here&#39;s some artwork that represents everyday scenes by &lt;a href=&#34;http://www.frogview.com/show.php?file=864&#34;&gt;using the names of the objects to build them&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2007</title>
    <link href="https://mlarson.org/2007/02/18/20070218588/"/>
    <updated>2007-02-18T00:45:58.000Z</updated>
    <id>https://mlarson.org/2007/02/18/20070218588/</id>
    <content type="html">&lt;p&gt;Here&#39;s an interesting idea for highbrow post-ironic art-qua-self-conscious-subject (etc.): &lt;a href=&#34;http://www.ironicsans.com/2007/01/idea_paintings_of_descriptions.html&#34;&gt;paintings of the descriptions of paintings&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 18, 2007</title>
    <link href="https://mlarson.org/2007/02/18/20070218587/"/>
    <updated>2007-02-18T00:42:23.000Z</updated>
    <id>https://mlarson.org/2007/02/18/20070218587/</id>
    <content type="html">&lt;p&gt;The latest album from &lt;a href=&#34;http://www.listentofeist.com&#34;&gt;Feist&lt;/a&gt; is due out on May 1---which is far too long to wait. In the meanwhile, &lt;a href=&#34;http://www.listentofeist.com/images/theReminder.jpg&#34;&gt;the album cover is absolutely incredible&lt;/a&gt;, and a single has surfaced: &amp;quot;My Moon, My Man&amp;quot;. Go &lt;a href=&#34;http://hypem.com/search/my%20moon%20my%20man/1/&#34;&gt;look for it&lt;/a&gt; on the Hype Machine.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2007</title>
    <link href="https://mlarson.org/2007/02/17/20070217585/"/>
    <updated>2007-02-17T00:32:21.000Z</updated>
    <id>https://mlarson.org/2007/02/17/20070217585/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/mcauliflower/363651928/&#34;&gt;How to break in a new book&lt;/a&gt;. While &lt;a href=&#34;http://www.browniepointsblog.com/2007/02/04/how-to-break-in-your-new-cookbook/&#34;&gt;McAuliflower had cookbooks in mind&lt;/a&gt;, this is also really helpful for speed reading when you want to minimize fussing with pages. [via &lt;a href=&#34;http://www.notmartha.org&#34;&gt;not martha&lt;/a&gt;, again]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 17, 2007</title>
    <link href="https://mlarson.org/2007/02/17/20070217586/"/>
    <updated>2007-02-17T00:12:23.000Z</updated>
    <id>https://mlarson.org/2007/02/17/20070217586/</id>
    <content type="html">&lt;p&gt;Check out the &lt;a href=&#34;http://www.cabel.name/2007/02/japan-story-gyoza-stadium.html&#34;&gt;infographics in these Japanese stadium menus&lt;/a&gt; at the bottom of the post. Description of the data available:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Graph (clockwise from top): Juicy, Crispy (Wrapper), Volume, Oily (lower = oilier), Garlic Amount, Vegetable Amount. Stats: Size, Weight, Wrapper&#39;s Thickness (Star Chart from Thick to Thin) Sauce Breakdown: Soy Sauce %, Vinegar %, Extras&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Here&#39;s a sample &lt;a href=&#34;http://www.cabel.name/images-post/2007/02/gyoza-chart.jpg&#34;&gt;image&lt;/a&gt; and the &lt;a href=&#34;http://www.cabel.name/files/2007/02/gyoza-stadium-brochure.pdf&#34;&gt;entire menu&lt;/a&gt;. (pdf, 3.2mb) Thanks for sharing this, Cabel.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2007</title>
    <link href="https://mlarson.org/2007/02/16/20070216584/"/>
    <updated>2007-02-16T23:53:04.000Z</updated>
    <id>https://mlarson.org/2007/02/16/20070216584/</id>
    <content type="html">&lt;p&gt;Check out these &lt;a href=&#34;http://www.nsybrandy.nl/html/ZTmV07Gordijnen.html&#34;&gt;amazing curtains&lt;/a&gt; crafted by &lt;a href=&#34;http://www.nsybrandy.nl/index.html&#34;&gt;Nienke Sybrandy&lt;/a&gt;. I don&#39;t think I&#39;ve ever been impressed by curtains before. [via &lt;a href=&#34;http://www.notmartha.org/archives/2007/02/16/things-i-want-to-have-or-imitate/&#34;&gt;not martha&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2007</title>
    <link href="https://mlarson.org/2007/02/16/20070216583/"/>
    <updated>2007-02-16T23:40:38.000Z</updated>
    <id>https://mlarson.org/2007/02/16/20070216583/</id>
    <content type="html">&lt;p&gt;A study of &lt;a href=&#34;http://www.omninerd.com/2007/02/08/articles/69&#34;&gt;internet weather forecast accuracy&lt;/a&gt;. [via &lt;a href=&#34;http://www.waxy.org/links&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2007</title>
    <link href="https://mlarson.org/2007/02/16/20070216582/"/>
    <updated>2007-02-16T22:34:40.000Z</updated>
    <id>https://mlarson.org/2007/02/16/20070216582/</id>
    <content type="html">&lt;p&gt;On NPR, &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=7382111&#34;&gt;Terry Gross interviews cartoonist couple Robert and Aline Crumb&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2007</title>
    <link href="https://mlarson.org/2007/02/16/20070216581/"/>
    <updated>2007-02-16T22:19:04.000Z</updated>
    <id>https://mlarson.org/2007/02/16/20070216581/</id>
    <content type="html">&lt;p&gt;I love it when professors put their materials online. John Boyd, professor at University of Michigan, has his lecture notes for &lt;a href=&#34;http://www-personal.engin.umich.edu/~jpboyd/ENG503.html&#34;&gt;Engineering 503: Scientific Visualization &amp;amp; Information Architecture&lt;/a&gt;. The second chapter is called &amp;quot;The Gospel According to Tufte&amp;quot;. It&#39;s a wonderful collection that I&#39;ll be spending some time on this weekend.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2007</title>
    <link href="https://mlarson.org/2007/02/16/20070216580/"/>
    <updated>2007-02-16T22:08:15.000Z</updated>
    <id>https://mlarson.org/2007/02/16/20070216580/</id>
    <content type="html">&lt;p&gt;Kottke &lt;a href=&#34;http://www.kottke.org/07/02/folding-origami-robert-lang&#34;&gt;points to some pretty amazingly intricate origami creations&lt;/a&gt; by origamist/ scientist &lt;a href=&#34;http://www.langorigami.com/&#34;&gt;Robert Lang&lt;/a&gt;. Pretty amazing little creations.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>How to Walk in High Heels (review: 1.5/5)</title>
    <link href="https://mlarson.org/2007/02/16/20070216how-to-walk-in-high-heels-review-155/"/>
    <updated>2007-02-16T22:07:20.000Z</updated>
    <id>https://mlarson.org/2007/02/16/20070216how-to-walk-in-high-heels-review-155/</id>
    <content type="html">&lt;p&gt;It&#39;s kind of interesting to read books from left field every now and then. &lt;a href=&#34;http://www.amazon.com/How-Walk-High-Heels-Everything/dp/1401302750/&#34;&gt;How to Walk in High Heels: The Girls Guide to Everything&lt;/a&gt; is a teach-all book for ladies (of a certain mindset), complete with liberal doses of pink, hip inked illustrations, and the omnipresent heel. I realize I&#39;m not the target audience, but I still thought it was pretty bad. Well, I have to give it credit for not taking itself too seriously. There is plenty of sarcastic humor to be found, but the advice was too self-consciously prissy and fashionable for my liking.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 16, 2007</title>
    <link href="https://mlarson.org/2007/02/16/20070216579/"/>
    <updated>2007-02-16T21:51:31.000Z</updated>
    <id>https://mlarson.org/2007/02/16/20070216579/</id>
    <content type="html">&lt;p&gt;A paraglider got &lt;a href=&#34;http://www.msnbc.msn.com/id/17185299/&#34;&gt;sucked into a thunderstorm&lt;/a&gt;, lifted 32,000 feet above sea level amidst lightning and &amp;quot;hailstones the size of oranges,&amp;quot; and survived. This is one of those unfortunate capers I kind of wish had happened to me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 14, 2007</title>
    <link href="https://mlarson.org/2007/02/14/20070214578/"/>
    <updated>2007-02-14T22:58:23.000Z</updated>
    <id>https://mlarson.org/2007/02/14/20070214578/</id>
    <content type="html">&lt;p&gt;Here&#39;s an &lt;a href=&#34;http://theory.lcs.mit.edu/~wald/sandman-index.html&#34;&gt;archive of annotations&lt;/a&gt; for &lt;a href=&#34;http://www.neilgaiman.com/&#34;&gt;Neil Gaiman&lt;/a&gt;&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Sandman_(Vertigo)&#34;&gt;Sandman&lt;/a&gt; comics. It fleshes out the character relationships, mythology, allusions, references, quotes, and other variety of minutia.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Call of the Weird: Travels in American Subcultures (review: 2.5/5)</title>
    <link href="https://mlarson.org/2007/02/14/20070214the-call-of-the-weird-travels-in-american-subcultures-255/"/>
    <updated>2007-02-14T22:45:30.000Z</updated>
    <id>https://mlarson.org/2007/02/14/20070214the-call-of-the-weird-travels-in-american-subcultures-255/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Louis_Theroux&#34;&gt;Louis Theroux&lt;/a&gt;&#39;s debut in publishing has him retreading the ground he covered in the days of his BBC documentaries. In &lt;a href=&#34;http://www.amazon.com/Call-Weird-Travels-American-Subcultures/dp/0306815036/&#34;&gt;The Call of the Weird: Travels in American Subcultures&lt;/a&gt; he tracks down his old subjects and finds out what they&#39;ve been doing since he last spoke with them. Theroux&#39;s travels place him in paranoid anti-government communes, porn studios, UFO conventions, white supremacist parades, self-help seminars, and more humdrum locales like ghettos and brothels. Part of the awkwardness of this book, and it seems clear that Theroux wrestled with this, is that he is sometimes unsure of his own role---whether he&#39;s doing ethnography by immersion or straight, dispassionate journalism. The struggle comes from his work to maintain relationships that he obviously appreciates (despite their quirks and foibles, his subjects are just human), but maintaining a healthy skepticism. It&#39;s a tough balance of challenging his interviewees and basically trying not to piss them off.&lt;/p&gt;
&lt;p&gt;I was a bit surprised to find this book is at its best within its more subjective and personal moments. I expected to be more entertained by the sheer idiocy of white supremacist ideologues or what a headcase Ike Turner is, but what I really liked was Theroux&#39;s reflection on his own precarious balance of friendship---giving comfort and company to these self-appointed outcasts---with the more professional interests of getting a good story and writing a good book. In the end, what really comes out is not a just a study of these subcultures, but what it is like to actually &lt;em&gt;know&lt;/em&gt; them, insofar as an outsider can.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 14, 2007</title>
    <link href="https://mlarson.org/2007/02/14/20070214575/"/>
    <updated>2007-02-14T00:31:13.000Z</updated>
    <id>https://mlarson.org/2007/02/14/20070214575/</id>
    <content type="html">&lt;p&gt;Ah, vindication. When I&#39;m at work, I make a point to take a nap every day. Sometimes I&#39;ll even squeeze in a second one. A &lt;a href=&#34;http://news.bbc.co.uk/2/hi/health/6354855.stm&#34;&gt;recent long-term study&lt;/a&gt; has shown that &amp;quot;among working men who took midday naps, there was a 64% reduced risk of death&amp;quot; from heart disease. I knew I was on to something! [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2007</title>
    <link href="https://mlarson.org/2007/02/13/20070213574/"/>
    <updated>2007-02-13T13:36:34.000Z</updated>
    <id>https://mlarson.org/2007/02/13/20070213574/</id>
    <content type="html">&lt;p&gt;There&#39;s a Wikipedia article that lists &lt;a href=&#34;http://en.wikipedia.org/wiki/Wikipedia:Public_domain_image_resources&#34;&gt;where you can find images in the public domain&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 13, 2007</title>
    <link href="https://mlarson.org/2007/02/13/20070213573/"/>
    <updated>2007-02-13T00:12:39.000Z</updated>
    <id>https://mlarson.org/2007/02/13/20070213573/</id>
    <content type="html">&lt;p&gt;A video about adjusting to &lt;a href=&#34;http://www.youtube.com/watch?v=eRjVeRbhtRU&#34;&gt;a new technology called a &amp;quot;book&amp;quot;&lt;/a&gt;. [via &lt;a href=&#34;http://designobserver.com/&#34;&gt;design observer&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2007</title>
    <link href="https://mlarson.org/2007/02/12/20070212572/"/>
    <updated>2007-02-12T23:38:33.000Z</updated>
    <id>https://mlarson.org/2007/02/12/20070212572/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://lilypond.org/web/&#34;&gt;LilyPond&lt;/a&gt; looks like an interesting musical notation program. It relies on ASCII text input, and translates it into high-quality graphical notation, harking back to the professional engravings of yore. This reminds me of the &lt;a href=&#34;http://en.wikipedia.org/wiki/LaTeX&#34;&gt;LaTeX&lt;/a&gt; markup and typesetting language---you get to focus on your product and stop futzing around so much with the visuals. I&#39;ll have to give it a try. The developers have written an interesting &lt;a href=&#34;http://lilypond.org/web/about/automated-engraving/big-page&#34;&gt;essay about the nuance and perfection that most computer-generated notation lacks&lt;/a&gt;, and thus, the inspiration for LilyPond. Typography in music! Sweet!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2007</title>
    <link href="https://mlarson.org/2007/02/12/20070212571/"/>
    <updated>2007-02-12T21:29:25.000Z</updated>
    <id>https://mlarson.org/2007/02/12/20070212571/</id>
    <content type="html">&lt;p&gt;Jonathan Ley &lt;a href=&#34;http://www.phlumf.com/iceland/index.htm&#34;&gt;hiked across Iceland&lt;/a&gt; last year, and as usual has shared some &lt;a href=&#34;http://www.phlumf.com/iceland/photofiles/index.htm&#34;&gt;awesome photos&lt;/a&gt;. I am a big fan of his narrative of his &lt;a href=&#34;http://www.phlumf.com/cdt/cdtexp/cdtexp.htm&#34;&gt;Continental Divide Trail thru-hike&lt;/a&gt;; I love how he placed thumbnails of annotated photos in the relevant location within the text (&lt;a href=&#34;http://www.phlumf.com/cdt/cdtexp/mtf.htm&#34;&gt;for example&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2007</title>
    <link href="https://mlarson.org/2007/02/12/20070212570/"/>
    <updated>2007-02-12T13:05:47.000Z</updated>
    <id>https://mlarson.org/2007/02/12/20070212570/</id>
    <content type="html">&lt;p&gt;A nicely &lt;a href=&#34;http://www.chrisyates.net/store/fullinterstatemap-web.jpg&#34;&gt;supersimplified map&lt;/a&gt; of the United States Interstate System. There are 16″× 20″ &lt;a href=&#34;http://www.chrisyates.net/store/toys.html&#34;&gt;prints available&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2007</title>
    <link href="https://mlarson.org/2007/02/12/20070212569/"/>
    <updated>2007-02-12T00:59:31.000Z</updated>
    <id>https://mlarson.org/2007/02/12/20070212569/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.37signals.com/svn&#34;&gt;Signal v. Noise&lt;/a&gt; pointed to a couple cool things the other day. New to me is the &lt;a href=&#34;http://www.humument.com/intro.html&#34;&gt;Humument&lt;/a&gt;, a really cool illustrated treatment/ reincarnation of an old Victorian novel. Check out the &lt;a href=&#34;http://www.humument.com/gallery/index.html&#34;&gt;gallery&lt;/a&gt;. Also getting a blurb are Austin Kleon&#39;s &lt;a href=&#34;http://www.austinkleon.com/?cat=31&#34;&gt;blackout poems&lt;/a&gt;. This brings to mind that essay in Harper&#39;s I linked to the other day, the &lt;a href=&#34;http://www.harpers.org/TheEcstasyOfInfluence.html&#34;&gt;one about plagiarism, copyright, and public imagination&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Today, when we can eat Tex-Mex with chopsticks while listening to reggae and watching a YouTube rebroadcast of the Berlin Wall&#39;s fallÄîi.e., when damn near everything presents itself as familiarÄîit&#39;s not a surprise that some of today&#39;s most ambitious art is going about trying to make the familiar strange. In so doing, in reimagining what human life might truly be like over there across the chasms of illusion, mediation, demographics, marketing, imago, and appearance, artists are paradoxically trying to restore what&#39;s taken for ÄúrealÄù to three whole dimensions, to reconstruct a univocally round world out of disparate streams of flat sights.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2007</title>
    <link href="https://mlarson.org/2007/02/12/20070212568/"/>
    <updated>2007-02-12T00:25:28.000Z</updated>
    <id>https://mlarson.org/2007/02/12/20070212568/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.polymervision.com/ProductsApplications/Readius/&#34;&gt;Readius looks like it could be a worthy contender&lt;/a&gt; against Sony&#39;s &lt;a href=&#34;http://www.sonystyle.com/is-bin/INTERSHOP.enfinity/eCS/Store/en/-/USD/SY_DisplayProductInformation-Start?ProductSKU=PRS500U2&amp;amp;Dept=audio&amp;amp;CategoryName=pa_portablereader&#34;&gt;Reader&lt;/a&gt;. It has a cool fold-out screen and packs up to roughly cellphone size. It&#39;s half as heavy as Sony&#39;s at only 5 or so ounces, and supports ebook, PDF, RSS, podcasts, etc. Pretty nifty.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 12, 2007</title>
    <link href="https://mlarson.org/2007/02/12/20070212567/"/>
    <updated>2007-02-12T00:17:06.000Z</updated>
    <id>https://mlarson.org/2007/02/12/20070212567/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.ep.tc/problems/&#34;&gt;Comics with problems&lt;/a&gt;. A small collection of public service comics that deal with topics like AIDs, diabetes, drug abuse, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2007</title>
    <link href="https://mlarson.org/2007/02/10/20070210566/"/>
    <updated>2007-02-10T00:15:53.000Z</updated>
    <id>https://mlarson.org/2007/02/10/20070210566/</id>
    <content type="html">&lt;p&gt;Here&#39;s a cool &lt;a href=&#34;http://michalevy.com/gs_download.html&#34;&gt;animated interpretation of John Coltrane&#39;s tune, Giant Steps&lt;/a&gt;. &amp;quot;The musical theme defines a space and the musical improvisation is like someone drifting in that imaginary space.&amp;quot; Pretty darn cool. I wish there were a full length version---where&#39;s the piano solo?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2007</title>
    <link href="https://mlarson.org/2007/02/10/20070210565/"/>
    <updated>2007-02-10T00:08:23.000Z</updated>
    <id>https://mlarson.org/2007/02/10/20070210565/</id>
    <content type="html">&lt;p&gt;An &lt;a href=&#34;http://www.10zenmonkeys.com/2007/02/08/cory-doctorow-overclocked-ru-sirius-interview/&#34;&gt;interview with Cory Doctorow&lt;/a&gt;, digesting his &lt;a href=&#34;http://www.craphound.com/overclocked/download/&#34;&gt;new&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/gp/product/1560259817&#34;&gt;book&lt;/a&gt;. I&#39;m looking forward to this new one; I picked it up just after I &lt;a href=&#34;/mark-larson-1/2007/02/09/down-and-out-in-the-magic-kingdom-review-55&#34;&gt;reviewed&lt;/a&gt; (loved) &lt;em&gt;Down and Out in the Magic Kingdom&lt;/em&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 10, 2007</title>
    <link href="https://mlarson.org/2007/02/10/20070210564/"/>
    <updated>2007-02-10T00:01:18.000Z</updated>
    <id>https://mlarson.org/2007/02/10/20070210564/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=evTTHS9hwvU&#34;&gt;Okay, so I&#39;m pretty much amazing&lt;/a&gt;. A nice little voiceover parody of a John Petrucci guitar instructional video, working the metronome. He pulls off some nasty chromatic scales.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 9, 2007</title>
    <link href="https://mlarson.org/2007/02/09/20070209563/"/>
    <updated>2007-02-09T23:56:33.000Z</updated>
    <id>https://mlarson.org/2007/02/09/20070209563/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.onfocus.com/2007/02/3917&#34;&gt;Paul is going off the Flickr Grid&lt;/a&gt;: &amp;quot;My inner geek isn&#39;t completely thrilled with my move to Flickr... Part of me thinks that all of the awesome stuff that Flickr enables (community, conversation, collaboration, cataloging, aggregation, and so much more) should be done in a distributed way across the Web.&amp;quot; He&#39;s doing a great job of documenting the whole techie side of the process.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Curses (review: 5/5)</title>
    <link href="https://mlarson.org/2007/02/09/20070209curses-review-55/"/>
    <updated>2007-02-09T01:33:57.000Z</updated>
    <id>https://mlarson.org/2007/02/09/20070209curses-review-55/</id>
    <content type="html">&lt;p&gt;I lucked out again. &lt;a href=&#34;http://www.amazon.com/Curses-Kevin-Huizenga/dp/1894937864&#34;&gt;Curses&lt;/a&gt; is a delightful collection of comics by &lt;a href=&#34;http://www.usscatastrophe.com/kh/&#34;&gt;Kevin Huizenga&lt;/a&gt;. This collection fits in the &amp;quot;slice of life&amp;quot; category, but mixed with the occasional bout of the surreal, and thankfully free from most the angst and ennui that crept in some other comics I&#39;ve read recently. My favorite of the stories was &amp;quot;Jeepers Jacobs,&amp;quot; with a sketch about a golfing theology professor who writes about Hell. A close second is &amp;quot;Not Sleeping Together,&amp;quot; about passing the time with one you love. I love the artwork---Huizenga draws these clean, spare lines that still feel kind of loose and earthy, somehow. There&#39;s some pretty incredible suburban skylines, even managing to make suburbia look kind of interesting. But the art is only half the battle, and the pictures and the words really work so well together here. I think part of it is Huizenga&#39;s willingness to put a lot of text in his panels when he needs to. There&#39;s no timidity about using a lot of block narration. And the silent panels are able carry their own weight.&lt;/p&gt;
&lt;p&gt;I guess the best thing I can say is that I&#39;d want to write comics like this. Well done!&lt;/p&gt;
&lt;p&gt;Bonus: A few days ago Kevin Huizenga did a &lt;a href=&#34;http://www.publishersweekly.com/article/CA6413935.html&#34;&gt;brief interview with Publisher&#39;s Weekly&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 9, 2007</title>
    <link href="https://mlarson.org/2007/02/09/20070209562/"/>
    <updated>2007-02-09T01:29:28.000Z</updated>
    <id>https://mlarson.org/2007/02/09/20070209562/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.harpers.org/TheEcstasyOfInfluence.html&#34;&gt;Ecstasy of Influence&lt;/a&gt;, a new essay in Harper&#39;s about plagiarism.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Visual, sound, and text collageÄîwhich for many centuries were relatively fugitive traditions (a cento here, a folk pastiche there)Äîbecame explosively central to a series of movements in the twentieth century: futurism, cubism, Dada, musique concr?®te, situationism, pop art, and appropriationism. In fact, collage, the common denominator in that list, might be called the art form of the twentieth century, never mind the twenty-first. But forget, for the moment, chronologies, schools, or even centuries. As examples accumulateÄîIgor Stravinsky&#39;s music and Daniel Johnston&#39;s, Francis Bacon&#39;s paintings and Henry Darger&#39;s, the novels of the Oulipo group and of Hannah Crafts (the author who pillaged Dickens&#39;s Bleak House to write The Bondwoman&#39;s Narrative), as well as cherished texts that become troubling to their admirers after the discovery of their ÄúplagiarizedÄù elements, like Richard Condon&#39;s novels or Martin Luther King Jr.&#39;s sermonsÄîit becomes apparent that appropriation, mimicry, quotation, allusion, and sublimated collaboration consist of a kind of sine qua non of the creative act, cutting across all forms and genres in the realm of cultural production.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>February 9, 2007</title>
    <link href="https://mlarson.org/2007/02/09/20070209561/"/>
    <updated>2007-02-09T01:19:55.000Z</updated>
    <id>https://mlarson.org/2007/02/09/20070209561/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://Poetryfoundation.org&#34;&gt;Poetryfoundation.org&lt;/a&gt; has &lt;a href=&#34;http://poetryfoundation.org/dispatches/dispatches.feature.html?id=179224&#34;&gt;invited some of todayÄôs most vital graphic novelists to interpret a poem of their choice&lt;/a&gt; from the more than 4,500 poems in our archive, reaching from Beowulf to the present.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Down and Out in the Magic Kingdom (review: 5/5)</title>
    <link href="https://mlarson.org/2007/02/09/20070209down-and-out-in-the-magic-kingdom-review-55/"/>
    <updated>2007-02-09T00:09:09.000Z</updated>
    <id>https://mlarson.org/2007/02/09/20070209down-and-out-in-the-magic-kingdom-review-55/</id>
    <content type="html">&lt;p&gt;This book reminded me how much I love science fiction. &lt;a href=&#34;http://www.amazon.com/Down-Magic-Kingdom-Cory-Doctorow/dp/0765304368&#34;&gt;Down and Out in the Magic Kingdom&lt;/a&gt; (which, per &lt;a href=&#34;http://www.craphound.com/&#34;&gt;Cory Doctorow&lt;/a&gt;&#39;s tradition, you can &lt;a href=&#34;http://www.craphound.com/down/download.php&#34;&gt;download for free&lt;/a&gt;) takes place in a &lt;a href=&#34;http://en.wikipedia.org/wiki/Transhumanism&#34;&gt;transhuman&lt;/a&gt; future. Poverty, scarcity, and sickness have been pretty much eliminated. Our hapless narrator-hero, Julius, has been killed (again) and his rivals are trying to take over one of his pet projects where he works at Disneyland. He fights back with the help of tenuous friendships and ill-formed plans, and it&#39;s pretty much wonderful the whole way through. One of the best parts about great science fiction (and I think this one counts) is just taking a few ideas and seeing where they lead, a sort of narrative thought experiment. Luckily Doctorow doesn&#39;t get too explicitly philisophical, but there is some great hypothesis-spinning daydream material here. What if we were all networked, able to be &lt;em&gt;really&lt;/em&gt;, individually connected to each and every other person? How does society recalibrate value where material scarcity no longer exists? If you could freeze your life for 500 or 10,000 years and wake up later, well... what would that be like? What&#39;s the effect on human relationships? All this, and more. Go read it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 9, 2007</title>
    <link href="https://mlarson.org/2007/02/09/20070209560/"/>
    <updated>2007-02-09T00:08:35.000Z</updated>
    <id>https://mlarson.org/2007/02/09/20070209560/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.mrdeity.com/&#34;&gt;Mr. Deity is a bi-monthly video series that looks at God and the Universe&lt;/a&gt; with a smile (and sometimes, a wink). In the first film &lt;a href=&#34;http://www.youtube.com/watch?v=Qzf8q9QHfhI&#34;&gt;about Creation&lt;/a&gt; God decides which evils to nix and which to keep. Great soundtrack, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 8, 2007</title>
    <link href="https://mlarson.org/2007/02/08/20070208559/"/>
    <updated>2007-02-08T23:55:21.000Z</updated>
    <id>https://mlarson.org/2007/02/08/20070208559/</id>
    <content type="html">&lt;p&gt;I like &lt;a href=&#34;http://overstated.net/2007/02/01/san-francisco-guide-to-new-york-neighborhoods&#34;&gt;Cameron Marlow&#39;s idea for city guides&lt;/a&gt;, identifying socio-cultural twins in different cities across the nation: &amp;quot;IÄôm an Atlantan in Chicago. WhereÄôs Little Five Points?&amp;quot; Sounds like a good crowd-sourcing project.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 7, 2007</title>
    <link href="https://mlarson.org/2007/02/07/20070207556/"/>
    <updated>2007-02-07T10:44:53.000Z</updated>
    <id>https://mlarson.org/2007/02/07/20070207556/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.apple.com/hotnews/thoughtsonmusic/&#34;&gt;Steve Jobs suggests that there is an alternative to DRM for music&lt;/a&gt;, called... no DRM for music. Brilliant! Glad to see someone with some real clout advocating what millions of consumers have been cranky about for years.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 7, 2007</title>
    <link href="https://mlarson.org/2007/02/07/20070207555/"/>
    <updated>2007-02-07T10:43:24.000Z</updated>
    <id>https://mlarson.org/2007/02/07/20070207555/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.schneier.com/essay-155.html&#34;&gt;Bruce Schneier has written a long draft on the psychology of security&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2007</title>
    <link href="https://mlarson.org/2007/02/06/20070206554/"/>
    <updated>2007-02-06T23:11:45.000Z</updated>
    <id>https://mlarson.org/2007/02/06/20070206554/</id>
    <content type="html">&lt;p&gt;Go grab a &lt;a href=&#34;http://uselessaccount.com/&#34;&gt;Useless Account&lt;/a&gt;. Act quick, you&#39;ll want to get one before it goes all mainstream and gets clogged up with the masses. [via the &lt;a href=&#34;http://www.camerondaigle.com/coblog/&#34;&gt;daigle coblog&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2007</title>
    <link href="https://mlarson.org/2007/02/06/20070206553/"/>
    <updated>2007-02-06T11:32:19.000Z</updated>
    <id>https://mlarson.org/2007/02/06/20070206553/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.circusmuseum.nl/eng/&#34;&gt;A collection of old-school circus posters&lt;/a&gt;. Keep your hand on the volume as you enter, there&#39;s also an old-school barker announcing all the goods. I like how the colors can be so clean and vibrant, despite what seems like a universal beige wash.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2007</title>
    <link href="https://mlarson.org/2007/02/06/20070206552/"/>
    <updated>2007-02-06T01:38:55.000Z</updated>
    <id>https://mlarson.org/2007/02/06/20070206552/</id>
    <content type="html">&lt;p&gt;A pretty cool &lt;a href=&#34;http://www.fastcompany.com/video/general/perceptivepixel.html?bcpid=271543545&amp;amp;bctid=422563006&#34;&gt;video demo for a multi-touch computer interface&lt;/a&gt;. Gotta love the chill, new age, destiny music. Let&#39;s hope they make a &lt;a href=&#34;http://images.google.com/images?q=drafting%20table&#34;&gt;drafting table&lt;/a&gt; version so I don&#39;t have to stand up all day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2007</title>
    <link href="https://mlarson.org/2007/02/06/20070206551/"/>
    <updated>2007-02-06T01:32:47.000Z</updated>
    <id>https://mlarson.org/2007/02/06/20070206551/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.epica-awards.org/assets/epica/2005/winners/print/images/23026a%20%20%20BAR%20press.jpg&#34;&gt;These&lt;/a&gt; &lt;a href=&#34;http://www.epica-awards.org/assets/epica/2005/winners/print/images/23026b%20%20%20escalator%20press.jpg&#34;&gt;three&lt;/a&gt; &lt;a href=&#34;http://www.epica-awards.org/assets/epica/2005/winners/print/images/23026c%20%20%20restaurant%20press.jpg&#34;&gt;photos&lt;/a&gt; for the Wonderbra campaign over in Europe earned the top &lt;a href=&#34;http://www.epica-awards.org/epica/2005/winners/cat23.htm&#34;&gt;Epica Awards&lt;/a&gt; for fashion print materials. And rightly so. The lighting alone is amazing. Great expressions. [via... somewhere i can&#39;t recall...]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2007</title>
    <link href="https://mlarson.org/2007/02/06/20070206550/"/>
    <updated>2007-02-06T01:27:49.000Z</updated>
    <id>https://mlarson.org/2007/02/06/20070206550/</id>
    <content type="html">&lt;p&gt;I wish I knew about the &lt;a href=&#34;http://hype.non-standard.net/&#34;&gt;Hype Machine&lt;/a&gt; 10 years ago. Not that I care about hot new music that much, but it&#39;s made it much easier to stumble across some old and rare recordings.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 6, 2007</title>
    <link href="https://mlarson.org/2007/02/06/20070206549/"/>
    <updated>2007-02-06T01:25:33.000Z</updated>
    <id>https://mlarson.org/2007/02/06/20070206549/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://jlroberson.blogspot.com/2007/02/alan-moore-on-bbcs-culture-show.html&#34;&gt;Interview with comics genius Alan Moore&lt;/a&gt; on the BBC.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2007</title>
    <link href="https://mlarson.org/2007/02/05/20070205548/"/>
    <updated>2007-02-05T20:11:55.000Z</updated>
    <id>https://mlarson.org/2007/02/05/20070205548/</id>
    <content type="html">&lt;p&gt;Pretty cool to see that Lasse Gjertsen was featured &lt;a href=&#34;http://online.wsj.com/public/article/SB116581381680846327-u6NlXOnRBxZ6qCKc4WoFeWQ_wgo_20071212.html&#34;&gt;in the Wall Street Journal&lt;/a&gt; back in December for his music videos on YouTube, &lt;a href=&#34;http://www.youtube.com/watch?v=JzqumbhfxRo&#34;&gt;Amateur&lt;/a&gt; and the earlier &lt;a href=&#34;http://www.youtube.com/watch?v=o9698TqtY4A&#34;&gt;Hyperactive&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2007</title>
    <link href="https://mlarson.org/2007/02/05/20070205547/"/>
    <updated>2007-02-05T15:38:08.000Z</updated>
    <id>https://mlarson.org/2007/02/05/20070205547/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dalailama.emory.edu/&#34;&gt;Dalai Lama (dot) Emory (dot) edu&lt;/a&gt;. Awesome. &lt;a href=&#34;http://www.emory.edu/EMORY_REPORT/erarchive/2007/February/February%205/dalai_lama.htm&#34;&gt;The Dalai Lama is going to be a Presidential Distinguished Professor at Emory University&lt;/a&gt;. He&#39;ll be doing some lectures and stuff later on this year. This is kind of huge, so big thanks to all those at Emory who worked their ass off to make this happen. (thanks, Rebekah)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2007</title>
    <link href="https://mlarson.org/2007/02/05/20070205546/"/>
    <updated>2007-02-05T01:50:17.000Z</updated>
    <id>https://mlarson.org/2007/02/05/20070205546/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/antiquote/378800539/in/pool-thedesigndisease/&#34;&gt;How to work better&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2007</title>
    <link href="https://mlarson.org/2007/02/05/20070205545/"/>
    <updated>2007-02-05T01:48:35.000Z</updated>
    <id>https://mlarson.org/2007/02/05/20070205545/</id>
    <content type="html">&lt;p&gt;I&#39;m slightly entranced by &lt;a href=&#34;http://www.shootinggallerysf.com/joshua%20petker%20page.html&#34;&gt;Joshua Petker&#39;s paintings&lt;/a&gt;. I&#39;d say &lt;a href=&#34;http://www.shootinggallerysf.com/joshua%20petker5.html&#34;&gt;this portrait&lt;/a&gt; or &lt;a href=&#34;http://www.shootinggallerysf.com/joshua%20petker17.html&#34;&gt;this one&lt;/a&gt; is my favorite. Makes me think of &lt;a href=&#34;http://www.mckean-art.co.uk/&#34;&gt;Dave McKean&lt;/a&gt; and &lt;a href=&#34;http://www.nocturnals.com/&#34;&gt;Dan Brereton&lt;/a&gt;, but lighter. Cool stuff, anyway.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2007</title>
    <link href="https://mlarson.org/2007/02/05/20070205544/"/>
    <updated>2007-02-05T00:40:38.000Z</updated>
    <id>https://mlarson.org/2007/02/05/20070205544/</id>
    <content type="html">&lt;p&gt;New techniques in astronomy have allowed us to create &lt;a href=&#34;http://www.seedmagazine.com/news/2007/02/found_most_of_the_universe.php&#34;&gt;multi-dimensional maps of dark matter&lt;/a&gt;. This is huge, we still just need to figure out what the stuff &lt;em&gt;is&lt;/em&gt;. [via &lt;a href=&#34;http://justinblanton.com&#34;&gt;justin blanton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 5, 2007</title>
    <link href="https://mlarson.org/2007/02/05/20070205543/"/>
    <updated>2007-02-05T00:38:02.000Z</updated>
    <id>https://mlarson.org/2007/02/05/20070205543/</id>
    <content type="html">&lt;p&gt;Awwww. &lt;a href=&#34;http://joshuablankenship.com/blog/?p=4669&#34;&gt;Joshua Blankenship got engaged&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2007</title>
    <link href="https://mlarson.org/2007/02/04/20070204542/"/>
    <updated>2007-02-04T14:33:51.000Z</updated>
    <id>https://mlarson.org/2007/02/04/20070204542/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=Go_VtqtxCHY&#34;&gt;Truth in Advertising&lt;/a&gt;, a 12-minute film about the dysfunctional, corrupt world of corporate advertising, though the parable could really cut across any kind of office or industry. (nsfw)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 4, 2007</title>
    <link href="https://mlarson.org/2007/02/04/20070204541/"/>
    <updated>2007-02-04T14:30:27.000Z</updated>
    <id>https://mlarson.org/2007/02/04/20070204541/</id>
    <content type="html">&lt;p&gt;If you&#39;re a &lt;a href=&#34;http://www.stevereich.com/&#34;&gt;Steve Reich&lt;/a&gt; fan and you&#39;ve heard tunes like &lt;a href=&#34;http://en.wikipedia.org/wiki/Come_Out_%28Reich%29&#34;&gt;Come Out&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/It%27s_Gonna_Rain&#34;&gt;It&#39;s Gonna Rain&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Piano_Phase&#34;&gt;Piano Phase&lt;/a&gt;, and those other early works, &lt;a href=&#34;http://www.youtube.com/watch?v=Bcv_44RyvhQ&#34;&gt;you might like Pez Phase&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2007</title>
    <link href="https://mlarson.org/2007/02/03/20070203540/"/>
    <updated>2007-02-03T14:59:33.000Z</updated>
    <id>https://mlarson.org/2007/02/03/20070203540/</id>
    <content type="html">&lt;p&gt;Rob Styles got tagged in the 5 Things meme, and was a &lt;a href=&#34;http://www.dynamicorange.com/blog/archives/internet-social-impact/five_things_abo.html&#34;&gt;wee obsessive about following the trail backwards&lt;/a&gt;. I love it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 3, 2007</title>
    <link href="https://mlarson.org/2007/02/03/20070203539/"/>
    <updated>2007-02-03T00:54:44.000Z</updated>
    <id>https://mlarson.org/2007/02/03/20070203539/</id>
    <content type="html">&lt;p&gt;Thanks to Anil Dash for the &lt;a href=&#34;http://www.dashes.com/anil/2007/02/02/a_presuperbowl_&#34;&gt;Pre-Superbowl Prince Primer&lt;/a&gt;. I had a feeling Anil would be uniquely qualified to share this. Thanks for coming through for all of us.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2007</title>
    <link href="https://mlarson.org/2007/02/02/20070202538/"/>
    <updated>2007-02-02T01:42:46.000Z</updated>
    <id>https://mlarson.org/2007/02/02/20070202538/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.promnightfistfight.com/index.php?pg=130&#34;&gt;Prog Rock&lt;/a&gt;. One of my favorites from the past couple weeks of Prom Night Fist Fight.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2007</title>
    <link href="https://mlarson.org/2007/02/02/20070202537/"/>
    <updated>2007-02-02T01:09:12.000Z</updated>
    <id>https://mlarson.org/2007/02/02/20070202537/</id>
    <content type="html">&lt;p&gt;&amp;quot;The deal is simple. Sit in front of the camera, and shake your head from side to side with a loose face. Take the picture when your head is at the far side of either side, and voila: You&#39;ve been &lt;a href=&#34;http://flickr.com/groups/ghostpunch/pool/&#34;&gt;Ghost Punched&lt;/a&gt;.&amp;quot; See also &lt;a href=&#34;http://www.flickr.com/groups/shakeface/&#34;&gt;shake face&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2007</title>
    <link href="https://mlarson.org/2007/02/02/20070202536/"/>
    <updated>2007-02-02T00:14:18.000Z</updated>
    <id>https://mlarson.org/2007/02/02/20070202536/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nature.com/news/2007/070129/full/070129-9.html&#34;&gt;A few weeks ago&lt;/a&gt;, &lt;a href=&#34;http://www.centerforspace.com/asat/&#34;&gt;China&#39;s anti-satellite missile test generated at least 517 pieces of debris big enough to be tracked&lt;/a&gt;. Those images are wild. We are being orbited by enormous amounts of our own crap. Tragedy of the commons, I guess.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2007</title>
    <link href="https://mlarson.org/2007/02/02/20070202535/"/>
    <updated>2007-02-02T00:04:43.000Z</updated>
    <id>https://mlarson.org/2007/02/02/20070202535/</id>
    <content type="html">&lt;p&gt;Speaking of &lt;a href=&#34;/mark-larson-1/2007/02/02/534&#34;&gt;empathetic apes&lt;/a&gt;, here&#39;s the Wikipedia entry for &lt;a href=&#34;http://en.wikipedia.org/wiki/Binti_Jua&#34;&gt;Binti Jua&lt;/a&gt;, the ape who rescued the little boy who fell 20 feet into the ape cage.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 2, 2007</title>
    <link href="https://mlarson.org/2007/02/02/20070202534/"/>
    <updated>2007-02-02T00:03:40.000Z</updated>
    <id>https://mlarson.org/2007/02/02/20070202534/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.salon.com/books/int/2007/01/31/king/print.html&#34;&gt;An interview with anthropologist Barbara King&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I think we have evolved to believe in transcendent realities. What we&#39;re about as a group of humans on this earth is believing that there&#39;s something more than us. It takes many different forms. I don&#39;t know that I&#39;d focus on a single transcendent reality. I would say that because we&#39;re made to relate, we think and feel that we&#39;re in relationship with something bigger.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;King is exploring the evolutionary roots of religion by studying our sister species like apes and bonobos and chimps. Her research is looking into the &amp;quot;embodied&amp;quot; aspects of religion, rather than doctrine, per se. She&#39;s all about this sense of spiritual awe, of empathy, and of self-awareness as a speciesÄî&amp;quot;because we&#39;re made to relate, we think and feel that we&#39;re in relationship with something bigger.&amp;quot; [via &lt;a href=&#34;http://www.rebeccablood.net&#34;&gt;rebecca blood&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2007</title>
    <link href="https://mlarson.org/2007/02/01/20070201533/"/>
    <updated>2007-02-01T23:15:51.000Z</updated>
    <id>https://mlarson.org/2007/02/01/20070201533/</id>
    <content type="html">&lt;p&gt;Fans of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Hipster_PDA&#34;&gt;Hipster PDA&lt;/a&gt; will hail the introduction of the &lt;a href=&#34;http://www.restlessdreaming.com/hipster-shuffle/&#34;&gt;Hipster Shuffle&lt;/a&gt;. I love the Apple Dancing. [via &lt;a href=&#34;http://www.43folders.com&#34;&gt;43 Folders&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2007</title>
    <link href="https://mlarson.org/2007/02/01/20070201532/"/>
    <updated>2007-02-01T22:58:17.000Z</updated>
    <id>https://mlarson.org/2007/02/01/20070201532/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.filewell.com/iRedLite/&#34;&gt;iRed Lite&lt;/a&gt; lets you control all kinds of software on your Mac with the Apple Remote, not only Front Row.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2007</title>
    <link href="https://mlarson.org/2007/02/01/20070201531/"/>
    <updated>2007-02-01T22:55:53.000Z</updated>
    <id>https://mlarson.org/2007/02/01/20070201531/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://harvardbusinessonline.hbsp.harvard.edu/hbrsa/en/issue/0702/article/R0702A.jhtml&#34;&gt;Breakthrough Ideas for 2007&lt;/a&gt;, freshly selected by the Harvard Business Review.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>February 1, 2007</title>
    <link href="https://mlarson.org/2007/02/01/20070201529/"/>
    <updated>2007-02-01T00:08:33.000Z</updated>
    <id>https://mlarson.org/2007/02/01/20070201529/</id>
    <content type="html">&lt;p&gt;I saw this one coming! &lt;a href=&#34;http://www.rebeccablood.net/&#34;&gt;Rebecca Blood&lt;/a&gt; adds to her awesome &lt;a href=&#34;http://www.rebeccablood.net/essays/index.html#bloggerson&#34;&gt;Bloggers on Blogging&lt;/a&gt; series with an &lt;a href=&#34;http://www.rebeccablood.net/bloggerson/bruceschneier.html&#34;&gt;interview with security expert Bruce Schneier&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sex, Drugs, and Cocoa Puffs (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/02/01/20070201sex-drugs-and-cocoa-puffs-review-355/"/>
    <updated>2007-02-01T00:02:06.000Z</updated>
    <id>https://mlarson.org/2007/02/01/20070201sex-drugs-and-cocoa-puffs-review-355/</id>
    <content type="html">&lt;p&gt;I don&#39;t know how Chuck Klosterman can get away with it. In his recent book &lt;a href=&#34;http://www.amazon.com/Sex-Drugs-Cocoa-Puffs-Manifesto/dp/0743236009&#34;&gt;Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto&lt;/a&gt;, he presents some of the most scattered, whimsical, subjective, and infuriatingly delightful musings on pop culture. The collected essays cover the gamut, jumping from the Lakers/Celtics rivalry, Pamela Anderson, the life of a Van Halen tribute band, and one on the classic afternoon television show of my generation, &lt;em&gt;Saved by the Bell&lt;/em&gt;, and more. So we&#39;ve got 200 pages of chatty memoir and Gen X riffing. It&#39;s such a good balance of over-the-top opinion and declaration (e.g. &amp;quot;The desire to be cool isÄîultimatelyÄîthe desire to be rescued&amp;quot; or, &amp;quot;Clearly, video technology cages imagination&amp;quot;) that doesn&#39;t so much convince but overwhelms with torrential amusement. Despite the thorough, detailed pop culture analyses, what Klosterman really does well is the personal side of things. Maybe that&#39;s my human-ness speaking, but his writing about his own experiences is when his stories really pick up, whether it&#39;s being fired from coaching Little League or discovering a bit of Life&#39;s Meaning from playing the Sims videogame. If only there were more of it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2007</title>
    <link href="https://mlarson.org/2007/01/31/20070131530/"/>
    <updated>2007-01-31T23:55:27.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131530/</id>
    <content type="html">&lt;p&gt;Ah, nothing like a &lt;a href=&#34;http://flickr.com/photos/stillframe/375808269/&#34;&gt;comforting spray of clam chowder&lt;/a&gt;. [via &lt;a href=&#34;http://joshuablankenship.com/blog&#34;&gt;blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2007</title>
    <link href="https://mlarson.org/2007/01/31/20070131528/"/>
    <updated>2007-01-31T23:11:16.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131528/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.elupton.com/index.php?id=66&#34;&gt;Ellen Lupton and her students wrote a little handbook all about indie publishing&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2007</title>
    <link href="https://mlarson.org/2007/01/31/20070131527/"/>
    <updated>2007-01-31T22:47:18.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131527/</id>
    <content type="html">&lt;p&gt;Leah Peterson is &lt;a href=&#34;http://leahpeah.com/blog/posts/2006/11/823&#34;&gt;asking you to mail her things to put in her next painting&lt;/a&gt;. Yes, you. Look at her &lt;a href=&#34;http://leahpeah.com/blog/posts/2006/08/781&#34;&gt;other&lt;/a&gt; &lt;a href=&#34;http://leahpeah.com/blog/paintings/&#34;&gt;paintings&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2007</title>
    <link href="https://mlarson.org/2007/01/31/20070131526/"/>
    <updated>2007-01-31T10:38:54.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131526/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/2/hi/programmes/documentary_archive/4552695.stm&#34;&gt;The BBC has a four-part podcast series on our increasingly noisy world&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2007</title>
    <link href="https://mlarson.org/2007/01/31/20070131525/"/>
    <updated>2007-01-31T10:37:02.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131525/</id>
    <content type="html">&lt;p&gt;A guy won a trip to Space... and then &lt;a href=&#34;http://www.cnn.com/2007/TECH/space/01/28/free.ride.ap/index.html&#34;&gt;had to cancel because the IRS wants $25,000 in taxes&lt;/a&gt; for the winnings. [via &lt;a href=&#34;http://blog.mises.org/blog&#34;&gt;mises&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2007</title>
    <link href="https://mlarson.org/2007/01/31/20070131524/"/>
    <updated>2007-01-31T10:33:05.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131524/</id>
    <content type="html">&lt;p&gt;Michael Pollan has an extensive article on &lt;a href=&#34;http://www.nytimes.com/2007/01/28/magazine/28nutritionism.t.html?_r=2&amp;amp;adxnnl=1&amp;amp;oref=slogin&amp;amp;adxnnlx=1170171011-dK/fe7wBq2clR8S65cFtXA&amp;amp;oref=slogin&#34;&gt;what to eat and why&lt;/a&gt;. [via &lt;a href=&#34;http://justinblanton.com&#34;&gt;justin blanton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 31, 2007</title>
    <link href="https://mlarson.org/2007/01/31/20070131523/"/>
    <updated>2007-01-31T10:31:47.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131523/</id>
    <content type="html">&lt;p&gt;Edward Stringham has &lt;a href=&#34;http://praxeology.net/blog/2007/01/30/anarchy-is-loosed-upon-the-world&#34;&gt;compiled a new anthology&lt;/a&gt;, &lt;a href=&#34;http://www.independent.org/store/book_detail.asp?bookID=67&#34;&gt;Anarchy and the Law: The Political Economy of Choice&lt;/a&gt;. Folks, that&#39;s 700 pages of radical libertarian goodness:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;Anarchy and the Law&lt;/em&gt; assembles for the first time in one volume the most important classic and contemporary studies exploring and debating non-state legal and political systems, especially involving the tradition of natural law and private contracts.&lt;/p&gt;
&lt;p&gt;Should markets and contracts provide law, and can the rule of law itself be understood as a private institution? Are the state and its police powers benign societal forces, or are they a system of conquest, authoritarianism, occupation, and exploitation?&lt;/p&gt;
&lt;p&gt;From the early works of Gustave de Molinari, Edmund Burke, Voltairine de Cleyre, Benjamin Tucker, David Lipscomb, and Lysander Spooner to the contemporary thinking of Murray Rothbard, David Friedman, Anthony De Jasay and Bruce Benson, &lt;em&gt;Anarchy and the Law&lt;/em&gt; features the key studies exploring and debating the efficacy of individual choice and markets versus the shortfalls of coercive government power and bureaucracy. In so doing, the book also features debates involving Roderick LongÄôs argument against a nationalized military and Robert NozickÄôs critique of stateless legal systems, as well as the work of such scholars as Nobel Laureate economist Douglass North, Tyler Cowen, Robert Ellickson, Randall Holcombe, Randy Barnett, Barry Weingast, Terry Anderson, Andrew Rutten, Jeffrey Rogers Hummel, and others.&lt;/p&gt;
&lt;p&gt;Whereas liberals and conservatives argue in favor of political constraints, &lt;em&gt;Anarchy and the Law&lt;/em&gt; examines whether to check against abuse, government power must be replaced by a social order of self-government based on contracts.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>Letter to a Christian Nation (review: 3.5/5)</title>
    <link href="https://mlarson.org/2007/01/31/20070131letter-to-a-christian-nation-review-355/"/>
    <updated>2007-01-31T00:33:05.000Z</updated>
    <id>https://mlarson.org/2007/01/31/20070131letter-to-a-christian-nation-review-355/</id>
    <content type="html">&lt;p&gt;Atheism seems to have caught a little buzz in recent years, I&#39;m not sure how. There was that &lt;a href=&#34;http://www.mndaily.com/articles/2006/03/24/67686&#34;&gt;unfortunate survey&lt;/a&gt;, and books by &lt;a href=&#34;http://www.amazon.com/God-Delusion-Richard-Dawkins/dp/0618680004/ref=pd_sxp_f_pt/105-9239050-5494812&#34;&gt;Dawkins&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Atheist-Universe-Thinking-Christian-Fundamentalism/dp/1569755671/ref=pd_sxp_grid_i_2_1/105-9239050-5494812&#34;&gt;and&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Breaking-Spell-Religion-Natural-Phenomenon/dp/067003472X/ref=pd_sim_b_2/105-9239050-5494812&#34;&gt;others&lt;/a&gt; made a little splash, and there&#39;s the &lt;a href=&#34;http://www.wired.com/wired/archive/14.11/atheism.html&#34;&gt;cover story&lt;/a&gt; on a recent issue of Wired magazine, in particular. Sam Harris&#39; extended essay, &lt;a href=&#34;http://www.amazon.com/Letter-Christian-Nation-Sam-Harris/dp/0307265773&#34;&gt;Letter to a Christian Nation&lt;/a&gt;, joins the crowd with a missive to &amp;quot;demolish the intellectual and moral pretensions of Christianity in its most committed forms.&amp;quot; Harris has some really great moments in this book, and it&#39;s a pretty compelling read. He starts with a heavy does of scripture, analyzing the Christian moral paradigm, delighting in the Bible&#39;s weaknesses and cherry-picking the incriminating and contradictory parts. I&#39;m certainly (absolutely) not a Bible scholar, but I think he&#39;s a bit too reliant on quoting from the Old Testament, where Big Bad God and the harshness and shortcomings of ancient civilizational mores are far too easy to pick on. You have to keep in mind that he&#39;s targeting the literalists more so than religious liberals and moderates. But there&#39;s also some interesting sociological examination of religion: &amp;quot;Religion raises the stakes of human conflict much higher than tribalism, racism, or politics ever can, as it is the only form of in-group/ out-group thinking that casts the differences between people in terms of eternal rewards and punishments.&amp;quot;&lt;/p&gt;
&lt;p&gt;I think he&#39;s effective when he&#39;s talking about the practical, day-to-day implications of religion more so than his examination of the particulars of doctrine. He has a nice section on the ethics of life, discussing abortion, cloning, and biomedical research. And of course, there&#39;s an obligatory passage on evolution and intelligent design. Here&#39;s one line that really got me: &amp;quot;The core of science is not controlled experiment or mathematical modeling; it&#39;s intellectual honesty.&amp;quot;&lt;/p&gt;
&lt;p&gt;The last section is a gloomy look to mankind&#39;s future on an increasingly religious, conflict-ridden planet.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is easy, of course, for the representatives of the major religions to occasionally meet and agree that there should be peace on earth, or that compassion is the common thread that unites all the world&#39;s faiths. But there is no escaping the fact that a person&#39;s religious beliefs uniquely determine what he thinks peace is good for, as well as what he means by a term like &amp;quot;compassion.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Practically, is there really room for tolerance? He wraps up with a big, brilliant question, &amp;quot;How can interfaith dialogue, even at the highest level, reconcile worldviews that are fundamentally incompatible and, in principle, immune to revision?&amp;quot; The stakes are indeed very high.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2007</title>
    <link href="https://mlarson.org/2007/01/30/20070130521/"/>
    <updated>2007-01-30T23:49:00.000Z</updated>
    <id>https://mlarson.org/2007/01/30/20070130521/</id>
    <content type="html">&lt;p&gt;The Mises Institute published a video called &lt;a href=&#34;http://video.google.com/videoplay?docid=-466210540567002553&#34;&gt;Money, Banking, and the Federal Reserve&lt;/a&gt;. Must see.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2007</title>
    <link href="https://mlarson.org/2007/01/30/20070130520/"/>
    <updated>2007-01-30T23:41:34.000Z</updated>
    <id>https://mlarson.org/2007/01/30/20070130520/</id>
    <content type="html">&lt;p&gt;Oooh. I really like &lt;a href=&#34;http://cyberoptix.com/poppies.php&#34;&gt;this tie&lt;/a&gt;. And &lt;a href=&#34;http://cyberoptix.com/fern.php&#34;&gt;this one&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2007</title>
    <link href="https://mlarson.org/2007/01/30/20070130519/"/>
    <updated>2007-01-30T11:28:59.000Z</updated>
    <id>https://mlarson.org/2007/01/30/20070130519/</id>
    <content type="html">&lt;p&gt;Our progress knows no bounds. First, &lt;a href=&#34;http://gizmodo.com/gadgets/gadgets/scientist-bakes-up-nervejangling-donuts-spiked-with-caffeine-231752.php&#34;&gt;caffeinated doughnuts&lt;/a&gt;, and now a &lt;a href=&#34;http://gizmodo.com/gadgets/gadgets/simpsons-donut-maker-makes-obesity-hilarious-232503.php&#34;&gt;personal doughnut maker&lt;/a&gt;, kind of like a &lt;a href=&#34;http://en.wikipedia.org/wiki/George_Foreman_Grill&#34;&gt;Foreman grill&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2007</title>
    <link href="https://mlarson.org/2007/01/30/20070130518/"/>
    <updated>2007-01-30T10:27:30.000Z</updated>
    <id>https://mlarson.org/2007/01/30/20070130518/</id>
    <content type="html">&lt;p&gt;Steven Pinker writes about the &lt;a href=&#34;http://www.time.com/time/printout/0,8816,1580394,00.html&#34;&gt;mystery of consciousness&lt;/a&gt;Äîthe biology of the soul and the moral implications of when we finally find it. The two big challenges: the Easy Problem, distinguishing the brain&#39;s participation in conscious and unconscious thoughts and how they evolved, and the Hard Problem, explaining first-person subjective experience as neural activity.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2007</title>
    <link href="https://mlarson.org/2007/01/30/20070130516/"/>
    <updated>2007-01-30T10:05:13.000Z</updated>
    <id>https://mlarson.org/2007/01/30/20070130516/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.firstscience.com/site/articles/infinity1.asp&#34;&gt;brief history of infinity&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2007</title>
    <link href="https://mlarson.org/2007/01/30/20070130517/"/>
    <updated>2007-01-30T09:05:23.000Z</updated>
    <id>https://mlarson.org/2007/01/30/20070130517/</id>
    <content type="html">&lt;p&gt;Here&#39;s an old &lt;a href=&#34;http://www.rickross.com/reference/scientology/scien240.html&#34;&gt;interview with L. Ron Hubbard, Jr.&lt;/a&gt; about his escape from Scientology. The Stephen Colbert also offers a &lt;a href=&#34;http://www.youtube.com/watch?v=1NisVHjg2w4&amp;amp;mode=related&amp;amp;search=&#34;&gt;balanced perspective on the Daily Show&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 30, 2007</title>
    <link href="https://mlarson.org/2007/01/30/20070130514/"/>
    <updated>2007-01-30T07:55:28.000Z</updated>
    <id>https://mlarson.org/2007/01/30/20070130514/</id>
    <content type="html">&lt;p&gt;The Galileo Project at Rice University has some awesome primary sources about everyone&#39;s favorite astronomer. They&#39;ve got his &lt;a href=&#34;http://galileo.rice.edu/sci/observations/sunspot_drawings.html&#34;&gt;collection of sunspot drawings&lt;/a&gt; from the sumer of 1613, as well as composite movies of those. I&#39;m trying to imagine how he felt when he first observed them. I can totally see him making little flip books of his illustrations and watching the sunspots dance across the face of the sun. They&#39;ve also got scans of the manuscripts from the &lt;a href=&#34;http://galileo.rice.edu/images/things/journal_jup1.gif&#34;&gt;Jupiter&lt;/a&gt; &lt;a href=&#34;http://galileo.rice.edu/images/things/journal_jup2.gif&#34;&gt;observations&lt;/a&gt;Äînote that the images are embedded right there in the text. So cool. And the &lt;a href=&#34;http://galileo.rice.edu/sci/observations/moon.html&#34;&gt;moon drawings&lt;/a&gt; are pretty sweet, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129515/"/>
    <updated>2007-01-29T22:46:37.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129515/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photo_zoom.gne?id=373773403&amp;amp;size=o&#34;&gt;She blinded me with library science&lt;/a&gt;. Buy &lt;a href=&#34;http://www.jephdraw.com/random/libraryscience.png&#34;&gt;it&lt;/a&gt; &lt;a href=&#34;http://www.questionablecontent.net/merch.php&#34;&gt;here&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129513/"/>
    <updated>2007-01-29T21:55:22.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129513/</id>
    <content type="html">&lt;p&gt;Umberto Eco&#39;s 1994 essay on the Future of the Book.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Plato was expressing a fear that still survived in his day. Thinking is an internal affair; the real thinker would not allow books to think instead of him. Nowadays, nobody shares these fears, for two very simple reasons. First of all, we know that books are not ways of making somebody else think in our place; on the contrary they are machines that provoke further thoughts.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It reads a bit dated now, but it&#39;s still pretty good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129512/"/>
    <updated>2007-01-29T21:29:30.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129512/</id>
    <content type="html">&lt;p&gt;This is a pretty cool &lt;a href=&#34;http://collection.eliterature.org/1/&#34;&gt;collection of electronic literature&lt;/a&gt;/ hypertext fiction/ web poetry or whatever you want to call it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129511/"/>
    <updated>2007-01-29T21:13:16.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129511/</id>
    <content type="html">&lt;p&gt;Cartoon of the &lt;a href=&#34;http://xkcd.com/c214.html&#34;&gt;problem with Wikipedia&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129510/"/>
    <updated>2007-01-29T07:14:15.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129510/</id>
    <content type="html">&lt;p&gt;In the midst of &lt;a href=&#34;http://www.kottke.org/07/01/some-rss-and-remaindered-links-changes&#34;&gt;updating the RSS feeds for Kottke.org&lt;/a&gt;, Jason realizes that he has delivered 58 gigabytes of RSS this month. Yes, that is crazy.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129509/"/>
    <updated>2007-01-29T06:44:58.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129509/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://money.cnn.com/galleries/2007/biz2/0701/gallery.101dumbest_2007/index.html&#34;&gt;The 101 dumbest moments in business&lt;/a&gt;. [via &lt;a href=&#34;http://www.joshuablankenship.com/blog/&#34;&gt;blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>50 Things Every Young Gentleman Should Know (review: 3/5)</title>
    <link href="https://mlarson.org/2007/01/29/2007012950-things-every-young-gentleman-should-know-review-35/"/>
    <updated>2007-01-29T01:01:52.000Z</updated>
    <id>https://mlarson.org/2007/01/29/2007012950-things-every-young-gentleman-should-know-review-35/</id>
    <content type="html">&lt;p&gt;John Bridges and Bryan Curtis offer a succinct guidebook targeted towards the young and clueless: &lt;a href=&#34;http://www.amazon.com/Things-Every-Young-Gentleman-Should/dp/1401602940&#34;&gt;50 Things Every Young Gentleman Should Know: What to Do, When to Do It, and Why&lt;/a&gt;. It&#39;s certainly a tidy little volume, with 200 pages of guidelines in an almost-pocketable 5x8 inch format. It covers the basics from saying &amp;quot;please&amp;quot; and &amp;quot;thank you,&amp;quot; proper silverware &amp;amp; napkin management, asking permission, giving compliments, tying a tie, accepting bad gifts, opening the door for people, and it even covers topics like &amp;quot;winning well.&amp;quot; Each section comes with a tidy format:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;A description of the situation&lt;/li&gt;
&lt;li&gt;You Do&lt;/li&gt;
&lt;li&gt;You Don&#39;t&lt;/li&gt;
&lt;li&gt;Why&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;If I have any complaint, it is only that the book is a little boring. The book reads like it was aimed for those perhaps 12Äì16 years old, but most of the humor fell a bit flat. And I&#39;m not sure why a middle-schooler would be reading an etiquette book, anyway. But those who do find it will hopefully learn a little something. It only takes maybe a half hour to get through it, so never hurts to have a little refresher on what you should have learned already.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129508/"/>
    <updated>2007-01-29T00:13:07.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129508/</id>
    <content type="html">&lt;p&gt;The New York Times has a good &lt;a href=&#34;http://www.nytimes.com/2007/01/21/fashion/21crumb.html?ex=1327035600&amp;amp;en=c327c2e206e6cde1&amp;amp;ei=5090&amp;amp;partner=rssuserland&amp;amp;emc=rss&#34;&gt;profile of comics writers Robert and Aline Crumb&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 29, 2007</title>
    <link href="https://mlarson.org/2007/01/29/20070129507/"/>
    <updated>2007-01-29T00:09:25.000Z</updated>
    <id>https://mlarson.org/2007/01/29/20070129507/</id>
    <content type="html">&lt;p&gt;Exploring the question: &lt;a href=&#34;http://www.philosophynow.org/issue59/59carey.htm&#34;&gt;Is philosophy progressive&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/20070128506/"/>
    <updated>2007-01-28T23:08:07.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128506/</id>
    <content type="html">&lt;p&gt;Finally, we have &lt;a href=&#34;http://gizmodo.com/gadgets/gadgets/scientist-bakes-up-nervejangling-donuts-spiked-with-caffeine-231752.php&#34;&gt;caffeinated doughnuts&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The God Delusion (review: dnf)</title>
    <link href="https://mlarson.org/2007/01/28/20070128the-god-delusion-review-dnf/"/>
    <updated>2007-01-28T23:07:14.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128the-god-delusion-review-dnf/</id>
    <content type="html">&lt;p&gt;Comprehensive, but a bit scatterbrained. I made it about 1/3 of the way through.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/20070128505/"/>
    <updated>2007-01-28T14:56:17.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128505/</id>
    <content type="html">&lt;p&gt;I just noticed that the &lt;a href=&#34;http://atlantasymphony.org/&#34;&gt;Atlanta Symphony Orchestra has a snazzy new website&lt;/a&gt;. It&#39;s about twelve times better than the old one.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/2007012850-people-see/"/>
    <updated>2007-01-28T14:45:38.000Z</updated>
    <id>https://mlarson.org/2007/01/28/2007012850-people-see/</id>
    <content type="html">&lt;p&gt;The photos in &lt;a href=&#34;http://www.flickr.com/photos/brevity/sets/164195/&#34;&gt;50 people see&lt;/a&gt; are images made from combining 50 photos with the same Flickr tag. Here&#39;s the mashup of 50 photos tagged with &lt;a href=&#34;http://www.flickr.com/photos/brevity/6649824/in/set-164195/&#34;&gt;eye&lt;/a&gt;, &lt;a href=&#34;http://www.flickr.com/photos/brevity/6616310/in/set-164195/&#34;&gt;soup&lt;/a&gt;, and each of the &lt;a href=&#34;http://www.flickr.com/photos/brevity/6633597/in/set-164195/&#34;&gt;four seasons&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/20070128504/"/>
    <updated>2007-01-28T14:33:09.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128504/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.10zenmonkeys.com/2007/01/19/joe-quirk-author-singularity-sociobiology-sex/&#34;&gt;Why chicks don&#39;t dig the singularity&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/20070128503/"/>
    <updated>2007-01-28T14:25:09.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128503/</id>
    <content type="html">&lt;p&gt;Concert pianist Byron Janis share some interesting anecdotes about &lt;a href=&#34;http://www.opinionjournal.com/la/?id=110009584&#34;&gt;his struggles with acoustics&lt;/a&gt;: &amp;quot;music&#39;s most unpredictable partner.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/20070128498/"/>
    <updated>2007-01-28T02:31:21.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128498/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Cory_Doctorow&#34;&gt;Cory Doctorow&lt;/a&gt; writes about &lt;a href=&#34;http://www.forbes.com/2006/11/30/cory-doctorow-copyright-tech-media_cz_cd_books06_1201doctorow.html&#34;&gt;giving away his books for free&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/20070128497/"/>
    <updated>2007-01-28T02:06:11.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128497/</id>
    <content type="html">&lt;p&gt;Here&#39;s a great essay exploring the connections between &lt;a href=&#34;http://www.hicksville.co.nz/PerfectPlanet.htm&#34;&gt;comics, games, and world-building&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Perhaps when we find ourselves disturbed or bewildered by the popularity of a new genre or medium, itÄôs precisely by giving it that &amp;quot;serious consideration&amp;quot; that we will begin to get to grips with what it is and how it works. But how do we do this, when the new work often seems to have so little to do with our existing aesthetic criteria?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 28, 2007</title>
    <link href="https://mlarson.org/2007/01/28/20070128496/"/>
    <updated>2007-01-28T02:05:00.000Z</updated>
    <id>https://mlarson.org/2007/01/28/20070128496/</id>
    <content type="html">&lt;p&gt;Scanned images from &lt;a href=&#34;http://www.fromoldbooks.org/Sibly-Astrology/index2.html&#34;&gt;Astrology: A New and Complete Illustration of the Occult Sciences&lt;/a&gt;, by Ebenezer Sibly, 1806.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2007</title>
    <link href="https://mlarson.org/2007/01/26/20070126495/"/>
    <updated>2007-01-26T23:23:28.000Z</updated>
    <id>https://mlarson.org/2007/01/26/20070126495/</id>
    <content type="html">&lt;p&gt;Lisa Carver on the current batch of chick lit: &lt;a href=&#34;http://www.nerve.com/screeningroom/books/chicklit/&#34;&gt;I&#39;d like to take all these books, pile them up and throw gasoline and a lit match onto them&lt;/a&gt;. [via &lt;a href=&#34;http://www.bookslut.com/blog/&#34;&gt;bookslut&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2007</title>
    <link href="https://mlarson.org/2007/01/26/20070126494/"/>
    <updated>2007-01-26T23:15:13.000Z</updated>
    <id>https://mlarson.org/2007/01/26/20070126494/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/48352971@N00/78559372/in/pool-badsign/&#34;&gt;&amp;quot;Open most days about 9 or 10. Occasionally as early as 7. But some days as late as 12 or 1.&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2007</title>
    <link href="https://mlarson.org/2007/01/26/20070126493/"/>
    <updated>2007-01-26T23:13:49.000Z</updated>
    <id>https://mlarson.org/2007/01/26/20070126493/</id>
    <content type="html">&lt;p&gt;&amp;quot;With the deceptive, exciting, children-friendly packaging of witchcraft in the Harry Potter series, our youth today view witchcraft not only as good and fun, but also as harmless fantasy.&amp;quot; &lt;a href=&#34;http://www.ajc.com/metro/content/metro/gwinnett/stories/2007/01/26/0128gwxmallory.html&#34;&gt;Myth versus truth in the Harry Potter case&lt;/a&gt;Äìat least she&#39;s persistent. [via &lt;a href=&#34;http://www.librarycrunch.com&#34;&gt;librarycrunch&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2007</title>
    <link href="https://mlarson.org/2007/01/26/20070126492/"/>
    <updated>2007-01-26T23:08:57.000Z</updated>
    <id>https://mlarson.org/2007/01/26/20070126492/</id>
    <content type="html">&lt;p&gt;There&#39;s a Flickr &lt;a href=&#34;http://www.flickr.com/groups/isquishyourhead/&#34;&gt;group for headcrushing photos&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Emory University Water Tower 1933-2007</title>
    <link href="https://mlarson.org/2007/01/26/20070126emory-university-water-tower-1933-2007/"/>
    <updated>2007-01-26T23:04:23.000Z</updated>
    <id>https://mlarson.org/2007/01/26/20070126emory-university-water-tower-1933-2007/</id>
    <content type="html">&lt;p&gt;They&#39;ve &lt;a href=&#34;http://www.alumni.emory.edu/news/emorywirearticles/archives/january2007/janfeature_article.html&#34;&gt;decided to take it down&lt;/a&gt; this year, after decades of faithful service. It&#39;s just getting too old to be safe. What a downer.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 26, 2007</title>
    <link href="https://mlarson.org/2007/01/26/20070126490/"/>
    <updated>2007-01-26T23:02:53.000Z</updated>
    <id>https://mlarson.org/2007/01/26/20070126490/</id>
    <content type="html">&lt;p&gt;Here&#39;s some clever comment spam, the bastards:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I got the same tramadol attackÄ¶ well, not the same, because it was only about 20 comments instead of 90, and i t have any filtering set up, and I just deleted them one at a timeÄ¶ hmm.. the only thing really in common was that it was about tramadolÄ¶ what filter do you have set up that caught them all?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[thanks, &lt;a href=&#34;http://akismet.com/&#34;&gt;akismet&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2007</title>
    <link href="https://mlarson.org/2007/01/25/20070125489/"/>
    <updated>2007-01-25T07:17:27.000Z</updated>
    <id>https://mlarson.org/2007/01/25/20070125489/</id>
    <content type="html">&lt;p&gt;Austin Kleon has drawn up &lt;a href=&#34;http://www.austinkleon.com/?p=798&#34;&gt;a cool mind map about comics and information design&lt;/a&gt;. Apparently he&#39;ll be working on a thesis on some aspect of the relationship between the two. Cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2007</title>
    <link href="https://mlarson.org/2007/01/25/20070125488/"/>
    <updated>2007-01-25T07:14:59.000Z</updated>
    <id>https://mlarson.org/2007/01/25/20070125488/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://virtualpolitik.blogspot.com/2005/12/say-cheese.html&#34;&gt;Interesting commentary&lt;/a&gt; on photo essays that appear on government websites.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 25, 2007</title>
    <link href="https://mlarson.org/2007/01/25/20070125487/"/>
    <updated>2007-01-25T07:13:05.000Z</updated>
    <id>https://mlarson.org/2007/01/25/20070125487/</id>
    <content type="html">&lt;p&gt;Just by folding paper correctly, you can have your own &lt;a href=&#34;http://www.nogunarmy.com/necromancer.htm&#34;&gt;Desktop Necromancer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 24, 2007</title>
    <link href="https://mlarson.org/2007/01/24/20070124482/"/>
    <updated>2007-01-24T08:55:26.000Z</updated>
    <id>https://mlarson.org/2007/01/24/20070124482/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.worth1000.com/cache/contest/contestcache.asp?contest_id=13700&amp;amp;display=photoshop#entries&#34;&gt;A bevy of fake Apple i-products&lt;/a&gt;. My favorite of the bunch so far are iPuffs, for the tech-savvy smoker.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 24, 2007</title>
    <link href="https://mlarson.org/2007/01/24/20070124485/"/>
    <updated>2007-01-24T08:03:14.000Z</updated>
    <id>https://mlarson.org/2007/01/24/20070124485/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.krages.com/phoright.htm&#34;&gt;A downloadable flyer explaining your rights when stopped or confronted for photography&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2007</title>
    <link href="https://mlarson.org/2007/01/23/20070123486/"/>
    <updated>2007-01-23T00:18:41.000Z</updated>
    <id>https://mlarson.org/2007/01/23/20070123486/</id>
    <content type="html">&lt;p&gt;Christian outreach for adult film stars begins with &lt;a href=&#34;http://www.flickr.com/photos/xxxchurch/352594590/in/set-72157594471661466&#34;&gt;these Bibles featuring custom marketing covers&lt;/a&gt;. [via &lt;a href=&#34;http://www.danielpatricksimmons.com/&#34;&gt;daniel simmons&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2007</title>
    <link href="https://mlarson.org/2007/01/23/20070123479/"/>
    <updated>2007-01-23T00:03:38.000Z</updated>
    <id>https://mlarson.org/2007/01/23/20070123479/</id>
    <content type="html">&lt;p&gt;Star Trek vs. Batman, a fan film in &lt;a href=&#34;http://www.youtube.com/watch?v=9nu0idBkBYA&amp;amp;eurl=&#34;&gt;one&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=7qRH_i6YNFQ&amp;amp;mode=related&amp;amp;search=&#34;&gt;two&lt;/a&gt;, &lt;a href=&#34;http://www.youtube.com/watch?v=U9ubR0iMH2U&#34;&gt;three&lt;/a&gt; parts.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2007</title>
    <link href="https://mlarson.org/2007/01/23/20070123484/"/>
    <updated>2007-01-23T00:03:09.000Z</updated>
    <id>https://mlarson.org/2007/01/23/20070123484/</id>
    <content type="html">&lt;p&gt;If you liked &lt;a href=&#34;http://www.amazon.com/Flatland-Romance-Dimensions-Thrift-Editions/dp/048627263X/sr=8-1/qid=1169413190/ref=pd_bbs_1/102-1532395-0034548?ie=UTF8&amp;amp;s=books&#34;&gt;Flatland&lt;/a&gt; the book, you&#39;ll be glad to know there will soon be &lt;a href=&#34;http://www.flatlandthemovie.com/&#34;&gt;an animated movie&lt;/a&gt; for it. Alan Nelson &lt;a href=&#34;http://alanlnelson.typepad.com/seat_1a/2007/01/this_is_wonderf.html&#34;&gt;links to several places&lt;/a&gt; you can read the book online (or get the gist of it anyway). [via &lt;a href=&#34;http://alanlnelson.typepad.com/seat_1a/&#34;&gt;seat 1a&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 23, 2007</title>
    <link href="https://mlarson.org/2007/01/23/20070123481/"/>
    <updated>2007-01-23T00:02:53.000Z</updated>
    <id>https://mlarson.org/2007/01/23/20070123481/</id>
    <content type="html">&lt;p&gt;After receiving 21 text messages from the victim, a &lt;a href=&#34;http://gizmodo.com/gadgets/cellphones/thief-returns-cellphone-purse-after-receiving-text-messages-from-owner-230474.php&#34;&gt;thief was persuaded to return the cellphone&lt;/a&gt; and other stolen goods.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2007</title>
    <link href="https://mlarson.org/2007/01/22/20070122483/"/>
    <updated>2007-01-22T23:59:22.000Z</updated>
    <id>https://mlarson.org/2007/01/22/20070122483/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://teplin.com/HEAVY_WATER/thumbnails.html&#34;&gt;Heavy Water&lt;/a&gt;, a collection of crisp, detailed illustrations about water and architecture and stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2007</title>
    <link href="https://mlarson.org/2007/01/22/20070122480/"/>
    <updated>2007-01-22T11:47:32.000Z</updated>
    <id>https://mlarson.org/2007/01/22/20070122480/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://putative.typepad.com/putative/2007/01/fedex_refuses_s.html&#34;&gt;FedEx doesn&#39;t want to ship contents labeled as &amp;quot;rocket fuel&amp;quot;&lt;/a&gt;. The containersÄìamong them Rocket Fuel, Neon, Nitrogen, and even CertaintyÄìwere phony package design samples for the &lt;a href=&#34;http://www.greenwoodspacetravelsupply.com/&#34;&gt;Greenwood Space Travel Supply Company&lt;/a&gt;, but still too borderline to get shipped.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2007</title>
    <link href="https://mlarson.org/2007/01/22/20070122478/"/>
    <updated>2007-01-22T11:13:08.000Z</updated>
    <id>https://mlarson.org/2007/01/22/20070122478/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=kcSp2ej2S00&amp;amp;eurl=&#34;&gt;Winsor McKay agrees to make four thousand pen drawings that will move&lt;/a&gt;. In this silent film from 1911, cartoonist Winsor McKay (of &lt;a href=&#34;http://en.wikipedia.org/wiki/Little_Nemo_in_Slumberland&#34;&gt;Little Nemo&lt;/a&gt; comics fame) demonstrates some of the first animation, AND it&#39;s in color. The actual cartoon starts around the 7:30 mark. [via &lt;a href=&#34;http://www.fourcolor.org/blog/&#34;&gt;four color comics&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2007</title>
    <link href="https://mlarson.org/2007/01/22/20070122477/"/>
    <updated>2007-01-22T11:01:40.000Z</updated>
    <id>https://mlarson.org/2007/01/22/20070122477/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.powazek.com/2006/11/000615.html&#34;&gt;How to Write a Book in Three Easy Steps&lt;/a&gt;. This was actually pretty good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2007</title>
    <link href="https://mlarson.org/2007/01/22/20070122476/"/>
    <updated>2007-01-22T10:45:38.000Z</updated>
    <id>https://mlarson.org/2007/01/22/20070122476/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.elupton.com/index.php?id=85&#34;&gt;An brief interview with Ellen Lupton&lt;/a&gt;, whose book &lt;a href=&#34;http://www.amazon.com/Thinking-Type-Critical-Designers-Students/dp/1568984480&#34;&gt;Thinking with Type&lt;/a&gt; I enjoyed very much. &amp;quot;Today, to be literate involves not only reading/receiving, but also making/producing in a range of media. ItÄôs not enough to be in the audience any more.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2007</title>
    <link href="https://mlarson.org/2007/01/22/20070122475/"/>
    <updated>2007-01-22T10:37:07.000Z</updated>
    <id>https://mlarson.org/2007/01/22/20070122475/</id>
    <content type="html">&lt;p&gt;The Central Division of the Los Angeles Police Department keeps a &lt;a href=&#34;http://homeless.cartifact.com/&#34;&gt;weekly map of the downtown homeless population&lt;/a&gt;. I wonder what data they are gathering besides headcounts. I&#39;d love to see this map cross-referenced with the weekly crime stats, weather, events, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 22, 2007</title>
    <link href="https://mlarson.org/2007/01/22/20070122474/"/>
    <updated>2007-01-22T10:31:01.000Z</updated>
    <id>https://mlarson.org/2007/01/22/20070122474/</id>
    <content type="html">&lt;p&gt;Here&#39;s a version of the classic videogame &lt;a href=&#34;http://en.wikipedia.org/wiki/Pong&#34;&gt;Pong&lt;/a&gt;, but &lt;a href=&#34;http://www.plasmapong.com/&#34;&gt;this one uses real-time fluid dynamics to vary the gameplay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2007</title>
    <link href="https://mlarson.org/2007/01/19/20070119473/"/>
    <updated>2007-01-19T22:13:32.000Z</updated>
    <id>https://mlarson.org/2007/01/19/20070119473/</id>
    <content type="html">&lt;p&gt;From the &lt;a href=&#34;http://www.designwritingresearch.org/free_fonts.html&#34;&gt;Free Font Manifesto&lt;/a&gt;: &amp;quot;Most typefaces created in the free font movement are designed to serve relatively small or underserved linguistic communities. They have an explicit social purpose, and they are intended to offer the world not a luxurious outpouring of typographic variation but rather the basics for maintaining literacy and communication within a society.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2007</title>
    <link href="https://mlarson.org/2007/01/19/20070119472/"/>
    <updated>2007-01-19T10:31:22.000Z</updated>
    <id>https://mlarson.org/2007/01/19/20070119472/</id>
    <content type="html">&lt;p&gt;&amp;quot;This past Christmas Vacation &lt;a href=&#34;http://missedmanners.wordpress.com/2007/01/12/what-i-did-over-christmas-vacation/&#34;&gt;my brothers, sister, myself and my girlfriend built a scale replica of the battle of Helms Deep&lt;/a&gt;, from the second book of the Lord of the Rings Trilogy, The Two Towers penned by the late, great, J.R.R. Tolkien.&amp;quot; And it&#39;s made mostly of gummi bears, licorice, and other confections. [via &lt;a href=&#34;http://rebeccablood.net&#34;&gt;rebecca blood&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2007</title>
    <link href="https://mlarson.org/2007/01/19/20070119471/"/>
    <updated>2007-01-19T10:29:26.000Z</updated>
    <id>https://mlarson.org/2007/01/19/20070119471/</id>
    <content type="html">&lt;p&gt;In two weeks, the &lt;a href=&#34;http://www.flickr.com/groups/atlanta/discuss/72157594475492342/&#34;&gt;Atlanta Flickr Group is having a meet-up to learn how to shoot strangers&lt;/a&gt;: &amp;quot;How to approach interesting people, take their picture, and not get killed or your equipment stolen in the process.&amp;quot; Could be cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 19, 2007</title>
    <link href="https://mlarson.org/2007/01/19/20070119470/"/>
    <updated>2007-01-19T10:27:49.000Z</updated>
    <id>https://mlarson.org/2007/01/19/20070119470/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117&#34;&gt;This is where audiophiles go when they die&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 18, 2007</title>
    <link href="https://mlarson.org/2007/01/18/20070118467/"/>
    <updated>2007-01-18T06:25:25.000Z</updated>
    <id>https://mlarson.org/2007/01/18/20070118467/</id>
    <content type="html">&lt;p&gt;This is awesome. The photographer sets his camera timer for 2 seconds, then &lt;a href=&#34;http://runningfromcamera.blogspot.com/&#34;&gt;runs as far as he can before the camera snaps&lt;/a&gt;. [via &lt;a href=&#34;http://www.joshuablankenship.com&#34;&gt;joshua blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 18, 2007</title>
    <link href="https://mlarson.org/2007/01/18/20070118468/"/>
    <updated>2007-01-18T06:15:58.000Z</updated>
    <id>https://mlarson.org/2007/01/18/20070118468/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/flickrtreat/sets/1261366/&#34;&gt;Flickr Treat: A Halloween Story&lt;/a&gt;, by the &lt;a href=&#34;http://www.flickr.com/groups/atlanta/&#34;&gt;Atlanta Flickr Group&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 18, 2007</title>
    <link href="https://mlarson.org/2007/01/18/20070118466/"/>
    <updated>2007-01-18T06:10:50.000Z</updated>
    <id>https://mlarson.org/2007/01/18/20070118466/</id>
    <content type="html">&lt;p&gt;There&#39;s going to be &lt;a href=&#34;http://www.helveticafilm.com/&#34;&gt;a movie about Helvetica&lt;/a&gt;, the typeface you see pretty much everywhere. &amp;quot;Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which is celebrating its 50th birthday this year) as part of a larger conversation about the way type affects our lives.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 18, 2007</title>
    <link href="https://mlarson.org/2007/01/18/20070118469/"/>
    <updated>2007-01-18T00:11:37.000Z</updated>
    <id>https://mlarson.org/2007/01/18/20070118469/</id>
    <content type="html">&lt;p&gt;&amp;quot;Over the past thirty years, a new breed of &#39;anthropometric historians&#39; has tracked how populations around the world have changed in stature. Height, theyÄôve concluded, is a kind of biological shorthand: &lt;a href=&#34;http://www.newyorker.com/fact/content/articles/040405fa_fact?040405fa_fact&#34;&gt;a composite code for all the factors that make up a societyÄôs well-being&lt;/a&gt;.&amp;quot; [via &lt;a href=&#34;http://justinblanton.com&#34;&gt;justin blanton&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2007</title>
    <link href="https://mlarson.org/2007/01/17/20070117465/"/>
    <updated>2007-01-17T11:27:20.000Z</updated>
    <id>https://mlarson.org/2007/01/17/20070117465/</id>
    <content type="html">&lt;p&gt;I love &lt;a href=&#34;http://www.walmart.com/&#34;&gt;Wal-Mart&lt;/a&gt;. Both of my local Wal-Marts are pretty incredible in the &amp;quot;cleanliness&amp;quot; category--I wonder how &lt;a href=&#34;http://flickr.com/photos/filthywalmart/sets/72157594480314905/&#34;&gt;this one slipped through the cracks&lt;/a&gt;? Actually, it&#39;s not really that dirty, but the &amp;quot;&lt;a href=&#34;http://flickr.com/photos/filthywalmart/357941304/in/set-72157594480314905/&#34;&gt;sheer Ramen devastation&lt;/a&gt;&amp;quot; and emptied shelves in general is pretty striking. That&#39;s a stocker&#39;s nightmare. Empty shelves mean 1) you&#39;re going to keep losing sales until you fill it again and 2) you&#39;ve got a lot of filling to do. Makes me kind of wistful about the hundreds of nights I spent stocking shelves at the local Kroger.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2007</title>
    <link href="https://mlarson.org/2007/01/17/20070117463/"/>
    <updated>2007-01-17T10:40:58.000Z</updated>
    <id>https://mlarson.org/2007/01/17/20070117463/</id>
    <content type="html">&lt;p&gt;The playground of the future may feature &amp;quot;&#39;play workers&#39; to help guide fantasy play&amp;quot;Äìcuz kids need help with that sort of thing, apparently. Back in my day, we had to make it all up by ourselves (uphill, in the snow, etc). [via &lt;a href=&#34;http://www.andreaharner.com&#34;&gt;andrea harner&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2007</title>
    <link href="https://mlarson.org/2007/01/17/20070117464/"/>
    <updated>2007-01-17T09:24:49.000Z</updated>
    <id>https://mlarson.org/2007/01/17/20070117464/</id>
    <content type="html">&lt;p&gt;This is great. &lt;a href=&#34;http://wiinintendo.net/2007/01/15/wii-sports-experiment-results/&#34;&gt;Area man loses weight by playing the Nintendo Wii&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2007</title>
    <link href="https://mlarson.org/2007/01/17/20070117462/"/>
    <updated>2007-01-17T09:00:42.000Z</updated>
    <id>https://mlarson.org/2007/01/17/20070117462/</id>
    <content type="html">&lt;p&gt;&amp;quot;I am so tired of books about World War II and the Holocaust being tarted up as nostalgia porn.&amp;quot; Bookslut picks the &lt;a href=&#34;http://www.bookslut.com/features/2007_01_010493.php&#34;&gt;worst book covers&lt;/a&gt; from last year.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2007</title>
    <link href="https://mlarson.org/2007/01/17/20070117460/"/>
    <updated>2007-01-17T00:03:17.000Z</updated>
    <id>https://mlarson.org/2007/01/17/20070117460/</id>
    <content type="html">&lt;p&gt;Marc Singer reviews the &lt;a href=&#34;http://www.fantagraphics.com/anthol/mome.html&#34;&gt;MOME Spring/Summer 2006&lt;/a&gt; comics anthology, and riffs on the state of today&#39;s independent comics: &amp;quot;When comics aspire to the stature of literature or art &lt;a href=&#34;http://notthebeastmaster.typepad.com/weblog/2007/01/greil_marcus_ex.html&#34;&gt;they have to succeed as literature or art, not as &lt;em&gt;not superheroes&lt;/em&gt;&lt;/a&gt;.&amp;quot; There&#39;s some great discussion there in the comments, where Kevin Huizenga and some others weigh in.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 17, 2007</title>
    <link href="https://mlarson.org/2007/01/17/20070117461/"/>
    <updated>2007-01-17T00:00:41.000Z</updated>
    <id>https://mlarson.org/2007/01/17/20070117461/</id>
    <content type="html">&lt;p&gt;Cinephiles and typophiles might like this &lt;a href=&#34;http://www.submarinechannel.com/titlesequences/&#34;&gt;growing collection of some of the most original main title sequence designs&lt;/a&gt;. [via &lt;a href=&#34;http://designobserver.com&#34;&gt;do&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2007</title>
    <link href="https://mlarson.org/2007/01/16/20070116459/"/>
    <updated>2007-01-16T23:29:08.000Z</updated>
    <id>https://mlarson.org/2007/01/16/20070116459/</id>
    <content type="html">&lt;p&gt;When &lt;a href=&#34;/mark-larson-1/2007/01/16/what-i-did-on-martin-luther-king-day&#34;&gt;I was at the Atlanta History Center&lt;/a&gt; on Monday for the &lt;a href=&#34;http://www.atlantahistorycenter.com/template.cfm?cid=779&#34;&gt;exhibit of Martin Luther King&#39;s papers&lt;/a&gt;, one particular item really caught my eye: &lt;em&gt;Martin Luther King and the Montgomery Story&lt;/em&gt;, a comic book!! I wrote myself a note to look for it, and I&#39;m glad &lt;a href=&#34;http://www.ep.tc/mlk/&#34;&gt;I was able to track it down&lt;/a&gt;. [via &lt;a href=&#34;http://bullyscomics.blogspot.com/&#34;&gt;bully says&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2007</title>
    <link href="https://mlarson.org/2007/01/16/20070116458/"/>
    <updated>2007-01-16T11:02:45.000Z</updated>
    <id>https://mlarson.org/2007/01/16/20070116458/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.28dayslater.co.uk/forums/showthread.php?t=5921&#34;&gt;Photos from exploring the tunnels behind Niagara Falls&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 16, 2007</title>
    <link href="https://mlarson.org/2007/01/16/20070116457/"/>
    <updated>2007-01-16T10:59:12.000Z</updated>
    <id>https://mlarson.org/2007/01/16/20070116457/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/typeweight/sets/72157594476948766/&#34;&gt;Here&#39;s a nice mock-up of the iPhone&lt;/a&gt;. This is a nice version featuring professional, rounded corners (&lt;a href=&#34;http://www.kottke.org/07/01/the-apple-iphone&#34;&gt;ahem&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>What I Did On Martin Luther King Day</title>
    <link href="https://mlarson.org/2007/01/16/20070116what-i-did-on-martin-luther-king-day/"/>
    <updated>2007-01-16T10:57:26.000Z</updated>
    <id>https://mlarson.org/2007/01/16/20070116what-i-did-on-martin-luther-king-day/</id>
    <content type="html">&lt;p&gt;Last night I got to check out the opening of the &lt;a href=&#34;http://www.atlantahistorycenter.com/template.cfm?cid=779&#34;&gt;Martin Luther King Papers exhibit at the Atlanta History Center&lt;/a&gt;. The places was pretty much packed, which was great to see. We arrived at around 1:30 in the afternoon, and our time-ticket wasn&#39;t until 5:15! Anyway, we came back after lunch. On display they had hundreds and hundreds of original documents from his life as well as some great photos by &lt;a href=&#34;http://www.flipphoto.com/&#34;&gt;Flip Schulke&lt;/a&gt; and others. What really struck me, and what I really liked about the exhibit, was the focus on his intellectual biography.&lt;/p&gt;
&lt;p&gt;Martin Luther King is occasionally reduced to a nice little rhetorical soundbite or posterboy for a specific political movement. That&#39;s not inaccurate, per se, but incomplete. The exhibit showed a pretty impressive history of introspection and inquiry. There were original copies from dozens of his sermons, notes from his many speeches, books from his personal library with marginal annotations, his huge files of index cards for future reference. It makes you remember that he was not just a politico, but a thinker who wrestled with Big Ideas and tried to live them as well. There&#39;s really too much to take in on one visit. At least bring some comfortable shoes to stand and read and read and read. So go check it out. It&#39;s here in Atlanta until May, and a collection of this size probably won&#39;t ever happen again.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2007</title>
    <link href="https://mlarson.org/2007/01/15/20070115454/"/>
    <updated>2007-01-15T10:34:43.000Z</updated>
    <id>https://mlarson.org/2007/01/15/20070115454/</id>
    <content type="html">&lt;p&gt;The Duke Center for the Study of the Public Domain made a &lt;a href=&#34;http://www.law.duke.edu/cspd/comics/zoomcomic.html&#34;&gt;comic book about Fair Use&lt;/a&gt;. Law professor James Boyle &lt;a href=&#34;http://www.ibiblio.org/wunc_archives/sot/index.php?p=684&#34;&gt;talked with NPR&lt;/a&gt; about it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2007</title>
    <link href="https://mlarson.org/2007/01/15/20070115453/"/>
    <updated>2007-01-15T10:31:01.000Z</updated>
    <id>https://mlarson.org/2007/01/15/20070115453/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.etsy.com/&#34;&gt;Etsy&lt;/a&gt;, which is something like an eBay for hand-crafted goods, just &lt;a href=&#34;http://blog.etsy.com/?p=140&#34;&gt;opened a storefront/ lab&lt;/a&gt;. It will house the headquarters as well as some space for workshops, galleries, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2007</title>
    <link href="https://mlarson.org/2007/01/15/20070115452/"/>
    <updated>2007-01-15T10:26:35.000Z</updated>
    <id>https://mlarson.org/2007/01/15/20070115452/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.timesonline.co.uk/article/0,,2087-2546760,00.html&#34;&gt;The allure of the trophy wife may be fading&lt;/a&gt;. [via &lt;a href=&#34;http://www.dangerousmeta.com/&#34;&gt;dangerousmeta&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 15, 2007</title>
    <link href="https://mlarson.org/2007/01/15/20070115455/"/>
    <updated>2007-01-15T00:15:01.000Z</updated>
    <id>https://mlarson.org/2007/01/15/20070115455/</id>
    <content type="html">&lt;p&gt;There are now over 250 games in the Flickr pool called &lt;a href=&#34;http://www.flickr.com/groups/77139108@N00/pool/&#34;&gt;DS Tie-In Games I Wanna Play&lt;/a&gt;. There&#39;s a new &lt;a href=&#34;http://www.flickr.com/photos/jamison/343747768/in/pool-77139108@N00/&#34;&gt;MacWorld&lt;/a&gt; game, &lt;a href=&#34;http://www.flickr.com/photos/37996612733@N01/338182707/in/pool-77139108@N00/&#34;&gt;recumbent bicycle racing&lt;/a&gt;, &lt;a href=&#34;http://www.flickr.com/photos/livemetal/336006694/in/pool-77139108@N00/&#34;&gt;UNIX SysAdmin Adventure&lt;/a&gt;, the &lt;a href=&#34;http://www.flickr.com/photos/jkottke/334123314/in/pool-77139108@N00/&#34;&gt;New Yorker&lt;/a&gt; game, &lt;a href=&#34;http://www.flickr.com/photos/dakotasmith/332370660/in/pool-77139108@N00/&#34;&gt;Cool Hand Luke&lt;/a&gt;, and lots of other good ones.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2007</title>
    <link href="https://mlarson.org/2007/01/12/20070112448/"/>
    <updated>2007-01-12T11:00:53.000Z</updated>
    <id>https://mlarson.org/2007/01/12/20070112448/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://sethgodin.typepad.com/seths_blog/2007/01/when_you_should.html&#34;&gt;Seth Godin on Cingular CEO Stan Sigman&#39;s anemic performance&lt;/a&gt; at the &lt;a href=&#34;http://www.apple.com/iphone/keynote/&#34;&gt;Macworld Keynote&lt;/a&gt; where the &lt;a href=&#34;http://www.apple.com/iphone/&#34;&gt;iPhone&lt;/a&gt; debuted: &amp;quot;One could argue that you can be a great CEO without having a clue how to speak in public. But why not either get better at it or send someone else in your place?&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2007</title>
    <link href="https://mlarson.org/2007/01/12/20070112447/"/>
    <updated>2007-01-12T10:48:40.000Z</updated>
    <id>https://mlarson.org/2007/01/12/20070112447/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/groups/christmastreecaracass/pool/&#34;&gt;Photos of discarded Christmas trees&lt;/a&gt;. Ah, the symbolism.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2007</title>
    <link href="https://mlarson.org/2007/01/12/20070112446/"/>
    <updated>2007-01-12T09:30:13.000Z</updated>
    <id>https://mlarson.org/2007/01/12/20070112446/</id>
    <content type="html">&lt;p&gt;This website features &lt;a href=&#34;http://www.adherents.com/lit/comics/Batman.html&#34;&gt;extensive speculation on Batman&#39;s religion&lt;/a&gt;, who is most likely a lapsed Catholic or Episcopalian. There are also &lt;a href=&#34;http://www.adherents.com/lit/comics/comic_book_religion.html&#34;&gt;features on other comics characters&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 12, 2007</title>
    <link href="https://mlarson.org/2007/01/12/20070112451/"/>
    <updated>2007-01-12T00:28:54.000Z</updated>
    <id>https://mlarson.org/2007/01/12/20070112451/</id>
    <content type="html">&lt;p&gt;What&#39;s really funny wonderful about the iPhone announcement is not the buzz, but all this &lt;a href=&#34;http://www.kottke.org/07/01/iphone-roundup&#34;&gt;post&lt;/a&gt;-&lt;a href=&#34;http://www.ryanirelan.com/past/2007/01/10/iphone-round-up/&#34;&gt;orgy&lt;/a&gt; &lt;a href=&#34;http://adactio.com/journal/1233&#34;&gt;meta&lt;/a&gt;-&lt;a href=&#34;http://www.nickbaum.com/2007/01/iphone-roundup/&#34;&gt;buzz&lt;/a&gt;. You can thank me for later for this insightful coverage of the coverage of the coverage. For now, go read up.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2007</title>
    <link href="https://mlarson.org/2007/01/11/20070111450/"/>
    <updated>2007-01-11T23:11:44.000Z</updated>
    <id>https://mlarson.org/2007/01/11/20070111450/</id>
    <content type="html">&lt;p&gt;Jason Kottke sums up the &amp;quot;iPhone&amp;quot; &lt;a href=&#34;http://blogs.wsj.com/law/2007/01/10/ilawsuit/&#34;&gt;trademark dispute&lt;/a&gt; quite nicely: &amp;quot;&lt;a href=&#34;http://www.kottke.org/07/01/iphone-roundup&#34;&gt;booorrrrr-ring&lt;/a&gt;&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2007</title>
    <link href="https://mlarson.org/2007/01/11/20070111449/"/>
    <updated>2007-01-11T11:05:35.000Z</updated>
    <id>https://mlarson.org/2007/01/11/20070111449/</id>
    <content type="html">&lt;p&gt;Photos of &lt;a href=&#34;http://www.polarinertia.com/jan07/bus01.htm&#34;&gt;surprisingly colorful and exuberant bus stop architecture&lt;/a&gt; from the old Soviet Union.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2007</title>
    <link href="https://mlarson.org/2007/01/11/20070111444/"/>
    <updated>2007-01-11T10:16:13.000Z</updated>
    <id>https://mlarson.org/2007/01/11/20070111444/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.cpoy.org/index.php?s=WinningImages&amp;amp;yr=61&amp;amp;c=31&amp;amp;p=1.0&#34;&gt;collection of photos&lt;/a&gt; from College Photographer of the Year, Matt Eich.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2007</title>
    <link href="https://mlarson.org/2007/01/11/20070111445/"/>
    <updated>2007-01-11T09:27:54.000Z</updated>
    <id>https://mlarson.org/2007/01/11/20070111445/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://money.cnn.com/magazines/fortune/bestcompanies/2007/full_list/&#34;&gt;Fortune&#39;s 100 Best Companies to Work For&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 11, 2007</title>
    <link href="https://mlarson.org/2007/01/11/20070111443/"/>
    <updated>2007-01-11T09:13:47.000Z</updated>
    <id>https://mlarson.org/2007/01/11/20070111443/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.bl.uk/onlinegallery/ttp/ttpbooks.html&#34;&gt;The British Library lets you browse some classic primary texts online&lt;/a&gt;. They&#39;ve got works like Carroll&#39;s original Alice story with his own handwriting and illustrations, Mercatur&#39;s first maps of Europe, and one of Mozart&#39;s last notebooks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Worldchanging: A User&#39;s Guide for the 21st Century (review: 3/5)</title>
    <link href="https://mlarson.org/2007/01/11/20070111worldchanging-a-users-guide-for-the-21st-century-review-35/"/>
    <updated>2007-01-11T00:01:31.000Z</updated>
    <id>https://mlarson.org/2007/01/11/20070111worldchanging-a-users-guide-for-the-21st-century-review-35/</id>
    <content type="html">&lt;p&gt;I&#39;ve been sitting on this one for a while. I&#39;m not really sure how you review something like this, so I&#39;ll just say it&#39;s a cool, encyclopedic book. &lt;a href=&#34;http://en.wikipedia.org/wiki/Bruce_Sterling&#34;&gt;Bruce Sterling&lt;/a&gt; calls it a &amp;quot;dizzyingly comprehensive chunk of treeware,&amp;quot; which sounds about right. &lt;a href=&#34;http://www.amazon.com/Worldchanging-Users-Guide-21st-Century/dp/0810930951/sr=8-1/qid=1168441371/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;Worldchanging&lt;/a&gt; is the meatworld reference book associated with the collaborative &lt;a href=&#34;http://www.worldchanging.com/&#34;&gt;Worldchanging website&lt;/a&gt;. Inside, you&#39;ll find short articles on about a million green-related topics. Let&#39;s see... forestry, women&#39;s rights, microfinance, product design, DIY, bioplastics, sustainable ranching, social entrepreneurship, climate change, etc. It is a very pretty book: full-color throughout, nicely designed on heavy paper, and with lots of photos (though woefully short of cool, original infographics). The obvious problem is inherent to an encyclopedia, where no topic is covered in depth, and no entry can be as refined or nuanced as it ought to be (e.g., only 7 pages on &amp;quot;Understanding Trade&amp;quot;). It&#39;s an honest start, and there&#39;s some inspiration to be found if you&#39;re already inclined.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2007</title>
    <link href="https://mlarson.org/2007/01/10/20070110442/"/>
    <updated>2007-01-10T11:37:00.000Z</updated>
    <id>https://mlarson.org/2007/01/10/20070110442/</id>
    <content type="html">&lt;p&gt;I think Andrea Harner &lt;a href=&#34;http://www.andreaharner.com/archives/2007/01/i_just_started_taking_the_kaplan.html&#34;&gt;speaks for many of us&lt;/a&gt; on the GRE/ LSAT/ MCAT torture ride: &amp;quot;Took the diagnostic test on Saturday and am certain when the teacher passes back my test this Saturday she&#39;ll be looking around the room for a retarded person to hand it to.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2007</title>
    <link href="https://mlarson.org/2007/01/10/20070110435/"/>
    <updated>2007-01-10T10:23:39.000Z</updated>
    <id>https://mlarson.org/2007/01/10/20070110435/</id>
    <content type="html">&lt;p&gt;Metacritic scraped the best-of lists from all the major film review publications and &lt;a href=&#34;http://www.metacritic.com/film/awards/2006/toptens.shtml&#34;&gt;presents the aggregated critical favorites from 2006&lt;/a&gt;. United 93 and Army of Shadows came out on top.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2007</title>
    <link href="https://mlarson.org/2007/01/10/20070110438/"/>
    <updated>2007-01-10T09:35:48.000Z</updated>
    <id>https://mlarson.org/2007/01/10/20070110438/</id>
    <content type="html">&lt;p&gt;A Flickr &lt;a href=&#34;http://www.flickr.com/groups/vintagechildrensbooks/pool/&#34;&gt;photo collection of vintage children&#39;s books&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2007</title>
    <link href="https://mlarson.org/2007/01/10/20070110434/"/>
    <updated>2007-01-10T08:18:00.000Z</updated>
    <id>https://mlarson.org/2007/01/10/20070110434/</id>
    <content type="html">&lt;p&gt;Robert Niles writes on the &lt;a href=&#34;http://www.ojr.org/ojr/stories/070103niles/&#34;&gt;silliest and most destructive debate in journalism&lt;/a&gt;. &amp;quot;They don&#39;t know how we make the sausage, or even who makes it. They just want to eat.&amp;quot; This also relates to Steven Johnson&#39;s &lt;a href=&#34;http://www.stevenberlinjohnson.com/2006/08/five_things_all.html&#34;&gt;Five Things&lt;/a&gt;. [via &lt;a href=&#34;http://www.magnetbox.com/&#34;&gt;magnetbox&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2007</title>
    <link href="https://mlarson.org/2007/01/10/20070110440/"/>
    <updated>2007-01-10T03:55:32.000Z</updated>
    <id>https://mlarson.org/2007/01/10/20070110440/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.bookslut.com/girl_interrupting/2007_01_010473.php&#34;&gt;We don&#39;t need another anthology of feminist essays&lt;/a&gt;. &amp;quot;They read like progress reports, but also like P.R., calculated proof of feminismÄôs vitality and diversity. Each new anthology builds the same case from scratch.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 10, 2007</title>
    <link href="https://mlarson.org/2007/01/10/20070110439/"/>
    <updated>2007-01-10T02:40:27.000Z</updated>
    <id>https://mlarson.org/2007/01/10/20070110439/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://84.40.3.164/&#34;&gt;A Honda Civic commercial in which a chorus makes all the car sounds&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 9, 2007</title>
    <link href="https://mlarson.org/2007/01/09/20070109437/"/>
    <updated>2007-01-09T20:35:46.000Z</updated>
    <id>https://mlarson.org/2007/01/09/20070109437/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.ninapaley.com/2006/11/public-cervix-announcement.html&#34;&gt;A nice little parody of old-school idiotic sexism&lt;/a&gt;. &amp;quot;In thought, be plain and simple, and let your natural sweetness shine through.&amp;quot; We&#39;ve come a long way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 9, 2007</title>
    <link href="https://mlarson.org/2007/01/09/20070109436/"/>
    <updated>2007-01-09T20:31:29.000Z</updated>
    <id>https://mlarson.org/2007/01/09/20070109436/</id>
    <content type="html">&lt;p&gt;TMN presents another cool photo gallery, &lt;a href=&#34;http://themorningnews.org/archives/galleries/above_paris/&#34;&gt;this one featuring aerial shots of Paris&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 9, 2007</title>
    <link href="https://mlarson.org/2007/01/09/20070109433/"/>
    <updated>2007-01-09T20:12:23.000Z</updated>
    <id>https://mlarson.org/2007/01/09/20070109433/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.vanityfair.com/culture/features/2006/12/archie_portfolio200612&#34;&gt;A slideshow tracking the changing art of Archie comics&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 9, 2007</title>
    <link href="https://mlarson.org/2007/01/09/20070109432/"/>
    <updated>2007-01-09T18:49:50.000Z</updated>
    <id>https://mlarson.org/2007/01/09/20070109432/</id>
    <content type="html">&lt;p&gt;Well, the &lt;a href=&#34;http://www.apple.com/iphone/&#34;&gt;new iPhone is big, heavy, expensive, and only for Cingular&lt;/a&gt;. But damn, it&#39;s really cool and I&#39;m glad someone is finally making progress on this whole convergence thing.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 9, 2007</title>
    <link href="https://mlarson.org/2007/01/09/20070109430/"/>
    <updated>2007-01-09T10:49:08.000Z</updated>
    <id>https://mlarson.org/2007/01/09/20070109430/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.myspace.com/index.cfm?fuseaction=blog.view&amp;amp;friendID=37507226&amp;amp;blogID=93985391&#34;&gt;Brian K. Vaughan on breaking into comics&lt;/a&gt;: &amp;quot;Oh, and &amp;quot;writer&#39;s block&amp;quot; is just another word for video games. If you want to be a writer, get writing, you lazy bastards.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 9, 2007</title>
    <link href="https://mlarson.org/2007/01/09/20070109431/"/>
    <updated>2007-01-09T09:38:07.000Z</updated>
    <id>https://mlarson.org/2007/01/09/20070109431/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=sZ4S-MYoQKQ&#34;&gt;A pretty cool Line Rider video&lt;/a&gt;, including an insane jump over a busy freeway. And the &lt;a href=&#34;http://www.youtube.com/watch?v=bcu8ZdJ2dQo&#34;&gt;Jagged Peak Adventure&lt;/a&gt; is pretty classic, too. Despite the fact that Line Rider has &lt;a href=&#34;http://www.youtube.com/watch?v=GD9DSa3fZf4&amp;amp;NR&#34;&gt;already jumped the shark&lt;/a&gt; (&lt;a href=&#34;http://en.wikipedia.org/wiki/Jumping_the_shark&#34;&gt;wikipedia&lt;/a&gt;), soon, the game will be &lt;a href=&#34;http://www.ocregister.com/ocregister/money/abox/article_1386914.php&#34;&gt;coming to the Nintendo Wii and the DS&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 9, 2007</title>
    <link href="https://mlarson.org/2007/01/09/20070109429/"/>
    <updated>2007-01-09T08:47:41.000Z</updated>
    <id>https://mlarson.org/2007/01/09/20070109429/</id>
    <content type="html">&lt;p&gt;On the top-selling music of 2006: &amp;quot;Personally, I canÄôt handle The Fray, John Mayer, Jack Johnson, that Daniel Powter song, James Blunt, any Coldplay since ÄúParachutesÄù, etc, etc Ä¶ ItÄôs all part of some introspective sad sensitive-guy thing that I just canÄôt buy into. &lt;a href=&#34;http://www.camerondaigle.com/coblog/cameron/arts/itunes-vs-billboard-best-of-2006/&#34;&gt;ItÄôs Generation X in reverse.&lt;/a&gt;&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2007</title>
    <link href="https://mlarson.org/2007/01/08/20070108428/"/>
    <updated>2007-01-08T11:59:51.000Z</updated>
    <id>https://mlarson.org/2007/01/08/20070108428/</id>
    <content type="html">&lt;p&gt;&amp;quot;Popular performers or groups are pleasing not because of any particular virtuosity, but because they create an overall timbre that remains consistent from song to song.&amp;quot; &lt;a href=&#34;http://www.nytimes.com/2006/12/31/arts/music/31thom.html?ex=1168318800&amp;amp;en=551961b559964c38&amp;amp;ei=5070&#34;&gt;The neuroscience of music&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2007</title>
    <link href="https://mlarson.org/2007/01/08/20070108427/"/>
    <updated>2007-01-08T10:49:26.000Z</updated>
    <id>https://mlarson.org/2007/01/08/20070108427/</id>
    <content type="html">&lt;p&gt;We&#39;re moving beyond the pie chart now: &lt;a href=&#34;http://www.visual-literacy.org/periodic_table/periodic_table.html&#34;&gt;here&#39;s a periodic table of visualization methods&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2007</title>
    <link href="https://mlarson.org/2007/01/08/20070108426/"/>
    <updated>2007-01-08T09:28:03.000Z</updated>
    <id>https://mlarson.org/2007/01/08/20070108426/</id>
    <content type="html">&lt;p&gt;&amp;quot;I confess I&#39;ve been increasingly dissatisifed with the direction of modern pop, which has more and more privileged screechy and/or whiny vocalists who are utterly unable to play any instrument themselves, and thus, usually, unable to actually write music or songs themselves.&amp;quot; &lt;a href=&#34;http://www.collisiondetection.net/mt/archives/2006/12/a_while_ago_one.html&#34;&gt;Over at Collision Detection&lt;/a&gt;, Clive Thompson points to a recent article by Chuck Klosterman about how &lt;a href=&#34;http://www.esquire.com/features/articles/2006/061105_mfe_December_06_Klosterman.html&#34;&gt;YouTube is reviving musical virtuosity&lt;/a&gt;. Klosterman:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of those depressing paradoxes about rock &#39;n&#39; roll: Very often, profoundly exceptional guitar playing is boring to listen to... It&#39;s difficult for nonmusicians to appreciate world-class guitar playing through solely sonic means, mostly because a) the difference between great guitar playing and serviceable guitar playing is often subtle, and b) every modern listener assumes production tricks can manufacture greatness. (As a result, radio audiences are automatically skeptical of what they hear.) Guitar brilliance usually comes across as ponderous. But that changes dramatically when one adds the element of video; somehow, watching changes the experience of hearing. There are certain things that sound good only when (and if) you can see them. And YouTube lets you see them.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Two comments on the side:&lt;/p&gt;
&lt;p&gt;One, for great example of YouTube sanctifying musical skill, check out the video of &lt;a href=&#34;/mark-larson-1/2006/12/23/362&#34;&gt;Stanley Jordan playing &amp;quot;Autumn Leaves&amp;quot;&lt;/a&gt; that I linked to earlier. Seeing is believing there.&lt;/p&gt;
&lt;p&gt;And two, I&#39;m really curious why Esquire didn&#39;t put the links directly in the body of Klosterman&#39;s essay--we&#39;re talking about the internet, here. Is there a reason to list a plain-text web address buried in a footnote?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2007</title>
    <link href="https://mlarson.org/2007/01/08/20070108420/"/>
    <updated>2007-01-08T08:32:36.000Z</updated>
    <id>https://mlarson.org/2007/01/08/20070108420/</id>
    <content type="html">&lt;p&gt;Richard Dawkins makes the &lt;a href=&#34;http://richarddawkins.net/article,482,n,n&#34;&gt;scientific argument for keeping Saddam Hussein alive&lt;/a&gt;. &amp;quot;His mind would have been a unique resource for historical, political and psychological research: a resource that is now forever unavailable to scholars.&amp;quot; It&#39;s an interesting thought. While there is a lot of &lt;a href=&#34;http://www.amazon.com/Power-Natural-History-Its-Growth/dp/0865971137&#34;&gt;good&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Power-Market-Government-Economy-economic/dp/0836207505/sr=1-2/qid=1168021723/ref=sr_1_2/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;social&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Omnipotent-Government-Rise-Total-State/dp/0910884153/sr=1-1/qid=1168021752/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;science&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Crisis-Leviathan-Critical-Government-Institute/dp/019505900X/sr=1-1/qid=1168021930/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;work&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Democracy-Economics-Politics-Monarchy-Natural/dp/0765808684/ref=pd_sxp_grid_i_2_0/105-9239050-5494812&#34;&gt;analyzing&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Law-Power-Liberty-Proper-Government/dp/160096057X/sr=1-18/qid=1168022425/ref=sr_1_18/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;tyranny&lt;/a&gt;, for the psychological angle &amp;quot;the sample size is small.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 8, 2007</title>
    <link href="https://mlarson.org/2007/01/08/20070108425/"/>
    <updated>2007-01-08T00:32:12.000Z</updated>
    <id>https://mlarson.org/2007/01/08/20070108425/</id>
    <content type="html">&lt;p&gt;&amp;quot;Popular performers or groups are pleasing not because of any particular virtuosity, but because they create an overall timbre that remains consistent from song to song.&amp;quot; &lt;a href=&#34;http://www.nytimes.com/2006/12/31/arts/music/31thom.html?ex=1168318800&amp;amp;en=551961b559964c38&amp;amp;ei=5070&#34;&gt;The neuroscience of music&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 7, 2007</title>
    <link href="https://mlarson.org/2007/01/07/20070107424/"/>
    <updated>2007-01-07T19:58:24.000Z</updated>
    <id>https://mlarson.org/2007/01/07/20070107424/</id>
    <content type="html">&lt;p&gt;This is not a eulogy: &lt;a href=&#34;http://www.themorningnews.org/archives/profiles/this_is_not_a_eulogy.php&#34;&gt;Leslie Harpold remembered&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2007</title>
    <link href="https://mlarson.org/2007/01/06/20070106423/"/>
    <updated>2007-01-06T10:41:54.000Z</updated>
    <id>https://mlarson.org/2007/01/06/20070106423/</id>
    <content type="html">&lt;p&gt;I hadn&#39;t thought of this, but it&#39;s really cool. The signing deaf are making use of YouTube. &amp;quot;Many of them arenÄôt comfortably fluent in written language. For many more, sign is and always will be their first language. &lt;a href=&#34;http://nielsenhayden.com/makinglight/archives/008402.html&#34;&gt;YouTube gives them an easy, expressive, unmediated channel for many-to-many communication&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 6, 2007</title>
    <link href="https://mlarson.org/2007/01/06/20070106422/"/>
    <updated>2007-01-06T07:44:43.000Z</updated>
    <id>https://mlarson.org/2007/01/06/20070106422/</id>
    <content type="html">&lt;p&gt;Coming to a theater near you: a &lt;a href=&#34;http://www.sonypictures.com/classics/persepolis/&#34;&gt;movie version&lt;/a&gt; of &lt;a href=&#34;http://en.wikipedia.org/wiki/Marjane_Satrapi&#34;&gt;Marjane Satrapi&lt;/a&gt;&#39;s graphic novel of growing up in Iran, &lt;a href=&#34;http://en.wikipedia.org/wiki/Persepolis_%28graphic_novel%29&#34;&gt;Persepolis&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 5, 2007</title>
    <link href="https://mlarson.org/2007/01/05/20070105421/"/>
    <updated>2007-01-05T16:19:58.000Z</updated>
    <id>https://mlarson.org/2007/01/05/20070105421/</id>
    <content type="html">&lt;p&gt;There&#39;s some cool doppelg?§nger action in these photos tagged with &amp;quot;multiplicity&amp;quot;--showing the subject in &lt;a href=&#34;http://www.flickr.com/photos/tags/multiplicity/interesting/&#34;&gt;more than one place at the same time&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 5, 2007</title>
    <link href="https://mlarson.org/2007/01/05/20070105419/"/>
    <updated>2007-01-05T13:11:19.000Z</updated>
    <id>https://mlarson.org/2007/01/05/20070105419/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.powells.com/interviews/stevenjohnson.html&#34;&gt;An interview with Steven Johnson&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I came out of college in the late &#39;80s amid the science wars. Literary theorists were deconstructing the scientists, and scientists were making fun of the literary theorists. There was no realm where you&#39;d come into a classroom and say, &amp;quot;This complexity theory might be useful in thinking about the kind of urban system Dickens is describing.&amp;quot; If you talked about science, it was entirely to show how it was Eurocentric or something.&lt;/p&gt;
&lt;p&gt;I always felt like that was a total waste of time. There were obviously insights that both domains could productively share. A lot of what I&#39;ve been trying to do since then is figure out what those connections could be, and figure out a way to work them into the books.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[via... &lt;a href=&#34;http://www.stevenberlinjohnson.com&#34;&gt;Steven Johnson&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 5, 2007</title>
    <link href="https://mlarson.org/2007/01/05/20070105417/"/>
    <updated>2007-01-05T00:55:03.000Z</updated>
    <id>https://mlarson.org/2007/01/05/20070105417/</id>
    <content type="html">&lt;p&gt;Cabel Sasser introduces the &lt;a href=&#34;http://www.cabel.name/2006/11/stupid-subway-sign-prank.html&#34;&gt;Stupid Subway Sign Prank&lt;/a&gt;. &amp;quot;The game here is to pick something funny, but not so funny as to elicit questions.&amp;quot; Check out this pitch for &lt;a href=&#34;http://www.cabel.name/images-post/2006/11/subway-pranked.jpg&#34;&gt;Bison Noodle Soup&lt;/a&gt;. There&#39;s also Sunset Minestrone, Fiesta Queso con Queso, and lots of good suggestions in the comments.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 5, 2007</title>
    <link href="https://mlarson.org/2007/01/05/20070105416/"/>
    <updated>2007-01-05T00:48:25.000Z</updated>
    <id>https://mlarson.org/2007/01/05/20070105416/</id>
    <content type="html">&lt;p&gt;Using Enron as the foil for his argument, &lt;a href=&#34;http://www.newyorker.com/printables/fact/070108fa_fact&#34;&gt;Malcolm Gladwell writes about mysteries&lt;/a&gt; as opposed to puzzles. He&#39;s talking about situations where there is no magical missing piece, but instead we often have an overload of information, a tangle that requires finesse and interpretation that isn&#39;t necessarily open-and-shut.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In the case of puzzles, we put the offending target, the C.E.O., in jail for twenty-four years and assume that our work is done. Mysteries require that we revisit our list of culprits and be willing to spread the blame a little more broadly. Because if you canÄôt find the truth in a mysteryÄîeven a mystery shrouded in propagandaÄîitÄôs not just the fault of the propagandist. ItÄôs your fault as well.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There&#39;s a couple &lt;a href=&#34;http://gladwell.typepad.com/gladwellcom/2007/01/enron_and_newsp.html&#34;&gt;related&lt;/a&gt; &lt;a href=&#34;http://gladwell.typepad.com/gladwellcom/2007/01/enron.html&#34;&gt;posts&lt;/a&gt; in his blog. Gladwell writes about the strange fact that Wall Street insiders--those with motivation to really care ($)--didn&#39;t publicize the weirdness around Enron&#39;s financial statements. Enter the journalist hero: &amp;quot;Maybe we have underestimated the value of impartial, professionally-motivated, under-paid and overworked generalists in tackling the kind of information-rich, analysis-dependent ÄúmysteriesÄù that the modern world throws at us.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 5, 2007</title>
    <link href="https://mlarson.org/2007/01/05/20070105418/"/>
    <updated>2007-01-05T00:35:06.000Z</updated>
    <id>https://mlarson.org/2007/01/05/20070105418/</id>
    <content type="html">&lt;p&gt;&amp;quot;People all over the world are making a list of 365 people they&#39;ve met during the course of their lives--people who left an impression and whose name they remember--then they&#39;re randomly writing a set number of words about someone on their list. &lt;a href=&#34;http://x365.org/&#34;&gt;They&#39;re doing this once a day--for a year&lt;/a&gt;.&amp;quot; [via &lt;a href=&#34;http://rulebrittaniea.org/category/26-by-365/&#34;&gt;rule, brittaniea&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2007</title>
    <link href="https://mlarson.org/2007/01/04/20070104413/"/>
    <updated>2007-01-04T13:42:35.000Z</updated>
    <id>https://mlarson.org/2007/01/04/20070104413/</id>
    <content type="html">&lt;p&gt;K.G. Schneider, the Free Range Librarian: &amp;quot;I hear klaxon horns whenever I hear of a management model that claims it will permanently change the nature of work. This would require permanently changing the nature of people. The reality (or, perhaps, my reality) is that work is an essentially dysfunctional activity. We are not wired at the most fundamental level to put on monkey suits and spend dozens of hours every week united in the common cause of an institution.&amp;quot; That&#39;s in response to &lt;a href=&#34;http://freerangelibrarian.com/2007/01/management_20_and_the_trumpete.php&#34;&gt;her first hearing the term &amp;quot;Management 2.0&amp;quot;&lt;/a&gt;. It&#39;s already here, folks! Get ready! Whoo!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2007</title>
    <link href="https://mlarson.org/2007/01/04/20070104412/"/>
    <updated>2007-01-04T11:54:35.000Z</updated>
    <id>https://mlarson.org/2007/01/04/20070104412/</id>
    <content type="html">&lt;p&gt;The New York Times has some interesting, depressing visualizations for data from the Iraq War. There&#39;s &lt;a href=&#34;http://www.nytimes.com/ref/us/20061228_3000FACES_TAB2.html&#34;&gt;some demographic analysis of casualties&lt;/a&gt; and a mosaic, &lt;a href=&#34;http://www.nytimes.com/ref/us/20061228_3000FACES_TAB1.html&#34;&gt;the faces of the dead&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2007</title>
    <link href="https://mlarson.org/2007/01/04/20070104415/"/>
    <updated>2007-01-04T11:36:28.000Z</updated>
    <id>https://mlarson.org/2007/01/04/20070104415/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.comicsreporter.com/index.php/a_short_interview_with_jacob_covey/&#34;&gt;An interview with Jacob Covey&lt;/a&gt;, art director for leading comics publisher &lt;a href=&#34;http://www.fantagraphics.com/&#34;&gt;Fantagraphics&lt;/a&gt;. [via &lt;a href=&#34;http://www.designobserver.com/&#34;&gt;design observer&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2007</title>
    <link href="https://mlarson.org/2007/01/04/20070104411/"/>
    <updated>2007-01-04T11:26:42.000Z</updated>
    <id>https://mlarson.org/2007/01/04/20070104411/</id>
    <content type="html">&lt;p&gt;A couple additions to my growing series of links about understanding large-scale concepts. Here&#39;s a &lt;a href=&#34;http://andabien.com/html3/personal/evolution-timeline.htm&#34;&gt;timeline of evolution from the beginning of Life up to Now&lt;/a&gt;. The image of the timeline is 135 feet long, and homo sapiens showed up right at around last pixel. And via &lt;a href=&#34;http://infosthetics.com/&#34;&gt;infosthetics&lt;/a&gt;, &lt;a href=&#34;http://video.google.com/videoplay?docid=-3974466981713172831&amp;amp;sourceid=docidfeed&amp;amp;hl=en-GB&#34;&gt;a video comparing the planets, the Sun, and a number of other stars&lt;/a&gt;. The first five links in my scalar collection were about &lt;a href=&#34;http://www.phrenopolis.com/perspective/atom/index.html&#34;&gt;the scale of the atom&lt;/a&gt;, &lt;a href=&#34;http://www.royalsapien.com/pop1/&#34;&gt;the Earth&#39;s population&lt;/a&gt;, &lt;a href=&#34;http://www.deepskyfrontier.com/#howbig01&#34;&gt;the stars in the sky&lt;/a&gt;, &lt;a href=&#34;http://www.37signals.com/svn/images/grs02b.gif&#34;&gt;showing 570 million years in 1 hour&lt;/a&gt;, and &lt;a href=&#34;http://www.kokogiak.com/megapenny/default.asp&#34;&gt;visualizing enormous numbers&lt;/a&gt;. Oh, as a bonus there&#39;s also the one I linked a while back where you can learn about &lt;a href=&#34;http://www.tenthdimension.com/&#34;&gt;existing in 10 dimensions&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Sally Shapiro Makes Me Want to Dance</title>
    <link href="https://mlarson.org/2007/01/04/20070104sally-shapiro-makes-me-want-to-dance/"/>
    <updated>2007-01-04T09:54:06.000Z</updated>
    <id>https://mlarson.org/2007/01/04/20070104sally-shapiro-makes-me-want-to-dance/</id>
    <content type="html">&lt;p&gt;I just discovered &lt;a href=&#34;http://www.johanagebjorn.info/sally.html&#34;&gt;the music of Sally Shapiro&lt;/a&gt;. Go go go and listen to &lt;a href=&#34;http://hem.bredband.net/sallyshapiro/byyourside.mp3&#34;&gt;I&#39;ll Be by Your Side&lt;/a&gt; (mp3) as soon as you can. I love the blend of &#39;70s disco and spacy &#39;80s synthesizers... read more about &lt;a href=&#34;http://en.wikipedia.org/wiki/Italo_disco&#34;&gt;italo disco&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2007</title>
    <link href="https://mlarson.org/2007/01/04/20070104414/"/>
    <updated>2007-01-04T09:12:04.000Z</updated>
    <id>https://mlarson.org/2007/01/04/20070104414/</id>
    <content type="html">&lt;p&gt;&amp;quot;It&#39;s not cowardly to leave a place you love because you have a family now.&amp;quot; &lt;a href=&#34;http://babble.com/CS/blogs/girlgrowsinbrooklyn/archive/2006/12/25/i-may-need-to-re-name-this-blog.aspx&#34;&gt;Barbara Rushkoff ponders leaving Brooklyn&lt;/a&gt; after her husband &lt;a href=&#34;http://www.rushkoff.com/2006/12/merry-christmas-gimme-your-money.php&#34;&gt;Douglas Rushkoff is mugged&lt;/a&gt;. Friend and Brooklynite &lt;a href=&#34;http://www.stevenberlinjohnson.com/2007/01/on_leaving_broo.html&#34;&gt;Steven Johnson weighs in&lt;/a&gt;. There are tough decisions to make. Like &lt;a href=&#34;http://www.dashes.com/anil/2007/01/03/statistics_crim&#34;&gt;Anil Dash&lt;/a&gt;, regardless of the final outcome, I think it&#39;s really cool that these kinds of things can be shared and fleshed out in the blog community.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 4, 2007</title>
    <link href="https://mlarson.org/2007/01/04/20070104410/"/>
    <updated>2007-01-04T08:09:44.000Z</updated>
    <id>https://mlarson.org/2007/01/04/20070104410/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.bookswim.com&#34;&gt;BookSwim is aiming to be the Netflix for literature&lt;/a&gt;. You can draw up your list of books and have them mailed to you (for free). When you&#39;re done you mail&#39;em back (for free), and they mail the next titles on your list. You just pay a monthly fee and read as much as you desire. I really hope this is wildly successful. It could be really dangerous for me, though, as I&#39;ve got about 35 books sitting on the shelf in my to-read queue. Last thing I need is to make it easier. &lt;a href=&#34;http://tametheweb.com/2007/01/libraries_netflix_bookswim.html&#34;&gt;Michael Stephens&lt;/a&gt; shares some good comments:&lt;/p&gt;
&lt;p&gt;&amp;quot;Add this to Starbucks book clubs, wifi, and music sales, iTunes movie downloads and &amp;quot;third place&amp;quot; contenders like the aforementioned Starbucks or Panera Bread and you have a whole bunch of services, physical spaces and web sites competing for what libraries used to have a hold on.&amp;quot; Indeed, where will the library fit in? Can&#39;t afford to move too slowly. [via &lt;a href=&#34;http://tametheweb.com/&#34;&gt;tame the web&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2007</title>
    <link href="https://mlarson.org/2007/01/03/20070103407/"/>
    <updated>2007-01-03T13:39:06.000Z</updated>
    <id>https://mlarson.org/2007/01/03/20070103407/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://online.wsj.com/public/article/SB116767372393163913-HkYO2RxH5RcJtN7jSklt8zxxWxI_20080101.html&#34;&gt;The Wall Street Journal is shrinking their newspaper&lt;/a&gt;. I&#39;m really going to miss those 3 inches. I love giant newspapers like WSJ that make me feel like I&#39;m flipping through billboards. Maybe there&#39;s a niche market for people like me who want huge newspapers? I&#39;m thinking 36 inches by 48 inches or so for each page. Something I&#39;d have to spread out on the floor and read like I did when I was a kid.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2007</title>
    <link href="https://mlarson.org/2007/01/03/20070103405/"/>
    <updated>2007-01-03T11:25:03.000Z</updated>
    <id>https://mlarson.org/2007/01/03/20070103405/</id>
    <content type="html">&lt;p&gt;&amp;quot;God blessed me above all I could imagine.&amp;quot; Before his death in Iraq, &lt;a href=&#34;http://www.nytimes.com/2007/01/01/us/01charles.html?_r=1&amp;amp;ref=todayspaper&amp;amp;oref=slogin&#34;&gt;First Sgt. Charles Monroe King left behind a 200-page journal for his newborn son&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2007</title>
    <link href="https://mlarson.org/2007/01/03/20070103404/"/>
    <updated>2007-01-03T10:03:52.000Z</updated>
    <id>https://mlarson.org/2007/01/03/20070103404/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.mode-mag.com/honor-thy-homies-part-1/&#34;&gt;Dave Conrey talks about his circle of name-sharing friends&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We all went by nicknames because there are 2 guys named Chris, 2 guys named Sean and 2 guys named Dave.&lt;/p&gt;
&lt;p&gt;IÄôm sure you can imagine what conversations were likeÄ¶&lt;/p&gt;
&lt;p&gt;ÄúHey Sean.Äù Äúyeah?Äù ÄúNo, the other Sean.Äù ÄúOh, yeah?Äù ÄúWhereÄôs Chris?Äù ÄúI thought he was outside.Äù ÄúNo, the other Chris.Äù ÄúHeÄôs hanging out with Dave.Äù Äúwhich one?Äù Äúhe didnÄôt say.Äù&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2007</title>
    <link href="https://mlarson.org/2007/01/03/20070103408/"/>
    <updated>2007-01-03T09:03:22.000Z</updated>
    <id>https://mlarson.org/2007/01/03/20070103408/</id>
    <content type="html">&lt;p&gt;This year, Edge&#39;s World Question Center asks, &amp;quot;&lt;a href=&#34;http://edge.org/q2007/q07_index.html&#34;&gt;What are you optimistic about? Why?&lt;/a&gt;&amp;quot; Hundreds of answers from folks like &lt;a href=&#34;http://edge.org/q2007/q07_5.html#kurzweil&#34;&gt;Ray Kurzweil&lt;/a&gt;, &lt;a href=&#34;http://edge.org/q2007/q07_13.html#eno&#34;&gt;Brian Eno&lt;/a&gt;, &lt;a href=&#34;http://edge.org/q2007/q07_1.html#pinker&#34;&gt;Steven Pinker&lt;/a&gt;, &lt;a href=&#34;http://edge.org/q2007/q07_5.html#diamond&#34;&gt;Jared Diamond&lt;/a&gt;, &lt;a href=&#34;http://edge.org/q2007/q07_16.html#greene&#34;&gt;Brian Greene&lt;/a&gt;, &lt;a href=&#34;http://edge.org/q2007/q07_13.html#doctorow&#34;&gt;Cory Doctorow&lt;/a&gt;, and many more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2007</title>
    <link href="https://mlarson.org/2007/01/03/20070103403/"/>
    <updated>2007-01-03T08:24:18.000Z</updated>
    <id>https://mlarson.org/2007/01/03/20070103403/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thenonist.com/index.php/thenonist/permalink/my_finest_art/&#34;&gt;The Nonist mulls the next step&lt;/a&gt; in blogging and more importantly, in art:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Much of what IÄôve learned about blogging, from the standpoint of a creative pursuit, reinforces my perception that the form, which includes as a subset all preconceptions and consumer habits, may be an artistic dead-end.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>January 3, 2007</title>
    <link href="https://mlarson.org/2007/01/03/20070103406/"/>
    <updated>2007-01-03T00:56:17.000Z</updated>
    <id>https://mlarson.org/2007/01/03/20070103406/</id>
    <content type="html">&lt;p&gt;New York Times on &lt;a href=&#34;http://www.nytimes.com/2007/01/02/science/02free.html?_r=1&amp;amp;pagewanted=all&amp;amp;oref=slogin&#34;&gt;the science of free will&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2007</title>
    <link href="https://mlarson.org/2007/01/02/20070102402/"/>
    <updated>2007-01-02T23:50:49.000Z</updated>
    <id>https://mlarson.org/2007/01/02/20070102402/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_fictional_books&#34;&gt;Wikipedia has a list of fictional books&lt;/a&gt;. That is, books that only exist in other works of literature. [via &lt;a href=&#34;http://www.elhombrequecomiadiccionarios.com/&#34;&gt;the man that ate dictionaries&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2007</title>
    <link href="https://mlarson.org/2007/01/02/20070102401/"/>
    <updated>2007-01-02T13:52:36.000Z</updated>
    <id>https://mlarson.org/2007/01/02/20070102401/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.thebubbleproject.com/01.Bubbles/BubblesFrameset.htm&#34;&gt;Bubble Project&lt;/a&gt; puts comics-style bubbles on street ads for passers-by to fill in.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2007</title>
    <link href="https://mlarson.org/2007/01/02/20070102398/"/>
    <updated>2007-01-02T10:22:42.000Z</updated>
    <id>https://mlarson.org/2007/01/02/20070102398/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.informationarchitects.jp/wp-content/uploads/2006/12/trendlarge.gif&#34;&gt;The iA Trend Map shows all the big players, the current Internet trends and how theyÄôre connected&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2007</title>
    <link href="https://mlarson.org/2007/01/02/20070102397/"/>
    <updated>2007-01-02T07:36:51.000Z</updated>
    <id>https://mlarson.org/2007/01/02/20070102397/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.rebeccablood.net/archive/2007/01/what_makes_a_new_years_resolut.html&#34;&gt;Rebecca Blood points&lt;/a&gt; to a &lt;a href=&#34;http://www.psy.herts.ac.uk/wiseman/resolutions/opening.html&#34;&gt;massive New Year&#39;s resolution-keeping experiment&lt;/a&gt; and a &lt;a href=&#34;http://www.guardian.co.uk/science/story/0,,1979625,00.html?gusrc=rss&amp;amp;feed=1&#34;&gt;news article&lt;/a&gt; about the whole thing. The idea is that you sign up, tell them the resolution, then the psychologists/automated mailing system will pester you via e-mail to see how you&#39;re coming along. All the data-gathering will help scholars figure out how humanity can follow through better in the future. I&#39;d join, but I haven&#39;t yet resolved anything.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>January 2, 2007</title>
    <link href="https://mlarson.org/2007/01/02/20070102399/"/>
    <updated>2007-01-02T00:40:11.000Z</updated>
    <id>https://mlarson.org/2007/01/02/20070102399/</id>
    <content type="html">&lt;p&gt;Andrew at &lt;a href=&#34;http://www.songstowearpantsto.com/&#34;&gt;Songs to Wear Pants to&lt;/a&gt; writes songs according to your instructions. I like the &lt;a href=&#34;http://www.archivestowearpantsto.com/tracks/0309_tetris.mp3&#34;&gt;hip-hop remix on the Tetris theme&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>These Are a Few of My Favorite Things from 2006</title>
    <link href="https://mlarson.org/2006/12/31/20061231favorite-things-2006/"/>
    <updated>2006-12-31T14:51:40.000Z</updated>
    <id>https://mlarson.org/2006/12/31/20061231favorite-things-2006/</id>
    <content type="html">&lt;p&gt;As I write this, there&#39;s only about 9 hours left in 2006. I thought it might be a little too gauche if I let this post slip over to 2007. To start, I&#39;ve &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d932be4b06bff88913094/1368232747020/?format=original&#34;&gt;reviewed about 30 books here&lt;/a&gt; over the past 5 months. I think that works out to a review for every 2 or 3 that I read. Trolling my memory for things I liked from the entire year&lt;a href=&#34;#disclaimer&#34;&gt;1&lt;/a&gt;, I come up with... A Few of the Books I Really Liked This Year:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Batman-Nine-Lives-Dean-Motter/dp/1563899795/sr=8-1/qid=1167589414/ref=sr_1_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;The Batman In: Nine Lives&lt;/a&gt; - I love Motter &amp;amp; Lark&#39;s noir-ish rendition of the Gotham world. The limited, careful color palette is really cool.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.mises.org/store/Economics-for-Real-People-An-Introduction-to-the-Austrian-School-2nd-edition-P116C0.aspx&#34;&gt;Economics for Real People&lt;/a&gt; - Gene Callahan&#39;s introduction to economic thinking is a nice refresher for nerds like myself, and a friendly welcome for those who wouldn&#39;t read something like &lt;a href=&#34;http://www.mises.org/store/Man-Economy-and-State-with-Power-and-Market-The-Scholars-Edition-P177C18.aspx&#34;&gt;Man, Economy, &amp;amp; State&lt;/a&gt;. There&#39;s also a &lt;a href=&#34;http://www.mises.org/books/econforrealpeople.pdf&#34;&gt;PDF version of the book&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Beautiful-Evidence-Edward-R-Tufte/dp/0961392177&#34;&gt;Beautiful Evidence&lt;/a&gt; - Edward Tufte makes a nice contribution to &amp;quot;forever knowledge&amp;quot; about visual communication here. Lovely work in a lovely container.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Getting-Things-Done-Stress-Free-Productivity/dp/0142000280/sr=1-1/qid=1167589750/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;Getting Things Done&lt;/a&gt; - David Allen&#39;s book didn&#39;t convert me completely, but I haven&#39;t found other personal development books that were so concrete and actually worth exploring in depth.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Understanding-Comics-Invisible-Scott-McCloud/dp/006097625X&#34;&gt;Understanding Comics&lt;/a&gt; - Scott McCloud&#39;s book helped to revive my love for the form.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Ghost-Map-Steven-Johnson/dp/1594489254/sr=1-1/qid=1167589782/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;The Ghost Map&lt;/a&gt; - Steven Johnson&#39;s compelling take on Sickness and the City. Though I think some of his other books are more tightly written, I like the bigger, broader ideas here.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Broker-John-Grisham/dp/0385510454&#34;&gt;The Broker&lt;/a&gt; - I don&#39;t read a lot of pop fiction, so I wasn&#39;t expecting John Grisham to be such a good writer. Besides being a fun read, he also has some well-crafted moments.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Worst Book:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Mary-Alex-Cross-Novels/dp/B000G04RIK/sr=1-1/qid=1167589806/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;Mary, Mary&lt;/a&gt; - I made sure not to set the bar too high for James Patterson, but this was still really awful. Ugh.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Best-Loved Music:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Let-Die-Feist/dp/B0008KLVW8/sr=8-1/qid=1167592231/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=music&#34;&gt;Feist: Let It Die&lt;/a&gt; - So much tasteful variety here. Aside from Leslie Feist&#39;s great, great voice, the orchestration and instrument colors in this album are pretty incredible. There&#39;s also a killer cover of the Bee Gees tune &amp;quot;Love You Inside Out&amp;quot;.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Ys-Joanna-Newsom/dp/B000I2K9M4/sr=1-1/qid=1167592287/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=music&#34;&gt;Joanna Newsom: Ys&lt;/a&gt; - At first listen, I wasn&#39;t too sure. 30 seconds later, I was in heaven. Folksy wailing over tricky harp riffs. Trust me on this one.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Worst Music Surprise:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.amazon.com/Moon-Antarctica-Modest-Mouse/dp/B0001I2CDY/sr=1-1/qid=1167592376/ref=sr_1_1/105-9239050-5494812?ie=UTF8&amp;amp;s=music&#34;&gt;Modest Mouse: The Moon &amp;amp; Antarctica&lt;/a&gt; - Borrowed this from a friend who thought I might like it. We&#39;re still on good terms.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Personal Technology:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.samsung.com/Products/MobilePhones/T_Mobile/SGH_T509TSATMB.asp&#34;&gt;Samsung SGH T-509&lt;/a&gt; - To the elation of all my friends, I broke down and got a cellphone this year. And I rather like it. What it really does best is stay unobtrusively in my pocket.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.apple.com/imac/&#34;&gt;Apple 24&amp;quot; iMac&lt;/a&gt; - Still drooling over this one. I&#39;m a little ashamed that I still don&#39;t feel like I have enough workspace.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Pen&#34;&gt;Pen&lt;/a&gt; &amp;amp; &lt;a href=&#34;http://en.wikipedia.org/wiki/Paper&#34;&gt;Paper&lt;/a&gt; - Nothing beats this combo. I try to always keep them around.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Best-Loved Blogs:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;http://www.kottke.org&#34;&gt;Jason Kottke&lt;/a&gt; does a great job. After my brief time blogging, I appreciate his work even more. The quality is so consistently high. Great editing, and he&#39;s willing to be patient to give better context or a personal contribution. Love it.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.shauninman.com&#34;&gt;Shaun Inman&lt;/a&gt;&#39;s redesign is really cool.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;http://www.joshuablankenship.com&#34;&gt;Joshua Blankenship&lt;/a&gt;&#39;s blog is awesome. So much energy and optimism there. He makes me want to be more creative.&lt;/li&gt;
&lt;li&gt;The &lt;a href=&#34;http://blog.mises.org/blog/&#34;&gt;Mises economics blog&lt;/a&gt; has a consistently great mix of high-brow academics and low-brow insight into everyday life.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;--- 1. Disclaimer: All memories are subject to change. If I remember something really good, I&#39;ll add it to the list.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 31, 2006</title>
    <link href="https://mlarson.org/2006/12/31/20061231396/"/>
    <updated>2006-12-31T13:10:06.000Z</updated>
    <id>https://mlarson.org/2006/12/31/20061231396/</id>
    <content type="html">&lt;p&gt;From &lt;a href=&#34;http://www.nexuspercussion.com/Nexus26.html&#34;&gt;Bob Becker&lt;/a&gt;&#39;s classic article on the &lt;a href=&#34;http://www.nexuspercussion.com/Nexus33.html&#34;&gt;paradoxes of percussion&lt;/a&gt;: &amp;quot;Substantial preparation time is often required for only a few seconds of actual performance... A performer who resigned his position as a percussionist with a major symphony orchestra once explained that, &#39;Ninety percent of the time I was bored to death, and the other ten percent of the time I was scared to death.&#39;&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 30, 2006</title>
    <link href="https://mlarson.org/2006/12/30/20061230395/"/>
    <updated>2006-12-30T22:46:03.000Z</updated>
    <id>https://mlarson.org/2006/12/30/20061230395/</id>
    <content type="html">&lt;p&gt;I never was that interested in skateboarding, but damn, &lt;a href=&#34;http://freebord.org/main.html&#34;&gt;freebording&lt;/a&gt; looks cool--check out the videos. Justin Blanton &lt;a href=&#34;http://justinblanton.com/2006/12/freebording-is-no-joke&#34;&gt;talks about his first experience&lt;/a&gt; on a freebord.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 30, 2006</title>
    <link href="https://mlarson.org/2006/12/30/20061230394/"/>
    <updated>2006-12-30T22:09:06.000Z</updated>
    <id>https://mlarson.org/2006/12/30/20061230394/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://andybleck.com/eca/index.html&#34;&gt;Early Comics Archive&lt;/a&gt; offers samples of comics work dating from around 300AD up to the early 1900s.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 30, 2006</title>
    <link href="https://mlarson.org/2006/12/30/20061230393/"/>
    <updated>2006-12-30T22:04:09.000Z</updated>
    <id>https://mlarson.org/2006/12/30/20061230393/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://enr.construction.com/photoContest/2006/archives/2006-1.asp&#34;&gt;The best photos of 2006 from the world of construction/ engineering&lt;/a&gt;. [via &lt;a href=&#34;http://bldgblog.blogspot.com/&#34;&gt;bldgblog&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229389/"/>
    <updated>2006-12-29T15:31:12.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229389/</id>
    <content type="html">&lt;p&gt;&amp;quot;We again asked the Princeton University community to submit imagesÄîand, for the first time, videos and soundsÄîproduced in the course of research or incorporating tools and concepts from science. Out of nearly 150 entries from 16 departments, &lt;a href=&#34;http://www.princeton.edu/~artofsci/gallery2006/&#34;&gt;we selected 56 works to appear in the 2006 Art of Science exhibition&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229392/"/>
    <updated>2006-12-29T14:39:15.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229392/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://en.wikipedia.org/wiki/Saints_Row&#34;&gt;Saints Row&lt;/a&gt; videogame for Xbox 360 has some pretty severe bugs. &lt;a href=&#34;http://www.cabel.name/&#34;&gt;Cabel Sasser&lt;/a&gt; filmed some of the more egregious ones... and &lt;a href=&#34;http://www.cabel.name/2006/12/buggy-saints-row-musical.html&#34;&gt;set them to an original musical score&lt;/a&gt;. Absolutely incredible! I really hope he does more of these. [via &lt;a href=&#34;http://daringfireball.net&#34;&gt;daring fireball&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229388/"/>
    <updated>2006-12-29T14:28:53.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229388/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.atomfilms.com/film/animator_vs_animation.jsp&#34;&gt;A stick figure rebels against his animator&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229391/"/>
    <updated>2006-12-29T14:24:06.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229391/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://ccinsider.comedycentral.com/cc_insider/2006/12/susie_felber_in.html&#34;&gt;An interview with SNL writer Bryan Tucker&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One thing people still don&#39;t seem to get is that the show is actually live and on Saturdays - just like the title says (when I got the job my mom asked me what night the show came on), Things are literally being rewritten and changed until minutes before they get on the air - usually not radically changed, but definitely tweaked. The whole show is put together in about four days, and it&#39;s frustrating when people compare SNL to other comedy shows that have the tremendous advantage of pre-taping things and controlling every aspect of what ultimately gets produced.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And here is &lt;a href=&#34;http://ccinsider.comedycentral.com/cc_insider/2006/12/post_1.html&#34;&gt;part two&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229390/"/>
    <updated>2006-12-29T13:53:07.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229390/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://strangemaps.files.wordpress.com/2006/11/manhattan.png&#34;&gt;I really like this map of Manhattan&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229387/"/>
    <updated>2006-12-29T13:28:46.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229387/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.jonhs.net/freemovies/documentaries.htm&#34;&gt;A big collection of free movies &amp;amp; documentaries&lt;/a&gt;, ranging from &lt;a href=&#34;http://www.jonhs.net/freemovies/dick_tracy.htm&#34;&gt;Dick Tracy&lt;/a&gt; to &lt;a href=&#34;http://www.jonhs.net/freemovies/phantom_of_the_opera.htm&#34;&gt;Phantom of the Opera&lt;/a&gt; to &lt;a href=&#34;http://www.jonhs.net/freemovies/jimi_hendrix_at_woodstock.htm&#34;&gt;Jimi Hendrix at Woodstock&lt;/a&gt; to a couple hours worth of &lt;a href=&#34;http://www.jonhs.net/freemovies/tom_jerry.htm&#34;&gt;Tom &amp;amp; Jerry&lt;/a&gt; cartoons.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229386/"/>
    <updated>2006-12-29T13:22:05.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229386/</id>
    <content type="html">&lt;p&gt;&amp;quot;In these songs, bricks, squares, pies, stones, and yams are coke, and the cooking, mixing, and weighing required to prepare the drug for clients becomes the inspiration for often inscrutable wordplay.&amp;quot; &lt;a href=&#34;http://www.newyorker.com/critics/music/articles/061225crmu_music&#34;&gt;New Yorker on cocaine and rap&lt;/a&gt;. (so... why is this cool?)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 29, 2006</title>
    <link href="https://mlarson.org/2006/12/29/20061229385/"/>
    <updated>2006-12-29T01:08:36.000Z</updated>
    <id>https://mlarson.org/2006/12/29/20061229385/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=6684820&#34;&gt;Comics legend Stan Lee talks with NPR about superheroes&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If I got a superpower, I wouldn&#39;t say, &#39;Oh, I gotta get a costume and put on a mask.&#39; I would say, &#39;Hey, I can do something better than other people. How can I turn it into a buck?&#39;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The creator of Marvel Comics mainstays like Spiderman, the Hulk, and the Fantastic Four &lt;a href=&#34;http://en.wikipedia.org/wiki/Stan_lee&#34;&gt;celebrated his 84th birthday yesterday&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2006</title>
    <link href="https://mlarson.org/2006/12/28/20061228382/"/>
    <updated>2006-12-28T14:27:36.000Z</updated>
    <id>https://mlarson.org/2006/12/28/20061228382/</id>
    <content type="html">&lt;p&gt;Google Video has some good &lt;a href=&#34;http://video.google.com/videosearch?docid=-2912364239062232708&amp;amp;hl=en&amp;amp;q=Winsor%20McCay&amp;amp;sa=N&amp;amp;tab=wv&#34;&gt;old-school cartoons by Winsor McKay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2006</title>
    <link href="https://mlarson.org/2006/12/28/20061228380/"/>
    <updated>2006-12-28T10:13:41.000Z</updated>
    <id>https://mlarson.org/2006/12/28/20061228380/</id>
    <content type="html">&lt;p&gt;I just learned about &lt;a href=&#34;http://www.oculture.com/&#34;&gt;Open Culture&lt;/a&gt; yesterday. Their mission, as they describe it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To explore the best of contemporary intellectual life. To connect users with free, high-quality online media -- podcasts, videos, online courses, etc. -- that makes learning dynamic, convenient and fun. To keep users apprised of new cultural developments and resources worth their limited time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Looks like a lot of good brainy media there.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2006</title>
    <link href="https://mlarson.org/2006/12/28/20061228379/"/>
    <updated>2006-12-28T08:48:01.000Z</updated>
    <id>https://mlarson.org/2006/12/28/20061228379/</id>
    <content type="html">&lt;p&gt;And then there&#39;s this guy, who chose his &lt;a href=&#34;http://staergetaleht.blogspot.com/2006/12/top-2006-songs-from-2006_08.html&#34;&gt;Top 2006 Songs from 2006&lt;/a&gt;. I don&#39;t know how you could maintain any kind of accurate order with that kind of group, but I suppose it&#39;s the gestalt of the whole thing that really matters.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2006</title>
    <link href="https://mlarson.org/2006/12/28/20061228383/"/>
    <updated>2006-12-28T07:24:13.000Z</updated>
    <id>https://mlarson.org/2006/12/28/20061228383/</id>
    <content type="html">&lt;p&gt;Excellent. &lt;a href=&#34;http://www.youtube.com/watch?v=eVq1kvXaMMM&#34;&gt;A video featuring every finishing move from Mortal Kombat 3&lt;/a&gt;. Fatalities, babalities, friendships, etc. I can&#39;t believe the &lt;a href=&#34;http://en.wikipedia.org/wiki/Mortal_Kombat_(arcade_game)&#34;&gt;first Mortal Kombat&lt;/a&gt; game came out way back in &lt;em&gt;1992&lt;/em&gt;!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 28, 2006</title>
    <link href="https://mlarson.org/2006/12/28/20061228381/"/>
    <updated>2006-12-28T00:14:49.000Z</updated>
    <id>https://mlarson.org/2006/12/28/20061228381/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.fulltable.com/VTS/aoi/m/mc/m.htm&#34;&gt;These are some great panels&lt;/a&gt; from the &lt;a href=&#34;http://en.wikipedia.org/wiki/Little_Nemo&#34;&gt;Little Nemo&lt;/a&gt; comic strips by &lt;a href=&#34;http://en.wikipedia.org/wiki/Winsor_McCay&#34;&gt;Winsor McKay&lt;/a&gt;. The Virginia Quarterly has a nice &lt;a href=&#34;http://www.vqronline.org/articles/2006/spring/heer-little-nemo-comicsland/&#34;&gt;article on McKay&#39;s influence&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 27, 2006</title>
    <link href="https://mlarson.org/2006/12/27/20061227375/"/>
    <updated>2006-12-27T08:33:11.000Z</updated>
    <id>https://mlarson.org/2006/12/27/20061227375/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.last-christmas.com/&#34;&gt;collection of 191 versions&lt;/a&gt; of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Wham!_(pop_duo)&#34;&gt;Wham!&lt;/a&gt; holiday tune, &lt;a href=&#34;http://en.wikipedia.org/wiki/Last_Christmas&#34;&gt;Last Christmas&lt;/a&gt;. This is truly a triumph of international pop culture.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 27, 2006</title>
    <link href="https://mlarson.org/2006/12/27/20061227376/"/>
    <updated>2006-12-27T07:25:07.000Z</updated>
    <id>https://mlarson.org/2006/12/27/20061227376/</id>
    <content type="html">&lt;p&gt;I&#39;m always looking for a new perspective on &lt;a href=&#34;http://en.wikipedia.org/wiki/Gtd&#34;&gt;GTD&lt;/a&gt;. I thought &lt;a href=&#34;http://davidseah.com/archives/2006/05/28/taking-a-look-at-getting-things-done/&#34;&gt;David Seah&#39;s review of Getting Things Done&lt;/a&gt; was quite good.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 27, 2006</title>
    <link href="https://mlarson.org/2006/12/27/20061227378/"/>
    <updated>2006-12-27T00:35:08.000Z</updated>
    <id>https://mlarson.org/2006/12/27/20061227378/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.apple.com/trailers/fox/fantasticfourriseofthesilversurfer/&#34;&gt;The next Fantastic Four movie will feature the Silver Surfer&lt;/a&gt;. The first film wasn&#39;t spectacular, but it was good, clean fun in an exuberant &lt;a href=&#34;http://en.wikipedia.org/wiki/Jack_Kirby&#34;&gt;Jack Kirby&lt;/a&gt; kind of way. You certainly can&#39;t go wrong with the &lt;a href=&#34;http://en.wikipedia.org/wiki/Silver_surfer&#34;&gt;Silver Surfer&lt;/a&gt;, but I really hope &lt;a href=&#34;http://en.wikipedia.org/wiki/Galactus&#34;&gt;Galactus&lt;/a&gt; figures in there somewhere.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2006</title>
    <link href="https://mlarson.org/2006/12/26/20061226377/"/>
    <updated>2006-12-26T22:09:10.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226377/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.wired.com/wired/archive/15.01/start.html&#34;&gt;The library at Chicago State University uses RFID and robots to file and retrieve books from the stacks&lt;/a&gt;, no humans needed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Just for Fun (review: 3/5)</title>
    <link href="https://mlarson.org/2006/12/26/20061226just-for-fun-review-35/"/>
    <updated>2006-12-26T15:36:10.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226just-for-fun-review-35/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Linus_Torvalds&#34;&gt;Linus Torvalds&lt;/a&gt;, creator of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Linux_kernel&#34;&gt;Linux kernel&lt;/a&gt; and eventually one of the godfathers of open-source software development, tells all in &lt;a href=&#34;http://www.amazon.com/Just-Fun-Story-Accidental-Revolutionary/dp/0066620732/sr=8-1/qid=1166999956/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;Just for Fun: The Story of an Accidental Revolutionary&lt;/a&gt;. I don&#39;t care much for biography, but this one did pretty well for itself. It starts off with the story of young Linus, growing up playing on his grandfather&#39;s computer--and never really stopping. The subsequent years are a typical nerd routine of sleeping, eating, and computing away in a dark room. He developed Linux as a side project, an exercise in operating system development and exploration in low-level PC hardware. The first public release was a tentative version 0.01 that managed to catch the interest of a couple other folks involved in that geek niche. And from there Linux just kept growing and growing, with its steadily improving quality and open-ness as its only real advertising. It&#39;s that &amp;quot;accidental&amp;quot; aspect that makes it so interesting--Torvalds didn&#39;t really set out to start an empire, and doesn&#39;t really seem to want one now, either. Torvalds on Bill Gates:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I&#39;m completely uninterested in the thing that he&#39;s he best in the world at. And he&#39;s not interested in the thing that maybe I&#39;m the best in the world at. I couldn&#39;t give him advice in business and he couldn&#39;t give me advice in technology.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I like this bit on the freedom that open entails, freedom from mega-personalities, control freaks, and their whims:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The point about open source has never been that I&#39;m more accessible than anybody else. It&#39;s never been that I&#39;m more open to other people&#39;s suggestions... the issues is that even if I&#39;m the blackest demon from Hell, even if I&#39;m outright evil, people can choose to ignore me because they can just do the stuff themselves. It&#39;s not about me being open, it&#39;s about them have the power to ignore me. That&#39;s important.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Near the end, there are a couple of philosophical chapters on intellectual property, control, and some industry prognostication. I like this gem from the intellectual property section: &amp;quot;The patent system of today is basically a Cold War with IP instead of nukes.&amp;quot; Most of the book isn&#39;t that dogmatic, but just as enjoyable.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2006</title>
    <link href="https://mlarson.org/2006/12/26/20061226374/"/>
    <updated>2006-12-26T15:23:44.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226374/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2006/12/21/garden/21mess.html?pagewanted=2&amp;amp;8dpc&amp;amp;_r=1&#34;&gt;New York Times article on the trend of embracing entropy&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Mess is complete, in that it embraces all sorts of random elements. Mess tells a story: you can learn a lot about people from their detritus, whereas neat Äî well, neat is a closed book. Neat has no narrative and no personality (as any cover of Real Simple magazine will demonstrate).&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes, I have to agree about Real Simple having no personality, along with most home-dec magazine in general. Anyway, I think the thing to keep in mind here is that being neat is just a means to an end; order is a preference. Let&#39;s not be too dogmatic about either choice. And the neatness they&#39;re talking about is really just appearance. Having things straightened up doesn&#39;t necessarily mean I know where anything is. I think part of the trouble that people have in being organized is that it can be hard to be systematic about it. That is, it&#39;s hard to develop a reliable, trusted system for all your crap and then stay diligent in sticking with it. If you don&#39;t have a good infrastructure, then you will tend not to use it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2006</title>
    <link href="https://mlarson.org/2006/12/26/20061226373/"/>
    <updated>2006-12-26T11:39:43.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226373/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sciam.com/print_version.cfm?articleID=A14E00E7-E7F2-99DF-351238C4B0B58389&#34;&gt;The science of free-throw shooting&lt;/a&gt;: &amp;quot;The punch line with our paper is that this is the first evidence that neural activity--brain activity that happens well before the movement ever begins--has a lot to say about the variability or the exact movement that you&#39;re going to get.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2006</title>
    <link href="https://mlarson.org/2006/12/26/20061226372/"/>
    <updated>2006-12-26T11:34:08.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226372/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nybooks.com/articles/19775&#34;&gt;A very good, and very critical review&lt;/a&gt; of Richard Dawkins&#39; book &lt;a href=&#34;http://www.amazon.com/o/ASIN/0618680004/ref=s9_asin_title_2/105-9239050-5494812&#34;&gt;The God Delusion&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2006</title>
    <link href="https://mlarson.org/2006/12/26/20061226371/"/>
    <updated>2006-12-26T11:31:28.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226371/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.economist.com/world/PrinterFriendly.cfm?story_id=8345491&#34;&gt;In a brief Economist essay on conversation&lt;/a&gt;: &amp;quot;One striking thing about the advice is how consistent it remains over time, suggesting that there are real rights and wrongs in conversation, not just local conventions.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Take a Nap! Change Your Life (review: 3.5/5)</title>
    <link href="https://mlarson.org/2006/12/26/20061226take-a-nap-change-your-life-review-355/"/>
    <updated>2006-12-26T08:10:20.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226take-a-nap-change-your-life-review-355/</id>
    <content type="html">&lt;p&gt;My grandfather can fall asleep in about 12 seconds. It&#39;s amazing to watch, and he just might be on to something big. &lt;a href=&#34;http://www.amazon.com/Take-Nap-Change-Your-Life/dp/0761142908&#34;&gt;Take a Nap!&lt;/a&gt; purports to be &amp;quot;The scientific plan to make you smarter, healthier, more productive&amp;quot;.&lt;a href=&#34;#napnote&#34;&gt;1&lt;/a&gt; &lt;a href=&#34;http://www.saramednick.com/&#34;&gt;Sara Mednick&lt;/a&gt; starts off with some nap advocacy, the usual bit about how we run ourselves into the ground with self-destructive habits, etc. The best part falls in the next section dedicated to the science of sleep, which I think is pretty fascinating. I first started getting interested in sleep as means-to-dubious-ends when I stumbled on &lt;a href=&#34;http://www.stevepavlina.com/blog/2005/10/polyphasic-sleep/&#34;&gt;Steve Pavlina&#39;s journey&lt;/a&gt; into &lt;a href=&#34;http://en.wikipedia.org/wiki/Polyphasic_sleep&#34;&gt;polyphasic sleep&lt;/a&gt; and further reading into the &lt;a href=&#34;http://en.wikipedia.org/wiki/Uberman&#39;s_sleep_schedule&#34;&gt;Uberman sleep schedule&lt;/a&gt;. I was hoping for a ringing endorsement of these fringe adventures, but sadly, Mednick is not a big fan.&lt;/p&gt;
&lt;p&gt;Mednick walks us through the stages of sleep, starting from mild alpha waves, to that embarrassing twitching when you first go under, to transitional stage 1 sleep, the recurring soup of light stage 2 sleep, then to the deep slow wave sleep of stages 3 and 4, and onward to that REM where so much magic happens. The cool thing is that sleep research indicates that each of these stages has unique benefits to your health. And when you know that, you can learn to calibrate your sleep to get what you want. And we all love to get what we want.&lt;/p&gt;
&lt;p&gt;If you take a look at the cover of the book, you&#39;ll see a &lt;a href=&#34;http://www.amazon.com/gp/product/images/0761142908/ref=dp_image_text_0/105-9239050-5494812?ie=UTF8&amp;amp;n=283155&amp;amp;s=books&#34;&gt;cool little nap planning wheel&lt;/a&gt;. It&#39;s actually a plastic disc that you can spin around according to when you woke up that day, and that will let you customize your napping for the results you have in mind. There&#39;s even a recipe for the &amp;quot;perfect nap&amp;quot;. Of course, self-improvement takes some work. Mednick has a program to walk you through some self-assessment you can do over a couple weeks, which of course I didn&#39;t do. But I learned a lot from reading through it.&lt;/p&gt;
&lt;p&gt;All in all, it was actually was a pretty good book. I nap on the couch&lt;a href=&#34;#napnote2&#34;&gt;2&lt;/a&gt; at work every day, but never really put much systematic thought into it. At the least, this book has been a good lesson in self-awareness. I love the idea that we can learn about these physiological mysteries and apply our knowledge to everyday demands. Every now and then, science really comes through for us.&lt;/p&gt;
&lt;p&gt;--- 1. Those with good taste in music will be reminded of Radiohead&#39;s tune, &lt;a href=&#34;http://en.wikipedia.org/wiki/Fitter_Happier&#34;&gt;&amp;quot;Fitter, Happier&amp;quot;&lt;/a&gt; (&lt;a href=&#34;http://www.greenplastic.com/lyrics/fitterhappier.php&#34;&gt;lyrics&lt;/a&gt;). 2. We used to have this incredible cot that would instantly put me to sleep. Alas, the cot was taken away in order to keep things from looking too tacky. We have to keep up appearances.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 26, 2006</title>
    <link href="https://mlarson.org/2006/12/26/20061226365/"/>
    <updated>2006-12-26T08:08:31.000Z</updated>
    <id>https://mlarson.org/2006/12/26/20061226365/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2006/12/21/washington/21declassify.html?_r=1&amp;amp;oref=slogin&#34;&gt;The government is celebrating the new year by automatically declassifying millions of secret documents&lt;/a&gt;. I look forward to the day when no government information is ever classified, excepting the Shadow Government, of course. [via &lt;a href=&#34;http://www.librarycrunch.com&#34;&gt;librarycrunch&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 24, 2006</title>
    <link href="https://mlarson.org/2006/12/24/20061224369/"/>
    <updated>2006-12-24T13:03:35.000Z</updated>
    <id>https://mlarson.org/2006/12/24/20061224369/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://www.drurywriting.com/david/05-SnowmanArt.htm&#34;&gt;collection of classic snowman-building panels&lt;/a&gt; from &lt;a href=&#34;http://en.wikipedia.org/wiki/Bill_Watterson&#34;&gt;Bill Watterson&lt;/a&gt;&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Calvin_and_Hobbes&#34;&gt;Calvin and Hobbes&lt;/a&gt; comic strips.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 24, 2006</title>
    <link href="https://mlarson.org/2006/12/24/20061224367/"/>
    <updated>2006-12-24T09:52:04.000Z</updated>
    <id>https://mlarson.org/2006/12/24/20061224367/</id>
    <content type="html">&lt;p&gt;A great collection of stills and posters from Kubrick&#39;s 2001: A Space Odyssey. [via &lt;a href=&#34;http://www.coudal.com&#34;&gt;coudal&lt;/a&gt; by way of &lt;a href=&#34;http://daringfireball.net&#34;&gt;daring fireball&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 24, 2006</title>
    <link href="https://mlarson.org/2006/12/24/20061224366/"/>
    <updated>2006-12-24T08:26:17.000Z</updated>
    <id>https://mlarson.org/2006/12/24/20061224366/</id>
    <content type="html">&lt;p&gt;From an industry survey about a decade ago, &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Fifty_Greatest_Cartoons&#34;&gt;The 50 Greatest Cartoons&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/What%27s_Opera%2C_Doc%3F&#34;&gt;&amp;quot;What&#39;s Opera, Doc?&amp;quot;&lt;/a&gt; takes first place. And here are &lt;a href=&#34;http://cityrag.blogs.com/main/2006/12/the_50_greatest.html&#34;&gt;video links&lt;/a&gt; for all but 1 of them.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2006</title>
    <link href="https://mlarson.org/2006/12/23/20061223368/"/>
    <updated>2006-12-23T17:14:28.000Z</updated>
    <id>https://mlarson.org/2006/12/23/20061223368/</id>
    <content type="html">&lt;p&gt;Nicely complimenting last week&#39;s &lt;a href=&#34;/mark-larson-1/2006/12/18/337&#34;&gt;article about airline security theatre&lt;/a&gt;, Andrea Harner has a &lt;a href=&#34;http://www.andreaharner.com/keywordcartoons//air_travel_security/&#34;&gt;great cartoon that captures the moment and offers a quick solution for harried holiday travelers&lt;/a&gt;. Not recommended at wintry northern latitudes, but it&#39;s been in the 60s down at Atlanta&#39;s airport...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2006</title>
    <link href="https://mlarson.org/2006/12/23/20061223360/"/>
    <updated>2006-12-23T16:05:52.000Z</updated>
    <id>https://mlarson.org/2006/12/23/20061223360/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.marketwatch.com/News/Story/Story.aspx?guid=%7BBE57F0AA-03D9-4320-BC4D-83363B6372F6%7D&amp;amp;siteid=myyahoo&amp;amp;dist=myyahoo&#34;&gt;In praise of Dilbert&#39;s 9-point financial plan&lt;/a&gt;, which reads:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;1. Make a will 2. Pay off your credit cards 3. Get term life insurance if you have a family to support 4. Fund your 401k to the maximum 5. Fund your IRA to the maximum 6. Buy a house if you want to live in a house and can afford it 7. Put six months worth of expenses in a money-market account 8. Take whatever money is left over and invest 70% in a stock index fund and 30% in a bond fund through any discount broker and never touch it until retirement 9. If any of this confuses you, or you have something special going on (retirement, college planning, tax issues), hire a fee-based financial planner, not one who charges a percentage of your portfolio&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Makes sense to me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2006</title>
    <link href="https://mlarson.org/2006/12/23/20061223364/"/>
    <updated>2006-12-23T13:51:31.000Z</updated>
    <id>https://mlarson.org/2006/12/23/20061223364/</id>
    <content type="html">&lt;p&gt;For their first anniversary a couple months back, &lt;a href=&#34;http://www.visualcomplexity.com/vc/discussion/1.cfm&#34;&gt;Visual Complexity created a cool mosaic of the first 360 projects&lt;/a&gt; from the year. &lt;a href=&#34;http://a.parsons.edu/~lima/visualcomplexity/mosaic/vc_mosaic_01.jpg&#34;&gt;Huge 2.1MB image here&lt;/a&gt; and a &lt;a href=&#34;http://a.parsons.edu/~lima/visualcomplexity/mosaic/vc_poster.png&#34;&gt;ginormous 11.6MB poster&lt;/a&gt; is also available.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2006</title>
    <link href="https://mlarson.org/2006/12/23/20061223363/"/>
    <updated>2006-12-23T11:36:08.000Z</updated>
    <id>https://mlarson.org/2006/12/23/20061223363/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.ratemyprofessors.com/&#34;&gt;Students rate their professors&lt;/a&gt;... and in return, there&#39;s a blog where &lt;a href=&#34;http://rateyourstudents.blogspot.com/&#34;&gt;professors rate their students&lt;/a&gt;. There&#39;s some really interesting commentary there, but I wish they&#39;d ease up on the italics.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 23, 2006</title>
    <link href="https://mlarson.org/2006/12/23/20061223362/"/>
    <updated>2006-12-23T08:38:41.000Z</updated>
    <id>https://mlarson.org/2006/12/23/20061223362/</id>
    <content type="html">&lt;p&gt;If you like jazz standards and finger-tapping, here&#39;s a video of Stanley Jordan &lt;a href=&#34;http://www.youtube.com/watch?v=baDM3_6w8-E&#34;&gt;playing &amp;quot;Autumn Leaves&amp;quot; on 2 guitars at the same time&lt;/a&gt;, soloing while &#39;comping himself.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2006</title>
    <link href="https://mlarson.org/2006/12/22/20061222361/"/>
    <updated>2006-12-22T20:38:30.000Z</updated>
    <id>https://mlarson.org/2006/12/22/20061222361/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.subtraction.com&#34;&gt;Khoi Vinh&lt;/a&gt; thoughtfully bemoans the ubiquity of &lt;a href=&#34;http://en.wikipedia.org/wiki/Chris_Ware&#34;&gt;Chris Ware&lt;/a&gt; in &lt;a href=&#34;http://www.subtraction.com/archives/2006/1220_comics_for_p.php&#34;&gt;Comics for People Who Hate Comics&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In spite of his many and frequent innovations, WareÄôs name, to me, has become synonymous with Äòintellectually acceptable comicsÄô produced for people who basically think comics are crap. His works Äî especially his commissions Äî reflect not so much an appreciation of the comics art form, but rather a keen understanding of how it can be parodied, satirized and even ridiculed in the service to the intellectual flattery of an audience that would otherwise be offended by less self-conscious practitioners of the medium.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2006</title>
    <link href="https://mlarson.org/2006/12/22/20061222tiny-foods/"/>
    <updated>2006-12-22T15:01:14.000Z</updated>
    <id>https://mlarson.org/2006/12/22/20061222tiny-foods/</id>
    <content type="html">&lt;p&gt;Here&#39;s a bunch of pictures of tiny foods: A wee &lt;a href=&#34;http://flickr.com/photos/jkottke/323449660/in/photostream/&#34;&gt;salad&lt;/a&gt;. A little &lt;a href=&#34;http://www.flickr.com/photos/68643536@N00/103161517/&#34;&gt;quail egg&lt;/a&gt;. World&#39;s smallest &lt;a href=&#34;http://www.andreaharner.com/archives/2003/02/worlds_smallest_pancake.html&#34;&gt;pancake&lt;/a&gt;... and &lt;a href=&#34;http://www.cheese-burger.net/stories/worlds-smallest-cheeseburger.html&#34;&gt;cheeseburger&lt;/a&gt;. Mini &lt;a href=&#34;http://www.flickr.com/photos/hanan/273929409/&#34;&gt;mince pies&lt;/a&gt;. And another miniature &lt;a href=&#34;http://www.flickr.com/photos/jheuer/83425453/&#34;&gt;burger&lt;/a&gt;, as seen on tv. Tiniest &lt;a href=&#34;http://www.flickr.com/photos/threerats/84510546/&#34;&gt;dill pickle&lt;/a&gt;. Really really small &lt;a href=&#34;http://www.flickr.com/photos/ps8888/9134521/&#34;&gt;frozen yogurt&lt;/a&gt;. &lt;a href=&#34;http://www.flickr.com/photos/22527420@N00/53455049/&#34;&gt;Fast food&lt;/a&gt; (okay, so it&#39;s candy, but at least it&#39;s a full value meal). Tiny &lt;a href=&#34;http://www.flickr.com/photos/melisaur/295709693/&#34;&gt;cherry pies&lt;/a&gt;. A personal &lt;a href=&#34;http://www.flickr.com/photos/shookiemookie/52799593/&#34;&gt;watermelon&lt;/a&gt;. A tiny &lt;a href=&#34;http://www.flickr.com/photos/kidicarus222/121837851/&#34;&gt;crab&lt;/a&gt;. A mini &lt;a href=&#34;http://tinyfood.blogspot.com/2005/10/mini-omelettes.html&#34;&gt;omelette&lt;/a&gt;. A small bowl of &lt;a href=&#34;http://www.flickr.com/photos/nika7k/261695174/in/photostream/&#34;&gt;tuna curry&lt;/a&gt;. And itty bitty &lt;a href=&#34;http://www.notmartha.org/tomake/ittycupcakes&#34;&gt;cupcakes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2006</title>
    <link href="https://mlarson.org/2006/12/22/20061222358/"/>
    <updated>2006-12-22T14:33:04.000Z</updated>
    <id>https://mlarson.org/2006/12/22/20061222358/</id>
    <content type="html">&lt;p&gt;&amp;quot;The graphic novel has been a &#39;legitimate&#39; art form for a while now. Does that mean we can start calling them comics again?&amp;quot; &lt;a href=&#34;http://www.publishersweekly.com/article/CA6401289.html&#34;&gt;Publisher&#39;s Weekly reviewers vote on their favorite comics from 2006&lt;/a&gt;. It was a very good year. I agree that &lt;a href=&#34;http://www.amazon.com/Absolute-New-Frontier-Darwyn-Cooke/dp/1401210805&#34;&gt;Absolute DC: New Frontier&lt;/a&gt; was really good. I loved Scott McCloud&#39;s &lt;a href=&#34;http://www.amazon.com/Making-Comics-Storytelling-Secrets-Graphic/dp/0060780940&#34;&gt;Making Comics&lt;/a&gt; (my &lt;a href=&#34;/mark-larson-1/2006/11/04/making-comics-review-455&#34;&gt;review&lt;/a&gt;). I sort of panned &lt;a href=&#34;http://www.amazon.com/11-Report-Graphic-Adaptation/dp/0809057395&#34;&gt;The 9/11 Report: A Graphical Adaptation&lt;/a&gt; (my &lt;a href=&#34;/mark-larson-1/2006/10/30/the-911-report-a-graphical-adaptation-review-25&#34;&gt;review&lt;/a&gt;), but it made the honorable mentions anyway. I just started Kevin Huizenga&#39;s &lt;a href=&#34;http://www.amazon.com/Curses-Kevin-Huizenga/dp/1894937864&#34;&gt;Curses&lt;/a&gt;, and Alison Bechdel&#39;s &lt;a href=&#34;http://www.amazon.com/Fun-Home-Tragicomic-Alison-Bechdel/dp/0618477942&#34;&gt;Fun Home: A Family Tragicomic&lt;/a&gt; is definitely on the (ever-lengthening) to-read list.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 22, 2006</title>
    <link href="https://mlarson.org/2006/12/22/20061222357/"/>
    <updated>2006-12-22T14:17:45.000Z</updated>
    <id>https://mlarson.org/2006/12/22/20061222357/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.lifehacker.com/software/best-of-2006/geek-to-live-lifehacker-zeitgeist-223209.php&#34;&gt;Lifehacker collected their most popular posts from this year&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2006</title>
    <link href="https://mlarson.org/2006/12/21/20061221355/"/>
    <updated>2006-12-21T13:52:55.000Z</updated>
    <id>https://mlarson.org/2006/12/21/20061221355/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.avclub.com/content/node/56789&#34;&gt;The Onion AV Club picks their top films for 2006&lt;/a&gt;, featuring a master list and a set of personal favorites for each writer.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2006</title>
    <link href="https://mlarson.org/2006/12/21/20061221354/"/>
    <updated>2006-12-21T09:52:50.000Z</updated>
    <id>https://mlarson.org/2006/12/21/20061221354/</id>
    <content type="html">&lt;p&gt;A list of the &lt;a href=&#34;http://www.languagemonitor.com/wst_page20.html&#34;&gt;Top Politically Incorrect Words for 2006&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2006</title>
    <link href="https://mlarson.org/2006/12/21/20061221353/"/>
    <updated>2006-12-21T09:34:18.000Z</updated>
    <id>https://mlarson.org/2006/12/21/20061221353/</id>
    <content type="html">&lt;p&gt;Wow. &lt;a href=&#34;http://www.jodipicoult.com/&#34;&gt;Jodi Picoult&lt;/a&gt; is going to be &lt;a href=&#34;http://forum.newsarama.com/showthread.php?t=94768&#34;&gt;writing for the Wonder Woman comics line&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 21, 2006</title>
    <link href="https://mlarson.org/2006/12/21/20061221356/"/>
    <updated>2006-12-21T00:18:31.000Z</updated>
    <id>https://mlarson.org/2006/12/21/20061221356/</id>
    <content type="html">&lt;p&gt;Pentagram just completed a &lt;a href=&#34;http://blog.pentagram.com/archives/2006/12/new_work_saks_fifth_avenue_1.php&#34;&gt;new identity/ packaging design for Saks Fifth Avenue&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 20, 2006</title>
    <link href="https://mlarson.org/2006/12/20/20061220351/"/>
    <updated>2006-12-20T13:01:28.000Z</updated>
    <id>https://mlarson.org/2006/12/20/20061220351/</id>
    <content type="html">&lt;p&gt;Okay after all this mess, I&#39;m almost a little embarrassed that I liked Michael Crichton&#39;s books so much when I was younger. Earlier this year, Michael Crowley wrote a &lt;a href=&#34;https://ssl.tnr.com/p/docsub.mhtml?i=20060320&amp;amp;s=crowley032006&#34;&gt;critical article&lt;/a&gt; about Crichton&#39;s views on global warming. Well, what do you know... in Crichton&#39;s new novel, &lt;em&gt;Next&lt;/em&gt;, he inserted a character named &lt;a href=&#34;http://www.tpmmuckraker.com/archives/002156.php&#34;&gt;Mick Crowley, who turns out to be a child rapist&lt;/a&gt;. I&#39;d call that an over-reaction. Crowley gives a &lt;a href=&#34;http://www.tnr.com/doc.mhtml?pt=kVkvv0cQL8S27qg04PBaUS%3D%3D&#34;&gt;surprisingly civil response&lt;/a&gt;. This is just insane.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 20, 2006</title>
    <link href="https://mlarson.org/2006/12/20/20061220352/"/>
    <updated>2006-12-20T10:19:08.000Z</updated>
    <id>https://mlarson.org/2006/12/20/20061220352/</id>
    <content type="html">&lt;p&gt;What&#39;s the one sentence you would tell the future? &lt;a href=&#34;http://www.rebeccablood.net/archive/2006/12/paul_kedroskys_onesentence_cha.html&#34;&gt;Rebecca Blood&lt;/a&gt; picks up on &lt;a href=&#34;http://paul.kedrosky.com/archives/2006/12/18/what_would_you.html&#34;&gt;Paul Kedrosky&lt;/a&gt;&#39;s prompt, and tags a couple of luminaries like Neil Gaiman, Alex Steffen, and Malcolm Gladwell to find out what they&#39;d share from their own realm of expertise. Keep an eye out for their responses.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 20, 2006</title>
    <link href="https://mlarson.org/2006/12/20/20061220348/"/>
    <updated>2006-12-20T08:46:28.000Z</updated>
    <id>https://mlarson.org/2006/12/20/20061220348/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kurzweilai.net&#34;&gt;Ray Kurzweil&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/David_Gelernter&#34;&gt;David Gelernter&lt;/a&gt; &lt;a href=&#34;http://www.kurzweilai.net/meme/frame.html?main=memelist.html?m=4%23688&#34;&gt;talk about machine consciousness&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 20, 2006</title>
    <link href="https://mlarson.org/2006/12/20/20061220349/"/>
    <updated>2006-12-20T08:09:59.000Z</updated>
    <id>https://mlarson.org/2006/12/20/20061220349/</id>
    <content type="html">&lt;p&gt;Richard Dawkins has a &lt;a href=&#34;http://video.google.com/videoplay?docid=-6169720917221820689&amp;amp;q=documentary&amp;amp;hl=en&#34;&gt;video documentary&lt;/a&gt; that ties in with his new book, &lt;a href=&#34;http://www.amazon.com/God-Delusion-Richard-Dawkins/dp/0618680004/sr=8-1/qid=1166587180/ref=pd_bbs_sr_1/105-9239050-5494812?ie=UTF8&amp;amp;s=books&#34;&gt;The God Delusion&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 20, 2006</title>
    <link href="https://mlarson.org/2006/12/20/20061220350/"/>
    <updated>2006-12-20T00:06:36.000Z</updated>
    <id>https://mlarson.org/2006/12/20/20061220350/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.coudal.com/pinsetter/&#34;&gt;Coudal is selling pins with letters&lt;/a&gt;. You can spell whatever you like as a custom set, or just get a box full of letters. I love these little spin-off enterprises that Coudal does, like the sweet &lt;a href=&#34;http://www.jewelboxing.com/&#34;&gt;Jewelboxing&lt;/a&gt; products, the &lt;a href=&#34;http://checkthewins.com/&#34;&gt;Chicago Bears victory t-shirts&lt;/a&gt;, and the multi-faceted &lt;a href=&#34;http://www.theshowlive.com/&#34;&gt;live music packages&lt;/a&gt;. So cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 19, 2006</title>
    <link href="https://mlarson.org/2006/12/19/20061219347/"/>
    <updated>2006-12-19T14:21:39.000Z</updated>
    <id>https://mlarson.org/2006/12/19/20061219347/</id>
    <content type="html">&lt;p&gt;I was just reading over the Wikipedia entry for &lt;a href=&#34;http://en.wikipedia.org/wiki/Isaac_Asimov&#34;&gt;Isaac Asimov&lt;/a&gt;&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/Three_Laws_of_Robotics&#34;&gt;Three Laws of Robotics&lt;/a&gt;. I really liked Asimov&#39;s &lt;a href=&#34;http://en.wikipedia.org/wiki/I%2C_Robot&#34;&gt;I, Robot&lt;/a&gt; (the book! Let&#39;s leave Will Smith out of this), which is a nice set of stories based around the laws in hypothetical situations. An interesting alternative to &amp;quot;laws&amp;quot; comes in the form of &lt;a href=&#34;http://en.wikipedia.org/wiki/Friendly_artificial_intelligence&#34;&gt;friendliness theory&lt;/a&gt;, saying that we should program the &#39;bots to be basically nice in the first place.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 19, 2006</title>
    <link href="https://mlarson.org/2006/12/19/20061219345/"/>
    <updated>2006-12-19T11:19:56.000Z</updated>
    <id>https://mlarson.org/2006/12/19/20061219345/</id>
    <content type="html">&lt;p&gt;In a &lt;a href=&#34;http://www.newyorker.com/critics/content/articles/061016crbo_books&#34;&gt;great New Yorker article about Thomas Paine&lt;/a&gt;, there&#39;s this awesome comic book analogy of Founding Fathers qua Justice League: &amp;quot;Paine is Aquaman to WashingtonÄôs Superman and JeffersonÄôs Batman.&amp;quot; And who new that John Adams once called Paine&#39;s &lt;a href=&#34;http://www.ushistory.org/PAINE/commonsense/singlehtml.htm&#34;&gt;Common Sense&lt;/a&gt; &amp;quot;a poor, ignorant, Malicious, short-sighted, Crapulous Mass&amp;quot;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 19, 2006</title>
    <link href="https://mlarson.org/2006/12/19/20061219344/"/>
    <updated>2006-12-19T09:07:33.000Z</updated>
    <id>https://mlarson.org/2006/12/19/20061219344/</id>
    <content type="html">&lt;p&gt;Bill Gates has said, &amp;quot;Ä¶Search today is still kind of a hunt, where you get all these links, and as we teach software to understand the documents, really read them in the sense a human does, you&#39;ll get answers more directlyÄ¶&amp;quot; And branching off of that, here are some &lt;a href=&#34;http://home.businesswire.com/portal/site/google/index.jsp?ndmViewId=news_view&amp;amp;newsId=20061215005116&amp;amp;newsLang=en&#34;&gt;predictions for where search engines are headed in the next year&lt;/a&gt;. While some are pretty wild, like when &amp;quot;a single query will bring a gallery of results equivalent to running multiple queries about the meaningful variations of the same topic,&amp;quot; I&#39;d be happy enough with evolution such that &amp;quot;a search engine will let users evaluate answers on the spot by displaying uninterrupted and coherent text snippets, often letting searchers forgo having to click through to links.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 19, 2006</title>
    <link href="https://mlarson.org/2006/12/19/20061219346/"/>
    <updated>2006-12-19T00:49:07.000Z</updated>
    <id>https://mlarson.org/2006/12/19/20061219346/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.swivel.com/&#34;&gt;Swivel is a web service that lets you compare public statistics&lt;/a&gt;, as long as they share some dimension (e.g. time, demographic, etc). For example, here&#39;s a graph on &lt;a href=&#34;http://www.swivel.com/graphs/show/2429085&#34;&gt;coffee consumption and the rate of violent crime&lt;/a&gt;. Or accidental death, &lt;a href=&#34;http://www.swivel.com/graphs/show/2408986&#34;&gt;poisoning versus falls&lt;/a&gt;. And &lt;a href=&#34;http://www.swivel.com/graphs/show/2441401&#34;&gt;college student drug use&lt;/a&gt;. There&#39;s some cool data sharing and some correlation features there. Get your Chi-square on.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2006</title>
    <link href="https://mlarson.org/2006/12/18/20061218337/"/>
    <updated>2006-12-18T10:42:58.000Z</updated>
    <id>https://mlarson.org/2006/12/18/20061218337/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2006/12/17/business/yourmoney/17digi.html?_r=1&amp;amp;ref=technology&amp;amp;oref=login&#34;&gt;New York Times article on our hapless Transportation Security Agency&lt;/a&gt;: &amp;quot;The T.S.A. is much more talented in the theater arts than in the design of secure systems. This becomes all too clear when we see that the agencyÄôs security procedures are unable to withstand the playful testing of a bored computer-science student.&amp;quot; Ties in with the wild legal investigations of &lt;a href=&#34;http://slightparanoia.blogspot.com/&#34;&gt;Chris&lt;/a&gt; &lt;a href=&#34;http://www.dubfire.net/chris/&#34;&gt;Soghoian&lt;/a&gt;, who pointed out an embarrassing security weakness with the very clever &lt;a href=&#34;http://www.google.com/search?q=Boarding+Pass+Generator&amp;amp;ie=utf-8&amp;amp;oe=utf-8&amp;amp;rls=org.mozilla:en-US:unofficial&amp;amp;client=firefox-a&#34;&gt;Boarding Pass Generator&lt;/a&gt;. And it also features some nice comments from security whiz &lt;a href=&#34;http://www.schneier.com/blog/&#34;&gt;Bruce Schneier&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2006</title>
    <link href="https://mlarson.org/2006/12/18/20061218336/"/>
    <updated>2006-12-18T08:55:32.000Z</updated>
    <id>https://mlarson.org/2006/12/18/20061218336/</id>
    <content type="html">&lt;p&gt;You absolutely must have tissues at hand before watching this video. It&#39;s from that c&lt;a href=&#34;http://www.youtube.com/watch?v=NxU9fOz_TJg&#34;&gt;lassic episode of Fresh Prince where Will&#39;s father walks out on him&lt;/a&gt; for the second time. Seriously, get some tissues.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2006</title>
    <link href="https://mlarson.org/2006/12/18/20061218342/"/>
    <updated>2006-12-18T06:07:30.000Z</updated>
    <id>https://mlarson.org/2006/12/18/20061218342/</id>
    <content type="html">&lt;p&gt;In another grand infringement of property rights, &lt;a href=&#34;http://abcnews.go.com/Business/story?id=2725597&amp;amp;page=1&#34;&gt;the U.S. Mint has announced a ban on melting pennies and nickels&lt;/a&gt;. The price of copper is up to $3 a pound, so you can potentially make more money by selling the coins as raw metal. Whose metal is it, really?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 18, 2006</title>
    <link href="https://mlarson.org/2006/12/18/20061218343/"/>
    <updated>2006-12-18T00:51:41.000Z</updated>
    <id>https://mlarson.org/2006/12/18/20061218343/</id>
    <content type="html">&lt;p&gt;Some recordings of America&#39;s &amp;quot;&lt;a href=&#34;http://www.americanrhetoric.com/top100speechesall.html&#34;&gt;Top 100 Speeches of the 20th Century&lt;/a&gt;.&amp;quot; What surprises me is that with the exception of &lt;a href=&#34;http://www.americanrhetoric.com/mp3clips/sportsspeeches/lougehrigfarewelltobasebal353855555555555555555555l.mp3&#34;&gt;Lou Gehrig&#39;s farewell&lt;/a&gt; (mp3) and very few others, almost all of the speeches are from politicians or activists. But what worries me is that I can&#39;t really think of others that could make the list. It&#39;s kind of sad that oratory is so tightly associated with politics.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2006</title>
    <link href="https://mlarson.org/2006/12/17/20061217341/"/>
    <updated>2006-12-17T14:43:04.000Z</updated>
    <id>https://mlarson.org/2006/12/17/20061217341/</id>
    <content type="html">&lt;p&gt;Note to self: borrow the phrase &amp;quot;&lt;a href=&#34;http://patrickrhone.com/journal/archives/2006/10/223.html&#34;&gt;Short Term Personal Savior&lt;/a&gt;&amp;quot; and integrate into daily conversation.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2006</title>
    <link href="https://mlarson.org/2006/12/17/20061217340/"/>
    <updated>2006-12-17T14:35:55.000Z</updated>
    <id>https://mlarson.org/2006/12/17/20061217340/</id>
    <content type="html">&lt;p&gt;I like that the &lt;a href=&#34;http://www.si.umich.edu&#34;&gt;UMich School of Information&lt;/a&gt; has a very simple graphic that tells you which classes you need to take for each Master&#39;s-level specialization, &lt;a href=&#34;http://www.si.umich.edu/images/HCI-graph.gif&#34;&gt;like this one&lt;/a&gt;. Compare with my &lt;a href=&#34;http://www.college.emory.edu/current/courses/ger_fall2005.html&#34;&gt;general requirements&lt;/a&gt; as an Emory undergrad. Granted, I&#39;m comparing a more specific 2-year program to a more flexible 4-year one, but the UMich image is so much easier to understand quickly. It&#39;s good to show the information in multiple forms, catering to those who want to read everything and those who just want a quick-and-dirty introduction.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2006</title>
    <link href="https://mlarson.org/2006/12/17/20061217338/"/>
    <updated>2006-12-17T11:03:19.000Z</updated>
    <id>https://mlarson.org/2006/12/17/20061217338/</id>
    <content type="html">&lt;p&gt;I liked Chris Anderson&#39;s &lt;a href=&#34;http://www.longtail.com/the_long_tail/2006/12/visualizing_the.html&#34;&gt;articles&lt;/a&gt; &lt;a href=&#34;http://www.longtail.com/the_long_tail/2006/12/what_would_radi.html&#34;&gt;this&lt;/a&gt; &lt;a href=&#34;http://www.longtail.com/the_long_tail/2006/12/what_would_radi_1.html&#34;&gt;past&lt;/a&gt; &lt;a href=&#34;http://www.longtail.com/the_long_tail/2006/12/transparency_re.html&#34;&gt;week&lt;/a&gt; on the future of Wired magazine and media in general. &amp;quot;Editors catalyze and curate conversations that happen as much &amp;quot;out there&amp;quot; as on our own site.&amp;quot; Cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 17, 2006</title>
    <link href="https://mlarson.org/2006/12/17/20061217335/"/>
    <updated>2006-12-17T07:42:42.000Z</updated>
    <id>https://mlarson.org/2006/12/17/20061217335/</id>
    <content type="html">&lt;p&gt;I spent some time last night reliving the magic of &lt;a href=&#34;http://en.wikipedia.org/wiki/Star_Wars_kid&#34;&gt;Star Wars kid&lt;/a&gt;. &lt;a href=&#34;http://www.youtube.com/watch?v=iQibs3albtM&#34;&gt;The orginal&lt;/a&gt; is good. My favorite spin-off is the &lt;a href=&#34;http://www.youtube.com/watch?v=FKfngVoxMLs&amp;amp;NR&#34;&gt;disco version&lt;/a&gt;, while the &lt;a href=&#34;http://www.youtube.com/watch?v=3GJOVPjhXMY&#34;&gt;drunken jedi&lt;/a&gt; and the &lt;a href=&#34;http://www.youtube.com/watch?v=Ts-4uCd-GLI&amp;amp;mode=related&amp;amp;search=&#34;&gt;clones edit&lt;/a&gt; aren&#39;t too bad. See also &lt;a href=&#34;http://en.wikipedia.org/wiki/Cyber-bullying&#34;&gt;cyber-bullying&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2006</title>
    <link href="https://mlarson.org/2006/12/16/20061216334/"/>
    <updated>2006-12-16T18:28:16.000Z</updated>
    <id>https://mlarson.org/2006/12/16/20061216334/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://youthoughtwewouldntnotice.com/blog3/&#34;&gt;You Thought We Wouldn&#39;t Notice&lt;/a&gt; tracks art/design plagiarism. Though I&#39;m not a copyright hound, I love this kind of &amp;quot;community standards&amp;quot; work to point out the offenders.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2006</title>
    <link href="https://mlarson.org/2006/12/16/20061216332/"/>
    <updated>2006-12-16T11:44:19.000Z</updated>
    <id>https://mlarson.org/2006/12/16/20061216332/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.pitchforkmedia.com/article/feature/40185/Staff_List_Top_25_Worst_Album_Covers_of_2006&#34;&gt;Pitchfork selects the worst album covers from 2006&lt;/a&gt;. [via &lt;a href=&#34;http://bradleyspitzer.typepad.com/&#34;&gt;bradley spitzer&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2006</title>
    <link href="https://mlarson.org/2006/12/16/20061216331/"/>
    <updated>2006-12-16T11:36:05.000Z</updated>
    <id>https://mlarson.org/2006/12/16/20061216331/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.radaronline.com/features/2006/12/toys.php&#34;&gt;The 10 most dangerous play things of all time&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 16, 2006</title>
    <link href="https://mlarson.org/2006/12/16/20061216333/"/>
    <updated>2006-12-16T02:10:50.000Z</updated>
    <id>https://mlarson.org/2006/12/16/20061216333/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.willitblend.com/videos.aspx?type=unsafe&amp;amp;video=ipod&#34;&gt;What happens when you put an iPod into a blender?&lt;/a&gt; Spoiler: you get a fine powder of metal and plastic. They don&#39;t sell those blenders at the local drug store.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2006</title>
    <link href="https://mlarson.org/2006/12/15/20061215328/"/>
    <updated>2006-12-15T11:32:25.000Z</updated>
    <id>https://mlarson.org/2006/12/15/20061215328/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://xkcd.com/c195.html&#34;&gt;A map of the internet&lt;/a&gt;, using contiguous IP addresses. And &lt;a href=&#34;http://map-o-net.com/?d=http%3A%2F%2Fwww.mlarson.org&#34;&gt;here&#39;s where you can find mlarson.org&lt;/a&gt;, or &lt;a href=&#34;http://map-o-net.com/&#34;&gt;find something else&lt;/a&gt;. [via &lt;a href=&#34;http://www.waxy.org/links&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2006</title>
    <link href="https://mlarson.org/2006/12/15/20061215327/"/>
    <updated>2006-12-15T10:01:43.000Z</updated>
    <id>https://mlarson.org/2006/12/15/20061215327/</id>
    <content type="html">&lt;p&gt;The Plain English Campaign has issued their annual awards for 2006. The worst abuses receive the &lt;a href=&#34;http://www.plainenglish.co.uk/bull06.htm&#34;&gt;Golden Bull&lt;/a&gt;. For example: &amp;quot;The first attribute of the art object is that it creates a discontinuity between itself and the unsynthesised manifold.&amp;quot; [via &lt;a href=&#34;http://www.badlanguage.net/&#34;&gt;bad language&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2006</title>
    <link href="https://mlarson.org/2006/12/15/20061215326/"/>
    <updated>2006-12-15T08:51:36.000Z</updated>
    <id>https://mlarson.org/2006/12/15/20061215326/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/2/hi/technology/6220416.stm&#34;&gt;Gangs are now actively recruiting and educating people for cyber crime&lt;/a&gt;. I suppose we can call this Crime 2.0.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2006</title>
    <link href="https://mlarson.org/2006/12/15/20061215330/"/>
    <updated>2006-12-15T02:15:41.000Z</updated>
    <id>https://mlarson.org/2006/12/15/20061215330/</id>
    <content type="html">&lt;p&gt;There are super-lions in Botswana. Evolving from a pride stranded on an island, the &lt;a href=&#34;http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=392292&amp;amp;in_page_id=1766&amp;amp;in_a_source=&amp;amp;ito=1490&#34;&gt;Duba swamp lions&lt;/a&gt; are bigger, faster, stronger, more clever. And their new favorite prey, the water buffalo, are also getting smarter in this isolated little ecosystem. How cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 15, 2006</title>
    <link href="https://mlarson.org/2006/12/15/20061215329/"/>
    <updated>2006-12-15T00:45:39.000Z</updated>
    <id>https://mlarson.org/2006/12/15/20061215329/</id>
    <content type="html">&lt;p&gt;Ah, validation. &lt;a href=&#34;http://dsc.discovery.com/news/2006/12/11/nightowls_hum.html?category=human&amp;amp;guid=20061211111500&amp;amp;dcitc=w19-502-ak-0000&#34;&gt;Night owls are more creative&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 14, 2006</title>
    <link href="https://mlarson.org/2006/12/14/20061214324/"/>
    <updated>2006-12-14T09:26:20.000Z</updated>
    <id>https://mlarson.org/2006/12/14/20061214324/</id>
    <content type="html">&lt;p&gt;Blogger &lt;a href=&#34;http://www.harpold.com&#34;&gt;Leslie Harpold&lt;/a&gt; has passed on. &lt;a href=&#34;http://del.icio.us/kfan/leslieharpold&#34;&gt;Collected reflections here&lt;/a&gt;. What really gets me is the image of her &lt;a href=&#34;http://www.harpold.com/advent/&#34;&gt;annual Advent calendar&lt;/a&gt;. All those expectations and hopes, stopped too soon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 14, 2006</title>
    <link href="https://mlarson.org/2006/12/14/20061214325/"/>
    <updated>2006-12-14T00:45:19.000Z</updated>
    <id>https://mlarson.org/2006/12/14/20061214325/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.wordcount.org/index2.html&#34;&gt;WordCount&lt;/a&gt;Ñ¢ is an interactive presentation of the 86,800 most frequently used English words.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Rise of the &#34;Automagical&#34;</title>
    <link href="https://mlarson.org/2006/12/14/20061214the-rise-of-the-automagical/"/>
    <updated>2006-12-14T00:08:22.000Z</updated>
    <id>https://mlarson.org/2006/12/14/20061214the-rise-of-the-automagical/</id>
    <content type="html">&lt;p&gt;Lately, it seems like a lot of things are happening &lt;a href=&#34;http://en.wiktionary.org/wiki/automagical&#34;&gt;automagically&lt;/a&gt;. I&#39;m pretty late on this one, as I heard it for the first time maybe 2 months ago. The Google finds &lt;a href=&#34;http://www.google.com/search?hl=en&amp;amp;q=automagically&amp;amp;btnG=Google+Search&#34;&gt;2.2 million+ hits&lt;/a&gt;. Looking over at &lt;a href=&#34;http://blogsearch.google.com/blogsearch?hl=en&amp;amp;q=automagically&amp;amp;btnG=Search+Blogs&#34;&gt;Google Blog Search&lt;/a&gt;, we pull up 3 hits for 2001, 3 in 2002, 5 in 2003, 65 in 2004, 1905 in 2005, and here in 2006 have been 7978. It seems like a surprisingly late surge for a term that first made a splash &lt;a href=&#34;http://www.science.uva.nl/~mes/jargon/a/automagically.html&#34;&gt;back in the 40s&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 13, 2006</title>
    <link href="https://mlarson.org/2006/12/13/20061213323/"/>
    <updated>2006-12-13T23:14:14.000Z</updated>
    <id>https://mlarson.org/2006/12/13/20061213323/</id>
    <content type="html">&lt;p&gt;This should be fun. Google now has a &lt;a href=&#34;http://www.google.com/patents&#34;&gt;page dedicated for searching patents&lt;/a&gt;. Of course, there&#39;s a nice little &amp;quot;beta&amp;quot; label.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 12, 2006</title>
    <link href="https://mlarson.org/2006/12/12/20061212321/"/>
    <updated>2006-12-12T14:23:51.000Z</updated>
    <id>https://mlarson.org/2006/12/12/20061212321/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://the-view-from-your-window.blogspot.com/&#34;&gt;A collection of views from other people&#39;s windows&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 12, 2006</title>
    <link href="https://mlarson.org/2006/12/12/20061212319/"/>
    <updated>2006-12-12T10:41:49.000Z</updated>
    <id>https://mlarson.org/2006/12/12/20061212319/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://nytimes.com/indexes/2006/12/10/magazine/index.html&#34;&gt;New York Times Magazine selects the 74 best ideas from 2006&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 12, 2006</title>
    <link href="https://mlarson.org/2006/12/12/20061212320/"/>
    <updated>2006-12-12T10:18:39.000Z</updated>
    <id>https://mlarson.org/2006/12/12/20061212320/</id>
    <content type="html">&lt;p&gt;There&#39;s a &lt;a href=&#34;http://en.wikipedia.org/wiki/Meaning_of_life&#34;&gt;Wikipedia article on the meaning of life&lt;/a&gt;. But that&#39;s not all--there&#39;s also a &lt;a href=&#34;http://en.wikipedia.org/wiki/Talk:Meaning_of_life&#34;&gt;discussion about whether the article is worthwhile&lt;/a&gt;. Meta-metaphysics taking place within the ether of the internet. I love it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>I made a book</title>
    <link href="https://mlarson.org/2006/12/11/20061211i-made-a-book/"/>
    <updated>2006-12-11T14:00:13.000Z</updated>
    <id>https://mlarson.org/2006/12/11/20061211i-made-a-book/</id>
    <content type="html">&lt;p&gt;I&#39;ve always loved writing/ designing letters, and the next logical step is that lately I&#39;ve gotten interested in bookbinding. This Sunday afternoon I made a simple 64-page single-signature notebook. I haven&#39;t decided on a use for it. Maybe as a daily GTD notebook, or just a place to put &amp;quot;things to think about&amp;quot; that aren&#39;t necessarily concrete to-dos. Sorry to say I&#39;ve never been good at personal journaling. A little ribbon helps keep my place. &lt;img src=&#34;images/firstbook8thumb.jpg&#34; alt=&#34;picture of book from bottom, with placeholder ribbon&#34;&gt; Haven&#39;t decided on a way to close it, but a pen fits nicely. &lt;img src=&#34;images/firstbook10thumb.jpg&#34; alt=&#34;picture of book from top, with pen&#34;&gt; I like how the page edges turned out a little uneven. The rounded corners keep it from showing wear too quickly. &lt;img src=&#34;images/firstbook11thumb.jpg&#34; alt=&#34;picture of book from side angle, with pen&#34;&gt;&lt;/p&gt;
&lt;p&gt;Cool, right?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 11, 2006</title>
    <link href="https://mlarson.org/2006/12/11/20061211315/"/>
    <updated>2006-12-11T13:16:46.000Z</updated>
    <id>https://mlarson.org/2006/12/11/20061211315/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/2006/12/accidental_geni.html&#34;&gt;Alex Ross&lt;/a&gt; links to a &lt;a href=&#34;http://www.billandellie.com/sounds/TrumpetBloopers.htm&#34;&gt;set of trumpet bloopers&lt;/a&gt;. They&#39;re not so much funny but awkward in a way you have to empathize. I&#39;m sure any musician can relate to the desperate attempt to nail some wild fingering, lip-burning extreme note, or in my case, some geometrically/ anatomically impossible mallet pattern on the marimba. Sometimes you just bomb.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 11, 2006</title>
    <link href="https://mlarson.org/2006/12/11/20061211314/"/>
    <updated>2006-12-11T10:30:56.000Z</updated>
    <id>https://mlarson.org/2006/12/11/20061211314/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://leahpeah.com&#34;&gt;Leah Peterson&lt;/a&gt; has a great set of &lt;a href=&#34;http://leahpeah.com/blog/interviews/&#34;&gt;interviews with bloggers&lt;/a&gt;.&lt;a href=&#34;http://www.rebeccablood.net&#34;&gt;Rebecca Blood&lt;/a&gt; has a great set of &lt;a href=&#34;http://www.rebeccablood.net/essays/index.html#bloggerson&#34;&gt;interviews with bloggers&lt;/a&gt;. Leah Peterson &lt;a href=&#34;http://leahpeah.com/blog/interviews/rebecca-blood&#34;&gt;recently interviewed&lt;/a&gt; Rebecca Blood.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 11, 2006</title>
    <link href="https://mlarson.org/2006/12/11/20061211313/"/>
    <updated>2006-12-11T08:04:38.000Z</updated>
    <id>https://mlarson.org/2006/12/11/20061211313/</id>
    <content type="html">&lt;p&gt;New York Times Magazine has a &lt;a href=&#34;http://www.nytimes.com/2006/12/03/magazine/03intelligence.html?_r=1&amp;amp;oref=slogin&#34;&gt;great article on the intelligence community and the need to introduce more open technology&lt;/a&gt;--things like wikis and blogs, things that millions of people use every day for more mundane pursuits. &lt;a href=&#34;http://www.longtail.com/the_long_tail/2006/12/radical_transpa.html&#34;&gt;Chris Anderson&lt;/a&gt; offers some commentary, awesome links, and takes it a step further: &amp;quot;What if, rather than just starting blogs and wikis behind military firewalls where the rules are most strict, the intelligence agencies encouraged them out in the open, catalyzing conversations between people who aren&#39;t constrained by the same laws?&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2006</title>
    <link href="https://mlarson.org/2006/12/10/20061210318/"/>
    <updated>2006-12-10T17:38:55.000Z</updated>
    <id>https://mlarson.org/2006/12/10/20061210318/</id>
    <content type="html">&lt;p&gt;OMG: &lt;a href=&#34;http://www.megnut.com/2006/12/chicken-fried-bacon-is-all-you-need-to-know&#34;&gt;chicken fried bacon&lt;/a&gt;. Must have now.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2006</title>
    <link href="https://mlarson.org/2006/12/10/20061210316/"/>
    <updated>2006-12-10T15:26:54.000Z</updated>
    <id>https://mlarson.org/2006/12/10/20061210316/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.theatlantic.com/doc/200612/postrel-generica?ca=Vtib7T9i7DVugsExKN%2BAmT9xVDyfcZ9Hn%2FBgy46NGj4%3D&#34;&gt;In praise of chain stores&lt;/a&gt;. &amp;quot;They increase local variety, even as they reduce the differences from place to place. People who mostly stay put get to have experiences once available only to frequent travelers, and this loss of exclusivity is one reason why frequent travelers are the ones who complain.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2006</title>
    <link href="https://mlarson.org/2006/12/10/20061210312/"/>
    <updated>2006-12-10T11:58:33.000Z</updated>
    <id>https://mlarson.org/2006/12/10/20061210312/</id>
    <content type="html">&lt;p&gt;Yikes. So there&#39;s really going to be a &lt;a href=&#34;http://www.nytimes.com/2006/11/21/movies/21sly.html?ei=5070&amp;amp;en=776d3eabf579fcca&amp;amp;ex=1165813200&amp;amp;adxnnl=1&amp;amp;adxnnlx=1165697123-rVC9AgTxty7IvxMTAXaWbg&#34;&gt;6th Rocky movie&lt;/a&gt;. I&#39;ve got mixed feelings about this. The first one, 30 years ago, was spectacular. Let&#39;s hope this last one can buck the (declining) quality trend of the four sequels. Maybe in a couple years we&#39;ll get a Lucas-style sextet of prequels!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2006</title>
    <link href="https://mlarson.org/2006/12/10/20061210308/"/>
    <updated>2006-12-10T10:42:33.000Z</updated>
    <id>https://mlarson.org/2006/12/10/20061210308/</id>
    <content type="html">&lt;p&gt;This is so very me: &amp;quot;I start each night futilely trying to clear a workspace and end it when I canÄôt think of another website to visit.&amp;quot; Actually, my workspace is pretty tidy, but I can relate to the web-as-gravitational-vortex theory of non-productivity. That&#39;s one of the reasons I love my nice, quiet &lt;a href=&#34;http://www.hogbaysoftware.com/product/writeroom&#34;&gt;WriteRoom&lt;/a&gt; for distraction-free progress. And a bit more brilliance over at &lt;a href=&#34;http://crushingkrisis.com/?p=2917&#34;&gt;Crushing Krisis&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;&amp;quot;When my work-time ended I promptly sat on the floor and fell asleep, face pressed against the crack beneath my door to catch a cool draft from the hallway.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 10, 2006</title>
    <link href="https://mlarson.org/2006/12/10/20061210311/"/>
    <updated>2006-12-10T09:24:43.000Z</updated>
    <id>https://mlarson.org/2006/12/10/20061210311/</id>
    <content type="html">&lt;p&gt;I&#39;ve been playing around with &lt;a href=&#34;http://www.frykholm.se/rita.html&#34;&gt;Rita&lt;/a&gt;, a cool little paint program. My first drawing was &lt;a href=&#34;images/orange.jpeg&#34;&gt;an orange&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2006</title>
    <link href="https://mlarson.org/2006/12/09/20061209310/"/>
    <updated>2006-12-09T19:20:30.000Z</updated>
    <id>https://mlarson.org/2006/12/09/20061209310/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.businessweek.com/magazine/content/06_50/b4013001.htm?chan=rss_topStories_ssi_5&#34;&gt;Best Buy is de-structuring its corporate work policies&lt;/a&gt;. The spin:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The endeavor, called ROWE, for &amp;quot;results-only work environment,&amp;quot; seeks to demolish decades-old business dogma that equates physical presence with productivity. The goal at Best Buy is to judge performance on output instead of hours... There are no schedules. No mandatory meetings. No impression-management hustles. Work is no longer a place where you go, but something you do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Pretty cool. The long-term goal is to take this flexibility all the way down to the retail storefronts. &lt;a href=&#34;http://www.bestbuy.com/&#34;&gt;Best Buy&lt;/a&gt; has even spun off a little consulting company, &lt;a href=&#34;http://culturerx.com/&#34;&gt;CultureRx&lt;/a&gt;, to help other companies make the same changes. I hope it works out for them. I suspect a good bit of this shift is generational. Younger workers want more breathing room. And its better to take a little risk to stay ahead of the curve when they&#39;ve got Wal-Mart and Target hot on their heels.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2006</title>
    <link href="https://mlarson.org/2006/12/09/20061209309/"/>
    <updated>2006-12-09T18:36:44.000Z</updated>
    <id>https://mlarson.org/2006/12/09/20061209309/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://members.fortunecity.com/kainwind/archive.html&#34;&gt;A catalog of Batman&#39;s gadgets&lt;/a&gt;. I really need to get a utility belt.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Farewell Summer (review: 2/5)</title>
    <link href="https://mlarson.org/2006/12/09/20061209farewell-summer-review-25/"/>
    <updated>2006-12-09T07:49:05.000Z</updated>
    <id>https://mlarson.org/2006/12/09/20061209farewell-summer-review-25/</id>
    <content type="html">&lt;p&gt;I was really surprised to find a &lt;a href=&#34;http://en.wikipedia.org/wiki/Ray_Bradbury&#34;&gt;Ray Bradbury&lt;/a&gt; book that I didn&#39;t like. His latest book, &lt;a href=&#34;http://www.amazon.com/Farewell-Summer-Novel-Ray-Bradbury/dp/0061131547&#34;&gt;Farewell Summer&lt;/a&gt;, is the 50-years-later follow-up to &lt;a href=&#34;http://www.amazon.com/Dandelion-Wine-Grand-Master-Editions/dp/0553277537&#34;&gt;Dandelion Wine&lt;/a&gt;, set (somewhat autobiographically) in an idyllic summer in the American midwest. It&#39;s a meditation on life, maturation, and death told through a war between the neighborhood boys and a local elder. The book is really short. The publisher even cheated a bit: with generous margins and extra-wide line-spacing it just barely makes it over the 200-page mark. One of the things that bothered me was that the book was so dialogue-driven, when his narration is what I really appreciate. And perhaps I&#39;m just too young to relate to all this deep reflection. Maybe if you like the &lt;a href=&#34;http://www.albom.com/&#34;&gt;Mitch Albom&lt;/a&gt; &amp;quot;life lessons&amp;quot; thing, you&#39;ll dig it. So the story didn&#39;t really catch my interest too much, but the writing is as sharp as ever. It&#39;s not every day you can find a sentences like this:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The cake stood like a magnificent Alp upon the kitchen table.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;There are many other fine phrases that I wish I could write and/or would love to steal. If you&#39;re looking for yummy Bradbury narrative goodness, I&#39;d turn to something like &lt;a href=&#34;http://www.amazon.com/Illustrated-Man-Grand-Master-Editions/dp/055327449X&#34;&gt;The Illustrated Man&lt;/a&gt; or &lt;a href=&#34;http://www.amazon.com/Something-Wicked-This-Way-Comes/dp/0380729407&#34;&gt;Something Wicked This Way Comes&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2006</title>
    <link href="https://mlarson.org/2006/12/09/20061209305/"/>
    <updated>2006-12-09T02:45:35.000Z</updated>
    <id>https://mlarson.org/2006/12/09/20061209305/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/wiseacre/sets/72157594400535022/&#34;&gt;A month-long photo project, with each self-portrait taken at 2:45am&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 9, 2006</title>
    <link href="https://mlarson.org/2006/12/09/20061209307/"/>
    <updated>2006-12-09T00:05:22.000Z</updated>
    <id>https://mlarson.org/2006/12/09/20061209307/</id>
    <content type="html">&lt;p&gt;Oh, I love you, &lt;a href=&#34;http://www.amazon.com/Raisin-Bran-Cereal-21-Ounce-Boxes/dp/B000FIMVVI&#34;&gt;Raisin Nut Bran&lt;/a&gt;. Why must you be so expensive?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 8, 2006</title>
    <link href="https://mlarson.org/2006/12/08/20061208306/"/>
    <updated>2006-12-08T22:14:48.000Z</updated>
    <id>https://mlarson.org/2006/12/08/20061208306/</id>
    <content type="html">&lt;p&gt;Wikipedia has an article about &lt;a href=&#34;http://en.wikipedia.org/wiki/Shuffling_playing_cards&#34;&gt;the math and methods for shuffling playing cards&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Perfect Thing: How the iPod Shuffles Commerce, Culture, and Coolness (review: 3.5/5)</title>
    <link href="https://mlarson.org/2006/12/08/20061208the-perfect-thing-how-the-ipod-shuffles-commerce-culture-and-coolness-review-355/"/>
    <updated>2006-12-08T18:16:49.000Z</updated>
    <id>https://mlarson.org/2006/12/08/20061208the-perfect-thing-how-the-ipod-shuffles-commerce-culture-and-coolness-review-355/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.stevenlevy.com/&#34;&gt;Stephen Levy&#39;s&lt;/a&gt; very readable &lt;a href=&#34;http://www.amazon.com/Perfect-Thing-Shuffles-Commerce-Coolness/dp/0743285220&#34;&gt;story of the obscenely popular iPod&lt;/a&gt; came just after I bought my new computer, and served a welcome distraction as I imported all my music. As an interesting publishing twist on the &#39;shuffle&#39; idea, various editions of this book have the self-contained chapters (with titles like &amp;quot;Cool&amp;quot; and &amp;quot;Apple&amp;quot; and &amp;quot;Personal&amp;quot;) re-arranged in different orders, sandwiched between the intro and the coda. Kind of cool. Luckily, this book is more biography than love letter. There&#39;s a lot of industry history, delving into early portable music hits like Sony&#39;s Walkman, a bit of the sordid history of the music publishing industry in the midst of the mp3 revolution, insider perspectives on Apple&#39;s development process, whether or not shuffle mode is really random, and so on.&lt;/p&gt;
&lt;p&gt;And of course, there&#39;s a lot about infatuation with the iPod itself. Levy cites &lt;a href=&#34;http://www.vpostrel.com/&#34;&gt;Virginia Postrel&#39;s&lt;/a&gt; &lt;a href=&#34;http://www.vpostrel.com/tsos/index.html&#34;&gt;book on industrial design&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Having spent a century or more focused primarily on other goals--solving manufacturing problems, lowering costs, making goods and services widely available, saving energy--we are increasingly engaged in making our world special. More people in more aspects of life are drawing pleasure and meaning from he way their persons, places, and things look and feel.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Thank you, Capitalism. Of course, recognizing that progress is one of the reasons the iPod is so successful amid products with better specs. &amp;quot;More&amp;quot; isn&#39;t always more. It&#39;s just a beautifully designed object that&#39;s a joy to use, in the way we choose. As Levy says:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;shuffle turns out to be the &lt;em&gt;techna franca&lt;/em&gt; of the digital era--not just a feature on a gadget but an entire way of viewing the world, representing the power that comes from aggregating content from a variety of sources and playing it back in an order that render irrelevant the intended ordering by those who produced or first distributed the content.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes, we like control. More, please.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 8, 2006</title>
    <link href="https://mlarson.org/2006/12/08/20061208302/"/>
    <updated>2006-12-08T10:30:45.000Z</updated>
    <id>https://mlarson.org/2006/12/08/20061208302/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.discover.com/issues/dec-06/rd/global-happiness-study/&#34;&gt;A map of where the planet&#39;s happiest people are&lt;/a&gt;. Denmark takes the top spot; United States comes in at #23.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 8, 2006</title>
    <link href="https://mlarson.org/2006/12/08/20061208301/"/>
    <updated>2006-12-08T08:42:21.000Z</updated>
    <id>https://mlarson.org/2006/12/08/20061208301/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.christianitytoday.com/bc/2006/006/11.21.html&#34;&gt;Why music critics need to (re)read the work of Lester Bangs... and Pope John Paull II&lt;/a&gt;. &amp;quot;Despite the beauty and power of much popular music, the critics have become a cross between Holden Caulfield and a taxidermist.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 8, 2006</title>
    <link href="https://mlarson.org/2006/12/08/20061208303/"/>
    <updated>2006-12-08T00:10:09.000Z</updated>
    <id>https://mlarson.org/2006/12/08/20061208303/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://fcmx.net/vec/get.swf?i=003702&#34;&gt;An video/ illustration of a woman, drawn from bones out to wardrobe&lt;/a&gt;. [via &lt;a href=&#34;http://www.designobserver.com&#34;&gt;designobserver&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 7, 2006</title>
    <link href="https://mlarson.org/2006/12/07/20061207300/"/>
    <updated>2006-12-07T10:26:15.000Z</updated>
    <id>https://mlarson.org/2006/12/07/20061207300/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.its.caltech.edu/~atomic/snowcrystals/photos/photos.htm&#34;&gt;A sweet gallery of snowflakes&lt;/a&gt; at high magnification. [via &lt;a href=&#34;http://joshuablankenship.com&#34;&gt;blankenship&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2006</title>
    <link href="https://mlarson.org/2006/12/06/20061206296/"/>
    <updated>2006-12-06T11:12:51.000Z</updated>
    <id>https://mlarson.org/2006/12/06/20061206296/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.inc.com/magazine/20061201/hidi-butterfield-fake.html&#34;&gt;Here&#39;s an interview about the beginnings of&lt;/a&gt; &lt;a href=&#34;http://www.flickr.com&#34;&gt;Flickr&lt;/a&gt; with its leaders Caterina Fake and Stewart Butterfield. [via &lt;a href=&#34;http://www.paulstamatiou.com&#34;&gt;stamatiou&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2006</title>
    <link href="https://mlarson.org/2006/12/06/20061206299/"/>
    <updated>2006-12-06T10:26:20.000Z</updated>
    <id>https://mlarson.org/2006/12/06/20061206299/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.exactitudes.com/&#34;&gt;Exactitudes&lt;/a&gt;, the work of Ari Versluis and Ellie Uyttenbroek, is a photographic study of self &amp;amp; group identity. Funny how so many different people move towards these specific wardrobe subcultures. And on a personal note, it&#39;s kind of scary that &lt;a href=&#34;http://www.exactitudes.com/series.php?nr=67&#34;&gt;I&#39;d fit in so well with the old men&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2006</title>
    <link href="https://mlarson.org/2006/12/06/20061206297/"/>
    <updated>2006-12-06T08:08:43.000Z</updated>
    <id>https://mlarson.org/2006/12/06/20061206297/</id>
    <content type="html">&lt;p&gt;First &lt;a href=&#34;http://en.wikipedia.org/wiki/Metrosexual&#34;&gt;metrosexual&lt;/a&gt;, and &lt;a href=&#34;http://www.nytimes.com/cnet/CNET_2100-1025_3-6140256.html?_r=1&amp;amp;oref=slogin&#34;&gt;now there is technosexual&lt;/a&gt;. Geeks have needs, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 6, 2006</title>
    <link href="https://mlarson.org/2006/12/06/20061206298/"/>
    <updated>2006-12-06T00:23:11.000Z</updated>
    <id>https://mlarson.org/2006/12/06/20061206298/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://maisonbisson.com/blog/post/11133/&#34;&gt;WPopac&lt;/a&gt; made an even bigger splash after &lt;a href=&#34;http://maisonbisson.com/blog/post/11521/&#34;&gt;winning a Mellon prize recently&lt;/a&gt;. WPopac (what&#39;s an &lt;a href=&#34;http://en.wikipedia.org/wiki/OPAC&#34;&gt;OPAC&lt;/a&gt;?), is a work-in-progress online library catalog that uses WordPress. There&#39;s all sorts of potential for customer tagging, comments, RSS, trackback, relevant search. Good stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Blankets (review 3.5/5)</title>
    <link href="https://mlarson.org/2006/12/05/20061205blankets-review-355/"/>
    <updated>2006-12-05T06:00:33.000Z</updated>
    <id>https://mlarson.org/2006/12/05/20061205blankets-review-355/</id>
    <content type="html">&lt;p&gt;I really liked &lt;a href=&#34;http://www.amazon.com/Good-Bye-Chunky-Rice-4th-Printing/dp/1891830090&#34;&gt;Goodbye, Chunky Rice&lt;/a&gt;, so I was looking forward to &lt;a href=&#34;http://www.amazon.com/Blankets-Craig-Thompson/dp/1891830430/sr=8-1/qid=1164601534/ref=pd_bbs_sr_1/102-3627669-2391355?ie=UTF8&amp;amp;s=books&#34;&gt;Blankets&lt;/a&gt;. &lt;a href=&#34;http://www.dootdootgarden.com/&#34;&gt;Craig Thompson&#39;s&lt;/a&gt; more recent graphic novel is a coming-of-age sort of story of love and religion and obsession and companionship, mostly hopping between vignettes in the childhood and teen years, from boyhood to first love and after. It is, in fact, Thompson&#39;s own story rendered with impressive honesty. The artwork is fantastic and the dialogue is great, and Thompson really has a way with body language. From my layman&#39;s I&#39;m-not-a-graphic-novelist perspective, I can see how a graphic medium can make it so difficult to be subtle. There are times when the relationships in &lt;em&gt;Blankets&lt;/em&gt; seem too clich?©. On the other hand, that sort of awkward transparency seems appropriate for melodramatic young love, and I really like how he just lets loose and puts it all on the page.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2006</title>
    <link href="https://mlarson.org/2006/12/04/20061204295/"/>
    <updated>2006-12-04T19:31:57.000Z</updated>
    <id>https://mlarson.org/2006/12/04/20061204295/</id>
    <content type="html">&lt;p&gt;The University of British Columbia has placed online Oliver Byrne&#39;s rendition of Euclid&#39;s geometry. Very cool. &lt;a href=&#34;http://www.edwardtufte.com&#34;&gt;Edward Tufte&lt;/a&gt; highlighted it in one of his recent books that I read. I can&#39;t remember if it was &lt;a href=&#34;/mark-larson-1/2006/10/10/beautiful-evidence-review-455&#34;&gt;Beautiful Evidence&lt;/a&gt; or &lt;a href=&#34;/mark-larson-1/2006/10/19/envisioning-information-review-45&#34;&gt;Envisioning Information&lt;/a&gt;. In sum...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;An unusual and attractive edition of Euclid was published in 1847 in England, edited by an otherwise unknown mathematician named Oliver Byrne. It covers the first 6 books of Euclid, which range through most of elementary plane geometry and the theory of proportions. What distinguishes Byrne&#39;s edition is that he attempts to present Euclid&#39;s proofs in terms of pictures, using as little text - and in particular as few labels - as possible. What makes the book especially striking is his use of colour.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;a href=&#34;http://www.sunsite.ubc.ca/DigitalMathArchive/Euclid/byrne.html&#34;&gt;It&#39;s quite beautiful for a textbook&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2006</title>
    <link href="https://mlarson.org/2006/12/04/20061204294/"/>
    <updated>2006-12-04T19:22:52.000Z</updated>
    <id>https://mlarson.org/2006/12/04/20061204294/</id>
    <content type="html">&lt;p&gt;Here&#39;s a multi-part dialogue mulling the question, &lt;a href=&#34;http://www.jewcy.com/dialogue/monday_why_are_atheists_so_angry_sam_harris&#34;&gt;Why Are Atheists So Angry?&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2006</title>
    <link href="https://mlarson.org/2006/12/04/20061204293/"/>
    <updated>2006-12-04T19:18:26.000Z</updated>
    <id>https://mlarson.org/2006/12/04/20061204293/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://men.style.com/gq/features/landing?id=content_5179&#34;&gt;Al Gore talks with GQ magazine&lt;/a&gt;. Politics aside, he actually seems like a cool, earthy guy. What I would &lt;em&gt;really&lt;/em&gt; like is for a journalist to do an interview without bringing up the 2008 election. Seems like they all are just begging to get the scoop: &amp;quot;Al Gore Changes His Mind.&amp;quot; He said he isn&#39;t running, folks. Lay off.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 4, 2006</title>
    <link href="https://mlarson.org/2006/12/04/20061204291/"/>
    <updated>2006-12-04T07:09:03.000Z</updated>
    <id>https://mlarson.org/2006/12/04/20061204291/</id>
    <content type="html">&lt;p&gt;CNN Money asked a number of notables, from Rachel Ray to Craig Newmark to Andre Agassi, for tips on &lt;a href=&#34;http://money.cnn.com/popups/2006/biz2/howtosucceed/18.html&#34;&gt;how to succeed in 2007&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 2, 2006</title>
    <link href="https://mlarson.org/2006/12/02/20061202290/"/>
    <updated>2006-12-02T23:09:21.000Z</updated>
    <id>https://mlarson.org/2006/12/02/20061202290/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.pulitzer.org/resources/onlinerel.html&#34;&gt;The Pulitzer Prize can now be awarded for online journalism&lt;/a&gt;. It&#39;s no longer limited to articles and still images, but explicitly embraces infographics, slideshows, video, and blogs.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Housekeeping vs. The Dirt (review: 3.5/5)</title>
    <link href="https://mlarson.org/2006/12/01/20061201housekeeping-vs-the-dirt-review-355/"/>
    <updated>2006-12-01T06:41:29.000Z</updated>
    <id>https://mlarson.org/2006/12/01/20061201housekeeping-vs-the-dirt-review-355/</id>
    <content type="html">&lt;p&gt;I sincerely hope that &lt;a href=&#34;http://en.wikipedia.org/wiki/Nick_Hornby&#34;&gt;Nick Hornby&#39;s&lt;/a&gt; writing isn&#39;t as effortless and carefree as it reads. It just wouldn&#39;t be fair. Especially because all he had to do for &lt;a href=&#34;http://www.amazon.com/Housekeeping-vs-Dirt-Nick-Hornby/dp/1932416595&#34;&gt;this book&lt;/a&gt; was read books (which he already does), and write about them (albeit under the cracking whips of the &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Polysyllabic_Spree&#34;&gt;Polysyllabic Spree&lt;/a&gt;). This book was especially good in light of the &lt;a href=&#34;/mark-larson-1/2006/11/28/276&#34;&gt;interview I read two days ago&lt;/a&gt;, where Chuck Klosterman mentions how criticism is really autobiography. There&#39;s a lot to learn from &lt;em&gt;Housekeeping&lt;/em&gt;. I really like how Hornby weaves his comments with a little background about how he came across the book, what kind of reading phase he was in, etc. Mix in a little self-effacing Britishness or some affectatious declarations (e.g. &amp;quot;I decided today that from now on I will only read books recommended by...&amp;quot;), and you&#39;ve got a really fun package.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>December 1, 2006</title>
    <link href="https://mlarson.org/2006/12/01/20061201289/"/>
    <updated>2006-12-01T00:03:28.000Z</updated>
    <id>https://mlarson.org/2006/12/01/20061201289/</id>
    <content type="html">&lt;p&gt;At long last, &lt;a href=&#34;http://www.apple.com/imac&#34;&gt;the new computer&lt;/a&gt; arrived tonight. I was in too much of a hurry to take any Apple unpacking pr0n photos, but &lt;a href=&#34;http://web.mac.com/bigeyed/iWeb/Site/24%20imac.html&#34;&gt;here is a nice gallery&lt;/a&gt; for you to see it through someone else&#39;s eyes. I&#39;m thrilled to pieces.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 30, 2006</title>
    <link href="https://mlarson.org/2006/11/30/20061130288/"/>
    <updated>2006-11-30T14:18:24.000Z</updated>
    <id>https://mlarson.org/2006/11/30/20061130288/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.statueforum.com/showthread.php?t=10151&#34;&gt;Some pictures of Peanuts characters made to look like Marvel supheroes&lt;/a&gt;. Lucy as She-Hulk is just perfect. [via &lt;a href=&#34;http://www.dethroner.com&#34;&gt;dethroner&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 30, 2006</title>
    <link href="https://mlarson.org/2006/11/30/20061130286/"/>
    <updated>2006-11-30T10:37:27.000Z</updated>
    <id>https://mlarson.org/2006/11/30/20061130286/</id>
    <content type="html">&lt;p&gt;It looks like &lt;a href=&#34;http://www.nytimes.com/2006/11/25/arts/design/25minx.html?_r=1&amp;amp;oref=slogin&#34;&gt;DC is about to make a serious move to attract teen females to graphic novels&lt;/a&gt;. DC does a generally good job with their mainstream comics, but I can only read superheroes for so long. I&#39;m curious to see what they come up with.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ghost World (review: 3/5)</title>
    <link href="https://mlarson.org/2006/11/30/20061130ghost-world-review-35/"/>
    <updated>2006-11-30T09:02:28.000Z</updated>
    <id>https://mlarson.org/2006/11/30/20061130ghost-world-review-35/</id>
    <content type="html">&lt;p&gt;I wonder what if there is a world that equates to a small-town version of a &lt;a href=&#34;http://en.wiktionary.org/wiki/pastorale&#34;&gt;pastorale&lt;/a&gt;? Suburbanale? Anyway, in &lt;a href=&#34;http://www.amazon.com/Ghost-World-Daniel-Clowes/dp/1560974273&#34;&gt;Ghost World&lt;/a&gt; &lt;a href=&#34;http://en.wikipedia.org/wiki/Daniel_Clowes&#34;&gt;Daniel Clowes&lt;/a&gt; presents a few days in the life of two teenage girls as they piss away a small-town summer. The first time I tried to read this, I was bored to tears. Really, nothing happens. On second read, what actually impresses is the way Clowes can craft those micro-moments and give a full characterization with minimal material. This parallels the restrained artwork, using only black, white, and a pale blue for all the panels. The dialogue is shockingly foul and absolutely hilarious at times. High drama it is not, but there are worse ways to kill an hour. Keep an eye out for Enid&#39;s shifting hairstyles.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>No, you may not see my receipt</title>
    <link href="https://mlarson.org/2006/11/29/20061129no-you-may-not-see-my-receipt/"/>
    <updated>2006-11-29T23:24:45.000Z</updated>
    <id>https://mlarson.org/2006/11/29/20061129no-you-may-not-see-my-receipt/</id>
    <content type="html">&lt;p&gt;I thought it was funny to see &lt;a href=&#34;http://www.bwcitypaper.com/bw.digg.page.final.html&#34;&gt;this little essay on businesses that check receipts at the exit doors&lt;/a&gt;. I had a similar experience a while back. Honestly, I was kind of hoping I&#39;d run into one of these situations so I could make a valiant little stand for consumers throughout the nation. This was the first time anyone had ever asked me. Anyway, so I was at Fry&#39;s... [Scene: I was buying some things for my home office [document trays, labeler, file folders, &amp;amp; other geekery]. I paid up, got my bag, and headed confidently towards the exit. As I approached the door, I saw a man with suit, tie, and badge, wielding a highlighter in his hand.]&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Store Guy&lt;/strong&gt; [approaching with a smile] Hello! I&#39;ll just need to take a look at your receipt. &lt;strong&gt;Mark&lt;/strong&gt; [walking past, with bag in hand ] No, thanks! Have a good day, sir. &lt;strong&gt;Store Guy&lt;/strong&gt; [blank expression, then recovering] Excuse me! &lt;strong&gt;M&lt;/strong&gt; [slowing, turning] Yes? &lt;strong&gt;SG&lt;/strong&gt; [following, hand to ear] What was that? &lt;strong&gt;M&lt;/strong&gt; [paused at door] I&#39;ve got my stuff. I&#39;m heading out now. &lt;strong&gt;SG&lt;/strong&gt; [approaching, highlighter at the ready ] Excuse me? &lt;strong&gt;M&lt;/strong&gt; - I&#39;m... leaving... &lt;strong&gt;SG&lt;/strong&gt; [standing face to face] You can&#39;t leave without checking your receipt. &lt;strong&gt;M&lt;/strong&gt; [deftly wielding a keyword ] Are you &lt;em&gt;detaining&lt;/em&gt; me? &lt;strong&gt;SG&lt;/strong&gt; [kerflummoxed] Ah, no... I just need to check your receipt. &lt;strong&gt;M&lt;/strong&gt; - No thanks. &lt;strong&gt;SG&lt;/strong&gt; - It&#39;s store policy. &lt;strong&gt;M&lt;/strong&gt; - That&#39;s Fry&#39;s policy for &lt;em&gt;everything&lt;/em&gt;? &lt;strong&gt;SG&lt;/strong&gt; - Yes, our store policy is to check every receipt. &lt;strong&gt;M&lt;/strong&gt; - Hm. [pause] No thanks, I&#39;m going to head home. Have a good day, sir. &lt;strong&gt;SG&lt;/strong&gt; [blank stare] [Mark exits.] [Exeunt]&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;---&lt;/p&gt;
&lt;p&gt;So I honestly felt bad about giving him a hard time. I try to go out of my way to be a Good Customer, and I hate to be the one to make this guy&#39;s afternoon go sour. But darn it, someone has to stand up to these incursions, and I would gladly repeat it. Though perhaps not in the near future at the same store. What do you about it? Do you stop and let them check? Do you go on out the door?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2006</title>
    <link href="https://mlarson.org/2006/11/29/20061129285/"/>
    <updated>2006-11-29T23:00:29.000Z</updated>
    <id>https://mlarson.org/2006/11/29/20061129285/</id>
    <content type="html">&lt;p&gt;I was at work today in the library and saw the most wonderful thing. Over in the magazine section, there was an old guy reading. Grey hair, wrinkles, hunched in his chair. Maybe in his 60s-70s. He even had a walker to help him get around. So what do you think he&#39;s reading? &lt;a href=&#34;http://www.nationalgeographic.com/ngm/&#34;&gt;National Geographic&lt;/a&gt;? &lt;a href=&#34;http://www.time.com/&#34;&gt;Time&lt;/a&gt;? &lt;a href=&#34;http://www.smithsonianmagazine.com/&#34;&gt;Smithsonian&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;Nah. He was flipping through &lt;a href=&#34;http://www.skateboarding.com/&#34;&gt;Transworld Skateboarding&lt;/a&gt;. Just when you think you know your customers...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2006</title>
    <link href="https://mlarson.org/2006/11/29/20061129279/"/>
    <updated>2006-11-29T10:43:59.000Z</updated>
    <id>https://mlarson.org/2006/11/29/20061129279/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.pingmag.jp/2006/11/27/pop-up-books/&#34;&gt;Photos from an incredible little selection of pop-up books for children&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 29, 2006</title>
    <link href="https://mlarson.org/2006/11/29/20061129283/"/>
    <updated>2006-11-29T10:37:07.000Z</updated>
    <id>https://mlarson.org/2006/11/29/20061129283/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.rebeccablood.net/&#34;&gt;Rebecca Blood&lt;/a&gt; shares the hot tip from &lt;a href=&#34;http://www.dangerousmeta.com/&#34;&gt;Dangerous Meta&lt;/a&gt;, that &lt;a href=&#34;http://blogs.britannica.com/blog/main/&#34;&gt;Encyclopedia Brittanica has a weblog&lt;/a&gt;. This could be really cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Noise (review: 1.5/5)</title>
    <link href="https://mlarson.org/2006/11/29/20061129noise-review-155/"/>
    <updated>2006-11-29T07:37:58.000Z</updated>
    <id>https://mlarson.org/2006/11/29/20061129noise-review-155/</id>
    <content type="html">&lt;p&gt;I love the jacket design for &lt;a href=&#34;http://www.amazon.com/Noise-Bart-Kosko/dp/0670034959&#34;&gt;Noise&lt;/a&gt;, so I really had high hopes for this one. I really wanted another cool pop science book like &lt;a href=&#34;http://www.amazon.com/Chaos-Making-Science-James-Gleick/dp/0140092501&#34;&gt;Chaos&lt;/a&gt; or &lt;a href=&#34;http://www.amazon.com/Linked-Science-Networks-Albert-Laszlo-Barabasi/dp/0738206679&#34;&gt;Linked&lt;/a&gt;, one that would take a fringe science and make it sparkle. Now, don&#39;t get me wrong. There&#39;s a ton of information here (a full 40% of the book is notes and indices), and it touches on how a range of fields like mathematics, law, engineering, and information theory deal with &amp;quot;unwanted signals.&amp;quot; But this latest work by &lt;a href=&#34;http://en.wikipedia.org/wiki/Bart_Kosko&#34;&gt;Bart Kosko&lt;/a&gt; came off a bit dry, no flesh. Or maybe I&#39;m just a less patient reader lately. Probably both.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2006</title>
    <link href="https://mlarson.org/2006/11/28/20061128278/"/>
    <updated>2006-11-28T18:02:08.000Z</updated>
    <id>https://mlarson.org/2006/11/28/20061128278/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://amasci.com/amateur/traffic/trafexp.html&#34;&gt;A guy who thinks a lot about traffic has come up with experiments and solutions for traffic waves and jams&lt;/a&gt;... &amp;quot;It&#39;s nonlinear soliton physics.&amp;quot; The basic idea is to leave a little space to &#39;absorb&#39; the slowdowns, instead perpetuating them by joining the crowds of hard-brakers and quick-accelerators. I think my own experience agrees with this. Smooth, nuanced driving does seem to work better in traffic, and the added bonus is that you don&#39;t get so emotional about the whole thing. Chill out, think Big Picture.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2006</title>
    <link href="https://mlarson.org/2006/11/28/20061128277/"/>
    <updated>2006-11-28T17:55:17.000Z</updated>
    <id>https://mlarson.org/2006/11/28/20061128277/</id>
    <content type="html">&lt;p&gt;I just got a sweet deal on an &lt;a href=&#34;http://www.apple.com/imac/&#34;&gt;iMac 24&lt;/a&gt;. And the shipping wait is killing me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2006</title>
    <link href="https://mlarson.org/2006/11/28/20061128276/"/>
    <updated>2006-11-28T16:15:26.000Z</updated>
    <id>https://mlarson.org/2006/11/28/20061128276/</id>
    <content type="html">&lt;p&gt;The AV Club has a &lt;a href=&#34;http://www.avclub.com/content/node/55281/1&#34;&gt;very good interview with Chuck Klosterman&lt;/a&gt;, cultural critic and author of &lt;a href=&#34;http://www.amazon.com/Sex-Drugs-Cocoa-Puffs-Manifesto/dp/0743236009&#34;&gt;Sex, Drugs, and Cocoa Puffs&lt;/a&gt;, among other things:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;People are more interested in reading bombastic ideas, whether they&#39;re positive or negative. Part of me has sort of lost interest in doing criticism because of that. I&#39;ve always realized that criticism is basically autobiography.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>In the Shadow of No Towers (review 2.5/5)</title>
    <link href="https://mlarson.org/2006/11/28/20061128in-the-shadow-of-no-towers-review-255/"/>
    <updated>2006-11-28T09:52:07.000Z</updated>
    <id>https://mlarson.org/2006/11/28/20061128in-the-shadow-of-no-towers-review-255/</id>
    <content type="html">&lt;p&gt;I can&#39;t remember the last time I read a book less than 50 pages--&lt;a href=&#34;http://www.amazon.com/Shadow-No-Towers-Art-Spiegelman/dp/0375423079&#34;&gt;In the Shadow of No Towers&lt;/a&gt; weighs in at 42 huge, colorful spreads. &lt;a href=&#34;http://en.wikipedia.org/wiki/Art_Spiegelman&#34;&gt;Art Spiegelman&#39;s&lt;/a&gt; recent book brings together a collection of broadsheets illustrated in the years following 9/11, and also shares the &lt;a href=&#34;http://www.newyorker.com/online/covers/articles/011008on_onlineonly01&#34;&gt;notable cover from the September 23, 2001 issue of the New Yorker&lt;/a&gt;. It feels like Woody Allen meets Charles Schulz, a jittery sort of memoir on the nature of terror and the stress of memory. There&#39;s a recurring motif of the towers&#39; metal structure glowing red, just before their collapse. So there&#39;s this palpable sense of anticipation that to some degree lasts even today, just waiting for the other shoe to drop. The work is bookended with a couple essays on his relationship with cartooning and politics. Bonus material: &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=3908199&#34;&gt;Spiegelman has a nice dialogue with NPR about 9/11 and cartooning&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 28, 2006</title>
    <link href="https://mlarson.org/2006/11/28/20061128274/"/>
    <updated>2006-11-28T08:55:45.000Z</updated>
    <id>https://mlarson.org/2006/11/28/20061128274/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/groups/quoteabuse/pool/&#34;&gt;This Flickr group &amp;quot;collects&amp;quot; photos of signs that &amp;quot;misuse&amp;quot; quotation marks&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2006</title>
    <link href="https://mlarson.org/2006/11/27/20061127272/"/>
    <updated>2006-11-27T14:44:33.000Z</updated>
    <id>https://mlarson.org/2006/11/27/20061127272/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.glumbert.com/media/whiteboard&#34;&gt;Here&#39;s a stop-motion movie where each frame is a photo of a whiteboard illustration&lt;/a&gt;. I love how those shapes morph around, and there&#39;s some cool &amp;quot;interaction&amp;quot; with the ink.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Ghost Map (review: 4/5)</title>
    <link href="https://mlarson.org/2006/11/27/20061127the-ghost-map-review-45/"/>
    <updated>2006-11-27T07:02:40.000Z</updated>
    <id>https://mlarson.org/2006/11/27/20061127the-ghost-map-review-45/</id>
    <content type="html">&lt;p&gt;Here we have &lt;a href=&#34;http://www.amazon.com/Ghost-Map-Steven-Johnson/dp/1594489254&#34;&gt;the tale of the 1854 cholera outbreak in London&lt;/a&gt;. A silent killer is out there, generally freaking people out. Microbiology has yet to exist, so it&#39;s a story of man versus mystery. Two men actually, who start out independently and eventually come to know and respect each other. And it&#39;s a story of science, with all its contentious fits and starts and stumbles in the general direction of progress. And it&#39;s also the story of society, at once enthusiastic and fearful of the magnificient beast they&#39;ve brought to the planet: the modern city. Compared with the &lt;a href=&#34;/mark-larson-1/2006/08/10/everything-bad-is-good-for-you-review-45&#34;&gt;other&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/Mind-Wide-Open-Neuroscience-Everyday/dp/0743241657&#34;&gt;two&lt;/a&gt; &lt;a href=&#34;http://www.stevenberlinjohnson.com&#34;&gt;Steven Johnson&lt;/a&gt; books I read, this one &lt;em&gt;was&lt;/em&gt; my least favorite. I originally gave it a 3--but I&#39;ve grown to like it more and more as I&#39;ve thought about the ideas inside.&lt;/p&gt;
&lt;p&gt;I think one of the best/worst things about Johnson&#39;s writing is that he can suggest a tantalizing idea, and then carry on with his main argument as if nothing ever happened. Every so often in &lt;em&gt;The Ghost Map&lt;/em&gt; he&#39;ll turn a delightful aside, a flash of brilliance... oh, then continue on talking about excrement and miasma and pumps and drainage systems. Many of these nuggets are pretty clearly beyond the scope of the book, but they&#39;re so good, I&#39;d love to see some follow-up. I love it when a book can set me off enthusiastically on new investigations, perhaps unrelated to the book itself. And it&#39;s in this area where &lt;em&gt;The Ghost Map&lt;/em&gt; shines. A few examples that I&#39;m still mulling over...&lt;/p&gt;
&lt;p&gt;In talking about the history of ideas and the struggle involved in paradigm shifts, we face the recurring questions:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;How could so many intelligent people be so grievously wrong for such an extended period of time? How could they ignore so much overwhelming evidence that contradicted their most basic theories? These questions, too, deserve their own discipline--the sociology of error.1&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love the idea of a &amp;quot;sociology of error.&amp;quot; I like the combination of individual psychology and basic cost-benefit decisions (e.g. &amp;quot;Can I still get funding if I promote this dangerous concept?&amp;quot;), with the idea of &lt;a href=&#34;http://en.wikipedia.org/wiki/Groupthink&#34;&gt;groupthink&lt;/a&gt;. This makes me think of &lt;a href=&#34;http://en.wikipedia.org/wiki/Praxeology&#34;&gt;praxeology&lt;/a&gt; in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Austrian_school&#34;&gt;Austrian tradition&lt;/a&gt;. There have to be some fundamental traits for how we select and endorse ideas, right?&lt;/p&gt;
&lt;p&gt;When discussing one the challenges of epidemiology--its generally undocumented nature--Johnson suggests a contrast: &amp;quot;Most world-historic events--great military battles, political revolutions--are self-consciously historic to participants living through them.&amp;quot;2 I think the idea of &amp;quot;self-conscious history&amp;quot; could explain a lot in modern politics and economics. Surely this self-consciousness affects decision making, introducing an element of chutzpah that&#39;s largely absent from everyday life. Maybe this leads to a kind of &lt;a href=&#34;http://en.wikipedia.org/wiki/Semiotic&#34;&gt;semiotics&lt;/a&gt; for events, how they are perceived, communicated, and given response.&lt;/p&gt;
&lt;p&gt;Lastly, Johnson&#39;s last quarter of the book is circles around the &amp;quot;triumph of urbanism.&amp;quot;3 You can see some of his current work peeking out here--recently manifested in his writing about the &lt;a href=&#34;http://www.nytimes.com/2006/10/08/magazine/08games.html?ex=1317960000&amp;amp;en=d551133c9414ebbd&amp;amp;ei=5090&#34;&gt;Long Zoom&lt;/a&gt;, the web service &lt;a href=&#34;http://outside.in/&#34;&gt;outside.in&lt;/a&gt;, and his new column &lt;a href=&#34;http://johnson.blogs.nytimes.com/&#34;&gt;Urban Planet&lt;/a&gt; ($). I don&#39;t think I&#39;m as optimistic as Johnson is about urban society (probably because I&#39;m more politically cynical), but there are some cool thoughts about the metropolis providing a critical mass of local knowledge, expertise, spontaneity, economies of scale, etc.&lt;/p&gt;
&lt;p&gt;Hm. There&#39;s a lot of food for thought here. It&#39;s a keeper.&lt;/p&gt;
&lt;p&gt;--- Footnotes, for those following along at home. 1. page 15, more on 126 2. page 32 3. page 203&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 27, 2006</title>
    <link href="https://mlarson.org/2006/11/27/20061127273/"/>
    <updated>2006-11-27T00:18:39.000Z</updated>
    <id>https://mlarson.org/2006/11/27/20061127273/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=2Hp-EArV6s8&amp;amp;eurl=&#34;&gt;Roger&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=OCr34bGccwU&#34;&gt;Federer&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=MXSHuaOqKTs&#34;&gt;is&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=M3Db9asWTLs&#34;&gt;so&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=XUn7xMDj1Tk&#34;&gt;completely&lt;/a&gt; &lt;a href=&#34;http://www.youtube.com/watch?v=1KX0tW2MZyc&#34;&gt;amazing&lt;/a&gt;. David Foster Wallace writes about &lt;a href=&#34;http://www.nytimes.com/2006/08/20/sports/playmagazine/20federer.html?ex=1313726400&amp;amp;en=716968175e36505e&amp;amp;ei=5090&#34;&gt;Federer as Religious Experience&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 26, 2006</title>
    <link href="https://mlarson.org/2006/11/26/20061126269/"/>
    <updated>2006-11-26T22:17:50.000Z</updated>
    <id>https://mlarson.org/2006/11/26/20061126269/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://10minutemail.com/10MinuteMail/index.html&#34;&gt;10 Minute Mail is a service that gives you a temporary e-mail address&lt;/a&gt;. Could come in handy for those pesky online newspaper registrations or other confirmation protocols, but I wonder if it will just get blacklisted one day? &lt;a href=&#34;http://www.bugmenot.com/&#34;&gt;BugMeNot&lt;/a&gt; offers another reliable way to get around those registration walls.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 26, 2006</title>
    <link href="https://mlarson.org/2006/11/26/20061126268/"/>
    <updated>2006-11-26T22:11:38.000Z</updated>
    <id>https://mlarson.org/2006/11/26/20061126268/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/ref/books/review/20061203notable-books.html?ex=1322802000&amp;amp;en=e0047e2b90e289f6&amp;amp;ei=5090&amp;amp;partner=rssuserland&amp;amp;emc=rss&#34;&gt;The New York Times offers a list of this year&#39;s most notable books&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 25, 2006</title>
    <link href="https://mlarson.org/2006/11/25/20061125267/"/>
    <updated>2006-11-25T19:37:11.000Z</updated>
    <id>https://mlarson.org/2006/11/25/20061125267/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nintendo.com/&#34;&gt;Nintendo&#39;s&lt;/a&gt; latest videogame console, the Wii, is &lt;a href=&#34;http://online.wsj.com/public/article/SB116441076273232312-IHR8Xf3YEG61QlW0e7hA_kHAA8w_20061224.html?mod=tff_main_tff_top&#34;&gt;giving sedentary gamers some exercise with its motion-control gameplay&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 24, 2006</title>
    <link href="https://mlarson.org/2006/11/24/20061124266/"/>
    <updated>2006-11-24T16:47:24.000Z</updated>
    <id>https://mlarson.org/2006/11/24/20061124266/</id>
    <content type="html">&lt;p&gt;I like the cover art by &lt;a href=&#34;http://en.wikipedia.org/wiki/Chris_Ware&#34;&gt;Chris Ware&lt;/a&gt; on &lt;a href=&#34;http://www.newyorker.com/online/content/articles/061127on_caption_index1&#34;&gt;the latest issues of the New Yorker&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 24, 2006</title>
    <link href="https://mlarson.org/2006/11/24/20061124265/"/>
    <updated>2006-11-24T09:35:38.000Z</updated>
    <id>https://mlarson.org/2006/11/24/20061124265/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.merlinmann.com/&#34;&gt;Merlin Mann&lt;/a&gt; has a &lt;a href=&#34;http://www.youtube.com/view_play_list?p=117223CE7B75EFFD&#34;&gt;little series of videos where he plays the guy who is always on his phone&lt;/a&gt;. Favorite excerpts:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;It was actually kind of my idea so I&#39;m kind of into it. You wish you had it this good!&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;quot;You know what I don&#39;t need today? The psychedelic mind-waffle.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 23, 2006</title>
    <link href="https://mlarson.org/2006/11/23/20061123262/"/>
    <updated>2006-11-23T00:26:37.000Z</updated>
    <id>https://mlarson.org/2006/11/23/20061123262/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://sofia.fhda.edu/gallery/typography/lessons.html&#34;&gt;This set of typography lessons is wonderful&lt;/a&gt;. I have much to learn. There are so many cool links and tutorials in there. Well worth the time of anyone who cares about art and words and reading and writing and the nuances of presentation.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2006</title>
    <link href="https://mlarson.org/2006/11/22/20061122263/"/>
    <updated>2006-11-22T21:41:55.000Z</updated>
    <id>https://mlarson.org/2006/11/22/20061122263/</id>
    <content type="html">&lt;p&gt;Via &lt;a href=&#34;http://www.dooce.com&#34;&gt;Dooce&lt;/a&gt;, a &lt;a href=&#34;http://www.youtube.com/watch?v=HttF5HVYtlQ&#34;&gt;video of a baby laughing&lt;/a&gt;. I&#39;m sure you will, too. I love that wheezy cackle. &lt;a href=&#34;http://www.youtube.com/watch?v=sx8e5Io63LY&amp;amp;mode=related&amp;amp;search=&#34;&gt;These 4 babies are also great&lt;/a&gt;... if just a little creepy in a robot/clone sort of way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2006</title>
    <link href="https://mlarson.org/2006/11/22/20061122261/"/>
    <updated>2006-11-22T20:58:11.000Z</updated>
    <id>https://mlarson.org/2006/11/22/20061122261/</id>
    <content type="html">&lt;p&gt;I like this &lt;a href=&#34;http://locksport.com/home/index.php?entry=entry061027-222056&#34;&gt;comic-form introduction to lockpicking&lt;/a&gt;. Seems like a great media for something so visual, but somewhat complex.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2006</title>
    <link href="https://mlarson.org/2006/11/22/20061122260/"/>
    <updated>2006-11-22T20:53:02.000Z</updated>
    <id>https://mlarson.org/2006/11/22/20061122260/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.wired.com/news/wiredmag/0,72138-0.html&#34;&gt;Wired has a new piece&lt;/a&gt; about the recent &lt;a href=&#34;http://en.wikipedia.org/wiki/Lonelygirl15&#34;&gt;lonelygirl15 video phenomenon&lt;/a&gt;. I like the embedded video within the article. I wish more journalists would embrace the contextual possibilities of the web like that.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 22, 2006</title>
    <link href="https://mlarson.org/2006/11/22/20061122259/"/>
    <updated>2006-11-22T20:29:36.000Z</updated>
    <id>https://mlarson.org/2006/11/22/20061122259/</id>
    <content type="html">&lt;p&gt;And now &lt;a href=&#34;http://www.43folders.com/2006/11/21/productive-talk-08/#more-796&#34;&gt;the final chapter of the Productive Talks between Merlin Mann and David Allen&lt;/a&gt;. This one was focused on what was missing from the original publication of &lt;a href=&#34;http://www.amazon.com/Getting-Things-Done-Stress-Free-Productivity/dp/0142000280&#34;&gt;Getting Things Done&lt;/a&gt;, and where the system might head in the future.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Weekend recap</title>
    <link href="https://mlarson.org/2006/11/21/20061121weekend-recap/"/>
    <updated>2006-11-21T22:52:01.000Z</updated>
    <id>https://mlarson.org/2006/11/21/20061121weekend-recap/</id>
    <content type="html">&lt;p&gt;I got back from Virginia this afternoon. There are few things that can make you appreciate stillness like driving 1400 miles. Funny thing about driving solo: you know you&#39;re getting bored when you start talking to yourself. And you know it&#39;s getting even worse when you &lt;em&gt;stop&lt;/em&gt; talking to yourself. But it was a pleasant trip all in all. Great wedding, good friends, perfect weather, and all of my bad dancing that I&#39;d really prefer others not to remember. &lt;a href=&#34;http://www.staunton.va.us/&#34;&gt;Staunton&lt;/a&gt; was a cool little town with some great old-school architecture in the historic district. I spent quite a bit of time pounding the pavement in the surrounding neighborhoods. Noteable landmarks were the campuses of &lt;a href=&#34;http://www.mbc.edu/&#34;&gt;Mary Baldwin College&lt;/a&gt;, and the &lt;a href=&#34;http://www.vsdbs.virginia.gov/&#34;&gt;Virginia School for the Deaf and the Blind&lt;/a&gt;. I also discovered that Staunton is the home of the &lt;a href=&#34;http://www.woodrowwilson.org/&#34;&gt;Woodrow Wilson Presidential Library&lt;/a&gt; and the &lt;a href=&#34;http://www.americanshakespearecenter.com/&#34;&gt;Blackfriar&#39;s Playhouse&lt;/a&gt;, a modern-day replica of the 16th-century &lt;a href=&#34;http://en.wikipedia.org/wiki/Blackfriars_Theatre&#34;&gt;Blackfriar&#39;s Theatre&lt;/a&gt; in London.&lt;/p&gt;
&lt;p&gt;I noticed one particular thing when I was walking around that I thought was a little odd. Staunton is a hilly town, and like many hilly towns you&#39;ll find the largest, most well-appointed houses on the tops of the hills. Wealth tends to rise like that. No surprise there. But when I was walking around in the &lt;a href=&#34;http://maps.google.com/maps?q=Staunton,+VA&amp;amp;ie=UTF8&amp;amp;z=15&amp;amp;ll=38.151736,-79.0868&amp;amp;spn=0.013668,0.040298&amp;amp;om=1&amp;amp;iwloc=addr&#34;&gt;town cemetery&lt;/a&gt; (the grey area on the map), the pattern was reversed. Down at the bottom of the hill near the main road you could find the half-dozen or so sturdy marble vaults for the wealthy folk. As you approach the top of the hill the plots were smaller and more densely packed, and the headstones generally more modest. So there&#39;s a curious geographic reversal from life to death.&lt;/p&gt;
&lt;p&gt;Of course, befitting the South, the very tip-top of the hill was reserved for a monument to fallen Confederate soldiers. Never forget, etc.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 21, 2006</title>
    <link href="https://mlarson.org/2006/11/21/20061121255/"/>
    <updated>2006-11-21T11:40:53.000Z</updated>
    <id>https://mlarson.org/2006/11/21/20061121255/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nyinquirer.com/nyinquirer/2006/11/an_interview_wi.html&#34;&gt;New York Inquirer interviews Keith Gessen&lt;/a&gt; of the &lt;a href=&#34;http://www.nplusonemag.com/&#34;&gt;literary magazine n+1&lt;/a&gt;, sometimes rival to &lt;a href=&#34;http://www.mcsweeneys.net/&#34;&gt;McSweeney&#39;s&lt;/a&gt;. I like his comments on book reviews:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;One of the few rules we have for book reviews is that they can&#39;t be about dead authors. It&#39;s very easy to say I love Tolstoy or Flaubert or whoever, and my contemporaries are not up to that standard... ItÄôs fun, I&#39;ll admitÄîbut in the end nothing could be less interesting or useful. And nothing could tell us less about the way we live now.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 20, 2006</title>
    <link href="https://mlarson.org/2006/11/20/20061120254/"/>
    <updated>2006-11-20T14:35:05.000Z</updated>
    <id>https://mlarson.org/2006/11/20/20061120254/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newscientist.com/channel/opinion/classic-articles?DCMP=NLC-nletter&amp;amp;nsref=classic-articles&#34;&gt;The top articles from the past 50 years of The New Scientist&lt;/a&gt;. Titles like these are so funny in hindsight:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Launch of Sputnik 1: How soon to the moon? How can Man improve Man? Is Pluto no bigger than the moon? Is evolution a traveller from outer space?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 19, 2006</title>
    <link href="https://mlarson.org/2006/11/19/20061119253/"/>
    <updated>2006-11-19T14:15:50.000Z</updated>
    <id>https://mlarson.org/2006/11/19/20061119253/</id>
    <content type="html">&lt;p&gt;The latest issue of &lt;a href=&#34;http://www.discover.com/issues/dec-06/features/25-greatest-science-books/&#34;&gt;Discover magazine highlights the 25 Greatest Science Books of All Time&lt;/a&gt;. Darwin snags the top 2 with &lt;em&gt;The Voyage of the Beagle&lt;/em&gt; and &lt;em&gt;The Origin of Species&lt;/em&gt;, with Newton&#39;s &lt;em&gt;Principia Mathematica&lt;/em&gt; following in a close third.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Time for a road trip!</title>
    <link href="https://mlarson.org/2006/11/18/20061118time-for-a-road-trip/"/>
    <updated>2006-11-18T04:16:16.000Z</updated>
    <id>https://mlarson.org/2006/11/18/20061118time-for-a-road-trip/</id>
    <content type="html">&lt;p&gt;This weekend I&#39;m heading up to &lt;a href=&#34;http://en.wikipedia.org/wiki/Virginia&#34;&gt;Old Dominion&lt;/a&gt; for a wedding in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Waynesboro%2C_Virginia&#34;&gt;Waynesboro&lt;/a&gt;/ &lt;a href=&#34;http://en.wikipedia.org/wiki/Staunton%2C_Virginia&#34;&gt;Staunton&lt;/a&gt; area. After that I&#39;ll be cruising south to see some friends in &lt;a href=&#34;http://en.wikipedia.org/wiki/Raleigh&#34;&gt;Raleigh&lt;/a&gt; on the way home. I&#39;ll try to squeeze in some time to meet my &lt;a href=&#34;http://www.fussy.org/nablopomo.html&#34;&gt;NaBloPoMo&lt;/a&gt; quota, and I&#39;ll be back to full-steam blogging sometime on Tuesday night.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 18, 2006</title>
    <link href="https://mlarson.org/2006/11/18/20061118252/"/>
    <updated>2006-11-18T00:34:35.000Z</updated>
    <id>https://mlarson.org/2006/11/18/20061118252/</id>
    <content type="html">&lt;p&gt;There are a &lt;a href=&#34;http://www.cabel.name/2006/11/kettle-chips-beta.html&#34;&gt;several different flavors of Kettle Chips in beta right now&lt;/a&gt;. Yes, &lt;em&gt;beta&lt;/em&gt;. You, too, can be one of the illustrious taste-testers for a mere $20. [via &lt;a href=&#34;http://daringfireball.net&#34;&gt;df&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2006</title>
    <link href="https://mlarson.org/2006/11/17/20061117256/"/>
    <updated>2006-11-17T23:01:24.000Z</updated>
    <id>https://mlarson.org/2006/11/17/20061117256/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dooce.com/archives/daily/11_15_2006.html&#34;&gt;A lucid bit from Heather Armstrong&#39;s recent trip to New York City&lt;/a&gt;: &amp;quot;I have finally cleared off the 4 gigs of memory cards I filled taking pictures in New York, and sadly more than half of them are blurry because every time I went to take a photo I kept thinking MUST KEEP MOVING. OR DIE. That city will totally do it to you, make you think that unless you are in a constant state of forward trajectory your lungs will stop working. And so everyone is running around on a small high of caffeine and panic, a feeling not unlike the buzz you get from certain ADD medications.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2006</title>
    <link href="https://mlarson.org/2006/11/17/20061117251/"/>
    <updated>2006-11-17T15:38:32.000Z</updated>
    <id>https://mlarson.org/2006/11/17/20061117251/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.vdoogle.com/&#34;&gt;VDoogle lets you search across all the major video sites&lt;/a&gt;. [via &lt;a href=&#34;http://www.lifehacker.com&#34;&gt;lh&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2006</title>
    <link href="https://mlarson.org/2006/11/17/20061117250/"/>
    <updated>2006-11-17T15:14:43.000Z</updated>
    <id>https://mlarson.org/2006/11/17/20061117250/</id>
    <content type="html">&lt;p&gt;Greg Sandow highlights some interesting &lt;a href=&#34;http://www.artsjournal.com/sandow/2006/11/how_to_attract_a_young_audienc.html&#34;&gt;ideas to bring young audiences to classical music performances&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You don&#39;t need to shorten, sugarcoat, or simplify the classical pieces. The people hear them just as easily as they hear the pop stuff. And, maybe best of all, it takes classical music off its pedestal, and makes it nothing more (but also nothing less) than something terrific to listen to.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 17, 2006</title>
    <link href="https://mlarson.org/2006/11/17/20061117249/"/>
    <updated>2006-11-17T06:59:36.000Z</updated>
    <id>https://mlarson.org/2006/11/17/20061117249/</id>
    <content type="html">&lt;p&gt;Here&#39;s a weekly &lt;a href=&#34;http://www.spamhaus.org/statistics/spammers.lasso&#34;&gt;rogues gallery for the world&#39;s worst spammers&lt;/a&gt;. And here are &lt;a href=&#34;http://www.spamhaus.org/rokso/index.lasso&#34;&gt;the top 200 operations&lt;/a&gt;, accounting for about 4 of every 5 spam e-mails you get. &amp;quot;Spam gang.&amp;quot; That is so... weird. [via &lt;a href=&#34;http://www.joshuablankenship.com/blog/&#34;&gt;jb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 16, 2006</title>
    <link href="https://mlarson.org/2006/11/16/20061116244/"/>
    <updated>2006-11-16T01:06:26.000Z</updated>
    <id>https://mlarson.org/2006/11/16/20061116244/</id>
    <content type="html">&lt;p&gt;David von Drehle writes that our &lt;a href=&#34;http://www.washingtonpost.com/wp-dyn/content/article/2006/11/08/AR2006110801477_pf.html&#34;&gt;obsession with physical appearance may not be so shallow&lt;/a&gt;. It&#39;s a nice essay on the (eternal) issues of society, beauty, and self-image:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Critics sometimes refer longingly to earlier times, when Rubensesque nudes and Marilyn Monroe bombshells rang the beauty bell without starving themselves. When I really studied those earlier pictures, though, it struck me that the issue isn&#39;t really weight, but maturity. Something similar appears in the Greek and Roman marbles. Older gods remained fit and powerful, but their bodies were broader and fleshier; Zeus wasn&#39;t trying to fit into the same jeans he wore when he was Mercury&#39;s age.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>&#34;Repent, Harlequin!&#34; Said the Ticktockman (review: 2.5/5)</title>
    <link href="https://mlarson.org/2006/11/16/20061116repent-harlequin-said-the-ticktockman-review-255/"/>
    <updated>2006-11-16T00:33:34.000Z</updated>
    <id>https://mlarson.org/2006/11/16/20061116repent-harlequin-said-the-ticktockman-review-255/</id>
    <content type="html">&lt;p&gt;Back in the 60s, &lt;a href=&#34;http://en.wikipedia.org/wiki/Harlan_Ellison&#34;&gt;Harlan Ellison&lt;/a&gt; wrote this story in one 6-hour session. That original draft became the final published document, almost entirely unchanged, and went on to earn both the Hugo and the Nebula award for short stories. So this one has street cred. Fast-forward to modern times, the &lt;a href=&#34;http://www.amazon.com/Repent-Harlequin-Said-Ticktockman-Classic/dp/1887424350&#34;&gt;oversized illustrated version of this story&lt;/a&gt; caught my eye. I&#39;m a sucker for books of outrageous proportions. The story is set in one of those oppressive future societies that we just might be hurtling towards. In this one, it is Time that is under the most strict control of the Ticktockman. Life is run by the clock. Tardiness is punished by proportional reduction in own&#39;s one lifespan. Of course, there&#39;s a hero, the Harlequin, who skitters about making merry and getting things off schedule. It&#39;s a light, breezy read.&lt;/p&gt;
&lt;p&gt;I ended this book feeling pretty well unaffected. Eh. I don&#39;t normally read short stories, so maybe my expectations are out of whack. The illustrations are interesting as you flip through the story, but not really worth going back to examine. As a stand-alone title, I don&#39;t think it holds up. But it would be nice as part of a collection.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2006</title>
    <link href="https://mlarson.org/2006/11/15/20061115247/"/>
    <updated>2006-11-15T23:56:06.000Z</updated>
    <id>https://mlarson.org/2006/11/15/20061115247/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nationalbook.org/nbawinners2000.html#six&#34;&gt;The 2006 National Book Awards have been announced&lt;/a&gt;. &lt;a href=&#34;http://www.amazon.com/Only-Revolutions-Mark-Z-Danielewski/dp/0375421769&#34;&gt;Only Revolutions&lt;/a&gt; was one of the fiction finalists. I started it just a few days ago, and think I&#39;m starting to get it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2006</title>
    <link href="https://mlarson.org/2006/11/15/20061115245/"/>
    <updated>2006-11-15T23:15:44.000Z</updated>
    <id>https://mlarson.org/2006/11/15/20061115245/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=vr3x_RRJdd4&#34;&gt;Video of a guy who got shut down by the cops for giving away free hugs&lt;/a&gt;. I love this sort of ad hoc community building.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2006</title>
    <link href="https://mlarson.org/2006/11/15/20061115239/"/>
    <updated>2006-11-15T09:50:50.000Z</updated>
    <id>https://mlarson.org/2006/11/15/20061115239/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Henry_Darger&#34;&gt;Henry Darger&lt;/a&gt; is one of the more notable creators of &lt;a href=&#34;http://en.wikipedia.org/wiki/Outsider_art&#34;&gt;outsider art&lt;/a&gt;. When living in Chicago as an adult, Darger went to church every day, worked as a janitor, and generally kept to himself. On the side, he wrote a 15,143-page illustrated fantasy, &lt;em&gt;The Story of the Vivian Girls&lt;/em&gt;, which wasn&#39;t discovered until after his death. It&#39;s just fascinating on so many levels. Here a &lt;a href=&#34;http://dir.salon.com/story/books/review/2002/07/23/darger/index.html&#34;&gt;longer profile of Darger at Salon&lt;/a&gt;, and a nice little &lt;a href=&#34;http://www.saraayers.com/darger.htm&#34;&gt;essay&lt;/a&gt; with links to a great collection of &lt;a href=&#34;http://www.hammergallery.com/Artists/darger/Darger.htm&#34;&gt;the artwork&lt;/a&gt; and other resources. Last year, PBS featured a &lt;a href=&#34;http://www.pbs.org/pov/pov2005/intherealms/index.html&#34;&gt;documentary and a tour&lt;/a&gt; of his work. And don&#39;t forget to stop by and see the Flickr &lt;a href=&#34;http://www.flickr.com/search/?q=darger&#34;&gt;photos tagged with &amp;quot;Darger&amp;quot;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2006</title>
    <link href="https://mlarson.org/2006/11/15/20061115243/"/>
    <updated>2006-11-15T01:45:08.000Z</updated>
    <id>https://mlarson.org/2006/11/15/20061115243/</id>
    <content type="html">&lt;p&gt;&amp;quot;The &lt;a href=&#34;http://www.gethuman.com/&#34;&gt;gethuman project&lt;/a&gt; is a consumer movement to improve the quality of phone support in the US.&amp;quot; &lt;a href=&#34;http://www.gethuman.com/standard/v1.0.html&#34;&gt;Version 1.0 of their standard service requisites&lt;/a&gt; was published about a month ago, and also has some suggested &amp;quot;gold standards&amp;quot;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 15, 2006</title>
    <link href="https://mlarson.org/2006/11/15/20061115242/"/>
    <updated>2006-11-15T01:23:12.000Z</updated>
    <id>https://mlarson.org/2006/11/15/20061115242/</id>
    <content type="html">&lt;p&gt;Anyone else getting a lot of Italian spam lately? Maybe I just have that &lt;em&gt;qualcosa speciale&lt;/em&gt;. But still I offer my thanks to &lt;a href=&#34;http://akismet.com/&#34;&gt;Akismet&lt;/a&gt; for making this rather painless.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2006</title>
    <link href="https://mlarson.org/2006/11/14/20061114241/"/>
    <updated>2006-11-14T15:32:03.000Z</updated>
    <id>https://mlarson.org/2006/11/14/20061114241/</id>
    <content type="html">&lt;p&gt;I spent the morning listening to all the &lt;a href=&#34;http://odeo.com/channel/34348/view/&#34;&gt;Productive Talks&lt;/a&gt; podcasts at &lt;a href=&#34;http://www.43folders.com/&#34;&gt;43 Folders&lt;/a&gt;, a series of dialogues between productivity gurus &lt;a href=&#34;http://www.merlinmann.com/&#34;&gt;Merlin Mann&lt;/a&gt; and &lt;a href=&#34;http://www.davidco.com/&#34;&gt;David Allen&lt;/a&gt;. They are excellent conversations on GTD philosophy and action, without &lt;a href=&#34;http://www.kottke.org/06/11/not-always&#34;&gt;much packaging fluff&lt;/a&gt;. David has some hilarious ranting in the &lt;a href=&#34;http://odeo.com/show/2270040/view&#34;&gt;fifth episode about e-mail&lt;/a&gt;. Really, why are we still whining about e-mail? Another good moment came in a brief detour about kids being raised in a GTD household: &amp;quot;That&#39;s great, Grandma, but what&#39;s the next action here?&amp;quot; I love it. And then there&#39;s this important philosophical bit to keep in mind: &amp;quot;Quite frankly, you shouldn&#39;t be thinking about GTD.&amp;quot;&lt;/p&gt;
&lt;p&gt;I&#39;ve taken first steps to collect and process, and I can see how easy it is to get distracted by &amp;quot;perfecting your system,&amp;quot; when really it&#39;s just another project to be evaluated and processed. Lastly, I love how fast they talk. It&#39;s such a nice change from some other o-ver a-nun-ci-at-ed podcasts I&#39;ve heard. Go listen, but you might want to &lt;a href=&#34;http://www.amazon.com/Getting-Things-Done-Stress-Free-Productivity/dp/0142000280&#34;&gt;read the book first&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Booksport</title>
    <link href="https://mlarson.org/2006/11/14/20061114240/"/>
    <updated>2006-11-14T14:04:43.000Z</updated>
    <id>https://mlarson.org/2006/11/14/20061114240/</id>
    <content type="html">&lt;p&gt;I invented a word last night as I was going to sleep: booksport. At least, I&#39;d never heard it before. I&#39;m not sure why, but whenever I&#39;m picking a book to read before I go to bed, I always think, &amp;quot;Which one can I finish tonight?&amp;quot;--regardless of what other books I&#39;m in the middle of. Anyway, I was reading myself to sleep, and in the final throes of consciousness I had this vision of reading &lt;em&gt;qua&lt;/em&gt; sporting event: mad page-flipping, accumulating points for finishing longer books, paper cuts and medical teams, smug readers wearing sunglasses during competition, etc. Luckily I managed to scribble a groggy note about this that was still legible in the morning.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2006</title>
    <link href="https://mlarson.org/2006/11/14/20061114238/"/>
    <updated>2006-11-14T13:16:31.000Z</updated>
    <id>https://mlarson.org/2006/11/14/20061114238/</id>
    <content type="html">&lt;p&gt;Here are some plates from Alexander Jamieson&#39;s 1822 book, &lt;a href=&#34;http://www.usno.navy.mil/library/artwork/jamieson.htm&#34;&gt;A Celestial Atlas: Comprising a Systematic Display of the Heavens in a Series of Thirty Maps&lt;/a&gt;. That there is just beautiful stuff.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 14, 2006</title>
    <link href="https://mlarson.org/2006/11/14/20061114237/"/>
    <updated>2006-11-14T00:34:12.000Z</updated>
    <id>https://mlarson.org/2006/11/14/20061114237/</id>
    <content type="html">&lt;p&gt;The best excuse to dress warmly and sit in a dark, open space this weekend: &lt;a href=&#34;http://en.wikipedia.org/wiki/Leonids&#34;&gt;the Leonid meteor shower is coming&lt;/a&gt;. The American Meteor Society has some good &lt;a href=&#34;http://www.amsmeteors.org/showers.html#leonids&#34;&gt;timing and viewing tips&lt;/a&gt;. The viewing should be a little better than previous years, as we&#39;ll at least have the benefit of a &lt;a href=&#34;http://en.wikipedia.org/wiki/Table_of_lunar_phases#2006&#34;&gt;new moon this weekend&lt;/a&gt;. And if you&#39;re willing to travel a bit, the &lt;a href=&#34;http://www.darksky.org/darksky/&#34;&gt;International Dark Sky Association can help you find a good spot&lt;/a&gt; for optimal meteor consumption (away from &lt;a href=&#34;http://visibleearth.nasa.gov/view_rec.php?vev1id=5826&#34;&gt;city lights&lt;/a&gt;).&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2006</title>
    <link href="https://mlarson.org/2006/11/13/20061113236/"/>
    <updated>2006-11-13T22:39:16.000Z</updated>
    <id>https://mlarson.org/2006/11/13/20061113236/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.reputationdefender.com/index.php&#34;&gt;ReputationDefender&lt;/a&gt; is a service &amp;quot;created to defend your and your family&#39;s good name on the Internet.&amp;quot; The two-part goal is &amp;quot;to SEARCH out all information about you and/or your child on the Internet&amp;quot; and &amp;quot;to DESTROY, at your command, all inaccurate, inappropriate, hurtful, and slanderous information about you and/or your child using our proprietary in-house methodology.&amp;quot; I&#39;m just dying to know what the &amp;quot;proprietary in-house methodology&amp;quot; is. Looks like they have &lt;a href=&#34;http://www.reputationdefender.com/about.php&#34;&gt;a few attorneys on staff&lt;/a&gt;... [via &lt;a href=&#34;http://www.librarystuff.net/2006/11/new-job-for-librarians.html&#34;&gt;library stuff&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2006</title>
    <link href="https://mlarson.org/2006/11/13/20061113235/"/>
    <updated>2006-11-13T08:30:46.000Z</updated>
    <id>https://mlarson.org/2006/11/13/20061113235/</id>
    <content type="html">&lt;p&gt;&amp;quot;I&#39;m a 24-year-old aspiring real estate investor from Sacramento CA. After going to few seminars I bought 8 houses in 8 months across 4 states with no money down. I fixed and sold 2 and then ran out of cash. I am now facing foreclosure on 4 houses. &lt;a href=&#34;http://iamfacingforeclosure.com/&#34;&gt;I&#39;m learning my lessons, finding solutions and blogging about it&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 13, 2006</title>
    <link href="https://mlarson.org/2006/11/13/20061113234/"/>
    <updated>2006-11-13T06:21:13.000Z</updated>
    <id>https://mlarson.org/2006/11/13/20061113234/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.lostamerica.com/index.html&#34;&gt;Lost America&lt;/a&gt; features &amp;quot;night photography of the abandoned roadside west.&amp;quot; Troy Paiva uses really long exposures so he can do &amp;quot;light painting&amp;quot; to customize all the atmospheric colors.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Reinventing Comics (review: 3/5)</title>
    <link href="https://mlarson.org/2006/11/13/20061113reinventing-comics-review-35/"/>
    <updated>2006-11-13T02:17:54.000Z</updated>
    <id>https://mlarson.org/2006/11/13/20061113reinventing-comics-review-35/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Reinventing-Comics-Imagination-Technology-Revolutionizing/dp/0060953500/sr=8-1/qid=1163399784/ref=pd_bbs_sr_1/103-6005833-6755817?ie=UTF8&amp;amp;s=books&#34;&gt;Reinventing Comics&lt;/a&gt; is the middle child in the McCloud comics trilogy. I found it to be the weakest and least interesting of the three. (see my reviews of &lt;a href=&#34;/mark-larson-1/2006/11/04/making-comics-review-455&#34;&gt;Making Comics&lt;/a&gt; and &lt;a href=&#34;/mark-larson-1/2006/10/22/understanding-comics-review-455&#34;&gt;Understanding Comics&lt;/a&gt;) Not bad, but nothing special. &lt;a href=&#34;http://www.scottmccloud.com/store/books/rc.html&#34;&gt;McCloud himself&lt;/a&gt; sums up nicely:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I believe that Reinventing Comics has genuine flaws. The two halves don&#39;t always work well together, the storytelling is frequently stiffer and less convincing, and my enthusiastic advocacy of online comics is rarely tempered by some of the bleaker, more pessimistic scenarios offered by other writers in recent years. It was a harder book to write than Understanding Comics and, from all reports, a harder book to read.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Reinventing Comics came about in the midst of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Dot_com_boom&#34;&gt;dot-com boom&lt;/a&gt;, and you can see the e-nthusiasm popping out every which way in this book. The book discusses the 12 &amp;quot;revolutions&amp;quot; that comics will have to go through to achieve maturity and (ideally) financial stability. One really cool thing is that McCloud seems to anticipate the arrival of &lt;a href=&#34;http://en.wikipedia.org/wiki/Long_tail&#34;&gt;Long Tail&lt;/a&gt; economics, with the web giving comics the ability to penetrate down to ever smaller niches.&lt;/p&gt;
&lt;p&gt;I have to absolutely agree with McCloud&#39;s idea that &amp;quot;the digital delivery of comics has the potential to revolutionize the industry, and that the aesthetic opportunities of digital comics are enormous.&amp;quot; Unfortunately, I think RC shortchanges itself. It&#39;s this business bias that caught me off-guard--RC is very much focused on the structure of the industry, rather than the art it delivers. That&#39;s a shame, because it&#39;s always been McCloud&#39;s thoughts on comics theory that caught my attention. And there are certainly more prescient business writers out there.&lt;/p&gt;
&lt;p&gt;Perhaps his surface treatment of the artistic potential of web comics is a side effect of the medium. That is, it can be really difficult to talk about webspace ideas on the zero-interaction surface of a sheet of paper. I&#39;d like to hear his thoughts on the aesthetics of digital delivery now that the technology has matured a bit, and after he&#39;s had more time to &lt;a href=&#34;http://www.scottmccloud.com/comics/comics.html&#34;&gt;experiment&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 12, 2006</title>
    <link href="https://mlarson.org/2006/11/12/20061112233/"/>
    <updated>2006-11-12T11:21:46.000Z</updated>
    <id>https://mlarson.org/2006/11/12/20061112233/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/&#34;&gt;Alex Ross&lt;/a&gt; has a &lt;a href=&#34;http://www.newyorker.com/critics/music/articles/061113crmu_music&#34;&gt;great piece on Steve Reich in the New Yorker&lt;/a&gt;, as well as a nice little pile of &lt;a href=&#34;http://www.stevereich.com/&#34;&gt;Reich&lt;/a&gt;-related &lt;a href=&#34;http://www.therestisnoise.com/2006/11/more_on_reich.html&#34;&gt;links on his blog&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2006</title>
    <link href="https://mlarson.org/2006/11/11/20061111232/"/>
    <updated>2006-11-11T23:33:02.000Z</updated>
    <id>https://mlarson.org/2006/11/11/20061111232/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/List_of_fictional_expletives&#34;&gt;Wikipedia article on fictional expletives&lt;/a&gt;, which have commonly been used &amp;quot;to add nuance to the fictional cultures in their work, and sometimes as a form of censorship (or getting around it).&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2006</title>
    <link href="https://mlarson.org/2006/11/11/20061111230/"/>
    <updated>2006-11-11T08:13:21.000Z</updated>
    <id>https://mlarson.org/2006/11/11/20061111230/</id>
    <content type="html">&lt;p&gt;After a nail-biter of an election, the results are in: &lt;a href=&#34;http://www.theonion.com/content/node/54918/print/&#34;&gt;Politicians Sweep Midterm Elections&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 11, 2006</title>
    <link href="https://mlarson.org/2006/11/11/20061111229/"/>
    <updated>2006-11-11T01:32:18.000Z</updated>
    <id>https://mlarson.org/2006/11/11/20061111229/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.stevenberlinjohnson.com&#34;&gt;Steven Johnson&lt;/a&gt; made an &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=6469067&#34;&gt;appearance on NPR yesterday&lt;/a&gt;, talking about his new book &lt;a href=&#34;http://www.amazon.com/Ghost-Map-Steven-Johnson/dp/1594489254&#34;&gt;The Ghost Map&lt;/a&gt;, and epidemiology in general.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2006</title>
    <link href="https://mlarson.org/2006/11/10/20061110228/"/>
    <updated>2006-11-10T11:06:00.000Z</updated>
    <id>https://mlarson.org/2006/11/10/20061110228/</id>
    <content type="html">&lt;p&gt;This is a hilariously unfortunate set of photos: &lt;a href=&#34;http://pigasus.antville.org/stories/1401921/&#34;&gt;&amp;quot;getting your hair cut by a sixth grader.&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2006</title>
    <link href="https://mlarson.org/2006/11/10/20061110227/"/>
    <updated>2006-11-10T07:11:29.000Z</updated>
    <id>https://mlarson.org/2006/11/10/20061110227/</id>
    <content type="html">&lt;p&gt;David Pogue offers &lt;a href=&#34;http://www.nytimes.com/2006/11/09/technology/09pogue.html?_r=2&amp;amp;adxnnl=1&amp;amp;oref=slogin&amp;amp;ref=technology&amp;amp;pagewanted=1&amp;amp;adxnnlx=1163135619-yOuLZ37uYf47pUct6z2Yhg&#34;&gt;a fairly &#39;blah&#39; review of the Zune&lt;/a&gt;, Microsoft&#39;s rival for the iPod. Am I the only person that thinks &lt;a href=&#34;http://www.zune.net/en-us/meetzune/device.htm&#34;&gt;the brown one is really hot&lt;/a&gt;?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 10, 2006</title>
    <link href="https://mlarson.org/2006/11/10/20061110226/"/>
    <updated>2006-11-10T00:11:21.000Z</updated>
    <id>https://mlarson.org/2006/11/10/20061110226/</id>
    <content type="html">&lt;p&gt;This is interesting: &lt;a href=&#34;http://freeamerica.ws/&#34;&gt;Beyond Ballots or Bullets&lt;/a&gt; is a select &amp;quot;workshop to develop freedom strategies&amp;quot;. The mission sets aside both the within-the-system electioneering approach of groups like the &lt;a href=&#34;http://www.lp.org/&#34;&gt;Libertarian Party&lt;/a&gt;, and also sensibly avoids the more antagonistic strategy of violent rebellion. The end result is the application of &lt;a href=&#34;http://freeamerica.ws/links.html&#34;&gt;non-violent civil disobedience&lt;/a&gt;, rooted in the fundamental libertarian &lt;a href=&#34;http://en.wikipedia.org/wiki/Non-aggression_axiom&#34;&gt;non-agression principle&lt;/a&gt;. Cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2006</title>
    <link href="https://mlarson.org/2006/11/09/20061109225/"/>
    <updated>2006-11-09T11:00:09.000Z</updated>
    <id>https://mlarson.org/2006/11/09/20061109225/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kodak.com/US/en/corp/features/onTheRoad/home/index.shtml&#34;&gt;Documentary slides of a road trip from New York to San Francisco, with a photo taken every mile&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2006</title>
    <link href="https://mlarson.org/2006/11/09/20061109224/"/>
    <updated>2006-11-09T02:46:26.000Z</updated>
    <id>https://mlarson.org/2006/11/09/20061109224/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/creativecommons/&#34;&gt;Flickr photographers have offered almost 24 million photos for use under Creative Commons licenses&lt;/a&gt;. That&#39;s just incredible. This is one of those things that makes you remember how cool the Internet is. The times, they are a-changin&#39;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2006</title>
    <link href="https://mlarson.org/2006/11/09/20061109223/"/>
    <updated>2006-11-09T01:45:47.000Z</updated>
    <id>https://mlarson.org/2006/11/09/20061109223/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.publishersweekly.com/article/CA6388182.html?display=current&#34;&gt;Publisher&#39;s Weekly suggests the best books of 2006&lt;/a&gt;. I read &lt;a href=&#34;/mark-larson-1/2006/11/04/making-comics-review-455&#34;&gt;Making Comics&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2006/10/30/the-911-report-a-graphical-adaptation-review-25&#34;&gt;The 9/11 Report: A Graphic Adaptation&lt;/a&gt;, &lt;a href=&#34;/mark-larson-1/2006/10/31/small-is-the-new-big-and-183-other-riffs-rants-and-remarkable-business-ideas-review-355&#34;&gt;Small Is the New Big&lt;/a&gt;, and flipped through &lt;a href=&#34;http://www.amazon.com/Appetit-Cookbook-purchase-subscription-magazine/dp/0764596861&#34;&gt;The Bon App?©tit Cookbook&lt;/a&gt;. I really need some more fiction in my life. I can really enjoy fiction--I wonder why it doesn&#39;t catch my eye as easily? [via &lt;a href=&#34;http://sethgodin.typepad.com/&#34;&gt;sgb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 9, 2006</title>
    <link href="https://mlarson.org/2006/11/09/20061109222/"/>
    <updated>2006-11-09T01:26:57.000Z</updated>
    <id>https://mlarson.org/2006/11/09/20061109222/</id>
    <content type="html">&lt;p&gt;A couple great photos from Rick Santorum&#39;s concession speech... I love &lt;a href=&#34;http://www.merlinmann.com&#34;&gt;Merlin Mann&lt;/a&gt;&#39;s perfect description of &lt;a href=&#34;http://flickr.com/photos/mathowie/292426931&#34;&gt;this one&lt;/a&gt;: &amp;quot;It looks like a promo shot from a local theater production.&amp;quot; And then there&#39;s &lt;a href=&#34;http://www.wonkette.com/politics/rick-santorum/rick-santorums-two-dozen-kids-hate-you-213305.php&#34;&gt;this one&lt;/a&gt;, with the ex-Senator&#39;s son, the &amp;quot;awkward pre-teen flipping off the nation&amp;quot;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2006</title>
    <link href="https://mlarson.org/2006/11/08/20061108220/"/>
    <updated>2006-11-08T01:55:03.000Z</updated>
    <id>https://mlarson.org/2006/11/08/20061108220/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.hm-treasury.gov.uk/independent_reviews/stern_review_economics_climate_change/stern_review_report.cfm&#34;&gt;Stern Review Report on the Economics of Climate Change&lt;/a&gt; has made a bit of a splash lately. &lt;a href=&#34;http://www.kottke.org/remainder/06/11/12169.html&#34;&gt;Jason Kottke&lt;/a&gt; points to the &lt;a href=&#34;http://www.newyorker.com/talk/content/articles/061113ta_talk_cassidy&#34;&gt;recent New Yorker article&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;At the launch presentation of his report, Stern pointed out that global warming is a textbook case of an Äúexternality,Äù in which the prices people pay for gasoline, electric power, and other energy products donÄôt reflect their true costs, among them the impact of greenhouse gases. ÄúOur emissions affect the lives of others,Äù he explained. ÄúWhen people do not pay for the consequences of their actions, we have market failure. This is the greatest market failure the world has seen.Äù&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Well, no, it&#39;s not a &amp;quot;market failure&amp;quot;. The lack of consequences for unethical actions is a failure to enforce &lt;a href=&#34;http://www.mises.org/story/2120&#34;&gt;law and property rights&lt;/a&gt;, i.e. &lt;em&gt;failure to govern&lt;/em&gt;. I have no objections to the science of climate change, as far as I understand it. If only our common grasp of political economics were as robust! And while we&#39;re talking about the &amp;quot;textbook case&amp;quot; of an &lt;a href=&#34;http://www.mises.org/freemarket_detail.asp?control=367&amp;amp;sortorder=articledate&#34;&gt;externality&lt;/a&gt;--read up on &lt;a href=&#34;http://www.mises.org/asc/2003/asc9simpson.pdf&#34;&gt;why externalities are not a case of market failure&lt;/a&gt; [pdf]. See also &lt;a href=&#34;http://www.mises.org/journals/jls/9_1/9_1_2.pdf&#34;&gt;the fallacy public goods&lt;/a&gt; [pdf]. End soapbox.&lt;/p&gt;
&lt;p&gt;Bonus material: Here&#39;s the &lt;a href=&#34;http://news.bbc.co.uk/2/hi/business/6096084.stm&#34;&gt;BBC article&lt;/a&gt; and &lt;a href=&#34;http://news.bbc.co.uk/2/hi/business/6098362.stm&#34;&gt;summary of the Stern Report&lt;/a&gt;. And of course, the Wall Street Journal has a &lt;a href=&#34;http://www.opinionjournal.com/forms/printThis.html?id=110009181&#34;&gt;couple&lt;/a&gt; &lt;a href=&#34;http://www.opinionjournal.com/extra/?id=110009182&#34;&gt;responses&lt;/a&gt;. Have a great day.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2006</title>
    <link href="https://mlarson.org/2006/11/08/20061108219/"/>
    <updated>2006-11-08T01:01:25.000Z</updated>
    <id>https://mlarson.org/2006/11/08/20061108219/</id>
    <content type="html">&lt;p&gt;I love how the content on &lt;a href=&#34;http://www.designbyfire.com/&#34;&gt;Design by Fire&lt;/a&gt; fades in and out as you scroll. Very cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 8, 2006</title>
    <link href="https://mlarson.org/2006/11/08/20061108218/"/>
    <updated>2006-11-08T00:56:21.000Z</updated>
    <id>https://mlarson.org/2006/11/08/20061108218/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/ref/elections/2006/House.html&#34;&gt;The New York Times has a nice infographic for election results&lt;/a&gt;. &lt;a href=&#34;http://www.daringfireball.net&#34;&gt;John Gruber&lt;/a&gt; also points to the &lt;a href=&#34;http://www.ojr.org/ojr/stories/060605niles/&#34;&gt;&amp;quot;programming as journalism&amp;quot; connection&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Lincoln Unmasked (review: 2.5/5)</title>
    <link href="https://mlarson.org/2006/11/07/20061107lincoln-unmasked-review-35/"/>
    <updated>2006-11-07T22:05:34.000Z</updated>
    <id>https://mlarson.org/2006/11/07/20061107lincoln-unmasked-review-35/</id>
    <content type="html">&lt;p&gt;I was a bit underwhelmed with this latest book from &lt;a href=&#34;http://en.wikipedia.org/wiki/Thomas_DiLorenzo&#34;&gt;Thomas DiLorenzo&lt;/a&gt;. In &lt;a href=&#34;http://www.amazon.com/Lincoln-Unmasked-Youre-Supposed-Dishonest/dp/030733841X/sr=8-1/qid=1162959431/ref=pd_bbs_sr_1/102-1092419-5986520?ie=UTF8&amp;amp;s=books&#34;&gt;Lincoln Unmasked&lt;/a&gt;, you&#39;ll find a collection of criticism of one of the most-worshipped Presidents. DiLorenzo offers up a variety of evidence against the common coin Lincoln legacy: that he was a railroad lobbyist entrenched in big business politics; he was willing to compromise on the slavery issue; he first introduced the era of the President &lt;em&gt;qua&lt;/em&gt; dictator; etc. Fair enough. I won&#39;t dispute those facts. Revealing and fleshing out those issues would have been plenty, and I think DiLorenzo is at his best when he&#39;s doing that kind of nut-and-bolts history. I really like this kind of counter-cultural, libertarian guerrilla criticism. But it&#39;s easy to get distracted while attacking the totem. In the course of his arguments, DiLorenzo also delivers a fair amount of invective against the &amp;quot;Cult of Lincoln,&amp;quot; and much of the book is not really about Lincoln himself but about the ancillary politics of Lincoln study. At less than 200 pages, there&#39;s not a whole lot of room for both editorial and and for deep, nuanced research. I think this one comes up a little thin on both counts. In other words, I wanted more. I might check out his other books.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 7, 2006</title>
    <link href="https://mlarson.org/2006/11/07/20061107217/"/>
    <updated>2006-11-07T00:57:41.000Z</updated>
    <id>https://mlarson.org/2006/11/07/20061107217/</id>
    <content type="html">&lt;p&gt;Bob Barker is retiring from Price is Right. &lt;a href=&#34;http://www.bestweekever.tv/2006/11/01/the-top-10-things-well-miss-about-bob-barker/&#34;&gt;Best Week Ever mentions the reasons we&#39;ll miss him&lt;/a&gt;. Man, I remember entire summers spent without missing an episode. And I always wanted one of those big price wheels in my house.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2006</title>
    <link href="https://mlarson.org/2006/11/06/20061106216/"/>
    <updated>2006-11-06T23:58:43.000Z</updated>
    <id>https://mlarson.org/2006/11/06/20061106216/</id>
    <content type="html">&lt;p&gt;&amp;quot;A future society will very likely have the technological ability and the motivation to create large numbers of completely realistic historical simulations and be able to overcome any ethical and legal obstacles to doing so. &lt;a href=&#34;http://papers.ssrn.com/sol3/papers.cfm?abstract_id=929327&#34;&gt;It is thus highly probable that we are a form of artificial intelligence inhabiting one of these simulations&lt;/a&gt;. To avoid stacking (i.e. simulations within simulations), the termination of these simulations is likely to be the point in history when the technology to create them first became widely available, (estimated to be 2050). Long range planning beyond this date would therefore be futile.&amp;quot; [via &lt;a href=&#34;http://blog.mises.org/blog/&#34;&gt;mises&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2006</title>
    <link href="https://mlarson.org/2006/11/06/20061106215/"/>
    <updated>2006-11-06T23:51:32.000Z</updated>
    <id>https://mlarson.org/2006/11/06/20061106215/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://gizmodo.com/gadgets/peripherals/hp-ink-costs-more-than-human-blood-booze-212444.php&#34;&gt;Blood costs more than oil, but less than ink for your printer&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2006</title>
    <link href="https://mlarson.org/2006/11/06/20061106214/"/>
    <updated>2006-11-06T23:24:24.000Z</updated>
    <id>https://mlarson.org/2006/11/06/20061106214/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://thinkprogress.org/2006/11/06/109-congress/&#34;&gt;Think Progress suggests 109 Reasons to Dump the 109th Congress&lt;/a&gt;...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2006</title>
    <link href="https://mlarson.org/2006/11/06/20061106213/"/>
    <updated>2006-11-06T22:41:36.000Z</updated>
    <id>https://mlarson.org/2006/11/06/20061106213/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://textism.com/writing/&#34;&gt;A cool slide show on the evolution of writing&lt;/a&gt;. I&#39;m partial to the &lt;a href=&#34;http://textism.com/writing/?id=8&#34;&gt;early Roman&lt;/a&gt; and &lt;a href=&#34;http://textism.com/writing/?id=75&#34;&gt;later Italian letters&lt;/a&gt;. &lt;a href=&#34;http://textism.com/writing/?id=57&#34;&gt;Mature Gothic&lt;/a&gt; looks cool en masse... but I can&#39;t read it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 6, 2006</title>
    <link href="https://mlarson.org/2006/11/06/20061106212/"/>
    <updated>2006-11-06T07:18:07.000Z</updated>
    <id>https://mlarson.org/2006/11/06/20061106212/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://flickr.com/photos/tags/guyfawkesnight/interesting/&#34;&gt;Lovely photos at Flickr tagged with &amp;quot;GuyFawkesNight&amp;quot;&lt;/a&gt;. Oooooo. Aaaahhh.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Today is my birthday</title>
    <link href="https://mlarson.org/2006/11/05/20061105210/"/>
    <updated>2006-11-05T13:36:45.000Z</updated>
    <id>https://mlarson.org/2006/11/05/20061105210/</id>
    <content type="html">&lt;p&gt;Wikipedia reveals &lt;a href=&#34;http://en.wikipedia.org/wiki/November_5&#34;&gt;other reasons to celebrate (and/or mourn) November 5&lt;/a&gt;. Today is &lt;a href=&#34;http://en.wikipedia.org/wiki/Guy_Fawkes_Day&#34;&gt;Guy Fawkes Day&lt;/a&gt;. This is the 401st anniversary of &lt;a href=&#34;http://en.wikipedia.org/wiki/Guy_fawkes&#34;&gt;Fawkes&lt;/a&gt;&#39; involvement in the &lt;a href=&#34;http://en.wikipedia.org/wiki/Gunpowder_Plot&#34;&gt;Gunpowder Plot&lt;/a&gt; to assassinate King James I. A couple generations later, this date also marked the beginning of the &lt;a href=&#34;http://en.wikipedia.org/wiki/Glorious_Revolution&#34;&gt;Glorious Revolution&lt;/a&gt; that eventually toppled James II. Another little bit of rebellion came in 1872, when &lt;a href=&#34;http://en.wikipedia.org/wiki/Susan_B._Anthony&#34;&gt;Susan B. Anthony&lt;/a&gt; did a little bit of civil disobedience by daring to cast a vote. (A woman! Gasp!)&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Monopoly_%28game%29&#34;&gt;Monopoly&lt;/a&gt; first hit the shelves during the heart of the Depression, and &lt;a href=&#34;http://en.wikipedia.org/wiki/I_Love_Lucy&#34;&gt;I Love Lucy&lt;/a&gt; debuted on November 5, 1951. In 1979, the United States was &lt;a href=&#34;http://en.wikipedia.org/wiki/Ayatollah_Khomeini&#34;&gt;declared to be the Great Satan&lt;/a&gt;. And &lt;a href=&#34;http://www.nytimes.com/2006/11/05/world/middleeast/05cnd-saddam.html?_r=1&amp;amp;ref=middleeast&amp;amp;oref=slogin&#34;&gt;Saddam Hussein was just sentenced to death&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&#34;http://www.nytimes.com/learning/general/onthisday/20051105.html&#34;&gt;New York Times&lt;/a&gt; and the &lt;a href=&#34;http://news.bbc.co.uk/onthisday/hi/dates/stories/november/5/&#34;&gt;BBC&lt;/a&gt; both have &amp;quot;On This Day&amp;quot; features.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2006</title>
    <link href="https://mlarson.org/2006/11/05/20061105209/"/>
    <updated>2006-11-05T13:14:36.000Z</updated>
    <id>https://mlarson.org/2006/11/05/20061105209/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.scad.edu/about/news/topstories/2006/081406b.cfm&#34;&gt;Spencer Tunick will be giving a talk at SCAD-Atlanta on Tuesday night&lt;/a&gt;. &lt;a href=&#34;http://en.wikipedia.org/wiki/Spencer_Tunick&#34;&gt;Tunick&lt;/a&gt; is known for &lt;a href=&#34;http://www.i-20.com/artist.php?artist_id=19&amp;amp;page=images&#34;&gt;large-scale photography&lt;/a&gt; using &lt;a href=&#34;http://www.halesgallery.com/tunick_overview.php&#34;&gt;masses of volunteer nude models&lt;/a&gt;. You might even like to &lt;a href=&#34;http://www.spencertunick.com/&#34;&gt;sign up to be a participant&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2006</title>
    <link href="https://mlarson.org/2006/11/05/20061105208/"/>
    <updated>2006-11-05T06:41:08.000Z</updated>
    <id>https://mlarson.org/2006/11/05/20061105208/</id>
    <content type="html">&lt;p&gt;Nelson Minar has has gathered up &lt;a href=&#34;http://www.somebits.com/weblog/paris2006/streetArt.html&#34;&gt;a number of cool links for Parisian street art&lt;/a&gt;. Go check them out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 5, 2006</title>
    <link href="https://mlarson.org/2006/11/05/20061105207/"/>
    <updated>2006-11-05T01:14:55.000Z</updated>
    <id>https://mlarson.org/2006/11/05/20061105207/</id>
    <content type="html">&lt;p&gt;Phew. &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff88913089/1368232745703/validxhtml.gif?format=original&#34;&gt;I&#39;m glad to see this message again&lt;/a&gt;. I had done some tweaking in the background and made a grand mess of things. I swear, sometimes this stuff makes me feel like an ape in a chem lab. But I&#39;m learning.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Making Comics (review: 4.5/5)</title>
    <link href="https://mlarson.org/2006/11/04/20061104making-comics-review-455/"/>
    <updated>2006-11-04T23:21:00.000Z</updated>
    <id>https://mlarson.org/2006/11/04/20061104making-comics-review-455/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.scottmccloud.com&#34;&gt;Scott McCloud&#39;s&lt;/a&gt; latest is all about story-telling secrets and how to shape your own vision for comics. It mimics the style of his earlier book, &lt;a href=&#34;/mark-larson-1/2006/10/22/understanding-comics-review-455&#34;&gt;Understanding Comics&lt;/a&gt;, using the form to explain itself, and expands a bit more on the theories he presented there. I think it&#39;s wonderful to see how much more mature McCloud&#39;s own work is in this book. The art is better; the layouts are cleaner and more interesting. The visuals are all just more inventive and lively. I was glad that McCloud seemed to stretch himself and take the opportunity to demonstrate his competence by illustrating in a lot of different styles--you can tell that he really put a lot of work into these panels. All that effort pays off, especially in the chapters devoted to backgrounds and to facial expressions.&lt;/p&gt;
&lt;p&gt;One of my complaints about UC was that he didn&#39;t give enough examples--but &lt;em&gt;Making Comics&lt;/em&gt; absolutely makes up for that. To boot, there&#39;s an excellent bibliography, and every chapter has some supplementary wrap-up content. Each chapter ends with a couple pages of footnotes, commentary, and also exercises to help you flex your comics skillz. Very impressive, and a lot of fun to read.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 4, 2006</title>
    <link href="https://mlarson.org/2006/11/04/20061104206/"/>
    <updated>2006-11-04T22:55:56.000Z</updated>
    <id>https://mlarson.org/2006/11/04/20061104206/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.ted.com/tedtalks/&#34;&gt;TEDTalks are weekly presentations by &amp;quot;trusted voices and convention-breaking mavericks, icons and geniuses.&amp;quot;&lt;/a&gt; Among the talks already posted are those from &lt;a href=&#34;http://en.wikipedia.org/wiki/Daniel_Dennett&#34;&gt;Daniel Dennett&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Richard_Dawkins&#34;&gt;Richard Dawkins&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Tony_robbins&#34;&gt;Tony Robbins&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Eve_Ensler&#34;&gt;Eve Ensler&lt;/a&gt;, and many more... [via &lt;a href=&#34;http://www.nickbaum.com/&#34;&gt;nb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 3, 2006</title>
    <link href="https://mlarson.org/2006/11/03/20061103205/"/>
    <updated>2006-11-03T22:57:43.000Z</updated>
    <id>https://mlarson.org/2006/11/03/20061103205/</id>
    <content type="html">&lt;p&gt;You probably have a certain special someone in your life that just looooooves to forward crap to your e-mail account. Let them know that &lt;a href=&#34;http://www.fwditon.com/&#34;&gt;FWDitOn is a Digg-like service where all those forwarded e-mails can go to be truly appreciated&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2006</title>
    <link href="https://mlarson.org/2006/11/02/20061102204/"/>
    <updated>2006-11-02T23:50:16.000Z</updated>
    <id>https://mlarson.org/2006/11/02/20061102204/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.onfocus.com/2006/11/3873&#34;&gt;Some interesting thoughts on blog readability&lt;/a&gt;. Paul Bausch crunched the readability of the most popular blogs using the &lt;a href=&#34;http://en.wikipedia.org/wiki/Gunning-Fog_Index&#34;&gt;Gunning&lt;/a&gt; and &lt;a href=&#34;http://en.wikipedia.org/wiki/Flesch-Kincaid_Readability_Test&#34;&gt;Flesch-Kincaid&lt;/a&gt; measures: &amp;quot;My prediction that the most popular blogs would have very good readability scores didn&#39;t quite hold up. I can&#39;t pinpoint a &amp;quot;sweet spot&amp;quot;, but maybe blog readers enjoy more densely layered text. (Think Time instead of Newsweek, but not quite Harvard Law Review.)&amp;quot; A &lt;a href=&#34;http://www.onfocus.com/reading_levels.txt&#34;&gt;text file&lt;/a&gt; of the results is available for your perusal.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2006</title>
    <link href="https://mlarson.org/2006/11/02/20061102203/"/>
    <updated>2006-11-02T23:37:22.000Z</updated>
    <id>https://mlarson.org/2006/11/02/20061102203/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://lostgarden.com/2006/10/what-are-game-mechanics.html&#34;&gt;Game mechanics are rule based systems / simulations that facilitate and encourage a user to explore and learn the properties of their possibility space through the use of feedback mechanisms&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2006</title>
    <link href="https://mlarson.org/2006/11/02/20061102202/"/>
    <updated>2006-11-02T22:54:50.000Z</updated>
    <id>https://mlarson.org/2006/11/02/20061102202/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.collegehumor.com/video:1609676&#34;&gt;A time lapse (music) video of a drive from Los Angeles to New York&lt;/a&gt;. I&#39;d prefer a full, uncut version, but it&#39;s still really cool. [via &lt;a href=&#34;http://www.digg.com&#34;&gt;digg&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2006</title>
    <link href="https://mlarson.org/2006/11/02/20061102201/"/>
    <updated>2006-11-02T10:39:00.000Z</updated>
    <id>https://mlarson.org/2006/11/02/20061102201/</id>
    <content type="html">&lt;p&gt;Apple is sponsoring the &lt;a href=&#34;http://www.apple.com/education/insomnia/index.html&#34;&gt;Insomnia Film Festival&lt;/a&gt; for students. The goal is a 3-minute film in 24 hours. I always had a good time with the very similar &lt;a href=&#34;http://www.apple.com/education/insomnia/index.html&#34;&gt;Campus MovieFest&lt;/a&gt;, which operates on the 5-minute, 7-day rule. Factor in some healthy procrastination, and the two festivals are about even. Most CMF movies didn&#39;t really get serious until the last 40 hours or so anyway. Might as well be realistic about it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 2, 2006</title>
    <link href="https://mlarson.org/2006/11/02/20061102200/"/>
    <updated>2006-11-02T01:05:26.000Z</updated>
    <id>https://mlarson.org/2006/11/02/20061102200/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.itworld.com/App/4147/061101govwiki/&#34;&gt;National security employees have been using a wiki to share and update information&lt;/a&gt;. I think it&#39;s notable that that they describe it as not just a pure issue of organizational communication, it also involves generational work trends. There&#39;s a need to pass along old wisdom and adjust to the competencies of a younger workforce:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Not all U.S. intelligence analysts have embraced the new tool, but many younger analysts have, said Michael Wertheimer, DNI&#39;s deputy director of analysis and chief technology officer. Half of all U.S. intelligence analysts have one to five years of experience, he noted. &amp;quot;This is how they do their work,&amp;quot; he said. &amp;quot;This is how they like to work.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>November 1, 2006</title>
    <link href="https://mlarson.org/2006/11/01/20061101199/"/>
    <updated>2006-11-01T23:04:52.000Z</updated>
    <id>https://mlarson.org/2006/11/01/20061101199/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://writ.news.findlaw.com/ramasastry/20061003.html&#34;&gt;The Americans with Disabilities Act could apply to access to websites&lt;/a&gt;. Uh-oh. As if net neutrality and copyrights weren&#39;t enough to worry about. [via &lt;a href=&#34;http://www.findability.org&#34;&gt;findability&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 1, 2006</title>
    <link href="https://mlarson.org/2006/11/01/20061101197/"/>
    <updated>2006-11-01T22:40:20.000Z</updated>
    <id>https://mlarson.org/2006/11/01/20061101197/</id>
    <content type="html">&lt;p&gt;If only everyone knew about &lt;a href=&#34;http://oedb.org/library/college-basics/research-beyond-google&#34;&gt;research beyond Google&lt;/a&gt;. I love &lt;a href=&#34;http://www.google.com/search?hl=en&amp;amp;lr=&amp;amp;q=bush+%22the+google%22&amp;amp;btnG=Search&#34;&gt;the Google&lt;/a&gt; but it ain&#39;t always the easiest. One bright and shining day we won&#39;t need to know all these hundreds of unique resources. In the meanwhile, &lt;a href=&#34;http://www.findability.org/archives/000143.php&#34;&gt;Peter Morville suggests&lt;/a&gt; some intrepid soul create a &lt;a href=&#34;http://www.google.com/coop/cse/&#34;&gt;Google Custom Search&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 1, 2006</title>
    <link href="https://mlarson.org/2006/11/01/20061101195/"/>
    <updated>2006-11-01T21:16:10.000Z</updated>
    <id>https://mlarson.org/2006/11/01/20061101195/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.amazon.com/Worldchanging-Users-Guide-21st-Century/dp/0810930951?ie=UTF8&amp;amp;tag2=worldchangi0b-20&#34;&gt;Worldchanging&lt;/a&gt; book was released today. After a bit of &lt;a href=&#34;http://www.worldchanging.com/archives/005175.html&#34;&gt;nicely coordinated purchase-bombing&lt;/a&gt;, the Amazon rank bumped up to #14.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>November 1, 2006</title>
    <link href="https://mlarson.org/2006/11/01/20061101194/"/>
    <updated>2006-11-01T01:15:02.000Z</updated>
    <id>https://mlarson.org/2006/11/01/20061101194/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://video.google.com/videoplay?docid=4662636869909322164&amp;amp;sourceid=docidfeed&amp;amp;hl=en&#34;&gt;A documentary on one of the greatest games ever: Tetris&lt;/a&gt;. [via &lt;a href=&#34;http://www.justinblanton.com&#34;&gt;jb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2006</title>
    <link href="https://mlarson.org/2006/10/31/20061031193/"/>
    <updated>2006-10-31T23:00:59.000Z</updated>
    <id>https://mlarson.org/2006/10/31/20061031193/</id>
    <content type="html">&lt;p&gt;This platitude is the new dead metaphor. &lt;a href=&#34;http://www.kottke.org/06/10/the-new&#34;&gt;Kottke revives and collects some previous research into one of the latest language fads, where X is the new Y&lt;/a&gt;. I think I&#39;m officially over this phrase.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Small is the New Big: and 183 Other Riffs, Rants, and Remarkable Business Ideas (review: 3.5/5)</title>
    <link href="https://mlarson.org/2006/10/31/20061031small-is-the-new-big-and-183-other-riffs-rants-and-remarkable-business-ideas-review-355/"/>
    <updated>2006-10-31T22:52:29.000Z</updated>
    <id>https://mlarson.org/2006/10/31/20061031small-is-the-new-big-and-183-other-riffs-rants-and-remarkable-business-ideas-review-355/</id>
    <content type="html">&lt;p&gt;I love the jacket design &lt;a href=&#34;http://www.amazon.com/Small-New-Big-Remarkable-Business/dp/1591841267&#34;&gt;Small is the New Big&lt;/a&gt;. Really, how could you not pick it up? And luckily, the contents of &lt;a href=&#34;http://sethgodin.typepad.com/&#34;&gt;Seth Godin&#39;s&lt;/a&gt; collection don&#39;t disappoint too much. This is one of those books I like to call &amp;quot;toilet books&amp;quot;--a collection of short, snappy sparks to get you thinking about how to be better. Sort of a daily devotional for marketing and entrepreneurial nerds. It&#39;s hard to summarize because he zips (or is that zooms?) from topic to topic, but you&#39;ll find that Godin is obsessed with: freebies, lagniappe, surprises; JetBlue; change; agility; remarkableness; customer advocacy; etc. And he&#39;s similarly frustrated with: protocol, American Airlines, stagnation, old-school advertising, risk aversion. Worship is reserved for the relentlessly focused who are doing special work on their own terms. Cool. It&#39;s a nice little anthology, Godin has some great ideas and thought experiments, and I had some truly &#39;eureka&#39; moments. But is it remarkable? It&#39;s worth a glance or two.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2006</title>
    <link href="https://mlarson.org/2006/10/31/20061031192/"/>
    <updated>2006-10-31T19:07:05.000Z</updated>
    <id>https://mlarson.org/2006/10/31/20061031192/</id>
    <content type="html">&lt;p&gt;Thank you thank you. I love this stuff. The latest in &lt;a href=&#34;http://www.rebeccablood.net/essays/index.html#bloggerson&#34;&gt;Rebecca Blood&#39;s Bloggers on Blogging&lt;/a&gt; series, an &lt;a href=&#34;http://www.rebeccablood.net/bloggerson/scottrosenberg.html&#34;&gt;interview with Scott Rosenberg&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2006</title>
    <link href="https://mlarson.org/2006/10/31/20061031190/"/>
    <updated>2006-10-31T11:20:16.000Z</updated>
    <id>https://mlarson.org/2006/10/31/20061031190/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sampaints.com/portfolio.html&#34;&gt;Sam Weber&#39;s illustrations are so cool&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2006</title>
    <link href="https://mlarson.org/2006/10/31/20061031191/"/>
    <updated>2006-10-31T00:34:07.000Z</updated>
    <id>https://mlarson.org/2006/10/31/20061031191/</id>
    <content type="html">&lt;p&gt;Scott Rosenberg &lt;a href=&#34;http://www.salon.com/books/int/2006/10/30/johnson/&#34;&gt;interviews Steven Johnson about his latest book&lt;/a&gt;, &lt;a href=&#34;http://www.amazon.com/Ghost-Map-Steven-Johnson/dp/1594489254&#34;&gt;The Ghost Map&lt;/a&gt;. I liked Johnson&#39;s thoughts on the evolution of popular theories and the role of public intellectuals. &amp;quot;Part of what you&#39;re supposed to do as an educated intelligent person is try and figure out the giant weird invisible elephant in the room that nobody&#39;s talking about -- the thing that everybody&#39;s missing. But it&#39;s hard. They&#39;re blind spots for a reason.&amp;quot; Reminds me of &lt;a href=&#34;http://www.mises.org/quotes.aspx?action=subject&amp;amp;subject=Ideas&#34;&gt;Mises&#39; thoughts on ideas&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 31, 2006</title>
    <link href="https://mlarson.org/2006/10/31/20061031188/"/>
    <updated>2006-10-31T00:31:32.000Z</updated>
    <id>https://mlarson.org/2006/10/31/20061031188/</id>
    <content type="html">&lt;p&gt;Some of the best &lt;a href=&#34;http://www.lifehacker.com&#34;&gt;Lifehacker&lt;/a&gt; articles and comments have been freshly collected, edited, and &lt;a href=&#34;http://www.amazon.com/exec/obidos/ASIN/0470050659/ref=nosim/gizmodo-20&#34;&gt;soon available in paperback&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 30, 2006</title>
    <link href="https://mlarson.org/2006/10/30/20061030187/"/>
    <updated>2006-10-30T23:52:10.000Z</updated>
    <id>https://mlarson.org/2006/10/30/20061030187/</id>
    <content type="html">&lt;p&gt;I enjoyed this &lt;a href=&#34;http://video.google.com/videoplay?docid=3807826142091223684&amp;amp;q=blade+runner&amp;amp;hl=en&#34;&gt;one-hour documentary on Blade Runner&lt;/a&gt;. Two early comments that stuck with me were &lt;a href=&#34;http://en.wikipedia.org/wiki/Philip_dick&#34;&gt;Philip K. Dick&lt;/a&gt;&#39;s notion that people &amp;quot;aren&#39;t interested in novels of ideas,&amp;quot; and in contrast, that &amp;quot;sci-fi is essentially the field of ideas.&amp;quot; I&#39;ll need to ponder that one. And wow, I still love the soundtrack by &lt;a href=&#34;http://en.wikipedia.org/wiki/Vangelis&#34;&gt;Vangelis&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 30, 2006</title>
    <link href="https://mlarson.org/2006/10/30/20061030186/"/>
    <updated>2006-10-30T22:08:05.000Z</updated>
    <id>https://mlarson.org/2006/10/30/20061030186/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/10/20/WIG9GLQBSI1.DTL&amp;amp;feed=rss.news&#34;&gt;An article all about matching the wine glasses with the wine inside, and the anatomy of the container itself&lt;/a&gt;: &amp;quot;The ideal shape reveals all the aromas and taste components in a particular varietal; it creates a balanced interaction between fruit, mineralogy and acidity while de-emphasizing the evidence of alcohol.&amp;quot; [via &lt;a href=&#34;http://www.megnut.com&#34;&gt;megnut&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The 9/11 Report: A Graphical Adaptation (review: 2/5)</title>
    <link href="https://mlarson.org/2006/10/30/20061030the-911-report-a-graphical-adaptation-review-25/"/>
    <updated>2006-10-30T21:55:38.000Z</updated>
    <id>https://mlarson.org/2006/10/30/20061030the-911-report-a-graphical-adaptation-review-25/</id>
    <content type="html">&lt;p&gt;At the least, I can say that I&#39;m now more interested in the &lt;a href=&#34;http://en.wikipedia.org/wiki/9/11_Commission_Report&#34;&gt;original 9/11 Report&lt;/a&gt; than I was before. I really wanted this one to be good; it was just frustrating. Jacobson and Col??n got off to such a good start with a slick 10 page fold-out timeline that tracks the four flights concurrently. It was a truly powerful experience to juxtapose the events of my own morning with what happened in the air. But it all went down from there. The illustration was disappointingly inconsistent, mixing some really clever, accurately rendered scenes next to some that are just a little sloppy. I&#39;m not sure if scattershot, somewhat arbitrary imagery is due to the nature of the original Report. The lettering and narrative boxes really killed me, though. The box geography was awkward, so I ended up stumbling around the page. Out of hundreds of comics I&#39;ve consumed, I&#39;ve never had so much trouble doing the basic task of &lt;em&gt;reading&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Regarding the actual Report material, it&#39;s not so bad. For someone like me, who generally steers clear of popular politics, it&#39;s a nice intro to the history, who is who among the terrorists, and who is who among the white men in suits. Here&#39;s my #1 piece of loveably laughable advice the Commission offers: &amp;quot;It is crucial to offer a way of routinizing, even bureaucratizing, the exercise of imagination.&amp;quot;1 Oh, I really wanted this to be good.&lt;/p&gt;
&lt;p&gt;Some other links for your curiosity... here&#39;s a &lt;a href=&#34;http://www.salon.com/books/review/2006/09/08/jacobson/index_np.html&#34;&gt;good review over at Salon&lt;/a&gt;, an &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=5690970&#34;&gt;NPR interview&lt;/a&gt; with Jacobson and Col??n, and &lt;a href=&#34;http://www.slate.com/id/2147309/&#34;&gt;Slate offers an excerpted version online&lt;/a&gt; &amp;amp; &lt;a href=&#34;http://www.slate.com/id/2149231/&#34;&gt;an interview&lt;/a&gt; as well.&lt;/p&gt;
&lt;p&gt;--- 1*ahem* Some other important thoughts on &lt;a href=&#34;http://www.mises.org/etexts/mises/bureaucracy.asp&#34;&gt;bureaucracy&lt;/a&gt;...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>NaBloPoMo is the new NaNoWriMo</title>
    <link href="https://mlarson.org/2006/10/30/20061030nablopomo-is-the-new-nanowrimo/"/>
    <updated>2006-10-30T01:16:33.000Z</updated>
    <id>https://mlarson.org/2006/10/30/20061030nablopomo-is-the-new-nanowrimo/</id>
    <content type="html">&lt;p&gt;I&#39;ll admit that I&#39;ve gotten a bit intimidated by &lt;a href=&#34;http://www.nanowrimo.org&#34;&gt;National Novel Writing Month&lt;/a&gt; as the start date approaches. Enter my new, slightly less imposing challenge: &lt;a href=&#34;http://www.fussy.org/nablopomo.html&#34;&gt;National Blog Posting Month&lt;/a&gt;, where the goal is to write at least a post a day, every day, for one month. I can do that. And there are potential prizes, too! Shweeeeet.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 30, 2006</title>
    <link href="https://mlarson.org/2006/10/30/20061030184/"/>
    <updated>2006-10-30T01:02:52.000Z</updated>
    <id>https://mlarson.org/2006/10/30/20061030184/</id>
    <content type="html">&lt;p&gt;Since the tumult over the Vietnam Veterans Memorial back in the 80s, &lt;a href=&#34;http://en.wikipedia.org/wiki/Maya_Lin&#34;&gt;Maya Lin&lt;/a&gt; has &lt;a href=&#34;http://www.washingtonpost.com/wp-dyn/content/article/2006/10/20/AR2006102000252.html&#34;&gt;disengaged from ideological discussions&lt;/a&gt;, taking a turn towards soft environmentalism. [via &lt;a href=&#34;http://www.greg.org&#34;&gt;greg&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 30, 2006</title>
    <link href="https://mlarson.org/2006/10/30/20061030183/"/>
    <updated>2006-10-30T00:48:38.000Z</updated>
    <id>https://mlarson.org/2006/10/30/20061030183/</id>
    <content type="html">&lt;p&gt;This is exactly the sort of thing where Wikipedia dominates: a &lt;a href=&#34;http://en.wikipedia.org/wiki/Internet_phenomenon&#34;&gt;fresh, current article on internet phenomena&lt;/a&gt; and a &lt;a href=&#34;http://en.wikipedia.org/wiki/Category:Internet_memes&#34;&gt;list of internet memes&lt;/a&gt;. Take that, Britannica!&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 28, 2006</title>
    <link href="https://mlarson.org/2006/10/28/20061028182/"/>
    <updated>2006-10-28T00:45:48.000Z</updated>
    <id>https://mlarson.org/2006/10/28/20061028182/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.nppa.org&#34;&gt;National Press Photographers Association&lt;/a&gt; has posted the &lt;a href=&#34;http://bop.nppa.org/2006/&#34;&gt;Best of Photojournalism 2006&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 27, 2006</title>
    <link href="https://mlarson.org/2006/10/27/20061027179/"/>
    <updated>2006-10-27T04:04:25.000Z</updated>
    <id>https://mlarson.org/2006/10/27/20061027179/</id>
    <content type="html">&lt;p&gt;I love &lt;a href=&#34;http://www.lifeclever.com/2006/10/24/give-your-resume-a-face-lift/&#34;&gt;these resume tips posted over at LifeClever&lt;/a&gt;. All those subtle, detailed changes add up so nicely you can taste it. (via &lt;a href=&#34;http://www.joshuablankenship.com/blog/&#34;&gt;jb&lt;/a&gt;)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 27, 2006</title>
    <link href="https://mlarson.org/2006/10/27/20061027178/"/>
    <updated>2006-10-27T02:23:38.000Z</updated>
    <id>https://mlarson.org/2006/10/27/20061027178/</id>
    <content type="html">&lt;p&gt;Design Observer discusses the &lt;a href=&#34;http://www.designobserver.com/archives/018922.html&#34;&gt;pluralist European Union anniversary logo&lt;/a&gt;. Here are the &lt;a href=&#34;http://ec.europa.eu/avservices/50/index_en.cfm&#34;&gt;top placements&lt;/a&gt; in the logo design competition (no, seriously). I think it&#39;s fascinating that the &amp;quot;improve by including&amp;quot; tendency is such a natural human inclination. But synergy can &lt;a href=&#34;http://images.google.com/images?hl=en&amp;amp;q=izzy%20mascot%20olympics&amp;amp;btnG=Google+Search&amp;amp;sa=N&amp;amp;tab=wi&#34;&gt;backfire&lt;/a&gt;. Thinking more broadly, I wonder if this is a side effect of democratization, the political culture filtering down to applied arts. Anyone know any good resources about design and politics?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Opening Night at the Atlanta Ballet</title>
    <link href="https://mlarson.org/2006/10/27/20061027opening-night-at-the-atlanta-ballet/"/>
    <updated>2006-10-27T00:00:20.000Z</updated>
    <id>https://mlarson.org/2006/10/27/20061027opening-night-at-the-atlanta-ballet/</id>
    <content type="html">&lt;p&gt;I stopped by for the season opener at the &lt;a href=&#34;http://www.atlantaballet.com/&#34;&gt;Atlanta Ballet&lt;/a&gt; tonight. Their performance of &lt;a href=&#34;http://en.wikipedia.org/wiki/Giselle&#34;&gt;Giselle&lt;/a&gt; was just wonderful. The costumes were really amazing. A couple downers: the lady on my left who had a persistent, throaty cough. Thank goodness another audience member had some spare cough drops! The Fox was only about 1/3 full, which explains why there&#39;s &lt;a href=&#34;/mark-larson-1/2006/07/22/atlanta-ballet-orchestra-given-the-pink-slip&#34;&gt;no live music anymore&lt;/a&gt;. Various musicians and supporters were outside the Fox picketing, &lt;a href=&#34;http://atlantacomposers.blogspot.com/2006/10/atlanta-ballet-on-afm-unfair-list.html&#34;&gt;as announced in the Atlanta Composers Blog&lt;/a&gt;. The recorded music was fine (fine as in &amp;quot;functional&amp;quot;), but it just doesn&#39;t feel as warm and fuzzy and human as it did when the orchestra was there. And there&#39;s a certain sense of spectacle that&#39;s missing. It&#39;s a little awkward to walk into a show when someone gives you the earnest plea, &amp;quot;You deserve to hear live music.&amp;quot; Good luck to them. Let&#39;s hope that each side will come to their senses, and that fellow Atlantans will remember what a treasure they&#39;ve got.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2006</title>
    <link href="https://mlarson.org/2006/10/26/20061026177/"/>
    <updated>2006-10-26T13:06:24.000Z</updated>
    <id>https://mlarson.org/2006/10/26/20061026177/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/groups/transparentscreens/pool/&#34;&gt;Photos of computer monitors that look transparent&lt;/a&gt;. &lt;a href=&#34;http://www.flickr.com/photos/steffe/79326220/in/pool-transparentscreens/&#34;&gt;Windows, indeed&lt;/a&gt;. The technique is to photograph what&#39;s behind the monitor and set it as the background on your desktop. There&#39;s also &lt;a href=&#34;http://www.flickr.com/photos/yhsung/103264282/in/pool-transparentscreens/&#34;&gt;ghost-in-the-machine&lt;/a&gt; versions and &lt;a href=&#34;http://www.flickr.com/photos/scienceduck/117945951/in/pool-transparentscreens/&#34;&gt;x-ray monitors&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2006</title>
    <link href="https://mlarson.org/2006/10/26/20061026176/"/>
    <updated>2006-10-26T10:29:39.000Z</updated>
    <id>https://mlarson.org/2006/10/26/20061026176/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://pics.livejournal.com/tongodeon/pic/0004xhys/&#34;&gt;photo of a news anchor reporting on a serial criminal&lt;/a&gt;... uhh, security?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2006</title>
    <link href="https://mlarson.org/2006/10/26/20061026175/"/>
    <updated>2006-10-26T10:08:29.000Z</updated>
    <id>https://mlarson.org/2006/10/26/20061026175/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.boingboing.net/2006/10/24/enron_explorer_mines.html&#34;&gt;BoingBoing&lt;/a&gt; tells us that you can search through all of Enron&#39;s e-mails with the &lt;a href=&#34;http://enron.trampolinesystems.com/&#34;&gt;Enron Explorer&lt;/a&gt;. Most of it is what you&#39;d expect--memos, corporate talk, weekend plans. But there are some gems: &amp;quot;why the heck am I getting all the crap on this one....I&#39;m not the one who came back to the table with puke on myself.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2006</title>
    <link href="https://mlarson.org/2006/10/26/20061026180/"/>
    <updated>2006-10-26T06:30:21.000Z</updated>
    <id>https://mlarson.org/2006/10/26/20061026180/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.37signals.com&#34;&gt;37 Signals&lt;/a&gt;&#39; book &lt;a href=&#34;http://gettingreal.37signals.com/toc.php&#34;&gt;Getting Real is now available for free&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 26, 2006</title>
    <link href="https://mlarson.org/2006/10/26/20061026174/"/>
    <updated>2006-10-26T00:05:31.000Z</updated>
    <id>https://mlarson.org/2006/10/26/20061026174/</id>
    <content type="html">&lt;p&gt;Blik makes &lt;a href=&#34;http://www.whatisblik.com/walldecals.html&#34;&gt;decals for your home&lt;/a&gt;, because wallpapering is just too much of a pain. They can also do &lt;a href=&#34;http://www.whatisblik.com/prose.html&#34;&gt;custom lettering&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 25, 2006</title>
    <link href="https://mlarson.org/2006/10/25/20061025173/"/>
    <updated>2006-10-25T23:42:20.000Z</updated>
    <id>https://mlarson.org/2006/10/25/20061025173/</id>
    <content type="html">&lt;p&gt;A cool &lt;a href=&#34;http://www.nytimes.com/imagepages/2006/10/23/science/20061024_ILLO_GRAPHIC.html&#34;&gt;new version of the periodic table&lt;/a&gt;. I don&#39;t know what was wrong with the old one. A little ungainly, sure, but it has served loyally for decades.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 25, 2006</title>
    <link href="https://mlarson.org/2006/10/25/20061025172/"/>
    <updated>2006-10-25T23:26:56.000Z</updated>
    <id>https://mlarson.org/2006/10/25/20061025172/</id>
    <content type="html">&lt;p&gt;Some &lt;a href=&#34;http://www.43folders.com/2006/10/23/file-naming/&#34;&gt;lucid comments at 43 Folders&lt;/a&gt; and at &lt;a href=&#34;http://www.lifehacker.com/software/file-management/ask-the-readers-filing-naming-conventions-210104.php&#34;&gt;Lifehacker&lt;/a&gt; on how to make more convenient filenames, so you can avoid mish-mash titles like &amp;quot;thing-2 finalFinal! v3 (with new changes) 05b.psd&amp;quot;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Thinking out loud on outside.in</title>
    <link href="https://mlarson.org/2006/10/24/20061024thinking-out-loud-on-outsidein/"/>
    <updated>2006-10-24T23:48:41.000Z</updated>
    <id>https://mlarson.org/2006/10/24/20061024thinking-out-loud-on-outsidein/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.stevenberlinjohnson.com/2006/10/introducing_out.html&#34;&gt;Steven Johnson announces&lt;/a&gt; the birth of &lt;a href=&#34;http://outside.in&#34;&gt;outside.in&lt;/a&gt;, &amp;quot;an attempt to collectively build the geographic Web, neighborhood by neighborhood.&amp;quot; It&#39;s in the early stages (may I please have a link to &amp;quot;home&amp;quot;?), but I&#39;m thinking it could be very cool. Once you spend a decent amount of time online, especially if you&#39;re a blog reader, you realize that there is &lt;em&gt;so much content&lt;/em&gt; out there. The shameful thing is that so much of it is just sort of floating in the either. The potential is there for a service like &lt;a href=&#34;http://outside.in&#34;&gt;outside.in&lt;/a&gt; to add some tethers or anchors to all this information, aggregating all the events, stories, and conversations happening in a community. It&#39;s RSS for where you live.&lt;/p&gt;
&lt;p&gt;While the description has something of a present-tense bias, there is the potential for rich juxtaposition of old and new by integrating something like geo-tagged Wikipedia entries. Maybe if you hear a little buzz about the &lt;a href=&#34;http://www.beltline.org/&#34;&gt;Atlanta Beltline&lt;/a&gt; project, you could hop over and learn about it one of the neighborhoods it will cross, like &lt;a href=&#34;http://en.wikipedia.org/wiki/Cabbagetown_%28Atlanta%29&#34;&gt;Cabbagetown&lt;/a&gt;. What you end up with is a conversation that is not only (gleefully) tied to a physical location, but there is also the history running parallel (or is that perpendicular?).&lt;/p&gt;
&lt;p&gt;I wonder if there are any plans for mobile-friendly access? Seems like a cool way for travelers to get acquainted as well. The obvious challenge is getting enough caring people and relevant data in there. I like it, let&#39;s see where it goes.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2006</title>
    <link href="https://mlarson.org/2006/10/24/20061024170/"/>
    <updated>2006-10-24T19:06:23.000Z</updated>
    <id>https://mlarson.org/2006/10/24/20061024170/</id>
    <content type="html">&lt;p&gt;Really, the only reason you shouldn&#39;t be using Firefox is because &lt;a href=&#34;http://en-us.www.mozilla.com/en-US/firefox/&#34;&gt;Firefox 2 was released today&lt;/a&gt;. Get it while it&#39;s hot.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 24, 2006</title>
    <link href="https://mlarson.org/2006/10/24/20061024168/"/>
    <updated>2006-10-24T02:54:47.000Z</updated>
    <id>https://mlarson.org/2006/10/24/20061024168/</id>
    <content type="html">&lt;p&gt;Here&#39;s a &lt;a href=&#34;http://www.flickr.com/photo_zoom.gne?id=29511018&amp;amp;size=o&#34;&gt;map of Springfield&lt;/a&gt;, home of the Simpsons.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 23, 2006</title>
    <link href="https://mlarson.org/2006/10/23/20061023167/"/>
    <updated>2006-10-23T19:32:26.000Z</updated>
    <id>https://mlarson.org/2006/10/23/20061023167/</id>
    <content type="html">&lt;p&gt;Here&#39;s a comprehensive, though not unbiased, &lt;a href=&#34;http://www.di.fm/edmguide/edmguide.html&#34;&gt;guide to electronic music&lt;/a&gt;. It touches on the early cerebral, experimental works from guys like &lt;a href=&#34;http://en.wikipedia.org/wiki/Xenakis&#34;&gt;Iannis Xenakis&lt;/a&gt;, to &lt;a href=&#34;http://en.wikipedia.org/wiki/James_Brown&#34;&gt;James Brown&lt;/a&gt; and the early days of house, to today&#39;s niches like downtempo, trance, Europop, and &lt;a href=&#34;http://en.wikipedia.org/wiki/Speedcore&#34;&gt;speedcore&lt;/a&gt;. Cool.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 23, 2006</title>
    <link href="https://mlarson.org/2006/10/23/20061023166/"/>
    <updated>2006-10-23T19:17:59.000Z</updated>
    <id>https://mlarson.org/2006/10/23/20061023166/</id>
    <content type="html">&lt;p&gt;In the latest issue of Wired magazine, a &lt;a href=&#34;http://www.wired.com/news/wiredmag/0,71985-0.html?tw=rss.index&#34;&gt;long feature about the &#39;New Atheism&#39;&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 22, 2006</title>
    <link href="https://mlarson.org/2006/10/22/20061022164/"/>
    <updated>2006-10-22T22:43:32.000Z</updated>
    <id>https://mlarson.org/2006/10/22/20061022164/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://alanlnelson.typepad.com/seat_1a/&#34;&gt;Alan Nelson&lt;/a&gt; links to a &lt;a href=&#34;http://heritage.stsci.edu/gallery/gallery.html&#34;&gt;sweet collection of photos from the Hubble space telescope&lt;/a&gt;. I&#39;m glad we got that &lt;a href=&#34;http://www.chron.com/content/interactive/space/missions/sts-103/hubble/archive/910702.html&#34;&gt;lens fixed&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Understanding Comics (review: 4.5/5)</title>
    <link href="https://mlarson.org/2006/10/22/20061022understanding-comics-review-455/"/>
    <updated>2006-10-22T22:38:59.000Z</updated>
    <id>https://mlarson.org/2006/10/22/20061022understanding-comics-review-455/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Understanding-Comics-Invisible-Scott-McCloud/dp/006097625X&#34;&gt;Understanding Comics&lt;/a&gt; is both an excellent treatise on comics and a working example of the form. &lt;a href=&#34;http://www.scottmccloud.com/&#34;&gt;Scott McCloud&lt;/a&gt; explains the medium &lt;em&gt;within&lt;/em&gt; the medium--highlighting one of the unique strengths that comics have. McCloud makes the argument that comics fill the gap on the scale that has purely representational images on one end (visual &#39;high art&#39;), and on the other end, the realm of purely arbitrary images (aka words, as &#39;literature&#39;). But the comics niche has been trivialized as a mere diversion of pop culture, and that ain&#39;t right. (See &lt;a href=&#34;http://www.amazon.com/Highbrow-Lowbrow-Emergence-Hierarchy-Civilization/dp/0674390776&#34;&gt;Highbrow/Lowbrow&lt;/a&gt; for similar cultural divisions and how they came about)&lt;/p&gt;
&lt;p&gt;McCloud traces the roots of comics back to the early days of literacy, before literature and art went their separate ways. Drawing on this union is where comics set themselves apart as a unique form of visual communication. I see a parallel here with &lt;em&gt;Beautiful Evidence&lt;/em&gt; (&lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff88913077/1368232745146/?format=original&#34;&gt;my review&lt;/a&gt;), where Tufte has a whole chapter called &amp;quot;Words, Numbers, Images, Together.&amp;quot; Those were the good ol&#39; days when words and doodles got along just fine without ridicule.&lt;/p&gt;
&lt;p&gt;After the history, there&#39;s an extended analysis of form and style and structural elements. It&#39;s interesting to see McCloud use an argument that is revived in &lt;a href=&#34;http://www.stevenberlinjohnson.com&#34;&gt;Steven Johnson&#39;s&lt;/a&gt; &lt;em&gt;Everything Good is Bad for You&lt;/em&gt; (&lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff88913071/1368232745010/?format=original&#34;&gt;my review&lt;/a&gt;). Namely, that comics are more demanding of the reader. The storyline isn&#39;t completely spelled out for you. The selected elements of the story are presented together, but you have to fill in the gaps between frozen moments in time, to give them life. As McCloud says, the comics reader becomes a participant.&lt;/p&gt;
&lt;p&gt;Though it is probably beyond the scope of the work, I&#39;d only ding McCloud for not going into enough depth. I&#39;m sure there would be some copyright issues (grrr!), but I wish he were able to do a longer work with more case studies and analysis of the form. That task, however, is left for the newly-educated participant-reader. Which is perhaps how it should be.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 22, 2006</title>
    <link href="https://mlarson.org/2006/10/22/20061022163/"/>
    <updated>2006-10-22T22:37:50.000Z</updated>
    <id>https://mlarson.org/2006/10/22/20061022163/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.coverbrowser.com/&#34;&gt;Cover Browser&lt;/a&gt; allows you to (wait for it)... browse the covers of thousands of comic books.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 22, 2006</title>
    <link href="https://mlarson.org/2006/10/22/20061022160/"/>
    <updated>2006-10-22T22:34:55.000Z</updated>
    <id>https://mlarson.org/2006/10/22/20061022160/</id>
    <content type="html">&lt;p&gt;The friendly folks over at &lt;a href=&#34;http://www.worldchanging.com&#34;&gt;Worldchanging&lt;/a&gt; have a shiny new book coming out in a couple weeks: &lt;a href=&#34;http://www.amazon.com/Worldchanging-Users-Guide-21st-Century/dp/0810930951/ref=sr_11_1/102-1092419-5986520?ie=UTF8&#34;&gt;Worldchanging: A User&#39;s Guide&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Ordinary People (review: 4.5/5)</title>
    <link href="https://mlarson.org/2006/10/22/20061022ordinary-people-review-455/"/>
    <updated>2006-10-22T21:02:24.000Z</updated>
    <id>https://mlarson.org/2006/10/22/20061022ordinary-people-review-455/</id>
    <content type="html">&lt;p&gt;&amp;quot;The problem of connecting is partly that of fitting mood with opportunity.&amp;quot; &lt;a href=&#34;http://www.judithguest.com/&#34;&gt;Judith Guest&lt;/a&gt;&#39;s book was such a pleasant surprise. In a nutshell, it&#39;s about a family dealing with tragedy, focusing on that odd relationship of individual and family. Nothing new there, but the writing is so tight and so focused. What I really like is that Guest can slide so smoothly from narration to thought to dialogue and every which other way. The writing as much as the style makes it a compulsive page-turner. Add in some great male characters whose internal world feels really genuine, and some genuinely laugh-out-loud moments balance the more patient, reflective meditation on family. This bit was perfect:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;He would do it, too, if it were not for a frenetic-butterfly manner that she radiates. It grates on his nerves. She has an endless supply of nervous energy. Tiny women are often like this, he thinks. They never run down. They overwhelm him, make him feel lumpish and stupid. Too large.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Another priceless bit of craft was husband and wife driving out to a dinner party. Within their routine dialogue, Guest makes the next scene transfer so seamlessly...&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;We&#39;ll go in the spring,&amp;quot; he says. &amp;quot;I promise.&amp;quot; She doesn&#39;t answer. &amp;quot;Who&#39;s going to be there tonight?&amp;quot; Testing. Her tone when she answers will tell him if she is angry. &amp;quot;Well, the Murrays. It&#39;s their house.&amp;quot; She slides over next to him. Happily grateful, he squeezes her hand. Wonderful, unpredictable girl. &amp;quot;And Mac and Ann Kline, Ed and Marty Genthe. And us.&amp;quot; &amp;quot;Why us? We hardly know the Murrays.&amp;quot; &amp;quot;That&#39;s why. That&#39;s why you have people over, darling. To get to know them better.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(thanks for the recommendation, Kelli)&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 22, 2006</title>
    <link href="https://mlarson.org/2006/10/22/20061022158/"/>
    <updated>2006-10-22T11:37:56.000Z</updated>
    <id>https://mlarson.org/2006/10/22/20061022158/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=x5nNfbTS6N4&#34;&gt;Music video for Bjork&#39;s tune, Bachelorette&lt;/a&gt;. Great song, great video. Directed by &lt;a href=&#34;http://en.wikipedia.org/wiki/Michel_Gondry&#34;&gt;Michael Gondry&lt;/a&gt;, who was in charge of &lt;a href=&#34;http://imdb.com/title/tt0338013/&#34;&gt;Eternal Sunshine of the Spotless Mind&lt;/a&gt;, which I enjoyed very much this weekend. [via &lt;a href=&#34;http://www.waxy.org/links&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 21, 2006</title>
    <link href="https://mlarson.org/2006/10/21/20061021157/"/>
    <updated>2006-10-21T11:25:41.000Z</updated>
    <id>https://mlarson.org/2006/10/21/20061021157/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.therestisnoise.com/&#34;&gt;The Rest is Noise&lt;/a&gt; reminds us that &lt;a href=&#34;http://www.stevereich.com/&#34;&gt;Steve Reich&lt;/a&gt; turned 70 this year. Do yourself a favor and read up on Reich. The &lt;a href=&#34;http://en.wikipedia.org/wiki/Steve_Reich&#34;&gt;wikipedia entry&lt;/a&gt; gives a good start. For your listening pleasure, I&#39;d recommend that you find, and subsequently &lt;a href=&#34;http://www.amazon.com/Steve-Reich-1965-1995-Hugo-Munday/dp/samples/B000005J4P/ref=dp_tracks_all_2/102-1092419-5986520?ie=UTF8#disc_2&#34;&gt;purchase/ download/ rip/ obtain&lt;/a&gt; his works Electric Counterpoint, Clapping Music, Proverb, and Six Marimbas as an appetizer.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 21, 2006</title>
    <link href="https://mlarson.org/2006/10/21/20061021155/"/>
    <updated>2006-10-21T10:46:22.000Z</updated>
    <id>https://mlarson.org/2006/10/21/20061021155/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://martha.mannlib.cornell.edu/charts/&#34;&gt;Visualizing Meaning&lt;/a&gt; is a project among scholars at Cornell, who were asked, &amp;quot;Of the many charts you have seen in your life, which has been the most important, remarkable, meaningful, or valuable?&amp;quot; [via &lt;a href=&#34;http://www.rebeccablood.net&#34;&gt;rebecca&#39;s pocket&lt;/a&gt; crediting &lt;a href=&#34;http://alanlnelson.typepad.com/seat_1a/&#34;&gt;seat 1a&lt;/a&gt; linking to &lt;a href=&#34;http://infosthetics.com&#34;&gt;infosthetics&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2006</title>
    <link href="https://mlarson.org/2006/10/19/20061019154/"/>
    <updated>2006-10-19T23:49:38.000Z</updated>
    <id>https://mlarson.org/2006/10/19/20061019154/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://shauninman.com/post/&#34;&gt;Shaun Inman&lt;/a&gt; points to &lt;a href=&#34;http://en.wikipedia.org/wiki/As_Slow_As_Possible&#34;&gt;As Slow as Possible&lt;/a&gt;, John Cage&#39;s composition which is now the longest musical work ever in the history of concept art. It&#39;s still going on right now, and will for proceed for, oh, 600 years.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 19, 2006</title>
    <link href="https://mlarson.org/2006/10/19/20061019153/"/>
    <updated>2006-10-19T11:29:44.000Z</updated>
    <id>https://mlarson.org/2006/10/19/20061019153/</id>
    <content type="html">&lt;p&gt;Great Zeldman post and excellent comments about &lt;a href=&#34;http://www.zeldman.com/2006/10/17/web-20-thinking-game/&#34;&gt;Web 1.0 versus Web 2.0&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Envisioning Information (review: 4/5)</title>
    <link href="https://mlarson.org/2006/10/19/20061019envisioning-information-review-45/"/>
    <updated>2006-10-19T11:27:01.000Z</updated>
    <id>https://mlarson.org/2006/10/19/20061019envisioning-information-review-45/</id>
    <content type="html">&lt;p&gt;After finishing up &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff8891307c/1368232745272/post.php?format=original&#34;&gt;Beautiful Evidence&lt;/a&gt;, I was impressed enough to check out one of Edward Tufte&#39;s earlier works. &lt;a href=&#34;http://www.amazon.com/Envisioning-Information-Edward-R-Tufte/dp/0961392118&#34;&gt;Envisioning Information&lt;/a&gt; is mostly targeted to the display of complex, multi-dimensional data within the constraints of our merely 2-dimensional presentation media like paper and computer screens. While I really liked it, it was missing some things I really liked seeing in &lt;em&gt;Beautiful Evidence&lt;/em&gt;. For one, there didn&#39;t seem to be as much original material in this book. Tufte seemed to stay in the background more, displaying best practices and analyzing effective examples. What I really missed was his criticism and revisions of faltering works. As he points out, comparing and contrasting is one of the purposes of good analytic design--I don&#39;t think he took enough opportunity to do so. Some other minor quibbles would be the omni-present transporation timetables, and some recycled graphics from chapter to chapter.&lt;/p&gt;
&lt;p&gt;On the upside, I really liked two of the more user-oriented chapters. &#39;Layering and Separation&#39; was all about human perception. It branched off from &lt;a href=&#34;http://en.wikipedia.org/wiki/Josef_Albers&#34;&gt;Albersian&lt;/a&gt; ideas about how sometimes 1+1=3, moir?© patterns, and other unintended effects. Tufte makes good use of examples and suggests some corrections in that chapter. Seeing the clumsy &amp;quot;before&amp;quot; and the polished &amp;quot;after&amp;quot; versions is a huge help. The other section I liked was &#39;Color and Information&#39;, dedicated to use of color in distinguishing marks and values, and the ways color be a cognitive aid (and distraction).&lt;/p&gt;
&lt;p&gt;I wish Tufte could work more quickly. As it is, his books take quite a while to work on (understandably so). I&#39;m looking forward to what he&#39;ll come up with another 6-7 years down the line.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 17, 2006</title>
    <link href="https://mlarson.org/2006/10/17/20061017151/"/>
    <updated>2006-10-17T23:22:57.000Z</updated>
    <id>https://mlarson.org/2006/10/17/20061017151/</id>
    <content type="html">&lt;p&gt;A New York Times &lt;a href=&#34;http://www.nytimes.com/2006/10/15/business/yourmoney/15friend.html?ei=5090&amp;amp;en=3e9438ed349f7ce7&amp;amp;ex=1318564800&amp;amp;partner=rssuserland&amp;amp;emc=rss&amp;amp;pagewanted=all&#34;&gt;feature on the tortured life of&lt;/a&gt; &lt;a href=&#34;http://www.friendster.com/&#34;&gt;Friendster&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2006</title>
    <link href="https://mlarson.org/2006/10/16/20061016150/"/>
    <updated>2006-10-16T19:47:45.000Z</updated>
    <id>https://mlarson.org/2006/10/16/20061016150/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.bookslut.com/features/2006_10_010057.php&#34;&gt;An absolutely fantastic interview&lt;/a&gt; with &lt;a href=&#34;http://www.neilgaiman.com&#34;&gt;Neil Gaiman&lt;/a&gt; over at &lt;a href=&#34;http://www.bookslut.com&#34;&gt;Bookslut&lt;/a&gt;. Aside from great fiction, Gaiman is known for signing every book, no matter how long it takes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The worst one ever was in Sao Paulo in Brazil in 2001. Brazilians are lovely people. But they donÄôt hold back on how they feel. And 1,200 showed up and at 700 the shop decided to cap the line, thinking that was enough. The 500 people left behind apparently explained to them in a very enthusiastic and cheerful and Brazilian sort of way that they could of course shut down the line if they wanted to but those 500 people would destroy their store if they did. And they thought about it for a minute, reopened the line, and I signed for all 1,200. But I only discovered this happened until the end of the day. I stayed until 2 oÄôclock in the morning, and I lost my voice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Gaiman&#39;s got a new book out, by the way, &lt;a href=&#34;http://www.amazon.com/Fragile-Things-Short-Fictions-Wonders/dp/0060515228&#34;&gt;Fragile Things: Short Fictions and Wonders&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2006</title>
    <link href="https://mlarson.org/2006/10/16/20061016149/"/>
    <updated>2006-10-16T19:26:22.000Z</updated>
    <id>https://mlarson.org/2006/10/16/20061016149/</id>
    <content type="html">&lt;p&gt;I can&#39;t vouch for clinical accuracy, but here is a &lt;a href=&#34;http://www.phobialist.com/&#34;&gt;long list of phobias&lt;/a&gt;. Perhaps &lt;a href=&#34;http://en.wikipedia.org/wiki/Fear_and_Trembling&#34;&gt;Kierkegaard&lt;/a&gt; had tremophobia?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 16, 2006</title>
    <link href="https://mlarson.org/2006/10/16/20061016148/"/>
    <updated>2006-10-16T19:11:02.000Z</updated>
    <id>https://mlarson.org/2006/10/16/20061016148/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.blifaloo.com/info/lies.php&#34;&gt;Learn how to detect lies&lt;/a&gt;. Or, if you must, use the tips to train yourself to finesse the truth with less stress and less evidence.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 14, 2006</title>
    <link href="https://mlarson.org/2006/10/14/20061014147/"/>
    <updated>2006-10-14T00:12:59.000Z</updated>
    <id>https://mlarson.org/2006/10/14/20061014147/</id>
    <content type="html">&lt;p&gt;Sometimes I wonder &amp;quot;What did the Irish 1-pound note look like in 1937?&amp;quot; Oh, well the &lt;a href=&#34;http://aes.iupui.edu/rwise/notedir/mappage.html&#34;&gt;Geographical Directory of World Paper Money&lt;/a&gt; gives me an &lt;a href=&#34;http://aes.iupui.edu/rwise/banknotes/ireland_republic/IrelandRepP2A-1Pound-1937-donatedfvt_f.jpg&#34;&gt;answer for that&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2006</title>
    <link href="https://mlarson.org/2006/10/13/20061013146/"/>
    <updated>2006-10-13T23:58:13.000Z</updated>
    <id>https://mlarson.org/2006/10/13/20061013146/</id>
    <content type="html">&lt;p&gt;So the sun rose this morning... and Google launched another beta... but &lt;a href=&#34;http://docs.google.com/&#34;&gt;Google Docs and Spreadsheets&lt;/a&gt; has to be one of the worst product names I&#39;ve ever heard. It&#39;s a good service, so why such a lame title?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 13, 2006</title>
    <link href="https://mlarson.org/2006/10/13/20061013145/"/>
    <updated>2006-10-13T23:57:33.000Z</updated>
    <id>https://mlarson.org/2006/10/13/20061013145/</id>
    <content type="html">&lt;p&gt;On beautiful days like we had today, you might want to take a minute or two to appreciate our friend, the Sun. Save your eyesight, and &lt;a href=&#34;http://soho.esac.esa.int/data/realtime-images.html&#34;&gt;get live images of the Sun&lt;/a&gt; from the &lt;a href=&#34;http://soho.esac.esa.int/&#34;&gt;Solar and Heliosheric Observatory&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2006</title>
    <link href="https://mlarson.org/2006/10/12/20061012144/"/>
    <updated>2006-10-12T10:40:00.000Z</updated>
    <id>https://mlarson.org/2006/10/12/20061012144/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.iht.com/articles/2006/10/12/business/paper.php&#34;&gt;The Los Angeles Times is sending its investigators out to investigate itself&lt;/a&gt;. In wake of job-cutting orders from its parent company, the new project is to research and figure out how to re-connect with readers in paper and on the web. I like this: &amp;quot;We shouldn&#39;t be waiting for corporate headquarters or a think tank or a consultant to come up with ideas to secure our future.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 12, 2006</title>
    <link href="https://mlarson.org/2006/10/12/20061012141/"/>
    <updated>2006-10-12T10:25:06.000Z</updated>
    <id>https://mlarson.org/2006/10/12/20061012141/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2006/10/12/fashion/shows/12wrap.html?ref=fashion&#34;&gt;NYT on the business of fashion&lt;/a&gt;: &amp;quot;At the end of the day, would I wear Balenciaga? Probably not. But you have to make a choice between whether you only show pretty dresses that women will want to wear or whether you show work by a designer who can change the way people see.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 11, 2006</title>
    <link href="https://mlarson.org/2006/10/11/20061011140/"/>
    <updated>2006-10-11T23:37:03.000Z</updated>
    <id>https://mlarson.org/2006/10/11/20061011140/</id>
    <content type="html">&lt;p&gt;By the way, I completely forgot to mention &lt;a href=&#34;http://www.ala.org/ala/oif/bannedbooksweek/bannedbooksweek.htm&#34;&gt;Banned Books Week&lt;/a&gt;, which happened last month when I was in hyper-focused GRE-prep mode. I invite you to celebrate intolerance by reading something other people don&#39;t want you to. I chose &lt;a href=&#34;http://en.wikipedia.org/wiki/Lysistrata&#34;&gt;Lysistrata&lt;/a&gt;, and it&#39;s hilarious.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 11, 2006</title>
    <link href="https://mlarson.org/2006/10/11/20061011139/"/>
    <updated>2006-10-11T23:30:54.000Z</updated>
    <id>https://mlarson.org/2006/10/11/20061011139/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.philipkdick.com/works_covers.html&#34;&gt;A worldwide collection of book covers for Philip K Dick&#39;s novels&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 11, 2006</title>
    <link href="https://mlarson.org/2006/10/11/20061011138/"/>
    <updated>2006-10-11T11:26:43.000Z</updated>
    <id>https://mlarson.org/2006/10/11/20061011138/</id>
    <content type="html">&lt;p&gt;We all know hypertext, but &lt;a href=&#34;http://www.economist.com/science/tq/displayStory.cfm?story_id=7904166&#34;&gt;hypervideo&lt;/a&gt;, hopefully, is not too far away. [via &lt;a href=&#34;http://justinblanton.com/&#34;&gt;jb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 10, 2006</title>
    <link href="https://mlarson.org/2006/10/10/20061010137/"/>
    <updated>2006-10-10T23:42:58.000Z</updated>
    <id>https://mlarson.org/2006/10/10/20061010137/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.stevenberlinjohnson.com&#34;&gt;Steven Johnson&lt;/a&gt; &lt;a href=&#34;http://www.nytimes.com/2006/10/08/magazine/08games.html?_r=2&amp;amp;oref=slogin&amp;amp;pagewanted=all&amp;amp;oref=slogin&#34;&gt;writes about pop culture and the Long Zoom&lt;/a&gt;, a way of seeing and understanding over immense ranges. &amp;quot;It is, by any measure, a difficult way of thinking, in part because our brains did not evolve tools to perceive or intuitively understand the scales of microbes or galaxies... But a decade or two from now, when we look back at this period, it is more likely that the work that will fix the long zoom in the popular imagination will be neither a movie nor a book nor anything associated with the cultural products that dominated the 20th century. It will be a computer game.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 10, 2006</title>
    <link href="https://mlarson.org/2006/10/10/20061010136/"/>
    <updated>2006-10-10T22:53:40.000Z</updated>
    <id>https://mlarson.org/2006/10/10/20061010136/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.uninnovate.com/&#34;&gt;Uninnovate&lt;/a&gt; links to a 60-second video that gives the layman&#39;s low-down on &lt;a href=&#34;http://www.uninnovate.com/2006/10/05/the-pitfalls-of-drm-in-60-seconds/&#34;&gt;why DRM is a bad, bad thing&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>More Tufte</title>
    <link href="https://mlarson.org/2006/10/10/20061010more-tufte/"/>
    <updated>2006-10-10T22:33:37.000Z</updated>
    <id>https://mlarson.org/2006/10/10/20061010more-tufte/</id>
    <content type="html">&lt;p&gt;Yeah, that &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff88913077/1368232745146/?format=original&#34;&gt;Beautiful Evidence&lt;/a&gt; was something. Here&#39;s some related material for you: -I also liked &lt;a href=&#34;http://www.penmachine.com/2006/08/review-beautiful-evidence-by-edward.html&#34;&gt;Derek Miller&#39;s review&lt;/a&gt; of BE -The kind folks at &lt;a href=&#34;http://www.37signals.com&#34;&gt;37 Signals&lt;/a&gt; &lt;a href=&#34;http://www.37signals.com/svn/archives/000831.php&#34;&gt;report on a Tufte seminar they attended&lt;/a&gt; -Here&#39;s an &lt;a href=&#34;http://www.npr.org/templates/story/story.php?storyId=5673332&#34;&gt;interview with Tufte on NPR&lt;/a&gt; [via &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke&lt;/a&gt;] -Tufte&#39;s infamous essay, &lt;a href=&#34;http://www.wired.com/wired/archive/11.09/ppt2.html&#34;&gt;PowerPoint is Evil&lt;/a&gt; -And &lt;a href=&#34;http://www.wordyard.com/&#34;&gt;Scott Rosenburg&lt;/a&gt;&#39;s &lt;a href=&#34;http://www.salon.com/march97/tufte970310.html&#34;&gt;profile of Tufte&lt;/a&gt; over at Salon&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Beautiful Evidence (review: 4.5/5)</title>
    <link href="https://mlarson.org/2006/10/10/20061010beautiful-evidence-review-455/"/>
    <updated>2006-10-10T22:28:21.000Z</updated>
    <id>https://mlarson.org/2006/10/10/20061010beautiful-evidence-review-455/</id>
    <content type="html">&lt;p&gt;This is such an excellent book. Just a couple days after finishing &lt;a href=&#34;http://www.amazon.com/Beautiful-Evidence-Edward-R-Tufte/dp/0961392177&#34;&gt;Beautiful Evidence&lt;/a&gt;, I decided to invoke my alumni privileges at &lt;a href=&#34;http://web.library.emory.edu/&#34;&gt;Emory&#39;s Woodruff Library&lt;/a&gt; so I could get my hands on his earlier books. I&#39;m in the midst of &lt;a href=&#34;http://www.amazon.com/Envisioning-Information-Edward-R-Tufte/dp/0961392118&#34;&gt;Envisioning Information&lt;/a&gt; right now, and it&#39;s looking to be just as good. &lt;a href=&#34;http://www.edwardtufte.com&#34;&gt;Edward Tufte&lt;/a&gt; has crafted a reputation as something of a guru of analytic design and information display. His latest work, &lt;em&gt;Beautiful Evidence&lt;/em&gt; is about the act of visual communication in all its forms--using image, word, number, line, or otherwise. He&#39;s talking about the transformation of observation to presentation, &amp;quot;how seeing turns into showing&amp;quot;. This comes out in chapters dedicated to mapped images; links, arrows &amp;amp; causation; corrupted evidence; and more, all calling on case studies from modern science back to ye olden days.&lt;/p&gt;
&lt;p&gt;The book itself sets a good model for what it discusses, as a beautifully printed book with thoughtful, purposeful design. Add in some lovely colors and inks on some really nice paper. I liked seeing the &amp;quot;footnotes&amp;quot; placed in the left and right margins vertically parallel with the corresponding phrase, so the commentary is but a glance away. And for the most part, each page represents a full argument. While it can make for some slightly terse writing, I have to admire the editorial restraint to not let the ideas run all over the pages.&lt;/p&gt;
&lt;p&gt;I give petty demerits for a little bit of loose organization. The individual chapters and pages are really tight. On the other hand, at the macro-level the book is a wee jumbled. He expands on some incredibly cool ideas on &lt;a href=&#34;http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0001OR&amp;amp;topic_id=1&amp;amp;topic=&#34;&gt;sparklines&lt;/a&gt;; but then there&#39;s also a reprint of an old pamphlet on PowerPoint; and then there&#39;s also an odd dwarf chapter on sculpture. Hmm.&lt;/p&gt;
&lt;p&gt;Later, Tufte offers a bit pseudo-inspirational advice on information design: &amp;quot;What would Richard Feynman think?&amp;quot; Well, gosh, Ed. I really don&#39;t have a clue. How about a little help? I&#39;m reading &lt;em&gt;your&lt;/em&gt; book so &lt;em&gt;you&lt;/em&gt; can tell me. Don&#39;t make me think! Er...&lt;/p&gt;
&lt;p&gt;But really, it&#39;s easy to criticise because it&#39;s kind of hard to choose which excellent parts to highlight. There&#39;s a lot to learn here.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 10, 2006</title>
    <link href="https://mlarson.org/2006/10/10/20061010134/"/>
    <updated>2006-10-10T07:17:24.000Z</updated>
    <id>https://mlarson.org/2006/10/10/20061010134/</id>
    <content type="html">&lt;p&gt;Maybe you&#39;ve seen a few of the &lt;a href=&#34;http://www.matthaffner.com/acp.html&#34;&gt;huge photos pasted on buildings throughout Atlanta&lt;/a&gt; as part of a project for &lt;a href=&#34;http://www.acpinfo.org/&#34;&gt;Atlanta Celebrates Photography&lt;/a&gt;. See the handy &lt;a href=&#34;http://www.matthaffner.com/images/map.jpg&#34;&gt;treasure map&lt;/a&gt; and collect all 14. [via &lt;a href=&#34;http://www.whatdoiknow.org&#34;&gt;wdik&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2006</title>
    <link href="https://mlarson.org/2006/10/09/20061009133/"/>
    <updated>2006-10-09T19:22:40.000Z</updated>
    <id>https://mlarson.org/2006/10/09/20061009133/</id>
    <content type="html">&lt;p&gt;Did you know... &lt;a href=&#34;http://www.nytimes.com/ref/books/books-podcast-archive.html?ex=1318046400&amp;amp;en=725cd8227850b163&amp;amp;ei=5088&amp;amp;partner=rssnyt&amp;amp;emc=rss&#34;&gt;The New York Times Book Review has a weekly podcast&lt;/a&gt;. As if I needed more good books to read and think about.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2006</title>
    <link href="https://mlarson.org/2006/10/09/20061009132/"/>
    <updated>2006-10-09T19:19:10.000Z</updated>
    <id>https://mlarson.org/2006/10/09/20061009132/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://en.wikipedia.org/wiki/Salman_Rushdie&#34;&gt;Salman Rushdie&lt;/a&gt; will &lt;a href=&#34;http://news.emory.edu/Releases/RushdieProfessorship1160159900.html&#34;&gt;join Emory University as Distinguished Writer in Residence&lt;/a&gt;, as well as hand over his archive, which is really cool. I&#39;m interested to see the ripple effect from this in public events over the next couple years. Might be some good stuff if he&#39;s hanging out in Atlanta more. Hopefully he&#39;ll stir up some trouble. [thanks Rebekah]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2006</title>
    <link href="https://mlarson.org/2006/10/09/20061009130/"/>
    <updated>2006-10-09T19:03:28.000Z</updated>
    <id>https://mlarson.org/2006/10/09/20061009130/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://vnes.thatsanderskid.com/&#34;&gt;Play a bunch of NES games online&lt;/a&gt;. No need to download emulators and ROMs, keeps your hard drive evidence-free. Sweet. [via &lt;a href=&#34;http://www.lifehacker.com&#34;&gt;lh&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2006</title>
    <link href="https://mlarson.org/2006/10/09/20061009131/"/>
    <updated>2006-10-09T07:12:55.000Z</updated>
    <id>https://mlarson.org/2006/10/09/20061009131/</id>
    <content type="html">&lt;p&gt;Ditto this: &amp;quot;Feel free to use real paragraphs and explain stuff. I have time.&amp;quot; I absolutely agree that the &lt;a href=&#34;http://a.wholelottanothing.org/2006/10/top_10_reasons.html&#34;&gt;listing thing is getting a little old&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 9, 2006</title>
    <link href="https://mlarson.org/2006/10/09/20061009129/"/>
    <updated>2006-10-09T07:10:57.000Z</updated>
    <id>https://mlarson.org/2006/10/09/20061009129/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://streamos.warnermusic.com/qtime/wmiuk/madonna/jump_hi.mov&#34;&gt;new Madonna music video&lt;/a&gt; (people still make these?) featuring some &lt;a href=&#34;http://en.wikipedia.org/wiki/Parkour&#34;&gt;Parkour-style urban freerunning&lt;/a&gt; in Tokyo. [via &lt;a href=&#34;http://www.coudal.com/&#34;&gt;coudal&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Wisdom of Crowds (review: 4/5)</title>
    <link href="https://mlarson.org/2006/10/08/20061008the-wisdom-of-crowds-review-45/"/>
    <updated>2006-10-08T22:45:17.000Z</updated>
    <id>https://mlarson.org/2006/10/08/20061008the-wisdom-of-crowds-review-45/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.amazon.com/Wisdom-Crowds-James-Surowiecki/dp/0385721706/sr=1-1/qid=1160345783/ref=sr_1_1/102-1092419-5986520?ie=UTF8&amp;amp;s=books&#34;&gt;James Surowiecki&#39;s recent book&lt;/a&gt; focuses on the problems faced by groups (namely, cognition, coordination, and cooperation), and exactly what makes good decisions possible (that is, diversity, independence, decentralization). Like some &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff8891306e/1368232745001/?format=original&#34;&gt;other&lt;/a&gt; &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff88913071/1368232745010/?format=original&#34;&gt;consilient&lt;/a&gt; &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9329e4b06bff88913074/1368232745019/?format=original&#34;&gt;books&lt;/a&gt; I&#39;ve dabbled in, Surowiecki draws from a bunch of academic and popular work, and uses it to neatly package his ideas for human consumption. In his favor, I really like that he doesn&#39;t stretch his research too far. The main idea seems more richly documented and better sculpted than in books like &lt;em&gt;Blink&lt;/em&gt; and &lt;em&gt;The Tipping Point&lt;/em&gt;. As an added bonus, his writing is more free from chummy background stories--i.e. not all research needs multi-paragraph introductions. Instead, we get a nice solid edifice of ideas--thank you, James.&lt;/p&gt;
&lt;p&gt;If anything were missing, I&#39;d say Surowiecki could have been a bit more bold in offering his own views. The writing flows so nicely from the research that a bit more conscious effort to bracket his own prognostication and advocacy wouldn&#39;t hurt.&lt;/p&gt;
&lt;p&gt;But, alas, one side effect of his thoughtful exposition is that he isn&#39;t as entertaining and personable as, say, &lt;a href=&#34;http://www.stevenberlinjohnson.com&#34;&gt;Steven Johnson&lt;/a&gt;. One bright exception was the few pages discussing the &amp;quot;gangster-film theory of business&amp;quot;. As a model of the corporation, we have &lt;a href=&#34;http://www.imdb.com/title/tt0071562/&#34;&gt;The Godfather, Part II&lt;/a&gt; with the powerful Corleone dynasty directing a huge network of businesses (on both sides of the law). &lt;a href=&#34;http://www.imdb.com/title/tt0113277/&#34;&gt;Heat&lt;/a&gt; provides a model for the agile, intimate workings of small-enterprise. And then we there are groups like in &lt;a href=&#34;http://www.imdb.com/title/tt0105236/&#34;&gt;Reservoir Dogs&lt;/a&gt;, performing a simple one-off project and disbanding afterward. So perhaps none of those are models of success, but it&#39;s great stuff nonetheless.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Went Hikin&#39;</title>
    <link href="https://mlarson.org/2006/10/08/20061008went-hikin/"/>
    <updated>2006-10-08T22:25:58.000Z</updated>
    <id>https://mlarson.org/2006/10/08/20061008went-hikin/</id>
    <content type="html">&lt;p&gt;The initial dream of a 40-mile dayhike was quickly nixed. There&#39;s just not enough daylight to work with any more. (And I&#39;m out of shape, but never mind that). Maybe next spring. I did actually end up leaving &amp;quot;waaaaayyyyy early&amp;quot; on Saturday, and was able to start walking in the woods around 5am. I ended up splitting the hike into two pieces. About 4 nice &#39;n easy miles of night-hiking before sunrise, and once I had enough light, I worked in a bit over 16 miles of trail running (I use the term loosely). Back home by 3pm. Night hiking is a special experience. Luckily, I had a full moon, so I went without a headlamp. There was just enough light to see in black and white, and creep along at a slow stroll. I knew within about a half-hour that no matter how the rest of the day turned out, those quiet moments made it all worthwhile.&lt;/p&gt;
&lt;p&gt;The highlight of the trip came just after the day properly began. The sun had just come up, and I was heading back north for the &#39;adrenaline&#39; portion of the morning&#39;s activities. Instead of the familiar yellow globe, the sun took on an amber twinkle as it filtered sort of low and curious through the trees--a happy reminder that the stars are not so distant after all.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Gone Hikin&#39;</title>
    <link href="https://mlarson.org/2006/10/06/20061006gone-hikin/"/>
    <updated>2006-10-06T20:58:51.000Z</updated>
    <id>https://mlarson.org/2006/10/06/20061006gone-hikin/</id>
    <content type="html">&lt;p&gt;I&#39;m off to the hills waaaaayyyyy early on Saturday morning. The goal is 40 miles worth of trail running and hiking. Should be back by Sunday feeling sore, mildly delirious, and yet quite refreshed.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 4, 2006</title>
    <link href="https://mlarson.org/2006/10/04/20061004124/"/>
    <updated>2006-10-04T23:00:30.000Z</updated>
    <id>https://mlarson.org/2006/10/04/20061004124/</id>
    <content type="html">&lt;p&gt;I just picked up &lt;a href=&#34;http://www.amazon.com/9-11-Report-Sid-Jacobson/dp/0809057387&#34;&gt;The 9/11 Report: A Graphic Adaptation&lt;/a&gt; from the library today. It looks pretty cool. A quick flip-through showed some nice fold-out spreads and timelines and such. I&#39;ll let you know how it turns out. Maybe one day we&#39;ll see one for the &lt;a href=&#34;http://en.wikipedia.org/wiki/Pentagon_papers&#34;&gt;Pentagon Papers&lt;/a&gt; as well. And by the way, sorry for the lack of book reviews lately. It&#39;s one of my favorite things to do here. I&#39;ve read a ton, but I&#39;ve got to work through a bit of a backlog. More to come, promise.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 3, 2006</title>
    <link href="https://mlarson.org/2006/10/03/20061003123/"/>
    <updated>2006-10-03T22:36:26.000Z</updated>
    <id>https://mlarson.org/2006/10/03/20061003123/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.flickr.com/photos/tags/whatsinyourbag/&#34;&gt;What&#39;s in your bag?&lt;/a&gt;--a collection of pictures of what people carry around every day. The range goes from minimal to disastrous.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 3, 2006</title>
    <link href="https://mlarson.org/2006/10/03/20061003122/"/>
    <updated>2006-10-03T00:23:12.000Z</updated>
    <id>https://mlarson.org/2006/10/03/20061003122/</id>
    <content type="html">&lt;p&gt;Alright, this is getting out of hand. Yet another &lt;a href=&#34;http://www.collegehumor.com/video:1710434&#34;&gt;video of a guy who obsessively took pictures of himself over a period of 8 years&lt;/a&gt;. Horrible soundtrack, but I liked seeing the mustache grow starting around the 1:20 mark. See &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9328e4b06bff8891306b/1368232744971/?format=original&#34;&gt;all the similar projects&lt;/a&gt; I&#39;ve stumbled upon.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 2, 2006</title>
    <link href="https://mlarson.org/2006/10/02/20061002121/"/>
    <updated>2006-10-02T23:44:06.000Z</updated>
    <id>https://mlarson.org/2006/10/02/20061002121/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.radaronline.com/features/2006/09/hodgmania.php&#34;&gt;An interview with the PC guy in those Apple commercials&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 2, 2006</title>
    <link href="https://mlarson.org/2006/10/02/20061002120/"/>
    <updated>2006-10-02T23:29:36.000Z</updated>
    <id>https://mlarson.org/2006/10/02/20061002120/</id>
    <content type="html">&lt;p&gt;There are many who &lt;a href=&#34;http://presentationzen.blogs.com/presentationzen/2005/09/visual_simplici.html&#34;&gt;enjoy&lt;/a&gt; &lt;a href=&#34;http://presentationzen.blogs.com/presentationzen/2005/10/apple_special_e.html&#34;&gt;worshipping&lt;/a&gt; &lt;a href=&#34;http://www.businessweek.com/smallbiz/content/apr2006/sb20060406_865110.htm&#34;&gt;the&lt;/a&gt; &lt;a href=&#34;http://technology.guardian.co.uk/weekly/story/0,16376,1677772,00.html&#34;&gt;presentation&lt;/a&gt; &lt;a href=&#34;http://blog.guykawasaki.com/2006/01/lessons_from_st.html&#34;&gt;skillz&lt;/a&gt; of Apple head Steve Jobs. &lt;a href=&#34;http://www.daringfireball.net&#34;&gt;Daring Fireball&lt;/a&gt; shares a video of one odd little tick/ trademark/ crutch/ catchphrase: &amp;quot;&lt;a href=&#34;http://www.youtube.com/watch?v=r8L39UwOS-Y&amp;amp;mode=related&amp;amp;search=&#34;&gt;Boom&lt;/a&gt;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>October 1, 2006</title>
    <link href="https://mlarson.org/2006/10/01/20061001119/"/>
    <updated>2006-10-01T23:49:38.000Z</updated>
    <id>https://mlarson.org/2006/10/01/20061001119/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nanowrimo.org&#34;&gt;NaNoWriMo registration opens up soon&lt;/a&gt;, if not already. Typing begins on November 1. Let&#39;s see... 50,000 words... 175 pages... 30 days... That&#39;s doable, right? I think I&#39;ll go ahead and sign up, and pray for a productive October to keep the schedule clear. &lt;strong&gt;Update:&lt;/strong&gt; I&#39;m officially registered! Heaven help me.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2006</title>
    <link href="https://mlarson.org/2006/09/29/20060929118/"/>
    <updated>2006-09-29T19:31:11.000Z</updated>
    <id>https://mlarson.org/2006/09/29/20060929118/</id>
    <content type="html">&lt;p&gt;Have you ever wondered what exactly the difference is between the United Kingdom and Great Britain? Or how exactly does Wales fit in there? And what&#39;s up with Northern Ireland? &lt;a href=&#34;http://qntm.org/uk&#34;&gt;What you need is a helpful Venn Diagram&lt;/a&gt;. [via &lt;a href=&#34;http://www.monkeytime.org/&#34;&gt;monkeytime&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2006</title>
    <link href="https://mlarson.org/2006/09/29/20060929117/"/>
    <updated>2006-09-29T14:04:23.000Z</updated>
    <id>https://mlarson.org/2006/09/29/20060929117/</id>
    <content type="html">&lt;p&gt;The Royal Society is giving &lt;a href=&#34;http://www.pubs.royalsoc.ac.uk/index.cfm?page=1373&#34;&gt;access to all their scholarly publications&lt;/a&gt;, from March 1665 to last year. &lt;a href=&#34;http://www.journals.royalsoc.ac.uk/&#34;&gt;Go search the archives&lt;/a&gt;. It&#39;s free until the end of the year, but hopefully they will see the light and keep it open permanently. [via &lt;a href=&#34;http://www.spurgeonworld.com/blog&#34;&gt;spurgeon&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2006</title>
    <link href="https://mlarson.org/2006/09/29/20060929116/"/>
    <updated>2006-09-29T13:46:35.000Z</updated>
    <id>https://mlarson.org/2006/09/29/20060929116/</id>
    <content type="html">&lt;p&gt;Courtesy of the Smithsonian Institution, &lt;a href=&#34;http://www.smithsonianmagazine.com/museumday/articles/what-is.php&#34;&gt;today is Museum Day&lt;/a&gt;! Get in free at &lt;a href=&#34;http://www.smithsonianmagazine.com/museumday/articles/venues.php&#34;&gt;participating museums&lt;/a&gt;, like the ones in &lt;a href=&#34;http://content.smithsonianmag.com/museumday/?state=GA&#34;&gt;Georgia&lt;/a&gt;, for example. [via &lt;a href=&#34;http://www.lifehacker.com&#34;&gt;lh&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2006</title>
    <link href="https://mlarson.org/2006/09/29/20060929115/"/>
    <updated>2006-09-29T00:27:36.000Z</updated>
    <id>https://mlarson.org/2006/09/29/20060929115/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.oboylephoto.com/state_hospital/index.htm&#34;&gt;Spooky photos of an abandoned asylum&lt;/a&gt;. What is it about asylums (asyla?) that makes the creepiness just sort of stick around? The photos remind me a bit of &lt;a href=&#34;http://www.mckean-art.co.uk/&#34;&gt;Dave McKean&lt;/a&gt;&#39;s work in &lt;a href=&#34;http://www.amazon.com/Batman-Arkham-Asylum-Grant-Morrison/dp/0930289560&#34;&gt;Batman: Arkham Asylum&lt;/a&gt;. Not really for any visual similarity, but the atmosphere. The rest of the site has some other cool collections of &lt;a href=&#34;http://www.oboylephoto.com/ruins/index.htm&#34;&gt;modern ruins&lt;/a&gt;. [via &lt;a href=&#34;http://www.thingsmagazine.net/&#34;&gt;things&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 29, 2006</title>
    <link href="https://mlarson.org/2006/09/29/20060929114/"/>
    <updated>2006-09-29T00:18:02.000Z</updated>
    <id>https://mlarson.org/2006/09/29/20060929114/</id>
    <content type="html">&lt;p&gt;A &lt;a href=&#34;http://blog.hisnameistimmy.com/?p=12&#34;&gt;rather critical review&lt;/a&gt; of &lt;a href=&#34;http://www.burningman.com/whatisburningman/&#34;&gt;Burning Man 2006&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2006</title>
    <link href="https://mlarson.org/2006/09/28/20060928113/"/>
    <updated>2006-09-28T00:50:24.000Z</updated>
    <id>https://mlarson.org/2006/09/28/20060928113/</id>
    <content type="html">&lt;p&gt;Gina Trapani compiled &lt;a href=&#34;http://www.lifehacker.com/software/geek-to-live/geek-to-live-the-100th-installment-203491.php&#34;&gt;a year&#39;s worth of the bi-weekly Geek to Live posts&lt;/a&gt; over at Lifehacker.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 28, 2006</title>
    <link href="https://mlarson.org/2006/09/28/20060928112/"/>
    <updated>2006-09-28T00:48:38.000Z</updated>
    <id>https://mlarson.org/2006/09/28/20060928112/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://middleburyinstitute.net/&#34;&gt;Middlebury Institute for the Study of Separatism, Secession, and Self-Determination&lt;/a&gt; is &lt;a href=&#34;http://middleburyinstitute.net/CONVENTION.html&#34;&gt;hosting a secessionist convention&lt;/a&gt; in Vermont.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2006</title>
    <link href="https://mlarson.org/2006/09/26/20060926111/"/>
    <updated>2006-09-26T22:23:05.000Z</updated>
    <id>https://mlarson.org/2006/09/26/20060926111/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.newyorker.com/printables/critics/061002crat_atlarge&#34;&gt;The New Yorker on truth, beauty, and string theory&lt;/a&gt;. Along similar lines, last month&#39;s Wired featured a &lt;a href=&#34;http://www.wired.com/wired/archive/14.09/stringtheory.html&#34;&gt;brief little interview&lt;/a&gt; with &lt;a href=&#34;http://en.wikipedia.org/wiki/Lee_Smolin&#34;&gt;Lee Smolin&lt;/a&gt;, who just published &lt;a href=&#34;http://www.amazon.com/Trouble-Physics-String-Theory-Science/dp/0618551050/sr=8-1/qid=1159323593/ref=pd_bbs_1/102-1092419-5986520?ie=UTF8&amp;amp;s=books&#34;&gt;The Trouble with Physics: The Rise of String Theory, the Fall of a Science, and What Comes Next&lt;/a&gt;. While we&#39;re on the topic, take a look at the introduction to &lt;a href=&#34;http://www.tenthdimension.com/&#34;&gt;10 dimensional space&lt;/a&gt; I linked about a month ago.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2006</title>
    <link href="https://mlarson.org/2006/09/26/20060926110/"/>
    <updated>2006-09-26T22:10:09.000Z</updated>
    <id>https://mlarson.org/2006/09/26/20060926110/</id>
    <content type="html">&lt;p&gt;TMN recently finished up &lt;a href=&#34;http://www.themorningnews.org/archives/a_walk_in_the_park/index.php&#34;&gt;their series of briefs on metropolitan parks&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 26, 2006</title>
    <link href="https://mlarson.org/2006/09/26/20060926109/"/>
    <updated>2006-09-26T01:08:43.000Z</updated>
    <id>https://mlarson.org/2006/09/26/20060926109/</id>
    <content type="html">&lt;p&gt;Radar surveys the &lt;a href=&#34;http://www.radaronline.com/features/2006/09/capitol_domes.php&#34;&gt;8 worst hair trends on Capitol Hill&lt;/a&gt;. The Rep. Tom Lantos/ Emperor Palpatine bit is quite perceptive.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2006</title>
    <link href="https://mlarson.org/2006/09/25/20060925108/"/>
    <updated>2006-09-25T23:08:41.000Z</updated>
    <id>https://mlarson.org/2006/09/25/20060925108/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.nytimes.com/2006/09/24/books/review/Donadio.t.html?_r=1&amp;amp;oref=slogin&#34;&gt;NYT article&lt;/a&gt; about the Dummies series of books: &amp;quot;We donÄôt use future tense, we donÄôt use passive voice, we donÄôt have long chapters. A 26-page chapter is getting pretty long.&amp;quot; Well, at least check out the &lt;a href=&#34;http://graphics8.nytimes.com/images/2006/09/24/books/dona600span.jpg&#34;&gt;cartoon at the head of the article&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 25, 2006</title>
    <link href="https://mlarson.org/2006/09/25/20060925107/"/>
    <updated>2006-09-25T22:52:19.000Z</updated>
    <id>https://mlarson.org/2006/09/25/20060925107/</id>
    <content type="html">&lt;p&gt;Here&#39;s a &lt;a href=&#34;http://www.flickr.com/photos/93813154@N00/252778224/in/pool-hdr/&#34;&gt;very large Flickr photo group&lt;/a&gt; dedicated to &lt;a href=&#34;http://en.wikipedia.org/wiki/High_dynamic_range_imaging&#34;&gt;HDR photography&lt;/a&gt;. Some of the photos are just spooky, better than real life in a Pixar meets National Geographic kind of way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2006</title>
    <link href="https://mlarson.org/2006/09/24/20060924106/"/>
    <updated>2006-09-24T11:00:02.000Z</updated>
    <id>https://mlarson.org/2006/09/24/20060924106/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.msnbc.msn.com/id/14823087&#34;&gt;Michael Rogers questions the future value of reading&lt;/a&gt;: &amp;quot;ItÄôs time to acknowledge that in a truly multimedia environment of 2025, most Americans donÄôt need to understand more than a hundred or so words at a time, and certainly will never read anything approaching the length of an old-fashioned book.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 24, 2006</title>
    <link href="https://mlarson.org/2006/09/24/20060924105/"/>
    <updated>2006-09-24T10:16:35.000Z</updated>
    <id>https://mlarson.org/2006/09/24/20060924105/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://Allsimps.com&#34;&gt;Allsimps.com&lt;/a&gt; links to &lt;a href=&#34;http://www.allsimps.com/index.php?id=6&amp;amp;season=1&#34;&gt;streaming video of all the Simpsons episodes&lt;/a&gt;. Has it really been 18 seasons already??&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 22, 2006</title>
    <link href="https://mlarson.org/2006/09/22/20060922104/"/>
    <updated>2006-09-22T01:00:29.000Z</updated>
    <id>https://mlarson.org/2006/09/22/20060922104/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://allthingsfinancialblog.com/2006/09/11/how-to-personal-finance-edition/&#34;&gt;A selection of personal finance how-to articles&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 21, 2006</title>
    <link href="https://mlarson.org/2006/09/21/20060921103/"/>
    <updated>2006-09-21T23:53:26.000Z</updated>
    <id>https://mlarson.org/2006/09/21/20060921103/</id>
    <content type="html">&lt;p&gt;Now here is a great title for an essay:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;An Arrow Against All Tyrants and Tyranny, Shot from the Prison of Newgate into the Prerogative Bowels of the Arbitrary House of Lords, and All Other Usurpers and Tyrants Whatsoever; Wherein the Original, Rise, Extent, and End of Magisterial Power, the Natural and National Rights, Freedoms and Properties of Mankind are Discovered and Undeniably Maintained; the Late Oppressions and Encroachments of the Lords over the Commons Legally (By the Fundamental Laws and Statutes of This Realm, As Also By a Memorable Extract Out of the Records of the Tower of London) Condemned; the Late Presbyterian Ordinance (Invented and Contrived by the Diviners, and By the Motion of Mr Bacon and Mr Tate Read in the House of Commons) Examined, Refuted, and Exploded, As Most Inhumane, Tyrannical and Barbarous, by Richard Overton, Prerogative Archer to the Arbitrary House of Lords, Their Prisoner in Newgate, for the Just and Legal Properties, Rights and Freedoms of the Commons of England&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Moving past the title, &lt;a href=&#34;http://www.constitution.org/lev/eng_lev_05.htm&#34;&gt;Richard Overton&#39;s actual essay&lt;/a&gt; from 1646 is pretty darn good, too.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2006</title>
    <link href="https://mlarson.org/2006/09/19/20060919102/"/>
    <updated>2006-09-19T20:47:54.000Z</updated>
    <id>https://mlarson.org/2006/09/19/20060919102/</id>
    <content type="html">&lt;p&gt;Hmm. In its digital cameras, &lt;a href=&#34;http://www.hp.com/united-states/consumer/digital_photography/tours/slimming/index_f.html&#34;&gt;HP now offers a &amp;quot;slimming&amp;quot; feature&lt;/a&gt; to make people in photos appear thinner than in reality. What do you think? Harmless gadgetry? Symptom of cultural decay? Somewhere in between? [via &lt;a href=&#34;http://daringfireball.net&#34;&gt;df&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2006</title>
    <link href="https://mlarson.org/2006/09/19/20060919101/"/>
    <updated>2006-09-19T10:09:13.000Z</updated>
    <id>https://mlarson.org/2006/09/19/20060919101/</id>
    <content type="html">&lt;p&gt;Perhaps you keep saying to yourself, &amp;quot;One day I&#39;m going to read [insert classic novel from a bygone era]... but, um, not today.&amp;quot; If the book is in the public domain, &lt;a href=&#34;http://www.dailylit.com/&#34;&gt;DailyLit&lt;/a&gt; can make the task a bit easier by &lt;a href=&#34;http://www.dailylit.com/faq.html&#34;&gt;sending you a couple minutes worth of the story each day&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2006</title>
    <link href="https://mlarson.org/2006/09/19/20060919100/"/>
    <updated>2006-09-19T10:01:00.000Z</updated>
    <id>https://mlarson.org/2006/09/19/20060919100/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.youtube.com/watch?v=-dcmDscwEcI&#34;&gt;A video of Matrix-style table tennis&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2006</title>
    <link href="https://mlarson.org/2006/09/19/2006091999/"/>
    <updated>2006-09-19T06:48:11.000Z</updated>
    <id>https://mlarson.org/2006/09/19/2006091999/</id>
    <content type="html">&lt;p&gt;&amp;quot;&lt;a href=&#34;http://they.misled.us/dark-room&#34;&gt;Dark Room is a full screen, distraction free, writing environment&lt;/a&gt;. Unlike standard word processors that focus on features, Dark Room is just about you and your text.&amp;quot; This looks really cool. I like that it consumes the screen to block out all the other software I use for procrastination. Recently I switched over to using Notepad for just about all of my word-processing. With all those formatting buttons and menus in Word (even after I customize and pare down the options), the distractions were just too tempting. Too many things to fiddle with. Notepad lets me focus on generating ideas--essentially a faster version of pen and paper. I save all the tweaking, proofing, and formatting for later.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 19, 2006</title>
    <link href="https://mlarson.org/2006/09/19/2006091998/"/>
    <updated>2006-09-19T06:32:59.000Z</updated>
    <id>https://mlarson.org/2006/09/19/2006091998/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.thebudgetgraph.com/index.html&#34;&gt;Death and Taxes: A Visual Guide to Where Your Federal Tax Dollars Go&lt;/a&gt;. This is the new 2007 edition that shows outlays in the discretionary budget--what Congress directly decides. Also check out the &lt;a href=&#34;http://thebudgetgraph.com/forums/index.php?topic=6.0&#34;&gt;graphic that shows the general breakdown of the entire $2,800,000,000,000 budget&lt;/a&gt;, give or take a few pennies.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 18, 2006</title>
    <link href="https://mlarson.org/2006/09/18/2006091897/"/>
    <updated>2006-09-18T06:45:37.000Z</updated>
    <id>https://mlarson.org/2006/09/18/2006091897/</id>
    <content type="html">&lt;p&gt;Word on the street is that &lt;a href=&#34;http://www.nytimes.com/2006/09/13/dining/13tea.html?ex=1158897600&amp;amp;en=db7d82bad1ef6f7c&amp;amp;ei=5070&amp;amp;emc=eta1&#34;&gt;Lipton has decided to make tea bags that contain full-leaf tea&lt;/a&gt;, which jives with &lt;a href=&#34;http://www.k-1.com/Orwell/site/work/essays/cupoftea.html&#34;&gt;Orwell&#39;s instructions&lt;/a&gt;. Here is Lipton&#39;s site for the new &lt;a href=&#34;http://www.liptont.com/our_products/pyramid/index.asp&#34;&gt;&amp;quot;pyramid&amp;quot; tea bags&lt;/a&gt;. I&#39;m not sure how I feel about the fruity flavors... taste will tell. [thanks, rebekah]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2006</title>
    <link href="https://mlarson.org/2006/09/17/2006091795/"/>
    <updated>2006-09-17T22:33:51.000Z</updated>
    <id>https://mlarson.org/2006/09/17/2006091795/</id>
    <content type="html">&lt;p&gt;Cato Institute has a new paper about &lt;a href=&#34;http://www.cato.org/pub_display.php?pub_id=6654&#34;&gt;Doublespeak and the War on Terrorism&lt;/a&gt;. &lt;a href=&#34;http://www.cato.org/pubs/bp/bp98.pdf&#34;&gt;Here&#39;s the full report&lt;/a&gt; [PDF].&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2006</title>
    <link href="https://mlarson.org/2006/09/17/2006091794/"/>
    <updated>2006-09-17T22:28:59.000Z</updated>
    <id>https://mlarson.org/2006/09/17/2006091794/</id>
    <content type="html">&lt;p&gt;The NYT has a cool piece on &lt;a href=&#34;http://nymag.com/realestate/features/20332/index.html&#34;&gt;rent in New York&lt;/a&gt;: &amp;quot;What we saw was a uniquely New York kind of mess.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 17, 2006</title>
    <link href="https://mlarson.org/2006/09/17/2006091796/"/>
    <updated>2006-09-17T05:30:22.000Z</updated>
    <id>https://mlarson.org/2006/09/17/2006091796/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.holovaty.com/blog/archive/2006/09/06/0307&#34;&gt;A fundamental way newspaper sites need to change&lt;/a&gt;: &amp;quot;stop the story-centric worldview&amp;quot;. [via &lt;a href=&#34;http://www.dashes.com/anil&#34;&gt;dashes&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2006</title>
    <link href="https://mlarson.org/2006/09/13/2006091393/"/>
    <updated>2006-09-13T22:41:26.000Z</updated>
    <id>https://mlarson.org/2006/09/13/2006091393/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://englishrussia.com/?p=293&#34;&gt;Photos of Chernobyl&lt;/a&gt;, still a ghost town some 20 years after the nuclear reactor meltdown. I love seeing how the trees have grown in and reclaimed the land.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2006</title>
    <link href="https://mlarson.org/2006/09/13/2006091392/"/>
    <updated>2006-09-13T01:37:51.000Z</updated>
    <id>https://mlarson.org/2006/09/13/2006091392/</id>
    <content type="html">&lt;p&gt;In light of &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9328e4b06bff88913068/1368232744632/?format=original&#34;&gt;William Chace&#39;s recent article&lt;/a&gt; about what he would tell today&#39;s college students, I really liked this &lt;a href=&#34;http://www.insidehighered.com/views/2006/09/11/chace&#34;&gt;article excerpted from his new book&lt;/a&gt; about the difficult, tangled roles and responsibilities of the college President:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;New college and university presidents find that changes they want to make in the administrative structure are not accomplished easily or quickly. That was my experience; it is the experience of every president. The administrative colleagues I had inherited had been at the institution for a long time. Each of them had allies, networks of memory and friendship, and a sense of rootedness. For me to make personnel changes was to challenge the weight of institutional history. While some observers might believe that a university president can behave like a CEO, striking with impunity down through the layers of personnel to achieve an instant result, everything the president does is subjected to the closest and most protracted possible reading.&lt;/p&gt;
&lt;p&gt;Universities, not being corporations, are profligate with time. Hence nothing on a campus is viewed only once; every change, as well as every possibility of change, is scrutinized again and again. Moreover, the Äúhermeneutics of suspicion,Äù as literary scholars term it, is visited upon all new things.&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2006</title>
    <link href="https://mlarson.org/2006/09/13/2006091391/"/>
    <updated>2006-09-13T00:14:12.000Z</updated>
    <id>https://mlarson.org/2006/09/13/2006091391/</id>
    <content type="html">&lt;p&gt;A couple articles about &lt;a href=&#34;http://bugpowder.com/andy/e.speechballoons.html&#34;&gt;speechballoons in comics&lt;/a&gt; and &lt;a href=&#34;http://bugpowder.com/andy/e.speechballoons.evolution.html&#34;&gt;their evolution&lt;/a&gt;. There is some great stuff in the archives as well.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 13, 2006</title>
    <link href="https://mlarson.org/2006/09/13/2006091390/"/>
    <updated>2006-09-13T00:05:59.000Z</updated>
    <id>https://mlarson.org/2006/09/13/2006091390/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.mises.org/markets.asp&#34;&gt;The Mises Institute has gathered up some of the latest economic indicators for the United States&lt;/a&gt;. It ain&#39;t looking good, folks.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 12, 2006</title>
    <link href="https://mlarson.org/2006/09/12/2006091289/"/>
    <updated>2006-09-12T01:05:27.000Z</updated>
    <id>https://mlarson.org/2006/09/12/2006091289/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.compukiss.com/sandyclassroom/tutorials/article894.htm&#34;&gt;Function keys rule&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 10, 2006</title>
    <link href="https://mlarson.org/2006/09/10/2006091088/"/>
    <updated>2006-09-10T21:22:14.000Z</updated>
    <id>https://mlarson.org/2006/09/10/2006091088/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.musanim.com/player/&#34;&gt;The Music Animation Machine MIDI Player creates cool, simple, colorful visualizations for MIDI audio files&lt;/a&gt;. For examples of the output, see Bach&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=ipzR9bhei_o&amp;amp;mode=related&amp;amp;search=&#34;&gt;Toccata and Fugue in D Minor&lt;/a&gt;, and or check out Debussy&#39;s &lt;a href=&#34;http://www.youtube.com/watch?v=LlvUepMa31o&amp;amp;mode=related&amp;amp;search=&#34;&gt;Clair de Lune&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 10, 2006</title>
    <link href="https://mlarson.org/2006/09/10/2006091086/"/>
    <updated>2006-09-10T21:10:54.000Z</updated>
    <id>https://mlarson.org/2006/09/10/2006091086/</id>
    <content type="html">&lt;p&gt;From Psychology Today, &lt;a href=&#34;http://www.psychologytoday.com/articles/index.php?term=pto-20040302-000002&amp;amp;page=1&#34;&gt;research on given names and child development&lt;/a&gt;: &amp;quot;Parents may be further empowered to christen their children idiosyncratically given that names aren&#39;t the rich source for taunts they once were. &#39;Kids today are used to a variety of names, so it is almost too simple for them to make fun of each other for that. Cruelty is more sophisticated now&#39;.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 8, 2006</title>
    <link href="https://mlarson.org/2006/09/08/2006090885/"/>
    <updated>2006-09-08T01:30:59.000Z</updated>
    <id>https://mlarson.org/2006/09/08/2006090885/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.oncotton.co.uk/peter/index/A4PAPERCUT_000.htm&#34;&gt;Sculptures made from incredibly intricate cuts on sheets of plain white paper&lt;/a&gt;. The snowballs were a personal fave. [via &lt;a href=&#34;http://www.37svn.com/&#34;&gt;svn&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2006</title>
    <link href="https://mlarson.org/2006/09/07/2006090784/"/>
    <updated>2006-09-07T00:44:45.000Z</updated>
    <id>https://mlarson.org/2006/09/07/2006090784/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.english.emory.edu/faculty/wchace.html&#34;&gt;William Chace&lt;/a&gt;, current professor and &lt;a href=&#34;http://emoryhistory.emory.edu/people/presidents/Chace.htm&#34;&gt;former president of Emory University&lt;/a&gt;, has &lt;a href=&#34;http://www.nytimes.com/2006/09/05/opinion/05chace.html?ex=1315108800&amp;amp;en=2a90286506691efc&amp;amp;ei=5090&amp;amp;partner=rssuserland&amp;amp;emc=rss&#34;&gt;an odd little opinion piece in the New York Times&lt;/a&gt;. &amp;quot;When I was a college president, I was never able to give incoming freshmen the honest talk I wanted to. But had I done so, hereÄôs what I would have said...&amp;quot; Bill, as I am fond of calling him, also published a book last month, &lt;a href=&#34;http://www.amazon.com/One-Hundred-Semesters-Adventures-University/dp/0691127255&#34;&gt;One Hundred Semesters&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 7, 2006</title>
    <link href="https://mlarson.org/2006/09/07/2006090783/"/>
    <updated>2006-09-07T00:04:35.000Z</updated>
    <id>https://mlarson.org/2006/09/07/2006090783/</id>
    <content type="html">&lt;p&gt;Looks like some folks need to brush up on the whole &amp;quot;managing sensitive information&amp;quot; thing: a Google search for &lt;a href=&#34;http://www.google.com/search?q=confidential+%22do+not+distribute%22&amp;amp;hl=en&amp;amp;lr=&amp;amp;start=0&amp;amp;sa=N&#34;&gt;[confidential &amp;quot;do not distribute&amp;quot;]&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2006</title>
    <link href="https://mlarson.org/2006/09/06/2006090682/"/>
    <updated>2006-09-06T00:19:00.000Z</updated>
    <id>https://mlarson.org/2006/09/06/2006090682/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.scottberkun.com/essays/essay54.htm&#34;&gt;Some good tips on breaking the omnipresent writer&#39;s block, along with links to tips elsewhere&lt;/a&gt;: &amp;quot;WriterÄôs block is a sham. Anyone who wrote yesterday can write today, itÄôs just a question of if they can do it to their own satisfaction. It&#39;s not the fear of writing that blocks people, it&#39;s fear of not writing well. Consider this: Have you ever been blocked while playing Frisbee? Eating doughnuts? Dancing naked in your living room? Those are joyful things and there&#39;s nothing at stake: if you fail, who cares?&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 6, 2006</title>
    <link href="https://mlarson.org/2006/09/06/2006090681/"/>
    <updated>2006-09-06T00:05:32.000Z</updated>
    <id>https://mlarson.org/2006/09/06/2006090681/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dslreports.com/r0/download/1057567~e7015ffa5928e37bc10782c81cc8126e/Moon_Hypersaturated.jpg&#34;&gt;Here&#39;s a sweet photo of the moon&lt;/a&gt;. The colors are accurate, but the image was tweaked so that the colors are more saturated.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 4, 2006</title>
    <link href="https://mlarson.org/2006/09/04/2006090480/"/>
    <updated>2006-09-04T23:24:08.000Z</updated>
    <id>https://mlarson.org/2006/09/04/2006090480/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.abelardomorell.net/books_photographs1.html&#34;&gt;A cool collection of photos of books&lt;/a&gt;, almost like good portraiture. [via &lt;a href=&#34;http://www.metafilter.com&#34;&gt;mefi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 4, 2006</title>
    <link href="https://mlarson.org/2006/09/04/2006090479/"/>
    <updated>2006-09-04T22:54:11.000Z</updated>
    <id>https://mlarson.org/2006/09/04/2006090479/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://service.spiegel.de/cache/international/0,1518,434399,00.html&#34;&gt;A new book about Nazi-era humor&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>A Year&#39;s Worth of Spending</title>
    <link href="https://mlarson.org/2006/09/04/20060904a-years-worth-of-spending/"/>
    <updated>2006-09-04T01:45:23.000Z</updated>
    <id>https://mlarson.org/2006/09/04/20060904a-years-worth-of-spending/</id>
    <content type="html">&lt;p&gt;A couple years back, I got interested in the ideas of &lt;a href=&#34;http://en.wikipedia.org/wiki/Simple_living&#34;&gt;voluntary simplicity&lt;/a&gt; and the downshifted lifestyle. My readings eventually sent me on a side-trail to the book &lt;a href=&#34;http://www.amazon.com/exec/obidos/tg/detail/-/0140286780?v=glance&#34;&gt;Your Money or Your Life&lt;/a&gt;. Since then, about 14 months ago, I&#39;ve been tracking every cent I spend on everything. Usually if I have any receipts when I get home, I place them on my desk and take care of those every day or two. Any bills I pay get recorded that same day. At the end of each month, I&#39;ll add it all up, sort it, categorize it, graph it, and see how I&#39;m doing. Really. It&#39;s made a huge difference for me. Not only does it appeal to my Excel-loving nerd streak, but it helps me keep my wallet plump. But even more important than saving money, I create a whole new level of awareness. I used to blow all sorts of wad on thrift store clothing--it&#39;s cheap, right? Or then there&#39;s the $75 I lost all those times when I kept forgetting to buy groceries and had to buy my lunch at work. Pennies add up to dollars. The anal-retentive tracking gives me clear answers to the &amp;quot;Where did it all go?&amp;quot; question.&lt;/p&gt;
&lt;p&gt;It&#39;s a matter of perspective. I can answer, with authority, how much I work to pay for my car-related expenses. I can know exactly how much I have spent on social outings. I can tell how much I&#39;ve been buying impulsively . Basically, I can determine if I&#39;ve been spending according to what I value--and that sort of conscious living is so important to me.&lt;/p&gt;
&lt;p&gt;Another side benefit is the geeky historical perspective. I&#39;ve kept some metadata on some purchases like gasoline--gallons purchased, cost per gallon, total cost, day of the week, etc. It&#39;s kind of cool to look back and see the ebb and flow in gas prices I paid: &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9328e4b06bff8891305e/1368232744508/gasspark2.jpg?format=original&#34; alt=&#34;Sparkline for price of gasoline, July 05-August 06. HI $3.19, LO $1.89&#34;&gt;. So maybe it&#39;s not really all that practical, but it&#39;s cool for curiosity&#39;s sake.&lt;/p&gt;
&lt;p&gt;&lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9328e4b06bff88913062/1368232744521/gasbydaybar.jpg?format=original&#34; alt=&#34;Average $/gallon of gas, Sunday-Saturday, July 05-August 06&#34;&gt;But from all the data I can also get more useful information, such as learning that I can buy the cheapest gas during the first half of the week. There&#39;s a bit of bias in the graph because I ended up buying a lot of Wednesday and Thursday gas during the recent spike, but the general trends are accurate.&lt;/p&gt;
&lt;p&gt;There&#39;s also some personality that comes out in the numbers. Not that I needed it, but I&#39;ve got the data to prove that I like books more than music: &lt;img src=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9328e4b06bff88913065/1368232744533/cdvsbkspark.jpg?format=original&#34; alt=&#34;Sparkline for money spent on books (+ values) versus music (- values). July 05-August 06&#34;&gt;. As the bars on top indicate, I spend a pretty steady amount for books. There are some spikes here and there, but still a more regular baseline. Note that the book figures do not include all the stuff I bring back from the library, which would help even out that data even more. On the bottom side, you can see that music shopping is really more of an irregular binge thing.&lt;/p&gt;
&lt;p&gt;Novelties aside, there is a lot to learn from this sort of exercise. I&#39;m really glad I started doing this, and at this point I can&#39;t really imagine not continuing. Once I developed a system to keep the records, it&#39;s like clockwork. And when I can put it all down in ink... there&#39;s a sort of calm satisfaction to have at least one part of my life in order.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 3, 2006</title>
    <link href="https://mlarson.org/2006/09/03/2006090377/"/>
    <updated>2006-09-03T21:19:02.000Z</updated>
    <id>https://mlarson.org/2006/09/03/2006090377/</id>
    <content type="html">&lt;p&gt;So here&#39;s another guy, Noah Kalina, that has &lt;a href=&#34;http://www.vimeo.com/clip:99392&#34;&gt;photographed himself every day for more than 6 years and made a video out of it&lt;/a&gt;. See &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9328e4b06bff8891305b/1368232744459/?format=original&#34;&gt;my earlier post&lt;/a&gt; for a &lt;a href=&#34;http://www.youtube.com/watch?v=RLHdwddwRdE&#34;&gt;similar film&lt;/a&gt; and an &lt;a href=&#34;http://zonezero.com/magazine/essays/diegotime/time.html&#34;&gt;annual family photo timeline&lt;/a&gt;. &lt;a href=&#34;http://www.twindex.de/links-us.php&#34;&gt;And here&#39;s a selection of similar photography projects&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 3, 2006</title>
    <link href="https://mlarson.org/2006/09/03/2006090376/"/>
    <updated>2006-09-03T21:10:06.000Z</updated>
    <id>https://mlarson.org/2006/09/03/2006090376/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.mcsweeneys.net/links/lists/25JonathanShipley.html&#34;&gt;A list of Biblical Horror Movies at McSweeney&#39;s.&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 2, 2006</title>
    <link href="https://mlarson.org/2006/09/02/2006090275/"/>
    <updated>2006-09-02T19:21:45.000Z</updated>
    <id>https://mlarson.org/2006/09/02/2006090275/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://news.bbc.co.uk/2/shared/spl/hi/picture_gallery/06/americas_inside_a_bolivian_jail/html/1.stm&#34;&gt;The BBC has a photojournal of life inside a Bolivian jail&lt;/a&gt;. &amp;quot;There are no guards, no uniforms or metal bars on the cell windows. This relative freedom comes at a price: inmates have to pay for their cells, so most of them have to work inside the jail, selling groceries or working in the food stalls. Others work as hairdressers, laundry staff, carpenters, shoe-shine boys or TV and radio repairmen.&amp;quot; That&#39;s just amazing. As the later photos and commentary indicate, it&#39;s not heaven--but it&#39;s certainly completely different from prisons in the US. It brings to mind &lt;a href=&#34;http://en.wikipedia.org/wiki/Robert_P._Murphy&#34;&gt;Robert Murphy&lt;/a&gt;&#39;s brief speculation on prisons in &lt;a href=&#34;http://www.mises.org/store/Chaos-Theory-P190C1.aspx&#34;&gt;Chaos Theory&lt;/a&gt;. [via &lt;a href=&#34;http://blog.mises.org/blog/&#34;&gt;LvMI&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>September 1, 2006</title>
    <link href="https://mlarson.org/2006/09/01/2006090174/"/>
    <updated>2006-09-01T22:43:33.000Z</updated>
    <id>https://mlarson.org/2006/09/01/2006090174/</id>
    <content type="html">&lt;p&gt;My latest distraction has been the &lt;a href=&#34;http://images.google.com/imagelabeler/&#34;&gt;Google Image Labeler&lt;/a&gt;. It&#39;s sort of a dynamic folksonomy game. Operating under time pressure, you and a random internet partner try to match labels for photos, earning points along the way. I worked my way up in rank to the low 400s. It&#39;s a good use of my time... no, really...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 31, 2006</title>
    <link href="https://mlarson.org/2006/08/31/2006083172/"/>
    <updated>2006-08-31T01:00:57.000Z</updated>
    <id>https://mlarson.org/2006/08/31/2006083172/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://creativebastard.com/archives/2006/08/168/&#34;&gt;A particularly clever bit of telemarketing revenge: transfer the salesman to a recording&lt;/a&gt;. Should be cool to see how it turns out.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2006</title>
    <link href="https://mlarson.org/2006/08/30/2006083071/"/>
    <updated>2006-08-30T01:32:04.000Z</updated>
    <id>https://mlarson.org/2006/08/30/2006083071/</id>
    <content type="html">&lt;p&gt;String theory isn&#39;t the golden child it used to be, but you can still &lt;a href=&#34;http://www.tenthdimension.com/&#34;&gt;learn about existing in ten dimensions&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2006</title>
    <link href="https://mlarson.org/2006/08/30/2006083070/"/>
    <updated>2006-08-30T01:29:11.000Z</updated>
    <id>https://mlarson.org/2006/08/30/2006083070/</id>
    <content type="html">&lt;p&gt;Two more additions to the &lt;a href=&#34;http://www.deepskyfrontier.com/#howbig01&#34;&gt;first&lt;/a&gt; &lt;a href=&#34;http://www.royalsapien.com/pop1/&#34;&gt;three&lt;/a&gt; &lt;a href=&#34;http://www.phrenopolis.com/perspective/atom/index.html&#34;&gt;links&lt;/a&gt; in my Scalar Series: A clock depicting the last &lt;a href=&#34;http://www.earthscape.org/t1/grs02/grs02a.gif&#34;&gt;4.6 billion years of history in one hour&lt;/a&gt; and a project in &lt;a href=&#34;http://www.kokogiak.com/megapenny/default.asp&#34;&gt;visualizing enormous numbers with pennies&lt;/a&gt;, from one to one quintillion. [via &lt;a href=&#34;http://37signals.com/svn/archives2/on_a_grand_scale_information_design_and_science.php#more&#34;&gt;svn&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2006</title>
    <link href="https://mlarson.org/2006/08/30/2006083069/"/>
    <updated>2006-08-30T00:51:04.000Z</updated>
    <id>https://mlarson.org/2006/08/30/2006083069/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.quietamerican.org/vacation.html&#34;&gt;One-minute vacations are short sound recordings of various places on the planet&lt;/a&gt;. Some 240+ recordings in the back catalog.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 30, 2006</title>
    <link href="https://mlarson.org/2006/08/30/2006083068/"/>
    <updated>2006-08-30T00:09:21.000Z</updated>
    <id>https://mlarson.org/2006/08/30/2006083068/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.worldandi.com/public/2000/january/rembrandt.html&#34;&gt;Rembrandt painted almost ninety self-portraits in his lifetime&lt;/a&gt;. Jeanne Ivy discusses &lt;a href=&#34;http://www.research.umbc.edu/~ivy/selfportrait/&#34;&gt;what artists find when they search in the mirror&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 29, 2006</title>
    <link href="https://mlarson.org/2006/08/29/2006082966/"/>
    <updated>2006-08-29T00:00:42.000Z</updated>
    <id>https://mlarson.org/2006/08/29/2006082966/</id>
    <content type="html">&lt;p&gt;If you miss the original Zelda, you can get help. &lt;a href=&#34;http://www.zeldaclassic.com/&#34;&gt;Zelda Classic reconstructs the old NES version&lt;/a&gt;. &amp;quot;Beyond that, Zelda Classic allows the development of new quests that can use either the traditional graphics or enhanced graphics, as well as new enemies, items, and challenges...If you can imagine it, you can create it (provided it&#39;s in 8-bit color).&amp;quot; This is awesome. It&#39;s been so long since I sought the Triforce, but it&#39;s hard to believe it&#39;s been &lt;a href=&#34;http://en.wikipedia.org/wiki/The_Legend_of_Zelda&#34;&gt;almost 20 years since its release on the NES&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2006</title>
    <link href="https://mlarson.org/2006/08/28/2006082865/"/>
    <updated>2006-08-28T23:41:26.000Z</updated>
    <id>https://mlarson.org/2006/08/28/2006082865/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.iht.com/articles/2006/08/27/business/books28.php&#34;&gt;A brief article on Librivox&lt;/a&gt;, which &lt;a href=&#34;http://librivox.org/&#34;&gt;provides free, user-recorded audiobooks for works in the public domain&lt;/a&gt;. &amp;quot;If you think a recording is done badly, then please do one, and we&#39;ll post it as well.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 28, 2006</title>
    <link href="https://mlarson.org/2006/08/28/2006082864/"/>
    <updated>2006-08-28T22:58:30.000Z</updated>
    <id>https://mlarson.org/2006/08/28/2006082864/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://free-beer.dk/blog/&#34;&gt;Free (as in speech) beer&lt;/a&gt;: &amp;quot;Anyone can use the recipe to brew their own FREE BEER or create a derivative of the recipe. Anyone is free to earn money from FREE BEER, but they must publish the recipe under the same license and credit our work.&amp;quot; They even have &lt;a href=&#34;http://free-beer.dk/blog/label/&#34;&gt;garish branding materials&lt;/a&gt; to share.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 27, 2006</title>
    <link href="https://mlarson.org/2006/08/27/2006082763/"/>
    <updated>2006-08-27T00:59:26.000Z</updated>
    <id>https://mlarson.org/2006/08/27/2006082763/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.slate.com/default.aspx?id=2147309&amp;amp;nav/tap1&#34;&gt;Slate is hosting an online edition&lt;/a&gt; of &lt;a href=&#34;http://www.amazon.com/gp/product/0809057387/sr=8-2/qid=1154708925/ref=pd_bbs_2/103-7132035-3764667?ie=UTF8&#34;&gt;The 9-11 Report: A Graphical Adaptation&lt;/a&gt;, excerpting a chapter each day. [via &lt;a href=&#34;http://www.badlanguage.net/&#34;&gt;badlanguage&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2006</title>
    <link href="https://mlarson.org/2006/08/26/2006082662/"/>
    <updated>2006-08-26T23:47:57.000Z</updated>
    <id>https://mlarson.org/2006/08/26/2006082662/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.gapingvoid.com/Moveable_Type/archives/003220.html&#34;&gt;Hugh MacLeod has 10 questions for Seth Godin&lt;/a&gt;. Seth on wealth: &amp;quot;Look, there are 8 million millionaires in the USA. Why do these people go to work every day? Why not downsize appropriately and just sit on the beach? Because they&#39;re too smart. They realize that the purpose of living isn&#39;t to bake in the sun until you die.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 26, 2006</title>
    <link href="https://mlarson.org/2006/08/26/2006082661/"/>
    <updated>2006-08-26T23:33:53.000Z</updated>
    <id>https://mlarson.org/2006/08/26/2006082661/</id>
    <content type="html">&lt;p&gt;Here&#39;s an oldie, but a goodie. An &lt;a href=&#34;http://outside.away.com/outside/magazine/0797/9707dark.html&#34;&gt;article from Outside magazine about America&#39;s most dangerous wilderness&lt;/a&gt;, Angeles National Forest:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The man in charge at headquarters, Michael J. Rogers, insists that the Angeles is the ultimate proving ground for the theory that nature can be saved from humanity&#39;s onslaught. Rogers, who has been forest supervisor since 1990, is an environmental evangelist for whom the glass is always half full Äî even when it&#39;s nearly empty. This forest is not merely a slow-motion apocalypse, he argues (often to members of his own staff), but a laboratory where those who hold the public trust can test themselves against the host of troubles that will eventually confront every park and wilderness area in the country. In the Angeles, however, the future is now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Maybe this is why, as I linked a while back, &lt;a href=&#34;http://www.believermag.com/issues/200604/?read=article_price&#34;&gt;L.A. is the best place for writing about nature&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 24, 2006</title>
    <link href="https://mlarson.org/2006/08/24/2006082460/"/>
    <updated>2006-08-24T10:48:05.000Z</updated>
    <id>https://mlarson.org/2006/08/24/2006082460/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://blog.mises.org/archives/005516.asp&#34;&gt;The Mises blog points to another &amp;quot;victory&amp;quot; in patent warfare&lt;/a&gt;. &lt;a href=&#34;http://www.creative.com/&#34;&gt;Creative&lt;/a&gt; has successfully gotten a $100 million settlement from &lt;a href=&#34;http://www.apple.com/&#34;&gt;Apple&lt;/a&gt; to end a suite of lawsuits, including one patent dispute about &amp;quot;automatic hierarchical categorization of music by metadata&amp;quot;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 24, 2006</title>
    <link href="https://mlarson.org/2006/08/24/2006082459/"/>
    <updated>2006-08-24T01:58:36.000Z</updated>
    <id>https://mlarson.org/2006/08/24/2006082459/</id>
    <content type="html">&lt;p&gt;The Nonist introduces us to &lt;a href=&#34;http://thenonist.com/index.php/thenonist/permalink/hot_library_smut/&#34;&gt;Red-Hot and Filthy Library Smut&lt;/a&gt;. &amp;quot;Full-frontal objectification of the library itself,&amp;quot; featuring some pretty incredible photos. Books, shelving, tables all laid bare. Wish I were there...&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Law (review: 5/5)</title>
    <link href="https://mlarson.org/2006/08/24/20060824the-law-review-55/"/>
    <updated>2006-08-24T00:15:27.000Z</updated>
    <id>https://mlarson.org/2006/08/24/20060824the-law-review-55/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.mises.org/content/fredericbastiat.asp&#34;&gt;Frederic Bastiat&lt;/a&gt; was an economist and writer in France in the early 1800s. His short book/ long essay &lt;a href=&#34;http://bastiat.org/en/the_law.html&#34;&gt;The Law&lt;/a&gt; is one of the best pieces of political science writing I&#39;ve read in a while. I loved this book. &lt;em&gt;The Law&lt;/em&gt; is about the purpose and place of law in society, and Bastiat makes his case so clearly it brings me to tears. One of the sections I particularly enjoyed was his critiques of other well-known French political theorists like &lt;a href=&#34;http://en.wikipedia.org/wiki/Charles_de_Secondat,_Baron_de_Montesquieu&#34;&gt;Montesquieu&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/wiki/Rousseau&#34;&gt;Rousseau&lt;/a&gt;, and &lt;a href=&#34;http://en.wikipedia.org/wiki/%C3%89tienne_Bonnot_de_Condillac&#34;&gt;Condillac&lt;/a&gt;. He examines the pessimistic worldview that informs their visions of society, in the end saying,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Oh, sublime writers! Please remember sometimes that this clay, this sand, and this manure which you so arbitrarily dispose of, are men! They are your equals! They are intelligent and free human beings like yourselves! As you have, they too have received from God the faculty to observe, to plan ahead, to think, and to judge for themselves!&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I also thought Bastiat&#39;s critical look at classical education to be pretty perceptive. The case he makes is this: that classical education necessarily focuses on ancient thought, and that &amp;quot;antiquity presents everywhere Äî in Egypt, Persia, Greece, Rome Äî the spectacle of a few men molding mankind according to their whims, thanks to the prestige of force and of fraud&amp;quot;. Learning about these ancient societies is not a problem per se. The problem arises when thinkers and teachers &amp;quot;offered them for the admiration and imitation of future generations... They took for granted the grandeur, dignity, morality, and happiness of the artificial societies of the ancient world.&amp;quot;&lt;/p&gt;
&lt;p&gt;Some other great moments: the tired, dangerous notion of the &amp;quot;great man&amp;quot;; that &amp;quot;a science of economics must be developed before a science of politics can be logically formulated&amp;quot;; and some relevant, challenging words in light of our misadventures in Iraq and elsewhere:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I defy anyone to say how even the thought of revolution, of insurrection, of the slightest uprising could arise against a government whose organized force was confined only to suppressing injustice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Read this book.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Tipping Point (review: 2/5)</title>
    <link href="https://mlarson.org/2006/08/23/20060823the-tipping-point-review-25/"/>
    <updated>2006-08-23T23:31:17.000Z</updated>
    <id>https://mlarson.org/2006/08/23/20060823the-tipping-point-review-25/</id>
    <content type="html">&lt;p&gt;I&#39;d seen this book pop so often recently I figured it was some sort of sign. I have to say, &lt;a href=&#34;http://www.amazon.com/gp/product/0316346624&#34;&gt;The Tipping Point&lt;/a&gt; was about as disappointing as &lt;a href=&#34;http://www.gladwell.com/&#34;&gt;Malcolm Gladwell&lt;/a&gt;&#39;s more recent book, &lt;a href=&#34;http://www.amazon.com/gp/product/0316172324/104-3048457-8999149?v=glance&amp;amp;n=283155&#34;&gt;Blink&lt;/a&gt;. Which doesn&#39;t necessarily mean it was &lt;em&gt;bad&lt;/em&gt;, just disappointing. The topic is the &amp;quot;tipping point,&amp;quot; that mysterious fulcrum where obscure flips to famous, niche products turn to commodities, where just a nudge can cause dramatic changes.&lt;/p&gt;
&lt;p&gt;What I was really interested in was the tipping point itself. I wanted Gladwell to really dig in to that moment, that place of change--what I actually read was mostly about popularity and influence in general. I think the book suffers from too few examples explored too deeply--e.g., 40 pages on strategies for children&#39;s television production. Perhaps more disappointing is that, like &lt;em&gt;Blink&lt;/em&gt;, this is something of a &amp;quot;feel-good&amp;quot; book, even though it still feels journalistic. I didn&#39;t perceive much passion or much challenge. The book ended up feeling less like an well-constructed argument than a guided tour.&lt;/p&gt;
&lt;p&gt;On the upside, I can appreciate that Gladwell is perceptive enough to come up with this idea, to identify some tipping influences, and show how this arises in everyday life. As in &lt;em&gt;Blink&lt;/em&gt;, he does a great job of digging up those obscure little psychology and sociology studies and expanding on them, not to mention some great interviews. Like always, Gladwell&#39;s writing is very accessible, and it only takes a couple hours to breeze through. Take it or leave it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 23, 2006</title>
    <link href="https://mlarson.org/2006/08/23/2006082357/"/>
    <updated>2006-08-23T22:26:58.000Z</updated>
    <id>https://mlarson.org/2006/08/23/2006082357/</id>
    <content type="html">&lt;p&gt;Lately, I&#39;ve stumbled across a couple articles on &lt;a href=&#34;http://en.wikipedia.org/wiki/Freeganism&#34;&gt;Freeganism&lt;/a&gt;, which is a new word for me. &lt;a href=&#34;http://freegan.info/&#34;&gt;Freegan.info&lt;/a&gt; describes freegans--&amp;quot;people who employ alternative strategies for living based on limited participation in the conventional economy and minimal consumption of resources,&amp;quot;--and their common tenets:&lt;/p&gt;
&lt;p&gt;Waste Reclamation Waste Minimization Eco-Friendly Transportation Rent-Free Housing Going Green Working Less/ Voluntary Joblessness&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;http://www.bbc.co.uk/london/content/articles/2006/01/06/insideout_freegans_feature.shtml&#34;&gt;Here&#39;s a piece in the BBC&lt;/a&gt; from a while back, and in the &lt;a href=&#34;http://www.nypress.com/19/24/news&amp;amp;columns/feature.cfm&#34;&gt;New York Press&lt;/a&gt;, and a &lt;a href=&#34;http://www.washingtonpost.com/wp-dyn/content/article/2006/08/15/AR2006081501248.html&#34;&gt;recent feature in the Washington Post&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 23, 2006</title>
    <link href="https://mlarson.org/2006/08/23/2006082358/"/>
    <updated>2006-08-23T22:05:38.000Z</updated>
    <id>https://mlarson.org/2006/08/23/2006082358/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.dejavu.org/&#34;&gt;DejaVu.org offers a brief history of the internet, as well as a tool to emulate old-school web browsers like Lynx, Mosaic, and former versions of Netscape Navigator and Internet Explorer&lt;/a&gt;. You can see what the internet looked like before it was in color. We really have come a long way.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 23, 2006</title>
    <link href="https://mlarson.org/2006/08/23/2006082354/"/>
    <updated>2006-08-23T10:43:04.000Z</updated>
    <id>https://mlarson.org/2006/08/23/2006082354/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.themorningnews.org/archives/birnbaum_v/sebastian_junger.php&#34;&gt;An interview with Sebastian Junger&lt;/a&gt;, author of &lt;a href=&#34;http://www.amazon.com/gp/product/006101351X/104-3048457-8999149?v=glance&amp;amp;n=283155&#34;&gt;The Perfect Storm&lt;/a&gt; and a new book about the Boston Strangler, &lt;a href=&#34;http://www.amazon.com/gp/product/0393059804/sr=1-1/qid=1156343716/ref=sr_1_1/104-3048457-8999149?ie=UTF8&amp;amp;s=books&#34;&gt;A Death in Belmont&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What I wanted to do in the bookÄîI said, ÄúLook, everyone in it is dead. It doesnÄôt really matter. But this can be a way of talking about some important things that do endure.Äù How do we reach a decision on some things that canÄôt be known with absolute certainty?&lt;/p&gt;
&lt;/blockquote&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2006</title>
    <link href="https://mlarson.org/2006/08/22/2006082253/"/>
    <updated>2006-08-22T04:39:54.000Z</updated>
    <id>https://mlarson.org/2006/08/22/2006082253/</id>
    <content type="html">&lt;p&gt;Orwell&#39;s 11 essentials for &lt;a href=&#34;http://www.k-1.com/Orwell/site/work/essays/cupoftea.html&#34;&gt;A Nice Cup of Tea&lt;/a&gt;. I love this bit:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&amp;quot;Eighthly, one should drink out of a good breakfast cup Äî that is, the cylindrical type of cup, not the flat, shallow type. The breakfast cup holds more, and with the other kind one&#39;s tea is always half cold before one has well started on it.&amp;quot;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Absolutely. I hate it when restaurants serve in these giant dishes that are more closely related to pans than cups. Thank you, George.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2006</title>
    <link href="https://mlarson.org/2006/08/22/2006082251/"/>
    <updated>2006-08-22T04:27:10.000Z</updated>
    <id>https://mlarson.org/2006/08/22/2006082251/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.penguin.co.uk/static/cs/uk/0/minisites/nickhornby/&#34;&gt;Nick Hornby&lt;/a&gt; writes about &lt;a href=&#34;http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/08/20/svhornby20.xml&amp;amp;page=1&#34;&gt;How to Read&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I&#39;m sure I&#39;m not the only one who harrumphs his way through a highly praised novel, astonished but actually rather pleased that so many people have got it so wrong.&lt;/p&gt;
&lt;p&gt;As a consequence, the first thing to be cut from my reading diet was contemporary literary fiction. This seems to me to be the highest-risk category - or the highest risk for me, at any rate, given my tastes.&lt;/p&gt;
&lt;p&gt;I am not particularly interested in language. Or rather, I am interested in what language can do for me, and I spend many hours each day trying to ensure that my prose is as simple as it can possibly be.&lt;/p&gt;
&lt;p&gt;But I do not wish to produce prose that draws attention to itself, rather than the world it describes, and I certainly don&#39;t have the patience to read it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&#39;m trying to think of writers who hit a certain balance: sharp, luminous writing that also catches you off-guard with its everyday readability. Literary &lt;a href=&#34;http://en.wikipedia.org/wiki/MacGyver&#34;&gt;MacGyvers&lt;/a&gt;, if you will. The ones that come to mind right now are &lt;a href=&#34;http://en.wikipedia.org/wiki/Tim_O%27Brien_%28author%29&#34;&gt;Tim O&#39;Brien&lt;/a&gt; and &lt;a href=&#34;http://www.williamgibsonbooks.com/&#34;&gt;William Gibson&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 22, 2006</title>
    <link href="https://mlarson.org/2006/08/22/2006082252/"/>
    <updated>2006-08-22T03:26:53.000Z</updated>
    <id>https://mlarson.org/2006/08/22/2006082252/</id>
    <content type="html">&lt;p&gt;No longer allowed to romp around in refreshing Edenic bliss, &lt;a href=&#34;http://www.flakmag.com/tv/koolaid.html&#34;&gt;the Kool-Aid Man wears pants now&lt;/a&gt;. [via &lt;a href=&#34;http://www.politicaltheory.info&#34;&gt;ptdr&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 21, 2006</title>
    <link href="https://mlarson.org/2006/08/21/2006082149/"/>
    <updated>2006-08-21T22:53:41.000Z</updated>
    <id>https://mlarson.org/2006/08/21/2006082149/</id>
    <content type="html">&lt;p&gt;Some great news in my inbox this morning: &amp;quot;Farecast is happy to announce that airfare predictions for flights out of Atlanta (ATL) are now available at &lt;a href=&#34;http://www.farecast.com/&#34;&gt;Farecast.com&lt;/a&gt;.&amp;quot; Farecast &lt;a href=&#34;http://www.farecast.com/about/howWorks.jsp&#34;&gt;predicts ticket prices and indicates fare history for the routes you&#39;re interested in&lt;/a&gt;. They claim 75% accuracy in their predictions, and they also have some &lt;a href=&#34;http://farecastblog.com/blog/2006/07/three-other-ways-to-know-when-to-travel/&#34;&gt;cool visual tools that will make the ticket shopping less complicated&lt;/a&gt;. Hopefully this will add some little transparency to a fairly shrouded market.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 21, 2006</title>
    <link href="https://mlarson.org/2006/08/21/2006082148/"/>
    <updated>2006-08-21T01:01:53.000Z</updated>
    <id>https://mlarson.org/2006/08/21/2006082148/</id>
    <content type="html">&lt;p&gt;I feel like the Wikipedia thing has been beaten to death (almost as badly as the &lt;a href=&#34;http://www.stevenberlinjohnson.com/2006/08/five_things_all.html&#34;&gt;blogging v. journalism discussion&lt;/a&gt;), but I persist... Jaron Lanier writes about the rise of wiki, meta, and the &lt;a href=&#34;http://www.edge.org/3rd_culture/lanier06/lanier06_index.html&#34;&gt;Hazards of the New Online Collectivism&lt;/a&gt;:&amp;quot;it&#39;s important to not lose sight of values just because the question of whether a collective can be smart is so fascinating. Accuracy in a text is not enough. A desirable text is more than a collection of accurate references. It is also an expression of personality.&amp;quot; [via &lt;a href=&#34;http://www.futureofthebook.org/blog/&#34;&gt;iftfotb&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2006</title>
    <link href="https://mlarson.org/2006/08/20/2006082047/"/>
    <updated>2006-08-20T01:06:44.000Z</updated>
    <id>https://mlarson.org/2006/08/20/2006082047/</id>
    <content type="html">&lt;p&gt;In 2004 Scott Williamson became the first person to &amp;quot;yo-yo&amp;quot; the Pacific Crest Trail in one year. That is, 2650 miles hiking from the the southern tip of California through Oregon and Washington to Canada, and 2650 miles back. Last spring, &lt;a href=&#34;http://stevefriedman.net/index.html&#34;&gt;Steve Friedman&lt;/a&gt; wrote &lt;a href=&#34;http://stevefriedman.net/articles/lightness.html&#34;&gt;&amp;quot;The Unbearable Lightness of Being Scott Williamson&amp;quot;&lt;/a&gt;. It&#39;s not so much about the nuts and bolts of hiking, but the emptiness and obsession. Good stuff. From what I hear, Williamson is one of the most humble people out in the hiking world. I believe he&#39;s also attempting a repeat this year.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2006</title>
    <link href="https://mlarson.org/2006/08/20/2006082046/"/>
    <updated>2006-08-20T00:54:27.000Z</updated>
    <id>https://mlarson.org/2006/08/20/2006082046/</id>
    <content type="html">&lt;p&gt;The &lt;a href=&#34;http://www.gigapxl.org/project.htm&#34;&gt;GigaPxl Project&lt;/a&gt; produces super-detailed, ultra-high resolution panorama photography, which &amp;quot;adds a humanizing touch to subject material which otherwise tends to be dominated by its monumental scale.&amp;quot; See the &lt;a href=&#34;http://www.gigapxl.org/gallery.htm&#34;&gt;image gallery&lt;/a&gt;, &lt;a href=&#34;http://www.gigapxl.org/gallery-SanDiegoNight.htm&#34;&gt;San Diego&lt;/a&gt; for example. As they mention on the site, I like the preservation and archival potential of this technology. If they care to, future generations could scrutinize these for years.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2006</title>
    <link href="https://mlarson.org/2006/08/20/2006082045/"/>
    <updated>2006-08-20T00:42:05.000Z</updated>
    <id>https://mlarson.org/2006/08/20/2006082045/</id>
    <content type="html">&lt;p&gt;In 1919 in the city of Boston, 21 people were killed in a &lt;a href=&#34;http://en.wikipedia.org/wiki/Boston_Molasses_Disaster&#34;&gt;flood of molasses&lt;/a&gt;. A reprint from an older Smithsonian article summarizes &lt;a href=&#34;http://edp.org/molpark.htm&#34;&gt;the day that &amp;quot;a wet, brown hell broke loose,&amp;quot; and why parts of Boston have yet to lose that heavy, sweet smell&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2006</title>
    <link href="https://mlarson.org/2006/08/20/2006082044/"/>
    <updated>2006-08-20T00:29:13.000Z</updated>
    <id>https://mlarson.org/2006/08/20/2006082044/</id>
    <content type="html">&lt;p&gt;I remember being fascinated with stacking things when I was younger. Dominoes, rocks, cans, playing cards, you name it. If I had had the cash, I could have &lt;a href=&#34;http://www.fincher.org/Misc/Pennies/index.shtml&#34;&gt;learned the basics of cantilever engineering by building structures made out of coins&lt;/a&gt;. Be sure to see some of the the insane &lt;a href=&#34;http://www.fincher.org/Misc/Pennies/Sent.shtml&#34;&gt;reader submissions on beginning on page 4&lt;/a&gt;. I never cease to be amazed with all the time we have on our hands.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 20, 2006</title>
    <link href="https://mlarson.org/2006/08/20/2006082043/"/>
    <updated>2006-08-20T00:18:37.000Z</updated>
    <id>https://mlarson.org/2006/08/20/2006082043/</id>
    <content type="html">&lt;p&gt;I like it better as an impish gag than as Thought-Provoking High Art, but a group has created &lt;a href=&#34;http://nmedia.avu.cz/~chisa/privatcoll.html&#34;&gt;an exhibit featuring items stolen from other art museums&lt;/a&gt;: &amp;quot;By a volitive and intentional disrupt of the existing chain of artist-curator-collector, it undermines capitalistic market orthodoxies and produces an autonomous value zone.&amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 18, 2006</title>
    <link href="https://mlarson.org/2006/08/18/2006081842/"/>
    <updated>2006-08-18T00:32:35.000Z</updated>
    <id>https://mlarson.org/2006/08/18/2006081842/</id>
    <content type="html">&lt;p&gt;&lt;a href=&#34;http://www.kottke.org/remainder/06/08/11664.html&#34;&gt;Jason Kottke points out that Wal-Mart employs 1.8 million people on the planet&lt;/a&gt;. And now time for fuzzy math... The &lt;a href=&#34;http://www.prb.org/&#34;&gt;current estimates&lt;/a&gt; put world population at about 6.5 billion. That means Wal-Mart employs 0.0276923077% of the entire world, 1 of each 3600ish. About 64% of the world population is in the generally employable age range of 15-64. With that in mind, Wal-Mart employs about 0.0432692308% of the actual working population, or one of every 2311.&lt;/p&gt;
&lt;p&gt;Of course, in the US the percentages are higher. There are 1.3 million Wal-Mart employees out of the &lt;a href=&#34;http://www.census.gov/population/www/popclockus.html&#34;&gt;299.5 million in the entire States&lt;/a&gt;, which yields 0.434056761%. Almost 1 of every 230 people in the US works for Wal-Mart. Of the working population ages 15-64, (&lt;a href=&#34;https://www.cia.gov/cia/publications/factbook/geos/us.html&#34;&gt;67.2% of the total&lt;/a&gt;), Wal-Mart employs 0.6459178%, or 1 of every 155, give or take. That&#39;s a lot of folks.&lt;/p&gt;
&lt;p&gt;Might as well close with the &lt;a href=&#34;http://www.youtube.com/watch?v=EGzHBtoVvpc&#34;&gt;video showing where Wal-Mart new stores opened and how the network grew each year in the US&lt;/a&gt;. You can&#39;t grow like that without satisfying customers... and pissing people off. Comes with the territory, unfortunately.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 17, 2006</title>
    <link href="https://mlarson.org/2006/08/17/2006081741/"/>
    <updated>2006-08-17T23:29:30.000Z</updated>
    <id>https://mlarson.org/2006/08/17/2006081741/</id>
    <content type="html">&lt;p&gt;-From &lt;a href=&#34;http://www.designobserver.com&#34;&gt;Design Observer&lt;/a&gt;: &amp;quot;Operation Iraqi Freedom was &lt;a href=&#34;http://crookedtimber.org/2006/08/11/powerpoint-corrupts-the-point-absolutely&#34;&gt;planned in PowerPoint&lt;/a&gt; -- giving &lt;a href=&#34;http://armsandinfluence.typepad.com/armsandinfluence/2006/08/death_by_powerp.html&#34;&gt;&amp;quot;death by PowerPoint&amp;quot;&lt;/a&gt; new meaning.&amp;quot; Reminds me of two other great Laments on Military Presentation. One, the great &lt;a href=&#34;http://www.edwardtufte.com/tufte/powerpoint&#34;&gt;image of the military regiment on the cover Edward Tufte&#39;s essay &lt;em&gt;The Cognitive Style of Powerpoint&lt;/em&gt;&lt;/a&gt;. And two, the &lt;a href=&#34;http://www.norvig.com/Gettysburg/&#34;&gt;Gettysburg Address in PowerPoint&lt;/a&gt;. We spent a good bit of time on the Address in one of my Rhetoric classes. I love the Organizational Overview in those slides. PowerPoint can be brutal.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 17, 2006</title>
    <link href="https://mlarson.org/2006/08/17/2006081740/"/>
    <updated>2006-08-17T23:14:05.000Z</updated>
    <id>https://mlarson.org/2006/08/17/2006081740/</id>
    <content type="html">&lt;p&gt;-&lt;a href=&#34;http://www.zapreader.com/&#34;&gt;Zap Reader is a little web service that makes speedreading easier on the web&lt;/a&gt;. There&#39;s an extension for &lt;a href=&#34;http://www.mozilla.com/&#34;&gt;Firefox&lt;/a&gt; call &lt;a href=&#34;https://addons.mozilla.org/firefox/2149/&#34;&gt;JS Reader&lt;/a&gt; that has comparable functionality. I do some basic speed-reading in the paper world, so it&#39;s nice to see this expand on the web. I like Zap Reader on first look, though it&#39;s always an odd adjustment to make. It&#39;s such a weird sensation to have so many words funneling into your head, while not moving your eyes much at all. The downside of these online &amp;quot;rapid serial visual representation&amp;quot; tools is that you lose quite a bit of context while you&#39;re reading. It&#39;s not really convenient for placing quick pencil marks for areas to check on later, and you can lose the hierarchical cues like headings and indentations. But a tabbed browser like Firefox can help keep the original doc handy for referral.&lt;/p&gt;
&lt;p&gt;On the upside, after you adjust, you can really cruise through a document. No pages to turn, no book to hold flat. At speed, you can go through a work a couple times with focus, as opposed to one wandering trip with all the intrinsic linky distractions that make me love the internet. [via &lt;a href=&#34;http://www.metafilter.com&#34;&gt;mefi&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 17, 2006</title>
    <link href="https://mlarson.org/2006/08/17/2006081739/"/>
    <updated>2006-08-17T00:24:10.000Z</updated>
    <id>https://mlarson.org/2006/08/17/2006081739/</id>
    <content type="html">&lt;p&gt;-&lt;a href=&#34;http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/08/05/bavermeer.xml&#34;&gt;Han van Meegeren forged 7 Vermeers in the mid-1900s&lt;/a&gt;, raking in millions for false new paintings. &amp;quot;He devised a plan to paint a perfect Vermeer - neither a copy, nor a pastiche, but an original work - and, when it had been authenticated by leading art experts, acquired by a major museum, exhibited and acclaimed, he would announce his hoax to the world.&amp;quot; -This whole intellectual property thing is getting a bit absurd. The &lt;a href=&#34;http://blog.mises.org/archives/005474.asp&#34;&gt;Mises econblog comments on the latest efforts of the Music Publishers&#39; Association&lt;/a&gt; (evil twin of the RIAA?) to stop the unauthorized sharing of their products. Suing the consumer is a bad idea, generally speaking.&lt;/p&gt;
&lt;p&gt;-The &lt;a href=&#34;http://freerangelibrarian.com/2006/08/big_car_in_compact_space.php&#34;&gt;Free Range Librarian&lt;/a&gt; has a collection of photos of &lt;a href=&#34;http://flickr.com/photos/kgs/sets/72057594128163591/&#34;&gt;big cars in compact parking spaces&lt;/a&gt;. I&#39;d like to see some more context here. I wonder about the decision-making in effect. Are big car folks parking out of defiance (i.e. taking offense at the differential treatment) or just lazy convenience? In what kind of situations is compact parking actually respected? I wonder who is supposed to be enforcing this in the end, aside from citizen-liblogger-expos?©-photojournalists.&lt;/p&gt;
&lt;p&gt;-A thread on Lifehacker asking the readers&#39; &lt;a href=&#34;http://lifehacker.com/software/software/ask-the-readers-favorite-software-ever-194041.php&#34;&gt;favorite software ever&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 16, 2006</title>
    <link href="https://mlarson.org/2006/08/16/2006081638/"/>
    <updated>2006-08-16T10:50:21.000Z</updated>
    <id>https://mlarson.org/2006/08/16/2006081638/</id>
    <content type="html">&lt;p&gt;-The BBC reports that soon we may have &lt;a href=&#34;http://news.bbc.co.uk/1/hi/sci/tech/4798205.stm&#34;&gt;3 more official planets in our solar system&lt;/a&gt;. To be more exact, we&#39;ll have 8 &amp;quot;classical&amp;quot; planets and 4 &amp;quot;plutons&amp;quot;. I&#39;m sure heated debate will ensue.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 16, 2006</title>
    <link href="https://mlarson.org/2006/08/16/2006081636/"/>
    <updated>2006-08-16T00:46:10.000Z</updated>
    <id>https://mlarson.org/2006/08/16/2006081636/</id>
    <content type="html">&lt;p&gt;-Assembled from various warning signs and postings, here is a Flickr photo collection called &lt;a href=&#34;http://www.flickr.com/groups/stickfiguresinperil/pool/&#34;&gt;Stick Figures in Peril&lt;/a&gt;. -CrunchGear spotlights &lt;a href=&#34;http://crunchgear.com/2006/08/15/swissminigun-microminiature-but-still-real/&#34;&gt;a gun you can put on a keychain&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;-The &lt;a href=&#34;http://skepticsannotatedbible.com/index.htm&#34;&gt;Skeptics Annotated Bible&lt;/a&gt; [and &lt;a href=&#34;http://www.skepticsannotatedbible.com/quran/index.htm&#34;&gt;Koran&lt;/a&gt;, and &lt;a href=&#34;http://www.skepticsannotatedbible.com/BOM/index.htm&#34;&gt;Book of Mormon&lt;/a&gt;] lets you find all the references to violence, family values, science, etc. Also quick links to the &amp;quot;good stuff.&amp;quot;&lt;/p&gt;
&lt;p&gt;-In &lt;a href=&#34;http://www.believermag.com/&#34;&gt;The Believer&lt;/a&gt;: &lt;a href=&#34;http://www.believermag.com/issues/200604/?read=article_price&#34;&gt;&amp;quot;L.A. has become the finest place in America to think and write about nature.&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Heidi Klum&#39;s Body of Knowledge (review: 3/5)</title>
    <link href="https://mlarson.org/2006/08/15/20060815heidi-klums-body-of-knowledge-review-35/"/>
    <updated>2006-08-15T23:35:10.000Z</updated>
    <id>https://mlarson.org/2006/08/15/20060815heidi-klums-body-of-knowledge-review-35/</id>
    <content type="html">&lt;p&gt;Yes, I will read just about anything. &lt;a href=&#34;http://www.heidi-klum.de/&#34;&gt;Heidi Klum&lt;/a&gt; offers a collection of wit and wisdom gathered from her years of modeling in &lt;a href=&#34;http://www.amazon.com/gp/product/1400098319/sr=8-1/qid=1155705718/ref=sr_1_1/104-9132049-2007957?ie=UTF8&#34;&gt;Heidi Klum&#39;s Body of Knowledge: 8 Rules of Model Behavior (to Help You Take Off on the Runway of Life)&lt;/a&gt;. Of course, one of the best parts of this book are the excellent photos, in particular the 40-something page spread of her favorites. Aside from that, you&#39;ll find the canned guidance you&#39;ll find in other business books (goal setting, confidence, risk-taking, etc.)--but spun with enough bubbly personality and moments from her life to make it worthwhile. It&#39;s also cool to see her celebrity friends share their thoughts in the sidebars: Bono, Michael J. Fox, and Anthony Kiedis (Red Hot Chili Peppers), among others. Take it for what it is--a really thick, well-bound magazine with great photos--and you might like it. Also includes a recipe for authentic German cabbage soup.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Time Traveler&#39;s Wife (review: 3.5/5)</title>
    <link href="https://mlarson.org/2006/08/15/20060815the-time-travelers-wife-review-355/"/>
    <updated>2006-08-15T22:03:09.000Z</updated>
    <id>https://mlarson.org/2006/08/15/20060815the-time-travelers-wife-review-355/</id>
    <content type="html">&lt;p&gt;In recognition that I read much more than I can think cogently about, here are some quick thoughts on &lt;a href=&#34;http://www.audreyniffenegger.com/&#34;&gt;Audrey Niffenegger&#39;s&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/gp/product/015602943X/sr=8-1/qid=1155703656/ref=pd_bbs_1/104-9132049-2007957?ie=UTF8&#34;&gt;The Time Traveler&#39;s Wife&lt;/a&gt;. It&#39;s a wonderful concept. Here&#39;s the story of a guy, Henry, and a gal, Clare. Henry can time travel, but he can&#39;t control it. He just disappears and flits from when to when. Clare met Henry when she was six and he was in his thirties. It&#39;s a beautiful love story that spans a lifetime together.&lt;/p&gt;
&lt;p&gt;I love the narration and the character sculpting. Everyone feels unique and weird enough. I give demerits for the dialogue, though. At times, it reads more like theatre than a book. The conversations are so snappy, references so witty and quick, maybe even a bit too arch. It wasn&#39;t bad enough to set it down, but at times the characters interactions feel too ideal. But as far as couples go, Henry &amp;amp; Clare really aren&#39;t that normal, so maybe that&#39;s okay.&lt;/p&gt;
&lt;p&gt;But Henry and Clare still lack for drama in their lives, and most of the action just doesn&#39;t feel that special. Some marital issues come later, but feel too compressed to make an impact. After more than 500 pages, the Moment never came. High drama it is not. This is a pastorale on companionship, patience, loyalty. For what it lacks in adventure, I suppose it gives enough in mind-warping hypothesis. Read it.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 15, 2006</title>
    <link href="https://mlarson.org/2006/08/15/2006081534/"/>
    <updated>2006-08-15T00:25:43.000Z</updated>
    <id>https://mlarson.org/2006/08/15/2006081534/</id>
    <content type="html">&lt;p&gt;Today, a special audio edition: -If you like British accents, &lt;a href=&#34;http://www.collectbritain.co.uk/search/advanced.cfm?collection=English%20Accents%20and%20Dialects&amp;amp;step=val_form&#34;&gt;the British Library lets you explore almost 700 English accents and dialects&lt;/a&gt;, complete with analyses. [via &lt;a href=&#34;http://marylaine.com/neatnew.html&#34;&gt;marylaine&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;-&lt;a href=&#34;http://www.otr.net/&#34;&gt;Get your fix of old time radio&lt;/a&gt;. Abbot &amp;amp; Costello, Dick Tracy, Gunsmoke, and more. I love those old commercials: cigarettes ads beamed right to your ear. There&#39;s another where the announcer talks about Quaker Puffed Wheat and Puffed Rice for about 2 minutes solid. [via &lt;a href=&#34;http://www.lisnews.org&#34;&gt;lisnews&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;-&lt;a href=&#34;http://www.operacast.com/&#34;&gt;OperaCast&lt;/a&gt; helps you find current opera broadcasts going on across the planet, for your scheduling convenience.&lt;/p&gt;
&lt;p&gt;-The ever-resourceful Library of Congress hosts a &lt;a href=&#34;http://memory.loc.gov/ammem/edhtml/edsndhm.html&#34;&gt;collection of Edison&#39;s early cylinder and disc recordings&lt;/a&gt;. Check out the &lt;a href=&#34;http://memory.loc.gov/cgi-bin/query/r?ammem/papr:@filreq(@field(NUMBER+@band(edrs+50743l))+@field(COLLID+edison))&#34;&gt;12th Street Rag performed by the Imperial Marimba Band&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;-The Observer suggests &lt;a href=&#34;http://observer.guardian.co.uk/review/story/0,,1821196,00.html&#34;&gt;50 albums that changed music&lt;/a&gt;. Which doesn&#39;t necessarily mean for the better.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 14, 2006</title>
    <link href="https://mlarson.org/2006/08/14/2006081433/"/>
    <updated>2006-08-14T01:55:11.000Z</updated>
    <id>https://mlarson.org/2006/08/14/2006081433/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.damninteresting.com/?p=245&#34;&gt;&amp;quot;Color film was non-existent in 1909 Russia, yet in that year a photographer named Sergei Mikhailovich Prokudin-Gorskii embarked on a photographic survey of his homeland and captured hundreds of photos in full, vivid color.&amp;quot;&lt;/a&gt; His original negatives are &lt;a href=&#34;http://www.loc.gov/exhibits/empire/&#34;&gt;available through the Library of Congress&lt;/a&gt;. Sometimes you forget the world had color way back when. --&lt;a href=&#34;http://users.skynet.be/J.Beever/pave.htm&#34;&gt;Julian Beever creates pavement drawings that look three-dimensional&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;---&lt;a href=&#34;http://dilbertblog.typepad.com/the_dilbert_blog/2006/08/tax_breaks_for_.html&#34;&gt;Scott Adams wants tax breaks for small people&lt;/a&gt;. [via &lt;a href=&#34;http://blog.mises.org/blog&#34;&gt;mises&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--As of this writing, &lt;a href=&#34;http://www.amazon.com/gp/product/B00032G1S0/ref=nosim/104-9132049-2007957?redirect=true&amp;amp;n=3370831&#34;&gt;Almost 700 people have commented on Tuscan Whole Milk at Amazon.com&lt;/a&gt;. A recent 1-star review : &amp;quot;I had a problem where my roof was leaking. I poured some Tuscan Whole Milk over it to seal it up and it just flowed right into the hole and didn&#39;t do anything.&amp;quot; And a sample 5-star review: &amp;quot;The spirit of wholeness and light will radiate from you in whiteness, and flavor will speak the name of redemption. &amp;quot;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2006</title>
    <link href="https://mlarson.org/2006/08/12/2006081232/"/>
    <updated>2006-08-12T18:07:22.000Z</updated>
    <id>https://mlarson.org/2006/08/12/2006081232/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://flagrantdisregard.com/flickr/motivator.php&#34;&gt;Make your own motivational poster&lt;/a&gt;. [via &lt;a href=&#34;http://www.lifehacker.com&#34;&gt;lifehacker&lt;/a&gt;] --&lt;a href=&#34;http://www.fieggen.com/shoelace/lacingmethods.htm&#34;&gt;31 ways to tie your shoes&lt;/a&gt;, out of the &lt;a href=&#34;http://www.fieggen.com/shoelace/2trillionmethods.htm&#34;&gt;trillions&lt;/a&gt; of possible methods.&lt;/p&gt;
&lt;p&gt;--&lt;a href=&#34;http://www.youtube.com/watch?v=nR2ygFn-yR8&#34;&gt;The video indicates that bike messengers might indeed be on crack&lt;/a&gt;, but it&#39;s still a good argument for cycling v. motoring in the city.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 12, 2006</title>
    <link href="https://mlarson.org/2006/08/12/2006081231/"/>
    <updated>2006-08-12T00:29:10.000Z</updated>
    <id>https://mlarson.org/2006/08/12/2006081231/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.americanscientist.org/template/AssetDetail/assetid/53200?fulltext=true#53336&#34;&gt;Scientists rethink the collapse of Easter Island society&lt;/a&gt;. Spoiler: It wasn&#39;t just environmentally rapacious islanders, but the rats they brought along. [via &lt;a href=&#34;http://www.politicaltheory.info&#34;&gt;ptdr&lt;/a&gt;] --&lt;a href=&#34;http://www.dashes.com/anil/2006/07/11/zidane_world_cu&#34;&gt;Anil Dash gathers the best of Zidane Headbutt spin-offs&lt;/a&gt;, &amp;quot;dedicated to the head-first fight against alleged racism, the grand tradition of ridiculous memes on the net, and the premise that &amp;quot;Yakety Sax&amp;quot; is always funny.&amp;quot;&lt;/p&gt;
&lt;p&gt;--Here is another entry to compliment the two &lt;a href=&#34;http://www.deepskyfrontier.com/#howbig01&#34;&gt;earlier&lt;/a&gt; &lt;a href=&#34;http://www.royalsapien.com/pop1/&#34;&gt;links&lt;/a&gt; in my ad-hoc Scalar Series: &lt;a href=&#34;http://www.phrenopolis.com/perspective/atom/index.html&#34;&gt;take a look at the atom and relative size of proton versus electron&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--The &lt;a href=&#34;http://www.spl.org/lfa/central/oma/OMAbook1299/page2.htm&#34;&gt;concept book for the Seattle Public Library&lt;/a&gt;, where the vision was introduced: &amp;quot;to redefine / reinvent the Library as an institution no longer exclusively dedicated to the book, but as an information store, where all media - new and old - are presented under a regime of new equalities.&amp;quot; I&#39;m not sure about the actual content, &lt;a href=&#34;http://flickr.com/photos/tags/seattlepubliclibrary/clusters/&#34;&gt;but it certainly came out beautifully&lt;/a&gt;. [via &lt;a href=&#34;http://www.ideaconference.org/blog/&#34;&gt;ic&lt;/a&gt;]&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2006</title>
    <link href="https://mlarson.org/2006/08/10/2006081030/"/>
    <updated>2006-08-10T23:57:55.000Z</updated>
    <id>https://mlarson.org/2006/08/10/2006081030/</id>
    <content type="html">&lt;p&gt;--Via &lt;a href=&#34;http://www.54monkeys.com/?p=59&#34;&gt;54 Monkeys&lt;/a&gt;, an &lt;a href=&#34;http://www.nytimes.com/2006/07/30/magazine/30brand.html?ex=1311912000&amp;amp;en=82edb890b1d6c977&amp;amp;ei=5088&amp;amp;partner=rssnyt&amp;amp;emc=rss&#34;&gt;article in New York Times Magazine about rebellious branding&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;...The supposed counterculture nature of his brand might arouse some suspicion. Manufactured commodities are an artistic medium? Branding is a form of personal expression? Indie businesses are a means of dropping out? Turning your lifestyle into a business is rebellious?&lt;/p&gt;
&lt;p&gt;...Perhaps theyÄôre trying a new tactic in the eternal war against the corporate suits who co-opt the rebellion, style and taste of every youth culture and sell it right back to the generation that created it. Perhaps the first lesson of the brand underground is not that savvy young people will stop buying symbols of rebellion. It is that they have figured out that they can sell those symbols, too.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;--A girl photographs herself every day for 3 years, &lt;a href=&#34;http://www.youtube.com/watch?v=RLHdwddwRdE&#34;&gt;resulting in a short film&lt;/a&gt;. See also Diego Goldberg&#39;s &lt;a href=&#34;http://zonezero.com/magazine/essays/diegotime/time.html&#34;&gt;Arrow of Time&lt;/a&gt;. It would be cool to do project like that, but I know I would forget.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Anoushka Shankar: Live at Carnegie Hall (review: 3/5)</title>
    <link href="https://mlarson.org/2006/08/10/20060810anoushka-shankar-live-at-carnegie-hall-review-35/"/>
    <updated>2006-08-10T23:30:29.000Z</updated>
    <id>https://mlarson.org/2006/08/10/20060810anoushka-shankar-live-at-carnegie-hall-review-35/</id>
    <content type="html">&lt;p&gt;This is quite a good album--a recording of &lt;a href=&#34;http://www.anoushkashankar.com/&#34;&gt;Anoushka Shankar&#39;s&lt;/a&gt; &lt;a href=&#34;http://www.amazon.com/gp/product/B00005QD80/ref=sr_11_1/104-9132049-2007957?ie=UTF8&#34;&gt;opening set at Carnegie Hall&lt;/a&gt; in 2001, before her father Ravi Shankar took the stage. Worst part first: the packaging and liner notes were a bit bland, mostly &#39;biographical praise&#39;. Though it would be nice, I&#39;m not asking for a Radiohead-style 48-page avant-garde visual spread; but at least tell me about the music itself. However, the bio does come in handy for those awkward conversations I seem to end up in:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Friend: [wincing] So... ah... what are we listening to? Me: Oh, this is Anoushka Shankar. One time I saw her and Ravi Shankar play at Emory University--one of the most incredible concerts I&#39;ve seen. The sitarist, the tabla duels, and the audience was so &lt;em&gt;into&lt;/em&gt; it. Those guys were totally raga-ing out. Friend: [noncommittal] Oh... Me: [defensive] Well... She&#39;s the youngest and only female to ever receive the House of Commons Shield from the British Parliament. And she&#39;s cute.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So back to the music. Though I enjoy this album, one of the things I realized is that I have almost no emotional connection with Indian music, at least the traditional, classical forms. I can understand and respond to the musical basics of tempo and rhythm. But venturing beyond that into the melody and the harmonic background, I have no ear. It&#39;s an odd feeling. For example, on the opening strains of the tabla duet, I can&#39;t tell if the sitar is peaceful, plaintive, wistful, melancholy, or what. The cues are probably there, I just don&#39;t know enough to pick up on subtlety.&lt;/p&gt;
&lt;p&gt;With that said, the tunes are catchy, and the performance is solid though it doesn&#39;t seem passionate. At least it will keep my ears open and stretch my appreciation a bit.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2006</title>
    <link href="https://mlarson.org/2006/08/10/2006081027/"/>
    <updated>2006-08-10T00:36:46.000Z</updated>
    <id>https://mlarson.org/2006/08/10/2006081027/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.rebeccablood.net/&#34;&gt;Rebecca Blood&lt;/a&gt; has posted &lt;a href=&#34;http://www.rebeccablood.net/bloggerson/jasonkottke.html&#34;&gt;an interview with Jason Kottke&lt;/a&gt; of &lt;a href=&#34;http://www.kottke.org&#34;&gt;kottke.org&lt;/a&gt;. Good stuff. Her whole &lt;a href=&#34;http://www.rebeccablood.net/essays/index.html#bloggerson&#34;&gt;Bloggers on Blogging&lt;/a&gt; series has been quite a treat. --Eggcorns are those phrases that &lt;a href=&#34;http://eggcorns.lascribe.net/&#34;&gt;&amp;quot;arise when a writer knows an expression well enough to employ it in an appropriate context, but is mistaken about the term&#39;s or its constituents&#39; meanings, origins or the underlying metaphors&amp;quot;&lt;/a&gt;--intuitive mistakes like &amp;quot;free reign&amp;quot; or &amp;quot;ten-year track position&amp;quot;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Everything Bad is Good for You (review: 4/5)</title>
    <link href="https://mlarson.org/2006/08/10/20060810everything-bad-is-good-for-you-review-45/"/>
    <updated>2006-08-10T00:13:57.000Z</updated>
    <id>https://mlarson.org/2006/08/10/20060810everything-bad-is-good-for-you-review-45/</id>
    <content type="html">&lt;p&gt;I really enjoyed this one. &lt;a href=&#34;http://www.stevenberlinjohnson.com/&#34;&gt;Steven Johnson&lt;/a&gt; is one of the more articulate writers I&#39;ve flipped through recently, outside of my readings in more academic circles. One thing I noticed in the first 30 or so pages is that this is a very &lt;em&gt;organized&lt;/em&gt; book. There never seems to be a stray turn or backtrack or overextended digression. Over several hundred pages, it still reads like a tight essay--a rare balance of structure and flow, clarity and conversation. The crux of &lt;a href=&#34;http://www.amazon.com/gp/product/1573223077/sr=1-1/qid=1155181128/ref=pd_bbs_1/104-9132049-2007957?ie=UTF8&amp;amp;s=books&#34;&gt;Everything Bad is Good for You&lt;/a&gt; is this: contrary to received opinion, our pop culture is not diminishing our society, but augmenting and improving it in tangible ways. In contrast to mass entertainment of yesteryear, the media we see today--Johnson focuses on television and videogames, in particular--is more complex and more richly textured.&lt;/p&gt;
&lt;p&gt;On television for example: compare the set-and-spike gags of &#39;I Love Lucy&#39; to the dense allusions of &#39;The Simpsons&#39;. Compare a cookie-cutter season of &#39;Dragnet&#39; to a season of &#39;24&#39;. &#39;The Price is Right&#39; to &#39;Survivor&#39;. Modern entertainment has progressed so that requires and rewards long-term, attentive participation on the audience&#39;s part. Johnson makes a strong case that our entertainment is more demanding today than ever before, no longer just short-term stimulation, but often even more satisfying in repetition. It&#39;s entertainment with effort.&lt;/p&gt;
&lt;p&gt;For the most part, I think he makes a solid argument. I would have liked to see him consider more facets of pop culture in depth--do we see comparable advances in mass literature? music? I&#39;m not so sure, one way or another, but I wouldn&#39;t mind being convinced. Definitely recommended--I&#39;d read it again if I didn&#39;t have other books waiting in line.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 10, 2006</title>
    <link href="https://mlarson.org/2006/08/10/2006081028/"/>
    <updated>2006-08-10T00:02:03.000Z</updated>
    <id>https://mlarson.org/2006/08/10/2006081028/</id>
    <content type="html">&lt;p&gt;--Georgia Tech has an online gallery &amp;amp; text of Edward Emerson Barnard&#39;s book &lt;a href=&#34;http://www.library.gatech.edu/about_us/digital/barnard/index.html&#34;&gt;A Photographic Atlas of Selected Regions of the Milky Way&lt;/a&gt;, published 1927. Check out &lt;a href=&#34;http://www.library.gatech.edu/Barnard_Project_W/plate/Bar-pt1-pl005_sm.jpg&#34;&gt;Plate No. 5, a Nebulous Region in Taurus&lt;/a&gt; or &lt;a href=&#34;http://www.library.gatech.edu/Barnard_Project_W/plate/Bar-pt1-pl014_sm.jpg&#34;&gt;Plate No. 14, Dark Lanes in Ophiucus&lt;/a&gt;. Aside from the photos, you can also access images of the text and the various hand-drafted charts, &lt;a href=&#34;http://www.library.gatech.edu/Barnard_Project_W/chart/Bar-pt2-cht005_sm.jpg&#34;&gt;like this one for the Nebulous Region in Taursus&lt;/a&gt;. So much information, but such elegance.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 9, 2006</title>
    <link href="https://mlarson.org/2006/08/09/2006080925/"/>
    <updated>2006-08-09T23:34:23.000Z</updated>
    <id>https://mlarson.org/2006/08/09/2006080925/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.yetanotherdot.com/asp/80s.html&#34;&gt;Test how well you know your 80s lyrics&lt;/a&gt;. Yeah... I failed mightily... --&lt;a href=&#34;http://www.prospect.org/web/page.ww?section=root&amp;amp;name=ViewWeb&amp;amp;articleId=11781&#34;&gt;Some crossword afficionados lament the popularity of Sudoku&lt;/a&gt;, and look for ways to regain their lost attention. [via &lt;a href=&#34;http://www.waxy.org&#34;&gt;waxy&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--Read up on &lt;a href=&#34;http://scienceblogs.com/goodmath/2006/08/qa_what_is_information.php&#34;&gt;what exactly information is&lt;/a&gt;. When I see a person like this who obviously loves math, I can&#39;t really help but be at least a little bit enthralled.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 9, 2006</title>
    <link href="https://mlarson.org/2006/08/09/2006080924/"/>
    <updated>2006-08-09T01:02:35.000Z</updated>
    <id>https://mlarson.org/2006/08/09/2006080924/</id>
    <content type="html">&lt;p&gt;--Stephen King tells us &lt;a href=&#34;http://mikeshea.net/Everything_You_Need_to_Kn.html&#34;&gt;everything we need to know about writing&lt;/a&gt;. -- &lt;a href=&#34;http://community.livejournal.com/vintagephoto/656051.html&#34;&gt;A small collection of vintage photos of the Mideast back before things got hairy&lt;/a&gt;. [via &lt;a href=&#34;http://www.marginalrevolution.com&#34;&gt;mr&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--&lt;a href=&#34;http://www.theglobeandmail.com/servlet/story/RTGAM.20060804.wfiction05/BNStory/Entertainment/home&#34;&gt;Novels are for females&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If you are a young man and you pick up the book section, your primary impression of literature in English is going to be the kind of thing your mother&#39;s book club reads. . . . Literature has veered away from story to be about psychology; male writers are as responsible for that as women . . . but I do think men are interested in things, why things work, why things happen, and men look for more comedy in fiction. We are bored by the earnestness of contemporary fiction.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;One researcher also suggests that &amp;quot;the predominance of female teachers from daycare through grade school, and the preference for fiction as schoolroom reading material, has given boys the impression that reading is for girls.&amp;quot; That&#39;s a depressing thought.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 8, 2006</title>
    <link href="https://mlarson.org/2006/08/08/2006080823/"/>
    <updated>2006-08-08T21:55:21.000Z</updated>
    <id>https://mlarson.org/2006/08/08/2006080823/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://cre.ations.net/creation/44&#34;&gt;The Time Fountain uses a strobe light for all kinds of cool effects, e.g. water drops drip backwards or float in mid-air&lt;/a&gt;. Bonus points for anyone who can name the soundtrack for the video. --&lt;a href=&#34;http://www.underconsideration.com/speakup/archives/002743.html&#34;&gt;A nice write-up examining the Atlanta Aquarium with a designer&#39;s eye&lt;/a&gt;. I wouldn&#39;t have noticed it on my own, but the use of all those different typefaces and the lack of design uniformity does put a few warts on an otherwise pretty cool place.&lt;/p&gt;
&lt;p&gt;--If Man and Dinosaur once walked the Earth together, you might wonder why dinosaurs aren&#39;t mentioned in the Bible. &lt;a href=&#34;http://www.sixdaycreation.com/facts/dinosaurs/nov2001.html&#34;&gt;Ah, but they are&lt;/a&gt;. For more information, consider a &lt;a href=&#34;http://www.answersingenesis.org/museum/faq.asp&#34;&gt;visit to the Creation Museum&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 8, 2006</title>
    <link href="https://mlarson.org/2006/08/08/2006080821/"/>
    <updated>2006-08-08T13:57:53.000Z</updated>
    <id>https://mlarson.org/2006/08/08/2006080821/</id>
    <content type="html">&lt;p&gt;--If you&#39;ve already &lt;a href=&#34;http://www.babynamewizard.com/namevoyager/&#34;&gt;found out how popular your first name is&lt;/a&gt;... then you can also &lt;a href=&#34;http://www.pbs.org/pov/pov2001/thesweetestsound/popularityindex.html&#34;&gt;find out where your last name currently ranks&lt;/a&gt;. Smith, Johnson, Williams, Jones, and Brown claim the top five. &amp;quot;Larson&amp;quot; comes in at #233. --&lt;a href=&#34;http://blog.wired.com/cropcircles/&#34;&gt;Photos of more modern, more intricate crop circles&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--According to the latest statistics, &lt;a href=&#34;http://www.sifry.com/alerts/archives/000436.html&#34;&gt;blogs are growing like weeds&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--Here&#39;s some evidence of 1st-world perception bias, from living in a country on some kind of technology buzz: I&#39;m still surprised at how little the internet has spread. &lt;a href=&#34;http://www.internetworldstats.com/stats.htm&#34;&gt;The internet&#39;s reach is only to about 1 of every 6 people on the planet&lt;/a&gt;. There&#39;s an enormous amount of stats there for the hyper-curious.&lt;/p&gt;
&lt;p&gt;--I&#39;ve enjoyed the New York Times series on the &amp;quot;New Gender Divide&amp;quot;. Nice infographics, to boot. These recent articles in particular: one discusses that men without college degrees &lt;a href=&#34;http://www.nytimes.com/2006/08/06/us/06marry.html?hp&amp;amp;ex=1154836800&amp;amp;en=c7eee6163dd3ecf7&amp;amp;ei=5094&amp;amp;partner=homepage&#34;&gt;are not marrying as much as in years past&lt;/a&gt;, and one that really blows my mind, &lt;a href=&#34;http://www.nytimes.com/2006/07/31/business/31men.html&#34;&gt;an article about men choosing not to work&lt;/a&gt;. I suppose if your lady will put up with it, why not? The scary thing is financing all that sloth with new debt. Bad idea.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>Happy Birthday, Internet</title>
    <link href="https://mlarson.org/2006/08/06/20060806happy-birthday-internet/"/>
    <updated>2006-08-06T00:12:34.000Z</updated>
    <id>https://mlarson.org/2006/08/06/20060806happy-birthday-internet/</id>
    <content type="html">&lt;p&gt;Today, August 6, &lt;a href=&#34;http://news.bbc.co.uk/2/hi/technology/5242252.stm&#34;&gt;the Internet celebrates its quincea?±era&lt;/a&gt;. 15 years of interconnected pandemonium. A bit of personal trivia: on my first tentative leap onto the &amp;quot;Information Superhighway,&amp;quot; the first website I went to was &lt;a href=&#34;http://www.vw.com/&#34;&gt;www.vw.com&lt;/a&gt;. I had a thing for Volkswagon back in middle school. It only took about 26 hours to pull up the site over our blazing 28.8bps modem. Those were the days, eh?&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 4, 2006</title>
    <link href="https://mlarson.org/2006/08/04/2006080420/"/>
    <updated>2006-08-04T23:31:05.000Z</updated>
    <id>https://mlarson.org/2006/08/04/2006080420/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.slate.com/id/2143313&#34;&gt;In praise of boxer-briefs&lt;/a&gt;. A pair of boxers are the &amp;quot;classic preppie choiceÄîlooks sharp, underachieves.&amp;quot; --Who wins where? &lt;a href=&#34;http://www.popvssoda.com/countystats/total-county.html&#34;&gt;Pop vs. soda vs. coke&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--The PocketMod &lt;a href=&#34;http://www.pocketmod.com/&#34;&gt;turns an ordinary 8.5&amp;quot;x11&amp;quot; sheet of paper into a hi-octane customized personal organizer&lt;/a&gt;. And by extension, turns the ordinary you into a Person Who Makes Things Happen. Or you could &lt;a href=&#34;http://www.instructables.com/id/EUHL5RGTSTEQC10W1M/?ALLSTEPS&#34;&gt;make a 100-page notebook&lt;/a&gt;. Go ye forth and produce!&lt;/p&gt;
&lt;p&gt;--Lose weight by following &lt;a href=&#34;http://www.fourmilab.ch/hackdiet/www/hackdiet.html&#34;&gt;The Hacker&#39;s Diet: How to Lose Weight and Hair Through Stress and Poor Nutrition&lt;/a&gt;. Written by an engineer/ programmer/ entrepreneur--who needs nutritionists?&lt;/p&gt;
&lt;p&gt;--The Economist on &lt;a href=&#34;http://www.economist.com/science/displaystory.cfm?story_id=7245949&#34;&gt;differences between the sexes&lt;/a&gt;. I think this is wild: &amp;quot;a one-day-old girl will look for longer at a face than at a mechanical mobile; a boy will prefer the mobile.&amp;quot; There&#39;s a &lt;a href=&#34;http://www.economist.com/images/20060805/CST136.gif&#34;&gt;table in the sidebar&lt;/a&gt; to summarize some areas of difference found by one study. Men were much better at mentally rotating an object and physical aggression... and women were better at spelling and &amp;quot;indirect aggression&amp;quot;. There&#39;s a can of worms for you.&lt;/p&gt;
&lt;p&gt;-A &lt;a href=&#34;http://www.deepskyfrontier.com/#howbig01&#34;&gt;very, very, very, very large webpage&lt;/a&gt;. See also my &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9327e4b06bff88913052/1368232743647/?format=original&#34;&gt;earlier post&lt;/a&gt; about &lt;a href=&#34;http://www.royalsapien.com/pop1/&#34;&gt;being only 1 pixel&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 3, 2006</title>
    <link href="https://mlarson.org/2006/08/03/2006080319/"/>
    <updated>2006-08-03T23:25:01.000Z</updated>
    <id>https://mlarson.org/2006/08/03/2006080319/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://freegovinfo.info/best&#34;&gt;Here are some links &amp;amp; photos to some of the worst-named government documents&lt;/a&gt;. I&#39;m particular fond of &lt;a href=&#34;http://www.flickr.com/photos/10325651@N00/198050336/&#34;&gt;&amp;quot;Distinguishing Bolts from Screws,&amp;quot;&lt;/a&gt; and would gladly recommend &lt;a href=&#34;http://www.flickr.com/photos/77572688@N00/200102744/in/set-72157594214633198/&#34;&gt;&amp;quot;Everything you always wanted to know about shipping high-level nuclear wastes.&amp;quot;&lt;/a&gt; --The &lt;a href=&#34;http://www.navhindtimes.com/articles.php?Story_ID=072932&#34;&gt;age-old &amp;quot;medical honey&amp;quot; trick&lt;/a&gt; is proving itself superior to many antibiotic wound treatments.&lt;/p&gt;
&lt;p&gt;--An &lt;a href=&#34;http://hearhear.us/articles/2006/07/12/an-interview-with-paul-buckley-part-one&#34;&gt;interview with Paul Buckley, book cover designer for the Penguin Group&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--Now you can goof off on the internet at work peacefully and free from anxiety. &lt;a href=&#34;http://www.workfriendly.net/&#34;&gt;WorkFRIENDLY makes websites look like Microsoft Word documents&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--Paul Graham on &lt;a href=&#34;http://www.paulgraham.com/procrastination.html&#34;&gt;&amp;quot;Good and Bad Procrastination.&amp;quot;&lt;/a&gt;&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Works (review: 4/5)</title>
    <link href="https://mlarson.org/2006/08/02/20060802the-works-review-45/"/>
    <updated>2006-08-02T11:01:29.000Z</updated>
    <id>https://mlarson.org/2006/08/02/20060802the-works-review-45/</id>
    <content type="html">&lt;p&gt;Over the past couple weeks I&#39;ve been flipping through Kate Ascher&#39;s book &lt;a href=&#34;http://www.amazon.com/gp/product/1594200718/sr=8-1/qid=1154529008/ref=pd_bbs_1/104-8790375-8531112?ie=UTF8&#34;&gt;The Works&lt;/a&gt;. Ascher&#39;s expos?© draws on her experience with the Port Authority and with the NYC Economic Development Corporation. The result is a very cool macro- and micro-scopic view of the city that never sleeps. The book is decorated with all sorts of diagrams, labels, charts, cut-aways, and nice commentary. You can see everything from historic street lights, to analyses of pedestrian crosswalks, to the complex networks for planes, trains, and automobiles (and boats and subways and everything else). The &lt;a href=&#34;http://37signals.com/svn/archives2/fly_on_the_wall_the_magic_is_that_everything_has_a_center_of_gravity_you_just_need_to_find_it.php&#34;&gt;folks at 37 Signals mentioned&lt;/a&gt; an aspect of &lt;a href=&#34;http://www.edwardtufte.com/tufte/books_be&#34;&gt;Edward Tufte&#39;s new book, Beautiful Evidence&lt;/a&gt; that they appreciated: the &amp;quot;self-imposed constraint&amp;quot;. With that observation in mind, I noticed the same thing in Ascher&#39;s work. Each page is like a self-contained essay on its unique topic. Instead of trailing off onto the next page, each spread is complete and self-contained on its own. You can pick it up anywhere and learn something. This book reminds me of those wonderful books like the &lt;a href=&#34;http://us.dk.com/nf/Browse/BrowseStdPage/0,,231463,00.html&#34;&gt;Eyewitness Books series&lt;/a&gt; I used to devour when I was younger. If I had a coffee table, well, that would be a good place for it: out in the open, always offering another little moment of fascination.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>August 1, 2006</title>
    <link href="https://mlarson.org/2006/08/01/2006080116/"/>
    <updated>2006-08-01T23:54:30.000Z</updated>
    <id>https://mlarson.org/2006/08/01/2006080116/</id>
    <content type="html">&lt;p&gt;--We may be &lt;a href=&#34;http://www.psychologytoday.com/articles/index.php?term=pto-20041112-000010&amp;amp;print=1&#34;&gt;raising a nation of wimps&lt;/a&gt;. Perhaps this a curse/opportunity afforded by wealth? My own brainstorm: it seems like weakness, like environmentalism, is a luxury good. That is, parental overprotectiveness would not happen to such an extent in a less prosperous nation. This small bit in particular is one of the most interesting: &amp;quot;Children are far less integrated into adult society than they used to be at every step of the way&amp;quot;. --Emotionally stunted, perhaps... but we&#39;re &lt;a href=&#34;http://www.nytimes.com/2006/07/30/health/30age.html?_r=1&amp;amp;oref=slogin&#34;&gt;larger and healthier than our ancestors&lt;/a&gt; even just a few generations back. Another benefit of wealth and productivity. [via &lt;a href=&#34;http://www.marginalrevolution.com&#34;&gt;mr&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--A large &lt;a href=&#34;http://www.jonhs.net/freemovies/&#34;&gt;archive of free (out of copyright/ public domain) movies&lt;/a&gt;, including a &lt;a href=&#34;http://www.jonhs.net/freemovies/#free_cartoons&#34;&gt;nice little selection of the old Bugs Bunny and Superman cartoons&lt;/a&gt;. [via &lt;a href=&#34;http://www.digg.com&#34;&gt;digg&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--College athletes are &amp;quot;&lt;a href=&#34;http://chronicle.com/free/v52/i48/48a03201.htm&#34;&gt;ethically impaired&lt;/a&gt;&amp;quot;. Interesting notion here: &amp;quot;In measurements of college athletes&#39; moral reasoning, players of team sports Äî and in particular, team contact sports Äî fare significantly worse than those who play individual sports... partly because team-sport athletes often do not make as many decisions during games.&amp;quot;&lt;/p&gt;
&lt;p&gt;--&lt;a href=&#34;http://popularitydialer.com/&#34;&gt;Escape from awkward situations with the Popularity Dialer&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--The New York Public Library offers a &lt;a href=&#34;http://digitalgallery.nypl.org/nypldigital/index.cfm&#34;&gt;digital gallery of almost 500,000 of their photo and print collections&lt;/a&gt;. I could spend all day in there, and come back the next day for more.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 31, 2006</title>
    <link href="https://mlarson.org/2006/07/31/2006073115/"/>
    <updated>2006-07-31T00:02:50.000Z</updated>
    <id>https://mlarson.org/2006/07/31/2006073115/</id>
    <content type="html">&lt;p&gt;--Here&#39;s the &lt;a href=&#34;http://goodthink.com/writing/view_stories.cfm?id=11&amp;amp;page_id=2&#34;&gt;story of a guy that deposits a fake check&lt;/a&gt; from a scam company--and comes out $95093.35 better. [via &lt;a href=&#34;http://www.getrichslowly.org/blog/&#34;&gt;grs&lt;/a&gt;] --&lt;a href=&#34;http://extremeinstability.com/imagesbyyear.htm&#34;&gt;Photos from a tornado chaser&lt;/a&gt;. Supercells, lightning, twisters, even aurora borealis. It&#39;s all there.&lt;/p&gt;
&lt;p&gt;--&lt;a href=&#34;http://www.sciam.com/print_version.cfm?articleID=00010347-101C-14C1-8F9E83414B7F4945&#34;&gt;Scientific American weighs in on expertise and experts&lt;/a&gt;. It&#39;s not all genetics:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The preponderance of psychological evidence indicates that experts are made, not born. What is more, the demonstrated ability to turn a child quickly into an expert--in chess, music and a host of other subjects--sets a clear challenge before the schools. Can educators find ways to encourage students to engage in [that] kind of effortful study...?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;--And the New Yorker reflects on the &lt;a href=&#34;http://www.newyorker.com/fact/content/articles/060731fa_fact&#34;&gt;arguments about that massive project of non-experts [micro-experts?]&lt;/a&gt;, &lt;a href=&#34;http://en.wikipedia.org/&#34;&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>The Botany of Desire (review: 3.5/5)</title>
    <link href="https://mlarson.org/2006/07/30/20060730the-botany-of-desire-review-355/"/>
    <updated>2006-07-30T23:47:24.000Z</updated>
    <id>https://mlarson.org/2006/07/30/20060730the-botany-of-desire-review-355/</id>
    <content type="html">&lt;p&gt;This Sunday I read Michael Pollan&#39;s book, &lt;a href=&#34;http://www.amazon.com/gp/product/0375760393/sr=8-1/qid=1154317424/ref=pd_bbs_1/104-8790375-8531112?ie=UTF8&#34;&gt;The Botany of Desire&lt;/a&gt;. The book is a natural history of man and four plants: the apple, the tulip, cannabis, and the potato. Now that I think of it, this might be the only life-science book I&#39;ve ever for recreation, but there are certainly worse places to begin. &lt;a href=&#34;http://www.michaelpollan.com/&#34;&gt;Michael Pollan&lt;/a&gt; is not only a writer, but a gardener. Throughout the four sections he draws on history, biography, genetics, economics, biotechnology, and culture at large in a delightfully consilient manner. The high botanical drama of man&#39;s Apollonian quest for order versus his yielding to Dionysian revelry is interwoven with Pollan&#39;s own personal experience.&lt;/p&gt;
&lt;p&gt;While it is not a dedicated study of eco-issues, the work is nicely book-ended with thoughts on the man-environment interaction--the plants we domesticate, and the ways we are subtly domesticated in turn. I particularly like the discussion of &amp;quot;wildness&amp;quot; and &amp;quot;wilderness,&amp;quot; and some provoking thoughts on intoxication. I thought the apple section was the most interesting, but Pollan reaches his most filligreed and gushing moments in the chapter on the tulip. The potato section was a bit bland, but perhaps that is to be expected. Overall, the book is an interesting romp.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 29, 2006</title>
    <link href="https://mlarson.org/2006/07/29/2006072913/"/>
    <updated>2006-07-29T19:17:04.000Z</updated>
    <id>https://mlarson.org/2006/07/29/2006072913/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.oddmusic.com/gallery/index.html&#34;&gt;One man&#39;s trash is another man&#39;s trumpet&lt;/a&gt;. A gallery of weird musical instruments--some are handmade from scratch, some are nicely constructed from materials at hand. The &lt;a href=&#34;http://www.oddmusic.com/gallery/om25450.html&#34;&gt;organ-in-the-cave&lt;/a&gt; is just amazing. --Romance, coffee, cigarettes, fashion... &lt;a href=&#34;http://digitaljournalist.org/issue0009/photo_frame1.html&#34;&gt;a photo-essay about Parisians&lt;/a&gt;. [via &lt;a href=&#34;http://www.coudal.com&#34;&gt;coudal&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--&lt;a href=&#34;http://www.youtube.com/watch?v=tL6E7R4IbCM&#34;&gt;Nothing like the excitement of toppling dominoes&lt;/a&gt;. This group gets bonus points for 1) variety of toppled materials [soap?!] and 2) creative use of apartment space. [via &lt;a href=&#34;http://www.designobserver.com&#34;&gt;do&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--So a gentleman bought a car, drove it home, parked it. The next day it was gone. &lt;a href=&#34;http://http://www.newschannel5.com/content/investigates/20762.asp?print=true&#34;&gt;The dealer took it back&lt;/a&gt;: all most sales are final. [via &lt;a href=&#34;http://www.digg.com&#34;&gt;digg&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--Conundrum: how to sustain a religion in which all members are celibate. It&#39;s a tough problem evidenced by the fact that &lt;a href=&#34;http://www.boston.com/news/globe/magazine/articles/2006/07/23/the_last_ones_standing/?page=full&#34;&gt;soon there will be no more Shakers&lt;/a&gt;.&lt;/p&gt;
</content>
  </entry>
  
  <entry>
    <title>July 27, 2006</title>
    <link href="https://mlarson.org/2006/07/27/2006072712/"/>
    <updated>2006-07-27T23:33:11.000Z</updated>
    <id>https://mlarson.org/2006/07/27/2006072712/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.kazaa.com&#34;&gt;Kazaa&lt;/a&gt; is slowly &lt;a href=&#34;http://www.iht.com/articles/2006/07/27/yourmoney/music.php&#34;&gt;getting out of its legal quagmire&lt;/a&gt;. That&#39;s good news for everyone who cares. I have to wonder how it will hold up in the face of mass-market online retailers like &lt;a href=&#34;http://www.apple.com/itunes/&#34;&gt;iTunes&lt;/a&gt;, and &lt;a href=&#34;http://www.allofmp3.com/&#34;&gt;allofmp3.com&lt;/a&gt;, mostly free services like &lt;a href=&#34;http://www.last.fm/&#34;&gt;Last.fm&lt;/a&gt; and &lt;a href=&#34;http://www.pandora.com&#34;&gt;Pandora&lt;/a&gt;, and the torrent venues like &lt;a href=&#34;http://www.bittorrent.com/index.html&#34;&gt;BitTorrent&lt;/a&gt;. The more the merrier I suppose. The industry moguls can&#39;t sue everyone. --&lt;a href=&#34;http://www.next-gen.biz/index2.php?option=com_content&amp;amp;task=view&amp;amp;id=3518&amp;amp;Itemid=2&amp;amp;pop=1&amp;amp;page=0&#34;&gt;Can videogames make you cry?&lt;/a&gt; Interesting little article on the potential of the medium. My answer is... umm... *coughyescough*.&lt;/p&gt;
&lt;p&gt;--An article in the New York Times points to the &lt;a href=&#34;http://select.nytimes.com/gst/abstract.html?res=FA0614FE34540C758DDDAE0894DE404482&#34;&gt;decline of independent music stores&lt;/a&gt;[$]. The clientele is older and the tastes more esoteric. This seems to match up with my experience in the local store called Wuxtry. It was me, and a couple of 40- and 50-year-old guys. I did manage to walk out with some classic Moby and Sasha on the cheap.&lt;/p&gt;
&lt;p&gt;--Here&#39;s a &lt;a href=&#34;http://www.ryanjordan.com/2006_arctic/2006/05/across_the_arct.html&#34;&gt;trio of guys who walked 600+ miles&lt;/a&gt; across the most remote wilderness in the United States without any outside support.&lt;/p&gt;
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  </entry>
  
  <entry>
    <title>July 26, 2006</title>
    <link href="https://mlarson.org/2006/07/26/2006072611/"/>
    <updated>2006-07-26T22:56:21.000Z</updated>
    <id>https://mlarson.org/2006/07/26/2006072611/</id>
    <content type="html">&lt;p&gt;--PC Magazine &lt;a href=&#34;http://www.pcmag.com/article2/0,1895,1993549,00.asp&#34;&gt;previews Sony&#39;s forthcoming e-book reader&lt;/a&gt;, or at least a slightly less-than-full-featured proto. Accepts not only e-books but PDF files and RSS feeds as well. Looks great. This little guy could be wonderful for people like me who are almost always reading something and/or plotting what to read next. --Well, it looks like I&#39;ve stumbled unknowingly into a series of Russia-related posts. I&#39;ll round out the mix with a &lt;a href=&#34;http://www.flickr.com/photos/bpx/sets/72057594117941491/&#34;&gt;collection of a couple thousand posters from our dearly-departed USSR&lt;/a&gt;. Propaganda, advertising, all kinds of good stuff. On a side note, this is also the only post I&#39;ve suggested that got &lt;a href=&#34;http://www.kottke.org&#34;&gt;Kottke&#39;d&lt;/a&gt;, which makes me 1 for 2. For a brief moment, &lt;a href=&#34;http://www.kottke.org/remainder/06/06/11126.html&#34;&gt;I was a star&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;--A fine collection of &lt;a href=&#34;http://russos.livejournal.com/210363.html&#34;&gt;photos of an old-school Russian submarine base&lt;/a&gt;. Looks like it&#39;s straight out of a videogame. [via &lt;a href=&#34;http://www.boingboing.net/&#34;&gt;bb&lt;/a&gt;]&lt;/p&gt;
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  <entry>
    <title>July 26, 2006</title>
    <link href="https://mlarson.org/2006/07/26/2006072610/"/>
    <updated>2006-07-26T00:18:29.000Z</updated>
    <id>https://mlarson.org/2006/07/26/2006072610/</id>
    <content type="html">&lt;p&gt;--Six-and-a-half billion people on this planet. &lt;a href=&#34;http://www.royalsapien.com/pop1/&#34;&gt;And I&#39;m only one pixel&lt;/a&gt;. --Here&#39;s an &lt;a href=&#34;http://www.newyorker.com/critics/atlarge/?060724crat_atlarge&#34;&gt;interesting essay &amp;amp; audio piece in the New Yorker on Mozart&lt;/a&gt;, written by a guy who has spent some time listening to the master&#39;s works--all of them. &amp;quot;A hundred and eighty CDs... reissued in a handsome and surprisingly manageable array of seventeen boxes. During a slow week last winter, I transferred it to an iPod and discovered that Mozart requires 9.77 gigabytes.&amp;quot;&lt;/p&gt;
&lt;p&gt;--Russia not only has a lock on the &lt;a href=&#34;http://static.squarespace.com/static/509bd854e4b058edb8f2a475/518d917be4b06bff88910e76/518d9327e4b06bff8891304d/1368232743317/?format=original&#34;&gt;club scene&lt;/a&gt;, it&#39;s also got the &lt;a href=&#34;http://www.sreedhara.com/2006/07/25/the-biggest-hole-in-the-world-great-photos/&#34;&gt;biggest hole in the world&lt;/a&gt;. I hope they do something cool with it when the mining peters out, like a waterslide. [via &lt;a href=&#34;http://www.digg.com&#34;&gt;digg&lt;/a&gt;] &lt;strong&gt;Update:&lt;/strong&gt; I ought to have done some fact-checking. The biggest man-made hole in the world, &lt;a href=&#34;http://en.wikipedia.org/wiki/Bingham_Canyon&#34;&gt;Bingham Canyon&lt;/a&gt;, is actually here in the States. That&#39;s 4000 feet of hole-ness outside of Salt Lake City. I still think the Russian one looks cooler, but they are both begging for a water park. Or some trees.&lt;/p&gt;
&lt;p&gt;--I&#39;m a sucker for conspiracy theory and revisionist history. The Associated Press reports on a &lt;a href=&#34;http://www.nbc10.com/news/9543661/detail.html&#34;&gt;newly-discovered copy of a letter written by Abraham Lincoln&lt;/a&gt;, a letter urging governors to support a Constitutional amendment to protect slavery. But then again, as historian Thomas DiLorenzo writes, &lt;a href=&#34;http://www.lewrockwell.com/dilorenzo/dilorenzo104.html&#34;&gt;this isn&#39;t really news&lt;/a&gt;. I&#39;m not usually much interested in biography, but I&#39;m looking forward to &lt;a href=&#34;http://www.amazon.com/gp/product/030733841X/sr=1-1/qid=1153695320/ref=pd_bbs_1/104-8790375-8531112?redirect=true&amp;amp;ie=UTF8&amp;amp;s=books/lewrockwell&#34;&gt;DiLorenzo&#39;s new book&lt;/a&gt; arriving this fall.&lt;/p&gt;
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  </entry>
  
  <entry>
    <title>July 25, 2006</title>
    <link href="https://mlarson.org/2006/07/25/200607259/"/>
    <updated>2006-07-25T00:38:12.000Z</updated>
    <id>https://mlarson.org/2006/07/25/200607259/</id>
    <content type="html">&lt;p&gt;--Says Vanity Fair, no one does late-night like the Russians...&lt;a href=&#34;http://www.vanityfair.com/commentary/content/printables/060703roco01?print=true&#34;&gt;try clubbing in Moscow&lt;/a&gt;. --&lt;a href=&#34;http://www.thestar.com/NASApp/cs/ContentServer?pagename=thestar/Layout/Article_Type1&amp;amp;c=Article&amp;amp;cid=1153000221434&amp;amp;call_pageid=1105528093962&amp;amp;col=1105528093790&#34;&gt;&amp;quot;Advertising has forgotten how to be subtle&amp;quot;&lt;/a&gt;. [via &lt;a href=&#34;http://www.aldaily.com&#34;&gt;ald&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--&lt;a href=&#34;http://www.nytimes.com/2006/07/23/books/review/23alford.html?_r=1&amp;amp;oref=slogin&#34;&gt;All about books in the bathroom&lt;/a&gt;. Is it &amp;quot;a symbolic way to replace whatÄôs lost through the act of voiding,&amp;quot; or more like &amp;quot;listening to music while youÄôre vacuuming&amp;quot;?[via &lt;a href=&#34;http://www.politicaltheory.info&#34;&gt;pt.i&lt;/a&gt;]&lt;/p&gt;
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  </entry>
  
  <entry>
    <title>July 23, 2006</title>
    <link href="https://mlarson.org/2006/07/23/200607238/"/>
    <updated>2006-07-23T22:29:16.000Z</updated>
    <id>https://mlarson.org/2006/07/23/200607238/</id>
    <content type="html">&lt;p&gt;--It seems like people &lt;a href=&#34;http://blog.outer-court.com/click/&#34;&gt;like to click on eyes and brightly-colored things&lt;/a&gt;. I&#39;m not sure what this means for society in the long run. --&lt;a href=&#34;http://www.usatoday.com/graphics/news/gra/gnoreligion/flash.htm&#34;&gt;USA Today reports some religious demographics&lt;/a&gt; in the United States, highlighting those who don&#39;t belong to any church. Apparently, Washington is where all the heathens go, with some 25% in the &amp;quot;no religion&amp;quot; category. Close on its heels were most of the other western states in the 20% range. I was surprised that 97% of the respondents in good ol&#39; North Dakota claimed a religion of some form. The Glenmary Research Center also does studies of this type, &lt;a href=&#34;http://www.valpo.edu/geomet/geo/courses/geo200/religion.html&#34;&gt;providing some maps for religious populations&lt;/a&gt;, so you can find all the Amish hot spots. [via &lt;a href=&#34;http://www.digg.com&#34;&gt;digg&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;--&lt;a href=&#34;http://www.diserio.com/hkpano.jpg&#34;&gt;I suppose this is reason enough to go to Hong Kong&lt;/a&gt;. What an incredible skyline.&lt;/p&gt;
&lt;p&gt;--Emporis went through the trouble to &lt;a href=&#34;http://www.emporis.com/en/bu/sk/st/sr/&#34;&gt;rank skylines drawing on a little formula and a database&lt;/a&gt;. Atlanta makes #32. Hong Kong wins easily.&lt;/p&gt;
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  <entry>
    <title>July 22, 2006</title>
    <link href="https://mlarson.org/2006/07/22/200607227/"/>
    <updated>2006-07-22T23:10:27.000Z</updated>
    <id>https://mlarson.org/2006/07/22/200607227/</id>
    <content type="html">&lt;p&gt;--I&#39;ve always liked the Georgia font, especially those dropped numerals (1234567890). &lt;a href=&#34;http://www.iht.com/articles/2006/07/09/features/dlede10.php&#34;&gt;Lately it has become the &amp;quot;in&amp;quot; font for websites&lt;/a&gt;. One student finds that Georgia &lt;a href=&#34;http://www.aspiramedia.com/fadtastic/?p=79&#34;&gt;helps him get better grades&lt;/a&gt;. --Steve Pavlina lists &amp;quot;&lt;a href=&#34;http://www.stevepavlina.com/blog/2006/07/10-reasons-you-should-never-get-a-job/&#34;&gt;10 Reasons You Should Never Get a Job&lt;/a&gt;&amp;quot;. I&#39;ve enjoyed his website quite a bit, minus the more out-there, new-agey essays (&lt;a href=&#34;http://www.stevepavlina.com/blog/2006/06/telepathy/&#34;&gt;for example&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;--I just love this political &lt;a href=&#34;http://www.harpers.org/AlGoreOil-20060714.html&#34;&gt;cartoon with Al Gore&lt;/a&gt;. The set-up (so perfectly in character), the wit, the cynicism... Gets me every time. Unfortunately, I haven&#39;t had a chance to &lt;a href=&#34;http://www.amazon.com/gp/product/1594865671/104-3764483-7491944?v=glance&amp;amp;n=283155&#34;&gt;read his book&lt;/a&gt; or &lt;a href=&#34;http://www.climatecrisis.net/&#34;&gt;see the movie&lt;/a&gt; yet. Though I&#39;ve heard that his lecture circuit presentation is a barnburner.&lt;/p&gt;
&lt;p&gt;--Composer Philip Glass and IBM &lt;a href=&#34;http://www.philipglass.com/glassengine/&#34;&gt;teamed up with IBM to create the Glass Engine&lt;/a&gt;. I absolutely love the interface used to explore the range of music, allowing you navigate by title, year, style, emotional content, and more. I&#39;d really like to see stand-alone software with the same functionality. I&#39;d add in the ability to customize and create your own categories, and of course personalize the metadata for each of those. My other idea for this would be to run the software through a wall-sized touchscreen...&lt;/p&gt;
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  <entry>
    <title>Atlanta Ballet Orchestra Given the Pink Slip</title>
    <link href="https://mlarson.org/2006/07/22/20060722atlanta-ballet-orchestra-given-the-pink-slip/"/>
    <updated>2006-07-22T01:15:57.000Z</updated>
    <id>https://mlarson.org/2006/07/22/20060722atlanta-ballet-orchestra-given-the-pink-slip/</id>
    <content type="html">&lt;p&gt;Some sad news for Atlanta arts today: the Atlanta Ballet will &lt;a href=&#34;http://www.accessatlanta.com/arts/content/arts/stories/0721LVballet.html&#34;&gt;no longer perform with live music&lt;/a&gt;. They have decided not to renew the musicians&#39; contracts for the 2006-2007 season, so all performances will be done with recorded music. I&#39;m guessing the musician&#39;s union wouldn&#39;t budge, and there just ain&#39;t that much free money for the arts laying around. It&#39;s kind of a bummer. There&#39;s always that intangible &#39;something&#39; that live music brings. Whether it&#39;s just the little humming and tooting before the show, or appreciating the not-so-simple act of coordinating dancers and musicians--the orchestra adds a lot to the productions. Two productions I really liked, Dracula and Hamlet [music by &lt;a href=&#34;http://www.philipglass.com/&#34;&gt;Philip Glass&lt;/a&gt;] wouldn&#39;t have been nearly the same without the live music. It really felt like something special, an Event.&lt;/p&gt;
&lt;p&gt;Surely there&#39;s another way? I&#39;ll bet there are some highly-qualified college students and highly qualified amateurs in the Atlanta area that would be glad to play for much lower fees. Heck, I would have played for free when I was doing percussion back in college. Some of my favorite concerts were the dual-department music/ dance productions. Hopefully, the orchestra will have only a brief absence. Or perhaps it will free the ballet to collaborate with other, smaller ensembles. We shall see. I&#39;m still a bit bummed, though.&lt;/p&gt;
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  <entry>
    <title>July 19, 2006</title>
    <link href="https://mlarson.org/2006/07/19/200607194/"/>
    <updated>2006-07-19T23:18:27.000Z</updated>
    <id>https://mlarson.org/2006/07/19/200607194/</id>
    <content type="html">&lt;p&gt;--&lt;a href=&#34;http://www.stylusmagazine.com/articles/weekly_article/imperfect-sound-forever.htm&#34;&gt;Music is louder than it used to be.&lt;/a&gt; These days the record and music broadcast industry is stuck in a louder=catchier mindset. I&#39;ve also noticed the lack of range and nuance. Outside of the mass pop albums, one that sticks out in my mind is &lt;a href=&#34;http://www.amazon.com/gp/product/B0006L16N8/104-3764483-7491944?v=glance&amp;amp;n=5174&#34;&gt;Coldplay&#39;s latest&lt;/a&gt;. It was really good the first time I listened. But after a few dozen times around the block, it just didn&#39;t have the range or staying power of the first two. It felt just a bit stale. --&lt;a href=&#34;http://www.babynamewizard.com/namevoyager/&#34;&gt;How is your brand?&lt;/a&gt; See the trends for names over the past century.&lt;/p&gt;
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